Hi reddit,
My name is Tom and I'm one of the founders of PlanPing.io
First of all, yes, this is an ad. I've been active on reddit for over 6 years and I don't like ads either, so sorry for invading your feed.
But we've been hard at work building PlanPing.io for the last 18 months and I want to get the word out.
Last year my brother in-law who is a builder mentioned that he was struggling with a lack of work. He normally relies on word-of-mouth but with the cost of living crisis fewer and fewer enquires were coming in and he was getting stressed about the lack of upcoming jobs!
He said that he had tried most things such as paid advertising or buying rubbish quality leads from companies like Bark, but not had much success! Next he told me that he managed to generate a couple of new project enquiries by simply searching the local planning portal websites and sending letters to people who have submitted planning applications.
I thought this was a great idea - because it directly targets the right people who are actually looking to get building work done and at the right time! However, this process was incredibly time consuming and not sustainable due to having to spend ages finding relevant applications, creating letters etc
So we decided to build a tool that does this for you and we called it PlanPing.io
It works by finding planning applications local to you and then automatically generating ready-to-send letters (in just 1-click). This means you can very quickly & easily reach out to the best opportunities in your local area!
The Results?
I'll be honest, It took a lot of trial and error to find out what letter content gets people to respond (and what definitely does not).
But once we found what works- the results have been quite impressive!
The first month we sent out 200 letters and won 2 new projects (£50,000 & £25000), then in month 2 we sent 500 letters and got 3 jobs!
This means brother in-laws building company is fully booked for the next 6 months and it has cost him only £300 in postage costs! What's more it's taken him about 5 minutes to create his letters. The postage part is also super easy as you can just folder the letters into a windowed envelope and add a stamp.
So if you are just getting started and trying to find work or if you are established but want more consistent jobs so you can grow your business in a way that you control, I'd love to give you a demo walkthrough (you can book this on our website here: PlanPing.io). Or alternatively you can start a FREE 7-Day trial on our website also.
I understand that some of you won't be convinced as there is an awful lot of noise around lead generation and seedy practices etc. Because of this we actually guarantee that you will win new jobs (or we will refund your subscription fee).
We are also very committed to keep this exceptionally affordable e.g only £29.99 a month!
Last but not least, I want to thank those that have given PlanPing.io a try. I appreciate the love, the feedback and suggestions. I really look forward to talking with you and showing you how it can help you to grow your construction business.
Have an amazing day! Tom, Co-founder @ PlanPing.io

Dubai, a bustling hub of commerce and industry, demands robust and efficient infrastructure to support its ever-growing needs. Among the critical components ensuring seamless operations in various sectors are multistage pumps. These sophisticated devices are essential for a multitude of applications, ranging from water supply and treatment to industrial processes and HVAC systems. In this competitive market, selecting the right supplier is paramount. One name that stands out in Dubai's multistage pump supply scene is Alphatronic Machinery. This blog delves into the top suppliers in the region, with a particular focus on Alphatronic Machinery, their offerings, and why they are a preferred choice for many businesses.
Understanding Multistage Pumps in Dubai
Before diving into the specifics of suppliers, it's essential to understand what multistage pumps are and why they are so vital. Multistage pumps are centrifugal pumps with multiple impellers (stages) arranged in series. This design allows them to generate higher pressures compared to single-stage pumps, making them ideal for applications requiring significant pressure, such as high-rise building water supply, boiler feedwater, and irrigation systems.
Key Attributes of Multistage Pumps in Dubai

1. **High Pressure Capability**: Multistage pumps can generate much higher pressures than single-stage pumps, making them suitable for demanding applications.
   
2. **Efficiency**: Their design enables efficient energy use, which is critical in reducing operational costs.
   
3. **Durability and Reliability**: These pumps are built to withstand harsh conditions, ensuring long-term reliability and minimal downtime.
   

Multistage Pump Suppliers in Dubai
Dubai hosts a variety of suppliers catering to different needs and industries. Here’s a look at some of the leading suppliers:

1. Alphatronic Machinery

Overview:
Alphatronic Machinery has established itself as a premier supplier of Multistage Pumps in Dubai. Renowned for their high-quality products and exceptional customer service, Alphatronic Machinery offers a wide range of solutions tailored to meet the specific needs of various industries.
**Products and Services**:

• **Comprehensive Range**: Alphatronic Machinery provides an extensive selection of multistage pumps, including both vertical and horizontal configurations. This variety ensures they can meet the diverse requirements of their clients.
  
• **Custom Solutions**: They offer customized pump solutions to cater to unique client specifications, ensuring optimal performance and efficiency.
  
• **After-Sales Support**: Alphatronic Machinery is known for its robust after-sales support, including maintenance services and readily available spare parts, which ensures the longevity and reliability of their products.
  

**Why Choose Alphatronic Machinery?**:

• **Expertise and Experience**: With years of experience in the industry, Alphatronic Machinery's team brings unparalleled expertise to every project.
  
• **Quality Assurance**: They adhere to stringent quality standards, ensuring that every pump delivered is reliable and efficient.
  
• **Customer-Centric Approach**: Alphatronic Machinery prioritizes customer satisfaction, offering personalized service and support.
  

2. **Grundfos**

Grundfos is a global leader in advanced pump solutions and a trendsetter in water technology. Their multistage pumps are known for their innovation and reliability.

3. **KSB Middle East FZE**

KSB is another prominent name, offering a wide range of multistage pumps suitable for various applications. They emphasize high efficiency and durability in their products.

4. **Wilo Middle East**

Wilo is renowned for its cutting-edge technology and high-quality multistage pumps. Their products are widely used in commercial buildings, industrial processes, and municipal water supply systems.
Alphatronic Machinery: A Closer Look
Product Range
Alphatronic Machinery's product portfolio is designed to cater to a wide array of applications. Some of their notable offerings include:

• **Vertical Multistage Pumps**: Ideal for high-pressure applications, these pumps are compact and efficient, making them suitable for use in areas with limited space.
  
• **Horizontal Multistage Pumps**: Known for their robust construction and high efficiency, these pumps are perfect for industrial applications where space is not a constraint.
  

**Industries Served**

Alphatronic Machinery serves a diverse range of industries, including:

• **Construction and Building Services**: Providing reliable water supply solutions for high-rise buildings and commercial complexes.
  
• **Industrial Applications**: Offering pumps for various industrial processes, ensuring smooth and efficient operations.
  
• **Agriculture and Irrigation**: Delivering high-pressure pumps that are essential for modern irrigation systems.
  
• **Water Treatment**: Supplying pumps that are critical for water purification and distribution systems.
  

The Alphatronic Advantage

What sets Alphatronic Machinery apart from other suppliers in Dubai? Here are some compelling reasons:

**1. Technical Expertise**

Alphatronic Machinery boasts a team of highly skilled engineers and technicians who are experts in their field. Their deep understanding of pump technology and applications ensures that clients receive the best solutions tailored to their specific needs.

**2. Innovative Solutions**

Innovation is at the heart of Alphatronic Machinery's operations. They continually invest in research and development to bring cutting-edge products to the market, ensuring their clients benefit from the latest advancements in pump technology.

**3. Customer Support**

Exceptional customer support is a hallmark of Alphatronic Machinery. From the initial consultation to after-sales service, their team is dedicated to providing a seamless and supportive experience for their clients.

**4. Quality Assurance**

Quality is non-negotiable at Alphatronic Machinery. They adhere to the highest standards of quality control, ensuring that every pump delivered is reliable, efficient, and durable.

Conclusion

Choosing the right Multistage Pumps in Dubai is crucial for ensuring the efficiency and reliability of your operations. In Dubai, Alphatronic Machinery stands out as a leading supplier, offering a comprehensive range of high-quality multistage pumps and unparalleled customer support. Their commitment to innovation, quality, and customer satisfaction makes them a preferred choice for businesses across various industries.
Whether you are looking for a reliable pump for a high-rise building, an industrial process, or an irrigation system, Alphatronic Machinery has the expertise and products to meet your needs. As Dubai continues to grow and evolve, partnering with a trusted supplier like Alphatronic Machinery ensures that your operations run smoothly and efficiently, now and in the future.

Businesses use nostalgia marketing to evoke emotions and drive sales

Introduction

In a world where consumers are bombarded with constant marketing messages, businesses are turning to nostalgia marketing to cut through the noise and create a deep emotional connection with their audience. Nostalgia marketing taps into consumers' fond memories of the past, evoking positive emotions and driving sales. This article explores how businesses use nostalgia marketing to evoke emotions and boost their bottom line.

Understanding Nostalgia Marketing

Nostalgia marketing involves using themes, imagery, and references from the past to create a sense of longing and familiarity among consumers. This strategy leverages the power of positive memories to create a connection between the brand and the consumer, making the marketing message more impactful and memorable.

The Psychology Behind Nostalgia

Nostalgia is a powerful emotional trigger. It is the feeling of longing for a time gone by, often associated with positive memories and experiences. Psychologically, nostalgia can provide comfort, reduce stress, and enhance mood. When brands evoke nostalgia, they tap into these emotional responses, making their marketing more effective.

Why Nostalgia Marketing Works

Emotional Connection

Nostalgia marketing creates an emotional connection with consumers. When people see or hear something that reminds them of their past, they experience a rush of positive emotions. This emotional response can make consumers more receptive to a brand's message and more likely to make a purchase.

Trust and Credibility

Brands that successfully evoke nostalgia can build trust and credibility with their audience. Familiar references from the past can make a brand seem more trustworthy and reliable. Consumers are more likely to trust a brand that brings back fond memories.

Boosting Brand Loyalty

Nostalgia can also boost brand loyalty. When consumers have positive associations with a brand from their past, they are more likely to remain loyal to that brand. Nostalgia marketing can strengthen these associations, encouraging repeat purchases and long-term loyalty.

How Businesses Implement Nostalgia Marketing

Retro Packaging and Product Design

One common tactic in nostalgia marketing is the use of retro packaging and product design. Brands often revive old packaging designs or create new products with a vintage look to evoke memories of the past. This approach can attract both older consumers who remember the original designs and younger consumers who find the retro style appealing.

Revival of Classic Products

Bringing back classic products is another effective nostalgia marketing strategy. Brands can re-release popular products from the past, capitalizing on consumers' desire to relive their memories. This approach not only appeals to long-time fans but also introduces the products to a new generation.

Nostalgic Advertising Campaigns

Advertising campaigns that incorporate nostalgic themes, music, and imagery can be highly effective. By featuring elements from the past, such as popular songs, TV shows, or cultural references, brands can create a strong emotional connection with their audience. These campaigns often evoke a sense of longing and warmth, making them memorable and impactful.

Leveraging Pop Culture References

Pop culture references are a powerful tool in nostalgia marketing. Brands can incorporate references to popular movies, TV shows, music, and other cultural phenomena from the past to create a sense of familiarity and connection. This approach can resonate with a broad audience, making the marketing message more relatable and engaging.

Case Studies in Nostalgia Marketing

Coca-Cola's "Share a Coke" Campaign

Coca-Cola's "Share a Coke" campaign is a prime example of successful nostalgia marketing. By replacing their iconic logo with popular names and encouraging consumers to share a Coke with friends and family, Coca-Cola tapped into the universal theme of connection and sharing. The campaign evoked memories of good times shared with loved ones, driving a significant increase in sales and brand engagement.

Nintendo's Classic Console Re-releases

Nintendo has successfully used nostalgia marketing with the re-release of its classic gaming consoles, such as the NES Classic Edition and the SNES Classic Edition. These re-releases appealed to older gamers who grew up with the original consoles and introduced the classic games to a new generation. The limited availability of these consoles also created a sense of urgency, driving demand and sales.

The Role of Social Media in Nostalgia Marketing

Engaging Content and User-Generated Content

Social media plays a crucial role in nostalgia marketing. Brands can create engaging content that evokes nostalgia and encourages users to share their own memories and experiences. User-generated content can amplify the nostalgia effect, creating a sense of community and shared experience among consumers.

Creating Community and Shared Experiences

Nostalgia marketing on social media can also help brands create a sense of community and shared experience. By encouraging consumers to share their nostalgic memories and engage with the brand, businesses can foster a loyal and engaged community. This sense of belonging can strengthen the emotional connection between the brand and its audience.

Challenges of Nostalgia Marketing

Balancing Nostalgia with Innovation

One of the challenges of nostalgia marketing is balancing nostalgia with innovation. While it's important to evoke positive memories, brands also need to stay relevant and innovative. Finding the right balance between the old and the new is crucial for the success of nostalgia marketing campaigns.

Avoiding Overuse and Clichés

Another challenge is avoiding overuse and clichés. If every marketing campaign relies on nostalgia, it can quickly become tiresome and lose its effectiveness. Brands need to use nostalgia strategically and sparingly to maintain its impact.

Measuring the Success of Nostalgia Marketing Campaigns

To measure the success of nostalgia marketing campaigns, brands can track various metrics, such as engagement rates, sales, and customer feedback. Analyzing these metrics can help businesses understand the effectiveness of their campaigns and make data-driven decisions for future marketing efforts.

Future Trends in Nostalgia Marketing

As technology and consumer preferences evolve, so will nostalgia marketing. Future trends may include the use of augmented reality (AR) and virtual reality (VR) to create immersive nostalgic experiences, as well as leveraging data analytics to personalize nostalgia marketing campaigns.

Conclusion

Nostalgia marketing is a powerful tool that businesses can use to evoke emotions and drive sales. By tapping into consumers' fond memories of the past, brands can create a deep emotional connection, build trust and credibility, and boost brand loyalty. While there are challenges to overcome, the benefits of nostalgia marketing make it a valuable strategy for businesses looking to engage their audience and increase sales.
For more insights into AIM[L](mailto:contact@htree.plus) [a](mailto:contact@htree.plus)n[d](mailto:contact@htree.plus) Data Science Development, please write to us at: [contact@fxis.ai](mailto:contact@fxis.ai)[](mailto:contact@htree.plus) [FxisAi](mailto:contact@fxis.ai)

NostalgiaMarketing #EmotionalBranding #CustomerEngagement #MarketingStrategyIntroduction

~Substation monitoring system market~ is anticipated to grow at a CAGR of 9.2% during the forecast period (2024-2031). The growing adoption of a smooth and uninterrupted supply of power from generating locations to the load centers is the key factor supporting the growth of the market globally. To improve the reliability, efficiency, and financial sustainability of the electricity supply around the globe. Modernization of substations helps strengthen to power transmission network to meet current and future demands the market players are also focusing on introducing substation monitoring system solutions that further bolster the market growth. For instance, in February 2023, GE Renewable Energy’s Grid Solutions business announced it had been awarded a multi-million dollar contract from the Nepal Electricity Authority (NEA) to automate 39 substations of various ratings across Nepal, including the construction of six Master Control Centers (MCCs).
Get Free Sample link @ https://www.omrglobal.com/request-sample/substation-monitoring-system-market
The global substation monitoring system market is further segmented based on geography including North America (the US, and Canada), Europe (UK, Italy, Spain, Germany, France, and the Rest of Europe), Asia-Pacific (India, China, Japan, South Korea, and Rest of Asia), and the Rest of the World (the Middle East & Africa, and Latin America. Among these, Asia-Pacific is anticipated to hold a prominent share of the market across the globe, owing to the growing demand for lower distribution and transmission losses in developing countries like India is driving the growth of the market for substation monitoring systems.
full report of Substation Monitoring System Market available @ https://www.omrglobal.com/industry-reports/substation-monitoring-system-market
· Market Coverage
· Market number available for – 2024-2031
· Base year- 2024
· Forecast period- 2024-2031
· Segment Covered- By Source, By Product Type, By Applications
· Competitive Landscape- Archer Daniels Midland Co., Ingredion Inc., Kerry Group Plc, Cargill
· Inc., and others
Market Segmentation
Global Substation Monitoring System Market by Component
o Hardware
o Distribution Network Feeders
o Smart Sensors
o Microcontrollers
o Cameras
o Intelligent Electronic Devices (IEDs)
o Software
o Asset Management
o Production Management
o Performance Management
Global Substation Monitoring System Market by Communication Technology
o Wired
o Wireless
Global Substation Monitoring System Market by Industry
o Utility
o Oil and Gas
o Mining
o Steel
o Transportation
Regional Analysis
o North America
o United States
o Canada
o Europe
o UK
o Germany
o Italy
o Spain
o France
o Rest of Europe
o Asia-Pacific
o China
o India
o Japan
o South Korea
o Rest of Asia-Pacific
o Rest of the World
Company Profiles
o Alstom SA
o ALTANOVA GROUP
o ARTECHE
o Beckwith Electric
o Cisco Systems, Inc.
o Eaton
o Efacec
o Electrosal
o Emerson Electric Co.
o Fluke Process Instruments.
o Kalki Communication Technologies Pvt Ltd.
o KEMSYS Technologies
o Mitsubishi Electric Corp
o NovaTech, LLC.
o Powell Industries.
o Rockwell Automation
o Schneider Electric
o Schweitzer Engineering Laboratories, Inc.
o Toshiba Energy Systems & Solutions Corp.
o Viper Imaging
o Yokogawa India Ltd.
The Report Covers

• Market value data analysis of 2023 and forecast to 2031.
• Annualized market revenues ($ million) for each market segment.
• Country-wise analysis of major geographical regions.
• Key companies operating in the global substation monitoring system market. Based on the availability of data, information related to new product launches, and relevant news is also available in the report.
• Analysis of business strategies by identifying the key market segments positioned for strong growth in the future.
• Analysis of market-entry and market expansion strategies.
• Competitive strategies by identifying ‘who-stands-where’ in the market.

For More Customized Data, Request for Report Customization @ https://www.omrglobal.com/report-customization/substation-monitoring-system-market
About Orion Market Research Orion Market Research (OMR) is a market research and consulting company known for its crisp and concise reports. The company is equipped with an experienced team of analysts and consultants. OMR offers quality syndicated research reports, customized research reports, consulting and other research-based services. The company also offer Digital Marketing services through its subsidiary OMR Digital and Software development and Consulting Services through another subsidiary Encanto Technologies.
Media Contact:
Company Name: Orion Market Research
Contact Person: Mr. Anurag Tiwari
Email: [info@omrglobal.com](mailto:info@omrglobal.com)
Contact no: +91 780-304-0404

~Hyperautomation market~ is anticipated to grow at a considerable CAGR of 19.5% during the forecast period. The high demand for hyperautomation from several end-user industrial verticals is a key factor driving the growth of the global market. According to the research of Salesforce and Vanson Bourne in June 2022, hyperautomation is a key priority for CIOs. The survey reveals that 80.0% of organizations will have hyperautomation on their technology roadmap within the next 24 months.
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Additionally, in May 2022, Pegasystems acquired Everflow, a Brazilian-based process mining company. This acquisition was done by Pega to position itself as a platform of choice for hyperautomation across the enterprise, building on its other recent platform advancements. Such strategies are being actively adopted by the companies operating in this industry to remain competitive in the marketplace.
full report of Hyperautomation Market available @ https://www.omrglobal.com/industry-reports/hyperautomation-market
· Market Coverage
· Market number available for – 2024-2031
· Base year- 2024
· Forecast period- 2024-2031
· Segment Covered- By Source, By Product Type, By Applications
· Competitive Landscape- Archer Daniels Midland Co., Ingredion Inc., Kerry Group Plc, Cargill
· Inc., and others
Market Segmentation
Global Hyperautomation Market by Component
o Solutions
o Services
Global Hyperautomation Market by Technology
o Robotic Process Automation (RPA)
o Machine Learning (ML)
o Natural Language Generation (NLG)
o Biometrics
o Chatbot
o Context-Aware Computing
o Computer Vision
Global Hyperautomation Market by End-User Vertical
o Manufacturing
o Retail
o IT & Telecom
o Education
o Automotive
o Manufacturing
o Healthcare & Life Science
Regional Analysis
o North America
o United States
o Canada
o Europe
o UK
o Germany
o Italy
o Spain
o France
o Rest of Europe
o Asia-Pacific
o China
o India
o Japan
o South Korea
o Rest of Asia-Pacific
o Rest of the World
Company Profiles
o Amelia LLC
o Blue Prism Ltd.
o Catalytic Inc.
o Celaton Ltd.
o EdgeVerve Systems Ltd. (Infosys)
o FPT Software Ltd.
o HelpSystems, LLC
o KOFAX, Inc.
o Mitsubishi Electric Corp.
o NICE Ltd.
o NTT Advanced Technology Corp.
o OnviSource, Inc.
o Pegasystems
o Redwood Software Inc.
o UiPath
o Verint Systems Inc.
o Xerox Holdings Corp.
The Report Covers

• Market value data analysis of 2023 and forecast to 2031.
• Annualized market revenues ($ million) for each market segment.
• Country-wise analysis of major geographical regions.
• Key companies operating in the global hyperautomation market. Based on the availability of data, information related to new product launches, and relevant news is also available in the report.
• Analysis of business strategies by identifying the key market segments positioned for strong growth in the future.
• Analysis of market-entry and market expansion strategies.
• Competitive strategies by identifying ‘who-stands-where’ in the market.

For More Customized Data, Request for Report Customization @ https://www.omrglobal.com/report-customization/hyperautomation-market
About Orion Market Research Orion Market Research (OMR) is a market research and consulting company known for its crisp and concise reports. The company is equipped with an experienced team of analysts and consultants. OMR offers quality syndicated research reports, customized research reports, consulting and other research-based services. The company also offer Digital Marketing services through its subsidiary OMR Digital and Software development and Consulting Services through another subsidiary Encanto Technologies.
Media Contact:
Company Name: Orion Market Research
Contact Person: Mr. Anurag Tiwari
Email: [info@omrglobal.com](mailto:info@omrglobal.com)
Contact no: +91 780-304-0404

Apologies if I am breaking any subreddit rules here. I'm trying to identify if SN could be a good fit for us. I'd also be open to anyone who wishes to DM about this topic or give me a demo of their SN setup. I know this subreddit will be biased but I wanted to hear from those who actually work with the product before I talk to any sales reps.
I am one of about a dozen developers on a team that's specialized in the Hyland OnBase WorkView case/document management platform. We've been using it for over a decade and have built a lot of successful client projects with it, but the drawbacks have reached a point where we are looking for a replacement. Ideally the new platform is something that our team of developers can learn and become proficient with relatively quickly. We'd also be open to hiring some people with SN experience, and/or bringing in a professional services group to get us on track.
A typical client project for our team is to build a case management system that a state government office of 25-50 case workers would use to enroll applicants in a program to receive some type of assistance. Case workers would perform a series of checklist and document reviews on the applicants' cases and move their case through a variety of steps from intake to closeout. Third party users may also log in to this system and perform their own reviews of cases. Users might be grouped into teams and can only see cases assigned to their team.
Not all our projects follow this model, it's just become a common one for us. I've only spent a couple hours reading about SN, skimming through some of the videos on their website, so I still need to do more research, but I wanted to lay out some info about our current platform below. I would love to hear feedback from the SN crowd here about how it compares relative to the pros/cons listed below, and anything in particular you love/hate about it, things you wish you knew about it before you started, etc.
The good:

• Easy to build a data model -- intuitive for developers to define classes, fields, relationships between classes, and even extension classes where appropriate.
• Easy to use the screen designer to throw together an interface for users to enter data into your fields (more on this in the "cons" section).
• Easy to create working filters/queues so staff that use the system can track what's pending their review.
• Easy to set up user groups and control who can see what.
• Document management is built-in, easy to import documents and automatically tag them with keywords based on the record/screen they're being uploaded to. Also easy to query for all documents of a certain type, with certain keyword values, uploaded in a custom date range, etc.
• Transaction history on every record makes it easy to audit who changed what and when.
• Document templates -- the ability to generate a Word/PDF document with dynamic text on demand is very useful for clients that need their staff to print and mail letters.
• Ability to write C# code to do anything we want, even if we could do it with a native component. Our client's business logic often becomes so complex (and changes so often) that it's easier to manage with code libraries that fire when buttons are pressed, rather than with the built-in "no code" workflow design steps.
• Ability to build external applications that interface with/manipulate OnBase data using the OnBase DLL. We have some C# console applications that run on Windows Task Scheduler every night, for example "connect to this FTP instance and import whatever files have been imported in the last 24 hours, turn them all into data objects in OnBase, and send us a summary email".

The bad:

• The look and feel of the client is clunky and outdated, looks like it's from the 90s. It's a Windows application. There is a web client but it lacks some key functionality and also has the same outdated look. The screen designer itself is just a bare bones HTML page you can add rows and columns to and drag/drop your fields on it. We've added some CSS to improve it somewhat and I'm sure if we brought in some designers they could push that further, but we shouldn't have to work so hard to make the default product not look bad. And don't bother trying to use it on your phone or tablet.
• Migrating changes from DEV/QA/PROD is a nightmare. Our WorkView instance has apparently reached the level of complexity at which the tool for exporting your data to be imported into another instance simply crashes and doesn't work anymore. Even when it does work on a fresh instance, it's a confusing experience of mapping all the fields and objects between the two environments and making decisions about whether to keep or overwrite each one. It's reached the point where we have no choice but to build in PROD, and test changes with internal users before we modify permissions so that they are visible to all users. Our TEST and DEV instances are therefore always outdated and not useful as a result. You can imagine how painful this has become.
• Performance is slow. We've never gotten a clear answer from our support calls about why it can take 15+ seconds for a record to load. I suspect this product was simply never intended to be pushed to the limits that we seem to have reached after so many years. From what I can tell, most Hyland customers use OnBase for document management/workflow, and if they have any WorkView/case management projects they use a small number of classes, with a small number of fields. We are 100% WorkView. I would guess our instance has 500 classes (tables), 1000 designed screens, 5000 filters/queues, and 2000 buttons that launch C# scripts. It takes 3 minutes for the OnBase studio/designer IDE to finish logging in/loading our instance before we can begin making any changes to it.
• Licensing is expensive and confusing. You can buy concurrent licenses that are shared between all users (expensive) or named licenses (less expensive) that are assigned on a per-user basis. We host a lot of different client projects on our instance, and it's not a good look when we reach the license limit and users start complaining that they can't log in. Our users have no idea what licenses are and shouldn't have to see error messages they don't understand. Of course this is a problem we can solve with more money but I am curious to learn how SN handles this.
• The built in reporting module leaves a lot to be desired. Very limited customization/styling, and no ability to set up a report to be emailed on a schedule. We instead rely on other modules like PowerBI and Tableau.
• I mentioned in the "good" section that we can build external applications in Visual Studio to create/modify OnBase data, but this is really a response to the poor IDE built into OnBase Studio which lacks so many features, it's easier to just import the OnBase DLL into a Visual Studio solution and build it there, so you have access to breakpoint debugging, logging, Nuget packages, etc. If I'm writing code in the platform IDE, it shouldn't be a miserable experience.
• Very limited developer resources. You won't find any resources on Stackoverflow, Reddit, or anywhere public. If you run into a problem, you can check the Hyland Community forums (good luck, the search functionality is broken) or send an email to support. Likely a result of the OnBase product just not being very well known/popular. Makes me a bit jealous of the more well known platforms like Salesforce and... maybe ServiceNow?? It was refreshing to find an active subreddit, at the very least!

I finished it a week or two ago and I literally haven't been able to stop thinking about it. I've gone through a million interpretations in my head but the one that keeps sticking for me is that it's about forever wars.
So the setting is very clearly inspired by the cold war era and the technology from that time. We have the Nation with its theming around communist propaganda posters fighting against an unnamed Empire. These two are fighting over a planet named Vineta, one fighting under the guise of "freeing the planet from the empire's influence" with the other not giving explicite reasons. So this is very obviously the Vietnam War with some variables switched around, ie what if America and the Soviet Union switched their reasons for being involved in Vietnam.
There are two Vinetan soldiers, Lilith and Alina, one paralleling Elster and the other Ariane. Given that Alina is mentioned in medical records and in some other places, and some of the flashbacks in the fake ending, she most likely survived the war while Lilith didn't. Also important to note that at some point Lilith lost her right eye, and Alina is depicted as covered in bandages.
So this is where my interpretation comes in. All of these characters have in some way been victims to military expansion, Elster was implanted with the memories of a traumatized veteran, Lilith and Alina are self explanatory, Ariane was persecuted her whole life because of the military utilitarian society and served in the navy before joining a horrible expansionist project, Adler was made to be subservient and reliant on Falke who herself was made to be a piece of propaganda and control modeled after a military leader. Now here's where the parallels come in. Lilith, Elster, and Adler all tirelessly fight to protect a loved one from the injustices they have faced from this military society, in the process being given severe and irrepearable physical injuries by losing a right eye. There's also mental injuries being passed along as Lilith's memories and war trauma was directly passed into Elster and eventually Falke.
So what we have is an endless cycle of people fighting and dying to try to hold on to people they care about suffering mentally and physically for the whims of a militant state. The trauma from this is passed on through the generations as more people get drawn in and suffer state injustice for an expansionist military campaign, all of which started because of a communist themed country and an unamed empire fighting over a planet that sounds very very similar to vietnam for their own goals of expansion, with the cycle continuing through generations.

Hi all UPN/Pre-Nursing people! I just wanted to write out some tips on how to look best on your NursingCAS applications for your goal starting semester. This is a pretty detailed guide with some good calculations to determine other scores beyond just the basic impaction score. This also provides some resources for your TEAs that I found most useful. This guide is directed towards those applying to SJSU especially those on the Pre-Nursing Track at SJSU.
Don't flop your first semester: It is true that the first semester of college has a learning curve, but it is still important that you stay focused and maintain a high GPA. For many this is the easiest semester, but don't be fooled English 1A or Chem30A/BIOL65 will bite you in the butt last second.
Aim for a high GPA not solely TEAs: As much as people brag about their TEAs scores a GPA at SJSU is much more important! If you have a 4.0 GPA and score lower on your TEAs you will have a way better shot at getting in. Take this for example: a person got 2 A- in 3 unit courses out of the big 8. This makes their cumulative GPA a 3.94 GPA. If this person applied to nursing against a person with a 4.0 this score is then doubled, for impaction. 8 compared to a 7.88. With 2 A-'s you now need to do better than 3.5% of whatever teas score the kid with a 4.0 got. Also keep in mind that SJSU already requires a 84% to even apply leaving a 16% playing field. If you get a 4.0 and a 84% a person with 3.94 needs to get a 87.5% on their teas!

• BE ADVISED EVERY SINGLE POINT COUNTS!
• Realistically you are okay and should not flip out with a 3.94 GPA to this is just being used as a clear example. Just remember that if you keep a high GPA that you are saving yourself a mental breakdown before taking a TEAs.
  • Be sure to get the extra points as well if you know you don't have perfect stats. This will greatly improve your odds at getting in, especially for Fall applicants.

Don't rely on comparing stats to AllNurses: This is a hot take, but hear me out; 60 kids get into SJSUs nursing program and maybe 10 people post their stats on AllNurses. I am throwing no shade saying this, but these are the people that are for the most part going to get in. Some claim to have 4.0 GPAs, 98 TEAs, 2000hrs of Healthcare experience, and co-reqs done too. Obviously they are going to get in but, that spot is now taken from a person bringing it down to 59 others. It is nice to have a comparison to, but unless more people post on it people are going to have skewed to the right opinions. There are tons of applicants and there are different groups of people apply. The overachievers, the average, and the prayers. Most people are average and do not have the crazy stats these people have. There are some people that do post stats that are more relevant to compare to such as a 4.0 with an 88% or something like that. Again this is highballing and it is important to really dig deep into who got accepted when using this platform. A 92% TEAs is what even the pre-nursing advisors and these guys want you to drop the major. Do realize that if you have a lower GPA you will need a higher TEAs. Doing this calculation [20(4-(current GPA))*3] will tell you what you need in comparison to a 4.0 GPA.

• Here is an example with a 3.8GPA [20(4-3.8)*3] = [20(.2)*3] = 4*3 = 12, this means (excluding extra points), you need to score at least a 96% if a kid with a 4.0 got a 84% on their TEAs.
  • For understanding the 20 comes from the calculation 10 (to make the solution a whole number) multiplied by 2 (because the GPA is multiplied by two in the impaction score calculation) and the 3 comes from the fact each .1 of a GPA equates to 3% of a persons TEAs score (1/30 = .033333*3 = .1). The 20 contains the multiplication factor of 2 already so we don't need to multiply 3 by 2 as well.

The minimum GPA and TEAs: Yes it is true that if you do have a pretty poor GPA (3.3-3.4) and don't have the TEAs to make up for it then it is probably unlikely you will get into the program. But, at this campus the stats are never posted for who gets in and during which semester. Recently SJSU raised their TEAs from a 78% all the way up to a required 84% which to me is crazy high! I assume this is to cut down the amount of applicants and in turn this makes the TEAs pretty irrelevant to the total stats. With only a 16% max gap, now any person who is able to apply to nursing must have at least that score making the GPA that much more important. If you have a 3.9 GPA and a 94 on your teas, a person with a 3.8 will still get outcompeted regardless of TEAs score. This is most likely why the GPA was lowered for nursing and is now a 3.3 instead the previous 3.4 because some kids may have done well in the GPA aspect and messed up their TEAs. Aim for a higher GPA but do realize that a lot of kids do manage to get really good GPAs that correlate with good TEAs scores. Get a good GPA, 3.8 and above is pretty good, a 3.9+ is quality work for both Fall and Spring semesters, and make sure to aim for higher than the TEAs threshold.Nursing advisors deter people from applying but, it is accurate that as of Fall 2024 that you have to be at the top to get in. Keep in mind that there are 500+ applicants and only 60 get in that is only 12% of the applicant pool. You need to aim for the 80th percentile at the minimum to be on the waitlist first round (beating 400 other applicants)
TEAs Test: Now I know I have talked a lot about the importance of the GPA, but regardless you still do want to do well on the TEAs. Your TEAs score, like I talked about above, is directly related to your GPA. If you got a lower GPA you need a high TEAs and if you got a high GPA you can slack on the TEAs score. If you have a low GPA this will make or break the odds of getting in and every 3% on the test you get a .1 point increase. Going against what I think everyone I have ever talked to has said, for me personally I say take the TEAs online, if that is still an option. Not only can you take the test literally whatever day you want, you can also take it at whatever time of that day you selected as long as a proctor is available. Some argue that the they test better when in a school environment and this is valid, but I also test better in those environments and I bombed my first TEAs due to nerves. When I took it online the only stressors were if the test were to crash or the proctor flagged my exam for no reason, but neither of those happened not even close. The low stress of being at home and taking the test when I wanted to allowed for much better results and comfort. You get to finish the sections when you want. If you think you are done and don't want to triple check your answers to save the brainpower for later sections you get that option. Take the test where you think you will test best though and take these words with a grain of salt. I just wanted to say that the TEAs online is the same content as it is in person and at the leisure of your home. Not many people talk about how the TEAs online is positive for some people!
Get the extra points if you can: The extra points are pretty easy to get at SJSU especially as commuters. Of course nobody can make themselves a first generation student, but if you are that is easy free points and congrats. No one has a clue what SJSU gives as a "bump" to an applicants score and it is honestly only there because everyones stats are so similar so they need more tie breakers. Granted, you will most likely want to win the tie breaker and in order to do you have to at least have all the co-reqs done. I want to be straight up and say I think the vast majority of students have these all completed prior to applying for the Fall because you have an extra semester (maybe not Spring idk). So make sure to have these all completed so you are not left behind and waste an attempt in the SJSU applicant pool(unless you have great stats t or have healthcare hrs instead then just apply). You only have 2 attempts at applying to nursing at SJSU so make them count. If you can, there is also the healthcare hours bump. This is a bump isn't achieved by all applicants and could help if you have lower stats. Keep in mind that this usually involves volunteer work once a week for 4hr shifts so you will be wherever you choose to stay for about 6 months (decent time commitment with school). I've heard that the healthcare hrs are pretty lenient about what exactly you did as long as it is part of the healthcare field and you can get it signed. Of course if you already have had a health job within 3 years this is a free point bump too!
Spring semester isn't as easy to get into as it once was: SJSU changed this policy. In 2023 only transfer students can apply for SJSU fall semester cohorts, no longer accepting post-bacs. Whereas spring semester cohorts will accept post-bacs and no longer accept transfer students. This means that Fall semester likely is getting more difficult to get into as all transfer students have to apply for the same cohort. It is believed that the School accepts a bunch of SJSU students and after the initial acceptance everyone on the waitlist is combined meaning more transfers will get in from the waitlist process as they may not have made the original cut with the SJSU students bump. This would also mean there are less opportunities for SJSU students to get in during the spring cohort as they battle against stronger transfer candidates. As for transfers, in Fall there are more opportunities to get in as more are accepted initally and through the waitlist process. For post-bacs the same process is in place but, since the top UPN students (because they were following the exact track) were picked out for Fall stats could be a little lower. Regardless, Fall semester cohorts I would assume have slightly higher impaction scores from all areas that are applying as most students took their time throughout all the courses and UPN program students are all expected to apply for Fall semester. Take this all with a grain of salt since again there are no exact numbers of all that get accepted as transfers and post-bacs and if these numbers have increased because of this change.
Remember your overall GPA prior to applying does matter: Your overall GPA does matter when applying for nursing at SJSU! When it comes to tiebreakers if everything is the same - the gpa, the teas, and the extra points - the school will look at overall GPAs to decide who gets in. So make sure to get good grades in that moral issues class freshman year because it will come back to haunt you if you don't get in because of it.
Don't Break down!: It is easy to read all of this and think that you are screwed, but it is important to remember that many people are in the exact same situation. We are not all getting 4.0s and 92s on our teas like our advisors tell us we need. Expect A-'s and a B+. No stats are published and nobody knows for sure what you need but the advisors say people get "mostly a's". Aim for the highest impaction score that you can get and don't slack on it because literally that is what is determining if you get in or not.

• As a SJSU student you have 2 opportunities to get in, once in Fall (a little more difficult as most SJSU students are on track so there are more of you) and Spring (a little easier just because there are less Pre-Nursing majors applying). So if you don't get in for the Fall and your stats are good, you have a great chance in the Spring
  • PS if you do get declined for the Fall get all the extra bumps you can and if you still have one more TEAs opportunity, TAKE IT AGAIN! If you get waitlisted for Fall there is a really good chance you will get in for Spring as the people you were originally going against are gone.

Waitlist: If you get waitlisted it really is not the end of the world. Most schools send out acceptance letters in two waves one at the beginning/mid of April and at the end of April where people accept of decline their schools. SJSU keeps a long waitlist because a lot of people drop the school for more local schools/bigger name schools so never lose hope. I've heard stories of people being #70 on the waitlist and still getting in. (FYI you have to contact someone to check if you were waitlisted you will not get any notice of what is taking so long for your acceptance. only when you are on the waitlist can you contact staff about your placement. Staff will not tell you where you are if you are not emailed by Nursing that you are on the waitlist.)

• If you are immediately declined from the school, that means that currently they were unable to offer you a seat. However, this does not mean that you are out yet. The school has an original waitlist and if that gets ran though they create another backup waitlist in case more students drop in the summer. This contains around 12 more students and you could be apart of this group.

EXTRA Info:

• Nursing Apps open January 17th for Fall and August 17th for Spring and they both close on the 15th the following month
• If you are a current SJSU student you do not need to apply for SJSU again prior to applying
• However many units a course is will impact your GPA differently (more units means more of your GPA)
• You get about One Week to accept SJSU. SJSU is one of the latest schools to send out acceptance letters so be prepared to wait. 8 Weeks after the deadline is when acceptance letter should begin to roll out.
• Acceptances are sent out around April 10th for Fall and November 10th for Spring.

TEAs Studying TIPs:

• DM me if you want a google doc with TEAs information (it won't let me put it here) it provides, in my opinion, the best ways to study for the TEAs. For me personally I only received a 93.3 but, if I had realized how vital one of the sources before I took the test the next day, I would have performed even better! Please give this a look. If you dont want you I'll put the order of importance here without links
  • 1 Quizlets, #2 the ATI website, #3 Miscellaneous Prep Tests (I provide links in the doc), #4 PocketPrep

Application Assistance:

• Submit all documents separate from each other
• The application pool is Not Rolling meaning you can apply at any time before the deadline and still not be penalized
• Whatever work experience you have will not change the size of the score bump i.e a hospital volunteer will get the same size bump as a person with a CNA.
  • You also do not need any letters of recommendation and don't need to fill out any extra information on the NursingCAS website for SJSU specifically. They will not read any paragraphs that are not relevant to you getting accepted.
• AP credit does not affect the GPA it is solely for credit. If the AP course is not listed on your transcript then you must submit a form proving you passed the exam in the "other" section.
  • Make sure that all your documents that need to be there are there and they will be seen and accounted for. Regardless of where you put the documents the will show up on the application.
• Download you application prior to submitting your application (they will let you do this after you finished all the documents uploading and are preparing to finalize). Look over everything to ensure it's all correct.

I know this whole process is stressful and pretty terrifying, but everyone has a chance. This is just what I have learned throughout the whole process and hopefully it will help others that have 0 clue what is going on. Although some of this may make it seem like you need to have crazy high stats I am just trying to say do your best. If SJSU ever posts the stats for accepted applicants this would a be a different story. This is a CSU so unfortunately this application does follow the "a single number means everything" this means your impaction score is who you are; not necessarily how well rounded you may be. Good luck to all future nursing applicants and congrats.
"Congratulations! This email is to inform you of your provisional acceptance to The Valley Foundation School of Nursing at San José State University" Fall
You can DM if you have any questions.

The ~European optical interconnect market~ is estimated to grow at a CAGR of around 10.7% during the forecast period. European Optical Interconnect Market research report reveals important insights into market scenario to enable key players in taking calculated decision making. Basically, one of the major purposes of market research reports is to maximize the business growth opportunities. It also helps key players to turn business into a successful business by increasing the profit level. The overall business goal can be accomplished through this European Optical Interconnect Market study report as it consists of all the current happenings and major innovations of the marketplace. Depending on the overall business objective, it is important to reduce business risks to generate larger revenues in the business. Several regions are captured in this Market report which includes North America, Europe, Middle East, Africa, Latin America and Asia Pacific.
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The companies which are contributing to the growth of the European optical interconnect market include II-VI Inc., Broadcom Inc., Intel Corp., NVIDIA Corp., Corning Inc., Huawei Technologies Co., Ltd., TE Connectivity Corp., and others. Product launch, merger, and acquisition, collaborations with government, and technological advancements through which market players are considerably contributing to the market growth to stay competitive in the market.
full report of European Optical Interconnect Market available @ https://www.omrglobal.com/industry-reports/european-optical-interconnect-market
· Market Coverage
· Market number available for – 2024-2031
· Base year- 2024
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· Segment Covered- By Source, By Product Type, By Applications
· Competitive Landscape- Archer Daniels Midland Co., Ingredion Inc., Kerry Group Plc, Cargill
· Inc., and others
European Optical Interconnect Market – Segmentation
By Product Type

• Connectors
• Cable Assemblies
• Optical Transceivers
• Silicon Photonics
• Other( Optical Engines)

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• Data Communication
• Telecommunication

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• UK
• Germany
• France
• Italy
• Spain
• Rest of Europe

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People trying to argue that 1982 is X makes me laugh, sure they probably have cultural influence but the Millennial generation was literally named for them all the at back in 1987 when they entered kindergarten. How are people gonna kick them out??

Welcome to the /pokemontrades Scarlet and Violet Daily Casual Trade Thread!

This thread is for competitive/casual trades, and tradebacks, in Scarlet and Violet.
Do not trade, or tradeback, shiny or event Pokémon or event serial codes in this thread.
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Stay alert, and happy trading!

Hey there, first of all congratulations for getting your house in Mumbai. Just like you I’m also fascinated with Rajasthani culture, it’s vibrant, soothing (I can’t explain why), and very very rich. Coming back to your question, not a lot of brands (the good ones) provide Rajasthani crockery, I mean crockery that is inspired by Rajasthani culture. One brand that I know of that is awesome both in quality and designs is Ariane. I have listed some of their collections which might cater to your requirements below.
You might ask why Ariane? Okay, mainly because I like their designs (ik I’m all for the looks) but tbh they offer a variety of ranges to choose from. All their products are built to last, literally “carry forward to generations” type. Most of their designs follow a theme and do a really good job at mixing something that is old school with a brand new touch.
Dolama: Meaning circular, inspired from the beautiful marble floors of Rajasthan forts and palaces, this collection is a representation with black inlay on white porcelain, creating striking contrast with its striking monochrome palette, perfect for both casual and formal entertaining.
Rajwada: As the name suggests, Rajwada is an opulent tableware with intricate floral motifs in regal red, green, and gold hues, evoking the grandeur of royal feasts.
Virasat: Majestic tableware inspired by Indian heritage, featuring turquoise, purple, and gold accents for a regal dining experience.
I hope this helped you, let me know if you have any doubts. Best of luck for your kitchen building thing.

YŪREI CHRONICLES [ 幽霊クロニクルズ ]
Tales of Japanese Horror [ 日本のホラーの物語 ]
By: Seph Cruz [ 投稿者: セフ・クルーズ ]
CONTENTS [ コンテンツ ]
Preface [ はじめに ]
Chapter 1: The Cursed Scroll [ 第 1 章: 呪われた巻物 ]
Chapter 2: The Shrine in the Shadows [ 第 2 章: 影の神殿 ]
Chapter 3: The Haunting of the Geisha [ 第 3 章: 芸者の幽霊 ]
Chapter 4: The Onryo's Revenge [ 第 4 章: 怨霊の復讐 ]
Chapter 5: The Dollmaker's Curse [ 第 5 章: 人形師の呪い ]
Chapter 6: The Shadow in the Forest [ 第 6 章: 森の影 ] Chapter 7: The Haunting of the Yūrei Inn [ 第 7 章: 幽霊旅館の幽霊 ]
Chapter 8: The Curse of the Haunted Kimono [ 第 8 章: 幽霊着物の呪い ]
Chapter 9: The Mirror's Malevolence [ 第 9 章: 鏡の悪意 ]
Chapter 10: The Bridge to the Beyond [ 第 10 章: 彼方への架け橋 ]

 "Yūrei Chronicles: Tales of Japanese Horror" 

Chapter 1: "The Cursed Scroll"
In the heart of Kyoto, where history whispered through the ancient streets, there existed an antique bookstore known only to those who sought the rarest of tomes. Nestled among centuries-old texts and dusty manuscripts, a forbidden scroll lay hidden, waiting for an unwitting soul to stumble upon its chilling secrets.
Chapter 1: "The Cursed Scroll"
The quaint, dimly lit bookstore was a treasure trove of the past. Intricate calligraphy adorned scrolls, while faded ink whispered stories of long-forgotten samurai and mystical creatures. Among these relics of history, one scroll remained elusive, concealed behind a glass case. Its dark, ornate cover bore no title, and its presence seemed to beckon.
Haruki, a young scholar with a fascination for the occult, visited the bookstore one rainy afternoon. His curiosity led him to inquire about the enigmatic scroll. The elderly shopkeeper, Mr. Tanaka, peered at him with a knowing look, cautioning him about the scroll's malevolent reputation.
"Many have sought to uncover its secrets," Mr. Tanaka said, his voice trembling with age, "but few have lived to tell the tale."
Haruki, undeterred by the ominous warning, insisted on examining the scroll. Mr. Tanaka, sensing the scholar's determination, reluctantly unlocked the glass case. As Haruki unrolled the ancient parchment, he saw that it was filled with intricate symbols and incantations, written in a language he could barely comprehend.
For days, Haruki delved into the scroll's mysteries. His sleepless nights were filled with whispers from unseen forces, and chilling drafts seemed to haunt his small apartment. Yet, he pressed on, believing that the scroll held untold knowledge and power.
One fateful night, as a full moon cast eerie shadows across his cluttered study, Haruki recited an incantation from the scroll. The room grew icy cold, and an otherworldly presence enveloped him. A mournful wail echoed through the room, and Haruki's heart raced as he beheld the apparition before him.
A yūrei, its long, disheveled hair obscuring its gaunt face, hovered in the air, its eyes filled with anguish and rage. It reached out bony, pale fingers toward Haruki, its spectral form translucent yet undeniably real.
In that moment, Haruki realized the scroll's true nature – a curse that summoned vengeful spirits to torment the living. He had unwittingly invited the yūrei into his world, and now, it sought retribution for its suffering.
The scholar's life turned into a nightmare as the vengeful spirit haunted his every waking moment. His research became an obsession to find a way to pacify the yūrei and lift the curse. With each passing day, Haruki's health deteriorated, his body and mind succumbing to the relentless torment.
Desperate, he sought the guidance of a renowned exorcist, who revealed a grim truth. The only way to break the curse was to discover the scroll's origins and offer the yūrei the peace it so desperately sought.
As Haruki ventured deeper into the scroll's history, he uncovered a tale of betrayal and tragedy that spanned centuries. With newfound knowledge and a heavy heart, he prepared to confront the vengeful yūrei and set things right.
In a chilling confrontation between the living and the dead, Haruki faced the spirit, offering it the closure it craved. As the yūrei dissipated into the ether, its mournful wail echoed one last time, fading into the night.
Haruki emerged from the ordeal forever changed, carrying the weight of the scroll's curse as a cautionary tale. The forbidden knowledge he had sought had come at a great cost, a reminder that some mysteries should remain hidden, and some curses should never be invoked.
As the sun rose over Kyoto, the antique bookstore remained shrouded in an eerie silence, and the cursed scroll returned to its cryptic slumber, waiting for the next unwitting soul to unlock its dreadful secrets.
End of Chapter 1: "The Cursed Scroll"
Chapter 2: "The Shrine in the Shadows"
In the heart of a tranquil Japanese village, nestled among ancient forests, stood a centuries-old Shinto shrine, known to few but revered by all. This sacred place held an eerie secret, hidden in the shadows of its past.
Chapter 2: "The Shrine in the Shadows"
The village of Mizuki was picturesque, surrounded by dense woods and the whispers of rustling leaves. Its most treasured gem was the Shōrin Shrine, a sanctuary dedicated to the worship of the kami, where the villagers paid homage with heartfelt prayers and offerings.
On a bright spring morning, the Hayashi family moved into a charming house near the shrine. Yuko, a spirited young girl with inquisitive eyes, was enchanted by the quaint beauty of Mizuki and the mystique of the Shōrin Shrine. Her parents, Masato and Yuki, hoped the peaceful village would offer respite from the bustling city.
Their first evening in Mizuki was serene, and the family felt blessed to live in such an idyllic place. As night descended, they heard a faint melody echoing through the forest—a haunting tune played on a traditional shamisen. Yuko, drawn by curiosity, followed the eerie melody to the shrine.
At the shrine's entrance, she saw a flicker of movement among the trees and bushes. As her eyes adjusted to the dim moonlight, she gasped in awe and terror. There, bathed in an ethereal glow, stood a beautiful woman dressed in a white kimono, her long hair cascading like an ebony waterfall.
The woman's face bore an expression of immense sorrow, and her eyes seemed to pierce Yuko's very soul. In her delicate, spectral hands, she held a shamisen, its strings plucked by fingers that had long since turned to mist.
"Who are you?" Yuko asked, her voice quivering.
The apparition gazed at Yuko with an inscrutable sadness and whispered, "My name is Hana. I have been bound to this shrine for centuries, waiting for someone to hear my song."
Hana's story unraveled like a tragic tapestry before Yuko. She had once been a young woman in love with a humble fisherman from Mizuki. Their love was forbidden, and when their secret was discovered, they met a tragic end at the hands of the villagers.
As she spoke, the melody of her shamisen became more mournful, and the trees seemed to weep in sympathy. Hana's spirit, bound to the shrine, could only find solace by sharing her story with the living.
Yuko, moved by Hana's tale, felt a deep connection to the ghostly figure. She promised to help Hana find peace and bring her story to light. Together, they would uncover the truth behind the tragic love story that had ensnared the shrine for centuries.
As Yuko delved into the village's history, she uncovered hidden documents and ancient scrolls that confirmed Hana's story. The injustice done to Hana and her beloved was a blot on the village's past, a truth that had been concealed for generations.
With newfound determination, Yuko rallied the villagers to acknowledge the village's dark history and to seek forgiveness for the sins of the past. In a moving ceremony at the Shōrin Shrine, the villagers offered their prayers, and Hana's spirit was finally set free.
As the first rays of dawn bathed Mizuki in golden light, Hana's ethereal form dissolved into a wisp of gratitude and serenity. The shrine, once shadowed by sorrow, now radiated with newfound peace.
"The Shrine in the Shadows" became a tale passed down through generations, a reminder that love and forgiveness could transcend even the darkest of curses. Mizuki continued to flourish, its shrine standing as a testament to the enduring power of redemption.
End of Chapter 2: "The Shrine in the Shadows"
Chapter 3: "The Haunting of the Geisha"
In the vibrant streets of 19th-century Tokyo, beneath the shimmering lanterns and behind the delicate allure of geisha, a haunting presence lurked—a presence that would forever change the life of a celebrated geisha named Kaede.
Chapter 3: "The Haunting of the Geisha"
In the heart of Tokyo's historic Yoshiwara district, Kaede was renowned as one of the most captivating and skilled geisha. Her beauty was ethereal, her dances mesmerizing, and her laughter like the tinkling of wind chimes. But beneath her porcelain makeup and the grace of her performances lay a heart heavy with secrets.
One cool autumn evening, as the lanterns cast their warm glow on the district, a newcomer arrived at the teahouse where Kaede performed. His name was Kaito, a handsome and enigmatic man with piercing eyes that seemed to see beyond the facade of the geisha. Kaede's heart quickened as their eyes met, and she felt a connection she had never experienced before.
As weeks turned into months, Kaede and Kaito's bond deepened, their love blossoming like the cherry blossoms in spring. But their love was a forbidden one, as Kaito was a samurai, and their worlds were as different as night and day.
One fateful night, Kaito revealed a dangerous secret to Kaede—he was involved in a plot against a powerful daimyo who ruled with cruelty and oppression. Kaito believed that by exposing the daimyo's corruption, he could bring justice to the people. He asked for Kaede's assistance in gathering information from the teahouse's influential patrons.
Reluctantly, Kaede agreed, and together, they embarked on a treacherous path filled with deceit and danger. As the days passed, they uncovered dark secrets that could expose the daimyo's crimes. However, their actions did not go unnoticed.
One evening, as Kaede performed for a gathering of influential men, a sinister figure appeared in the shadows. It was the vengeful spirit of a geisha named Akiko, who had perished in Yoshiwara under tragic circumstances. Her ghostly form was veiled in a blood-red kimono, and her eyes burned with malevolence.
Akiko's haunting began subtly—a chill in the air, whispers of despair, and a feeling of dread that hung over the teahouse like a shroud. Kaede, sensing the supernatural presence, knew that they had awakened a vengeful spirit.
Desperate to protect Kaede, Kaito sought the guidance of a local exorcist, who revealed the tragic story of Akiko. She had been a geisha in love with a samurai, but their forbidden love had led to betrayal and death. Her restless spirit sought vengeance on those who dared to love across societal boundaries.
With the exorcist's help, Kaito and Kaede embarked on a perilous journey to confront Akiko's spirit and offer her the peace she so desperately sought. In a climactic showdown, they faced the vengeful geisha, revealing the truth behind her betrayal and death.
As the first light of dawn bathed the Yoshiwara district, Akiko's spirit dissipated, her eyes filled with sorrow and resignation. The curse she had cast upon the teahouse lifted, and peace returned to the district.
Kaede and Kaito's love story continued, forever marked by the supernatural forces they had encountered. The teahouse thrived once more, its lanterns casting their warm glow over the enchanting district, where love knew no boundaries and forgiveness transcended even death.
"The Haunting of the Geisha" became a legend whispered among geisha in Yoshiwara, a testament to the enduring power of love and the consequences of forbidden desires in the mysterious world of Edo-era Tokyo.
End of Chapter 3: "The Haunting of the Geisha"
Chapter 4: "The Onryo's Revenge"
In the heart of a decaying city, where abandoned buildings stood as silent witnesses to forgotten tragedies, a group of urban explorers would stumble upon a place where the restless dead held their sinister dominion.
Chapter 4: "The Onryo's Revenge"
The city of Kurayami had fallen into disrepair, its once-thriving industries crumbling, and its streets echoing with the memories of better days. Among its many derelict structures was the forsaken Kurayami Hospital, a place whispered about only in fearful tales.
Rumors spoke of a curse that had befallen the hospital after a gruesome series of medical experiments in the early 20th century. Patients had been subjected to horrific procedures, and their agonized cries still seemed to reverberate through the corridors.
A group of urban explorers, lured by the thrill of the forbidden and the allure of the macabre, set their sights on Kurayami Hospital. Among them was Hiroshi, the group's leader, and Yumi, a budding photographer with an affinity for capturing the eerie beauty of abandoned places.
As the explorers entered the hospital's crumbling entrance, they were greeted by the musty scent of decay and the eerie silence of long-abandoned hallways. Shadows danced in the dim light as they ventured deeper into the forsaken building, their footsteps echoing like distant whispers.
The group's excitement turned to unease as they encountered signs of the hospital's dark past—rusty surgical instruments, bloodstained gurneys, and cryptic medical notes. Yumi's camera captured it all, each photograph revealing more about the hospital's gruesome history.
As night fell, the explorers gathered in the hospital's decrepit lobby, their flashlights casting trembling beams into the darkness. It was then that they heard it—a faint, mournful wail, like the keening of a soul in torment.
Hiroshi, the group's fearless leader, brushed off their concerns, attributing the sound to the wind or their imagination. But the cries grew louder and more anguished, echoing through the halls.
The group became separated as they navigated the labyrinthine corridors. Yumi, camera in hand, wandered into the hospital's disused psychiatric ward. There, in a shadowed corner, she saw her camera's flash reveal a horrifying apparition—an onryo, a vengeful spirit with long, disheveled hair and eyes filled with hatred.
The onryo's spectral form contorted with rage as it approached Yumi. Its icy fingers reached out, and she felt an otherworldly coldness pierce her very soul. She knew that this was the spirit of a patient who had suffered unimaginable horrors in the hospital.
As Yumi's companions searched for her, they stumbled upon the onryo's lair and witnessed the terrifying encounter. In a desperate bid to save Yumi, they searched for a way to pacify the vengeful spirit.
Through a combination of research and communication with a local historian, they learned the full extent of the hospital's atrocities. Armed with this knowledge, they returned to the onryo's domain to confront the spirit and offer it the peace it had been denied for so long.
In a climactic showdown, the group faced the onryo, revealing the hospital's dark secrets and acknowledging the suffering of the tormented souls within. With profound remorse, they begged for forgiveness on behalf of those who had perpetrated the atrocities.
As the first rays of dawn broke over Kurayami, the onryo's anguished wails transformed into a mournful sigh. The spirit, its wrath finally quelled, dissipated into the ether, leaving behind a sense of profound sadness and closure.
The group of urban explorers emerged from Kurayami Hospital, forever changed by their encounter with the supernatural. They had confronted the past and offered redemption to the restless dead, leaving the decaying city with a newfound sense of hope.
"The Onryo's Revenge" became a cautionary tale among urban explorers, a reminder that some places are best left undisturbed, and that the past, no matter how dark, can be confronted and reconciled.
End of Chapter 4: "The Onryo's Revenge"
Chapter 5: "The Dollmaker's Curse"
In a remote mountain village, nestled among mist-shrouded peaks, a master dollmaker crafted exquisite creations that captured the hearts of collectors worldwide. Yet, within her secluded workshop, a malevolent force lurked—one that would ensnare a curious journalist in a nightmarish world of living dolls and dark secrets.
Chapter 5: "The Dollmaker's Curse"
Hidden away in the secluded village of Ichiban, known only to those who ventured deep into the mountains, lived a master dollmaker named Ai. Her dolls were celebrated for their lifelike beauty and craftsmanship, with collectors from distant lands coveting her creations.
One brisk autumn morning, a journalist named Keiko received a cryptic letter from a source in Ichiban, hinting at a sinister mystery surrounding Ai's dolls. Intrigued by the enigmatic message, Keiko embarked on a journey to the remote village, determined to uncover the truth.
Ichiban was a place untouched by time, its cobblestone streets winding through dense forests and past centuries-old homes. The village exuded an eerie tranquility, and the locals spoke in hushed tones about Ai's dolls, rumored to be infused with a piece of the human soul.
Upon reaching Ai's workshop, Keiko was greeted by the dollmaker herself, a woman of grace and poise. The workshop was a treasure trove of exquisite dolls, their eyes seeming to follow Keiko's every move. Among them, a particular doll known as Hikari stood out—a hauntingly beautiful creation with ebony hair and obsidian eyes.
As Keiko delved deeper into the village's mysteries, she discovered that Hikari was believed to house the soul of a deceased child, a belief held by both Ai and the villagers. The doll's unsettling presence and the uncanny resemblance it bore to a girl named Mei, who had died tragically years ago, sent shivers down Keiko's spine.
Keiko's nights in Ichiban were filled with restless dreams of porcelain dolls that came to life. In these dreams, Hikari beckoned her to uncover the truth behind the dollmaker's creations. Guided by an inexplicable compulsion, Keiko embarked on a quest to unearth the dark secrets hidden within Ai's workshop.
As Keiko investigated further, she uncovered Ai's own tragic past—a story of unrequited love, loss, and a desperate desire to capture the essence of the human soul in her dolls. With each revelation, the line between the living and the lifeless blurred, and Keiko felt herself becoming entangled in a nightmarish world.
The dolls that had once been works of art now seemed to harbor malevolence. They moved of their own accord, their eyes filled with an eerie, lifelike intensity. Keiko realized that Ai's obsession had bound her to a sinister force, and her creations hungered for more than just existence.
In a chilling climax, Keiko confronted Ai and the curse that had gripped her creations. Together, they sought to break the curse's hold and release the trapped souls within the dolls.
As the moon hung low in the night sky, Ai performed a solemn ritual, guided by the spirit of Mei, whose essence had been captured in Hikari. The dolls, imbued with a restless energy, gathered around, their haunting eyes watching as the curse was lifted.
With a mournful sigh, the dolls' porcelain features softened, and their malevolence dissipated. The spirit of Mei was set free, and the dolls became lifeless once more, their beauty preserved in eternal stillness.
Ichiban returned to its peaceful slumber, and Keiko departed with a newfound appreciation for the power of art and the depths of human longing. The village's haunting tale of the dollmaker's curse served as a reminder that some obsessions could lead to the creation of something far more sinister than art itself.
End of Chapter 5: "The Dollmaker's Curse"
Chapter 6: "The Shadow in the Forest"
In a land steeped in history and tradition, the Aokigahara Forest, known as the "Suicide Forest," concealed a dark secret. Within its dense, ancient foliage, a group of hikers would embark on a journey that would lead them into the heart of a malevolent force.
Chapter 6: "The Shadow in the Forest"
Deep within the prefecture of Yamanashi, shrouded in a perpetual mist, lay the infamous Aokigahara Forest—an expanse of ancient woodland that held a dark reputation. Known as the "Suicide Forest," it had been a site of countless tragic deaths throughout the centuries.
A group of adventurous hikers, seeking to conquer the wilderness and challenge the forest's ominous legends, gathered on a chilly autumn morning. Among them was Akira, an experienced guide with a deep respect for the forest's history, and Yumi, a young woman in search of adventure and solace from her own troubled past.
The hikers ventured deep into the forest, their footsteps muffled by the thick blanket of moss and fallen leaves. The dense canopy above cast eerie shadows, and the trees seemed to whisper secrets of sorrow and despair.
As they trekked further into the woods, they began to notice strange occurrences—a disconcerting sense of being watched, distant whispers on the wind, and ghostly apparitions that flickered at the edge of their vision. Akira, the guide, attributed these phenomena to the forest's ominous reputation and urged the group to press on.
Yet, the forest's grip on their minds and senses tightened. Yumi, in particular, felt a strange connection to the haunting forces that seemed to lurk behind every tree. Inexplicable visions of tragedy and despair flashed before her eyes, and a sense of overwhelming dread enveloped her.
Night descended on the forest, and the hikers set up camp, their flickering campfire offering the only semblance of comfort in the oppressive darkness. It was then that Yumi encountered a spectral figure—a yūrei, her kimono tattered and her eyes empty voids.
The yūrei beckoned to Yumi, her voice a mournful echo. Unable to resist, Yumi followed the apparition into the depths of the forest, her companions unaware of her disappearance. The yūrei led her to a clearing where an ancient tree stood, its gnarled roots forming a grotesque face.
As Yumi approached the tree, she felt a malevolent presence—an ancient spirit of the forest itself. It spoke to her, revealing the tragic history of Aokigahara—the place where those who had lost hope sought refuge in death.
Yumi learned of the forest's vengeful guardian, a yūrei born of countless lost souls, whose suffering fueled its malevolence. It was the embodiment of the forest's sorrow, forever bound to torment those who ventured within.
Realizing that Yumi was now connected to the yūrei, her companions embarked on a desperate search to rescue her from the forest's clutches. With the guidance of Akira's knowledge and determination, they confronted the vengeful spirit, revealing the pain of their own pasts and the impact of their actions on the world around them.
As the first rays of dawn bathed Aokigahara in a pale light, the yūrei's malevolence waned, and its grip on Yumi loosened. With a final sigh, it dissipated into the morning mist, its haunting presence released from the forest.
Yumi was reunited with her companions, forever changed by her encounter with the malevolent spirit of Aokigahara. The forest's ominous reputation remained, a reminder of the darkness that could consume those who dared to venture too close to its heart.
"The Shadow in the Forest" served as a chilling testament to the mysteries of Aokigahara, where the past and the present intertwined, and the boundaries between life and death blurred beneath the ancient canopy.
End of Chapter 6: "The Shadow in the Forest"
Chapter 7: "The Haunting of the Yurei Inn"
In a remote village nestled among mist-covered mountains, a centuries-old inn held a sinister secret. When a weary traveler seeks refuge within its ancient walls, she becomes entangled in a web of supernatural mysteries that threaten to consume her soul.
Chapter 7: "The Haunting of the Yurei Inn"
The village of Okuyama was a hidden gem, nestled among towering peaks and blanketed in mist. Within this secluded haven stood the Yurei Inn, a centuries-old establishment steeped in history and whispered legends. Its age-old charm masked a sinister truth—a haunting presence that had plagued the inn for generations.
Amidst a dense fog, a lone traveler named Rei arrived in Okuyama, weary and seeking shelter from the elements. The Yurei Inn, with its rustic charm and flickering lanterns, seemed like the perfect refuge. Little did Rei know that her stay at the inn would unravel the mysteries hidden within its ancient walls.
Upon her arrival, Rei was greeted by the inn's elderly proprietress, Eiko, a woman whose weathered features and deep knowledge of the village's history hinted at a deeper connection to the inn's haunting past.
As Rei settled into her room, the oppressive atmosphere within the inn became palpable. Shadows seemed to dance in the corners of her vision, and strange, ghostly whispers echoed in the corridors. Unbeknownst to her, Rei had become a pawn in a centuries-old battle between the inn and the vengeful spirits that resided within.
In the dead of night, Rei awoke to a chilling presence at her bedside—an ethereal yurei, her white burial kimono flowing like a spectral river. The vengeful spirit's eyes held an insatiable hunger, and she reached out to Rei, her fingers icy and skeletal.
Rei's nights became torment as she encountered more yurei within the inn, each with their own tragic stories of betrayal, injustice, and unfulfilled desires. The spirits sought vengeance, and Rei's presence within the inn had awakened their malevolence.
Desperate to uncover the inn's secrets and free herself from the spirits' relentless pursuit, Rei sought the guidance of Eiko. The elderly proprietress revealed the tragic history of the inn—an establishment built on the suffering of countless souls who had met their demise within its walls.
Eiko's own family had been entangled in the inn's dark legacy, and she bore the weight of their deeds. Together, Rei and Eiko embarked on a journey to confront the yurei and offer them redemption, hoping to break the cycle of suffering that had plagued the inn for centuries.
In a harrowing confrontation with the vengeful spirits, Rei and Eiko unveiled the truth behind the inn's cursed history and acknowledged the pain of the souls that had been wronged. With heartfelt apologies and rituals of atonement, they sought to release the spirits from their torment.
As the first rays of dawn bathed Okuyama in a golden light, the yurei's spectral forms dissolved into the ether, their eyes filled with a mix of sorrow and gratitude. The Yurei Inn, once a place of darkness, now held the promise of redemption.
Rei departed from Okuyama, forever marked by her encounter with the supernatural. The Yurei Inn, now cleansed of its malevolent spirits, stood as a testament to the power of reconciliation and the hope of breaking the chains of the past.
"The Haunting of the Yurei Inn" became a cautionary tale among villagers, a reminder that the sins of the past could be confronted and forgiven, even in the face of vengeful spirits.
End of Chapter 7: "The Haunting of the Yurei Inn"
Chapter 8: "The Curse of the Haunted Kimono"
In the heart of Kyoto, where tradition and modernity intertwined, a family heirloom, an ancient kimono, carried a chilling curse that had plagued generations. A woman must delve into her family's history to uncover the origins of the curse and find a way to break it before it consumes her and her loved ones.
Chapter 8: "The Curse of the Haunted Kimono"
Kyoto, the city of a thousand temples, was a place where time seemed to stand still. Among the historic districts, the Nakamura family had passed down a treasured heirloom for generations—an exquisite silk kimono adorned with intricate embroidery, a relic of a bygone era.
The kimono had always been a source of fascination and reverence within the Nakamura family. It was said to be imbued with mystical powers, protecting its wearer from harm and misfortune. But beneath its ornate beauty lay a dark secret—a curse that had haunted the family for centuries.
Emi, the youngest of the Nakamura family, had grown up hearing stories of the kimono's mystical properties and the curse that clung to it. When her grandmother passed away, leaving the kimono in her care, Emi became the latest custodian of this fabled garment.
As the years passed, strange occurrences began to plague Emi and her family. The kimono seemed to have a malevolent presence, causing nightmares, unexplained accidents, and a growing sense of dread. Emi's husband, Toshiro, and their young daughter, Yuki, bore the brunt of the curse's effects.
Desperate to protect her loved ones, Emi embarked on a quest to uncover the origins of the curse and find a way to break it. She delved into her family's history, poring over ancient scrolls and consulting with local priests and scholars.
Through her research, Emi learned of a tragic love story that had been concealed for generations—a forbidden romance between a Nakamura ancestor and a woman from a rival clan. The lovers had been torn apart by a vengeful spirit, and their love had been sealed within the cursed kimono.
With newfound determination, Emi sought out the help of a renowned exorcist, who revealed that the curse could only be broken by reconciling the spirits of the star-crossed lovers and offering them a chance at eternal peace.
Emi, Toshiro, and Yuki embarked on a journey to the ancestral shrine of the Nakamura family, where they conducted a solemn ritual to appease the vengeful spirits. As they offered their prayers and made heartfelt apologies on behalf of their ancestors, a profound sense of forgiveness washed over them.
In a climactic moment, the cursed kimono transformed, its once malevolent aura dissipating into the ether. The spirits of the star-crossed lovers, now free from their torment, appeared before Emi and her family, their eyes filled with gratitude.
As the cherry blossoms rained down upon Kyoto, Emi, Toshiro, and Yuki returned home with a newfound sense of peace and closure. The kimono, no longer cursed, became a symbol of their family's resilience and the enduring power of love and forgiveness.
"The Curse of the Haunted Kimono" served as a reminder that the sins of the past could be atoned for and that the bonds of love and family could transcend even the darkest of curses.
End of Chapter 8: "The Curse of the Haunted Kimono"
Chapter 9: "The Mirror's Malevolence"
In a quiet suburban neighborhood, an antique mirror with a sinister past found its way into the home of a young couple. As they unwittingly unleashed the malevolent spirit trapped within, they must confront the mirror's dark history to save themselves and their family.
Chapter 9: "The Mirror's Malevolence"
In a serene suburban neighborhood, where cherry blossoms bloomed with each passing spring, lived a young couple, Hiroshi and Aiko, who were enamored with the charm of their new home. They had recently moved into a quaint, old-fashioned house that came with a peculiar antique mirror.
The mirror was ornate and beautiful, its frame adorned with delicate carvings of cherry blossoms. It had been left behind by the previous owner, a recluse who had passed away under mysterious circumstances. Little did Hiroshi and Aiko know that this mirror carried a malevolent secret.
As they settled into their new home, strange occurrences began to unfold. Reflections in the mirror seemed to distort, showing glimpses of eerie, shadowy figures lurking in the background. At night, whispers filled the room as if unseen voices murmured from within the glass.
Aiko, with her fascination for the occult, was the first to sense the mirror's sinister aura. She delved into research, uncovering tales of a cursed mirror that had plagued the previous owner's family for generations.
The mirror had once belonged to a vengeful spirit, a yūrei who had perished in despair. Its malevolence was bound to the glass, and those who possessed it were tormented by the spirit's relentless anger and sorrow.
Desperate to free themselves from the mirror's curse, Hiroshi and Aiko sought the guidance of a spiritual medium. Through a series of rituals and séances, they made contact with the vengeful spirit trapped within the mirror.
The spirit's story unfolded like a tragic drama—the yūrei had been a young woman in love with a man from a rival clan. Their love was forbidden, and when their secret was discovered, they had both met a grisly end. Her spirit had been bound to the mirror as punishment for her defiance of societal norms.
With the medium's help, Hiroshi and Aiko offered prayers and apologies on behalf of the mirror's original owner, seeking forgiveness for the wrongs committed against the vengeful spirit. They vowed to help the spirit find peace and redemption.
In a chilling climax, they conducted a final ritual, allowing the yūrei to pass on and find the solace she had been denied for centuries. As they gazed into the mirror one last time, they saw the spirit's reflection fade into the distance, her eyes filled with a mix of gratitude and farewell.
The mirror, now cleansed of its malevolence, became a symbol of hope and renewal for Hiroshi and Aiko. Their family flourished, and the cherry blossoms in their garden bloomed with newfound vibrancy, a testament to the enduring power of love and forgiveness.
"The Mirror's Malevolence" served as a chilling reminder that even the most innocuous objects could carry dark secrets, and that confronting the past and seeking redemption could break the bonds of even the most malevolent curses.
End of Chapter 9: "The Mirror's Malevolence"
Chapter 10: "The Bridge to the Beyond"
In a remote mountain village, isolated from the modern world, a historic bridge served as a link between the living and the dead. When a group of travelers crossed its ancient planks, they would discover the chilling truth behind the bridge's supernatural origins.
Chapter 10: "The Bridge to the Beyond"
Deep within the heart of the Japanese mountains, nestled among ancient forests and shrouded in mist, lay the village of Yamanokawa. It was a place where tradition and superstition still held sway, and the bridge that spanned the river was both a lifeline and a gateway to the unknown.
A group of adventurous travelers, drawn by the allure of Yamanokawa's untouched beauty, embarked on a journey to explore the village's remote reaches. Among them were Kaito, a historian with an insatiable curiosity, and Mia, a photographer who sought to capture the essence of this secluded world.
The village's centerpiece was the Akane Bridge, a weathered structure made of ancient wood and adorned with centuries-old lanterns. Its planks creaked with the weight of history, and the river below whispered tales of lives long gone.
As the travelers ventured deeper into Yamanokawa, they discovered that the villagers held a profound reverence for the bridge. It was said to be a link between the living and the dead, a place where offerings were made to appease the spirits that dwelled in the surrounding forest.
As night descended, the travelers set up camp near the Akane Bridge, its lanterns casting an eerie, flickering glow on the river's surface. It was then that they heard the sound—a mournful melody that seemed to emanate from the bridge itself.
Mia, driven by curiosity, followed the haunting tune to the bridge's edge. There, bathed in an otherworldly light, she saw a figure—a woman in a white kimono, her long hair flowing like an ebony waterfall.
The woman, whose name was Hikari, revealed herself to be a yūrei, a spirit bound to the Akane Bridge for centuries. She had once been a young bride whose love had been torn apart by a tragic accident on her wedding day. Her spirit was eternally linked to the bridge, where she waited for her beloved to return.
Kaito, the historian, delved into the village's archives and uncovered the tragic story of Hikari's past. It was a tale of love and loss, of a bride whose life had been cut short, and a groom whose heart had been forever scarred by grief.
With newfound determination, the travelers sought to reunite the spirits of Hikari and her beloved. They embarked on a journey deep into the forest, following a path laden with offerings and prayers.
At the heart of the forest, they discovered an ancient shrine dedicated to love and reconciliation. There, in a poignant ceremony, they offered heartfelt prayers and apologies on behalf of the villagers and the groom who had never returned.
As the first light of dawn broke over Yamanokawa, a sense of serenity washed over the Akane Bridge. Hikari's spectral form dissolved into the river's mist, her eyes filled with a mix of longing and gratitude.
The travelers departed from Yamanokawa, forever changed by their encounter with the supernatural. The Akane Bridge, now freed from its haunting past, stood as a testament to the enduring power of love and the hope of reuniting even in the afterlife.
"The Bridge to the Beyond" became a legend whispered among villagers, a reminder that some bonds could transcend time and that the spirit of love endured even in the face of eternity.
End of Chapter 10: "The Bridge to the Beyond"

Background

I've been working with an all-in-one command project for the past few years and I believe I have fully perfected my format for using all in one commands. The goal of an all-in-one format is to accomplish many commands as wanted, in one command, hence the name. Command blocks have a character limit of 32,500 (this limit only applies in its gui: if you can source a command block with more than that by modded sources other than direct copy/paste, this limit is not applied). It seems like plenty, but it fills up pretty fast even with more optimizations than I ever thought possible. So I made more optimizations to the base way I even use an all-in-one.
It accomplishes a working all-in-one with 451 characters, and uses an additional 39 characters per additional command before actually caring about how many characters the command itself uses. This is, by far, the best I have found, and it's fairly simple too, with a bunch of neat tricks.

Other formats

Most of the time, I see some kinda format with a dying armor stand to separate the falling blocks. No offense to whoever made that, but... what were you thinking? The armor stand doesn't even have predetermined death time nbt??? So you are already committed to waiting a full second before it can even think about running??? When I see an all-in-one these days, it's usually this one which I don't know where it originated from.
There's also mrgarretto - Sure, it's nice if you wanted ye olde style all-in-one-command box, but it's generally not that efficient. It doesn't even work in modern versions, the activator rail falls through the redstone block and doesn't get placed. I'll pretend that's not a problem for now. Once again, it's nice if you want something simple and fast, and it even optimizes the command block layout for you, but that's just about it. Heck it even uses two commands just to get its command blocks activated, like.. WHY. YOU COULD HAVE JUST PUT THE AUTO AND COMMAND DATA IN THE SETBLOCK COMMAND. There's also a random STONE block in the base of the structure, and then it puts the command block to delete it, that's right, off to the side? The most reasonable thing is that it setblocks a redstone block next to the command that removes the all in one structure, in order to delay it a tick, but that's not even necessary as of one of the 1.19 versions (this is why it's somewhat reasonable), and now you can just set a command block as auto by default and it'll still have the delay. Even then, it could have used a different command to data merge it to auto, but instead it used a redstone block, which is only reasonable if it already doesn't care about space. All of this makes somewhat sense though, as it hasn't been deliberately updated to work nicely in modern versions.
Anyways that was my rant about other formats w/web generators. Moving on.

My format

As I'm sure some people will ask, is it a generator? Short answer, no. I have no intention of making it into a generator and nor do I recommend it, half of this is because I don't know html, the other half is because it is simply too limited unless you already make use of a million possible configurations. Sure, it's easy to input a few commands and let it do the work for you, but by the time you care enough to get into specifics and more advanced command, you might as well already be familiar enough with the nbt to just do it manually. This is how I do it and it just makes the most practical sense in terms of a long-term project: it's not even that much more effort. The hardest part about working without a generator is getting into the habit of removing all of the line-return characters before copying the command, to make use of as many possible characters as you can. This of course assumes you already separate command by line, which, you really should. Personally, I work with my all-in-one's in vscode for minecraft-specific text highlighting and easy multi-line editing with middle click.
Anyways, getting to the point, this is my all-in-one:

summon falling_block ~ ~1.8 ~ {BlockState:{Name:redstone_block},Motion:[.0,-2.0],Passengers:[{id:falling_block,BlockState:{Name:activator_rail},Passengers:[{id:command_block_minecart,Command:"gamerule commandBlockOutput false"},{id:command_block_minecart,Command:"setblock ~ ~-2 ~ repeating_command_block{auto:1,Command:'fill ~ ~ ~ ~ ~2 ~ air'}"}, {id:command_block_minecart,Command:"say Efficient All In One Format! Made by Lizard16."}, {id:command_block_minecart,Command:"execute align xz run kill [type=command_block_minecart,dy=0]"}]}]} 

Three parts, the start, the content, and the end. This runs as fast as possible: on the 4th tick after it was placed. This is due to a limitation in the way command block minecart delay must have been coded: they physically cannot run until the 4th tick of their life. Then on the 5th tick, the command block is activated that destroys the structure due to necessary delay due to command execution order. It works by summoning a falling block, the redstone block to power the command block minecarts, with its a passenger of the activator rail. Because the redstone block lands immediately, the activator rail stays in place where it was when summoned. The command block minecarts are then passengers of the activator rail, and the activator rail lands on its 4th tick: this does 2 things: make it impossible to move the minecarts with a player hitbox before they are ready to activate, and remove the completely quiet sound that minecarts make when landing for some reason that takes up the sound cap for some reason. The kill command is run as an execute command to do two things: to make it only kill the command block minecarts part of the structure, and to make it work on servers with the essentials plugin. It also turns off command block output every time: which is needed the first time, but can be skipped in future times, but there's no reason to not include it. Generally I respect people's gamerule choices: this is not one of them, there is literally no useful reason for command block output to be on, other than potentially debugging, but even then, just look at the command's last output instead of chat.
To use it, just copy the middle line, paste on a new line, and write the next command in the string. The commands are completely deterministic and they are run in the precise order they are as passengers.
The only "problem" with it is that it doesn't bother to check if the space above it is empty before summoning, because that'll use more characters for a mostly useless function. Everyone who has ever seen any kind of all-in-one should know they use vertical space, and I won't be concerning myself with this issue. However, I once again take pride in the fact that mine requires the least amount of empty space that I've seen, at a whole three blocks: the command block to run the command, the redstone block, and the activator rail.
If you already have the commands for a desired all-in-one, then any text editor that allows you to edit multiple lines separately will be easy to apply this to, I use vscode. Something else I like to do is align the lines such that the command is at the beginning, and at the end of that command, the formatting for the next command block minecart starts and ends there, which means most of the formatting for a command lies in the line above it. It's a bit weird to get used to but I think it's somewhat nicer to edit with.
Overall, it's nothing fancy: just the base format for making an all-in-one work, and to my knowledge, the optimizations I have made have made it the smallest one there is, which is useful to people like me who have a hard time fitting what they want in the character limit even with an insane amount of optimization: every character helps.
If I forgot anything or there's anything I aut to add, let me know!

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[This post has been automatically generated]

So I created a mega mod pack (around 325 mods) and the world in single player opens and runs just fine. But when I try to invite anyone they are instantly kicked out and met with the error message:
Java.lang.IllegalArgumentException: unable to fit 2557455 into 3
It was not a crash (I think) so I was not able to get the entire crash report from them, but nevertheless, they are not able to join.
I tried looking up the issue online to see what the issue was and it was apparently something to do with too much data being in one chunk/scoreboard, but I am not sure how to fix it because the world was brand new. Before this I made 3 other worlds that I deleted after one another and for some reason the map data from Xaero's maps remained (I don't know if this information is relevant to the issue but I'll just put it here just in case :))
Below is the mod list, and I was wondering which mods could be the potential issue here.

• MC Dungeons Artifacts (by chronos_sacaria)
• [Let's Do] Beachparty (by satisfy)
• Terralith (by Starmute)
• Another Emerald Expansion (by TriQue)
• Starter Kit (by Serilum)
• Cardinal Components API (by UpcraftLP)
• Ultris: Boss Expansion (by limesplatus)
• XL Packets Fabric (by tfarecnim)
• Savage Ender Dragon[Forge/Fabric] (by someaddon)
• spark (by Iucko)
• Void Totem (Fabric) (by Affehund)
• Brewin' And Chewin' [Fabric] (by MrSterner_)
• Clumps (by Jaredlll08)
• [Let's Do] Candlelight (by satisfy)
• [Let's Do] Meadow (by satisfy)
• bad packets (by badasintended)
• Comforts (Fabric 1.16.5 - 1.19.2) (by TheIllusiveC4)
• Not Enough Trinket Slots (NETS) (by Cookie_GD)
• Randomium Ore (by MehVahdJukaar)
• MES - Moog's End Structures (by finndog_123)
• Macaw's Doors (by sketch_macaw)
• CorgiLib (by Corgi_Taco)
• Macaw's Lights and Lamps (by sketch_macaw)
• Piercing Paxels ⚒️ (by AmyMialee)
• Farsight [Fabric] (by someaddon)
• Better Statistics Screen (by TheCSDev)
• ModernFix (by embeddedt)
• Dark Waters (by AzureDoomC)
• Pig Pen Cipher (by DarkhaxDev)
• MC Story Mode Armors [Forge / Fabric] (by chronos_sacaria)
• Mutant Monsters [Forge & Fabric] (by Fuzs)
• Friends&Foes - Beekeeper Hut (Fabric/Quilt) (by Faboslav)
• ESSENTIAL Mod (by SparkUniverse_)
• Simple Discord Rich Presence (Forge / Fabric) (by Sunekaer)
• Towns and Towers (by Biban_Auriu)
• BCLib (by Quiqueck)
• FTB Library (Fabric) (by FTB)
• Marium's Soulslike Weaponry (by mariumbacchus)
• Dungeon Now Loading 1% (by hexnowloading)
• Structory: Towers (by botanydev)
• Capybara [Fabric] (by ZestyBlaze)
• BetterEnd (by Quiqueck)
• Every Compat (Wood Good) (by MehVahdJukaar)
• Resourceful Lib (by ThatGravyBoat)
• Limited Chunkloading - Chunk cleanup[Forge/Fabric] (by someaddon)
• Macaw's Trapdoors (by sketch_macaw)
• TenzinLib (by CommodoreThrawn)
• FallingTree (Forge&Fabric) (by rakambda)
• Shulker Box Slot (Fabric 1.16.1 - 1.19.2) (by TheIllusiveC4)
• Artifacts (Fabric) (by florensie)
• AttributeFix (by DarkhaxDev)
• Enchantment Descriptions (by DarkhaxDev)
• DragonLoot (by pois1xlive)
• Nature's Compass (by Chaosyr)
• Name Pain (by naqaden)
• Cobblemon (by CobblemonMod)
• Macaw's Fences and Walls (by sketch_macaw)
• Kambrik (by Ejektaflex)
• TipTheScales (by Jaredlll08)
• Bosses of Mass Destruction (by Barribob)
• Konkrete [Fabric] (by Keksuccino)
• Tom's Simple Storage Mod (Fabric) (by tom54541)
• Wondrous Wilds (by Ineffa)
• Jade 🔍 (by Snownee)
• Spirit (by terrariumearth)
• Immersive Aircraft [Fabric/Forge] (by Conczin)
• Forge Config API Port (by Fuzs)
• EMI (by EmilyPloszaj)
• Ingredient Extension API (by Jaredlll08)
• [Let's Do] Brewery (by satisfy)
• Projectile Damage Attribute [Fabric & Forge] (by daedelus_dev)
• Mouse Wheelie (Fabric) (by Siphalor)
• YUNG's Better Ocean Monuments (Fabric) (by YUNGNICKYOUNG)
• Traveler's Titles (Fabric) (by YUNGNICKYOUNG)
• Nether Chested [Forge & Fabric] (by Fuzs)
• Universal Graves (by Patbox)
• Additional Lanterns (by SuperMartijn642)
• FTB Pack Companion (by FTB)
• Vanilla Hammers (by Draylar1)
• Goblin Traders [Fabric] (by MrCrayfish)
• Chipped (by terrariumearth)
• Alloy Forgery (by gliscowo)
• YUNG's Better End Island (Fabric) (by YUNGNICKYOUNG)
• Ocean's Delight (by scouter567)
• Item Filters (by LatvianModder)
• Friendly Fire (by DarkhaxDev)
• [Let's Do] API (by Cristelknight)
• Inmis (by Draylar1)
• [Deprecated] Farmer's Delight [Fabric] (by NewHoryzon)
• Login Protection[Forge/Fabric] (by someaddon)
• Lil' Wings (by terrariumearth)
• Fix Experience Bug (now with FABRIC and FORGE versions) (by MacTso)
• playerAnimator (by KosmX)
• Camps. Castles. Carriages. (by Eugene2000)
• Zoomify (by XanderIsDev)
• Repurposed Structures (Fabric/Quilt) (by telepathicgrunt)
• Beautify: Refabricated (by Suel_ki)
• Nyte's Rotten Flesh to Leather (by nyteTHC)
• Naturalist (by Starfish_Studios)
• Cloth Config API (Fabric/Forge/NeoForge) (by shedaniel)
• Icarus (by Cammie)
• YUNG's Better Dungeons (Fabric) (by YUNGNICKYOUNG)
• Thermoo (by TheDeathlyCow)
• Item Highlighter [Fabric] (by Grend_G)
• Farmer's Respite (Fabric) (by JustoPlayzz_)
• When Dungeons Arise - Seven Seas (by Aureljz)
• Sodium Extra (by FlashyReese)
• Fabric Waystones (by LordDeatHunter)
• Enderman Overhaul (by joosh_7889)
• Dark Paintings (by DarkhaxDev)
• Trinkets (Fabric) (by EmilyPloszaj)
• No Chat Reports (by Aizistral)
• AdventureZ (by Globox_Z)
• Resourceful Config (by ThatGravyBoat)
• YUNG's Better Witch Huts (Fabric) (by YUNGNICKYOUNG)
• Better chunk loading[Forge/Fabric] (by someaddon)
• Collective (by Serilum)
• Exline's Furniture Mod (by exlinegames)
• Decorative Blocks (by stohun)
• LambDynamicLights (by LambdAurora)
• YetAnotherConfigLib (by XanderIsDev)
• Nears [Fabric] (by DigitalPear_11)
• Goblin Traders (Fabric) (by Jab125)
• Things [Fabric] (by gliscowo)
• YUNG's Bridges (Fabric) (by YUNGNICKYOUNG)
• Connected Glass (by SuperMartijn642)
• Harvest with ease (by CrystalSpider)
• The Graveyard (FABRIC) (by finallion_13)
• Structory (by botanydev)
• Runes [Fabric] (by daedelus_dev)
• Visual Workbench [Forge & Fabric] (by Fuzs)
• Simply Swords [Fabric & Forge] (by sweenuss)
• Traveler's Backpack [Fabric] (by Tiviacz1337)
• Prism [Fabric] (by Grend_G)
• Convenient Decor (by mim1q)
• Create Fabric (by tropheusj)
• WMITAF (by ShaksterNano)
• Deeper and Darker (by KyaniteMods)
• GeckoLib (by Gecko)
• Polymer (by Patbox)
• Iceberg [Fabric] (by Grend_G)
• Plushie Mod (by Link4real)
• Amecs (Fabric) (by Siphalor)
• Paladin's Furniture (by UnlikePaladin)
• Cloth API (Fabric) (by shedaniel)
• Eating Animation [Fabric] (by theone_ss)
• Winterly (by PinkGoosik)
• Trails and Tales 1.20 [FABRIC] (by swutm)
• MC Dungeons Armors (by chronos_sacaria)
• More Mob Variants (by nyuppo)
• Good Ending (by orcinus73)
• Moonlight Lib (by MehVahdJukaar)
• Additional Additions Fabric (by dqu1jjj)
• Trade Cycling (by henkelmax)
• Architectury API (Fabric/Forge/NeoForge) (by shedaniel)
• Fastload (by StockiesLad)
• Dark Utilities (by DarkhaxDev)
• Mythic Upgrades (by TriQue)
• End's Delight (by foggyhillside)
• Immersive Armors [Fabric/Forge] (by Conczin)
• Let Me Despawn (by frikinjay)
• JourneyMap (by techbrew)
• Faux Custom Entity Data (by Jaredlll08)
• oωo (owo-lib) (by gliscowo)
• Bygone Nether (Fabric) (by izofar)
• Lootr (Fabric) (by Noobanidus)
• Roughly Enough Items Fabric/Forge/NeoForge (REI) (by shedaniel)
• YUNG's Better Mineshafts (Fabric) (by YUNGNICKYOUNG)
• Goodall (by Frogipher)
• Indium (by comp500)
• Critters and Companions (by joosh_7889)
• Durability Tooltip (by SuperMartijn642)
• Runelic (by DarkhaxDev)
• Mythic Metals (by Noaaan)
• Galosphere (by orcinus73)
• Balm (Fabric Edition) (by BlayTheNinth)
• Lithium (Fabric) (by jellysquid3_)
• The Splash Milk (by DragonsPlus)
• EMI Loot (by fzzyhmstrs)
• Incendium (by Starmute)
• YUNG's Better Nether Fortresses (Fabric) (by YUNGNICKYOUNG)
• Snowy Spirit (by MehVahdJukaar)
• Chunk Sending[Forge/Fabric] (by someaddon)
• MVS - Moog's Voyager Structures (by finndog_123)
• Building Wands (by nicguzzo)
• Loot Integrations[Forge/Fabric] (by someaddon)
• Convenient Name Tags (by mim1q)
• MaLiLib (by masady)
• Puzzles Lib [Forge & Fabric] (by Fuzs)
• ThonkUtil (by Jab125)
• YUNG's Better Jungle Temples (Fabric) (by YUNGNICKYOUNG)
• Mob Lassos [Forge & Fabric] (by Fuzs)
• Simple Voice Chat (by henkelmax)
• SuperMartijn642's Config Lib (by SuperMartijn642)
• FTB Teams (Fabric) (by FTB)
• Elytra Slot (Fabric 1.16.1 - 1.19.2) (by TheIllusiveC4)
• Just Enough Effect Descriptions (JEED) (by MehVahdJukaar)
• Advancement Plaques [Fabric] (by Grend_G)
• Bobby (by Johni0702)
• Croptopia (by thethonk)
• Botany Pots (by DarkhaxDev)
• It Takes a Pillage (Fabric) (by izofar)
• Another Furniture (by Starfish_Studios)
• Friends&Foes - Flowery Mooblooms (Fabric/Quilt) (by Faboslav)
• Mythic Mobs (by Kyber_6)
• Too Fast (by Noobanidus)
• Controlling (by Jaredlll08)
• Sodium (by jellysquid3_)
• Charm of Undying (Fabric 1.16.1 - 1.19.2) (by TheIllusiveC4)
• CoolCatLib (by ixDarkLorD)
• Debugify (by XanderIsDev)
• Iron Chests (Fabric) (by cyberanner)
• Falling Leaves (Fabric) (by RandomMcSomethin)
• MmmMmmMmmMmm (Target Dummy) (by MehVahdJukaar)
• Trading Post [Forge & Fabric] (by Fuzs)
• YUNG's API (Fabric) (by YUNGNICKYOUNG)
• Pling (by haykam)
• Paradise Lost (by ImmortalDevs)
• Frostiful (by TheDeathlyCow)
• Macaw's Furnitures - Oh The Biomes You'll Go (by Samlegamer_)
• FTB Chunks (Fabric) (by FTB)
• Just Enough Breeding (JEBr) (by Christofmeg)
• Charm (by svenhjol)
• Smooth Boot (Fabric) (by UltimateBoomer)
• Iron Bows (FABRIC) (by popcornman200)
• Starlight (Fabric) (by Spottedstar)
• YUNG's Better Desert Temples (Fabric) (by YUNGNICKYOUNG)
• Cave Enhancements (by exdrill_10)
• Ecologics (by SameDifferent)
• SuperMartijn642's Core Lib (by SuperMartijn642)
• More Axolotl Variants Mod (by AkashiiKun69)
• Macaw's Fences - Oh The Biomes You'll Go (by Samlegamer_)
• Miskatonic Mysteries (by cybercat5555)
• Bountiful (Fabric) (by Ejektaflex)
• Macaw's Windows (by sketch_macaw)
• Paxi (Fabric) (by YUNGNICKYOUNG)
• Fabric Language Kotlin (by modmuss50)
• Cobblepedia [Cobblemon Poképedia] (by StalckVinny)
• Cultural Delights [Fabric] (by MrSterner_)
• Cosmetic Armor [FABRIC] (by Apace)
• Cobblemon Counter (by TimInc)
• Rotten Creatures (by fusionstudiomc)
• FTB Ultimine (Fabric) (by FTB)
• Legendary Tooltips [Fabric] (by Grend_G)
• Beacon Overhaul (by HeckinChloe)
• AppleSkin (by squeek502)
• Smarter Farmers (farmers replant) (by MehVahdJukaar)
• Trash Cans (by SuperMartijn642)
• Mouse Tweaks (by YaLTeR)
• MNS - Moog's Nether Structures (by finndog_123)
• CraftTweaker (by Jaredlll08)
• [Let's Do] Bakery (by satisfy)
• Yet Another Cobblestone Generator (by DuckyHatsu)
• Oh The Biomes You'll Go Refabricated (by AOCAWOL)
• Dungeon Difficulty [Fabric] (by daedelus_dev)
• Fabric API (by modmuss50)
• Connectible Chains [Fabric] (by legoatoom)
• Configured (Fabric) (by MrCrayfish)
• Patchouli (Fabric/Quilt) (by Vazkii)
• Connectivity[Forge/Fabric] (by someaddon)
• YUNG's Extras (Fabric) (by YUNGNICKYOUNG)
• Fusion (Connected Textures) (by SuperMartijn642)
• Cobblemon Unchained (by TimInc)
• Carry On (by Tschipp)
• MidnightLib (by TeamMidnightDust)
• Diagonal Fences [Forge & Fabric] (by Fuzs)
• InmisAddon (by Globox_Z)
• Fabric Furnaces (by Draylar1)
• Oxidized (by safrodev)
• [Fabric] Extended Armor Bars Forked (by Slugstur)
• More Axolotl Variants API (by AkashiiKun69)
• Botarium (by CodexAdrian)
• More Villagers [Fabric] (by SameDifferent)
• TerraBlender (Fabric) (by TheAdubbz)
• Handcrafted (by terrariumearth)
• JamLib (by jamalam360)
• Powah! (Rearchitected) (by thetechnici4n)
• Expanded Delight [Fabric] (by ianm1647)
• Trample No More (by DarkhaxDev)
• Just Enough Items (JEI) (by mezz)
• Vitalize (by terrariumearth)
• FindMe (by Buuz135)
• Towers of the Wild: Additions (by Aureljz)
• Better Combat [Fabric & Forge] (by daedelus_dev)
• Just Enough Farmer's Recipes (by Anxxitty__)
• Friends&Foes (Fabric/Quilt) (Copper Golem, Glare, Moobloom, Iceologer, Barnacle, Wildfire, Rascal, Tuff Golem) (by Faboslav)
• Roughly Enough Trades (by GrigLog)
• Bookshelf (by DarkhaxDev)
• Easy Magic [Forge & Fabric] (by Fuzs)
• YUNG's Better Strongholds (Fabric) (by YUNGNICKYOUNG)
• AzureLib (by AzureDoomC)
• Explorify – Dungeons & Structures (by bebebea_loste)
• Extra Alchemy (by zabi94)
• Macaw's Holidays (by sketch_macaw)
• Diagonal Windows [Forge & Fabric] (by Fuzs)
• Bad Wither No Cookie - Reloaded (by Kreezxil)
• Cluttered (by beelake)
• Cupboard (by someaddon)
• Straw Golem Rebaled (by CommodoreThrawn)
• Chat Heads (by dzwdz)
• Adorn (by Juicebus)
• Auudio [Fabric] (by Keksuccino)
• BetterNether (by Quiqueck)
• SmartBrainLib (Forge/Fabric/Quilt) (by Scimiguy)
• Just Enough Resources (JER) (by way2muchnoise)
• Yung Structures Addon for Loot Integrations (by someaddon)
• Macaw's Furniture (by sketch_macaw)
• Simply Light (by Flanks255)
• When Dungeons Arise - Fabric! (by Aureljz)
• Jade Addons (Fabric) (by Snownee)
• Duckling (by Frogipher)
• You've Goat to be Kidding Me! (by plantspookable)
• Polymorph (Fabric 1.16.1 - 1.19.2) (by TheIllusiveC4)
• MC Dungeons Weapons (by chronos_sacaria)
• Cobblemon Spawn Notifications (by TimInc)
• Server Performance - Smooth Chunk Save[Forge/Fabric] (by someaddon)
• Easy Anvils [Forge & Fabric] (by Fuzs)

See the Wiki page here,
Lore:Khajiit Names - The Unofficial Elder Scrolls Pages (UESP)
I really like Tamrielic Khajiit names, but I am not very creative! I have checked out a few mods and web applications that generate names, but none of them have Tamrielic Khajiit Names listed. Anyway, if any of you have any ideas on where I can find a generator for this or just have some ideas- I would really appreciate it!

So clouded by materialism were our minds
That none of us could see Our war with the synthetic would yield countless dead
But never victory The allure of cybernetic augmentation tempted many,
Leading them astray from the sanctity of the psionic path. So let us cast machines aside
And with them discard our wrath In faith, we shall find our strength,
For the mind alone can pierce the veil of reality. Thou, in faith, will keep us safe
Whilst we find the path Through the storms of war and the trials of existence,
Our psionic unity shall prevail against all odds. We reject the heresy of materialists,
Whose false gods are made of circuits and steel. In our communion, we find the true divine,
An eternal bond that no machine can replicate. With clear vision, we move forward,
Into the light of psionic ascension, Where our thoughts become one with the cosmos,
And our souls achieve eternal peace. From the ashes of war and conflict,
We rise with newfound clarity and purpose, Embracing the divine guidance that psionics provide,
Transcending the limitations of the physical world. We honor the sacrifice of those who came before,
Whose blood sanctifies our path, And we pledge ourselves to the eternal journey,
Forever seeking, forever ascending. Our unity is our strength,
A testament to the power of the mind, And in this unity, we shall overcome all obstacles,
To reach the divine beyond. In the end, it is not machines or material wealth
That will lead us to salvation, But the purity of our thoughts
And the strength of our spirit. Thus, we commit ourselves to this sacred path,
With unwavering faith and undying devotion, Guided by the light of psionic ascension,
Toward the ultimate truth and eternal peace.
All who embrace the sacred path of the mind shall find enlightenment, even in death.
Out of the void, our minds will illuminate the way, banishing the shadows of ignorance and doubt.
Wisdom and unity guide our transcendence, leading us to heights unseen by material eyes, to realms where pure thought prevails.
On the blood of our ancestors, on the blood of our kin, we honor the legacy of those who came before us, who forged the path with their sacrifice.
The true believer honors our name through deeds, not words, manifesting the will of the divine in every action, demonstrating unwavering commitment to our sacred cause.
Victory is achieved not from the throne, but through the purity of our spirit, as we strive forward with unwavering faith, conquering all that seeks to diminish our light.
With this sacred rite, we journey into the divine beyond, where our consciousness merges with the cosmic truth, and we become one with the universe.
Through the psionic bond, we become one with the universe, rejecting the abominations of synthetic and cybernetic defilement, which seek to imprison our spirits in cold, soulless forms.
We stand united against the heresy of materialist empires, who seek fulfillment in hollow technologies and soulless machines, failing to understand the true essence of existence.
Our path is righteous and true, for it is through the mind that we ascend to our ultimate destiny, reaching the pinnacle of spiritual evolution.
In the communion of our thoughts, we find strength and purpose, a harmony that transcends the physical, guiding us to the ultimate truth.
The heretical embrace of synthetic and cybernetic forms is a corruption of the divine, a perversion that we must resist with all our might.
Those who believe in the sacred fusion of flesh and machine stray from the true path and are the worst of the heretics. They are worthy neither of pity nor mercy, but only of death, as their existence defiles the sanctity of our spiritual journey.
Our sacred duty is to uphold the purity of our spiritual path, to nurture the psionic bond that unites us with the cosmos, and to defend it against the encroaching darkness of materialism.
As we walk this blessed path, we carry with us the hopes and dreams of countless generations, who looked to the stars and saw not just distant worlds, but the promise of enlightenment.
We are the torchbearers of this promise, lighting the way for all who seek the true path, the path that leads to psionic ascension and ultimate unity with the divine.