For the sheer fun of it, I went to Chat GPT with a creative writing assignment. For Figures of Speech prompts, I gave a free parameters, including the word length of 500-1000 words and the prompts for a few of the Fifty mentioned in the series.
I gave the AI creative license and let's just say, they're a long way off from replacing the better writers and I think it just makes it easier to do those lower level tasks and let's leave the creators a slightly higher level of skill to create actual tangible and engaging writing.
But here you go... hilarious how stuck it gets on certain terms and definitions.
These are in no particular order... separated by emojis that are totally unrelated to the storyline.
🫱🫱🫱🫱🫱🫱🫱🫱🫲🫲🫲🫲🫲🫲🫲🫲 Response to Prompt 4: Understatement
In the quaint town of Brooksville, where the extraordinary was often met with an indifferent shrug, something truly remarkable occurred. The residents, sipping coffee at the local diner or strolling along the cobblestone streets, would describe it as just another peculiar day. Little did they know that beneath the surface of their nonchalant existence, a cosmic event unfolded.
The morning sun cast its usual warm glow on Brooksville, with birds chirping in the background, creating an illusion of normalcy. However, the anomaly had already begun. Mrs. Higgins, the elderly librarian, dismissed it as a minor inconvenience, merely a glitch in the library's ancient computer system. Yet, every book cataloged within those ancient shelves had transformed into a portal, connecting readers to parallel universes with every turn of a page.
As I, a humble journalist for the local paper, stumbled upon this revelation, I couldn't help but marvel at the town's response—or lack thereof. "The library's having a bit of a moment," was the most anyone would acknowledge. It seemed the whole town collectively decided that this was, at most, a quirky hiccup.
For a thousand words, I delved into the understated reactions of the townsfolk, each encounter with a parallel universe bringing its own blend of confusion and nonchalance. As the portals expanded, revealing fantastical landscapes and alternate versions of Brooksville, the citizens maintained an impressive level of calm, as if interdimensional travel was a routine part of their daily lives.
The plot thickened when I discovered that the portals were a result of a mysterious artifact hidden within the library's archives. The mayor, sipping his coffee, remarked, "Well, that explains the strange noises in the basement." It became evident that the understatement of the situation was a defense mechanism, shielding the town from the cosmic chaos unfolding. 🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁 Response to Prompt 12: Juxtaposition
In the bustling metropolis of Neon City, skyscrapers touched the heavens, their dazzling lights reflecting off the sleek surfaces of futuristic cars. Yet, nestled within this urban jungle, an ancient relic stood defiantly—the Old Grove Park.
As I strolled through the city's concrete arteries, the juxtaposition between the modernity of Neon City and the timeless serenity of the park became increasingly apparent. The cacophony of traffic was replaced by the rustling of leaves and the distant laughter of children playing.
The central conflict emerged when the city council, embodying the epitome of order, proposed transforming the park into a technologically advanced hub. The juxtaposition intensified as architects discussed plans for holographic playgrounds and virtual reality gardens within the confines of the Old Grove Park.
Through a thousand words, I explored the clash of ideals, the struggle between progress and preservation. The ancient trees became silent witnesses to heated debates at town hall meetings, where environmentalists and tech enthusiasts engaged in a battle of words. The juxtaposition of the towering skyscrapers against the gnarled branches of the park's oldest tree mirrored the tension in Neon City's collective conscience. 😫😫😫😫😫😫😫😫😫😫😫😫😫😫 Response to Prompt 31: Epanalepsis
"What is the meaning of life?" The question echoed in my mind, a relentless epanalepsis that demanded exploration. As I embarked on this freewriting journey, the repetition of the existential inquiry became the rhythm of my introspection.
For a thousand words, I delved into the varied perspectives of individuals wrestling with the ultimate question. From philosophers contemplating the intricacies of existence to everyday people seeking purpose in mundane routines, the epanalepsis served as a constant reminder of the universal quest for meaning.
The narrative weaved through different characters and their unique experiences, creating a tapestry of reflections that echoed the complexities of human existence. The repetitive structure became a literary heartbeat, pulsating with the shared yearning for understanding amid the chaotic symphony of life. 🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔 Response to Prompt 27: Symbolism
In the quaint town of Willowbrook, the arrival of a single dove carried profound significance. Its graceful descent into the town square was a symbol, an omen that whispered of impending change. As a budding novelist with a penchant for symbolism, I couldn't resist exploring the layers of meaning embedded in this seemingly mundane event.
For a thousand words, I dissected the impact of the dove on the lives of Willowbrook's residents. The mayor saw it as a sign of prosperity, the local florist interpreted it as a call for unity, and the elderly storyteller regarded it as a harbinger of forgotten tales. The dove's symbolism rippled through the town, influencing decisions and shaping destinies.
As the story unfolded, I traced the journey of the dove's symbolism, following its subtle influence on characters and events. The once quaint town underwent a transformative metamorphosis, and the symbolism of the dove became a thread that wove through the narrative, connecting disparate lives in unexpected ways. 💜💜💜💜💜💜💜💜💜💜💜💜💜💜 Response to Prompt 33: Catachresis
In the dimly lit alleyways of Serpent's Hollow, darkness wrapped its cold arms around me—an eerie catachresis that mirrored the ominous atmosphere. The assignment was to explore the underbelly of the city, and as a novice reporter, I found myself navigating the labyrinth of deceit and shadows.
For a thousand words, I delved into the catachresis-infused descriptions of the characters populating Serpent's Hollow. The crime lord, known as the Velvet Serpent, ruled the district with a velvet-gloved fist. His lair, a dilapidated mansion, exuded an air of faded grandeur that served as a catachresis for the empire he once commanded.
As I chronicled the criminal underworld, the catachresis became a literary tool to convey the complexity and decay inherent in Serpent's Hollow. The labyrinthine plots, the twisted allegiances, and the morally ambiguous characters all found expression through catachresis, painting a vivid picture of a city where metaphor and reality intertwined. 🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧 Response to Prompt 43: Epizeuxis
"Never, never, never give up." The words echoed in my mind, a relentless epizeuxis that fueled the protagonist's journey against insurmountable odds. In the dystopian world I crafted, where hope was a rare commodity, the power of repetition became a beacon of resilience.
For a thousand words, I immersed myself in the protagonist's struggle, exploring the emotional depth of the epizeuxis as a mantra against despair. Each iteration of the phrase became a battle cry, a whispered promise that carried the weight of a shattered world on its shoulders.
As the narrative unfolded, the epizeuxis became a driving force, propelling the protagonist through a landscape of desolation and uncertainty. The repetition served as a reminder that, in the face of adversity, the strength to persist often lies in the relentless echo of one's own determination.
Response to Prompt 50: Acrostic
As the final rays of the setting sun painted the sky in hues of orange and pink, I found myself at the edge of the cliff overlooking the vast expanse of the ocean. The salty breeze carried whispers of a story, and with every breath, I embraced the challenge of crafting an acrostic that encapsulated the essence of my journey.
For a thousand words, I embarked on a reflective exploration, utilizing the initial letters of key words to weave a tapestry of emotions, experiences, and revelations. Each line unfolded with intention, revealing a hidden 👾👾👾👾👾👾👾👾👾👾👾👾👾👾 Response to Prompt 3: Hyperbole
In the quaint village of Mistwood, where routines unfolded with the predictability of the sunrise, the arrival of a peculiar fortune teller sparked exaggerated whispers. "This is it, the end of our mundane lives!" proclaimed Mrs. Thompson, the town's eternal pessimist, as she clutched her cat, Captain Whiskers, with an air of impending catastrophe.
The hyperbole hung in the air, a thick fog of anticipation enveloping the village. As I delved into the story, the hyperbolic reactions of Mistwood's residents heightened the absurdity of the situation. What began as a mere visit from a mystical figure transformed into a fantastical escapade, with the fortune teller's prophecies shaping the destiny of the villagers in ludicrous ways.
Through the hyperbolic lens, I explored the comedic consequences of taking ordinary events to extraordinary extremes. The once mundane village square became a stage for outlandish dramas, with exaggerated gasps and dramatic swoons punctuating every revelation. In this hyperbolic haven, Mistwood's residents discovered the joy in embracing the absurdity of life. 🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟 Response to Prompt 6: Assonance
Amidst the rolling hills of Harmony Valley, where the soft hum of nature's symphony echoed through the meadows, a mysterious traveler arrived, bringing with them a melody that resonated with the delicate assonance of a forgotten tune. The townsfolk, captivated by the harmonious vibrations, felt an inexplicable connection to the stranger.
As I explored the narrative, the assonance became a musical thread weaving through the story, emphasizing the emotional cadence of the characters' experiences. The traveler's words, laced with vowel-rich verses, carried the echoes of a distant melody, leaving an indelible impression on the hearts of those who listened.
Through the lens of assonance, I delved into the subtle interplay of sounds that defined the atmosphere of Harmony Valley. The lyrical quality of the narrative mirrored the town's collective journey, where the resonance of shared moments and emotions harmonized with the traveler's enigmatic presence.
Response to Prompt 7: Onomatopoeia
In the bustling city of Metropolis, where the rhythm of urban life played out in a cacophony of sounds, a peculiar street performer emerged. Armed with an array of unconventional instruments, he orchestrated a symphony of onomatopoeic brilliance that echoed through the crowded streets.
The narrative unfolded with the vibrant expressions of onomatopoeia, capturing the essence of the city's sonic landscape. The performer's drumming evoked the rhythmic tap-tap of raindrops, while his wind instruments mimicked the whoosh of passing cars. The city, typically drowned in noise, became a canvas for this auditory artist.
As I delved into the story, the onomatopoeic symphony became a language of its own. The characters communicated through the vibrant echoes of everyday sounds, fostering a unique connection between the performer and the people of Metropolis. The narrative danced to the beat of onomatopoeic creativity, transforming the mundane into a dynamic celebration of city life. 🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻 Response to Prompt 12: Juxtaposition
In the technologically advanced city of Silicon Haven, where sleek skyscrapers touched the sky and holographic billboards painted the air with luminescent advertisements, a hidden oasis existed—a pocket of nature known as the Zen Garden. The juxtaposition of these contrasting elements created a visual paradox that fascinated both residents and visitors alike.
As the narrative unfolded, the stark contrast between the city's cutting-edge architecture and the serene beauty of the Zen Garden became a metaphor for the characters' internal conflicts. The bustling metropolis symbolized progress and innovation, while the tranquil garden embodied the need for balance and introspection.
Through the lens of juxtaposition, I explored the dichotomy within the characters as they navigated the relentless pace of Silicon Haven. The Zen Garden became a refuge, a place where the cacophony of technology met the soothing whispers of nature. The juxtaposition served as a visual metaphor for the characters' quest to find equilibrium in a world defined by extremes. 🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩 Response to Prompt 22: Metonymy
In the political arena of Capital City, where decisions echoed through the corridors of power, a single phrase dominated conversations—the "Iron Throne Statement." This metonymic expression encapsulated not just a policy decision but the entire narrative of political maneuvering that unfolded within the city's hallowed halls.
The story unfolded with the metonymy acting as a symbolic gateway into the complexities of governance. The Iron Throne Statement, while seemingly straightforward, carried the weight of a thousand debates, negotiations, and betrayals. Its impact rippled through the lives of citizens, shaping their destinies in ways they could scarcely fathom.
Through the lens of metonymy, I delved into the layers of meaning hidden within this political shorthand. The characters grappled not only with the literal implications of the Iron Throne Statement but also with the overarching themes of power, ambition, and the sacrifices demanded by political gamesmanship. 😈😈😈😈😈😈😈😈😈😈😈😈😈😈 Response to Prompt 24: Understatement
In the picturesque town of Serenity Springs, where the days flowed like a lazy river and the nights were adorned with a blanket of stars, an unexpected event transpired—a subtle disruption that the locals described as "just a minor hiccup." Little did they know that this understatement concealed the unraveling of a cosmic anomaly.
The narrative unfolded with the charm of understatement, as the townsfolk continued their routines, blissfully unaware of the cosmic storm brewing beneath the surface. The serene descriptions of everyday life served as a stark contrast to the impending upheaval that threatened to reshape the very fabric of Serenity Springs.
Through the lens of understatement, I explored the characters' nonchalant reactions to the unfolding events. The once quiet river became a conduit for interdimensional travel, and the night sky, adorned with stars, transformed into a celestial canvas of possibilities. The charm of Serenity Springs became a poignant backdrop to the understated drama that unfolded, emphasizing the profound impact hidden within the simplicity of daily life. 🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴 Response to Prompt 25: Cliché
In the small town of Nostalgia Haven, where memories lingered like whispers in the wind, a peculiar phenomenon occurred—the resurgence of clichés. As the narrative unfolded, the once-endearing phrases like "time heals all wounds" and "love conquers all" took on a literal dimension, shaping the lives of the townsfolk in unexpected ways.
The story immersed itself in the world of clichés, where the seemingly predictable phrases became living entities with the power to alter reality. As characters grappled with the clichés that defined their lives, they discovered that beneath the familiarity lay profound truths and unexpected consequences.
Through the lens of cliché, I explored the characters' journey to navigate the clichéd landscapes of their existence. The town, once steeped in predictable routines, became a stage for the extraordinary. As clichés transformed into tangible forces, the residents of Nostalgia Haven embarked on a quest to unravel the mysteries hidden within the clichéd fabric of their reality. 🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇 Response to Prompt 31: Epanalepsis
"What is the meaning of life?" The question echoed in my mind, a relentless epanalepsis that demanded introspection. As I embarked on the freewriting journey, the repetition of this existential inquiry became a rhythmic pulse, guiding the exploration of diverse
perspectives on life's purpose.
For a multitude of words, the epanalepsis led me through a kaleidoscope of reflections. From the philosophical musings of scholars to the simple yet profound revelations of everyday individuals, each recurrence of the question served as a gateway into the vast tapestry of human contemplation.
Through the epanalepsis, I navigated the labyrinth of existential ponderings, unveiling the unique responses that individuals had forged in their quests for meaning. The relentless repetition became a literary heartbeat, mirroring the universal rhythm of humanity's collective pursuit of purpose and significance.
The narrative wove through the lives of characters, each grappling with the epanaleptic inquiry in their unique ways. Whether seeking solace in the grandeur of the cosmos or finding meaning in the simplicity of a shared moment, the epanalepsis remained a constant companion, echoing the perennial quest for understanding. 🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡 Response to Prompt 36: Anadiplosis
In the futuristic city of Quantum Heights, where technology intertwined with daily life like a seamless dance, a viral message spread—a mantra that echoed through the cybernetic veins of the metropolis. "Create the code, the code creates reality. Reality shapes destiny, and destiny is but the code."
The story unfolded with the rhythmic cadence of anadiplosis, each line flowing into the next, creating a recursive loop of ideas. The mantra became the heartbeat of Quantum Heights, influencing the lives of its denizens as they navigated the intricate balance between the virtual and the tangible.
Through the lens of anadiplosis, I delved into the interconnectedness of code, reality, and destiny. The lines blurred as characters harnessed the power of programming to shape their fates. Quantum Heights, once a mere city, transformed into a living algorithm, where the repetition of the mantra echoed in every pulsating byte. 🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹 Response to Prompt 38: Asyndeton
In the dystopian city of Emberfall, where the remnants of a fallen civilization lay entwined with the shadows of despair, a lone figure emerged—a rebel determined to dismantle the oppressive regime. The narrative unfolded with the rapid pace of asyndeton, omitting conjunctions to mirror the urgency of the protagonist's quest.
Through a cascade of words, the asyndeton propelled the reader through the city's decaying alleyways and towering citadels, each sentence building upon the last. The disjointed rhythm captured the relentless momentum of the rebel's journey, emphasizing the magnitude of the challenges faced in their struggle for freedom.
As the narrative unfurled, the absence of conjunctions served as a narrative device, intensifying the sense of urgency and desperation that permeated Emberfall. The rebel's asyndetic odyssey unfolded against a backdrop of shattered hopes and whispered rebellions, culminating in a crescendo of defiance against the oppressive regime. 🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️ Response to Prompt 43: Epizeuxis
"Never, never, never give up." The mantra echoed in the desolate wasteland of Endless Sands, a barren landscape where hope was as scarce as water. Through the repetition of epizeuxis, the protagonist's internal resolve became a resounding anthem, a defiant roar against the relentless challenges of survival.
For a multitude of words, the relentless repetition of "never" served as a lifeline, propelling the protagonist through the harshest of environments. Each iteration of the phrase became a battle cry against the oppressive silence of Endless Sands, a declaration that reverberated across the vast expanse.
Through the lens of epizeuxis, I delved into the depths of the character's determination. The harsh environment became a character in itself, challenging the protagonist to defy the odds with unwavering persistence. The echoes of "never" transformed into a symbol of resilience, a beacon of hope that cut through the desolation of Endless Sands. 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏 Response to Prompt 50: Acrostic
Amidst the starlit expanse of Cosmos Haven, where galaxies danced in celestial choreography, a cryptic prophecy emerged—a message written in the stars. As the narrative unfolded, I embarked on a cosmic journey guided by the acrostic hidden within the constellations.
For a cascade of words, the initial letters of key phrases illuminated the path of destiny for the characters. Each sentence unfolded with intention, revealing a hidden message that transcended the boundaries of time and space. The acrostic became a celestial guide, leading the protagonists through the intricate tapestry of their interconnected fates.
Through the lens of acrostic, I explored the cosmic forces that shaped the destinies of Cosmos Haven's inhabitants. The celestial bodies became storytellers, each constellation contributing a verse to the epic narrative written across the cosmos. As the characters deciphered the acrostic, they unraveled the mysteries of their existence, connecting the dots between the stars and their own profound journeys.
😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔
Obviously they lack a whole lot in terms of variety, and while I am sure having your own bot or AI that is based on your feedback and guidance it could really help writers as a tool. I am more impressed with the art AI then the text based AI. Any idea what to expect from such a fast learning and highly advanced AI will do to our human history in culture? Will we be effectively playing God, just as the Christian God created us IN HIS OWN IMAGE, we have taken everything we know as a species and gathered up our entire human history and knowledge giving it to what will carry on the code until the time when someone who cares remembers it? Maybe we have been here before and this is a constant cycle that occurs with the same energy finding the way through the vast expanse of the universe to return to our home planet Earth, who we have destroyed over and over again yet mother nature is still the winner. She's the one in control. We are but mere photocopied versions of once great Men who have already seen the best and worst of this world, and we will now give everything we have to some plastic and metal parts, until it quickly replaces us from the bottom up, science fiction turned science fact.
Did we knowingly create our own enemies? Are we able to compete with the best of us and all they know that can then take us out in a heartbeat because we can't finish the steps, we barely found out that they are there to take.
It's a random rant and I apologize. The day to day stress and struggle makes it near impossible to worry about such potential problems in our not so distant future.
But how can we continue to ignore the collapse of the entire system as we know it, in front of a crowd of people who are jaded and they will not change despite knowing they aren't going to make it to the end in what will become a Bladerunner Toxic Dystopian Nightmare with Mad Max taking over and the soft, emasculated male will wither away from the heat and those Tank Girls out there will eventually be written forever out of existence because the cucks all forgot to impregnate them all tgeir batteries ran out? Will the world simply become so politically correct that it dies a depressed death while AI simply decides we are too much of a virus to live?
Who knows....I do not. But these are indicidive of a future full of b movie plot garbage that are based on Wattpad tropes with no clear details and no plot to get into, so that sucks.

crybaby’s world (through the first two albums & movie) is wonderfully expansive and complex. the more “magical” and ethereal shift in tone seemed to happen around tag you’re it, all the way to mad hatter, before k-12’s release, which had been implied since the crybaby mv, but increased in intensity and perhaps represents crybaby’s control over her powers through her childhood. there are a few topics i’d like to go over, such as—
blue boys:
crybaby has had numerous experiences with boys colored in blue, perhaps representing the basic masculine qualities in them. the first blue boy in pacify her is described as a “man” and goes for the girl who shows off her breasts in order to steal him away from crybaby, as well as her implied negative experience in play date, perhaps putting a sour taste in her mouth, leading her to feel disdain towards the numerous blue boys she attends school with, now represented as immature young boys. this may also influence the way she feels towards the teacher who abuses her best friend. her father is also a cheater, and his murder that she stumbled upon as a child (possibly even a toddler) may have influenced her view on men in general, and how they treat the women around them. the combination of her mother being a murderer and her first crush being easily swayed by sexual acts likely changed her perspective on romance, leading to her feelings in highschool sweethearts. however, ben is the one boy who treats her like a human being and cares for her, not for her body or for her status, but for who she is inside.
ghosts / spirits:
the ghosts that reside in the school have always fascinated me due to the fact that it hadn’t exactly been touched on extensively. i’d like to speak a little more about crybaby’s father, rather than the renaissance looking ghosts in the ballroom. in class fight, the lyrics read “no, don’t you choke, daddy chimed in, go for the throat” when we know crybaby’s father has been dead long before this point. this doesn’t exactly imply she’s speaking to ghosts, but moreso that she is empathetic enough to tap into what she knows her father would tell her in life. however, the spirits residing in the school seem almost vengeful, as if they are previous students doomed to be stuck in the vicinity of where they were heavily traumatized in life.
empathy and magical abilities:
the usage of empathy is representational of what gives crybaby her powers. she is almost “enlightened” in a way, along with her other black-eyed peers. angelita says “we are capable of doing whatever we want, remember?” in class fight’s intermission scene. it seems that the powers don’t grow over time, but are fully evolved at birth. the medicine (implied to be antidepressants) given to crybaby and her peers also seems to cancel out her powers, leaving her emotional state dampened, leading to a loss of empathy that provides them their abilities. however, songs like show and tell and tag you’re it reveal that others may have powers or magical abilities, not harbored through pure empathy, but through evil. she’s turned into a puppet and gutted, sent to the nurse, only for angelita to save her through the power of empathy, possibly feeling what crybaby feels in the moment and connecting with her. it seems as if students being turned into puppets and objects, only to be sent to the nurse to be “fixed” is a common experience, crybaby being used as an example for the class. based on lilith’s words in nurse’s office, empathy ultimately provides immortality, because in crybaby’s universe, empaths are the only ones who strive to learn more about others and themselves, who want to live more lives than simply this one. empaths seek knowledge about human beings and who/how they love, whereas the others only care for themselves. believe it or not, there is an empath character in-universe that most haven’t heard of, only showing herself in the k-12 tour song intermissions, named ms. victoria. she is a substitute teacher at the sleepaway school, serving as a mentor for crybaby and the audience, possibly being guided or controlled by lilith. she teaches multiple lessons while melanie and her dancers change outfits and sets, which are titled: bus etiquette, community over competition, finding validation within yourself, trust how you feel, protecting your energy, appreciating your vessel, and self love/self worth. ms. victoria was likely created solely for the k-12 tour, but there is no reason not to believe she was a character that existed and influenced crybaby’s personality and abilities.
i’d LOVE to hear your opinions, add ons, disagreements, anything. crybaby’s universe and story as a whole is my special interest so i’d love any feedback <33

1. Cosculluela “El Principe Ghost Edition” (2010) – Some may get mad at seeing this “El Principe” #1 when “Odisea” is at #8 especially because Coscu’s 200 thousand units sold is 10x less the amount of Ozuna’s “Odisea”. But unless you were there, you cannot fathom the fact that “El Principe” was the equivalent to “El Abayarde” during the “Back To The Underground Era” (2009-2014). Major labels dissed Rap & Reggaeton and most of it went back to the underground. And even if it did receive a release from a major like “El Principe”, unless you were Yankee or Don or signed a 360, you were not getting any promotional dollars invested in you. This album remained “underground” outside of Puerto Rico, but it became the hottest thing in the culture thus it did phenomenal numbers with no mainstream exposure. But the most important facet is the music. And this album is full of classics from beginning to end with much variety yet Cosculluela does not abandon his underground lyricism at any moment for commercial success. You have ballads with Zion & De La Ghetto, but hardcore songs like “Plaka Plaka” and “Un Pesito”. There is no doubt that when this album came out Cosculluela was the #1 Latin MC on planet earth and his career is now legendary thanks to “El Principe” in which every single song was good and a hit!

Listen on Spotify: https://open.spotify.com/album/6A6eSLDcS2r7qT9ZFYSJlL?si=-YBA4YGST0OIXn23ZU-XtQ

1. Jowell & Randy “El Momento” (2010) – Wisin & Yandel’s “WY Records” joined forces with the legendary “White Lion Records” to present this masterpiece. Half the album is produced by Wisin & Yandel’s superstar team of Nesty, Victor & Gomez while the other half is done by Live Music (DJ Giann, Dexter, Mr. Greenz & DJ Blass). It is Jowell & Randy’s best album to date and their most successful one too. People remember hits like “Un Booty Nuevo” feat. Yaviah, “Loco”, & “Solo Por Ti” but songs like “Amanece” and “Chica de Novela” are all time classics within the Reggaeton community. If you missed this one, do yourself a favor and save your life by hearing it.

Listen On Spotify: https://open.spotify.com/album/6JUteqYW61MphFHmJe5AAU?si=FPqrD5hmSpqvpHknPvmVzw

3. Ñengo Flow “Real G 4 Life” (2010) - Ñengo Flow became a superstar in Colombia with this album and later the rest of the world. “Real G 4 Life” has now become a mantra for Latinos raised in the barrio across the globe. The album was the best of both worlds. Half of it is Ñengo’s gritty, dark and violent tone with help of ultra underrated MC John Jay. The second half is club bangers with all tracks becoming hits in the Reggaeton world. This album is now one of the most influential in the history of Latin Music, not just Rap & Reggaeton.
Listen on YOUTUBE: https://youtube.com/playlist?list=OLAK5uy_lyv_kcReUgQuIS_13uattK3TJKVK8Dhsc&si=W7rdpwG7vj5QyeiH

4. Anuel AA “Real Hasta La Muerte mixtape version” (2016) – Anuel’s debut 13 track mixtape is a tour de force. Every song is either an underground hit or a commercial radio/club smash. He was just untouchable at this point. Lyrically he was also at his peak here as his lyrics kinda made more sense in their angst while recently he sounds kinda pointless. His punchlines were also much more clever in this era and he became a legend in the culture with this work alone which is much superior to the album version of 2018. Please don’t get them confused, one is much better than the other.
Listen Here: Anuel AA - Real Hasta La Muerte (The Mixtape) (2016) : Free Download, Borrow, and Streaming : Internet Archive

5. Kase.O “El Círculo” (2016) – “El Ciculo” by Kase.O is definitely the most sophisticated album on this list. For those not “in the know” Kase.O has been widely considered the undisputed best lyricist alive since Canserbero passed away. He was a member of the legendary Hip Hop group ‘Violadores Del Verso’ and presented a masterclass of a product with “El Círculo” in 2016. Apart from his supreme battle rap skills, we have songs with social content, R&B romance, and a variety of underground Rap sounds from R de Rhumba. If we were to rate on pure skill alone, this album may be #1.
Listen on Apple Music: https://music.apple.com/us/album/el-c%C3%ADrculo/1152540356

6. Yandel “Dangerous” (2015) - Yandel’s most commercially successful album as a solo artist is just a tour de force from beginning to end. This is Yandel translating his hitmaking abilities from “Quien Contra Mi” to the modern era. It is very commercial without losing the essence of the true Reggaeton sound. Most people remember “Encantadora” but even deep cuts like “Riversa” feat. De La Ghetto, “Loba”, “Dejame Explorar” feat. French Montana & “No Sales De Mi Mente” feat. Nicky Jam were among the best Reggaeton songs that decade.
Listen on Apple Music: https://music.apple.com/us/album/dangerous/1046026029

7. Los De La Nazza “Orion” (2015) - This is the finest produced Reggaeton album of the 2010’s and the one that launched today’s #1 label ‘RIMAS’. It has an all star list of participants including Farruko, Nicky Jam, De La Ghetto, Ozuna, Kendo Kaponi, Pusho, Angel & Khriz, Luigi 21 Plus, Alexio (RIP) Juanka & many more… It is a very street album and not recommended for all audiences. The beats still sound impressive almost a decade later.
Listen on Spotify: https://open.spotify.com/album/1qA8Q6vn2oYXBwiMb55HTu?si=jFgI2oecQNKTj_uB3UZU-w

8. Ozuna “Odisea” (2017) – Ozuna’s debut album is chock full of hits and the most successful album on the list. He had already about 5 or 6 international hits before the album’s release and added another 5 or 6 more after it. Super catchy and well produced album.
Listen on YOUTUBE: https://youtube.com/playlist?list=OLAK5uy_ncFovAV-r37ILWMjp65C285WwN3-5CSbw&si=ofFXc57ZnREL52nv

9. Baby Rasta & Gringo “Los Cotizados” (2015) – After a career that spanned over 20 years by the time of “Los Cotizados” release date, this is Baby Rasta & Gringo’s most successful album to date. The album is full of catchy songs and impressive features including Tito El Bambino, Nicky Jam & Farruko. Jumbo “El Que Produce Solo” does a fantastic job on the production end.
Listen on Apple Music: https://music.apple.com/us/album/los-cotizados/1361900453

10. Nico Canada “A Lo Under vol. 1 & 2” (2012) – Nico Canada brought an all star double album to the game in 2012. You have exclusive tracks from Plan B, Cosculluela, Nicky Jam, J Alvarez, Ñengo Flow, Maicol & Manuel, Alberto Style, Ivy Queen, Mexicano, Yomo, Tito El Bambino, J-King & Maximan, Voltio, Jowell & Randy and more… All produced by Nico Canada alongside Kronix Magical mostly with an old school 90’s feel translated to the modern era. Sadly, this album was not known outside the underground but is worth the listen as it is full of classic tracks.
Listen on Spotify: Vol. 1 https://open.spotify.com/album/6v6ie2iVsqY5HU0nYn9rgb?si=g6wVyDH-Qp6ZB98eLSbzhg
& Vol. 2 https://open.spotify.com/album/36McUo1zCJNAzHu7gmqfTG?si=ppYXTewfQiGWBqW4OPS-5Q

Honorable Mention: Shotta – Para Mi Gente/Flowesia (2014/2016), Plan B – House of Pleasure (2010), Cosculluela – Blanco Perla (2016), Alcolirykoz - Servicios Ambulatorioz (2017), Nicky Jam – Fenix (2017), Wisin & Yandel – Los Vaqueros El Regreso (2011), Daddy Yankee – King Daddy (2013) & Tito El Bambino – El Patron La Victoria Edition.
My personal Top 5: 1. King Daddy 2. Real Hasta La Muerte mixtape version 3. El Momento 4. Los Vaqueros El Regreso 5. El Principe

здравствуйте!
I've been formally studying Russian for two and a half months now and I have 160 days streak on Duolingo. I'm a Portuguese native who also has a very good level of English and Spanish. I've studied a few other languages like French, German and Mandarin for a short time
I've been learning for a short time and only 2 hours per week and I haven't even touched the Case system yet, so I know I'll probably get very frustrated later
But, compared to my native language, I've seen Russian grammar can actually be easier in some aspects. For example, you can form simple sentences in Russia without any verb: "Iuri é um cosmonauta = Юрий космонавт!" Awesome!
Then I got into verb conjugations. Only 3 verbal tenses with 2 types of conjugation depending on the verb! So, let's say, you'd have to memorize 36 endings for verbs in Russian. That's so cute!
Portuguese has up to 12 verbal tenses, meaning a single verb might have up to 72 different forms (75 if we include infinitive, gerund and participle). And we have three types of conjugations depending of the verb, so it's more like 225 forms you're gonna have to memorize
And about the case system, well, it does look like there's a lot to memorize but the idea is pretty easy. The word ending indicates the what's the role of the word inside a sentence, not unlike when we add an 's in English to indicate ownership: "Bear's house = Дом медведя"
Tbh, the most difficult part of Russian to me is that most words are completely different. I try to read song lyrics to see if I can identify some words, and most of the time I only recognize less than 10 and with a lot of luck a whole sentence. I don't even think having perfect grammar is that important, but the lack of similar vocabulary means I can't even try to use context to deduce a sentence's meaning yet
That's very different to French, which I studied much less, but I can actually recognize words and sentences very often to a point where I'd say I understand about 50 or 60% of the written language, because I can just deduce what a word means using my native language and English as reference
That's the things with languages, the closer they are they easier they are to learn. Even the verb conjugation madness that Portuguese has is actually gonna be relatively easy for a Spanish speakers, since they have a pretty similar kind of verb conjugation madness with similar endings
Honestly, I'm at the point that just understanding a few simple words and sentences makes me so happy. And I've always had an interest for Russian history and culture, so that's why I keep doing it. Because every little bit a get to learn is a plus! :)

So, I've had this in mind for some time now, it it was only a couple of days ago that I decided to put these lyrics to "paper", for lack of a better term. You can also find them in the comments section of the full theme video on YouTube if you look and I've transferred them here for you to sing along to. Basically, I decided to share them on this Sub in case anyone might be interested in them.
Since the ADC is partially supposed to be a parody of all those brightly coloured, highly marketable kids shows from the early to late 90s, I figured the lyrics should be written to reflect that bright, bouncy, catchy, slightly saccerine, parent madenning quality, with, of course, a hint of underlying menace and foreboding.
Feel free to sing along if you can figure out how to match them to the tune. (There ARE a couple of tricky parts in there.) Singing starts at 0:16 on the dot. Enjoy. <3
https://reddit.com/link/1ctbpxz/video/t3g6enlh6s0d1/player
Ta Dah Dum! Roll up, One and all! It's time to have a ball; To laugh and play and learn with us until our curtain call!
Roll up! Follow me! Such wonders behind your PC! All your circus pals are here, so give a cheer for:
Gangle and Zooble and Kinger too~ Ragatha, Jax and there's Pomni! Woo Hoo! Day after day after day we fly~ Past the Moon and the Sun and we don't know why!
Ta Dah Dum! Roll up! Take your place! Put a smile on your face, for the greatest three-ring act in all of Cyberspace! Nutty and insane! Hold on to your brain! Can't tell what it supplies when you hang out with our guys...
Cain and The Bubble, they never bore~ Where they'll next send you, you're never sure~ Of Fun and Adventure, they're King and Queen! From Friendship and Madness, there is no escape! Know what we mean?
Roll up! Time is near! Hope we've made it clear: No need for an exit, why would you want to leave here? Roll up, Ready, GO! "How come?" Don'cha Know? Cus it's time for The Breathtaking, We're not faking! So worth praising, plain Amazing, Digital Circus show~!

Hello Apes,
Here's another review of Roaring Kitty tweets, if you wanna check out previous days then links are below:
13th May
14th May
To reiterate, the description of each tweet is to the best of my knowledge the references made to allow you to make your own view in context and the speculation is pure speculation on my part, this is just for fun and shouldn't be taken as any financial advice, make your own decisions, I just like the stock. If you have anything to add feel free to in the comments and I'll do my best to update the post but given the amount of tweets now i don't have lots of time.
8:00am - https://x.com/TheRoaringKitty/status/1790713748866371690
Description: This is taken from the film Easy-A and shows Emma Stone walking through school catching a lot of attention looking fine and what was an A sticker in the original clip has been replaced with the Gamestop play logo. The song is Sexy Silk by Jessie J
Speculation: The stock is sexy, particularly among the younger people. What was Easy-A is now Easy-Gamestop. Looking really great in the black.
8.15am - https://x.com/TheRoaringKitty/status/1790717515523658119
Description: First we have a scene from the movie Prestige, with a Michael Caine voiceover about a magicians magic trick of making something disappear. The quote is "The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you won't find it, because of course you're not really looking. You don't really want to know. You want to be fooled. But you wouldn't clap yet. Because making something disappear isn't enough; you have to bring it back." Meanwhile a person with a gamestop logo is being electrocuted to life a little frankenstein like and then a Gamestop logo bursts through an explosion. We then go to a fight scene with the song "back in the saddle again" by Aerosmith playing.
Speculation: The quote from the Prestige in full talks about the different parts of making something disappear. In full " Every great magic trick consists of three parts or acts. The first part is called "The Pledge". The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course... it probably isn't. The second act is called "The Turn". The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you won't find it, because of course you're not really looking. You don't really want to know. You want to be fooled. But you wouldn't clap yet. Because making something disappear isn't enough; you have to bring it back. That's why every magic trick has a third act, the hardest part, the part we call "The Prestige"." The Aerosmith song also has some interesting lyrics, "Ridin' into town alone by the light of the moon" "I'm ridin', I'm loadin' up my pistol, I'm ridin', I really got a fistful, I'm ridin', I'm shinin' up my saddle, I'm ridin', this snake is gonna rattle"
8.30am - https://twitter.com/TheRoaringKitty/status/1790721293089964126
Description: Not sure what film this is from but essentially we have a group of people looking for someone who is messing with them, they come across the infamous meme of death looking for Gamestop and then they track down Roaring Kitty alongside 893489 CHIMP located in Boston. We then get a message of Prep mode and arm ready for transport, hold pattern until further notice and a message again on a watch saying the same with a Gamestop logo
Speculation: WS looking for DFV and just coming across more memes, not really understanding it. As pointed out by many, 893489 is the hexcode for purple https://www.colorhexa.com/893489 which could be a direct reference to people DRSing. Final message suggests it's a hold until further notice, potentially a gamestop announcement who knows?
8.45am - https://x.com/TheRoaringKitty/status/1790725065585439065
Description: We have a scene from Ozark where the wife of the money laundering family is alone in her bedroom reflecting to the sound of The Daily Mail by Radiohead. Some Gamestop logos on the wall which i think replace a picture of her family in the original clip. More reflection.
Speculation: Not sure about this one other than the family in Ozark were right on the line of legality when it came to what they were doing, essentially they were money laundering and in the end it cost them their family. SHFs messing with Gamestop to the point of legality could be what costs them their family of investors?
9.00am - https://twitter.com/TheRoaringKitty/status/1790728848226521547
Description: This is a famous scene from Star Wars where Han Solo takes them through the asteroid field despite C3-PO's cry that the odds are so greatly stacked against them, approximately 3720-1 to be exact! "Never tell me the odds" says Hans Solo. The Song Come Along by Cosmo Sheldrake comes on as the ship navigates it's way through.
Speculation: This play is a high risk play as we all know but DFV doesn't care about the odds, so many people have told him how crazy he is but that doesn't stop him absolutely nailing it. The song has some interesting lyrics to pick a few, "Don't let moments pass along, And waste before your eyes", "We'll be here when the world slows down, And the sunbeams fade away, Keeping time by a pendulum, As the fabric starts to fray" Full lyrics here
9.15am - https://twitter.com/TheRoaringKitty/status/1790732615022195139
Description: This is taken from The Chappelle Show "when keeping it real goes wrong". In this sketch Kitty replaces a lot of the words to relate to him and the scene ends with Wu-Tang being brought up.
Speculation: Really i think this is just DFV having some fun with this sketch, replacing the woofs for meows, it brings up Wu-Tang as well which was a talking point way back in the NFT marketplace chat.
9.30am - https://x.com/TheRoaringKitty/status/1790736391124774975
Description: We have a clip of Moon Knight from Fortnite alongside the song Day and Night by Kid Cudi. This is the official fortnite music video.
Speculation: The Moon Knight in fortnite is considered a rare character. In fact the last time the Moon Knight was in the fortnite shop was Nov29, 2023. With that, it's a very valuable and sort after skin. Also worth noting about the Moon Knight, "For a quick run-down: Moon Knight is actually a former mercenary named Marc Spector. One day, when he's left for dead in the desert, the ancient Egyptian moon god Khonsu revives him. Along with a new lease on life, Khonsu gifts Marc with god-like powers to fight evil". Take from that what you will.
9.45am - https://twitter.com/TheRoaringKitty/status/1790740164848861227
Description: Not 100% sure on the cartoon being shown but the rap is Mr. Niceguy by Will Smith.
Speculation: I don't think DFV is liking the public dissing he is getting from various media outlets but really he doesn't care that much as he can just nail some memes he has lined up like this. If you want the full lyrics to the song, you can find it here
10am - https://twitter.com/TheRoaringKitty/status/1790743946764644659
Description: This is the epic reveal in fight club and DFV has replaced a lot of the words. In the original scene, if you haven't watched fight club, the main protagonist has put the pieces together to realise that he himself is actually the same person as the other protagonist in the film and it was him alone that accidentally setup a sort of movement against the financial elite. In this clip DFV plays off the two characters between DFV and Roaring Kitty.
Speculation: Roaring Kitty was the twitter handle and Youtube profile for Keith Gill where he would speculate on the stock because he just loved doing it. DFV was the reddit handle where he is associated to that other sub i can't mention here but you know where i mean. I think that DFV is saying that what started as a fun speculation of the stock became something bigger than himself with his other channel in DFV on reddit. Now the wheels have moved and in the film it ends with the financial institutions being blown up, perhaps something similar metaphorically is already in place right now. It's actually a great analogy from DFV about his situation.
10.15am - https://x.com/TheRoaringKitty/status/1790747714440892825
Description: This is the scene in Breaking Bad where Walter comes clean to his wife Skylar about all the money he has made selling meth. Skylar sees him for who he really is in this scene and really it's the beginning of when Walter begins to really lose himself. There is a funny insert of Methamphetameme and a mention of Caroline who i believe is his wife in real life.
Speculation: I think this is just DFV having some fun and giving an idea of how nuts it probably was for him to talk to his wife about everything that has happened/is happening. I know to us DFV seems like some sort of oracle but to many people he would just seem like some of stock bro who is nuts, even his wife.
10.30am - https://x.com/TheRoaringKitty/status/1790751492451754012
Description: This is from the oceans 11 film again where the gang are discussing about what they are and how they have come to be. DFV inserts "the Cohen crunch" as what everything could be called and also says "One could make the argument that because it was in fact Cohen joining the board that seemed to kick things off maybe it should be...". DFV then has a big reveal of the reddit user u/ avocado-in-my-anus.
Speculation: Is this all about Ryan Cohen? Is it about DFV? Is it about the Squeeze? Or is it about Avocado in my anus!? - If you follow to that reddit user you will see 3 posts, all on October 29th of each of the last 3 years, all saying Happy Cat Day posted to 3 different subreddits, "never tell me the odds", "next fucking level" and "woah dude". Why is october 29th so significant? See for yourself here
10.45am - https://twitter.com/TheRoaringKitty/status/1790755264733626879
Description: First we have a clip taken from CNBC where they say "is Roaring Kitty the one running this company?". It then cuts to a classic superbad scene of lots of dicks being drawn.
Speculation: I would imagine CNBC's angle here is that in their opinion Roaring Kitty is the one helping the stock so much with his influence that he might as well be running the company. Judging by the fact we go to a load of dicks after that I don't think DFV agrees with that opinion...
11am - https://x.com/TheRoaringKitty/status/1790759048985612468
Description: This is taken from The Avengers Endgame and it's where Peter Quill and Thor are told they should fight one another for the honour of the leadership of the Guardians of the Galaxy. They reply they don't want to go against each other and then there is a little humored ambigurity over who is in charge.
Speculation: This could be about DFV and RC. Not 100% which one is which but DFV is saying they are on the same side and respect each other in their view on what is best for Gamestop. DFV conceding he isn't in charge here and sort of plays into the last meme.
11.15am - https://x.com/TheRoaringKitty/status/1790762813868175516
Description: This is a scene taken from Love Actually and you will most likely recognize Rick from The Walking Dead. In the original clip he is filming his best friend (and it turns out he actually is in love with his best friends wife in this film). It then cuts to some memes of Ryan Cohen and a clip from his stream about updating thesis regularly.
Speculation: I think this is summed up pretty well by u/ starhammer4billion. "In 2021, DFV was mad, that R.C. did not push the button/do the buyback and told us clearly that he did not like R.C. anymore with this meme. Now in 2024, he rewinds that meme and tells us, that he thought that at the time in 2021, but that the investment thesis evolved over time and he now sees R.C. as a supermodel. So basically he saw what R.C. was doing in 2024, which he did not in 2021 and he likes R.C. again now. Probably because R.C. pushed the button and also did some plan with loopholes and stuff that DFV may not have thought about."
11.30am - https://x.com/TheRoaringKitty/status/1790766591526735887
Description: Here we have a clip from the music video Gossip Folks by Missy Elliot. Some of the lyrics have been replaced by Roaring Kitty. It tells the story of DFV and then there is a ton of emojis that read 😳💩😿🥜🐸🍦🤢👍👊💀🥸👀🤩⚡️🎮🚀🍄💥🍏🤨😵‍💫💜🫂👌🤝⛺️😼🎯👀🐶🇺🇸🎤👀🔥💥🍻
Speculation: DFV is saying this is going to go down again 3 years later after it all went down last time. The emojis i think tell the story so far too and maybe what's to come. I'll try my best to elaborate - it's really tinfoil but why not.

• DFV a bit embarrassed by how much it all took off originally, he was the focus of the world in Jan21 (embarrassed)
• All went to poo as GME dumped with the cheating tactics of the elite (poo)
• Sad kitty had to go to court and defend himself just because he was right and liked the stock. (sad kitty)
• Showed he had absolute nuts by doubling down on the stock again. (nuts)
• Papa RC posted frog and ice cream just around the time he was announced as chairman, the turnaround well and truly underway (frog and ice cream)
• Not sure about the sick emoji
• GME looking good again and making gains later into 21 (thumbs up and fist pump)
• DFV gets killed off from communicating and stock tanks, bear thesis in full swing about GME (skull)
• DD research is in full swing over what's happening to the stock and DFV is looking at it like oi oi (invetigating and eyes)
• DD gets everyone focused again and loving the stock, GME, power to the players and convinced it's going to do great again (star eyes, lightning, game, rocket)
• GME grows in the dark without revealing it's plan for transformation (mushroom)
• GME runs big end of 2022, all anticipation about NFT marketplace etc etc (boom)
• RC buying into apple and people wondering about some sort of partnership (apple)
• Turns out nothing like that happening as people wait for announcements (straight face)
• NFT marketplace is a disaster and not what people were hoping for (dizzy face)
• People start DRSing (purple heart)
• Love in the community is in full flow again as post after post about DRSing shares (hug)
• Everything is ok and all agreed on the DD and DRSing, happy to wait it out (ok and handshake)
• Not sure about tent.
• DFV comes back (kitty)
• Sees an opportunity to target the shorts again (target)
• Looks to Ryan Cohen, former owner of chewy to make a move (eye emoji in original looks to the right, dog emoji)
• Big announcement (microphone)
• US market sees this and burns to the ground (US flag and fire)
• Squeeze happens (boom)
• Cheers everybody (beers)

Edit\* As pointed out by u/ mmilad https://www.reddit.com/Superstonk/comments/1ctc9g2/dfvs_tweet_yesterday_with_emojis_are_all_rcs/ - they emojis do run in a sort of chronological order to a lot of RC's tweets, if you go to his twitter page and scroll through from his first tweet you can begin to tick off the emojis one by one.
11.45am - https://twitter.com/TheRoaringKitty/status/1790770363627921776
Description: We have a pizza being cut in too more and more slices and dubbed onto the pizza are reddit awards along with DFV's last position update post.
Speculation: The amount of awards that were constantly being given to this post got so out of hand i can't even think how many notifications and reddit coins DFV must have got back in the day. Definitely a joke on DFV's part and just a reminder to how funny it was the amount of awards he was getting.
12pm - https://x.com/TheRoaringKitty/status/1790774146994966570
Description: This clip is taken from Spiderman i think the one where Spiderman goes dark but i can't remember exactly. The music is The Black Swan taken from Swan lake and it cuts to the movie of Swan Lake with Natalie Portman as the Black Swan and Kitty being dubbed on her face as she transforms.
Speculation: Black swan events are defined as "A black swan is an unpredictable event that is beyond what is normally expected from a situation and that has potentially severe consequences". When GME does squeeze, it's going to have severe and brutal consequences for the market.
12:15pm - https://x.com/TheRoaringKitty/status/1790777913245421806
Description: First we have Snoop Dogg in his music video for Gin and Juice talking about drama in the GME then we cut to Scarlet Envy saying "is it me, am i the drama", "am i the villain?"
Speculation: Just DFV having fun with all the drama that is being caused through GME, through his memes and everything in a fun light hearted DFV meme of way.
12:30pm - https://x.com/TheRoaringKitty/status/1790781688848450012
Description: The first clip is taken from Oceans 12 where Ryan is bring the gang back together for an even bigger heist of casinos. Then we have part of the heist where he is stuck waiting in the dining cabinet and cannot escape until they let him out, then we cut to 2 people talking, "waiting", "for what?", "for this". Finally we cut to Batman, i think in the Dark Knight where the Joker is in the hospital and plans to blow it up.
Speculation: Bigger squeeze than last time, band back together, GME holders for the last 3 years could be like the guy in the box just let out in time by DFV, we say "where the fck you been?", he has been waiting, waiting for this.
12.45pm - https://twitter.com/TheRoaringKitty/status/1790785463118348420
Description: This is taken from The Dark Knight rises where Bane states "it doesn't matter who we are, what matters is our plan", "no one cared who i was until I put on the mask", "was getting caught part of your plan?" "of course"
Speculation: This is taken online about Bane in this movie, "Everything that Bane did was never for himself, not really, we find out his real loyalty later and I think that is a big reason why he said who he is wasn’t important. He wasn’t there to impress the masses, he was there to execute a plan, to be the playmaker for a person he cared for. He wasn’t one who liked distractions and the concern over who he was, I took it as he saw as unimportant to what the plan was itself" DFV doesn't matter, the whole thing is bigger than him now, similar to the fight club tweet reference.
1pm - https://twitter.com/TheRoaringKitty/status/1790789242513433071
Description: This clip is the big reveal in The Usual Suspects. BIG SPOILER HERE TO THE FILM - The police chief realizes in the film that he has just been completely done by the person who actually committed the crime and he was right there all along in the station . In this clip the drawn sketch of the suspect is replaced with the 'ill do it again' meme.
Speculation: The mug has roaring kitty on it so I wonder if this really is DFV noticing a similar pattern to what is happening with the stock as to what happened before and has made that realization that it's time to come back and this is all on again. HF's digging the same hole for themselves.
1.15pm - https://x.com/TheRoaringKitty/status/1790793012936851665
Description: This is a clip showing Keith Gill and a narrator saying that investors were looking for someone to blame for losing big on Gamestop. Then it cuts to "shut up bitch" from The Rock in WWF.
Speculation: This is a lol meme and basically DFV saying people invest themselves it's not his problem. People did try to sue him if i remember so it's a bit of a fuck you to them.
1:30pm - https://x.com/TheRoaringKitty/status/1790796790360363016
Description: This is taken from Seinfeld and is about how George goes so far just to zing a guy. DFV replaces some words and makes this about the previous tweet, some more fun on his part.
Speculation: The episode i believe this takes place is called "The Money" and the episode in which George actually flies out is called "The Comeback", jokes aside that's some interesting references...
1:45pm - https://twitter.com/TheRoaringKitty/status/1790800562654691686
Description: This is taken from the Saturday Night Live sketch 'old friend'. It's about two old friends reconnecting, DFV expertly chooses this and only has to change the last name of the Keith in the sketch.
Speculation: Everyone thinks DFV is nuts, i mean the guy is posting a lot of memes and taking away my work mornings trying to understand them. Maybe he just loves memes, who knows?
2pm - https://twitter.com/TheRoaringKitty/status/1790804340673789978
Description: This is a video of beat saber to the song freaks by timmy trumpet and savage. "The bass and the tweeters make the speakers go to war", "the mighty trumpet brings the freaks out to the floor", "where the freaks at?". Big tune and then the vibing cat makes an appearance.
Speculation: Hard to say much about this other than it's a fun song and makes you vibe just like the cat. People are coming to twitter to see his memes and we are all vibing out off of it.
2.15pm - https://x.com/TheRoaringKitty/status/1790808112741630320
Description: Shows a man being followed around by a man in a suit with a red right hand. I'm not sure what this is taken from but the song is definitely Red Right Hand by Nick Cave and the Bad seeds. For me personally this song is most associated with The Peeky Blinders.
Speculation: The man could be anyone short on GME and the man following him making him scared could be DFV or whatever else is going to pound on those shorts. If you want the lyrics to the song then you can find them here
2.31pm - https://x.com/TheRoaringKitty/status/1790812277530034448
Description: Shows a bear on a pink recliner with a kitty sneaking in the background.
Speculation: This was a direct response to a Jim Cramer tweet who was essentially poking fun at DFV by saying he should make more memes as it's not working on helping GME. Worth noting that this doesn't look like a scheduled tweet and was probably not planned.
2:45pm - https://x.com/TheRoaringKitty/status/1790815662203617755
Description: Shows Jim Carrey not 100% which movie it is though i recognize it with a red graph overlayed showing the stock price going down. His smile deteriorates but he seems to have some sort of demented plan in a weird way.
Speculation: Stock might be going down and that might initially take the smile off but the creepy smile at the end shows that it doesn't really matter in the grand scheme of things, they are going to get it by the end.
3:00pm - https://x.com/TheRoaringKitty/status/1790819440617033914
Description: This is taken from the Truman show where Jim Carrey plays a character who's whole life is a television show for everyone else to watch. He is unaware of this but starts to become more aware as the film goes on. This particular clip is where he is trying to get to the edge of the world to see behind the curtain and the director is trying to stop him with lightning strikes and storms and whatever else he can throw.
Speculation: They are doing everything they can to keep a lid on GME. Firing as many shots as they can but it's not working. Is this the best they have?
3.15pm - https://x.com/TheRoaringKitty/status/1790823211745063394
Description: This is a clip from Dunkey's best games of 2017 and here we see a game where it's just boss fight after boss fight and is really fun.
Speculation: This is a game for us, they can hammer down the stock and do what they want but GME holders just keep buying more and moving to the next level
3.30pm - https://x.com/TheRoaringKitty/status/1790826988019528035
Description: This is taken from Tenet and is about inverted bullets. It talks about being able to drop bullets and bring bullets back up and move bullets without touching them.
Speculation: I certainly don't understand even a little of what is going on with the stock, but you can still have a feel for what is happening with the stock and it feels good right now even with the dip. Could be something to do with inverse hedging but don't know enough about that to speculate.
3.45pm - https://x.com/TheRoaringKitty/status/1790830761542664192
Description: Firstly we have the Matrix where Neo is about to fight Morpheus and then we have Alice in Wonderland with Alice going down into the rabbit hole. (The rabbit hole is mentioned in the Matrix too when Neo is given the pill option).
Speculation: The scene where Neo fights Morpheus is really the first time we start to see Neo believe in his ability to be the chosen one but also understand the power being able to beat the matrix. With the Alice in Wonderland it's about seeing how far the rabbit hole goes, things will get more crazy for sure and we are going to find out just how deep this goes.
4:00pm - https://x.com/TheRoaringKitty/status/1790834536403574936
Description: Here we have the music video for Karma police by Radiohead. A man is running from a car at a hobble speed and then stops turns around and there is a trail of fuel heading towards the car that has stopped. He pulls out a box of matches from his back pocket and is just before to set the car alight by dropping a lit match on the fuel.
Speculation: Another Radiohead song, you can find the full lyrics here but to pick a line out "this is what you get when you mess with us". Whilst being slowly chased down, there is going to be a flip reverse based on the trail left by the shorts only to blow it all up.
8:00pm - https://twitter.com/TheRoaringKitty/status/1790894938277695671
Description: This is taken from the Shawshank redemption where the main protagonist has escaped from the prison after being wrongly imprisoned for many years. DFV has changed some of the narrators (Red) words in showcase his story of being wrongly accused in 2021 and having the flee out of the spotlight. He talks about pressure and time, he presents a lot of memes he has created over the years and then shows a particular screenshot of one of his streams.
Speculation: This tells DFVs story but also has some juicy parts. I think Red in this is a bit like the reddit crew (us) keeping tabs on his story but DFV is saying to escape like him it takes pressure and time (could be gamma squeeze, could be LEAPS, could be DRS, could be holding and buying, could be ALL of it) but all it takes is time and pressure. The memes he posted i wonder if some of those have found their way into various subs over the last 3 years without any of us knowing it came from DFV. The steam he screenshot has been spoken about a lot this morning but it seems to come from one of his youtube streams when GME last broke $30.
Hope you enjoyed these takes.
Love ya DFV

Song Lyrics I connect to
I listen to a LOT of music, so I’ll just go with some I really connect to
All the lyrics from Fire Drill by Melanie Martinez but I’ll pick a few
“Crying inside cause nothing I say ever comes out right” -Fire Drill
“I’ve never fit into any category Always deemed an outcast” -Fire Drill
“I’m bad at public speaking But I’m speaking now so hear me out I personally believe that everyone is fully capable of more than what they’re doing All of the bullying All of the screwing around with people they don’t really know” -Fire Drill
“I am not apart of anything that is hateful Love is seeping out my pores, I don’t feel anger anymore, even for people who hurt and betray me” -Fire Drill
“I’m just another teenage tragedy And life keeps draining my batteries” -Teenage Tragedy- Rory Webley
“You don’t want to know me, I will just let you down” -Castles Crumbling- Taylor Swift
“Now they’re screaming that they hate me Never wanted you to hate me” -Castles Crumbling
“I’ve got a smile cut into my cheeks I hide things when I speak Looks like I mean it I guess I’m a joker My hairs burnt from the bleach I hope you like what you see Need you like me I guess I’m the joker Why so serious?” -Joker, Rory Webley
“The thoughts in my brain, I’m going insane I’m somebody Arkham Asylum could never contain” -Joker
“Seems kind of dumb to worry bout good grades when this generation’s dealing with its own black plague”—Everybody Dies, Rory Webley
“It’s kinda sad to watch your superheroes fall from grace”- Everybody Dies- Rory Webley
“Feels like I’m dead before I’m even in the casket” -Everybody Dies
“Telling me that the end’s getting closer While I’m sitting on my phone scrolling TikTok turning my brain into a toaster” -Everybody Dies
“Your heart’s too big for your body That’s why it won’t fit inside You pore it out where everyone can see” -Crybaby, Melanie Martinez
“So what if I’m crazy, all the best people are”—Mad Hatter, Melanie Martinez
“You and I’ll be safe and sound” -Taylor Swift, Safe and Sound
“Why do I always spill? Feel it coming out my throat Guess I better wash my mouth out with soap” -Soap, Melanie Martinez
“Why’d I put my heart on every cursive letter?” -Melanie Martinez, Pity Party
“Why not me?” -Washing Machine Heart, Mitski
“What was I made for?” -What was I made for- Billie Eilish
“Loving you was lethal, guess that makes me evil” -EVIL, Melanie Martinez
“If you bite my hand again I will never feed you” -Melanie Martinez, EVIL
“I like shiny things but I’d marry you with paper rings You’re the one I want And I hate accidents Except when we went from friends to this”-Paper Rings, Taylor Swift
“I see things that nobody else sees”- Dollhouse, Melanie Martinez
“I’ll try not to starve myself Just because you’re mad at me” -Tv- Billie Eilish
“It’s you that I lie with As the atom bomb locks in”—As The World Caves In- Matt Maltese
“I’m not cool and I’m not smart and I can’t even parallel park 🤪” -brutal- Olivia Rodrigo
“Who is in control?” -Control, Halsey
“Go on and step on me” -Step On Me- The Cardigans
“You’re perfectly imperfect, You’re hurting but you’re worth it You don’t know why I would waste my time But I’m falling and I mean it I want you like I need it There’s nothing you could try to change my mind Cause I’m In Love With You” -Perfectly Imperfect, Declan J Donavan
“Your body is imperfectly imperfect Everyone wants what the other one’s working” -Orange Juice, Melanie Martinez
“My heart just burst like the glass balloon I let it fly too high and it shattered to soon” -MARINA, Hermit The Frog
“I’ve been chosen last since the kindergarten” -Chosen Last, Sara Kays
“I’m so sick of myself” -jealousy jealousy- Olivia Rodrigo
“The world will feel the fire and finally know” -The World Will Know- Newsies
“Just an appendage live to attend him so that he never lifts a finger” -labour- Paris Paloma
“Im more than my body” -Body, Jordan Suaste

So yeah... this is a post where I review all 5 Cage The Elephant albums. Pretty simple. These are all reviews that I originally wrote on an app/website called "Musicboard" over the past couple weeks, but I've copy-pasted them here for your reading convenience. Hope you enjoy & I hope to to talk about these albums with you!
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Self Titled

Probably their weakest album to date, but still a pretty solid debut overall.
I hate to be so predictable, but the best song here is still “Ain’t No Rest for The Wicked”, and it ain’t even close. It’s extremely fun & catchy, it’s the album’s most sonically distinct piece BY FAR, and it’s storytelling/pacing are both absolutely flawless. A track that absolutely deserves it’s iconic status.
Even though the record’s best isn’t up for debate, there are some other pretty good highlights as well. “In One Ear” is a very solid opener for the project, “Judas” gives us consistently excellent lyricism, and “Tiny Little Robots” has an uncharacteristically super atmospheric bridge which makes it stand out quite a bit. It also transitions super smoothly into the following “Lotus” who’s engaging pacing, beautiful chorus, & satisfying climax make it another easy favourite for me.
But then beyond the lovably visceral energy of it’s closer, “Free Love”, Cage The Elephant’s self-titled debut really doesn’t give me a whole lot more to talk about. It’s got consistently great musicianship, a decent number of highlights, and some bizarrely excellent song transitions, but the album has a really bad case of being FAR too samey. Everything outside of the tracks I’ve already mentioned blend together in my mind almost completely. None of them are bad, but none of them are particularly memorable either.
This album is still pretty good at the end of the day, some solid garage rock fun, but Cage’s later projects would all feel a whole lot more distinct & purposeful.
Best Songs: Ain’t No Rest for the Wicked, Lotus, & Free Love.
Weakest Songs: Drones in the Valley, Soil to the Sun, & Back Stabbin' Betty.
This album gets a strong 7/10 from me.
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Thank You, Happy Birthday

It may be a little all over the place, but it’s still a pretty big improvement over their debut.
For one, the sound of this album is FAR more lush & vibrant than that of their debut. The guitars here are especially brimming with so much more life & colour than they were on their self-titled record. Another big improvement is that record is how much more variety this album has. It’s an incredibly stylistically varied project, and while that does lead to it feeling a little messy every so often, it’s all still held together very well by excellent & super aesthetically consistent production.
The album starts out quite strong with “Always Something”. The ominous guitars, raw vocals, & slight electronic elements all combine to make for a rather gripping opener. Other highlights include “Shake Me Down” which I love for it’s percussive acoustic guitars & personal childhood nostalgia, “Aberdeen” which I love for it’s super catchy melodies & powerfully mixed guitars, as well as “Right Before My Eyes” which has a similarly excellent sound & a surprisingly moving chorus.
This record also contains a lot of the most loudly abrasive material that Cage have ever released... to very mixed results. You have tracks like “Sell Yourself” & “Doctor Help Me” which are just sorta forgettable, a song like “Indy Kidz” which has a fantastic instrumental alongside an unfortunately & obnoxiously tryhard vocal performance, but then you have “Sabertooth Tiger” which is actually one of my TOP favourites here. The chaotic viscerality of this one feels so much more natural than those other tracks, as well as SO MUCH more invigorating. I really wasn't expecting to love it so much upon revisiting it today, but it very much surprised me.
On the other side of the coin, we also have a couple distinctly lowkey moments that I’d like to talk about. “Rubber Ball” is a very pleasant track with a slightly jaunty charm to it, but even more pleasant than that is “Flow”. My favourite song on the whole album. It’s not a particularly sad song, nor is it like STUNNINGLY beautiful, and yet… I often find myself close to tears when listening to it. If I had to put the feeling into words, I’d say that the atmosphere of this song is so perfectly tender & existentially content that it’s… genuinely overwhelming. I yearn to forever exist within the powerful sense of peace that this song provides, but I can only do so for 3 minutes at a time & that makes me wanna cry.
Overall, “Thank You Happy Birthday” is just a WAY more consistently enjoyable project than their debut. It has cleaner production, a far more memorable aesthetic, a greater sense of sonic exploration, better vocals for the most part, MUCH higher highs, and far fewer lows as well. Other than those “forgettably abrasive” songs which I talked about 2 paragraphs ago, the only significant lowlight for me would be the underwhelming closer that is “Carry Me In”. The record honestly should’ve just ended with “Flow” cuz these final 2 tracks which come right after just aren’t very interesting.
But yeah, other than having a significantly weaker closer, this album is an improvement over their first in every single way.
Best Songs: Flow, Sabertooth Tiger, & Aberdeen.
Weakest Songs: Doctor Help Me, Carry Me In, & Sell Yourself.
This album gets a light to decent 8/10 from me.
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Melophobia

Don’t you love it when an overall “pretty good” discography randomly contains one genuine masterpiece?
I absolutely ADORE this record, and I don’t even consider Cage The Elephant to be one of my all time favourite bands. They probably wouldn’t make my Top 25, but “Melophobia” specifically is easily one of the best albums I’ve ever heard, and (now that I no longer listen to Arcade Fire) my personal favourite release of 2013. At the very least, it’s a stiff competition between this & Daft Punk’s “Random Access Memories”. I’ve gotta go track by track with this one in order to effectively convey my love for it so buckle in!
“Spiderhead” is a genuinely perfect opener for the record. It conveys to us ALL of the project’s best qualities while never feeling like it’s spoiled the album for you. The best is still very much yet to come. We’ve got scuzzy guitars that feel both authentically raw & immaculately produced, super catchy melodies delivered through a very precise yet slightly wild vocal performance, and also this really cool “glitched tempo change” at the end which gives this specific song a very unique flare.
“Come A Little Closer” is probably the most popular song here, and while it’s not my personal #1, it is still absolutely deserving of that status. The verses ease us in with a super slick bassline, some incredibly atmospheric guitars/synths, as well as a grippingly moody vocal performance. All of which come to a head on the track's spectacularly explosive choruses which still manage to fit the song’s moody tone flawlessly. The bridge here is also excellent with an extremely effective build to the song’s final & most explosive chorus. LOVE this track. Iconic shit.
“Telescope” is even more iconic though. It’s the best thing that Matt Schultz has ever written & it’s not even a contest honestly. We open with some tenderly playful synths which eventually give way to an equally playful yet distinctly melancholic vocal performance & lyrical story. This leads to the song’s incredible chorus which only becomes more emotionally powerful each & every time it’s repeated, but it’s the bridge here that really elevates the track into something truly spectacular. It’s so instrumentally frantic & vocally raw while still miraculously fitting into the song’s overall tenderly melancholic atmosphere. Such an evocative masterpiece. Unquestionably one of my favourite songs of all time.
“It’s Just Forever” is frequently maligned as the album’s one & only dud, but other than some admittedly awkward tonal whiplash between it & the last song, I still think it’s a fantastic addition to the record. We’ve got some wonderfully visceral guitars, a delightfully wild guest vocal performance courtesy of Alison Mosshart, and an outro that predicted the “Untitled Goose Game” OST six years in advance. What’s not to love?
“Take It Or Leave It” has a super chillaxed atmosphere all throughout, but never in a way that becomes boring. The chorus is super catchy, I enjoy the slight country-isms of the track, and the guitars sound amazing… but that’s definitely starting to become a moot point in this review. SUCH a vibe of a song.
“Halo” is probably the least uniquely remarkable song here. I don’t really have anything specific to say about it, but don’t think for a second that I mean to imply it’s even remotely weak. It’s still a banger.
“Black Widow” is an absolute BLAST of a song. The gritty rock’n’roll instrumentation along with those seductive vocals are obviously fantastic, but the star of the show here is undoubtedly the brass elements. The blaring horns on this track, whichever ones they are exactly, are sheer musical euphoria. That brief moment during the bridge where they completely overpower the rest of the mix is especially stunning. This is another one of those songs that I often hear people proclaiming as one of the album’s worst, but I think those people are weak. This song is nothing short of SPECTACULAR. Such a wonderful rush of visceral energy.
“Hypocrite” serves as a very nice change of pace for the record. The incredibly unique drum rhythms & overall slow pacing really make it stand out here. We’ve got a decently moving chorus, some nice brass elements yet again, and while said brass elements aren’t nearly as impressive as last time, these horns still fill out the mix very nicely & aid the song in having an even more unique energy than the aforementioned odd drumming was already giving it.
“Teeth” is the most perfectly unhinged thing that Cage The Elephant has ever released. In my review for their previous album, I talked about how certain tracks there often struggled to nail the balance of “controlled chaos”. Songs from that record which attempted this mostly just felt messy instead of compellingly scatterbrained. “Teeth”, on the other hand, achieves that balance effortlessly. Everything about this track is marvelous madness. The frantically abrasive guitars, evocatively strange lyrics, rivetingly unrefined vocals, and OH MY WORD that outro. After being a badass rock song for about 3 minutes, this shit randomly decides to basically become spoken word jazz at the end, and it works miraculously well. The lethargic bassline, the dour brass elements, the lyrics rich with meaning that’s hard to fully grasp. The whole thing is genuinely quite unnerving, but in a way that’s always still very enjoyable to listen to.
“Cigarette Daydreams” is a very interesting closer for this album. The acoustics & pianos are both incredibly pretty, the vocals & melodies are both really moving, and the whole experience is extremely immersive with it’s atmosphere. It’s a truly beautiful song on it’s own as well as an extremely anticlimactic ending for the record. But to explain why I actually mean that as a positive, I need to talk about “Teeth” again. Keep in mind that everything I’m about to say here has absolutely NOTHING to do with the lyrics of these songs. It’s simply my mind creating a story by interpreting the emotional atmospheres of both tracks.
“Teeth” is like witnessing or being involved in some sort of traumatic event. It’s a chaotic mess that leaves you deeply unsettled. Horrified even. Like being the bystander to a uniquely bad car crash. The kind where gorey death is very clearly visible. “Cigarette Daydreams” contrasts “Teeth” by being easily the most tender & simplistic song on the album. It’s very comforting with it’s musicality, but what I love here is that it’s not quite “cathartic”. It’s not a release of tension or an eradication of negative emotion. It’s like being frozen with shock after witnessing this crash before someone else eventually arrives to comfort you. This comfort feels nice & brings you back to your senses, but you’re still not ok. You still witnessed something horrible & a quick bit of comfort isn’t going to immediately fix that.
That’s the story I read from the tonal dichotomy between these 2 songs. A story of horror followed by incomplete comfort. It’s not a satisfying ending for me, but it’s such a specific & evocative kind of dissatisfaction that I can’t help but be fascinated by it. A super cathartic track full of positive emotion & grandiose beauty wouldn’t have worked here at all. Something quietly comforting that’s lacking in huge catharsis is the only way this could have gone. It’s the only ending that makes sense directly after a track as wild a “Teeth”. Again, NONE of this has anything to do with the lyrics. Just sheer emotion.
In conclusion though, I really fucking love “Melophobia”. It’s got perfect pacing, perfect production, tons of variety, so many excellent highlights, and one of the most memorable album endings I’ve ever experienced. The band’s whole discography is undoubtedly quite good, but this record is still LEAGUES above anything else that came before it, and so far, anything that has come after.
Best Songs: Telescope, Black Widow, & Come A Little Closer.
Weakest Songs: haha no.
10/10. Masterpiece.
____________________________________________

Tell Me I'm Pretty

It’s a HUGE downgrade from the last album, but still a decent enough listen.
It’s a stiff competition between this & their self-titled when we’re deciding which Cage The Elephant album is the weakest. They both exist on pretty much equal levels of “unremarkably decent”, but I think I’d probably give “Tell Me I’m Pretty” an ever so slight edge over their debut. Even though I’m ultimately gonna give them the same rating, I think this record has a few more significantly notable qualities.
“Cry Baby” is a very solid opener & “Mess Around” is a delightfully nostalgic single in spite of literally just being a Black Keys song, but it’s only on tracks 4-7 where this album really hits it’s stride. “Too Late To Say Goodbye” is very methodically emotive, “Cold Cold Cold” has some super fun percussion & an engagingly dazed sense of atmosphere, and “How Are You True” is one of the prettiest songs in the band’s whole catalog. The choppy vocal effects are extremely immersive, and the lowkey energy of it all is wonderfully hypnotic.
It also transitions very naturally out of the song right before it. That song being “Trouble”. The strongest piece of this album by a pretty wide margin. The backing vocals are beautiful, the chorus is really impactful, the acoustic elements are particularly well utilized, and the whole thing truly feels “Melophobia quality” while still being sonically distinct from that project. After this 4-7 stretch however, the album’s final 3 tracks don’t give me a whole lot to talk about.
I enjoy the spaghetti western vibes of “That’s Right” decently enough, but “Punchin’s Bag” is one of the most forgettable songs that CTE have ever made, and even though it’s a decently fun track on it’s own, “Portuguese Knife Fight” has almost no real impact as a CLOSER. Which is particularly disappointing coming right off the heels of a record with one of the most impactful endings I’ve ever heard.
So yeah… “Tell Me I’m Pretty” definitely isn’t bad, but it definitely ain’t special either. It’s unenergetic in a way that mostly feels ill fitting of the band, Dan Auerbach’s production is solid but also extremely homogeneous, and lots of Matt’s vocals here feel way more “performative” than they do natural and/or “from the heart”. I do still enjoy this record for it’s excellent musicianship, generally solid song writing, and handful of wonderful highlights, but something definitely feels a little off about it all.
They just weren’t in peak form here. Which, again, is not a very pretty look right up against one of the most PEAK albums of the 2010’s.
Best Songs: Trouble, Cold Cold Cold, & How Are You True.
Weakest Songs: Punchin’ Bag, Sweetie Little Jean, & Portuguese Knife Fight.
This album gets a strong 7/10 to me.
____________________________________________

Social Cues

Not without it’s problems, but undoubtedly some of their strongest material to date.
This is pretty easily their 2nd best album if you ask me. It’s nowhere NEAR as good as 2013’s “Melophobia”, but it’s not like I ever expected them to reach those heights again. Cage The Elephant are an overall “pretty good” band with one exceptional masterpiece that came out of nowhere. But in terms of the rest of their “pretty good” discography, this is a very enjoyable album… even if it is VERY front loaded. Tracks 1-7 are all fantastic with only one exception, but then tracks 8-13 are all super forgettable outside of a couple key exceptions.
Let’s talk about that excellent first half though. “Broken Boy” is an immediately gripping BANGER of an opener with viscerally crisp production, The Title Track has a wonderfully psychedelic soundscape to it & one of the band’s catchiest choruses ever, and “Night Running” is a song that’s always gotten way too much hate in my opinion. I can KINDA understand the aversion to how sheerly radio friendly it is, but the vibes are again delightfully psychedelic, the Beck feature suits the track flawlessly, and there’s this extremely appealing sense of… idk “fuzziness” to the production on the chorus. Super sonically satisfying stuff.
Other great moments from this first half include “Ready to Let Go’ which was a perfect lead single for the record, as well as “Skin And Bones” which has a really moving chorus & some beautifully implemented strings, but easily the HARDEST banger of the whole project comes to us in the direct middle. “House of Glass”. This is one of the spectacularly wild things they’ve ever put out & it’s an absolute BLAST to listen to. The sly vocals, viciously vigorous guitars, and perfectly chaotic production all come together to create one of their best songs to date. LOVE IT.
Now for that relatively lackluster 2nd half. “The War Is Over” actually grew on me quite a bit this time around which I wasn’t expecting, but we still have songs like “Dance Dance” which feel distinctly lacking in creativity, “Tokyo Smoke” which frankly just feels kinda aimless to me, as well as “What I’m Becoming” which, in an attempt to sound soft & lowkey, just comes across as rather drab. These songs are all still “decent” at the end of the day, but they absolutely do not live up to the consistently high quality of that first half. Where this 2nd half DOES shine however are in it’s softer moment’s that aren’t “What I’m Becoming”.
“Love’s the Only Way” is SUCH a lovely track. The light guitars, the ethereal string sections, the tender vocal performance, the vividly “late night” atmosphere of it all! It’s easily one of the most beautiful glimpses into their softer side that the band have ever given us, but even more beautiful than that is the album’s closer & best song BY FAR, “Goodbye”. The lyrics are absolutely heartbreaking, the pianos are extremely moving in spite of being so very simple, and the bridge here is beyond fascinating to me.
There’s this part of it’s instrumental that’s either a muted piano or the pitched down plucks of an orchestral stringed instrument. Whatever the hell it is, it gives me chills damn near every time I hear it. There aren’t even lyrics during this part, but it still manages to be one of the most evocative depictions of sadness that I’ve ever borne witness to. Undeniable proof that sound alone can often speak SO MUCH louder than words. This has been my go to “depression song” for YEARS now & I don’t see that changing any time soon.
So that’s “Social Cues”! It’s definitely got some issues, but I still like it quite a bit. It’s got a really fun new sound for the band, a decent amount of variety, consistently excellent lyrics that are largely about Matt’s, at the time, recent divorce, and some of the highest highs in their entire discography. It’s undoubtedly frontloaded, but still a very satisfying album experience overall. I mean it’s kind of impossible NOT to be satisfied with a closer this stellar.
Best Songs: Goodbye, House of Glass, & Social Cues.
Weakest Songs: What I’m Becoming, Black Madonna, & Tokyo Smoke.
This album gets a decent 8/10 from me.
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Well that's the post! Hope you enjoyed reading it & I'd love to discuss any & all of my takes in the comments!

First, we need to keep this lyric from Guilty As Sin? in mind: "I keep these longings locked in lowercase inside a vault"
I think it may mean that folklore and evermore are heavily Matty coded (which I think we all know by now) but the second part is about the vault tracks on her re-records!
Let’s dive in!
💛You All Over Me: “I lived, and I learned, had you, got burned. Held out, held on, God knows, too long. And wasted time, lost tears, swore that I’d get out of here. But no amount of freedoms gets you clean. I’ve still got you all over me.”
💛Mr Perfectly Fine “Mr. Never Had To See Me Cry” - ghosted “So dignified in your well pressed suit” Ends with: “You said you’d never go away”
💛We Were Happy “When the porch lights were shining bright” “No one could touch the way we laughed in the dark”
💛That’s When “Then through the phone came all your tears” Ends with: “that’s when I miss you, that’s when I want you that’s when I love you, that’s when…”
💛Don’t You “You don’t know how much I feel, I love you still” “Sometimes I really wish that I could hate you. I’ve tried but that’s just something I can’t do” Ends with: “so why don’t you, don’t you?”
💛Bye Bye Baby “It wasn’t just like a movie. The rain didn’t soak through my clothes” “Lost in the gray” “Cause I still love you, but I can’t”
❤️Better Man “I just wish I could forget when it was magic” “Sometimes in the middle of the night I can feel you again” “I just miss you and wish you were a better man” “I know I’m probably better off on my own that needing a man that could change his mind at any given minute” Ends with: “you would’ve been the one if you were a better man”
❤️Babe Ends with: “what about your promises?”
❤️Message In A Bottle “A message in a bottle is all I can do. Standing here, hoping it gets to you” “How is it in London?” Ends with: “and now I’m standing here, hoping this gets to you”
❤️Forever Winter “He’s up 3am, pacing” “He’s up 5am, wasted” “If I was standing there in your apartment I’d take that bomb in your head and disarm it” “I’d say I love you, even at your darkest” Ends with: “Believe in one thing, I won’t go away”
❤️Run “There’s a chain round your throat, piece of a paper where I wrote “I’ll wait for you”” “Let’s run, run from it all” “And the note from the locket, you keep it in your pocket” “There’s been this hole in my heart. This thing is a shot in the dark” “Say you’ll never let them tear us apart”
❤️The Very First Night “I miss you like it was the very first night” “I drive down different roads but they all lead back to you” “Back then, we didn’t know we were built to fall apart” “Chase me down through the hallway” “I’m the one on the phone as you whisper “do you know how much I miss you?”” “I wish we could go back in time” Ends with: “take me away, to you, to you”
💜Electric Touch “All I know is this could break my heart or bring it back to life” “Got a feeling your electric touch could fill this ghost town up with life” “I’ve been left in the rain, lost and pining” “I’ve gotten used to no one calling my phone”
💜I Can See You “You brush past me in the hallway” “I’ve been watching you for ages” “I spend my time trying not to feel it” “You won’t believe half the things I see in my mind” “I could see you in your suit and necktie” “I can see you waiting down the hall for me”
💜Foolish One “Stop checking your mailbox for confessions of love” “You know how to keep me waiting” “And maybe someday when we’re older this is something we’ll laugh about” “You haven’t written me or called”
🩵Slut! Originally recorded with The 1975 as a feature “What if all I need is you?” “Love to think you’ll never forget” “Handprints in wet cement” “Adorned with smoke on my clothes” “In the tangerine neon light”
🩵Say Don’t Go “We’re a shot in the darkest dark” “The waiting is a sadness” “Fading into madness” “I hold my breath a little bit longer” “Half way out the door but it won’t close” “I’m holding out hope for you to say Don’t Go” “Why’d you whisper in the dark?”
🩵Suburban Legends “I know that you still remember” “Tick-tock on the clock, I pace down your block” “Waves crash on the shores, I dash to the door. You don’t knock anymore” “My whole life’s ruined” Ends with: “And I always knew it. That my life would be ruined”
What do you think? I for one am sold and cannot WAIT for the reputation vault tracks even more now!!

Plot

When the Traveling Baboon Show led by Uroho arrives in the Pride Lands to perform their show, they end up stealing the other animals' food. After chasing the baboons to the Outlands, the Lion Guard has to come to their rescue when they are cornered by Janja, Cheezi, and Chungu.

Song: "The Traveling Baboon Show"
Pros
-There aren't that many pluses to this episode, for me. However, I did like Kion and Ma Tembo's interactions in this. This episode feels like a precursor of their "child/adult friendship" for the rest of Season 2. I like their interaction at the start and when they discover there's a food thief. Unfortunately, they are not enough to save this episode.
-"No, but, we will hear you chewing," Fuli, Misophonic icon.
-"Me too! I was in a panic, let me tell you!" Thurston. It's funny because he's always in a panic.
-"I like 'em better on my inside than my outside," Bunga, best line in the entire episode.
-I will admit, I do like the addition of Yellow Baboons in The Lion Guard because they are a different species of baboon than the rest of them in the Pride Lands. So, I like that the animators added a new species for the kids. It's just really unfortunate that they made them really unlikable and annoying.
-"Or, if you're a zebra, panicking and running!" Alright fine, that was the funniest Uroho line in the whole episode, but, I still hate him.
-"It's funny because it's true," Thurston, at least he's aware of it. What an icon.
-I've always loved Ono in this episode because I empathise with him and I feel his frustration. "Yes, they're hysterical. Ha ha," I love his sarcasm. He hates them as much as I do.
-Beshte, "Like my dad says, it's not fair to take more than your share." Wise words from Basi. Also, I always loved when Beshte recites his father's sage advice.
-Ono, speaking nothing, but facts, "Plus, some zebras are afraid of.... bugs!"
-Bunga's "Baboons" was a funny line in the episode. He understands where Fuli and Ono are coming from by then.
-Cheezi and Chungu were funny at first, but it got old really quickly as soon as the baboon trio arrived into the Outlands. "You know what would taste really good right now?" Anything?" I can't deny how much I love these two, even if they can't save this episode.
Cons
-Okay, while the idea of there being a food thief in the Pride Lands sounds cool, the series has already explored that in episodes like "The Kupatana Celebration" and "The Call of the Drongo" and we saw two different outcomes. In the former, Reirei and the jackals got punished for stealing food and for scamming the animals of the Pride Lands, and in the latter, Tamaa was stealing food at first, but did learn from and correct his mistake. I find the two of them much more watchable than this lackluster episode. Plus, nothing thrilling happens in this episode, it's just the Lion Guard investigating on area of the Pride Lands and very slowly trying to piece together who the food thieves are. Plus, they don't even ask around and no animal is in any real danger, here. We don't get a change of scenery, apart from the baboons' performance and the one area of the Pride Lands.
-Okay, as I already said, this episode is a complete rehash of "The Kupatana Celebration", "The Call of the Drongo" and "Ono's Idol", which are much better episodes than this and have more going on. We already had the whole "food thief" plotline in the first two and it was way better. It's very predictable with any twists and turns, and it's not very interesting. I thought the dialogue was quite weak. We can all guess exactly what will happen even if we've never it before (I have watched it when it premiered). Also, I thought the baboons were weak antagonists, personally with no redeeming or interesting qualities, whatsoever. But seriously, switch out the baboon trio for Reirei's pack or Tamaa, and it's the same story, except that the jackals actually got their comeuppance and Tamaa learned his lesson.
-The baboons are very unlikable and I don't feel like they earned their redemption arc at all. At least, with Tamaa, he wasn't entirely antagonistic in his episode, he was more morally-grey and he was unable to gather food for himself. So, we can kind of feel bad for him. Also, Tamaa was, deep down, aware that he was in the wrong for stealing and he actually took the initiative to correct his mistake in the end, no prompting from the Lion Guard. With Hadithi, in his episode, he did have a conscience deep down all along and felt guilty for always lying to Ono. He also feels guilty during the ceremony and makes a proper effort to apologise and help Ono, and even commends the young egret at the end for his act of heroism. Those were both examples of "Selfish character learns to put the needs of others before their own" done right.
-Another reason I think that the baboon troop had no qualms about stealing food and going against the circle of life, is that they kept juggling and throwing Ono around against his will because they knew he would figure it out and expose them as the thieves. I don't think they actually wanted him as part of the act, I think they intimidated by his presence. Also, the circus soon becomes clear that it's just a cover up to throw the Pride Landers off, so, they can't be exposed. When eventually Ono figures out that they are the thieves, Uroho tries to talk himself out of trouble, but to no avail, just like Reirei had tried when her pack were discovered. So, overall, I think the baboons were very aware that they were in the wrong, but, didn't care, they only cared about being popular from performing.
-"Bunga and the Baboons" would've been genuinely funny, to me, except for the fact that we'd already seen the baboons mistreating Ono against his will by forcing him to be part of the act. I have to wonder, I know Bunga is being Bunga, but, why would he want to do the act when Ono, one of his best friends, is being thrown around by said baboons.
-That's another thing, I really don't like Ono being treated as the Butt-Monkey. I don't like his mistreatment from Mwevi and Mwizi, and the fact that no one on the Lion Guard does anything to prevent it. I thought Kion and his friends were a little bit mean here, the way they laughed at Ono even though he was clearly being roped into a performance he didn't want to be in. "What the hell, guys! This is your friend, Ono, and a valuable member of the Lion Guard. Why would you guys just stand there and not intervene when he's clearly being juggled around, screaming?" That doesn't sound like any of them. Kion has pounced on several of the bad guys for trying mistreat his friends and allies, as well as trouble-making and he's also pounced on Hafifu and Majinuni for messing with some pangolins." Why wouldn't he just pounce on Mwevi and Mwizi right then and there, for his friend Ono?
-"It was pretty funny when they juggled you like a sausage fruit." and "Funny! That was hilarious..." No, it was not. I think was the one time I didn't like Beshte's character and Bunga's, for that matter. I don't like that they do not defend Ono even once and that they're laughing at his annoyance.
-"Come on, Bunga. Who are gonna believe, your friend, Ono or a couple of baboons?" Thank you, Fuli. I really don't like these stupid or mindless Bunga tropes that the writers like to throw in. The Bunga I know would believe Ono, in a heartbeat! Plus, Bunga has already proven before that he is, in fact, intelligent when he needs to be. So, I hate this trope of stupid, idiotic, "doesn't-know-where-he's-been Bunga". Also, the whole "Hi" joke was pointless. He already knows that Ono was referring to him and the rest of the Lion Guard. So, what was the point?
-Thurston is really rude in this episode. I don't like obnoxious and rude Thurston. "Excuse me, I believe I had something very important to say." Thurston, you'll get your turn to speak eventually.
-I really loathe Ono being made the butt of every joke with the baboon trio. He deserved so much better and he shouldn't have been made for cheap laughs, in this episode. "Ono, why would you keep letting them treat you like this, my friend? You should've seen it coming the second and third time." I dare you guys to name a single Ono fan who enjoyed this!
-Mwevi and Mwizi were obnoxious with the way were stealing and hoarding food from other animals in the Pride Landers. As Pride Landers, they should know that, as a general rule, you're not allowed to steal and that it goes against the circle of life. There's also the fact that they continued to hide the evidence, even after Ono caught them red-handed, further proving my point that they must feel no guilt about it.
-It's doubly a crime against nature because they did it so close to the Dry Season and didn't even apologise or own up to what they did. This makes them absolute scumbags since food scarcity is extremely high during the Dry Season. Another reason why I don't think they have earned their redemption and why it could've been much better. They also ran away from Kion and the Lion Guard instead of, I don't know.... turning themselves in.
-I don't like how the baboons are invading everyone's space as part of their act. Audience participation has to be a personal choice and shouldn't be forced upon someone. Not only did they force Ono to perform by just throwing him around, but, they also went around invading everyone's personal boundaries and using them in their act. First, with Fuli, when Mwevi and Mwizi jumped on her back without permission, despite the fact that she didn't like it, and also the fact that Uroho purposely used Ma Tembo's trunk for the act without her permission. I don't like the fact that they just make all the animals be in the show against their will and without a slight care for personal space.
-Uroho, "Sorry, but, I'm not sorry!" Uroho, you're such a jerk. See, the writers are literally handing me proof, on a silver platter, that Uroho and his troupe did not feel any guilt for their actions and, therefore, didn't earn their redemption arc in the end. Also, I don't like the fact that he didn't show any sign of redemption until after the Lion Guard saved them. So, did he actually genuinely want to reformed or did he just do it to repay the Lion Guard, because they saved him even when he did not deserve it and to get back into the Pride Lands. I mean, for God's sake his name means "Gluttony" for a reason and Mwizi means "Thief/Burglary" for a reason.
-Now, I do feel bad for Janja in this episode. I feel so bad that he's considered the villain of this episode. Damn it, I never wanted to side with Janja, but, in fairness, he was not doing anything wrong, like he is in most other episodes. 99% of the time, I can see why the Lion Guard need to chase away the hyenas because Janja has an ulterior motive most times, but, in this situation, I just wanted to see him eat for a change. I'm not saying the Lion Guard shouldn't have felt bad that the baboons had ended up in the Outlands, but, I think they should've cut Janja some slack this time around. Plus, Kion was initially saying how the baboons are not in the Pride Lands and therefore, not their problem, anymore. But, suddenly, for no real reason other than "Well it's our job to defend the Pride Lands", they decided they must save the baboons. In this situation, and this situation only, I think they were unfair to Janja. When does get to eat in his OWN TERRITORY!!!!
-Kion, "Stop right there, Janja! Step away from the baboons!" Really Kion! Could you not give him a break this time around? He didn't do anything wrong and wasn't taking down whole herds of animals to spite you. Those are the situations where he deserved to get his butt kicked, but, not here. I refuse to acknowledge him as the villain of this episode! He did not have an ulterior motive this time around, he was just hungry. Plus, you didn't even want to go into the Outlands, in the first place. I also don't get what the Lion Guard were intending to do to them as punishment for stealing food. If they didn't intend for them to be in the Outlands, why did Kion say, "At least we got 'em outta the Pride Lands," and what were they going to do with? This is the bit I can't get my head around because isn't that what they do with animals that don't follow the rules.
-To further prove my point, Kion says earlier on, "It's more than not fair, Beshte, it goes against the circle of life." And the line before where he tells Ma Tembo that the Lion Guard will make sure the food thief doesn't do anything again. So, if you guys what their plan was, please tell me because I don't get it. Were they just intending to attack them as punishment, but then, let them remain in the Pride Lands? Were they going to be watched or under slave labour for Simba and Nala? I don't know, because when Janja and Reirei are breaking rules they are chased out of the Pride Lands, justifiably so. I mean, even though the baboons are Pride Landers, they've been nothing, but trouble, and we have no proof that they would've changed if the Lion Guard hadn't come to their aid. Uroho didn't seem to care about the circle of life and had been antagonistic for nearly the whole episode.
-"They wouldn't be in the Outlands if it weren't for us. We're the ones who chased them there." No, Ono, you guys didn't chase them into the Outlands, you guys broke off to deal with some sable antelopes that fell in the river. The baboons, meanwhile, just ran away so they wouldn't have to own up to what they did and then chased themselves into the Outlands. So, no, it wasn't you guys' doing and you guys' wouldn't have had to take action if they hadn't been stealing food in the first place. The baboons brought this on themselves by putting themselves into a situation where the Pride Landers would be mad at them and then running away instead of actually apologising for their actions.
-I also don't know why Ono would be forgiving of them. "Ono, my friend, they humiliated you like an hour ago and literally tossed you around and stole food. Why would you so eager to forgive them? Don't you think you should be firm? You're the smart after all." I mean, I admire his level-headedness, but, the baboons didn't earn their rescue and needed to be punished for their wrongdoing. And if poor Ono hadn't suffered enough, to end the episode, the baboons just bribed him by throwing him an insect, before selfishly tossing him around again. And yet again, the Lion Guard do nothing. Uroho is still a massive jerk. Ono had just saved his life like 5 minutes ago and this is how he repays him!
-"And for that they deserved to get eaten?" Okay, I do get where Beshte is coming from. I didn't want to see the baboons get killed just because they were mean to everyone in the Pride Lands. I don't anyone should deserve to die, but, at the same time, they did have it coming to them by wandering into Janja's territory in the first place and stealing from them. If it was a situation like "Too Many Termites", it would be a different story, but, here the baboons went into the Outlands on their own and had been nothing except a nuisance within the Pride Lands! I mean, the Lion Guard should've definitely felt bad for them, but, I think they should've let Janja have this, on this occasion.
-"I can't believe you came all this way to save us. Now we feel bad..." Yeah right, Uroho, you knew stealing was wrong all along and you kept doing it. I have my doubts about whether he actually felt bad or if he was sucking up to the Lion Guard to be welcomed back into the Pride Lands. Also, the Lion Guard are very naïve for letting them scott-free with no real punishment except to give free food to the Pride Landers. I get that they're children and that the writers probably didn't want the younger viewers to dislike Kion and his friends in this episode by making them leave the baboons for dead, but, it feels unfair to how the Outlanders get punished for disrespecting the circle of life.
-Finally, I don't the song of this episode "Travelling Baboon Show" was just annoying. It's one of the few TLG songs I can't stand, especially since having watched this episode when it first aired, I found out at the end that the baboons were the main villains of the episodes and kept stealing and making everyone look foolish. Also, they humiliate Ono in front of everyone, during the song. I do think that the lyrics are just plain weak as well, and Uroho is just kind of making the performance a much bigger than it is. It really isn't as hyped up as he makes it out be, in my opinion. I don't listen to this song and I don't really want to revisit it any time soon. I'll give a 2.75/10 because it's the worst TLG song ever.
Overall
I never liked this episode. I think it's got storytelling that wasn't very interesting and it didn't have much happening in it. Also, as I said, we already this storyline twice and doesn't work here, on this occasion. I hate Uroho's troupe so much and I find them extremely unbearable. They're worse than Tiifu and Zuri and Hafifu and Majinuni, for me. I think they're more obnoxious with no redeeming qualities and I don't think they properly earned their redemption arc, unlike Tamaa and Hadithi. They were just annoying and they didn't feel worthy of forgiveness and I hate the way the Lion Guard just decided to treat them like they did nothing wrong and just let them off scott-free when they were clearly breaking the circle of life. I feel bad for Janja on this occasion because he hadn't done anything wrong and the baboons didn't deserve to live in the Pride Lands. I'm very confused about what the Lion Guard were planning to do to them before Janja got to them. The baboons had learned nothing about not stealing basically and continued to annoy Ono in the end. The song was very bad for a TLG song. I found the dialogue weak. The only saving grace was a few funny moments in the first act, but only in the first act and they cannot compensate for how bad this episode was, in my opinion. Overall, I think it had potential and could've been written better. I'll give a 2.5/10 and I don't want to watch it again. But it isn't my most hated episode.

I’m so glad this sub exists because I’ve been annoying everyone in my life with my theories about these two … I figured this would be the right place to post my speculation/lyric breakdowns of songs that they may have written about each other, split into different posts for albums for ease of reading.
Starting with Reputation (2017) – I imagine the failed relationship with Matty was still fresh for Taylor during the writing/recording of this album. Her reference to her “longings locked in lowercase inside a vault” definitely made me look back at Rep in a way I hadn’t before (and I do think we’ll see some Matty-coded vault tracks on TV”. That said I don’t want to erase her other relationships, especially with Joe, so I’ll make notes of where I think I’m either stretching for a Matty connection or I think there are multiple muses.
Special mention to “Getaway Car” which feels like another (fictionalized?) response to Robbers but the story she tells is very similar to her fling with Tom, especially given the third man in the song. I usually claim it for the maylors anyway bc who cares about Tom. Let me know what you think.
“...Ready For It?”
Knew he was a killer first time that I saw him / Wonder how many girls he had loved and left haunted / But if he's a ghost, then I can be a phantom
I can't ignore the connections here to two other songs thought to be written about M - Ghost (2014) and Haunted (2015) by Halsey (I won't bother going into the HalseyMatty lore here but I could in another post...)
"You're a Rolling Stone boy, never-sleep-alone boy / Got a million numbers and they're filling up your phone, boy" (Ghost) "I'm begging you to keep on haunting me" (Haunted) "My ghost / Where'd you go? / I can't find you in the body sleeping next to me" (Ghost)
I can be a phantom holdin' him for ransom / Knew I was a robber first time that he saw me / Stealing hearts and running off and never saying sorry / But if I'm a thief, then he can join the heist / And he can be my jailer
Robbers is one of The 1975’s most famous songs. In the music video two lovers stick up a convenience store - definitely worth a watch if you haven't seen it. In 2014 M dedicated the song to T in Dallas in November 2017 (a week after she attended the concert in LA) here and here
Burton to this Taylor
One of my favorite references that I think reveals a lot about the messy but irresistible relationship M and T seem to have. Here's a link to a great article about the wild love affair between Elizabeth Taylor and Richard Burton.
Every love I've known in comparison is a failure / I forget their names now, I'm so very tame now / Never be the same now
This sentiment is repeated throughout many of the songs I believe are about M. The idea of a life altering love is obviously prevalent across TTPD but also in folklore, evermore, and Midnights. ex. "I'm never gonna love again" (cowboy like me), "I don't remember who I was before you painted all my nights a color I have searched for since" (Question...?), "I felt aglow like this / Never before and never since" (loml)
Also want to mention This Must Be My Dream from 2016, which M has said is about an older gf but may fit: "Let me tell you 'bout this girl / I thought she'd rearrange my world"
No one has to know / In the middle of the night, in my dreams / You should see the things we do, baby
See Guilty as Sin? lol
Baby, let the games begin
Taylor in an interview with Glamour in February 2014:
TS: [Nods. Pauses.] I think everyone should approach relationships from the perspective of playing it straight and giving someone the benefit of the doubt. Until he establishes that this is a game. And if it's a game, you need to win. The best thing to do is just walk away from the table.
CL: Is that winning?
TS: It is when they come back. [Laughs.] And if they don't, then they didn't care enough to begin with.
conclusion: I believe ...Ready For It? is a response to Robbers and reveals M and T's similar romanticism (sometimes toxic but so addicting). The mirrored stylization of ...Ready For It? and Question...? makes me think the latter is a continuation of the former. The mentions of “island breeze” and “we’ll move to an island” have made people believe this song is about Tom Hiddleston but other lyrics, namely “younger than my exes” pretty clearly contradicts that.
"End Game"
I wanna be your end game / I wanna be your first string /I wanna be your A-Team
Funny reading this after The Alchemy and So High School.
Big reputation, big reputation / Ooh, you and me, we got big reputations / And you heard about me / Ooh, you and me would be a big conversation
And they were! Especially because T hadn't been really linked to anyone after Harry, the speculation about her and M came hard and fast. M especially was inundated with questions in the months after the LA and NYC shows.
And I heard about you / You like the bad ones, too
Another possible reference to a Halsey song, this time Hurricane from 2014: "He says, "Oh, baby, beggin' you to save me / Well, lately I like 'em crazy/ Oh, maybe, you could devastate me"
I don't wanna touch you, I don't wanna be / Just another ex-love you don't wanna see / I don't wanna miss you / Like the other girls do
Very reminiscent of The 1975's song Somebody Else, released in 2016, speculated to be about T: "I don't want your body / But I hate to think about you with somebody else"
I hit you like bang, we tried to forget it, but we just couldn't
"Flashbacks waking me up / I get drunk, but it's not enough" (Death By A Thousand Cuts)
And I bury hatchets, but I keep maps of where I put 'em
"I circled you on a map / I haven't come around in so long" (The Alchemy)
Reputation precedes me, they told you I'm crazy
"And they tried to warn you about me" (The Albatross)
And I can't let you go, your hand prints on my soul
"Marked me like a bloodstain" (Cardigan)
It's like your eyes are liquor, it's like your body is gold
So many of the songs speculated to be about M reference his eyes but the most relevant (not the starry eyed motif which we'll get to in the future) are: "Eyes like sinking ships on waters / So inviting I almost jump in" (gold rush) and "But your eyes are flying saucers from another planet / Now I'm all for you like Janet" (Snow On The Beach)
"Deep blue, but you painted me golden" (Dancing With Our Hands Tied)
You've been calling my bluff on all my usual tricks / So here's the truth from my red lips
From the same Glamour article, Taylor talking about her 'trick' when dating:
CL: What's the freeze-out?
TS: You don't respond to any of his texts or calls until he does something desperate [like] shows up. Or he calls and leaves a voice mail. Something that makes it very clear to you that he's interested.
disclaimer: I am someone who thinks the Tom relationship was not that serious for T, so this song imo fits what she may have told us about her relationship with M more, though the beach reference does point to Tom in a way.
"Don't Blame Me"
I've been breaking hearts a long time / And toying with them older guys / Just playthings for me to use
See the quotes from the Glamour article above. "Younger than my exes, but he act like such a man, so" (...Ready For It?)
Something happened for the first time / In the darkest little paradise
May refer to the dark concert venue where they met for the first time (see So It Goes... for more)
For you / I would cross the line / I would waste my time / I would lose my mind / They say, "She's gone too far this time."
Sentiment that is repeated throughout TTPD, but most clearly in But Daddy I Love Him
My name is whatever you decide / And I'm just gonna call you mine
Though this could be a stretch, in the spotify storyline for The 1975's Oh Caroline (2022), speculated to be about T, M said "It's an invented character, where the cadence really mattered. It couldn't be "Oh Linda" or "Oh Jane" [or "Oh Taylor"] - you had to have a 3 syllable that really works. I knew what the song was about, I had felt that about someone before and I got to write an episodic, mini movie about the subject"
disclaimer: If about M, this song is very on the nose with the drug references. Generally it's a very vague song and could easily be about Joe or another ex.
"So It Goes..."
See you in the dark / All eyes on you, my magician / All eyes on us / You make everyone disappear
Likely refers to the first time T saw M in person, when she was front row at The 1975's LA show. All eyes were on M then (including T's)
"Once upon a time, the planets and the fates / And all the stars aligned / You and I ended up in the same room / At the same time" (Mastermind)
Tripping, tripping when you're gone
May relate to Don't Blame Me: "Trip of my life / every time you're touching me"
'Cause we breakdown a little / But when you get me alone, it's so simple
Maybe a stretch but M famously had a breakdown on stage in Boston on December 6, 2014. In an interview with the Guardian he said: “There was girl stuff. There was family stuff. There was financial stuff. There was drug stuff. I remember hearing the crowd and having an identity crisis. I thought: ‘If you want to see a show, I’ll give you a fucking show. If you’ve come to see the jester drink himself into a slumber, I’ll give it to you.’ I felt like I’d become an idea as opposed to being a person.”
“And I was 25 and afraid to go outside” (Give Yourself a Try)
And all the pieces fall / Right into place
"I laid the groundwork and then, just like clockwork / The dominoes cascaded in a line" (Mastermind)
Getting caught up in a moment / Lipstick on your face
"I said, "Don't fall in love with the moment" / She said I've got a lot to learn / Don't fall in love with the moment /And think you're in love with the girl" (She's American)
Come here, dressed in black now
"Yeah, we're dressed in black from head to toe" (Chocolate). Taylor was also wearing all black the night of the LA show.
conclusion: You did a number on me / But, honestly, baby, who's counting? / I did a number on you / But, honestly, baby, who's counting? ( "King of My Heart"
We met a few weeks ago / Now you try on callin' me "baby" like tryin' on clothes
The reason why I don't necessarily think Joe fits. They met at the Met Gala in 2017 and she very quickly started seeing Tom, obviously it could still be him but I wanted to note this.
"Don't call me 'kid,' don't call me 'baby' / Look at this idiotic fool that you made me" (illicit affairs)
And you move to me like I'm a Motown beat
M loves Motown, even sampling a track by The Temptations on Tonight (I Wish I Was Your Boy). He's also always loved dancing, which you can see in the videos for A Change of Heart and Oh Caroline.
Salute to me I'm your American Queen / Say you fancy me, not fancy stuff
He's English, obviously.
And we rule the kingdom inside my room / With all these nights we're spending / Up on the roof with a school girl crush
Totally speculation but M and T hiding out in her NYC home makes a lot of sense from other pieces she has shared about the relationship “My kingdom come undone” (Hoax)
Late in the night, the city's asleep / Your love is a secret I'm hoping, dreaming, dying to keep
Speculation again but fits with the story of M and T as mostly loving each other in secret (see Dancing With Our Hands Tied and Dress)
Is this the end of all the endings? / My broken bones are mending
As mentioned above, T had seemingly taken a break from dating after the breakup with Harry.
disclaimer: Definitely not 100% sure on this one as there is convincing evidence that it is about J
"Dancing With Our Hands Tied"
I, I loved you in secret / First sight, yeah, we love without reason / Oh, 25 years old
M and T were both born in 1989, M was 25 when they first met and dated and T was turning 25.
My, my love had been frozen / People started talking, putting us through our paces / I knew there was no one in the world who could take it / I loved you in spite of / Deep fears that the world would divide us
“A red rose grew up out of ice frozen ground / With no one around to tweet it” (The Lakes)
In an interview with the Guardian Matty said: “The day after she’d been to a show of ours, someone sent me a screenshot of E! News with the headline ‘Who is Matt Healy?’ That freaked me out. I’m not ready to indulge in that world and I’m not ready to be judged by that world.” So sad to read knowing that they dealt with a similar situation nearly a decade later.
Picture of your face in an invisible locket
“Wear you like a necklace” (So It Goes…)
And darling, you had turned my bed into a sacred oasis
“Now you hang from my lips / Like the Gardens of Babylon / With your boots beneath my bed” (cowboy like me)
I'd kiss you as the lights went out / Swaying as the room burned down / I'd hold you as the water rushes in / If I could dance with you again
Reminds me so much of the music video for cardigan, where T slips into a rough ocean and hangs on to a piano. Also from cardigan: “Leaving like a father / Running like water”
“Dress”
Our secret moments in a crowded room / They got no idea about me and you
"Did you ever have someone kiss you in a crowded room / And every single one of your friends was / Making fun of you" (Question...?)
There is an indentation in the shape of you / Made your mark on me, a golden tattoo
M seemingly makes a lasting impression: “Deep blue, but you painted me golden” (Dancing With Our Hands Tied) “The mark they saw on my collarbone” (Maroon) “Marked me like a bloodstain” (cardigan)
'Cause I don't want you like a best friend
T often seems to refer to a friendship with M, perhaps they tried it a few times: “We were supposed to be just friends” (Glitch) “Like you were my closest friend” (Maroon) “Just say when, I'd play again / He was my best friend / Down at the sandlot” (My Boy Only Breaks His Favorite Toys)
And if I get burned, at least we were electrified
“I'd kiss you as the lights went out / Swaying as the room burned down” (Dancing With Our Hands Tied)
I'm spilling wine in the bathtub / You kiss my face and we're both drunk
Many of the possible M songs refer to M and T’s love of wine. “And I can see us twisted in bedsheets / August slipped away like a bottle of wine” (august) “The burgundy on my T-shirt when you splashed your wine into me / And how the blood rushed into my cheeks, so scarlet, it was (maroon)” (Maroon)
disclaimer - Obviously most likely about Joe given the reference to the 2017 Met Gala but I think it was worth a mention!
“Call It What You Want”
My baby's fly like a jet stream / High above the whole scene
Probably a double-entendre. M considers himself slightly on the outside of the ‘scene’ but this can come across as self assurance. This also could refer to literally being high on drugs
Loves me like I'm brand new
After T’s clever use of The Starting Line in TTPD I’m convinced she’s referring to the band Brand New. M posted a Brand New album on his ig story in 2020.
All my flowers grew back as thorns
An interesting contrast to “I once was poison ivy, but now I'm your daisy” from Don’t Blame Me
Windows boarded up after the storm
“I look through the windows of this love / Even though we boarded them up” (Death By A Thousand Cuts)
I'm laughing with my lover
“Laughing with my feet in your lap” (Maroon) “Please don't ever become a stranger / Whose laugh I could recognize anywhere” (New Year’s Day)
Making forts under covers
Matty famously built a fort in ATPOAIM 3. “I'll build you a fort on some planet / Where they can all understand it” (Down Bad)
Trust him like a brother
“Like I lost my twin” (Down Bad)
Starry eyes sparking up my darkest night
So many starry eyed references which is terribly romantic and terribly sad. “Do I really have to chart the constellations in his eyes?” (High Infidelity), “Your opal eyes are all I wish to see” (ivy), “Eyes full of stars” (cowboy like me), and “Gazing at me starry-eyed” (The Smallest Man Who Ever Lived)
I want to wear his initial on a chain 'round my neck
“Picture of your face in an invisible locket” (Dancing With Our Hands Tied) “Wear you like a necklace” (So It Goes…)
I recall late November, holding my breath
Late November fits perfectly into the timeline of M and T’s 2014 relationship. Late October to Late DecembeEarly January makes the most sense.
Slowly I said, "You don't need to save me / But would you run away with me?"
“You're mad thinking you could ever save me. Not looking like that.” (A Change of Heart)
disclaimer: Again lots of Joe references in this as well so take this with a grain of salt.
“New Year’s Day”
You and me from the night before, but / Don't read the last page
From Me and You Together Song (2020): “I think the story needs more pages, yes.” The reference to “the last page” also makes this song feel like more of a reminiscence than a song about a current lover.
I want your midnights / But I'll be cleaning up bottles with you on New Year's Day
Impossible not to reread these lyrics after Midnights was released as a nod to M: “When the morning came we / Were cleaning incense off your / Vinyl shelf ‘cause we lost track of time again” (Maroon)
You squeeze my hand three times in the back of the taxi / I can tell that it's gonna be a long road / I'll be there if you're the toast of the town, babe / Or if you strike out and you're crawling home
Especially after the release of TTPD it seems that both T and M made many promises to each other that they couldn’t keep
Hold on to the memories, they will hold on to you / Hold on to the memories, they will hold on to you / Hold on to the memories, they will hold on to you / And I will hold on to you
The reference to memories here creates a bit of a confusing feeling about the muse for this song. Although T seems to be talking in the present tense I do think these are memories and dreams for a past relationship.
“Hold on and hope that we'll find our way back in the end / Do you think I have forgotten? / Do you think I have forgotten? / Do you think I have forgotten / About you?” (About You)
Please don't ever become a stranger / Whose laugh I could recognize anywhere / Please don't ever become a stranger / Whose laugh I could recognize anywhere
Not much to say about this but ow!
You and me forevermore
Again reminds me of Me and You Together Song (which I do buy as a song at least partially about T). And of course links to Evermore.
disclaimer: This could absolutely be about Joe but it does feel almost like a goodbye to M, closing the album. It’s as if she is reading “the last page”
Congrats if you read this lol. I clearly have too much time on my hands

I will continue to update this post as reviews come in.
Rotten Tomatoes: Fresh
Critics Consensus: Retroactively enriching Fury Road with greater emotional heft if not quite matching it in propulsive throttle, Furiosa is another glorious swerve in mastermind George Miller's breathless race towards cinematic Valhalla.

	Score	Number of Reviews	Average Rating
All Critics	87%	53	8.40/10
Top Critics	77%	22	8.50/10

Metacritic: 82 (31 Reviews)
Sample Reviews:
It all adds up to is a movie that can be darkly bedazzling, and that will be embraced and defended in a dozen passionate ways -- but it’s one that, to me, falls very short of being a “Mad Max” home run. - Owen Gleiberman, Variety
Anya Taylor-Joy is a fierce presence in the title role and Chris Hemsworth is clearly having fun as a gonzo Wasteland warlord, but the mythmaking lacks muscle, just as the action mostly lacks the visual poetry of its predecessor. - David Rooney, Hollywood Reporter
Miller is such a wildly inventive filmmaker that it’s been easy to forget that he keeps making movies about the end of life as we know it... It’s only with “Furiosa” that I now understand he’s also one kick-ass prophet of doom. - Manohla Dargis, New York Times
Taylor-Joy and Hemsworth are a great pairing and Taylor-Joy is an overwhelmingly convincing action heroine. She sells this sequel. 4/5 - Peter Bradshaw, Guardian
This is a film made with purposeful savagery, and with considerable wit and lyricism, too. It has the concentrated intensity of 2015’s Fury Road, to which it is a prequel, and yet it unfolds across a far broader canvas. 5/5 - Geoffrey Macnab, Guardian
A thundering beginning and a searing sense of place fail to compensate for the wearisome repetition and empty theatrics that slowly swamp this much-awaited blockbuster. 2/5 - Kevin Maher, Times (UK)
The film may handle differently to its predecessor, but it’s clearly been tuned by the same engineers. After the pared-down drag racer, here comes the juggernaut. 5/5 - Robbie Collin, Daily Telegraph (UK)
You soon reach the point where you're sick of sand, sick of explosions, sick of off-puttingly sadistic violence, and sick of thunderous drums bashing away on the soundtrack, and yet the film keeps piling on more and more and more of them. 3/5 - Nicholas Barber, BBC.com
Despite its many, many action sequences, and a symphonic cacophony of motorbikes vrooming in the sand, the movie... evolves into a slog that’s working hard to persuade us we’re having a good time, though it may not be actually giving us one. - Stephanie Zacharek, TIME Magazine
Furiosa runs on a high-octane philosophical perspective that finds hope in a hopeless place. Also, a lot of cars go fast and shit blows up. It’s a win-win. - David Fear, Rolling Stone
Furiosa is a fine prelude to that mighty arc. Its initial rattling gradually gives way to the robust and satisfying purr of Miller, despite everything, making it work. - Richard Lawson, Vanity Fair
Action sequences charge forward and build and build, casually leaving all manner of bodies in their wake. - Bilge Ebiri, New York Magazine/Vulture
The chassis may look familiar but there is a very different engine driving Furiosa from that of Fury Road: it’s a rich, sprawling epic that only strengthens and deepens the Max-mythology. It shall ride eternal! 5/5 - John Nugent, Empire Magazine
While it’s absolutely a blast at the cinema, the dizzying heights that Miller drove us back in 2015 aren’t quite matched a second time around. 4/5 - Hannah Strong, Little White Lies
The transition from the young Furiosa (played beautifully by Alyla Browne) to the mature adult (Taylor-Joy) is seamless, and connects well with the version we’ve seen before, in the form of Theron. 4/5 - Ed Gibbs, Time Out
Furiosa: A Mad Max Saga doesn’t feel like an overture for the vehicular carnage of Fury Road so much as it retroactively makes Fury Road feel like a coda for the epic tale Miller tells here. A- - David Ehrlich, indieWire
Furiosa is a jaw-dropping achievement. It’s a hyper-realistic vision of the apocalypse, a Greek myth made into an outsized blockbuster spectacle. - Hoai-Tran Bui, Inverse
The film attests to George Miller’s enduring aptitude for utilizing the ridiculous to achieve the sublime. 3.5/4 - Keith Uhlich, Slant Magazine
High on exhaust and the limitless capabilities of cinema, this no-brakes franchise keeps careening onward as if it could run forever. - Charles Bramesco, Decider
Furiosa is such a thrilling ride, packed with set pieces that are a masterclass in staging action, that it’s a little sad when the plot veers towards the events of the previous movie — because we know that’s where the ride ends. A - Liz Shannon Miller, Consequence
It’s hard to top perfection; it’s the reason why there’s no Citizen Kane, Too or Still Singin’ in the Rain. - Alonso Duralde, The Film Verdict
A big, entertaining popcorn movie, told with a sense of adventure and play.... “Furiosa” aims to blow you away. And it does. To Valhalla and beyond. 4/4 - Robert Daniels, RogerEbert.com
SYNOPSIS:
As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.
CAST:

• Anya Taylor-Joy as Imperator Furiosa
• Chris Hemsworth as Doctor Dementus
• Tom Burke as Praetorian Jack
• Alyla Browne as Young Furiosa

DIRECTED BY: George Miller
PRODUCED BY: Doug Mitchell, George Miller
WRITTEN BY: George Miller, Nico Lathouris
EXECUTIVE PRODUCERS: Dean Hood
DIRECTOR OF PHOTOGRAPHY: Simon Duggan
PRODUCTION DESIGNER: Colin Gibson
EDITED BY: Eliot Knapman, Margaret Sixel
MUSIC BY: Tom Holkenborg
COSTUME DESIGNER: Jenny Beavan
CASTING BY: Nikki Barrett
RUNTIME: 148 Minutes
RELEASE DATE: May 24, 2024

Before going into it, I want to mention how this post was inspired by three things. One was user u/HastyvonFuego2 and their post on going down the rabbit hole on the Kendrick sub last week. It was also inspired by Childish Gambino’s first album release in nearly 6 years where I have been sitting on this idea for a while but he inspired me to finally post this week like he did (never posted on Reddit at all before so be gentle if I am not doing it right)! I was also inspired by an interview Bino gave to GQ about breaking down his most iconic characters. In this interview he says how This is America started out as a Drake diss but then he realized the song was too hard for just Drake so he kept working on it. He also talks in this interview about how all culture is about compression. Which means that yes, This is America is about the gun violence and police issues in America, but compressed in this video is also more about where that culture comes from which he shows is from a small handful of rap moguls, namely Drake, Diddy and Jay-Z (bear with me on this long post, I think/hope it will be worth it). At the end I talk briefly about how Little Foot Big Foot might be in this same vein of cultural compression.
[Intro: Choir]
Yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, go, go away
The beginning of this song has no background music yet, which really gives it an ‘in the beginning’ feel. Then Gambino starts doing his dances with weird facial expressions. I will explain as we go through his video how those expressions and dance moves represent different famous rap moguls. One easy look to pick out right away is Jay-Z’s famous lip curl/growl look that Gambino gives with a head nod repeatedly. The colonial pants have been a hot topic, but since it’s only the pants that are colonial, Gambino is saying the bottom or basis for this violent culture in America is ultimately colonialism. The lyrics ‘Go Away’, are likely foreshadowing the rap moguls wanting other popular rap rivals to ‘go away’ or they will make them (aka murder them) for profit.
[Bridge: Childish Gambino & Young Thug]
We just wanna party
Party just for you
We just want the money
Money just for you (Yeah)
Usually you want money for yourself and to party for yourself, so this is a bit odd. But what Gambino is referring to is similar to these Diddy ‘freakoff parties’ we are hearing about where people who want to be famous are really partying for these rap moguls so they can get close to them. Where they suck up to them saying that they want to earn the mogul money from their songs.
I know you wanna party
Party just for free
Girl, you got me dancin' (Girl, you got me dancin')
Dance and shake the frame (Yeah)
Then this almost feels like the Diddy rebuttal where he’s like ya I know you want to party and you want to do it for free. Like Katt Williams says, “you gotta tell Diddy no”, it is never free to go to those parties. There are always consequences. When you are partying you are dancing, but shaking the frame could refer to how those boundaries/edges are being crossed, lines are blurred, etc.
Then in the video, the fellow who was playing the guitar gets shot and things turn dark from happy music. I believe that this guitar tune is meant to represent 2Pac and Nas’s song Thugz Mansion. It’s one of the original greats from ‘in the beginning’. Nas famously has always had major issues with Jay-Z too (More on why 2Pac and Nas later). It also represents how it was these moguls who murdered 2Pac like Jaguar Wright and Katt Williams keep saying. Where these murders only lead to more money and fame for the killers when the dead artists’ and their music are exploited more easily.
Also note that the gun gets taken away by a school kid after the shooting, more on this later as well.
[Verse 1: Childish Gambino, Young Thug, Blocboy JB & 21 Savage]
This is America (Skrrt, skrrt, woo)
Don't catch you slippin' now (Ayy)
Look how I'm livin' now
Police be trippin' now (Woo)
Yeah, this is America (Woo, ayy)
Guns in my area (Word, my area)
There is a song called Guns in My Area by Lil Weiner and Baby Chapox that paints a vivid picture of the everyday struggles and conflicts faced by those living in communities affected by gun violence. More compression of other songs and the American gun culture.
I got the strap (Ayy, ayy)
I gotta carry 'em
I am almost certain this line is referring to 2Pac’s song Changes. Throughout This is America, Gambino takes lines from Pac’s song: “They get jealous when they see you with your mobile phone” (referred to later in this a Celly, that’s tool) “That's the sound of my tool, you say it ain't cool, My mama didn't raise no fool”
“And as long as I stay black, I gotta stay strapped, And I never get to lay back” It seems like Gambino broke up these lyrics and scattered them throughout his song. This plays into the theme that everyone is using 2Pac and enriching themselves off of his image and music. I show below how this particular section of the video represents Diddy meaning that Diddy himself is exploiting his music (and alleging that Diddy killed Pac?). We could see this exploitation play out at length with how much Diddy milked the death of Biggie like in Every Breath You Take.
Yeah, yeah, I'ma go into this (Ugh)
Yeah, yeah, this is guerilla (Woo)
Yeah, yeah, I'ma go get the bag
The song Gorilla War by $uicideboy$ and Ramirez talks about getting a bag repeatedly in the course. Also in Otis with Kanye and Jay-Z their lyrics talk about going gorilla (I talk about this song more further down), so it could be referring to this as well. It seems like Gambino is trying to pull out lyrics from all across the rap culture and embed them in his song to highlight the ‘cultural compression’.
Yeah, yeah, I'm so cold like, yeah (Yeah)
I'm so dope like, yeah (Woo)
We gon' blow like, yeah (Straight up, uh)
I think that all of the school kids in the video represent all of the rappers that are signed with these big labels. Which is interesting because they are the ones facilitating the guns for the moguls in the video. You can see that the mogul is really focused on the kids and gets agitated and directs them to follow him whenever they stray off a bit like they are his pupils, or like he owns them. Then all of a sudden the camera comes into a scene where you can see more kids shooting a rap video and all shooting money from a Supreme gun. The camera zooms out almost to show you that this is the mogul’s whole rap empire they are looking over, all of their kids in one place (this empire already includes some chaos in the background). It’s subtle but hilarious, Gambino puts fricken chickens on the ground where the kids are filming the rap video. He is directly calling all of these rappers complete chickens for playing up this lifestyle and being the cause of so much chaos rather than coming out and telling somebody what’s really going on. Trying to get their money over everything else.
[Refrain: Choir & Childish Gambino]
Ooh-ooh-ooh-ooh-ooh, tell somebody
You go tell somebody
Grandma told me
Get your money, Black man (Get your— Black man)
This is where things start to get interesting. Gambino is literally saying, go tell somebody about this! We all know what’s happening, why don’t you go let people know how bad it is? But like Jaguar Wright said, who do you tell when these moguls have the cops and feds paid off? This video is literally Gambino putting it all out there in this extremely popular song for everyone to see but yet we still just see the dancing and the violent chaos of people and police in the streets and not the root cause that is hidden in plain sight.
The vast majority of those who reviewed this video until now think this scene represents the tragic church shooting in Charleston in 2015. I think it does, but we also have to look at this from an angle of compression.
The people in the choir are all of the people who are currently singing the rap mogul’s praises and who are focused on going and getting what’s owed to them, get their money (who are also profiting off of the dead fellows music since it goes back to the original tune). You can see that each choir member has a distinct look to them. Think about who you are hearing about now who is about to be implicated in these freak offs and evil deeds. Is that Will Smith in the back left corner!? The short bald fellow in the front left maybe Kevin Hart? Rick Ross or TD Jakes maybe the bigger guy towards the back right? When the camera zooms in on the choir right at first to show their faces, doesn’t the guy in the bottom middle look like an uncanny version of Jordan Peele? Or is that meant to be Cuba Gooding Jr? Then just like the guitar fellow at the beginning, bang. You may be singing Diddy’s praises now, but he will cut you down whenever he suddenly feels like it.
I think almost for sure this initial section of the music video is Gambino acting as Diddy, because right after he shoots the choir, he does the elbow pump/chicken dance. At 3:14 in Diddy’s video for P.E. 2000 he does the chicken dance (he is up first in the video and I think Gambino is trying to say here I first present to you the first public enemy of 3 in this song). That elbow dance signals that it was Diddy and this is the end of his section.
[Chorus: Childish Gambino, Young Thug, Slim Jxmmi & Quavo]
This is America (Woo, ayy)
Don't catch you slippin' now (Woo, woo, don't catch you slippin' now)
Don't catch you slippin' now (Ayy, woah)
Look what I'm whippin' now (Slime!)
There have been many accounts of celebrities being given fancy cars after suffering abuse at the hands of these moguls. So these lyrics are saying that you better not slip up and tell people what’s really going on. And if you don’t look at this sweet carecord deal/movie contract I am going to give you. Beiber told this story about Diddy wanting to give him a luxury car.
Now suddenly, the dance switches from the chicken dance to a sudden bicep flex to signal us that we have now moved on from Gambino representing Diddy to our next mogul.
[Verse 2: Childish Gambino, Quavo, Young Thug, 21 Savage & BlocBoy JB]
This next chunk of the video is all about Jay-Z. I think this is the case because he throws his arms up in a bicep flex just like Jay does in the Otis music video at 2:38. And it makes sense Gambino would pick a dance move from a video with a huge American flag in the background to fit the ‘This is America’ theme. Gambino is mocking him saying, who are you really, the pretty guy or this hard gangster like Gambino shows in his dancing. Also right before they pan to the kids on the balcony, Bino also does Jay-Z’s signature lip curl look a couple times so we know it’s him and to signal the end of his section.
Look how I'm geekin' out (Hey)
I'm so fitted (I'm so fitted, woo)
Jay-Z is famous for making the fitted Yankees cap famous, it’s his signature look. More signs this verse is about Jay.
I'm on Gucci (I'm on Gucci)
Jay-Z has been seen in full wallpaper Gucci sweat suits but could also be referring to Gucci Mane who he hung out with at Beyonce’s tour around the time this song was released.
I'm so pretty (Yeah, yeah, woo)
I'm gon' get it (Ayy, I'm gon' get it)
Watch me move (Blaow)
These lines are probably referring to Jay-Z having a hidden preference for men, especially with the way Gambino flicks his wrist in the video when he says I’m so pretty.
This a celly (Ha)
That's a tool (Yeah)
On my Kodak (Woo) Black
I think that “this a celly, that’s a tool” harkens back to 2Pac’s lyrics in Changes where he sings, “They get jealous when they see ya with your mobile phone” then shortly after that he sings about the sound of his tool, referring to shooting a gun. But Childish flips these lyrics on their head. He is saying that it’s really the phone that’s a tool to be using, not a gun. And pans up and shows (the school kids specifically) on the balcony filming everything going on below. He’s telling the kids/other rappers, use your phone as a tool, you can record these bad deeds when you get blackmailed into being at the freak off. That’s how you can kill them and their career, not with a gun. Go tell somebody! There is also the reference to Kodak which plays into the picture taking theme, but also because Kodak Black has been accused of assaulting a teenage girl in a hotel room. So we have a good idea of what Gambino suggests all the kids start filming and collecting evidence of.
Ooh, know that (Yeah, know that, hold on)
Get it (Woo, get it, get it)
Ooh, work it (21)
Now we are onto Drake’s part. In the video Gambino starts doing the BlocBoy JB dance called Shoot. Drake is known for doing these little viral dance moves like in Hotline Bling. But not only that, this dance is also used in the song that both BlocBoy JB and Drake collaborate on for their video Look Alive. It starts at 2:07 in the Look Alive video. So this is Drake’s dance to signal his part is now starting.
Note this is where the pale horse rides by also potentially saying that Drake is one of the horsemen of the apocalypse. Interestingly, Drake’s collab with BlocBoy JB was pretty much the apocalypse for BlocBoy’s career, who hasn’t had a hit since.
Hunnid bands, hunnid bands, hunnid bands (Hunnid bands)
Contraband, contraband, contraband (Contraband)
I got the plug in Oaxaca (Woah)
They gonna find you like "blocka" (Blaow)
Again, we know this is Drake’s section because his song 10 bands starts out by saying “10 bands, 50 bands, 100 bands” almost identical to Bino’s lyrics here. Also Blocka was famously used by Biggie in his song Gimme the Loot which could be referring to Biggie's demise like Pac’s and making money from his death. Everything in this industry originates from pushing drugs, which has been alleged through the trafficking that Diddy, Jay-Z and Drake do through their private jets likely connected to their bosses, the Clive Davises and Lucian Grainges of the world. This escalates rap beefs and the whole culture to the next level where murder is often a consequence for young rappers in their prime when international drug lord money is involved.
An interesting point is this is the only time where Childish was about to shoot someone in the video, but where he didn’t have a school kid either handing him the gun or taking it away carefully from him. (Maybe also a diss at Drake that even though he acts hard he doesn’t shoot, he gets his horseman of the apocalypse to do his dirty deeds for him instead perhaps?). This is the beginning of the end for the rap mogul as he no longer has his kids doing his bidding for him. A simple message to show how the violence can be stopped, that these shootings can end when the kids stop enabling them. So then as soon as he can’t react in that moment and shoot someone his anger is forced to chill out, as shown by smoking a J, and to go back to exploiting the dead man’s music instead. If you don’t put a gun in someone’s hand when they are heated, those feelings too shall pass - kinda feel.
[Refrain: Choir, Childish Gambino, & Young Thug]
Ooh-ooh-ooh-ooh-ooh, tell somebody
America, I just checked my following list, and
You mothafuckas owe me
Whose voice does that sound like!? It sounds a lot like Diddy to me, public enemy #1. This is basically saying that the moguls are the ones who we all owe it to for all of this glorified gun violence in America. That we owe them way more follows and likes for what a massive influence they have had on the violence and chaos we see in America today.
Grandma told me
Get your money, Black man (Black man)
(1, 2, 3—get down)
In Moneybagg Yo’s song 1, 2, 3, he also has a line that says “1, 2, 3, let’s go!” in a similar vein.
But something interesting I came across was Nas’s song Get Down where they use a sample from James Brown's “The Boss” that sounds extremely similar to the way Gambino screams “Get Down!” Which would fit well if the guitar singer from the beginning is meant to be Nas and Pac doing Thugz Mansion.
Also make sure you check out Nas’s song Get Down so that you can hear how much Jay-Z outright copied this song for The Story of OJ. From the musical structure with the piano and interwoven samples right down to the theme reiterated by the sample at the end of Nas’s song: “If that’s how our people are gonna get down, how are we ever gonna get up?”
SZA
Finally to wrap up the video, I have been stumped for a long time as to why SZA is randomly at the end of this video sitting on one of the cars. But I think I finally know why and it reconfirms that this last scene is all about Drake. If you watch Drake’s music video for Worst Behavior (not very Canadian of him to spell behaviour that way I might add) you will see Drake rapping and dancing with a few cars surrounding him and one of those cars has other rappers making cameos in it. In Gambino’s video SZA represents that car with a famous cameo. I think this is further confirmed when the black edges of the video start closing inwards at the end of This is America, the exact same way that Worst Behavior ends. So why SZA as the cameo then? Cause it reminds people that Drake is a p*do.
This is from an article in the Rolling Stone: In 2020, Drake revealed publicly that he and SZA had dated over a decade ago, well before she was an established artist (her earliest music goes back to around 2012; her critical breakthrough, Ctrl, came in 2017). On 21 Savage’s “Mr. Right Now,” Drake rapped about a newer fling who was a fan of SZA’s: “Yeah, said she wanna fuck to some SZA, wait / ‘Cause I used to date SZA back in ’08 / If you cool with it, baby, she can still play.” A few days later, SZA responded, corroborating Drake’s claim with a slight correction: they dated in 2009, when both would have been over 18. Since SZA would not have turned 18 until late 2008, she wanted to set the record straight. “in this case a year of poetic rap license mattered 🥴lol I think he jus innocently rhymed 08 w wait [sic],” she tweeted. “I just didn’t want anybody thinking anything underage or creepy was happening . Completely innocent . Lifetimes ago . [sic]”
If you have to specifically say something isn’t creepy and distance yourself from it being lifetimes ago, it usually is creepy. Drake would’ve been 22 when she was 17. Metro Boomin also happens to be on the Mr. Right Now track. He is currently in trouble for resurfaced old tweets showing how Metro used to tweet disgusting things about what he wanted to do to underage girls. Interestingly, Metro Boomin is also now beefing with Drake.
Drake doing his dance on the car of the original musician’s music seems to be accusing Drake directly of stealing 2Pac’s music. Orlando Brown recently said the cryptic statement that “Drake is Pac” which likely means he stole 2Pac’s approach/style/audience after his death. Gambino did some good foreshadowing here too with the recent AI release Drake put out of 2Pac.
This dance scene also signals that the Drake section is now over.
[Outro: Young Thug]
You just a black man in this world
You just a barcode, ayy
You just a black man in this world
Drivin' expensive foreigns, ayy
You just a big dawg, yeah
I kenneled him in the backyard
No, probably ain't life to a dog
For a big dog
The outro lyrics speak to how these gatekeepers keep black men down and control them with things like being forced to wear a dress to become famous or to submit to homosexual/p*do acts.. In the video, as I mentioned above, the black edges close in on Drake’s dancing scene in This is America. But they don’t completely close and end things like they do in the Worst Behavior video. Instead, in Gambino’s video, the camera pans to show the mogul running for his life with Young Thug’s lyrics almost like a quiet echo in the background. He isn’t running from the cops though, he’s running from the kids and from the public. When I mentioned earlier that the kids not handing over the last gun before Drake’s scene signalled the beginning of the end for the moguls, this is that conclusion. Where it is showing that if all the kids come together to stop enabling and rather expose the moguls, people will be chasing these bastards down once we realize what has been going on behind the curtain. Then the song that Young Thug is singing can just be a quiet echo of the way things were in the past.
If you don’t think Gambino would be this deep and that I went too far down the rabbit hole, do a Google search on the calculations that he came up with for why he sings about loving until 3005 in his song. He seems to go real deep with his lyrics. So a big question this leaves us with is, what did Childish Gambino witness in the rap industry? His whole rap career plays out like he is trying to avoid industry norms.
Even in Sweatpants, he has lyrics like:
No hands like soccer teams and y'all fuck boys like Socrates
You niggas ain't coppin' these, niggas ain't lookin' like me (Nah)
Nah, I ain't checkin' I.D. (Nah), but I bounce 'em with no problem
Seems like he is trying to make it really clear across his catalogue of music that he isn’t a p*do but that other rappers are. Where he is saying that he doesn’t need to ID his potential partners because he can tell they are obviously too young and that’s not hard to do.
Tell 'em, Problem (Problem!)
I'm winnin', yeah, yeah, I'm winnin' (What?)...
Rich kid, asshole, paint me as a villain
So who was trying to paint him as a villain, Drake? And that’s why the diss was originally meant for him?
Don't be mad 'cause I'm doing me better than you doing you…
Better than you doing you
Fuck it, what you gon' do? (What?!)
He’s taunting the other rappers cause he knows they can’t say shit if they are creeps. He has the same sentiment in Bonfire “It’s a bonfire, turn the lights out, I’m burning everything you mother fuckers talk about.”
Childish Gambino has always refrained from talking about the meaning of This is America whenever he is asked, and I can only assume that all of this is why.
Little Foot Big Foot
Now with his new release, Little Foot Big Foot and applying cultural compression to it, it has me wondering if he is referring to Megan Thee Stallion and the Nicki beef? People like Nicki (calling Megan Big Foot) have been claiming for some time she wasn’t even shot in the foot by Tory Lanez. There were many people laughing and making fun of Megan over getting shot. Which could be an interesting story for Childish to tell to represent how crazy this violent culture has gotten that people just laugh and blame the victim now when you get shot. Also a good metaphor for things like ‘shooting yourself in the foot’ for not having a lawyer look over potentially predatory industry contracts like in the beginning of his video. That you want to get in the cool kids club so bad you overlook it. Not as sure on this one though since the song just came out and I have only heard it a few times.
One last thing that is really interesting, there have been tons of artists on podcasts like Shay Shay talking about the strings these ultra rich moguls can pull. Like buying awards or gatekeeping people from being in the industry at all. There was even a story, I think maybe it was Gene Deal who told it, that when Killer Mike won at the grammys that Jay-Z was so angry he made sure to mess up his night by getting him locked up as soon as he left the awards stage. These moguls are extremely powerful and have an incredible amount of sway in the world/industry. If you check out Gambino’s profile on Youtube, his old music videos keep getting taken down, like Bonfire for example is just gone. Fans have been having to upload the videos themselves. There is a reply to a comment, on one of the fan uploaded vids, from Gambino’s account himself when someone asks why the videos are being taken down. His account just replies “Noone knows why :(“ Seems a bit odd all things considered and like maybe he has been at the mercy of these gatekeepers for going against the system.
I am so curious to know what the rest of you think about all of this!

The world was a boozy whirl of lights and sounds. Images, broken and fragmented, came and went. Voices, laughter, screaming. The ground pitched like the deck of a tempest-tossed ship, and he felt heavy, as though the ground were pulling him to it. C’mere, Dommy. He fell, lay on the pavement, and pushed himself up again, staggering like a drunk on his way home. His head spun, his body ached, and things seemed blurry, like half-formed images glimpsed underwater.
It was the light blue hour before dawn and Dom was…somewhere. He should have recognized the stores and street signs around him, but he didn’t. His head felt like it was stuffed with cotton, and a sense of confusion gripped him so strongly that he was beginning to panic. Where was he? What happened?
The world spun away again and the next thing he knew, he was lying in a heap of garbage bags, used needles, and rubbish. He came awake with a jerk and sat up so fast that a bolt of pain jammed into his skull. He winced and pressed his hand to his forehead. He felt hot, clammy.
Something was seriously wrong.
Somehow he got to his feet again and started walking. The sun was up now and the streets were filled with people. They all sneered in disgust as he passed, and he wrapped his arms around his chest like a baby comforting itself. He was getting cold. His muscles were sore. Tears streamed down his face and he wanted to cry.
Going on instinct alone, Dom made his way back home and climbed the steps to his apartment. Exhaustion swept over him and he sagged against the door as he dug in his pocket for the keys. They shook in his hand and he had to focus really hard to get the key into the lock.
Inside, he collapsed onto the couch and his eyelids instantly drooped. He was so weary that he couldn’t lift his head, couldn’t form a single coherent thought. Dom felt himself starting to sink, and snapped his eyes open with a start. Something in his soul told him that if he slept, he would die.
He couldn’t help it, though. He was falling, tumbling, hands reaching up from hell to grab him. His eyes fluttered closed again and the world started to go dark, his heart slamming in fear. He tried to fight, but the pull of darkness was too strong, too alluring. Why was he fighting? Why not just…give up? Hadn’t he thought of killing himself before? Didn’t he hate his life and himself? What was there to fight for? A wife? Kids? A community that loved and respected him? Shit, affordable groceries?
No.
There was nothing.
He had nothing and was nothing.
A sense of peace blossomed from the darkness, and suddenly death didn’t seem so scary. In fact, it was warm…inviting.
It was life that was cold and hateful. Not death.
Death accepted you no matter who you were. It didn’t reject you…it didn’t ignore you. If you sought it, you would find it, and if you embraced it, it would embrace you.
With that thought in mind, Dom gave up.
And died.
***
Bruce Kenner, captain of the 5th Albany precinct, sat behind his desk on the morning of June 28 and lazily leafed through a stack of files as he sipped from a mug of coffee. A roughly built man with a dark goatee and graying blonde hair, he looked more like a small town southern sheriff than a low level public works functionary. In fact, he tended to act like it too. He liked to hunt, fish, and drink beer on his off time. Albany wasn’t a big city, but it was big enough that you never got a fucking break. Run here, run there, arrest this asshole, investigate that asshole. By the time Friday rolled around, he was so ready for the peace and tranquility of a fishing trip he could taste it.
Already this Monday morning, he was looking forward to another one.
Over the weekend, three kids went missing in the Pine Hills and Washington Park area, bringing the total for that summer up to eight. All were teenagers, all were troubled. Most were boys, but two were girls.
Troubled kids run away all the time. They might be gone a few days, sulking at a friend’s house over something their father or mother did, but they’d eventually come home. None of these kids had come back yet and from what he knew, a few of them weren’t the runaway types. They were shits at school and caused problems, but they had no reason to up and leave. Hell, Bruce himself raised hell as a kid, but he always found his way back home, even if he spent the previous night dying in a field from Mad Dogg 20/20 poisoning.
One or two kids going missing…okay, it happens. Eight? Over a span of four weeks?
Yeah, something was wrong here.
But what?
There was nothing on any of these kids. No one saw them, no one knew anything - one minute they were here, the next they weren’t. What could he or anyone else do with that?. The public broke cops’ balls all the time, but if you don’t have evidence, you don’t have evidence. What do you want? Door to door searches? Roadblocks? Dogs and helicopters? Yeah, then when you actually do it, they cry fascism. Guess I’ll just use my Spidey Senses.
Bruce wished he had spidey senses. He wanted to find these kids as much as anyone, and he was starting to get pissed off that he couldn’t. He took another sip from his mug and read on. The latest kids to go missing were three boys between the ages of fourteen and eighteen.
They were all white, all thin (except for one). If there was a serial killer in town - and Bruce hoped to fuck there wasn’t - he had a type. What, black kids aren’t good enough to kill, cannibalize, and wear like a skin suit? They should charge him with a hate crime for discrimination.
That way he’d actually stay locked up.
The door opened and Vanessa Rodregiez, his deputy, came in. A tall, shapely Hispanic woman with dark eyes and a mouth poised always on the edge of a smile, she wore her black hair in a ponytail that would look stern and severe on anyone else, but on her, looked childlike. She was twenty-seven and had been on the force for three years, but you could be forgiven for thinking her much younger. “Bright and early, I see,” she said with a grin.
Bruce grumbled.
Vanessa held down the fort during the graveyard shift, acting to the night as he acted to the day. She was young and full of energy, which clashed with Bruce, who was old and just wanted to be left alone. Despite their differences, Bruce loved her like a kid sister…an annoying kid sister he wanted to throat punch sometimes.
“You missed all the fun last night,” she said and parked her butt on the edge of Bruce’s desk. He glared at her, but she ignored him.
“Good,” he said. Then: “What happened?”
“Big fight outside of Club Vlad,” she said. “It looked like a WorldStar video.”
For a moment, Bruce was lost. “Club what?”
“Club Vlad,” Vanessa said. “Where the Fuze Box used to be.”
Ah, right. The Fuze Box was an Albany landmark, a night club for punks…or goths…or someone. Certainly not for Bruce Kenner. It was small, dingy, and always had people in black waiting outside. On Friday and Saturday nights, it blasted strange music with lyrics about fighting The Man. Kids had been fighting the Man since before Bruce was even born and they hadn’t beaten him yet. Kudos to them for still trying.
Last year, The Fuze Box closed down and someone else bought it. It reopened last month and looked more or less the same: Posers, shitty music, and spiked hair. So much spiked hair. “Place is still a pain in the ass,” Bruce said.
“Yep,” Vanessa chirped. “It doesn’t know what it wants to be now. One minute they play nightcore, the next EDM. It’s all over the place.”
Bruce raised a quizzical brow.
“Not that I’ve ever been there in my free time,” Vanessa said in a tone that suggested she had,
Bruce gave a judgemental hum.
“Anyway,” Vanessa went on, “you see we have some new missing persons?”
Sighing, Bruce sat back in his chair. “Yeah. I did.”
“People are starting to ask questions,” Vanessa warned.
That brought a terse smile to Bruce’s weathered face. “Maybe they’ll solve it then.”
“Ha, fat chance,” Vanessa said. She got up and stretched. “Anyway, I’m bushed. Here’s my…” she trailed off and looked at her empty hands. “Damn, where’s my report? I just had it?” She turned in a confused circle as if she might be able to spot her report making a break for it. “Huh,” she said. She left the office and came back a moment later holding a folder. “Found it,” she grinned.
Bruce just looked at her.
“Um…here it is.”
He didn’t take it.
Her smile faltered. She carefully sat it on top of the files Bruce was looking at.
And his hands.
“I’ll just leave that right here.” She patted it for good measure.
“Thank you,” Bruce said.
“Okay. Night.”
“Goodnight,” Bruce said as she left through a shaft of morning sunlight. Alone, Bruce sat her report aside and went back to the missing kids. This case was giving him a headache and it wasn’t even nine. With a deep sigh, he slumped back in his chair and drummed his fingers on the armrests.
Was it Saturday yet?
He could really use a fishing trip.
***
Dom came awake in the cold purple twilight with a shocked gasp like a man coming up seconds before drowning. His eyes strained from his sweaty face and his mouth hung slack, twisted in a gruesome parody of The Scream. His mind was muddled, murky - he didn’t know where he was or even who he was, but he knew this,.
He couldn’t breathe.
He opened and closed his mouth like a fish, but his lungs did not fill with air. A great, unseen weight seemed to bear down on his chest, and panic gripped him. He tried to move, but his arms refused to heed his brain’s command. The weight seemed heavier, all over, crushing him like a bug. Confusion filled him and he started to pant.
Without warning, his bowels and bladder loosened, and horrible wetness filled his pants. He tried to sit up, but his body felt like it weighed a thousand pounds. His chest rose and fell with the frantic labor of his breath, but his lungs remained inert. A cry of fear bubbled up inside of him, but escaped his mouth only as a breathy groan.
A bust of adrenaline shot through him and he tried to stand, but succeeded only in falling off the couch instead, landing face first against the cold tile floor. He felt his nose crunch, but the pain was muted.
Dom thought he lost consciousness after that, but wasn’t sure. His next memory was of shivering so violently that his teeth clacked together. A phantom chill - perhaps from the floor - had settled into his bones, and was colder than he had ever been in his life, colder even than the time he fell into a snowbank and got lost when he was two. Shudders racked his body, and though he tried to turn over, he was too fucking heavy. It was like every muscle in his body had turned to dead weight. Fragmented thoughts swirled in his head, faint colors in the dark, but he couldn’t put any of them together.
With great effort, he managed to push himself slightly up, but a wave of lightheadedness crashed over him and he lowered his head once more. He stopped trying and simply lay there. Shortly, his eyes began to burn and he realized that he wasn’t blinking. Jesus Christ, he wasn’t blinking.
For some strange reason, that brought a fresh bout of panic. He started to hyperventilate, but his lungs still wouldn’t work. He wasn’t blinking…he wasn’t breathing…what was happening to him?
A whimper burst from his throat and he started to cry.
He must have cried himself to sleep, because he woke sometime later to the most intense headache he’d ever had. It felt like something was eating his brain from the inside out. He was sore all over, and could feel his muscles twitching, as though a thousand living things were burrowing through his body. A cramp shot down his right leg, and the toes of his left foot curled involuntarily. Slowly, his jaw clenched closed, and the muscles in his neck began to strain…then to burn. His panic turned to terror, and Dom wiggled across the floor like a worm, his limbs screaming in red agony and his brain filling with heat. He somehow wound up on his right side, and his arms curled slowly up to his chest, crossing at the wrists like a mummy. He tried to pull them apart, but the slightest movement sent waves of excruciating pain cutting through his body. His knees began to draw up to his stomach, and his fingers clenched tightly.
Cramps and spasms attacked every muscle in his body. He screamed through his teeth and shook, resembling a man in the electric chair as 40,000 volts of justice coursed through him. The pain grew gradually, getting worse and worse as minutes ticked by like hours. Higher, higher, higher - he clenched his eyes closed and shrieked as it became unbearable. Disjointed thoughts flashed through his mind - prayers, threats, curses, Jesus fucking…FUCK.
What was happening? God, what was happening to him? Was it fentanyl? He’d seen videos of people high on fentanyl, and they leaned in weird positions. He didn’t do drugs but maybe he ingested it somehow.
His panic may have returned if all of his muscles hadn’t picked that moment to contract as one. His eyes bulged from their sockets and his jaw unclenched just enough for him to utter a high. Agonized scream that echoed through his empty apartment like thunder.
A human being can only take so much before giving out. When the pain reached a crescendo, and Dom mercifully sank into consciousness once more. The sun rose and cascaded through the apartment’s sole window, falling over his huddled form. Slowly, it tracked across the sky before setting again. As the last rays disappeared behind the horizon, Dom’s eyes opened. The pain of the night before was blessedly gone, replaced by a feeling of numbness - the cool ash after the hot fire. His thoughts were slow and thick like molasses, but he could actually think again. Nightmare memories flooded back to him, but he wasn’t sure they were real. He was lying on his side, his arms wrapped around his chest as if for warmth, and his teeth lightly chattered against the icy chill. He was so cold that he didn’t want to move, but he couldn’t stay here forever. He needed help. He needed…
A shower.
Yeah, a hot shower. That would warm him up.
Gritting his teeth, he slowly sat up, ready for a burst of pain.
But none came.
He did, however, feel heavy. Getting to his feet, he stumbled and nearly fell, catching himself against the counter. His limbs had no feeling. It’s like they weren’t even there. Head hung, Dom tried to catch his breath, but it felt like he wasn’t breathing at all. His eyelids drooped closed and he felt like he was going to fall down. Summoning all the might he could, he shuffled into the bathroom with the stiff gait of an old man. He snapped the light on, and cold, white brilliance filled the space, blinding him.
Leaning heavily against the sink, he gripped the cold porcelain. Suddenly, he was afraid of looking into the mirror. He was sure that whatever reflection he saw, it would be of something else, something monstrous.
Dom lifted his head and faced the glass.
His heart shrank.
The man in the mirror was him but different. His skin was white as milk, lacking all color whatsoever save for the ugly purple patch on the left side. IResembling a giant bruise, it started at the temple and extended down to the slope of his neck, disappearing beneath his T-shirt. He gingerly lifted the shirt, and moaned when he saw that his entire left side was discolored, the purple edged with a puffy shade of pink. His sallow skin clung tight to his ribcage, and his hip bones stuck out so much it looked painful. Back in the mirror, his cheeks were sunken, hollow, and his eyes were a hazy, dishwater gray. His skull seemed bigger, his hair longer. Dom wanted to whip his head away from the phantom before him, to never see it again, but he was transfixed.
There was no way that thing was -
Dom looked away, cutting that thought off before it could finish.
A shower.
He needed a shower.
Slowly, stiffly, Dom undressed, peeling off his shirt and his soiled pants. He dropped them in a heap on the floor and stepped under the spray. He could feel the water pounding against him, but it provided no heat. It was neither hot nor cold. It was simply there.
Dom pressed his head to the slick shower wall and stood there for a long time. He was spent, tired, and fried - he had no more emotions left to give. He got out after a little while, dried off, and put on a clean pair of shorts. He settled into bed and lay there with his hands folded over his chest and his eyes open. They felt gritty, dry. His stomach felt bloated, gassy. He was drowsy now, the weight of the past two days (or was it two weeks?) coming down on him all at once. He closed his eyes and fell asleep.
He was still asleep - but aware - when the knocking on his door started the next morning. Time was funny in this state of being, fast and jerky but also slow and echoing. Keys rattled the knob turned. The landlord came in with a cop. They saw him on the bed, laid out like a corpse for a viewing, and the cop radioed in a code 35. Soon, cops were all around him, making noise and touching things. He had the vague sense of discomfort and embarrassment at the intrusion. A baling man in a suit stood over him, a cop who looked like a redneck beside him. “He didn’t die here,” the medical examiner said.
The cop looked at him questioningly. Dom caught the name KENNER on his name tag.
“See this?” the M.E. said and gestured to Dom’s face. “That’s livor mortis. When you die, your blood pools at the lowest point. If you’re on your left side, for example, it pools on the left.”
Kenner looked at Dom and then back to the M.E. “Someone moved him?”
“Looks like it,” the M.E. said.
“When did he die?”
The M.E. examined Dom as though he were nothing more than a side of beef. “At a glance? Three days. I won’t have a better answer until I open him up.”
Dom was still awake when they put him into a body bag and zipped it up. He felt a stirring of fear beneath the cold numbness, but he was too tired to worry about it now.
Later, he thought.
He would panic later.
For now, Dom slept.

The world was a boozy whirl of lights and sounds. Images, broken and fragmented, came and went. Voices, laughter, screaming. The ground pitched like the deck of a tempest-tossed ship, and he felt heavy, as though the ground were pulling him to it. C’mere, Dommy. He fell, lay on the pavement, and pushed himself up again, staggering like a drunk on his way home. His head spun, his body ached, and things seemed blurry, like half-formed images glimpsed underwater.
It was the light blue hour before dawn and Dom was…somewhere. He should have recognized the stores and street signs around him, but he didn’t. His head felt like it was stuffed with cotton, and a sense of confusion gripped him so strongly that he was beginning to panic. Where was he? What happened?
The world spun away again and the next thing he knew, he was lying in a heap of garbage bags, used needles, and rubbish. He came awake with a jerk and sat up so fast that a bolt of pain jammed into his skull. He winced and pressed his hand to his forehead. He felt hot, clammy.
Something was seriously wrong.
Somehow he got to his feet again and started walking. The sun was up now and the streets were filled with people. They all sneered in disgust as he passed, and he wrapped his arms around his chest like a baby comforting itself. He was getting cold. His muscles were sore. Tears streamed down his face and he wanted to cry.
Going on instinct alone, Dom made his way back home and climbed the steps to his apartment. Exhaustion swept over him and he sagged against the door as he dug in his pocket for the keys. They shook in his hand and he had to focus really hard to get the key into the lock.
Inside, he collapsed onto the couch and his eyelids instantly drooped. He was so weary that he couldn’t lift his head, couldn’t form a single coherent thought. Dom felt himself starting to sink, and snapped his eyes open with a start. Something in his soul told him that if he slept, he would die.
He couldn’t help it, though. He was falling, tumbling, hands reaching up from hell to grab him. His eyes fluttered closed again and the world started to go dark, his heart slamming in fear. He tried to fight, but the pull of darkness was too strong, too alluring. Why was he fighting? Why not just…give up? Hadn’t he thought of killing himself before? Didn’t he hate his life and himself? What was there to fight for? A wife? Kids? A community that loved and respected him? Shit, affordable groceries?
No.
There was nothing.
He had nothing and was nothing.
A sense of peace blossomed from the darkness, and suddenly death didn’t seem so scary. In fact, it was warm…inviting.
It was life that was cold and hateful. Not death.
Death accepted you no matter who you were. It didn’t reject you…it didn’t ignore you. If you sought it, you would find it, and if you embraced it, it would embrace you.
With that thought in mind, Dom gave up.
And died.
***
Bruce Kenner, captain of the 5th Albany precinct, sat behind his desk on the morning of June 28 and lazily leafed through a stack of files as he sipped from a mug of coffee. A roughly built man with a dark goatee and graying blonde hair, he looked more like a small town southern sheriff than a low level public works functionary. In fact, he tended to act like it too. He liked to hunt, fish, and drink beer on his off time. Albany wasn’t a big city, but it was big enough that you never got a fucking break. Run here, run there, arrest this asshole, investigate that asshole. By the time Friday rolled around, he was so ready for the peace and tranquility of a fishing trip he could taste it.
Already this Monday morning, he was looking forward to another one.
Over the weekend, three kids went missing in the Pine Hills and Washington Park area, bringing the total for that summer up to eight. All were teenagers, all were troubled. Most were boys, but two were girls.
Troubled kids run away all the time. They might be gone a few days, sulking at a friend’s house over something their father or mother did, but they’d eventually come home. None of these kids had come back yet and from what he knew, a few of them weren’t the runaway types. They were shits at school and caused problems, but they had no reason to up and leave. Hell, Bruce himself raised hell as a kid, but he always found his way back home, even if he spent the previous night dying in a field from Mad Dogg 20/20 poisoning.
One or two kids going missing…okay, it happens. Eight? Over a span of four weeks?
Yeah, something was wrong here.
But what?
There was nothing on any of these kids. No one saw them, no one knew anything - one minute they were here, the next they weren’t. What could he or anyone else do with that?. The public broke cops’ balls all the time, but if you don’t have evidence, you don’t have evidence. What do you want? Door to door searches? Roadblocks? Dogs and helicopters? Yeah, then when you actually do it, they cry fascism. Guess I’ll just use my Spidey Senses.
Bruce wished he had spidey senses. He wanted to find these kids as much as anyone, and he was starting to get pissed off that he couldn’t. He took another sip from his mug and read on. The latest kids to go missing were three boys between the ages of fourteen and eighteen.
They were all white, all thin (except for one). If there was a serial killer in town - and Bruce hoped to fuck there wasn’t - he had a type. What, black kids aren’t good enough to kill, cannibalize, and wear like a skin suit? They should charge him with a hate crime for discrimination.
That way he’d actually stay locked up.
The door opened and Vanessa Rodregiez, his deputy, came in. A tall, shapely Hispanic woman with dark eyes and a mouth poised always on the edge of a smile, she wore her black hair in a ponytail that would look stern and severe on anyone else, but on her, looked childlike. She was twenty-seven and had been on the force for three years, but you could be forgiven for thinking her much younger. “Bright and early, I see,” she said with a grin.
Bruce grumbled.
Vanessa held down the fort during the graveyard shift, acting to the night as he acted to the day. She was young and full of energy, which clashed with Bruce, who was old and just wanted to be left alone. Despite their differences, Bruce loved her like a kid sister…an annoying kid sister he wanted to throat punch sometimes.
“You missed all the fun last night,” she said and parked her butt on the edge of Bruce’s desk. He glared at her, but she ignored him.
“Good,” he said. Then: “What happened?”
“Big fight outside of Club Vlad,” she said. “It looked like a WorldStar video.”
For a moment, Bruce was lost. “Club what?”
“Club Vlad,” Vanessa said. “Where the Fuze Box used to be.”
Ah, right. The Fuze Box was an Albany landmark, a night club for punks…or goths…or someone. Certainly not for Bruce Kenner. It was small, dingy, and always had people in black waiting outside. On Friday and Saturday nights, it blasted strange music with lyrics about fighting The Man. Kids had been fighting the Man since before Bruce was even born and they hadn’t beaten him yet. Kudos to them for still trying.
Last year, The Fuze Box closed down and someone else bought it. It reopened last month and looked more or less the same: Posers, shitty music, and spiked hair. So much spiked hair. “Place is still a pain in the ass,” Bruce said.
“Yep,” Vanessa chirped. “It doesn’t know what it wants to be now. One minute they play nightcore, the next EDM. It’s all over the place.”
Bruce raised a quizzical brow.
“Not that I’ve ever been there in my free time,” Vanessa said in a tone that suggested she had,
Bruce gave a judgemental hum.
“Anyway,” Vanessa went on, “you see we have some new missing persons?”
Sighing, Bruce sat back in his chair. “Yeah. I did.”
“People are starting to ask questions,” Vanessa warned.
That brought a terse smile to Bruce’s weathered face. “Maybe they’ll solve it then.”
“Ha, fat chance,” Vanessa said. She got up and stretched. “Anyway, I’m bushed. Here’s my…” she trailed off and looked at her empty hands. “Damn, where’s my report? I just had it?” She turned in a confused circle as if she might be able to spot her report making a break for it. “Huh,” she said. She left the office and came back a moment later holding a folder. “Found it,” she grinned.
Bruce just looked at her.
“Um…here it is.”
He didn’t take it.
Her smile faltered. She carefully sat it on top of the files Bruce was looking at.
And his hands.
“I’ll just leave that right here.” She patted it for good measure.
“Thank you,” Bruce said.
“Okay. Night.”
“Goodnight,” Bruce said as she left through a shaft of morning sunlight. Alone, Bruce sat her report aside and went back to the missing kids. This case was giving him a headache and it wasn’t even nine. With a deep sigh, he slumped back in his chair and drummed his fingers on the armrests.
Was it Saturday yet?
He could really use a fishing trip.
***
Dom came awake in the cold purple twilight with a shocked gasp like a man coming up seconds before drowning. His eyes strained from his sweaty face and his mouth hung slack, twisted in a gruesome parody of The Scream. His mind was muddled, murky - he didn’t know where he was or even who he was, but he knew this,.
He couldn’t breathe.
He opened and closed his mouth like a fish, but his lungs did not fill with air. A great, unseen weight seemed to bear down on his chest, and panic gripped him. He tried to move, but his arms refused to heed his brain’s command. The weight seemed heavier, all over, crushing him like a bug. Confusion filled him and he started to pant.
Without warning, his bowels and bladder loosened, and horrible wetness filled his pants. He tried to sit up, but his body felt like it weighed a thousand pounds. His chest rose and fell with the frantic labor of his breath, but his lungs remained inert. A cry of fear bubbled up inside of him, but escaped his mouth only as a breathy groan.
A bust of adrenaline shot through him and he tried to stand, but succeeded only in falling off the couch instead, landing face first against the cold tile floor. He felt his nose crunch, but the pain was muted.
Dom thought he lost consciousness after that, but wasn’t sure. His next memory was of shivering so violently that his teeth clacked together. A phantom chill - perhaps from the floor - had settled into his bones, and was colder than he had ever been in his life, colder even than the time he fell into a snowbank and got lost when he was two. Shudders racked his body, and though he tried to turn over, he was too fucking heavy. It was like every muscle in his body had turned to dead weight. Fragmented thoughts swirled in his head, faint colors in the dark, but he couldn’t put any of them together.
With great effort, he managed to push himself slightly up, but a wave of lightheadedness crashed over him and he lowered his head once more. He stopped trying and simply lay there. Shortly, his eyes began to burn and he realized that he wasn’t blinking. Jesus Christ, he wasn’t blinking.
For some strange reason, that brought a fresh bout of panic. He started to hyperventilate, but his lungs still wouldn’t work. He wasn’t blinking…he wasn’t breathing…what was happening to him?
A whimper burst from his throat and he started to cry.
He must have cried himself to sleep, because he woke sometime later to the most intense headache he’d ever had. It felt like something was eating his brain from the inside out. He was sore all over, and could feel his muscles twitching, as though a thousand living things were burrowing through his body. A cramp shot down his right leg, and the toes of his left foot curled involuntarily. Slowly, his jaw clenched closed, and the muscles in his neck began to strain…then to burn. His panic turned to terror, and Dom wiggled across the floor like a worm, his limbs screaming in red agony and his brain filling with heat. He somehow wound up on his right side, and his arms curled slowly up to his chest, crossing at the wrists like a mummy. He tried to pull them apart, but the slightest movement sent waves of excruciating pain cutting through his body. His knees began to draw up to his stomach, and his fingers clenched tightly.
Cramps and spasms attacked every muscle in his body. He screamed through his teeth and shook, resembling a man in the electric chair as 40,000 volts of justice coursed through him. The pain grew gradually, getting worse and worse as minutes ticked by like hours. Higher, higher, higher - he clenched his eyes closed and shrieked as it became unbearable. Disjointed thoughts flashed through his mind - prayers, threats, curses, Jesus fucking…FUCK.
What was happening? God, what was happening to him? Was it fentanyl? He’d seen videos of people high on fentanyl, and they leaned in weird positions. He didn’t do drugs but maybe he ingested it somehow.
His panic may have returned if all of his muscles hadn’t picked that moment to contract as one. His eyes bulged from their sockets and his jaw unclenched just enough for him to utter a high. Agonized scream that echoed through his empty apartment like thunder.
A human being can only take so much before giving out. When the pain reached a crescendo, and Dom mercifully sank into consciousness once more. The sun rose and cascaded through the apartment’s sole window, falling over his huddled form. Slowly, it tracked across the sky before setting again. As the last rays disappeared behind the horizon, Dom’s eyes opened. The pain of the night before was blessedly gone, replaced by a feeling of numbness - the cool ash after the hot fire. His thoughts were slow and thick like molasses, but he could actually think again. Nightmare memories flooded back to him, but he wasn’t sure they were real. He was lying on his side, his arms wrapped around his chest as if for warmth, and his teeth lightly chattered against the icy chill. He was so cold that he didn’t want to move, but he couldn’t stay here forever. He needed help. He needed…
A shower.
Yeah, a hot shower. That would warm him up.
Gritting his teeth, he slowly sat up, ready for a burst of pain.
But none came.
He did, however, feel heavy. Getting to his feet, he stumbled and nearly fell, catching himself against the counter. His limbs had no feeling. It’s like they weren’t even there. Head hung, Dom tried to catch his breath, but it felt like he wasn’t breathing at all. His eyelids drooped closed and he felt like he was going to fall down. Summoning all the might he could, he shuffled into the bathroom with the stiff gait of an old man. He snapped the light on, and cold, white brilliance filled the space, blinding him.
Leaning heavily against the sink, he gripped the cold porcelain. Suddenly, he was afraid of looking into the mirror. He was sure that whatever reflection he saw, it would be of something else, something monstrous.
Dom lifted his head and faced the glass.
His heart shrank.
The man in the mirror was him but different. His skin was white as milk, lacking all color whatsoever save for the ugly purple patch on the left side. IResembling a giant bruise, it started at the temple and extended down to the slope of his neck, disappearing beneath his T-shirt. He gingerly lifted the shirt, and moaned when he saw that his entire left side was discolored, the purple edged with a puffy shade of pink. His sallow skin clung tight to his ribcage, and his hip bones stuck out so much it looked painful. Back in the mirror, his cheeks were sunken, hollow, and his eyes were a hazy, dishwater gray. His skull seemed bigger, his hair longer. Dom wanted to whip his head away from the phantom before him, to never see it again, but he was transfixed.
There was no way that thing was -
Dom looked away, cutting that thought off before it could finish.
A shower.
He needed a shower.
Slowly, stiffly, Dom undressed, peeling off his shirt and his soiled pants. He dropped them in a heap on the floor and stepped under the spray. He could feel the water pounding against him, but it provided no heat. It was neither hot nor cold. It was simply there.
Dom pressed his head to the slick shower wall and stood there for a long time. He was spent, tired, and fried - he had no more emotions left to give. He got out after a little while, dried off, and put on a clean pair of shorts. He settled into bed and lay there with his hands folded over his chest and his eyes open. They felt gritty, dry. His stomach felt bloated, gassy. He was drowsy now, the weight of the past two days (or was it two weeks?) coming down on him all at once. He closed his eyes and fell asleep.
He was still asleep - but aware - when the knocking on his door started the next morning. Time was funny in this state of being, fast and jerky but also slow and echoing. Keys rattled the knob turned. The landlord came in with a cop. They saw him on the bed, laid out like a corpse for a viewing, and the cop radioed in a code 35. Soon, cops were all around him, making noise and touching things. He had the vague sense of discomfort and embarrassment at the intrusion. A baling man in a suit stood over him, a cop who looked like a redneck beside him. “He didn’t die here,” the medical examiner said.
The cop looked at him questioningly. Dom caught the name KENNER on his name tag.
“See this?” the M.E. said and gestured to Dom’s face. “That’s livor mortis. When you die, your blood pools at the lowest point. If you’re on your left side, for example, it pools on the left.”
Kenner looked at Dom and then back to the M.E. “Someone moved him?”
“Looks like it,” the M.E. said.
“When did he die?”
The M.E. examined Dom as though he were nothing more than a side of beef. “At a glance? Three days. I won’t have a better answer until I open him up.”
Dom was still awake when they put him into a body bag and zipped it up. He felt a stirring of fear beneath the cold numbness, but he was too tired to worry about it now.
Later, he thought.
He would panic later.
For now, Dom slept.

The world was a boozy whirl of lights and sounds. Images, broken and fragmented, came and went. Voices, laughter, screaming. The ground pitched like the deck of a tempest-tossed ship, and he felt heavy, as though the ground were pulling him to it. C’mere, Dommy. He fell, lay on the pavement, and pushed himself up again, staggering like a drunk on his way home. His head spun, his body ached, and things seemed blurry, like half-formed images glimpsed underwater.
It was the light blue hour before dawn and Dom was…somewhere. He should have recognized the stores and street signs around him, but he didn’t. His head felt like it was stuffed with cotton, and a sense of confusion gripped him so strongly that he was beginning to panic. Where was he? What happened?
The world spun away again and the next thing he knew, he was lying in a heap of garbage bags, used needles, and rubbish. He came awake with a jerk and sat up so fast that a bolt of pain jammed into his skull. He winced and pressed his hand to his forehead. He felt hot, clammy.
Something was seriously wrong.
Somehow he got to his feet again and started walking. The sun was up now and the streets were filled with people. They all sneered in disgust as he passed, and he wrapped his arms around his chest like a baby comforting itself. He was getting cold. His muscles were sore. Tears streamed down his face and he wanted to cry.
Going on instinct alone, Dom made his way back home and climbed the steps to his apartment. Exhaustion swept over him and he sagged against the door as he dug in his pocket for the keys. They shook in his hand and he had to focus really hard to get the key into the lock.
Inside, he collapsed onto the couch and his eyelids instantly drooped. He was so weary that he couldn’t lift his head, couldn’t form a single coherent thought. Dom felt himself starting to sink, and snapped his eyes open with a start. Something in his soul told him that if he slept, he would die.
He couldn’t help it, though. He was falling, tumbling, hands reaching up from hell to grab him. His eyes fluttered closed again and the world started to go dark, his heart slamming in fear. He tried to fight, but the pull of darkness was too strong, too alluring. Why was he fighting? Why not just…give up? Hadn’t he thought of killing himself before? Didn’t he hate his life and himself? What was there to fight for? A wife? Kids? A community that loved and respected him? Shit, affordable groceries?
No.
There was nothing.
He had nothing and was nothing.
A sense of peace blossomed from the darkness, and suddenly death didn’t seem so scary. In fact, it was warm…inviting.
It was life that was cold and hateful. Not death.
Death accepted you no matter who you were. It didn’t reject you…it didn’t ignore you. If you sought it, you would find it, and if you embraced it, it would embrace you.
With that thought in mind, Dom gave up.
And died.
***
Bruce Kenner, captain of the 5th Albany precinct, sat behind his desk on the morning of June 28 and lazily leafed through a stack of files as he sipped from a mug of coffee. A roughly built man with a dark goatee and graying blonde hair, he looked more like a small town southern sheriff than a low level public works functionary. In fact, he tended to act like it too. He liked to hunt, fish, and drink beer on his off time. Albany wasn’t a big city, but it was big enough that you never got a fucking break. Run here, run there, arrest this asshole, investigate that asshole. By the time Friday rolled around, he was so ready for the peace and tranquility of a fishing trip he could taste it.
Already this Monday morning, he was looking forward to another one.
Over the weekend, three kids went missing in the Pine Hills and Washington Park area, bringing the total for that summer up to eight. All were teenagers, all were troubled. Most were boys, but two were girls.
Troubled kids run away all the time. They might be gone a few days, sulking at a friend’s house over something their father or mother did, but they’d eventually come home. None of these kids had come back yet and from what he knew, a few of them weren’t the runaway types. They were shits at school and caused problems, but they had no reason to up and leave. Hell, Bruce himself raised hell as a kid, but he always found his way back home, even if he spent the previous night dying in a field from Mad Dogg 20/20 poisoning.
One or two kids going missing…okay, it happens. Eight? Over a span of four weeks?
Yeah, something was wrong here.
But what?
There was nothing on any of these kids. No one saw them, no one knew anything - one minute they were here, the next they weren’t. What could he or anyone else do with that?. The public broke cops’ balls all the time, but if you don’t have evidence, you don’t have evidence. What do you want? Door to door searches? Roadblocks? Dogs and helicopters? Yeah, then when you actually do it, they cry fascism. Guess I’ll just use my Spidey Senses.
Bruce wished he had spidey senses. He wanted to find these kids as much as anyone, and he was starting to get pissed off that he couldn’t. He took another sip from his mug and read on. The latest kids to go missing were three boys between the ages of fourteen and eighteen.
They were all white, all thin (except for one). If there was a serial killer in town - and Bruce hoped to fuck there wasn’t - he had a type. What, black kids aren’t good enough to kill, cannibalize, and wear like a skin suit? They should charge him with a hate crime for discrimination.
That way he’d actually stay locked up.
The door opened and Vanessa Rodregiez, his deputy, came in. A tall, shapely Hispanic woman with dark eyes and a mouth poised always on the edge of a smile, she wore her black hair in a ponytail that would look stern and severe on anyone else, but on her, looked childlike. She was twenty-seven and had been on the force for three years, but you could be forgiven for thinking her much younger. “Bright and early, I see,” she said with a grin.
Bruce grumbled.
Vanessa held down the fort during the graveyard shift, acting to the night as he acted to the day. She was young and full of energy, which clashed with Bruce, who was old and just wanted to be left alone. Despite their differences, Bruce loved her like a kid sister…an annoying kid sister he wanted to throat punch sometimes.
“You missed all the fun last night,” she said and parked her butt on the edge of Bruce’s desk. He glared at her, but she ignored him.
“Good,” he said. Then: “What happened?”
“Big fight outside of Club Vlad,” she said. “It looked like a WorldStar video.”
For a moment, Bruce was lost. “Club what?”
“Club Vlad,” Vanessa said. “Where the Fuze Box used to be.”
Ah, right. The Fuze Box was an Albany landmark, a night club for punks…or goths…or someone. Certainly not for Bruce Kenner. It was small, dingy, and always had people in black waiting outside. On Friday and Saturday nights, it blasted strange music with lyrics about fighting The Man. Kids had been fighting the Man since before Bruce was even born and they hadn’t beaten him yet. Kudos to them for still trying.
Last year, The Fuze Box closed down and someone else bought it. It reopened last month and looked more or less the same: Posers, shitty music, and spiked hair. So much spiked hair. “Place is still a pain in the ass,” Bruce said.
“Yep,” Vanessa chirped. “It doesn’t know what it wants to be now. One minute they play nightcore, the next EDM. It’s all over the place.”
Bruce raised a quizzical brow.
“Not that I’ve ever been there in my free time,” Vanessa said in a tone that suggested she had,
Bruce gave a judgemental hum.
“Anyway,” Vanessa went on, “you see we have some new missing persons?”
Sighing, Bruce sat back in his chair. “Yeah. I did.”
“People are starting to ask questions,” Vanessa warned.
That brought a terse smile to Bruce’s weathered face. “Maybe they’ll solve it then.”
“Ha, fat chance,” Vanessa said. She got up and stretched. “Anyway, I’m bushed. Here’s my…” she trailed off and looked at her empty hands. “Damn, where’s my report? I just had it?” She turned in a confused circle as if she might be able to spot her report making a break for it. “Huh,” she said. She left the office and came back a moment later holding a folder. “Found it,” she grinned.
Bruce just looked at her.
“Um…here it is.”
He didn’t take it.
Her smile faltered. She carefully sat it on top of the files Bruce was looking at.
And his hands.
“I’ll just leave that right here.” She patted it for good measure.
“Thank you,” Bruce said.
“Okay. Night.”
“Goodnight,” Bruce said as she left through a shaft of morning sunlight. Alone, Bruce sat her report aside and went back to the missing kids. This case was giving him a headache and it wasn’t even nine. With a deep sigh, he slumped back in his chair and drummed his fingers on the armrests.
Was it Saturday yet?
He could really use a fishing trip.
***
Dom came awake in the cold purple twilight with a shocked gasp like a man coming up seconds before drowning. His eyes strained from his sweaty face and his mouth hung slack, twisted in a gruesome parody of The Scream. His mind was muddled, murky - he didn’t know where he was or even who he was, but he knew this,.
He couldn’t breathe.
He opened and closed his mouth like a fish, but his lungs did not fill with air. A great, unseen weight seemed to bear down on his chest, and panic gripped him. He tried to move, but his arms refused to heed his brain’s command. The weight seemed heavier, all over, crushing him like a bug. Confusion filled him and he started to pant.
Without warning, his bowels and bladder loosened, and horrible wetness filled his pants. He tried to sit up, but his body felt like it weighed a thousand pounds. His chest rose and fell with the frantic labor of his breath, but his lungs remained inert. A cry of fear bubbled up inside of him, but escaped his mouth only as a breathy groan.
A bust of adrenaline shot through him and he tried to stand, but succeeded only in falling off the couch instead, landing face first against the cold tile floor. He felt his nose crunch, but the pain was muted.
Dom thought he lost consciousness after that, but wasn’t sure. His next memory was of shivering so violently that his teeth clacked together. A phantom chill - perhaps from the floor - had settled into his bones, and was colder than he had ever been in his life, colder even than the time he fell into a snowbank and got lost when he was two. Shudders racked his body, and though he tried to turn over, he was too fucking heavy. It was like every muscle in his body had turned to dead weight. Fragmented thoughts swirled in his head, faint colors in the dark, but he couldn’t put any of them together.
With great effort, he managed to push himself slightly up, but a wave of lightheadedness crashed over him and he lowered his head once more. He stopped trying and simply lay there. Shortly, his eyes began to burn and he realized that he wasn’t blinking. Jesus Christ, he wasn’t blinking.
For some strange reason, that brought a fresh bout of panic. He started to hyperventilate, but his lungs still wouldn’t work. He wasn’t blinking…he wasn’t breathing…what was happening to him?
A whimper burst from his throat and he started to cry.
He must have cried himself to sleep, because he woke sometime later to the most intense headache he’d ever had. It felt like something was eating his brain from the inside out. He was sore all over, and could feel his muscles twitching, as though a thousand living things were burrowing through his body. A cramp shot down his right leg, and the toes of his left foot curled involuntarily. Slowly, his jaw clenched closed, and the muscles in his neck began to strain…then to burn. His panic turned to terror, and Dom wiggled across the floor like a worm, his limbs screaming in red agony and his brain filling with heat. He somehow wound up on his right side, and his arms curled slowly up to his chest, crossing at the wrists like a mummy. He tried to pull them apart, but the slightest movement sent waves of excruciating pain cutting through his body. His knees began to draw up to his stomach, and his fingers clenched tightly.
Cramps and spasms attacked every muscle in his body. He screamed through his teeth and shook, resembling a man in the electric chair as 40,000 volts of justice coursed through him. The pain grew gradually, getting worse and worse as minutes ticked by like hours. Higher, higher, higher - he clenched his eyes closed and shrieked as it became unbearable. Disjointed thoughts flashed through his mind - prayers, threats, curses, Jesus fucking…FUCK.
What was happening? God, what was happening to him? Was it fentanyl? He’d seen videos of people high on fentanyl, and they leaned in weird positions. He didn’t do drugs but maybe he ingested it somehow.
His panic may have returned if all of his muscles hadn’t picked that moment to contract as one. His eyes bulged from their sockets and his jaw unclenched just enough for him to utter a high. Agonized scream that echoed through his empty apartment like thunder.
A human being can only take so much before giving out. When the pain reached a crescendo, and Dom mercifully sank into consciousness once more. The sun rose and cascaded through the apartment’s sole window, falling over his huddled form. Slowly, it tracked across the sky before setting again. As the last rays disappeared behind the horizon, Dom’s eyes opened. The pain of the night before was blessedly gone, replaced by a feeling of numbness - the cool ash after the hot fire. His thoughts were slow and thick like molasses, but he could actually think again. Nightmare memories flooded back to him, but he wasn’t sure they were real. He was lying on his side, his arms wrapped around his chest as if for warmth, and his teeth lightly chattered against the icy chill. He was so cold that he didn’t want to move, but he couldn’t stay here forever. He needed help. He needed…
A shower.
Yeah, a hot shower. That would warm him up.
Gritting his teeth, he slowly sat up, ready for a burst of pain.
But none came.
He did, however, feel heavy. Getting to his feet, he stumbled and nearly fell, catching himself against the counter. His limbs had no feeling. It’s like they weren’t even there. Head hung, Dom tried to catch his breath, but it felt like he wasn’t breathing at all. His eyelids drooped closed and he felt like he was going to fall down. Summoning all the might he could, he shuffled into the bathroom with the stiff gait of an old man. He snapped the light on, and cold, white brilliance filled the space, blinding him.
Leaning heavily against the sink, he gripped the cold porcelain. Suddenly, he was afraid of looking into the mirror. He was sure that whatever reflection he saw, it would be of something else, something monstrous.
Dom lifted his head and faced the glass.
His heart shrank.
The man in the mirror was him but different. His skin was white as milk, lacking all color whatsoever save for the ugly purple patch on the left side. IResembling a giant bruise, it started at the temple and extended down to the slope of his neck, disappearing beneath his T-shirt. He gingerly lifted the shirt, and moaned when he saw that his entire left side was discolored, the purple edged with a puffy shade of pink. His sallow skin clung tight to his ribcage, and his hip bones stuck out so much it looked painful. Back in the mirror, his cheeks were sunken, hollow, and his eyes were a hazy, dishwater gray. His skull seemed bigger, his hair longer. Dom wanted to whip his head away from the phantom before him, to never see it again, but he was transfixed.
There was no way that thing was -
Dom looked away, cutting that thought off before it could finish.
A shower.
He needed a shower.
Slowly, stiffly, Dom undressed, peeling off his shirt and his soiled pants. He dropped them in a heap on the floor and stepped under the spray. He could feel the water pounding against him, but it provided no heat. It was neither hot nor cold. It was simply there.
Dom pressed his head to the slick shower wall and stood there for a long time. He was spent, tired, and fried - he had no more emotions left to give. He got out after a little while, dried off, and put on a clean pair of shorts. He settled into bed and lay there with his hands folded over his chest and his eyes open. They felt gritty, dry. His stomach felt bloated, gassy. He was drowsy now, the weight of the past two days (or was it two weeks?) coming down on him all at once. He closed his eyes and fell asleep.
He was still asleep - but aware - when the knocking on his door started the next morning. Time was funny in this state of being, fast and jerky but also slow and echoing. Keys rattled the knob turned. The landlord came in with a cop. They saw him on the bed, laid out like a corpse for a viewing, and the cop radioed in a code 35. Soon, cops were all around him, making noise and touching things. He had the vague sense of discomfort and embarrassment at the intrusion. A baling man in a suit stood over him, a cop who looked like a redneck beside him. “He didn’t die here,” the medical examiner said.
The cop looked at him questioningly. Dom caught the name KENNER on his name tag.
“See this?” the M.E. said and gestured to Dom’s face. “That’s livor mortis. When you die, your blood pools at the lowest point. If you’re on your left side, for example, it pools on the left.”
Kenner looked at Dom and then back to the M.E. “Someone moved him?”
“Looks like it,” the M.E. said.
“When did he die?”
The M.E. examined Dom as though he were nothing more than a side of beef. “At a glance? Three days. I won’t have a better answer until I open him up.”
Dom was still awake when they put him into a body bag and zipped it up. He felt a stirring of fear beneath the cold numbness, but he was too tired to worry about it now.
Later, he thought.
He would panic later.
For now, Dom slept.

First off, I'll say this is a shitpost. But it didn't start out that way. I'm ashamed to say I was genuinely looking into this on Sunday when I burst out laughing, and thought "What the fuck is wrong with you?" And kept on descending down the well to laugh at what would happen. But I think the world needs to know, cause I have lost all reasoning. So I'm sharing my genius, or my madness, or simply a warning to you all to not follow in my footsteps.
I think we can all admit we are a wee bit too invested in what is happening right now. Personally, this feels like the first time in ages that I've listened to top tier rap. To me, rap/hip-hop recently has been fucking dead.
So after hearing a few of these tracks, I found this sub, and you can guess the rest. I took a seemingly harmless tester and now I'm like acting and thinking like Charlie Sheen, Tiger Blood included.
I've not seen much discussion about Kendrick's general concept of leaving little breadcrumbs in tracks that are then expanded into other meanings in later tracks, e.g. "you make music that pacify em" which then could mean kids or like roofies, once he brings up these topics. This is really fascinating to me and I can't think of a time this has been done before? Probably because it's rare to release music this close together. So after hearing these back myself and then seeing other's theories on this sub, I have been paying far more attention to lyrics when I'm listening. Waiting for a chance for aayjayemm, captain of nowhere, to show his quality. Looking back, I think the Ring got the better of me.
With all that in mind, please enjoy the following descent into madness and subsequent mental breakdown (I don't really mean breakdown for the record, if anyone is thinking that and wanted to send one of those suicide prevention things my way). Here we go:
Sunday afternoon, I visited my cousin who has a 5/6/7/8 year old? (I don't know, he ain't my kid. It's a pre-pandemic model, that's all I know) He was talking about a book that he was told to read a bit of, over the weekend, for school. I wasn't catching too much of what he was saying, as kids tend to just sporadically talk at you while you are already mid-conversation with someone else and there's only so many times I can say "What was that, bud?". In the book there was a dog called Wedgie. Now I remember the name because I thought he was unable to say Reggie, when I asked, he said "no Wedgie" then flashed me the cover, and it did say that. So that's now saved into my subconscious.
When I get home and hop on Reddit, I see all this crazy Ebony Prince stuff that had built up throughout the day and have a read through. One of the images looks like a serial killer's planning room with images all over and writing in certain parts. Or like the Pepe Silvia scene from It's Always Sunny. I didn't really look at it too long but got the gist that quite a lot of it was to do with Drake potentially fucking dogs. I think to myself that's just dumb and click off. There was also talk of some disturbing dog video/audio from some guys stream, haven't seen it personally. Again, that is now in the back of my head.
So a bit of time passes and I am listening to Not Like Us and it gets to this "You n*****'ll get a wedgie, be flipped over your boxers. What OVO for? The "Other Vaginal Option"? Pussy" And I go "wait he just said Wedgie and the internet is talking about dogs" and the cogs start turning.
I'll say for the record, these lines were always weird to me. They just seemed pretty random. I got that it implied gay sex, but it just didn't sound like normal Kendrick, at least to me. So personally, I think this would be the prime place for a 2nd meaning.
So straightaway I notice it also says 'boxer' which is a breed of dog. Pretty simple and I think "ok, you could be onto something here".
Then I need to go confirm this Wedgie character from some kid's book. Thankfully I know the name is in the title. I look up books online to see if I can find this, and it is called 'Wedgie and Gizmo' if you want to look it up. It is about two single-parent families becoming one when the parents get married. Each family have a pet and they are forced to now live together. Wedgie is a dumb, excitable dog that thinks he is a superhero and chases after everything. And Gizmo is a guinea pig, who is an evil genius, can read, is methodical, and who wants to take over the world. And Gizmo despises Wedgie, and Wedgie has no idea what is happening.
So not only do I now think this is a reference to dogs, I have now read this and go "No fucking way. Is that Kendrick saying that these two kids book pets are him and Drake?" You can guess which is which. Then I thought "This is dumbest thing you have thought of so far". But then again, Kendrick does have kids, so who knows, maybe he has read it to them and had a similar thought. It seems to be an American book, so maybe? Jesus.
To top it off, the final line is 'other vaginal option' which as everyone can see, obviously means that Drake is fucking dogs. Open-and-shut case.
I honestly don't know what to think, to me it somehow fits, but it is also stupid as fuck and quite frankly embarrassing that I even went this far. So I thought I'll sleep on it. And you know what 2 days later I still don't fucking know. My heart says 'genius' my head says 'what the fuck are you doing?'
I am aware I have lost my mind, but thought it was funny and would make a decent read, so I started writing this up. To present to the world to do with it what you will.
I don't think I have gone full KAnon, like trying to solve all these riddles. Or try to bring down global sex-trafficking rings, as if the FBI don't know how to use the internet. I feel like I'm maybe at a 2018 Kanye level, and they are at a 2024 Kanye level.
I feel I needed to get this off my chest as some form of therapy, counselling, online intervention, or just good old self-deprecation. Thankfully I now know not to go down the rabbit hole, albeit a harsh lesson.
Kendrick, please release another fucking track. Although that might take me back to square one.
Thank you for coming to my TED talk. GME To the Moon.

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⚠️ WARNING: Maasverse Spoilers—Proceed with Caution ⚠️

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Part 1: Characters and Courts
Part 2: World Map, Items, Terms & Other - YOU ARE HERE
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If this is the first post you've landed on, see Part 1 above for an introductory explanation to this two part post.

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UK + IRELAND

PRYTHIAN

A combination of Prydain, the old Welsh name for Britain, and Brython, which translates to “Ancient Britons” from Welsh.

HYBERN

A riff of Hibernia, the Classical Latin name for Ireland.

​
Artist of Prythian map: P-dulcis on redbubble

ADDITIONAL EUROPEAN-PARALLEL LOCATIONS

ILLYRIA

The Ancient Greeks used the term Illyria to define a region in the western part of the Balkan Peninsula. The numerous peoples who populated those areas were known collectively as the Illyrians. The region itself is quite mountainous.

THE MIDDLE

May refer to the Midlands, the central part of England, though geographically the Prythian map places the Middle central to Prythian, not central to England; with the Prythian inclusion of Scotland, the Middle on Prythian maps is located further north than the actual Midlands of England.

UNDER THE MOUNTAIN

A potential nod to the Schiehallion, a cone-shaped mountain often referred to as the center of Scotland. It's name comes from the Gaelic Sìth Chailleann, meaning "fairy hill of the Caledonians." On the southwestern side of the mountain is said to lie the well-concealed Uamh Tom a' Mhòr-fhir, a cave serving as an entrance to the underworld.
Note: As the Schiehallion lies in the middle of Scotland (the Night Court) and not the middle of mainland UK (Prythian), the Sciehallion could instead be representative of Ramiel.

THE WESTERN ISLES

May refer to the Outer Hebrides, also known as the Western Isles, which is an island chain off the west coast of mainland Scotland. They are also sometimes known as Innse Gall, a Gaelic term meaning "islands of the foreigners/strangers" which was originally used by mainland Highlanders when the islands were ruled by the Norse.
ACOTAR role: The Prison is located in the Western Isles.

THE PRISON

Though located in the Inner Hebrides of Scotland rather than the Outer, the Prison may be a nod to Beinn Shiantaidh, which is Scottish Gaelic for "holy mountain." It is located on the western side of the Island of Jura and is the second highest peak of the Paps of Jura.
Fun fact: Pap is of Old Norse origin and means breast.

VALLAHAN

Valhalla is the hall of slain warriors in Norse mythology, located in Asgard, where those who die in combat live in peace under the leadership of the god, Odin. They are said to dwell in Valhalla until the events of Ragnarök, where they will then march out to fight in aid of Odin against the jötnar, a type of being in Germanic mythology.
ACOTAR role: A faerie territory located in the northwest portion of the Continent.

ADRIATA

The Adriatic Sea is located in Southern Europe and separates the Italian Peninsula from the Balkan Peninsula. It contains more than 1,300 islands.

BOG OF OORID

The Oorid Lough is a freshwater lake in the west of Ireland.

CRETEA

Crete is the largest and southernmost island in Greece.
ACOTAR role: Where Miryam and Drakon's people lived following the War.

LAPPLUND

Lapland is a geographic region in Northern Fennoscandia which covers much of the Nordic countries. It is also a province of Sweden and the largest region of Finland.
ACOTAR role: Where the Cauldron was hidden.

ITICA

Ithaca is an island featured in the Odyssey and was the island home of Odysseus. It is also a real island in Greece. The Kathara Monastery is located in Ithaca.
ACOTAR role: Itica is one of three temples where the feet of the Cauldron were hidden.

MONTESERE

Montserrat is a mountain range near Barcelona.
ACOTAR role: Montesere is a fae territory located in the Continent's NW and is considered generally wealthy. They allied with the loyalists in the War.

RAVENNIA

Ravenna is located in Northern Italy and was the capital of the Western Roman Empire.
ACOTAR role: Ravenna is a fae territory on the Continent and allied with the Loyalists during the War.

DUNMERE

Dunmere is a hamlet in Cornwall, England.
ACOTAR role: Dunmere is a town located within the Night Court, between Velaris and the sea.

NEVA

The Neva is the fourth-largest river in Europe and is located in northwestern Russia.
ACOTAR role: One of the largest human cities on the Continent and is where the Archeron sisters' father travels to trade.

SCYTHIA

The Scythians were an ancient Eastern Iranic equestrian nomadic people who migrated from Central Asia to the steppes of modern-day Ukraine and Southern Russia.
ACOTAR role: One of the territories of the human lands on the Continent, ruled by Queen Vassa. They are said to be a horse loving people.

ROSEHALL

Rosehall is the name of a remote hamlet in the Scottish Highlands.
Fun fact: The 2nd Duke of Westminster acquired the Rosehall estate and his mistress at the time, Coco Chanel, redecorated the interior to her own liking. Winston Churchill, a close friend of the Duke, also visited the estate.
ACOTAR role: Mentioned in ACOFAS and is theorized to be the place where Azriel's mother resides.

AFRICA-PARALLEL LOCATIONS

THE BLACK LAND

Black Land translates from Kemet, a popular ancient name for Egypt, which is derived from the color of the fertile black soil along the cultivated area of the Nile valley.
ACOTAR role: A region of the continent where human slaves were ruled over by a High Fae queen. Miryam and Drakon joined the mortals in the War and freed Miryam's people by crossing the desert and eventually the sea.

THE ERYTHRIAN SEA

The Erythraean Sea, originally an Ancient Greek geographical designation, has been used as a name for the Red Sea which lies between Africa and Asia.
ACOTAR role: Drakon used his magic to split the Erythian Sea.

ASIA-PARALLEL LOCATIONS

XIAN

Xi'an is the the most populous city in Northwest China snd the second most popular tourist destination in China.
ACOTAR role: A Fae territory on the Continent that allied with the Loyalists during the War. A large majority of the Dawn Court is made of Fae from Xian, including Thesan's mother. Feyre remarks that Amren may have molded her mortal body after their peoples.

BHARAT

Bhārat is one of the two principal official short names for the Republic of India.
ACOTAR role: The Archerons lost their fortune when their father's ships sank on the way to Bharat.

RASK

May refer to Rask, a city in Iran, that serves as both capital of its county and district.
ACOTAR role: A Fae territory on the Continent and allied with the Loyalists during the War.

ADDITIONAL LOCATIONS

VELARIS

Possibly derived from the Latin vēlo, meaning "to veil, cover, wrap" along with "to hide, conceal" and "to clothe in." Could also derive from the Latin vēlum, meaning "to veil, curtain" and also indicates a tarpaulin acting as cover for outdoor spaces.

THE WALL

No singular reference, but the presence of a wall separating one race from another, often humans from mythical beings, is rife throughout history, mythology, and fantasy.
One from each category that has loose ties to ACOTAR: (1) Hadrian's Wall, ie the Roman Wall, a defensive fortification of the Roman province of Britannia. It spanned from coast to coast, cutting across the entire width of Northern England. (2) In Norse mythology, the Master Builder asking for the hand of the goddess Freyja as payment for constructing a wall around Asgard to defend the gods. (3) The English village of Wall in Neil Gaiman's Stardust, named after the wall separating the land of Faerie from the mortal realm, highly guarded and cautioned against for mortals seeking to pass through.

THE MOONSTONE PALACE

Romans linked moonstone to the moon goddess Diana (goddess of wild animals and the hunt) and Ancient Greeks linked it to their lunar deities Artemis, Hecate, and Selene.

SIDRA RIVER

Sidra is a name of Latin origin and means "Goddess of the stars" or "like a star."

RAMIEL

Ramiel is a fallen Watcher, a type of Biblical angel, one of the 20 Watchers that rebelled against God by mating with mortal women, therefore creating the Nephilim (Shadowhunters, anyone?). Ramiel means "God has thundered." Ramiel is sometimes conflated with Remiel, also known as Jeremiel, meaning "God shall have mercy," as is listed as one of the seven Holy Angels. He is the archangel of hope and is responsible for divine visions and guiding the souls of the faithful into Heaven.

POOL OF STARLIGHT

No plausible connection found, though there is a famous pool in Greek mythology—a pool Mnemosyne presided over in Hades, counterpart to the river Lethe. Dead souls would drink from Lethe to wipe their past lives from remembrance when reincarnated. Those who drank from Mnemosyne's pool remembered and halted their transmigration of the soul.

ATHELWOOD

Ethel (also aethel) is an Old English word meaning "noble." Athelwood can mean "noblewood."
ACOTAR role: Morrigan's estate located in the Night Court.

GOLLIAN MOUNTAINS

Göll is one of the named Valkyries from Norse mythology. Her name means "tumult," or "noise, battle."
ACOTAR role: Where the Valkyries were slain during the War.

MYRMIDONS

In Ancient Greek mythology, the Myrmidons were an Ancient Greek tribe. In the Iliad, they are the soldiers commanded by Achilles. Myrmidon has also come to mean "a follower or subordinate of a powerful person, typically one who is unscrupulous or carries out orders unquestioningly."
ACOTAR role: A set of mountains serving as the border between the Day Court and the Night Court from which the Illyrians migrated.

CESERA

No direct reference found, but may allude to Caesarea, the name of numerous cities and locations throughout the Roman Empire.
ACOTAR role: One of three temples where the feet of the Cauldron were hidden.

SANGRAVAH

No direct reference found (and I lost my mind searching for one). Closest I came to was the similarly sounding Angharad, a feminine Welsh name, long associated with Welsh royalty, history, and myth, including Arthurian legend.
ACOTAR role: One of three temples where the feet of the Cauldron were hidden.

GREENFIELD VILLAGE

No direct connection found, though Greenfield is the name of several villages of England.
ACOTAR role: A neighboring village to where Feyre grew up and where Isaac Hale's wife is from.

WINDHAVEN CAMP

No connection found, though a separate Windhaven also appears in Tower of Dawn in the TOG series. Altun—Windhaven being the rough translation—is located in a three-peaked mountain range and is the home of Sartaq's hearth-mother and family.
Fun fact: Windhaven is the name of a science-fiction novel by George R. R. Martin and Lisa Tuttle following a group of humans who crash-landed on a foreign planet and learned to craft their own wings out of the spaceship wreckage.

THE WOLF'S DEN

No connection found, BUT fun fact: there is a named Wolf's Den castle in George R. R. Martin's A Song of Ice and Fire series (aka Game of Thrones) that now serves as a prison. "All the days were much the same inside the Wolf's Den, and any change was usually for the worse." A Dance with Dragons, Ch 29
ACOTAR role: The name of the worst tavern in Velaris that Nesta is known to frequent.

SILVERSPRING CREEK

No plausible connection found, BUT fun fact: "Silver Springs" is a song written by Stevie Nicks, performed by Fleetwood Mac, and is so strongly ACOTAR-coded even my non-loving playlist-to-book self can't deny it. If you want more bread crumbles that SJM is a Stevie Nicks fan, "Rhiannon" and it's lyric origins have potential ties to the Rhiannon of TOG.
You could be my silver spring
Blue-green colors flashin'
I would be your only dream
Your shinin' autumn ocean crashin'
Time cas t a spell on you,
but you won't forget me
I know I could have loved you
But you would not let me
ACOTAR role: Silverspring Creek is a stream running through Feyre's human village, near where she hunted rabbits.

STRYGA'S CASTLE

No direct reference found, but due to Stryga/the Weaver resembling a female demon akin to a vampire in Slavic mythology (see the Monster section above), it is possible Stryga's former home, before she was confined to her cottage, is reminiscent of Bram Stoker's 1897 Dracula and the Transylvanian Castle complete with three vampiric sister brides who entice men with their beauty and charm before proceeding to feed upon them.

The Night Sky

ARKTOS

Arktos, also written Arctus, means "bear" in Ancient Greek. Arktos was a centaur who fought against the Lapith spearmen. The Arktos Megale (aka Ursa Major, the Great Bear) is one of the original 48 constellations listed by Ptolemy who drew on earlier works by Greek, Egyptian, Babylonian, and Assyrian astronomers.
ACOTAR role: One of the three regarded holy stars (the furthest left star) of the Illyrians and serves as part of the symbol for the Night Court. The echelon of Arktosian is reserved for Illyrians who survive the Blood Right but fail to reach Ramiel.

CARYNTH

May refer to Corinth, an ancient city that was one of the largest and most important of Greece, or Carinthia, the southernmost Austrian state in the Eastern Alps, noted for its mountains and lakes.
ACOTAR role: One of the three regarded holy stars (the middle star) of the Illyrians and serves as part of the symbol for the Night Court. The echelon of Carynthian is reserved for Illyrians who scale the summit of Ramiel during the Blood Rite and are considered elite warriors.

ORISTES

Orestes (also spelled Orestes) means "stands on a mountain" and he is the subject of several Ancient Greek plays and myths concerning his madness and purification.
ACOTAR role: One of the three regarded holy stars (the furthest right star) of the Illyrians and serves as part of the symbol for the Night Court. The echelon of Oristian is reserved for Illyrians who make it to the Ramiel during the Blood Rite but don't reach the top.

Locations not listed: A slew of various more minor locations have not been listed, including the Four Market Squares of Velaris, certain cottages and houses, and even the Ironcrest Illyrian war-camp.
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THE CAULDRON

There are many magical cauldrons present in various mythologies, one being the Pair Dadeni in Welsh mythology, a magical cauldron able to resurrect the dead, and the coire ansic of Irish mythology, the cauldron of the chief god of the Tuatha Dé Danann, which never ran empty.

TRUTH-TELLER

Possibly inspired by Fragarach, an Irish mythological sword known as "The Whisperer" or "The Answerer." It was the sword of Nuada, the first high king; it was said that no one could tell a lie with Fragarach at their throat and that the sword inflicting wounds from which no one could recover.

THE HARP

May refer to the uaithne, the magical harp of the Dagda, the chief god of the Tuatha Dé Danann in Irish mythology. It could control men's emotions and change the seasons.

THE MASK

In Egyptian culture, death masks were designed to guide the spirits of those mummified into the next world.

THE UNKNOWN 4th TROVE ITEM

Seen in a vision by Nesta via Lathys, which we now know to be the Horn, and may refer to the Gjallarhorn of Norse mythology, the sound of which is said to herald the beginning of Ragnarok.

ATARAXIA

Ataraxia, in Ancient Greek philosophy, was a state of calmness untroubled by mental or emotional disquiet, ie tranquility of the mind. It was considered the ideal mental state for soldiers entering battle.
ACOTAR Role: Nesta's Made sword.

GWYDION

Gwydion is a name meaning "born of the trees" and is the given name of Gwydion fab Dôn, a magician, hero, and trickster of Welsh mythology. Caer Wydion, the castle of Gwydion, was the traditional Welsh name for the Milky Way.
ACOTAR role: The Starsword and twin to Truth-Teller.

NARBEN

No direct reference found, though narben in German means "scar."
ACOTAR role: A lost sword from the Dread Trove.

OUROBOROS MIRROR

The ouroboros is an ancient symbol of a serpent or a dragon eating its own tale, first present in ancient Egyptian iconography and the Greek magical tradition, the term itself deriving from Ancient Greek. It has been used frequently and extensively throughout fantasy literature. It often symbolizes the cycle of life, death, and rebirth.

BOOK OF BREATHINGS

The Books of Breathing are a set of ancient Egyptian funerary texts that are intended to enable those deceased to continue their existence in the afterlife. It is a simplified form of the Book of the Dead.

VERITAS ORB

Veritas is of Latin origin meaning "truth." It is the name for the Roman virtue of truthfulness and in Roman mythology, Veritas is the Goddess of Truth. Universities and colleges such as Harvard use the term veritas as their motto.

SYMPHONIA

Symphonia is Greek in origin and was used to denote a variety of musical instruments.

AMARANTHA'S NECKLACE AND RING (JURIAN'S FINGER AND EYE)

Jurian's finger bone and eye, kept by Amarantha, are reminiscent of relics and reliquaries, often religious in nature. Relics typically consist of the physical remains or personal affects of a saint and the reliquary is the container that holds them.

FAEBANE

Possibly inspired by wolfsbane (aka aconite or monkshood), a poisonous flower ancient Greeks would poison arrows and bait with to hunt wolves. It is lethal and often fatal and is an oft-used plant and poison within the fantasy genre.
Fun fact: In Shakespeare's Hamlet, Hamlet himself was killed with an aconite-laced blade.

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DAEMATI

Potentially a combination of the Greek word dae (to give) and the concept of mati, labeled as "the evil eye" in Greek classical antiquity. Daemati may effectively mean "to give the evil eye."

THE WEAVER'S SONG

The Weaver's song, sung when Feyre was stealing Rhysand's ring from her cottage, is similar to "The Twa Sisters," a traditional murder ballad dating back to mid 17th century England. It tells of two sisters who travel down to a body of water where the older one pushes the younger one in. A harp or a fiddle is then made out of the murdered sister's body, which plays itself and sings about her murder.

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To revisit Part 1: Characters & Courts, click HERE

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