Death of a salesman miller script

Real Estate Investing

2008.10.24 20:05 Real Estate Investing

Interested in Real Estate Investing? You've come to the right place! /realestateinvesting is focused on sharing thoughts, experiences, advice and encouraging questions regardless of your real estate investing niche! Structured Deals, Flipping/Rehabbing, Wholesaling, Lending, Land, Commercial Real Estate and more! If it has to do with real estate investing this sub is for you!
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2008.08.13 23:06 Existentialism: Being and Nothingness

Explore Existentialism & adjacent philosophy Frame the person at the heart of contemplation Welcomes all to participate in casual and academic discussion
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2013.10.30 16:32 MasterLawlz Produce My Script: Making scripts come alive

This is where screenwriters and filmmakers can meet, share ideas, scripts, and work together to advance the world of filmmaking.
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2024.05.20 02:29 RodeoBoss66 Kevin Costner: No Bull, No Compromises

Kevin Costner: No Bull, No Compromises
https://www.cowboysindians.com/2024/05/kevin-costner-no-bull-no-compromises/
by Joe Leydon
May 14, 2024
At the heart of HORIZON: AN AMERICAN SAGA, the prodigiously ambitious and dramatically potent western epic starring and directed by Kevin Costner, there is a scene where the commander of a far-flung 1860s Army post (Danny Huston) explains to a concerned subordinate (Sam Worthington) why, despite the rigors of overland travel by wagon train, and despite the repeated attacks by Indians who are understandably protective of their land, nothing will stop the seemingly endless waves of pioneers bent on settling the West.
“These people,” the commander says, not entirely sympathetically, “think that if they’re tough enough, smart enough, and mean enough, all this will be theirs someday. There’s no army of this earth that will stop those wagons coming. Little as they be wanted.”
But what will happen when those hearty pioneers see along the sides of the trail the countless graves of those who went before them, and didn’t survive the journey?
The commander shrugs. The newcomers will think they’re luckier, and that they’ll survive and thrive. “And you know what?” he adds. “Some of them will.”
Costner intends HORIZON as ultimately a series of four films — with the first two opening this summer, June 28 and August 16 — that, while focusing on a roughly 15-year period before and after the Civil War, will dramatize, even-handedly and excitingly, how the allure and promise of new lives in a new land fueled an unshakable belief in what has become known, for better or worse, as Manifest Destiny. Some of the characters journey westward to fulfill dreams. Others move along to escape lives that have become nightmares.
And still others — specifically, the Native Americans who inhabit the lands that the settlers covet — must cope with the repeated appearances by these intruders.
Some live. Some die. And, yes, some kill.
Costner earns his top billing in HORIZON with his meticulously understated yet richly detailed performance as Hayes Ellison, the traditionally laconic western protagonist who never goes looking for trouble — goes out of his way to avoid it, actually — yet finds it follows him like a faithful dog. But he is just first among many in an exceptional ensemble cast that also includes (in Part 1) Sienna Miller, Sam Worthington, Giovanni Ribisi, Jena Malone, Abbey Lee, Michael Rooker, Danny Huston, Luke Wilson, Isabelle Fuhrman, Jeff Fahey, Will Patton, Tatanka Means, Owen Crow Shoe, Ella Hunt, and Jamie Campbell Bower.
I caught up with Costner in March — by sheer coincidence, the 33rd anniversary of the night he won Oscar gold as Best Director of Best Picture winner DANCES WITH WOLVES (1990) — just as he was putting the finishing touches on HORIZON: AN AMERICAN SAGA, PART II. Since he’d recently been under so much pressure while making not just one but two epics while avoiding tabloid reports about his possible departure from the popular TV series Yellowstone and the breakup of his 20-year marriage, I figured it might be a great idea to break the ice with a different spin on a predictable question.
Cowboys & Indians: So, it’s been quite a while since you directed this actor, Kevin Costner. Since the terrific 2003 western Open Range, *as a matter of fact. Has he learned anything since you last worked with him?*
Kevin Costner: [Laughs] It’s really hard to know. I mean, I look at this movie, and the thing that stands out to me is not what I’ve learned, but maybe what I’ve brought to bear in getting it shot in 52 days. I shot DANCES in 106, WYATT EARP (1994) was about 115, and we did this in 52 — and it’s actually as big if not bigger than both of those.
C&I: But your lead actor wasn’t one of your problems?
Costner: I am a better actor now than I was. I’ve consciously tried to become better — but I typically don’t give myself as much time as the other actors. And it takes somebody else to say, “Why don’t you give yourself another take?” But nobody was indulged on this movie. I didn’t move until I thought I had it. But as I’ve been in that editorial process, I can’t tell you how many times when I’ve seen a scene as I’m editing it, and I think, “Okay, that’s really good. Let’s see the second take.” And I get this dumb look from my editors and they go, “That’s all there is, one take.” And so I’ve got coverage — as you can see, it blends together really well. But we were out there on the razor’s edge trying to get through those days when you’re not doing one scene a day, but doing three.
C&I: I think it’s safe to say this has been a labor of love for you. I mean, you have mentioned HORIZON *to me as a dream project several times over the years. And at one point, you even said, “This might even be three movies.” Well, you’ve kind of upped the ante a little bit, haven’t you?*
Costner: Well, as Mark Twain said, “He didn’t exaggerate, he just remembered big.” It went to four — what can I say? It’s a labor of love. And the reality is, I don’t fall out of love with something I think is good. I just continue to push it. I mean, the wisdom of having the first one, written in 1988, be essentially rejected — nobody saw any value in it — and me turning around and not putting it in the drawer, but instead come out firing and write four more is kind of ... I don’t know. That’s probably therapy stuff, right? Somebody might say, “Why would you do that?” I mean, conventional wisdom was not allowing this movie to be made. But that being said, my feeling about conventional wisdom is: What if everybody’s wrong?
C&I: Do you think if Yellowstone had not come along and become as popular as it has, you might still be out there beating the bushes trying to find somebody to back HORIZON?
Costner: No, not at all. Because I used my own money this time. Nobody beat the door down for the four. They rejected all four. I put my own money up. I was just going to do it because I realized I needed to work more. I lost a whole year when we didn’t work on Yellowstone. And I realized that couldn’t happen again. And so I just recommitted myself to HORIZON, essentially burned my ships, and I realized it was time to do this for, really, a lot of reasons.
C&I: Such as?
Costner: I just thought it was a really good offering. And that’s really what I’m in the business for, to offer up a level of entertainment that gets over my bar, that I think can entertain not only the person watching it opening weekend, but somebody watching it 30 years from now.
C&I: How difficult has it been for you to focus on the task at hand, which is in effect making two movies and finishing them to be released in the same year? I don’t have to tell you, you’ve had your personal life in the tabloids. You’ve had your professional life in the tabloids. How do you decide not to talk about the divorce, or Yellowstone, *and simply focus on making this scene match that scene?*
Costner: Well, people are going to write what they want to write, and people are responsible for what they say in these things. And I look at what’s being said in many instances, and I know the truth, but I don’t feel the need to try to set the record straight every time there’s something going on. I mean, now I can talk about these things because we’re talking about them within the lines with my movie. I don’t try to live in the press outside of making movies. But when people are saying all these things, you don’t really see me say much. I know what’s true. And you can read between the lines. Like, you never thought I’m really a person who only wanted to work one week [on Yellowstone]? You don’t believe that was true?
C&I: [Laughs] No, Kevin, I really don’t.
Costner: So, I could tell you exactly how that came about, but that’s simply not the truth. And I’m always kind of disappointed that people can’t set the record straight. That’s just simply not true. I had given Yellowstone 25 days in November and December [of 2022], 25 days of my shooting, but the scripts never came. I gave them the month of March per a contract, and the scripts didn’t come. So, I really am going to make my movie, because I have 300 people waiting.
So, I said, “Look, I will stop for a week before I start to shoot. And if you want to kill me, or you want to do something elegant for the show, because I love the show — I’ll give you a week.” So for them to take that gesture, and that’s all that was — and look, I don’t know any director that would take a week off before he started shooting, but I gave them the most valuable thing I had, which was time, three different times. And to turn around and use that as a statement against me is disappointing. And it was disappointing that nobody on that side would come out and say, “That’s just simply not true. He offered that as a gesture when we couldn’t figure out how to do things.”
C&I: So basically what you’re saying is because of the Yellowstone *production delays ...*
Costner: Let’s get the scripts, let’s go do it. But it’s hard to write that much. And there’s a tremendous load on [producer and series co-creator Taylor Sheridan], but I have to take care of myself. Make no mistake, I love Yellowstone. I love the people that love it. I wanted to keep making that and making this movie. I didn’t do HORIZON because I wasn’t doing Yellowstone anymore. I did HORIZON because I wanted to do HORIZON while I was doing Yellowstone. Yellowstone had a first position, and in each instance, it was negotiated for. I gave them a preferential spot every time. Every time. So I felt like I needed somebody on that side to speak up and say that version, and they never did. I don’t know why. I don’t know why that was so hard. It just confused the cast and it confused the people who love the show.
C&I: While we’re talking, they still haven’t started filming the final Season 5 episodes of Yellowstone. *Is it reasonable to expect you’ll make some sort of appearance in at least one of them?*
Costner: I don’t know that it’s reasonable. I know I’m open to it, but I don’t know that it’s reasonable to think that it can happen. I don’t have anything to do with how they are doing things. I like the character. I’d love to see it go on. I’d love for it to continue to be inventive.
C&I: Let’s get back to HORIZON. Back when I interviewed you for our cover story on OPEN RANGE (2003), you mentioned that HOW THE WEST WAS WON (1962) was one of your all-time favorite westerns, not only because it had spectacle, but a love story as well. How much did HOW THE WEST WAS WON influence you while making HORIZON *?*
Costner: Well, I saw HOW THE WEST WAS WON when I was seven. And I think if it could engage a 7-year-old boy to not look at his watch, and be able to watch the screen on his own, it just informed me that if things are interesting, if they’re compelling, if the screen picture is continuing to change and when it changes, it changes to something equally interesting, and then it starts to form a weave and suddenly these things that you were willing to watch on an individual basis began to somehow get closer and closer together, and then all of a sudden you see intersections — I love that kind of storytelling. And that’s what I have tried to do with HORIZON.
C&I: So you finished the first two, is that correct? Or are you still editing the second film?
Costner: Yeah, I’m looking to finish the montage for the end of [PART] 2. Just the way you saw a montage happen at the end of [PART] 1 — it advances things — this material has to be pulled from [PART] 3. So I was actually writing [PART] 3 when I walked over here to talk with you. I was starting to bend the scene to my will.
C&I: When will you know for certain you can go ahead with [PARTS] 3 and 4?
Costner: Well, you know for certain I’m going to make them.
C&I: There you go, C&I readers! You’ve heard it straight from Kevin Costner himself!
Costner: [Laughs] But it’s not an easy task to go out and find that kind of money. I’ve run out of property I can mortgage. I mean, I see where it says something like I have $20 million into the film, right? You’ve read that.
C&I: Yes, but ...
Costner: Well, it’s not — it’s $38 million, okay? Cash. It’s $38 million. And if it has to be, it will be more. You might ask yourself, “A person who writes [PART] 4 when no one liked [PART] 1? What is it going to take for you to get the message?” But to me, it’s like, I will look and see what I own and maybe keep a few things that I won’t forfeit, but I don’t want to hold onto things so tight that I can’t accomplish the things I want to accomplish.
Maybe the reason I have some nice things that I could risk is because this is the life I chose, and so I can identify the amount of things I need, what my family needs. But some of these other things, for as much as I’ve worked for them, and hard, I’m also not going to be a slave and hold onto them and let something else that I’m trying to do suffer when they’re sitting right there. You could, biblically speaking, look at them and go, that’s why they were there.
And I’m not going to lose it. I’m going to make it. I’m going to look at those graves where those people are on the side of the road, and I’m not going to be with them, Joe. I’m going to get there.
This cover story appeared in our July 2024 issue.
PHOTOGRAPHY: Richard Foreman, Courtesy Warner Bros. Pictures
submitted by RodeoBoss66 to YellowstoneShow [link] [comments]


2024.05.20 02:29 Expert_Individual204 Scream (1996)

  1. Josh - Grabbed, slammed against the wall, stabbed in the chest repedeatly
  2. Olivia - Grabbed by the throat, neck snapped the other way
  3. Ethan - Grabbed by the shoulder, stabbed in the back twice
  4. Chloe - Stabbed in the chest
  5. Riley - Grabbed by the throat, strangled to death
  6. David - Tied up, gagged, hit over the head with a pipe, stabbed repedealty in the chest
  7. Mark - Accidently shot in the throat by Detective Miller
  8. Detective Miller - Shot himself in the side of the head
  9. Randy Meeks Jr. - Stabbed in the chest
  10. Tara - Shot
  11. Sam - Shot
  12. Max - Hit with a basketball in the face
  13. Kate - Head bashed against the wall, throat slashed
  14. Sarah - Shot in the face
submitted by Expert_Individual204 to KillCount [link] [comments]


2024.05.20 02:26 webistrying [US-VA][H] Marvel Premiere Classics in Hardcover, Days of Future Past OHC, Batman Deluxes, Fourth World Omnis, Flashpoint Omnis, Irredeemable Trilogy Deluxe, and More [W] PayPal, Trades

Hello everyone,
Today, I’ve got some nice looking Marvel Premiere Classics in hardcover. They are standard size and have an awesome shelf aesthetic. I’d like to sell them in couples to keep shipping costs to a minimum. If you buy two, free shipping! If you buy one, add $5.
Photos - $60 shipped for all of these. Wolverine by Chris Claremont and Frank Miller - $25 (new/sealed) Weapon X by Barry Windosor Smith - $20 Wolverine: Origin - $15 Wolverine: Not Dead Yet - $10
Photos - $60 shipped for all of these. Daredevil: Born Again - $20 Daredevil: The Man without Fear - $20 Elektra: Assassin - $25 (new/sealed)
Photos X-Men: Mutant Genesis - $30 X-Men: Kitty Pride & Wolverine - $20 (slight fading) X-Men: Wolverine/Gambit - $20 X-Men: God Loves, Man Kills - $20 ($80 for all of the X-Men books)
Marvels - $20 Spider-Man: Death of the Stacy’s - $20 Spider-Man: Nothing Can Stop the Juggernaut - $30 (remainder mark) Punisher: Circle of Blood - $25 Alpha Flight - $20 - (remainder mark)
X-Men: Days of Future Past OHC - $40 Young Avengers by Kieron Gillen Omnibus - $30
The Last God HC - $25 Superman: Kryptonite Deluxe Edition - $15 Batman: Gothic - $25 Batman: Whatever Happened to the Caped Crusader Deluxe Edition - $10 Batman by Azzarello and Risso - $25 Batman: The Dark Prince Charming - $15 DC Universe by Mike Mignola - $20 Superman vs. Muhammad Ali Deluxe - $30
American Vampire Vol. 1 and 2 - $135 shipped - Corner dents on the books, but new/sealed Kirby Fourth World Omnibus + Fourth World by John Byrne Omnibus - $105 shipped - Kirby corrected printing, Bryne new/sealed. Not splitting this set. Flashpoint Omnibus - $80 shipped - new/sealed Irredeemable Trilogy Deluxe Set - $150 shipped - Heavy damage to Incorruptible but the book reads just fine.
Photos Absolute Wonder Woman: Gods & Mortals - $65 shipped - new/sealed Absolute Dark Knight III & Golden Child Deluxe - $65 shipped
All dust jackets have various degrees of shelf wear but the books themselves are in very good shape. Books are cross-posted. Happy to look at your trade lists.
submitted by webistrying to comicswap [link] [comments]


2024.05.20 02:25 RodeoBoss66 Kevin Costner: No Bull, No Compromises

Kevin Costner: No Bull, No Compromises
https://www.cowboysindians.com/2024/05/kevin-costner-no-bull-no-compromises/
by Joe Leydon
May 14, 2024
At the heart of HORIZON: AN AMERICAN SAGA, the prodigiously ambitious and dramatically potent western epic starring and directed by Kevin Costner, there is a scene where the commander of a far-flung 1860s Army post (Danny Huston) explains to a concerned subordinate (Sam Worthington) why, despite the rigors of overland travel by wagon train, and despite the repeated attacks by Indians who are understandably protective of their land, nothing will stop the seemingly endless waves of pioneers bent on settling the West.
“These people,” the commander says, not entirely sympathetically, “think that if they’re tough enough, smart enough, and mean enough, all this will be theirs someday. There’s no army of this earth that will stop those wagons coming. Little as they be wanted.”
But what will happen when those hearty pioneers see along the sides of the trail the countless graves of those who went before them, and didn’t survive the journey?
The commander shrugs. The newcomers will think they’re luckier, and that they’ll survive and thrive. “And you know what?” he adds. “Some of them will.”
Costner intends HORIZON as ultimately a series of four films — with the first two opening this summer, June 28 and August 16 — that, while focusing on a roughly 15-year period before and after the Civil War, will dramatize, even-handedly and excitingly, how the allure and promise of new lives in a new land fueled an unshakable belief in what has become known, for better or worse, as Manifest Destiny. Some of the characters journey westward to fulfill dreams. Others move along to escape lives that have become nightmares.
And still others — specifically, the Native Americans who inhabit the lands that the settlers covet — must cope with the repeated appearances by these intruders.
Some live. Some die. And, yes, some kill.
Costner earns his top billing in HORIZON with his meticulously understated yet richly detailed performance as Hayes Ellison, the traditionally laconic western protagonist who never goes looking for trouble — goes out of his way to avoid it, actually — yet finds it follows him like a faithful dog. But he is just first among many in an exceptional ensemble cast that also includes (in Part 1) Sienna Miller, Sam Worthington, Giovanni Ribisi, Jena Malone, Abbey Lee, Michael Rooker, Danny Huston, Luke Wilson, Isabelle Fuhrman, Jeff Fahey, Will Patton, Tatanka Means, Owen Crow Shoe, Ella Hunt, and Jamie Campbell Bower.
I caught up with Costner in March — by sheer coincidence, the 33rd anniversary of the night he won Oscar gold as Best Director of Best Picture winner DANCES WITH WOLVES (1990) — just as he was putting the finishing touches on HORIZON: AN AMERICAN SAGA, PART II. Since he’d recently been under so much pressure while making not just one but two epics while avoiding tabloid reports about his possible departure from the popular TV series Yellowstone and the breakup of his 20-year marriage, I figured it might be a great idea to break the ice with a different spin on a predictable question.
Cowboys & Indians: So, it’s been quite a while since you directed this actor, Kevin Costner. Since the terrific 2003 western Open Range, *as a matter of fact. Has he learned anything since you last worked with him?*
Kevin Costner: [Laughs] It’s really hard to know. I mean, I look at this movie, and the thing that stands out to me is not what I’ve learned, but maybe what I’ve brought to bear in getting it shot in 52 days. I shot DANCES in 106, WYATT EARP (1994) was about 115, and we did this in 52 — and it’s actually as big if not bigger than both of those.
C&I: But your lead actor wasn’t one of your problems?
Costner: I am a better actor now than I was. I’ve consciously tried to become better — but I typically don’t give myself as much time as the other actors. And it takes somebody else to say, “Why don’t you give yourself another take?” But nobody was indulged on this movie. I didn’t move until I thought I had it. But as I’ve been in that editorial process, I can’t tell you how many times when I’ve seen a scene as I’m editing it, and I think, “Okay, that’s really good. Let’s see the second take.” And I get this dumb look from my editors and they go, “That’s all there is, one take.” And so I’ve got coverage — as you can see, it blends together really well. But we were out there on the razor’s edge trying to get through those days when you’re not doing one scene a day, but doing three.
C&I: I think it’s safe to say this has been a labor of love for you. I mean, you have mentioned HORIZON *to me as a dream project several times over the years. And at one point, you even said, “This might even be three movies.” Well, you’ve kind of upped the ante a little bit, haven’t you?*
Costner: Well, as Mark Twain said, “He didn’t exaggerate, he just remembered big.” It went to four — what can I say? It’s a labor of love. And the reality is, I don’t fall out of love with something I think is good. I just continue to push it. I mean, the wisdom of having the first one, written in 1988, be essentially rejected — nobody saw any value in it — and me turning around and not putting it in the drawer, but instead come out firing and write four more is kind of ... I don’t know. That’s probably therapy stuff, right? Somebody might say, “Why would you do that?” I mean, conventional wisdom was not allowing this movie to be made. But that being said, my feeling about conventional wisdom is: What if everybody’s wrong?
C&I: Do you think if Yellowstone had not come along and become as popular as it has, you might still be out there beating the bushes trying to find somebody to back HORIZON?
Costner: No, not at all. Because I used my own money this time. Nobody beat the door down for the four. They rejected all four. I put my own money up. I was just going to do it because I realized I needed to work more. I lost a whole year when we didn’t work on Yellowstone. And I realized that couldn’t happen again. And so I just recommitted myself to HORIZON, essentially burned my ships, and I realized it was time to do this for, really, a lot of reasons.
C&I: Such as?
Costner: I just thought it was a really good offering. And that’s really what I’m in the business for, to offer up a level of entertainment that gets over my bar, that I think can entertain not only the person watching it opening weekend, but somebody watching it 30 years from now.
C&I: How difficult has it been for you to focus on the task at hand, which is in effect making two movies and finishing them to be released in the same year? I don’t have to tell you, you’ve had your personal life in the tabloids. You’ve had your professional life in the tabloids. How do you decide not to talk about the divorce, or Yellowstone, *and simply focus on making this scene match that scene?*
Costner: Well, people are going to write what they want to write, and people are responsible for what they say in these things. And I look at what’s being said in many instances, and I know the truth, but I don’t feel the need to try to set the record straight every time there’s something going on. I mean, now I can talk about these things because we’re talking about them within the lines with my movie. I don’t try to live in the press outside of making movies. But when people are saying all these things, you don’t really see me say much. I know what’s true. And you can read between the lines. Like, you never thought I’m really a person who only wanted to work one week [on Yellowstone]? You don’t believe that was true?
C&I: [Laughs] No, Kevin, I really don’t.
Costner: So, I could tell you exactly how that came about, but that’s simply not the truth. And I’m always kind of disappointed that people can’t set the record straight. That’s just simply not true. I had given Yellowstone 25 days in November and December [of 2022], 25 days of my shooting, but the scripts never came. I gave them the month of March per a contract, and the scripts didn’t come. So, I really am going to make my movie, because I have 300 people waiting.
So, I said, “Look, I will stop for a week before I start to shoot. And if you want to kill me, or you want to do something elegant for the show, because I love the show — I’ll give you a week.” So for them to take that gesture, and that’s all that was — and look, I don’t know any director that would take a week off before he started shooting, but I gave them the most valuable thing I had, which was time, three different times. And to turn around and use that as a statement against me is disappointing. And it was disappointing that nobody on that side would come out and say, “That’s just simply not true. He offered that as a gesture when we couldn’t figure out how to do things.”
C&I: So basically what you’re saying is because of the Yellowstone *production delays ...*
Costner: Let’s get the scripts, let’s go do it. But it’s hard to write that much. And there’s a tremendous load on [producer and series co-creator Taylor Sheridan], but I have to take care of myself. Make no mistake, I love Yellowstone. I love the people that love it. I wanted to keep making that and making this movie. I didn’t do HORIZON because I wasn’t doing Yellowstone anymore. I did HORIZON because I wanted to do HORIZON while I was doing Yellowstone. Yellowstone had a first position, and in each instance, it was negotiated for. I gave them a preferential spot every time. Every time. So I felt like I needed somebody on that side to speak up and say that version, and they never did. I don’t know why. I don’t know why that was so hard. It just confused the cast and it confused the people who love the show.
C&I: While we’re talking, they still haven’t started filming the final Season 5 episodes of Yellowstone. *Is it reasonable to expect you’ll make some sort of appearance in at least one of them?*
Costner: I don’t know that it’s reasonable. I know I’m open to it, but I don’t know that it’s reasonable to think that it can happen. I don’t have anything to do with how they are doing things. I like the character. I’d love to see it go on. I’d love for it to continue to be inventive.
C&I: Let’s get back to HORIZON. Back when I interviewed you for our cover story on OPEN RANGE (2003), you mentioned that HOW THE WEST WAS WON (1962) was one of your all-time favorite westerns, not only because it had spectacle, but a love story as well. How much did HOW THE WEST WAS WON influence you while making HORIZON *?*
Costner: Well, I saw HOW THE WEST WAS WON when I was seven. And I think if it could engage a 7-year-old boy to not look at his watch, and be able to watch the screen on his own, it just informed me that if things are interesting, if they’re compelling, if the screen picture is continuing to change and when it changes, it changes to something equally interesting, and then it starts to form a weave and suddenly these things that you were willing to watch on an individual basis began to somehow get closer and closer together, and then all of a sudden you see intersections — I love that kind of storytelling. And that’s what I have tried to do with HORIZON.
C&I: So you finished the first two, is that correct? Or are you still editing the second film?
Costner: Yeah, I’m looking to finish the montage for the end of [PART] 2. Just the way you saw a montage happen at the end of [PART] 1 — it advances things — this material has to be pulled from [PART] 3. So I was actually writing [PART] 3 when I walked over here to talk with you. I was starting to bend the scene to my will.
C&I: When will you know for certain you can go ahead with [PARTS] 3 and 4?
Costner: Well, you know for certain I’m going to make them.
C&I: There you go, C&I readers! You’ve heard it straight from Kevin Costner himself!
Costner: [Laughs] But it’s not an easy task to go out and find that kind of money. I’ve run out of property I can mortgage. I mean, I see where it says something like I have $20 million into the film, right? You’ve read that.
C&I: Yes, but ...
Costner: Well, it’s not — it’s $38 million, okay? Cash. It’s $38 million. And if it has to be, it will be more. You might ask yourself, “A person who writes [PART] 4 when no one liked [PART] 1? What is it going to take for you to get the message?” But to me, it’s like, I will look and see what I own and maybe keep a few things that I won’t forfeit, but I don’t want to hold onto things so tight that I can’t accomplish the things I want to accomplish.
Maybe the reason I have some nice things that I could risk is because this is the life I chose, and so I can identify the amount of things I need, what my family needs. But some of these other things, for as much as I’ve worked for them, and hard, I’m also not going to be a slave and hold onto them and let something else that I’m trying to do suffer when they’re sitting right there. You could, biblically speaking, look at them and go, that’s why they were there.
And I’m not going to lose it. I’m going to make it. I’m going to look at those graves where those people are on the side of the road, and I’m not going to be with them, Joe. I’m going to get there.
This cover story appeared in our July 2024 issue.
PHOTOGRAPHY: Richard Foreman, Courtesy Warner Bros. Pictures
submitted by RodeoBoss66 to YellowstonePN [link] [comments]


2024.05.20 02:11 wildcatblu On Borrowed Time Chapter 20 of 27: Aconite

On Borrowed Time Chapter 20 of 27: Aconite
Art by me :)
Read Chapter 20 Read Chapter 1
After a devastating defeat in the Battle of Hogwarts, Hermione is one of only two members of the Order to survive. Taken prisoner and forced to await certain torture and death, she must explore the only remaining way to change the fate of the war: the past. Unfortunately, time is a very fickle thing.
Time Travel ◦ Timeline Alteration ◦ Hidden Identity ◦ Wandless Magic ◦ Secrets ◦ Hurt/Comfort ◦ Enemies to Lovers ◦ Medium Burn ◦ Inspired by La Jeteé (1962) ◦ Angst with Eventual HEA ◦ Voldemort Wins
Excerpt from this week's chapter:
This stiff, proper Malfoy was a little unnerving, but she followed his lead anyway. The travel parlour opened into a grand entry hall with a staircase that swerved elegantly into the centre of the room. She could just imagine the pureblood rejoicing and Death Eater merrymaking that had taken (or would take?) place there at the Gala, but pushed the thought from her mind.
Slightly monotone, Malfoy showcased each giant tapestry that hung in between ever more cathedral windows, whose embroidered animals jumped to and fro in excitement at having someone look at them. Waxwings, fieldfares, and starlings fluttered from branch to branch in a snowy triptych that put the outside world to shame in wintertime cheer. Fawns, does, and enormous eighteen-pointed bucks regarded Hermione coolly from their meadow scene, swaying their heads to watch her go by. Underwater, a sturgeon thrashed about, surrounded by abundant cod and haddock.
Malfoy had stopped talking and stood, watching her. Hermione caught his eye and realised it might have been her turn to say something on the tour evidently scripted by Narcissa Malfoy. “They’re beautiful. How long have these been in your family?”
That was apparently not why he’d stopped with the narration, as he replied, “It was only a shopkeeper. In Hogsmeade. You didn’t have to leave.”
submitted by wildcatblu to Dramione [link] [comments]


2024.05.20 02:07 SanderSo47 Directors at the Box Office: Clint Eastwood (Part 2)

Directors at the Box Office: Clint Eastwood (Part 2)
https://preview.redd.it/va70nf0l3h1d1.png?width=1920&format=png&auto=webp&s=021d936ee0a724ca428d8559f5823592404d1822

As Reddit doesn't allow posts to exceed 40,000 characters, Eastwood's edition had to be split into two parts because his whole career cannot be ignored. The first part was posted yesterday.

Million Dollar Baby (2004)¨

"Beyond his silence, there is a past. Beyond her dreams, there is a feeling. Beyond hope, there is a memory. Beyond their journey, there is a love."
His 25th film. Based on stories from the 2000 collection Rope Burns: Stories from the Corner by F.X. Toole, it stars Eastwood, Hilary Swank and Morgan Freeman. The film follows Margaret "Maggie" Fitzgerald, an underdog amateur boxer who is helped by an underappreciated boxing trainer to achieve her dream of becoming a professional.
Paul Haggis wrote the script on spec, and it took four years to sell it. The film was stuck in development hell for years before it was shot. Several studios rejected the project even when Eastwood signed on as actor and director. Even Warner Bros., Eastwood's longtime home base, would not agree to a $30 million budget. Eastwood persuaded Lakeshore Entertainment's Tom Rosenberg to put up half the budget (as well as handle foreign distribution), with Warner Bros. contributing the rest.
The film had an incredible run in limited release, breaking many records for Eastwood's career. It eventually earned a fantastic $216 million worldwide, becoming his highest grossing film ever. It received critical acclaim, and it was named as one of his greatest films. It won four Oscars: Best Picture, Best Director, Best Actress (for Swank), and Best Supporting Actor (for Freeman). Eastwood became one of the very few directors to make two films to win both Best Picture and Best Director.
  • Budget: $30,000,000.
  • Domestic gross: $100,492,203. ($166.8 million adjusted)
  • Worldwide gross: $216,763,646.

Flags of Our Fathers (2006)

"A single shot can end the war."
His 26th film. Based on the book written by James Bradley and Ron Powers, it stars Ryan Phillippe, Jesse Bradford, Adam Beach, John Benjamin Hickey, John Slattery, Paul Walker, Jamie Bell, Barry Pepper, Robert Patrick and Neal McDonough. The film follows the 1945 Battle of Iwo Jima, the five Marines and one Navy corpsman who were involved in raising the flag on Iwo Jima, and the after effects of that event on their lives.
The film received positive reviews, but it bombed at the box office with just $65 million against its huge $90 million budget.
  • Budget: $90,000,000.
  • Domestic gross: $33,602,376. ($52.2 million adjusted)
  • Worldwide gross: $65,900,249.

Letters from Iwo Jima (2006)

"The completion of the Iwo Jima saga."
His 27th film. Based on Picture Letters from Commander in Chief by Tadamichi Kuribayashi, it stars Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryō Kase and Shidō Nakamura. It's a companion film to Flags of Our Fathers, and portrays the Battle of Iwo Jima from the perspective of the Japanese soldiers.
In the process of reading about the Japanese perspective of the war for Flags of Our Fathers, in particular General Tadamichi Kuribayashi, Eastwood decided to film a companion piece with this film, which was shot entirely in Japanese. The film was shot back-to-back, starting filming just one month after Flags of Our Fathers wrapped filming.
Despite being seen as the least accessible of both films, this film was much more successful at the box office than the previous film (including a colossal $42 million in Japan alone). It also received critical acclaim, particularly for how it handed the depiction of good and evil from both sides. It received 4 Oscar nominations, including Best Picture and Best Director.
  • Budget: $19,000,000.
  • Domestic gross: $13,756,082. ($21.3 million adjusted)
  • Worldwide gross: $68,673,228.

Changeling (2008)

"To find her son, she did what no one else dared."
His 28th film. It stars Angelina Jolie and John Malkovich, and is based on real-life events, specifically the 1928 Wineville Chicken Coop murders in Mira Loma, California. It follows a woman united with a boy who she realizes is not her missing son. When she tries to demonstrate that to the police and city authorities, she is vilified as delusional, labeled as an unfit mother and confined to a psychiatric ward.
The film earned $113 million worldwide, barely breaking even at the box office. The film received mixed reviews, but Jolie received praise for her performance. She was nominated for the Oscar for Best Actress.
  • Budget: $55,000,000.
  • Domestic gross: $35,739,802. ($52 million adjusted)
  • Worldwide gross: $113,398,237.

Gran Torino (2008)

"Ever come across somebody you shouldn't have messed with?"
His 29th film. It stars Eastwood, and follows Walt Kowalski, a recently widowed Korean War veteran alienated from his family and angry at the world, whose young neighbor, Thao Vang Lor, is pressured by his cousin into stealing Walt's prized Ford Torino for his initiation into a gang. Walt thwarts the theft and subsequently develops a relationship with the boy and his family.
The film received great reviews, as well as praise from the Hmong community. It ended up becoming a sleeper hit, and it earned $270 million worldwide, becoming his highest grossing film.
  • Budget: $25,000,000.
  • Domestic gross: $148,095,302. ($215.6 million adjusted)
  • Worldwide gross: $269,958,228.

Invictus (2009)

"His people needed a leader. He gave them a champion."
His 30th film. It stars Morgan Freeman and Matt Damon. Following the aftermath of the apartheid, President Nelson Mandela decides to unite his people by supporting a rugby team in their bid to win the 1995 Rugby World Cup.
The film earned $122 million worldwide, barely breaking even. It received positive reviews, and Freeman and Damon received Oscar nominations for their performances.
  • Budget: $50,000,000.
  • Domestic gross: $37,491,364. ($54.7 million adjusted)
  • Worldwide gross: $122,426,792.

Hereafter (2010)

"Touched by death. Changed by life."
His 31st film. It stars Matt Damon, Cécile de France, Bryce Dallas Howard, Lyndsey Marshal, Jay Mohr and Thierry Neuvic. An American with a special connection to the afterlife, a woman with a near-death experience and a young English boy, who lost his loved ones, cross paths in an effort to find closure in their lives.
Despite mixed reviews, it managed to earn $107 million, turning a small profit.
  • Budget: $50,000,000.
  • Domestic gross: $32,746,941. ($47 million adjusted)
  • Worldwide gross: $106,956,330.

J. Edgar (2011)

"The most powerful man in the world."
His 32nd film. The film stars Leonardo DiCaprio, Armie Hammer, Naomi Watts, Josh Lucas, and Judi Dench, and follows the career of FBI director J. Edgar Hoover, focusing on Hoover's life from the 1919 Palmer Raids onward.
The film received mixed reviews; while DiCaprio received praise, the technical aspects of the film were criticized. It earned $84 million, making it a box office success, but far below what DiCaprio usually makes at the box office.
  • Budget: $35,000,000.
  • Domestic gross: $37,306,030. ($52 million adjusted)
  • Worldwide gross: $84,920,539.

Jersey Boys (2014)

"Everybody remembers it how they need to."
His 33rd film. Base on the 2004 jukebox musical, it stars John Lloyd Young, Erich Bergen, Michael Lomenda, Vincent Piazza and Christopher Walken, and tells the story of the musical group The Four Seasons.
It received mixed reviews, with praise for the musical numbers but criticism for the narrative and runtime, and failed at the box office.
  • Budget: $40,000,000.
  • Domestic gross: $47,047,013. ($62.3 million adjusted)
  • Worldwide gross: $67,647,013.

American Sniper (2014)

"The most lethal sniper in U.S. history."
His 34th film. It is based on the memoir by Chris Kyle, Scott McEwen and Jim DeFelice, and stars Bradley Cooper and Sienna Miller. The film follows the life of Kyle, who became the deadliest marksman in U.S. military history with 255 kills from four tours in the Iraq War, 160 of which were officially confirmed by the Department of Defense. While Kyle was celebrated for his military successes, his tours of duty took a heavy toll on his personal and family life.
In 2012, Cooper and Warner Bros. bought the rights to the memoir. Cooper wanted Chris Pratt to star as Kyle, but WB told him they would only greenlight the film if he stars in it. After Kyle's murder in 2013, Steven Spielberg signed to direct. Spielberg had read Kyle's book, though he desired to have a more psychological conflict present in the screenplay so an "enemy sniper" character could serve as the insurgent sharpshooter who was trying to track down and kill Kyle. Spielberg's ideas contributed to the development of a lengthy screenplay approaching 160 pages. Due to Warner Bros.' budget constraints, Spielberg felt he could not bring his vision of the story to the screen. So Eastwood was brought in to direct.
The film attained a solid, but not extraordinary response from critics. It also attracted some controversy over its portrayal of both the Iraq War and Kyle himself.
The box office though?
To say that the film had a fantastic run would be selling it short.
It opened on Christmas Day in 4 theaters, and it earned a huge $633,456 ($158,364 PTA). But the following weekend, it actually increased despite playing at the same amount of theaters, adding $676,909. That translated to a $169,227 PTA, becoming the highest second weekend PTA in history for a live-action film. And on its third weekend, it earned $579,518 ($144,879 PTA), becoming the first film to have three weekends above $100,000 PTA. In the 22 days it played in just 4 theaters, it earned $3,424,778.
On its first wide weekend, the film shook the industry by opening with a colossal $89 million. That was almost as much as the other 2014 blockbusters, and given that the film didn't have 3D pricing, it's very likely it sold far more tickets than them. It broke the January opening weekend record by twice as much, and the second biggest for an R-rated title. With insane word of mouth ("A+" on CinemaScore), this film had the legs. In less than one week, it became Eastwood's highest grossing film domestically. On its second weekend, it dropped just 28% and made $64 million, which was the biggest second weekend for an R-rated film (a record it still maintains) and crossed $200 million domestically. And by March, the film overtook The Hunger Games: Mockingjay – Part 1 ($334 million) as the highest grossing 2014 film in North America.
After an insane run in theaters, it closed with a gigantic $350 million domestically, which made it the second highest grossing R-rated film in North America. Overseas, it was also very strong, and it made a huge $547 million worldwide. It was easily Eastwood's highest grossing film, even adjusted for inflation. One of the greatest box office runs in recent memory. It received six Oscar nominations, including Best Picture, Best Adapted Screenplay, and Best Actor for Cooper, ultimately winning one for Best Sound Editing.
The biggest surprise of the 2010s? Perhaps. Cause let's face it, when 2014, did any of you had this as the top film of the year? Or even in the Top 20? Please.
  • Budget: $59,000,000.
  • Domestic gross: $350,159,020. ($463.7 million adjusted)
  • Worldwide gross: $547,659,020.

Sully (2016)

"The untold story behind the miracle on the Hudson."
His 35th film. Based on the autobiography Highest Duty by Chesley "Sully" Sullenberger and Jeffrey Skiles, it stars Tom Hanks, Aaron Eckhart, Laura Linney, Anna Gunn, Autumn Reeser, Holt McCallany, and Jamey Sheridan. The film follows Sullenberger's 2009 emergency landing of US Airways Flight 1549 on the Hudson River, in which all 155 passengers and crew survived and the subsequent publicity and investigation.
The film received strong reviews, and earned over $240 million worldwide, becoming one of his highest grossing films.
  • Budget: $60,000,000.
  • Domestic gross: $125,070,033. ($163.3 million adjusted)
  • Worldwide gross: $243,870,033.

The 15:17 to Paris (2018)

"The real heroes."
His 36th film. Based on the autobiography by Jeffrey E. Stern, Spencer Stone, Anthony Sadler, and Alek Skarlatos, it stars Stone, Sadler, and Skarlatos as themselves and follows the trio through life leading up to and including their stopping of the 2015 Thalys train attack.
Despite choosing Kyle Gallner, Jeremie Harris and Alexander Ludwig as the leads, Eastwood decided to cast the heroes to play themselves, which was met with confusion as they lacked acting experience. And that was reflected on the final film; it received negative reviews for its acting, and it bombed at the box office.
  • Budget: $30,000,000.
  • Domestic gross: $36,276,286. ($45.2 million adjusted)
  • Worldwide gross: $57,176,286.

The Mule (2018)

"Nobody runs forever."
His 37th film. Based on the 2014 The New York Times article The Sinaloa Cartel's 90-Year-Old Drug Mule by Sam Dolnick, it stars Eastwood, Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest, and Andy García. Due to financial issues, horticulturist Earl Stone becomes a courier for a drug cartel. Slowly, he grows closer to his estranged family, but his illegal activities threaten much more than his life.
It received good reviews (although some questioned its story and tone), and earned over $173 million worldwide.
  • Budget: $50,000,000.
  • Domestic gross: $103,804,407. ($129.6 million adjusted)
  • Worldwide gross: $174,804,407.

Richard Jewell (2019)

"The world will know his name and the truth."
His 38th film. The film stars Paul Walter Hauser, Sam Rockwell, Kathy Bates, Jon Hamm, and Olivia Wilde. The film depicts the July 27 Centennial Olympic Park bombing and its aftermath, as security guard Richard Jewell finds a bomb during the 1996 Summer Olympics in Atlanta, Georgia, and alerts authorities to evacuate, only to later be wrongly accused of having placed the device himself.
The film received positive reviews, but several journalists criticized the critical portrayal of the reporter that first accused Jewell: Kathy Scruggs (specifically for trading sex for stories). The film marked another commercial failure for Eastwood.
  • Budget: $45,000,000.
  • Domestic gross: $22,345,542. ($27.4 million adjusted)
  • Worldwide gross: $44,645,542.

Cry Macho (2021)

"A story of being lost and found."
His 39th film. Based on the novel by N. Richard Nash, it stars Eastwood and Dwight Yoakam. Set in 1979, it follows a former rodeo star hired to reunite a young boy in Mexico with his father in the United States.
Nash tried to get this film made all the way since 1970s, but no studio was willing to pick it up. He restructured his films as a novel, was successful and studios were now interested. There were a few candidates for the leading role; Robert Mitchum, Roy Scheider, Arnold Schwarzenegger and Eastwood himself. Arnie was willing to star in the film back in 2003, but put it on hold when he was elected Governor. He was set to star after leaving office, but the project was scrapped after his affair scandal was made known. In 2020, Eastwood signed to return.
The film received mixed reviews, particularly for its writing and acting. It was also a huge flop at the box office, and marked Eastwood's least attended film as leading man. David Zaslav criticized the studio's decision to finance the film. Warner executives allegedly said that although they knew the film was unlikely to turn a profit, they felt indebted to Eastwood for his decades-long relationship with the studio and his consistent ability to deliver films under budget and on time.
  • Budget: $33,000,000.
  • Domestic gross: $10,310,734. ($11.9 million adjusted)
  • Worldwide gross: $16,510,734.

The Future

He recently wrapped post-production on his 40th film, Juror No. 2. It stars Nicholas Hoult, Toni Collette, Zoey Deutch, Leslie Bibb, Chris Messina, J. K. Simmons and Kiefer Sutherland, and follows a juror serving on a murder trial who realizes he may be at fault for the victim's death.

MOVIES (FROM HIGHEST GROSSING TO LEAST GROSSING)

No. Movie Year Studio Domestic Total Overseas Total Worldwide Total Budget
1 American Sniper 2014 Warner Bros. $350,159,020 $197,500,000 $547,659,020 $59M
2 Gran Torino 2008 Warner Bros. $148,095,302 $121,862,926 $269,958,228 $25M
3 Sully 2016 Warner Bros. $125,070,033 $118,800,000 $243,870,033 $60M
4 Million Dollar Baby 2004 Warner Bros. $100,492,203 $116,271,443 $216,763,646 $30M
5 The Bridges of Madison County 1995 Warner Bros. $71,516,617 $110,500,000 $182,016,617 $22M
6 The Mule 2018 Warner Bros. $103,804,407 $71,000,000 $174,804,407 $50M
7 Unforgiven 1992 Warner Bros. $101,167,799 $58,000,000 $159,167,799 $14.4M
8 Mystic River 2003 Warner Bros. $90,135,191 $66,460,000 $156,595,191 $25M
9 Sudden Impact 1983 Warner Bros. $67,642,693 $83,000,000 $150,642,693 $22M
10 A Perfect World 1993 Warner Bros. $31,130,999 $104,000,000 $135,130,999 $30M
11 Space Cowboys 2000 Warner Bros. $90,464,773 $38,419,359 $128,884,132 $60M
12 Invictus 2009 Warner Bros. $37,491,364 $84,935,428 $122,426,792 $55M
13 Heartbreak Ridge 1986 Warner Bros. $42,724,017 $78,975,983 $121,700,000 $15M
14 Changeling 2008 Universal $35,739,802 $77,658,435 $113,398,237 $55M
15 Hereafter 2010 Warner Bros. $32,746,941 $74,209,389 $106,956,330 $50M
16 Absolute Power 1997 Sony $50,068,310 $42,700,000 $92,768,310 $50M
17 J. Edgar 2011 Warner Bros. $37,306,030 $47,614,509 $84,920,539 $35M
18 Letters from Iwo Jima 2006 Warner Bros. $13,756,082 $54,917,146 $68,673,228 $19M
19 Jersey Boys 2014 Warner Bros. $47,047,013 $20,600,000 $67,647,013 $40M
20 Flags of Our Fathers 2006 Warner Bros. $33,602,376 $32,297,873 $65,900,249 $90M
21 The 15:17 to Paris 2018 Warner Bros. $36,276,286 $20,900,000 $57,176,286 $30M
22 Firefox 1982 Warner Bros. $46,708,276 $0 $46,708,276 $21M
23 Richard Jewell 2019 Warner Bros. $22,345,542 $22,300,000 $44,645,542 $45M
24 Pale Rider 1985 Warner Bros. $41,410,568 $0 $41,410,568 $6.9M
25 The Gauntlet 1977 Warner Bros. $35,400,000 $0 $35,400,000 $5.5M
26 The Outlaw Josey Wales 1976 Warner Bros. $31,800,000 $0 $31,800,000 $3.7M
27 Blood Work 2002 Warner Bros. $26,235,081 $5,559,637 $31,794,718 $50M
28 Midnight in the Garden of Good and Evil 1997 Warner Bros. $25,105,255 $0 $25,105,255 $30M
29 Bronco Billy 1980 Warner Bros. $24,265,659 $0 $24,265,659 $6.5M
30 The Rookie 1990 Warner Bros. $21,633,874 $0 $21,633,874 $30M
31 True Crime 1999 Warner Bros. $16,649,768 $0 $16,649,768 $55M
32 Cry Macho 2021 Warner Bros. $10,310,734 $6,200,000 $16,510,734 $33M
33 High Plains Drifter 1973 Universal $15,700,000 $0 $15,700,000 $5.5M
34 The Eiger Sanction 1975 Universal $14,200,000 $0 $14,200,000 $9M
35 Play Misty for Me 1971 Universal $10,600,000 $0 $10,600,000 $950K
36 Honkytonk Man 1982 Warner Bros. $4,484,991 $0 $4,484,991 $2M
37 White Hunter Black Heart 1990 Warner Bros. $2,319,124 $0 $2,319,124 $24M
38 Bird 1988 Warner Bros. $2,181,286 $0 $2,181,286 $14M
39 Breezy 1973 Universal $200,000 $17,753 $217,753 $750K
Across those 39 films, he has made $3,536,687,297 worldwide. That's $90,684,289 per film.

The Verdict

Insanely profitable.
Even the bombs do not taint this kind of reputation. Eastwood has made all these films under budget and never past its deadline. That's something that has to be treasured for studios, no wonder he's been staying with Warner Bros. since 1976. His ability to get films ready in short notice is impressive; Richard Jewell started filming in June and it was on theaters in December. One of the most impressive actors who transitioned into directors. You can tell that Sergio Leone and Don Siegel taught him well.
Now of course, his method of directing can also have its setbacks: he's often known for not asking for multiple takes and he skips rehearsals. So that means the performances of his actors aren't always the best they could've done. Which is why, despite making some masterpieces or fantastic films, he's also made a few films with weak technical aspects: poor lighting (J. Edgar), questionable logic (Cry Macho), obvious props (the fake baby in American Sniper), and some bad acting (Gran Torino and The 15:17 to Paris). At the same time, it's clear he can also get extraordinary performances through these methods; Gene Hackman, Sean Penn, Tim Robbins, Hilary Swank and Morgan Freeman won Oscars for starring in his films.
He also proved old age doesn't prevent you from continuing to work. He's turning 94 in a few weeks, and he's still directing films. Manoel de Oliveira directed films until he was 104, so perhaps we still have a few more years with Eastwood behind the camera.
P.S. Ever since I started this series, there's been suggestions that I should do "Actors at the Box Office" multiple times. While the idea is intriguing, that doesn't seem feasible for me. I'd have to categorize whether the actor is leading, supporting, original IP, adaptation, remakes, etc. Besides, with the continuing decline of star power, it's tough to decide what actor is truly moving the needle at the box office. That's why I'm making solely "Directors at the Box Office", because the director is responsible for the production. If the film succeeds, the director will get credit. And if the film flops, the director will be blamed. So this is the closest you'll get to "Actors at the Box Office".
Hope you liked this edition. You can find this and more in the wiki for this section.
The next director will be Robert Zemeckis. One of the biggest falls from grace.
I asked you to choose who else should be in the run and the comment with the most upvotes would be chosen. It had to be a controversial filmmaker. Well, we'll later talk about... Zack Snyder. Oh, BoxOffice chose fuego 🔥
This is the schedule for the following four:
Week Director Reasoning
May 20-26 Robert Zemeckis Can we get old Zemeckis back?
May 27-June 2 Richard Donner An influential figure of the 70s and 80s.
June 3-9 Ang Lee What happened to Lee?
June 10-16 Zack Snyder RIP Inbox.
Who should be next after Snyder? That's up to you.
submitted by SanderSo47 to boxoffice [link] [comments]


2024.05.20 01:17 MerkadoBarkada PSE suspends PNX, C, and INFRA; Zobels sell remaining MWC holdings; TC24: Introducing MB's Trading Cup 2024 team!; The Trading Cup competition; Meet Matthew, Jenny, and Sef; Good luck team!; Alternergy's first public Q&A (Monday, May 20)

Happy Monday, Barkada --

The PSE lost 10 points to 6619 ▼0.1%

Today is MB's 5th birthday!
I'm not really a big celebrations guy, so I'm not sure how to mark the occasion, except to say that I'm thankful for your continued readership and for the community of great people that has grown up around the newsletter as the days turned into weeks, turned into months, and turned into years.
Want to see something crazy? Here's MB's very first episode.
For those who have been there from the beginning, thank you for guiding MB's development through all of my weird experiments over the years. Your comments, support, and willingness to help always leave me speechless.
For those who support MB on Patreon now and in the past, your generosity in paying for something that you receive for free is humbling. Your support has helped me build scripts, host my site, and pay for help.
For those who contribute to MB directly, like Jewel, and to all of my partners, Mike Tan of Vini.com, Ely Paclibar (Your REIT Buddy), and Investagrams, thank you for working with me every morning to stitch this newsletter together. It wouldn't be the same without you.
Today is something of a long episode, but I hope you'll indulge me on MB's birthday because I really hope that you'll like the segment about the team of traders that I've sponsored to enter the Trading Cup 2024 competition, and the review of Alternergy's STAR Investor Day presentation.
Hope you like it!

In today's MB:

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▌Today's sponsor: DoubleDragon

▌Main stories covered:

  • [UPDATE] PNX, C, and INFRA suspended for failure to submit Annual Reports... The PSE issued suspensions to three companies [link] prior to the open of trade on Friday morning for failure to submit FY23 Annual Reports. The three companies suspended are Phoenix Petroleum [PNX 4.17 ▼0.2%; 0% avgVol], Chelsea Logistics [C 1.30 ▲4.0%; 0% avgVol], and Philippine Infradev [INFRA 0.53 ▲1.9%; 0% avgVol]. AgriNurture [ANI 0.62 ▲8.8%; 305% avgVol] narrowly avoided suspension by submitting its Annual Report 38 minutes before the PSE’s suspension deadline. The ANI FY23 Annual Report disclosure erroneously reports a net income improvement of 1560% to ₱146 million, instead of a ₱146 million net loss, perhaps this oversight comes from a behind-the-scenes race to submit before the deadline.
    • MB: I’m married to an accountant who did the auditing grind for years, so I know that it’s not easy to put these reports together; they’re complex and knock-ons from problems in any of the subsidiaries can cause problems that ripple up the chain and back down. That being said, producing these annual reports is something of a bare-minimum condition of public corporate life. Every management group rides its accounting department and its auditing team into the dirt to get its quarterly and annual reports out on time. I don’t have any inside knowledge into why PNX, C, and INFRA are in this position, but I listen to the silence from these management groups. Good teams communicate with their minority shareholders in times of uncertainty, and a trading suspension is a time of great uncertainty for retail investors.
  • [NEWS] **Ayala Corp sells remains of its MWC holdings to Enrique Razon for ₱14.5-B... Ayala Corp [AC 620.00 ▲1.3%; 131% avgVol] [link] disclosed that its subsidiaries, Michigan Holdings and Philwater Holdings, would sell their combined holdings in Manila Water Company [MWC 26.60 ▼1.5%; 123% avgVol] to Trident Water Company Holdings (TWC), which is owned by MWC’s current owner, Enrique Razon. The combined value of the two sales to TWC is ₱14.5 billion. The block of shares coming to TWC through Michigan Holdings was already processed and paid-for (~₱12.9 billion), and the remaining ₱1.6 billion worth of shares from Philwater Holdings will be purchased in installments over the next five years. AC confirmed that it will have no post-transaction common share interest in MWC, and that its voting stake will be “nil”.
    • MB: In a weird way, the transfer of ownership and control of MWC from the Zobel Family to the Razon Family is one of the only lasting “achievements” of the Duterte administration. I put “achievements” in quotation marks because it’s not clear how the President’s overreach into the public markets benefitted anyone other than the obvious (MWC’s current owner). As longtime readers of MB will know I have a deep respect for Mr. Razon’s business acumen and operational quality, but I don’t know that MWC customers have necessarily felt any change as a result of this transfer, and I don’t know that minority shareholders have felt any change either. So maybe it was just Mr. Razon in the right place at the right time while Duterte rode the media waves of threatening the Zobels with death and dismemberment? Yeah, it was a weird time.
  • [TC24] Introducing MB’s Trading Cup 2024 team!...Merkado Barkada** is sponsoring a team of three traders to compete in Trading Cup 2024 hosted by Investa, where hundreds of traders will be competing for up to ₱640k in total prizes based on their trading performance with ₱300k in virtual currency across the PSE, US markets, and crypto markets. This is a long competition (it runs from April 22 through July 26), so we will follow the members of Team MB throughout the contest to check in on what’s working, what’s not working, and what it’s like on the front-lines of the country’s largest trading tournament. Let’s meet the team!
    • “Hi I’m Matthew. I’m a project manager in network engineering in the telecommjnications industry and an agency leader in one of the top global brands in insurance. I have been trading since 2016. Though I like momentum trading, I found more success in position trading because it is less volatile since I can only check my open positions during my free time.” Matthew is 37 and lives in Paranaque. Trading experience: PSE (8 years), US (1 year), CRYPTO (1 year).*
    • “Hi I'm Jennelyn. I'm a Civil Engineer by profession in a government organization. I started trading back in 2020 for a year. I was reckless back then, but I've learned a lot, I'd say. I stopped trading in 2021 to focus on my career and I shifted my trading journey to learning first. Now with the Trading Cup I've found another motivation to push through. I tried day trading, and it was really frustrating and draining, so this time I'm doing swing trading through price action and volume.
    • “My name is Sef. I'm currently in college studying Management. I've been mostly self-taught but over the years I took a lot of learnings from other people. I've tried a lot of strategies but most of the time I'm a swing trader. So, I try to look for strong catalysts and take positions within times of consolidations. My implementation of it during the competition hasn't been perfect, partly due to finals week. But I trust in the process. I've been trading in the PSE for 5 years now. I only started trading the US markets and Crypto, recently. I think my current performance in the competition is reflective of my experience within the three markets. [PSE: +17.4%, CRYPTO: +4.2%, US: -11.5%]. We still have a few months to go and it's still anyone's game. A lot of the top leaderboard right now is primarily driven by 1 or 2 positions that no one saw coming, I think you can guess which stocks I'm referring to.
      • MB: Welcome to the team, Matthew, Jenny, and Sef! My goal in founding Team MB is to give readers a little insight into the thought processes behind the winning and losing trades of each team member. We have a diverse group across age, background, experience, and trading style, so I think we’ll get some interesting perspectives on the markets as the weeks go by before the July 26 finale. The team members will get to keep 100% of any prizes that they win, along with a monthly stipend from Merkado Barkada for all the coffee/snacks needed to keep focus on all three markets simultaneously. Good luck, team!
  • [NEWS] Alternergy conducts first public Q&A since IPO... Alternergy [ALTER 0.70 ▲1.4%; 159% avgVol] presented its Q1 results on Wednesday as part of the PSE’s STAR Investor Day event, and MB was there to document its first public Q&A with institutional and retail investors since its IPO over a year ago. For me, the most interesting component of any STAR presentation is the Q&A, because it’s where we get the chance to hear the management team talk outside of the the cold forensics of the financial statements to address the hope, fear, optimism, and pessisim of the average investor.
    • On enhancing shareholder value: The ALTER team said that it’s focus is on controlling what it can control, and that as a developer, it does everything that it can to complete projects “within the timeline and committed budget”, increase its pipeline, and build good relationships with stakeholders.
    • On its growth strategy: ALTER said that its “DNA is a developer”, and therefore its “preference is brownfield development” as opposed to acquisitions. (MB note: “Brownfield” means development on land that has been previously used for some other purpose. “Greenfield” would be development on untouched land.) The management team said that it is open to being “opportunistic” with acquisitions, but that its overall focus is on “looking for projects from the ground and building them toward completion.”
    • On outlook of renewables market: “The power industry is really at the point where there is a sustained pressure towards a price increase.” The ALTER team said that there’s a shortage of power supply, and what existing supply there is will come under pressure as power plants age or weather phenomena disrupt operations. ALTER said that it’s strategy is to simply grow its portfolio into this market gap, especially over the next two years.
    • On wind vs solar: The ALTER team was asked whether it was intentional to be “more exposed to wind rather than solar”, and ALTER responded by saying that while both wind and solar are scalable, they “like wind” because it generates more electricity per installed capacity. As the ALTER team put it: “For instance, if we build a 50 MW solar, you’ll only need a 25 MW wind project to match the amount of energy that we will be generating.” ALTER said that wind is also less intensive in terms of land use to generate the same amount of energy, and that its analysis shows that wind projects generate more cash flow than solar projects.
    • On starting to distribute dividends: *One question asked when ALTER would start paying dividends, and the ALTER team responded (after a laugh) that it’s “all about resource allocation”. ALTER said that at this stage, it’s a growth company, and that it would like to use its resources to build a “sizeable portfolio over the medium term” with the goal of “increasing shareholder value.” ALTER said that once it has achieved that goal, “dividend payments would not be far behind.
      • MB:Kudos to any management team that takes questions from the public. It’s not easy to be this communicative and transparent, but as a long-term investor, this kind of insight into the management team’s thinking and analysis of their own data and the market as a whole is important. If your trading style is technical, ALTER’s analysis of wind versus solar isn’t going to matter to you at all, but if your thesis is based on bets in the power generation sector, that response might trigger some research that could be helpful. Overall I’d say that the ALTER team did very well. It was clear that they were nervous, but over time I’m sure the team will become more comfortable with answering the questions and interacting with the investing community in such a person-to-person way. Well done, ALTER!
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submitted by MerkadoBarkada to phinvest [link] [comments]


2024.05.20 00:41 Ok-Salamander6253 [LFP][Pathfinder 1e][Paid][12$/session] Curse of the Crimson Throne [Sunday, 3 pm EST (GMT 7 pm), Weekly]

The king is dead! In the Varisian port city of Korvosa, the death of a monarch leads to chaos, and only the PCs can hope to save the city from its own darkest tendencies. As the rule of the young queen grows more and more draconian, it's up to a band of bold adventurers to stop the spread of tyranny before all of Korvosa is crushed beneath her iron fist.
In the Curse of the Crimson Throne Adventure Path, the heroes delve into the depth of urban adventure in order to stop riots, combat a plague, root out organized crime, and rescue political prisoners before escaping to the harsh badlands of the Storval Plateau, where only the friendship of the barbaric Shoanti and a weapon drawn from the heart of a gothic castle can give them the strength to return and depose the evil queen once and for all.
Freshly starting one of the most well known PF1e campaigns, that has a very good combat/RP balance (the results are varied by the group). Themes of the campaign include but not limited to politics and tyranny, city life, death cults and epidemics.
New players are as welcome as more experienced ones.
Please note, this is a paid game (12$/Session via paypal), session zero is free. Roll20 is not responsible for any payment transactions and cannot enforce any private arrangements.
From me you can expect official paizo materials for the campaign with additional maps (dynamically lit) and handouts gathered from the web and fully adapted, some voice acting, API scripts and macro, help with your characters and bookkeeping.
I've been playing and GMing PF1e from the very start (can't guarantee that I know all the rules and classes but familiar with a lot) and try to keeps things mostly RAW, with no 3rd party, variant rules may be used after discussion with players. Also, as most official APs, this one doesn't work well with evil characters, so yours is expected to be neutral or good.
Applications are below, there's a form in the listings or you may contact me via PM or Discord mxlsnk (you may also ask questions, of course). We are ready to start when we have at least 3 players.
Official listings page: https://app.roll20.net/lfg/listing/397561/pf1e-sunday-curse-of-the-crimson-throne-fresh-start
submitted by Ok-Salamander6253 to roll20LFG [link] [comments]


2024.05.20 00:41 Ok-Salamander6253 [LFP][Online][Roll20][Pathfinder 1e][Paid][12$/session] Curse of the Crimson Throne [Sunday, 3 pm EST (GMT 7 pm), Weekly]

The king is dead! In the Varisian port city of Korvosa, the death of a monarch leads to chaos, and only the PCs can hope to save the city from its own darkest tendencies. As the rule of the young queen grows more and more draconian, it's up to a band of bold adventurers to stop the spread of tyranny before all of Korvosa is crushed beneath her iron fist.
In the Curse of the Crimson Throne Adventure Path, the heroes delve into the depth of urban adventure in order to stop riots, combat a plague, root out organized crime, and rescue political prisoners before escaping to the harsh badlands of the Storval Plateau, where only the friendship of the barbaric Shoanti and a weapon drawn from the heart of a gothic castle can give them the strength to return and depose the evil queen once and for all.
Freshly starting one of the most well known PF1e campaigns, that has a very good combat/RP balance (the results are varied by the group). Themes of the campaign include but not limited to politics and tyranny, city life, death cults and epidemics.
New players are as welcome as more experienced ones.
Please note, this is a paid game (12$/Session via paypal), session zero is free.
From me you can expect official paizo materials for the campaign with additional maps (dynamically lit) and handouts gathered from the web and fully adapted, some voice acting, API scripts and macro, help with your characters and bookkeeping.
I've been playing and GMing PF1e from the very start (can't guarantee that I know all the rules and classes but familiar with a lot) and try to keeps things mostly RAW, with no 3rd party, variant rules may be used after discussion with players. Also, as most official APs, this one doesn't work well with evil characters, so yours is expected to be neutral or good.
Applications are below, there's a form in the listings or you may contact me via PM or Discord: mxlsnk (you may also ask questions, of course). We are ready to start with at least 3 players.
Official Roll20 listings page: https://app.roll20.net/lfg/listing/397561/pf1e-sunday-curse-of-the-crimson-throne-fresh-start

submitted by Ok-Salamander6253 to lfgpremium [link] [comments]


2024.05.19 23:40 Toplinkar How do you guys feel about the story in HSR so far? I am disappointed. Spoilers ahead

SPOILERS AHEAD
TLDR: After finishing the Penacony story arc I feel like nothing meaningful happened in the story since the prologue and I lost my excitement for this game. Do you guys feel this way too?
Hey folks, I just finished the Penacony story arc this week and I hate to say it but... I am very disappointed by the lack of development in any meaningful aspect of the story.
Now, I know some things happened, we got the reveal of Acheron as an emanator of Nihility, we discovered that all of the popular characters in the Clockie animation are based on the Nameless of the past that helped shape the Penacony that we see, etc.. My point is that for all the cool reveals and new characters, absolutely nothing of any substance ever happens in the story. For example:
And it is not only Penacony, from the top of my head
And on the topic of the prologue, we have a cool set up about how the Nanook the Destruction is a mission to destroy the whole universe and Elio is seemingly trying to prevent it, a script in which we seem to have a pivotal role to play... and that plot line is barely mentioned afterwards, nothing meaningful happened yet.
Overall my excitement for the game has hit rock bottom, what is the point of meeting new characters and exploring new worlds if everything will stay the same as before we arrived ther?
How do you guys feel about the story? Does any of this bother you too or do you think I am being a bit too harsh on HSR?
submitted by Toplinkar to HonkaiStarRail [link] [comments]


2024.05.19 22:57 HashTagFinallyWoke Haitian Immigrant Wisner Desmaret Killed Ofc Adam Jobbers-Miller w/ His Own Gun, Calls Attorney Transgender

Haitian Immigrant Wisner Desmaret Killed Ofc Adam Jobbers-Miller w/ His Own Gun, Calls Attorney Transgender
Wisner Desmaret, Adam Jobbers-Miller
https://youtu.be/RpE6VOV0RMI?t=2
https://youtu.be/LzJPuP58HLQ?t=31
https://youtu.be/q-XJsLe8-OA?t=31
https://youtu.be/V9w1b-k-2hs?t=95
https://youtu.be/uXgpSk_TQlc?t=25
https://youtu.be/5g32BsENPo8?t=7
https://youtu.be/mQyGmSIcv7U?t=42
https://youtu.be/UXckGXmNnGY
https://youtu.be/b6RKlldp4BA?t=48
https://youtu.be/WMvjkmZtlDA?t=33
Calls State Attorney Trangender
https://youtu.be/8snjrF5dPUs
https://youtu.be/xETGIJAaugk?t=42
https://youtu.be/rR0DFzHwfW4?t=34
https://youtu.be/lr-LOBVFgUI
https://youtu.be/dfbHB88-wtI?t=2
https://youtu.be/3l5pE2eAwHY
https://youtu.be/U4CD2ex_TxU?t=97
https://heavy.com/news/2018/07/wisner-desmaret/
https://www.news-press.com/story/news/crime/2019/07/28/fort-myers-police-officer-adam-jobbers-miller-kiling-what-we-know-wismer-desmaret/1794607001/
https://www.foxnews.com/us/ice-files-detainer-against-man-accused-of-shooting-florida-officer-in-head
https://www.dailymail.co.uk/news/article-6010869/Florida-officer-killed-gun.html
https://cbs12.com/news/cbs12-news-i-team/suspect-accused-of-shooting-fort-myers-police-officer-arrested-24-times
https://www.wfla.com/news/florida/state-seeks-death-penalty-for-man-accused-of-killing-florida-cop/
https://winknews.com/2023/05/16/wisner-desmarets-trial-sparks-mental-health-conversation/
https://www.facebook.com/tariqnasheed/photos/a.10150360826830160/10160965934505160/?type=3
https://x.com/tariqnasheed/status/1023406826270814210
https://x.com/peterbuschTV/status/1646251254006390785
https://x.com/JohnGLovesLife/status/1021900763658956800
https://x.com/ndn/status/1026518548594614275
https://x.com/PrimeBisonNFTs/status/1023386048288710656
https://x.com/infowe/status/1024652725139558401
https://x.com/peterbuschTV/status/1646251254006390785
https://youtu.be/XwqP5U_CejI?t=1
https://youtu.be/10uxUGyg8KA?t=12
https://youtu.be/2hKEfgjCqr4?t=45
https://youtu.be/H2A-mTpz_8g
https://youtu.be/c0XEwKeeS_k
https://youtu.be/wXN7aVnZEw0?t=63
https://youtu.be/e0BEqgLKylU?t=11
https://youtu.be/vgKGPG0gYc4
https://youtu.be/9sommDqNoCs?t=9
https://youtu.be/D5ADpxf99HI?t=46
https://youtu.be/S2vn5Nu4BRY?t=36
https://youtu.be/Ah2Oz_V1Fd0
https://youtu.be/OPQovy003Io?t=31
https://youtu.be/snT_4oCUqQM?t=46
https://youtu.be/nmcqfYqryUc
https://youtu.be/WxzaPIa1jzU?t=2
https://youtu.be/v87R-fUDPPQ?t=62
https://youtu.be/bh-zzph53kc?t=61
https://youtu.be/d96v-o4-1-8
https://youtu.be/FHs35lXyYL4?t=58
https://youtu.be/wQy2CgE5W-k?t=70
https://youtu.be/OO5Jem6XTto?t=34
https://youtu.be/0sRE1fczB8M
https://youtu.be/pCsbxU7Qdjo?t=6
https://youtu.be/oH05PAtv9DY?t=57
https://youtu.be/SO0X3oGH6ng?t=29
https://youtu.be/SqgQSHOm4GY?t=7
https://youtu.be/fE5bVev934Q
https://youtu.be/gWDMbSTZSAk?t=9
https://youtu.be/lR-nmUgt-Q4?t=2
https://youtu.be/eMoHt8zwXFg?t=6
https://youtu.be/JxkuZsFFu5c
https://youtu.be/bvTZK7gY5bU?t=39
https://youtu.be/XiIoqAbqLBE?t=128
https://youtu.be/YHiZSbAjxqc?t=16
https://youtu.be/lzRH70J7ZqY?t=50
https://youtu.be/fbKZ_mOObTI?t=306
https://youtu.be/FZKxu39-hfs?t=9
https://youtu.be/wjFDR76Ge7E
https://youtu.be/YVotD1kXYEU?t=41
https://youtu.be/ThuSJmoz100?t=74
https://youtu.be/5wTNrFqPPs8?t=96
https://youtu.be/U050r_zvUg0
https://youtu.be/L-Hn9GiyZSA
https://youtu.be/HAHRwnsKLLQ
https://youtu.be/yO2A7Ozv0QQ
https://youtu.be/jav20aUsoh4
https://youtu.be/L2C3Y5bP9lc
https://www.gofundme.com/f/officer-adam-jobbersmiller-fund
submitted by HashTagFinallyWoke to Justice4Victims [link] [comments]


2024.05.19 22:50 EurekaStockade 1020/---Iran's President Missing in Helicopter Crash-- HELICOPTER= 666

1020/---Iran's President Missing in Helicopter Crash-- HELICOPTER= 666
In this post I explain what they're signalling by staging a high profile Helicopter Crash --
https://preview.redd.it/5q4q0ngu1g1d1.png?width=331&format=png&auto=webp&s=f8793490ce725fcdea4c852cc97c00cd864ff1c7
19 May-- Iran's President is Missing after his helicopter crashed in predictably a remote area
why they chose this date--
19 May= 223 days after the 322nd anniv of Yale / Skull & Bones
8 years 8 months 8 days after Bin Laden Crane Collapse Disaster at Mecca on 11 Sep 2015
22 Weeks 3 days after Iran President's birthday on 14 Dec
.
My prediction for this date was--
NINETEEN MAY TWENTY TWENTY FOUR SAUDI KING SALMAN DIED= 666
Right on schedule--News just breaking--
19 May-- Headline Saudi King has Lung inflammation
LUNG INFLAMMATION= 181
RED SEA EXPLOSION= 181
WORLD WAR THREE= 181
GLOBAL RESET= 181
.
19 May 2024= exactly 225 Weeks after Kobe Bryant's Helicopter Crash death on 26 Jan 2020
MIDDLE EAST WARS= 225
NUCLEAR MELTDOWN= 225
ECONOMIC CRASH= 225
CURRENCY CRASHES= 225
.
Time of the crash-- 13:30
NUCLEAR ACCIDENT= 133
.
The Helicopter Crash supposedly occurred in Varzaqan---
VARZAQAN= 116
11 Weeks 6 days after Rothschild's death on 26 Feb
ROTHSCHILD= 116
WORLD ECONOMIC CRASH= 116
GLOBAL RESET= 116
11 Months 6 days later--
25 April 2025--my prediction for Global Financial Crash
119 Months after Dow Jones 119th birthday
TWENTY FIVE APRIL TWENTY TWENTY FIVE PENSION FUNDS CRASH= 666
.
8TH IRANIAN PRESIDENT= 119
He'd just made it past his 1019th Day in office
Spooks are still writing the script--they havent decided whether they will kill them off or not
.
IRAN= PERSIA
PERSIAN GULF DISATER= 223
Iran's President is Ebrahim Raisi
Ebrahim means Abraham
USS ABRAHAM LINCOLN BOMBED= 223
.
1 June= 8 years 8 months 8 days after the deadly 2015 Mecca Stampede on 24 Sep 2015
666 days after the Mecca Clock was struck by lightning on 5 Aug 2022
Day 828 days of Putin's Invasion
(Pearl Harbour attack occurred 828 days after Hitler invaded Poland)
22 weeks 3 days before the US Presidential Election
AIRCRAFT CARRIER WILL BE BOMBED IN THE RED SEA= 666
.
ONE JUNE TWENTY TWENTY FOUR USS ABRAHAM LINCOLN CATASTROPHE= 666
.
28 June 2024-- Saudi King Salman will be 32, 322 days old
22 Months 23 days after the Mecca Clock was struck by lightning on 5 Aug 2022
223 days after the 33rd anniv of the Persian Gulf Oil Spill Disaster 19 Jan 1991
TWENTY EIGHTH JUNE TWENTY TWENTY FOUR PERSIAN GULF DISASTER= 666
or
TWENTY EIGHT JUNE TWENTY TWENTY FOUR SAUDI CROWN PRINCE MOHAMMED BIN SALMAN WILL BE ASSASSINATED= 1191
.
also keep an eye on---
19 Jan-- 33rd anniv of 1991 Persian Gulf Oil Spill
PERSIAN GULF= 128
128 days later--
26 May= 128th birthday of Dow Jones .
other dates to watch--
7 July 2024= 12,223 days after the 1991 Persian Gulf Oil Spill on 19 Jan 1991
12 Aug= 12/8-----PERSIAN GULF= 128
30 Aug 2024= 11,911 days after the 1991 Persian Gulf Oil Spill
submitted by EurekaStockade to conspiracy [link] [comments]


2024.05.19 22:13 wheresmylife-gone222 Star Wars Episode 1:The Beginning- A TPM rewrite heavily based on the 1994 draft (through not a carbon copy)

I think its common knowledge in these circles that the first draft of TPM from 1994 (originally called The Beginning) is much better. Still very flawed, but a good baseline for a better movie.
For some reason, Lucas added many things in the final draft that made the movie a lot worse. It's fascinated me for a while now about how things could have been if the original script was built upon.
I have been watching videos summing up the original draft for a while now and I discovered something. Apparently Lucas gave his final TPM draft to Lawrence Kasdan a week before shooting started and asked for him to take a look at it. However, Kasdan refused because he though he wouldn't have enough time to make revisions.
I want to imagine how TPM would look if Kasdan or some other hypothetical collaborator got to see the first draft in 1994 and fixed it up. This isn't my preferred PT rewrite. This is just what I would have done if Lucas had dropped his first draft in my lap and told me to revise it.
Here are the videos I got the information from:
https://www.youtube.com/watch?v=TPHUWM3QNk0
https://www.youtube.com/watch?v=OqsD8s2W9Ho
The movie starts with an opening crawl talking about how it is a time of weakness in the Republic. The Outer Rim controlled by megacorporation's has seceded backed by droid armies. War has not broken out yet, but the galaxy is on the brink. They are now blockading the peaceful planet of Utapau to gain its rich plasma mines as well as its newly discovered Cloning formula. The Supreme Chancellor Valorum has dispatched two Jedi to investigate and/or negotiate if they can.
We then cut to a republic starship coming to land just like in the finished film. Only the Jedi are wearing samurai esqe uniforms (like the concept art), one black and one white. The black uniformed Jedi is Obi Wan Kenobi who is about 30, trained by Yoda and is already a full Jedi Knight. Very strict and by the book. The white uniformed Jedi is his brother Ben Kenobi who just became a full jedi. This is Ben's first mission without his master Oui Gon.
Ben Kenobi is very reckless and wonders why the Republic doesn't just declare war on the Confederacy already. Obi Wan argues with him while they wait in the conference room. Meanwhile Nute Gunray and the rest of the Nemoidians look more like how they do in early concept art. Much less humanoid and they speak in an alien language with subtitles.
They call Palpatine on the hologram and he is enraged that they let the Jedi land. He chokes Nute Gunray through the hologram, cowing him. They agree to kill the Jedi and things go similarly as in the finished movie. The ship is blown up, and poison gas is pumped into the conference room. Ben and Obi Wan cut their way through the battle droids and get to the hanger. They decide to stow away on the landing craft.
On the surface of Utapau they run into Jar Jar. In this version though, Jar Jar while emotional and still comic relief speaks in a normal voice and is a bit more mature. He's more of the everyman character. Ben persuades Jar Jar to take them to the Gungan city with a mind trick, this is something Obi Wan disapproves of. Ben is more unorthodox.
They get there and are captured just like the real film. The only difference is that all the Gungans have regular voices. They are taken to Governor Nass and we learn that Jar Jar was banished because he was a trouble maker who argued for more cooperation between the Gungans and Humans. As he rants, fish continuously fall through the bubble and a young gungan gathers them up and puts them outside again.
The two Jedi still convince him to call the humans and the whole bubble is engulfed in static. It is clear that communications have been cut off. The two Jedi are then given a submarine and told to try to navigate the planet core. Nobody has been able to do it in generations and it is clear Nass thinks its a suicide mission, a convenient way to get rid of three nuisances. They then travel through the planet core being attacked by various creatures while Jar Jar is kept calm through mind tricks.
We then cut to the city of Oxon (what later became Theed) where Queen Amidala who is 40 and her daughter Princess Padme around 14 are being briefed by captain Panaka and Sio Bibble. The Queen is complacent while Padme thinks they should take the fight to the Confederacy. Suddenly the droid army attacks the city and we see building being blown up and city guards killed.
The Queen, Padme, Panaka and all the other dignitaries are captured. Nute and the rest of the Nemodians show up as well to gloat like in the final movie and give some more exposition about how they want Utapaus cloning formula. We then see the Gungan submarine surfacing and the Jedi and Jar Jar sneak into the city.
They find the prisoners being walked down an alley and save them like in the real movie. Ben uses some flashy moves to finish the droids off and is almost killed by another droid while his back is turned. Obi Wan cuts the droid down and admonishes Ben for his recklessness. The Queen and co are pleased to see two Jedi knights but they are very hostile towards Jar Jar. Which the Jedi are displeased over.
They run to the hanger like the finished film and free the Pilots, however a stray blaster shot kills the Queen with Padme screaming in horror as they board the ship. The humans also try to prevent Jar Jar getting on board but the two Jedi insist upon it.
The ship gets attacked by the blockade and Naboo guards man gun positions while astromech droids finish the repair. After they get into hyperspace there is only one droid left. R2D2 who is thanked by a still in grieving Padme. She goes off down into the droid bay to be alone and runs into Jar Jar who consoles her. This starts Padmes turn towards liking the Gungans instead of being bigoted towards them.
Meanwhile Ben and Obi Wan look through the planets accessible through their damaged hyperdrive and only find one inhabited world. Tatooine, which most of the royal guards/pilots are horrified about. Still they have no choice so they land. Padme goes with the Jedi despite protests. She wants to see another planet and get some fresh air after what just happened. Panaka lets her go reluctantly because she has two Jedi to guard her. Jar Jar also goes with them because the Utapau humans say he's "stinking the ship up".
We then cut to Utapau again where Nute Gunray and the Nemoidians are talking to captured scientists about their cloning program. They look at something in a cloning tank and look impressed. Then a hologram droid walks in projecting Darth Sidious. He castigates them for their failure in letting the princess get away and they grovel before him again. Darth Sidious says its no matter, as he will send his apprentice, Darth Maul. The Sith warrior himself looks even scarier than in the film we got with him looking like the concept art, he also has blood red robes.
We cut to a balcony on Coruscant where master and apprentice talk. Maul speaks more than in TPM and says how eager he is to get revenge on the jedi, they are no match for me yada yada.
Back on Tatooine in Mos Espa we see our heroes trying to get the part they need. It is a rowdy place and a leering slimy alien (Sebulba but we don't know that yet) tries to touch Padme arm but she elbows him and after that the crowd gives them a wide berth. Obi Wan and Ben sense something, an overpowering aura of the force. They follow it and find themselves in front of Wattos junk shop.
They meet Anakin who is 14 the same age as Padme. He is mature for his age and has a bit of a chip on his shoulder from being a slave. We also meet Watto but he resists the mind tricks because of his strong will, not because of his species. Things go similarly, though the dialogue would be much better, no "are you an angel" in this version. Jar Jar still clumsily breaks a few things but it is more toned down. Watto also hits Anakin and tells him to get back to work. Ben grabs Wattos arms as he is about to hit him again while Obi Wan helps him to his feet.
The heroes get nowhere with Watto especially after stopping Wattos abuse and a sandstorm starts to blow in so Anakin offers to take them to his place. We meet Anakin's adopted mother Shmi Lars and her son Owen Lars who is older (19) and very protective of his little brother. At the dinner scene we learn about Anakin's Podracing (how he's nicknamed Skywalker) and how many people gamble on it for huge sums of money. Ben gets an Idea while we also see just how rare Jedi actually are in most of the galaxy with Owen calling them wizards.
We then see Anakin working on his Pod while talking to Padme. They both share their own struggle going up. Padme says she's never met anyone like Anakin while Anakin says he's never met anyone like her either. He then kisses her on the cheek while Jar Jar (who was watching out of boredom) jumps in surprise. Meanwhile we see the Jedi helping Shmi and Owen with the dishes.
The topic of Anakin's father comes up. We learn that Shmi's sister left Tatooine when she was young in search of adventure. Years later she came back and gave Shmi baby Anakin begging her to take care of him before leaving. She had a lightsaber on her belt same as the two Jedi now. She also tell them how Anakin is special and can see things before they happen, just like her sister.
Ben says Anakin needs to be trained as a Jedi while Obi Wan resists the idea saying he's too old. He's all about giving the family their freedom but not taking along Anakin. Owen is Obi Wans side, saying Anakin's head is already off in the clouds as it is. Being a Jedi won't help him, he needs to be grounded and down to earth. His idealism is going to get him killed. Shmi isn't sure which side to take in the argument and defers judgement until after Anakin hopefully wins the podrace tomorrow.
Ben goes out and talks to Anakin and tells him about the Jedi and the Sith. We get a whole spiel about how strong Anakin is and how he would be a great asset to the order. Meanwhile, Darth Mauls ship lands on Tatooine at dusk and he sets out different probes to find the Jedi and the Princess. He smiles evilly to himself, showing rotting teeth.
The pod racing stuff is basically the same, only Padme is outraged when Sebulba threatens Anakin and Ben/Obi Wan manage to get the freedom of Owen and Shmi as well by trickery (not sure how). There is no two headed announcer and no Jabba cameo either. At the end, in desperation, Anakin uses his force powers to crash Sebulbas pod killing him. Nobody notices that Anakin used the force except the two jedi who look on in concern
While everyone else gathers around Anakin's pod to celebrate Ben and Obi Wan have a heated argument in the shadows of the bleachers. Obi Wan takes this as a reason why Anakin shouldn't be trained while Ben thinks that it would be better to teach Anakin before he falls down the path of evil. Eventually they agree to let Anakin decide, Obi Wan saying he'll probably want to stay with his family.
However Anakin decides to go. His mother respects his decision and is proud of him while Owen is furious, but accepts the decision as well but telling Anakin that one day he'll regret his choice and when he does he's always welcome to come live with them again. The family hugs while everyone else just kind stands around.
They walk back through the desert when they encounter a probe droid. Obi Wan slashes it with his lightsaber and tells everyone to run. Everyone runs inside while Maul approaches in his speeder bike. The fight goes differently as it is a two one one fight. They all exhibit powers never seen in the original trilogy like levitating objects swirling around them, going super fact, and slow motion. Basically a Matrix fight with lightsabers before they both jump onto the ship.
The scenes as they travel to Coruscant are similar. Anakin and Padme miss their parents etc. They then arrive at Coruscant and it is basically like the finished movie in design. They land and meet Chancellor Valorem, Senator Palpatine, and Qui Gon Jinn. Qui Gon hugs Ben like a son while Palpatine talks to Padme. Padme then talks to Jar Jar about how she doesn't understand the rift between the Gungans and the Humans. We then learn that the Gungans have a large army. Padme has an idea and decides to go back to Utapau.
The senate scenes are cut down dramatically. Its more of a montage showing Padme's increasing frustration before she finally calls for a vote of no confidence while Palpatine smiles sinisterly. The Jedi Council meanwhile consists of three members. Qui Gon who is a very unorthodox Jedi mindful of the living force (wanting the jedi to go and help the common people more), Mace Windu a bastion of militaristic conservatism (wanting the Jedi to take their rightful place as generals/leaders, and Yoda who wants to stay the course on isolationism and study of the force.
We don't see the Jedi trials, Anakin just talks about them to Ben, Obi Wan and Qui Gon. He says he didn't understand them, and Qui Gon who has taken a liking to this upstart kid says he wasn't supposed to. They are all called in and Mace says Anakin shall not be trained. He is too old and there is much anger in him. Anakin is heartbroken while Obi Wan nods grimly in acceptance. Ben Kenobi however is not having it. He says he shall train Anakin with or without the councils permission. Mace denounces this as Heresy while Qui Gon smiles. Yoda sighs and says the matter will be decided after this current crisis has ended.
Ben, Obi Wan, and Qui Gon all decide to go with Padme, but Anakin is told to stay behind. There is also the discussion about how Anakin is dangerous which Anakin overhears. Being told by Ben and Qui Gon that he's not a problem and how he will be a Jedi. Anakin gets an idea and sneaks aboard the ship with the help of R2. He is quickly discovered to Obi Wans rage and Bens laughter.
They get back to Utapau and have to go through the blockade. Anakin is able to hyperspace jump between the ships and the planet with motivation from Ben. Our heroes then try to find the Gungans at their city but it has been completely blown up. We actually see this though, as well as Jar Jars sorrow before he remembers the Gungans sacred place.
They go there and like the movie Padme makes a big speech about overcoming difference, with Jar Jar intelligently backing her up. We then get ready for the battle. Anakin tinkers with a disabled battle droid and finds out there is a second droid control hidden somewhere in the palace. So the plan is set. The Gungans will distract the droids, while the humans will infiltrate the palace, one team disabling the backup control systems and the others capturing Nute or stealing starfighters that will be used to take out the droid control ship.
The plan goes into action and things are kind of similar to the finished film, though Jar Jar shows intentional heroism instead of the goofy antics in TPM. When the starfighters are launched though, Padme goes into the fighter with Anakin. Him being the pilot and Padme being the gunner. The rest of the human teams make short work of the battle droids. However when they reach Nute a surprise is awaiting them, clones.
These clones look kind of like Dark Troopers and a Super Battle droid had a kid. They decimate the Utapau soldiers while Nute flees. Meanwhile with the Jedis they disable the secondary control system but are then met with Darth Maul. It is a brutal and awe inspiring fight. 3v1 and yet Maul still comes out on top. He knocks out Qui Gon who falls of the bridge (the duel setting is the same) while taunting the other two. "This is the end of the jedi" you get the drill.
The remaining soldiers manage to kill the clones but there are not enough left to fend of the droids. They are captured same as the Gungans. Ben gets riled up, makes a mistake and is killed. Obi Wan screams and charges getting knocked into the pit, hanging on by a thread. Meanwhile Anakin and Padme manage to destroy the flagship at the same time that Obi Wan takes Ben's lightsaber and cuts Maul in half. He then says "learn not live not as my master says" and then rushes to Bens side.
Ben begs him to train Anakin and he agrees. Meanwhile the humans and Gungans are celebrating. We cut to Qui Gon and Queen Amidala's funeral. Qui Gon throws away his lightsaber and walks off. He is done with the jedi after the death of what was effectively his son. Palpatine looks at him go intrigued. Meanwhile Yoda and Obi Wan argue over Anakin's training. Obi Wan says he will train him even without the will of the council like Ben said. Yoda gives in but warns Obi Wan of his arrogance.
We then get the celebration the end.
submitted by wheresmylife-gone222 to RewritingThePrequels [link] [comments]


2024.05.19 21:35 rangernumberx Respect Deadpool (Deadpool (2013))

"Y'know why I love the internet? Because it's just like me." "Vulgar, combative, and contradictory?" "Overflowing with perversion and stupidity?" "Yes, and yes."
In 2013, Deadpool wanted a game, and gave a director at High Moon Studios his proposal written in the finest crayon he could muster. They accepted it (after being blown up following the initial rejection). As such, Deadpool finds himself trying to bring in the bounty on generic hateable villain Chance White, only for him to be rescued by the Marauders and killed by Mister Sinister. Driven by a desire for revenge (all while ignoring the X-Men and Cable's various attempts to get him to help save the world), Deadpool travels across Genosha in order to kill the supervillain.

Strength

Durability

Healing Factor
Gameplay
Other

Speed

Weapons

Deadpool is shown as owning a large range of weapons. Highlighted below are the ones he uses in-game.
Melee
Firearms
Explosives
Other

Teleportation

Fourth Wall Awareness

Medium Awareness
Object Conjuration
Other

Intelligence

Other

submitted by rangernumberx to respectthreads [link] [comments]


2024.05.19 20:51 Choice-Researcher125 I'm working on a deck with about a quarter custom cards based on my favorite eldritch nightmare.

submitted by Choice-Researcher125 to custommagic [link] [comments]


2024.05.19 20:19 roxofoxo0000000 Canada is the most overrated country in the world

Lots of people who don’t live here seem to have this perception that Canada is a progressive European-style country. But that’s just how our government markets us, and is completely disconnected from the reality of how our country operates. We are more like a state of the US than any place in Europe, and actually have a worse standard of living than the vast majority the US.
Our disabled people starve to death on the streets, and are offered assisted suicide instead of proper support. Most of our provinces have around a $400 shelter allowance for those who are on welfare. Do you know how much the average one bedroom apartment is in our country? Over $2000. A bedroom with no kitchen or bathroom is often $1000 or more. These allowances haven't increased since the 90s, and the provincial governments fight tooth and nail to keep disabled citizens in poverty.
Our native citizens live in dilapidated shacks while being denied clean water by the government. Historically, they were systematically raped, murdered and then mass buried. The government to this day loves to avoid talking about this, but it was some holocaust level shit. They'll acknowledge "how much learning we all have to do together" but will still not give them clean water or adequate housing.
When somebody is homeless, they are usually just arrested and thrown in jail. Our shelters are underfunded and packed beyond capacity. Once again, any effort to help impoverished people and build more shelters is struck down. For anyone who has never been here, look up East Hastings in Vancouver. People are quite literally walking around as rotting zombies. All of our cities have post apocalyptic looking areas like this.
Police brutality is just as common as in the US. Police will come along and beat and taze a man who is having a seizure on the ground, and then charge him with a made up offense simply because they are bored. Officers often openly steal from and abuse the public with no opposition. There is no oversight, and they can do whatever they want. It is almost impossible for a police officer to be arrested, and they are usually placed on paid leave for years instead at the burden of the tax payers.
Crime is quite serious. It’s not uncommon for multiple dismembered bodies to be found around our cities on the weekends. People burn eachother alive on public transit. Machete attacks, stabbings, the works. However, our judges are "neoliberal" and love to release repeat violent offenders over and over. People are much more heavily punished for petty victimless offences than they are for shootings/stabbings/rape/assault. If you have the right connections, you will not face consequences.
We bring in 2 million people a year (+5% of our population annually) for the sole reason that corporations can pay them less as they are from impoverished backgrounds. This is why our GDP per capita is dropping so heavily.
All of our industries consist of government backed monopolies that conspire to eradicate competition and inflate the cost of very single commodity of our daily lives. Why do we pay $500 a month for phone bills? That’s why.
Our life expectancy, GDP per capita and almost all measures of life quality have been dropping for decades now. The government does everything it can to gloss over this, but it’s public information. When asked about any of these metrics, they just won't answer the question. Look at our prime minister being asked ANY question. He won't do it. They are experts at talking about anything except for the things that matter.
The average citizen can no longer afford rent or a home. If everybody had to buy back the home they live in now, our entire country would be homeless. The only reason they aren’t homeless now is because they owned before. Once the baby boomers die, the younger generations without inheritances will face some of the most unobtainable housing in the world.
Healthcare is so underfunded and overburdened that is quite common for people to die before receiving any treatment, or instead be offered assisted suicide. Those who do receive treatment are often sent to the US as we are over capacity.
Our government is openly corrupt on all levels, but for some reason everybody overlooks this, especially outside of the country. Insider trading, conflicts of interest, fraud, you name it. Pretty much all of our politicians are involved in scandals of some kind. Our prime minister updates his investment portfolio just at the right time before certain stocks explode due to federal legislature. No wonder they're all rich.
I'm sure that this post is going to trigger some Canadians, but I'm sick of this shitty country and pretending that I'm happy to live here. Nobody seems to want to acknowledge how terrible it has become. I don't understand how these things are not talked about more.
And what annoys me the most?
At the same time all of this is happening, our leaders try SO god damn hard to make us look good. Our prime minister goes around touting the most liberal shit you can imagine, but then they will do everything in their power to avoid doing the things they talk about at any cost. They say ALL the right things, but god forbid they actually walk the walk. It's like an abusive husband who does TED talks on feminism. Everything that comes out of their mouths is carefully scripted and completely detached from reality. I hate this fake ass country.
submitted by roxofoxo0000000 to rant [link] [comments]


2024.05.19 20:07 pgqueenofpop [FOR SALE] Taylor Swift, Mac Miller, Pierce the Veil, Dolly Parton, The Weeknd, Santigold, Mitski & more.

$5 for shipping within the US, plus an extra $1 for each additional record. Paypal G&S only and open to offers.
Death Grips - The Powers That B, original 2015 black press, VG+/VG+, $33
Dolly Parton - Blue Smoke, VMP edition, NM/NM $30
Fred Again.. - Jungle, 7", NM/NM $20
Mac Miller - Best Day Ever, UO exclusive, NM/NM $30
Maggie Lindemann - Suckerpunch, green vinyl, NM/NM $10
Marina - Ancient Dreams in A Modern Land, clear vinyl, NM/NM $33
Mitski - Laurel Hell, Secretly Society grey/clear, NM/NM $22
Piece the Veil - Collide With The Sky, UO bone colored vinyl, NM/NM $45
Pierce the Veil - The Jaws of Life, olive green vinyl, NM/NM $27
Santigold - Santigold, VMP gold nugget edition, NM/NM $38
Taylor Swift - Midnights, lavender Target exclusive, NM/NM $20
Taylor Swift - Me!, 7" with frayed jacket cover, NM/NM $140
Title Fight - Shed, standard black, NM/NM $18
Turnstile - Time & Space, black vinyl, NM/NM $20
Tyler the Creator - Call Me If You Get Lost, standard black, NM/NM $18
Various - Barbie The Album, Blue with embossed cover, NM/NM $30
The Weeknd - Dawn FM, Collectors Edition 01, NM/NM $25
The World Is Beautiful Place & I Am No Longer Afraid to Die - Between Bodies, blue vinyl, VG+/VG+ $5
submitted by pgqueenofpop to VinylCollectors [link] [comments]


2024.05.19 19:10 pervertedzombie Wack the Rift with this build (F̶͎̜̬̆̇ó̶̜̫̪͈̥͛͑ȑ̷̭̗̍͐͊b̴̗̈́͜i̵͎̰͉͛͜͠ḓ̴͈̮̓̍͘d̵͎̯̗̒̈̽̌͝ȇ̸͓n̵̘̂͗̒̚ ̸̡̻̻̩͛)

Tired of going Lethality and do a coin flip?
Tired of going Bruiser and deal 0 dmg to tower and champion alike
Look no further Brothers, The herald of ruined build is here to show you the light inside darkness
Here the non fully undeciphered text from an ancient script, located inside an old temple near the Shore of Black Mist
"
Forget Conqueror, forget Meteor, take the fleet of footwork*, and grab a* Front of Life, then you shall never die
First you will need a simple tank object, but it has to be malevolent (damage) related, vs physical abuser you would want The Gauntlet of Frost*, as it's will give you the spell blade proc and a nice slow be fit the name Tilted Lord*
But if they have magic user, oh boi all the star is lining up alright, you will feel Hollow*, yet* Radiant*. Why you ask? Because with every life we take, their violated remain explose with death, make the other soon join them, even when we weren't there*
Now here come the good part, next you will take F̶̻͑̓̈́͜ä̷̢́̓́̌̚t̵͍͊e̷̦̓͝d̵̠̔ ̸̲̩̖͍͋Ą̴̢͈̜̰̌̐s̷̻͛̿h̶͙͈͕̦̆̃͝e̸̖͋̑s̷̳̘̣̉̓*, and upgrade it into both* Ĺ̸͖͈̎̿̕ĩ̷͇͑͊͛͘ä̸͈̝͕̪̣́n̵͍̻̤̈̽̋d̶̹̬͙͚̆̍r̸̛̩̲̦̗̔͂̌y̴̠͉̲͖̌͐̑'̴̰̘͙̈s̵̼̠̝̊̃͗̕ ̵̟͔̓̃̾̃͘T̸̮̏̆̚ọ̷̢͔̭͂̍r̷̺͋͗͜ͅṃ̶̝͕̑̾e̵̖͐̎͑͝͝n̶̙̝͊̇̎ţ̵̣̮̼̲̆̐̕ and the Ḇ̸̛̒͐̈̃l̸̖̗͓̿͊̅͝a̴̮̫͒̅č̸̨̛͍̝̈́̉͝k̴͚̩̯̯̍̀̐̀͠f̴̢̝̭̠̑ͅį̴͈̃̒̒͝ṙ̵͚̬͐ȩ̴͖̼̩̇͂͑͗̒ ̷͕̈́͝͝͝T̵̰̳͉̿̓ǒ̴͔̏r̴̩͍̘̜̙̉̐̈́̔̕c̶̨̥̤̠̖̕h̸̝̬̭̀̒͆͝ͅ. . Now watch the world burn. You can then feel Hollow*, yet* Radiant*, or even have a sight of an* Eclipse*, hold a* L̷̻̳̦̔̋̽i̶͔̭͌g̶̹̔́h̴̫̖̘̾t̴̻̙̥̄i̵̯͖̞̍̎n̶̙͑͊̐g̷͔̓ ̴͚̂̕S̷͙̖̅͘h̴̦̉i̵͇̍͆̒v̵̻̹͙̿̃̈́ or bare the Snake Fang to become the Gray Life Destroyer, your call
As thou foe burning in ruined, you shall live, with the Health, the Bonk of Life, and the Resist thou has cumulative, even to the point of making the Great Iron Revenant question his Death Realm himself
But what about the burst? The damage? The ad??? Non believer won't understand, that is in the Siege war*,* Magic is easier to get a mass, yet melt the plate of stone like butter. The Void Walker and the Mad Yordle known, and his knowledge won't be wasted
So how would one faired with these gift? How can one climb the ladder of god with it?
According to the Bausen Law, take what you will, leave nothing back. Thou are not here to dominate, thou here to win. Push the wave of mortal flesh, then siting back while it crash the Ivory Tower. Burn the enemy, Burn the foot soldier, Burn them all. The faster they burn, the sooner our army reach the gate*. While doing so, feel free to unleash thou pocket sand,* curse the unbeliever with eternal BURNation*, alone with an* unstoppable crash*. We will be* healthy*, we will be pristine, while the* enemy weaken*, day by day, until they* forced to leave the battle and lose out*. If they whose hunger for battle strike first,* disengage*, and* mend to full with the Fleet of Foot*,* Front of Life, and Bonk of Health*, doesn't matter, because with their* army burning down*. there was* no option to Freeze the state, none at all. If nothing ever happen, don't worry, thou game is like a chess, and not a brawl, time will tell
At later stage of the Siege war. Raise your brethren, and aim them toward the nearest Castle. The Hollow kill, the Radiant burst, and the Burn secure. Mortal army couldn't not hold against these, even better if thou has The L̷̻̳̦̔̋̽i̶͔̭͌g̶̹̔́h̴̫̖̘̾t̴̻̙̥̄i̵̯͖̞̍̎n̶̙͑͊̐g̷͔̓ ̴͚̂̕S̷͙̖̅͘h̴̦̉i̵͇̍͆̒v̵̻̹͙̿̃̈́*. Meanwhile thou are* else where, raking knowledge (exp) lead from other battle. Thou goal is to deny the most of recourses from the other side, by fast crashing their army on as many lane at once as thou can. And with the Gift i has bestow thou, thou will, thou shall.
At one point, thou foe will miss so much that they became unexperienced fighter whose haven't reach 18*, or* given up a strength of number else where just to lose the war. Meanwhile thou will still burn*, and while it* not enough to kill*, it is* enough to foul the mind. Thou army will rival the Sting Ray's Swarm, with 0 effort
Go, Grave Digger, and Burn the Rift to a crisp
submitted by pervertedzombie to yorickmains [link] [comments]


2024.05.19 18:09 CaramelApple11 Any Apex Console Scrims?

Kinda giving up on apex when it comes to ranked. You either need a team passed diamond or you get to bore yourself to death just kill grinding pubs. I came and stayed at this game since s16 (played apex for fun here and there a few seasons wayyyy prior) but got competitive in season 16 and hit diamond solo q and then hit masters up till season 20. Now in szn 21. Im diamond and have a few people to play with here and there. But the grind is up against teamers and scripts and I’m tired of putting effort in ranked like if it’s a job. Might as well find a team I can participate in legit tournaments for console instead of going up against cheating scumbags that ruin a game system for a badge. It’s a nice feeling when you get compliments from top players when you 1v3 a pred squad and then they find out you don’t use paddles, grips, play claw etc. and can compete with most up there. Ofc I can be typing with a bit of ego but It’s one thing playing against just grips and paddles. And it’s another thing when every match is just xim and scripts. If anyone out there has a team and is willing to trial or something. Please hmu. (Yes I have clips here and there. One 1v3 clip is on my tiktok)
submitted by CaramelApple11 to ApexConsole [link] [comments]


2024.05.19 17:55 Klutzy_Newspaper_879 Cyberpunk Orion Writers deep dive

Anna Megill, Lead Writer:
QA Tester: Cyberlore Studios, 2004 - 2004:
Various roles: Smith College, 2004-2008.
Writers/QA Lead: Pileated Pictures May, 2007 - Sep 2009.
Lotcheck QA: Nintendo, 2009 - 2010.
Writers/QA Editors ArenaNet LLC, Mar 2010 - Sep 2012.
Writers/Narrative Designers: Murdered: Soul Suspect.
Writers: Ubisoft, May 2014 - Aug 2014:
Creative Director: Project Untold, Nov 2014 - Jan 2015:
Writers/Narrative Designers: Cynixy LLC, Jan 2015 - Jan 2017:
External Writers: Dishonored: Death of the Outsider.
Pre-Production Narrative Lead: Control:
Lead Narrative Designers: Avatar: Frontiers of Pandora.
Former Lead WriteNarrative Lead: Fable:
August 2023 - prior to joining CDPR: Unknown.
Non-Fiction:
Writer: The Game Writing Guide.
Writer: The Pocket Mentor for Video Game Writers.
Alexander Freed, Writer:
Started off writing short fiction.
Freelance Game Designer, 2002-2006:
Senior Writer and Managing Editor: Star Wars: The Old Republic:
Shadow Realms (Canceled game):
Co-Writer: Star Wars: Uprising.
Editor: The Banner Saga 2.
Editor: Tyranny.
Additional Design: Mass Effect: Andromeda.
Worked on Shuyan Saga.
Writers: Star Wars: Battlefront 2.
Freelance Writer and later Studio Writing Director: Fogbank Entertainment, 2017 - 2020:
Additonal Design: Anthem.
Additional Writing: Wasteland 3.
Senior Writer: Battlefield 2042.
Freelance Writing/Narrative Design/Consultation for various studios:
Comics/Graphic Novels:
Writer: Star Wars: The Old Republic, Blood of the Empire.
Writer: Star Wars: The Old Republic, Lost Suns.
Scriptwriter: Dragon Age: The Silent Grove.
Scriptwriter: Dragon Age: Those Who Speak.
Scriptwriter: Dragon Age: Until We Sleep.
Writer: Star Wars Purge: The Tyrant's Fist (Story arc).
Writers: Anthem: Strong Alone, Stronger Together.
Writer: Assasin's Creed Valhalla: Forgotten Myths.
Writer: Violet Dawn.
Books:
Writer: Battlefront: Twilight Company.
Writer: Rogue One: A Star Wars Story (Novelization).
Writer: Alphabet Squadron.
Writer: Shadow Fall.
Writer: Victory's Price.
Short Stories:
Writer: The Last Battle of Colonel Jace Malcom.
Writer: One Thousand Levels Down.
Writer: The End of History.
Writer: Contingency Plan.
Writer: The Man Who Built Cloud City.
Wrote original short fiction for magazines and anthologies:
Non-Fiction:
Published articles on Gamasutra.
Wrote blog entries on his personal website.
.
They also have several of the Cyberpunk 2077 writers still at the company, though most of them seem to be working on The Witcher 4, and Mike Pondsmith will likely be involved with the game's development.
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2024.05.19 17:19 Shagrrotten FG Decades Tournament, the 2010’s: Round 1

Well here we are, FG, our first decades tournament, the 2010’s. Thank you to everyone who nominated movies, and let’s get right into it!
Results of Round 1
View Poll
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2024.05.19 17:11 mittenthemagnificent Found dog

We just found an elderly chihuahua on Morgan Ford in the Bevo Mill area of south city. He’s clearly someone’s baby. If you know whose he might be, describe him and his collar and you can come get him or we’ll bring him to you.
Post script: I’ve already posted him on the lost and found pets in the Facebook group for St. Louis. We just adopted a cat, and cannot possibly keep this dog. Right now he’s hanging out in the basement with our nervous dog, but that’s about the best we can do. If we don’t find an owner soon, we’re going to have to take him over to the Humane Society and surrender him there, unless someone has a better idea. We’ve already contacted several shelters, and everyone appears to be full.
Update: Talked to the Humane Society. They won’t euthanize unless he’s deathly ill, and have plenty of space if he’s not chipped. Will be taking him there about 1pm. If you know him, respond before then, or that’s where you can find him. They’ll keep him for 10 days before putting him up for adoption.
Update again: he’s chipped! Hopefully he’ll be home soon. Thanks all.
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