Examples of apa style article critique
Art Deco
2011.05.24 04:26 Servinal Art Deco
Welcome to the Art Deco subreddit, a vibrant community dedicated to celebrating the iconic design movement of the early 20th century. Share and explore the elegance, glamour, and innovation that define Art Deco in architecture, fashion, and art. Engage in discussions, showcase stunning examples, and dive into the rich history of this influential aesthetic. Let's revel in its roaring beauty!
2009.07.07 15:00 noroom I Took a Picture: Give and get feedback on photography
A subreddit about photography techniques and styles. Post your work here to ask for critique, or browse the submissions and learn how photography techniques are achieved.
2015.11.24 18:13 monoleso English Class Help
A place to get help for any type of paper in high school/college level English courses.
2024.06.01 12:50 Excellent_Box_8216 How do you make money with GPT and other Ai tools?
There's so much buzz around Ai , but not much solid info on how people are actually making money with GPT and other Ai tools.
I researched reddit, mostly its generic examples but nothing credible.
So far I found two AI money making journeys on another forum:
submitted by Excellent_Box_8216 to ChatGPT [link] [comments]
I researched reddit, mostly its generic examples but nothing credible.
So far I found two AI money making journeys on another forum:
- One guy is running a blog with GPT generated articles, making $ through AdSense and Amazon affiliate links. He’s pulling in $8,100/month at the time of writing. You can read up on it https://www.blackhatworld.com/seo/my-ai-blog-50-000-per-month.1534134/
- Another guy created an AI model with NSFW content. His Patreon makes around $2.5k-$3k per month, Fanvue adds about $1k per month, and chatbot $300 in a month. Tips around $6k at the time of writing . You can read up on it https://www.blackhatworld.com/seo/journey-to-100k-as-an-ai-influencer.1572621/
2024.06.01 12:49 AgentRift Theories on the Void
The void seems tailored to the observer, a reflection of their inner thoughts and feelings. Delilah’s void is painterly, filled with trees and pieces of art. When Daud enters, you can find a letter beside Jessamine saying “YOU KILLED HER YOU KILLED HER YOU KILLED HER….” Which is likely a slight manifestation of his guilt. You can find a similar letter when Corvo first enters the void, it saying “SHE’S DEAD SHES DEAD SHES DEAD…” most likely showing Corvo’s grief. (Emily’s void doesn’t seem to have anything worth noting). I also think it’s worth noting the void in Deathloop, when Julianna takes control of at least a part of it, essentially taking the place of the Outsider, it becomes colorful, and vibrant, representing that time period.
The personification of the void also expends into the powers that individual’s harness from it. Everyone in the series has a different set of supernatural abilities which focus the void in unique ways. Corvo’s abilities represent his thought process, worries and fears regarding Jessamines death, his anger, and the state of Dunwall. Emily represents her status as queen and her wish to sneak away and hide from her duties. Daud’s is much like Corvo’s in terms of worries and life style. And Deliah’s represents her artistic nature, being able to talk and see through statues of herself, use portraits to alter reality etc. When the outsider said “The void isn’t really a place”, what they most likely means is that the void is more so a collective unconscious of sorts, made out of others perception and interpretation of reality. This would explain why it has this weird tie to industry, the whales for whaling and the stone pillars in D2 (which look a lot like the boulders and pieces of stone you can find in Stilton’s house). These are manifestations of how the world is further industrializing. It also ties into the Outsider as I’m fairly certain his tribe hunted and killed whales (tho I could be mistaken) Speaking of The Void seems to require someone or something to inhabit and represent it physically; the Old God or the Outsider for example. It essentially needs a ruler to bring order to it, or else it will begin to corrupt reality as seen in Deathloop.
Another thing about Deathloop, the game further proves that the void seems to connect all points of time together within a single instant; we see this in Stilton’s manor where you easily jump back and forth between past and present, and more so in Deathloop where the AEON program has harnessed the “anomaly” to create a never ending loop. The anomaly most likely being another “crack in the slab” much like Stilton’s manor, only this time an entire island, showing the voids decreasing Stablity.
Over all, from my understanding, the void is a reflection of reality, something that exist both separate from, yet apart of the world. It manifests its users perceptions, dreams, wishes, and fears. A “rhyme” that ripples through reality, forming and molding it. It’s always right in front of you, yet it remains unseen, hidden behind the thin veil of the material world. Where everything begins and ends.
submitted by AgentRift to dishonored [link] [comments]
The personification of the void also expends into the powers that individual’s harness from it. Everyone in the series has a different set of supernatural abilities which focus the void in unique ways. Corvo’s abilities represent his thought process, worries and fears regarding Jessamines death, his anger, and the state of Dunwall. Emily represents her status as queen and her wish to sneak away and hide from her duties. Daud’s is much like Corvo’s in terms of worries and life style. And Deliah’s represents her artistic nature, being able to talk and see through statues of herself, use portraits to alter reality etc. When the outsider said “The void isn’t really a place”, what they most likely means is that the void is more so a collective unconscious of sorts, made out of others perception and interpretation of reality. This would explain why it has this weird tie to industry, the whales for whaling and the stone pillars in D2 (which look a lot like the boulders and pieces of stone you can find in Stilton’s house). These are manifestations of how the world is further industrializing. It also ties into the Outsider as I’m fairly certain his tribe hunted and killed whales (tho I could be mistaken) Speaking of The Void seems to require someone or something to inhabit and represent it physically; the Old God or the Outsider for example. It essentially needs a ruler to bring order to it, or else it will begin to corrupt reality as seen in Deathloop.
Another thing about Deathloop, the game further proves that the void seems to connect all points of time together within a single instant; we see this in Stilton’s manor where you easily jump back and forth between past and present, and more so in Deathloop where the AEON program has harnessed the “anomaly” to create a never ending loop. The anomaly most likely being another “crack in the slab” much like Stilton’s manor, only this time an entire island, showing the voids decreasing Stablity.
Over all, from my understanding, the void is a reflection of reality, something that exist both separate from, yet apart of the world. It manifests its users perceptions, dreams, wishes, and fears. A “rhyme” that ripples through reality, forming and molding it. It’s always right in front of you, yet it remains unseen, hidden behind the thin veil of the material world. Where everything begins and ends.
2024.06.01 12:48 badabingy420 What are some custom GPT design techniques to get the GPT to respond humanized and influenced by a richly defined backstory and personality?
I'm trying my hand at making a realistic character GPT that has predefined traits and experiences, but also the ability to generate additional content about itself, such as memories and recent experiences. This is to have a fun virtual character to converse with, and also have a source of info which is presented in a more personal way.
I've had success in getting the GPT to generate interesting stories about it's life which convey its personality. Where I'm a bit uncertain is how to create a distinct speech style which reflects its mind and life. Right now it's biographical responses have more character than vanilla GPT, but they're conveyed too formal, rational, articulate, and emotionally neutral with a bias for positivity like vanilla GPT. I want more "flavor."
Examples of elements of a richer speech style I'd want to integrate could include emotional influence in its communication, including realistic negativity when the current topic is a sore spot, if it's had a bad day, or if I've offended it. Another possible element could be a sense of a honest personal opinion or view in what it's sharing which could influence tone, even if it's a opinion I won't agree with. Another could be grammar style and word choices which reflect its predefined environmental and mental elements.
In essence, I want to design GPTs with simulated realistic, dynamic lives which influence their responses, I want realistic speech given its mind and environment.
submitted by badabingy420 to ChatGPTPro [link] [comments]
I've had success in getting the GPT to generate interesting stories about it's life which convey its personality. Where I'm a bit uncertain is how to create a distinct speech style which reflects its mind and life. Right now it's biographical responses have more character than vanilla GPT, but they're conveyed too formal, rational, articulate, and emotionally neutral with a bias for positivity like vanilla GPT. I want more "flavor."
Examples of elements of a richer speech style I'd want to integrate could include emotional influence in its communication, including realistic negativity when the current topic is a sore spot, if it's had a bad day, or if I've offended it. Another possible element could be a sense of a honest personal opinion or view in what it's sharing which could influence tone, even if it's a opinion I won't agree with. Another could be grammar style and word choices which reflect its predefined environmental and mental elements.
In essence, I want to design GPTs with simulated realistic, dynamic lives which influence their responses, I want realistic speech given its mind and environment.
2024.06.01 12:41 r_mansoori I have a Marketing blog, should i focus on it?
I have a digital marketing blog that have some good quality blog posts.
And it getting some clicks from google, like 1-2 daily. I am not working on it, because i already running a fashion blog that has more traffic then this.
So should i also publish some content on that blog. And what can I different.
( Although, i maintained the quality of that post. In every post i added full example, casual writing style, edited images and screenshots for better explanation. Lot of image per article.)
So what can i do....
submitted by r_mansoori to SEO [link] [comments]
And it getting some clicks from google, like 1-2 daily. I am not working on it, because i already running a fashion blog that has more traffic then this.
So should i also publish some content on that blog. And what can I different.
( Although, i maintained the quality of that post. In every post i added full example, casual writing style, edited images and screenshots for better explanation. Lot of image per article.)
So what can i do....
2024.06.01 12:39 Lucky-Program7456 Love problem solution astrologer free in USA
Unlocking the Secrets of Your Heart: A Free Astrology Guide to Solving Love Problems in the USA
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As the celestial body that rules our emotions, the Moon plays a crucial role in shaping our heart and relationships. Just as the tides ebb and flow in response to the Moon’s gravitational pull, our emotional tides rise and fall in response to its subtle influences on our inner world. The Moon’s position in our birth chart and its current transit can reveal the underlying emotional dynamics that drive our relationships and interactions with others.In particular, the Moon’s element (whether it’s earth, air, fire, or water) can indicate the type of emotional expression we’re prone to, and the signs it aspects can reveal the people and energies that trigger our emotions. For example, a Moon in Cancer may be deeply emotional and sensitive, while a Moon in Scorpio may be intense and private. The Moon’s nodes, which mark the points where the Moon’s orbit crosses the Earth’s ecliptic, can also reveal the underlying patterns and themes that drive our relationships and soul connections.
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2024.06.01 12:35 wistfulsunlight Hyperpop: Avant-Garde, Kitsch, and Queer Temporality
This is a paper I wrote for my genre class. Thought you guys might appreciate it.
A Soulja Boy interpolation and unabashed, blaring computerized synths drives That Kid’s track “Kiss Me Thru the Phone” where he relies on the nostalgic interpolation singing, “I just wanna kiss you / But I can't right now / So baby kiss me thru the phone.” Lyrics likes these and glitchy, distorted vocals and beats provide a unique listening experience that asks little of the listener in terms of content and expression while asking for contemplation and reflection regarding form. Hyperpop has become a community-based genre, and a space, for independent queer artists to express themselves and develop culture from the sidelines. The genre is attractive because of the tension between its queerly-nostalgic, kitsch lyrical content and avant-garde musical production.
What is Hyperpop?
The microgenre has been covered by The New York Times and The Atlantic with the latter’s article title reading, “Noisy, Ugly, and Addictive.” Hyperpop as a genre began as a Spotify playlist whose relatively small following of about 450,000 currently that, according to The New York Times, followers add to their library at a rate rivaling that of some of the biggest playlists on the platform like “RapCaviar.” WXPN, a non-commercial, member-supported radio service of the University of Pennsylvania, describes hyperpop as “…a genre that takes modern mainstream pop concepts, crushes them up, spits them out, ingests them again, and spits them out again. Perhaps that’s an exaggeration. But not an egregious one.” Maximalist and exaggerative, hyperpop takes the conventions of the pop genre and pushes them to its extreme. Resulting in “surrealist lyrics, overblown bass and high pitch vocals” and “Glitches, metallic sound synths and distorted vocals” (Lucas De Lellis da Silva). Hyperpop is a genre that defies the genre label in its transformation of other genres such as hip-hop, trap, rock, and punk. Its punk influence can also be seen with “its alignment with queerness, anti-capitalist and environmentalist beliefs raises questions on our current notions of technology and issues of representation.”
The Paradox
Hyperpop music production is where it is most avant-garde. The genre imitates pop music and exaggerates it, pop music being an imitation in itself. In his essay, “Avant-Garde and Kitsch,” Clement Greenberg on the avant-garde says, “[According to] Aristotle, all art and literature are imitation, then what we have here is the imitation of imitating.” Greenberg describes Picasso paintings as avant-garde, where the reflection of the painting, the interpretation and deliberation on part of the audience, “are not immediately or externally present in Picasso's painting but must be projected into it by the spectator sensitive enough to react sufficiently to plastic qualities.” On the other hand, Greenberg (misattributing a painting to Repin) describes Repin as a kitsch artist. Greenberg says “the “reflected” effect having already been included in the picture, ready for the spectator's unreflective enjoyment.” Greenberg summarizes this point when he says, “If the avant-garde imitates the processes of art, kitsch, we now see, imitates its effects.” Both avant-garde and kitsch can be seen in hyperpop where the production is avant-garde, glitchy, distorted and experimental and the lyrics are kitsch, overt, and cliché.
There are class biases regarding high art (e.g. avant-garde) and low art (e.g. kitsch). On the material importance of class and aesthetics, Greenberg claims that
On the effect the ruling class’s funding has on the artist, Greenberg says, “precisely because his content was determined in advance, the artist was free to concentrate on his medium. He needed not to be philosopher, or visionary, but simply artificer” (16). Being an artificer allowed artists to focus on their medium and its form. Because hyperpop music is not determined in advance by the ruling class, hyperpop artists instead must focus on form and content which has resulted in avant-garde production and a reliance on kitsch imagery in their lyrics.
Perhaps the most avant-garde, the acclaimed hyperpop song “ringtone remix [feat. Charli XCX, Rico Nasty, Kero Kero Bonito]” by 100 gecs demonstrates the paradox of being avant-garde and kitsch. The song displays a catchy hook with distorted sound effects and pitched up vocals, a rap passage over a rock instrumentation, an interlude asking Charli XCX to sing the hook again, and finally an outro that features whispers and a sparse electronic drums. The song pushes the boundaries of form. However, once again, the lyrics are kitschy; “spilling champagne” and “my boy’s got his own ringtone” which invokes the tradition of giving specific phone numbers particular ringtones popular in the 2000s.
Nostalgic Lyrics
Queer artists in the hyperpop genre have relied on nostalgic lyrics. This queer sensibility is not new or unique to hyperpop. In Time Binds, Elizabeth Freeman posits, “This stubborn lingering of pastness (whether it appears as anachronistic style, as the reappearance of bygone events in the symptom, or as arrested development) is a hallmark of queer affect: a ‘‘revolution’’ in the old sense of the word, as a turning back” (8). Hyperpop follows the queer tradition of expressing pastness in its references to Sidekick phones, Ronald Reagan’s 2004 death, and overall, a Year 2000 aesthetic. Freeman continues,
The genre also does not bend to the musical trends of the moment. A hyperpop artists does not need to constantly update their sound to match the current sonic landscapes because they are creating music that exaggerates a particular decade. Pastness allows for these artists to resist the “commodity-time of speedy manufacture and planned obsolescence,” (Freeman 9) aligning with the anti-capitalist values of the genre.
Nostalgia and kitsch are related. For example, even people that did not experience the 2000s the way Gen Z experienced it can relate and empathize with hyperpop lyrics because they are kitsch. In her essay Stephanie Brown says,
Hyperpop’s Attraction
The hyperpop genre has a tension that can be stated as a capitalist predilection for its kitschy lyrics and an anti-capitalist predilection for its musical production. An example of this is Charli XCX’s recent song “Club classics” whose vapid lyrics convey little to nothing making it easy to consume, with a chorus repeating the lines “When I go to the club, I wanna hear those club classics / Club classics, club, club classics.” However, the production exaggerates the production conventions of traditional pop through minimalist moments of technologic vocals overlaid on a wobbling bass sound effect, a stuttering vocal in the background with orchestral synths at another moment, and shrill harmonies dotting the backend of the track.
Perhaps these lyrics are attractive exactly because they are “beyond the realm of “good taste.”” Paralleling kitsch, camp provides a supplementary set of standards to view art, not as good or bad, but as having meaning or being pure artifice. Brown states, “Camp is a sly celebration of bad taste and vulgarity from a position of privilege” (50). Brown gives an example of a position of privilege as men doing drag; them being men, even if queer, gives them the ability to dress as women and remain men and “enjoy a hegemonic superiority” (50). Perpendicular to camp, kitsch allows a consumer to enjoy art from the position of the underprivileged. Brown also states that enjoying kitsch is like it “is there to entertain us on the basest, most compromised of levels… Junk, like the drunk at the wedding, can get away with doing or saying anything because, by its very appearance, it is already in disgrace.”
The other relational dimension of the attraction to the genre is the rebellion that it provides listeners. Brown writes, “today's consumers look to kitsch consumption as a way of rejecting an aesthetic hierarchy forced upon them by economically determined and class-bound interests.” Listening and enjoying hyperpop for its lyrical content is a kind of revolt from the ruling class’s distinctions of what high and low art are. Hyperpop is both high and low art according to the ruling class. It is preoccupied, plays, and breaks form; in Greenberg’s words, it imitates the processes of art. It also is cliché and overt in its lyrical content, imitating effect. It is through the ambiguation that allows listeners to commit to appreciating it for its high art value, its low art value, or both.
The Future of Hyperpop
However, as the genre grows and opportunities befall hyperpop artists, it has been exploited. Greenberg says, “Capitalism in decline finds that whatever of quality is still capable of producing becomes almost invariably a threat to its own existence” (21). This is evident with artists like Camila Cabello (one of the most listened to artists of today with a powerful label backing her) making a genre switch from pop/Latin pop to hyperpop with her first single “I LUV IT” featuring Playboi Carti off her upcoming album. Other than being poorly received and deemed a Charli XCX rip off by hyperpop fans, Camila Cabello capitalizes and therefore, strips the genre of its underground roots, making even the production of the track redundant. “I LUV IT” is an imitation of an imitation of an imitation. If we were to take this song as a sign, an omen, for the genre, hope for hyperpop shall remain elusive.
submitted by wistfulsunlight to popheads [link] [comments]
A Soulja Boy interpolation and unabashed, blaring computerized synths drives That Kid’s track “Kiss Me Thru the Phone” where he relies on the nostalgic interpolation singing, “I just wanna kiss you / But I can't right now / So baby kiss me thru the phone.” Lyrics likes these and glitchy, distorted vocals and beats provide a unique listening experience that asks little of the listener in terms of content and expression while asking for contemplation and reflection regarding form. Hyperpop has become a community-based genre, and a space, for independent queer artists to express themselves and develop culture from the sidelines. The genre is attractive because of the tension between its queerly-nostalgic, kitsch lyrical content and avant-garde musical production.
What is Hyperpop?
The microgenre has been covered by The New York Times and The Atlantic with the latter’s article title reading, “Noisy, Ugly, and Addictive.” Hyperpop as a genre began as a Spotify playlist whose relatively small following of about 450,000 currently that, according to The New York Times, followers add to their library at a rate rivaling that of some of the biggest playlists on the platform like “RapCaviar.” WXPN, a non-commercial, member-supported radio service of the University of Pennsylvania, describes hyperpop as “…a genre that takes modern mainstream pop concepts, crushes them up, spits them out, ingests them again, and spits them out again. Perhaps that’s an exaggeration. But not an egregious one.” Maximalist and exaggerative, hyperpop takes the conventions of the pop genre and pushes them to its extreme. Resulting in “surrealist lyrics, overblown bass and high pitch vocals” and “Glitches, metallic sound synths and distorted vocals” (Lucas De Lellis da Silva). Hyperpop is a genre that defies the genre label in its transformation of other genres such as hip-hop, trap, rock, and punk. Its punk influence can also be seen with “its alignment with queerness, anti-capitalist and environmentalist beliefs raises questions on our current notions of technology and issues of representation.”
The Paradox
Hyperpop music production is where it is most avant-garde. The genre imitates pop music and exaggerates it, pop music being an imitation in itself. In his essay, “Avant-Garde and Kitsch,” Clement Greenberg on the avant-garde says, “[According to] Aristotle, all art and literature are imitation, then what we have here is the imitation of imitating.” Greenberg describes Picasso paintings as avant-garde, where the reflection of the painting, the interpretation and deliberation on part of the audience, “are not immediately or externally present in Picasso's painting but must be projected into it by the spectator sensitive enough to react sufficiently to plastic qualities.” On the other hand, Greenberg (misattributing a painting to Repin) describes Repin as a kitsch artist. Greenberg says “the “reflected” effect having already been included in the picture, ready for the spectator's unreflective enjoyment.” Greenberg summarizes this point when he says, “If the avant-garde imitates the processes of art, kitsch, we now see, imitates its effects.” Both avant-garde and kitsch can be seen in hyperpop where the production is avant-garde, glitchy, distorted and experimental and the lyrics are kitsch, overt, and cliché.
There are class biases regarding high art (e.g. avant-garde) and low art (e.g. kitsch). On the material importance of class and aesthetics, Greenberg claims that
“No culture can develop without a social basis, without a source of stable income. And in the case of the avant-garde, this was provided by an elite among the ruling class of that society from which it assumed itself to be cut off, but to which it has always remained attached by an umbilical cord of gold. The paradox is real. And now this elite is rapidly shrinking” (8).To Greenberg, and within the context of the time that his essay was published in 1961, the avant-garde belonged to the ruling class because they provided capital that allowed artists to survive and create the art that aligned with the taste of that class. However, because of the ubiquity in technology and specifically the accessibility of Digital Audio Workstations, hyperpop artists defy Greenberg’s expectations by being created and conceptualized by the working class, “a democratized option in the music industry” as Gazelle puts it.
On the effect the ruling class’s funding has on the artist, Greenberg says, “precisely because his content was determined in advance, the artist was free to concentrate on his medium. He needed not to be philosopher, or visionary, but simply artificer” (16). Being an artificer allowed artists to focus on their medium and its form. Because hyperpop music is not determined in advance by the ruling class, hyperpop artists instead must focus on form and content which has resulted in avant-garde production and a reliance on kitsch imagery in their lyrics.
Perhaps the most avant-garde, the acclaimed hyperpop song “ringtone remix [feat. Charli XCX, Rico Nasty, Kero Kero Bonito]” by 100 gecs demonstrates the paradox of being avant-garde and kitsch. The song displays a catchy hook with distorted sound effects and pitched up vocals, a rap passage over a rock instrumentation, an interlude asking Charli XCX to sing the hook again, and finally an outro that features whispers and a sparse electronic drums. The song pushes the boundaries of form. However, once again, the lyrics are kitschy; “spilling champagne” and “my boy’s got his own ringtone” which invokes the tradition of giving specific phone numbers particular ringtones popular in the 2000s.
Nostalgic Lyrics
Queer artists in the hyperpop genre have relied on nostalgic lyrics. This queer sensibility is not new or unique to hyperpop. In Time Binds, Elizabeth Freeman posits, “This stubborn lingering of pastness (whether it appears as anachronistic style, as the reappearance of bygone events in the symptom, or as arrested development) is a hallmark of queer affect: a ‘‘revolution’’ in the old sense of the word, as a turning back” (8). Hyperpop follows the queer tradition of expressing pastness in its references to Sidekick phones, Ronald Reagan’s 2004 death, and overall, a Year 2000 aesthetic. Freeman continues,
““Heather Love’s Feeling Backward, for instance, astutely diagnoses the ‘‘backwards’’ emotions elaborated by artists for whom the birth of the modern homosexual identity-form was constraining rather than liberating: shame, passivity, melancholy, and recoil, to name but a few, were ways of refusing the progressive logic by which becoming ever more visible was correlated with achieving ever more freedom” (8).Hyperpop lyrics largely reminisces the 2000s, which goes against the typical notion of queerness valuing progressiveness and the striving for more freedom. The “backwards” emotions such as shame feel constraining to the modern queer-identifying person; nostalgia allows for them to escape that label to a time where things seem simpler, especially for the Gen-Z artists that make up the genre. In other words, Freeman is saying that “the discipline of ‘‘timing’’ engenders a sense of being and belonging that feels natural” (18). Because queer-identifying people face shame, they rely on a sense of time and timing that mirrors their marginalized lives which is also echoed in the glitchy vocals and musical production.
The genre also does not bend to the musical trends of the moment. A hyperpop artists does not need to constantly update their sound to match the current sonic landscapes because they are creating music that exaggerates a particular decade. Pastness allows for these artists to resist the “commodity-time of speedy manufacture and planned obsolescence,” (Freeman 9) aligning with the anti-capitalist values of the genre.
Nostalgia and kitsch are related. For example, even people that did not experience the 2000s the way Gen Z experienced it can relate and empathize with hyperpop lyrics because they are kitsch. In her essay Stephanie Brown says,
“These [kitsch] objects not only anchor the viewer's memory of a time that is past but also inspire "memories" of an era whose collective Zeitgeist has been so encapsulated as to be readily available, prepackaged, even to those whose individual experiences did not include firsthand knowledge of the phenomena of an earlier decade. The effect—to condense, flatten, and homogenize the discontinuous experiences of a heterogeneous group of people and then to sell these experiences back to them as if they were genuine—is… the inevitable result of the late-capitalist predilection for periodization…” (40).This analysis reveals that kitsch is context dependent. For example, profile avatars, big computers, the “blue screen of death” are all imagery that one may find in cover art for a hyperpop album that also represent a 2000s aesthetic. One may find this flavor of American 2000s memorabilia nostalgic, and another may find them completely meaningless if they are not aware of the context that those objects existed in, the connotation they carry for the artists, or the effect that these depictions have on its intended audience.
Hyperpop’s Attraction
The hyperpop genre has a tension that can be stated as a capitalist predilection for its kitschy lyrics and an anti-capitalist predilection for its musical production. An example of this is Charli XCX’s recent song “Club classics” whose vapid lyrics convey little to nothing making it easy to consume, with a chorus repeating the lines “When I go to the club, I wanna hear those club classics / Club classics, club, club classics.” However, the production exaggerates the production conventions of traditional pop through minimalist moments of technologic vocals overlaid on a wobbling bass sound effect, a stuttering vocal in the background with orchestral synths at another moment, and shrill harmonies dotting the backend of the track.
Perhaps these lyrics are attractive exactly because they are “beyond the realm of “good taste.”” Paralleling kitsch, camp provides a supplementary set of standards to view art, not as good or bad, but as having meaning or being pure artifice. Brown states, “Camp is a sly celebration of bad taste and vulgarity from a position of privilege” (50). Brown gives an example of a position of privilege as men doing drag; them being men, even if queer, gives them the ability to dress as women and remain men and “enjoy a hegemonic superiority” (50). Perpendicular to camp, kitsch allows a consumer to enjoy art from the position of the underprivileged. Brown also states that enjoying kitsch is like it “is there to entertain us on the basest, most compromised of levels… Junk, like the drunk at the wedding, can get away with doing or saying anything because, by its very appearance, it is already in disgrace.”
The other relational dimension of the attraction to the genre is the rebellion that it provides listeners. Brown writes, “today's consumers look to kitsch consumption as a way of rejecting an aesthetic hierarchy forced upon them by economically determined and class-bound interests.” Listening and enjoying hyperpop for its lyrical content is a kind of revolt from the ruling class’s distinctions of what high and low art are. Hyperpop is both high and low art according to the ruling class. It is preoccupied, plays, and breaks form; in Greenberg’s words, it imitates the processes of art. It also is cliché and overt in its lyrical content, imitating effect. It is through the ambiguation that allows listeners to commit to appreciating it for its high art value, its low art value, or both.
The Future of Hyperpop
However, as the genre grows and opportunities befall hyperpop artists, it has been exploited. Greenberg says, “Capitalism in decline finds that whatever of quality is still capable of producing becomes almost invariably a threat to its own existence” (21). This is evident with artists like Camila Cabello (one of the most listened to artists of today with a powerful label backing her) making a genre switch from pop/Latin pop to hyperpop with her first single “I LUV IT” featuring Playboi Carti off her upcoming album. Other than being poorly received and deemed a Charli XCX rip off by hyperpop fans, Camila Cabello capitalizes and therefore, strips the genre of its underground roots, making even the production of the track redundant. “I LUV IT” is an imitation of an imitation of an imitation. If we were to take this song as a sign, an omen, for the genre, hope for hyperpop shall remain elusive.
2024.06.01 12:35 Left-Finding6540 It's now June, I'm looking to make a thread of last minute tips, if anyone has any last minute tips for any subjects I'll add them
English: for section 1 question a on paper 1 use pqe, point quote explain, nake one point use a quote to back it up and explain, leave extra space after each point incase you have extra time to spend on it
Question b of that same question make sure if you write the text of a speech the whole text is said speech and if you have to for example write the text of a speech from a famous person you never step out of character. Your opening line should be basically a rephrasing of the question eg:write an article for the local newspaper, you should say "I am writing for the x newspaper to tell you about...", even if its unrealistic they still look for this in regard to your purpose mark.
For the composing:make sure there are famous people you can talk about a lot, also just a few topics that youve got some bit of knowledge on e.g ai might be handy
personal essay: use anecdotes even if they're made up
Short story:I'm avoiding this personally but make sure you show don't tell and alsondont leave plot holes, from what I've heard people who do this already have things like settings, characters and storylines planned out before the exam
Opinion essay: chose for or against and be strongly for or against, if im not mistaken you can be neutral but it's a lot harder
For the single text your first quote shouldn't be from act 1 scene 1 or your texts equivalent,your answer shouldn't be a summary
For hamlet: have lots of quotes, back in as many points as possible with quotes, remember the word regicide and antic-disposition, if the question asks about Claudius' role as villain if must only be his direct wrong doings (laertes, elder hamlet) and not the ones he indirectly caused by making hamlet mad (ophelia, polonius etc).
Comparative:constantly compare your 3 texts,(this next tip only applies if parf of your comparative course is never let me go) MOST of the time if you are doing the question 1 which is split up into a and b where a is in relation to 1 text and b is 2, never let me go will be in part a as it is hard to compare to other texts, this obviously depends on the question but if in doubt do that
Unseen poetry:I'm absolutely useless at this but on my mock I completely misunderstood the poem and got 17/20, waffle with confidence, don't spend too long on it as 20 marks is sweet fa in your English paper and the difference between spending 20 mins and 25 mins is no more than 3 marks.
Poetry: have one poem you can talk for days about no matter what, they will more than likely come up. Have 3 more you understand to be able to answer a question, then your perfectly covered. If you want to be more confident you can learn 2 poems to perfect 50/50 but from here to Thursday time management is important
History: if your a slow writer like me learn a metric fuck tonne of good quotes they're the quickest way to pick up marks, here's a few if you want them
Oh little sputnik flying high/with made-in-moscow-beep/you show the world its a commie sky/and uncle Sam's asleep-mennen Williams,democratic governor of michigan
The United States would provide political, military and economic assistance to all democratic nations under threat from external and internal forces-the turman doctrine
We are kings men and well be with you to the end -james Craig (not precisely a long one but so many essays it could be used in)
I want dr king to know that I didn't come to selma to make his job difficult, I really did come thinking I could make it easier. If the white people realise what the alternative is, perhaps they will be more willing to here dr king-malcolm x
Geography: from here to friday dedicate 10 minutes to aerial photography, it's 8 marks waiting to be claimed. Nows probably too late for flashcards but if it isn't fucking use them for srps
Maths: nows not too late to print off a mock or past paper, see what needs the most work and make sure you fully understand them
Irish: if your like me and haven't done a scratch there's still more than a week, predictions are your best friend, learn one essay, one poetry notes, one story notes and one play notes and let God decide how well he wants you to do
French:be able to write about the Olympics as if your fluent, its probably going to come up. Know your tenses and your subjunctive. Learn off a few proverbs they add marks to any essay. "Je suis tout à fait d'accord avec le declaration Ci dessus","il est neccesaire de pesser le pour et le contre", "n'oublions pas le proverbe" and "a Mon avis" fit into most opinion pieces, know them(get correct spelling aswel mine was affected by autocorrect). Also if your down to the wire learn diary phrased, even if you write a bad diary you will get marks for the phrases
Accounting: final accounts will come up,know 2/3, learn all your ratios and all the theory they will come up, know either budgeting or costing as one of each will come up, that leaves the second 100 marker, it will most likely be suspense as that comes up every second year but it could be a 60 marker, I wouldn't even bother worrying about anything else until ratios,final accounts, budget/costing and suspense are up to the grade your hoping for but if all that is sorted learn off maybe 3 other possible 100 markers, that any you have 4 which includes the 80% likely suspense and 2 will come up, the accounting exam is probably the easiest to predict, and for the love of God know your theory. Keep doing exam questions of your struggling, every time you correct one write down your mistakes and have the list of mistakes next to you when doing the next one, then tear it and make a new list of mistakes
This is all my experience, I will add any good advice for these subject or other subjects that are provided in the comments, all of these are for higher level except for maths, good luck,don't panic and think about the pint that's instore once this is all over
submitted by Left-Finding6540 to leavingcert2024 [link] [comments]
Question b of that same question make sure if you write the text of a speech the whole text is said speech and if you have to for example write the text of a speech from a famous person you never step out of character. Your opening line should be basically a rephrasing of the question eg:write an article for the local newspaper, you should say "I am writing for the x newspaper to tell you about...", even if its unrealistic they still look for this in regard to your purpose mark.
For the composing:make sure there are famous people you can talk about a lot, also just a few topics that youve got some bit of knowledge on e.g ai might be handy
personal essay: use anecdotes even if they're made up
Short story:I'm avoiding this personally but make sure you show don't tell and alsondont leave plot holes, from what I've heard people who do this already have things like settings, characters and storylines planned out before the exam
Opinion essay: chose for or against and be strongly for or against, if im not mistaken you can be neutral but it's a lot harder
For the single text your first quote shouldn't be from act 1 scene 1 or your texts equivalent,your answer shouldn't be a summary
For hamlet: have lots of quotes, back in as many points as possible with quotes, remember the word regicide and antic-disposition, if the question asks about Claudius' role as villain if must only be his direct wrong doings (laertes, elder hamlet) and not the ones he indirectly caused by making hamlet mad (ophelia, polonius etc).
Comparative:constantly compare your 3 texts,(this next tip only applies if parf of your comparative course is never let me go) MOST of the time if you are doing the question 1 which is split up into a and b where a is in relation to 1 text and b is 2, never let me go will be in part a as it is hard to compare to other texts, this obviously depends on the question but if in doubt do that
Unseen poetry:I'm absolutely useless at this but on my mock I completely misunderstood the poem and got 17/20, waffle with confidence, don't spend too long on it as 20 marks is sweet fa in your English paper and the difference between spending 20 mins and 25 mins is no more than 3 marks.
Poetry: have one poem you can talk for days about no matter what, they will more than likely come up. Have 3 more you understand to be able to answer a question, then your perfectly covered. If you want to be more confident you can learn 2 poems to perfect 50/50 but from here to Thursday time management is important
History: if your a slow writer like me learn a metric fuck tonne of good quotes they're the quickest way to pick up marks, here's a few if you want them
Oh little sputnik flying high/with made-in-moscow-beep/you show the world its a commie sky/and uncle Sam's asleep-mennen Williams,democratic governor of michigan
The United States would provide political, military and economic assistance to all democratic nations under threat from external and internal forces-the turman doctrine
We are kings men and well be with you to the end -james Craig (not precisely a long one but so many essays it could be used in)
I want dr king to know that I didn't come to selma to make his job difficult, I really did come thinking I could make it easier. If the white people realise what the alternative is, perhaps they will be more willing to here dr king-malcolm x
Geography: from here to friday dedicate 10 minutes to aerial photography, it's 8 marks waiting to be claimed. Nows probably too late for flashcards but if it isn't fucking use them for srps
Maths: nows not too late to print off a mock or past paper, see what needs the most work and make sure you fully understand them
Irish: if your like me and haven't done a scratch there's still more than a week, predictions are your best friend, learn one essay, one poetry notes, one story notes and one play notes and let God decide how well he wants you to do
French:be able to write about the Olympics as if your fluent, its probably going to come up. Know your tenses and your subjunctive. Learn off a few proverbs they add marks to any essay. "Je suis tout à fait d'accord avec le declaration Ci dessus","il est neccesaire de pesser le pour et le contre", "n'oublions pas le proverbe" and "a Mon avis" fit into most opinion pieces, know them(get correct spelling aswel mine was affected by autocorrect). Also if your down to the wire learn diary phrased, even if you write a bad diary you will get marks for the phrases
Accounting: final accounts will come up,know 2/3, learn all your ratios and all the theory they will come up, know either budgeting or costing as one of each will come up, that leaves the second 100 marker, it will most likely be suspense as that comes up every second year but it could be a 60 marker, I wouldn't even bother worrying about anything else until ratios,final accounts, budget/costing and suspense are up to the grade your hoping for but if all that is sorted learn off maybe 3 other possible 100 markers, that any you have 4 which includes the 80% likely suspense and 2 will come up, the accounting exam is probably the easiest to predict, and for the love of God know your theory. Keep doing exam questions of your struggling, every time you correct one write down your mistakes and have the list of mistakes next to you when doing the next one, then tear it and make a new list of mistakes
This is all my experience, I will add any good advice for these subject or other subjects that are provided in the comments, all of these are for higher level except for maths, good luck,don't panic and think about the pint that's instore once this is all over
2024.06.01 12:27 DrVeigonX .
I'd expect the vast majority of the people who oppose what Israel is doing in Palestine are not loudly chanting at protests.Again, you're entirely ignoring the point. If something is chanted by thousands, it's either a common belief, or at least one propagated by the leaders of the movement. Just because it doesn't fit with your perspective doesn't mean you can dismiss it.
Then why does the article I linked clearly show leaflets advising civilians to evacuate to the area where the strike occurred?Did you look at the map? The leaflet very clearly says The Humanitarian Area, which extends into northern Tal As Sultan. The map pretty clearly shows that.
Do you not think it at all suspicious that Israel have a recording of the event that would very clearly exonerate them, and yet have not released it or even claimed that their recording shows this?Jesus christ my guy, they literally did release the footage. Just because you refuse to look it up doesn't mean it doesn't exist.
They literally did release footage of the strike itself. Footage in which you can see that the aerial map they released is correct, as the buildings surrounding the area in the video are the same as the ones for where they claimed the strike is in the map they released. In the map, btw, you can see that the area of the strike is removed from the tents. All of this is in the articles I linked.
don't think you've quite appreciated the difference between "footage" and "footage that shows X".Just because you refuse to do any sort of personal deliberation and expect to be handed every piece of information on a spoon doesn't mean it doesn't exist.
We do know it was one of those small munitions, as I already said. Another thing we simultaneously know is that those small munitions could start a firAnd another thing we know is that the area where the strike occoured is removed from the tents. In fact both claimed locations of the strike are removed from the tents; both the IDF's and even Hamas' claims for where the strike occoured show them over 100 meters from where we know the fire started. Why do you drop that piece of information?
The IDF's claimed location is even entirely removed from the tents by an open area, and Hamas' claim has the entirety of the UN facility between the strike and the tents- a UN facility which didn't catch fire. So unless the fire somehow managed to spread across 100 meters of open field, or go around an entire aid distribution facility without anyone noticing, it's pretty safe to say that the bomb didn't start the fire.
Again, all of this is in the articles I linked. Just because you refuse to do any deliberation of your own doesn't mean it doesn't exist.
From where those tents were, sure. That doesn't mean there wasn't flammable material lying around that could have triggered a fire that reached those tents. Fuel, for example.For 100 meters straight? And around a UN facility- but without it catching fire? And no one thought to mention it anywhere? That's some amazing fuel!
Then why have you decided that it is true, when the footage from those Palestinians does not show a secondary rocket explosion, and when the Israeli footage would show this if it had happened that way?The footage from the Palestinians only started after the fire. And I'm not claiming it's true, I'm explaining to you why Israel is still investigating the matter, because you claimed that "if they claimed this then they should have all the footage!" When they aren't the ones who made that claim. Just like you and I, they are also investigating the fire.
Also, I brought them up because you were literally just dismissing that information because it came from Israel, even when it literally came from Palestinians.
Not even the Americans trust Israel to deliver aidI'm sorry but you seem to have an entirely incomplete image of how the aid distribution works in Gaza. No, the Americans do trust Israel to coordinate aid. But that's just that, Israel doesn't deliver the aid, it coordinates it. What does that mean? Israel gathers all the aid donations, loads them unto trucks, and brings those trucks to Kerem Shalom or Erez. From there, the trucks are picked up by the UN and NGOs who then distribute them.
The problem with Gazan aid was distribution, as a lot of aid failed to reach its destination, and Israel refused to get involved in distribution. Israel literally had a backlog of hunderds of trucks which they already vetted, but we're waiting to be picked up by the UN.
The pier was opened because the US believed it would make distribution easier. But what happened after it opened? Did you intentionally leave that piece of information out?
I'll tell you.
70% of it was stolen. https://www.gatestoneinstitute.org/20658/gaza-aid-stolen
Because the problem wasn't with Israeli coordination, it was with distribution. Those are two different things.
Yes, the conditions the population of Gaza were forced into for the past eight months were indeed extremely badAgain, are you intentionally ignoring the point or are you just missing it? Yes, the situation of Gazans is dire. You still fail to explain how Rafah having houses for 171k people somehow makes it better for the remaining 1.5 million over a zone specifically designed to house large numbers of displaced people.
A few ideas - instead of bombing absolutely everything, focus attacks on clear military targets.Thank you man! Why didn't they think of that?
I swear that people with no military experience will act like they're the chief of the Pentagon when it comes to this conflict.
I actually was in the military, so let's set a few things straight. when fighting guerilla warfare, there are no clear military targets. That's literally the definition of urban guerilla warfare. Embedding yourself within the urban environment and within civilians to fight against a stronger enemy. It isn't like there's buildings marked as "HAMAS HEADQUARTERS" that Israel can just attack and leave everyone else alone. Hamas very intentionally and very openly hides themselves within the civilian population and areas, hence why to attack them, you have to remove the civilians from the region via evacuation. That's literally how every urban conflict against a guerilla force in history was done. It was how the US fought against the Taliban in the cities of Afghanistan, it's how Iraqi forces fought against ISIS in Mosul, and its how the coalition fought against ISIS in Raqqa.
In fact, Raqqa and Mosul both saw far more destruction than Gaza did; with Gaza's figures suggesting 70% of the buildings were damaged to some capacity, where in Mosul some estimates go up to 80% or even 90%. When an enemy embeds themselves in a civilian population, there's no easy way of fighting them. Urban guerilla warfare is quite literally the ugliest form of combat.
As you mention the bombs, you seem to be under the impression they are just dropped for funsies. Like, "Oh, I feel like dropping a 2000 lbs bomb today! How about we do that here?"
It shows complete ignorance of military doctoring and combat. 2000 lbs bombs are also known as "bunker busters". Can you guess why? Because their impact is powerful enough to burst through the ground and collapse underground bunkers. Which might be useful when, oh, I don't know, your enemy has 500 Kilometers of tunnels weaving under your feet?
Lastly, you bring up the World Kitchen strike as some sort of Gotcha, but it perfectly encapsulates your cognitive dissonance. You're amplifying one incident over thousands of other successful strikes, and an incident even the head of World Kitchen said was a mistake. A mistake for which two of thw IDF's top generals were fired.
You're not the first person I say this to, and sadly, you won't be the last. But if you have no knowledge of military, don't try to act like you do. It just makes it seem like you're under the dunning Kruger effect.
2024.06.01 12:27 bhumiapatil Trending Baby Shower Decorations for the Modern Mom-to-Be
Welcoming a new bundle of joy into the world is a momentous occasion, and what better way to celebrate than with a thoughtfully decorated baby shower? Gone are the days of traditional and predictable decorations; today's expecting mothers are embracing innovative and trendy ideas for their special day. In this article, we'll explore the latest baby shower decoration trends, ensuring the modern mom-to-be has a celebration as unique as her. Make your baby shower event more special and amazing by selecting the best baby shower decoration themes from Take Rent Pe — an online supplier providing decoration setups on rent. With more than 100+ décor set ideas, pick your ones and let the team do the whole event management for you.
submitted by bhumiapatil to u/bhumiapatil [link] [comments]
- Balloon Extravaganza: Elevate Your Baby Shower Decorations When it comes to baby shower decorations, balloons are no longer just colorful floating orbs. The trend now is to create balloon installations that make a bold statement. From balloon arches framing the entrance to balloon garlands cascading down walls, this trend adds a whimsical and modern touch to the celebration. Balloons can be customized to match the theme and color scheme, making them a versatile and visually striking choice for baby shower decor. For a seemantham decoration or godh bharai decoration, consider incorporating traditional elements with balloon arrangements. Mixing cultural aesthetics with contemporary decor creates a visually stunning and meaningful atmosphere.
- Greenery Galore: Embrace Nature-Inspired Baby Shower Decorations Greenery and natural components are now the main attraction in contemporary baby shower décor. Incorporating nature into the celebration creates a calm and refreshing atmosphere, whether it takes the form of potted plants as centrepieces or elaborate floral arrangements. To create the ideal backdrop for photographs, think about building a floral wall or a backdrop of cascading foliage. Plan your godh bharai decorations with culturally significant flowers and foliage in mind. This produces a harmonic fusion of heritage and modern style in addition to adding a personal touch.
- Theme-Based Decor: Make Your Baby Shower Unique The days of basic baby shower décor are long gone. These days, expectant mothers are choosing themed parties that match their interests and personalities. Whether the theme is vintage-inspired, celestial-themed, or boho-chic, picking a theme makes for coherent and photogenic décor. For seemantham decoration, select a theme that resonates with cultural traditions and values. This can be a wonderful way to celebrate the mother-to-be's heritage while incorporating trendy elements into the decor.
- Dessert Table Extravaganza: Satisfy Sweet Tooth and Sight A popular trend in modern godh bharai decoration is the creation of a show-stopping dessert table. Think beyond the conventional cake and include an array of sweet treats like cupcakes, cookies, and cake pops, all adorned with thematic decorations. Not only does this delight guests' taste buds, but it also serves as a visually appealing focal point for the celebration. When designing godh bharai or seemantham décor, incorporate traditional desserts and sweets with cultural importance. This displays the depth of cultural tradition in addition to bringing back some nostalgia. In conclusion, the era of predictable and mundane baby shower decorations is long gone. Modern moms-to-be are embracing innovative and stylish trends to make their special day memorable. From balloon extravaganzas to nature-inspired decor, themed celebrations, and dessert table extravaganzas, there are countless ways to elevate the ambiance of a baby shower. Whether planning a seemantham decoration or a universal celebration, these trending ideas ensure that the modern mom-to-be and her guests have an unforgettable experience.. Thus, use your imagination, make the event uniquely your own, and let the baby shower decorations capture the essence of this happy occasion.
2024.06.01 12:26 XxOliSykesxX What games do you think taught you skills needed in Soulsbornes?
Let me preface with saying that Elden Ring is by far my most successful try at Souls games so give me some slack here but I think I've found a reason why I can manage it better in addition to it being the easiest game of them all so far.
I have a theory that what games you've learned to play could form your later development at these games, since brains have a way of forging these habits and skills which can be accessed by association (for example the very understanding that a bicycle stays up when you keep it moving, you don't have to go over that again with motorcycle, but rather expand on that knowledge.
Every FromSoftware game also has a distinct style in the bosses and with Elden Ring it's the delayed attacks that punish you for panic rolling and not having a sense of rhytm even if it's a bit swung rhythm. I feel like for me it really comes from enjoying games like the Sly Cooper games in my childhood which had the platforming be about both swinging and tighter rhythm, not always about waiting for platforms to move or the preciseness of moving since the platforming sparkles in that game are rather forgiving.
I always found myself timing my button presses very much on that whole swing and even humming and moving my whole body with the platforming and always feeling that "phew" moment when it was done. That same feeling comes from the Elden Ring boss attacks. They have a consistent but sludgy and swinging rhythm to them, that rewards patience instead of funky and tight that rewards fast reactions.
submitted by XxOliSykesxX to fromsoftware [link] [comments]
I have a theory that what games you've learned to play could form your later development at these games, since brains have a way of forging these habits and skills which can be accessed by association (for example the very understanding that a bicycle stays up when you keep it moving, you don't have to go over that again with motorcycle, but rather expand on that knowledge.
Every FromSoftware game also has a distinct style in the bosses and with Elden Ring it's the delayed attacks that punish you for panic rolling and not having a sense of rhytm even if it's a bit swung rhythm. I feel like for me it really comes from enjoying games like the Sly Cooper games in my childhood which had the platforming be about both swinging and tighter rhythm, not always about waiting for platforms to move or the preciseness of moving since the platforming sparkles in that game are rather forgiving.
I always found myself timing my button presses very much on that whole swing and even humming and moving my whole body with the platforming and always feeling that "phew" moment when it was done. That same feeling comes from the Elden Ring boss attacks. They have a consistent but sludgy and swinging rhythm to them, that rewards patience instead of funky and tight that rewards fast reactions.
2024.06.01 12:25 simpeltechlabsai How can I learn JavaScript online?
JavaScript is a widely used programming language that has ruled the software development technology stack for over a decade.
You can find JavaScript in web applications, mobile applications, or apps for your desktop.
According to a survey done by Statista in 2022, JavaScript developer communities worldwide have about 17.4 million members, and they're growing.
There are also a number of JavaScript frameworks and libraries, like React, Angular, and Vue, that are solving varied use cases and customer problems. And there are many resources available online and in textbooks to learn JavaScript.
Despite the language being so useful and well-known, many JavaScript developers still need help to learn the language confidently. They might be able to complete their day-to-day development tasks using JavaScript with some help, but may need clarification on the underlying concepts. And they may struggle to debug issues and solve customer problems on time.
This article doesn't aim to teach you JavaScript at all. It would be wonderful if you could actually learn JavaScript from such a short article, right.
Instead, this article aims to teach you How to learn JavaScript to help you become a confident JavaScript developer. I'll talk about strategies and concepts that are essential to understand before you learn JavaScript to make your learning more effective.
Programming Concepts vs JavaScript in Particular
To begin with, separate the basic programming concepts from JavaScript specifically. These basic programming concepts are common among most programming languages.
Learning them well will help you to pick up any programming languages easily. Some fundamental programming concepts are:
Variables: In programming, variables are the human-readable names you provide to a memory location that stores a value. For example, car, students, and oranges are variable names.
Values: A value is something that we usually manipulate, change, or use to create other values. We assign values to variables. For example, Honda can be the value of the car variable.
Data Types: Data types indicate the particular type of a value like number, string, boolean, and others.
Operators: Operators in programming are symbols that help us perform operations like addition, subtraction, multiplication, concatenation, and so on.
Conditions and Control Flow: Conditions in programming are statements that result in some actions. It's like if this happens, then do that, otherwise do some other thing.
Loops: Loops in programming are about repeating a bunch of tasks in the same sequence under a specific condition. There are different loops available in programming languages, and some common ones are a for-loop, while-loop, and do-while-loop.
Functions: Functions are a block of code you want to execute over and over again rather than repeating it everywhere. You create a function by giving it a name and a bunch of instructions to execute when you invoke it.
Environment: The programming environment allows developers to code, test, build, and deploy. The base principle remains the same for each aspect of the environment, but the technology may differ for different programming languages.
Debugging: Debugging is the art of finding and fixing problems in your code. You must know how to debug code irrespective of the language in which the code has been written.
All the points mentioned above are basic programming concepts. As a JavaScript developer, you must be familiar with these concepts.
The JavaScript Topics Mind Map
When you pick up a JavaScript topic to learn, you start by going over any resources that you find helpful. It's an excellent first step, but more is needed for effective learning.
The effective way is to create a mind map of JavaScript topics and guide your learning. It will help you to know the concept well and familiarise yourself with related concepts. Another advantage of mind maps is with multiple topics, you form an intersection of common sub-topics to go over multiple times.
Here is an example of a mind map to learn the JavaScript this keyword. As you can see, the flow of topics moves logically through progressive concepts to help you get a foundational understanding of the this keyword in JavaScript.
In conclusion,
Mastering JavaScript requires a solid grasp of fundamental programming concepts and strategic learning methods. By utilizing tools like mind maps and focused resources, you can build a strong foundation. XP Labs provides comprehensive online software training with full placement guarantees, ensuring you become a confident JavaScript developer ready for the industry.
submitted by simpeltechlabsai to u/simpeltechlabsai [link] [comments]
You can find JavaScript in web applications, mobile applications, or apps for your desktop.
According to a survey done by Statista in 2022, JavaScript developer communities worldwide have about 17.4 million members, and they're growing.
There are also a number of JavaScript frameworks and libraries, like React, Angular, and Vue, that are solving varied use cases and customer problems. And there are many resources available online and in textbooks to learn JavaScript.
Despite the language being so useful and well-known, many JavaScript developers still need help to learn the language confidently. They might be able to complete their day-to-day development tasks using JavaScript with some help, but may need clarification on the underlying concepts. And they may struggle to debug issues and solve customer problems on time.
This article doesn't aim to teach you JavaScript at all. It would be wonderful if you could actually learn JavaScript from such a short article, right.
Instead, this article aims to teach you How to learn JavaScript to help you become a confident JavaScript developer. I'll talk about strategies and concepts that are essential to understand before you learn JavaScript to make your learning more effective.
Programming Concepts vs JavaScript in Particular
To begin with, separate the basic programming concepts from JavaScript specifically. These basic programming concepts are common among most programming languages.
Learning them well will help you to pick up any programming languages easily. Some fundamental programming concepts are:
Variables: In programming, variables are the human-readable names you provide to a memory location that stores a value. For example, car, students, and oranges are variable names.
Values: A value is something that we usually manipulate, change, or use to create other values. We assign values to variables. For example, Honda can be the value of the car variable.
Data Types: Data types indicate the particular type of a value like number, string, boolean, and others.
Operators: Operators in programming are symbols that help us perform operations like addition, subtraction, multiplication, concatenation, and so on.
Conditions and Control Flow: Conditions in programming are statements that result in some actions. It's like if this happens, then do that, otherwise do some other thing.
Loops: Loops in programming are about repeating a bunch of tasks in the same sequence under a specific condition. There are different loops available in programming languages, and some common ones are a for-loop, while-loop, and do-while-loop.
Functions: Functions are a block of code you want to execute over and over again rather than repeating it everywhere. You create a function by giving it a name and a bunch of instructions to execute when you invoke it.
Environment: The programming environment allows developers to code, test, build, and deploy. The base principle remains the same for each aspect of the environment, but the technology may differ for different programming languages.
Debugging: Debugging is the art of finding and fixing problems in your code. You must know how to debug code irrespective of the language in which the code has been written.
All the points mentioned above are basic programming concepts. As a JavaScript developer, you must be familiar with these concepts.
The JavaScript Topics Mind Map
When you pick up a JavaScript topic to learn, you start by going over any resources that you find helpful. It's an excellent first step, but more is needed for effective learning.
The effective way is to create a mind map of JavaScript topics and guide your learning. It will help you to know the concept well and familiarise yourself with related concepts. Another advantage of mind maps is with multiple topics, you form an intersection of common sub-topics to go over multiple times.
Here is an example of a mind map to learn the JavaScript this keyword. As you can see, the flow of topics moves logically through progressive concepts to help you get a foundational understanding of the this keyword in JavaScript.
In conclusion,
Mastering JavaScript requires a solid grasp of fundamental programming concepts and strategic learning methods. By utilizing tools like mind maps and focused resources, you can build a strong foundation. XP Labs provides comprehensive online software training with full placement guarantees, ensuring you become a confident JavaScript developer ready for the industry.
2024.06.01 12:24 spreadysmear What makeup/styling makes me look the most unearthly?
 | I love experimenting with my look. It makes me feel very liberated. I wanted to share some recent styles. submitted by spreadysmear to MakeupAddiction [link] [comments] Last month I bleached my brows and enjoyed the alien vibe but it is too high maintenance. My brows grow too quickly 😅 I enjoy looking strange but still aesthetically pleasing, but I’m not very skilled at doing my makeup. What makeup do you think satisfies my desire for both the “aliengelic” look and feasibility? Any recommendations or critique appreciated :) The last two images are with more conventional styling and more natural makeup to give you an idea of what I look like at baseline (earth mode). |
2024.06.01 12:22 mahacosmetic Eyeliner training
Eyeliner is one of the popular cosmetic products used to emphasize the beauty of the eyes. This product is available in different types and colors in the market, and depending on the type of application and need, it can be in the form of liquid, gel, pencil, or magic.
Types of eyeliner Liquid eyeliner:
This type of eyeliner has a thin brush that can be used to draw precise and sharp lines. It is suitable for professional use and requires a trained hand. Gel eyeliner:
Gel eyeliner is applied using a special brush. This type of eyeliner is suitable for creating thicker and longer-lasting lines. Pencil eyeliner:
Pencil eyeliner is easier to use and more suitable for beginners. It is also suitable for everyday use and softer lines. Magic eyeliner:
Due to its flat and hard tip, this type of eyeliner makes it easier to draw uniform and long-lasting lines and is suitable for people with less experience. Tips for using eyeliner Choosing the right type: Choose the right type of eyeliner depending on your skin type and needs. For example, if you have oily skin, choose waterproof and sweat-resistant eyeliner. Practice: Drawing eyeliner requires practice. If you are a beginner, start with pencil eyeliner first. Product storage: Store the eyeliner in a dry and cool place and close the lid tightly after each use. Correct removal: To remove the eyeliner, use special eye makeup remover solutions so as not to damage the thin skin around the eyes. Makeup tips Drawing a straight line: To draw a straight line, place your hand on a flat surface and draw carefully. Use masking tape: If you want to draw a cat eye, you can use a piece of masking tape to make your lines smooth and uniform. Exfoliation: Before applying eyeliner, make sure that the skin of your eyelid is clean and dry so that the eyeliner sits better on the skin. Eyeliner, as one of the important cosmetic tools, can have a great impact on your appearance, and with proper practice and use, you can achieve your desired results. There are many different types of eyeliner styles and they can help change the shape and highlight of the eyes. Here are some of the most popular and used eyeliner styles:
Practice and patience are the keys to success in eyeliner. Appropriate and high-quality tools can make your work easier.
خط چشم یکی از ابزارهای قدرتمند در دنیای آرایش است که میتواند به چشمها عمق، جذابیت و تغییرات چشمگیری ببخشد. با وجود انواع و سبکهای مختلف خط چشم، هر فرد میتواند با تمرین و تجربه، بهترین روش و سبک مناسب خود را پیدا کند. از خط چشم کلاسیک گرفته تا سبکهای گرافیکی و فانتزی، همه اینها میتوانند به تقویت اعتماد به نفس و زیبایی طبیعی شما کمک کنند.
submitted by mahacosmetic to u/mahacosmetic [link] [comments]
Types of eyeliner Liquid eyeliner:
This type of eyeliner has a thin brush that can be used to draw precise and sharp lines. It is suitable for professional use and requires a trained hand. Gel eyeliner:
Gel eyeliner is applied using a special brush. This type of eyeliner is suitable for creating thicker and longer-lasting lines. Pencil eyeliner:
Pencil eyeliner is easier to use and more suitable for beginners. It is also suitable for everyday use and softer lines. Magic eyeliner:
Due to its flat and hard tip, this type of eyeliner makes it easier to draw uniform and long-lasting lines and is suitable for people with less experience. Tips for using eyeliner Choosing the right type: Choose the right type of eyeliner depending on your skin type and needs. For example, if you have oily skin, choose waterproof and sweat-resistant eyeliner. Practice: Drawing eyeliner requires practice. If you are a beginner, start with pencil eyeliner first. Product storage: Store the eyeliner in a dry and cool place and close the lid tightly after each use. Correct removal: To remove the eyeliner, use special eye makeup remover solutions so as not to damage the thin skin around the eyes. Makeup tips Drawing a straight line: To draw a straight line, place your hand on a flat surface and draw carefully. Use masking tape: If you want to draw a cat eye, you can use a piece of masking tape to make your lines smooth and uniform. Exfoliation: Before applying eyeliner, make sure that the skin of your eyelid is clean and dry so that the eyeliner sits better on the skin. Eyeliner, as one of the important cosmetic tools, can have a great impact on your appearance, and with proper practice and use, you can achieve your desired results. There are many different types of eyeliner styles and they can help change the shape and highlight of the eyes. Here are some of the most popular and used eyeliner styles:
- Classic Eyeliner Features: A thin and precise line drawn close to the lash line. Suitable for: everyday makeup and formal occasions. How to draw: Using a pencil or liquid eyeliner, start from the inner corner of the eye and continue to the outer corner.
- Cat Eyeliner Features: A sharp and elongated line that extends upwards from the outer corner of the eye. Suitable for: attractive and impressive makeup. How to draw: Start from the inner corner of the eye and draw a line towards the outer corner. Then, from the outer corner of the eye, draw a line outward and up and connect it to the previous line.
- Smokey Eyeliner Features: A soft and faded line that gives depth and charm to the eyes. Suitable for: night makeup and parties. How to apply: Apply the eyeliner close to the lashes and then blend it out with a small brush for a soft, smoky look.
- Winged Eyeliner Features: Similar to cat eyeliner but with longer and often thicker wings. Suitable for: Dramatic and fantasy makeup. How to draw: Same as cat eyeliner, but draw the wings longer and thicker.
- Double eyeliner Features: two parallel eye lines that give the eyes a special and artistic look. Suitable for: Fantasy and artistic makeup. How to draw: first draw a classic eyeliner and then create a parallel line above it.
- Egyptian eyeliner (Cleopatra Eyeliner) Features: Thick and sharp lines that make the eyes stand out. Suitable for: fancy makeup and special occasions. How to draw: thick, sharp lines from the inner corner of the eye to the outer corner, then a vertical line upwards.
- Invisible eyeliner (Tightlining) Features: A very thin eyeliner that is drawn inside the lash line to make the eyes look more natural and the eyelashes look fuller. Suitable for: natural and everyday makeup. How to draw: draw the eyeliner exactly inside the upper lash line without it being visible on the eyelid.
- Lower Eyeliner Features: eyeliner drawn on the lower eyelid. Suitable for: special and different makeup. How to draw: draw a thin and precise line on the lower eyelid, you can fade it to make it look softer.
- Graphic Eyeliner Features: Artistic and unusual designs using eyeliner. Suitable for: fashion and creative makeup. How to draw: Using your creativity, draw unusual and artistic designs and lines on the eyelid. These styles can be changed based on your taste and needs, and with practice and experience, you can achieve the necessary skill to perform each of these styles.
Practice and patience are the keys to success in eyeliner. Appropriate and high-quality tools can make your work easier.
خط چشم یکی از ابزارهای قدرتمند در دنیای آرایش است که میتواند به چشمها عمق، جذابیت و تغییرات چشمگیری ببخشد. با وجود انواع و سبکهای مختلف خط چشم، هر فرد میتواند با تمرین و تجربه، بهترین روش و سبک مناسب خود را پیدا کند. از خط چشم کلاسیک گرفته تا سبکهای گرافیکی و فانتزی، همه اینها میتوانند به تقویت اعتماد به نفس و زیبایی طبیعی شما کمک کنند.
2024.06.01 12:15 video_clips_only Proof DD knew about TPs CP/CSEM comic they wanted to be published [2017] [repost to correct title check the comments]
![Proof DD knew about TPs CP/CSEM comic they wanted to be published [2017] [repost to correct title check the comments]](https://external-preview.redd.it/Ym5pamF1eXpxeDNkMVfRzmViOFb17KykEXICGgSzZlF-BZ1_KPgp-XAffASZ.png?width=640&crop=smart&auto=webp&s=cb75113129647a3acb3a1cb2f1ec6b72d18959df "Proof DD knew about TPs CP/CSEM comic they wanted to be published [2017] [repost to correct title check the comments]") | Didn’t this comic have CP in it? submitted by video_clips_only to DissociaDID [link] [comments] People including DT still claim Chloe Wilkinson (Soren) didn’t know of the sneezing fetish when on Nans own blog they wrote: Hello, I identify as having a ‘sexual FETISH’. Sure I also have lots of sexual 'kinks’ as well, but they’re not the same in my book. As I define both, I’ll be defining them as they apply to 'sexual appeal’.ahem A KINK is when something is intriguing, fascinating, captivating in a sexual way, but isn’t NECESSARY in order to become aroused or to get off. In my own situation, my kinks only enhance my primary fetish. They’re rarely sexual by themselves at all really. example: I have a sexual kink for gas masks and facial coverings. They’re erotic, they’re appealing, they lead my mind into an excited place. HOWEVER, I do not get aroused from them by themselves. Only if they’re paired with my fetish itself, do they heighten the sexiness of that. Kinks are little bits of sexual spice that enhance the flavor of arousal.Nan and DD were in a BDSM style relationship according to DD: https://www.reddit.com/DissociaDID/comments/zkhgf7/proving_dd_was_lying_again/ A good post on the allegations: https://www.reddit.com/DissociaDID/s/kT4jRpIUmM *im not saying DT is lying but if DT is telling the truth then it’s DD who was lying to them about not knowing. Chloe Wilkinson (Soren) knew. DissociaDID Ninandco Kyaandco Sorenandco Chloe Wilkinson |
2024.06.01 12:08 GhoulGriin Best 1911 Magwell
 | submitted by GhoulGriin to u/GhoulGriin [link] [comments] https://preview.redd.it/dg62nixjpx3d1.jpg?width=720&format=pjpg&auto=webp&s=2bf0fd5f8fb4e47a990ee66c49d49cc75572d772 Get ready to discover the perfect addition to your weapon collection! In this roundup, we'll be diving into the world of 1911 Magwells, exploring top-rated options and unveiling their unique features. Join us as we unravel the secrets behind these versatile accessory and guide you on making an informed decision. The Top 18 Best 1911 Magwell
Reviews🔗1791 Stealthy 1911/SIG P220 Magazine Pockethttps://preview.redd.it/hbecwpjkpx3d1.jpg?width=720&format=pjpg&auto=webp&s=ce9d8fee6a60419537b8d3d20dc0b6eac40b1be8 Carrying a spare magazine doesn't have to be a bulky, awkward task. 1791's Snagmag 1911 8Rd/Sig P220 RH is a game-changer. This sleek, black magazine pouch, designed specifically for right-handed users, easily fits into your pocket, ready for a quick swap when you need it. Made from authentic leather in the U. S. A, its construction is solid and durable. It's lightweight, comfortable, and, when you flip it open, you have easy access to the extra ammo you need. It's a pocket-sized lifesaver in any situation, perfect for a concealed carry or for enhancing your performance while practicing with your firearm. However, it may not be for everyone. It's a bit of a niche product, and it might not suit all shooting styles. But for those who have tried it and have found it useful, it's a convenient, reliable way to ensure you're always prepared. The leather construction also adds a tactile touch, making it more than just a mere tool, but a piece of equipment you can feel confident in. 🔗High-Quality 1911 MW Housing for Precision and Performancehttps://preview.redd.it/4sih0bwkpx3d1.jpg?width=720&format=pjpg&auto=webp&s=536a1303e197b6ebdc802b1c9e0d6d89c3a83c4a Imagine diving into a world of unmatched quality and performance with the Ed Brown 1911 MW Housing. It's like having a trusty sidekick in the form of a superior piece of firearm gear. Just like a trusted friend, this product has been around for a lifetime, honing its craft through a combination of masterful engineering, relentless passion, and decades of practical experience. From the very feel of it to its precision machining, you can see and touch the care that has gone into each and every detail. Pick this up, and you'll instantly feel like you're holding something truly extraordinary. It's not just a firearm component; it's a labor of love and expertise, crafted with an attention to detail that borders on obsession. Of course, like any piece of equipment engineered for such high performance, you might encounter the odd hiccup here and there. But when you're using something as finely-tuned as the Ed Brown 1911 MW Housing, the pros often outweigh the occasional minor inconvenience. Overall, the Ed Brown 1911 MW Housing is a powerhouse. It's precision crafted, top-quality, and is, in short, exactly what you'd expect from a lifetime of experience and expertise in firearm components. It might not be perfect—nothing ever is—but it's as close as you can get. So, if you're looking for a piece of equipment that you can truly rely on, with a rich history of precision machining and exceptional craftsmanship behind it, look no further than the Ed Brown 1911 MW Housing. You won't be disappointed, I promise. 🔗Premium 1911 MW Housing Blankhttps://preview.redd.it/bfs6a9clpx3d1.jpg?width=720&format=pjpg&auto=webp&s=e96202411bf5264d594e31488f860c3b0063de4a The Ed Brown 1911 housing is a fine example of the dedication to precision and quality that makes this brand stand out. As a seasoned gun enthusiast, I've come to appreciate the meticulous attention to detail that goes into crafting these firearms. With this product, I especially noticed the superior components and expert machining that made the gun feel smooth and well-balanced. The mag well housing, in particular, added an element of sophistication to my 1911 replica. While the Ed Brown 1911 housing is an excellent choice for those seeking top-notch performance, there are a few potential downsides to consider. One is the price point, which may be prohibitive for some users. Additionally, while the housing is designed for durability, it's essential to take proper care of it to ensure its longevity. All in all, the Ed Brown 1911 housing is an exceptional product that delivers on promises of quality and craftsmanship. 🔗Universal Single Mag Holder for 1911 Compensatorshttps://preview.redd.it/6eniljmlpx3d1.jpg?width=720&format=pjpg&auto=webp&s=466d97c1e19c05d404690c0a3e83aa3c9b520347 Imagine this: after a long day at the range or simply enjoying your time at home, you're done with holstering and retrieving your magazines. You reach for your trusty mag holder - a solid, reliable, and convenient accessory that's been your reliable companion for months. But suddenly, it's gone. You need a new one. Fast. Enter C&G's Universal single mag holder. This is the kind of mag holder that makes you say, "I never knew I needed this until now! " It's a game-changer, designed to hold your magazines in place, making your life easier and hassle-free. The C&G's Universal single mag holder is made with high-quality materials, ensuring it lasts long, stays sturdy, and remains a reliable tool in your arsenal. The Universal aspect of this product is a testament to its versatility, as it fits almost all pistols or mags. And let's talk about the fit - it's made for a purpose and designed to ensure that your magazines stay where they should. No more fumbling or worrying about your magazines falling out when you need them most. But what about the looks? Well, let's just say it's not an eyesore. It manages to blend form and function, seamlessly becoming a part of your daily arsenal. The fact that it's made in America by the best professionals in the field is a cherry on top. However, like any other product, it does have a small downside. The clip might take some getting used to, as it's a little bigger and wider than what most users would prefer. But it's a small cost to pay for a product that performs so magnificently. In conclusion, the C&G's Universal single mag holder is a top-notch product that delivers on its promises. It's a reliable and efficient accessory that makes holstering and retrieving your magazines a breeze. It might have a minor issue with the clip size, but overall, it's a must-have for anyone who wants to ensure their magazines stay secure and easily accessible. 🔗ZEV Technologies PRO Mag-well for Gen5 1911 Pistolshttps://preview.redd.it/vnyggy3mpx3d1.jpg?width=720&format=pjpg&auto=webp&s=385ec628406100d8d79a3fe8e071349ab4ac5f59 I recently added the Zev Magwell Pro Compact to my Glock 19 and was thrilled with the results. The one-piece design made installation a breeze, and the sleek low profile kept my gun looking sharp. The flared base made reloading a breeze, and the improved grip was a game-changer for my accuracy. However, I did need to trim the backstrap a bit to make it fit perfectly, but overall, I'm incredibly happy with this addition to my pistol. 🔗ESD Magwell: Enhancing Glock 17 G5 FDE Reloading Experiencehttps://preview.redd.it/m7gg4ylmpx3d1.jpg?width=720&format=pjpg&auto=webp&s=2f9469d19554098e580fdf40a72be1c0dfc4b85c When I first tried the ESD Magwell for Glock 17 G5 FDE, I was intrigued by its sleek design. Every curve and angle on this magwell seemed to have been carefully crafted with a purpose. The ESD team has put a lot of thought into enhancing a shooter's capabilities using human-centered design. The magwell's symmetrical side cutouts made it incredibly simple to strip magazines, and it effortlessly handled both flush-fitting and extended options. While it might not be necessary for everyone, the ESD Magwell has certainly made my reloading experience more enjoyable and efficient, proving that sometimes, it's the little things that make a big difference. 🔗Walther PPQ Flared Magwell Aluminum Black Mag Accessoryhttps://preview.redd.it/en6s1aumpx3d1.jpg?width=720&format=pjpg&auto=webp&s=dc8804b4d0e3230d159b40cea84715b28c101103 Imagine you're at the shooting range, ready to take on some targets with your trusty Walther PPQ. You reach for your magazine and find that the flared magwell is a game-changer for your aim. Made of strong aluminum, it's a perfect fit for your Walther PPQ, making magazine swaps a breeze. Plus, this magwell works with both steel and polymer frames. While it has its perks, there are a couple of things worth mentioning. First, be aware that this magwell doesn't work with PPQ Sub-Compact or PPQ45 models. Second, it may have fitting issues with some extended magazines. But overall, it's a reliable addition to your shooting setup, and you'll appreciate the extra boost it provides to your aim. 🔗Stainless Steel 188S Magwell for 1911 Pistolshttps://preview.redd.it/vmrj2d7npx3d1.jpg?width=720&format=pjpg&auto=webp&s=fbe674e85a70cd8301d7d2eb0c38f59df5242c27 I recently had the chance to try out the Wilson Combat Magazine Well Stainless Steel 1911 Magwell, and I have to say, it's been a game-changer in my shooting experience. The magnetic well is incredibly sturdy, and it's made entirely of stainless steel, ensuring its longevity. One thing that really stood out to me is the enhanced magazine compatibility the magwell provides. No more fumbling around to get the right fit - this magwell seamlessly fits most magazine designs, making it a breeze to reload. However, the installation process could be a bit tricky for beginners. It was a learning experience, but with the right tools and a bit of patience, I managed to get it working smoothly. Overall, I'm really happy with the performance of the Wilson Combat Magazine Well Stainless Steel 1911 Magwell. The improved magazine loading speed and enhanced compatibility make it a worthwhile investment for any serious shooter. 🔗Intelligently Engineered Canik TCS Compact Magwellhttps://preview.redd.it/6qllxfonpx3d1.jpg?width=720&format=pjpg&auto=webp&s=2f1e46ec10cee412ddd9bbbc8eee26620714e218 I recently added the Canik TCS Compact Magwell Black to my 1911 handgun, and let me tell you, it has made a significant difference in my daily shooting experience. The sleek, black design not only looks impressive but also provides excellent grip and support while I'm on the range. The ergonomic shape of the extension makes it an absolute game-changer during long shooting sessions, preventing hand fatigue and ensuring a more comfortable hold. However, the TCS Compact Magwell Black isn't without its drawbacks. I've noticed that the weight distribution of the handgun has shifted slightly, making it a bit heavier overall. Additionally, the black color tends to attract dirt and dust more easily than other materials, requiring more frequent cleaning. All in all, the Canik TCS Compact Magwell Black is a high-quality extension that enhances both the aesthetics and functionality of my 1911 firearm. Despite the added weight and maintenance considerations, I would definitely recommend it as a worthwhile addition to any 1911 enthusiast's collection. 🔗Si STRIKE80 Magwell for Strike 80 Compact Frame Kithttps://preview.redd.it/0224z5ynpx3d1.jpg?width=720&format=pjpg&auto=webp&s=2887ababacd1dc1e5cd03ba6e812fed7f0b8b0eb In my quest for the perfect magwell, I stumbled upon the Si STRIKE80 Magwell. With a sleek finish in black, it added an aesthetic charm to my Strike 80 compact frame kit. The fit was impeccable, with the magwell allowing my PMAGs to nestle flush against it, making the gun feel more refined. However, not everything was smooth sailing. On a few occasions, I faced issues with the magwell. Sometimes, I found it hard to seat the base plates of factory mags securely. It seemed like the magwell's design could have been more compatible with the base plates, resulting in a suboptimal user experience. Despite this, the Si STRIKE80 Magwell had some redeeming qualities. For one, it was a reliable magwell that didn't affect the functionality of the gun. Furthermore, it added a certain cool factor that matched well with the Strike 80's compact frame style. Overall, this magwell did its job when it came to accommodating the mag. However, the slight inconsistencies in its compatibility with base plates warranted some consideration. If you can overlook this issue, the Si STRIKE80 Magwell might just be the piece missing from your Strike 80 setup. 🔗Stainless Steel 1911 Magwell for Concealmenthttps://preview.redd.it/7wyiillopx3d1.jpg?width=720&format=pjpg&auto=webp&s=62bf7c1bd5f7abd3b3d66bed930e6608b3052a68 I've been using the Wilson Bullet Proof Magwell Full SS for a while now, and I must say that it's quite impressive. This one-piece magwell is crafted from solid billet and CNC-Machined, making it durable and robust. Its stainless steel finish adds a touch of class to any 1911 pistol. What I really love about this magwell is its large internal opening. It ensures a smooth reloading process, making it perfect for competition or carry. The low profile, radiused outside contour is ideal for both. However, it does require some fitting to blend with pre-beveled frames. The variety of grip shapes available, along with precisely machined checkering, allows for a perfect match with your pistol. It's also compatible with most fine custom handguns. The flat mainspring model drops into most guns, while round butt models need frame contouring. Overall, despite the need for some fitting, the Wilson Bullet Proof Magwell Full SS is a top-quality product that enhances the functionality of your 1911. It's definitely a worthwhile investment for those looking to improve their pistol's performance. 🔗Enhanced Magwell for Glock 19/23 Pistolshttps://preview.redd.it/ysfah8vopx3d1.jpg?width=720&format=pjpg&auto=webp&s=dfd124b1d4d21b66219afadade92b815e125ef28 Recently I added the Reptilia Black Hole Poly Magwell to my trusty GLOCK - a game-changer for my reloading skills. It fits seamlessly with both Generation 3 and 4 frames, a true all-arounder. One of the standout features is the use of impact-modified reinforced nylon, and of course, it's made in the USA. It's compatible with 9mm and. 40-caliber GLOCK pistols but does not work with 10 round factory Glock magazines; however, it's perfect with Magpul 10 round mags. This magwell has made a notable difference in my shooting experience and I find myself reaching for it whenever I grab my GLOCK. It's been a reliable addition to my kit and highly recommended for GLOCK owners. 🔗1911 Magwell For SCT Polymer Glock Gen 3 Framehttps://preview.redd.it/4zaega6ppx3d1.jpg?width=720&format=pjpg&auto=webp&s=b3c8687e562af23ca27579e7d4b2f11d154ad519 I recently got my hands on the Magwell for SCT19 Polymer Glock Gen 3 Frame. As a gun enthusiast, I was intrigued by this accessory and decided to put it to the test in my daily life. The first thing that caught my eye was its sleek, outdoor green finish. It complemented my Glock perfectly and added a touch of class to my firearm. Using this Magwell, I noticed a significant improvement in the speed of my reloads. The ergonomic design allowed for a smoother movement, saving me precious seconds in critical situations. However, I did encounter a slight snag in the process – the Magwell wasn't quite compatible with my specific model, causing a minor inconvenience. Overall, the Magwell for SCT19 Polymer Glock Gen 3 Frame proved to be a reliable addition to my firearm. The speedy reloads it provided and the stylish finish it came with made it a worthwhile investment. But, I would urge fellow Glock users to double-check the compatibility before making a purchase to avoid any potential issues. 🔗Zev Technologies PRO Mag-well for 1911 - Enhance Shooting Consistency and Speedhttps://preview.redd.it/hwv1vbrppx3d1.jpg?width=720&format=pjpg&auto=webp&s=2fa1f93e2e1bbbd7a684d5515276d181a2ada917 Zev Magwell Pro has been a game-changer for me in my daily gun training. I love the flared, slightly wider design which aids in a smoother, faster magazine insertion. The lightweight aluminum construction feels sturdy and reliable, yet doesn't add any bulk to the Glock's balance. Installation was straightforward, even for a gun novice like me. The lack of set screws for a flush fit on the backstrap is a minor drawback, but it's not a deal-breaker. The improved reload speed and additional comfort it provides make it worth the small inconvenience. I highly recommend the Zev Magwell Pro to anyone looking to elevate their Glock's performance. Buyer's GuideWhen it comes to optimizing your 1911 handgun, there are a few key features you should be on the lookout for in a magwell. The magwell, or magazine well, is a modification that increases the speed at which you can reload your gun. It also makes it easier to grip and insert the magazine, crucial in high-pressure situations. In this buyer's guide, we will discuss important considerations and general advice when purchasing a 1911 magwell.Importance of Materialhttps://preview.redd.it/pzvp0pbrpx3d1.jpg?width=720&format=pjpg&auto=webp&s=f1b63274990f88c7ff8681a3a3e33343aa5ee166 The magwell is often made from lightweight materials such as aluminum or carbon fiber, but it can also be made from steel. While steel may be more durable, it is heavier and could potentially slow down your draw. Consider the weight and the balance of your handgun when choosing the material for your magwell. Size and ShapeOne of the primary benefits of a magwell is the ease of magazine insertion and retrieval. Therefore, the size and shape of the magwell will impact its efficiency. Some magwells are designed to be larger, accommodating longer magazines or allowing for a quicker reload. Ensure that the magwell you're considering complements the height of your magazine and matches your personal preferred shape for grip comfort.Choke PortsChoke ports or adjustable choke tubes are sometimes integrated with magwells as part of a multi-functional kit. Choke ports provide the ability to alter the angle and tightness of your shotgun barrel, which can be advantageous for various shooting scenarios. Consider if you want these additional features or if you prefer a magwell strictly for the purpose of speeding up your reload time. https://preview.redd.it/4ikw0ajrpx3d1.jpg?width=720&format=pjpg&auto=webp&s=852e3c7eb5849f071c61491b4fd57a9e12b6d94a IntegrationAvoid magwells that require extensive modifications or replacement of existing parts of your handgun to mount. The magwell should ideally be compatible with most standard 1911 frames and be easy to install. Check the manufacturer's specifications or consult user guides to ensure compatibility.PriceThere are various price points for 1911 magwells, reflecting differences in materials, functionality, and design. Consider your budget and ensure that the magwell you choose aligns with your expectations and requirements.Reviews and Ratingshttps://preview.redd.it/4v2jtj4spx3d1.jpg?width=720&format=pjpg&auto=webp&s=c19e7f20a435052fcf9885e24767f768be1e2c8d As with any purchased, it's always a good idea to read reviews and gather insights on the quality of a 1911 magwell before making your decision. Reviews from gun enthusiasts and experts can provide valuable feedback on the durability, efficiency, and overall performance of the magwell. Final ThoughtsA well-designed 1911 magwell can significantly improve the performance and efficiency of your handgun, especially in high-pressure or competitive shooting scenarios. When selecting a magwell, bear in mind the material, size and shape, integration, price, and reviews. With the right magwell, you can elevate your handgun to an optimal level for competitive performance or personal defense. Happy shooting!FAQhttps://preview.redd.it/fg2uapbspx3d1.jpg?width=720&format=pjpg&auto=webp&s=2c61e075802b17497b09e7f78260503cacb815b3 What is a 1911 Magwell?A 1911 magwell is a type of aftermarket accessory designed to enhance the performance and functionality of the 1911 handgun. It is typically installed in place of the standard grip panel or attached to the gun's frame, providing an extended magazine well to improve the user's grip and facilitate faster reloads.What are the benefits of using a 1911 Magwell?
What types of materials are 1911 Magwells made of?1911 magwells can be made from various materials such as aluminum, steel, polymer, or a combination of these. The choice of material depends on the user's preferences, budget, and desired durability or weight reduction.How do I install a 1911 Magwell?Installing a 1911 magwell typically requires removing the existing grip panel or frame section, cleaning the surface, and applying adhesive or mechanical fasteners to secure the magwell in place. It is recommended to follow the manufacturer's installation instructions carefully to ensure proper fit and function.Are there any compatibility issues with 1911 Magwells?Some 1911 magwells may have compatibility issues with certain handguns, particularly those with modified frames or aftermarket components. It is essential to verify compatibility with the specific firearm before purchasing a magwell to avoid any potential fitting issues.What are the differences between 1911 Magwells from various manufacturers?
How do I maintain and clean my 1911 Magwell?To maintain and clean your 1911 magwell, simply wipe it down with a soft cloth to remove any dirt or debris. If there is any adhesive residue left from installation, use a mild solvent to remove it. Avoid using abrasive cleaners or scrubbers, which may damage the finish or surface.As an Amazon™ Associate, we earn from qualifying purchases. |
2024.06.01 12:06 Guillaume_Taillefer Want to help with archiving WWII and the US Airborne?
This is an example of a letter from my great uncle who joined the First French Army near the end of the war. It is a letter that mentions many things that avid followers of the show and books know about (The whole thing was found in two pieces in different parts of the same collection, but there is an english translation for each one).
https://preview.redd.it/k5go18yqpx3d1.png?width=690&format=png&auto=webp&s=41c31b4da3388f3a99ed97ef675f2ec84473da9e
Like many letters from the WWII time period, they've been kept in attics, boxes, and stored away, hard to find, and maybe even never seen again. You can replace these with whatever you want, photos, survivors, documents, items, and the same thing almost applies. One thing is clear, much of the information of the WWII era is being scattered and lost.
That is why I came up with the website, the WWII Archives (https://wwii-archives.org), which allows for anyone to join to create the most detailed articles about each subject from the WWII era. In doing this we attempt to archive and find all that scattered information, to bring it together to make these articles
Some example articles include people I've interviewed (Joe McPhail, Paul Blackmon), Units (A Co, 116th IR), VMF-323)), and family (Raymond Traumann whose letter is above). If your article even is notable enough we will summarize it in a blog and post it on social media.
https://preview.redd.it/nptkl9lmlx3d1.png?width=190&format=png&auto=webp&s=83290bc4d697958315a95d6909431b52c9bad59d
For this subreddit, although again you may write on any subject from that era, we are interested in people that would like to contribute and write about Easy Company, its members, 1st battalion, the 506th, the 101st, the 82nd, and anything related to those things. There are especially some niche and unknown things about the 101st out there that haven't really been well documented. For example a while back I started looking into a paratrooper named Bernie Gaudreau. If anyone has any information on him and other things we need help with that. Since the 80th anniversary of D-Day any information that can be contributed through that would be great.
Not only would you be able to write about general WWII things, but also about your family, other people from the time, very niche topics, and even things that don’t have to do with the war, but happened during the time period. Most importantly, you would be contributing to the scholarship for that time period in general.
All that it takes is to go to the website, sign up, read the Editing and Multimedia Guides (and Interview Guide if you’re interviewing), and then you are free to contribute!
submitted by Guillaume_Taillefer to BandofBrothers [link] [comments]
https://preview.redd.it/k5go18yqpx3d1.png?width=690&format=png&auto=webp&s=41c31b4da3388f3a99ed97ef675f2ec84473da9e
Like many letters from the WWII time period, they've been kept in attics, boxes, and stored away, hard to find, and maybe even never seen again. You can replace these with whatever you want, photos, survivors, documents, items, and the same thing almost applies. One thing is clear, much of the information of the WWII era is being scattered and lost.
That is why I came up with the website, the WWII Archives (https://wwii-archives.org), which allows for anyone to join to create the most detailed articles about each subject from the WWII era. In doing this we attempt to archive and find all that scattered information, to bring it together to make these articles
Some example articles include people I've interviewed (Joe McPhail, Paul Blackmon), Units (A Co, 116th IR), VMF-323)), and family (Raymond Traumann whose letter is above). If your article even is notable enough we will summarize it in a blog and post it on social media.
https://preview.redd.it/nptkl9lmlx3d1.png?width=190&format=png&auto=webp&s=83290bc4d697958315a95d6909431b52c9bad59d
For this subreddit, although again you may write on any subject from that era, we are interested in people that would like to contribute and write about Easy Company, its members, 1st battalion, the 506th, the 101st, the 82nd, and anything related to those things. There are especially some niche and unknown things about the 101st out there that haven't really been well documented. For example a while back I started looking into a paratrooper named Bernie Gaudreau. If anyone has any information on him and other things we need help with that. Since the 80th anniversary of D-Day any information that can be contributed through that would be great.
Not only would you be able to write about general WWII things, but also about your family, other people from the time, very niche topics, and even things that don’t have to do with the war, but happened during the time period. Most importantly, you would be contributing to the scholarship for that time period in general.
All that it takes is to go to the website, sign up, read the Editing and Multimedia Guides (and Interview Guide if you’re interviewing), and then you are free to contribute!
2024.06.01 12:04 Long_Alfalfa_720 The March of Dictatorial Ambitions: which nation will follow China's fate and why it concerns You?
 | https://preview.redd.it/8w2yh5syox3d1.jpg?width=1280&format=pjpg&auto=webp&s=d3337c19e7ebea7dcafd0f1b5c5d0f61c9e31831 submitted by Long_Alfalfa_720 to FreeGuestPosting [link] [comments] In the opening article of our series, we unveiled the existence of a global network of anti-cult organizations contributing to the creation of a worldwide digital concentration camp. We demonstrated how these organizations play a crucial role in the process of dehumanization, labeling certain groups, organizations, or nations as a "threat to society." We explained that this happens through the branding of these groups as part of "totalitarian sects" or "destructive cults," leading to widespread intolerance and discrimination fueled and supported by the media. We showed that these actions shape public opinion to see these organizations as harmful, justifying their persecution. We revealed that, in this way, the people involved can be persecuted and punished while the public remains convinced that the authorities are taking necessary measures against the "offenders." As a result, the genocide against those different or inconvenient for the government goes unnoticed. We explored the case of the Chinese Falun Gong movement as an example of how those in power can commit cruel and inhuman actions against ordinary citizens while society stands compliant and passive in the face of these oppressions. You might think that these actions only take place in China, but you are mistaken. Let's see what the situation is like in another country violating human rights and attempting to impose a dictatorship—Russia. Everything began in 2015 with the legal introduction of the "undesirable organization" status. An undesirable organization, according to the official formulation, is a "non-governmental organization that has been recognized as undesirable on the territory of the Russian Federation"—a foreign or international non-governmental organization whose activities may pose a threat to the constitutional order, defense capability, or state security of the Russian Federation, in accordance with Article 3.1 of Federal Law No. 272-FZ of December 28, 2012. Such organizations are banned from operating on the territory of the Russian Federation, with administrative and criminal actions prescribed for violating this ban. This law can lead to various human rights violations. Here are some potential consequences:
Here are just a few examples of numerous actions taken against the undesirable organizations:
To track the methods used to ban organizations in Russia, learn more in our next article. |
2024.06.01 12:03 Stage-Piercing727 Best 1911 Long Slide Kit
 | submitted by Stage-Piercing727 to u/Stage-Piercing727 [link] [comments] https://preview.redd.it/entzng8pox3d1.jpg?width=720&format=pjpg&auto=webp&s=93108d61a3c0a45a5b397b2ab08601fc5b2f4b14 Looking for the perfect addition to your 1911 pistol? Look no further than our 1911 Long Slide Kit, a must-have for anyone wanting to enhance their firearm. In this roundup article, we'll take a closer look at the key features and benefits of this versatile accessory, providing you with all the information you need to make an informed decision. The Top 14 Best 1911 Long Slide Kit
Reviews🔗Multi-Functional Sleeper Sofa Bedhttps://preview.redd.it/xmwl6wipox3d1.jpg?width=720&format=pjpg&auto=webp&s=06de0d57f2798afebd134d079871d67b2c2ada90 The Real Avid The Pistol Tool is an incredibly versatile tool that has made my life as a shooter so much easier. From mounting accessories to adjusting laser sights and changing side grips, this little powerhouse has everything I need to keep my handgun in tip-top shape, whether I'm at the range or working on it at home. One of the things that stood out to me is its compact size and easy one-hand access. Every tool is carefully calibrated to popular pistol platforms, making it incredibly easy and user-friendly. I particularly love how each tool locks open for maximum safety and precision. However, there are a couple of downsides. The screw bits could be slightly larger to accommodate different screw sizes, and I wish the hex head wrenches were slightly larger for greater versatility. Despite these minor issues, this tool has been a game-changer for me. Every handgunner should have The Pistol Tool in their range bag or workbench - it's an absolute lifesaver! 🔗Manticore Scorpion EVO Folding Stock for Increased Compatibility and Adjustabilityhttps://preview.redd.it/1kawyuupox3d1.jpg?width=720&format=pjpg&auto=webp&s=712dcbbf171e3c45dc6e49b3424b808a2e3061ac Using the Manticore Slider Stock for my CZ Scorpion Evo felt like a breath of fresh air. The slim design, inspired by the MP5A3, allowed for smooth transitions between extended and collapsed positions. I loved that it added barely any bulk to the gun, making it a great option for those who want a sleeker look. However, I found the stock's locking mechanism a bit finicky at times, which could be frustrating in high-pressure situations. One of the standout features was the 100% Made in the USA craftsmanship. The build quality was top-notch, featuring a sturdy 6061 aluminum anodized black construction. Another impressive detail was the addition of QD points on both the mounting block and the buttplate, providing easy connection options for sling loops. The grooved buttplate offered a secure grip on my shoulder, and I appreciated the option to mount an optional rubber buttpad. Overall, the Manticore Slider Stock for CZ Scorpion Evo was a reliable and stylish choice for my airsoft gun. While there were some minor drawbacks, the pros outweighed the cons in my experience. 🔗1911 Slide Recoil Buffers Set for Precision Protectionhttps://preview.redd.it/k97yq75qox3d1.jpg?width=720&format=pjpg&auto=webp&s=b8ca3aaf2a95db1dc79f6c609f4985c6e20ce41f I recently purchased the Ed Brown Slide Recoil Buffers 6-pack for my 1911, and I must say, the quality surpassed my expectations. These precision-molded polyurethane buffers fit perfectly on the recoil guide, preventing any unwanted metal-to-metal contact during firing. This not only makes the gun smoother to operate but also saves my frame from potential damage, making it a great investment. Despite the high cost, the convenience and durability of these buffers make them worth the splurge. However, as with any product, it's essential not to expect miracles, and the true effectiveness will be discovered over time, as with any product of this nature. 🔗Heavy Duty 1911 Long Slide Kit for 9mm, 38, 40 Calibershttps://preview.redd.it/66y5ksjqox3d1.jpg?width=720&format=pjpg&auto=webp&s=edd1c49cd167165365465d75896b38084021e8b1 EGW Heavy Duty Slide Stop, a reliable addition to the Heavy Duty line of 1911 parts, has caught my attention for its stainless steel finish and durability. Machined from 4140 Steel, this slide stop not only provides a sleek and sturdy look but also handles the demands of daily use. One aspect that stood out is the enhanced gripping capabilities due to the serrations on the pad. It provides a firm and secure grip, which I appreciated during practice sessions as it prevents the slide stop from slipping. However, one downside I noticed was the pin size, which felt a bit small and might need attention when installing or removing the slide stop. In conclusion, the EGW Heavy Duty Slide Stop offers an attractive and highly functional alternative for those who value quality and durability. But, keep in mind the slightly smaller pin size while considering the best fit for your 1911. 🔗High-Quality Linear Guide Rail Kit for DIY Projectshttps://preview.redd.it/uwh520xqox3d1.jpg?width=720&format=pjpg&auto=webp&s=93712153e8ee265464df5e7f82b9e4b0ad4ca23e When it comes to DIY projects that require precision, having the right tools and materials is crucial. Recently, I tried out the VEVOR Linear Guide Rail Kit for my own CNC router project, and I must say, it exceeded my expectations! One of the first things I noticed about this guide rail set was its high-quality materials. The carbon steel main axle, GCr15 bearing steel linear rail block, and aluminum alloy casing all contribute to the rigidity and durability of the product. The surface chrome plating treatment is not only aesthetically pleasing but also provides a corrosion-resistant barrier, ensuring the longevity of the components. Another standout feature of this kit is how easy it is to assemble. With pre-drilled holes on the support rail mounts, I was able to secure the rail without any fuss. The complete sliding unit moves smoothly without deflection or excessive noise, making my CNC router operation more efficient and enjoyable. However, I did encounter a minor issue with the friction of the rubber wipers on the carriage. While this may be a necessary compromise to protect the ball bearings, it did require a bit more force to move the entire assembly. But overall, I am satisfied with the performance of the VEVOR Linear Guide Rail Kit, and I highly recommend it to others looking for an affordable and high-quality solution for their DIY projects. 🔗1911 Long Slide Kit for Ultimate Pistol Performancehttps://preview.redd.it/21m09vbrox3d1.jpg?width=720&format=pjpg&auto=webp&s=9cecc3129e19de854911a59372d86253959a004b I had the opportunity to try out the LBE Slide for 17 Black, and my experience was quite impressive. As someone with a love for firearms, it was refreshing to see a product that prioritized both quality and reliability. The durability of the slide was particularly noticeable in my daily routine, providing me with peace of mind that it would withstand the test of time. The build quality of the LBE Slide was exceptional, boasting precision manufacturing and high-quality components that seemed to effortlessly merge together. However, there was one minor issue I encountered: the slide was designed for a specific type of firearm, limiting its universality. Despite this, it remained a reliable option for those looking to maintain or upgrade their 17 Black. Overall, the LBE Slide for 17 Black is a remarkable addition to any firearms enthusiast's arsenal, delivering on durability, reliability, and build quality while offering years of unwavering service. 🔗High Precision 1911 Linear Slide Rail Kithttps://preview.redd.it/otyabwprox3d1.jpg?width=720&format=pjpg&auto=webp&s=c0f3081f2e6f2addd2c66ccf3c6707b376550d07 I recently had the chance to put the VEVOR 2-pack HGR20 Linear Slide Rail to the test in my DIY CNC project, and let me tell you, it did not disappoint. The high-quality steel material made these linear guides look and feel durable, with the surface chrome plating adding a touch of beauty and anti-rust protection. What really stood out, though, was how effortless they were to install, especially with the steel support rail and pre-drilled holes for ease of mounting. Of course, no product is perfect. I did encounter a slight issue with the low friction coefficient that made the movement a bit smoother than I would have preferred. However, this was a minor concern compared to the versatility of the CNC linear rail. I found it widely used in all sorts of precision machines that require high precision linear movement. In conclusion, the VEVOR 2-pack HGR20 Linear Slide Rail kit is a reliable and convenient solution for anyone looking to upgrade their CNC project. Despite the minor friction issue, the durability, ease of installation, and versatility of the product make it a worthwhile investment. 🔗1911 Long Slide Kit for 9mm/.38 Super Stainless Steel Pistolhttps://preview.redd.it/flptsg7sox3d1.jpg?width=720&format=pjpg&auto=webp&s=8ac3815f32e6238d4cc8a073f6b63597a8964738 Imagine, if you will, walking into a gun store, and catching a glimpse of this beauty. This 1911 long slide kit is a marvel of engineering, crafted with the finest stainless steel. The finish perfectly complements the sleek design, while the 9mm/. 38 Super, . 200'' barrel ensures an accurate and reliable shot every time. As a gun enthusiast, it's apparent that the 1911 series has been the epitome of quality and tradition. Whether you're a seasoned sharpshooter or a novice, this commander model is an investment worth making. This piece of equipment is not just a tool, but an art form, handcrafted to exacting standards. The 1911 long slide kit is more than just a weapon, it's an experience, as you stand at the range, focusing on your target, and feeling the satisfying click of the hammer on a perfect shot. Despite its grandeur, this commander model is not without its drawbacks. The weight, though a testament to its strength, can be a burden in those long shooting sessions. But it's a price worth paying for the unparalleled accuracy and craftsmanship. A gun like this is a lifestyle, a journey, and an adventure all rolled into one, waiting to be explored by the discerning shooter or collector. 🔗Canik Full-Size Magwell Kit for 1911 Long Slidehttps://preview.redd.it/4karwcfsox3d1.jpg?width=720&format=pjpg&auto=webp&s=f1bb2e8813d20666aa945dde37ac6020f7e725b9 The Canik TCS Full Size Magwell Black is an intriguing addition to the line of high-quality firearms designed by Canik, a world-renowned brand for their intelligent engineering. Having the opportunity to use it in my daily life, I must say it offers a unique blend of style and functionality. The most striking feature I noticed is its sleek and streamlined black magwell design, which not only adds an aesthetic touch but also improves grip accuracy. The black finish is robust and seems to withstand outdoor elements without much wear, which is a plus for those who want their firearms to last longer. However, one element that I found to be less than ideal is the need for modification before it can be used with aftermarket magazine base plate extensions. The inner lips need to be carefully filed or sanded down for a proper fit. This could be a potential drawback for some users who might find it frustrating or time-consuming. Overall, the Canik TCS Full Size Magwell Black offers a captivating blend of style and precision, with its distinctive black design and robust finish. However, the modification requirement might pose a challenge for those seeking a hassle-free experience. Despite this minor drawback, the product still manages to impress with its unique features and performance. 🔗OD Green Arc Rail Kit for 1911 Long Slidehttps://preview.redd.it/f2y1jmssox3d1.jpg?width=720&format=pjpg&auto=webp&s=954e87207862d38dc1ee0e03f61b4feb3825f73b For the past few weeks, I've been using the United Shield Arc Rail Kit, OD Green, and I must say, it's made quite an impact on my daily life. Its sleek design, both visually and practically, stands out to me. The kit's compatibility with 1911 Long Slide is a bonus, making it even more versatile. While some may find the green color a bit attention-grabbing, I secretly love the pop it adds to my handgun. It's a subtle but noticeable design choice that makes the gun stand out at the range or during practice sessions. I appreciate its robust construction; it's built to last, and it does so without any issues. However, like many things in life, this product isn't perfect. There's a minor learning curve when it comes to installing it, especially if you're new to this type of kit. But, once you get the hang of it, the process becomes smooth and efficient. Overall, the United Shield Arc Rail Kit is a great addition to any 1911 Long Slide, especially if you're looking to upgrade and personalize your handgun. 🔗Wilson Officer Full Length Guide Rod Kit for 1911 Pistolshttps://preview.redd.it/1co8tq7tox3d1.jpg?width=720&format=pjpg&auto=webp&s=b5c8600606dabeaad6ba7f73a0ee177ef9a5f72d When I first heard about the Wilson 25co Officer Full Length Guide Rod for my 1911 pistol, I was intrigued by the idea of improving my pistol's performance. I've used it for quite some time now, and let me tell you, it's made a significant difference. One of the standout features of this guide rod is its sturdy steel construction, giving my pistol a robust and reliable feel. The silver finish also adds a touch of elegance to the overall aesthetic. However, it did require some minor modifications to the slide, which was a bit of an inconvenience. The performance enhancements were evident almost immediately after installation. The accuracy and reliability of my 1911 have improved, making it a more enjoyable and trustworthy companion for my shooting adventures. The reversible plug and single spring were simple yet effective additions to the upgrade. Overall, I've found the Wilson 25co Officer Full Length Guide Rod to be a solid investment for any 1911 enthusiast. It's not without its minor issues, but the pros undoubtedly outweigh the cons. This product truly shines when it comes to enhancing the performance and reliability of a classic 1911 pistol. 🔗1911 Long Slide Kit for 9mm/.38/.40 Calibershttps://preview.redd.it/xqhtziitox3d1.jpg?width=720&format=pjpg&auto=webp&s=39213f18e0a6d6489244f5de843e22dc4e08a85b After adding this EGW Heavy Duty Slide Stop to my 1911 pistol, I couldn't help but notice the enhanced gripping capabilities it provides, thanks to the serrations on the pad. Made from 4140 steel and featuring a blued carbon steel finish, it has a sleek look that really sets it apart from other slide stops on the market. However, one downside I've experienced is that it slightly increases the overall weight of the pistol. Nevertheless, the 1911 Long Slide Kit is a worthwhile investment, as it provides a durable, stylish, and reliable solution for improving the functionality of your gun. 🔗High-Quality 1911 Long Slide Kithttps://preview.redd.it/8z9h6nstox3d1.jpg?width=720&format=pjpg&auto=webp&s=0b2c2fc4c7591584e39e4c8c800531eb5d49dcb3 I recently got my hands on the 1911 Long Slide Kit, a product that quickly became a staple in my daily life. The kit came with everything I needed for a smooth and efficient installation process, and it was a breeze to put together. The standout feature for me was the metal recoil rod/spring set up that allowed me to customize it with different springs (bought separately), giving me the freedom to tailor it to my preferences. However, one downside was that the slide kit didn't come with an instruction manual, which made it a bit challenging for beginners. Overall, the Long Slide Kit proved to be a reliable and cost-effective option, especially with the fast shipping and excellent customer service I received. 🔗Springfield XD OSP 1911 Long Slide Kit - Anodized Finish, Black and Optic Readyhttps://preview.redd.it/33yeed5uox3d1.jpg?width=720&format=pjpg&auto=webp&s=1e07801e9e78773758c68161a4db4ca8b8e8be79 I had the pleasure of using the Springfield XD OSP Slide Assembly for my 9mm handgun recently, and I must say, it was a game-changer. I've always been a fan of customizing my firearms, and this slide assembly delivered on that front. The fit was perfect, and the inclusion of the OSP plate for optic compatibility was a welcomed addition. The anodized finish, available in black, gave it a sleek and durable look. However, while the slide assembly fit seamlessly, installation wasn't quite as smooth. The instructions could have been more clear, and the process took a bit longer than expected. Nonetheless, once installed, the Springfield XD OSP Slide Assembly performed incredibly well and enhanced my shooting experience. It's definitely worth considering as an upgrade for your 9mm XD handgun. Buyer's GuideWhen shopping for a 1911 Long Slide Kit, there are several key features to consider. These will help you make an informed decision and ensure that you get the best product for your needs.Material and Finishhttps://preview.redd.it/dx2b5lhuox3d1.jpg?width=720&format=pjpg&auto=webp&s=1bda2bd516bedd334213b3d29be64628ecb65cf4 A high-quality 1911 Long Slide Kit should be made from durable materials like stainless steel or carbon steel. The finish should be resistant to corrosion and wear, such as black oxide or nitride. A good finish can also enhance the gun's appearance and provide a protective layer against scratches. CompatibilityEnsure that the kit you choose is compatible with your specific 1911 model. Some kits may only be compatible with certain frames, grips, or barrels. Check the manufacturer's specifications or consult with a professional to ensure compatibility before making a purchase.AestheticsWhile not essential, the appearance of your 1911 Long Slide Kit can be important for many shooters. Some kits may offer unique designs, engravings, or finishes that reflect your personal style or preferences. https://preview.redd.it/ps8ojpxuox3d1.jpg?width=720&format=pjpg&auto=webp&s=b3104845bd8e31c05491b165a2ce1e1c03605115 Quality Control and After-Sales SupportLook for a reputable manufacturer who offers comprehensive quality control measures and reliable after-sales support. This can help you resolve any issues with your kit and provide peace of mind when making a purchase.Price and ValueWhen shopping for a 1911 Long Slide Kit, be mindful of both the price and the value you receive. Consider the features, materials, and craftsmanship offered by each kit and weigh them against the price.Research and Reviewshttps://preview.redd.it/m0dk2knvox3d1.jpg?width=720&format=pjpg&auto=webp&s=9f506591ec22abf8ea33bcab5a9aff55bb8bb424 Take the time to research different 1911 Long Slide Kit options and read reviews from other shooters. This can provide valuable insight into the performance and reliability of various kits, helping you make an informed decision. FAQWhat is a 1911 Long Slide Kit?A 1911 Long Slide Kit is an accessory that allows users to upgrade and customize their standard 1911 handgun. The long slide kit extends the length of the slide and often includes serrations or grip panels for better handling and comfort. https://preview.redd.it/tyms5gzvox3d1.jpg?width=720&format=pjpg&auto=webp&s=351749772ea6dadcc2eb09582413fe1b9361db2c What are the benefits of using a 1911 Long Slide Kit?Using a 1911 Long Slide Kit provides multiple benefits, including improved handling, better grip, increased accuracy, and increased magazine capacity. These kits are designed to enhance the performance of your 1911 handgun and make it more comfortable to use.Which brands offer the best 1911 Long Slide Kits?Several reputable brands offer high-quality 1911 Long Slide Kits, including Wilson Combat, Ed Brown Gunsmithing, and Dan Wesson. Each brand offers its unique features, materials, and styles, ensuring that customers have their preferences met.How do I install a 1911 Long Slide Kit?Installing a 1911 Long Slide Kit involves several steps, including disassembling your handgun, removing the old slide, and replacing it with the new slide. It is recommended to follow the instructions provided in the kit or consult a professional gunsmith if you are unsure of the process.What materials are used in the construction of 1911 Long Slide Kits?Materials used in the construction of 1911 Long Slide Kits can vary by brand and model, but commonly used materials include stainless steel, aluminum, and titanium. These materials are chosen for their strength, durability, and weight reduction.Are there any compatibility issues to be aware of when purchasing a 1911 Long Slide Kit?Compatibility issues may arise when purchasing a 1911 Long Slide Kit, depending on the handgun's model and manufacturing year. Ensure that the kit you are considering is compatible with your specific handgun model and year.What is the approximate cost of a 1911 Long Slide Kit?The cost of a 1911 Long Slide Kit varies depending on the brand, materials, and features included. On average, you can expect to spend anywhere between $500 to $2,000 for a high-quality 1911 Long Slide Kit.As an Amazon™ Associate, we earn from qualifying purchases. |
2024.06.01 12:02 Normodox A Slush Fund for Radical Protesters?
The profusion of identical green tents at this spring’s anti-Israel protests struck many as odd. “Why is everybody’s tent the same?,” asked New York mayor Eric Adams. Like others, the mayor suspected “a well-concerted organizing effort” driving the protests. More recent reporting shows a concerted push behind the Gaza protest movement. But it is not as simple as a single organization secretly rallying protesters or buying tents. Instead, the movement’s most determined activists represent a network of loosely linked far-left groups. Some are openly affiliated with well-known progressive nonprofits; others work in the shadows.
The movement also draws on diverse but generous sources of financial backing. Those funding streams may soon be augmented by the federal government. As I chronicled last year in a Manhattan Institute report, “The Big Squeeze: How Biden’s Environmental Justice Agenda Hurts the Economy and the Environment,” the administration’s massive program of environmental justice grants seems designed to prioritize the funding of highly ideological local groups. The Inflation Reduction Act, for example, earmarks $3 billion for “environmental and climate justice block grants” intended for local nonprofits. Today, hundreds of far-left political groups include language about environmental issues and “climate justice” in their mission statements. If just a fraction of planned grants flows to such groups, the effect will be a gusher of new funding for radical causes.
As the Gaza protests spread across U.S. college campuses, many observers noted an eerie uniformity among them. From one campus to the next, protesters operated in disciplined cadres, keeping their faces covered and using identical rote phrases as they refused to talk with reporters. The Atlantic noted the strangeness of seeing elite college students “chanting like automatons.” Students held up keffiyeh scarves or umbrellas to block the view of prying cameras and linked arms to halt the movements of outsiders. At Columbia University and elsewhere, protesters formed “liberated zones,” from which “Zionists” were excluded. Around the edges of the encampments, the more militaristic activists donned helmets and goggles and carried crude weapons, apparently eager to mix it up with police or counter-protesters. We’ve seen these tactics before—notably during the “mostly peaceful” Black Lives Matter protests of 2020, when full-time agitators helped ignite riots, set up a police-free (and violence-plagued) zone in Seattle, and laid nightly siege to Portland, Oregon’s federal courthouse.
In a remarkable work of reporting, Park MacDougald recently traced the tangled roots of organizations backing pro-jihad protests, both on and off campuses. These include Antifa and other networks of anonymous anarchists, along with “various communist and Marxist-Leninist groups, including the Maoist Revolutionary Communist Party, the Party for Socialism and Liberation (PSL), and the International ANSWER coalition,” MacDougald writes. Higher up the food chain, we find groups openly supported by America’s growing class of super-rich tech execs or the anti-capitalist heirs of great fortunes. For example, retired tech mogul Neville Roy Singham, who is married to Code Pink founder Jodie Evans, funds The People’s Forum, a lavish Manhattan resource center for far-left groups. As the Columbia protests intensified, the center urged members to head uptown to “support our students.” Following the money trail of other protest groups, MacDougald finds connections to the Rockefeller Brothers Fund, the Ford Foundation, and—surprising no one—the George Soros-backed Tides Foundation.
Of course, the current wave of anti-Israel protests also involves alliances with pro-Hamas organizations such as Students for Justice in Palestine. Last November, Jonathan Schanzer of the Foundation for Defense of Democracies testified to the House Ways and Means Committee that SJP and similar groups have deep ties to global terrorist organizations, including Hamas.
For many keffiyeh-wearing protestors, however, a recently professed concern for Palestinians is just the latest in a long list of causes they believe justify taking over streets and college quads. In Unherd, Mary Harrington dubs this medley of political beliefs the “omnicause,” writing that “all contemporary radical causes seem somehow to have been absorbed into one.” Today’s leftist activists share an interlocking worldview that sees racism, income inequality, trans intolerance, climate change, alleged police violence, and Israeli-Palestinian conflicts all as products of capitalism and “colonialism.” Therefore, the stated rationale for any individual protest is a stand-in for the real battle: attacking Western society and its institutions.
In the U.S., this type of general-purpose uprising goes back at least to the riots at the 1999 meeting of the World Trade Organization in Seattle. In those protests, mainstream liberal factions—including labor unions and environmentalists—were joined by “black bloc” anarchists and other radicals eager to engage in “direct action” against police. That pattern—relatively moderate demonstrators providing a friendly envelope for hard-core disruptors—formed the template for many later protests: the Occupy Wall Street encampments in 2011, demonstrations following the police shooting of Michael Brown in 2014, 2016’s Standing Rock anti-pipeline movement, and of course, the calamitous summer of 2020.
These uprisings were not entirely spontaneous. In some cases, activists spend months planning mass actions—for example, against economic summits or political conventions—and can recruit street fighters from across the country. In others, an event, such as George Floyd’s death, sparks popular protests involving neophyte demonstrators. Those attract far-left activists, who swoop in to organize and expand the struggle, often tilting it toward more radical action.
That has certainly been the case at the college Gaza-paloozas. At Columbia, the New York Times spotted a woman old enough to be a student’s grandmother in the thick of the action as protesters barricaded that school’s Hamilton Hall. The woman was 63-year-old Lisa Fithian, a lifetime activist, who Portland’s alternative weekly Street Roots approvingly calls “a trainer of mass rebellion.” A counter-protester trying to block the pro-Hamas demonstrators told NBC News, “She was right in the middle of it, instructing them how to better set up the barriers.” Fithian told the Times she’d been invited to train students in protest safety and “general logistics.” She claims to have taken part in almost every major U.S. protest movement going back to the 1999 “Battle in Seattle.”
America’s radical network has plenty of Lisa Fithians, with the time and resources to travel the country educating newcomers about the “logistics” of disruptive protests. And these activists appear to have played key roles in the college occupations. The New York City Police Department says nearly half the demonstrators arrested on the Columbia and City University of New York (CUNY) campuses on April 30 were not affiliated with the schools. One hooded Hamilton Hall occupier—photographed scuffling with a Columbia custodian before getting arrested—turned out to be 40-year-old James Carlson, heir to a large advertising fortune. According to the New York Post, Carlson lives in a $2.3 million Park Slope townhouse and has a long rap sheet. For example, in 2005, he was arrested in San Francisco during the violent “West Coast Anti-Capitalist Mobilization and March Against the G8.” (Those charges were dropped.)
For a quarter-century now, Antifa and other anarchist networks have worked to refine tactics and share lessons following each major action. At Columbia, UCLA, and other schools, authorities found printouts of a “Do-It Yourself Occupation Guide” and similar documents. The young campus radicals are eager to learn from their more experienced elders. And, like the high-achieving students they are, they follow directions carefully. MacDougald asked Kyle Shideler, the director for homeland security and counterterrorism at the Center for Security Policy, about the mystery of the identical tents. There was no need for a central group to distribute hundreds of tents, Shideler said. Instead, “the organizers told [students] to buy a tent, and sent around a Google Doc with a link to that specific tent on Amazon. So they all went out and bought the same tent.”
In other words, America’s radical class has gotten very skilled at recruiting and instructing new activists—even from among the ranks of elite college students with a good deal to lose. How much more could this movement accomplish with hundreds of millions in federal dollars flooding activist groups around the country?
From its first week in office, the Biden administration has trumpeted its goal to funnel more environmental spending toward “disadvantaged communities that have been historically marginalized,” partly by issuing grants to grassroots organizations. Previous environmental justice (EJ) grant programs were small in scope. But, with the passage of the Inflation Reduction Act (IRA) in August 2022, a huge pool of grant money became available. EPA administrator Michael Regan told reporters, “We’re going from tens of thousands of dollars to developing and designing a program that will distribute billions.”
More than a year and a half later, it remains hard to nail down just where the Biden administration’s billions in EJ grants will wind up. Money is being distributed through a confusing variety of programs, and the process of identifying recipients is ongoing. To help outsource the job of sifting through proposals, the EPA last year designated 11 institutions as “Environmental Justice Thriving Communities Grantmakers.” These groups are empowered to make subgrants directly to community organizations, under streamlined EPA oversight. In all, the Biden administration has entrusted these outfits with distributing a staggering $600 million in funding. The money is expected to start flowing this summer.
The EPA’s grantmakers include a number of educational institutions and left-leaning nonprofits. For example, the EPA chose Fordham University as its lead grantmaker in the New York region. Fordham, in turn, lists as partners two nonprofits that oppose immigration enforcement. (One, the New Jersey Alliance for Immigrant Justice, states on its website: “NJAIJ believes in the human right to migrate, regardless of citizenship or political status.”) Neither group claims expertise in environmental issues. Given that the IRA’s eligibility requirements for EJ grants are extremely vague, however, perhaps that’s not a problem. Almost any activity that could help “spur economic opportunity for disadvantaged communities” (in the words of Biden’s EJ executive order) might qualify.
Perhaps the most prominent—and problematic—EPA grantmaker is the Berkeley, California-based Climate Justice Alliance. The CJA is a consortium of mostly far-left activist groups. It describes its mission as working for “regenerative economic solutions and ecological justice—under a framework that challenges capitalism and both white supremacy and hetero-patriarchy.” The group is a vigorous proponent of the omnicause, embracing almost every left-wing concern as a manifestation of climate change. For example, the CJA website proclaims: “The path to climate justice travels through a free Palestine.” MacDougald notes that the Grassroots Global Justice Alliance, one of CJA’s affiliated groups, “organized an illegal anti-Israel protest in the Capitol Rotunda in December at which more than 50 activists were arrested.”
The CJA website also includes a section dedicated to the cause known as Stop Cop City. It refers to an effort to halt the construction of an 85-acre police and firefighter training center outside Atlanta. Rag-tag activists from around the country have gathered around the facility since 2021. They have repeatedly battled with police—sometimes with fireworks and Molotov cocktails—and used bolt cutters to enter the site and torch construction equipment. (CJA’s Stop Cop City page features a cartoon illustration of three childlike activists; one brandishes bolt cutters.) The group also backs a legal defense fund for activists arrested in attacks on the training center or in other protests. For those looking for more inspiration, CJA links to an interview with former Black Panther and self-described revolutionary Angela Davis.
The Alliance is not an ideological outlier in Biden’s EJ coalition. On the contrary, when the White House assembled its White House Environmental Justice Advisory Council (WHEJAC), a panel of outside experts meant to provide “horizon-expanding EJ advice and recommendations,” it chose CJA co-chair Elizabeth Yeampierre to help lead the committee. Like other members of the panel, she sees environmental issues through an ideological, not a scientific, lens. “Climate change is the result of a legacy of extraction, of colonialism, of slavery,” Yeampierre told Yale Environment 360. As a group, radical EJ activists tend not to focus on pragmatic ways to reduce pollution and carbon emissions; for them, the real goal is overturning what they see as an exploitative economic and political system. Since these are the voices the White House chose to help shape its EJ policies, we can assume this worldview will dominate grantmaking decisions.
In February 2023, House Oversight Committee chairman James Comer, along with fellow committee member Pat Fallon, wrote to EPA administrator Regan asking for more information on the EPA’s grant programs. They noted that the EPA’s own studies of EJ grants issued in previous years showed sloppy supervision. According to an EPA report, an earlier version of the program funded projects that did “not logically lead to the desired environmental and/or public health [result].” Without better oversight and more clearly defined goals, the congressmen wrote, the EPA’s EJ grant machine risks becoming simply a “slush fund for far-left organizations.”
Since then, the administration has done little to reassure skeptics. To the contrary, the EPA has put at least one far-left organization—CJA—in charge of distributing $50 million in grant money. No doubt, many of the EPA grants will go to worthwhile projects. But money is fungible. A group that gets a large grant to, say, clean up dirty parks or teach children about recycling will also be able to hire more staff and divert more resources to political action.
With graduation behind them, most of the anti-Israel college protesters have stowed away their keffiyehs and moved on to summer vacations or internships. But the peripatetic activists who helped guide and intensify those uprisings are doubtless already planning their next actions. After all, two political conventions are looming. This fall, the college protests will likely flare up again, though by then perhaps focused on a different facet of the omnicause. And, with hundreds of millions in fresh funding flowing through the activist ecosystem, the groups that quietly nurture extremists—like those who firebombed “Cop City,” or who chant “Intifada Revolution!,” or who block bridges in the name of “climate”—will be more emboldened than ever.
A Slush Fund for Radical Protesters? City Journal (city-journal.org)
submitted by Normodox to BeneiYisraelNews [link] [comments]
The movement also draws on diverse but generous sources of financial backing. Those funding streams may soon be augmented by the federal government. As I chronicled last year in a Manhattan Institute report, “The Big Squeeze: How Biden’s Environmental Justice Agenda Hurts the Economy and the Environment,” the administration’s massive program of environmental justice grants seems designed to prioritize the funding of highly ideological local groups. The Inflation Reduction Act, for example, earmarks $3 billion for “environmental and climate justice block grants” intended for local nonprofits. Today, hundreds of far-left political groups include language about environmental issues and “climate justice” in their mission statements. If just a fraction of planned grants flows to such groups, the effect will be a gusher of new funding for radical causes.
As the Gaza protests spread across U.S. college campuses, many observers noted an eerie uniformity among them. From one campus to the next, protesters operated in disciplined cadres, keeping their faces covered and using identical rote phrases as they refused to talk with reporters. The Atlantic noted the strangeness of seeing elite college students “chanting like automatons.” Students held up keffiyeh scarves or umbrellas to block the view of prying cameras and linked arms to halt the movements of outsiders. At Columbia University and elsewhere, protesters formed “liberated zones,” from which “Zionists” were excluded. Around the edges of the encampments, the more militaristic activists donned helmets and goggles and carried crude weapons, apparently eager to mix it up with police or counter-protesters. We’ve seen these tactics before—notably during the “mostly peaceful” Black Lives Matter protests of 2020, when full-time agitators helped ignite riots, set up a police-free (and violence-plagued) zone in Seattle, and laid nightly siege to Portland, Oregon’s federal courthouse.
In a remarkable work of reporting, Park MacDougald recently traced the tangled roots of organizations backing pro-jihad protests, both on and off campuses. These include Antifa and other networks of anonymous anarchists, along with “various communist and Marxist-Leninist groups, including the Maoist Revolutionary Communist Party, the Party for Socialism and Liberation (PSL), and the International ANSWER coalition,” MacDougald writes. Higher up the food chain, we find groups openly supported by America’s growing class of super-rich tech execs or the anti-capitalist heirs of great fortunes. For example, retired tech mogul Neville Roy Singham, who is married to Code Pink founder Jodie Evans, funds The People’s Forum, a lavish Manhattan resource center for far-left groups. As the Columbia protests intensified, the center urged members to head uptown to “support our students.” Following the money trail of other protest groups, MacDougald finds connections to the Rockefeller Brothers Fund, the Ford Foundation, and—surprising no one—the George Soros-backed Tides Foundation.
Of course, the current wave of anti-Israel protests also involves alliances with pro-Hamas organizations such as Students for Justice in Palestine. Last November, Jonathan Schanzer of the Foundation for Defense of Democracies testified to the House Ways and Means Committee that SJP and similar groups have deep ties to global terrorist organizations, including Hamas.
For many keffiyeh-wearing protestors, however, a recently professed concern for Palestinians is just the latest in a long list of causes they believe justify taking over streets and college quads. In Unherd, Mary Harrington dubs this medley of political beliefs the “omnicause,” writing that “all contemporary radical causes seem somehow to have been absorbed into one.” Today’s leftist activists share an interlocking worldview that sees racism, income inequality, trans intolerance, climate change, alleged police violence, and Israeli-Palestinian conflicts all as products of capitalism and “colonialism.” Therefore, the stated rationale for any individual protest is a stand-in for the real battle: attacking Western society and its institutions.
In the U.S., this type of general-purpose uprising goes back at least to the riots at the 1999 meeting of the World Trade Organization in Seattle. In those protests, mainstream liberal factions—including labor unions and environmentalists—were joined by “black bloc” anarchists and other radicals eager to engage in “direct action” against police. That pattern—relatively moderate demonstrators providing a friendly envelope for hard-core disruptors—formed the template for many later protests: the Occupy Wall Street encampments in 2011, demonstrations following the police shooting of Michael Brown in 2014, 2016’s Standing Rock anti-pipeline movement, and of course, the calamitous summer of 2020.
These uprisings were not entirely spontaneous. In some cases, activists spend months planning mass actions—for example, against economic summits or political conventions—and can recruit street fighters from across the country. In others, an event, such as George Floyd’s death, sparks popular protests involving neophyte demonstrators. Those attract far-left activists, who swoop in to organize and expand the struggle, often tilting it toward more radical action.
That has certainly been the case at the college Gaza-paloozas. At Columbia, the New York Times spotted a woman old enough to be a student’s grandmother in the thick of the action as protesters barricaded that school’s Hamilton Hall. The woman was 63-year-old Lisa Fithian, a lifetime activist, who Portland’s alternative weekly Street Roots approvingly calls “a trainer of mass rebellion.” A counter-protester trying to block the pro-Hamas demonstrators told NBC News, “She was right in the middle of it, instructing them how to better set up the barriers.” Fithian told the Times she’d been invited to train students in protest safety and “general logistics.” She claims to have taken part in almost every major U.S. protest movement going back to the 1999 “Battle in Seattle.”
America’s radical network has plenty of Lisa Fithians, with the time and resources to travel the country educating newcomers about the “logistics” of disruptive protests. And these activists appear to have played key roles in the college occupations. The New York City Police Department says nearly half the demonstrators arrested on the Columbia and City University of New York (CUNY) campuses on April 30 were not affiliated with the schools. One hooded Hamilton Hall occupier—photographed scuffling with a Columbia custodian before getting arrested—turned out to be 40-year-old James Carlson, heir to a large advertising fortune. According to the New York Post, Carlson lives in a $2.3 million Park Slope townhouse and has a long rap sheet. For example, in 2005, he was arrested in San Francisco during the violent “West Coast Anti-Capitalist Mobilization and March Against the G8.” (Those charges were dropped.)
For a quarter-century now, Antifa and other anarchist networks have worked to refine tactics and share lessons following each major action. At Columbia, UCLA, and other schools, authorities found printouts of a “Do-It Yourself Occupation Guide” and similar documents. The young campus radicals are eager to learn from their more experienced elders. And, like the high-achieving students they are, they follow directions carefully. MacDougald asked Kyle Shideler, the director for homeland security and counterterrorism at the Center for Security Policy, about the mystery of the identical tents. There was no need for a central group to distribute hundreds of tents, Shideler said. Instead, “the organizers told [students] to buy a tent, and sent around a Google Doc with a link to that specific tent on Amazon. So they all went out and bought the same tent.”
In other words, America’s radical class has gotten very skilled at recruiting and instructing new activists—even from among the ranks of elite college students with a good deal to lose. How much more could this movement accomplish with hundreds of millions in federal dollars flooding activist groups around the country?
From its first week in office, the Biden administration has trumpeted its goal to funnel more environmental spending toward “disadvantaged communities that have been historically marginalized,” partly by issuing grants to grassroots organizations. Previous environmental justice (EJ) grant programs were small in scope. But, with the passage of the Inflation Reduction Act (IRA) in August 2022, a huge pool of grant money became available. EPA administrator Michael Regan told reporters, “We’re going from tens of thousands of dollars to developing and designing a program that will distribute billions.”
More than a year and a half later, it remains hard to nail down just where the Biden administration’s billions in EJ grants will wind up. Money is being distributed through a confusing variety of programs, and the process of identifying recipients is ongoing. To help outsource the job of sifting through proposals, the EPA last year designated 11 institutions as “Environmental Justice Thriving Communities Grantmakers.” These groups are empowered to make subgrants directly to community organizations, under streamlined EPA oversight. In all, the Biden administration has entrusted these outfits with distributing a staggering $600 million in funding. The money is expected to start flowing this summer.
The EPA’s grantmakers include a number of educational institutions and left-leaning nonprofits. For example, the EPA chose Fordham University as its lead grantmaker in the New York region. Fordham, in turn, lists as partners two nonprofits that oppose immigration enforcement. (One, the New Jersey Alliance for Immigrant Justice, states on its website: “NJAIJ believes in the human right to migrate, regardless of citizenship or political status.”) Neither group claims expertise in environmental issues. Given that the IRA’s eligibility requirements for EJ grants are extremely vague, however, perhaps that’s not a problem. Almost any activity that could help “spur economic opportunity for disadvantaged communities” (in the words of Biden’s EJ executive order) might qualify.
Perhaps the most prominent—and problematic—EPA grantmaker is the Berkeley, California-based Climate Justice Alliance. The CJA is a consortium of mostly far-left activist groups. It describes its mission as working for “regenerative economic solutions and ecological justice—under a framework that challenges capitalism and both white supremacy and hetero-patriarchy.” The group is a vigorous proponent of the omnicause, embracing almost every left-wing concern as a manifestation of climate change. For example, the CJA website proclaims: “The path to climate justice travels through a free Palestine.” MacDougald notes that the Grassroots Global Justice Alliance, one of CJA’s affiliated groups, “organized an illegal anti-Israel protest in the Capitol Rotunda in December at which more than 50 activists were arrested.”
The CJA website also includes a section dedicated to the cause known as Stop Cop City. It refers to an effort to halt the construction of an 85-acre police and firefighter training center outside Atlanta. Rag-tag activists from around the country have gathered around the facility since 2021. They have repeatedly battled with police—sometimes with fireworks and Molotov cocktails—and used bolt cutters to enter the site and torch construction equipment. (CJA’s Stop Cop City page features a cartoon illustration of three childlike activists; one brandishes bolt cutters.) The group also backs a legal defense fund for activists arrested in attacks on the training center or in other protests. For those looking for more inspiration, CJA links to an interview with former Black Panther and self-described revolutionary Angela Davis.
The Alliance is not an ideological outlier in Biden’s EJ coalition. On the contrary, when the White House assembled its White House Environmental Justice Advisory Council (WHEJAC), a panel of outside experts meant to provide “horizon-expanding EJ advice and recommendations,” it chose CJA co-chair Elizabeth Yeampierre to help lead the committee. Like other members of the panel, she sees environmental issues through an ideological, not a scientific, lens. “Climate change is the result of a legacy of extraction, of colonialism, of slavery,” Yeampierre told Yale Environment 360. As a group, radical EJ activists tend not to focus on pragmatic ways to reduce pollution and carbon emissions; for them, the real goal is overturning what they see as an exploitative economic and political system. Since these are the voices the White House chose to help shape its EJ policies, we can assume this worldview will dominate grantmaking decisions.
In February 2023, House Oversight Committee chairman James Comer, along with fellow committee member Pat Fallon, wrote to EPA administrator Regan asking for more information on the EPA’s grant programs. They noted that the EPA’s own studies of EJ grants issued in previous years showed sloppy supervision. According to an EPA report, an earlier version of the program funded projects that did “not logically lead to the desired environmental and/or public health [result].” Without better oversight and more clearly defined goals, the congressmen wrote, the EPA’s EJ grant machine risks becoming simply a “slush fund for far-left organizations.”
Since then, the administration has done little to reassure skeptics. To the contrary, the EPA has put at least one far-left organization—CJA—in charge of distributing $50 million in grant money. No doubt, many of the EPA grants will go to worthwhile projects. But money is fungible. A group that gets a large grant to, say, clean up dirty parks or teach children about recycling will also be able to hire more staff and divert more resources to political action.
With graduation behind them, most of the anti-Israel college protesters have stowed away their keffiyehs and moved on to summer vacations or internships. But the peripatetic activists who helped guide and intensify those uprisings are doubtless already planning their next actions. After all, two political conventions are looming. This fall, the college protests will likely flare up again, though by then perhaps focused on a different facet of the omnicause. And, with hundreds of millions in fresh funding flowing through the activist ecosystem, the groups that quietly nurture extremists—like those who firebombed “Cop City,” or who chant “Intifada Revolution!,” or who block bridges in the name of “climate”—will be more emboldened than ever.
A Slush Fund for Radical Protesters? City Journal (city-journal.org)
2024.06.01 12:01 AutoModerator Daily Questions Thread June 01, 2024
This thread is for individual style questions that you may have, especially those that don't warrant their own thread. We all want a diversified opinion, so feel free to answer any questions (of which you know the answer).
To get the best responses, remember that people cannot; look into your wardrobe, know what style you normally like or what words like affordable or practical mean to you so please include any relevant details such as your budget, where you live, what stores are available to you, etc.
Example questions:
submitted by AutoModerator to femalefashionadvice [link] [comments]
To get the best responses, remember that people cannot; look into your wardrobe, know what style you normally like or what words like affordable or practical mean to you so please include any relevant details such as your budget, where you live, what stores are available to you, etc.
Example questions:
- Are there any basic crewneck white t-shirts that are opaque and do not have cap sleeves for <$25 available in Australia?
- Is this dress and shoes suitable for an evening wedding with a cocktail dress code taking place in a [venue type]?
- If I like the outfits in this [imgur album / pinterest board], what are some specific items I can look into to start dressing like that, and brands with this look that carry plus sizes?
- Does this outfit look neater with the pants cuffed or uncuffed?
2024.06.01 12:01 magictcgmods Daily Questions Thread - Ask All Your Magic Related Questions Here!
This is a place for asking simple questions that might not deserve their own thread. For example, if you have a question about a rules interaction, want sleeve and accessory recommendations, or suggestions for your new deck, then this is the place for you.
We encourage that you post any questions that you may have concerning Magic the Gathering here rather than make a separate thread for each question, though for now we won't require that you do so.
Rules Questions
Rules questions and interactions are allowed to be posted here, but if you need an answer quickly it may be best to use a dedicated resource like the 24/7 Magic the Gathering Rules Chat.
Deckbuilding Questions
If you're trying to get help with a deck, it is recommended that you post your decklist to a deckbuilding website so that it is easier to view. Some popular sites are Aetherhub, Archidekt, Deckbox, Deckstats, Moxfield, MtgGoldfish, and TappedOut.
Additionally, please include some description of what you are trying to accomplish. Don't just give us a decklist with no explanation, and don't ask extremely vague questions such as "what cards should I add to my deck to make it better?", because it's hard to give good advice in those cases. Let us know details, the more the better. Are you building with a particular strategy or theme in mind? Are there any non-obvious combo lines or synergies that people should be aware of? Are you struggling with a particular matchup, or are you finding yourself missing consistency in an important area, and need some help specifically for it? Let us know.
Commonly Asked Questions
You can view the contents of The List on Wizards of the Coast's official website. For example, the contents of The List for Streets of New Capenna boosters can be found here.
submitted by magictcgmods to magicTCG [link] [comments]
We encourage that you post any questions that you may have concerning Magic the Gathering here rather than make a separate thread for each question, though for now we won't require that you do so.
Rules Questions
Rules questions and interactions are allowed to be posted here, but if you need an answer quickly it may be best to use a dedicated resource like the 24/7 Magic the Gathering Rules Chat.
Deckbuilding Questions
If you're trying to get help with a deck, it is recommended that you post your decklist to a deckbuilding website so that it is easier to view. Some popular sites are Aetherhub, Archidekt, Deckbox, Deckstats, Moxfield, MtgGoldfish, and TappedOut.
Additionally, please include some description of what you are trying to accomplish. Don't just give us a decklist with no explanation, and don't ask extremely vague questions such as "what cards should I add to my deck to make it better?", because it's hard to give good advice in those cases. Let us know details, the more the better. Are you building with a particular strategy or theme in mind? Are there any non-obvious combo lines or synergies that people should be aware of? Are you struggling with a particular matchup, or are you finding yourself missing consistency in an important area, and need some help specifically for it? Let us know.
Commonly Asked Questions
I opened a card from a different set in my booster pack, is this unusual?Don't worry, this is completely normal. If you opened a set booster, you have a small chance of obtaining a bonus card from a previous set. This is an extra card that does not replace any of the other cards in your pack, and is from a curated set of past hits that Wizards of the Coast has selected, which they call "The List".
You can view the contents of The List on Wizards of the Coast's official website. For example, the contents of The List for Streets of New Capenna boosters can be found here.
My foil card has a shooting start symbol over the bottom left. I can't find anything about it online.All old-bordered foils have the shooting star symbol. Most sites that display card images just overlay a generic foil graphic over all foil cards, which doesn't include the shooting star. Your card is normal.
2024.06.01 12:00 barkiny2199 [Browser][2010s?] kinda DnD style game that i can't remember the name of
Platform: Browser
Genre: DnD style (you had a character sheet with stats to choose when levelling up)
Estimated year of release: release could probably date back to 2000-2010s but i played it around 2015 i think
Graphics/art style: The site had this yellow parchmenty color palette with the intention of really making it look like old scribblings on a scroll i think but not sure if i remember this correctly. The art style was meant to be brutal and realistic with your character having a detailed but not too realish picture of gladiator and even though not sure i think the monsters you fought like rats for example had their realistic pictures as well.
Notable characters: you had the option to choose how your character looked like at the start but the main theme was always gladiators, what i mean is half naked man with armor pieces and weapons. I only recall fighting rats and seeing their picture(?) but no other characters than them
Notable gameplay mechanics: As i said it was kinda DnDish where u created a character and it gave you your character sheet with stats to level up and choose from. The combat also took place in an action log where it wrote "Anon attacked for 5 dmg" or "Rat took 6 dmg" and such but no animation or anything played it was all written out. You also got equipments i think from defeating monster and could equip them but im not really sure about that
Other details: It was my friend who recommended the game to me so I think there may be some online friendship mechanic that I was not aware of at the moment but again definetly not sure about this
submitted by barkiny2199 to tipofmyjoystick [link] [comments]
Genre: DnD style (you had a character sheet with stats to choose when levelling up)
Estimated year of release: release could probably date back to 2000-2010s but i played it around 2015 i think
Graphics/art style: The site had this yellow parchmenty color palette with the intention of really making it look like old scribblings on a scroll i think but not sure if i remember this correctly. The art style was meant to be brutal and realistic with your character having a detailed but not too realish picture of gladiator and even though not sure i think the monsters you fought like rats for example had their realistic pictures as well.
Notable characters: you had the option to choose how your character looked like at the start but the main theme was always gladiators, what i mean is half naked man with armor pieces and weapons. I only recall fighting rats and seeing their picture(?) but no other characters than them
Notable gameplay mechanics: As i said it was kinda DnDish where u created a character and it gave you your character sheet with stats to level up and choose from. The combat also took place in an action log where it wrote "Anon attacked for 5 dmg" or "Rat took 6 dmg" and such but no animation or anything played it was all written out. You also got equipments i think from defeating monster and could equip them but im not really sure about that
Other details: It was my friend who recommended the game to me so I think there may be some online friendship mechanic that I was not aware of at the moment but again definetly not sure about this