Biography of dayanara torres

What Mountain Climbing Books are missing from my list?

2024.05.20 23:02 lshrtwll What Mountain Climbing Books are missing from my list?

I'm an armchair mountain climber and I'd like recommendations of books beyond what I have. I 'm especially interested in Himalayan part of the world and I like audiobooks - but I will consider anything you think is good.
Here is a list of Books I've read (also available as audiobooks).
Annapurna (Arlene Blum) Can't find Herzog in audiobook
Boys of Everest
Beyond the Mountain
The Climb
Climbing Everest - Writings of George Mallory
Dark Summit
Deadly Race to the Himalayas
Denali's Howl
Epic - Survival Mountain Peaks
Edmund Hillary - A Biography
Everest Inc.
Everest 1953 - Story of the First Ascent
Everest: Mountain Without Mercy Everest
Forces at play in an Everest expedition
Forever on the Mountain
Ghosts of K2 The Epic Saga of the First Ascent
Hidden Mountains (Johnathan McClain)
High (Clint Willis)
High Crimes
High Drama - Rebirth of Climbing
High Exposure (David Breashears)
Hunt for Mount Everest - History
Into Thin Air
K2: Life and Death
The Ledge - Survival on Mount Rainier
Shook (Legendary Mountain Guide, Everest)
Lost in the Valley of Death (backpacker in India)
A Manual for the Climber as Athlete
Moments of Doubt - 20 Mountain Writings
Master of Thin Air (Andrew Lock)
The Next Everest (Jim Davidson)
No Shortcuts to the Top
The Third Pole
The Will to Climb (Annapurna)
[UPDATE] -----Recommended audiobooks by this group
I just made a list of all the recommended books (by this group) that I've added. They have both print and audiobook versions. Here they are (so far):
-Eiger Dreams by Jon Krakauer
-Everest: the west ridge
-Alone one the Ice By David Robert
-Into the Silence by Wade Davis: Mallory expedition to be the first to summit Everest.
-The Calling by Barry Blanchard: Memoir from a Canadian climber
-Deborah and the Mountain of my Fear by David Roberts
-Gwen Moffat: Space below my feet
-The Tower: A Chronicle of Climbing and Controversy on Cerro Torre
-A Short Walk in the Hindu Kush
-Kiss or Kill: Confessions of a Serial Climber
-Conquistadors Of The Useless
-Seven Steps from Snowdon to Everest - Mark Horrell (he has a couple good ones)
-Between a Rock and a Hard Place (tangentially related to mountaineering),
-Alone on the Wall,
-the Push,
-Life Lived Wild by Rick Ridgeway
-A Fine Line: Searching for Balance Among Mountains
-Psychovertical
-----14 page list of books from different eras ------------
I don't know how many of these have audiobook versions but, dickiefrisbee (commentor below) offered a 14 page list of Mountain climbing books from all different eras. Pretty Impressive: https://www.dropbox.com/scl/fi/ynxe08pkfrlzvekrdaql5/Bob-Durand-CLIMBING-LIRARY.pdf?rlkey=k8b78pt5r7z6oaijkkgxlow8h&e=1&dl=0
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2024.05.02 20:23 picklesupreme Bad Tony’s nominees are here!

Thank you to everyone who submitted names! If you want to just get to it, here is the voting form: https://forms.gle/NVvnGRrrwyXBAND7A
And the nominees are…
Best Fake Accent
Sutton Foster - Sweeney Todd
Daniel Radcliffe - Merrily We Roll Along
Aaron Tveit - Sweeney Todd
Kara Young - Purlie Victorious
Jeremy Jordan - The Great Gatsby
Most Athletic Performance
All The Acrobats - Water For Elephants
Justin Guarini - Once Upon A One More Time
Daniel Radcliffe - Merrily We Roll Along
Sutton Foster - Once Upon A Mattress
Everyone - Illinoise
Best Ensemble
The Outsiders
Here Lies Love
Merrily We Roll Along
Once Upon A One More Time
Hell’s Kitchen
Back to the Future
Water For Elephants
Ensemble Member Who Really Lives by the Motto that there are “No Small Parts”
Amber Ardolino - Back to the Future
Carson Stewart - The Notebook
Max Rackenberg, Rocco Van Auken, Brady Wagner aka all the Frankie Jr.’s - Merrily We Roll Along
Jonathan Christopher - Sweeney Todd
Best Playbill Biography
Hillary Clinton - Suffs
James Monroe Inglehart - Spamalot
Paul Alexander Nolan - Water For Elephants
Nik Walker - Spamalot
Taran Killam - Spamalot
Best Playbill Design
Merrily We Roll Along
Cabaret
Water For Elephants
Here Lies Love
The Notebook
Best Use of Pop Culture References to Connect With the Youth: Combined with the Best/Worst/Corniest Jokes Category, because they both had very similar nominees.
All the Lesbian Jokes - Lempicka
“I’m Done With the Spanish Flu” - The Great Gatsby
The George Santos Reference - Spamalot
The Ozempic Jokes - Spamalot
Lots of Things - The Mean Girls Movie
Best Merch
The Notebook, Specifically the Tissue Boxes
Once Upon A One More Time
Gutenberg!
Suffs
Merrily We Roll Along
Best New or New-Ish Performer
Liam Pearce - How to Dance in Ohio
Ali Louis Bourzgui - The Who’s Tommy
Nichelle Lewis - The Wiz
Hannah Cruz - Suffs
Brody Grant - The Outsiders
Most Highly Critically Acclaimed Play that Only 17 People Actually Paid To See
Jaja’s African Hair Braiding
Uncle Vanya
Days of Wine and Roses
Prayer For the French Republic
Lempicka, starring Mariand Torres
Performer Who Did Not Get To Show Off Enough In Their Role: thank you to u/Comprehensive-Fun47 for suggesting this category and its nominees!
Sierra Boggess - Harmony
Julie Benko - Harmony
Beth Leavel - Lempicka
Steve Carrell - Uncle Vanya
Christina Sajous - The Who’s Tommy
Worst Show to go Into Blind
Days of Wine and Roses
Lempicka
Merrily We Roll Along
The Who’s Tommy
Here Lies Love
Best Official Social Media of a Production: There are so many posts to choose from to best represent each of these shows marketing moves; I just went ahead and chose my favorite post from each nominated show.
Gutenberg!
Lempicka
The Great Gatsby
The Outsiders
How To Dance In Ohio
Best Theatre-Related Social Media
Bryan The Business Analyst
MickeyJoTheatre
Kate Reinking
BroadwaySHO
The Theatr App
Most TikTok Worthy Song
Woman Is - Lempicka
Roaring On - The Great Gatsby
Kiss Me - The Notebook
Best Stage Door Experience
Merrily We Roll Along
Harmony
Sweeney Todd
The Great Gatsby
Lempicka
Worst Stage Door Experience
Gutenberg!
Sweeney Todd
Days of Wine and Roses
The Great Gatsby
Merrily We Roll Along
Role Most Likely To Be Stolen By James Chosen in a Movie: And yes, these all were suggested more than once.
Tamara de Lempicka - Lempicka
Anyone - Spamalot
Bud or Doug - Gutenberg
Jay Gatsby - The Great Gatsby
The Cowardly Lion - The Wiz
Single Best Costume
Aaron Tveit’s Bloody Shirt that Sold For $6k - Sweeney Todd
This Cinderella Dress - Once Upon A One More Time
This Glinda Dress - The Wiz
Emcee’s Dress During “Money” - Cabaret
Rafaela’s Jacket - Lempicka
Single Best Prop
The DeLorean - Back to the Future
The Notebook - The Notebook
Rosie the Elephant - Water For Elephants
The Typewriter - Merrily We Roll Along
The Hats - Gutenberg!
Craziest News Story
Lauren Boebert at Beetlejuice
My Son’s A Queer Postponement/Cancellation
Ethan Slater and Ariana Grande
New Sweeney Todd Casting
Two Great Gatsby Musicals
Best Post on Broadway
Eva Noblezada Last Show Updates! - u/elaerna
Tired of the "what show should I see" posts? Help me build a flow chart we can pin! - u/FlowersBloomUntil
Sweeny Todd is just a guy????????? - u/badwyrm
MEGATHREAD of Spamalot (2023-24) Knights Who Say "Ni!" bits (Alex Brightman, et al.) - u/Thatchos
Gutenberg Guest Roster - u/Apprehensive-Sir1988
Best Producer on Gutenberg!
Lin-Manuel Miranda
Weird Al
Audra McDonald
Idina Menzel
Steve Martin and Martin Short
Worst Snack Allowed in the Theater
Anything with Crinkly Wrapping
Chips
Spaghetti Sauce
Popcorn
Alcohol
Worst Things To Do As An Audience Member
Be On Phones
Talking
Singing Along
Filming
Shame Performers For Not Stage-Dooring
Worst Behaved Audience
Sweeney Todd
Moulin Rouge
An Enemy of the People
Aladdin
Student Matinees in General
Best Bathroom Attendant
Stephen Sondheim Theatre (& Juliet)
Al Hirschfeld Theatre (Moulin Rouge)
August Wilson Theatre (Funny Girl, Cabaret)
Bernard B. Jacobs Theatre (Parade, The Outsiders)
Broadhurst Theatre (A Beautiful Noise)
Single Best Song to Come Out of This Season
Great American Bitch - Suffs
Great Expectations - The Outsiders
Evanesce - Days of Wine and Roses
Woman Is - Lempicka
Here Lies Love - Here Lies Love
Best Play That Did Not Premiere On Broadway
Oh, Mary!
Primary Trust
Jonah
Death, Let Me Do My Show
All The Devils Are Here
Best Musical That Did Not Premiere On Broadway
Dead Outlaw
Operation Mincemeat
Here We Are
Teeth
The Connector
Most Anticipated Show of Next Season
Sunset Boulevard
Romeo + Juliet
Boop!
Gatsby
Our Town
Old Friends

That’s all of them! Please let me know if there are any better links I can put in, or if any of the links don’t work.
I know there are some statistics nerds on this subreddit, so if anyone can come up with some wacky statistics related to these nominees, that would be real cool! Or if anyone wants to design the program for this year’s Bad Tony’s, that would also be really cool! Alright, anyway, I hope you all enjoy!
submitted by picklesupreme to Broadway [link] [comments]


2024.04.08 11:59 bearwoof CC suggestion - the "Good Killers" murder cases

I have a suggestion for a Casual Criminalist episode, the "Good Killers" murder cases from 1917-1922. It's a bunch of early mafia related murders in the US, which despite their name given in the press, which while prolific (and with body counts continually exaggerated by the national media at the time) were for the most part not very competently carried out and resulted in very, very, unusual criminal prosecutions/trials in New Jersey and Michigan. What begins as a mafia feud in a town in Sicily eventually snowballs into stuff like the murders of Ford Motor company auto workers - including firing at auto workers waiting to get on a trolley.
While the "Good Killers" made national headlines at the time (especially the New Jersey case), there's no Wikipedia article specifically dedicated to it. Just very brief mentions in the biographies of the chief leaders of the Good Killers - Schiro, Bonventre, and Magaddino. Here's a link to longest one of them:
https://en.wikipedia.org/wiki/Nicolo_Schiro#%22The_Good_Killers%22
There's also this 2007 article, but it only focuses on the New Jersey case:
https://mafiahistory.us/a014/f_goodkillers.html
But the Michigan trial (Giovanni Torres) was absolutely wild. With the defendant's photograph in the papers turning him into sort of a sex symbol! The trial judge mocking the jury after they gave their verdict, which he disagreed with, and then seemingly out to get revenge on members of the jury!
I'm new here and I noticed that in a post from a few post which mentioned a stickied post for episode suggestions but I don't see it at the top.
submitted by bearwoof to SimonWhistler [link] [comments]


2024.04.05 21:45 yawningvoid28 The Full U.S. Wide-Release Theatrical Schedule For The Year 2024.

Up-to-date as of April 27, 2024
January 5, 2024
Night Swim (HorroWith: Wyatt Russell, Kerry Condon, Amélie Hoeferle, Gavin Warren/PG-13/1 hr 38 min/Universal Pictures/d: Bryce McGuire)
January 12, 2024
Mean Girls (2024) (Musical/With: Angourie Rice, Reneé Rapp, Auli'i Cravalho, Jaquel Spivey/PG-13/1 hr 52 min/d: Samantha Jayne and Arturo Perex, Jr./Paramount Pictures)
The Beekeeper (Action/With: Jason Statham, Emmy Raver-Lampman, Bobby Naderi, Josh Hutcherson/1 hr 45 min/Metro-Goldwyn-Mayed: David Ayer)
The Book of Clarence (Drama/With: LaKeith Stanfield, Omar Sy, Anna Diop, RJ CylePG-13/2 hr 9 min/Sony Pictures Releasing/d: Jeymes Samuel)
January 19, 2024
I.S.S. (Sci-Fi/With: Ariana DeBose, Chris Messina, John Gallagher Jr., Masha Mashkova/1 hr 35 min/Bleecker Street Media/d: Gabriela Cowperthwaite)
February 2, 2024
Argylle (Action/With: Catherine O'Hara, Henry Cavill, Sofia Boutella, Ariana DeBose/PG-13/2 hr 15 min/Apple Original-Universal Pictures/d: Matthew Vaughn)
February 9, 2024
Lisa Frankenstein (HorroWith: Carla Gugino, Kathryn Newton, Cole Sprouse, Jenna Davis/PG-13/1h 41m/Focus Features/d: Zelda Williams)
February 14, 2024
Madame Web (Fantasy/With: Sydney Sweeney, Isabela Merced, Emma Roberts, Dakota Johnson/PG-13/1h 56m/Columbia Pictures/d: S.J. Clarkson)
Bob Marley: One Love (Biography/With: Kingsley Ben-Adir, James Norton, Lashana Lynch, Michael Gandolfini/PG-13/1h 44m/Paramount Pictures/d: Reinaldo Marcus Green)
February 23, 2024
Ordinary Angels (Drama/With: Alan Ritchson, Hilary Swank, Amy Acker, Nancy Travis/PG/1 hr 56 min/d: d: Jon Gunn)
Drive-Away Dolls (Comedy/With: Margaret Qualley, Geraldine Viswanathan, Beanie Feldstein, Joey Slotnick/1 hr 24 min/Focus Features)
Demon Slayer: Kimetsu No Yaiba - To the Hashira Training (Animation/With: Natsuki Hanae, Kengo Kawanishi, Akari Kitô, Yoshitsugu Matsuoka/1 hr 44 min/Sony Pictures Releasing/d: Haruo Sotozaki)
March 1, 2024
Dune: Part Two (Fantasy/With: Florence Pugh, Timothée Chalamet, Rebecca Ferguson, Zendaya/Warner Bros./PG-13/2 hr 46 min/d: Denis Villeneuve)
March 8, 2024
Imaginary (HorroWith: DeWanda Wise, Tom Payne, Betty Buckley, Veronica Falcón/PG-13/1 hr 44 min/Lionsgate Films/d: Jeff Wadlow)
Kung Fu Panda 4 (Animation/With: Lucy Liu, Angelina Jolie, Seth Rogen, Jack Black/PG/1 hr 34 min/Universal Pictures/d: Mike Mitchell and Stephanie Stine)
Cabrini (Inspirational/With: Cristiana Dell'Anna, John Lithgow, David Morse, Giancarlo Giannini/PG-13/2 hr 25 min/Angel Studios/d: Alejandro Monteverde)
March 15, 2024
The American Society of Magical Negroes (Comedy/With: Rupert Friend, David Alan Grier, Justice Smith, Michaela Watkins/PG-13/1 hr 44 min/Focus Features/d: Kobi Libii)
Arthur the King (Adventure/With: Mark Wahlberg, Nathalie Emmanuel, Simu Liu, Michael Landes/PG-13/1h 30m/Lionsgate Films/d: Simon Cellan Jones)
Love Lies Bleeding (Crime/With: Anna Baryshnikov, Kristen Stewart, Dave Franco, Katy O'Brian/1 hr 44 min/A24/d: Rose Glass)
March 22, 2024
Ghostbusters: Frozen Empire (Fantasy/With: Carrie Coon, Mckenna Grace, Annie Potts, Paul Rudd/PG-13/2h 5m/Sony Pictures Entertainment/d: Gil Kenan)
Problemista (Adventure/With: Julio Torres, Tilda Swinton, RZA, Greta Lee/1 hr 38 min/A24/d: Julio Torres)
Immaculate (HorroWith: Sydney Sweeney, Simona Tabasco, Álvaro Morte/1 hr 29 min/NEON/d: Michael Mohan)
Last Night With The Devil (HorroWith: David Dastmalchian, Laura Gordon, Ian Bliss, Fayssal Bazzi/1h 33m/IFC Films/Cameron Cairnes and Colin Cairnes)
March 29, 2024
Godzilla x Kong: The New Empire (Fantasy/With: Rebecca Hall, Dan Stevens, Rachel House, Mercy Cornwall/PG-13/1h 55m/Warner Bros./d: Adam Wingard)
Asphalt City (ThrilleWith: Sean Penn, Tye Sheridan, Katherine Waterston, Mike Tyson/2h 0m/Vertical-Roadside Attractions/d: Jean-Stéphane Sauvaire)
April 5, 2024
Monkey Man (Action/With: Dev Patel, Sharlto Copley, Pitobash, Sobhita Dhulipala/1 hr 53 min/Universal Pictures/d: Dev Patel)
The First Omen (HorroWith: Bill Nighy, Ralph Ineson, Nell Tiger Free, Sonia Braga/2h 0m/Walt Disney Studios Motion Pictures/d: Arkasha Stevenson)
April 12, 2024
Sting (HorroWith: Penelope Mitchell, Silvia Colloca, Ryan Corr, Jermaine Fowle1 hr 31 min/Well Go USA Entertainment/d: Kiah Roache-Turner)
Civil War (Action/With: Jesse Plemons, Cailee Spaeny, Kirsten Dunst, Nick Offerman/1h 49m/A24/d: Alex Garland)
Arcadian (HorroWith: Nicolas Cage, Jaeden Martell, Maxwell Jenkins, Sadie Soverall/1h 32m/RLJE Films/d: Benjamin Brewer)
April 19, 2024
Abigail (HorroWith: Kathryn Newton, Dan Stevens, Kevin Durand, Giancarlo Esposito/Universal/1h 49m/d: Matt Bettinelli-Olpin and Tyler Gillett)
The Ministry of Ungentlemanly Warfare (Action/With: Henry Cavill, Eiza González, Alan Ritchson, Alex Pettyfe2h 0m/Lionsgate/d: Guy Ritchie)
April 26, 2024
Challengers (Romantic Drama/With: Zendaya, Josh O'Connor, Mike Faist, Andre Gadbois/2h 11m/United Artists Releasing/d: Luca Guadagnino)
Unsung Hero (Inspirational/With: Daisy Betts, Joel Smallbone, Kirrilee Berger, Jonathan Jackson/Lionsgate Films/PG/1h 52m/d: Richard L. Ramsey and Joel Smallbone)
Boy Kills World (Action/With: Bill Skarsgård, Michelle Dockery, Jessica Rothe, Famke Janssen/1h 55m/Lionsgate-Roadside Attractions/d: Moritz Mohr)
May 3, 2024
The Fall Guy (Action/With: Emily Blunt, Ryan Gosling, Aaron Taylor-Johnson Hannah Waddingham/PG-13/1 hr 54 min/Universal Pictures/d: David Leitch)
Tarot (HorroWith: Avantika, Harriet Slater, Jacob Batalon, Humberly González/Screen Gems/PG-13/1h 32m/d: Spenser Cohen and Anna Halberg)
Dragonkeeper (Animated/With: Billy Nighy, Anthony Howell, Bill Bailey, Mayalinee Griffiths/PG/1h 39 min/Viva Kids/d: Jianping Li and Salvador Simó
May 4, 2024
Sight (Inspirational/With: Greg Kinnear, Fionnula Flanagan, Terry Chen, Ben Wang/PG-13/Angel Studios/d: Andrew Hyatt)
May 10, 2024
Kingdom of the Planet of the Apes (Fantasy/With: Freya Allan, Kevin Durand, William H. Macy, Dichen Lachman/PG-13/2h 25m/20th Century Studios/PG-13/d: Wes Ball/Wide)
May 17, 2024
IF (Dramedy/With: Ryan Reynolds, Phoebe Waller-Bridge, Emily Blunt, Matt Damon/Paramount Pictures/d: John Krasinski)
Back To Black (Biography/With: Marisa Abela, Jack O'Connell, Eddie Marsan, Lesley Manville/2h 2m/Focus Features/d: Sam Taylor-Johnson)
The Strangers (Chapter One) (HorroWith: Madelaine Petsch, Froy Gutierrez, Gabriel Basso, Richard Brake/1h 31m/Lionsgate/d: Renny Harlin)
May 24, 2024
Furiosa: A Mad Max Saga (Action/With: Anya Taylor-Joy, Chris Hemsworth, Tom Burke, Nathan Jones/Warner Bros./d: George Miller)
The Garfield Movie (2024) (Animation/With: Hannah Waddingham, Nicholas Hoult, Chris Pratt, Samuel L. Jackson/PG/1h 41m/Sony Pictures Entertainment/d: Mark Dindal)
May 31, 2024
The Dead Don't Hurt (Western/With: Vicky Krieps, Viggo Mortensen, Solly McLeod, Garret Dillahunt/2h 9m/Shout Studios/d: Viggo Mortensen)
Summer Camp (Comedy/With: Diane Keaton, Kathy Bates, Alfre Woodard, Eugene Levy/Roadside Attractions/d: Castille Landon)
June 7, 2024
Bad Boys: Ride Or Die (Action/With: Will Smith, Alexander Ludwig, Vanessa Hudgens, Rhea Seehorn/Sony Pictures Entertainment/d: Adil El Arbi and Bilall Fallah)
The Watchers (HorroWith: Dakota Fanning, Georgina Campbell, Olwen Fouéré, Siobhan Hewlett/Warner Bros./d: Ishana Shyamalan)
June 14, 2024
Inside Out 2 (Animation/With: Amy Poehler, Phyllis Smith, Lewis Black, Tony Hale/Walt Disney Studios Motion Pictures/d: Kelsey Mann)
June 21, 2024
The Bikeriders (Drama/With: Austin Butler, Jodie Comer, Tom Hardy, Michael Shannon/1 hr 56 min/Focus Features/d: Jeff Nichols)
Thelma (ActionComedy/With: June Squibb, Parker Posey, Clark Gregg, Malcolm McDowell/1h 37m/Magnolia Pictures/d: Josh Margolin)
Kinds of Kindness (Dramedy/With: Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley/Searchlight Pictures/d: Yorgos Lanthimos)
June 28, 2024
A Quiet Place: Day One (HorroWith: Lupita Nyong'o, Djimon Hounsou, Alex Wolff, Denis O'Hare/Paramount Pictures/d: Michael Sarnoski)
Horizon: An American Saga (Chapter 1) (Western/With: Jena Malone, Abbey Lee, Kevin Costner, Sienna MilleWarner Bros./d: Kevin Costner)
July 3, 2024
Despicable Me 4 (Animation/With: Steve Carell, Kristen Wiig, Miranda Cosgrove, Steve Coogan/PG/Universal Pictures/d: Chris Renaud and Patrick Delage)
July 4, 2024
Possum Trot (Inspirational/With: Elizabeth Mitchell, Demetrius Grosse, Carlos Aviles/Angel Studios/d: Joshua Weigel)
July 5, 2024
MaXXXine (HorroWith: Mia Goth, Elizabeth Debicki, Bobby Cannavale, Kevin Bacon/1h 45m/A24/d: Ti West)
Kill (Action/With: Lakshya, Raghav Juyal, Tanya Maniktala, Abhishek Chauhan/1h 55m/Roadside Attractions/d: Nikhil Nagesh Bhat)
July 12, 2024
Fly Me To The Moon (RomCom/With: Scarlett Johansson, Channing Tatum, Jim Rash, Ray Romano/Sony-Apple Original/d: Greg Berlanti)
July 19, 2024
Twisters (Adventure/With: Glen Powell, Kiernan Shipka, Maura Tierney, Daisy Edgar-Jones/Universal Pictures/d: Lee Isaac Chung)
July 21, 2024
Deadpool and Wolverine (Fantasy/With: Emma Corrin, Jennifer Garner, Ryan Reynolds, Morena Baccarin/Walt Disney Studios Motion Pictures/d: Shawn Levy)
July 26, 2024
Didi (Dramedy/With: Izaac Wang, Joan Chen, Chirley Chen, Chang Li Hua /1h 31m/Focus Features/d: Sean Wang)
August 2, 2024
Harold and the Purple Crayon (Animation/With: Zooey Deschanel, Zachary Levi, Lil Rel Howery, Camille Guaty/PG/1 hr 32 min/Columbia Pictures/d: Carlos Saldanha)
Cuckoo (HorroWith: Hunter Schafer, Dan Stevens, Jessica Henwick, Marton Csokas/1h 42m/d: Tilman SingeNEON)
August 9, 2024
It Ends with Us (Romantic Drama/With: Blake Lively, Jenny Slate, Brandon Sklenar, Justin Baldoni/Sony Pictures Entertainment/d: Justin Baldoni)
Trap (HorroWith: Josh Hartnett, Hayley Mills, Cali Lorella, Saleka Shyamalan/Warner Bros./d: M. Night Shyamalan)
Borderlands (Fantasy/With: Olivier Richters, Ariana Greenblatt, Cate Blanchett, Jamie Lee Curtis/Lionsgate Films/d: Eli Roth and Tim Miller)
The Fire Inside (Biography/With: Brian Tyree Henry, Jessica Grossi, Ryan Destiny, Amanda BarkePG-13/Metro-Goldwyn-Mayed: Rachel Morrison)
My Penguin Friend (Drama/With: Jean Reno, Adriana Barraza, Rocío Hernández, Nicolás Francella/Roadside Attractions/d: David Schurmann)
August 16, 2024
Alien: Romulus (HorroWith: Isabela Merced, Cailee Spaeny, Archie Renaux, David Jonsson/Walt Disney Studios Motion Pictures/d: Fede Alvarez)
Horizon: An American Saga (Chapter 2) (Western/With: Kevin Costner, Sienna Miller, Isabelle Fuhrman, Giovanni Ribisi/Warner Bros./d: Kevin Costner)
August 23, 2024
The Crow (2024) (Fantasy/With: BIll Skarsgård, FKA Twigs, Danny Huston, Laura Birn/Lionsgate/d: Rupert Sanders)
Blink Twice (ThrilleWith: Kyle MacLachlan, Geena Davis, Adria Arjona, Christian SladeAmazon MGM/d: Zoë Kravitz)
The Forge (Inspirational/With: Karen Abercrombie, Priscilla C. Shirer, Cameron Arnett, Aspen Kennedy/PG/Affirm Films/d: Alex Kendrick)
September 6, 2024
Beetlejuice Beetlejuice (Comedy/With: Catherine O'Hara, Jenna Ortega, Monica Bellucci, Winona RydeWarner Bros./d: Tim Burton)
September 13, 20
Speak No Evil (HorroWith: Mackenzie Davis, James McAvoy, Scoot McNairy, Alix West LefleUniversal Pictures/d: Wide)
September 20, 2024
Transformers One (Animation/With: Scarlett Johansson, Chris Hemsworth, Jon Hamm, Keegan-Michael Key/Paramount Pictures/d: Josh Cooley)
Wolfs (ThrilleWith: George Clooney, Brad Pitt, Amy Ryan, Austin Abrams/Sony-Apple Original/d: Jon Watts)
September 27, 2024
Never Let Go (HorroWith: Halle Berry, Matthew Kevin Anderson, Christin Park, Stephanie Lavigne/Lionsgate/d: Alexandre Aja)
The Wild Robot (Animation/With: Lupita Nyong’o, Pedro Pascal, Catherine O’Hara, Mark Hamill/DreamWorks/d: Chris Sanders)
October 3, 2024
Joker: Folie à Deux (Fantasy/With: Joaquin Phoenix, Lady Gaga, Zazie Beetz, Brendan Gleeson/Warner Bros. Studios/d: Todd Phillips)
October 11, 2024
Piece By Piece (Biography/With: Pharell Williams/d: Morgan Neville/Focus Features)
October 18, 2024
A Real Pain (Dramedy/With: Kieran Culkin, Jesse Eisenberg, Olha Bosova, Banner Eisenberg/1h 30m/Searchlight Pictures/d: Jesse Eisenberg)
October 18, 2024
Smile 2 (HorroWith: Kyle Gallner, Naomi Scott, Lukas Gage, Rosemarie DeWitt//Paramount Pictures/d: Parker Finn)
October 23, 2024
Terrifier 3 (HorroWith: Lauren LaVera, David Howard Thornton, Samantha Scaffidi, Elliott Fullam/Cin-everse/d: Damien Leone)
October 25, 2024
Venom: The Last Dance (Fantasy/With: Juno Temple, Tom Hardy, Chiwetel EjiofoSony Pictures Entertainment/d: Kelly Marcel)
November 8, 2024
Conclave (ThrilleWith: Ralph Fiennes, Stanley Tucci, Isabella Rossellini, John Lithgow/Focus Features/d: Edward Berger)
The Best Christmas Pageant Ever (Adventure/With Lauren Graham, Kirk B.R. Woller, Vanessa Benavente, Elizabeth Tabish/Lionsgate/d: Dallas Jenkins)
November 15, 2024
Red One (ActionComedy/With: Dwayne Jonson, Chris Evans, J.K. Simmons, Kiernan Shipka/1h 42m/Amazon MGM/d: Jake Kasdan)
November 22, 2024
Gladiator 2 (Action/With: Pedro Pascal, Denzel Washington, Connie Nielsen, Paul Mescal/Paramount Pictures/d: Ridley Scott)
Bonhoeffer (Inspirational/With: Jonas Dassler, Phileas Heyblom, August Diehl, Moritz Bleibtreu/Angel Studios/d: Todd Komarnicki)
November 27, 2024
Moana 2 (Animation/With: Auli'i Cravalho/Walt Disney Motion Pictures/d: Dave Derrick, Jr.)
Wicked (Part 1) (Musical/With: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Marissa Bode/Universal Pictures/d: Jon M. Chu)
Here (Drama/With: Tom Hanks, Kelly Reilly, Robin Wright, Paul Bettany/TriStar Pictures/d: Robert Zemeckis)
December 6, 2024
Nightbitch (HorroWith Amy Adams, Scoot McNairy, Mary Holland, Zoë Chao/Searchlight Pictures/d: Marielle Heller)
December 13, 2024
The Lord of the Rings: The War of the Rohirrim (Animation/With: Brian Cox, Miranda Otto, Shaun Dooley, Luke Pasqualino/2 hr 10 min/Warner Bros./d: Kenji Kamiyama)
Kraven the Hunter (Fantasy/With: Ariana DeBose, Aaron Taylor-Johnson, Russell Crowe, Christopher Abbott/Sony Pictures Entertainment/d: J.C. Chandor)
December 20, 2024
Mufasa: The Lion King (Adventure/With: Seth Rogen, Billy Eichner, Aaron Pierre, Kelvin Harrison, Jr./Walt Disney Studios Motion Pictures/d: Barry Jenkins)
Sonic the Hedgehog 3 (Family/With: Idris Elba, James Marsden, Ben Schwartz, Colleen O'Shaughnessey/Paramount Pictures/d: Jeff Fowler)
Homestead (Inspirational//With: Neal McDonough, Dawn Olivieri, Currie Graham/, Susan MisneAngel Studios/d: Ben Smallbone)
December 25, 2024
Nosferatu (2024) (HorroWith: Aaron Taylor-Johnson, Willem Dafoe, Emma Corrin, Nicholas Hoult/Focus Features/d: Robert Eggers)
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2024.03.28 19:19 Fit-Rip9983 2024 Lambda Literary Award Nominations Announced

The 36th Annual Lambda Literary Award finalists were announced yesterday and so many great books have been nominated:
https://lambdaliterary.org/awards/current-finalists/
What are everyone's favorites from the list?

GAY FICTION
American Scholar // Patrick E. Horrigan (Lethe Press) Blackouts // Justin Torres (Farrar, Straus and Giroux) Brother & Sister Enter the Forest: A Novel // Richard Mirabella (Catapult) Family Meal // Bryan Washington (Penguin Random House / Riverhead Books) I Will Greet the Sun Again // Khashayar J. Khabushani (Hogarth Books)
LESBIAN FICTION
Big Swiss // Jen Beagin (Scribner) Biography of X // Catherine Lacey (Farrar, Straus and Giroux) Organ Meats // K-Ming Chang (One World) Our Hideous Progeny // C E McGill (HarperCollins Publishers) Pomegranate // Helen Elaine Lee (Atria Books)
BISEXUAL FICTION
All-Night Pharmacy: A Novel // Ruth Madievsky (Catapult) Endpapers // Jennifer Savran Kelly (Algonquin Books) Last Night at the Hollywood Canteen // Sarah James (Sourcebooks) Natural Beauty // Ling Ling Huang (Penguin Random House / Dutton) Old Enough // Haley Jakobson (Penguin Random House / Dutton)
TRANSGENDER FICTION
Bellies //Nicola Dinan (Hanover Square Press) Girlfriends // Emily Zhou (LittlePuss Press) The Rage Letters // Valérie Bah; translator Kama La Mackerel (Metonymy Press) Trash // Sylvia Aguilar Zéleny (Deep Vellum) Wild Geese // Soula Emmanuel (Feminist Press)
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2024.03.16 13:37 KrispyBeaverBoy 1989-Mike Tyson recounting his best punch: “It was when I fought Robin [Givens] in Steve Lott’s apartment. She really offended me and I went BAM. She flew backwards, hitting every wall in the apartment. That was the best punch I’ve ever thrown in my entire life.”

This is an excerpt from Jose Torres’s 1989 biography about Tyson, entitled- The Fire and Fear: The Inside Story of Mike Tyson. Torres was a former light-heavyweight boxer himself, and part of Tyson’s inner circle for many years in the mid to late 80s.
As time has passed, the public perception of Tyson seems to have softened despite his myriad allegations of domestic abuse and sexual assault, not to mention his rape conviction and prison sentence.
It’s still puzzling that people are going to pay $130 to have him sign things at the annual sports memorabilia show in Northern Virginia. He’s also due to cash in again with a scheduled fight against the former YouTuber turned circus sideshow, Jake Paul.
submitted by KrispyBeaverBoy to dirtysportshistory [link] [comments]


2024.02.23 17:43 an_altar_of_plagues Nature writing with a fantasy vibe: five books of ghostways, underlands, fey forests, cataclysms, and adventurers in way over their heads

It's a safe bet that one reason people read fantasy is to read about fantastic places. Locations like Le Guin's "Gethen" in The Left Hand of Darkness, a planet in the midst of its ice age in which the glaciers and volcanoes are characters alongside the humans. Like the endless House in Clarke's Piranesi, where three floors of crumbling masonry and infinite statues house clouds, birds, and tides - in that order. Or the perennial example of Tolkien's "Middle-Earth" with the simultaneously verdant and defiled landscapes that evoke the wills of the Maia.
I've seen threads here that brood on how they wish real-life Earth could be so beautiful or yearning. Well... it is! In fact, the Earth is spectacularly full of wild things. Have you looked at photos of deep-sea creatures? What about one of the many crystal caves? Would it surprise you that places as well-explored as the North American Sierra Nevada have first ascents on tons of mountaineering routes to this day (ask me how I know!)? The world is a beautiful place and I am no longer afraid to hike.
But for the mortals who cannot just hop on a boat to Torres del Paine this weekend, here are five books that evoke fantastic places. These include the ancient forests of northern England, a volcano at one of the most violent geological places on Earth, an abandoned nuclear weapons facility reclaimed with vengeance, the deepest places accessible by humans, and goobers who probably shouldn't have tagged along on their brother's adventure. I've focused on books that have impressionistic prose, giving the reader not so much real-truth as story-truth.
Since this is more for providing ideas/recommendations for others than normative reviews, I'm not providing Appeal or Thinkability Index ratings.
Other write-ups:
Robert Macfarlane, Stanley Donwood, and Dan Richards - Ghostways: Two Journeys in Unquiet Places (2020) CW: War, swearing, body horror.
"Eidolic" means places, images, or representations of ideal forms. When applied to real objects, there's an implication of corruption - in order to become part of debased reality, the eidolon loses its inherent perfection. It can also be used to reflect the "spirit image" of living and dead things, akin to visions. Edgar Allen Poe used the word in his poem "Dream-Land" to refer to an entity who rules over a realm characterized by sundering - in which "sheeted memories of the past" haunt the traveler.
In no small way can this be applied to places of corruption and exploitation, which is the concept behind Ghostways - a diptych of haunted places, with "haunted" implying the weight of memories and actions rather than literal ghosts. Primarily inspired and written by Robert Macfarlane - likely the UK's foremost living nature writer - Ghostways sees him collaborate with fellow author Dan Richards and artist Stanley Donwood (whom you might recognize as the man behind Radiohead's album art!) in exploring two locations: an abandoned weapons production facility in northern England, and the eponymous "ghostways" of roads that have been used and worn-down for so long, they have become cavernous trenches in the earth.
The first story is written in a prose-poetry, parable-like structure in which science, pursuit, engineering, nuclear power, and "defense" leadership are personified within the weapons facility. Like a Greek chorus, each character sings their contribution to developing a nuclear weapon, with "leadership" chastizing or celebrating their accomplishments in what appear to have an underlying logic, if one steeped in the inherent blue-and-orange morality of developing nuclear weapons. It culminates in what feels like a paroxysmal reclamation of the munitions and eventually the facility by the rocks and forests - leaving it as the dead, impotent thing it should have always been.
The second story is a more straightforward depiction of the authors traveling down one of those ghostways and the unbearable weight of history and sheer presence they feel along the way. These ghostways aren't just ruts in the ground - they are multiple meters down below tree roots and topsoil. Ghosts of highwaymen and fellow travelers pass by them, and there's a recognition that none of the authors believe in the actual touch of things gone by - but that doesn't make them any less real.
Due to Donwood's evocative yet eerie artwork (there's always something... off), I highly recommend you do not check this out on audiobook.
StoryGraph; Goodreads; Audiobook
Robert Macfarlane - Underland: A Deep Time Journey (2019) CW: death, war, confinement, claustrophobia.
While I'm at it, here's another Macfarlane book. Underland explores exactly that - the deepest and darkest places in the world. Notably, this does not just include literally deep places, but also those with significant difficulty in access or areas with extreme horizontal spread.
I like reading Macfarlane books because he writes with an explorer's mindset. He's not as interested in just telling you the bare facts about a place (you can certainly google search the salt mines underneath Great Britain and the North Atlantic Ocean, no need to buy this book) as much as he is telling you the story of his entrance, accesses, and exits. One such story includes exploring karst caves within southern Europe - in which the sheer ability to get into one is itself an adventure.
Underland is almost like "nature gonzo journalism" - not in the Hunter S. Thompson way of drug use and paranoia, but in how the reporter's involvement with the subject matter is incontrovertible from the subject itself. It's hard not to read into his horror at the nuclear waste disposal sites in the deserts of south-central United States of America. His disdain for seed storage sites and the Stepford-esque optimism of their sponsors is deeply infused into that particular chapter. Macfarlane doesn't necessarily want you to agree with him though as much as be there to experience what he felt, and he wants you to make up your own mind about how humans have explored and ultimate exploited the underlands.
StoryGraph; Goodreads; Audiobook
Peter Fiennes - Oak and Ash and Thorn: The Ancient Woods and New Forests of Britain (2017) CW: deforestation, war, colonialism.
One review of Oak and Ash and Thorn describes it as "a passionate ramble through Britain's complicated relationship with its woodland". That is putting it mildly; Great Britain and Ireland are two of the most heavily deforested areas in the entire world. When one thinks of Great Britain, they likely imagine London, rolling green hills, the Cliffs of Dover, and maybe the mountains of Snowdonia or the moors of Scotland. As viscerally captured by Paul Kingsnorth's The Wake and the Dark Mountain Project, this couldn't be further from Great Britain's history; the land used to be covered in deep, ancient woodland.
Fiennes' book takes us exactly through that: the remaining woods, the historical woods, and the new woods. These include ancient crownland forests that were specifically set aside for kings and barons. It also includes city parks - where nature becomes a liminal place for the humans who pass through it but also for nature itself as passing through human spaces. He describes how little of Great Britain's natural flora remains, but also how the differences between them might not matter any longer. And he celebrates the wonder of your backyard and the smallest urban parks.
As with Macfarlane's Underland, this is all told through adventures. Fiennes solo travels throughout Great Britain and takes you to each of these places. My favorite section is that on Wistman's Wood - an "oakwood" of gnarled and twisted branches that is scarcely bigger than eight total acres - and its history of being a place for fay things.
StoryGraph; Goodreads; Audiobook
Simon Winchester - Krakatoa: The Day the World Exploded (2003) CW: colonialism, death.
It's hard to imagine that one of the loudest sounds likely ever experienced on earth occurred less than 150 years ago. The catastrophic violence of the Krakatoa eruption - which utterly annihilated the region - is barely subsumed by the word "apocalyptic". Winchester is known for his varied nature and geographical writings, including biographies of the Atlantic and Pacific Oceans (yes, using that word on purpose); in Krakatoa, he seeks less to tell you about the eruption than the people it utterly decimated.
While Winchester explores the geological forces that lead to Krakatoa (and why that particular cauldron of the Pacific Ocean is one of the most dangerous places on the planet), his strength lies in humanizing the people impacted. At the time, the Sunda Straits between Java and Sumatra were controlled by the Dutch in what is now Indonesia. Winchester juxtaposes the ignorant fear of the Dutch with local Javan/Sumatran knowledge of the godly and ungodly power lurking within the earthquakes and volcanoes that pepper the region. He also describes early forays into the tempest post-eruption, which reads all too much like a band of curious but fearful adventurers plunging into a hellscape. And it very much might have been as the ocean roared back into the void left by Krakatoa's cataclysm.
StoryGraph; Goodreads; Audiobook
Mark Twain - Roughing It (1872) CW: racism, colonialism, gun violence, murder.
Mark Twain is often shortlisted for who could be called a "Great American Author", and I think it's for good reason. Those who read Huckleberry Finn in high school might be surprised to revisit it and see how absolutely excoriating it is toward slavery; Huck's "alright, I'll go to hell" is one of the most powerful lines I've read in USA literature.
But in addition to his fiction, Twain was also a pretty storied traveler. The Innocents Abroad is probably his most well-known book, in which he traveled to Palestine and lampoons the Christian apologia within John Bunyan's The Pilgrim's Progress. One of the lesser-known books is Roughing It, in which Twain joined his brother for nearly a decade in the Nevada desert and Sierra Nevada mountains. While not as widely-read as many of his other works, Roughing It nonetheless remains a classic in Sierra Nevada literature.
Why am I including it in a fantasy subreddit thread? Because I think Roughing It reads best if you imagine it less a factual retelling of Twain's travels (which he admits up-front was not his intention) than a goobery collection of grotesque traveler's tales from a man clearly out of his depth. This book is full of a cast of characters as lively and satirized as any of Twain's other writings. Imagine reclothing the mid-1800s men and women here in knight's garb, and you'll see exactly what I mean. (I don't believe that this is on accident, either - in all of his travel writings, Twain is evoking and poking fun at medieval tales of adventure and glory.)
I don't think that Twain ever confronts the reality of colonialism and the destruction of Native American lands; what he does show is that colonialism's "progress" is self-satisfied. Still, casual use of racial slurs (however intended to capture the story-truth of American Manifest Destiny, of which Twain clearly had mixed opinions) and a treatment of Native Americans as dangers rather than humans fighting excursions into their lands might not be a trade that some are willing to make for the other tales.
StoryGraph; Goodreads; Audiobook
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2024.02.19 05:18 yawningvoid28 The Full U.S. Theatrical Wide-Release Schedule For The Year of 2024.

Up-to-date as of April 27, 2024
January 5, 2024
Night Swim (HorroWith: Wyatt Russell, Kerry Condon, Amélie Hoeferle, Gavin Warren/PG-13/1 hr 38 min/Universal Pictures/d: Bryce McGuire)
January 12, 2024
Mean Girls (2024) (Musical/With: Angourie Rice, Reneé Rapp, Auli'i Cravalho, Jaquel Spivey/PG-13/1 hr 52 min/d: Samantha Jayne and Arturo Perex, Jr./Paramount Pictures)
The Beekeeper (Action/With: Jason Statham, Emmy Raver-Lampman, Bobby Naderi, Josh Hutcherson/1 hr 45 min/Metro-Goldwyn-Mayed: David Ayer)
The Book of Clarence (Drama/With: LaKeith Stanfield, Omar Sy, Anna Diop, RJ CylePG-13/2 hr 9 min/Sony Pictures Releasing/d: Jeymes Samuel)
January 19, 2024
I.S.S. (Sci-Fi/With: Ariana DeBose, Chris Messina, John Gallagher Jr., Masha Mashkova/1 hr 35 min/Bleecker Street Media/d: Gabriela Cowperthwaite)
February 2, 2024
Argylle (Action/With: Catherine O'Hara, Henry Cavill, Sofia Boutella, Ariana DeBose/PG-13/2 hr 15 min/Apple Original-Universal Pictures/d: Matthew Vaughn)
February 9, 2024
Lisa Frankenstein (HorroWith: Carla Gugino, Kathryn Newton, Cole Sprouse, Jenna Davis/PG-13/1h 41m/Focus Features/d: Zelda Williams)
February 14, 2024
Madame Web (Fantasy/With: Sydney Sweeney, Isabela Merced, Emma Roberts, Dakota Johnson/PG-13/1h 56m/Columbia Pictures/d: S.J. Clarkson)
Bob Marley: One Love (Biography/With: Kingsley Ben-Adir, James Norton, Lashana Lynch, Michael Gandolfini/PG-13/1h 44m/Paramount Pictures/d: Reinaldo Marcus Green)
February 23, 2024
Ordinary Angels (Drama/With: Alan Ritchson, Hilary Swank, Amy Acker, Nancy Travis/PG/1 hr 56 min/d: d: Jon Gunn)
Drive-Away Dolls (Comedy/With: Margaret Qualley, Geraldine Viswanathan, Beanie Feldstein, Joey Slotnick/1 hr 24 min/Focus Features)
Demon Slayer: Kimetsu No Yaiba - To the Hashira Training (Animation/With: Natsuki Hanae, Kengo Kawanishi, Akari Kitô, Yoshitsugu Matsuoka/1 hr 44 min/Sony Pictures Releasing/d: Haruo Sotozaki)
March 1, 2024
Dune: Part Two (Fantasy/With: Florence Pugh, Timothée Chalamet, Rebecca Ferguson, Zendaya/Warner Bros./PG-13/2 hr 46 min/d: Denis Villeneuve)
March 8, 2024
Imaginary (HorroWith: DeWanda Wise, Tom Payne, Betty Buckley, Veronica Falcón/PG-13/1 hr 44 min/Lionsgate Films/d: Jeff Wadlow)
Kung Fu Panda 4 (Animation/With: Lucy Liu, Angelina Jolie, Seth Rogen, Jack Black/PG/1 hr 34 min/Universal Pictures/d: Mike Mitchell and Stephanie Stine)
Cabrini (Inspirational/With: Cristiana Dell'Anna, John Lithgow, David Morse, Giancarlo Giannini/PG-13/2 hr 25 min/Angel Studios/d: Alejandro Monteverde)
March 15, 2024
The American Society of Magical Negroes (Comedy/With: Rupert Friend, David Alan Grier, Justice Smith, Michaela Watkins/PG-13/1 hr 44 min/Focus Features/d: Kobi Libii)
Arthur the King (Adventure/With: Mark Wahlberg, Nathalie Emmanuel, Simu Liu, Michael Landes/PG-13/1h 30m/Lionsgate Films/d: Simon Cellan Jones)
Love Lies Bleeding (Crime/With: Anna Baryshnikov, Kristen Stewart, Dave Franco, Katy O'Brian/1 hr 44 min/A24/d: Rose Glass)
March 22, 2024
Ghostbusters: Frozen Empire (Fantasy/With: Carrie Coon, Mckenna Grace, Annie Potts, Paul Rudd/PG-13/2h 5m/Sony Pictures Entertainment/d: Gil Kenan)
Problemista (Adventure/With: Julio Torres, Tilda Swinton, RZA, Greta Lee/1 hr 38 min/A24/d: Julio Torres)
Immaculate (HorroWith: Sydney Sweeney, Simona Tabasco, Álvaro Morte/1 hr 29 min/NEON/d: Michael Mohan)
Last Night With The Devil (HorroWith: David Dastmalchian, Laura Gordon, Ian Bliss, Fayssal Bazzi/1h 33m/IFC Films/Cameron Cairnes and Colin Cairnes)
March 29, 2024
Godzilla x Kong: The New Empire (Fantasy/With: Rebecca Hall, Dan Stevens, Rachel House, Mercy Cornwall/PG-13/1h 55m/Warner Bros./d: Adam Wingard)
Asphalt City (ThrilleWith: Sean Penn, Tye Sheridan, Katherine Waterston, Mike Tyson/2h 0m/Vertical-Roadside Attractions/d: Jean-Stéphane Sauvaire)
April 5, 2024
Monkey Man (Action/With: Dev Patel, Sharlto Copley, Pitobash, Sobhita Dhulipala/1 hr 53 min/Universal Pictures/d: Dev Patel)
The First Omen (HorroWith: Bill Nighy, Ralph Ineson, Nell Tiger Free, Sonia Braga/2h 0m/Walt Disney Studios Motion Pictures/d: Arkasha Stevenson)
April 12, 2024
Sting (HorroWith: Penelope Mitchell, Silvia Colloca, Ryan Corr, Jermaine Fowle1 hr 31 min/Well Go USA Entertainment/d: Kiah Roache-Turner)
Civil War (Action/With: Jesse Plemons, Cailee Spaeny, Kirsten Dunst, Nick Offerman/1h 49m/A24/d: Alex Garland)
Arcadian (HorroWith: Nicolas Cage, Jaeden Martell, Maxwell Jenkins, Sadie Soverall/1h 32m/RLJE Films/d: Benjamin Brewer)
April 19, 2024
Abigail (HorroWith: Kathryn Newton, Dan Stevens, Kevin Durand, Giancarlo Esposito/Universal/1h 49m/d: Matt Bettinelli-Olpin and Tyler Gillett)
The Ministry of Ungentlemanly Warfare (Action/With: Henry Cavill, Eiza González, Alan Ritchson, Alex Pettyfe2h 0m/Lionsgate/d: Guy Ritchie)
April 26, 2024
Challengers (Romantic Drama/With: Zendaya, Josh O'Connor, Mike Faist, Andre Gadbois/2h 11m/United Artists Releasing/d: Luca Guadagnino)
Unsung Hero (Inspirational/With: Daisy Betts, Joel Smallbone, Kirrilee Berger, Jonathan Jackson/Lionsgate Films/PG/1h 52m/d: Richard L. Ramsey and Joel Smallbone)
Boy Kills World (Action/With: Bill Skarsgård, Michelle Dockery, Jessica Rothe, Famke Janssen/1h 55m/Lionsgate-Roadside Attractions/d: Moritz Mohr)
May 3, 2024
The Fall Guy (Action/With: Emily Blunt, Ryan Gosling, Aaron Taylor-Johnson Hannah Waddingham/PG-13/1 hr 54 min/Universal Pictures/d: David Leitch)
Tarot (HorroWith: Avantika, Harriet Slater, Jacob Batalon, Humberly González/Screen Gems/PG-13/1h 32m/d: Spenser Cohen and Anna Halberg)
Dragonkeeper (Animated/With: Billy Nighy, Anthony Howell, Bill Bailey, Mayalinee Griffiths/PG/1h 39 min/Viva Kids/d: Jianping Li and Salvador Simó
May 4, 2024
Sight (Inspirational/With: Greg Kinnear, Fionnula Flanagan, Terry Chen, Ben Wang/PG-13/Angel Studios/d: Andrew Hyatt)
May 10, 2024
Kingdom of the Planet of the Apes (Fantasy/With: Freya Allan, Kevin Durand, William H. Macy, Dichen Lachman/PG-13/2h 25m/20th Century Studios/PG-13/d: Wes Ball/Wide)
May 17, 2024
IF (Dramedy/With: Ryan Reynolds, Phoebe Waller-Bridge, Emily Blunt, Matt Damon/Paramount Pictures/d: John Krasinski)
Back To Black (Biography/With: Marisa Abela, Jack O'Connell, Eddie Marsan, Lesley Manville/2h 2m/Focus Features/d: Sam Taylor-Johnson)
The Strangers (Chapter One) (HorroWith: Madelaine Petsch, Froy Gutierrez, Gabriel Basso, Richard Brake/1h 31m/Lionsgate/d: Renny Harlin)
May 24, 2024
Furiosa: A Mad Max Saga (Action/With: Anya Taylor-Joy, Chris Hemsworth, Tom Burke, Nathan Jones/Warner Bros./d: George Miller)
The Garfield Movie (2024) (Animation/With: Hannah Waddingham, Nicholas Hoult, Chris Pratt, Samuel L. Jackson/PG/1h 41m/Sony Pictures Entertainment/d: Mark Dindal)
May 31, 2024
The Dead Don't Hurt (Western/With: Vicky Krieps, Viggo Mortensen, Solly McLeod, Garret Dillahunt/2h 9m/Shout Studios/d: Viggo Mortensen)
Summer Camp (Comedy/With: Diane Keaton, Kathy Bates, Alfre Woodard, Eugene Levy/Roadside Attractions/d: Castille Landon)
June 7, 2024
Bad Boys: Ride Or Die (Action/With: Will Smith, Alexander Ludwig, Vanessa Hudgens, Rhea Seehorn/Sony Pictures Entertainment/d: Adil El Arbi and Bilall Fallah)
The Watchers (HorroWith: Dakota Fanning, Georgina Campbell, Olwen Fouéré, Siobhan Hewlett/Warner Bros./d: Ishana Shyamalan)
June 14, 2024
Inside Out 2 (Animation/With: Amy Poehler, Phyllis Smith, Lewis Black, Tony Hale/Walt Disney Studios Motion Pictures/d: Kelsey Mann)
June 21, 2024
The Bikeriders (Drama/With: Austin Butler, Jodie Comer, Tom Hardy, Michael Shannon/1 hr 56 min/Focus Features/d: Jeff Nichols)
Thelma (ActionComedy/With: June Squibb, Parker Posey, Clark Gregg, Malcolm McDowell/1h 37m/Magnolia Pictures/d: Josh Margolin)
Kinds of Kindness (Dramedy/With: Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley/Searchlight Pictures/d: Yorgos Lanthimos)
June 28, 2024
A Quiet Place: Day One (HorroWith: Lupita Nyong'o, Djimon Hounsou, Alex Wolff, Denis O'Hare/Paramount Pictures/d: Michael Sarnoski)
Horizon: An American Saga (Chapter 1) (Western/With: Jena Malone, Abbey Lee, Kevin Costner, Sienna MilleWarner Bros./d: Kevin Costner)
July 3, 2024
Despicable Me 4 (Animation/With: Steve Carell, Kristen Wiig, Miranda Cosgrove, Steve Coogan/PG/Universal Pictures/d: Chris Renaud and Patrick Delage)
July 4, 2024
Possum Trot (Inspirational/With: Elizabeth Mitchell, Demetrius Grosse, Carlos Aviles/Angel Studios/d: Joshua Weigel)
July 5, 2024
MaXXXine (HorroWith: Mia Goth, Elizabeth Debicki, Bobby Cannavale, Kevin Bacon/1h 45m/A24/d: Ti West)
Kill (Action/With: Lakshya, Raghav Juyal, Tanya Maniktala, Abhishek Chauhan/1h 55m/Roadside Attractions/d: Nikhil Nagesh Bhat)
July 12, 2024
Fly Me To The Moon (RomCom/With: Scarlett Johansson, Channing Tatum, Jim Rash, Ray Romano/Sony-Apple Original/d: Greg Berlanti)
July 19, 2024
Twisters (Adventure/With: Glen Powell, Kiernan Shipka, Maura Tierney, Daisy Edgar-Jones/Universal Pictures/d: Lee Isaac Chung)
July 21, 2024
Deadpool and Wolverine (Fantasy/With: Emma Corrin, Jennifer Garner, Ryan Reynolds, Morena Baccarin/Walt Disney Studios Motion Pictures/d: Shawn Levy)
July 26, 2024
Didi (Dramedy/With: Izaac Wang, Joan Chen, Chirley Chen, Chang Li Hua /1h 31m/Focus Features/d: Sean Wang)
August 2, 2024
Harold and the Purple Crayon (Animation/With: Zooey Deschanel, Zachary Levi, Lil Rel Howery, Camille Guaty/PG/1 hr 32 min/Columbia Pictures/d: Carlos Saldanha)
Cuckoo (HorroWith: Hunter Schafer, Dan Stevens, Jessica Henwick, Marton Csokas/1h 42m/d: Tilman SingeNEON)
August 9, 2024
It Ends with Us (Romantic Drama/With: Blake Lively, Jenny Slate, Brandon Sklenar, Justin Baldoni/Sony Pictures Entertainment/d: Justin Baldoni)
Trap (HorroWith: Josh Hartnett, Hayley Mills, Cali Lorella, Saleka Shyamalan/Warner Bros./d: M. Night Shyamalan)
Borderlands (Fantasy/With: Olivier Richters, Ariana Greenblatt, Cate Blanchett, Jamie Lee Curtis/Lionsgate Films/d: Eli Roth and Tim Miller)
The Fire Inside (Biography/With: Brian Tyree Henry, Jessica Grossi, Ryan Destiny, Amanda BarkePG-13/Metro-Goldwyn-Mayed: Rachel Morrison)
My Penguin Friend (Drama/With: Jean Reno, Adriana Barraza, Rocío Hernández, Nicolás Francella/Roadside Attractions/d: David Schurmann)
August 16, 2024
Alien: Romulus (HorroWith: Isabela Merced, Cailee Spaeny, Archie Renaux, David Jonsson/Walt Disney Studios Motion Pictures/d: Fede Alvarez)
Horizon: An American Saga (Chapter 2) (Western/With: Kevin Costner, Sienna Miller, Isabelle Fuhrman, Giovanni Ribisi/Warner Bros./d: Kevin Costner)
August 23, 2024
The Crow (2024) (Fantasy/With: BIll Skarsgård, FKA Twigs, Danny Huston, Laura Birn/Lionsgate/d: Rupert Sanders)
Blink Twice (ThrilleWith: Kyle MacLachlan, Geena Davis, Adria Arjona, Christian SladeAmazon MGM/d: Zoë Kravitz)
The Forge (Inspirational/With: Karen Abercrombie, Priscilla C. Shirer, Cameron Arnett, Aspen Kennedy/PG/Affirm Films/d: Alex Kendrick)
September 6, 2024
Beetlejuice Beetlejuice (Comedy/With: Catherine O'Hara, Jenna Ortega, Monica Bellucci, Winona RydeWarner Bros./d: Tim Burton)
September 13, 20
Speak No Evil (HorroWith: Mackenzie Davis, James McAvoy, Scoot McNairy, Alix West LefleUniversal Pictures/d: Wide)
September 20, 2024
Transformers One (Animation/With: Scarlett Johansson, Chris Hemsworth, Jon Hamm, Keegan-Michael Key/Paramount Pictures/d: Josh Cooley)
Wolfs (ThrilleWith: George Clooney, Brad Pitt, Amy Ryan, Austin Abrams/Sony-Apple Original/d: Jon Watts)
September 27, 2024
Never Let Go (HorroWith: Halle Berry, Matthew Kevin Anderson, Christin Park, Stephanie Lavigne/Lionsgate/d: Alexandre Aja)
The Wild Robot (Animation/With: Lupita Nyong’o, Pedro Pascal, Catherine O’Hara, Mark Hamill/DreamWorks/d: Chris Sanders)
October 3, 2024
Joker: Folie à Deux (Fantasy/With: Joaquin Phoenix, Lady Gaga, Zazie Beetz, Brendan Gleeson/Warner Bros. Studios/d: Todd Phillips)
October 11, 2024
Piece By Piece (Biography/With: Pharell Williams/d: Morgan Neville/Focus Features)
October 18, 2024
A Real Pain (Dramedy/With: Kieran Culkin, Jesse Eisenberg, Olha Bosova, Banner Eisenberg/1h 30m/Searchlight Pictures/d: Jesse Eisenberg)
October 18, 2024
Smile 2 (HorroWith: Kyle Gallner, Naomi Scott, Lukas Gage, Rosemarie DeWitt//Paramount Pictures/d: Parker Finn)
October 23, 2024
Terrifier 3 (HorroWith: Lauren LaVera, David Howard Thornton, Samantha Scaffidi, Elliott Fullam/Cin-everse/d: Damien Leone)
October 25, 2024
Venom: The Last Dance (Fantasy/With: Juno Temple, Tom Hardy, Chiwetel EjiofoSony Pictures Entertainment/d: Kelly Marcel)
November 8, 2024
Conclave (ThrilleWith: Ralph Fiennes, Stanley Tucci, Isabella Rossellini, John Lithgow/Focus Features/d: Edward Berger)
The Best Christmas Pageant Ever (Adventure/With Lauren Graham, Kirk B.R. Woller, Vanessa Benavente, Elizabeth Tabish/Lionsgate/d: Dallas Jenkins)
November 15, 2024
Red One (ActionComedy/With: Dwayne Jonson, Chris Evans, J.K. Simmons, Kiernan Shipka/1h 42m/Amazon MGM/d: Jake Kasdan)
November 22, 2024
Gladiator 2 (Action/With: Pedro Pascal, Denzel Washington, Connie Nielsen, Paul Mescal/Paramount Pictures/d: Ridley Scott)
Bonhoeffer (Inspirational/With: Jonas Dassler, Phileas Heyblom, August Diehl, Moritz Bleibtreu/Angel Studios/d: Todd Komarnicki)
November 27, 2024
Moana 2 (Animation/With: Auli'i Cravalho/Walt Disney Motion Pictures/d: Dave Derrick, Jr.)
Wicked (Part 1) (Musical/With: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Marissa Bode/Universal Pictures/d: Jon M. Chu)
Here (Drama/With: Tom Hanks, Kelly Reilly, Robin Wright, Paul Bettany/TriStar Pictures/d: Robert Zemeckis)
December 6, 2024
Nightbitch (HorroWith Amy Adams, Scoot McNairy, Mary Holland, Zoë Chao/Searchlight Pictures/d: Marielle Heller)
December 13, 2024
The Lord of the Rings: The War of the Rohirrim (Animation/With: Brian Cox, Miranda Otto, Shaun Dooley, Luke Pasqualino/2 hr 10 min/Warner Bros./d: Kenji Kamiyama)
Kraven the Hunter (Fantasy/With: Ariana DeBose, Aaron Taylor-Johnson, Russell Crowe, Christopher Abbott/Sony Pictures Entertainment/d: J.C. Chandor)
December 20, 2024
Mufasa: The Lion King (Adventure/With: Seth Rogen, Billy Eichner, Aaron Pierre, Kelvin Harrison, Jr./Walt Disney Studios Motion Pictures/d: Barry Jenkins)
Sonic the Hedgehog 3 (Family/With: Idris Elba, James Marsden, Ben Schwartz, Colleen O'Shaughnessey/Paramount Pictures/d: Jeff Fowler)
Homestead (Inspirational//With: Neal McDonough, Dawn Olivieri, Currie Graham/, Susan MisneAngel Studios/d: Ben Smallbone)
December 25, 2024
Nosferatu (2024) (HorroWith: Aaron Taylor-Johnson, Willem Dafoe, Emma Corrin, Nicholas Hoult/Focus Features/d: Robert Eggers)
submitted by yawningvoid28 to movies [link] [comments]


2024.02.13 13:54 CrewOtherwise4005 Confirmed Character Races/ Ethnicities/ Nationalities

Confirmed Character Races/ Ethnicities/ Nationalities
I've decided to make a tier list of all the confirmed character races/ ethnicities/ nationalities. I was surprised to find that some things I thought were facts actually don't seem to have any sources. If you find anything, then leave a comment.
Some explanations:
I put Blaineley in the Irish descent tier and Chris in the Scottish descent tier due to their last names.
Izzy is in the Scottish descent tier due to her saying her grandmother was Scottish in Riot on Set. (Not counting her saying she was 1/87th Cherokee as she later revealed she was lying).
I've seen people say that Eva is confirmed to be Eastern European but the biography only says she comes from a village in Europe.
I can't find official confirmation that Jasmine is aboriginal, but she might be due to her saying that her people know how to find water (so unlikely to be Torres Strait Islander).
I think Jen is just tan, possibly with heritage from somewhere around the Mediterranean.
I forgot to include in the tier list that Priya was likely not born in Canada as it's confirmed she had to "work on her accent".
Some people think that MK might be Vietnamese due to her voice actor and the reboot generally casting people who are closer to the race of their character than was done previously, however it is still not specific as Eman Ayaz (Priya's voice actor) has said that they wanted a South Asian voice actor for Priya (Eman is Pakistani whereas Priya is Indian).
I know that Latin American/ Hispanic is not an ethnicity, that is just what the creators have stated.
Alejandro is stated multiple times to be a Spaniard, yet he also says people eat guinea pigs where he is from, so he potentially moved to and was raised in Latin America before moving to Canada.
Heather's East Asian side (her mother's) is most likely to be Japanese due to her fear being sumo wrestlers and the task related to her in World Tour being to make a haiku.
Anne-Maria is likely based on Snooki.
I thought Katie was Malaysian for a long time but I haven't been able to find any evidence of it.
I have assumed that everyone is Canadian unless specified otherwise. The Wiki lists Brick and Max as American on its Canada page but not on their own pages and there does not seem to be a source, however Brick's doggy tags do look more American than Canadian so it may have some merit.
Everything else is confirmed by the show/ the creators.
Of course having headcanons is fine, this is just an attempt to group together what is confirmed.
https://preview.redd.it/jx2m08mgjcic1.png?width=1140&format=png&auto=webp&s=d979c200a8c293395979a30df4a76dc4c45efd41
submitted by CrewOtherwise4005 to Totaldrama [link] [comments]


2024.01.10 00:15 daisybeach23 Lady C Tea YouTube 1/9/24 (a few nuggets paraphrased by me)

Greetings from Castle Goring,
Lady C, I can’t wait to hear your comments on the Golden Globe disaster for MoneyGan and Harry’s continuing decline. – LOL…..AH HA…..LOL….oh dear. Oh dear. Well, I am going to tell you a secret. Gina Torres cast some serious shade when she says the Suits cast has been involved in serious group texting. Then she said that she does not have Meghan’s number. Do we believe this? Isn’t Abigail Spencer her friend? Doesn’t she have Meghan’s number. Doesn’t Ari Emmanel have Meghan’s number? Doesn’t Ted Sarandos have Meghan’s number? Why is she unattainable? I will tell you a friend of mine who is connected to “everybody in Toronto” said that Meghan is loathed in Canada. She has a reputation that is undesirable. She let everyone know how undesirable they all were because she was being courted by a Prince and she was going to become a Duchess. Meghan was not popular on the set of Suits. The more successful she became, the more impossible she became. Is it any surprise she is not welcome in the group? Also, isn’t she a bit long in the tooth to be playing the ingenue? Isn’t she too old to be lapping it up in the supply room with Patrick J. Adams? As for the Golden Globe awards, there were some amazing jokes. One joke about Harry and Meghan getting paid millions by Netflix for doing nothing. Another joke about Imelda Staunton’s portrayal of the Queen on the Crown being so good that Harry called her and asked for money. And then it also came out that Sandhurst has released a book of its 200 most notable attendees. Harry was left out of the book and William was included and wrote the foreword. They have left out a blood Prince who served for 10 years and they were very proud of him initially. Oh dear. This year is not off to a good start. I can’t wait for whatever else is coming and I know some of what is coming. Just desserts.
Lady C, Meghan’s biography on the Harry Walker website is beyond grandiose. Have you read it? I have. I don’t know why are waiting for the Messiah to come again when we have Meghan.
Lady C, I don’t think Meghan will ever divorce Harry because she is technically in waiting to become Queen if there is an accident. She probably daydreams of this scenario. She will never allow Harry to leave her. We have to wait and see what happens. I am not a fortune teller. I have witnessed similar relationships. Harry is caught in the jaws of a Barracuda. Have you seen her teeth? I am not making any predictions. This observation is a valid one.
Lady C spoke more about Prince Andrew’s Epstein scandal, the post office scandal in the UK, King Charles upcoming visit to Australia and concerns he will be too political regarding climate change.
Toodles Sinners!
submitted by daisybeach23 to SaintMeghanMarkle [link] [comments]


2024.01.01 19:00 yawningvoid28 The complete 2024 U.S. theatrical release schedule.

Up-to-date as of February 1, 2024
January 1, 2024
(LIMITED)
M A S H: The Comedy That Changed Television (Documentary/With: Alan Alda, Allan Arbus, G.W. Bailey, Sorrell Booke/1 hr 29 min/Twentieth Century Fox/d: John Scheinfeld/Limited)
January 5, 2024
(WIDE)
Night Swim (HorroWith: Wyatt Russell, Kerry Condon, Amélie Hoeferle, Gavin Warren/PG-13/1 hr 38 min/Universal Pictures/d: Bryce McGuire/Wide)
(LIMITED)
Weak Layers (Comedy/With: Katie Burrell, Jadyn Wong, Chelsea Conwright, Evan Jonigkeit/1 hr 39 min/Greenwich Entertainment/d: Katie Burrell/Limited)
Mayhem! (Action/With: Nassim Lyes, Loryn Nounay, Olivier Gourmet, Chananticha Chaipa/1 hr 39 min/IFC Films/d: Xavier Gens/Limited)
Memory (Drama/With: Jessica Chastain, Peter Sarsgaard, Brooke Timber, Blake Baumgartne1 hr 39 min/Ketchup Entertainment/d: Michel Franco/Limited)
Anselm (Documentary/With: Anselm Kiefer, Daniel Kiefer, Anton Wenders, Ingeborg Bachmann/1 hr 33 min/Janus Films/d: Wim Wenders/Limited)
Questions (Comedy/With: Carmen Serano, Greg Serano, Cynthia Rodriguez, Lou Richards/1 hr 40 min/Entertainment Squad/d: Avery Kidd Waddell/Limited)
Noryang: Deadly Sea (Biography/With: Jeong Jae-yeong, Yeo Jin-goo, Huh Joon-ho, Ahn Seong-bong/2 hr 32 min/Well Go USA Entertainment/d: Han-min Kim/Limited)
The Bricklayer (Action/With: Aaron Eckhart, Nina Dobrev, Clifton Collins Jr., Tim Blake Nelson/1 hr 50 min/Vertical Entertainment/d: Renny Harlin/Limited)
He Went That Way (Crime/With: Jacob Elordi, Patrick J. Adams, Zachary Quinto, Erin Moore/1 hr 35 min/Vertical Entertainment/d: Jeffrey Darling/Limited)
The Bastard Sons (Crime/With: Kevin Interdonato, Charles Malik Whitfield, Frankie Edgar, Al Sapienza/1 hr 24 min/Vertical Entertainment/d: Kevin Interdonato/Limited)
January 6, 2024
(LIMITED)
A Storm Foretold (Documentary/With: Christoffer Guldbrandsen, Roger Stone, Joe Biggs, Kristin Davis/1 hr 30 min/Abramorama/d: Christoffer Guldbrandsen/Limited)
January 12, 2024
(WIDE)
Mean Girls (2024) (Musical/With: Angourie Rice, Reneé Rapp, Auli'i Cravalho, Jaquel Spivey/PG-13/1 hr 52 min/d: Samantha Jayne and Arturo Perex, Jr./Paramount Pictures/Wide)
The Beekeeper (Action/With: Jason Statham, Emmy Raver-Lampman, Bobby Naderi, Josh Hutcherson/1 hr 45 min/Metro-Goldwyn-Mayed: David AyeWide)
The Book of Clarence (Drama/With: LaKeith Stanfield, Omar Sy, Anna Diop, RJ CylePG-13/2 hr 9 min/Sony Pictures Releasing/d: Jeymes Samuel/Wide)
Soul (Animation/With: Jamie Foxx, Tina Fey, Graham Norton, Rachel House/PG/1 hr 40 min/Walt Disney Studios Motion Pictures/d: Pete Docter and Kemp Powers/Wide)
(LIMITED)
Driving Madeleine (Drama/With: Line Renaud, Dany Boon, Alice Isaaz, Jérémie Laheurte/1 hr 31 min/Cohen Media Group/d: Christian Carion/limited)
T.I.M. (Sci-Fi/With: Georgina Campbell, Eamon Farren, Mark Rowley, Amara Karan/1 hr 41 min/Brainstorm Media/d: Spencer Brown/Limited)
I Did It My Way (Action/With: Andy Lau, Ka-Tung Lam, Eddie Peng, Simon Yam/1 hr 55 min/Well Go USA Entertainment/d: Jason Kwan/Limited)
The Settlers (Western/With: Sam Spruell, Mark Stanley, Alfredo Castro, Benjamin Westfall/1 hr 37 min/MUBI/d: Felipe Gálvez Haberle/Limited)
Inshallah a Boy (Drama/With: Mouna Hawa, Haitham Alomari, Yumna Marwan, Salwa Nakkara/1 hr 53 min/Greenwich Entertainment/d: Amjad Al Rasheed/Limited)
Occupied City (Documentary/With: Melanie Hyams/PG-13/4 hr 6 min/A24/d: Steve McQueen/Limited)
The Windigo (HorroWith: Marco Fuller, Fivel Stewart, Tonantzin Carmelo, Casey Camp-Horinek/1 hr 25 min/Indican Pictures/d: Gabe Torres/Limited)
Bye Bye Tiberias (Biography/With: Hiam Abbass, Um Ali, Nemat Abbass, Said Abbas/1 hr 22 min/Women Make Movies/d: Lina Soualem/Limited)
January 18, 2024
(LIMITED)
Queen Rock Montreal (Music/feat. Queen/N/A/Limited)
January 19, 2024
(WIDE)
I.S.S. (Sci-Fi/With: Ariana DeBose, Chris Messina, John Gallagher Jr., Masha Mashkova/1 hr 35 min/Bleecker Street Media/d: Gabriela Cowperthwaite/Wide)
Founders Day (HorroWith: Naomi Grace, Devin Druid, William Russ, Amy Hargreaves/1 hr 46 min/d: Erik Bloomquist/Wide)
Origin (Drama/With: Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash, Emily Yancy/PG-13/2h 15m/NEON/d: Ava DuVernay/Wide)
(LIMITED)
Inside the Yellow Cocoon Shell (Drama/With: Dylan Besseau, Le Phong Vu, Vu Ngoc Manh, Nguyen Thinh/2 hr 59 min/Kino Lorbed: Thien An Pha/Limited)
Pasang: In the Shadow of Everest (Documentary/With: Pasang Lhamu Sherpa, Marc Batard, Norbu Tenzing, Vincanne Adams/1 hr 12 min/Slice of Pie/d: Nancy Svendsen/Limited)
The Hunted (HorroWith: Ayman Al Aboud, Daphne Alexander, Raj Bajaj, Lily Banda/1 hr 34 min/Vertical Entertainment/d: Louis Lagayette/Limited)
Which Brings Me to You (Romance/With: Lucy Hale, John Gallagher Jr., Nat Wolff, Genevieve Angelson/1 hr 38 min/d: Peter Hutchings/Limited)
The Breaking Ice (Drama/With: Dongyu Zhou, Haoran Liu, Chuxiao Qu, Ruguang Wei/1 hr 37 min/Strand Releasing/d: Anthony Chen/Limited)
Time Still Turns the Pages (Drama/With: Chun Yip Lo, Ronald Cheng, Charm Man Chan, Hanna Chan/1 hr 35 min/d: Nick Cheuk/Limited)
January 23, 2024
(LIMITED)
New Blue Sun (Listening) (With: André 3000/IMAX/d: Terence Nance/Limited)
A Case for Love (Documentary/With: Michael Curry, Sam Waterston, Al Roker, Pete Buttigieg/Fathom Events/d: Brian Ide/Limited)
January 25, 2024
(LIMITED)
Fighter (Action/With: Deepika Padukone, Hrithik Roshan, Rishabh Sawhney, Anil Kapoo2 hr 46 min/Viva Pictures/d: Siddharth Anand/Limited)
January 26, 2024
(LIMITED)
American Star (ThrilleWith: Ian McShane, Thomas Kretschmann, Nora Arnezeder, Adam Nagaitis/IFC Films/d: Gonzalo López-Gallego/Limited)
Totem (Drama/With: Naíma Sentíes, Montserrat Marañon, Marisol Gasé, Saori Gurza/1 hr 35 min/Janus Films/Lila Avilés/Wide)
The Seeding (HorroWith: Scott Haze, Kate Lyn Sheil, Alex Montaldo, Charlie Avink/1 hr 34 min/Magnet Releasing/d: Barnaby Clay/Limited)
Sometimes I Think About Dying (Dramedy/With: Daisy Ridley, Dave Merheje, Parvesh Cheena, Marcia DeBonis/PG-13/1 hr 31 min/Oscilloscope/d: Rachel Lambert/Limited)
Alienoid: The Return to the Future (Fantasy/With: Ryu Jun-Yeol, Kim Tae-ri, Kim Woo-bin, Kim Eui-sung/2 hr 2 min/Well Go USA Entertainment/d:Dong-hoon Choi/Limited)
Hundreds of Beavers (Comedy/With: Ryland Brickson Cole Tews, Olivia Graves, Wes Tank, Doug Mancheski/1 hr 48 min/SRH/d: Mike Cheslik/Limited)
The Peasants (Animation/With: Kamila Urzedowska, Robert Gulaczyk, Miroslaw Baka, Sonia Mietielica/1 hr 54 min/Sony Pictures Classics/d: DK Welchman and Hugh Welchman/Limited)
The Underdoggs (Comedy/With: Snoop Dogg, Tika Sumpter, Mike Epps, Andrew Schulz/Metro-Goldwyn-Mayed: Charles Stone III/Wide)
Cold Copy (ThrilleWith: Bel Powley, Tracee Ellis Ross, Jacob Tremblay, Nesta Coope1 hr 36 min/Vertical Entertainment/d: Roxine Helberg/Limited)
Miller's Girl (Dramedy/With: Martin Freeman, Jenna Ortega, Bashir Salahuddin, Gideon Adlon/1 hr 33 min/Lionsgate Films/d: Jade Halley Bartlett/Limited)
Junction (ThrilleWith: Sophia Bush, Michaela Conlin, Jamie Chung, Yara Martinez/1 hr 38 min/VMI Worldwide/d: Bryan Greenberg/Limited)
February 1, 2024
(LIMITED)
The Chosen: S4 Episodes 1-3) (Drama/With: Shahar Isaac, Paras Patel, Elizabeth Tabish, Austin Reed Alleman/Fathom Events/Limited)
February 2, 2024
(WIDE)
Argylle (Action/With: Catherine O'Hara, Henry Cavill, Sofia Boutella, Ariana DeBose/PG-13/2 hr 15 min/Apple Original-Universal Pictures/d: Matthew Vaughn/Wide)
(LIMITED)
The Monk and the Gun (Drama/With: Tandin Wangchuk, Harry Einhorn, Tandin Phubz, Tandin Sonam/1 hr 47 min/A Contracorriente Films/d: Pawo Choyning Dorji/Limited)
Disco Boy (Drama/With: Franz Rogowski, Morr Ndiaye, Laetitia Ky, Leon Lucev/1 hr 32 min/Big World Pictures/d: Giacomo Abbruzzese/Limited)
Scrambled (RomCom/With: Leah McKendrick, Ego Nwodim, Clancy Brown, June Diane Raphael/1h 37m/Lionsgate-Roadside Attractions/d: Leah McKendrick/Limited)
Somewhere Quiet (HorroWith: Marin Ireland, Micheál Neeson, Kentucker Audley, Jennifer Kim/1 hr 42 min/Vertical Entertainment/d: Olivia West Lloyd/Limited)
Skin Deep (Drama/With: Mala Emde, Jonas Dassler, Dimitrij Schaad, Maryam Zaree/1 hr 43 min/Kino Lorbed: Alex Schaad/Limited)
Fitting In (Dramedy/With: Maddie Ziegler, Emily Hampshire, Djouliet Amara, D'Pharaoh Woon-A-Tai/1 hr 45 min/Blue Fox Entertainment/d: Molly McGlynn/Limited)
Jungle Bunch: Operation Meltdown (With: Wyatt Bowen, Holly Gauthier-Frankel, Arthur Holden/PG/1 hr 29 min/Viva Pictures/d: Laurent Bru, Yannick Moulin, Benoît Somville/Limited)
Departing Seniors (HorroWith: Ignacio Diaz-Silverio, Yani Gellman, Ireon Roach, Cameron Scott Roberts/1 hr 25 min/Dark Sky Films/d: Clare Cooney/Limited)
February 7, 2024
(LIMITED)
Perfect Days (Drama/With: Miyako Tanaka, Koji Yakusho, Long Mizuma, Tokio Emoto/PG/2 hr 3 min/NEON/d: Wim Wenders/Limited)
February 9, 2024
(WIDE)
Float (RomDram/With: Robbie Amell, Sarah Desjardins, Andrea Bang, Rukiya Bernard/PG-13/1h 40m/Lionsgate/d: Sherren Lee/Wide)
Lisa Frankenstein (HorroWith: Carla Gugino, Kathryn Newton, Cole Sprouse, Jenna Davis/PG-13/Focus Features/d: Zelda Williams/Wide)
Turning Red (Animation/With: Rosalie Chiang, Sandra Oh, Ava Morse, Hyein Park/PG/1 hr 40 min/Walt Disney Studios Motion Pictures/d: Domee Shi/Wide)
(LIMITED)
The Taste of Things (History/With: Juliette Binoche, Benoît Magimel, Emmanuel Salinger, Patrick d'Assumçao/PG-13/2 hr 25 min/IFC Films/d: Anh Hung Tran/Limited)
Popular Theory (Adventure/With: Sophia Reid-Gantzert, Lincoln Lambert, Chloe East, Cheryl Hines/PG/Blue Fox Entertainment/d: Ali ScheLimited)
Ennio (Documentary/With: Quentin Tarantino, Clint Eastwood, Oliver Stone, John Williams/2 hr 36 min/Music Box Films/Limited)
Lola (Drama/With: Nicola Peltz Beckham, Virginia Madsen, Will Peltz, Raven Goodwin/Vertical Entertainment/d: Giuseppe Tornatore/Limited)
February 13, 2024
(LIMITED)
Gloria Gaynor: I Will Survive (Documentary/With: Gloria Gayno1 hr 39 min/Fathom Events/d: Betsy SchechteLimited)
February 14, 2024
(WIDE)
Madame Web (Fantasy/With: Sydney Sweeney, Isabela Merced, Emma Roberts, Dakota Johnson/PG-13/1h 56m/Columbia Pictures/d: S.J. Clarkson/Wide)
Bob Marley: One Love (Biography/With: Kingsley Ben-Adir, James Norton, Lashana Lynch, Michael Gandolfini/PG-13/1h 44m/Paramount Pictures/d: Reinaldo Marcus Green/Wide)
What About Love (Romantic Drama/With: Sharon Stone, Andy Garcia, Iain Glen, Rosabell Laurenti Sellers/1 hr 54 min/d: Klaus Menzel/Wide)
(LIMITED)
Adam the First (Drama/With: David Duchovny, T.R. Knight, Oakes Fegley, Larry Pine/Nova Vento Entertainment/d: Irving Franco/Limited)
February 15, 2024
(LIMITED)
The Chosen: S4 Episodes 4-6 (Drama/With: Austin Reed Alleman, Hannah Barefoot, Reza Diako, Jordan Walker Ross/Fathom Events/Limited)
February 16, 2024
(WIDE)
Land of Bad (Action/With: Liam Hemsworth, Russell Crowe, Luke Hemsworth, Milo Ventimiglia/1h 50m/d: William Eubank/The Avenue Entertainment/Wide)
(LIMITED)
God & Country (Documentary/Oscilloscope/PG-13/d: Dan Partland/Limited)
Altered Reality (ThrilleWith: Lance Henriksen, Tobin Bell, Edward Asner, Phuong Kubacki/1 hr 39 min/K Street Pictures/d: Don E. FauntLeRoy/Limited)
February 23, 2024
(WIDE)
Ordinary Angels (Drama/With: Alan Ritchson, Hilary Swank, Amy Acker, Nancy Travis/PG/1 hr 56 min/d: d: Jon Gunn/Wide)
Drive-Away Dolls (Comedy/With: Margaret Qualley, Geraldine Viswanathan, Beanie Feldstein, Joey Slotnick/1 hr 24 min/Focus Features/Wide)
Demon Slayer: Kimetsu No Yaiba - To the Hashira Training (Animation/With: Natsuki Hanae, Kengo Kawanishi, Akari Kitô, Yoshitsugu Matsuoka/1 hr 44 min/Sony Pictures Releasing/d: Haruo Sotozaki/Wide)
(LIMITED)
Stopmotion (HorroWith: Aisling Franciosi, Stella Gonet, Tom York, Caoilinn Springall/1 hr 33 min/IFC Films/d: Robert Morgan/Limited)
The Stolen Valley (Western/With: Briza Covarrubias, Allee Sutton Hethcoat, Micah Fitzgerald, Paula Miranda/PG-13/1 hr 45 min/Blue Fox Entertainment/d: Jesse Edwards/Limited)
Thabo and the Rhino Case (Adventure/With: Litlhohonolofatso Litlhakayane, Andrea Sawatzki, Ava Skuratowski/1 hr 33 min/Purdie Distribution/d: Mara Eibl-Eibesfeldt/Limited)
The Invisible Fight (Action/With: Ursel Tilk, Ester Kuntu, Kaarel Pogga, Indrek Sammul/1 hr 55 min/Kino Lorbed: Rainer Sarnet/Limited)
Isle of Hope (Drama/With: Diane Ladd, Mary Stuart Masterson, Sam Robards, Andrew McCarthy1 hr 36 min/d: Damián Romay/Limited)
Golden Years (Comedy/With: Esther Gemsch, Stefan Kurt, Ueli Jäggi, Gundi Ellert/1 hr 32 min/Music Box Films/d: Barbara KulscaLimited)
About Dry Grasses (Drama/With: Deniz Celiloglu, Merve Dizdar, Musab Ekici, Ece Bagci/3 hr 17 min/Sideshow Releasing/d: Nuri Bilge Ceylan/Limited)
Cinderella's Revenge (HorroWith: Lauren Staerck, Natasha Henstridge, Stephanie Lodge, Beatrice Fletched: Andy Edwards/Limited)
February 29, 2024
(LIMITED)
The Chosen: S4 Episodes 7-8 (Drama/With: Austin Reed Alleman, Reza Diako, Catherine Lidstone, Jordan Walker Ross/Fathom Events/Limited)
March 1, 2024
(WIDE)
Dune: Part Two (Fantasy/With: Florence Pugh, Timothée Chalamet, Rebecca Ferguson, Zendaya/Warner Bros./d: Denis Villeneuve/Wide)
(LIMITED)
Problemista (Adventure/With: Julio Torres, Tilda Swinton, RZA, Greta Lee/1 hr 38 min/A24/d: Julio Torres/Limited)
March 8, 2024
(WIDE)
Imaginary (HorroWith: DeWanda Wise, Tom Payne, Betty Buckley, Veronica Falcón/Lionsgate Films/d: Jeff Wadlow/Wide)
Kung Fu Panda 4 (Animation/With: Lucy Liu, Angelina Jolie, Seth Rogen, Jack Black/PG/1h 34m/Universal Pictures/d: Mike Mitchell and Stephanie Stine/Wide)
Cabrini (Biography/With: Cristiana Dell'Anna, John Lithgow, David Morse, Giancarlo Giannini/PG-13/2 hr 25 min/Angel Studios/d: Alejandro Monteverde/Wide)
(LIMITED)
Love Lies Bleeding (Crime/With: Anna Baryshnikov, Kristen Stewart, Dave Franco, Katy O'Brian/1 hr 44 min/A24/d: Rose Glass/Limited)
Glitter & Doom (Musical/With: Alex Diaz, Alan Cammish, Ming-Na Wen, Missi Pyle/1 hr 55 min/Music Box Films/d: Tom Gustafson/Limited)
March 11, 2024
(LIMITED)
Forty-Seven Days with Jesus (With: Yoshi Barrigas, Catherine Lidstone, Cameron Arnett, Alican Barlas/Fathom Events/d: David M. Gutel and Emilio Palame/Limited)
March 15, 2024
The American Society of Magical Negroes (Comedy/With: Rupert Friend, David Alan Grier, Justice Smith, Michaela Watkins/1 hr 44 min/Focus Features/d: Kobi Libii/Wide)
Arthur the King (Adventure/With: Mark Wahlberg, Nathalie Emmanuel, Simu Liu, Michael Landes/PG-13/Lionsgate Films/d: Simon Cellan Jones/Wide)
Love Lies Bleeding (Crime/With: Anna Baryshnikov, Kristen Stewart, Dave Franco, Katy O'Brian/1 hr 44 min/A24/d: Rose Glass/Wide)
(LIMITED)
1992 (Action/With: Ray Liotta, Scott Eastwood, Tyrese Gibson, Tosin Morohunfola/Lionsgate Films/d: Ariel Vromen/Limited)
The Prank (Comedy/With: Rita Moreno, Connor Kalopsis, Ramona Young, Keith David/1 hr 30 min/d: Maureen Bharoocha/Limited)
The Shadowless Tower (Drama/With: Bai Qing Xin, Yao Huang, Zhuangzhuang Tian, Gaowa Siqin/2 hr 24 min/Strand Releasing/d: Lu Zhang/Limited)
Knox Goes Away (ThrilleWith: Al Pacino, James Marsden, Michael Keaton, Marcia Gay Harden/1 hr 54 min/Saban Films/d: Michael Keaton/Limited)
Remembering Gene Wilder (Biography/With: Alan Alda, Mel Brooks, Harry Connick Jr., Burton Gilliam/1 hr 32 min/Kino Lorbed: Ron Frank/Limited)
March 18, 2024
(LIMITED)
Irena's Vow (Drama/With: Sophie Nélisse, Dougray Scott, Andrzej Seweryn, Maciej Nawrocki/2 hr 1 min/Fathom Events/d: Louise Archambault/Limited)
March 20, 2024
(LIMITED)
The Ark and the Darkness (Documentary/Fathom Events/Limited)
March 22, 2024
(WIDE)
Ghostbusters: Frozen Empire (Fantasy/With: Carrie Coon, Mckenna Grace, Annie Potts, Paul Rudd/Sony Pictures Entertainment/d: Gil Kenan/Wide)
Problemista (Adventure/With: Julio Torres, Tilda Swinton, RZA, Greta Lee/1 hr 38 min/A24/d: Julio Torres/Wide)
Luca (Animation/With: Jacob Tremblay, Jack Dylan Grazer, Emma Berman, Saverio Raimondo/PG/1 hr 35 min/Walt Disney Studios Motion Pictures/d: Enrico Casarosa/Wide)
(LIMITED)
Immaculate (HorroWith: Sydney Sweeney, Simona Tabasco, Álvaro Morte, Benedetta Porcaroli/1 hr 29 min/NEON/d: Michael Mohan/Limited)
Late Night with the Devil (HorroWith: David Dastmalchian, Laura Gordon, Ian Bliss, Fayssal Bazzi/1 hr 26 min/IFC Films/d: Cameron Cairnes and Colin Cairnes/Limited)
Limbo (Crime/With: Simon Baker, Rob Collins,Natasha Wanganeen, Nicholas Hope/1 hr 48 min/Music Box Films/d: Ivan Sen/Limited)
March 29, 2024
(WIDE)
Godzilla x Kong: The New Empire (Fantasy/With: Rebecca Hall, Dan Stevens, Rachel House, Mercy Cornwall/Warner Bros./d: Adam Wingard/Wide)
Asphalt City (ThrilleWith: Sean Penn, Tye Sheridan, Katherine Waterston, Mike Tyson/2h 0m/Vertical-Roadside Attractions/d: Jean-Stéphane Sauvaire/Wide)
(LIMITED)
On the Adamant (Documentary/With: Mamadi Barri, Walid Benziane, Sabine Berlière, Romain Bernardin/1 hr 49 min/Kino Lorbed: Nicolas Philibert/Limited)
La Chimera (Fantasy/With: Josh O'Connor, Carol Duarte, Vincenzo Nemolato, Isabella Rossellini/2 hr 10 min/NEON/d: Alice RohrwacheLimited)
April 5, 2024
(WIDE)
Monkey Man (Action/With: Dev Patel, Sharlto Copley, Pitobash, Sobhita Dhulipala/1 hr 53 min/Universal Pictures/d: Dev Patel/Wide)
Dragonkeeper (Animation/With: Bill Nighy, Anthony Howell, Bill Bailey, Mayalinee Griffiths/PG/Viva Pictures/d: Jianping Li and Salvador Simó/Wide)
The First Omen (HorroWith: Bill Nighy, Ralph Ineson, Nell Tiger Free, Sonia Braga/Walt Disney Studios Motion Pictures/d: Arkasha Stevenson/Wide)
(LIMITED)
Housekeeping for Beginners (Dramedy/With: Rozafa Celaj, Sara Klimoska, Anamaria Marinca, Mia Mustafi/1 hr 47 min/Focus Features/d: Goran Stolevski/Limited)
April 12, 2024
(WIDE)
Sting (HorroWith: Penelope Mitchell, Silvia Colloca, Ryan Corr, Jermaine Fowle1 hr 31 min/Well Go USA Entertainment/d: Kiah Roache-TurneWide)
Civil War (Action/With: Jesse Plemons, Cailee Spaeny, Kirsten Dunst, Nick Offerman/1h 49m/A24/d: Alex Garland/Wide)
April 19, 2024
(WIDE)
Abigail (HorroWith: Kathryn Newton, Dan Stevens, Kevin Durand, Giancarlo Esposito/Universal/d: Matt Bettinelli-Olpin and Tyler Gillett/Wide)
The Ministry of Ungentlemanly Warfare (Action/With: Henry Cavill, Eiza González, Alan Ritchson, Alex PettyfeLionsgate/d: Guy Ritchie/Wide)
(LIMITED)
Egoist (RomDram/With: Ryohei Suzuki, Hio Miyazawa, Yûko Nakamura, Iori Wada/2 hr 0m/Strand Releasing/d: Daishi Matsunaga/Limited)
April 26, 2024
(WIDE)
Challengers (Romantic Drama/With: Zendaya, Josh O'Connor, Mike Faist, Andre Gadbois/United Artists Releasing/d: Luca Guadagnino/Wide)
Unsung Hero (Drama/With: Daisy Betts, Joel Smallbone, Kirrilee Berger, Jonathan Jackson/Lionsgate Films/d: Richard L. Ramsey and Joel Smallbone/Wide)
Boy Kills World (Action/With: Bill Skarsgård, Michelle Dockery, Jessica Rothe, Famke Janssen/Lionsgate-Roadside Attractions/d: Moritz MohWide)
May 3, 2024
(WIDE)
The Fall Guy (Action/With: Emily Blunt, Ryan Gosling, Aaron Taylor-Johnson Hannah Waddingham/PG-13/1 hr 54 min/Universal Pictures/d: David Leitch/Wide)
(LIMITED)
Wildcat (Biopic/With: Maya Hawke, Philip Ettinger, Rafael Casal, Cooper Hoffman/1h 43m/Oscilloscope Laboratories/d: Ethan Hawke/Limited)
May 10, 2024
(WIDE)
Kingdom of the Planet of the Apes (Fantasy/With: Freya Allan, Kevin Durand, William H. Macy, Dichen Lachman/20th Century Studios/d: Wes Ball/*Wide)
Tarot (HorroWith: Avantika, Harriet Slater, Jacob Batalon, Humberly González/Screen Gems/d: Spenser Cohen and Anna Halberg/Wide)
May 17, 2024
(WIDE)
IF (Dramedy/With: Phoebe Waller-Bridge, Emily Blunt, Ryan Reynolds, Matt Damon/Paramount Pictures/d: John Krasinski/Wide)
Back To Black (Biography/With: Marisa Abela, Jack O'Connell, Eddie Marsan, Lesley Manville/Focus Features/d: Sam Taylor-Johnson/Wide)
The Strangers (Chapter One) (HorroWith: Madelaine Petsch, Froy Gutierrez, Gabriel Basso, Richard Brake/Lionsgate/d: Renny Harlin/Wide)
May 24, 2024
(WIDE)
Furiosa: A Mad Max Saga (Fantasy/With: Anya Taylor-Joy, Chris Hemsworth, Tom Burke, Nathan Jones/Warner Bros./d: George MilleWide)
The Garfield Movie (Animation/With: Hannah Waddingham, Nicholas Hoult, Chris Pratt, Samuel L. Jackson/Sony Pictures Entertainment/d: Mark Dindal/Wide)
June 7, 2024
(WIDE)
The Watchers (HorroWith: Dakota Fanning, Georgina Campbell, Olwen Fouéré, Siobhan Hewlett/Warner Bros./d: Ishana Shyamalan/Wide)
Ballerina (Action/With: Ana de Armas, Keanu Reeves, Catalina Sandino Moreno, Lance Reddick/Lionsgate Films/d: Len Wiseman/Wide)
June 14, 2024
(WIDE)
Inside Out 2 (Animation/With: Amy Poehler, Phyllis Smith, Lewis Black, Tony Hale/Walt Disney Studios Motion Pictures/d: Kelsey Mann/Wide)
Bad Boys 4 (Action/With: Will Smith, Alexander Ludwig, Vanessa Hudgens, Rhea Seehorn/Sony Pictures Entertainment/d: Adil El Arbi and Bilall Fallah/Wide)
June 21, 2024
(WIDE)
The Bikeriders (Drama/With: Austin Butler, Jodie Comer, Tom Hardy, Michael Shannon/1 hr 56 min/Focus Features/d: Jeff Nichols/Wide)
It Ends with Us (Romantic Drama/With: Blake Lively, Jenny Slate, Brandon Sklenar, Justin Baldoni/Sony Pictures Entertainment/d: Justin Baldoni/Wide)
June 28, 2024
(WIDE)
A Quiet Place: Day One (HorroWith: Lupita Nyong'o, Djimon Hounsou, Alex Wolff, Denis O'Hare/Paramount Pictures/d: Michael Sarnoski/Wide)
Horizon: An American Saga (Chapter 1) (Western/With: Jena Malone, Abbey Lee, Kevin Costner, Sienna MilleWarner Bros./d: Kevin CostneWide)
(LIMITED)
June Zero (Drama/With: Koby Aderet, Adam Gabay, Tzahi Grad, Tom Hagi/1 hr 45 min/Cohen Media Group/Limited)
July 3, 2024
(WIDE)
Despicable Me 4 (Animation/With: Steve Carell, Kristen Wiig, Miranda Cosgrove, Steve Coogan/Universal Pictures/d: Chris Renaud and Patrick Delage/Wide)
July 12, 2024
(WIDE)
Project Artemis (working title) (RomCom/With: Scarlett Johansson, Channing Tatum, Jim Rash, Ray Romano/Sony-Apple Original/d: Greg Berlanti/Wide)
(LIMITED)
Touch (Drama/With: Egill Ólafsson, Palmi Kormákur, Kôki, Masahiro Motoki/Focus Features/Baltasar KormákuLimited)
July 19, 2024
(WIDE)
Twisters (Adventure/With: Glen Powell, Kiernan Shipka, Maura Tierney, Daisy Edgar-Jones/Universal Pictures/d: Lee Isaac Chung/Wide)
July 21, 2024
(WIDE)
Deadpool 3 (Fantasy/With: Emma Corrin, Jennifer Garner, Ryan Reynolds, Morena Baccarin/Walt Disney Studios Motion Pictures/d: Shawn Levy/Wide)
August 2, 2024
(WIDE)
Harold and the Purple Crayon (Animation/With: Zooey Deschanel, Zachary Levi, Lil Rel Howery, Camille Guaty/PG/1 hr 32 min/Columbia Pictures/d: Carlos Saldanha/Wide)
Trap (HorroWith: Josh Hartnett, Hayley Mills, Cali Lorella, Saleka Shyamalan/Warner Bros./d: M. Night Shyamalan/Wide)
August 9, 2024
(WIDE)
Borderlands (Fantasy/With: Olivier Richters, Ariana Greenblatt, Cate Blanchett, Jamie Lee Curtis/Lionsgate Films/d: Eli Roth and Tim MilleWide)
Flint Strong (Biography/With: Brian Tyree Henry, Jessica Grossi, Ryan Destiny, Amanda BarkePG-13/Metro-Goldwyn-Mayed: Rachel Morrison/Wide)
August 16, 2024
(WIDE)
Alien: Romulus (HorroWith: Isabela Merced, Cailee Spaeny, Archie Renaux, David Jonsson/Walt Disney Studios Motion Pictures/d: Fede Alvarez/Wide)
Horizon: An American Saga (Chapter 2) (Western/With: Kevin Costner, Sienna Miller, Isabelle Fuhrman, Giovanni Ribisi/Warner Bros./d: Kevin CostneWide)
August 23, 2024
(WIDE)
The Forge (Religious/With: Karen Abercrombie, Priscilla C. Shirer, Cameron Arnett, Aspen Kennedy/Affirm Films/d: Alex Kendrick/Wide)
August 30, 2024
(WIDE)
Kraven the Hunter (Fantasy/With: Ariana DeBose, Aaron Taylor-Johnson, Russell Crowe, Christopher Abbott/Sony Pictures Entertainment/d: J.C. ChandoWide)
September 6, 2024
(WIDE)
Beetlejuice 2 (Comedy/With: Catherine O'Hara, Jenna Ortega, Monica Bellucci, Winona Ryded: Tim Burton/Wide)
September 13, 2024
(WIDE)
Transformers One (Animation/With: Scarlett Johansson, Chris Hemsworth, Jon Hamm, Keegan-Michael Key/Paramount Pictures/d: Josh Cooley/Wide)
Speak No Evil (HorroWith: Mackenzie Davis, James McAvoy, Scoot McNairy, Alix West LefleUniversal Pictures/d: Wide)
September 20, 2024
(WIDE)
The Wild Robot (Animation/With: ?/DreamWorks/d: ?/Wide)
Wolfs (ThrilleWith: George Clooney, Brad Pitt, Amy Ryan, Austin Abrams/Sony-Apple Original/d: Jon Watts/Wide)
September 27, 2024
(WIDE)
Saw XI (HorroWith: ?/?/?/?/Lionsgate Pictures/d: ?/Wide)
October 3, 2024
(WIDE)
Joker: Folie à Deux (Fantasy/With: Joaquin Phoenix, Lady Gaga, Zazie Beetz, Brendan Gleeson/Warner Bros. Studios/d: Todd Phillips/Wide)
Smile 2 (HorroWith: Lukas Gage, Naomi Scott/Paramount Pictures/d: Parker Finn/Wide)
October 11, 2024
(WIDE)
Piece By Piece (Biography/With: Pharell Williams/d: Morgan Neville/Focus Features/Wide)
October 18, 2024
(WIDE)
Smile 2 (HorroWith: Lukas Gage, Naomi Scott/Paramount Pictures/d: Parker Finn/Wide)
October 23, 2024
(WIDE)
Terrifier 3 (HorroWith: Lauren LaVera, David Howard Thornton, Samantha Scaffidi, Elliott Fullam/Cineverse/d: Damien Leone/Wide)
October 25, 2024
(WIDE)
The Wolf Man (HorroWith: Christopher Abbott, Julia GarneBlumhouse-Universal Pictures/d: Leigh Whannell/Wide)
November 8, 2024
(WIDE)
The Amateur (Action/With: Caitríona Balfe, Rachel Brosnahan, Julianne Nicholson, Rami Malek/20th Century Studios/d: James Hawes/Wide)
Venom III (Fantasy/With: Juno Temple, Tom Hardy, Chiwetel EjiofoSony Pictures Entertainment/d: Kelly Marcel/Wide)
November 15, 2024
(WIDE)
Alto Knights (History/With: Robert De Niro, Cosmo Jarvis, Debra Messing, Kathrine Narducci/Warner Bros./d: Barry Levinson/Wide)
The Best Christmas Pageant Ever (Adventure/With Lauren Graham, Kirk B.R. Woller, Vanessa Benavente, Elizabeth Tabish/Lionsgate/d: Dallas Jenkins/Wide)
November 22, 2024
(WIDE)
Gladiator 2 (Action/With: Pedro Pascal, Denzel Washington, Connie Nielsen, Paul Mescal/Paramount Pictures/d: Ridley Scott/Wide)
November 27, 2024
(WIDE)
Wicked (Musical/With: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Marissa Bode/Universal Pictures/d: Jon M. Chu/Wide)
December 13, 2024
(WIDE)
The Lord of the Rings: The War of the Rohirrim (Animation/With: Brian Cox, Miranda Otto, Shaun Dooley, Luke Pasqualino/2 hr 10 min/Warner Bros./d: Kenji Kamiyama/Wide)
Untitled Karate Kid Movie (Drama/With: Jackie Chan, Ralph Macchio/Sony Pictures Entertainment/d: Jonathan Entwistle/Wide)
December 20, 2024
(WIDE)
Mufasa: The Lion King (Adventure/With: Seth Rogen, Billy Eichner, Aaron Pierre, Kelvin Harrison, Jr./Walt Disney Studios Motion Pictures/d: Barry Jenkins/Wide)
Sonic the Hedgehog 3 (Family/With: Idris Elba, James Marsden, Ben Schwartz, Colleen O'Shaughnessey/Paramount Pictures/d: Jeff FowleWide)
December 25, 2024
(WIDE)
Nosferatu (2024) (HorroWith: Aaron Taylor-Johnson, Willem Dafoe, Emma Corrin, Nicholas Hoult/Focus Features/d: Robert Eggers/Wide)
submitted by yawningvoid28 to movies [link] [comments]


2023.11.26 23:54 Hemingbird EA vs. e/acc: an overview that is hopefully helpful to fellow people trying to figure out where these ideas came from

The Origins

We can trace the origins of both movements back to two groups operating in the mid-90s: the Extropy Institute and the Cybernetic Culture Research Unit.
Extropianism
Eliezer Yudkowsky, Robin Hanson, and Nick Bostrom met through participating on the Extropy Institute listserv (mailing list). Extropianism was a framework revolving around transhumanist philosophy, encouraging optimism and rationality.
Here's how it's introduced in a 1993 Wired article by Kevin Kelly:
DOES ANYONE STILL believe that human intelligence can solve all problems? The Extropians do. The '90s version of "Isn't the future great?" is sorting itself into a minor movement revolving around the term extropy. Extropy is the opposite of dissipative entropy. Extropians preach "boundless expansion" - there are no limits to social and technological progress, and "self-transformation" - there are no limits to what a person can do by taking hold of his or her own destiny. Author Ayn Rand is mentioned a lot.
One of their primary interests was the concept of the technological singularity, elucidated by science-fiction author Vernor Vinge in 1993. The members of this group discussed the significance of the coming singularity, as well as engaging in unfiltered discussion of any topic that interested them.
“Blacks are more stupid than whites,” wrote 23-year-old Nick Bostrom on the mailing list. “I like that sentence and I think it is true. But recently I have begun to believe that I won’t have much success with most people if I speak like that.”
Bostrom's A History of Transhumanist Thought examines the growth of the transhumanist movement and puts it in context:
It has been said that the Enlightenment expired as the victim of its own excesses. It gave way to Romanticism, and to latter day reactions against the rule of instrumental reason and the attempt to rationally control nature, such as can be found in some postmodernist writings, the New Age movement, deep environmentalism, and in some parts of the anti-globalization movement. However, the Enlightenment’s legacy, including a belief in the power of human rationality and science, is still an important shaper of modern culture.
Bostrom also noted that Nietzsche's vision of the Übermensch might look like a likely source of transhumanist thought, but he argued it had "as much or more in common with Nietzsche's contemporary J. S. Mill, the English liberal thinker and utilitarian."
Framing this as Enlightenment vs. Romanticism is, perhaps, a useful thing to do. Rational thought and logic vs. intuition and passion. Dominance over nature vs. submission to nature. It will be obvious later why I think this dichotomy makes sense.
Robin Hanson created the blog Overcoming Bias, Eliezer Yudkowsky created the community blog Less Wrong, and Nick Bostrom went on to enjoy a career in philosophy.
The Cybernetic Culture Research Unit
Cybernetics emerged from WWII, more or less, as an interdisciplinary field whose adherents believed that nonlinear systems were all fundamentally similar in a way that meant progress in one realm of investigation (say, psychology) could be used to further work in different realms (economics, engineering, etc). John von Neumann developed game theory as a framework for understanding and predicting the behavior of rational agents competing against each other. Nonlinear systems breed complexity because of positive and negative feedback—this is why it's so difficult to understand how they work. Cybernetics was an attempt to unify the sciences by understanding how dynamical systems are influenced by feedback.
French continental philosophers and psychoanalysts were deeply inspired by the promise of cybernetics. Jacques Lacan, Gilles Deleuze, Felix Guattari, Jean-François Lyotard, and Jean Baudrillard all approached culture and philosophy via this lens, and accelerationism appeared as an alternative to their former ideological allegiance to Karl Marx.
This article in the Guardian explains this shift in perspective:
Yet it was in France in the late 1960s that accelerationist ideas were first developed in a sustained way. Shaken by the failure of the leftwing revolt of 1968, and by the seemingly unending postwar economic boom in the west, some French Marxists decided that a new response to capitalism was needed. In 1972, the philosopher Gilles Deleuze and the psychoanalyst Félix Guattari published Anti-Oedipus. It was a restless, sprawling, appealingly ambiguous book, which suggested that, rather than simply oppose capitalism, the left should acknowledge its ability to liberate as well as oppress people, and should seek to strengthen these anarchic tendencies, “to go still further … in the movement of the market … to ‘accelerate the process’”.
The Cybernetic Culture Research Unit at Warwick University was a collective of cultural theorists led primarily by Mark Fisher and Nick Land.
Mark Fisher created the blog k-punk and Nick Land developed the neo-reactionary movement Dark Enlightenment. The accelerationist movement then fractured into two factions: left-wing (Fisher) and right-wing (Land).
Vox has covered the disturbing rise of right-wing accelerationism. Left-wing accelerationists (such as Slavoj Žižek) tend to encourage right-wing accelerationists, because both factions aim to destroy the ideology of neoliberalism and liberal democracy. The RWAs believe the end result will be a conservative monarch (which explains their passion for Project 2025), while the LWAs believe the end result will be a communist utopia.
Alex Williams and Nick Srnicek co-wrote a Manifesto for an Accelerationist Politics in 2013, inspired by their reading of Nick Land's blog.

Effective Altruism, Longtermism, and Bay Area Rationalism

Effective Altruism
Nick Bostrom said that transhumanist philosophy could be traced back to utilitarian J. S. Mill. Peter Singer, perhaps the most influential philosopher alive, is a leading utilitarian whose ideas inspired Oxford philosophers William MacAskill and Toby Ord to found the Effective Altruism movement.
Based in the Oxford Trajan House, a building shared with Nick Bostom's Future of Humanity Institute (founded in 2005), The Centre for Effective Altruism was founded in 2009.
William MacAskill encouraged his friend Sam Bankman-Fried to "earn to give" rather than working on animal welfare. The rational and logical approach to charity, MacAskill argued, was to become rich and powerful. SBF founded cryptocurrency exchange FTX and defrauded customers and investors in order to get rich quickly so that he could use his money to further the cause of Effective Altruism. SBF invested $500 million dollars in AI startup company Anthropic, which is closely connected to the EA movement.
Bay Area Rationalism
Eliezer Yudkowsky seeded his community blog Less Wrong, also founded in 2009, with material he had written earlier, now known as The Sequences. One essay in particular, The Martial Art of Rationality, demonstrates the type of thinking that would dominate this community: Rationality. I refer to this as Bay Area Rationality (the San Francisco Bay Area being its place of origin) to distinguish it from the more general Enlightenment-era philosophical view also known by the same name. Yudkowsky also wrote the 660k-word fanfic Harry Potter and the Methods of Rationality as a recruitment tool.
Bostrom and Yudkowsky wrote several entries on Hanson's blog, Overcoming Bias, and the name of this blog hints at a major preoccupation of the Bay Era Rationalist movement: cognitive biases.
The idea is that you can gradually become "less wrong" by learning how to reduce your cognitive biases of the type popularized by behavioral economist Daniel Kahneman. Bay Area Rationalism is also guided by Bayesianism, which is an approach to probability developed by Thomas Bayes (actually Laplace, but let's ignore that). One of the founding ideas of EA is that most of us have an innate spatial bias when it comes to ethics—we care more about the people and events close to us physically than more distal people and events. Working to overcome this bias was an inspiring idea to Yudkowsky, and the two movements soon more or less merged.
Which brings us to the concept of p(doom).
Longtermism
If we have a spatial ethical bias, do we also have a temporal bias? William MacAskill and Toby Ord, the founders of Effective Altruism, declared the answer to be an emphatic: yes. Let's imagine that trillions of sentient beings may exist in the distant future. Aren't these, technically, worth more than the billions of people currently existing? And isn't the danger of them not existing more important than any harm that may come to people existing today? Again, MacAskill and Ord's answer was: yes. With this came the movement of Longtermism, a natural extension of Effective Altruism. MacAskill wrote What We Owe the Future and Ord wrote The Precipice.
Let's get back to the singularity, for a second. What if we create AGI, and AGI creates ASI, and we all die? This is thesis of hard takeoff or FOOM, popularized by Nick Bostrom in his 2014 book Superintelligence.
According to Ord, MacAskill, and Bostrom, the greatest existential threat faced by humanity is artificial superintelligence. This "x-risk" is also the principal concern of Eliezer Yudkowsky. In Bayesian terms, p(doom) refers to your belief that humanity will be eradicated via FOOM. It's the ultimate doomsday event. And according to the logic of Longtermism, the trillions of potential lives existing in the distant future is currently threatened by this prospect. Which means that a utilitarian with a high p(doom) would be incentivized to do almost anything to prevent doomsday. Hence the term "AI doomer".
MacAskill tried to help Elon Musk buy Twitter by introducing him to his friend Sam Bankman-Fried. Musk had become convinced by Bostrom's simulation hypothesis and his concern that superintelligence poses a major existential risk. A concept originating on Less Wrong, Roko's Basilisk, amused him—he thought of the pun Rococo's Basilisk and searched the web to see if anyone had thought of it before him, and that was how he met musician Grimes.
Peter Thiel funded Eliezer Yudkowsky's Singularity Institute, now known as the Machine Intelligence Research Institute (MIRI), and he also helped fund OpenAI along with Elon Musk and others. We'll get back to Thiel.
Swedish-American physicist Max Tegmark is a key figure in the EA movement. Tegmark is the president of the Future of Life Institute, founded in 2014. The name is remarkably similar to Bostrom's Future of Humanity Institute. Back in 2005, when Bostrom founded the latter, Tegmark and Bostrom co-authored the paper "How unlikely is a doomsday catastrophe?" They concluded that if humanity were to be annihilated, it would most likely be our own fault.
The letter
The Future of Life Institute issued an open letter on March 22, 2023, calling for a six-month moratorium on training "AI systems more powerful than GPT-4."
Eliezer Yudkowsky chose not to sign the letter, and wrote one of his own that was published a week later in Time.
I refrained from signing because I think the letter is understating the seriousness of the situation and asking for too little to solve it.
"If we actually do this, we are all going to die," he said. His rhetoric was alarming to many readers:
Shut down all the large GPU clusters (the large computer farms where the most powerful AIs are refined). Shut down all the large training runs. Put a ceiling on how much computing power anyone is allowed to use in training an AI system, and move it downward over the coming years to compensate for more efficient training algorithms. No exceptions for governments and militaries. Make immediate multinational agreements to prevent the prohibited activities from moving elsewhere. Track all GPUs sold. If intelligence says that a country outside the agreement is building a GPU cluster, be less scared of a shooting conflict between nations than of the moratorium being violated; be willing to destroy a rogue datacenter by airstrike.
This message was at odds with his tongue-in-cheek post on Less Wrong a year earlier, framed as an April's Fools prank, where he announced MIRI's "Death With Dignity" strategy.
One person who took Yudkowsky's post on "Death With Dignity" seriously was Peter Thiel. He argued the Bay Area Rationalists, who he had supported financially, had transformed from transhumanists to Luddites (link to YouTube video).
Something had to be done.

Effective Accelerationism

Effective Accelerationism, or e/acc, appeared on the scene about two months after Yudkowsky's "Death With Dignity" post on Less Wrong. May 31st 2022 seems to be the first time the term was used (on Twitter).
On Twitter is where former members of the Bay Area Rationalism movement have gathered to discuss what has now become known as postrationalism. This subculture is also referred to as TPOT—"this part of Twitter"—and their shared mission has been to find an alternative to Rationalism in mysticism and spirituality.
They are a group of writers, thinkers, readers, and Internet trolls alike who were once rationalists, or members of adjacent communities like the effective altruism movement, but grew disillusioned. To them, rationality culture’s technocratic focus on ameliorating the human condition through hyper-utilitarian goals — increasing the number of malaria nets in the developing world, say, or minimizing the existential risk posed by the development of unfriendly artificial intelligence — had come at the expense of taking seriously the less quantifiable elements of a well-lived human life.
It was in the TPOT-sphere that the ideas associated with e/acc seem to have arisen.
Twitter users Beff Jezos and Bayeslord posted an e/acc manifesto on Substack. On June 24th (2022), Sam Altman wrote the following message on Twitter to Beff Jezos: "you cannot outaccelerate me".
The manifesto referred to the former head of the CCRU, Nick Land, and argued that the process of dissipative adaptation, associated with Jeremy England, could be seen as the source of cosmic evolution. "Intelligence emerges as a smaller timescale specialization of this adaptation principle," wrote the authors. They also argued that capitalism is a form of intelligence. On July 21st (2023), Sam Altman wrote on Twitter: "intelligence is an emergent property of physics," which seems to be a nod in this direction.
On December 3rd (2022), Altman wrote:
"(i used to be annoyed at being the villain of the EAs until I met their heroes*, and now i'm lowkey proud of it
*there are a few EA heroes i think are really great, eg Holden
"So far as I can remember," Yudkowsky tweeted in response, "we've never met. I'm curious as to what other heroes you must have in mind."
This would soon change. Altman met Yudkowsky (briefly) at a party hosted by OpenAI, and got a selfie along with him and Grimes.
Business Insider did a story on e/acc on July 28th. The Information called it a cult in their October 7th story of the growing movement.
On October 16th, VC Marc Andreessen posted The Techno-Optimist Manifesto, listing Beff Jezos and Bayeslord among its patron saints.
Grimes was the DJ at a November 7th (2023) e/acc party.
This brings us up to speed with current events. E/acc, with roots in Fisher and Land's work at the CCUR, emerged as a response and a challenge to the EA/Longtermism/Rationalist movement described in the previous section. Peter Thiel has advocated a type of techno-vitalism that seems directly associated with e/acc and techno-optimism. Thiel also backed the work of neorectionary Dark Enlightenment thinkers, and Nick Land was inspired by Thiel.
Earlier I mentioned that framing this as Enlightenment vs. Romanticism made sense. E/acc is a reaction to EA/Longtermism/Rationalism the same way that Romanticism was a reaction to Enlightenment ideals. Here's how Isaiah Berlin described Romanticism:
a new and restless spirit, seeking violently to burst through old and cramping forms, a nervous preoccupation with perpetually changing inner states of consciousness, a longing for the unbounded and the indefinable, for perpetual movement and change, an effort to return to the forgotten sources of life, a passionate effort at self-assertion both individual and collective, a search after means of expressing an unappeasable yearning for unattainable goals.
This Romanticist spirit is closely aligned with that of e/acc, whose adherents believe unrestrained capitalism to reflect the will of the cosmos. It's a type of submission to nature, if you assume the term 'nature' refers to an evolving, Darwinian surge of creativity that permeates the universe. You can very well call this a type of Intelligent Design; reality is intelligently designed via physics by thermodynamic dissipation. The movement of Adam Smith's "invisible hand" is illustrative of this self-organized intelligence
Nick Bostrom said transhumanism originated with J. S. Mill rather than Nietzsche. E/acc can definitely be linked with Nietzsche's philosophy—the Übermensch is the "machine god" spirited into being by humans. At least if you squint. You could definitely argue that e/acc is closer to the vision of transhumanism influenced by the Extropianism of the mid-90s. Ayn Rand and futuristic libertarianism is back with a vengeance.

The ousting of Sam Altman

Based on current information, it seems like Sam Altman moved to fire Helen Toner from the OpenAI non-profit board, due to her deep connections to Effective Altruism. Zvi Mowshowitz has described the events that unfolded from the EA/Longtermism/Rationalist perspective in a post on Less Wrong. An earlier post here features more speculation and theorizing. Tensions grew, behind the scenes, and on November 17th the board voted to fire Sam Altman and to remove Greg Brockman as its chairman.
It is unlikely, I think, that this has anything to do with Q*. The letters of the Future of Life Institute and Eliezer Yudkowsky raised the alarm, and the growing e/acc movement countered by disparaging EA/Longtermism/Rationalism. One thing led to another and the EA-associated members of the board (Helen Toner and Tasha McCauley) partnered with Ilya Sutskever and Adam D'Angelo to get the votes to oust Altman.
According to WSJ:
OpenAI leadership and employees were growing increasingly concerned about being painted in the press as “a bunch of effective altruists,” as one of them put it. Two days before Altman’s ouster, they were discussing these concerns on a Slack channel, which included Sutskever. One senior executive wrote that the company needed to “uplevel” its “independence”—meaning create more distance between itself and the EA movement.
It was speculated in Fortune already on November 19th that this was a clash between EA and e/acc.. The day after, it was also covered by Slate and TechCrunch.
I speculated about this personally on November 18th and I wrote another comment about it the day after. The language I used was a bit more polemic (I called both factions cults), but I think I got the point across even though it upset a lot of people (judging by the feedback I received).
Molly White has voiced a perspective that aligns well with what I've been thinking myself. Émile P. Torres coined the acronym TESCREAL to refer to both factions at once: transhumanism, Extropianism, singularitarianism, cosmism, Rationalism, Effective Altruism, and Longtermism. Timnit Gebru has worked with Torres to dig up these ideas. This video by Gebru and Torres covers TESCREALism in general terms. Emily M. Bender shares her perspective on the "OpenAI clownshow" in this Twitter thread. These researchers belong to the group I referred to collectively as "AI ethics" in my Nov 18th comment.
As we all know, Altman managed to turn the tides. What will happen next is unclear.
A recent development is that the EA/Longtermism/Rationalism faction is fighting back against e/acc. According to Walter Isaacson biography of Elon Musk, Musk had an argument in 2013 with Larry Page. Musk was worried that AI would result in human extinction.
Page pushed back. Why would it matter, he asked, if machines someday surpassed humans in intelligence, even consciousness? It would simply be the next stage of evolution.
Page called Musk a "speciesist," and Musk responded, "Well, yes, I am pro-human. I fucking like humanity, dude."
Some people aligned with the EA/Longtermism/Rationality faction are now accusing the e/acc faction of being anti-human, though a view like that of Larry Page appears to be shared by only a small minority of e/acc adherents.
Will the "Thermodynamic God" be our downfall, or will the singularity result in an age of prosperity like none other? Will AI further entrench oppressive power structures, like OpenAI chief scientist Ilya Sutskever has raised concerns about, and help autocrats consolidate authoritarian control? No one knows. But these competing narratives are central to the absurd and fascinating events that have transpired over the last week.
I know this post is way too long, but at least it's shorter than Yudkowsky's HPMOR.
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2023.10.03 19:09 Reddit_Books New Releases for October 2023

New Releases for October 2023

Data courtesy http://www.bookreporter.com
The genre info is from the users on goodreads.com
For more discussion, see the monthly New Releases post.
Title Author ReleaseDate
Biography
How to Say Babylon Safiya Sinclair October 3, 2023
A Man of Two Faces Viet Thanh Nguyen October 3, 2023
Going Infinite Michael Lewis October 3, 2023
Everything I Learned, I Learned in a Chinese Restaurant Curtis Chin October 17, 2023
Fatty Fatty Boom Boom Rabia Chaudry October 24, 2023
If You Would Have Told Me John Stamos October 24, 2023
Being Henry Henry Winkler October 31, 2023
Crime
In Light of All Darkness Kim Cross October 3, 2023
Fantasy
Death Valley Melissa Broder October 3, 2023
Throne of the Fallen Kerri Maniscalco October 3, 2023
The Hurricane Wars Thea Guanzon October 3, 2023
The Witch of Maracoor Gregory Maguire October 10, 2023
Sword Catcher Cassandra Clare October 10, 2023
The Unmaking of June Farrow Adrienne Young October 17, 2023
Under the Smokestrewn Sky A. Deborah Baker October 17, 2023
Organ Meats K-Ming Chang October 24, 2023
Fiction
Blackouts Justin Torres October 10, 2023
Family Meal Bryan Washington October 10, 2023
Hold My Girl Charlene Carr October 10, 2023
Everything Is Not Enough Lola Akinmade Åkerström October 24, 2023
Laws of Annihilation Eriq La Salle October 24, 2023
The Sun Sets in Singapore Kehinde Fadipe October 31, 2023
Historical Fiction
Let Us Descend Jesmyn Ward October 3, 2023
A Traitor in Whitehall Julia Kelly October 3, 2023
Menewood Nicola Griffith October 3, 2023
The Maniac Benjamín Labatut October 3, 2023
The Defector Chris Hadfield October 10, 2023
Veil of Doubt Sharon Virts October 10, 2023
Sisters Under the Rising Sun Heather Morris October 24, 2023
The Prospectors Ariel Djanikian October 31, 2023
Edith Holler Edward Carey October 31, 2023
History
Hitchcock's Blondes Laurence Leamer October 10, 2023
Horror
A Haunting on the Hill Elizabeth Hand October 3, 2023
My Darling Girl Jennifer McMahon October 3, 2023
The Dead Take the A Train Cassandra Khaw October 3, 2023
Last to Leave the Room Caitlin Starling October 10, 2023
Memoir
Hell If We Don't Change Our Ways Brittany Means October 3, 2023
Mystery
Dangerous Women Mark de Castrique September 26, 2023
A Cold Highland Wind Tasha Alexander October 3, 2023
Judgment Prey John Sandford October 3, 2023
One Last Kill Robert Dugoni October 3, 2023
Blood Lines Nelson DeMille October 10, 2023
The Bell in the Fog Lev A.C. Rosen October 10, 2023
Dreaming of Water A.J. Banner October 10, 2023
'Twas the Bite Before Christmas David Rosenfelt October 10, 2023
The Leftover Woman Jean Kwok October 10, 2023
Distant Sons Tim Johnston October 17, 2023
Home at Night Paula Munier October 17, 2023
The Exchange John Grisham October 17, 2023
Up on the Woof Top Spencer Quinn October 17, 2023
From a Far and Lovely Country Alexander McCall Smith October 17, 2023
Murder in Drury Lane Vanessa Riley October 24, 2023
West Heart Kill Dann McDorman October 24, 2023
Hercule Poirot's Silent Night Sophie Hannah October 24, 2023
Duplicity Shawn Wilson October 24, 2023
The Christmas Appeal Janice Hallett October 24, 2023
Lost & Hound Rita Mae Brown October 24, 2023
Christmas Presents Lisa Unger October 24, 2023
Jane and the Final Mystery Stephanie Barron October 24, 2023
Dirty Thirty Janet Evanovich October 31, 2023
The Hostage A.F. Carter October 31, 2023
The House of Love and Death Andrew Klavan October 31, 2023
Nonfiction
The Witching Year Diana Helmuth October 3, 2023
I Must Be Dreaming Roz Chast October 24, 2023
Romance
Wildfire Hannah Grace October 3, 2023
Second Act Danielle Steel October 3, 2023
Wreck the Halls Tessa Bailey October 3, 2023
For Twice In My Life Annette Christie October 10, 2023
The Burnout Sophie Kinsella October 10, 2023
A Holly Jolly Ever After Julie Murphy October 10, 2023
Better Hate than Never Chloe Liese October 10, 2023
The Twelve Dogs of Christmas Susan Wiggs October 17, 2023
Without a Trace Danielle Steel October 24, 2023
Iris Kelly Doesn't Date Ashley Herring Blake October 24, 2023
Science Fiction
Touched Walter Mosley October 10, 2023
Julia Sandra Newman October 19, 2023
Short Stories
Roman Stories Jhumpa Lahiri October 10, 2023
Opinions Roxane Gay October 10, 2023
The Hive and the Honey Paul Yoon October 10, 2023
Night Side of the River Jeanette Winterson October 24, 2023
Suspense
Incentive for Death James Spoonhour October 3, 2023
Thriller
JUDAS 62 Charles Cumming September 19, 2023
Moscow X David McCloskey October 3, 2023
Midnight Is the Darkest Hour Ashley Winstead October 3, 2023
The List Yomi Adegoke October 3, 2023
The Secret Lee Child October 24, 2023
When I'm Dead Hannah Morrissey November 7, 2023
Unknown
The Hollow Kind Andy Davidson October 3, 2023
Billie Starr's Book of Sorries Deborah E. Kennedy October 3, 2023
The Murder of Andrew Johnson Burt Solomon October 3, 2023
Heller Max Allan Collins October 10, 2023
American Midnight Adam Hochschild October 17, 2023
All the Blood We Share Camilla Bruce October 17, 2023
Sherlock Holmes and the Twelve Thefts of Christmas Tim Major October 17, 2023
Ladyparts Deborah Copaken October 24, 2023
Tom Clancy Red Winter Marc Cameron October 24, 2023
Murder at Black Oaks Phillip Margolin October 24, 2023
About Face William Giraldi October 24, 2023
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2023.08.09 19:29 sonofabutch So you like baseball?

I write a lot about baseball history! Here are some of my favorite stories:
Anecdotes:
Biographies:
Brawls:
Funny Quotes:
Games:
Nicknames:
Rare Plays and Unusual Rules:
Strange Transactions:
Theme Teams:
Weird Stuff:
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2023.07.14 13:30 autobuzzfeedbot Here's What 21 Celebrities Pay For Monthly Child Support Payments, And Some Of These Amounts Are Truly Unexpected

  1. Tom Cruise pays Katie Holmes $33,000 a month in child support for their daughter Suri.
  2. Britney Spears used to pay Kevin Federline $20,000 a month for their two sons, but a source told US Weekly that number was upped to $35,000 in 2018.
  3. Kanye West pays Kim Kardashian $200,000 a month for their four children.
  4. Kevin Costner has to pay $129,000 a month in child support for his three children.
  5. Halle Berry pays $16,000 a month in child support for her daughter.
  6. Kelly Clarkson has to pay $45,000 a month in child support for her two children.
  7. Marc Anthony pays $26,000 a month in child support for his two kids with Dayanara Torres.
  8. Stevie Wonder pays $25,000 a month in child support for his two children.
  9. Jesse Williams used to pay $40,000 a month in child support for his two children, but People reported that amount was temporarily lowered to $6,413 a month in late 2022.
  10. Armie Hammer reportedly pays $1,500 in child support for his two children.
  11. Tyrese pays $10,000 a month in child support for his daughter.
  12. In 2020, Dennis Quaid reportedly paid $13,500 a month for his two daughters, but he requested to have that number raised because his income was much higher.
  13. In 2017, Jodie Sweetin was ordered to pay $2,800 a month in child support for her daughter.
  14. In 2020, Jeremy Renner reportedly paid $30,000 a month in child support for his daughter.
  15. In 1991, the New York Times reported that Donald Trump was ordered to pay $650,000 annually in child support for his three children: Ivanka, Donald Jr., and Eric Trump. That's about $54,000 a month.
  16. 50 Cent paid $6,700 a month in child support for his son until he turned 18.
  17. In 1996, Val Kilmer was ordered to pay $27,500 a month in child support for his two kids.
  18. Rob Kardashian initially paid $20,000 a month for his daughter with Blac Chyna but now pays nothing.
  19. In 2009, Today reported that Russell Simmons had to pay $40,000 a month in child support for his two children.
  20. In 2009, People reported that Johnny Knoxville had to pay $6,000 a month for his daughter.
  21. In 2018, E! reported that Charlie Sheen had to pay $55,000 a month to Brooke Mueller and $20,000 a month to Denise Richards. In 2021, People reported his payment to Denise went down to $0.
Link to article
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2023.03.07 19:54 EK_Raiding This week's featurettes including Erethor, Naishala, and Darayah!

This week's featurettes including Erethor, Naishala, and Darayah! submitted by EK_Raiding to EKRaiding [link] [comments]


2023.02.23 02:57 ToffeeFever ‘The Democratic Party in New York Is a Disaster’: After losing crucial seats in the congressional midterms, a bitter civil war over the moribund state organization has spilled into the open.

https://www.nytimes.com/2023/02/22/magazine/new-york-democrats.html
The stunning failure of the Democratic Party on election night was nowhere more apparent than at Il Bacco, an Italian restaurant on the boulevard where Queens bleeds into Nassau County. That was where a soon-to-be-infamous 34-year-old political neophyte walked out to a cheering throng of Republicans and declared victory in one of America’s most important House contests. “Only in this country can the kid who came from the basement in Jackson Heights … ,” George Santos began, before he was momentarily overwhelmed. “To everybody watching, I want you to know that the American dream is worth fighting for. It’s worth defending, and that’s why I jumped into this race.”
In another era — two or four years ago, perhaps — the Santos saga, with its absurd cascade of lies, would have been an amusing sideshow for many Democratic politicians, who would have been able to mock the chaos and move on, comfortably sure that Santos, who fabricated much of his personal and financial biography, would only further hobble a neutered Republican minority. But the new congressman, now under investigation by local and federal authorities, was instead a crucial cog in Kevin McCarthy’s House majority, having flipped the redrawn Third Congressional District in New York, an area that had been represented by Democrats for decades, by eight points.
These days, New York is known as the deep-blue state where Democrats lost four seats on the way to losing the House of Representatives and effectively halting President Biden’s domestic agenda for the next two years. Kathy Hochul, who served as Andrew Cuomo’s lieutenant governor before accusations of sexual harassment and assault forced him from office in 2021, won the narrowest race for governor in 28 years, beating Lee Zeldin, a Trump-supporting congressman from Long Island, by less than six points. While forecasts for a national red wave didn’t materialize — Democratic candidates for governor and the Senate were largely triumphant in tossup races across the country, and Chuck Schumer of Brooklyn remained the Senate majority leader — Democrats stumbled in territory on Long Island and in the Hudson Valley that Biden won handily just two years earlier.
These disappointments have cast into sharp relief both the divisions within the party and the peculiar void of the state’s Democratic organization itself. Few New Yorkers cared, until late 2022, that the statewide Democratic apparatus operated, for the most part, as a hollowed-out appendage of the governor, a second campaign account that did little, if any, work in terms of messaging and turnout. New Hampshire, a state with roughly half the population of Queens, has a Democratic Party with 16 full-time paid staff members. New York’s has four, according to the state chairman, Jay Jacobs. One helps maintain social media accounts that update only sparingly. Most state committee members have no idea where the party keeps its headquarters, or if it even has one. (It does, at 50 Broadway in Manhattan.)
National parties function as enormous umbrella organizations, determining the presidential primary calendar and the process for allocating delegates at the national conventions. The drudgery of running elections is left to the local and state parties, as well as individual campaigns and independent political action committees.
Elsewhere in the country, state Democratic parties are much more robust than they are in New York. In Wisconsin, under the leadership of 42-year-old Ben Wikler, the party offered crucial organizing muscle in Gov. Tony Evers’s re-election win, staving off a Republican statewide sweep. The Nevada Democratic Party, despite infighting among moderates and progressives, aided Senator Catherine Cortez Masto’s re-election, investing strongly in rural voter engagement. And in California, the party chair position is publicly contested among multiple candidates, with delegates voting as Democrats traverse the state and make their case in the media.
As for New York, observers across the ideological spectrum agree that the state is entering an unprecedented era, with warring political factions and a glaring power vacuum. Hochul recently became the first governor in New York history to have the State Legislature, controlled by Democrats, vote down her nominee to the state’s highest court. Progressives spearheaded opposition to the judge, Hector LaSalle, arguing that he was too conservative.
In challenging Hochul from the right, Zeldin was savagely effective — “Vote like your life depends on it,” he exhorted, echoing Richard Nixon, in the final days of the campaign — in seizing on suburban anxieties around rising crime that Republicans in other states weren’t able to successfully exploit. While Manhattan and the combined might of upper-income white and middle-class Black voters thwarted Zeldin in the five boroughs, he made notable inroads with working-class Asian Americans, potentially heralding a political realignment for the city’s fastest growing demographic. Hochul’s campaign was assailed for its relative listlessness and failure to counter Republican attacks on crime. “That is an issue that had to be dealt with early on, not 10 days before the election,” Nancy Pelosi chided the governor. (Hochul’s staff did not make her available for an interview.)
Within the confines of New York, Democrats remain historically dominant, retaining veto-proof majorities in both the State Senate and State Assembly. All the statewide elected officials are Democrats, as is the mayor of New York City, Eric Adams. But this is a recent shift: Republicans controlled the State Senate almost continuously from the mid-1960s until 2019. George Pataki, a moderate Republican, led the state for 12 years, and Rudy Giuliani and Michael Bloomberg ran New York City from 1994 through 2013.
Heading into 2022, Democrats were confident that after decades of Republican rule in the State Legislature, they could entirely control the state’s redistricting process, engineering favorable House maps for the fall. After a quasi-independent commission deadlocked — critics argued that it was designed to fail when Cuomo helped create it a decade ago — Democratic state legislators redrew lines that strongly favored their party. Republicans sued in court, claiming that the Democrats’ maps violated an anti-gerrymandering clause in the State Constitution. To the shock of many political insiders, the Republicans won their court battle, and an outside special master was appointed by an upstate Republican judge to quickly draw new lines. House primaries were shoved from June to August.
With the special master prioritizing competitiveness, not incumbency advantage, Democrats found themselves thrown together in some of the same districts. Representative Jerry Nadler was pitted in a nasty primary against his longtime colleague Carolyn Maloney in Manhattan. (Nadler would prevail.) North of the city, Sean Patrick Maloney, the chairman of the Democratic Congressional Campaign Committee and a pugilistic centrist, decided to run in a new district spanning Rockland and Westchester that included far more turf that had been represented by Mondaire Jones, a neighboring progressive.
“Sean Patrick Maloney did not even give me a heads up before he went on Twitter to make that announcement,” Jones fumed at the time. “And I think that tells you everything you need to know about Sean Patrick Maloney.” Ritchie Torres, a Bronx congressman, accused Maloney of “thinly veiled racism” against Jones, who is Black. Maloney held his ground, and Jones was forced to move to a new district in New York City, where he would lose in an August primary. Maloney fended off a primary challenge from Alessandra Biaggi, a state senator who ran far to his left. Then, despite a titanic war chest, he fell to Mike Lawler, a Republican state legislator, by less than a point. Jones tweeted one word: “Yikes.”
And now the Democratic civil war rages. Jacobs, who is also the chairman of the Nassau County Democratic Party and is on his second tour leading the statewide organization, has come in for a drubbing. A week after the election, more than 1,000 Democrats signed a letter calling for Jacobs’s ouster. They included state legislators, City Council members, county leaders and members of New York’s 400-odd Democratic State Committee. Most of them belonged to the state’s progressive wing, which has grown only further emboldened since the fall. On Jan. 3, a number of them gathered outside City Hall to reiterate their demands: Jacobs must go.
“The party has to change, and it can’t change until we change the leadership,” George Albro, a co-chair of the New York Progressive Action Network, a left-wing organization formed from the remnants of Bernie Sanders’s 2016 campaign, said in an interview. “From top to bottom, the Democratic Party in New York is a disaster.”
Until Cuomo’s downfall, Jacobs was known as a close ally of the imperious governor. His first tenure as party chairman came under Cuomo’s predecessor, David Paterson, but his second began in 2019, a year after Cuomo won a commanding re-election. That election cycle was notable because Cuomo overcame a primary challenge from the actress Cynthia Nixon, who targeted him from the ascendant left. Though Nixon lost, six insurgent progressives defeated members of the Independent Democratic Conference, a breakaway group of centrist Democrats who had spent the last half decade in an unusual — and incredibly infuriating to progressives — power-sharing arrangement with State Senate Republicans. The I.D.C. had existed with Cuomo’s blessing, joining with Republicans to foil liberal priorities in the State Legislature, like tuition assistance for undocumented immigrants, tougher tenant protections and criminal-justice reforms. For Cuomo, a triangulating centrist determined to avoid having to sign or veto progressive bills while harboring dreams of the national stage, the arrangement worked just fine. (In 2018, I took a break from writing to run for State Senate myself, losing in a Brooklyn Democratic primary.)
Since the state party, historically, has been a creature of the governor or the most powerful Democrat in the state, Jacobs is safe as long as Hochul tolerates him. And Hochul, some Democrats say, owes Jacobs for the work he did behind closed doors to ensure that the new governor had a comfortable primary win after Cuomo resigned and immediately began to plot a comeback. Jacobs’s fear was that a divided field could pave the way for a Cuomo revival, and he worked to rapidly hustle up institutional and financial support for Hochul that helped to deter another challenger, Attorney General Letitia James, from running against her.
In 2021, after a democratic socialist, India Walton, defeated the longtime mayor of Buffalo and a former chairman of the state party, Byron Brown, in a contentious primary, Jacobs refused to endorse Walton. “Let’s take a scenario, very different, where David Duke — You remember him? The grand wizard of the KKK? He moves to New York, he becomes a Democrat and he runs for mayor in the city of Rochester, which has a low primary turnout, and he wins the Democratic line. I have to endorse David Duke? I don’t think so,” Jacobs said in a television interview, before clarifying that Walton “isn’t in the same category, but it just leads you to that question, Is it a must? It’s not a must. It’s something you choose to do.”
Outraged progressives called for Jacobs’s resignation. He refused to go, and Hochul, who is from the Buffalo area and remains close to Brown, did not force Jacobs out. Brown, with tacit approval from the governor and Jacobs, then won the mayoralty with a write-in campaign that November, drawing support from Republicans to crush Walton.
A year later, Jacobs explored ways of undercutting the established vehicle for left-wing organizing in the state, the Working Families Party, a hybrid of party activists and labor unions that had endorsed Jumaane Williams over Hochul in the primary. He cut a check to a more moderate Democrat trying to primary Jamaal Bowman, a Westchester County congressman and a member of the Squad, the prominent group of far-left members of Congress, including Alexandria Ocasio-Cortez, Rashida Tlaib and Ilhan Omar. After Republicans swept Democrats out of power in the New York suburbs last fall, Jacobs quickly blamed the left. “New York did underperform, but so did California,” Jacobs told the politics publication City & State in November. “What do those two states have in common? Well, governmentally, we’re among the two most progressive states in the country.”
A 67-year-old political lifer, Jacobs has an unrelated day job overseeing a string of popular and lucrative summer camps in upstate New York, in Pennsylvania and on Long Island, where he lives. Democratic business is often run out of a TLC Family of Camps office in Glen Cove, a small town on Nassau County’s Gold Coast. Politicos and journalists who want to reach Jacobs know to email his Camp TLC address; Jacobs cc’d his chief of staff at that summer-camp address to help arrange a telephone interview that lasted an hour, despite Jacobs’s initial hesitancy about going on the record.
“People believe that the state party runs all the campaigns, determines the messaging, does the opposition research for every candidate and, you know, when a candidate anywhere loses, it’s the fault of the state party, and all of that is just not an accurate view of the function of the state party and what we actually do,” Jacobs said.
Jacobs described the party as a “housekeeping organization” and a “coordinating entity” that works among labor unions, campaigns and other interest groups. He cited the maintenance of a voter file that campaigns use to target the electorate as among its most important work, as well as establishing campaign offices at election time. Fund-raising, too, is a big part of the work, and it’s there where Jacobs has been especially useful. A multimillionaire and prolific donor, Jacobs has given more than $1 million to various Democratic candidates and causes over the last two decades. It can be argued that it’s this wealth, in part, that has allowed him to continuously lead the Nassau County party since 2001. Few staunch Democrats are both better wired and more willing to cut checks than Jacobs.
“How I run my businesses and my charitable donations and the rest would indicate, as well as my personal beliefs, would indicate that I’m really, personally, quite progressive, more so than most people would think,” Jacobs said. Rather, he argued, his message is direct: “Slow down. You’re going too fast. What you’re doing is going to lose us votes in the suburbs and rural areas.”
In an unusual move for a party leader, Jacobs last year backed the rivals of several incumbent Democrats. His motivation, he told me, was “the behavior of some of these folks that are speaking on behalf of what I’d refer to as the far left. They practice the politics of personal destruction. They won’t argue the merits of what I say, but they’ll condemn me — and others, by the way, not just me — in really vitriolic terms, personal and the rest. Some of the reasons why I personally gave to some of the primaries — it was just a handful of people — it’s because of what they said about me. Personally.”
Last August, Jacobs donated $2,900 — the maximum allowable amount — to a county legislator trying to unseat Bowman. The congressman won by 38 points anyway.
“I don’t know Jay Jacobs,” Bowman told me. “I’ve never talked to him on the phone. I’ve never met him in my life. Even though I was a newcomer in 2020, I was still duly elected, and I’m a member of the party now. One would’ve thought that the leader of the party would have reached out to have a cup of coffee or have a conversation.”
Should Jacobs resign? “The short answer is yes,” Bowman answered. “But the more, I think, comprehensive nuanced answer or question is, What the hell are we even doing? You know, the whole thing about the corporate agenda, which I think Jay Jacobs and maybe even Governor Hochul and maybe others are missing is, when you talk about younger voters, millennials or Gen Z, they are not aligned with corporate interests over labor and working-class people.”
But Jacobs has plenty of defenders, including county leaders across the state, who believe he’s an upgrade over his somnolent or domineering predecessors and has a realistic view of what it takes to win beyond the liberal confines of New York City. “It’s hard for me to understand this rancor from certain individuals, by the way, who never seem to be satisfied,” says Jeremy Zellner, the chairman of the Erie County Democratic Party. “Only in New York could Jay win every single statewide election and hold the supermajorities in both the Assembly and Senate and be chastised.”
Gregory Meeks, the Queens congressman and chairman of the county organization there, echoes Jacobs’s critique: The progressive and socialist left has cost Democrats in general elections by forcing them to defend positions he believes are alienating. “Extremes cannot be the dominant part of a party, because it isolates everyone else,” Meeks says. “What’s not good for all of us is talking about defunding the police.”
Because Hochul inherited Jacobs, his critics have hoped she would ditch him for someone who might take a more active role in the sort of tasks that party chairs in other states care far more about: recruiting candidates, shaping the party’s message, funding voter-outreach campaigns that begin many months ahead of a general election and even hiring a full-time communications director and research staff. Among some Hochul allies, there has been quiet frustration directed at one of her top advisers, Adam Sullivan, who speaks frequently with Jacobs on Hochul’s behalf. Sullivan holds great sway in Hochul’s world because he managed her successful campaign for Congress more than a decade ago. Despite his low profile and the fact that his consulting firm, ACS Campaign Consulting, is based in Colorado, where he lives, Sullivan was one of a select few aides Hochul thanked in her victory speech. Sullivan himself disputes that there’s any behind-the-scenes friction. “The governor is completely committed to building a strong, robust party,” Sullivan says. “Everyone in her orbit is on the same page.” What isn’t clear is whether that page, and the vision for the future of the state party, includes Jacobs.
Even Jacobs’s detractors acknowledge that dumping him and hunting for a replacement is only the beginning of a political project that will take many years. (Floated successors include Adriano Espaillat, a congressman who has built a strong operation among Dominican Americans in Upper Manhattan; Grace Meng, a Queens congresswoman and Democratic National Committee vice chairwoman who is the first Asian American elected to the House from New York; and Jessica Ramos, a progressive Queens state senator.)
All the ongoing chaos hasn’t escaped the notice of national Democrats. “When I go to D.N.C. meetings,” says a high-ranking New York Democratic official, who requested anonymity to avoid antagonizing colleagues, “there is a sense that New York doesn’t have a state party at all.”
Through the first half of the 20th century, Tammany Hall, with origins as an Irish Catholic society in the late 1700s, was the embodiment of the local Democratic Party, using patronage to secure power and dominating state and city politics alike. Nothing equivalent rose to take its place. “I don’t think anybody in their right mind would compare the state party right now to the machine that existed 50, 60, 70 years ago,” says Paterson, the former governor who later served as state party chairman during Cuomo’s tenure.
New York never had a Harry Reid figure, a singularly powerful Democrat who took an obsessive interest in party building. The two Cuomos, Mario and his son Andrew, governed the state for a combined nearly 23 years, and each treated the party organization as little more than a tool for self-promotion. A liberal icon to the rest of America for his soaring speech at the 1984 Democratic National Convention, Mario Cuomo was assailed at home for barely lifting a finger to aid Democrats desperately trying to retake the State Senate. In 1990, The Times reported that Cuomo was hoarding more than $5 million for his own campaign while spending none for the State Senate Democrats, who were outspent 4 to 1 by Republicans. In 1994, the state party spent almost $2 million to aid Cuomo’s failed re-election effort while offering less than $30,000 apiece for the candidates for attorney general and state comptroller. By the end of the year, the party was moribund and completely broke, running up a million-dollar debt.
The only Democratic governor in modern times to care about the future of the state party and down-ballot candidates was Eliot Spitzer, who won a landslide victory in 2006 and would resign, a little more than a year later, in a prostitution scandal. Spitzer was a proud liberal who wanted to break the Republican hold on the State Senate. The party, too, was trying to modernize in anticipation of Senator Hillary Clinton’s 2008 campaign for president. For a brief period, under the leadership of Denny Farrell, an influential state assemblyman from Manhattan, talented operatives were hired, and Spitzer’s aides tried to implement a strategy for boosting legislative candidates.
“The party itself had really dissipated,” recalls Spitzer, now a real estate developer. His team helped recruit and fund an upstate Democratic candidate who won a pivotal special election for a State Senate seat in early 2008. “It was partly fund-raising, partly finding the right candidates, partly putting the right energy into it.”
The rise of Andrew Cuomo, who had a near-dictatorial hold on political affairs for nearly the entirety of the 2010s, put an end to nascent party-building plans. Cuomo treated Democratic politics as an extension of Cuomo politics, hoovering up resources and kneecapping Democrats he viewed as a threat. He was content to let Republicans keep the State Senate and rarely campaigned for House candidates. Donald Trump’s election, coupled with Sanders’s 2016 bid, would radicalize a new generation of Democrats. Soon, a democratic socialist candidate was winning a State Senate seat, and Working Families Party-supported insurgents were driving out the conservative Democrats who had chosen to align themselves with the Republican Party.
By 2018, Ocasio-Cortez had felled one of the most powerful party bosses in New York, a sign that the left could win its battles against the establishment. “We need Democrats who are not running from their own shadow,” says Sochie Nnaemeka, the New York director of the Working Families Party.
The widening fissures are both ideological and geographical. Manhattan and Brooklyn Democrats saved Hochul in November, but so did Westchester County, which once upon a time was a Republican stronghold. Democrats there gave Hochul a 20-point margin over Zeldin after Biden flew in to campaign for her. Westchester has continued to mirror national trends, as affluent suburbs grow Democratic, but Republicans have remained remarkably resilient on Long Island. Home to lavish estates, as well as growing Orthodox Jewish communities and a rising Asian American electorate newly alienated by Democrats, along with a working- and middle-class vote forever skeptical of big-city liberalism, the eastern suburb backed Zeldin by double digits. In recent years, the Hudson Valley has grown bluer, with city residents scooping up comparatively cheaper real estate during the pandemic, yet Zeldin carried Rockland, Dutchess, Putnam and Orange Counties, where Trump-era enthusiasm for Democrats gave way to backlash over rising crime south of the former Tappan Zee Bridge (renamed for Mario Cuomo by his son).
Jacobs can credibly argue that the progressivism or outright socialism that wins in Brooklyn or Queens can’t be easily sold in Nassau County. But Bowman and his cohort can ask why he neglects the younger voters moving left — or, for that matter, why he fails to build out an organization that can be credibly called a political party, the kind that is more than one man and a few aides conducting political business from a summer-camp office. In a 10-page report issued in January, Jacobs pinned Democratic losses on historically high Republican turnout, a contention backed by data. But shouldn’t a state party’s task be, in part, to turn out its own voters? Had enough Democrats been motivated to vote, George Santos would never have been sworn in as a congressman.
“What we saw is a party that did not know what role they should play,” Nnaemeka says, “and therefore played no role.”
Ross Barkan writes frequently on New York and national politics. He is the author of two novels and a nonfiction account of Covid’s impact on New York City. This is his first article for the magazine.
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2023.02.06 17:33 Unmasked_Deception The Greatest Artist in the World: A Case Study in How to Tell A Giant Lie

The Greatest Artist in the World: A Case Study in How to Tell A Giant Lie
Machine Translated by Google Source Document
scientific editorial presents February
March mmxv BRIgataes
The Greatest Artist in the World
National Archaeological Museum of Naples
ART EXHIBITION
Secretariat Adriana Alifuoco, Antonietta Parente, Maria Vozzella
Press office Press and PR office Superintendency of Archaeological Heritage of Naples Ornella Falco, Vittorio Melini Organization Francesca Fratta, Aurora Lupia ES Cultural Association Maurice DiGennaro With the contribution of Scientific consultancy.
Installation assistance Video shoot Internet Costumes Searches With the patronage of Museum Coordination/ Care National Library of Naples Blaise Hippolytus Studio Foster Communication Campania region Organizational support loans Superintendency for Archaeological Heritage of Naples
Educational Service Preparation Photographic references Società Apoikia Bank of Naples Foundation Antonio Aletto Victor White http://brigataes.altervista.org http:// www.ipgadmproject.altervista.org
The story of the find
In 1938 the workers of the archaeologist Amedeo Maiuri, during excavations on the summit of the Cumana acropolis, discovered – on the western front of the so-called Temple of Jupiter – some enormous bone fragments. The famous paleontologist Ralph von Koenigswald, already engaged in the research of the Gigantopithecus, warned of the discovery, went to the place joining the researchers and bringing to light the finds we have.
Exceptional skeletal remains and a fraction of stone slab emerged from the ground with traces of cave painting revealing an unknown symbolic form to which von Koenigswald, an attentive reader of Joyce, gave the name of Chaosmos. And precisely this painted element, immediately associated with the size of the bones of the hand, led the scholar to consider the newly found creature the greatest artist in the world.
These precious materials were ready for the setting up of an epoch-making exhibition which should have been held in the Neapolitan museum in 1939 and which was never realized due to the war events. They were preserved and forgotten for almost a century until their recent rediscovery following the unexpected discovery - during an archival research by the Brigades - of a folder containing the documentation of the excavation and indications on their location in a remote section of the warehouses.
Section of the excavation area drawn by Raffaele Oliva
The Giants in the Flegrean area
Phlegra is the name of the place where the ancients locate the battle (the Gigantomachy) between the Giants and the gods for the control of a particularly fertile plain. The area, which is identified with the Cumaean plain, was controlled by the Giants, a monstrous, violent and unjust people. Zeus entrusted his son Heracles with the task of defeating them and bringing civilization to those lands. The god, to his aid, hurled thunderbolts on the earth to electrocute the enemies, making the area ablaze (phlegra). According to the sources, the red-hot bodies of the Giants are buried under the volcanic territory around Averno and generate the fire eruptions of the area.
We owe these and other news to Timaeus, Polybius, Diodorus and Strabo.
\"Official\" document of the find
Teresa Elena Fifty Four*Marco De Gemmis**Presentation
The Greatest Artist in the World is a pseudo-documentary exhibition. Which here at the Archaeological Museum of Naples recounts, in the Sala della Meridiana, the following fictional events: the sensational discovery in 1938, immediately outside the temple on top of the acropolis of the Greek colony of Cuma, of the remains of a gigantic skeleton dating back forty thousand years and of an artistically painted rock; the meticulous excavation conducted and filmed under the watchful eye of one of the greatest archaeologists of the last century and of the famous paleoanthropologist von Koenigswald; the transport to the National Museum and the storage of what was found, which the war events will cause to be neglected; its recent reemergence thanks to the intervention of the Brigades, which only recently found the forgotten finds and restored a precious cinematographic film, reconstructs every passage and meaning of what happened with the help of archival papers and rare publications and fi finally realizes the exhibition that should have been done three quarters of a century ago and was not done.
This pseudo-documentary exhibition, which places at its center the possible reflections on true and false, is also, therefore, a story not without some adventurousness. Brigataes, director of all this staging, is the name of a contemporary artist (who also appears as an actor in the photos and in the "period" film: among the various authoritatives present and the workers involved in the excavation, he lends his figure to the German scientist promptly summoned by Maiuri) for once engaged in a dizzying exploration outside the contemporary world. It may come to mind that he is on the run, that it is a fact of some significance that he runs back in time to excess: he does not choose to be excavated today but rather prefers to imagine things which, discovered some time ago, immediately ended up buried again in a recess of the memory of the very few informed; he finds them in the basement of a museum of antiquities; to get the most out of it, it goes back along man's path almost to the extreme limit where it is likely to attribute an artistic gesture to some being.
The strong sign of the drift of time is accompanied by that of gigantism. In the construction of the Brigades everything is beyond measure: the abnormal dimensions of the Paleolithic artist, moreover consistent with the evocative ancient narratives on the Giants set in the territory of the "Campi Flegrei [...], not for anything else, but for the fact that to arouse struggles and antagonisms were the fertility of this land” (Strabo); the choice of Cuma, the incomparably mythical place of discovery; but also the space of the Museum chosen for the installation, one of the largest existing architectural environments; and, finally, the bold paradoxicality of the artistic idea and the stereotypical circus bombast of the title.
There is no trace of redundancy in the installation: it is bare, essential, as in the best tradition of the language of conceptual art. But not icy, because the environment would not allow it and because it carries with it the patina of time and perhaps a veil of dust and melancholy. On stage is the project with the bare minimum for the story to stand and reach: very few objects other than the monumental bone fragments, few images, few words.
Naturally, we could have avoided this destabilizing proposal, or at least prevented it from establishing itself in such a sumptuous space. We would have done so if we had considered all of this unfounded, needlessly damaging to acquired, unshakable certainties. But everything is under discussion, and any spur to reflection must be considered welcome. So we decided to become accomplices of the Brigataes, simply believing that its project can fit coherently within ours, now twenty years old, in which the ancient and the contemporary dialogue with each other; and that the greatest artist in the world worthily represents the art that our city proves to be able to produce and offer.
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Aldo Elefante/BrigataesFragments of a gigantic speech
Is there truth? No, there are truths, a great comfort to us, and the higher the number of truths, the lower the possibility of a single truth. Our task is to increase the number of truths, until intellectual, rational and logical authoritarianism is made impossible. - Albert Savinio
At the foundation of this aesthetic operation that brings the greatest artist in the world onto the scene is the consideration that the only art possible today is the production of individual or collective, real or imaginary art histories. After the end of the story every story becomes legitimate. Living then in constant death of art, the best practicable art consists in the real or fake memory of what art was or could have been. And here we should mention Baudrillard when already in the nineties he identified a "general melancholy of the artistic sphere" which destined us to the "infinite retrospective of what preceded us".
The Brigades faces the transition in an ironic way by recycling and reassembling pieces of the past.
This relationship with history – which ranges from the calculated extraction of elements from the cauldron of universal artistic production to the documentation of artists' lives – has been central to the journey of the Brigades which has used it to question the meaning of aesthetic doing/thinking, starting with the first 1992 installation Deja vu. New Year's Eve 1870 in the Mamontov villa in Abramtsevo, where in huge photographic panels the members of the Brigades presented themselves as peredvizhniki, up to the video installation No lives were lost presented at the MADRE in 2009, a document of an individual artist's history.
And this time too there is a story that is the possible/impossible story of the first and greatest artist in the world.
This project deals with the problem of truth (and the truth of art) and the problem of forgery.
The real if it exists is unattainable. Any language lies to survive. What we believe to be true is the result of an agreement between the parties. A false giant declared true, it is true.
There is no truth but truths, says Savinio. “All art is representation, theatre, falsehood. Art is fake as you see it,” writes Aub.
The greatest artist in the world breaks down the boundary between true and false, between reality and fiction, supporting the reality of fiction rather than the fiction of reality and unmasking the conventional character of truth.
The installation – which uses the narrative device of accidental discovery – offers a playful reflection on the attribution of value and the verification function performed by cultural institutions.
The system of values that leads to determining whether objects belong to a collection is forced and in this way the arbitrariness and conventionality of choice is denounced.
The Museum is the true context that makes the false credible. The fake finds blend in with the real ones.
In the video some museum directors follow the artist. They play their role, they offer guarantees on the truth of the discovery.
The timing of the discovery in the 1930s makes the operation more credible.
The elapsed time fills the exposed materials with truth.
Through the parody of the myth of scientific discovery, a critique is exercised of the expansive process of universal scientification which tends to the creation of general and comfortable truths and linear scenarios, in a desperate attempt to give order to the chaotic existence and to reveal its secret.
The measures of value fluctuate and contradict each other, such as the size that moves from the level of quality to that of quantity, probably demonstrating the current difficulty of thinking of values that cannot be immediately quantified.
A series of quotations can also be found in this work which thus becomes a gigantic collage.
The skeleton is the same size as De Dominicis' Cosmic Magnet.
And then the lesson of Broodthaers and his Musée d'Art Moderne département des aigles. And again Max Aub's Campalans.
In the symbol the meeting between Hartung and Smithson.
There is in this work a childlike sympathy for the mystery and for the lost dimensions of the fabulous, the symbolic, the monstrous.
Many fragments of memory, from Gulliver to the Giant friend of the Carosello, to the Polyphemus of the television Odyssey.
There is also a nostalgia for freaks. And the World's Greatest Artist sounds like the name of an attraction created for PT Barnum's The Greatest Show on Earth.
Surely we chase the horrid pleasure or the sublime.
The impossible discovery claims a space for everything that could be, claims a place for that elsewhere that the dominant value system deems not evident or dangerously dissimilar from the known and therefore capable of provoking the crisis of the system.
Contemporary art – art in the form of zombies because it is dead yet alive – can therefore represent the excess of this impossible, of the utopian dimension, a reserve for the data that science discredits, for all that reason throws up.
And it is also the natural seat of critical, uneven and deformed thinking.
The symbol created by the giant and called Chaosmos – taking up a neologism coined by Joyce which certifies the meeting in Finnegans wake of chaos and kosmos – unites the sign of Hartung and the Spiral Jetty built in 1970 by Robert Smithson.
La Brigataes has provoked the casual encounter between the freedom of the German artist's sign and gesture and the powerful restructuring of the earth's surface that creates the spiral.
Dialogue between freedom and constraint.
The exercise of the linguistic game mocks the stardom of contemporary artists. The stars of the art system compete to occupy the scene of the mercantile and media sideshow in the leading role, that of the greatest artist in the globalized world. But the greatest is the Cuman artist.
The Brigades tries to capture and deceive the inattentive and over-photographic user, who tends to certify his presence next to icons that do not interest him and do not excite him but that mass culture has suggested he see.
This work dialogues with death and, as a reflection, with the death of art in a blatant way. The large artist's skeleton is a kind of huge memento mori.
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Angelo TrimarchusThe museum, the ashes, the true and the false
The exhibition project of the brigatistaes Aldo Elefante – The greatest artist in the world – involves and unsettles the figures of the art system, in particular, the figures of the museum, as a place of legitimization of the work, of its authenticity and of its excellence, and of the art critic who claims, observed Lyotard, "to be the doctor of the arts and to tell the truth, where the arts mask". And, of course, it questions art itself, its vocation to act as an absolute word of truth.
For this challenge, the artist, in line with the inspiration of the Brigataes, the formation of art and irreverent and irreverent artistic behavior that he helped to launch on the national scene, at the beginning of the nineties of the last century, presents, in the Sala della Meridiana of the Archaeological Museum of Naples, an installation that rigorously documents a full-blown forgery: precisely, the false discovery of the greatest artist in the world, who lived forty thousand years ago.
In short, according to the artist's own words who, for his part, confirms that he has carried out long, patient and accurate research, this is how the facts unfolded, always poised on the inclined plane of the true-and-false or, if you prefer, false-and-true.
We are at the end of the 1930s, in Cuma, a place where, in her cave, the Sibyl administered the future with wisdom and intransigence. Precisely, it was 1938, the year in which Amedeo Maiuri, a famous archaeologist, was engaged in the excavation of the Cumana acropolis. During the excavation work on the top of the acropolis – on the western front of the so-called Temple of Jupiter, the artist assures on the basis of certain thoughts and calibrated documentation that are the nucleus of the installation, from the the bottom workers of the found, time, emerging some large bone fragments.
Hearing news of this discovery, and sensing that there is bread for his teeth, the equally famous Berlin paleontologist Gustav Heinrich von Koenigswald rushed to Cuma to join the group led by Maiuri. And, speaking of teeth – precisely, they were molars, it should be added that von Koenigswald was able to discover the species known as Gigantopithecus, which shop gave in him Hong the Kong glory, where by observing they are some used, molars along in with a other teeth, as a remedy in traditional Chinese medical practice.
The group of researchers, strengthened by the skills of Koenigswald, has luck managing to bring to light exceptional skeletal remains and a fraction of a stone slab with a trace of rock painting that highlights an unknown symbolic form and enigmatic. Thus, for the famous German paleontologist, in relating this enigmatic painted element with the enormous dimensions of the bones of the hands, it was not difficult to identify the gigantic remains of the skeleton with the greatest artist in the world.
Of course, everything is ready for a truly crucial twentieth century exhibition to be staged at the Archaeological Museum of Naples, but the threatening events of the Second World War have discouraged it and prevented its realization. Thus, the rare and precious materials were preserved and forgotten, until another successful excavation work, this time by the artist's archival raids, reopened the case.
On this adventurous and false narration, which he himself has intertwined with premeditation and patience, Aldo Elefante has built the installation which, in fact, occupies the Sala della Meridiana, in the Archaeological Museum of Naples: that is to say, as mentioned, in the place same in which, at the end of the Thirties, the great exhibition should have been celebrated and, with the exhibition, the greatest artist in the world would be crowned.
The installation, like a chamber of wonders, stages fragments of large bones and lithic artifacts found in the excavation area, but, together, also incontrovertible documents and equally rigorous publications, such as La Gigantologia, published in 1852 by the friar Emiddio Manzi, in which he without caution supports the existence of giants. Memories of childhood also appear in the discontinuity and confusion of the temporal planes – “childish sympathies” for mystery and horror, suggests the artist – and, from multiple clues, one also feels the nostalgia for freak shows and for the clowning whose incidence, we know, Starobinski analyzed in a memorable story in the experiences of the avant-garde.
Thus, the installation, in which plural languages and discontinuous temporal levels cross and react, always hovering on the crest of true-and-false, also presents a video projection that proposes a vintage film, as evidence of the visit - I would say, rather, of pilgrimage -, which took place on 15 October 1938, in the place of the discovery of the greatest artist in the world: a visit in which Angela Tecce and Andrea Viliani, among the most well-known directors of contemporary art museums.
The exhibition project certainly opens up a discussion on the museum-work, true-false problems, but, at the same time, on the impossibility of historical reconstruction, on its truthfulness, and, at the same time, on the problematic nature of the biological gigantism-value link. Starting from the gigantism of the skeleton and the bones of the hand, the famous German paleontologist was able to identify the greatest artist in the world.
Thus, in a vicious circle, linking gigantism and value, the artist who lived forty thousand years ago has become the greatest artist in the world.
This network of issues and themes that Aldo Elefante proposes with The Greatest Artist in the World - a work poised on the inclined plane of true-and-false, of knowledge of uncertainty - feeds on the moods and shifts between real and imaginary , between reason and otherness that animated the movements of the Brigades, but I believe that, at least for the true-false trait and for the impossible historical reconstruction, it refers to an author, to Max Aub, who, among other things, favored a certain complicity of ours and this note on its installation. Max Aub who wrote: "Is there perhaps some other virtue that qualifies the human condition as that of affirming falsehood, knowing it, as if it were true?". Of this subtlety and this ambiguity, he underlined, art is "the most beautiful expression" because "all art is representation, theatre, falsehood"
What, then, Max Aub, as the artist suggests, is also the secret or, at least, a signi cant source of this installation and of the work itself of the brigatistaes Elefante – and never, like this time, Savinio's saying, he too involved in this adventure of the greatest artist in the world, he is happy to observe that each one bears his destiny in his name - it lies in the writer's idea of thinking of life as a narrative and, at the same time, of equalizing, inverting and confusing novel and biographies: precisely, the narration of real lives, like that of Luis Buñuel, and of imaginary biographers, such as that of Jusep Torres Campalans, a non-existent artist who even invented cubism. With the awareness that, beyond the reality of the protagonists, of Buñuel as of Campalans, the novel and the biography, alike, question the impossibility of historical reconstruction, on its being like a crossword puzzle.
It is no coincidence that Elefante disseminated the exhibition itinerary with quotations of different orientations, among which, in my opinion, that of Marcel Broodthaers stands out, the Belgian artist who, in 1972, in Kassel, on the occasion of Documenta 5, curated by Harald Szeemann, he presented, in the section dedicated to artists' museums, the Musée d'Art Moderne Département des aigles, created and directed by him. At the same time, he underlined that the skeleton of the greatest artist in the world has the same size as Gino De Dominicis's "Cosmic Magnet" (24 meters long and 9 meters wide): an immense humanoid skeleton with a long nose bird and a golden rod, which starts from one of the phalanxes, to capture the cosmic vibrations, exhibited, in 1990, at the Grenoble Magazin . After all, even the period film that documents the fabulous and false discovery of the greatest artist in the world, due to its construction and the disorienting effect on the viewer, is a citation from a period film.
Above all, the brigatistaes Elefante considers his installation as an "immense collage" or, better, he says that it is really an "immense collage". In so saying, the artist not only assumes the collage for the realistic depth that this linguistic procedure had in the experience of Picasso, Braque and, in general, of Cubism – and, therefore, as another proof of reality – what, according to the moods of the surrealism on which he is nourished, as a "poetic process", said Aragon in time, and an openness to the other of reason and the visible.
Thus, taken in this network of questions and tensions, of anxieties and problems, his chamber of wonders - The greatest artist in the world - appears as a critique of positive knowledge that celebrates the given and the fact: the "little reality" , suggested Breton. And, at the same time, it also wants to be critical of the claim to bring the fractures, wounds and discontinuity of the historical process back to a unity of meaning: of history, Max Aub still teaches, which "is made of ashes".
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Francesco PoliNotes on the body of art
The work on the "greatest artist in the world", staged by the Brigades, is ironic, paradoxical, parodistic, hyperbolic, provocative, but also characterized by a disenchanted and melancholy vision of today's art which, on the rubble of the great illusions avant-garde, continues to triumph and expand ever more into the fetishistic dimension of itself. It is an operation that creates an unsettling short circuit between truth and fiction, myth and reality, past and present, high and low culture, sensationalist scoop (tarot) and archaeological discovery, scientific credibility and Dadaist hoax.
And it also plays in a spectacularly mocking way, as far as the definition of art values is concerned, on the reversal between the level of quality and that of quantity.
In the stately halls of the Archaeological Museum of Naples, Brigataes presents an exceptional find found during an excavation on the site of Cuma, perhaps thanks to precious information provided by the Sibilla Cumana, the priestess of the oracle of Apollo, the patron god of the Muses. It is the impressive skeleton of the greatest artist who ever lived, the mythical prototype of the "art giants", of superhuman physical size.
A prodigious being perhaps of the extinct race of the Titans and the Cyclopes, but also related, in some way, to the giants of Gulliver's travels, with those of the old fairy tales and the new cartoons, as well as with the phenomena of the Barnum circus and the sideshows. Literally a "giant of art" and not just metaphorically like Michelangelo or Picasso (who was just over five feet six).
The visual symbol created by the great proto-artist buried in Cumae is also exceptional: a decidedly emblematic graphic fusion between the sign-informal gestures of Hans Hartung and the gigantic primordial spiral of Robert Smithson (that of the Spiral Jetty built in the Great Salt Lake in Utah ). Symbol that synthesizes the energy of subjective invention and that which expands up to the configuration of galaxies, and which is not by chance called Chaosmos, that is chaos+cosmos (quote from Joyce of Finnegans Wake).
In its apparent seriousness as a historical document, the Istituto Luce-style film, entitled "Visit to the excavations of Cuma" (and dated 15 October 1938, Year XVI of the Fascist Era), is the most exhilarating element of the operation. For the duration of about three and a half minutes, the black and white images show us a small group of scholars (true insiders who have lent themselves to interpreting themselves) crossing the archaeological site until arriving at the place of the amazing discovery. Their presence should demonstrate the seriousness of the find, but the result is not far from that of a silent film, such as those of Buster Keaton. The resumption of this long walk is punctuated by a series of predictable captions ("Entrance to the excavations", "The ascent to the temple begins", "Rest on the belvedere", "The journey resumes", "Temple of Jupiter"), and only in the finale is the group briefly seen around the improbable large skeleton emerging from the ground.
The reaction of the unsuspecting public, who is faced with this accurate and disconcerting staging of artifacts and images, is an integral part of the Brigataes strategy.
Beyond the possible (and desirable) effect of initial wonder and curiosity, and then of amusement once the fi ction is discovered, the artist's most important goal is to trigger a reflection on the most problematic aspects of the sense of reality of art and its effective foundations.
For Brigataes art, in this current post-modern phase, can only be more of a form of imaginatively critical and metalinguistic narration, aimed at destabilizing and unmasking the main coordinates of the dominant ideology. And that is why he made this statement by Max Aub, the author of Exemplary Crimes , his own : “All art is representation, theatre, falsehood. Art is fake as you see it”.
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Antonello TolveCheerful (but not too much) for an archeology of the fantastic
“The archaeologist's shovel and trowel try to reconstruct the continuity of history through the long dark intervals”. - Italo Calvino
Amedeo Maiuri, together with Vittorio Spinazzola, investigated some sites belonging to the archaeological area of Cuma including the Sibyl's cave and the complex of Masseria del Gigante3 - a farmhouse, the latter, called del gigante after the discovery, nearby, the colossal acrolite statue of Jupiter.
Starting from this double historical trace, from this double adventure and from this double passion which has shed new light on the path of civilization, Brigataes (an aesthetic production acronym created by Aldo Elefante) proposes, today, a happy project which reconstructs, in the spaces of the National Archaeological Museum of Naples – where, among other things, the great Cumaean sculpture is kept – the discovery of some human remains of an imaginary giant that suggests Nikolas Bourgeois (from the court of Peter the Great) and the significant fragment of a stone slab on the surface of which the traces of a prehistoric megagraffit are still visible .
As if to carefully redesign a properly archaeological method that does not avoid the chronological indicator, the artist in fact proposes, for the Sala della Meridiana, the documentation of a memorable discovery offered to the viewer through lithic objects (found in the area), fragments of a Gulliverian skeleton and some publications – La Gigantologia (1852) by friar Emiddio Manzi is a brilliant example – aimed at giving certainty of what Brigataes defi nes to be The greatest artist in the world. Even a video-dossier attesting the excavation on the land of special find.
The story begins with a manipulation, with the elaboration of an artifice, with the improbable discovery, in fact, of the mortal remains of a creator of worlds, of a being who lived roughly forty thousand years ago. “In 1938”, suggests the artist in a phantasmagorical account that accompanies the life of the excavations and describes punctually the extraordinary story, "the workers of the archaeologist Amedeo Maiuri, during excavations on the summit of the Cumana acropolis, discovered - on the western front of the so-called Temple of Jupiter - some enormous bone fragments"4 . Promptly informed of the find, von Koenigswald - engaged since 1935, in the Java area, in a series of studies and research on the species to which he gave the name of Gigantopithecus - rushes from far southeast Asia to the Cuman territory to participate in the excavations and bring to light the precious finds.
“Exceptional skeletal remains emerged from the ground”, warns Brigataes, together with “a fraction of stone slab with traces of rock painting. And it was precisely this painted element that led the scholar to consider the newly found creature to be the greatest artist in the world”
However, just as the organization of an exhibition is being prepared to present the discovery in the National Museum of Naples, directed by Maiuri himself since 1924, the events of war prevent the "epochal exhibition that should have been held [...] in 1939" 6 . At first preserved and then swallowed up by the forgotten memory that is displaced (Montale), these materials return, after almost a century of oblivion, thanks to an "archival research of the Brigades"7 which now decides to make up for the setback of the past and organize, therefore, the presentation of the famous finds.
To the real position of some archaeological studies, Brigataes thus contrasts a constructive short circuit of an imaginative nature which, if on the one hand it rethinks the Cosmic Magnet (1988) by Gino De Dominicis – of the same size as the giant now exhibited , warns the artist – and imposes a sort of time pataphysics and amalgamates (Jarry), a scientific science of theories imaginary in circles solutions of nonsense, that winks irony, at absurdity and ostranenie, on the other side the cliché to conceive suspensions, temporal jolts, chimerical recoveries, recoveries, discoveries that herald a new time, a new imaginary complicity. But also to reflect, with subtle causticity, on the artist's position in the world and on its meaning (on the very meaning of art) in the contemporary panorama.
From the excavation on the ground to the documentation of the discovery, from the reading of the remains to the cataloguing, to gradually reaching the search for sources, Brigataes proposes a continuous rebound from the real to the imaginary, a ledge that descends from the known towards the unknown, a corrosive wound in everyday certainties and in the very organization of a scientific procedure that becomes a metaphor for a condition – the current one – whose denominator dissolves between the magic of life (of human finitude) through an archeology of the impossible (Volterri)12 whose purpose is to draw trajectories, unveiling, playful, acute and pungent revelations on the mechanisms of powers that attribute value to something, on the dialectic between quality and quantity, on the very meaning of what is the word (the very meaning of) truth. The leaven that animates his new project is therefore made of a strategic material that puts reality in check to elaborate a discourse apparently aimed at derailing from the clear tracks of reason – is it not perhaps the paradox that animates the production of Brigades? –, to hurl an aesthetic spear at the target of contradictions and certain evaluation, to concern a model that too easily transforms “documents into monuments”, to formulate positive uncertainties, to model a novella vanitas, to elaborate, with elegance, a worktop that feeds on history and what history is not.
https://preview.redd.it/hqm76xt8ilga1.png?width=1976&format=png&auto=webp&s=a0c719a4f205813c520bfdfa2b94cba25ffb7c8f
submitted by Unmasked_Deception to CulturalLayer [link] [comments]


2023.01.17 03:51 Geonamic Could someone answer a few in-depth questions about Kasie and Jessica?

I'm doing a university assignment, making character biography documents, and the wikis and TV Tropes websites have only been somewhat helpful because of how lacking their info has been, so I've been hunting for the info they couldn't provide by watching episodes, skimming through parts, etc. However, it's taking a lot longer than I realized to find what I'm still missing.
  1. What seasons/episodes do I look to find Kasie Hines's background that's relevant to shaping the person she is in the show? For example with Alden Parker, season 19 episode 15 "Thick as Thieves" has Parker reveal his past as a thief, which got him into juvenile hall, and that experience made him never want to go back to a life of crime, and that influenced him to join law enforcement. That's the kind of background I need to find from Kasie.
  2. What seasons/episodes do I look to find Jessica Knight's inner drive to continue working in NCIS? For example with Nicholas Torres, season 14 episode 1 "Rogue" has Nick admit to Leon Vance that all the undercover identities and lies he's built as an undercover cop didn't leave him with anything good afterwards, like having a family, so following up with that line in the same season episode 7 "Home of the Brave," Nick admits to Timothy McGee that he joined NCIS because he wanted to finally be one of the good guys (instead of a faker to people he has to interact with from being an undercover cop), and he likes doing what's right. When Jess joins NCIS, it's around the time that Eleanor Bishop and Gibbs leave NCIS, so they got a lot of focus compared to Jess. I'm assuming she gets more attention in some other episode on why she's still actively a part of the team instead of going back to REACT as a negotiator in some other department.
submitted by Geonamic to NCIS [link] [comments]


2023.01.01 17:36 yawningvoid28 The 2023 U.S. Theatrical Release Schedule (as of January 1, 2023.)

(Up-To-Date as of November 17, 2023)
November 17, 2023
(WIDE)
Trolls Band Together (Animated/With: Anna Kendrick, Justin Timberlake, Rolando Davila-Beltran/PG/Universal Studios/d: Tim Heitz and Colin Jack/Wide)
The Hunger Games: The Ballad of Songbirds and Snakes (Action/With: Tom Blyth, Rachel Zegler, Ashley Liao, Mackenzie Lansing/2 hr 45 min/Lionsgate/d: Francis Lawrence/Wide)
Thanksgiving (HorroWith: Patrick Dempsey, Nell Verlaque, Addison Rae, Jalen Thomas Brooks/TriStar Pictures/d: Eli Roth/Wide)
(LIMITED)
Next Goal Wins (Sport/With: Michael Fassbender, Elizabeth Moss, Will Arnett, Rhys Darby/PG-13/1 hr 37 min/Spotlight Pictures/d: Taika Waititi/Limited)
May December (Drama/With: Natalie Portman, Julianne Moore, Piper Curda, Charles Melton/1 hr 53 min/Netflix/d: Todd Haynes/Limited)
Saltburn (ThrilleWith: Rosamund Pike, Carey Mulligan, Barry Keoghan, Richard E. Grant/2 hr 7 min/Amazon/d: Emerald Fennell/Limited)
November 22, 2023
(WIDE)
Disney’s “Wish” (Animation/With: Chris Pine, Ariana DeBose, Alan Tudyk/PG/1 hr 32 min/Walt Disney Animation/d: Chris Buck and Fawn Veerasunthorn/Wide)
The Holdovers (Comedy/With: Paul Giamatti, Dominic Sessa, Da'Vine Joy Randolph/2 hr 13 min/Focus Features/d: Alexander Payne/Wide)
Napoleon (Biography/With: Joaquin Phoenix, Vanessa Kirby, Tahar Rahim, Ben Miles/2 hr 37 min/Sony-Apple/d: Ridley Scott/Wide)
(LIMITED)
Maestro (Biography/With: Bradley Cooper, Carey Mulligan, Matt Bomer, Maya Hawke/2 hr 9 min/Netflix/d: Bradley CoopeLimited)
Saltburn (ThrilleWith: Rosamund Pike, Carey Mulligan, Barry Keoghan, Richard E. Grant/2 hr 7 min/Amazon/d: Emerald Fennell/Limited [Expansion])
December 1, 2023
(WIDE)
Renaissance: A Film by Beyoncé (ConcertFilm/With: Beyoncé, Blue Ivy Carter, Diana Ross, Megan Thee Stallion/2 hr 30 min/AMC Theaters/d: ?/Wide)
Silent Night (Action/With: Joel Kinnaman, Scott Mescudi, Harold Torres, and Catalina Sandino Moreno/Lionsgate/d: John Woo/Wide)
(LIMITED)
Eileen (ThrilleWith: Anne Hathaway, Thomasin McKenzie, Shea Whigham, Marin Ireland/1 hr 37 min/NEON/d: William Oldroyd/Limited)
December 8, 2023
(WIDE)
Eileen (ThrilleWith Anne Hathaway, Thomasin McKenzie, Shea Whigham, Marin Ireland/NEON/1 hr 37 min/d: William Oldroyd/Wide)
(LIMITED)
The Boy and the Heron (Animation/With: Soma Santoki, Masaki Suda, Takuya Kimura, Aimyon/2h 4m/GKIDS/d: Hayao Miyazaki/Limited)
Poor Things (HorroWith: Emma Stone, Willem Dafoe, Mark Ruffalo/2 hr 21 min/Searchlight/d: Yorgos Lanthimos/Limited)
December 15, 2023
(WIDE)
Wonka (MusicalComedy/With: Timothée Chalamet, Rowan Atkinson, Sally Hawkins, Olivia Colman/Warner Bros./d: Paul King/Wide)
(LIMITED)
American Fiction (Dramedy/With: Elle Sciore, Miriam Shor, Issa Rae, Adam Brody/MGM/d: Cord Jefferson/Limited)
The Zone of Interest (Drama/With: Christian Friedel, Sandra Hüller, Johann Karthaus, Luis Noah Witte/1 hr 45 min/A24/d: Jonathan GlazeLimited)
December 22, 2023
(WIDE)
Aquaman and the Lost Kingdom (Fantasy/With: Jason Momoa, Yahya Abdul-Mateen II, Amber Heard, Patrick Wilson/PG-13/Warner Bros./d: James Wan/Wide)
American Fiction (Dramedy/With: Elle Sciore, Miriam Shor, Issa Rae, Adam Brody/MGM/d: Cord Jefferson/Wide)
The Iron Claw (Biography/With: Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney/A24/d: Sean Durkin/Wide)
Migration (Animation/With: Elizabeth Banks, Awkwafina, Keegan-Michael Key, Danny DeVito/PG/Illumination-Universal Studios/d: Benjamin RenneWide)
Anyone But You (RomCom/With: Sydney Sweeney, Glan Powell, Alexandra Shipp, Darren Barnet/Sony/d: Will Gluck/Wide)
(LIMITED)
All of Us Strangers (Fantasy/With: Andrew Scott, Paul Mescal, Claire Foy, Jamie Bell/1 hr 45 min/Searchlight Pictures/d: Andrew Haigh/Limited)
Freud's Last Session (Drama/With: Anthony Hopkins, Matthew Goode, Orla Brady, Jodi BalfouSony Pictures Classics/d: Matt Brown/Limited)
December 25, 2023
(WIDE)
Ferrari (Biography/With: Adam Driver, Penelope Cruz, Shailene Woodley, Jack O'Connell/2 hr 10 min/NEON/d: Michael Mann/Wide)
The Color Purple (Musical/With: Fantasia Barrino, Deon Cole, Danielle Brooks, Taraji P. Henson/Warner Bros./d: Blitz Bazawule/Wide)
The Boys in the Boat (Biography/With: Joel Edgerton, Chris Diamantopoulos, Courtney Henggeler, Callum TurnePG-13/MGM/d: George Clooney/Wide)
submitted by yawningvoid28 to movies [link] [comments]


2022.07.16 07:02 trezebot [Rassegna Stampa] 16 July 2022 - Summary of Juventus news from Italy, translated

Here is summary of Juventus news from Italy:

JuventusNews24

Morata Juve (Sky), new contacts with Atletico: Allegri has a plan

July 16, 2022 - by JuventusNews24 Editorial Team
Morata Juve (Sky), new contacts with Atletico Madrid to bring him back to Turin: Allegri has a plan for the Spaniard Allegri wants Morata back to Juve.
The confirmation of the Juventus coach's desire to bring the Spaniard back to Turin came from Gianluca Di Marzio during the Calciomercato l'Originale on Sky Sport.
Allegri considers Morata as an important player to be resumed because he is able to act as deputy Vlahovic and also as vice-church until he returns.
New contacts between Juventus and Atletico Madrid are expected soon.

Juve press review: sports newspapers front pages - 16 July 2022

July 15, 2022 - by JuventusNews24 Editorial Team

Latest Juve: Bremer towards Inter, the news on De Ligt and Dybala

July 15, 2022 - by JuventusNews24 Editorial Team
11.50 pm - Juve is willing to drop to a maximum of 90 million to sell De Ligt to Bayern Munich.
Arsenal and Villarreal are asking a lot, but Juve are keeping the contacts alive to choose who they want.
A few million are still dancing, but Inter want to close as soon as possible and schedule medical examinations for Tuesday to avoid the return of Juve.
LATEST developments 9.00 pm - Sky Sport has framed the defense situation for Juve.
Juve Atletico Madrid friendly, it's OFFICIAL: details and info on the challenge 6.00 pm - Through their official website, Juve has formalized another friendly match for the summer.

De Ligt Juve (Sky), two names on pole to replace him. The latest

July 15, 2022 - by JuventusNews24 Editorial Team
De Ligt Juve (Sky), two names on pole to replace the Dutch defender in the event of a transfer to Bayern Munich.
Juve is willing to drop to a maximum of 90 million to sell De Ligt to Bayern Munich.
Meanwhile, he awaits the relaunch of the Bavarians who, after the sale of Lewandowski, now close to Barcelona, ​​could increase the offer.
According to what Di Marzio reported to Calciomercato l’Originale, the names on pole to replace De Ligt: Gabriel and Pau Torres.
Arsenal and Villarreal are asking a lot, but Juve are keeping the contacts alive to choose who they want.

Kean makes a promise to Juve: clear message from the attacker

July 15, 2022 - by JuventusNews24 Editorial Team

Di Marzio: "Dybala between Naples and Rome, that's when he will decide"

July 15, 2022 - by JuventusNews24 Editorial Team
Di Marzio: «Dybala between Naples and Rome, that's when he will decide».
The situation on the future of the former Juve Gianluca Di Marzio at Calciomercato l'Originale took stock of the situation on Dybala.
THE DECLARATIONS - "Dance between Naples and Rome where there is a" Dybalamania ", but it is not done with anyone.
That of Naples is linked to the issue of image rights: Dybala has a very high value and Napoli wants 100%.
At the beginning of next week the player will decide whether to lower his claims and accept Napoli or Rome or if he wants to wait for other clubs and maintain a high level of engagement ».

Bremer Juve (Sky), on Monday we can close with Inter. LATEST

July 15, 2022 - by JuventusNews24 Editorial Team
Bremer Juve (Sky), on Monday we can close with Inter.
The LATEST on the situation of the Torino defender Monday will be the decisive day for Bremer's transfer to Inter.
According to what Gianluca Di Marzio reported to Calciomercatao l'Originale on Sky Sport, in fact, on Monday after lunch Marotta, Ausilio, Cairo and Vagnati will meet with the agents of the Turin defender to close the operation on the basis of 35 million plus bonuses and the loan of the young Casadei.
A few million are still dancing, but Inter want to close as soon as possible and schedule medical examinations for Tuesday to avoid the return of Juve.

Bernardeschi Toronto, "he is the champion we needed": the welcome

July 15, 2022 - by JuventusNews24 Editorial Team
Bernardeschi Toronto, "he is the champion we needed": the welcome of the new club for the former Juve winger Bernardeschi from tonight has officially become a new Toronto player.
As a player and as a person, we believe that's exactly what we need right now, both on the pitch and in the locker room.
Federico has proven to be a champion and a leader at Juventus and for the Italian national team and brings to Toronto a pedigree that is second to none ».
Toronto coach and sporting director Bob Bradley has also embraced the new signing.
Federico is a left-handed who is at ease on the right wing but can also slide into the central position when he serves ».

News Serie A LIVE: Bernardeschi arrives at Toronto, news from Bremer and De Ligt

July 15, 2022 - by JuventusNews24 Editorial Team

Bernardeschi at Toronto, is OFFICIAL: contract until 2026

July 15, 2022 - by JuventusNews24 Editorial Team
Bernardeschi at Toronto is now OFFICIAL: contract until 2026 for the former Juve winger Bernardeschi is officially a new Toronto player.
Another Euro champion arrives 🏆Welcome, @fbernardeschi 🇮🇹 - Toronto FC (@TorontoFC) July 15, 2022 This was announced by the Canadian club of MLS with a press release posted on their website.
The former Juve winger joins Criscito and Insigne after signing a contract until 2026.
During the day, Bernardeschi himself had left several clues via social media, heralding his arrival overseas.
The player was welcomed by many fans.

Gazzetta Dello Sport

Peyraud Magnin, former partner of Juventus goalkeeper found dead in Turin

15 July 2022 - by Marco Calabresi
The Juventus and French national team goalkeeper and 27-year-old girlfriend Camille had recently separated.
Enrico Arnaldi di Balme, deputy prosecutor of Turin, added that "the requests of the family have been satisfied, as far as possible.
My service has worked, from the beginning, in close collaboration with the French consulate in Milan ".
Even the federation, as reported by Le Parisien, "will not comment on this episode which belongs to the private life of a player".
In 2020, Peyraud-Magnin was the first French footballer to come out declaring her homosexuality.

The rock and the bell: who is Ventrone, Conte's marine who collapses the Spurs

15 July 2022 - by From Our Correspondent Davide Chinellato
Military for real, discovered by Lippi and also become a cult in the Premier League, has revolutionized the way of doing athletic training: from music to the philosophy of surrender, "those who survive with him have something special".
That's why Antonio, who had him as a footballer, fell in love with him from our correspondent Davide Chinellato

Allegri has 10 midfielders, but Paredes serves: the negotiation with PSG

15 July 2022 - by Giovanni Albanese
Among the men in the middle, Allegri has none with the characteristics of him: his arrival, however, passes through three exits and an exchange ... With the arrival of Pogba, Juve has ten midfielders at work in this pre-season, but none experience director.
The Frenchman wants to be the protagonist again as a mezzala, he mentioned this in his press conference as well as in the dialogues with Allegri: the times in which he seemed to be able to take over Pirlo's legacy are quite distant.
Last season it was Locatelli who spent himself in front of the defense, with a decent performance, even if he too would prefer to act as a midfielder.
Who is in the role is Fagioli, whose future, however, is still to be deciphered.
That is why despite the abundance in between, the traces that lead to Paredes from the PSG must be carefully monitored.

Juve struggling with Arthur's money: no tour, but if it doesn't come out ...

15 July 2022 - by Giuseppe Nigro
Both the club and the Brazilian agree on the sale, the obligatory way is that of the loan, with an eye to the Premier and Barcelona.
THE WILL - Physical troubles played a role in his difficulties in finding a dimension in Juve, but his economic weight makes the idea of ​​waiting for him no longer sustainable.
But the player's own entourage has returned to the theme that going on like this makes little sense.
There has been a lot of talk about Arsenal, a name that often comes back when it comes to Juventus redundancies.
Also because the Brazilian's failure to exit means having to consider what is not planned, or the possible exit of someone else in midfield between Rabiot, Zakaria or McKennie.

Juventus on Pau Torres for the post De Ligt: the negotiation

15 July 2022 - by Marco Guidi

Corriere dello Sport

Bernardeschi is from Toronto FC: "Another European champion is coming"

July 15, 2022
Federico Bernardeschi is officially a Toronto FC player.
The former Juventus midfielder was announced on Friday evening by the Canadian club and is about to join the other two Italians Lorenzo Insigne and Domenico Criscito.
Bernardeschi to Toronto FC: "Another European champion is coming" "Another European champion is coming: Welcome Bernardeschi", is the MLS club's greeting to the former Juventus player.
As a player and as a person, we believe that's exactly what we need right now, both on the pitch and in the locker room.
Federico has proven to be a champion and leader at Juventus and in the Italian national team and brings a pedigree to Toronto that is second to none ", are the words of Toronto FC president Bill Manning.

Juve-Atletico Madrid, luxury friendly match set in Tel Aviv

July 15, 2022
"After the tour in the United States, another stop on the Juventus Summer Tour powered by JEEP - is the press release from the Piedmontese club -.
A great challenge awaits the bianconeri before the start of the Serie A championship: Juventus - Atletico Madrid will be staged on 7 August at Bloomfield Stadium in Tel Aviv.
An intersection that in recent years has had the Champions League as its stage, becomes a fascinating appetizer of the new season at the start for both on August 15: Juve will host Sassuolo at the Allianz Stadium at 20:45, while Atletico Madrid, at 19 : 30, will visit Getafe.
Juventus-Atletico Madrid, the previous official Juventus and Atletico Madrid have met eleven times in their history in official matches, the balance is six Juventus wins, two draws and three Iberian victories.
The last match between the teams dates back to the Champions League, on November 26, 2019: on that occasion the Bianconeri won 1-0 with Dybala's goal.

Juve, the 10 numbers of history: from Sivori to Pogba, plus some surprises

July 15, 2022
The reference is obviously to number 10, whose poetry goes hand in hand with the history of football.
The backbone that has always been connected to the concept of class, imagination and unpredictability of the wearer is, not surprisingly, the one that belonged to most of the strongest players of all time, from Pele to Maradona, from Di Stefano to Zico up to to Michel Platini.
The shirt remained vacant for only one season before passing on the shoulders of Carlos Tevez for two years and then, precisely of Pogba.
Juve, the farewell of Platini and the heavy legacy of the number 10 The history of Juve is, however, full of legends who have also linked their deeds to that jersey number and the reference can only go to Omar Sivori and Michel Platini, for many the two strongest Juventus players of all time, without forgetting Roberto Baggio.
Jumping here and there, however, we discover various curiosities related to the black and white planet and the number 10.

Intrigo Bremer, it's a fight between Inter and Juve: soon we will know who won it

15 July 2022 - by Andrea Ramazzotti
SENT TO APPIANO - It will be a hot weekend on the Milan-Turin axis for Gleison Bremer.
Inter have been working for the Brazilian central Del Toro for some time and are convinced they have him in their hands, but Juventus, who have elected him as their number one goal if De Ligt is sold to Bayern Munich, will not give up.
The intrigue, therefore, is gigantic and the player wants to get out of it as soon as possible.
Today he gave the first signs of fatigue by not playing among the owners the friendly match of Juric's team lost today against Eintracht Frankfurt (hejoinedatthebeginningofthesecondhalf).
Perhaps between Monday and Tuesday the pieces of the puzzle will all fall into place, but in the meantime both Inter and Juventus are linked to the outgoing operations of Skriniar (Psg) and De Ligt (BayernMunich).

De Ligt, Salihamidzic is optimistic: "Excellent relationship with Juve"

July 15, 2022
However, the recent signings of Pogba and Di Maria have partially changed the point of view of the former Ajax, who may well stay in Turin, but who is fascinated by the possibility of joining Bayern.
De Ligt-Bayern, Salihamidzic takes stock The sporting director of the Germans, Hasan Salihamidzic, has become the bearer on his trip to Turin of a proposal of 60 million fixed part more than 10 bonuses, insufficient for Juve to sell De Ligt yes, it is willing to make a discount on the 125 million release clause, but asks for a sum of no less than 90 million.
It was important to sit at a table with Arrivabene, Cherubini and Nedved. "
At the moment we are in a good position because we have already done some things and this makes the market easier for us.
We are careful in evaluating the best moves to strengthen our team. "

Juve challenges Inter: the prize is Bremer

15 July 2022 - by Filippo Bonsignore
The first move is by Juve: waiting for the relaunch of the Bavarians, the shot forward comes from Continassa.
Now the scenario changes: 80 million plus bonuses are enough to reach the finish line.
Too low for Juve, too far from the value of the player who is still one of the best interpreters of the role on a continental level.
The problem is that the Dutchman's contract will expire in 2024 and the renewal attempts have not been successful.
From all these reasons comes the move to reduce demand to 80 million plus bonuses.

TuttoJuve

Massimo Pavan: "To move the market, Juventus must sell De Ligt, or ..."

16 July 2022 - by TuttoJuve Redaction
Calm flat.
After Di Maria and Pogba (CambiasotakenandalreadydivertedtoBologna) and the exits of Dragusin and Brunori and De Winter, the “Juve machine” jammed.
They have been meeting for three months to negotiate the renewal.
Di Fagioli: not di ...

Molina towards Atletico de Madrid

16 July 2022 - by Massimo Pavan
Calm flat.
After Di Maria and Pogba (CambiasotakenandalreadydivertedtoBologna) and the exits of Dragusin and Brunori and De Winter, the “Juve machine” jammed.
They have been meeting for three months to negotiate the renewal.
Di Fagioli: not di ...

Bayern could remain alone for De Ligt

16 July 2022 - by Massimo Pavan
Bayern could remain the only possible buyer for Matthijs De Ligt.
On the Dutchman, in fact, the movements of Chelsea who moved for Koulibaly and is evaluating Kimpembe are fading, while the City that will hold Akè, are not looking for a defender.
It was possible to enter United, but after the Lisandro Martinez shot, it is difficult for another signing to arrive.
Juventus, therefore, would be forced to speak only with Bayern Munich.

L'IMBOSCATA - Shortages and dead weights, Juve risks remaining unfinished. Unresolved problem in society. Mange De Ligt, Bayern offends the bianconeri. A film already seen (andwithoutadirector)

15 July 2022 - by Andrea Bosco
Di Fagioli: not by Steven Gerrard.
Zaniolo costa, they met with his agent but Roma want 50 million cash.
Have you ever seen that in the evening Di Marzio, you do not reveal that Dybala has found an agreement with "those there"?
The problem is that to "those there" unlike the president Andrea Agnelli, I do not "love".
However, Andrè Maurois, pseudonym of the writer who invented the "fictional biography", wrote that "the mixture of admiration and pity is one of the surest recipes for affection".

The Ronaldo case continues, also offered to Juve!

15 July 2022 - by Massimo Pavan
At 37, Cristiano Ronaldo is on the eve of his long and successful career.
After returning to Manchester United last summer, 12 years after leaving Old Trafford, the five-time winner of the Ballon d'Or would be bent on a change of scenery and asked his executives to be released.
Ronaldo would be willing to leave the club to try to win the sixth Champions League title of his career, after the Red Devils did not qualify for the next edition of the competition.
His agent Jorge Mendes allegedly offered his services to several clubs, including Bayern Munich, Juventus, Chelsea and PSG.
After a discussion with Thomas Tuchel, Chelsea co-owner Todd Boehly is no longer considering buying Cristiano Ronaldo, while the Portuguese has not yet returned to training with Manchester United.

Juve does not forget Morata

15 July 2022 - by Massimo Pavan
Calm flat.
After Di Maria and Pogba (CambiasotakenandalreadydivertedtoBologna) and the exits of Dragusin and Brunori and De Winter, the “Juve machine” jammed.
They have been meeting for three months to negotiate the renewal.
Di Fagioli: not di ...

Kimpembe, here's the price

15 July 2022 - by Massimo Pavan
Calm flat.
After Di Maria and Pogba (CambiasotakenandalreadydivertedtoBologna) and the exits of Dragusin and Brunori and De Winter, the “Juve machine” jammed.
They have been meeting for three months to negotiate the renewal.
Di Fagioli: not di ...

Bremer sibillino: "Get ready for what's coming"

July 15, 2022 - by TuttoJuve Redaction
Calm flat.
After Di Maria and Pogba (CambiasotakenandalreadydivertedtoBologna) and the exits of Dragusin and Brunori and De Winter, the “Juve machine” jammed.
They have been meeting for three months to negotiate the renewal.
Di Fagioli: not di ...

REBUS DEFESA, DE LIGT MUST GIVE AN ANSWER

15 July 2022 - by Massimo Pavan
The defense of Juventus is in a real labyrinth or if you prefer it is a puzzle that must be understood and solved.
MATTER OF TIME - it is necessary to decide as soon as possible whether the defender will stay or not, and then eventually move accordingly on the substitute.
The auction base of 35 million with 3 million euros of engagement does not scare the management of Juventus which could even go up to 40 million and 4 of engagement, effectively defeating the competition of Inter.
The same cost has Gabriel of Arsenal, with a similar signing cost, while a cut above the cost of Pau Torres, the Spanish defender who has had a great season with Villarreal.
Defense, however, is a priority, Juventus cannot fail to consider that the strength of the team starts from the back department and that it is therefore necessary to choose the most suitable men to make a difference.

Juventus could evaluate Scamacca

15 July 2022 - by Massimo Pavan
Calm flat.
After Di Maria and Pogba (CambiasotakenandalreadydivertedtoBologna) and the exits of Dragusin and Brunori and De Winter, the “Juve machine” jammed.
They have been meeting for three months to negotiate the renewal.
Di Fagioli: not di ...
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2022.05.23 04:13 celebhealth Adria Arjona's Plastic Surgery: Find All The Details Here

Adria Arjona's Plastic Surgery: Find All The Details Here
Did Adria Arjona Undergo Plastic Sugery?
Most of the Good Omen's actresses' fans might wonder if their favorite actress has gone under the knife or not. What do you think of Adria Arjona's plastic surgery? Has she had one or more than one?
READ NOW: Adria Arjona's Plastic Surgery: Find All The Details Here
Well, let us confirm that Adria has changed her body to provide herself a good appearance. However, the actress has never confirmed her cosmetic surgery.

https://preview.redd.it/xqt2f121x4191.jpg?width=728&format=pjpg&auto=webp&s=8e7a9bd552556403f00a73138f4150db5871a5f2
What Changes Has Adria Arjona Gone Through?
It has come to know that Adria Arjona has gone cosmetic surgery to enhance her breasts. The surgery included breast enlargement, breast augmentation, and breast lift. As per some credible sources, the actress, whose breast's size was 32" before the surgery enlarged to 35".
There are rumors that the actress even worked on her nose. Indeed, there are speculations of her nose jobs; further, many even believe she also worked on her lips. However, there are no confirmations by any trustable sources related to any surgeries except breast enlargements.
Good Omens Actress Adria Arjona's Personal Details
Adria Arjona was born on April 25, 1992, in San Juan, Puerto Rico. The actress's father's name is Ricardo Arjona, and her mother's name is Leslie Torres. Professionally, her dad is a singer and songwriter, and her mother is a model.
According to The Daily Biography, Adria's parents have two children. She grew up alongside her brother Ricardo Arjona Jr. However, later on, her father and mother parted ways. After the separation, Adria's dad dated Venezuelan model Daisy Arvel, with whom he welcomed a baby boy. Thus, she has a younger half-brother named Nicolás 'Niko' Arjona.
The actress grew up in the capital of Mexico, Mexico City, where she spent most of her childhood days. Adira moved to Miami with her parents at the age of 12. After the model turned 18, she moved to New York City.
Talking about education, she has studied Fine Arts. She got her degree in acting. Arjona graduated from Lee Strasberg Theatre and Film Institute. The actress worked as a waitress during her graduation days to support herself financially.
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