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Girls You Know in Real Life
2015.06.15 20:23 swoopdoop Girls You Know in Real Life
Welcome to IRLgirls (In Real Life girls), a subreddit that celebrates the girl next door rather than the famous celebrity or influencer that you follow. Here you will see girls or women who appeal to traditional gender norms with the allure of purity, simplicity, and charm with natural, modest, and effortless beauty. Enjoy the community while keeping up with the rules and announcements. Note: We are not affiliated with anything outside of this subreddit, whether it is on Reddit or outside of it.
2013.05.28 05:45 danrennt98 Games or posts that would usually get removed from AskReddit
AskReddit has a lot of fun posts that get removed due to its rules. Let's have an AskReddit that's a little more fun and a little less serious.
2021.01.11 04:33 CronoDroid Girls Planet 999
A subreddit for Mnet's new survival show Girls Planet 999!
2024.05.10 20:05 shaneka69 Numerology Of Hailey Bieber
Hailey Bieber Numerology Reading
Before becoming the wife of Justin Bieber, she went by the name of Hailey Rhode Baldwin. Firstly, her first name being her main name and being Hailey, let's see what that usually indicates on a general level.Being someone who holds the first name, Hailey means that you appear either quiet, mature, or shy amongst others. You likely have an impression that can strike others as strong, serious, mean, or relaxed, depending on other factors. The name Hailey holds no double numbers, so it is a good balance of energies, but there are still general lessons people with the name Hailey has. This name holds the energy of 8,1,9,3,5,and 7. The numbers we don't see is 2,4 and 6. This could be why people with the name Hailey may not seem easily approachable by many people, but certain people may be drawn to this energy and won't notice anything off balance. Hailey names give people naturally embedded strength and some form of power, even if it is subtle. They may not always have a simple love life because with 2, 4, and 6 missing, these women/females can struggle sometimes with commitment or close intimacy and could have been too independent or avoidant at one point when someone was trying to love them. The name Hailey makes someone complex because on one hand, they a serious regarding their disposition(8) because they want to appear structured and well received by the public (1) or it makes them feel good to be well put together. They are naturally independent which could sometimes come off as distant(9), but they just want to explore and learn continuously(3). These are not initially people who place importance of romance.
Even if she is into relationships, she would likely not trust easily because of her name ending with the energy of 7 from Y which equals 25 before it is reduced to seven. This can make her a little cautious or strategic with her approach to any type of connections in her life because she want to make sure she can trust these people before she fully opens up.
Now as we look into her being Hailey Rhode Baldwin, this give her a lot of 5 energy. She has a few repeating numbers in her full name which are 8 twice which is good because she isn't overbearing, bossy, or mean, but she has tenacity and ambition most likely. Her capability of dedicating herself could be very strong. She can be obsessive, but it won't be too intense with the 2 8's balancing each other out. In other cases, this could cause her to overthink sometimes or have trust issues.
1 twice as well which emphasizes her not being a bratty type of woman because 1 and 8 can give someone a mean complex if there is enough of it. 1 is about being bold and taking the initiative.
9 three times in Hailey Rhode Baldwin's name which gives her emphasized 9 energy which is about power, authority, popularity, maturity, and travel. One thing she will likely always make time for is travel and learning. Could be into cultural knowledge as well.
Skipping to the fact that she has four 5's in her name, this is the energy emphasized the most. This equals 20 and then 2 making her appear soft, calm, loving, or sensitive. She could be very emotional with this energy and most likely have to perfect her emotional well-being.
Being HAILEY RHODE BALDWIN gives her the Destiny #4, soul urge #9, and Personality #4
Destiny #4 is the same as Halle Bailey. Destiny 4 people are private, especially about things they value and things they see as important and dear to them. It's serious. These types of people are naturally capable of withstanding or handling responsibility. They are evolving into mastering a life that is in order. Don't force these types of people out of their shell if they are not ready. Once these Destiny 4 types feel safe around you, their personality expands and show clearer.
As a soul urge 9, Hailey Bieber is a natural at quick learning and experience. She may be someone who could see something once and would know the ins and outs after that first time learning or practicing. 9 is mastery and wisdom.
As a personality #4, this makes Hailey a cautious person. She will not do or say anything if she isn't feeling comfortable to do so. She takes calculated steps and won't do anything she considers risky or stupid. She has to warm up to environments before she allows herself to be part of the festivities. Likely not too big on parties as an importance.
April and May of 2024 were very romantic times for Hailey Bieber which makes sense that she is now pregnant with Justin Bieber's baby.
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2024.05.03 23:42 DemandNew762 Yin/yang balance in TRs
I noticed that sometimes shorter TRs have sharper features than taller TRs. Can the slight yang in moderate TRs come from being taller? I know the book says it’s in the shoulders and facial features but I find it hard to see any sharpness in Selena Gomez yet she is also obviously taller (not above the height limit just on the tall end) than most of the TRs. Does her slight yang come from just being taller (compared to other TRs) and narrow? On the other hand Jada Pinkett Smith is very short but has noticeably sharper features. would it make sense to say that the yin yang balance would be the same in both and just distributed differently? obviously essence plays a role in yin yang balance too but this is just something I have been thinking about and wondering if I was on the right track?
edited to clarify i meant on the tall end for TRs, and not taller then the height limit
I understand all TRs are narrow and small, I am just questioning how/if height factors into a moderate TRs yin/yang balance
also this is not a post about Selena Gomez even though I used her as an example for her height. I was never debating her not being a TR and I was not saying she didn’t have any yang
submitted by DemandNew762 to Kibbe [link] [comments]
edited to clarify i meant on the tall end for TRs, and not taller then the height limit
I understand all TRs are narrow and small, I am just questioning how/if height factors into a moderate TRs yin/yang balance
also this is not a post about Selena Gomez even though I used her as an example for her height. I was never debating her not being a TR and I was not saying she didn’t have any yang
2024.05.02 23:05 ilovedrpepper444 Taylor + Matty timeline
taken from this tumblr post; https://spicysighs.tumblr.com/post/718136492512493568/matty-healy-taylor-swift-timeline
Matty Healy + Taylor Swift Timeline 11/7/13: Matty talking about Taylor liking the band and being asked to tour with her.
1/21/14: Matty talking about Taylor liking the band. xx
3/31/14: Matty talks about being asked to tour with Taylor and turning it down. "That was cool. It’s like, ‘We can’t, but that is really nice, thank you very much.”
11/4/14: Matty is pictured wearing a deluxe 1989 album cover tee at his concert in Milwaukee.
11/8/14: Taylor reblogs the picture on tumblr and says they are her favorite band.
11/9/14: Taylor likes these two pictures of Matty wearing the 1989 t-shirt.
11/9/14: Taylor liked this gif-set of Matty talking about whether he’s a dog or cat person.
11/19/14: Selena Gomez, Taylor and other friends went to The 1975 show in LA. Video of them singing along to ‘The City.’
11/19/14: Taylor & Matty making a video for a fan. (Jamie’s daughter Kitty)
11/22/14: Matty follows Taylor on Twitter.
11/23/14: Taylor was pictured wearing a The 1975 band shirt.
11/23/14: Taylor likes these two posts of them wearing each others merch.
11/24/14: Matty dedicates ‘Robbers’ to Taylor. Supposedly he’s done this multiple times. xx
11/25/14: Taylor likes these Tumblr posts. And this picture of Matty.
11/26/14: Taylor likes this Tumblr post.
11/26/14: Matty likes Taylor’s post on Instagram.
11/26/14: Matty wearing the 1989 t-shirt again.
11/26/14: Matty talking about meeting Taylor “I met Taylor Swift, that was really nice.” and when asked about possibly dating “I mean bloody hell, what am I going to do? Go out with Taylor Swift? She’s a sensation, I wouldn’t say no.”
11/28/14: Taylor is rumored to have attended The 1975 show in Chattanooga, TN.
11/29/14: Taylor likes this Tumblr post.
11/29/14: Matty signed this Polaroid for a fan, and the fan talking about the interaction.
11/29/14: Matty says he can’t kiss a fan because he’s taken.
12/2/14: Matty’s mom retweets this.
12/2/14: Matty likes Taylor’s Instagram post.
12/3/14: Matty about Taylor “Well, she’s amazing. She’s an amazing role model. And not only is she an incredible songwriter, she’s an incredible pop songwriter, which I think is even harder. I can’t speak highly enough about Taylor Swift.”
12/4/14: Taylor, Martha, Karlie and others went to The 1975 show in NYC. Where Matty dedicated ‘fallingforyou’ to her. Rumored that Matty missed the after-party and spent the night with Taylor. xx
12/5/14: Taylor likes this Tumblr post about Matty singing ‘fallingforyou’ to her.
12/5/14: Matty’s tweet in response to articles about him and Taylor getting his name wrong.
12/6/14: Matty has a breakdown on stage in Boston, MA. In 2015 talking about the incident he says “There was girl stuff. There was family stuff. There was financial stuff. There was drug stuff.”
12/6/14: Matty talking about a fan saying “I love you” to him. “What did I say to the poor fucking girl? ‘You don’t have the right to love me. You don’t know me. I love you but you don’t get to love me.’ Jesus. Can you imagine your favorite band shouting that at you? What a dickhead. What a horrible thing to say to a kid who fucking does love me.”
12/9/14: Matty at a show in NY “I was sad the other day as someone told me they loved me. And I said ‘No, you don’t. Not really.’ And today I told someone I loved them. And they said ‘No, you don’t.’ And it fucking sucks to hear that. Especially when you mean it. Don’t do that to someone. Don’t do what I did.”
12/14/14: Matty posts this on Instagram.
12/30/14: Matty deletes this Instagram post.
1/16/15: Matty denies dating rumors. Admits they exchanged numbers but “That didn’t really happen as much as it’d be amazing for me if it did, unfortunately it didn’t.”
2/25/15: They hangout at the BRIT Awards afterparty. (This weekend is when she met Calvin and they started dating)
2015: Matty & Halsey date and breakup.
11/15/15: Matty talks about Taylor in an interview “The things that surround her are like Barack Obama. I fell for her a little bit, but everyone falls for Taylor Swift” “The day after she’d been to a show of ours, someone sent me a screenshot of E! News with the headline ‘Who is Matt Healy?’ That freaked me out. I’m not ready to indulge in that world and I’m not ready to be judged by that world.”
12/8/15: Matty talks about reaching out to Taylor to have her in his music video.
Sometime in 2015: Matty & Gabriella Brooks start dating.
2/1/16: Matty talking about Taylor “She was a fan of the band and we just became friends, and we related to each other over how mental our lives were. But when you’re with people like Taylor, there are a million people flying around you the whole time, and this security guard is talking to that guy, and this guy is the new manager. I didn’t like the pace of it, because it makes me confused and I feel like I’m going to miss something. And being perceptive is one of the abilities that I like to think that I have.“
3/17/16: Matt Healy has suggested that dating Taylor Swift would have been “emasculating” for him because of her huge global fame.
3/18/16: Journalist who interviewed him writes an op-ed saying his words were misconstrued and “I saw an intelligent and liberal man wrestling with our culture’s gender roles.”
3/19/16: He apologizes for said comments and calls Taylor “One of the most gracious, hard working, creatively gifted, and beautiful women that I have had the pleasure to meet.”
6/1/16: Taylor & Calvin Harris breakup.
6/15/16: Taylor starts dating Tom Hiddleston.
8/17/16: Matty says he has Taylor’s number but “she’s probably changed her number by now.” And jokes “I keep texting her.”
8/30/16: Matty talks about Taylor on the BBCR1’s Breakfast Show. They joke about Taylor doing jury duty.
9/6/16: Taylor & Tom Hiddleston breakup.
October 2016: Taylor & Joe Alwyn start dating.
10/27/16: Matty about Taylor in Rolling Stone “She came to our show, and you would have thought that Barack Obama had come out. I don’t know another person on the planet that would elicit that kind of reaction.”
11/11/16: Matty again denies he dated Taylor and says “She came to a show and we hung out. We fancied each other, but then we couldn’t have it go any further, because it would be like going out with Barack Obama.”
11/20/17: Podcast talking about Taylor & Matty.
12/3/18: Matty talking about his journal “It’s mainly stories that I write about my dreams of being in love with other popstars.”
12/4/18: Matty retweets a picture of Taylor.
8/28/19: Matty & Gabriella Brooks breakup.
9/23/19: Mentions wanting to produce an album for Taylor in an interview (at 13:48 & 32:00) “Taylor, if you ever want someone to help you set up the mics for your little acoustic record, just so you know, I’m there.”
9/23/19: Matty retweets and tags Taylor in a post quoting him saying he wants to produce an album for Taylor.
9/24/19: Matty tweets “Taylor Swift. With an acoustic guitar. Doing her ‘Nebraska’. Doing her ‘Blue’. Kill me.”
January 2020: Matty & FKA Twigs start dating.
2/12/20: Both attend the NME awards and hug. Beabadoobee (who Taylor is talking to in the video) about meeting Taylor that day “Taylor’s so ethereal, So badass, I was like ‘Holy shit!’ She was walking towards me and I’m like, ‘She’s going to Matty [The 1975] not me.’ And then she comes up to me and I’m like… I vomited in my mouth. I couldn’t believe it.”
2/20/20: Matty mentions seeing Taylor and wanting to work with her in an interview with Zane Lowe. “She was just stood behind me. I mean, I haven’t seen Taylor in years so it was actually a really nice room. But it, unfortunately, wasn’t the time for me to pitch my post-rock Joni Mitchell project.”
10/22/20: Deuxmoi posts these.
2021: Matty starts working with Jack Antonoff on The 1975′s upcoming album.
November 2021: Taylor and Jack Antonoff start working on “Midnights.”
6/7/22: Matty & FKA Twigs breakup.
8/9/22: Matty Healy shares Taylor Swift’s reaction to The 1975’s new album, with her saying “it’s so funny.”
9/3/22: Matty says there will be no collab on Midnights. “I would love that! But unfortunately FAKE NEWS :(”
10/7/22: Matty tweets “You guys actually thought Taylor Swift was gonna have me on her album”
10/11/22: Matty on working with Taylor “Oh we’re not. We’d love to. Love to work with Taylor Swift. Love Taylor Swift, think she’s one of the best songwriters, but yeah, no we haven’t done that. We’d love to though.”
10/11/22: The 1975 discuss covering ‘Lover’ for the BBC live lounge.
10/12/22: Matty briefly mentions Taylor in a Zane Lowe interview (45:53).
10/18/22: Matty briefly mentions Taylor in a podcast (1:22:40) when talking about who they would like to see on the podcast. Interestingly enough her name seems to be cut from the video version of the podcast.
10/23/22: Matty posted on his Instagram to stream Midnights.
10/26/22: Matty posted he was listening to ‘Hey Stephen TV’ on his Instagram story
11/27/22: Matty said he worked on Midnights with Taylor but their versions didn’t make the cut (4:52). “We actually worked a bit on that, but then the version of it never came out.” “It was for reasons not to be criticized.”
12/21/22: Matty said ‘Chocolate‘ reminds him of Taylor “Tumblr, Doc Martens, Taylor Swift, the 1975”
‘Question…?’ Played in The 1975 pre-show playlist. (Don’t have dates because it happened multiple times)
1/12/23: Matty & Taylor before The 1975 show.
1/12/23: Taylor does a surprise performance at The 1975 show in London. Deuxmoi later claims they stayed up until 4 am talking (later confirmed in his profile with The New Yorker.)
1/12/23: Matty “I’m not kissing anybody in front of Taylor Swift, have some respect. in front of the queen? not happening“
2/2/23: Matty briefly mentions Taylor and the Ticketmaster situation (38:06)
February: Allegedly spent several days at a Los Angeles recording studio together.
3/15/23: Matty seen with Ana Salazar.
3/17/23: First show of The Eras Tour
3/22/23: Puff-piece comes out stating Joe and Taylor are ‘great together’ and ‘super supportive of her career’ and will be travelling to her ‘when he can’.
‘About You’ plays at the same time as the Lover MV has been playing on The Eras Tour pre-show playlist. (Don’t have dates because it happened multiple times)
3/29/23: Matty’s ex says “Things were going well until around March 29th then, out of the blue, he stopped replying to my messages and calls.”
3/31/23: Taylor changes The Eras Tour setlist from ‘Invisible String’ to ‘The 1’
4/7/23: Matty follows Taylor on Instagram.
4/7/23: Matty likes Taylor’s Instagram post.
4/8/23: Matty’s birthday.
4/8/23: It’s announced Taylor and Joe have broken up.
4/8/23: Matty talking about love and how happy he is.
4/10/23: Matty deactivates his social media accounts.
4/10/23: Matty on why he deactivated “Everything happens in eras. The 1975 is a very eras band. And I think that the era of me being a fucking asshole is gonna come to an end.” and “I perform all the time and it’s my job and I love doing this, but I can’t perform off the stage any more as I just want to be a bloke.”
4/10/23: Matty says “Hey, I love you.” during ‘About You’.
4/10/23: Matty mouths “You know who you are.” and points during ‘About You’.
4/11/23: Matty “A call for something sincere and direct. That’s what we’re all looking for. That’s what I’m looking for. Maybe I’ve found it.. I’m feeling quite happy.”
4/13/23: Deuxmoi says she got a tip that Matty & Taylor are dating. (19:16)
4/14/23: Matty cheering during ‘Me & You Together.’
4/14/23: Matty “Romance is nice when it works, this next song worked.” ‘fallingforyou’ starts playing “Oh it’s a different song, this song did not work.”
4/14/23: Before ‘About You’ “Ok, this is the one that worked.”
4/14/23: Matty mouthing “I love you” during ‘About You’ and saying “Fuck yeah, I win!” after it ends.
4/16/23: Matty’s “Yeah you will!” during ‘Happiness’ after the line, “I’m never gonna love again.”
4/19/23: Matty says “It takes bit to get here but its worth it” and “true story” before playing ‘Me & You Together.’
4/21/23: Matty plays a cover of ‘The Best of Me’ by The Starting Line. Take note of the lyrics.
4/24/23: Matty spoke about how he sees people listening to ‘She’s American’ in three places: Manchester, Tokyo and Pennsylvania “that’s a whole other thing don’t worry about that.”
5/3/23: The Sun reports Matty and Taylor are dating and will go public with their romance at her shows in Nashville.
5/3/23: Matty introducing ‘Me and You Together song’, saying “I’ve got something real to tell you guys!”
5/3/23: Matty mouths “This is about you, you know who you are. I love you.” while playing ‘About You.’
5/3/23: Matty does a cover of ‘The Best of Me’ by The Starting Line again.
5/4/23: Matty introducing ‘Me and You Together song’, saying “So I’ve been trying to tell you guys” and “That’s right.”
5/4/23: Before playing ‘About You’ Matty mouths "This is why I’m happy. Who is it about? Who am I talking to?”
5/4/23: Matty is seen mouthing the words “I love you” before writing the letter T on the camera lens.
5/4/23: Matty saying “she sure is” before playing ‘She’s American.’
5/4/23: Matty flies from Manila to Nashville. (Which is around a 20hr flight)
5/5/23: Matty at Taylor’s concert. Nashville night 1.
5/5/23: Taylor mouths “This is about you, you know who you are. I love you.” during ‘cardigan.’
5/6/23: Matty grabbing coffee accompanied by Taylors bodyguard after leaving Taylors condo.
5/6/23: Matty at Nashville night 2. xx
5/6/23: Matty & Taylor pictured arriving at Taylor’s condo together.
5/7/23: Matty at Nashville night 3.
5/11/23: Matty and Taylor spotted on a date with Jack Antonoff in NYC. More pictures here.
5/12/23: Matty at Philly night 1.
5/13/23: Matty at Philly night 2.
5/13/23: Taylor performs ‘This Love’ with no introduction.
5/14/23: Taylor plays a request of “Hey Stephen”, but doesn’t say who requested it.
5/14/23: Matty pictured at the VIP tent at The Eras Tour Philly night 3
5/15/23: Matty and Taylor pictured leaving a party at Electric Studios in NYC.
5/18/23: Article comes out saying Joe is ‘distraught and slighted’ over Taylor & Matty dating, saying he ‘trusted’ Taylor when she said they were just friends.
5/18/23 Matty entering Taylor’s NYC Apartment.
5/20/23: Matty’s ex talks about Matty and Taylor.
5/20/23: Taylor’s speech before playing ‘Question…?’ in Foxborough, MA. “I want you all to know that I’ve never been this happy before in my life. It’s not just with the tour, I just sort of feel like my life finally feels like it makes sense. And so I thought I’d play this song, which brings me a lot of happy memories.”
5/20/23: Taylor plays ‘Question…?’ on night 2 in Foxborough, MA.
5/22/23: Matty dropping Taylor off at Electric Lady Studios.
5/24/23: Taylor and Matty leaving the Electric Lady Studios separately.
5/27/23: The Sun reports Matty and Taylor are moving in together.
5/29/23: Matty’s profile with The New Yorker comes out which includes multiple mentions of Taylor.
5/29/23: From The New Yorker “Healy found it annoying that, at a certain level of fame, celebrities can cultivate liberal auras while avoiding the risk of taking real political stands. (Swift, I thought, but didn’t say, seemed to be excepted from his critique.)”
5/29/23: From The New Yorker about Taylor & Matty dating “ Neither of their representatives would comment on the record, but I kept getting texts from people who knew them, and who insisted: this time, it’s real.”
6/5/23: Matty & Taylor reportedly break up.
6/6/23: People releases an article saying “There is no drama, and who knows what could happen again.” and "Taylor and Matty still care for one another but they are in the middle of world tours so both are incredibly busy. They’ve been friends for years and are still friends.”
6/6/23: While discussing Taylor on his podcast (21:06) Zach Sang says “I’m like kind of friends with Selena Gomez. We’ve known each other for a very long time and we share a lot of close friends. And from what I heard like in the aura around Selena, Taylor was talking about Matty Healy like he was the one."
6/11/23: Matty reactivates his Instagram.
6/11/23: Matty “You know what’s nice, playing songs in context“ before ‘Me and You Together song’
7/1/23: Matty mentions Taylor "I don’t wanna use this thing [the catwalk], it feels very democratic, it feels very… I mean Beyonce of course, Taylor, Machine Gun Kelly, whoever it may be… I don’t like it, it makes me feel exposed.”
7/5/23: The Sun claims Matty & Taylor are back together and “want to make it work at all costs.”
7/5/23: People declines claims that they are together.
7/18/23: Matty briefly mentions Taylor “I speak about this a lot, the Tumblr times, the simpler days, the golden days. When it was just us and Taylor and Lana and Arctic Monkeys.”
7/22/23: Taylor removes ‘About You’ from The Eras Tour pre-show playlist.
8/7/23: Matty is seen with Meredith Mickelson at an airport in Hawaii.
August 2023: Taylor starts dating Travis Kelce.
September 2023: Matty starts dating Gabbriette.
December 2023: Multiple people receive miss prints of “1989 (Taylor’s Version)” which appears to show the song “Slut” originally featured The 1975.
4/19/24: Taylor releases her new album “The Tortured Poets Department” where many songs are believed to be about Taylor and Matty’s previous relationship.
submitted by ilovedrpepper444 to taylorandmatty [link] [comments]
Matty Healy + Taylor Swift Timeline 11/7/13: Matty talking about Taylor liking the band and being asked to tour with her.
1/21/14: Matty talking about Taylor liking the band. xx
3/31/14: Matty talks about being asked to tour with Taylor and turning it down. "That was cool. It’s like, ‘We can’t, but that is really nice, thank you very much.”
11/4/14: Matty is pictured wearing a deluxe 1989 album cover tee at his concert in Milwaukee.
11/8/14: Taylor reblogs the picture on tumblr and says they are her favorite band.
11/9/14: Taylor likes these two pictures of Matty wearing the 1989 t-shirt.
11/9/14: Taylor liked this gif-set of Matty talking about whether he’s a dog or cat person.
11/19/14: Selena Gomez, Taylor and other friends went to The 1975 show in LA. Video of them singing along to ‘The City.’
11/19/14: Taylor & Matty making a video for a fan. (Jamie’s daughter Kitty)
11/22/14: Matty follows Taylor on Twitter.
11/23/14: Taylor was pictured wearing a The 1975 band shirt.
11/23/14: Taylor likes these two posts of them wearing each others merch.
11/24/14: Matty dedicates ‘Robbers’ to Taylor. Supposedly he’s done this multiple times. xx
11/25/14: Taylor likes these Tumblr posts. And this picture of Matty.
11/26/14: Taylor likes this Tumblr post.
11/26/14: Matty likes Taylor’s post on Instagram.
11/26/14: Matty wearing the 1989 t-shirt again.
11/26/14: Matty talking about meeting Taylor “I met Taylor Swift, that was really nice.” and when asked about possibly dating “I mean bloody hell, what am I going to do? Go out with Taylor Swift? She’s a sensation, I wouldn’t say no.”
11/28/14: Taylor is rumored to have attended The 1975 show in Chattanooga, TN.
11/29/14: Taylor likes this Tumblr post.
11/29/14: Matty signed this Polaroid for a fan, and the fan talking about the interaction.
11/29/14: Matty says he can’t kiss a fan because he’s taken.
12/2/14: Matty’s mom retweets this.
12/2/14: Matty likes Taylor’s Instagram post.
12/3/14: Matty about Taylor “Well, she’s amazing. She’s an amazing role model. And not only is she an incredible songwriter, she’s an incredible pop songwriter, which I think is even harder. I can’t speak highly enough about Taylor Swift.”
12/4/14: Taylor, Martha, Karlie and others went to The 1975 show in NYC. Where Matty dedicated ‘fallingforyou’ to her. Rumored that Matty missed the after-party and spent the night with Taylor. xx
12/5/14: Taylor likes this Tumblr post about Matty singing ‘fallingforyou’ to her.
12/5/14: Matty’s tweet in response to articles about him and Taylor getting his name wrong.
12/6/14: Matty has a breakdown on stage in Boston, MA. In 2015 talking about the incident he says “There was girl stuff. There was family stuff. There was financial stuff. There was drug stuff.”
12/6/14: Matty talking about a fan saying “I love you” to him. “What did I say to the poor fucking girl? ‘You don’t have the right to love me. You don’t know me. I love you but you don’t get to love me.’ Jesus. Can you imagine your favorite band shouting that at you? What a dickhead. What a horrible thing to say to a kid who fucking does love me.”
12/9/14: Matty at a show in NY “I was sad the other day as someone told me they loved me. And I said ‘No, you don’t. Not really.’ And today I told someone I loved them. And they said ‘No, you don’t.’ And it fucking sucks to hear that. Especially when you mean it. Don’t do that to someone. Don’t do what I did.”
12/14/14: Matty posts this on Instagram.
12/30/14: Matty deletes this Instagram post.
1/16/15: Matty denies dating rumors. Admits they exchanged numbers but “That didn’t really happen as much as it’d be amazing for me if it did, unfortunately it didn’t.”
2/25/15: They hangout at the BRIT Awards afterparty. (This weekend is when she met Calvin and they started dating)
2015: Matty & Halsey date and breakup.
11/15/15: Matty talks about Taylor in an interview “The things that surround her are like Barack Obama. I fell for her a little bit, but everyone falls for Taylor Swift” “The day after she’d been to a show of ours, someone sent me a screenshot of E! News with the headline ‘Who is Matt Healy?’ That freaked me out. I’m not ready to indulge in that world and I’m not ready to be judged by that world.”
12/8/15: Matty talks about reaching out to Taylor to have her in his music video.
Sometime in 2015: Matty & Gabriella Brooks start dating.
2/1/16: Matty talking about Taylor “She was a fan of the band and we just became friends, and we related to each other over how mental our lives were. But when you’re with people like Taylor, there are a million people flying around you the whole time, and this security guard is talking to that guy, and this guy is the new manager. I didn’t like the pace of it, because it makes me confused and I feel like I’m going to miss something. And being perceptive is one of the abilities that I like to think that I have.“
3/17/16: Matt Healy has suggested that dating Taylor Swift would have been “emasculating” for him because of her huge global fame.
3/18/16: Journalist who interviewed him writes an op-ed saying his words were misconstrued and “I saw an intelligent and liberal man wrestling with our culture’s gender roles.”
3/19/16: He apologizes for said comments and calls Taylor “One of the most gracious, hard working, creatively gifted, and beautiful women that I have had the pleasure to meet.”
6/1/16: Taylor & Calvin Harris breakup.
6/15/16: Taylor starts dating Tom Hiddleston.
8/17/16: Matty says he has Taylor’s number but “she’s probably changed her number by now.” And jokes “I keep texting her.”
8/30/16: Matty talks about Taylor on the BBCR1’s Breakfast Show. They joke about Taylor doing jury duty.
9/6/16: Taylor & Tom Hiddleston breakup.
October 2016: Taylor & Joe Alwyn start dating.
10/27/16: Matty about Taylor in Rolling Stone “She came to our show, and you would have thought that Barack Obama had come out. I don’t know another person on the planet that would elicit that kind of reaction.”
11/11/16: Matty again denies he dated Taylor and says “She came to a show and we hung out. We fancied each other, but then we couldn’t have it go any further, because it would be like going out with Barack Obama.”
11/20/17: Podcast talking about Taylor & Matty.
12/3/18: Matty talking about his journal “It’s mainly stories that I write about my dreams of being in love with other popstars.”
12/4/18: Matty retweets a picture of Taylor.
8/28/19: Matty & Gabriella Brooks breakup.
9/23/19: Mentions wanting to produce an album for Taylor in an interview (at 13:48 & 32:00) “Taylor, if you ever want someone to help you set up the mics for your little acoustic record, just so you know, I’m there.”
9/23/19: Matty retweets and tags Taylor in a post quoting him saying he wants to produce an album for Taylor.
9/24/19: Matty tweets “Taylor Swift. With an acoustic guitar. Doing her ‘Nebraska’. Doing her ‘Blue’. Kill me.”
January 2020: Matty & FKA Twigs start dating.
2/12/20: Both attend the NME awards and hug. Beabadoobee (who Taylor is talking to in the video) about meeting Taylor that day “Taylor’s so ethereal, So badass, I was like ‘Holy shit!’ She was walking towards me and I’m like, ‘She’s going to Matty [The 1975] not me.’ And then she comes up to me and I’m like… I vomited in my mouth. I couldn’t believe it.”
2/20/20: Matty mentions seeing Taylor and wanting to work with her in an interview with Zane Lowe. “She was just stood behind me. I mean, I haven’t seen Taylor in years so it was actually a really nice room. But it, unfortunately, wasn’t the time for me to pitch my post-rock Joni Mitchell project.”
10/22/20: Deuxmoi posts these.
2021: Matty starts working with Jack Antonoff on The 1975′s upcoming album.
November 2021: Taylor and Jack Antonoff start working on “Midnights.”
6/7/22: Matty & FKA Twigs breakup.
8/9/22: Matty Healy shares Taylor Swift’s reaction to The 1975’s new album, with her saying “it’s so funny.”
9/3/22: Matty says there will be no collab on Midnights. “I would love that! But unfortunately FAKE NEWS :(”
10/7/22: Matty tweets “You guys actually thought Taylor Swift was gonna have me on her album”
10/11/22: Matty on working with Taylor “Oh we’re not. We’d love to. Love to work with Taylor Swift. Love Taylor Swift, think she’s one of the best songwriters, but yeah, no we haven’t done that. We’d love to though.”
10/11/22: The 1975 discuss covering ‘Lover’ for the BBC live lounge.
10/12/22: Matty briefly mentions Taylor in a Zane Lowe interview (45:53).
10/18/22: Matty briefly mentions Taylor in a podcast (1:22:40) when talking about who they would like to see on the podcast. Interestingly enough her name seems to be cut from the video version of the podcast.
10/23/22: Matty posted on his Instagram to stream Midnights.
10/26/22: Matty posted he was listening to ‘Hey Stephen TV’ on his Instagram story
11/27/22: Matty said he worked on Midnights with Taylor but their versions didn’t make the cut (4:52). “We actually worked a bit on that, but then the version of it never came out.” “It was for reasons not to be criticized.”
12/21/22: Matty said ‘Chocolate‘ reminds him of Taylor “Tumblr, Doc Martens, Taylor Swift, the 1975”
‘Question…?’ Played in The 1975 pre-show playlist. (Don’t have dates because it happened multiple times)
1/12/23: Matty & Taylor before The 1975 show.
1/12/23: Taylor does a surprise performance at The 1975 show in London. Deuxmoi later claims they stayed up until 4 am talking (later confirmed in his profile with The New Yorker.)
1/12/23: Matty “I’m not kissing anybody in front of Taylor Swift, have some respect. in front of the queen? not happening“
2/2/23: Matty briefly mentions Taylor and the Ticketmaster situation (38:06)
February: Allegedly spent several days at a Los Angeles recording studio together.
3/15/23: Matty seen with Ana Salazar.
3/17/23: First show of The Eras Tour
3/22/23: Puff-piece comes out stating Joe and Taylor are ‘great together’ and ‘super supportive of her career’ and will be travelling to her ‘when he can’.
‘About You’ plays at the same time as the Lover MV has been playing on The Eras Tour pre-show playlist. (Don’t have dates because it happened multiple times)
3/29/23: Matty’s ex says “Things were going well until around March 29th then, out of the blue, he stopped replying to my messages and calls.”
3/31/23: Taylor changes The Eras Tour setlist from ‘Invisible String’ to ‘The 1’
4/7/23: Matty follows Taylor on Instagram.
4/7/23: Matty likes Taylor’s Instagram post.
4/8/23: Matty’s birthday.
4/8/23: It’s announced Taylor and Joe have broken up.
4/8/23: Matty talking about love and how happy he is.
4/10/23: Matty deactivates his social media accounts.
4/10/23: Matty on why he deactivated “Everything happens in eras. The 1975 is a very eras band. And I think that the era of me being a fucking asshole is gonna come to an end.” and “I perform all the time and it’s my job and I love doing this, but I can’t perform off the stage any more as I just want to be a bloke.”
4/10/23: Matty says “Hey, I love you.” during ‘About You’.
4/10/23: Matty mouths “You know who you are.” and points during ‘About You’.
4/11/23: Matty “A call for something sincere and direct. That’s what we’re all looking for. That’s what I’m looking for. Maybe I’ve found it.. I’m feeling quite happy.”
4/13/23: Deuxmoi says she got a tip that Matty & Taylor are dating. (19:16)
4/14/23: Matty cheering during ‘Me & You Together.’
4/14/23: Matty “Romance is nice when it works, this next song worked.” ‘fallingforyou’ starts playing “Oh it’s a different song, this song did not work.”
4/14/23: Before ‘About You’ “Ok, this is the one that worked.”
4/14/23: Matty mouthing “I love you” during ‘About You’ and saying “Fuck yeah, I win!” after it ends.
4/16/23: Matty’s “Yeah you will!” during ‘Happiness’ after the line, “I’m never gonna love again.”
4/19/23: Matty says “It takes bit to get here but its worth it” and “true story” before playing ‘Me & You Together.’
4/21/23: Matty plays a cover of ‘The Best of Me’ by The Starting Line. Take note of the lyrics.
4/24/23: Matty spoke about how he sees people listening to ‘She’s American’ in three places: Manchester, Tokyo and Pennsylvania “that’s a whole other thing don’t worry about that.”
5/3/23: The Sun reports Matty and Taylor are dating and will go public with their romance at her shows in Nashville.
5/3/23: Matty introducing ‘Me and You Together song’, saying “I’ve got something real to tell you guys!”
5/3/23: Matty mouths “This is about you, you know who you are. I love you.” while playing ‘About You.’
5/3/23: Matty does a cover of ‘The Best of Me’ by The Starting Line again.
5/4/23: Matty introducing ‘Me and You Together song’, saying “So I’ve been trying to tell you guys” and “That’s right.”
5/4/23: Before playing ‘About You’ Matty mouths "This is why I’m happy. Who is it about? Who am I talking to?”
5/4/23: Matty is seen mouthing the words “I love you” before writing the letter T on the camera lens.
5/4/23: Matty saying “she sure is” before playing ‘She’s American.’
5/4/23: Matty flies from Manila to Nashville. (Which is around a 20hr flight)
5/5/23: Matty at Taylor’s concert. Nashville night 1.
5/5/23: Taylor mouths “This is about you, you know who you are. I love you.” during ‘cardigan.’
5/6/23: Matty grabbing coffee accompanied by Taylors bodyguard after leaving Taylors condo.
5/6/23: Matty at Nashville night 2. xx
5/6/23: Matty & Taylor pictured arriving at Taylor’s condo together.
5/7/23: Matty at Nashville night 3.
5/11/23: Matty and Taylor spotted on a date with Jack Antonoff in NYC. More pictures here.
5/12/23: Matty at Philly night 1.
5/13/23: Matty at Philly night 2.
5/13/23: Taylor performs ‘This Love’ with no introduction.
5/14/23: Taylor plays a request of “Hey Stephen”, but doesn’t say who requested it.
5/14/23: Matty pictured at the VIP tent at The Eras Tour Philly night 3
5/15/23: Matty and Taylor pictured leaving a party at Electric Studios in NYC.
5/18/23: Article comes out saying Joe is ‘distraught and slighted’ over Taylor & Matty dating, saying he ‘trusted’ Taylor when she said they were just friends.
5/18/23 Matty entering Taylor’s NYC Apartment.
5/20/23: Matty’s ex talks about Matty and Taylor.
5/20/23: Taylor’s speech before playing ‘Question…?’ in Foxborough, MA. “I want you all to know that I’ve never been this happy before in my life. It’s not just with the tour, I just sort of feel like my life finally feels like it makes sense. And so I thought I’d play this song, which brings me a lot of happy memories.”
5/20/23: Taylor plays ‘Question…?’ on night 2 in Foxborough, MA.
5/22/23: Matty dropping Taylor off at Electric Lady Studios.
5/24/23: Taylor and Matty leaving the Electric Lady Studios separately.
5/27/23: The Sun reports Matty and Taylor are moving in together.
5/29/23: Matty’s profile with The New Yorker comes out which includes multiple mentions of Taylor.
5/29/23: From The New Yorker “Healy found it annoying that, at a certain level of fame, celebrities can cultivate liberal auras while avoiding the risk of taking real political stands. (Swift, I thought, but didn’t say, seemed to be excepted from his critique.)”
5/29/23: From The New Yorker about Taylor & Matty dating “ Neither of their representatives would comment on the record, but I kept getting texts from people who knew them, and who insisted: this time, it’s real.”
6/5/23: Matty & Taylor reportedly break up.
6/6/23: People releases an article saying “There is no drama, and who knows what could happen again.” and "Taylor and Matty still care for one another but they are in the middle of world tours so both are incredibly busy. They’ve been friends for years and are still friends.”
6/6/23: While discussing Taylor on his podcast (21:06) Zach Sang says “I’m like kind of friends with Selena Gomez. We’ve known each other for a very long time and we share a lot of close friends. And from what I heard like in the aura around Selena, Taylor was talking about Matty Healy like he was the one."
6/11/23: Matty reactivates his Instagram.
6/11/23: Matty “You know what’s nice, playing songs in context“ before ‘Me and You Together song’
7/1/23: Matty mentions Taylor "I don’t wanna use this thing [the catwalk], it feels very democratic, it feels very… I mean Beyonce of course, Taylor, Machine Gun Kelly, whoever it may be… I don’t like it, it makes me feel exposed.”
7/5/23: The Sun claims Matty & Taylor are back together and “want to make it work at all costs.”
7/5/23: People declines claims that they are together.
7/18/23: Matty briefly mentions Taylor “I speak about this a lot, the Tumblr times, the simpler days, the golden days. When it was just us and Taylor and Lana and Arctic Monkeys.”
7/22/23: Taylor removes ‘About You’ from The Eras Tour pre-show playlist.
8/7/23: Matty is seen with Meredith Mickelson at an airport in Hawaii.
August 2023: Taylor starts dating Travis Kelce.
September 2023: Matty starts dating Gabbriette.
December 2023: Multiple people receive miss prints of “1989 (Taylor’s Version)” which appears to show the song “Slut” originally featured The 1975.
4/19/24: Taylor releases her new album “The Tortured Poets Department” where many songs are believed to be about Taylor and Matty’s previous relationship.
2024.04.15 16:29 Information_78 ''You don't edit Mike McCready. You fuckin' let him play.''
Andrew Watt Waited His Entire Life to Produce Pearl Jam’s New Album ‘Dark Matter’ The Pearl Jam super fan, who was born the week the band formed in 1990, breaks down their new album track by track
BY ANDY GREENE
APRIL 15, 2024
Andrew Watt and Pearl Jam entered the world at practically the same exact moment. The 33-year-old producer was born Oct. 20, 1990, the same week that Eddie Vedder traveled to Seattle from San Diego to meet his future bandmates for the first time. “They’ve said to me they were probably writing ‘Release’ while my mom was giving birth to me,” Watt says. “And then they played their first concert two days after that at the Off Ramp cafe. I don’t want to get too biblical about it, but it’s very, very strange.”
Watt was too busy learning to crawl and eat solid food to appreciate their initial burst of success in the early Nineties, but he became a die-hard, obsessive fan as a teenager in the 2000s. “They are my favorite band of all time,” he says. “I’ve been to more of their concerts than anyone should know about, at least 40 of them. I have every t-shirt. And my favorite show I’ve seen in my entire life is Pearl Jam at the Spectrum in Philadelphia on Halloween 2009.”
When he started producing pop acts like Justin Bieber, Selena Gomez, and 5 Seconds of Summer about a decade back, landing a Pearl Jam record felt like an impossible dream. But he moved into the rock world in 2020 when Ozzy Osbourne hired him to produce Ordinary Man. He followed it up with Every Loser by Iggy Pop, and Hackney Diamonds by a little English group called the Rolling Stones. Along the way, he produced Eddie Vedder’s solo LP Earthing, and toured with him as a guitarist in his solo band alongside Chad Smith, Glen Hansard, and Josh Klinghoffer.
This allowed him to not only live out his teenage dreams of playing “Better Man” and “Porch” with Vedder, but it put him into position to produce Pearl Jam’s new album, Dark Matter. During a Saturday night break from the secret recording session for another artist, who might be Lady Gaga if Ozzy Osbourne is to be believed, Watt hopped on the phone with Rolling Stone to discuss his intense Pearl Jam fandom, and the creation of Dark Matter.
What’s your first memory of being aware of Pearl Jam? I think it was the “Jeremy” music video. I was an MTV kid and I’d watch it with my brother Jason, who is five years older than I am. He had all the cool music, and a bigger allowance than me, which he always spent on CDs. He would show me a lot of music, and one of the bands was Pearl Jam and their album Ten. He got me hooked. I would take the CD on my Discman, plug in headphones, and it would take me. My first enraged, depression, happy, and energized emotions were from listening to that album.
Did you know other kids who were into bands like Pearl Jam? No. When I was growing up, I didn’t have a lot of kids that wanted to be in rock bands around me. So I just kind of learned to play a lot of different instruments, and would record myself. I learned to play the bass, the guitar, and as much of the drums as I could by listening to Pearl Jam. And each one of those band members were so influential to me. I really understand what I love as a fan about their playing. And so when it was time to work with them in a creative way, I just wanted them to be them. I didn’t want to change them.
When did you first see Pearl Jam in concert? I think that was Madison Square Garden in 2003. And I just kept going over and over again after that.
Each show is so incredibly unique and different. There aren’t many major groups besides jam bands like Phish that approach concerts in that way. Dude, Eddie Vedder is showing up to the venue at 2:00 P.M. on the day of a show, sometimes earlier, and going through every single song they’ve ever played at the same hall or in the same city. Nobody works harder on a set list to make sure that his fans feel as though they’re getting something special. No one works harder than him, and the band is ready for anything. They’ll play songs they haven’t played in ten years or even listened to in ten years. They get in the jam room, and they suss it out. They’re fearless, man. They get on that fuckin’ stage and they deliver.
How did you first meet them? Many years back, I was playing guitar for a pop act. At that point in my life, I was smoking a bunch of weed — I don’t smoke anymore. I would also buy new guitars in every city I hit. I had just bought this old, big body electric guitar. I smoked a joint, got off the bus, didn’t know where I was, and realized I was at the Shoreline Amphitheatre [in Mountain View, California]. For a Pearl Jam fan, that’s a big deal since that’s the home of the Bridge School benefit.
I was really excited to be there, and I found this lady who worked there at the desk. I started asking her Eddie Vedder questions. She told me he was really nice. I asked her when the Bridge School was coming, and it was actually on my birthday, October 20. She didn’t know the lineup, but I figured Eddie Vedder would be there, since they always come.
I was very high, and I wrote a long letter for her to give him. I also left that guitar for the lady to give him even though I didn’t even know her. I was just hoping that Eddie Vedder would read it. At the bottom I wrote, “By the way, it’s my birthday today. Here’s my number.”
That was sometime in June, July, or August. Months later, I came home to a missed call from Seattle, Washington. I was like, “Whoa, this is not…he’s not actually calling me.” But I listen to the voicemail and it was Eddie. I tried to call him back, but he didn’t pick up. He did leave a very cool voicemail.
I texted him. He sent back a long message to me since I told him I was thinking of leaving the pop act I was playing with because I wasn’t satisfied being in a pop band, playing with a click, and doing the same thing every night. He wrote back to tell me how lucky I was to be playing live music for a crowd every night. He said I should revel in that. That was part of the reason I stayed, and then we wound up touring with Justin Bieber. My career began as a producer after that. His words really guided me, as they had for a long time before that.
How did you actually meet him in person? We kept in touch text-wise after that. And then I started to work as a music producer, and we started having mutual friends. We’d see each other. And then Michele Anthony, who is [EVP] at Universal, and the band’s manger Smitty [Mark Smith], thought it would be cool for Ed and I to make some music together. We met when he was doing a benefit show. The first time we jammed together, we wrote a song.
From there, it just has been the most beautiful friendship and creative relationship of my life. It means more than I could ever put into words. It’s the exact example of dreams coming true. You’ve got to understand, I stood in line at Madison Square Garden with a sign that read, “Let me play the guitar solo to ‘Alive.'” And then I did get to play the guitar solo.
How did you go from Ed’s solo album and tour to producing Dark Matter? Well, Ed is a selfless human and he’s constantly thinking about other people, and people that he loves. And when we started making music together, even though it was for his record, he kept saying, “Man, I can’t wait for the guys to experience this.”
So literally in the middle of his album, he was like, “Guys, you’ve got to come down here. I’m having the time of my life. I’m so inspired. We’ve got to make some music with Andrew.” And so right in the middle of Earthing, the band came down and we started what would become Dark Matter. A few of the songs were made in my basement studio. Everyone was face to face right there. Four or five of the songs were made in those first eight or nine days.
I presume that just led naturally to you producing the whole record. Yeah. I just think everyone had a good time. Listen, music is result-based, right? You could talk about, “This is what I want you to do as our producer.” But until you start throwing things at the canvas and then checking it out, listening to what’s coming out of the speakers, there’s nothing to say. Everyone had a good time, and was enjoying what we were making. And for me, it was just like heaven.
What were your goals for them going into this record? That whole era of music is in my DNA. I’m a huge Soundgarden fan. I’m a huge Temple of the Dog fan. If you listen to Dave Krusen, he did a fantastic job on Ten. That’s the record everyone loves. But if you listen to the demos, the first thing that Eddie Vedder heard when he was surfing those waves, was Matt Cameron playing along with Stone, Jeff, and Mike. And if you listen to Temple of the Dog, that’s Pearl Jam with Matt Cameron drumming. So Matt Cameron is a fuckin’ drum god. Everyone just bows down to his ability and what he can do.
And on some of the later Pearl Jam records, Matt being the amazing musician, producer, drummer, and multi-instrumentalist that he is, was playing parts to fit the songs. I wanted him to fuckin’ let loose. My goal, and I think this was a shared goal for everyone, was for there to be Soundgarden and Temple of the Dog level drumming on a Pearl Jam album. We wanted Matt’s personality to shine through.
On those early Pearl Jam records like Ten and Vs., you have these insane drums. Matt was really into that. And I would be right up in front of him and the drums, jumping up and down, doing anything I could to get him to play more, and play over the bar, and do all the stuff that makes him so awesome, and what no one else can do. No one else could sit down and play those drum parts. I’m so lucky to have the stems of the album. I’ve listened to it all the way through listening to just the drum track. That’s how much I love Matt Cameron.
Did they come into the studio with fleshed-out demos? They did, but one of the fun things that ended up happening was we started doing this thing where it was like, “Okay, who’s got a beat?” That’s because every single one of these guys in this band could be the main event of their own bands, including Matt. They all sing. They all play every instrument. They are virtuosos, all of them.
So the idea was instead of being like, “Okay, guys, here’s my fully fleshed demo with drums and bass, and here’s the groove and here’s the vocal idea,” the idea was “Okay, who’s got a riff, a start, or a chord sequence or two? Let’s not listen to the demo. Let’s sit all together in front of each other and play the idea, show everyone else the chords, start writing.”
When that happens, I know Stone is going to play chords that are completely unconventional, and don’t make sense in the best way. And Jeff’s going to figure out how to make it harmonically possible for Ed to sing against. Mike is going to rip and take us into “Reach Down” territory. Matt is going to be able to set the groove and ride, make the band go wherever he wants to go. I want to have them start there, and give each member the ability to do that. And it was literally how we got every single one of these songs.
The first time any song was presented to anyone, Ed would be on mic. He would come up with things right away. The guys would morph what they were doing around it. It was truly collaborative from every single member. You take one of those guys out of any of sessions, you’re not getting the album Dark Matter.
The album does really sound like a meld of all their talents. How many bands that are still around are as good as Pearl Jam right now? They’re the greatest live band in the world. You go to a Pearl Jam concert, you’re going to see one of the greatest live shows you can get. They’re a band. They should play together.
You and Josh Klinghoffer are credited on every song. Can you talk about the role that you two played in the process? It’s the exact process that I just explained. It’s everybody sitting together, coming up with things, moving, shaping. It was very free. There was no ego. It was just having fun, having a great time.
Where did you record? We did a few weeks at my house at first, but then it got flooded out with the bad L.A. rain. When we were ready to pick it up again, I couldn’t get the studio back. There was mold and everything. So I called my mentor Rick Rubin up. Any time I’m in a pinch and don’t know what to do, he comes over and talks me through it.
I was like, “Dude, I don’t know what to do. I have Pearl Jam coming up. This is the only time they can record. Can I please work at Shangri-La?” And the mensch that Rick is, he moved stuff around and let us have the studio for a month. We couldn’t have made the album without him as well because he moved what he had going on there, selflessly, so we could finish our record that he had nothing to do with. It was a beautiful thing.
When was this? This was about a year ago exactly. One year ago today, I was in a Pearl Jam shirt and making this album with them.
Did you wear a different Pearl Jam shirt every day of recording like you did with the Stones? I did. I have a really huge collection of the vintage t-shirts. And it was so funny because some of them were bootlegs. They were like, “We didn’t make this one!” But I think some of the bootleg ones are even cooler.
Let’s go through the songs, starting with “Scared of Fear.” That’s the first song we made. It was the first time that Pearl Jam sat down face to face in front of each other with me.
I love what Jeff does on bass on “React, Respond.” So sick, right? It’s funny you say that. That was one of the songs that Jeff started. It was his riff. We went off from there.
“Wreckage” is more stripped-down. I love that line, “Rivers overflowing/drowning all of our yesterdays.” That’s a really special song. If you’re a Pearl Jam fan, and you love Eddie Vedder, it’s everything you could hope for when you sit down to listen to Eddie singing at you. He’s absolutely singing his heart out, and giving you lines that feel like you’ve had them with you your whole life.
The song “Dark Matter” is going to just kill onstage. Well, this whole album is made with the intention of seeing Pearl Jam live. You know how you listen to a Pearl Jam album and you’re like, “I can’t wait to see this live?” And then it’s even better live. A song like “Alive” is better live, right?
Every time. One of my goals was like, “Let’s make this sound like a Pearl Jam show, but in the studio.” Some of that shit is wrong, man. Those songs go longer than they should, but it does not matter. You don’t edit Mike McCready. You fuckin’ let him play. His eyes are closed. When he opens his eyes, we end the song.
We were between takes when “Dark Matter” started. Matt just started playing that beat. And Stone was like, “No one move. Are you recording Matt Cameron?” We’re like, “Yeah, recording.” And he played that beat. Stone was like, “Jeff, you take that home. I’m taking it home. Let’s both write different songs to it and come in tomorrow.” So they both wrote different riffs. Matt played the beat again, and then we kind of morphed it together. That became “Dark Matter.”
Tell me how “Won’t Tell” came together. Jeff had that piece. It was a song that came to him in a dream. You should really talk to him about it because it’s an amazing, amazing story.
“Upper Hand” is incredible. It really creates a mood since there’s no vocals for the first two minutes. We went deep on that one. I love that song. There’s that amazing Stone riff. It took off from there. Matt’s drumming on that song was just out of control. The band is firing on all cylinders on every one of these songs on the album. What I’m most proud of on this album is you can close your eyes at any point and focus on any members of Pearl Jam, and they’re up front and center.
The title “Waiting for Stevie” really jumped out at people. I don’t know what it’s about, but it feels like it’s someone waiting for Fleetwood Mac to take the stage at a show. That’s a really great story about that, which I really, really feel like Ed’s got to tell you. But it definitely is about waiting for Stevie. We just started messing around, doing what two guys with guitars do, and that song was born. That was one of the songs we recorded at the old studio house.
“Running” is a very old-school Pearl Jam songs since it’s so fast and furious. Yeah. Punk rock Pearl Jam.
It has a “Lukin” vibe. Oh yeah. The wheels are falling off the bus by the end.
“Something Special” has a very different feel to it. It’s soothing. That’s an amazingly beautiful song. Pearl Jam always does a thing where they get your adrenaline going up to the fuckin’ moon, like after listening to “Running.” Then they give you a completely different flavor. I love where this one goes. It’s a beautiful love song.
“Setting Sun” is a nice and mellow way to wrap up the whole album. Yeah. That’s cool. It almost has Temple [of the Dog] vibes to me. It’s in that world, obviously many years later. It sonically sounds current, but that progression to me feel like that world.
This is the first record they made since Josh Klinghoffer unofficially/officially became pat of the band. How did he help shape the songs? Talk about virtuosos. Josh can literally do anything. He can be the guitar player of the Red Hot Chili Peppers. He could play keys in Pearl Jam. And when Matt Cameron got Covid, he played drums for Pearl Jam for a full fuckin’ set. The guy is unbelievable.
And again, Pearl Jam was his favorite band growing up, like me. We were always just geeking out together. He’s got an incredible breadth of knowledge about the band. And he’s just like the sauce. He can add all these beautiful layers. Whatever a song needs, he comes in, finds it, and fills out space in a beautiful way. It’s almost like having Brian Eno in your band.
You clearly don’t want any of your acts to over-think their records. Some bands spend two years making a single record. That’s never been how you work. Pearl Jam has never done that. This shit is a band playing together. That seems like a strange concept today. It’s not Pro-Tool’d to death. It moves and it speeds up and slows down. That’s the DNA of these human beings together. Their hearts beat together. That’s this album.
Did you do this around the time you did the Stones record? Literally two days after I finished the Stones album, this started.
What a surreal couple of months. It was crazy. It was amazing. And Eddie Vedder being the fuckin’ amazing human being that he is, one day one brought in this enormous framed thing. It was his personal poster from when the Pearl Jam opened up for the Stones. That’s so I could never forget doing those albums back to back. He’s such a great person, such a great friend.
I saw you play guitar with Iggy Pop last year in L.A. Your life is becoming like a sort of rock & roll fantasy camp. I know. It’s hard to even think about. I try never to reflect because it’s like, “Oh my God!” I’m just constantly trying to move forward, but it’s like going to college. I’ve learned so much from all these different people and how they do what they do. You are constantly sharpening the tools. I get to be a sponge. I got to talk to Iggy about Bowie, and the Stooges in Detroit. That’s stuff that you don’t get to do.
How can you top doing the Stones and Pearl Jam back to back? Would you want to work with Bruce Springsteen or Neil Young? I don’t know. To quote our guy, I “follow the wave where it takes me.” I’m in the middle of a project right now. I just finished another album before that. I’m looking forward to the summer. I’m just kind of seeing what comes.
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BY ANDY GREENE
APRIL 15, 2024
Andrew Watt and Pearl Jam entered the world at practically the same exact moment. The 33-year-old producer was born Oct. 20, 1990, the same week that Eddie Vedder traveled to Seattle from San Diego to meet his future bandmates for the first time. “They’ve said to me they were probably writing ‘Release’ while my mom was giving birth to me,” Watt says. “And then they played their first concert two days after that at the Off Ramp cafe. I don’t want to get too biblical about it, but it’s very, very strange.”
Watt was too busy learning to crawl and eat solid food to appreciate their initial burst of success in the early Nineties, but he became a die-hard, obsessive fan as a teenager in the 2000s. “They are my favorite band of all time,” he says. “I’ve been to more of their concerts than anyone should know about, at least 40 of them. I have every t-shirt. And my favorite show I’ve seen in my entire life is Pearl Jam at the Spectrum in Philadelphia on Halloween 2009.”
When he started producing pop acts like Justin Bieber, Selena Gomez, and 5 Seconds of Summer about a decade back, landing a Pearl Jam record felt like an impossible dream. But he moved into the rock world in 2020 when Ozzy Osbourne hired him to produce Ordinary Man. He followed it up with Every Loser by Iggy Pop, and Hackney Diamonds by a little English group called the Rolling Stones. Along the way, he produced Eddie Vedder’s solo LP Earthing, and toured with him as a guitarist in his solo band alongside Chad Smith, Glen Hansard, and Josh Klinghoffer.
This allowed him to not only live out his teenage dreams of playing “Better Man” and “Porch” with Vedder, but it put him into position to produce Pearl Jam’s new album, Dark Matter. During a Saturday night break from the secret recording session for another artist, who might be Lady Gaga if Ozzy Osbourne is to be believed, Watt hopped on the phone with Rolling Stone to discuss his intense Pearl Jam fandom, and the creation of Dark Matter.
What’s your first memory of being aware of Pearl Jam? I think it was the “Jeremy” music video. I was an MTV kid and I’d watch it with my brother Jason, who is five years older than I am. He had all the cool music, and a bigger allowance than me, which he always spent on CDs. He would show me a lot of music, and one of the bands was Pearl Jam and their album Ten. He got me hooked. I would take the CD on my Discman, plug in headphones, and it would take me. My first enraged, depression, happy, and energized emotions were from listening to that album.
Did you know other kids who were into bands like Pearl Jam? No. When I was growing up, I didn’t have a lot of kids that wanted to be in rock bands around me. So I just kind of learned to play a lot of different instruments, and would record myself. I learned to play the bass, the guitar, and as much of the drums as I could by listening to Pearl Jam. And each one of those band members were so influential to me. I really understand what I love as a fan about their playing. And so when it was time to work with them in a creative way, I just wanted them to be them. I didn’t want to change them.
When did you first see Pearl Jam in concert? I think that was Madison Square Garden in 2003. And I just kept going over and over again after that.
Each show is so incredibly unique and different. There aren’t many major groups besides jam bands like Phish that approach concerts in that way. Dude, Eddie Vedder is showing up to the venue at 2:00 P.M. on the day of a show, sometimes earlier, and going through every single song they’ve ever played at the same hall or in the same city. Nobody works harder on a set list to make sure that his fans feel as though they’re getting something special. No one works harder than him, and the band is ready for anything. They’ll play songs they haven’t played in ten years or even listened to in ten years. They get in the jam room, and they suss it out. They’re fearless, man. They get on that fuckin’ stage and they deliver.
How did you first meet them? Many years back, I was playing guitar for a pop act. At that point in my life, I was smoking a bunch of weed — I don’t smoke anymore. I would also buy new guitars in every city I hit. I had just bought this old, big body electric guitar. I smoked a joint, got off the bus, didn’t know where I was, and realized I was at the Shoreline Amphitheatre [in Mountain View, California]. For a Pearl Jam fan, that’s a big deal since that’s the home of the Bridge School benefit.
I was really excited to be there, and I found this lady who worked there at the desk. I started asking her Eddie Vedder questions. She told me he was really nice. I asked her when the Bridge School was coming, and it was actually on my birthday, October 20. She didn’t know the lineup, but I figured Eddie Vedder would be there, since they always come.
I was very high, and I wrote a long letter for her to give him. I also left that guitar for the lady to give him even though I didn’t even know her. I was just hoping that Eddie Vedder would read it. At the bottom I wrote, “By the way, it’s my birthday today. Here’s my number.”
That was sometime in June, July, or August. Months later, I came home to a missed call from Seattle, Washington. I was like, “Whoa, this is not…he’s not actually calling me.” But I listen to the voicemail and it was Eddie. I tried to call him back, but he didn’t pick up. He did leave a very cool voicemail.
I texted him. He sent back a long message to me since I told him I was thinking of leaving the pop act I was playing with because I wasn’t satisfied being in a pop band, playing with a click, and doing the same thing every night. He wrote back to tell me how lucky I was to be playing live music for a crowd every night. He said I should revel in that. That was part of the reason I stayed, and then we wound up touring with Justin Bieber. My career began as a producer after that. His words really guided me, as they had for a long time before that.
How did you actually meet him in person? We kept in touch text-wise after that. And then I started to work as a music producer, and we started having mutual friends. We’d see each other. And then Michele Anthony, who is [EVP] at Universal, and the band’s manger Smitty [Mark Smith], thought it would be cool for Ed and I to make some music together. We met when he was doing a benefit show. The first time we jammed together, we wrote a song.
From there, it just has been the most beautiful friendship and creative relationship of my life. It means more than I could ever put into words. It’s the exact example of dreams coming true. You’ve got to understand, I stood in line at Madison Square Garden with a sign that read, “Let me play the guitar solo to ‘Alive.'” And then I did get to play the guitar solo.
How did you go from Ed’s solo album and tour to producing Dark Matter? Well, Ed is a selfless human and he’s constantly thinking about other people, and people that he loves. And when we started making music together, even though it was for his record, he kept saying, “Man, I can’t wait for the guys to experience this.”
So literally in the middle of his album, he was like, “Guys, you’ve got to come down here. I’m having the time of my life. I’m so inspired. We’ve got to make some music with Andrew.” And so right in the middle of Earthing, the band came down and we started what would become Dark Matter. A few of the songs were made in my basement studio. Everyone was face to face right there. Four or five of the songs were made in those first eight or nine days.
I presume that just led naturally to you producing the whole record. Yeah. I just think everyone had a good time. Listen, music is result-based, right? You could talk about, “This is what I want you to do as our producer.” But until you start throwing things at the canvas and then checking it out, listening to what’s coming out of the speakers, there’s nothing to say. Everyone had a good time, and was enjoying what we were making. And for me, it was just like heaven.
What were your goals for them going into this record? That whole era of music is in my DNA. I’m a huge Soundgarden fan. I’m a huge Temple of the Dog fan. If you listen to Dave Krusen, he did a fantastic job on Ten. That’s the record everyone loves. But if you listen to the demos, the first thing that Eddie Vedder heard when he was surfing those waves, was Matt Cameron playing along with Stone, Jeff, and Mike. And if you listen to Temple of the Dog, that’s Pearl Jam with Matt Cameron drumming. So Matt Cameron is a fuckin’ drum god. Everyone just bows down to his ability and what he can do.
And on some of the later Pearl Jam records, Matt being the amazing musician, producer, drummer, and multi-instrumentalist that he is, was playing parts to fit the songs. I wanted him to fuckin’ let loose. My goal, and I think this was a shared goal for everyone, was for there to be Soundgarden and Temple of the Dog level drumming on a Pearl Jam album. We wanted Matt’s personality to shine through.
On those early Pearl Jam records like Ten and Vs., you have these insane drums. Matt was really into that. And I would be right up in front of him and the drums, jumping up and down, doing anything I could to get him to play more, and play over the bar, and do all the stuff that makes him so awesome, and what no one else can do. No one else could sit down and play those drum parts. I’m so lucky to have the stems of the album. I’ve listened to it all the way through listening to just the drum track. That’s how much I love Matt Cameron.
Did they come into the studio with fleshed-out demos? They did, but one of the fun things that ended up happening was we started doing this thing where it was like, “Okay, who’s got a beat?” That’s because every single one of these guys in this band could be the main event of their own bands, including Matt. They all sing. They all play every instrument. They are virtuosos, all of them.
So the idea was instead of being like, “Okay, guys, here’s my fully fleshed demo with drums and bass, and here’s the groove and here’s the vocal idea,” the idea was “Okay, who’s got a riff, a start, or a chord sequence or two? Let’s not listen to the demo. Let’s sit all together in front of each other and play the idea, show everyone else the chords, start writing.”
When that happens, I know Stone is going to play chords that are completely unconventional, and don’t make sense in the best way. And Jeff’s going to figure out how to make it harmonically possible for Ed to sing against. Mike is going to rip and take us into “Reach Down” territory. Matt is going to be able to set the groove and ride, make the band go wherever he wants to go. I want to have them start there, and give each member the ability to do that. And it was literally how we got every single one of these songs.
The first time any song was presented to anyone, Ed would be on mic. He would come up with things right away. The guys would morph what they were doing around it. It was truly collaborative from every single member. You take one of those guys out of any of sessions, you’re not getting the album Dark Matter.
The album does really sound like a meld of all their talents. How many bands that are still around are as good as Pearl Jam right now? They’re the greatest live band in the world. You go to a Pearl Jam concert, you’re going to see one of the greatest live shows you can get. They’re a band. They should play together.
You and Josh Klinghoffer are credited on every song. Can you talk about the role that you two played in the process? It’s the exact process that I just explained. It’s everybody sitting together, coming up with things, moving, shaping. It was very free. There was no ego. It was just having fun, having a great time.
Where did you record? We did a few weeks at my house at first, but then it got flooded out with the bad L.A. rain. When we were ready to pick it up again, I couldn’t get the studio back. There was mold and everything. So I called my mentor Rick Rubin up. Any time I’m in a pinch and don’t know what to do, he comes over and talks me through it.
I was like, “Dude, I don’t know what to do. I have Pearl Jam coming up. This is the only time they can record. Can I please work at Shangri-La?” And the mensch that Rick is, he moved stuff around and let us have the studio for a month. We couldn’t have made the album without him as well because he moved what he had going on there, selflessly, so we could finish our record that he had nothing to do with. It was a beautiful thing.
When was this? This was about a year ago exactly. One year ago today, I was in a Pearl Jam shirt and making this album with them.
Did you wear a different Pearl Jam shirt every day of recording like you did with the Stones? I did. I have a really huge collection of the vintage t-shirts. And it was so funny because some of them were bootlegs. They were like, “We didn’t make this one!” But I think some of the bootleg ones are even cooler.
Let’s go through the songs, starting with “Scared of Fear.” That’s the first song we made. It was the first time that Pearl Jam sat down face to face in front of each other with me.
I love what Jeff does on bass on “React, Respond.” So sick, right? It’s funny you say that. That was one of the songs that Jeff started. It was his riff. We went off from there.
“Wreckage” is more stripped-down. I love that line, “Rivers overflowing/drowning all of our yesterdays.” That’s a really special song. If you’re a Pearl Jam fan, and you love Eddie Vedder, it’s everything you could hope for when you sit down to listen to Eddie singing at you. He’s absolutely singing his heart out, and giving you lines that feel like you’ve had them with you your whole life.
The song “Dark Matter” is going to just kill onstage. Well, this whole album is made with the intention of seeing Pearl Jam live. You know how you listen to a Pearl Jam album and you’re like, “I can’t wait to see this live?” And then it’s even better live. A song like “Alive” is better live, right?
Every time. One of my goals was like, “Let’s make this sound like a Pearl Jam show, but in the studio.” Some of that shit is wrong, man. Those songs go longer than they should, but it does not matter. You don’t edit Mike McCready. You fuckin’ let him play. His eyes are closed. When he opens his eyes, we end the song.
We were between takes when “Dark Matter” started. Matt just started playing that beat. And Stone was like, “No one move. Are you recording Matt Cameron?” We’re like, “Yeah, recording.” And he played that beat. Stone was like, “Jeff, you take that home. I’m taking it home. Let’s both write different songs to it and come in tomorrow.” So they both wrote different riffs. Matt played the beat again, and then we kind of morphed it together. That became “Dark Matter.”
Tell me how “Won’t Tell” came together. Jeff had that piece. It was a song that came to him in a dream. You should really talk to him about it because it’s an amazing, amazing story.
“Upper Hand” is incredible. It really creates a mood since there’s no vocals for the first two minutes. We went deep on that one. I love that song. There’s that amazing Stone riff. It took off from there. Matt’s drumming on that song was just out of control. The band is firing on all cylinders on every one of these songs on the album. What I’m most proud of on this album is you can close your eyes at any point and focus on any members of Pearl Jam, and they’re up front and center.
The title “Waiting for Stevie” really jumped out at people. I don’t know what it’s about, but it feels like it’s someone waiting for Fleetwood Mac to take the stage at a show. That’s a really great story about that, which I really, really feel like Ed’s got to tell you. But it definitely is about waiting for Stevie. We just started messing around, doing what two guys with guitars do, and that song was born. That was one of the songs we recorded at the old studio house.
“Running” is a very old-school Pearl Jam songs since it’s so fast and furious. Yeah. Punk rock Pearl Jam.
It has a “Lukin” vibe. Oh yeah. The wheels are falling off the bus by the end.
“Something Special” has a very different feel to it. It’s soothing. That’s an amazingly beautiful song. Pearl Jam always does a thing where they get your adrenaline going up to the fuckin’ moon, like after listening to “Running.” Then they give you a completely different flavor. I love where this one goes. It’s a beautiful love song.
“Setting Sun” is a nice and mellow way to wrap up the whole album. Yeah. That’s cool. It almost has Temple [of the Dog] vibes to me. It’s in that world, obviously many years later. It sonically sounds current, but that progression to me feel like that world.
This is the first record they made since Josh Klinghoffer unofficially/officially became pat of the band. How did he help shape the songs? Talk about virtuosos. Josh can literally do anything. He can be the guitar player of the Red Hot Chili Peppers. He could play keys in Pearl Jam. And when Matt Cameron got Covid, he played drums for Pearl Jam for a full fuckin’ set. The guy is unbelievable.
And again, Pearl Jam was his favorite band growing up, like me. We were always just geeking out together. He’s got an incredible breadth of knowledge about the band. And he’s just like the sauce. He can add all these beautiful layers. Whatever a song needs, he comes in, finds it, and fills out space in a beautiful way. It’s almost like having Brian Eno in your band.
You clearly don’t want any of your acts to over-think their records. Some bands spend two years making a single record. That’s never been how you work. Pearl Jam has never done that. This shit is a band playing together. That seems like a strange concept today. It’s not Pro-Tool’d to death. It moves and it speeds up and slows down. That’s the DNA of these human beings together. Their hearts beat together. That’s this album.
Did you do this around the time you did the Stones record? Literally two days after I finished the Stones album, this started.
What a surreal couple of months. It was crazy. It was amazing. And Eddie Vedder being the fuckin’ amazing human being that he is, one day one brought in this enormous framed thing. It was his personal poster from when the Pearl Jam opened up for the Stones. That’s so I could never forget doing those albums back to back. He’s such a great person, such a great friend.
I saw you play guitar with Iggy Pop last year in L.A. Your life is becoming like a sort of rock & roll fantasy camp. I know. It’s hard to even think about. I try never to reflect because it’s like, “Oh my God!” I’m just constantly trying to move forward, but it’s like going to college. I’ve learned so much from all these different people and how they do what they do. You are constantly sharpening the tools. I get to be a sponge. I got to talk to Iggy about Bowie, and the Stooges in Detroit. That’s stuff that you don’t get to do.
How can you top doing the Stones and Pearl Jam back to back? Would you want to work with Bruce Springsteen or Neil Young? I don’t know. To quote our guy, I “follow the wave where it takes me.” I’m in the middle of a project right now. I just finished another album before that. I’m looking forward to the summer. I’m just kind of seeing what comes.
2024.04.15 12:41 WrongLander What is WITH the grammar in the lyrics for the Wish songs?!
I can't remember the last time I as a Disney fan had my heart broken more than by Wish. What should have been an emotional, heartfelt tribute to 100 years instead was the most generic, soulless, cookie-cutter product they've put out in years.
Biggest offender is the soundtrack. What happened here? How did we go from Encanto to this? I'll tell you: they hired the lass who writes for Justin Bieber and Selena Gomez to do a poor man's Lin Manuel impersonation. No disrespect to Julia Michaels, I'm sure she's lovely and was thrilled to get the gig; but was Alan Menken busy? The Anderson-Lopezes? Lin himself?
So what we have is an OST trying desperately to reverse engineer a We Don't Talk About Bruno, and all the songs sound like generic Top 40 fodder as a consequence. What really irks me is the appalling grammar in every (EVERY) song, that somehow made it through multiple levels of testing. I don't want to accuse Michaels of illiteracy, but come on, now:
'Welcome to Rosas'
'You can turn all your wanting to wishing no what-ifs and no wonders.' I can't even begin to parse that word salad.
'He's just like us, with a twist.' What a profoundly nothing statement.
'At All Costs'
Aside from the immediate sin that this one was written for the superior draft with the Starboy romance; 'felt this, no I haven't.' I beg your pardon?
'You pull me in like some kind of wind.' 'Here and now, I swear on my response.' 'Promise as one does.' These are all nonsensical and meaningless.
'This Wish'
Features the biggest example in the entire picture. 'I throw caution to every warning sign.' This has already been mercilessly picked apart, but I'll do it again; 'throwing caution to the wind' and 'ignore the warning signs' are two different idioms. You cannot combine them, they contradict one another and cancel out the intent of the line.
Also: 'if I could just be pointed in any given direction.' Think about that for too long, and your brain will hurt. She's asking for directionless direction.
'I'm A Star'
Has some of the most bizarre word choices in the movie. 'Effortless and eloquent dancers.' Eloquence refers to speech, Julia.
'Here's a little fun allegory, that gets me excitatory,' then proceeds to not state an allegory – and if you're ever using the word 'excitatory', it is a sign you are stretching for a rhyme.
'When it comes to the universe, we're all shareholders.' I bet Disney wishes we all were, eh?
And then, of course: 'watch out world, here I are.' If you need me to explain why that's atrocious grammar and wouldn't even pass muster in the fifth grade, I'm lost for words.
'This Is The Thanks I Get?'
Not going to spend much time on this one because it annoys me. It sucks, it's a shambles of a villain song and it should not have survived the initial pitch. 'I let you live here for free, and I don't even charge you rent.' I too love redundant sentences!
'Come on, that's a high percent!' I think you mean 'percentage', Julia.
'Knowing What We Know Now'
'The lengths he'll go, there's no amount.' This one really baffles me. Did she mean to write 'there's no lengths he won't go to'? Because at present the meaning of this line is that he won't go to ANY lengths.
'I've seen too many bad things that I can't keep count.' Again, F minus, Julia. You want either 'that I can't keep count of,' or 'I've seen so many bad things that I can't keep count.'
I appreciate it sounds like I'm ranting, but I can't be the only one who noticed these. It's really concerning that these all got approved. Anyone got any other thoughts to share, or examples I missed?
submitted by WrongLander to disney [link] [comments]
Biggest offender is the soundtrack. What happened here? How did we go from Encanto to this? I'll tell you: they hired the lass who writes for Justin Bieber and Selena Gomez to do a poor man's Lin Manuel impersonation. No disrespect to Julia Michaels, I'm sure she's lovely and was thrilled to get the gig; but was Alan Menken busy? The Anderson-Lopezes? Lin himself?
So what we have is an OST trying desperately to reverse engineer a We Don't Talk About Bruno, and all the songs sound like generic Top 40 fodder as a consequence. What really irks me is the appalling grammar in every (EVERY) song, that somehow made it through multiple levels of testing. I don't want to accuse Michaels of illiteracy, but come on, now:
'Welcome to Rosas'
'You can turn all your wanting to wishing no what-ifs and no wonders.' I can't even begin to parse that word salad.
'He's just like us, with a twist.' What a profoundly nothing statement.
'At All Costs'
Aside from the immediate sin that this one was written for the superior draft with the Starboy romance; 'felt this, no I haven't.' I beg your pardon?
'You pull me in like some kind of wind.' 'Here and now, I swear on my response.' 'Promise as one does.' These are all nonsensical and meaningless.
'This Wish'
Features the biggest example in the entire picture. 'I throw caution to every warning sign.' This has already been mercilessly picked apart, but I'll do it again; 'throwing caution to the wind' and 'ignore the warning signs' are two different idioms. You cannot combine them, they contradict one another and cancel out the intent of the line.
Also: 'if I could just be pointed in any given direction.' Think about that for too long, and your brain will hurt. She's asking for directionless direction.
'I'm A Star'
Has some of the most bizarre word choices in the movie. 'Effortless and eloquent dancers.' Eloquence refers to speech, Julia.
'Here's a little fun allegory, that gets me excitatory,' then proceeds to not state an allegory – and if you're ever using the word 'excitatory', it is a sign you are stretching for a rhyme.
'When it comes to the universe, we're all shareholders.' I bet Disney wishes we all were, eh?
And then, of course: 'watch out world, here I are.' If you need me to explain why that's atrocious grammar and wouldn't even pass muster in the fifth grade, I'm lost for words.
'This Is The Thanks I Get?'
Not going to spend much time on this one because it annoys me. It sucks, it's a shambles of a villain song and it should not have survived the initial pitch. 'I let you live here for free, and I don't even charge you rent.' I too love redundant sentences!
'Come on, that's a high percent!' I think you mean 'percentage', Julia.
'Knowing What We Know Now'
'The lengths he'll go, there's no amount.' This one really baffles me. Did she mean to write 'there's no lengths he won't go to'? Because at present the meaning of this line is that he won't go to ANY lengths.
'I've seen too many bad things that I can't keep count.' Again, F minus, Julia. You want either 'that I can't keep count of,' or 'I've seen so many bad things that I can't keep count.'
I appreciate it sounds like I'm ranting, but I can't be the only one who noticed these. It's really concerning that these all got approved. Anyone got any other thoughts to share, or examples I missed?
2024.04.14 21:33 atopix -14 LUFS IS QUIET: A primer on all things loudness
If you are relatively new to making music then you'll probably be familiar with this story.
You stumbled your way around mixing something that sounds more or less like music (not before having watched countless youtube tutorials in which you learned many terrible rules of thumb). And at the end of this process you are left wondering: How loud should my music be in order to release it?
You want a number. WHAT'S THE NUMBER you cry at the sky in a Shakespearean pose while holding a human skull in your hand to accentuate the drama.
And I'm here to tell you that's the wrong question to ask, but by now you already looked up an answer to your question and you've been given a number: -14 LUFS.
You breathe a sigh of relief, you've been given a number in no uncertain terms. You know numbers, they are specific, there is no room for interpretation. Numbers are a warm safe blanket in which you can curl underneath of.
Mixing is much more complex and hard than you thought it would be, so you want ALL the numbers, all the settings being told to you right now so that your misery can end. You just wanted to make a stupid song and instead it feels like you are now sitting at a NASA control center staring at countless knobs and buttons and graphs and numbers that make little sense to you, and you get the feeling that if you screw this up the whole thing is going to be ruined. The stakes are high, you need the freaking numbers.
Yet now you submitted your -14 LUFS master to streaming platforms, ready to bask in all the glory of your first musical publication, and maybe you had the loudness normalization disabled, or you gave it a listen on Spotify's web player which has no support for loudness normalization. You are in shock: Compared to all the other pop hits your track is quiet AF. You panic.
You feel betrayed by the number, you thought the blanket was supposed to be safe. How could this be, even Spotify themselves recommend mastering to -14 LUFSi.
LUFSi = LUFS integrated, meaning measured across the full lenght of the music, which is how streaming platforms measure the loudness of songs.
For example, by far most of classical music is below -14 LUFSi. Because they care about dynamics more than anyone else. Classical music is the best example of the greatest dynamics in music ever. Dynamics are 100% baked into the composition and completely present in the performance as well.
Some examples:
Complete Mozart Trios (Trio of piano, violin and cello) Album • Daniel Barenboim, Kian Soltani & Michael Barenboim • 2019
Tracks range from -22.51 LUFSi to -17.22 LUFSi.
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral" (Full symphony orchestra with sections of vocal soloists and choir) Album • Wiener Philharmoniker & Andris Nelsons • 2019
Tracks range from -28.74 LUFSi to -14.87 LUFSi.
Mozart: Symphonies Nos. 38-41 (Full symphony orchestra) Album • Scottish Chamber Orchestra & Sir Charles Mackerras • 2008
Tracks range from -22.22 LUFSi to -13.53 LUFSi.
On My New Piano (Solo piano) Album • Daniel Barenboim • 2016
Tracks range from -30.75 LUFSi to -19.66 LUFSi.
Here comes loudness normalization. Taking a standard from European broadcasting, streaming platforms settled on the LUFS unit to normalize all tracks in a playlist by default, so that there are no big jumps in level from song to song. That's it! That's the entire reason why streaming platforms adopted LUFS and why now LUFS are a thing for music.
LUFS were invented in 2011, long after digital audio was a reality since the 80s. And again, they weren't made for music but for TV broadcasts (so that the people making commercials wouldn't crank up their levels to stand out).
And here we are now with people obsessing over the right LUFS just to publish a few songs.
An innocent, good natured idea by mastering engineer Ian Shepherd, which backfired completely by leading inexperienced people to start panicking about the potential negative implications of incurring into a penalty due to having a master louder than -14 LUFSi.
Nothing wrong happens to your loud master, the platforms DO NOT apply dynamic range reduction (ie: compression). THEY DO NOT CHANGE YOUR SIGNAL.
The only thing they do, is what we described above, they adjust volume (which again, changes nothing to the signal) for the listener's convenience.
It all adds up to something that is perceived as standing out over your mix.
The second important aspect is that there can be a big difference between trying to achieve loudness at the end of your mix, vs maximizing the loudness of your mix from the ground up.
Integrated LUFS is a fairly accurate way to measure perceived loudness, as in perceived by humans. I don't know if you've noticed, but human hearing is far from being an objective sound level meter. Like all our senses (and the senses of all living things), they have evolved to maximize the chances of our survival, not for scientific measurements.
LUFS are pretty good at getting close to how we humans perceive loudness, but it's not perfect. That means that two different tracks could be at the same integrated LUFS and one of them is perceived to be bit louder than the other. Things like distortion, saturation, harmonic exciters, baked into a mix from the ground up, can help maximize a track for loudness (if that matters to you).
That said, let's entertain this question, because it does come up.
The first incorrect assumption is that ALL streaming platforms normalize to -14 LUFSi. Apple Music, for instance, normalizes to -16 LUFSi. And of course, any platform could decide to change their normalization target at any time.
YouTube Music (both the apps and the music.youtube.com website) doesn't do loudness normalization at all.
The Spotify web player and third party players, don't do loudness normalization. So in all these places (plus any digital downloads like in Bandcamp), your -14 LUFSi master of a modern genre, would be comparatively much quieter than the rest.
submitted by atopix to mixingmastering [link] [comments]
You stumbled your way around mixing something that sounds more or less like music (not before having watched countless youtube tutorials in which you learned many terrible rules of thumb). And at the end of this process you are left wondering: How loud should my music be in order to release it?
You want a number. WHAT'S THE NUMBER you cry at the sky in a Shakespearean pose while holding a human skull in your hand to accentuate the drama.
And I'm here to tell you that's the wrong question to ask, but by now you already looked up an answer to your question and you've been given a number: -14 LUFS.
You breathe a sigh of relief, you've been given a number in no uncertain terms. You know numbers, they are specific, there is no room for interpretation. Numbers are a warm safe blanket in which you can curl underneath of.
Mixing is much more complex and hard than you thought it would be, so you want ALL the numbers, all the settings being told to you right now so that your misery can end. You just wanted to make a stupid song and instead it feels like you are now sitting at a NASA control center staring at countless knobs and buttons and graphs and numbers that make little sense to you, and you get the feeling that if you screw this up the whole thing is going to be ruined. The stakes are high, you need the freaking numbers.
Yet now you submitted your -14 LUFS master to streaming platforms, ready to bask in all the glory of your first musical publication, and maybe you had the loudness normalization disabled, or you gave it a listen on Spotify's web player which has no support for loudness normalization. You are in shock: Compared to all the other pop hits your track is quiet AF. You panic.
You feel betrayed by the number, you thought the blanket was supposed to be safe. How could this be, even Spotify themselves recommend mastering to -14 LUFSi.
The cold truth
Here is the cold truth: -14 LUFS is quiet. Most commercial releases of rock, pop, hip hop, edm, are louder than that and they have been louder than that for over 20 years of digital audio, long before streaming platforms came into the picture.The Examples
Let's start with some hand-picked examples from different eras, different genres, ordered by quietest to loudest.LUFSi = LUFS integrated, meaning measured across the full lenght of the music, which is how streaming platforms measure the loudness of songs.
- Jain - Makeba (Album Version, 2015) = -13.2 LUFSi
- R.E.M. - At My Most Beautiful (1998) = -12.2 LUFSi
- Massive Attack - Pray for Rain (2010) = -11.4 LUFSi
- Peter Gabriel - Growing Up (2002) = -10.5 LUFSi
- Gorillaz - Clint Eastwood (2001) = -10.1 LUFSi
- Trent Reznor & Atticus Ross - In Motion (2010) = -10.0 LUFSi
- Zero 7 - Mr. McGee (2009) = -9.8 LUFSi
- If The World Should End in Fire (2003) = -9.1 LUFSi
- Taylor Swift - Last Christmas (2007) = -8.6 LUFSi
- Madonna - Ghosttown (2015) = -8.6 LUFSi
- Björk - Hunter (1997) = -8.6 LUFSi
- Red Hot Chili Peppers - Black Summer (2022) = -8.1 LUFSi
- The Black Keys - Lonely Boy = -7.97 LUFSi
- Junun - Junun (2015) = -7.9 LUFSi
- Coldplay - My Universe (2021) = -7.8 LUFSi
- Wolfmother - Back Round (2009) = -7.7 LUFSi
- Taylor Swift - New Romantics (2014) = -7.6 LUFSi
- Paul McCartney - Fine Line (2005) = -7.5 LUFSi
- Taylor Swift - You Need To Calm Down (2019) = -7.4 LUFSi
- Doja Cat - Woman (2021) = -7.4 LUFSi
- Ariana Grande - Positions (2021) = -7.3 LUFSi
- Trent Reznor & Atticus Ross - Immigrant Song (2012) = -6.7 LUFSi
- Radiohead - Bloom (2011) = -6.4 LUFSi
- Dua Lipa - Levitating (2020) = -5.7 LUFSi
- Last Night - Morgan Wallen = -8.2 LUFSi
- Flowers - Miley Cyrus = -7.2 LUFSi
- Kill Bill - SZA = -7.4 LUFSi
- Anti-Hero - Taylor Swift = -8.6 LUFSi
- Creepin' - Metro Boomin, The Weeknd & 21 Savage = -6.9 LUFSi
- Calm Down - Rema & Selena Gomez = -7.9 LUFSi
- Die For You - The Weeknd & Ariana Grande = -8.0 LUFSi
- Fast Car - Luke Combs = -8.6 LUFSi
- Snooze - SZA = -9.4 LUFSi
- I'm Good (Blue) - David Guetta & Bebe Rexha = -6.5 LUFSi
So are masters at -14 LUFSi or quieter BAD?
NO. There is nothing inherently good or bad about either quiet or loud, it all depends on what you are going for, how much you care about dynamics, what's generally expected of the kind of music you are working on and whether that matters to you at all.For example, by far most of classical music is below -14 LUFSi. Because they care about dynamics more than anyone else. Classical music is the best example of the greatest dynamics in music ever. Dynamics are 100% baked into the composition and completely present in the performance as well.
Some examples:
Complete Mozart Trios (Trio of piano, violin and cello) Album • Daniel Barenboim, Kian Soltani & Michael Barenboim • 2019
Tracks range from -22.51 LUFSi to -17.22 LUFSi.
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral" (Full symphony orchestra with sections of vocal soloists and choir) Album • Wiener Philharmoniker & Andris Nelsons • 2019
Tracks range from -28.74 LUFSi to -14.87 LUFSi.
Mozart: Symphonies Nos. 38-41 (Full symphony orchestra) Album • Scottish Chamber Orchestra & Sir Charles Mackerras • 2008
Tracks range from -22.22 LUFSi to -13.53 LUFSi.
On My New Piano (Solo piano) Album • Daniel Barenboim • 2016
Tracks range from -30.75 LUFSi to -19.66 LUFSi.
Loudness normalization is for THE LISTENER
Before loudness normalization was adopted, you would put together a playlist on your streaming platform (or prior to that on your iPod or computer with mp3s), and there would often be some variation in level from song to song, especially if you had some older songs mixed in with some more modern ones, those jumps in level could be somewhat annoying.Here comes loudness normalization. Taking a standard from European broadcasting, streaming platforms settled on the LUFS unit to normalize all tracks in a playlist by default, so that there are no big jumps in level from song to song. That's it! That's the entire reason why streaming platforms adopted LUFS and why now LUFS are a thing for music.
LUFS were invented in 2011, long after digital audio was a reality since the 80s. And again, they weren't made for music but for TV broadcasts (so that the people making commercials wouldn't crank up their levels to stand out).
And here we are now with people obsessing over the right LUFS just to publish a few songs.
There are NO penalties
One of the biggest culprits in the obsession with LUFS, is a little website called "loudness penalty" (not even gonna link to it, that evil URL is banned from this sub), in which you can upload a song and it would turn it down in the same way the different platforms would.An innocent, good natured idea by mastering engineer Ian Shepherd, which backfired completely by leading inexperienced people to start panicking about the potential negative implications of incurring into a penalty due to having a master louder than -14 LUFSi.
Nothing wrong happens to your loud master, the platforms DO NOT apply dynamic range reduction (ie: compression). THEY DO NOT CHANGE YOUR SIGNAL.
The only thing they do, is what we described above, they adjust volume (which again, changes nothing to the signal) for the listener's convenience.
Why does my mix sound QUIETER when normalized?
One very important aspect of this happens when comparing your amateur production, to a professional production, level-matched: all the shortcomings of your mix are exposed. Not just the mix, but your production, your recording, your arrangement, your performance.It all adds up to something that is perceived as standing out over your mix.
The second important aspect is that there can be a big difference between trying to achieve loudness at the end of your mix, vs maximizing the loudness of your mix from the ground up.
Integrated LUFS is a fairly accurate way to measure perceived loudness, as in perceived by humans. I don't know if you've noticed, but human hearing is far from being an objective sound level meter. Like all our senses (and the senses of all living things), they have evolved to maximize the chances of our survival, not for scientific measurements.
LUFS are pretty good at getting close to how we humans perceive loudness, but it's not perfect. That means that two different tracks could be at the same integrated LUFS and one of them is perceived to be bit louder than the other. Things like distortion, saturation, harmonic exciters, baked into a mix from the ground up, can help maximize a track for loudness (if that matters to you).
If it's all going to end up normalized to -14 LUFS eventually, shouldn't you just do it yourself?
If you've read everything here so far, you already know that LUFS are a relatively new thing, that digital audio in music has been around for much longer and that the music industry doesn't care at all about LUFS. And that absolutely nothing wrong happens to your mix when turned down due to loudness normalization.That said, let's entertain this question, because it does come up.
The first incorrect assumption is that ALL streaming platforms normalize to -14 LUFSi. Apple Music, for instance, normalizes to -16 LUFSi. And of course, any platform could decide to change their normalization target at any time.
YouTube Music (both the apps and the music.youtube.com website) doesn't do loudness normalization at all.
The Spotify web player and third party players, don't do loudness normalization. So in all these places (plus any digital downloads like in Bandcamp), your -14 LUFSi master of a modern genre, would be comparatively much quieter than the rest.
SO, HOW LOUD THEN?
As loud or as quiet as you want! Some recommendations:- Forget about LUFS and meters, and waveforms. It's completely normal for tracks in an album or EP to all measure different LUFS, and streaming platforms will respect the volume relationship between tracks when playing a full album/EP.
- Study professional references to hear how loud music similar to what you are mixing is.
- Learn to understand and judge loudness with nothing but your ears.
- Set a fixed monitoring level using a loud reference as the benchmark for what's the loudest you can tolerate, this includes all the gain stages that make up your monitoring's final level.
- If you are going to use a streaming platform, make sure to disable loudness normalization and set the volume to 100%.
TLDR
- -14 LUFSi is quiet for modern genres, it has been since the late 90s, long before the LUFS unit was invented.
- All of modern music is louder than -14 LUFSi, often louder than -10 LUFSi.
- There are NO penalties for having a master louder than -14 LUFSi. Nothing bad is happening to your music.
- Loudness normalization is for the LISTENER. So don't worry about it.
- The mixes which you perceive as louder than yours when normalized, is likely a reaction to overall better mixes, better productions made by far more experienced people.
2024.04.12 14:19 adriancha Golazo de Robertson al Bayern Munich eFootball PES 2020 Schalke 04
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2024.04.10 07:52 stephanieiskool rewatching for the billionth time
i dont know how unpopular of an opinion this is but ji-hoo is literally probably one of my favorite characters in any tv show of all time. like the fact that he loved jan-di so much but was willing to give it all up for jun-pyo just says so much to who he is. and the way he ACTS like he doesnt care but we all know he does. UGH MY GOD. AND DONT TRY AND SAY "he literally kissed jan-di on a trip that jun-pyo planned for all of them" because i understand that. on my first watch through i was 10000% on jun-pyo's side and thought jan-di was a bitch for having feelings for ji-hoo. BUT AS SELENA GOMEZ ONCE SAID "the heart wants what it wants" and who are we to say anything. ji-hoo just had what jun-pyo didnt and imo the only reason why she got with him in the end is because she felt bad for him. i really dont think she actually had feelings for him. but thats the beauty of this show, the message for me is that sometimes your soulmate is someone that you dont end up with. idk i just love it so much its the best show in the world i think i love it please respond i wanna talk abt this
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2024.03.30 04:52 Minute-Pace4255 Rating every song off of Coldplay's albums on a scale from 1 to 10: Music of the Spheres
Well, we've made it to Coldplay's most recent album as of 2024: Music of the Spheres. I think we might be able to have some fair discussions in the comments this time, because this album is arguably their worst album. Sure, Everyday Life had its moments of trashiness, but overall, is that a bad album? Not even close to being the worst record. Sure, Everyday Life is a mid record, but it's not their worst album at all. Music of the Spheres takes the cake for the worst Coldplay album by far. Who knows? Maybe Moon Music could be better or worse. We don't know, since that album ain't coming out until sometime in May. Anyways, here's my ranking of this space junk. Bold means it's my favorite, italics means it's my least favorite, and as for the interludes, we're gonna do the same thing we did for Mylo Xyloto, and combine the interlude track with its corresponding track. Speaking of Mylo Xyloto, I can't think of how ironic this album's release was, since it was released nine days before MX turned 10 years old!
Lowest rated song of this series: Biutyful (Music of the Spheres) - (0/10)
Anyways, that wraps up this series for now, since Moon Music is coming soon. Hopefully that album is much better than whatever the fuck album we ended on.
submitted by Minute-Pace4255 to Coldplay [link] [comments]
- Music of the Spheres/Higher Power (8.6/10): The interlude on its own is getting a 4.2/10, but in my opinion, it's the best interlude on the album. Meanwhile, Higher Power itself is a good song, with or without the interlude. It's catchy, upbeat, and overall one of the best songs off the album. Sure, it's generic spacey pop, but if you compare this to whatever the hell we're about to get into on this album, it's much better, and the second best song off this album.
- Humankind (3/10): Might have one of the stupidest lyrics to close out a song, as they are "we're only human, but we're capable of kindness, so they call us humankind". I'm cringing just by looking at those lyrics. Besides that, the rest of the song doesn't really do much for me. It's just random space junk filler.
- Alien Choir (3.4/10): More space junk filler, except it's slightly better. Also, it's instrumental, but it doesn't fade into the next song. And that next song is...
- Let Somebody Go (3/10): I'm telling you Coldplay, you gotta stop doing collabs! And even if you ARE doing a collaboration, don't credit the artist you collaborated with! This time, they got Selena Gomez, who doesn't really bring anything to the table, since I don't like her music at all. It's kind of like an 80s cheesy ballad, but a lot worse.
- Human Heart (2.5/10): As if they weren't done with collabs, they brought R&B duo We Are King and English singer Jacob Collier. This time, it's slightly worse. It's primarily acapella, with nothing much. The lyrics don't even do much, since they just talk about how he's got a human heart. OK whatever! Does it matter?
- People of the Pride (2/10): And now Coldplay's trying to get into a truck commercial. Literally, play any Ford F-150 ads, mute it, and then add this song in the background. This song can suit it perfectly. Also, Chris does arguably the worst job at cussing in the song. Literally, here's the first four lines of the song: "there's a man who swears he's God, unbelievers will be shot, there's a man who walks around, like he owns the fucking lot". The swearing just feels awkward. The profanity on Arabesque is a lot better than this, and the same thing goes for Guns, even though I don't care for that song. Also, once again, the lyrics are just dull and don't even do anything. Overall, just a bunch of car commercial shit. But don't worry, it gets worse. Like, a LOT worse...
- Biutyful (0/10): I don't know what to say, other than this is worst song they ever made. Like, it's absolute dogshit. If it wasn't for that annoying ass high-pitched voice, this would've been a little bit higher. But they just had to bring back the annoying alien from Cry Cry Cry into this shit. The only thing I have to say is that even though Cry Cry Cry is a horrible song, it's a LOT better than this hunk of shit. The beat just makes me cringe too, since it's so goddamn generic. Pretty much everything makes me cringe, including the lyrics to the chorus. I literally feel embarrassed just listening to this hunk of shit. I just feel sick to my stomach with embarrassment. This song is so bad, that even saying that this song is bad would be an understatement. I'm gonna move on before I wind up rambling on about how shitty this fucking song is.
- Music of the Spheres II/My Universe (3.2/10): If it wasn't for Higher Power, then this would've been the highest ranking song, and even this is not good. The interlude alone is getting a 0/10. It's just twenty seconds of random alien noises. And yes, it lasts for only twenty seconds. Then we get into My Universe, and remember how I said any time Coldplay does a collaboration and credits the collaborated artist, well they did that, this time with BTS. And bro, I still will never understand why BTS go so big. Their music is fucking annoying, and I cannot stand that high pitched voice, especially in Dynamite and Butter. . They're only hailed as great solely because girls find them hot. Same thing goes for Blackpink. They're severely overrated, and have some of the most annoying shit ever, yet there's simps who buy their albums solely from that. Anyways back to Coldplay and BTS. This collab doesn't even bring much. It's just generic overall. "You. You are. My universe. And I. Just Want. To put you first." That's literally pretty much the chorus in a nutshell. But if you compare this shit to the rest of the album, it's slightly better. Also, you can label Coldplay as sellouts in this instance, because they managed to have a number one hit in the US with this. I think that was only because they got BTS on this mid-ass space junk. Anyways, moving on before I get sidetracked on how BTS are annoying.
- Infinity Sign (1.8/10): More random poppy space junk filler! Literally, it's just three minutes or something like that, of just boots-cats-boots-cats and something saying alien gibberish. But, just when we thought all hope was lost with this album, it closes out with the phenomenal...
- Coloratura (9.4/10): This is arguably one of their best album closers out there, and is by FAR the best song on the album. It's also their longest song to date, clocking in at 10 minutes, but nonetheless, it's amazing and beautiful. It also gives off Pink Floyd vibes, and I enjoy Pink Floyd too. Dark Side of the Moon, Wish You Were Here, and The Wall are one of my favorite albums of all time. This song even has a guitar solo by Jonny. The first time we've had a guitar solo in what, forever? Overall, a beautiful way to close out...whatever the fuck this album is.
- Ghost Stories (9.6/10)
- Mylo Xyloto (9.6/10)
- Viva la Vida or Death and All His Friends (9/10)
- A Rush of Blood to the Head (8.6/10)
- Parachutes (8.6/10)
- A Head Full of Dreams (8.4/10)
- X&Y (8/10)
- Everyday Life (6/10)
- Music of the Spheres (2.8/10)
Lowest rated song of this series: Biutyful (Music of the Spheres) - (0/10)
Anyways, that wraps up this series for now, since Moon Music is coming soon. Hopefully that album is much better than whatever the fuck album we ended on.
2024.03.03 14:40 olaWealth89 As Justin Bieber turns 30, does he have anything left to prove?
 | submitted by olaWealth89 to JUSTINBIEBER [link] [comments] https://preview.redd.it/q4ren5kfh4mc1.jpg?width=1200&format=pjpg&auto=webp&s=b091e1bfb8b0257a339108ed86e57bea56fcd46d Started playing drums, when I was only two,' Justin Bieber declared in his Otis Redding freestyle rap in 2011. At that time, he was 18 years old and had emerged as a musician just three years earlier, but there wasn't a person in the world who didn't know his name. And what he says is true, too: Justin was playing drums, guitar, piano, and the trumpet, many before he had even reached first grade in his hometown of Stratford, Ontario. But when he emerged as a pop act, even selling millions of records and winning top industry awards, Justin was not taken seriously as an artist. This was 'completely out of sync' with his gifts, so says music industry expert Bill Werde. Bill, who runs Syracuse University's Bandier music business programme, has a 'sense of justice' when it comes to pop, and points squarely a Justin as a prime example of an unfair narrative that persists in the genre. 'One thing people fundamentally misunderstand about Justin Bieber is that he is an incredibly talented musician,' he says. 'A lot of people think he's this fabricated pop star. And I get it because he emerged in this era of fabricated pop stars. But Bieber himself is genuinely an incredibly talented songwriter.' Having spent time with Justin when he was a fully-fledged act, Bill was in awe of 'his knowledge of music, his passion for getting into the weeds on remixes, his vocabulary and command, songwriting at the level where he played multiple instruments - it was completely out of sync with how I think most people perceived Justin.' It perhaps also had something to do with Justin's fanbase, mainly comprised of teenage girls, millions of them. But they saw something in him that was worth making the centre of their universe, if even for a short while. Like Karah Wilson, who aged 13 hand-wrote a 200-page fanfiction about the young teen sensation in all her spare time and during class, and shared it only with her friends - before going on to become a published author. 'It was a run-of-the-mill story, you know, I'm in a relationship with Justin Bieber, we have this meet-cute, we're flying around the world and I'm going to his different shows. It wasn't super creative... but it was a more creative endeavour than what I had been used to,' she explains. Having been deep in the fandom at the height of Justin's 'white-hot' fame, Karah agrees he and his fans were 'dismissed' despite his talents, and the 'organic' way he became a megastar. Because Justin was capturing the hearts of young girls before he was ever put on stage and TV as a polished product in white jeans and purple Supras: he had a devoted following just from YouTube, where kids were following him in their masses long before One Time was released. It's how Belieber Annika, now 19, first discovered Justin, remembering vividly how she watched his video in January 2007 aged just three - and it's difficult to describe the impact he's had on her life from there 'I was really sick when I was little, I had a lot of health issues, and I wouldn't be here today without his music, especially his song Pray - that song really saved me in more ways than one.' Aged 12, Runaway Love singer Justin came runner-up at local singing competition Stratford Star, and began uploading videos of himself singing to YouTube. Two years after that, he was singing for Usher and LA Reid. In just a short time later, he was selling out arenas around the world. Bill remembers working as Billboard's editorial director and being called in to LA Reid's office after Justin signed to DefJam as a young teenager, and being told straight out: 'This is the priority for the year ahead. You don't understand how big this kid is going to be.' 'And I didn't know, but who could have understood?' Bill reflects. 'I met Scooter [Braun] when no one knew who he was, and remember being impressed by his vision and passion for what he was doing.' 'There's a lot of curiosity in where he goes in a post-Scooter Braun world,' Bill adds. Last year rumours abounded that Justin had cut ties with the man who helped make him famous, at the same time the likes of Ariana Grande and Demi Lovato were reported to have split from him as a manager. '[Justin] represents a phenomenal opportunity for any manager. I don't think there's anyone who wouldn't want to manage JB, especially now he's settled down,' Bill goes on. 'It seems like he's matured past a lot of those, those things take time.' Justin has had his fair share of controversies and dips in the rollercoaster, but overall it's been a journey of stratospheric success, with seven UK number one singles, two number one albums, two Grammys, and a fanbase so dedicated they were among the first to have a name: Beliebers. An X user known as u/Princeofpopstan has dedicated her account to updates on Justin, and has done so for over a decade. 'It gave me a sense of community and allowed me to connect with others ... and we could talk about Jutin for hours on end in a way that people in real life ... didn't really understand,' she explains. She, too, noticed the criticism hurled towards him in the early years, and points out became famous without 'Disney or a sob story on the X Factor but due to his raw natural talent.' 'It's clear the music industry saw the talent he had,' she went on, but the same can't be said for the utterly vicious campaign against him. 'It was nothing but jealousy and internalised misogyny and homophobia in my opinion. People didn't like to see that someone younger than them was experiencing those levels of fame and success, and the fact that his core fanbase was preteen girls who are easy to make fun of.' Meanwhile, his masses of fans would have done anything for him, with Annika defending him 'on social media, at school, at work, in public, to my family' - and was so upset to see him go through a tough time in his documentary that she 'passed out' from the stress while watching. Of course this level of fame and infamy would be hard to handle for anyone, but for Justin - who went from living with his mum and grandparents in a small town, to not being able to go to the mall for fear of a literal riot breaking out before even reaching the age of 16, it was always going to have a deeper impact. 'For a minute there, his level of fame was Beatles-esque,' Bill agrees, adding 'I don't think he's going to do that [level of fame] again, but... it would be very hard for Bieber to spend another day of his life being anything other than extraordinarily, inescapably famous.' After years of this 'inescapable' fame and obsessive fans, contrasted by constant mockery from much of the public and other artists, Justin lashed out and began protecting his private life more jealously than ever, from refusing to take photos with fans on the street to attempting to attack a paparazzo to, famously, warning a lawyer not to mention Selena Gomez's name again. (This occurred at his own deposition for alleged battery against a paparazzo, where he gave attitude throughout including checking himself out and winking at the camera.) Fans were ready and willing to defend Justin, as they had always done, at this stage even in cases where he was in the wrong, which some have come to reflect on as the years passed. u/Princeofpopstan admits 'there are a few things I blindly defended him for as a preteen or teenager that I wouldn't necessarily defend him for today, such as driving under the influence. Although a lot of the controversies back then would be a non story today. He was attacked for every little thing he did in a way that his peers were not and the new teen stars would never be attacked for today - like smoking weed for example.' Justin clawed his way back to the top with his 2015 album Purpose, which acted essentially as an apology and promise to be more mature after a few years of run-ins with the law and accusations of generally being a difficult person. Bill sums it up neatly: 'Bieber goes away for a long time comes back and what's one of his first big hits? Sorry. That's not an accident, that's a choice.' But in recent years, while Justin's personal life has shone - with the wholesome marriage to wife Hailey Bieber in full public view, the success of his clothing line Drew, and being generally liked by the media and music fans. That said, this week on the eve of his 30th birthday there was concern for Hailey and Justin as her father and Justin's father-in-law, Stephen Baldwin, pleaded for prayers for the couple for an unknown reason, with a post which read: 'Christians, please when you think of Justin and Hailey, take a moment to offer a little prayer for them to have wisdom, protection, and to draw close to the Lord.') However as his reputation soared, Justin's mental and physical health began to decline. Justin was forced to cancel part of two different world tours: first Purpose in 2017, because of his mental health, and then Justice in 2022 due to his physical health, including Lyme disease and having developed facial paralysis from Ramsay Hunt Syndrome. Bill believes it's not over for him, however, as 'we all have our career arcs and doesn't it kind of feel like Bieber's has some unfinished business here?' He goes on: #It's almost like a great athlete. Like, you don't want an injury to end your career. You want to go out the way you want to. It feels like he has a lot more left in him.' But this praise comes, too, with a warning: 'The next time he has a [tour] cycle, it's important he ... is in the right sort of mental and physical health space so he can deliver.' 'Bieber has had legitimate health issues. It's important to his career that next time around, he's able to be prepared ... You don't want fans thinking twice about whether it's really going to happen when it comes time to put shows on sale. These days, if you want to bring your kid to a show, you could do that or you could buy a used car.' This uncertainty unfortunately persists, as just last month there was massive speculation that Justin was set to join his former mentor Usher at his Super Bowl halftime show performance - which Justin himself appeared to be teasing with photos of himself in the studio. And when it didn't come, the disappointment amid the fandom - and, arguably beyond - was palpable. But the question remains as to whether something went wrong, fell through at the last minute, or if Justin is still simply biding his time. 'It feels like he's been sending out signals that he's going to release some music,' Bill says. 'There were a lot of people who honestly expected him to be at the Usher halftime show, Bieber had started sending out images of him in the studio.' With several lifetimes of success already under his belt before reaching 30, as Justin celebrates his milestone birthday, what does he actually have left to prove to people? And could he ever, really, set out with new music and a new tour? 'Bieber's in an interesting spot,' Bill, who publishes free weekly music industry analysis newsletter Full Rate No Cap, explains. 'He's under contract with AEG for his touring, chances are good that based on some of the cancellations he's had to do because of health reasons, he probably still owes them some tours to make good on past cancellations. 'He's also still under contract with Def Jam for at least, I think, one more album, maybe more,' which is good news for anyone still dreaming of hoping to catch the pop royalty live. Bill believes the world is open for the musician to return - but he by no means has to. 'It's just a question of what he wants to do with that platform. There will always be interest in new Bieber music as long as he's alive.' Not bad for an industry puppet with no real talent. Read Bill Werde's music industry analysis newsletter Full Rate No Cap here. If you've got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page - we'd love to hear from you. |
2024.03.01 15:19 lobster5767 Gorgeous, KOMH, and the Beginning of Tily?
 | Recently, I've been looking into the timeline of Tily and how it overlaps with Tayvin and Hiddleswift. This led me to write a post about some songs on Reputation that I believe are about Lily. For the record, I believe that Joe was a beard and do think there are more songs in Taylor's discography post-1989 that are about Lily and Tily, but these two are the ones written before October of 2016, and they've really shifted my perspective on the Tily timeline. submitted by lobster5767 to GaylorSwift [link] [comments] Note that Taylor started writing ‘Gorgeous’ at her Cornelia St apartment on September 2nd 2016, and ‘King of My Heart’ on September 6th, and recording the latter on September 21st. I'm going to start off by recapping the Tily timeline before 2016, which is the year I believe they began. 2013If there's one event that'll go down in the pages of the Gaylor history books, it's undoubtedly the 2013 Victoria's Secret Fashion Show. Not only is it pivotal to the Kaylor lore, but it also sets the stage for Tily's first encounter in November of 2013.For this show, Lily walked in the British Invasion segment to Fall Out Boy’s performance and the Snow Angels segment while Taylor sang “I Knew You Were Trouble” (1). In the latter, she wore large, white and feathery angel-like wings. This is also the event that brings us the first of many Lily-Karlie-Taylor pictures from this time period as well. https://preview.redd.it/33ouv37nmplc1.png?width=2568&format=png&auto=webp&s=cc1fde38fb121ea60fa7e5447414053bebf15c59 2014After that, there were no more public Tily interactions or sightings until the 2014 Met Gala in May the following year, which both Lily and Taylor attended. Mario Testino snapped yet another Lily-Karlie-Taylor picture that night as they, along with Georgia May Jagger, were leaving the Met Gala (1).In December of that year, Taylor once again performed at the VSFS. Lily walked in both the Gilded Angel and Fairy Tale segments of the show, but she and Taylor didn't share the stage. Nevertheless, they both attended the afterparty (1) (2). During the Gilded Angel segment, Lily wore smaller, upturned gold wings. https://preview.redd.it/xpj9zd2hnplc1.png?width=1691&format=png&auto=webp&s=cfe4d0d7c75d4216ee4729401c838edc157a0103 However, before the show, while backstage, Garzia UK interviews Lily (1). They asked her why she believes Taylor is “such a good match for VS” and Lily replied with “[Taylor] just really gets into it and she's friends with a few of the girls too which I think is nice for them. She's just into it and she really interacts with all the girls which is nice. She's really sweet.” Based on this interview alone, where Lily mentioned Taylor being “friends with a few of the girls” and how that was “nice for them,” I think it's safe to assume that she and Taylor weren't friends at this time but had interacted. 2015In February of 2015, just two months after the 2014 VSFS, both Taylor and Lily attend the 2015 Elle Style Awards in London. This is also rumoured to be where Taylor first met Calvin, her future boyfriend. Following that, Lily and Taylor both appear at the Fabulous Fund Fair charity event at the Camden Roundhouse in London, which was co-hosted by Karlie (1). These two events are responsible for giving us all the Holy Gaylor relic photos below, including several more Lily-Karlie-Taylor pictures, which would also be the last of them.This event marks Tily’s fourth public interaction. https://preview.redd.it/sv5vblspnplc1.png?width=2477&format=png&auto=webp&s=241047e2bf0661056b1e532d4e442faada3cf0a5 In the third picture above and some others from that night below, it appears Taylor is affectionately looking at Lily in some of them. I think this might be the event where they first became closer to friends. Interestingly, Taylor reportedly followed Lily on Twitter that same night, although I haven't come across any links or screenshots to confirm this. https://preview.redd.it/pmzcvbu5oplc1.png?width=2473&format=png&auto=webp&s=e81c395f2b7474db77ad83785549107b3dad1d8e However, the theory that they possibly became friends that night gains some credibility as in July of 2015, Taylor invited Lily and Andreja Pejic onstage during her 1989 tour in Chicago. Lily later posted a picture of herself and Taylor on Instagram with the caption “Chill Sunday with a friend.” https://preview.redd.it/agr2y9vdoplc1.png?width=1593&format=png&auto=webp&s=b4bd26232d8d6bb6652e95b1598e9bfabfcf9dd9 At this point, it's safe to say that Tily are at least friends. Back in December, Lily hinted that Taylor was mainly friends with some of the other VS girls, not so much herself. Therefore, I assume they became friends during early 2015. I'll now be skipping over the entire Tily timeline of early 2016 until September. Unfortunately, I don't have enough space to cover it all in this post. But it's worth noting that September is when Taylor wrote 'Gorgeous' and 'King of My Heart,' both of which, I believe, are about Lily. https://preview.redd.it/xhc5vi53pplc1.png?width=2315&format=png&auto=webp&s=fa703497eb89d572990a9332d3d41aab3574192e I think this song is about Lily and possibly set during the early stages of the Tily friendship/relationship in early 2016. In February of 2016, both Taylor and Lily attended the Vanity Fair Oscars Party in Los Angeles. This is the first time they're seen at the same event since Taylor brought Lily on stage in July of 2015. Some Tily theories suggest that the setting for ‘Gorgeous’ could be inspired by this Vanity Fair party, given its reputation as one of the most quintessential “LA” and “Hollywood” events, and the reference to “Sunset and Vine” which is the intersection at the heart of Hollywood. However, even if this isn't the case, which I partially believe it is, I find that many of the lyrics in ‘Gorgeous’ relate to Lily and align with the Tily timeline. https://preview.redd.it/hr9fkysopplc1.png?width=1932&format=png&auto=webp&s=b2cd060d6383c4cc5f64964253f254c9168244a6 ‘Gorgeous’ is hinted at being about the early stages of a relationship, capturing the feelings of attraction towards someone who's perhaps a newer presence in Taylor's life, as some of the lyrics suggest. When we consider the images of Taylor and Lily's interacting at the Fabulous Fund Party in March of 2015, followed by Taylor inviting Lily onstage during the 1989 tour in June 2015, and Lily later captioning a photo of them from that night as a “Chill Sunday with a friend,” it's plausible to assume that they had only recently become friends by this point. The lyrics, “You should take it as a compliment / That I got drunk and made fun of the way you talk” I believe refers to Lily as she does have a British accent and making fun of British accents has been around for a while (sorry Brits!). “And I got a boyfriend, he's older than us / He's in the club doing, I don't know what” is a particularly revealing lyric in my opinion because it implies that the song is set during a time when Taylor is dating a guy who is older than both her and her love interest. I believe the boyfriend she is referring to is Calvin, rather than Tom, as he is a DJ and would constantly be at clubs to perform, or do, I don’t know what. In fact, Calvin extended his partnership with the Hakkasan group for three years at the beginning of 2015 and would go on to perform at Hakkasan nightclub, Wet Republic, and Omnia Nightclub at Caesars Palace in Las Vegas. This would place the timeline for this song somewhere between March 2015 to June 2016, which is when Tayvin dated. I also think Tily was beginning by early 2016, in whatever form, so this aligns with that theory. https://preview.redd.it/5k8wus7itplc1.png?width=1623&format=png&auto=webp&s=fa0a1358687d2a6090d940e1e4f2694f1b2f49a6 The line “You've ruined my life, by not being mine” suggests that this muse didn't have a romantic relationship with Taylor during this period. Kaylor was already a thing before 2015, when Calvin entered the picture, and Tily seemed to only become friends in mid-2015. This might also be referring to Karlie being with Josh and therefore not being Taylor's, but considering the following line, I don't believe that's the case. The line “If you've got a girlfriend, I'm jealous of her / But if you're single that's honestly worse” clearly refers to a female muse, in my opinion. If she has a girlfriend, it would at least be clear that she is into other women, but if she's single, it's even more challenging to figure out her sexuality. I don't know what this line would mean if referring to a male love interest. Speaking from personal experiences, I can relate to the sentiment if it was about a woman but the idea of a guy I’m interested in possibly having a girlfriend would be a turn-off. If he was single, however, it would be way more encouraging. My best guess is, she doesn’t want him to be single because that would be a waste? But that also doesn't make any sense. I also believe this line suggests that Taylor doesn’t know this person well enough to determine if she has a girlfriend or not. Lily and Taylor’s friendship appears to have started sometime during the summer of ‘15 or maybe even earlier, possibly around the time of the Fabulous Fund Party in March of that year. This then also aligns with the ‘boyfriend’ in the song being Calvin rather than Tom. If the song is indeed about Lily, which I think it is, then this further implies the beginning of the Tily relationship, in whatever capacity, in early 2016. The line “Ocean blue eyes looking in mine” seems pretty clear, and I think it only fits Lily, whose eyes are distinctly blue, aside from Joe and Tom’s. Calvin’s eyes are green-blue like Karlie’s. https://preview.redd.it/rekwu0yttplc1.png?width=660&format=png&auto=webp&s=d1715eb86a284827167e500620769211397f9ea9 The lyric video for ‘Gorgeous’ has each ‘gorgeous’ written out in bright pink, which further suggests that this song is about a female love interest. https://preview.redd.it/tpuqvpj6uplc1.jpg?width=1334&format=pjpg&auto=webp&s=ea5e14f3aafed3f48cd600ec62ab6b36ca5eb30f Additionally, in November 2017, Lily liked all three of the “Making of ‘Gorgeous’” videos on Taylor’s Instagram. While I don't consider this definitive proof, I do believe it's another nod to the song being about her. https://preview.redd.it/pfvfb0n9uplc1.png?width=1186&format=png&auto=webp&s=9834f8737e2435f3e4734b63f256b70faef31754 Finally, Lily is gorgeous. I rest my case. https://preview.redd.it/rckurd0duplc1.png?width=1124&format=png&auto=webp&s=efe8120990659a77d0da2098bf76eeca09b8cfac https://preview.redd.it/blaf46geuplc1.png?width=2445&format=png&auto=webp&s=dd89373e44e6026aa9556406a20552b460f830f1 I believe ‘King of My Heart’ to also be about Lily, or at least be partially inspired by her, because many of the references in the song seem to be connected to her and align with some of the timelines involving the Tily relationship. It could also be a mix of Lily and Karlie. The line “Now you try on callin' me, baby, like tryin' on clothes” seems to refer to Lily, considering she was a successful model during this time, and trying on clothes was literally her profession (1) (2). While it could also be linked to Karlie, other references in the song make me lean towards this song being about Lily. Side Note: In 2016, Joe modelled for the first time for a Vogue shoot despite having no prior experience in the field. This happened before his debut movie, which he also landed the titular role without any prior screen-acting experience, had even been released. An insane, but small part of my mind thinks if this was intentionally orchestrated to give the impression that this line is about Joe, when in reality, it was about Lily, the true British model. “Salute to me, I'm your American Queen / And you move to me like I'm a Motown beat” hints at the muse for this song being British. Lily is British, obviously, and Taylor could very well be her American Queen, especially since she had a literal British queen at the time. The second line might – and this is more me thinking out loud and throwing things out there – refer to Lily’s trip to Nashville in June 2016, coinciding with Taylor's presence there, which could then symbolise Lily figuratively “moving to her” during that time. Okay, hear me out, folks. Tayvin called it quits by June 1st, and both Taylor and Lily were in NYC in early June 2016 (1 ()2 ()3 ()4 ()5. This was just before Hiddleswift hard launched on the 14th of June.) On the 16th of June 2016, three months before Taylor wrote KOMH, Kim Kardashian drops the bombshell footage of Taylor and Kanye's phone call, alleging that Taylor knew about the “Famous” lyrics before they were released (1.) At this point, comments calling Taylor a snake had started rolling in since early 2016. https://preview.redd.it/lkpl9lm0vplc1.png?width=2813&format=png&auto=webp&s=4afd47fd549de472ec011207956b78e09f1e8a40 Three days after the article was released, Lily, who was last seen in England on June 11th, heads to Nashville on June 19th with her friend and fellow model Joan Smalls. They were there for a photoshoot for Free People but it doesn't seem to lead to anything, except for a small entry on their fashion blog and a YouTube video which is later privated (1, all of this I consider a little sus.) During their trip, Lily and Joan take many Snapchat photos and videos, capturing moments along the way. Interestingly, Joan tags Taylor in a video of her singing "Wildest Dreams," which Lily filmed on Instagram. Coincidentally, Taylor was also in Nashville at the time. She attended Selena Gomez's Revival concert with Tom and Kelsea Bellengeri on June 21, 2016 (1.) https://preview.redd.it/vuza9x67vplc1.png?width=2660&format=png&auto=webp&s=d2b7fb780c4f08ca7eb00d71d4810d8702fba775 I personally believe in the theory that this “work” trip for Lily was an excuse to visit and support Taylor during the snakegate attacks following the Kim Kardashian article. While I’m sure it's common for modelling gigs to fall through occasionally, Lily and Joan were highly successful models at the time, having worked with major brands like Burberry, Louis Vuitton, and Dior, and been on the covers of Vogue numerous times throughout their careers by that point. It seems unlikely that they would have needed to fly to Nashville for a photoshoot with the Free People brand that had nothing come of it if there wasn't some other motive behind it. But, anyways, back to regular programming. “Cause all the boys and their expensive cars / With their Range Rovers and their Jaguars / Never took me quite where you do” is a pretty queer line, suggesting that no man has had the same impact on her as this muse, who we can assume is a woman. It also seems to directly reference Calvin and Tom, as Calvin drove Taylor around in a Range Rover in early 2016, and Tom starred in a Superbowl Commercial for Jaguar. This line also seems to fit with the March 2015 to September 2016 (Hiddleswift broke up during this month) timeline. Following Lily’s Nashville trip, where both Taylor and Lily were at during the same week, they were both in England by June 24th. Lily is at the Glastonbury Festival with Cara Delevigne and Suki Waterhouse, while Taylor is spotted at Stansted Airport in Suffolk, about four hours away from Somerset where Glastonbury is held (1) (2). Taylor is photographed with Tom and his mother on the 26th in Suffolk, and by June 29th, Hiddleswift is seen in Rome (1) (2). It’s also reported by E! that Tom drove Taylor around Suffolk in a rented Jaguar during this time, which is another connection to the “Jaguars” line that seem to overlap with Lily being in England during this time. Additionally, Taylor and Tom heading to Rome afterward, along with their subsequent trips to Australia, also seem like another nod to the line “never took me quite where you do” considering that Tom literally did “take” her to a variety of places. “Your love is a secret I'm hoping, dreaming, dying to keep” The pining and secret love motifs in this lyric are very queer, very gay. But considering Taylor and Joe went public in early 2017 and Taylor specifically told Reputation Secret Sessioners that the album was about her “angel boyfriend,” I doubt this is about Joe (including many other reasons too lol). The line is also interesting because Kaylor was very popular and public in 2014-2015. This, again, is a personal experience, but many people, including a little non-Gaylor me, thought they were dating during that time and remember seeing Kissgate go down in the media. They weren't so much a “secret” in the sense that people, familiar with pop culture at the time (and even not), knew that Taylor and Karlie were BFF's and some thought there was something more going on between them. Tily is practically unknown, even in Gaylor spaces, to this day and this line also hints at a newer relationship, which fits in with the Tily timeline. “With all these nights we're spending / Up on the roof with a school girl crush / Drinking beer out of plastic cups / Say you fancy me, not fancy stuff” There's a lot to unpack in these lyrics, but the use of "we're" in the first line and the mention of a "school girl crush" in the second line suggests that this song is about two women, both having a "school girl crush." This further implies that the song is about a female muse. Moreover, in the Making of a Song video for “King of My Heart,” Taylor sings “up on your roof with a schoolgirl crush.” At the time, both Lily's and Karlie's addresses were public knowledge, but Lily's building was the only one among the potential muses to have a rooftop in 2016. Notably, this rooftop was even featured in her photoshoot for Cass Bird and the Telegraph (1). https://preview.redd.it/v9zc32wr1qlc1.png?width=2624&format=png&auto=webp&s=9853c764fcb8c61b80ae5ba1bd1a47d09ce386f5 Both the original and revised lyrics could potentially refer to Taylor and Lily spending time together on either the rooftop of Taylor's Cornelia St. apartment or Lily's rooftop in the East Village, or both. There's a video Cara posted on October 20th, 2016, filmed on the 16th, roughly a month after "King of My Heart" was recorded. In the video, Lily, Cara, and possibly a security guard are seen on the rooftop of the Cornelia St. apartment, with Taylor possibly filming them. Additionally, Lily posted a Snapchat that night featuring Olivia and Cara was seen leaving the Cornelia Street apartment on October 17th wearing the same multi-coloured pants and black coat from the video (1). https://preview.redd.it/z8l2vk7u1qlc1.png?width=1216&format=png&auto=webp&s=82f6f112aa22951545733cbc2df0f4ee6b325938 While the video was taken after the song was recorded, I see it as evidence that Taylor and Lily indeed hung out on the roof of either the Cornelia St. apartment around this time. Another, more obvious, clue pointing to Lily as the muse is the use of British phrases in the lyric “Say you fancy me, not fancy stuff.” Given that much of the Tily "material" emerges after September 2016, and it's widely believed that Tily began around that time, I found the connections to songs written before then, hinting at the start of their relationship, quite intriguing, and I wanted to share all of this with you. |
2024.02.28 02:19 KnockyRocky Tangent Time! Vol. 4
Another lesson? Another inexperience issue that’s a biggie: you have to sort out excitement from confidence. One of my favorite artists, Selena Gomez, explains exactly what I’m talking about in her song “calm down.” I’m actually not a big fan of that song, mainly because I don’t think she was in a great place when she dropped it. It’s great when artists can explain why through their music… that song is not at all trying to do it. No matter - she knows wtf she’s talking about anytime she talks about this stuff. What she’s really saying is “I understand how excited you are about me, but you need to be relaxed and steady if you want me. I know you do - I’ll show you how badly I want you. Come get me. First? Baby, calm down.”
Women aren’t easy to describe - no man past, present, or future will ever define you guys correctly. Trick question anyways, guaranteed to piss her off at some point during the inevitable “why do you think that” part of the conversation. The closest acceptable answer that somewhat satisfies both sides? Women are complex. True!
Fruit is good. True! But wtf does that actually mean? Healthy? Taste? Appearance? Such an unsatisfying answer. I do know a banana isn’t ripping me into shreds for going into detail. I really haven’t gotten “ripped to shreds” on here, but trust me. It just takes one comment for the floodgates to burst leaving me with one, singular acceptable analysis: “ladies are wonderful.” And… I’ve already written those words, so bless all of my female readers who’ve held off so far.
If you can tolerate me, you’ll have a great relationship: guys appreciate “chill” which is really saying “she only gets on my case when I actually deserve it.” That’s a foundation of great conversation. Keep in mind “on my case” is relative. Can also be defined as “she’s great at subtly getting on my case without me even realizing it.” Don’t worry, there’s a built-in, 7ish day exception you have. Duh. When you’re on your p… did I mention you ladies are always absolutely wonderful? Point is, the ladies reading are plenty chill for letting those slide.
I’m not going to define women - but I’m going to use a spot-on example. “Calm down.” Clicking with a woman is really exciting. Getting to know her and seeing all the common interests is exciting. Asking her on a date is exciting. Seeing her full-on, max effort beautiful is really exciting. Imagining literally ripping off her dress that caught my eye so I’ll be the last one to see her with it on is really, really exciting. Getting the invitation to make that a reality is really, really, really x1000 exciting. You know what she is when she’s physically ready? She’s “turned on.” You know what I am when I’m physically ready? “Excited.”
You know the guy’s path to getting to the physical part with a woman? Calm. Whole time. You have to show her how excited you are about her without an ounce of excited energy. That’s amplified so much for a guy when something’s real. That’s where inexperience really bit me on the ass. I held it together so well… until I made a mistake. Until I lost 7 - that newfound happiness. Let’s just say I gave a little more than excited energy. And no, that’s not a dick pic reference.
It not a bad thing! It’s a composure test. Not unlike my advice I wrote about for testing a guy if you think it’s real. In sports, it’s how relaxed you are with the game on the line and the ball in your hands. The late, great Kobe Bryant described Steph Curry: “I see a calmness in him.” Steph is incredibly poised - he can miss 4 game winners in a row but he won’t hesitate to take a fifth. In big moments he’s the exact same as he was in the second quarter. That’s clutch. That’s standing as close to the line between confidence and arrogance. And that’s why he has Ayesha - clearly a great relationship.
It’s improvable and transferable throughout aspects of life. It takes an unbelievable amount of work (experience) to get there, and some are born with more of it. The confidence I mentioned? The level 1 to what he has. The baseline. That’s the first glimmer of “I want to be great.” Then it’s a matter of how hard you’re willing to work to get there.
I hope women understand how valuable that is to a guy. What you can really do for us. Your worth simply from existing as a woman. The better the chemistry, the bigger the boost. And… maybe why it’s so important to go through this. Yeah, it helps you see more of a guy’s personality. But ladies aren’t really “I” people - “you” is worth more. Selfless Givers. Why would he like that tough experience? He’s more “clutch.” Showing you off is kind of a trophy: “I worked for her. Look how clutch in the moment I was. Look how amazing she is.” Just because you’re waiting/stuck on a guy doesn’t mean you should get more excited than him. Remember, you get turned on - that takes time. He’s the one getting excited.
So my analogy for women is simple: it’s great how you build up our poise. Can’t thank you enough. How do you do that? You need us to be excited about you, yet calm turns you on. Every single step of courting gets more and more exciting, yet the closer we get to sleeping with you, the more important it is to be calm. Any cracks ruin the moment. When we finally get upstairs with you we don’t want an f’ing drink, we’re ready to rip your clothes off. Saying that would turn you on, the literal implementation would get us thrown out of your apartment. Things finally start, and right when it’s time to take your shirt off you need to “freshen up.” Things restart all over again, even slower this time. Piece by peace your clothing comes off - delays after each to have us appreciate the new part of your body we accessed. Then, when it’s finally time - when you’re ready to really calm us down from our excited state… some of you judge us from the first damn time! aka we “calmed down” too quickly.
That’s you. That’s women. That’s what it’s like trying to understand “complex.” No, you aren’t just complicated. You’re a test with A, B, C, and D all correctly answering the question. Those are our options, so we blindly pick C. It’s wrong. You expected a write in answer: it was E: none of the above. Not because the answer we picked was wrong, but because all of the choices you provided were equally right.
Good. F’ing. Luck.
Btw did I mention ladies are really, truly wonderful human beings :)
I’ve used “intimidating” to describe women… which I found out was not a word women appreciate being called. When I could replace “woman” with “grizzly bear” there’s a better word - I just can’t find it. Yeah, some of that is wrapped up with potentially getting hurt. Much more of it is what I just described. Selena again: “Calm Down.” She describes what she needs so well… but she has no idea what she’s asking. There might be 5 stand-up, marriage-worthy men on the planet who can withstand her request to her expectations. She is one of the most powerful, influential, and famous women on the planet. She is going to equal that with her physical “wow” when you see her for a date. Her presence is going to knock a guy off his feet. The excitement she creates is going to break guys long before the drinks arrive at the table. That’s a “good guy,” because that’s what it’s like fully appreciating a woman like that.
You know who will meet those expectations? Jerks. Arrogant jerks. Someone she’ll later know who doesn’t appreciate her but loves sleeping with her. It’s a whole lot easier to stay calm when you know sex is your real objective. And they aren’t going to react well when she takes that away.
Her initial expectations are absolutely worthy of her… but she has absolutely no idea how small the pool of guys really is who can meet them and love her like she wants to be loved. Imagine an inexperienced guy like me going after someone like that. Do I appreciate her? Yeah! Am I looking for what she wants? Yeah! There is zero chance she’s even considering me 45 seconds into a hypothetical date. I could not stay composed enough - I’d be working too hard to impress her. Then I’d spend the next 20 years writing about her, apparently.
submitted by KnockyRocky to UnsentBooks [link] [comments]
Women aren’t easy to describe - no man past, present, or future will ever define you guys correctly. Trick question anyways, guaranteed to piss her off at some point during the inevitable “why do you think that” part of the conversation. The closest acceptable answer that somewhat satisfies both sides? Women are complex. True!
Fruit is good. True! But wtf does that actually mean? Healthy? Taste? Appearance? Such an unsatisfying answer. I do know a banana isn’t ripping me into shreds for going into detail. I really haven’t gotten “ripped to shreds” on here, but trust me. It just takes one comment for the floodgates to burst leaving me with one, singular acceptable analysis: “ladies are wonderful.” And… I’ve already written those words, so bless all of my female readers who’ve held off so far.
If you can tolerate me, you’ll have a great relationship: guys appreciate “chill” which is really saying “she only gets on my case when I actually deserve it.” That’s a foundation of great conversation. Keep in mind “on my case” is relative. Can also be defined as “she’s great at subtly getting on my case without me even realizing it.” Don’t worry, there’s a built-in, 7ish day exception you have. Duh. When you’re on your p… did I mention you ladies are always absolutely wonderful? Point is, the ladies reading are plenty chill for letting those slide.
I’m not going to define women - but I’m going to use a spot-on example. “Calm down.” Clicking with a woman is really exciting. Getting to know her and seeing all the common interests is exciting. Asking her on a date is exciting. Seeing her full-on, max effort beautiful is really exciting. Imagining literally ripping off her dress that caught my eye so I’ll be the last one to see her with it on is really, really exciting. Getting the invitation to make that a reality is really, really, really x1000 exciting. You know what she is when she’s physically ready? She’s “turned on.” You know what I am when I’m physically ready? “Excited.”
You know the guy’s path to getting to the physical part with a woman? Calm. Whole time. You have to show her how excited you are about her without an ounce of excited energy. That’s amplified so much for a guy when something’s real. That’s where inexperience really bit me on the ass. I held it together so well… until I made a mistake. Until I lost 7 - that newfound happiness. Let’s just say I gave a little more than excited energy. And no, that’s not a dick pic reference.
It not a bad thing! It’s a composure test. Not unlike my advice I wrote about for testing a guy if you think it’s real. In sports, it’s how relaxed you are with the game on the line and the ball in your hands. The late, great Kobe Bryant described Steph Curry: “I see a calmness in him.” Steph is incredibly poised - he can miss 4 game winners in a row but he won’t hesitate to take a fifth. In big moments he’s the exact same as he was in the second quarter. That’s clutch. That’s standing as close to the line between confidence and arrogance. And that’s why he has Ayesha - clearly a great relationship.
It’s improvable and transferable throughout aspects of life. It takes an unbelievable amount of work (experience) to get there, and some are born with more of it. The confidence I mentioned? The level 1 to what he has. The baseline. That’s the first glimmer of “I want to be great.” Then it’s a matter of how hard you’re willing to work to get there.
I hope women understand how valuable that is to a guy. What you can really do for us. Your worth simply from existing as a woman. The better the chemistry, the bigger the boost. And… maybe why it’s so important to go through this. Yeah, it helps you see more of a guy’s personality. But ladies aren’t really “I” people - “you” is worth more. Selfless Givers. Why would he like that tough experience? He’s more “clutch.” Showing you off is kind of a trophy: “I worked for her. Look how clutch in the moment I was. Look how amazing she is.” Just because you’re waiting/stuck on a guy doesn’t mean you should get more excited than him. Remember, you get turned on - that takes time. He’s the one getting excited.
So my analogy for women is simple: it’s great how you build up our poise. Can’t thank you enough. How do you do that? You need us to be excited about you, yet calm turns you on. Every single step of courting gets more and more exciting, yet the closer we get to sleeping with you, the more important it is to be calm. Any cracks ruin the moment. When we finally get upstairs with you we don’t want an f’ing drink, we’re ready to rip your clothes off. Saying that would turn you on, the literal implementation would get us thrown out of your apartment. Things finally start, and right when it’s time to take your shirt off you need to “freshen up.” Things restart all over again, even slower this time. Piece by peace your clothing comes off - delays after each to have us appreciate the new part of your body we accessed. Then, when it’s finally time - when you’re ready to really calm us down from our excited state… some of you judge us from the first damn time! aka we “calmed down” too quickly.
That’s you. That’s women. That’s what it’s like trying to understand “complex.” No, you aren’t just complicated. You’re a test with A, B, C, and D all correctly answering the question. Those are our options, so we blindly pick C. It’s wrong. You expected a write in answer: it was E: none of the above. Not because the answer we picked was wrong, but because all of the choices you provided were equally right.
Good. F’ing. Luck.
Btw did I mention ladies are really, truly wonderful human beings :)
I’ve used “intimidating” to describe women… which I found out was not a word women appreciate being called. When I could replace “woman” with “grizzly bear” there’s a better word - I just can’t find it. Yeah, some of that is wrapped up with potentially getting hurt. Much more of it is what I just described. Selena again: “Calm Down.” She describes what she needs so well… but she has no idea what she’s asking. There might be 5 stand-up, marriage-worthy men on the planet who can withstand her request to her expectations. She is one of the most powerful, influential, and famous women on the planet. She is going to equal that with her physical “wow” when you see her for a date. Her presence is going to knock a guy off his feet. The excitement she creates is going to break guys long before the drinks arrive at the table. That’s a “good guy,” because that’s what it’s like fully appreciating a woman like that.
You know who will meet those expectations? Jerks. Arrogant jerks. Someone she’ll later know who doesn’t appreciate her but loves sleeping with her. It’s a whole lot easier to stay calm when you know sex is your real objective. And they aren’t going to react well when she takes that away.
Her initial expectations are absolutely worthy of her… but she has absolutely no idea how small the pool of guys really is who can meet them and love her like she wants to be loved. Imagine an inexperienced guy like me going after someone like that. Do I appreciate her? Yeah! Am I looking for what she wants? Yeah! There is zero chance she’s even considering me 45 seconds into a hypothetical date. I could not stay composed enough - I’d be working too hard to impress her. Then I’d spend the next 20 years writing about her, apparently.
2024.02.26 23:09 Impressive-Handle-34 Who designed this Selena Gomez Dress?
 | Does anyone have any idea who designed this Selena Gomez dress from a while ago??? I’m looking for something with a similar look to wear for my birthday and I particularly love how it sits on the shoulders 😍 submitted by Impressive-Handle-34 to findfashion [link] [comments] I’ve only been able to find a two piece set/top (Emma top from Meshki US) that could fit but not a dress. Would really appreciate suggestions 💕 |
2024.02.15 04:38 CatwickBosecat List of my top ten Valentine's Day Sitcom episodes!
- Community - Early 21st Century Romanticism (2.15)
Review: What a sweet closing voiceover! Jeff gets in a fight with the study group about the merits of BNL (Barenaked Ladies, preeminent Canadian rock band). When a simple invitation to watch a soccer game explodes into a rager at Jeff’s apartment, he realizes he misses the study group. He sends a group text about how scary it is to care about one person, let alone six, but if he can’t say it on Valentine’s, when can he: he loves them. Meanwhile, Troy and Abed both have the hots for the librarian, and decide to do it all above board: let her know they’re both interested and she should come to the dance and choose between them. She ultimately chooses Troy, who ironically can’t be with a person who doesn’t see how awesome Abed is. Britta is having a very Britta Valentine’s - she has a cool new lesbian friend, who is only friends with her because she thinks Britta is a lesbian. They only realize the other is straight after an impromptu dance floor make out to prove how comfortable they are with the others’ sexuality. If only we got the Dean in a Cupid’s outfit, bestill my heart!
- Home Economics - Pregnancy Test, $12.98 (2.13)
Review: Connor snags a reservation at an obscenely decadent restaurant, Silo, but his girlfriend, Jojo, has a different idea: she wants to treat him for a change, so why not a night at home with pizza and a movie? Connor ups the rezy to four, so Tom and Marina can double date with Sarah and Denise. Sarah can’t stop pointing out how over the top bougie everything is. Marina is nauseated by the smell of the seafood tower, which makes her think she’s pregnant, since the last time she had this reaction to seafood was due to pregnancy. Denise offers to slip out and get her a pregnancy test. Sarah is worried that her negativity is pushing Denise away, so she’s relieved when the pregnancy is revealed. Tom and Marina both freak out, but ultimately she isn’t pregnant. However - Denise wants to have a baby! Meanwhile, Connor’s date night with Jojo is interrupted when his ex-wife, Emily, swings by with their daughter, Gretchen, who doesn’t yet know Connor is dating Jojo. Luckily, Gretchen is cool with it. In fact, she already suspected it - they were spending a noticeable amount of time alone in the pantry. Jojo reads the subtext Connor is missing - Emily is lonely, and doesn’t want to be alone on Valentine’s Day. Jojo uses her social media savvy to help Emily up her online profile game, to the point where the women are bonding and Connor’s presence really isn’t needed. It’s just a delightful left turn in what could have been a lazy catfight. While I wish we had something special - a longstanding Valentine’s tradition, or even some gifts or more set dec - this is such a charming show.
- Modern Family - My Funky Valentine (1.15)
Review: This is exactly what you’d want a Valentine’s Day sitcom episode to be - a little spicy, a little sweet. Gloria wants to salsa dance, but Jay is excited to take her to see a comic whose observational humor is spot on, until the comic starts observing the age gap between Jay and Gloria. Claire and Phil’s roleplaying was perfection - not too smooth, and very believable. I loved the moment when Clive slipped back into Phil when the waitress told him not to smoke. The set piece of familiar face after familiar face running into Claire when she’s trapped in just a trench in the escalator is incredible, and running into Jay and Gloria is the best and worst thing ever: embarrassing for her father to catch her in flagrante, but Gloria saves her by artfully shimmying Claire out of her coat and into Gloria’s trench. Mitchell and Cam’s plotline is lacking in the romance department, as they’re there to defend Manny and his pursuit of love.
- black-ish - Big Night, Big Fight (1.13)
Review: Stylizing a Valentine’s Day fight as an escalating world war is fantastic. Stage One: The Inciting Incident (Dre asks if Bow is changing before they head out to dinner.) Stage Three: Evasive Maneuvers (Dre pays the maitre d to get them a last minute table while Bow is in the bathroom.) Stage Five: The War Council (Dre gets advice from other men fighting with their wives in the bathroom.) Stage Seven: Mutually Assured Destruction (Reviving old, ugly argument.) Stage Eight: Naked Peace Talks. Dre and Bow come together over the bickering of smaller, annoying countries (AKA their children), and agree that it’s healthier to air their grievances. There is so much incredible specificity - from Bow being mad at him for buying gas station flowers to Dre pronouncing the holiday as “Valentime’s” - that makes the whole episode sing.
- Fresh Off the Boat - Cupid’s Crossbow (5.14)
Review: Love is in the air… Emery has three dates, one for each meal of the day, Evan wants to ask out his lab partner, and Louis suggests bringing a third into their marriage (an accountant to do their taxes.) Evan, who always goes to Jessica for help, goes to Louis instead for help brainstorming a romantic way to ask out his lab partner. Jessica refuses to admit she isn’t the best at anything, not even romance, so she goes to increasingly desperate lengths, culminating in pretending to hold up the restaurant where Evan is on his date to trigger the chemicals that cause fear and love. Meanwhile, Eddie gets an anonymous note from a secret admirer, so he goes on a quest with Honey to revisit every house he has delivered to and see if he can’t figure it out. This was a fun and original take on a Valentine’s Day episode.
- Parks & Recreation - Operation Ann (4.14)
Review: Galentine’s Day is back! Ladies celebrating ladies breakfast-style. Ann is single this Valentine’s Day, so Leslie recruits everyone in the office to bring eligible bachelors to the dance for Ann. There’s dud after dud, and eventually April suggests Ann try going out with the only guy who’s made her smile all night: Tom. Leslie thinks Ann is sneaking off for a date with Chris, her boss, against office policy, and is floored when she realizes it’s Tom. In classic Leslie fashion, she has created an intricate scavenger hunt for Ben, which will lead him to a mystery location. The very first hint is a crytek unlocked by a five-letter word that captures the essence of their third date. Ben is already in over his head, so Ron and Andy help him. They split up to try and find the last hint, because going one-by-one will take too long. Leslie’s gifting has always been next-level, and Ron truly knows her. He says to Ben that Leslie loves love, but she also loves being right, so is there a location that symbolizes something she has changed his mind about? Ron is right: Leslie is there waiting for Ben at Lil Sebastian’s memorial.
- New Girl - Operation: Bobcat (6.16)
Review: Winston has a dream: propose to his girlfriend and police partner, Ally, in a rest stop bathroom dressed as a bobcat as an homage to one of their first assignments together as partners. Jess helps him bring his dream to life, with mood lighting and a cop choir singing “Allison” to back up Jess reading Winston’s written proposal, as Ally kicked him so hard he can’t read it. It’s so fun yet so sweet - it made me tear up! Schmitt usually plans an elaborate sexcapade for the anniversary of their first coitus, but he’s been so stressed with work that Cece decides to surprise him. She plans a rooftop encounter at his work, but their clothes blow away. Nick brings them truly terrible clothing to change into - a pre-weight loss fit for Schmitt, and her wedding dress for Cece. Nick, meanwhile, has stepped up his Valentine’s game and has hourly surprises for Reagan, only to end up disappointed when all she gets him is a chain. New Girl is firing on all cylinders when it comes to romance.
- The Big Bang Theory - The Tangible Affection Proof (6.16)
Review: This episode is a romance ninja (copyright: Leonard.) This show has always been critically overlooked - this episode is an indelible example of how well the writers understand each character. Leonard is psyched about Valentine’s Day, but Penny isn’t mustering up any enthusiasm. They go out for a lovely dinner, but Penny spots an ex that cheated on her, there with her former friend he cheated on her with. AND he proposes. Leonard is more and more hurt that she can’t shake it off. Back at her apartment, she confesses to Leonard that because their relationship is going so well, she’s starting to get freaked out because he keeps proposing. Leonard promises that he will stop proposing and puts the onus on her to ask for his hand if she wants to get married. It’s such a lovely way of making something that seems anti-romantic, truly romantic. Bernadette and Howard are fighting because Howard isn’t contributing to the chores around their place. Out of spite, she hid Howard’s X-Box because he hadn’t done the laundry like he’d promised. They’re at dinner to witness Leonard and Penny’s fight, and realize their squabble is petty. Howard apologizes and realizes Bernadette hid his console in the one place she knew he wouldn’t look - the washer! Sheldon farms out the task of picking out a Valentine’s present to his assistant, who succeeds in finding something so wonderful that Sheldon decides to keep it for himself. Amy shows up with the perfect Valentine’s gift for Sheldon: no Valentine’s celebration. Let’s order a pizza and watch a movie with “Star Something” in the title. Sheldon then gives Amy her gift and the episode its title: tangible proof of his affection for her, by making her his emergency contact. Poor Raj is single as usual, and he and Stu throw a party at the comic book store. Raj gives an impassioned speech about how it’s not shameful to be single, when a girl gives him one compliment and they immediately leave to get coffee together, completely undercutting Raj’s speech. May you all be struck by the romance ninja this Valentine’s!
- Happy Endings - The St. Valentine’s Day Maxssacre (2.13)
Review: Penny’s concept of “the break up window” perfectly encapsulates the awkward window around the holidays when you simply shouldn’t break up with someone as a courtesy. She is doing this herself to a guy whose annoying wink she can’t take anymore - delaying plans with him up it’s a respectful enough time after Valentine’s Day. When Dave’s crazy sex girl starts blowing him off, Penny convinces Dave the girl is just respecting the break up window. Dave sabotages the romantic dinner he had planned, only for the girl to reveal she would have had a threesome with him, if he had put in any more effort than canned beans for dinner. Brad and Jane are a sitcom couple trope I adore: married but still madly horny for each other (think Morticia and Gomez.) Brad pulled out all the stops: fondue, a horse-drawn carriage, dinner at an exclusive restaurant, even a predate dental appointment. Demanding the goofy juice when he finds out he has a cavity, Brad does not deliver on the aforementioned plans. (The sequence at the dentist’s office was incredible - the episode was directed by Joe Russo of Endgame fame.) Luckily, Alex is on a quest to help someone find love, and she helps Max win a second chance with the guy who broke up with him last Valentine’s Day for not putting in enough effort. Max shows up in a beautiful set piece outside an apartment, resplendent with candles, and Brad and Jane show up to lend them the horse-drawn carriage and the dinner rezy. As Alex says, it’s the happy ending Saint Valentine himself did not get. From new romance to old love to crazy sex, this episode covers everything Valentine’s celebrates.
- 30 Rock - Saint Valentine’s Day (3.11)
Review: This is a show firing on all cylinders! My boyfriend joined me for the last five minutes, and even with no context, he was laughing. Liz makes a date with Dr. Jon Hamm, not realizing the date she picked is Valentine’s Day. She has him over to her place for a casual dinner, but first her boob pops out (date #4), then her bathroom door opens while she’s on the commode (date NEVER), then they agree to embrace what the world is throwing at them: they’ll get everything out of the way tonight, and if they still like each other, then it’s real. In rapid succession, Liz meets Dr. Hamm’s teenaged pyromaniac daughter, then his dying mothegrandmother. I appreciate the gesture at the awkwardness of a new romance around the 14th - it can get awkward, though not usually deathbed confessional awkward. Meanwhile, Jack is dating Nurse Selma Hayek, a fiery and very Catholic Latina. She always goes to church to celebrate the Massacre of Saint Valentine - Jack isn’t one of those convenient Catholics who just goes to church every Sunday, right? Jack has made a reservation at Plunder where he intends to order the Lover’s Delight: a one-thousand dollar dessert complete with black, white, and clear truffles as well as edible gold foil. They get in a fight when she realizes his true religion is business and she breaks up with him, only to find a McFlurry card in the donation plate and take it as a sign to reunite with her love under the golden arches for the world’s greatest dessert under one thousand dollars: an Oreo McFlurry. Meanwhile, Kenneth meets a blind girl and is so smitten he can’t say a word, so Tracy jumps in as his voice. It’s a great bit - they take her to a “restaurant” that is just the TSG stage with Grizz and Dotcom making background noise. It ends with Kenneth telling the girl the truth, then she touches his face and makes a quick exit. Not everyone can find true love on Saint Valentine’s Day!
Honorable mentions and more here.
2024.02.07 18:39 Paul_thebaII Third eye Blind Debut Album (Review)
This is one of my favorite albums ever, featuring some of the best songs ever as well. Let’s dive into this review, where I will try to include my overall opinions as well as a brief numerical rating. For the record, five will be an average score (and I would rate Blinded a 5/10, so compare it to that if you want). A 1/10 would probably be Self Righteous for me, and a 10/10 would be a song such as Crystal Baller. If you’re reading this with no prior knowledge of Third eye Blind, just know 5/10 is not a “bad” score. Now let’s do this!
The album kicks off strong with Losing a Whole Year. The song tackles the unique idea of feeling as if you’ve wasted a whole year with a girl who ended up meaning nothing to you. Losing a Whole Year effectively sets the stage as a retrospective track, going into details such as the girl's personality and how things started going downhill. The instruments are also incredible, highlighting Cadogan’s skills as a guitarist. The chorus is very angry whilst the verses are a slight bit cooler, which gives a nice balance. Still, for whatever reason, the track doesn’t do as much for me as it should. While the chorus is strong, I’ve heard it 100 times. The verses feel a bit fresher, but in the end, the track isn’t one of my favorites. Though I do praise it for all that it accomplishes, I’m gonna be giving it a 6.5/10.
The second track really does it for me. Narcolepsy, a song about the themes of said disorder. The song does so very well, and might I say, is structured almost perfectly. The song starts slow, then has an amazing beat drop at the chorus, followed by even faster parts that continue through basically the whole song until it ends slowly once again. The instruments also carry this song, specifically Kevin Cadogan’s playing. The song is very chaotic, but all the transitions are done in such a wonderful way, and it’s seamless. That is why this track easily deserves an 8/10 from me.
The next song is Semi Charmed Life, and if you don’t know any other songs on this album, this is the one you’d know. Semi Charmed Life is not only their biggest hit ever, but also an absolutely amazing track. The song starts off fast, stays fast, continues to stay fast and then ends fast. Who wouldn’t like that? Underneath all the fun sounds, Semi Charmed Life is dark, touching on themes of drug addiction, sexual content and cocaine + meth. This makes the song feel more meaningful, which adds a perfect mix of lightheartedness and darkness. Though this isn’t my favorite on the whole album, I appreciate it a whole ton, and I also would like to brag and say that I have every lyric memorized and can sing it on x2 speed. Saying all this, I believe it deserves no less than 8.3/10.
The next song is Jumper, which shouldn’t need any introduction. Similar to Semi Charmed Life, Jumper was a huge song of the 90’s, being featured in quite a few movies, including Liar Liar (1997). Still, I believe it to be one of the weakest songs on the entire album. It feels flat to me. Though it is about suicide and trying to prevent such, I don’t know if it really conveys the emotions too well. Also, half the song is during that instrumental part, which is fine, but I really would rather just more lyrics. The chorus is catchy and the verses are a little better, but it’s not anything revolutionary. That’s why I reward it with a 5.5/10.
Graduate is up next, which strikes me as the angriest song on the album, and possibly the angriest song Third eye Blind has to offer as a band. The song isn’t too emotional. It is mostly just about wanting to graduate and go live a good life off the streets. The opening and ending line strike me as interesting though. That’s “will this song live on long after we do?” This line is looking towards the future, and I like it a lot. The song very well may live on longer than Stephan Jenkins, and I suppose that would be seen as a good thing. Though I don’t truly love the song, I do think it deserves a respectable score of 7/10.
How’s It Going To Be is my favorite hit Third eye Blind song (unless you’re counting Deep Inside of You). The song starts slow, even with the chorus. It is very simple and may even strike you as boring. Then it gets very loud and even angry towards the end. Finally, it ends a bit slower, and when it ends, you know you just went through an emotional rollercoaster. The song is about knowing a relationship will end and wondering how it will be when it finally does. He touches base on not knowing her anymore and how it’d feel to be a stranger. Also, I always thought the song name was spelled How’s It Gonna Be instead of How’s it Going to Be, and I will continue to do my version. In all, the song is really good. I do believe it deserves the score of 8.5/10 anyday.
In my opinion, there’s a slight dip in quality starting with Thanks a Lot. The song is good and all, but nothing I would just sit down and listen to. It’s not necessarily a skip, but it’s very average. The chorus is just him repeating the phrase “Thanks a Lot” and the verses are just some dark lyrics. The end is my favorite part honestly, and on spotify it says the final lyric is “Ba yrapapa, Ba yrapapapapapa yeow,” which I think is hilarious. In the end, I believe it deserves a 5/10 for me.
Burning Man is next, which is another song I don’t usually just listen to because I feel like it. I do like it more than Thanks a Lot, however. The start is slower and the way Jenkins sings the verse is unique. Then the chorus is honestly basic, but it does have a nice beat drop at “until my legs are broken,” which I highly appreciate. Also, the song mentions Mr. Death, which is a recurring theme in some Third eye Blind songs, such as My Hit and Run from Out of the Vein. This makes me appreciate the song on a deeper level. Coming back to that initial beat drop, the ending is also very nice, ending with the same line of “until my legs are broken.” The song is a little bit boring, but I do like it, and I believe it deserves a 6.8/10.
Next is Good for You, which is not only a hit song by Olivia Rodrigo, but is also a song by Selena Gomez, a song from Dear Evan Hansen, and is a song by Third eye Blind. Out of all these, I have to say that Third eye Blind’s song is the best one. It’s not a favorite of mine, but I do believe it to be better than Thanks a Lot and also Jumper. The verses are generally slow and the chorus is nothing too special. Still, the song is catchy and offers something interesting to the album. For all these reasons, a 6/10 is a fair score in my opinion.
London is next… a lot of people say this is the weakest on the album, but I have to disagree. I don’t love it, and I agree it is on the weaker side of things, but it’s better than Thanks a Lot at least. London has fast verses with a fast chorus… What's not to like? Jenkins pours his heart into the lyrics… that is, if his heart was saying “I wanna get my hands on him!” It’s an angry song for sure, but it’s fun to listen to when you just wanna jam out. Nothing about the lyrics are amazing, and if anything, it’s kinda cheesy, but I give this song a solid 5.8/10.
Now we have a line of incredible songs from now to the end! I Want You sounds so generic at the surface, but please give it a listen. It’s not a standard love song. Instead, the song mixes a dark vibe with an addiction to love. The song is sad, and you can tell so just from the lyrics. It’s very unique, and might I add, the chorus is incredibly catchy. The only complaint I could possibly say is, I wish the chorus happened more, ‘cause a long part of the song is just waiting for that build up to the chorus. That’s the only bad thing I can say about it, though! It absolutely crushes Thanks a Lot, which I feel like actually has a similar vibe to it. This song gets a very easy 8.8/10, which makes it the best so far.
Luckily, we have even better to come, starting with The Background. Imagine taking I Want You, making it ten times better, and then making it 100 times sadder. That’s what The Background is. This is my second favorite on the album (my favorite has yet to come). The chorus is catchy and sad, the verses make me wanna cry, and the guitar is PERFECT. There is nothing bad I think I can say about this song. I would say “I wish it was longer,” but it’s already five minutes long! It’s basically a perfect song with what it has, so of course it deserves a modest score of 9.8/10.
Following is Motorcycle Drive By, a huge fan favorite and deep cut. I personally have to say, I believe this to be the best song lyrically ever. People tattoo lyrics on their arm, and I don’t blame them! This isn’t actually my favorite song on the album, but it’s up there, being my third favorite. It starts slow, gets fast, stays fast and ends slow. By the time Stephan sings his last “I’ve never been so alive,” you’re already crying. This song is close to as sad as The Background, and that’s a significant accomplishment. For that, Motorcycle Drive By deserves nothing less than a 9.5/10.
The last song on the album is God of Wine, which is my favorite on the album and also my second favorite song EVER. You gotta believe I have only good things to say about this song. The lyrics are actually perfect; they could not be better. The build up is incredible. The end makes me wanna cry, like always. If you’re not convinced, at least listen to one line. “All Alone on Your Face,” is such a seller. It sounds amazing and the lyric itself is so amazing. I’m not even gonna stall the 10/10 that I give this song.
In all, do I recommend this album? Yeah, absolutely, it’s one of my favorite albums of all time and every song is a banger (except for Thanks a Lot). After doing all the calculations by averaging all the songs, I give this album a 7.5/10… well, whatever, the average calculator can say whatever it wants, but my heart tells me it’s a 10/10 album, and that’s what is most important. I hope you enjoyed the review! Thanks a Lot 💚💚
submitted by Paul_thebaII to musicreview [link] [comments]
The album kicks off strong with Losing a Whole Year. The song tackles the unique idea of feeling as if you’ve wasted a whole year with a girl who ended up meaning nothing to you. Losing a Whole Year effectively sets the stage as a retrospective track, going into details such as the girl's personality and how things started going downhill. The instruments are also incredible, highlighting Cadogan’s skills as a guitarist. The chorus is very angry whilst the verses are a slight bit cooler, which gives a nice balance. Still, for whatever reason, the track doesn’t do as much for me as it should. While the chorus is strong, I’ve heard it 100 times. The verses feel a bit fresher, but in the end, the track isn’t one of my favorites. Though I do praise it for all that it accomplishes, I’m gonna be giving it a 6.5/10.
The second track really does it for me. Narcolepsy, a song about the themes of said disorder. The song does so very well, and might I say, is structured almost perfectly. The song starts slow, then has an amazing beat drop at the chorus, followed by even faster parts that continue through basically the whole song until it ends slowly once again. The instruments also carry this song, specifically Kevin Cadogan’s playing. The song is very chaotic, but all the transitions are done in such a wonderful way, and it’s seamless. That is why this track easily deserves an 8/10 from me.
The next song is Semi Charmed Life, and if you don’t know any other songs on this album, this is the one you’d know. Semi Charmed Life is not only their biggest hit ever, but also an absolutely amazing track. The song starts off fast, stays fast, continues to stay fast and then ends fast. Who wouldn’t like that? Underneath all the fun sounds, Semi Charmed Life is dark, touching on themes of drug addiction, sexual content and cocaine + meth. This makes the song feel more meaningful, which adds a perfect mix of lightheartedness and darkness. Though this isn’t my favorite on the whole album, I appreciate it a whole ton, and I also would like to brag and say that I have every lyric memorized and can sing it on x2 speed. Saying all this, I believe it deserves no less than 8.3/10.
The next song is Jumper, which shouldn’t need any introduction. Similar to Semi Charmed Life, Jumper was a huge song of the 90’s, being featured in quite a few movies, including Liar Liar (1997). Still, I believe it to be one of the weakest songs on the entire album. It feels flat to me. Though it is about suicide and trying to prevent such, I don’t know if it really conveys the emotions too well. Also, half the song is during that instrumental part, which is fine, but I really would rather just more lyrics. The chorus is catchy and the verses are a little better, but it’s not anything revolutionary. That’s why I reward it with a 5.5/10.
Graduate is up next, which strikes me as the angriest song on the album, and possibly the angriest song Third eye Blind has to offer as a band. The song isn’t too emotional. It is mostly just about wanting to graduate and go live a good life off the streets. The opening and ending line strike me as interesting though. That’s “will this song live on long after we do?” This line is looking towards the future, and I like it a lot. The song very well may live on longer than Stephan Jenkins, and I suppose that would be seen as a good thing. Though I don’t truly love the song, I do think it deserves a respectable score of 7/10.
How’s It Going To Be is my favorite hit Third eye Blind song (unless you’re counting Deep Inside of You). The song starts slow, even with the chorus. It is very simple and may even strike you as boring. Then it gets very loud and even angry towards the end. Finally, it ends a bit slower, and when it ends, you know you just went through an emotional rollercoaster. The song is about knowing a relationship will end and wondering how it will be when it finally does. He touches base on not knowing her anymore and how it’d feel to be a stranger. Also, I always thought the song name was spelled How’s It Gonna Be instead of How’s it Going to Be, and I will continue to do my version. In all, the song is really good. I do believe it deserves the score of 8.5/10 anyday.
In my opinion, there’s a slight dip in quality starting with Thanks a Lot. The song is good and all, but nothing I would just sit down and listen to. It’s not necessarily a skip, but it’s very average. The chorus is just him repeating the phrase “Thanks a Lot” and the verses are just some dark lyrics. The end is my favorite part honestly, and on spotify it says the final lyric is “Ba yrapapa, Ba yrapapapapapa yeow,” which I think is hilarious. In the end, I believe it deserves a 5/10 for me.
Burning Man is next, which is another song I don’t usually just listen to because I feel like it. I do like it more than Thanks a Lot, however. The start is slower and the way Jenkins sings the verse is unique. Then the chorus is honestly basic, but it does have a nice beat drop at “until my legs are broken,” which I highly appreciate. Also, the song mentions Mr. Death, which is a recurring theme in some Third eye Blind songs, such as My Hit and Run from Out of the Vein. This makes me appreciate the song on a deeper level. Coming back to that initial beat drop, the ending is also very nice, ending with the same line of “until my legs are broken.” The song is a little bit boring, but I do like it, and I believe it deserves a 6.8/10.
Next is Good for You, which is not only a hit song by Olivia Rodrigo, but is also a song by Selena Gomez, a song from Dear Evan Hansen, and is a song by Third eye Blind. Out of all these, I have to say that Third eye Blind’s song is the best one. It’s not a favorite of mine, but I do believe it to be better than Thanks a Lot and also Jumper. The verses are generally slow and the chorus is nothing too special. Still, the song is catchy and offers something interesting to the album. For all these reasons, a 6/10 is a fair score in my opinion.
London is next… a lot of people say this is the weakest on the album, but I have to disagree. I don’t love it, and I agree it is on the weaker side of things, but it’s better than Thanks a Lot at least. London has fast verses with a fast chorus… What's not to like? Jenkins pours his heart into the lyrics… that is, if his heart was saying “I wanna get my hands on him!” It’s an angry song for sure, but it’s fun to listen to when you just wanna jam out. Nothing about the lyrics are amazing, and if anything, it’s kinda cheesy, but I give this song a solid 5.8/10.
Now we have a line of incredible songs from now to the end! I Want You sounds so generic at the surface, but please give it a listen. It’s not a standard love song. Instead, the song mixes a dark vibe with an addiction to love. The song is sad, and you can tell so just from the lyrics. It’s very unique, and might I add, the chorus is incredibly catchy. The only complaint I could possibly say is, I wish the chorus happened more, ‘cause a long part of the song is just waiting for that build up to the chorus. That’s the only bad thing I can say about it, though! It absolutely crushes Thanks a Lot, which I feel like actually has a similar vibe to it. This song gets a very easy 8.8/10, which makes it the best so far.
Luckily, we have even better to come, starting with The Background. Imagine taking I Want You, making it ten times better, and then making it 100 times sadder. That’s what The Background is. This is my second favorite on the album (my favorite has yet to come). The chorus is catchy and sad, the verses make me wanna cry, and the guitar is PERFECT. There is nothing bad I think I can say about this song. I would say “I wish it was longer,” but it’s already five minutes long! It’s basically a perfect song with what it has, so of course it deserves a modest score of 9.8/10.
Following is Motorcycle Drive By, a huge fan favorite and deep cut. I personally have to say, I believe this to be the best song lyrically ever. People tattoo lyrics on their arm, and I don’t blame them! This isn’t actually my favorite song on the album, but it’s up there, being my third favorite. It starts slow, gets fast, stays fast and ends slow. By the time Stephan sings his last “I’ve never been so alive,” you’re already crying. This song is close to as sad as The Background, and that’s a significant accomplishment. For that, Motorcycle Drive By deserves nothing less than a 9.5/10.
The last song on the album is God of Wine, which is my favorite on the album and also my second favorite song EVER. You gotta believe I have only good things to say about this song. The lyrics are actually perfect; they could not be better. The build up is incredible. The end makes me wanna cry, like always. If you’re not convinced, at least listen to one line. “All Alone on Your Face,” is such a seller. It sounds amazing and the lyric itself is so amazing. I’m not even gonna stall the 10/10 that I give this song.
In all, do I recommend this album? Yeah, absolutely, it’s one of my favorite albums of all time and every song is a banger (except for Thanks a Lot). After doing all the calculations by averaging all the songs, I give this album a 7.5/10… well, whatever, the average calculator can say whatever it wants, but my heart tells me it’s a 10/10 album, and that’s what is most important. I hope you enjoyed the review! Thanks a Lot 💚💚
2024.02.04 07:55 ramdybobanfy Just listened to relegation the album
Auto correct lol but keeping it like that
Selena’s most recent album for those wondering
I just want to say I did not enjoy it
I found it to be very typecast like here’s my pretty Latina girl era
Where she was just handed a script and told to sing
Literally any pop Latina female could have sung these songs
And drake sings better in Spanish
Yes I have listened to a lot of Latin music
Another thing that stuck out was the baila conmigo music video
Selena looks like a different person and this was 2021 so basically
Another question mark in my mind
She literally looks like the Selena from 2010 or whenever naturally came out
And she’s confident
But it’s just for one video because then
And then her song with Camila or whatever is just bad! Not only is the song bad the visuals are like a rehashed love you like a love song but the embarrassing fan version with no budget Selena seems insecure and like she doesn’t want to be in the video
What are those wig changes
And then the song selfish love !
A jb shoutout about liking a toxic relationship where you make each other mad on purpose
Again rehashed
At this point Justin is married
I want to say RARE was better than this but then again that’s only because it had some left overs from revival probably
In conclusion I am just confused when it comes to who this chick is
Im gonna say her best albums are Selena Gomez and the scene and stars dance
I know she advertises everything after as truly her
But yeah right
Selena does best Disney channel pop
Everything after that was semi ok was sold because of how she looked
And the rema song well Their voices went well together But if you listen to her part it’s again the same formula as revival typecasting her as the Marilyn Monroe of music relying on again how she looks or looked as being a sort of man seductress
Can you believe what this chicks saying at this point? No but her voice sounds ok
I think Selena Gomez new album is coming this month and
If it’s anything like single soon
🤷🏾♂️
I don’t buy the acting sis
submitted by ramdybobanfy to snarkingonselena [link] [comments]
Selena’s most recent album for those wondering
I just want to say I did not enjoy it
I found it to be very typecast like here’s my pretty Latina girl era
Where she was just handed a script and told to sing
Literally any pop Latina female could have sung these songs
And drake sings better in Spanish
Yes I have listened to a lot of Latin music
Another thing that stuck out was the baila conmigo music video
Selena looks like a different person and this was 2021 so basically
Another question mark in my mind
She literally looks like the Selena from 2010 or whenever naturally came out
And she’s confident
But it’s just for one video because then
And then her song with Camila or whatever is just bad! Not only is the song bad the visuals are like a rehashed love you like a love song but the embarrassing fan version with no budget Selena seems insecure and like she doesn’t want to be in the video
What are those wig changes
And then the song selfish love !
A jb shoutout about liking a toxic relationship where you make each other mad on purpose
Again rehashed
At this point Justin is married
I want to say RARE was better than this but then again that’s only because it had some left overs from revival probably
In conclusion I am just confused when it comes to who this chick is
Im gonna say her best albums are Selena Gomez and the scene and stars dance
I know she advertises everything after as truly her
But yeah right
Selena does best Disney channel pop
Everything after that was semi ok was sold because of how she looked
And the rema song well Their voices went well together But if you listen to her part it’s again the same formula as revival typecasting her as the Marilyn Monroe of music relying on again how she looks or looked as being a sort of man seductress
Can you believe what this chicks saying at this point? No but her voice sounds ok
I think Selena Gomez new album is coming this month and
If it’s anything like single soon
🤷🏾♂️
I don’t buy the acting sis
2024.01.30 15:38 RevolutionaryFan2213 Another day another topic
 | I have been inspired after a few days arguing with people who clearly stans the KarJenners for no reason other than being ignorant. My guess is watching KUwTK kills braincells longterm. submitted by RevolutionaryFan2213 to KUWTKsnark [link] [comments] And everytime you meet one of those stans, they try to categorize us anti Kardashian/Jenners as misogynists, jealous, haters, (and the list goes on) Jealous? Seriously? You think I want to look 40 the age of 27? You think I want to walk around like I am wearing an xl adult diaper? They complain about the fact we never do nothing but complain about their looks too. If you ask me, Kylie especially, better be grateful we are complaining about her looks and not so much the other stuff, cause I am quite sure she would rather no one talks about the more severe incidents she has been involved in. Let’s start with the “brothel” buisness. Let’s just say it as it is, they are surely not hiding it. Why do you think they do those poses in their bikinis and miniskirts? They might as well tatoo a sign between their legs “insert here”. Or “open 24/7” The sexual references are so strong in everything they do, even the siblings sexual harrasses eachother. Yeah, think about that for a while next time you say poor Kylie.
Nice? What kind of a nice person posts on instagram story vibing to music with a damn ambulance right in front of her? What insane selfish entitled maniac would launch a fashion line with their sister whilst being involved in a tragic incident, or post video of her bf raging from backstage at a gig. She is disrespectful and insensitive, that is what she is.
|
2024.01.24 10:55 Bordersz r/popheads AOTY 2023 #21: Chlöe – In Pieces
DO YOU EVER WONDER…LIKE WHO ELSE IS FUCKING YOUR MAN? 🤔💭
Artist: Chlöe Album: In Pieces Release Date: March 31, 2023Tracklist & Lyrics: Genius Listen: Apple Music Spotify Tidal
popheads [FRESH] Thread
Ok let’s start from the beginning.
Introduction (Who is Chlöe?):
Chlöe is best known for being ½ of the talented duo ChloexHalle. They got their start on YouTube doing covers of other artists' music. Their cover of "Pretty Hurts" by Beyoncé caught the attention of THEE Beyoncé, and they were quickly signed to her label Parkwood Entertainment in 2014.ChloexHalle released 2 albums The Kids Are Alright (2018) and Ungodly Hour (2020). They received Grammy nominations for their debut album. Their critically successful sophomore album, Ungodly Hour (2020), was seen as their "mainstream breakthrough" with their first platinum hit "Do It". And on top of that they regularly went viral and was praised throughout "2020 quarantine" for their fantastic live performances in their backyard tennis court: Do It on Today show, US Open performance, Forgive Me x Do It (2020 BET Awards).
There were signs that Chloe was going to go solo when they made separate social media accounts in January of 2021. Halle was tied up with acting in Disney's Little Mermaid, so it made sense for Chloe to go solo instead of waiting around for Halle to come back so they can continue as a duo.
Chloe first went viral on 1/21/21 with her "Buss It" challenge on TikTok where she went from "normal clöthes" to "glamorous clöthes + make-up" while twerking to Erica Bank's "Buss It". This was a shocking reveal because people only saw Chloe as a "good Christian girl singing on YouTube". In the past they have appealed to the religious crowd since Chloe grew up singing in the church. ChloexHalle have religious/spiritual themes in their music and "image" which drew in a more conservative audience. Chloe continues religious themes in her music suchas her lead single "Pray It Away".
The Roll-Out (which was a mess and a half):
I had a feeling that album was going to be a disjointed mess when it took her 2 years to come out with the album. That is the biggest red flag for any artist. I rarely see a long rollout, scrapped songs, rebooted albums, going back-and-forth with studio sessions ending with a solid album. It was obvious her label, her team and maybe even Chloe herself all weren’t ready to use Mercy’s success as a launching pad.IMO as soon as Have Mercy was picking up steam on TikTok she should have been going in that direction sound-wise, and no she shouldn’t have been going to the studio to re-work songs or meet with different producers. The song was an instant hit when it was officially released in September 2021, however, there still wasn't any pre-orders or a set date for her debut. A lot of people were interested and anticipating more music from her.
The label kept delaying the album. In March 2022, 6 months after her hit debut single she announced the album was done. However it kept getting delayed. In April 2022, she released her 2nd single Treat Me which is actually a bop and a half in retrospect. I think the sample is a bit distracting on the chorus, but it's still catchy with a upbeat production.
Chloe went on different occasions gave us hints on how the album kept getting delayed and how she went back to the studio to make new songs and/or re-do songs.
Have Mercy, Treat Me, Surprise, For the Night were scrapped and did not make the album. It took her 1.5 years to release the album from Have Mercy which shows lack of foresight from her label. Below in the next section you can see how her team was slowly building hype around her name with her participating in TikTok challenges, and doing well-crafted singles. They built up that much hype around her name and brand just to squander it away w/a lead single like "fuck n****a (10x)".
And to top it all off Chloe and her team thought it was a genius idea to get Chris Brown on the 2nd single. That turned off a lot of her fans, because remember a good chunk of her solo fans came from the Internet (aka TIKTOK) bc of her challenges and covers going viral. I don't know why her team couldn't read the room. That feature coupled with Pray It Away made the album dead on arrival.
Chloe broke the internet a couple of times (sometimes good mostly bad):
A lot of people complain about Chloe oversexualizing herself. They believe she is forcing it, she is trying to shed her "church wholesome image" by going the other way, etc.- Jan 2021: Chloe going viral for Buss It Challenge
- Jan 2021-July 2021: Going viral on several occasions for her covers.
- July 2021: Chloe teased a snippet of her single "Have Mercy", and it instantly went viral with ppl doing TikToks to the song's snippet. There was a lot of hype and anticipation for the song & the single.
- July 2021: She released a live performance of Nina Simone's Feeling Good where people did not like how she was "doing too much" and tried "too hard".
- Nov 2021: Nun' but a lil light flex, she released a snippet of a song on TikTok and went viral in a bad way. Lots of ppl laughed at her, but the song did catch on and get a lot of clips made of it and views.
- Nov 2021: Chloe posted a video of herself in lingerie seductively licking a lollipop and thanked her fans for the support. She trended all day on Twitter w/people roasting the hell out of her. She quickly deleted it off of her ig.
- August 2022: The hate train was so bad for Chloe, ppl had a meltdown when they saw her sitting in the background during Jack Harlow's VMAs performance.
- (TW: violence) April 2023: Internet goes wild when Chloe confirms she & Gunna haven't been together in over a year. A year before in Feb 2022, there was a shooting at a Justin Bieber's afterparty and Chloe was in the car w/Gunna shortly before gunshots rang out. She could have gotten hit in the cross-fire. I feel like a lot of ppl forget this and it's traumatic.
The Disconnect
Chloe does not know how to make music that suits her vocal range and “talents”. She is over singing songs that could be sung by Selena Gomez very comfortably. Listening through the album you can hear small pieces here and there of Chloe’s raw talent such as songs like “Body Do”, "Told Ya", “Make It Look Easy”, & “In Pieces”.During interviews she talked about the album as if it was going to be an introspective and vulnerable album:
The message with this album is that it's OK to not have it all together ... because none of us are perfect and as well-kept as some of us might seem. We're all in pieces. We all have things that have broken us down ... We all have fears. We all have scars but it's just who wears it the bestI've listened to the album from top to bottom several times, and I cannot tell you 1 insecurity she has based on the music/lyrics from this album. I wish the lyrics were a bit more deeper and sentimental. Her vocals were gorgeous, but the lyrics felt 1-diminesional. I also thought the production could be a bit better sound-wise. The production was crisp and "well done" but still felt empty like lacking uniqueness. I feel like another artist could have put out this album bc it's lacking personality.
Out of anything I've ever created, I was the most open with this and my insecurities.
People couldn't resist comparing this to her previous work in CXH. People were left confused on how she made way better songs in CXH when she played a major role in their music as a producer too. I personally think it's because the label probably meddled with creative choices. The pivot from Have Mercy/Treat Me cannot be understated. The album cuts from this album and Have Mercy/Treat Me does not even sound like it came from the same artist.
The Album Release & Reception:
- The album debuted at #119 on the BB200 selling 10,000 units 1st week.
- Critics praised her vocal performance on the album, but majority of them panned the album as being a disappointment or below her previous work with CXH.
- Chlöe Bailey Claps Back At Album Critics: ‘They Can Kiss My Black A**’
Summary
IMO the label is really to be blamed for this commercial flop. Chloe showed up with Have Mercy...but the label wanted a different sound. Have Mercy & Treat Me sounded great in hindsight. I even liked "For the Night". I don't think a new rollout was a good idea.Waiting too long to drop the album made the music too different from the first singles she released. If they rebooted the rollout, she should have launched it with Body Do or even Told Ya, something that was a statement instead of Pray It Away. The religious tones with her saying "fuck n***a" 1000 times over was so awkward.
My final thoughts are:
- The album has some highlights despite the overall mess of it.
- The album is a bit disjointed with its lyrics and the theme. One song she's talking about the ex cheating, next song is about falling for him, next track it's about crying, next track it's about being strong and effortless.
- Although the album fell a bit flat I don't think Chloe deserved the hate train. Lots of artists struggle with their debut album especially artists who leave a group. She should not be policed on how she expressed her sexuality, and definitely did not need to be the butt of jokes in music circles online. I felt like there was a strong level of misogynoir with how people viewed Chloe and talked about her. It's OK for a popstar to release music you don't like. People bullied her off of the internet repeatedly with the jokes specifically targeting her.
Track-by-Track Ratings (! = standout track)
- Someone’s Calling (Chlöe) – 4.5/10
- An OK opener.
- Pray It Away – 5/10
- I don’t really like the lyrics of her repeating “fuck n***a” a thousand times over which is a shame because I really like the melodies.
- (!) Body Do – 8.5/10
- Do you ever wonder like who else is fucking your man? - iconic opening, cultural reset
- This song is damn near pop perfection. It sounds like a unique Chloe song. It is upbeat, catchy, and fun.
- With a MV and promo rollout this could have been a “cultural reset” but nah she was too focused pushing a Chris Brown single and telling people “she ain’t worried” about her lackluster album sales.
- This was used for background music for a commercial. Label dropped the ball on this.
- I Don’t Mind – 5.8/10
- I like the verses more than the chorus. There is no climax to the song. It's too chill.
- Worried – 5.5/10
- She should have been worried and stressed about this album’s performance.
- Fallin 4 U – 4/10 The song is pretty forgettable.
- How Does It Feel by Chlöe & Chris Brown – 4/10
- (TW: abuse) The production on this is HEAT. I love the sample and the guirar. But damn Chloe could have done this solo. I still think this song is really good despite Chris' extremely dangerous, abusive and problematic past/present/future. If Chris wasn't on it, I would say it's even a highlight. Unique melodies, great guitar in the back, clean/crisp production. It's also a double whammy of fuckery bc this song is produced by a Hitmaka aka Yung Berg who pistol whipped his pregnant girlfriend. So this song is absent in my library and a skip.
- (!) Feel Me Cry – 7.5/10
- I love her vocals on this esp. on the chorus. I like the production, and it has great melodies.
- (!) Make It Look Easy - 8/10
- I love the song, but the intro is such a head-scratcher because nothing in the album told us about why she is "in pieces". The lyrics are extremely shallow. Lyrically it sounds like any run of the mill breakup pop album. It isn't as vulnerable as I expected it to be based on promotion.
- Looze U – 4.5/10
- The chorus is a no. I don't like the looooooooooooooooooooooooooooose youboy
- (!) Told Ya by Chlöe & Missy Elliott - 8/10
- This song makes me feel like this Ed Sheeran picture.
- I thought this was the best song off of the album, it's a bit of an acquired tasted due to the quirky loop of "get off my dick" in the back. I love the ending parts of the song.
- The energy, the confidence, Chloe's rapping, and then the bridge switch-up. Everything was done well. Missy's verse was perfect for this song.
- (!) Cheatback by Chlöe & Future – 7/10
- This song feels like a throwback to 00s R&B. I love the guitar on it. The song is catchy, the lyrics are cute, and Chloe sounds great on this. This is a well-done song.
- Heart on My Sleeve - 9.5/10
- Artists' hardest songs are always their <1 min interlude. Nothing wrong with this song besides its runtime. I wish the whole album had a mix of this song's vibe and Told Ya.
- This song actually tugged on my heartstrings and it's only 57 seconds long. Weird.
- In Pieces - 7/10
- A standard great pop ballad that's supposed to be deep but the lyrics are as deep as a sidewalk.
Discussion Questions
- What do you think of Chloe’s decision to go solo instead of waiting for Halle to come back?
- How does “In Pieces” compare to Chloe’s work with ChloexHalle?
- Do you think Chloe should have just dropped an album with whatever she had around Have Mercy or do you think her going back to the studio was a good decision?
- Why was there such an intense hate train for Chloe BEFORE her album even dropped? What happened between Have Mercy to the album drop for people to be so turned off from her?
- Do you think the social media hate changed the trajectory of her debut album?
- Favorite tracks from the album? Least favorite tracks from the album?
- What direction do you think Chloe should take if she ever comes out with a sophomore solo album?
- Do you think the long rollout and delays affected the quality of the album?
- Do you think Chloe should have gone in a different direction sound-wise after the success of “Have Mercy”?
- Do you think the label was too involved in the creative process of the album?
2024.01.22 21:49 1DMod Taylor + Zayn + Rep TV
 | Hellllooo! Since some people have expressed that they were unaware, I am also one of the moderators for OneDirection, thus my username. I was a gaylor first, well before One Direction existed. While I am just as aware of each individual community on their own, my special interest is the thematic overlaps between TayloHarry/Louis/Niall/Zayn. If you ever have a question about that, holler. If you’re a gaylor who hates Larries and finds them delusional/disgusting/invasive, I encourage you to block me so you don’t see any of my content 💗 submitted by 1DMod to GaylorSwift [link] [comments] This post isn’t a theory or anything, just some observations intended to contribute to the overall discussion around Rep TV, Karma, and gaylor things in general. Zayn + Taylor Swift Shortly after Zayn left 1D, he started a (Sony backed) solo career and did a duet with Taylor Swift — to this date, I Don’t Wanna Live Forever is one of her most successful songs. It was not on reputation, but I’ve been wondering if it’ll be added to Reputation TV. Zayn + Rep TV Zayn was seen at a social function for the first time in 6 years on Friday, in Paris for fashion week. His first event was the Kenzo menswear runway show. At this event he wore his hair longer, with some blonde in it - this is reflecting back on his iconic swoosh during his One Direction days. The following day he attended several other events, shaving his head after the Loewe menswear runway show. The Loewe show was also attended by Joe Alwyn and Kit Connor, who were seen exiting together. For those who don’t know, Taylor Russel (who has been stunting with Harry Styles for the past 6 months or so) is the current ambassador for Loewe. Harry Styles debuted his shaved head while stunting with Taylor Russel at an event in Las Vegas to hype the Azoff funded Sphere. Kit Conner (of Heartbreaker fame, also the person who was forced to come out as bi because people said he was queerbaiting/the heteronormative belief that everyone is straight unless they say otherwise) was the first person other than Louis Tomlinson to model Louis’ new line of streetwear called 28OP, a clothing line that is blatantly queer in it’s origins (Section 28 + triangle + queer owner) for those who see it. Zayn attended a Valentino event in a suit that said “we are so old, we have become young again,” which is a quote from this LGBTQ book, seemingly referencing his trauma during the One Direction days. As a believer in Karma the album, I’m curious if this is all hinting at something related to that as well. Zayn at Valentino event So, all of this has happened within the past few days. All of these people were overlapping at functions and, regardless of if they spoke to one another or not, their names have all been linked to this event which has not happened before. People can/will extrapolate various things from these interactions, depending on the specific fandoms they’re invested in. A number of One Direction fans think it’s about a reunion, which I highly doubt. I think it’s foreshadowing Reputation TV and the re-recording of I Don’t Wanna Live Forever + Zayn utilizing the bump he’ll get from the exposure to release his new album. Zayn ended up with Gigi Hadid for a bit, who is one of Taylor’s best friends. They have a daughter together. In 2023, Zayn stunted with Selena Gomez for a hot minute. Taylor has gushed about how much she likes Zayn. All of this to say, I think they’re all on good terms. The below is less relevant to gaylor, so stop reading if you don’t want to read about gay men or things beyond gaylor. Background on Zayn + how he fits Taylor’s pattern for queer collaborators During One Direction, he was subject to immense racism and Islamophobia. 1D management did little to protect him from it, even encouraging it by casting him as “the bad boy” of the group. As a result of that and many other instances of abuse (they were sleep deprived, on strict diets, sent to parties with Epstein acolytes, there were reports that they were physically abused by mgmt, etc.) he battled massive levels of anxiety and a brutal eating disorder. When Zayn left the band, he looked like he was in need of hospitalization for severe anorexia. He is open about all of these topics, so it is not speculation to discuss them. Due to his anxiety, Zayn basically stopped preforming live after he left One Direction. He has released 3 solo albums and has never preformed any of them. This past month he released a collab with a Pakistani group, singing entirely in Urdu. He has been teasing a new album and the desire to perform it live on a tour. I personally believe that Zayn is queer, given the amount of signaling he does. I think this also played into his issues within One Direction, as being a closeted Muslim superstar would be a brutal experience. I see this as fitting perfectly with Taylor’s history of collaborating with and elevating queer artists. Some instances of Zayn flagging |
2024.01.19 06:56 Pinswizard My Client’s Pinterest Success of 100k Outbound Clicks And 25M+ Impressions; Read More to Get Traffic from Pinterest
 | Pinterest traffic success submitted by Pinswizard to u/Pinswizard [link] [comments] Imagine if you have a round face just like your favorite Selena Gomez and want a pretty haircut to suit your face, you would be looking for “haircuts for round face”. Go and type this keyword, to get traffic from Pinterest rapidly. The algorithm estimates your last keyword 9 out of 10 times and ranks it in the 1st or 2nd place. What shocked you? Ranking for popular keywords on Pinterest is indeed much simpler and quicker than it is on Google, despite the latter’s technological superiority Why? Pinterest stores your content for years, in contrast to Facebook and Instagram where it disappears after a few hours. These Pinterest traffic stats suggest you right away to get traffic from Pinterest:
Here, I'll tell you how to increase Pinterest traffic organicallyPinterest is a discovery search engine, a social media platform to gather and share pictures online, often referred to as a visual networking site. Here you can “pin” or gather pictures from the web, making it a highly visual virtual pinboard site. This constitutes a Pinterest traffic avalanche, when your audience looks for something to try, do, or shop, your content appears, BOOM! Instead of scrolling and liking others’ messages, reading news, or the latest trends, your audience can use this site to discover new ideas and take action.Overview of Pinterest traffic by country!The 3rd largest social media network the millennials and Gen Z in the USA use to monetize their traffic is Pinterest. Are you an SMB owner, creative entrepreneur, or lifestyle coach looking to get traffic from Pinterest and reach the right target audience? Don't worry, Pinterest has over 2 billion monthly inquiries and searches As of November 2022, the most distributed Pinterest traffic by country credit goes to the USA by 41.6%As a Pinterest marketing expert, I highly recommend these Pinterest Organic Strategies to get traffic from PinterestPinterest marketing is highly beneficial given that:
Recently I reached a target of 100k outbound clicks through my organic Pinterest marketing:The secret to getting traffic from Pinterest and a higher conversion rate is here:#1: Have a completely optimized Pinterest profile, including a description, logo, and links to your website/blog and other social media profiles #2: Create visually appealing pins with high-quality images and graphics that align with your brand, use various colors, sizes, and fonts to make your pins stand out #3: Use rich keywords in pin descriptions and boards to improve your search visibility #4: Use rich pins that have extra information like price, supply, and product details - this increases the click-through rate to your website and initiates sales #5: Include a strong CTA like “ Shop Now”, “ Learn More”, or “ Get the Recipe” #6: Engage with your audience in comments, thanking users who repin your content (USP!), and share content from other users that align with your brand voice Pinterest Performance Pinterest Overview That’s it! By implementing these effective Pinterest organic traffic strategies, your chances to get traffic from Pinterest amplify. With basics in place, let's see how Pinterest traffic works Pinterest organic strategies helped me reach 25M+ impressions in just 30 daysAny idea why my pins last so long?Pinning results from two main factors:
Here are 7 tips to get traffic from Pinterest by increasing the longevity of your pins
But hang on, never put all your eggs in one basket! In a digital world that's ever-changing, you need multiple sources to attract premium clients and increase your revenue Likewise, this section is about: How to attract Pinterest Organic Traffic to your websiteCan Pinterest track you to your website? Yes!Here’s how:
Pinterest SEO techniques I used to gain more followers and increase engagement:
Cross-promote your Pinterest content on other platforms, social networks, and group boards in your niche Your content needs to reach a wider audience to get traffic from Pinterest and go potentially viral! ConclusionCreating a successful Pinterest traffic success takes smart work and dedication. Pinterest has a great deal of potential to draw in prospective customers who are hunting for your content and seeking your products/services that can help them solve their problems. Want to become a Pinterest creator and take your business to great heights?Follow me/DM me @ vinita sharma, Schedule a Consultation Today. FAQQ: How to gain more traffic on Pinterest?A: The biggest trick to getting Pinterest traffic is knowing your audience and sharing good-quality images and linksQ: Does Pinterest serve as a potential platform for growing business organically?A: YES, Pinterest has over 450 million monthly active usersQ: How long does it take to get traffic from Pinterest organically?A: On average 3 to 6 months, sometimes even 1 year depending on the content you createQ: How much can I earn from Pinterest organically?A: About 27% of pinners earn $30k - $75K/year, and 41% of Pinterest users earn more than $75k/year. |
2024.01.19 06:56 Pinswizard My Client’s Pinterest Success of 100k Outbound Clicks And 25M+ Impressions; Read More to Get Traffic from Pinterest
| | Pinterest traffic success submitted by Pinswizard to u/Pinswizard [link] [comments] Imagine if you have a round face just like your favorite Selena Gomez and want a pretty haircut to suit your face, you would be looking for “haircuts for round face”. Go and type this keyword, to get traffic from Pinterest rapidly. The algorithm estimates your last keyword 9 out of 10 times and ranks it in the 1st or 2nd place. What shocked you? Ranking for popular keywords on Pinterest is indeed much simpler and quicker than it is on Google, despite the latter’s technological superiority Why? Pinterest stores your content for years, in contrast to Facebook and Instagram where it disappears after a few hours. These Pinterest traffic stats suggest you right away to get traffic from Pinterest:
Here, I'll tell you how to increase Pinterest traffic organicallyPinterest is a discovery search engine, a social media platform to gather and share pictures online, often referred to as a visual networking site. Here you can “pin” or gather pictures from the web, making it a highly visual virtual pinboard site. This constitutes a Pinterest traffic avalanche, when your audience looks for something to try, do, or shop, your content appears, BOOM! Instead of scrolling and liking others’ messages, reading news, or the latest trends, your audience can use this site to discover new ideas and take action.Overview of Pinterest traffic by country!The 3rd largest social media network the millennials and Gen Z in the USA use to monetize their traffic is Pinterest. Are you an SMB owner, creative entrepreneur, or lifestyle coach looking to get traffic from Pinterest and reach the right target audience? Don't worry, Pinterest has over 2 billion monthly inquiries and searches As of November 2022, the most distributed Pinterest traffic by country credit goes to the USA by 41.6%As a Pinterest marketing expert, I highly recommend these Pinterest Organic Strategies to get traffic from PinterestPinterest marketing is highly beneficial given that:
Recently I reached a target of 100k outbound clicks through my organic Pinterest marketing:The secret to getting traffic from Pinterest and a higher conversion rate is here:#1: Have a completely optimized Pinterest profile, including a description, logo, and links to your website/blog and other social media profiles #2: Create visually appealing pins with high-quality images and graphics that align with your brand, use various colors, sizes, and fonts to make your pins stand out #3: Use rich keywords in pin descriptions and boards to improve your search visibility #4: Use rich pins that have extra information like price, supply, and product details - this increases the click-through rate to your website and initiates sales #5: Include a strong CTA like “ Shop Now”, “ Learn More”, or “ Get the Recipe” #6: Engage with your audience in comments, thanking users who repin your content (USP!), and share content from other users that align with your brand voice Pinterest Performance Pinterest Overview That’s it! By implementing these effective Pinterest organic traffic strategies, your chances to get traffic from Pinterest amplify. With basics in place, let's see how Pinterest traffic works Pinterest organic strategies helped me reach 25M+ impressions in just 30 daysAny idea why my pins last so long?Pinning results from two main factors:
Here are 7 tips to get traffic from Pinterest by increasing the longevity of your pins
But hang on, never put all your eggs in one basket! In a digital world that's ever-changing, you need multiple sources to attract premium clients and increase your revenue Likewise, this section is about: How to attract Pinterest Organic Traffic to your websiteCan Pinterest track you to your website? Yes!Here’s how:
Pinterest SEO techniques I used to gain more followers and increase engagement:
Cross-promote your Pinterest content on other platforms, social networks, and group boards in your niche Your content needs to reach a wider audience to get traffic from Pinterest and go potentially viral! ConclusionCreating a successful Pinterest traffic success takes smart work and dedication. Pinterest has a great deal of potential to draw in prospective customers who are hunting for your content and seeking your products/services that can help them solve their problems. Want to become a Pinterest creator and take your business to great heights?Follow me/DM me @ vinita sharma, Schedule a Consultation Today. FAQQ: How to gain more traffic on Pinterest?A: The biggest trick to getting Pinterest traffic is knowing your audience and sharing good-quality images and linksQ: Does Pinterest serve as a potential platform for growing business organically?A: YES, Pinterest has over 450 million monthly active usersQ: How long does it take to get traffic from Pinterest organically?A: On average 3 to 6 months, sometimes even 1 year depending on the content you createQ: How much can I earn from Pinterest organically?A: About 27% of pinners earn $30k - $75K/year, and 41% of Pinterest users earn more than $75k/year. |
2023.12.22 23:48 glowoffthepavement Timeline of Taylor Swift’s and Keleigh Teller’s friendship - Straight from Keleigh’s social media activity (because ✌️bye media) 2014 - present
 | So after Taylor and Keleigh iconically baited Melissa from Deuxmoi yesterday and revealed that Taylor’s ring was a gift from Keleigh that combined both Taylor’s and Keleigh’s birthstones, I tried to google how long they’ve been friends and how they met. submitted by glowoffthepavement to GaylorSwift [link] [comments] Based on Keleigh’s own social media posts, it seems that most of their friendship timelines shared by media sites are completely inaccurate. Many say that they met in 2018 or 2021, but photos show they’ve known each other as early as January 2014. They seem to have some mutual friends including Zoe Kravitz, Jessica Szohr, Zac Efron, Cara Delevigne, Julia Garner, and Aaron Rodgers. Here's what I found in case anyone else is curious! I'm not going to include all the recent pap walks, but this fall Keleigh has accompanied Taylor to the studio, they've gone to dinners with friends, and Miles and Keleigh were at Taylor's birthday party a week ago at The Box in NYC. And disclaimer that I’m not trying to imply anything about their friendship! I was just wondering how close they are since it was such a sweet and thoughtful gift. I think it’s interesting how low key they’ve kept their friendship over the past decade, since even Us Weekly thinks they met in 2018. June 3, 2013 Keleigh attends The Rolling Stones concert in Chicago with some of the cast of Divergent including Miles Teller, Shailene Woodley, and Theo James. Taylor made a surprise appearance at this show to perform “As Tears Go By” with The Rolling Stones. I haven’t seen any evidence of Taylor and Keleigh meeting at this show. (Side note: Keleigh and Miles started dating some time before this in 2013) https://preview.redd.it/i7iv3vqlbx7c1.png?width=736&format=png&auto=webp&s=e7f9c7d26835d5742a16efe0007b904dd25baabc January 27, 2014 Taylor and Keleigh both attend a bowling afterparty following the premiere of That Awkward Moment (starring Zac Efron and Miles Teller) at Lucky Strike Lanes in LA. This E! News article about it doesn’t mention Keleigh, but later in 2014 for Taylor’s birthday, Keleigh tweets a photo of them with Jessica Szohr that appears to be taken at that afterparty. Aaron Rodgers (an NFL player) also attended this party, and many media sites spun it as Taylor and Aaron going on a date. Sources said they were “chatting a bit together.” https://preview.redd.it/4q1poceobx7c1.png?width=795&format=png&auto=webp&s=e561d3125afa07ecff07ed5261cbefe575575b4b March 3, 2015 Keleigh attends Camila Cabello’s 18th birthday party hosted by Taylor. She has two photos up on her IG from this party. One is a picture of Keleigh and Meredith, and the other is a photo of Keleigh, Selena Gomez, and Megan Mitchell. (Megan Mitchell is a chef and is one of Dianna Agron’s best friends) This is what Camila has said about the party: "We were texting and she asked me what I was going to do for my birthday, and at the time I wasn't doing anything, I was just like eating with my family. And she was like, 'Oh, well you can't do nothing for your birthday. Come over,' " Camila recalled to MTV News, when we chatted at the Tampa, Florida, stop of the Reflection Tour. "We met at the VMAs and we just kind of bonded. Like, we just started talking and she's really great. She's a really, really cool friend."This first photo is from Keleigh’s tagged photos on IG. I’m not sure where it was originally posted. https://preview.redd.it/1gkge38ubx7c1.png?width=1475&format=png&auto=webp&s=6f02cda8a23f0421dcb668f6b82911aa709e3c41 August 2015 Keleigh attends at least one of the 1989 tour stops in Los Angeles and hangs out backstage with Taylor in her dressing room. She shares two photos on IG, but later changes the caption of one of them. https://preview.redd.it/5c6ggdcvbx7c1.png?width=899&format=png&auto=webp&s=55c5e113a8afd3217cfbdddcb47ab6a15985d411 Met Gala - May 2016 Keleigh attends the 2016 Met Gala with Miles. Taylor was one of the hosts this year, but I didn’t find any photos of her with Keleigh or Miles. https://preview.redd.it/ue3njbg5cx7c1.png?width=930&format=png&auto=webp&s=e06aa249da502d7ff0658c2a6214b41d04b876ea May 2018 - Reputation Tour Keleigh shares a photo with Taylor, Miles, and two other people backstage at a Reputation show in Pasadena, CA. I’m not sure what the caption originally said, but she edited it ✨112✨ weeks ago on October 27, 2021. Presumably to hint at the I Bet You Think About Me video which came out a few weeks later on November 15, 2021. https://preview.redd.it/48rg1md7cx7c1.png?width=512&format=png&auto=webp&s=e4720b8e4ea444bd6af74ef6ab183b4b9d513954 September 1, 2019 - Keleigh and Miles’ Wedding Date Taylor doesn’t attend the wedding but sends a bouquet of flowers with a note quoting lyrics from Lover. Keleigh captions one of her wedding posts with Lover lyrics as well. (She’s never edited this caption) https://preview.redd.it/8fm1v6x8cx7c1.png?width=917&format=png&auto=webp&s=393b1c49cbced24f92e7d04bf82a732e88e5f79b July 2020 - Taylor sends Keleigh a folklore cardigan On July 24, Keleigh shares a photo of the folklore cardigan that Taylor sent her. This is one of the captions that was edited 112w ago, HOWEVER it potentially contains a midnights easter egg that would’ve been posted 360 days before midnights was released. It’s possible that Keleigh just happened to use the phrase “Hits different” since it was a common phrase well before 2022. But the capitalization is interesting, and we know that Taylor was working on Midnights in 2021. https://preview.redd.it/ss5amcaacx7c1.png?width=448&format=png&auto=webp&s=7ce233dd6e0483052e441858ad3c2db5599cf6af Autumn 2021 - I Bet You Think About Me music video shoot This is what Keleigh has said about being asked to be in the video: “Story behind this: I watched on as Miles and Taylor did the stunning dance sequence and Taylor played ‘All Too Well’ 10-minute-version for me during. It was a MOMENT. We are MAIM’d indeed. I will be your invisible bride any day,” Keleigh wrote on Instagram in November 2021. “Taylor texted me on you guessed it, the 13th of a certain month and asked if she could borrow Miles for a project and I said, ‘Absolutely, whatever you need.’ That’s how this all came together, she is an angel and Blake you are a beautiful genius creative director of life!! We had so much fun. Hope you guys enjoyed.” Keleigh shortened the caption on May 7, 2022: https://preview.redd.it/w61g2wdlcx7c1.jpg?width=750&format=pjpg&auto=webp&s=5d136f79f2b4b1b17f94478389fa37444f5652e7 October 2, 2022 - Miles Teller hosts SNL Keleigh posts this tiktok which seems to be a montage of clips from Miles’ and Keleigh’s NYC visit. Interestingly, the sound she used is Daylight - Live From Paris and she shared this photo of a bookshelf with a Reputation Tour VIP box and three snowglobes Taylor has sold as merch (The Lover House, Life Was A Willow, and Christmas Tree Farm). I’m not sure whose home this was taken at. https://preview.redd.it/fbds7ylocx7c1.png?width=823&format=png&auto=webp&s=957541bd67c58986356760d5f52a370f4a34d1ce This was the episode where Miles played a bisexual Grimace in a sketch. This could potentially be connected to Taylor’s 2021 Jimmy Fallon episode where Grimace was referenced in the Box of Lies game. May 2023 - Backstage at Eras show in NJ Robert Pattinson, Julia Garner, Suki Waterhouse, Keleigh Teller, Miles Teller, and Aaron Rodgers pose with Taylor backstage at MetLife stadium. Keleigh, Miles, and Aaron seem to have attended two of the shows in NJ, based on Keleigh's caption and their different outfits in the photos. https://preview.redd.it/8d5mk2aucx7c1.png?width=1015&format=png&auto=webp&s=bede720e4846bfd712f4bbadcf62f2d9829796b3 August 9, 2023 - attended Eras in LA Keleigh shared a tiktok of Taylor playing NYD at the LA N6 show. October 11, 2023 - Eras Movie Premiere Keleigh accompanies Taylor to the Eras movie premiere and shares this tiktok. https://preview.redd.it/gjdxz8mxcx7c1.png?width=813&format=png&auto=webp&s=f7a393cd7d05293b50ea15ce50efc24a6f222be6 Bowery Hotel and other Shared Interests Taylor and Keleigh seem to have a lot of shared interests including The Bowery Hotel, Paris, wine, rainbows, and Bon Iver. https://preview.redd.it/aohfuvhzcx7c1.png?width=1030&format=png&auto=webp&s=4e6c81f853d49f7f031c493e9f60fadb801f9567 2018 Cruel Summer caption Keleigh posted this photo on IG in June 2018 with the caption “🤞cruel summer”, which does not appear to have been edited since 2018. It could be a coincidence since that’s a common phrase. This was over a year before the Lover album was released. https://preview.redd.it/nj7d2m11dx7c1.png?width=473&format=png&auto=webp&s=00994b5b79dcba56d95ae7ef011f3038651b78f9 Edited Instagram Captions Keleigh edited many of her IG captions 112 weeks ago on October 27, 2021 to add red scarf emojis and/or Taylor lyrics. (Hello 112 theory?) This first one was edited the day before the IBYTAM release, on November 14, 2021. https://preview.redd.it/64hac9s6dx7c1.png?width=2373&format=png&auto=webp&s=9118aeac14df27bb2cab9772dc8d58eaf330c4d6 https://preview.redd.it/jh3nqijbdx7c1.png?width=1682&format=png&auto=webp&s=3509f652705439f007e8b751c7b46ffa336167fb Photos with Zoe Kravitz Keleigh has known Zoe since at least 2013. Zoe starred in Divergent with Miles. https://preview.redd.it/qcsjuz9edx7c1.png?width=1354&format=png&auto=webp&s=66f1ca554d0ce89a5c59068b750e30c046043a03 |