The core themes of the character (loneliness and strength mirrored with weakness and association, nature vs nurture) are really cool. The twin's backstory is on par with Shigaraki's in terms of complexity, maybe even better despite being shorter.
Here's a list of things I find interesting about All for One ever since his backstory was revealed :
All for One went from a one dimensional character to a full fleshed person in the final arc :
Seeing the origin behind his dream actually makes it make sense beyond "ahahaha me wanna be evil" : The child who has nothing becomes obsessed with ownership to the point of wanting to own everything. All for One's obsession with having plans upon plans and control in general also seems to come from his extremely unstable environment as a child. Him stealing the glowing kid's Quirk is a show of his innate pettiness, but also depicts his longing for acknowledgment, which is the one thing he never got to have despite his power before he embraced the Demon Lord persona.
All for One is given a dream, and also the power to realize it, which turns to out be a curse of sorts, in the sense that it isolates him, which mirrors the way One for All became too heavy for All Might's to bear alone. It's pretty cool that the one man who managed to take him down was, in a way, haunted by his responsibility and his dream in the same way All for One was. In a sense, All for One's evilness is a role he stuck himself in because it allowed him to fulfill his need for control, acknowledgment and ownership in a way no other way to live ever could. It's not something he was born with.
All for One calling his dream of controlling the world hollow also makes him more interesting to me : a man obsessed with ownership would rather have the one thing he's already owned before with him rather than the one he was never able to have. Whether All for One loves Yoichi is impossible to know, because we don't really know how All for One even feels emotions, for all we know, ownership and love truly are one and the same to him. His regrets over killing Yoichi could be the same regret a child feels when breaking his favorite toy, or it could be genuine desperation for atonement from a man who never sought it in his life. Which brings me to my next point : All for One is a mixture of nurture and nature : he was born with an extremely powerful Quirk, a strong frame, and a clearly abnormal mind, but he would've turned out differently in a different setting, even if his life wouldn't have been perfect. This is the core message or My Hero Academia, and the main theme behind Shigaraki's character, except All for One ended up conveying it more effectively.
I think the reveal that All for One was behind the Shimura tragedy actually made him more interesting to me because he specifically made Tenko accidentally Decay his own mother, and recreated the conditions that led All for One himself to become a villain for Tenko. Subconsciously, despite claiming that he's an evil Demon Lord, that implies he realizes that his environment made him who he is and could make someone else a villain. It's also hinting at a form of jealousy/longing for the life that he was never able to have, which makes him a bit more interesting imo.
All for One's backstory is very short, and it's honestly impressive that Horikoshi managed to explain so many aspects of a previously one dimensional character so succinctly.

Would you have a concluding word to such world's setting?

Absolutely! Here are a few closing word options for your high-tech, low-life world, depending on the tone you want to achieve:
Hopeful:

In the flickering neon glow of the lower districts, a spark of rebellion ignites. Despite the hardships, the human spirit endures, seeking connection, hope, and a chance to build a better future.

Bittersweet:

The high towers of the elite cast long shadows over the bustling streets below. In this world of stark contrasts, the lines between survival and prosperity blur. But even in the darkest corners, love, ingenuity, and a flicker of defiance persist.

Grim:

The gears of progress grind on, leaving a trail of waste and despair. In this high-tech dystopia, the gap between the haves and have-nots grows ever wider. Will the lower districts rise up, or will they be forever locked in the underbelly of a world they can only glimpse from below?

Open-Ended:

Beneath the neon sky, stories unfold. Tales of hardship and hope, of rebellion and resilience. The future of this high-tech world hangs in the balance, waiting to be written by the choices of those who inhabit it.

Choose the closing word that best captures the essence of your story or setting. Remember, the world you've created is rich with possibilities, and the ending doesn't have to be definitive. It can leave your readers pondering the fate of its characters and the future of this complex and ever-evolving society.

If you should pick an item or an object that would clearly and cleverly symbolized such world, what would that be?

Here are two options for an item that symbolically represents the high-tech, low-life world:

1. The Glimmering Shard:

• Description: Imagine a small, jagged shard of metal or glass. One side is smooth and polished, reflecting the wealth and technology of the upper city. The other side is rough and chipped, etched with the grime and harsh realities of the lower districts.
• Symbolism: This shard represents the stark contrast between the upper and lower classes. The smooth side reflects the shiny veneer of technology and luxury enjoyed by the wealthy. The rough side reflects the brokenness and struggle of those living on the fringes.
• Additional Details: This shard could be a salvaged piece of technology, a remnant of a shattered building, or even a shard of a mirrored window that once divided the social classes.

1. The Glitching Holographic Ring:

• Description: Imagine a holographic ring that projects a constantly shifting image. On one hand, it might display a luxurious symbol of wealth and status. But as it flickers, the image might glitch and distort, revealing a hidden message or a glimpse of the harsh realities beneath the surface.
• Symbolism: This ring symbolizes the unreliability and instability of the world. The glitching hologram represents the way technology promises a utopian future but constantly fails to deliver. It also reflects the hidden messages of dissent and rebellion that exist beneath the surface of a seemingly controlled society.
• Additional Details: This ring could be a common fashion statement or a black-market tool used to spread forbidden information. The glitching image could be a coded message, a symbol of rebellion, or a reminder of the past that the upper class tries to suppress.

Both of these items are small, versatile, and can be interpreted in multiple ways, making them powerful symbols of the high-tech, low-life world. The choice ultimately depends on the specific tone and message you want to convey in your story.

Try something bit more distinct and specific.

How about the "Hacked Heart"?
Here's the breakdown:

• Description: A small, ornately decorated locket or pendant. Upon opening, it reveals not a picture, but a series of flickering LEDs embedded within a clear casing.
• Functionality: This locket is a bio-hacked implant worn externally. It interfaces with the wearer's nervous system, displaying a visual representation of their emotional state through the shifting colors and patterns of the LEDs.
• Symbolism: The Hacked Heart represents the constant clash between technology and humanity in this world. The ornate decoration speaks to a desire for beauty and connection, while the exposed circuitry highlights the invasive nature of technology and the commodification of even emotions.
• Distinction: This item is specific to this world because it combines high-tech bio-hacking with a sentimental object like a locket. It's a reminder that while technology can be used to manipulate and control, people still yearn for genuine emotional connection.
• Additional Details:
  • The Hacked Heart could be a status symbol among the wealthy, a way to display their emotional control or volatility.
  • In the lower districts, it might be a black-market modification, a way to express emotions freely or even manipulate others.
  • The LEDs could display a limited range of emotions, a commentary on how this world suppresses or simplifies human experience.

This Hacked Heart offers a unique and distinct symbol of the high-tech, low-life world. It captures the struggle for authenticity, the desire for connection, and the pervasive influence of technology in every aspect of life.

How about straight up hacksawed hearth?

The "hacksawed hearth" is a very evocative image, but on its own, it might be a little too literal. Here are a few ways we can build on this concept to create a more symbolic and distinct object for your high-tech, low-life world:

1. The Hacksawed Hearth Relic:

• Description: This is a piece of a broken fireplace grate, crudely hacksawed from a larger structure. It could be made of cast iron, bearing the ornate detailing of a once grand fireplace from the upper city.
• Symbolism: The hacksawed hearth represents the loss of a sense of community and warmth. It's a reminder of a bygone era where people gathered around fireplaces for warmth, comfort, and storytelling. In the high-tech world, these connections are fragmented, replaced by cold technology.
• Use: The relic could be a prized possession, passed down through generations in the lower districts. It might be used as a makeshift heating element, a symbol of resilience, or even a weapon in desperate situations.
• Additional Details: Engravings or markings on the relic could hint at the origin of the fireplace, perhaps a symbol of rebellion or a reminder of a specific historical event.

1. The Hacksawed Hearth Stove:

• Description: This is a makeshift stove cobbled together from scrap metal and scavenged parts. The centerpiece is a prominent, jagged piece of metal, clearly cut with a hacksaw, forming the base or firebox.
• Symbolism: The hacksawed hearth stove represents resourcefulness and defiance. It's a testament to the ingenuity of the lower classes, who repurpose the remnants of the upper world to survive and build a sense of home.
• Use: This stove provides heat and a place to cook for those in the lower districts. The exposed hacksaw mark could serve as a constant reminder of the struggle and the societal divide.
• Additional Details: The stove might be decorated with scavenged trinkets or symbols of rebellion, reflecting the personality of its creator.

1. The Hacksawed Hearth Hologram:

• Description: This is a portable holographic projector that displays a flickering image of a crackling fireplace. The image might be distorted or glitching, hinting at the artificiality of the technology.
• Symbolism: The hacksawed hearth hologram represents a yearning for a lost sense of comfort and togetherness. It's a reminder of something they can't fully possess, a ghost of a simpler life.
• Use: The hologram could be used for warmth (a psychological comfort), storytelling (creating a sense of community), or even bartering (a valuable commodity in the lower districts).
• Additional Details: The projector might be a salvaged piece of high-tech, repurposed by the lower classes. The flickering image could project not just fire, but also forgotten stories or historical events.

These are just a few ideas to build upon the "hacksawed hearth" concept. Each option creates a distinct symbol for your world, capturing the struggle, resourcefulness, and yearning for connection within a high-tech, low-life society.

Apologies, i meant hacksawed heart.

Ah, a "hacksawed heart" takes the concept a whole new level! Here are some potential interpretations for this unique symbol in your high-tech, low-life world:

1. The Literal Hacksawed Heart:

• Description: This is a gruesome yet intriguing object. Imagine a metallic heart-shaped locket, but instead of opening smoothly, it has a jagged, clearly "hacksawed" opening revealing a beating, pulsating red light within.
• Symbolism: It bluntly represents the harsh realities of this world. The exposed, almost violated heart symbolizes emotional vulnerability in a society that prioritizes survival and control.
• Use: This could be a black-market modification used by criminals to suppress or amplify emotions depending on their needs. It could also be a symbol of rebellion, worn by those who refuse to have their emotions controlled by technology.
• Additional Details: The exposed heart could change color or intensity depending on the wearer's emotional state. It could also be a painful reminder of past trauma or a forced emotional manipulation.

1. The Hacksawed Heart Pendant (Metaphorical):

• Description: This is a more subtle pendant, crafted from metal and shaped like a stylized heart. However, the heart shape is not solid, but rather consists of a series of interlocking gears or circuits.
• Symbolism: It represents the struggle between technology and human emotions. The gears represent the cold logic of technology, while the overall heart shape represents the desire for connection and love.
• Use: This could be a widely worn piece of jewelry, a reminder of the delicate balance between technology and humanity.
• Additional Details: The gears could turn or click subtly, representing the constant hum of technology in the background. The design could be simple yet elegant, appealing to people from all social classes.

1. The Hacksawed Heart Hologram:

• Description: This is a holographic projection of a broken heart, pulsating with a faint light. The cracks and breaks seem to have been repaired crudely, with rough stitches or patches.
• Symbolism: It represents the brokenness and resilience of the people in this world. The repaired heart shows their ability to mend emotional wounds and keep fighting despite hardships.
• Use: This could be a symbol used by resistance groups, a reminder that even though their hearts are broken by the system, they refuse to give up hope.
• Additional Details: The hologram could flicker and distort, highlighting the instability of the world and the struggle for emotional stability. It could also project messages of hope or defiance.

These are just a few interpretations of the "hacksawed heart" symbol. Each one offers a unique perspective on the world, highlighting different aspects of the struggle between technology and humanity, vulnerability and resilience, and the fight for emotional connection in a harsh environment.

And how about hacksawed earth?

The "hacksawed earth" is a powerful and evocative image for your high-tech, low-life world. Here are a few interpretations that capture different aspects of this society:

1. The Broken Globe:

• Description: Imagine a metallic globe, the size of a person's head. One side is smooth and polished, depicting a pristine Earth with lush continents and oceans. The other side is brutally "hacksawed" open, revealing a desolate wasteland beneath.
• Symbolism: This broken globe represents the stark contrast between the idealized world presented by technology and the harsh realities of the lower districts. The smooth side shows the world as it could be, while the hacksawed side shows the damage caused by progress and a focus on the elite.
• Use: This could be a symbol used by rebels or environmentalists, a reminder of the true cost of unchecked technological advancement. It could also be a prized artifact kept by scavengers, a testament to a lost world.
• Additional Details: The hacksawed side could reveal specific details like polluted oceans, ravaged landscapes, or scars representing ecological disasters.

1. The Cracked Terrain Model:

• Description: Imagine a detailed, three-dimensional model of the city and surrounding area. The model is crafted from metal and shows buildings, streets, and even the natural landscape. However, the model is cracked and broken in several places, revealing a dark, hollow space beneath.
• Symbolism: This cracked model represents the instability and fragility of the world. The surface world may appear organized, but it's built on a shaky foundation. The hollow space could represent the neglected lower districts or the potential for social upheaval.
• Use: This could be used by city planners to highlight potential areas of weakness or by rebels to show the vulnerability of the upper city. It could also be a symbol of the constant struggle between order and chaos.
• Additional Details: The cracks could be filled with glowing red lights, symbolizing the simmering anger and frustration of the lower classes.

1. The Fractured Hologram:

• Description: Imagine a holographic projection of the Earth that constantly fractures and reforms. It shows a beautiful planet struggling to maintain its integrity, with cracks appearing and disappearing over continents and oceans.
• Symbolism: This fractured hologram represents the constant environmental degradation and the fragility of the planet itself. It's a reminder that the consequences of unchecked technology and environmental damage will affect everyone, not just the lower districts.
• Use: This could be a warning displayed in public spaces, a constant reminder of the need for sustainability. It could also be used by rebels to spread awareness of the environmental cost of their society.
• Additional Details: The fractured Earth could pulse with a red glow, symbolizing the danger of inaction. The projection could also display messages or statistics about environmental threats.

These interpretations of the "hacksawed earth" symbol each offer a compelling way to visualize the societal and environmental consequences of the high-tech, low-life world. They highlight the impact on the environment, the fragility of the system, and the call for change.

What would be the very best thing in such world?

The "best thing" in a high-tech, low-life world depends on perspective and what holds the most value for different people. Here are a few contenders:
For the Struggling Masses:

• True Connection: In a world rife with social isolation and control, genuine connection with others – love, friendship, community – could be the most valuable thing. Sharing stories, offering support, and building a sense of belonging in the face of hardship could be a beacon of hope.
• Freedom from Oppression: The ability to escape the harsh realities of the lower districts, whether through rebellion, ingenuity, or a lucky break, could be considered the ultimate prize. Freedom could mean access to clean water, medical care, or a life free from fear and exploitation.
• Knowledge and Power: Unrestricted access to knowledge, either through scavenged books, hacked data, or forbidden information, could be a powerful tool for change. This knowledge could empower individuals to understand their world, resist control, or even find a path to a better future.

For the Elite:

• Absolute Security: In a world filled with danger and uncertainty, complete security could be a luxury only the wealthy could afford. It could involve advanced security systems, fortified enclaves, or even enhanced bodies that ensure their safety from threats in the lower districts.
• Unlimited Luxury: Unfettered access to the latest technology, exotic pleasures, and the ability to indulge in every whim could be the ultimate goal for some. However, such a luxurious life might feel hollow in a world so divided.
• Power and Control: Maintaining absolute control over society and ensuring their dominance could be the ultimate prize for some in the elite. This control could involve advanced technology, manipulation of information, or even a form of social engineering that keeps the lower districts docile.

A Different Perspective:

• A Spark of Change: Perhaps the most valuable thing wouldn't be a physical object or individual benefit, but the hope for a better future. It could be a growing sense of defiance, a technological breakthrough that could benefit everyone, or a leader who inspires change. Even in a harsh world, the potential for a brighter future could be the most valuable thing of all.

Ultimately, the best thing in this world depends on your story and the characters' values. What are they fighting for? What would make their lives better? By exploring these questions, you can create a compelling world where the "best thing" is a powerful motivator for your characters and a reflection of the themes you want to explore.

What would be the best possible symbol for high-tech-based dominance?

Here are a few options for a symbol of high-tech dominance in your world, each capturing a different aspect of technological control:

1. The Augmented Eye:

• Description: Imagine a stylized eye, perhaps metallic or with glowing circuitry. This symbol could be worn as a piece of jewelry, incorporated into clothing, or even projected as a hologram.
• Symbolism: The Augmented Eye represents the constant surveillance and monitoring of the population by the elite. It signifies the loss of privacy and the ability of the ruling class to see and control everything.
• Additional Details: The eye could have multiple pupils or flicker with different colors, representing the vast amount of data being collected and analyzed. It could also be embedded with a tiny camera, blurring the line between symbol and surveillance tool.

1. The Neural Network Spire:

• Description: A towering structure, resembling a branching network of wires or organic neural pathways, reaching towards the sky. This spire could be located in the heart of the elite district, a visible symbol of their technological prowess.
• Symbolism: The Neural Network Spire represents the vast computational power and interconnectedness of the elite's technology. It suggests their ability to access information, control communication, and manipulate minds.
• Additional Details: The spire could emit a faint hum or glow, hinting at the constant processing power it represents. Its intricate design could be both awe-inspiring and intimidating, reflecting the duality of technology.

1. The Glimmering Hand (Data Hand):

• Description: A stylized metallic hand, outstretched with its fingers spread wide. Each fingertip could have a different symbol or icon, representing different forms of data (statistics, surveillance footage, code).
• Symbolism: The Glimmering Hand represents the elite's ability to manipulate and control data. It signifies their power to shape information, influence perception, and control resources through technology.
• Additional Details: The hand could be made of a smooth, reflective metal, symbolizing the cold logic of data analysis. It could also emit faint streams of data or project holographic information, further emphasizing its control over information flow.

These symbols all offer a distinct way to represent the dominance of high-tech in your world. Consider the specific aspects of technology you want to highlight and the message you want to convey. These options provide a starting point to create a powerful symbol that embodies the oppressive yet awe-inspiring nature of technology in a high-tech, low-life society.

What would be the best set of symbols for resistance movements within such high-tech low-life settings?

In a high-tech, low-life world, symbols for a resistance movement need to be subtle, easily hidden, and adaptable to a world saturated with technology. Here are a few options that capture the spirit of rebellion in this unique setting:

1. The Flickering Flame:

• Description: A simple flickering flame, either a physical lighter or a stylized image. This could be a tattoo, a graffiti tag, or a hidden symbol incorporated into clothing or tools.
• Symbolism: The flickering flame represents hope and defiance against the cold, sterile control of the high-tech world. It symbolizes a yearning for a simpler life and the potential for change.
• Additional Details: The flame could be accompanied by a simple inscription or code that only members of the resistance understand. It could also be a specific color, like blue or orange, that signifies defiance.

1. The Glitching Gear:

• Description: A stylized gear symbol, but with a section that appears to glitch or malfunction. This could be displayed on a data pad, worn as a pendant, or even etched onto tools or scavenged materials.
• Symbolism: The glitching gear represents the disruption of the established order. It signifies the resistance's ability to exploit the flaws in the high-tech system and their fight for a more organic, less controlled society.
• Additional Details: The glitching portion of the gear could flicker or change colors, representing the unpredictable nature of the resistance and their ability to adapt to new situations.

1. The Broken Wing:

• Description: An image of a bird's wing, either broken or only partially formed. This could be a symbol of freedom yearning to be achieved, or the struggle of the resistance against the oppressive technological cage that confines them.
• Symbolism: The broken wing represents the desire for liberation and the belief that the people can rise above the control of the elite. It signifies the hope for a better future where freedom and autonomy are attainable.
• Additional Details: The broken wing could be depicted with feathers falling away, symbolizing the sacrifices made by the resistance. It could also be paired with an image of a rising sun, symbolizing a new dawn for society.

1. The Hacked Flower:

• Description: A simple flower image, but with its petals made of circuit boards or technological components. This symbol represents the fusion of nature and technology, hinting at the resistance's fight for a more balanced future.
• Symbolism: The hacked flower represents the reclamation of beauty and nature in a world dominated by technology. It signifies the hope for a future where technology serves humanity, not the other way around.
• Additional Details: The flower could be a specific species native to the area before the rise of high-tech dominance. It could also be a symbol of a specific leader or movement within the resistance.

These symbols are just a starting point – get creative and consider the specific values and goals of your resistance movement. Remember, the best symbols are those that resonate with the characters and the audience, conveying the essence of rebellion in a way that is both meaningful and visually striking.

I never hear people talking about Revenge of The Dreamers 3 enough. As far as a “label album” goes, it’s almost perfect. There’s so much variety, different styles and flows, bars on top of bars. Cole is only on 7 songs, but some of his best performances. We get to see him bounce off so many talented rappers, and it really showed that working with other artists can elevate him to new heights
Songs like Sacrifices, Sleep Deprived, and especially Self Love connect with me on an emotional level.
Then you got bangers like Down Bad, Wells Fargo, and Costa Rica. It’s perfectly balanced, with only about 3 skips on the album for me
When people talk about J Cole’s legacy, THIS is his legacy to me. The fact that he brought together this label with so much talent and creativity, reached out to all these other artists and they came together like this is amazing. It’s a classic, fuck what any one says

I've seen some charged final shows of flop musicals, but Lempicka took the cake. Such adoration from the audience! So much palpable resentment from the producers and creative team at the curtain speeches along with their gratitude to the cast and fans.
A few things:

• The merchandise was sold out completely. There was nothing to sell. A lot of disappointed folks with that.
• The show started quite late. 2:20? for a 2 PM curtain. I was on the sidewalk at 5:22.
• When book writer Carson Kreitzer took her seat the audience gave her a large, loud extended ovation.
• Another pre-show applause burst out when a Lemperson waved a Pride flag with "Long Live Lempicka" written on it.
• The audience was raucous and unsettled. People were bursting with enthusiasm. The cell phone announcement got a major cheer.
• I counted at least 8 phones filming throughout. There will be many clips online I'm sure.
• Many standing ovations, too numerous to count. Maybe 10 in total throughout the show?
• Amber Iman sounded unbelievable. Just a powerhouse final vocal performance from her. When she moved to downstage for The Most Beautiful Bracelet, the cast behind the scrim behind her were going wild cheering for her. Lovely. I hope Lempicka launches Ms. Iman's career to great things.
• Eden Espinosa was in fantastic voice. No strained notes. She was a star, through and through. Woman Is was magnificent. The best new showtune of the year, IMHO.
• Somehow Beth Leavel's role didn't seem as tiny this time around. A particularly wonderful moment was in the Finale, when each of the people from Tamara's life pass in front of her as she reprises the "Your flesh, your color, your bone..." portion of Woman Is. Beth was in tears and touched Eden's cheek as she passed and Eden definitely got emotional, but held character. It was very moving.
• I don't know if Natalie Joy Johnson actually is a campy cabaret queer icon comedy diva, or if she's a method actor who took that persona on for the role, but she was in ALL HER GLORY. Hysterically funny, chewing the scenery. Fabulous. During the curtain speeches, she was sobbing and I couldn't help but think of seeing her as the sad angsty chubby girl singing A Quiet Night at Home in Bare all those years ago. I cannot wait to see more from NJJ.
• Lempeople are a special breed of fan. Some people were literally screaming through the show and there was a less-than-impressed woman in the mezzanine who turned and told two of them to shut up and not scream for every single line of the show. Doing God's work, that woman was. I love an enthusiastic crowd and knew what I was in for with the final show. Still, some people need to learn there are other human beings around them and we go to theater to see the people on the stage, not to listen to them try to make the show about them. That said, this was an electric room to be in, and the vast majority of the audience was enthusiastic in the best way.
• You expect a final show to have a curtain speech or two from the director and maybe the composer. We had six. Two producers, Rachel Chavkin, Carson Kreitzer, Matt Gould, and another man who led us in a moment of silence--I don't know who that was. Can somebody please fill me in? Choreographer? Stage Manager?
• The curtain speeches went on and on and on, and based on her expression I think Eden was ready for them to end. The Longacre turned off the AC and it got very hot. All the speeches had the same theme: Chip on the shoulder, Fuck you to critics (with a whiff of a fuck you to the other new musicals this season, did anyone else feel that?), shocked that their show seemed to be singled out for closure amidst all the shows of the season, but a sincere love of the company and the audience who did come. Matt Gould, a man, closed it out with a somewhat rambling speech about women and fame and finding truth amidst fantasy. The main takeaway: Support theater that speaks to you and your lived experience. He's a talented composer. I look forward to what he does next.

I think Matt Gould hit the nail on the head of why Lempicka rose above other shows in my mind this year: It was authentically queer. It was authentically about an imperfect person, somebody who is downright unlikable at times. It eschewed glitz for something deeper and reached for some human truth. It may not have succeeded, but the act of trying was in itself art.

This is a weekly reminder post of this sub's stance on potential copyright infringement. This is a serious issue that needs to be kept in mind when creating and listing NFTs.
Original post by u/HurleyBird1
Quick disclaimer: I AM NOT A LAWYER. THIS IS NOT LEGAL ADVICE - THIS IS SIMPLY INFORMATION WITH WHICH TO EDUCATE YOURSELVES AND PREPARE YOURSELF FOR LEGAL ADVICE FROM A LICENSED SOURCE.
Now that that's out of the way. My credentials are: MBA, with a bit of business law classes under my belt.
I want to give a quick explanation of how copyright works - and I'll do so through quick blurbs n some myth/reality bullets.
Source: copyright.gov (US)

1. Subject matter of copyright: In general28(a) Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. Works of authorship include the following categories:(1) literary works;(2) musical works, including any accompanying words;(3) dramatic works, including any accompanying music;(4) pantomimes and choreographic works;(5) pictorial, graphic, and sculptural works;(6) motion pictures and other audiovisual works;(7) sound recordings; and(8) architectural works.(b) In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work.

- Myth: I can use any image/song/video/writing I want.
- Reality: No. Not true at all.
- Myth: Well they never said it's copyrighted.
- Reality: Upon publication (and even while a work in progress) a work is automatically protected via copyright under US Law.
- Myth: Well they never sold it.
- Reality: It doesn't have to be commercialized to be protected.
- Myth: Well it was a long time ago
- Reality: Possibly true...as long as the creator is deceased (or if multiple creators, the last living one is deceased) and the required time has passed...although this gets tricky with "estates."
(d) Duration of Rights.—(1) With respect to works of visual art created on or after the effective date set forth in section 610(a) of the Visual Artists Rights Act of 1990, the rights conferred by subsection (a) shall endure for a term consisting of the life of the author.
So what's this thing I hear called "Fair Use?"
Straight from the source:

1. Limitations on exclusive rights: Fair use41Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—(1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;(2) the nature of the copyrighted work;(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and(4) the effect of the use upon the potential market for or value of the copyrighted work.The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

Uhh...help me translate that please... (here's a decent official translation: https://www.copyright.gov/fair-use/more-info.html)

1. above...if it's non-profit educational use, you're usually good to go...if it's for money or trade (commercial nature) then you're usually NOT...unless YOUR piece is "transformative"

Transformative uses are those that add something new, with a further purpose or different character, and do not substitute for the original use of the work.
- Myth: Well this is paid for in Algos, not USD so it's not "commercial"
- Reality: IT IS commercial. You could even barter for bacon and it'd be commercial. It's an exchange of one good/service for another good/service.
- Myth: My piece with Batman inside a card is "transformative"
- Reality: No, unfortunately, more-than-likely the courts would say it's not. A good litmus test is..."If Warner Bros Entertainment (owner of Batman) wanted to make an NFT/ASA "Batman card" would yours compete with it or be possibly mistaken (by a reasonable person - so in America think 8th grade education) for real merchandise? Probably...thus it's not transformative enough.
"nature" gets a little tougher. This looks at protecting the "creative process." Thus, using other works of art is less-likely to be protected than using factual sources - like historical photographs since it's easier to "create art" and thus "transform" factual pieces than other art pieces. This is also talking to things like "parody." Satire is NOT protected. "Parody" is. What's the difference? LegalZoomputs it well: While a parody targets and mimics the original work to make a point, a satire uses the original work to criticize something else entirely. Another way to look at it is that satire uses another work as a way to comment on something happening in the world that has nothing to do with the original work.
- Myth: I added a different border, extra planets, and some blur effect to MTZ's World of Light - it's a new piece of art.
- Reality: Not likely the courts will see it that way.
- Myth: This guy added a filter, some burn effects, and collaged a bunch of newspaper headlines together - isn't that a violation!
- Reality: Probably not...the courts would probably see this as a creation of art out of factual sources.
amount/substantiality in relation to the whole...this is where using clips of songs that are only like 5 seconds long works! But using more than that...runs into problems. This is tough to decipher too...as some songs are EASILY identifiable from just 5 seconds (Ice, ice, baby) - and thus NOT fair use. But some aren't. Usually you're safe using a very small clip of a song or video - especially if you're adding more to it. But this is a dangerous game to play - and there's places to get free audio (some sources below)
effect of the use - this is probably the biggest one. Courts will look at simply...does YOUR work affect the sales or potential for sales of the copyright owner. Of note...this is looked at at the time of the issue being brought to the court, not at the time of sale. For example, let's say my batman card sells for 10 Algos today, but Algorand BLOWS UP and soon every NFT is on Algorand. And now my OG Batman NFT is seen as one of the first Batman ones and official. Warner Bros gonna sue the shit outta whoever owns it at the time they sue to get the rights to all sales of that NFT. So that person is left holding an empty bag when Warner Bros wins in court.
- Myth: Well they're not commercializing it NOW so I'm safe.
- Reality: Technically, yea Warner Bros probably won't spend the money to go after the OG artist and the hands the asset passed through...HOWEVER, they may. That's their right. Who knows - the Napster days showed us the lengths companies will go to. EVEN BIGGER HOWEVER, the last person holding it when Warner Bros DOES decide to go after that Batman NFT...uh oh for them - they just lost their asset.
- Myth: Well it's been like a year, and no one has brought up copyright. So I'm good.
- Reality: If this was in a normal market...maybe this argument would work. If McDonald's let you sell a Ronald McDonald poster for like a year on Amazon with no issues, some court may say "bro, you took too long to bring this to us." HOWEVER, with cryptocurrency being so new (and Algorand being so little known/discussed), most courts would see it as "reasonable" that a copyright owner failed to exercise their rights within a year - possibly even a decade. (Updated because I realized last example dealt with trademark not copyright :o)
So what am I safe to use?
US Government works (mostly)...any deemed free to use by creator...and any a copyright lawyer says they have your backs on (cuz now they're liable).
Here's some great sources for free use items (please add to this list below if you know of some!!!):
Pictures: https://buffer.com/library/free-images/ (Unsplash is one of my faves)
Music: https://www.wix.com/blog/photography/2019/11/27/free-music-for-videos/
Video: https://blog.hootsuite.com/free-stock-videos-sites/
You'll notice there's a lot of "shoulds" "coulds" "probably" etc. This is because copyright cases are all unique and go to the courts. The best bet is to go with stuff you KNOW is free and fair-use. If not, I'd look up copyright law, consult supreme court cases concerning copyright, and ultimately, talk to a lawyer.
AGAIN: I AM NOT A LAWYER. I AM NOT PROVIDING LEGAL ADVICE. I AM SIMPLY PROVIDING INFORMATION. THERE MAY BE ERRORS ABOVE THAT COULD CAUSE SUBSTANTIAL DAMAGES - CONSULT A COPYRIGHT ATTORNEY IF YOU WISH TO RECEIVE LEGAL ADVICE.

Reading a relocation chart alongside a natal chart in astrology involves understanding the dynamic interplay between the original natal energies and the influences of the new location. Here's a step-by-step guide to interpreting the changes and consistencies:

1. Understand the Natal Chart: Begin with a thorough understanding of the natal chart. Each planet, house, and aspect in the natal chart represents specific energies and life themes. The natal chart is the baseline of an individual's astrological influences.
2. Generate the Relocation Chart: A relocation chart is drawn up for the new location using the same birth date and time as the natal chart. This chart shows how the planetary positions fall into the houses for the new location.
3. Analyze House Position Changes:

• If a planet moves from one house to another in the relocation chart, it indicates a shift in how that planet's energy manifests. For example, a planet moving from the 1st to the 10th house might shift its expression from self-identity (1st house) to career and public life (10th house).
• The inherent qualities of the planet, as seen in the natal chart, remain the same, but the area of life (house) where these qualities are now expressed or realized changes.

1. Blend Natal and Relocated Energies:

• The energies of the natal chart do not disappear; they blend with the relocated chart's energies. This blending can bring about subtle or significant shifts in how one experiences various aspects of life.
• The aspects (angles) planets make to each other in the natal chart generally remain the same, but their expression might be modified by the house changes in the relocation chart.

1. Interpret Aspect Changes:

• Pay attention to any new aspects formed by the relocation. For example, a planet that did not form a significant aspect in the natal chart might form one in the relocation chart, altering its influence.

1. Consider the Ascendant and Midheaven:

• The Ascendant (rising sign) and Midheaven (MC) are likely to change in the relocation chart. These shifts can indicate changes in how one presents themselves to the world (Ascendant) and in career or life direction (Midheaven).

1. Evaluate Overall Themes:

• Look for overall themes or patterns that emerge when comparing the two charts. Are there consistent themes that are reinforced or new themes that emerge?

1. Synthesize the Information:

• Finally, synthesize the information from both charts. How do the natal chart's themes and energies interact with the relocated chart's influences? Consider how the core personality and life themes (natal) adapt to or are expressed in the new environment (relocated).

So, while the core energies of the natal chart remain intact, their expression and the life areas they influence can shift significantly in the relocation chart. The key is to understand and interpret these shifts within the context of the individual's overall astrological makeup.

I realize more now what Jesus was saying about the eyes causing us to sin. And that the eye is the lamp of the body. If the eye is darkness how deep is that darkness. So I’m 22 days in, and by the grace of God I’ve had very little temptation. Except for this weekend when I went to a theme park and there were a lot of under dressed women showing more skin than I cared to see. Now a day later the images of the female body are in my head. It feels like my mind is stained. It started in my eye. Now I have some urges, but I’m handling them. I’m hoping the images go away in a day or two, and I’ll escape this temptation with my sexual purity in tact.
Now, on these long streaks I’m trying to learn how to sustain them. More it feels like it’s easier to keep my thoughts pure and my eye full of light. But then on these long streaks temptations pop up surprisingly, unexpectedly, and that is how the seed of sin is planted. How do I kill that seed before it grows into lust? I avoid situations where temptation would happen already. But I have to be in the real world. What discipline can I apply here? I already look away right away. Trying to keep my eye pure.
Thanks for reading my rambling. Anyone who has any thoughts please comment. I appreciate it.

I believed in fairies as a kid. More than believed in them. I think something terrible happened to me, and I've just buried it until now.
Call me a typical emotion-bottling man, but I have never considered therapy. No matter what I went through, no matter how many times I thought to myself, verbatim, that I should talk to someone about this, I just never thought of it as an option. It simply wasn't on my roster. It was just one of those things that existed on a separate plane of existence than I was living in, never to cross paths or interact lest the universe collapse in on itself.
I have no problem with therapy, don't get me wrong. It isn't like I don't understand the overall appeal. I have plenty of friends who swear by it, swear it has helped them tremendously, including my wife. It just wasn't ever something I thought was in my cards.
"I just never really thought about it," I told Alice one evening, when she had brought the topic up once again after dinner.
There was a serene sense of peace wafting through the entire house that day, and I was feeling content. It was a Sunday, and swimming season, so we had dropped Emmie off that morning at the public pool for practice and gone straight to our favorite breakfast place. The rest of the day was filled with all the conversation that had built up over the week, all the topics we couldn't fully dig into with each other while babysitting our eight year old, and lounging, all crammed in between sporadic bursts of housework and paperwork we had to catch up on. It was the perfect day, in my humble opinion. It was a lovely moment of peace in the midst of a chaotic life, as is life with kids. And now the sounds of Mario Kart drifted in from the living room, Emmie's squeals cutting through the cheery music every now and then, causing Alice and I to share small smiles of acknowledgement.
Oh, to be a child again. Still a little drenched from a post-swimming shower, full of chili, eyes glowing with the reflection of a television screen.
"Well, maybe you should." My wife was scooping leftover chili into a Tupperware with a ladle. Her hair had been tied up like it was every day after dinner, as if she planned to run a marathon rather than do the cleaning up. She wasn't looking at me, dialed into the task at hand.
It's crazy how some parts of my memory could be so good, and others nonexistent.
I reached over from where I stood before the dishwasher, sliding my arm around her waist. She gave me a look, like, what?
"I just don't think it's for me, babe," I muttered, resting my mouth on her shoulder as if I was trying to skip her ears and speak right through her skin. "You know those things make me uncomfortable sometimes."
She let out a half groan, half sigh, setting down the container and the ladle and turning to face me, draping her arms over my shoulders.
"Everything makes you uncomfortable, John."
I smiled, letting my hands fall to her hips. I knew her frustrated act was just that, an act, at least for the most part.
"It's good for you," she continued pointedly, reaching up to tap her pointer finger against my forehead as I swayed her back and forth to a nonexistent tune. "Like medicine. And I know for a fact there are some things you need to work through."
I feigned offense. "You think I'm some kind of nut job?"
"Everyone needs therapy," she snarled, pulling out of my arms, but she didn't resist when I reached out and drew her back in. "Not just nut jobs."
And that was how most of those conversations went. Some got a little more heated, ending with a lightly slammed door (so as not to wake our daughter) and a whisper-shout of "this is why you need therapy!"
I feel I'm making it sound bad, but it wasn't. Even our more serious fights never quite felt like fights. They felt like playing. We were like two cats, biting and tackling and swishing our tails, but never baring our teeth to hiss. I never felt genuine, full-bodied anger towards her, and I knew she felt the same. It sounds sappy, but we were just very in love. I sometimes felt that we had never actually left the honeymoon phase.
I'm also making it sound like that conversation was incredibly common, and it wasn't. It came up maybe once every few months. I knew she was just looking out for me. She knew me better than anyone.
We had met through mutual friends, and we had initially bonded over our terrible childhoods. We both had moms who were out of the picture, and over emotional, over compensating dads, although this manifested in vastly different ways. Alice's mother left her father for a D-list rockstar type, following him on his state wide tour. She would sometimes send Alice letters or postcards from the road, although her dad wouldn't always let her keep them if they seemed to be stained with blood or seemed to have made contact with any strange white powders.
Her dad coped with anger. He never laid a hand on her, but his shouting and the sounds of glass bottles smashing against the walls kept her up almost every night. During the days he'd take her out, buy her things, go mini golfing and bowling and to the movies. Anything to seem more fun than her mother.
My mother passed away on my seventh birthday. She was driving home from work, which was at a law firm half an hour away from our house, when it began to rain. She was texting my dad her ETA when she ran a red light and a semi truck T-boned her, completely obliterating her car.
After that, everything changed. My seventh birthday could've been my twenty-first. At night it was the worst. I remember sitting with my dad as he cried, curled up in a sobbing ball on the filthy living room carpet, whimpering like a kicked puppy. He would scream and wail so loud the walls shook. He would say, over and over as if I wasn't hearing him, sometimes mumbling and sometimes shrieking, "She was cut in half. I'm sorry sir, she's gone. No, there's no chance she survived, she was completely cut in half."
The days were almost worse. During the day, when he could decrease the helpless wails into weeping at the very least, his attention turned to me. He tried to get something out of me, almost silently begging me to break down with him. Every other second it was, "How are you feeling, son? Do you understand what's happening? You poor thing, you must be devastated, your mommy is gone... Don't you want to cry?"
But I couldn't indulge, and I didn't want to. I had to wash the sheets, because he'd pissed them again, and I didn't want him to sleep in it and smell like pee when he took me to school the next day. I had to vacuum the carpet, so the next time he curled up on it and begged God to take him too, when he finally stood up, his cheek wouldn't be caked in crumbs and dust.
I don't know if I ever truly mourned. My mother's death was more like an absence, as if someone had taken a pair of scissors and carved a chunk out of my side, or snipped off a limb. I could still feel her, I could still talk to her, but all I got back was a deep ache and a crushing silence.
I hated how people reacted when I told them my mom was dead, and had been since I was a little boy. I hated the looks on their faces when they asked how she died, and when I told them. How their mouths fell open dumbly and their eyebrows twisted and contorted in sympathetic horror. "I'm so sorry, I didn't know," they said, as if there was vomit rising in their throats, and I wanted to say, "Well, you fucking asked, didn't you?"
Alice never reacted like that. In fact, she never really even asked me what happened. We were on our second date, nursing beers while leaning against the pool table a a dingy speakeasy, when she told me about her own mom. It was the first time in a long time I actually felt like the conversation was open, like I could respond and she would listen and care, but not too much. Not an uncomfortable amount. When I told her about my parents she didn't say anything, and her pretty face didn't contort. She leaned over the corner of the pool table and kissed me on the cheek, took my hand.
The day she found out she was pregnant, we promised each other to be better, to not let our child ever have to grieve alone or feel the very specific hopeless terror that only a parent can cause.
So maybe I should have listened to her. Maybe I should have gone to therapy the first time she brought it up, the first time she told me how it had helped her get through her own terrible memories. But if I'm being honest, I didn't think I had anything to get through. I had left it in the past, I had coped so far in my own somewhat crooked way, I didn't want to dig any of that back up. I didn't want to be put back in that place where I was expected to talk, to cry, to open up. It made my skin crawl just thinking about it.
"I was always the therapist," I would say to her with a crooked grin. "And I like it that way."
Then, the dreams started.
I could tell you I don't know what triggered them, I don't know why it was now. But that wouldn't be the truth. I know exactly why I started to remember.
At first, they were brief. Nightmares that I couldn't quite recall or explain, waking up disoriented and a little sick. The rest of my day would feel strange, like I was surrounded by a thick fog. Eventually, they started to wake me up in the middle of the night, drenched in sweat and screaming, scaring the shit out of my wife. Once I ran to the bathroom and threw up, barely making it to the toilet. That was when the word "therapy" came up again.
It feels like I've been in a coma for twenty years, and I'm just waking up now.
It's so strange how different the world looks to a child.
I believed in fairies as a kid. Laugh it up if you want. When I turned four, my aunt brought me this book - we've all had one, I think. It was one of those huge hardcover books filled with information about something mythical, with little patches of fabric to simulate a mermaid's scales or a dragon's claw.
Mine was about fairies, and it was so real to me. My mom would sit up with me later than she probably should have, reading to me, placing my hand on the textures to feel. I wanted to know everything about them, I became obsessed, and naturally, my parents played along. They bought me toys, books... every year I had a fae themed birthday cake, and any kid who dared to giggle behind their hands weren't invited to next year's celebration.
When I was old enough to use the internet, supervised of course, I began further research. My mom helped me navigate Wikipedia first, and they had plenty of information to sustain me for a while. My interest turned from wings and magical powers to different types of fae from every corner of the earth, mushroom rings and their alleged distaste for iron. While I still wasn't very good at reading, I would just look at the pictures until she got home from work.
When my mom died, the fairy memorabilia began to amp up. My aunt bought me new books, gave them to me wrapped and tied with ribbons with tear filled eyes, and my dad brought them up whenever he thought I needed comforting and felt strong enough to leave the house. "Wanna go look in the forest for fairies, son?"
I'm embarrassed to admit it, but I began to worship the fairies. I was convinced they lived in the forest behind my house, just behind each tree I looked at, hiding from me. I would spend my weekends escaping into the woods with a bucket and a cheap pair of binoculars, positive that this time, this day, I would see one.
At night, when my dad finally passed out in his own puddle of tears and other bodily fluids, I would pray to them. I never believed in God, we weren't a particularly religious family, and besides, I had seen what good He had done for my dad thus far. But I believed in the fairies.
I asked them for help with my father. I asked them for peace. I asked them to bring her back to me.
They never answered.
Until they did.
It was a Friday. I remember now, I'm not sure how I could have forgotten. After school I had sprinted into the shade of the trees before my dad could stop me, gripping the hem of my shirt in my fist, the thin fabric bearing the weight of two handfuls of the shiniest silverware and most colorful buttons I could find in our dusty cabinets.
I had a plan that day. I was going to lure them to me.
My path began in a clearing where I thought a ring of mushrooms may have begun to grow... but even without that, it was just the perfect spot for fairies. I could picture them flitting between the trees, chirping to each other happily, picking wildflowers to weave into flower crowns.
I walked backwards all the way back to my bedroom window, dropping another item every few steps. When I got inside and looked out my window, I could see my trail of shiny things curve through the overgrown grass in our backyard and disappear into the trees.
I was so excited, I could hardly contain myself. Tonight, surely, they would come to me. They would show themselves, and they would help me. But after another few late hours of coddling my father, finally convincing him to drink some water and get in bed, I was exhausted. I completely forgot about my plan. When I got to my room I collapsed on my mattress, not even bothering to undress before I closed my eyes.
Then I heard it. The scratching.
I opened my eyes. The moonlight shining through my bedroom window casted strange shadows across my ceiling, shadows of the swaying grass and the creaking trees.
It was strangely silent, other than the sound. Usually there was lots of noise, or at the very least a few crickets, but not tonight. Tonight, I realized, I couldn't even hear the wind.
I sat up slowly, as if in a dream, and looked toward my window. I couldn't see anything out there, nothing glaringly obvious at least, that could be making that noise.
The scratching turned to a tap. Tap tap tap, like a fingernail against a glass. It had a playful air to it, like someone was saying, look over here!
I stood, rubbing my eyes, and stumbled over. The tapping stopped abruptly when I got to the window and peered outside, out to the dark yard, pitch black if not for the moon's glow. The grass didn't sway, the trees didn't creak. I frowned and unlatched the window, sliding it up above my head.
I was right, there was no wind. Not even a gust. Everything was still outside, like it was frozen. I actually started to believe it was frozen, that time had stopped completely somehow, before I saw it.
My trail of silverware and buttons. Sparkling softly in the moonlight.
Disappearing.
It began where the path met the trees, curving off where I couldn't follow it anymore. A fork disappeared right before my eyes, right on the edge. Just vanished, as if someone who was invisible had picked it up and stuffed it in a pocket very quickly.
Then another went, a spoon. Then a particularly large gold button. Whatever was taking them was doing what I had wanted, it was taking my bait, it was coming to me. And it was as if whatever had tapped at my window had wanted me to see this, wanted to show me.
But something felt very, very wrong.
This wasn't how I had pictured it. There was no twinkling, tiny winged thing at my window, winking at me before dashing back into the safety of the trees. There were no secrets being whispered in my ear, no fairy dust or promises of better things.
Something about this wasn't right. It felt like a mimicry, almost a mockery, of what I had imagined. Like something was trying to give me what I wanted, but was rusty at it.
I didn't want this anymore.
My stomach twisted and my hands shook as I pulled the window back down slowly, watching more glittery things disappear from the grass, growing closer and closer. As soon as it was closed I quickly locked it and pulled the blinds shut, turning my back to the window as if something would happen that I didn't want to see.
Nothing happened. The deafening silence continued for a few seconds as my ears strained to hear anything else happening outside. Then the wind picked up, and the sounds of crickets, muffled by my closed window, filled the night air.
I don't remember when I fell asleep that night, I just know I felt unnerved and jumpy for a while. I woke up the next morning feeling guilty. Had the fairies really come last night? Maybe they had come to talk to me, to bring me gifts, favors, and what had I done? I had closed my window on them. I felt ungrateful. Why had I even been scared? Because it was dark outside? What was I, a baby?
When I opened my window and peered outside, I gasped. The trail of silverware and buttons was completely gone, all the way up to the last one, which I had placed on my windowsill. In its place was a shoe. I didn't know what kind of shoe it was, but it looked sort of nice, fancy. I remember smiling out the window as I opened it, as if they were looking, and taking my gift.
How could I forget that night? How could I have forgotten what happened after? I feel crazy, either like I made it all up or like I've made up everything since then, like my life isn't truly my own.
I remember telling my dad. I remember saying, "Dad, the fairies came last night!" and the absent smile he gave me.
Until I showed him their gift. The shoe. Instantly his face went pale and he snatched it from my hands, staring at me as if I was something unholy.
"Where did you get this, Johnny?"
"The fairies, dad, I told you!"
He didn't respond. Just gave me another long, solemn look, before turning away from me, still holding the present I received close to his chest. I was upset, but I knew better than throwing a tantrum. That would be too much emotion anyways, too uncomfortable. Even back then, I didn't know how to handle those things.
I didn't show him their gifts after that. I didn't want to risk having them taken away. I tried not to be scared of the fairies, even though they always came at night, but I didn't go to my window when they came anymore. I read everywhere that fairies didn't particularly like to be seen, even though this one seemed to want to be. It always began with tapping, but otherwise complete silence that almost felt like it was swallowing me... and eventually the tapping would stop, the silence would pass, and I would fall asleep. In the morning there was always another gift for me, sitting on my window sill. A sparkly gold ring, the other matching shoe, a hat... I smiled when I took every one, wanting them to know I was grateful. And I would leave things for them too, little sweets or shiny things like coins or paperclips that I found on the ground at school.
Things seemed to get better with my dad for a while. He kept to himself more, he was quieter. At night he would cry softly in his room, rather than his uproarious wails that I used to have to quell so the neighbors wouldn't come knocking. During the day, he would talk to me, but more casually. He didn't ask me how I was feeling anymore, or tell me to let it out.
I hoped this was the fairies. I felt invincible, like I had a secret superpower that no one knew about. I was friends with fairies.
Then one night, everything changed.
It started with the tapping, as always. That night I was fast asleep, catching up on well earned rest since the nightly therapy sessions had ceased.
The tapping woke me. It was that loud. It was louder than usual... but it seemed like it stopped abruptly as soon as I raised my head to look.
That was different...
That night, I had left my blinds up and my window open by accident. Since that first night, even though I wasn't scared anymore, I had always closed them... but this time, I must have forgotten.
It was silent outside. It seemed darker than usual. I could almost make out something, a shape, way on the other side of the yard, but it was too dark and I was too far away to tell.
That feeling from that first night retuned. A twisting like a hand reaching into my stomach and mixing things around, a heavy feeling in my chest like someone had stolen all of the air from my room, even though the window was open. The silence seemed to crush me, bearing down on me from every angle, making my ribs hurt.
The feeling that something was very wrong.
I don't remember deciding to stand: looking back, I have no idea why I would do that in my state of fight or flight. I don't know if I consciously chose to. I don't remember walking over, but I remember getting there, my hands on the windowsill and my head poking out into the completely still night air.
There was something there. On the edge of the trees. Right where I had seen that first fork disappear into thin air. I squinted, leaning further into the darkness to try and make out what it was.
When I finally did, the outline taking shape as my eyes adjusted to the darkness, I began to shake uncontrollably. I remember that I tried to scream, but no sound would come. I couldn't move, couldn't do anything but stare.
Two legs stood in front of the trees, facing me. Two legs, a blood-soaked pair of slacks, no shoes on the purple, swollen feet. And a jagged, violent rip in the torso where the rest of my mother's body had been severed from its lower half.
It took me a while to realize that the legs weren't standing on their own. They began to move, jerking clumsily toward the window, like something I couldn't see was struggling to hold them up. I finally forced myself out of my trance and fell to my carpet, vomiting.
I don't remember much else about that night yet. My dad came running when I started crying, I'm sure, but he didn't see what I saw. My mom's legs were gone, or hidden. Because they weren't for him.
They were for me.
We moved after that. Before now if you had asked me why we moved so far away so suddenly, I probably would have mumbled something about the grief, and it being too hard to stay where my mother had died. But I remember why now.
It was because the next morning, when I checked my windowsill, there was a hand. My mother's hand. Purple and stiff, and missing her gold wedding ring. Reaching, fingers rested against the glass, like it was trying to get in.
Like it had been tapping.
I don't want to think about what else it might have brought, had we stayed.
That thing, whatever it was, wasn't my mother, and it wasn't a fairy. I had invited something else with all my praying, with all my naive and innocent beliefs, and with all my bottled up emotions. I had invited it, and I had let it in.
And then I had forgotten everything. Maybe I bottled that up, too.
Now I remember. Now I'm having nightmares, and waking up with that sick feeling in my gut, my eyes jumping to our closed bedroom window.
Because a week ago, my daughter woke me up very early in the morning my jumping on our bed. A week ago, she shook me awake, her eager smile stretching all the way across her face. A week ago, she told me, "Dad, the fairies came last night!"
She showed me a doll, a ballerina, with a pink tutu and beautiful long blonde hair.
And now, with all these terrible memories hitting me like cold water to the face, only one keeps me awake at night.
I asked them for help with my father. I asked them for peace. I asked them to bring her back to me.
It has granted two of my wishes, in its own twisted way. My father grew distant from me and my mother was brought back in pieces.
I'm happy now. But I don't have peace. I don't think I'll ever fully have peace, at least not with a child and a wife to try and provide for, and not with all of these memories.
So what has it come back for?

The saying "This song will do great with the jury" is commonly used to describe certain types of songs or acts in Eurovision. That leaves me wondering, if the jury system “makes it harder” for certain acts to get 12 points or points in general...maybe there's a problem within that jury system. In my opinion, such a saying implies that there might be an inherent problem within the jury system, as it seems to favor specific types of acts.
Although the idea of removing the jury has been discussed before, especially since 2023, I believe the jury is an essential part of Eurovision providing a professional perspective that balances the public vote, making their possible removal an unfavorable solution. To me, the jury is an essential part of both the show and the competition. However, there have been a lot of instances where the juries have shown near-consensus in their decisions, often awarding 12 points to the same act. From my perspective, that raises questions about whether they are independently assessing the performances or influenced by similar criteria. Considering that the audience is usually divided in their preferences, it is perplexing to me that juries, composed of individuals with diverse tastes, do not reflect this diversity in their votes.
If it is already evident that the jury will not like a certain type of act, isn't that somewhat detrimental for certain acts or artists in general?

Helloooo!
Thanks for clicking this! I'm currently in search for someone online to keep up with and just see where it goes lol. Works been getting kind of repetitive lately, computers don't make for good conversation even with the AI getting better. My intentions with this post is to cast out a line for someone who's also looking to be weird with and just talk about our day, tell me about your dog, your dogs fleas, that one pothole in the road that for some reason is just impossible to avoid.
Little about me: i work in a IT/maintenance role, see where it can get repetitive? lol, but I try to have hobbies like gaming (I suck), running (I also suck), and occasionally vacuuming my room (sucks intentionally). I've been on a health kick trying to get in better shape, live a better life and tbh it would be nice to have someone else to bounce off of for accountability and companionship. My intentions aren't specifically relationship, just want a friend and someone to vibe with, I'm open to anything and wherever it goes it goes. I'm just interested in living, and eating good food and it'd be cool to have someone around for that.
More about me:
Favorite Color - Navy Blue
Favorite Song - Teenage Dream
Shows I'm watching: Fallout/Apothecary Diaries
Type of shows I like: horror, anime, nerdy stuff
Things I do in my free time: Night drives, Phone Calls, 3AM Tiktoking and Cooking/Baking.
Hope you read through this and found it interesting~ Shoot me a message if you're down to be friends!

Hello all,
Those of you who have had success with sync licensing, how do you go about contacting the people who are in charge of putting music on shows or sports promos? I'm working on 2, 5 track eps. 1 is tailored towards reality tv, it is only dramedy tracks. The other is tailored towards sports promos, mostly hype orchestral tracks.
also most of my songs are only about 1-2 minutes long, is that an ok length?

Watching this D20 season coincide with the greatest rap beef of all time has crossed some wires in my brain, especially with themes of unleashing hatred for the purposes of both war and justice, so here’s my thoughts. Besides, if Fetty Whap is canon, why not these two?
Adaine: Probably not that into the beef or either rappers, but deeply affected by Meet the Grahams.
Fabian: Definitely has the most Drake on rotation, admits that Kendrick won by the end but no amount of bullying from the other kids will take away how much Take Care means to him.
Fig: Has a viral BBLDrizzy song. Also probably some old DMs from Drake.
Gorgug: Doesn’t listen to either, maybe Zelda showed him Backseat Freestyle. Bullies Fabian regardless.
Kristen: Can’t stop saying “Certified Loverboy? Certified Pedophowl!” and “A Minorrrrrrr”
Riz: Is thiiirdperson. Deep diving into Kendrick’s lyrics, connecting clues from older albums, is ready for the larger conspiracies in action to be revealed.
Will probably delete this immediately

We're less than ten weeks away from the latest installment of Confluence, the filk-friendly science fiction conference that will be held near Pittsburgh, PA, USA (July 26-28, 2024, at the Sheraton Pittsburgh Airport Hotel in Coraopolis, PA; https://confluence-sff.org ). Confluence 2024 will have representation from a wider variety of fannish musical subcultures than almost any other convention! Here's the (almost) final schedule of what will be happening at this Confluence in Ballroom 1, the music and performance space:
Friday, July 26 4 to 4:50 p.m. Filk Mad Libs led by Randy Hoffman 5 to 5:50 p.m. Pegasus Awards Brainstorming Discussion led by Randy Hoffman 6 to 6:50 p.m. Concert by Damon Buxton (acoustic guitar) 7 to 7:50 p.m. [Opening ceremonies with Bonnie Gordon and the other marquee guests] 8 to 8:50 p.m. Concert by Dream Quaffle (wizard rock) 9 to 9:50 p.m. Concert by Schaffer the Darklord (nerdcore rap) 10 p.m. to ??? a.m. Open filk song circle
Saturday, July 27 10 to 10:50 a.m. [Workshop TBD?] 11 to 11:50 a.m. [Swordfighting demo by Pittsburgh Sword Fighters] 12 to 12:50 p.m. Concert by Gwendolyn Grace (SCA bard) 1 to 1:50 p.m. Concert by ilyAIMY (nerd-friendly folk rock) 2 to 2:50 p.m. Concert by Super Guitar Bros (videogame music) 3 to 3:50 p.m. [Guest of Honor presentation by horror author Richard Kadrey] 4 to 4:50 p.m. Concert by Technical Difficulties 2.0 (filk) 5 to 5:50 p.m. Concert by Steel Samurai (videogame music) 6 to 6:45 p.m. [Closed for dinner and setup] 6:45 p.m. Doors open for seating 7 to 8 p.m. [Play: "A Mockery of Mimicry" (celebrating 50 years of D&D) by The Confused Greenies] ~8 to ~9:30 p.m. Featured Music Guest Concert by Bonnie Gordon (nerd comedy music and lots more) ~9:30 p.m. to ??? a.m. Open filk
Sunday, July 28 10 to 10:50 a.m. [Workshop TBD?] 11 to 11:50 a.m. [Workshop (topic TBD) by The Confused Greenies] 12 to 12:50 p.m. Concert by Steamcordia (steampunk) 1 to 1:50 p.m. Concert by Jeff Whitmire (horror-themed comedy music) 2 to 2:50 p.m. Concert by Members of the Washington Metropolitan Gamer Symphony Orchestra (WMGSO, videogame music) 3 to 5 p.m. Dead Dog open filk
(For those who are able to stick around after the official music-track activities end, we will probably be having our Undead Dog open filk on Sunday night.)
You can order a Confluence 2024 t-shirt at https://confluence-sff.org/t-shirt . (All t-shirts need to be preordered by June 15 -- we'll have very few extras at the con.)
You can preregister for Confluence 2024 memberships at https://confluence-sff.org/registration . Do this by June 30 to get a membership for $55 (the full-weekend rates go up to $65 after that).
You can reserve hotel rooms for Confluence 2024 hotel room(s) at https://confluence-sff.org/hotel . (Although the room block doesn't close until July 12, we ran out of rooms before the block closed last year.)
Hope to see some of you there!

Hi all, One of my friends went to a performance by an iron maiden tribute band recently, and me and them both being relatively new to iron maiden, didn't recognise all songs that were played. They have showed me a small piece of recording of which i am not entirely sure what song it is just from the little part. In the part, the singer, from what i understand, says "is it me or is it (...) reflection on the wall. Is it dream or is it.." and then the recording stops. Is anyone able to help me find out what song this is by the very minimal info? Thanks in advance!!

I genuinely had no idea the depth this season would have. I just finished my second rewatch, watching edits, and reading people's analyses and metas. Nic was right when she said this season was romance because, wow, I’m speechless at just how much there is to their story. It keeps you going back, thinking, and pondering. To the point that I'm not as mad as I was about them splitting up the season. We're really able to take in these four episodes, unpack each scene, each character, and each expression because everything has been so purposeful.
On my second rewatch, it struck me that it wasn't the kiss that awakened Colin's feelings. I wouldn't have thought so until someone mentioned on twitter it wasn't the kiss Colin has a flashback of before he goes to the ball. it was the scene Pen wraps his hand with a cloth. I rewatched the show after that to pay closer attention and wow did so many things stand out to me the second time around. Maybe it was the candle that sparked that memory, but even then, was her wrapping his wound so significant to him that it prompted him to go to the ball, interrupt her dance, cause a scandal, and then chase her carriage?
Colin's behavior towards her has been odd the entire season. First, Penelope not responding to his letters messed him up. It made him realize that although he's always cherished her as a friend, she had a much more profound impact on him, and he didn’t notice until she was no longer there. He tries to talk to her, but she walks away, giving him the cold shoulder. He is left shook.
He sees her at the ball in her stunning dress. He keeps staring at her, so aware of her, constantly tracking her. Then she leaves, running up the stairs and passing him. He leaves his friends behind to go after her, despite their advice not to concern himself with her. They have that moment where he tells her he misses her, but in a much different way than he would have spoken to her last season or the season before that. "If you're going to make it, say it. I miss you." Not "I missed you," but "I miss you."
This distinction is crucial. "I missed you" implies a past tense, a temporary void that has now been filled. "I miss you," however, conveys a present, ongoing longing. It shows that his feelings are current and that her absence affects him deeply and continuously. This moment is pivotal because it reveals a more vulnerable and sincere side of Colin, one that he hasn't shown to others this season.
Colin is showing a different side of himself to everyone this season, including his own family. He's trying to present a more composed and assertive version of himself to the world. Yet, Penelope is the only one with whom he truly feels comfortable enough to be his genuine self. She makes him feel safe, allowing him to drop the mask he wears for others. With her, he can be kind, sensitive, and unguarded.
This sense of security that Penelope provides is significant. It’s clear that Colin values her presence not just as a friend, but as someone who understands him on a deeper level. She brings out the best in him, the parts he might be afraid to show others for fear of appearing weak or overly sentimental. In Penelope’s presence, Colin feels seen and accepted, which is why his declaration of "I miss you" carries such weight. It’s not just that he misses her company; he misses the person he is when he’s with her.
Then he seeks her out and comes to her house, gives her the big speech, and tells her he wants to get into her good graces. They go out, and he tells her to practice on those gentlemen. When she stumbles over her words, he just smiles so fondly at her. At this point, I don’t think he’s aware of his feelings, but I do believe he's starting to realize just how much he likes her. He really, really likes her. And he missed her so much, and being around her again is literally lifting his spirits.
One of my favorite moments is when they are at the market. Colin brings up the story of when they first met, leaning in and saying, "teasing me. Mercilessly, in fact." When he follows with, "I think I know why," it stands out to me because you can just see how different he is when he's with her compared to anyone else this season. Even with his family, his light is dim, and there is a cloud hanging over him. But with Penelope, especially in this scene, it's like a man who finally saw the sun after being stuck in endless rain. At this moment, I don't think he knows he likes her romantically, but he likes her even more than he did before. He notices how she makes him feel. He loves their banter and how clever and witty she is.
Penelope freaks out when he says this because she thinks she knows, and she keeps on walking. They are momentarily covered from each other by the rugs, and then Colin pops out and continues his sentence. Everything about it is so playful and flirtatious, even if unconsciously at this point. He’s just having so much fun, and it’s very different from how he used to interact with her before. That moment when Penelope says, "I should get back," leaning in and adding, "before we are noticed," is significant.
Then we have the moment when Colin says, "I've been eagerly awaiting your visit." By this point, he’s addicted to her. The interactions they had at the market, especially at the end, left a lasting impression on him. I see this as Colin testing his feelings, wondering, "Let me see if that was a fluke or if I actually like her." This moment is crucial because it reveals Colin's internal struggle and growing realization of his deeper feelings for Penelope. He’s no longer simply enjoying her company as a friend; he’s beginning to seek out her presence because it brings him genuine happiness and comfort.
This shift is evident in his behavior. Colin’s eagerness to see Penelope isn’t driven by a sense of duty or friendship; it’s a personal desire. His anticipation of her visit shows that her company has become something he craves. This is no longer about teaching her anything; he just wants to spend time with her, and you cannot convince me otherwise. Colin knows that teaching Penelope how to attract a husband doesn’t look right, as he mentions to Eloise. He is aware that his actions could be misinterpreted, and yet he persists. This indicates a level of emotional investment that goes beyond mere friendship or mentorship.
When Colin invites Penelope to the Bridgerton house and places a hand on her back, it’s a bold move that borders on scandalous. In the societal context of their time, such an action is highly intimate and could easily lead to gossip and speculation. Colin is well aware of this, which is why his decision to proceed regardless is significant. It shows that he’s starting to prioritize his personal feelings and desires over societal expectations and norms.
In Season 2, when he grabbed her hand and took her into a secluded room, he genuinely saw her as just a friend and didn’t see anything wrong with what he was doing. But this scene is different. Colin is aware that his feelings towards her are changing, and he doesn’t care about the impropriety. He just wants to be alone with Penelope. This awareness marks a turning point in Colin’s emotional journey. He’s beginning to accept that his feelings for Penelope are evolving into something deeper and more romantic.
His actions, such as eagerly awaiting her visit and ensuring they have private moments together, reflect a subconscious desire to explore these feelings further. He wants to understand the depth of his emotions without the interference of others. This need for privacy and his willingness to bend societal rules for her indicate just how significant Penelope has become to him. He values their time together, not just as friends, but as potential romantic partners. Colin’s behavior suggests that he’s on the verge of a profound realization about his true feelings for Penelope, setting the stage for further developments in their relationship.
Then we get to the moment that solidifies for me that he knows to some degree what he feels about her. When Penelope tells him his eyes are beautiful, he is visibly aghast, speechless. Jungshook. The compliment is so unexpected and disarming that he doesn’t know how to respond. Instead, he picks up his lemonade and chugs it down like a man who hasn’t had a drink in days. This reaction is significant because it shows how much Penelope’s words affect him on a deeper level. It’s not just flattery; it’s a moment of genuine vulnerability for Colin, revealing that her opinion of him matters more than he realized.
Now, let’s delve into the moment where I believe he realizes he likes her. I wouldn’t have thought anything of it and rewatched their moments with a different perspective if it weren’t for the flashback. The moment she wraps his hand is so intimate and romantic. She wraps his hand slowly, and he watches her intently as she does. There’s a tenderness in her actions that goes beyond mere care; it’s an unspoken connection. She continues holding his hand and slowly folds it, kind of caressing his fingers. This gesture is filled with unspoken emotions, and Colin feels it deeply.
She looks at him intensely, and he meets her gaze but looks down immediately, starting to fiddle with the end of the cloth like he’s nervous. This moment of eye contact is loaded with significance. Colin’s nervousness is a telltale sign that he’s starting to realize his feelings for her. He doesn’t pull away until she mentions his writing, and he gets overwhelmed. Despite all that, and even though he’s upset she read his journal, he asks, "Will I see you tonight?" This question is crucial. It shows that, despite feeling vulnerable and exposed, he craves her company. He just wants to spend time with her.
Even when he’s upset that she read his journal, his first thought is to secure more time with her. "Will I see you tonight?" is not just a casual question; it’s a plea for connection. Colin’s desire to spend more time with Penelope, even when he’s feeling vulnerable, underscores the depth of his feelings. He’s starting to recognize that his attachment to her is not just about friendship or companionship; it’s something much more profound. This realization sets the stage for the unfolding of his realizations and the emotional journey Colin is about to navigate.
Then the ball happens. Colin looks around the room for her and gives her a sexy smirk when he sees her. This smirk is significant because Colin typically reserves it for women he's flirting with, albeit usually in a fake and uncomfortable manner. However, this is the only time the smirk feels genuine and actually comes off as sexy instead of forced. The flirtatious "Good evening" from Penelope is everything, honestly. When she asks how his hand is, he replies, "All good, thanks to you." Sir, all she did was wrap it with a cloth; please be normal. At this point, he's fully aware he has a crush on her. He no longer views her as he did before. His entire demeanor is so much more different compared to their other lessons. There is an intensity to him when he's talking to her that wasn’t there before.
When Penelope talks with Lord Remington, it’s interesting that "Jealous" by Nick Jonas starts to play now and not after the kiss, when she converses with Lord Debling on many occasions where we know he's jealous. When Pen tells him she enjoyed her time with Lord Remington, he responds, "I'm certain he did as well," and he gets a bit awkward. Someone on Twitter mentioned that when Penelope was flirting and trying to engage with others, Colin wasn't jealous, but the moment she is herself and comfortable, his jealousy kicks in, as we saw in this scene. Someone said he's trying to gatekeep her lmao. He sees her smiling and enjoying herself—a part of herself she only shows him—and he can't handle it. Hence, why I believe they chose to play that song at this moment.
This moment is crucial because it highlights the shift in Colin’s feelings. His smirk, which is usually a façade, becomes real and filled with genuine affection when directed at Penelope. His awkwardness and jealousy when she talks to another man further emphasize that his feelings for her have deepened. Colin is no longer just a friend offering guidance; he’s a man who realizes he has a crush on her and is struggling to navigate these new emotions. The music choice underscores this emotional turmoil, perfectly capturing the internal conflict and realization he is experiencing.
And then everything else proceeds that leads to the kiss. I, like so many others, believed this is where he realizes his feelings for Pen. Someone on Twitter mentioned how his eyebrows furrowed and his lips quivered. When I first saw it, I wondered why this kiss would warrant such a strong reaction from Colin. At this point, it was just a kiss that Pen asked for in a moment where she thinks she is ruined and will never find a prospect. But upon rewatching, Colin's visceral reaction to the kiss, as evidenced by his furrowed eyebrows and quivering lips, suggests a deeper emotional resonance than he initially realizes.
Penelope tells him it would not have to mean anything, but for him but it did. He knows his feelings towards her have changed. If it had been just a kiss because she asked for it, it would have stopped after the first time. Just a fleeting moment of physical contact between friends. But they kiss a second time and it's from his pov this time. It's slow sweet and oh so romantic. It's a catalyst that triggers a flood of suppressed emotions and desires within him. In that brief instant, the walls he's constructed around his heart start to crumble, allowing his true feelings for Penelope to surface. it wasn’t a kiss that awakened his feelings; it was a kiss that confirmed it. And not just confirmed it, it made him realize it wasn't just a crush he developed this season but it brought all his dormant feelings to the surface from the past as well.
TLDR: I think he was aware that he liked her when she wrapped his hand specifically and the kiss made him realize that it wasn't just a crush—his feelings run much, much deeper than that.

This is just idle speculation, but I thought it might be fun to see if we can guess which "what if" episodes to expect.
We know from the into Door delivers that Night Springs DLC is likely to consist of several episodes in a what if style, attempts of Alan's to escape that didn't quite meet the criteria of "true fiction" and thus fell apart.
In bopping along to the Night Springs song off the soundtrack, I keep thinking it's describing several of these episodes. Who do we think will feature in them? If it's truly multiple playable characters that is (and not just Tim Breaker all the way through)
Lyrics here:
Space invader, looking cute in a human suit Secret agents with the down-down rays they shoot Psychic powers, hypno eyes and magic fruit Trees, machines, weird mysteries We got freaky fantasies In Night Springs, psycho killer on the run In Night Springs, I don the black hole sun 'Cause in Night Springs, we're just looking for the thrill All your nightmares come true Crashing through the warning signs, your car breaks down just outside In Night Springs Endless versions of this town, Buck hold off the Elder God Live inside a sleepless dream, better let her sleep in Night Springs If I died in your arms, I don't mind it I'd hunt you when you like it In Night Springs, caught in an endless time loop In Night Springs, a solar system in your soup 'Cause in Night Springs, we're just looking for the thrill All your nightmares come true Lost in mist for days and days, now you see the sunny seas Night Springs
1) Breaker even mentioned aliens I believe in one interaction with him. This feels like the most obvious one: an X-Files-lile episode, possibly featuring our favorite Director interacting with Breaker during some sort of alien event.
2) psycho killer seems easy enough! Perhaps Rose matching wits against a boss level Taken like Nightingale?
3) "Buck hold off the Elder God" sounds an awful lot like the Cult of the Tree might get some air time. Maybe in the same sense as they are in the main story: they're a cult dedicated to protecting the town, but in this case we get more cosmic horror style storytelling.
4) for some reason "solar system in your soup" makes me think of that Twilight Zone where the kid had omnipotent powers, sort of a St Elsewhere snow globe kind of situation. I don't know how you turn that into an episode of playable content though.
(Likewise the "crash through the warning signs, car breaks down just outside" is a classic Twilight Zone sequence)
5) Psychic powers, hypno eyes and magic fruit sounds groovy as heck but psychic powers obviously makes me think of Control, or perhaps even Hartman (with his MO or brainwashing artists to control them), or Zane from Nightless Night where he hit on themes of mind control and Manson-like levels of cult of personality and devotion.
6) related, possibly, black hole sun sounds like an eclipse, which is sort of the thematic opposite of Nightless Night, so might have another Zane tie in there.
I know we don't have any actual evidence but it is fun (for me) to speculate:D anyone have any alternate reads on the lyrics, or anything Breaker mentioned that I forgot?

The myths of Aries always concur on the theme of action, enthusiasm, adventure and valiant efforts. The sign conceals a special meaning that is often forgotten in the simplicity of its planetary ruler, Mars, which explores the theme of outward, direct, unidimensional and raw expression of the instinct to conquer and attack. The underlying theme with Aries can be grasped once we take into account that it is the first sign of the zodiac, the life force and resurrection of the constellations and the path of the Sun into a new astrological year, following closely after the mystic and universal dimension of Pisces which seeks to integrate and unify opposite forces through subconscious processes. The force of the ram lies in its horns, which signify regeneration and rebirth. Here, the theme of unity and The Self or The One can be seen: Aries is the unmoved mover in the turning gears of existence. In this way, the planetary energies that match this idea are Mars and also the Sun. It’s the breath of new life which gives joy and excitement for exploration an adventure. The enthusiasm that comes with beginnings and the sense of awe coming from new places and new settings. Aries, along with Aquarius, are the signs most tied with the concept of freedom: the desire for the individual to be restricted by nothing. With Aquarius, the sense of freedom is more linked to independent thought, purity and the human right; with Aries, it’s expressed as a desire venture out into a world full of excitement and surprises, to become a traveler of the lands and seas, to be the optimistic newcomer eager to see the landscapes and meet the world with their own eyes.
Aries is the recruitment of the entirety of our selves in order to exert oneself with determination. It implies digging into the unconscious and resolving our doubts and fears in order to attack. This ties perfectly with its ruler Mars, a planet that lies in the personal unconscious of the individual and represents desires, anger, and need to exert oneself as well as embrace our own nature without fear. Aries modus operandi is by acceleration, physicality and impulse. It tells us that in order for our minds, bodies and spirit to work as one we need to exert ourselves physically — and truthfully, there is a lot of health benefits that one can obtain from physical exercise and liberation through the body. One can help heal and release pent-up emotions or even physical ailments unknown to us, and use them for a better purpose. One emotion that can make us quickly forget fear is anger, and the raw and blood-raising physical state of anger gives us the capacity to act with no hesitation, restraint or regard for consequences (whether for better or for worse).
Traditionally, the Sun has been regarded to anatomically rule both the heart (Leo) and the head, which is Aries. This gives insight into understanding that the significations of the Sun contain both the meaning of heart, purpose and pride (Leo) as well as direction, action and principle (Aries). The Sun is not just the raison d’etre, the muse and creative life force that keeps on giving life and joy and brilliance in what we do, but also the existential fact of the consciousness, the self and the trials, challenges and path we must go through in order to fulfill our purpose; the sense of meaning and transcendence to our existence which is reflected in our choices and actions.
The exaltation of the Sun in Aries, then, represents the latter part of this signification. It is the self in its most basic sense, the oneness that inhabits in every spirit of a human being, the idea of the self, and the reflection of God being succeeded in his own image by the first human or character. From here, the idea of hero's journey can be associated, for Aries represents the individual who steps foot into the world and must become a hero to resolve its own story - it is the act of mustering up the courage, casting away all doubts and focusing on a single idea in order to become and achieve. Unlike with Leo, the sign can only function psychologically exist once there is a world to go out to, forces to with which contend and obstacles to overcome.
With the sign of Aries, one has no doubt and has absolute resolve. It is the power of the will over matter, drawing upon the virtues of valor and heart and acting out these principles. There is a sense of impending danger and urgency, and yet a greater amount of courage and decision. One knows they have to act now or never, needing self-definition. This connection to all-or-nothing, do-or-die mentality is what ties it to the themes of Pluto: the destruction of things in order to be born again. There is always the latent ability in Aries to be reborn, to go back into the depths of the self and give life to one’s core. The downfall to this is absolute stance is the lack of nuance and long term sustainability, which is the reason why the archetype also implies impulsivity, short-sightedness and the immediate and excessive waste of one’s energy and running out of stamina.
The downfalls of Aries are easy to pinpoint: lack of measure, unnecessary aggression, the need to step on others and the kind of person who perceives everything as a threat. The typical Aries can be the man with an inferiority complex that feels the need to show off as a macho, belittling others and trying to establish dominance to make up for low self-esteem; the male who has never felt manly enough on the inside, who feels like his entire value as a person is how much he can physically exert himself over others, typically going to extremes just to prove this, something which gains him no sympathy and some enemies, in which case he becomes the person which others antagonize, then being actual villain that he thought was fighting.
This is related to the common mistake of Aries which is forgetting its code and moral reason, to get too caught up in the thirst of battle and letting the fight become the end itself, letting oneself go to one’s instincts and lower nature, and forgetting the cause. Similar to the other fire signs, it is not particularly intelligent either, suffering from an overly simplistic view of things which lack depth, while also insensitive to others and to feelings in general, which they may regard as "weak" and "unnecessary".
An even darker side of Aries is observed especially with its before mentioned connection to Pluto, and particularly to the Aries point (the first degree of the sign) along with the first decan, ruled by Mars. It’s the turning point of transformation of the zodiac; the point of creation and destruction. Therefore a Plutonic Aries may be the person whose need of self-exertion is so animalistic and raw that it destroys everything other than itself - brutal force that exterminates everything in its way. The need that will never be satisfied until it reaches the ends of the world. It would be the country that is at war and then decides to annihilate the rest; to see the world flatten and become shreds of what it once was, whether out of incalculable amounts of pent up resentment that finally releases or just wanting to see the world burn.
There is the running theme of duel and contention with Aries. Along with Libra, the sign works from the perception of contrasting opposites. If we take the meaning of its ruler, Aries is the instinctual force and energy that overcomes the obstacles that are ahead of us. With its connection to the Sun, it's the relationship between the anima or higher self-consciousness paired against the shadow of the subconscious. It signifies the development of the individual and transformation, the dialogue that occurs constantly between self/other, between conscious/unconscious.
The sign has similarities to the word exaltation itself, representing the pace-gaining process of elevation and of accomplishment; to perception of opportunity and advantage. Similar to it being the beginning of spring, the point where the days start becoming longer than nights - where light starts taking over the darkness - it’s also the solar self gaining control over the saturnine shadow, being the process of evolving and displaying our higher qualities, with the promise of reaching a realm of serenity, wisdom, honor, consciousness, dignity, morality, victory, confidence and self-importance. The solar qualities of Aries are the journey of self-development, of one’s defining core, values and unbreakable principles; the process of integration and resolution of the personality, and the rewards we obtain from facing our fears.
So a typical image of the Arian hero is the one who ventures into a duel against the dark lord or monster that dwells in the caverns. On this level, Aries bestows the ability to become aware of one’s existence, sense of purpose, moral code and the willingness to act upright and with honor, to act as a hero in the names of others, and keep one’s core safe and wearing our heart on our sleeve. To face the challenge no matter how daunting it may seem. It’s the energy that gives us the courage to sacrifice our lives in heroic acts. It’s the brave step we take in order to confront what’s unknown, mysterious and possibly bigger than us, but nevertheless necessary.

Hi there, my name is Jeff, (lol meme), I am running a shadow run game I have modified the setting a bit, so now its basically a sci fi futuristic cyberpunk call of cthulu campaign in the shadow run system and world. I am looking for 2 players to add to the group.
For people who care, the setting is basically, standard shadow run world, but 70 years in the future a bit since standard 5th world stuff. Evo has found a relic on mars, and new races are popping up since its discovery. Some companies have obtained samples of this relic (cthulu based) and do to experiments the world is changing, rifts are opening, occasional corrupt energies are plaguing and changing geography and ecology. As shadow runners, you can expect to go 3 different routes for the story: Gangs and CO, (which is more shadow runny, where you fuck over gangs, and corps), Magic (the cthulu feel, learn of a hidden corp called cerberus, which basically does the SCP shit), AI (a bunch of new tech has been popping up, and people are combining the cthulu magic shit with technomancy, creating new artificial intelligence, plz stop this). Each type of mission gives its own rewards. You would start at street scum level with a lot of karma after gen, and i will integrate your backstory with the game system and world pretty heavily. Talk to me about your character concept, because some corps have changed a bit, and new ones exists.
I would prefer a role playing player, and a power gamer for my two submissions but All players welcome, we are super accommodating and chill, but be prepared for some light character hazing, because they have gone through some shit lol. Must be 18+ do entirely to the grimdark theme of the game, sexual content (sorry upfront, there is totally alot of sexual and gorey themes tied to the cult like activities and i dont want you blindsided by that) foul language (its a shadow run game at heart, so...yeah...fk you chummer!) Lastly, i often use celebrities for important or comedic npcs i introduce.
Oh yeah, my players tried to defend Seattle as best they could, but ultimatly it got nuked by Firewatch, so...dont uh...dont have contacts from seattle if you want to use them lmao.
Private Message me! or comment here!
If you have any questions ask em here!

Hi there, my name is Jeff, (lol meme), I am running a shadow run game I have modified the setting a bit, so now its basically a sci fi futuristic cyberpunk call of cthulu campaign in the shadow run system and world. I am looking for 2 players to add to the group.
For people who care, the setting is basically, standard shadow run world, but 70 years in the future a bit since standard 5th world stuff. Evo has found a relic on mars, and new races are popping up since its discovery. Some companies have obtained samples of this relic (cthulu based) and do to experiments the world is changing, rifts are opening, occasional corrupt energies are plaguing and changing geography and ecology. As shadow runners, you can expect to go 3 different routes for the story: Gangs and CO, (which is more shadow runny, where you fuck over gangs, and corps), Magic (the cthulu feel, learn of a hidden corp called cerberus, which basically does the SCP shit), AI (a bunch of new tech has been popping up, and people are combining the cthulu magic shit with technomancy, creating new artificial intelligence, plz stop this). Each type of mission gives its own rewards. You would start at street scum level with a lot of karma after gen, and i will integrate your backstory with the game system and world pretty heavily. Talk to me about your character concept, because some corps have changed a bit, and new ones exists.
I would prefer a role playing player, and a power gamer for my two submissions but All players welcome, we are super accommodating and chill, but be prepared for some light character hazing, because they have gone through some shit lol. Must be 18+ do entirely to the grimdark theme of the game, sexual content (sorry upfront, there is totally alot of sexual and gorey themes tied to the cult like activities and i dont want you blindsided by that) foul language (its a shadow run game at heart, so...yeah...fk you chummer!) Lastly, i often use celebrities for important or comedic npcs i introduce.
Oh yeah, my players tried to defend Seattle as best they could, but ultimately it got nuked by Firewatch, so...dont uh...dont have contacts from seattle if you want to use them lmao.
Private Message me! or comment here!
If you have any questions ask em here!

Just for folks keeping track, we will be also doing our Pantheralia Fundraiser come July! I heard some people last year asking for more time to get a bit of money together to donate to Panthera, so this is just a reminder if it's helpful!
Hello all, and happy Pride month!
This year we will be rerunning our Liberation Dionysia!
The Liberation Dionysia is a time to honor deities that are seen as patrons of Queer people (or as Queer themselves), the gains made by the Queer Liberation movement, and the fight that continues today.
Here is 2022's announcement, gallery, & winners.
Here is 2023's announcement, gallery, & winners.
Share stories of Queer deities, your art and poetry of them, or depicting how they have supported you. The ritual category is more open, for rituals we may not have but may be interested in using. Please one submissions per category per person, except for rituals, which are unlimited.
Only rule is, anything submitted to prior Dionysias (Lesser, Greater, Autumnal, or Liberation) is ineligible. Show us something new!
The Five Categories:

• Art: Can be physical or digital!
• Poetry: Could be standard poetry, or songs, or hymns and prayers! (If you sing your song, it will be considered Performance!)
• Myth: A myth, retold or new. Can be in any format (play or prose).
• Performance: Dance, drag, or song!
• Ritual: This category will not be voted upon due to its personal nature - this is to submit wedding ceremonies, recognition/dedication/baptism ceremonies, or even just Queer rituals or spells you may have. We'd also love to see your Queer altars! As this isn't voted upon, there can be unlimited submissions by the same individual.

Please email all submissions to [LiberationDionysia@gmail.com](mailto:LiberationDionysia@gmail.com)! Be sure to include how you'd like the work to be titled and how you'd like to be credited (username, real name)
The deadline for submissions is June 27th, Anywhere on Earth! Voting will happen after!
~~~ Our Partners ~~~

• Hellenic Herald
• Hellenism

~~~ FAQ ~~~

• What is a Dionysia?
  • A Dionysia is a Dionysian festival where art (usually literary and dramatic, though increasingly not so) is created. Today, there is the Dionysia Ta Astika, in the Spring, and the Rural Dionysia, in the Fall, both on Tumblr.
• What if I’m not Queer?
  • No worries! Simply standing with us is standing up for us. But, if you have penned a wedding ritual, or even a renaming ceremony or a consecration for yourself after coming to Paganism, that has a value to us.
• How Queer do the submissions need to be?
  • There are no hard limits! The Queerer the better, but if you have something you think fits, please submit!
• What if I’m not a Dionysian, or even a Hellenist?
  • Though this is taking a leaf from the branch of Dionysian Hellenic tradition, it is open to all. If you have a prayer to Hindu deities for tolerance, a story of Queer Celtic deities or a non-religious ritual for self love after transition, by all means share!