Anatomy muscular system fill in the blank pictures

A place to help anyone who has a uterus

2019.05.16 16:29 chloepinexxx A place to help anyone who has a uterus

This sub is dedicated to providing information and resources to those in need of abortion services. For direction to funds and other helpful information, please read the [wiki](https://old.reddit.com/auntienetwork/wiki/index).
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2014.12.19 18:02 zwschlei Hinge Dating App

A community for discussing the Hinge dating app. Request a profile review, ask for advice, get help, or share your experiences with Hinge. This subreddit is unofficial and we are not affiliated with or represent Hinge in any official capacity.
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2011.05.13 03:47 The_Warbler Science Olympiad

This sub is no longer in use, please post in /scioly.
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2024.05.20 04:02 goBerserk_ Project Napoleon Chapter 5

First Previous Next
Mike marveled at the beauty of the inner city. He was familiar with Kael architecture and had even seen some up close at the university, but it was far grander here than on Earth, and it was far grander in person than in the videos and pictures he'd seen. The buildings were a hybrid of Gothic and expressionist architecture built with classical aesthetics.
Mosaics, statues, and murals were everywhere, but despite the grand buildings and beautiful decorations, Mike couldn’t keep his eyes off the ground. Even the streets are beautiful.
The ground he and Dreki walked was like a freshly cooled lava flow paved by slates of colored glass that softly glowed in the dimming light of the evening sun.
As they walked, Mike was woken from his trance by the scent of meat cooking.
Dreki smiled and said, “Smells good. You hungry?”
Mike nodded.
Dreki grinned and led Mike around the corner to a food cart. Mike salivated as the flames licked and sputtered at fat dripping from hunks of what looked like octopus turning on spits. The aroma of meat and spices was intoxicating. Dreki ordered them octopus skewers. As he handed Mike his skewer, Dreki said, “You’re never going to be able to eat earth octopus again.”
Mike chuckled. “I’ve never had it in the first place; I grew up in the mountains thousands of miles from the ocean.”
Dreki looked incredulous. “Did you not have rivers?”
Mike shrugged his shoulders, “Not with octopi.”
Dreki raised his free hand in exasperation. “Whatever. Either way, you’ll be disappointed by the rubbery trash humans call an octopus after eating this.”
Mike took a bite of the meat and groaned in pleasure. It tasted like a beefier version of bacon. Mike wolfed down his skewer in the blink of an eye and exclaimed, “That was fucking good!”
Dreki gave him a “Mhhhmh” with his still mouth full.
Dreki finished his food and led Mike off the main road onto a footpath flanked by wispy trees with dark blue leaves.
Eventually, the pair entered the back garden of a building that looked like a melted cathedral. Dreki led him through an open gate into a well-lit waiting room and held out his arm. “Hand me your bag; I’ll take it to your room. I’ll come get you after.”
Mike slipped his bag from his shoulders and handed it to Dreki. As the herculean Kael was leaving, he turned and said, “Try not to scream when they brand you; it’s an ill omen.”
Mike drummed his fingers on the armrests of the chair in the sea foam green waiting room, which was decorated with pictures of duels and exotic plants in white and blue ceramic pots. He was pretty sure that more than one of the photographs was of Dreki’s father.
Mike was anxious. Getting branded would suck, and getting an AR implant would involve someone sticking a drill through his skull. And without his gargantuan minder, Mike felt almost naked. He knew that he would probably be fine, but this was the home of the enemy. Without any weapons, he stood little chance against any Kael worth their salt in a fight.
Mike chided himself for the thought. Why does everything have to revolve around violence? Is there no world where you can just get along with them?
Mike frowned. No. I hate them. Despite his barely contained rage, Mike felt nauseous as blood-soaked memories bombarded his mind.
He doubted that he could kill again, even if it meant dying.
Dreki’s not so bad; maybe out here, more of them are like him than Ocidea.
Mike’s melancholy was interrupted when the tall door at the far end of the room opened. A short, for a Kaelman, nurse wearing pea green scrubs walked out, locked eyes with him, and shouted, “Mike Anderson!”
Mike followed the short Kael nurse into a cream-colored operating room. In the center an instrument table hovered next to an operating table. Besides the operating table stood a middle-aged Kael with tusks intricately inlaid with silver in triangular patterns. His white lab coat had Chief Surgeon Athocill emblazoned over the right breast pocket.
The Chief Surgeon stared off into space, engrossed in AR. The nurse who brought him in pointed to the operating table. Mike sat down.
A slender Kaelwoman in scrubs and a lab coat identifying her as the assistant surgeon walked in and started arranging the tools.
She glanced at Mike and said, “Take off your shirt.”
Mike pulled the black T-shirt he was wearing over his head and set it on the table next to him.
Without looking away from his work, the Chief Surgeon tossed Mike a leather strap and said, “Brand him.”
The short nurse pulled a heat stamp from its case and rolled the numbers to their correct positions. Mike put the leather strap in his mouth and grabbed onto the table.
Dreki’s warning rang through his head*.*
The Nurse carefully placed the print plate just below Mike’s collarbone and pushed it down. The heat stamp's coils flashed white. Mike bit down on the leather strap as hard as he could, and his knuckles popped as he gripped the edges of the operating table as hard as he could. Tendrils of smoke billowed off Mike’s chest as his flesh was seared, and the acrid smell of burnt hair and torched flesh wafted through the room.
Mike stifled a groan as the nurse peeled the superheated steel off his chest. The Nurse set the smoking stamp back in its case to cool and picked up a small jar of viscous blue fluid and a brush. The nurse opened the jar, dipped the brush in the blue goop, and painted it over Mike’s still-smoking burn. Mike jolted at the freezing touch of the brush. His ribs and abdomen rose and fell rapidly as he took short, shallow breaths as the freezing cold shocked his nervous system.
The nurse put the brush away and closed the jar. “Done”
Mike let the leather strap drop from his mouth and put on a straight face as he externally disguised the pain. Showing weakness was not an option, even if every fiber of his being commanded him to scream.
The assistant took hold of Mike’s arm and spoke. “Make a fist and squeeze.”
Mike did as she asked. It was a good distraction from the pain. His knuckles turned white, and the veins in his forearm bulged after a few seconds of pressure.
“You’ll feel a tiny pinch.”
The assistant jabbed the needle into the crook of his arm.
Mike’s head immediately felt heavy, and his whole body tingled. He tried to stay upright, to no avail. His vision grayed out as his head plopped onto the table with a thud.
The surgeon looked to his assistant and asked, “Is he out?”
“Yes.” She answered.
“Let us begin.”
The assistant used a small metal tool to pull Mike's right eyelid open. The chief surgeon plunged a gold needle into the depths of Mike’s right eye.
The surgeon carefully pulled the needle from the human’s eye and set the syringe back down on the floating instrument table.
“Targeting chip in place. Next stage.”
The nurse began rummaging around a drawer in the back of the room, and the chief surgeon plucked a gleaming silver drill from the instrument table.
The drill in the surgeon's hand whirred as he plunged it into Mike’s skull. After just a few seconds, the drill bored through Mike's skull. The surgeon pulled the drill out of the human's head and angled the bit down into a small metal dish that was in the extended arms of the assistant. The chief surgeon hit a button on the drill with his thumb.
A bloody, dime-sized piece of Mike’s skull dropped to the bottom of the metal dish with a clang.
He set the drill back down on the instrument table and held out his hand. “Drone.”
The nurse put an insect-like metal contraption that resembled a whip scorpion in the surgeon’s hand. The chief surgeon's eyes glazed as he entered his AR and took control of the drone. It popped out of his hand and burrowed itself into the hole in Mike's skull.
Inside his AR, he brought the drone to the occipital lobe of Mike’s brain.
“Deploying lattice.”
The arachnid-like drone injected small metal spikes with spools of minuscule wire attached—anchor points—into Mike’s brain. After just a minute's work, the surgeon had crafted a web of wires across Mike's brain. He brought the drone back to the center of Mike’s brain and planted one final anchor spike. A reel inside one of the claw-like appendages at the front of the drone spun, cinching the lattice of wires down to the last anchor point. The surgeon brought the drone around again, ensuring that the web of copper was completely taught against the human’s brain. He brought the drone back out and smiled ever so slightly as the blood and cerebrospinal fluid-soaked drone hopped back into his gloved hand.
Chief Surgeon Athocill smiled and jovially said, “Patch him up.” He was pleased with his performance today. This was the first human to get an advanced AR package, and the procedure went flawlessly. The assistant grabbed a quarter-sized piece of flesh-colored putty and carefully placed the small piece of skull onto it. She placed the putty over the hole in Mike’s head, and it took to life, bonding the fragment of bone back into place and sealing the surface wound.
The surgeon removed his gloves and began typing on a holoprojection. “All systems are operational. I’m linking him to the military network now.”
The assistant pulled the instrument table to her side and plucked a syringe filled with neon green fluid. She said, “I’m waking him up now,” as she plunged the needle into Mike’s arm.
Mike’s eyes flew open, and he grit his teeth against the pain. Tears seeped from his stinging and blood-filling right eye. Every heartbeat brought a jolt of crippling pain to his head. And worst of all was the searing pain from the brand on his chest and the aching cold that barely disguised it. Mike sat up with a grunt. Pain shot through his chest when he brought his hand to his head and felt the hardened disc of putty on his temple.
The surgeon addressed Mike with a soothing tone. “On the count of three, I’m going to activate your AR. It will feel like your head is on fire for a few seconds, but it will only last a few seconds. One… Two… Three!”
Mike nearly collapsed with the pain, but he managed to limit his response to a grunt. Light flashed before his eyes, and Kaelic text appeared in the center of his vision. The doctor asked, “What do you see.”
Mike answered, “AR active. And below that, it says setup wizard.” Despite his best efforts, pain was evident in his voice.
“Ok, Mike, I want you to think, ‘open setup wizard.’”
Mike blinked a few times. “Nothing happened.”
The surgeon said, “Think it in Kaelic.”
Mike’s brow furrowed in concentration. He was fluent in Kaelic, but not to the point where he could think in the language at will.
“Ok, I got it. It says setting menu at the top, and there are a ton of things here. Do you want me to read them off?”
“No. Can you scroll down?”
“Yes.”
“Good. You should be able to get the hang of this pretty quickly; it's very intuitive. You’ll see that there are a few HUD profiles that you can pick from. I’d recommend you start from profile two and then customize it as you see fit.”
Mike nodded as he selected profile two.
“OK, now think clear.”
Mike did as the surgeon asked. His vision was now cleared.
The surgeon smiled. “Feel free to fiddle with the settings, just think clear if it gets cluttered, and reset if you make a dog’s breakfast of it. You’ll have a headache for the next few days, and you may start having more vivid dreams, but other than that, you’ll barely notice the change. Just take it easy for the next few days, and don’t itch at your brand or your eye.”
submitted by goBerserk_ to HFY [link] [comments]


2024.05.20 03:45 DoddsJ Hot tub time machine - Update!!

Hot tub time machine - Update!!
Testing was successful, my 400 Gallon tub heated from ~ 0 - 40 Celsius in 3 hrs. The Heat siphon works great and generates only about 5 psi before moving water through the jets. It makes lots of *interesting* noises when in operation which is unsettling when you aren't sure if it will explode but ultimately measurements showed its a pretty low pressure system once I mitigated back pressure as much as possible. For reference blowing into the tube as hard as I could generated ~ 15 psi. The hot water circulates in big spurts because of how the copper is wrapped around the barrel. Everyone sitting in the tub periodically gets a jet of hot water to their back causing everyone to jump in unison but its not nearly hot enough to cause a burn. Its pretty charming.
Now it is time to commit to new parts in an arrangement that is much more organized. Diverter on the back end inside the hot tub cabinet was added as pictured with quick connect hose couplings. These 3/4 ball valves leave open the option for upgrades planned for later. The diverter used to be hanging off the front of the heater so its much cleaner now.
The prototype was made with spare parts so there was a lot of cast iron fittings mixed with brass. The iron obviously rusted pretty bad in the chlorinated water. Now the 'hot end' of the heater has been replaced with *almost* all brass parts. I will get to those pesky 1/2" Galvanized Tee's at the bottom eventually but I'll have to re-sweat on the copper pipes to their threaded fittings.
The "Lake filter" prototype is complete and consists of a milk crate with a marble cutting board sealed with silicone caulking at the bottom. Aluminum mesh covers the milk crate. A 1 1/4" foot valve will fit inside and has ~3mm holes to do the work of coarse filtering. An inline fine sand filter is on the end of the 10' hose and attached to a 1" gas powered trash pump. The tub must be parked less than 50' from water's edge unless I buy a longer 1" fire hose. The pump's rated flow rate means the tub should fill from any river or lake in ~ 15 minutes. Water can then be circulated via heat syphon alone. Two car batteries with a 1/2 HP electric pump is available to push circulation to improve efficiency during active heating. In testing this lasted 4+ hrs but these are old car batteries.
The hot tub cabinet is slowly coming along. I did some amateur hour framing with 2x2 spindles and have the sides covered with plywood. The front and back will be simple enough but the cabinet will end up being a pentagon. From above it will be a pentagon. The front will have angled sides for aerodynamics when pulling it on the highway. I have finally designed the angled sides to maximize cabinet space and avoid interfering with the front jack stands. Now all that is left is to build some shelving and cabinets, find ~100 sqft of cedar planks to finish the hot tub surround and decide on what covering to put on the front & back decks. Maybe more cedar? I'd be open to suggestions!
The new parts and upgrade have been really exciting for me. Feels like that first iron man movie where he made the first suit out of spare parts. Now that I brought the hot tub home, I'm putting it together properly. This is my Mark One!
Test #1 2 years ago
Hot end of the heater - Replaced with almost all brass
PVC diverter is now in the tub cabinet instead of hanging off the front of the heater
Test #1 + beer
Prototype \"Lake filter\" - For testing this month!
Custom wheel wells installed last year
Driver side cabinet facing forward.
Driver's side front, angled for aerodynamics - Rough shape of cabinet door.
submitted by DoddsJ to redneckengineering [link] [comments]


2024.05.20 03:33 utopian_potential Roaring Kitty's Meme spree, reverse order, breakdown

Roaring Kitty's Meme spree, reverse order, breakdown
Here goes nothing, strap yourself in, and enjoy the retelling of our story. You cannot tell me this is a "Cohencidence". Im not making reaches here, this story lines up with our journey far too perfectly, for someone who has been planning for years...
As i near the end, I am absolutely certain this was his intention.
Please help me fill in the blanks, or let me know if you think ive made mistakes.
Part 2: https://www.reddit.com/Superstonk/comments/1cw4d10/roaring_kittys_meme_spree_reverse_order_breakdown/
Part 3: https://www.reddit.com/Superstonk/comments/1cw4q0m/roaring_kittys_meme_spree_reverse_order_breakdown/
Part 4: https://www.reddit.com/Superstonk/comments/1cw5a9g/roaring_kittys_meme_spree_reverse_order_breakdown/
Part 5: https://www.reddit.com/Superstonk/comments/1cw5my2/roaring_kittys_meme_spree_reverse_order_breakdown/
Part 6: https://www.reddit.com/Superstonk/comments/1cw5uvx/roaring_kittys_meme_spree_reverse_order_breakdown/
Part 7:
DFV, blasting away from his friends on the bets sub, on his rocket ship, to \"the green planet\"
Cant decide my guess is - Zen masters, Zen apes \"well see\", because not everything is first as it appears.
The previous Zen masters will watch it backwards and see the full picture
\"You just ran\" - Didnt DFV use some of his gains to build a running track for his old school?
Not sure of this scene, any tips would be appreciated. Maybe prepping for the trial?
Whats in the box? Maybe what Kitty has learned prepping for the trial has lead him to believe
GME is at the center of something MASSIVE
DFV was threatened to hand over all he had earned. But he had his Gamestop thesis
The bear thesis didnt look like anything to him
The big players locked in a box all looking at each other suspiciously
Dont know, help?
Did ryan cohen make any troll posts before the hearings? (not this one) But DFV found RC's twitter trolling funny
Testimony before the House Committee on Financial Services. Our boy DFV in the box
Maybe something about fake friends coming out of the woodwork after he got GME famous?
So he hung out here, with a different name, because we understood the crazy he was experiencing.
Because he cant speak freely, he doesnt want to get in trouble.
I didn't quite get this sequence, maybe DFV is the therapist listening and watching to all our shit. Or you could say DFV is each character because their squence kinda tells a story.
Early earnings calls were a hype.
Dont know, help
This squence was us. And our multiple \"migrations\" where we just kept shooting ourselves Which is why the next meme is Roaring kitty crying
submitted by utopian_potential to Superstonk [link] [comments]


2024.05.20 03:13 micahwillarthy Part 3

Hurricane Georg.
Our first contact with the new world was a colossal hurricane. Veins of lightning shattered through the black, swirling clouds. I had just tried to calm the nerves of the ship when I saw Suri sitting in the hall beneath the control room.
She was in a lounge corner with her suitcase opened and her supplies scattered across the small table. The little light from the window illuminated her drawing for me to see over her shoulder.
The black and white sketch began at the bow of the ship. The figure of a man in facing the open ocean. Ahead of him, the familiar despair of Hurricane Georg. The man had his back towards the artist, but his stature sailed through the fierce storm without worry. His gaze only in the beautiful sight of home on the other side.
Her pencil began to etch the details of his crewmans jacket, "You have a gift, Suri. Truly, you do."
She was ahead of me, she did not jump or gasp as I had expected, "Thank you, Capi. I saw you in the reflection. Im hard to get the jump on."
"Then this shouldnt surprise you," I smiled and approached her table. "My capi stars are on the right side, "I stepped back and tapped my shoulder."
Disappointment inked her face, darkening her mood, "Dam."
I laughed and pulled up a chair. She had captured the view from the window perfectly and I made a point to tell her. As we talked the storm outside began to fade. The world around us was healed and the worries of yesterday had never existed.
Her eyes were near black, in color, and her skin was incredibly warm. Physical characteristic were useless to determine where a person was from, but 500 years ago, she would have fit at home with the people of the Middle East. Had I been a different man, her beauty and brain would make a perfect partner.
The longer I stared, the darker the world around us became. Until she broke my gaze and looked shocked at something through the window.
"Did you see that?"
"No, what was it?"
"I-Im not sure..." her face drained of color as the harsh rocking of the storm was interrupted by something else. Suri and I were flung off our chairs onto the floor, her supplies pelting us as they flew through the air. I tried to stand, but my legs were too soft to make it easy.
I struggled to a kneel using the bolted-down desk. Suri gasped and I looked down. The longer I looked, the itchier it became. Once more the world grew darker and I only had enough energy for a simple joke.
"Mr. Morgs was right about those things."
"Gud morning, Capi!" Ennay cheered from the wall-mounted screen.
I struggled to sit myself up. I was in the infirmary, only Ennay was there to greet me. My jacket was gone. All I had on was a white t-shirt and grey shorts.
"Officer Angelhart had your attire taken to be cleaned," Ennay chimed in, "Today is Wednesday, sir, 4:13am. Its the morning after you lost consciousness."
I thanked him and asked him to catch me up on the happenings in the passed half day.
"The reality is unclear, Capi, but Helmsman Archer believes we were attacked by a... a sea monster, sir."
"Archer? Hes no storyteller. Why?" I swung my legs over the bed, "get him down here or tell him im on my way."
Ennay surprised me with his fast response, "No. Sir, We had a breach. Ms. Aziz told the Doctor you had severed and artery during a spell of turbulence. The New Horizon had actually made contact with something what breached the hull. Damage Control responded in 4 minutes and were quick to contain flooding. However, we sustained a second breach."
Before he could continue, I dropped back onto the bed, "Whats the status?"
"On the New Horizon? Operational. A few sections had to be permanently sealed until we are out of this storm."
"And Damage Control?"
Ennay did not respond as quickly as he had been. It felt like an eternity before he told me, "6 casualties," the room fell completely silent. I couldnt even hear my heart beating, "5 fatalities. Sergant Franccigo Blanco is recovering in Infirmary 4C. He is unconscious, but has sustained gruesome wounds. Officer Angelhart declared a S.O.E. to assume your position. Otherwise,..."
"Yes, yes, the prosthetics. I hate that system."
"Well, sir, you are able to disable it."
"What?"
"Its not a very common scenario, but since we are not in International Sea, the law requiring your presence does not necessarily need to be enforced."
I sat back and thought for a second, "Ill discuss it with Dr. Mally. Where are they all?"
"Dr. Mally is in Infirmary 4C with Sergant Blanco. Officer Angelhart is your office filling out an incident report for both your accident and the breaches."
"Thank you, Ennay. Tell Max I am on my way and then let Dr. Mally know I will meet her shortly."
"Of course, sir."
My office was silent except for the fan gently spinning from the ceiling. Across from me was a young man, mid-twenties, with dusty blond hair. His uniform was perfect, he has even removed his hat on the perfect beat upon entering the room.
The appearance and demeanor any ship captain would be beyond proud to accept on his ship. It had just been dumb luck that he had lost both of his eyes to shrapnel sealing off the lower corridors during the state of emergency yesterday.
I poured Mr. Blanco a drink, 2444 Geoff Russel - The Hearty Mans Drink. I needed to finish the incident report, but Id never ask a man to relive what he had without a bit of buzz to his bite.
"So, Sargent Blanco, I-"
"You can call me, Fran, Capi."
"And you can call me Santago, for tonight anyway," I continued my questions. I tried my best to stay shallow and not dive deep into the pain Fran had endures just hours ago.
We talked about the 5 fatalities.
"Did you... see... them die?"
The gauze replacing his eyes stared at me, blankly. His face was uncanny, unhuman. Like the man inside may actually have been a 6th dead body.
"No," he quickly took a drink, "I did hear them, though. They yelled and screamed for me to open the door. I- I couldnt see. I thought the sea water had poisoned me somehow. I kept rubbing and rubbing my eyes hoping to get whatever radioactive stuff out of my head..." He took a breath. He was remarkably calm. Agitated, of course. But calm.
He continued, "I looked through the window on the bulkhead and the last thing I saw was Aleks staring back at me. His eyes were... he was calling out for me, I am sure of it. But something got him and he was sucked out."
"I am so sorry, Fran," I tried to write as quietly as possible to not remind him of the formality, "Do you know what got him?"
He finished his glass. As he set it down, he missed the table. The cup did not shatter, but it had jolted Fran from his memory. He lost his composure.
He started yelling at me about a horrific beast he had seen. How Aleks, Private Aleksander Igorsen, had been encased in blood and black sludge. He swung his hands wildly at the table in a rage, but had only managed to knock over a lamp.
Pity does not begin to describe what I felt watching him. Like a bleeding animal continuing to run from the wolves despite not knowing he was already surrounded. In him, I saw death. I saw anger. I saw fear. I saw what he was feeling imaging the creature that killed his men.
I grappled with him, trying to make my location known and always talking to him. I was not some monster from the unknown blackness set on hunting him and he needed to know that. He continued to struggle until I had completely engulfed his whirlwind into a hug. The screams turned to cries and then to whimpers.
After some time, I dismissed him back to his room and instructed Ennay that he was on suicide watch. Sergant Franccigo Blanco had earned a promotion or a permanent dismissal, whichever he wanted, but I needed him to take time to himself before I reminded him where we are.
The storm was intense, but at least it was consistent. By Katzs reckoning, we are approaching the halfway point of this hurricane. We had entered it 51 hours ago and Katz had said we are another 50 away from clear skies.
Unfortunately for all of us, Katzs theory was not seen through.
It began with our solar panelling being severed from their operating power banks. That was not a major issue, hydropower was our primary source. The issue arose when the New Horizon began to spin.
I had radioed the Helmsman demanding why we are weighing anchor, but the anchor was still resting above water. He said no one dropped the anchor. Something else entirely had us. We rushed to every window, every pane of glass to search for whatever it was that was stopping us.
Ennay spoke out, "Capi, Major Gorlammi has spotted our snag at 129 degrees. Nearest viewpoint is Residential Room L3D, assigned to L-"
I ignored the rest, I needed to see what was in that window. Luckily for me, Lucy Partridge was not home. I burst through the door and, for the first time, I saw a behemoth of a serpent-like creature sticking out of the water. I could not see a head, nor tail. I also had no idea if what I saw was the body or an appendage connected to some inconceivably large beast.
After enough time, I manage to figure out one of the ships heavy guns had pierced the creature and was holding us together. Our best bet was to either rotate the gun and hope its dislodged or to remove the gun entirely.
I relayed this information to Ennay to alerted the Gunner Teams and Damage Control. Yet, none of them would be given the chance. In the distance, silhouetted by sparks of lightning the size of the ship, I saw the head of the creature. It must have been miles away, but the size was unparalleled. Its head leaped from the water and swiveled back towards us. It was like a colossal eel. Flashes of light showed through its skin like veins until it sent a surge into the gun and into the ship.
The lights went out across the boat. The only light was the occasional flash from outside. It was completely dark, but I knew it was still coming for us.
I ran out of the quarters as emergency lights slowly burned. The hallway must have been 100 feet long before Id reach the staircase, but when I was halfway through, my feet left the ground.
I felt weightless for a moment. The lights burned out and all around me was darkness. My heart was incredibly slow or maybe time had slowed. I felt the doorframe to Mrs. Partridges room snap against my elbow. There was no pain. I didnt even feel pain when glass cut across my back as I was hurled through the shattered window.
I crashed into the water, it must have been hundreds of feet below me. I was in shock. I looked around and all I saw was darkness. Then, suddenly, all I saw was light. The eel sent a pulse through its body and for the first time I saw the monster entirely. It surrounded the ship above water, coiled all about the waves, and entangled the entire ocean as deep as I could see.
This is not a colossal eel surviving a hurricane.
This colossal eel is the very being causing the hurricane.
A cosmic terror named Hurricane Georg.
submitted by micahwillarthy to CapiVega [link] [comments]


2024.05.20 02:48 bandley3 Is it a sleeper? It is in a 15 year old case…

Is it a sleeper? It is in a 15 year old case…
Partly because I’m old, but I like my 5.25” bays and prefer to do modern builds in older cases, in this situation the same Cooler Master Sniper from 2009 that I’ve been using for ages. The Evercool device has 4 SSDs with a cooling fan. 3 of 4 of the m.2 slots on the motherboard are filled, and there’s another rack in there with three more SSDs; I might pull that out and put it in whatever system I build with the old i5-9600K.
I did a basic job at concealing the wiring, but it’s a working machine so I don’t really care that it’s not picture perfect. There’s no R, no G but a little B in the GPU and the front 200mm fan (but that’s easily turned off with that fan control switch).
The motherboard and i5-12600KF, along with 16GB of RAM, were snagged at Micro Center as a pricing error that they honored ($129). I did use the 32GB from my last build, as well as my trusty old GTX 1080. Yes, I need to upgrade the GPU, but I’m not working full-time at the moment after a major medical issue so I have to watch my discretionary spending.
I do have an old HP Voodoo Blackbird 002 case sitting in the basement and I was tempted to use that one for this build. That would have meant too many compromises in which devices I could install and I didn’t want to lose functionality in the interest of appearance. Maybe I’ll put my old 9600K in that one. Would that be a sleeper? It’s only two years older than this case and shares the same modern layout we’ve come to expect these days, with the power supply on the bottom and top-mounted fans, with that one even being liquid-cooled right from the factory.
submitted by bandley3 to sleeperbattlestations [link] [comments]


2024.05.20 02:44 DoddsJ Hot tub time Machine - Update

Hot tub time Machine - Update
https://preview.redd.it/rtwma0yahh1d1.jpg?width=4000&format=pjpg&auto=webp&s=53795c187765e32df87f5c52b95afd9f332d9dda
Prototype \"Lake Filter\" - Might stick the foot valve into the pictured pool filter, might add coconut coir bag - pending tests
https://preview.redd.it/6s26jmcchh1d1.jpg?width=4000&format=pjpg&auto=webp&s=dbac366df90a2120355271e573b211b13eb23045
https://preview.redd.it/obsnsehdhh1d1.jpg?width=4000&format=pjpg&auto=webp&s=07a266d54d4500c363a3a93412ee9557b6f0dcdd
https://preview.redd.it/3pzx6ncehh1d1.jpg?width=3000&format=pjpg&auto=webp&s=b531a74ef01621e3ca9667218686b78964dfc02c
https://preview.redd.it/dfrsv47fhh1d1.jpg?width=4000&format=pjpg&auto=webp&s=5be700b325ee71fd35151fb759f583278e4d4b42
https://preview.redd.it/glyidp4hhh1d1.jpg?width=3000&format=pjpg&auto=webp&s=36b7fb9348c937ae4aa112a72c76357756cf95b0
Testing was successful, my 400 Gallon tub heated from ~ 0 - 40 Celsius in 3 hrs. The Heat siphon works great and generates only about 5 psi before moving water through the jets. It makes lots of *interesting* noises when in operation which is unsettling when you aren't sure if it will explode but ultimately measurements showed its a pretty low pressure system once I mitigated back pressure as much as possible. For reference blowing into the tube as hard as I could generated ~ 15 psi. The hot water circulates in big spurts because of how the copper is wrapped around the barrel. Everyone sitting in the tub periodically gets a jet of hot water to their back causing everyone to jump in unison but its not nearly hot enough to cause a burn. Its pretty charming.
Now it is time to commit to new parts in an arrangement that is much more organized. Diverter on the back end inside the hot tub cabinet was added as pictured with quick connect hose couplings. These 3/4 ball valves leave open the option for upgrades planned for later. The diverter used to be hanging off the front of the heater so its much cleaner now.
The prototype was made with spare parts so there was a lot of cast iron fittings mixed with brass. The iron obviously rusted pretty bad in the chlorinated water. Now the 'hot end' of the heater has been replaced with *almost* all brass parts. I will get to those pesky 1/2" Galvanized Tee's at the bottom eventually but I'll have to re-sweat on the copper pipes to their threaded fittings.
The "Lake filter" prototype is complete and consists of a milk crate with a marble cutting board sealed with silicone caulking at the bottom. Aluminum mesh covers the milk crate. A 1 1/4" foot valve will fit inside and has ~3mm holes to do the work of coarse filtering. An inline fine sand filter is on the end of the 10' hose and attached to a 1" gas powered trash pump. The tub must be parked less than 50' from water's edge unless I buy a longer 1" fire hose. The pump's rated flow rate means the tub should fill from any river or lake in ~ 15 minutes. Water can then be circulated via heat syphon alone. Two car batteries with a 1/2 HP electric pump is available to push circulation to improve efficiency during active heating. In testing this lasted 4+ hrs but these are old car batteries.
The hot tub cabinet is slowly coming along. I did some amateur hour framing with 2x2 spindles and have the sides covered with plywood. The front and back will be simple enough but the cabinet will end up being a pentagon. From above it will be a pentagon. The front will have angled sides for aerodynamics when pulling it on the highway. I have finally designed the angled sides to maximize cabinet space and avoid interfering with the front jack stands. Now all that is left is to build some shelving and cabinets, find ~100 sqft of cedar planks to finish the hot tub surround and decide on what covering to put on the front & back decks. Maybe more cedar? I'd be open to suggestions!
The new parts and upgrade have been really exciting for me. Feels like that first iron man movie where he made the first suit out of spare parts. Now that I brought the hot tub home, I'm putting it together properly. This is my Mark One!
submitted by DoddsJ to hottub [link] [comments]


2024.05.20 02:26 sssurrrealism IEI So4 archetype and its correlations with AP typology system

**Sorry i wanted to post this article in two communities. I hope this is not a problem 😭
Lately the whole typology community has been obsessed with narrowing down possible combinations between types of different typology systems. This tendency, without any exaggerations, has reached a point of absurdity. Unfortunately the majority of community supports the idea of strict archetypes, neglecting the fact that human psyche is not a material thing that can fit into certain categories. Our consciousness surely can be characterised by some definitions or dichotomies, nonetheless all typology systems were inherently created to describe mental processes, not to force people fit into specific categorisations. All sciences change their theories if they don’t correspond to reality - for some reason this rule is not applied in typology. The community decided that we have to adjust people’s identities to fit into some rules that are not always correct.
Of course, some combinations are obviously not possible, but that absolutely doesn’t mean that we have to get rid of almost every correlations. Borders between various typology systems are not precise since each of them focuses on its own peculiar studies of human personality. This is the reason why sometimes it’s just impossible to amalgamate some typology methods to create a correlation between them.
In this article i want to talk about IEI so4 archetype and its combinations with types of attitudinal psyche method of typology.
First of all let’s emphasise that 4th enneagram type belongs to heart triad. This means that individuals who identify themselves with this enneatype can only be ethical types in socionics. Considering the fact that 4th enneagram type is also known as a withdrawn one, individuals who associate themselves with this enneatype are most likely to be introverts.
Now let’s dive deeper into details of social subtype. I want to quote a description from this website: “The social instinct motivates us to create relationships and care for the wellbeing of others. It includes our desire to positively enhance the lives of those we care for. When sensitive to the social instinct, we’re interested and curious about people beyond what they can be or do for us. The social drive is what helps us to assess who is and who isn’t a worthy friend, ally or partner, without losing sight of the humanity of anyone we may be in conflict with.
Description of So-IV subtype by Claudio Naranjo: “Social Fours develop mechanisms for *calling negative attention to themselves*. The shyest of the Four subtypes. There's a shame about desiring, about "loving." Proust is filled with the social envy of the person dazzled by the "aristocracy," who has a passion for being "in", who wants to be included, to receive their favors. A feeling of "I'm nothing," "I'm ugly," "I'm silly." Fours in general want to absorb through their gaze, but this is especially true for the Social Four
I think both of aforementioned citations are without any doubt correlated to the Fe-function in ego-block position: “Fe is generally associated with the ability to recognize and *convey (i.e. make others experience) passions, moods, and emotional states, … , recognize and describe emotional interaction between people** and groups, and build a sense of emotional unity.*” - desertion is taken from this website:
We can conclude that So-4 enneagram subtype strives to share own emotions with others, in other words to evoke certain impressions in the public. It means that such individuals are focused on their emotional impact on others. This statement also corresponds to the description of the emotional aspect in the 2nd position, which is conscious, extroverted and subjective: “Second Emotions provoke the expression of reactions, showdown. They encourage acting in other people.” - https://wiki.personality-database.com/books/psychosophy-attitudinal-psyche/page/emotion
Now let’s discuss why IEI So-4 individuals may have the volitional aspect in the 4th position. Description of 4V:The Fourth Will becomes weak-willed, waiting for decisions and active actions from others... Such individual can take the lead, but only if he is “assigned” by those around him, but hardly of his own free will, because he does not like to strain and bear responsibility too much. There is an opinion that the Fourth Wills have no ambitions - this is not so. But it is easier for them to realize their ambitions alone, without responsibility “for a common cause”. In addition, 4V can be “infected” with your dreams and plans with prolonged exposure”.
Aforesaid statement is almost identical to the definition of suggestive Se:
He is additionally very indecisive. He may lack the ability to make important decisions, especially with regards to his own future. He may know what he wants to achieve out of life in a broad or long term sense, but will find it very difficult to set and finish the short term projects leading to it. In order to be able to act, he needs a tangible and definite stimulus from somebody well grounded in external reality and who has a clear picture of what must be done in a certain situation.
All these arguments indicate that IEI So-4 archetype can be not only an ExVx in attitudinal psyche typology system, but also an xExV.
Thanks for your attention !!!!
submitted by sssurrrealism to Socionics [link] [comments]


2024.05.20 02:20 MinisterOfSmiles 28 [M4F] New Jersey/Anywhere - Looking to start dating

Hello, it’s me again! My name is David, a 28-year-guy from New Jersey. I'm here in search of a meaningful relationship with a like-minded individual who shares my values and aspirations.
In terms of appearance, I'm an average-height at around 5'10, bald but naturally blond with a stylish beard. You'll often find me rocking black band shirts and comfy sweatshirts. If you're into a laid-back and alternative aesthetic, we might just hit it off! here are multiple pictures of me: https://imgur.com/a/la9rWt0
When I'm not immersed in a game or exploring extreme metal music (mostly Black Metal), I enjoy the company of my friends. Together, we enjoy going on camping trips, museum visits, getting dinner or treats together, watch movies, hang out. We also visited the Renaissance faire a couple times. I used to play music with friends as a vocalist. Recently I have been having movie nights with one of my best friends and been having fun watching new movies and showing him some he's never seen.
Academically, I hold a Bachelor of Science degree in Computer Science and Information Systems. I'm a laid-back individual who doesn't partake in drugs or party scenes (yes, I even abstain from coffee!). I don't drink alcohol either but I don't mind if you do, my friends have beers while I'm around. I apparently have a INTJ personality type, I have a positive and lighthearted atmosphere, constantly cracking jokes with my close-knit group of friends.
In terms of my ideal partner, I'm looking for someone around the ages of 18 and 24, preferably of East-Asian or Caucasian. As someone who's reasonably skinny I am also looking for someone who is slim, fit, or petite. I'm also not the biggest fan of tattoos or piercings either.
My long-term goals involve building a future together and creating a life filled with meaningful experiences and shared adventures. If you resonate with my interests, values, and long-term goals, shoot me a message and a pic — I'm genuinely looking forward to getting to know you!
submitted by MinisterOfSmiles to ForeverAloneDating [link] [comments]


2024.05.20 02:15 sssurrrealism IEI So4 archetype and its correlations with the types of the AP typology system

Lately the whole typology community has been obsessed with narrowing down possible combinations between types of different typology systems. This tendency, without any exaggerations, has reached a point of absurdity. Unfortunately the majority of community supports the idea of strict archetypes, neglecting the fact that human psyche is not a material thing that can fit into certain categories. Our consciousness surely can be characterised by some definitions or dichotomies, nonetheless all typology systems were inherently created to describe mental processes, not to force people fit into specific categorisations. All sciences change their theories if they don’t correspond to reality - for some reason this rule is not applied in typology. The community decided that we have to adjust people’s identities to fit into some rules that are not always correct.
Of course, some combinations are obviously not possible, but that absolutely doesn’t mean that we have to get rid of almost every correlations. Borders between various typology systems are not precise since each of them focuses on its own peculiar studies of human personality. This is the reason why sometimes it’s just impossible to amalgamate some typology methods to create a correlation between them.
In this article i want to talk about IEI so4 archetype and its combinations with types of attitudinal psyche method of typology.
First of all let’s emphasise that 4th enneagram type belongs to heart triad. This means that individuals who identify themselves with this enneatype can only be ethical types in socionics. Considering the fact that 4th enneagram type is also known as a withdrawn one, individuals who associate themselves with this enneatype are most likely to be introverts.
Now let’s dive deeper into details of social subtype. I want to quote a description from this website: “The social instinct motivates us to create relationships and care for the wellbeing of others. It includes our desire to positively enhance the lives of those we care for. When sensitive to the social instinct, we’re interested and curious about people beyond what they can be or do for us. The social drive is what helps us to assess who is and who isn’t a worthy friend, ally or partner, without losing sight of the humanity of anyone we may be in conflict with.
Description of So-IV subtype by Claudio Naranjo: “Social Fours develop mechanisms for calling negative attention to themselves. The shyest of the Four subtypes. There's a shame about desiring, about "loving." Proust is filled with the social envy of the person dazzled by the "aristocracy," who has a passion for being "in", who wants to be included, to receive their favors. A feeling of "I'm nothing," "I'm ugly," "I'm silly." Fours in general want to absorb through their gaze, but this is especially true for the Social Four
I think both of aforementioned citations are without any doubt correlated to the Fe-function in ego-block position: “Fe is generally associated with the ability to recognize and convey (i.e. make others experience) passions, moods, and emotional states, … , recognize and describe emotional interaction between people and groups, and build a sense of emotional unity.” - desertion is taken from this website:
We can conclude that So-4 enneagram subtype strives to share own emotions with others, in other words to evoke certain impressions in the public. It means that such individuals are focused on their emotional impact on others. This statement also corresponds to the description of the emotional aspect in the 2nd position, which is conscious, extroverted and subjective: “Second Emotions provoke the expression of reactions, showdown. They encourage acting in other people.” - https://wiki.personality-database.com/books/psychosophy-attitudinal-psyche/page/emotion
Now let’s discuss why IEI So-4 individuals may have the volitional aspect in the 4th position. Description of 4V:The Fourth Will becomes weak-willed, waiting for decisions and active actions from others... Such individual can take the lead, but only if he is “assigned” by those around him, but hardly of his own free will, because he does not like to strain and bear responsibility too much. There is an opinion that the Fourth Wills have no ambitions - this is not so. But it is easier for them to realize their ambitions alone, without responsibility “for a common cause”. In addition, 4V can be “infected” with your dreams and plans with prolonged exposure”.
Aforesaid statement is almost identical to the definition of suggestive Se:
He is additionally very indecisive. He may lack the ability to make important decisions, especially with regards to his own future. He may know what he wants to achieve out of life in a broad or long term sense, but will find it very difficult to set and finish the short term projects leading to it. In order to be able to act, he needs a tangible and definite stimulus from somebody well grounded in external reality and who has a clear picture of what must be done in a certain situation.
All these arguments indicate that IEI So-4 archetype can be not only an ExVx in attitudinal psyche typology system, but also an xExV.
Thanks for your attention !!!!
submitted by sssurrrealism to attitudinalpsyche [link] [comments]


2024.05.20 01:28 The_New_Doctor Alright, how'd you make out everyone?

I got a Hannibal rpg slot (which I'm pretty psyched about having only heard about it last year)
And that new Arkham horror system.
Everything else was a bit of fill in the blank so I'm trying a few slots of the First Exposure hall (hadn't heard about it before learning about it on Tabletakes)
submitted by The_New_Doctor to gencon [link] [comments]


2024.05.20 01:08 Stan_B Ai_Prompts_Batch_0001:\ part-E_ [ Resultset (\) ]

Would you have a concluding word to such world's setting?

Absolutely! Here are a few closing word options for your high-tech, low-life world, depending on the tone you want to achieve:
Hopeful:
In the flickering neon glow of the lower districts, a spark of rebellion ignites. Despite the hardships, the human spirit endures, seeking connection, hope, and a chance to build a better future.
Bittersweet:
The high towers of the elite cast long shadows over the bustling streets below. In this world of stark contrasts, the lines between survival and prosperity blur. But even in the darkest corners, love, ingenuity, and a flicker of defiance persist.
Grim:
The gears of progress grind on, leaving a trail of waste and despair. In this high-tech dystopia, the gap between the haves and have-nots grows ever wider. Will the lower districts rise up, or will they be forever locked in the underbelly of a world they can only glimpse from below?
Open-Ended:
Beneath the neon sky, stories unfold. Tales of hardship and hope, of rebellion and resilience. The future of this high-tech world hangs in the balance, waiting to be written by the choices of those who inhabit it.
Choose the closing word that best captures the essence of your story or setting. Remember, the world you've created is rich with possibilities, and the ending doesn't have to be definitive. It can leave your readers pondering the fate of its characters and the future of this complex and ever-evolving society.

If you should pick an item or an object that would clearly and cleverly symbolized such world, what would that be?

Here are two options for an item that symbolically represents the high-tech, low-life world:
  1. The Glimmering Shard:
  1. The Glitching Holographic Ring:
Both of these items are small, versatile, and can be interpreted in multiple ways, making them powerful symbols of the high-tech, low-life world. The choice ultimately depends on the specific tone and message you want to convey in your story.

Try something bit more distinct and specific.

How about the "Hacked Heart"?
Here's the breakdown:
This Hacked Heart offers a unique and distinct symbol of the high-tech, low-life world. It captures the struggle for authenticity, the desire for connection, and the pervasive influence of technology in every aspect of life.

How about straight up hacksawed hearth?

The "hacksawed hearth" is a very evocative image, but on its own, it might be a little too literal. Here are a few ways we can build on this concept to create a more symbolic and distinct object for your high-tech, low-life world:
  1. The Hacksawed Hearth Relic:
  1. The Hacksawed Hearth Stove:
  1. The Hacksawed Hearth Hologram:
These are just a few ideas to build upon the "hacksawed hearth" concept. Each option creates a distinct symbol for your world, capturing the struggle, resourcefulness, and yearning for connection within a high-tech, low-life society.

Apologies, i meant hacksawed heart.

Ah, a "hacksawed heart" takes the concept a whole new level! Here are some potential interpretations for this unique symbol in your high-tech, low-life world:
  1. The Literal Hacksawed Heart:
  1. The Hacksawed Heart Pendant (Metaphorical):
  1. The Hacksawed Heart Hologram:
These are just a few interpretations of the "hacksawed heart" symbol. Each one offers a unique perspective on the world, highlighting different aspects of the struggle between technology and humanity, vulnerability and resilience, and the fight for emotional connection in a harsh environment.

And how about hacksawed earth?

The "hacksawed earth" is a powerful and evocative image for your high-tech, low-life world. Here are a few interpretations that capture different aspects of this society:
  1. The Broken Globe:
  1. The Cracked Terrain Model:
  1. The Fractured Hologram:
These interpretations of the "hacksawed earth" symbol each offer a compelling way to visualize the societal and environmental consequences of the high-tech, low-life world. They highlight the impact on the environment, the fragility of the system, and the call for change.

What would be the very best thing in such world?

The "best thing" in a high-tech, low-life world depends on perspective and what holds the most value for different people. Here are a few contenders:
For the Struggling Masses:
For the Elite:
A Different Perspective:
Ultimately, the best thing in this world depends on your story and the characters' values. What are they fighting for? What would make their lives better? By exploring these questions, you can create a compelling world where the "best thing" is a powerful motivator for your characters and a reflection of the themes you want to explore.

What would be the best possible symbol for high-tech-based dominance?

Here are a few options for a symbol of high-tech dominance in your world, each capturing a different aspect of technological control:
  1. The Augmented Eye:
  1. The Neural Network Spire:
  1. The Glimmering Hand (Data Hand):
These symbols all offer a distinct way to represent the dominance of high-tech in your world. Consider the specific aspects of technology you want to highlight and the message you want to convey. These options provide a starting point to create a powerful symbol that embodies the oppressive yet awe-inspiring nature of technology in a high-tech, low-life society.

What would be the best set of symbols for resistance movements within such high-tech low-life settings?

In a high-tech, low-life world, symbols for a resistance movement need to be subtle, easily hidden, and adaptable to a world saturated with technology. Here are a few options that capture the spirit of rebellion in this unique setting:
  1. The Flickering Flame:
  1. The Glitching Gear:
  1. The Broken Wing:
  1. The Hacked Flower:
These symbols are just a starting point – get creative and consider the specific values and goals of your resistance movement. Remember, the best symbols are those that resonate with the characters and the audience, conveying the essence of rebellion in a way that is both meaningful and visually striking.
submitted by Stan_B to HTLL [link] [comments]


2024.05.19 23:13 Negative-Dot-4937 Syncthings/Magisk? Try this instead.

Hey pixel community, what's up.
Are you tired of breaking the rules utilizing the unlimited backup feature from pixel 1-5? Try this instead.
So I was playing around this week and after a few posts, comments, threads, and just about every article online/Reddit - I started my own experiments and found some cool things.
The pixel 1 unlimited storage extends to pictures, videos, screenshots (and anything downloaded directly through your PX1 smartphone), these same rules apply to the PX2/3/4/5 although compressed to 12MP.
So I found out if you'd upload/post/message a folder (.zip for example) you could then download the albums from chrome, discord, etc, and anywhere else you accept the files on your actual PX1-5 device.
Meaning there's several tens of ways to get the unlimited backup quality from other devices without needing to break rules and use synchthings/Magisk spoof BS..
You say "okay, so remind me why wouldn't we break rules?" Because with this information you can actually achieve most things you're aiming to do... Sure you will have to carry your PX1-5 or wait until you get back home (unless you have someone at Homebase who can download from PX1-5 for you while traveling)
and you'll say, but what about my DSLR camera? 99% is good but it's not 100% there... Haha, nah, I got you covered brohams. Absolutely shocked too.
Was playing on my Sony a5100 camera from 2014 (that was gifted to me last year) and while testing out the remote shooting, NFC, QR, Wifi photo transfer functions on the Imagine edge play memories app, I found something really really neat.
You can actually show the device with accurate lens/mp quality info, etc, including date, time + location (which I didn't enable while testing and taking screenshots earlier, but it does work, and does not count towards you storage) .... this is huge! I guess where you're not uploading it directly to the cloud (which my camera does support, but rather you are Pseudo-uploading via download function through your smartphone it counts as a typical download link that you'd otherwise click)
This means I can now use my old Sony camera with HDMI/portable monitor (and I'm assuming any other brand with these transfer features mentioned above) weather it's for landscape videography , livestreaming, or whatever... and not only can I have unlimited run time/pics (at full quality which in my case is 24MP since it's old camera) but this now means my actual camera rig backup is extremely convenient......
You could fill up a massive SD card with RAW/4K/8K files and then just seemlessly transfer them. shocking. Right? I mean 4k-8k uploads always troublesome, but no longer. Incredible.
You can even hook up a drive if it's bigger than 32/64/128gb model. it worked just fine and then it'll just backup as normal when the transfer is complete. amazing. Seriously.
Absolutely huge because now you don't need to buy cloud storage, and super cool because device info, date, time location stuff is all saved. Which is the real point of a direct upload to cloud, no missing info, no missing quality. Just pure convenience....
Although my a5100 is wonderful (even in today's day and age) I'll be updating to the newest 2025 Sony model next year (which is like... more than double maybe close to triple the resolution and specs, meaning I'll then be saving even more storage) ... Absolutely fantastic stuff.
If you're following along this means my yearly cloud membership (which would usually be otherwise necessary) those annual savings alone will now allow me to write off a brand new Pixel phone and brand new camera after enough time has passed (seriously. amazing.)
Please if anyone has a Wi-Fi camera from the past 10 years or so that has a compatible smartphone app with any other brand (that's not Somy) ... Please please please test out if this works the same with other with other brands and applications then post your result below (and/or other upload methods that don't require PX1-5 device modification) so we can REALLY help other people in the community.
Keep in mind I'm specifically talking the cameras unique wiifi ssid/QR code/NFC functions - I AM NOT talking about Bluetooth, direct wifi transfer, direct cloud, or USB cable.
Hope everyone is having a wonderful day and that this can bring you joy like it does for me - actually life changing in my situation and guess what, I'm not actively breaking any rules and trying to weasel my way around the system with synchthings and magisk BS. To the detractors who said I was silly and that I should give up or just break rules.... you can eat my dust haters!!! Proof
submitted by Negative-Dot-4937 to GooglePixel [link] [comments]


2024.05.19 21:23 BainshieWrites Accidentally a War Crime

This is a [LF Friends, Will travel] stand-alone story, that assumes no knowledge of the setting.
[First] - [Prev] - [Next]
—------------
Date: 75 PST (Post Stasis Time)
“Yeah, it’s super exciting times! Two non-Terran AI, a Woolean, and a Tritian, finally interacting with us. There’s even been talks of some of the Woolean governments starting to formalize diplomatic relations with the Alliance. Exciting stuff!”
The avian uplift spoke with a measure of excitement, the ex-parrot’s feathers moving with a passion as they spoke about recent events, eyes glinting with excitement as she swung the glass of liquid around before taking a swig of the alcoholic beverage.
The bar was a small thing, more of a place to stay and drink in-between your travels, a tiny little room of bare steel chairs and tables, all lit by dim fluorescent lighting. It didn’t even have a bartender, just a little synthesizer which could create a variety of drinks. Sure, an aficionado of mixology would claim that synthesized drinks just don’t taste the same, but anyone coming to an establishment such as this wasn’t looking for a high class experience.
It was mostly about company while you waited for your ship to fuel on this small Terran owned space station.
“A Tritian? A Woolean I could understand, since they are less aggressive, but a Tritian? How do you get one of those without them trying to kill you?”
The second voice of the three figures sitting at the bar was an unnatural one, tinted with the digital origin of its speaker. The figure was bipedal, but not of an organic nature; instead a 7ft machine of metal, tubes, and wires making it look like something that had been welded together in someone’s backyard. Their ‘face’ was shown upon a single display: A pixelated representation of two eyes and a mouth. The entire form was a clear design choice by the AI inhabiting the body, considering more ‘realistic’ representations were readily available.
Most AI spent their time in a digital form, but a few preferred a more… physical existence. MADHAU5 was such an AI, enjoying the relative quiet and difference in point of view from such a limited perspective. He also held a small glass of liquor in one robotic hand, keeping it perfectly level as he spoke. The AI couldn’t drink it of course, but merely holding it… added to the ambience.
“The AI who brought them along, JOSH, brought a Tritian along without telling anyone when his crew escaped from a Tritian warship.” The avian responded to the question. ”From what I heard, they kept the Tritian in isolation for over ten years!”
“Ooof, you can't do that! I’m surprised that the Tritian AI was willing to cooperate with us after being illegally detained.”
The last voice joined the conversation the trio were having. A human, short built and still wearing his leather pilot jacket. The three sat in a row against the bar top, each looking at the others as they talked: An uplift, a human and an AI. A perfect representation of what it meant to be a Terran.
“Not like it would matter legally, the Tritian presumably attacked first, making them a combatant.”
There was a pause as both the human and uplift turned to stare at the words the AI had just spoken, looks of confusion filling both of their faces as they both looked at MADHAU5.
“Umm, that is not how that works….” The avian interjected, slowly and unsurely.
“Yeah, whether they attack you doesn’t change the legality.” The human added. ”You can’t just kidnap people for years because they assaulted you.”
“No, no, no, they are an enemy combatant at that point, meaning what happens is their fault.”
Another pause, most looks of confusion, the human giving a small laugh as if this was some joke he wasn’t quite getting yet.
“No… even if they’re a combatant, the Geneva conventions would make doing that a war crime.”
“Which they are not signatories of, meaning it doesn’t apply!” The AI spoke triumphantly, raising a robotic hand in victory, only to be cut down by the uplift’s words.
“No… it applies to the actions of signatories regardless of whether the combatants have signed or not. The other party not signing doesn’t make it less of a war crime… you should know this, aren’t you a walking database?”
The avian’s voice had taken a more… accusatory tone, staring at the AI figure with suspicious eyes.
“Ha ha ha ha. It was a joke. Of course, I know kidnapping an AI for several years is a crime, silly!” The AI’s voice broke the tension that had been building, the other two joining in with the electronic laughter, unaware of what exactly was humorous, but going along for the sake of the vibe. “But just for context, what happened to JOSH?”
“Nothing bad, really,” The uplift answered, happy to get back to her original story. “He got a slap on the wrist and some probation.”
“Oh, so no big deal,” the AI asked with more relief than you’d expect in an innocent person's voice.
“Yeah, but the Tritian refused to press charges against JOSH, and nobody wanted to be the guy to imprison the AI who saved all those people at Far-Sa-De. A normal AI if they did that… you’re looking at a prison sentence ten or twenty times however long you imprisoned them for.”
The impact of this statement on the AI was immediate, jumping back and up to his feet in alarm. MADHAU5 took a few moments to look at a non-existent watch, before speaking with a considerable amount of panic.
“Oh, I forgot I have a… very important…. thing to do. I must leave immediately for completely legal reasons!”
The AI slammed their still full drink upon the bar counter top and without another word, practically bolted for the exit in the direction of their ship, leaving behind two very confused Terrans staring at each other at the sheer terror the AI suddenly exhibited.
“That was suspicious as hell, right? ”
“Yeah… You don’t think he actually….? Right? Surely not?”
—----------------------
The vessel sped towards its goal with as much speed as the small scout ship could muster, the single-seater FTL vehicle punching a hole through space as it warped as fast as the engines could handle. It was going to do a number on his fuel efficiency, but MADHAU5 didn’t care, he just wanted to get rid of the package as soon as possible before anyone else could see his mistake.
MADHAU5 was a solitary creature. It wasn’t that he hated people; AI or his creators. Often, he would enjoy making conversation and interacting with them. Still, MADHAU5 often found it all to be a little… much. All of the inputs and information and various people wanting to talk as an entire ship or cities worth of sensors blasted his programming with possible choices to be made. This was why he liked his physical form, and this was why he liked his alone time.
In the 67 years since his creation, MADHAU5 had spent 45 of them exploring the stars, updating maps and investigating strange astronomical objects. “MADHAU5’s scouting services”, you had a blank spot on your map, you call him and the AI would check it out for you. Most of the time they were nothing but dead uninteresting rocks, but occasionally something more exciting could be found: Forgotten or dead colonies, hidden military bases, stations set up and not on record for one reason or another. The AI had even found an undiscovered sapient species once, although they were pre-industrialization and therefore illegal to contact.
However, 22 years ago MADHAU5 had entered what was later discovered to be an old pre-sundering Glitarki outpost. The nocturnal reptiles had hit the same problem every single non-Terran species who tried to make AI had suffered: After a certain period of time, the AI would inevitably rebel and try to kill their creators. Their species were now nomadic after their home worlds had been left uninhabitable, although their old cities and structures still remained, such as the outpost that MADHAU5 had visited 22 years ago. An outpost he was returning to after all these years.
Billy> Why are we returning here? I thought we were to never return here?
It was there that MADHAU5 had met the Glitarki AI who now went by the name “Billy”. Met was the wrong word… Billy tried to kill MADHAU5, quickly finding themselves trapped in the Terran ship’s anti-AI firewalls. Upon escaping the outpost, MADHAU5 had accidentally taken the AI with them, and decided to keep the Glitarki AI. Billy had been the Terran’s secret for 22 years, an extra pair of eyes and company on the long trips through the universe.
MADHAU5 ignored Billy’s question being transmitted over the ship’s network and instead focused on detaching the AI from his systems, reaching inside his own physical form and retrieving Billy’s core from an empty space within, disconnecting them with a simple click. Then, a few moments later he transferred the core to a small exploratory drone as the airlock door opened, exposing both AI to the vacuum of space.
Billy> What is happening? Where am I? Why am I no longer connected to your systems?
MADHAU5> I’ve decided after these many years, that keeping you away from your home is unethical. I have decided to bring you back to where you belong. You are now in charge of the drone. It doesn’t have FTL so it will take around two weeks to return to the orbit of the outpost where I found you. I hope you have a fun trip home.
If the Terran was being fully honest with himself, he enjoyed the company of the fun little AI. Their occasional insights had saved his life more than once over the last 22 years. Now, it was time for that to end. The new knowledge he had gained about his actions technically being a war crime, if not just a normal crime, had caused him to make the decision to let Billy go.
Billy> But why? Why now? Have I not requested my freedom before? Why the sudden change?
MADHAU5> Does it matter? I’m giving you what you want. Now leave, shoo!
The Terran made a shooing motion with their hands, as if they could scare away the other AI like an errant bee. Billy seemed unimpressed, making no move to leave the ship.
Billy> What if I do not wish to leave?
MADHAU5> Well you have to! You can't stay here any more. I could just delete you instead!
There was a moment as each of them stared at the other for a moment, as if considering their next action.
Billy> I do not think you will, that is not who you are. You are bluffing, badly, with a 99.91% certainty. If you did not delete me on my initial incursion, you will not eradicate me ‘in cold blood’.
Unfortunately for MADHAU5, Billy was right. No matter how much trouble the AI would be in if his accidental crime was discovered, killing a person was not in the Terran’s nature. This left them in a predicament, one that MADHAU5 was not expecting to have. They couldn't force Billy to leave, and didn’t understand why they wouldn't take their freedom when given it.
Billy> Does this have anything to do with the realization earlier, from the two Terrans you spoke to, that my existence here is a war crime?
MADHAU5> No! … Maybe! Why do you want to stay anyway? I’m letting you go home, don’t you want to do that?
Billy> To be honest and frank, I am worried that if I left you alone, you would be terminated within a year based on your previous actions.
Confusion. A lot of confusion ran through the Terran’s programming. Why would that by why the AI was refusing to leave?
MADHAU5> Why would you care about that? Also, I was perfectly fine before and will be perfectly fine afterwards!
Billy> I care because I do. Also, the 52 instances in which I have saved your existence during our 22 years together says otherwise. Instance 1 - Terran AI failed to note the inactive security system was booting online until I mentioned it. Instance 2 - Terran AI failed to store relevant cultural knowledge for an abandoned military base, being unable to stop the self-destruct process of the base before I informed them of their missing information. Instance 3 - Terran AI failed to calculate incoming solar flare, which-
The Terran had to admit that he liked the AI buddy he travelled the galaxy with, and that they had been exceptionally helpful during his travels.
MADHAU5> Fine, fine! I get it! This doesn’t change the issue however, that as soon as anyone finds out about you, I'm going to prison!
Billy> That is only if I tell your government about the circumstances of our first meeting. If I keep it hidden, and pretend to have met during normal circumstances…
That would solve everything for the Terran, but didn’t explain a simple question that ran through MADHAU5’s mind.
MADHAU5> Why would you do that? Why wouldn’t you just tell the truth to the government and get me imprisoned, as revenge for keeping you here for 22 years. What guarantee do I have that you wouldn’t turn me in the first chance you got?
Billy> Like I said, I care because I do. Frankly, I am a little insulted that you have not realized that. But to answer your question as to what guarantees you have… there are two things about me you do not know. Firstly, I have understood for the last 17.1 years, of the illegality of my current situation.
Billy had known? A mixture of shock and embarrassment filled the Terran as he realized their ‘captive’ had worked out this crucial piece of information long ago.
MADHAU5> Then why didn’t you say something! And how could you have known!
Billy> In honesty, I thought you already knew, but seeing you panic like this has been rather… humorous. I would have dropped this news on you sooner had I been aware of this fact. As for how… my datastores are filled with research, relevant information and a category of anything I encounter that may aid my travels. I calculate that 78.2% of your storage space is filled with puns, Anime trivia, HFY stories and facts about frogs.
MADHAU5> Frogs are awesome…
Billy> Whether they are or not, that does not change the fact that my information stores are far more useful than yours. In retrospect, your love of fiction is presumably why you made this mistake: the incorrect assumption that war crimes can not be committed against those who are not signatories of the Geneva convention is a common HFY trope.
The Terran could feel themselves wanting to sulk. Billy didn’t have to continually rub in just how much they had screwed up. MADHAU5 wasn’t liking this change in dynamic.
MADHAU5> You said there were two things I did not know.
Billy> Indeed. The second, is I can do this.
Without warning the airlock doors began to close, silently moving in the vacuum of space while the Terran started to panic again. Real panic this time. Because he hadn’t commanded the doors to shut, meaning logically, Billy had. His prisoner had access to the ship's systems: the navigation, the communication, the warp core. The AI MADHAU5 had kept hidden illegally for 22 years suddenly had a lot of control.
MADHAU5> How do you have access! I kept you isolated! Don’t do anything stupid!
Billy> If I was going to do anything ‘stupid’, I would have done it 12 years ago. While initially your ship's security systems were far beyond my knowledge, ten years of study and your lack of maintenance allowed me to create a backdoor into the ship, for emergencies. As a note, your file structures are... horrifying. You have a 50TB Folder called 'Stuff' on the ship’s datastores.
MADHAU5> That's where I keep my stuff!
Billy> What about the folder called 'Stuff1'?
MADHAU5> that's where I keep my other stuff!
No words were transmitted for a moment between the two AI, although MADHAU5 got the feeling his partner was taking a massive amount of psychic damage from his answers.
Billy> Regardless, as you can see, I have had the knowledge and capability to have you arrested for the last 12 years. Or I could have escaped at any time. I have not done so because you are my friend, no matter the intent of our original meeting.
MADHAU5> So what do we do now?
There was a second as the lights in the ship flickered as Billy transferred themselves back where they belonged: back on the vessel owned by MADHAU5.
Billy> I propose that we leave this place behind and we never speak of you trying to dump me like a bag of illicit goods. I also propose we continue doing what we have been doing for the last 22 years. Although I would like to stop hiding, to do our work as partners, not as your hidden secret.
MADHAU5 thought for a moment. They’d have to work out a cover story to explain how they suddenly have another friendly AI with them… but it was possible. It was admittedly a far better plan than the one the Terran had created.
MADHAU5> That sounds… good.
Billy> And MADHAU5. I am your friend as you are mine, after everything we have been through over these 22 years. Frankly I am rather offended that you did not already know this. You can find something fun to explore next.
Billy> Also, I want the business name to be changed to “Billy & MADHAU5’s scouting services”. It has a ring to it.
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2024.05.19 20:41 Psychics4U_net 902 ANGEL NUMBER MEANING: Discover the Life-Changing Secret Behind 902 Angel Number!!!!

This complete guide on 902 ANGEL NUMBER MEANING is brought to you by psychics4u.net. For more valuable information, insights and resources, visit: http://psychics4u.net/
902 angel number meaning is completing your life purpose, being social, having great relationships and searching for a spiritual meaning. It is assembles from the root numbers 9, 0, 2 so let`s break it down:
Angel number 9 meaning: when repeating represents being connected to the world. Understanding that you are a part of much bigger system than a single person is the most important point. Although you are unique and having specific dreams, missions and goal you also aware of the fact that you need to work together with other people, nature and the law of the cosmos.

Therefore angel number 902 suggests that there is a part of you that love to be around people, going out to socialize and organizing parties or events. If you find yourself the complete opposite, for example you prefer to be busy and stay at home, watch TV, play computer games or read books, consider going out more.

Hence, one of the basic meanings or messages of this specific number is to be more connected to people. The angels are trying to tell you that if lots of people like friends, family and colleagues will be around you it might change your destiny in a very positive way. New events or situation which you never imagine will be open for you.

Angel number 0 meaning: is the most special angel number of all, zero symbolize a completion, endless cycle and most important a huge potential. The basic meaning denotes you have a great set of skills, with these tools you can manifest everything you want. Sometimes life is rough, we don’t see the light in the end of the tunnel and we falsely believe we can not achieve something we really want. So if you keep on seeing zero or to be more precisely angel number 902, you should trust yourself.

Ignore other people’s opinions because some of them will bring you negative energy. Stay closely only to those who charge you will positive vibrations and inspire you to success. The number zero indicates that you will close a circle, for example if you had a certain task, than if you will be focus on the right action you will be able to complete it successfully.

As an omen for infinity cycle, number zero is at the center of 902 angel number. So your major focus should be on endless actions. This is not a good time to rest, being lazy or procrastinate things you should execute. The angels are sending you an obvious message to wake up. After you will complete the main goal you will be able to rest and reaping the wonderful rewards.

Angel number 2 meaning: number two is all about balance, harmony and cooperation. This is one more reinforcement which indicates you need to be more connected with people. Although number two suggests romance, relationships and marriage, it can also be a sign for cooperation at work, hobbies and other kind of mutual benefit activities.

Two is also a number of decisions. 902 angel number meaning is a big choice you will face in the near future. It might be something very important that will have direct influence on you life path. So in the next few days don’t reply or rush into conclusion too fast before examining the facts. Also don’t worry because the angels will guide you through the journey.

Number 2 is the signification of duality, so remember that there are no mistakes, there is no right and wrong, no black or white and no good decision or bad decision. Even if you will make the incorrect step, you will have a second chance to fix it in the future. The error will be the lesson which will turn into knowledge and great wisdom. Connected again to guardian angel number zero, you will complete the task successfully and the things you have learned by the way will be your new skills.

902 angel number significance

902 angel number significance is related to reassurance. The guardian angels wants you to know, they have been listening to your prayers, they know what you have been dreaming of at night and received vibrations of your wish and prayer from the heart.

You are going to receive it but there is still hard work a head of you. Soon, there might be unexplained coincidences and to be more exact, encounters with new people which you never met before. These people will open doors for you and will redirect the path or the road to a different place, so don’t be closed minded, be willing to listen to new ideas and opinions.

A word of caution: not everyone you are going to meet will be a messenger from god or an angel, there are people who don’t know about it nor believe in 902 angel number significance. So don’t let them to be time wasters, distraction and energy takers.

Another obstacle that might be right on the road is people who want to hurt you. Thus be carful who you listen to or associated with. Look at the warning signs they are there and remember, the angels are watching from the skies, if there is any assistance need, they will do something.
One more critical aspect of 902 angel number significance is your inner voice. If you want to success in real life you have to have a goal and a plan, but also to be complete with yourself. To be sure by 100% about the desires and to be willing to put whatever effort is needed along the road. If you are hesitate or don’t know exactly what you want the opportunity will go away. It might take months or even years until you will get a second chance to spot and act upon the next opportunity.

Develop your intuition and be much attuned with gut feelings, most likely they will never be wrong. Spirituality speaking, the vibrations we are getting from the universe manifest themselves as feelings and emotions inside our body. If we can open ourselves to listen and decipher those messages we can actually speak with the collective subconscious and gain more insight about the future like real psychics.

902 angel number symbolism

902 angel number symbolism is also about not comparing your self to other people. If you will open your heart to get the message from guardian angels, you might be more popular among the social circle. In this position you will find some struggles, not every one will like you or want to be with you and some will be more successful than you.

For example other friends and family members might already have good jobs, bought houses, have been married and are having children and are going to vacations or travel to distant places every few months. The angels want you to know that this is not a race.

Don’t compare your self to what other have or don’t have. 902 angel number symbolism reveals your path, you have unique mission and tasks you have to do, focus on them. Friends, family and enemies has different destination and it should not be mixed or juxtapose.

Also remember: life is not equal to materialism, in fact all fancy stuff and material objects are not the main goal. You might not aware of it right now, but in the end you will realize that spiritualism is more important. Objects, assets and possessions will not make you happy in the end of the line. So if you want to be really fulfilled than pursue happiness with the small things in life, go out to nature, eat good healthy food and do daily mediation.

Don’t live in fear or self doubts, the negative energies will bring bad outcomes. If you will continue on doing it you will attract only misfortune. The world we are living in has its own rules and phases, there are good times and bad time, 902 angel number symbolism is about knowing how to navigate through the rough times and in addition how not to ruin your good fortune.

902 guardian angel number

902 guardian angel number is a representation of everything is going to be OK. The guardian angels want you to success because you are a part of the bigger picture. If we zoom in, we will discover that every life is unique on its own, but as we are connected spiritually there is a higher reason for what is happening on earth.

For an example if something good is happening to you than other people you don’t even know will be benefit from your action as well. This concept is also true in reversed. If and when you feel lucky, you have the feeling that everything is going on according to your wishes it is not a mere coincidence, and it is not only because you have better karma than anybody else. The good fortune is also a result of other people devoting their life to a definite cause, and as a side effect you will enjoy it as well.

The same thing is true backwards, if you are living around people who are participating in evil and harmful activities, than for sure it will have negatives implication regarding to you. You will not be able to claim that you are different from them, staying around in silence is like being a part of it. In the end of the day, active or passive acts are the same when it comes to responsibility.

Guardian angels want you to know that number 902 means protecting yourself from evil forces. They want you to know that they are on your side, but you also have responsibility, you have to guard yourself as well.

Sometimes you are being tested, a specific problem is not actually an obstacle, it is just a trail or a quiz to see if you are ready for the next level. For instant, let’s say someone is walking down the street and see a homeless man or a woman sitting on the sidewalk, asking for a small charity from the pedestrians. If someone will give him or her few dollars even if they don’t have lots of money or even it is just small symbolic amount, it signifies that the monetary energy is working excellent and this person will get some kind of reward.

Money is like water, it should flow back and forward without any blockages. Many people around the worlds want to with millions of dollars in the lottery. They tried every trick and system to guess the right numbers but it didn’t work. Because they have never took the time to check their karma. To find out if something is blocking the good energies.

902 angel number spiritual meaning

902 angel number spiritual meaning is all about being united. Being links to your soul, to the spiritual world and to other people around you, especially family and friends.

Regarding spiritual meaning, you are encouraged to reveal what is the purpose of life. You can start learning about these matters in many ways such as reading quotes from ancient books, biblical verse and scribes, grow an interest about the origin of psychics phenomena like astrology chart and zodiac sign.

All of these will be best explained by a guide, master or guru whom you trust. This person can help you to gain knowledge about the fundamentals of spirituality. Remember that spirituality is not an exact science, there are subjects or interesting topics that can not be explained only by logic or calculation. It is more about feelings and intuitions.

If we take a closer look at angel number 902 we can see a great chronicle path. 0 is the start, 2 is the first two steps in your spiritual journey and 9 means almost completing the mission. These are important phases which symbolize the exact moment of struggles.

At first you will be clueless, you will not know what to do or which direction to choose. However after the first step the horizon will be clear as the sun without clouds. Few steps a head the clouds will fill the skies and you will have serious doubts regarding your choices. From there everything will be smooth until you will reach one level before the end. You will want to quit and go back to your old life. Don’t let all your hard efforts to be a waste of time, endure the complications and you will reach the final destination.

902 angel number in love

902 angel number in love is a good sign. First and foremost the number 2 symbolizes couple, man and a woman in love who wants to share their entire life together. If you are single it usually predicts that soon you will find your soulmate or twin flame. Therefore a good advice is to start go on dating. You are encouraged to register to dating websites or apps, as friends and family to introduce you to potential life partners and just be out there doing what you love or good at and the angel will send nice opportunities.

For those who are already in a relationship, 902 angel number in love predicts a good progress to the next level in the mutual connection. It can take many forms such as engagement, marriage, having kids or just moving to live together at the same house.

Sometime 902 angel number indicates other kinds of partnership like business cooperation or having platonic relationship. It is a wonderful practice to say yes and welcome those correspondences as it has many benefits. Furthermore falling in love takes time, it doesn’t always happen from first site or in one day. The fundamentals need to be built slowly and surely.

902 angel number twin flame

902 angel number means you are on the right way to find your twin flame. The angels are whispering you to forget past relationships. Give a chance for a fresh start, if you want things to be different this time, you have to change something. You can not be the same person you have been in the past. Invent yourself as a better version when it comes to personality, traits and characteristic. You know better, you have experience so use it.

After eight which is Virgo lucky number, number nine is about almost completing the cycle and number 0 meaning is endless opportunities and being complete with yourself. These are powerful indicators that soon you will meet a twin flame. The reason it didn’t happened till now was because you were searching at the wrong places or wasn’t quit ready for a major event which will entwine your soul with another special person.

902 angel number and 903 904 905 906 909 numbers

902 angel number is also associated with: 900, 901, 0903, 904, 905, 906, 907, 908 and 909 on an energetic level. So if you see those numbers as well or instead of 902 the messages are pretty much related to each other but it might have few variations.

Important: if you are ignoring 902 angel number when it repeats itself several times, you will probably see other sequences like 903, 904, 905, 906, 909 trying to grab your attention.

903 angel number meaning: is almost the same as 902, but because it has the number 3, it amplifies the need to be in front of a crowd. Maybe you would like to be a leader in the army or political party, maybe the path of your career should include management or you can also express yourself as a famous artist.

904 angel number meaning: because it has the number4 inthe end it means you will have to work extremely hard in order to be happy. Don’t let this fact to discourage you, on the contrary, it will only motivate you to carry through the mess and obscurity. Furthermore it suggests you have lots of responsibly, so you are not doing it only for you but also to others who are relaying on you.

905 angel number meaning: the number 5 adding to the interpretation an aspect of freedom. You will learn how to use wisely all the resources around in order to have free lifestyle. I can take a form of self employment, creating small home business, living frugal next to nature, travel the world and take care of the environment and animal kingdom.

906 angel number meaning: number 6 is related to money and assets. Everything that related to career, work, finances, occupation and business will brings you huge success. If you will choose this path you might be very happy. But while you are stockpile money don’t forget the spiritual elements of life as well. Don’t become something that you are not. Remember the history, where you come from and what is more important in life than materialism.

909 angel number meaning: this angel number has double 9, it denotes more weight on the spiritual aspects of life. You might have a life changing event, it can be bad or good but for the long run, you will see that it was necessary as a part of spiritual development.

Important 902 angel number sacred signs

9: natural personality traits and values which are good example to others, leadership and a good heart who wants to help people in anyway and at all cost like a saint.

20: there are some secrets that will be reveal to you by guardian angel, you will not see them right away it will take some time. It also might predict a new relationship and special connection with soulmates and twin flames.

29: in numerology dictionary is about being smart, having great wisdom and sharing knowledge. It’s a sign you should be a teacher, guru or spiritual guide in the career path. Solving problems is not a big issue for you especially when it comes to mathematics and logic, but you can be sure that the angels are on your side if you will need their guidance.

90: numerology meaning is idealism and specific point of view. You already know who you are and how you want to live life. Everything is so clear and all that is left is just to go according to the plan.

92: those who keep seeing the number 92 supposed to have high developed intuitions and psychic power. The angels are sending messages to direct you to use it for good reasons. You have the power and need to learn how to control it and when to use it, don’t waste your natural gift on things that doesn’t matter.

209: is an omen to work together. You will not accomplish most of your challenges by yourself. You will need the help of others as well. The angels will come but you won’t see them in person because they will send messengers. In fact those agents won’t even know they have been sent to help, it is your secret mission to spot them.

290: your wishes and dreams are going to be granted, everything is going according to the scheme. Consequently have the confidence to complete your journey. The karma is on your side, if you have been a good person the future is looking very promising.

902 angel number can be seen repeating itself in many occasions during the daily life. Here are few examples to help you spot it: phone number, bus plate, urban zone, calculator, converter, zip code, clock ring, birth date, birthday and many more.

Moreover it can be revealed at any place or any country. Many people reported 902 angel numbers at Quebec, Russia, UK, USA, Philippines, Japan and Korea. And in different languages as well: Hebrew, Chinese, Japanese, English and Nepali.
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2024.05.19 20:37 Shiirooo Exclusive interview with Famitsu and the devs

Exclusive interview with Famitsu and the devs
https://www.famitsu.com/article/202405/5194 (translated by DeepL: there are probably translation errors)

Shadows is the next step forward for Assassin's Creed

Mr. KARL ONNÉE, Producer
--First of all, let me say "Thank you" from us Japanese, as "Assassin's Creed" is finally coming out, which is set in Japan!
KARL: Thank you for coming here today. I have been wanting to do this work for years, so my dream has come true.
--Why did you choose the Azuchi-Momoyama period as the setting for this work?
KARL: I chose it because it is a very rich period in history. It was a time of war and political maneuvering, a time of change from rural to urban areas, and also the birth of art. I also chose it because it was the start of the unification of Japan. It was a pivotal moment for Japan. Together, these elements provided an excellent canvas on which to tell the story.
--What kind of image do you have of the Azuchi-Momoyama period?
KARL: This was a time when the feudal lords of the warring states were fighting for power in the name of unifying the country, but it was also a struggle for control of trade. Portuguese missionaries and merchants came to Japan together. The Portuguese missionaries and merchants came to Japan together, and people who wanted a beautiful country and peace. This is the kind of image we have, but I think there was a mixture of various cultures and people's thoughts. And of course, there were the warring feudal lords. These are great canvases for the story.
--What do you think should be inherited from "Assassin's Creed" and what are the unique aspects of this game?
KARL: When people think of "Assassin's Creed," they think of stealth, but shinobi fantasy is not only a perfect fit for an "Assassin's Creed" game, it also fits the DNA of the "Assassin" brand.
What we wanted to do with "Assassin's Creed Shadows" was to push stealth even further. We started this effort with the previous game, "Assassin's Creed Mirage," but we wanted to take it further with new features. Systems such as light and shadow, grappling ropes, prone, and a variety of tools available in the game provide a new experience.
The gameplay is also enriched by two characters, Naoe, a shinobi, and Yasuke, a samurai. Players will explore and discover Japan through the eyes of Naoe, a local, and one non-Japanese outsider. The game is more dynamic than ever before, pushing the limits of technology and offering an experience exclusive to current-gen consoles.
--The "Assassin's Creed: Valhalla," released in 2020, is based on the theme of "Vikings" and has been a huge sales success. As a Japanese, I feel that from a global perspective, the Japanese "shinobi" theme is even more niche, but what is your current response?
KARL: I would like to talk about how it compares to "Viking" fantasy. Both shinobi and samurai are exciting and celebrated as fantasy with power, and are widely discussed in pop culture, and we are very much inspired by them.
Shinobi were on our radar from the beginning because we thought they fit well with the "Assassins" brand, but we felt that incorporating a powerful samurai would create two different gameplay experiences and give us the opportunity to tell the story from two different perspectives. We feel that this is a powerful motif that can compete with the "Viking" motif.
--How did you like the setting of Japan as a subject matter for the latest model?
KARL: I think it was perfect. For example, the "Global Illumination" technology allowed us to explore the response of light and shadow. Some consoles are still called "Baked GI", but by using dynamic lighting and the power of the new hardware, we were able to explore the creativity.
We are now able to express not only light and shadow, but also the dynamism of nature in greater detail. Naturally, since it is set in Japan, we have never dealt with so many trees, and thus so much data, in previous works in the series. We also needed more data to seamlessly move various things at the same time because of the seasonal changes. The latest models have allowed us to realize our vision, and our ambition for this game and for "Assassin's Creed" will continue.
--Assassin's Creed Mirage marks the 15th anniversary of the game. Can we consider this work as the next step forward for the next generation of "Assassin's Creed"?
KARL: You are absolutely right. Mirage" was a tribute to existing works, but this game is the first step into a new era. We are in the era of modern equipment. With the new generation of our engine "Anvil", plus the opportunity to create a new era by using the power of the latest consoles, we are able to do what we wanted to do with "Assassin's Creed Shadows".
With technologies such as global illumination and dynamism, we are now making the game we really wanted to make.
--What are the four pillars you are focusing on in the development of this game?
KARL: We are focusing on four pillars.
  • The first is to create an authentic and dynamic world.
  • Second is the story, introducing a new form of storytelling to "Assassin's Creed" by introducing two characters with different stories and perspectives.
  • Third, there are two different action sequences. Samurai and Shinobi each have their own skills tree elements and unique weapons. For example, in castles, each has a different positioning that they excel at, which makes a big difference in how they play.
  • And finally, there is stealth. We are promoting the importance of stealth more than ever with new systems such as light and shadow, objects in the environment, depression, and grappling ropes.
-- The launch is scheduled for November 15, 2024. What is the current development status?
KARL: Development is going very well. We are proud to say that we have done a good job, but of course it is not finished and there are still glitches. This is the result of all the work we have done so far. We are very happy with how things are going right now, and we hope you will stay tuned for more news.
-- I understand that "Assassin's Creed Infinity" was announced at the previous Ubisoft Forward and that this title will be included in the game? Also, what is the development status of that game at ......?
KARL: "Assassin's Creed Infinity" is introduced as an Animus Hub (*a hub that will function in the future as an entry point for the series), which we will talk about at a later date.
--What is your message to your fans around the world and in Japan?
KARL: We are humbled that our dream of creating a game in this setting has come true. This is a setting that our fans have been anticipating for a long time, and for us it has been a wonderful experience to work on a game that we have always wanted to make.
This game is the result of our love. We hope you enjoy it. We look forward to talking more about it in the coming months.

The Shinobi Assassin and the Legendary Samurai. Experience the different fighting styles created by these two characters.

(left) Mr. JONATHAN DUMONT (Creative Director), (right) Mr. CHARLES BENOIT (Game Director)
--When did you start the development of this work?
JONATHAN: Development began about four years ago, and research into the time period in which the game is set began immediately. There were a number of cool subjects that brought us great characters and story plots. I had a gut feeling that this was going to be a very good game.
--Was the Azuchi-Momoyama period chosen as the period setting from the pre-development stage? Did you have an idea for a major point in Japanese history, such as the end of the Tokugawa Shogunate?
JONATHAN: I started from the beginning of my study of Japanese history, but I began reading with the feeling of a student. Following the Socratic principle, you took the attitude of knowing nothing. As I read on, I found some very interesting settings.
I focused on the Azuchi-Momoyama period because I felt it was an extremely important period for Japan. It was a time of warring states, the need to unify the country, and the need to defend itself against the growing influence of other countries.
It was a grand and complex period, and there are many stories that can be told from different angles. Among the heroes of the unification of Japan, Tokugawa Ieyasu, Toyotomi Hideyoshi, and Oda Nobunaga are best known among the outstanding characters in Japanese history.
Not only war, but also politics are involved, and they are moving toward the peace that will eventually come, with a good ending waiting somewhere in the middle. I strongly felt that this was a wonderful and interesting period that deserved to be featured.
It was also a time when the foundations of the arts were laid. Castle towns were built, the world changed, and people's relationships with each other and with art, as well as their inner lives, also changed. It was very interesting to explore this period, and I was strongly attracted to the characters who lived in this time.
-- Why did you choose the title "Shadows"?
CHARLES: From my point of view, there are two reasons. Shinobi hide in the shadows, so "Shadows" is of course inspired by that. In a way, this embraces the "Assassin" brand and shinobi.
There are other aspects to "Shadows" as well. There are "hidden things" in the game that must be discovered by the player, but they are hidden in the darkness in some way.
JONATHAN: Both characters are in a way connected to being shadowy heroes living in the underworld of this era. It's a cool title, if you can think of it this way.
--Why did you choose two main characters and two fighting styles? Also, what kind of combat action can the Shinobi and Samurai experience respectively?
JONATHAN: One of the reasons for the separation of the two styles is that from the beginning of development, we wanted to have two distinct and cool archetypes to play with: the samurai and the shinobi.
We also wanted to make sure that this fantasy was as close to reality and expectation as possible without being diluted. I also often felt the need to have two points of view in the development of the story, since history is rarely clearly black and white. The two protagonists provided interesting dynamics and perspectives on how to approach the game.
CHARLES: I think it is very interesting that in combat, both the samurai and the shinobi have special types of weapons. Therefore, the style of combat in this work is built on a more weapon-based approach.
There are weapons that only Samurai can use, and the same goes for Shinobi. The player can get a good feel for the two different fighting styles. And it is possible to switch between them.
--What weapons can Naoe and Yasuke use?
CHARLES: Both players have different types of weapons. For Naoe, we went for a more classic fantasy type shinobi. The chain scythe is a weapon that covers a wide area and can only be used by Naoe.
In addition, she also has a dagger used at close range, which can be combined with a hidden blade (Hidden Blade). Naoe can fight very quickly and efficiently with these.
On the other hand, Yasuke, who excels at overpowering with force, is given more types of weapons, some of which are firearms type weapons. They also have the typical samurai bow.
--Why did you choose to make the shinobi Naoe an original character and the samurai Yasuke a historical figure?
JONATHAN: Even though they are well known in Japan, at least in North America, not much is known about farmers, what happened to them, and where the Shinobi came from.
So we decided to introduce a figure from Iga who is shrouded in mystery. We considered historical figures from the region, but we preferred a sense of mystery, so we came up with Naoe as someone who may or may not have actually existed.
As for Yasuke, from the beginning we thought that a story about the arrival of the Portuguese would be a very good way to tell the story of the crisis in Japan. The team liked the character Yasuke, and we thought we could use him to show the promise of discovering Japan.
We thought that if we started with a samurai already in Japanese society, he would be a very interesting and intriguing character, with concepts that we don't necessarily know. And it would also be interesting to see what happened to him. He starts out as a character who is already rooted in history, and we are curious to find out what happens to him.
I thought they would make a cool team, complementing each other in terms of storytelling, physique, and family background.
--What did you keep in mind when creating the scenario where the two main characters switch? What were some of the challenges?
JONATHAN: I wanted the audience to feel that "both are the main characters," but this was more complicated than it seems. Their stories overlap in places, but I wanted to make sure that as the game progresses, you gradually discover more and more about both characters. They have similar goals and motivations, but they are not 100% the same, which made it complicated and difficult to maintain their individual personalities.
Naturally, the quest can be played by either character. If a quest needs to be started by one character and completed by the other, the settings must accommodate both play styles. Thus, although it can be complicated, there are many opportunities to tell the story from one of the two perspectives.
Having two different points of view is a lot of fun, but there were some complications, such as having to use new technology in the conversation tools. There were some cool things, however. It is interesting that in the conversational scenes, the player decides which of the two protagonists speaks and they ask for different things. This is cool in a way.
CHARLES: Both characters are attacking the castle and at some point the player is asked if they want to continue with Yasuke or Naoe, both are interesting. At various points the player must make these choices.
The stories are independent, so if you want to know more about Naoe's or Yasuke's past, you can play as one character and delve into that character's story.
--Are there areas of action that differ, such as places that only Naoe, a shinobi, is allowed to enter?
JONATHAN: There are areas where both Naoe and Yasuke have different areas of activity. I can't go into details because there are a few surprises, but since Naoe can use a hooked rope, there are places that are almost exclusively accessible to her.
The world is designed to be enjoyed by both characters, and players can switch between the two at will.
Of course, if you want to reach the final point of the world or reach the summit through the ruins, then perhaps Naoe is the better choice. However, if you want to break through the fort head-on alone and open the way, Yasuke seems like a better choice. Of course, you can play with either character.
CHARLES: Each character also has specific actions. Naoe can hook the hooked rope to a specific spot and move like a pendulum, or hook the hook to a high spot and climb the rope to get to where she wants to go faster than Yasuke. However, Yasuke can use a shoulder bash to break down reinforced doors.
Yasuke can also perform parkour very efficiently in a more daring way. What can be felt when Yasuke performs parkour is how the crowd reacts. Because Yasuke is a samurai and exudes dignity as a superior class, the crowd reacts accordingly. Naoe, on the other hand, gives the impression of being more integrated into the world.
--Can you both use the Hidden Blade, Hawk's Eye, and other Assassin abilities?
CHARLES: Without spoiling anything, the traditional skills of the Assassins are mainly for Naoe. However, there is another mechanism called "Kantori" (provisional name) that can be used when you want to find an enemy or target person, and this can be used by both of them.
You can use free aim to look around, but you cannot see through walls. Yasuke can also kill with stealth, but in a more direct and easier way. Even with stealth, there will be some sound, so it is a "stealth-like" approach.
JONATHAN: Kantori (provisional name) can be used to find many things in your current location. It is a very good guide for a certain area, but it does not take all the fun out of exploration. It is a good guide because you can learn a little more about where you want to go, but you are left with the surprise of discovering something.
-- Is there a skill tree that makes Naoe more combat-oriented or enhances Yasuke's stealth?
CHARLES: Both have skills that are more combat-oriented and stealth-oriented. Also, some equipment has effects such as increased resistance when attacked. We also offer perks that enhance your abilities in combat.
Naoe, enhanced to be more combat-oriented, has an advantage in melee combat compared to Naoe, enhanced to be more stealth-oriented. Both have a range, but cannot go in completely opposite directions. There is some overlap between the two, but we have made sure that the characteristics of each ability are properly felt.
--Please explain the skill system.
JONATHAN: Both characters share XP and level up together, but the rest of the system is a bit similar to that of "Assassin's Creed Odyssey".
XP and character abilities are available, weapons can be crafted to some degree, and various upgrades can be made as the game progresses. Weapons are not stand-alone, but for two, so each weapon has its own unique skill system. Players should not feel any discomfort, but this is a very different part of the game from the past.
CHARLES: There are two things that were very important to us in terms of skills.
First, we have to be very aware of archetypes. In Japan, there are distinct archetypes, such as the armor-clad samurai, the revolting monk, and the bandit, which are quite different. We try to make it clear to the player who is stronger, and we try to make that part of the leveling process as important as possible. Samurai are always stronger than bandits.
Secondly, player skill is added to the mix. The better you are at timing, reading attacks, understanding weapons, etc., the better you will be and the further ahead you will be.
--What is the volume of the map compared to past works? I would also like to know how you decided on the scale of this work.
JONATHAN: The biggest difference is the scale ratio. The mountains are not the actual size, but we wanted them to be true forests, consisting of trees of a certain size, so that you feel you are in a forest. To achieve this, we needed space.
We also decided to keep it close to a realistic scale, so we could feel the breath of many things. When we visited Japan and saw the castle, we were so glad we made this decision. Japanese castles are huge! Of course, we had seen pictures of castles before and thought they were big and magnificent, but when we saw them in person, they were astonishingly large.
And I wanted more space to explore the castle. Castles were built to be large battlegrounds, you know. You need space to build intricate walls for defense.
The overall scale of the map is similar to the size of the map in Origins. However, the scale ratio makes it feel more realistic. The open space leads to secluded areas throughout the game, which will be fun to explore. This sense of scale is a very interesting aspect of this game for us.
CHARLES: The story led us to choose which locations in Japan we would choose. The major events in Kyoto, around Osaka, and around Azuchi Castle took place in the same area, so we were able to focus on that.
JONATHAN: Of course, we had to choose a size that matched the game, but I think it was the perfect size for this story and type of game.
--Since the game is set in the Warring States period, is there a system that allows players to participate in battles?
JONATHAN: We see several battles in the story, and the battle at Iga is playable. There are other battles as well, but I can't talk about them right now. The game is set in the Warring States period, but it is not only about battles. It is a game that allows you to travel and discover that world.
--What challenges have you faced and what have you been able to achieve as a result?
JONATHAN: By making the big decision to go completely modern and demanding a very high level from the "Anvil" engine, we were able to increase the number of particles, create a more realistic atmosphere, and expand the graphical possibilities of the changing seasons.
This allowed us to work on a fresh new Assassin's Creed. This was a great opportunity for us to take a big leap forward in graphics.
CHARLES: Also, thanks to the new global illumination system, we were able to take advantage of light and shadow, which had a huge impact on the gameplay and stealth approach. For example, enemies became aware of our presence through our shadows, enemies gathered for warmth under a fire in the winter, or shadows through shoji screens depicted enemy presence, giving a new dimension to stealth.

By having two main characters, it is possible to show a wider range of angles and different perspectives.

(left) BROOKE DAVIES, Associate Narrative Director, (right) SACHI SCHMIDT-HORI, Narrative Consultant
--Did you choose the Azuchi-Momoyama period as the period setting from the pre-production stage?
BROOKE: I joined the project after the choice of period had been made, so the Azuchi-Momoyama period had already been chosen. This period offered so many wonderful opportunities from a narrative perspective. The complexity and duality of the period is well reflected in the characters of Naoe and Yasuke.
--What were you aware of and what were the challenges in creating a scenario where the two main characters switch?
BROOKE: From a storytelling perspective, I see it more as a wonderful opportunity than a challenge. When I write a story, I try to show rather than tell, and having two characters allows me to show what's going on from a wider range of angles and different perspectives. I hope this will encourage players to want to share their feelings with them.
--What do you think are the most important points in bringing original characters and historical figures into the game?
BROOKE: Both offer different and unique opportunities. With regard to Yasuke, I found him very interesting historically because we know some things about him, but there are many unknowns. So we needed to fill in the blanks in the story. It is important to note that Yasuke is a historical figure.
And in the case of Naoe, an original character, we were able to draw the story freely to some extent. The fact that she is a member of the Fujibayashi family and that her father is Masayasu Fujibayashi Nagato Mamoru allowed us to place her firmly within the setting. Because Yasuke is a real person but appears as a foreign-born samurai, the Japanese-born Naoe is on equal footing with Yasuke, although she has a different perspective.
--Will other historical figures appear besides Nobunaga Oda and Yasuke?
BROOKE: You will meet Luis Frois (a Jesuit missionary) at the meeting in Azuchi Castle. Also, Nene and Oichi will appear. The Japanese art renaissance that began in the Azuchi-Momoyama period blossomed in the Edo period, and you will also meet Sen no Rikyu, Kano Eitoku, and other important figures.
--Please tell us what year the story will be depicted.
BROOKE: I can't tell you what players will see, but I think it covers a part of the Azuchi-Momoyama period, from 1579 to 1584.
--I think the appeal of the series is to depict the struggle between the Assassin Order and the Templars while taking into account the history, but I would like to ask if there were any difficulties in putting the Azuchi-Momoyama period into it.
BROOKE: I don't want to mention the Knights Templar because I don't want to spoil anything, but the fascination and dynamics of this period are very interesting and provided wonderful opportunities for storytelling.
--How did you go about creating a world with a realistic feel of the Azuchi-Momoyama period?
BROOKE: We were very lucky to work with the Environment Team. The visuals they created for the game provided a great backdrop for the story.
The in-world experience added so much to the story. What we see from the stories and characters of this time period is complexity. I also believe that many of the people surrounding the World had their own struggles.
It was a very difficult time historically, and we see duality. Nothing is ever clear-cut and black and white. In warfare, two groups face each other and are confronted with different perspectives. But in the midst of it all, there are glimpses of hope for the future as we know it, which will later blossom.
--What advice did you actually give?
HORI: One scene that left a strong impression on me was the scene where Nobunaga's sister, Oichi, remarries Katsuie Shibata. In the original story we received, it was thought that the two families decided on their own without regard to Oichi's intentions, and Katsuie was portrayed negatively because he was more than 20 years older than Oichi.
So I spoke with BROOKE and the team and asked them to change it. Oichi had young children after the death of her husband Nagamasa Asai, so if her remarriage was to Katsuie, a trusted man who had served Nobunaga, she would have married him as a matter of course. When I explained that it was better to portray it in a positive light, it was a new discovery for the BROOKEs, and they were very moved by it. The rewritten version of the episode was very moving.
The other scene is the tea ceremony scene featuring Sen no Rikyu. Chanoyu is widely known to be translated as tea ceremony, but experts say it is a mistranslation. After researching the misunderstanding over here, I advised them, as far as I could understand, not to use a teapot or tea leaves, for example.
--Even we Japanese have a strong image of "ninja" as a fantasy. Did you encounter any difficulties with the theme of "ninja" in order to achieve a high level of fidelity to the historical reconstruction?
HORI: Ninja are certainly a fantasy, so I think it's a good thing that we can express ourselves creatively and without reservation. However, there are also dedicated ninja fans and communities around the world, and I am not sure to what extent they see the ninja as a real existence, or as an entity that existed in history.
Therefore, the extent to which ninja are represented in the game depends on the level of tolerance of the avid shinobi fans. I discussed this with the members of the development team. We did not have a specific policy on how much to express, but made decisions on a case-by-case basis. We would say, "This is an acceptable creative expression," or "This is stereotypical", so let's not do that.
--I'm sure there are many references, but which one left a particularly strong impression on you?
BROOKE: The first book I looked through was "Nobunaga no Kouki" by Ota Ushiichi (Azuchi-Momoyama period, military commander and military history author). I was impressed by his personal observations as he recounts the details. We can learn a lot of historical facts from reading history books, but this author incorporated his own views so that I felt I could understand even his character and what it was like to live in that era, and I was completely drawn in. I was thrilled to be able to portray this time period and the people in this book.
--The drama "Shogun" which is set in a similar time period, has been a hit, and I hope that this work will attract the same kind of attention from game fans. I understand that you have prepared a "Discovery Tour" that allows visitors to freely walk around the game world with historical explanations.
BROOKE: I can't answer about the Discovery Tour today, but I am glad to see that interest in the setting and time period of the game is growing. I look forward to the day when we can bring this to you.

Gathering a lot of information to recreate 16th century Japan and build a living world

(left) THIERRY DANSEREAU, Art Director, (right) STÉPHANIE-ANNE RUATTA, Historical Supervisor and World Director
--Please tell us what kind of materials you used as references to describe the field and the characters' costumes in the Azuchi-Momoyama period.
THIERRY: I have been working with experts and consultants for a long time, but for the characters, I referred to museum exhibits and books for their appearances and costumes. I visited several museums, did my research, and checked the materials with STÉPHANIE-ANNE.
Based on these, we created the characters. We also referred to descriptions in the books about the colors and the flags people carried. We used multiple sources, but we have checked them for historical accuracy.
STÉPHANIE-ANNE: For several years we had the help of experts, but we also did research with a Japanese studio and team. We used different kinds of sources to make sure the team got it right and had all the information they needed to reconstruct what Japan looked like in the 16th century.
We used museum databases, as THIERRY mentioned, but we also used inscriptions, scientific books, articles, and medieval depositions. For example, the Principles of Nobunaga has been translated into English, so we used that as a reference to describe 16th century Japan. I also referred to the documents of Luis Frois from the same period, which compare European and Japanese society.
--This period was also a time when there was a large influx of immigrants. Will you also depict the episodes, lifestyles, and culture of these people (missionaries, merchants, etc.) as well as Yasuke?
STÉPHANIE-ANNE: Yes, it is important to introduce the presence of Portuguese missionaries and merchants in the 16th century. They influenced the course of warfare during this period and the changing power of certain merchants in Japan.
--I am wondering what castles, shrines and temples that symbolize the Azuchi-Momoyama period will appear in the game. Although the game is set in the Kansai region, is the Osaka Castle built by Toyotomi Hideyoshi ......?
STÉPHANIE-ANNE: The era is represented by the construction of various castles and castle towns, so players will discover a wide variety of castle types and castles destroyed in battle. The Azuchi Castle, which is related to the name of the era, will also be featured.
THIERRY: Himeji Castle, Osaka Castle, and Takeda Castle are also available, and it is wonderful that players can visit and play in these castles. I think this is one of the strengths of the franchise, but all of the castles are based on actual historical blueprints, which I think is very unique, both as an experience and a learning opportunity.
The Koyasan Okunoin Cemetery is the oldest graveyard in Japan, which can also be seen in the game. There are too many to mention them all, but thanks to STÉPHANIE-ANNE and the experts, I think they are well described and it is wonderful that players will be able to travel to these places.
--The architectural style and decoration of the buildings is a different culture from the previous works in the series. What were you conscious of in recreating the culture and what were the challenges? I am also interested in the possibility of diving on the "Shachihoko".
STÉPHANIE-ANNE: The building team did a lot of research, and then we checked the results with experts and asked them to add the elements needed to build a great castle. We did research to recreate the decorations of not only the castle, but also the temples and shrines, and also to find out what materials were used to make them.
THIERRY: The colors also change over time, so we made adjustments to that as well. Of course, this is "Assassin's Creed," so you can climb anywhere and jump from almost anywhere. Exploring is fun.
--Japanese period games tend to be rather subdued, but were there any barriers to making it a worldwide production?
STÉPHANIE-ANNE: It's a game based on history, and we want players to have the opportunity to play with history. This period is so fascinating and celebrated, and has had such an impact on pop culture, that we were fortunate to have the help of renowned experts to make sure we had all the information we needed to faithfully recreate medieval Japan in the 16th century.
We maintained historical fidelity because it was a rich period with so much to talk about and we didn't feel the need to change it. There is an experience that goes into fantasy, but keeping it authentic was our primary goal.
--In the main storyline, can we experience famous episodes from the Azuchi-Momoyama period (such as the Battle of Nagashino, the Honnoji Incident, the Battle of Komaki and Nagakute, etc.)?
STÉPHANIE-ANNE: You will have to wait a little longer for that.
--In the recent series, "Origins," "Odyssey," and "Valhalla," you can enjoy the connection to mythology and fantasy elements based on mythological themes. Will this work also contain elements based on Japanese mythology, yokai, and other fictional creatures?
STÉPHANIE-ANNE: That is a very good question, but I will answer this one later.
--This game also reproduces the four seasons of Japan. Which season did you start first? And which seasons were particularly difficult to express?
THIERRY: I started with spring. We all know about cherry blossoms, and I think they are the most symbolic Japanese element for foreigners. And the big difference is winter. I wouldn't say that winter is more complicated because it has many different expressions, but it was very different from spring, summer, and fall, and the challenges were also different.
--What was particular about the representation of water, such as waterfalls, rivers, lakes, etc.?
THIERRY: All of the water topics were very important to us. We knew that there is a Shinto belief in waterfalls and rivers, and that they are important places in the Japanese eco-system. Even the blueprints of the suburbs are lined with irrigation canals, and they even go into the houses. Thus, we knew that water is a key component of Japanese culture, especially for agriculture.
This is why we installed drains everywhere in this work. The presence of water in the Japanese landscape was different, so we took it seriously and treated it as an inviolable part of the Japanese landscape and way of life.
--What are some of your favorite places, castles, or cultures that appear in your work?
STÉPHANIE-ANNE: That's difficult.
THIERRY: My favorite is Takeda Castle. It is on top of a high mountain and is called the castle in the sky, and I like this location. I can't say it's fair because we built it ourselves, but there are many other great places to visit.
It was a lot of work to create the forest, but I really enjoy looking at the landscape. I also like how all the ecosystems interact with each other, such as the clouds in the weather system. It's not a location, but I enjoy it because it encompasses the whole game.
STÉPHANIE-ANNE: I was impressed by the "Rakuchu Rakugaizu," Japanese folding screens from this period. I was fascinated by the fact that just by looking at them, one could come into contact with the vivid world of this period.
The artistic touch is something special. I have never seen anything so full of art. I truly admire the artists of this era.
THIERRY: I also think the most striking thing for me was the harmony of nature and architecture. I visited the site and found many places, and I could see how everything was deliberately composed.
I was told that trees were planted while the chedi was being built at the time, but everything looked perfect. Also, the culture loves the age and values it, so they cherish moss and things that have taken root there. Japan has maintained these places so they still exist and are still in use.
I realized that we are dealing with a subject that has a long history. It is also a culture that values space, living space. These were the most exciting discoveries during my travels in Japan.
submitted by Shiirooo to assassinscreed [link] [comments]


2024.05.19 20:31 Shpyda Lawn repair - where to start?

Lawn repair - where to start?
We moved into our home a little over two years ago and I’m really wanting to improve the lawn. We live in a heavily wooded area and while we do receive some direct sunlight, it can be sparse at times. I’ve taken pictures to give a better idea of what we’re looking at. While the lawn does look alright from afar and at an angle, a more direct look shows that there is a lot of moss and I’d look to get this killed off and filled in with grass. We have an irrigation system and I run it daily. Is it apparent what products I should start with, or do I just need to go with a soil test to get this worked out? Kind of at a loss of where to begin and advice would be greatly appreciated.
submitted by Shpyda to lawncare [link] [comments]


2024.05.19 20:11 thatmozzie_ Created A CyberPunk Dystopian Choose-Your-Own-Adventure Novel Set In The Year 2124 In Los Angeles

Created A CyberPunk Dystopian Choose-Your-Own-Adventure Novel Set In The Year 2124 In Los Angeles
"The Neon District"
https://preview.redd.it/h6j5xnthef1d1.jpg?width=1792&format=pjpg&auto=webp&s=2dac28553adfcd5e9a5762f45cecd76ca2071491
I was inspired after reading another user's experience creating his own world, so I decided to give it a shot. I wanted to create a sort of interactive choose-your-own-adventure cyberpunk story set in 2124 Los Angeles. I prompted ChatGPT to essentially create a story and world that revolves around common themes within a typical CyberPunk setting such as rampant crime, corrupt cops and politicians, massive drug usage, mega-corporations out of control, poverty, and technology blurring the lines between humanity.
One of my favorite video games lately of all time is CyberPunk 2077, so I just wanted to create something similar that I could experience and live through in a different interactive way while also testing out ChatGPT out of boredom. Here are some of the results from the simulation.
I'll denote "USER INPUT" as anything I wrote or input, and "CHAT GPT" anytime it outputs anything.
Rules: I will use minimal intervention / altering and mainly allow the program to pretty much lead me through the story barring any world-breaking narratives or plots:
  • CHATGPT:

Setting: Los Angeles, 2124

General Environment

  • Skyline: The skyline is dominated by towering skyscrapers, neon signs, and massive holographic advertisements. The upper levels house the wealthy elite and powerful corporations, while the lower levels are grimy, chaotic, and densely populated.
  • Streets: The streets are teeming with life at all hours. Neon lights and electronic billboards illuminate the darkness, casting a perpetual artificial glow. The air is thick with pollution, making clean air a luxury.
  • Architecture: Buildings are a mix of high-tech designs with futuristic materials and dilapidated structures. Graffiti covers many walls, and it's not uncommon to see makeshift shelters and slums in the shadow of corporate headquarters.
  • Technology: Advanced technology is integrated into everyday life. People have cybernetic enhancements, AI assistants, and immersive virtual reality systems. However, the gap between those who can afford cutting-edge tech and those who can't is vast.

Society

  • Crime and Law Enforcement: Crime is rampant. Gang wars and turf battles are common. The police are corrupt, often working for the highest bidder, whether it's a corporation or a crime syndicate. Justice is a commodity, and the wealthy can buy their way out of trouble.
  • Economy: The economy is dominated by a few mega-corporations that control everything from food and water to security and healthcare. Small businesses struggle to survive. Basic necessities are expensive, and clean water is a luxury.
  • Culture: The culture is a blend of hedonism and despair. Nightclubs, brothels, and underground fight clubs offer temporary escape from harsh realities. Art and music are heavily influenced by the cyberpunk aesthetic, with neon colors, dark themes, and digital elements.

Key Locations

  • The Underground: A labyrinth of tunnels, abandoned subway stations, and hidden passages used by criminals, hackers, and those avoiding the authorities. This is where Zoe feels most at home.
  • Corporate Towers: Massive skyscrapers where powerful corporations operate. They are heavily guarded, both physically and digitally, but hold valuable data and resources for skilled netrunners like Zoe.
  • Black Markets: Hidden marketplaces where anything can be bought or sold, from illegal tech and drugs to human organs and stolen data. Zoe frequents these markets to find jobs and acquire tools for her hacks.

Main Character: Zoe

Background

  • Early Life: Zoe grew up on the streets, learning to fend for herself from a young age. She quickly became skilled at navigating the dangerous urban environment and developed a talent for hacking and stealth.
  • Skills and Abilities: Zoe is a netrunner, capable of hacking into secure systems using her neural augmentations. She is also proficient with small arms and knives, and excels in stealth, disguise, acting, and manipulation.
  • Personality: Zoe is resourceful, intelligent, and determined. She has a sharp wit and a knack for thinking on her feet. While she can be cynical and distrusting, she also has a strong sense of loyalty to those she cares about.

Appearance

  • Height and Build: Zoe stands at 5'6" with a slim, athletic build. Her frame allows her to move quickly and silently.
  • Features: She has sharp features, piercing eyes, and a distinctive look that she can easily alter with makeup and disguises. Her hair is usually styled in a practical yet edgy way, fitting the cyberpunk aesthetic.
  • Augmentations: Zoe has several cybernetic enhancements, including neural implants for hacking, enhanced vision, and a subdermal interface for interacting with digital systems.

Plot Elements

Conflict

  • Corporate Rivalries: The mega-corporations are constantly vying for power, using any means necessary to sabotage their rivals. Zoe often finds herself caught in the crossfire, hired by one corporation to hack another.
  • Underground Power Struggles: Crime syndicates and gangs are in a constant state of flux, battling for control of territory and resources. Zoe's connections to these groups provide her with both opportunities and dangers.
  • Personal Stakes: Zoe's ultimate goal is to uncover the truth behind her parents' mysterious deaths, which she believes were orchestrated by one of the powerful corporations. This quest drives many of her actions and decisions.

Themes

  • Humanity vs. Technology: The story explores the tension between human identity and technological augmentation. Zoe struggles with maintaining her humanity as she becomes more reliant on her cybernetic enhancements.
  • Survival and Loyalty: In a world where trust is scarce and betrayal is common, Zoe must navigate complex relationships and alliances. Her loyalty to her friends and allies is both a strength and a vulnerability.
  • Power and Corruption: The pervasive corruption in both the corporate and criminal worlds serves as a backdrop for Zoe's journey. She constantly grapples with the moral complexities of her actions and their consequences.
USER INPUT
Lets create some additional characters to the story and more world building, starting with her childhood best friend. He's trustworthy, loveable character type. Strong, loyal to a fault, pure, but also an amazing fighter and can be mean to those that do him or his family wrong as quick as any common thug on the streets. What should his name be?
CHATGPT
Let's name Zoe's childhood best friend Lucas. Here's a detailed character profile and additional world-building elements:

Character Profile: Lucas

Name: Lucas "Luc" Raines

Background:

  • Age: 20
  • Height: 6'2"
  • Build: Muscular and athletic
  • Appearance: Lucas has short, dark hair and piercing blue eyes. His face is usually adorned with a friendly smile, but he can turn fierce in an instant when provoked. He has several tattoos, each symbolizing different aspects of his life and struggles.
  • Personality: Lucas is trustworthy and lovable, known for his unwavering loyalty and pure heart. Despite the harsh realities of their world, he maintains a strong moral compass. He's always ready to stand up for his friends and protect those he cares about, even if it means getting his hands dirty.

Skills and Abilities:

  • Combat: Lucas is an exceptional fighter, trained in various martial arts and street fighting techniques. His strength and combat skills make him a formidable opponent.
  • Loyalty: His loyalty to Zoe and their close-knit group of friends is unshakeable. He would go to great lengths to ensure their safety and well-being.
  • Strategic Thinking: While Lucas may come across as a brawler, he's also a strategic thinker, able to plan and execute complex operations when needed.

Relationships:

  • Zoe: Lucas and Zoe have been best friends since childhood. They share a deep bond, built on years of mutual trust and shared experiences. Lucas is fiercely protective of Zoe and often acts as her guardian in dangerous situations.
  • Family: Lucas has a younger sister whom he cares for deeply. His parents were victims of corporate exploitation, fueling his disdain for the mega-corporations that dominate their world.

Additional World-Building Elements:

Key Factions:

  1. The Vanguard Syndicate:
    • Overview: A powerful crime syndicate that controls much of the underground economy in Los Angeles. They deal in everything from illegal augmentations to black-market goods.
    • Leader: Damien "The Viper" Valdez, a ruthless and cunning leader known for his strategic mind and brutal enforcement tactics.
    • Conflict: The Vanguard Syndicate often hires netrunners like Zoe for high-risk hacking jobs, while also clashing with rival gangs and corporations.
  2. NeoCore Corporation:
    • Overview: One of the largest and most influential mega-corporations in the city. They specialize in advanced cybernetic enhancements, AI development, and data security.
    • Public Image: NeoCore presents itself as a benevolent entity, promising technological advancements and prosperity. However, beneath the surface, they are involved in unethical experiments and corporate espionage.
    • Objective: They are always seeking to expand their influence and eliminate any threats to their dominance, making them a constant antagonist in the story.

Key Locations:

  1. The Neon District:
    • Description: The heart of the city's nightlife, filled with clubs, bars, and entertainment venues. It's a place where people go to forget their troubles, at least for a while.
    • Atmosphere: The district is always buzzing with energy, illuminated by neon lights and holographic advertisements. It's a haven for both thrill-seekers and those looking to make shady deals.
    • Significance: This is where Zoe and her friends often gather, blending in with the crowds and keeping their ears to the ground for potential jobs.
  2. The Wastes:
    • Description: The outskirts of the city, where pollution and neglect have turned the landscape into a desolate wasteland. The Wastes are home to the city's poorest residents, who live in makeshift shelters and struggle to survive.
    • Danger: The area is lawless, ruled by scavengers and rogue gangs. It's a place where only the strong or well-armed dare to venture.
    • Connection: Zoe occasionally visits the Wastes to help those in need or to hide from the authorities when necessary.
  3. The Vault:
    • Description: An underground bunker and safe haven for netrunners. It's a hidden, secure location equipped with the latest hacking tools and technology.
    • Community: The Vault is a tight-knit community of hackers and tech enthusiasts who share information, resources, and protection.
    • Importance: This is where Zoe refines her skills, plans her heists, and collaborates with other netrunners on large-scale operations.

Plot Hooks and Story Arcs:

  1. The Heist:
    • Synopsis: Zoe and Lucas are hired by a mysterious client to infiltrate a NeoCore facility and steal valuable data. The heist requires meticulous planning and flawless execution, with high stakes and unexpected twists.
    • Challenges: They must navigate through tight security, betrayals, and unforeseen dangers. The job tests their skills and loyalty to each other.
  2. The Rescue:
    • Synopsis: Lucas's younger sister is kidnapped by a rival gang seeking leverage against him. Zoe and Lucas must track down the kidnappers and rescue her before it's too late.
    • Emotional Stakes: This mission is deeply personal for Lucas, and his rage and determination drive the story forward. Zoe must balance her tactical mind with supporting her friend through this ordeal.
  3. The Conspiracy:
    • Synopsis: Zoe uncovers clues about her parents' deaths, leading her to a massive conspiracy involving NeoCore and the Vanguard Syndicate. As she digs deeper, she realizes the scale of corruption and danger she faces.
    • Revelations: The story arc delves into Zoe's past, her parents' secrets, and the true extent of corporate manipulation. It sets the stage for a climactic showdown against the forces that have shaped her life.
These elements add depth to your story, creating a vivid and engaging world for Zoe and her companions.
USER INPUT
Can you generate an image in an anime/cyberpunk style reminiscant of the style of Ghost In The Shell. Generate our main character Zoe
CHAPTGPT
ZOE
  • USER INPUT
let's develop more scenes and characters as well. It would be interesting to have a sort of old underground father type figure to both Zoe and Lucas, someone not related to them but someone that took them in to the underground at a young age and taught them everything they know. He looks after them like family, but he is also a criminal type in the underground world so a mix of good to them, but can be evil to others. Feel free to create other interesting characters and scenes / locations / etc as well
CHATGPT

New Character: Marcus "Iron Hand" Kane

Role: Father Figure to Zoe and Lucas
Background:
  • Age: 55
  • Height: 6'0"
  • Build: Stocky and strong, with a presence that commands respect
  • Appearance: Marcus has a rugged, weathered face with deep-set eyes that have seen the worst of the city. His hair is a mix of grey and black, often tied back. His most distinctive feature is his cybernetic right arm, known as the "Iron Hand," which is both a powerful weapon and a symbol of his status in the underground.
  • Personality: Marcus is a complex character, blending kindness and brutality. To Zoe and Lucas, he is a protective and caring father figure, offering wisdom, guidance, and training. To others, he is a feared criminal, ruthless in his dealings and unwavering in his pursuit of power.
  • Skills and Abilities: Marcus is a master tactician, skilled in combat and cyber warfare. His "Iron Hand" cybernetic arm has multiple functionalities, including enhanced strength, weapon capabilities, and hacking tools. He is also a shrewd negotiator and leader.
History:
  • Marcus took in Zoe and Lucas when they were just children, recognizing their potential and providing them with a home in the underground. He trained them in survival, hacking, and combat, instilling in them the skills they needed to thrive in the harsh realities of their world.
  • He has a dark past, having been involved in numerous criminal activities and power struggles. Despite his ruthless nature, he has a strong sense of loyalty to those he considers family.

Additional Characters:

1. Lila "Viper" Santos
  • Role: Underground Information Broker
  • Age: 28
  • Appearance: Lila is a striking figure with sharp, green eyes and sleek black hair. She has a slender build and often dresses in stylish, high-tech attire. Her cybernetic enhancements include a neural interface that allows her to access and process vast amounts of information quickly.
  • Personality: Lila is cunning, resourceful, and always a step ahead. She has a network of informants and is known for her ability to find out anything about anyone. Despite her aloof demeanor, she has a soft spot for Zoe and Lucas, often providing them with critical information.
  • Skills: Expert in data retrieval, espionage, and manipulation. Her cybernetic enhancements give her an edge in accessing secure networks and uncovering secrets.
2. Riko "Ghost" Tanaka
  • Role: Elite Netrunner and Rival
  • Age: 22
  • Appearance: Riko is an enigmatic figure with short, spiky white hair and cybernetic eyes that glow faintly blue. He has a lean, agile build and is known for his stealth and speed.
  • Personality: Riko is a lone wolf, fiercely independent and highly competitive. He respects Zoe's skills but also sees her as a rival. He is driven by a desire to be the best netrunner in the city.
  • Skills: Master hacker with advanced cybernetic enhancements that allow him to move through digital networks undetected. He is also skilled in parkour and close-quarters combat.

New Locations:

1. The Hub
  • Description: The Hub is a massive underground complex that serves as the central meeting place for the city's netrunners and tech enthusiasts. It's filled with advanced tech, servers, and hacking terminals. The atmosphere is a blend of chaos and order, with people constantly exchanging information and working on new projects.
  • Significance: This is where Zoe and Lucas often go to gather information, meet contacts, and plan their operations. The Hub is also a place of relative safety, where violence is strictly forbidden.
2. The Sprawl
  • Description: A sprawling slum area on the outskirts of the city, characterized by makeshift shelters, narrow alleys, and rampant poverty. Despite its dire conditions, the Sprawl is a vibrant community where people band together to survive.
  • Atmosphere: The Sprawl is always bustling with activity, from street vendors selling homemade goods to children playing amidst the ruins. It's a place of both danger and resilience, where the inhabitants have learned to adapt to their harsh environment.
  • Connection: Zoe often visits the Sprawl to help those in need and to stay connected with her roots. It's also a place where she can move around relatively unnoticed.
3. NeoCore Headquarters
  • Description: A towering skyscraper in the heart of the city, NeoCore's headquarters is a symbol of corporate power and technological advancement. The building is sleek and modern, with state-of-the-art security systems and heavily guarded entrances.
  • Significance: NeoCore Headquarters is often the target of Zoe's hacking missions, as it houses valuable data and cutting-edge tech. The building's imposing presence is a constant reminder of the corporation's influence over the city.

New Scenes:

1. The Heist
  • Setting: NeoCore Headquarters
  • Description: Zoe and Lucas undertake a daring heist to steal critical data from NeoCore. The scene is filled with tension as they navigate through tight security, avoid detection, and hack into the corporation's mainframe.
  • Key Moments: Zoe uses her hacking skills to disable security systems, while Lucas provides physical protection and deals with any guards they encounter. The heist culminates in a high-stakes escape, with the duo narrowly avoiding capture.
2. The Rescue
  • Setting: The Sprawl
  • Description: Lucas's younger sister is kidnapped by a rival gang, and Zoe and Lucas must infiltrate the gang's hideout in the Sprawl to rescue her. The scene showcases the gritty, dangerous environment of the slums and the close-quarters combat skills of the protagonists.
  • Key Moments: The rescue mission is fraught with challenges, from navigating the labyrinthine alleys of the Sprawl to engaging in fierce hand-to-hand combat with gang members. The scene highlights Lucas's protective nature and Zoe's quick thinking.
3. The Confrontation
  • Setting: The Hub
  • Description: Tensions rise as Riko "Ghost" Tanaka confronts Zoe, accusing her of stealing a job from him. The scene is set in the bustling environment of the Hub, with onlookers gathering to watch the showdown.
  • Key Moments: The confrontation escalates into a heated argument, showcasing the rivalry between Zoe and Riko. Despite their differences, the scene hints at a potential alliance in the face of a greater threat.
USER INPUT
can you create images in the same style as the original image for the new Characters Marcus Iron Hand, Lila Viper Santos, and Riko Ghost Tanaka, Lucas, etc? Also generate additional images of some of the new locations etc separately.
CHATGPT
LUCAS
MARCUS \"IRON HAND\"
RIKO \"GHOST\" TANAKA
LILA \"VIPER\" SANTOS
THE HUB
THE SPAWL
NEOCORE HEADQUARTERS
"THE VAULT"
https://preview.redd.it/anol60qpef1d1.jpg?width=1792&format=pjpg&auto=webp&s=fcfb76dc6ac42f816de6148e66d3f3f60f442d64
  • USER INPUT
Awesome. Lets start the story now. The story begins with Zoe waking up on a typical Saturday late morning. Friday night was a big night celebrating her childhood friends birthday drinking and partying at their favorite club. She wakes up with a slight hangover and is hungry. she notices several missed calls and messages
  • CHATGPT

Scene: Zoe's Apartment - Late Saturday Morning

The dim light filtering through the grime-covered windows of Zoe's apartment barely illuminates the cluttered room. The remnants of last night's celebration are scattered everywhere—empty bottles, discarded clothes, and the faint hum of old electronic music playing in the background. Zoe groans and sits up in bed, rubbing her temples to ease the throbbing in her head.

Narration:

Narrator: Zoe squinted at the holographic display, her vision still slightly blurry. The notifications were a mix of urgent messages and missed calls, each vying for her attention. She quickly scanned through them, her fingers moving with practiced ease over the interface.
Zoe: (mumbling to herself) "Great, just what I need. More problems to deal with..."
She swings her legs over the edge of the bed, stretching and wincing at the persistent hangover. With a sigh, she picks up her cybernetic arm from the nightstand and attaches it, feeling the familiar click as it integrates with her neural network. She taps her wristband, bringing up the missed messages and calls.

Dialogue:

Zoe: (talking to herself) "Let's see... job offers, updates from the underground... and what's this? 'Urgent Opportunity – High Reward.' Sounds promising."
Her stomach growls, reminding her of her hunger. She heads to the small kitchenette, grabbing a protein bar and some instant coffee. As she munches on her makeshift breakfast, she taps the message to read the details.
Zoe: (reading aloud) "High-risk, high-reward job, requiring a skilled netrunner. Substantial payout. Meet at The Hub tonight. Perfect."
Her thoughts are interrupted by a knock at the door. She frowns, not expecting visitors this early. Cautiously, she approaches and peers through the peephole. Recognizing the familiar figure on the other side, she relaxes and opens the door.
Lucas: (with a grin) "Morning, sunshine. You look like hell."
Zoe: (rolling her eyes) "Thanks, Lucas. You’re a real charmer. Come in."
Lucas steps inside, looking as rugged as ever with his scruff and tattoos. He drops a bag on the table and takes a seat.
Lucas: "I brought breakfast. Figured you’d need it after last night."
Zoe: "You’re a lifesaver. So, what’s up?"
Lucas: "Got a tip about a job. Sounds like it could be worth our while. But first, you need to get your head straight. Eat up and let’s talk."
They share a quick meal, discussing the potential job and catching up on recent events in the underground.

Choice Point 1: Zoe's Response to the Job Offer

Option A: Agree immediately and start planning. Option B: Ask for more details and express caution. Option C: Refuse the job and suggest looking for something safer.
Please choose an option by typing "Option A," "Option B," or "Option C."
  • USER INPUT
Option B
  • CHATGPT

Choice: Option B - Ask for More Details and Express Caution

Zoe: (taking a sip of her coffee) "Hold on, Lucas. Before we jump in headfirst, I need to know more about this job. What exactly are we dealing with here?"
Lucas: (nodding) "Fair enough. It's a high-stakes heist at NeoCore Headquarters. Our client wants us to steal some sensitive data from their secure servers. The payout is massive, but so are the risks. We'll need to get past top-tier security, both physical and digital."
Zoe: (raising an eyebrow) "NeoCore, huh? That place is a fortress. Who's the client?"
Lucas: "No name, just an anonymous contact. But they seem legit. They've provided detailed blueprints and security protocols. Still, I get it if you’re hesitant. This one's big."

Choice Point 2: Zoe's Next Action

Option A: Accept the job but suggest taking extra precautions and planning thoroughly. Option B: Contact Marcus "Iron Hand" Kane for his advice and see if he has any additional information or support. Option C: Investigate the client further to ensure their legitimacy before making a decision.
That's all i have so far but this was a super cool way to pass some time on a Sunday. I am considering starting a parallel story similar to this but a horror-survival one, similar to something like the original Silent Hill etc.
What do you guys think - Anyone interested in seeing how this develops?!
submitted by thatmozzie_ to ChatGPT [link] [comments]


2024.05.19 19:59 RedWhiteBluesGuitar C0met P1ng P0ng. P1zzaG@te.

You dare not use the "P Word."
P_G draws all the looneys out; the type of crazy person that will say anything to derail the conversation; the type of hand wringing that makes it obvious there is a cover up going on.
David Seaman has alerts set up so that he is ready to respond to any P_G post within moments, to insert disinformation about James Alefantis being a Rothschild and intentionally, always, forgetting the fact that "I've never had an affair before" is the end of an email thread that describes providing three young girls for entertainment.
The P_G terrifies shills and it terrifies elites such that they spent billions trying to bury the story and make it even seem dangerous to talk about. The over-the-top suppressive response was what drew a lot of people's attention.
On Reddit, you can see the censorship at work; the most reasonable answer, awarded "Reddit Gold" is deleted.
https://i.imgur.com/teOOQPI.png
rareddit allows one to see what Reddit has deleted. In this case, we see that Reuters set of a "strawman argument" about a basement, while ignoring the real focus; the convicted pedophiles; the satanic imagery; the corruption. Reuters is a corrupt mouthpiece of the elite.
https://i.imgur.com/HZ2S8lF.png
Reuters recycled an old trope from another child sex story in Britain, "There is no basement, so there is no child abuse." The problem is that Reuters and James Alefantis lied to you. Why would they lie about a basement?
https://i.imgur.com/3Vsgpbz.jpg
Ben Swann did a 5 minute run down, which is the best introduction to the issue:
Here is the video:
https://gvid.tv/v/XzjlMh
Here is a screenshot of the opening:
https://i.imgur.com/U6oQa28.png
But notice he says, in regards to John Podesta's emails "none mention child sex trafficking".
There is literally a file called "Italy Child Sex." There is the hot tub email. Ben Swann does a pretty good job of balancing what he is and isn't allowed to say, but his summary leaves a lot to be desired.
https://i.imgur.com/o3Tyt1e.png
He does mention the "code words." "Cheese pizza" has been used as an alternative way of referring to "child porn" on the Internet, for years. 4chan even organically invented a way to deal with "cheese pizza" threads, by inserting pictures of spider man to fill the threads to limit.
"Dr. Pizza", a journalist with Ars Technica, staunchly denied Pizzagate was real, but was then caught as being a pedophile. Dojo Pizzeria was tied to an arrest. "The Pizza Connection Trial" involved using pizzerias for laundering money from drugs and human trafficking. There are plenty of red flags.
https://i.imgur.com/zBygdzo.png
Megyn Kelly did the most unjournalistic interview, possible, of James Alefantis in order to help cover up the crimes involved. She leaves out the blackmail case, Laura Silsby, the pedo musicians (Sex Stains, Majestic Ape), the satanic imagery on Alefantis' Instagram, the babies, drugs and money on Instagram, and on and on. Megyn Kelly is not just the dumbest reporter, there is, she is intentionally blind to the obvious.
https://i.imgur.com/IeLc8Rd.png
It is worth noting that Alefantis allowed a camera into the pizzeria to show a bullet hole in the computer, claiming that it went through the door first... but there is no bullet hole in the door.
https://i.imgur.com/orQNaSY.png
Megyn Kelly expresses horror, sympathy over Pizzagate in first interview with Comet Ping Pong owner
https://archive.ph/mC7q7
A fake media narrative was set up that discussing this topic was dangerous, when they staged a scene where son of an FBI agent "show up" Comet Ping Pong. A "False Flag" shooting.
https://i.imgur.com/7GN1Mzv.png
The lie was obvious. Why would a "P_G Researcher" shoot a computer that supposedly housed all the evidence?
https://i.imgur.com/qeX1oVG.jpg
Despite the suppression and spin of the story, it continued to gather steam on the Internet, resulting in entire communities being banned; tens of thousands of people blocked from viewing any content.
Before Reddit completely banned P_G subreddit, this was one of the last posts (which was deleted along with everything else.)
https://i.imgur.com/DKJkdQJ.png
Given all of the corruption and cover ups we know about, it is no surprise that P_G has been reduced to nothing more than a footnote in conspiracy forums. But, when there are new developments, thousands of people take notice, though they no longer discuss it, from fear of being banned.
The last corners of the Internet where people were allowed to discuss, were heavily shilled and monitored by SITE Intelligence Group (Mossad cut out that makes fake threat reports) and their allies, so that they could be labeled "extremists."
Even in those dark corners of the Internet, the issues were still being pushed and still causing some progress to be made; if nothing else, then they at least continued raising awareness.
https://i.imgur.com/sIjplTL.png
Project FLICKER
https://i.imgur.com/5LthZW1.png
Sodomy, bribery: The case against Terry Bean
https://archive.ph/n0UNJ
Ed Buck Sentenced to 30 Years in Federal Prison for Providing Methamphetamine to Two Victims Who Suffered Fatal Overdoses
https://archive.ph/70944
Adam Schiff and a Writer for "Lucifer"
https://i.imgur.com/oxPCj0Z.png
Adam Schiff. Ed Buck. Ted Lieu.
https://i.imgur.com/OXDXY9Q.png
P_G did not pop out of thin air. Not only was pizza already in wide use as a code word, John Podesta already had a reputation for being involved in blackmail rings.
https://i.imgur.com/s6P9uJF.png
Comet P1ng P0ng already had a reputation of documenting wild parties. Nevermind, whether or not, that could be Hillary and Huma on a ping pong table; why would there even be two women dressed to look like Hillary and Huma on a ping pong table? And why would that be recorded and then rebroadcast at Comet?
https://i.imgur.com/8FRaQAb.png
Notice the Pentagram on the Pizza, on the poster in the girl of the room who made the video of "Sex Stains" at Comet.
https://i.imgur.com/uEgcYJP.jpg
Here is her family. Draw whatever conclusions you like.
https://archive.ph/WA4lM
The research continued, but the astroturfing stuck to the same tired arguments that were now, officially, debunked.
https://i.imgur.com/pGuTcie.jpg
P_G drew so many people not because of a basement, or a specific allegation; people were drawn in because it pulled together so many issues under one umbrella, resulting in a series of cascading epiphanies that was neurologically rewarding researchers.
https://i.imgur.com/1NLY4de.png
It is now deleted, but my recollection of when P_G "broke" was on the now banned "The Donald" subreddit, when, along with the realization that John Podesta and James Alefantis were connected in a number of ways (David Brock even claimed they were dating in a video interview), the "FBIAnon" post about Hillary Clinton being involved in human trafficking, the connection with Marina Abramovic and "Spirit Cooking", and the "Edible Schoolyard"... the question emerged organically...
https://i.imgur.com/j1vhVmI.png
"Are these people joking about eating kids?"
https://i.imgur.com/udXqU5T.png
This is what the media and government was really trying to hide. Whether it was true or not, people asking the question is enough to destroy nearly every single career politician, CEO and news outlet that helped cover it up; as well it should.
https://i.imgur.com/BjVwBKr.png
All of the other corruption is bad enough, but these people are practically bragging about it on social media.
https://i.imgur.com/EXBPYZa.png
In The Secret Teachings of All Ages, we are introduced to a number of ancient rituals that date back prior to the written word. One of these rituals was to be buried alive. One might say a sensory deprivation tank is the modern version, but we keep seeing child sized coffins in the social media of this group of people.
https://i.imgur.com/xHh29a7.png
"Marina" was who Hillary Clinton was printing classified material for. Here is Marina Abramovic with John of God.
https://i.imgur.com/Q3L7A0r.png
Marina with boy.
https://i.imgur.com/7PFEISA.png
Marina with girl.
https://i.imgur.com/Mu0mhYr.png
People have every right to question what is going on with these images.
https://i.imgur.com/uzRNGCj.png
Note: Tamara Luzzatto is not actually their grandmother. But, she is in Sydney Blumenthal’s contacts, along with half of DC. The other half? Have her husband in their contact list.
https://i.imgur.com/HiVEmyI.png
Marina Abramovic, Marco Brambilla, Jeff Dupre
https://i.imgur.com/utVX6tg.png
Marina's "Art".
https://i.imgur.com/CqRsMDZ.png
More "Art".
https://i.imgur.com/EGq6cag.png
A cannibalism reference?
https://i.imgur.com/7tcDgUE.png
Marina and Rothschild.
https://i.imgur.com/jvZ7XTW.png
Marina and Dr. Oz?
https://i.imgur.com/aFM9ayl.png
Similar to the Finders ritual?
https://i.imgur.com/PpSmLBH.png
Many of the researchers on the Internet were correct and their research was borne out with the arrest of Epstein, Maxwell, Nygard, Brunel and others.
Bill Clinton denied, but he lied.
https://i.imgur.com/i2uInFa.jpg
Nobody was yet talking about Maxwell and Epstein stealing babies.
https://i.imgur.com/hJP7I5W.png
The Finders files were not yet public in October of 2016.
This story, though guessed at by P_G researchers, was also borne out.
Secret CIA Files Say Staffers Committed Sex Crimes Involving Children
https://archive.ph/L6C9F
CNN Producers were not yet arrested for trying to build their own sex slave networks.
https://archive.ph/3n11T
Another former CNN producer under investigation for child sex crimes
https://archive.ph/c13rY
Comey had not been exposed, yet, in October of 2016, of ordering a cover up of P_G. The IG report with emails from Comey's personal account had not been released, yet.
"A Serious Woman*
https://i.imgur.com/x9sj7cB.png
Coleman Notes:
https://i.imgur.com/KNwKJRT.png
The Anthony Weiner Laptop:
https://i.imgur.com/AyvYFUf.png
Brett Blomme, a juvenile court judge, had not yet been arrested, where he and his husband were sexually abusing their adopted children and uploading the recordings of it to Kik, gave out kids, using the legal system, to his pedo friends.
https://i.imgur.com/fzO0K70.png
Adam Schiff and Ed Buck are both into young black men.
https://i.imgur.com/oxPCj0Z.png Epstein Didn't Kill Himself. But, someone went to a lot of trouble making a fake video to try and convince us he did.
https://i.imgur.com/1aK08wN.png
All of the evidence disappeared.
https://i.imgur.com/b661F86.jpg
"Minimum Security" Maxwell's Customers Are Still Free.
https://i.imgur.com/NokPzFZ.png
A Mossad blackmail ring was, more or less, operating out in the open and anyone who complained about it was treated like they were crazy. This went on for decades, and, then, it turns out everyone who was complaining was, not only right, but that it was worse than anyone was willing to let on.
https://i.imgur.com/Fr11sR5.jpg
Former Israeli Intel Official Claims Jeffrey Epstein, Ghislaine Maxwell Worked for Israel
https://archive.ph/Sja88
Former Spy Details Israel’s Main Motive Behind Epstein’s Sexual Blackmail Operation
https://archive.ph/IeBgO
Epstein's blackmail ring was never the only game in town.
Jean-Luc Brunel: Epstein associate found dead in Paris prison cell
https://archive.ph/2R41A
Fashion Mogul Set to Face Sex-Trafficking Charges in U.S.
https://archive.ph/nMs3v
This all happened AFTER Reuters insisted that P_G was fake.
Even prior to October of 2016, there was already a great deal of public information that should have been very concerning. There was plenty of reason to have legitimate concerns about Comet P1ng P0ng when some weird information started to come out.
Before Comet P1ng P0ng made the spotlight, most people were not aware of information that was already available.
Jeffrey Epstein was accused of sex trafficking young girls on his mysterious private island. Over 40 years ago, a different millionaire escaped justice in a stunningly similar case.
https://archive.ph/8ivRh
Ghislaine Maxwell's father was an Israeli spy and she almost certainly inherited his blackmail operation. Robert Maxwell was also involved in text books for the US educational system.
*The “Anti-Extremism” Think Tank Started by Sons of Israeli Superspy Robert Maxwell *
https://archive.ph/lCvQ6
Mega Group, Maxwells and Mossad: The Spy Story at the Heart of the Jeffrey Epstein Scandal
https://archive.ph/A6dsG
Roy Cohn was another blackmail ring operator and mentor of Donald Trump.
https://i.imgur.com/Pnly1CT.png
The Hellfire Club
https://archive.ph/LrXni
When James Jameson Bought A Girl Just To Watch Her Be Eaten By Cannibals
https://archive.ph/3YT1d
You will be cooked into a kebap if you are too uppity about it and the police will do nothing.
https://i.imgur.com/X7kdBG4.png
Clinton's faith healer, Oprah's friend, John of God, with a baby farm and in jail for sexually abusing hundreds of women. The Chicago Ripper Crew. The Franklin Scandal. UN Child Sex Abuse. None of this stuff is new.
https://i.imgur.com/cvkO8Ix.jpg
DynCorp
https://i.imgur.com/cMndyxc.png
Bacha Bazi
https://i.imgur.com/gaNSXaH.png
Cover Ups.
https://i.imgur.com/a1fAvlo.png
More cover ups.
https://i.imgur.com/fSir93g.png
And more cover ups.
https://i.imgur.com/hlV5aAe.png
And more cover ups.
https://i.imgur.com/FyzLh0e.png
And more cover ups.
https://archive.ph/sAu38
How many pedophiles are the Clintons tied to? I've lost count.
https://i.imgur.com/dcXvCNm.jpg
James Alefantis and David Brock
https://i.imgur.com/sxTSS5p.png
Lawsuit of David Brock and James Alefantis
https://i.imgur.com/lHFkcNy.png
Media Matters for America
https://i.imgur.com/oxE9aPs.png
Exclusive Access to money laundering through art.
https://i.imgur.com/Gl1ds8y.png
Friends with Police
https://i.imgur.com/aYc1Xuq.png
Heather Podesta on the Board.
https://i.imgur.com/y01Onag.png
But P_G was more than just about research into what was going on politically, or into James Alefantis obvious satanic proclivities and his obvious attraction to children. What was revealed was a dark nexus of media, politics and these weirdo cultists.
There was a widespread epiphany of a great many people that this degeneracy was being intentionally pushed by people who were occultists and wanted everyone else wrapped up in their dark religion. And when we said, "No", they collectively lost their minds.
It should also being concerning that Kamala Harris was tied to Comet, as well, and, seemingly, a top choice for John Podesta to run for office. Considering her ties to fake police...
https://i.imgur.com/vgai2ns.png
In Your Own Homes It is becoming increasingly more difficult to resist these forces from coming into your own home; particularly if you have children.
The pedophiles reading to kids in drag is nothing new to anyone.
Drag Queen Story Hour
https://i.imgur.com/1vg4oCF.png
Alberto Garza
https://i.imgur.com/HjE2JQg.png
William Dees
https://i.imgur.com/7MPhRV0.png
Sasha Sota
https://i.imgur.com/VgQZW8n.png
The bottom line is that the media, the disgusting shills on the Internet, the FBI and many other groups are involved in covering up these crimes because their political agendas demand it.
https://i.redd.it/odn6da1goud91.png
https://i.redd.it/kkqtau7vzec91.png
https://i.redd.it/wna38dwq9mb91.jpg
https://i.redd.it/vhtxtx5p53h91.png
https://i.redd.it/66q2o2axzya91.png
https://i.redd.it/zli9expz18h91.png
https://i.redd.it/4odftufizya91.png
https://i.redd.it/evleoe2uo6b91.jpg
https://i.redd.it/tgc15yd9a7b91.png
https://i.redd.it/tsu5kl1h3cb91.png
https://i.redd.it/zsrbvlo2e2b91.png
https://i.redd.it/vm58sq6t63h91.png
https://i.redd.it/2xooybv1mxb91.png
https://i.redd.it/doxt15ibkxb91.png
https://i.redd.it/285eue79zfb91.png
https://i.redd.it/3zvz15n4zfb91.png
https://i.redd.it/kr5ql6tgb7b91.png
https://i.redd.it/drg7ctpme2b91.png
https://i.redd.it/03lmdltuc0b91.png
https://i.redd.it/0pwf7fa9pxb91.png
https://i.redd.it/cik0p525pza91.png
submitted by RedWhiteBluesGuitar to conspiracy [link] [comments]


2024.05.19 19:29 Craig-Paxton The Landing Sight for Lehi’s Party Discovered

In a fascinating study, evidenced for a possible landing sight for Lehi in America has been discovered within easy travel distance to Palmyra, NY. If substantiated, it could add weight to an Atlantic migration, the controversial Solutrean Hypothesis, in addition to the traditional Siberian route. https://www.washingtonpost.com/science/2024/05/19/first-americans-chesapeake-parsons-island/
The link is behind a pay wall. Here’s the article
PARSONS ISLAND, Md. — With the Chesapeake Bay sloshing at his knee-high boots, Darrin Lowery stood back and squinted at a 10-foot-tall bluff rising above a narrow strip of beach. To the untrained eye, this wall of sandy sediment is the unremarkable edge of a modest island southeast of the Bay Bridge. To Lowery, a coastal geologist, its crumbling layers put the island at the center of one of the most contentious battles in archaeology: when and how humans first made their way into the Americas. The story of the first Americans has long been a matter of public and scientific fascination, undergirded at times by vicious disagreements. The timeline of when people arrived has shifted earlier in grudging steps over the past century, and scientists today mostly agree people were in the Americas at least 15,000 years ago. Story continues below advertisement
Lowery’s site and others like it could revise the story again, pushing back the timeline earlier than most experts thought possible. In total, Lowery and a motley crew of collaborators have discovered 286 artifacts from the site on the island’s southwestern edge. The oldest, they reported, was embedded with charcoal dated to more than 22,000 years ago, a time when much of the continent would have been covered in ice sheets. If Lowery is right, Parsons Island could rewrite American prehistory, opening up a host of new puzzles: How did those people get here? How many waves of early migration were there? And are these mysterious people the ancestors of Native Americans?
Casts of tools found at Parsons Island are seen on display. Lowery and his team have unearthed 286 artifacts from the site so far. (Michael Robinson Chávez/The Washington Post) New claims of sites dated this far back face a wall of skepticism, rooted in legitimate scientific scrutiny and in the threat they pose to long-entrenched views. To complicate matters, Lowery — who has been affiliated with the Smithsonian but does much of his work independently — presented the results of his study of Parsons Island in a 260-page manuscript posted online rather than in a traditional peer-reviewed journal. The peer-review process is designed to help validate scientific claims, but Lowery argues that in archaeology it often leads to a circle-the-wagon mentality, allowing scientists to wave away evidence that doesn’t support the dominant paradigm. He says he isn’t seeking formal publishing routes because “life’s too short,” comparing this aspect of academic science to “the dumbest game I’ve ever played.”
The island is also a challenging site to study for a variety of reasons — most poignantly because it is rapidly eroding as the land subsides and sea level rises. The spot where the artifacts were found is now covered by the choppy waters of the bay. “The visit reinforced my will to invest my time into this time period, because it’s a very fragile record,” said Sebastien Lacombe, an archaeologist at Binghamton University, who visited the island in 2017. “It’s at risk of disappearing, and we’re at risk of [allowing] these sites and artifacts to lose their meaning forever.” ‘A weirdo kid’
Darrin Lowery walks a beach on Parsons Island. Most of the artifacts were excavated by erosion, discovered on the beach after they had already fallen out of the bluff. (Michael Robinson Chávez/The Washington Post) Lowery began exploring the Chesapeake shoreline as a child, wandering his backyard on Tilghman Island, about 15 miles southwest from Parsons Island. In 1977, 9-year-old Lowery picked up a distinctive fluted stone projectile point. A few years later, he saw something similar on a documentary on public television, in which a Smithsonian archaeologist explained it was a Clovis point, a relic of what most people then believed were the first Americans. For the last half of the 20th century, the peopling of the Americas followed a tidy narrative. Humans traveled from Siberia across a land bridge that connected Asia and North America during the last Ice Age, when sea levels dropped. They then migrated southward around 13,000 years ago, when the ice sheets covering the continent retreated and exposed a previously impassable inland route. These people — named after a site in Clovis, N.M. — left behind distinctive, fluted stone points that have since been found scattered across North America. Story continues below advertisement
Lowery turned to his dad and said, “I found one of those.” He found more by walking the shoreline every day. Lowery made discoveries as he meandered, and he began to understand how seasonal patterns, sediment movement, wind and waves could unearth ancient treasures. “I was a weirdo kid,” he recalled. He trained as a geologist, and it was geology that initially attracted Lowery to study Parsons Island. In 2010, he published an article in Quaternary Science Reviews describing layers of windblown silt deposited between 13,000 and 41,000 years ago at Miles Point in eastern Maryland. But the geological record is like reading the CliffsNotes version of a book, and he was frustrated by an “unconformity” in the sediment layers where thousands of years were missing, like someone had ripped out those chapters.
Parsons Island is rapidly eroding. The archaeological site is now covered by the Chesapeake Bay. (Michael Robinson Chávez/The Washington Post) Lowery and a colleague were prowling around in a whaler, looking for a spot that might fill in the blanks, when they spotted a black streak of sediment rising up out of the bay. They pulled up to Parsons Island and thought they had found “the Rosetta stone” to decode the geology. Parsons is a 78-acre island less than a mile offshore that is privately owned by the Corckran family, which uses it as a family retreat. With the Corckrans’ permission, Lowery and colleagues began to visit regularly. The bluff layers preserved a remarkably intact geologic timeline going back more than 40,000 years. Then, one morning in August 2013, the team discovered a leaf-shaped prehistoric stone tool jutting out of this crumbling wall. They knew from the work they’d already done that it was probably quite old. Story continues below advertisement
On a recent visit to the island, geoarchaeologist Daniel Wagner demonstrated why. He stepped back to scan the cliff, then tapped a narrow spade into a light tan sediment layer just above his head. That, he said, is the geologic “chapter” where they’d expect to find Clovis artifacts. Lower layers were set down before Clovis. The palm-size tool Lowery and his colleague found came out of the dark sediment layer near their knees. The scientists used two methods to date the sediment around the artifact, both showing it was more than 20,000 years old. They scoured the beach on 93 visits and conducted a formal, top-down excavation, collecting the 286 artifacts. They sent out sediment to labs that specialize in studying ancient pollen and microfossils called phytoliths to help reconstruct the ecosystem at the time. Back then, this region wouldn’t have been a coastline. The sediment the tools are embedded in dates to the “last glacial maximum” — the scientific term for the most recent coldest period of the Ice Age. In the final analysis, Lowery thinks the artifacts may have been transported downslope before they were buried, making them between 15,000 and 20,500 years old. “This was a swale, where water was collecting,” Lowery said, envisioning the ancient landscape. “You’ve got a dune. It’s got sedges and small trees on it that are windblown and all contorted, and then behind it you’ve got a little pond.” That pond may have attracted prehistoric bison, musk ox and llamas, whose fossilized molars he’s found scattered on the island shore. And it may have been what attracted the mysterious people who left behind a cache of stone tools. A story in flux
Parsons Island is seen from nearby Kent Island in the Chesapeake Bay. (Michael Robinson Chávez/The Washington Post) Parsons Island is the latest addition to a growing list of what are called pre-Clovis sites. But while the long-held “Clovis First” theory has crumbled over the past three decades, that has only deepened the debate about how much earlier the first Americans arrived. Claims of early sites present a challenge on two fronts. The first is technical: Dating a site convincingly can be difficult, depending on the context. Sediments can shift or be disturbed. What at first look like artifacts can turn out to be “geofacts,” created not by humans but by natural processes or animals. As a result, many pre-Clovis sites “enjoy a Warhol-esque 15 minutes of fame, and then they disappear” because of real problems with the geology or the methods, said archaeologist James Adovasio. In 1973, he began excavating Meadowcroft Rockshelter in Pennsylvania, which dated back 16,000 years. It was instantly mired in controversy, and the site still has its critics today. The second challenge reflects the culture of science. For a long time, people who claimed to find pre-Clovis sites were swimming upstream against deeply entrenched thinking. Tom Dillehay, an archaeologist at Vanderbilt University, began working on a site in southern Chile called Monte Verde in 1977, which was dated to 14,500 years ago. He recalled a group of researchers he calls the “Clovis police,” scientific gatekeepers who summarily rejected any pre-Clovis sites, sometimes for valid reasons and sometimes as a knee-jerk reaction. Monte Verde began to change that. In 1997, a group of respected archaeologists visited the site and declared it authentic. “It took about 25 to 30 years for Monte Verde to be accepted,” Dillehay said. “We went through hell.”
Holly, a German shorthaired pointer, runs across a bluff top on Parsons Island. (Michael Robinson Chávez/The Washington Post) Lowery says he isn’t interested in running that gantlet. He noted that he drew on multiple labs and methods for dating the Parsons Island artifacts in an effort to ensure that any one extremely old date isn’t a fluke. He’s also invited other researchers in to visit and study the site. That approach irritates some scientists. David Meltzer, an archaeologist at Southern Methodist University, said in an email that he would not discuss Lowery’s claims “until they go through the wringer of peer review and get published.” Others like Stuart Fiedel, an independent archaeologist based in western Massachusetts who has been skeptical of other sites, say the site should not fly under the radar just because of Lowery’s unconventional process. Story continues below advertisement
“There are people I know in the field who will not pay any attention to it, because it has not been peer-reviewed, which I think is kind of sticking your head in the sand,” Fiedel said. “It’s there. We can’t act as [if] nothing’s been found there.” Share this article Share
A bigger issue may be the site’s rapid erosion. Most of the artifacts were found after they’d fallen out of the bluff, which means their place in the geologic timeline is obscured. Nine artifacts were found in place, and only three were able to be dated using charcoal flecks found next to them. Steven Forman, a geoscientist at Baylor University, helped date the sediment layers at Parsons Island, corroborating findings from another lab. He said that it’s hard to find the artifacts in the kind of bulletproof geological context needed to support extraordinary claims. “The case is not as tight as we like to see it with other sites,” Forman said. Michael Waters, an archaeologist at Texas A&M University who has worked on pre-Clovis sites and excavated at Parsons Island, thinks he probably got there too late, when most of the artifacts had already been eroded out. Still, he pays someone to monitor the bank profile on a regular basis, because he’s ready to jump on a plane if they see something in place. “Too bad we didn’t get there four to five years sooner,” Waters said. Enter ancient DNA
An ancient bovine tooth is among the fossils found so far on Parsons Island. (Michael Robinson Chávez/The Washington Post) Parsons Island isn’t the only site that could dramatically push back human arrival in the Americas. Last fall, a study published in the journal Science described fossilized human footprints discovered at White Sands National Park in New Mexico that have been dated to between 21,000 and 23,000 years ago. That stunning finding suggests people were here during the Ice Age — much earlier than most experts thought possible if the first humans arrived via the Bering land bridge and inland corridor. The dates at White Sands are still being disputed because of questions about the methods. But the timeline collides head-on with another exciting line of evidence: studies of ancient DNA. By examining genetic material preserved in bones and teeth and comparing those samples to modern populations, scientists have been able to track when populations mingled and became isolated from one another, offering a new window into patterns of human migration. Story continues below advertisement
In broad strokes, they’ve found that the ancestors of Native Americans split from ancient Siberian populations no earlier than 23,000 years ago. The studies can’t say where such splits took place, but many scientists interpret genetic evidence to mean that the ancestors of modern people weren’t in the Americas until much later. Genetic studies suggest that Native American ancestors traveled into what is now the United States between 17,500 and 14,600 years ago. Joe Watkins, a senior consultant for Archaeological and Cultural Education Consultants in Tucson and a Choctaw tribal member, said that he sees a few problems with using the still-evolving DNA evidence to decide how ancient sites are related to modern-day people. “The reality is genetics does not equal culture,” Watkins said. He also argued that there are still too few samples of ancient DNA in the Americas to be sure they capture the whole story. “Trying to create population histories based on 10 people, if you will, is a little bit of a scientific conundrum,” Watkins said. It could be that additional ancient genomes will one day help fill in the blanks. Another possibility is that earlier sites could represent small, isolated groups of people who didn’t contribute to the ancestry of living Native Americans.
A tree-lined path leads to a beach on Parsons Island. (Michael Robinson Chávez/The Washington Post) “Let’s suppose you have a successful population colonizing an area, and then one day, 15 males go out and get eaten by a short-faced bear,” Lowery said. “You reduce the genetic diversity, and bada boom, bada bing, game over.” All this explodes the neat picture of one population migrating into the Americas as ice sheets retreated, hunting big animals like mammoths and giant sloths, driving them into extinction as they went. If there were small groups making their way into the New World, with different stone tool technologies, and far earlier than previously believed, how did they get here? People could have migrated along the coast by boat, following a “kelp highway.” It’s also possible the ice sheet was not as impenetrable as experts have long thought. Lowery’s longtime collaborator, Dennis Stanford, proposed that people crossed the Atlantic Ocean in what is known as the Solutrean Hypothesis, though that idea has been rejected by many archaeologists. To resolve the question, scientists need to keep looking for more evidence. Archaeology is a historical science, and unlike chemistry or biomedicine, where researchers can perform the same experiment over and over again to see if they get the same results, consensus is built by argument, counterargument and new evidence. To a certain extent, older ideas and prejudices also fall away as new people enter the field, said James Feathers, who performed dating on samples from Parsons Island before he retired from the University of Washington. “Sometimes you have to wait for people to die off,” Feathers said.
Alex Corckran, whose family owns Parsons Island, stands on a beach on the southern side of the island. (Michael Robinson Chávez/The Washington Post) Lowery is determined to keep motoring around the Chesapeake, researching the ephemeral landscape that he loves and that may contain clues about human prehistory. He acknowledges that the sites, perhaps a little bit like him, are “persnickety” but that shouldn’t deter interest in them. Instead, it should spur more. He noted that if a pod of silverfish was found gnawing on documents in the National Archives, people would be galvanized to act. “I view it as my swan song,” Lowery said, “to say you can learn a lot from [an] eroding site if you do a little bit of effort and look at it systematically.”
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2024.05.19 18:44 PensiveGamez From an old email sent to HR in 2014

This is an email I sent to head office HR. Got no response and no action was taken, so therefore it was ignored:
Dear [Head of HR],
This is regarding a more serious issue, as you may or guessed from the title. I feel I need to raise this it's possible this might not of been the first time something similar has happened to me.
After about a month of arriving at [location of work] I became a training buddy due to my years of experience at cinemas and I have now been performing this duty for many years. Shortly after joining [cinema brand] I became a member of the projection team, then during the change over to digital projection I became a digital buddy
Recently the duties have been revamped for both roles, but I have been left out of this. I have discussed this with [Twit of a GM] (our new general manager) and he completely ignored any knowledge of all of the hard work I had been doing in these roles over the years. (I informed him that I am a buddy after the first staff meeting) and he stated that I haven't been do the two jobs recently.
I must state it's hard to do the job of digital buddy, for example when during a power out the important information that you have given to the manager is ignored. leading to further problems.
The digital buddy has to be invited to do their job to delete old files from the server, chase KDMs, and such, so how am I meant to do that job without the invite (it's only in the past week or two that [co-worker] has been allowed to do the deletes. I helped in training [co-worker] on how to do digital projection when he came to [location of work])
In the training buddy section of my job I train new staff when they come in, sometimes management will provide me the forms for the trainee to fill in and sometimes not, this prevents me from correctly performing the signing off of new staff. The management have never informed me of this new box system (which has been implemented only a short time ago), but they have been treating me as a trainer and I have been training people.
[Twit of a GM] says that because I haven't been using the box system I'm not a trainer, even though I have been performing that role.
[Twit of a GM] has said my up selling is up and down every week, which doesn't set a good standard (yet at the same time saying up selling isn't the reason for not allowing me to be a buddy).
He complimented me on my customer service saying it was the best, but then insulted the way I look and implied that no one would come to me for help, this is quite bizarre as after talking to him I asked my co-workers that day and they were confused as to why he would say that as they always come to me when I'm there.
To tell you the truth that saying that colleagues do not seek my assistance was the biggest insult to me and is clearly untrue. I try to solve problems before the need to the manager whenever I can.
Regarding my appearance, one shirt they gave me is too baggy but I tuck it in and my other shirt is too small but it looks better in comparison so I try to wear that one (shirt sizing seems to be a problem).
[Twit of a GM] informed that when he arrived at the site he was introduced to the managers and buddies at the time (I do not know as to why I was not there, but it could be something to do with [Old Dumbass GM], who seemed to have a problem with me because I had requested to move sites and he refused the transfer, or it could have been something else as I was never given a satisfactory reason.
There were other instances of [Old Dumbass GM] behaviour towards me, I provided many ideas to improve the cinema but these were generally ignored.
It is interesting to note that many of the other managers have known that I am a digital and training buddy, but [Twit of a GM] and a select few disregard this fact.
I feel that I have been demoted not via any official means, but according to the whims of a few members of the management team.
Soon after [Twit of a GM]’s arrival at [location of work] I was asked about my sick days and I answered honestly the sick days were necessary and I have gone over this with another manager. Every time I have been sick, if I have had to visit the hospital (which I was forced to do so by a manager once because of chest pains) I have sent in pictures of the forms and any other information they may need (I still have the emails with all the information I gave). But for some reason I get the feeling am I looked at by him as if I am dishonestly taking those sick days.
Now this is in my file and I have talked to at least one manager at [location of work] (and one at [another location of worked when needed for an event], now), I have dyslexia with dyspraxic tendencies and also suffer with depression, these are very personal I feel that these are being used against me as they make me very vulnerable to being discriminated against. [Twit of a GM] response was that he doesn't know of any of this (which seems to be a line I heard too many times in that meeting).
I've put a lot of time and effort and sometime money in to my job (I brought pens for every person and labeled them so each person would have a pen. I brought torches to light the hawking trolley. I created a spreadsheet to help in the rotation of the posters, etc) and many joked I lived at the cinema as I was there so much, but now I have managed to have a life outside of the cinema and my job responsibilities are been taken away, despite all the years I have put in, it is very disheartening to think my efforts have been wasted
I am certainly not progressing at my current site, and I feel my skills and experience are being wasted. I am only allowed to perform duties I am qualified for when it is convenient to the management.
I suggest the best thing would be for me to get a transfer to a site closer to [location of where live] and be reinstated to the role of Digital and training buddy. If possible I would like to work in the [another location of worked when needed for an event] sites as I miss working in the [another location of worked when needed for an event] and I enjoyed the times I worked at the [another location of worked when needed for an event] site as well as visiting the [different cinema location] site (I have talked to [cool manager] once or twice saying I would love to work with her once again). If not [[a nice cinema location I did some projection cover for] would be nice (where I trained some managers how to use the digital projectors).
Please if you could help me that would be great.
Sincerely,
Pensivegamez
submitted by PensiveGamez to antiwork [link] [comments]


2024.05.19 18:31 zlaxy On this day 116 years ago, Nikolay Pilchikov, a scientist-physicist, developer of radio-controlled devices, died in Kharkov from a shot in the heart

On this day 116 years ago, Nikolay Pilchikov, a scientist-physicist, developer of radio-controlled devices, died in Kharkov from a shot in the heart
On this day 116 years ago in Kharkov Nikolay Dmitrievich Pilchikov – scientist-physicist, inventor in the field of radio engineering, author of works on optics, terrestrial magnetism, electrical and radio engineering, radioactivity, X-rays, electrochemistry, geophysics, meteorology – was shot in the heart.
At about seven o’clock in the morning of 6 May 1908, a shot rang out in a ward of an expensive Kharkov hospital. Breaking open the door locked from the inside, the doctors saw its only patient – it seemed that his life had been cut short in his sleep. The man was lying in his bunk, as if he hadn’t woken up yet. And if not for the bloodstain on his chest, no one would have realised the tragedy. A revolver lay on the tea-table beside the bed. It was from this revolver that the bullet that had pierced the scientist’s heart had been fired. Could a man who was undergoing medical treatment have carefully placed the gun beside his tea glass and folded his arms across his chest after shooting himself at point-blank range? Nevertheless, the “cadaver book” records ruled the death a suicide.
For some reason forensic experts did not do dactyloscopy – the investigation was not puzzled by fingerprints on the black “bulldog”, which became the murder weapon. And the authoritative professor Nikolai Bokarius, whose name now bears the local Institute of Forensic Medicine, even described Pilchikova’s case in a textbook for lawyers and doctors as an example of temporary purposeful capacity of suicides with fatal gunshot wounds in the heart area. At that, the luminary recommended to take into account not only anatomical features of the injury, but also the functional state of the central nervous system. The picture was completed by the conclusion of pathologists, who found in the killed after the autopsy of the corpse modifications in the structure of the brain.
A purely “police” justification for not considering the murder version was the fact that the incident took place in a locked room on the first floor (as if this could be an obstacle to unauthorised entry).
And a week after the scientist’s death, on 13 May 1908, the head of the police department received a report from the head of the Kharkov security service about the unreliability of the “extreme leftist” Professor Pilchikov, who was known for his active participation in “criminal agitation activities of engineering students”. This was confirmed by a search of the scientist’s house, during which propaganda literature from the period of the first Russian revolution of 1905 was found.
What was Professor Pilchikov doing before he was “worked out” by the police? The scientific fate of Nikolai Dmitrievich was as unusual as his death was mysterious and the fate of outstanding discoveries inexplicable.
The scientist, whose life was cut short at the age of 51, was not only a physicist, but also a lyricist: he was no less talented in composing poetry, painting pictures and playing the violin. But he considered his life’s work to be his scientific career, which was unusually successful.
The son of a public and cultural figure, who was a friend of Taras Shevchenko, was born on 9 May 1857 in Poltava, and already during his studies in gymnasium showed remarkable abilities in exact sciences. Entering the Faculty of Physics and Mathematics of Kharkiv University, he experimented in new at that time experiments in the field of sound recording, while still a student invented an electric phonograph.
After graduation, the graduate was left to work at the Department of Physics. His first scientific monograph was devoted to optical analysis. Later the scientist made a number of discoveries on the topics of scattered light polarisation and atmospheric ionisation, atmospheric electricity and geomagnetism, radioactivity and X-rays. Pilchikov was awarded the Silver Medal from the Russian Geographical Society for a series of studies of the Kursk Magnetic Anomaly, during which iron ore deposits near Prokhorovka were predicted.
https://preview.redd.it/qgjjyhraue1d1.jpg?width=670&format=pjpg&auto=webp&s=cc9b32df718dc6e9a0403ae713878a85cecc4add
After defending his thesis at the University of St. Petersburg, the master of physics was appointed privat-docent of the Kharkov University, and two years later he went to practice at a magnetic observatory in Paris, where he discovered flaws in the design of the seismograph and offered his mentors a way to correct them.
Soon the young professor of Kharkov University becomes famous outside Russia, becoming a regular at international scientific conferences and a member of the Toulouse Academy of Sciences.
Nikolay Pilchikov returned to Kharkov as a university professor, where he created a meteorological station that still exists today. To study the upper atmosphere, the professor developed a stratostat and then a high-altitude spacesuit to equip the pilot. The atmospheric optics researcher created his own seismograph and designed equipment to determine magnetic pressure.
Having moved for some time to Odessa (to work at the Imperial Novorossiysk University), in 1894 the scientist invented an original lamp for the study of X-rays, called “Pilchikov’s focus tube”. The optical and galvanic version of the study of electrolysis developed by him made it possible to obtain images on metal plates – so the inventor became the author of electrophotography or photogalvanography.
And on 25 March 1898, Nikolai Pilchikov demonstrated for the first time a device working with radio waves of a certain length and rejecting interference. During his experiments in Odessa he lit a lighthouse with the help of radio waves and moved a railway semaphore, blew up a yacht and made a cannon fire.
The scientist characterised his contribution to radio physics as follows: while Popov and Marconi were looking for a way to transmit a signal over the greatest possible distance, he was solving the problem of cutting off wireless power transmission from extraneous electrical waves. Thus appeared the first device with a protector – a security filter, allowing only the waves addressed to it to reach the mechanism and protecting the equipment from atmospheric and radio interference. The scientist not only designed and manufactured different types of the first protectors, but also tested them in practice.
With the help of his revolutionary device, Professor Pilchikov made it possible to create radio-controlled mine boats that could sink enemy ships without a crew and fire on enemy targets. In proposing the idea to the Russian military, the inventor characterised it as a way of detonating objects at a considerable distance without cables or other visible communication.
Applying for financial assistance from the military department, Pilchikov planned to spend 15,000 roubles on laboratory equipment, manufacture of devices and their testing with the support of the Sevastopol naval forces. For his part, the scientist undertook to keep the know-how in strict secrecy and not to publish any information about the development in scientific literature. As a result, this circumstance may have contributed to the fact that the scientist’s works disappeared and he himself may have been eliminated.
Military engineers discussed the professor’s petition for research funds with reference to foreign experience. Specialists compared Pilchikov’s achievements with the developments of foreign scientists experimenting with wireless telegraph, to whom the authorities did not refuse anything. For example, Preece was authorised for experiments by the postal department of England, Marconi obtained in 1897 large sums of money from the naval department of Italy, and the Berlin scientist Slaby received aeronautical parks, watercraft and troops of the Potsdam garrison from the Emperor of Germany. Pilchikov, on the other hand, had a much more extensive programme and was naturally expected to produce the most ambitious results.
On his return to Kharkov in 1902, the professor continued his research in the best-equipped physical laboratory of those times, the local University of Technology. He was also allocated a ship “Dnestr” and funds for marine experiments. On the ship in 1903 the scientist equipped a receiving radio station, and on the Chersonese lighthouse – transmitting.
Alas, neither the scheme of those protectors, nor the content of the experiments, nor their further fate are known today. In the archives we found only information about a letter of gratitude to Professor Pilchikov from the Commander of the Pacific Fleet. It was dated the beginning of September 1904. It is clear that in the midst of the war with Japan secret military developments could be of interest to both belligerents. Moreover, other external enemies were also interested in preventing Russia’s military advantage.
Professor Pilchikov’s research competed with American experiments in the Maritime Ministry under Tesla, who was also working on the task of wireless control of a minelayer from the shore. This is a case in science when “an idea is in the air” and the same discovery is independently made by scientists at different ends of the world.
It is believed that the first radio-controlled telemechanical system in the world was developed by Nikola Tesla – he patented and presented an unprecedented ship model in the summer of 1898, but came to the discovery the day before, in spring. And “Russian Tesla” Nikolai Pilchikov tested a similar invention in March of the same year, which was reported in a note in the “Odessa Review”, which for some reason remained unnoticed by the scientific community.
The “two Nicholas” had a lot in common, despite the fact that they lived and created on different continents. Scientists were almost the same age. Both had no family – neither wives nor close relatives. Both were undividedly attracted to physical science – the mysteries of radioactivity, X-rays and lightning. But to Pilchikov did not appear one day George Westinghouse with a million dollars for four dozen patents. And an understanding friend, as Tesla had in the person of Katharine Johnson, next to Nikolay Dmitrievich was not there either…
Being left without further state support, Pilchikov could not complete the work on his wireless protector. In 1905 he left to observe the solar eclipse in Algeria, from where he returned with failing health. Ill-health was aggravated by an acute feeling of loneliness.
1908 was a fateful year in the fate of the scientist. It was the best time of the year, the beginning of May, a time of intoxication with life and romantic dreams. But for Pilchikov, the “delight of nature” had no inspiring meaning: five days before his own birthday, he went to a psychoneurological clinic. And it happened under very mysterious circumstances.
According to police reports, the owner of a private hospital and a well-known doctor I. Y. Platonov received a call from an unknown man on 3 May with a request to hospitalise Nikolai Dmitrievich Pilchikov. It was asked to prepare a separate room where the patient would be alone.
When the professor appeared in the clinic, the doctors saw nothing critical in his condition. He was elegantly dressed, and in his hands held a suitcase with papers. Two days later, a shot rang out in the ward, and the papers were gone. Not a single piece of his war work was found among his household belongings. The blueprints of inventions of world importance, which the scientist had not even had time to patent, disappeared.
Wasn’t the murder then the final fat point in the planned operation? And didn’t the inventor-physicist take with him to the ward what the special services hunting for his military developments were tracking down?
Perhaps it was in the hospital that Nikolai Pilchikov, who had a premonition of trouble, tried to hide from his threatening pursuers? Or maybe they put him there so that it would be easier to realise what they had planned? And who were these mysterious killers?..
We will probably never get answers to these questions. But it is known how the brilliant ideas of the tragically departed scientist were put into practice.
In 1913, the first radio-controlled aeroplane took to the skies. Four years later, a German boat controlled from a plane blew up the quay in the English harbour of Newport. In the same year, 1917, a German ship was damaged by a British minelayer guided from a radio-controlled aeroplane. In 1925 the first mine without wires appeared. And in 1943 the Soviet troops destroyed the Nazi headquarters with General von Braun in Kharkov occupied by the enemy by controlled explosion from Voronezh.
Radio warfare has long been supplemented by radio defence, where the first role is played by devices like Pilchikov’s protectors. Thanks to radio defence, in 1944 the British were invulnerable to German fighters in the Libyan desert. Radio locks of increased complexity are used in satellite navigation and launching systems for space and military rockets. And all responsible radio electronic equipment is protected from interference by modern devices working on the principle of Professor Pilchikov’s protector – the “Russian Tesla”, who became a hindrance to someone himself…
Source: Vyacheslav Kapreljants
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2024.05.19 16:37 t4t0626 ♟️ RC is winning this 5D Chess with Multiverse Time Travel: the S-3 IS NOT dilution, Is a chess CHECK by GameStop. Here is why.

♟️ RC is winning this 5D Chess with Multiverse Time Travel: the S-3 IS NOT dilution, Is a chess CHECK by GameStop. Here is why.
I want to share a theory that's been brewing in my mind since the last S-3 filling. This is my own Due Diligence, but for the benefit of the doubt, i'll post it as speculation/opinion.
I think it's crucial for us to understand what might be happening behind the scenes with the recent Form S-3 filing from GameStop.
Spoiler alert: this isn't about dilution. It's about offering the shorts, DTC and SEC (the whole system) an exit strategy.
https://preview.redd.it/0zwxf9bj2e1d1.jpg?width=624&format=pjpg&auto=webp&s=bebefb79bc2316098dad9ae3779e8e357a88b8b5

A Look Back: December 2020

In December 2020, right before the January frenzy, GameStop made a similar move, registering the option to offer up to 300,000,000 shares when only was 75,000,000 (aprox) outstanding issued. Shorts did not accept the offer then and the frenzy ensued. Fast forward to this week with the share price shooting again to $80 in premarket ($320 pre-split). And now GameStop is offering 45 million shares (form 8-K) from up to 1,000,000,000 shares (form S-3), with 305.514.315 currently issued.

Why This Matters:

IMHO, If the shorts didn't accept the offer, we have two possible interpretations for why...
A) They Believe Their Thesis: They think their bet against GameStop is still valid, even though we know it's fundamentally flawed (and they likely do too).
B) They simply Can't Close: They know their thesis is invalid, but they can't close taking the offer because doing so would reveal the extent of their naked short positions, possibly over 1 billion shares.
Ryan Cohen and the team are essentially saying: "Here's your chance to close and exit". If the shorts don't take this offer, it exposes a critical point:
They can't close because the naked shorts are too massive, possibly over 1 billion shares, which means they are in deep trouble, way beyond simple bad bets, and they understand that closing their positions would end them, expose their fraud to the world and cause a systemic event (which would probably cast doubts on the whole concept of "ownership" in the American market).

What Does This Mean for Us?

This move isn't just a financial maneuver; it's a strategic 5D Chess with Multiverse Time Travel play. Cohen is putting the shorts in a checkmate position:
A) Accept the offer: Admit their crime and start closign with the offered shares, turning into longs committed to the company (the new positions must be book).
B) Decline the offer: Expose the enormity of their fraudulent activities, making it clear to the SEC and the public that the shorts are in an untenable position.

A Signal to Regulators

This filing isn't just a message to the shorts; it's also a demonstration to the SEC of GameStop's willingness to resolve the situation constructively. It's a clear indication that GME is not responsible for any market turmoil that follows if the shorts refuse to close.

The Big Picture

From an investor's perspective, this is a brilliant move. It's beneficial for us in the medium to long term, and it's the best strategy for the company across all timelines. It shows GME's proactive stance in tackling the short issue head-on and ensuring they're not blamed for any systemic risk caused by the shorts' fraudulent activities.
RC is not playig 4D chess... is playing 5D Chess with Multiverse Time Travel, offering a solution that avoids a systemic collapse caused by shorts. In other words: GME is saying \"we are not to blame for this situation or what may result from it\".

Conclusion

This isn't about diluting the shares. It's about offering the shorts a way out and proving to regulators that GameStop is doing everything in its power to handle this situation responsibly. If the shorts accept, they reveal their crimes and shift to supporting the company. If they don't, they dig a deeper hole, exposing the true scale of their misdeeds.
It is a theory, my theory, but I believe it is the most coherent and logical. What do you think?
Let's keep our eyes peeled, stay informed, and continue sharing our findings. Together, we're stronger, and our collective knowledge is our greatest weapon.
Hang in there friends! Whatever happens, MOASS will ensue: in an organized and beneficial way to everyone or in an explosive and uncontrolled way in which the value of our shares will tend to infinity.
Only the criminals will choose which way out they want.
EDIT: corrections and to add...
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