I genuinely had no idea the depth this season would have. I just finished my second rewatch, watching edits, and reading people's analyses and metas. Nic was right when she said this season was romance because, wow, I’m speechless at just how much there is to their story. It keeps you going back, thinking, and pondering. To the point that I'm not as mad as I was about them splitting up the season. We're really able to take in these four episodes, unpack each scene, each character, and each expression because everything has been so purposeful.
On my second rewatch, it struck me that it wasn't the kiss that awakened Colin's feelings. I wouldn't have thought so until someone mentioned on twitter it wasn't the kiss Colin has a flashback of before he goes to the ball. it was the scene Pen wraps his hand with a cloth. I rewatched the show after that to pay closer attention and wow did so many things stand out to me the second time around. Maybe it was the candle that sparked that memory, but even then, was her wrapping his wound so significant to him that it prompted him to go to the ball, interrupt her dance, cause a scandal, and then chase her carriage?
Colin's behavior towards her has been odd the entire season. First, Penelope not responding to his letters messed him up. It made him realize that although he's always cherished her as a friend, she had a much more profound impact on him, and he didn’t notice until she was no longer there. He tries to talk to her, but she walks away, giving him the cold shoulder. He is left shook.
He sees her at the ball in her stunning dress. He keeps staring at her, so aware of her, constantly tracking her. Then she leaves, running up the stairs and passing him. He leaves his friends behind to go after her, despite their advice not to concern himself with her. They have that moment where he tells her he misses her, but in a much different way than he would have spoken to her last season or the season before that. "If you're going to make it, say it. I miss you." Not "I missed you," but "I miss you."
This distinction is crucial. "I missed you" implies a past tense, a temporary void that has now been filled. "I miss you," however, conveys a present, ongoing longing. It shows that his feelings are current and that her absence affects him deeply and continuously. This moment is pivotal because it reveals a more vulnerable and sincere side of Colin, one that he hasn't shown to others this season.
Colin is showing a different side of himself to everyone this season, including his own family. He's trying to present a more composed and assertive version of himself to the world. Yet, Penelope is the only one with whom he truly feels comfortable enough to be his genuine self. She makes him feel safe, allowing him to drop the mask he wears for others. With her, he can be kind, sensitive, and unguarded.
This sense of security that Penelope provides is significant. It’s clear that Colin values her presence not just as a friend, but as someone who understands him on a deeper level. She brings out the best in him, the parts he might be afraid to show others for fear of appearing weak or overly sentimental. In Penelope’s presence, Colin feels seen and accepted, which is why his declaration of "I miss you" carries such weight. It’s not just that he misses her company; he misses the person he is when he’s with her.
Then he seeks her out and comes to her house, gives her the big speech, and tells her he wants to get into her good graces. They go out, and he tells her to practice on those gentlemen. When she stumbles over her words, he just smiles so fondly at her. At this point, I don’t think he’s aware of his feelings, but I do believe he's starting to realize just how much he likes her. He really, really likes her. And he missed her so much, and being around her again is literally lifting his spirits.
One of my favorite moments is when they are at the market. Colin brings up the story of when they first met, leaning in and saying, "teasing me. Mercilessly, in fact." When he follows with, "I think I know why," it stands out to me because you can just see how different he is when he's with her compared to anyone else this season. Even with his family, his light is dim, and there is a cloud hanging over him. But with Penelope, especially in this scene, it's like a man who finally saw the sun after being stuck in endless rain. At this moment, I don't think he knows he likes her romantically, but he likes her even more than he did before. He notices how she makes him feel. He loves their banter and how clever and witty she is.
Penelope freaks out when he says this because she thinks she knows, and she keeps on walking. They are momentarily covered from each other by the rugs, and then Colin pops out and continues his sentence. Everything about it is so playful and flirtatious, even if unconsciously at this point. He’s just having so much fun, and it’s very different from how he used to interact with her before. That moment when Penelope says, "I should get back," leaning in and adding, "before we are noticed," is significant.
Then we have the moment when Colin says, "I've been eagerly awaiting your visit." By this point, he’s addicted to her. The interactions they had at the market, especially at the end, left a lasting impression on him. I see this as Colin testing his feelings, wondering, "Let me see if that was a fluke or if I actually like her." This moment is crucial because it reveals Colin's internal struggle and growing realization of his deeper feelings for Penelope. He’s no longer simply enjoying her company as a friend; he’s beginning to seek out her presence because it brings him genuine happiness and comfort.
This shift is evident in his behavior. Colin’s eagerness to see Penelope isn’t driven by a sense of duty or friendship; it’s a personal desire. His anticipation of her visit shows that her company has become something he craves. This is no longer about teaching her anything; he just wants to spend time with her, and you cannot convince me otherwise. Colin knows that teaching Penelope how to attract a husband doesn’t look right, as he mentions to Eloise. He is aware that his actions could be misinterpreted, and yet he persists. This indicates a level of emotional investment that goes beyond mere friendship or mentorship.
When Colin invites Penelope to the Bridgerton house and places a hand on her back, it’s a bold move that borders on scandalous. In the societal context of their time, such an action is highly intimate and could easily lead to gossip and speculation. Colin is well aware of this, which is why his decision to proceed regardless is significant. It shows that he’s starting to prioritize his personal feelings and desires over societal expectations and norms.
In Season 2, when he grabbed her hand and took her into a secluded room, he genuinely saw her as just a friend and didn’t see anything wrong with what he was doing. But this scene is different. Colin is aware that his feelings towards her are changing, and he doesn’t care about the impropriety. He just wants to be alone with Penelope. This awareness marks a turning point in Colin’s emotional journey. He’s beginning to accept that his feelings for Penelope are evolving into something deeper and more romantic.
His actions, such as eagerly awaiting her visit and ensuring they have private moments together, reflect a subconscious desire to explore these feelings further. He wants to understand the depth of his emotions without the interference of others. This need for privacy and his willingness to bend societal rules for her indicate just how significant Penelope has become to him. He values their time together, not just as friends, but as potential romantic partners. Colin’s behavior suggests that he’s on the verge of a profound realization about his true feelings for Penelope, setting the stage for further developments in their relationship.
Then we get to the moment that solidifies for me that he knows to some degree what he feels about her. When Penelope tells him his eyes are beautiful, he is visibly aghast, speechless. Jungshook. The compliment is so unexpected and disarming that he doesn’t know how to respond. Instead, he picks up his lemonade and chugs it down like a man who hasn’t had a drink in days. This reaction is significant because it shows how much Penelope’s words affect him on a deeper level. It’s not just flattery; it’s a moment of genuine vulnerability for Colin, revealing that her opinion of him matters more than he realized.
Now, let’s delve into the moment where I believe he realizes he likes her. I wouldn’t have thought anything of it and rewatched their moments with a different perspective if it weren’t for the flashback. The moment she wraps his hand is so intimate and romantic. She wraps his hand slowly, and he watches her intently as she does. There’s a tenderness in her actions that goes beyond mere care; it’s an unspoken connection. She continues holding his hand and slowly folds it, kind of caressing his fingers. This gesture is filled with unspoken emotions, and Colin feels it deeply.
She looks at him intensely, and he meets her gaze but looks down immediately, starting to fiddle with the end of the cloth like he’s nervous. This moment of eye contact is loaded with significance. Colin’s nervousness is a telltale sign that he’s starting to realize his feelings for her. He doesn’t pull away until she mentions his writing, and he gets overwhelmed. Despite all that, and even though he’s upset she read his journal, he asks, "Will I see you tonight?" This question is crucial. It shows that, despite feeling vulnerable and exposed, he craves her company. He just wants to spend time with her.
Even when he’s upset that she read his journal, his first thought is to secure more time with her. "Will I see you tonight?" is not just a casual question; it’s a plea for connection. Colin’s desire to spend more time with Penelope, even when he’s feeling vulnerable, underscores the depth of his feelings. He’s starting to recognize that his attachment to her is not just about friendship or companionship; it’s something much more profound. This realization sets the stage for the unfolding of his realizations and the emotional journey Colin is about to navigate.
Then the ball happens. Colin looks around the room for her and gives her a sexy smirk when he sees her. This smirk is significant because Colin typically reserves it for women he's flirting with, albeit usually in a fake and uncomfortable manner. However, this is the only time the smirk feels genuine and actually comes off as sexy instead of forced. The flirtatious "Good evening" from Penelope is everything, honestly. When she asks how his hand is, he replies, "All good, thanks to you." Sir, all she did was wrap it with a cloth; please be normal. At this point, he's fully aware he has a crush on her. He no longer views her as he did before. His entire demeanor is so much more different compared to their other lessons. There is an intensity to him when he's talking to her that wasn’t there before.
When Penelope talks with Lord Remington, it’s interesting that "Jealous" by Nick Jonas starts to play now and not after the kiss, when she converses with Lord Debling on many occasions where we know he's jealous. When Pen tells him she enjoyed her time with Lord Remington, he responds, "I'm certain he did as well," and he gets a bit awkward. Someone on Twitter mentioned that when Penelope was flirting and trying to engage with others, Colin wasn't jealous, but the moment she is herself and comfortable, his jealousy kicks in, as we saw in this scene. Someone said he's trying to gatekeep her lmao. He sees her smiling and enjoying herself—a part of herself she only shows him—and he can't handle it. Hence, why I believe they chose to play that song at this moment.
This moment is crucial because it highlights the shift in Colin’s feelings. His smirk, which is usually a façade, becomes real and filled with genuine affection when directed at Penelope. His awkwardness and jealousy when she talks to another man further emphasize that his feelings for her have deepened. Colin is no longer just a friend offering guidance; he’s a man who realizes he has a crush on her and is struggling to navigate these new emotions. The music choice underscores this emotional turmoil, perfectly capturing the internal conflict and realization he is experiencing.
And then everything else proceeds that leads to the kiss. I, like so many others, believed this is where he realizes his feelings for Pen. Someone on Twitter mentioned how his eyebrows furrowed and his lips quivered. When I first saw it, I wondered why this kiss would warrant such a strong reaction from Colin. At this point, it was just a kiss that Pen asked for in a moment where she thinks she is ruined and will never find a prospect. But upon rewatching, Colin's visceral reaction to the kiss, as evidenced by his furrowed eyebrows and quivering lips, suggests a deeper emotional resonance than he initially realizes.
Penelope tells him it would not have to mean anything, but for him but it did. He knows his feelings towards her have changed. If it had been just a kiss because she asked for it, it would have stopped after the first time. Just a fleeting moment of physical contact between friends. But they kiss a second time and it's from his pov this time. It's slow sweet and oh so romantic. It's a catalyst that triggers a flood of suppressed emotions and desires within him. In that brief instant, the walls he's constructed around his heart start to crumble, allowing his true feelings for Penelope to surface. it wasn’t a kiss that awakened his feelings; it was a kiss that confirmed it. And not just confirmed it, it made him realize it wasn't just a crush he developed this season but it brought all his dormant feelings to the surface from the past as well.
TLDR: I think he was aware that he liked her when she wrapped his hand specifically and the kiss made him realize that it wasn't just a crush—his feelings run much, much deeper than that.

Our friend u/Doktorwh10, who has entered multiple contests in the past, suggested the following:

I think a big thing keeping people from doing it is the sense of winning/losing, and not being good enough to compete. But, one of my favorite things about it is just seeing how everyone interprets the same song so differently and seeing what moves they choose for each part of the song.
So what I was thinking was if you've thought about doing like a monthly challenge song instead of a "competition".

And I agree. There's already nothing to win accept bragging rights, so if that's keeping even a single person from entering, that's not the best format for this event. I thought people would see it more as just a fun nothing-competition, but some people might feel intimidated or like they're being judged. It would be better, and dare I say more in the spirit of PLUR, for it to feel like one big collaboration.
Plus, as many of you have probably noticed, I have been struggling to keep up with the current format over the past few months.
So, going forward - including for this month - the "Unofficial Gloving Competition" will be reformatted as

the Monthly Gloving Challenge:

• Every month, any glovers who choose to participate will submit a lightshow to the same song. Same version, same length, everything, no remixes or covers or alternate versions.
  
• Anyone who submits an entry may also submit a song suggestion for the following month (so if you enter in May, you can suggest a song for June). The songs will be voted on in the last week of each month. At the beginning of the submission period, I may sometimes suggest broad themes for the song submissions. Like this month's was "a song that makes you think of late spring / early summer", and I'll definitely be doing "Halloween" for October.
  
• All videos will be compiled into a single edit (assuming any editors have time to do so), which will be used to promote this subreddit and bring more people in. This might include uploading it to Youtube on my channel (which has been un-monetized for over a decade and will remain un-monetized), and/or Youtube Shorts and Tiktok. Please be aware that submitting a video for the challenge will be regarded as consenting to having your video included in these edits - you can opt-out by specifying that in your comments or post title.
  
• Although I will attempt to continue organizing these challenges, if I get busy and disappear again, anyone should feel free to take it upon themselves to organize any of the points explained above. We can all run this challenge together!
  

This month's challenge is "Sunset Jesus" by Avicii. I know the month is 2/3 of the way done, but I figure it's better than skipping this month entirely.

11/20/2017
Log book of Det. Ryan Snow
Case #2798: The Appalachian Murders
The past couple of days are events I pray no one else ever has to go through what Kate and I had. I had her and Mr. Raines cleared of all charges, having found the proof we all needed to end this case and find the true killer. Kate no longer has to go into witness protection and I had given the police a good enough lie to keep myself from looking insane in the eyes of my co-workers. I know no one will ever know the true story or believe it, but I’m writing it out here. It at least needs to be known written somewhere. Even if my and Kate’s eyes are the only ones that will ever read it written out and forever imprinted in our memories.
The morning Kate had run off to the mountains on her own, I had made my way to the Blackwell home where I was immediately met with Mr. Blackwell charging at me and wrapping his large hands around my neck. He was shaking me and blaming me for getting his daughter killed and not doing more to keep her safe. The police who had been called to examine the scene and read Kate’s letter had to sedate Mr. Blackwell to get him off of me, lying him down on the couch, his head resting on Mrs. Blackwell’s legs. Though the woman was distraught and begging the police to bring her daughter back, she still took the time to shoot that cold, death glare my way. The ice in my chest growing. I couldn’t tell these people that this thing had come after me to get to Kate. I knew it wouldn’t change anything. If anything they’d hate me even more for keeping it to myself.
The sheriff was there and he pulled me away from eye sight of the Blackwells, trying to tell me that this wasn’t my fault. But I couldn’t help but blame myself. I should have done everything I could to keep Kate as far from those mountains as possible.
There were no signs of a struggle in Kate’s room and the letter was definitely written in her hand writing. Her father’s rifle missing from the study, a backpack and some food and supplies gone as well. She had only grabbed one set of clothes from her drawers, showing she did indeed have plans on returning after only one night in the mountains to confront whoever or whatever the killer was.
I told the sheriff to keep any police from going up to the mountains without first allowing me to go up there first to find Kate. He of course argued, telling me that he couldn’t break protocol based on any hunches I may have had. However, I told him that I could get Kate back without her putting up much of a fight, whereas she may struggle with a group of cops who didn’t understand the situation she was in. I was close enough to this case to have built a trust with her after all. I was mentioned in her letter about ending this case for me.
It took a good hour to get the sheriff to eye the Blackwells, Mr. Blackwell beginning to stir from his sleep, and allow me to go to the mountains to find Kate. He didn’t bother to call off the search to the police that had already begun making their way to the mountains, but did radio to tell them to not try getting Kate home without first allowing me to speak to her. He then gave me twenty-four hours to find her to which I told him I’d only need at most ten.
Without telling him about the disturbing scratches on my car, I sped to the mountains, taking the same path Kate had that day she took her friends on their trip. The route, as the sun began to rise was scenic. A drive that may have been a sign of a bright future ahead with a beautiful week in the mountains of nothing but nature, was now a reddening sky of horror. I couldn’t understand how Kate felt, going down the same roads that led to her only friends’ fates to avenge them, but the feeling of guilt did weigh heavy on my chest as I saw the signs of the Appalachian Mountain trails grow bigger on the horizon. Guilt for not doing more to prove Kate was innocent, for allowing Mrs. Mayfield for getting killed right before my very eyes, and for Liam for not being lucky enough to save him.
When I finally arrived to the cabin, there didn’t seem to be any change since the first day I was called to the crime scene, the only thing out of place being Mr. Blackwell’s truck parked precariously near the cabin. The police tape was still up, the cars of Kate and Mr. Woolfe still left where they were, the tires still slashed, the door wide open from when Kate, Ms. Greymoore, and Mr. Woolfe ran out of the cabin upon Mr. Billings was killed by an unknown force. All the bodies had been found and were now being prepared by their families to be buried or cremated. Only one body of the five still roaming around to avenge each and every one of their deaths.
I called out for Kate as I made my way into the cabin. The Ouija board was still on the coffee table, the white line of where Mr. Billings had been found lying face first on the floor with his head bashed open remained on the spot. The planchette was still missing. I kept calling out for Kate as I made my way up to the attic, the door left unlocked, using my flashlight to shine down on the white outline where Mr. Steele had been found completely torn apart. To think Kate had done such a thing, I now realize made me look like a complete dumb ass for believing it.
When I couldn’t find Kate in the cabin, I made my way out the cabin, still calling for her. I called out to her, promising that she just needed to come back home with me and we could solve the murders together. I knew it was a lie and that the sheriff would immediately have her take away to some secluded place where the killer couldn’t find her, but it was all I could think of to try luring her out to meet me. Still, she never appeared.
The sun was soon beginning to set as I tried retracing the very steps Kate and Ms. Greymoore had taken to outrun the killer. I had passed the small shrine of flowers and the pictures of Mr. Woolfe where the boy had been found, his face permanently remaining nineteen forever in the photos of him with Kate and their friends. I kept going, trying my best to follow the same path to the cliff where Ms. Greymoore was found, calling for Kate along the way.
It wasn’t until I found the place Kate had buried her best friend that I found Kate. She was on her knees before the rock where she left her bloody handprint, sniffing as her head was lowered, her dad’s rifle in her hands.
“Ms. Blackwell-“ I began as I took a step toward her. I was immediately cut off as Kate jumped to her feet, raising her father’s rifle at my head. I jolted back, raising my hands up to show her I meant no harm to her. “Ms. Blackwell, it’s me, Det. Snow!”
“Detective…?” She gasped, slightly lowering the rifle, but keeping it on me. “P-Prove it!”
“I’m sorry?” I asked, raising an eyebrow.
“I… I thought I saw Sonja…” Kate breathed between tears, the rifle shaking in her hands, “it… It was wearing her face… It had her voice… How… H-How do I know you’re really Det. Snow?”
“You… Saw Sonja?” I asked as gently as I could with a terrified woman pointing a gun my way. “She spoke to you?”
“Prove you’re Det. Snow!” Kate demanded as she stilled her arms, readying the rifle as she pointed straight between my eyes.
“Alright! Alright!” I kept my hands up, backing up slightly as I tried thinking of how I could prove to her I was really me. “I… I, ah… I have… Had a brother… We went to get ice cream together once and… I dropped a dime and went to grab it… I was five… I followed it out to the road and despite how trafficked it was, I didn’t get hit. I grabbed the dime just as a truck was speeding my way and it swerved just before hitting me… Seeing how close I was to death, I dropped the dime and it rolled into the sewer. My brother called me Lucky Dime since then… Saying the dime was lost to me because it did its job in protecting me… I haven’t seen my brother since I was seven and I haven’t spoken to my parents in…” I looked at my watch. “Five years… No one else calls me Lucky Dime… Not even the people at the station know that was my nickname.”
With this, Kate lowered the rifle, her eyes softening from her furious fear to a more melancholy terror. She looked to Ms. Greymoore’s grave marker, her hand print just barely visible In the approaching darkness.
“It… It looked just… Like her…” She sniffed, “it had her voice… Why did it have her voice… Why did it look like her…?”
“Ms. Blackwell,” I soothed, relaxing now that there was no weapon in my face, “we need to head back, your parents are worried about you and the police are looking for-“
“I can’t go back yet!” She snapped at me as she spun to look at me, tears in her eyes. “That thing is still out there and will kill again unless I end it!” She held up her dad’s rifle as if to show me how she meant to “end it.” “I’m not leaving until I end that… Thing that had the balls to wear Sonja’s face and have her voice!”
“Ms. Blackwell, we will catch the killer, I promise, but right now, we need to get you home before your dad ends up killing a police officer for keeping him from looking for you.”
“I told him in my letter I’d be back tomorrow! I’m twenty-years-old, he can’t force me back home if I don’t want to! I just want to stop this thing before it-“
A howling in the distance cut Kate off. Coyote from what I could hear. If I couldn’t get Kate home, I’d have to get her somewhere safe. I turned to begin talking her down and taking her to one of the other two cabins for shelter. However, when I looked back at her, her face had turned to a bone chilling terror I’d never seen on a person before. She looked like hunted prey that had been found by its predator. She gripped her dad’s rifle to her chest tightly, her hand reaching for the trigger.
“Ms. Blackwell, it’s just a pack of coyote,” I tried telling her calmly, “let’s get to one of the other cabins and-“
“No, no, no,” She stopped me as she stepped back, looking around for where the howling was coming from, “I… Heard that same howling just before I saw Sonja! I thought it was far away, but she… She was right in front of me… She… Something was off, but it looked just like her!”
“Ms. Blackwell, you didn’t see Sonja,” I assured her, “I don’t know what you think you saw, but it wasn’t-“
“Lucky… Dime…”
I froze. My blood turned to ice. The fear on Kate’s face grew as she began backing away, her back hitting the grave marker. I spun around to see a figure in the darkness limp toward us, a scratched and garbled familiar voice coming from it.
“Lucky… Dime…” It wheezed, “You brought her… Back… Give her… To me…”
I whipped out my gun, pointing it at this thing that had his voice. I stepped back to stand directly between this thing and Kate.
“Stay back!” I demanded. “Don’t come any closer!”
“Lucky… Di-“
“Shut up! Stop calling me that! Who are you? Not another step or I’ll shoot!”
The thing stopped limping toward us, its body shuddering in place as it stared us down. I took the safety off of my Glock, ready to blow this thing’s head off if it got any closer or even dared using that voice on me again.
“Kate…” It turned its attention to Kate, a completely different voice coming from it, another male’s voice. “Kate… I’m cold…”
“J-Jasper…” Kate began to sob, “Please, stop using their voices… Please stop!”
“Kate… Kate why did… Did you leave me…?” Another male voice asked. “I… I was in so much… Pain…”
“Shut up!” Kate cried out.
“I thought we… Were friends… Kate…” A female voice. “You said you… Loved me… Why won’t… You let me have… Your warmth…?”
“I said shut up!” Kate screamed as she pointed her rifle and shooting at the creature. She had missed, but the thing still let out an ear piercing shriek as it dodged out of the way of the bullets Kate was shooting. It ran off into the darkness, but Kate kept pulling the trigger of her rifle.
“Stop!” I shouted as I snatched the barrel of her rifle, shoving it to the ground before us. “It’s gone, you scared it off, get to the cabins, I’m right here with you!”
I began shoving Kate back toward where the cabins were, the sounds of that thing screaming out in a symphony of different voices ringing out throughout the woods. I shoved Kate into the first cabin we had arrived to, Cabin #1 I could only assume as I slammed the door shut behind us. It smelled God awful, like the smell of the corpse I found on my first murder case, and it was getting darker as the sun began to sink behind the trees outside.
“Detective, it smell terrible in here!” Kate cried out, covering her mouth and nose, but the tears still falling from her eyes were still visible as they rolled down her cheeks.
I pulled her close and kept her behind me as I took my gun and flashlight out. “Stay close to me,” I ordered, leading the way through the cabin, “do not run off or use that rifle without may say so, understood?”
Kate didn’t answer, but I could feel the heat from her body following after me as I made my toward the smell. It was getting worse as we inched closer to a closet door in a hallway that connected the living room to the kitchen. The door was locked, but after a couple of kicks I was able to get the door to swing open, the smell blasting us in our faces making us gag and nearly throw up on the floor. I fumbled around the sides inside the room to find a light switch that I was able to find to the side of the entryway. A yellow light flickered on, revealing the door led to a staircase. I led the way down the creaking steps, Kate close by as she kept her mouth covered with her shirt.
Once we had made our way to the bottom, Kate dropped her dad’s rifle and let out a scream as we stared at what was waiting for us at the bottom of the steps. In a large pile at the corner of this basement room were nothing but skin and bones of humans and animals covered in maggots and flies. Some of the human bodies being small and child-like in size. The missing people who were never found after vanishing when they came to Cabin #2.
I grabbed Kate’s rifle off the floor and began pushing her back up the stairs, her screaming and sobbing all the way back up to the cabin. I slammed the door shut behind us and pushed Kate to the front door.
“We need to leave,” I had told her, trying to calm her down as we made it outside, “we need to get you home and away from here as soon as possible.”
“N-No… No!” She began fighting me, trying to escape my grasp on her. “No! That… That thing is still out there! You saw it! You can’t say you don’t believe me now! It even called you Lucky Dime! It said you brought me back!”
“I’m not saying I don’t believe you!” I shot back. “I do, I saw exactly what you saw, but it’s way too dangerous for you to be out here while you’re the one it’s after!”
“I escaped it once, I can do it again!” Kate pointed out as she struggled against me while I tried getting her into my car. “I’m not running away this time, I want to kill it!”
“God damn it, Blackwell, we’ll let the police handle it! Just because you have a weapon doesn’t make you safe or ready to handle something like… Like that… That thing!”
“It killed my friends! It wants me! I’m going straight to it so I can blow its head off! It’ll come right for me!”
“I came here to bring you back home, not let you accomplish some stupid ass revenge plot! Get in the fucking car, unless you want to end up like those bodies down that-“
“D… De… Detect… Detective…”
A scratched and moaning voice cut me off. Kate and I both froze at the sound of something approaching. I turned to see a police officer stagger toward us from the tree line. I could barely tell who he was or who he used to be, his head held low and blue uniform covered in blood.
“H… Hel… Hel… Help… Help me…" It croaked as it stumbled closer.
I held up Kate's rifle. "Stay back!" I barked. "Not another step!"
The thing that stood before us wearing the cop like a full-bodied suit stopped in place. It swayed where it stood, blood water falling from its head and down to its chest.
"It… It… It's inside… Inside me…" It breathed painfully. "I… I can't… Help… Me…" Its voice then changed to that familiar voice that made my skin crawl. "Lucky… Dime… I… I'm so… Hungry… Give her… To… Me…"
I pulled the trigger of the rifle, hitting the creature in the head, the rest of it staggering backward from the blow. Still though, it remained on its feet, turning itself to look toward us once again.
"Give… Her… To… Me…" It wheeze, blood and brain pouring from where I had shot it, it beginning to stumble toward us once again. I continued shooting, hitting it in the shoulder, the arm, the leg, the head again, but it just kept coming toward us faster, demanding I give Kate to it.
I was about ready to ram it with the rifle, having run out of bullets, when a voice off in the distance made the creature freeze just an inch before us.
"I'm here! I'm here!" It called out in an almost sing-songy way, using the voice of a little girl. "I'm here! I'm here!"
"I'm… Here…" The creature repeated as it jerked its body to look to where the voice was coming from. "I'm here… I'm here… I'm here! I'm here! I'm here!" It began shrieking in a high pitch wail. It sounded like a mixture of different voices ranging from child, to woman, to man. Keeping flat on its feet, its upper body fell forward onto its hands before speedily crawling off like a spider.
We stood in shaking silence for a moment, Kate digging her fingers into my arm while I was too numb from shock to care about the pain she was unknowingly inflicting. It wasn’t until the radio from my car buzzed to life that jolted us back to whatever reality was at this point. I scrambled to the driver’s side, swinging the door open as I fell inside to grab the intercom to respond to the voice yelling for me over the receiver.
“Det. Snow, what the hell is going on up there?” The sheriff’s scratched voice called out over the receiver when I could barely get my name out of my mouth.
“Sh-Sh-Sheriff…?” Was all I could respond with, still trying to wrap my head around what I had just seen.
“Y-Y-Yeah,” he responded in mock shudder, “what the hell is going on up there? I’ve tried radioing every man I’ve got up there and am constantly being left on red! Do I need to send back-up?”
“No!” Immediately, I returned to full reality, finally understanding the severity of the moment and putting that knowledge into my tone. “Landon, do not send any more men up here, call everyone back immediately! I don’t know what this thing is, but it’s too dangerous! Call everyone back, we’re heading back to the Blackwell house now!”
“We?” The sheriff questioned, skepticism in his voice.
“I found Ms. Blackwell, she’s here with me.”
I was met with statice before the voice of Mr. Blackwell blasted over the intercom.
“Bring my daughter home, right now, you son of a bitch!” Mr. Blackwell demanded. “You bring her home this instant before I decide to kick your teeth in!”
I opened my mouth to respond, but the radio was snatched from my hand from Kate. “I’m not coming home until I kill this thing!” She snapped into the radio. “I don’t know what it is, but I at least know I’m not crazy and that it needs to die before it kills anyone else!”
I grabbed the radio from Kate’s hand, beginning to tell her off when a agonized scream erupted from the intercom. I dropped the radio to cover my ears as Kate did, the scream piercing from my car to throughout the forest around us. The voice screaming and crying for help sounded male and it seemed to echo all around us.
“GIVE HER TO ME, YOU SON OF A BITCH!” A mix of the screaming voice and Mr. Blackwell’s hissed out after a good five minutes of screaming before the radio short-circuited and puffs of smoke flowed out.
After allowing my ears to adjust to the sudden silence, I grabbed the radio once again and tried calling for the sheriff, for the cops with us in the mountains, for anyone. When I was met with more silence, I slammed the radio back down on the holder and cursed loudly, hitting the wheel as if it were the source of all my problems.
After a moment to take some deep breaths, I told Kate to get in the car as I placed her rifle in the back seat.
“Didn’t you hear me?” she shot back. “I’m not-“
“Damn it, Blackwell, we have no idea what we’re dealing with, it can mimic peoples’ voices, and it just ran off like a fucking black widow!” I snapped, stepping out of the driver’s seat to glare down at her. “The last thing I’m doing to leaving you here alone and I’m not staying here another second until I can wrap my head around what the fuck I just saw! So, you either get yourself killed out here while I try talking you down this hero complex high, or you’re going to do what I say and get in the damn car!”
We stood in heated silence, glaring each other down before Kate huffed and stormed over to the passenger side of my car and slamming the door shut as she climbed in. I jumped in after her and began driving away from this nutty nightmare I had found myself in.
We drove down the trail back to civilization in silence, Kate staring out the window and trying to keep her tearful sniffs quiet. I had finally begun calming down and was starting to feel bad for snapping at her. She had only gone there to avenge her friends by killing that thing that had most likely killed a whole bunch of cops to find her. However, I still couldn’t just let her stay to hunt it and I didn’t want to stay out in those mountains with some kind of creature that could take the form and voice of someone I knew. I still couldn’t understand what is was I had even seen.
“Wendigo,” Kate whispered, breaking the silence in the car first. She had said it as if she had just remembered something important.
“What?”
“A Wendigo,” She repeated, turning to look to me with wide scared eyes, “that’s what that thing is! It’s a Wendigo!”
“Slow down, what’s a Wendigo?”
“It’s… Oh, just forget it! You wouldn’t believe me anyway.”
“Ms. Blackwell, I just saw a cop being used as a puppet and then run off at inhuman speed on all fours; I doubt I’m not going to believe a single word that comes out of your mouth now. What’s a Wendigo?”
Kate eyed me for a moment before releasing some of the tension from her face as she took a deep breath and began explaining to me. “They’re a Native American myth; it’s believed they’re the spirits of people who would lose themselves in the woods and would end up eating other people to satiate their hunger. I think that’s what that thing is. They can mimic the voices of people who died and use it to lure people to them, they can take the form of that person too.”
“Why does it want female hearts?” I asked, not realizing I had yet told her what my mysterious caller kept asking for when they called me.
“It… It wants my heart?” she asked shakily.
I cursed to myself before letting out a frustrated sigh. “I think this thing wants hearts, but it only wants female hearts. Why? I don’t know yet. But the only other person to be found after killing someone in those cabins was found with his partner’s heart missing to which he was blamed for taking out of her. Recently, I’ve been getting calls from some… Thing wanting me to bring you back here so it could take something from you. It would have taken Ms. Greymoore’s, but you hid her well enough that only the police could find her in time. Now, I’ve been getting calls asking for you and to get something from you.”
Kate looked to me in shock before a wave of guilt twisted her face in pain. “I… I’m so, so… So sorry, Detective!” She cried out. “I… I had… I had no idea you were being… Harassed by it! Had I known it wanted me back and was demanding you brought me here, I never… I didn’t… That’s why it said you brought me back! Oh, I’m such an idiot!” She pressed her hands to her face, grabbing at her hair between her fingers and tightening them around her eyes.
“No, no, no, stop, stop that!” I ordered, screeching the car to a halt, having to bring it to a crooked stop so I could stop her from hurting herself. I snatched her arms from her head and pinned them to her lap, tears flooding her face. “It’s my fault for not telling you sooner! I was too focused on trying to solve this case with the most efficient evidence I could, but that just kept me looking to you as a suspect. I should have stopped thinking you were the killer the moment I got that first call. There’s no way any of us could have seen… This coming… Except people who probably already believe in that kind of stuff or don’t stop to assume a more rational explanation like a cult… I’m… I’m sorry. But, I won’t let it take anything from you, not anymore. I’m going to get you home and then I’ll deal with this with the rest of the police department. You don’t have to deal with this thing anymore, it’ll be my burden from now on. You need time to finally get some rest and mourn your friends with your and their families. It’s already fucked your life up enough, I won’t let it go on making it worse.”
I stopped her before she could argue with me with a wave of my hand. “Your friends’ deaths shouldn’t be your burden to handle. I know you want to be the one who kills that thing and do right by them, but that’s not what they would want. They’d want you to remember them and continue living. They know you didn’t do it, so stop blaming yourself and stop acting like you’re the one who has to make it up to them. I will put an end to this die trying, but you need to go home and be with people who are happy you still get to live.”
Kate looked down at her hands that I kept down on her lap before nodding weakly and letting out a broken “okay.”
“Good, now let’s get you home before-“
My words were cut off when the honk of a car barreling toward us echoed through the woods. The headlights were fast approaching and I barely had time to grab the gear shift to put us back in drive as the other vehicle hit us, forcing us back and forth in one violent motion. It took me a moment to check myself to be sure I hadn’t hit my head on anything or got whiplash from the crash before I immediately returned my full attention to Kate who was kneeling over holding her head. I gently grabbed her shoulder and pulled her up to examine her head. It didn’t appear to have been busted and bleeding, but she was holding the front side of her forehead.
“Are you okay?” I asked her, prying her hand away from the spot on her forehead, seeing that it was beginning to bruise. “Can you hear me? Blink twice if you can understand me!”
“I… I’m f-fine…” she mumbled as she looked to her hand to check if there was blood on her palm, “I… I think I just… Hit… Hit the w-window…” She then blinked twice in my direction before looking to the car that had rammed us.
I turned my attention as well to the car to see it was a police van, it’s front crushed into the left of my front. I quickly jumped out my vehicle and stormed to the van, yelling at who ever was driving the van to come out and explain what the hell they were doing.
The driver’s side of the van swung open once I was near enough and a man in an orange jumpsuit climbed out, staring familiar daggers at me. The moment realization set in, my mixed emotions of confusion, frustration, and fear turned to fury.
It was Leighton Raines.
“Jesus, you really are a shitty detective.” Was all he said to me before reaching into the can and retrieving a rifle out from the passenger seat.
[END OF PART 1]
Part 6

I will first preface this by saying I’m not a military historian. I’m just a guy who likes history and shooty shooty bang bang.
Victoria 3’s war system sucks, and this isn’t a controversial opinion. Hell, this was probably the most talked about subject at V3’s launch.
But it doesn’t just suck because it’s clunky. It sucks because it’s ahistorical.
Let’s take the Franco-Prussian war into account, which ended the second French Empire.
Manoeuvre and management in the Victorian time period was ESSENTIAL. An army which was mismanaged died. An army which moved slowly was doomed. This was made clear due to France’s inability to even retreat from the Prussians’ assault.
At Mars-la-Tour, the second Prussian army was sent on harassment, assuming there would be a French army in front of them to harass. They ended up getting the brunt of a retreating force of the 3rd Corps. This is where the importance of officers should be represented in Victoria 3.
Despite the Prussian army being outnumbered and unprepared, the officer in command of the 3rd Corps, Marshal Brazaine, was killed when he attempted to be in the centre of the battle’s heat. (Go watch The Armchair Historian’s video on the Franco-Prussian war if you haven’t, this is what inspired my rant.)
Brazaine dies, and the army is absolutely fucked. Royally, one might say, because the French officers could not act on their own accord effectively- I.E, they weren’t self sustaining. France could order around and have their wants executed perfectly if it were possible, yet the Prussians were able to favour results over obedience- skill over submission.
Victoria 3 royally screws itself when it comes to this. In Victoria 3, there’s only a few factors affecting battles in meaningful ways; unit average stats, morale/organisation, and the number of units. Cohesion? Who cares! This completely misunderstands warfare. Officers who can think for themselves are insanely valuable, and having effective and good quality officers in your chain of command will immensely affect the outcome of a battle. No matter how good a general is, if his officers cannot react to situations that were unaccounted for, he will fail.
This is why there should, at the least, be an officer rework. A discipline effect much like EU4. A combination between law and training types.
Officers should have a specialised slider of ‘Free-thinking’ to ‘Rigid-thinking’. A free thinking officer will give combat bonuses, like better attack/defence and better conservation of morale, with the semi-downside that they may take a poor decision and end up screwing the battle (shortening the time it may take for your army’s battle effect- mud, lost, etc- to change) which would also represent that they can just as easily reverse the situation either by luck or by skill. A rigid thinking officer however should give bonuses to organisation (maybe an organisation bonus for having it go over 100% to encourage this option) and also decreasing the wages of officers, alongside maybe a bonus to defensiveness- though, to represent the fact that these officers will not be as reactive to situations, the time it takes for your battle effect to change should be lengthened, again a double edged sword.
Alongside that, the education of your officers should be changed as well. This is where I believe a law should be added, ‘officer specifications’. Likely, with three or four options. Aristocratic officers, nobles or tribal war-chiefs, which would give obvious debuffs due to nepotism, and cause generals of the landowners to appear much more often. Professional officers, educated in war schools and proper tactics, activating an institution where at higher levels you get bonuses, like organisation buffs or improved stats on your military units, and making generals of the armed forces more common. And thirdly, a ‘voted officership’ option, theorised in communist ideologies to ‘equalise the military’- which would debuff organisation but boost morale and morale recovery in troops, alongside similarly activating the war schools mechanic, but also buffing the trade union’s clout.
Also, there should be certain events that can happen during battles, either excellent or catastrophic, which would be extremely rare- a general being killed and org in his units commanded taking a dive, the enemy having a communications error and leaving a gap wide open (which can also happen to the player), or an officesoldier doing a heroic act and boosting morale army-wide.
Now onto manoeuvre. Cartography. Going back to my basis of the Franco-Prussian war, we know Prussian maps were top-tier. So I propose an external edict, one which you can do outside your own states, the ‘Survey Land’ edict. This, over time, will give you bonuses when fighting in the state you put it in, and make the player feel much more like a mastermind of strategy when the path planned is used by the AI thanks to clever edict placement.
And also, the direction your army goes could be made considerably more nuanced. Imagine you have two balls on ropes attached to the ceiling, like a newton’s cradle. They hit one another, and send their partner off in one direction- a retreat. If one ball is much heavier than the other, it will follow through and chase the lighter ball, otherwise both will head back to ‘recover’. The balls will also end up heading in different directions eventually, hitting each other until all momentum is lost (manpower or morale) and they come to a rest, until someone pulls them back again.
This is why a momentum mechanic should be added. Designate where you want your momentum to go, and your general will do their best to move toward it- on a provincial scale. Yes, it adds some tedium, but you’re not at least giving direct orders to divisions like HOI4. Plus, if you decide to do this, the rest of the front may weaken, represented maybe by a red border- which your enemy may take advantage of.
This makes sense, as an army will be more effective on an area where they’ve been concentrated. It also adds satisfaction for the player, as not only have they made a path with maps, they’ve also directed their army to break through, culminating their organisational skills like a good little Victorian spirit of the nation.
Thanks for coming to my TedTalk.

I feel like I’m probably an IEE. I naturally look at other’s perspectives and potentials and love creating close one on one relations. But I’m not the best at impromptu and thinking on my feet. Usually because I don’t want to come off as stupid or incompetent. But this has actually got me typed as an ISTP before in MBTI, specifically in the Beebian model (with Ne trickster). But I can’t really relate to it. I’m very open minded and love hearing peoples opinions and stances on things without needing a stance of my own. I’m very free spirited doing whatever comes to mind in the moment. I am a fairly quiet person but very expressive in my moods (but I can also be pretty stoic as well, depends on the situation)
I have considered SEI but a few things that don’t make sense is the fact that I’m horrible at making things aesthetically pleasing. I’m on Pinterest a lot trying to figure out where to put up the family pictures that have been in a box for over a month because I don’t know where to put them lol (we just bought a house last month). I hate cooking, I see it as pointless (you spend about an hour of your time to eat for 10 minutes and it’s gone) I eat because I have to most the time. I do, however have a pretty strong internal clock for when I need to go to bed. Since I was a little girl I’ve always fallen asleep around 9pm no matter where I’m at… I mean, there’s been exceptions but it’s pretty consistent.. I always want to wake up super early though as I get most my work done in the morning so I’m usually up by like 3am most days. And I can’t for the life of me nap during the day. I can’t work night shifts because of this.
I do think I fit better in the Delta Quadra as well. I believe in independence (I’m very free spirited) and working on your skills to grow and develop. I believe there’s always something you can learn in every situation.
When it comes to clarity seeking vs integrity seeking: I think things need to make sense but it depends on so many factors and there’s never a one size fits all. I do believe in giving everyone a chance and the benefit of the doubt. Everyone is interesting and comes with their own story/perspective, and I really enjoy getting to know people.
I considered EII but one thing what doesn’t make sense is the fact that I can push myself without much trouble to do things for example I joined the military (without any outside influence) at 18 because I wanted to travel and was in for over 10 years, there I met my husband and one day we talked about selling most of our stuff and living in an RV, and I got that ball rolling very quickly after doing tons of research into it and 2 month after the discussion we were living in an RV. We did that for almost 5 years. It was such a blast!
But I don’t see myself as Se valuing because I hate hierarchy and competition I don’t care to be better at anything to anyone I just follow my interests and live and let live. As a supervisor I’m very egalitarian and I avoid conflict as much as possible. My goals change all the time depending on the situations I find myself in.
I just started my journey with socionics so im not sure if all this stuff is type related or if I’m completely off.

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Gosling plays seasoned stunt maestro Colt Seavers, utterly unafraid of any physical challenges, self-effacingly doubling for insufferably conceited star Tom Ryder (Aaron Taylor-Johnson), who outrageously claims to do all his own stunts. Colt is having a passionate affair with beautiful, talented camera operator Jody Moreno (Blunt), but when he is involved in a catastrophic and career-ending failed stunt, he is overwhelmed with macho shame, thinking the accident was his fault because his infatuation with Jody made him take his eye off the ball. Colt self-pityingly disappears from view during physical rehab and cuts off all contact with Jody, who is deeply hurt. But then hard-faced producer Gail (Hannah Waddingham) persuades him to come back to work on Jody’s first film as a director, a sci-fi epic starring Ryder as a space cowboy doing an awful sub-Matthew-McConaughey Texas accent. Gail claims that Jody herself wanted him – but she and the unspeakable Ryder have their own wicked plans in mind.
David Leitch started as a stunt double, working with actors like Brad Pitt, Jean-Claude Van Damme, Matt Damon, and many more. His directorial debut was a little film called “John Wick,” and he parlayed that success into films like “Atomic Blonde” and “Bullet Train.” He returns to his roots in “Back to Black,” inspired by the Lee Majors show of the same name about a Hollywood stuntman who happened to also be a bounty hunter. Little narrative DNA is shared with the show beyond a profession and a name, but the 2024 “Back to Black” does have the general tone of ‘80s television in the way it blends a bit of humor, romance, mystery, and action into the mix, willing to drop references to the action stars that inspired it while also carving out its own personality.

Wilfried Nancy

“They can do it. It's true that last year I didn't like the spirit that when we were playing away - it was not the same spirit. It was not the same in the beginning. Towards the middle of the year and end of the year, we were good.”
“Now, they try to play their game home or away. This is something that for me this is growth. This is something that has been better.”
"We miss Cucho because Cucho on the pitch is going to bring something special. This is a collective sport, and I like the chemistry of the players. I like the dynamic that we have. ... This is the second year we've been together, so this is coherent. That's why I'm not surprised with what they do."
“Listen, this is soccer. I'm not saying that I expect the opposition is going to be kind with us. This is not the topic. We can face an opposition and it can be ugly. I have no problem with that because this is football, but they have to better protect the players in general."

Jacen Russell-Rowe

“Everybody on the front line has something different. Whether it's Christian, he's so smart and so experienced, and he helps control the front line. I think that very much helps. And then, the rest of us, we all bring our own qualities, so it's about being yourself out there. Because I say it's not possible to be exactly what Cucho brings."
“I remember Malte [Amundsen] having the ball out wide and I was just kind of checking my shoulders making sure I was in the right space, and I felt like that ball was going to come to me next. And then it was just about, like getting a good first touch which I had, and then the goal is I just felt like going high, first post, and taking the chance there.”

Christian Ramirez

"While he's out, it's not just one person that has to pick it up. It's a collective thing. We want Cucho back healthy and as soon as possible. He knows that. He asked me to score tonight for him, so that's why I did the celebration that I did."
"I think every guy in the locker room is taking care of their body, doing all the extra stuff that we're being asked to do to recover and prepare. We have a natural week building up to Orlando to properly train."

(posted this in a different subreddit earlier)
The year is 2024, and things are not looking good for the Democrats.
Joe Biden is constantly plagued by infighting within his ranks. The Democratic Party, in addition to being hamstrung by institutions that are by nature biased towards conservatives, like the innate design of the Senate, and the conservative makeup of the Supreme Court, are constantly struggling with infighting by the purist far-left, and the impotent center. On one side, they are dealing with an increasingly irrational “far-left” that refuses to the see the bigger picture of defeating Trump, as well as dealing with a middling center that frequently resorts to “both-sideism” and shrugs their shoulders instead of calling out the clear threat of Republican rule. On top of that, the Democrats have been OBSESSED with decorum, following the rules, ALWAYS compromising, and holding their members to higher standards as Republicans refuse to do so. Do you see the Republicans compromising? Following norms? Nope. The Republican apparatus, from Mitch McConnell to the fringes of the Freedom Caucus, are constantly moving in lockstep, pushing their right-wing vision through the finish line. Some, like political scientist David Faris, argue that Democrats must realize that "It's Time to Fight Dirty", after years of pussyfooting around, finally, at long last? It's as the old saying goes, “Democrats fall in love, Republicans fall in line”. It’s a situation worthy of a Greek Tragedy….
….Or is it?
Because if you speak to the average Republican voter, they will absolutely not agree with what I wrote above. Rather, it is the Democrats who are enacting win after win, and getting their left-wing agenda through their finish line while the middling Republicans trip over their shoelaces. Left-wing activists, like Rudi Dutschke, have conducted a Long March Through The Institutions, like a nation proudly marching through the battlefield and conquering their enemies. The liberals control everything.The culture. The education system. The legal system. The youth. Republicans have lost the Culture War, a war that men like Chris Rufo argue that the Right barely even attempted to fight as the Radical Left had their eyes on the ball, onwards through the battlefield. Marching on. The Left has always possessed a machiavellian spirit, and an ironclad grip on every avenue that we as Americans hold dear. Men like Jon Askonas, looking at the rubble of conservatism, ponder "Why Conservatism Failed". That’s how much the Left has won! The ideology of Conservatism itself is DEAD! Meanwhile, the conservative movement, or shall I say, Conservatism Inc., is obsessed with maintaining tired platitudes about “small government” and “low taxes” as Democrats are focused on controlling every inch of the American body. Conservatives aren’t winning, they are impotently flailing. Pathetic.
Does that really make sense? Are both the political right and the political left united in lockstep, but weak and plagued with endless infighting? Can both sides be obsessed with playing the rules and compromising, but also be steadfastly seizing control of all major institutions?
A lot of the above is me rambling, but I believe this ties back to what Gallup has reported recently, as “most Americans (71%) say that, on the issues that matter to them, their side in politics has been losing more often than winning. Just a quarter say their side has been winning more often than losing.” The article also mentions that this varies based on which party is in power, and is right now "eight-in-ten Republicans and Republican-leaning independents (83%)" as well as "six-in-ten Democrats and Democratic leaners (62%)". But this a sentiment I have noticed the past several years. Dare I say, “Both sides”, having identical complaints about their political allies.
Republican voters complain that their side is obsessed with following norms, espousing platitudes, and playing by the Democrats' rules, while the Democrats are motivated and pressing forward with their left-wing agenda.
Democratic voters complain that their side is obsessed with following norms, espousing platitudes, and playing by the Republicans’ rules, while the Republicans are motivated and pressing forward with their right-wing agenda.
Our side is obsessed with compromise. Their side never compromises.
Our side is obsessed with preserving “muh norms”. Their side couldn’t give a shit about norms.
Our side is constantly held to a higher standard. Their side is constantly treated with kid gloves.
Our side is fighting with a knife. Their side is fighting with a gun.
Our side always holds ourselves accountable. Their side never holds themselves accountable.
Now, I am someone who leans more on the political left (especially the economic left), but this is a sentiment I see expressed by a lot of Republican and Democratic voters, who both feel like they are the unfairly maligned underdog.
The staticy of our current federalist, two party, FPTP system creates a significant amount of deadlock, especially as the two parties realign on class, geographic, and educational lines. Landslide elections are becoming less and less common. Neither Republicans nor Democrats seem to have the ability to break through landslide sweeps and reshape the country with a governing mandate, instead dealing with gridlock and incrementalism that is inherent to the American experiment.
I believe this situation leads to both groups of voters turning back to a comforting narrative of how their side is effectively persecuted by various forces. How their side is always held to a higher standard compared to the opposition. How they have been plagued historically by infighting and a fetish for norms and holding your pinky up.
Now, I’m not giving my opinions on which side is correct. Democrats are at a disadvantage in the Senate (I think that is partially due to Democrats bleeding away rural votes over decades). Republicans are at a disadvantage in mainstream culture (I think that is due to an incompatibility with social conservatism and capitalism, but that’s another discussion for another day).
I am simply stating that I have observed this exact same sentiment among both Republican and Democratic voters/pundits. Whether it’s left-leaning internet forums, or conservative talk radio, I see and hear the exact same lines, but flip a few words. How our side is impotent, infighting, and constantly snatching defeat from the jaws of victory, unlike our enemies. Republicans and Democrats, faced with years or decades of painful incrementalism, at best, resort back to the same narrative. Our side is weak and divided, their side is strong and united.

(Hello, long time observer, first time caller!)
The year is 2024, and things are not looking good for the Democrats.
Joe Biden is constantly plagued by infighting within his ranks. The Democratic Party, in addition to being hamstrung by institutions that are by nature biased towards conservatives, like the innate design of the Senate, and the conservative makeup of the Supreme Court, are constantly struggling with infighting by the purist far-left, and the impotent center. On one side, they are dealing with an increasingly irrational “far-left” that refuses to the see the bigger picture of defeating Trump, as well as dealing with a middling center that frequently resorts to “both-sideism” and shrugs their shoulders instead of calling out the clear threat of Republican rule. On top of that, the Democrats have been OBSESSED with decorum, following the rules, ALWAYS compromising, and holding their members to higher standards as Republicans refuse to do so. Do you see the Republicans compromising? Following norms? Nope. The Republican apparatus, from Mitch McConnell to the fringes of the Freedom Caucus, are constantly moving in lockstep, pushing their right-wing vision through the finish line. Some, like political scientist David Faris, argue that Democrats must realize that "It's Time to Fight Dirty", after years of pussyfooting around, finally, at long last? It's as the old saying goes, “Democrats fall in love, Republicans fall in line”. It’s a situation worthy of a Greek Tragedy….
….Or is it?
Because if you speak to the average Republican voter, they will absolutely not agree with what I wrote above. Rather, it is the Democrats who are enacting win after win, and getting their left-wing agenda through their finish line while the middling Republicans trip over their shoelaces. Left-wing activists, like Rudi Dutschke, have conducted a Long March Through The Institutions, like a nation proudly marching through the battlefield and conquering their enemies. The liberals control everything.The culture. The education system. The legal system. The youth. Republicans have lost the Culture War, a war that men like Chris Rufo argue that the Right barely even attempted to fight as the Radical Left had their eyes on the ball, onwards through the battlefield. Marching on. The Left has always possessed a machiavellian spirit, and an ironclad grip on every avenue that we as Americans hold dear. Men like Jon Askonas, looking at the rubble of conservatism, ponder "Why Conservatism Failed". That’s how much the Left has won! The ideology of Conservatism itself is DEAD! Meanwhile, the conservative movement, or shall I say, Conservatism Inc., is obsessed with maintaining tired platitudes about “small government” and “low taxes” as Democrats are focused on controlling every inch of the American body. Conservatives aren’t winning, they are impotently flailing. Pathetic.
Does that really make sense? Are both the political right and the political left united in lockstep, but weak and plagued with endless infighting? Can both sides be obsessed with playing the rules and compromising, but also be steadfastly seizing control of all major institutions?
A lot of the above is me rambling, but I believe this ties back to what Gallup has reported recently, as “most Americans (71%) say that, on the issues that matter to them, their side in politics has been losing more often than winning. Just a quarter say their side has been winning more often than losing.” The article also mentions that this varies based on which party is in power, and is right now "eight-in-ten Republicans and Republican-leaning independents (83%)" as well as "six-in-ten Democrats and Democratic leaners (62%)". But this a sentiment I have noticed the past several years. Dare I say, “Both sides”, having identical complaints about their political allies.
Republican voters complain that their side is obsessed with following norms, espousing platitudes, and playing by the Democrats' rules, while the Democrats are motivated and pressing forward with their left-wing agenda.
Democratic voters complain that their side is obsessed with following norms, espousing platitudes, and playing by the Republicans’ rules, while the Republicans are motivated and pressing forward with their right-wing agenda.
Our side is obsessed with compromise. Their side never compromises.
Our side is obsessed with preserving “muh norms”. Their side couldn’t give a shit about norms.
Our side is constantly held to a higher standard. Their side is constantly treated with kid gloves.
Our side is fighting with a knife. Their side is fighting with a gun.
Our side always holds ourselves accountable. Their side never holds themselves accountable.
Now, I am someone who leans more on the political left (especially the economic left), but this is a sentiment I see expressed by a lot of Republican and Democratic voters, who both feel like they are the unfairly maligned underdog.
The staticy of our current federalist, two party, FPTP system creates a significant amount of deadlock, especially as the two parties realign on class, geographic, and educational lines. Landslide elections are becoming less and less common. Neither Republicans nor Democrats seem to have the ability to break through landslide sweeps and reshape the country with a governing mandate, instead dealing with gridlock and incrementalism that is inherent to the American experiment.
I believe this situation leads to both groups of voters turning back to a comforting narrative of how their side is effectively persecuted by various forces. How their side is always held to a higher standard compared to the opposition. How they have been plagued historically by infighting and a fetish for norms and holding your pinky up.
Now, I’m not giving my opinions on which side is correct. Democrats are at a disadvantage in the Senate (I think that is partially due to Democrats bleeding away rural votes over decades). Republicans are at a disadvantage in mainstream culture (I think that is due to an incompatibility with social conservatism and capitalism, but that’s another discussion for another day).
I am simply stating that I have observed this exact same sentiment among both Republican and Democratic voters/pundits. Whether it’s left-leaning internet forums, or conservative talk radio, I see and hear the exact same lines, but flip a few words. How our side is impotent, infighting, and constantly snatching defeat from the jaws of victory, unlike our enemies. Republicans and Democrats, faced with years or decades of painful incrementalism, at best, resort back to the same narrative. Our side is weak and divided, their side is strong and united.
EDIT: Corrected a slight detail in the intro.