Large wooden fork and spoon wall decor

Top 10 Best Bathroom Sinks in 2023

2024.05.20 07:07 tab_rick Top 10 Best Bathroom Sinks in 2023

Top 10 Best Bathroom Sinks in 2023
Navigating the myriad options for bathroom sinks and finding the best bathroom vanities with ample storage space can be an intricate endeavor. We are committed to simplifying this process for you. Join us as we explore the top 10 bathroom sinks of 2023, shedding light on their distinguishing features, exceptional advantages, and market-leading attributes. Together, let’s identify the sink that flawlessly marries elegance and utility for your living environment.

What is the Best Bathroom Sink?

The ideal bathroom sink is a complex interplay of personal taste, spatial limitations, and design objectives. However, there are universally recognized qualities that contribute to a superior bathroom sink.

Ease of Maintenance

Effective household management necessitates reducing the time allocated for bathroom sink maintenance. Premium sinks are designed for low maintenance, featuring stain-resistant properties and ease of cleaning. Materials like solid surfaces are advantageous due to their smooth surfaces that effectively repel common bathroom stains.

Diversity in Sizes and Styles

A one-size-fits-all approach is impractical when it comes to bathroom sinks. Your choice will be influenced by spatial considerations and aesthetic preferences. Below are some standard sink dimensions:

Sink Type Size (in inches)
Drop-in Sinks 20-24
Undermount Sinks 19-22
Above-counter Sinks 15-20
Cabinet Sinks 24-48
Freestanding Sinks 18-30
Wall-hung Sinks 20-24

Drop-in Sinks

Commonly known as top-mounted sinks, drop-in sinks are favored for their straightforward installation process. These sinks are inserted into a pre-cut hole in the countertop, with the rim sitting above it. This configuration offers a contemporary look and serves as a practical solution for settings that prioritize both aesthetics and utility.

Undermount Sinks

Undermount sinks are affixed beneath the countertop, delivering a streamlined and modern appearance. Preferred for minimalist settings, the lack of a rim simplifies cleaning and eliminates the possibility of debris accumulation.

Above-counter Sinks

Also referred to as vessel sinks, above-counter sinks are positioned entirely atop the countertop, serving as a striking design element. Available in a variety of materials like solid surface, ceramic, or copper, these sinks offer businesses an opportunity to make a visual impact.

Cabinet Sinks

Combining storage and sink into a unified structure, cabinet sinks are perfect for those requiring additional storage for toiletries and other essentials. These sinks often come with soft-close drawers and are crafted from diverse materials such as hardwood, engineered wood, teak, and plywood, delivering both functionality and style.

Freestanding Sinks

Freestanding sinks, including freestanding vanities, stand independently, not requiring a countertop or vanity for support. These sinks are particularly well-suited for spacious environments aiming for a refined aesthetic. Made from high-quality materials like solid surface or porcelain, are both durable and low-maintenance. Their design flexibility allows them to serve as eye-catching focal points when complemented with stylish faucets.

Wall-hung Sinks

Wall-hung sinks, sometimes referred to as wall-mounted sinks, are designed to maximize floor space in compact bathrooms or powder rooms. They are directly mounted to the wall, often featuring built-in faucet holes and a small ledge for storing toiletries. Crafted from robust materials like solid surface or stainless steel, wall-mount sinks ensure lasting performance.

Multifunction Design

The quintessential bathroom sink should surpass mere washing capabilities. It should epitomize a fusion of convenience and advanced utility, taking into consideration the available space in the bathroom. Features such as integrated storage solutions and adaptable faucet hole configurations are essential to cater to a broad spectrum of plumbing prerequisites. The strategic inclusion of overflow drains is indispensable to counteract potential water spillage. During the selection phase, it’s paramount to juxtapose these functional nuances with sophisticated aesthetics. Facets like soft-close drawers and innovative shelving solutions augment the sink’s multifaceted utility. It’s also vital to appraise the spatial dynamics of the bathroom to ensure an impeccable integration.

Superior Materials

The material pedigree of a bathroom sink is instrumental in ascertaining its enduring appeal and resilience. Options span from the perennial sophistication of porcelain to the stalwart resilience of stainless steel and copper. It becomes imperative to select a sink that is impervious to stains, adept at handling thermal variances from hot water, and exhibits unwavering durability over extended periods. Whether one’s inclination is towards a cutting-edge solid surface sink or a vintage wooden basin, the chosen piece should resonate with both utilitarian needs and refined aesthetic inclinations. Such a choice guarantees a harmonious amalgamation with the overarching bathroom decor while ensuring a lot of storage for quintessential items at an affordable price point.

Solid Surface Bathroom Sinks

Dive into the realm of solid surface bathroom sinks, a pinnacle of modern bathroom design. These sinks are meticulously crafted from a unique blend of high-grade resins and aluminum hydroxide powder. This combination results in a pristine, pore-free surface that marries aesthetic charm with functional utility. Notably, the use of premium isophthalic resin ensures the sink remains resistant to yellowing over its lifespan.

https://preview.redd.it/bktr3n3k8i1d1.png?width=612&format=png&auto=webp&s=f00b0b1947f3c693f0337c64f69cb79e8d405370

Key Features of Solid Surface Bathroom Sinks

  • Seamless Design: These sinks offer a seamless, ultra-smooth finish, enhancing aesthetics while ensuring optimal hygiene due to the absence of crevices for bacterial growth.
  • Countertop Integration: Their ability to merge flawlessly with solid surface countertops provides a cohesive, modern look, perfect for businesses aiming for a streamlined design.
  • Heat and Stain Resistance: The fusion of top-tier resins with aluminum powder grants these sinks remarkable resistance to stains and heat, making them ideal for busy bathroom settings.
  • Good Durability: Constructed for longevity, solid surface sinks are a wise investment for establishments looking for enduring solutions.
  • Eco-friendly: Their extended lifespan ensures sustainability, reducing frequent replacements and lessening environmental strain.
  • Mold and Moisture Resistance: Solid surface bathroom sinks, being non-porous, effectively combat high humidity levels.
  • Swift Installation: Solid surface sinks ensure a smooth and quick setup, reducing construction time.

Maintenance of Solid Surface Bathroom Sinks

Maintaining these sinks is straightforward. Their non-porous nature wards off stains, and a quick wipe with a damp cloth paired with a mild detergent is all it takes to maintain their pristine look. Simple and hassle-free.

Stone Bathroom Sinks

Stone bathroom sinks, meticulously crafted from natural materials such as granite, quartz, and marble, are synonymous with luxury and elegance. Their inherent beauty, derived from nature, ensures that each sink stands as a unique masterpiece, enhancing the aesthetic appeal of any bathroom.

Key Features of Stone Bathroom Sinks

  • Distinctive Aesthetics: Whether it’s the intricate patterns of granite or the sleek finish of quartz, each stone sink narrates its own enchanting tale.
  • Robust Durability: Owing to their natural constitution, stone sinks offer unparalleled durability, making them a prudent long-term asset for establishments.
  • Heat Resilience: These sinks demonstrate commendable resistance to elevated temperatures, ensuring they remain unscathed from hot tools like hair straighteners.

Maintenance of Stone Bathroom Sinks

For stone bathroom sinks to retain their pristine condition, consistent and appropriate care is paramount. Periodic sealing is vital to ward off stains and maintain the sink’s sheen. For daily upkeep, opt for a mild, pH-balanced cleanser and steer clear of abrasive agents that might mar the surface.

Acrylic Bathroom Sinks

Acrylic sinks are the unsung heroes in the world of bathroom fixtures. Lightweight, affordable, and available in a myriad of designs, they’re a popular choice for many businesses.

Key Features of Acrylic Bathroom Sinks

  • Lightweight: Acrylic sinks are easy to handle and install, making them a favorite among plumbers and contractors.
  • Easy Installation: Their lightweight nature means they can be installed quickly, reducing labor costs.
  • Good Impact Resistance: Drop something heavy? No worries. Acrylic sinks are designed to withstand impacts.
  • Affordable: On a tight budget? Acrylic sinks offer a balance of quality and affordability.

Maintenance of Acrylic Bathroom Sinks

Acrylic sinks are a breeze to maintain. A simple wipe with a soft cloth and mild detergent will keep them shining. Avoid using abrasive cleaners as they can scratch the surface.

Porcelain Bathroom Sinks

Ah, porcelain, the classic choice. Known for its smooth and glossy surface, porcelain sinks have graced bathrooms for decades. Crafted from vitreous china, they’re a symbol of elegance and sophistication.

Key Features of Porcelain Bathroom Sinks

  • Smooth and Glossy Surface: Porcelain sinks have a lustrous finish that adds a touch of luxury to any bathroom.
  • Resistance to Fading: These sinks retain their color and shine for years, ensuring they look as good as new even after prolonged use.
  • Hygienic and Easy to Clean: The smooth surface of porcelain sinks means there are fewer crevices for dirt and bacteria to hide, making them a hygienic choice.

Maintenance of Porcelain Bathroom Sinks

Maintaining porcelain sinks is straightforward. A gentle cleaner and a soft cloth are all you need to keep them in pristine condition. Regularly rinse and wipe to prevent mineral deposits from forming.

Fiberglass Bathroom Sinks

Fiberglass sinks might not be the first choice that pops into your mind, but they’ve been making waves in the industry. Known for their impact resistance and lightweight nature, they’re a practical choice for businesses that prioritize functionality without compromising on aesthetics.

Key Features of Fiberglass Bathroom Sinks

  • Impact Resistance: Life happens. And sometimes, that means accidentally dropping a heavy object into your sink. With fiberglass, you’ve got a buffer. These sinks are designed to absorb shocks, reducing the risk of cracks or breaks.
  • Lightweight: One of the standout features of fiberglass sinks is their weight—or lack thereof. This makes installation a breeze, especially in spaces where a heavy stone or ceramic sink might be impractical.
  • Temperature Sensitivity: Now, while fiberglass is a champ in many areas, it’s a bit sensitive to extreme temperatures. It’s something to keep in mind if you’re in an environment where hot tools like hair straighteners might come in contact with the sink.

Maintenance of Fiberglass Bathroom Sinks

Taking care of a fiberglass sink is pretty straightforward. Regular cleaning with a non-abrasive cleaner will keep it looking spick and span. It’s also a good idea to avoid exposing the sink to high temperatures for prolonged periods.

Stainless Steel Bathroom Sinks

Stainless steel isn’t just for your kitchen. Over the years, stainless steel bathroom sinks have gained popularity, especially in commercial settings. They’re durable, resistant to corrosion, and offer a sleek, modern look that many businesses crave.

Key Features of Stainless Steel Bathroom Sinks

  • Lightweight: Much like their fiberglass counterparts, stainless steel sinks are relatively light, making them easy to install.
  • Resistance to Corrosion: One of the major benefits of stainless steel is its resistance to rust and corrosion. This makes it an ideal choice for high-moisture environments like bathrooms.
  • Affordable: If you’re looking for a sink that offers durability without breaking the bank, stainless steel might be your best bet.

Maintenance of Stainless Steel Bathroom Sinks

Maintaining a stainless steel sink is simple. Regular cleaning with a mild detergent will do the trick. To prevent water spots, it’s a good idea to wipe the sink dry after use. And if you want to keep it shiny, an occasional polish with a stainless steel cleaner will have it gleaming like new.

Composite Bathroom Sinks

Composite sinks are the unsung heroes in the world of bathroom fixtures. Made from a blend of materials, often including granite or quartz combined with resins, these sinks offer durability and a unique aesthetic appeal.

Key Features of Composite Bathroom Sinks

  • Good Durability: Composite sinks can withstand the rigors of daily use. They’re resistant to scratches, dings, and can handle high temperatures.
  • Compatibility with Surrounding Materials: One of the standout features of composite sinks is their ability to blend seamlessly with various countertop materials, be it granite, quartz, or even hardwood.
  • Various Styles: Whether you’re going for a modern look or a more traditional vibe, there’s a composite sink out there that’ll fit the bill.

Maintenance of Composite Bathroom Sinks

Composite sinks are relatively low maintenance. It usually only needs regular cleaning with a non-abrasive cleaner to keep it looking its best. For tougher stains, a gentle scrub with a soft brush can work wonders.

Cast Iron Bathroom Sinks

Cast iron sinks are like the grand old dames of the bathroom world. They’ve been around for ages, and there’s a good reason for that. With their excellent stain resistance and easy-to-clean nature, they’ve earned their place in many a bathroom, be it in a chic boutique hotel or a bustling business center.

Key Features of Cast Iron Bathroom Sinks

  • Excellent Stain Resistance: Ever spilled red wine or dropped lipstick on the sink? With cast iron, there’s no need to panic. These sinks are resistant to most stains, ensuring they will stay in pristine condition even after accidental spills.
  • Sound Dampening: One of the lesser known benefits of cast iron sinks is their ability to insulate sound. So no more loud echoes when you drop something in the sink.
  • Easy to Clean: The enamel coating on cast iron sinks makes cleaning a breeze. A simple wipe with a damp cloth, and voila! It’s as good as new.

Maintenance of Cast Iron Bathroom Sinks

Maintaining a cast iron sink is straightforward. Regular cleaning with a mild detergent will keep it shining. It’s also a good idea to avoid using abrasive cleaners as they can damage the enamel coating.

Copper Bathroom Sinks

Copper bathroom sinks are a unique and intriguing choice for businesses looking to blend aesthetic charm with functional benefits. Known for their natural antibacterial properties, these sinks offer a distinct advantage in terms of hygiene. Crafted usually from a single sheet of copper and often hand-hammered, each sink is a unique piece of functional art. Over time, copper develops a patina, a natural layer that not only protects the material but also enhances its aesthetic appeal. This evolving characteristic makes copper sinks a living, changing element in your bathroom design.

Key Features of Copper Bathroom Sinks

  • Antibacterial Properties: Copper sinks are pretty amazing for a few reasons. First, they have natural germ-fighting powers. Studies show that copper can kill almost all bacteria it touches, which is a big deal for places like hospitals where cleanliness is super important. This special antibacterial property sets copper sinks apart from others.
  • Unique Aesthetic: But that’s not all! Copper sinks have a unique look that’s both old-fashioned and modern. The warm colors of copper and solid brass add a fancy and sophisticated feel to any bathroom. Each sink is handmade, so no two are exactly the same. They might have different textures and shades, which makes them special. Over time, copper develops a beautiful aged look, sort of like an antique.
  • Good Durability: And guess what? Copper sinks are tough too. They’re made to handle the wear and tear of everyday use. Copper doesn’t easily corrode, so your sink will stay looking good and working well for a long time. Unlike other sinks that can crack or chip easily, copper sinks are built to last.

Maintenance of Copper Bathroom Sinks

To keep your copper sink looking its best, you need to take good care of it. Avoid using harsh or rough cleaners because they can remove the natural patina that forms on the copper surface. Stick to gentle cleaners to preserve its beauty and functionality.

Concrete Bathroom Sinks

Concrete bathroom sinks have gained prominence as a fashionable selection for contemporary bathroom designs. Known for their robustness, versatility, and industrial aesthetic, these sinks are highly favored by businesses aiming to elevate their interior décor.

Key Features of Concrete Bathroom Sinks

  • Design Flexibility: One of the most significant benefits of concrete sinks is their adaptability in design. Unlike mass-produced sinks, concrete variants can be tailored to meet specific design requirements, offering a wide range of shapes and sizes for individualized style.
  • Exceptional Durability: Beyond their aesthetic appeal, concrete sinks are engineered for longevity. The intrinsic strength of concrete renders these sinks highly resilient to common forms of damage such as cracking, chipping, and general wear and tear.
  • Heat and Stain Resistance: The natural heat-resistant properties of concrete make it an excellent material for accommodating hot items like hairstyling tools. Additionally, when properly sealed, these sinks demonstrate strong resistance to stains from everyday bathroom products, thus facilitating easier cleaning and maintenance.

Maintenance of Concrete Bathroom Sinks

While concrete sinks offer numerous advantages, they do necessitate more frequent maintenance compared to other materials like porcelain or stainless steel. Regular sealing is essential to guard against water damage and staining. For daily cleaning, the use of a mild, non-acidic cleaner is advised.

Why Choose Solid Surface Bathroom Sinks?

Solid surface bathroom sinks have emerged as a top choice for homeowners and designers alike due to their seamless integration, durability, and aesthetic appeal. Here is a list of solid surface bathroom sinks you can find out:

Dimension Rating
Durability ★★★★★
Aesthetic Appeal ★★★★★
Maintenance ★★★★★
Customization ★★★★★
Cost ★★★★☆
Eco-friendly ★★★★☆
Installation Complexity ★★★★☆
Mold and Moisture Resistance ★★★★★
Fire-Resistance ★★★★★

KKR: Supplier of High Quality Solid Surface Bathroom Sinks

KKR stands as a paramount figure in the realm of solid surface bathroom sinks, with a distinct focus on OEM and ODM services. Their unwavering dedication to precision, innovation, and superior quality is evident in every sink they produce, striking a harmonious blend of refined aesthetics, exceptional functionality, and enduring resilience.
Every creation from KKR is a testament to their dedication to masterful craftsmanship. Crafted using premium-grade resins and elite aluminum powder, their sinks boast a lustrous finish that not only captivates the eye but promises sustained performance over the years.
For enterprises aiming to curate a cohesive and opulent bathroom ambiance, KKR’s offerings are unparalleled. Their sinks are ingeniously designed to integrate flawlessly with diverse countertop materials, from quartz and granite to hardwood. This versatility empowers businesses to tailor the bathroom ambiance, aligning with the sophisticated tastes of their clientele.

Expertise in OEM and ODM Services

KKR’s prowess transcends mere product fabrication. Their OEM and ODM services are a reflection of their profound industry insights and adaptability. Whether you’re a brand with a vision to craft sinks tailored to your specifications or in search of a collaborator to conceptualize and produce a distinctive product range, KKR’s expertise ensures your aspirations are brought to life with precision and utmost professionalism.

Excellent Capabilities for Solid Surface Products

Renowned as a vanguard in solid surface bathroom sink manufacturing, KKR’s expertise in producing superior solid surface countertops is unparalleled. They are adept at delivering products endowed with attributes like warp resistance, color retention, innate sheen, and a flawless finish. As an industry trailblazer, KKR presents an extensive array of customization avenues, encompassing dimensions, designs, hues, sink and faucet configurations, and choices in rim, backsplash, contour, and surface finishes. With an unwavering commitment to quality and client contentment, KKR further enhances the customer journey with an exhaustive after-sales support system.

Conclusion

Navigating the diverse array of bathroom sink choices, encompassing solid surfaces, gleaming stainless steel, and avant-garde composite designs, can be intricate. Yet, with judicious selection and the backing of esteemed brands like KKR, enterprises can assuredly procure products that not only elevate their aesthetic appeal but are also engineered for longevity.
Allocating resources to pivotal elements of business infrastructure, such as bathroom amenities, necessitates collaboration with industry frontrunners. KKR, leveraging its OEM and ODM expertise, guarantees that your capital is channeled into a seamless fusion of aesthetic finesse and unwavering functionality for the long haul.
submitted by tab_rick to KKRsolidsurface [link] [comments]


2024.05.20 06:35 Significant-Tower146 Best Ceiling Track Room Divider

Best Ceiling Track Room Divider

https://preview.redd.it/81bk9j7zei1d1.jpg?width=720&format=pjpg&auto=webp&s=3c35a8762b6b66abc861578efeafd225ec49e5c3
Are you looking for a modern and stylish way to separate your living space? Look no further than the Ceiling Track Room Divider! In this roundup article, we will take a closer look at the best ceiling track room dividers available in the market. From sleek and minimalistic designs to stunning, attention-grabbing options, we've got you covered. Get ready to transform your living spaces with ease and elegance!

The Top 19 Best Ceiling Track Room Divider

  1. Curved Ceiling Track Room Divider Set (90 & 45 Degree Angles) - Transform your space with ease using our 90-degree curved ceiling track set, designed with premium aluminum for a sleek and durable finish, and featuring effortless curtain/divider travel around the corner.
  2. Multi-Functional Ceiling Track Room Divider for Large Spaces - Transform your space with the InStyleDesign Heavy Duty White Ceiling Track, a versatile room divider that offers both style and functionality while effortlessly hanging curtains and drapes from the ceiling.
  3. Flexible Ceiling Curtain Track for Shower Bay Window RV Room Divider - Gaahing Flexible Ceiling Curtain Track offers a stylish 3-meter solution for shower bays, RV curtains, and room dividers, complete with easy installation and impressive craftsmanship.
  4. Easy-Install Aluminum Ceiling and Wall Track for Room Dividers - Upgrade your home interior with this versatile, easy-to-install 3.6ft aluminum curtain track, suitable for various applications including picture windows, shower curtains, and room dividers.
  5. XXX-Large Ceiling Track Room Dividers: Affordable & Stylish Privacy Solutions - Elevate your shared space with the Room/Dividers/Now Ceiling Track Room Divider Kit in XXX-Large A, perfect for privacy and efficient sectioning off of areas up to 18ft wide, all within an affordable and chic design.
  6. Elegant Ceiling-Mounted Room Divider with Adjustable Track System - Elevate your privacy game with the Solokos Room Divider Ceiling Track Set, offering flexible size options, easy installation, and a wide range of applications with its high-grade quality and durable aluminum alloy construction.
  7. Durable Curved Ceiling Track Set for Room Dividers (45 Degree Angle) - Elevate your room dividing experience with Room Dividers Now's premium aluminum curved ceiling tracks, offering seamless curtain/divider travel and versatile design options.
  8. Adjustable Aluminum Curtain Track System for Room Dividing - Discover unparalleled convenience and functionality with the Tom Tool 36ft-72ft Upgraded Aluminum Curtain Track, designed to seamlessly divide your room while providing a stylish touch to any window.
  9. Ceiling Track Room Divider for Privacy and Space Separation - Discover the Room/Dividers/Now Ceiling Track Room Divider Kit, Medium A - a brilliant and versatile privacy solution that seamlessly transforms your space, available in attractive seafoam color and easy to set up!
  10. Stylish White Ceiling Track Room Divider - Experience effortless room division with Instyledesign's Heavy Duty White Ceiling Curtain Track, featuring a sturdy design and easy installation process.
  11. Customizable Ceiling Track for Privacy Curtains - Transform your space with the KXLife Flexible Curtain Ceiling Track, a versatile and robust solution for various window and ceiling track room divider systems.
  12. Heavy Duty Ceiling Track Room Divider Kit - Divide and conquer your space with ease using this heavy-duty ceiling track and sliders, boasting a maximum weight capacity of 20 lbs. and easy installation process.
  13. White Ceiling Track Room Divider with Steel Hook - Experience smooth and effortless room divider positioning with Ontrack Track Roller's premium design, perfectly tailored to fit your Ontrack Ceiling Track Set.
  14. Flexible Ceiling Track for Room Dividers and Bay Windows - The Jetec Curved Ceiling Curtain Track is a flexible, easy-to-install, and durable solution for dressing up bay windows, room dividers, and more - all without requiring additional tools or causing noise.
  15. Modern, Adjustable Room Divider Ceiling Track with Light Filtration - Rod Desyne's 3-Panel Single Rail Panel Track Room Divider offers sleek design, easy installation, and light filtering for modern office or home decor.
  16. Stylish Aluminum Ceiling Curtain Track Set for Room Divisions - Transform your room division with the sleek and versatile Room/Dividers/Now Ceiling Curtain Track Set, featuring easy installation and premium strength aluminum for a stylish and durable solution.
  17. Stylish Macadamia Beige 4-Panel Aluminum Ceiling Track Room Divider with Semi-Sheer Light Filtration - Upgrade your window treatment and home décor with the Rod Desyne 4-Panel Single Rail Panel Track, offering 48-88" extendable width, sleek 1.25" single rail design, and light filtering shades for a refined and stylish look.
  18. Ceiling Room Divider Track Kit with Hooks - Transform your space with Rod Desyne Ceiling Room Divider Track Kit, featuring adjustable sizes and easy-to-use ball-bearing hooks for creating functional areas and privacy when desired.
  19. Shattered 4-Panel Single Rail Panel Track Room Divider with Light Filtering Shade - Introducing the Rod Desyne Shattered 4-Panel Single Rail Panel Track Room Extendable Divider for a stylish, easy-to-install, and versatile window/closet/door covering or room divider solution.
As an Amazon™ Associate, we earn from qualifying purchases.

Reviews

🔗Curved Ceiling Track Room Divider Set (90 & 45 Degree Angles)


https://preview.redd.it/fehomd52fi1d1.jpg?width=720&format=pjpg&auto=webp&s=c844ff11e8b8b292d8751705f3f87c8ab3811f58
As someone who loves to decorate and rearrange my living space, I recently came across the 90-degree corner ceiling track set from Room Dividers Now. The product stood out to me because of its sleek design and promise of smooth operation.
The first thing I noticed when assembly began was the premium strength aluminum construction. It looked both stylish and sturdy in my room. But, as much as I love the look, it did make me feel slightly concerned about the weight it could support.
Installation was a breeze, thanks to the detailed instructions provided. The drywall mounting anchors and screws made the process even more straightforward. However, I did find the length of the legs a little restrictive - they extend only 3 feet from the center point of the curve.
I've used this corner ceiling track set for a few months now, and it's served its purpose well. It's perfect for hanging curtains or dividers in tight spaces like my office or guest room. But, I also noticed that the track doesn't hold as much weight as I'd hoped it would. It might not be the best option for heavier curtains or room dividers.
Overall, this corner ceiling track set from Room Dividers Now is an attractive, inexpensive, and easily installed solution for those with smaller spaces or lighter-weight curtains. While it isn't perfect for everyone, it's definitely a step in the right direction for those looking to add a bit of personality to their walls.

🔗Multi-Functional Ceiling Track Room Divider for Large Spaces


https://preview.redd.it/hwcr4lg2fi1d1.jpg?width=720&format=pjpg&auto=webp&s=9fa888711b5abe8a65a4a663a398a808b5806f53
I've been using InStyleDesign's Heavy Duty White Wall or Ceiling Curtain Track for a while now, and I must say it's been a game-changer in my home. The first thing that stood out to me was the ease of installation - it took only a few minutes to set everything up. The sturdiness of this track is impressive too - it can hold some seriously heavy curtains without any issues.
Now, let's talk visual appeal. These tracks come in white, which provides a clean and sophisticated look. Plus, they're versatile - you can use them as both wall and ceiling tracks to divide your space effectively.
However, there were a couple of downsides during my experience. Firstly, the provided brackets could have been more comprehensive for different ceiling heights. And secondly, the length advertised was a bit longer than expected, but that wasn't a deal-breaker for me. Overall, I'm happy with my purchase of InStyleDesign's Heavy Duty White Wall or Ceiling Curtain Track, and I believe it would make a great addition to any home.

🔗Flexible Ceiling Curtain Track for Shower Bay Window RV Room Divider


https://preview.redd.it/n2sq2tv2fi1d1.jpg?width=720&format=pjpg&auto=webp&s=2a272f393dce1163dfe12848002e498429d5aefe
As a reviewer, I recently installed the Gaahing flexible ceiling curtain track in my personal space. It's a perfect blend of style and functionality. The package includes everything you need for a seamless installation process. With an impressive 3-meter-long curtain track, 4 end caps, 24 track rollers, 26 curtain hooks, 11 sets of anchors and screws, and 10 ceiling mounting brackets, this product is truly a one-stop-shop for all your curtain installation needs.
The one feature that stood out the most is the flexible, curved design of the track. It blends perfectly with a variety of room styles, from RVs to shower bays and beyond. Additionally, the curtain hook system is incredibly easy to handle. For mounting, we encountered minor setbacks, but the inclusion of end caps made the installation process less complicated.
There is no such thing as a perfect product, though, and our curtain track is no exception. The anchors provided weren't the most sturdy, but we found a quick fix by purchasing some additional hardware at the store. Overall, I'd highly recommend this Gaahing flexible ceiling curtain track to anyone looking for a functional and visually appealing room divider solution.

🔗Easy-Install Aluminum Ceiling and Wall Track for Room Dividers


https://preview.redd.it/xr3lmh83fi1d1.jpg?width=720&format=pjpg&auto=webp&s=9b66b44f617c6c1a3fdd6f1928d05d56b5f8720e
I recently tried this upgraded aluminum curtain track and was pleasantly surprised by the ease of installation. This track is perfect for anyone looking to show off their DIY skills! The 3.6 ft length can be easily adjusted to fit the specific width of your window and features a dual mounting option for both ceiling and wall installations. The beautiful and elegant appearance of the installed track only adds to its charm.
The high-quality alloy ball bearing rollers smoothly glide along the aluminum track channel, offering a strong bearing capacity. I also appreciated the modern and minimalistic design of the unique grooved aluminum track and stainless steel end caps. This sleek design is versatile and widely applicable for various purposes, including window curtains, shower curtains, and room dividers.
The seller's optional track turn corner and plenty of extra accessories make this product even more convenient and useful. And best of all, the installation process is straightforward, with clear instructions provided. Don't miss the opportunity to add elegance and functionality to your living space with this upgraded aluminum curtain track.

🔗XXX-Large Ceiling Track Room Dividers: Affordable & Stylish Privacy Solutions


https://preview.redd.it/pu04ann3fi1d1.jpg?width=720&format=pjpg&auto=webp&s=1f2a2a2125ab48abbe0afa590378b80e8a7fa7b4
As someone who's tried out the Now Ceiling Track Room Divider Kit, I have to say, it's been quite a game-changer. With its impressive 18-foot reach, this divider effortlessly creates sections in my space that feel private and cozy without breaking the bank.
What stood out to me was the ease of installation; the comprehensive kit made it a breeze, even for someone like me who isn't particularly handy. The divider itself is heavyweight, which adds to its sturdiness and ability to block light effectively.
However, one downside I noticed was the lack of color options. As someone who likes to mix things up, it would have been great to have more choices. But overall, this Room Divider Kit from Now has been a fantastic investment for my home – striking the perfect balance between functionality and style.

🔗Elegant Ceiling-Mounted Room Divider with Adjustable Track System


https://preview.redd.it/itnay714fi1d1.jpg?width=720&format=pjpg&auto=webp&s=292f14a21ef4ff857884b6dc82be662cb2e79633
Using the Solokos Room Divider Ceiling Track Set for Curtains has been a game-changer in my living space. The simple 90-degree track connectors have made it easy to create L-shaped setups, giving me the flexibility I needed for different parts of my home. The installation process was a breeze, thanks to the included instructions.
The ceiling track set has a wide range of applications, from living rooms and bedrooms to shower spaces and classrooms. I appreciate that the track is made of high-quality aluminum alloy, ensuring a solid structure and lasting beauty. However, I did notice that the room divider curtains are not included, and I had to purchase them separately.
Overall, the Solokos Room Divider Ceiling Track Set for Curtains has been a valuable addition to my home, providing both convenience and style. While it would be great to have the curtains included, the wide range of applications and easy installation more than make up for it.

🔗Durable Curved Ceiling Track Set for Room Dividers (45 Degree Angle)


https://preview.redd.it/dbe8u7k4fi1d1.jpg?width=720&format=pjpg&auto=webp&s=21156907d2ce37aa444cbbf26fdb3bf3e0c98c46
I recently came across the Room Dividers Now corner track set and decided to give it a try in my home. The sleek silver track stood out against the white wall, providing a modern and elegant look. The 45-degree angle made it easy to create a cozy reading nook, which I loved. What really blew me away was the smoothness of the curtain travel around the corner - a feature I hadn't seen before.
However, the track did require a bit of effort to install, and I found I had to make some adjustments to get it perfectly in line with the wall. The roller hooks could have been a bit more sturdy, as they occasionally slid off their tracks if I accidentally bumped into the corner.
Despite the minor drawbacks, I have to say that this corner ceiling track has improved the ambiance of my room. The premium strength aluminum makes it a durable and attractive addition, and the 10 roller hooks and 2 end caps provided everything I needed for installation. Overall, I'm satisfied with my purchase.

🔗Adjustable Aluminum Curtain Track System for Room Dividing


https://preview.redd.it/qwqj6s05fi1d1.jpg?width=720&format=pjpg&auto=webp&s=a3722a078f064d91bfcae85bfb5a919f88587dfd
I recently had the pleasure of trying out the Tom Tool 36ft-72ft Upgraded Aluminum Curtain Track Ceiling Track System. The package came with everything I needed to easily create a stylish room divider that could also be used as a window track. The white aluminum alloy curtains glided smoothly on the 3.6ft monorail, which was easy to install by following the step-by-step instructions provided.
One of the highlights of this product was the ability to adjust and extend the track length freely, ensuring that it could accommodate windows of different sizes without any issues. The load-bearing strength of each track was also impressive, as it could support up to 30 kg—plenty for any curtains.
While the installation process was straightforward, I did find that the track connector could have been a bit sturdier. However, once everything was set up, the track proved to be a functional and attractive addition to my home. Overall, the Tom Tool Curtain Track System was a worthwhile investment for anyone looking to add a touch of elegance to their living space.

🔗Ceiling Track Room Divider for Privacy and Space Separation


https://preview.redd.it/wwcatnj5fi1d1.jpg?width=720&format=pjpg&auto=webp&s=4998e12355ec929b4a2eb6fc75587140f844c97b
I recently had the opportunity to try the Room Dividers/Now Ceiling Track Room Divider Kit, and I must say, it exceeded my expectations. As someone who frequently needs to create private spaces in my home, this product offered a convenient and affordable solution. The rich seafoam color added a touch of elegance to my living area, making it a perfect addition to my daily life.
One of the standout features of this divider kit was its ease of installation. I was pleasantly surprised at how quickly I could set it up without any assistance. The heavyweight material significantly reduced light, providing the much-needed privacy I desired. The ability to create and separate spaces between 4ft 6in and 6ft wide made it incredibly versatile, suitable for various settings such as studios, apartments, and shared spaces.
However, there were a couple of drawbacks I encountered. I noticed that the metal tracks in the kit did not allow for a smooth pull to the curtain. Although it didn't stop the curtains from moving along the track, it did cause a delay in the movement. Additionally, I found that the curtains' length was somewhat of a pro and a con. For those with high ceilings, the length would be beneficial, but for others, it resulted in a messy bunching appearance.
In conclusion, the Room Divider Kit from Now Ceiling Track was a fantastic solution to my need for privacy and versatility within my living space. The sturdy construction, ease of installation, and attractive appearance make it a worthwhile investment for anyone seeking a practical and stylish room divider.

🔗Stylish White Ceiling Track Room Divider


https://preview.redd.it/bp90cqu5fi1d1.jpg?width=720&format=pjpg&auto=webp&s=d3831c3671cbe68e358af7c46f77eef792bfc304
In search of a ceiling curtain track that could elevate my living space and divide a room in style, I stumbled upon Instyledesign's Heavy Duty White Ceiling Curtain Track. With high praise among customers, I was eager to test it out and share my experience in this roundup review.
First and foremost, the package arrived in perfect condition with the 16' track, two master carriers, two battons, two end stops, and mounting hardware in tow. Upon installation, I easily hung my curtains from the sturdy and attractive track, as its height and width suited my needs. This heavy-duty curtain track did an excellent job at creating a neat and clean appearance while offering the convenience of seamless movements.
However, it wasn't all smooth sailing, as I faced a challenge with the absence of clear instructions. I learned the hard way that there was no room for error when measuring the holes for drilling to the ceiling. Additionally, those using concrete ceilings would likely face difficulty in trying to make the holes only with a drill.
Nonetheless, the satisfaction from hanging my curtains from this ceiling curtain track left me feeling content and inspired by the transformative effect it had on my living space. It added a sophisticated, hotel-like quality to my curtains and served as a functional room divider. When all was said and done, the pros outweighed the cons for me with this Instyledesign Heavy Duty White Ceiling Curtain Track in my hands.

🔗Customizable Ceiling Track for Privacy Curtains


https://preview.redd.it/gxnyzba6fi1d1.jpg?width=720&format=pjpg&auto=webp&s=91a891b02979bc14328900983b4b051a99a03146
When I first received the KXLife Flexible Curtain Ceiling Track, I couldn't wait to put it to the test in my home. I was impressed by its ease of installation, and how it could be bent into various shapes to fit virtually any window or ceiling track room divider system.
The embedded metal plate not only adds strength but also makes the track incredibly flexible, allowing it to hold even heavy fabric curtains without breaking. This feature makes it perfect for hanging a wide range of curtains, including window curtains, room divider curtains, RV curtains, shower curtains, backdrop, and holiday decorations.
Despite its ability to bend at any angle, the KXLife Flexible Curtain Ceiling Track runs quietly and smoothly with quality rollers. The package even comes with an installation guide to make everything even easier.
One minor drawback is that it's made in China, which might raise some concerns about product quality. However, overall, this curtain track exceeds my expectations and has become an essential addition to my home.

🔗Heavy Duty Ceiling Track Room Divider Kit


https://preview.redd.it/txal84q6fi1d1.jpg?width=720&format=pjpg&auto=webp&s=e4be2fa5be569c9e9f06fdd9fa296859ac1a50a2
I recently tried the Domovina Room Divider Track Kit, which is a great addition to any space needing a convenient and stylish division. The heavy-duty ceiling track is incredibly easy to install, and it's perfect for dividing a large room into smaller areas without disrupting the overall aesthetic.
One of my favorite features is the inclusion of both 6ft and 8ft white aluminum ceiling tracks, which make it easy to customize the divider to fit any space. The 30 ball bearing sliders with stainless steel hooks work smoothly and efficiently, while the end caps ensure a polished and professional finish.
However, I did notice that the maximum weight capacity of the track kit is only 20 lbs. , so it may not be ideal for heavier items or more demanding usage scenarios. But for most everyday needs, it more than suffices.
Overall, the Domovina Room Divider Track Kit is an excellent choice for anyone looking to easily divide a space in their home or office. With its easy installation, customizable lengths, and durable materials, it's definitely worth considering for your next project.

🔗White Ceiling Track Room Divider with Steel Hook


https://preview.redd.it/9klc6u07fi1d1.jpg?width=720&format=pjpg&auto=webp&s=49ab52dc675bb9eded9f9904d1946f094986282b
I recently had the chance to try out the Ontrack Track Roller with Hook of Room Divider Ceiling Track, and let me tell you, this little guy is a game changer. The first thing that caught my eye was its sleek white design, which perfectly complemented my room divider track set.
Getting it set up was a breeze – just slide it right into the track, and it rolls effortlessly along. I was impressed with how smoothly it glided, without any hiccups or resistance. Made of a sturdy steel hook, it didn't feel like it would bend or break under pressure.
In terms of dimensions, the Roller is compact and lightweight, fitting easily into small spaces and maintaining a low profile. However, it was a bit tricky to keep it in place, and sometimes it would slide out a bit. Other than that minor setback, this little Roller worked like a charm and proved to be a handy addition to my room divider setup.

Buyer's Guide

Ceiling Track Room Dividers, often referred to as sliding room dividers or ceiling track systems, are versatile and modern solutions for partitioning spaces such as offices, gyms, or homes. They offer privacy, sound insulation, and a seamless design that blends well with any interior aesthetic. This buyer's guide will provide essential features, considerations, and general advice to help you make an informed decision when selecting a Ceiling Track Room Divider for your space.

https://preview.redd.it/ryf6rl2afi1d1.jpg?width=720&format=pjpg&auto=webp&s=6142db1f0e8163038bb03c59e93e32a8b1bc8bf5

Key Features and Considerations

  1. Material: Ceiling Track Room Dividers are typically made from aluminum, steel, or wood. Aluminum and steel options are lightweight yet durable, while wooden dividers offer a more traditional look. Consider the desired style and the material's durability and maintenance requirements when choosing.
  2. Size and Dimensions: Measure the space where the divider will be installed and choose a size that accommodates your needs. Ensure the height is appropriate for your intended use and that the width and length of the panel can be adjusted to fit your area.
  3. Weight Capacity: Determine the maximum weight the divider should be able to support. This may include furniture, equipment, or even people. Ceiling Track Room Dividers come in various weight capacities, so select one that meets your requirements.
  4. Sound Insulation: If you require privacy and sound insulation, look for dividers with good soundproofing properties. This will help reduce noise between spaces and create a quieter environment.
  5. Style and Design: Ceiling Track Room Dividers come in different designs, colors, and finishes. Consider the overall aesthetic of your space and choose a divider that complements the existing design. Some dividers even have glass panels, which can create a more open and inviting atmosphere.

Installation and Maintenance

  1. Installation: Ceiling Track Room Dividers require ceiling tracks and mounting hardware for installation. Ensure that you have the necessary tools and expertise to install the divider correctly. Some companies offer professional installation services for an additional fee.
  2. Maintenance: Regular maintenance of your Ceiling Track Room Divider is essential to ensure its longevity and proper functionality. Clean it regularly and keep an eye out for wear and tear. Replace parts as needed to maintain the divider's performance.

https://preview.redd.it/0alkeliafi1d1.jpg?width=720&format=pjpg&auto=webp&s=998ca1e729521c90a41ef6cbdd8df3a9b88a1124

General Advice and Tips

  1. Consult with a professional: If you're unsure about the suitability of a Ceiling Track Room Divider for your space or have any concerns regarding installation, seek advice from a professional in the field.
  2. Read reviews: Check online reviews and ratings to get an idea of the product's quality, performance, and customer satisfaction.
  3. Compare prices: Before making a purchase, compare prices from different suppliers to ensure you're getting the best value for your money.
  4. Warranty and Support: Ensure that the Ceiling Track Room Divider you choose comes with a warranty and reliable customer support. This will give you peace of mind in case of any issues or defects with the product.
A Ceiling Track Room Divider can be an excellent investment for your space, offering privacy, sound insulation, and an aesthetically pleasing design. By considering the important features, installation, maintenance, and general advice outlined in this buyer's guide, you'll be well-equipped to make an informed decision when selecting the perfect divider for your needs.

FAQ


https://preview.redd.it/3ovczm2bfi1d1.jpg?width=720&format=pjpg&auto=webp&s=09420593ad14fa3fe1fb119249868bff5f1e346c

What is a Ceiling Track Room Divider?

A Ceiling Track Room Divider is a type of room divider that is mounted on the ceiling. It is typically made from aluminum, steel, or PVC materials and consists of horizontal tracks and moveable panels. Ceiling Track Room Dividers are designed to be both functional and stylish, while providing flexibility to partition and reconfigure rooms.

What are the benefits of using a Ceiling Track Room Divider?

  • Versatile room partitioning: Ceiling Track Room Dividers can be used to divide different areas within a room or create separate spaces for various purposes.
  • Space-saving design: Due to their mounting on the ceiling, they don't take up floor space, making them ideal for small or multifunctional rooms.
  • Aesthetic appeal: With various materials, finishes, and panel styles available, Ceiling Track Room Dividers can complement any room décor.
  • Easy to install and reconfigure: Most Ceiling Track Room Dividers are easy to install and rearrange, making them a practical and adaptable solution for changing needs.
  • Sound-absorbing properties: Some Ceiling Track Room Dividers offer sound insulation, which can be beneficial in spaces like offices or shared living areas.

https://preview.redd.it/m64ftxgbfi1d1.jpg?width=720&format=pjpg&auto=webp&s=b402ade4130c50776ce9578a52318943ca591581

What materials are Ceiling Track Room Dividers typically made of?

Ceiling Track Room Dividers are generally made from materials such as aluminum, steel, or PVC. These materials are chosen for their durability, flexibility, and ease of maintenance. Some dividers may also include glass, fabric, or wooden panels for extra style and functionality.

How do I choose the right size for a Ceiling Track Room Divider?

When selecting the size of a Ceiling Track Room Divider, consider the dimensions of the room and the desired partitioning. Manufacturers usually provide standard sizes, but custom measurements can also be requested. Make sure to measure the length and width of the room carefully and allow for additional space if mounting the track on the walls, as well as for the panels and any other hardware.

How easy is it to install a Ceiling Track Room Divider?

Installing a Ceiling Track Room Divider can be a relatively straightforward process, depending on the type of divider you choose and the complexity of the installation. Many manufacturers provide detailed installation guides, and some even offer professional installation services. The dividers themselves typically include all necessary hardware, such as mounting brackets and screws. Make sure to follow the manufacturer's instructions carefully and consult with a professional if in doubt.

What types of Ceiling Track Room Dividers are available on the market?

There are various types of Ceiling Track Room Dividers available on the market, including:
  • Fixed track dividers: These are permanent installations, suitable for use in rooms where the layout won't change frequently.
  • Adjustable track dividers: These allow for more flexibility, as the position of the panels can be easily changed.
  • Suspended track dividers: These are mounted from the ceiling and can be used to create separate spaces in multi-level buildings or lofts.

Are Ceiling Track Room Dividers soundproof for privacy purposes?

Some Ceiling Track Room Dividers do offer sound insulation, but it depends on the materials used and the quality of the construction. It's essential to consider the specific model you're interested in and check its sound-absorbing properties if privacy is a concern.
As an Amazon™ Associate, we earn from qualifying purchases.
submitted by Significant-Tower146 to u/Significant-Tower146 [link] [comments]


2024.05.20 06:22 GuiltlessMaple Best Cd Storage Boxes

Best Cd Storage Boxes

https://preview.redd.it/xr80r3duci1d1.jpg?width=720&format=pjpg&auto=webp&s=bd23b30b2b9eb8fb3e43dc9b68ae4900d7fdcacb
Looking for the perfect solution to store your CDs and keep them organized? Look no further! In this article, we've compiled a list of the best CD storage boxes on the market, designed to fit your needs and budget. These handy storage solutions will protect your precious music collection and make it easy to access your favorite tracks.

The Top 16 Best Cd Storage Boxes

  1. Organize your CDs with style - Snap-N-Store CD Storage Box - Snap-N-Store CD Storage Box: Effortlessly organize your CDs with sturdy assembly and stylish design.
  2. Double-Wide CD/DVD Storage Box for Organized Media - Sturdy and customizable, this Snap-N-Store Berry Double-Wide CD Storage Box accommodates various CD/DVD sizes and features a chrome label holder for ease of organization.
  3. Clear CD Storage Tote with Movable Dividers - Keep your music, movies, DVDs and games organized and secure with the Iris Large Media Storage Box features, including a clear lid and body for easy identification, and stackable design that saves space.
  4. Birchwood CD Storage Cabinet with Vintage Details - Store and protect your music collection like a library with this 24-drawer Birchwood CD/DVD storage cabinet, featuring library-style drawers, sturdy construction, and retro-style finger pulls.
  5. Versatile CD Storage Box Set for Optimal Organization - The HATTERTOP CD Storage Box Set of 3 is a durable, collapsible, and versatile solution for organizing up to 165 discs, suitable for both car travel and home storage needs.
  6. Aluminum Hard Case for Media Storage: 1000 CD DVD Storage Holder w/ Chrome Metal Reinforcement - Secure your media with Hongwa's 1000 CD/DVD black aluminum hard case, featuring a quarter-round shape and durable construction for ultimate protection.
  7. Organize Your CDs with Style: Snap-N-Store CD Storage Box Set (Set of 2, Black) - Organize your music collection effortlessly with the Snap-N-Store CD Storage Boxes, featuring reinforced corners, sturdy construction, and space-saving design, while adding a tasteful accent to any room.
  8. Luxury CD/DVD Storage Binder Set by Bellagio-Italia - Keep your media safe and secure with the Bellagio-Italia's Imperial & Persian CD/DVD Storage Binder Set, featuring a 128-capacity organizer for DVDs, CDs, Blu Rays, and video games, all in a classy, unique, and secure design.
  9. Stylish Acrylic Media Storage Box for CDs and DVDs - Organize your CDs in style with the AUXPhome Clear Acrylic DVD/CD Storage Box, featuring a unique and durable design that makes finding your favorite music a breeze.
  10. Megadisc 300 CD DVD Premium Aluminum Storage Case for Maximum Disc Storage - Secure your collection with the SimpTronic Tech New Megadisc 300 CD DVD Premium Aluminum Storage Case Silver, featuring durable aluminum construction, hanging sleeves for up to 150 CD/DVDs, and a sleek black interior.
  11. NETTIA ABS Storage Box for CDs, DVDs, and Blu-rays - Stay organized and protect your precious discs with the NETTIA CD/BD/DVD Storage Box - a sophisticated, moisture-proof solution perfect for home and office use!
  12. Eco-Friendly Storage Box for CD, DVD & Blu-Ray Collection - Store your DVDs, CDs, and Blu-rays with ease and style in this high-quality, eco-friendly, and scratch-resistant storage box, available in black (10290).
  13. Safe and Space-Saving CD Storage Drum - Store up to 80 CDs, DVDs, or Blu-ray Discs safely with the Atlantic Disc Manager 80 Disc Storage Drum, featuring space-saving design, protection from scratches and dust, lockable door, and easy disc organization.
  14. Portable CD/DVD Storage Wallet with 96 Capacity - UENTIP's 96-capacity CD Holder is a highly protective and durable storage solution for CDs and DVDs, saving space and keeping discs scratch-free and organized.
  15. Semikolon Multimedia CD/DVD Storage Box with Marine Blue Design - The Semikolon Multimedia CD/DVD/Photo Storage Box is a versatile and stylish solution for organizing your media, featuring 5 adjustable tabs and window on the front for personal touch.
  16. Alluring CD Storage Box with Elegant Chrome Accents - Organize your CDs with style and durability - the Snap-N-Store Standard CD Storage Box offers space for 165 discs, features reinforced corners, and comes with a chrome card holder for labeling convenience.
As an Amazon™ Associate, we earn from qualifying purchases.

Reviews

🔗Organize your CDs with style - Snap-N-Store CD Storage Box


https://preview.redd.it/qwndx28vci1d1.jpg?width=720&format=pjpg&auto=webp&s=1f3f4c8527fe71bac1d1b37cc6612080ef784ea4
I recently tried out the Snap-N-Store CD Storage Box for my music collection, and I must say it exceeded my expectations. The sturdy industrial snaps made it a breeze to assemble and secured it perfectly for long-term use. The card holder was a great addition, as it allowed me to easily label each section with the name of the music artist.
The leather-like PVC laminate exterior gave it a sophisticated, stylish appearance, complementing any room decor. However, one minor drawback was that the boxes slightly overlapped when placed next to each other, creating a stacking issue. Overall, I'm happy with this product and highly recommend it for anyone looking for an organized, attractive solution to managing their CD collection.

🔗Double-Wide CD/DVD Storage Box for Organized Media


https://preview.redd.it/4vgbdpfvci1d1.jpg?width=720&format=pjpg&auto=webp&s=31060decac43d1c40d1fe243579bc2ce465ee10d
The Snap-N-Store storage box in the eye-catching Berry color is a fantastic addition to any home or office for organizing your music and movies. I love how sturdy it is - the reinforced corners and heavy-duty panels with industrial-sized snaps really hold everything in place. It's such a simple yet effective solution for keeping CDs and DVDs neat and tidy.
The box can hold up to 60 full jewel cases, 120 slim cases, or 330 CDs/DVDs in sleeves. The chrome card holder on the front is a nice touch for easy labeling. And, with 50% post-consumer recycled content, there's a positive environmental impact to boot.
However, one thing that bugged me was that the center divider is slightly slanted or crooked, making it difficult to hold two rows of CDs properly. Despite this minor flaw, the pros definitely outweigh the cons. Overall, a great find that I can highly recommend for those looking to keep their music and movies organized.

🔗Clear CD Storage Tote with Movable Dividers


https://preview.redd.it/5bly8bvvci1d1.jpg?width=720&format=pjpg&auto=webp&s=4fe96f31d88986a3127caa4d4e7b075c2c6197dd
I recently needed a reliable storage solution for my extensive music collection and stumbled upon the Iris Large Media Storage Box. I was thrilled to see that it could accommodate up to 120 CDs, giving me ample space to organize my favorite tunes. The tote's clear design allowed me to easily identify the contents without needing to open it, which was a game-changer for my music storage needs.
One of the standout features was the snap-tight lid, which kept my precious CDs secure and protected from dust and potential damage. The clear lid and body were also perfect for quick identification, while the movable dividers made it simple to customize the container box to fit my storage preferences.
However, I did encounter a minor inconvenience when trying to organize the CDs. The plastic sleeves were challenging to remove without causing scratches on the disc itself. This required extra care and attention during the organization process.
Overall, the Iris Large Media Storage Box has been a fantastic addition to my music storage routine. Its sleek design, ample space, and protective features make it a top choice for anyone looking to keep their CDs organized and secure.

🔗Birchwood CD Storage Cabinet with Vintage Details


https://preview.redd.it/1wr2d45wci1d1.jpg?width=720&format=pjpg&auto=webp&s=13ef213f17660d0acbd7cec76b4ae7603fc8b7d3
I recently had the chance to try out this beautiful media storage cabinet in my own home, and I must say I'm quite impressed. The walnut finish adds a touch of warmth and elegance, while the library-style drawers remind you of a bygone era.
One of the things that stood out to me was the sturdy construction. The 24 deep drawers hold 19 discs each, which is perfect for my CD collection. The assembly-free delivery was a bonus too—no need to spend hours piecing it together myself.
However, the finger pull hardware on the drawers could have been better. While the label slots are a nice touch, some of the hardware felt a bit flimsy. I also noticed that the slides in a few drawers didn't seem as smooth as I would have liked.
All in all, this storage cabinet is a great addition to my home. It looks fantastic, keeps my discs dust-free, and offers plenty of room for my growing collection. The minor issues with the hardware and slides were easy to overlook considering the benefits.

🔗Versatile CD Storage Box Set for Optimal Organization


https://preview.redd.it/pzn7rofwci1d1.jpg?width=720&format=pjpg&auto=webp&s=0821052308360ca9c7d7d4db2c2504c08b66f2a9
I recently came across this amazing CD Storage Box set of 3, and I must say, it's been a game-changer for me. I used to have a mess of CDs scattered all over the place, but this set solved my storage woes in a jiffy. The large capacity is seriously impressive - it can hold up to 165 discs! The non-woven fabric material is sturdy and durable, making it the perfect long-term storage solution for my CDs.
One of the best features of this set is the lidded design that keeps my discs away from dust. It's also collapseable, which is great because it saves space when I'm not using it. And the best part? It's not just limited to storing CDs – I've found it to be a versatile organizer for all sorts of things, from books to passports to toys.
Of course, no product is perfect. I wish the handles were a bit stronger, but overall, this CD Storage Box set has been a lifesaver for my ever-growing CD collection. If you're in the market for a reliable and spacious storage solution, give this set a try – I don't think you'll be disappointed.

🔗Aluminum Hard Case for Media Storage: 1000 CD DVD Storage Holder w/ Chrome Metal Reinforcement


https://preview.redd.it/n6bw7uywci1d1.jpg?width=720&format=pjpg&auto=webp&s=1184ae75d36a05795452577440c329206d248707
Embracing the world of technology and organization, I found myself in need of a reliable and sturdy disc storage solution for my growing collection of CDs and DVDs. Enter the Hongwa CD/DVD Hard Case, a sleek and shiny addition to my media room.
Setting up the hard case was a breeze; its quarter round shape and robust aluminum construct make it a solid and durable storage solution. I was particularly impressed with the chrome metal corner and extra strip reinforcements, ensuring that my discs remained safe and secure. The case came with two hinges and two chrome locks, providing a secure and stylish enclosure for my treasured media.
As I filled the Hongwa Hard Case with my vast collection of CDs and DVDs, I marveled at the spaciousness it offered. The ability to store up to 1000 discs made me wonder how I had ever managed without it. The sleek aluminum exterior not only looked fantastic, but it also provided my discs with an extra layer of protection, keeping them free from scratches and fingerprints.
Despite its impressive features, the Hongwa CD/DVD Hard Case did have a couple of downsides. The price point might be a bit higher than some competing products, but when compared to their durability and capacity, it was well worth the investment. Shipping times were also a little longer than I would have preferred, but considering the care and attention to detail invested in the product, I was willing to be patient.
In conclusion, the Hongwa CD/DVD Hard Case is an excellent addition to any media enthusiast's setup, offering a stylish and sturdy solution for disc storage. While there might be a few minor issues with the shipping times and price point, the overall quality and functionality of the case far outweigh these shortcomings, making it a worthy investment for anyone looking to organize and protect their valuable media collection.

🔗Organize Your CDs with Style: Snap-N-Store CD Storage Box Set (Set of 2, Black)


https://preview.redd.it/pilx8e7xci1d1.jpg?width=720&format=pjpg&auto=webp&s=72106fb7e385def6ded1437de5b32a23df8d6a20
As someone who enjoys having their CD collection handy but also neatly organized, I found the Snap-N-Store CD Storage Boxes to be a game-changer. Set up was a breeze - just snap the sides together and your music organizer is ready to use. The sturdy construction and reinforced corners made these CD boxes a reliable choice, and the chrome card holder on the front was a convenient touch for labeling different genres.
However, there were a couple of drawbacks that I noticed. Firstly, the snaps on some of the boxes didn't seem as tight as I would have preferred, causing them to pop open occasionally. Secondly, the label on the card holder seemed a bit small, making it difficult to read the genre from a distance. Despite these minor issues, the Snap-N-Store CD Storage Boxes did a great job of keeping my CDs organized and within easy reach.

🔗Luxury CD/DVD Storage Binder Set by Bellagio-Italia


https://preview.redd.it/w4d453kxci1d1.jpg?width=720&format=pjpg&auto=webp&s=1ad6fbb4286f853f1444f16355d182fb0e3fdf70
Imagine walking into your living room and being greeted by a luxurious touch of elegance. This Bellagio-Italia DVD Storage Book Box set, consisting of an Imperial black and a Persian burgundy combo, does just that. These classy, eye-catching patterns not only provide a unique storage solution but also add an element of sophistication to any room in your house.
What stood out most was the complete enclosure made by the side and lid, ensuring the protection and security of your discs and other valuable items. Each box comes with 12 sheets installed, capable of holding up to 48 discs. The patented 3-ring rivet even allows for expansion with other Bellagio-Italia Insert Sheets for a more extensive collection.
The only drawback I found was its limited capacity, but given the small luxurious footprint it occupies, it's well worth it. Overall, this CD/DVD Storage Binder Set by Bellagio-Italia is a fantastic addition to your home, providing both style and functionality, and I couldn't be happier with my purchase.

🔗Stylish Acrylic Media Storage Box for CDs and DVDs


https://preview.redd.it/7rba1lzxci1d1.jpg?width=720&format=pjpg&auto=webp&s=324e8b4a59ed7e3400efeb035d490795dc18029f
This AUXPhome Clear Acrylic DVD/CD Storage Box has been a game-changer in my life. The sleek and stylish acrylic design fits perfectly with my kitchen countertop, and it's been a fantastic way to keep my CD collection organized. Its open design makes finding the specific disc I need a breeze. Plus, the unique floating and invisible effects make it look like a piece of art, not a mere storage box.
What truly sets this CD holder apart from others is its high-quality acrylic construction. Unlike those made of artificial leather or plastic, this media storage box has proven to be very durable. No more worrying about damaging my CDs or having to deal with unsightly storage solutions.
However, one downside of this product is the price point. It may seem a bit steep compared to other CD storage options, but the durability and elegant design it offers certainly make it worth the investment. Overall, I highly recommend this AUXPhome Clear Acrylic DVD/CD Storage Box for anyone looking to smartly organize their CD collection while upgrading their kitchen countertop's aesthetic.

🔗Megadisc 300 CD DVD Premium Aluminum Storage Case for Maximum Disc Storage


https://preview.redd.it/duc5ao9yci1d1.jpg?width=720&format=pjpg&auto=webp&s=7a7baeb896d0195a85be0c097988fc3abd264679
As someone who constantly deals with stacks of CDs and DVDs, I was thrilled to find the SimpTronic Tech New Megadisc 300. This sleek silver case provides a safe and convenient home for up to 300 discs, with a velvet lining and solid chrome metal corners to keep them secure. The aluminum frame, along with the ABS panel, gives the case a sturdy feel, while the chrome handle makes it easy to transport.
However, I did notice that the quality of the hanging sleeves could be improved. Sometimes, the material felt a bit cheap, and the fit was a bit tight, which could make removing the discs a bit difficult. Overall, though, I'm impressed with the product's durability and capacity, and I'm confident it will last a long time in my collection.

🔗NETTIA ABS Storage Box for CDs, DVDs, and Blu-rays


https://preview.redd.it/ypxh3onyci1d1.jpg?width=720&format=pjpg&auto=webp&s=f3cf3ed6ad2642dd3dc48adb736231e74064144d
I recently had the chance to try out the Nettia CD/BD/DVD Storage Box with Moisture Protection, Lockable - a handy little gadget that's perfect for keeping my music and movie collection organized, secure and easily accessible. This bad boy can hold a whopping 50 CDs, which is ideal for both my personal and office use.
The first thing I noticed about the Nettia box was its sturdy build. It's crafted from a high-impact ABS material, ensuring that my discs are well protected and the box lasts a long time. I also appreciated the transparent AS lid that not only allows me to show off my collection but also helps me easily locate the disc I'm looking for without having to open the lid.
However, there was one thing that bothered me - the anti-theft lock. While it's great for providing added security, it sometimes felt a bit tricky to operate. But overall, the Nettia CD/BD/DVD Storage Box with Moisture Protection, Lockable has been a game-changer in keeping my music and movie collection neatly organized. I highly recommend it to anyone looking for a reliable and stylish storage solution for their CDs, BDs, and DVDs.

Buyer's Guide

CD Storage Boxes offer a convenient and organized way to store your CDs. These boxes can be found in various sizes, designs, and materials. Whether you are an avid music collector, a professional organizer, or simply someone looking to declutter their space, CD Storage Boxes can be a great investment. This buyer's guide will help you understand the key features to consider and provide general advice to make the best purchasing decision for your needs.

Size and Capacity


https://preview.redd.it/xubwvab1di1d1.jpg?width=720&format=pjpg&auto=webp&s=22cb87ac81b8bc5a5a19364cef7a73c99ac79946
Before purchasing a CD Storage Box, consider the number of CDs you want to store. Most boxes come in standard sizes that can hold between 20 to 150 CDs. However, if you have a larger collection, you may want to look for an extra-large or modular storage solution. Make sure to measure the space where you plan to store the box to ensure it fits within your desired location.

Materials and Durability

CD Storage Boxes come in various materials such as plastic, metal, and wood. Each material has its advantages and disadvantages. Plastic boxes are lightweight and affordable, but they may not be as durable as metal or wood alternatives. Metal boxes offer better durability, but they can be more expensive and heavier. Wood boxes are aesthetically pleasing, but they can be more susceptible to moisture damage and would require regular maintenance.

Organization and Accessibility

Organization is essential when it comes to CD Storage Boxes. Look for boxes with dividers or separate compartments to easily sort your CDs by genre, artist, or any other categorization that suits your needs. Additionally, consider a box with a transparent top or side panels for easy identification of your CDs without having to open the box every time. The box should also be easy to access with clear openings and handles for effortless lifting.

https://preview.redd.it/7t5buam1di1d1.jpg?width=720&format=pjpg&auto=webp&s=56bd76acca36e5d29a94831e94aaef2149120817

Design and Aesthetics

CD Storage Boxes come in various colors, designs, and finishes to complement any room decor. Consider where the box will be placed in your space and choose a design that matches your existing interior. Additionally, if you plan to store your box in an area where it will be visible to guests or in a professional setting, look for a box with a clean and stylish design.
When purchasing a CD Storage Box, focus on size and capacity, materials and durability, organization and accessibility, and design and aesthetics. Consider your specific needs, the number of CDs you want to store, and the space where you plan to store the box. By evaluating these features, you can make an informed decision and find a CD Storage Box that suits your requirements and preferences.

FAQ

What are CD Storage Boxes?


https://preview.redd.it/3dsq99h2di1d1.jpg?width=720&format=pjpg&auto=webp&s=a770088822c9bc4fb231256b64b8a87043634093
CD Storage Boxes are specially designed containers meant for holding and safely storing CDs, DVDs, and other optical discs. They come in different sizes and materials to suit various needs and preferences.

Why do I need a CD Storage Box?

You need a CD Storage Box to keep your discs organized, protected from dust and scratches, and easily accessible. Investing in a good CD Storage Box can help prolong the life of your discs and make it easy to find what you're looking for when you need it.

What types of materials can CD Storage Boxes be made from?

CD Storage Boxes can be made from various materials, such as plastic, metal, or wood. The most common types are plastic and metal, as they tend to be more durable and lightweight. Wooden storage boxes offer a more aesthetic option for those who prefer a classic look.

https://preview.redd.it/praf2eo2di1d1.jpg?width=720&format=pjpg&auto=webp&s=4ec4a6656b3ab9713dc89397dce07911a012c638

What is the difference between a CD Storage Box and a DVD Storage Box?

A CD Storage Box or a DVD Storage Box essentially serve the same purpose, which is to store and keep optical discs safe and organized. The main difference between the two is the size, as CDs are usually smaller than DVDs and require a slightly smaller storage box.

How do I choose the right size CD Storage Box?

To choose the right size CD Storage Box, consider the number of discs you need to store. Measure the height and width of the discs to determine the correct dimensions for your storage box. Most CD Storage Boxes come in standard sizes, but customized options are available for more specific needs.

Can I use CD Storage Boxes for other types of discs, such as Blu-ray or game discs?

Yes, you can use CD Storage Boxes for other types of discs like Blu-ray, game discs, or even vinyl records. Most CD Storage Boxes are adaptable to different disc sizes, but make sure to measure the discs you need to store to ensure a proper fit.

How do I prevent CDs from getting scratched or damaged in storage?

To prevent CDs from getting scratched or damaged in storage, make sure the discs are not exposed to direct sunlight or extreme temperatures. Handle the discs gently and avoid touching the shiny, reflective side. If the storage box has an interior lining, it can help protect the discs from scratches and dust.

What are some safety precautions when using and storing CD Storage Boxes?

When using and storing CD Storage Boxes, make sure the containers are placed on level surfaces and not exposed to excessive heat or moisture. Keep the boxes away from sources of direct sunlight, and avoid stacking heavy objects on top of them. Regularly check for any signs of wear or damage to ensure the safety and longevity of your discs

Where can I find the best CD Storage Boxes for my needs?

You can find a wide variety of CD Storage Boxes online and in retail stores. Look for reputable brands, such as AmazonBasics, Satechi, or Plustek. Consider factors like the size, material, and any additional features when choosing a storage box. Read customer reviews to get an idea of the product's performance and durability.
As an Amazon™ Associate, we earn from qualifying purchases.
submitted by GuiltlessMaple to u/GuiltlessMaple [link] [comments]


2024.05.20 04:15 ReloYank13 Introducing the Dollar Per Point Table! (Matchday 15)

Introducing the Dollar Per Point Table! (Matchday 15)
Inspired by last week's post sharing the guaranteed wages for each club this season, I decided to create a weekly Dollar Per Point table, which ranks each team based on how much they pay per point.
Methodology: I took each team's guaranteed wages and compared it to their current points to see how much a point costs each team. To account for MLS's weird, irregular schedule, I looked at points per game rather than just points. I then extrapolated out the PPG x 34 to get the projected points for the full season, and then divided the team's guaranteed wage bill by their projected points to get cost per projected point.
Guaranteed Wages / (PPG*34) = $ per projected points
Current Leader: RSL has the lowest cost per projected point! They're over performing their wages more than any other club. In fact, if RSL didn't take a single point form the rest of the season, and Inter Miami won every game for the rest of the season, they'd have almost identical costs per point at the end of the year.
https://preview.redd.it/b394ttdmhh1d1.png?width=1080&format=png&auto=webp&s=bc88ca3d09614c6438fc4181b3d5f57d60a80cd2
Wooden Spoon: Despite not being bottom of the table, the Fire actually pay the most per projected point. Next worst is bottom-dwellers New England, who pay over $100k less per point. The gap is large enough that Chicago will remain bottom next week with a loss or a draw – they need to beat D.C. on Saturday to move up.
https://preview.redd.it/q45u1d00ih1d1.png?width=1080&format=png&auto=webp&s=0ed0948451d3013dc09a4765bf8f866d0d99ae85
Full Table:
Team $ per Projected Point
Real Salt Lake $200,072
Minnesota United $219,222
FC Cincinnati $257,080
Columbus Crew SC $275,715
Charlotte FC $284,885
LAFC $287,112
St. Louis CITY SC $287,323
NYCFC $296,668
Vancouver Whitecaps FC $306,271
New York Red Bulls $306,873
Colorado Rapids $320,166
Philadelphia Union $332,761
LA Galaxy $335,917
Houston Dynamo $357,379
Toronto FC $359,472
Orlando City SC $360,270
Austin FC $368,324
CF Montreal $385,167
D.C. United $393,084
FC Dallas $477,353
Portland Timbers $486,018
Seattle Sounders FC $487,665
Atlanta United $490,096
Nashville SC $547,246
Sporting Kansas City $549,291
San Jose Earthquakes $564,557
Inter Miami CF $592,201
New England Revolution $929,015
Chicago Fire FC $1,040,875
If folks are interested, I'll make this a weekly post and try to post an update every Sunday or Monday!
submitted by ReloYank13 to MLS [link] [comments]


2024.05.20 03:43 SageJarosz Ep 16: Disciple

Previous chapter
Fu Kong pulled a large kettle from her sleeve and began to throw in some aromatic herbs before she continued. “We'll need to do much before we can build your foundation. From there, you'll need to quickly advance through the first few stages, if you hope to withstand just the pressure of their presence.”
“What do you mean?” He finished washing himself and wrapped some of the loose spurs around his body. “How could I hope to stand against that divine power, especially when those who are thousands of times stronger than me didn't fare any better?”
Her laugh filled the cave. It wasn’t exaggerated. Just. Present.
“Define power?” She chuckled while hiding a toothy smile behind her sleeve. “Sweet child, they are like mere insects to me. Although I could handle them after learning where they crawled off to, I will not.”
Fu Kong finished off the last of her cup and set it down, with it a weight settled on the cave and her tone became much more serious.
“It's true that they disrespected me by acting freely within my territory, but this is not my justice to seek. Your village wasn’t even something in their sights. Those… children fought without concern for their surroundings, and you suffered because of it.” Her glare bore through him to emphasize her words. “I will teach you to reach a truly divine power so that you may bring them to justice with your own hands.”
A lump formed in Mareus’ throat. What was she talking about? Justice? How can somebody like him, someone so ordinary who can't even cultivate, be expected to take on not one but two god-like beings that can reshape the landscape as an afterthought?
The sudden shift in the conversation, left him thinking for a moment. On one hand, it was like she was spouting out dreams. On the other, it felt like she was offering the chance of several lifetimes. Either way, something felt off. Like she was raising a tool for matters that she couldn't get her hands dirty with.
Mareus didn't know anything about the customs of the outside world. He only knew about the stories that his elders would pass down of heroes from far away lands. Normally wouldn't a benefactor offer you the chance to right a wrong and gain some compensation from the offending party? This was more like she wanted him to completely destroy them and take everything that they have. At least, she made it seem that way.
Regardless of what he thought. If she was telling truth, this was the only chance he had at justice for his people. If she really could provide him the power, then he could always figure out what that justice looked like later on.
Steeling his nerves, Mareus stared into her eyes, heat rising up from his stomach. “What do I have to do?”
A brief flash of emotion akin to excitement flashed across her face for a brief moment before she said something inaudible to herself and turned back to him.
“First, you'll eat.” Fu Kong commanded.
She handed him a small bowl of a pale brown mush. It didn't have any sort of strong scent, but he could feel comfortable heat through the wooden dish. The bowl was exactly the same as every other meal she had brought him, but never touched. Only this time, the meal didn’t bring out a ravenous hunger from him.
Mareus took an experimental sip. He felt its warmth go down his throat and settled in his stomach, it radiated out and left a long overdue sensation of fullness. The food was just as bland as he was expecting.
It was so good.
He was about to dig his fingers into the mush and devour it right there when she knocked his bony knuckles with a spoon.
“Eat slowly, you haven’t eaten anything for two weeks.”
Mareus conceded that she was right. He once saw a villager, who was lost in the forest for a week without food, desperately stuff themself. If he did the same. His stomach wouldn’t have been able to handle the shock, and most likely would have made him sicker in the end.
“It’s a special congee I’ve prepared. The first few bowls I brought were normal, but as time went on I was forced to take special precautions into account.” She took a seat next to the desk and patted his stool.
Mareus briefly acknowledged the new chair and took his seat. It felt like his body was recovering with every bite. Each spoonful healing his aching heart rather than the bruises on his body. He suspected that was what the special bandages were for.
“Thank you for the food… Madam.” He quickly added. “I haven’t had anything this delicious in years.”
“You don’t need to flatter me, it’s just warm rice and simple herbs in water. It was the same as if I was preparing tea.”
Fu Kong placed her elbow on the desk and watched him eat. She didn’t seem like she was in a hurry for him to finish. So he took his time to blow on the spoon and savor the taste with every bite.
She broke the silence, “You don’t need to call me madam. I’m not from an influential family or something similar. Although,” Her eyes wandered to the ceiling. “I suppose there have been a few legends and cults created based on some of the things I did when I was younger.”
Mareus choked on his food. “I’m sorry if I’ve offended you.”
Her eyes returned to him. Those black eyes, drawing him in like they were beckoning him somewhere comfortable and quiet, somewhere final.
“You didn’t offend me. Maybe if the importance of ‘the proper way of things’ was taught to me before I stepped into the world. But once I did I ended up finding it bothersome. It interests me, how mortals limit themselves in their interactions and put on performances to cater favor with one another. How, regardless of power or position, they’re constantly jockeying amongst themselves for the smallest gains.”
Her gaze drifted to the opposite end of the cave and instead of stopping at the stone wall, it felt like she saw to the end of Idao. Possibly even further if Mareus believed all of the stories about immortals. He wanted to know what the world looked like through her eyes. If he would be able to see that world.
She continued as if her attention never left him. “You have my permission to call me whatever you’d like.”
He thought for a moment before asking, “You’re going to teach me how to get justice for my home?”
She nodded.
“And you’re my savior.”
“You could say that.”
Placing his bowl down, Mareus resisted against his bandages and gave the best martial salute he could. “May I call you ‘Mistress’ then?”
Although it could still only be called a half smile, this was the biggest smile she had openly shown him so far.
“I suppose that will be the most accurate for our coming relationship. You’ll need to finish your food though before it gets cold.”
Mareus was in the middle of scraping the bottom of the bowl for the last of the congee. He glanced at the empty bowl and then to her and back at his bowl again. But, when he looked at her again a pot the size of his head was sitting on the desk.
Fu Kong removed the lid to reveal the steaming porridge filled to the brim.
“Take your time, it’ll stay warm as long as it’s in this pot and we won’t be moving on until you’ve finished every last bite.”
He felt like she was getting back at him for all of the food he wasted over the last two weeks.
Over in the next few days, he assumed. Mareus’ life was a constant cycle of sleeping and eating. He would finish off a bowl and take a nap and when he woke up, he would do it all over again. More than a few times, he suspected her of refilling the plot since it looked big enough for a handful of meals at most.
Maybe it was because he had finally talked to the stranger or maybe she had done something to the pile furs he slept on. But he couldn't remember the last time he felt so rested. Now that his injuries were recovering, the bandages felt like they were getting looser and he could move around more freely.
Even when he washed himself, they didn't secrete any more of that foul black sludge.
It was about his twentieth meal when he was finally getting sick of the congee. Bathing in the victory, Mareus rubbed his distended stomach after finishing off the pot. Even though he felt full, possibly even over full, he didn’t feel the same way he did when he would normally over eat. Instead, he felt healthier and more full of energy than he remembered ever feeling.
What kinds of herbs did she use?
submitted by SageJarosz to FitKiwiStories [link] [comments]


2024.05.20 03:19 hot_controller I'm looking at you, Grandma Dorothy...

I'm looking at you, Grandma Dorothy... submitted by hot_controller to meme [link] [comments]


2024.05.20 03:19 Reddit_Gabordo I practice medicine at a rural area

My name is Dr. Smith, not my real name of course, but for purposes of storytelling it will have to suffice. I have been practicing medicine at an Asian country as a general practitioner. I'm relatively new and I practice at a small village, not too far from civilization, half a day's travel by car and a few hours by boat from the country's capital, but very rural nonetheless, complete with superstitious beliefs and customs. I decided to stay here when I first graduated and passed the licensure exam for two reasons: first, I have a place to stay here, my family's ancestral home (although none of my direct relatives have lived there for years), said ancestors being one of the first people to settle in the area and second, because my family had always been the physicians in this small community as far as anyone remembers. Me, my grandfather and his father before him all went to the city to study medicine and went back here to practice it, like there was a pull, a calling, to sacrifice the convenient, fast-paced city life for the quiet and serene. My mother hated the idea, as clingy as she is to me, saying things like she wanted me to always be around where she could protect me, but you can't really help it when purpose calls. To be honest, it feels good providing a wide range of services to the honest people of our small, humble town, no greater feeling than helping the less privelaged, educating them and dispelling preconceived notions and old wives tales which are aplenty in my country, especially here.
I still recall how everything began. I made a makeshift clinic at one of the rooms of my ancestral home, it used to be my grandfather's office, but it felt old, antique, and perhaps too... professional, nothing wrong with that, but I wanted my patients to feel a more homely setting. So, I rearranged a bit, removed the imposing self portrait of my great-grandfather wearing his white coat that hang on the wall and transferred it to a more private area of the house. I changed the dim, barely functioning lights into brighter, more modern ones, removed the exceedingly extravagant chandelier and equipped the room with materials and equipment that I deemed necessary for my practice. I retained the wooden floors, but outfitted the walls with charts and more colorful decorations, in anticipation for the occasional pediatric patient. It was beginning to look less like an old abandoned house where teenagers went for the spooks and more like a place of healing and betterment, a clean place offering a clean mind...or so I hope.
"Your grandfather would have a heart attack if he wasn't dead already, seeing what you've done with his old clinic" quipped Martha, our housekeeper. All I know about Martha is that my grandfather hired her as a young teen and she has been here since then, she babysat and raised my mother as her own, and even took care of me as a toddler. Considering her age, she mostly supervises the younger and more capable help rather than doing tasks herself. None of them stay at the house, but they get called upon when me or any of my relatives were expected. Most of the family consider her as one of our own at this point.
"Well i'm sure great grandpa on the other hand enjoys the change of view" I replied jokingly. "Besides, I bet the patients would appreciate not being treated in such a dark, gloomy room."
"You know how your grandfather was..." she replies, that the idea of a dark, gloomy, old man liking dark, gloomy, old places was a no brainer. "...but everything aside, it is so nice to see you again, have you been feeling better? What did your mother think of you staying here?" she said with what I felt as outmost sincerity, "I used to chase and carry you around this estate and now look at you, about to carry out your family's legacy as a physician yourself" she continued, with a hint of pride from her tone.
I smiled. I myself couldn't think of a reason why a well respected man, revered even, by this town and it's people for everything he has done would act nonchalant and depressed, always with a jaded look in his eyes and stay in an equally dim and depressing part of his house, I've always known him to be like that, but was he always?
"I am better now. It's good to see you too, I'm glad you're staying healthy, and mom sure did not like it but well...she told me to say hi on her behalf" I told Martha. She beams up and smiles on my mother's mention.
"Well...I took the liberty of digging up your grandfather's documents, records and his patient charts, I doubt many of them still live but I thought maybe you'd like to have a look, I placed them around your desk but I can relocate them if you want me to"
"No, that's perfect. That's something I actually intended to do, i'll give it a read, thank you" I replied. I know some of those patients were either old or probably dead to be honest, but seeing data as well as the cases my grandfather had to deal with might help me in the future.
"The villagers already know Dr. Smith's grandson is here, they know you're a doctor, so expect to have a patient one of these days, perhaps as soon as you give the word that your clinic is open" Martha said, as she walks out of the room smiling and slightly waving, signalling a goodbye.
"I'm not even surprised" I think to myself. Places like these, words spreads like wildfire on topics like these, the idea of someone from a known family, coming back from the city, not to mention deciding to stay indefinitely, like the whole village needed notification, like the village demands explanation.
Hours passed and as I was satisfied with my new setup for the clinic, I took a break, sitting down and looking at the mountain of paperwork and folders placed on and around my desk. I picked one, thinking to myself that I might as well have a look now, with nothing else of note to do.
Patient #010438 Name redacted 43/Female
History of present illness: Patient had 3 day history of undocumented fever, dysuria, and bilateral flank pain Did not seek consult, no medications taken
Past Medical History Unremarkable
Personal and Social History Unremarkable
OB history illegible
Physical Examination BP 110/80 HR 102 RR 20
Nonhyperemic tonsils No murmurs Clear breath sounds Nontender abdomen (+) Kidney punch test
Noted a signature of the patient claiming she was not pregnant as a form of waiver
"Jesus grandpa, couldn't your history and physical exam get any lazier?" I thought to myself. Seeing pertinent history not asked and multiple organ systems ignored on physical examination. Given, some of the writing were already faded, the quality of the paper had deteriorated greatly, and plenty of details already illegible, all in all the documents weren't that bad. It sure doesn't help though that he writes like someone in the middle of a warzone practicing heiroglyphs.
I skimmed through more of the documents and patient files, most of the cases are relatively benign, majority are outpatient visits, some are emergency cases and there are the rare ones requiring transfer to a more developed town hours from here with better services and equipment. Time passed and as I lay down the last folder in a pile, I noticed a moderately sized box, probably the size of a briefcase, placed on the floor, dusty but obviously ornate. It piqued my interest although in my mind, I was pretty sure it was nothing but more documents, I decided to give it a look.
I picked a stack up and I started to read:
Patient #00512c Name redacted 32/Female
"Weird" I thought, it was numbered differently, and definitely none of the other documents were lettered. I continued reading:
History of present illness: This is a case of a 32 year old female who came in on date redacted due to a chief complaint of multiple hematomas, abrasions, burn wounds and lacerations on her face, trunk and extremeties..."
"Trauma? An accident? Possible abuse?" I contemplated.
"...patient allegedly noticed easy bruisability 2 weeks prior to consult, followed by alleged spontaneous appearance of abrasions and lacerations 2-3 days from onset of bruising, supposedly waking the patient at night due to the sudden sharp and searing pain, initially small cuts 3-5cm widest on her extremeties and face but eventually progressing to deep cuts measuring approximately 10-50cm on her back, chest, abdomen and lower extremeties. 1 week prior to consult, patient started noticing burning sensations on her skin, causing extreme pain and leaving reddish burn marks on her body, patient also experienced lack of appetite and inability to sleep due to loud voices and..."
"Spontaneous appearance? Easy bruising could be a lot of things, but for it to occur with 'spontaneous' abrasions and lacerations? Not to mention burn marks?" I thought out loud, having doubts about the credibility of the use of the word "spontaneous". Surely it was not an accident, considering it started 2 weeks ago with noted progression. "It could be a hematologic problem with the bruising, but that wouldn't explain the sudden appearance of cuts...maybe accompanied by a dermatologic one, the patient is prone to breaks in the skin? But then again the burn marks...the voices..." I analyzed. I was leaning towards abuse, where the cuts and bruises were inflicted by someone else and the abused, whether in some form of fear or coping, decides that it was "spontaneous" rather than inflicted, but why bother lying to yourself, perhaps the one who did it to her is a partner? Or a loved one? It made sense, someone progressively becoming more aggressive with her as time went by, becoming more and more extreme, from bruises to eventually burning.
It could a combination of illnesses to be honest, one on top of another, perhaps an overly sensitive or extremely dry skin that breaks and peels until it bleeds, an allergic reaction prompting the patient to unconciously scratch till her skin became red and lichenified, voices due to lack of sleep or a mental disorder. But looking at my grandfather's physical examination of her, none of the findings solidifies the possibility of those i've mentioned. Truth be told I also partially allowed myself to tunnel vision on the prospect of an abuse, to the point I've skipped some of the chart's contents that I deemed weren't important and tried to look for information to support my claim, or perhaps to disprove it, rookie mistake, but well, I am a rookie then.
"Patient is widowed, lives alone at a secluded area near redacted, only goes out to buy some necessities from redacted but has very minimal interaction from anyone in the village"
Okay then, either she is hiding the fact someone was with her, who is abusing her like I initially thought of, or it's self harm. "I'm pretty sure grandpa considered everything that went through my mind right now. Let me check his initial impression" I thought, with a tinge of annoyance, considering I felt that the patient lied to my grandfather, and was lying to me, decades after the fact.

1 Trauma, to consider physical abuse versus self harm;

"Alright, now we're getting somewhere" I said to myself, with a bit of pride having the same thought process as a physician with decades more experience than I do.

2 To consider mental disorder, probably psychotic - premature dementia

I chuckled. Premature dementia, didn't think i'd see that term, I thought everyone including those from his time would have used schizophrenia already, then again medicine and medical knowledge isn't as easily passed around as it is now. Psychiatry as a science would be relatively new during his time compared to other disciplines so the fact he considered it based on the patient hearing "voices"? Bravo gramps.
"Well...", I thought to myself, "...plenty of things to consider and rule out, let me check what else is there." A bit of cockiness on picking my grandfather's brain out and feeling good about my train of thought, a practice consult and so far, I'm on my way to a perfect score...

3. To consider possession probably secondary to malevolent spirit

.................
I gave the document a stern look, unmoving, unblinking, emotionless. Time has stopped, and I haven't noticed. My brain trying to digest the information, the same way my stomach would probably digest a block of steel...it's just not possible. I read one of my grandfather's diagnosis again:

3 To consider possession probably secondary to malevolent spirit

I never been one for faith. Evidence is everything. Science is everything. You can replicate it, you can prove it. Most importantly...It. Makes. Sense. I look at beliefs not based on evidence and feel nothing but skepticism if not disdain. Why won't people listen to expert opinion? Why won't people believe in facts? Why explain the unknown in such convoluted ways, requiring submission of oneself when the only thing the truth requires is but comprehension. I looked at that diagnosis feeling disappointment.
Then I felt anger. "Grandpa, what the fuck is wrong with you?!" I thought to myself. Here is a woman, full of bruises, cuts and burns all over her body, claiming that she has been suffering for weeks, barely eats or sleeps, was having auditory hallucinations, in dire need of medical, if not emotional and psychological support and one of the things that comes across your mind is possession.
I tried to calm my mind, these are records of the past anyway, I thought. Maybe it was a resignation born out of incompetence. Maybe grandpa wasn't as good of a doctor as I thought he was, that the shortcomings of his knowledge and limited technology of his time prompted him to adopt a more...liberal viewpoint to medicine. Maybe he was just superstitious himself. Maybe the people of this place had leaked some of their local beliefs into his psyche. Maybe isolation changed the man. Or maybe...just maybe...there's something to it.
I've never been one for faith. That goes for my faith in science as well. To just say that something is stupid because it doesn't align with standard, accepted scientific belief is just as detrimental as its counterpart.
I decided to investigate further when I heard the entrance to the room open with force. One of the maids leaning onto the wall by the entrance, still grasping the doorknob and evidently out of breath.
"Sir...ma'am Martha...calling...for you...says...it's...it's...an emergency..." She says in between breaths.
I quickly stood up, feeling sorry for the woman, she just ran, obviously gasping for air as she arrived at the clinic and now has to lead me back to wherever she came from with the same urgency. At first I was worried something might have happened with Martha, what the maid said didn't really give much clarity, but upon arriving at the main hall I noticed Martha, standing beside a middle aged man and woman, carrying a child, no more than 10 years old. I notice the clear panic and worry on both of their eyes as the man held the boy, who was uncontrollably shaking.
"I know you're not taking any patients yet and I was considering the time, but nobody knows what to do so I..." Martha explains, quite concerned while I ordered the parents to put the child flat on the ground, with me assessing the situation. The first thing I noticed was that the child was burning hot, "possibly febrile seizure? No, too old" I thought. I asked both the parents important details while I ordered the other maid to time the duration of the child's seizure. All the while thinking of possible diseases that may present as such, "Seizure disorder? Epilepsy? Meningitis? Encephalitis?" Eventually the shaking stopped, much to the parents' relief, and I ordered them to carry the boy as we made our way back to the clinic.
"Was this the first time it ever happened?" I inquired, as I put the child on one of the beds in the clinic, securing the corners with additional pillows, noticing the sunken face and apparent exhaustion from the boy, possibly due to the ongoing fever and the recent seizure episode. Once secured, I face the parents and continued my inquiries, I eventually explained everything, elaborating on what I believe happened, I explained that for now, lowering the fever and investigating the source were what we could address, the battery of tests I plan to do (disappointingly, most of them cannot be done here, and I would have to accompany them to a hospital on another town as soon as first light breaks), and the medications and management I plan to give. Everything proceeded as planned and I asked both parents to relax and take a breather, offering them a seat and asking the help to give them water.
Things eventually settled, little Johnny's fever subsided and color came back to him. Nowhere near clear, he can worsen anytime, but that was the best that we could do at that time. The parents were still worried, understandably so, but to an extent reassured, we have a plan after all. Martha, as well as Diane (the help from earlier), now at a calmer state. We discussed the plan, how we would travel, who would accompany us and what we would bring. Eventually, our conversations became relaxed, started to shift to other things, trivial matters, such as were they lived in the village, the date and time of my arrival, recent gossip, where Martha was more than happy to share.
"I was worried the evil spirits might have gotten my baby..." Said the mother nonchalantly, as we talked about the occurrence on a lighter note. "...that's how they got Mrs. Johnson's middle child. That poor boy was never the same after."
I smiled. Not wanting to immediately correct them and sound like an uptight individual. It's part of our culture afterall, old belief systems and a way for people to cope with loss or difficulty, who was I to deny them that. I won't approach these people the hardheaded way, but I will slowly show them the realities and truths of the things they may not understand, well, at least with regards to their health.
"Well, little Johnny is safe here, we'll do what we can" pointing to their son.
Only, their son wasn't where he was supposed to be. I look at the parents, I look at both Martha and Diane, everyone who looked at where I pointed were just as shocked as I was, a split second of silence before panic ensued. Suddenly, everyone stood up on high alert and was looking everywhere. Under covers, under the bed, corners of the room, the desk, behind curtains, hell, I saw Diane look at one of the damn drawers, as if a 10 year old would fit there.
Suddenly I heard loud vomiting, retching, followed by sounds of splashing. I follow where the sounds came from and see a large pool of black, tarry liquid at a corner of my room. I slowly trace where it was coming from and there he was...little Johnny...standing...upside down...on the ceiling.
I hear everyone in the room scream, I was probably screaming too, I couldn't remember. I do remember little Johnny screaming with us though, extremely high pitched and mockingly, with bloodshot eyes, upside down, while black liquid poured from his mouth, covering his face and dripping from his hair. How was that even possible, screaming while liters of unknown fluid dripped from his mouth? I don't know.
Then he laughed, although I was pretty sure that wasn't his voice. It was deep and guttural, it cannot be the boy's voice, it cannot be any boy's voice.
Time seemed to move in slow motion, I was noticing every detail, every expression from everyone's face, I can feel the seconds hand on my wall clock move, the slow dripping of the viscous dark liquid from little Johnny, I can feel every drop of sweat on my body. I could not cope with what i'm experiencing, was it a trick of the mind, an organized prank, have I gone mad...again? So I did the only thing I know how to do...
I tried to diagnose.
"Maybe it was dengue shock all along!" I thought to myself. "Vomiting blood, paleness, fever, an episode of seizure and definitely change in sensorium" I reasoned to myself. I was coping, and I was coping hard. I was ready to drown on my self absorbtion when a booming voice snapped me out of my thoughts.
"YOU DUMB FUCK, WILL ANY ILLNESS EXPLAIN WHY YOUR FUCKING PATIENT IS HANGING UPSIDE DOWN ON THE FUCKING CEILING?" Said little Johnny, or at least whoever was speaking on his behalf, because from where I'm standing, I can clearly see that the boy was not mouthing any of the words he said.
"YOU'RE A FUCKING FAILURE, DOCTORS LIKE YOU SHOULD KILL THEMSELVES! HAHAHAHA" he laughed, I never knew laughs could sound like that, as if the words were nails, and his voice box a chalkboard.
"OH WAIT, YOU FAILED AT THAT TOO DOC! FUCKING PATHETIC!"
Of all the things that were happening...a young boy hanging upside down, a mother crying on the floor hysterically, a father staring at his son, eyes wide open and mouth agape, Martha and Diane, both crying while sharing a rosary, in the act of what I assume to be prayer...the thing that snapped me out of my trance was the words that came from little Johnny. Knowledge nobody but the closest to me should know. A secret I planned to leave behind when I left the city, a wound I intended to forget as I started anew.
Visions of my memories came flashing back...medical school...overwhelming duty...familial expectations...failure...depression...my attempt...a bottle of medications...my mother...crying...on my bedside...
"LEAVE MY SON ALONE!" Johnny's father screamed. Starling everyone in the room.
Nothing matters, the past is in the past, I am better now, and that boy needs help, more than anything.
"YOUR SON? WHY DON'T WE ASK THAT CRYING WHORE IF JOHNNY REALLY IS YOUR SON" The voice says, laughing.
At that point the mother stops crying, looks up towards johnny, then towards his husband, in a state of shock. Like what the voice said is crazier than whatever was happening at the moment.
"THE ONLY REASON THAT WHORE STUCK WITH YOU WAS BECAUSE JOHNNY'S REAAAAAAAL FATHER WOULD NOT TAKE HER!" The entity says, continuing the hysteric laughter.
We were being played. It was toying with us. And from the look on the mother's face...it seems like little Johnny did not even need to lie to do it.
Then, to everyone's horror..."It" started to run.
It ran across the ceiling in a rabid frenzy, erratic and forceful, running and jumping, hopping sideways then going on all fours, still attached to the ceiling, splashing bile and blood all over the room, all the while making a "hihihi" sound...childish and terrifying. It ran and ran, repeating the same erratic change in movements, repeating the same eerie giggle until it reached the window, stopping and standing straight, it stared outside for what felt like forever...then all of a sudden...johnny just fell, like whatever was attaching him to the ceiling just gave, headfirst into the floor, giving a very audible cracking sound.
I heard a gasp from johnny's mother. I can at least detect some miniscule chest expansion, but that cracking sound cannot be anything good. As if thinking the same thing, Martha, who was the nearest to where Johnny fell, while still clinging tightly to Diane's rosary, approached the boy.
"Johnny?" She said softly, all the while approaching an inch at a time.
As she was almost at arms length of the boy's body, she gives the mother a knowing look, confirming that he was breathing. Martha suddenly produces a piece of cloth from one of the pockets of her uniform, possibly to pack the bleeding from the head. She intended to put the cloth on top of the boy's head, but looked towards my direction, urging me forward, perhaps for me to place it properly. I walk towards the boy, takes the cloth from Martha and as I fold the cloth to circle Johnny's cranium with Martha's help, the boy immediately sat up, looks at Martha and smiles ear to ear...literally ear to ear.
"GET YOUR WRINKLY HANDS OFF ME YOU DUSTY OLD FUCK!" He barks at her, Martha screams in fear and I was taken aback.
That was all the time Johnny needed to stand and jump towards the window, breaking it and running towards the mountainside. I hear his father scream his name, quickly breaking more glass so he could fit, and immediately giving chase. The mother was still on the floor, wailing towards the direction of her child and husband. Martha, in shock, still holding the cloth she intended to wrap johnny with.
It took me a while to notice Diane shaking me vigorously. "Doctor!" She screams. "Doctor Smith! What should we do!?" She voices out, with obvious desperation.
I ignored her.
I feel scared, but taking all into consideration, I predominantly feel tired. Defeated. Insulted.
I have nothing more to give in the face of whatever that thing that took Johnny was.
I slowly walk towards my desk, I open my drawer, I take a piece of paper and I pull out my pen.
Patient #00001a Name redacted 10/M
I write, giving no thoughts to the people on the same room as me, those left behind by little Johnny and his father. "Did he catch up to him? Was the boy alright now?...is his father alright?" I wonder. I'll find out soon enough, I figured, rumors spread like wildfire around here anyways.
I continued to write with resignment, absorbed in my own little world, consumed by the horror I witnessed, the breaking of my spirit, of my beliefs, the questioning of my knowledge. I want to escape it, deny it, but that's not what should be done to the truth. So I surrendered.

1 To consider possession probably secondary to malevolent spirit

END
submitted by Reddit_Gabordo to nosleep [link] [comments]


2024.05.20 02:59 TheOneTrueAnimeGod Sionia Chapter 14

Sionia
Chapter 14
Map First Previous
“Lord Wyatt, you are needed” Called Lars that shook me out of my fascinating reading about dragon neuts.
“Yes.” I said as I pulled back the curtain.
“The city guard requests to speak with you. They are restricting entrance to Avalon given the latest attack by Mardor at Black Gate of Rowan.” Lars explained with a salute and chest bump
With a sigh, I handed my book to Gus and exited the carriage and was very impressed with the massive three story gatehouse and huge stone block readouts connected on each side. I was met by a forty something looking man of average build with black hair and dark eyes flanked by six fully fitted out soldiers.
“I am Rhys Redith captain of the guard here in Avalon. You must be Count Ryan Wyatt.” Rhys introduced himself with the question.
“Yes, I am Ryan Wyatt.” I responded with a frown and knotted brow.
“We have been expecting your arrival. The king has ordered us to assist you and provide hospitality. I am to escort you to the fortress and the rest of your party to Duggan's inn.” Said Rhys with a salute and formal bow.
“That will not do! I have several wards under my care which several are nobility.” I objected to the plan given.
“I was not aware. I will of course take you to the fortress where Lady Ludmilla will address your concerns.” Replied Rhys with a salute and bow then motioned for me to follow.
“Follow him, Jace .” I said to my new driver and climbed into the carriage.
The bridge over the north side of the Paradise River to the island of Avalon was very long at around a quarter mile or so. The readouts of the gatehouse extended a good ways into the river which had several firing positions. I suspected that the river rose and fell with a possible rainy and dry season which was why the readouts could prevent an army from getting behind the gatehouse or access to the bridge from land. The island side gatehouse was flush with the city walls and protruded into the river was equally as impressive with a descent sized recessed portico and draw bridge porch extension.
Thinking back to my travels through Europe, I decided Avalon looked like the city of East Looe, Cornwall in England but not as topographically elevated and with more renaissance style architecture than back on earth. The Roman style arched bridge was very much what we just rode across. The fortress of Avalon itself was at the highest point which was off to the left on the far east side of the island and most up stream point on the islands.
The Fortress keep was decent but still half the size of Duke Boasag's Buanna. I realized that the reason for putting my servants at an inn was because of the lack of space. However, I was determined to stay with my wards no matter the violation of etiquette it might cause. As my carriage pulled up to the entrance with the fortress that had both iron gates and metal reinforced wooden doors that were a good six feet wide and twelve feet tall each. These doors were set into no less than a three foot thick wall.
Passing through the gate was a small bricked paved courtyard that was about forty to fifty feet wide in a more or less oval shape. I saw a host of servants and two well dressed ladies waiting at the main doors to the fortress's central keep.
“Lord Wyatt, welcome to Avalon. I am Viscountess Ludmilla Skafhoggr and this is my mother Baroness Grogda Wode.” Stated a quiet plump pretty faced brown haired woman in a gaudy yellow with purple accented dress with unicorns all over it and a matching unicorn hat whose horn protruded a good foot from her forehead.
“Yes, it is a very deep pleasure to meet you as well.” Stated Lady Grogda a good looking woman who seemed to be in her mid to late thirties with black hair and unusual olive colored eyes. Her lite brown dress was quiet plain compared to her daughter's which was kind of comical in their contrast.
“The pleasure is mine for sure in meeting you ladies.” I said pouring it on a bit thick with a formal bow and sweep of my arm.
“I do not understand. Why are all your people with you?” Lady Ludmilla asked looking toward Captain Rhys but speaking to me.
“I have many wards under my protection. Thus, it is impossible to leave them alone without my presence as there are many who would try and take advantage of helpless young girls.” I stated but that failed miserably when Freya and the other three Asgardians approached fully armed with their swords.
“I would hardly call them helpless!” Spat Lady Grogda with a bit of contempt as the Asgardians were better looking than her.
“Despite appearances, they need my protection. After all, I am their guardian as I freed them from captivity.” I responded with a bit of admonishment in my voice.
“Yes, we have heard the tale. You are quiet the knight in shinning armor.” Lady Ludmilla said with obvious sarcasm.
“It is what it is. The wards will be with me wherever I am. If that is at an inn or camping on the side of the road, so bit it.” I stated with irritation.
“Do not be silly. We can host your wards and personal attendant. However, we must insist that the rest stay in the inn over there.” Lady Ludmilla said pointing to a three story building that was about fifty yards away.
“That is closer than expected. However, I accept. My people can stay at the inn while you host me and my wards.” I stated with another formal bow.
“Good, now come and we will see to your comfort.” Lady Ludmilla said with a bit of a laugh with Lady Grogda giving a small laugh and a wicked grin.
I immediately turned to Lars, Razor and Meowth and ordered that they maintain a watch on the carts and carriage around the clock as I did not want any lapse where someone would try to take advantage. I called to the wolf kin brothers to continue to protect the girls inside the fortress. Pointing to Lars, I told him to take our prisoner Andros to the adventure's guild office and turn him over and letting them know he was caught trying to steal from me. Tell them I will see them on morrow to see if Andros was telling the truth or just lying. Turning with a smile and motioned to Freya and the girls to follow me with Gus right behind me.
The inside of the fortress was decently furnished though it had more of the appearance of a military outpost than a holding of wealth as it looked quiet spartan. I was led to an upper chamber where Lady Grogda had already ordered a bath filled by the time we had arrived.
“I will see to you personally” Lady Grogda stated with that same wicked grin again.
I suddenly felt as though I was a piece of meat put on display before a hungry wolf. I steeled myself to not recoil as I just felt off with this lady.
“See to your master's baggage.” Lady Grogda ordered Gus who was surprised by the command.
Gus gave me a slight shaking of his head and left the chamber. Lady Grogda then proceeded to strip me with efficiency. Once I was naked, she suddenly took her time looking at my nakedness. She even traced my scars on my back with a click of her tongue. Walking over to the tub, I climbed in and sat down.
“Spoil sport” Said Lady Grogda as she grabbed a wash cloth.
“Do not get my wounds wet.” I said warning Lady Groda of what the doctor had told me.
“Why? Your wound is almost well healed. The stitches can be pulled out except here” Stated Grogda and tapped me on my left shoulder blade.
“I have been using a special salve from the high elves. I did not realize it was healing that fast. However, I was warned that getting my wound wet would effect my healing.” I repeated what Doctor Zalzwarth told me.
“Very well.” Groda conceded.
Lady Grogda began washing me where she was absolutely taking her time. It was obvious that she was deliberately feeling me up for her own pleasure. When she grasped my manhood. I stood up and said, “The water is cold and I am tired and hungry!”
“Humph” Pouted Lady Grogda her displeasure but began to rinse me.
Just as I was stepping out of the tub, Gus entered slightly out of breath as he had run to get my clothes with Lukas my footman helping. I sighed with relief as Gus helped me don my dressing gown.
“Old Maude will be here momentarily to apply your salve.” Gus said with a salute.
“Very good.” I replied to Gus then turned to Lady Grogda and said, “I was told you are a Dowager Baroness. Is that not so?” I blatantly asked appearing as innocent as I could.
“I will see you at the dinner bell hour.” Lady Groda said with a sort of half wave salute and stormed out of the chamber in a huff.
“Thank you, Gus. I actually thought I would have to literally fight to save my personal honor.” I remarked with a laugh.
“It was my pleasure, Lord Wyatt.” Gus responded and joined me in laughing.
Old Maude came about twenty minutes later and applied my salve and chatted about how excited she was to be in Avalon and wanting to visit one of the apothecary shops. I gave her permission but have one of the guards accompany her.
About an hour later and I was fully shaven and dressed, I heard a large bell ringing from a bell tower not far away from my chamber. With that, I headed down to the great hall that was just off the main entrance way. I was met by Lady Ludmilla who escorted me to Viscount Skafhoggr chair where she seated herself to my left. Lady Grogda appeared wearing a new pink dress and seated herself to my right. The one missing was the Viscount.
“Where is Lord Skafhoggr?” I asked Lady Ludmilla with a raised eyebrow.
“He is meeting with one of the military commanders. I believe they are deciding on how large a levy they must raise to battle the bastards of Mardor.” Replied Lady Ludmilla as she clapped her hands for servants to begin serving the evening meal.
Four exhausting hours later, I was back in my chamber with my nerves completely shot. The constant fawning and mindless chatter from Lady Ludmilla as well as the constant groping from Lady Grogda under the table had stained me to the max. I was ready for bed and was glad to sink into the lavender scented sheets. Gus grabbed a thin pallet and two blankets. Blowing out the candles he stepped into the hallway closing the door behind him. He would outside my door as custom demands while traveling.
A little over a half an hour later after Gus left, the door opened and closed quickly. I could not see in the darkness but relaxed when Freya spoke softly and slipped into bed with me. Freya did her magic on me as she mounted me taking me to new heights of pleasure. I quickly forgot all about the overly eager pursuit of the Dowager Baroness as I shared the pleasures of being with Freya. After we had sated ourselves completely, we slept peacefully in a loving embrace.
The morning came with a knock on my door that woke both Freya and I. I moaned but Freya nudged me on the chin.
“Time to wake you lazy bones.” Freya said with a laugh.
“I am not a morning person.” I said with a groan.
“Don't I know it! You were quiet the beast were you not?” Freya teased then laughed at me.
The knock on the door was more instant as I rose and put on my dressing gown. Opening the door slightly was Gus and the Dowager Baroness.
“It is early, what is it?” I asked.
“We have prepared a very special meal for you this morning.” Said Lady Grogda with a frown while she tried to look around me into the chamber.
“I see. Well, give me some time to properly dress and I will be down shortly.” I stated and continued to Gus “Have Lukas bring my shaving kit.”
“Right away, Lord Wyatt.” Gus said as he motioned down the hall where I assumed Lukas was.
About forty five minutes later and having snuck Freya out of my chamber, I was fully shaved and dressed in my dark red outfit and black beret hat that actually looked really good on me. Upon entering the great hall, I saw Lady Ludmilla seated. Lady Grogda taking me by the arm led me again to the Viscount's chair where she seated herself next to me.
“Where is Lord Skafhoggr, Lady Ludmilla?” I asked her directly.
Lady Ludmilla was quiet for a moment then said, “I guess he is sleeping. The meetings with the military commanders drag on for hours and hours. I hardly ever see him these days.” Lady Ludmilla said with a shrug of her shoulders.
“Is that so. Very well as it can not be helped. Please send my regards to Lord Skafhoggr for his hospitality. I was informed that the king would have a messages for me that Lord Skafhoggr was to give me. Could you ask Lord Skafhoggr for them?” I asked as I suspected something was just not right.
“Oh. Ah. I will of course ask my Lord Vincent for the king's message once morning meal is finished.” Lady Ludmilla said and looked discombobulated.
“I see. Please do so. The king ordered me to arrive in Camelot immediately. I can not dally and spend extra time as I normally would do. I hope you understand.” I said making extra emphasis on the king's order part.
“Yes. What the king commands we all must obey.” Lady Ludmilla said sourly but not looking at me.
Lady Ludmilla then clapped her hands and the servants brought in the morning meal. What surprised me was my meal was different from everyone else. Looking at both Lady Ludmilla and Lady Grogda something in the back on my head screamed warning warning.
The silver plate before me was a type of stew with a strong overpowering spice scent. I frowned and began to think hard and fast.
“This is a specialty from the High Valley region. I hope you like it.” Lady Grogda said with no expression at all.
My alarm bells went off even stronger this time. A footman came over to fill my cup which I deliberately knocked over and profusely apologized for my clumsiness.
“You know, I am from the High Valley region too. I have never been a fan of overly spiced foods. Lets see how spicy it is.” I stated and took a scoop with a spoon and handed it to the footman to taste.
The footman was surprised but more than happy to taste the food as it was obvious that food for the staff was very plain and simple.
“You should not do that! It is not right!” Lady Grogda said as she stood up showing more alarm than outrage.
The footman had already consumed the sample where he at first looked like he liked it. However, he suddenly started to choke as his face turned bright red and falling to his knees. Lady Ludmilla stood up in horror as the footman was gagging begging for water. I handed him my silver chalice with what I assumed was apple cider where he chugged it down then begged for more.
Finally, after three more cups of water given by another footman, first footman just lay on his back almost in a stupor. It was as if his mind was blank.
“What is this?” I asked as I pointed to my meal looking at both Lady Ludmilla and Lady Grogda.
“I do not know!” Said Lady Ludmilla looking at her mother with a strange look.
“Do not give me that! What did you do?” I demanded with a my voiced raised and now pointing my finger at them.
“It was a love potion. It was to make you like me.” Said Lady Grogda meekly and looking sheepishly at the ground.
“Seriously! That was more than a simple love potion!” I yelled my outrage.
“I swear that is all it was. I had to hide its not so pleasant taste with spice.” Lady Grogda stated her defense but still not able to look me in the eye.
“Lady Ludmilla, I must now ask that you bring me the king's message as I am now leaving Avalon.” I commanded with rage in my countenance.
Lady Ludmilla fled the great hall without replying. Lady Grogda just sat down with her head down looking at the floor saying nothing.
With exasperation, I called out to my people. “House of Wyatt, Ladies and girls we are leaving! Quickly gather your things and be out front within a little span!”
With that, I stormed out of the great hall to the shock of all present. Up in the guest chamber, I changed clothes into my bluejeans, a blue shirt and a tan leather vest. Pulling on my boots and strapping on my weapons belt, I looked over seeing Gus and Lukas already packed up my discarded clothing and was ready to leave as they were staying clear of my angry outbursts.
Down at the carts, I ordered my guards to ready themselves to leave. I sent Lukas to call all the servants in the inn to be ready to leave immediately. Razor and Meowth jumped down from their perch on the first two carriages with questioning looks.
“They tried to poison me! Can you believe it?” I said angrily as I swept my arm to point at the fortress.
“Meow Lord Wyatt, that is clawful. Do you want meow to use them like a scratching post?” Asked Meowth as her tail went straight in what I assumed was either surprise or anger.
Razor just gave a low grumbling growl with teeth bared as he looked at the fortress.
Forty minutes later as my people were loading up, Lady Ludmilla approached with her head down.
“I am sorry Lord Wyatt. It seems you do not have any messages from the king.” Lady Ludmilla said never once looking me in the eye.
“I see. Send a message to the king that I left Avalon today and as commanded traveling as quickly as I can. The king is expecting my update so make sure it is properly sent!” I said with a warning.
I ordered a florse saddled for I needed fresh air as I was still furious. I actually led our people out and toward the main north south road which Nick panicked a bit and settled with riding next to me. As we approached the main crossroads of the city, I saw a large dinning hall and ordered a halt for all of our people to have breakfast. The meal consisted of roasted mutton, eggs, apple pancakes and apple jam. They also had fresh chilled milk and apple cider which really went well with the sweet dishes. Our group apparently cleaned them out and they had to turn away a few customers until mid day.
After breakfast, I went to the adventurer's guild that was a few buildings to the south. It was a four story building of decent size. I allowed Old Maude with a one of the house guards to go to the apothecary shop across the road along with the two Alphardian servants Aura and Sylvia. Inside the adventurer's guild, I asked for Marine as instructed. It was then I learned that Marine was Zack Talley's girl where they were to marry soon as she proudly let me know her good news.
“Zack said to tell you this is a level one escort. Whatever that means.” I repeated what Zack had told me to say.
“Thank you. It simply means Zack thinks there would be no problems and just being present is enough to discourage any potential thieves. The total is two hundred fifty denari for basic escort with an A ranked adventurer.” Marine said with a smile
After paying the fee for the job request, I asked Marine to speak to someone about Andros that was brought in by man guard Lars.
“I am Supervisor Etan Borg and assistant to Guild Master Henry Stewart. It is a pleasure to be at your service Count Wyatt.” Stated Etan with a salute and bow.
“Pleasure is mine.” I replied with a salute and nod of my head.
“We have investigated Andros. His party the Finders of Avalon specialize in retrieving lost items or stolen goods from thieves. It appears his party was specifically requested to recover a lost ventu volpis. We do not have any more details for the job other than this.” Etan stated as he read from a page in his hand.
“Who hired them to steal from me? Make no mistake, they were hired to steal from me!” I said as I was showing my anger and frustration.
“Normally, we would not disclose who posted job requests to those not apart of the contract. However, given the circumstances, I was instructed to tell you it was Viscountess Lady Ludmilla. It seems she contracted and paid a merchant from Xanadu for a ventu volpis. It is our understanding that merchant was placed on a Quenya trade ship where he will go on trial for his many crimes in Svarta. The Finders of Avalon should not have tried to take your ventu volpis. Nor should they have taken on the job given the crimes of the merchant without more information.” Etan explained what the guild knew.
“What will happen to Andros?” I asked frankly.
“The Guild Master will hold a hearing with S and an A ranked members who will advise on the issues. I expect he will be found guilty but will escape the ten year punishment. More like one to two years of labor for the guild doing low ranked jobs that no one wants while being supervised by myself or a C ranked or higher adventurer. His pay will be one third of normal with the rest going to repay the guild and costs associated with his lapse in judgment.” Etan replied with a shrug of his shoulders.
“I see. The thing that irks me is they attacked my people and wounded one of my guards with a slinger's stone.” I explained my outrage.
“I was not aware of this fact. Master Stewart will compensate you as the law requires. Unfortunately, Master Stewart left for Camelot for meetings with the war counsel on Astria's response to the Empire's latest invasion. I will send a filoxis to let Master Stewart know that there was injury, offense and honor requirements. I understand you will be traveling to Camelot and am certain Master Stewart will seek you out to give you a formal apology and see you are properly compensated.” Etan stated with a salute and bow.
“Good enough. Let me know the outcome of the hearing for Andros. I do not like loose ends and a potential enemy looking for revenge.” I said mater of factually.
“Understood. I will relay your concerns to Master Stewart. Etan replied with another salute and bow.
Leaving the adventure's guild, I decided to visit the tradesman's guild and merchant's storefront while Old Maude was still busy across the street. The girls came with me as they had been requesting things like combs, brushes and scented oils plus a few other special feminine items they needed.
Once all the girls got what they were needing and getting those items stowed with their baggage, Old Maude came back with a small crate filled with items to make medicines. While the baggage was being loaded and sorted, I went to see the information broker's desk and inquired about Chamberlain Robert Duffy. I paid the requested fee of one erythro given his status in the city. I was shown a file which listed the qualities, character and known habits of Robert. There was a section about vices and food preferences. The only vice was seeing a woman who was a widow listed as a paid mistress. Basically, Robert was a straight as an arrow honorable man. I smiled as the report made me feel better about who I was helping.
Finally, with everyone loaded up, we headed out of the city of Avalon over the southern main bridge and gate that was just like the north one but slightly longer with a guard tower protected draw bridge section to let ships pass. After about two hours, I had calmed down enough that I rode in the carriage as was expected of a person of rank. I just looked out seeing nothing but the vast wheat fields of the Capital Region realizing how lucky I had been to escape the evils of the ladies of Fortress Avalon.
submitted by TheOneTrueAnimeGod to HFY [link] [comments]


2024.05.20 02:38 Electrical-Night-126 The slow journey of turning a house into a home. My advice.

Today after years of living in a house that didn’t feel like a home I’ve finally reached a place where I’m satisfied with the way it looks and feels.
If I had to start over again (and I had no idea about gardening, interior design or anything of the sort when I started) this is what I’ve learned.
  1. Timber is warm and welcoming
  2. warm light bulbs and lamps for a cosy atmosphere
  3. Rugs soften hard floors like tiles
  4. Indoor plants are relaxing
  5. I like ceramic, rattan or tribal wall hangings for a unique way of decorating that isn’t large artworks
  6. Get an outdoor setting that is comfortable to create another room to sit outside.
  7. Trees and more trees in large pots for a lush and calming small garden. Mixed with hanging pots on the fence
  8. Oil the timber fence to make it look more finished.
  9. Get plastic not metal fans as they don’t rust
  10. Add a timber chair to front entries for a place to sit that looks inviting.
It’s taken me a long time to figure these things out having no prior experience. I never realised how much a lamp can improve the feel of a room - or how a rug can soften up a hard floor. I don’t know why I didn’t know these things. Perhaps because my parents had a mix and match hand downs furniture and no idea of how to create a cosy space.
Prior to this I was happy with just having the basic furniture and that’s it!
submitted by Electrical-Night-126 to AusRenovation [link] [comments]


2024.05.20 01:12 Sweet-Count2557 Best Breakfast in Madison Wi

Best Breakfast in Madison Wi
Best Breakfast in Madison Wi Are you ready to embark on a mouthwatering journey through Madison, WI's best breakfast spots? Well, buckle up because we've got the ultimate guide for you!We've scoured the city, gathering insights from locals, travel writers, and tourists to bring you the crème de la crème of breakfast places. From casual diners to rustic-chic eateries, we've uncovered a wide range of options that will satisfy even the pickiest breakfast connoisseur.So, get ready to indulge in delectable dishes, charming atmospheres, and excellent service as we unveil the hidden gems of Madison's breakfast scene together!Key TakeawaysMickies Dairy Bar, Marigold Kitchen, Short Stack Eatery, and Montys Blue Plate Diner are highly recommended breakfast places in Madison, WI.These breakfast spots offer a variety of delicious dishes including egg plates, sandwiches, pancakes, and more.The restaurants are praised for their taste, variety, affordability, service, atmosphere, and accessibility.Each place has its own unique decor and ambiance, ranging from eclectic and colorful to rustic-chic and modern.Mickies Dairy Bar: a Casual Eatery With Delicious Egg Plates and ToastsWe highly recommend trying the egg plates and toasts at Mickies Dairy Bar, a casual eatery known for its delicious breakfast options. Located in Madison, WI, Mickies Dairy Bar is one of the best breakfast places in the area.The menu offers a wide variety of choices, including their famous egg plates and perfectly toasted bread. Whether you prefer your eggs scrambled, fried, or poached, Mickies Dairy Bar has got you covered. The eggs are cooked to perfection, with a fluffy texture and a rich, savory flavor. The toasts are crispy on the outside and soft on the inside, making them the perfect accompaniment to your eggs. The portions are generous, ensuring that you leave the restaurant satisfied and ready to start your day.Mickies Dairy Bar also offers lunch and dinner options, making it a great choice for any time of the day. The prices are affordable, making it a popular spot among locals and tourists alike. So, if you're looking for the best breakfast in Madison, WI, Mickies Dairy Bar is definitely worth a visit.Now, let's move on to the next breakfast spot on our list: Marigold Kitchen, a rustic-chic diner serving incredible sandwiches and American favorites.Marigold Kitchen: Rustic-Chic Diner Serving Incredible Sandwiches and American FavoritesMarigold Kitchen is a rustic-chic diner that offers a delightful dining experience. They are known for their incredible sandwiches and American favorites. The restaurant also incorporates Mexican-inspired dishes into their menu, providing a unique twist to their offerings. With their affordable pricing options, Marigold Kitchen is a must-visit for those looking for delicious food in a charming atmosphere.Decor and AmbianceThe decor and ambiance at Marigold Kitchen combine traditional and modern elements, creating a beautiful and inviting atmosphere.As you enter the restaurant, you're greeted by warm tones and cozy lighting that instantly make you feel at home. The walls are adorned with rustic artwork and vintage photographs, adding a touch of nostalgia to the space.The seating arrangements are thoughtfully placed, allowing for both intimate conversations and larger group gatherings. The combination of wooden accents and contemporary furniture creates a harmonious blend of old and new.This attention to detail extends to every corner of the restaurant, from the charming floral arrangements on each table to the soothing background music that enhances the overall dining experience.Whether you're seeking a leisurely breakfast or a quick bite, Marigold Kitchen provides the perfect setting to start your day in Madison, Wisconsin.Mexican-Inspired DishesAt Marigold Kitchen, we love exploring the delicious Mexican-inspired dishes on their menu. From flavorful tacos to hearty enchiladas, Marigold Kitchen offers a taste of Mexico right here in Madison.Here are five must-try Mexican-inspired dishes at Marigold Kitchen:Chorizo Breakfast Burrito: A mouthwatering combination of spicy chorizo, scrambled eggs, cheese, and salsa wrapped in a warm tortilla.Huevos Rancheros: A classic Mexican breakfast dish featuring fried eggs served on a crispy tortilla with refried beans, salsa, and avocado.Chilaquiles: Crispy tortilla chips smothered in tangy salsa verde or red sauce, topped with cheese, sour cream, and cilantro.Breakfast Quesadilla: A cheesy delight filled with scrambled eggs, bacon or sausage, peppers, onions, and served with salsa and sour cream.Mexican Street Corn Pancakes: A unique twist on traditional pancakes, these fluffy corn pancakes are topped with grilled corn, cotija cheese, lime crema, and cilantro.Indulge in these flavorful Mexican-inspired dishes at Marigold Kitchen and experience a culinary journey south of the border.Affordable Pricing OptionsWe frequently enjoy exploring the affordable pricing options at Marigold Kitchen and finding satisfying options for our budget. Marigold Kitchen is a rustic-chic diner that serves incredible sandwiches and American favorites. They also offer some Mexican-inspired dishes for those looking for a little spice.The taste and variety at Marigold Kitchen are top-notch, and the prices are affordable, making it a great choice for breakfast on a budget. The service is good, and the combination of traditional and modern elements in the decor creates a beautiful atmosphere.But if you're looking for a downtown diner known for incredible pancakes and toasts, then Short Stack Eatery is the place to go.Short Stack Eatery: Downtown Diner Known for Incredible Pancakes and ToastsWe absolutely love Short Stack Eatery for their incredible pancakes and toasts. Here are 5 reasons why this downtown diner is a must-visit:Variety: Short Stack Eatery offers an impressive array of pancakes and toasts that cater to all taste preferences. From classic buttermilk pancakes to unique flavor combinations like lemon ricotta and blueberry compote, there's something for everyone.Quality Ingredients: The pancakes and toasts at Short Stack Eatery are made with high-quality ingredients, ensuring a delicious and satisfying breakfast experience. The pancakes are fluffy and light, while the toasts are perfectly toasted and topped with fresh, flavorful ingredients.Cozy Atmosphere: The diner has a warm and inviting ambiance, with friendly staff and comfortable seating. Whether you're grabbing breakfast with friends or enjoying a solo meal, you'll feel right at home at Short Stack Eatery.Local Focus: Short Stack Eatery prides itself on supporting local farmers and producers. They source their ingredients from nearby farms and businesses, ensuring that each dish is made with fresh, local ingredients.Outdoor Seating: On a sunny day, you can enjoy your breakfast on the outdoor patio at Short Stack Eatery. The charming outdoor seating area provides a relaxing and enjoyable dining experience.Overall, Short Stack Eatery is a top choice for breakfast in Madison, thanks to their incredible pancakes and toasts, cozy atmosphere, and commitment to using quality, local ingredients.Montys Blue Plate Diner: Outdoor Seating and Vegan Options AvailableThere are vegan options available and Montys Blue Plate Diner also offers outdoor seating. This popular breakfast spot in Madison, WI is known for its scrumptious sandwiches, egg plates, and classic dishes that are served all day. Whether you're in the mood for a hearty breakfast sandwich or a delicious plate of eggs, Montys Blue Plate Diner has got you covered. The diner has received high ratings for its taste and variety, as well as its excellent service, inviting atmosphere, and accessibility for all guests.To further emphasize the strengths of Montys Blue Plate Diner, let's take a look at the following table:StrengthsRatings (out of 5)Taste & Variety5Service5Atmosphere5Affordability4Accessibility5As you can see, Montys Blue Plate Diner excels in all areas, making it an excellent choice for breakfast in Madison. The stunning decor, with its blue walls and white accents, adds to the overall dining experience. Whether you're a vegan looking for options or simply want to enjoy your breakfast in the great outdoors, Montys Blue Plate Diner is the perfect destination.Bassett Street Brunch Club: Colorful Brunch Place With Delicious Egg Plates and SteaksAlthough it may not be as well-known as some other breakfast spots in Madison, Bassett Street Brunch Club is a colorful brunch place that serves up delicious egg plates and steaks. This vibrant eatery offers a unique and visually appealing setting, making it a hidden gem for brunch enthusiasts.Here are five reasons why Bassett Street Brunch Club should be on your breakfast radar:Stunning Interior: Step into the brick and glass structure of Bassett Street Brunch Club and prepare to be amazed by its stunning interior. The vibrant colors and eclectic decor create a lively and inviting atmosphere.Delicious Egg Plates: Whether you prefer your eggs scrambled, fried, or poached, Bassett Street Brunch Club has you covered. Their egg plates are cooked to perfection and served with a side of mouthwatering accompaniments.Tasty Steaks: If you're in the mood for something heartier, Bassett Street Brunch Club also offers delicious steaks. Sink your teeth into a juicy and flavorful steak that will leave you satisfied.Colorful Brunch Vibes: The ambiance at Bassett Street Brunch Club is nothing short of lively and colorful. The vibrant atmosphere adds to the overall dining experience and sets the stage for a memorable brunch.Convenient Location: Situated on W Johnson St in Madison, Bassett Street Brunch Club is conveniently located, making it easily accessible for locals and tourists alike.Lazy Janes Cafe and Bakery: Delicious Waffles, Pancakes, and Other Breakfast ClassicsLet's head over to Lazy Janes Cafe and Bakery for some delicious waffles, pancakes, and other breakfast classics. Located at 1358 Williamson St, Madison, WI, Lazy Janes offers a rustic vibe with its wooden floors, tables, and chairs. Whether you're in the mood for a stack of fluffy pancakes or a crispy waffle, Lazy Janes has got you covered. They also serve hot or cold beverages to complement your meal.To give you a visual representation of the best breakfast places in Madison, WI, here is a table showcasing some of the top options:Breakfast PlaceHighlightsMickies Dairy BarCasual eatery with delicious egg plates and toastsMarigold KitchenRustic-chic diner serving incredible sandwichesShort Stack EateryDowntown diner with outdoor seatingMontys Blue Plate DinerOutdoor seating and vegan options availableBassett Street Brunch ClubColorful brunch place with delicious egg platesLazy Janes Cafe and BakeryDelicious waffles, pancakes, and other breakfast classicsLazy Janes Cafe and Bakery is a popular choice for breakfast in Madison. With its mouthwatering waffles, pancakes, and other breakfast classics, it's no wonder why locals and tourists alike flock to this cozy spot. The cafe's rustic vibe and wooden decor create a warm and inviting atmosphere for diners. Whether you're craving a sweet or savory breakfast, Lazy Janes has a variety of options to satisfy your taste buds. Don't forget to pair your meal with a hot or cold beverage for the perfect start to your day.Frequently Asked QuestionsWhat Is the Address and Contact Number for Lazy Janes Cafe and Bakery?Lazy Janes Cafe and Bakery is a delightful breakfast spot in Madison, WI. They offer delicious waffles, pancakes, and other breakfast classics.With a rustic vibe and wooden floors, tables, and chairs, the atmosphere is cozy and inviting.You can find them at 1358 Williamson St, Madison, WI 53703. To reach them, you can contact them at (608) 257-5263.Whether you're craving a hearty breakfast or a sweet treat, Lazy Janes is a must-visit.What Type of Cuisine Does Montys Blue Plate Diner Serve?Monty's Blue Plate Diner is known for serving a variety of delicious cuisine. Their menu includes scrumptious sandwiches, egg plates, and classic dishes that can be enjoyed all day long.With options for outdoor seating and vegan choices, this diner aims to cater to a diverse range of tastes and dietary preferences.The restaurant has received high ratings for its tasty food, excellent service, welcoming atmosphere, and accessibility.Monty's Blue Plate Diner is a fantastic alternative for those seeking a delightful dining experience in Madison, WI.Where Is Bassett Street Brunch Club Located in Madison?Bassett Street Brunch Club is located in Madison, WI. This colorful brunch place offers delicious egg plates, toasts, and steaks.Housed in a brick and glass structure, it's recommended for its stunning interior and vibrant atmosphere. Situated on W Johnson St, it provides a visually appealing setting for a satisfying breakfast experience.Which Breakfast Places in Madison Offer Outdoor Seating?Several breakfast places in Madison offer outdoor seating, providing a delightful experience for those who enjoy dining al fresco.Whether it's enjoying a sunny morning at the charming Lazy Janes Cafe and Bakery, savoring a meal at the vibrant Bassett Street Brunch Club with its stunning brick and glass structure, or basking in the lush green backdrop of Madison Sourdough's outdoor seating, there are plenty of options to enjoy the fresh air while indulging in a delicious breakfast.Which Madison Restaurants Offer Vegan and Vegetarian Breakfast Options?There are several Madison restaurants that offer vegan and vegetarian breakfast options.Montys Blue Plate Diner is a great choice, with its outdoor seating and delicious vegan dishes.Bassett Street Brunch Club is another option, known for its colorful interior and menu that includes vegan and vegetarian egg plates and toasts.Lazy Janes Cafe and Bakery also offers vegan and vegetarian breakfast classics like waffles and pancakes.These restaurants provide tasty options for those following a plant-based diet.ConclusionIn conclusion, Madison, WI offers a plethora of breakfast spots that will make your taste buds tingle and leave you craving for more.Whether you're a fan of egg plates, pancakes, or sandwiches, the city has something to satisfy every palate.From the casual vibes of Mickies Dairy Bar to the rustic-chic ambiance of Marigold Kitchen, you'll find yourself immersed in a culinary journey like no other.So, don't wait any longer, embark on this breakfast adventure and indulge in the best morning meal Madison has to offer!
submitted by Sweet-Count2557 to worldkidstravel [link] [comments]


2024.05.20 00:56 orangeplr I believed in fairies as a kid. I think something terrible happened to me

I believed in fairies as a kid. More than believed in them. I think something terrible happened to me, and I've just buried it until now.
Call me a typical emotion-bottling man, but I have never considered therapy. No matter what I went through, no matter how many times I thought to myself, verbatim, that I should talk to someone about this, I just never thought of it as an option. It simply wasn't on my roster. It was just one of those things that existed on a separate plane of existence than I was living in, never to cross paths or interact lest the universe collapse in on itself.
I have no problem with therapy, don't get me wrong. It isn't like I don't understand the overall appeal. I have plenty of friends who swear by it, swear it has helped them tremendously, including my wife. It just wasn't ever something I thought was in my cards.
"I just never really thought about it," I told Alice one evening, when she had brought the topic up once again after dinner.
There was a serene sense of peace wafting through the entire house that day, and I was feeling content. It was a Sunday, and swimming season, so we had dropped Emmie off that morning at the public pool for practice and gone straight to our favorite breakfast place. The rest of the day was filled with all the conversation that had built up over the week, all the topics we couldn't fully dig into with each other while babysitting our eight year old, and lounging, all crammed in between sporadic bursts of housework and paperwork we had to catch up on. It was the perfect day, in my humble opinion. It was a lovely moment of peace in the midst of a chaotic life, as is life with kids. And now the sounds of Mario Kart drifted in from the living room, Emmie's squeals cutting through the cheery music every now and then, causing Alice and I to share small smiles of acknowledgement.
Oh, to be a child again. Still a little drenched from a post-swimming shower, full of chili, eyes glowing with the reflection of a television screen.
"Well, maybe you should." My wife was scooping leftover chili into a Tupperware with a ladle. Her hair had been tied up like it was every day after dinner, as if she planned to run a marathon rather than do the cleaning up. She wasn't looking at me, dialed into the task at hand.
It's crazy how some parts of my memory could be so good, and others nonexistent.
I reached over from where I stood before the dishwasher, sliding my arm around her waist. She gave me a look, like, what?
"I just don't think it's for me, babe," I muttered, resting my mouth on her shoulder as if I was trying to skip her ears and speak right through her skin. "You know those things make me uncomfortable sometimes."
She let out a half groan, half sigh, setting down the container and the ladle and turning to face me, draping her arms over my shoulders.
"Everything makes you uncomfortable, John."
I smiled, letting my hands fall to her hips. I knew her frustrated act was just that, an act, at least for the most part.
"It's good for you," she continued pointedly, reaching up to tap her pointer finger against my forehead as I swayed her back and forth to a nonexistent tune. "Like medicine. And I know for a fact there are some things you need to work through."
I feigned offense. "You think I'm some kind of nut job?"
"Everyone needs therapy," she snarled, pulling out of my arms, but she didn't resist when I reached out and drew her back in. "Not just nut jobs."
And that was how most of those conversations went. Some got a little more heated, ending with a lightly slammed door (so as not to wake our daughter) and a whisper-shout of "this is why you need therapy!"
I feel I'm making it sound bad, but it wasn't. Even our more serious fights never quite felt like fights. They felt like playing. We were like two cats, biting and tackling and swishing our tails, but never baring our teeth to hiss. I never felt genuine, full-bodied anger towards her, and I knew she felt the same. It sounds sappy, but we were just very in love. I sometimes felt that we had never actually left the honeymoon phase.
I'm also making it sound like that conversation was incredibly common, and it wasn't. It came up maybe once every few months. I knew she was just looking out for me. She knew me better than anyone.
We had met through mutual friends, and we had initially bonded over our terrible childhoods. We both had moms who were out of the picture, and over emotional, over compensating dads, although this manifested in vastly different ways. Alice's mother left her father for a D-list rockstar type, following him on his state wide tour. She would sometimes send Alice letters or postcards from the road, although her dad wouldn't always let her keep them if they seemed to be stained with blood or seemed to have made contact with any strange white powders.
Her dad coped with anger. He never laid a hand on her, but his shouting and the sounds of glass bottles smashing against the walls kept her up almost every night. During the days he'd take her out, buy her things, go mini golfing and bowling and to the movies. Anything to seem more fun than her mother.
My mother passed away on my seventh birthday. She was driving home from work, which was at a law firm half an hour away from our house, when it began to rain. She was texting my dad her ETA when she ran a red light and a semi truck T-boned her, completely obliterating her car.
After that, everything changed. My seventh birthday could've been my twenty-first. At night it was the worst. I remember sitting with my dad as he cried, curled up in a sobbing ball on the filthy living room carpet, whimpering like a kicked puppy. He would scream and wail so loud the walls shook. He would say, over and over as if I wasn't hearing him, sometimes mumbling and sometimes shrieking, "She was cut in half. I'm sorry sir, she's gone. No, there's no chance she survived, she was completely cut in half."
The days were almost worse. During the day, when he could decrease the helpless wails into weeping at the very least, his attention turned to me. He tried to get something out of me, almost silently begging me to break down with him. Every other second it was, "How are you feeling, son? Do you understand what's happening? You poor thing, you must be devastated, your mommy is gone... Don't you want to cry?"
But I couldn't indulge, and I didn't want to. I had to wash the sheets, because he'd pissed them again, and I didn't want him to sleep in it and smell like pee when he took me to school the next day. I had to vacuum the carpet, so the next time he curled up on it and begged God to take him too, when he finally stood up, his cheek wouldn't be caked in crumbs and dust.
I don't know if I ever truly mourned. My mother's death was more like an absence, as if someone had taken a pair of scissors and carved a chunk out of my side, or snipped off a limb. I could still feel her, I could still talk to her, but all I got back was a deep ache and a crushing silence.
I hated how people reacted when I told them my mom was dead, and had been since I was a little boy. I hated the looks on their faces when they asked how she died, and when I told them. How their mouths fell open dumbly and their eyebrows twisted and contorted in sympathetic horror. "I'm so sorry, I didn't know," they said, as if there was vomit rising in their throats, and I wanted to say, "Well, you fucking asked, didn't you?"
Alice never reacted like that. In fact, she never really even asked me what happened. We were on our second date, nursing beers while leaning against the pool table a a dingy speakeasy, when she told me about her own mom. It was the first time in a long time I actually felt like the conversation was open, like I could respond and she would listen and care, but not too much. Not an uncomfortable amount. When I told her about my parents she didn't say anything, and her pretty face didn't contort. She leaned over the corner of the pool table and kissed me on the cheek, took my hand.
The day she found out she was pregnant, we promised each other to be better, to not let our child ever have to grieve alone or feel the very specific hopeless terror that only a parent can cause.
So maybe I should have listened to her. Maybe I should have gone to therapy the first time she brought it up, the first time she told me how it had helped her get through her own terrible memories. But if I'm being honest, I didn't think I had anything to get through. I had left it in the past, I had coped so far in my own somewhat crooked way, I didn't want to dig any of that back up. I didn't want to be put back in that place where I was expected to talk, to cry, to open up. It made my skin crawl just thinking about it.
"I was always the therapist," I would say to her with a crooked grin. "And I like it that way."
Then, the dreams started.
I could tell you I don't know what triggered them, I don't know why it was now. But that wouldn't be the truth. I know exactly why I started to remember.
At first, they were brief. Nightmares that I couldn't quite recall or explain, waking up disoriented and a little sick. The rest of my day would feel strange, like I was surrounded by a thick fog. Eventually, they started to wake me up in the middle of the night, drenched in sweat and screaming, scaring the shit out of my wife. Once I ran to the bathroom and threw up, barely making it to the toilet. That was when the word "therapy" came up again.
It feels like I've been in a coma for twenty years, and I'm just waking up now.
It's so strange how different the world looks to a child.
I believed in fairies as a kid. Laugh it up if you want. When I turned four, my aunt brought me this book - we've all had one, I think. It was one of those huge hardcover books filled with information about something mythical, with little patches of fabric to simulate a mermaid's scales or a dragon's claw.
Mine was about fairies, and it was so real to me. My mom would sit up with me later than she probably should have, reading to me, placing my hand on the textures to feel. I wanted to know everything about them, I became obsessed, and naturally, my parents played along. They bought me toys, books... every year I had a fae themed birthday cake, and any kid who dared to giggle behind their hands weren't invited to next year's celebration.
When I was old enough to use the internet, supervised of course, I began further research. My mom helped me navigate Wikipedia first, and they had plenty of information to sustain me for a while. My interest turned from wings and magical powers to different types of fae from every corner of the earth, mushroom rings and their alleged distaste for iron. While I still wasn't very good at reading, I would just look at the pictures until she got home from work.
When my mom died, the fairy memorabilia began to amp up. My aunt bought me new books, gave them to me wrapped and tied with ribbons with tear filled eyes, and my dad brought them up whenever he thought I needed comforting and felt strong enough to leave the house. "Wanna go look in the forest for fairies, son?"
I'm embarrassed to admit it, but I began to worship the fairies. I was convinced they lived in the forest behind my house, just behind each tree I looked at, hiding from me. I would spend my weekends escaping into the woods with a bucket and a cheap pair of binoculars, positive that this time, this day, I would see one.
At night, when my dad finally passed out in his own puddle of tears and other bodily fluids, I would pray to them. I never believed in God, we weren't a particularly religious family, and besides, I had seen what good He had done for my dad thus far. But I believed in the fairies.
I asked them for help with my father. I asked them for peace. I asked them to bring her back to me.
They never answered.
Until they did.
It was a Friday. I remember now, I'm not sure how I could have forgotten. After school I had sprinted into the shade of the trees before my dad could stop me, gripping the hem of my shirt in my fist, the thin fabric bearing the weight of two handfuls of the shiniest silverware and most colorful buttons I could find in our dusty cabinets.
I had a plan that day. I was going to lure them to me.
My path began in a clearing where I thought a ring of mushrooms may have begun to grow... but even without that, it was just the perfect spot for fairies. I could picture them flitting between the trees, chirping to each other happily, picking wildflowers to weave into flower crowns.
I walked backwards all the way back to my bedroom window, dropping another item every few steps. When I got inside and looked out my window, I could see my trail of shiny things curve through the overgrown grass in our backyard and disappear into the trees.
I was so excited, I could hardly contain myself. Tonight, surely, they would come to me. They would show themselves, and they would help me. But after another few late hours of coddling my father, finally convincing him to drink some water and get in bed, I was exhausted. I completely forgot about my plan. When I got to my room I collapsed on my mattress, not even bothering to undress before I closed my eyes.
Then I heard it. The scratching.
I opened my eyes. The moonlight shining through my bedroom window casted strange shadows across my ceiling, shadows of the swaying grass and the creaking trees.
It was strangely silent, other than the sound. Usually there was lots of noise, or at the very least a few crickets, but not tonight. Tonight, I realized, I couldn't even hear the wind.
I sat up slowly, as if in a dream, and looked toward my window. I couldn't see anything out there, nothing glaringly obvious at least, that could be making that noise.
The scratching turned to a tap. Tap tap tap, like a fingernail against a glass. It had a playful air to it, like someone was saying, look over here!
I stood, rubbing my eyes, and stumbled over. The tapping stopped abruptly when I got to the window and peered outside, out to the dark yard, pitch black if not for the moon's glow. The grass didn't sway, the trees didn't creak. I frowned and unlatched the window, sliding it up above my head.
I was right, there was no wind. Not even a gust. Everything was still outside, like it was frozen. I actually started to believe it was frozen, that time had stopped completely somehow, before I saw it.
My trail of silverware and buttons. Sparkling softly in the moonlight.
Disappearing.
It began where the path met the trees, curving off where I couldn't follow it anymore. A fork disappeared right before my eyes, right on the edge. Just vanished, as if someone who was invisible had picked it up and stuffed it in a pocket very quickly.
Then another went, a spoon. Then a particularly large gold button. Whatever was taking them was doing what I had wanted, it was taking my bait, it was coming to me. And it was as if whatever had tapped at my window had wanted me to see this, wanted to show me.
But something felt very, very wrong.
This wasn't how I had pictured it. There was no twinkling, tiny winged thing at my window, winking at me before dashing back into the safety of the trees. There were no secrets being whispered in my ear, no fairy dust or promises of better things.
Something about this wasn't right. It felt like a mimicry, almost a mockery, of what I had imagined. Like something was trying to give me what I wanted, but was rusty at it.
I didn't want this anymore.
My stomach twisted and my hands shook as I pulled the window back down slowly, watching more glittery things disappear from the grass, growing closer and closer. As soon as it was closed I quickly locked it and pulled the blinds shut, turning my back to the window as if something would happen that I didn't want to see.
Nothing happened. The deafening silence continued for a few seconds as my ears strained to hear anything else happening outside. Then the wind picked up, and the sounds of crickets, muffled by my closed window, filled the night air.
I don't remember when I fell asleep that night, I just know I felt unnerved and jumpy for a while. I woke up the next morning feeling guilty. Had the fairies really come last night? Maybe they had come to talk to me, to bring me gifts, favors, and what had I done? I had closed my window on them. I felt ungrateful. Why had I even been scared? Because it was dark outside? What was I, a baby?
When I opened my window and peered outside, I gasped. The trail of silverware and buttons was completely gone, all the way up to the last one, which I had placed on my windowsill. In its place was a shoe. I didn't know what kind of shoe it was, but it looked sort of nice, fancy. I remember smiling out the window as I opened it, as if they were looking, and taking my gift.
How could I forget that night? How could I have forgotten what happened after? I feel crazy, either like I made it all up or like I've made up everything since then, like my life isn't truly my own.
I remember telling my dad. I remember saying, "Dad, the fairies came last night!" and the absent smile he gave me.
Until I showed him their gift. The shoe. Instantly his face went pale and he snatched it from my hands, staring at me as if I was something unholy.
"Where did you get this, Johnny?"
"The fairies, dad, I told you!"
He didn't respond. Just gave me another long, solemn look, before turning away from me, still holding the present I received close to his chest. I was upset, but I knew better than throwing a tantrum. That would be too much emotion anyways, too uncomfortable. Even back then, I didn't know how to handle those things.
I didn't show him their gifts after that. I didn't want to risk having them taken away. I tried not to be scared of the fairies, even though they always came at night, but I didn't go to my window when they came anymore. I read everywhere that fairies didn't particularly like to be seen, even though this one seemed to want to be. It always began with tapping, but otherwise complete silence that almost felt like it was swallowing me... and eventually the tapping would stop, the silence would pass, and I would fall asleep. In the morning there was always another gift for me, sitting on my window sill. A sparkly gold ring, the other matching shoe, a hat... I smiled when I took every one, wanting them to know I was grateful. And I would leave things for them too, little sweets or shiny things like coins or paperclips that I found on the ground at school.
Things seemed to get better with my dad for a while. He kept to himself more, he was quieter. At night he would cry softly in his room, rather than his uproarious wails that I used to have to quell so the neighbors wouldn't come knocking. During the day, he would talk to me, but more casually. He didn't ask me how I was feeling anymore, or tell me to let it out.
I hoped this was the fairies. I felt invincible, like I had a secret superpower that no one knew about. I was friends with fairies.
Then one night, everything changed.
It started with the tapping, as always. That night I was fast asleep, catching up on well earned rest since the nightly therapy sessions had ceased.
The tapping woke me. It was that loud. It was louder than usual... but it seemed like it stopped abruptly as soon as I raised my head to look.
That was different...
That night, I had left my blinds up and my window open by accident. Since that first night, even though I wasn't scared anymore, I had always closed them... but this time, I must have forgotten.
It was silent outside. It seemed darker than usual. I could almost make out something, a shape, way on the other side of the yard, but it was too dark and I was too far away to tell.
That feeling from that first night retuned. A twisting like a hand reaching into my stomach and mixing things around, a heavy feeling in my chest like someone had stolen all of the air from my room, even though the window was open. The silence seemed to crush me, bearing down on me from every angle, making my ribs hurt.
The feeling that something was very wrong.
I don't remember deciding to stand: looking back, I have no idea why I would do that in my state of fight or flight. I don't know if I consciously chose to. I don't remember walking over, but I remember getting there, my hands on the windowsill and my head poking out into the completely still night air.
There was something there. On the edge of the trees. Right where I had seen that first fork disappear into thin air. I squinted, leaning further into the darkness to try and make out what it was.
When I finally did, the outline taking shape as my eyes adjusted to the darkness, I began to shake uncontrollably. I remember that I tried to scream, but no sound would come. I couldn't move, couldn't do anything but stare.
Two legs stood in front of the trees, facing me. Two legs, a blood-soaked pair of slacks, no shoes on the purple, swollen feet. And a jagged, violent rip in the torso where the rest of my mother's body had been severed from its lower half.
It took me a while to realize that the legs weren't standing on their own. They began to move, jerking clumsily toward the window, like something I couldn't see was struggling to hold them up. I finally forced myself out of my trance and fell to my carpet, vomiting.
I don't remember much else about that night yet. My dad came running when I started crying, I'm sure, but he didn't see what I saw. My mom's legs were gone, or hidden. Because they weren't for him.
They were for me.
We moved after that. Before now if you had asked me why we moved so far away so suddenly, I probably would have mumbled something about the grief, and it being too hard to stay where my mother had died. But I remember why now.
It was because the next morning, when I checked my windowsill, there was a hand. My mother's hand. Purple and stiff, and missing her gold wedding ring. Reaching, fingers rested against the glass, like it was trying to get in.
Like it had been tapping.
I don't want to think about what else it might have brought, had we stayed.
That thing, whatever it was, wasn't my mother, and it wasn't a fairy. I had invited something else with all my praying, with all my naive and innocent beliefs, and with all my bottled up emotions. I had invited it, and I had let it in.
And then I had forgotten everything. Maybe I bottled that up, too.
Now I remember. Now I'm having nightmares, and waking up with that sick feeling in my gut, my eyes jumping to our closed bedroom window.
Because a week ago, my daughter woke me up very early in the morning my jumping on our bed. A week ago, she shook me awake, her eager smile stretching all the way across her face. A week ago, she told me, "Dad, the fairies came last night!"
She showed me a doll, a ballerina, with a pink tutu and beautiful long blonde hair.
And now, with all these terrible memories hitting me like cold water to the face, only one keeps me awake at night.
I asked them for help with my father. I asked them for peace. I asked them to bring her back to me.
It has granted two of my wishes, in its own twisted way. My father grew distant from me and my mother was brought back in pieces.
I'm happy now. But I don't have peace. I don't think I'll ever fully have peace, at least not with a child and a wife to try and provide for, and not with all of these memories.
So what has it come back for?
submitted by orangeplr to nosleep [link] [comments]


2024.05.19 23:56 Odd-Hand-2026 But diverged and in root chakra energy so i believe satyrs 🐐. I see the thread 🧵 .. no one every broke this curse.. no one came from amongst them to fight spiritual. No one was strong enough to break these curses from their group.. and bloodlines.. instead they help drain light.

But diverged and in root chakra energy so i believe satyrs 🐐. I see the thread 🧵 .. no one every broke this curse.. no one came from amongst them to fight spiritual. No one was strong enough to break these curses from their group.. and bloodlines.. instead they help drain light. submitted by Odd-Hand-2026 to TartarianAR [link] [comments]


2024.05.19 23:24 Alert-Common-7774 All this for that girl? - A history of the Society. Edward Richter and Erin Rose.

(Hi! This is the first time I've posted a long text about the society of keys. I hope you like it. It about Edward and Erin. I know long texts don't usually work here. But I made this from the heart and I wanted to share it with you. Without further ado, let's get started!)
Out of Continuity: Lair of the Society of Keys
The basement/clinic was completely silent, only disturbed by the occasional beeping of one of the Medical Teams. Suddenly the 5 members of the society entered, all carrying Erin, who was in a very weak state of health, black marks came out of her mouth, and spread across her skin.
Elizabeth: Leave her on the bed, carefully…
They gently placed her on her bed, while they hooked her up to monitors to view her vital signs. Which were at worryingly low levels. The 5 members left all their keys on top of Edward's desk. Next to a small black device similar to a wristwatch.
Eechiro: Damn, what did they inject herwith?
Eric: No idea, that guy came out of nowhere, although he left this syringe behind.
Elizabeth: We have more important issues right now. Her signs are stable but they are declining at a worrying speed, we have to find a way to cure her...
Edward moves away a little to lean against one of the laboratory counters. His mind was still racing, Erin's voice began to hit his psyche. Repeating her name over and over again. Until his mind decided to take him to THAT night. He could feel like Erin was hugging him...
"Please…"
His pupils shrank, turning into small black dots. His arms had the reflex of trying to hug the air in front of him. The only thing that could bring him back to reality was Eechiro's clicking noises. Which was in front of him, trying to get his attention, while he repeated his name.
“Edward! Edward! Richter!” Eechiro gave up and returned to the rest of the society, who were surrounding Erin “Nothing! "He's like in Shock, I can't get him out of there!"
Edelgard: “Leave it, we have to do something soon! If we don't find a way to cure her, she's going to die."
Those last words gave Edward the boost he needed, without saying a single word. He approached his desk and took 5 keys next to the strange clock. After this, he began to leave the basement. While he put the watch on his wrist.
“We have to make a plan to get into his base, Edward, do you have any ideas…?” Eric noticed that Edward was leaving the basement, and after a quick glance he also saw that he had taken the keys. “Get him, it’s trying to leave the house!”
The four members of the society followed Edward who walked determinedly towards the door to leave the society base. Just a few meters away, Elizabeth and Eechiro began to pull his arms. While Edelgard held him by the back of the neck.
Eechiro: “You're not leaving!”
Edward quickly crouched and performed a roundhouse kick to knock down the three who were trying to pin him down. Eric placed himself between Edward and the door to prevent him from leaving.
Eric: “Edward, No! We need a plan!" He said as he held on to the door frame to prevent Edward from pushing him.
“ERIC, I KNOW YOU HAVE GOOD INTENTION. BUT I ASK YOU TO GET OUT OF THE WAY” Edward said as he looked at the floor. Eric remained immovable in place.
“I can't do that Edward, I know you're angry. But going like this is…” Eric didn't finish his sentence, because Edward put his hand on his shoulder, after which he made eye contact with him. Eric looked closely into the eyes of forensic. It wasn't the look of someone angry, but of someone scared and determined. For the first time, he could see a look on Edward that wasn't one of indifference. But of absolute concern. After which, the young diver take his decision, getting out of the way. Edward just nodded his head and walked out the door. When Elizabeth, Edelgard and Eechiro stood up they went directly to face Eric.
Eechiro: “What did you do Eric? You went crazy. He ran away and take the keys!”
Elizabeth: “He didn't take everything… he lefts Erin's key. Although Eechiro is right, what were you thinking? Did you let him go alone to face an army? What were you thinking?”
Eric: “You didn't see it… that look was relentless. I'm afraid of what will happen..."
Edelgard: “If you were afraid, why did you let him go?”
Eric: “I'm not afraid for Edward... I'm afraid for whoever decides to stand in his way. Although that is secondary now, We have to make sure we keep her alive.... Come on, let's get moving!”
Universe 18-24-53: Lair of the Steelwater.
Edward arrived at the outskirts of a bar, from outside he could see multiple men sitting at the tables. Most of them had baseball bats or brass knuckles. At the centre table there were four men playing poker. After a few seconds of thinking, he decided to go inside.
“Look and cry gentlemen, I have Full House,” said a man as he slammed the table hard. Another responded to him, as he revealed his cards, “Very interesting, but…”
"What!? An R-Royal straight!? “That's impossible, you bastard,” said the first, while he looked at his partner's letters in astonishment. The lucky gangster was about to say something, until suddenly, Edward grabbed his sleeve, causing multiple hidden cards to fall out.
The gangster was surprised by the presence of Edward standing next to them. "Where the hell did it come from?" Wait… you cheated!?” The gangster replied, now addressing his partner.
“O-Of course not… and also who the hell is this blue-haired?” Said the other man who was still sitting. A dead silence was maintained until multiple windows were heard breaking. When Edward turned around he saw a man at another table, with the bat in his hand. He had dropped his beer on the floor in shock. “Idiots! That blue-haired is one of those multiverse travellers! The Forensic Killer! You let the enemy in!
"What!?" The Full House man lunged at Edward, who simply dodged him. Placing his leg to cause the gangster to fall to the ground, the man's forehead collided with one of the wooden chairs. The other men launched themselves at Edward, who limited himself to Dodge, and responded to them with the furniture of the place. He attacked them with chairs, plates. Even with the same poker cards. “Why don't you die!?” It was probably the phrase that was repeated the most in that fight.
When there were only two men left, they both decided to distance themselves from Edward, and tried to go to the back of the bar. Quickly, Edward took out a pair of sharp metal scissors from his pocket and threw them hard, aiming for the head of one of the men. Which remained nailed to the wall next to the door, while his companion managed to escape. Edward followed at a fast pace, but without running, maintaining unwavering composure. Which only generated more fear in the man who ran.
Edward followed the man to some underground warehouses. The contrast with the bar was clear, while the first looked like a stereotypical 80s movie, this was more like an apocalypse bunker. The man continued running down the long hallway, until he reached a huge room at the end. Due to the distance he had managed to get from the coroner. He had time to activate the Security system. Edward saw three huge metal doors close between him and the man. At this, Edward said nothing. He just approached and tapped the metal plate in front of him, after which he took out of his pocket one of the keys that he had taken from the base. It had a drawing of a dragon. And small burn marks. Edward took the key and inserted it into a small slot in the device on his wrist, suddenly a flash of orange light invaded the tunnel…
On the other side of the door the Gangster is celebrating — “Let's see how you get through that, Four Eyes!” Until he felt 2 presence behind him “What the hell are you doing?” The man turned around to see his boss, a man in a beige suit, with his hair combed back with gel. Next to him was a woman with red hair and green eyes. She dressed in a trench coat, shirt and black pants.
"Boss! Miss Octavia! “He is the coroner, he is here, and he has eliminated everyone in the bar!” The man said as his legs trembled. The boss hardly flinched. While the woman only managed to murmur a phrase, “I was already wondering when we would see each other again, Edward.”
The man guided his boss and the redhead to a screen, which showed the security camera in the hallway. “You don't need to worry anyway, there are three metal doors between him and us. Look… there is no way he can pass- WHAT?”
The three of them were stunned. The metal on the doors was melting. Edward, dressed in a black and orange kimono, shooting a burst of fire. Making a circle to melt the door. The boss rushed towards his minion, holding him by the shoulders. “You told me he was the coroner, not the arsonist!”
“He's the coroner, I don't have the slightest idea how he's throwing fire.” The boss released his minion and approached the redhead. “Listen to me, Octavia. You told me that if he eliminated one of those crazy people, The Guardians would fulfil a wish of mine. But you didn't tell me that they would come to try to destroy me.” The woman broke her silence and said, “Calm down, Tragliatore. Our pact still stands. The guardians will fulfil your greatest wish. You have my word as a Detective” The redhead said as she put her hand on his shoulder.
"Boss! He already went through 2 of the doors! Look” The henchman shouted at his boss, while he pointed at the door that was turning increasingly reddish. The boss removed Octavia's hand from his shoulder. “Quickly, you lazy bunch, everyone pointing at the door.” all the soldiers pointed directly towards the door. “I want anyone who walks through that door with more holes than a damn sieve.”
Multiple men stood at a safe distance from the melting door. Everyone was waiting for what was about to happen. The sound of the flame on the other side of the door invaded the environment, until suddenly... Brain. Causing chills to almost all the people present there. A yellow glow could be seen from under the door that was melting…
The silence was interrupted by the sudden ejection of the door, which was thrown directly towards the soldiers in front. A large amount of smoke came out of the hole that was left. And a couple of yellow dots lit up. Edward ran out of the smoke, wearing a black trench coat, the inside of which shone bright yellow. In his face there was a pair of Goggles, also yellow, which emitted an intense light.
"There is! “Shoot him!” He shouted loudly, as Octavia dragged him towards a door to get him away from the shooting. The henchmen fired volleys of bullets at Edward, who was blocking the shots with Edelgard's trench coat.
Edward tackled one of the men and took cover behind some wooden boxes. He took the gun from the anklet, knocked out the guard next to him and took his gun from him. To start responding to shots. Taking advantage of the lens aiming system. After several minutes, Edward realized that he needed to increase speed... He removed the key that was inserted into the device. Which had the symbol of a Sniper sight, I inserted another one that had the symbol of skates.
After this, he threw his pistol into the air, while a green light enveloped him. The gangsters were perplexed, watching as the gun transformed into a UZI with neon green markings. They were even more perplexed, when Edward jumped out from behind the box... Dressed in a black one-piece suit, with silver lines. In large white letters it was written "Ritcher" and a number 3 in large.
Edward caught the UZI out of the air, and it clicked on his heels. The white soles began to glow, and he levitated a few centimetres from the floor. The next thing the gangsters saw was this blue-haired boy attacking them while he fired with the UZI.
“Quickly, Tragliatore. Over here!” She told Octavia to the mafia leader, As she dragged him through one of the doors, and she kept crouched down so as not to be seen.
Edward continued to dodge bullets while he in turn returned fire. He quickly positioned himself in the centre of the room, and began to spin on its axis at high speed, while he continued shooting with the UZI and one of the gangsters' weapons. Generating a storm of bullets, which filled the room. When he stopped, Edward realized that he had made holes in all the walls, covers and enemies in the place. He began to walk towards the hallway that Tragliatore left down. With all the calm in the world, he removed the key from the device, and placed a different one with the symbol of an Oxygen mask and a Sickle.
“Come in! Come in! Quick!" Octavia shouted at Tragliatore, while holding the door of a small laboratory, which had a small window with a curtain, inside was another of the henchmen, dressed in a white coat. After entering, Octavia's attention was quickly caught by a shelf with some books. Tragliatore watched as his protector began to search the bookshelf. “What's happening, boss? I heard a lot of gunshots and-” Quickly, the scientist's words were interrupted by the screams of their leader. “That doesn't matter now! We are under attack, scan the bunker. I want to see how many of my men are still alive!” The henchman typed something on a nearby computer. While Tragliatore was still confused by what Octavia was doing. He was about to ask her, when his employee's surprised moan distracted him. “Bo-boss, there are only four living beings left in the Building…” Tragliatore raised his hands to his face, passing them all over his face, while he let out a long sigh through his mouth.
“Okay, okay, it's manageable, it's manageable… Octavia, we need a plan, can you think of it… Octavia!?” The gangster was surprised when he saw the red-haired girl, with a book from which a white glow came out. And a white circle surrounded her. “I'm sorry, boy, but our deal is going to have to end here…” When Tragliatore tried to stop her, he realized that he couldn't get through the circle. “This was not what was agreed upon, you said that The Guardians were going to fulfil my wish…” Octavia tore the pages from the book, and held them up. “I told you that they were going to grant your wish…” He released her leaves, which began to orbit around her. “If you survived…” Tragliatore was about to reply, until his minion shouted at him, with a tone of perennial terror in his voice. "MISTER! “She's coming down the hallway, she's coming this way.” Tragliatore's shock was evident in his eyes. And when he turned around to look to Octavia for a solution, he saw that she had disappeared, and the circle on the floor was on fire.
The scientist quickly approached Tragliatore, holding him by the shoulders, his body aligned with the door. On the other side of which footsteps could be heard in the distance. “What do we do now, boss? There are only the two of us left, I don't want to die! My notes are still on the table, if he finds out that I designed that poison, I don't know what he'll do to me!” Tragliatore quickly slapped the soldier away from him. “We're not going to give up, listen this is what we're going to-”
Before Tragliatore could finish the sentence, a metal sickle came flying through the door window. The sickle hit the scientist directly and stuck into the wall. Blood began to drip from the inert body. Tragliatore recoiled in shock, blood had splattered on his face.
The bottom of the Sickle opened and a small stream of water came out, which floated forming a hand. Which I grab the sickle and take it out of the wall. Causing the man to fall to the floor, Tragliatore watched in shock as his hand stopped in front of the door and slammed hard against the handle. Causing the door to open.
Edward entered through the door, dressed in a black jacket with grey sleeves, accompanied by black neoprene pants. The footsteps of his boots broke the silence of the room like thunder in the night. His face was covered by a hood, accompanied by a black oxygen mask. Tragliatore tried to pull the gun from him, but was quickly restrained by Edward. Which he held against the wall.
“What the fuck do you want? If you're going to kill me, do it now! Tragliatore tried to say with the most threatening tone he could. Edward remained silent, taking one of his scissors out of his pocket, beginning to run it across the neck of his mafia leader. "Wait! Wait! You want money? “I can give you money.” At the offer, Edward stuck the scissors into Tragliatore's leg. Causing blood to flow out, along with a gasp of pain “Uh… Okay, Okay, no money. What do you want?"
Edward took out the syringe with a black liquid from his pocket. And he shook it in front of him. "The poison? Do you want to know how the poison is made? Why do you think I would tell you?” Tragliatore said, finishing his sentence by spitting at Edward. Which was Stoic, took another scissors from his pocket, and stuck it in Tragliatore's hand. Leaving it nailed to the wall. The scream of pain was even louder. “Ugh! In the table! In the notebook on the table!” Edward alone tragliatore, letting the scissors support him. While he went towards what he had come for. He took the leather-bound notebook, and opened it to the page that was marked with a red ribbon. On the same page, the process with which the poison had been made was detailed.
After seeing this, Edward began to walk towards the exit door. A white glow enveloped him and his clothes returned to his usual trench coat. Tragliatore couldn't contain his frustration and shouted at Edward, “Really? You entered my base, you killed all my staff, that's why? All this for that Bea-” Before he could finish the sentence, Edward turned on his heel. Throwing a pair of scissors directly at Tragliatore's forehead. The scissors remained stuck in the wall. Leaving a hole in Tragliatore's face. “DON'T INSULT HER AGAIN, NEVER!" After this, Edward adjusts his bangs, and begins to walk out of the underground base. Willing to achieve it.
Out of Continuity: Lair of the Key Society / One week later…
Erin woke up on the morgue gurney, her eyes slowly opening as her senses began to return. She looked around her, recognizing the medical equipment and monitors that were still beeping softly. She sat up on the bed with some effort, and her gaze fell on Edward, who was sitting next to her.
Edward was completely disheveled, with deep circles under his eyes that marked his tired face. He tapped his foot on the floor at high speed, clearly nervous. Next to him, the table was littered with empty coffee cups and a stopwatch
"Edward?" Erin asked in a weak voice. Edward looked up quickly, his eyes filled with a mix of surprise and relief. Realizing that he hadn't imagined the sound of Erin's voice, he jumped up and hugged her with all of her strength.
"Are you OK!" he exclaimed, her words filled with her emotion. Edward moved away from her a little, holding Erin's face with her hands under her cheeks.
"Yeah...I'm fine," Erin responded, still a little disoriented. She noticed the black marks under Edward's eyes and frowned in concern. "My God...Edward, are your eyes okay?"
Edward couldn't help but let out a small laugh. "You wake up from a coma, and the first thing you ask me is if I'm okay?" After that, Edward hugged her again, resting her jaw on top of her head. Erin just enjoyed the hug, feeling the warmth and security that she gave her.
Suddenly, she felt drops falling on her head. Erin looked up and saw the tears falling from Edward's eyes. "Edward? What's wrong?" she asked in a soft voice.
Edward grabbed her chin again and brought her face closer to his, causing Erin to blush. "What's going on?" Edward moved forward, planting a kiss on Erin's lips. The shock to Erin's mind was brutal, but she soon began to enjoy it. After several minutes, Edward broke the kiss and looked at Erin with a look he'd never had before. "That's what happens," Edward said softly, hugging her again. "I Love you"
submitted by Alert-Common-7774 to OriginalCharacter [link] [comments]


2024.05.19 23:18 flightlessbird13 Help me with curtains

Help me with curtains
The ones I had hanging before I painted are almost the exact color as the walls are now. Opposite wall/kitchen area is Black Forest Green (pic 4).
Also a bit conflicted on floor length since the couch and sideboard inhibit the curtains from hanging freely. These will be largely decorative, I’ll very rarely close them. The space just looks too bare without something to break it up.
We have retro/vintage national parks posters that will hang on each blank area.
I want to stay with earthy based on the setting and the warmth of all the wood in the space. Terra Cotta doesn’t feel right. Nor does mustard yellow.
Curtain rods are currently oiled bronze but I plan to spray paint them gold to match the hardware in the kitchen.
Any thoughts/advice welcome!
submitted by flightlessbird13 to HomeDecorating [link] [comments]


2024.05.19 23:12 ajguk Terraced garden - one level removal?

So we've got this small terraced garden, the first step of which is pretty useless. The area to the right of the stairs including a rockery is about 4m x 2m, the area to the right which is totally pointless (featuring a small decorative wall that's crumbling) is about 1.8m x 2m.
I've just been quoted £8250 to remove the entire bottom terrace to the boundary of the top lawn, with a sleeper retaining wall and steps moving to the right of the garden, then decking to cover the area and the small yard up to the level of the back kitchen door (removing the step, which would be very helpful tbh for our small dog). A large part of this is the labour because there is no way to get a digger in due to the attached garage and narrow doorway, so I guess it's wheelbarrow all the way.
It's a little more than we wanted to spend, and we were thinking to get two separate quotes, one for just removing the right hand side and just having a flat surface put down so we could add our own decking and us building a small outdoor kitchen/bbq area, and another for the whole bottom first terrace removal, and again some form of flat surface so we could choose what we wanted.
Main issue to me is any retaining walls, I've no idea how complicated it would be to dig up to these, do these typically go all the way down for example. And of course, if we dig the rockery out, how do we shore up the top lawn on that side.
Any ideas?? It does seem like we're not 100% sure what we want, and tbh that is pretty accurate!
Thanks for any advice and/or ideas!
Pics https://imgur.com/a/C1qblOw
submitted by ajguk to GardeningUK [link] [comments]


2024.05.19 21:42 HumanSupremacyFan Empire of Statues

--⧼ BEGIN Broadcast Message ⧽--
::::::::::::::::::::::::::::::::::::::::::::::
Priority Level: Urgent
:: From ::
Center Arm of the Emperor, Planet Laran
:: To ::
All Survivors of Fellow Royal Cast Broods
:: Message ::
The Emperor has graciously permitted the use of his Excellency's summer home on Planet Laran, located in the Empire's Center Arm, as a temporary refuge during the unprecedented violent Terran offences against His Holiness and the holiness of the Omni-brood of Ix.
:: Attachments ::
Coordinates and Flight Key
:: Royal Cryptographic Signature ::
Lord La'Ix, The Emperor's Right-Center Arm
::::::::::::::::::::::::::::::::::::::::::::::
--⧼ END Broadcast Message ⧽--

earlier

"CURSE THEM! The great houses are going to have my bloody head for this! There is no way this should've happened and under my command too! The Golden Emperor's own exotic holiday world has gone to ash and the only one to blame is going to be me. Well it was basically my watch anyways. Curse. Them. All"
Those were the only legible sounds one could hear among the frantic stamping of one particular Ixian lord as he hurried away through the underbrush of the royal reserve just outside the centre palace. The same Ixian lord that, only hours earlier, was delighting in his typical cooked boar while enjoying his evening's entertainment of a young Terran girl running for her life from a loose Laran tiger. Something about the way those bipeds run always makes him laugh. Some similarly caste Ixian would call this form of entertainment childish, lowbrow, and immature. He would tend to agree. But sometimes he just wanted cheap slapstick humour. The day to day life of the royal caste tends to get dull with all the fine arts an Ixian of his caste is meant to enjoy.
"How did it all go to shit!?! I was always attentive, and there hasn't been an uprising since those terrans were tamed for the palace. I mean we mostly neuter the problematic ones anyways, so why all the sudden aggression?", he shouted in agitation at the emptiness in front of him.
Speeding through the royal garden which in actuality is a repurposed Savannah of the island the palace is on. The Ixian was a beast of speed. Perfectly honed and trained over decades, and genetically maintained over eons, he always proudly held that he was the fasted in his brood of 16. Making a name for himself among the other broodkin for being the most genetically suited for the rank of high general (not that there was any need for generals, there hasn't been need for war in so long). Of course the Ixians always pride themselves in having no excess potential, and adapting your environment to suit your biology, but it never hurts to have perfect biology. That's the true pride of an Ixian.
That innate need to change the universe rather than changing themselves is what led to their vast interstellar empire. One that reached from constellation to constellation and then eventually to the arms of entire galaxies, terraforming worlds to the same environment they were already adapted to. Since forcing nature into one's bidding was the most sacred duty of any that shared a lick of Ix biology.
Which was why the Ix was confident in themselves. This Ixian in particular surely felt surprised, but mainly he was only moderately upset at the sudden change of situation, from being comfortable in the royal dining hall to sudden exercise.
"Everything can be changed back. Everything can be changed back." It repeated the mantra to itself. As it began to relax and turn its snarled sharp mouth into a toothy grin.
"Yes, there is nothing to worry about at all. Then let's make a game plan. Just need to make it to the space port at the harbour. Grab a ride out and find someone else to take the fall. That old royal butler is as ancient as the dirt of the broodworld. Hell, he probably was there when it vanished in the shadow of the holy empire's long past." chuckling to himself at the quite witty remark, but saddened that no one else was there to hear it.
Should be realistic enough for the others to believe. But first things first, I need to reach the harbour-master. It thought while its dense muscles powered the beastly lizard-like form on its journey, as it bound in the direction of its destination at top speed on all fours.
The blood red sun was already kissing the horizon by the time the Ixian went to nearly collapse under exhaustion of the extended sprint. He hasn't ran this far and fast than when he a young broodling that won competitions and competitions in the royal sports. I think I might have overdid it. He thought while massaging the oncoming threat of a sneaky cramp in his hind leg.
The Ixian were well known for speed. But their stamina was another thing. There bodies simply didn't have the evolved features for long distance travel. There was never truly any need in the past, as their very steady and controlled climate and sparsely diverse ecosystem on Ix never truly required much challenge.
It turned its panting head to face the way it came, gazing proudly at the great distance it made in such a short while.
But something was off by that view. Something different to what he was expecting. The view itself was mostly fine. Well, as fine as a smoking mark in the distance, presumably from the summer palace being engulfed in flame and spitting great plumes of black smoke. But no, something about this view chilled him to this spine. Craning his neck from his vantage point he could swear there was a small speck in the distance.
What on great Ix is that?
All of a sudden realisation hit like a rock on a peaceful pond. Something was following him. Something unknown and cold was making its way to his location. He was certain it wasn't any of his guards, all guards permitted to serve under the royal summer home were Ixian of course. Physically bred for their strength and speed, and placed into roles of importance like protecting the higher caste such as himself. (Whereas this day being the only exception). It did look like he was the only Ixian that actually made it out of the palace so far. Ixians are able to cover short distances in phenomenal speed, akin to a scaly 4 legged beast of the hunt.
No this was something else.
Feeling a very small panic build up inside, but veiling that cold, unwanted terror as impatience at how far he still needs to travel yet. Lord La'Ix flexed his anterior legs and sped on leaving behind a red-yellow cloud of dust in his wake.
He frowned. Feeling strange at a never before felt sensation. Like something in the back of his perfectly designed brain was screaming a silent, but terrifyingly familiar warning.
"Ix itself is an ancient world. Temperate in climate, while abundant in vegetation and small game. It is unknown how the Ixian was formed on paradise.
The old priest can drum into your heads that I'Ix made us into being by indenting his form in the sand of the first beach and filling the shape with his life. Moulding us into being.
The heretic would counter and say we evolved from a previous species akin to ourselves over the course of untold lengths of time.
The philosopher would suggest that only on paradise would the sentient universe fill in the space for the perfect beings to enjoy the fruits of existence.
Lastly, even the lowest caste Ixian would point and laugh at the rest and say 'why talk about antiquity, when we can make more paradise to fill the heavens'."
-A popular Ixian parable
Lord La'Ix bolted up all of a sudden from his resting spot. Heart suddenly beating frantically. The stars had barely enough time to shift positions when last rested his weary body, only a couple hours must have passed since dusk fell and the world plunged into night.
The silence of the Savannah made sound from afar travel better. Aside from the quiet rustling of the wind he wasn't so sure what he heard. Assuming his bored ears were playing tricks on him.
Calming down, curling up on the flat cool rock he found he started to drift to the shadowless lands where all Ixian go when they dream...
Drums, no, not drums. Some sort of mechanical tool? Not that I ever heard of a tool that just beat the ground senseless. A strange beating sound could be heard, pounding into the ground. As he stayed frozen and very awake, he could have sworn it was getting louder. Closer.
CRACK. SNAP. CRACK.
Suddenly the entire valley echoed the sounds of a few broken sticks.
La'Ix jumped up, whirling around, and came to face something approaching fast that could only be described as a cold predator, not that there were any predators on the homeworld's recorded history. But every cell in his aching body reacted the same. DANGER, DANGER, RUN, RUN.
The silver light of the planet's 3 moons barely lit the valley but what that light bounced off of was a figure in motion. Front Legs pumping up and down, nostrils flaring, eyes too close together, and pupils so large it was like staring at darkness itself.
Hold on there are only 2 legs right? Sudden familiarity hit him hard, memories of last night's entertainment stained his mind. In the name of Ix is that a Terran?!?
La'Ix didn't realise it then, but it was looking at a Terran, despite the Terrans characteristics looking different to the standard slave he was used to seeing. The pumping body of the runner was made for such long distances. Sweat acting as a cooling mechanism, making the man glisten in the harsh moonlight, the enlarged nostrils taking in all the air the body needs for this type of strenuous activity. And the enlarged pupils, made for adjusting to low light environments.
Down on the plains of the Savannah were two creatures. One a perfect evolutionary miracle, practically evolution's first try gone right, Perfectly made for its environment and was never truly exposed to varying climates and environments. And the other, having crawled through the primordial ooze, and struggled and fought its way through dangers, diseases, and competition on its own horrifying world. Where deadly heat in deserts can dry out any living thing, and such freezing poles that can turn anything that enters it in pure ice.
The man's lean and sweat-slicken form was steadily making its way towards the frozen statue of La'Ix. Just as he got within 50 paces did La'Ix sprint away scattering pebbles in its path the echoes of which bounced back from the valley's sharp walls. Undeterred, the chaser kept steadily running. Jaws grit. Eyes locked on afar.
And afar was its prey. Sprinting away.
HOW IN IX'S NAME DID THAT THING KNOW WHERE I AM? The La'Ix in a fit of sudden excitement mixed with a heavy dose of panic, began its high octane sprint from the sudden looming threat of being found. Hind Legs propelling the creature's body forward, while its front arms, which were historically also for four legged locomotion, pulled the terrain closer with each stride. Increasing its momentum until it reached max speed.
"Broodling La'Ix!" said a stern but educated voice.
"Huh? Oh! Yessir!" a young Ix jumped to attention still thinking about more enjoyable things specifically outside of the classroom walls.
"Well? Can you please answer my question or will you make your other broodkin wait until Ix falls to ash first", the tutor said expectantly, prompting several muffles giggles in the room.
"Sorry sir. What makes the Ixian race its place in eternity is the attention we put in perfection. After our home-world of Ix's climate and terrain began to change, the leaders from antiquity decreed we carry on the spirit of the home-world in maintaining a consistent biological and genetic profile that will always be suited to Ix's surface. As we change worlds to be more like Ix, we can spread the spirit of Ix to them. As such, Change is- uh, change is..."
"Change is the poison of perfection, Remaining unchanged for Ix enable us to carry its spirit to other planets in the heavens", continued the tutor. "Well you certainly paid some attention to today's lesson at the very least. But remember that final part. It's the last of the core tenants you will need to remember."
"Yessir!"
A good half night passed on the surface of the Savanna. Where a previously noble and alert Ixian who took great care in appearances and status was no longer to be seen. Instead of that proud domineering alien representative of ix was a dishevelled, dusty, ragged creature, dehydrated, hungry, and exhausted from the various sprints it forced itself to endure to stay ahead of fate's ever closing hand.
Is this the sword of Damocles that was mentioned in the ancient Terran records? Always hanging down on those who hold power and seek more? Fate's sharp blade? But why me? I was never in any real power. All I wanted out of this life was a comfortable posting with no dirt and grime from the lower worlds. Why me? Why now? Why do I-
La'Ix snapped himself out of a daze. Is he here- No, no I should be far far away from that Terran now. Maybe I can find some-
A dim glow interrupted its train of thought. Much too early to be the Sunrise on the Emperor's summer planet, and much to low to be the light from one of it's 2 moons. It was a light from a town.
"That's right!" The Ixian barely managed to rasp in between haggard breaths. Its body barely able to continue the amount of self inflicted abuse it has suddenly been put in.
A lot more hunched over than the Ixian was earlier. It made its way towards a small town it knew was in between the palace and the harbour. The emperor loved his royal rustic towns and villages. It is said that his royal emperor would sometimes tour around them marvelling at the romantic theme of a simple rustic life. Although getting a personal town full of Ixians required a lot of lower caste be forced into long and expensive work contracts as background entertainers for the king's planet, all this excessive show of wealth was partially for peackocking the emperor's reputation, and partially for his own personal enjoyment. The Emperor is almost culturally required to flaunt his royal wealth in all forms in order to keep connections with all the royal houses. An emperor that doesn't shower their supporting aides and houses with grand gifts is fated to eventually be found cold on the floor of the royal banquet due to 'suicide from accidentally ingesting poison', as was the previous emperor.
To avoid such an unfortunate passing, the Higher Royals would trade vast resources, delicacies, and even exotic slaves to court 'royal favours'. Slaves of the Terran variety especially are considered to be the most unique of gifts the empire has ever acquired.
Terrans weren't necessarily large and bulky. Fighters were assigned to the Slave Obniraks. Powerful creatures used to fill the fields on tougher worlds where mechanical services would be deemed to expensive. The growth of a Obnirak into full working adulthood is only a few cycles. Meaning mass producing a workforce is quite an easy feat.
Terrans instead would take vast cycles to mature from a childling to an average adult. Meaning growing a slave force would take vast quantities of resources, immense patience, and strict guidance from their owners as to not create faulty creatures. All of which increases the general standing on any house that manages to keep a vast amount of Terran slaves in the best quality.
Terrans weren't necessarily docile and obedient. That role was perhaps given to the oldest slave race the Ix ever controlled. The Iralisa. It was known that they were made remarkably docile due to generations upon generations of select breeding, and pruning off the 'aggressive traits' from the gene pool. However, that led to the adverse effect of physically weakening them to a point where such docility and lack of a frame to keep up with their workload led to a general lack of Ixian interest and were subsequently purified.
Terrans are notoriously independent and herd-minded in larger quantities. Similar to growing a very stubborn Terulian Rose Vine. Which only looks impressive when great care have been given. Terrans need to be given an illusion of being ever so slightly free. Which typically involves owning vast amounts of land and nature to let them roam and graze. Of course, the only ones that can accommodate grand work forces of Terrans are the larger houses with the appropriate territory for humans, as is studied in the Ixian art of Servitude.
One can only guess which species is the Emperor's favourite.
The following town should indeed have both, low caste Ixians, and possibly none of the Emperor's favourite slaves.
The Ixian approached the glowing town. As it reached closer it straightened its back, upright on its hindlegs in the royal fashion. And proclaimed. "It is I! La'Ix, royal courtier. Lend me aid imme-"
Something is off. Not a single shadow in the town, I can see lights but no movement, where is every-
After turning the corner to the center of the small town, the dustied and weary creature froze in its tracks when it saw it. A pit nearly as wide as an Ixian land cruiser and who knows how deep filled with a stench so powerful it watered his eyes. Despite the Ixian's lack of a proper sense of smell. It knew the foul fetor of death.
The crudely dug pit was nearly overflowing when he approached it. Large, smoking, smouldering pyres cast that eerie light that had drawn him in.
"H-how? Wha-What the..." he trailed off when a local species of Laran boar growled and squealed as it tore a dead Ixian limb from the mountain of corpses.
"Who could've..."
He stopped. The shock of seeing his own kind laid like broken dolls in a bleeding pit slowly faded, replaced by a numbness. The Ixian had just noticed they were of Ix. Only of Ix.
Not a single terran colour was visible in the black and spotted pit of bodies. Not a single slave body was visible.
I-Impossible...
His legs gave way, either from the strain of the entire nights run, the horror facing him, or the threat from behind. He just dropped.
Minutes passed, or hours. It was hard to tell. But the Ixian lay slumped. Body unwilling to move further. Battered flesh unwilling to be propelled by a shattered spirit.
Mind slowly spinning up again. Thoughts began whirring to life in its mind. Could the rumours actually have been true? It had read the sparse reports of odd activity from certain Ixian-controlled worlds on the outer arms of the empire. Small uprisings of unknown origin. Hardly anything of note. If it had no affect on the greater houses then it was of no real concern to Ix and its emperor.
Could this threat have made its way to the centre arm already? Impossible. But what else could have done this to us?
Something caught the Ixian's eyes. In the middle of the pit it stood. A large stake, wet with deep Ixian crimson, dripping ever so slowly. Towering over the pit like a battlefield flag was a head of an Ixian rammed onto the tip of the spike. But the particular detail that caught the Ixian's eyes was a symbol cut into the flesh of the large forehead.
Looking from the outward-in. Eight concentric rings, which proceeded to get smaller and smaller in size until it reached a dark mass at the centre of the symbol. The Ixian never forgot the symbol and the affect it had on it.
Eight concentric rings, and a centre mass. Eight rings, and a mass. Eight- Eight what? Eight planets? And a star? ...
A growing pool of cold dread rose in its guts that made it shiver despite the fair night. This dread reflected the sharp reality on its frigid surface.
This Ixian was well-bred, well-trained, and well-educated. Although anyone with a basic education would know of such a pattern.
Terra and her sisters. THEIR star system...
Thump, thump, thump, thump.
It's not possible!-
Knowing what that sound meant, the Ixian tried to whirl around, its body barely being able to heed its masters commands. Just when it was starting to move again it felt it.
Sudden sharp agony. Sudden sharp, raging agony. The Ixian looked at it's hind leg. A sharpened wooden stake was jutting out of it.
It loud out a tight lipped scream, as it grasped the pulsating wound as one does immediately after an injury. It barely had enough time to look up at its attacker when the Terran bolted forward, shortening the distance between hunter and prey from metres to mere paces. The Ixian barely had enough time to block the hand grasping the knife as the arm flew forward at the last minute with a crash.
What phenomenal force!
Using the momentum from that sprint plus the wind up of his arm. The Terran was able to impart a phenomal show of force for a creature its size. That's when La'Ix for the first time saw a human in its raw unchanged form. Great beads of sweat collecting dust on its brow, to prevent it from entering the eyes. The constant release of sweat from the countless pores on its soft fleshy skin. Constant cooling? Even the visible veins and capillaries visible from the fire light.
What a beast of endurance-
Suddenly the horizon fell before the Ixian only to reveal the inky black sky dotted with pigments from stars like a painters masterpiece. When did I look up? Then a crash and blunt force from the ground.
The Ixian had been toppled over by that ferocious exchange of force.
Barely able to get up due to the wind being knocked out of its single large lung, the searing pain in its hind leg, and the exhaustion from the chase. It was too late. The terran was already on top of it. Taking up the entire view of the sky as the terran stepped forward into its field of vision.
The sudden perspective change made a once small and frail looking slave look grander than life, grander than all the legends told to Ixian broodlings.
The punches rained down. Repeatedly. A constant bombardment of beating rained like the drops of rain before the first dew. The previous pain in its leg forgotten, to invite a new visitor in the form of blunt force trauma. So ferocious were the raw blows to its carapace that the Ixian felt the exoskeleton crack under the increasing pressure and strain.
Something cracked, another thing snapped. The amount of pain too much to comprehend. The neurons firing in its second brain just assumed it was everywhere. Its half-working eye glimpsed the fist as it came down for the nth time. Red and split knuckles, revealing pure white bone beneath—a reinforced weapon. The perfect natural offence. All the muscles moved to propel it downwards where something else cracked and split.
Is this where I die?
As if understanding its fate the Ixian's form slumped over. Its body barely holding onto the natural exoskeleton shielding that covered its chest and facial area. Fluids leaking from the cracks that went too deep, and who knows how many internal ribs are shattered.
Its body, knowing that that more movement will cause more injuries, and further stimuli would confuse it further. It simply shut down.
The last moments it had as it fell backwards on its side. Was a small running figure. Hand clutching wooden spears. But the truly petrifying sight was behind it. A vast shadow flickering from the light of the lit pyres from the hunter in front of it. A shadow cast so large, jagged, and menacing it appeared to swallow the town whole.
And into a hole did the Ixian fall. A vacuum with no sensation or thought. Just darkness.
How... did we never notice such a... monster... in their... shadow...
All Ixians were taught about 'violence' and 'conflict' at an early age. As a sort of rite of passage that any of them would go through as they survive their early broodling days. As Ix have no natural predators, they had begun to instil a serving of some necessary conflict to keep their generations fresh and somewhat physically strong. As a precaution, only rudimentary forms of civil sports, races, shows of strength and courage were ever really explored. But always in a controlled and calm settings, as there would never be any true need for actual conflict.
As there was always a need to maintain ones own environment. The need never arose for the development of fighting techniques and schools of training. That was one of the best parts of being an Ix that many thought. Having supreme control over the worlds you inhabit means setting gravity, atmospheric pressure, humidity, and temperatures to the perfect levels for comfort replaced any need for biological change. Why grow when you can keep everything the same way, how you like it.
They were a vast empire. An empire of statues.
-Excerpt from the history of extra-solarian species, Author unknown
It awoke to a burning radiating heat from in front. The large sun was already starting to set on the horizon when it awoke. Had a whole day passed? Or two?
Trying to block the setting sun from its eyes it couldn't. "What?...", barely made out in a whisper.
I'm tied up.
And indeed the Ixian was right. Tied up next to a small brook, with a scorching fire in front of it. The monster nowhere to be seen.
"No good... it's too tight", it grunted in an attempt to escape its bindings.
Going slack in defeat it avoided any additional movement. Not having the energy to spare to move. It was lucky to have always been lazy at shedding its carapace - a frequent nag from its broodmother - might just have become its salvation in this case.
Thank Ix.
So there it stayed.
Hours passed. The Sun fully set and the stars awake in this dark world barely lit up the wildlands. Only the prisoner in this cone of firelight existed out here.
A rustling up ahead caught the prisoner's attention disturbing the eerily still silence of the Savannah night. And ungodly horror of a squeal ruptured the air invoking a deep visceral terror within the bound prisoner. Something. Something close but just outside the firelight was eyeing it, glinting from beyond the light. Those dark predatory eyes stabbed the prisoner with a sudden coldness. All while the squealing suddenly halted. SNAP. SQUELCH.
Now it came, emerging into the light. A beast. Holding a knife in one bloodied hand, dripping on the dirt. And dragging by the leg, a massive adult Laran boar grotesquely smearing thick blood still warm from the cut in the neck on the dirt.
The prisoner watched, barely moving, barely breathing. Frozen with the horror in front of it as the bloodied carcass was skinned; fur sliced away with harsh, scraping sounds with the crude knife. Spurting remaining blood all over the site.
The pink naked flesh then washed in the brook, leaving a distinct smell of oxidised blood in the air, before being skewered and roasted over the roaring flames. Fat popping violently in the heat.
In this gruesome display, the beast revealed not just a fate for the boar, but a dark hint of what might come. The realisation struck deep—this could be more than just a demonstration; it was a terrifying preview of its own potential end.
It passed out again.
Only to be awoken by the haunting echoes of a wild, desperate squeal that once thrummed through the savannah's eerie silence. Dare it open its eyes?
After a great heavy effort -utilizing its every last drop of courage- one eye cracked open. And what it saw. Made it regret ever having done so.
Right across from it, the hunter was a grotesque silhouette against the flickering fire. Grasping a severed boar leg was a mouth viciously biting, ripping, tearing into the flesh with primal ferocity. Each bite was deliberate, each tear of sinew was a clear, calculated demonstration of supreme savagery. Its jaw muscles bulged with the force of a bite.
All the while, the eyes—deep, abyssal pits—fixed intently on the prisoner. Deepest black pits stared back at it. Watching. Observing. Calculating, with a dark intelligence. it was calculating. It was relishing the terror it inspired and the control it exerted. Or planning its next meal.
The sounds of ripping flesh filled the thick, blood-soaked air. Deep into the night. Deep into this never-ending nightmare.
Never once did the prisoner move. Not an iota. Frozen in abject horror.
The night passed quietly. After the feast the human had, or the desecration of life that the prisoner saw, whichever way you look at it. The human nodded off to sleep. Content in the success of his mission. But the tied up creature had no such rest. Sending silent pleas to the stars that it might be saved. But not daring to make a sound, less it awaken that sleeping horror. Or was it sleeping? Dear Ix, it might be watching me. Feigning sleep to keep an eye on its meal. Dear Ix I'm next...
All through the night, the demons plagued its mind. Until the warmth of the morning rose, and with it the sound of an Ixian cruiser.
Elation could not be an understatement for the tired, tied, beat, and bruised thing. Craning its neck to the direction of the sound about to bellow out an Ixian warning to the demon resting next it.
"BE CAREFUL! THERE'S ONE HERE-". It stopped speaking. That previous elation it felt at a saviour arriving to rescue it from the demons grasp, fizzled out like a drop of water in a drought.
That all so familiar cold remained. And the dryness of despair. As pairs of dark pupils shot back at it.
On the cruiser were tall adult Terrans. Clean cut, well fed, well dressed Terrans. Four, no Six, no eight of them. All hanging onto the side of cruiser while it made its way to their location. Compared to the demon waking up beside it, these creatures were organised. A savageness neatly packaged in a uniform with a symbol. The prisoners eyes grew wide in its sunken sockets. 8 rings, and a centre mass. They must be the cause of, well all this.
Accepting fate, its head fell in part defiance, in part to avoid the stinging eyes of these others. It felt their gaze burn through—cold, cruel, calculating. There is nothing I can do any longer.
"You're finally here. What took you so long?" The runner said to his approaching comrades, "Took all night to catch up to him."
"Hey Jan, great work", the tall militant woman shot back. With a playful punch to his arm. "Guess all that cardio really paid off, didn't I tell you it would!" She let out a playful guffaw.
"Thanks Chel", replied Jan.
"Ok chop chop people, we're on a schedule. We need to reach the port ASAP remember? Come on Jan, rest up all you like, you're still on the clock."
"Aye sir." Jan shot back in a mock salute, gaining a sneer from the commandant, then a sneaky smile.
"Don't forget your trash. And make sure its breathing still."
It creaked open its eyes, seeing pairs of boots moving towards it and standing in front. In silence. Then all of a sudden, felt pairs and pairs of hands pull and tug. and lift it up The thing let out a pathetic silent sob. While it was loaded in the back of the cruiser, face up. Staring at eyes, piercing black dots peering back. It could never understand what was being felt by those eyes and those faces.
Ixians wear their emotions on their carapace; spots and stripes would slowly appear in certain parts, representing emotions and feeling that their bodies felt in a general sense. But the most private thoughts were of course, still kept private.
But this. This was just too foreign. The eyes never stopped. Even in the swaying movement of the cruiser the pupils never broke contact. Those eyes. As if it was peering into it, envelops your entire mind. There was no way to hide, even hiding in his inner self would do no good. Those eyes. Those predator eyes can find me anywhere I try to escape to. Inside and out.
Some times passes.
"You know. I lost good friends to the royal caste. Especially to this one's brood clan or whatever they like to call it." One of them was looking right at it when they said it. It turned its eyes over to the source. A short one, with a slave scar on the neck said it. A scar that shot through his memories. A scar inflicted to property owned by, his brood. This one is dangerous..., it thought.
Jan, and the others didn't look but felt it. The cold darkness in that tone made it clear what it intended to do.
The female militant, Chel, I think her name was. Slowly reached to the side arm on her holster. Sensing the oncoming problem.
"You still understand me don't you? I've had to watch good people die. Damn good people." The scarred one one stood, grabbing the upper rail of the cruiser to steady themselves. "I hear that even if you get ill, you become the entertainment for the night. What was it now?" She paused for a brief second. "Oh I remember".
"Stil" Chel said slowly. "Cool it". Hand still on the butt of the sidearm.
Not hearing or not wanting to reply. Stil continued. "Torn apart by those raptor pets. Hands or feet cut off as souvenirs for those fucked-up parties and those fucked-up guests. Oh yea, and the 'toy play' or whatever they call it. Can't have Ken and Barbie fight back now, can we?"
Stil leaned closer to the now cowering, shaking thing, "I wonder which one was your favourite." The words cut through La'Ix like an icicle. This was the first time these demons actually spoke to it directly. And it didn't like it. It could sense the venom from the words.
"Stil..." Chel slowly got up, hand still at the ready. "I said cool it." The line had a steely warning to it. Chel wouldn't risk the mission. Even if it meant doing what must be done.
Agonizing seconds passed. The cowering, shaking thing seemed to grow whiter and whiter by the second, It's spots clearly showing what it felt. Staring up, Not willing to move but being unable to hide. It felt the absolute crushing weight of the present. Grinding it down to a paste.
Everyone stayed still. The two militants didn't move. The rest didn't seem to even have paid attention to the converstation, still looked away.
Longer passed.
Stil smiled, "Oh come on Chel, you know I wouldn't do anything to our friend here? You know I was just playing around." Stil laughed. Chel didn't react.
Stil immediately crouched, faced the shaking prisoner inches apart eye to eye, and in a whisper said "Right friend?"
She wants me to reply? Dear Ix I can't even think with those eyes in front of me What do I do?! What do I say?!
"Right. Friend?" Stil repeated slower and colder. Like the blade of a surgeon hovering over skin, ready to plunge.
The gears of its Ixian brain grinded to a screeching halt. In utter desperation to find a reply it simply gave up. Instead, it felt a warmth slowly spread. Slowly spread between its hind legs. It had released its bladder.
"BAHAHAHAHA LOOK AT IT" Stil roared in laughter. The sound of it rattling the prisoners brain with the sound. Disorienting its senses. "NOW THAT'S CLASSIC TIMING IF I'VE EVER SEEN IT!" She plopped back down face red and still laughing.
The Ixian didn't know what to do but tremble and sob silently on the cold surface of the cruiser surrounded by laughter. and the warmth of its piss. It tried to plug its ears. But the sound still came. Laughter. Laughter. Laughter. Dear Ix, what are these demons... where are they taking me? To hell?...
The cruiser kept cruising. Towards the port across the island. Trailing laughter behind. Or to the sobbing wreck of a thing, demonic cackling.
The scent of familiarity wafted into the senses of the prisoner as the cruiser started to slow. The smell of the salt, the chirping of familiar aviaries. Sound of the crash of sea. The port.
Braving a sentence for the first time in for what seems eternity. It let out a question "...w..w..where ... why... are... ... we ...h... here?" It managed to say shakily, eyes downcast.
As if in response, a sharp shove greeted it from the back and a hard hit on the ground was as much of an answer it was getting.
"Move it", Jan said gruffly.
They walked. the ixian still bound but free to walk in the middle of the group of humans. Towards a destination still not known. The walk twisted, and turned, and twisted again. One thing struck out to the prisoner. It was too clean, especially for what it was expecting, it's last experience being in the previous blood-soaked town laden with bodies and carrion eaters.
The port town was completely silent, free from the regular hustle and bustle it usually had even when the emperor was not present. And superbly clean. Not a single piece of dirt to be seen. Not a single Ixian either. Where did everyone go? Did they make it out somehow when these invaders came?
In the background, the surf broke relentlessly.
Piercing eyes caught the prisoners glance, as it wandered curiously around the town. Realising its mistake La'Ix tried to look away but the burning gaze gripped his own.
As if reading its soul. The human answered the hidden question bubbling up in La'Ix. "You should've seen them your royal majesty". The one called Stil said while bending in mocking courtesy.
The surf pounded the shore even more loudly now.
"They don't swim well. Especially the young ones. They dropped like stones. Turning all white by the time they stopped moving."
Louder now. The sea roared.
Nothing came. Not a thought in La'Ix's mind. Its mind struggled to comprehend the depth of what was said by Stil, the scarred human.
The waves boomed louder now. Louder than the sun, echoing louder than the screams of all the Ixians that must have perished.
It saw the lips of the standing-devil in front of it. But all the came from its blood red lips were obscured by the sound of the pounding of the waves. The echoes of drowned kin, thudding and slapping against the shore, merged with the relentless surf in La'Ix's mind.
This is for our sins.
Wave after wave, the relentless surge continued, each one a haunting reminder of the souls lost to the sea, each crash a ghostly thud of bodies hitting the shore.
Very slowly did some exhausted neuron in the Ixian's head come to a conclusion as to how these creatures in front of it can be so relentless, so cruel, and so evil. When pushed to beyond its breaking point, did their true carnivorous instincts rear their ugly head.
Oh dear Ix. What sort of environment could breed such demons?
La'Ix didn't remember what happened next. The memories feel like a distant dream now as he sits watching the port sky now.
The aching brand on his forehead of the 8 ringed system, pulsed in pain—a departing gift from his newly made friends, stung from the salty sea air.
He barely recalls the staggered walk from the empty inter-arm transmission office and the inputting of his biometric royal seal. He barely even remembers the message that was sent under his name and signature
And even less does he remember what he heard what will happen next.
All alone now, he stares at the sky of the empty port town. As he watches more royal ships enter the atmosphere.
He gazes upward, thoughtlessly, statue-like Knowing fate will come for them all. Fate in the form of piercing black eyes and a monster so large it can fit in a shadow.
A single thought, carried its way from above the despair to the surface. Slowly. Like a bubble in a pool of tar.
What was I meant to tell the emperor again?
submitted by HumanSupremacyFan to HFY [link] [comments]


2024.05.19 21:18 Ready-Candidate-6371 Short Story Critiques wanted

I am basically brand new to creative writing, having not written anything since I was a teenager. I've recently felt a spark to start writing again. I'm hoping for some honest critiques so I can know what I have to improve on. What do you think? Are you interested to read the rest or is it awful? Thank you!!
This is an excerpt from a short story. For some context, the MC is living in modern times, gets lost while driving home, her car dies and she ends up walking to look for help. She winds up here...
"Words escape me as I take in the woman in front of me. She is dressed in a floor length navy blue gown reminiscent of sometime in the 17th century. My eyes shift behind her… a fire is lit in a hearth. Next to a window on the far side are a table with two chairs. And seated in one of them is a man, who by this point is beginning to stand up and make his way to the door as well. The way their faces looked when they saw at me was similar to how I imagine my own must have been. Pure, undiluted confusion. I shake my head and tried to find words. “Who are you?” Demanded the man as he approached. “I… I’m lost.. I.. my car broke down a couple of miles down the road.. I just need a phone so I can call for help..I..” I spluttered. “Are you okay, miss?” The woman asked with concern in her face. “I’m not sure, to be honest.” Their gazes shift from confusion to concern to suspicion as they take in the sight of me. While they are dressed for a renaissance faire, I’m sporting a thigh length floral print dress with a denim jacket. “Who are you?” The man demands again. “My name is Millie… I work just down the road at the James River Elementary School… I’m just trying to get home. Do you have a phone I could use, please? I need to call for help.” “Phone?" He glances at his wife, motioning for her to move away from the doorway, "Miss, I haven’t a clue what you speak of…” Who on earth doesn’t know what a phone is? I can’t be so far out of town that I’m talking to people who are that out of touch. I begin to explain but think better of it. “Miss, please come with me..” He dons a long brown jacket over his off-white cotton shirt and steps out the door past me, motioning for me to follow. Something about following a strange man, wearing historical clothing, down a dark path through the woods feels very wrong at this moment, but I don’t see a way out of it. So I follow for several quiet minutes until we come upon another building, slightly larger than the house we just came from. This one also has a thatched roof, with smoke billowing out of a chimney. The man opens the door and holds it for me, motioning me forward. I go. “Good evening, constable…” He says to a man seated at a wooden table. He has a piece of old looking paper and a feather quill in front of him, along with an ancient looking mug. This is all beginning to feel like a fever dream. I’m almost too confused to feel the fear that continues to build inside me. “Who is this here, Thomas?” He says to the man, eyeing me with suspicion. “She just showed up at our doorstep. She’s been mutterin’ on about needin’ help… talkin’ all kinds of nonsense about something called a…” He turns to me and says “What did you say, miss…?” “My car broke down a few miles down the road… I walked here, I can’t find my phone, I just need some help getting home…” I say with urgency. “All I need is to make a phone call and I’ll be out of your way…” “That was it.. phone? See, speakin’ nonsense, sir. I figured it best to bring her here.” The man, Thomas, says. “I see.. I see.” The constable rubs his temples as if exasperated and stands up, the chair scraping against the wooden floor as he pushes it back. “I’ll take it from here, Thomas. I thank ya. You’ll best be on your way.” At that, Thomas turns on a heel and walks back out the door the way we came. The constable takes a firm hold of my upper arm and leads me to a barred cell. “What is this?” I demand, beginning to panic. “Miss, I will not take the chance of witchery here. It’s my job as constable to keep the citizens of Jamestown safe, and I intend to do so. You’ll stay here til the morning, when Justice Stoughton will see ya.” He had a thick accent, English I think. It was like a light bulb in my mind suddenly flashed bright. The lack of traffic, the buildings, the historical clothing and weird speech… the confusion when I told them I needed my phone. Either at some point from the time I left work until now, I traveled back in time to early Virginia… or I’m dreaming. I resolve that the only thing that makes sense is that I’m dreaming. And I’d like to wake up now. At some point in the night, I fall asleep. As I sit leaning against the cold wall of the cell, the adrenaline from the evening wears off a bit. I can’t help but feel utter exhaustion, which eventually gives way to sleep. Several hours later, I wake with a start, confused about where I am. My body aches from sleeping sitting up. I glance over to the window and notice that the dark is giving way to dawn and the birds are beginning to sing. I rub my eyes, hardly able to believe that this nightmare hasn’t ended yet. I hear footsteps approaching. The constable fumbles with a set of large keys as he searches for the one to my cell. Once he manages to unlock it, he sets a piece of bread and a metal mug on the floor near the door with a clunk. I didn’t realize until this moment that I am absolutely ravenous. A crusty piece of bread off the floor doesn’t sound appetizing but at this very moment I will take what I can get. I reach over to retrieve my fare. I quickly eat the bread and take a gulp from the mug."
submitted by Ready-Candidate-6371 to writingcritiques [link] [comments]


2024.05.19 20:37 Shiirooo Exclusive interview with Famitsu and the devs

Exclusive interview with Famitsu and the devs
https://www.famitsu.com/article/202405/5194 (translated by DeepL: there are probably translation errors)

Shadows is the next step forward for Assassin's Creed

Mr. KARL ONNÉE, Producer
--First of all, let me say "Thank you" from us Japanese, as "Assassin's Creed" is finally coming out, which is set in Japan!
KARL: Thank you for coming here today. I have been wanting to do this work for years, so my dream has come true.
--Why did you choose the Azuchi-Momoyama period as the setting for this work?
KARL: I chose it because it is a very rich period in history. It was a time of war and political maneuvering, a time of change from rural to urban areas, and also the birth of art. I also chose it because it was the start of the unification of Japan. It was a pivotal moment for Japan. Together, these elements provided an excellent canvas on which to tell the story.
--What kind of image do you have of the Azuchi-Momoyama period?
KARL: This was a time when the feudal lords of the warring states were fighting for power in the name of unifying the country, but it was also a struggle for control of trade. Portuguese missionaries and merchants came to Japan together. The Portuguese missionaries and merchants came to Japan together, and people who wanted a beautiful country and peace. This is the kind of image we have, but I think there was a mixture of various cultures and people's thoughts. And of course, there were the warring feudal lords. These are great canvases for the story.
--What do you think should be inherited from "Assassin's Creed" and what are the unique aspects of this game?
KARL: When people think of "Assassin's Creed," they think of stealth, but shinobi fantasy is not only a perfect fit for an "Assassin's Creed" game, it also fits the DNA of the "Assassin" brand.
What we wanted to do with "Assassin's Creed Shadows" was to push stealth even further. We started this effort with the previous game, "Assassin's Creed Mirage," but we wanted to take it further with new features. Systems such as light and shadow, grappling ropes, prone, and a variety of tools available in the game provide a new experience.
The gameplay is also enriched by two characters, Naoe, a shinobi, and Yasuke, a samurai. Players will explore and discover Japan through the eyes of Naoe, a local, and one non-Japanese outsider. The game is more dynamic than ever before, pushing the limits of technology and offering an experience exclusive to current-gen consoles.
--The "Assassin's Creed: Valhalla," released in 2020, is based on the theme of "Vikings" and has been a huge sales success. As a Japanese, I feel that from a global perspective, the Japanese "shinobi" theme is even more niche, but what is your current response?
KARL: I would like to talk about how it compares to "Viking" fantasy. Both shinobi and samurai are exciting and celebrated as fantasy with power, and are widely discussed in pop culture, and we are very much inspired by them.
Shinobi were on our radar from the beginning because we thought they fit well with the "Assassins" brand, but we felt that incorporating a powerful samurai would create two different gameplay experiences and give us the opportunity to tell the story from two different perspectives. We feel that this is a powerful motif that can compete with the "Viking" motif.
--How did you like the setting of Japan as a subject matter for the latest model?
KARL: I think it was perfect. For example, the "Global Illumination" technology allowed us to explore the response of light and shadow. Some consoles are still called "Baked GI", but by using dynamic lighting and the power of the new hardware, we were able to explore the creativity.
We are now able to express not only light and shadow, but also the dynamism of nature in greater detail. Naturally, since it is set in Japan, we have never dealt with so many trees, and thus so much data, in previous works in the series. We also needed more data to seamlessly move various things at the same time because of the seasonal changes. The latest models have allowed us to realize our vision, and our ambition for this game and for "Assassin's Creed" will continue.
--Assassin's Creed Mirage marks the 15th anniversary of the game. Can we consider this work as the next step forward for the next generation of "Assassin's Creed"?
KARL: You are absolutely right. Mirage" was a tribute to existing works, but this game is the first step into a new era. We are in the era of modern equipment. With the new generation of our engine "Anvil", plus the opportunity to create a new era by using the power of the latest consoles, we are able to do what we wanted to do with "Assassin's Creed Shadows".
With technologies such as global illumination and dynamism, we are now making the game we really wanted to make.
--What are the four pillars you are focusing on in the development of this game?
KARL: We are focusing on four pillars.
  • The first is to create an authentic and dynamic world.
  • Second is the story, introducing a new form of storytelling to "Assassin's Creed" by introducing two characters with different stories and perspectives.
  • Third, there are two different action sequences. Samurai and Shinobi each have their own skills tree elements and unique weapons. For example, in castles, each has a different positioning that they excel at, which makes a big difference in how they play.
  • And finally, there is stealth. We are promoting the importance of stealth more than ever with new systems such as light and shadow, objects in the environment, depression, and grappling ropes.
-- The launch is scheduled for November 15, 2024. What is the current development status?
KARL: Development is going very well. We are proud to say that we have done a good job, but of course it is not finished and there are still glitches. This is the result of all the work we have done so far. We are very happy with how things are going right now, and we hope you will stay tuned for more news.
-- I understand that "Assassin's Creed Infinity" was announced at the previous Ubisoft Forward and that this title will be included in the game? Also, what is the development status of that game at ......?
KARL: "Assassin's Creed Infinity" is introduced as an Animus Hub (*a hub that will function in the future as an entry point for the series), which we will talk about at a later date.
--What is your message to your fans around the world and in Japan?
KARL: We are humbled that our dream of creating a game in this setting has come true. This is a setting that our fans have been anticipating for a long time, and for us it has been a wonderful experience to work on a game that we have always wanted to make.
This game is the result of our love. We hope you enjoy it. We look forward to talking more about it in the coming months.

The Shinobi Assassin and the Legendary Samurai. Experience the different fighting styles created by these two characters.

(left) Mr. JONATHAN DUMONT (Creative Director), (right) Mr. CHARLES BENOIT (Game Director)
--When did you start the development of this work?
JONATHAN: Development began about four years ago, and research into the time period in which the game is set began immediately. There were a number of cool subjects that brought us great characters and story plots. I had a gut feeling that this was going to be a very good game.
--Was the Azuchi-Momoyama period chosen as the period setting from the pre-development stage? Did you have an idea for a major point in Japanese history, such as the end of the Tokugawa Shogunate?
JONATHAN: I started from the beginning of my study of Japanese history, but I began reading with the feeling of a student. Following the Socratic principle, you took the attitude of knowing nothing. As I read on, I found some very interesting settings.
I focused on the Azuchi-Momoyama period because I felt it was an extremely important period for Japan. It was a time of warring states, the need to unify the country, and the need to defend itself against the growing influence of other countries.
It was a grand and complex period, and there are many stories that can be told from different angles. Among the heroes of the unification of Japan, Tokugawa Ieyasu, Toyotomi Hideyoshi, and Oda Nobunaga are best known among the outstanding characters in Japanese history.
Not only war, but also politics are involved, and they are moving toward the peace that will eventually come, with a good ending waiting somewhere in the middle. I strongly felt that this was a wonderful and interesting period that deserved to be featured.
It was also a time when the foundations of the arts were laid. Castle towns were built, the world changed, and people's relationships with each other and with art, as well as their inner lives, also changed. It was very interesting to explore this period, and I was strongly attracted to the characters who lived in this time.
-- Why did you choose the title "Shadows"?
CHARLES: From my point of view, there are two reasons. Shinobi hide in the shadows, so "Shadows" is of course inspired by that. In a way, this embraces the "Assassin" brand and shinobi.
There are other aspects to "Shadows" as well. There are "hidden things" in the game that must be discovered by the player, but they are hidden in the darkness in some way.
JONATHAN: Both characters are in a way connected to being shadowy heroes living in the underworld of this era. It's a cool title, if you can think of it this way.
--Why did you choose two main characters and two fighting styles? Also, what kind of combat action can the Shinobi and Samurai experience respectively?
JONATHAN: One of the reasons for the separation of the two styles is that from the beginning of development, we wanted to have two distinct and cool archetypes to play with: the samurai and the shinobi.
We also wanted to make sure that this fantasy was as close to reality and expectation as possible without being diluted. I also often felt the need to have two points of view in the development of the story, since history is rarely clearly black and white. The two protagonists provided interesting dynamics and perspectives on how to approach the game.
CHARLES: I think it is very interesting that in combat, both the samurai and the shinobi have special types of weapons. Therefore, the style of combat in this work is built on a more weapon-based approach.
There are weapons that only Samurai can use, and the same goes for Shinobi. The player can get a good feel for the two different fighting styles. And it is possible to switch between them.
--What weapons can Naoe and Yasuke use?
CHARLES: Both players have different types of weapons. For Naoe, we went for a more classic fantasy type shinobi. The chain scythe is a weapon that covers a wide area and can only be used by Naoe.
In addition, she also has a dagger used at close range, which can be combined with a hidden blade (Hidden Blade). Naoe can fight very quickly and efficiently with these.
On the other hand, Yasuke, who excels at overpowering with force, is given more types of weapons, some of which are firearms type weapons. They also have the typical samurai bow.
--Why did you choose to make the shinobi Naoe an original character and the samurai Yasuke a historical figure?
JONATHAN: Even though they are well known in Japan, at least in North America, not much is known about farmers, what happened to them, and where the Shinobi came from.
So we decided to introduce a figure from Iga who is shrouded in mystery. We considered historical figures from the region, but we preferred a sense of mystery, so we came up with Naoe as someone who may or may not have actually existed.
As for Yasuke, from the beginning we thought that a story about the arrival of the Portuguese would be a very good way to tell the story of the crisis in Japan. The team liked the character Yasuke, and we thought we could use him to show the promise of discovering Japan.
We thought that if we started with a samurai already in Japanese society, he would be a very interesting and intriguing character, with concepts that we don't necessarily know. And it would also be interesting to see what happened to him. He starts out as a character who is already rooted in history, and we are curious to find out what happens to him.
I thought they would make a cool team, complementing each other in terms of storytelling, physique, and family background.
--What did you keep in mind when creating the scenario where the two main characters switch? What were some of the challenges?
JONATHAN: I wanted the audience to feel that "both are the main characters," but this was more complicated than it seems. Their stories overlap in places, but I wanted to make sure that as the game progresses, you gradually discover more and more about both characters. They have similar goals and motivations, but they are not 100% the same, which made it complicated and difficult to maintain their individual personalities.
Naturally, the quest can be played by either character. If a quest needs to be started by one character and completed by the other, the settings must accommodate both play styles. Thus, although it can be complicated, there are many opportunities to tell the story from one of the two perspectives.
Having two different points of view is a lot of fun, but there were some complications, such as having to use new technology in the conversation tools. There were some cool things, however. It is interesting that in the conversational scenes, the player decides which of the two protagonists speaks and they ask for different things. This is cool in a way.
CHARLES: Both characters are attacking the castle and at some point the player is asked if they want to continue with Yasuke or Naoe, both are interesting. At various points the player must make these choices.
The stories are independent, so if you want to know more about Naoe's or Yasuke's past, you can play as one character and delve into that character's story.
--Are there areas of action that differ, such as places that only Naoe, a shinobi, is allowed to enter?
JONATHAN: There are areas where both Naoe and Yasuke have different areas of activity. I can't go into details because there are a few surprises, but since Naoe can use a hooked rope, there are places that are almost exclusively accessible to her.
The world is designed to be enjoyed by both characters, and players can switch between the two at will.
Of course, if you want to reach the final point of the world or reach the summit through the ruins, then perhaps Naoe is the better choice. However, if you want to break through the fort head-on alone and open the way, Yasuke seems like a better choice. Of course, you can play with either character.
CHARLES: Each character also has specific actions. Naoe can hook the hooked rope to a specific spot and move like a pendulum, or hook the hook to a high spot and climb the rope to get to where she wants to go faster than Yasuke. However, Yasuke can use a shoulder bash to break down reinforced doors.
Yasuke can also perform parkour very efficiently in a more daring way. What can be felt when Yasuke performs parkour is how the crowd reacts. Because Yasuke is a samurai and exudes dignity as a superior class, the crowd reacts accordingly. Naoe, on the other hand, gives the impression of being more integrated into the world.
--Can you both use the Hidden Blade, Hawk's Eye, and other Assassin abilities?
CHARLES: Without spoiling anything, the traditional skills of the Assassins are mainly for Naoe. However, there is another mechanism called "Kantori" (provisional name) that can be used when you want to find an enemy or target person, and this can be used by both of them.
You can use free aim to look around, but you cannot see through walls. Yasuke can also kill with stealth, but in a more direct and easier way. Even with stealth, there will be some sound, so it is a "stealth-like" approach.
JONATHAN: Kantori (provisional name) can be used to find many things in your current location. It is a very good guide for a certain area, but it does not take all the fun out of exploration. It is a good guide because you can learn a little more about where you want to go, but you are left with the surprise of discovering something.
-- Is there a skill tree that makes Naoe more combat-oriented or enhances Yasuke's stealth?
CHARLES: Both have skills that are more combat-oriented and stealth-oriented. Also, some equipment has effects such as increased resistance when attacked. We also offer perks that enhance your abilities in combat.
Naoe, enhanced to be more combat-oriented, has an advantage in melee combat compared to Naoe, enhanced to be more stealth-oriented. Both have a range, but cannot go in completely opposite directions. There is some overlap between the two, but we have made sure that the characteristics of each ability are properly felt.
--Please explain the skill system.
JONATHAN: Both characters share XP and level up together, but the rest of the system is a bit similar to that of "Assassin's Creed Odyssey".
XP and character abilities are available, weapons can be crafted to some degree, and various upgrades can be made as the game progresses. Weapons are not stand-alone, but for two, so each weapon has its own unique skill system. Players should not feel any discomfort, but this is a very different part of the game from the past.
CHARLES: There are two things that were very important to us in terms of skills.
First, we have to be very aware of archetypes. In Japan, there are distinct archetypes, such as the armor-clad samurai, the revolting monk, and the bandit, which are quite different. We try to make it clear to the player who is stronger, and we try to make that part of the leveling process as important as possible. Samurai are always stronger than bandits.
Secondly, player skill is added to the mix. The better you are at timing, reading attacks, understanding weapons, etc., the better you will be and the further ahead you will be.
--What is the volume of the map compared to past works? I would also like to know how you decided on the scale of this work.
JONATHAN: The biggest difference is the scale ratio. The mountains are not the actual size, but we wanted them to be true forests, consisting of trees of a certain size, so that you feel you are in a forest. To achieve this, we needed space.
We also decided to keep it close to a realistic scale, so we could feel the breath of many things. When we visited Japan and saw the castle, we were so glad we made this decision. Japanese castles are huge! Of course, we had seen pictures of castles before and thought they were big and magnificent, but when we saw them in person, they were astonishingly large.
And I wanted more space to explore the castle. Castles were built to be large battlegrounds, you know. You need space to build intricate walls for defense.
The overall scale of the map is similar to the size of the map in Origins. However, the scale ratio makes it feel more realistic. The open space leads to secluded areas throughout the game, which will be fun to explore. This sense of scale is a very interesting aspect of this game for us.
CHARLES: The story led us to choose which locations in Japan we would choose. The major events in Kyoto, around Osaka, and around Azuchi Castle took place in the same area, so we were able to focus on that.
JONATHAN: Of course, we had to choose a size that matched the game, but I think it was the perfect size for this story and type of game.
--Since the game is set in the Warring States period, is there a system that allows players to participate in battles?
JONATHAN: We see several battles in the story, and the battle at Iga is playable. There are other battles as well, but I can't talk about them right now. The game is set in the Warring States period, but it is not only about battles. It is a game that allows you to travel and discover that world.
--What challenges have you faced and what have you been able to achieve as a result?
JONATHAN: By making the big decision to go completely modern and demanding a very high level from the "Anvil" engine, we were able to increase the number of particles, create a more realistic atmosphere, and expand the graphical possibilities of the changing seasons.
This allowed us to work on a fresh new Assassin's Creed. This was a great opportunity for us to take a big leap forward in graphics.
CHARLES: Also, thanks to the new global illumination system, we were able to take advantage of light and shadow, which had a huge impact on the gameplay and stealth approach. For example, enemies became aware of our presence through our shadows, enemies gathered for warmth under a fire in the winter, or shadows through shoji screens depicted enemy presence, giving a new dimension to stealth.

By having two main characters, it is possible to show a wider range of angles and different perspectives.

(left) BROOKE DAVIES, Associate Narrative Director, (right) SACHI SCHMIDT-HORI, Narrative Consultant
--Did you choose the Azuchi-Momoyama period as the period setting from the pre-production stage?
BROOKE: I joined the project after the choice of period had been made, so the Azuchi-Momoyama period had already been chosen. This period offered so many wonderful opportunities from a narrative perspective. The complexity and duality of the period is well reflected in the characters of Naoe and Yasuke.
--What were you aware of and what were the challenges in creating a scenario where the two main characters switch?
BROOKE: From a storytelling perspective, I see it more as a wonderful opportunity than a challenge. When I write a story, I try to show rather than tell, and having two characters allows me to show what's going on from a wider range of angles and different perspectives. I hope this will encourage players to want to share their feelings with them.
--What do you think are the most important points in bringing original characters and historical figures into the game?
BROOKE: Both offer different and unique opportunities. With regard to Yasuke, I found him very interesting historically because we know some things about him, but there are many unknowns. So we needed to fill in the blanks in the story. It is important to note that Yasuke is a historical figure.
And in the case of Naoe, an original character, we were able to draw the story freely to some extent. The fact that she is a member of the Fujibayashi family and that her father is Masayasu Fujibayashi Nagato Mamoru allowed us to place her firmly within the setting. Because Yasuke is a real person but appears as a foreign-born samurai, the Japanese-born Naoe is on equal footing with Yasuke, although she has a different perspective.
--Will other historical figures appear besides Nobunaga Oda and Yasuke?
BROOKE: You will meet Luis Frois (a Jesuit missionary) at the meeting in Azuchi Castle. Also, Nene and Oichi will appear. The Japanese art renaissance that began in the Azuchi-Momoyama period blossomed in the Edo period, and you will also meet Sen no Rikyu, Kano Eitoku, and other important figures.
--Please tell us what year the story will be depicted.
BROOKE: I can't tell you what players will see, but I think it covers a part of the Azuchi-Momoyama period, from 1579 to 1584.
--I think the appeal of the series is to depict the struggle between the Assassin Order and the Templars while taking into account the history, but I would like to ask if there were any difficulties in putting the Azuchi-Momoyama period into it.
BROOKE: I don't want to mention the Knights Templar because I don't want to spoil anything, but the fascination and dynamics of this period are very interesting and provided wonderful opportunities for storytelling.
--How did you go about creating a world with a realistic feel of the Azuchi-Momoyama period?
BROOKE: We were very lucky to work with the Environment Team. The visuals they created for the game provided a great backdrop for the story.
The in-world experience added so much to the story. What we see from the stories and characters of this time period is complexity. I also believe that many of the people surrounding the World had their own struggles.
It was a very difficult time historically, and we see duality. Nothing is ever clear-cut and black and white. In warfare, two groups face each other and are confronted with different perspectives. But in the midst of it all, there are glimpses of hope for the future as we know it, which will later blossom.
--What advice did you actually give?
HORI: One scene that left a strong impression on me was the scene where Nobunaga's sister, Oichi, remarries Katsuie Shibata. In the original story we received, it was thought that the two families decided on their own without regard to Oichi's intentions, and Katsuie was portrayed negatively because he was more than 20 years older than Oichi.
So I spoke with BROOKE and the team and asked them to change it. Oichi had young children after the death of her husband Nagamasa Asai, so if her remarriage was to Katsuie, a trusted man who had served Nobunaga, she would have married him as a matter of course. When I explained that it was better to portray it in a positive light, it was a new discovery for the BROOKEs, and they were very moved by it. The rewritten version of the episode was very moving.
The other scene is the tea ceremony scene featuring Sen no Rikyu. Chanoyu is widely known to be translated as tea ceremony, but experts say it is a mistranslation. After researching the misunderstanding over here, I advised them, as far as I could understand, not to use a teapot or tea leaves, for example.
--Even we Japanese have a strong image of "ninja" as a fantasy. Did you encounter any difficulties with the theme of "ninja" in order to achieve a high level of fidelity to the historical reconstruction?
HORI: Ninja are certainly a fantasy, so I think it's a good thing that we can express ourselves creatively and without reservation. However, there are also dedicated ninja fans and communities around the world, and I am not sure to what extent they see the ninja as a real existence, or as an entity that existed in history.
Therefore, the extent to which ninja are represented in the game depends on the level of tolerance of the avid shinobi fans. I discussed this with the members of the development team. We did not have a specific policy on how much to express, but made decisions on a case-by-case basis. We would say, "This is an acceptable creative expression," or "This is stereotypical", so let's not do that.
--I'm sure there are many references, but which one left a particularly strong impression on you?
BROOKE: The first book I looked through was "Nobunaga no Kouki" by Ota Ushiichi (Azuchi-Momoyama period, military commander and military history author). I was impressed by his personal observations as he recounts the details. We can learn a lot of historical facts from reading history books, but this author incorporated his own views so that I felt I could understand even his character and what it was like to live in that era, and I was completely drawn in. I was thrilled to be able to portray this time period and the people in this book.
--The drama "Shogun" which is set in a similar time period, has been a hit, and I hope that this work will attract the same kind of attention from game fans. I understand that you have prepared a "Discovery Tour" that allows visitors to freely walk around the game world with historical explanations.
BROOKE: I can't answer about the Discovery Tour today, but I am glad to see that interest in the setting and time period of the game is growing. I look forward to the day when we can bring this to you.

Gathering a lot of information to recreate 16th century Japan and build a living world

(left) THIERRY DANSEREAU, Art Director, (right) STÉPHANIE-ANNE RUATTA, Historical Supervisor and World Director
--Please tell us what kind of materials you used as references to describe the field and the characters' costumes in the Azuchi-Momoyama period.
THIERRY: I have been working with experts and consultants for a long time, but for the characters, I referred to museum exhibits and books for their appearances and costumes. I visited several museums, did my research, and checked the materials with STÉPHANIE-ANNE.
Based on these, we created the characters. We also referred to descriptions in the books about the colors and the flags people carried. We used multiple sources, but we have checked them for historical accuracy.
STÉPHANIE-ANNE: For several years we had the help of experts, but we also did research with a Japanese studio and team. We used different kinds of sources to make sure the team got it right and had all the information they needed to reconstruct what Japan looked like in the 16th century.
We used museum databases, as THIERRY mentioned, but we also used inscriptions, scientific books, articles, and medieval depositions. For example, the Principles of Nobunaga has been translated into English, so we used that as a reference to describe 16th century Japan. I also referred to the documents of Luis Frois from the same period, which compare European and Japanese society.
--This period was also a time when there was a large influx of immigrants. Will you also depict the episodes, lifestyles, and culture of these people (missionaries, merchants, etc.) as well as Yasuke?
STÉPHANIE-ANNE: Yes, it is important to introduce the presence of Portuguese missionaries and merchants in the 16th century. They influenced the course of warfare during this period and the changing power of certain merchants in Japan.
--I am wondering what castles, shrines and temples that symbolize the Azuchi-Momoyama period will appear in the game. Although the game is set in the Kansai region, is the Osaka Castle built by Toyotomi Hideyoshi ......?
STÉPHANIE-ANNE: The era is represented by the construction of various castles and castle towns, so players will discover a wide variety of castle types and castles destroyed in battle. The Azuchi Castle, which is related to the name of the era, will also be featured.
THIERRY: Himeji Castle, Osaka Castle, and Takeda Castle are also available, and it is wonderful that players can visit and play in these castles. I think this is one of the strengths of the franchise, but all of the castles are based on actual historical blueprints, which I think is very unique, both as an experience and a learning opportunity.
The Koyasan Okunoin Cemetery is the oldest graveyard in Japan, which can also be seen in the game. There are too many to mention them all, but thanks to STÉPHANIE-ANNE and the experts, I think they are well described and it is wonderful that players will be able to travel to these places.
--The architectural style and decoration of the buildings is a different culture from the previous works in the series. What were you conscious of in recreating the culture and what were the challenges? I am also interested in the possibility of diving on the "Shachihoko".
STÉPHANIE-ANNE: The building team did a lot of research, and then we checked the results with experts and asked them to add the elements needed to build a great castle. We did research to recreate the decorations of not only the castle, but also the temples and shrines, and also to find out what materials were used to make them.
THIERRY: The colors also change over time, so we made adjustments to that as well. Of course, this is "Assassin's Creed," so you can climb anywhere and jump from almost anywhere. Exploring is fun.
--Japanese period games tend to be rather subdued, but were there any barriers to making it a worldwide production?
STÉPHANIE-ANNE: It's a game based on history, and we want players to have the opportunity to play with history. This period is so fascinating and celebrated, and has had such an impact on pop culture, that we were fortunate to have the help of renowned experts to make sure we had all the information we needed to faithfully recreate medieval Japan in the 16th century.
We maintained historical fidelity because it was a rich period with so much to talk about and we didn't feel the need to change it. There is an experience that goes into fantasy, but keeping it authentic was our primary goal.
--In the main storyline, can we experience famous episodes from the Azuchi-Momoyama period (such as the Battle of Nagashino, the Honnoji Incident, the Battle of Komaki and Nagakute, etc.)?
STÉPHANIE-ANNE: You will have to wait a little longer for that.
--In the recent series, "Origins," "Odyssey," and "Valhalla," you can enjoy the connection to mythology and fantasy elements based on mythological themes. Will this work also contain elements based on Japanese mythology, yokai, and other fictional creatures?
STÉPHANIE-ANNE: That is a very good question, but I will answer this one later.
--This game also reproduces the four seasons of Japan. Which season did you start first? And which seasons were particularly difficult to express?
THIERRY: I started with spring. We all know about cherry blossoms, and I think they are the most symbolic Japanese element for foreigners. And the big difference is winter. I wouldn't say that winter is more complicated because it has many different expressions, but it was very different from spring, summer, and fall, and the challenges were also different.
--What was particular about the representation of water, such as waterfalls, rivers, lakes, etc.?
THIERRY: All of the water topics were very important to us. We knew that there is a Shinto belief in waterfalls and rivers, and that they are important places in the Japanese eco-system. Even the blueprints of the suburbs are lined with irrigation canals, and they even go into the houses. Thus, we knew that water is a key component of Japanese culture, especially for agriculture.
This is why we installed drains everywhere in this work. The presence of water in the Japanese landscape was different, so we took it seriously and treated it as an inviolable part of the Japanese landscape and way of life.
--What are some of your favorite places, castles, or cultures that appear in your work?
STÉPHANIE-ANNE: That's difficult.
THIERRY: My favorite is Takeda Castle. It is on top of a high mountain and is called the castle in the sky, and I like this location. I can't say it's fair because we built it ourselves, but there are many other great places to visit.
It was a lot of work to create the forest, but I really enjoy looking at the landscape. I also like how all the ecosystems interact with each other, such as the clouds in the weather system. It's not a location, but I enjoy it because it encompasses the whole game.
STÉPHANIE-ANNE: I was impressed by the "Rakuchu Rakugaizu," Japanese folding screens from this period. I was fascinated by the fact that just by looking at them, one could come into contact with the vivid world of this period.
The artistic touch is something special. I have never seen anything so full of art. I truly admire the artists of this era.
THIERRY: I also think the most striking thing for me was the harmony of nature and architecture. I visited the site and found many places, and I could see how everything was deliberately composed.
I was told that trees were planted while the chedi was being built at the time, but everything looked perfect. Also, the culture loves the age and values it, so they cherish moss and things that have taken root there. Japan has maintained these places so they still exist and are still in use.
I realized that we are dealing with a subject that has a long history. It is also a culture that values space, living space. These were the most exciting discoveries during my travels in Japan.
submitted by Shiirooo to assassinscreed [link] [comments]


2024.05.19 17:35 VeterinarianNo2256 [M4F] The College Roommate Mishap

Please be literate, descriptive and over the age of 18 (preferebly 24+) There was a mixup with the paperwork and our characters end up as roommates in college. If you have any questions or if you're interested in this plot, feel free to send me a message.
The young man named Aaron walked down the bustling college campus, he couldn't help but feel a mix of excitement and nervousness coursing through his veins. This was the beginning of a next chapter in his life, where he aimed to meet new people and to learn a vast majority of knowledge from his teachers. With each step he took towards his new dorm room, his heart pounded with anticipation, and his mind raced with thoughts of what lay ahead.
Eventually, he reached the building that housed his dormitory. As he entered the hallway, the smell of fresh paint hit his nostrils, a sure sign of recent renovations. The walls were adorned with motivational quotes and colorful posters, creating an inviting atmosphere for the students. With his backpack slung over his shoulder, he followed the directions on the piece of paper that one of the faculty members gave to him.
Arriving at room 202, he paused outside the door for a moment. Taking a deep breath, he inserted the key into the lock and slowly turned it. With a gentle click, the door swung open, revealing his new sanctuary for the next academic year.
Aaron stepped into the room and was impressed with how clean and organized the room was. The room was comprised of two single beds tucked against opposite walls, each defined by their own corner. A large, sturdy wooden desk sat against the window, which gave off a lot of natural light that streamed through the slightly dusty glass panes.
Taking a moment to scan the space, he noticed the pristine white walls, no doubt most people would cover these bare walls with posters and pictures to give the room more personality. There was also two spacious closets, complete with sliding doors that would accommodate all his belongings.
His phone began to vibrate loudly in his back pocket. No doubt one of his friends was texting him to come see their dorm room. Aaron stuffed his hand into his pocket and pulled out his phone to respond to his friends text message.
"Hey, have you seen your dorm room yet?! They are awesome, aren't they? You should come over to mine."
"Can't. I'm still unpacking."
"Still?! You're so slow, Aaron. Text me when you're done and we'll go cause some havoc in the school."
"lol"
Aaron tossed his phone onto one of the beds. He noticed the meticulously made twin-sized mattresses, adorned with fresh sheets and fluffy pillows. Thankfully the beds were comfortable, almost as comfortable as his own bed back home.
His gaze then shifted towards the large window, framing a picturesque view of the campus. From here, he would witness countless sunrises and sunsets, changing seasons, and the ebb and flow of campus life. He imagined himself sitting there, coffee in hand, taking a moment to appreciate the beauty and serenity that each day would bring.
From outside his dorm room he heard the footsteps of someone coming closer and closer. Aaron assumed that this individual was most likely going to be his roommate for this school year. He didn't want to just awkwardly stand in the middle of the room when they walked in so he began to empty out the contents of his backpack onto his bed.
submitted by VeterinarianNo2256 to Roleplay [link] [comments]


2024.05.19 16:51 Obvious_Ad4159 Twice Awoken (Pilot chapter)

It has been 20 years since the first calamity struck Earth. A massive wave of solar radiation from a nearby star known as Prometheus 673B showered our solar system in 2025. Electronics have been rendered useless for months, giving humanity the glimpse of what life was like long before. But that was merely temporary. The true effect of the solar flare came in the form of an illness, that afflicted roughly 10% of the current population. Unlike anything we've ever seen, the illness did not kill, rather enhanced the afflicted. For the first time in human history, the term Esper was used seriously. Dubbed the Awoken, those afflicted with illness that stemmed from the solar flare of Prometheus, gained the ability to manifest their own thoughts into reality, with varying degrees of success. At first, nations and laws, society as whole, was not prepared to deal with these new humans and their abilities. Crime ran rampant for a while.
Five years after the incident, the world banded together in a unified front, known as the AMA, The Awoken Management Agency, a world wide agency tasked with handling and controlling the Awoken, allowing humanity to once more function as a whole. Satellites have been sent out as far Earth's gaze into space could reach, to watch our for any other potential cosmic events that may occur, like the one that happened with Prometheus back in '25.
Now, 20 years since the first incident, the satellites have picked up another major cosmic event on the horizon, this time coming from the Aquila constellation. Is humanity ready to withstand whatever cosmos has prepared for it?
[]
"Kenji. Wake up! You'll be later for your lectures, again."
The young man groaned, slowly turning to his side in bed, looking at his mother that stood at the doorway. "I'm up, I'm up."
Yawning and stretching, he sat up in bed, running his fingers through his hair, before turning to check the small clock on his nightstand.
"Wha? Late? Mom, it's only 8. Lectures don't start until 10." He sighed.
"Oh well. No need to cut it short, right? Plus, I've made breakfast." His mother replied and went back downstairs.
[]
AMA Information Database:
Kenji Aoto. Age: 21 Category: Type 1 Awoken Ability: Embodiment. The unique ability of Kenji Aoto, unlike other Awoken of the same type, allows him to alter his own body based on how he feels. Most Type 1s change their environment around them, rather than themselves. Type 1s are classified as such for having abilities that considered non dangerous to the general non awoken population.
[]
"We've got a lot of promising talent this year huh?" Nathaniel said to his daughter, as the two looked down at the auditorium full of students. The dean of the university was preparing his usual welcoming speech, as the assistants tried to quiet down the murmurs of the students.
"Yeah, we sure do." Clara smiled, not taking her eyes off the scene. "Quite a good number of Awoken too."
"Anyone interesting in particular?" Nathaniel asked.
"No, not really. They all have the standard abilities you would expect out of a type 1. Same level of control to boot." She responded.
"Well, I look forward to being their professor." Her father smiled, inhaling deeply. "The smell of youthful energy, so amazing. I can still remember your first day as a freshman."
Clara blushed a bit, nudging him in the ribs with her elbow. "Shouldn't you be down there giving your speech, Dr. Offset?"
Nathaniel rubbed the back of his neck with a slightly embarrasses laugh to boot. "Oh don't call me that. Ahem, yeah. I'll be going now. See you later for lunch?"
"Of course dad." Clara smiled, giving her father a little wave as he left the teacher conference room.
[]
AMA Information database:
Clara Harris. Age: 32 Category: Non-Awoken (regular human) The lead ambassador for Awoken rights and unification in the AMA. Daughter of the lead researcher in Awoken development and the head teacher of the Awoken department in Nagoya University, Japan, Nathaniel Harris.
Nathaniel Harris. Age: 55 Category: Type 2 Awoken Ability: Offset. Acquired during the first Prometheus flare, the ability of Dr. Offset (he thought the name was cool when he was in his 20s), allows him to offset numerical values. Though touching an object is not required to use the ability on it, the potency of the ability greatly improved when he has direct contact with it. This also extends to, in theory, numerical values pertaining to objects and their position in space, relative to Nathaniel. Meaning he can move objects or parts of them relative to where he's standing, by changing their coordinates, however there were no recorded instances of him doing so. Examples include: Increasing or reducing the temperature of a beverage by direct contact. Increasing or decreasing friction on a surface of an object temporarily by touching it.
In his youth, Nathaniel attempted to become a sort of hero, once his powers kicked in, but due to the very low potency of his abilities, he never really managed to make the cut as one, despite being a type 2. Type 2s are classified as such due to having abilities that could be considered dangerous, powerful or harmful for the general non awoken population.
[]
Location: Russia, Siberia. Time: 22:37 Facility: Maximum security prison for Awoken criminals in Russia, cell block 5.
Theodore laid in his bunk, staring at the ceiling. Each of his breaths released a soft cloud of vapor, that commonly occurs when someone is in a cold environment. In his case, the vapor was a byproduct of his ability, rather than the cold cell we was in. A thug with a love for violence, turned bank robber when his abilities fully developed, Theodore terrorized Russia and the neighboring countries. It wasn't until the AMA was finally assembled and operational, that he was arrested and sentenced to multiple life sentences in this highest security prison that Russia had at a time.
Even after being sent behind bars, he kept up his antics, becoming a nightmare for the guards and inmates alike. No man that was placed in a cell with him would last more than a few days before demanding transfer. Some even lost their lives to the former thugs whims, before their transfer requests could be approved. Hence Theodore has been placed in solitary, a cell designed with all the tech necessary to nullify his ability. There he spent the last 10 years of his life.
Despite being a type 1, an awoken with abilities that were not classified as dangerous to the general population, Theodore managed to use them to their fullest extent. His blessing of temperature manipulation, was a curse to everyone around him.
He looked outside, at the night sky, through his small cell window. Apparently, there was a big stellar event, similar to the one 20 years ago, that gave him the powers he now has. He heard guards and other inmates talk about it, how AMA is now prepared for such an event.
Theodore closed his eyes, imagining what this aurora would look like. The memory of that night, when Prometheus 673B's flare struck earth still fresh in his mind like it was yesterday. The otherworldly mixture of reds and yellows and greens. Like a primordial fire that was lit across the night sky.
Suddenly, the sound of footsteps outside his cell snapped him out of his memory.
"Huh?" He adjusted in bed, to see who was outside his cell.
A man, in a white cloak with golden details, stood outside his cell. Theodore was confused. The man was not one of the guards, he was bare footed and did not wear any uniform. And no way he was one of the other inmates, no one had the capabilities to leave their cells without being let out.
"Hey, who the hell are you? How did you get here? The guards letting us out or something?" The criminal walked over to his cell door. The bars were made of material that could withstand sudden changes in temperature without bending or breaking, preventing him from getting out.
The man said nothing, he didn't even turn towards the convict, he merely stood there, hood covering his as he looked up at the night sky through the decorative windows on the buildings roof.
"Hey asshat! I asked you a question. How the fuck did you get out of your cell? C'mon man, don't be a dick, let me out too." Theodore grabbed the bars and rattled them.
The cloaked man finally turned towards him. The convict was stunned, only for a second. The man has a beard and long hair, both as white as his cloak. But his eyes, they were as blue as the midday sky. He could have sworn energy seemed to pour out of them. Before he could say another word, the figure before him extended his hand at him, and with a snap of his fingers, a bold of lightning struck Theodore square in the chest. The convict was send flying, back hitting the wall opposite the cell doors.
[]
Location: Brazil, San Paolo. Time: 16:37 Facility: Remodeled Taubaté Prison, cell block 3.
Vitor sat on the bench press, just finishing a set, looking over the prison yard. Even behind bars, his connections did not dwindle. A former petty drug dealer, Vitor Alves quickly rose to power and influence once his powers awoke. He employed other Awoken with criminal tendencies as his own personal task force to drive all other competition into the ground. Once he held the entirety of San Paolo's drug empire in his hand, he set his sights farther. We wanted the entire city for himself, believing that no one could challenge his claim to that right.
With the help of the AMA, the Brazilian government swiftly put his plan to rest, and Vitor behind bars. The fight between the Awoken under Alves and the AMA/Brazilian forces was indeed a bloody one and resulted in a good number of civilian casualties. The drug lord was sent to Taubate, where he would spend the rest of his life. The prison was remodeled, per AMA standards, to be fully equipped and capable of holding Awoken criminals.
Despite having powers of temperature manipulation, capable of increasing temperature to lethal amounts, Vitor did not believe that to be his strongest ability. Money, influence, connections, those were real power, what truly carried him to the top of the criminal world.
Even now, as he sat on the bench press, doing a few reps before looking over the yard, Vitor was not powerless in the outside world. He waited on his informant, his connection to the outside, to appear so he could delegate orders to what was left of his followers and empire on the outside.
He wasn't sure if it was something he ate, or the heat from the pounding sun. Maybe it was even that sky flare that he heard AMA guards mention. Something indeed felt off, his vision seemed a bit blurry. As if the entire prison courtyard was moving slowly right before him. But the informant should be there soon, so Vitor decided not to go back to his cell just yet.
The other inmates, guards, even the basketball that the inmates played hoops with, suddenly slowed down to a halt. Through the statue like crowd, a single figure moved over to Vitor. His feet were bare, his body and face hidden behind a hooded cloak. The drug lord could only see his white beard and his eyes, as they seemed to be glowing a faint blue glow. Before he even got a chance to speak, the man extended his hand towards him and with a smirk, snapped his fingers, sending a bolt of lightning straight into the mans body, causing Vitor to fly several feet and collapse on the ground.
[]
"Ugh... What the fuck man?" Theodore cursed, as he regained his consciousness. Slowly, he got up to his knees, his head pounding like he was struck by a hammer. The cell felt colder than before. Looking around, he saw the entire cell frozen, every surface covered by a thick layer of ice. Bed, toilet, the cell doors, frozen solid. And the ice shifted. With every movement of his hands, the ice followed.
"Could it be?" The inmate whispered, focusing his mind, channeling his ability. Ice began to form in the palm of his hand, morphing freely. With a single wave of his hand, the frozen bed shattered into bits and pieces. Theodore inhaled, getting up to his feet, head still in pain. But the realization was crystal clear. He could now freeze things without having to touch them, manipulate what he froze, as well create ice out by freezing the water in the air. With a grin plastered across his face, Theodore thanked the mysterious man, of who there was not a single trace left, and decided that he's busting himself out of prison.
[]
"WARNING! WARNING! WARNING. PRISON BREAKS DETECTED ACROSS MULTIPLE AMA FACILITIES!" Blared the system on screen at the Awoken Management Agency in Nagoya. Other HQs across the globe received the same warning.
"What the hell is going on?" Clara said, running into the monitoring hall.
"I don't know. Prison breaks, across multiple locations world wide." Kaito replied, his eyes not leaving the monitors as he fired up the surveillance drones on the impacted locations.
"The main facilities that were absolutely totaled are Siberia and San Paolo." He continued.
"Think it could be?" Clara asked.
"Not possible. The protection against solar flares was at full power. Not a single particle should have hit the ground. I mean, we didn't lose any tech, unlike last time." Kaito shot her question down, pulling up the drone feed of the two prisons.
Taubate was in flames. The entire facility seemed to be entirely engulfed in a raging fire. The Russian counterpart held no better either. The entire prison was torn apart by massive glacier like formations, that seemed to jut out of the ground.
Clara, Kaito and other technicians presents stared, slackjawed, at the live drone feed. Something like that was not possible, no Awoken held that level of power. Not even if multiple Awoken united, could they produce that level of destruction across such a large area.
"Wait wait! What's that? Zoom in on one of the glaciers!" One of the technicians said, pointing at the big monitors.
Kaito's fingers flew across the keyboard, as the drone moved closer and the video on screen zoomed to its maximum. On one of the glacier formations, sat a man, clearly an inmate based on the jumpsuit he was wearing.
"Running identification." Chimed the computer.
"Inmate 4012: Theodore Ivarovski. Age: 36. Category: Type 1 Awoken. Ability: Low drop. His ability allows him to significantly drop the temperature of anything he touches, almost instantly."
"He's a type 1. No way in hell that he could pull of something like this." Clara said, eyes glued to the screed. "He must have re-awoken, there is no other explanation."
"Clara, in the last 20 years since the Prometheus, there was never a single instance of that happening. Some Awoken do push their abilities past the initial capabilities, but that's usually the end of it. It's a conspiracy theory." Kaito mumbled.
"Then how do you explain THAT?" She said, pointing at a massive piece of ice that was quickly forming above Ivarovski, before being sent flying towards the drone and cutting off the live feed.
[]
(Howdy y'all. This is a bit different from my usual write style, with a more manga like story/narration instead of the standard story/novel format I do. I hope you like it, I came up with it months ago, but due to time constrains with work I haven't gotten around to writing it. Based on how it's received, I may continue this along side Sand & Steel. You can read S&S on here:
Royal Road
Wattpad
Scribble Hub
Hope y'all have a nice day.
-M.W.A.)
submitted by Obvious_Ad4159 to HFY [link] [comments]


2024.05.19 16:04 APCleriot My Family Isn't In The Family Photos

What’s in the closet, Kirsty?
He knew I hid a secret.
I smiled, tried to look confused.
He waited, crossing his arms.
I worried that he'd already seen. He had.
What else could he think about the pile?
His wife’s a cheater. She has another life. Another husband. Children.
He’d never believe the truth: I’m not a cheater; there’s no other life; no other man; I don’t know who the children are who visit me at night.
But I did have a secret. And maybe it’s fair to say another life, even if was smaller and against my will.
I should have destroyed those frames, burned the photos within. Now it looked like I saved them, cherished them. The truth couldn’t be farther. I feared to touch anything to do with… whatever they are…with one exception.
“It started last Halloween,” I said to George, my husband, my real husband.
He stopped packing for a moment, working out the impossibility of this statement. “I’m taking the girls to my parents.” He resumed the tossing of shirts, pants, etc. into our big suitcase.
“It’s true,” I said, but weakly. The children in the picture are at least six and four respectively. They were born six months ago.
“They’re not… my kids,” I said of the boys in the photos. They’re not kids is what I almost said.
George stopped and squeezed the bridge of his nose between thumb and forefinger. “Kirsty,” he said slowly, “there are baby pictures. I saw them.”
“That’s-”
He quickly raised his finger, exasperated, angry, done.
“The first picture is you holding a newborn, and…” He swallowed painfully, his throat gone dry. It always does when he’s upset. “And the father in that picture, with his arm around you, isn’t me.”
When I couldn't deny it, he nodded like he knew all along our marriage would end.
We were happy. We really were. George and I had managed to overcome the typical breakdown that often comes with raising children. Only since last Halloween had distance been made by me.
I should have told him as soon as it started.
“Girls!” he called as I followed him down the stairs to the front hall of our lovely home. We’d scrimped and sacrificed to buy and keep this place, our dream by the lake. He’d been so proud. I couldn’t tell him I wanted to leave the first night sleeping there.
Cara and Ella protested through play, ignoring the adults, continuing to jump on an old box they’d long since flattened. Rays from the western sun placed my daughters into an inspired, hallowed light, and I started to cry. He was going to take my babies away.
George opened the door, intending, I’m sure, to drop the suitcase in the car before returning to physically carry the girls out.
But he hesitated in the doorway.
“George?”
The suitcase fell with a solid thud on the floor. “There’s no way,” he said.
“What?”
“There’s no way,” he said, with emphasis on the last word, “you would have had time for…this…”
Not defining "this" as cheating was progress. “Yes!”
He glared, quieting my desperate enthusiasm. I wasn’t off the hook. “Tell me. The truth.”
“I can’t.”
He reached for the suitcase.
“No, not because I don’t want to,” I protested. “I don’t know what’s happening!” I sat on the carpeted steps and stared through blurred vision at my trembling hands. The shriek I’d filled the house with - “happening!” - had put a halt to the box's obliteration. Cara and Ella hesitated for a few seconds before leaping into action.
Cara, the oldest, six, punched her dad in the buttocks. “You have to be nice!”
Ella, four, sat beside me and patted my trembling hands. “It’s okay, mummy.”
Such lovely daughters. Nothing like the boys in those photos when they were this age.
George grasped Cara's wrists and gently walked her back into the house, using his foot to kick the suitcase from the swing of the front door.
"It's alright, girls," he said with weak resolve. "Go and play."
"No!" Cara shouted. She kicked at her father and he pulled her close into a bearhug. Gradually, the girls calmed and were convinced to return to the box in the front room.
"Kirsty," George said, "you have to tell me." He sat down on the step beside me. "Please." I would do anything to take away the hurt in his eyes. "Please."
"I can't. But… I can write it down. Maybe." I took out my phone. We shared Google Drive. When I made a new document, he reluctantly started his phone. The man was a dream. He watched his screen, and waited patiently for my words to appear.
Without preamble, I returned to the awful moment when it all began: a strange and disturbing dream. Words came like an infection from beneath a torn scab. The wound had been opened. Nothing could stop this now.
Sex with another man has never been a desire of mine. I love George. He loves me.
Plus, the man in my dream was a stranger, and not particularly handsome. He has a plain face set to unwavering boredom and unkempt male pattern baldness. Our dream sex felt obligatory, just something we had to do.
I awoke on the wrong side of midnight. November 1st and I was craving ice cream instead of the girls' gathered candy. The freezer left by the previous homeowners came with unopened ice cream. Freezer burned or not, I wanted some.
After retrieving a spoon from the kitchen, I intended to destroy a brick of neopolitan. He waited in his flannel pajamas, barefoot on the concrete floor. His arms were crossed.
"Cravings?" he said.
I dropped the spoon. It clattered down the basement steps. Before I could run away, he disappeared like someone had erased him from head to foot in one clean sweep.
Had to be a dream. That's what I told myself. The spoon stayed in the basement until daylight. Ghost or nightmare, there was laundry to do the next day.
I crossed the concrete floor fast and only felt safer when I'd closed the door to the more modern laundry room. Never thought builder's grade tiles and track lights would make me feel anything but sad.
His voice caught me sorting.
"Kirsty!"
I dropped the cup of detergent all over the floor.
"Shit."
I came out of the laundry room, figuring George had been looking for me in uncharacteristically rude fashion. He hated speaking between rooms. Shouting throughout the house was highly impolite. It must have been important, I figured.
As soon as I stepped onto the bare concrete, however, deep sadness, the kind that seems to physically leech the strength from your body, dominated the room.
"Hello?" I don't know why I said that. The basement is a low ceilinged rectangle. There are no hiding spots except for the laundry room I'd come from. After a deep breath, I walked briskly to the stairs.
"Any day now," a raspy voice breathed into my ear. I jolted and slipped forward, falling and clipping my chin off a step. It made my teeth click painfully. Nobody there, of course. I ran upstairs and George had gone outside with the girls to play hide and seek.
I wanted to tell him. He looked so happy. It's hard to convey in words the kind of smile he showed me through the window. Imagine contentment mixed with unreserved joy and hope. Yes, it's difficult to picture. So few of us can ever have such a moment. Sort of like finding a natural view completely untouched by humanity. Beyond rare and precious.
I’m rambling now to avoid writing about what followed. The point is I couldn’t tell him. I hoped it’d go away and stop.
But, of course, it didn’t, and things got much worse.
I awoke in a great deal of pain. Having already given birth to children, the feeling was familiar. Despite getting up and gasping, George continued to snore in our bed. He’s a deep sleeper, but a quick and early riser. I’ve never heard him complain about getting out of bed either, especially when there’s an emergency.
I might have woken him up but I was disoriented and confused. Part of me believed I was still pregnant with Ella. It wasn’t until I’d gone all the way to the kitchen to avoid waking up the girls, that my brain caught up: Girls. Plural. Ella was asleep in her bed upstairs.
“Ohhhhhhhh shiiiiiiiiiiit.” I knew the signs of labour. This couldn’t be happening. “Ohhhhhhhhh.”
I was definitely going to wake everyone up if this continued.
My phone was upstairs by my bedside table. We don’t have a landline. I should have called 911. I should have woken up George.
Instead, I went downstairs where I could vocalize pain without disturbing anyone. Such a pathetically passive response. But that’s how I was raised. Keep it down, don't you frown.
His hands seized mine as soon as I descended the last step. Serious and bald without dignity is how to best describe his physical appearance. Cold and cruel is what he is. The lights turned off and, in the perfect darkness of the basement, he was all that I could see.
He produces a red light from his body somehow but his touch is literally frosty.
"Kristy, it's time," he said. No joy there. Just straight facts. Something was coming. I was going to give birth to it. In the dull red glow of his being, the first boy came.
"His name is Hadad," the man said, placing a large, infant boy with a lot of hair and, I swear, a hint of beard, on the bare concrete. Hadad looked like a three month old they use as newborns on TV. He didn't cry. He hardly seemed to breathe as his dark eyes roamed the darkness. His light resembled the man's, a less intense red.
I felt another contraction, and winced.
"She comes next," the man said.
I felt so weak. "Who are you?" I asked him.
At last, he smiled and I wished he hadn't. It made me feel small, insignificant, and beneath his concern. "You know who I am," he said. "I'm your husband."
Pain wracked my entire body. Something didn't feel right. The birth of Cara and Ella had been without difficulty.
"Push," my "husband" ordered. "She is upset with you, and will kill you if you don't get her out now."
"It has to be a nightmare," I told him. Sweat poured in streams down my face. The unborn "she" in question writhed and damaged my insides. I screamed. I couldn't help it.
"Push!"
I obeyed and the second boy spilled onto the bare concrete, coated in blood and dust.
"It's a boy," I said.
The man looked displeased. "The body is male. She is Hebat. No wonder she is angry." Like the other infant, Hebat appeared aware of her surroundings and had far too much motor control for a newborn. The light pouring from her body was dull silver. Her eye sockets were two pits of concentrated despair. I had to look away.
The babies were pressed into my arms.
The man stretched out beside me. "Open your eyes and smile." I resisted. "Do it. Now." What choice did I have? The flash from his cell blinded me. They were all gone by the time my sight recovered. Only the sweat remained as evidence of the ordeal.
It had to have been a hallucination. Some very bad food poisoning maybe. The source could be as simple as an undigested bit of beef, a blot of mustard, a crumb of cheese, a fragment of underdone potato. I had been stress eating since we'd moved in. I stood up and took some comfort in a Charles Dickens' reference.
"More of gravy than of grave about you," I said. My words seemed consumed by the dreadful weight of the air. "Whatever you are."
Whatever you are: something bad in any case. At best, I'd hallucinated prolonged and traumatic labour and needed medical attention. Yet, when I limped up the basement stairs, all thoughts of waking George vanished. There on the kitchen island sat a propped frame containing the photograph taken only moments ago.
The man looked happy. Only Hadad appeared in this picture, which meant another one was somewhere. I didn't panic. I worried more about what George would think if he saw the photos. I had to find them all.
Hebat and his father and I were mounted in a dark wood frame by the master bedroom. It'd be the first thing anyone saw if they woke up. I plucked it off the wall and, together with the first photo, tucked it under some blankets in the dresser we'd shoved in the small walk-in closet.
You might not believe this, but I went straight to sleep after. I climbed under the blanket in my sweaty pajamas, shut my eyes, and didn't have enough time to deny what had happened. I was unconscious until morning.
George placed a coffee on my nightstand. That's what I remember. He rubbed my feet while I slowly awoke. The girls were watching TV downstairs, munching on apple slices. There was forty minutes still before we had to seriously consider getting ready to take Cara to school.
George would drop her off on his way to work downtown. He chose his hours and always chose convenience for his wife and kids. Ella and I planned to spend the morning gardening. Then we would nap much of the afternoon away until George and Cara returned. A life so perfect is so very rare.
I didn't want to spoil things with a very convincing nightmare. Besides, I felt fine. Not so good that I wanted to look in the dresser to see if those photos really were there, but not ill. So I remained silent again.
November started fine. Idyllic days and nights filled with laughter and joy and television. Just as I started to believe in the dream we'd made, they came again.
The wail of a child's hunger is a powerful call for a parent. When it's a chorus, even of two, it cannot be ignored. Only I awoke to Hadad and Hebat's cries for their "mother" from the basement.
Half asleep, I drifted into the kitchen and searched for their milk bottles. When no bottles could be found, I remembered they were newborns. Milk swelled in my breasts and made my nipples ache. Just like when Cara or Ella would awaken in the night. It was a relief to feed them.
But what the fuck was I doing?
I was acting like the man in the basement and the devil babies were mine. It'd been less than a week since Halloween and that horrible nightmare illusion. I had already taken on the beleaguered newborn mother role without question.
Their cries intensified and flayed the weak resistance of exhausted reasoning.
Don't wake George. Don't wake my babies, my real babies.
"What took you so long?" the man critized, his voice monotone, the question unrhetorical.
"I… was sleeping. I went to the fridge first." Under his severe gaze, I stopped in the midst of the dark room. Hadad had quieted. Hebat cooed as if laughing at her own joke. I couldn't see them because the lights were off. They liked the dark better. Somehow I knew that about them and him.
"You should sleep down here," he said. "A mother should always be close to her babies."
The statement was nonsense but not altogether wrong. I wanted to be close to my babies, the daughters sleeping in bliss upstairs, away from the evil fermentation in the basement.
"Kirsty," he said. "Are you listening?" His hand touched the small of my back. The gentleness surprised me. I squawked and flinched away. "What’s wrong with you? They're hungry." He pressed on my shoulders until I sat on the cold floor.
They came from the shadows, already walking. I wanted to go, but I knew he wouldn't allow it. He pulled my cat t-shirt off over my head and their fierce mouths suckled, relieving the pressure of excess breast milk quickly. It felt physically good and psychologically alien.
I looked down at them once and immediately regretted it. Their emanated light had intensified to a point where perception of them hurt.
Each time I blinked my eyes were drawn to some isolated part of their bodies. The vision got closer to the point of disgust. Everything is gross if you're close enough. There is no beauty under a microscope. If you think there is then you're not using the right magnification.
Hebat's eye drew me in. At first, I saw the dark sphere, and then the strands of her eyelashes. Her gravity kept pulling until the creatures that live in eyelashes were revealed: Demodex folliculorum. I looked the microscopic horrors up.
The babies had more parasites than any child should. They wanted to show me and could somehow do so.
I asked him about it. "Why are they showing me these worms?"
He smiled, contemptuously as usual. "Trying to impress mother. Neither of them understand your horror and insignificance. You are the ant who knows they're an ant. Lucky you. They think you will be proud of the life their corporeal forms produce and host. Give them a few hours. It will pass."
"Why are you doing this to me?"
"I'm not sure what you mean. We're married. Now, prepare to smile." His cell reappeared and I noted the lack of features; it might have been a singed rectangle of spent firewood. He frowned when I failed to smile. "Smile, Kirsty. These are your children."
I managed to stave off the tears and hold the babies close. The smile was more difficult. In the inevitable aftermath of their sudden disappearance, the frames depicted an exhausted, wrinkly woman smiling painfully. It took a second to recognize myself.
The things in the basement sapped my strength. I looked dehydrated, beleaguered. The scale in the bathroom said I'd dropped six pounds. I'd weighed myself the morning before.
"Whoa, you've lost weight," George noted, thinking I'd be pleased. "This place has been so good for us, eh?'
To produce another smile proved as draining as the previous night. "Y-yes," I stuttered too late for him to ignore.
"Hey," he said, touching my forearm.
I flinched.
"Whoa, you okay? What's wrong?"
I should have told him. "Nothing. Bad sleep. A nightmare. I'll be fine."
A lie is an agreement. George wanted to agree, I think. He wanted life to be fine because he was happy for once. We struggled so hard before we came to Bridal Veil Lake. It was supposed to be our dream.
Guilty if I told him the truth. Guilty because I didn't. I began to resent his happiness, though he had done nothing but be the wonderful man he'd always been.
To Cara and Ella I became a body in motion, No brain left to guide them away from harm or answer their questions about nature and the universe.
"I don't know." That's what I told them often.
So they began to treat me like a kind of butler.
"Can I have some juice, please?"
"Sure, sweetheart."
"Mommy, can I have a snack?"
"Of course." And I'd run off to fetch it.
"Cookies."
"Yes, dear."
When Christmas came, I had two and they induced the same level of joy. Visiting the basement to feed and nurture Hebat and Hadad became a nightly occurrence. I'd learned to awaken, if I could get to sleep at all, and go quietly.
He berated me severely if I missed a night, and there were subtle threats made casually.
"I may have to squash you yet," he said, his tone as deep and cold as always.
"It won't happen again," I promised. "They’re getting big." In fact, they were no longer infants. Both had grown to the approximate age of six or seven in a few months. Still, they never spoke. Their dark eyes watched me as they ate food from the kitchen upstairs, food I'd hidden from my family.
"More meat," the man demanded.
"Of course." And I ran to the freezer and gave them frozen sausages in the package. They never complained or demanded the food be prepared a different way. No objections from my "husband" either.
Hebat tore the styrofoam and plastic wrap away and flattened the row of sausages stuck together between powerful molars. Hadad contented itself with licking them like a popsicle.
I'd stay until the photo. Then they'd release me by vanishing. Always with an exhausted breath, I'd trudge up the stairs and search for the frames and hide them in the same place.
They only smiled in the pictures. At no other time did they express any kind of emotion unless indifference counts.
My own children and husband weren't doing much better. Their concerns about my fatigue and ruminating slowly ceased as I repeated the excuse: I’m just tired. It'll pass.
Of course, I did not know when the nightmare would stop.
"When will it end?" I asked him one night, while Hebat and Hadad exercised like they had a mission.
"What do you mean?" he said.
I was surprised he answered. He usually didn't. "This. This. When can I go back to normal and not come down every night? I'm so very tired."
He frowned and I thought some punishment must be coming. Instead, he looked more confused. "I don't understand. You aren't happy? Your children grow into power and strength and will take their place in the world. They will be great and you - you, of all the tiny things, made that happen. Ask yourself what you want out of life, and see if Hebat and Haddad aren't your answer."
Too many words, all at once, for an exhausted mother. I didn't speak for the rest of the night. The infernal trio vanished, and the latter moments of the ritual I carried out with his challenge in mind.
I want my children to be strong, happy, and safe.
"Juice," Cara demanded the next morning, a Saturday, while she watched cartoons.
"Get it yourself!" I hissed, from tired to angry in a second.
"But I can't," Cara accurately pointed out. She didn't look away from the TV. Looking at me wasn't safe, and she knew it. Her and Ella held hands and sat a little straighter. It broke my heart. What had I done?
George came downstairs, attracted by my shouting. "What’s going on?"
Empathy became sadness, and the constant burden rekindled to anger swiftly. "Just children treating me like a servant."
He smiled. "Ah, yes, and how are the royal princesses this morning?"
His levity irked me. "You would know if you didn't sleep in so much."
The smile vanished from his face, and instead of the fight I seemed to want, he mumbled a quiet apology and joined the girls. They climbed onto him as he wrapped them into a cuddle.
"What are we watching?" George restarted his smile, his calm, for the girls. I hated myself. It had to end. Tonight.
After another dreary day of going through the motions, and the girls and George had fallen asleep, I went to the kitchen and chose the knife I thought sharpest.
"Kirsty," he said, his voice a whisper rising from the depths of the house.
"Coming," I whispered back.
"Mom," said another voice, a girl's, and I knew that Hebat had, at last, found herself and the wholeness of her being had been corrected.
I started to cry. I went downstairs and there she was with her brother and her father. He looked tired but some of the grimness had cracked to allow the first real contentment I've ever seen him express.
"Is that for the cake?" he asked. "We already have one."
I remembered the sharp knife. "Meat," I said. "There’s ham in the freezer."
He nodded, seeming to accept the answer.
"Mom," Hebat said, "Do you think I'm…" She gestured to herself, her face, and her body, and I understood the question, born from doubt and a desire to be validated.
I pulled her close. "You are the most beautiful girl in the whole world." We cried together. Hadad cut into a poorly made, asymmetrical cake by the light of his aura. No one cared that he did so on the floor. I brought out the ham from the fridge and we ate slices with our hands.
"It's almost done," he said. "They’re nearly grown. They are strong, and they are happy. You've done a good job, Kirsty." He watched our children fight to smear icing on each other's faces. "I'm sorry if I was mean. Or cold. I've never done this before." And he meant raising children. "It was the hardest, scariest thing anyone can try. I shouldn't have blamed you for… Hebat… It wasn't your fault."
Before I could pat his hand, he and the kids vanished. Darkness so familiar couldn't extinguish a new fear. I went upstairs and found the last frame. I held my daughter in the photo, my beautiful Hebat. He must have taken the photo without my notice.
I took it upstairs but couldn't bring myself to hide it.
I didn't see that one, George wrote into the document.
I forgot he was watching.
He typed again: Are you saying there is something in the basement?
Yes, I replied.
He stirred in the living room. I hadn't moved from the stairs, but I could tell by his stomping how angry he'd become. All of his negative, violent traits he saved for those in the world who would harm his family. George the Protector was fearsome to behold.
But he had no chance against my other husband.
"Come out! Come out you coward!" George bellowed. At first, nothing happened. The moment before calamity, even when the specific consequences aren't known, is still in slow motion. He carried on shouting. The girls rushed into the hall and didn’t hesitate to investigate.
"No!" I shouted. "Cara! Ella!"
Their feet padded down the steps. A violent commotion followed, screams and raging voices, both deep and childishly shrill.
The most unsettling quiet followed.
I chewed through the fear and the horror tearing me apart and finally moved.
No evidence of violence could be seen from the top of the stairs. The concrete looked bare and dusty and the light revealed nothing more. They were gone, all of them.
"Hebat," I whispered. "Cara? George?"
Him, I thought of, the nameless husband and felt no hint of his presence. He'd always been there. I know that now. It had nothing to do with the house. His absence was felt more than his insidious presence. Yet, I felt no relief. George and the girls were gone. I sat on the floor and cried for all my missing children.
When I finally emerged from the basement, the whole house had been filled with night. Their photos were everywhere. The others were upstairs. I gathered them on the kitchen island. How could I explain any of this to the police?
I needed help. I called my parents. It took twenty minutes before my father picked up.
"Kirsty? What's wrong?"
"Dad," I whimpered. "George is gone. Cara. Ella."
"What? What did you say?"
"They’re gone, dad. George. The girls are gone."
I heard his bed springs protest as he rolled out of bed. My mom said something I couldn't hear, and he shushed her.
"Kirsty," he said, "are you alright? Are you hurt? Are you in danger?"
Why was it so hard to understand? "Dad. George is gone."
"Kirsty, who the hell is George?"
It was my turn to be confused. "He's my- you know him. My husband…"
"Kirsty," he said very slowly, "are you on drugs? Did you take something?"
"No. Are you?"
"Excuse me?"
I hung up.
I have their photos. I have all of their photos. That's what I brought to George's parents before the sun rose. They wouldn't open the door and spoke to me through an intercom.
"George is gone," I said.
"We'll call the police."
"This is your son. These are your granddaughters."
I heard my mother-in-law say, "Who is she?"
"We don't have a son," my father-in-law said. "Go away."
I left.
Back to the house. Our dream sat empty and I live there, but none of the people in my family photos are my family.
I remember but the world never does. My parents think I'm ill and that I used AI to create the family I apparently never had.
How did I buy the house without a job or income? With deep concern for my mental health, they showed me a news story. I had won the lottery the day I turned eighteen.
His influence there, payment for services rendered.
A lie is an agreement.
What had I agreed to? I'm afraid I know the answer: I never wanted a family.
God help me. God help them.
I don't know what to do with these pictures.
submitted by APCleriot to nosleep [link] [comments]


2024.05.19 15:53 Gazooonga [Diary of a Press-Ganged Saurian] #1

Just another fun little story idea I had. I am still working on Humans are the violent ones but I like to bounce around and experiment with ideas to see what I really like. I also suck at writing more casual stories, as they give me severe writer's block as I try to map out how to make a scene feel genuine in my head, but I promise I'll update that soon. If you like this story and want to see more, then like and comment. I'll gladly continue this series as well.
Start of Personal Log
Humans don't like being told what to do. They don't like being commanded, put in their place, or snubbed. It was an inexorable, inalienable trait of humans, at least any noteable humans, to go against any authority that they believed was against their interests.
Humanity would not fit amongst the stars. Few ever did. It was a trait of most successful species to be willful, ambitious, and to desire more. But once they reached the stars the new (and simultaneously very old) pecking order either quashed any spirit such species had or simply eradicated them. Countless tomb worlds and diaspora served as painful reminders of what became of the nails that chose to stick out. The hammer of order would always strike. There could be no compromise, the very soul of the authority that held the Jurisdiction together relied on a show of unmatched power, or at least the illusion of item.
In reality, the Jurisdiction was an old, fat, and lazy beast. It filled its belly on the corpses of empires far and wide, and sated its bloodlust on the shattered dreams of hopeful cubs. It had every right to, for none could challenge it: there were no new frontiers to explore, nor were there any other enemies to conquer. The Milky Way, as humans had so strangely dubbed our cradle galaxy, as well as Andromeda, had long since been warred over and settled for millennia before humanity had arrived, bright-eyed and with familiar yet otherwise foolish dreams of cooperation and prosperity. The Jurisdiction did not cooperate, nor did it ensure prosperity. Oh, it claimed it did, but in reality it simply took. The rest was just the peace that came with not being the direct target of the biggest fish in the pond. The humans didn't like that, but they had no choice.
Slavery was a common tribute. The Jurisdiction had no use for other resources: it simply took. No, it wanted those who could facilitate that unequal exchange, those raised in a world where the only morality was the one set by your lord. The Jurisdiction was held together by expectations, obligations, and dury more than any kind of shared dream, so when you were ordered to take you did so without question. Humanity was new: they had no niche or value that set them apart, but they had a penchant for killing and taking, so the Jurisdiction gave them a taste of how the galaxy worked. They killed and they took. The humans didn't like that, but what choice did they have?
Humans were strange. They learned, but not in the way most species learned. Most species learned to adapt in a passive way, to adhere to the world around them. They flowed like water, moving past and around obstacles and confirming to the boxes they were assigned too. Humans didn't confirm, nor did they adapt: they made their circumstances fit their desires. They would not move around obstacles, but rather smash through them, and they refused to stay in one box for too long. The Jurisdiction merely saw them as a particularly loud nuisance, but those who faced their wrath knew better.
It is said that when a beast seeks to make an example, it shall humble its rival by killing it's cubs. Children were one of those universal constants that brought entire communities together: the Sok’klar saw their hatchlings as gifts, shaped by the fruitful currents of the universe in perfect harmony. The Yarrack saw each and every newborn whelp as an uncut gemstone, ready to be shaped into something magical. Humanity oftentimes referred to their offspring as angels, or spirits of unbridled good sent by the gods themselves. Children were seen by most of the galaxy as gifts.
The Jurisdiction saw them as a lever to inflict suffering. It had become quite effective at enacting psychological punishments on those that stood up and spoke out. You dare to disobey? You believe you can speak out? Your gifts shall be taken from you, and you shall be without joy.
Humans didn't like this, but the Jurisdiction would have their pound of flesh, and humankind would kneel. And they did. But humans were patient creatures: most species who retained that trait of willful spit also lacked patience.
I had long since become desensitized to the Jurisdiction’s actions: it was simply how the universe worked now, as if it were a constant akin to gravity. Cruelty was the unspoken rule of this seemingly unending age, where our lives never appeared to move forward or backwards, only lay dormant. The Jurisdiction had been the unyielding authority that ruled the galaxy for thousands of years, venerable yet feared all the same.
And for the longest time I was just another cog in its wheel. My name is Kalnuracht Sedjuur-Noumar VII, and was the scion of the noble house Sedjuur-Noumar. I was born into what most would describe as veiled apathy, living a life that could be attributed to the privileged class of feared scribes that enacted the will of those above. I was an administrator and nothing more. And now I am doomed to be far less than that in the eyes of my former constituents within the endless administration. I am the only scion, as is tradition, and without an heir I am the last of my house, our name to be scrubbed from the records, worthless, meaningless, and forgotten.
I am merely Kalnuracht, nothing else and nothing more. I have seen from their eyes, the eyes of the downtrodden, and it makes my crimes of association with the Jurisdiction feel all the more damning on my worthless soul. I am worthless to the world, and this is my story.
End Personal Log #1
Start of Neural Lace Narrative Log #1
They came from the black like carrion birds in the night, encircling our convoy as if it were a dying animal ready to be picked clean without remorse. There was no warning, no list of demands sent out as civilized peoples did, nor was there either any requirement for unconditional surrender nor chance to parlay, as was done so under letter of marque: this was an unmistakable call for violence and nothing else. They sought to reduce us to slag and scavenge the rest.
So, as one would expect, the entire bridge of the ship was nearing a panicked state. This was not the actions of those practicing civility, but rather the common behaviors of despoiling barbarians, the kind that tore their way through the dark reaches of the galaxy as if they owned it.
“Wayfinder, what do your probes see?” Shouted the ship’s sovereign. He was an older Kar’Rowmach, an amphibious cephalopod species with a venerable history within the Jurisdiction going back thousands of years. Normally one such as him would be above me if it weren't for the fact that I was under the authority of the Jurisdiction’s seal of office. He didn't like me very much, but most of his kind shared the same sentiment.
“All dark, honorable Sovereign: the sensor arrays are wailing but the feedback we're reviewing is beyond incomprehensible,” the wayfinder replied with a certain restrained temper in his voice. The Sok'klar wayfinder swayed gently, his tentacled limbs grasping different metallo-liquid braille output arrays, the liquid gallium flexing and reshaping unnaturally to allow him to to take in multiple different sources of sensory output at once, with the primary navigation computer plugged into the cybernetics surrounding his opaque, gelatinous head and plugging directly into his tube-shaped brain.
The Sovereign cursed in Loskat and pointed to his bridge crew while I simply sat in the back, near the Sovereign’s symbolic throne. “Prepare countermeasures and spool up the warp drive, we cannot allow the amanuensis to be taken! He carries sensitive information that only he can translate and transcribe!”
As the bridge crew nodded and began fiddling with their own systems, I preened my feathered hide anxiously. I wasn't a fighter: us nobles of the cloth were the educated minority above all else, not those who waged war or partook in hard labor. Special cybernetics in my brain allowed me to translate triple-encoded messages that usually took a ducal signet codekey or above to parse, but even without that I was a skilled mathematician and logician. I had terabytes worth of knowledge stored within the hardware installed in my head, all well protected of course, but if I were to die it would still be a waste. I could only imagine the damage any malcontenders could do with it if they were able to get their filthy hands on me.
Suddenly, the ship rocked, and the gallium overhead display began to form crescendos like I'd never seen before. “Sovereign, decks A-3 through C-12 are venting atmosphere and our coolant systems have been obliterated,” the Wayfinder spoke in an almost serene voice, as if he was completely unconcerned by current events. I knew they were simply incapable of tonal displays, but it was unnerving nonetheless. “Once we jump, we will not be able to risk another until the vacuum of the void can reduce temperatures to acceptable levels within the plasma capacitors.”
“Damn them,” the armored nautiloid hissed, his barbed feelers coiling in frustration, “May the currents take them. What are our options? what can we see? This fleet cannot fall to the void today, not with such vital cargo.” My hackles rose lightly at the Kar’Rowmach referred to me as some object rather than an esteemed amanuensis of the Jurisdiction, but I bit my forked tongue. Now was not the time to squabble with the sovereign over who was what and what titles I deserved, not while he was so desperately attempting to keep what semblance of order within his fleet that he had left.
I could not blame the crew for being panicked either: wars were practically mythologized now, having been long since rendered obsolete with the rise of the Jurisdiction, and that felt like an eternity ago. Now, either being levied into or joining a ducal naval force was simply another career, more akin to serving as an officer of the law rather than a fully fledged soldier. Minimal training was required, most of it being the technicals of one's duty rather than any kind of combat conditioning, so expecting a fleet to actually be prepared for a combat scenario in a universe where peace was the norm was laughable.
“We are practically blind, Sovereign,” stated the Sok'klar Wayfinder, “our probes are offline, and shipboard graviton displacement sensory arrays have been rendered unreliable at best.”
“What about the particle emission array? Has there been a spike in radioactivity where we were hit?”
The Wayfinder seemed to think for a second, his gelatinous form flexing and morphing a bit before answering. “Affirmative, a jump from negligible to forty billion becquerels along decks A through E-5 on our starboard side.”
“Torpedoes…” the Sovereign hissed, stroking his barbed feelers, “Human Torpedoes. Only those primitives would rely on crude nuclear warheads.” He then turned to his militant leaders on the ship. “Noddos, Rel’ads: organize your phalanxes and prepare to repel boarders. We are bound to be assailed by those rancorous primates, and I want their skulls piled at my feet if they dare set foot on our ship.”
“Your wish is our command, Sovereign,” the two militant commanders spoke as one. Noddos, a large bipedal with multiple sets of curved spines running down his back, a pair of graceful horns sprouting from his head, and multiple rows of sharp teeth in his snout, bowed first, followed by Rel’ads, a marsupial with long saberteeth and thick fur. They both must have been fierce warriors in their own right to each lead a phalanx. They wore thick, semi-powered armor and held dueling polearms alongside their usual plasma casters, and seemed completely unfazed by the situation we were in. As they stomped out of the brightly lit bridge, I let out a quiet squawk of discontentment. “Sovereign, why haven't we jumped again? We are wasting precious time.”
“I am working on it, you spineless beaurocrat!” He warbled back, his feelers tensing in anger, “besides, it's not as if you're the one who will be spilling blood today, amanuensis, so flatten your wretched beak or I shall weld it shut with a plasma torch.
I was about to reply with something indignant, but the ship rocked again, this time causing the lights to flicker and the air to become… thick. The skin under my feathers began to blister, and I became lightheaded and confused. “Seal the damnable vents, initiate radiation scrubbers, and activate secondary life support!” Shouted the Sovereign, “Their nuclear weapons are rendering the ship inhospitable!”
I coughed up magenta blood accidentally, and I could feel more seeping from under my eyes. Some of the crew was in a similar position, but others were more resistant to radiation than I. The Sok'klar seemed completely at ease as he ran his tentacles across his morphic braille arrays before calmly announcing the ship’s status. “I've regained some control over our probes: ten, twelve, and seventeen are active and fully functional, the rest are either still malfunctioning or permanently inoperable. A rapid rise in localized radiation is also interfering with the detection of graviton displacement; we can't sense photon redirection, thus readings will remain inconclusive.
“Wayfinder, damn you, get me some kind of out here! We're easy prey until we can respond in kind!”
“Negative, something has gone awry with our processing hub, I am attempting to troubleshoot-”
And with that, the Wayfinder’s bulbous head exploded in a cascade of opaque lavender blood, covering the front half of the deck crew like a morbid art piece. Some of the crew screamed and shouted in terror before removing their cranial adaptors and choosing to interact with their displays manually. Others died just as quickly, unable to unplug in time as their brain stems fried or their blood boiled. It was a horrible way to go, having your insides neutralized by your own cybernetics, so I was glad I wasn't connected to the system.
“Cybernetic warfare! All systems are to be considered compromised, switch to manual settings or you'll be killed!”
The lights in the bridge flickered again, and the displays went haywire. The bridge crew, which obviously weren't acquainted with working without being hard-linked into the mainframe, moved at a much slower pace.
“Launch missile pods A through F and set to self-target after five hundred kilometers, then rely on their ballistic coordinates to begin firing broadsides! If we can't see the humans due to their meddling, we'll just have to feel them.” Shouted the Sovereign, “and got me a detailed report on the ship’s diagnostics readings. I need to know if this flagship is still capable of escaping or if we'll have to scuttle it and retreat on another.”
“Acknowledged, Sovereign, launching now,” affirmed another deck officer as he swiped across his own gallium output array. I could hear the dull thunk, thunk, thunk of missiles pushing out of their pods before racing off to their intended targets, then the mechanical whirring as the pods rotated to be reloaded by slaves in the lower decks. I was regaining my bearings as the many horrible sensations of being overwhelmed by radiation poisoning were beginning to subside, but I still felt as if I had been microwaved. The air was stale, the crew was horribly sick as well, and even the sovereign himself seemed to be on his last leg. I was beginning to believe that I might die here.
“Sovereign, a message from the lower decks,” shouted a communications officer, his chitin scraping against itself as he turned quickly, “they're requesting reinforcements, something about being overrun.”
“Impossible,” the Sovereign hissed out in a vain attempt to exude confidence, “We must outnumber the humans, they always go for bigger targets out of arrogance.”
“I've received reports that it's not just humans: the primates seem to make up only a third or so of the assailing force, along with some Phaeldaer and Vrex.”
The commander slammed his clawed hands down on his own output array in a fit of rage, obviously overwhelmed by the circumstances, “Then this wasn't just a typical assault, but something more sinister!” The nautiloid warbled, blood seeping from his shell as the full effects of the radiation took hold, “Get Rel’ads on the line, have him divert all spare lances to the lower decks or else we'll lose the only offensive capabilities we can use.”
“Rel'ads has gone dark, Sovereign, his vitals are critical.”
“Then either get me Rel'ads tail-leader or get me Noddos!” He screamed in rage, “don't give me this nonsense! If we don't pick it up we're all going to die, is that what you want?”
“No, Sovereign, I'm simply overwhelmed-”
“We're all overwhelmed! By the tides, I'm dying of radiation poisoning you nincompoop! Get me something I can work with!”
The officer didn't even acknowledge the Sovereign after that, simply turning back to his display. Eventually, the Sovereign was able to get Noddos on the line.
“Sovereign, two thirds of my phalanxes have been decimated by combat with the primitives and the radiation, the rest are in shambles. We must retreat and fortify elsewhere!”
“Then the ship is compromised! Rel'ads is unresponsive and the lower decks are swarming with intruders. We must evacuate the amanuensis to another ship.”
Just as the Sovereign spoke, I heard several gentle thumps rattle against the bridge’s door, and it made me uneasy. Some of the bridge crew seemed to feel the same, as they looked incredibly nervous and some even drew their sidearms. Just as the sovereign turned to give further orders, the door blew inward with a deafening explosion, followed by shouting and gunfire. Several of the bridge officers were dispatched quickly, brain matter and blood splattering against the delicate electronics. Others were shot in the legs, the torso, or in any other exotic yet non-vital body parts. The humans poured in, brandishing primitive ballistic firearms and jury-rigged energy weapons while wearing scavenged, legion-grade powered armor.
The Sovereign was the next to go, but he wasn't afforded an honorable death. He was shot along the arm with a particularly potent plasma caster, burning off his clawed hand and cauterizing the wound, the acrid smell of roasting chitin filling the already hot and cramped bridge. He fell back against his output array, the gallium reaching new highs and lows as more diagnostics and casualty reports were delivered, and he clutched his stump angrily. “I'll burn every last one of you in the foundries! I'll tie you to stakes, cover you in wax and set you alight! Your screams will be broadcasted all over the galaxy!”
One human warrior stomped up and slammed the butt of his rifle into the sovereign’s face, shattering his facial plates and causing blue blood to splatter across his section of the bridge. “Shut the fuck up, you mutant lobster,” the human said before dragging him by both antennae towards the center of the bridge and receiving a stained breeching axe from one of his comrades. “Emmanuel, start recording. We need proof.”
The other human nodded and pressed a button on his armor before lifting up his gun again. The rest of the humans fanned out, holding everyone else at gunpoint. I tried to get up and sneak out, but a human grabbed me by my neck and nearly wrung it out as he forced me to my knees and pointed a sidearm to my skull. “Get down, you piece of shit, before I blow your brains out too.”
“Damnable primate,” I hissed, but he bashed me in my skull with the base of his sidearm’s grip and sent me sprawling, making my already pounding headache worse. Another human shouted at him in a language I didn't recognize, but he sounded furious. The first brought me back up to my knees again, and I complies with a hiss and a groan, blood still leaking from my eyes and mouth and my world was spinning.
The Sovereign struggled, but he was weak from the radiation poisoning and he couldn't exactly resist on account of his lost arm. The human with the breaching ax kicked the Sovereign down and forced him to kneel before lifting up the breeching ax and splitting his chitinous head down the middle with one powerful swing, sending more blood and brains across the floor. “Execution confirmed, take his antennae just in case and we've got ourselves a bounty. Now all we need is that ugly cat’s teeth and the fat hedgehog-thing’s grimy spines and we'll be in business. Although, they do have skulls… we might as well just take their heads.”
The real horror of the situation dawned on me at that moment: they were going to kill us all, or maybe worse. They mentioned a bounty for the commanders, and multiple of the higher ranking ship officers were already dead, their brains splattered against the walls or their bodies torn apart by gunfire. I wasn't dead yet, but that didn't mean much since I wasn't an immediate threat.
“Alright, round them up and bring all the grunts to the hanger bay, then kill the rest,” the leader of the humans said in such a lackadaisical manner that his complete disregard for life almost made me sick… almost. I had seen worse from the Jurisdiction before, but usually that was from me delivering some kind of ordered judgment on a world that had sinned against order. I might have simply been the messenger, but I had seen many of the outcomes. “And make sure to collect whatever proof of bounties you can, we'll need to deliver them to the office to get cashed out. Don't let this be a repeat of last time where Juarez fucking forgot to take a few heads and it ended up cutting our profits in half, the fucking retard.”
Some of the humans chuckled at that as they dragged more of the senior officers away, out of the room and into the hall,where I heard gunshots. The rest of the bridge crew froze in place, different fear instincts kicking in. The remaining Sok'klar corralled together into what seemed to be a singular, semi-congealed mass as if to try and trick the humans into believing that they were much bigger and much more threatening than they actually were. The one Thei’chi on the bridge, an ensign who had clearly thought this would be a simple mission, bore her curved fangs at the humans and growled as they approached, her hackles completely vertical and her eyes dilated. They quickly muzzled and bound her before beating her over the head with a gun stock, sending her sprawling onto the ground. Many others simply cooperated, eyes wide and yet simultaneously empty, as if they couldn't quite process that the ship had been taken and the commanding officers were being executed as the rest were escorted to the hangar.
“Get the damn messenger down to the hanger as well, we need whatever data's in his ugly lizard head, then we can decide on what to do with him.”
I spat at him in spite, as if to try and seem brave, but it was clearly an empty gesture. “You won't get anything, primate! You couldn't possibly crack the encryption!”
The human holding me seemed to wind up for another swing, but the commanding officer simply held up his hand to stop my tormentor before strolling over to me. He knelt down and removed his helmet, revealing a beige-colored face covered in scars, wiry black hair cut down to the scalp, and multiple tattoos. “You're really fucking mouthy for a hostage,” he said before punching me across my beak faster than I could register. I heard a sharp crack as his fist connected, and my head spun again as the metallic taste of blood pooled into my mouth. “I'd advise you to shut up, but I'm sure you won't listen: you aristocratic types are so full of yourselves. Maybe I should have you flogged in the public square until your vocal chords give out once we rip those cybernetics from your head, huh? How's that sound?”
“It won't matter… it won't change anything… the Jurisdiction will hunt you down.”
“Maybe, but I doubt it will happen for some time: they really suck at doing anything that requires effort, even when they're mad enough. They just keep sending their rabid lapdogs to try and smoke us out, and they always end up full of holes,” the human officer said with a smirk, his yellowish-white teeth and green eyes sending shivers down my spine as he drew his knife. “They're just horrible at their job, you know? You've all gotten so lazy and incompetent after being able to just take what you want without resistance, and now that you've met people who are angry and crazy enough to fight back you act as if we're committing some grave injustice,” he placed the knife against my throat, the flat just underneath my now bent beak, “No, we just took a few pages out of your book, ‘cept we've got standards. No kids, for one…” he seemed to look off into the distance as his sneer deepened, “but it's more than that, we don't attack the defenseless in general and we still win against you all in fair fights.”
I went to say something else snarky, but he quickly grabbed my thin tongue with his fingers and yanked it out, blood from my mouth pulling to the floor as he held the blade of his knife against it. “No no, none of that. Say one more thing and I'll cut that rancid little tongue of yours out of your mouth and feed it to you,” he hissed at me, pressing the blade down just hard enough to draw blood. “Do you know what it's like to see a planet turn into a tomb?" he asked me, gritting his teeth, “Do you know what it's like to see everything you've ever known crumble to ash and glass, all the life and the green stripped away leaving nothing but bones? I do. I've seen it happen to countless worlds, and my grandfather always told me stories of how you bastards did it to Earth. He still prays in its direction five times a day, to Mecca, but he knows the Kaaba is gone now, or maybe it's still there, buried in the bones of those who sought refuge there.”
I didn't care for the human’s nonsensical beliefs, but I did care to correct him. “I've seen it before, and I'll see it again. And so will you, it's inevitable. The Jurisdiction will always have its judgment fulfilled, there is no alternative.”
“One day, I hope we can rectify that,” he said, then he sheathed his knife and slammed my head against the metal floor with enough force to nearly knock me out. As I lost consciousness, I could hear him speak. “Take him to the Chop Doc, and make sure the cybernetics don't get damaged: they're supposedly more valuable than any bounty on this ship.”
Warning: Severe radiation poisoning detected. Flush system immediately.
Warning: Neural Lace removal detected, chance of neurological damage high. Proceeded with caution.
submitted by Gazooonga to redditserials [link] [comments]


http://rodzice.org/