TradingView.com.com is a popular online platform that provides a comprehensive suite of tools and resources for traders, investors, and analysts to analyze and trade financial markets. In this chapter, we will provide an overview of TradingView.com, its features, and its benefits, setting the stage for a deeper dive into the platform's capabilities in subsequent chapters.

What is TradingView.com?

TradingView.com is a cloud-based platform that enables users to analyze and trade financial markets, including stocks, forex, futures, and cryptocurrencies. Founded in 2011, TradingView.com has grown to become one of the largest and most popular trading communities in the world, with over 10 million registered users.

Key Features of TradingView.com

TradingView.com offers a wide range of features that make it an attractive platform for traders and analysts. Some of the key features include:
1. Charting and Technical Analysis: TradingView.com provides a powerful charting platform that allows users to create custom charts with various indicators, drawing tools, and annotations. Users can also access a vast library of pre-built indicators and templates.
2. Backtesting and Paper Trading: TradingView.com allows users to backtest and paper trade their strategies using historical data, enabling them to refine their trading ideas and test their performance.
3. Community and Social Trading: TradingView.com has a large and active community of users who share their ideas, strategies, and insights. Users can follow other traders, participate in discussions, and share their own ideas and insights.
4. Alerts and Notifications: TradingView.com provides a robust alert system that allows users to set custom alerts based on market conditions, technical indicators, and other criteria.
5. Data Feeds: TradingView.com offers a range of data feeds, including real-time and historical data, for various markets and instruments.
6. Scripting and Automation: TradingView.com's PineScript language allows users to create custom indicators, strategies, and automated trading systems.
7. Mobile Apps: TradingView.com offers mobile apps for iOS and Android devices, enabling users to access the platform on-the-go.

Benefits of Using TradingView.com

TradingView.com offers several benefits to its users, including:
1. Improved Trading Decisions: TradingView.com's charting and analysis tools enable users to make more informed trading decisions.
2. Access to a Large Community: TradingView.com's community provides users with access to a vast network of traders, analysts, and experts.
3. Customization and Automation: TradingView.com's scripting and automation capabilities allow users to create custom strategies and automate their trading.
4. Real-time Data and Alerts: TradingView.com's real-time data and alert system enable users to stay up-to-date with market movements and react quickly to market changes.
5. Cost-Effective: TradingView.com offers a range of pricing plans, including a free version, making it an accessible platform for traders and analysts.

Conclusion

In this chapter, we have provided an overview of TradingView.com, its features, and its benefits. TradingView.com is a powerful platform that offers a range of tools and resources for traders, analysts, and investors. Whether you are a seasoned trader or just starting out, TradingView.com provides a comprehensive suite of tools to help you analyze and trade financial markets. In the next chapter, we will delve deeper into the charting and technical analysis capabilities of TradingView.com.

Chapter 2: Creating an Account and Setting Up Your Profile

As a new user, creating an account and setting up your profile is the first step in exploring the world of [Platform/Service]. In this chapter, we will guide you through a step-by-step process to create an account and set up your profile, ensuring a seamless and enjoyable experience.

Section 1: Creating an Account

To create an account, follow these steps:
1. Visit the Sign-up Page: Go to the [Platform/Service] website and click on the "Sign Up" or "Create an Account" button. This will take you to the sign-up page.
2. Enter Your Email Address: Enter a valid email address to serve as your login credentials. Make sure to use a unique and memorable email address, as it will be used to reset your password if needed.
3. Choose a Username: Choose a unique and memorable username that will be used to identify you on the platform. This can be your real name, a nickname, or a combination of letters and numbers.
4. Create a Password: Create a strong and unique password for your account. A strong password should be at least 8 characters long and include a mix of uppercase and lowercase letters, numbers, and special characters.
5. Confirm Your Password: Re-enter your password to confirm it. This ensures that you have entered the correct password.
6. Verify Your Account: Click on the "Create Account" button to create your account. You will receive an email verification link to verify your email address.

Section 2: Setting Up Your Profile

Once you have created your account, it's time to set up your profile. Follow these steps:
1. Fill Out Your Profile Information: Fill out your profile information, including your name, birthday, and location. This information will be used to personalize your experience and connect with other users.
2. Add a Profile Picture: Upload a profile picture that represents you. This can be a photo of yourself, a logo, or an avatar.
3. Add a Bio: Write a brief bio that describes yourself, your interests, or your expertise. This will help others get to know you better and find common ground.
4. Customize Your Profile Settings: Customize your profile settings to control what information is visible to others and what notifications you receive.
5. Connect with Others: Start connecting with other users by sending friend requests or joining groups related to your interests.

Tips and Best Practices

· Use a strong and unique password for your account.
· Keep your profile information up-to-date and accurate.
· Be cautious when sharing personal information or connecting with strangers.
· Use the platform's built-in features to block or report suspicious or inappropriate behavior.
· Respect other users' privacy and boundaries.

Conclusion

Congratulations! You have successfully created an account and set up your profile. You are now ready to explore the world of [Platform/Service] and start connecting with others. Remember to keep your account information secure, be respectful of others, and have fun exploring the platform. In the next chapter, we will dive deeper into the features and functionality of [Platform/Service].

Chapter 3: Navigating the TradingView.com

Interface

As a trader or investor, it's essential to understand the TradingView.com interface to get the most out of this powerful platform. In this chapter, we'll take a comprehensive tour of the TradingView.com interface and its various components. By the end of this chapter, you'll be well-versed in navigating the platform and ready to start exploring its features.

Section 1: The TradingView.com

Dashboard

The TradingView.com dashboard is the main hub of the platform, providing an overview of your account, market data, and other essential features. Let's break down the key components of the dashboard:
1. Header Bar: The header bar at the top of the screen displays your username, account balance, and other account information.
2. Navigation Menu: The navigation menu allows you to access various sections of the platform, including your watchlists, charts, and settings.
3. Market Data: The market data section provides real-time quotes for various assets, including stocks, forex, and cryptocurrencies.
4. Alerts: The alerts section allows you to set custom alerts for specific market conditions, such as price movements or news events.
5. Watchlists: The watchlists section enables you to create and manage custom lists of symbols, making it easy to track your favorite assets.

Section 2: Charting and Analysis

TradingView.com is renowned for its powerful charting capabilities, allowing you to create custom charts with various indicators, studies, and drawing tools. Let's explore the key features of the charting interface:
1. Chart Types: TradingView.com offers a range of chart types, including line charts, candlestick charts, and Renko charts.
2. Indicators: The platform comes with a vast library of built-in indicators, including moving averages, RSI, and Bollinger Bands.
3. Drawing Tools: The drawing tools allow you to annotate your charts with lines, shapes, and text.
4. Studies: Studies are custom indicators created by the TradingView.com community, offering a wide range of trading strategies and techniques.
5. PineScript: PineScript is a programming language used to create custom indicators and strategies.

Section 3: Community and Social Trading

TradingView.com is more than just a trading platform – it's a community-driven platform where traders and investors share ideas, strategies, and insights. Let's explore the community features:
1. PineCoders: PineCoders is a community of developers who create custom indicators and strategies using PineScript.
2. TradingView.com Blog: The TradingView.com blog features articles, analysis, and insights from experienced traders and investors.
3. TradingView.com Forum: The forum is a hub for discussion, debate, and learning, where traders and investors share their experiences and ask questions.
4. Watchlists: Watchlists allow you to share your favorite symbols with others, making it easy to collaborate and learn from each other.
5. PineScript Challenges: PineScript challenges are community-driven initiatives where developers create custom indicators and strategies, and the community votes on the best submissions.

Section 4: Customization and Settings

As you become more comfortable with the TradingView.com interface, you'll want to customize your experience to suit your needs. Let's explore the customization options:
1. Theme: TradingView.com offers a range of themes, allowing you to personalize the look and feel of the platform.
2. Layout: The layout options enable you to customize the arrangement of the platform's components, such as the chart, indicators, and alerts.
3. Notifications: The notification settings allow you to customize the types of notifications you receive, including market data updates and alert notifications.
4. Security: The security settings enable you to set up two-factor authentication, password recovery, and other security measures to protect your account.

Conclusion

Navigating the TradingView.com interface is an essential step in unlocking the full potential of this powerful platform. By understanding the various components of the dashboard, charting and analysis tools, community features, and customization options, you'll be well-equipped to start exploring the platform and developing your trading skills. In the next chapter, we'll dive deeper into the world of PineScript, exploring the programming language and its applications in trading and investing.

Chapter 4: Understanding Charts and Time Frames

In this chapter, we will delve into the world of charts and time frames, a fundamental concept in technical analysis. We will explore the different types of charts, time frames, and how to use them effectively on TradingView.com. By the end of this chapter, you will have a solid understanding of how to use charts and time frames to analyze and trade the markets.

What are Charts and Time Frames?

Charts and time frames are the foundation of technical analysis. A chart is a graphical representation of a security's price action over a specific period. Time frames, on the other hand, refer to the duration of the data displayed on the chart. In other words, time frames determine how much data is displayed on the chart and how often the data is updated.

Types of Charts

There are several types of charts, each with its own strengths and weaknesses. The most common types of charts are:
1. Line Chart: A line chart connects the closing prices of a security over a specific period, creating a continuous line. This chart is useful for identifying trends and patterns.
2. Candlestick Chart: A candlestick chart displays the high, low, open, and close prices of a security over a specific period. Each candle represents a specific time period, and the color of the candle indicates whether the price closed higher or lower than the previous day's close.
3. Bar Chart: A bar chart is similar to a candlestick chart but does not display the open and close prices. Instead, it shows the high and low prices, as well as the open and close prices.
4. Renko Chart: A Renko chart is a type of chart that uses a unique algorithm to create a chart that is not based on time. Instead, it uses price movements to create a chart that is more focused on the price action.

Time Frames

Time frames determine the duration of the data displayed on the chart. Common time frames include:
1. 1-minute: A 1-minute chart displays the price action over a 1-minute period.
2. 5-minute: A 5-minute chart displays the price action over a 5-minute period.
3. 15-minute A 15-minute chart displays the price action over a 15-minute period.
4. 30-minute: A 30-minute chart displays the price action over a 30-minute period.
5. 1-hour: A 1-hour chart displays the price action over a 1-hour period.
6. 4-hour: A 4-hour chart displays the price action over a 4-hour period.
7. Daily: A daily chart displays the price action over a 1-day period.
8. Weekly: A weekly chart displays the price action over a 1-week period.
9. Monthly: A monthly chart displays the price action over a 1-month period.

Using Charts and Time Frames on TradingView.com

TradingView.com is a popular platform for charting and analyzing financial markets. Here's how to use charts and time frames on TradingView.com:
1. Creating a Chart: To create a chart on TradingView.com, go to the "Charts" tab and select the security you want to chart. Choose the chart type and time frame you want to use.
2. Customizing the Chart: Once you have created a chart, you can customize it by adding indicators, drawing tools, and other features.
3. Switching Time Frames: To switch time frames on TradingView.com, click on the "Time Frame" dropdown menu and select the desired time frame.
4. Zooming In and Out: To zoom in and out of a chart on TradingView.com, use the mouse wheel or the "Zoom" button.

Conclusion

In this chapter, we have covered the basics of charts and time frames, including the different types of charts and time frames. We have also explored how to use charts and time frames on TradingView.com. By mastering charts and time frames, you will be able to analyze and trade the markets more effectively. In the next chapter, we will explore the importance of indicators and how to use them to make informed trading decisions.

Chapter 5: Technical Indicators and Studies

In this chapter, we will delve into the world of technical indicators and studies available on TradingView.com. As a trader, it is essential to understand the various indicators and studies that can be used to analyze and predict market movements. This chapter will provide an overview of the different types of technical indicators and studies available on TradingView.com, their uses, and how to apply them in your trading strategy.

What are Technical Indicators and Studies?

Technical indicators and studies are mathematical calculations based on historical price data that help traders identify trends, patterns, and potential trading opportunities. These indicators and studies can be used to analyze and predict market movements, making it easier to make informed trading decisions.

Types of Technical Indicators and Studies

There are numerous types of technical indicators and studies available on TradingView.com, including:
1. Trend Indicators: These indicators help identify trends and potential trading opportunities. Examples include the Moving Average, Relative Strength Index (RSI), and Bollinger Bands.
2. Momentum Indicators: These indicators measure the rate of change of an asset's price over a given period. Examples include the RSI, Stochastic Oscillator, and Momentum Indicator.
3. Volatility Indicators: These indicators measure the degree of price movement or volatility. Examples include the Average True Range (ATR) and Bollinger Bands.
4. Pattern Recognition Indicators: These indicators help identify specific chart patterns, such as head and shoulders or triangles. Examples include the Ichimoku Cloud and the Keltner Channel.
5. Statistical Indicators: These indicators use statistical methods to analyze market data. Examples include the Exponential Moving Average (EMA) and the Simple Moving Average (SMA).

Popular Technical Indicators and Studies on TradingView.com

Some of the most popular technical indicators and studies available on TradingView.com include:
1. Moving Average: A simple moving average calculates the average price of an asset over a given period.
2. Relative Strength Index (RSI): The RSI measures the magnitude of recent price changes to determine overbought or oversold conditions.
3. Bollinger Bands: Bollinger Bands consist of a moving average and two standard deviations plotted above and below the average.
4. Stochastic Oscillator: The stochastic oscillator compares the closing price of an asset to its price range over a given period.
5. Ichimoku Cloud: The Ichimoku Cloud is a comprehensive technical analysis system that inclues multiple indicators, including the Tenkan-sen, Kijun-sen, and Senkou Span.
6. Keltner Channel: The Keltner Channel is a volatility-based indicator that plots two lines above and below a moving average.
7. Average True Range (ATR): The ATR measures the average true range of an asset over a given period.
8. Exponential Moving Average (EMA): The EMA is a type of moving average that gives more weight to recent price data.
9. Simple Moving Average (SMA): The SMA is a type of moving average that calculates the average price of an asset over a given period.
10. Stochastic Momentum Index (SMI): The SMI is a momentum indicator that measures the rate of change of an aset's price over a given period.

How to Use Technical Indicators and Studies

To get the most out of technical indicators and studies, it is essential to understand how to use them effectively. Here are some tips:
1. Combine Indicators: Combining multiple indicators can help confirm trading signals and reduce false positives.
2. Use Multiple Time Frames: Analyzing multiple time frames can help identify trends and patterns that may not be visible on a single time frame.
3. Adjust Parameters: Adjusting the parameters of an indicator can help tailor it to your specific trading strategy.
4. Use Indicators in Conjunction with Fundamental Analysis: Combining technical indicators with fundamental analysis can help provide a more comprehensive view of the market.
5. Backtest Indicators: Backtesting indicators can help evaluate their performance and identify potential biases.

Conclusion

Technical indicators and studies are powerful tools that can help traders analyze and predict market movements. By understanding the different types of indicators and studies available on TradingView.com, traders can develop a comprehensive trading strategy that incorporates multiple indicators and studies. Remember to combine indicators, use multiple time frames, adjust parameters, and backtest indicators to get the most out of technical indicators and studies.

Chapter 6: Creating and Customizing Charts

As a trader, having the right tools and information is crucial for making informed decisions. Charts are an essential component of any trading strategy, providing valuable insights into market trends and patterns. In this chapter, we will explore the process of creating and customizing charts on TradingView.com, a popular platform for traders and analysts.

Creating a Chart on TradingView.com

Creating a chart on TradingView.com is a straightforward process that can be completed in a few steps.
1. Log in to Your TradingView.com Account: Start by logging in to your TradingView.com account. If you don't have an account, you can create one by signing up on the TradingView.com website.
2. Select the Symbol: Once logged in, navigate to the "Symbols" tab and select the symbol you want to chart. You can search for symbols by typing in the symbol name or by using the "Search" function.
3. Create a New Chart: Click on the "Create a New Chart" button to create a new chart. You can also create a new chart by clicking on the "New Chart" button in the top-right corner of the TradingView.com window.
4. Select the Chart Type: Choose the type of chart you want to create. TradingView.com offers a variety of chart types, including line charts, candlestick charts, and more.
5. Customize the Chart Settings: Customize the chart settings to suit your needs. You can adjust the chart size, grid lines, and other settings to create a chart that meets your requirements.

Customizing Charts on TradingView.com

Customizing charts on TradingView.com is an essential step in creating a chart that meets your specific needs. Here are some tips for customizing your charts:
1. Add Indicators: Add indicators to your chart to gain insights into market trends and patterns. TradingView.com offers a wide range of indicators, including moving averages, RSI, and more.
2. Add Drawings: Add drawings to your chart to highlight specific patterns or trends. You can add lines, shapes, and other drawings to your chart to create a visual representation of your analysis.
3. Add Alerts: Set up alerts on your chart to notify you of specific market events or price movements. You can set up alerts based on price movements, volume, and other market indicators.
4. Customize the Chart Grid: Customize the chart grid to suit your needs. You can adjust the grid lines, grid spacing, and other settings to create a chart that meets your requirements.
5. Save and Share Your Chart: Save and share your chart with others. You can save your chart as a template or share it with other traders and analysts.

Advanced Chart Customization

In addition to the basic customization options, TradingView.com offers advanced customization options that allow you to create complex charts and indicators. Here are some tips for advanced chart customization:
1. Create Custom Indicators: Create custom indicators using the TradingView.com PineScript programming language. You can create custom indicators that meet your specific needs.
2. Use Custom Drawings: Use custom drawings to create complex patterns and shapes on your chart. You can create custom drawings using the TradingView.com drawing tools.
3. Customize the Chart Layout: Customize the chart layout to suit your needs. You can adjust the chart size, grid lines, and other settings to create a chart that meets your requirements.
4. Use Advanced Chart Settings: Use advanced chart settings to customize your chart further. You can adjust the chart settings to suit your specific needs.

Conclusion

Creating and customizing charts on TradingView.com is a powerful way to gain insights into market trends and patterns. By following the steps outlined in this chapter, you can create complex charts and indicators that meet your specific needs. Whether you're a seasoned trader or a beginner, TradingView.com offers a range of tools and features that can help you create charts that meet your specific needs.
Chapter 7:

Introduction to Trading Strategies

As a trader, having a solid understanding of various trading strategies is crucial for making informed decisions and maximizing profits. In this chapter, we will explore popular trading strategies, their underlying principles, and how to implement them on TradingView.com. By the end of this chapter, you will have a comprehensive understanding of various trading strategies and how to apply them using TradingView.com's powerful platform.

Introduction to Trading Strategies

Trading strategies are pre-defined rules or methods used to make trading decisions. These strategies are designed to help traders navigate the markets, identify profitable opportunities, and minimize losses. Trading strategies can be categorized into several types, including:
· Trend following strategies: These strategies aim to identify and ride the trend, whether it's an uptrend or a downtrend.
· Range trading strategies: These strategies focus on identifying and trading within a specific price range.
· Mean reversion strategies: These strategies rely on the idea that prices will revert to their historical means.
· Statistical arbitrage strategies: These strategies involve identifying mispricings in the market and exploiting them.

Popular Trading Strategies

2.1 Trend Following Strategies
Trend following strategies are designed to identify and ride the trend. These strategies involve identifying the direction of the market and trading in that direction. Some popular trend following strategies include:
· Moving Average Crossover (MAC): This strategy involves identifying the crossover of two moving averages to determine the direction of the trend.
· Relative Strength Index (RSI): This strategy involves identifying overbought or oversold conditions using the RSI indicator.
· Bollinger Bands: This strategy involves identifying breakouts above or below the bands to determine the direction of the trend.
2.2 Range Trading Strategies
Range trading strategies focus on identifying and trading within a specific price range. These strategies involve identifying support and resistance levels and trading within the range. Some popular range trading strategies include:
· Support and Resistance Trading: This strategy involves identifying key support and resistance levels and trading within the range.
· Channel Trading: This strategy involves identifying and trading within a specific price channel.
2.3 Mean Reversion Strategies
Mean reversion strategies rely on the idea that prices will revert to their historical means. These strategies involve identifying overbought or oversold conditions and trading in the opposite direction. Some popular mean reversion strategies include:
· Mean Reversion Trading: This strategy involves identifying overbought or oversold conditions and trading in the opposite direction.
· Statistical Arbitrage: This strategy involves identifying mispricings in the market and exploiting them.
2.4 Statistical Arbitrage Strategies
Statistical arbitrage strategies involve identifying mispricings in the market and exploiting them. These strategies involve analyzing historical data and identifying statistical anomalies. Some popular statistical arbitrage strategies include:
· Statistical Arbitrage: This strategy involves identifying mispricings in the market and exploiting them.
· Event-Driven Trading: This strategy involves identifying and trading on specific events, such as earnings announcements or mergers and acquisitions.

3.

Implementing Trading Strategies on TradingView.com

TradingView.com is a powerful platform that allows traders to implement and backtest various trading strategies. Here are some steps to follow when implementing trading strategies on TradingView.com:
1. Create a new chart: Open a new chart on TradingView.com and select the asset you want to trade.
2. Add indicators: Add the indicators you want to use for your trading strategy. For example, you may want to add a moving average crossover indicator.
3. Set parameters: Set the parameters for your indicators. For example, you may want to set the period for your moving average crossover indicator.
4. Backtest the strategy: Backtest your strategy by running a backtest on TradingView.com. This will allow you to evaluate the performance of your strategy.
5. Refine the strategy: Refine your strategy by adjusting the parameters and testing different scenarios.

Conclusion

In this chapter, we have explored popular trading strategies and how to implement them on TradingView.com. By understanding various trading strategies and how to apply them using TradingView.com, you can make informed trading decisions and maximize your profits. Remember to always backtest and refine your strategies to ensure optimal performance. In the next chapter, we will explore advanced trading strategies and how to use them to improve your trading performance.

Chapter 8:

Backtesting and Evaluating Trading Ideas

As a trader, it's essential to test and refine your trading ideas before implementing them in live markets. Backtesting and evaluating your trading ideas can help you identify potential flaws, optimize your strategy, and increase your chances of success. In this chapter, we'll explore the process of backtesting and evaluating trading ideas using TradingView.com, a popular platform for charting and backtesting trading strategies.

What is Backtesting?

Backtesting is the process of applying a trading strategy to historical market data to evaluate its performance. It allows you to test your trading idea on past data to see how it would have performed in real-time. By backtesting your strategy, you can:
1. Identify potential flaws in your strategy
2. Optimize your strategy for better performance
3. Refine your strategy to improve its accuracy
4. Evaluate the strategy's risk-reward ratio

Why Backtest?

Backtesting is crucial for several reasons:
1. Risk management: Backtesting helps you identify potential risks associated with your trading strategy.
2. Strategy optimization: Backtesting allows you to refine your strategy to improve its performance.
3. Performance evaluation: Backtesting enables you to evaluate the performance of your strategy and make data-driven decisions.
4. Confidence booster: Backtesting gives you confidence in your strategy, reducing the risk of emotional trading decisions.

How to Backtest on TradingView.com

TradingView.com offers a range of tools and features for backtesting trading ideas. Here's a step-by-step guide to get you started:
1. Create a new chart: Open TradingView.com and create a new chart for the asset you want to backtest.
2. Select the data range: Choose the time period for which you want to backtest your strategy. You can select a specific date range or use the default settings.
3. Add the strategy: Click on the "Indicators" tab and add the strategy you want to backtest. You can use built-in indicators or create your own custom indicators.
4. Set the parameters: Configure the strategy's parameters, such as the number of bars to look back, the number of trades to take, and the stop-loss levels.
5. Run the backtest: Click the "Run" button to start the backtest. TradingView.com will apply your strategy to the selected data range and provide performance metrics.
6. Analyze the results: Review the backtest results, including the strategy's profit/loss, drawdown, and other performance metrics.

Evaluating Trading Ideas

Evaluating your trading idea is a crucial step in the backtesting process. Here are some key metrics to consider:
1. Profit/Loss: Calculate the total profit or loss generated by your strategy.
2. Drawdown: Measure the maximum loss experienced by your strategy.
3. Sharpe Ratio: Calculate the Sharpe Ratio to evaluate the strategy's risk-adjusted performance.
4. Sortino Ratio: Use the Sortino Ratio to evaluate the strategy's risk-adjusted performance, focusing on the maximum drawdown.
5. Information Coefficient: Calculate the Information Coefficient to evaluate the strategy's ability to generate profits.

Best Practices for Backtesting

To get the most out of backtesting, follow these best practices:
1. Use a robust data set: Ensure your data is accurate and free from errors.
2. Test multiple scenarios: Test your strategy on different time frames, assets, and market conditions.
3. Monitor performance metrics: Keep track of your strategy's performance metrics and adjust as needed.
4. Refine your strategy: Continuously refine your strategy to improve its performance.
5. Avoid overfitting: Be cautious of overfitting, where your strategy performs well on the training data but poorly on new data.

Conclusion

Backtesting and evaluating trading ideas is a crucial step in the trading process. By using TradingView.com and following best practices, you can refine your trading strategy, optimize its performance, and increase your chances of success. Remember to evaluate your strategy's performance using relevant metrics and refine it continuously to improve its performance. With practice and patience, you'll develop a robust trading strategy that can withstand the challenges of the markets.

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Ceele strolled through the damp grass along the outskirts of the village, a spring in her step and the dwindling scent of dew following behind. It rained yesterday, which had prevented her from going out to gather supplies, but the mild morning air had been accommodating enough for her to get an early start and make the trip. She was glad she did.
One hand clutched her new prize to her chest, while the other held a fraying wicker basket filled with herbs and some edible roots she gathered by exploring the forbidden forest. Despite her reservations regarding where she chose to go, her excitement now lingered like a steady thrum of shifting stones, giving her energy that defied how long she had been walking. She all but pranced beneath the burgeoning night's sky, gleefully toeing the line between the dirt pathways of the settlement’s outskirts and the trees of unclaimed land. Normally, her path back home would never be so close to the village, but she was far too gleeful to mind. She had come back with a sense of fulfillment and a rare object—or if not rare, then hopefully of great value.
It was hard to point to any one specific reason that she came across the orb. There had always been a ‘draw’ during her travels, urging her that there was something missing in her life, yet it was no more than a mild whim to walk in a particular direction more often than not. Once she reached this part of the continent, she was compelled to wander, never quite able to explain why she obliged the sensation besides having nowhere in particular to be. Even when she finally settled somewhere, it stayed in the back of her mind, suggesting that she was close to whatever would make the pit of vacancy go away. She ignored it, purposefully distracting herself with her work and responsibilities, yet that could only last so long. When she awoke this morning with plans to resupply, and all of her newfound spots had been picked clean by wildlife, she turned to the depths of the forest where she was warned not to tread. It was all too easy to follow the subtle tug in her chest through the loose justification.
The urge to be somewhere grew unbearable with every step closer to the forbidden area. That sense of having a direction she needed to go became stronger and stronger, until she was well into land long since forgotten. She came across an overgrown depression in the hillside, and was entranced by the foreboding image. Something about the cave just…beckoned her. She was far too weak to resist.
Horrible tales echoed into her ears as whispers of fearful voices, warning and unending, yet but a dull drone compared to her hammering heart. She navigated the trees and brushed aside unkempt vines, stepping into the cavern with a mix of expectation and trepidation, then laid eyes on the small obsidian stone perched atop a crumbling pillar. The feeling of needing to travel somewhere…stopped.
The pull was absent, which was why she held the orb close instead of placing it into her basket. She wasn’t sure what it was exactly, but she recalled overheard tales of hidden gemstones, deep cavernous expanses, and the untold terrors that lay within. Comparing the scenes of those fables to the cave seemed foolish now; it wasn’t some torturous chamber, but a dusty depression in a small hillside. Besides, anything this pretty was sure to be worth a fair sum, and she needed the coin. Yet the thought of selling the precious-looking stone was a conflicting one. She shook off the thought for the time being, turning her attention back towards where she was going.
Shadows stretched and faded as the moon stole the last of the illumination afforded by the sun, replacing it with a calming glow that caressed the log frames and thatched roofs of various homes. A star-filled sky came into prominence as clouds lazily drifted away, revealing the promise of tomorrow’s fair-weathered arrival. It was too late for anyone to notice her treading on the edge of their town while lost in thought, but she was still careful not to get too close to the houses or livestock pens where people might be finishing the evening’s duties. It was best that they didn’t see her returning from a place she was told not to go. Still, her feet carried her near the dwellings as she took in the noises.
Ceele enjoyed the comforting chatter from a distance. Indistinct words floated freely. Meaningless gossip and warm goodbyes were exchanged between friends and family. Places of various occupations were dark and quiet, only the faint contented mewls and clucks of livestock coming from their pastures as they ate what was recently put out for them. No metal rang throughout the streets as it was struck inside a centralized smithy, no heated bartering came from an overactive trade house, and the crunch of dirt beneath transport or merchant wagons was absent, replaced by the rapid steps and yelps of children rushing to their homes before it got too dark out. It was all just gentle conversation and life drifting through the wind, taking the rustle of leaves along for the ride, just so she could hear it. Tranquil, in a word.
She wondered what it would sound like if she were yet one more voice within that crowd of kindness. Would it be loud like the larger cities? Would she struggle to maintain a thought with so many stray topics floating about? Would she once more yearn for the peace and quiet of solitude that she had grown used to, or would she immerse herself, free of judgment and laughing like the carefree young that scampered about? Did thinking about it even matter?
Her smile fell from its genuine intensity—still worn, but not as fully. She glanced downward as her stride lost its jubilant bounce, her tail losing its sway as her grey eyes examined the dry black scales that adorned her body against her wishes. It was the ugly hue of tarnished oil, unlike the skin of any other kobold she had met. Some had reds or greens, yellows or whites, while most were between a sandy tan or earthen brown. The rainbow of peculiarities was displayed by the lucky few, and she was one of them…
…Yet she was different in the worst of ways.
Even if she would rather any other colour, she supposed it was that way to make sure no one came near without accepting the unspoken risks. That was what her mother always said, anyway, though the woman hardly feared much of anything in her old age, and dedicated herself to giving her offspring all the love she had left to give—a perk of living a full life. She would always help her daughter bathe, complimenting the colour of what most were unnerved by. That was more than a decade ago now, however. Ceele’s parents had passed on while she was still young, and she took to travelling not long after, working at what she could to afford what little she needed. Never for long, though—just enough to get to the next town between where she was and where the urge to go lay. There were certainly moments she looked back on fondly, but the journey had taken its toll.
The crude material of her ‘dress’ was coarse, old, and heavy, but it helped ease the worst of spring's chill—even if it was more of a modified sack than proper attire. Still, it was all she had after the last of her clothing fell apart, and giving the repurposed material a name that reminded her of something else made it less uncomfortable to wear, somehow. It would have to do until she could afford a pitying seamstress or the like. Until then, she would pretend she didn’t look so desperate, even if it only highlighted her status and made finding work difficult.
But it did. The dishevelled garment was a far cry from the wonderful silks or breathtaking designs she had seen some women wear, harshly marking the distinction between herself and those of affluence. The clothing of commoners was also a leap in style and quality, so she couldn't say her attire was up to even modest standards. No matter how hard she squinted, and no matter how much she fantasized otherwise, she seemed every bit like the vagrant she was, down to the soil embedded in the curvature of her claws and the stains throughout her fabrics. She looked like a serf from the more oppressed lands, yet they too wore crude cottons, which said a lot about how she appeared to those who had never lived a life of servitude. It was obvious that she was an outsider. That she didn't belong amongst the rest. It made changing something as simple as her appearance all the more difficult; prospective employment always saw a young woman who seemed more likely to steal or swindle than make an honest day’s living.
There was one good twist of fate in recent memory, however, and she came upon the result of it after leaving the slowing bustle of the village behind. Her steps carried her through a small copse of trees on the outskirts of town, the small shaded path leading to the back of a large, carefully pruned clearing, a scattering of fruit-bearing trees providing even darker shadow than the already dim moonlight. She skirted along the aging fence on the border that kept predatory animals away, carefully hoisting herself over the barrier where a large vegetable garden she was responsible for tending resided. If one were to tell her she would be living in such an area several months ago, she would have smiled politely and walked away, yet here she was.
A modest, warmly lit home occupied the middle of the clearing, sitting front and centre when one approached from the village path. It looked quite cozy, surrounded by berry bushes that were just beginning to bloom as the last dregs of winter slipped away. A front patio displayed a nice table and well-loved chairs, the rustic appearance only adding to its charm as a place where friends and family spent the warm summer afternoons. A smithy to the left of the house functioned as an additional heated building during the colder months, but usually served as a storefront and to muffle the sounds of hammered iron, though that had become less common. An old stable was nearby, close enough to be accessible, but not so close as to disturb the once occupying animals with sounds of iron craft. It hadn't seen a horse in quite some time, apparently, so it was mostly a workshop for whatever tasks didn’t require fire or metal.
There was a long history attached to each little detail—from the scuffs along the wooden siding to the depressions in the ground where daily routine wore into the earth. Every fault suffered throughout the years was matched by a thousand quirks that made it feel welcoming, like the house itself was merely waiting for the next friendly face with one of its own. She knew that the inside of each building would look just as cared for.
Her concern lay outside, however. It was a comparatively miniscule space just barely visible through the sheltering trees, true, yet it was where her efforts turned into tangible results, and where a stranger’s trust was painstakingly repaid. Once overgrown grass had been laboriously trimmed, the weeds plucked and disposed of, and now nothing distracted from what she could claim she had done.
The small plots of rock-bordered soil had little buds of growing vegetables, a sense of pride never failing to bloom in her breast with the knowledge that it would be barren without her touch. When her troubles and concerns grew heavy, and fears of the future or spectres of the past loomed over her head, she could look at where she had brought life where it wouldn't otherwise be. Some days, that was enough. She smiled in appreciation at what was admittedly amateur work, the night’s sky helping to hide any inevitably made mistakes.
She enjoyed the sight for a moment longer, then turned to walk towards a neglected old tool shed that was well out of sight within the trees, far away from whatever warmth and comfort the larger house offered to everyone and anyone. She put a hand on the degrading wood of the entryway, giving one last sad smile at the garden as she dismissed selfish thoughts of taking the eventual harvest for herself. A breath cleared the uncertainty from her voice, and she pushed open the door.
“I'm home!”
= = = = =
It took a while for Altier to adjust to his situation, and even once he accepted that his mana wasn't being siphoned, he was still reeling from confusion. He had spent centuries with every year passing by without his notice, yet now he was painfully aware of each creeping second languidly dragging on with the expediency of growing grass. It was as disorienting as it was painfully nostalgic.
Time was something he was never good with, and it only got worse as a dungeon. He'd get lost in creating rooms, corridors, creatures, and whatever else needed doing, only pausing to watch or listen to the few adventurers he became interested in. There was a stint where he spent what felt like hours agonizing over new abilities or options while he let the system manage things in the background, though he supposed it might have been much longer. So many wasted days, yet he still hadn't managed to try everything he had gained access to. Some abilities were simply too niche, came with concerning titles, or held descriptions that made him wary. Anything with ‘Decay’ in the name was instantly ignored—he didn't need more reasons to fear his affinity, and from the few he took the effort to read through, they were always vile.
But his existence for the moment was no longer like those endless stretches spent pondering the minutiae of what would help his adventurers grow stronger. Now, he could follow the rhythmic sounds of footsteps and steady breathing that set a calming pace. They were someone else's, yes, but they contextualized how easy it was to slip away without the subtle noises of life that he had long since surrendered to help his family. Of course, there were more differences that he noticed since being removed from his crumbling cavern, and his sight was the newest change.
He never gave much thought to how far he could see before. Why would he? As a man, his world extended as far as he could fathom, yet was also confined to the room where he spent his days, and as a dungeon… Well, who was he to consider distance when an event happening miles away could be seen with a flicker of thought? Nothing was too far when it was within his creation. Or his ‘body,’ he supposed. Sadly, his entire perception currently consisted of the small sphere of his obsidian core, and maybe a finger's length beyond it—which is to say, not much. He could make out the fine details in the dirty burlap he was held against, and how pale moonlight slowly took over the blurred reds of sunset, but hardly anything more. It was all just frosted colours after a certain point, and he found it infinitely frustrating. He just wanted to peer beyond the haze and scaly hand holding him to confirm that the sky he remembered was still there. Alas, the sunlight faded at too quick a pace, yet one oh so agonizingly slow.
The ensuing darkness gave him nothing to do but think about where he was, not that he had any ideas. He was too curious about why he wasn't dead to bother much with his blurry surroundings after the soft-spoken kobold abducted him, thus why he only belatedly noticed how limited his worldview had become. There might have been a forest beyond his cave, but the greens and browns were gone, and the sounds of steps through brush was replaced by the distant din of a village. An idle curiosity pondered if he would recognize any descents of his ‘family tradition’ adventurers there, but he was being carried by what most considered a monster, so likely not.
That short musing was short-lived, however, and he brought his focus back to the matter at hand. He supposed he was being taken somewhere specific, but that was an obvious deduction, considering he was taken at all. The why of the matter was less so; for what purpose would someone want a Decay-aligned core? He hadn’t heard of them before…well, before he was made into one, but he couldn’t imagine many uses. Maybe he was being sold? His…kidnapper? His sudden companion seemed rather pleased by their discovery of him, so that might be the case, and it was morbidly amusing to think that a frail, sickly young man might one day become a coveted, highly valuable item. His abduction could also be a part of some cult’s nefarious activities, but he didn't want to think about that too hard. He experienced enough odd ceremonies from the adventurers who took the time to tell him their tales.
Either way, he wasn't in the dungeon anymore, and he couldn’t see where he was going. He tried to query his menu to glean an answer, but was met with a scrambled mess he suspected read ‘Synchronizing…’ and little else. It gave him a headache trying to make sense of it—which he didn't know was possible anymore—so he dismissed the text and distracted himself with blurs from whatever diluted senses he still had. There wasn’t much to observe other than the constant footfalls and the flicker of shadows on his companion’s burlap garment. They might have travelled through brush again, but it was too dark to really say for certain.
Eventually, there was something new. He heard an old latch rattle and rusted door hinges groan, then a shuddered clack that confirmed he was now in a building. His kobold acquaintance gently cooed at something before moving about the nearly pitch-black space, finally setting him down on a… He wasn’t sure what it was, besides old and wooden.
[D$#@m$n E@$*ded]
The headache from before became a blinding migraine that suffocated him under a flash-flood of suffering. Seconds passed in abject torture until it blissfully abated, the mental blinks clearing his mind enough to notice a change in his existence. Specifically, he could actually see something besides the rotting wood grain he was placed on top of.
And it wasn’t anything promising…
He was more or less in the centre of a room no bigger than twelve paces by maybe ten. Not a terrible size for a space, but it was clearly never meant to house someone. His resting place looked about as neglected as he surmised; it was an upturned feeding trough, he supposed, since calling it a table seemed too generous. The surface was rife with holes and degraded iron, so it was something that once saw regular use before being replaced and tossed into storage, never to see the light of day again.
Actually, most things in the room seemed to fit that description. The window shutters were installed with metal hinges that had since rusted them closed, the misalignment letting in a draft—and whatever weather was outside as well, most likely. A poorly carved bowl sat on the floor, the stain beneath it hinting that it collected any rainwater that slowly dripped from the leaky roof. The wooden floorboards looked old, splintered, and in need of maintenance or replacement, though an effort had been put into abrading it somewhat smooth lately.
A tiny and decrepit fireplace was to the left of the door upon entry, its brickwork slowly crumbling due to weathering and age. It was sized more for keeping the room warm during mild days than to keep away the frigid chill of night. Its base only held cold ashes, but there was a collection of deadwood and scraps nearby, so that would probably be rectified soon. A small wheel-less cart had been turned into storage against the opposite wall, some herbs and other foraged items stowed away in it for future use. Various things he remembered seeing his father and brothers use in the fields were scattered about, too. It was nostalgic to see, honestly, even if his recollections had blurred over time.
Bundles of tattered blankets formed a pair of nests in the far corner, the smaller of the two had a pile of rough plants nearby. That answered his silent pondering of the room's purpose somewhat, though he was pretty sure the bedding material was salvaged, and there didn’t seem to be any hay or padding underneath whoever was sleeping on it. He didn’t know what to think about the weeds; they were purposefully placed there, and whoever did so had taken the time to wash them, but it was still strange.
He couldn’t see a doorway besides the entrance, yet most of the hallmarks of residency were put where space could be afforded, however crude. All in all, he surmised that it was a gardening shed of sorts, and his new acquaintance apparently lived here. He wasn't sure what he was expecting when a creature he had only read about came into his dungeon, but it wasn't being brought to a rundown and decrepit shack for unknown purposes.
Even if he had been raised by parents who made a humble living at the best of times, and they had emptied their coffers for unsuccessful attempts to ease his ailments, his acquaintance's living space made him uncomfortable. His family's house was never anything fancy, true—it shared some of the worn qualities that inevitably gathered over the years—but it was never this bad. His home benefited from a father's touch keeping it robust and a mother’s love keeping it warm, whereas this place had seen neither in quite some time. Oh, there was evidence that such was once the case; a wall was adorned with carefully made and well-spaced hangers for the various gardening tools, though the implements themselves had become a victim of neglect. That being said, he could make out the fresh soil and recent scratches exposing furrows of silver, so they were seeing use again.
A scrape and clack of flint drew his attention to his kobold companion. They were kneeling in front of the fireplace, methodically sparking life back into a dead flame with twigs and dried leaves. A slow, steady breath into the reddened base illuminated its face with a dull orange glow, revealing its weary visage and the permanently etched smile that rested beneath its cold grey eyes. The black-scaled kobold looked tired, if he were to guess—much the same as Altier did when he spent countless days watching everyone living a life he could never have through the mossy window of his bedroom. He was probably humanizing it too much. Still, he was surprised by the muted pang of sympathy, and how he would feel much more than blithe curiosity after spending so much time alone in the crumbling crypt of his own making.
A mental breath cycled through him as he looked at the odds and ends yet to be observed. Hardly anything else was of note—everything else was degraded and neglected, too. He did notice a nest of blankets move though, which was as good a distraction as any. The answer to his previous ‘pile of weeds’ inquiry poked a tiny nose from a crease in the fabric, then rapidly pawed at the blankets to dig itself out. Altier stared at the creature in both recognition and confusion.
It was a rabbit…or at least it looked like one, assuming you were to also describe a porcupine and a sea urchin as well. He was pretty sure he didn’t remember any hare that had jagged metal-tipped fur, nor that had said fur arranged into a row of spiked horns that flowed down its spine, terminating at a large fluffy tail, which was equally bizarre to see. The whole of its coat could double as a weapon, with semi-sharp barbs sticking off seemingly at random, yet he remembered an adventurer saying most animals used that sort of thing defensively. He increased his focus as he tried to make sense of the odd creature. Surely he would have heard about—
[Hoppittttttt#%%÷ — Ferro-o-orabbit-it (Ma%$le)
Abil—]
[Null]
[Er0Rrrrrrrr—]
[Und#$f—]
He bit back the pain caused by the sudden intrusion of his menu, blanking out the text and mentally retreating to hide from the source. Did he just inspect something? How? Shouldn’t his entire…‘framework,’ was it…? Yes, that was it. Shouldn’t that have been corrupted? Why could he see the creature’s information when his entire framework was damaged? That was the first ability he lost, so why is it the first to be functional? How was it functional? Was it? It did just spit garbled text at him, but it was something, and that was more than he had gotten from it in a very long time. If it was somehow working—no matter how poorly—then that left the question of why he hadn't heard of anything called a ‘ferrorabbit’ before, assuming he read that correctly.
A soft thud vibrated the tro— table, startling him out of thought. He turned his attention to the button nose wiggling erratically at him, the short, stubby muzzle leading to surprisingly expressive and curious red eyes. Dull brown fur jutted off in random tufts and patches, changing to a darker tint on its paws and the upper half of its ears, while the tips of its spikes were a muted hue of iron. It still seemed just as soft as the less pointed variety he remembered, if a touch dirty. Upright ears twitched this way and that way as its head vigorously shook, eventually settling on pointing in his direction when it calmed down enough.
It was apparent that he had its undivided attention…for all of a few seconds. His scaly companion called something out in their foreign tongue, and whatever conclusion the pointy-furred animal came to, it seemed more interested in the kobold, parting from him after nudging his core with its nose.
[Cre-e-e—]
[Errrrrrr0r: Undefiiiiiiii—]
[Acceeeeep-t-t-t??]
[Yeeee— s s / Nnnnnnn—]
He winced at the intrusion, but the contents detracted from the pain. He couldn’t remember the system ever asking him a question without his explicit intent being involved. It wanted him to…accept something? Was it the system prompting him, or the animal? What was he to accept?
[Creatuuuuu—]
[Acce-e-e-%#@ed!]
…What?
= = = = =
“Hoppit, that's not food!” Ceele admonished half-heartedly, placing a larger branch on the burgeoning flame before she got to her feet. She wasn’t actually that worried; the stone was as big as his head, and she was pretty sure he couldn't bite into it. Hopefully. “Come here, momma has a treat for you!”
The ferrorabbit playfully bumped the gemstone and jumped off the low table, landing with a soft thud that belied how heavy he was for his tiny size. He wiggled in excitement, his ears flailing and releasing a slight clack whenever the two connected. It got even louder when she grabbed her basket and put away the useful herbs, taking out a specific item that she had gathered just for him. The little bun wasted no time in scurrying over and standing tall on his hind legs to judge if the offered plant was to his liking—and it was, based on how he dug in with enthusiasm. She stifled a laugh as she contentedly watched him nibble away on the treat, ignoring the guilt that came with knowing she couldn't afford proper vegetables for him. He had a hard life too, and it tore at her to have so little to give.
She came across Hoppit a year ago, during a storm that worsened while she was travelling between towns. The day had darkened to night in spite of it still being about noon, but the weather didn't care for how bright it was supposed to be. Wind and rain became a typhoon, forcing her to seek shelter in a thankfully abandoned den of what was probably a larger animal. She was fine with waiting out the squall, since the stone roof over her head was more than she usually had back then, but the sounds of dull bangs and thuds near her hideaway was followed by cries of animals yelping in pain. Curiosity won over reason, and she left the safety of her shelter to see what was causing the disturbance. Truthfully, she was hopeful that she'd come across scraps or the like, her hunger driving her forward, and she could always turn back if it seemed dangerous. Yet when she arrived at the source of the commotion, she found herself thinking of anything but food.
Two predators had fought over a small burrow, both trying to dig out a meal and taking offence to the other doing the same. What they didn’t know was that they were assaulting the home of ferrorabbits. Specifically, the home of an angry, protective, and well-fed mother that was keeping her newborns safe from the storm when predators decided to try their luck. From the scene Ceele came across, it was certainly obvious why most people dislike trying to hunt the creatures.
Sadly, the rabbit didn't survive an attack from two predators, but she did make their victory pyrrhic; neither could do much about their hunger with their bodies full of cuts and holes, and it was only a matter of time before they succumbed to blood loss or infection. The mother's sacrifice meant that the babies had avoided the imminent threat, but they were left unattended as a consequence, and it took an opportunistic bird swooping down to shake Ceele out of her shock. Despite her subsequent hurry, she only acted in time to save one of the orphaned young. The warren was new and barely dug out, which meant that it didn’t take much effort for the kits to be found—by both her and hungry maws. All she could do was scoop the ball of fluff into her arms and run back to the cave before anything else tried to eat it.
In retrospect, it was a stupid decision for a number of factors. She barely had the resources to supply herself, and an attempt to raise offspring of any type would only make the inevitable heartbreak worse. But when she saw how quiet and scared he was… How his tiny, shaking body calmed in her arms, those terrified red eyes seeking comfort… She should have just walked away when she knew there wasn’t going to be anything to fill her stomach. She should have put the baby animal down and let nature take its course…yet the preciously furry face stole her heart far too quickly for it to grow so cold. The next day was spent backtracking to the nearest town to get him something suitable to eat, which used most of her meagre savings. Still, it was worth every coin.
Hoppit had been accompanying her ever since. He grew quickly, transitioning from something she saved that stormy night into a presence she had grown to love like a child. The little lagomorph would bounce along beside her during her travels, then ride in her arms as he rested—though the latter happened with worrying frequency as of late. She hadn’t learned much about the springy herbivores, but she knew enough to say that he wasn't as big as he should be, nor was his fur as sharp. No matter how startled he was, his spiky coat never managed to do more than stiffen slightly, which was apparently a side effect of poor diet, according to snippets of conversation she had overheard on the topic. She wanted him to be healthy, but she didn't know what he needed. Not many farmers raised ferrorabbits, and those that did were far away, so she didn’t have anyone to ask what she should be doing. Her best course of action was to give him what little she had.
Ceele was well aware of how he would be better off on his own, but he followed her whenever she tried to set him free. Hoppit just kept launching into her arms and wiggling his ears, ecstatic that he was with her again, uncaring that food was scarce and that they spent most of their days travelling. No amount of cold nights spent bundling up under the tattered blankets she managed to find ever dampened his spirits, and he was content to eat the grass or flowers whenever he felt like it, oblivious to the fact that he wasn’t getting enough nutrition. He would dig and excitedly drag back oddities that he found, and the one time he found a plant that looked particularly good for him, he insisted that it be shared with her.
A black pit still lingered in her chest when she recalled how pleased he was while he munched on the rare vegetable he discovered, then how distressed he became when she wouldn’t have any as well. He bumped and nipped at her, all but begging her to eat. His ears pinned back against his head, his fur bristled in a way she hadn’t seen since. It was only when she took a small bite and let him inspect the new teeth marks that he seemed to calm down, but perhaps she had been looking too deep into the actions of her tiny friend. All she could say for certain was that he was scared she was going hungry.
A morbid thought wondered if his first mother had refused food shortly before being attacked, and he—as small and simple as he was—had connected the two events in his mind, making him absolutely terrified that something would happen if Ceele didn’t have something too. All of that fear, and desperation overwhelmed him, just because she was happier watching him eat. She was determined to erase that issue. She would find something that needed a worker and earn enough to feed them both. One day, she would be able to smile at how big and healthy her little fluffy boy had become, but until then, it was becoming increasingly difficult not to think about how she was spending so much time growing vegetables and fruit that he couldn’t have…
Every morning was an exercise in tending to the gardens while actively shoving down images of a pleased ferrorabbit happily eating the results. That never went well; no matter how determined she was to complete her duties without a single selfish thought, most tasks were done while picturing his full belly and delighted bounces. There were a few weeks until the fastest of the crops would be ready for harvest, and Ceele would have to collect them while fighting the urge to bring back just a few for him.
She couldn’t, because she knew exactly how quickly that could escalate. It would start small—A vegetable here, a fruit there—but seeing Hoppit happy was one of the precious few good things she had in her life. Crossing the line would only become easier each time. They couldn’t risk losing their new home over greed, and she was already betraying the trust given to her by housing a wild animal, especially one known to be a pest for crops. She didn't want to know how angry it would make her benefactors if she was caught taking their vegetables for one.
No matter how tame and precious Hoppit was, and no matter how well he listened, they would only see him as the same creature that ruined harvests in droves. Thus was why she had to tell him to stay cooped up by himself while she was working or scavenging. And to her surprise, he did.
Honestly, she had made the initial request with the expectation of needing to carry him back into their home until he understood that she wasn’t leaving him forever. There wasn’t much she could do to stop the ferrorabbit from digging through the old wooden building if he wanted to get out. He wouldn’t need to damage anything either—a rotting board on the door only needed a little push to nudge it out of the way, and his natural curiosity made sure he was aware of it. But no, Hoppit was well-behaved as always, keeping hidden until she walked through the door, where he would leap from the shadows to personally show her how good he was and how he stayed put like she asked him to. It never stopped amazing her that he had such a surprising level of understanding despite being an animal, and that was to say nothing of how young he was.
All that intelligence, joy, and companionship he offered her…and yet the best she could give back to him was the weeds from the garden and the odd plant she found while scavenging…
Soft clacks of flicking ears dragged her from her pondering, her mind returning to the present. Hoppit finished his treat of the small plant, then bounced in place and scurried over to his bowl of water, perfectly happy to have eaten only that. He was so joyful with how little she provided, approaching every day of scarcity with the same enthusiasm she could never muster, as if certain that everything would be alright.
“It’s bedtime, Hoppit,” Ceele announced through a soft sigh, stoking the fire with enough branches to hopefully last the night. The ferrorabbit perked an ear in her direction, then sat on his haunches to extend the rest of himself up, his two little forepaws adorably held to his chest as he inspected the room like he always did. She smiled and made sure everything was stored away, then laid down on her bundle of blankets, covering herself with the warmest one. Hoppit bolted over to snuggle once he decided everything in the shed was up to his standards, throwing himself to the floor in a dramatic flop of comfort. Her quiet laughter subsided as they both settled in for the night, her tail completing the rabbit’s encompassing cuddle, but her eyes fell towards the obsidian orb on the table, her thoughts following suit.
It sat there, just as she left it, as benign as anything else ever placed atop the improvised furnishing. Yet there was a sense of ease and purpose as well. The old wooden trough seemed…important with its adornment firmly laid upon its surface, and she couldn’t puzzle out why. She was starting to doubt her earlier excitement.
Should she sell it? Would anyone know where it came from? Would anyone know what it was, or if it was worth anything? If she could get even a modest sum for it, she would be able to buy clothing, food, and new bedding. It would be easier to convince someone to give her work if she was dressed better and wasn’t so thin, and then she would have the income to slowly improve both of their lives. She could pay for a wandering merchant to ask a ferrorabbit rancher about the animal, even if it would take time to get back to her, or maybe she could hire a local if they needed to go near one for some reason. The cost didn’t matter to her as long as it happened.
But there was something else bothering her about the idea of selling the stone. She had travelled so far with a tug in her chest, only for the feeling of wanderlust to dissipate as soon as she held it. Was that a sign? She was never one for things like ‘fate,’ but a niggling doubt in her mind discouraged the idea of making a profit off her discovery. Even if what she could gain was so very tempting, and even if Hoppit would be happier if she did…
She tore her dampened eyes away and closed them, ignoring the burning trails running across her face. It would be another early morning, and she needed to sleep so she could take care of the garden. Decisions like this could wait. Once she had nothing else distracting her, and she had time to properly think about it, she would see how she felt about the stone.
Eventually, she dozed off with Hoppit pressed against her chest, and a longing in her heart.
Next
—
A/N: Patreon and Ko-fi will be 1 chap ahead this time around, and I've set it so everything from the lowest tier up can read the newest trashfire! Anything above that is sheer show of love. Hope you enjoyed!

Hi I just came across a novel, chosen by the moon novel by izabella W. Its on pay by chapter websites, I've opened and read a few chapters but I can't seem to find any free version or chapter version anywhere. Please help. If anyone has read it I'm willing to take spoilers. Here's the advert I found below of it on Facebook.
Lycanthrope species is a disgusting race. And I, Delan Riley, am nothing more than a human scum in their eyes never expected those species would turn my world upside down. Since when the lycans managed to penetrate our town, like in the early 1900's we have a hierarchy, upper class = the lycans, middle class = mated humans, and lower class = the normal humans, who were basically considered scum. I endured their torment day after day, vowing to run away from them one day, until that day came and everything changed.
Dylan POV "Humans," I scowled at the principal's words from tannoy. "The Alpha twins will be celebrating their birthday tomorrow, as such, festivities are in order." Oh great, the Alphas twin children. Adrian and Arya are the worst lycans alive. I swear just because they are the alphas kids they literally get away with everything. If their birthday is tomorrow, then the wolves are going to be worse than ever. "All students will be present to greet them, two lines will be made, with humans on the left and the lycanthrope on the right. Any mated human will be at the front of the line for their year, you will all also be in order of your school year. That is all." Chat broke out the minute the tannoy was finished. "We haven't had a school gathering since the alpha king visited three years ago, before his sons coronation." Nick was right, the last time we all gathered like that was for the king and queens visit, when he decided to let the world know that he was to renounce his title to his only child, son Josh. "That sick bestard, he wants to make sure everyone is there so those idiot twins can find their mates." Yes I was mad, my fists connected with the table in front of me once more as I thought about how disgusting the situation was. You see the twins will be turning 17, so it's very possible someone in our school could be their mate, finding a mate is sacred to a wolf, the minute they say that one word your fate is sealed. They will turn your mind, morph you into being a lover of their kind, and then you'll give in.

That won't happen to me, I'm growing old to see the world as it once was, and I'm going to choose who I'll be with. No one will take that dream away from me.

Once dinner was finished, I just wanted to sleep. I'd had a very long tiring day, I quickly sat down on a small stool my mother kept in the storage closet and removed my shirt while my brother Freddy sat at the table to do his simple homework. It wasn't long before my mother came in with a large bowl of warm salt water and some cotton, this was going to sting I just knew it. She was here to help me with the wounds caused by wolves yesterday. She slowly began to unwrap the bandage from around my torso and slowed down drastically when it came to the final layer, I felt it peel off every wound and my fists clenched in pain. "Jesus!" I heard my mom exclaim once the dressing was completely removed. The air on my back was nice though and I sighed as my arm covered my once again exposed brests. "This is more than 15!" I began to hear sniffles coming from her and sighed turning round to look at her face, only to notice tears streaming down it. "Mom I'm fine, it's alright." She shook her head. "It's not alright, I'm your mother I shouldn't let these things happen. I'm so sorry. Your father would have..." here she goes again. Every single time something happened she'd always bring up dad, it really annoyed me because no matter how much we all wish he was here, he just isn't. My father was kiled by THEIR kind, almost 5 years ago when they actually managed to take over. When the lycans managed to penetrate our town my father rose up with some people from the neighborhood, to defend our livelihood, it was futile to say the least. We lost many people and I watched as my dad was ripped apart by two fully shifted wolves, I ended up shoting him to stop his suffering before they dragged me to the courtyard, i was the person to receive the first lashing of the town when I was 12! The wolves have been pretty strict with me since that day. "Stop being stvpid!" Was I harsh? Definitely! Did she need to hear it again, absolutely. "Dad is dead, we don't know what he'd do because he never knew this life. He never knew this world." I know what he'd have done, most likely attacked the guy who held the whip and got himself kiled in the process. "The best thing you can do for me, is stop crying and help me, next time don't insist on helping if you can't handle it." She began to wash my open wounds with the warm salt water causing loud winces to leave me, I knew it was necessary to prevent infection, but my god it hurt like a betch. "Some of these are really deep Dylan!" She sniffed again and my eyes rolled in my head. "I told you, I'm fine, just wrap me back up so I can get to bed." My mom was obviously more impacted by my injuries than I was, I suppose that always the case though. When it's happening to you, you've just got to get through it but when it's happening to someone you love, you just want to take their pain away. She quickly placed a fresh bandage around my waist and chest and wrapped it tightly for compression. The bowl of water that was used was now red in color, I guess from the blood my back was dripping with. "Can you keep your head down please? At least just this week. You can't take any more lashings." I simply nodded before standing up away from the stool, I walked over to Freddie and ruffled his hair in affection. "Good night squirt." He giggled and fixed his hair slightly. "Night Dilly." I smiled walking upstairs to my little bedroom, as soon as I was inside i shut the door and flopped down on to my bed on my stomach and I took a minute to cry to myself at the pain in my back, what my mom did was important but it hurt, not that I'd ever tell her. My hand covered my mouth quickly to muffle any noise I might be making. I couldn't tell anyone, I had to be strong because more and more people were crumpling these days, and my mom would break if she knew how much I was suffering. Sleep followed me shortly after, she was right though about me needing to keep my head down for the time being, I could not take another lashing! After a long night and an even longer morning, we were all finally stood in the hallway at school waiting for the twins to arrive. "Mine!" Everyone that was stood in the hallway tensed up, as we were seniors, me and Nick were stood towards the very back of the human line. All the mated people were situated directly opposite their wolf mates in their years. We stayed silent and still as Arya walked down the hall and stopped directly in front of Nick. His eyes widened in fear, unsure of wether to look up or keep his head lowered. "Look me in the eye, mate." He glanced at me slightly as if asking what he should do. "I said, look me in the eye." He slowly moved his eye line up to look at her face. I took a glance myself to see her eyes pitch black with lust. "I... can't... I mean... erm." Before he was able to mutter anything else, two wolves from opposite, grabbed him out of the line and dragged him behind Arya. "Hey!" My head shot up before I could stop myself. My mouth also forgot its place as I jumped out of line. Everyone's head shot to me as my eyes widened in realization at what I'd done. Adrian, the other twin, walked up to me before punching me right in the stomach, I doubled over instantly. Feeling the sting in my slightly healed back. "I know you... You were publicly flogged only two days ago." God I hate this guy. "I also have it on good authority, that you openly spoke out against our rules and regulations in yesterday's class." My head shot down the line slightly to see Erin, looking a little frightened, her mate, the beta to be was looking at her, nodding his head in reassurance. "You traitor, you grassed on your own kind?" I yelled at her before feeling a fist connect with my cheek. My head whipped to the side from the force, while my class members gasped. I'm so done with this treatment, right then, I wasn't in charge of my actions. My fists curled up and my stance became a lot more defensive. My head snapped up to the alpha to be, and I looked him in the eye. "You don't know the meaning of the word disrespect." I suddenly hurled my fist towards his head, which he easily dodged, but my foot came up and kicked him instead. He stumbled backwards from the force with wide eyes. "You... you Actually hit me!" He didn't even sound annoyed, more shocked. Everyone in the hallway was watching, waiting for the alpha to do something but instead he simply stood up straight, regaining his composure. "I think everyone should get back to class." He began to walk away, following his sister when I called him back. "What about Nick?!" "Simple, He's my sisters mate. He now belongs to her." Argh, he's not an object. "He's not her property." A chuckle left his mouth, before turning his back to me again. "All humans are property." A short while later everyone made it to science class, our teacher Mrs Mathews is mated to the lycans pack doctor, she also now has a four and two year old with him. She was one of the first humans to be cohered into a false relationship. "What were you thinking young lady?" I rolled my head at her before looking at the empty seat next to mine. Nick was with that stvpid wolf girl right now. Being changed, I'm so angry it's ridiculous. "I was thinking, this guy is being a prick. Did you hear him? 'All humans are property.' It's bull shet." I looked up and the whole class looked at me like I had three heads. Talking shet about wolves is one thing, but talking about an alpha is punishable by death, attacking an alpha is an even worse offense. There was then a knock at the door and in walked Erin and her band of mated bestards. "Sorry we're late Mrs." "Erin, how are things between you and bata Monroe?" She blushed, the traitor actually blushed at the mention of his name. "He spoke to me last night about trying for a baby. We need a good strong boy to take over as beta." I scoffed looking at her as she took her seat. "You guys are actually pathetic, why can't it be a girl? Those mutts are basically Neanderthals" I voiced my opinion and saw all the shocked faces around me. Calling the lycans mutts, is the same as them calling us scum. After lesson had ended the entire school was called into the hall for assembly. This is where any human who has been found to have broken the rules were punished, usually 10 lashings were goven out or something similar. "Welcome to the school assembly, congratulations to the alpha twins for finding both your mates. Now on to the business at hand, as the 5 year anniversary of the new world is coming up, we have been informed that the alpha king will be visiting our district next week, this is very exciting news. We want you all to look your absolute best, she wolves and mated females will wear exemplary dresses made by seamstress. Male wolves and mated men will wear tailored suits. Anyone who doesn't comply will be reprimanded." The Alpha King?! No one has met him yet, he took over the throne three years ago when he turned 18. He really didn't make any appearances though, great, this month is going to be a nightmare. "As for the humans, you will be given a new uniform to wear for the visit, these are to be neatly ironed and worn to the highest standard. As for the following humans, based on your attitude this past week, you will be coming to the front and facing punishment. Tony summerset?!" Tony's head shot up as he looked around, he was in the year below but he shared my views when it came to the lycans. He slowly walked up to the front of assembly, almost instantly his top was t0rn in two and he received 10 lashings. A girl named Kara was next and she too received 10 lashings. A few more people went up slowly accepting their fate then suddenly my name was called. "Dylan Riley." Inside I was terrified but I simply shrugged my shoulders, I guess I did kind of expect this. Although I'm not sure if my back can take any more damage. "You attacked an alpha, correct!" His eyes bored into mine as I bowed my head submitting to his authority. "Technically, no." Everyone in the school gym looked on in fear, as my head moved to the front row of the wolf side. Adrian sat, with a werewolf girl in the year below, her name was Jana, I guess he found his mate. Nick and Arya were no where to be seen though. Adrian gave me a shrug as if to say he didn't tell, before smirking at my comment. "He hasn't officially taken the alpha title yet, so he's just..." i looked at the principle and noticed his eyes black and his claws out, he was in what lycans call a half shift, triggered when the subject has become angered. He turned to two security wolves and gave them a nod, Almost immediately i was forced onto my knees, my arm was slammed on a table and held in place by one wolf, while my body was held in place by the other. "Ok, I don't think this is needed, I have alpha blood, a stvpid human girl can't hurt me." My head snapped to Adrian who had stood up in front of the school to stop what was happening. "Nevertheless, humans need to know their place." With that the pressure on my arm increased as our principals hand pulled my sleeve up before a long claw punctured my skin. The searing pain shoting from the fresh wound had my eyes scrunched and my fist clenched, I bit the inside of my cheek hard instantly tasting blood, however no sound left my mouth. He continued to write, using my skin as a canvas and his claws as a marker, it went on forever, my vision blurred slightly at one point as I turned my head away. After minutes of torture, he was done and the pressure on my arm eased, instantly I snatched my arm away, hissing through my teeth at the pain. I was about to scurry off stage, when I was roughly grabbed yet again, my arm being held in the air by the principal while my feet were inches off the floor, blood dripped from the wound and the pattern he had made was on show for everyone to see. Loads of people gasped, even the wolves looked slightly horrified at what had happened. "This is what happens when a human decides to speak out. I can promise, anyone who so much as says one word about our way of life, will have the same punishment." My arm was starting to seriously ache from being held in the air for so long, and the lack of blood flow to my suspended arm was causing me pins and needles, still I refused to make a sound. I held the tears back and I bit my cheek harder causing more blood to fill my mouth. "That's enough Bradley!" Adrian growled, he was still stood up and looking at the scene in front of him. His eyes hard as he stared at the principal a low warning growl erupted from his chest which had the head teacher gulping, he quickly let go of my arm causing me to crash to the floor. A small cry left my mouth as I hit the hard floor. Immediately I scrambled away, my foot just missed the high step leading to the stage and I fell, waiting for the impact of the ground, but it never came. Two strong arms wrapped around me catching my weak body causing me to look up, my eyes widened as I noticed Adrian had caught my falling form. "This isn't part of the human punishment program!" Adrian growled causing me to tense in his grip, I pushed him away from me before fixing my uniform top. The room was deadly silent, taking in the scene in front of them, while I stole a glance at my forearm. Carved into my skin by his devastating claws were two words, words that would most definitely scar my body for life. 'Human scum' "Lessons must be learned, she received lashing merely two days ago, and clearly it had no effect on her." Another growl left Adrian's chest as he stepped on to the stage, I wasn't bothered though, you would think I'd be ashamed but I simply smiled slightly. I fixed my sleeve a little so it wouldn't rub on the fresh wound before speaking. "It doesn't matter," the whole room looked at me shocked by my attitude. "I would rather be labeled human scum, than have any resemblance to your kind. I'm proud of what I am, how many of you can say that?" After my amazing little speech, I walked right down the middle between the humans and lycans and out the door. No more compliance, I'm going to get away with as much as I can without getting into too much bother. There will come a day when the lycans power will fizzle out. When it does I'll be ready, I'll be waiting for the day we take our world back. As for the best part about my plan...

No one can stop me.

"Ouch, not so hard." I seethed as the school nurse cleaned my new wound with antiseptic. "If you had of just kept your mouth shut, this wouldn't have happened." I turned to my right looking out the window at the few clouds that were floating in the blue sky. "Like I said, I'm proud to be human, and now everyone knows what I am." I clenched my fist together as the nurse began wrapping a bandage around my forearm. It had been a good few hours since the incident in the hall, and I had been forced to come to the nurces office after I had tried to clean my wound by splashing it with water from the tap, it also refused to stop bleeding. "You are impossible. Can you please just try and stay out of trouble? For one day, that's all I ask." Our school nurse is a wolf, she's one of them. However she hates the way they treat us mere humans, she thinks we should all just live in peace with equal rights. Like that would ever happen. "All I've done is stay out of trouble, but you are just going to humiliate me anyway, so what's the actual point?" "The pack were discussing a public execution, Dylan. You need to walk on egg shells from now on, not just for you but for your family as well." No ones been publicly executed in over 4 months, I'm flattered they're considering it. They only execute people who they believe are the biggest problems to society. "Well then... I'm flattered." I chuckled, before looking at the patch job. 'Huh, not too shabby.' I quickly stood up from the human nursing station and pulled the sleeve of my shirt down covering the evidence of ever being hurt. "This is serious!" I just gave her a blank look before leaving the room. On the way out I heard her call back to me. "Please just think about it." I gave a clipped nod as I walked away wondering how I'm going to tell my mom about this. Later in the evening... "Dilly why you say that?" Freddie looked up at me with a mouth full of bread. "Don't speak with your mouthful!" My mom scolded him as a bashful blush made its way to his cheeks. "Sowwy mommy." His reply was muffled as he swallowed the last chunk of food. "I said it Freddie, because it's the truth. The wolf race are a pathetic excuse for..." my mom cut me off with an extremely stern look. "Dylan! They have ears everywhere, one more word out of you and it's your room." I scowled, my hatred for the Lycan kind growing stronger as each day passes. "What more can they do to me, lash me? Beat me? Brand me? They've ran out of options." I stated slamming my hands down, then severely regretting it as sharp pain shot though my wound. "What was that?" My head shot to regard my mothers worried expression. Her eyebrows were raised and her eyes were dull and judging as she looked at me. "Nothing, it was nothing." I quickly took my plate in my hand and began to walk to the kitchen. "I'm not really hungry, and I have homework to do!" My mom caught hold of my forearm causing me to drop my plate suddenly, I watched it slowly fall before shattering on the floor. I retracted my arm quickly and turned to Freddie. "Stay there and don't move until it's cleaned up ok sport?" He just nodded with wide eyes, I turned back to my mom and noticed her curious stare on my arm. Her grip shifted to the other side as she turned it around before pulling my sleeve up. The bandage was showing and a bit of blood was seeping though after the wound had been disturbed. "What the hel happened?" My moms eyes widened as she began to fumble with the bandage. Before she could unravel any of it I snatched my arm away. "I had an accident at school. No big." I began to gather the large pieces of the broken plate up ready to put them in the bin. "What did you do Dylan?" She looked at me with pure worry and only then did I realize what the wound must look like to someone who didn't know. "For gods sake! I didn't do it to myself! I got publicly punished at the assembly alright? It's no big deal." Her face dropped instantly and she stepped towards me, causing me to step backwards. "Mom, I'm ok. So back off will you." "What did you do? I've never known them to cut someone's arm as a punishment." Her shock and accusation was evident in her voice and I sighed heavily. "I spoke against the alphas son." I may have hit him too, but I wasn't going to divulge that part to her. "It's not one big cut, mom, it's a brand, 'human scum' carved onto my arm." "They've branded you now too?!" My eyes rolled at her hurt tone as I went to get the dustpan and brush. "You're so much like your father." A sigh left her mouth as she spoke, running a hand through her hair, while I quickly swept up the little pieces of the broken plate. "You've had a new uniform delivered. It's laid out on your bed. Dylan, Please just try and stay respectful in the future, I don't want my daughter to be completely mutilated. Although you're not far off." "Gee, Thanks." I then walked over to my little brother Freddy before blowing a kiss into his neck and hearing him giggle. "So sport, how's school going?" "It's ok." He shrugged before going back to coloring a dinosaur picture in. "Well that's good, stay out of trouble, ok little man?" Heading upstairs and into my room, my thoughts wandered to the permanent graffiti scar very slowly healing on my arm. Disgusting beasts. Think they own the world because they're faster, stronger and can shift. Pah. If you ask me they are not all that.

The second I walked into my room my mouth dropped open. On my bed was some grey pants laid out neatly, which wasn't the surprising part, no, what shocked me was the grey high neck no sleeved button down shirt, every single set of uniform had sleeves except this one. They've done this on purpose those, mutts. They want the world to see my arm and know what a disgusting creature I am. They want the world to know that I, Dylan Riley, am nothing more than 'human scum'.

During the last week, I've been horrible, in class I've been loud in voicing my views, I've insulted at least everyone to some degree, I didn't care about the consequences, and I certainly didn't think about them. I haven't seen Nick at all since he was claimed, and to make matters worse today was the royal visit. Oh yes, werewolves and mated humans alike were spending every waking minute preparing themselves to meet his royal majesty, king of the wolves. Unclaimed Humans however would rather stick pins in their eyes. "Dylan, get down now... you're going to be late." She was right, I was dawdling this morning, I really couldn't be bothered today, I gave myself one last look in the small mirror and sighed when my eyes met my newly uncovered brand. It had bad bruising around the letters, and was still extremely tender to touch, it was definitely healing now though. I made my way down the stairs and came face to face with my mother who was seeing to Freddie, she was helping my brother get his coat on when she turned to me. "You ready sport?" Freddie nodded his little head at me and smiled while I quickly slid my shoes on. "Just Remember, the alpha is bad enough, Dylan, please, please don't do anything to anger the king." My mother stopped us from walking out the door to tell me something she had been telling me continuously for the last couple of days, it was almost as if the entire human population of our district was expecting me to do something stvpid. "Try and have a good day." I rolled my eyes but nodded, even I know not to push the king, he could kil me in the hallway like it was nothing. In fact I plan on staying out of his way for the entirety of the day. "We will see you tonight mom." I stated before me and my brother began our walk to school, his little hand clutched my own tightly as we went. Usually Nick would be with us, as he lives next door, well he used to, now he's residing in the main pack house. I quickly dropped Freddie off at his school and watched him get the wolfsbane neutralizer before walking into him building giving me a small wave before he went in. With my new scar on complete show, and my figure being complimented by the skin tight shirt I was wearing, I sauntered down the street to school, I gave my name and year in and took the wolf's bane neutralizer injection with no problems at all. It was finally getting into school that the problem occurred. Walking through the halls I was met by many looks, some of pity some of disgust. You see every single non mated human in the school was wearing a long sleeved version of the uniform I was given. All the Wolves and mated couples were scattered around in fancy floor length dresses or tailored suits. As I turned the corner I noticed a couple, now this couple happened to catch my eye the most out of all of them because it consisted of Arya and Nick, eating each other's faces off. "What the hel!" Nicks head shot to me as his eyes widened. He too was dressed in a tailored suit, a navy blue tie hung on his neck to match Aryas dress. Why was this happening all the time? It's always my friends that get completely brain washed. I shook my head in disbelief before turning my back on him. I heard his fast footsteps behind me as I rounded the corner. "Dylan?!" He ran right in front of me, stopping me in my tracks, making me drop my bag off my shoulder and almost causing me to bump into him. "Let me just explain..." "Has she marked you?" I mean you could almost see it in his eyes, she had marked him, and knowing the way life goes he's probably even mated with her. "Actually... Don't even answer that." I aggressively picked my bag up off of the floor and stormed off down the hall. "Dylan, just listen to me, Erin was right, it's so hard to resist your soulmate, and Arya is actually ok once you get to know her." I just kept walking, he caught up to me walking beside me but it didn't matter, I completely ignored everything and everyone. 'I'm so not in the mood today' getting into class was good though, I said hello to Mr Foley and took my usual seat. Nick sighed then took his bag off ready to sit next to me, but I snapped before he had the chance. "Traitors and mated idiots sit on that side of the room." I didn't look him in the eye as I pointed to a seat right at the front of the classroom on the opposite side. His eyes widened as he turned his attention back to me. "You can't be serious Dylan." I gave him a blank look before grabbing my book out of my backpack, I placed it on the desk then began to write the date on the top line. "I've sat in this seat for as long as I can remember." I ignored him, his voice sounded sad and shocked. "Dylan? Wait! What is that?!" Before I could react Nick had grabbed hold of my branded arm and turned it to see the letters. "Oh my God! What happened?" I snatched my arm away from him and shrugged as I continued to write in my book before grabbing my water bottle out of my bag. "The principal happened, it was my punishment for speaking out against Adrian and Arya. I wear it with pride." He just held a complete look of disbelief. "You spoke out against them?" I shrugged, what did he think I'd do. "It's no secret that I despise this stvpid new world and the mutts that control it. You were my friend, I wasn't going to let them just take you without saying something, although that is exactly what you seem to have done. Enjoy the view from your new seat!" "Don't be like that, Dylan, I'm your best friend, I'm sorry about your arm, but..." my eyes rolled inside my head at my friends words. "Anything with the word 'but' in, isn't an apology, it's a rationalization." I took a drink of water from my bottle and kept my eyes facing forward, ignoring his every attempt to try and talk to me. "Dylan?.. Dylan?... Do you know what? Erin is right, if you push us all away you won't have any friends left." He huffed before walking over to the empty seat and sitting down, I could feel him glancing up at me every now and again but I didn't respond. "Good morning class, please settle down." He looked at me then at Nick and frowned, we've never sat apart, we were friends before the new world even began. I just shook my head telling him to forget it. "So... as you know the king will be arriving in a short while, but until then lessons will go on as normal." Its funny seeing teachers in the same uniform your wearing, mr Foley and his wife are the coolest. Human teachers and doctors only have slightly more respect than we do. Because of Mr Foley's status him and his wife have better access to food and drink, Mrs Foley is cool, sometimes she even makes sure mr Foley brings some in for me. Ya know, coz I'm their favorite student. It's not in a weird way, it's just they were friends of the family before the new wold took effect. Mr Foley and my dad were buddies from high school, so it goes without sayin really. "All the mated humans will be at the front of each years line again, after that you will all be placed in status, Nick, as your mated to Alpha Arya, you'll be at the front of your line. Dylan as you have been branded..." his voice trailed off as he looked at me. "Yeah yeah, I'll be at the back of the line behind everyone. I get it." I huffed, moving my sight towards the window once more. "I am sorry." I turned to face Mr Foley again, he looked genuinely upset and that look of pity wasn't something I wanted to see. I gave him a clipped nod then turned away again. "Anyway, on to the subject matter, 'Of Mice and Men, page 64, Nick why don't you start us off with the reading."

"Of course sir." Nick began reading the book but I switched off, today is going to be a long day. After almost an hour and a half of reading comprehension, the bell chimed signaling lunch. I shot up and out of the classroom before anyone could say anything. Today, I was avoiding drama like the plague.

I wandered the corridors straight to the lunch hall. All the people I would normally hang out with we're all mated so I grabbed my lunch quickly, and sat down at the end of the human table. Let me lay the lunch hall out for you. On one side of the room you have two long rows of tables, with simple benches that make it look like prison, on the other side of the room you have multiple round tables with fancy chairs. Yup you get it. The humans sit at the prison tables and the wolves and traitors sit on the fancy tables, they get fancy food, fancy drink and most importantly they get pudding. what I would give to have some pudding. "Dylan can we just talk?" Nick quickly took the spot next to me as he set his lunch tray down. I looked at his food which had been placed on a ceramic, circular white plate. God that looked good. I sighed knowing he was going to talk anyway. "Fine, you have two minutes." I used my fork to take a bit of pasta off his plate and shoved it into my mouth. God that was good. "After I left school, I was taken to the pack house with Arya, and I really got to know her. It took a few days for me to finally accept being with her, but ever since life has been ok, and the sax... well that's a whole other story." Eww, I didn't need that mental image in my head. "I'm glad your happy." I stated before deciding I had no appetite. His face held shock before he sighed in relief. "That means a lot Dylan, I mean you know that your opinion matters to me." I cut him off before he could say anything else. "I said I was glad your happy. I didn't say I approved of what you've done. You've basically turned into one of THEM, I can't ever forgive you for that." He looked hurt, but I couldn't care less about his feelings. He placed his hand gently on my arm and went to open his mouth when a growl sounded out. All heads whipped to where it came from, Arya was stood holding a glass of soda and a plate, she was looking right at me and Nick and I would totally be dead if looks could kil. Nick quickly retracted his hand, his whole face fell and you could see sorrow flood his irises. "You sit with me now, get away from that, that... scum!" Wow, Nick was such a lucky guy. NOT. "You heard her. Get away from me, go sit with your new friends. I'm happy for you, and I understand where your coming from, but don't come up to me again and pretend you didn't betray your own kind. Don't pretend you didn't betray me." I shoved a little bit of food into my mouth before standing up and walking out of the cafeteria, leaving my tray on the table. I was walking through the hallway to the classroom, you see I decided to spend lunch with Mr Foley in his room, when I happened to hear voices in the corridor. "Is it wise for her to actually be present when the king arrives? Surely she could be placed in the dungeons, it might actually teach her some respect?" My principal was speaking to the alpha of our district, huh, if I stayed and listened do you think they'd notice, maybe they could smell me?! "Everyone is to be present, if the Riley girl does one thing out of line she will be dealt with severely, child or not. That girl has been a blight to the district since day one, she's dangerous, if she puts one hair out of place I will personally break her into submission." Oh shet, they were talking about me specifically, and they mentioned the dungeon, that's not been used in months. Normally I would have listened in more but something about the entire situation didn't sit right with me, all of a sudden, I was on edge, and simply wasn't interested in the slightest in hearing how my misery was to be enhanced. I backed up slightly before turning around and bumping head first into one of the hottest man I had ever seen. I lost my balance immediately and fell straight on to the floor letting out a small grumble in the process. His eyebrows knitted together quickly and his breath hitched in his throat as he looked upon my fallen state and gasped. "Mate!" He whispered, his eyes fixated on mine. Now, I had seen and heard that many times to know what that means, I gasped before taking a step back. 'No, no, no, no, no. This can not be happening.' He growled slightly before stepping towards me. Oh Shet!

Hi there! First post on reddit so please forgive me if i'm not using any fancy text.
I've been DM'ing now on and off for around near 5 years, originally I ran for 2 separate friend groups with Vastly different likes and dislikes. I had to stop one groups campaign due to work schedules and as the such (gotta love adult life ;-;)
So recently my current group consists of close friends so it is quite easy to get things across but it can also be very easy to lose control of the table if we start having jokes and a good laugh.
the above is not the issues I'm having as the DM however the stuff above i'm fine with as long as we are hanging out and having a good time. My issues span from multiple small issues which I will list below Beginning with myself as I know I make plenty of mistakes as I DM but I'm looking for advice to make sure i'm not going crazy and being a C**T with some of my table rules i've implemented
My Issues I need to work on: Note Taking - I lose track of my notes (this has been getting better moved to an app called obsidian which I have stuck with and this seems to be working wonders for me) but still needs work.
World lore - Kinda a addition to the note taking issue I have, I like to chop change some things but I still want it to make canonical sense to the worlds timeline which can be a little messy at times.
Pacing - Oh god I'm awful for pacing sometimes I'm too fast or i'm far too slow my players spend an entire 7 hour session on 1 street corner being my worst example.
Sometimes Retconning Small things - I Don't know if I think its okay to do this, I've only had to do it twice in total I Hate retconning stuff as I feel like if maybe a player that doesn't shine to often finally gets out their shell i'm worried if I retcon something It can really take away from that players motivation.
So above are my issues for sakes of time I'm going to copy paste a recent paragraph I sent to my players parts like player names will be edited of course. -------------------------------------------------------------------------------------------------------
So shappening dudes and dudets, DnD is going to be on the back burner for me for a Little bit cause personally feeling burnt out for a couple reasons that I'll get to in a little bit. So first things first the main thing I'm going to an induction day so I'm hoping I get this job (I got the Job whoop whoop) and DnD will be moved to every 2nd Saturday if thats gonna be a issue we can discuss that down the line. Now couple of mini Issues I want to get off my chest. So the Number 3 joke died ages ago for me and its just annoying so stopping that would be nice thank you, anyone that says it going forward you'll just take 3 damage. Unfortunately the interrupting and pacing is horrendous I'm gonna do my best to keep my focus on the game and I ask so do you. For the time being kinda a add on to the previous my max player count I can do is 6 no more, "Player Name" please let "His Partner" know I do not mind if she watches but I can't have her play not until I feel like the pacing is better and no ones shouting over each other. The Cards, They are fun but i'm gonna rejig them to be less annoying and alot less OP, (I'm removing that bag of holding card) personal thing - If I ask something to do with in the game could you please just acknowledge you have seen it, cause I've typed in plane text plenty of times before and it just doesn't get listened to it starts with one person then everyone else follows if you get me and it can make some little instructions that make things easier for me alot harder. As the DM I want a bit more control So one of the major ones that I ask is NO ONE calls "Roll a persuasion to persuade me" or anything along that lines, it is unnecessary and tbh I find it a bit rude. NO Rape or Rolling Cock size. (its just weird and its disgusting you'd think of it tbh)
There are a few more other things that personally bother me but those are the main ones, the minor ones just consist of 1. Don't Make up your own lore of my own creation and then treat it as cannon, I didn't ask and I don't care.

1. Don't ask for any more custom items, if I give you something be happy and let it be a surprise. 3."did we level up?" i know its a joke but tone it down before it gets worse.
2. If you create a backstory please give me the footnotes of the main points that I can work with, don't give me a lore book about how garfunkle the black white man slain a beast. I won't read it. (Edit - I don't mind if they give me a book to read I do like lore I just mean here that I'd prefer notes of the main points in their characters story)
3. I would prefer Game things are sent on discord concerning characters thats a personal thing, I created the discord for me to be organised and have it all in one place so if you please could just send me stuff on that even if its a dnd beyond link I would like it all in one place. I get this is gonna be alot to read but I hope I get my point across. I am the dungeon master and I want to create a game for you guys to enjoy but I have neglected my own joy for the game and have been more lazy with it because of this. I have alot of stuff to fix from last session especially and I'm gonna try to be more focused on the game and create a better experience and all I ask is please listen, pay attention and any question on the world so you can clarify things you may ask me, if there is any issues during the session call for a break if its that major so we may discuss at the table and if its a small issue we discuss it after the session. I may rule things wrong but i'll attempt to rule it in a way that makes sense and then I shall research and let you know afterwards, I'd rather not search rules in the middle of the game and taking half a hour per turn. ---------------------------------------------------------------------------------------------------------------------

So context for some things the number 3 joke is from shrek "NUMBER 3 MY LORD" and I use magic the gathering cards for little 1 session boons they are a hell of a lot of fun and I'll post under this if anyone else play's DnD and MTG (I'd recommend using the Dungeons and dragons sets for Magic if you wish to try this out)
Revitalize x2 - Add a Medium Potion to Inventory
​
Treasure x3 - Add 100 Gold
​
Choose Your Weapon - Choose one for the Remainder of the Session
Archery - +2 to Range attacks
or
Two Weapon Fighting - +2 to Melee Attacks
​
Curse of Surveillance - You Grow an eyeball onto the palm of your hand, something or someone is watching you (The DM determines who) This curse is passed on
when someone else draws the card or removed with the "Remove curse Spell"
​
Improvised weaponry - You feel compelled to use the first random object as your weapon for the session.
​
Triumphant Adventurer - Roll a D20,
Even Numbers add 3 Platinum to your Inventory.
Odd Numbers Summons a Gold Plated Cocky knight to gloat how rich he is for 1 minute.
​
Hunters Mark - You Gain the Ability Hunters Mark for the Session it does not Require Concentration.
​
Contact Other Plane - You ask anything from the DM roll a d100 to discover the outcome.
​
Hoard Robber - The best robber in all the land has found you and took every bit of coin you have leaving a single fake gold piece.
​
Dawnbringer Cleric - You can Choose One to use throughout the session
Cure Wounds
Dispel Magic
Gentle Repose
​
Priest of Ancient lore - A old Dwarf appears in front of you radiating a holy light asking "Would you like to know the lore of this land?"
​
Boots of Speed - You Gain Extra 15ft Speed for the Session.
​
Silver Raven - A Unknown Vampires Raven Follows you.
​
Check for Traps - You becoming Increasingly paranoid of traps for the session the DM at Random will ask you to check for traps at your feet.
​
Blessed Defiance - You Summon A white Spirit, it says nothing, it is friendly to only you, it will follow and defend you for this session.
​
Chaos Channeler - A wild magic sorcerer Explodes from the multiverse, he looks excited as he transports himself again creating a Minor wild magic effect.

So this is a pretty large post But I am looking for advice on maybe rules I should consider going forward, how to keep proper control of a party of 6 and just anything I should improve as a DM and anything I can further communicate to my players at the table.

Eyeliner is one of the popular cosmetic products used to emphasize the beauty of the eyes. This product is available in different types and colors in the market, and depending on the type of application and need, it can be in the form of liquid, gel, pencil, or magic.
Types of eyeliner Liquid eyeliner:
This type of eyeliner has a thin brush that can be used to draw precise and sharp lines. It is suitable for professional use and requires a trained hand. Gel eyeliner:
Gel eyeliner is applied using a special brush. This type of eyeliner is suitable for creating thicker and longer-lasting lines. Pencil eyeliner:
Pencil eyeliner is easier to use and more suitable for beginners. It is also suitable for everyday use and softer lines. Magic eyeliner:
Due to its flat and hard tip, this type of eyeliner makes it easier to draw uniform and long-lasting lines and is suitable for people with less experience. Tips for using eyeliner Choosing the right type: Choose the right type of eyeliner depending on your skin type and needs. For example, if you have oily skin, choose waterproof and sweat-resistant eyeliner. Practice: Drawing eyeliner requires practice. If you are a beginner, start with pencil eyeliner first. Product storage: Store the eyeliner in a dry and cool place and close the lid tightly after each use. Correct removal: To remove the eyeliner, use special eye makeup remover solutions so as not to damage the thin skin around the eyes. Makeup tips Drawing a straight line: To draw a straight line, place your hand on a flat surface and draw carefully. Use masking tape: If you want to draw a cat eye, you can use a piece of masking tape to make your lines smooth and uniform. Exfoliation: Before applying eyeliner, make sure that the skin of your eyelid is clean and dry so that the eyeliner sits better on the skin. Eyeliner, as one of the important cosmetic tools, can have a great impact on your appearance, and with proper practice and use, you can achieve your desired results. There are many different types of eyeliner styles and they can help change the shape and highlight of the eyes. Here are some of the most popular and used eyeliner styles:

1. Classic Eyeliner Features: A thin and precise line drawn close to the lash line. Suitable for: everyday makeup and formal occasions. How to draw: Using a pencil or liquid eyeliner, start from the inner corner of the eye and continue to the outer corner.
2. Cat Eyeliner Features: A sharp and elongated line that extends upwards from the outer corner of the eye. Suitable for: attractive and impressive makeup. How to draw: Start from the inner corner of the eye and draw a line towards the outer corner. Then, from the outer corner of the eye, draw a line outward and up and connect it to the previous line.
3. Smokey Eyeliner Features: A soft and faded line that gives depth and charm to the eyes. Suitable for: night makeup and parties. How to apply: Apply the eyeliner close to the lashes and then blend it out with a small brush for a soft, smoky look.
4. Winged Eyeliner Features: Similar to cat eyeliner but with longer and often thicker wings. Suitable for: Dramatic and fantasy makeup. How to draw: Same as cat eyeliner, but draw the wings longer and thicker.
5. Double eyeliner Features: two parallel eye lines that give the eyes a special and artistic look. Suitable for: Fantasy and artistic makeup. How to draw: first draw a classic eyeliner and then create a parallel line above it.
6. Egyptian eyeliner (Cleopatra Eyeliner) Features: Thick and sharp lines that make the eyes stand out. Suitable for: fancy makeup and special occasions. How to draw: thick, sharp lines from the inner corner of the eye to the outer corner, then a vertical line upwards.
7. Invisible eyeliner (Tightlining) Features: A very thin eyeliner that is drawn inside the lash line to make the eyes look more natural and the eyelashes look fuller. Suitable for: natural and everyday makeup. How to draw: draw the eyeliner exactly inside the upper lash line without it being visible on the eyelid.
8. Lower Eyeliner Features: eyeliner drawn on the lower eyelid. Suitable for: special and different makeup. How to draw: draw a thin and precise line on the lower eyelid, you can fade it to make it look softer.
9. Graphic Eyeliner Features: Artistic and unusual designs using eyeliner. Suitable for: fashion and creative makeup. How to draw: Using your creativity, draw unusual and artistic designs and lines on the eyelid. These styles can be changed based on your taste and needs, and with practice and experience, you can achieve the necessary skill to perform each of these styles.

Finally, remember that:
Practice and patience are the keys to success in eyeliner. Appropriate and high-quality tools can make your work easier.
خط چشم یکی از ابزارهای قدرتمند در دنیای آرایش است که می‌تواند به چشم‌ها عمق، جذابیت و تغییرات چشمگیری ببخشد. با وجود انواع و سبک‌های مختلف خط چشم، هر فرد می‌تواند با تمرین و تجربه، بهترین روش و سبک مناسب خود را پیدا کند. از خط چشم کلاسیک گرفته تا سبک‌های گرافیکی و فانتزی، همه این‌ها می‌توانند به تقویت اعتماد به نفس و زیبایی طبیعی شما کمک کنند.

The profusion of identical green tents at this spring’s anti-Israel protests struck many as odd. “Why is everybody’s tent the same?,” asked New York mayor Eric Adams. Like others, the mayor suspected “a well-concerted organizing effort” driving the protests. More recent reporting shows a concerted push behind the Gaza protest movement. But it is not as simple as a single organization secretly rallying protesters or buying tents. Instead, the movement’s most determined activists represent a network of loosely linked far-left groups. Some are openly affiliated with well-known progressive nonprofits; others work in the shadows.
The movement also draws on diverse but generous sources of financial backing. Those funding streams may soon be augmented by the federal government. As I chronicled last year in a Manhattan Institute report, “The Big Squeeze: How Biden’s Environmental Justice Agenda Hurts the Economy and the Environment,” the administration’s massive program of environmental justice grants seems designed to prioritize the funding of highly ideological local groups. The Inflation Reduction Act, for example, earmarks $3 billion for “environmental and climate justice block grants” intended for local nonprofits. Today, hundreds of far-left political groups include language about environmental issues and “climate justice” in their mission statements. If just a fraction of planned grants flows to such groups, the effect will be a gusher of new funding for radical causes.
As the Gaza protests spread across U.S. college campuses, many observers noted an eerie uniformity among them. From one campus to the next, protesters operated in disciplined cadres, keeping their faces covered and using identical rote phrases as they refused to talk with reporters. The Atlantic noted the strangeness of seeing elite college students “chanting like automatons.” Students held up keffiyeh scarves or umbrellas to block the view of prying cameras and linked arms to halt the movements of outsiders. At Columbia University and elsewhere, protesters formed “liberated zones,” from which “Zionists” were excluded. Around the edges of the encampments, the more militaristic activists donned helmets and goggles and carried crude weapons, apparently eager to mix it up with police or counter-protesters. We’ve seen these tactics before—notably during the “mostly peaceful” Black Lives Matter protests of 2020, when full-time agitators helped ignite riots, set up a police-free (and violence-plagued) zone in Seattle, and laid nightly siege to Portland, Oregon’s federal courthouse.
In a remarkable work of reporting, Park MacDougald recently traced the tangled roots of organizations backing pro-jihad protests, both on and off campuses. These include Antifa and other networks of anonymous anarchists, along with “various communist and Marxist-Leninist groups, including the Maoist Revolutionary Communist Party, the Party for Socialism and Liberation (PSL), and the International ANSWER coalition,” MacDougald writes. Higher up the food chain, we find groups openly supported by America’s growing class of super-rich tech execs or the anti-capitalist heirs of great fortunes. For example, retired tech mogul Neville Roy Singham, who is married to Code Pink founder Jodie Evans, funds The People’s Forum, a lavish Manhattan resource center for far-left groups. As the Columbia protests intensified, the center urged members to head uptown to “support our students.” Following the money trail of other protest groups, MacDougald finds connections to the Rockefeller Brothers Fund, the Ford Foundation, and—surprising no one—the George Soros-backed Tides Foundation.
Of course, the current wave of anti-Israel protests also involves alliances with pro-Hamas organizations such as Students for Justice in Palestine. Last November, Jonathan Schanzer of the Foundation for Defense of Democracies testified to the House Ways and Means Committee that SJP and similar groups have deep ties to global terrorist organizations, including Hamas.
For many keffiyeh-wearing protestors, however, a recently professed concern for Palestinians is just the latest in a long list of causes they believe justify taking over streets and college quads. In Unherd, Mary Harrington dubs this medley of political beliefs the “omnicause,” writing that “all contemporary radical causes seem somehow to have been absorbed into one.” Today’s leftist activists share an interlocking worldview that sees racism, income inequality, trans intolerance, climate change, alleged police violence, and Israeli-Palestinian conflicts all as products of capitalism and “colonialism.” Therefore, the stated rationale for any individual protest is a stand-in for the real battle: attacking Western society and its institutions.
In the U.S., this type of general-purpose uprising goes back at least to the riots at the 1999 meeting of the World Trade Organization in Seattle. In those protests, mainstream liberal factions—including labor unions and environmentalists—were joined by “black bloc” anarchists and other radicals eager to engage in “direct action” against police. That pattern—relatively moderate demonstrators providing a friendly envelope for hard-core disruptors—formed the template for many later protests: the Occupy Wall Street encampments in 2011, demonstrations following the police shooting of Michael Brown in 2014, 2016’s Standing Rock anti-pipeline movement, and of course, the calamitous summer of 2020.
These uprisings were not entirely spontaneous. In some cases, activists spend months planning mass actions—for example, against economic summits or political conventions—and can recruit street fighters from across the country. In others, an event, such as George Floyd’s death, sparks popular protests involving neophyte demonstrators. Those attract far-left activists, who swoop in to organize and expand the struggle, often tilting it toward more radical action.
That has certainly been the case at the college Gaza-paloozas. At Columbia, the New York Times spotted a woman old enough to be a student’s grandmother in the thick of the action as protesters barricaded that school’s Hamilton Hall. The woman was 63-year-old Lisa Fithian, a lifetime activist, who Portland’s alternative weekly Street Roots approvingly calls “a trainer of mass rebellion.” A counter-protester trying to block the pro-Hamas demonstrators told NBC News, “She was right in the middle of it, instructing them how to better set up the barriers.” Fithian told the Times she’d been invited to train students in protest safety and “general logistics.” She claims to have taken part in almost every major U.S. protest movement going back to the 1999 “Battle in Seattle.”
America’s radical network has plenty of Lisa Fithians, with the time and resources to travel the country educating newcomers about the “logistics” of disruptive protests. And these activists appear to have played key roles in the college occupations. The New York City Police Department says nearly half the demonstrators arrested on the Columbia and City University of New York (CUNY) campuses on April 30 were not affiliated with the schools. One hooded Hamilton Hall occupier—photographed scuffling with a Columbia custodian before getting arrested—turned out to be 40-year-old James Carlson, heir to a large advertising fortune. According to the New York Post, Carlson lives in a $2.3 million Park Slope townhouse and has a long rap sheet. For example, in 2005, he was arrested in San Francisco during the violent “West Coast Anti-Capitalist Mobilization and March Against the G8.” (Those charges were dropped.)
For a quarter-century now, Antifa and other anarchist networks have worked to refine tactics and share lessons following each major action. At Columbia, UCLA, and other schools, authorities found printouts of a “Do-It Yourself Occupation Guide” and similar documents. The young campus radicals are eager to learn from their more experienced elders. And, like the high-achieving students they are, they follow directions carefully. MacDougald asked Kyle Shideler, the director for homeland security and counterterrorism at the Center for Security Policy, about the mystery of the identical tents. There was no need for a central group to distribute hundreds of tents, Shideler said. Instead, “the organizers told [students] to buy a tent, and sent around a Google Doc with a link to that specific tent on Amazon. So they all went out and bought the same tent.”
In other words, America’s radical class has gotten very skilled at recruiting and instructing new activists—even from among the ranks of elite college students with a good deal to lose. How much more could this movement accomplish with hundreds of millions in federal dollars flooding activist groups around the country?
From its first week in office, the Biden administration has trumpeted its goal to funnel more environmental spending toward “disadvantaged communities that have been historically marginalized,” partly by issuing grants to grassroots organizations. Previous environmental justice (EJ) grant programs were small in scope. But, with the passage of the Inflation Reduction Act (IRA) in August 2022, a huge pool of grant money became available. EPA administrator Michael Regan told reporters, “We’re going from tens of thousands of dollars to developing and designing a program that will distribute billions.”
More than a year and a half later, it remains hard to nail down just where the Biden administration’s billions in EJ grants will wind up. Money is being distributed through a confusing variety of programs, and the process of identifying recipients is ongoing. To help outsource the job of sifting through proposals, the EPA last year designated 11 institutions as “Environmental Justice Thriving Communities Grantmakers.” These groups are empowered to make subgrants directly to community organizations, under streamlined EPA oversight. In all, the Biden administration has entrusted these outfits with distributing a staggering $600 million in funding. The money is expected to start flowing this summer.
The EPA’s grantmakers include a number of educational institutions and left-leaning nonprofits. For example, the EPA chose Fordham University as its lead grantmaker in the New York region. Fordham, in turn, lists as partners two nonprofits that oppose immigration enforcement. (One, the New Jersey Alliance for Immigrant Justice, states on its website: “NJAIJ believes in the human right to migrate, regardless of citizenship or political status.”) Neither group claims expertise in environmental issues. Given that the IRA’s eligibility requirements for EJ grants are extremely vague, however, perhaps that’s not a problem. Almost any activity that could help “spur economic opportunity for disadvantaged communities” (in the words of Biden’s EJ executive order) might qualify.
Perhaps the most prominent—and problematic—EPA grantmaker is the Berkeley, California-based Climate Justice Alliance. The CJA is a consortium of mostly far-left activist groups. It describes its mission as working for “regenerative economic solutions and ecological justice—under a framework that challenges capitalism and both white supremacy and hetero-patriarchy.” The group is a vigorous proponent of the omnicause, embracing almost every left-wing concern as a manifestation of climate change. For example, the CJA website proclaims: “The path to climate justice travels through a free Palestine.” MacDougald notes that the Grassroots Global Justice Alliance, one of CJA’s affiliated groups, “organized an illegal anti-Israel protest in the Capitol Rotunda in December at which more than 50 activists were arrested.”
The CJA website also includes a section dedicated to the cause known as Stop Cop City. It refers to an effort to halt the construction of an 85-acre police and firefighter training center outside Atlanta. Rag-tag activists from around the country have gathered around the facility since 2021. They have repeatedly battled with police—sometimes with fireworks and Molotov cocktails—and used bolt cutters to enter the site and torch construction equipment. (CJA’s Stop Cop City page features a cartoon illustration of three childlike activists; one brandishes bolt cutters.) The group also backs a legal defense fund for activists arrested in attacks on the training center or in other protests. For those looking for more inspiration, CJA links to an interview with former Black Panther and self-described revolutionary Angela Davis.
The Alliance is not an ideological outlier in Biden’s EJ coalition. On the contrary, when the White House assembled its White House Environmental Justice Advisory Council (WHEJAC), a panel of outside experts meant to provide “horizon-expanding EJ advice and recommendations,” it chose CJA co-chair Elizabeth Yeampierre to help lead the committee. Like other members of the panel, she sees environmental issues through an ideological, not a scientific, lens. “Climate change is the result of a legacy of extraction, of colonialism, of slavery,” Yeampierre told Yale Environment 360. As a group, radical EJ activists tend not to focus on pragmatic ways to reduce pollution and carbon emissions; for them, the real goal is overturning what they see as an exploitative economic and political system. Since these are the voices the White House chose to help shape its EJ policies, we can assume this worldview will dominate grantmaking decisions.
In February 2023, House Oversight Committee chairman James Comer, along with fellow committee member Pat Fallon, wrote to EPA administrator Regan asking for more information on the EPA’s grant programs. They noted that the EPA’s own studies of EJ grants issued in previous years showed sloppy supervision. According to an EPA report, an earlier version of the program funded projects that did “not logically lead to the desired environmental and/or public health [result].” Without better oversight and more clearly defined goals, the congressmen wrote, the EPA’s EJ grant machine risks becoming simply a “slush fund for far-left organizations.”
Since then, the administration has done little to reassure skeptics. To the contrary, the EPA has put at least one far-left organization—CJA—in charge of distributing $50 million in grant money. No doubt, many of the EPA grants will go to worthwhile projects. But money is fungible. A group that gets a large grant to, say, clean up dirty parks or teach children about recycling will also be able to hire more staff and divert more resources to political action.
With graduation behind them, most of the anti-Israel college protesters have stowed away their keffiyehs and moved on to summer vacations or internships. But the peripatetic activists who helped guide and intensify those uprisings are doubtless already planning their next actions. After all, two political conventions are looming. This fall, the college protests will likely flare up again, though by then perhaps focused on a different facet of the omnicause. And, with hundreds of millions in fresh funding flowing through the activist ecosystem, the groups that quietly nurture extremists—like those who firebombed “Cop City,” or who chant “Intifada Revolution!,” or who block bridges in the name of “climate”—will be more emboldened than ever.
A Slush Fund for Radical Protesters? City Journal (city-journal.org)
​

what should I do? I'm from korea, so I'm not good at in English
---- Minecraft Crash Report ----
// Surprise! Haha. Well, this is awkward.
Time: 2024-06-01 17:18:21
Description: Rendering screen
java.lang.ClassCastException: class net.minecraft.client.gui.screens.TitleScreen cannot be cast to class net.fabricmc.fabric.impl.client.screen.ScreenExtensions (net.minecraft.client.gui.screens.TitleScreen is in module minecraft@1.20.1 of loader 'TRANSFORMER' u/681061d6; net.fabricmc.fabric.impl.client.screen.ScreenExtensions is in module fabric_screen_api_v1@2.0.8+45a670a577 of loader 'TRANSFORMER' u/681061d6)

at net.fabricmc.fabric.impl.client.screen.ScreenExtensions.getExtensions(ScreenExtensions.java:31) \~\[fabric-screen-api-v1-2.0.8+45a670a577.jar%23279!/:2.0.8+45a670a577\] {re:classloading} at net.fabricmc.fabric.api.client.screen.v1.ScreenEvents.beforeRender(ScreenEvents.java:126) \~\[fabric-screen-api-v1-2.0.8+45a670a577.jar%23279!/:2.0.8+45a670a577\] {re:classloading} at net.fabricmc.fabric.impl.client.screen.ScreenEventHooks.beforeScreenDraw(ScreenEventHooks.java:33) \~\[fabric-screen-api-v1-2.0.8+45a670a577.jar%23279!/:2.0.8+45a670a577\] {re:classloading} at net.fabricmc.fabric.impl.client.screen.\_\_ScreenEventHooks\_beforeScreenDraw\_Pre.invoke(.dynamic) \~\[fabric-screen-api-v1-2.0.8+45a670a577.jar%23279!/:2.0.8+45a670a577\] {re:classloading,pl:eventbus:B} at net.minecraftforge.eventbus.ASMEventHandler.invoke(ASMEventHandler.java:73) \~\[eventbus-6.0.5.jar%2387!/:?\] {} at net.minecraftforge.eventbus.EventBus.post(EventBus.java:315) \~\[eventbus-6.0.5.jar%2387!/:?\] {} at net.minecraftforge.eventbus.EventBus.post(EventBus.java:296) \~\[eventbus-6.0.5.jar%2387!/:?\] {} at net.minecraftforge.client.ForgeHooksClient.drawScreenInternal(ForgeHooksClient.java:426) \~\[forge-1.20.1-47.2.0-universal.jar%23217!/:?\] {re:classloading} at net.minecraftforge.client.ForgeHooksClient.drawScreen(ForgeHooksClient.java:420) \~\[forge-1.20.1-47.2.0-universal.jar%23217!/:?\] {re:classloading} at net.minecraft.client.renderer.GameRenderer.m\_109093\_(GameRenderer.java:965) \~\[client-1.20.1-20230612.114412-srg.jar%23212!/:?\] {re:classloading,pl:accesstransformer:B,pl:runtimedistcleaner:A} at net.minecraft.client.Minecraft.m\_91383\_(Minecraft.java:1146) \~\[client-1.20.1-20230612.114412-srg.jar%23212!/:?\] {re:mixin,pl:accesstransformer:B,pl:runtimedistcleaner:A,re:classloading,pl:accesstransformer:B,pl:mixin:APP:architectury.mixins.json:MixinMinecraft,pl:mixin:A,pl:runtimedistcleaner:A} at net.minecraft.client.Minecraft.m\_91374\_(Minecraft.java:718) \~\[client-1.20.1-20230612.114412-srg.jar%23212!/:?\] {re:mixin,pl:accesstransformer:B,pl:runtimedistcleaner:A,re:classloading,pl:accesstransformer:B,pl:mixin:APP:architectury.mixins.json:MixinMinecraft,pl:mixin:A,pl:runtimedistcleaner:A} at net.minecraft.client.main.Main.main(Main.java:218) \~\[forge-47.2.0.jar:?\] {re:classloading,pl:runtimedistcleaner:A} at jdk.internal.reflect.NativeMethodAccessorImpl.invoke0(Native Method) \~\[?:?\] {} at jdk.internal.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:77) \~\[?:?\] {} at jdk.internal.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43) \~\[?:?\] {} at java.lang.reflect.Method.invoke(Method.java:568) \~\[?:?\] {} at net.minecraftforge.fml.loading.targets.CommonLaunchHandler.runTarget(CommonLaunchHandler.java:111) \~\[fmlloader-1.20.1-47.2.0.jar:?\] {} at net.minecraftforge.fml.loading.targets.CommonLaunchHandler.clientService(CommonLaunchHandler.java:99) \~\[fmlloader-1.20.1-47.2.0.jar:?\] {} at net.minecraftforge.fml.loading.targets.CommonClientLaunchHandler.lambda$makeService$0(CommonClientLaunchHandler.java:25) \~\[fmlloader-1.20.1-47.2.0.jar:?\] {} at cpw.mods.modlauncher.LaunchServiceHandlerDecorator.launch(LaunchServiceHandlerDecorator.java:30) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.LaunchServiceHandler.launch(LaunchServiceHandler.java:53) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.LaunchServiceHandler.launch(LaunchServiceHandler.java:71) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.Launcher.run(Launcher.java:108) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.Launcher.main(Launcher.java:78) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.BootstrapLaunchConsumer.accept(BootstrapLaunchConsumer.java:26) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.BootstrapLaunchConsumer.accept(BootstrapLaunchConsumer.java:23) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.bootstraplauncher.BootstrapLauncher.main(BootstrapLauncher.java:141) \~\[bootstraplauncher-1.1.2.jar:?\] {} 

A detailed walkthrough of the error, its code path and all known details is as follows:
-- Head --
Thread: Render thread
Stacktrace:

at net.fabricmc.fabric.impl.client.screen.ScreenExtensions.getExtensions(ScreenExtensions.java:31) \~\[fabric-screen-api-v1-2.0.8+45a670a577.jar%23279!/:2.0.8+45a670a577\] {re:classloading} at net.fabricmc.fabric.api.client.screen.v1.ScreenEvents.beforeRender(ScreenEvents.java:126) \~\[fabric-screen-api-v1-2.0.8+45a670a577.jar%23279!/:2.0.8+45a670a577\] {re:classloading} at net.fabricmc.fabric.impl.client.screen.ScreenEventHooks.beforeScreenDraw(ScreenEventHooks.java:33) \~\[fabric-screen-api-v1-2.0.8+45a670a577.jar%23279!/:2.0.8+45a670a577\] {re:classloading} at net.fabricmc.fabric.impl.client.screen.\_\_ScreenEventHooks\_beforeScreenDraw\_Pre.invoke(.dynamic) \~\[fabric-screen-api-v1-2.0.8+45a670a577.jar%23279!/:2.0.8+45a670a577\] {re:classloading,pl:eventbus:B} at net.minecraftforge.eventbus.ASMEventHandler.invoke(ASMEventHandler.java:73) \~\[eventbus-6.0.5.jar%2387!/:?\] {} at net.minecraftforge.eventbus.EventBus.post(EventBus.java:315) \~\[eventbus-6.0.5.jar%2387!/:?\] {} at net.minecraftforge.eventbus.EventBus.post(EventBus.java:296) \~\[eventbus-6.0.5.jar%2387!/:?\] {} at net.minecraftforge.client.ForgeHooksClient.drawScreenInternal(ForgeHooksClient.java:426) \~\[forge-1.20.1-47.2.0-universal.jar%23217!/:?\] {re:classloading} at net.minecraftforge.client.ForgeHooksClient.drawScreen(ForgeHooksClient.java:420) \~\[forge-1.20.1-47.2.0-universal.jar%23217!/:?\] {re:classloading} 

-- Screen render details --
Details:

Screen name: net.minecraft.client.gui.screens.TitleScreen Mouse location: Scaled: (86, 255). Absolute: (259.000000, 767.000000) Screen size: Scaled: (342, 256). Absolute: (1024, 768). Scale factor of 3.000000 

Stacktrace:

at net.minecraft.client.renderer.GameRenderer.m\_109093\_(GameRenderer.java:965) \~\[client-1.20.1-20230612.114412-srg.jar%23212!/:?\] {re:classloading,pl:accesstransformer:B,pl:runtimedistcleaner:A} at net.minecraft.client.Minecraft.m\_91383\_(Minecraft.java:1146) \~\[client-1.20.1-20230612.114412-srg.jar%23212!/:?\] {re:mixin,pl:accesstransformer:B,pl:runtimedistcleaner:A,re:classloading,pl:accesstransformer:B,pl:mixin:APP:architectury.mixins.json:MixinMinecraft,pl:mixin:A,pl:runtimedistcleaner:A} at net.minecraft.client.Minecraft.m\_91374\_(Minecraft.java:718) \~\[client-1.20.1-20230612.114412-srg.jar%23212!/:?\] {re:mixin,pl:accesstransformer:B,pl:runtimedistcleaner:A,re:classloading,pl:accesstransformer:B,pl:mixin:APP:architectury.mixins.json:MixinMinecraft,pl:mixin:A,pl:runtimedistcleaner:A} at net.minecraft.client.main.Main.main(Main.java:218) \~\[forge-47.2.0.jar:?\] {re:classloading,pl:runtimedistcleaner:A} at jdk.internal.reflect.NativeMethodAccessorImpl.invoke0(Native Method) \~\[?:?\] {} at jdk.internal.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:77) \~\[?:?\] {} at jdk.internal.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43) \~\[?:?\] {} at java.lang.reflect.Method.invoke(Method.java:568) \~\[?:?\] {} at net.minecraftforge.fml.loading.targets.CommonLaunchHandler.runTarget(CommonLaunchHandler.java:111) \~\[fmlloader-1.20.1-47.2.0.jar:?\] {} at net.minecraftforge.fml.loading.targets.CommonLaunchHandler.clientService(CommonLaunchHandler.java:99) \~\[fmlloader-1.20.1-47.2.0.jar:?\] {} at net.minecraftforge.fml.loading.targets.CommonClientLaunchHandler.lambda$makeService$0(CommonClientLaunchHandler.java:25) \~\[fmlloader-1.20.1-47.2.0.jar:?\] {} at cpw.mods.modlauncher.LaunchServiceHandlerDecorator.launch(LaunchServiceHandlerDecorator.java:30) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.LaunchServiceHandler.launch(LaunchServiceHandler.java:53) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.LaunchServiceHandler.launch(LaunchServiceHandler.java:71) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.Launcher.run(Launcher.java:108) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.Launcher.main(Launcher.java:78) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.BootstrapLaunchConsumer.accept(BootstrapLaunchConsumer.java:26) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.BootstrapLaunchConsumer.accept(BootstrapLaunchConsumer.java:23) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.bootstraplauncher.BootstrapLauncher.main(BootstrapLauncher.java:141) \~\[bootstraplauncher-1.1.2.jar:?\] {} 

-- Last reload --
Details:

Reload number: 1 Reload reason: initial Finished: Yes Packs: vanilla, mod\_resources, fabric 

Stacktrace:

at net.minecraft.client.ResourceLoadStateTracker.m\_168562\_(ResourceLoadStateTracker.java:49) \~\[client-1.20.1-20230612.114412-srg.jar%23212!/:?\] {re:classloading} at net.minecraft.client.Minecraft.m\_91354\_(Minecraft.java:2326) \~\[client-1.20.1-20230612.114412-srg.jar%23212!/:?\] {re:mixin,pl:accesstransformer:B,pl:runtimedistcleaner:A,re:classloading,pl:accesstransformer:B,pl:mixin:APP:architectury.mixins.json:MixinMinecraft,pl:mixin:A,pl:runtimedistcleaner:A} at net.minecraft.client.Minecraft.m\_91374\_(Minecraft.java:735) \~\[client-1.20.1-20230612.114412-srg.jar%23212!/:?\] {re:mixin,pl:accesstransformer:B,pl:runtimedistcleaner:A,re:classloading,pl:accesstransformer:B,pl:mixin:APP:architectury.mixins.json:MixinMinecraft,pl:mixin:A,pl:runtimedistcleaner:A} at net.minecraft.client.main.Main.main(Main.java:218) \~\[forge-47.2.0.jar:?\] {re:classloading,pl:runtimedistcleaner:A} at jdk.internal.reflect.NativeMethodAccessorImpl.invoke0(Native Method) \~\[?:?\] {} at jdk.internal.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:77) \~\[?:?\] {} at jdk.internal.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43) \~\[?:?\] {} at java.lang.reflect.Method.invoke(Method.java:568) \~\[?:?\] {} at net.minecraftforge.fml.loading.targets.CommonLaunchHandler.runTarget(CommonLaunchHandler.java:111) \~\[fmlloader-1.20.1-47.2.0.jar:?\] {} at net.minecraftforge.fml.loading.targets.CommonLaunchHandler.clientService(CommonLaunchHandler.java:99) \~\[fmlloader-1.20.1-47.2.0.jar:?\] {} at net.minecraftforge.fml.loading.targets.CommonClientLaunchHandler.lambda$makeService$0(CommonClientLaunchHandler.java:25) \~\[fmlloader-1.20.1-47.2.0.jar:?\] {} at cpw.mods.modlauncher.LaunchServiceHandlerDecorator.launch(LaunchServiceHandlerDecorator.java:30) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.LaunchServiceHandler.launch(LaunchServiceHandler.java:53) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.LaunchServiceHandler.launch(LaunchServiceHandler.java:71) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.Launcher.run(Launcher.java:108) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.Launcher.main(Launcher.java:78) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.BootstrapLaunchConsumer.accept(BootstrapLaunchConsumer.java:26) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.modlauncher.BootstrapLaunchConsumer.accept(BootstrapLaunchConsumer.java:23) \~\[modlauncher-10.0.9.jar:?\] {} at cpw.mods.bootstraplauncher.BootstrapLauncher.main(BootstrapLauncher.java:141) \~\[bootstraplauncher-1.1.2.jar:?\] {} 

-- System Details --
Details:

Minecraft Version: 1.20.1 Minecraft Version ID: 1.20.1 Operating System: Windows 10 (amd64) version 10.0 Java Version: 17.0.8, Microsoft Java VM Version: OpenJDK 64-Bit Server VM (mixed mode), Microsoft Memory: 438773216 bytes (418 MiB) / 1212153856 bytes (1156 MiB) up to 8455716864 bytes (8064 MiB) CPUs: 12 Processor Vendor: GenuineIntel Processor Name: Intel(R) Core(TM) i5-10500 CPU @ 3.10GHz Identifier: Intel64 Family 6 Model 165 Stepping 3 Microarchitecture: unknown Frequency (GHz): 3.10 Number of physical packages: 1 Number of physical CPUs: 6 Number of logical CPUs: 12 Graphics card #0 name: NVIDIA GeForce GTX 1050 Ti Graphics card #0 vendor: NVIDIA (0x10de) Graphics card #0 VRAM (MB): 4095.00 Graphics card #0 deviceId: 0x1c82 Graphics card #0 versionInfo: DriverVersion=32.0.15.5585 Memory slot #0 capacity (MB): 16384.00 Memory slot #0 clockSpeed (GHz): 2.67 Memory slot #0 type: DDR4 Virtual memory max (MB): 31165.04 Virtual memory used (MB): 14962.84 Swap memory total (MB): 14848.00 Swap memory used (MB): 407.73 JVM Flags: 4 total; -XX:HeapDumpPath=MojangTricksIntelDriversForPerformance\_javaw.exe\_minecraft.exe.heapdump -Xss1M -Xmx8064m -Xms256m Launched Version: forge-47.2.0 Backend library: LWJGL version 3.3.1 build 7 Backend API: NVIDIA GeForce GTX 1050 Ti/PCIe/SSE2 GL version 4.6.0 NVIDIA 555.85, NVIDIA Corporation Window size: 1024x768 GL Caps: Using framebuffer using OpenGL 3.2 GL debug messages: Using VBOs: Yes Is Modded: Definitely; Client brand changed to 'forge' Type: Client (map\_client.txt) Graphics mode: fancy Resource Packs: vanilla, mod\_resources Current Language: ko\_kr CPU: 12x Intel(R) Core(TM) i5-10500 CPU @ 3.10GHz ModLauncher: 10.0.9+10.0.9+main.dcd20f30 ModLauncher launch target: forgeclient ModLauncher naming: srg ModLauncher services: mixin-0.8.5.jar mixin PLUGINSERVICE eventbus-6.0.5.jar eventbus PLUGINSERVICE fmlloader-1.20.1-47.2.0.jar slf4jfixer PLUGINSERVICE fmlloader-1.20.1-47.2.0.jar object\_holder\_definalize PLUGINSERVICE fmlloader-1.20.1-47.2.0.jar runtime\_enum\_extender PLUGINSERVICE fmlloader-1.20.1-47.2.0.jar capability\_token\_subclass PLUGINSERVICE accesstransformers-8.0.4.jar accesstransformer PLUGINSERVICE fmlloader-1.20.1-47.2.0.jar runtimedistcleaner PLUGINSERVICE modlauncher-10.0.9.jar mixin TRANSFORMATIONSERVICE modlauncher-10.0.9.jar fml TRANSFORMATIONSERVICE FML Language Providers: minecraft@1.0 \_\_fabric\_loader\_bootstrap@2.6.0+0.15.0+1.20.1 lowcodefml@null javafml@null Mod List: fabric-dimensions-v1-2.1.54+8005d10d77.jar Fabric Dimensions API (v1) fabric\_dimensions\_v1 2.1.54+8005d10d77 DONE Manifest: NOSIGNATURE fabric-transfer-api-v1-3.3.5+631c9cd677.jar Fabric Transfer API (v1) fabric\_transfer\_api\_v1 3.3.5+631c9cd677 DONE Manifest: NOSIGNATURE fabric-renderer-api-v1-3.2.1+1d29b44577.jar Fabric Renderer API (v1) fabric\_renderer\_api\_v1 3.2.1+1d29b44577 DONE Manifest: NOSIGNATURE fishermens\_trap-2.1.2.jar Fishermens Trap fishermens\_trap 2.1.2 DONE Manifest: NOSIGNATURE supermartijn642configlib-1.1.8-forge-mc1.20.jar SuperMartijn642's Config Librasupermartijn642configlib 1.1.8 DONE Manifest: NOSIGNATURE XP From Harvest Reworked-1.20.x-1.2.4.jar XP From Harvest Reworked xpfromharvest 1.2.4 DONE Manifest: NOSIGNATURE fabric-model-loading-api-v1-1.0.3+6274ab9d77.jar Fabric Model Loading API (v1) fabric\_model\_loading\_api\_v1 1.0.3+6274ab9d77 DONE Manifest: NOSIGNATURE fabric-item-api-v1-2.1.28+4d0bbcfa77.jar Fabric Item API (v1) fabric\_item\_api\_v1 2.1.28+4d0bbcfa77 DONE Manifest: NOSIGNATURE jei-1.20.1-forge-15.3.0.4.jar Just Enough Items jei 15.3.0.4 DONE Manifest: NOSIGNATURE fabric-rendering-fluids-v1-3.0.28+4ac5e37a77.jar Fabric Rendering Fluids (v1) fabric\_rendering\_fluids\_v1 3.0.28+4ac5e37a77 DONE Manifest: NOSIGNATURE fabric-screen-handler-api-v1-1.3.30+561530ec77.jarFabric Screen Handler API (v1)fabric\_screen\_handler\_api\_v1 1.3.30+561530ec77 DONE Manifest: NOSIGNATURE fabric-models-v0-0.4.2+7c3892a477.jar Fabric Models (v0) fabric\_models\_v0 0.4.2+7c3892a477 DONE Manifest: NOSIGNATURE fabric-resource-loader-v0-0.11.10+bcd08ed377.jar Fabric Resource Loader (v0) fabric\_resource\_loader\_v0 0.11.10+bcd08ed377 DONE Manifest: NOSIGNATURE libraryferret-forge-1.20.1-4.0.0.jar Library ferret libraryferret 4.0.0 DONE Manifest: NOSIGNATURE aquaculture\_delight\_1.0.0\_forge\_1.20.1.jar Aquaculture Delight aquaculturedelight 1.0.0 DONE Manifest: NOSIGNATURE fabric-rendering-v1-3.0.8+66e9a48f77.jar Fabric Rendering (v1) fabric\_rendering\_v1 3.0.8+66e9a48f77 DONE Manifest: NOSIGNATURE fabric-renderer-indigo-1.5.2+b5b2da4177.jar Fabric Renderer - Indigo fabric\_renderer\_indigo 1.5.2+b5b2da4177 DONE Manifest: NOSIGNATURE villagernames-1.20.1-7.3.jar Villager Names villagernames 7.3 DONE Manifest: NOSIGNATURE fabric-convention-tags-v1-1.5.5+fa3d1c0177.jar Fabric Convention Tags fabric\_convention\_tags\_v1 1.5.5+fa3d1c0177 DONE Manifest: NOSIGNATURE journeymap-1.20.1-5.9.21-forge.jar Journeymap journeymap 5.9.21 DONE Manifest: NOSIGNATURE fabric-command-api-v1-1.2.34+f71b366f77.jar Fabric Command API (v1) fabric\_command\_api\_v1 1.2.34+f71b366f77 DONE Manifest: NOSIGNATURE fabric-mining-level-api-v1-2.1.50+561530ec77.jar Fabric Mining Level API (v1) fabric\_mining\_level\_api\_v1 2.1.50+561530ec77 DONE Manifest: NOSIGNATURE travelersbackpack-forge-1.20.1-9.1.14.jar Traveler's Backpack travelersbackpack 9.1.14 DONE Manifest: NOSIGNATURE NaturesCompass-1.20.1-1.11.2-forge.jar Nature's Compass naturescompass 1.20.1-1.11.2-forge DONE Manifest: NOSIGNATURE fabric-block-view-api-v2-1.0.1+0767707077.jar Fabric BlockView API (v2) fabric\_block\_view\_api\_v2 1.0.1+0767707077 DONE Manifest: NOSIGNATURE fabric-command-api-v2-2.2.13+561530ec77.jar Fabric Command API (v2) fabric\_command\_api\_v2 2.2.13+561530ec77 DONE Manifest: NOSIGNATURE fabric-data-attachment-api-v1-1.0.0+30ef839e77.jarFabric Data Attachment API (v1fabric\_data\_attachment\_api\_v1 1.0.0+30ef839e77 DONE Manifest: NOSIGNATURE mixinextras-forge-0.3.5.jar MixinExtras mixinextras 0.3.5 DONE Manifest: NOSIGNATURE fabric-screen-api-v1-2.0.8+45a670a577.jar Fabric Screen API (v1) fabric\_screen\_api\_v1 2.0.8+45a670a577 DONE Manifest: NOSIGNATURE fabric-particles-v1-1.1.2+78e1ecb877.jar Fabric Particles (v1) fabric\_particles\_v1 1.1.2+78e1ecb877 DONE Manifest: NOSIGNATURE forge-1.20.1-47.2.0-universal.jar Forge forge 47.2.0 DONE Manifest: 84:ce:76:e8:45:35:e4:0e:63:86:df:47:59:80:0f:67:6c:c1:5f:6e:5f:4d:b3:54:47:1a:9f:7f:ed:5e:f2:90 More Villager Trades 1.0.0 - 1.20.1.jar More Villager Trades more\_villager\_trades 1.0.0 DONE Manifest: NOSIGNATURE fabric-api-0.92.2+1.11.8+1.20.1.jar Forgified Fabric API fabric\_api 0.92.2+1.11.8+1.20.1DONE Manifest: NOSIGNATURE fabric-content-registries-v0-4.0.11+a670df1e77.jarFabric Content Registries (v0)fabric\_content\_registries\_v0 4.0.11+a670df1e77 DONE Manifest: NOSIGNATURE fabric-transitive-access-wideners-v1-4.3.1+1880499Fabric Transitive Access Widenfabric\_transitive\_access\_widen4.3.1+1880499877 DONE Manifest: NOSIGNATURE client-1.20.1-20230612.114412-srg.jar Minecraft minecraft 1.20.1 DONE Manifest: a1:d4:5e:04:4f:d3:d6:e0:7b:37:97:cf:77:b0:de:ad:4a:47:ce:8c:96:49:5f:0a:cf:8c:ae:b2:6d:4b:8a:3f FarmersDelight-1.20.1-1.2.4.jar Farmer's Delight farmersdelight 1.20.1-1.2.4 DONE Manifest: NOSIGNATURE fabric-game-rule-api-v1-1.0.40+683d4da877.jar Fabric Game Rule API (v1) fabric\_game\_rule\_api\_v1 1.0.40+683d4da877 DONE Manifest: NOSIGNATURE fabric-api-base-0.4.31+ef105b4977.jar Fabric API Base fabric\_api\_base 0.4.31+ef105b4977 DONE Manifest: NOSIGNATURE fabric-api-lookup-api-v1-1.6.36+67f9824077.jar Fabric API Lookup API (v1) fabric\_api\_lookup\_api\_v1 1.6.36+67f9824077 DONE Manifest: NOSIGNATURE endersdelight-1.20.1-1.0.3.jar Ender's Delight endersdelight 1.0.3 DONE Manifest: NOSIGNATURE fabric-blockrenderlayer-v1-1.1.41+1d0da21e77.jar Fabric BlockRenderLayer Registfabric\_blockrenderlayer\_v1 1.1.41+1d0da21e77 DONE 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Learn How to Draw Paper Fish
Tutorial Here:- Paper Fish Making

I just completed my Final Year B.E. CS course last week with CGPA 8.7. I got selected for a company in my hometown through college placements after clearing 4 rounds in last year September. During my College days I was really into Computers. I wanted to get into Security but I know its not entry level so I focused more on Backend things. I was really good at integrating things atleast to me.
Started playing RE CTF and got into a UK team and everything was going well. I am very invested in FOSS and did some public speaking , conducted workshops in my College. I was very active during the time India conducted the Debain Conference at Palakkad. But during placement season only Companies hiring for SDE came. So I learned basic coding and a bit of DSA and got placed very soon.
The HR said they will only onboard after completion of all exams. The final round was with the project developers and we had quite nice conversation and I really liked the environment of the Company. Since its near my hometown and I liked it , I never tried for any other off campus hiring. During that time we were building a home so after I got placed I was here home full time helping my dad.
I go to college only for internals and semester exams. My usage of computers drastically reduced to none because of the work I had at home.We took some loan to complete the construction and my dad asked me to cover the repayment which I agreed. The amount is just half my Salary if I got in, So I thought it wont be a big deal. The HR called me in April asking my availability and CGPA and said I will be onboarded before May.
I waited three weeks after May and enquired the HR to which he said the market condition is so bad so there will be a delay. The construction is almost done. Dad has also borrowed some money from lenders with a little bit higher interest rate. He planned to sell his agriculture plot in his hometown for the reapayment of lender but its getting dealyed too because of the recent floods. Dad's trying hard to come out of debt but nothing is panning out and the interest is piling.
Today morning dad asked me about joining I said "Soon". Dad's counting on me for the repayment of bank loan atleast from next month. I thought of getting a temporary job like delivery or something to ease monetory situation at home but one of my senior advised me to get a job related to my education.
I used to love working with terminals, and I did lot of hosting , backend and integrating stuff like hosting my own PBX with Asterisk back then.I believe tools, language come and go. Its the analytical and problem solving thinking that matters. I think it's something I am good at as an Engineer. So I don't wanna do the fancy resume and applying to dozens of jobs on LinkedIn. I will be worth for any organization if you train me for a role. So if you guys have/know any vacancy for a role that I might fit, do please consider. I am comfortable working anywhere in India.
PS : I have the Offer letter as a soft copy and could share for verification.
TLDR: The Company I got offer delays my onboarding. So I need another job as soon as possible to help repayment of bank loan.
​

One of the recurring characteristics of Loona's discography up to [X X] was lyrical self-referencing: phrases and motifs that would occur in one song and then reappear down the line. It could be a little too much sometimes, but it was a reliable way to keep up the fan engagement and build something like a lyrical identity for Loona alongside a sonic one.
I wrote a post about this five years ago, and I think Dall is the first album since then to really obviously lean into it. So that warrants a follow-up. This is not a theory post - it only examines the text of the lyrics and what connections I draw there.
Translations below are from our Team Subbit versions. Along the way, I also wanted to highlight a few translation notes for discussion.

Virtual Angel

The last time we saw reference to an angel was "Egoist"'s MV, which cast Jinsoul as a "fallen angel" in big neon letters. It's interesting to me that this song, with its broken wings and vision of Eden, leans most heavily on the yyxy era, with none of those members belonging to ARTMS. Looking past that, lyrically I think it does enough to give a sense of closure to the yyxy stories.
1.

In my frozen heart Flowers have newly bloomed And what I’d hidden inside the freezing point Is my heart for you, encased in ice Your angel

This is a reprise of yyxy's "Frozen", which is entirely about the narrator being trapped in a metaphorical ice castle and being thawed out of it by love. We see the same imagery of flowers blooming to signify the thaw. Here's the chorus of that song:

Frozen, frozen Thaw me before it's too late Shine your light And bloom a flower upon frozen lands Hold me, hold me, oh now, right now Thaw me, thaw me, even warmer for me Hold me, hold me, deeper and deeper Would you become my sun

2.

The sin of having swallowed the sun Forgiven in this moment

The most overt reference in the album is, of course, from "Singing in the Rain"'s iconic prechorus 1:

For the sin of having swallowed the daytime sun Burning up, here I am

And you may remember Jinsoul already called this back in "Egoist"'s rap break:

Hey, for the sin of having swallowed you You, beautiful, grow larger You are me, now I am you

Also a translation note: I think the Modhaus sub on this line is mistaken. It currently reads "The sin of absorbing the sun // The moment it causes harm", which is just not what the original says. My best guess is that someone misread "사해진" ["forgiven", archaic] as "상해진" ["spoiled"].
3.

The Moon’s risen and my heart is complete Your angel

Moonrise is such a common image with Loona that you could name a whole bunch of songs here - "Loonatic", "Satellite", "PTT", "Wow", "Need U", and "Pale Blue Dot" just to name a few. But the way this is written specifically reminded me of two things. One is the chorus of "Let Me In", in the sense that both lines begin with the words "달이 뜨고" ("Moon rises and") followed by some kind of transformation:

The moon rises and I become you

The other is the final chorus of "Heat", where moonrise also functions as a signal:

Today I prepared for you A beautiful star is shining bright (I want to float up higher, above) This isn't the end, look up and look for me (Turn around) There, the moon is risen tonight (tonight, oh)

4.

When I open my eyes as a butterfly Save me, savior

References to Loona's most representative song, "Butterfly", have been the most common shared thread among post-lawsuit work: see Loossemble's "A Butterfly's Signal" or Heejin's "Sad Girls Club". This one is kind of random and I think it actually takes away from the song's focus a little, but it's there.
Another translation note that the "저장" ("save") in "save me" is not the word for "rescue", but instead the one for "preserve" or "keep" - like saving a digital file. So the line is not as redundant as it looks, and also helps prime for the next line where Haseul says happiness is "through the line" (which I'm reading as in electronic cords and cables).

Sparkle

1.

Before the Sun goes down Come fetch quickly For the Moon will rise soon

It's moonrise again, but with a subtle difference. The verb used in "Virtual Angel", "Let Me In", and "Heat" is "뜨다", literally just "to rise". This one is "차오르다", which is actually more commonly used to mean the waxing of the Moon. The translation chosen here is "rise" because it's not unheard of for it to be used as "rise" and it contrasts with the sundown line above, but worth highlighting.
Trivia: has any Loona song used the "wax" verb before? Yes! One I recall is "365", where Loona liken themselves to the Moon:

I'd grow ever so small but then A tad closer towards you Again I wax and wane

2.

A different emotion We follow the light

I don't actually think this is a throwback because it's a common phrase, but I just wanted to highlight just how many times "follow the light" is used in the discography because it's a lot. All of these use the exact same phrasing ("빛을 따라") even when translated slightly differently for context.
Sonatine, bridge:

Following the faraway light

Chaotic, bridge:

Following that light, reach out to me

Rosy, bridge:

Following that light, shining on me quietly

Day & Night, prechorus:

Like a habit, I walk towards your light

Flip That, prechorus:

Following the new light that pulls me still

Day by Day, verse 1:

Following the light engraved in old memories

The Hitchhiker's Guide to the Galaxy

This is one of the most celestially-themed tracks any of them have ever done, which is saying something given the entire discography. As a result it has passing shades of a lot of different tracks that I won't bother to name, like the blooming image of "Chaotic" and the orbiting of "Satellite". The 12 constellations and 12 months bits are super on the nose and I'm all for it.
1.

Following the twinkling Morse code I am called dimly Click click, right here [...] The signal comes through clearly Click click, here

The most obvious parallel is another yyxy song, "Rendezvous 18.6y". Both tracks use radio signals and scanning/tuning them as a metaphor for yearning and connection, and Hitchhiker massively expands the scale of that metaphor. Here's the opening verse of Rendezvous:

Where is it from? A sound coming from somewhere Seems to have found me again, this familiar radio tone (8 point 5, what is your signal?) Among the many faint noises, coming clear Is your feelings, making me fly (fly fly fly)

While we're at it, even this jazz-standard line is kind of a throwback.
Hitchhiker:

Fly me to the moon

R18.6y:

Let's stay on the moon On the way back there [...] Let me fly to the moon

2.

Tonight perhaps two Moons may rise

The obvious comparison is Loonatic, which goes:

Three moons rise up (I'm not insane)

and also has Milky Way references just like this song. The other line that's kind of written like this is "PTT"'s "Keep open the 12 different doors", though I think I'm content to let those lyrics lie.

Flower Rhythm

1.

Adorning the sky, mystical sway Causes your heart to open too

So this reminded me of OEC's "Starlight", but only because I thought that song also combined the word "수놓다" ("to embroider", but more often used metaphorically for stars or other shiny things in the sky) with a sense of something opening. What "Starlight" actually says is this:

Like lighting in the sky The starlight slowly turns on The password solved, this night unlocks

So it was kind of similar (the "unlock" there is the same word as "open"), just without the word "adorn".
More trivia: that embroideadorn word is used in four songs -
D-1, verse 1:

Rainbow of shining stars, the studded bridge

U R, chorus:

It’s like the dotted starlight Is surrounding me

Newtopia, verse 1:

Following the tip of the star-adorned orbit

Day by Day, verse 2:

Adorning my heart full

Candy Crush

Given the subject matter, there are some natural similarities to Choerry's "Puzzle" and the aforementioned "Starlight". I love the spilling/showering light imagery at the start, which "Need U" also pulled off well:

The deepest night Light showering above my head (Candy Crush)
And stars of such faith rain down They rain to make the whole universe shine (Need U)

But I didn't notice any specific wording that hearkens back to older songs. (Obviously "Plastic Candy" can't count since it's the whole song's reference.)

Air

1.

Been been there and I’ve been been there Feel it, what what, a totally different deja vu

As we know, this is just "Butterfly". The first line is obvious and the second line is the opener of that song:

Will you whisper, you're the deja vu that wakes me up

I'm not sure there's anything else in this one, other than "Air Force One" which again shouldn't count. Daft Punk I guess?

Unf/air

This one stands out lyrically from the rest of the album, because of how down-to-earth and comparatively mundane it is. Reminds me of "Valentine Girl" and "Ding Ding Dong" in vibes, if not in expression.

Distress

It's a little curious to me that they translated this title to "Distress". It's not totally wrong, but the word "조난" specifically refers to a shipwreck or stranding. That's the reason why the song refers to signs, lights and sirens, and the context for its overall sense of being lost and drifting. I guess a distress call is maybe what they were going for.
1.

Between the time I’ve waited Always that same light

The concept of being or going "between time" is not uncommon in lyricism, probably because it's evocative yet ambiguous. I also don't think this one is an intentional callback, just a reused phrase. We see it in a few spots in the discography (interestingly, they're all songs mentioned already).
Puzzle, prechorus 1:

Between the cracks of time that passed by, you graze through

Loonatic, last chorus:

Three moons rise up (I'm not insane) Between time that has stopped

D-1, verse 1:

Between a changed passage of time

Rendezvous 18.6y, verse 2:

Beyond the gaps between renewed time and space

Butterfly Effect

As they have said, this is basically a Butterfly sequel. Perfect title as well.
1.

Do you remember The way it began as a little fluttering of wings I’m still believing Ever since that day, it grew, the hurricane in my heart (Butterfly Effect)
It starts with a little fluttering of wings Now inside my heart a hurricane (Butterfly)

2.

The torn paper moon It’s drifted too far away now, can’t reach it (Butterfly Effect)
A folded paper moon, as if to circle between it (Butterfly)

3.

Full of newness, at the end of the long journey I think I’ve reached it, dream of mine Look at the world, distant, at the end of the long journey I think it’s a new beginning, dreams of mine (Butterfly Effect)
The world becomes smaller Take me way too far, become new In this moment dreams, dreams may come true (Butterfly)

Birth

I've posted a comment before about how the Modhaus translation departs from the original. Other than that, this is a wholly original text that doesn't really have a comparison among Loona's past lyrics. Maybe it could be a new archetype for ARTMS.
I will make one shoutout to the "My birth through a false smile" line. It's like a yandere version of the "My day filled with fake smiles" bit from "See Saw".

Are you ready to elevate your drawing skills and create stunning 3D lettering? In this step-by-step tutorial, we'll guide you through the process of drawing a captivating 3D letter S. Whether you're a beginner or a seasoned artist looking to refine your technique, this tutorial is designed to help you achieve impressive results.
View Tutorial Here:- 3D S Letter Drawing
Step 1: Start by sketching the outline of the letter S lightly on your paper. Pay attention to the curves and angles to ensure a well-proportioned shape.
Step 2: Add depth to your letter S by drawing parallel lines along the edges. These lines will serve as guidelines for creating the 3D effect.
Step 3: Begin shading the areas of the letter S that would appear darker or receded in a three-dimensional space. Use hatching and cross-hatching techniques to build up the shadows gradually.
Step 4: Continue adding layers of shading to enhance the depth and dimensional of your letter S. Blend the tones smoothly for a seamless transition between light and shadow.
Step 5: Add highlights to the areas of the letter S that would catch the light, such as the top and outer edges. This will further enhance the illusion of depth and realism.
Step 6: Fine-tune your drawing by adjusting the shading and refining the details until you're satisfied with the result.

Hello fellow starborn
I want to get into modding, nothing to fancy like scripting or anything like that (unless I learn that coding is something I’m tits at)
But I want to make my own custom outfits and maybe learn to port other assets from other games into starfield, there’s a mass effect armor mod and halo armor mod I can’t live without
But im also really picky about my aesthetic choices and what armors and stuff I’ll use
Anyways anyways anyways
I want to learn to make custom outfits like for instance I love the chest armor from the uc navy space suit the tank the body armor it’s sick, but I hate the rest of it, I want to be able to go into a program and mishmash armors together
And also how to rip and port things into starfield
Anyways what programs do I need to accomplish all this and is there any tutorials online that will help me teach myself

Gather around everyone and let's talk about the things you spotted this week while watching dramas! This is the place to share if you spotted any of the following:

• Truck of Doom^TM and other tropes you love/hate
  
• Easter eggs and notable references to other dramas, artwork, poems, books, etc.
  
• Fun or interesting background details in a scene (e.g. in the set, props, clothing, background music, location, etc.)
  
• Ramyeon, soju, fried chicken, and other foods/drinks
  
• Puns, idioms, and other interesting tidbits about culture
  
• Subway, Samsung, Swarovski, and other PPL
  
• A Kim Tan Worthy Sweater^TM and more!
  

Share your love or frustration or rage or annoyance or amusement at seeing these things. You are not limited currently airing Kdramas or even Kdramas at all but please be mindful of spoilers.
Please remember to use spoiler tags when discussing major plot points or anything you think should be redacted. If you are using Markdown and not Fancy Pants Editor, the easiest way to create spoiler tags is to use > ! spoiler content ! < without spaces to get spoiler content. For more detailed guidance on spoiler tags and when to use them, check our Spoiler Tags Tutorial.
Just In Case Resources
FAQ and Netflix FAQ Glossary Latest On-Airs and On-Air Roster Rules and Policies Where To Watch aka Legal Sites Everything In Our Wiki aka Wiki Homepage Get Recommendations For Your Next Watch

I'm sure someone has already mentioned this or even posted it already, but I was surprised to see all of the parallels between Christianity and this show in its imagery and culture portrayed in the Mandalorian "children of the watch". It can't be a coincidence that in order to be brought back into his religion, the Mandalorian needs to be rebaptized in the "living waters" of the mines of Mandalore. Either by pouring or immersion, baptism is how they enter as full members of "the Way", which can also be found as a parallel to Christianity. In the book of Acts, the members of the early Christian church were called "followers of the way", as "Christian" was a name given to them a little while later. "and when he had found him, he brought him to Antioch. And for an entire year they met with the church and taught considerable numbers; and the disciples were first called Christians in Antioch." Acts 11:26. However, in quotes of Paul in Acts he repeatedly refers to them as those of "the way".
Also, Jesus refers to Himself as the way, "Jesus *said to him, “I am the way, and the truth, and the life; no one comes to the Father but through Me." John 14:6 and Isaiah 30:21 spells out the phrase in most English translations "Your ears will hear a word behind you, “This is the way, walk in it,” whenever you turn to the right or to the left."
The children of the watch cult/sect obviously drew inspiration to religions/cults in our own galaxy, but I find it fascinating to see the imagery of a public baptism at the beginning and the end of Season 3 is such a direct comparison to Christianity that you wouldn't see in most modern fiction today. Not even The Lord of The Rings movies had such direct drawings from it (The closest I can think of is The Chronicles of Narnia). Though I suppose since the events of The Mandalorian all took place in a galaxy long ago, they came before Jesus' ministry! Below are some more Bible verses related to "The Way" and "Living waters"

• "but whoever drinks of the water that I will give him shall never thirst; but the water that I will give him will become in him a well of water springing up to eternal life.” John 4:14
• Then he showed me a river of the water of life, clear as crystal, coming from the throne of God and of the Lamb, in the middle of its street." Revelation 22:1-2
• "Now Saul, still breathing threats and murder against the disciples of the Lord, went to the high priest, and asked for letters from him to the synagogues at Damascus, so that if he found any belonging to the Way, both men and women, he might bring them bound to Jerusalem." Acts 9:1-2

So, after playing Pathologic (I'm sure a lot of people started there) and watching Codex Entry's videos which draw parallels between various absurdist writers and the plot of the game, I wanted to give writing in that style a crack. I'm not a scholar or anything, this kind of marks the first step down the rabbit hole from my perspective. Still, it would be interesting to get thoughts from people who've consumed more of that kind of work than I have (primarily to help guide further exploration of the ideas).
A man sits on top of a hill overlooking a large city from its outskirts. There is a single tree to shade him, and he sits beside a cooler filled with alcoholic drinks. Suddenly, another man approaches with his seat…
Jeremy: Fredrick.
Fredrick: Jeremy.
The guest sets himself up on the other side of the cooler before taking his seat.
Jeremy: How is she?
Fredrick: Passed. She had her time for fighting and now, is her time for resting.
Jeremy: And how are you?
Fredrick: I’m still numb to it.
Jeremy: Indifference is an ugly concept. Do well to defeat whatever shred of it exists within you.
Fredrick: Indifference?
Jeremy: A less romantic term, but yes. Indifference.
Fredrick: There’s nothing romantic about losing your wife to begin with… Lets not do this.
Jeremy: My point is that you’re doing nothing, but we’ll all be gone soon enough. Go on then, change the topic.
The two men sit in silence for some minutes
Fredrick: So what would you have me do then?
Jeremy: What sort of question is that?
Fredrick: It is easy for you to sit on your chair, to drink your beer-
Jeremy: Would you like one?
Fredrick: No, I don’t drink.
Jeremy: Not like you used to anyway.
Fredrick: It is easy for you to sit on your chair, to drink your beer-
Jeremy: Would you like one?
Fredrick Please stop interupting me, especially to ask the same question again.
Jeremy: You don’t get it yet, but I’m asking a different question every time.
Fredrick: Sure… To drink your beer, and to criticise me of inaction, but what could I do? I’m no doctor, and even further from a miracle worker.
Jeremy: But you are you.
Fredrick: Of course I am me.
Jeremy: Are you?
Fredrick: Of course I am me.
Jeremy: Well if you’re so sure…
Fredrick: Who else could I be?
Jeremy: Decide for yourself. My attention is taken up by this beer I sip with so much ‘ease’.
Jeremy laughs, Fredrick rolls his eyes.
Jeremy: Alright alright, I’m not exactly being straight with you.
Fredrick: When have you ever?
Jeremy: If you didn’t enjoy our conversations you wouldn’t have decided to meet me here.
Fredrick: No one else enjoys your conversation; if I wasn’t hear you’d drive yourself mad.
Jeremy: No, I’d simply talk with the tree.
Fredrick: I fail to see how you talking with trees goes against you being mad, but I digress. What is your point here?
Jeremy: Your wife just passed.
Fredrick: I’m aware.
Jeremy: And yet you won’t drink with me.
Fredrick: I’m aware.
Jeremy: I think that’s silly.
Fredrick: What does my wife dying have to do with abstinence-
Jeremy: Cowardice.
Fredrick: Cowardice?
Jeremy: A less romantic term, but yes, cowardice.
Fredrick: What so you think I’m afraid of a can of beer?
Jeremy: Are you?
Fredrick: I am not.
Jeremy: Then what is it you’re afraid of?
Fredrick: You’re the one acusing me of cowardice, you substantiate it.
Jeremy: Hmmm…
The two men sit in silence for some minutes
Jeremy: You’re afraid of the end.
Fredrick: It’s natural to fear death.
Jeremy: Interesting how you conflate the two.
Fredrick: What else could ‘the end’ refer to? The end of this chat?
Jeremy: The end of this chat spells doom for us both chum, but I didn’t mean anything so specific.
Fredrick: So, I’m afraid of ‘endings’?
Jeremy: It’s easy for the cynical to believe that their lives are a cycle of mysery. But there is no cycle. What begins, ends. Even if something else were to begin, what came before has already ended. Cylicality is a comforting illusion.
Fredrick: Hardly seems that way when the cycle is of pain.
Jeremy: But isn’t pain a comfort? Is it not better to expect pain and receive it than to expect nothing at all?
Fredrick: The cynical would expect nothing.
Jeremy: This is a failure of your understanding of both the cyclical and the cynical.
The two men sit in silence for some minutes. In the distance, sirens can be heard.
Fredrick: Our time is running out.
Jeremy: What makes you think it hasn’t already?
Fredrick: We’re both still alive aren’t we?
Jeremy: Ahh I see.
Fredrick: What?
Jeremy: I see trees of green, red roses too~
Jeremy giggles to himself, Fredrick scoffs.
Fredrick: How can you be so unserious at a time like this?
Jeremy: I’m treating the current situation with the exact appropriate amount of seriousness, no more no less.
Fredrick: So I’m too serious?
Jeremy: Friend, I have never had the words to describe you better than the two you used to just describe yourself.
Fredrick: From my perspective you’re not serious enough, and those are the only words I need to describe you.
Jeremy: Well met. Fancy a-
Fredrick: I swear to GOD Jeremy.
Fredrick is death staring Jeremy, anger clearly visible on his face. Jeremy is taken aback. He sips on his can, before setting it down.
Jeremy: You can’t live like this mate.
Fredrick: We’re not gonna be living at all soon.
Jeremy: Fine, you can’t die like this either.
Fredrick: Like what? What is it you’re trying to tell me?
Jeremy: Look buddy, you’ve been so tightly wound for as long as I’ve known you. You live like everything is sheep in your cattle, and you’re the farmer trying to keep it all together.
Fredrick: Everyone’s left me. Family is all gone, friends are off dying somewhere, and the only solace I had left just passed. If I am the farmer, I’ve already failed.
Jeremy: But that’s what I’m saying.
Fredrick: What?
Jeremy: Have a drink with me.
Fredrick: I already TOLD you, I DO. NOT. DRINK.
Jeremy: According to who?
Fredrick: According to who? According to me. I am the only authority on my life.
Jeremy: Authority… Authority… How curious of you to simulaneously believe that while also claiming you’ve failed.
Fredrick: The key is that I failed, me, the farmer, the one in control. I failed in my task, and am wholely responsible for that.
Jeremy: What a silly thing to say outloud.
Fredrick: Silly?
Jeremy: Yes.
Fredrick: It’s silly for me to take responsibility for myrself?
Jeremy: You don’t understand responsibility. Not here, not about this.
Fredrick: I just took care of my dying wife, tell me, what do I not understand about responsibility.
Jeremy breaks into laughter again. Fredrick furrows his brows with impatience.
Jeremy: See, this is exactly what I mean. You say responsibility as if we’re talking about the same thing, but you couldn’t be any more wrong.
Fredrick: Then tell me, where is the source of my error.
Jeremy: Have a drink with me.
Fredrick: Should I start keeping tally of all the times you’ve asked me if I want a drink?
Jeremy: That sounds like a pretty good idea to me.
Fredrick scoffs again.
Jeremy: So I take it as a no?
Fredrick: No.
Jeremy: So a yes?
Fredrick grows more frustrated
Fredrick: No, I meant, yes
Jeremy: So… a yes?
Fredrick stands up aggressively and slowly walks away, looking exasperated.
Jeremy: No it is…
Fredrick returns to his seat and sits down like he was forced to.
Jeremy: Christ man… You said you’re the one in control but are you?
Fredrick: Who else would be in control of my life? Who else would be the driver in the seat of my car? Who else would be the pilot of my plane?
Jeremy: The herder of your sheep?
Fredrick: Precisely.
Jeremy: Who ever you choose.
Fredrick: Choose?
Jeremy: Does that answer really confuse you?
Fredrick: Obviously. It’s my life, how could I choose who runs it?
Jeremy: In saying that, are you not choosing to run it yourself?
Fredrick: No, my life was a responsibility thrust onto me from the moment I was born. Same with all of us. Whether we eat, sleep, fuck, it’s all up to us.
Jeremy: Strange… for one who has such conviction of their answers, you don’t behave like someone who makes all their choices themselves.
Fredrick: Use an example.
Jeremy: You believe that you’re ‘choosing’ to not drink with me, but this is a role you are playing. An ordinary person may decide to play whatever role they shall, and yet here you are, refusing to abandon a character who exists to suffer.
Fredrick: This is who I am. Any changes to this idea of ‘me’ are made by me, for me, and are only edits to ‘me’. I remain myself, regardless of how I change.
Jeremy: I know you believe that. I know in your heart of hearts you believe that to be true, but you’re mistaken my friend. What is ‘you’ is inelastic.
Fredrick: So people can’t change?
Jeremy: People cannot change and remain the same. This is oxymoronic.
Fredrick: What?
Jeremy: Come on, this is simple to validate; is a application the same software after each update?
Fredrick: Are you asking if photoshop 1.0 and photoshop 2.0 are the same?
Jeremy: Precisely.
Fredrick: 1.0 lacked some of the features of 2.0. It would be a rejection of reality to claim otherwise, but, you call it photoshop regardless of the update. No matter how you change it, it is still photoshop. No matter how I change myself, I am still Fredrick.
Jeremy scoffs.
Jeremy: You may share a name with your previous versions, but you are hardly the Fredrick I shared room and board with during our studies. No, it would be more accurate to call you Faraday, or Finnegan.
Fredrick: I fail to grasp where your oposition is.
Jeremy: Of course you do. You see your character as a painting without completion; a masterpiece with no end. You are doomed to keep painting until you can no longer hold a brush, never satisfied, never finished, yet so certain that victory is within your grasp. The carrot will remain dangling ever out of your reach if you maintain this perspective.
Fredrick: Oh please, do enlighten me on how I may remedy this issue.
Jeremy: Put down the brush and throw the entire bucket of paint on the canvas. Or maybe, use a roller instead of a brush. Or maybe, paint in reverse, tracing backwards from the finished product until you arrive at the start.
Fredrick: I think we’re getting a bit lost in metaphor.
Jeremy: Stop playing by the rules of the tormentus carrot. Chase after an apple instead. Or maybe, decide you’ll only chase the carrot between the hours of 3:46pm and 11:12am, and when you’re not chasing a carrot you are practising your juggling skills.
Fredrick places his palm on his forehead
Fredrick: I grow tired of this fable.
Jeremy: Fredrick grows tired of this fable, and yet you choose to remain here.
Fredrick: I AM Fredrick.
Jeremy: You are you. The skin you wear normally is that of Fredrick’s.
Fredrick: I didn’t realise I flayed myself before I came here.
Jeremy: You didn’t flay yourself. But your wife’s passing is a crack in the shell. Your armour is collapsing. The suit of iron that was your philosophy has failed to protect you when it mattered most, and it is exposing the truth.
Fredrick: And what truth is that?
Jeremy: That you want to have a drink with me.
Fredrick: Jeremy, please, I do not want that. I haven’t wanted that in over 20 years, I’ve abandoned that part of my life.
Jeremy: Don’t talk like that, they might get confused and think that you were an alcoholic.
Fredrick: They?
Jeremy: Don’t worry about that.
Fredrick shakes his head and takes a deep sigh.
Fredrick: I didn’t stop drinking because of alcoholism, I stopped drinking because she wanted me to.
Jeremy: And now she’s gone.
Fredrick: So I should descecrate her grave by drinking myself into a stupor the moment she isn’t around to chastise me for it?
Jeremy: She’s gone mate.
Fredrick: You didn’t answer my question.
Jeremy: She doesn’t care. She can’t. She’s beyond that capacity, or better yet, she’s detached herself from petty ideals such as abstinence.
Fredrick furrows his brow and points a finger at Jeremy
Fredrick: Careful.
Jeremy smiles in response
Jeremy: There we go…
Fredrick: So that’s all this is? You’re just trying to get a rise out me?
Jeremy: I respect you more than that. Please, understand that this comes from a place of concern for you.
Fredrick: A concerned friend wouldn’t disrespect my dead wife to my face.
Jeremy: Then that friend isn’t concerned enough for you.
Fredrick slams his fist onto the cooler
Fredrick: You were always so good at this. Using whatever backwards logic you want to justify your refusal to hold back for anyone’s sake. You are a twat, and always have been.
Jeremy: True that.
Fredrick grits his teeth and his fist clenches harder. Jeremy sips from his drink. Another siren is heard in the distance, Fredrick lifts his fist from the cooler and crosses his arms.
Jeremy: Why maintain the principle?
Fredrick: What?
Jeremy: That’s what it is right, a principle? The absistence I mean.
Fredrick: She would want me to.
Jeremy: Hmmm…. Does this tree want me not to cut it?
Fredrick: Of course it does! What kind of question is that, it’s a living organism and by cutting it down, you end its life.
Jeremy: But does it WANT to live. That is the key here.
Fredrick: All living beings exist to continue living, it is a basic physiological drive. They fail when they die.
Jeremy: Yet here you are, still breathing, recounting to me the story of a man who has ‘failed’.
Fredrick: My failure in life is separate from my failure to continue living.
Jeremy looks at his Fredrick with an ernest look in his eyes.
Jeremy: Is it?
Fredrick: You just said so yourself.
Jeremy: I guess I did… and in doing so, mislead you as to what I meant when I said living.
Fredrick: Go on.
Jeremy: To be alive and to live are different things. Countless times I have walked the streets of this concrete jungle, passing by animated corpse after animated corpse. They were already dead, and had no idea of it. The body had yet to catch up to the spirit.
Fredrick: What does this have to do with the tree?
Jeremy: Sure, the tree is alive. It’s cells perform metabolic functions. But can something like a tree truly live?
Fredrick: What is your answer?
Jeremy: Truth be told, I don’t know. Maybe the tree knows ultimate contentendess, never wanting for anything more than sunlight, water and nutrients. Perhaps every day the tree curses its existence, wishing to know more than this hill and the view of the city, wishing to contribute to this very conversation and yet lacking the means to.
A small gust of wind blows through the tree, rustling the leaves. Jeremy looks up to the branches before continuing.
Jeremy: Or maybe it curses me for not being able to interpret the rustling of its leaves.
Fredrick: If that were the case, apologese are in order.
Jeremy: I’m not one to apologise for ineptitude.
Fredrick: You’re barely one to apologise for anything.
Jeremy chuckles.
Jeremy: Touche.
Fredrick: So what of my wife?
Jeremy: She is the tree. Maybe as a corpse, she knows a higher and truer peace than any of us that are alive can. Maybe she calls to you from beyond.
Fredrick: I’m not a very spiritual person, and you know that.
Jeremy: All the more why it is shocking to me that you’re continuing not to drink.
Fredrick: What?
Jeremy: What ties you to her still?
Fredrick: I made her that promise while she was alive and I intend to keep it.
Jeremy: For whom?
Fredrick: For myself.
Jeremy: Oh?
Fredrick: I stick to my promises. It’s not about whether or not they know if I’ve broken it or not, it’s about the principles I choose to hold onto.
Jeremy shakes his head
Fredrick: What?
Jeremy: Choose… you choose to hold onto this principle…
Fredrick: Most would consider that honourable.
Jeremy: Most are idiots.
Jeremy laughs to himself, Fredrick shrugs his shoulders.
Jeremy: You’re holding onto a blade, sharpened on both sides, afraid to let go because to drop from this blade would mean to end that which you are.
Fredrick: Again, I’m not afraid of the can. I don’t think I would suddenly die-
Jeremy starts laughing again
Fredrick: What? What is it this time?
Jeremy: We just went over this old boy, to live and to be alive are different.
Fredrick groans
Fredrick: I don’t think that having one drink would suddenly destroy my entire persona.
Jeremy: Which is at odds with how unwilling you are to have this drink with me.
Fredrick: What would be the point?
Jeremy: That is, and always shall be, the real question.
Fredrick: So what is the point of me breaking my abstinence?
Jeremy: Your wife just died, and we’re going to be joining her soon enough. I deflect your question back towards you; what is the point of you maintaining your abstitence?
Fredrick: Because of a promise, that I am choosing to stick to. It was important to her.
Jeremy: My god mate, your logic is FUELED by convenience!
Fredrick looks taken aback
Fredrick: Convenience?
Jeremy: A less roman-
Fredrick: Less romantic than what?!
Jeremy: Less romantic than filling your head with silly ideas about ‘conviction’ and ‘honour’ and ‘principle’. Where has any of that gotten you?
Fredrick: It got me far enough to have a successful career and a wife who loved me.
Jeremy: And now both those things are gone! Yet you, ever vigilant want to idealistically hold onto them, despite knowing that they are gone yourself.
Fredrick grows more and more angry. Another siren is heard in the distance
Fredrick: How is any of this idealistic!?
Jeremy: How can you simultaneously believe that and yet hold on regardless?
Fredrick: I’ll tell you how you self-righteous prick! Because nothing needs to be perfect! People will die, decisions beyond me will have earth shattering consequences for my life and my ability to live it, and yet I – YES ME – choose to hold onto my principles!
Jeremy: She’s dead Fredrick.
Fredrick: I KNOW THAT! I KNOW IT BETTER THAN YOU!
Jeremy: Then have a drink with me.
Fredrick jumps out of his chair, throwing it out of the way. He is furious.
Fredrick: DO YOU WANT ME TO HIT YOU?! IS THAT WHAT YOU WANT?!
Jeremy jumps out his chair, throwing it out of the way. He is calm.
Jeremy: All I want, is to have a drink with my friend for the final time.
Fredrick is breathing with intensity. His entire body is tense. He looks into Jeremy’s eyes, tears welling in his own.
Jeremy: Indifference is an ugly concept.
Fredrick: What?
Jeremy: And yet here you are, finally allowing yourself to touch beauty.
Fredrick: What are you saying!? What are you trying to tell me!?
Jeremy reaches down into the cooler, and opens another can, and holds it out to his friend, saying nothing. Fredrick slaps it out of his hand. Jeremy reaches down again, opening another can, holding it forward. Again, he says nothing. Fredrick growls as he slaps it out of his hand again, this time harder. Jeremy sighs, reaching down into the cooler and repeating himself once more. Fredrick shakes with anger, before screaming. Tears flow down his cheeks as he turns away and covers his face with his hands. Jeremy stands there, silent.
Fredrick: I didn’t want her to die. I didn’t want everything to come crashing down around me, and I don’t want to drink with you!
Jeremy continues to stand there silent. Fredrick turns back around after wiping his eyes, before scoffing again.
Fredrick: Why are you doing this?!
Jeremy: You’re in pain mate.
Fredrick: And what, you want me to drown it in alcohol?!
Jeremy: I’ve been consistent this entire time; I just want you to have a drink with me.
Fredrick takes a deep breath in.
Fredrick: WHAT IS A DRINK SUPPOSED TO DO FOR ME?!
Jeremy: You need to get there yourself, otherwise there would be no point. You need to stop chasing the carrot, stop painting the masterpiece, stop grasping the blade.
Fredrick is about to respond when he stops himself. Suddenly, he hears his wife’s final words to him. “Live on, without me.” His hands fall to his side.
Fredrick: She’s gone…
Jeremy: I know.
Fredrick: It’s all gone…
Jeremy: I know.
Fredrick: All that I’ve built… is gone…
Jeremy: I know.
Fredrick: It hurts… It hurts so much… But it was my everything. How can you ask me to let go of it?
Jeremy: You can let go. You’re the single authority on your life, right?
Fredrick: But it was my everything… Who will I be if I let go of it all?
Jeremy: That is up for you to decide. As it always has been.
Fredrick closes his eyes for a moment, before he approaches Jeremy.
Fredrick: What could I want for…
Jeremy: That is up for you to decide. As it always has been.
Fredrick: And if I can’t?
Jeremy: Then you’re no more alive than this tree.
Fredrick: Then… I’m no more alive… than my wife…
Jeremy smiles softly.
Jeremy: Would you like a drink?
Fredrick: And if I say no?
Jeremy: Then now I will accept that it is YOU who is telling me no.
Fredrick mulls it over for a second, before gently taking the drink from his friend.
Jeremy: Cheers.
Fredrick: Cheers.
The two men cheers their drinks, before they both take a hearty swig.
Fredrick: Ugh… I should’ve said no.
Jeremy breaks out into laughter, before the two men reset their seats and take them. They continue to drink in silence for some minutes. A siren is heard in the distance.
Jeremy: Life has been beautiful hasn’t it?
Fredrick: It was work, and play.
Jeremy: It was full and well spent.
Fredrick: It was… a life.
Jeremy: Believe it or not, I have my regrets too.
Fredrick: So all that talk about not holding on?
Jeremy: My only regret is that I clasped that which brought me anguish. I guess in the end, it’s impossible to hold onto nothing.
Fredrick: But you knew that all along didn’t you?
Jeremy: Of course!
Fredrick: So what do you hold onto?
Jeremy sips his drink, a sly smile crossing his face.
Jeremy: Whatever I choose to.
Jeremy breaks out into a laughing fit. Fredrick smiles, building to a chuckle, before he eventually joined in with Jeremy. The two men laughed, before breaking out into a fit of tears and wails. In the city, a flash of bright light appears out of nowhere nearly blinding them, before erupting into a powerful blast that nearly deafened them. Not able to hear one another, they both mutter at the same time.
Fredrick: It’s over…
Jeremy: It’s begun…
As the eruption grew and grew, devastating the city beneath them, the shockwave travelled and carried an incinerating heat. The two men were caught in it, dying immediately. Jeremy lived laughing, and Fredrick lived crying. Jeremy died laughing and Fredrick died crying.
-Fin-

Hello, I hope you're having a good time! I'm looking for someone whom I can have conversations with in the long term but if you want to have a short conversation, that's okay as well. Who knows if we get along well and end up being in touch for years? I prefer talking to people within the age range of 18–25 as I have talked to older people all my life but it's fine if you're a bit older than the specified range.
Please read the post entirely before you decide to send a chat request or message. It will take about five minutes or more depending on your reading speed. You may skip this post if you can't bother reading it. This is only for people who love reading and typing lengthy messages, because that's the only way we can communicate with each other when we don't get enough time to have real-time conversations. I am mentioning this only to save your time; I don't mean to come off as rude. The messages I send can be way longer than this post if we happen to click, and people who can't read the post entirely won't bother reading my messages properly either, and that would be a waste of time and energy for both individuals. You might have seen my posts very often in case you visit this subreddit on a regular basis, but I assure you that I only post so frequently because I don't receive any responses—and when I do, they're from people who either can't hold a conversation for long or message me without reading the post at all.
A bit about me:
I'm interested in all types of visual and aural arts. Writing, drawing, listening and composing music, watching movies and photography (I'm an amateur though) are my interests and hobbies. I'm broke so I'm not a gamer. I do have a fairly powerful PC but with a low-end graphics card I play older games on. Nothing online though.
Speaking of music, I'm mostly interested in Jazz, Funk, Hip-Hop, R&B/Soul (both classic and modern). I like listening to The Weeknd, Prince, Michael Jackson, Bruno Mars, Sade, Aaliyah, The Isley Brothers and various artists from the 70s to late 2000s generally. I'm a movie buff so I can recommend you movies too if you're looking for something to watch. And yeah, I LOVE MEMES! Keep sending them all day and I won't complain!
I'm an ambivert (more of an introvert though). My MBTI is INFP-T if that matters. I'm looking for people who are willing to share the events which occur in everyday life, joy and sorrow, secrets, deepest fears, and build a genuine connection over the course of time. I'll be there for you throughout the good and bad times; I expect the same from you too. I am active on most social media platforms. We can move on to other platforms once you feel comfortable with me.
Now here's the important stuff:
I would appreciate it if you don't just send me a "Hi/Hello/Hey." Introduce yourself; the longer the introduction is, the better. Makes room for questions. Instead of simply stating that you like movies/music, mention what genres you prefer. Makes the conversation more interesting. Please put effort into maintaining the conversation. Ask plenty of questions with the data I have provided in this post so I know that you're actually interested in getting to know me as well rather than simply talking about yourself. I feel like an interviewer if the conversation is one-sided. Don't bother messaging me if you're not naturally inquisitive and just want to talk about yourself all the time. I won't respond to any short messages (4-8 lines). If you want to leave, don't ghost me without stating a reason if we've been talking for longer than two weeks. Just tell me that we can't get along if you think the conversation isn't going anywhere. I won't get offended.
Your gender, race, sexuality don't matter at all, but tell me your age and gender just so that I know who I am talking to and follow social etiquette. I absolutely love lengthy messages; I don't feel overwhelmed by them. So bonus points if you're capable of typing lengthy messages. I'm a person who would spend an hour(s) typing a well-thought lengthy message rather than having small talk in real time. I type as if I'm writing a letter. I can chat in real time as well, it's just that I don't get much time throughout the day and I'm active at odd hours. And time zones exist, unfortunately. Short messages or long messages, the amount of time and energy you have to spend will be the same anyway.
Please don't message me if you're just looking for people to kill your boredom and later abandon them. No, I'm not being rude. I have had enough. Those one word or one sentence responses lead nowhere. Also, if you're someone who wishes to stay anonymous forever even after talking for a considerable amount of time, I'm not the person you're looking for. This is an important thing to keep in mind. I am open to revealing my identity if we get along well so I would appreciate it if you're open minded as well. But that doesn't mean I want you to reveal your identity in the very beginning itself. However, I won't wait more than three months just for you to reveal your identity if we communicate regularly. In fact, it's a great feat to converse for longer than a month on the internet. I personally think that anonymity acts as a barrier in any kind of relationship. I would love to meet you in real life at some point in the future if we get along and stay in touch for a considerable amount of time.
In the past 12 years, I have talked to several people around the globe on different platforms who wished to stay anonymous. I had conversations with them for months and years, but they always considered me as a stranger and eventually left. I'm tired of being a disposable person. What's the point of having a friend without a name and a face? I have no reason to trust someone who doesn't trust me. You can call me picky; I indeed am. I don't want to have conversations where both parties only ask each other about hobbies and interests and leave once they feel there's nothing in common. That's the reason why I asked you to cover those topics when introducing yourself. And just because I have already talked about my interests and hobbies doesn't mean there's nothing more to know about me. Human connection is a lot more than mere interests and hobbies.
I would love to interact with someone who doesn't treat me like an AI chatbot and acknowledges the fact that I'm an actual human being with feelings and emotions beyond the digital screen who spends his valuable time and energy to communicate with people—precious time and energy that I'll never be able to get back. I understand that these connections over the internet are very fragile and I can't control things the way I want so if you're interested feel free to send me a message anyway. I enjoy having conversations with people even if only for a while. Sometimes people you expect to be in touch for years leave you while the ones you don't expect to be in touch for long end up staying for a long time. Nothing is set in stone. All I ask you is to not leave without notifying me. Yes, I know whatever I have expressed so far sounds contradictory, but that's how life works, right? Reminds me of this quote by Japanese author Haruki Murakami:
"Is it possible, in the final analysis, for one human being to achieve perfect understanding of another? We can invest enormous time and energy in serious efforts to know another person, but in the end, how close can we come to that person's essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone?"
While I agree with the fact that it's not possible to get to know a person entirely, I think connecting with another human being is a beautiful experience in itself. In the end, we are just lost souls yearning for human connection; searching for people who will provide attention and affection and accept us as we are. If you're still reading this, it means you are a good listener and reader. Message me if we have similar interests or ideals and if you think we can be potential friends. It doesn't really matter whether we have similar interests or not though, I would love to have you as a friend.
There's a lot more to learn about me but I would rather tell you all that when we begin interacting with each rather than typing it all here. Feel free to ask me any questions. I'm open to having a conversation with people around the globe any time. I'm also very patient so I don't mind waiting for weeks or a month if the messages are lengthy. I understand that you might find all of this intimidating, but there's nothing about me to be afraid of. My messages can be lengthy, but only if you reciprocate my efforts and keep on adding stuff to the text. I know that this post sounds like a contract. I know I sound very serious but that's not entirely true. In fact, I can crack jokes sooo bad that will make you laugh. Thank you for spending your precious time reading this post. What are you waiting for? Text me right now! Feel free to message me even if you're seeing this several hours or days later.
Have a nice day/night and I hope you find someone to develop a strong bond with in case I'm not the person you're looking for. Take care of yourself and always stay hydrated!