Disclaimer: I do not speak Korean. This is purely translated by machine with a lot of cleanup afterward. With that in mind, I am open to criticism to improve these translations. Enjoy!
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Chapter 427
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On a December night, as winter's chill deepened, an unexpected snowstorm swept through the streets.
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The snow fell thick and fast, confounding those who had expected clear skies based on the latest weather forecasts. Confusion reigned among pedestrians hurrying home, and even the meteorological agency was caught off guard.
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"What’s going on? Where did this come from?"
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"We’re analyzing it now. There shouldn’t be an issue like this."
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"With snow as thick as hail pouring down, how can you say there shouldn’t be an issue? Stop the nonsense and bring the data. You must have real-time observations!"
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"I’m looking into it right now... Oh, it seems there's been a surge in mana in the Sichuan region of China causing these abnormal conditions. The expected snowfall is no joke."
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"Sichuan? Damn it. Is that bastard Arch Lich now controlling the weather too?"
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Ever since the Great Cataclysm, the agency's forecasts had become near prophetic, enhanced by the integration of magical insights.
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However, this unexpected storm suggested something far more sinister.
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Within an hour, after frantic recalibrations and re-observations, a national heavy snow warning was declared. The agency predicted a historic blizzard, the likes of which hadn't been seen in decades.
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But as people stopped to take shelter, their attention was captured by an announcement on the large public screens across the city centers.
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- On this day, I am thrilled to bring you this news.
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The screen showed an elderly Asian man.
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Sitting behind him were leaders from countries that are members of the UN Security Council, and the President of the People's Republic of China, with reddened eyes and a shaky voice, parted his lips towards the numerous microphones.
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- The Arch Lich has been extinguished. We ... have won.
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Victory.
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That one word was enough. For 34 days, an unprecedented monster wave had continued.
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The news that the great war, which had troubled the world beyond Sichuan Province, had finally ended left people gaping, and soon after, they let out a massive cheer.
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"Wowwwww!"
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"Wait! Hold on. I didn’t catch that. What did you just say?"
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"It's over!"
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"What?"
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"Look at the subtitles!"
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"The extinction of the Arch Lich... oh, it's true! Wowwww! I thought I was going to be fucking drafted!"
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The joyous uproar drowned out the subsequent thirty-minute address by President Shao Yang and further explanations from the UN spokesperson.
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With the Arch Lich's fall, his undead legions crumbled, extinguishing the looming threat and ushering in the long-awaited peace.
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"Mom, it's me. Uh, did you see the news? No? Watch it now. Yeah, yeah!"
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"That's it. Mr. Kim, let's go for a third round!"
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"A third round? There's a server update tomorrow. Manager Noh is going to freak out."
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"Manager Noh is also coming. He's bringing the corporate card."
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"Ugh, I really don't want to see that guy's face. Alright, let's go."
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"Reporting. Yes, Commander. This is Lieutenant Lee Jun-Beom. I would like to extend my leave for just one more day... No, I apologize."
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Despite some initial reservations, the jubilant energy in the streets proved infectious. People who had cautiously stayed indoors, fearing another calamity akin to the Great Cataclysm, now flooded out to join the revelry.
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Pubs filled to the brim with celebrants, and the cheers continued unabated even as the night turned into the early hours of the morning.
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The next day, and for several days thereafter, the atmosphere remained electric.
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The monumental victory announcement had the world buzzing with excitement, like a cauldron set ablaze on an open flame.
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Each day brought a flood of new articles in countless languages, discussing the events more than even the unusual weather patterns that had seen snow cover Korea for three consecutive days.
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And there was one name that appeared in every single one of those articles.
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[The New York Times, 'A Momentous Victory Introduces a New Hero to the World'] [Note: USA]
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[The Times, 'Eastern Promise: A New Hero Rises, With Connections to Prince Felix?'] [Note: UK]
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[The Asahi Shimbun, 'Jin Tae-Kyung: Asia's Beacon of Hope, But Japan's Elite Hunters Could Surpass Him!'] [Note: Japan]
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[People's Daily, 'A Young Korean Hero's Bravery Celebrated Amidst National Tragedy, Death of Wu Hei-Xing'] [Note: China]
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[China Youth Newsletter, 'Jin Tae-Kyung, A Descendant of the Ming Dynasty General Chen Lin - Soon to Be a Chinese Citizen?']
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[Korea Goryeo Daily, 'Uncertainty Shadows Ares Guild as Vice Guild Leader Lee Jeong-Ryong Goes Missing']
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[DAS Patch Korea Official, 'We've been investigating Jin Tae-Kyung for months but couldn't find out anything. His relationships with women were surprisingly clean.' When asked by a reporter whether his past relationships had all ended amicably, he replied "No, that's not it. I've been single since birth."]
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For the various media outlets, the existence of Jin Tae-Kyung was nothing short of a Christmas present.
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All spotlights were focused on him, and stories about him flowed endlessly.
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The material was inexhaustible. Not to mention the so-called 'Winter War,' this recent monster wave, his past actions, and even minor personal details became fodder for the news.
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Typically, such sensationalist articles would have been scorned and cursed at, but now they captured interest.
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Such was the global attention drawn to this new hero who had led this great victory.
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But not all of that attention was positive.
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From the tight internal security, little bits of leaked information had begun to raise doubts.
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[Revealed: What Lies Hidden Behind the War's Great Victory? Growing Suspicions Cast Shadow on Jin Tae-Kyung]
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[Mystery Deepens: Tragic Deaths of S-rank Hunters Lee Jeong-Ryong and Wu Hei-Xing Raise Questions as New Hero Emerges]
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[Top Military Officials Question Battle's Intensity: Lack of Injuries on Jin Tae-Kyung Sparks Potion Use Probe; Clarity Expected Upon His Awakening]
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Though these conspiracy theories were few and often dismissed, they managed to sow seeds of doubt among some, igniting fervent online debates.
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The controversial articles were swiftly overwhelmed by waves of criticism and reports, but the questions they raised lingered in the public consciousness.
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Now, all eyes were on Jin Tae-Kyung, waiting for him to step forward and address the swirling rumors.
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When would he appear?
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* * *
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Beep. Beep.
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The room, reserved for a select few, was filled with the mechanical hum of the latest medical devices.
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Concerned faces looked down at Jin Tae-Kyung, who lay unconscious, an oxygen mask covering his face.
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「How is Mr. Jin's condition?」
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Choi Min-Woo responded to President Shao Yang's question.
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「It's always the same. Everything seems perfectly normal, yet strangely, he can't regain consciousness.」
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「Did both of them say the same thing?」
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「Yes. They can't determine the cause.」
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「Hmm. If that's the case, it must be certain... But why can't he regain consciousness?」
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President Shao Yang sighed.
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The two experts he referred to were leaders in their fields.
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One was a civilian doctor revered as a modern Hua Tuo, and the other was a world-renowned healer. [Note: Hua Tuo was a famous ancient Chinese physician. He is reportedly the first person in China to use anasthesia during surgery.]
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If both specialists they had brought in to treat Jin Tae-Kyung had said so, it must be true.
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「I heard his family has come.」
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「Our Peace Guild is taking good care of them. Fortunately, they are getting some rest at the moment.」
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「That’s good to hear. Might I be able to see them, even for a moment?」
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「Hmm... I will ask, but the family's wishes are most important...」
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「I understand. Who wouldn't feel the same, seeing their blood relative unable to wake up? I’d be grateful if you'd think of it as nothing more than an old man's foolish worry.」
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「Not at all, Mr. President. We appreciate you thinking so.」
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「Appreciate it? No need for such words. If it weren't for Mr. Jin, a much greater disaster would have occurred. Though I am an old man and may not have much time left, I will take this gratitude to my grave.」
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President Shao's words were sincere.
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Four days had passed since then, and a global team of experts investigating the Arch Lich's last stronghold uncovered traces of a Gate.
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The remnants of its immense magical power indicated a potential catastrophe.
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「If Mr. Jin hadn't stopped the Arch Lich that day, not only our country but all of Asia, perhaps even the entire world, might have become a battlefield.」
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「It's a very real possibility.」
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Although the statement was slightly exaggerated, it held substantial truth.
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Choi Min-Woo therefore acknowledged it with a nod.
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He saw no reason to shy away from the praise or to downplay the deep gratitude expressed by a leader of over a billion people.
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Indeed, gratitude, once extended, often yields rich dividends.
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「By the way, Mr. President, recently there have been some unfavorable rumors circulating about Mr. Jin Tae-Kyung... Are you aware of them?」
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「Are these internal issues, or external?」
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「They are internal. It would be more accurate to say they involve the upper echelons of the Communist Party, or rather, the Princelings.」
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President Shao Yang nodded knowingly.
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「I am well aware of those matters.」
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The matter concerned the death of Wu Hei-Xing.
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The investigation had uncovered his severely damaged body, fueling conspiracy theories both domestically and internationally.
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「There are those who suspect Mr. Jin Tae-Kyung. They point to a slight argument he had with Wu Hei-Xing at their first meeting and the fact that there were no significant injuries on Mr. Jin when he was first found.」
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There were two main theories circulating among these rumors.
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The first suggested that Jin Tae-Kyung, harboring resentment towards Wu Hei-Xing, had orchestrated his death and attributed it to the Arch Lich.
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The second theory proposed that Jin Tae-Kyung used Wu Hei-Xing as a scapegoat, potentially alongside Lee Jeong-Ryong, who is missing or presumed dead, to eliminate the Arch Lich.
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President Shao Yang, well aware of these narratives, had already formed his own judgement.
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With a stern voice, he assured Choi Min-Woo.
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「These are nothing but groundless slanders and conspiracy theories.」
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「Thank you for your trust, but...」
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It was a good response, but it was not enough.
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Choi Min-Woo hesitated, then added thoughtfully.
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「It seems the leader of the Princelings has a different view from yours, Mr. President.」
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Within China, these theories, seen by many as national disgraces, resonated with a father mourning his son.
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Wu Hei-Xing's father, the head of the Princelings and a figure wielding immense power within the Communist Party, was propelling these rumors forward.
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He didn't stop at just speculation; he had initiated an independent probe to investigate further.
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「If Mr. Jin Tae-Kyung regains consciousness, the truth will come to light. But for such high-ranking politicians to lead the spread of these absurd conspiracy theories...」
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As Choi Min-Woo's words tapered off, President Shao Yang's lips curled into a subtle smile.
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'No hesitation, I see.'
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Despite the young man's impressive feats, his circumstances differed markedly from those of President Shao Yang.
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Yet, here he was, confidently voicing his views, adeptly balancing his tone and stance.
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'Was that story true?'
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Recalling some personal details about Choi Min-Woo, President Shao Yang tapped the armrest of his chair thoughtfully.
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「Alright. It seems my explanation was insufficient, so I'll say it again.」
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「I'm listening.」
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「My comrades and I already know everything about it and have made all the necessary preparations.」
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「All the necessary preparations...?」
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「He will be put on trial before he appeals for his son's death.」
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The Arch Lich's fall wasn't the only outcome of this conflict.
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Widespread corruption and fraud have come to light, necessitating the dismantling of the Princelings.
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Choi Min-Woo's expression softened into a calm smile.
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「Is that answer sufficient?」
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「It is enough.」
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That concluded their discussion for the day.
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After a few more exchanges, President Shao Yang exited the room, leaving Choi Min-Woo alone. He murmured to himself thoughtfully.
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"So, it is done."
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Suddenly, someone's eyes snapped open.
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"Ah, fuck. I thought I was going to die from frustration."
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Previous Table of Contents

Keep your bio short, sweet and lighthearted. Avoid things and statements that can be used against you. You don't need something special or extravagant and having a bio that's too long or in depth can look as too tryhard. Instead work on your pictures, because in the end those will decide if someone swipes left or right on you regardless of what they say... because only once they decided that you are cute enough they will open up your bio
Tease slightly. Be humorous. Tell them how good your life is without directly saying it. And pictures pictures pictures. Each picture needs to be high quality. Bio doesn't have the same strength as decent pictures.
Write something that tells me about you--what you like to eat, do in your free time, watch on tv, last cool place you visited or want to visit next, whatever. The worst is guys who write nothing or just their IG handle, FFS. If that's all the time and thoughtfullness you can put into a profile, I'm going to assume that's what I'll get from you in a relationship. Also, is it laziness or complete lack of self-awareness? This is why writing even a little bit about yourself can be really important in this context.
Every girl is gonna be attracted to something different and the character limit blows. Just be yourself
OK, so, you officially downloaded Bumble, picked out your best dating-app-friendly photos, and brushed up on some Bumble openers. Now, it's time to create the best Bumble bio. But where do you begin?
Creating a good Bumble bio that stands out may sound like an intimidating task, but it's super important you don't half-ass this step. According to Bumble's US data from April, "those who added a bio to their profile experienced an increase in their average number of monthly matches than members who didn't," a Bumble spokesperson says. Clearly, it's important for a better dating experience.
But just because crafting the best Bumble bios sounds intimidating doesn't mean it has to be. Really, it starts with thinking about all of the things that make you you. With the help of a Bumble spokesperson, here are some tips and ideas on how to craft the best Bumble bios to score quality matches.
Tips on How to Write the Best Bumble Bio
Complete your entire profile first. Before deciding on what to include in your bio, Bumble recommends filling out the rest of your profile. Add to your "Interests," "Basics," and "Lifestyle" badges, which will give people an idea of who you are and what you're looking for. Then, take a look at your profile and decide what about yourself is missing from it. Per the Bumble spokesperson, some of the most popular Bumble profiles included information on a user's dating intentions, exercise interest, and zodiac sign.
Highlight the things that matter to you. The Bumble spokesperson said this will help to make sure you're matching with people who share similar interests as you. For example, if it's important you match with a fellow dog-lover, make sure you mention something about your own dog (or the type of dog you want). To stand out from the billion other profiles that mention a dog, don't be afraid to add some spice to your profile. "Try to jazz your bio up a little by exaggerating your statements or cracking a joke," the Bumble spokesperson says. Just remember, you don't have to say too much — brevity is key.
Focus on the positive and not the negative. Bumble data shows that positivity is one of the most important traits for Bumble members worldwide, according to the spokesperson. Instead of listing out what you don't want in a partner, hone in on what you do want. "Focusing on what you do like can be a much better way to find someone who ticks all your boxes," the rep says. In other words, don't use your bio to list out things you're not looking for in a dating-app match.
Ask those closest to you what makes you special. Ask your friends or family what key things they think a date should know about you, the Bumble spokesperson suggests. "They won't overthink it in the same way you might."
Once you're ready to write your bio, here are some ideas to get the juices flowing. Feel free to copy and paste, or tailor the below to your individual preferences and needs.
Funny Bumble Bios
"Would do dirty things to [insert the name of your favorite sports team's coach] if it meant the [your favorite sports team] would win."
"If you're not messing up the lyrics to 'Fergalicious' with me, I don't want it."
"My definition of loving me unconditionally is always giving me the last mozzarella stick."
"As an English major, you will 1,000 percent make my day if you prove you know the difference between your and you're."
"Always hungry, and I mean, physically hungry — not hungry for success, or anything."
Best Bumble Bios
"If you're down to rave with me, you have my heart."
"Looking for someone who also has an adventurous palate!"
"I'm DTF. Yes, that's down to food — always."
"If attending a Saturday morning SoulCycle date is your idea of 'fun,' I'm yours."
"What's your most controversial opinion?"
Sexy Bumble Bios
"Ice cream is my second favorite thing to eat in bed."
"In the mood for a glizzy, and not the hot dog kind."
"Looking to cook my famous lasagna in exchange for you showing me your favorite bagel spot the next morning."
"Nothing will turn me on more than a match who knows their Harry Potter."
"My favorite summer activity is playing sand volleyball, so you could say I'm pretty good on my knees."
Good Bumble Bios
"Team sweets over salty. Don't agree? Give me your best argument."
"Tell me about your next tattoo or piercing."
"I would sell my soul for an unlimited supply of my mom's homemade dumplings."
"Must know your thoughts on Beyoncé's new country album."
"If you like Pizza Hut breadsticks, Taylor Swift, and drinking way too many espresso martinis, we'll get along just great."

Phil Aston: Hello and welcome to the Now Spinning Magazine podcast with me, Phil Aston. And in this episode, I’m absolutely delighted to have with me Tony Martin, one of the UK’s most underrated rock vocalists. You’ve had a really varied career, but what we’re going to talk about today specifically is Black Sabbath and the new “Anno Domini” box set. So, welcome, Tony. Thank you so much for joining me.
Tony Martin: Thank you. And thank you for having me on the show. Very cool.
Phil Aston: A bit of context, because I think this is kind of helpful for you. My son is 30 now, but when he was 15, he set up a Facebook group, kind of saying, “One day, please can we have the Tony Martin Black Sabbath albums released?” That was 15 years ago. He was still at school, half his lifetime ago. And I think in the early time when he set this up, he may have reached out to you and you might have said something like, “I don’t think it’s gonna happen, Dan.” And here we are, all these years later, and it’s not only happened, but it comes out this Friday. How does that feel to know that these albums are now going to be available again?
Tony Martin: Well, first of all, well done to your son. It took 15 years, but he got it done. To be honest, there’s been a few periods when I didn’t think it was happening. In fact, about a year ago, Tony Iommi’s manager called me and said, “You know what, this is just so complicated. I don’t think we can do this.” So I was resigned to it not happening myself. It’s all to do with band politics, really. There are so many people involved or have their fingers in the pie that they all have to be on board. And there were allegiances changing all over the place, left, right, and center. So in the end, it was getting a bit tiring, but well done to Tony Iommi and BMG. My God, the patience they showed to get this thing together and actually get it out there. Wow. But how does it feel? It feels brilliant, to be honest. I’m very excited. I haven’t actually had these albums in my own hands physically for the past 25 years. I gave all mine away thinking I’d be able to get some more, and I didn’t. They just stopped making them. So to actually physically hold them again is really cool. What a great job they’ve done of it. So I’m thrilled and excited. And I’m helping out now because I’m not in the band, obviously, anymore. So I just offered my help to promote it and they said, “Great, let’s do it.”
Phil Aston: Isn’t it amazing? Because I’ve done quite a few reviews about Black Sabbath box sets and stuff, but this one, within about 12 hours, there’s literally 12,000 views of the review. The love for this period of Black Sabbath is actually huge. It’s grown. It almost feels as if the profile is higher now than it was at the time.
Tony Martin: Yeah, there is a kind of reason for that. Partly people have got over the “it’s the new guy” thing, and also it’s been 25 years since. So now we’re reaching out to a whole other group of people, in addition to those that were already there. But to the outside world, it looks like there was a huge gap, and to me it felt like a huge gap. But actually, the fans were always there. I’ve been waiting myself as well to get this back out there. And it’s just band politics, really. That’s all it is.
Phil Aston: Because you had that period when it was almost as if this part of Sabbath’s history was hidden because of band politics. None of this really happened, which I think probably stirred up more interest and kind of people wanting to find out more.
Tony Martin: Yeah, it could be. It’s an old famous thing, you know, if something ain’t around for a while, people start talking about it. But yeah, it’s a strange thing, the music business. You’re either in fashion or you’re not. But I am just thrilled that they’ve got around it. Just the patience they’ve shown to actually put this together. At one point they were just saying, “We can’t do it.” But I’m really chuffed anyway.
Phil Aston: I imagine there’s been compromises along the way. Lots of fans probably don’t understand how complicated the politics and all the different licenses and everything that goes on over the years, they become more and more entangled. People say, “Where’s Eternal Idol?” But of course, that was a different record label. Different people own it.
Tony Martin: Yeah, absolutely. It’s owned by somebody else. And also Eternal Idol, or “Eternal Idiot,” as we call it, was kind of reissued not that long ago. Really.
Phil Aston: That’s right. With the two CD version, wasn’t it?
Tony Martin: Yeah. So they were kind of thinking, “Well, there’s no real panic because that’s already been done and let’s just move on.” Because that would have wrapped them up in contracts for centuries, I think. I can’t even think that they’ll ever get them to let that go. But they were struggling to get the people involved with these four albums to make up their minds and do stuff. I’ve been all for it all the way along, I have to say. Obviously, because it’s my career, my history. It’s not just the band’s history. It’s ten years of my life that went AWOL. So, yeah, I’ve been up for it all the way along, but some people don’t and it’s taken them a while to get on board.
Phil Aston: I think it’s fantastic. The first one was Headless Cross. You joined one of the biggest rock bands with all that history behind it. You were an established singer with the Alliance. But this was a chance, as you say, with Eternal Idol, you went in and it was already prepared. You sang it, but this one was where you could really put your mark on it, your personality lyrically as well as musically. Can you remember what it was like actually being at the beginning of that? Did you feel comfortable around Iommi and Powell and thinking, “Right, what kind of lyrics am I going to do by Headless Cross?”
Tony Martin: Yeah, I was comfortable by then. Well, kind of. The thing is, with Eternal Idol, if I can just backstep a little bit. The Eternal Idol wasn’t the first call up. The first call up was in 1986 when they were doing the Seventh Star with Glenn Hughes. And that scared me to death because I can’t sing like Glenn Hughes. Nobody can sing like Glenn Hughes. They put me on standby back then, so I’d sort of tentatively had an introduction to Tony Iommi. Then in ’87, they got me in for the audition, and that was the next introduction to Tony Iommi. But because Eternal Idol was already written, that gave me a whole year plus a bit more to find out what this thing was. What the hell was I supposed to do? So just doing Eternal Idol like that was fine by me because I didn’t have to discover anything myself back then. It gave me a chance to get my feet in. So by the time it got to Headless Cross, now I know all the guys, and I kind of know what’s expected of me. I still had to find the “me” that I needed to find. I went around it the only way I could, by focusing on things I was interested in. I couldn’t do the lyrics and melodies that Geezer was writing for Ozzy because that was a generation before me. The stuff that Ronnie was doing was fantastic, but I couldn’t get inside his head. So I had to think about what I was going to do. I had an interest in the old gothic death stuff, like Dracula and Frankenstein, Mary Shelley type writing, and of course, in England, we have Shakespeare. Nobody speaks English like that anymore, that old English text. I thought, “Old English text, gothic death, and Black Sabbath. That might work.” So I put them all together and came up with Headless Cross, which is where I lived. I lived in a village called Headless Cross.
Phil Aston: Yeah, you put that on the map. They weren’t pleased about it. The most recognition I’ve got is my name on a bus stop. And Cozy Powell thought the album needed more death, didn’t he?
Tony Martin: Oh, that’s true. That’s actually true. We were recording “When Death Calls,” and he was in the studio playing, and he suddenly stopped. We went, “You alright?” He went, “Yeah, just remind me, what’s this song called again?” I said, “It’s called When Death Calls.” He said, “I don’t think there’s enough death in it.” And he carried on playing. So, okay, maybe he’s taking the piss, but isn’t it such a great sounding album? As Tony Iommi says, he never left Black Sabbath. So when people criticize him, saying, “You should change the name or whatever,” he never left. So it was still Black Sabbath. The riffs, the guitar sound was reaching new peaks of excellence around this time.
Because when it was just him and Ozzy, for example, it was guitar, that was it. When Geoff Nichols joined during the Dio period, it introduced a few more keyboard things. That allowed Iommi to play solos against those keyboard pads and chords. And then you come along and start sticking 50 tracks of vocal harmonies on it, like in Anno Mundi and stuff like that. It just kept developing. Sabbath isn’t really known for vocal harmonies and keyboards, but underneath that was still Tony Iommi. And it still sounded like Sabbath. We were happy to do that. We just wanted to make Tony happy and do the best for him. It was his band. So we were happy to seek out that Sabbath sound and make sure it did what it said on the tin. A couple of times, like with the Seventh Star thing, he ventured a little bit away from it. Songs like Heart Like a Wheel don’t really make the Black Sabbath sound, but it’s still good stuff. I have great respect for all of the eras that went before. I had to sing all of the songs. So I do have great respect for it. And it’s been an honor, you know, like being part of the whole story. But he was the only one that stuck it out. And we respected him for that. You’re right, they did ask him to change a couple of times. He said, “No, I can’t change now.”
Phil Aston: The next one, if I pronounce this right, it’s Tyr.
Tony Martin: Yeah.
Phil Aston: Because when it came out, me and my friends, actually, because there was no Internet back then and nowhere to go and check it, we did call it Tyr. To be.
Tony Martin: Yeah, Tyr.
Phil Aston: Watch you find in Birmingham. You know what I mean? So it actually rhymes with beer, doesn’t it?
Tony Martin: It is, yeah. Actually, it’s Tiw, which is Scandinavian for the son of Odin or something.
Phil Aston: Well, this is almost as close, probably, to Sabbath getting into almost a concept album. Isn’t it? This is a collection of songs that in another time and space you probably as a band would have gone out and performed the whole thing.
Tony Martin: Yeah, it wasn’t meant that way, but they were struggling to find a name for the album. We were recording and getting towards the end and the management called us up and said, “We really need a name for this album.” And Cozy said, “I’ve got one. Let’s call it Satanic Verses.” We went, “What, like Salman Rushdie thing?” He said, “Yeah, it would be great publicity.” We said, “Yeah, but we’ll all be dead.” So we did struggle, but they happened across the artwork. We’d done Anno Mundi, we’d done Gates of Valhalla and all that sort of stuff. They went, “What if… Tyr?” It was fine by me. So it took on the Viking sort of theme. By that time, I was thinking, once I’d done Headless Cross and started to have an interest in the Vikings and stuff. As you know, the Vikings haven’t been particularly good for us. They came over and stole all our women and sheep and whatever. But I had an interest in them as well. So I was thinking, every culture, every religion has its dark side. There’s always a devil type in a god type. I thought we could go around the world and I could do this. You could pick up on all sorts of cultures and pick out the dark side of various things. But it was the last kind of… I still did that with various other songs and various other artists. But Tyr was leaning towards that theme.
Phil Aston: It’s an excellent album. Then of course, the strangeness of the politics in Sabbath. Dehumanizer comes along and Dio re-enters the scene. You obviously had an opportunity because every cloud has a silver lining. You can go off and do your solo album at this time. But you did kind of like… It sounds like it was almost a forced relationship, the way that he was and he wasn’t. I mean, how was that period for you? Because you did demo some of the tracks, didn’t you?
Tony Martin: Firstly, it was a shock. I didn’t see that coming at all. Literally just walking out the door to the next writing rehearsals. My managers called up and said, “They don’t want you to go.” From what I recently found out, although I had my suspicions, Tony Iommi said the record label just wasn’t supporting it. They weren’t getting behind us at all. Then they started banding about all different names and stuff, and Ronnie’s name came up. They thought they’d give it a go. He said it was all on and off all the time. After they let me go, it wasn’t too long before Tony called me back and said, “Can you come back?” I said, “No, I can’t. I’m doing my solo album.” More time went by, and he called me back again and said, “Are you sure you can’t come back?” I said, “I’m doing my solo album. I really can’t.” He said, “Do you want to come down and try?” So I did. I went down and tried putting my voice on some of the songs, but it would have meant rewriting everything, and they weren’t going to do that. So I said, “The best thing is if you finish this with Ronnie, get this done and out of the way, then maybe we can talk again later.” So that’s kind of what happened. By that time, I’d done my solo album, which I wanted to get as far away from the Sabbath thing as I could at the time. I went back to doing what the Alliance and some of the bands I’d been with, that middle-of-the-road AOR type stuff. But when they called me back to Sabbath, Polydor dropped my solo album like a brick. They said, “We can’t do this if you’re going to go back with them.” So that got stopped. It’s so confusing. By the time I got back with the guys to Cross Purposes, it didn’t feel that much of a gap for me, because I’ve been talking to them and working with them through the Dehumanizer thing.
Phil Aston: Stylistically, that album, because it was on the IRS label, I know some people have said, “Well, it should be in there.” Stylistically, musically, it’s very different. I mean, you take it out. These four albums in this set, excluding Eternal Idol, they sound like a progression. Dehumanizer sounds like a kind of sidestep. Even the way the riffs are done in the songs, it’s changed. You take the vocalist out, but the music continued. You took you out and it was very different.
Tony Martin: I suppose it does a bit. If I go back and think over it, I guess that’s what it was. It was kind of an interruption into the flow of things. When we were doing Tyr, I thought we were doing really well. I thought we were onto something. Dehumanizer, in that sort of respect, does feel a little bit like an interruption. But there was some good stuff on there. Ronnie’s always been a good singer. I don’t quite know how they feel about it, but it was kind of nothing to do with me. I just let them get on with it.
Phil Aston: After that, Cross Purposes is probably, out of the four albums in this set, my personal favorite. Geezer’s back in the band now, so you’ve got his bubbling bass in there. And again, lyrically, it’s all you. Did you feel any kind of, “Oh, Geezer’s back. Will he want to help out?”
Tony Martin: I did ask. He just said, “No, you can do it.” So I just carried on.
Phil Aston
The reason why I love this album is that it’s varied. A lot of people think of Black Sabbath as the Godfathers of heavy metal, and heavy metal is always heavy metal. But if you think back to albums like Sabbath Bloody Sabbath in the seventies, they weren’t all heavy metal. There were all sorts of things on there. There were keyboards and light and shade. This, I felt, connected to that album, because you had light and shade on it. So there were more dynamics in the lyrical delivery and the song delivery, in the way that Iommi is weaving his riffs around the melodies. What are your thoughts looking back on this album now?
Tony Martin: I think you’ve just summed it up. It did sort of shift up a notch. Not only that, but the sound they were getting with Leif Mases producing it, it sort of grew up. It lifted somehow out of what they’d done before. It felt like, “Oh, this sounds good.” The songwriting and the exploring we were doing with the songs and stuff. At the time, Geezer Butler said that’s the best album he’s ever been on. He never said that again, but he said it at the time.
Phil Aston: I can imagine him saying just that.
Tony Martin: But it was good. Having Bobby Rondinelli in the band as well. Technically amazing. Brilliant player. His drums close in, and he plays with his wrists. Very technical. Whereas Cozy’s drums are stretched out far and wide. He’d lean over and hit them. But great to have them both in. What an honor. I mean, it’s Geezer Butler as well.
Phil Aston: When you got to South America, Bill Ward was in for a few gigs, wasn’t he? That must have been quite surreal. Bill Ward and Geezer playing songs like Headless Cross, which they had nothing to do with.
Tony Martin: They had nothing to do with. We were kind of weird because once we’d started to get Geezer and Bill back in, they wanted to start doing more of the older songs. That just makes you look, read between the lines going, “What’s going on? Where’s this going?” Once it’s happened to you, you know it. Then you’re reading between the lines. You start to feel it. Then you go, “Ah, right.” You can feel it. They’re clearing up. I did ask if they were going to do a reunion with Ozzy. Iommi was always denying it. Said, “No, no, we’re not doing that.” But I didn’t mind. The reason for that is because I knew what I could do in the future then. I thought, “Well, if they just tell me, that’s fine. Cause then I can plan.” The first time it was a shock and I didn’t know what to do. But I was kind of keyed up for it the next time. But he kept going. They got Bill in. I love Bill. I think he’s brilliant. We did some shows with him. But for some reason, and I don’t know what it is, I mean, I can tell you Iommi loves Bill. He regaled so many stories about when they were out there and how funny it was. I never understood why they never gave him time to get back in it. When you think of Def Leppard, they made a drum kit for a one-armed drummer.
Phil Aston: Yes, very true.
Tony Martin: Surely they can find time to get Bill settled back in. Whatever problems they’ve got. I mean, come on.
Phil Aston: You would think, yeah, very true.
Tony Martin: Get on with it. I thought, “Right, this is going to go south again.” But it didn’t. We carried on with Forbidden, and then Cozy came back after his accident. It was really up and down. Confusing. People in and out. During the time I was in the band, there were eight different lineups.
Phil Aston: It was very much a revolving door, wasn’t it? Before we move on, I just want to ask, because I know a lot of fans ask this. In the booklets in these box sets, there’s an image of Cross Purposes Live. That was a VHS tape and a CD. Is there a reason why that wasn’t included in some way? Is that game politics?
Tony Martin: I did ask about that, and they were just keen to get on with it. They said, “Come on, let’s go, let’s do it.” What they told me was that they’re going to take their time now to see what else they can gather and do an additional thing to this along the way with more of that in it. With the Cross Purposes Live and some other stuff. There’s a track that I recorded with them when Eddie Van Halen came and did Evil Eye.
Phil Aston: Yes, yeah, Evil Eye, wasn’t it?
Tony Martin: Yeah. I used to take the track out. I had it everywhere. Writing sessions, recording sessions, rehearsals. I just happened to be there. I didn’t even know who was coming. Iommi just turned up with Eddie Van Halen. I went, “Holy hell, it’s Eddie Van Halen. What’s he doing here?” He did some rehearsals with us and then disappeared. Never saw him again. But I got the recordings of the rehearsals that we did.
Phil Aston: Oh, wow.
Tony Martin: So I sent them to Tony Iommi. I said, “Use these. Get these on.” He said, “No, no, we can’t.” The reason they said was anything that has the slightest newness about it looks like a new Black Sabbath track or album track. They’re not allowed to release anything new under the Black Sabbath name. So even if it’s historical, they couldn’t allow it. It’s really weird.
Phil Aston: That means there must be lots of live stuff recorded. More bands were recording live stuff from the nineties onwards that you just couldn’t work on because it would go out under the Black Sabbath name.
Tony Martin: Not just live stuff. I’ve got about eight tracks that we never released. Just from the writing sessions and rehearsals and stuff that we used to do. They just can’t get out. They just won’t allow it.
I don’t understand. Well, I kind of understand. When you’re trying to protect your name, your mark, your image, your everything, which is where the band politics comes in, they won’t allow you to do anything that they think. And there’s all kinds of… Everybody from Ozzy to Dio to everybody. They don’t want their thing to be diluted or taken away. I do understand that. There are people involved all along the way that have an objection of some kind or another.
Phil Aston: But I guess, hopefully, this box set’s going to sell out really quickly and will show there’s a demand for this material and for this part of Black Sabbath history. There’s a lot of love for it. A lot of people worked really hard within it, like yourself. They’re great albums, wonderful songs. If there’s other music waiting in the wings, whereas we all get older, thinking through the eyes of the fan, it would go down so well, wouldn’t it? But I am, as you are, very grateful that these four albums have arrived in a box.
Tony Martin: Yes, it’s an important thing for me. It’s an important thing for the band, and it’s a great thing for the fans. I’m thrilled. It’s been an honor to be part of the story. I love the fact that it’s out there now. They did say there is no limit to the box sets. They have sold out on day one.
Phil Aston: I’m not surprised.
Tony Martin: They said the way they do it is they tend to poll the outlets and stuff and say, “How many do you think you can sell?” And they put their numbers in, and they’ve gone way past that. So now they’ve got to go back and produce more. There’s no limit to it. I love what they’ve done. There’s more in the box set than just the albums. Posters, programs, and everything.
Phil Aston: And then Forbidden. I’ll be honest, Tony, when I heard this for the first time back in the day, I didn’t like it. I tried, but I didn’t like it. My son liked it because I think probably because his dad didn’t. But now the remix, it’s as if someone’s released the drums and the guitars. It sounds like a Black Sabbath album. It sounds fantastic, doesn’t it?
Tony Martin: It does. It’s brilliant. I love the fact that they’ve dismantled it and put it back in a way that they couldn’t or didn’t with the other three. Forbidden needed it for all kinds of reasons. It was done under a sort of cloud where a lot of us weren’t really into it very much. But it was also an attempt at trying to give Sabbath a kind of acceptable twist to the youth. It didn’t work.
Phil Aston: The nineties were weird, weren’t they? The nineties were strange for heavy rock.
Tony Martin: The problem was we were fast heading towards great new bands like Nirvana and eventually Green Day and Metallica doing stuff. We were going and they were trying to change the sound to fit in. It didn’t work. We didn’t think it would. But there are people out there that love Forbidden as it is. I said that to Iommi. Last time I saw him, there are people out there that love it. He said, “They’ll probably love this version now.” But shaking the chains, guilty as hell, rusty angels, forbidden. And of course, “Loser Gets It All” is a great track. That wasn’t even on the album originally.
Phil Aston: It’s brilliant.
Tony Martin: Yeah. Strange. I absolutely love it now. It does sound like a Black Sabbath album. It sounds like it should be there in amongst the others. They’ve done a great job. Tony and his engineers have really pulled it together. It’s slightly more guitar and slightly less keyboard. They’ve done Cozy’s drums. Fantastic job on those.
Phil Aston: They’re just unleashed, aren’t they?
Tony Martin: Yes. They haven’t changed anything. They’ve mixed it and given it a new attitude, which is brilliant. They’ve given it more space. It sounds bigger. I just love what they’ve done to it. I’m really proud of it now. I didn’t like it then. There’s still a couple of tracks where I would love to have gone back in and…
Phil Aston: Yeah, you know.
Tony Martin: I thought at the time, because I was that off it at the time, my head just wasn’t quite there. A couple of tracks I thought I could have done better. I did sort of say when they were doing it, “Can I go back in?” They said, “No.”
Phil Aston: I suppose because that might edge towards it being a new recording then.
Tony Martin: Yeah, tricky. I’m not going to tell you which tracks it is, but there were a couple in there that I wasn’t quite happy with. But on the whole, it’s a great job they’ve done.
Phil Aston: Because when you were playing live, there were more songs from your period in Sabbath coming into the set, weren’t there? You were a unique vocalist in many ways for the band. You could cover Ozzy, Dio. You probably could have done Ian Gillan. Anything. You could have the ultimate set list, really, going through every era.
Tony Martin: That was a bit of a mistake. I told them I could sing anything, really. They thought, “What can we give him to sing?” They threw all sorts of stuff at me. I had a shot. Fortunately, I’ve got the kind of voice that can get around most things, and that’s a result of being in so many different kinds of music. I’ve been involved in everything from reggae to rock.
Phil Aston: Who were your key vocal influences growing up? As you say, outside of this Black Sabbath badge, your voice can go in any direction. So who were your influences? Was it blues, soul, rock?
Tony Martin: It kept changing. Everything I listened to, I thought, “That’s good. That’s good.” Each couple of years, something else took my attention. I’d really pour my soul into it. When I started off with reggae, believe it or not, I worked with Musical Youth and Dexys Midnight Runners in the studio. I was a guitarist back then. Then I loved blues. I got into prog rock bands like Yes, King Crimson, Jethro Tull. Then it shifted to Emerson, Lake & Palmer. That led to Rush and bands like that. Then I had to come down out of that prog rock technical stuff because Sabbath is much more honest and basic and straightforward. To a point. When you’re in the band and you find out how he does it, it’s stunning. I never even gave it a thought. I thought, “It’s got to be easy.” It wasn’t easy at all. Iommi can put seven, eight different riffs into one song, and each one of the riffs could be a song on their own.
Phil Aston: Very true.
Tony Martin: So, wow. You get your head around it. It’s weird. Plus, the time signatures he was throwing at us. There was a 14/4 and a 15/8 or something he was throwing at us. How he gets his head around it, I just don’t know. When I saw him a few weeks ago, he said, “You did a really good job on this.” I said, “Thanks, man.” He said, “I actually don’t know how you sang over some of this stuff.” I said, “Neither do I.”
Phil Aston: Just mad, isn’t it? You could try anything. I might have thought, “That means you might be able to put some of the songs in that Ozzy couldn’t do into the set. Or I can try something that I’ve never been able to do before because Tony says he can do anything.”
Tony Martin: It’s because I showed willing. I told them I’d have a go. And I did have a go. I did put into it. The songs, the writing, the live shows, whatever. I kind of made a rod for my own back in some ways because it was hard flicking between all of the different vocal techniques. But I did my best. It sort of came across okay. The problem is when you try to do stuff like that, it can sound a bit like a tribute act. But we got it nailed, I think. Especially having people like Cozy Powell, Geezer Butler, and all those guys in the band. We were willing to seek out that Sabbath sound, and we were conscious of it. So we were all aiming for the same thing. From outside, it might have looked like a chaotic mess. But on the inside, it all had a focus. We were all willing to give it a go. That’s what I think they saw in me. I knew they liked my voice, but I think that’s what they saw, a willingness to have a go and see if you can make it work. All those different time signatures and riffs that I had to go, looking back, to me, it’s Black Sabbath. Like,
Phil Aston I’m a Deep Purple fan, and every lineup of Deep Purple is still Deep Purple. I know Black Sabbath, there’s lots of politics in the way some of the fans look at it. But I think, which is why they had Heaven and Hell later on instead of Black Sabbath, because of the politics. But listening to these four albums, one after the other, you brought to life Viking mythology and song. More death. Just your passion and the way you projected the lyrics and your phrasing makes these albums unique. An important part of the Sabbath story. Finally, do you feel like this outpouring of love for this lineup is validating everything? Any doubt that might have been back then?
Tony Martin: Yeah, doesn’t it just? The biggest validation is from Tony Iommi himself. It wasn’t regarded that highly until he sat and listened to it without the bickering going around. When I went down a few weeks ago, he said, “You did a great job on this. There’s fantastic songs on here.” I said, “I know.” It’s just that validation that he gives it. The fact that the fans are returning to it. The fact that we’ve got new fans coming to it. Whole new record labels. I think it’s Rhino in America. It’s BMG in the UK, Europe. The record labels are coming back to it and getting behind it. They see something in it. The management sees something in it. So it’s all coming together. Which is a shame because I’m not in the band anymore.
Phil Aston Who knows? Maybe you and Tony will think, “It’d be great if some of this other stuff can come out at some point and we don’t have to wait another 25 years.”
Tony Martin: If he was going to do that, he’d say, “Let’s just write some new stuff.” But from what I’ve been told, Tony’s touring dates are done now. He won’t be going out on the road again. That’s probably out of the question for writing. I did tell him I was interested if he wants to do something. But he’s got so much going on. He’s still busy. Doing stuff. He had that ballet, the Black Sabbath ballet.
Phil Aston: Yeah, that’s true.
Tony Martin: Never saw that coming. No, he’s working on all kinds of stuff. He’s writing new material for something else now.
Phil Aston: So what about you, Tony? Have you got any plans for another solo album?
Tony Martin: I never actually stopped. For the past 25 years, my career took me into the studio and writing for people. My voice appears on 89 albums and projects now. It’s been good for me. I owe everything to Black Sabbath because that’s how the world got to hear my voice. People know what they’re talking about when they talk to me. “Can you write, can you sing on this?” They already know what they’re hearing or expecting. I always try to make it better than what they give me in the first place. A lot of that is me in the studio, and I’m happy, and I still am, happy doing that. But I do tend to choose what I do these days.
Phil Aston: Yeah, that makes sense.
Tony Martin: So I’m still doing the odd thing for people now. I did have a solo album a couple of years ago called Thorns.
Phil Aston: Great album.
Tony Martin: Yeah, totally unknown guitarist from America, Scott McClellan. I only met him because he kept badgering me on Facebook. He kept sending me stuff. I was like, “Go away.” He said, “Listen to this. What about this one?” In the end, I listened to it and it was brilliant. So I gave it a go and it turned out really well. But then Covid interrupted that and we couldn’t get out there with it. Some countries were saying, “Yeah, you can come,” and other countries were saying, “No, you can’t.” It all got distracted. I haven’t finished with Thorns because they wanted to do a vinyl for it. They said we had to take some tracks off to get it to fit on the vinyl. I don’t want to take any tracks off.
Phil Aston: Make it a double.
Tony Martin: Yeah, make it a double. Write some more. I wasn’t prepared for that. I’m pacing up, trying to write some new songs. Scott has sent me loads. We’ve got enough tracks for Thorns 2, but I haven’t finished Thorns 1 yet. I’ve got to come back to that. I do want to finish that off and get that done. Then if we can do the next Thorns thing, who knows? We’d like to try and get it out on the road. Getting out on the road for me is so different to the Sabbath thing. The Sabbath machine is huge. They only have to mention it and all the cogs start turning all at the same time all the way around the world. It all starts fitting into place within days, within weeks. On your own, it’s different. I can’t do that. I have to hire other musicians to go out on the road and rehearse the whole thing and start again with a brand new show. It’s a lot harder for me, but I would love to get back out there. My career took me into the studio, so I’ve got more to do. But I just tend to choose now.
Phil Aston: If people want to get Thorns, is it DarkstarRecords.net? Is that the best place?
Tony Martin: No, Battle God. They are the main label. Darkstar were involved and they’re still there, but they’ve had some troubles in the past couple of years. They were on board and I did two versions of it from between the two territories. I liked that. But mostly now, Battle God is the label to grab hold of it. It’s still available and I’m still signing them. People send me the stuff to sign.
Phil Aston: But I haven’t finished yet, so there’s more to come.
Phil Aston: Brilliant. Well, thanks very much, Tony, for all of your time today. Everybody, make sure you go and get a copy on CD or vinyl of this Black Sabbath Tony Martin years box set, “Anno Domini.” It’s absolutely superb.
Tony Martin: Yeah, it is good. I’m just smiling. I think it’s brilliant.
Phil Aston: No, that’s it, isn’t it? Whatever anyone thinks, these albums are available again. People can hear just how awesome this time for Sabbath really was.
Tony Martin: Thank you. Thank you very much.
Phil Aston: All right, take care, and hopefully I’ll talk to you again in the future.
Tony Martin: Thank you. All right, Phil, thanks, mate. Cheers.
Phil Aston: Well, a huge thank you to my guest, Tony Martin. That was fantastic. I’m almost lost for words in knowing what to say to sum up that interview because I know a lot of you are really interested in this box set, “Anno Domini” by Black Sabbath, which is out on CD and vinyl. Just as I thought, it’s sold out already, but there’s going to be another pressing. I was able to ask some of the questions I know some of you have been wanting to know, like why weren’t there extra tracks? Why wasn’t the live Cross Purposes included, etc. So now you know. Some of it is really exciting because it means there might be a companion set with some outtakes or live stuff as well. That’s really exciting.
Tony Martin is a fantastic vocalist, really passionate, really imaginative with his lyrics and his vision of how he writes his music. These four albums are essential. They’re Black Sabbath albums, okay? That’s what they are. They sound like Black Sabbath albums. Wasn’t it interesting that Geezer Butler said Cross Purposes is the best album he’d ever played on? It is a truly remarkable album. But they all are: from Headless Cross, to Tyr (which I can now pronounce correctly), Cross Purposes, and Forbidden, which has been given a new lease of life. Seriously, it is incredible. Just stunning.
Thank you again to Tony Martin for joining me here on the Now Spinning Magazine podcast. Please keep spinning those discs, whether they are vinyl or CD. Check us out on the podcast. We’re on every platform you can think of, from Apple to Spotify to Amazon. Of course, we’re on YouTube. Please subscribe and check out the website at nowspinning.co.uk. Remember, music is the healer and the doctor. So take care and I’ll see you all very, very soon.
Watch the full interview here
Phil Aston Now Spinning Magazine

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“I told you there would be nothing in that military check point,” Barrett said. He cleaned his hands from bloodbug residue. “Only abandoned cars and empty cigarette machines.”
“Okay, I was wrong!” Simon admitted. “Is it my fault that I have hope?”
“No one ever knows out here,” Kevin chimed in.
Simon affectionally grabbed his youngest brother by the shoulder.
“See, Barrett, this is what a supportive brother sounds like.”
Barrett grunted.
The three brothers continued to follow the broken asphalt road. In time, the sky above them disappeared behind the ruins of an interstate highway. Its massive concrete columns towered over the horizon. It had cast a long shadow over their route.
Kevin stopped his brothers.
“Is that an elevator?” He pointed to the yellow cable lift that ran up to the overpass.
“I’m not using that,” Barrett quickly responded. He touched his stomach unconsciously, cognizant of his size and weight.
“Yeah, that might be an adventure for another life time,” Simon said, noting the precariousness of the cables that rose up to the ruins of the highway overpass.
Kevin pursed his lips with a modicum of disappointment. As the youngest and smallest of the three, he possessed more daring than his brothers combined. Perhaps this difference was due to the inexperience of his age or the simple fact that Kevin had a different mother than Barrett and Simon. His courage may have been a genetic inheritance that the others lacked.
“House!” Simon spotted the wooden building before his brothers, who still focused on the elevator and the possibility of ascending it.
“Let me guess, there’s going to be treasure inside of it,” Barrett said sarcastically.
“There could be!” Simon replied.
As the young men approached the building, it became apparent it had been apart of a long abandoned settlement. From their higher-ground perspective, they could see the ruins of several buildings roll down the landscape and into the consuming waters of the Charles River. The houses closest to the river had flooded and slowly rotted in the river’s murky water.
“We got a lot of work to do,” Barrett said. His siblings could hear the smile in his words. They knew that there would be at least one piece of worthwhile loot among these buildings. Barrett, however, wanted more than the natural greed of survival. The big man itched for a real fight.
“Raiders, Ghouls, or Mirelurks,” Kevin asked.
“Five caps on raiders,” Barrett said. His hand dropped to the pipe pistol holstered to his thigh.
“Five for mirelurks,” Simon said.
“I guess, I take ghouls.”
The three men moved closer to the first building. The residence, once a beautiful suburban home, had decayed over the two hundred and twenty years since its owners died in the nuclear fallout. Yet, despite the age of home, its door seemed to have been freshly repaired.
Simon, as per usual, approached the entrance with military tact. Barrett positioned himself behind his older brother. He placed one hand on Simon’s shoulder and the other around his pipe pistol. Kevin checked their flank and readied his pipe rifle.
Simon lifted his hand. He counted silently with his fingers.
One. Two. Three.
He grabbed the door and yanked it open. Barrett entered the building, his pipe pistol scanning the interior of the house.
“Clear!”
Simon followed Barrett. Kevin slowly backed into the building. He closed the door behind him.
“Stairs,” Barrett said to his brothers.
Immediately, the big man took the lead, scanning the floor above him with his pistol at eye-level. Simon followed in the wake of his larger brother, keeping his eyes straight to the top of the landing. Kevin stayed on the first floor. He found a corner, pressed his back into it, and crouched. He kept his eye on the front door.
“Clear!” Barrett’s voice rang through the structure.
“Nothing for nobody,” Kevin said, standing from his position and letting his rifle hang limply in his hands. He thought at least one ghoul would be hiding in the house. Their fraternal bottlecap wager would have to wait another house.
“Cheer up! Better luck in the next building.” Simon said as he walked down the stairs. “Right now, we have some time to loot.”
The brothers began the careful examination of the residential building.
Despite two centuries of rain and snow the building seemed to be in good condition. Clearly, since the bombs fell, a series of squatters had made improvements and adjustments over the years. In fact, the house seemed almost luxurious compared to the standards of the Wasteland. The floors had been redone with new planks of wood. The walls had been scraped of their original wallpaper and painted a light seafoam green. Although the glass from the windows had been long destroyed, curtains hung over the wooden shutters that secured the windows from the exterior world.
“Ooo!” Barrett exclaimed upstairs.
“What’d you find?” Simon called out. He stood at the bottom of the staircase and waited for a sign.
“Caps stash!” Barrett appeared with a grey tin can. He shook it and a number of caps inside of it pleasantly jingled.
“And you thought there wouldn’t be any treasure?” Simon laughed to himself.
“And the fridge is full!” Kevin called.
Barrett rushed down the stairs and joined his brothers at the fridge. Together, they drank a bottle of mostly clean water, each taking sips and passing it to the others. Then, they finished a plate of crispy squirrel bits.
“Almost fresh,” Barrett said, shoving a large handful into his mouth.
Simon continued his perusal of the house as he chewed his last portion of squirrel meat. He went to the living room section of the main floor and rummaged through a chest of drawers.
“Women’s clothing?” He lifted a dress from the chest of drawers and showed his brothers. The light green dress seemed to be in relatively good condition. The clean herbaceous smell of carrot flowers wafted into his nose.
“Someone might still live here,” Barrett said, looking at a bouquet of fresh hubflowers on the table.
Kevin looked from one of the windows. “I think he’s just arrived.”
Before Simon and Kevin could arm themselves, the door opened. An old man entered with two buckets of water. At the very moment he saw these three men, he dropped the buckets on the floor and rushed out of the building. One of the buckets spilled its contents across the floor, slowly dribbling down the front steps. Meanwhile, the old man pressed his back against the exterior wall of the building.
“What are you doing in my house?”
“We didn’t know!” Simon shouted back. “We didn’t mean to trespass!”
“Well, you did. Now, what are you going to do? Kill an old man and take his home?”
“Not if you let us leave unharmed!”
“How do I know that you’re not raiders?”
“You can’t,” Simon shouted back. “You can only make a leap of faith.”
“And why would I that?”
“Well, for one thing, there are more of us than there are of you.”
“Send one man out.”
“No!” Simon responded. “How do I know you’re not just going to shoot him the moment he leaves the building?”
“You can’t,” the old man shouted back. “You can only make a leap of faith.”
Simon felt bested by the old man’s negotiating skills.
“I’ll go,” Kevin said to his brothers.
“No, I will.” Barrett put his hand on his younger brother. He would gladly die in his place.
“There’s less of me to hit,” Kevin bantered.
Barrett grunted, but he could not stop himself from smiling.
Simon thought about dissuading his brothers, telling them that no one was going to leave the house, but this show of trust needed to be made. If things went well, there could be a chance that the three of them could profit from this encounter. Perhaps, they could spend the night sleeping inside a warm house and finally be able to get a proper night’s rest.
“I’m coming out,” Kevin shouted to the old man.
“Unarmed. With your hands up! If I see so much as a big iron on your hip, the deal is off.”
Kevin placed his pipe rifle and his switchblade on top of the chest of drawers.
Simon stepped close to his brother and embraced him.
“If he harms you, I will make sure he suffers until his very last breath,” Simon whispered.
Kevin squeezed his brother tightly and went to the door.
“I am approaching the door now,” Kevin shouted. “My hands are up.”
Kevin stepped over the spilled water bucket and crossed the threshold of the house.
“Keeping going,” the old man commanded.
Once Kevin descended the front stairs and reached the hard ground, he felt the old man sweep behind him and check for weapons.
“Do we trust each other?” Kevin said, letting the old man pat down his sides. “I’m alive, so I know I can trust you, but there are still two men inside of the house.”
“Two, huh? I thought there’d be more of you.” The old man met Kevin gaze. His face was wrinkled, freckled, and scarred. His neck-length beard, once nearly black in colour, had become streaked with grey. His moustache faired slightly better, but it too had begun to pale in his old age. Overall, the old man seemed hardened by his experiences in the wasteland, but, despite this hardness, Kevin noticed a softness behind his eyes. They reflected no bitterness or resentment.
“Now what?” Simon called from inside of the house.
“I’m going to come inside with your friend as collateral.”
The old man drew his 10mm pistol and pressed into Kevin’s lower back. Kevin straightened his posture with a reflexive fear. He climbed up the stairs and back into the house, the pistol never losing contact with his spine.
“Welcome to my home, gentleman,” the old man said. “The name is Duncan. I hope you make yourselves comfortable, although, by the looks of yesterday’s dinner, it seems as though you already have.”
Barrett glanced back at the empty porcelain plate. He wiped his greasy hands on his pant legs.
“Watch it, big guy,” the old man said. “You don’t want to make too many sudden movements.”
Barrett looked into his brother’s face. Kevin seemed calm on the surface, but Barrett could see the fear beneath his composure.
“My name is Simon. This is Barrett, and the man you currently threatening is our brother Kevin.”
“Pleasure, gentlemen.”
“We’re travellers. We’ve no particular destination. We’re just trying to survive.”
“Yes, that always seems to be the story. Why aren’t you getting comfortable in Diamond City or Goodneighbor?”
“We’re new to the Commonwealth,” Simon replied.
“Just arrived,” Barrett added.
“Boys, I’m happy to be your first experience in these here parts, but you’re going to have to leave. I can’t risk any trouble.”
“We won’t be any trouble,” Kevin said, looking behind his shoulder.
“Truly, I would like to believe you boys, but you best be going.”
Duncan stepped aside and positioned himself to the side of the room. He tilted his head toward the door with a quick gesture, encouraging Simon and Barrett to leave.
“Now, please.”
“Can we at least get Kevin’s weapons over there?” Simon asked.
“I’ll toss them to you once you’re out of the door. Just go.”
Simon and Barrett complied. They walked out of the house and down the steps. Duncan led Kevin from his house, allowing the young man to move away from the pistol.
“Grandpapa!”
The men turned to see group of three women approaching the house. Two of them carried heavy bags of harvested food, while the third held a tactical submachine gun in her hands. The three of them kept staring at their grandfather, who kept his pistol held toward the brothers.
The woman with the submachine gun lifted the stock to her shoulder. She knew that with her large drum magazine, she could cut down these three intruders without the need to reload.
“We had a small misunderstanding, ladies,” Simon said with a winning smile. He looked at the woman with the submachine gun. Her short dark brown hair swooped over one of her eyes. She flipped her hair out of the way. “We’ll be on our way,” Simon continued, “once your grandfather hands us our weapons.”
“How about you head on out without them?” the woman with the gun said.
“That’s not fair,” Kevin said. He stepped forward as he said it, causing the woman to swivel her sights on him.
“On more step and you’ll have lost more than your weapons.”
“Woah, woah. Okay, message received,” Kevin said, putting his hands back into the air. “Let’s go, guys. It’s okay. We can find kinder hosts somewhere else.”
“Or, at least, a better fight,” Barrett said with a sniff of his nose. “An old man and three little girls hardly constitute a challenge.”
“I can wipe the floor with you, big boy,” said the woman with the machine gun.
“Audrey!” Duncan reprimanded.
“I’d like to see you try, girlie. Unarmed, one-on-one, you stand no chance,” Barrett said. As he spoke, he took a deep breath and inflated his already imposing figure. The muscles beneath his shirt could be seen flexing.
“Want to try me? Or are you scared of losing to a girl?” Audrey responded.
Barrett roared with laughter.
“Audrey, that’s enough!” the old man said. “Do not aggravate them. They’re on their way.”
“Wait!” the smallest of the three women called to her grandfather. “Can’t they stay? If they wanted to hurt us, they would’ve already.”
“It’d be too risky!” Duncan replied.
“But you’ve always said that people need to come together and rebuild this world,” she said.
Duncan flashed her a quick scolding look.
“Sylvie’s right,” the third woman added. “They can help us around the property.” Her eyes danced over Barrett’s large figure. While her middle sister seemed ready to harm him, she merely wanted to be held by him.
“Audrey, talk some sense into your sisters!” Duncan exclaimed. “You ladies know that we can’t invite people at random!”
“We’d be happy to help,” Simon interjected.
Kevin locked eyes with his young counterpart. Sylvie broke eye contact and looked at her feet.
“Yeah, we can help,” Kevin said a little absent-mindedly. He continued to admire the woman before his eyes.
“Wait a minute,” Barrett said, “This guy pulls a pistol on you and you want to help him? What are you going to do? Fetch him water?”
“We made him to spill it,” Kevin said with a shrug.
“Are you guys out of your mind? How can we trust them? What if the old man and these she-devils are planning to kill us in the middle of the night.”
“Oh, now you’re afraid of me!” Audrey teased, loosening her grip on the submachine gun.
“I ain’t afraid of anything,” Barrett snapped.
Simon bursted in laughter. “Buddy, you know you’re agreeing with the old man, right? He doesn’t want you around because he thinks your going to do to him what you think he’s doing to do to you.”
Barrett squinted his eyes, trying to parse the sentence.
“I don’t like it,” Barrett said.
“Neither do I,” Duncan agreed.
“Well, they’re not staying in the house,” Audrey said. She tilted her swooping hair out of her eyes again. “Give them the rotting house.”
Duncan stayed silent. Everyone looked at him as though it was his decision which made everything final.
“Fine, but I’m standing guard during the night. If one of these boys come creeping in the night, I’ll make sure our walls get a nice new shade of red.”
Barrett nodded his head in agreement. “And I’ll take first watch at our place.”
Audrey turned to her sisters. “Morgan, Sylvie, take the food inside. I’ll show these men their residence.” She adjusted the tactical submachine gun in her arms.
Her sisters did what they were told.
“Gentlemen,” Audrey said, leading the men down the slight hill, “Your new abode.” She kicked the front door, which broke free from its hinges. The wood from the door had rotted from the moisture in the air. Wet dust flew from the ground and an acrid smell spewed from the interior of the building.
“Enjoy.”
Audrey left the three brothers and returned to her home.
The three of the brothers exchanged uncomfortable glances and looked at the building. Kevin approached the doorway and peered into the darkness.
“Ghoul!” Kevin shouted.
His brothers ran into the building with their weapons drawn. Kevin threw his arms around his brothers as they looked at remains of a feral ghoul. It had died a long time ago.
“Pay up, boys!” he said with a smile. “Five caps each.”

“I told you there would be nothing in that military check point,” Barrett said. He cleaned his hands from bloodbug residue. “Only abandoned cars and empty cigarette machines.”
“Okay, I was wrong!” Simon admitted. “Is it my fault that I have hope?”
“No one ever knows out here,” Kevin chimed in.
Simon affectionally grabbed his youngest brother by the shoulder.
“See, Barrett, this is what a supportive brother sounds like.”
Barrett grunted.
The three brothers continued to follow the broken asphalt road. In time, the sky above them disappeared behind the ruins of an interstate highway. Its massive concrete columns towered over the horizon. It had cast a long shadow over their route.
Kevin stopped his brothers.
“Is that an elevator?” He pointed to the yellow cable lift that ran up to the overpass.
“I’m not using that,” Barrett quickly responded. He touched his stomach unconsciously, cognizant of his size and weight.
“Yeah, that might be an adventure for another life time,” Simon said, noting the precariousness of the cables that rose up to the ruins of the highway overpass.
Kevin pursed his lips with a modicum of disappointment. As the youngest and smallest of the three, he possessed more daring than his brothers combined. Perhaps this difference was due to the inexperience of his age or the simple fact that Kevin had a different mother than Barrett and Simon. His courage may have been a genetic inheritance that the others lacked.
“House!” Simon spotted the wooden building before his brothers, who still focused on the elevator and the possibility of ascending it.
“Let me guess, there’s going to be treasure inside of it,” Barrett said sarcastically.
“There could be!” Simon replied.
As the young men approached the building, it became apparent it had been apart of a long abandoned settlement. From their higher-ground perspective, they could see the ruins of several buildings roll down the landscape and into the consuming waters of the Charles River. The houses closest to the river had flooded and slowly rotted in the river’s murky water.
“We got a lot of work to do,” Barrett said. His siblings could hear the smile in his words. They knew that there would be at least one piece of worthwhile loot among these buildings. Barrett, however, wanted more than the natural greed of survival. The big man itched for a real fight.
“Raiders, Ghouls, or Mirelurks,” Kevin asked.
“Five caps on raiders,” Barrett said. His hand dropped to the pipe pistol holstered to his thigh.
“Five for mirelurks,” Simon said.
“I guess, I take ghouls.”
The three men moved closer to the first building. The residence, once a beautiful suburban home, had decayed over the two hundred and twenty years since its owners died in the nuclear fallout. Yet, despite the age of home, its door seemed to have been freshly repaired.
Simon, as per usual, approached the entrance with military tact. Barrett positioned himself behind his older brother. He placed one hand on Simon’s shoulder and the other around his pipe pistol. Kevin checked their flank and readied his pipe rifle.
Simon lifted his hand. He counted silently with his fingers.
One. Two. Three.
He grabbed the door and yanked it open. Barrett entered the building, his pipe pistol scanning the interior of the house.
“Clear!”
Simon followed Barrett. Kevin slowly backed into the building. He closed the door behind him.
“Stairs,” Barrett said to his brothers.
Immediately, the big man took the lead, scanning the floor above him with his pistol at eye-level. Simon followed in the wake of his larger brother, keeping his eyes straight to the top of the landing. Kevin stayed on the first floor. He found a corner, pressed his back into it, and crouched. He kept his eye on the front door.
“Clear!” Barrett’s voice rang through the structure.
“Nothing for nobody,” Kevin said, standing from his position and letting his rifle hang limply in his hands. He thought at least one ghoul would be hiding in the house. Their fraternal bottlecap wager would have to wait another house.
“Cheer up! Better luck in the next building.” Simon said as he walked down the stairs. “Right now, we have some time to loot.”
The brothers began the careful examination of the residential building.
Despite two centuries of rain and snow the building seemed to be in good condition. Clearly, since the bombs fell, a series of squatters had made improvements and adjustments over the years. In fact, the house seemed almost luxurious compared to the standards of the Wasteland. The floors had been redone with new planks of wood. The walls had been scraped of their original wallpaper and painted a light seafoam green. Although the glass from the windows had been long destroyed, curtains hung over the wooden shutters that secured the windows from the exterior world.
“Ooo!” Barrett exclaimed upstairs.
“What’d you find?” Simon called out. He stood at the bottom of the staircase and waited for a sign.
“Caps stash!” Barrett appeared with a grey tin can. He shook it and a number of caps inside of it pleasantly jingled.
“And you thought there wouldn’t be any treasure?” Simon laughed to himself.
“And the fridge is full!” Kevin called.
Barrett rushed down the stairs and joined his brothers at the fridge. Together, they drank a bottle of mostly clean water, each taking sips and passing it to the others. Then, they finished a plate of crispy squirrel bits.
“Almost fresh,” Barrett said, shoving a large handful into his mouth.
Simon continued his perusal of the house as he chewed his last portion of squirrel meat. He went to the living room section of the main floor and rummaged through a chest of drawers.
“Women’s clothing?” He lifted a dress from the chest of drawers and showed his brothers. The light green dress seemed to be in relatively good condition. The clean herbaceous smell of carrot flowers wafted into his nose.
“Someone might still live here,” Barrett said, looking at a bouquet of fresh hubflowers on the table.
Kevin looked from one of the windows. “I think he’s just arrived.”
Before Simon and Kevin could arm themselves, the door opened. An old man entered with two buckets of water. At the very moment he saw these three men, he dropped the buckets on the floor and rushed out of the building. One of the buckets spilled its contents across the floor, slowly dribbling down the front steps. Meanwhile, the old man pressed his back against the exterior wall of the building.
“What are you doing in my house?”
“We didn’t know!” Simon shouted back. “We didn’t mean to trespass!”
“Well, you did. Now, what are you going to do? Kill an old man and take his home?”
“Not if you let us leave unharmed!”
“How do I know that you’re not raiders?”
“You can’t,” Simon shouted back. “You can only make a leap of faith.”
“And why would I that?”
“Well, for one thing, there are more of us than there are of you.”
“Send one man out.”
“No!” Simon responded. “How do I know you’re not just going to shoot him the moment he leaves the building?”
“You can’t,” the old man shouted back. “You can only make a leap of faith.”
Simon felt bested by the old man’s negotiating skills.
“I’ll go,” Kevin said to his brothers.
“No, I will.” Barrett put his hand on his younger brother. He would gladly die in his place.
“There’s less of me to hit,” Kevin bantered.
Barrett grunted, but he could not stop himself from smiling.
Simon thought about dissuading his brothers, telling them that no one was going to leave the house, but this show of trust needed to be made. If things went well, there could be a chance that the three of them could profit from this encounter. Perhaps, they could spend the night sleeping inside a warm house and finally be able to get a proper night’s rest.
“I’m coming out,” Kevin shouted to the old man.
“Unarmed. With your hands up! If I see so much as a big iron on your hip, the deal is off.”
Kevin placed his pipe rifle and his switchblade on top of the chest of drawers.
Simon stepped close to his brother and embraced him.
“If he harms you, I will make sure he suffers until his very last breath,” Simon whispered.
Kevin squeezed his brother tightly and went to the door.
“I am approaching the door now,” Kevin shouted. “My hands are up.”
Kevin stepped over the spilled water bucket and crossed the threshold of the house.
“Keeping going,” the old man commanded.
Once Kevin descended the front stairs and reached the hard ground, he felt the old man sweep behind him and check for weapons.
“Do we trust each other?” Kevin said, letting the old man pat down his sides. “I’m alive, so I know I can trust you, but there are still two men inside of the house.”
“Two, huh? I thought there’d be more of you.” The old man met Kevin gaze. His face was wrinkled, freckled, and scarred. His neck-length beard, once nearly black in colour, had become streaked with grey. His moustache faired slightly better, but it too had begun to pale in his old age. Overall, the old man seemed hardened by his experiences in the wasteland, but, despite this hardness, Kevin noticed a softness behind his eyes. They reflected no bitterness or resentment.
“Now what?” Simon called from inside of the house.
“I’m going to come inside with your friend as collateral.”
The old man drew his 10mm pistol and pressed into Kevin’s lower back. Kevin straightened his posture with a reflexive fear. He climbed up the stairs and back into the house, the pistol never losing contact with his spine.
“Welcome to my home, gentleman,” the old man said. “The name is Duncan. I hope you make yourselves comfortable, although, by the looks of yesterday’s dinner, it seems as though you already have.”
Barrett glanced back at the empty porcelain plate. He wiped his greasy hands on his pant legs.
“Watch it, big guy,” the old man said. “You don’t want to make too many sudden movements.”
Barrett looked into his brother’s face. Kevin seemed calm on the surface, but Barrett could see the fear beneath his composure.
“My name is Simon. This is Barrett, and the man you currently threatening is our brother Kevin.”
“Pleasure, gentlemen.”
“We’re travellers. We’ve no particular destination. We’re just trying to survive.”
“Yes, that always seems to be the story. Why aren’t you getting comfortable in Diamond City or Goodneighbor?”
“We’re new to the Commonwealth,” Simon replied.
“Just arrived,” Barrett added.
“Boys, I’m happy to be your first experience in these here parts, but you’re going to have to leave. I can’t risk any trouble.”
“We won’t be any trouble,” Kevin said, looking behind his shoulder.
“Truly, I would like to believe you boys, but you best be going.”
Duncan stepped aside and positioned himself to the side of the room. He tilted his head toward the door with a quick gesture, encouraging Simon and Barrett to leave.
“Now, please.”
“Can we at least get Kevin’s weapons over there?” Simon asked.
“I’ll toss them to you once you’re out of the door. Just go.”
Simon and Barrett complied. They walked out of the house and down the steps. Duncan led Kevin from his house, allowing the young man to move away from the pistol.
“Grandpapa!”
The men turned to see group of three women approaching the house. Two of them carried heavy bags of harvested food, while the third held a tactical submachine gun in her hands. The three of them kept staring at their grandfather, who kept his pistol held toward the brothers.
The woman with the submachine gun lifted the stock to her shoulder. She knew that with her large drum magazine, she could cut down these three intruders without the need to reload.
“We had a small misunderstanding, ladies,” Simon said with a winning smile. He looked at the woman with the submachine gun. Her short dark brown hair swooped over one of her eyes. She flipped her hair out of the way. “We’ll be on our way,” Simon continued, “once your grandfather hands us our weapons.”
“How about you head on out without them?” the woman with the gun said.
“That’s not fair,” Kevin said. He stepped forward as he said it, causing the woman to swivel her sights on him.
“On more step and you’ll have lost more than your weapons.”
“Woah, woah. Okay, message received,” Kevin said, putting his hands back into the air. “Let’s go, guys. It’s okay. We can find kinder hosts somewhere else.”
“Or, at least, a better fight,” Barrett said with a sniff of his nose. “An old man and three little girls hardly constitute a challenge.”
“I can wipe the floor with you, big boy,” said the woman with the machine gun.
“Audrey!” Duncan reprimanded.
“I’d like to see you try, girlie. Unarmed, one-on-one, you stand no chance,” Barrett said. As he spoke, he took a deep breath and inflated his already imposing figure. The muscles beneath his shirt could be seen flexing.
“Want to try me? Or are you scared of losing to a girl?” Audrey responded.
Barrett roared with laughter.
“Audrey, that’s enough!” the old man said. “Do not aggravate them. They’re on their way.”
“Wait!” the smallest of the three women called to her grandfather. “Can’t they stay? If they wanted to hurt us, they would’ve already.”
“It’d be too risky!” Duncan replied.
“But you’ve always said that people need to come together and rebuild this world,” she said.
Duncan flashed her a quick scolding look.
“Sylvie’s right,” the third woman added. “They can help us around the property.” Her eyes danced over Barrett’s large figure. While her middle sister seemed ready to harm him, she merely wanted to be held by him.
“Audrey, talk some sense into your sisters!” Duncan exclaimed. “You ladies know that we can’t invite people at random!”
“We’d be happy to help,” Simon interjected.
Kevin locked eyes with his young counterpart. Sylvie broke eye contact and looked at her feet.
“Yeah, we can help,” Kevin said a little absent-mindedly. He continued to admire the woman before his eyes.
“Wait a minute,” Barrett said, “This guy pulls a pistol on you and you want to help him? What are you going to do? Fetch him water?”
“We made him to spill it,” Kevin said with a shrug.
“Are you guys out of your mind? How can we trust them? What if the old man and these she-devils are planning to kill us in the middle of the night.”
“Oh, now you’re afraid of me!” Audrey teased, loosening her grip on the submachine gun.
“I ain’t afraid of anything,” Barrett snapped.
Simon bursted in laughter. “Buddy, you know you’re agreeing with the old man, right? He doesn’t want you around because he thinks your going to do to him what you think he’s doing to do to you.”
Barrett squinted his eyes, trying to parse the sentence.
“I don’t like it,” Barrett said.
“Neither do I,” Duncan agreed.
“Well, they’re not staying in the house,” Audrey said. She tilted her swooping hair out of her eyes again. “Give them the rotting house.”
Duncan stayed silent. Everyone looked at him as though it was his decision which made everything final.
“Fine, but I’m standing guard during the night. If one of these boys come creeping in the night, I’ll make sure our walls get a nice new shade of red.”
Barrett nodded his head in agreement. “And I’ll take first watch at our place.”
Audrey turned to her sisters. “Morgan, Sylvie, take the food inside. I’ll show these men their residence.” She adjusted the tactical submachine gun in her arms.
Her sisters did what they were told.
“Gentlemen,” Audrey said, leading the men down the slight hill, “Your new abode.” She kicked the front door, which broke free from its hinges. The wood from the door had rotted from the moisture in the air. Wet dust flew from the ground and an acrid smell spewed from the interior of the building.
“Enjoy.”
Audrey left the three brothers and returned to her home.
The three of the brothers exchanged uncomfortable glances and looked at the building. Kevin approached the doorway and peered into the darkness.
“Ghoul!” Kevin shouted.
His brothers ran into the building with their weapons drawn. Kevin threw his arms around his brothers as they looked at remains of a feral ghoul. It had died a long time ago.
“Pay up, boys!” he said with a smile. “Five caps each.”

We have a lot of theories swirling around but I thought pulling together some clues might help us narrow them down.
The Healthy News/PR: They are releasing constant articles about Kate working and being out and about. Could this be to geo-locate her in the UK when she may not be there? How did they get the shop to comply with being mentioned?They would have had to give a reason since Kate clearly wasn’t there. Did someone pay them off to agree? Surely that would be a breaking story too. Did they tell someone about her out of country care and get them to agree to be mentioned for a more realistic story? Other sightings have just mentioned Kate was watching her kids play sports or Will and Carole walked through a pub, but no specific locations mentioned (that I remember) Another theory as others have speculated is it to paint her as lazy because she can go buy chocolate but can’t ride in a carriage. Was the shop unaware they would be featured and the whole thing a lie? Camilla may have reason to paint William and Kate as lazy and could have planted the article. But why the need to paint her as lazy now when she isn’t even present? This feels like something you would do if both Will and Kate were well but you wanted to attack them.
The Press Silence: Some have speculated that they are staying away from leaking anything to preserve their close relationship with the royals. But it seems unlikely that not one agency would break away because money is made from scoops. As someone pointed out, some have recently changed their reporting from attacking Kate for laziness to supporting her recovery. People behave like this when they have more details but are behaving protectively. What could motivate the entirety of the UK press to act protectively? No speculation, no effort to get the scoop. It doesn’t feel likely they would protect possible DV from William. Too juicy. Would they protect a suicide attempt? Would they protect the secret of outside the country care in the hope she actually recovers? What’s causing this universal circling of the wagons by the press?
A missing photo: There are holes in almost every theory, but a lot of them fall back on why she can’t be photographed. Frail from surgery/treatment? Why not a photo from a distance? Colostomy bag? Just throw on a baggy sweater. Divorce? I feel like her family would release a real photo to dispel some rumors. Maybe even one in a revenge dress. Care in another country? An outdoor photo with her mom in a nondescript place could work. Mental hospital? No reason a photo couldn’t be taken outdoors as well. What else could preclude a photo being taken? Possible a suicide attempt could involve something disfiguring requiring extensive plastic surgery? Stroke during surgery and induced coma that caused muscles in her face to sag? Or as many of you have suggested, vegetative state or death. But the holes in this one is why someone at either palace would be releasing stories that her health is improving to give the impression she would return soon.
Warring royals: Some have pointed out the lack of interaction between Will and Charles since January. There’s also the number of articles that suggest Charles is supporting Kate and that they are close. The war between Will and Charles/Camilla could just be over Harry. But if it is Kate, what’s the cause? This one favors the divorce argument, or DV, or a cover up that one of them doesn’t approve of. But it would have to be something that makes them both angry enough to completely avoid one another.
Her family: They aren’t acting like she’s gravely ill (brothesister). Her parents are missing but could be explained by care in another country. Their silence could also be explained by not wanting to reveal a suicide attempt since they want her to be the perfect future queen. This could also be applied to the mental hospital theory. The DV theory doesn’t fit with this because people have said they would have spoken out. Same with divorce or vegetative state or death. Also, this seems like an awfully long time for divorce negotiations (just my opinion).
Concha Calleja: she has indicated Kate is still very unwell and will require another surgery. How much credence do you think this has? How does this fit with the other clues?
👣👣👣🕵🏻‍♀️
What do you guys think?

Deep down I knew I don’t need permission or confirmation that my mother is generally malignant and the ultimate source of suffering in my life right now. But I can’t accept why my own mother would do that to me.
So I am turning to you for advice, support, and insights for ways to separate yourself emotionally and individuate from your parents later in life when you should've done so much much earlier. The adult part of me knows what I should do but there is also a part of me that is frightened. let me give you a snapshot of my life trajectory. The story is long but I want to give you as much contexts as possible. If you want a short summary of the dilemma, go to the last paragraph, otherwise, here is my life story (it is long because I want to give as much context as possible, and also show clues for the many different ways a narcissistic parent can disrupt your life): I grew up in a well-to-do family in an East Asian country, my parents gave birth to me when they were in their early 20s and just as their business started taking off in the 'boom years'. Both of them came from very broken family, my mother suffered poverty, abuse, and neglect from her parents (she did not speak to her dad until he died, and almost never acknowledges her mother). My father was the least favourite child in his family of three, he dropped out of high school, ended up on the street (and, as I learnt a few years ago, later in prison for getting into fights). My mother met my dad (21) when she was 19 and ran away from her hometown, they grew a very successful business together in the early to mid 20s and became incredibly wealthy for a society that is generally still very poor. I had a lot of luxuries in my early childhood, we had a car, I had good clothing, but my parents were never around. I started boarding at the age of 3, and generally spent most of my time outside of kindergarten and school with my paternal grandparents, and occasionally, my mum's mother. My parents fought a lot, and I remember my mother threatening to take me away from my dad and drove away from home with me in a car with nowhere specific to go. Once things got really bad and my mother told me that she is divorcing my father, and we even went into another flat (for a grand total of 1 day) before returning home. She emotionally smothered me, told me that she would die for me and nobody would love me as much as her. As the expression in our language puts it ' You are a piece of flesh fallen from my body'. She hit me a lot, often over small things , sometimes in public, I remember being thrown outside of our apartment and crying in the corridor. But I thought she was better than my father, whom, in my mother's words, would swiftly remarry in an event of her death/departure, and I would then be abused by another evil mother in law and her offsprings. My dad was completely absent from my childhood save for the first year (I remember playing video game, going to the park with him at the age of 3).
Although my family was wealthy, my mother took me out of the posh international school I was in after 6 months and sent me to a state school that is (in)famous for being extremely strict and militant. I was a 'good, smart kid' in primary school, but when I got to the state school at the age around 12 or 13, I became very depressed and that life has no purpose. I was falling at almost all school subjects (except History), and I started drinking (my dad drank a lot, and alcoholism is culturally tolerated if not perpetuated). At this point something happened that saved me in retrospect. My family decided to emigrate to an anglophone New World country and I went to yet another boarding school there. Yes, I experienced racism and generally felt horrible about the way I looked (not good looking in the Western sense or sporty), but I got to be separated from my family and grew as an individual. My grades got better, and by year 12, 13 I was among the best performing students. Between 13-18, I rarely see my father (perhaps once or twice a year), my mother would visit periodically, they bought a house next to the school, so I started to live in the house (mostly alone, sometimes with my mother and whatever hapless young women she manipulated into being her assistant). My parents couldn't speak English, and I dealt with most family matters, as with many first gen immigrant kid. By the time that I was supposed to go to university, I wanted to do law & politics at the public university in my adopted hometown but then my father intervened stating that I would never get a good job at a respectful company with a degree from the backwater 2nd rate university. He insisted that I should go to the U.K. or the U.S. He also stopped me from taking a gap year to travel, so I mostly stayed at home, played game, whilst being a driver and an assistant to them for a year. I regret not leaving home and getting a job. I applied to many universities in the U.K, Canada, and Australia, got into most of them, and ended up choosing the worst ranked university because I wanted to be in London. I couldn't do a conjoint degree so I chose to study politics (as that's what I was interested in). University life was eye opening, I got to see Europe, realised that the world was much bigger than the conformist, conservative East Asian country and the backwater suburbs with strip-malls and junk food stores I grew up in. But the degree did not prepare me for life, and all those years of bad parenting, emotionally under-development made me miserable in my first taste of adult relationships. I chose emotionally distant if not abusive friends, was a horrible person who hurt people who actually liked me and loved me. I did no internship or travel because I was expected to go home during school holiday, helping them move house, looking after guests, and being the 'little husband' when my mother was giving brith to my youngest sibling. I really wanted to stay in London, I looked for jobs, very random jobs because I had no life skills and never ever made my own money. So in the end, I left, and had to return to East Asia. By this time, my father had moved to another, more cosmopolitan East Asian city as his lifestyle became more and more extravagant. I lived with him and started interning at a fancy company in the culture industry. I worked there for almost a year hoping they would offer me a job, they did not. I got another job fairly soon in brand consulting, and finally at the age of 23 started making money. I had a relationship with an older woman, she was kind and tolerant, and I was an arse. I also realised that I cannot combine intimacy and sex at this point. I tried to start my own freelancing consultancy, acquired the ability to impress other people (faking it). Things seem to be working, I almost made enough money to support my life, but I was fundamentally lost and unhappy. I had the first depressive episode in my life. I wanted to go back to London, to get a Masters degree. So I applied and got into my dream school, my father agreed to pay for my education, so off I went to university again. That was probably the happiest year of my life, it turned out I loved elements of academia, research, being with other smart nerdy people. I met an intelligent, caring, and beautiful woman, and we moved in together soon after. I discovered more fulfilling, freer ways to live, I found proofs that a successful life was not just about working for an investment bank, or being rich. I wanted to be an academic, so I applied for a PhD at the school, and I got in after two attempts. Academia isn't all rosy, the work condition is pretty awful, the publish or perish mentality literally sucks every last bit of joy and fulfilment out of research, I loved teaching, but quickly learnt that teaching matters little at a 'research university'. I got fat, my relationship got really bad, sex became non-existent, arguments soon turned physical, and I thought that I was a real piece of shit and better off dead. The only thing that kept me going at the time? Bitterness and shame. I felt indebted to everyone, to my partner because I was an abusive arsehole, and to my family because I was stupid enough to do a PhD and wasting their money (and my life away). The pandemic hits, and sure enough, things got even worse, I felt like I couldn't carry on anymore and that I needed to radically un-f my life. My solution to this: was to finally become the person my family wanted me to be, filial, loyal, and rich. I was ready to threw my life in London away, everything, my home, my girlfriend, my PhD and move back to East Asia to become rich, and 'stop being a loser'. I came home to 'fix my family' and showered everyone with love and attention in ways I never did. I networked and explored ways to get into finance, and I got an at a VC firm. Soon enough, the whole thing completed backfired and my life started to unravel faster than I could count to three. I hated the internship, it fundamentally clashed with who I was and my value, I cried everyday in the toilet at work. I also broke up with my girlfriend for a person who was the poplar opposite of her that I had no attachment to (and sex was great because there was zero emotional intimacy). Within 3 months, I had very little savings left, was living in a short term rental apartment, and spent most of my time in bed and eating very unhealthily. Luckily, I had a therapist, a good friend in Shanghai, and my girlfriend was willing to give me a second chance. It was also around this time I realised how my family's (what do you even call it) emotional neglect might have contributed to my unhappiness and depression. I was diagnosed with Bipolar disorder and medicated, the medicine helped for me to move out of paralysis. But I wanted to tell my family that I am very unwell and get them to love me back, so I confronted them over things they have done to me as a kid and showed them the diagnosis. My mother did not handle this well. She called me horrible names, made fun of me, and accused me for being a horrible son. This whole ordeal made me realise that I needed to break away from them, and what I had thrown away in London was actually the most valuable things I have in life, a career, a family, my own identity. After confronting my mother over her abusive behaviour and emotional smothering, she vowed to never see me again. However, after 6-8 months, she sent me a large chunk of money for my birthday. So I, stupidly, let her back into my life again, a part of the reason was the financial help that I needed (to feel safe mostly), but I also really wanted to see proofs that my parents actually did love and accept me after all. At first, things got better, she came for Christmas, visited a few times, celebrated her birthday, and looked really happy. Both my partner and I spent a lot of time with her, bought her gifts, cooked for her, and hang out with her to make sure she feels loved. But soon, she started complaining that she actually had a horrible time and was mistreated by my partner. To make matter worse, a year and half after I left home for the last time thinking that I would never go back, my parents promise to buy me a flat (and started to pressure me to get married). I accepted the flat, thinking that it would offer stability and freedom (pushing away the past experience of their emotional neglect and abusiveness). Sure enough, the flat became yet another way for my mother to mess with my life. It had daunted on her that I am about to become my own person and live in the flat and start a family of my own, so she lashed out and said if my girlfriend lives there she would sue me and reclaim the flat. She then went behind my back and started disputing the flat's ownership. We have already spent a lot of time and energy planning the move and all of this is happening just 2/3 weeks from the move-in. I have a demand job that requires a lot of cognitive focus, and I feel like I am spending a decent chunk of my day trying to resolve the situation in addition to processing the emotional toll of having my own mother out to destroy my life. I know I have a job, a family, and my own life, and I have a good legal case, but I also feel so unsafe, violated, and confused. I can almost feel the voice in my head telling me that this is all my doing, and that I am too weak. It is like I know what I need to do cognitively but emotionally I am paralysed. Do you think what I mean? What would you do?

hello, just a quick one regarding our rules & the state of the comments lately!
first and foremost, this is a subreddit for FINDING fashion items.
we have received numerous complaints about how the top comments never seem to be helpful with members actually finding the items anymore. threads are getting derailed pretty quickly with arguments & unrelated discussion, which is not helpful to anyone.
there are plenty of other subreddits for general fashion discussion, here are some:

• /whatthefrockk
• /fashion
• /femalefashionadvice
• /malefashionadvice

civil discussion in our subreddit is fine as long as it's related to the post, and helping OP in their search for said item.
onto our rules - don't be rude
it's ridiculous that we even have to clarify this, but negative unsolicited opinions are RUDE. we always say if it's not helpful then keep it yourself, but a lot of commenters don't seem to understand that rudeness is not limited to "dress is ugly".
"well i didn't call the item ugly i just said it's not appropriate to wear to work" - guess what, no one asked! this is not a subreddit for you to personally decide what clothing you consider appropriate for whatever occasion, again it's for FINDING fashion items. if OP wants to wear a mini skirt to work, cool! let them! if OP want's to wear trousers with ass cut outs, good for them! if OP is looking for a specific "controversial" item, i highly doubt they care about your judgement.
some other examples of unhelpful comments -

• "try google"
• "i wore it in middle school"
• "thrift store"
• "ask (the person in the photo)"
• "1987"
• "diy/make it yourself"

please keep in mind that if someone is using our subreddit to find specific items, they might not have the knowledge of basic fashion terms. what's obvious to you, might not be obvious to others.
if a design is simple enough to make it yourself, yet OP didn't know how to look for it, what makes you think they'd have the skillset to make it themselves? not everyone knows how to sew.
as for thrift stores, not everyone lives in the US with easy accessible second hand clothing. and besides, someone with no knowledge of fashion might have no idea where to start looking in one!
we also have a new rule - no body shaming
the body shaming comments have got to stop. every day we are removing rude, unwanted opinions on other people's bodies. it's NOT appropriate to ask OP what their weight is, "do you have the ass for that?" etc. nor is it appropriate to insult or comment on the body of the person in the photo posted, regardless of whether they're famous or not.
if you see someone breaking rules in our subreddit then please report it & the mods will remove it asap. i know things can get heated sometimes but we'd rather you didn't resort to arguments, don't give these clowns the attention they crave.
tldr: don't be fucking rude

Hey all!
After a decade of wanting a Salpingectomy, I finally had a doctor who will do it. Additionally, he said he would do it while removing my now 7+ fibroids. I was so excited at the news, I didn't ask how large the fibroids were.
While he did say I would need a minimum of 3 days off work, and would probably want a full week off for recovery, I wanted to ask the community of people who actually went through it what things were like. The highs and the lows, best practices for moving, showering, pooping, sleeping with a CPAP, moving around, etc. When I search Google, it says 4-6 weeks.
I've seen these posts for post-Myomectomy, but not with the addition of the tube removal. Would it be different? More intense pain/longer recovery? I will have someone with me for a few days, so what does he need to prepare for while I'm in surgery? Should he go to a movie while I'm under? Run a 5k? Have an iPad loaded with tv shows and movies? I saw some people say they were under for 4 hours, and others for 8?
I have until September to prepare, but because I plan to be out a week, I have to get a ton of work done now and I won't remember to ask these questions later.
For my living space, I have a low, queen bed, and love on the first floor without stairs. My bathroom is a tub/shower situation with a sliding door. I have plenty of large/comfortable/loose clothes because I work hybrid and don't always need to dress up for work.
So TL, DR - coming to the community for advise as what my doctor says for recovery vs google is wildly different (1 week via doctor's info, 4-6 weeks via Google), and Google doesn't have an answer for recovery/pain for having both surgeries at once.

Quotes About Adventure

1. "Life is an adventure, not a guided tour."

2. "The best journeys in life are those that answer questions you never thought to ask."

3. "Adventure awaits where the pavement ends."

Quotes About Exploration

4. "Exploration is really the essence of the human spirit."

5. "To travel is to discover that everyone is wrong about other countries."

6. "Exploration is curiosity put into action."

Quotes About Nature

7. "In every walk with nature, one receives far more than he seeks."

8. "Nature always wears the colors of the spirit."

9. "The mountains are calling, and I must go."

Quotes About Courage

10. "Courage is not the absence of fear, but the triumph over it."

11. "It takes courage to grow up and become who you really are."

12. "The only limit to our realization of tomorrow will be our doubts of today."

Quotes About Challenge

13. "The greater the obstacle, the more glory in overcoming it."

14. "Challenges are what make life interesting. Overcoming them is what makes life meaningful."

15. "Difficult roads often lead to beautiful destinations."

Quotes About Freedom

16. "Freedom lies in being bold."

17. "Freedom is the open window through which pours the sunlight of the human spirit."

18. "The secret of happiness is freedom, the secret of freedom is courage."

Quotes About Persistence

19. "Success is not final, failure is not fatal: It is the courage to continue that counts."

20. "Persistence can change failure into extraordinary achievement."

21. "The only way to do great work is to love what you do."

Quotes About Discovery

22. "The biggest adventure you can ever take is to live the life of your dreams."

23. "Life is either a daring adventure or nothing at all."

24. "The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience."

Quotes About Camaraderie

25. "The joy is in the journey, not the destination."

26. "Friendship is born at that moment when one person says to another, 'What! You too? I thought I was the only one.'"

27. "The only way to have a friend is to be one."

Quotes About Resilience

28. "You are stronger than you think."

29. "Tough times never last, but tough people do."

30. "Fall down seven times, stand up eight."

Quotes About Passion

31. "Passion is energy. Feel the power that comes from focusing on what excites you."

32. "The only thing standing between you and your goal is the story you keep telling yourself as to why you can't achieve it."

33. "Do what you love, and you'll never have a problem with Monday."

Quotes About Independence

34. "Independence is happiness."

35. "Don't let the fear of losing be greater than the excitement of winning."

36. "The only person you should try to be better than is the person you were yesterday."

Quotes About Vision

37. "The future belongs to those who believe in the beauty of their dreams."

38. "Your imagination is your preview of life's coming attractions."

39. "Believe you can and you're halfway there."

Quotes About Adversity

40. "Adversity introduces a man to himself."

41. "The gem cannot be polished without friction, nor man perfected without trials."

42. "Strength does not come from winning. Your struggles develop your strengths."

Quotes About Empowerment

43. "Empower yourself. You control your destiny."

44. "You have within you right now, everything you need to deal with whatever the world can throw at you."

45. "Believe in yourself and all that you are. Know that there is something inside you that is greater than any obstacle."

Quotes About Gratitude

46. "Gratitude is the healthiest of all human emotions."

47. "The more you are grateful for, the more you will have to be grateful for."

48. "Gratitude unlocks the fullness of life."

Quotes About Achievement

49. "Success is not the key to happiness. Happiness is the key to success. If you love what you are doing, you will be successful."

50. "Success is stumbling from failure to failure with no loss of enthusiasm."

51. "The only limit to our realization of tomorrow will be our doubts of today."

Quotes About Exploration

52. "The only way to make sense out of change is to plunge into it, move with it, and join the dance."

53. "The world is a book and those who do not travel read only one page."

54. "Adventure is worthwhile."

Quotes About Passion

55. "Do not go where the path may lead, go instead where there is no path and leave a trail."

56. "Follow your bliss and the universe will open doors where there were only walls."

57. "Passion is the genesis of genius."

Quotes About Resilience

58. "The only way out is through."

59. "Life doesn't get easier or more forgiving, we get stronger and more resilient."

60. "Life is tough, but so are you."

Quotes About Freedom

61. "Freedom is the oxygen of the soul."

62. "The secret to happiness is freedom... And the secret to freedom is courage."

63. "Freedom is the will to be responsible to ourselves."

Quotes About Adversity

64. "Life is not about waiting for the storm to pass but learning to dance in the rain."

65. "Strength does not come from winning. Your struggles develop your strengths."

66. "Adversity causes some men to break; others to break records."

Quotes About Courage

67. "Courage is grace under pressure."

68. "What would life be if we had no courage to attempt anything?"

69. "Courage is not the absence of fear, but the triumph over it."

Quotes About Persistence

70. "Persistence is the twin sister of excellence. One is a matter of quality; the other, a matter of time."

71. "Success is walking from failure to failure with no loss of enthusiasm."

72. "The difference between a successful person and others is not a lack of strength, not a lack of knowledge, but rather a lack of will."

Quotes About Teamwork

73. "Alone, we can do so little; together, we can do so much."

74. "Teamwork makes the dream work."

75. "Coming together is a beginning, staying together is progress, and working together is success."

Quotes About Determination

76. "The only limit to our realization of tomorrow will be our doubts of today."

77. "The difference between a successful person and others is not a lack of strength, not a lack of knowledge, but rather a lack in will."

78. "Determination today leads to success tomorrow."

Quotes About Inspiration

79. "The only way to do great work is to love what you do."

80. "The journey of a thousand miles begins with one step."

81. "Don’t watch the clock; do what it does. Keep going."

Quotes About Motivation

82. "It's not about how bad you want it. It's about how hard you're willing to work for it."

83. "Success is not the key to happiness. Happiness is the key to success."

84. "The only limit to our realization of tomorrow will be our doubts of today."

Quotes About Success

85. "Success is not in what you have, but who you are."

86. "The only way to do great work is to love what you do."

87. "Success is not the destination, it's the journey."

Quotes About Adventure

88. "Adventure is worthwhile."

89. "Life is either a daring adventure or nothing at all."

90. "The biggest adventure you can take is to live the life of your dreams."

Quotes About Nature

91. "In every walk with nature, one receives far more than he seeks."

92. "The earth has music for those who listen."

93. "The mountains are calling, and I must go."

Quotes About Freedom

94. "Freedom lies in being bold."

95. "Freedom is the oxygen of the soul."

96. "The secret to happiness is freedom... And the secret to freedom is courage."

Quotes About Resilience

97. "You are stronger than you think."

98. "The only way out is through."

99. "Life doesn't get easier or more forgiving, we get stronger and more resilient."

Quotes About Courage

100. "Courage is not the absence of fear, but the triumph over it."

Conclusion

Off-road adventures are more than just physical journeys; they represent the spirit of exploration, courage, and perseverance. These inspiring quotes encapsulate the essence of off-roading, reminding us to embrace challenges, seek adventure, and never lose sight of our dreams.

FAQs About Off-Roading Quotes

1. Are these quotes only for off-road enthusiasts? These quotes can inspire anyone who seeks adventure, challenges, and personal growth, not just off-road enthusiasts.
2. Can I use these quotes for my social media posts? Absolutely! Feel free to share these quotes on your social media platforms to inspire your friends and followers.
3. Are these quotes from famous personalities? Yes, some of these quotes are from renowned authors, adventurers, and thinkers who have embraced the spirit of exploration and adventure.
4. How can I apply these quotes to my everyday life? You can use these quotes as daily affirmations or as reminders to stay motivated, resilient, and adventurous in your pursuits.
5. Do you have any additional resources for off-road enthusiasts? Yes, there are many online communities, forums, and blogs dedicated to off-roading where you can find more inspiration, tips, and information about off-road adventures.Quotes About Adventure

1. "Life is an adventure, not a guided tour."

2. "The best journeys in life are those that answer questions you never thought to ask."

3. "Adventure awaits where the pavement ends."

Quotes About Exploration

4. "Exploration is really the essence of the human spirit."

5. "To travel is to discover that everyone is wrong about other countries."

6. "Exploration is curiosity put into action."

Quotes About Nature

7. "In every walk with nature, one receives far more than he seeks."

8. "Nature always wears the colors of the spirit."

9. "The mountains are calling, and I must go."

Quotes About Courage

10. "Courage is not the absence of fear, but the triumph over it."

11. "It takes courage to grow up and become who you really are."

12. "The only limit to our realization of tomorrow will be our doubts of today."

Quotes About Challenge

13. "The greater the obstacle, the more glory in overcoming it."

14. "Challenges are what make life interesting. Overcoming them is what makes life meaningful."

15. "Difficult roads often lead to beautiful destinations."

Quotes About Freedom

16. "Freedom lies in being bold."

17. "Freedom is the open window through which pours the sunlight of the human spirit."

18. "The secret of happiness is freedom, the secret of freedom is courage."

Quotes About Persistence

19. "Success is not final, failure is not fatal: It is the courage to continue that counts."

20. "Persistence can change failure into extraordinary achievement."

21. "The only way to do great work is to love what you do."

Quotes About Discovery

22. "The biggest adventure you can ever take is to live the life of your dreams."

23. "Life is either a daring adventure or nothing at all."

24. "The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience."

Quotes About Camaraderie

25. "The joy is in the journey, not the destination."

26. "Friendship is born at that moment when one person says to another, 'What! You too? I thought I was the only one.'"

27. "The only way to have a friend is to be one."

Quotes About Resilience

28. "You are stronger than you think."

29. "Tough times never last, but tough people do."

30. "Fall down seven times, stand up eight."

Quotes About Passion

31. "Passion is energy. Feel the power that comes from focusing on what excites you."

32. "The only thing standing between you and your goal is the story you keep telling yourself as to why you can't achieve it."

33. "Do what you love, and you'll never have a problem with Monday."

Quotes About Independence

34. "Independence is happiness."

35. "Don't let the fear of losing be greater than the excitement of winning."

36. "The only person you should try to be better than is the person you were yesterday."

Quotes About Vision

37. "The future belongs to those who believe in the beauty of their dreams."

38. "Your imagination is your preview of life's coming attractions."

39. "Believe you can and you're halfway there."

Quotes About Adversity

40. "Adversity introduces a man to himself."

41. "The gem cannot be polished without friction, nor man perfected without trials."

42. "Strength does not come from winning. Your struggles develop your strengths."

Quotes About Empowerment

43. "Empower yourself. You control your destiny."

44. "You have within you right now, everything you need to deal with whatever the world can throw at you."

45. "Believe in yourself and all that you are. Know that there is something inside you that is greater than any obstacle."

Quotes About Gratitude

46. "Gratitude is the healthiest of all human emotions."

47. "The more you are grateful for, the more you will have to be grateful for."

48. "Gratitude unlocks the fullness of life."

Quotes About Achievement

49. "Success is not the key to happiness. Happiness is the key to success. If you love what you are doing, you will be successful."

50. "Success is stumbling from failure to failure with no loss of enthusiasm."

51. "The only limit to our realization of tomorrow will be our doubts of today."

Quotes About Exploration

52. "The only way to make sense out of change is to plunge into it, move with it, and join the dance."

53. "The world is a book and those who do not travel read only one page."

54. "Adventure is worthwhile."

Quotes About Passion

55. "Do not go where the path may lead, go instead where there is no path and leave a trail."

56. "Follow your bliss and the universe will open doors where there were only walls."

57. "Passion is the genesis of genius."

Quotes About Resilience

58. "The only way out is through."

59. "Life doesn't get easier or more forgiving, we get stronger and more resilient."

60. "Life is tough, but so are you."

Quotes About Freedom

61. "Freedom is the oxygen of the soul."

62. "The secret to happiness is freedom... And the secret to freedom is courage."

63. "Freedom is the will to be responsible to ourselves."

Quotes About Adversity

64. "Life is not about waiting for the storm to pass but learning to dance in the rain."

65. "Strength does not come from winning. Your struggles develop your strengths."

66. "Adversity causes some men to break; others to break records."

Quotes About Courage

67. "Courage is grace under pressure."

68. "What would life be if we had no courage to attempt anything?"

69. "Courage is not the absence of fear, but the triumph over it."

Quotes About Persistence

These are reviews of various dictionaries based on my personal experience (though I kinda ran out of steam halfway through):
Unabridged Dictionaries:
Webster's Third New International Dictionary (W3): Basically the unabridged dictionary in the US. A good dictionary overall, but this dictionary is also heavily outdated. This dictionary was published in 1961 and stopped receiving additions to the Addenda (a section at the front where new words or definitions and usages for old ones could be added) in 2002. The Addenda is a bit inconvenient to use, being separated from the main text. Note that the Addenda is where you'll find all the vulgar four-letter words. As for positives, this dictionary has well-written and comprehensive definitions, the most entries of any physical unabridged dictionary (besides the Oxford English Dictionary), and lovely hand-drawn black-and-white illustrations. It has great coverage of words in every area and field and contains even the most obscure definitions.
One oddity of this dictionary is that nearly every word is shown in lowercase, even if it's always uppercase (though initialisms, trademark, and God are the exception to this rule); a label next to the word indicates how often it is capitalized. This makes for a consistent look, but it's overall inconvenient. The definitions also tend to be a bit wordy; for example, consider the definition of "leaf": "a lateral outgrowth from a stem that constitutes part of the foliage of a plant and functions primarily in food manufacture by photosynthesis, that arises in regular succession from the growing point, that consists typically of a flattened green blade which is joined to the stem by a petiole often with a pair of stipules at its base, which in cross section exhibits an outer covering of epidermal cells penetrated by stomata usually more numerous on the lower surface, which has one or more layers of palisade cells beneath the upper epidermis and between these and the lower epidermis a mass of spongy parenchyma cells, both palisade and spongy tissue being ramified by a network of veins, and that is distinguished from a leaflet, cladophyll, or phylloclade by the presence of a bud at the juncture of petiole and stem and from a phyllode by differentiation into blade and petiole" Comprehensive, but a bit wordy and difficult to comprehend.
This dictionary faced quite a bit of controversy over being "permissive" at the time of its release. This controversy was mostly culture war nonsense, and the dictionary is no less descriptive than its predecessor.
This dictionary also has useful usage guidance and synonymies (discrimination between synonyms). Physically, this book is massive but also quite lovely. Overall, most people do not need an unabridged dictionary, but if you need or want one, this is the one you should get.
Random House Webster's Unabridged Dictionary: I found this dictionary somewhat disappointing. First, the positives: the illustrations are nice and the formatting is acceptable. It's a bit more up-to-date compared to W3 (released in 1987 and updated until 2001); however, it's still fairly outdated. However, this still gives the Random House Webster's an edge when it comes to slang and newer terms. The essay on avoiding insensitive or offensive language is a nice addition. However, the definitions are somewhat weak in comparison to W3. For example, regret is defined by Random House as "a sense of loss, disappointment, dissatisfaction, etc." and by W3 as "sorrow aroused by circumstances beyond one's control or power to repair : grief or pain tinged with disappointment, dissatisfaction, longing, remorse, or comparable emotion." In addition, there aren't nearly as many entries as W3. Overall, a decent dictionary, but the W3 is overall the better package.
College Dictionaries:
Merriam-Webster's Collegiate Dictionary: This is the dictionary most people should get. It is abridged from W3 but is more up-to-date, the eleventh edition having last been revised in 2020. Good definitions, nice illustrations, useful usage guidance and discrimination of synonyms. It's not afraid to capitalize entry words like the W3 was. Overall, if you only want to get one physical dictionary, make it this one. It's pretty cheap on Amazon.
Webster's New World College Dictionary: This is the other dictionary most people should get. In comparison to Merriam-Webster's Collegiate, this dictionary also has good definitions and illustrations; the definitions are a bit easier to understand though not quite as precise or comprehensive. It's a bit less descriptive but not by much. Overall, my recommendation is to make this your second dictionary. Best used in conjunction with Merriam-Webster's Collegiate.
American Heritage Dictionary of the English Language: This is a great dictionary. Its strongest strength is its formatting, generous margins, and lovely full-color pictures. Unfortunately, it's no longer in print. Famously, this dictionary contains the usage panel; however, this is more of a drawback than an advantage. The usage advice is subpar compared to other college dictionaries. It also has an appendix containing Indo-European roots (probably its best feature in my eyes). Overall, you can't go wrong with this dictionary even if it's not as good as Merriam-Webster's Collegiate or the New World.
Random House Webster's College Dictionary: An abridgment of Random House Webster's Unabridged Dictionary. All of my criticisms for that dictionary apply here.
Online Dictionaries:
Wiktionary: This dictionary is very up-to-date but the definitions are of varying quality. A very useful feature is the very many foreign words treated here. Also, the section outlining translations of a word into various languages is good. Obscure words are treated here too. Overall, I recommend using this in conjunction with Merriam-Webster Online or Unabridged.
Google Dictionary: This is the dictionary you use if you don't care about dictionaries. The definitions are acceptable. One useful feature is a graph showing the usage of a word over time. However, this offers no usage advice or discrimination of synonyms. Overall, if you don't care at all about the dictionary you use, just use this dictionary.
Merriam-Webster Online: The definitions are the best out of any online dictionary. However, due to Merriam-Webster's standards for inclusion, some more recent words might not be here. This is basically a digital version of Merriam-Webster's Collegiate but more frequently updated.
Merriam-Webster Unabridged: This is basically a digital version of W3 (see my critique of W3 above). It also includes the Collegiate Dictionary, Collegiate Thesaurus, and Medical Dictionary. It solves the main issue of that dictionary which was capitalization of entry headwords and up-to-dateness. Unfortunately, there's a heavy subscription cost though you can get a free one-year subscription at https://www.merriam-webstercollegiate.com/ (though this requires a copy of the Collegiate). This is my overall preferred online dictionary, and I often use it in conjunction with Wiktionary.
Dictionary.com: This is basically a digital version of Random House Webster's Unabridged. My criticisms of that dictionary apply to this one.
American Heritage Dictionary Online: This is basically a digital version of the AHD (see above). My criticisms of that apply here.
If you have any questions or want clarification, feel free to reply to this post.

1. Divide and Conquer - 4/5 (Slapper intro. Pretty good for a pilot episode, but it felt like they rushed into character drama a little too quickly. Like, I only JUST now met Robin and Cyborg for the first time, so this big breakup doesn't really hit as hard as I imagine it could had it been a later episode. The animation of this show is very fun and different from typical action cartoons, though. Stuff like the characters turning into chibis and going horrendeously off-model for gags is great stuff.)
2. Sisters - 3/5 (Immediately more character conflict and drama. I'd say this one works a little better, but again, I only really now just met Starfire, so there's not a hugely established friendship between her and the Titans enough yet. On the other hand, perhaps that's for this episode's benefit, as it's about her feeling replacable, which would not be very realistic after having been established as BFFs for several seasons. And I did think her and Robin's chat was really sweet, so whatever. Also, Blackfire is just a color swap of Starfire. Sunny Tennyson much?)
3. Final Exam - 4/5 (So this episode was the first to air, but is not the "real" pilot. Strangely enough, it would almost have worked better as a pilot, since it introduces the characters in their HQ immediately followed by showing how they work as a team. The H.I.V.E. aren't the most interesting villains but Gizmo was pretty amusing. What was with the lighting in the scene where they get out of the water though? Looked strange.)
4. Forces of Nature - 4/5 (Thunder's Sonic eyes is freaking me out. Please separate them... Anyway, decent episode, even if it's mostly just Thunder and Lightning wreaking havoc and getting moral lessons from Beast Boy.)
5. The Sum of His Parts - 5/5 (Fixit. Wow, clever name. Sarcasm aside, pretty great episode. It's interesting to see Cyborg's abilities explored, and the eerieniess of Fixit about to forcibly make him a full robot was highly engaging. Although while that IS the main story, the majority of this episode is spent with the other Titans fighting Mumbo Jumbo for some reason. Not that it's back, since I liked the zany wackiness of it. But it definitely didn't need take up that much time. Also, he briefly became a Canadian from South Park.)
6. Nevermore - 4/5 (Thunder and Lightning, Mumbo Jumbo, and now Doctor Light? So far this show has had really lame villains. Not that it's a huge detriment, because unlike other superhero cartoons, the focus in most episodes seem to be more on the inner workings of the Titans themselves as opposed to whatever villain they're facing, so I guess they just pick goofy ones to jumpstart the actual plots. Which in this episode was pretty amusing. Raven's a lot more mellow than her appearance would let on. I thought she would nearly murder Cyborg and Beast Boy for breaking into her room, but she was just slightly upset. Oh and, uh, what was up with intro being in Japanese?)
7. Switched - 4/5 (Just as I mentioned the villains being "lame" in the last episode, I thought Puppet King was pretty interesting. He's not like, compelling as a character or anything, but I found the puppet schtick fairly amusing to watch. As for the actual story, while "body swap" is not the most original idea for these kinds of shows, I still found it endearing how Raven and Starfire learned about one another. But the fact that they still keep their voices makes me go grrr.)
8. Deep Six - 3/5 (There's that Japanese intro again! Apparently it's used for episodes that are more comedic, while the English is for the "serious" ones. Guess I'll see if that assessment holds up under scrutiny. So this is mostly an underwater episode, which, while not a bad setting by default, feels pretty uninspired when it's nothing but blue backgrounds and rocks. Raven horning for Aqualad sure was a sight to behold, though. Felt a bit out of character.)
9. Masks - 4/5 (Wow, Red X was Robin? No way. It's not like they had the exact same voice or anything. Anyway, as good as this episode might be, it's really just some setup for Slade's schemes, which is really only vaguely hinted at whatever it is. As a result, I don't really have much to say. Starfire's lecture about Robin not trusting them was a bit "wha" though, because, yeah, if they knew Red X was Robin, they would've held back, and it would not be convincing.)
10. Mad Mod - 3/5 (Sheesh, this episode hurts my eyes. It's a funny one, though. And it has the Japanese intro, so I guess that fact about it was true. It's nothing but the Titans chasing some Brit for the entire episode. 20 minutes of pure zaniness. And Mad Mod was a pretty amusing gag villain. I also really liked the song "K2G" that played during that Scooby-Doo parody montage.)
11. Car Trouble - 3/5 (Gizmo drove away with Cyborg's car JUST as he arrived to confront the guys who initially stole it. He would have been right in the vicinity of it, how did he not notice it driving away? LOL. Also why do the two crooks calmly tiptoe around and vaguely say they "lost it" instead of just "some guy drove away with it right behind you like 10 seconds ago!".)
12/13. Apprentice - 5/5 (Slade merely wanting an apprentice is a bit of a confusing motivation. Like, for what purpose? Once he's fully molded Robin, what does he intend to do next? Take over the world? Not that it matters, since the conflict of Robin having to betray his friends to save their lives was thrilling enough. Although part 2 is obviously the better half, because the first is mostly just setup for that. Robin also makes a sick Batman reference, but can't directly mention him because of the Bat-embargo. LOL. Side note, the effect of the probes being the characters becoming...orange with a buncha circles wiggling around them was odd.)
14. How Long is Forever? - 5/5 (Robin just brooding in front of the speakers was funny. LOL. Anyway, the way time travel is handled here is confusing. I suppose it always is, but here it seems to function so that during the period Starfire was travelling 20 years, she simply did not exist during them. But she came back to the past in the end, meaning historically, she always returned. So instead of time travel looping around itself, I guess in this series when you travel, you're just gone. And if you return, the timeline you go back to will be a completely different one. That aside, it was neat to see the future Titans, although sheesh my guy Beast Boy aged horribly. And I find it hard to believe the entire city would become a dystopia like this, considering the Titans aren't the only heroes around.)
15. Every Dog Has His Day - 5/5 (Pretty solid for a zany comedy episode. Beast Boy becoming a dog to get bitches (pun intended) was funny. And the whole schtick of the Titans mistaking an actual green dog for him lent itself to a lot of good comedy. The reveal that that the dog is actually intelligent and can speak sort of "ruins" what made that aspect funny in the first place, but it doesn't affect the episode's quality or anything, so that's just a nitpick. Soto was pretty freaky though. Reminded me of Tiny from Ben 10.)
16. Terra - 4/5 (Yikes, Terra is scrawny. She's like a walking stick. I guess she has earth powers, although it's not really explored how or why. Though, at this point in the show, I've obviously learned that stuff is not something it prioritizes. Anyway, this episode is very good, but it's mostly just introduction to Terra and then a teaser that she is Slade's new apprentice victim. I'm interested for where that goes, but I don't have much else to say about this one specifically.)
17. Only Human - 4/5 (Not to go all Facts & Logic:tm:, but humans also have a limit to which they can use their muscles, so on a technical sense, Cyborg's conflict in this episode doesn't make much sense. Especially since he exceeds 100% by the end anyway, showing it was always possible. Not to diminish the story or anything, because I did find his conflict around it genuinely engaging. And the moment when he rises up to the challenge to actually beat Atlas is obviously very cathartic and rewarding. But also LOL that Atlas picked a beef with Cyborg over losing in a video game.)
18. Fear Itself - 4/5 (Here I spent the entire episode expecting the "obvious" reveal that everything scary that happened was a prank by the Titans to prove to Raven that she can be scared. Guess I was a little overconfident in that since it turns out she was just accidentally doing it herself.)
19. Date with Destiny - 4/5 (Hey, it's Spider-Man. I mean, Fang. That was a pretty freaky character design. Just a guy with a huge spider as his entire head. This episode felt like it ramped up the wacky animation to 11, particularly with nearly every motion Kitten makes. And that bit with Starfire's mouth falling into the punch stuck out, too. That aside, pretty cute episode. Starfire's jealousy is amusing.)
20. Transformation - 3/5 (Does the Titan Tower only have bathroom? That's ridiculous. It's huge! Anyway, not to complain about power inconsistency or whatever, but Starfire being able to instantly fly several hundred thousand kilometers away from Earth pretty much instantly, not to mention be able to breathe in space is a bit excessive. She's not Green Lantern... That aside, this was alright. It's neat to find out more about Tamaranians, but Starfire has already learned the "my friends will like me no matter what" lesson before.)
21. Titan Rising - 4/5 (Why is Raven so pissy at Terra? Like, I know she's moody and has a low temper, but raging at someone just trying their best? A bit out of character. That said, I still enjoyed the rivarly. I like Terra on the team. It's fun that they're expanding the roster.)
22. Winner Take All - 3/5 (Why does the Master of Games need people to lose a battle before he can absorb them and their powers? Why doesn't he just do it to all of them on the spot? I found it funny that Beast Boy lost the first round. When the episode began I was expecting some epic final battle between the three main characters. But nope, he just loses and is gone for the rest of the episode.)
23. Betrayal - 4/5 (That was a bit of a rushed betrayal. Terra is introduced in one episode, instantly leaves within the same one, makes a big comeback 4 episodes later, and betrays them in the very next while it's treated like some devastating loss to the team. Well, there is the game episode in between. But also she isn't even in that save for a silent cameo in one shot in the end, so that barely counts! That said I still liked the emotional beats of the story from Beast Boy's perspective and such, so I'm not hating on how this was done. I just think this could've meant more if she actually was a member of the Titans for the episodes leading up to this betrayal. On a lighter note, I liked Beast Boy's theatrical scenarios of how he should have asked her out.)
24. Fractured - 3/5 (So in-between the previous, serious, dramatic episode, and the upcoming 2-part finale which will obviously be about Terra, they felt they needed an episode about some annoying imp doing zany nonsense. Not that the show is a stranger to that stuff, but this wasn't nearly as charming as Mad Mod.)
25/26. Aftershock - 4/5 (Pretty standard "epic finale" fare, but obviously it's good because I liked this Terra arc, as rushed as it may have been. Her turning on Slade and even being the one who ends up killing him was pretty thrilling stuff. I didn't think they'd actually go that far, considering he's like the main villain of the series. But while that final battle between Beast Boy and Terra was pretty great due to the resonance and such it contains, I feel like the episode took up a lot of time having the Titans fight various miscellaneous characters leading up to it, that just wasn't as interesting. Side note, Raven and Terra just being colored completely brown to simulate being muddy stuck out to me. I don't know why. Mainly because most shows would draw wiggly lines to simulate the muddiness, not just one blank color.)
27. Deception - 4/5 (I know this show is episodic so stuff like this is bound to happen, but it is a bit eyerolling that characters seem to just learn the same lessons over and over. Like in this episode, Cyborg is beating himself up over being a cyborg, but by the end he accepts himself the way he is. A lesson he has learned in 2 episodes prior to this already. Not that I didn't think it was well done. His chat with Starfire was sweet, and the whole thing about him being undercover was entertaining too, so it's not much of an issue.)
28. X - 4/5 (So some guy steals Robin's Red X costume and takes up the mantle... But he also conveniently sounds exactly like Robin? Sure, because THAT makes sense. For the most part this episode is just baiting you into wanting to know who Red X is, but then NEVER answers it. Pretty rude. Nevertheless, it was still interesting. Also Professor Chang's design reminds me of Inspector 13 from Ben 10.)
29. Betrothed - 3/5 (Titans just casually flying to another planet like it's a mere road trip. OK. Is The Batman funding this or what? Also, that scene of Robin outside the spaceship made me LOL. Anyway it's interesting to see Tamaran thoroughly explored upon and such, but it's a bit absurd that every single person on the planet wears basically the exact same outfit.)
30. Crash - 4/5 (Cyborg's cybernetic features are confusing. Firstly, how could a digital virus affect his brain, which is clearly a biological component? Second, how and why are there red blood cells flowing in the "veins" of his mechanical parts? Nitpicking logic in a goofy joke episode aside, this was great stuff. I liked that they had to reluctantly get Gizmo to help, and Cyborg going nuts was just entertaining in its own right. I think the interior of his cybernetic parts were interestingly designed, and Beast Boy as an amoeba is just absurd but fun. Although it's inconsistent that he's able to talk while in that form, since he can't when he's any other animal.)
31. Haunted - 5/5 (This was pretty grim, but very thrilling. Given Slade was established as like the main villain of the show, even though it seemed obvious he was imaginary, I kept asking myself if he was actually real or not to come capacity, since I doubt the series would get rid of its main villain that easily. And well, they DID imply somebody else activated the hallucination chemical from the mask, so, like, yeah, he's clearly coming back. That said, if it was all in Robin's head, how did he get all those bruises and rips in his clothes? By punching the air? And why did Beast Boy have a cold in this episode? I guess they needed some comedic relief so it wouldn't be too grim for Cartoon Network.)
32. Spellbound - 4/5 ("Kardiak, you're under arrest". I get it. Because he is a heart. Pretty amusing. Anyway, yikes, Beast Boy sure was mean for NO reason. But the way they made up in the end with Raven even joining him and Cyborg's game of "stankball" was cute. As for Malchior, well, I thought he was a girl until he spoke.)
33. Revolution - 3/5 (Pretty much a rehash of the first Mad Mod episode. He has the Titans trapped in a maze of illusions and they chase him around and defeat him. Which I get is the whole gimmick since he's just a joke villain, so yeah. This was good, but not AS good. The pop-art backgrounds were pretty cool, and I liked how the British flag was the sky in the background the entire time. Plus, British Beast Boy was funny. The "message" about patriotism, democracy or whatever, felt a but muddled.)
34. Wavelength - 3/5 (I guess Brother Blood is growing to be Cyborg's arch nemesis or something. This was pretty average, so I barely got anything to say. Aqualad asks for help, so they take down Blood's underwater weapon and...Yeah. But I liked Bumblebee, and her fight scene with Cyborg had a lot of funny visuals. The bit where he shuts the door on her was amusing too.)
35. The Beast Within - 5/5 (This was great. You'd think it would be fairly predictable to tell a werewolf story with Beast Boy, but the execution really makes it work. Yeah, it's obvious he's acting strange because of the chemicals from the beginning. But his gradual shift from acting macho, to asshole, to picking a physical fight with Raven for NO reason was interesting because of how bizarrely out of character it is. Especially when his "beast" form took the Raven beef to the next level. But on top of that I especially enjoyed the twist that the Adonis guy from the beginning was a second werewolf, and the actual culprit. Robin seemed awfully quick to immediately lock Beast Boy away or straight up murder him though. For a guy who himself was blackmailed into being evil, you'd think he would be more considerate to other possibilities.)
36. Can I Keep Him? - 3/5 (This was alright. Pretty simple concept for a comedy episode is all. Beast Boy fosters a giant maggot and then it becomes bigger and dangerous. Kind of amusing how Starfire got more attached to it in like a day than Beast Boy did while hiding it for months. As a sode note, I liked the design of Rancids robot dog and dinosaur.)
37. Bunny Raven... or ...How to Make A Titananimal Disappear - 3/5 (Pretty good for a zany episode. The Titans as animals were amusing designs, and Beast Boy becoming a lamp instead was funny. Mumbo's song was catchy.)
38/39. Titans East - 4/5 (I like the concept of Titans East, although the only member I find particularly interesting is Bumblebee. I'm always fond of shrinking abilities for the potential practical uses that often go unacknowledged. She never really does anything with it besides shoot some lasers in the bad guys face, though. Speedy and Aqualad are kind of generic, and Más y Menos are just gag characters, so yeah. Cyborg's conflict here was pretty interesting, but the way he gets decapitated piece by piece was pretty brutal. But him sticking it to Brother Blood was pretty awesome, and I liked the sweet ending where he decides to stick with the Titans.)
40. Episode 257-494 - 3/5 (Steve Irwin gets mauled by a bear. Anyway, this episode is decent, but it's just an endless stream of references to other things, many of which I am not familiar with, so even as a comedy episode, a lot of the jokes don't work very well. That woman from the lame soap opera was still with Cyborg in the real world by the end because THAT makes sense. But it was funny.)
41. The Quest - 4/5 (Yeah, it was pretty obvious the old lady was the great master. Robin going through challenges was pretty entertaining though, but that snake one... He won by merely grabbing the snake? Sure, okay. The rest of the team dressing up as and pretending to be Robin was probably the best part, especially even Raven joining in.)
42. Birthmark - 4/5 (Welcome back, Slade. This was a very thrilling episode. Really just has you asking tons of questions. Like how is Slade back, why is he targeting Raven now, etc. But also, it was interesting how this potrays Robin and Raven as having a very close friendship. I mean I guess all the Titans are good friends, but these two haven't been explored as a duo at all, so it was interesting, if not a bit awkward.)
43. Cyborg the Barbarian - 4/5 (Silly concept, but I like it. Though given how time travel has been established in this show, Cyborg can't really do anything to affect the future, because everything he will do has already happened in the past. I like the design of the demon... Thingies)
44. Employee of the Month - 4/5 (I found it interesting how this acknowledges Beast Boy a physical task, as opposed to Raven or Starfire's breezy levitating. Beast Boy working at a meat shop itself was pretty funny, and the Tofu villain in the end sells the whole thing for me. LOL.)
45. Troq - 3/5 (The racism episode. The fact that we know what word "troq" is supposed to represent makes it very weird how often we see it used. I mean imagine an episode where they used the actual word this much... Yeah. I think this is pretty well done and what not in terms of being sweet and emotional, especially Cyborg's talk with Starfire and Robin instantly changing his mind on Val-Yor once he finds out. But the action plot they wrapped all this around didn't really have me hooked, and it's a pretty big chunk of the episode.)
46. The Prophecy - 3/5 (This is neat and all, but for the most part it really feels like nothing but setup for a grander plot than something to stand on its own. So while I'm sure the context of this will make the season finale more rewarding, this is just okay. I did get a kick out of Raven pulling up Slade as he was trying to leave just to jerk him around a little.)
47. Stranded - 4/5 (This is a fun episode, but it has one of the worst common TV tropes of all time; Character refusing to explain an easily explainable situation this creating conflict because of misunderstanding. I mean, yeah, Starfire DID describe what a "girlfriend" was, but then she just described what could also be platonic. Robin could have easily explained to her that there's a difference between platonic and romantic.)
48. Overdrive - 3/5 (I like the Billy Numerous theme music, but that's about it really.)
49. Mother Mae-Eye - 3/5 (Well, funny at times, I'll give it that. But ehhhh. Yeah, I don't know, there isn't much to be said here. Liked the scene where Robin spiked up his hair.)
50/51/52. The End - 5/5 (Yeah, pretty epic. The Titans using Raven's power was also cool. I was hoping to finally see Slade's face when his mask was knocked off, but I suppose a creepy half decomposed skeleton is also interesting... Don't really understand Trigon's motivation for, well, all of this though. He wants to take over the Earth and get rid of all life on it, just so he can sit in a giant chair and relax? I mean, the real story here is supposed to be about Raven, so I know it doesn't matter, but that's pretty thin for what's supposed to be the most threatening villain of the show to date.)
53/54. Homecoming - 3/5 (I love specific character focused episode where we see something more personal to them, but Beast Boy's background isn't that interesting and most of the team besides Elastigirl weren't very interesting. But I do find Negative Man's powers cool. Brain is a pretty cool villain too, I love his voice, really intimidating vibes. How are any of the Doom Patrol alive after what happened though? Never explained)
55. Trust - 4/5 (An entire Hot Spot episode? Interesting, since I always find it fun when shows divert from the main cast. Overall fun, but that ending was pretty frustrating though. Hot Spot was so obviously Madame Rouge!)
56. For Real - 3/5 (I do like the Titans East, but this was disappointing. I was hoping for more of a genuine episode in their own town, seeing their feats as a team and friends, as opposed to goofing off with Control Freak. Also one of the villains Brain had lined up two episodes ago is in jail here?? Were Más y Menos permanently translated to English for the audience to understand them? I mean I guess I prefer it, since having them two speaking what sounds like gibberish to the rest of the team makes it hard for them to appear as genuine friends, especially since they're mostly attached to each other as opposed to the whole team.)
57. Snowblind - 4/5 (Already loved Red Star and then he's immediately killed before my eyes!! Whyyyy! I was hoping he would gain control of his powers and aid the Titans. How has he still been getting tanks to fill up with radioactive liquid for so many decades though? And that's a pretty small room for two tanks a day over the span of decades.)
58. Kole - 3/5 (This entire season so far the Titans have just been around the world, given last time they were in what appears to be Russia, and now it's somewhere in Scandinavia. It's been an interesting change of pace, sure, but this episode wasn't terribly interesting. They meet some caveman with a little girl, Dr. Light is up to no good, etc.)
59. Hide and Seek - 3/5 (Bobby turning out to be real was a pretty fun "twist". Got dragged out for a while though.)
60. Lightspeed - 4/5 (Another non-Titan focused episode. Kid Flash is randomly horning on Jinx because why not, I guess? This Jinx redemption came out of absolutely nowhere, given how little we've seen of her prior. But Kid Flash is fun, so whatever.)
61. Revved Up - 3/5 (This episode is neat, but given how they are racing for the entirety of it, the constant action was pretty exhausting to sit through. Why did Raven sneezing and Starfire saying the Tamaranean equivalent of "bless you" inform all the villains they are Titans though? Also, infuriating we never got to see what's in the briefcase.)
62. Go! - 5/5 (Love seeing the origins of the team, though it's pretty oddly convenient that these 5 superpowered people (well 4 with powers) just so happened to stumble upon each other, same day, same time, same situation. I imagine shortly after this they occasionally stumbled upon each other trying to fight the same bad guy every so often and decided to start a team. Which would have been more realistic for their first interactions, not all 5 meeting at once. Pretty on the nose Batman reference but they still absolutely refuse to mention Batman.)
63/64. Calling All Titans!/Titans Together - 5/5 (Why is Beast Boy climbing up the mountain as a goat instead of just... Flying? This was quite the epic episode, I enjoyted the intensity of seeing nearly every hero be ambushed separately by different villains. It's a bit strange for the final part to mostly be from Beast Boy's perspective, and with the strange heroes he ends up meeting. I was expecting to see how the rest of the Titans made it to the Brotherhood of Evil base, but it's probably better this way, since it leaves it up to imagination, and it doesn't really matter. Seeing the brain finally defeated when all heroes went into battle was satisfying. Jericho's powers were pretty cool.)
65. Things Change - 4/5 (The amount of quiet and awkward scenes with that sad music was... Well, very strange. The whole Terra thing is a bit weird like, sure, if someone you don't know jumps up to you, acts as if they know you and tells you you've gotten amnesia, you'd think they were insane. But Beast Boy surely has photo proof? Or if not, he could get testimony from the rest of his team?? No??? It doesn't have to jog her memory back, but at the very least she'd realize the truth and know who she was instead of just being so vague and saying cryptic things. Some things she said implied perhaps she did know, because any real person would just yell out the weirdo stalking them, not give emotional speeches about the girl you once knew being gone etc. But all that aside, why did Slade send a robot out just to tell Beast Boy that he had nothing to do with what's happened to Terra? Also, that creatures ability to turn himself into any matter he touches is really cool.)
Movie: Trouble in Tokyo - 3/5 (This has pretty much one of the things I dislike most about movies based on TV shows; Instead of actually focusing on the iconic aspects of the series in question, it goes out of it's way to be as far removed from it as possible by setting it in a whole other country. Bummer, because an ideal Titans movie would really focus on the whole team, and THEIR city. Instead, they're just in Tokyo stopping a corrupt commander (who I knew was gonna be the bad guy from the get-go) who's creating crimes to be a hero. And the thing is with these kind of movies is, perhaps if they actually did focus on the characters relationships, it would be good. But instead they are mostly separated the entire time, just goofing off. And cue the obligatory relationship between Robin and Starfire. I mean, it was obviously going to happen, so it's not as if I mind it, but the drama feels pretty forced. They're heroes, yes, but they lounge around and take time off all the time when criminals aren't around. There really isn't much more to say about this. High-tier average. Although, admittedly, I was finding myself ready to close my eyes and fall asleep nearing the hour mark.)
-The Lost Episode - 3/5 (It's half the length of a normal episode, so it's hard to judge it, given it's not even serious at all. A fun little watch, for sure. Beast Boy walking around with a boombox on his shoulders was funny because of how dated it is.)
-New Teen Titans Shorts (Can't really rate them since they're just shorts, but here's a few throwaway thoughts: I like the artstyle. The lowercase T tower is a funny visual gag. Was Blackfire just killed? So, they finally actually showed Batman on screen (technically)? The hell was up with Cyborg's voice in one of these?)

First of all, this is a sincere question for you guys I'm posing with the utmost respect. I'm just at the starting blocks of reading music notation. I know this has been an eternal heated discussion but still I'd like some personal feedback on this.
I'm rotating three instruments right now and I'm dedicated to the idea of developing my skill as in-depth as possible. I know it sounds stupid then to dismiss music theory (I'm still giving it a real chance as it's probably just arrogance) but here's the thing:
When I just improvise on the piano without even thinking about where exactly I put my fingers, most times I just intuitively know where to go and that often creates beautiful little segments. Admittedly yes, I do get lost all the time and miss the right notes frequently. In that regard, music theory could possible help.
Then when I try and play the piano more mindfully, or follow along a music sheet, I basically sound like a toddler who pressed his first keys ten minutes ago. If I were to develop a piece bymyself, I could get it to sound rather nice rather quickly by just going at it. If I were to play that exact same piece by reading notation, I'd fuck up all over the place. My fingers would know where to go, but my mind would just put up a hindrance on it.
It's like "NO, YOU SHOULD BE ABLE TO IDENTIFY THE NOTE BEFORE EVEN THINKING OF TOUCHING IT"
This often makes me think about music theory as a sort of brake that interrupts your flow rather than enhance it. Or in fact a gateway for non-musical people to still play and perform music, a mechanical approach for those who don't really have that intuition. Because even if you are a master at reading sheet music, you're basically trained to perform music that's not yours, by people who often developed it without ever writing it down themselves (Ok, ignoring all famous classical composers here, but that still accounts for most famous modern musicians).
I'm very open to the possibility that this is just the frustration zone of the learning curve I must get over. But still, when I think of all the people whose music I adore most, they're all untrained. Sure, they're geniuses, but still. They just went at it, instead of 'planning out' their notes like an engineer or something.
I mean, when I think about music I associate it way more with an impulsive, emotion-driven painting than a carefully planned construction.
Also the fact that so often I encounter people who know their music theory, flex their notation sheets of their compositions, that then sound like utter shit.
Surely I can't be the only one that feels this way?

Looking for something real. Lately every time I think I found someone they ghost.😔 I’m not looking for a one day chat. Looking for my person , someone I can be nerdy with , silly, hopefully grow as partners. I absolutely love voice chats. It helps me get to know you more and I just love that then texting most of the time 🤗.
Hi! My names Kira!! Below you’ll find a lot of my my personality and hobbies , as well as my idea partner. There’s much more than this.
Located:
Texas . Willing to move to another state or have my future partner live with me .
Appearance :
A thick black femboy who loves dressing up sometimes . Height : 5’3. Age: 26 Personality : I’m super ambivert . I love to go to anime cons, anime movies , TCG stores for tournaments , ect . I’m a super silly goofball who loves to make people smile .
💙My hobbies:

• Anime : Some of my favorites animes are Tokyo ghoul , Sword Art Online , Yuri on ice , Future Diary, JJK, MHA, Yaoi(Love stage , Sasaki and Miyano)
  
• Manga : I’ve completed so many mangas from yaoi , Ouran high school host club , berserk , ect .
  
• Cosplay : I’ve done Pokémon & a Tokyo Ghoul cosplay before .
  
• Anime cons: I’ve been to at least 11 anime/Comic cons.
  
• Dueling (Yu-Gi-Oh!)
  
• Pokémon
  
• Yaoi
  
• Pc gaming
  
• Overwatch. I love this game have over 500 hrs .
  
• Marvel/DC
  
• Tv drama : The Vampire Diaries , Supernatural, Buffy The Vampire Slayer, The 100.
  
• Horror- big fan of tv shows , movies like AHS
  
• Consoles I have are : Ps5, Nintendo switch , psp, ps vita, Nintendo 3ds , wii, gameboy , ect .
  
• SO Much More *
  

🩷What im looking for in a Relationship🩷

• [ ] Monogamous
• [ ] Single
• [ ] Loyalty
• [ ] Communication (This is my #1, no “ lol” or “yeah”
• [ ] No kids
• [ ] Open-minded
• [ ] Common interest : Nerdy (Anime, Games, Star Wars or anything nerdy)
• [ ] Sure on what you want (basically just knowing you want a relationship)
• [ ] Mature (as in personality )
• [ ] 21+ in age (this is a strict one)

▶️MY TYPE:
TALL (taller than my own height) , very communicative, masculine(mostly beards and body hair) gamers/anime nerds.
Someone who’s ready for a long term relationship Someone who may want to live together in the future
Someone who loves anime or video games especially OW2. *These are just preferences not a deal breaker. *
✅Ps: for compatibility reasons I’m a 100% bottom.
Do not ask me NSFW question it will be an immediate block
If you made it this far, please message me an introduction about yourself. This is extremely important as it tells me alot about you and for me to give you a well detailed response. Mostly a name to call you , hobbies, location (state wise) and what you’re looking for . You may send pics in the first message if you may like 😊

As the title says I have been diagnosed with mild autism. I just can't do the texting games that people like to play when they meet each other. I have been ghosted for no reason and I find some people to be rather shallow, so I just don't know how to continue the conversation. I take pretty good care of myself, I go to the gym at least 4 times a week, I cut all sugar from my diet, I dress decently, etc. I have a chill personality and even if someone says that they're not interested I just accept it and go my own way. I also think that I am a nice person(not in the nice guy way) since I enjoy helping clean my local state forest and helping some older people that attend my mom's church. For my own mental health I have given up on trying to find someone and I just focus on doing my own thing

I genuinely hate making these type of posts but I don't know where else to turn. No one in my social circle has the same problem I do...
To preface this: I'm on hrt for over 2 years now, legal documents changed a year ago, socially out for about as long as HRT. Have trained my voice (thought I think it sounds still to masculine, but people compliment it).
Apart from weight loss, longer hair and absolutely minimal breast growth nothing has changed. I still look like a guy. Looking at others' timelines they look like different people and yet I still look the same. If I didn't socially come out I could still easily boymode and no one would suspect a thing.
There's that constant feeling that when I wear more feminine clothes that I look like a man in a dress and truthfully the stares don't help at all. Tried to force myself to ignore it but multiple breakdowns and hours of crying showed me that I can't brute-force the feeling.
I thought I kept overthinking and gaslighting myself but hearing how my friends mention that people come up to them in clubs to chat them up and offer drinks while no one finds me interesting and/or attractive to do so hurts my soul.
I feel so out of place in this world...

Here's a big fat receipt that should be added to the archive, I pulled an all-nighter compiling this into one post. Major credit goes to the vigilant members of this sub & the great information I was able to scour through .
Congrats on identifying Drake's bad behavior with women. I was unsure about the best way to present this because it requires some delicacy & subtlety. During one of my recent deep dives for another piece, I discovered something quite unsettling. I'm aware that there will be a lot of criticism to my post, but I had to say it. People will tell me it's nothing, but Drake's actions speak for themselves.
Before jumping in, I don’tunderstand why this behaviour is getting unchecked. My narrative is completely alleged & all of this is public information.
Let's start from the beginning shall we…
May, 2010: Drake calls a girl on stage fondles the girl and kisses her neck and the crowd cheers along with it. In his defense, he doesn't ask the girl her age but how does it make it any better. He still fondled her without asking for consent in front of a crowd of people.
When the girl tells him that she's only 17 he tries to remedy the situation by saying "how the hell she looks like this" and "you thick". He jokes he can't go to jail and the crowd cheers along with it.
https://www.youtube.com/watch?v=Fp5b9dW1nrA
If this was the only time that Drake did something like this, I would have called it an honest mistake but sadly it's not it.
Year 2016: https://mtonews.com/drake-groomed-hailey-baldwin-at-age-14-then-started-dating-her-at-18
Drake knows Hailey Bieber(nee Baldwin) when she was 14 years old and has been a "good friend" to her. They know each other 'cause Hailey is bestfriends with Kendall and Kylie.
In 2016, Hailey was just nineteen where as Drake was twenty-nine. It's legal but here is the deal. Drake knows her since she was fourteen and Drake is good friends with Justin Bieber, Hailey's then ex boyfriend. Him going after Hailey immediately after her breakup with Justin makes zero sense, ethics wise.https://www.usmagazine.com/celebrity-news/news/drake-is-pursuing-hailey-baldwin-w20858I mean why would someone go after his friends ex who's 10 years his junior?https://www.youtube.com/watch?v=-90gjG044IQ
Drake also got himself a similar "h" charm necklace that Hailey had a penchant for wearing. Ignore Justin in the background for a second and here it is. https://www.youtube.com/shorts/V_91WJgGVQw
Year 2018: Drake and Bella Harris met when she was sixteen. Her dad's a famous producer. https://www.kanyetothe.com/threads/drake-and-bella-harris-timeline.8088605/
When she turned eighteen Drake rented an entire restaurant for her birthday. Um what? I get that they can be friends but she's just 18 and he's 31. https://www.eonline.com/news/968171/drake-and-rumored-girlfriend-bella-harris-enjoy-intimate-dinner https://www.wmagazine.com/story/bella-harris-who-is-drake-girlfriend
Also, in 2018 Drake went after the weeknd's then ex girlfriend Bella Hadid. Abel and Drake have been mates and collaborates since 2010. Drake helped Abel to step in the spotlight while Abel helped with writing Drake's album, Take care and also lend his vocals.
After her split from the weeknd and around 2018, Drake threw Bella her 21st birthday party. Looks like drizzy really likes throwing birthday parties. https://www.elle.com/culture/music/a21999080/drake-bella-hadid-romance-references-in-finesse-lyrics/
Take note that this has happened two times where Drake has gone for his mates exes and I know Hollywood's chill with it but this just feels emotionally predatory. It's not like he doesn't know these girls, he knows them since they were teens. It's not random.
Year 2019: Billie Eilish defends her texting Drake. Drake's 33 and she's just 18. She even comments that Drake's at a level that he doesn't need to be nice to her but that's a whole different level of power imbalance. https://www.buzzfeed.com/terrycartebillie-eilish-revealed-that-drake-texts-her-creepy
Maybe I'm reaching and they are artists and Drake is interested artistically and helps her with the industry but it just weird.
Millie Bobby Brown: https://www.youtube.com/watch?v=lYZPKh74Li8
I can't with this interaction. For one second I was ready to ignore all of the above but this? A 33 year old texting a 15 year old girl that he misses her? and talks about boys? Tf is wrong with people justifying this? People are saying it's innocent but she was 15 and I don't think any grown man should be talking about these things with a 15 year old. Also, Millie posting this https://www.refinery29.com/en-us/2018/09/210592/millie-bobby-brown-defends-friendship-with-drake
There is also this thing with Drake and the Kar-jenners and I don't know what to think: https://people.com/tv/kylie-jenner-drake-spending-romantic-time-togethe
https://twitter.com/WizMonifaaa/status/1467919407095681028/photo/4
https://hiphopdx.com/news/id.56014/title.drake-does-damage-control-after-referring-to-kylie-jenner-as-a-side-piece-on-old-song
Drake performed at Kylie's sweet 16:- https://www.youtube.com/watch?v=YWX-I6n-AQg
I wonder why no one is calling this out in light of the overall situation. Do other people observe this too but are they ignoring it? or am I overanalyzing this? I'm honestly not sure if this is predatory behavior at this point or if something is being misinterpreted since Drake is in the spotlight. Drake is a wealthy man, so what is going on with his management? If all that is occurring is coincidental and benign, then why are they allowing this to happen? To be honest, I'm not sure about it. I just wonder what Drake is doing with all these horrible stories coming out of the industry. The narrative around him changed over night it seems even though a lot of this has been known, but many just turned the other cheek.
Taking Drake down is just cutting out one head from hydra & another will likely take his place but what it WILL do is send a message to the higher ups that we aren’t slow & it’s just a matter of time until the truth comes out & people will have to face the music.

I remember when I first heard about Dungeon Meshi. It was just a show that was coming up for Winter this year. I had never heard of the show prior to this, and based on the premise and PVs, I thought it'd just be another fantasy show that didn't really need to be a fantasy. Or one of those shows that use Fantasy like a skin because that's what sells.
I remember expecting it to be something similar to Campfire Cooking in Another world. I mean, the title "Delicious in Dungeon" Doesn't really tell me much.
The only seriously noteworthy thing I found about the show was "Oh, it's by Studio Trigger a pretty famous Studio," also I just realized this is the first Studio Trigger show I've seen. Another thing being during the KV reveal, soooo many people were talking about how this is one of if not their favourite manga of all time. And I was just like... huuuh??? I've never even heard of this manga, but somehow, everyone who's read it holds it on such a high regard. Also the fanbase (prior to the anime blowing up) seemed pretty chill.
I remember watching the first episode and thinking, aw, that's pretty nice.
I thought it had better world building and set designs than Campfire Cooking, but Campfire had the better looking food. Looking back, it's almost nothing like Campfire cooking aside from the food, but back then, I still had that expectation going into it.
By that point, I was also getting a bit of an anime burnout so I was ready to drop it once I got to the halfway 13 episode mark. It was better produced than a lot of other anime out there, but nothing about the story was really gripping.
I forgot what exactly pushed me to continue, but I will say, it's definitely not the Manga Readers who kept half spoiling during every episode discussion. Nevertheless, I kept going.
I think the closest comparison I can think of with my experience with this show is Fullmetal Alchemist. I wasn't really hooked early on, but before I knew it, when I reached a certain episode and looked back, I was already hooked.
Dungeon Meshi is probably my favourite Fantasy Anime the past 2 years. I'm pretty sure Next year's crunchyroll anime awards will have Frieren win, but man- Dungeon Meshi is just a whole different experience.
The world building in this show is phenomenal. It feels so rich and vast and the way they explain the "science" behind everything makes it feel more like a nature's documentary episode than a fantasy show. You forget these things aren't real and it starts to look more like a possibility.
The "food" are also insanely creative. The delicacies they can cook up with pretty much any creature can make you salivate. The frogs having protective skin against poisonous vines, the muscles living inside the hollow armours, the dragon sack containing gas and their mouths having a "click" to spark it. It's brilliant! This show is absolutely brilliant!
And it's not just the world building that makes this show feel so alive. How the author manages to balance out the perspectives of so many interesting characters and give them depth is fascinating to watch. Not just the main character's party, any and all characters introduced, even outside of that adds something. They feel like they can exist in their own story. It makes you think of the "everyone is the protagonist of their story" line. Kabru is- Just talking about it makes me hype! I love how he overanalyses people. The way he deduced a lot of Laois' party's movements were downright scary much like a certain scene in an Episode of Oshi no Ko (OnK watches, you know the episode), it reminded me of that!
I think the moment "world building" becomes just great for me is when I can feel the world existing outside of the characters. I felt this way with Frieren, Mushoku Tensei, Made in Abyss, The Lord of the Rings, Re:Zero, and now ofc, Dungeon Meshi.
But... yeah, I think Dungeon Meshi is my definitive pure fantasy show OAT now. I have not yet read the manga, I'm only an anime watcher, but even if they continue just this quality with the anime, I know I'll be giving this show a good 10/10 in my list.
Also to compare it a bit more with Frieren. I find it really fascinating. I know comparing two shows is generally frowned upon because both shows should be judged with their own merits and whatnot, but since I view these two as absolute 10/10's and both acting as pure fantasy, I can't help but want to compare them seeing how different my experiences were.
For Frieren, I already gave it a 10/10 in my list, but it feels like a completely different type of Fantasy from Dungeon Meshi. If I were to say, Frieren does more in the way of using the fantasy element to tell a human story. It feels more like a life anime using the fantasy setting as a tool. Frieren herself being the best example of this. The author using an elf to explore the long life of Frieren outliving her comrades and how that affects her.
Dungeon Meshi, on the other hand, feels like fantasy is the center of the story. It's not a tool to tell a story, the fantasy world is the story. Every day we just learn more and more about this world in a way that goes deeper than most other fantasies are willing to do. Reading through the pages is enough to tell you that the author loves the world they built, they have so much to say and so many things to share. Instead of the Fantasy being used to serve the characters, here we have the characters feeling like they're here to serve the world.
We also see all the characters serve a different aspect in exploring the world
Laios is here to tell us everything we need to know about the monsters. Marcille Teaches us the magic system. Chilchuck explores the sociopolitical side of the world as well as the "rules" and culture around adventuring. Of course, Senshi is here to tell us all about how to cook good food.
They all work together to teach us more about the world so every episode, we always come out with something new. It's SO FUCKING GOOD!
Anyway, rant over. Dungoen Meshi peak, you should go watch it if you haven't already.
Ah- one more thing, seems like Frieren's usage of its magic system or world building(?) is more on the soft side of the spectrum while Dungeon Meshi goes HARD on it.