Oversized knit hat pattern

knittit

2008.06.14 20:25 knittit

Warm, fuzzy, sometimes tangled. Due to the holiday season, it may take up to 48 hours for (1) a post to be approved/ reviewed (2) response to modmail/from a moderator. Regarding the API/blackout we're open again but also watching, listening, thinking hard. Whatever happens needs to happen thoughtfully. Please keep being excellent to each other.
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2024.05.19 23:48 yellow_bently Potential crochet project?

Potential crochet project?
I'm a new crocheter and have never tried making a garment (only small things like plushes and shawls) and I wanna have a go at making his vest but I can only find knitting patterns for it online. I can't read patterns but I'm willing to learn, Im just wondering if it's worth taking up knitting? Or is there potentialy a way of converting this into a crochet pattern?
submitted by yellow_bently to crochetpatterns [link] [comments]


2024.05.19 23:32 mapl_e lvl5 minty uni uft! swaps, saphs, trades, whatever :)

lvl5 minty uni uft! swaps, saphs, trades, whatever :) submitted by mapl_e to AnimalJam [link] [comments]


2024.05.19 23:15 transmodder Looking for a pattern

Looking for a pattern
Hey does anyone have a pattern for a three point jester hat or know where I can find one? Something similar like the images attached.
submitted by transmodder to CosplayHelp [link] [comments]


2024.05.19 23:00 HPswl_cumbercookie Does anyone know how I could make this pattern using crochet? I bought the yarn and everything then realized it's a knit pattern.

Does anyone know how I could make this pattern using crochet? I bought the yarn and everything then realized it's a knit pattern. submitted by HPswl_cumbercookie to crochetpatterns [link] [comments]


2024.05.19 22:47 Majestic-Goat-8039 Super Simple and Stunning Flower Crochet Pattern: Beginner's Guide to Online Knitting Tutorial.. https://youtu.be/cwG4Urj5rQI?si=Js-K9F3Tb5vB7qZW *

Super Simple and Stunning Flower Crochet Pattern: Beginner's Guide to Online Knitting Tutorial.. https://youtu.be/cwG4Urj5rQI?si=Js-K9F3Tb5vB7qZW *
submitted by Majestic-Goat-8039 to CrochetModel [link] [comments]


2024.05.19 22:07 Bitchfaceblond Playing a dangerous game

Playing a dangerous game
I'm knitting a dress 1 month before my daughter's second bday. (I know I'm insane with 2 babies under 2). This is what I have left of my yarn. I've got 37 or so rows. And I'm on row 19. I've got increases and to split for the sleeves and have sleeves are held, I have a few rows around the bodice before I can change colors for the skirt. Please wish me luck. I really don't wanna go to the store for one ball.
submitted by Bitchfaceblond to knitting [link] [comments]


2024.05.19 22:06 Majestic-Goat-8039 Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *

Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *
submitted by Majestic-Goat-8039 to CrochetModel [link] [comments]


2024.05.19 22:06 Majestic-Goat-8039 Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *

Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *
submitted by Majestic-Goat-8039 to YarnPunk [link] [comments]


2024.05.19 22:05 Majestic-Goat-8039 Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *

Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *
submitted by Majestic-Goat-8039 to u/Majestic-Goat-8039 [link] [comments]


2024.05.19 22:02 teephams What does it mean to "knit into the front and back loop of the next stitch"?

I've just finished knitting the body of a bottom up halter top and am about to start the front portion. This is the very first line of Round 1 to bind off stitches for the underarms to divide the body into front and back. (After knitting into the front and back loop of the next stitch, you K1, pass the second stitch over, bind off a few stitches, knit a few stitches (I think the front or back) and then repeat)
I'm familiar with a regular bind off where you knit 2, then pass first stitch over the second. Is this pattern calling for something different? When I google the phrase, I get a lot of tutorials for "KFB" which seems to be an increase - but that doesn't sound right since the pattern mentions no KFB or increasing, just decreasing.
submitted by teephams to u/teephams [link] [comments]


2024.05.19 22:00 needlelacemaster Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *

Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *
submitted by needlelacemaster to Needlelacemaster [link] [comments]


2024.05.19 22:00 needlelacemaster Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *

Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *
submitted by needlelacemaster to crochetlove [link] [comments]


2024.05.19 22:00 needlelacemaster Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *

Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *
submitted by needlelacemaster to Crcohet_And_Knitting [link] [comments]


2024.05.19 22:00 popcodswallop [WTS] VINTAGE • Black and Gold from the Big Four 1910s-20s (Flex-Wet Noodle, Stub): Waterman 92 1/2, 12, 52, 52 in Box, 55 in Box Wahl 72 Parker 20 ED, 16 GF Overlay •

This week’s vintage batch features black hard rubber pens from three of the Big Four American Makers of the 1910s-20s. Nibs range from Flex to Wet Noodle. As always, all are fully restored and ready to write.
 
ALBUM & TIMESTAMP
 
Pastable link: https://imgur.com/a/R5fpCKe
 
Condition (n.b.): All pens listed below have been disassembled, cleaned and restored with new sacs installed in the last couple weeks. Each of these pens is guaranteed to fill and write as designed without leaks or other problems. Nibs have been adjusted when necessary to ensure that all lay down a smooth and consistent line.
THESE PENS HAVE NO CRACKS, CHIPS, PERSONALIZATIONS, LOOSE OR MISSING PARTS, BENT NIBS, MISALIGNED TINES, BROKEN/WORN OFF TIPPING, OR THREADING ISSUES.
 
Line Widths and Writing Samples: To provide buyers with as much information as possible, I have started to adopt the following line width standards: XXF (.1-.2mm); XF (approx .3mm); F (approx .4mm); M (approx .6mm); B (approx .8mm). Nib flexibility is determined by variation (max line width under pressure) and softness (amount of pressure). Flexibility designations based on variation generally run as follows for an XF/F nib: Semi-Flex (approx. 1mm); Flex (1.2-1.9mm); Superflex (>2mm). All line width measurements are taken with a digital caliper but should be considered approximations providing a general guide. Width may vary slightly depending on type of ink and paper used as well as amount of pressure applied. All writing samples are on Rhodia dot paper using Waterman Serenity Blue.
 
 
1. 1920s Waterman 92 1/2 (BCHR, GPT, lever filler, 14k XF Flex nib). This slender (1/2-sized) model is longer than a ring top but slightly shorter than a 52, measuring 4 3/4” capped and 6” posted. Not to be confused with the later, celluloid 92, this 92 1/2 is made of black chased hard rubber with gold-plated trim. It’s the first I’ve ever encountered. Cap came clipless from the factory (no holes drilled for a clip), but has been outfitted with a gold-plated accommodation clip. Based on its absence from US catalogues, I believe this model was made strictly for foreign export. The barrel has a Canadian imprint while the nib reads “Ideal / England,” it being a common practice for Waterman’s Canadian pens to be finished in England. That 14k nib is a Flexible writer (note change from writing sample after taking measurement. It lays down a smooth and consistent XF line that widens to a 3B+ (approx 1.8mm) under moderate pressure (see WRITING SAMPLE). Thin hairlines and reliable flow over its full range of flex make it a great choice for shaded writing. Condition: fine [C]. This pen has no functional flaws but does show some use. Hard rubber is an even dark chocolate color – still much darker than the brown these can turn. Chasing is significantly yet evenly weakened across the cap and barrel. Hard rubber surface is smooth with no deep scratches or other notable blemishes. Gold-plating on the lever has a sliver of brassing in the center and parts of the clip look tarnished, though I’m not sure this amounts to full-fledged brassing. Manufacturer imprint on barrel and number stamp on barrel end are weakened but fully legible. An affordable user and a lovely writer for those wondering at what all the fuss is about early Watermans. Price: $150
 
2. 1910s Waterman 12 Eyedropper (BCHR, German Silver clip, eyedropper filler, 14k F Superflex nib). This full-sized model measures 5 1/8” capped. This slip-cap eyedropper is made of black chased hard rubber with a rivet clip marked “German Silver” – less common than the standard nickel clips. This pen is an eyedropper. The section unscrews for the barrel to filled using an eyedroppepipette – holds far more ink than a lever filler of the same size. My usual caveats about early eyedroppers apply here. If carried, it is not uncommon to find a little ink on the nib or in the cap. Super-Flexible 14k Ideal NY #2 nib lays down a smooth and consistent F line that widens to a 4B+ (approx 2.5mm) under light pressure (see WRITING SAMPLE). Easy variation and reliably wet flow over its full range of flex make it a great choice for calligraphic writing styles such as Copperplate and Spencerian. Condition: excellent- [B-]. Hard rubber of the cap is dark black with virtually no fading but center of barrel shows fading to dark chocolate under certain lights. Chasing on cap is sharp and deep but barrel chasing is very light and only visible when the light strikes it. German Silver clip is pristine with no brassing or other notable wear. Hard rubber surface is smooth with no deep scratches or other notable blemishes. Manufacturer imprint on barrel is weak but mostly legible while number stamp on barrel-end is all but worn away. Price: $190 [ON HOLD]
 
3. c.1918 Waterman 52 (BCHR, NPT w/ Sterling Silver clip, lever filler, 14k XXF Needlepoint Superflex nib). This full-sized model measures 5 5/16” capped. A nice example of Waterman’s celebrated workhorse made of black chased hard rubber with a sterling silver Ideal accommodation clip with “Waterman’s / Made in France” stamped on one side and a hallmark that reads “GP” on the other side (DETAIL PHOTO). This pen came clipless from the factory (no holes drilled for a rivet clip). Super-Flexible 14k Ideal NY #2 nib has a needlepoint width and superb snap-back that gives it a surgically precise feel when writing. It lays down a smooth and consistent XXF line that widens to a 4B+ (approx 2.2mm) under light pressure (see WRITING SAMPLE). Insanely responsive snap-back, needlepoint hairlines, and reliable flow over its full range of flex make it another excellent choice for calligraphic writing styles such as Copperplate and Spencerian. Condition: excellent [B]. Hard rubber retains its dark black color with virtually no fading. Chasing is weakened a bit yet readily visible over the cap and barrel. Hard rubber surface is smooth with no deep scratches or other notable blemishes. Manufacturer imprint on barrel is quite weak and only partly legible while number stamp on barrel-end is deep and fully legible. Price: $260 SOLD
 
4. c.1918 Waterman 52 in Box (BCHR, NPT, lever filler, 14k M/B Superflex Factory Stub nib). This full-sized model measures 5 5/16” capped. This pen comes in its original factory box with 5-page pamphlet including care and filling instructions as well as other offerings from Waterman (BOX PHOTO). It’s a clean 52 made of black chased hard rubber with nickel-plated trim including earlier, wide rivet clip. 14k Ideal #2 nib is a Super-Flexible Factory Stub that manages to deliver sharp unflexed variation without compromising smoothness. Under normal pressure it lays down a smooth and consistent M/B line (approx .7mm) on the down-strokes and XF line on the cross-strokes. And the line widens to a 4B+ (approx 2.0mm) under light pressure (see WRITING SAMPLE – note change in flex grade after measuring). A versatile nib whose responsive snap-back, easy variation, and reliable flow over its full range of flex make it well suited to shaded notes under normal pressure and calligraphic writing styles under flex, the Stub grind keeping one’s letterforms neat and straight. Condition: excellent+ [B+]. This pen and the one below came from an estate of someone who seems to have purchased these pens, wrote with them a few times, then stowed them away in their boxes. This one is definitely collector-grade, having seen very little use. Hard rubber retains its dark black color with no discernible fading. Chasing is evenly sharp and crisp. Hard rubber surface is smooth with no deep scratches or other notable blemishes. Manufacturer imprint on barrel and number stamp on barrel-end are deep and fully legible. Box is in sound condition with no torn ends but original owner managed somehow to burn a couple small holes in the paperwork. A boxed 52 with an uncommon nib in uncommonly clean condition. Price: $310 SOLD
 
5. c.1918 Waterman 55 in Box (BCHR, NPT, lever filler, 14k XF Flex/Superflex nib). This oversized model has a thick girth and measures 5 1/2” capped. This pen comes in its original factory box with 5-page pamphlet including care and filling instructions as well as other offerings from Waterman (BOX PHOTO). This pen is made of black chased hard rubber with nickel-plated trim including earlier, wide rivet clip. Commensurably oversized Ideal NY #5 nib yields Super-Flexible variation with Flexible softness. It lays down a smooth and consistent XF line that widens to a 4B+ (approx 2.1mm) under moderate pressure (see WRITING SAMPLE – note change in flex grade after measuring). Condition: excellent+/near mint [B+]. This pen came from the same estate as the 52 above and also resembles an artifact of a time capsule. Hard rubber retains its factory black color with no discernible fading. Chasing is factory sharp and crisp. Hard rubber surface is smooth with no deep scratches or other notable blemishes. Manufacturer imprint on barrel and number stamp on barrel-end are deep and fully legible. Box is in sound condition with no torn ends but original owner managed somehow to burn some small holes in the paperwork for this one as well. These big fellas are getting tougher to find, especially in this condition. Price: $440 SOLD
 
6. c.1921 Wahl Pen 72 (BCHR, NPT, lever filler, 14k XXF Superflex nib). This standard sized model measures 5 3/16” capped. Having purchased the assets of the Boston Fountain Pen Company, Wahl began manufacturing fountain pens in 1917. Wahl’s first pens were essentially rebranded Bostons and Tempoints (a NY company they acquired in 1918). The first full-fledged Wahls, dubbed simply “The Wahl Pen,” rolled off out of the factory in 1921. This 72 one of those pens. Its’s made of black chased hard rubber complemented by nickel-plated trim including Wahl’s patented roller-clip. The Wahl Pen is chiefly distinguished from earlier designs by its patented Wahl lever with apexed center. Super-Flexible 14k Wahl Pen #2 nib is a lovely writer. It lays down a smooth and consistent XF line that widens to a 4B+ (approx 2.4mm) under light pressure (see WRITING SAMPLE). Needlepoint hairlines, superbly responsive snap-back, and reliable flow over its full range of flex make it another great choice for calligraphic writing styles. Condition: excellent/near mint [B+]. Hard rubber retains its factory black color with virtually no fading/oxidation. Chasing is factory deep and crisp with no discernible wear. Surface is smooth and lustrous with no deep scratches or other notable blemishes. Nickel-plated trim is exceptionally clean with no brassing or other noteworthy blemishes apart from light scratching to the clip. Manufacturer imprint on barrel and number stamp on barrel-end are deep and fully legible. Price: $280
 
7. 1910s Parker Lucky Curve 20 (smooth BHR, eyedropper filler, 14k XF/F Superflex/Wet Noodle nib). This full-sized model measures 5 5/16” capped. Parker collectors know all too well how much harder it is to find early Parker eyedroppers compared to say, Waterman 12s. This simple, utilitarian Lucky Curve eyedropper from the early teens is made of smooth, black hard rubber. Slip cap came clipless from the factory (no holes drilled for a clip). Long Lucky Curve feed is intact. This pen is an eyedropper. The section unscrews for the barrel to filled using an eyedroppepipette – holds far more ink than a lever filler of the same size. My usual caveats about early eyedroppers apply here. If carried, it is not uncommon to find a little ink on the nib or in the cap. Early 14k Lucky Curve #2 nib with teardrop breather hole yields Super-Flexible variation with softness and flow verging on that of a Wet Noodle (comparable to a soft dip pen nib). It lays down a smooth and consistent XF/F line that widens to a 4B+ (approx 2.4mm) under very light pressure (see WRITING SAMPLE). Thin hairlines with a light hand, strong snap-back, and reliable flow over its full range of flex make it another great choice for calligraphic writing styles such as Copperplate and Spencerian. Condition: excellent [B]. Black hard rubber retains its factory black color apart from minor fading to a deep, dark brown on the barrel visible under certain lights. Surface is smooth and lustrous with no deep scratches or other notable blemishes aside from a group of short scratches to the left of the imprint (see imprints photo). Nib shows a small scuff here and there and a scratch on one tine that has no effect on durability or performance. Manufacturer imprint on barrel and number stamp on barrel-end are deep and fully legible. A lovely writer and the first example of one of these I’ve ever offered. Price: $270 SOLD
 
8. c.1915 Parker 16 Overlay (gold-filled over BHR, button filler, 14k XF Wet Noodle nib). Measures 4 5/8" capped and 6” posted. While Waterman overlays of this period aren't particularly common, they're far more numerous than their Parker counterparts today. Parker overlays like this one were commissioned to the George W. Heath company in New York, who is credited for some of the finer overlays on early Watermans and Conklins as well. The gold-filled filigree over this black hard rubber ringtop features an exquisitely hand-engraved Art Nouveau pattern as well as an indicia on the barrel for engraving. The pattern is the earlier, more intricate design that's more sought after than the simpler Art Deco pattern of the later 1910s-20s. Barrel overlay is stamped "Parker Fountain Pen" along with patent dates from 1891 and 1905. Pen has an Xmas tree, Lucky Curve feed and knurled blindcap unscrews to reveal brass button for filling. To fill, one simply unscrews the blind cap, submerses the nib, and depresses the brass button once. The fine workmanship of this pen is complemented by an early 14k Lucky Curve #3 nib, a scarce “Lazy S” variant with long tines. The nib is a Wet Noodle with softness, variation, and flow comparable to that of a dip pen nib. It lays down a smooth and consistent XF line that widens to a 4B+ (approx 2.5mm) under minimal pressure (see WRITING SAMPLE). Another nib with astonishingly responsive snap-back giving it a precision feel and you maximum control over the line. Together with its thin hairlines and reliable flow over its full range of flex, this makes for an ideal choice for calligraphic writing styles. Condition: excellent+ [B+]. Overlay shows no brassing, dents, or other notable flaws aside from some pin-sized dings confined to the knurled portion around the top of the cap. Hard rubber retains its dark black color with scarcely any fading. Knurling of blind cap isn’t quite as sharp as it once was and number stamp on barrel-end is faint but legible under bright light. Manufacturer imprint on barrel is deep and fully legible. Price: $380 SOLD
 
 
 
Shipping: Pens purchased on the weekend are mailed on Tuesday. Otherwise they are mailed within 2 business days of payment. All pens that do not come with their original boxes are packaged in PVC or thick plastic tubes to protect them in transit. To CONUS locations the following shipping options are available:
  • USPS First-Class with tracking for $5 Due to the delivery delays that continue under postmaster general DeJoy, I strongly recommend that the Priority shipping option be chosen. All packages will include full insurance (covered by me). Rest assured that a full refund is guaranteed (issued through Paypal) in the event of a lost parcel and you will not have to wait until I receive a reimbursement from the USPS.
  • USPS Priority with tracking for $9
International Customers: Please contact me for shipping quote if located abroad (delivery confirmation required). (Note: due to the issues stated above, my international shipping options are currently limited. PM for more info). Please do not ask me to commit mail fraud by altering the declared value of a pen for customs. Not only am I registered as a business but shipping insurance is based on declared value.
New York Customers: For tax purposes, I am now required to add an 8% sales tax on any sale made in the state of NY. If your shipping address is in NY state, please let me know before payment to receive an adjusted total. Discounted shipping is included for NY State residents to help defray the extra cost.
Ordering: Pens are placed on hold for the first person to reply to the thread and PM me with firm request to purchase (no chat DMs please). A request with the words “I'd like to purchase [pen number]” would be best to avoid confusion), to which I’ll reply with payment details. Please note that a message inquiring into a price discount does not suffice to place a pen on hold. If I haven't received Paypal payment within 24 hrs after a hold is placed, then pen(s) may become available to the next person.
Payment, & Guarantee: Payment by Paypal only. All pens are guaranteed to be in the condition in which I've described them. If I've missed something objectionable or the filling mechanism is not fully functional, the buyer may contact me up to 7 days after receiving the pen for a full refund (issued once I receive the pen back in the same condition as sold). Buyer must ship the return no later than 2 weeks after it was delivered to receive a refund. I've sold pens online for over a decade. Please check my past listings here as well as on the classifieds and historical sales forums on FPN (username: Estragon) and FPGeeks (popcod) for some of my previous offerings.
 
 
OTHER OPEN LISTINGS
submitted by popcodswallop to Pen_Swap [link] [comments]


2024.05.19 21:58 needlelacemaster Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *

Super Easy Beautiful Flower Crochet Pattern Tutorial for Beginners: Online Tığ İşi Knitting Guide. https://youtu.be/aYDlq8yOeUA?si=qHs3zJmKCMBjE6k9 *
submitted by needlelacemaster to u/needlelacemaster [link] [comments]


2024.05.19 21:44 guyfieribiggestfan Pattern Help

Pattern Help
Hi! My grandma loves to knit and is getting interested in crochet too. She got this prayer shawl as a gift and doesn’t know what kind of stitch it is. Anybody know the name/pattern used for this ?
submitted by guyfieribiggestfan to CrochetHelp [link] [comments]


2024.05.19 19:29 Craig-Paxton The Landing Sight for Lehi’s Party Discovered

In a fascinating study, evidenced for a possible landing sight for Lehi in America has been discovered within easy travel distance to Palmyra, NY. If substantiated, it could add weight to an Atlantic migration, the controversial Solutrean Hypothesis, in addition to the traditional Siberian route. https://www.washingtonpost.com/science/2024/05/19/first-americans-chesapeake-parsons-island/
The link is behind a pay wall. Here’s the article
PARSONS ISLAND, Md. — With the Chesapeake Bay sloshing at his knee-high boots, Darrin Lowery stood back and squinted at a 10-foot-tall bluff rising above a narrow strip of beach. To the untrained eye, this wall of sandy sediment is the unremarkable edge of a modest island southeast of the Bay Bridge. To Lowery, a coastal geologist, its crumbling layers put the island at the center of one of the most contentious battles in archaeology: when and how humans first made their way into the Americas. The story of the first Americans has long been a matter of public and scientific fascination, undergirded at times by vicious disagreements. The timeline of when people arrived has shifted earlier in grudging steps over the past century, and scientists today mostly agree people were in the Americas at least 15,000 years ago. Story continues below advertisement
Lowery’s site and others like it could revise the story again, pushing back the timeline earlier than most experts thought possible. In total, Lowery and a motley crew of collaborators have discovered 286 artifacts from the site on the island’s southwestern edge. The oldest, they reported, was embedded with charcoal dated to more than 22,000 years ago, a time when much of the continent would have been covered in ice sheets. If Lowery is right, Parsons Island could rewrite American prehistory, opening up a host of new puzzles: How did those people get here? How many waves of early migration were there? And are these mysterious people the ancestors of Native Americans?
Casts of tools found at Parsons Island are seen on display. Lowery and his team have unearthed 286 artifacts from the site so far. (Michael Robinson Chávez/The Washington Post) New claims of sites dated this far back face a wall of skepticism, rooted in legitimate scientific scrutiny and in the threat they pose to long-entrenched views. To complicate matters, Lowery — who has been affiliated with the Smithsonian but does much of his work independently — presented the results of his study of Parsons Island in a 260-page manuscript posted online rather than in a traditional peer-reviewed journal. The peer-review process is designed to help validate scientific claims, but Lowery argues that in archaeology it often leads to a circle-the-wagon mentality, allowing scientists to wave away evidence that doesn’t support the dominant paradigm. He says he isn’t seeking formal publishing routes because “life’s too short,” comparing this aspect of academic science to “the dumbest game I’ve ever played.”
The island is also a challenging site to study for a variety of reasons — most poignantly because it is rapidly eroding as the land subsides and sea level rises. The spot where the artifacts were found is now covered by the choppy waters of the bay. “The visit reinforced my will to invest my time into this time period, because it’s a very fragile record,” said Sebastien Lacombe, an archaeologist at Binghamton University, who visited the island in 2017. “It’s at risk of disappearing, and we’re at risk of [allowing] these sites and artifacts to lose their meaning forever.” ‘A weirdo kid’
Darrin Lowery walks a beach on Parsons Island. Most of the artifacts were excavated by erosion, discovered on the beach after they had already fallen out of the bluff. (Michael Robinson Chávez/The Washington Post) Lowery began exploring the Chesapeake shoreline as a child, wandering his backyard on Tilghman Island, about 15 miles southwest from Parsons Island. In 1977, 9-year-old Lowery picked up a distinctive fluted stone projectile point. A few years later, he saw something similar on a documentary on public television, in which a Smithsonian archaeologist explained it was a Clovis point, a relic of what most people then believed were the first Americans. For the last half of the 20th century, the peopling of the Americas followed a tidy narrative. Humans traveled from Siberia across a land bridge that connected Asia and North America during the last Ice Age, when sea levels dropped. They then migrated southward around 13,000 years ago, when the ice sheets covering the continent retreated and exposed a previously impassable inland route. These people — named after a site in Clovis, N.M. — left behind distinctive, fluted stone points that have since been found scattered across North America. Story continues below advertisement
Lowery turned to his dad and said, “I found one of those.” He found more by walking the shoreline every day. Lowery made discoveries as he meandered, and he began to understand how seasonal patterns, sediment movement, wind and waves could unearth ancient treasures. “I was a weirdo kid,” he recalled. He trained as a geologist, and it was geology that initially attracted Lowery to study Parsons Island. In 2010, he published an article in Quaternary Science Reviews describing layers of windblown silt deposited between 13,000 and 41,000 years ago at Miles Point in eastern Maryland. But the geological record is like reading the CliffsNotes version of a book, and he was frustrated by an “unconformity” in the sediment layers where thousands of years were missing, like someone had ripped out those chapters.
Parsons Island is rapidly eroding. The archaeological site is now covered by the Chesapeake Bay. (Michael Robinson Chávez/The Washington Post) Lowery and a colleague were prowling around in a whaler, looking for a spot that might fill in the blanks, when they spotted a black streak of sediment rising up out of the bay. They pulled up to Parsons Island and thought they had found “the Rosetta stone” to decode the geology. Parsons is a 78-acre island less than a mile offshore that is privately owned by the Corckran family, which uses it as a family retreat. With the Corckrans’ permission, Lowery and colleagues began to visit regularly. The bluff layers preserved a remarkably intact geologic timeline going back more than 40,000 years. Then, one morning in August 2013, the team discovered a leaf-shaped prehistoric stone tool jutting out of this crumbling wall. They knew from the work they’d already done that it was probably quite old. Story continues below advertisement
On a recent visit to the island, geoarchaeologist Daniel Wagner demonstrated why. He stepped back to scan the cliff, then tapped a narrow spade into a light tan sediment layer just above his head. That, he said, is the geologic “chapter” where they’d expect to find Clovis artifacts. Lower layers were set down before Clovis. The palm-size tool Lowery and his colleague found came out of the dark sediment layer near their knees. The scientists used two methods to date the sediment around the artifact, both showing it was more than 20,000 years old. They scoured the beach on 93 visits and conducted a formal, top-down excavation, collecting the 286 artifacts. They sent out sediment to labs that specialize in studying ancient pollen and microfossils called phytoliths to help reconstruct the ecosystem at the time. Back then, this region wouldn’t have been a coastline. The sediment the tools are embedded in dates to the “last glacial maximum” — the scientific term for the most recent coldest period of the Ice Age. In the final analysis, Lowery thinks the artifacts may have been transported downslope before they were buried, making them between 15,000 and 20,500 years old. “This was a swale, where water was collecting,” Lowery said, envisioning the ancient landscape. “You’ve got a dune. It’s got sedges and small trees on it that are windblown and all contorted, and then behind it you’ve got a little pond.” That pond may have attracted prehistoric bison, musk ox and llamas, whose fossilized molars he’s found scattered on the island shore. And it may have been what attracted the mysterious people who left behind a cache of stone tools. A story in flux
Parsons Island is seen from nearby Kent Island in the Chesapeake Bay. (Michael Robinson Chávez/The Washington Post) Parsons Island is the latest addition to a growing list of what are called pre-Clovis sites. But while the long-held “Clovis First” theory has crumbled over the past three decades, that has only deepened the debate about how much earlier the first Americans arrived. Claims of early sites present a challenge on two fronts. The first is technical: Dating a site convincingly can be difficult, depending on the context. Sediments can shift or be disturbed. What at first look like artifacts can turn out to be “geofacts,” created not by humans but by natural processes or animals. As a result, many pre-Clovis sites “enjoy a Warhol-esque 15 minutes of fame, and then they disappear” because of real problems with the geology or the methods, said archaeologist James Adovasio. In 1973, he began excavating Meadowcroft Rockshelter in Pennsylvania, which dated back 16,000 years. It was instantly mired in controversy, and the site still has its critics today. The second challenge reflects the culture of science. For a long time, people who claimed to find pre-Clovis sites were swimming upstream against deeply entrenched thinking. Tom Dillehay, an archaeologist at Vanderbilt University, began working on a site in southern Chile called Monte Verde in 1977, which was dated to 14,500 years ago. He recalled a group of researchers he calls the “Clovis police,” scientific gatekeepers who summarily rejected any pre-Clovis sites, sometimes for valid reasons and sometimes as a knee-jerk reaction. Monte Verde began to change that. In 1997, a group of respected archaeologists visited the site and declared it authentic. “It took about 25 to 30 years for Monte Verde to be accepted,” Dillehay said. “We went through hell.”
Holly, a German shorthaired pointer, runs across a bluff top on Parsons Island. (Michael Robinson Chávez/The Washington Post) Lowery says he isn’t interested in running that gantlet. He noted that he drew on multiple labs and methods for dating the Parsons Island artifacts in an effort to ensure that any one extremely old date isn’t a fluke. He’s also invited other researchers in to visit and study the site. That approach irritates some scientists. David Meltzer, an archaeologist at Southern Methodist University, said in an email that he would not discuss Lowery’s claims “until they go through the wringer of peer review and get published.” Others like Stuart Fiedel, an independent archaeologist based in western Massachusetts who has been skeptical of other sites, say the site should not fly under the radar just because of Lowery’s unconventional process. Story continues below advertisement
“There are people I know in the field who will not pay any attention to it, because it has not been peer-reviewed, which I think is kind of sticking your head in the sand,” Fiedel said. “It’s there. We can’t act as [if] nothing’s been found there.” Share this article Share
A bigger issue may be the site’s rapid erosion. Most of the artifacts were found after they’d fallen out of the bluff, which means their place in the geologic timeline is obscured. Nine artifacts were found in place, and only three were able to be dated using charcoal flecks found next to them. Steven Forman, a geoscientist at Baylor University, helped date the sediment layers at Parsons Island, corroborating findings from another lab. He said that it’s hard to find the artifacts in the kind of bulletproof geological context needed to support extraordinary claims. “The case is not as tight as we like to see it with other sites,” Forman said. Michael Waters, an archaeologist at Texas A&M University who has worked on pre-Clovis sites and excavated at Parsons Island, thinks he probably got there too late, when most of the artifacts had already been eroded out. Still, he pays someone to monitor the bank profile on a regular basis, because he’s ready to jump on a plane if they see something in place. “Too bad we didn’t get there four to five years sooner,” Waters said. Enter ancient DNA
An ancient bovine tooth is among the fossils found so far on Parsons Island. (Michael Robinson Chávez/The Washington Post) Parsons Island isn’t the only site that could dramatically push back human arrival in the Americas. Last fall, a study published in the journal Science described fossilized human footprints discovered at White Sands National Park in New Mexico that have been dated to between 21,000 and 23,000 years ago. That stunning finding suggests people were here during the Ice Age — much earlier than most experts thought possible if the first humans arrived via the Bering land bridge and inland corridor. The dates at White Sands are still being disputed because of questions about the methods. But the timeline collides head-on with another exciting line of evidence: studies of ancient DNA. By examining genetic material preserved in bones and teeth and comparing those samples to modern populations, scientists have been able to track when populations mingled and became isolated from one another, offering a new window into patterns of human migration. Story continues below advertisement
In broad strokes, they’ve found that the ancestors of Native Americans split from ancient Siberian populations no earlier than 23,000 years ago. The studies can’t say where such splits took place, but many scientists interpret genetic evidence to mean that the ancestors of modern people weren’t in the Americas until much later. Genetic studies suggest that Native American ancestors traveled into what is now the United States between 17,500 and 14,600 years ago. Joe Watkins, a senior consultant for Archaeological and Cultural Education Consultants in Tucson and a Choctaw tribal member, said that he sees a few problems with using the still-evolving DNA evidence to decide how ancient sites are related to modern-day people. “The reality is genetics does not equal culture,” Watkins said. He also argued that there are still too few samples of ancient DNA in the Americas to be sure they capture the whole story. “Trying to create population histories based on 10 people, if you will, is a little bit of a scientific conundrum,” Watkins said. It could be that additional ancient genomes will one day help fill in the blanks. Another possibility is that earlier sites could represent small, isolated groups of people who didn’t contribute to the ancestry of living Native Americans.
A tree-lined path leads to a beach on Parsons Island. (Michael Robinson Chávez/The Washington Post) “Let’s suppose you have a successful population colonizing an area, and then one day, 15 males go out and get eaten by a short-faced bear,” Lowery said. “You reduce the genetic diversity, and bada boom, bada bing, game over.” All this explodes the neat picture of one population migrating into the Americas as ice sheets retreated, hunting big animals like mammoths and giant sloths, driving them into extinction as they went. If there were small groups making their way into the New World, with different stone tool technologies, and far earlier than previously believed, how did they get here? People could have migrated along the coast by boat, following a “kelp highway.” It’s also possible the ice sheet was not as impenetrable as experts have long thought. Lowery’s longtime collaborator, Dennis Stanford, proposed that people crossed the Atlantic Ocean in what is known as the Solutrean Hypothesis, though that idea has been rejected by many archaeologists. To resolve the question, scientists need to keep looking for more evidence. Archaeology is a historical science, and unlike chemistry or biomedicine, where researchers can perform the same experiment over and over again to see if they get the same results, consensus is built by argument, counterargument and new evidence. To a certain extent, older ideas and prejudices also fall away as new people enter the field, said James Feathers, who performed dating on samples from Parsons Island before he retired from the University of Washington. “Sometimes you have to wait for people to die off,” Feathers said.
Alex Corckran, whose family owns Parsons Island, stands on a beach on the southern side of the island. (Michael Robinson Chávez/The Washington Post) Lowery is determined to keep motoring around the Chesapeake, researching the ephemeral landscape that he loves and that may contain clues about human prehistory. He acknowledges that the sites, perhaps a little bit like him, are “persnickety” but that shouldn’t deter interest in them. Instead, it should spur more. He noted that if a pod of silverfish was found gnawing on documents in the National Archives, people would be galvanized to act. “I view it as my swan song,” Lowery said, “to say you can learn a lot from [an] eroding site if you do a little bit of effort and look at it systematically.”
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The Grand Dining Hall. Local time: 1210
Emma
The dining hall was, for all intents and purposes, the den of gossip.
[Grand Dining Hall. Add: Alternative Designator - DEN OF GOSSIP]
This was proven true by the incessant and rampant whispers, most of which were eventually hidden under privacy screens.But some of which were allowed to permeate through the air like a foul and sickening stench.
“What’s he trying to prove?”
“Usurpers. Tepid-blood minor nobles thinking themselves bigshots in their ill-gotten castles. This is all they know — power through brute strength.”
“Do you think this could be some sort of a roundabout statement for the House Choosing Ceremony?”
“Could be, or maybe the newrealmer is rubbing off on him. I heard those savages live in hunting-packs that deal exclusively in violence.”
“Poor Lord Ping… the man’s been dealt so many blows both to his ego and integrity. He truly is the victim in this upstart’s rebellion.”
“Let us hope the pious Ping prevails over his undeserving trials and tribulations. The man’s a saint, a pious soul that must hold fast for those of us adherent to the eternal truths.”
“Or perhaps we should wait and see how things develop. I, for one, wish to side neither with the narrow-minded bull nor the aggressive upstarts.”
“Lord Qiv may prove to be the more suitable candidate for class sovereign… but only time will tell.”
“Never in my wildest of imaginations would I have ever considered that the one to threaten our position, our place, our image, and our very survival in this sky of feral drakes to be you — Prince Thalmin.” Ilunor managed out incredulously, breaking me out of my long-range acoustic reverie. Though unlike his prior confrontations with myself, his current voice lacked the same intense vitriol. Instead, that was replaced with what I could only describe as a genuine sense of disappointment, as if confronting a friend who knew better than to commit to a dumb decision.
“That’s an understandable statement to make, Ilunor.” Thalmin replied uncharacteristically calmly, as if he hadn’t even registered the Vunerian’s assaults. Or at least, that seemed to be the case, until he shot the deluxe Kobold a predatory side-eye. “Because creatures that lack honor, integrity, and personal dignity, often conflate sacrifices and risk-taking, for foolishness and idiocy. For within the heart of a Nexian, lies only compromise for the sake of convenience. Whether that be the convenience of survival, the convenience of continuity, or the convenience of the status quo, you will sacrifice everything to maintain it — even if it means allowing your honor to remain sullied and trodden when there exists a pool to cleanse away that shame.”
Thacea’s eyes grew wary with concern at that statement, one of the few instances I’d seen her genuinely worried about an Ilunor-Thalmin interaction. In fact, even I didn’t dare to interrupt, especially after both parties had shot death-glares towards our elven waiter as he arrived with the lunch platter.
“Restraint, Prince Thalmin.” Ilunor responded with a deep and calculating breath. “This isn’t the adjacent realms, this isn’t Havenbrockrealm.”
“Oh that much is very clear to me, Ilunor.” Thalmin interjected with something just short of a growl. “In Havenbrockrealm, we would sooner slash, stab, flay, or lash our enemies in fair and open combat, than reduce ourselves to cowardly attempts at assassination or retreat with our tails between our legs at the earliest signs of defeat.”
Ilunor took another breath, placing a small hand atop of his snout. “I… empathize with your desires to follow through with what you believe is a morally sound decision.” The Vunerian responded in a surprising display of maturity. “However, and this goes for you as well, newrealmer—” He paused for a moment, taking the time to glare at me before shifting back to Thalmin. “—we are not acting as independent actors anymore. For better or for worse… which, mind you, I still strongly believe this is very much for the worse in my case… we are now a peer group. And as such, the actions we take and their resultant fallout, should represent the interests of us all.”
“These are bold claims.” Thalmin began with a restrained snarl. “Even bolder when considering your actions the week prior. If the measure of a man were dictated by his words alone, then I would be inclined to acquiesce. However, considering the measure of a man extends beyond the weightless chatter of an exhaled breath, I feel far more inclined to reserve such actions for those far more deserving of my respect.” At which point, the lupinor turned towards both Thacea and I, following that up with a dip of his head. “I apologize, Thacea, Emma, for conducting myself in the way I did.”
Thalmin took a moment to pause, side eyeing Ilunor as he acknowledged him once again. “Whilst his character may sully his words, there is some truth to them. I have, admittedly, overstepped my bounds in committing to an action which undeniably affects the group. However, I genuinely hope you understand the reasons behind my otherwise brash decision. For I must stand on principle, lest I decide to stand at all.”
“Given the crap Auris Ping pulled last night, I’m inclined to agree with you, Thalmin. More than that, I would’ve gladly taken your place and dueled him the good old fashioned way if I could. Besides, the look on his face when you chose him to be your dueling partner? It was just priceless.” I offered with a snide grin. “In all seriousness, I’m really not in a position to chastise anyone on the issue of just gunning it with your gut instinct anyways. Heck, the entirety of last week was one long drawn out escapade for my sake, which came at the expense of the group after all.” I chuckled nervously. “So… yeah, this is incredibly tame by those standards, Thalmin.”
“Whilst… unexpected, and indeed a risk, I can understand the reasons behind it, Thalmin.” Thacea nodded uneasily. “However, I do not advise any of you to make a habit out of this.” She commanded, making an effort to make individual eye contact with each and every one of us.
Thacea’s group-mom vibes were definitely showing at this point, which was probably for the better. Given the group seemed to be a magnet for this sort of thing, it was good to have an anchor of sorts.
Sure thing, mom. Was what my gut instinct screamed at me to say.
But instead, I decided to tone it down a notch.
“As you command, princess.” I dipped my head in acknowledgement, garnering a look of abashed confusion from Thacea, and just plain-old confusion from the other two.
“In any case… I… believe you wished to discuss matters outside of classroom priorities, Emma?” Thacea quickly attempted to shift past that little bit of prodding, which I obliged with an affirmative nod.
“Yep. Well, it’s more of a small change of plans that I think is worth discussing with you guys. So, you remember how I was planning on deploying an infil-drone on Mal’tory after the end of class right?”
All three nodded, urging me to continue.
“Well, since Mal’tory was a no-show, and with Larial taking the reins instead… I think it’s best if we stick with the plan anyways, just swapping out Mal’tory for Larial. I honestly don’t see any other way we can continue the library’s questline, or any other way to find evidence to support the Auris Ping-Mal’tory hypothesis we have going on. I know it’s a huge gamble since there’s no way of knowing if she’ll even head to Mal’tory’s office after class. But honestly? This is our best shot right now.”
“I concur, Emma.” Thalmin announced with a nod.
“Given her proximity to the professor’s orbit, we may in fact gain a greater bearing on his actual state. Which in itself may prove useful.” Thacea offered, more or less acknowledging my change of plans implicitly.
“We don’t seem to have any other choice, earthrealmer. So a shot in the dark is better than stowing your wand.” Ilunor acknowledged in a rare display of solidarity.
“It’s settled then. I’ll deploy the drone right after class is dismissed. Then, we wait and see what the drone comes up with.”

The Grand Concourse of Learning. The Hall of Light. Local Time: 14:00 Hours.
Emma
Mana field perception was, as one would expect, dry, bland, and utterly nonsensical.
Throughout most of it, the lesson was taught as if it was referencing something obvious, something mundane, something so typical that a lot of the topics were all but overlooked as ‘self evident’.
A lot of what was taught reminded me of a mix between perception-theory, and situational awareness training. However, instead of relying on your eyes, ears, heck, even your nose or sense of touch… it was instead relying on something completely outside of the human experience.
“Mana field perception, is at its core, a subject that is inherent to the sapient condition. However, the extent to which it is appreciated, understood, and most important of all — applied — varies exponentially. To an untrained mind, and an untempered soul, the world feels tepid.”
The apprentice paused, gesturing to Sorecar, who answered his cue by pulling out a massive painting of a beautiful mountainscape that seemed to play through a closed animation loop; the effect was like a high-definition e-ink display.
“To a trained mind, but an untempered soul, the world feels… distant, unaccommodating, and frustrating to emotionally comprehend.” Larial continued, prompting Sorecar to pull out yet another painting. This one, the exact same as the first, with literally no differences between them.
“To an untrained mind, but a tempered soul, the world feels… unpredictable, erratic, and frustrating to logically put together.” Once again, another painting was brought out. This one, just like the previous two, looked completely identical.
“But to a sufficiently trained mind, and a tempered soul, with enough time invested into both theory and practice… the world becomes open, expansive, and above all else… it becomes rich with sights and sensations that would be impossible to feel with the physical form alone.” Larial concluded, just as Sorecar pulled out what looked to be yet another identical painting.
The EVI’s analysis concluded that there were absolutely no differences between the four paintings. Moreover, the mana radiation signatures for each were likewise exactly the same.
It was only after slipping a note towards Thacea with a question written in High Nexian did I finally get my answer.
‘What’s the deal with these paintings? They’re all identical.’
Thacea quickly slipped me a blank piece of parchment in response.
Though it didn’t remain blank for long, as words and sentences started appearing on it; mirroring Thacea’s furious ‘note taking’ in her own notebook.
‘They’re artisanal pieces imbued with the purposeful manipulation of the subject’s aura, mana-field, and the surrounding mana. They were brought out in order to demonstrate the different degrees of mana-field perception by exaggerating the most common shortcomings found in those training in the magical arts. The first piece was, similar to your memory shards, lacking in any mana-fields or auras. The second and third pieces demonstrated a failure to imbue one or the other of the two fundamental tenets of mana-field perception. The fourth piece is representative of a perfect balance of both tenets, and is an exquisite work of art that completely outshines the first. It radiates beauty, whilst the first is flat and lifeless.’
It took a moment for me to really register all that. Longer still, as I eventually became fixated on that last line in particular.
Flat and lifeless… is that what the world is like from my eyes?
It was around that time that a thought hit me, and a realization truly sank deep into my very being.
The world that Thacea, Thalmin, Ilunor, and the rest of the magical beings across the interdimensional plane experienced… was one that I was utterly blind to.
It’d been referenced before.
In fact, it’d been drilled into me time and time again by the likes of Ilunor that I was lacking in something fundamental.
But up until now, everything was either circumstantial, or outside of my general focus. So much so that I never was able to digest the implications of it.
However, as much as a pit formed in my stomach, growing tighter by the second as Larial went on and on about the ebbs and flows of mana, so too did a very human resolve suddenly dawn upon me.
“I’m going to see what you guys see one day.” I wrote down on Thacea’s magic paper.
“How?” Was the message I received back.
To which I only had one thing to reply with.
“The same way we overcame all of our other shortcomings.” I wrote cryptically, garnering a look of confusion from Thacea as she read the note, to which I only had to point at my armor for added effect.
By once again defying nature. I thought to myself.
If we weren’t born with the ability to ‘see’ this beauty, we’d find a way to break it down into its fundamental components, dissect it, analyze it, and then reinterpret it for ourselves.
The class continued on after that exchange of notes, as we touched upon what Ilunor had so eloquently described on that second day of the grace period:
One: that manastreams were everywhere around us.
Two: that manafields generated by living organisms were akin to rocks that not only parted those streams, but at times, interacted with them.
Three: that using manafields, one could make out the presence of other manafields through the manastreams, and thus detect and extract information as is pertinent to the context of the situation.
And while Ilunor would’ve blabbered on and on about the ability to see and sense the emotional state of others through the manastreams, what Larial seemed to be focused on instead were the practical applications of this natural ability. Namely, she focused on exactly how to detect a spell being cast, what sort of spell was being cast, and most importantly — she focused on how it all tied back to Light Magic.
“In summary, only when one is proficient in the detection and analysis of manafields, can one finally start to dissect the intricacies of a manafield during spellcasting. And only once one masters the detection of spellcasting, can one even hope to begin the process of dispelling. The first step of which is to know exactly what a manafield looks like during spellcasting. Is there anyone in the class that can tell me what that looks like?” The professor asked, looking around, before picking one of the many raised hands.
This one belonged to Qiv.
“Yes, Lord Qiv?”
“Influxes and effluxes, Professor. One will see the influx of ambient mana through the manastreams into a manafield, and the potential efflux of mana through a manafield back into the manastreams in the form of a controlled mana-construct.”
“Very good, Lord Qiv! Five points! Now, hold your thoughts on that latter part, because that ties into my next question!” Larial responded with a giddiness and chipperness that seemed to be lacking in every other class up to this point. “The fundamental means of detecting a spell being cast is by looking out for a point of influx, and a point of efflux. Influx being the more difficult of the pair to detect, for what you have to look out for is mana is being funneled into a manafield. A weak spell being cast, will incur less disruptions in a manastream. However, the opposite is also true. As the more powerful the spell, and the more powerful the mage, the greater the rate of influx, as the amount of mana needed to fulfill the requirements of the spell increases. Paradoxically this would mean it will be easier to detect a powerful spell before it is cast, as the reduction in the concentration of ambient mana will be more palpable as a result. Efflux however, is rather straightforward, and will be the primary vehicle through which Mana-field Perception will be taught. As it is through efflux that we can ascertain the most useful details of a spell, or as Lord Qiv so eloquently puts it — the mana-construct. Does anyone know what this next point may be referring to?”
Surprisingly, and out of a clear bias towards Qiv, Larial once more called him up.
I couldn’t blame her though.
The man, despite being a certified bully and teacher’s pet, was one of the few students who didn’t openly doubt the apprentice’s capabilities during the start of class.
“Yes, Lord Qiv?”
“The mana-construct refers to the skeleton of a spell; the arrangement and unique form it takes before manifesting into a proper spell.” The gorn-like lizard responded confidently.
“Outstanding, Lord Qiv! Five points! Now, whilst a mana-construct is indeed a vital step in the process of spell casting, its manifestation is rarely the point in time in which a spell can be intercepted — save for those who have mastered the art of Light Magic. As a result, a spell can be halted before it even has the chance to form. To most however, the mana-construct acts as a cue to prepare. It is a signal that demonstrates the irrefutable start to a spell. And as a result, it provides major structural clues as to the form of Light Magic that must be employed to combat it. Which leads me to my next point.”
The apprentice once more paused, as she manifested literally nothing visible to the tune of more than a dozen mana radiation warnings.
“When broken down to their basic components, every spell is a complicated meshwork of mana, channeled and contained within a dynamic pattern that continuously evolves throughout the duration of a spell. Because unlike artificing, the casting of magic evolves with unpredictability and thrives on organic change. No offense to you, of course, Professor Pliska.” The apprentice turned towards Sorecar worryingly, who simply responded with a bellowing laugh.
“None taken, my aspiring understudy!”
With that, Larial continued, her hands moving through an empty section of air that everyone seemed to be focused on; as if manipulating a hologram that I wasn’t privy to. “However, in spite of this unpredictability, the goal of Light Magic and Mana-field Perception in particular is to untangle the aforementioned meshwork of mana. For every spell is a puzzle and a series of knots to untangle. Your goal in this class, if I am to be reductive, is to untangle the complex mesh that comprises a spell, unraveling it to a point in which it can no longer maintain its form — collapsing it and thus, rendering it inert.” The apprentice emphasized this by miming what looked to be tiny little motions with her fingers, before pulling both hands backwards, garnering a series of affirmative nods from the crowd. “And with that, we now reach the conclusion of today’s class.”
“Or more accurately, the leadup to the climax of this class.” Sorecar quickly chimed in with a wave of his hand, prompting the room to change once more. Section upon section of the front of the classroom’s floor was dragged down into the impossible void, only to be replaced just as quickly by an elevated stage resembling that of a fencing strip. “Will the aspiring duelists please rise and approach the stage?” Sorecar turned back towards the crowd, prompting both Thalmin and Auris to stand, the pair giving each other some strong side-eyes before both marching up and towards the front of the class.
From there, with not a single word exchanged, they took their places, Thalmin at the far right, and Auris on the far left.
“The purpose of this demonstration is simple.” The apprentice began, as Sorecar began moving towards both Thalmin and Auris, insisting them to pay attention. “It is to show that even in spite of the complicated principles behind Light Magic, that there exists far simpler, far more basic principles that can achieve similar means. A precursor to more contemporary methods; spell-breaking. A maneuver that involves overpowering the structure and flow of a spell using a concentrated burst of pure mana irregardless of the type. However, unlike traditional dispelling seen in contemporary Light Magic, spell-breaking oftentimes requires a user to concentrate a disproportionately larger amount of mana in order to properly break a spell. It is thus highly inefficient, and as a result becomes rapidly impractical upon encountering spellcrafts of sufficiently advanced tiers. This demonstration will be aptly limited to a simple barrier-spell for the likes of the reciprocator, so as to not overburden the initiator with this simple task.”
The apprentice quickly passed on the torch to Sorecar, who quickly took center stage with a few steps.
“Now, as this is not a traditional duel for dominance, nor is it a sporting duel for the purposes of victory, I will explain the narrow context by which this duel will be held.” Sorecar continued, his hands clapping together, generating an empty and resonant CLANG in the process. “To our right, is our initiator, who will be demonstrating the principles of spell-breaking in an active capacity. To our left, is our reciprocator, who will be taking on the role of demonstrative spellcaster, casting only barrier spells for the duration of this short demonstration. Remember, there is to be no additional spells cast or demonstrated outside of these parameters. Is that clear?” Sorecar paused, making sure to meet both of the opponents’ gazes with his empty helm.
“Yes, professor!” Both parties shouted simultaneously, barely containing their frustrations beneath a veneer of calm and restrained fury.
“Then we shall begin on the count of three.” The apprentice continued, taking the reins over from Sorecar, as she stood just a few steps away from the stage’s combat-lines. “One.” She began, as Auris began moving into position, practically grinding his booted hooves into the stage, and taking on the posture of some unknown martial art. “Two.” Thalmin reciprocated by taking a more aggressive posture, as if positioning himself to leap towards the bull in a ravenous rage at the drop of a hat.
“Three.”
ALERT: LOCALIZED SURGE OF MANA-RADIATION DETECTED, 225% ABOVE BACKGROUND RADIATION LEVELS
ALERT: LOCALIZED SURGE OF MANA-RADIATION DETECTED, 350% ABOVE BACKGROUND RADIATION LEVELS
Nothing seemed to happen.
At least, not to my eyes.
Within a matter of seconds, all I witnessed were two mana radiation warnings timelogged as only a few seconds apart from one another.
No physical effects were evident to me. Nothing, except for the flinching of a few muscles, and the waving of arms. As if they were conjuring make-believe magic spells, without the added special effects that came with it.
Ironically, this was how I was expecting most Nexians to react to the reveal of laser weaponry. Silent, invisible, but otherwise omnipresent and deadly threats.
Though despite the lack of any physical effects I could discern, there were certainly more than enough context-clues to go by when it came to exactly what had just occurred.
Auris’ features had more or less swelled up into a fury. His nostrils flared just short of snorting out fumes, and his teeth were bared clearly holding back a few choice words for the now-grinning Thalmin.
“Again.” He demanded, and barely a second after a nod of approval from the apprentice, came two more mana radiation warnings.
ALERT: LOCALIZED SURGE OF MANA-RADIATION DETECTED, 300% ABOVE BACKGROUND RADIATION LEVELS
ALERT: LOCALIZED SURGE OF MANA-RADIATION DETECTED, 425% ABOVE BACKGROUND RADIATION LEVELS
Once again, no noticeable physical effects had manifested. Though judging from the bewildered and shocked expressions of the crowd, something was definitely happening within the invisible world that was accessible through mana-vision.
“Again!” Ping announced, barely garnering approval from the apprentice this time, as things took a sudden enough turn that even I could notice them.
ALERT: LOCALIZED SURGE OF MANA-RADIATION DETECTED, 400% ABOVE BACKGROUND RADIATION LEVELS
It started with that ‘barrier’ again.
ALERT: LOCALIZED SURGE OF MANA-RADIATION DETECTED, 500% ABOVE BACKGROUND RADIATION LEVELS
Followed by Thalmin overpowering it.
However, instead of letting things go, Ping instead pushed towards a frenzied series of attacks.
ALERT: LOCALIZED SURGE OF MANA-RADIATION DETECTED, 375% ABOVE BACKGROUND RADIATION LEVELS
As one—
ALERT: LOCALIZED SURGE OF MANA-RADIATION DETECTED, 400% ABOVE BACKGROUND RADIATION LEVELS
—after another—
ALERT: LOCALIZED SURGE OF MANA-RADIATION DETECTED, 400% ABOVE BACKGROUND RADIATION LEVELS
—after another—
ALERT: LOCALIZED SURGE OF MANA-RADIATION DETECTED, 400% ABOVE BACKGROUND RADIATION LEVELS
—after another ‘barrier’ spell seemed to actually be causing Thalmin some pushback now. His movements now resembled someone attempting to dodge invisible projectiles, yet Auris made no moves to actually fling anything at him, only maintaining his prior stance.
Though of course, this came with the same expected response.
As Thalmin retaliated with his own attacks. Or rather, one, very large attack that truly outclassed what Auris could currently muster in his furious state.
ALERT: LOCALIZED SURGE OF MANA-RADIATION DETECTED, 550% ABOVE BACKGROUND RADIATION LEVELS
This spell that mildly shook the room seemed to be enough to ‘break’ the sudden incursion, prompting both Ping and Thalmin to turn towards the apprentice — the former blasting steam from his snout and the latter slashing his tail in the air — for yet another round of fighting, only to have Sorecar step in, placing a hand on both of the duelists who were barely a foot away from each other now.
“Wonderful! Excellent! Put your hands together for our introductory duelists, everyone!” The professor quickly coerced both of the parties to face the class, actively grabbing them by the small of their back, and thus effectively entrapping them with his iron grip — forcing them to face the class who cheered on with a series of applauses.
Not a second later, the pair of them bowed, though it was unclear how much of this was Sorecar’s doing, and how much of this was done out of their own will.
“In any case, seeing as both of our aspiring duelists have gone above and beyond in their demonstration, and seeing that this is merely a demonstration, and not a challenge—” Sorecar emphasized that last point, forcing the pair to sweat in his over-shoulder grip. “—I believe it would be prudent to award them each a fair share of this duel’s fifty points.”
“Given the enthusiasm shown, I am inclined to agree, Professor Pliska.” The apprentice quickly nodded, prompting the armorer to quickly push both of them off-stage, and back towards the staggered raised steps of the lecture hall.
“Twenty-five points for both of our duelist’s groups.” Larial reiterated, and with a final round of reluctant applause, barely overpowering the incoming band marking the end of class… the apprentice made her final statement. “This concludes this week’s first lesson. Considering the house choosing ceremony coming up this weekend, along with the Elaseer school supply shopping trip to town… I am inclined to grant this class some clemency. No homework will be required. So please, enjoy the rest of the day, and prepare yourselves for what could be the most decisive day in your academic career here in Transgracia. Class dismissed!”
No sooner were those words uttered did my eyes quickly turn towards my HUD, and a flash of commands came through without a second of delay.
INFIL-DRONE01a ACTIVE, STATUS: NOMINAL. OBJECTIVE: PRIORITY TRACKING AND RECONNAISSANCE OF SUBJECT A109. MISSION PARAMETERS: TRACK, OBSERVE, MAP, AND RETURN-TO-BASE WITHIN PREDETERMINED PARAMETERS. CONFIRM COMMAND Y/N?
“Command confirmed.” I replied vocally, prompting the newly-printed replacement drone to pop out of its docking bay, before charting a course parallel to that of the apprentice.
The drone’s signal was lost just as the apprentice left the room through that dark threshold behind the lectern, at which point, the entire class began shuffling out to the tune of the encroaching band.
Only time would tell what would come of this mission.
But hopefully, we'll get our answers sometime later this evening.
However, instead of blending right into the crowd, or more specifically… being ignored by said crowd, quite a few eyes managed to find their way onto our group. Moreover, the chatter seemed way too interesting to ignore.
“You were right, Cynthis… perhaps there is something about this mercenary prince after all.” A female voice spoke from an all-girl group, eliciting a series of giggles, which were promptly silenced by a privacy screen the moment Thalmin craned his head around.
“Lord Auris Ping has yet again demonstrated his integrity. Let us ensure his pure-hearted determination is lauded this evening, lads! The fearsome strikers shall band together with the most pious of intent!” A tortle-like-turtle jeered, moving strategically to position themselves around Auris Ping’s group, as the expected schmoozing began in full.
“Newrealmer.” Ilunor began, generating a privacy screen in the process.
“Yes, Ilunor?”
“How long do you expect your insect to take in its dastardly escapades?”
“Last time it took a good few hours. So, given this probably isn’t a one-and-done deal, I’d say… maybe three to four hours at the least this time around?” I offered.
“Well then. Splendid. I shall be off, and return within that time frame.”
“Wait wait wait wait. Hold up. Where do you think you’re going?” I inquired firmly.
“I have my own life to lead, newrealmer. Now please, I shall return to our group’s escapades in due time.”
Where, Ilunor?” I reiterated.
To which the Vunerian could only sigh in response. “The student lounge. Top floor today, if I am to be interrogated for every ounce of information…”
“Then let’s go. Together.” I proclaimed, garnering a few looks of surprise from both Thacea and Thalmin. “Perhaps it’s time we start getting a feel for the lay of the land. We’ve been cooped up in our own little world for far too long, maybe, just maybe, we should all expand our horizons just by a little bit.”
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(Author’s Note: The much anticipated round two between Thalmin and Auris has concluded! And following its conclusion, we also get quite a few reactions to Thalmin as a result of his daring display of magical prowess! We also get a pretty hands on demonstration of Light Magic this time around! This is perhaps one of the more hands on class, and indeed one of the more straightforward classes so far! Moreover, the end of classes marks not only the beginning of the little spy drone adventure, but also a little peak into exactly what Ilunor has been up to! I hope you guys enjoy! :D The next Two Chapters are already up on Patreon if you guys are interested in getting early access to future chapters!)
[If you guys want to help support me and these stories, here's my ko-fi ! And my Patreon for early chapter releases (Chapter 81 and Chapter 82 of this story is already out on there!)]
submitted by Jcb112 to HFY [link] [comments]


2024.05.19 18:50 Zestyclose_Cake_3005 Cut the yarn? Balaclava confusion

Cut the yarn? Balaclava confusion
So I started knitting the hood part of the balaclava. But the instructions tell me to cut the yarn then pick up stitches from the sides. The second picture is a different pattern, but seems to say the same thing just with "break the yarn."
What does this mean? I'm so confused
submitted by Zestyclose_Cake_3005 to knitting [link] [comments]


2024.05.19 18:29 LethargicCaffeine Diagonal clothing Logo

Unfortunately I do not have a photo as I saw it in passing at work.
It was a dark green and patterned fleece half zip jumpetop- can only say the pattern was geometric or similar to "Boho" type patterns. Either a woman's oversized or mens.
There was writing, I assume a logo, on the right side of the front, letters overlapped a bit but went from left to right and down in a diagonal way, but diagonally down right.
From my brief glimpse it looked like AFAES but my eyesight is pretty poor and I wasn't looking that hard as I thought I'd be able to fund something similar by googling "Green and patterned Fleece jumper and logo" but alas I am naive.
I know this is vague, and not a lot to go on, but I cannot find anything similar online so I think I may just have to take my loss lol
This is a last ditch effort, to see if any of the magic of reddit can help, I've seen some miracles found like this in the past and I'm gonna try my luck 🤞
submitted by LethargicCaffeine to findfashion [link] [comments]


2024.05.19 18:13 stalepizza Haven’t been on in a while. Is the Leather Coat still worth much?

Haven’t been on in a while. Is the Leather Coat still worth much? submitted by stalepizza to Market76 [link] [comments]


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