Background. Me 42, ex 37. 8 years together. Married 2 years. Her affair came out 1 day before our 3rd wedding anniversary on Oct 27 2021. Caught her by snooping thru her phone. Confronted, gave her the boot, tried to reconciled for the kids. couldn’t trust her. Filed for divorce. Became free man in Dec 2023.
I posted a month ago how my ex sent me a text asking me if I can take time off from my work to watch the kids while she take a mini vacation. I replied “u don’t have a job but u going on a vacation? Karma is a b. How does a feel get fired, get pumped and dumped.” I got slammed by a lot of people for being immature and petty. A lot of you guys were right. I was petty and it did felt good. But in the end she still the mother of my boys and if she suffer my kids suffer. Ever since the divorce I been cold to her. Pretty much grey rock. When we exchange kids, I don’t look at her, load/unload kids and out. She is repulsive to me. I can’t stand seeing her nor hearing her voice when she FT the kids. I didn’t send her anything for Mother’s Day or her bday this year or last year. I’m still working towards indifference. Maybe one day, I’ll be able to look at her.
Yesterday was my bday and she had my boys FaceTime me in the morning and in when they got home from school. I know it was her idea because my kids don’t like to FaceTime much. They always playing games on their iPads. I picked up my kids yesterday after work and my feelings for her changed. I actually pity her now. She a shell of herself. O yea awhile back she cut her own risk and I had to call the police and she was taken to the hospital for evaluation. I knew it was a bluff trying to get my attention. She was let out a few hours later. I know she blew up my life and the kids life wife her affair and I could have taken the kids away from but choose not too. Probably get slammed for this. She is a great mother, just a shitty partner. She takes the kids to school. Pick them up. To all the kids appointments. She blamed me for not giving her attention. I know that bs for cheating but i admit i gave my attention to the kids first . O well. Can’t change the past. Plus I am at my best right now. Got a promotion and I’m in the best shape of my life. Maybe I should thank the ex.
Here’s the thing. I will never have romantic feelings or touch my ex wife ever again. She tainted to me. Should I continue to be cold to her? I can’t ghost her until my youngest turns 18 so I’m stuck wit my ex for at least another 15 years. So my question. How many of you betrayed spouse went from stone cold to being friends? And how long did it take. I will probably get slammed too for trying to be friends with my ex. Maybe I changed. Maybe I’m getting weak. Maybe it’s indifference. IDK. Thanks for reading.

My wife and I play a lot of different games and ran out of fun stuff to play together. We’re more into Survival, Story Games, Horror, Open World, FPS, and stuff similar. We enjoy games such as Terraria (with and without mods), Minecraft, Stranded Deep, Dying Light 1 & 2, GTA, Rdr2, The Forest/Sons of the Forest, Green Hell, Call of Duty, It Takes Two, Roblox, Fall Guys, Halo, The Outlast Trials, Watch Dogs 1 & 2, Ready or Not, Far Cry 4 & 5 & 6, Naruto, Gang Beasts, Portal 1 & 2, etc.
We also enjoy indie games such as Lunch Lady, Boo men, Inside the Backrooms, Escape the Backrooms, Stick Fight, Split Gate, One armed robber, etc.
We’ve replayed all of them and more to the point it just feels repetitive lol, Call of Duty has been our go to since it’s one of the only games meant to be repetitive with different modes. Lately we’ve been playing Single Player games but I want to play games together.
I’ve been recommended games like Deep Rock Galactic, Valhiem, and Astroneer but those don’t really seem like our style (Valhiem seems fun but people say its boring and the graphics make it not fun but idk), we also dont enjoy mmorpg games such as League of Legends, Diablo, or anything like that (no hate just not our cup of tea).
I’ve wanted to get the new Dead Island or Elden Ring but don’t wanna throw that much on two games at the moment, although games on the expensive side can be recommended for the future.
Any recommendations???

Hey there! My name is Nush, 24M. I’m someone who believes that life is an adventure meant to be lived to the fullest. My friends describe me as a warm, genuine person with a contagious zest for life. Here’s a bit more about me:
Looks:
I'm 6 feet, Indian. I have dark brown eyes, short wavy black hair with brown streaks, I'm pretty athletic in my build, broad shoulders, long legs. My aesthetic constantly oscillates between nerd and stripper – think smart jeans and a well-fitted shirt for everyday wear, but I clean up nicely for a night out or a special occasion.
Interests:
🖋 I'm an author and a poet. I like keeping things, ideas and people immortal in my work. I'd like to think of myself as a hope collector, who likes to collect abandoned hope, repurpose it, and make it into something you would want to have in your life.
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What I’m Into:
I’m drawn to people who are open-minded, adventurous, and have a positive outlook on life. Someone who can enjoy both the simple pleasures and the grand adventures. If you love spontaneous trips, deep conversations, and laughter until it hurts, we’ll get along just fine.
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Hey there! My name is Nush, 24M. I’m someone who believes that life is an adventure meant to be lived to the fullest. My friends describe me as a warm, genuine person with a contagious zest for life. Here’s a bit more about me:
Looks:
I'm 6 feet, Indian. I have dark brown eyes, short wavy black hair with brown streaks, I'm pretty athletic in my build, broad shoulders, long legs. My aesthetic constantly oscillates between nerd and stripper – think smart jeans and a well-fitted shirt for everyday wear, but I clean up nicely for a night out or a special occasion.
Interests:
🖋 I'm an author and a poet. I like keeping things, ideas and people immortal in my work. I'd like to think of myself as a hope collector, who likes to collect abandoned hope, repurpose it, and make it into something you would want to have in your life.
🤯 The only high class meme enthusiast. This is a consequence of being on the internet for far too long. From tacky Facebook memes to Gen Z humor, you can bet I will be gasping for air.
👟 I'm really passionate about the environment, and I'm very eco-friendly. I love guerilla gardening and being a rebel against the capitalist system. I'm always open to having a healthy discussion/debate even on things I don't agree upon.
🍮 I love cooking! I'm always looking forward to learning new cuisines! I also like to grow most of my ingredients. I'd say food is one of my love languages!
⭐ I really like anime, I've had this weird generational habit of collecting different rocks (Rockhounding), I hit the gym everyday, I try to be spiritual, and read. One of my recent obsessions has been chess! I'm also fascinated by history and art.
🏳️‍🌈 I'm bisexual and an LGBT ally! I've been in the worst depression and I've made it out. Here to give away all my love. ❤️
What I’m Into:
I’m drawn to people who are open-minded, adventurous, and have a positive outlook on life. Someone who can enjoy both the simple pleasures and the grand adventures. If you love spontaneous trips, deep conversations, and laughter until it hurts, we’ll get along just fine.
ʕっ•ᴥ•ʔっ

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Phil Aston: Hello and welcome to the Now Spinning Magazine podcast with me, Phil Aston. And in this episode, I’m absolutely delighted to have with me Tony Martin, one of the UK’s most underrated rock vocalists. You’ve had a really varied career, but what we’re going to talk about today specifically is Black Sabbath and the new “Anno Domini” box set. So, welcome, Tony. Thank you so much for joining me.
Tony Martin: Thank you. And thank you for having me on the show. Very cool.
Phil Aston: A bit of context, because I think this is kind of helpful for you. My son is 30 now, but when he was 15, he set up a Facebook group, kind of saying, “One day, please can we have the Tony Martin Black Sabbath albums released?” That was 15 years ago. He was still at school, half his lifetime ago. And I think in the early time when he set this up, he may have reached out to you and you might have said something like, “I don’t think it’s gonna happen, Dan.” And here we are, all these years later, and it’s not only happened, but it comes out this Friday. How does that feel to know that these albums are now going to be available again?
Tony Martin: Well, first of all, well done to your son. It took 15 years, but he got it done. To be honest, there’s been a few periods when I didn’t think it was happening. In fact, about a year ago, Tony Iommi’s manager called me and said, “You know what, this is just so complicated. I don’t think we can do this.” So I was resigned to it not happening myself. It’s all to do with band politics, really. There are so many people involved or have their fingers in the pie that they all have to be on board. And there were allegiances changing all over the place, left, right, and center. So in the end, it was getting a bit tiring, but well done to Tony Iommi and BMG. My God, the patience they showed to get this thing together and actually get it out there. Wow. But how does it feel? It feels brilliant, to be honest. I’m very excited. I haven’t actually had these albums in my own hands physically for the past 25 years. I gave all mine away thinking I’d be able to get some more, and I didn’t. They just stopped making them. So to actually physically hold them again is really cool. What a great job they’ve done of it. So I’m thrilled and excited. And I’m helping out now because I’m not in the band, obviously, anymore. So I just offered my help to promote it and they said, “Great, let’s do it.”
Phil Aston: Isn’t it amazing? Because I’ve done quite a few reviews about Black Sabbath box sets and stuff, but this one, within about 12 hours, there’s literally 12,000 views of the review. The love for this period of Black Sabbath is actually huge. It’s grown. It almost feels as if the profile is higher now than it was at the time.
Tony Martin: Yeah, there is a kind of reason for that. Partly people have got over the “it’s the new guy” thing, and also it’s been 25 years since. So now we’re reaching out to a whole other group of people, in addition to those that were already there. But to the outside world, it looks like there was a huge gap, and to me it felt like a huge gap. But actually, the fans were always there. I’ve been waiting myself as well to get this back out there. And it’s just band politics, really. That’s all it is.
Phil Aston: Because you had that period when it was almost as if this part of Sabbath’s history was hidden because of band politics. None of this really happened, which I think probably stirred up more interest and kind of people wanting to find out more.
Tony Martin: Yeah, it could be. It’s an old famous thing, you know, if something ain’t around for a while, people start talking about it. But yeah, it’s a strange thing, the music business. You’re either in fashion or you’re not. But I am just thrilled that they’ve got around it. Just the patience they’ve shown to actually put this together. At one point they were just saying, “We can’t do it.” But I’m really chuffed anyway.
Phil Aston: I imagine there’s been compromises along the way. Lots of fans probably don’t understand how complicated the politics and all the different licenses and everything that goes on over the years, they become more and more entangled. People say, “Where’s Eternal Idol?” But of course, that was a different record label. Different people own it.
Tony Martin: Yeah, absolutely. It’s owned by somebody else. And also Eternal Idol, or “Eternal Idiot,” as we call it, was kind of reissued not that long ago. Really.
Phil Aston: That’s right. With the two CD version, wasn’t it?
Tony Martin: Yeah. So they were kind of thinking, “Well, there’s no real panic because that’s already been done and let’s just move on.” Because that would have wrapped them up in contracts for centuries, I think. I can’t even think that they’ll ever get them to let that go. But they were struggling to get the people involved with these four albums to make up their minds and do stuff. I’ve been all for it all the way along, I have to say. Obviously, because it’s my career, my history. It’s not just the band’s history. It’s ten years of my life that went AWOL. So, yeah, I’ve been up for it all the way along, but some people don’t and it’s taken them a while to get on board.
Phil Aston: I think it’s fantastic. The first one was Headless Cross. You joined one of the biggest rock bands with all that history behind it. You were an established singer with the Alliance. But this was a chance, as you say, with Eternal Idol, you went in and it was already prepared. You sang it, but this one was where you could really put your mark on it, your personality lyrically as well as musically. Can you remember what it was like actually being at the beginning of that? Did you feel comfortable around Iommi and Powell and thinking, “Right, what kind of lyrics am I going to do by Headless Cross?”
Tony Martin: Yeah, I was comfortable by then. Well, kind of. The thing is, with Eternal Idol, if I can just backstep a little bit. The Eternal Idol wasn’t the first call up. The first call up was in 1986 when they were doing the Seventh Star with Glenn Hughes. And that scared me to death because I can’t sing like Glenn Hughes. Nobody can sing like Glenn Hughes. They put me on standby back then, so I’d sort of tentatively had an introduction to Tony Iommi. Then in ’87, they got me in for the audition, and that was the next introduction to Tony Iommi. But because Eternal Idol was already written, that gave me a whole year plus a bit more to find out what this thing was. What the hell was I supposed to do? So just doing Eternal Idol like that was fine by me because I didn’t have to discover anything myself back then. It gave me a chance to get my feet in. So by the time it got to Headless Cross, now I know all the guys, and I kind of know what’s expected of me. I still had to find the “me” that I needed to find. I went around it the only way I could, by focusing on things I was interested in. I couldn’t do the lyrics and melodies that Geezer was writing for Ozzy because that was a generation before me. The stuff that Ronnie was doing was fantastic, but I couldn’t get inside his head. So I had to think about what I was going to do. I had an interest in the old gothic death stuff, like Dracula and Frankenstein, Mary Shelley type writing, and of course, in England, we have Shakespeare. Nobody speaks English like that anymore, that old English text. I thought, “Old English text, gothic death, and Black Sabbath. That might work.” So I put them all together and came up with Headless Cross, which is where I lived. I lived in a village called Headless Cross.
Phil Aston: Yeah, you put that on the map. They weren’t pleased about it. The most recognition I’ve got is my name on a bus stop. And Cozy Powell thought the album needed more death, didn’t he?
Tony Martin: Oh, that’s true. That’s actually true. We were recording “When Death Calls,” and he was in the studio playing, and he suddenly stopped. We went, “You alright?” He went, “Yeah, just remind me, what’s this song called again?” I said, “It’s called When Death Calls.” He said, “I don’t think there’s enough death in it.” And he carried on playing. So, okay, maybe he’s taking the piss, but isn’t it such a great sounding album? As Tony Iommi says, he never left Black Sabbath. So when people criticize him, saying, “You should change the name or whatever,” he never left. So it was still Black Sabbath. The riffs, the guitar sound was reaching new peaks of excellence around this time.
Because when it was just him and Ozzy, for example, it was guitar, that was it. When Geoff Nichols joined during the Dio period, it introduced a few more keyboard things. That allowed Iommi to play solos against those keyboard pads and chords. And then you come along and start sticking 50 tracks of vocal harmonies on it, like in Anno Mundi and stuff like that. It just kept developing. Sabbath isn’t really known for vocal harmonies and keyboards, but underneath that was still Tony Iommi. And it still sounded like Sabbath. We were happy to do that. We just wanted to make Tony happy and do the best for him. It was his band. So we were happy to seek out that Sabbath sound and make sure it did what it said on the tin. A couple of times, like with the Seventh Star thing, he ventured a little bit away from it. Songs like Heart Like a Wheel don’t really make the Black Sabbath sound, but it’s still good stuff. I have great respect for all of the eras that went before. I had to sing all of the songs. So I do have great respect for it. And it’s been an honor, you know, like being part of the whole story. But he was the only one that stuck it out. And we respected him for that. You’re right, they did ask him to change a couple of times. He said, “No, I can’t change now.”
Phil Aston: The next one, if I pronounce this right, it’s Tyr.
Tony Martin: Yeah.
Phil Aston: Because when it came out, me and my friends, actually, because there was no Internet back then and nowhere to go and check it, we did call it Tyr. To be.
Tony Martin: Yeah, Tyr.
Phil Aston: Watch you find in Birmingham. You know what I mean? So it actually rhymes with beer, doesn’t it?
Tony Martin: It is, yeah. Actually, it’s Tiw, which is Scandinavian for the son of Odin or something.
Phil Aston: Well, this is almost as close, probably, to Sabbath getting into almost a concept album. Isn’t it? This is a collection of songs that in another time and space you probably as a band would have gone out and performed the whole thing.
Tony Martin: Yeah, it wasn’t meant that way, but they were struggling to find a name for the album. We were recording and getting towards the end and the management called us up and said, “We really need a name for this album.” And Cozy said, “I’ve got one. Let’s call it Satanic Verses.” We went, “What, like Salman Rushdie thing?” He said, “Yeah, it would be great publicity.” We said, “Yeah, but we’ll all be dead.” So we did struggle, but they happened across the artwork. We’d done Anno Mundi, we’d done Gates of Valhalla and all that sort of stuff. They went, “What if… Tyr?” It was fine by me. So it took on the Viking sort of theme. By that time, I was thinking, once I’d done Headless Cross and started to have an interest in the Vikings and stuff. As you know, the Vikings haven’t been particularly good for us. They came over and stole all our women and sheep and whatever. But I had an interest in them as well. So I was thinking, every culture, every religion has its dark side. There’s always a devil type in a god type. I thought we could go around the world and I could do this. You could pick up on all sorts of cultures and pick out the dark side of various things. But it was the last kind of… I still did that with various other songs and various other artists. But Tyr was leaning towards that theme.
Phil Aston: It’s an excellent album. Then of course, the strangeness of the politics in Sabbath. Dehumanizer comes along and Dio re-enters the scene. You obviously had an opportunity because every cloud has a silver lining. You can go off and do your solo album at this time. But you did kind of like… It sounds like it was almost a forced relationship, the way that he was and he wasn’t. I mean, how was that period for you? Because you did demo some of the tracks, didn’t you?
Tony Martin: Firstly, it was a shock. I didn’t see that coming at all. Literally just walking out the door to the next writing rehearsals. My managers called up and said, “They don’t want you to go.” From what I recently found out, although I had my suspicions, Tony Iommi said the record label just wasn’t supporting it. They weren’t getting behind us at all. Then they started banding about all different names and stuff, and Ronnie’s name came up. They thought they’d give it a go. He said it was all on and off all the time. After they let me go, it wasn’t too long before Tony called me back and said, “Can you come back?” I said, “No, I can’t. I’m doing my solo album.” More time went by, and he called me back again and said, “Are you sure you can’t come back?” I said, “I’m doing my solo album. I really can’t.” He said, “Do you want to come down and try?” So I did. I went down and tried putting my voice on some of the songs, but it would have meant rewriting everything, and they weren’t going to do that. So I said, “The best thing is if you finish this with Ronnie, get this done and out of the way, then maybe we can talk again later.” So that’s kind of what happened. By that time, I’d done my solo album, which I wanted to get as far away from the Sabbath thing as I could at the time. I went back to doing what the Alliance and some of the bands I’d been with, that middle-of-the-road AOR type stuff. But when they called me back to Sabbath, Polydor dropped my solo album like a brick. They said, “We can’t do this if you’re going to go back with them.” So that got stopped. It’s so confusing. By the time I got back with the guys to Cross Purposes, it didn’t feel that much of a gap for me, because I’ve been talking to them and working with them through the Dehumanizer thing.
Phil Aston: Stylistically, that album, because it was on the IRS label, I know some people have said, “Well, it should be in there.” Stylistically, musically, it’s very different. I mean, you take it out. These four albums in this set, excluding Eternal Idol, they sound like a progression. Dehumanizer sounds like a kind of sidestep. Even the way the riffs are done in the songs, it’s changed. You take the vocalist out, but the music continued. You took you out and it was very different.
Tony Martin: I suppose it does a bit. If I go back and think over it, I guess that’s what it was. It was kind of an interruption into the flow of things. When we were doing Tyr, I thought we were doing really well. I thought we were onto something. Dehumanizer, in that sort of respect, does feel a little bit like an interruption. But there was some good stuff on there. Ronnie’s always been a good singer. I don’t quite know how they feel about it, but it was kind of nothing to do with me. I just let them get on with it.
Phil Aston: After that, Cross Purposes is probably, out of the four albums in this set, my personal favorite. Geezer’s back in the band now, so you’ve got his bubbling bass in there. And again, lyrically, it’s all you. Did you feel any kind of, “Oh, Geezer’s back. Will he want to help out?”
Tony Martin: I did ask. He just said, “No, you can do it.” So I just carried on.
Phil Aston
The reason why I love this album is that it’s varied. A lot of people think of Black Sabbath as the Godfathers of heavy metal, and heavy metal is always heavy metal. But if you think back to albums like Sabbath Bloody Sabbath in the seventies, they weren’t all heavy metal. There were all sorts of things on there. There were keyboards and light and shade. This, I felt, connected to that album, because you had light and shade on it. So there were more dynamics in the lyrical delivery and the song delivery, in the way that Iommi is weaving his riffs around the melodies. What are your thoughts looking back on this album now?
Tony Martin: I think you’ve just summed it up. It did sort of shift up a notch. Not only that, but the sound they were getting with Leif Mases producing it, it sort of grew up. It lifted somehow out of what they’d done before. It felt like, “Oh, this sounds good.” The songwriting and the exploring we were doing with the songs and stuff. At the time, Geezer Butler said that’s the best album he’s ever been on. He never said that again, but he said it at the time.
Phil Aston: I can imagine him saying just that.
Tony Martin: But it was good. Having Bobby Rondinelli in the band as well. Technically amazing. Brilliant player. His drums close in, and he plays with his wrists. Very technical. Whereas Cozy’s drums are stretched out far and wide. He’d lean over and hit them. But great to have them both in. What an honor. I mean, it’s Geezer Butler as well.
Phil Aston: When you got to South America, Bill Ward was in for a few gigs, wasn’t he? That must have been quite surreal. Bill Ward and Geezer playing songs like Headless Cross, which they had nothing to do with.
Tony Martin: They had nothing to do with. We were kind of weird because once we’d started to get Geezer and Bill back in, they wanted to start doing more of the older songs. That just makes you look, read between the lines going, “What’s going on? Where’s this going?” Once it’s happened to you, you know it. Then you’re reading between the lines. You start to feel it. Then you go, “Ah, right.” You can feel it. They’re clearing up. I did ask if they were going to do a reunion with Ozzy. Iommi was always denying it. Said, “No, no, we’re not doing that.” But I didn’t mind. The reason for that is because I knew what I could do in the future then. I thought, “Well, if they just tell me, that’s fine. Cause then I can plan.” The first time it was a shock and I didn’t know what to do. But I was kind of keyed up for it the next time. But he kept going. They got Bill in. I love Bill. I think he’s brilliant. We did some shows with him. But for some reason, and I don’t know what it is, I mean, I can tell you Iommi loves Bill. He regaled so many stories about when they were out there and how funny it was. I never understood why they never gave him time to get back in it. When you think of Def Leppard, they made a drum kit for a one-armed drummer.
Phil Aston: Yes, very true.
Tony Martin: Surely they can find time to get Bill settled back in. Whatever problems they’ve got. I mean, come on.
Phil Aston: You would think, yeah, very true.
Tony Martin: Get on with it. I thought, “Right, this is going to go south again.” But it didn’t. We carried on with Forbidden, and then Cozy came back after his accident. It was really up and down. Confusing. People in and out. During the time I was in the band, there were eight different lineups.
Phil Aston: It was very much a revolving door, wasn’t it? Before we move on, I just want to ask, because I know a lot of fans ask this. In the booklets in these box sets, there’s an image of Cross Purposes Live. That was a VHS tape and a CD. Is there a reason why that wasn’t included in some way? Is that game politics?
Tony Martin: I did ask about that, and they were just keen to get on with it. They said, “Come on, let’s go, let’s do it.” What they told me was that they’re going to take their time now to see what else they can gather and do an additional thing to this along the way with more of that in it. With the Cross Purposes Live and some other stuff. There’s a track that I recorded with them when Eddie Van Halen came and did Evil Eye.
Phil Aston: Yes, yeah, Evil Eye, wasn’t it?
Tony Martin: Yeah. I used to take the track out. I had it everywhere. Writing sessions, recording sessions, rehearsals. I just happened to be there. I didn’t even know who was coming. Iommi just turned up with Eddie Van Halen. I went, “Holy hell, it’s Eddie Van Halen. What’s he doing here?” He did some rehearsals with us and then disappeared. Never saw him again. But I got the recordings of the rehearsals that we did.
Phil Aston: Oh, wow.
Tony Martin: So I sent them to Tony Iommi. I said, “Use these. Get these on.” He said, “No, no, we can’t.” The reason they said was anything that has the slightest newness about it looks like a new Black Sabbath track or album track. They’re not allowed to release anything new under the Black Sabbath name. So even if it’s historical, they couldn’t allow it. It’s really weird.
Phil Aston: That means there must be lots of live stuff recorded. More bands were recording live stuff from the nineties onwards that you just couldn’t work on because it would go out under the Black Sabbath name.
Tony Martin: Not just live stuff. I’ve got about eight tracks that we never released. Just from the writing sessions and rehearsals and stuff that we used to do. They just can’t get out. They just won’t allow it.
I don’t understand. Well, I kind of understand. When you’re trying to protect your name, your mark, your image, your everything, which is where the band politics comes in, they won’t allow you to do anything that they think. And there’s all kinds of… Everybody from Ozzy to Dio to everybody. They don’t want their thing to be diluted or taken away. I do understand that. There are people involved all along the way that have an objection of some kind or another.
Phil Aston: But I guess, hopefully, this box set’s going to sell out really quickly and will show there’s a demand for this material and for this part of Black Sabbath history. There’s a lot of love for it. A lot of people worked really hard within it, like yourself. They’re great albums, wonderful songs. If there’s other music waiting in the wings, whereas we all get older, thinking through the eyes of the fan, it would go down so well, wouldn’t it? But I am, as you are, very grateful that these four albums have arrived in a box.
Tony Martin: Yes, it’s an important thing for me. It’s an important thing for the band, and it’s a great thing for the fans. I’m thrilled. It’s been an honor to be part of the story. I love the fact that it’s out there now. They did say there is no limit to the box sets. They have sold out on day one.
Phil Aston: I’m not surprised.
Tony Martin: They said the way they do it is they tend to poll the outlets and stuff and say, “How many do you think you can sell?” And they put their numbers in, and they’ve gone way past that. So now they’ve got to go back and produce more. There’s no limit to it. I love what they’ve done. There’s more in the box set than just the albums. Posters, programs, and everything.
Phil Aston: And then Forbidden. I’ll be honest, Tony, when I heard this for the first time back in the day, I didn’t like it. I tried, but I didn’t like it. My son liked it because I think probably because his dad didn’t. But now the remix, it’s as if someone’s released the drums and the guitars. It sounds like a Black Sabbath album. It sounds fantastic, doesn’t it?
Tony Martin: It does. It’s brilliant. I love the fact that they’ve dismantled it and put it back in a way that they couldn’t or didn’t with the other three. Forbidden needed it for all kinds of reasons. It was done under a sort of cloud where a lot of us weren’t really into it very much. But it was also an attempt at trying to give Sabbath a kind of acceptable twist to the youth. It didn’t work.
Phil Aston: The nineties were weird, weren’t they? The nineties were strange for heavy rock.
Tony Martin: The problem was we were fast heading towards great new bands like Nirvana and eventually Green Day and Metallica doing stuff. We were going and they were trying to change the sound to fit in. It didn’t work. We didn’t think it would. But there are people out there that love Forbidden as it is. I said that to Iommi. Last time I saw him, there are people out there that love it. He said, “They’ll probably love this version now.” But shaking the chains, guilty as hell, rusty angels, forbidden. And of course, “Loser Gets It All” is a great track. That wasn’t even on the album originally.
Phil Aston: It’s brilliant.
Tony Martin: Yeah. Strange. I absolutely love it now. It does sound like a Black Sabbath album. It sounds like it should be there in amongst the others. They’ve done a great job. Tony and his engineers have really pulled it together. It’s slightly more guitar and slightly less keyboard. They’ve done Cozy’s drums. Fantastic job on those.
Phil Aston: They’re just unleashed, aren’t they?
Tony Martin: Yes. They haven’t changed anything. They’ve mixed it and given it a new attitude, which is brilliant. They’ve given it more space. It sounds bigger. I just love what they’ve done to it. I’m really proud of it now. I didn’t like it then. There’s still a couple of tracks where I would love to have gone back in and…
Phil Aston: Yeah, you know.
Tony Martin: I thought at the time, because I was that off it at the time, my head just wasn’t quite there. A couple of tracks I thought I could have done better. I did sort of say when they were doing it, “Can I go back in?” They said, “No.”
Phil Aston: I suppose because that might edge towards it being a new recording then.
Tony Martin: Yeah, tricky. I’m not going to tell you which tracks it is, but there were a couple in there that I wasn’t quite happy with. But on the whole, it’s a great job they’ve done.
Phil Aston: Because when you were playing live, there were more songs from your period in Sabbath coming into the set, weren’t there? You were a unique vocalist in many ways for the band. You could cover Ozzy, Dio. You probably could have done Ian Gillan. Anything. You could have the ultimate set list, really, going through every era.
Tony Martin: That was a bit of a mistake. I told them I could sing anything, really. They thought, “What can we give him to sing?” They threw all sorts of stuff at me. I had a shot. Fortunately, I’ve got the kind of voice that can get around most things, and that’s a result of being in so many different kinds of music. I’ve been involved in everything from reggae to rock.
Phil Aston: Who were your key vocal influences growing up? As you say, outside of this Black Sabbath badge, your voice can go in any direction. So who were your influences? Was it blues, soul, rock?
Tony Martin: It kept changing. Everything I listened to, I thought, “That’s good. That’s good.” Each couple of years, something else took my attention. I’d really pour my soul into it. When I started off with reggae, believe it or not, I worked with Musical Youth and Dexys Midnight Runners in the studio. I was a guitarist back then. Then I loved blues. I got into prog rock bands like Yes, King Crimson, Jethro Tull. Then it shifted to Emerson, Lake & Palmer. That led to Rush and bands like that. Then I had to come down out of that prog rock technical stuff because Sabbath is much more honest and basic and straightforward. To a point. When you’re in the band and you find out how he does it, it’s stunning. I never even gave it a thought. I thought, “It’s got to be easy.” It wasn’t easy at all. Iommi can put seven, eight different riffs into one song, and each one of the riffs could be a song on their own.
Phil Aston: Very true.
Tony Martin: So, wow. You get your head around it. It’s weird. Plus, the time signatures he was throwing at us. There was a 14/4 and a 15/8 or something he was throwing at us. How he gets his head around it, I just don’t know. When I saw him a few weeks ago, he said, “You did a really good job on this.” I said, “Thanks, man.” He said, “I actually don’t know how you sang over some of this stuff.” I said, “Neither do I.”
Phil Aston: Just mad, isn’t it? You could try anything. I might have thought, “That means you might be able to put some of the songs in that Ozzy couldn’t do into the set. Or I can try something that I’ve never been able to do before because Tony says he can do anything.”
Tony Martin: It’s because I showed willing. I told them I’d have a go. And I did have a go. I did put into it. The songs, the writing, the live shows, whatever. I kind of made a rod for my own back in some ways because it was hard flicking between all of the different vocal techniques. But I did my best. It sort of came across okay. The problem is when you try to do stuff like that, it can sound a bit like a tribute act. But we got it nailed, I think. Especially having people like Cozy Powell, Geezer Butler, and all those guys in the band. We were willing to seek out that Sabbath sound, and we were conscious of it. So we were all aiming for the same thing. From outside, it might have looked like a chaotic mess. But on the inside, it all had a focus. We were all willing to give it a go. That’s what I think they saw in me. I knew they liked my voice, but I think that’s what they saw, a willingness to have a go and see if you can make it work. All those different time signatures and riffs that I had to go, looking back, to me, it’s Black Sabbath. Like,
Phil Aston I’m a Deep Purple fan, and every lineup of Deep Purple is still Deep Purple. I know Black Sabbath, there’s lots of politics in the way some of the fans look at it. But I think, which is why they had Heaven and Hell later on instead of Black Sabbath, because of the politics. But listening to these four albums, one after the other, you brought to life Viking mythology and song. More death. Just your passion and the way you projected the lyrics and your phrasing makes these albums unique. An important part of the Sabbath story. Finally, do you feel like this outpouring of love for this lineup is validating everything? Any doubt that might have been back then?
Tony Martin: Yeah, doesn’t it just? The biggest validation is from Tony Iommi himself. It wasn’t regarded that highly until he sat and listened to it without the bickering going around. When I went down a few weeks ago, he said, “You did a great job on this. There’s fantastic songs on here.” I said, “I know.” It’s just that validation that he gives it. The fact that the fans are returning to it. The fact that we’ve got new fans coming to it. Whole new record labels. I think it’s Rhino in America. It’s BMG in the UK, Europe. The record labels are coming back to it and getting behind it. They see something in it. The management sees something in it. So it’s all coming together. Which is a shame because I’m not in the band anymore.
Phil Aston Who knows? Maybe you and Tony will think, “It’d be great if some of this other stuff can come out at some point and we don’t have to wait another 25 years.”
Tony Martin: If he was going to do that, he’d say, “Let’s just write some new stuff.” But from what I’ve been told, Tony’s touring dates are done now. He won’t be going out on the road again. That’s probably out of the question for writing. I did tell him I was interested if he wants to do something. But he’s got so much going on. He’s still busy. Doing stuff. He had that ballet, the Black Sabbath ballet.
Phil Aston: Yeah, that’s true.
Tony Martin: Never saw that coming. No, he’s working on all kinds of stuff. He’s writing new material for something else now.
Phil Aston: So what about you, Tony? Have you got any plans for another solo album?
Tony Martin: I never actually stopped. For the past 25 years, my career took me into the studio and writing for people. My voice appears on 89 albums and projects now. It’s been good for me. I owe everything to Black Sabbath because that’s how the world got to hear my voice. People know what they’re talking about when they talk to me. “Can you write, can you sing on this?” They already know what they’re hearing or expecting. I always try to make it better than what they give me in the first place. A lot of that is me in the studio, and I’m happy, and I still am, happy doing that. But I do tend to choose what I do these days.
Phil Aston: Yeah, that makes sense.
Tony Martin: So I’m still doing the odd thing for people now. I did have a solo album a couple of years ago called Thorns.
Phil Aston: Great album.
Tony Martin: Yeah, totally unknown guitarist from America, Scott McClellan. I only met him because he kept badgering me on Facebook. He kept sending me stuff. I was like, “Go away.” He said, “Listen to this. What about this one?” In the end, I listened to it and it was brilliant. So I gave it a go and it turned out really well. But then Covid interrupted that and we couldn’t get out there with it. Some countries were saying, “Yeah, you can come,” and other countries were saying, “No, you can’t.” It all got distracted. I haven’t finished with Thorns because they wanted to do a vinyl for it. They said we had to take some tracks off to get it to fit on the vinyl. I don’t want to take any tracks off.
Phil Aston: Make it a double.
Tony Martin: Yeah, make it a double. Write some more. I wasn’t prepared for that. I’m pacing up, trying to write some new songs. Scott has sent me loads. We’ve got enough tracks for Thorns 2, but I haven’t finished Thorns 1 yet. I’ve got to come back to that. I do want to finish that off and get that done. Then if we can do the next Thorns thing, who knows? We’d like to try and get it out on the road. Getting out on the road for me is so different to the Sabbath thing. The Sabbath machine is huge. They only have to mention it and all the cogs start turning all at the same time all the way around the world. It all starts fitting into place within days, within weeks. On your own, it’s different. I can’t do that. I have to hire other musicians to go out on the road and rehearse the whole thing and start again with a brand new show. It’s a lot harder for me, but I would love to get back out there. My career took me into the studio, so I’ve got more to do. But I just tend to choose now.
Phil Aston: If people want to get Thorns, is it DarkstarRecords.net? Is that the best place?
Tony Martin: No, Battle God. They are the main label. Darkstar were involved and they’re still there, but they’ve had some troubles in the past couple of years. They were on board and I did two versions of it from between the two territories. I liked that. But mostly now, Battle God is the label to grab hold of it. It’s still available and I’m still signing them. People send me the stuff to sign.
Phil Aston: But I haven’t finished yet, so there’s more to come.
Phil Aston: Brilliant. Well, thanks very much, Tony, for all of your time today. Everybody, make sure you go and get a copy on CD or vinyl of this Black Sabbath Tony Martin years box set, “Anno Domini.” It’s absolutely superb.
Tony Martin: Yeah, it is good. I’m just smiling. I think it’s brilliant.
Phil Aston: No, that’s it, isn’t it? Whatever anyone thinks, these albums are available again. People can hear just how awesome this time for Sabbath really was.
Tony Martin: Thank you. Thank you very much.
Phil Aston: All right, take care, and hopefully I’ll talk to you again in the future.
Tony Martin: Thank you. All right, Phil, thanks, mate. Cheers.
Phil Aston: Well, a huge thank you to my guest, Tony Martin. That was fantastic. I’m almost lost for words in knowing what to say to sum up that interview because I know a lot of you are really interested in this box set, “Anno Domini” by Black Sabbath, which is out on CD and vinyl. Just as I thought, it’s sold out already, but there’s going to be another pressing. I was able to ask some of the questions I know some of you have been wanting to know, like why weren’t there extra tracks? Why wasn’t the live Cross Purposes included, etc. So now you know. Some of it is really exciting because it means there might be a companion set with some outtakes or live stuff as well. That’s really exciting.
Tony Martin is a fantastic vocalist, really passionate, really imaginative with his lyrics and his vision of how he writes his music. These four albums are essential. They’re Black Sabbath albums, okay? That’s what they are. They sound like Black Sabbath albums. Wasn’t it interesting that Geezer Butler said Cross Purposes is the best album he’d ever played on? It is a truly remarkable album. But they all are: from Headless Cross, to Tyr (which I can now pronounce correctly), Cross Purposes, and Forbidden, which has been given a new lease of life. Seriously, it is incredible. Just stunning.
Thank you again to Tony Martin for joining me here on the Now Spinning Magazine podcast. Please keep spinning those discs, whether they are vinyl or CD. Check us out on the podcast. We’re on every platform you can think of, from Apple to Spotify to Amazon. Of course, we’re on YouTube. Please subscribe and check out the website at nowspinning.co.uk. Remember, music is the healer and the doctor. So take care and I’ll see you all very, very soon.
Watch the full interview here
Phil Aston Now Spinning Magazine

So I multitapp on UberEats and on Instacart and I swear to God UE purposely sends me good orders right as I start an IC batch just to spite my sorry ass for cheating on them.
Second I started an order today I get a $14, 4 mile Starbucks offer. Last time I was at this store midshop I got multiple $10, 1-2 mile Jersey Mike orders. Now I’m just chilling in the parking lot and nothing again. Kick rocks UE.

Ok so, I (14F) have known this boy (14M) who I will call “A” since I was in third grade, and we are obviously in the same middle school. We are both incredibly intelligent and good at writing, however people always put him above me. I feel like he isn’t more successful than me academically though. Infact I am more successful than him, i’m in the gifted program and in student council neither of which he is in.
Anyways, I have always resented him because he gets more praise for the same writing and work that I do. I think we’re both funny, I always make him laugh and he makes me laugh. However, I can’t help but to resent him even though I think we both have the same qualities; hes attractive and i’m very sure I am aswell, hes smart and I know I am aswell and we’re both popular and funny; adults are always saying so.
Its just like hes so perfect and I would give anything to recieve the same kind of praise he does. I mean even I adore him but like not in a romantic way, its just like hes always been someone who likes classical literature even though nobody else in our grade is intrigued by it and its just heinous knowing I probably won’t be able to speak to him in highschool because he’s one of my favorite people. I’m not really sure if how I feel about him is romantic, like sometimes I just want to hug him if that makes sense lmao. Oh I included our writing from sixth grade when we did a group project together copy pasted ↓
Mine: As soon as the recollection of the three bodies came cascading upon Bass in a choking flood of stinging details, Bass began to perspire and tremble. Something that was a recurrence in this impeccable novel is the mention of the Comanches- a belligerent indigenous group of people to America. The name was sure to bring fear to even the brawniest of men, Comanche had tolled in them like a portentous gong. There was a sinister and unlikely coincidence between the violent happening around the Native American territory that made the Comanche one of the most hideous of omens. In reality though the Comanches were a brutal community, bring treated with a biblical veneration. However I would like to take a mature and systematic evaluation of why they may do these things. For one, us Americans drove them out if the land they had lived in for centuries, brutally burning down their communities and making them walk grueling trails and rough rocks to arrive at a territory riddled with mediocrity. Overall I believed that the Comanches were a symbol or vim and freedom throughout this novel.
His: There are several prominent names that have established themselves as important threads upon the rich tapestry of Western History; Several Outlaws and desperados are recalled for the formidable forced they possessed upon their communities. Billy the Kid, Wyatt Earp, Doc Holliday- all of these names have been of flourishing recognition, yet there are only mere vestiges of traces upon a true legend; a figure of immaculate morals (a trait that was a rare rose within a grotesque haven of weeds.) This very man that I speak of was born into slavery and- at the age of seventeen- relinquished the clutches of his owner prerequisite to venturing into the sibylline, crime-riddled depths of the Indian Territory where he would elude the treacherous dangers amidst his path to grow older to be a man of law; a valiant marshal in which turned a horrendous domain (the indian territory) into a place of order. This man went by the name of Bass Reeves.

Had this idea bouncing around in my head about the little ferret guy, Etholin Esila. I figured with him being a 'merchant lord' he'd want to start cutting deals with Emma once the initial curiosity and amazement over Earth tech would have passed. Not sure where this is going, if anywhere, but just wanted to get it out of my head and onto 'paper'.
Thanks to u/DndQuickQuestion for helping with feedback on earlier drafts.
Afternoon Transgracian Academy of Magical Arts
The hulking minotaur loomed menacingly over me. "Crawling along the floor suits you well, Merchant Lord Etholin Esila!” it boomed in an intimidating baritone. “Merchant Lord, pfah! Even a mangy cur such as that Mercenary Prince has a legacy of valor and martial prowess behind his dubious title, but you?”
An accusatory finger was jabbed in my direction. “Nothing but puffery and bluster to buttress your status as a glorified shopkeep! Your ilk claims to broker fair trade between the Realms, but those with integrity and honor recognize the deceit you employ to conjure false value from nothing." It was difficult to tell if Lord Auris Ping's tirade was aimed more at myself, the Esila clan, or the concept of inter-realm commerce in general.
At the moment, I was more concerned with herding my scattered belongings back into my satchel. While rushing to my next appointment, I had the dubious privilege of colliding with this mountain of a brute. Naturally I was on the losing side of that contest, and was sent tail over head to the floor, scattering the contents of my school satchel across the polished granite. Not one to pass up the chance at a crass display of dominance, Lord Ping had launched into the rant that everyone in earshot was currently enduring.
"Look at you, scrabbling on the floor to fetch your little trinkets, a fitting match for your base and covetous nature!" Fairly pedestrian, as far as character assassination went. I’d been called far worse while helping Father with trade negotiations, sometimes at sword or stave point. One had to develop quite a thick hide when engaging in cross-realm commerce. Especially with many realms having rather… absolutist opinions about the value of goods, like Lord Ping here. But I had zero interest in contesting his assertions, despite how idiotic they were.
Haggling or arguing with Pronarthians was a singularly wretched experience. They were infamous across the Realms for their single-mindedness and a compulsive need to have the last word that bordered on lunacy. I didn’t have the patience for the endless ingratiating flattery required to bore through such stubbornness. If that wasn’t enough, a gentleman of my stature also had to consider Pronarthians’ sizeism; specifically their intrinsic respect for the larger and taller races.
And that was merely the average Pronarthian! Arguing with a belligerent lout, accustomed to deference as Lord Ping? I'd sooner try my hand at flying out the nearby window. At least the loamy soil below would give me a fighting chance, or a jagged rock would grant me the mercy of a swift end.
Instead, I busied myself putting my things in order, taking special care with one item in particular. It was a set of memory crystals I received from the Earthrealmer, Cadet Emma Booker. It was part of a ‘transdimensional cultural exchange pilot program,’ as she had described it with her nation’s peculiar bureaucratic jargon. I had previously conducted similar transactions in my initial dealings with Cadet Booker, and it was those first tentative steps that convinced me to make Cadet Booker a full-fledged premiere trade partner of the Ocean Breeze Trading Company, the pride of the Esila clan.
The myriad tomes and treatises from Earthrealm, such as the riveting "The Wealth of Nations," amply demonstrated that Earthrealm had an extremely sophisticated understanding of commerce, finance, and logistics. But it was the ‘video archive footage,’ transferred onto memory crystals for ease of viewing, that convinced me at a visceral level that these Earthrealmers were a sound investment. I felt it on my whisker-tips, as the commoners back home would say.
"May I offer a helping hand, Lord Esila?" inquired a familiar voice. I looked up to see a scaly, clawed hand extended toward me. “And perhaps a sympathetic ear? After all, that was a rather nasty bit of slander from Lord Ping, would you not agree?”
Wonderful. This nonsense again.
While I had been lost in thought contemplating Ocean Breeze’s latest windfall, Lord Ping seemed to have lost interest and resumed going about his business. Taking his place, as always, was Lord Qiv Ratom, ever ready to sift through the rubble of Lord Ping's latest ham-fisted antics for personal gain. "You will find that my views differ considerably from Lord Ping's. I, for one, admire the manner in which you extract value from your trade partners. After all, does it not require skill and cunning to convince the customer that your wares are worth far greater than their true value? Such nuance and subtlety is lost on the likes of Auris Ping, content to strong-arm what he desires from others."
I paused for a moment, at a loss for words. His tone suggested his 'praise' was sincere, but only stoked my ire further. What in the thrice-damned Hells did he think he was accomplishing? Did he really think that telling me, "Well, I still regard you as a thief, but I APPRECIATE your thieving nature, unlike that uncouth lout!" was going to win me over? Dealing with parties with this attitude to commerce and trade was tedious at best. But ever since making acquaintances with Cadet Booker, whose people's understanding and appreciation of commerce rivaled the Nexians, dealing with the likes of Ping and Ratom was nigh UNBEARABLE.
I rattled off the usual rigmarole we used at Ocean Breeze for clients we wished to keep at arm's length. "With respect, Lord Ratom, the value of the goods we sell is determined by the customer's needs and circumstances. The merchants of my clan arbitrate prices taking such factors into consideration. We see it as our responsibility to provide equitable trade that is not only beneficial to all parties, but also provides fair compensation for the tradesmen involved in executing the transaction."
"But of course, it is as you say," replied Lord Ratom with his signature oily charisma. "Fair and equitable trade, according to the customer's circumstances. Thus, you are but a facilitator of the Fates, a most humble tool of Destiny itself. And one who collects a respectable commission, at that," he continued. He stopped short of winking conspiratorially, but the impish grin playing across his features was a fine substitute. Every mote of my being wanted to shake him until he shed his skin. He continued, "Your... humility aside, my admiration of your clan's cunning and resourcefulness still stands. The insight of one so skilled is always welcome within my inner circle, should you wish to grace us with your presence."
It took all my restraint to not tell him into which orifice he could jam his charity-case friendship offer. After all, I'd been keeping far better and more like-minded company of late. Company that the Baralonian lord was likely dying to ingratiate himself with, given how Cadet Booker and her peer group had taken pains to keep Lord Ratom and his entourage of gossips at arm’s length. Instead, I left the smug reptile’s offer dangling in the air, twisting in the wind for a few agonizing moments while I finished tidying my things. Rising to my feet, I finally replied, "An offer most generous and kind. I will of course, have to consider the circumstances of both customer and merchant. Surely you would not begrudge a humble servant of Fate for waiting for the most auspicious circumstances?" Even at my best, I was hardly a master of rhetoric, so crudely tossing his words back at him was the best I could do.
"As you please, Lord Esila," replied Lord Ratom, finally sensing his return on investment wouldn't be worthwhile, leaving me alone to stew in the hallway. Such was the game played among the aristocracy. I looked down at the bundle of memory crystals in my hands, contemplating on their origin, and how Earthrealm could change how the Esila clan, perhaps even all of Rontalis, played the game.
I continued on my way, thoughts heavy once more.
Evening Ocean Breeze Trading Company, Elaseer Offices, Private Chambers
The Elaseer branch office of the Ocean Breeze Trading Company was a modest affair by Nexian standards, a second-storey affair nestled on the edge of the warehouse district. The restrained yet tasteful trappings were a calculated decision of the Esila clan, proprietors of the trading company. A fine balance had to be struck when it came to outward appearances, after all. Some measure of artful decoration was necessary to appease the Nexian eye’s obsession with projecting might and wealth, but not so much that it would attract too much attention.
Only in the private chambers would a guest finally see some personality in the decor, and a generous measure at that. These were the chambers of the nobleman assigned stewardship of these offices, Lord Rikad Esila, uncle to Etholin Esila. Colorful murals with aquatic motifs adorned the walls, highlighted with tastefully matching lacquered panels featuring artwork done in mother-of-pearl inlay. Similar decor was present in the dining room, where uncle and nephew were currently enjoying what Rikad thought would be a leisurely dinner.
CRACK!
The sharp sound rang out loud and clear in the small room, the source being a steamed crab claw, dashed to pieces on a smooth river stone placed between the two diners at the table.
Lord Rikad's branch of the Esila line hailed from the wetlands of Rontalis that opened up into the sea, and they regularly partook of the ocean's bounty. In antiquity, they were known to smash shellfish and other armored morsels against stones they carried with them to lay bare the tasty prizes within. This dining set configuration was a modern interpretation of that old tradition, with a communal stone for guests to open their shellfish.
Of course, such a homestyle service was available solely behind closed doors and shuttered windows and only then to Rikad and his close associates. Here in the Crownlands, such a 'barbarous and unseemly' artifact would be frowned upon by the prevailing Nexian culture and their gold and mother-of-pearl seafood forks that split the shell with a simple tap. But young Etholin labeled that languid dining as a boring conversational backdrop, inferior to the communal excitement of a well-placed strike.
Etholin’s spirited strike had a strong measure of anger behind it, a fact not lost on Rikad. "Steady now, lad. The aim is to crack the shell, not grind it to powder," chided Rikad, an otter clothed in well-tailored robes that melded practicality with muted elegance. He looked aged and gray compared to the ferret-like Etholin, clad in sumptuous silks and embroidery that assertively declared the young lord’s wealth and standing. Etholin hung his head in embarrassment. "Apologies, Uncle. I lost the reins of my temper."
"Well now, aggravated enough to make a mess of my dining set," observed the older gentleman. "It takes a great deal to get your humors churning like this, from my experience. So tell me lad, what urchin needles you?"
"Ugh, more Academy theatrics, what else? With Lords Auris Ping and Qiv Ratom being today’s star players."
"Ah, The Dunce and the Devil," remarked Rikad, nodding with understanding. This wasn't the first time his nephew had related the pestilent pair’s antics. "What two-act farce did they put on this time?"
"Ping opened with the usual blather about merchants being honorless tricksters, with Ratom swooping in to capitalize on the aftermath. Textbook at this point, really," explained Etholin, waving his hand dismissively. "It... it was just the way those two put forward their thoughts. In isolation, each would have been merely irritating. But with one following the other, I was ready to grind my fangs to nubs! To be cursed as a thief on one side, only to be praised as a thief on the other! It was like they were wielding ignorance as one would a greatsword, and managed to cut me with both edges! Gods, I wanted to THROTTLE the idiocy out of them!"
"‘Tis to be expected," said Rikad in consolation. "A great many noble families, even entire Realms at times, came about their status through force of arms or magical prowess, and thus they hold a dim view of commerce as a profession. It is a routine chore for us, navigating around them to find those with less absolutist views on the worth of goods, or more forgiving definitions of 'honest work'. An Adjacent Realm that does not cheat its creditors by altering the weight of its coins or debasing them with base metals and insisting otherwise while hiding behind the safety of their portal is worth its weight in gold."
"Sometimes I feel we ought to cut them out of our affairs entirely and deal with the Nexians, directly and exclusively," mused Etholin bitterly.
"Now, now, though your anger is justified, that's hardly reason for it to take hold of your mind's rudder," cautioned Rikad with a frown. "The Nexians have well-developed philosophies on trade in line with our own, but we only have the resources of a single Realm at our disposal, while the Nexians can leverage the bounty of their never-ending and mana-rich lands. Dealing solely with a behemoth that can devour us with a thought, no matter how frictionless those dealings are, is hardly my idea of a beneficial partnership."
Etholin sighed. "As always, your counsel is sensible, Uncle. Like I said, I lost the reins of my temper in a moment of weakness."
"Don't be so sour on things like this, lad. Our base nature gets the better of us at times, that is the animal within that we all struggle with. That you acknowledged such a lapse and took back the helm is proof that civility prevails. But, enough moping about!" Rikad jumped out of his seat with a little pep in his step. "Looks like we need to guide you back into good spirits, and I know JUST the thing for gentlemen such as us," concluded the elder merchant, twirling his whiskers playfully.
"Somehow I think a night at the theater or music halls will do little for me, Uncle. Or are you suggesting we seek respite at the bottom of a tankard?"
Rikad snorted derisively. "Oh please, I'm not senile yet, pup! Since when has SPENDING money brought joy to anyone worthy of the Esila name?" That made Elothin perk up a bit. Rikad continued, "No, I speak of a PROPER good time, I speak of..."
"COMMERCE!" they cried out in unison, fists held aloft in a triumphant pose. "Does that mean..." began Etholin.
"Indeed, we've just received the latest prototypes for the centralized mana ampoule, linking cords, and so-called 'mana motors'. Perfectly timed with the parts delivery from Cadet Booker not two days ago. Sukie, be a dear and clear this up, and have the remainder bundled up and sent to the young master's rooms at the Academy." Rikad motioned for the housekeepers to clear the table, then ushered Etholin to his private offices where they could discuss business strategy in depth.
Uncle Rikad’s offices were more than just a cozy place where Etholin could get a taste of home. Officially, Rikad was stationed here to oversee the administration of this branch office of the Ocean Breeze Trading Company. In reality, the office was a means to circumvent the Academy's prohibition against students communicating regularly with their home realm. Many aristocratic families employed similar cheats and dodges involving ‘familial duties’ and ‘business obligations’ to skirt the rules. If the Nexians cared about closing such loopholes, they didn’t show it. Perhaps the quaint maneuverings of their lessers amused the elves, who could say?
In this case, Rikad and Etholin were leveraging this loophole to the fullest, as they strategized on how to execute the next steps of their latest commercial venture, which Rikad would then relay to the head offices in Rontalis. As their planning session drew to a close, Rikad remarked on the time. “Well, it would seem that evening has fast become night. You are welcome to stay overnight here, as always, or perhaps you would prefer to retire to the Academy dormitories? Either way, I doubt you’d want to watch an old man doze off in his reading room listening to music.”
At the mention of leisure time, Etholin's eyes widened in surprise, and he began rooting around in his satchel. "Oh goodness, I entirely forgot!"
"What is it, lad?"
"Oh, Cadet Booker has provided us with more of her 'video archive files', transcribed to memory crystal," explained Etholin as he produced the set of crystals from his satchel, perfectly sized for the compact projection device that Rikad kept in his rooms.
"Ah, splendid! Another of the young lady's documentary presentations on commerce? Or perhaps one of her theatrical serials? Both are fine ways to while away the night."
“I’m not sure, but Cadet Booker said we would enjoy them a great deal,” said Etholin as he placed the crystal into the office's projector. As the machine spooled up, a moving image was cast onto the whitewashed wall across the room. As with all Earthrealm recordings, it was entirely mundane, bereft of any sign of manafields. Compared to mana based memory shards, Earthrealm recordings felt like faded sketches. None of that hindered the recording's impact on the viewers.
"Hoh? This is-" exclaimed Rikad, eyes lighting up in recognition.
An Earthrealmer with a thick, lustrous beard strode into view, his confidence and enthusiasm palpable despite the muted colors of the recording. The Earthrealmer’s voice rang out from the projector, carrying that same confidence and infectious enthusiasm like a barker worthy of the title of Grand Master.
Rikad and Etholin cheered in unison.
"HI! BILLY MAYS HERE, WITH ANOTHER GREAT PRODUCT!"

Ok so, I (14F) have known this boy (14M) who I will call “A” since I was in third grade, and we are obviously in the same middle school. We are both incredibly intelligent and good at writing, however people always put him above me. I feel like he isn’t more successful than me academically though. Infact I am more successful than him, i’m in the gifted program and in student council neither of which he is in.
Anyways, I have always resented him because he gets more praise for the same writing and work that I do. I think we’re both funny, I always make him laugh and he makes me laugh. However, I can’t help but to resent him even though I think we both have the same qualities; hes attractive and i’m very sure I am aswell, hes smart and I know I am aswell and we’re both popular and funny; adults are always saying so.
Its just like hes so perfect and I would give anything to recieve the same kind of praise he does. I mean even I adore him but like not in a romantic way, its just like hes always been someone who likes classical literature even though nobody else in our grade is intrigued by it and its just heinous knowing I probably won’t be able to speak to him in highschool because he’s one of my favorite people. I’m not really sure if how I feel about him is romantic, like sometimes I just want to hug him if that makes sense lmao. Oh I included our writing from sixth grade when we did a group project together copy pasted ↓
Mine: As soon as the recollection of the three bodies came cascading upon Bass in a choking flood of stinging details, Bass began to perspire and tremble. Something that was a recurrence in this impeccable novel is the mention of the Comanches- a belligerent indigenous group of people to America. The name was sure to bring fear to even the brawniest of men, Comanche had tolled in them like a portentous gong. There was a sinister and unlikely coincidence between the violent happening around the Native American territory that made the Comanche one of the most hideous of omens. In reality though the Comanches were a brutal community, bring treated with a biblical veneration. However I would like to take a mature and systematic evaluation of why they may do these things. For one, us Americans drove them out if the land they had lived in for centuries, brutally burning down their communities and making them walk grueling trails and rough rocks to arrive at a territory riddled with mediocrity. Overall I believed that the Comanches were a symbol or vim and freedom throughout this novel.
His: There are several prominent names that have established themselves as important threads upon the rich tapestry of Western History; Several Outlaws and desperados are recalled for the formidable forced they possessed upon their communities. Billy the Kid, Wyatt Earp, Doc Holliday- all of these names have been of flourishing recognition, yet there are only mere vestiges of traces upon a true legend; a figure of immaculate morals (a trait that was a rare rose within a grotesque haven of weeds.) This very man that I speak of was born into slavery and- at the age of seventeen- relinquished the clutches of his owner prerequisite to venturing into the sibylline, crime-riddled depths of the Indian Territory where he would elude the treacherous dangers amidst his path to grow older to be a man of law; a valiant marshal in which turned a horrendous domain (the indian territory) into a place of order. This man went by the name of Bass Reeves.

My girlfriend broke up with me, and while I was desperately asking her for another chance, she didn't want to give me any. I was heartbroken, lost, hurt, and desperate. I have few reliable friends to talk to about my personal life and felt embarrassed to share my feelings. I ended up venting to someone who wasn't even a friend but shared similar morals with my girlfriend (a feminist). I asked her if I was in the wrong for the breakup, and she blamed me for certain actions while also labeling my girlfriend as toxic for her replies.
I deleted the messages because I felt really embarrassed about venting to someone. My girlfriend and I eventually got back together, but during a recent fight, I told her that someone had called her toxic for her replies. She said that hiding something like that and deleting the messages was akin to cheating.
I've never flirted with that girl or talked about anything beyond the mentioned topic. She was just an old acquaintance on my Facebook account, and we only discussed skincare and other platonic matters. She was never interested in me, nor was I in her. Now my girlfriend feels like I'm a cheater for hiding this from her, and I don't know how to feel about it.

What do I do? I feel stuck, I love him but I feel like I'm a worse, sadder version of myself when I'm with him sometimes. I have dealt with some family issues with him and he has been with me through so much (throughout 7 years), I've been so stressed from college and family, he's been my rock. He knows every stupid thing I've done in the past, and for the first 2 years would make me feel bad for my past decisions I made as a lonely mentally and physically desperate teen that was used by boys. All I wanted was to be seen and wanted but I was used as an object since middle school until I met Him at 18. I regret the decisions I made and felt so embarrassed that he knew EVERYTHING. I'm not very sexually driven, but he is and I feel like he guilt trips me into doing things I'm not in the mood for.. but I've been raised as a people pleaser so I'm not sure if I'm just making myself feel like I have to or because he was visually express his disappointment until 75% of the time give into it to make him not sad.
We talked about this before and he has told me I never have to do it of I don't want to, but I can tell bt his facial expressions and body language that he actually doesn't care. I say this as I've seen and noticed how, I mentioned to him how much I read into facial expression, yet since then, I have never seen him so persistent by showing me how sad he is that I don't want to give him pleasure. And the second i say, i’ll do it or start something, he would get so excited and happy. Or am i reading too much into it?
I love our deep conversations about life and how we love to watch and analyze movies that have deeper meanings, but I feel like he doesn't value some of my ideas or opinions, trying to correct me on a thought I had or out do me. Sometimes I feel like he tries to attack my intelligence due to how easy it is and how self conscious I am.
I grew up having an optimistic outlook on life, especially due to trying to keep my family happy and make the most out of the time I had with my dad due to his constant deployments throughout my childhood. There's no time to be sad, we need to cherish and make the most out of the time we have with each other. But since being with Him, I've felt a shadow of darkness on my outlook on life. He grww up with a pessimistic outlook, but he was so much happier when we started dating. When I try to lighten the mood, he somehow dampens the room, creating my tries of positivity into, what's the point of trying. I enjoy seeing the light at the end of the tunnel, I never planned on changing him, but why does he want to change me? I get so excited over the little things, I feel so overjoyed by things like seeing hummingbirds close up to literally anything, but I feel like he makes fun of me for it. I love giving people compliments, from their nails to their stripped pants. It gives me the biggest smile to see their face light up. But why do i feel like I can't be myself around Him? I feel like I'm too much and have to calm down so he doesn't judge me or look at me with a condescending look.
I understand that we need to feel sadness from time to time, but there's something about picking out the little things that gives me thr biggest smile.
I told him how I feel about how certain things make me feel. I'm a emotionally sensitive person and I will cry for making him feel bad. I've never been so anxious in my life, I know college took a lot out of me, but what made it harder was how controlled I felt by Him. I made no friends, I've always had trouble making friends but the people I would find similarities with were with men. Of course. I never had so many similarities with someone before and it was so nice to talk to someone I had stuff in common with. My bf and I don't have many things in common other than our perspectives of the future and our time spent together, but there are those little things like food and music or interests and hobbies.. im always open to His interests and would always show interest in what he likes, but I don't see him trying for me most of the time
But due to my past with guys, my bf doesn't like it when I talk to men, in general. I have never cheated on him and he always tells me I better not, even though I would NEVER CHEAT. I never approach men, or start conversations with them. But when I have to for class or work, I'm scared to tell him. I hate seeing him upset or angry. One time I had to be in a group with a guy, and he was literally me. I did not see ANY romance in our conversations, we were copies of each other from our interests to our childhood experiences. I was so nice to talk to him about our love of history, but I could never see me with him in any way more than that, copies. Does that make any sense? I meant to tell my bf about him but my fear his reaction stopped me. I know I should have, and my fear of conflict is no excuse for lying to him or not telling him about my group partner. My bf found out and he doesn't trust me. He randomly checks my phone and I feel like I deserve it, I do. I led myself here. I blocked the partner after the project was finished and I'm a terrible person for what I did to my Bf and the team member.
We started dating at the end of junior year and I was not planning on going to college with a bf. He followed me and hated the idea of long distance. My dream was to go to a college out of state and so that's what we did, together. I love him, he knows what makes me happy and we, almost, have the same humor. But I didn't imagine how stressful college was going to be with someone who never fully trusted you since the beginning. I don't know how to view this relationship.
This not at all me blaming him for anything. I've been thinking about how different I feel and have felt for years and I'm scared. I'm scared of change and disappointment. I have made my decisions and I have to live with them, I put myself in these situations and I tell myself I control my own life. I've been taking deeper dives in how I function and I'm scared im in a relationship that I won't be happy in. I say all of this but when I look into his eyes, all I see is my baby and his laughs brighten my days, but when I'm away from him, I feel like I can breathe unless some guy sits next to me in a class or talks to me at work. I love talking to people and with the place I work at, I feel alive around my coworkers. I have never felt a romantic interest in a guy but the second I mention him to my bf, he stares at me like I cheated on him.
I've been viewed attractive throughout these past few years, and I when I wear makeup he asks me why do I look this good and who are you trying to impress. No one, NO ONE I'm so TIRED of those words! I'm so sick of them because I do my makeup for my own pleasure, I love winged eyeliner and highlighter, I love how long my eyelashes get with mascara, but I will never wear makeup for the purpose to impress others, unless it's girls that wear winged liner too, I love talking to then about the brand they use and sharing tips and tricks. But we've discussed this so many times that it makes me sick. I understand but I don't understand why he keeps asking me this
We've talked about how he's been feeling more insecure lately due to his weight gain, but I ALWAYS give him reinsurance that I love him and will be by his side through this Rollercoaster we call living.
I'm all over the place. And my head hurts thinking about it all the time.
We don't live with each other but have planned to for years, and once I saved enough, we are, I'm excited and have wanted this for so long. But I like having my own space. I've always wanted my own place, my own kitchen, living room, just a place I control and manage with my things that make me feel brighter and optimistic, but I'm scared He's going to ruin it.
If anyone reads this, wow, I'm sorry. I've never told a soul this because I don't have money for a therapist (but I'll be getting insurance soon so I hope I can find one this year) and I need someone out there to just see and maybe comment on it. I'm so lost. Am I in love? I was, or was I ever in real love. I know I was and I'm. My feelings are so strong, I can't deal with them half of the time. I know I've made mistakes, trust me, I think about them too much to not feel ashamed all the time, but should I feel ashamed, I do. I've never cried so much I will say that. I'm sorry, I keep typing because I don't know what to do!
This was nice to get out. Thank you and goodnight

"I wanted to nab the thief while Exbo here wanted to get his buddy back. Although it was our first meeting, we fought together. That guy may have escaped, but we've decided to battle together from now on. Even if I meet new Pokemon along the way, I will still treat them the same way, because to me...Pokemon are my partners! We work alongside for the same goals, because...we are partners!"
Gold was raised around Pokemon, his home having so many it was known as the Poké House to those in the community. But after a chance encounter leads to his Pokemon being stolen and being the sole witness to a boy stealing Professor Elm's Totodile, Gold gives the police a false description of the thief before setting out with a Pokedex and a Cyndaquil to hunt him down himself. Along the way, Gold demonstrates a deceptive fighting style, often using his cue to send Pokeballs in strange directions and using other members of his team to hide the key play another Pokemon is performing, as well as an ability to nurture the full potential out of any Pokemon from as early as them being in an egg, earning him the moniker of 'the Hatcher'. With these skills, Gold would prove a key player as he faced off against the likes of a revived Team Rocket, a masked man seeking to rewrite time, and even Arceus themselves.
All feats are tagged with the chapter they appear in.

Gold

Physicals

Strength

• Shattered the Masked Man's mask with his cue¹⁷²
• With Silver, holds back a large metal boulder⁹⁸

Durability - Blunt Force

• Kicked in the face by Crystal⁴⁶⁰
• Struck in the back by Whitney's Miltank¹⁰⁵
• Kicked away by Sapphire while in a suit of armour³²⁸
• Hit back by the Masked Man¹⁷²
• Slammed into the ground by Ho-Oh¹⁶⁶
• Sent flying back from Arceus hitting the ground near them⁴⁵³
• Hit away by Arceus⁴⁵⁴
• Kicked by Arceus⁴⁵⁹

Durability - Other

• Thrown about by water as an island sized water construct strikes the Battle Tower³²⁹
• Sent flying into a distant wall by Guile³³⁴
• Bitten on the hand by Silver's Totodile⁹⁸
• Falls a distance onto a beach after his Mantine was struck out of the air by Lugia¹⁴⁸
• Struck by Masked Man's Deliberd's Icy Wind¹¹³
• Caught in Masked Man's Deliberd's Blizzard¹¹³
• Seemingly caught in Jirachi's Doom Desire³³⁴
• Seemingly knocked back by a beam from Arceus⁴⁵⁹

Speed

• Dodges an attack from a group of Bellsprout⁹⁷
• Dodges a beam from a Gyarados¹¹²
• Dodges a beam from Arceus⁴⁵³
• Dodges a spike trap suddenly appearing from a wall⁹⁸
• Saves a girl from an Ursaring strike¹⁰¹

Skill

Cue Shots - Regular

• Curves a Pokeball behind an opponent⁹³
• Hits Aipom's ball to the top of a tree, where they're then released⁹¹
• Hits a fleeing Pokemon with enough force to relocate its jaw¹⁰¹

Cue Shots - Ricochet

• While being swept away in a river in a storm, hits Exbo's ball so it rebounds off of two surfaces and gets him safely to shore⁹⁵
• Bounces a pokeball repeatedly between the walls, ceiling, and floor of a room with a single strike to make several Yanma dizzy¹⁵⁴
• Ricochets a Friend Ball repeatedly around two Pokemon before hitting a Heavy Ball at their two feet, sending both pokeballs to Gold's and Silver's hands respectively¹⁰¹

Other

• Throws his cue to block a pair of shutters from closing on Emerald³²⁸
• Drops a distance onto a board on a rough sea, maintaining balance for a short distance due to it being 'not so different' from skateboarding¹⁴⁶

Intelligence

Battles

• On numerous occasions has used a Pokemon as a distraction while a second Pokemon enacts his actual strategy in secret¹¹¹
• Returns Aibo before curving his ball around an opponent, allowing him to strike their behind⁹³
• Has the other Pokedex holders withdraw their Pokemon before having Aibo ride his skateboard with them at Guile Hideout, allowing all the Pokemon to be released directly on top of him³²⁹
• Throws Aibo in front of a charging Donphan before he uses his tail to pull himself to safety, in that brief moment successfully confusing the Pokemon and causing them to charge into a wall⁹⁶
• Goads a team of Bellsprout into stacking on top of each other, allowing Cyndaquil to take them all out at once⁹⁷
• Has a school of Remoraid attack Lugia's mouth, stopping the legendary from closing it and being able to use Aeroblast¹⁴⁸
• Calculates how long a Pokeball could endure a Dragonite's Hyper Beam, uses the fact that said Hyper Beam is not changing direction in midair to tell that its trainer isn't present to give it orders, and uses this to get the Dragonite to attack in a specific direction and allow Togbo to attack them from behind⁴⁴⁴

Deception

• Drops a straw doll from a tree as a decoy, allowing him to get behind the Masked Man to attack him¹⁰⁴
• Disappears in a smokescreen, intending to drive the Masked Man into pursuing him through a forest, while he had actually climbed a tree so he could climb back down when the coast was clear to save a trainer and his Pokemon¹⁰⁴

Other

• Modifies his skateboard with bike parts¹⁰⁵
• Hits Aipom's ball up a tree to release him before using a heavy pack as a counterweight to lift him up⁹¹
• Uses the fact Yanma have 360 degree vision in a plan to make them dizzy and have one drop a baby¹⁵⁴
• Has Aipom strike the centre of a stack of blocks, allowing the rest of his team to easily smash through the entire stack while they previously were only able to break through a few, winning him the round against a Machamp which could easily smash through stacks on his own⁴⁴³
• Memorizes all the obstacles on a course by going along it the wrong way on his skateboard, allowing him to guide his Togepi around it flawlessly when the Pokemon was blinded⁴⁴²
• Had the foresight to hold onto Emerald's broken mechanical hand, causing Archie to grab hold of it and allowing Gold to let him drop³³⁵

Gear

Pokedex

• His Pokedex shows a Pokemon's strength and attacks⁹⁵
• Identifies four Pokemon at once¹⁰³
• Identifies an attack as the Pokemon is lunging towards him¹⁰³
• Can perform trades with other Pokedex owners¹⁰⁹
• Is capable of tracking the energy of a specific Pokemon the owner has made contact with¹⁴⁹
  • Can't do this if the Pokemon's been caught by someone else⁴⁹
• When three Pokedexes in possession of their true owners are close to each other, all of them make a noise¹⁴⁶

Pokeballs

• Pokemon are held in pokeballs, which have a translucent top which Gold can see Pokemon through⁹³
• They and their Pokemon can return to Gold's hand as he wishes⁹³
• Protect Pokemon from attacks, though they can be destroyed⁴⁴⁴
• Pokemon can move their balls from the inside¹⁰⁷

Cue

• A cue, which he uses to perform trick shots with his pokeballs⁹³
• Clashes with Guile Hideout's sword³²⁹
• Used to quickly change his direction on a skateboard⁹⁶
• Throws it to stop metal shutters from closing on Emerald³²⁸
• Is collapsible³²⁸
• Holds it in his clothes, not his bag¹⁴⁵

Other

• His pokegear allows him to make and take calls⁹⁵
• A pair of goggles, used to protect him from the likes of Exbo's Smokescreen⁹⁸
  • Protect him from Sunbo's Flash¹⁰⁰
• Carries rope to climb up a pagoda⁹⁷
• Uses a skateboard to get around⁹⁵

Other

• Is given the title of 'The Hatcher' by Professor Oak, with him causing a Pichu egg to hatch the instant he touched it¹⁷⁸
  • This ability was developed due to him having lived with Pokemon he considered his family all his life, and allows him to draw out the full potential of a Pokemon¹⁸⁰
  • A Pokemon will have its personality influenced by the emotions felt by Gold as they hatch¹⁷⁹
• Guides his team into winning the Skill, Jump, Stamina, Speed, and Power Pokeathlon courses^442-443
• Despite all his skill, still cheats at pool at a games corner¹⁰⁷

Aibo the Ambipom

As An Aipom

Physicals

• Breaks a block with his tail⁴⁴³
  • When deliberately placing cracks on the centre of the top tile, Aibo could smash through ten plates at once⁴⁴³
• Holds up Gold while clutching a branch with his tail⁹¹
• Lifts up and throws an enormous Snowball⁴⁴²
• Thrown about by water as an island sized water construct strikes the Battle Tower³²⁹
• Struck away by a Donphan's Horn Attack⁹⁶
• Catches a nearby Sunkern in his tail so that Gold can catch them⁹⁹
• Reacts fast enough to catch Gold after the floor's broken beneath them⁹⁷
• Rapidly spins Gold's cue with his tail to enhance Exbo's fire³²⁸

Moves

• Scratch - Aibo repeatedly scratches a foe⁹¹
• Swagger - Confuses a Hoothoot, causing it to attack its trainer instead of falsely calling out that a timer's up⁹²
  • Is briefly in front of a charging Donphan before getting pulled away, with the Donphan getting confused and crashing into a wall⁹⁶
• Double Team - Creates an illusionary duplicate, allowing him to dodge an attack¹¹³
• Agility - Greatly increases Aibo's speed¹⁷²
• Baton Pass - Passes stat increases, such as that gained through Agility, to another of Gold's Pokemon¹⁷²
• Double Hit - Allows him to attack opponents on opposite sides of him at the same time with his tail, and immediately causes him to evolve⁴⁴⁸

Other

• Hears the sound of Unown through a wall in some ruins¹⁰⁰
• Has the ability Run Away⁴⁴²

As An Ambipom

Physicals

• Sent flying back from Arceus hitting the ground near them⁴⁵³
• Poked back by Arceus⁴⁵¹
• Hit by a beam from Arceus⁴⁵⁹

Moves

• Double Hit - Strikes a foe with his tails⁴⁵¹

Other

• Is level 83 and has the Technician ability⁴⁵⁶

Exbo the Typhlosion

As A Cyndaquil

Physicals

• Breaks through a wooden floor⁹⁷
• Gets bitten and scratched by Silver's Totodile⁹⁸
• Intercepts an attack which is about to hit Gold¹⁰³

Moves

• Ember - Shoots a tall pillar of fire from his back, burning Silver's hand while he's hanging on to a tall branch⁹⁴
  • Knocks out a tower of Bellsprout at once⁹⁷
  • Hits back a Primape while boosted by Sunbo's Sunny Day¹⁰⁸
  • Rapidly heats a large metal boulder, allowing Totodile to cool and shatter it with Water Gun⁹⁸
  • Creates a ring of fire around Silver to stop him from escaping⁹⁴
  • Breaks through a wall in a ruin¹⁰⁰
• Tackle - Exbo charges into an opponent⁹⁸
• Smokescreen - Covers an area in obscuring smoke⁹⁸

Other

• Used to cook food for Gold, though he increases the heat and quickly burns it¹⁰⁰
• Can't emit fire while bound up¹⁰⁰

As A Quilava

Physicals

• Alongside Silver's Croconaw and Crystal's Bayleef, stops Lugia's wing from crushing their trainers and hold it up before evolving¹⁴⁸
• Struck by Silver's Croconaw's Water Gun¹¹¹

Moves

• Ember - Works alongside Silver's Croconaw and Crystal's Bayleef to slightly deflect Lugia's Aeroblast¹⁴⁷
• Double Team - Creates an illusory duplicate, making Croconaw bite down on nothing¹¹¹
• Flame Wheel - Creates a wheel of fire around him, catching several Pokemon¹¹⁴

As A Typhlosion

Physicals

• Breaks three blocks with a punch⁴⁴³
  • When Aibo deliberately placed cracks on the centre of the top tile, Exbo could smash through ten plates at once⁴⁴³
• Alongside Silver's Croconaw and Crystal's Bayleef, continues to hold up Lugia's wing to stop it from crushing their trainers¹⁴⁸
• Thrown about by water as an island sized water construct strikes the Battle Tower³²⁹
• Sent flying back from Arceus hitting the ground near them⁴⁵³
• Hit by a beam from Arceus⁴⁵⁹

Moves

• Blast Burn - A stream of fire which, alongside eleven other Pokemon, destroys an island-sized water construct^335-336
  • Seems to knock back Arceus' head⁴⁴²
• With an unnamed fire attack enhanced by Aibo rapidly spinning Gold's cue, creates a powerful blast of fire which knocks back Guile Hideout³²⁸

Other

• Is level 84 with the ability Blaze⁴⁵⁶

Sunbo the Sunflora

As A Sunkern

Physicals

• Bounces extremely high, bringing Exbo's Pokeball up close to a flying Skarmory⁹⁹

Moves

• Flash - Emits a bright light which blinds several Team Rocket grunts and their Pokemon¹⁰⁰
• Growth - Presumably increases Sunbo's strength, though its effect has not been clearly shown¹⁰³
• Mega Drain - Presumably absorbs energy from an opponent, but it's not seen in use¹⁰⁴
• Sunny Day - Increases the power of nearby fire-type moves¹⁰⁸
• Giga Drain - Absorbs the energy of a Magcargo and a Sloking alongside Crystal's Parasect¹⁶⁴

As A Sunflora

Physicals

• Sent flying back from Arceus hitting the ground near them⁴⁵³
• Hit by a beam from Arceus⁴⁵⁹

Moves

• Sunny Day - Increases the strength of Exbo's fire attacks¹⁷²
• Solar Beam - Used off-screen⁴⁵⁹

Other

• Is level 75 with the ability Chlorophyll⁴⁵⁶

Polibo the Politoed

As A Poliwag

Moves

• Water Gun - Sends a Donphan flying back with a stream of water¹⁰⁸

Other

• Draws water from underground while using water type moves¹⁰⁹

As A Politoed

Physicals

• Breaks a block with a punch⁴⁴³
  • When Aibo deliberately placed cracks on the centre of the top tile, Polibo could smash through ten plates at once⁴⁴³
• Alongside Red's Poliwrath, breaks apart Archie's armour³³⁵
• Struck with Guile's knee³³⁵
• Sent flying back from Arceus hitting the ground near them⁴⁵³
• Hit by a beam from Arceus⁴⁵⁹
• Struck by Masked Man's Deliberd's Icy Wind¹¹³
• Caught in Masked Man's Deliberd's Blizzard¹¹³
• Dodges a beam from a Gyarados¹¹²
• Dodges a beam from Arceus⁴⁵³

Moves

• Water Gun - Harms Tyranitar with a stream of water, possibly shooting three streams at once though this could simply be representing how fast Silver's Murkrow is moving to block it¹¹¹
• Whirlpool - Creates a whirlpool at the Lake of Rage to stun a Gyarados¹¹²
  • Uses the destroyed rubble left behind by a giant Piloswine to defeat it, with Silver reasoning that it can do so because the Piloswine's earthquake shockwaves made the solids act like liquids¹¹⁰
• Double Slap - Repeatedly hits an opponent¹¹²
• Dynamic Punch - Polibo lunges forwards with a powerful punch¹¹³
• Hypnosis - Puts a crowd of Pokemon to sleep at once¹⁶⁶
• Perish Song - Instantly knocks out Masked Man's Delibird, but also knocks out Polibo himself¹⁷²
• Bounce - Used off-screen⁴⁵⁹

Other

• Is level 80 with the ability Water Absorb⁴⁵⁶

Sudobo the Sudowoodo

Physicals

• Lifts up a large piece of rubble¹⁶⁶
• No-sells Whitney's Miltank's Tackle and Exbo's Ember¹⁰⁵
• Sent flying back from Arceus hitting the ground near them⁴⁵³
• Hit by Silver's Ursaring's Fury Swipes¹¹¹
• Bitten by Ho-Oh¹⁶⁶
• Hit by a beam from Arceus⁴⁵⁹

Moves

• Focus Punch - Strikes a Rhydon, knocking it out¹⁰⁶
• Low Kick - He extends his leg forwards at crazy angles, tripping up an opponent¹¹¹
  • Seemingly used fast enough to create afterimages⁴⁵⁵
• Dynamic Punch - Lunges forwards with a powerful strike which breaks stone¹¹¹
• Mimic - Sudobo uses the move his opponent's most recently used, allowing him to trade Fury Swipe blows with Silver's Ursaring¹¹¹
• Mud Slap - Throws up mud in a failed attempt to hold off Ho-Oh¹⁶⁶
• Flail - After being bitten by Ho-Oh, sends the legendary flying away¹⁶⁶
• Rock Tomb - Used off-screen⁴⁵⁹

Other

• Is level 78 with the ability Sturdy⁴⁵⁶
• Is capable of growing to create a highly convincing tree disguise, shrinking when revealing himself¹⁰⁶
  • Tricks a Gligar into landing on him like this in order to catch it¹⁰⁷

Togebo the Togekiss

As A Togepi

Physicals

• Immediately after hatching knocks Gligar back a short distance before getting hit away¹⁰⁷
• Seemingly endures part of a Dragonite's Hyper Beam after the Pokeball took the brunt of the attack (with said beam being able to destroy stone), then takes out the Dragonite with an attack to the back of the head⁴⁴⁴
• Struck away by a Dotrio⁴⁴²
• Sent flying back from Arceus hitting the ground near them⁴⁵³
• Struck away by Arceus before being hit point-blank by a beam⁴⁵⁹
• Hit by a beam from Arceus⁴⁵⁹

Moves

• Metronome - Uses a random move, in its debut appearance hitting a Gligar with a beam strong enough to knock them out¹⁰⁷
• Double Edge - Pierces into a Tyranitar's foot, taking it down¹¹¹

Other

• Is level 81 with the ability Hustle⁴⁵⁶
• Runs at full pelt around an obstacle course, following Gold's commands to dodge obstacles⁴⁴²
• Is a delinquent from birth due to Gold taking them to Game Corners while they were still an egg¹⁰⁷

As a Togekiss

Physicals

• Flies carrying Gold⁴⁶⁰

Moves

• Double Edge - Charges into Arceus, staggering them⁴⁵⁹

Tibo the Mantine and 20 Remoraid

Moves

• Water Gun - The Remoraid all blast Lugia with streams of water, forcing its mouth to stay open¹⁴⁸

Other

• Flies through the air with Gold hanging on with his cue¹⁴⁷

Pibu the Pichu

Moves

• Enhanced by Raikou's power, releases a powerful electric blast dubbed Super Rising Thunder to attack Pryce¹⁸⁰

Just venting here, don’t mind little ol’ me.
I’m trying SO HARD to be positive and look on the bright side of things. But I’ve come to realise it’s not MY reaction to things that makes things positive or negative.
I’m at an event with the older kid. Won’t be done until 10pm.
Before I left I ordered Doordash for husband and Youngest, because god forbid my husband have to throw some nuggets in the oven all by himself. He’s been sick and needs to recover! He needs to sit his arse on the couch and scroll Facebook! Duh!
Husband had a swollen chin (he scratched it in his sleep). I’m at kids event and he sends me photos. I text back saying it’s gotten worse. Then I ask how Youngest is.
Husband texts asking why I’m not asking about his chin.
I known where this is heading and call him and jokingly say “What are you complaining about now?”
But he had the phone on speaker and yelled that I’m a bad parent because Youngest heard me say that. Then he hung up.
He’s now refusing to speak to me.
Am I going FUCKING insane???
Is a GROWN MAN really upset and refusing to talk to me over this?
It’s okay, I know it’s not just about ‘this’. He’s in a shitty mood anyway and is taking it out on me. And now he will proceed to ignore me for a few days and then I will get a talk about hurting his feelings and asking me if I truely love him. Not as much as you love yourself, my dude.
This man would be HELL to co-parent with. Pure hell. And he would be pure hell for the kids. Especially my sweet, gentle Youngest. At least now with me around, the guy is so self-involved he has minimal interactions with the kids. Yesterday he was ‘so ill’ he went from work to bed and didnt even say hi to the kids. Didn’t even ask after them.
I’m already kicking myself for not bringing Youngest with me. Sure, he might be bored spending four hours in the car, but it’s better then being stuck with a Man-Baby who has already put himself to bed and is making Youngest watch Netflix on the phone next to him, even though he was happily playing Legos.
I’m trying SO hard to Grey Rock. But it’s so fucking hard to watch everything I say.
Screaming into the Void. Or the Vacuum.

Hello!

I'm looking for someone i can vibe with, someone who's light-hearted, goofy, chill, non-toxic and just nice. That can balance me out. Someone who likes horror movies, shitty 80s and 90s B-movies, FMV games, horror stuff in general. Who might be open to join me and a friend in 7DTD and Valheim, and maybe other games too.
I'm a very down to earth, regularish person who lives in western Sweden in a tiny apartment so i'm basically melting away the whole summer. I spend most of my time with watching movies, mainly horror but also a lot of other stuff, heh. But i'm always down for horror stuff! I don't play a lot, since i don't really enjoy gaming solo anymore. But, i wanna play games, so play stuff with me? Games like ----

• Apex Legends
• FortniteZB
• Stardew Valley
• Warframe (maybe)
• Project Zomboid (newish)
• GTA V Online (new)
• Terraria (kinda newish)
• Destiny 2 (maybe)
• Raft
• Deep Rock Galactic

This is just what i can think about right now! And that's about it in general i think? TZ don't really matter because my sleep scheduele is all over the place.
Take care!

Hey there! M22 here, straddling the border between SC and GA, but I'm open to connecting from anywhere. I'm all about Anime, Gaming, Cooking (Comfort Food fs), and diving into creative projects. When I'm not hitting the gym, you'll find me headbanging to Metal or exploring various music genres (though Rock, Metal and various Anime OP/EDs and Gaming OSTs are in my top picks as well as some mash ups too).
Currently pursuing a Cyber Security degree, and yeah, I still built my Gaming PC yet (Embarrassing I know). Work/School balance is tough, but genuine connections are worth it. Not shy about NSFW topics, but lets feel out the vibes first.
If you're into nerding out over gaming or anime, let's chat! I play on PS5, Xbox, Switch, and Steam Deck – let's kick back, nerd out, and grind it out together! (No, not that kind of grind, XD)
Scroll down for my gaming and anime list!"
[ W A R N I N G ]
It's a long ass list for both
List of Game's I've Played This is a roughly compiled list of everything
Destiny ( 1 and 2 ) Warframe Tom Clancy's Rainbow 6 Siege Overwatch 2 Call of Duty (any of them doesn't matter which) Halo (Only MCC or Infinite) Minecraft Diablo IV Tekken 8 MK 11 Guilty Gear Strive Smite Predecessor Back 4 Blood Sker Ritual Bethesda Games (Elder Scrolls Fallout) (Played most but not beaten all) Yakuza Series (I've played them all except I need to finish Infinite Wealth still) Sonic Games (Played all but not beaten all) Legend of Zelda Games (Played most but not beaten all) Mario Games (Beaten most but not all) Kirby Games (Played most but not beaten all) F-Zero GX Resident Evil Series (Played but not beaten all of them) Borderlands (Prequel 2 and 3 and Wonderlands need to play 1) Transformers Devastation Transformers War For Cybertron games Sly Cooper Series (Played but not beaten all of them) Uncharted Series (Played but not beaten all of them) Star Wars Games (From Dark Forces to Jedi Survivor) Ratchet and Clank Series (Beaten most of them) DBZ Fighterz Dragon Ball Xenoverse 2 Naruto to Boruto Shinobi Strikers Pokemon (Only a few games Red Gold Emerald Y Sword and Scarlet) Xenoblade Chronicles Series (All beaten still working on Future Redeemed) Metal Gear Solid Series (Beaten 3 and 5 I know the lore of the others and played 2)
List of Anime I've finished and seen This is a roughly compiled list of everything
One Piece (Caught up) Dragon Ball Z Blue Exorcist Full Metal Alchemist Brotherhood Rising of the Shield Hero Mushoku Jobless Reincarnation Sword Art Online (Pretty much the whole thing) Gundam Iron Blooded Orphans Gundam 1, 2, 3 the original stuff and movies Mob Psycho 100 Black Clover Bleach Naruto and Shippuden Boruto (Not caught up) That Time I got reincarnated as a Slime Danmachi Jujutsu Kaisen (0,1, and 2) Yu Yu Hakusho Hunter X Hunter My Hero Academia Nichijou Keep your hands of the eizouoken High School DxD Chunibyou Attack on Titan JJBA (Up to Stone Ocean) Kill La Kill Gurren Lagen Darling in the Franx Death Note Radiant Goblin Slayer Space Dandy Dorohedoro Durarara One Punch Man Beastars Rust Eater Dr. Stone F-Zero GP Legend"