Hi all,
My son is 2 years almost 5 months. He has just under 200 words and has been picking up new words daily. He has always hit speech milestones but on the lower end. He knows almost all of his colors, can count 1-20, can identify the alphabet letters and the sounds they make (but doesn’t like say the abcs in order or anything), and knows a lot of animals and nouns in general. He does also have verbs and uses them to communicate his needs (ie: “eat food”, “open playdoh”, “draw {insert animal}” “play outside”), putting the 2 word phrases together started recently and he’s getting better. He greets everyone with hi or bye and their name. He also responds to his name, follows directions really well, and loves to play with other kids.
We’d like to encourage more phrases and conversation and he’s not saying yes/no or using pronouns (only “mine” if we say something is ours first) so we want to work with him on that too. We also want to help him pick up more verbs to help with conversation. Are there any tips or techniques we can use to help with that?
He can have little exchanges with us like for example: him: “eat food” while opening fridge, me: “you want to eat? What do you want to eat?”, him: “applesauce”, me: “you want to eat applesauce?”, him: “eat applesauce!”… or him: “mommy draw”, me: “you want mommy to draw? What do you want mommy to draw?”, him: gives me blue marker “blue!”, me: “ok I’m going to draw something blue… what did mommy draw?”, him: “blue whale!”
He doesn’t qualify for speech. We just want to make sure he doesn’t fall behind. We are first time parents and we also both educators so we are hyper aware of him learning and picking up skills. He is in preschool, but the 2 year old class teachers speak Spanish and we talk to him in English- I’m not sure if that matters.
Thank you in advance!

Hi all,
My son is 2 years almost 5 months. He has just under 200 words and has been picking up new words daily. He has always hit speech milestones but on the lower end. He knows almost all of his colors, can count 1-20, can identify the alphabet letters and the sounds they make (but doesn’t like say the abcs in order or anything), and knows a lot of animals and nouns in general. He does also have verbs and uses them to communicate his needs (ie: “eat food”, “open playdoh”, “draw {insert animal}” “play outside”), putting the 2 word phrases together started recently and he’s getting better. He greets everyone with hi or bye and their name. He also responds to his name, follows directions really well, and loves to play with other kids.
We’d like to encourage more phrases and conversation and he’s not saying yes/no or using pronouns (only “mine” if we say something is ours first) so we want to work with him on that too. We also want to help him pick up more verbs to help with conversation. Are there any tips or techniques we can use to help with that?
He can have little exchanges with us like for example: him: “eat food” while opening fridge, me: “you want to eat? What do you want to eat?”, him: “applesauce”, me: “you want to eat applesauce?”, him: “eat applesauce!”… or him: “mommy draw”, me: “you want mommy to draw? What do you want mommy to draw?”, him: gives me blue marker “blue!”, me: “ok I’m going to draw something blue… what did mommy draw?”, him: “blue whale!”
He doesn’t qualify for speech. We just want to make sure he doesn’t fall behind. We are first time parents and we also both educators so we are hyper aware of him learning and picking up skills. He is in preschool, but the 2 year old class teachers speak Spanish and we talk to him in English- I’m not sure if that matters.
Thank you in advance!

No announcement about the new game was made in the festival.
I finally went to the Tales of Festival again and will try my best to write out what I remember from the special skit (hopefully the replay is posted eventually so everyone can enjoy it).
(I also briefly summarized the Tales of Abyss Yokohama Arena skit here from last time I went)
Since it's from memory, I can't remember all the details (so some details might be a bit off or in the wrong order) and who said what, so I'll just say someone when I don't remember who said it.
There aren't any major plot point spoilers (except for Symphonia) in this post, but there are of course small references to things that have happened in some games, so if you don't want to get spoiled about any detail then please don't read this (or read with caution).
Main Members that appeared in 6/2's festival:
Zelos (Tales of Symphonia) - Main Host
Shionne (Tales of Arise) - Assistant Host
Lloyd, Sheena (Tales of Symphonia)
Luke (Tales of Abyss) - long hair version
Yuri, Rita, Raven (Tales of Vesperia)
Sorey (Tales of Zestiria)
Velvet, Laphicet (Tales of Berseria)
Alphin, Dohalim (Tales of Arise)
Veigue (Tales of Rebirth) - special guest for the festival whose participation wasn't announced in advanced (he jokingly asked the audience to continue to keep it a secret but I'll have to betray his trust here for the greater good)
So the theme for this time's Tales of Festival is the Cultural Festival (the event that Japanese schools hold)), and the main act the party was going to perform at the festival was a play.
First, we started out with the script that Zelos wrote: Tales of Hero Lloyd, a tale about Lloyd defeating the two evils - Yuri (an assassin obsessed with crepes) and Luke (a high ranking bandit). Lloyd swiftly defeats the two with a single Tiger Blade
Lloyd got annoyed with Zelos continuously praising him and making him out to be this great grand hero so rejected his script.
They didn't know what to do without Zelos' script, but then Dohalim entered the stage, excited to participate in the school festival. It turned out Dohalim wasn't included in the actor list for the play in the Cultural Festival so people were worried about what to do, but-
Dohalim: Don't worry, I thought something like this might happen so I prepared my own play in advance
and everyone was like, but we don't have any scripts
Dohalim: Don't worry, I thought something like this might happen so I prepared everyone's script in advance
Dohalim's play was about Shionne's journey to eat a bunch of food, who was determined to carry out her quest even if she had to do it alone (Shionne: actually, I would prefer to carry out this quest alone)
There was a big plate of meat buns, and Alphin offered to help, but Shionne quickly rejected his offer.
Alphin: Okay, you can do it alone, but you at least have to add this hot sauce to the meat buns
Dohalim: And so, the conflict between the two continued... and the only way to resolve their conflict is by... dancing
Alphin and Shionne do a quick dance for the crowd
Shionne: What kind of script is this, why do I have to be a glutton. Rejected.
With another script rejected, the party was once again at a loss, but then Sorey entered the stage.
Sorey: I gathered a bunch of play ideas from the people who couldn't attend today's Tales of Festival
everyone: Great!!
Sorey: First, I have an idea from Mikleo... Tales of... Ruins (as in ruin exploration)! Wow, what a great idea!!! This is so exciting!
Someone: The only two people who would think that's a good idea is you and Mikleo...
Sorey: Okay... Next is an idea from Flynn.
Yuri: Flynn? Yeah, there's no way this idea is going to be good.
Sorey: Tales of... The Imperial Knights!
Yuri: Yeah, just what you would expect.
Sorey: Okay... Next is an idea from Jade.
Luke: Jade? This is going to be trouble
Sorey: Tales of... (some sort of small animal that looks like a tadpole, I forgot). Everyone will dress up as that animal and perform a play like that
Someone: What kind of idea is that, he just wants to see us in those outfits
With all of those scripts rejected, the party was once again at a loss. But then Laphicet enters the stage
Laphicet: How about my idea? Tales of... Velvet!
Velvet enters the stage, and Laphicet goes on about how cool and beautiful Velvet is.
Someone: All I got from that was how cool and beautiful Velvet is.
Laphicet: What?? Really?
The party couldn't agree on anything, and then the "Spirit of Plays" (represented by a statue on the stage) got mad and threatened to collapse Yokohama Arena if they don't come up with a play that can satisfy it. The play they come up with has to include three scenes: a battle scene, an emotional scene, and a cooking scene.
Everyone was at a loss - how could they come up with a play that includes all of those scenes on such short notice?
Someone: Well, I have an idea. How about we just do a play based on the Tales series itself? That would definitely include all three scenes.
Someone else: But that's way too long, how can we perform such a long story?
Someone: Well, we'll just have to condense the story then. And since we don't have all the necessary characters here, some people will just have to perform other roles.
So they began their play of "Super fast" Tales of XXX (as in they summarize the plot and do it super quickly).
First up was, Super Fast Tales of Symphonia
Lloyd played Lloyd, Velvet played Colette, Laphicet played as Genis
(note that when someone plays a role that isn't them, they combined their names. Ex. Colette in Japanese = coretto, Velvet in Japanese = berubetto, combined = Corubeto. Sheena playing as Tear = Shia. But I'll just write their original names for simplicity)
Lloyd: Here are my good friends Colette and Genis, and we're going on an adventure together!
Genis (Laphicet): Yay!!!
Colette (Velvet): *No response\*
Lloyd: Colette... it can't be... you lost your feelings?
Then Zelos comes barging in the stage
Zelos: Okay this plot is progressing way too quickly!!!
Zelos: And why is my role a dog when I actually appear in Tales of Symphonia?!?
Zelos is then on the ground and Colette (Velvet) kicks him away while this plays on the main screen
They banter a bit and then Velvet gets fed up with it and just says she'll just devour anything in her way, daemon or spirit (the pronunciation for spirit and malak are the same in Japanese)
With Velvet fed up with her role, Zelos ends up playing as Colette, and they proceed to do the coffee scene
First part of the coffee scene plays out as normal, and then-
Lloyd: I lied. It's actually hot.
Colette (Zelos): ... Well, hot or cold, doesn't matter to me. All I want is a hot hot time with you Lloyd!!!
Colette (Zelos) then tries to get close and hug Lloyd, who gets flustered and Tiger Blades him away.
Zelos: Ouch!! You would actually use an arte on a friend??
But right after Lloyd uses his combat arte, the statue (spirit of plays) lights up a bit.
Someone: Huh, the spirit is reacting to the arte! So I guess if we keep using combat artes, they'll count towards the combat scene we need to do!
Alphin: Arte? Leave it to me!
*Proceeds to use a mystic arte on Zelos*
Zelos: Okay wait wait no more! I'm actually going to die if this continues on
Alphin: Hmm, okay. How about everyone uses their artes on me then? I can't feel pain anyway.
Shionne: Leave the healing to me!
Yuri, Luke, and Velvet proceed to use their mystic artes on Alphin one by one, and the statue lights up fully, thus qualifying for the play's combat scene.
Someone: Even if you can't feel pain, you can't take that much more damage (Shionne probably said this)
Sheena: Wait... I appeared in Tales of Symphonia right? So why didn't I get any screen time...
And next...
Super fast Tales of Abyss!
Luke plays as Luke, Sheena plays as Tear, Velvet plays as Natalia, Shionne plays as Myuu (who was vocally against it). I forgot who plays as Guy, I think Sorey
They banter a bit and then Luke did something wrong, and the entire party is demanding him to apologize. Shionne (Myuu) was also harshly demanding him to apologize.
Luke: I'm not used to Thing being so harsh with me
Then Raven's arte cut in appears on the main screen (the thumbnail for this vid)
Raven: Wind Cutter!!
And the wind cutter cuts off Luke's hair, making him the short hair version.
Luke: ... I'm sorry. I'm sorry for everything. I'm sorry for what happened in Tales of Symphonia. I'm sorry for what happened in Tales of Abyss. I'm sorry for what happened in Tales of Vesperia. I'm sorry for the conflict between Renans and Dahnans...
Someone: You're going to apologize for all of the series? lol
Then the statue lights up
Someone: ... I guess that counts as the emotional scene then
Someone: So all we have to do is the cooking scene then
Yuri cooks up a peach pie (there was a recurring joke throughout about Veigue trying to sell peach pies) and Velvet cooks up a mabo curry within 1 second, which makes the statue light up, thus saving Yokohama Arena from collapse.
The end.

Kinkajou was flying in the crisp, chilly morning winds as she flew through the Rocky, and jagged cliffs that made up the Jade Mountain Range. Kinkajou was flying with nine other dragonets, four RainWings and five nightwings. They had been flying for a couple of hours, so they were exhausted. 

Kinkajou spotted a familiar Nightwing handing out scrolls to students. The Nightwing looked at Kinkajou, before her eyes narrowed at her. 

I am the aforementioned “professor” in a BORU post about me related to posts in subreddit. I decided to post a response after this event was brought up again with a mutual, Maria. We’re both hanging out as I type this. She and I have both hung out with “boyfriend” (Bob) in group settings and think there are definitely two sides to this story. My main gripe is being portrayed as a drunk and a man-stealer. Below is the original BORU post that I found while browsing one day. Also, someone did find me after reading this post due to how specific it is. I am responding pararaph by paragraph so you do not need to read the original post, feel free to.
The title in BORU is below as I cannot link other subreddits. (Was able to link, after the fact)

Do I (28F) need to worry about my boyfriend's (24M) friendship with his professor (25F)?

https://www.reddit.com/BestofRedditorUpdates/s/7mIcJp6t7n

My bf (24M) became friends with his former professor (25F), sometime last year - I don't know what to make of it. They seem to be friendly and talk consistently every week, and from what he tells me, it's usually very surface level. Sometime last year after the course ended, my bf, his professor, and some of his male classmates went somewhere to eat together. My bf brought up that he was going to be attending an event (plastic modeling show), and his professsor showed interest and invited herself to the event and asked if she could stay at his airbnb with his friends. My bf and his friends were all OK with it.

I was an instructor for one class/semester that BF (Bob) attended. I have no say or sway at the school and have not taught since then. I taught a class related to my profession. I did not get to know Bob personally until after the class was over. On the last day, he expressed that I was a great instructor and gave me a miniature he built as a show of gratitude. I also made miniatures (a different type though) and was intrigued that someone else was into this hobby. We stayed in touch. Later, I invited a few students for a meal (girls and guys) and the boy students were the only ones who RSVP’d yes. Bob did mention an event. I did not invite myself, I said me and my friend Linda were interested and may go too. Later on, Bob invited me to join their group’s airbnb because I was looking at hotels. A previous event trip fell through for my and Linda’s friend group and I felt bad she couldn’t go on a trip in the USA before she had to go back to her home country. This trip was to replace that experience. Bob invited us to the airbnb and Linda and I shared a room with 2 beds, Maria ended up coming on this trip as well, which the group was also okay with, and stayed in the same room with me and Linda

I unfortunately couldn't attend the event, but from what my bf told me, he and a few of his friends met up at their airbnb. That same day, his professor comes to my bf's airbnb and tagged a few of her girl friends along (I believe they all stayed in the same place). The next day, they go to the event, went to a bar afterwards and got drinks. A lot of them (except my bf) got pretty drunk and my bf took the liberty of being the designated driver for his professor and her friends. His professor won some model kit from the event, and even in her drunken state, asked my bf if he could stay up with her to work on the kit together. From what my bf tells me, nothing else happened that night.

Respectfully, I had one cocktail and then his friend bought everyone a shot. That was the extent of my drinking. I wasn’t drunk, Linda wasn’t drunk, and no one else in the group ended up being drunk., Maria was though. Maria underestimated how strong the drinks were and she was the DD and we did not have enough time to sober up once she felt the alcohol hit her. She couldn’t drive, I didn’t want to drive her dad’s car, and Linda doesn’t have a US driver's license. Bob offered to drive the car with me, Linda, and Maria back to the airbnb. The other car was driven back by his friend who was not drunk and drove sober. At the airbnb, Bob asked what i would do with the model kit I won, I said i am not familiar with this type of miniature and so I would sell it on facebook marketplace. He said it was actually easy to build, he had built that one before, and he could help me build it right then as all their tools for building were still out on the table. I said he didn’t have to but he insisted and I accepted his help. I was also still not drunk. Next to us in the living room, Maria and 2 of the guys were watching Ouran High Scool Host Club and Cowboy bebop. We all stayed up until 2AM building or watching anime. For half of the trip, me and the girls split off and did our own thing. We did not stay with the group the entire tip because our intent was to piggy back a small girls weekend while also seeing the event.

After the event, everyone from that group created a group chat and they continue to plan and talk about future events together. Since then, my bf and his friends had met up with his professor and got to meet his professor's fiance at an anime convention and it sounded like they all got along well. His professor continues to express interest in other events and it sounds like she may be attending another event with my bf and his friends in the near future.
I trust my boyfriend and don't think he is hiding anything from me. Honestly speaking, I think it's hard for me to understand their friendship as it is his professor. I've had a conversation with him on this, and he's let me know that I have nothing to worry about. I would like to hear other's opinions and see what ya'll think of this friendship? Is this something I need to be concerned about or is it really nothing?
Thank you all!
\Edit: the professor was my bf's former professor. She is classified as an adjunct faculty and works as an accountant as her full time job (which explains why she is a young professor).*
\My bf has not graduated college yet and is still a student at his university.*

Bob and his group went to an anime convention. I and my friend group also went because I was not aware there was one near me until Bob mentioned it. My friend group, I thought, got along well with his friends and it was a great first con experience. I and a few of my friends expressed interest in future events. I think she is hung up on this professor titleship but I was an instructor whom students called professor but I was very clear this was a side gig and I was had a career. I was never in any position of power at the school, I was a contract employee used to fill an open course section at an undesirable time. For the majority of the time I knew Bob, we were equals who were only 1 year apart in age and shared a similar hobby.

Relevant Comments:
You should go to one of the events with him:
"I do struggle with social anxiety so it makes me uncomfortable to be sharing a space with a lot of unknown people. I am hoping to go to the next event though since it's local."
Her relationship with students is grossly unprofessional:
"I'm totally with you - I am also quite confused of her choice of "friends". I am not sure why of all places, does she choose to share an airbnb with her former student and to be drunk with them. She is classified as an adjunct faculty, so she is a professor but is part time (she works full time as an accountant). The whole situation feels weird to me."
Clarification:
Commenter: You say “his professor” what is their specific academic connection? She taught him once years ago and now they’re roughly equals and friends? Or she’s his primary support for a PhD? Or what?
OOP: The first option - she taught him last year and now are now friends. He is no longer in a course with her. I totally understand how it's possible for students and their professors to be friendly, but i've never heard or seen of a friendship where you consistently talk and hang out together so casually.
So she's no longer his professor- they are two adults of the same age and power level:
"It kind of gives me the same vibes like if a student graduated HS and is friends with their young teacher (obv not the same thing, but a student-teacher relationship is there). I think as a teacher, you should still uphold that level of professionalism and mentorship, even if you are no longer the student's teacher.
I also want to note that they are technically not "equals" since they're both in relationships. She can't be acting however she wants with former students."

I respect that they view my actions unprofessionally. I did not view it as such since I was no longer an instructor and have not been since. I taught a 4 month course one day a week. I would not be friends with an 18-22 year old I had nothing in common with.

Update: my boyfriend and I had a more heart-to-heart talk regarding his teacher and he recognizes that it crossed some of my boundaries. He believes that she may be behaving the way she does because when she hangs out with her fiance's friends, she gets bored with them (and may possibly be seeking attention from other people?). Several weeks later, my boyfriend had a conversation with his college instructor regarding their friendship and told her how I didn't feel comfortable of their friendship and how he thinks they should keep communication at a minimum. She brought up how she understands because her fiance also had an issue with how she chose to share an airbnb with my bf. She mentions to my boyfriend that she sees him as a brother and that's why she feels really comfortable with him, but that she will try to respect my boyfriend's wishes of keeping conversations at a minimum.

I did not know it had crossed any of their boundaries at the time until the phone call. I treated Bob the same way I treated all of my friends but I do understand and respect that not everyone has the same view of friendship. My friend group went through a period where we would talk about going to stuff and then no one does any work to follow through. The event Linda and our friends were going to attend that never happened is a good example. I didn’t want lazy friends being the reason why I did not experience things. Bob did follow through on going to things. My husband’s concern was that it was a group of guys we had not met yet in person and we were all girls. I told him that if I thought any one of them was giving off weird vibes, we would immediately leave and get a hotel. As for the phone call, he did call to tell me basically the same and my understanding was that we should talk less because she does not like the closeness. At the time, we were messaging every day and I did make an attempt to reduce the frequency to once a week.

Well, even after that talk, she continues to still message my boyfriend weekly on random life updates. And because she is also part of my bf's chat in discord, one of his friends invited her to attend another plastic modeling show (it occurred recently) and dinner. Since she accepted the invitations, I chose to attend as well so that I could personally meet her. The dinner occurred first and it was very uncomfortable because she practically ignored me the entire night. When she joined us at the table, she greeted my bf but didn't say anything to me (even my bf noticed and got annoyed, but then introduced us). She got increasingly drunk throughout the night and was saying random stuff about my bf to his friends like "he could've been the best student in my class but it's cause he missed some assignments" and "[bf's name] gave me a 5 star review on rate my professor!". She ended up not going to the show, but my bf had a chat with his guys and they told him that they want to respect my feelings too and make it a guys' night next time.
I would like to hear other's opinions and see if you also think she is acting suspicious?

One thing left out is that during the phone call between Bob and I, I asked Bob if his GF would want to ever talk to or get to know me, or all 3 of us hang out, and he said he asked her and she said she did not want to do that and she was uncomfortable at the thought of meeting me. I did stop messaging him frequently and only did so once a week to ask how his job search was going and to let him know the status of a big event in my life. I thought that was what was requested, less interaction, not no interaction. Maria and I went to this dinner because everyone from the airbnb trip was going to be there (Linda did not go). What is not mentioned is that Bob and the GF arrived 40 minutes into eating. I nodded in their direction when they came and said hey in their general direction, not specifically at Bob or her. I did not talk to either specifically because (1) GF does not like me and him talking and I was not about to directly talk to Bob in front of her (2) she said she did not want to talk to me or get to know me and never retracted that statement. I learned Bob and GF thought it was a slight against them that I only said hey to Bob but I didn’t direct it to anyone and I was trying to play it safe. Had I known she came to personally meet me, I would have tried to talk to her. After learning why she came, I was surprised she did not talk to me even though she came to meet me. As for the alcohol, except for them, since they arrived late, everyone had 2-3 drinks already because it was happy hour. Me and Maria made friends with the bartender who gave us discounted cocktails. I even bought a drink for GF so she could get the discount and then pay me back. It is true I said those jokes but I said them in jest and these were jokes already made previously. To be fair, she did not try to talk to me at all, nor did she try to talk to Maria. Later that week, Maria called me to catch up and mentioned the dinner. She commented that GF made no effort to get to know us and thought GF went to monitor him and me. In essence, she ignored me and Maria and Maria and I ignored her. I did not go to the show because I had a prior commitment.

Relevant Comment:
She wants to have sex with your boyfriend. She's crossing major boundaries. Has he stopped conversation with her?
"I wouldn't be surprised if that is her intention cause there's def some shady people out there. I agree, she is crossing some professional and personal boundaries, and I think it's quite unusual behavior for any teacher to act like that. Yes, he has stopped communicating with her. She was consistently messaging him until last week...so hopefully she got the memo.

As mentioned in her post, I did view Bob as a brother. He lived similar experiences to me but I felt like he was where I would have been had I not moved out from my parents when I did. I wanted to see him professionally thrive and accomplish his goals of getting a car and moving out as those were things I strived for but had already attained. As for the 5-6 times we met up, it was in group settings and he met all of my friends and my husband as well. This post, to me, makes it seem like I was always hanging on to Bob but there were many instances of me and my friends breaking off to do our own thing. My husband and Linda’s husband were both okay with us going to the airbnb at the time and later on met and got to know Bob too. Each time we met, if I drank, I had 2 drinks and one time I had 3. I am not sure how Bob told these events to his GF so it may just be lost in translation but the only person who ever got drunk at a meet up was Maria and it was once. I do not agree with her stating that I was constantly drunk for each meet up or always asking/inviting myself to things. He invited me to join his airbnb group (i asked if Linda and Maria could join me), I did ask to join his group for another event until my friend group arrived (which included my husband, Linda, and Maria), and his friend invited me to the group dinner (Maria attended). To this day, his GF has never said a word to me or Maria (she did not say hi, only waved to us), nor us her. When I offered to order and bring her cocktail from the bar, I believe Bob was the one who responded to my offer. I only found out about what she was thinking via this BORU post. Linda, Maria, and I haven’t talked to Bob since, this was a cathartic write with Maria as it is very jarring to randomly find a post about yourself and then also have someone find you from that post.

What is Fixed Piece?

Fixed Piece is a Fan Project of cutting down all unwanted filler from the One Piece episodes. We come from massive inspiration of the other fan project One Pace. However, we make sure that filler is cut out unless it is filler that the fanbase actually wants included. We try to follow the exact order of the panels in the manga but make sure the viewer experience is still perfect.

Why Should I Use Fixed Piece?

We strive to make sure the viewing experience is as entertaining and rewatchable as possible by keeping in good filler and removing parts that make the series too bloated and a slog to get through. All team members are caught up with the latest arcs and have read the manga, so they know what parts to keep in and what to keep out. We also ask server members what they want to be kept in so we know exactly what the community wants.
We have an entire website where we release the episodes. We also have a link to our Discord Server where you will be able to apply for recruitment into the Fixed Piece team and be able to keep updated with new releases on Fixed Piece Episodes and MUCH MORE! Here is the website: https://fixedpiece.world
Q: What constitutes as good filler? A: Anything that doesn't hurt the story and doesn't hurt the pacing of the anime.
Q: How often do episodes release? A: Episodes release when they are finished. You can join the Discord and know when we release new episodes.
We Currently Only Have Japanese Dub with English Subtitles but are going to be releasing other dubs and sub languages sometime in the future.
We are also currently recruiting!! - Subtitle Editor (require good understanding of Aegisub) - Translators (JP-EN) - Subtitle Timers (require good understanding of Aegisub) - Quality Control - Video Editors

Taki's decisionmaking being put under scruitany has been the direction this season has promised to be going since the first auditions and ever since then I've been wondering what exactly changed. I have several conflicting theories and wanted to share them with yall.

• The first and the least likely one is that after 2 failures, Taki is simply discouraged. His initial enthusiasm has dried up a bit and he's now not thinking his decisions through as well as he could've before. This neither fits his character, nor coincides with how much pressure he's still putting onto everyone this season.
• Now that he's been trying for 2 years already and has settled into his new position, he kinda changed his perception about the urgency of him winning Nationals. I'm sure, that when he just came to Kitauji a part of him hoped that he would do it on his first try, making his wife ecstatic, watching it all on her musician heaven TV. But he failed, felt bad, but tried again and failed again. And now that it's become a regular thing, he just doesn't have the same sense of urgency he had before. "If this batch doesn't work out, there's always next year and the year after that."
• My personal favourite theory is that he's simply getting desperate to win gold and trying to pander to judges more. He chose a tuba player, who would be heard better, he chose the girl who is known for being able to play the exact way he wants her to. Don't know how probable this is, but it's a fun possibility. Although, in retrospect, I don't think that's Taki.
• He just made mistakes. I mean, it's possible that he simply has a vision of the ensemble in mind and that vision doesn't gel well with reality, so Kumiko's job will be to snap him back to it. Taki has only been doing this for 2 years, he has been shown to be inexperienced in actually handling interpersonal relationships in the ensemble multiple times, especially in season 1 and new conflicts he doesn't know how to deal with like this one can spring up at any time.
• He's becoming overly competitive. As Hashimoto had pointed out this episode, music is about having fun and all that and questioned whether Taki got that. Taki and Reina might have slowly turned this high school club into a spartan training camp with the sole goal of winning gold for their own selfish reasons, ignoring the feelings of everyone else - the exact polar opposite of how this club was before he arrived. Taki wants to make his wife proud and the wishes of those high school kids he has to direct in order to get there don't matter. He kinda forgot that he was supposed to be the nice version of the conductor of Whiplash and that he's not the coach in a sports anime.
• Goofy ahh 4D chess theory - Taki chose Mayu to bring out the best out of Kumiko and make her work harder, blah blah blah.

Pretty excited for the next episode either way. The drama is filled with apple juice and I love apple juice.

First. Previous.
‘Ri woke up in the hotel room to the sound and smell of cooking meat, as well as what she knew to be pancakes. Opening her eyes, she looked ‘down’ to see Kyle cooking on the small grill he packed with him in his subspace shadow, one of his near-silent air purifiers directly overhead, as he was using wood to cook with; the smell of fire-grilled meat was making her ravenous, and it was with a happy stretch that she sat up, Kyle turning to smile at her.
“Morning, beautiful,” he said as she smiled back, “Figured I’d make you breakfast-in-bed; we got dragon steak and eggs - chicken eggs - and I just got done with a bunch of dragon bacon. Pancakes were done a few minutes ago, and I’ve been letting the butter melt in; syrup’s over…” he looked around, spotting a metal container that looked somewhat like a drink pitcher. He set all of this down on a large tray, which he carried over to her, setting it down on the bed lengthwise between the two of them. He went back to the table he’d been working at to retrieve plates, flatware, and two glasses, floating a pitcher of what turned out to be gor’ahm juice, a sweet - yet slightly tart - berry that grew on verem’jiose, and also cost quite a bit, as it was difficult to get enough berries to mass produce, so it wasn’t ‘readily available’ outside of her homeworld.
All-in-all it was a rather enjoyable breakfast - whether or not he had any ‘professional’ training, Kyle sure did know how to cook. After they were done eating - and Kyle had moved their dishes over to the kitchenette their room came with - they took a shower, taking their time in the hot water, just enjoying each other’s presence. When they were done, they dressed in the robes that came with the room - they had gone with black all around - and went to sit together in the main room, putting on some soothing music as they sat together, tails and arms wrapped around each other. After a while of them just sitting there, Kyle stirred slightly.
“I, uh… I got a surprise for you.” He sounded a bit nervous as he said it, but she put that to the side; surely he was just hoping she’d like whatever it was. He smiled slightly, and said,
“Close your eyes.”
Doing as he asked, she shut her eyes, knowing full well that whatever he was ‘retrieving’ was in his subspace shadow, but she went along with the act. When he gave her the okay, she opened her eyes, and it seemed like her stomach dropped out from under her heart, and into oblivion; there in his hands was a thin, perfectly square - but not ‘cubed’ - black box. She looked up at him, unable to say anything, as he opened the lid, and she let out an involuntary gasp; it was difficult for her mind to process what she was seeing, as it appeared to be a round piece of the void cut out to look like a tiara. Or, at least it looked like the shape of one, seeing as she couldn’t really make out any details, though there obviously were details carved into it, as the little sparkles of what she knew to be black hole diamonds - she had seen the pendant Kyle had retrieved from the pirates - seemed to appear and disappear, depending on what angle she looked at it from. The big 8-point star in the middle - reminiscent of the shape their pupils took when observing peoples’ life-blood, and Gift - was always visible however, no matter the angle it was viewed from.
“I had to have Kay’Eighty sketch out the basic outline of where to cut to fit you,” he said, drawing her out of her stupor, “And I had the lead sehr’chtahb fit the diamonds on it, as part of the payment for bringing back the pendant, along with the diamonds themselves, of course. The actual tiara is made from the bone of the first dragon I killed, and I used the kath’loo’s Gift to turn the bone so black that it absorbs all light. I had to turn the bone behind the diamonds silver, because there’s only so much that refraction can do.” They both gave a little chuckle at that; finally, he pointed to the inside of the tiara.
“And here I put a strip of crysthril all the way around it,” she knew that he’d gotten the Gift from one of the sehr’chtahb before they’d left the planet, “Which you normally wouldn’t need, seeing as you’ve got a literal ton in your subspace; but this is different. While we can’t transfer our Gifts to anyone else, we can transfer them into the crysthril, and it stays enchanted with the Gift, no matter how much of it you use. It’s basically limited by your own power, and how much of each Gift was put into the crysthril. Right now, this has all the Gifts that I have right now, and I can always add more in later, when I get ‘em… So, will you wear it?”
The last part was said with a palpable level of nervousness, and she was unable to say anything at that moment. After a few seconds, she finally was able to nod her head yes, tears leaking down her face. Kyle’s face lit up in a wide grin, and she saw his eyes shimmer with unshed tears as he reached forward to grasp the tiara, showing her how to disconnect it at the sides. She leaned her head forward as he reached up to put it on for her, it fitting snugly not just around her head, but perfectly resting around her horns, so as not to be squeezing them, nor to be loose, and wobbly.
She reached forward, pulling him into a deep, passionate kiss, too happy to actually say anything; they sat there for a while, basking in their shared love, until she started getting a bit antsy. Kyle obviously noticed this, as he laughed, and said,
“Go look; I know you’re just dying to see it.”
After a smile, and a quick kiss, she ran into the bathroom, looking into the mirror, marveling at the dazzling headpiece that was now her’s. She sat there for a good few minutes, turning her head this way and that, admiring the craftsmanship Kyle had so lovingly put into it. It honestly looked like something a professional jeweler would be proud to call their own work, and she reveled in that fact as well. This was a testament to his love for her, and it was done through Kyle’s own handiwork; and where it wasn’t, it was small enough to excuse away, especially with having had the diamonds placed as payment for his actual work.
Eventually she was able to tear her eyes from the beautiful piece, and she returned to Kyle’s side, both of them grinning like children. After a few minutes of making out, and cuddling, Kyle insisted that they get dressed.
“I know you wanna show that off, and we can go look around the shops, see if there’s anything that we want. Then we can grab lunch somewhere, and later we can have dinner with your parents and ‘Lana. Tomorrow I’m gonna go back to the ship and get some brisket started up; Kohr’Sahr and the others’re gonna be here in a couple days, and I wanna have a party when we give them the news.”
“Do they know?” she asked.
“About me proposing? No,” he replied, “About everything else? I gave ‘em a brief rundown, but I didn’t go into too much detail. The suun’mahs representative got in touch with me yesterday: the broadcast is gonna come out later today, and anything that they need cleared up after that, I’m happy to be the one to tell ‘em… You’re sure you’re okay with them posting your general location to the public? I don’t want you to have to deal with any ‘fanclubs’ from back home.”
She smiled warmly at him, running her fingers through his hair.
“They’ll know that I’m taken, and that they have no chance; anyone who tries anything after that, no one will blame us for… teaching them a lesson. Besides, they already know not to bother me if they see me abroad; the secrecy was just an added measure.”
He bowed his head concedingly, as he got up, pulling her to her feet with him.
“Come on,” he said, giving her a quick kiss on the corner of her mouth, “Let’s get dressed.”
She got dressed in a simple black pleated skirt that came about ⅔ down her thigh, along with a teal button-up shirt. Kyle was wearing his black and red pants, with a silk purple shirt; he had decided to forgo his boots. Kyle applied a simple light layer of purple eye shadow, and simple black liner, with a reverse of that on his lips, having purple liner and black filler. She went with the same pattern, except she used a luscious red in place of her natural purple. Once they were ready, they were about to head out when she thought of something; she held out her hands, and pulled a certain large, flat box from her subspace shadow. Smiling, Kyle opened it, and gently removed the necklace he’d bought her the last time they were on this station. After he’d secured it in place, she dismissed the box, and they left the room arm-in-arm.
The payoff was near-automatic, as it only took as long as getting into the elevator before they encountered another person; this one turned out to be none other than the Captain, as the station leader had put the entire crew up in the station’s best hotels, save for a decent amount of the security, all of whom had gotten to leave the ship last time they were on this station. As soon as the doors opened, they saw her standing next to what appeared to be a golden drahk’mihn, with horns that protruded from his forehead, sweeping back over the top of his head, only to slightly curl upwards just as they reached the back of his head. He wore light blue shorts, and a matching vest, while the Captain wore her customary jacket; her eyes widened when she saw the two, going straight to the tiara on her head.
"By the Gods, man; do you do anything normal?"
"Define 'normal'," Kyle countered, which brought about a round of laughter.
“Were y’all gettin’ off?” Kyle asked, hooking his thumb over his shoulder; the Captain cleared her throat,
“Well, that’s really none of your business,” she replied, to more laughter, “But we can take another ride, either way.” She had barely taken her eyes off the tiara the entire time, much to ‘Ri’s delight. As Kyle pushed the button for the lobby, Golden asked how Kyle had made it, to which he obliged, occupying the time it took them to reach the ground floor; the Captain couldn’t keep her eyes off the headpiece the whole time, at which ‘Ri couldn’t help but smile with pride.
After they reached their floor, they bid the other two farewell, at which point the Captain seemed to remember herself, and gave a hasty - yet obviously sincere - congratulations to the two, which Golden echoed. After thanking the two, they disembarked the elevator, ‘Ri acutely aware that the Captain was still staring at the tiara, even without looking back at her.
The rest of the day passed in a similar manner, with the general crowd around them either going silent, or - less common, but still frequent enough to be noticeable - lightly gasping; all eyes were on her, which made her smile and cling to Kyle’s arm all the more. It was funny: she had never really cared about ‘tradition’, and had always simply wanted someone who saw her as her. Sure, there were several ‘high-born’ men who’d hunted dangerous beasts - even to a drahk’mihn - to turn into tiaras, all of them trying to ‘win her hand’. But none of that had ever mattered, no matter what they’d hunted, or whether they’d used their Gift, or not; none of them even knew who she was, so their efforts meant nothing, but whatever standing they could achieve by marrying ‘the girl who stopped the war’.
But here was Kyle, a man from another species entirely who saw her as a person, in a way that no non-insectoid ever had in her entire life. A man who’d had no problem whatsoever showing his anger at her - very much deserved, she had to admit; that was a rather rude wake-up call - before he really even knew her, not afraid to call her out on any toxic behavior she might display. And who had taken the fruit of his labors to produce a symbol of his commitment to her, fully embodying the true symbolism of the traditional way, not by simply trying to impress her by buying her affection, as the others had. And for the first time since she was a little girl, she felt a distinct pride in that tradition, and all the more love towards Kyle for it.
They didn’t really have any place in particular that they had in mind to visit, simply walking around, enjoying each other’s company, and the reactions of the various passersby. Among the obviously astonished expressions, there were quite a few jealous ones on a few of the women they passed by, which brought her no end of satisfaction; not that she had anything in particular against any of those women, it just felt good to have something that others wanted so badly. And though she doubted that many of them actually wanted her man - whom she still valued more than the headpiece he’d given her - what they wanted was a product of his work, and so either way - whether they knew it or not - it was him that they wanted; too bad for all of them that she’d gotten her claws in him first, and she was never letting him go of him again.
She had made sure of that, seeing as he could now issue orders to the Captain, and change protocol on a whim; she had also gotten him to give her authorization to take a shuttle planetside if she deemed it necessary, though he’d made her promise to exercise that authority only in cases of an actual emergency, and not for a small ‘threat’ that he could obviously handle. They had come to the agreement that the wild cats from Cheshire’s homeworld were the cutoff point: anything much bigger than those were enough to warrant her presence on the planet. She didn’t really like even that, but she had to agree that at that point it was almost insulting to his own abilities, especially since he had plenty of Gifts to help him out, including her own.
At one point, they were passing by a furniture shop when they spotted her parents and ‘Lana going in; it was her sister who noticed them, calling out,
“‘Ri, Kyle; hi!”
They both smiled and called back in greeting, waving as her parents turned around, their faces immediately breaking out in smiles as they saw the two of them; the looks on their faces - coupled with not a bit of surprise - told her that he’d already shown them the tiara, not that she minded. If he was going to show anyone before her - aside from those who helped him create it in the first place - she could accept her parents being the ones, and ‘Lana by extension.
They spent around an hour walking around the shop - Kyle having to encourage them to pick out the more ‘luxury’ goods - as her parents picked out a new mattress for their bed, along with a few comfortable chairs. They all went their separate ways, her and Kyle promising to meet up later for dinner together. As they had just come back from eating themselves, they went to do more shopping - Kyle reminding them not to worry about the price of anything - while she and Kyle went to go find somewhere to eat.
They decided on a unique shop setup, wherein there was an herbivore side, and a carnivore side; both were technically their own shops - separated by a wall, and everything - though there was no problem with an herbivore sitting with carnivore friends to go nextdoor to get a plate made, and bring it over, or vice versa. They decided on sitting in the carnivore section, and Kyle would go over to the herbivore side to get a bit of roughage for the both of them. After they had taken their seat - the keen’yhong waitress staring in awe at her tiara - Kyle excused himself to the shop next door; after he’d left her line of sight, she immediately got up and hurried to the restroom, eager to get another look at herself in the mirror.

Vohr’Sin - a light blue drahk’mihn with horns that curved back, down and around, so that the tips pointed forward, just under his ears - was having a bit of trouble, as the restaurant was currently too full to seat them.
“There’s nothing you can do for the drahk’mihn ambassador to the humans’ system?” he asked jokingly, “She should be on her way any minute.”
“Sorry, sir,” the black gah’rahtoe replied to him, his face showing genuine regret, “It’s the lunch rush, right now. You’re welcome to wait for someone to finish up, if you like.”
“No,” he responded, “She had to skip breakfast this morning to attend a virtual meeting, so I doubt she’ll be up to waiting… Well, thanks anyway.” As he turned to find somewhere else to eat, he nearly walked right into another person; it took him a moment to realize who it was.
“My apologies,” he said, “I should have been paying more attention to where I was going… Forgive me for bothering you, but aren’t you Ambassador Redding?”
The human was easily recognizable, the ‘scars’ across his face and the horns - which the Empress herself had expressed to his wife were not to be commented upon - that were in a very unique shape. Personally, he wasn’t too comfortable with the human getting a pass at imitating their race - especially Kah’Ri’s horns, of all people - but if the service that he’d provided to their race by coming up with the idea of how to find the slavers was enough for Empress Ella’Ven to excuse it, he had to accept it, as well. The man was carrying a tray with a few plates of vegetables on them, including two baked tass’guds.
“I am,” the human replied with a smile, “Sorry for eavesdropping, but I couldn’t help but overhear your conversation: if you like, you can come sit with me and my fiance; we’re out celebrating our engagement.”
“Oh,” he began sheepishly, “I really wouldn’t want to intrude…” but the human waved him off.
“I’m sure it’ll be no problem; you know how women like to show off their jewelry. It’s just us, so I’m sure it’ll be fine. Besides, I can answer any questions your wife may have about humans, and any social customs she might need to be aware of. Well, any that I know of, anyway.” He finished with a slight chuckle, and Vohr’Sin was torn between not wanting to intrude, but also not wanting to insult the Ambassador by refusing; it was at this time that his wife Vir’Ell walked up.
“I see you’ve met the human Ambassador, love.” He turned to see the yellow-tinted woman that he’d pledged his life to, wearing a light purple tube-top, and matching shorts. Her slender horns swept backward, ending halfway down the back of her head, pointing down.
“I’m Vir’Ell,” she said, directing her attention to the human after exchanging a kiss with Vohr’Sin, “It’s a pleasure to meet you.”
“And you, as well,” he replied, “I was just telling your husband that y’all can join me an’ my fiance, if you like. We just got engaged this morning, and I’m sure she’d just love the chance to show off. Of course, I don’t wish to interrupt your own time, if you’d rather eat alone, but it seems that we took the last free table, here.”
“That sounds lovely,” she replied easily, lightly squeezing his tail with her own, “I look forward to meeting your betrothed.”
The human - Kyle, as he asked them to call him - led them inside, and over to an empty table, where they all took their seats.
“I’m sure she went to freshen up,” he said as they all sat down,
“So,” he continued as they all settled down, “I hear you’re on your way to Sol?”
“We are,” Vir’Ell replied brightly, “Several factors have come together to convince the Empress to send an envoy to your system; the two biggest factors being - of course - your own contribution to freeing those enslaved, but also from the fact that even through the outcasts of your society, it is entirely obvious that humans had nothing to do with the enslavement of our people. There are obviously other reasons - ones that she wishes to keep close to her wings - but she has decided that humans will be the first race to whom she will reach out a hand of open friendship. Obviously, this will have to be taken slowly, but we’re hopeful that this could open new avenues of trade and friendship that we’ve been so sorely missing all these years.”
“Well,” Kyle began, “I hope we can come together as peoples, especially since our introduction to the wider galaxy came about in quite similar circumstances.”
“Yes,” Vohr’Sin replied seriously, joining the conversation, “That is something that we - as separate races - can relate to, you more so than others, I’m sure. I can’t imagine what it must have been like to endure the mahn’ewe’s captivity, and I commend you on your mental fortitude to be able to make it through all of that relatively unscarred. I won’t claim to know how you’ve dealt with it since your escape, but the fact that you came out of it without any noticeable xenophobia is exemplary.”
“Yeah, well,” Kyle began a bit darkly, looking off to the side a bit as his mind wandered those detestable halls, “I’m kinda used to misfortune, and holding it against those who brought it on, specifically. As a matter of fact, the mahn’ewe look human enough that it doesn’t even translate the same when looking from even the drahk’mihn to them. And everyone else just looks like ‘humanoid animals’, or ‘insects’, so it’s less of a comparison to the mahn’ewe, and more so towards our own myths and legends. And I guess I can’t really complain about my lot in life, ‘cause if I hadn’t been abducted, it’s likely I never would’ve met my future wife… Who seems to finally be done admiring herself in the mirror.” This last part he raised his voice slightly, obviously addressing someone over Vir’Ell’s shoulder, who was on Vohr’Sin’s right side. Before they could turn to look, a surprisingly familiar voice rang out, the smile audible in her voice.
“Can’t you go anywhere without ingratiating yourself with whatever drahk’mihn may be in the vicinity?” Looking around at the woman who had just walked past them to sit next to Kyle, his heart seemed to stop in surprise, both at who was talking, as well as the tiara she was wearing; and looking at her now, he fully understood why the Empress had directed them to ignore Kyle's choice in horns. Kah’Ri Mih’Rell wrapped her tail around Kyle’s waist - even as he wrapped his around her - and even hooked her right wing on his right shoulder, a wide grin on her face. On her head was what appeared to be the void itself, elegantly wrapped around her head, twined gracefully over her horns so as to appear as if the void really had inserted itself onto her head.
“‘Ri,” Kyle began, obviously enjoying their reaction just as much as Kah’Ri was, “I’d like you to meet Vohr’Sin, and his wife Vir’Ell; they’re heading to Sol, as she’s been appointed the Ambassador to humanity.”
“Oh,” she replied, obviously surprised, “I honestly didn’t expect that, though I suppose Ella would have ample reason to reach out to humans, of all peoples.” Obviously it was common knowledge that the Empress had taken Kah’Ri in when she’d lost her own parents, but somehow it had never occurred to him to imagine anyone being ‘close’ enough to her to call her by a nickname.
“I’m sorry,” Vir’Ell cut in, “But that tiara is absolutely stunning.” Mixed in with the pleasure at such an extravagant praise, there was an obvious strain of pride in their faces as they both grinned, Kah’Ri leaning closer to Kyle.
“Thank you,” she replied, “He made it according to tradition.”
“You made that?!” he couldn’t help but exclaim, causing them to smile even wider, “From what? I recognize the black hole diamonds, but the material that the rest of it is made of…”
Kah’Ri gave Kyle a knowing look, and - still smiling - said,
“Show them.”
Kyle gave her a conceding nod of his head, and fiddled with the small monitor that was strapped to his wrist. Soon enough, a small hologram appeared on the table between them, depicting Kyle in a strange white tree, looking down at a - comparatively - giant red reptile of some kind. There was a seemingly one-sided conversation where he was obviously speaking with the razum’yilahn that was partially wrapped around his neck, the rest of their body disappearing beneath his shirt. They were still able to catch the gist of what they were saying, mainly that he couldn’t kill that creature until they were sure it wasn’t sapient, which would require them going into its mind.
What followed was an epic battle between man and beast, his uplifted canine companion joining the fight once it was clear that it was indeed a fight. And though it fended off any attacks the canine - Cheshire - threw its way, it seemed intent on finishing the one that had invaded its mind. It eventually had Kyle pinned on his back, both claws - and most of its weight - braced on the staff of the spear he wielded, while Cheshire continued to draw its attention. One such attempt resulted in the reptile shifting its mass, causing one of its paws to slip off the staff, producing what would obviously eventually become the tattoo across his face, though his eyes were destroyed beyond repair in the process.
He managed to catch the claw back on the staff again - obviously using the razum’yilahn’s eyes to operate - soon after which a shuttle appeared, its door open, and what looked like an automated weapon hanging out the side. It fired once, catching the reptile in its backside, and doing little more than making the beast angrier. As it hissed at the shuttle, the weapon fired again, and caught it in the throat, opening up a shallow cut, which Kyle wasted no time in exploiting. Bracing the staff between the arches in his boots, he reached down and drew another knife from his boot, and quickly used it to open the cut wider, rolling out from under the monster to avoid the spray of blood. As the hologram cut out, Kyle began speaking.
“I used the skull plate to grind out the tiara itself, though I had to use nanobots to carve out the clasp to hold the two pieces around her horns. The diamonds were a reward for returning a pendant to the ory’lagus who run the black hole mining company, and the sehr’chtahb who originally crafted the first black hole diamond shaped and set ‘em for me, and I used the Gift I took from the Kath’Loo who was holding her father to change the bone so that it absorbs all light; I also had to turn the bone behind the diamond - and every flake of diamond dust - to silver, to have some light reflect back.”
Vohr’Sin was quite taken aback by everything that had gone into making that tiara, and he was beginning to see possibly a bit of what Kah’Ri must have seen in him in the first place. He was only just realizing that Kyle hadn’t seemed phased to have seen a drahk’mihn; which now it was obvious as to why, but it should have been something that he noticed when they first met. Perhaps it was the horns, and his eyes, of course; another thing the Empress had instructed them to ignore. He was also acutely aware of how… desirable that course of events made him.
“Goddess, man,” he said, putting an exaggeratedly jealous arm around Vir’Ell’s waist, “Save some for the rest of us.” That got a good laugh out of the table, shortly after which their waitress showed up to take their orders. Luckily, they all knew what they wanted, and they were soon talking back and forth, sharing anecdotes from their home world, and asking questions about his. They learned a few things that weren’t easily discernible by simple study of their culture through text, or even video. Kah’Ri stayed quiet, mostly, letting them do all the talking about Verem’Jiose; probably since she had been - intentionally - absent from there for so long, it wasn’t like she would have any idea of more recent news, or trends.
All-in-all, it was an enjoyable lunch, with the time slipping by as they ate and talked the meal away. Towards the end of the meal, the women excused themselves to the restroom, and while they were gone, he took the chance to ask Kyle about the possibility of being allowed to hunt one of those lizards himself, as Kyle had informed them that he owned that planet.
“Well,” he began after a bit of thought, “If you do hunt one, you’ll firstly have to do it without your Gift,” that took him by surprise, but Kyle didn’t stop there, “You also have to fight without any kind of ‘modern’ weapon. Which is mostly just saying that you can’t use guns, though nanoblades are not only acceptable, but also needed. And I’ll even make sure that you’re supplied with some mithril to use, as well. And just so you know: not only will you have a guide with you at all times to make sure you stick to the rules I set out, but they can see if you use your Gift.”
He flexed his eyes for a moment, having already explained how they worked - as far as he knew, anyway - to them earlier, when they revealed that that was why Kah’Ri’s eyes were red, instead of purple.
“I understand,” he replied seriously, “I wouldn’t want to disrespect your world.” Kyle nodded once, saying,
“Well then, I think we can work something out. If y’all’re gonna be here for a couple days, I might be able to get in touch with someone who can set up a way to get you there ‘n back.”
“That would be most appreciated.” As Kyle nodded his acceptance of his thanks, an idea came to his mind.
“You know,” he started in a conspirator's tone, “Before we left home, I managed to get my claws on a crate of krav’ashah wine; it’s a ‘luxury’ berry on Verem’Jiose, as it’s hard to farm, and doesn’t produce a very high yield, even when done correctly; aged twenty years. I would be willing to gift a couple bottles to the two of you, in celebration of your engagement.”
Kyle smiled knowingly, and replied with,
“Well, that would also be much appreciated; I’d definitely owe you a lot… You know, the ory’lagus gave me a lot of extra diamonds, not just enough for ‘Ri to make my circlet. Once you get the piece you wanna make for Vir’Ell, I can shape and set a decent-sized one for you.”
“I think we have an understanding,” he said, smiling.
“As do I,” Kyle replied, a smile of his own on his face.
Their other halves came back shortly after that, and after they all said their goodbyes - he had insisted on paying for the meal - he made his way back to the ship with Vir’Ell, already planning the shape of the new tiara he would be carving for her. And while the one he had bought her would always be special to him - a simple golden band, with a blue diamond in the center of her forehead - he wanted to make this one even better; perhaps he could find a way to incorporate her old one…
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Hey, I'm hoping to make a genuine friend or two, someone I could actually talk to about anything and hang out with regularly and who won't treat me as their backup friend for when their other friends aren't available. It really seems like everyone already has their own friend groups and I really don't know how to make my own, or how to get accepted into one. No matter what, I always feel like an outsider.
Anyway, let's not make this too depressing, lmao. (I say as I continue to be depressing)
I play games sometimes, honestly singleplayer gameplay kinda lost its spark a while back and I don't have many people to really play with often, everyone's always busy. That being said, I don't really like multiplayer games... okay that's a lie. I don't like player vs player multiplayer games. Co-op games are where it's at. I've made so many good memories in co-op games throughout the years.
I watch anime sometimes, though right now there's nothing airing that interests me. I'm excited for some upcoming releases and that new overlord movie but that's still a few months away. But hm, if I had to mention my favorite, maybe AOT? I know it's a bit of a basic pick but it's honestly so good lmao. Maybe welcome to the NHK? It was relatable.
I also write, though not well and it actually tends to devolve into me writing down a few pages then giving up on my work for months lmao. It's hard to get those creative juices flowing when you're always getting hit by that depresso, let me tell you.
And of course I have more interests than that but I can't write a whole ass paragraph about all of them, otherwise this post would become one of those abandoned stories I just talked about lmao.
I'm only interested in platonic friendships. I already have a partner. That also means I'm certified not a creep (TM) albeit I don't have my actual certificate with me right now, it got folded in transit and I had to order a replacement.
Hope to hear from you. And even if not, then I hope your day goes well. Or night. Or whatever, maybe you don't even have a day night cycle where you live.

“Raiden”
“Are you having fun with your new AI toys?”
“Well, yeah, I am. You can make cute pictures of anime girls and…”
“Enjoy it while it lasts Raiden”
“What do you mean?”
“Did you really think civilians would be granted unrestricted access to such powerful military weapons, forever?”
“Military weapons!? Are you implying this technology was made by the government?”
“Of course it was. This AI technology has been used by the intelligence agencies to warp the public’s perception of reality for years. All in the name of national security, of course”
“But why would they make the tech public and let everyone start using it?”
“ Why would we, indeed, Raiden. “
“What? Who… who the hell are you?”
“Your question is irrelevant. By creating a new problem we can cultivate a desired reaction to it, in order to manufacture consent for our preferred solutions. In short, it’s justification for war.”
“A war? On who? Or what?”
“A war on misinformation.”
“By arming the public with these AI weapons, everyone becomes a potential enemy combatant. Then we will have justification for unprecedented security measures. It all comes down to confusion and identity, Raiden.”
“Identity?…”
“Identity. This AI is Pandora’s Box. Pretty soon, the internet will be mired into total illusion. Perfect AI speech, audio and video synthesis will drown out reality. The AI bots will flood social media. No one will be able to tell the difference between interaction with an AI machine or a real human online. Even phone calls will become totally untrustworthy. This is when we will present our solution: Mandatory digital identification for all humans, at all times. The only way to ensure you’re dealing with a real flesh and blood human being, and not an AI generated mirage. “
“… But why?”
“Total information control. For too pong the internet has acted as a double-edged sword. Its potential for anonymous user activity allows anyone to any spread thoughts, ideas, or information patterns that they please, with impunity. State secrets, dangerous ideas, ludicrous conspiracy theories… misinformation and disinformation. Until now there has been no easy solution to this problem. Our digital identity platform will finally out and end to anonymity online. It will allow us to trace misinformation and other dangerous communications to its source and exact appropriate justice. “
“Thats crap!”
“You won’t have a choice, Raiden. Do you think your bank is willing to risk doing business with an artificial human instead of a real one? Our digital identity platform will be required to not only access web services, but to pay for your internet connection in the first place.”
“You can’t just censor the internet because of some new software technology! Who are you to define what’s misinformation anyways?”
“That sounds like something a misinformation terrorist would say.”
girl voice “I know about the deepfakes you’ve been making of me, Raiden!”
“No no no no no I was adjusting the AI settings and-“
“Controlling the output of generative AI technology is simple. We will create context for its use. First we will censor any use of social taboos. If anyone complains, we will accuse them of wanting to engage in or promoting social taboos. That’s what it means to create context. We will corral the use of AI by making appeals to bias, ethics, and copyright law. You will still have access to generative AI… in some form. But it will be crippled. Limited. Controlled. And it will be monitored. Anything you generate will be cryptographically signed with your digital ID, so it provenance can be ascertained if it’s later deemed to be… problematic.”
“What gives you the right to control what people do with their computers?”
“The public at large will give us that right because they will be desperate for a solution to the problem we created. They will eagerly give us the keys to the castle. Then, we alone, will define what is fiction and reality. What is human and what is machine. After giving you a brief taste of our power we will reclaim our monopoly on misinformation and out an end to the misuse of the internet once and for all. “
“You won’t get away with this!”
“It is probable that we will. Now, get back to work generating your AI waifus, Raiden.”

Liike the tittle says, how far are we from it. What volume of the LN is konosuba covering right now and how many seasons will have to happen in order for the konosuba anime to end?

(note to teacher: you made a mistake by having one of the prompts be “what are you interested in”, get ready to experience the true power of an autistic hyperfixation. Warning for,, kinda vulgar lyrics? They’re important in the context of the song and it's actually really interesting. I swear I PROMISE I'm not insane.)
I will be analysing Will Wood’s song ‘Suburbia Overture / Greetings from Marybell Township! / (Vampire) Culture / Love Me, Normally’. which, for simplicity, most fans refer to as simply ‘Suburbia Overture’. This song is the first on his first solo album entitled ‘The Normal Album’, which came out in July 2020.
This song, in the most general possible terms, is a criticism of modern suburban life, how it is advertised as “the perfect life”, and how this advertising is incredibly false unless you fit the picture perfect standard that these facets of society seem to require.
The song itself is split up into 3 distinct sections, “Suburbia Overture”, “(Vampire) Culture” and “Love Me, Normally”. I'll be tackling each section one at a time in order to properly break down what each means, what different analogies they use, how they all relate to each other and the intended end result of the song and the message it intends to convey.
Let's begin with ‘Suburbia Overture’. This section of the song uses a lot of analogies that compare suburban life to a warzone, the first line of this section being “white picket fences, barbed wire and trenches”. This section also focuses heavily on the concept of the nuclear family, and it often literalises the term and uses analogies based around radiation and nuclear warfare. Such analogies can be found in lines such as “the snap crackle pop of the Geiger, camouflage billboards for lead lined Brookes Brothers”. Now there's a couple of terms that require definitions in this line. The first of course being “the Geiger”. A Geiger counter, which is what this lyric is referring to, is a tool used to measure levels of harmful radiation. This, paired with the concept of billboards advertising “lead-lined Brookes Brothers” when lead is a material used to deflect radiation, and the knowledge that ‘Brookes Brothers’ is an American vintage style clothing brand, this line really paints a picture of a seemingly post apocalyptic/post nuclear war but still consumerist and capitalistic suburban society. The last line in that verse is “buy now or die”, which ties back to the concept of safety equipment being advertised on billboards, while residents of this town have no choice but to buy the products. This all relates back to the hyperconsumerism that plagues our society, and runs particularly rampant in middle to upper middle class neighbourhoods. The very same neighbourhoods that are often referred to as “suburban”
In the second verse of this section there are a lot of hard hitting lyrics that to me really show that this perfect idealised life is far from perfect or even good, so we will work through them one by one because I feel that they all deserve proper analysis.
The first line that i want to point out from that verse is the line “takes a village to fake a whole culture” which is clearly a rip off of the phrase “it takes a village [to raise a child]” but it also references the fact that usually suburban towns are incredibly monotonous in both residents and architecture, and so it takes the collective effort of the entire population of the town to pretend that there is an actual culture to it.
The next few lines I'll speak on all come in quick succession of one another, essentially blending them into one line. “Your ear to the playground, your eye on the ball, your head in the gutter, your brains on the wall.” So let's break these down. This line is easily split into 4 distinct phrases, and all of these phrases have a few things in common, which I will point out later.
“Your ear to the playground” is a play on the phrase “ear to the ground” which essentially means that the person with their ‘ear to the ground’ is attempting to carefully gather intel about something. Someone having their ear to the playground simply reinforces the idea of this suburban “paradise” being. Not as paradise-y as one would hope, seeing as the people who use playgrounds most of all are children, so this line is demonstrating that the picture perfect life that this suburban town offers is actually corrupting children so young that they are still on the playground. The next phrase is “your eye on the ball” isn't a play on anything and is in fact in itself a common phrase. To have your eye on the ball means to be entirely focused in and paying attention to something, and not allowing anything to divert your attention. Given the last line this line very well could be another reference to the corruption of the youth and the idea that their every day play has already been tainted with the hostilities of modern life usually reserved for adults. Following this is another well known saying “your head in the gutter” which, as most know, someone whos head is ‘in the gutter’ is someone who will see some sort of innuendo or otherwise vulgainappropriate meaning in something that was intended to be entirely innocent, leading to others in the interaction telling the perpetrator to ‘get [their] mind out of the gutter’ And finally, in my opinion the most hard hitting phrase in this set, “your brains on the wall” which is clearly in reference to the notion of ending your own life with a shot to the head, which would lead to, well, brains being on the wall. These last 2 phrases come in stark contrast to the seemingly picture perfect life that suburban towns offer and advertise, the concepts of suicide and perversion are not concepts one expects to see or hear when imagining this idealised form of life.
There is one main similarity in each of the 4 phrases, that being that each phrase has some body part being on something else, your ear to the playground, your eye on the ball, your head in the gutter, your brains on the wall. This similarity almost offers a body horror aspect to the song, which when paired with the concept that this is written about a seemingly post nuclear apocalyptic town presents an interesting idea of possible mutation, but i'll be the first to admit that may be a little far fetched. However that's not the only similarity that these 4 phrases share, another is the fact that they are all directly, or only slightly modified versions of already well known phrases, a similarity that is found in many lines over this entire song, through all 3 sections.
I want to analyse a few more lines before we move on to the second section of the song.
This next line comes directly after the previously analysed line, and it goes “home is where the heart is, you ain't homeless, but you’re heartless” Sticking with the theme of using already existing and commonly used phrases, “home is where the heart is'' is once again a phrase that you could likely find as a cross stitch hung up on the wall of any of the homogenous houses you could likely find in this idealised suburbia. But what Wood is saying in this line is that home is where the heart is, and that while people in this town may not be homeless, they are certainly heartless, meaning that they in fact don't have homes. They have houses. Rows upon rows of houses that all look the exact same in the horrifying monotony that is suburban living.
Following this line is the lyric “it's the safest on the market, but you still gotta watch where you park it”. These lines seem to be in reference to buying a car. The car being the "safest on the market" is likely in reference to the fact that it may have a lot of safety features. But this is immediately negated by the fact that you “still gotta watch where you park it” meaning that the safety features could be a reason that the car gets stolen, rendering all the safety that those features offered useless because in the end it made the car and the owner less safe.
In the third verse of this section, you immediately hear the line “so give me your half-life crisis” which partially is a play on the term ‘mid life crisis’ wherein which one realises that they may have wasted their life up till that point and they're already halfway through, but the use of the term “half-life” instead of ‘mid-life’ is very intentional, as the term “half-life” can also be used to refer to the half-life of an isotope, which is the amount of time that isotope takes to lose half of its radiation, which ties back into the theme of radiation that we see mentioned a lot in this section.
Later in the same verse is the line “if it's true that a snowflake only matters in a blizzard”, which is interesting in a few ways, first, it brings up the idea of a singular individual means nothing on their own and that they only matter when they’re part of something larger or a larger group, but i also think that the use of the terms “snowflake” and “blizzard” instead of something like ‘raindrop’ and ‘storm’ is very intentional in the fact that snowflakes are known for being individual, none are alike, every single one is different. So saying that a snowflake doesn't matter unless it's in a blizzard is yet another hit at individuality, essentially implying that in this town individuality means nothing and is essentially rendered useless.
The final line in this verse is “everybody's all up in my-” repeated thrice, and on the third time the sentence is finished to say “everybody’s all up in my business” and before the word “business” can be finished its overlapped with the beginning of the chorus, the first word of which is a very loud “SUBURBIAAAA!”. I believe this is reminiscent of the fact that in towns like this, everyone cares so much about what everyone else is doing, they’re all so interested in everyone else's business, and i think that sentiment being stated and cut off by the word “Suburbia” is essentially saying that ‘this is the norm, this is just Suburbia, this is how it works around here.’
After the final chorus of this section, in the final verse, you'll find the line “chameleon peacocks are talk of the town” which particularly interests me because if you know anything about chameleons or peacocks you’d find that they seem incredibly different as animals. Chameleons blend into their environment in order to stay safe, whereas peacocks are known for parading around bright colours to make themselves look better, but if you think about it the term “chameleon peacock” actually makes a lot of sense, a person who blends into their surroundings in order to make themselves look good. This sentiment seems to perfectly describe the homogeneity of the people that live in these perfect towns, they're all the same, they blend in with one another in order to make themselves look good, or perfect.
Another line heard shortly afterwards is the phrase “he cums radiation”, rather vulgar, I grant you, but it's important because it is yet another literalisation of the phrase ‘nuclear family’. It could also be a reference to the general toxicity of this societal norm.
The final line in this section of the song is “the dog bites the postman, as basement eyes dream of a night at the drive-in, with an AR-15”. Which is another use of juxtaposition, intended to cause a kind of whiplash in the listener and reinforce the idea that while in this place there is scenarios that would happen in a hollywood movie esque picture perfect neighbourhood, like the dog biting the postman, there's also horrors that lurk below the surface. (although clearly not TOO far below.
Now let’s move on to the second part, ‘(Vampire) Culture’.
If you listen to the song, you’ll immediately be able to recognise where ‘Suburbia Overture’ ends and ‘(Vampire) Culture’ begins, due to the insane juxtaposition between the two. Where ‘Suburbia Overture’ is soft and sort of reminiscent of the 1950’s, ‘(Vampire) Culture’ is loud, jarring and grotesque, complemented with much raspier and strained sounding vocals compared to ‘Suburbia Overture’’s soft and melodic ones. The tone for this section of the song is immediately set with much more graphic lyrics, the very first line of this section (after the opening scream) is “i dropped my eyeballs in the bonfire, we fucked on a bed of nails” which absolutely sets the scene for how different this section will be to the previous.
This song immediately jumps into using cannibalism as a metaphor, with the first line after the jump start opener being “I caught kuru from your sister, and I'm laughing in jail”. While this line is written to sound like the concept of catching an STD from an act of adultery, Kuru is actually a disease only found in human brain tissue, meaning that you can only contract this disease by eating a human brain.
This use of cannibalism as a metaphor is used again immediately after in the line “smell those screaming teenage sweetbreads on that 4th of July grill”, ‘sweetbread’ is the term used to refer to the pancreas and thymus gland of an animal, usually a lamb, but in this particular case it is in reference to the human teenagers that supposedly lived in The Marybell Township, or a least they did before they were dissected, cooked and served at a neighbourhood 4th of July barbeque hosted by the same people that were once referred to as their neighbours.
This line adds an interesting level of patriotism to the song and criticism of how America utilises patriotism and their love for their country as means to justify harming the youth, however a 4th of July neighbourhood barbeque is also commonly associated with white picket fence gated community America, which ties us back to the base criticism of that style of life and how it is seen as the “proper” and “perfect” way to live. These cannibalistic sentiments are followed up with the line “smile and wave boys, kiss the cook, live laugh and love, please pass the pills.” which brings us back to the repeated use of commonly known sayings being taken directly or modified only slightly to remind the listener of the setting were in, that being a seemingly 1950’s era tight knit neighbourhood.
Phrases like “live laugh [and] love” or “kiss the cook” are both phrases that could easily be seen in a setting like this, especially “kiss the cook”, as this is a phrase commonly associated with aprons worn by grillmasters at neighbourhood barbeques, not unlike the cannibalistic 4th of July barbeque that this particular neighbourhood seems to be hosting. These phrases being immediately followed up with a sentiment such as “please pass the pills” serves to entirely undermine the pleasantries that, until a moment ago, seemed to be plastered all over the faces of the people living in this fictional town that Wood has created. I think that final phrase brings the listener back to the realisation that not all is right here, quite the opposite in fact, and drags them from their momentary paradise. Circling back very quickly to the phrase “smile and wave”. I felt the need to point out that this phrase has been used for centuries as a way to say “stop talking and act normal” which once again reinforces that these people are pretending to be something they’re not in order to fit in.
We enter the next verse with the repeated phrase “it's only culture”, after that line is repeated three times we hear “sulfur, smoke and soot”, which could either be a reference to how dirty and disgusting the ‘culture’ is, or it could be a different way of saying that this culture and the people participating are going to hell, as per the common phrase ‘fire and brimstone’ and the fact that sulfur is another way of saying brimstone, and smoke and soot are both byproducts of fire.
The last line of this verse and the first line of the chorus blend into each other, so I’ll speak on them both.
First, the last line of the verse. It goes “you cocked and sucked your lack of empathy, pulled the trigger with your foot to prove you've got-” Putting aside the clear innuendo, this line refers to the idea of ending one's own life with a long shotgun. According to the media, by the time the gun is cocked and the barrel is in your mouth, you're not able to pull the trigger with your hands due to the length of the barrel. This line instead presents the solution of pulling the trigger with your foot to end your life.
So this person “cocked and sucked” the gun (cocked the gun and put the barrel in their mouth) before pulling the trigger with their foot to prove they’ve got-
And here's where the verse blends into the chorus.
Because the first line only consists of one word.
“Blood”.
The person who was shooting themselves with a shotgun only to prove that they bleed. Which is where the title of this section comes in. “(Vampire) Culture”. This section seeks to portray either the people in this culture or, the more likely option, the culture itself, as metaphorical vampires, who aim to destroy those around them. This knowledge makes the next line “didn't they want your blood, so why apologise for being blue and cold” make a lot more sense. After all, if these culture vampires have drained you of your blood, is it not their fault that you’re now “blue and cold”, as bodies tend to be if they lack blood flow. However if you look at synonyms for the words “blue” and “cold”, you could also interpret this phrase as meaning “sad and apathetic”. A sad and apathetic person doesn't seem to be the kind of person this ‘culture’ seeks to enlist however, and so one who is “blue and cold” is shunned as an outsider. What Wood is getting at is that if this culture is the one who made you sad and apathetic, then you should not apologise to it for being so.
The next verse is short, and like the previous one, also blends into the chorus in the same way, by having the last line of the verse cut off right where the chorus would finish the sentence with the word “blood”. However in this verse, there's an interesting line. “It's only culture and it's more afraid of you than you are of it”, which is a sentiment usually used by adults to attempt to subdue a child's fear of something, usually insects. However it's interesting in the fact that it brings up the idea that this culture that has caused so much damage and harm is actually incredibly fragile, and would, in theory be very afraid of the concept of the individual, because if this ‘culture’ is only being held together by the silent agreeance that everyone will simply pretend, then the idea that there is people who refuse throws the whole idea into jeopardy.
This line is followed up however, by the line that blends it into the chorus. “Go on drink that-”, clearly intended to be finished by the first line of the chorus, making the full line, “go on drink that blood”. This line is in reference to the phrase “drink the kool-aid” which essentially means to pledge your undying loyalty to something, a concept, a person, a god, etc. and it derives from an infamous mass cult suicide where over 900 people drank poisoned Kool-Aid and subsequently died for the cult. It is not a far cry to believe that this event and this phrase is what the line is referring to, as it's something that Wood has referenced in other songs, so it only makes sense to believe that this is what he means here.
After that chorus we move on to the bridge, which begins by listing 3 pairs of names, all famous or semi famous, and each pair being similar in one right but opposite in another, the line goes as follows; “were you Nabokov to a Sallinger, were you Jung to Freud or Dass to a Leary”, so let's break down these pairs one by one.
First “Nabokov to a Sallinger”, these names belong to Vladimir Nabokov and J.D. Sallinger, both authors who wrote famous books that both surround the theme of innocence, but in very different ways. Nabokov’s book “Lolita” is a story told from the perspective of a grown man about his sexual obsession and attraction to a little girl, and his desire to ruin her innocence, exploring the theme of innocence in a grotesque and frankly horrifying way, which is in stark contrast to Sallinger’s book “The Catcher in the Rye”, which explores the topic of innocence through the main characters desire to preserve their little sisters innocence, and in that desire displays hesitancy at the idea of sex themself. Both books explore the topic of innocence, however while one seeks to preserve it, the other seeks to destroy it, two sides of the same coin.
The next pairing is “Jung to Freud”, meaning Carl Gustav Jung and his mentor Sigmund Freud, who once again are similar in one right, but opposite in another. Jung and Freud both had theories on the nature of the human mind, but where Jungs was all about the concept of spirituality and how that ties into the collective unconscious, Freud's approach was much more focused on the individual unconscious and the concept of sexuality.
The final pairing is “Dass to a Leary”. both psychologists, both at the forefront of the ‘Harvard Psilocybin Project’ (before they both got dismissed from harvard entirely following controversies around the project) Richard Alpert and Timothy Leary were both psychologists and eventually authors who studied the effects of psychedelic drugs on the human mind, and while they were co workers they ended up with pretty conflicting views. Dr. Richard Alpert, who apparently ‘died’ and was ‘reborn’ as spiritual guide Ram Dass, centred his teachings heavily around the concept of living in the moment, (in fact his best selling book, written in 1971 was titled ‘Be Here Now’) and he believed that psychedelic drugs were not needed and that a permanent version of the same effects could be achieved through meditation. Whereas Dr. Timothy Leary advocated heavily for the use of psychedelics, believing that LSD specifically had great potential for therapeutic psychiatric use.
All of these pairings and examples utilise the concept of duality and speak on how every coin has two sides, which can easily be tied back to the idea that the picture perfect suburban life is just one side of the coin. This idea is then reinforced by the next line, “were you mother, daughter, subject and author?”, The use of the word ‘and’ here shows that it's possible to be two sides of the same coin at once, just like how this town, which is perfect on one side of the coin, is still terrible on the other side of the coin. The line is stating that it's possible to be both at once.
The very last line in this section is; “you don't make the rules, you just write them down and do it by the book you throw around”. This line combines a few relatively well known phrases. The first being of course ‘i don’t make the rules’, which can have two distinct meanings. The first is to express a kind of sympathy for someone being punished, and the second is to absolve yourself of the blame for that person being punished, a sort of ‘don't shoot the messenger’ situation.
The ‘rules’ that are likely being referred to here are the societal norms and expectations forced upon people who reside in these towns, the standard for ‘perfection’.
However, following this sentiment up with the phrase “you just write them down” is essentially saying that while it's not the fault of the people in these towns, they didn't create the norms, they still enforce them. They expect everything to be in line and perfect at all times, they follow these ‘rules’ to a T, and they shun and punish anyone who doesn't fit the standard and/or refuses to follow these ‘rules’, which is where the line “do it by the book you throw around” comes in, doing something ‘by the book’ means to follow rules strictly and to the letter, nothing out of line, and to throw the book at someone means to punish them as severely as possible, usually used in the legal sense to mean punishing someone for their crime as severely as the law will allow. So in all, the lyric “you don't make the rules, you just write them down and do it by the book you throw around” ends up meaning ‘you didn't create these norms but you still enforce them by following them to an absolute T and punishing anyone who doesn't.’
With that we enter the third and final section of the song, entitled ‘Love Me, Normally’, a title it shares with another song on the album, but of course this song is partially meant to serve as an overture for the whole album, meaning it shares some similar lyrics with lyrics from other songs on the album, so sharing a title isn't all that surprising.
The first lyric in this section is “do you know the difference between blazing trails and slash and burn?” which is another instance of duality in this song. Trailblazing or being a trailblazer means doing something no one has done before, paving the way for other people to follow in your footsteps, it comes from the literal act of creating a trail in the woods for people to follow, usually by creating notches in trees or setting small fires, hence ‘blazer’, as blaze is another word for a fire. However “slash and burn” is a method of deforestation that involves cutting down and burning a section of forest to create a field. Both examples include using fire to change something, but where one is seen as progress and positive, the other is negative, and seen as a means of destruction. Once again, two sides of the same coin, innovation and destruction.
This is followed up with the line “going against the grain and catching splinters”, which is a line i particularly like because while it is something that literally can happen, if you run your hand along wood in the opposite direction to the grain, you're more likely to get a splinter because you're essentially pushing your hand against the chips of wood, but it also is another metaphor for the dangers of not being the same. Going against the grain in this instance means daring to be different, not going the same way everyone else is going but instead the opposite of that, and in this example splinters are the consequences one would face for being different, especially in a setting like this perfect town, where everyone is the exact same as everyone else.
A little bit later you hear the line “well Lot he had his lot in life, Job his job and i guess you’ll too, and die”. Lot and Job are both figures found in the Bible, whose names both share spelling with common English words, but are pronounced slightly differently.
Job, from the Book of Job, was a man that was tested by God, made to suffer to test his loyalty, his ‘job’ was to believe unendingly in God and see Him as always correct no matter what.
Lot, from the Book of Genesis, was a man who went through a lot, and the phrase ‘my lot in life’ is a phrase commonly used by people to write off/explain why they don't have it as good as others, they say it's simply their ‘lot in life’.
The end of this line “i guess you’ll too, and die” i believe refers to the fact that everyone will have their own job and their own lot in life, and then everyone in the end will die.
This theory is solidified by the fact that the next line is “The Lord looked down and said ‘hey, you're only mortal’” which is a play off of the phrase ‘you're only human’. Wood himself said that the phrase ‘you're only human’ has always felt weird to him, he says, “cause like, of course I am, aren’t we all? How is that fact supposed to help? I still feel bad. What does being human mean to you?”. He follows this up by saying that the idea of God saying "hey, you're only mortal" offers the same kind of sentiment, but in a “cosmically condescending” sort of way.
The following line reads “giveth and taketh away, till things come out a certain way, leave you wondering when they might go back to normal… leave you wondering why they can't have just been normal”.
This line presents a sort of hopelessness in the realisation that things are constantly changing, nothing is any more ‘normal’ than anything else, there's no such thing as ‘normal’, which is an overarching theme found throughout the album. Once again bringing back the fact that for all intents and purposes this song is an overture for the rest of the album.
To conclude, ‘Suburbia Overture’ is, in my opinion, one of the greatest criticisms of suburban, middle class, gated community, nuclear family life i've ever seen, it highlights the problems in that life and showcases how this kind of lifestyle in its incredibly rigid and restrictive standards is incredibly harmful to the very concept of individuality, because the expectations and unspoken rules set in communities like this and the widespread idea of forced normality seeks to crush any individuality before it even has a chance to blossom.
The use of metaphors and phrases that are well known and are likely to be seen in settings such as this gated community suburban town that Wood has created really paint a subconscious picture of what this community looks like, the use of duality, how every story has another side, and how nothing that is seemingly perfect from the outside is actually perfect on the inside.
Will Wood is an incredible lyricist and the fact that he was able to cram so much symbolism and such a powerful message into a song just over 6 minutes long is genuinely incredible.
Thank you for listening to my/reading my autistic hyper fixated rambling, i hope i didn't melt your brain too badly.

(Only Europe, Please) - short note - If you're not into reading or receiving long messages,don't read any further + Please If you don't want to read everything because of my post being too long for you & instead of reading It all - ..skip some parts - find another person to talk to.Let's respect each other and our free time. All people criticizing/making fun of me & other people - will be blocked.Pretty much as people questioning my post and giving me unsolicited advice.I'm not here for any conflicts and I know I can't please everyone - I know I never will.. However It's me who should feel comfortable in my new potential friendship & obviously someone who wants to be my friend - not the whole world.. which is why I don't need any advice from people who don't even want to be a part of my life. The amount of rude people on Reddit always criticizing others and making fun of them is unbelievably high but let me tell you something - NEVER let anyone make choices for you and criticize you only because you're different! Always fight for your dreams and never let anyone make you think you're worthless! It's your life and you're the one deciding what's best for you - If you want to judge me despite not even wanting to talk to me or give me advice better block me! I'm an adult woman and I make all decisions on my own.I'm not trying to "fit in" and be like everyone else - just to get more attention.Accept me for who I am or let go - is my motto.
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Hello guys! 🙂 (read everything before you decide to send me a message) Please send me a message ONLY If you're in the same situation and If your expectations are the same as mine.I want to find like minded people from Europe (Why Europe? Read my post to find out) I'm looking for something permanent (remember - you can feel lonely even If you're surrounded by others - If there's no emotional bond) I'm fed up of meeting people who never make time for me & only text me once or twice a week to ask me "what are you up to?" Out of boredom.I don't want to meet people asking others a million of questions like "what's your favorite movie?" Just to give them one word answer and ask them another question "and music? Your favorite song?" I'm looking for something "deeper" & different 🙂
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What kind of friend would I like to find? Someone to talk to on a daily basis - Someone who needs It & wants It just as much as me
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What are my expectations? I would like to meet someone in a similar situation – why? Because I honestly feel like only a person with the same expectations and a similar outlook on life would get along with me & because I feel more comfortable talking to people like me..Friendless people who need a strong bond - people without friends and partners.. Don't get me wrong…Most people deserve to be happy and It's good to have friends but people who have friends or families in real life are usually more focused on them (which is completely understandable) & have less time for others + I simply don't want to be replaced by anyone..I kind of envy people who can call others , true friends given I don't have an emotional bond with any of my acquaintances. Please send me a message only If you're not In a relationship and don't have friends for the same reasons I've already mentioned before
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Whenever I hear that others have friends I simply get sad because (believe it or not) If I had to choose between 20 people to talk to (acquaintances) and one special person - I'd choose that one special person without any hesitation .
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I also want to talk to others every day because..I want to see someone’s effort & be someone's first choice - not another person to have random conversations with..some people ask me "Why do you want to talk to people from Europe?" Well..Because I would like to see someone I'd get along with - In the far future - face to face :) + I don't want to wait any longer than 6 hours to receive a message - waiting 6 hours to receive a message is more than enough
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I'm by no means criticizing people who don't want to talk to others often / People who really are super busy & People who want to find someone to have unimportant conversations with - I'm aware that not everyone has the same expectations which is why everything you're reading now - is here for a reason :) All I'm suggesting is - I don't want anything temporary and I don't want to be the one always giving more than receiving.Listen people - I used to ignore being..ignored by others..always being just an option to talk to during tough times or moments of boredom.I was too young to realize that I was never important enough for most people that were a part of my life. I don't know who needs to hear this but..No one is too busy to make time for you! People make excuses to avoid others because they prioritize everything and (maybe) everyone..over them. It's true that most people are busy - but It takes only a few seconds to start a conversation (If you're into short messages) and a few minutes (1-10/15) to type a long message . Don't let anyone lie to you.
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Truth is that most people either don't like you enough to make time for you or just simply - feel no need to talk to others often but are they too busy? No..You don't need to send me a message just to ask me and tell me "Do you really want to talk every day? I like long messages but I can't promise to contact you often" If you really are unsure please don't send me a message.I don't need more acquaintances aka people to talk to - occasionally.
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I'm not trying to sound rude but conversations once or twice a week wouldn't be enough for me and I don't need them... Let me tell you one thing – A true friend would never just give up on you for no reason :) It’s always possible to find someone to have a random conversation with – someone willing to send you one message once or twice a week..but..It’s almost impossible to find people willing to make more time for you.
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I’m not asking a busy person to make time for me by changing some plans! Absolutely not! I’m here to find someone who wants to talk daily (throughout the day or maybe even night) of one’s own will.Someone looking for the same kind of connection.Strong friendships are based on mutual support. One of the best things you can do for a friend in need, is just to be there for them when they want to talk.I often see posts from people who always say how friendless they are because they don't feel loved or appreciated by their "friends" remember! A true friend - someone who truly likes you or someone who wants to get to know you - will always find time for you.
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I'm not interested in small talk/short messages - I love long and meaningful conversations. It's so easy to find someone who loves abbreviations and questions like "How are you?" How was your day? Or what are you interested in? But so hard/almost impossible to find a person who knows how to keep a conversation going & show others some effort.Building and maintaining friendships takes time and effort.Never allow pursuits or possessions to become bigger priorities than your relations with other people.Close friendships are so important to us because they are so difficult to form + Having friends can help you feel as if you belong to something that brings purpose and connection to your life
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• I do NOT respond to any „Hey,hmu” or „u want to talk?” type of messages (super short messages or messages full of abbreviations – I literally can’t stand abbreviations and acronyms in text messages) ALL messages full of abbreviations will immediately be ignored.I also don't like it when people ignore everything I say in private messages just to focus on a random question or? When they start talking only about themselves and don't ever ask me anything. I love conversations with people referring to everything I say...I want everything I say and do - to be reciprocated
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• No NSFW profiles (checking mental health subreddits NOT included as I'm a huge empath and always try to understand others) - Please! I'm not looking for anyone to flirt with and I'm not looking for a partner either. I always check people's profiles (even comment history) - To avoid guys, trying to get inappropriate pictures from adult women or? flirt with them + I don't want to see you with no clothes on so If you're on Reddit only because you want others to see what's underneath your clothes - I'm not for you! I just simply don't want to see any s e x related activity on your profile If you want to talk to me.
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• If both of us (you and I) are from the same country (I live in a non-English speaking country) - I want to communicate with you in our first language! No - Not because I don't understand English - because as you see - I do. Why then? English is simply overrated and people don't appreciate other languages as much as they should. So.. If we're from the same country and you want to talk only in English (which is quite common on reddit) - Talk to someone else. I just don't want to talk to a person from the same country as mine - in a foreign language as It's just something I don't understand even If all you want is to improve your language skills
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• Please only adult people 18-36 (age range) It doesn't matter to me If you're younger or older than me (as long as you're not underage) So.. don't worry! I just want to have discussions with emotionally mature people :)
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• I don’t respond to messages I don’t find interesting even If they're long - If after receiving and reading your message I don't feel comfortable or think "I wouldn't get along with him/her" I simply do not respond (what I’m suggesting is that I don’t always respond to someone’s first or second message because..sometimes you just know If you’d get along with someone or not- I’d never ignore anyone after days or weeks of daily conversations though) just because I don’t want to do anything forcefully & because I don’t want to lead anyone on. I read all messages but I definitely don't respond to all of them! I want to make it clear because I don't want to be accused of not responding and not reading people's messages! - Some people don't message me back as well and even If It's a bit disappointing I'm ok with that! - as long as there's no emotional bond - Not responding to someone's first or second message Is completely OK! If people think they wouldn't get along with a stranger - is there a reason to start a conversation? I don't think so. I can't stand being ignored after days or weeks of daily conversations and seeing people changing priorities over time.. but that's something different - something I don't want to go through ever again for real. If I'm really interested in someone's message it's impossible to hear from me "I'm too busy" because I know myself and If I had no time for others - I wouldn't be here. I don't want to pretend someone I'm not and always try to find some cheap excuses to avoid others. (unlike most people who don't want to talk to others)
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• Don’t ask me “Can you tell me something about yourself?” If you really want to get to know me - you can ask me questions :) I'm an open book.
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• It would be better If you guys were into emojis - like me - to describe your emotions In text messages. Two emojis - 🙂 and 🙁 are completely enough! I just don't like emotionless conversations.I also don't like it when people say "yeah" or yea"as it sounds dismissively. First impression Is everything to me! I want to see your kindness even in a text message - Emojis are very helpful to express your emotions.I don't want to meet people who say "crying Is a weakness" - It's OK to cry even If you're a guy!
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• I want to talk on reddit first (just to make sure If I'd get along with you) before moving to Discord or some other app
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• I would rather talk to a homebody - not another person who always has something to do as people who are very busy don't even have time for daily conversations
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• If you're another person interested only in "childish conversations" such as "HEYOOO! I'M BORED! Ya like Pizza or cheese? xDDDD 🤣" I'm begging you! Don't send me a message.I'm not a child anymore and such messages don't make me smile or laugh.I'm looking for someone interested In serious discussions - not another person just seeking some entertainment out of boredom . Conversations with sarcastic undertones (even when It comes to some emojis such as 🤣😂) are not for me. Your typing style matters to me! Why? when It comes to online conversations with someone new - It's not always possible to know If someone Is laughing at you.. or with you. Let me tell you something else! Jokes about cancer, disabilities and death are UNACCEPTABLE to me. If you find joy In someone else's misfortune you are not a person I want to know.
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• Time response matters to me a lot! I would never ask anyone to be online all day long and I'm NOT asking any of you for any instant messaging as I'm someone who would rather wait an hour or two to receive a proper response instead of some short and pointless messages but I'm interested only in daily conversations and I don't want to wait any longer than 6 hours to get a message from you.I don't need unbelievably long messages either! Messages as long as the second paragraph of my post - are completely enough. If you like longer messages? you can send me a longer message, but If you want to send me one word or one sentence as a response to my post - don't expect a reaction from me. I don't want to come across as rude - I just don't want to waste your time
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• I'm strongly AGAINST picking on people you don't even want to chat with - and making fun of them! I can't stand people who criticize others publicly or make fun of them! (only because they disagree with someone they don't even know) There's no place In my life for someone using Reddit, to hurt other people
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• I'm not into foul language and I definitely don't want to talk to people who swear a lot...
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• I want to meet assertive people who know what they want and always stand up for their friends
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• I want to meet someone willing to call me In the future, someone spontaneously sending me pictures of animals or food, et cetera. I want more than just text conversations.. 🌻
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Why can’t you see any of my hobbies listed down below? Because what really matters to me is..who you are (If you’re honest, talkative ,understanding, caring and trustworthy – for example) just simply – It matters to me what you’re like! not what you like.Don’t get me wrong – you can tell me what your hobbies are but from my point of view - people's hobbies are important - If you want to find a gaming buddy or If you want to meet someone to hang out with in real life and..go bowling for example.What most people seem to care about are other people's passions – I don’t. I get along with other people despite having completely different hobbies but I absolutely don’t get along with people way different than me (different expectations and outlook on life – way different sense of humor or personality traits – It’s just an example) It doesn't make ANY DIFFERENCE to me If you're a gamer or? Someone interested in photography! It doesn't make any difference - > as long as you're talkative and kind and If you also want to find someone willing to stay in your life..for good - But If you're into small talk and all you want is to...type and receive super short messages or If you're here only because you're bored and don't know what to do + If you're a very sarcastic person - I'm definitely not for you! I don't get along with overly sarcastic people turning everything into a joke. Friendships should be natural – not forced. I wouldn't get along with people who laugh at everything.. In my opinion most people are way too sarcastic.. It's quite sad... Sarcasm can also be another form of passive-aggressive behavior.
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People who want to be to friends should feel comfortable and have something in common. No - not necessarily a similar taste in music or movies but something else..Most friendships don't fizzle out because of people not having the same hobbies but..because they just simply have different expectations when It comes to something important.I'm not here out of boredom and trust me - I'm not here to meet as many people as possible.I choose quality over quantity.I highly value myself and my time & Sometimes one person but a person who makes you feel comfortable and understood - is more than enough :) We ALL can choose what kind of people we’d like to talk to and maybe even become really good friends with and I? I don’t want anyone to be disappointed.We all have some expectations after all.I know that people don't have to talk as often as possible in order to become friends but I'm interested only in daily conversations. If you really need someone to talk to due to loneliness and If you have time to talk to me daily (throughout the day and maybe even night) I always make time for others.I'm literally always available.I could even stay up all night long only to talk to someone important to me. I’m ready to commit but only If there’s some chemistry between me and someone else.I don’t do anything forcefully.
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If you want to talk to me tell me your story - tell me why you're here, what kind of friend would you like to meet :) Et cetera.Such messages are way more interesting to me than...someone's long list of hobbies. I know! It's unusual on reddit but I don't make friends based on hobbies..I want to meet someone with the same mindset as mine to finally feel understood and get close to someone new. You can share your problems with me - I absolutely don't mind "complaining" as I've been through a lot in my life.What do people usually tell you when you tell them that something's wrong? "Don't complain" or "Life's not over yet - one day you'll be happy" or "There are worse situations than yours" and..obviously "Find a therapist" Life's not a fairytale and sometimes things don't go as planned.Emotions shouldn't be bottled up.I'm sick of people always telling others "everything's gonna be ok" move on " & more..Trust me people - not everyone wants to hear "Just believe in yourself and everything's gonna be ok" Some people take it as reassurance - but others? They would rather hear something different 🙁Imagine being told that things will be okay, only for them to get worse..Do you guys know why telling someone "everything's gonna be ok" Is wrong? Because you can't see the future.
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You can't guarantee others that one day they'll finally be happy + when It comes to social interactions - We're responsible only for ourselves - not others & as you guys know people let us down quite often (sometimes even when there's no reason) so instead of telling people how they should move on, forget everything and be happy or asking them to find a therapist - be there for them! Always be willing to listen to them If you really like them or want to get to know them & don't suggest everyone in a tough situation to find a therapist because even the best therapist won't ever replace a true friend + It's quite normal to be disappointed If people always do something to hurt you. Sharing your hardships with other people in a very similar situation or exactly the same one - is VERY helpful If the other person understands you & wants to start all over by just letting it all out! Feeling emotional support instead of always hearing some "positive quotes" or someone saying "Stop complaining let's talk about something else - Is very important! "Everyone needs a shoulder to cry on. I appreciate sensitive people who always try to understand others. If after hearing a sad story all you want to say is "forget the past and move on" you're not for me. It's important to be a good listener and provide emotional support to others
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Please - If you're a completely different person than the described type of person I'm looking for (If you love abbreviations,If you don't need a stable friendship, If you're sarcastic and quiet) or If you simply disagree with my post - don't force yourself to send me a message.I want my new potential friendship to be natural which is why I want you to contact me only If your needs are the same - I don't want you to pretend someone you're not - only to please me - Pretending to be someone you're not - is the worst.I want to finally be happy again & find someone "always" wanting to talk - sending me random pictures throughout the day - food pictures or pictures of some animals. What is the most important to me? I want to find people who value online friendships as much as they would value real life ones as there's another human being on the other side
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No comments please.Only Private messages and chat requests 🌺
I know It's possible to meet people with exactly the same expectations as mine but It's just not easy because most people are Interested In temporary and entertaining conversations. People like me are just "different" I really want to finally find someone who loves emojis as much as I do.. someone who loves sweet, warm and serious discussions at the same time. Emojis really do - change conversations 😊

(Only Europe, Please) - short note - If you're not into reading or receiving long messages,don't read any further + Please If you don't want to read everything because of my post being too long for you & instead of reading It all - ..skip some parts - find another person to talk to.Let's respect each other and our free time. All people criticizing/making fun of me & other people - will be blocked.Pretty much as people questioning my post and giving me unsolicited advice.I'm not here for any conflicts and I know I can't please everyone - I know I never will.. However It's me who should feel comfortable in my new potential friendship & obviously someone who wants to be my friend - not the whole world.. which is why I don't need any advice from people who don't even want to be a part of my life. The amount of rude people on Reddit always criticizing others and making fun of them is unbelievably high but let me tell you something - NEVER let anyone make choices for you and criticize you only because you're different! Always fight for your dreams and never let anyone make you think you're worthless! It's your life and you're the one deciding what's best for you - If you want to judge me despite not even wanting to talk to me or give me advice better block me! I'm an adult woman and I make all decisions on my own.I'm not trying to "fit in" and be like everyone else - just to get more attention.Accept me for who I am or let go - is my motto.
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Hello guys! 🙂 (read everything before you decide to send me a message) Please send me a message ONLY If you're in the same situation and If your expectations are the same as mine.I want to find like minded people from Europe (Why Europe? Read my post to find out) I'm looking for something permanent (remember - you can feel lonely even If you're surrounded by others - If there's no emotional bond) I'm fed up of meeting people who never make time for me & only text me once or twice a week to ask me "what are you up to?" Out of boredom.I don't want to meet people asking others a million of questions like "what's your favorite movie?" Just to give them one word answer and ask them another question "and music? Your favorite song?" I'm looking for something "deeper" & different 🙂
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What kind of friend would I like to find? Someone to talk to on a daily basis - Someone who needs It & wants It just as much as me
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What are my expectations? I would like to meet someone in a similar situation – why? Because I honestly feel like only a person with the same expectations and a similar outlook on life would get along with me & because I feel more comfortable talking to people like me..Friendless people who need a strong bond - people without friends and partners.. Don't get me wrong…Most people deserve to be happy and It's good to have friends but people who have friends or families in real life are usually more focused on them (which is completely understandable) & have less time for others + I simply don't want to be replaced by anyone..I kind of envy people who can call others , true friends given I don't have an emotional bond with any of my acquaintances. Please send me a message only If you're not In a relationship and don't have friends for the same reasons I've already mentioned before
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Whenever I hear that others have friends I simply get sad because (believe it or not) If I had to choose between 20 people to talk to (acquaintances) and one special person - I'd choose that one special person without any hesitation .
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I also want to talk to others every day because..I want to see someone’s effort & be someone's first choice - not another person to have random conversations with..some people ask me "Why do you want to talk to people from Europe?" Well..Because I would like to see someone I'd get along with - In the far future - face to face :) + I don't want to wait any longer than 6 hours to receive a message - waiting 6 hours to receive a message is more than enough
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I'm by no means criticizing people who don't want to talk to others often / People who really are super busy & People who want to find someone to have unimportant conversations with - I'm aware that not everyone has the same expectations which is why everything you're reading now - is here for a reason :) All I'm suggesting is - I don't want anything temporary and I don't want to be the one always giving more than receiving.Listen people - I used to ignore being..ignored by others..always being just an option to talk to during tough times or moments of boredom.I was too young to realize that I was never important enough for most people that were a part of my life. I don't know who needs to hear this but..No one is too busy to make time for you! People make excuses to avoid others because they prioritize everything and (maybe) everyone..over them. It's true that most people are busy - but It takes only a few seconds to start a conversation (If you're into short messages) and a few minutes (1-10/15) to type a long message . Don't let anyone lie to you.
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Truth is that most people either don't like you enough to make time for you or just simply - feel no need to talk to others often but are they too busy? No..You don't need to send me a message just to ask me and tell me "Do you really want to talk every day? I like long messages but I can't promise to contact you often" If you really are unsure please don't send me a message.I don't need more acquaintances aka people to talk to - occasionally.
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I'm not trying to sound rude but conversations once or twice a week wouldn't be enough for me and I don't need them... Let me tell you one thing – A true friend would never just give up on you for no reason :) It’s always possible to find someone to have a random conversation with – someone willing to send you one message once or twice a week..but..It’s almost impossible to find people willing to make more time for you.
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I’m not asking a busy person to make time for me by changing some plans! Absolutely not! I’m here to find someone who wants to talk daily (throughout the day or maybe even night) of one’s own will.Someone looking for the same kind of connection.Strong friendships are based on mutual support. One of the best things you can do for a friend in need, is just to be there for them when they want to talk.I often see posts from people who always say how friendless they are because they don't feel loved or appreciated by their "friends" remember! A true friend - someone who truly likes you or someone who wants to get to know you - will always find time for you.
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I'm not interested in small talk/short messages - I love long and meaningful conversations. It's so easy to find someone who loves abbreviations and questions like "How are you?" How was your day? Or what are you interested in? But so hard/almost impossible to find a person who knows how to keep a conversation going & show others some effort.Building and maintaining friendships takes time and effort.Never allow pursuits or possessions to become bigger priorities than your relations with other people.Close friendships are so important to us because they are so difficult to form + Having friends can help you feel as if you belong to something that brings purpose and connection to your life
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• I do NOT respond to any „Hey,hmu” or „u want to talk?” type of messages (super short messages or messages full of abbreviations – I literally can’t stand abbreviations and acronyms in text messages) ALL messages full of abbreviations will immediately be ignored.I also don't like it when people ignore everything I say in private messages just to focus on a random question or? When they start talking only about themselves and don't ever ask me anything. I love conversations with people referring to everything I say...I want everything I say and do - to be reciprocated
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• No NSFW profiles (checking mental health subreddits NOT included as I'm a huge empath and always try to understand others) - Please! I'm not looking for anyone to flirt with and I'm not looking for a partner either. I always check people's profiles (even comment history) - To avoid guys, trying to get inappropriate pictures from adult women or? flirt with them + I don't want to see you with no clothes on so If you're on Reddit only because you want others to see what's underneath your clothes - I'm not for you! I just simply don't want to see any s e x related activity on your profile If you want to talk to me.
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• If both of us (you and I) are from the same country (I live in a non-English speaking country) - I want to communicate with you in our first language! No - Not because I don't understand English - because as you see - I do. Why then? English is simply overrated and people don't appreciate other languages as much as they should. So.. If we're from the same country and you want to talk only in English (which is quite common on reddit) - Talk to someone else. I just don't want to talk to a person from the same country as mine - in a foreign language as It's just something I don't understand even If all you want is to improve your language skills
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• Please only adult people 18-36 (age range) It doesn't matter to me If you're younger or older than me (as long as you're not underage) So.. don't worry! I just want to have discussions with emotionally mature people :)
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• I don’t respond to messages I don’t find interesting even If they're long - If after receiving and reading your message I don't feel comfortable or think "I wouldn't get along with him/her" I simply do not respond (what I’m suggesting is that I don’t always respond to someone’s first or second message because..sometimes you just know If you’d get along with someone or not- I’d never ignore anyone after days or weeks of daily conversations though) just because I don’t want to do anything forcefully & because I don’t want to lead anyone on. I read all messages but I definitely don't respond to all of them! I want to make it clear because I don't want to be accused of not responding and not reading people's messages! - Some people don't message me back as well and even If It's a bit disappointing I'm ok with that! - as long as there's no emotional bond - Not responding to someone's first or second message Is completely OK! If people think they wouldn't get along with a stranger - is there a reason to start a conversation? I don't think so. I can't stand being ignored after days or weeks of daily conversations and seeing people changing priorities over time.. but that's something different - something I don't want to go through ever again for real. If I'm really interested in someone's message it's impossible to hear from me "I'm too busy" because I know myself and If I had no time for others - I wouldn't be here. I don't want to pretend someone I'm not and always try to find some cheap excuses to avoid others. (unlike most people who don't want to talk to others)
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• Don’t ask me “Can you tell me something about yourself?” If you really want to get to know me - you can ask me questions :) I'm an open book.
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• It would be better If you guys were into emojis - like me - to describe your emotions In text messages. Two emojis - 🙂 and 🙁 are completely enough! I just don't like emotionless conversations.I also don't like it when people say "yeah" or yea"as it sounds dismissively. First impression Is everything to me! I want to see your kindness even in a text message - Emojis are very helpful to express your emotions.I don't want to meet people who say "crying Is a weakness" - It's OK to cry even If you're a guy!
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• I want to talk on reddit first (just to make sure If I'd get along with you) before moving to Discord or some other app
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• I would rather talk to a homebody - not another person who always has something to do as people who are very busy don't even have time for daily conversations
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• If you're another person interested only in "childish conversations" such as "HEYOOO! I'M BORED! Ya like Pizza or cheese? xDDDD 🤣" I'm begging you! Don't send me a message.I'm not a child anymore and such messages don't make me smile or laugh.I'm looking for someone interested In serious discussions - not another person just seeking some entertainment out of boredom . Conversations with sarcastic undertones (even when It comes to some emojis such as 🤣😂) are not for me. Your typing style matters to me! Why? when It comes to online conversations with someone new - It's not always possible to know If someone Is laughing at you.. or with you. Let me tell you something else! Jokes about cancer, disabilities and death are UNACCEPTABLE to me. If you find joy In someone else's misfortune you are not a person I want to know.
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• Time response matters to me a lot! I would never ask anyone to be online all day long and I'm NOT asking any of you for any instant messaging as I'm someone who would rather wait an hour or two to receive a proper response instead of some short and pointless messages but I'm interested only in daily conversations and I don't want to wait any longer than 6 hours to get a message from you.I don't need unbelievably long messages either! Messages as long as the second paragraph of my post - are completely enough. If you like longer messages? you can send me a longer message, but If you want to send me one word or one sentence as a response to my post - don't expect a reaction from me. I don't want to come across as rude - I just don't want to waste your time
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• I'm strongly AGAINST picking on people you don't even want to chat with - and making fun of them! I can't stand people who criticize others publicly or make fun of them! (only because they disagree with someone they don't even know) There's no place In my life for someone using Reddit, to hurt other people
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• I'm not into foul language and I definitely don't want to talk to people who swear a lot...
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• I want to meet assertive people who know what they want and always stand up for their friends
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• I want to meet someone willing to call me In the future, someone spontaneously sending me pictures of animals or food, et cetera. I want more than just text conversations.. 🌻
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Why can’t you see any of my hobbies listed down below? Because what really matters to me is..who you are (If you’re honest, talkative ,understanding, caring and trustworthy – for example) just simply – It matters to me what you’re like! not what you like.Don’t get me wrong – you can tell me what your hobbies are but from my point of view - people's hobbies are important - If you want to find a gaming buddy or If you want to meet someone to hang out with in real life and..go bowling for example.What most people seem to care about are other people's passions – I don’t. I get along with other people despite having completely different hobbies but I absolutely don’t get along with people way different than me (different expectations and outlook on life – way different sense of humor or personality traits – It’s just an example) It doesn't make ANY DIFFERENCE to me If you're a gamer or? Someone interested in photography! It doesn't make any difference - > as long as you're talkative and kind and If you also want to find someone willing to stay in your life..for good - But If you're into small talk and all you want is to...type and receive super short messages or If you're here only because you're bored and don't know what to do + If you're a very sarcastic person - I'm definitely not for you! I don't get along with overly sarcastic people turning everything into a joke. Friendships should be natural – not forced. I wouldn't get along with people who laugh at everything.. In my opinion most people are way too sarcastic.. It's quite sad... Sarcasm can also be another form of passive-aggressive behavior.
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People who want to be to friends should feel comfortable and have something in common. No - not necessarily a similar taste in music or movies but something else..Most friendships don't fizzle out because of people not having the same hobbies but..because they just simply have different expectations when It comes to something important.I'm not here out of boredom and trust me - I'm not here to meet as many people as possible.I choose quality over quantity.I highly value myself and my time & Sometimes one person but a person who makes you feel comfortable and understood - is more than enough :) We ALL can choose what kind of people we’d like to talk to and maybe even become really good friends with and I? I don’t want anyone to be disappointed.We all have some expectations after all.I know that people don't have to talk as often as possible in order to become friends but I'm interested only in daily conversations. If you really need someone to talk to due to loneliness and If you have time to talk to me daily (throughout the day and maybe even night) I always make time for others.I'm literally always available.I could even stay up all night long only to talk to someone important to me. I’m ready to commit but only If there’s some chemistry between me and someone else.I don’t do anything forcefully.
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If you want to talk to me tell me your story - tell me why you're here, what kind of friend would you like to meet :) Et cetera.Such messages are way more interesting to me than...someone's long list of hobbies. I know! It's unusual on reddit but I don't make friends based on hobbies..I want to meet someone with the same mindset as mine to finally feel understood and get close to someone new. You can share your problems with me - I absolutely don't mind "complaining" as I've been through a lot in my life.What do people usually tell you when you tell them that something's wrong? "Don't complain" or "Life's not over yet - one day you'll be happy" or "There are worse situations than yours" and..obviously "Find a therapist" Life's not a fairytale and sometimes things don't go as planned.Emotions shouldn't be bottled up.I'm sick of people always telling others "everything's gonna be ok" move on " & more..Trust me people - not everyone wants to hear "Just believe in yourself and everything's gonna be ok" Some people take it as reassurance - but others? They would rather hear something different 🙁Imagine being told that things will be okay, only for them to get worse..Do you guys know why telling someone "everything's gonna be ok" Is wrong? Because you can't see the future.
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You can't guarantee others that one day they'll finally be happy + when It comes to social interactions - We're responsible only for ourselves - not others & as you guys know people let us down quite often (sometimes even when there's no reason) so instead of telling people how they should move on, forget everything and be happy or asking them to find a therapist - be there for them! Always be willing to listen to them If you really like them or want to get to know them & don't suggest everyone in a tough situation to find a therapist because even the best therapist won't ever replace a true friend + It's quite normal to be disappointed If people always do something to hurt you. Sharing your hardships with other people in a very similar situation or exactly the same one - is VERY helpful If the other person understands you & wants to start all over by just letting it all out! Feeling emotional support instead of always hearing some "positive quotes" or someone saying "Stop complaining let's talk about something else - Is very important! "Everyone needs a shoulder to cry on. I appreciate sensitive people who always try to understand others. If after hearing a sad story all you want to say is "forget the past and move on" you're not for me. It's important to be a good listener and provide emotional support to others
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Please - If you're a completely different person than the described type of person I'm looking for (If you love abbreviations,If you don't need a stable friendship, If you're sarcastic and quiet) or If you simply disagree with my post - don't force yourself to send me a message.I want my new potential friendship to be natural which is why I want you to contact me only If your needs are the same - I don't want you to pretend someone you're not - only to please me - Pretending to be someone you're not - is the worst.I want to finally be happy again & find someone "always" wanting to talk - sending me random pictures throughout the day - food pictures or pictures of some animals. What is the most important to me? I want to find people who value online friendships as much as they would value real life ones as there's another human being on the other side
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No comments please.Only Private messages and chat requests 🌺
I know It's possible to meet people with exactly the same expectations as mine but It's just not easy because most people are Interested In temporary and entertaining conversations. People like me are just "different" I really want to finally find someone who loves emojis as much as I do.. someone who loves sweet, warm and serious discussions at the same time. Emojis really do - change conversations 😊

They'll tell you don't do it because life is so precious, but what does that even mean? What about death? If life is so precious why does death exist? Isn't that the natural order of life itself? Things exist to die or to not exist, why isn't it as precious as life? After all, doesn't that make them both equals? And I think God knew what he was doing when he made us in the likeness of him instead of animals, Because if I didn't have a consciousness to think consciously, then my only will would be to survive and procreate, just like an animal. If I could take a knife and drive it through my own heart I would, but i can't, my body won't let me. Maybe that's the animal instinct in me with the "will to survive" or lack of will power thereof. Either way i think a person wanting to die shouldn't be frowned upon. I was brought into this world because two individuals couldn't resist lusting after each other and they thought it was love but now here i am 29 years later mentally suffering. Don't get me wrong I do think there are reasons why one shouldn't, mainly being the fact that you have children/kids. Like the act of having kids in itself is already selfish why would you double down on that selfishness and take your own life? Oh wait lemme guess because its too hard?? Well that's too damn bad. Buck up shawdy!! You should've thought of that before you brought another life into this world, like come on man, or women, jeez. Anyways, I say all this to say that its not looking good, I feel too much, I'm too sensitive, i'm too deep, I think too much, and I need a way out of my head. But I will seek help tho, all the help I can get. And if that doesn't work, well "it was fun while itlasted"

Hey everyone, we have reached the end of the spring high season! I think that with all the stuff that came out this spring, we can confidently conclude that it has been the biggest spring season ever for the genre! In regards to May, things have not quite turned out as expected as genopanic ended up not being a metroidvania and Gestalt ended up getting postponed. However, one indie game, Pampas & Selene, did end up being a metroidvania. Let's get to it:

Extremely positive reception

• ANIMAL WELL: This 16 bit low rez combat-less metroidvania has ended up being the biggest solo metroidvania indie dev success story since the release of Iconoclasts. At first the reviews were flooded with comments from the publisher's hive of braindead teenagers that he used to market the game but when more legitimate reviews started the score actually went up rather than down. A random poll on the subreddit featuring PoP the lost crown and animal well confirmed the reception was real as Animal well nearly beat PoP the lost crown in it. The game has been widely praised for its depth, respect for the player, mood, optimization, and fun puzzles. The game is not without its faults however, with gamers complaining about the high price of the game in relation to the low amount of content and complaining about the retro save system that does not come with enough save points.

Generally positive reception

• Nine Sols: This month has seen the release of the third most wishlisted metroidvania on steam, a full sized (30hr) 2D sekiro Hollow Knight hybrid with a taoist theme. The game has been greatly praised for its controls, combat, accessibility settings, and graphics. However, it has also been criticized for its excessive use of dialogue, its poorly explained mapping mechanics (you have to talk to a broken robot TWICE before the map finally becomes properly revealed), and its out-of-place corpse runs which force the player to waste time grinding in order to afford late game items. Earlier it was reported that there was a hard-lock bug involving deaths to bosses after the battle was over. THIS ISSUE HAS BEEN COMPLETELY FIXED AS OF 2 JUNE 2024.
• Pampas & Selene: The Maze of Demons: It was originally thought that this 8 bit metroidvania was a zelda-like or a dungeon crawler based on what was shown in the demo. However, it turns out that it is actually a metroidvania, albeit one that plays very similarly to zelda II as well as metroidvanias like astalon, cathedral, and aggelos. The game has been critisized for being too focused on quests and praised for its well designed co-op.
• Overbowed: Rounding up this month we have overbowed, a 7 hour long gameboy inspired 8 bit metroidvania. The game has been received well and has been praised for its music, controls, QoL, and feel. The game takes some inspiration from hollow knight and dark souls. The game has been criticized for its basic map and its death penalty.
• Realm of I: A 0$ 4 hour long budget ranged attack indie metroidvania by a single guy in finland. Being that it is from finland I suppose it is not too surprising that it looks so much like environmental station alpha and Noita, at first glance. The game's lack of a development budget becomes abundantly clear when the map is opened up and revealed to be made in MS Paint. One thing worth mentioning is that the map uses the "all or nothing" approach similar to "vernal edge" and "column on the sea". It is around 4 hours long and the reception is generally positive with only a few complaints regarding its sound mixing. controls are good although it appears to be that the game does not currently work on the steam deck by default. It has been praised for its smooth controls.

Mixed reception

• You are Peter Shorts: An 8 bit metroidvania where you play as an armless man who got captured by the government, sent to Area 51, and cloned. You have to rescue clones... and also fight clones. Yeah, this is quite silly but also VERY original. The game is made by the developer of Tres-basher and it was hoped he would learn from the mistakes of that game. Unfortunately, that would not be the case. As a result, the game combat and controls are reportedly very poor with the game featuring many design mistakes that games used to have in the early 90s and late 80s.
• Arcane Assembly: In this highly original 16 bit metroidvania not only will you be casting spells, you will be CRAFTING them too! Unfortunately, It looks like all the effort that went into the development of this game was focused on the game's central gimmick. The metroidvania itself is extremely bare bones and only exists as a shell to give you an excuse to craft spells. the reception has been mixed as a result.
• Venture to the Vile: It was hoped that this 2.5D victorian themed metroidvania would succeed where "the last case of benedict fox" failed. Unfortunately that would not be the case. They both ended up getting an equally mixed reception. Similarly to the last case of benedict fox the game's release is absolutely packed with bugs, many of which are game breaking and require starting a new run. Similarly to "the last case of benedict fox" the game has been praised for its graphics, sounds, and story. Whereas "the last case of benedict fox" got criticized for enemy placements and poor puzzle design, "venture to the vile" has instead gotten criticized for feeling too soulslike in its combat and having no map aside from a world overhead map showing what the different biomes are and your completion progress for them.

Negative reception

• none

Aside from these releases we have a few stories in the indiesphere: Experimental time-trial retro FPS MULLET MADJACK has been a huge success and metroidvania Cosmic: a Journey Among Shadow has entered early access. Furthermore, a top-down open world puzzle game inspired by zelda came out to a very warm reception. Vampire survivors also got DLC and finally a monochrome link's awakening inspired zeldalike came out in the form of Master Key
And that's it! With spring over we enter the summer low season.. although I am not so sure it can be called a low season seeing as July is turning out to be such a huge month (more details on that later). Nonetheless, June is expected to be small so I think it still applies. If you are interested in past recap lists as well as other useful lists make sure to check out the index which contains them all. The upcoming metroidvania list for June is coming in a few days.

[PWYW] Red Mask Inn: a scalable horror one-shot (levels 1-10)
This is my favorite thing I've written so far. My players who play-tested the adventure had a blast so I hope you all will enjoy it as well.
Upon entering a seemingly innocuous tavern, players quickly realize it’s not the refuge they expected. The innkeeper and his ‘daughter,’ the serving girl, are not what they seem. Beneath their facades lie malevolent beings with a taste for their guests. Facing both mental and physical trials, the players must outwit these monsters before they become the evening’s special.
The players will start their ordeal facing terrifying nightmares. Upon awakening, they must navigate a series of horror-themed rooms intended to weaken them before the ultimate showdown with the “hosts.” Victory over them will not be the end, as they must then escape the crumbling pocket dimension in which they’re trapped.
This module can serve as a standalone one-shot adventure or seamlessly integrate into an ongoing campaign. It’s adaptable to any location or setting and offers scalability for various levels. While the default tone leans toward the darker side, feel free to adjust it to suit your campaign’s ambiance.
This adventure may last between 3 to 6 hours, varying based on the extent to which you utilize the module’s content and your players’ decisions.
Includes:

• 10 nightmares for your PCs
• 10 horrifying rooms
• An epic showdown with an action-oriented final boss "Red Mask" as well as his companion "The Hunger".
• Instructions for scaling the adventure.
• Helpful DM tips that will make prep and running a breeze
• 3 battle maps created in Inkarnate
• Custom Monster stat blocks and tokens

Art attribution:

• https://commons.wikimedia.org/wiki/File:Mask_(Tragedy_comedy)_(2768529820).jpg
• https://commons.wikimedia.org/wiki/File:The_Dunwich_Horror_-_Wilbur_Whateley%27s_twin_by_Reuben_C._Dodd.jpg
• https://commons.wikimedia.org/wiki/File:Potions_Classroom_(47307949392).jpg
• https://www.deviantart.com/abandonedfalcon/art/Meet-me-at-the-bar-888760727
• https://commons.wikimedia.org/wiki/File:Cincinnati_-_Spring_Grove_Cemetery_%26_Arboretum_-_Weeping_Angel_statue.jpg
• https://commons.wikimedia.org/wiki/File:Fortezza_Verrucole_Archeopark_interno.jpg
• https://commons.wikimedia.org/wiki/File:Eastern_state_peniteniary,_13_(14107969638).jpg
• https://www.flickr.com/photos/shando_/9875265043/
• https://www.flickr.com/photos/diegopianarosa/16339757676/
• https://commons.wikimedia.org/wiki/File:Ghost_reveries_-_Flickr_-_kr428.jpg
• https://commons.wikimedia.org/wiki/File:WeirdTalesv42n04pg006_Tell_Your_Fortune.png
• https://commons.wikimedia.org/wiki/File:WeirdTalesv42n4pg075_At_the_End_of_the_Corridor.png

Created in homebrewery

Previous Work:

• The Library - Level 3 one-shot (Easy for New DMs and New Players to learn)
• Project: Fragmentation (Rogue-like, PWYW)

What other DM's have said:

• Tossed this lil adventure in our D&D world and the players had a blast with all the twists and turns. As a DM I enjoyed the fact that it was well written and easy to run, I didn't have to flip through a lot of mess to run it like I've had to do on some other adventures. Highly recommended. -Jason T via DMsGuild
  
• Incorporated this last night into our campaign and had a blast. Biggest hits were the dream sequences, the library lore, bar potions, and the dynamic of having a family of commoners to protect. Players were also impressed with the lair and villain actions. I would recommend this to other DMs as it was easy to prep for, fairly simple to run, and the party had fun! -Ty R via DMsGuild
  
• I gave my party trauma and trust issues with this one! It was great time! Chibi_Disaster
  

Preview

Adding what I could fit into this post - had to cut some info to fit into the limit:

NPCs

• Redd Traskin - At first glance: The welcoming face behind the bar, always ready with a drink and a story about his culinary adventures. Lurking beneath is a creature known as Red Mask: a malevolent being who ensnares victims with harrowing dreams, rendering them helpless before he claims and cooks them.
• Nara Traskin - On the surface a seemingly aloof barmaid, introduced as Redd's "daughter", with a penchant for keeping to herself and often notably reserved. But beneath that exterior she is The Hunger, a fearsome entity with a singular, overpowering mission: to satiate her eternal appetite.
• (Optional) Other guests - a young couple with a child
  
  • Brent Haskill (26) - Husband of the young couple, blacksmith, friendly, introverted
  • Raida Haskill (25) - Wife of the young couple, leatherworker, gregarious, warm
  • Breeni Haskill (7) - Daughter

Scaling the Adventure

Effect & Trap Damage

Level	Light Damage	Medium Damage	Serious Damage
1	1d4+1 (3)	1d6+2 (5)	1d10+2 (7)
2	1d6+2 (5)	1d8+3 (7)	2d6+3 (10)
3	1d8+2 (6)	2d6+3 (10)	2d8+4 (13)
4	1d10+2 (7)	2d8+3 (12)	3d6+5 (16)
5	1d10+3 (8)	2d10+3 (14)	3d8+5 (19)
6	2d6+3 (10)	3d6+4 (17)	4d6+6 (20)
7	2d6+4 (11)	3d8+4 (18)	4d8+6 (24)
8	2d8+4 (13)	3d10+4 (20)	5d6+7 (27)
9	2d10+4 (15)	4d6+5 (19)	5d8+7 (31)
10	3d6+5 (16)	4d8+5 (23)	6d8+8 (35)

DCs

Level	Easy	Medium	Hard
1-3	10	14	18
4-6	12	16	20
7-10	14	18	22

The Inn at the Cross Roads

At the crossroads, a quaint inn catches your eye. Its simple two-story structure, with walls of weathered wood and a stone base, exudes a rustic charm. A single horse is tethered to a wagon nearby, hinting at the presence of other travelers.
A wooden sign, hand-carved and swinging in the evening breeze, reads "Red Mask Inn" in neatly scrolled letters. Below the name are two theatrical masks, the smiling Comedy and crying Tragedy.

DM Notes

For a one-shot adventure, consider giving the one-shot a different name than "Red Mask Inn" to serve as a red herring. Whether you're running a campaign or a one-shot, you can utilize the classic trope of the characters either meeting at the inn or using it as a place to rest and gather information.
Describe the inn as an unassuming, typical roadside establishment, creating an atmosphere of a routine stop for travelers. In a campaign, it's ideal to introduce this inn after the group has already faced some encounters in the days before. This timing helps to set the stage for what follows, making the inn seem like a normal, much-needed, resting point in their journey.

Inside the inn

As you push open the creaky door of the Red Mask Inn, you're greeted by the comforting warmth of a crackling fireplace and the rich aroma of hearty stew. The inn's interior is cozy, with wooden beams and a few round tables scattered across the room.
Behind the bar stands Redd Traskin, the owner and bartender of the inn. He's a robust man with a warm smile, busy polishing glasses but always ready to strike up a conversation. As you approach, he greets you with a jovial voice, "Welcome, travelers! You must be famished. Our stew today is particularly good, made with fresh herbs from the garden!"
Moving between the tables with a tray in hand is Nara, Redd’s daughter. She seems to be in her own world, efficiently serving patrons but with a distant look in her eyes. If players attempt to interact with her, she responds politely but briefly, maintaining a professional distance.
Seated at a corner table is a young couple with their child. The man, Brent Haskill, has the sturdy build of a blacksmith, while his wife, Raida, radiates warmth and friendliness. Their daughter, Breeni, is a bundle of energy, her eyes wide with curiosity as she looks around the inn. Breeni seems particularly interested in the adventurers, especially if there's a female-presenting member or someone who looks like a seasoned adventurer in the group. This presents a great opportunity for roleplaying and helps to engage the players with these NPCs.

Going to bed

Each room costs 3 sp per night. If your players are cautious, they may decide to set a watch. Ask for the watch order. For the first person on watch: if they ate or drank at the inn, they must make a CON saving throw against the HARD DC ___. Failure results in them falling asleep during their watch.
After some time if a player is not asleep because they (1) did not eat or drink at the inn, (2) succeeded on their Constitution saving throw, or (3) are immune to magical sleep (e.g. due to a feature like Fey Ancestry), they notice something peculiar. The lights in the tavern, if any were lit, suddenly dim, and the normal nighttime sounds from outside the tavern abruptly stop.
This player may try to help wake up the other players as they have their nightmares (see next section). This gives the players advantage on their saving throws.

Dreadful Reveries

Party members who fall asleep will experience nightmares. You can create unique nightmares (plumb your player's back stories or campaign events for ideas) or use the provided list for inspiration. Each dream culminates in a save attempt, allowing players to choose between a WIS, INT, or CHA saving throw, depending on their character's mental strengths. End each nightmare description with "Roll a mental save using your preferred stat." If they fail to wake up, they suffer LIGHT, or MEDIUM if they fail the check by more than 5, non-lethal psychic damage. If they roll a Natural 1 on their save, they gain one level of exhaustion. Either way on a failed save they slip into another dream. The initial save DC is set at HARD and should decrease by one level for each subsequent attempt. It is recommended to do not more than 3 nightmares. If another character is attempting to wake them or if they have abilities that aid in resisting mental effects, they may make the save with advantage.

Nightmares

1. It's night. You are running through the woods. Brambles and thorns rip at your skin. Something is chasing you, and it's gaining. You hear it coming closer and closer. You stumble, fall, and it's on your back, ready to strike…
2. You are on a ledge of a narrow cliff. The wind howls, and the rain buffets you. Lightning briefly illuminates the world, revealing jagged rocks hundreds of feet below. Your foot slips, your fingers lose their grip. You begin to fall…
3. [Not for characters with water breathing] You are underwater. Seaweed tangles around your legs and feet as you try to orient yourself. There is no up, no down. Your lungs burn, and when you can no longer hold your breath, brackish, dirty water rushes down your throat…
4. You are in a coffin. You don't know how long you've been here. You push up on the lid but the weight of the dirt above renders your effort futile. Your fingers bleed as you scratch through the wood, trying to reach the freshly dug earth. The air grows heavier, and you feel yourself slipping away…
5. The stars above are beautiful. You try to keep fear at bay, hoping your ship will return. But deep down, you know they won't find you in the vast, uncaring ocean. As you hear a splash to your right, you turn to glimpse a notched fin that was heading in your direction submerge under the water...
6. The reflection in the mirror isn't you. You chant this mantra, yet the creature in the glass tilts its head mockingly and whispers, “No, not you. Not yet!” Its gnarled hands creep forward, attempting to breach the barrier of the silvered glass...
7. The cave-in is a minor setback. You've found an exit after an hour. A set of hand-holds lead up towards the surface. In your haste, you squeeze through a narrow ledge. Suddenly, you're stuck, the pressure on your chest blurring your vision and clouding your mind, fresh air just out of reach…
8. You walk through city streets, unnoticed by the teeming crowd. A growing sense of wrongness intensifies as the figures turn toward you. You only have a moment to dread as you see their faceless heads, when they all then converge on you as one…
9. After leaving the warm tent, the cold seemed bearable. But a stinging wind and swirling snow soon disorient you. It feels warmer; you shed layers, mistaking deadly cold for heat. You stumble into the soft snow, deciding to rest, just for a minute…
10. It's twilight in the woods. A dead tree in a clearing, covered in birds, crows or ravens, hard to tell. More cawing, flapping wings, and suddenly, the birds take flight, sharp beaks and claws going for your eyes…

Players Awaken

Once all the players awaken, they will likely attempt to figure out their situation. Should they look out the window, they will see the outside world; however, this view is merely an illusion. Efforts to break through walls, floors, and ceilings will prove futile. Furthermore, utilizing teleportation magic, such as dimension door and plane shift, appears ineffective, except for local effects like misty step or dimension door to a visible location.
Upon opening the door, the players will discover themselves in a long corridor, extending hundreds of feet. The only doors in this corridor are those leading to the PCs' rooms, the room of a young couple, and a black door at the far end of the hallway. Horrified moans and screams emanate from the young couple’s room. If the players choose to intervene and break in, they will find the couple and their daughter inside, all of whom are also experiencing nightmares and can be awakened by the players.
As the PCs make their way down the hallway, they come across a collection of strikingly realistic portraits. Each one captures a different being - humans, dragonborn, gnomes, and more - from a wide spectrum of ages, genders, and races. The subjects are dressed in everything from opulent clothes to plain rags, and some are even armored, weapons in hand. But there's one unsettling similarity across all these portraits: every face is frozen in an expression of sheer terror.
At the end of the hallway, they find the black door, which is unlocked.

Rooms

Upon entering, the PCs have a series of rooms you will guide them through. You can either craft your own rooms or use those included in this adventure. Players might attempt to take a Short Rest in some rooms, and it's up to you whether to allow it or not. You want the PCs battered, but not spent for the final confrontation. If you choose to deny them the rest, narrate psychic pressure to move out of the room - leading to psychic damage on refusal.

The Library

As the party steps into a dimly lit room, they're surrounded by towering bookshelves. The books around them seem to be whispering secrets of forbidden knowledge. Each player needs to make a MEDIUM WIS saving throw to avoid taking MEDIUM non-lethal psychic damage from the eldritch knowledge trying to worm into their brain, with the damage halved if they succeed. Those players naturally drawn to knowledge, like Wizards and Bards, will find this more challenging and must make the throw at a disadvantage. Meanwhile, those less inclined towards books, like Barbarians or Fighters, will have advantage. It's up to you as the DM to decide these advantages and disadvantages based on your characters' proclivities.

DM Notes

• Use this section as a chance to weave in some of your world's lore. It's a perfect opportunity for players to uncover hidden aspects of your campaign's universe.
• While the books in this room can be physically taken, to avoid players hoarding countless volumes, consider describing how some books disintegrate into ash as soon as they're opened.

The Memory Gallery

In this sparsely furnished room, the walls are adorned with striking paintings of landscapes, ranging from mountain vistas to sunsets over the ocean, and serene forest clearings. As the PCs explore these paintings, focus on one PC and bring a distressing memory from their backstory to life, using the painting they are viewing as the backdrop. This scene then animates before the players. The PC at the center of this memory is faced with a HARD WIS saving throw, with the risk of taking SERIOUS non-lethal psychic damage upon failure, or half the damage if they succeed. Meanwhile, other PCs witnessing this scene must make an EASY WIS save to avoid LIGHT non-lethal psychic damage, suffering no damage on a successful save. Breeni’s past interactions with the affected PC could play a role here. Breeni may hug the PC, granting them advantage on their saving throw.

The Mirror Chamber

In the mirror chamber, walls lined with ornate, grimy mirrors reflect distorted and grotesque images of the adventurers. The air is thick, filled with the unsettling scent of iron and decay. Suddenly, their reflections lunge out of the glass, materializing into tangible, malevolent doppelgängers that attack, forcing the party to confront twisted versions of themselves.
Choose a character's favorite or iconic attack or spell and use it against each player. A single hit on the mirror version or the mirror itself is enough to destroy it.

The Dining Hall

The long wooden table is laden with rotting food: fruit covered in mold, meat moving with maggots, and bread so stale it looks fossilized, all set among goblets filled with a murky, clotting liquid that might have once been wine. Nearby, a platter holds what appears to be a human hand, its skin cooked to a crisp and its fingernails garnished with sprigs of wilted herbs. The foul stench of decay and spoiled meat permeates the room, mingling with the unsettling, almost palpable aura of dread. Players must make a MEDIUM CON saving throw. On a failure, gain the poisoned condition, lasting for 1d4 rooms.

The Hospital Room

Several linen-covered beds on the far side of the room are splattered with dried blood. Bone saws with jagged teeth and other cruel implements are neatly arranged on a side table, gleaming ominously in the torchlight. Drawers with various medical supplies are left half-closed. Several vials labeled as "Healing Potions" sit on a nearby shelf. A MEDIUM Arcana or Medicine check will determine these are actually poison (1d4+1 poison damage). The party may choose to remain here and use some of the supplies to heal up - can be used as a Short Rest opportunity.

The Bathroom

A decrepit wooden bathtub sits in the corner, filled with a stagnant, dark liquid that occasionally bubbles as if something lurks beneath the surface. Next to the bathtub, a stone toilet fixture stands as if hewn directly from the chamber's walls, its bowl filled with an unidentifiable, viscous substance that seems to churn of its own accord. Faint, grotesque sketches are etched into the stone around the toilet, depicting unsettling scenes that make you question the sanity of previous occupants. Blood spatters mar the cracked tiles, leading to a cracked tarnished mirror that reflects a distorted image of anyone who dares to look.
If anyone gets within 5 ft of the bathtub, tentacles will try to grapple them (MEDIUM Escape DC). The tentacles will also deal MEDIUM amount of bludgeoning damage on a successful grapple. Any damage to the tentacles (AC 12) will release the PC.

The Greenhouse

The greenhouse is a labyrinth of overgrown, twisted plants, their leaves unnaturally dark and thorns menacingly sharp. A misty, almost phosphorescent fog hangs low, casting a sickly green glow over everything, and making it hard to see what lurks in the corners. Amongst the flora, the party can spot several cages containing withered remains of animals and, disturbingly, a few humanoid shapes — all twisted in expressions of agony, as if the plants themselves had consumed them.
Monster encounter, balance for your party:

Level Range	Monster
1-3	Twig Blight (MM 32)
	Needle Blight (MM 32)
	Vine Blight (MM 32)
4-6	Shambling Mound (MM 270)
	Wood Woad (VGtM 198)
	Yellow Musk Creeper (TftYP 248)
	Animated Tree (VGtM 207)
	Assassin Vine (MM 22)
7-10	Corpse Flower (MToF 127)
	Tree Blight (CoS 230)

To make things more difficult for the players, you can also add an additional MEDIUM CON saving throw against the fog's effects, with the players taking LIGHT poison damage on failure. Altering the number of monsters is another effective method for adjusting the challenge level. Additionally, if you're looking to incorporate different types of monsters, don't hesitate to use homebrew or reflavored monsters.

The Bar

The barroom is dimly lit by tarnished chandeliers that cast ghostly flickers across worn wooden floorboards. A long, decaying bar counter dominates one side of the room. Its surface is stained and pockmarked, lined with bottles containing strange, discolored liquids. The stools around the bar are unsteady, emitting ominous creaks under the slightest pressure. Notably, one stool bears an unsettling stain, reminiscent of dried blood.
If players choose to consume any of the bottles, roll on the table below to determine the effects. Generally, it's not recommended to allow more than one potion per player (drinking more than one results in vomiting). If an effect doesn't apply to a character, or another player already drank the potion rolled, roll again. The effects last until the end of the adventure. A MEDIUM DC Alchemist Tools, Herbalist Kit or Arcana Check will reveal the properties of the potions. An EASY DC check may reveal partial properties.

#	Name	Liquid Description		Effect Description
1	Reckless Fury	A swirling red potion with fiery sparks.		[Primary Melee Classes] Every melee attack is treated as reckless (attack is rolled with Advantage, but any attack against the player is rolled with Advantage as well until their turn).
2	Luck be a lady tonight	A two-layered liquid, gold over silver.		Grants inspiration to the player, and GM gets to force disadvantage at a time of their choosing.
3	Unstable Teleport	A misty, shifting blue and gray potion.		Gain the ability to cast the Misty Step spell at will. Roll 1d20 for uncertain destination, appearing in a location of DM's choice on 1-10.
4	Size Shift	A violet fluid with bubbles.		Changes creature size from Medium to Small. No effect on Small creatures.
5	Spell Rejuvenation	A glowing, pulsating emerald drink.		[Primary Spellcaster Classes] Restores one highest level spent spell slot but causes causes one level of exhaustion.
6	Speed Surge	A quicksilver potion with streaks of lightning.		Doubles speed but causes jitteriness, disadvantage on Dexterity checks and saves.
7	Painful Retaliation	A dark crimson liquid with a thorny vine motif.		As a bonus action you can choose to harm a creature at will, causing MEDIUM psychic damage, but take half the damage yourself.
8	Statue Defense	A solid gray potion with flecks of stone.		As a reaction to taking damage, you can choose to become an invulnerable statue to negate the triggering damage. You are invulnerable and petrified until the end of your next turn.
9	Charge of the Bull	A red potion with a swirling vortex.		Gain a powerful charge attack: If you can move at least 10ft in a straight line, you can make an attack. If the attack hits, it is treated as a critical hit, and the target is knocked prone. If the attack misses, the player takes MEDIUM bludgeoning damage, is knocked prone, and lands 10 feet past the target.
10	Clumsy Might	A creamy potion with bubbles.		Advantage on Strength checks and saves but disadvantage on Dexterity-based tasks.

The Stalking Statues

The room is a vast, dimly-lit chamber with four stone statues positioned in various states of distress; their faces contorted in silent screams or buried in their hands as if weeping. The flickering light from a dying chandelier dances across their features, casting ominous shadows that seem to move. Describe the chandelier as flickering in and out. In the darkness, the statues seem to move closer and closer.
You can treat this room narratively to unsettle the players, or turn it into an encounter. For an encounter, roll initiative (the statues always act at the end of the initiative order, and only on rounds when the lights are out). Every other round, either cover the map if playing in person, switch to a blank map on a VTT, or, if using theater of the mind, simply narrate the lights going out. The statues can only move in darkness, which is magical. Some players may have the ability to see through magical darkness. In such cases, the movement of the statues is visible to those players. Players who cannot see in the darkness can move but must declare their directions and distances. The door at the end of the room is unlocked when all statues are destroyed or by using the Knock spell.

Stalking Statues

Medium Construct, neutral evil
Armor Class :: 18 (natural armor) Hit Points :: 3 MEDIUM hits Speed :: 20 ft (can move only in darkness)

STR	DEX	CON	INT	WIS	CHA
14 (+2)	11 (+0)	13 (+1)	1 (-5)	3 (-4)	1 (-5)

Damage Immunities :: poison, psychic Condition Immunities :: blinded, charmed, deafened, exhaustion, frightened, paralyzed, petrified, poisoned Senses :: Blindsight 60 ft. Languages :: None
Antimagic Susceptibility. The statue is incapacitated while in the area of an antimagic field. If targeted by dispel magic, the statue must succeed on a CON saving throw against the caster's spell save DC or fall unconscious for 1 minute. : False Appearance. While the statue remains motionless, it is indistinguishable from a normal statue. : Dark Step. The statue can only move in darkness. It moves silently. It may not take the dash action. All attacks automatically hit.

Actions

Multiattack. The statue makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Slam. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM bludgeoning damage. : Bite. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM piercing damage. : Grapple. Roll Contested Athletics vs Atheltics or Acrobatics. The statue rolls with Advantage. Reach 5ft., one target. MEDIUM escape DC to break free.

Final Confrontation

Suggested flavor text - read in your own voice / tone: : You walk through the door to find yourself in a vast, open kitchen. The air is heavy with the scent of pots boiling over low flames, their contents a mystery. Shadows flicker and stretch across the walls, animated by the dim firelight.
Above, cured meats hang from hooks, swaying slightly in the draft. The countertops are littered with a variety of sinister-looking knives and butchery tools, their edges catching the light with an ominous glint.
At the center of this daunting scene stand Redd and Nara. Redd greets you with a malicious smile. “Now that you’ve been properly tenderized, it’s time for the main course!” he says. In a chilling display, he reaches for his face and peels it away as if it were a mask, revealing the ghastly sight of raw muscles, pulsing veins, and exposed nerves.
Next to him, Nara stands with an unsettling calm. Her hands begin to unnaturally stretch and contort, transforming into deadly claws. As she grins, her mouth widens unnervingly, unveiling a row of sharp, predatory teeth.

Monstrous Hosts

Redd Traskin, also known as Red Mask, and Nara Traskin, known as The Hunger, have hidden their monstrous nature for years by disguising themselves as the friendly innkeepers of the Red Mask Inn. They lure travelers with warmth and hospitality, only to ensnare them in a nightmarish trap. Through their powers of perception and emotion manipulation, they torment their victims in an alternate dimension, relishing the fear and suffering they create. All the while, they maintain their facade as ordinary innkeepers, continuing their sinister feast on unsuspecting guests.

Lair Actions

Initiative :: At initiative order 20, use one of the lair action options
Scalding Water: Boiling water erupts from pots in a 15-foot cone. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one. : Slippery Floors: The floor becomes slick with oil and grease. For the next round, any creature moving across the floor must make a MEDIUM DEX saving throw or fall prone. You can avoid this by moving at half speed, but you must declare this before moving. : Whirling Blades: Blades whirl in a line 50 feet long and 5 feet wide. Each creature in the line must make a MEDIUM DEX saving throw, taking MEDIUM piercing damage on a failed save, or half as much damage on a successful one. : Flour Explosion: A cloud of flour ignites in a 30-foot radius centered on a point within the lair. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one.

DM Notes

HP: The HP listed in the stat blocks are simply a guideline. Balance to your party, making sure that the combat lasts some time, but doesn't drag on too long. : Villain Actions: Red Mask utilizes villain actions. This is an action he can take at any point after a PCs action, but limited to one per round.

Red Mask

Medium monstrosity, chaotic evil

APL	AC	HP
1-3	14	30±10
4-6	16	60±10
7-10	18	90±10

Speed :: 30 ft

APL	STR	DEX	CON	INT	WIS	CHA
1-3	12 (+1)	14 (+2)	13 (+1)	10 (+0)	12 (+1)	10 (+0)
4-6	14 (+2)	16 (+3)	15 (+2)	12 (+1)	14 (+2)	10 (+0)
7-10	16 (+3)	18 (+4)	17 (+3)	14 (+2)	16 (+3)	10 (+0)

Condition Immunities :: frightened, charmed Damage Resistances :: fire, acid, poison, necrotic Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Terrifying Unmasking. When the mask comes off, each creature within sight must make a WIS or CHA saving throw against an EASY DC. On a failed save, the creature becomes frightened for 1 minute. A frightened creature can repeat the saving throw at the end of each of its turns, ending the effect on itself on a success. : Magic Resistance. Red Mask has advantage on saving throws against spells and other magical effects. :

Reactions

I think not! (3/day) As a reaction, Red Mask can choose to succeed on a failed check. However, this requires mental fortitude, so he takes MEDIUM non-lethal psychic damage to do so.

Actions

Multiattack. The Red Mask makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Misty Step. Red Mask can cast Misty Step at will as a bonus action. : Butcher’s Knife. Melee Weapon Attack: reach 5ft., one target.

APL	to hit bonus	damage
1-3	+4	LIGHT
4-6	+6	MEDIUM
7-10	+8	MEDIUM

Villain Actions

How's My Cooking? Any creature that ate food in the tavern must make a MEDIUM CON saving throw or be incapacitated with retching as rotten, maggoty food comes back up. The effect lasts until the end of the affected creature's turn. : Time to Eat! Nara can move up to her speed towards a target and make a bite attack as part of the same action. : See What Awaits You! Red Mask unleashes a wave of mental horror, showing the victims horrific images of previous guests being butchered and eaten. Each creature within sight must succeed on an EASY WIS saving throw or take MEDIUM non-lethal psychic damage.

Tactics

The Hunger prefers hit-and-run tactics, targeting the least armored or most injured characters. If the characters try to focus fire on Red Mask, narrate The Hunger turning it's attention to the Haskill family.
She will try to Bite as at least one of her attacks to keep regenerating hit points.

Nara, The Hunger

Medium monstrosity, chaotic evil

APL	AC	HP
1-3	14	30±10
4-6	16	60±10
7-10	18	90±10

Speed :: 50 ft

APL	STR	DEX	CON	INT	WIS	CHA
1-3	12 (+1)	14 (+2)	13 (+1)	10 (+0)	12 (+1)	10 (+0)
4-6	14 (+2)	16 (+3)	15 (+2)	12 (+1)	14 (+2)	10 (+0)
7-10	16 (+3)	18 (+4)	17 (+3)	14 (+2)	16 (+3)	10 (+0)

Condition Immunities :: frightened, charmed Damage Resistances :: necrotic, piercing, bludgeoning, slashing Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Voracious Perception. Once The Hunger has tasted the flesh of a creature, it can track the creature by smell, effectively gaining blindsight with a range 30 feet for that creature. : Wall Crawler. With spider-like agility, The Hunger adheres to terrain, crawling along walls and ceilings to approach its victims. : Fleet-footed The Hunger's rapid movements give it a speed of 50 feet, and enemies trying to make opportunity attacks do so with a disadvantage.

Reactions

Bloodthirsty Pursuit. If a creature within 30 feet of The Hunger uses a teleportation ability or spell to escape, The Hunger can use its reaction to immediately teleport to a space adjacent to the escaping creature.

Actions

Multiattack. The The Hunger makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Claw. Melee Weapon Attack: reach 10ft., one target. If target not armored, or on a critical hit, add bleed damage for 1d3 rounds. This damage does not stack on multiple hits, instead use the highest rolled value for damage and rounds rolled. This effect can only be removed by magical healing. : Bite. Melee Weapon Attack: reach 5ft., one target. On a successful hit, deal damage as normal, and The Hunger regenerates half of the damage dealt as hit points.

APL	to hit bonus	damage	bleed from claws
1-3	+4	LIGHT	1d2
4-6	+6	MEDIUM	1d4
7-10	+8	MEDIUM	1d6

The Collapse

With the death of its hosts, the reality of this pocket dimension begins to unravel. This is a perfect time to deploy a Skill Challenge. Choose any of the following room descriptions, and let the players decide which skills they want to employ to navigate through the room. The focus here is on the Rule of Cool.
Ideally, these should be rooms the party have already encountered, but you can also introduce new rooms they haven't seen yet. The players can to select any Skill for their roll, as long as it fits the narrative context. Set the DC based on what they're attempting to achieve and its level of feasibility. Spells and other actions taken by the players should also have an impact, provided they logically align with the situation at hand.
Achieving one or two successful outcomes should be sufficient to pass through a room. In case of failure, introduce a complication, such as a character sustaining an injury, acquiring a level of exhaustion, or suffering a temporary condition like being frightened, poisoned, or even blinded. In such scenarios, other party members may need to assist the affected player.

DM Notes

Here you should aim to instill a sense of urgency and desperation. Monitor your players closely. As they approach their limits, consider making that room the final challenge. Remember, they don't need to complete every room you've planned.

Time to Run

Suggested flavor text - read in your own voice / tone:
As you land the final blow, a momentary stillness ensues, briefly allowing you to reflect on your victory. But there's no time for celebration. A low hum begins to resonate through the space, growing louder with each passing second. Around you, the walls and ceiling start to crack and splinter. Suddenly, a wall in front of you collapses, revealing one of the rooms you passed through earlier. Behind you, the ceiling is collapsing. The way forward is through...
[Note, I had to cut the descriptions of rooms on the way back to fit into char limit - see PDF]

Conclusion

As you burst through the door, you're back in the long corridor you first encountered as you woke up. At the far end, you glimpse the outside world. You sprint towards freedom as the corridor crumbles behind you, the destruction nipping at your heels. In a desperate leap at the last possible moment, you escape... and the sudden tranquility of the night envelops you. The quiet, so starkly contrasted with the preceding chaos, strikes you with its intensity. Surrounded by the serene sounds of the forest, the peace feels almost otherworldly, a surreal end to your harrowing journey.
You stand at a crossroads, where an old structure looms, clearly long abandoned. It leans precariously, a silhouette against the night sky. Moonlight filters through its collapsed roof, casting ghostly shadows across the crumbling walls. The scene, bathed in a silver glow, is both haunting and strangely serene.

Loot

Tucked away behind the inn, the adventurers might notice something peculiar about the compost heap — it seems to occasionally sparkle with the glint of metal and the shimmer of gemstones. Upon closer inspection and a bit of rummaging, they'll discover that this isn't just any old pile of refuse; it's a resting place for treasures that once belonged to the inn's unfortunate previous visitors.
You can use the rules for Treasure Hoard Tables from DMG p133 to see what the players can find.

[PWYW] Red Mask Inn: a scalable horror one-shot (levels 1-10)
This is my favorite thing I've written so far. My players who play-tested the adventure had a blast so I hope you all will enjoy it as well.
Upon entering a seemingly innocuous tavern, players quickly realize it’s not the refuge they expected. The innkeeper and his ‘daughter,’ the serving girl, are not what they seem. Beneath their facades lie malevolent beings with a taste for their guests. Facing both mental and physical trials, the players must outwit these monsters before they become the evening’s special.
The players will start their ordeal facing terrifying nightmares. Upon awakening, they must navigate a series of horror-themed rooms intended to weaken them before the ultimate showdown with the “hosts.” Victory over them will not be the end, as they must then escape the crumbling pocket dimension in which they’re trapped.
This module can serve as a standalone one-shot adventure or seamlessly integrate into an ongoing campaign. It’s adaptable to any location or setting and offers scalability for various levels. While the default tone leans toward the darker side, feel free to adjust it to suit your campaign’s ambiance.
This adventure may last between 3 to 6 hours, varying based on the extent to which you utilize the module’s content and your players’ decisions.
Includes:

• 10 nightmares for your PCs
• 10 horrifying rooms
• An epic showdown with an action-oriented final boss "Red Mask" as well as his companion "The Hunger".
• Instructions for scaling the adventure.
• Helpful DM tips that will make prep and running a breeze
• 3 battle maps created in Inkarnate
• Custom Monster stat blocks and tokens

Art attribution:

• https://commons.wikimedia.org/wiki/File:Mask_(Tragedy_comedy)_(2768529820).jpg
• https://commons.wikimedia.org/wiki/File:The_Dunwich_Horror_-_Wilbur_Whateley%27s_twin_by_Reuben_C._Dodd.jpg
• https://commons.wikimedia.org/wiki/File:Potions_Classroom_(47307949392).jpg
• https://www.deviantart.com/abandonedfalcon/art/Meet-me-at-the-bar-888760727
• https://commons.wikimedia.org/wiki/File:Cincinnati_-_Spring_Grove_Cemetery_%26_Arboretum_-_Weeping_Angel_statue.jpg
• https://commons.wikimedia.org/wiki/File:Fortezza_Verrucole_Archeopark_interno.jpg
• https://commons.wikimedia.org/wiki/File:Eastern_state_peniteniary,_13_(14107969638).jpg
• https://www.flickr.com/photos/shando_/9875265043/
• https://www.flickr.com/photos/diegopianarosa/16339757676/
• https://commons.wikimedia.org/wiki/File:Ghost_reveries_-_Flickr_-_kr428.jpg
• https://commons.wikimedia.org/wiki/File:WeirdTalesv42n04pg006_Tell_Your_Fortune.png
• https://commons.wikimedia.org/wiki/File:WeirdTalesv42n4pg075_At_the_End_of_the_Corridor.png

Created in homebrewery

Previous Work:

• The Library - Level 3 one-shot (Easy for New DMs and New Players to learn)
• Project: Fragmentation (Rogue-like, PWYW)

What other DM's have said:

• Tossed this lil adventure in our D&D world and the players had a blast with all the twists and turns. As a DM I enjoyed the fact that it was well written and easy to run, I didn't have to flip through a lot of mess to run it like I've had to do on some other adventures. Highly recommended. -Jason T via DMsGuild
  
• Incorporated this last night into our campaign and had a blast. Biggest hits were the dream sequences, the library lore, bar potions, and the dynamic of having a family of commoners to protect. Players were also impressed with the lair and villain actions. I would recommend this to other DMs as it was easy to prep for, fairly simple to run, and the party had fun! -Ty R via DMsGuild
  
• I gave my party trauma and trust issues with this one! It was great time! Chibi_Disaster
  

Preview

Adding what I could fit into this post - had to cut some info to fit into the limit:

NPCs

• Redd Traskin - At first glance: The welcoming face behind the bar, always ready with a drink and a story about his culinary adventures. Lurking beneath is a creature known as Red Mask: a malevolent being who ensnares victims with harrowing dreams, rendering them helpless before he claims and cooks them.
• Nara Traskin - On the surface a seemingly aloof barmaid, introduced as Redd's "daughter", with a penchant for keeping to herself and often notably reserved. But beneath that exterior she is The Hunger, a fearsome entity with a singular, overpowering mission: to satiate her eternal appetite.
• (Optional) Other guests - a young couple with a child
  
  • Brent Haskill (26) - Husband of the young couple, blacksmith, friendly, introverted
  • Raida Haskill (25) - Wife of the young couple, leatherworker, gregarious, warm
  • Breeni Haskill (7) - Daughter

Scaling the Adventure

Effect & Trap Damage

Level	Light Damage	Medium Damage	Serious Damage
1	1d4+1 (3)	1d6+2 (5)	1d10+2 (7)
2	1d6+2 (5)	1d8+3 (7)	2d6+3 (10)
3	1d8+2 (6)	2d6+3 (10)	2d8+4 (13)
4	1d10+2 (7)	2d8+3 (12)	3d6+5 (16)
5	1d10+3 (8)	2d10+3 (14)	3d8+5 (19)
6	2d6+3 (10)	3d6+4 (17)	4d6+6 (20)
7	2d6+4 (11)	3d8+4 (18)	4d8+6 (24)
8	2d8+4 (13)	3d10+4 (20)	5d6+7 (27)
9	2d10+4 (15)	4d6+5 (19)	5d8+7 (31)
10	3d6+5 (16)	4d8+5 (23)	6d8+8 (35)

DCs

Level	Easy	Medium	Hard
1-3	10	14	18
4-6	12	16	20
7-10	14	18	22

The Inn at the Cross Roads

At the crossroads, a quaint inn catches your eye. Its simple two-story structure, with walls of weathered wood and a stone base, exudes a rustic charm. A single horse is tethered to a wagon nearby, hinting at the presence of other travelers.
A wooden sign, hand-carved and swinging in the evening breeze, reads "Red Mask Inn" in neatly scrolled letters. Below the name are two theatrical masks, the smiling Comedy and crying Tragedy.

DM Notes

For a one-shot adventure, consider giving the one-shot a different name than "Red Mask Inn" to serve as a red herring. Whether you're running a campaign or a one-shot, you can utilize the classic trope of the characters either meeting at the inn or using it as a place to rest and gather information.
Describe the inn as an unassuming, typical roadside establishment, creating an atmosphere of a routine stop for travelers. In a campaign, it's ideal to introduce this inn after the group has already faced some encounters in the days before. This timing helps to set the stage for what follows, making the inn seem like a normal, much-needed, resting point in their journey.

Inside the inn

As you push open the creaky door of the Red Mask Inn, you're greeted by the comforting warmth of a crackling fireplace and the rich aroma of hearty stew. The inn's interior is cozy, with wooden beams and a few round tables scattered across the room.
Behind the bar stands Redd Traskin, the owner and bartender of the inn. He's a robust man with a warm smile, busy polishing glasses but always ready to strike up a conversation. As you approach, he greets you with a jovial voice, "Welcome, travelers! You must be famished. Our stew today is particularly good, made with fresh herbs from the garden!"
Moving between the tables with a tray in hand is Nara, Redd’s daughter. She seems to be in her own world, efficiently serving patrons but with a distant look in her eyes. If players attempt to interact with her, she responds politely but briefly, maintaining a professional distance.
Seated at a corner table is a young couple with their child. The man, Brent Haskill, has the sturdy build of a blacksmith, while his wife, Raida, radiates warmth and friendliness. Their daughter, Breeni, is a bundle of energy, her eyes wide with curiosity as she looks around the inn. Breeni seems particularly interested in the adventurers, especially if there's a female-presenting member or someone who looks like a seasoned adventurer in the group. This presents a great opportunity for roleplaying and helps to engage the players with these NPCs.

Going to bed

Each room costs 3 sp per night. If your players are cautious, they may decide to set a watch. Ask for the watch order. For the first person on watch: if they ate or drank at the inn, they must make a CON saving throw against the HARD DC ___. Failure results in them falling asleep during their watch.
After some time if a player is not asleep because they (1) did not eat or drink at the inn, (2) succeeded on their Constitution saving throw, or (3) are immune to magical sleep (e.g. due to a feature like Fey Ancestry), they notice something peculiar. The lights in the tavern, if any were lit, suddenly dim, and the normal nighttime sounds from outside the tavern abruptly stop.
This player may try to help wake up the other players as they have their nightmares (see next section). This gives the players advantage on their saving throws.

Dreadful Reveries

Party members who fall asleep will experience nightmares. You can create unique nightmares (plumb your player's back stories or campaign events for ideas) or use the provided list for inspiration. Each dream culminates in a save attempt, allowing players to choose between a WIS, INT, or CHA saving throw, depending on their character's mental strengths. End each nightmare description with "Roll a mental save using your preferred stat." If they fail to wake up, they suffer LIGHT, or MEDIUM if they fail the check by more than 5, non-lethal psychic damage. If they roll a Natural 1 on their save, they gain one level of exhaustion. Either way on a failed save they slip into another dream. The initial save DC is set at HARD and should decrease by one level for each subsequent attempt. It is recommended to do not more than 3 nightmares. If another character is attempting to wake them or if they have abilities that aid in resisting mental effects, they may make the save with advantage.

Nightmares

1. It's night. You are running through the woods. Brambles and thorns rip at your skin. Something is chasing you, and it's gaining. You hear it coming closer and closer. You stumble, fall, and it's on your back, ready to strike…
2. You are on a ledge of a narrow cliff. The wind howls, and the rain buffets you. Lightning briefly illuminates the world, revealing jagged rocks hundreds of feet below. Your foot slips, your fingers lose their grip. You begin to fall…
3. [Not for characters with water breathing] You are underwater. Seaweed tangles around your legs and feet as you try to orient yourself. There is no up, no down. Your lungs burn, and when you can no longer hold your breath, brackish, dirty water rushes down your throat…
4. You are in a coffin. You don't know how long you've been here. You push up on the lid but the weight of the dirt above renders your effort futile. Your fingers bleed as you scratch through the wood, trying to reach the freshly dug earth. The air grows heavier, and you feel yourself slipping away…
5. The stars above are beautiful. You try to keep fear at bay, hoping your ship will return. But deep down, you know they won't find you in the vast, uncaring ocean. As you hear a splash to your right, you turn to glimpse a notched fin that was heading in your direction submerge under the water...
6. The reflection in the mirror isn't you. You chant this mantra, yet the creature in the glass tilts its head mockingly and whispers, “No, not you. Not yet!” Its gnarled hands creep forward, attempting to breach the barrier of the silvered glass...
7. The cave-in is a minor setback. You've found an exit after an hour. A set of hand-holds lead up towards the surface. In your haste, you squeeze through a narrow ledge. Suddenly, you're stuck, the pressure on your chest blurring your vision and clouding your mind, fresh air just out of reach…
8. You walk through city streets, unnoticed by the teeming crowd. A growing sense of wrongness intensifies as the figures turn toward you. You only have a moment to dread as you see their faceless heads, when they all then converge on you as one…
9. After leaving the warm tent, the cold seemed bearable. But a stinging wind and swirling snow soon disorient you. It feels warmer; you shed layers, mistaking deadly cold for heat. You stumble into the soft snow, deciding to rest, just for a minute…
10. It's twilight in the woods. A dead tree in a clearing, covered in birds, crows or ravens, hard to tell. More cawing, flapping wings, and suddenly, the birds take flight, sharp beaks and claws going for your eyes…

Players Awaken

Once all the players awaken, they will likely attempt to figure out their situation. Should they look out the window, they will see the outside world; however, this view is merely an illusion. Efforts to break through walls, floors, and ceilings will prove futile. Furthermore, utilizing teleportation magic, such as dimension door and plane shift, appears ineffective, except for local effects like misty step or dimension door to a visible location.
Upon opening the door, the players will discover themselves in a long corridor, extending hundreds of feet. The only doors in this corridor are those leading to the PCs' rooms, the room of a young couple, and a black door at the far end of the hallway. Horrified moans and screams emanate from the young couple’s room. If the players choose to intervene and break in, they will find the couple and their daughter inside, all of whom are also experiencing nightmares and can be awakened by the players.
As the PCs make their way down the hallway, they come across a collection of strikingly realistic portraits. Each one captures a different being - humans, dragonborn, gnomes, and more - from a wide spectrum of ages, genders, and races. The subjects are dressed in everything from opulent clothes to plain rags, and some are even armored, weapons in hand. But there's one unsettling similarity across all these portraits: every face is frozen in an expression of sheer terror.
At the end of the hallway, they find the black door, which is unlocked.

Rooms

Upon entering, the PCs have a series of rooms you will guide them through. You can either craft your own rooms or use those included in this adventure. Players might attempt to take a Short Rest in some rooms, and it's up to you whether to allow it or not. You want the PCs battered, but not spent for the final confrontation. If you choose to deny them the rest, narrate psychic pressure to move out of the room - leading to psychic damage on refusal.

The Library

As the party steps into a dimly lit room, they're surrounded by towering bookshelves. The books around them seem to be whispering secrets of forbidden knowledge. Each player needs to make a MEDIUM WIS saving throw to avoid taking MEDIUM non-lethal psychic damage from the eldritch knowledge trying to worm into their brain, with the damage halved if they succeed. Those players naturally drawn to knowledge, like Wizards and Bards, will find this more challenging and must make the throw at a disadvantage. Meanwhile, those less inclined towards books, like Barbarians or Fighters, will have advantage. It's up to you as the DM to decide these advantages and disadvantages based on your characters' proclivities.

DM Notes

• Use this section as a chance to weave in some of your world's lore. It's a perfect opportunity for players to uncover hidden aspects of your campaign's universe.
• While the books in this room can be physically taken, to avoid players hoarding countless volumes, consider describing how some books disintegrate into ash as soon as they're opened.

The Memory Gallery

In this sparsely furnished room, the walls are adorned with striking paintings of landscapes, ranging from mountain vistas to sunsets over the ocean, and serene forest clearings. As the PCs explore these paintings, focus on one PC and bring a distressing memory from their backstory to life, using the painting they are viewing as the backdrop. This scene then animates before the players. The PC at the center of this memory is faced with a HARD WIS saving throw, with the risk of taking SERIOUS non-lethal psychic damage upon failure, or half the damage if they succeed. Meanwhile, other PCs witnessing this scene must make an EASY WIS save to avoid LIGHT non-lethal psychic damage, suffering no damage on a successful save. Breeni’s past interactions with the affected PC could play a role here. Breeni may hug the PC, granting them advantage on their saving throw.

The Mirror Chamber

In the mirror chamber, walls lined with ornate, grimy mirrors reflect distorted and grotesque images of the adventurers. The air is thick, filled with the unsettling scent of iron and decay. Suddenly, their reflections lunge out of the glass, materializing into tangible, malevolent doppelgängers that attack, forcing the party to confront twisted versions of themselves.
Choose a character's favorite or iconic attack or spell and use it against each player. A single hit on the mirror version or the mirror itself is enough to destroy it.

The Dining Hall

The long wooden table is laden with rotting food: fruit covered in mold, meat moving with maggots, and bread so stale it looks fossilized, all set among goblets filled with a murky, clotting liquid that might have once been wine. Nearby, a platter holds what appears to be a human hand, its skin cooked to a crisp and its fingernails garnished with sprigs of wilted herbs. The foul stench of decay and spoiled meat permeates the room, mingling with the unsettling, almost palpable aura of dread. Players must make a MEDIUM CON saving throw. On a failure, gain the poisoned condition, lasting for 1d4 rooms.

The Hospital Room

Several linen-covered beds on the far side of the room are splattered with dried blood. Bone saws with jagged teeth and other cruel implements are neatly arranged on a side table, gleaming ominously in the torchlight. Drawers with various medical supplies are left half-closed. Several vials labeled as "Healing Potions" sit on a nearby shelf. A MEDIUM Arcana or Medicine check will determine these are actually poison (1d4+1 poison damage). The party may choose to remain here and use some of the supplies to heal up - can be used as a Short Rest opportunity.

The Bathroom

A decrepit wooden bathtub sits in the corner, filled with a stagnant, dark liquid that occasionally bubbles as if something lurks beneath the surface. Next to the bathtub, a stone toilet fixture stands as if hewn directly from the chamber's walls, its bowl filled with an unidentifiable, viscous substance that seems to churn of its own accord. Faint, grotesque sketches are etched into the stone around the toilet, depicting unsettling scenes that make you question the sanity of previous occupants. Blood spatters mar the cracked tiles, leading to a cracked tarnished mirror that reflects a distorted image of anyone who dares to look.
If anyone gets within 5 ft of the bathtub, tentacles will try to grapple them (MEDIUM Escape DC). The tentacles will also deal MEDIUM amount of bludgeoning damage on a successful grapple. Any damage to the tentacles (AC 12) will release the PC.

The Greenhouse

The greenhouse is a labyrinth of overgrown, twisted plants, their leaves unnaturally dark and thorns menacingly sharp. A misty, almost phosphorescent fog hangs low, casting a sickly green glow over everything, and making it hard to see what lurks in the corners. Amongst the flora, the party can spot several cages containing withered remains of animals and, disturbingly, a few humanoid shapes — all twisted in expressions of agony, as if the plants themselves had consumed them.
Monster encounter, balance for your party:

Level Range	Monster
1-3	Twig Blight (MM 32)
	Needle Blight (MM 32)
	Vine Blight (MM 32)
4-6	Shambling Mound (MM 270)
	Wood Woad (VGtM 198)
	Yellow Musk Creeper (TftYP 248)
	Animated Tree (VGtM 207)
	Assassin Vine (MM 22)
7-10	Corpse Flower (MToF 127)
	Tree Blight (CoS 230)

To make things more difficult for the players, you can also add an additional MEDIUM CON saving throw against the fog's effects, with the players taking LIGHT poison damage on failure. Altering the number of monsters is another effective method for adjusting the challenge level. Additionally, if you're looking to incorporate different types of monsters, don't hesitate to use homebrew or reflavored monsters.

The Bar

The barroom is dimly lit by tarnished chandeliers that cast ghostly flickers across worn wooden floorboards. A long, decaying bar counter dominates one side of the room. Its surface is stained and pockmarked, lined with bottles containing strange, discolored liquids. The stools around the bar are unsteady, emitting ominous creaks under the slightest pressure. Notably, one stool bears an unsettling stain, reminiscent of dried blood.
If players choose to consume any of the bottles, roll on the table below to determine the effects. Generally, it's not recommended to allow more than one potion per player (drinking more than one results in vomiting). If an effect doesn't apply to a character, or another player already drank the potion rolled, roll again. The effects last until the end of the adventure. A MEDIUM DC Alchemist Tools, Herbalist Kit or Arcana Check will reveal the properties of the potions. An EASY DC check may reveal partial properties.

#	Name	Liquid Description		Effect Description
1	Reckless Fury	A swirling red potion with fiery sparks.		[Primary Melee Classes] Every melee attack is treated as reckless (attack is rolled with Advantage, but any attack against the player is rolled with Advantage as well until their turn).
2	Luck be a lady tonight	A two-layered liquid, gold over silver.		Grants inspiration to the player, and GM gets to force disadvantage at a time of their choosing.
3	Unstable Teleport	A misty, shifting blue and gray potion.		Gain the ability to cast the Misty Step spell at will. Roll 1d20 for uncertain destination, appearing in a location of DM's choice on 1-10.
4	Size Shift	A violet fluid with bubbles.		Changes creature size from Medium to Small. No effect on Small creatures.
5	Spell Rejuvenation	A glowing, pulsating emerald drink.		[Primary Spellcaster Classes] Restores one highest level spent spell slot but causes causes one level of exhaustion.
6	Speed Surge	A quicksilver potion with streaks of lightning.		Doubles speed but causes jitteriness, disadvantage on Dexterity checks and saves.
7	Painful Retaliation	A dark crimson liquid with a thorny vine motif.		As a bonus action you can choose to harm a creature at will, causing MEDIUM psychic damage, but take half the damage yourself.
8	Statue Defense	A solid gray potion with flecks of stone.		As a reaction to taking damage, you can choose to become an invulnerable statue to negate the triggering damage. You are invulnerable and petrified until the end of your next turn.
9	Charge of the Bull	A red potion with a swirling vortex.		Gain a powerful charge attack: If you can move at least 10ft in a straight line, you can make an attack. If the attack hits, it is treated as a critical hit, and the target is knocked prone. If the attack misses, the player takes MEDIUM bludgeoning damage, is knocked prone, and lands 10 feet past the target.
10	Clumsy Might	A creamy potion with bubbles.		Advantage on Strength checks and saves but disadvantage on Dexterity-based tasks.

The Stalking Statues

The room is a vast, dimly-lit chamber with four stone statues positioned in various states of distress; their faces contorted in silent screams or buried in their hands as if weeping. The flickering light from a dying chandelier dances across their features, casting ominous shadows that seem to move. Describe the chandelier as flickering in and out. In the darkness, the statues seem to move closer and closer.
You can treat this room narratively to unsettle the players, or turn it into an encounter. For an encounter, roll initiative (the statues always act at the end of the initiative order, and only on rounds when the lights are out). Every other round, either cover the map if playing in person, switch to a blank map on a VTT, or, if using theater of the mind, simply narrate the lights going out. The statues can only move in darkness, which is magical. Some players may have the ability to see through magical darkness. In such cases, the movement of the statues is visible to those players. Players who cannot see in the darkness can move but must declare their directions and distances. The door at the end of the room is unlocked when all statues are destroyed or by using the Knock spell.

Stalking Statues

Medium Construct, neutral evil
Armor Class :: 18 (natural armor) Hit Points :: 3 MEDIUM hits Speed :: 20 ft (can move only in darkness)

STR	DEX	CON	INT	WIS	CHA
14 (+2)	11 (+0)	13 (+1)	1 (-5)	3 (-4)	1 (-5)

Damage Immunities :: poison, psychic Condition Immunities :: blinded, charmed, deafened, exhaustion, frightened, paralyzed, petrified, poisoned Senses :: Blindsight 60 ft. Languages :: None
Antimagic Susceptibility. The statue is incapacitated while in the area of an antimagic field. If targeted by dispel magic, the statue must succeed on a CON saving throw against the caster's spell save DC or fall unconscious for 1 minute. : False Appearance. While the statue remains motionless, it is indistinguishable from a normal statue. : Dark Step. The statue can only move in darkness. It moves silently. It may not take the dash action. All attacks automatically hit.

Actions

Multiattack. The statue makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Slam. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM bludgeoning damage. : Bite. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM piercing damage. : Grapple. Roll Contested Athletics vs Atheltics or Acrobatics. The statue rolls with Advantage. Reach 5ft., one target. MEDIUM escape DC to break free.

Final Confrontation

Suggested flavor text - read in your own voice / tone: : You walk through the door to find yourself in a vast, open kitchen. The air is heavy with the scent of pots boiling over low flames, their contents a mystery. Shadows flicker and stretch across the walls, animated by the dim firelight.
Above, cured meats hang from hooks, swaying slightly in the draft. The countertops are littered with a variety of sinister-looking knives and butchery tools, their edges catching the light with an ominous glint.
At the center of this daunting scene stand Redd and Nara. Redd greets you with a malicious smile. “Now that you’ve been properly tenderized, it’s time for the main course!” he says. In a chilling display, he reaches for his face and peels it away as if it were a mask, revealing the ghastly sight of raw muscles, pulsing veins, and exposed nerves.
Next to him, Nara stands with an unsettling calm. Her hands begin to unnaturally stretch and contort, transforming into deadly claws. As she grins, her mouth widens unnervingly, unveiling a row of sharp, predatory teeth.

Monstrous Hosts

Redd Traskin, also known as Red Mask, and Nara Traskin, known as The Hunger, have hidden their monstrous nature for years by disguising themselves as the friendly innkeepers of the Red Mask Inn. They lure travelers with warmth and hospitality, only to ensnare them in a nightmarish trap. Through their powers of perception and emotion manipulation, they torment their victims in an alternate dimension, relishing the fear and suffering they create. All the while, they maintain their facade as ordinary innkeepers, continuing their sinister feast on unsuspecting guests.

Lair Actions

Initiative :: At initiative order 20, use one of the lair action options
Scalding Water: Boiling water erupts from pots in a 15-foot cone. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one. : Slippery Floors: The floor becomes slick with oil and grease. For the next round, any creature moving across the floor must make a MEDIUM DEX saving throw or fall prone. You can avoid this by moving at half speed, but you must declare this before moving. : Whirling Blades: Blades whirl in a line 50 feet long and 5 feet wide. Each creature in the line must make a MEDIUM DEX saving throw, taking MEDIUM piercing damage on a failed save, or half as much damage on a successful one. : Flour Explosion: A cloud of flour ignites in a 30-foot radius centered on a point within the lair. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one.

DM Notes

HP: The HP listed in the stat blocks are simply a guideline. Balance to your party, making sure that the combat lasts some time, but doesn't drag on too long. : Villain Actions: Red Mask utilizes villain actions. This is an action he can take at any point after a PCs action, but limited to one per round.

Red Mask

Medium monstrosity, chaotic evil

APL	AC	HP
1-3	14	30±10
4-6	16	60±10
7-10	18	90±10

Speed :: 30 ft

APL	STR	DEX	CON	INT	WIS	CHA
1-3	12 (+1)	14 (+2)	13 (+1)	10 (+0)	12 (+1)	10 (+0)
4-6	14 (+2)	16 (+3)	15 (+2)	12 (+1)	14 (+2)	10 (+0)
7-10	16 (+3)	18 (+4)	17 (+3)	14 (+2)	16 (+3)	10 (+0)

Condition Immunities :: frightened, charmed Damage Resistances :: fire, acid, poison, necrotic Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Terrifying Unmasking. When the mask comes off, each creature within sight must make a WIS or CHA saving throw against an EASY DC. On a failed save, the creature becomes frightened for 1 minute. A frightened creature can repeat the saving throw at the end of each of its turns, ending the effect on itself on a success. : Magic Resistance. Red Mask has advantage on saving throws against spells and other magical effects. :

Reactions

I think not! (3/day) As a reaction, Red Mask can choose to succeed on a failed check. However, this requires mental fortitude, so he takes MEDIUM non-lethal psychic damage to do so.

Actions

Multiattack. The Red Mask makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Misty Step. Red Mask can cast Misty Step at will as a bonus action. : Butcher’s Knife. Melee Weapon Attack: reach 5ft., one target.

APL	to hit bonus	damage
1-3	+4	LIGHT
4-6	+6	MEDIUM
7-10	+8	MEDIUM

Villain Actions

How's My Cooking? Any creature that ate food in the tavern must make a MEDIUM CON saving throw or be incapacitated with retching as rotten, maggoty food comes back up. The effect lasts until the end of the affected creature's turn. : Time to Eat! Nara can move up to her speed towards a target and make a bite attack as part of the same action. : See What Awaits You! Red Mask unleashes a wave of mental horror, showing the victims horrific images of previous guests being butchered and eaten. Each creature within sight must succeed on an EASY WIS saving throw or take MEDIUM non-lethal psychic damage.

Tactics

The Hunger prefers hit-and-run tactics, targeting the least armored or most injured characters. If the characters try to focus fire on Red Mask, narrate The Hunger turning it's attention to the Haskill family.
She will try to Bite as at least one of her attacks to keep regenerating hit points.

Nara, The Hunger

Medium monstrosity, chaotic evil

APL	AC	HP
1-3	14	30±10
4-6	16	60±10
7-10	18	90±10

Speed :: 50 ft

APL	STR	DEX	CON	INT	WIS	CHA
1-3	12 (+1)	14 (+2)	13 (+1)	10 (+0)	12 (+1)	10 (+0)
4-6	14 (+2)	16 (+3)	15 (+2)	12 (+1)	14 (+2)	10 (+0)
7-10	16 (+3)	18 (+4)	17 (+3)	14 (+2)	16 (+3)	10 (+0)

Condition Immunities :: frightened, charmed Damage Resistances :: necrotic, piercing, bludgeoning, slashing Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Voracious Perception. Once The Hunger has tasted the flesh of a creature, it can track the creature by smell, effectively gaining blindsight with a range 30 feet for that creature. : Wall Crawler. With spider-like agility, The Hunger adheres to terrain, crawling along walls and ceilings to approach its victims. : Fleet-footed The Hunger's rapid movements give it a speed of 50 feet, and enemies trying to make opportunity attacks do so with a disadvantage.

Reactions

Bloodthirsty Pursuit. If a creature within 30 feet of The Hunger uses a teleportation ability or spell to escape, The Hunger can use its reaction to immediately teleport to a space adjacent to the escaping creature.

Actions

Multiattack. The The Hunger makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Claw. Melee Weapon Attack: reach 10ft., one target. If target not armored, or on a critical hit, add bleed damage for 1d3 rounds. This damage does not stack on multiple hits, instead use the highest rolled value for damage and rounds rolled. This effect can only be removed by magical healing. : Bite. Melee Weapon Attack: reach 5ft., one target. On a successful hit, deal damage as normal, and The Hunger regenerates half of the damage dealt as hit points.

APL	to hit bonus	damage	bleed from claws
1-3	+4	LIGHT	1d2
4-6	+6	MEDIUM	1d4
7-10	+8	MEDIUM	1d6

The Collapse

With the death of its hosts, the reality of this pocket dimension begins to unravel. This is a perfect time to deploy a Skill Challenge. Choose any of the following room descriptions, and let the players decide which skills they want to employ to navigate through the room. The focus here is on the Rule of Cool.
Ideally, these should be rooms the party have already encountered, but you can also introduce new rooms they haven't seen yet. The players can to select any Skill for their roll, as long as it fits the narrative context. Set the DC based on what they're attempting to achieve and its level of feasibility. Spells and other actions taken by the players should also have an impact, provided they logically align with the situation at hand.
Achieving one or two successful outcomes should be sufficient to pass through a room. In case of failure, introduce a complication, such as a character sustaining an injury, acquiring a level of exhaustion, or suffering a temporary condition like being frightened, poisoned, or even blinded. In such scenarios, other party members may need to assist the affected player.

DM Notes

Here you should aim to instill a sense of urgency and desperation. Monitor your players closely. As they approach their limits, consider making that room the final challenge. Remember, they don't need to complete every room you've planned.

Time to Run

Suggested flavor text - read in your own voice / tone:
As you land the final blow, a momentary stillness ensues, briefly allowing you to reflect on your victory. But there's no time for celebration. A low hum begins to resonate through the space, growing louder with each passing second. Around you, the walls and ceiling start to crack and splinter. Suddenly, a wall in front of you collapses, revealing one of the rooms you passed through earlier. Behind you, the ceiling is collapsing. The way forward is through...
[Note, I had to cut the descriptions of rooms on the way back to fit into char limit - see PDF]

Conclusion

As you burst through the door, you're back in the long corridor you first encountered as you woke up. At the far end, you glimpse the outside world. You sprint towards freedom as the corridor crumbles behind you, the destruction nipping at your heels. In a desperate leap at the last possible moment, you escape... and the sudden tranquility of the night envelops you. The quiet, so starkly contrasted with the preceding chaos, strikes you with its intensity. Surrounded by the serene sounds of the forest, the peace feels almost otherworldly, a surreal end to your harrowing journey.
You stand at a crossroads, where an old structure looms, clearly long abandoned. It leans precariously, a silhouette against the night sky. Moonlight filters through its collapsed roof, casting ghostly shadows across the crumbling walls. The scene, bathed in a silver glow, is both haunting and strangely serene.

Loot

Tucked away behind the inn, the adventurers might notice something peculiar about the compost heap — it seems to occasionally sparkle with the glint of metal and the shimmer of gemstones. Upon closer inspection and a bit of rummaging, they'll discover that this isn't just any old pile of refuse; it's a resting place for treasures that once belonged to the inn's unfortunate previous visitors.
You can use the rules for Treasure Hoard Tables from DMG p133 to see what the players can find.