Original falling sand

Sandcraft- Falling sand galore!

2014.07.30 06:16 HaitherecreeperMC Sandcraft- Falling sand galore!

Post anything involving naturally generating falling sand here.
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2012.12.27 01:57 voodoo_curse People falling, enough said.

Humans fall down. It happens. And it's hilarious. This is where we gather to laugh at them.
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2011.02.03 14:46 caitlinreid Bitch, I'm a Bus.

Bitch, I'm a Bus
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2024.05.20 01:49 revlid The difference between Mechanicum and Adeptus Mechanicus militaries

With the plastic Mechanicum announcement, I've been seeing a lot of confusion in the community as to why 30k Mechanicum is so (supposedly) incompatibly different from 40k Adeptus Mechanicus, as a military force. I thought I'd clear up the history at play here, which is ultimately rooted in changes that were roughly as fundamental as the shift from Legions to Chapters for Space Marines.
In the era of the Great Crusade and the Horus Heresy, the Mechanicum empire was a separate protectorate of the Human Imperium, with Mars as its capital world and holiest site. It was, strictly speaking, an ally of the Imperium, rather than being directly part of it.
The Mechanicum's principal military forces comprise three separate bodies, in this period, known collectively as the Triad-magna. These are the Legiones Skitarii, the Collegia Titanica, and the Taghmata Omnissiah.
So what happened?
By the end of the Horus Heresy, and particularly the Titandeath events, the Collegia Titanica has been absolutely wrecked. Its constituent Titan Orders simply don't have the numbers to represent a coherent force in their own right, and lack the resources they would need to truly rebuild. Titans shift away from being massed superheavy armies and toward being precious supporting assets deployed with great care, even as singular units accompanied by Knights rather than fellow Titans.
We don't have details on the Legiones Skitarii yet, but given the Fabricator-General of Mars turned traitor, the Red Planet was lost, and a Martian Parliament-in-Exile was set up on Terra, it seems inevitable that the Skitarii cohorts throughout the galaxy would have split down whatever lines made the most sense to each of them.
However, after the Heresy, the Mechanicum is no longer a separate empire even in name. Following compromises made by the aforementioned Parliament-in-Exile, it is now the Adeptus Mechanicus, a subset of the Imperium's own structure and systems (albeit a powerful and privileged one). It is understandable that it would not be afforded the right to rebuild its unified galaxy-scale standing army, something even the Imperium is avoiding, due to a fear of resurgent warlordism. Moreover, Mars itself has lost a great deal of pre-eminence within the Machine Cult, both as a result of turning traitor, and as a consequence of its own material and materiel losses compared to some of the other influential forge worlds.
Long before the 41st Millennium, the Legiones Skitarii have been reformed as regional forces, supplanting any existing local regiments of so-called "Tech Guard". They are now created and maintained by individual forge worlds as garrisons and footsoldiers. This likely required heavy adaption and alteration to the core Skitarii technologies and doctrines, both to suit their new role and the loss of a centralised supply chain for complex cybrid technologies... and because Mars would be more content to lock its most propietary toys away in a vault forever than it would be to let all the other kids play with (and reverse-engineer) them.
With the other two thirds of the Triad-magna effectively defunct, the Taghmata Omnissiah also ceases to be a relevant system. Many of the independent resources that once supplemented the Taghmata are much-diminished or outright defunct. The Ordo Reductor has lost many of its greatest engines and political advocates, the Explorator fleets have gone from regular Great Crusade assets to extraordinary undertakings, and the Legio Cybernetica has suffered mass destruction and reputational damage. The new, more conservative Adeptus Mechanicus leadership will proceed to excommunicate all of the more advanced automata designs, forcing it to decommission or mothball much of what remains, revisiting older variants like the Kastelan.
On a local level, the mass raising of Tech-thrall militia is censured, and falls out of practice in favour of the newly-available Skitarii garrisons, while military servitor technology such as Kataphrons gains renewed focus due to the reduced access to automata.
The overall feudal model of the Taghmata effectively becomes the entire military system of the Adeptus Mechanicus, which is far more regional, fragmented, and reactive than the Mechanicum, and lacks the undeniable rights (or centralised authority) of post-Treaty Mars. However, the actual resources available to assemble such a force are very, very different.
In some ways, these components are less powerful, thanks to a decline in resources and technology, as well as the Imperium's reduced tolerance for free-roaming independent military bodies. In other ways, they are far more efficient, because they are now a combination of deliberate, formal garrisons... rather than just being a mishmash of whatever shiny toys and spare chaff any given Tech-priest conclave could pull out of their pockets.
submitted by revlid to AdeptusMechanicus [link] [comments]


2024.05.20 01:41 ChipRed87 Randy gave me a clones of a couple, the clones fell in love too.

I mentioned this in another post and a lot of people thought it was cute. Figured I'd make it it's own post.
I had a pair of girls join my colony fairly early and eventually get married after a while, one of them getting cloned by the obelisk very early on in to the colony. I half wanted/expected the clone (Haruharu) to fall in love with her original self (Haru), because the pretty psychopath would be expected to do something like that, and not care about the weirdness of it.
In the end, another dupe obelisk ended up in the corn field and cloned the second girl (Dalrea), and the first clone fell in love with the clone (Rearea) of her original's wife. So now I have 2 of the exact same lesbian couple. Apparently they are really meant to be with each other.
(Dal and her clone are both jealous, hence the really nice rooms, they also apparently stop caring if other people have better rooms after a certain point cuz neither are jealous of one another even though 1 room is slightly better then the other.)
submitted by ChipRed87 to RimWorld [link] [comments]


2024.05.20 01:40 hilightnotes Some highly critical first impressions of Legendary Tales

This post is very long. This first section, before the first triple-line-break, is the summary. Details follow that.
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SUMMARY
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So, I was very much looking forward to Legendary Tales for a while now after hearing so many great things.
I bought it on sale a couple days ago and played the first hour or so, completing the tutorial and entering the main hub. Then I uninstalled and refunded it.
This is not a 'hate post' and I hope that this post will not only help people understand some of the issues of this game, and what this game is NOT, but also help people understand what this game is and why you might love it. I talked about my criticisms with others who love the game to help me approach this and hopefully deliver some useful thoughts. It's worth noting that I got lots of agreement about my criticisms from the people I talked to - who still love the game.
In short,
People love this game for the combat development in the context of a 40+ hour adventure. All the depth to the skill trees, which of course in my hour I didn't touch. The creativity of building the mechanics of a character RPG style - except you get to physically battle in VR. The reward of unlocking that cool skill you've been excited to try out, or finding a legendary that's a blast to use. Even in my short time with the game I could feel the beginnings of this with the parry system. I did have fun fighting skeletons with a simple sword and no skills, and felt the challenge as I had to aim my sword deflections well and time my counterstrikes. There is an effective mechanic preventing waggle-fest and I can begin to imagine all the room to develop your combat mechanics in a way that is, fun and rewarding, and uniquely VR.
Sounds great right? To some it truly is.
But to me, not so much. Why? Because everything else is lacking to a degree I did not expect.
I've been playing a lot of The Light Brigade lately. And although these two games are totally different, it's a useful game to bring up because The Light Brigade excels in all the ways that Legendary Tales significantly falls short.
Atmosphere - music and sound, lighting and colours, art design, character and enemy models
Interfacing - Onboarding and intuitive learning, UI design and fluidity, control mapping, options, grabbing/interacting with objects, general polish
Storytelling - Plot, lore, world building, characters, character and enemy expressiveness, writing
For many people who play games, combat is at the forefront of their interests. For me, it always takes a backseat priority - if its present at all - to the above three aspects. The combat in Bloodborne is great, but it is because it excels in those 3 aspects that it's one of my favourite games. I also love lengthy games like Pentiment, Disco Elysium, Planescape Torment, and Pathologic 2, which have minimal or no combat and lots of reading!
Legendary Tales is simply mediocre in those three bolded aspects and for me that's a hard pass. If these aspects were serviceable to me - done well enough to facilitate the combat - I might have kept going. But I don't use the world 'mediocre' lightly. This is the appropriate word to me, and because of that, I did not want to spend 40+ hours in this world.
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DETAILS
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For those interested, or for the developers, I will continue with a breakdown of these aspects I am criticizing, trying to go through everything I felt about them in the first hour or so of playing.
Main menu was my favourite part. I liked the scene + music together. Nice. I was looking forward to playing and this had me feeling fuzzy and ready to enjoy the game. Unfortunately, it was not to be.
The very first issue I noticed was that the game felt washed out. Even in that main menu I liked, I was feeling like it was a bit washed out. So I tried adjusting brightness down... then the darker areas felt better, but the light areas felt off. The more I played and tried to adjust to find the right equilibrium, the more I realized the lighting and contrast is just not good and adjusting brightness can't save that.
The second issue I noticed was the menu cursor to select things. It felt like an early VR game that hadn't quite figured out VR menus yet. It's useable but not fluid and pleasing.
The third issue I noticed was the unintuitive controls. I thought that this was the kind of game, kind of like a Souls game, where you aren't taught everything but learn things as you go in an organic manner. Maybe some of that exists in this game, but mostly it's simply bad control design and a bad tutorial. It's the difference between having barriers that have purpose, purposeful friction, and feel good when discovered vs barriers that feel pointless and just build frustration without purpose. The controls feel like a mess and while it's apparent that people can get used to them as they play more, it's not in a justified sense.
Along with this are interfacing issues. For example, grabbing items feels very awkward. The motions are clunky, for example the way a weapon will slowly glide into place in your hands. There's so many interfacing issues. The interface to see weapon/item stats on weapons that are laying about is clunky, the interface to switch weapons is clunky, the magic interface is clunky, dialogue boxes feel clunky,... all of these things feel clunky both in terms of feel and also aesthetic.
A very straightforward and obvious example is dialogue. Character dialogue is presented in a large bland text on a page. To progress through the dialogue, there's no obvious place to click or button to push. In fact, you have to click a particular area of the page, which feels totally arbitrary and unintuitive. Sure, once you learn, you can do it fine, but it's just bad interface design.
To go back to The Light Brigade, think about the difference in both feel and aesthetic to opening a chest or breaking a pot. Grabbing a gun and how it arrives to your hand. The attractive dialogue boxes. Watching a reward pop out of a chest, picking a tarot card. Putting objects into your waist pouch or taking them out. These interactions are all comfortable, beautiful, fluid, and intuitive.
The next thing on my mind was sound.
As I played the tutorial, the soundscape was barren. There was a wind loop, which didn't loop correctly leaving a solid second of space between the end and beginning. Sounds didn't feel like they were placed quite right in 3D space. Point-based sounds (like the crackling of a campfire, that comes from a specific point in space) had too small of a zone (the sound should be heard from further away). In general the soundscape was very barebones. And when I encountered the first character, not only did the character look totally goofy and out of place, but they made no sounds when 'speaking', not even grunts or gibberish sound.
To skip ahead for a moment, I also felt the music did not match the environments enough. The music was quite pretty - that's not the problem. It just didn't feel like the environments were quite synergized with the music.
Again for both music and sound, think of the gun sounds, the ability sounds, the sound of the enemies as they spot you, the sound of the environment, the footsteps and dash, the grunts of characters when the speak, the music... not only does it all sound great, but it all feels like expressions of the unique world of The Light Brigade. This is excellent sound and music design, that truly bring the world to life.
Although a minor complaint, I also noticed lots of grammar and spelling errors. Although I understand the team is in South Korea, and I appreciate the challenges of translation, just like with everything else I was just expecting... more polish. I thought it would feel like a full package, at indie scale. But it feels very much like a partial package.
And that segues into the writing...
There are games with simple and/or unmemorable story, where the story is still servicing and facilitating the gameplay.
And then there is just plain bad writing.
This is very much the latter.
Maybe a bit of this goes back to translation but I am doubtful that it fares much better in original Korean in essence.
The writing is goofy, juvenile, poorly structured, and generic.
I was also seriously turned off by a couple lines in particular, that I'm sure affect me more than most but I will mention anyways. One was something like "valuable gem missing. And a hot girl". Like... There's nothing inherent about calling a woman (or a man) hot that I don't like. Yes gamers, you are allowed to find women attractive, relax. But it's the way its written,... I'm not going to turn this into an essay about male gaze but the way its written simply services a particular male audience that casually objectifies women.
Even worse was the final line I read, a quest line. Paraphrasing, but the primary descriptive words are all exact: "Go kill 10 kill peasants in a refugee camp". I don't think I need to elaborate, people who are on a similar page to me will understand why this was just an incredibly gross line.
I know the above two dialogue criticisms will not be shared by everyone and not affect everyone the same way. I am expressing them as part of what I felt, my personal criticisms and experience, just like the rest of what I'm sharing.
Again to compare to The Light Brigade... every line feels thoughtful and builds character and develops the lore. Whether its the forlorn lines of NPC members of The Light Brigade, or the scenes that appear between runs, and other bits and pieces you get. The Light Brigade develops so much world with few words, it's quite impressive and again a beacon that Urban Wolf Games can learn from.
The final issue I'll discuss was something that struck me earlier on. That is, player character model and lack of customization.
First of all - again an issue that the majority here probably won't be affected by - I could not pick my character model until after completing the tutorial. Specifically, I was forced to do calibration as a male character model, and then had to play the tutorial as this character. Minor complaint but again just another polish issue.
Both male and female models are just... boring designs, and the female model is again very juvenile, obviously serving a primarily male audience, whether intentionally or not.
But more importantly, there's no character customization. Not even the tiniest bit. Even the ability to change just skin colour and hair only would go a long way. Especially in a lengthy adventure like this, I need to be able to identify with my character. Especially with multiplayer it seems essential to me, but even if it were single player, and as someone who plays primarily in single player, character customization is hugely impactful to me.
This does not really have a contrast in The Light Brigade - there's no character customization in The Light Brigade either, although the kind of game it is, it's not as relevant. That said, I do think it would be a nice touch if there WAS some minor character customization in The Light Brigade, and especially if you could play as a woman instead of man if you so choose. Although maybe lore-wise it is intended that all members are male except for 'Mother'. This hasn't been established with any good reason though. So on this point I would lightly criticize The Light Brigade as well.
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ENDING THOUGHTS
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Ultimately, Legendary Tales is quite simply a very indie game that probably had a very small team and limited funds. I don't know for sure, but probably there *wasn't* a dedicated writer, a dedicated UI and interface designer, etc.
However, these things are still failings of the game and its design. The greatest indie games to me are ones that successfully recognize their scope limitations and develop something complete within that scope. Whether it's the roguelike world of The Light Brigade, or the very short and stylish Tiger Blade, or Jeff Minter's trippy games like Akka Arrh and Polybius, or the retro Silent Hill aesthetic of Organ Quarter, or the suspenseful hotel of Propagation Paradise Hotel... all these games are made by small teams but successfully navigate their limited funds to deliver a full package within an appropriately limited scope.
On the one hand, I really value and support BJ's push for indie games to be respected and for that respect to reflect in the price consumers are prepared to pay. But after being totally on board with the price of Legendary Tales based on what I read from BJ and reviewers and many regular players too, I have to disagree with this game's pricing. This game is not polished enough, and is not a full package. That the game sucked out so much funds is an error of scope.
Maybe I will be in the minority, and Legendary Tales has been a success so it seems that I am, and so good on them for knowing the value of their game to the demographic they targeted I guess. And regardless, even if the pricing and attempted scope of the game are an error on the dev's part, I'm glad for the dev to earn back as much as they can, or even turn a profit hopefully.
But to me, reflecting back to the question the devs put forward: "Do you want to see deep combat development like this in VR for a 40+ hour adventure from indie devs?" The answer is no, I don't. I do consider the scope of this game an error on the part of the developers. It sounds like they did not even turn a profit enough to allow them to expand their team (but maybe I'm misunderstanding). I hope that they do continue with VR development, but instead focus on a much smaller scope game. Deliver a polished, complete package within a smaller scope, implementing a much tighter budget that will allow for potential turning of profit with an appropriately lighter sale price (maybe targeting a $30 game?).
If that is successful, do it again, and again, until they can expand and eventually work toward their dream adventure RPG, hiring actual writers and UI designers and sound designers etc. For me personally, this is simply not the kind of game you can half-bake. It should be attempted again when, and only when, they feel they have budget to do this in a truly full and polished manner.
I had the pleasure of meeting BJ briefly at PAX East. He struck me as friendly, kind, totally genuine, and incredibly passionate as a game developer and a VR game developer in particular.
I do wish this team good luck and despite my own harsh criticism I am glad so many ARE enjoying this game, and also feel the price point is justified. I want devs to earn money, including Urban Wolf Games. And I hope that they will continue to develop and bring more VR to the world.
I hope that my criticism is constructive and useful toward these same goals.
submitted by hilightnotes to PSVR [link] [comments]


2024.05.20 01:38 wearykindred new ST, storytelling to teach my friends how to play, any tips? (V5)

so ive been a fan of vtm lore for 7 years but have only been playing the actual tabletop as a player for about 5 months (v5 specifically) so im VERY much new to the actual game mechanics myself... and the only time i ever GM'd anything was a oneshot for an original tabletop system i wrote, nothing vtm-related.
however, im the only one out of all my friends with any vtm knowledge so its up to me to teach everyone else if i want them to get into it (which i really do! id love for them to fall in love with the game like i have.) my friends are all dnd folk who have never played vtm so i wanna make it as fun for them as possible to leave a good impression about vtm on them.
i have some plotlines planned out, we had a great session 0, and everyones excited and nervous. our first session is this upcoming thursday and i dont wanna mess this up for the players. ive been looking at similar posts for tips but if anyone has any tips for a total newbie id be so thankful and honored <33
submitted by wearykindred to vtm [link] [comments]


2024.05.20 01:33 phantomom Kitchen makeover in progress…

Kitchen makeover in progress…
I wanted to update my very functional but very 2000s kitchen. Last year I had vinyl plank tile installed to replace the peeling Pergo floors (until we can redo all the wood throughout the house).
I hemmed and hawed over painting the cabinets for years. I wasn’t sure the wood should be painted over, but the finish was gummy and hard to clean, it was worn and water damaged, but most of all I could not learn to embrace the deep orange warmth of the cabinets.
I absolutely love the original granite countertops, but the orange maple made it look so dated.
So, I finally decided to just do it. I took off every cabinet face, degreased, sanded, primed, sanded again, painted (Benjamin Moore’s Fieldstone in the Advance line), and put on new hinges and new hardware.
I left one cabinet wood and stained it with a gel stain just to keep some of the warmth and as an homage to the original. I worked in sections because I have young kids and needed a mostly functional kitchen.
When the painting was finished, I changed out a single recessed light above the sink with a new ceiling mount.
I was going to rip out the 4” granite backsplash and tile the whole wall, but I’m exhausted and need a break. Considering just painting the backsplash a fresh clean white and leaving the dated 4” granite because I’m just a mom and I gotta call it a day. 😅
Any other suggestions on what I could add/do?
submitted by phantomom to HomeDecorating [link] [comments]


2024.05.20 01:32 UnlikelyUkulele Mystagogus Interpretations

Hi folks,
Wondering if any generous souls might be willing to give me their two cents on two layouts I did this morning. The relevant background here (confirmed with another reading) is that I'm currently part of a destruction dynamic going on with my current employer (whom I'm trying to leave asap) and I believe that business is going under. Approx. six months ago, I did some readings which seemingly indicated a destruction dynamic and I asked for clarification here. Some kind people interpreted the spreads as saying to lay low for a while, which I've been doing until very recently when I've felt called to do some divination.
For what its worth, based on the water of life card appearing frequently, it seems I'm on my correct path and healing, if that helps as additional context.
In a yes/no reading from the Tarot Skills for the 21st century:
"Is there an available curriculum of magical learning which would provide more net benefit to my life than Quareia?" (what I was trying to get at was whether, overall, there was a program that might be a better fit - I haven't come across it and remain very interest in Quareia and generally a big fan of JMC).
Answer:
  1. What the question is about: Magical Death
  2. The relevant past: Underworld
  3. Difficulties to be overcome: Dreams
  4. Help you are given: Partnership
  5. The future outcome/what the answer will lead to: Hidden Knowledge
  6. The answer: Ghost
I had and have no idea how to read the Ghost here as an answer. I believe from other divination that the destructive dynamic going on at work (of which I'm seemingly a necessary part) is underworld related (which may be a duh for some folks, apologies, but I know nothing).
So because I found this really confusing, I did a clarifying reading with the tree of life layout used in the same book, and asked: "Is the Ghost card in the prior reading telling me there is a spirit of a dead person around me or the situation?"
  1. What the story is about: Stargazers
  2. Positive or giving aspect forming the story: Fate Weavers
  3. What is hidden or past that has bearing on the story: Leadership
  4. What is necessary for the story to develop: Unraveller
  5. What is withheld from the story or being taken away: East Gate
  6. The pivotal aspect of the story: Inner Desert
  7. What needs discipline or limiting for success: True Justice
  8. What needs relaxing to flow: Service
  9. The reason or dynamic behind the answer: Separation
  10. The answer: Voice of untruth
I read the answer here via the voice of untruth as being "No, not the spirit of a dead person." I assume the separation dynamics have to do with separating from my employment, and that perhaps service is being used as a substitute for "work" meaning relax about work or don't do as much, but no idea. Leadership, I assume refers to my past actions. But this left me with no sense of the answer to my original question.
I've found the whole thing really confusing. If you've made it this far with me, I really appreciate you. To help figure out what these other readings mean, I did the Mystagogus layout, which read as follows. I don't ask that anyone try to interpret this for me, but merely provide it for context on the other readings.
1. Progenitor: what the story is about
a. Water Of Life: soul nourishment, sacred healing, physical healing, divine love, regeneration, working with water energy
2. Endurance: what must be overcome for success/growth
a. Sacred Place: holy place, sacred space, place of divine presence, clean, balanced, safe place, special person, nature power spot
3. Unraveling: what must be let go of or loosened up, or what is falling away
a. South Gate: south, future, fire, creative fire, volatile energy, yes, positive
4. Partnership: what you are closely interacting with or what is having a direct influence
a. Destruction: loss, destruction, dangerous imbalance, destructive behavior, make a major change, painful rebalancing, catastrophe, natural disaster, get out of the way.
5. Hearth: home, family, tribe
a. Silence: be silent, do not act, you do not need to know, do not ask, think before speaking, secrets and keeping secrets
6. West Gate: what is now fading into the past but can return
a. Load sharer: sharing a burden, upholding others, caretaking, holding a magical working, protecting someone, helping, hard work, enabling someone
7. North Gate: what is now long past and will not return, but has relevance
a. Harvester: death, change, liberation, closing, limited time, letting go, end of a fate cycle, loss of control that destroys.
8. Fate weavers: the current individual’s fate pattern that is active
a. West Gate: leaving, coming to an end, very recent past, slowing down, aging, direction of west, probably not, no longer viable
9. The Path: what is moving forward, active and positive
a. Companions: working creature companion, tend to creatures, augury, an important animal or bird, an animal is the key
10. The Binder: what is withheld, is not active, nor should be
a. Creating: creating, painting, writing, sacred art, consecrated art, sacred words, creative service, music, drama, the creative act
11. The gift: help that comes to the situation
a. Hidden Knowledge: unseen, secret, hidden, beyond understanding, hidden potential, unknown, depths, unseen water, incubation of great learning, despair before emerging, dark night of the soul
12. Underworld: The adversary of the situation
a. The Path: important fate path, trust, yes, correct, way ahead, action, move forward
13. Dreams: what is happening in sleep and dreams, can also be a position of visionary work
a. Progenitor: Idea forming, divine presence, preconception, before dawn
14. Inner Worlds: What is flowing to the situation from the innespirit worlds
a. Unraveller: falling apart, falling away, loosening, breaking up slowly, crumbling, unwinding.
15. Daimon: advice offered on what actions are needed for success
a. Perception: pay attention, a sign, warning, exposing hidden information, precognition, prophecy, awareness, truth, understanding the truth, seeing what others do not see, seeing what is veiled.
16. Danger: what is dangerous and can inhibit or stop progress
a. Purification: ritual cleansing, purify, consecreate, bathe, tidy up, clean space, make sacred
17. East Gate: Short term future, the path ahead
a. Splendor: yes, success, achievement, joy, beauty, respect, harmony
18. South Gate: What will come to be in the longer term future as a result of the current situation
a. Secret Commonwealth: land being, faery, nature spirit, unpredictable person or situation, make no promises, strangeness, a need for integrity in the face of unfairness
I took a lot of comfort in this reading because it seems like I'm at least on a positive path even in the midst of a destructive tide or dynamic with my company. I read some of this as "stay muddy to be camouflaged, don't cleanse yourself or your home overmuch."
Would really appreciate any thoughts or insight of parts or the whole of this.
Thanks all, and hope everyone is safe and healthy.
submitted by UnlikelyUkulele to Quareia [link] [comments]


2024.05.20 01:28 Puppyprobate Help with discoloration

Help with discoloration
Kinda freaking out and would appreciate any help! I've restored pieces in the past but this is my biggest/nicest and of course that means it's going wonky. So one side of my dresser came out pretty great looking (1st pic) but the other is SO much darkeblotchy (2nd pic) and I have no idea why. Sanded them down the same, there was only one thin layer of original varnish. Added some boiled linseed oil and a week later this is still what it looks like. I'm honestly heartbroken and don't know if this can be fixed? I believe the wood is butternut and pecan based on a catalog I found online - it's a Sophisticate by Tomlinson piece. Any ideas how I can get the dark side to look like the other end? I really don't want to stain the whole piece darker.
As a secondary concern I've added a pic (3rd) of the top which had heavy water damage. I used oxalic acid on it and it lightened it up a bit but it's still pretty noticable to me. Should I try another round or am I being overly critical in this case?
Very much looking forward to any insight you all might have. Thank you in advance.
submitted by Puppyprobate to finishing [link] [comments]


2024.05.20 01:27 HellfireBrB BUT ACCORDING TO THE NOVEL: "proceeds to pass misinformation" and why i'm sick of people making stuff up about the novels and directors commentaries (very long post)

BUT ACCORDING TO THE NOVEL:
Introduction as of recently for the past 4 days i have noticed a large divide across most of the discussions regarding the monsterverse cannon mostly duo to a large discrepancy between what is a what isn't common information, and how much of the community does not seen to have the time or resources to actually fact check extremely specific information the result of this is a continuous spread of misinformation, constant claims and lies about lore and movie scenes that are intentionally taken out of context or shape, or just straight up didn't happen or weren't neither stated or confirmed.
the point of this post is to both criticize this stupid way to discuss information while at the same time debunking some of the current biggest misinformation being passed across the subreddit and other grounds of conversation about the MV
Disclaimer: i do not as of now own neither a copy of GvK or GxK's novelizations that are in English (as mine are on my native language; Portuguese) as such many of the information provided following will be a combination of prints and translations taken from various sources, i apologize for that in advance as i have no workaround such a problem other than pirating a product i already own, such a thing i refuse to do.

Starting from the big: the Egypt fight, and why all the things you were told happened in there... didn't actually happen

one of the first points of discussion that sens to generate this kind of issue is the entirety of the Egypt fight, more specifically the status of can or cannot Kong beat or kill Godzilla on his own (he can't we have a whole ass movie about this, move on), this resulted in a considerable amount of misinformation in regard to the novel mostly quoting things that did not happen, or that are taken out of context to the extreme as a start:
Kong did(not) knock Godzilla unconscious the entire discussion from the start revolves just around ghost arguments about things that truly no one cares and in general, that in general despite knowing this will offends certain groups of people; was only started because certain loud minorities of Kong fans still can't accept Kong loses and as such need to use any escuse to justify a Kong victory and create their own version of "Godzilla was plying around" as such for the actual fight lets start from the movie
as in the following image on the right you can see the exact last frame in which Godzilla's face is last fully visible visible, and in the left this is the last frame in which Godzilla and Kong are in any way visible (duo to the motion blur I've market a crude shape of Godzilla's head and Kong's hand for batter clarity however i do recommend you go and watch the scene at a slower speed to get batter clarity on your own about it)
pay close attention to Godzilla's head position in relationship to the last frame, and how Godzilla moves to to his side as Kong's fist slides towards his left of his cheek his eyes are also open in the last frame in which they are visible
the biggest argument towards Godzilla being unconscious is that after Godzilla was hit the movie simply "cut" to after Godzilla woke up, however this is very easily debunked, starting by the images above you can notice Godzilla's position in relationship to Kong, him being on his back with his dorsal plates accommodated to his left and his head spinning to his right after being hit
this is the progression of Godzilla's recovery process pay attention to Godzilla's eye position
as per the second sequence of images, Godzilla feel to his side belly down, with his body slightly pending towards his right showing that Kong didn't move his body before dragging him, but he simply feel already on such position. and as per the very first frame in which his face is visible (first image) his eyes are open and facing the same direction they were before Kong last hit him, them less than 4 frames latter his eye position shifts towards the sand were you can clearly see his claw moving toward, and in the third image about 2 frames latter he can be seen moving his head and eyes towards his hand before his claws hit the ground covering his face with sand again. and in the 4 slide the very first frame in which his eyes are visible again, they have completely bend back to the point you can see their white as Godzilla starts turning his head towards Kong
as per the movie, there is no cut or clear view of Godzilla being either knocked out or unconscious Kong simply punched Godzilla back into his belly and there is full continuity of one scene to the other it is preposterous to claim Godzilla simply shrug off such a hit when he clearly is moaning in pain, and took several seconds for him to fully recover from the strike and go back to charging his breath (exactly 11 seconds the exact frame Kong's fist connects to his face, and the exact frame we can hear his charge)
and no, the novel does not contradict or change anything of this scene
per the novel Kong simply does not understand why Godzilla is even on the floor it is neither stated to be unconscious or dazed, simply \"still... not dead\"
it also like the movie fails the state any amount of time or distance in-between scenes simply stating the exact same progression Kong hits Godzilla, > starts dragging> Shooting
the movie even has a continuity error with Godzilla somehow being closer to the city despite it being on the opposite direction of the portal, AND falling backwards to the city meaning both Kong and Godzilla teleport backwards trough that sequence
The fight was (NOT) a draw, and Kong was (NOT) holding back, and the beast glove can('t) block Godzilla's breath
this is the sequence of words you often see in these discussions stating that this fight is not valid because Kong was holding back (often being followed by Kong could have killed Godzilla if he wanted, or kong could've bashed godzilla's head if he wanted) and that even if mothra didn't interview it would end there, and that the director commentary backs this up however once more this is untrue
as i can't provide video prof of the commentary duo to the formatting of the post what adam actually stated is that kong held back from fighting godzilla as he had grown past their rivalry and that is not his intentions, however kong did lose his temper and went out of his way not only mad at godzilla, but also trying to take revenge for Hong kong, something the novels even backs up:
the novel not only states the same, but also goes out of its way to say kong was gratified with striking godzilla
so now that is clarified what was going on on kong's mind, yes godzilla won, and kong was not only saved once, he was saved TWICE, because as per the same commentary, godzilla stepping on kong only didn't kill him as it did in GvK because kong fell on flat sand which he sunk in you can actually see that when godzilla first steps on kong trough the fight than comes the argumentation that kong was going to block the breath and move out however this is also untrue
the novel goes in great detail that that kong could never escape before godzilla hit him, and while kong indeed block with his arm, he did not even know if it was going to work or not something you can once again actually see in the movie
Conclusion: THE EGYPT FIGHT IS THE EXACT SAME IN ALL SOURCES

Shimo, a class in tell not show, and why she is the potential man of the monsterverse

image made by u/drywall9
the second issue with these discussions is shimo and the amount of things she is "told" but never show to be able to do, while at the same time being backed up with an ungodly amount of arguments placing her as the strongest titan in the monsterverse.... while that is completely and utterly untrue
Shimo didn't beat godzilla in the past... no that is not what the novel said, and why Bernie, and Illene are the most unreliable sources in the monsterverse
this is a heated topic, mostly being about people not having an actual firm stating point to place shimo and how strong she actually is in relationship to other titans (mostly godzilla and ghidorah) a great deal of people firmly believing she is the most powerful titan in the monsterverse, something that has sparked a good amount of discussion after adam stated that firmly she and godzilla are equals something that is contradicted by the novels stating that shimo was "dominating" in ancient times, and that she beat and froze ghidorah.... except the novels don't say that, nor does it confirm anything, in fact both these claims are just Illene tossing stuff at a wall to see what sticks and Bernie does what Bernie does, spit his own conspiracies into the thing until he gets something right out of pure luck
this is what illene and bernie actually say
she simply remarks monarch had cave paintings of shimo from before the events of the movie, and that some of those paintings depicted shimo being stronger than godzilla something even bernie thinks is hard to imagine
illene than proceeds to talk about jia and the iwi before the discussion rolls back to Shimo where she says:
she than proceeds to detail other interactions before pondering how much of it is true, and how much of it are the person making the paintings projecting his own emotions into the fight
BUT SHE TOOK GODZILLA'S ATTOMICH BREATH LIKE IT WAS NOTHING? isn't actually new
several times godzilla's breath and similar power attacks (such as ghidorah beams) has show to be survivable in one way or another, be it because of raw durability, or other countermeasures, what is surprising here is not that shimo can take it, but that illene is surprised she can. even mechagodzilla one of the least durable monster in the MV is confirmed to be able to survive it (albeit not for long)
Shimo (didn't) freeze Ghidorah (at least not directly)
this is actually the main reason for the existence of this post, my tiredness with the endless debates that shimo 100% beat and froze ghidorah, with endless claims that the novel completely confirms it and that despite being contradicted by SEVERAL other sources they are disregarded as "Retconned" despite not being contradicted at all, and the only point towards shimo and ghidorah being involved neither confirms or denies anything, it is a combination of inconclusive discussions between bernie and illene, asking several questions that are not bothered to be answered. this is the actual discussion:
what she says is that the same crystal formations found within shimo ice ages created by shimo were found ACROSS Antarctica in a localized event, which is also where ghidorah was found than after being asked by bernie she simply shrugs it off as if she does not know the answer
she never states that shimo is involved in any way with ghidorah, just that at some point shimo was at Antarctica possible freezing it in an event separate from the ice age she created during the titan war this is backed up by our previous sources on how ghidorah was frozen
back in GvK's novel it is stated that it is unknown what happened to ghidorah just that they know ice quickly melted around him and them even quicker froze itself back imprisoning him
this might cause you to believe this is prof. that ghidorah was beaten and or frozen by shimo however there is ONE CORE information that is missing in both these situations, that simply contradict this point
in both occasions, THE HUMANS ARE COMPLETELLY UNAWARE OF GODZILLA'S INVOLMENT WITH GHIDORAH, not their fights, NOT their rivalry but godzilla's involvement with the freezing of ghidorah, as that is information provided only to us the viewer of the monsterverse, and thus why in BOTH OCASIONS the humans do not mention him (they have no ideia), and proceed to acknowledge shimo in place of him trough the events this is further proven by the original takes on how ghidorah was frozen
ghidorah himself broke off and melted the ice as he feel from the sky sub-sequentially getting stuck in it
there is also a tweet of him confirming godzilla battled godzilla 1v1 but since it is a 2019 post i have failed to have the mental power to go trough 5+ years of replies just to get one print you got the point
case and point the "Novel does not state shimo froze or was involved" with ghidorah, nor did it retcon anything from previous information we have, godzilla simply had a 1v1 fight with ghidorah in Antarctica while a localized shimo storm (like in rio) was happening, godzilla than beat ghidorah which ended in ghidorah being stuck in ice and melted water that quickly froze him before godzilla left the dragon for dead
the reasons for the storm are unknown, the time shimo created it unknown in relationship to the godzilla vs ghidorah fight is unknown, and the extend of how intentional it was from any of the parts involvement is unknown. any points outside that is no more than headcanom, theory-craft and is NOT CONFIRMED
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2024.05.20 01:24 LeRoySharp WTS ENHYDRO QUARTZ

For sale Enhydro Quartz all with visible bubbles and falling carbon sand! - https://imgur.com/gallery/V9dJFsP - Proof pictures and videos of movements. (Original imugur proof photo was from my post to tradeforpms ) can provide updated proof if needed! Pricing (OBO) FREE SHIPPING USA IF YOU BUY MORE THAN ONE SPECIMEN availability as follows: as of 5/19/24 1- $35 +5 shipping (usa) (Avaliable) 2- $35 +5 shipping (usa) (Avaliable) 3- $35 +5 shipping (usa) (Avaliable) 4- $35 +5 shipping (usa) (Avaliable) 5- $25+5 shipping (usa) (Avaliable) 6- $40 +5 shipping (usa) (Avaliable) 7- $35 +5 shipping (usa) (Avaliable) 8- $35 +5 shipping (usa) (Avaliable) 9- $35 +5 shipping (usa) (Avaliable) 10- $35 +5 shipping (usa) (Avaliable) 11- $40 +5 shipping (usa) (Avaliable) 12- $35 +5 shipping (usa) (Avaliable) 13- $50 +5 shipping (usa) (Avaliable) 14- $35 +5 shipping (usa) (Avaliable) 15- $55 +5 shipping (usa) (Avaliable) 16- $45 +5 shipping (usa) (Avaliable) 17- $45 +5 shipping (usa) (Avaliable) 18- $35 +5 shipping (usa) (Avaliable) 19- $35 +5 shipping (usa) (Avaliable) 20- $55 +5 shipping (usa) (Avaliable) 21- $45 +5 shipping (usa) (Avaliable) 22- $55 +5 shipping (usa) (Avaliable)
submitted by LeRoySharp to Crystals [link] [comments]


2024.05.20 01:23 killerqueen1984 Wanting a new scent this winter, I discovered the world of affordable Arab fragrances; I am hooked.

Wanting a new scent this winter, I discovered the world of affordable Arab fragrances; I am hooked.
Leave reccomendations on what I should get next, pretty please 🙏🏻 🩷 preferably $50 or less.
The scents shown here were purchased in the last 2-3 months. so far I’m loving them all, but in no random order, here are some brief reviews!
Moroccan Rose gave me a headache, but it could’ve been not related to the perfume and merely a coincidence. I’m going to try it again. Inara was a bit sharp and reminds me of something I smelled as a kid but I actually like it, it’s just strong.
Choco musk is so sweet and delicious, but it’s very simple smelling to me, but that’s why I appreciate it. It’s like vanilla extract and a hot cocoa.
Dalal is caramel, vanilla, and orange-intoxicating and sexy imo.
Golden Sand is perfectly simple to layer with my Caramel Dream from Sabrina Carpenter body mist and edp. It’s a light vanilla caramel w a smidge of warmth.
Soft- we all know what Soft smells like, a bit powdery, sweet, vanilla-lemon cupcake, yum!
Yara is vanilla, powdery and smells sweet, I love it and will purchase the full size when my mini is gone.
Right now, the latest one I got, Sabaya from Al-Rehab is perfect for spring and is really similar to Soap and Glory Original Pink, which I’ve been wanting in a perfume form. It’s closer than Inara. Was matching up notes as much as I could. I have the body spray, lotion, etc, but wanted an edp to layer with it and I think I may have found the perfect one-like a sexy citrus floral bomb of deliciousness! I will 100% repurchase this to use with my S&G bath and body products.
So, what should I get next? What are your favorite cheapies?
submitted by killerqueen1984 to FemFragLab [link] [comments]


2024.05.20 01:15 Puppyprobate Help with discoloration

Help with discoloration
Kinda freaking out and would appreciate any help! I've restored pieces in the past but this is my biggest/nicest and of course that means it's going wonky. So one side of my dresser came out pretty great looking (1st pic) but the other is SO much darkeblotchy (2nd pic) and I have no idea why. Sanded them down the same, there was only one thin layer of original varnish. Added some boiled linseed oil and a week later this is still what it looks like. I'm honestly heartbroken and don't know if this can be fixed? I believe the wood is butternut and pecan based on a catalog I found online - it's a Sophisticate by Tomlinson piece. Any ideas how I can get the dark side to look like the other end? I really don't want to stain the whole piece darker.
As a secondary concern I've added a pic (3rd) of the top which had heavy water damage. I used oxalic acid on it and it lightened it up a bit but it's still pretty noticable to me. Should I try another round or am I being overly critical in this case?
Very much looking forward to any insight you all might have. Thank you in advance.
submitted by Puppyprobate to furniturerestoration [link] [comments]


2024.05.20 01:08 Stan_B Ai_Prompts_Batch_0001:\ part-E_ [ Resultset (\) ]

Would you have a concluding word to such world's setting?

Absolutely! Here are a few closing word options for your high-tech, low-life world, depending on the tone you want to achieve:
Hopeful:
In the flickering neon glow of the lower districts, a spark of rebellion ignites. Despite the hardships, the human spirit endures, seeking connection, hope, and a chance to build a better future.
Bittersweet:
The high towers of the elite cast long shadows over the bustling streets below. In this world of stark contrasts, the lines between survival and prosperity blur. But even in the darkest corners, love, ingenuity, and a flicker of defiance persist.
Grim:
The gears of progress grind on, leaving a trail of waste and despair. In this high-tech dystopia, the gap between the haves and have-nots grows ever wider. Will the lower districts rise up, or will they be forever locked in the underbelly of a world they can only glimpse from below?
Open-Ended:
Beneath the neon sky, stories unfold. Tales of hardship and hope, of rebellion and resilience. The future of this high-tech world hangs in the balance, waiting to be written by the choices of those who inhabit it.
Choose the closing word that best captures the essence of your story or setting. Remember, the world you've created is rich with possibilities, and the ending doesn't have to be definitive. It can leave your readers pondering the fate of its characters and the future of this complex and ever-evolving society.

If you should pick an item or an object that would clearly and cleverly symbolized such world, what would that be?

Here are two options for an item that symbolically represents the high-tech, low-life world:
  1. The Glimmering Shard:
  1. The Glitching Holographic Ring:
Both of these items are small, versatile, and can be interpreted in multiple ways, making them powerful symbols of the high-tech, low-life world. The choice ultimately depends on the specific tone and message you want to convey in your story.

Try something bit more distinct and specific.

How about the "Hacked Heart"?
Here's the breakdown:
This Hacked Heart offers a unique and distinct symbol of the high-tech, low-life world. It captures the struggle for authenticity, the desire for connection, and the pervasive influence of technology in every aspect of life.

How about straight up hacksawed hearth?

The "hacksawed hearth" is a very evocative image, but on its own, it might be a little too literal. Here are a few ways we can build on this concept to create a more symbolic and distinct object for your high-tech, low-life world:
  1. The Hacksawed Hearth Relic:
  1. The Hacksawed Hearth Stove:
  1. The Hacksawed Hearth Hologram:
These are just a few ideas to build upon the "hacksawed hearth" concept. Each option creates a distinct symbol for your world, capturing the struggle, resourcefulness, and yearning for connection within a high-tech, low-life society.

Apologies, i meant hacksawed heart.

Ah, a "hacksawed heart" takes the concept a whole new level! Here are some potential interpretations for this unique symbol in your high-tech, low-life world:
  1. The Literal Hacksawed Heart:
  1. The Hacksawed Heart Pendant (Metaphorical):
  1. The Hacksawed Heart Hologram:
These are just a few interpretations of the "hacksawed heart" symbol. Each one offers a unique perspective on the world, highlighting different aspects of the struggle between technology and humanity, vulnerability and resilience, and the fight for emotional connection in a harsh environment.

And how about hacksawed earth?

The "hacksawed earth" is a powerful and evocative image for your high-tech, low-life world. Here are a few interpretations that capture different aspects of this society:
  1. The Broken Globe:
  1. The Cracked Terrain Model:
  1. The Fractured Hologram:
These interpretations of the "hacksawed earth" symbol each offer a compelling way to visualize the societal and environmental consequences of the high-tech, low-life world. They highlight the impact on the environment, the fragility of the system, and the call for change.

What would be the very best thing in such world?

The "best thing" in a high-tech, low-life world depends on perspective and what holds the most value for different people. Here are a few contenders:
For the Struggling Masses:
For the Elite:
A Different Perspective:
Ultimately, the best thing in this world depends on your story and the characters' values. What are they fighting for? What would make their lives better? By exploring these questions, you can create a compelling world where the "best thing" is a powerful motivator for your characters and a reflection of the themes you want to explore.

What would be the best possible symbol for high-tech-based dominance?

Here are a few options for a symbol of high-tech dominance in your world, each capturing a different aspect of technological control:
  1. The Augmented Eye:
  1. The Neural Network Spire:
  1. The Glimmering Hand (Data Hand):
These symbols all offer a distinct way to represent the dominance of high-tech in your world. Consider the specific aspects of technology you want to highlight and the message you want to convey. These options provide a starting point to create a powerful symbol that embodies the oppressive yet awe-inspiring nature of technology in a high-tech, low-life society.

What would be the best set of symbols for resistance movements within such high-tech low-life settings?

In a high-tech, low-life world, symbols for a resistance movement need to be subtle, easily hidden, and adaptable to a world saturated with technology. Here are a few options that capture the spirit of rebellion in this unique setting:
  1. The Flickering Flame:
  1. The Glitching Gear:
  1. The Broken Wing:
  1. The Hacked Flower:
These symbols are just a starting point – get creative and consider the specific values and goals of your resistance movement. Remember, the best symbols are those that resonate with the characters and the audience, conveying the essence of rebellion in a way that is both meaningful and visually striking.
submitted by Stan_B to HTLL [link] [comments]


2024.05.20 01:05 dradrado Reconciling Zero and Infinity in Astrophysics

Reconciling Zero and Infinity in Astrophysics
  1. Reconciling Zero and Infinity in Astrophysics.
What if our understanding of the universe is limited by our confusion between zero and infinity? This question lies at the heart of our discussions on the Big Bang, black holes, and dark matter.
  1. Philosophical vs. Mathematical Zero
In astrophysics, we often interchange the philosophical zero (nothingness) and the mathematical zero (a numerical tool). The philosophical zero represents true nothingness, while the mathematical zero is a tool for our calculations. The mathematical zero allows for negative values, but these don’t fit into our spacetime discussions.
  1. Zero and Infinity: A Conceptual Dilemma
Zero means nothing in philosophy, but it’s a numerical aid in mathematics. Infinity also has dual meanings. The Big Bang theory suggests that from nothing (zero) came everything (infinity). This paradox highlights a need to clarify and separate these concepts to understand the universe better.
  1. The Potential of Fractals
To resolve this paradox, I propose exploring fractal mathematics, particularly the Mandelbrot Set. Fractals provide a way to understand infinite complexity without falling into the zero-infinity paradox. The Mandelbrot Set avoids infinity in its calculations, offering a tangible model for infinite patterns.
Is it irony that a mathematical exercise aiming to bind a curve of a quadratic polynomial from spinning off into infinity reconciles this paradox, or is it oxymoronical? Or is it something else? A formula with a numerical set resulting In an absurdly small range of greater than or equal to zero and equal to or less than two, could create such a representation of zero- infinity, one much more palatable for the capabilities of human comprehension. A model perfect in form coupled with the power to compute, AI helps us conceptualize infinity and to grasp complex ideas about the universe.
  1. Visualizing Infinity
The Mandelbrot Set, with origins 12 decades ago when a couple of now famous Frenchmen, Fatou & Julia, first investigated the field, It was nothing more than a child of imagination, puzzles, chalkboards and lecture theatres, has developed in ways I'm sure they could never have predicted provide some of the most vivid and breathtaking visual imagery that the human eye could ever behold, It becomes more amazing everyday. The computer had turned into e chalkboard formula calculations into cool screensavers, now given to AI, imagery seemingly forever zooming in, almost renders the human mind incapable of avoiding the contemplation of the existential nature of something eerily alien to our eyes, yet somehow recognisable. Mandelbrot himself made many observations about how when he looks in nature and the cosmos he recognises these amazing fractals everywhere. Images which were to him once just equations have transformed before his very eyes into the fabric of his existence, he cites hundreds of different examples ranging from fossils to galaxy clusters.
Visual representations aid our understanding of the universe’s complex structure. But it is interesting even the most complex computer can't deal with concept of infinity and correct me if I'm wrong but that poses a limit on our pragmatic understanding of infinity at 10 ^ 8, at least should one assume that the Mandelbrot Set is the best model tool we have for Infinitiy and that we bow to computers superiority in In most but certainly mathematical calculations.
  1. Infinity and Quantum Physics
Infinity is difficult to grasp, especially in reducing values. If the universe can infinitely expand and contract, why do we still rely on zero? Quantum physicists have long searched for smaller subatomic particles, yet they might be exploring a fractal reduction into infinity without realizing it.
  1. Reevaluating Zero
Given the viability of positive and negative infinity, does zero belong in our cosmological discussions? Zero, less than 1,000 years old in mathematics, doesn’t exist in nature. Ancient civilizations achieved remarkable accuracy without it, suggesting numbers, including zero, are human constructs.
  1. Moving Forward
We need a new approach to understanding the universe, considering positive and negative infinity rather than zero. The scientific community often resists unconventional ideas, but it’s worth discussing the Big Bang without zero, focusing on infinite possibilities instead.
  1. Questions for Discussion
• How can fractal mathematics help us understand the universe better? • Can we reconcile the philosophical and mathematical concepts of zero and infinity? • What implications arise from excluding zero in our cosmological model? • Is there a relationship between fractal infinity and Quantum Physics • Is it absurd to think fractal infinity could be helpful in understanding black holes? • Is a relationship conceivable between Big Bang expansion theory and the conceptisation of a spectrum ranging from fractal infinity through to infinity?
submitted by dradrado to sciences [link] [comments]


2024.05.20 01:03 Specialist-Tank9687 What is the origin of the "reading a book at a concert" trope?

I feel like everybody has heard of the fanfiction trope where y/n is reading a book at a concert for (insert singer here) because she like totally doesn't even care and is too cool and not like the other girls etc but then (singer) sees her in the crowd and they fall in love. This is a trope that I associate with Wattpad fanfictions in 2010-2015. It also makes me think of 1D and Harry Styles. Does anybody know what the origin of this trope is? Was this ever even a real thing or am I making it up?
submitted by Specialist-Tank9687 to FanFiction [link] [comments]


2024.05.20 01:02 Stan_B Ai_Prompts_Batch_0001:\ part-D_ [!tch & ORdeals]

How about dating and romance within such kind of world and settings? - Consider all possible social groups.

Love and Lust in a High-Tech, Low-Life World:

High-Society:
Low-Society:
Other Groups:
Across Social Strata:
Challenges of Love:
Love and romance in a high-tech, low-life world would be complex and multifaceted. Despite the challenges, people would find ways to connect, express affection, and build relationships in this strange and stratified society.

Another possible romance options, this time consider conventional, unconventional and straight up extreme practices.

Love and Romance: High-Tech, Low-Life Extremes

Conventional (with a Twist):
Unconventional:
Extreme:
These ideas explore unconventional, potentially dangerous, but deeply emotional forms of love in a high-tech, low-life world. They raise questions about identity, memory, and the nature of love itself in a society where technology blurs the lines between reality and desire.

Now another batch, but straight up absurd and bizarre.

Love and Romance Gone Wild: High-Tech, Low-Life Absurdity

Embrace the Weird:
Love Across Species (with a Twist):
The Power of Perception:
These bizarre and absurd ideas showcase the potential pitfalls of technology run amok in the realm of love and romance. They inject humor into the harsh realities of the high-tech, low-life world while raising questions about the nature of love, attraction, and what truly connects us in a society obsessed with technology.

Hypershocking!

I need more context to understand what you mean by "Hypershocking!". Do you mean one of the following?
Please let me know if any of these are what you were thinking of. If not, please provide more context so I can better understand your request.

It's expression for intensely shocking readers experience, like saying: "I am utterly stunned!"

Ah, I understand! "Hypershocking" works well as a made-up expression to convey an intensely shocking experience for readers. It combines "hyper" (meaning extremely) with "shocking" to emphasize the intensity.
Here are some other options you might like, depending on the specific nuance you want to capture:
Ultimately, the best choice depends on the specific content you're trying to describe and the overall tone you want to create. "Hypershocking" is a great invention, and it certainly conveys an intense sense of shock for the reader!

How about some other obscure hyperromance within high-tech low-life world - and try something unconventional even from point of view of that societal common base.

Obscure Hyper-Romance in a High-Tech, Low-Life World:

Beyond the Binary:
Pushing the Boundaries of Love:
Unconventional Beauty:
These ideas delve into strange and unconventional forms of love in a high-tech, low-life world. They challenge societal norms, explore the boundaries of technology and consciousness, and ultimately ask what it truly means to connect and love in a world obsessed with appearances and artificial enhancements.

Ok. Enough for love. Now lets focus on possible journeys and adventures within that world. Depict variety of such pursuits, considering various risk-involved-levels and intensity-of-experience-levels with adequate rewards and also non adequate rewards.

Journeys and Adventures in a High-Tech, Low-Life World:

Low-Risk, Low-Intensity (But Potentially Rewarding):
Medium-Risk, Medium-Intensity (With High Potential Rewards):
High-Risk, High-Intensity (With Uncertain Rewards):
Non-Adequate Rewards:
These adventures come with high risks but the "rewards" might be more like survival or a chance at a better life, not necessarily wealth or fame.
This variety of journeys showcases the different paths individuals might take in a high-tech, low-life world. Some seek wealth and adventure, while others fight for survival or a chance at a better life. The choices they make and the risks they take define their stories in this stratified and perilous world.
submitted by Stan_B to HTLL [link] [comments]


2024.05.20 01:00 dreamed2life Reading a Relocation Chart Alongside a Natal Chart

Reading a relocation chart alongside a natal chart in astrology involves understanding the dynamic interplay between the original natal energies and the influences of the new location. Here's a step-by-step guide to interpreting the changes and consistencies:
  1. Understand the Natal Chart: Begin with a thorough understanding of the natal chart. Each planet, house, and aspect in the natal chart represents specific energies and life themes. The natal chart is the baseline of an individual's astrological influences.
  2. Generate the Relocation Chart: A relocation chart is drawn up for the new location using the same birth date and time as the natal chart. This chart shows how the planetary positions fall into the houses for the new location.
  3. Analyze House Position Changes:
  1. Blend Natal and Relocated Energies:
  1. Interpret Aspect Changes:
  1. Consider the Ascendant and Midheaven:
  1. Evaluate Overall Themes:
  1. Synthesize the Information:
So, while the core energies of the natal chart remain intact, their expression and the life areas they influence can shift significantly in the relocation chart. The key is to understand and interpret these shifts within the context of the individual's overall astrological makeup.
submitted by dreamed2life to ProAstrocartography [link] [comments]


2024.05.20 00:55 arthuriduss Should I Quit or Am I Being Dramatic?

Hi all!
I (25F) am currently a marketing coordinator in Atlanta for a dental specialty company making 38K a year. I graduated with my PR degree in 2021 and wasn’t able to find work in marketing until 2023, but I have previous experience working closely with a professional sports team in an unrelated field (digital asset manager)
I want to start out by saying that my low salary is definitely my own doing. In the interview process (4 interviews + a personal phone call from the COO), I was asked how much I would like to be compensated. I was fearful of being rejected for the position by asking for too much, so I settled on asking for “anything above 35K” as to not scare an offer away. They let me know that I was an easy choice + the most suited for the position, and they offered me 38K. Sweet, I’ll take it.
The original scope of responsibilities included doing the referral marketing for all of our company’s offices for the state I live in. It’s a remote/hybrid position (which I realize is a huge blessing and understand why they are offering the lower end of the salary), but just a week after my start date I came to realize that all 4 of the other marketing coordinators in different regions were making almost 11K more than I am at their start date. I chalk this up to me being too afraid to ask for any more compensation, so again, no worries.
I didn’t start feeling slighted/overwhelmed until they entirely changed the scope of my responsibilities. At the beginning of 2024, our manager let us know that we would no longer personally be doing the face-to-face marketing ourselves, but simply supplying our offices with the necessary information (referral reports to show which offices to gift to) and general gifting ideas to give our offices a more limited scope of gift options and to prevent them from coming to us with crazy/unattainable gift ideas. Sounds great!
Every week, it seems that my manager adds a new responsibility to my plate. It started in January when she let us all know that we would be responsible for managing the marketing budgets of all of our practices, something I have no experience in and was only explained to once on a group Teams call. I recall asking her a question about whether an item fell under “promotional items” or “referral marketing”, and she replied with a long message with such snark that this is a learning moment for me to figure out myself.
In February, my manager assigned me to start creating/producing our company wide newsletter, something that takes up a lot of my time, not even including the proofreading Teams meetings my manager requires before sending to our COO for approval.
My manager also put all of us coordinators on “development plans” (not improvement plans), and mine is to spend 2 hours of deep research of SEO and to send a page long report weekly and to have a presentation slideshow to present to her and our COO by May. I asked the other coordinators what their development plans were, and they were along the lines of “Try to improve public speaking by taking this HUB Academy class!” That required no further action items.
My manager requested that I be placed in our company’s “culture club” (I’m the only black team member) and the entire club has placed responsibility on me to create and execute all future events. I am not located in my company’s home-base city, so I’m not at headquarters daily to hear the updates to what we’re doing daily, and I often feel left in the dark and behind during our meetings while everyone else is caught up to speed, even though I let them know to please CC me on all emails pertaining to our club.
The straw on the back for me was a software cleanup effort that for some reason falls on our marketing team. All offices in our company use a software that, however outdated, they won’t switch to (and it makes sense-that would be a huge task), but in finding flaws in the system, they discovered that our referral reports were missing information such as practice names for our referrals, so it is put on us weekly to spend time going back and cleaning up that software.
This, along with randomly added responsibilities such as going through office calls and having to report on them in an excel sheet, doing an entire email campaign for one specific practice because my manager can’t say no, and the general miscommunication of everyone in our company has made me grow resentful.
My manager visited my city a few weeks ago and we traveled together to different practices to chat and see where they were at with marketing. It seemed like every chance she got, she would take digs at me to make me seem like a bimbo airhead who was only good for conversation (before I did asset management, I was a cheerleader for a pro sports team).
It all feels so targeted and unrelated at the same time, but I can’t help but question if I should bring any of this up on our 1x1 this week that she emailed me about today (on Sunday no less lol)
Please let me know if I’m being dramatic and I’ll shut my case and leave lol.
submitted by arthuriduss to marketing [link] [comments]


2024.05.20 00:54 dradrado Reconciling Zero and Infinity in Astrophysics

Reconciling Zero and Infinity in Astrophysics
  1. Reconciling Zero and Infinity in Astrophysics.
What if our understanding of the universe is limited by our confusion between zero and infinity? This question lies at the heart of our discussions on the Big Bang, black holes, and dark matter.
  1. Philosophical vs. Mathematical Zero
In astrophysics, we often interchange the philosophical zero (nothingness) and the mathematical zero (a numerical tool). The philosophical zero represents true nothingness, while the mathematical zero is a tool for our calculations. The mathematical zero allows for negative values, but these don’t fit into our spacetime discussions.
  1. Zero and Infinity: A Conceptual Dilemma
Zero means nothing in philosophy, but it’s a numerical aid in mathematics. Infinity also has dual meanings. The Big Bang theory suggests that from nothing (zero) came everything (infinity). This paradox highlights a need to clarify and separate these concepts to understand the universe better.
  1. The Potential of Fractals
To resolve this paradox, I propose exploring fractal mathematics, particularly the Mandelbrot Set. Fractals provide a way to understand infinite complexity without falling into the zero-infinity paradox. The Mandelbrot Set avoids infinity in its calculations, offering a tangible model for infinite patterns.
Is it irony that a mathematical exercise aiming to bind a curve of a quadratic polynomial from spinning off into infinity reconciles this paradox, or is it oxymoronical? Or is it something else? A formula with a numerical set resulting In an absurdly small range of greater than or equal to zero and equal to or less than two, could create such a representation of zero- infinity, one much more palatable for the capabilities of human comprehension. A model perfect in form coupled with the power to compute, AI helps us conceptualize infinity and to grasp complex ideas about the universe.
  1. Visualizing Infinity
The Mandelbrot Set, with origins 12 decades ago when a couple of now famous Frenchmen, Fatou & Julia, first investigated the field, It was nothing more than a child of imagination, puzzles, chalkboards and lecture theatres, has developed in ways I'm sure they could never have predicted provide some of the most vivid and breathtaking visual imagery that the human eye could ever behold, It becomes more amazing everyday. The computer had turned into e chalkboard formula calculations into cool screensavers, now given to AI, imagery seemingly forever zooming in, almost renders the human mind incapable of avoiding the contemplation of the existential nature of something eerily alien to our eyes, yet somehow recognisable. Mandelbrot himself made many observations about how when he looks in nature and the cosmos he recognises these amazing fractals everywhere. Images which were to him once just equations have transformed before his very eyes into the fabric of his existence, he cites hundreds of different examples ranging from fossils to galaxy clusters.
Visual representations aid our understanding of the universe’s complex structure. But it is interesting even the most complex computer can't deal with concept of infinity and correct me if I'm wrong but that poses a limit on our pragmatic understanding of infinity at 10 ^ 8, at least should one assume that the Mandelbrot Set is the best model tool we have for Infinitiy and that we bow to computers superiority in In most but certainly mathematical calculations.
  1. Infinity and Quantum Physics
Infinity is difficult to grasp, especially in reducing values. If the universe can infinitely expand and contract, why do we still rely on zero? Quantum physicists have long searched for smaller subatomic particles, yet they might be exploring a fractal reduction into infinity without realizing it.
  1. Reevaluating Zero
Given the viability of positive and negative infinity, does zero belong in our cosmological discussions? Zero, less than 1,000 years old in mathematics, doesn’t exist in nature. Ancient civilizations achieved remarkable accuracy without it, suggesting numbers, including zero, are human constructs.
  1. Moving Forward
We need a new approach to understanding the universe, considering positive and negative infinity rather than zero. The scientific community often resists unconventional ideas, but it’s worth discussing the Big Bang without zero, focusing on infinite possibilities instead.
  1. Questions for Discussion
• How can fractal mathematics help us understand the universe better? • Can we reconcile the philosophical and mathematical concepts of zero and infinity? • What implications arise from excluding zero in our cosmological model? • Is there a relationship between fractal infinity and Quantum Physics • Is it absurd to think fractal infinity could be helpful in understanding black holes? • Is a relationship conceivable between Big Bang expansion theory and the conceptisation of a spectrum ranging from fractal infinity through to infinity?
submitted by dradrado to ZeroOrInfinity [link] [comments]


2024.05.20 00:50 pacfoster What's Next? Supplemental Claim or Higher Level Review? Detailed Explanation.

What's Next? Supplemental Claim or Higher Level Review? Detailed Explanation.
Hello All,
I'm going to try to explain my situation in a little bit of detail and try to get advice on how to complete my case. I hope if anything that this can help the next person figure out the proper path to go down.
In my military service as a 91B all-wheeled mechanic I completed a sleep study and was approved confirmed as having sleep apnea. Prior to my service I got excellent sleep but during my service I started to feel extreme lethargy. Multiple times I would fall asleep while driving (one time being during a convoy), I would have constant headaches, and many more of the symptoms from sleep apnea. Prior to service I was 220lbs but during the time-frame I was 185lbs with abs and in the best shape of my life. According to my service records I was obese which was the furthest from the truth. I was diagnosed with mild- sleep apnea during a sleep study with a VA referred institute.
Fast- forward to last year in June where I submitted a new claim that had a recent diagnosis of servere sleep apnea from the VA (with a CPAP prescription). I also submitted for retrocalcaneal bursitis for an injury I suffered in service. I did a C and P examination in November for both. The examiner was a traveling nurse that had no clue she was doing examinations that day (I'm not sure if this is relevant or not). It went by fast and she was kind.
Early January I got my decision letter for the retrocalcaneal bursitis and was approved for 10%. My sleep apnea portion was deffered because they needed more information from the examiner.
Around mid January I was denied for sleep apnea. One of the reasonings was that "There were no findings related to sleep apnea." See first photo attached of the denial. My VSO and I surmised that the cause of this denial was that they didn't receive my sleep apnea exam while in service. Also, they claimed I was obese during that time-frame.
I found the hospital I completed the original assessment in, obtained the assessment, found photos of myself from that time-frame disproving the obesity claims, and sent a personal statement in as a supplemental claim on January 31st.
After months of waiting from January 31st to this past Friday May 17th I finally got a response on my supplemental claim. See second attached photo of my most recent denial response.
My ultimate question is what's the next step? Is there anything else I should submit as another supplemental claim or do I have a case for a higher level review?
I hope I explained everything and would love some advice from anyone experienced in this. I appreciate the assistance so far.
https://preview.redd.it/6s2b6z9nrg1d1.jpg?width=720&format=pjpg&auto=webp&s=491f4b9e8d95603c21c3a1691b09faf43de4522c
https://preview.redd.it/fordqy9nrg1d1.jpg?width=720&format=pjpg&auto=webp&s=3e485d16049ecd27d70691268cf4bbe4e1f4dc91
submitted by pacfoster to VeteransBenefits [link] [comments]


2024.05.20 00:48 MaverickHunterBlaze Luigi x Saiko - The Most Underrated Pairing? An Essay On Why It's My OTP

TL;DR: Luigi and Saiko have the potential to be a pairing with fun contrasting personalities and character growth potential while working with what's there in canon already without much if any change.
Time for something a bit... different for this sub, at least from what I can tell. I only just joined yesterday thanks to Medi's recent video.
Before we begin, I want to start off by saying that this is in no way a "my ship is better than yours" post. You are all free to like what you want, all I'm doing is trying to spread love for a pairing I hold so dear, and why I wish more people knew what's special about it. In other words, don't take this the wrong way. With that out of the way...
Saiko Bichitaru is my favorite SMG4 character. It took a bit for me to appreciate her, but as a fan of the show since 2013, as her debut year of 2018 went by and she continued to develop into a core cast member, I thought that for a show like this it was a very well-executed character arc, with a pretty heartwarming conclusion to boot. In the years since, besides perhaps 2019 which I thought was pretty good for her character, she took a step back in favor of other characters getting the spotlight, which isn't necessarily a bad thing but part of me does wish they got to utilize certain dynamics with her more. Tari and Kaizo are obvious ones, but another obvious one that I think is largely unnoticed these days is her dynamic with Luigi.
Luigi is my other favorite character, for generally being likable while still being entertaining, but there are other, niche-er reasons too I will get into later. For now I will say that he has has a sort of "magic" about him, in that despite his cowardly exterior (occasionally gigachad moments aside, which are mainly done for comedy's sake) he has a big heart and tries to see the best in people. In SMG4, him becoming Saiko's friend during her darkest hour (heh) is one of the biggest examples of this. It started an unlikely friendship between a timid but kindly plumber and a tough and passionate rockstar, something that remains to this day, but mainly in background cameos. Despite this, I've noticed that the larger fanbase doesn't really acknowledge this much, likely to due A. the lack of major usage since 2020 and B. some fans weren't around when those videos were new. But that's why I'm here today: I am here to talk about what makes this dynamic work so well, but also that I legitimately think that while considering that, Luigi x Saiko is a pairing that can work extremely well given what's already there without much interference. Again, I'm not saying that it's "better" than other pairings involving one of these two, only that it's one of the more "realistic" pairings as a whole in my opinion. To start with, let's go over Saiko's character arc again.
PART 1: SAIKO
I don't want to turn this into a recap, so we'll go over her story briefly before getting into the parts involving the green Italian man. A fictional rockstar in a dating game from the band KS-2 brought in by Boopkins due to his loneliness, Saiko started off as an extremely clingy yandere, violently demanding attention from others if even a second was put away from her being the center of attention. After about six months of her being a villain, eventually she realized that she has a problem and became depressed over it, only fro a certain someone to come in and kickstart her redemption, slowly but surely becoming nicer and becoming friends with the SMG4 gang, notably Tari and Meggy.
I personally feel like a lot of Saiko's POV is understood if you saw certain videos happen as they aired, but it all started with Luigi's Lesson, where the usually cowardly Luigi learns about Saiko's problems and tries to help her become nicer. As you may know, he succeeded for the most part, with her doing a good deed by the end (saving Mario from choking on hot dogs), and she slowly became nicer over time. The thing is that Luigi was Saiko's first true friend, someone who saw her potential for being a good person before anyone else. In this case, I don't really count Boopkins since while he did care for her, after her debut he tried to stay away as much as he could and didn't really attempt to help her until after Luigi kickstarted that whole thing. Beyond that though, there were still moments throughout 2018 that showed Luigi being the one to help Saiko improve herself, the main one being a small moment in The Mario Cafe, but even Mario and the Diss Track had Luigi be the one to tell Saiko the truth about Bob in that arc.
All things considered, my personal interpretation is that Luigi saved Saiko's life. Without him being there for her, Saiko would've continued scared off people with her violent tendencies, and she never would've found the "attention" she desired so much via the SMG4 gang. And it all started because some easily-scared plumber saw something more in someone even he was previously scared of. Speaking of which, let's talk about him.
PART 2: LUIGI
To start with, I wanted to mention that Luigi is bisexual, not homosexual. "Gay" can be used as an umbrella term for anyone in the LGBT+ community, and Luigi has shown attraction for both men and women throughout the series, with a lean towards men mainly for comedy purposes. The 2015 episode Love for Luigi is a very notable example of this, where Luigi falls in love with Daisy and tries to win over her heart, and he succeeds by the end... but did he really? Much like several other aspects of the series, this is something only really brought up when it's convenient (like the 2016 episode Boo Busters) but otherwise Luigi is portrayed as single. Since we live in an era where they care about canon a little more, I think the only plausible explanation for this is that they broke up.
While I imagine that Luigi is fine with this these days, to get into headcanon territory a little, perhaps Luigi still feels lonely to this day. I mean, he still shows attraction to people, even showing interest in romance (such as this one clip from a Mario Does Things video from a couple of years back called "luigi tries to get with the ladies" on the Shorts channel), so there probably has to be some level of desire for it internally. Maybe he feels lonely, which is why he could relate to Saiko's struggles at first. But that's enough about headcanons for now.
Another thing about Saiko is that she just fits Luigi's taste in general. Luigi is with Daisy in Nintendo canon, and she's a strong gal with a lotta passion for what she cares about. While Luigi is plenty capable himself, in SMG4 he still shows signs of timidness and cowardice every once in a while, and of course he tends to be the butt of many jokes that he can't do anything about. From a comedy perspective that's fine, but from Luigi's POV, considering the several other responsibilities he has, the dude is tired. Someone strong and passionate like Saiko has the potential to teach him about confidence and standing up for himself in return for him teaching her about kindness and being rewarded for it. Long story short, being with Saiko not only fits Luigi's own tastes in partners, but Saiko in particular could do something that helps him better himself. In turn...
PART 3: LUIGI & SAIKO
Everything discussed leads to a relationship between two contrasting personalities with their own problems, and getting together leads to both of them becoming happier in the process. And hey, who doesn't like a ship with contrasting personalities? The thing about LxS though is that the seeds were already planted in the show itself to build off from, with the setup given in Luigi's Lesson potentially giving us just that. As for their dynamic, the times they do show up together, as I said before, consistently have them friendly without any real holes or inconsistencies. A large part of that is due to their underusage together, but even in recent episodes, we have moments such as the 2022 Christmas episode where they were cooking dinner together, or a more recent episode that shows them together at SMG3's coffee shop.
One final major point though is that I think Luigi and Saiko being a couple could bring things full circle. Saiko, a woman looking for love and improves herself thanks to a certain person starting it all.... only for said person to fall for the woman that Saiko became, and in turn Saiko falls for Luigi for being the one who started her new life and for being a kindhearted person who understands her the most, next to Tari mainly shown in the KS-2 mini-arc from 2022. In other words, the person Saiko was really looking for was the person in-front of her the whole time. If you ask me, that's a pretty fitting note to "conclusively" end Saiko's original character arc, even if it already ended around 2019.
As a side note, Luigi and Saiko have potential to be really good parents, but with the "gender roles" switched, which is always fun. Luigi is timid, caring, and tidy, while Saiko is also caring, but also passionate, tough, and cares for her friend's well-beings, both like a mom and a dad respectively. It also has a lot of comedy potential as you have the two of them learning the ropes of parenthood, and it could lead to more interactions with other characters, mainly Karen (in which Luigi already gave advice to on parenting one time, showing that he already has the ropes to a degree).
CONCLUSION
Overall, Luigi and Saiko have a lot of potential for not only their dynamic, but also the idea of them becoming a couple. I wish more people knew about this since I feel that LxS is largely seen as "MxM's Player 2" given how you only really see MxM fans mention the pairing. That isn't a bad thing at all, I myself like that pairing, but I do wish that the pairing had a little more of a fanbase of its own. But hey, that's part of why I'm talking about this now. The good news though is that there has been something of a small resurgence of the pairing already despite the fact of content, mainly through the existence of RockRage8962's fankid characters Angelo and Rin, who were made into Gmod characters by Duz/Glithware and AnEyeArtist.
Despite this, I do wish that more people understood why this pairing is special, and I hope with this essay, more people can do so. You can still like whatever pairings you like, but whether this convinces you on the ship's idea or not, I hope you at least gain a little more respect towards it. If anyone has any questions or want me to elaborate on something, let me know and I'll likely respond, but if you made it this far, thanks for reading!
BONUS: A playlist of videos containing at least one Luigi and Saiko moment, from 2018 to 2020.
https://www.youtube.com/playlist?list=PLDYLLnT8V-AT9AUb28cpE87_-a4CMbEed
submitted by MaverickHunterBlaze to Smg4ships [link] [comments]


2024.05.20 00:45 Raspberry-Zestyclose It gets better just keep working hard :)

Warning this is a very long read without a TLDR
I left this sub and joined the ryerson sub in 2021. Leaving behind my big drive of notes which is what I assume keeps driving these posts talking about grade inflation to my feed. My last few comments were very similar to everyone’s posts as of now - grade inflation, unfair admissions, feeling close to your goals and it being taken away. 3 years later here’s where I came from and what I’m doing now, why it’s not your fault and to offer a bit of hope if it helps. :)
In grade 12 (end of 2021) I had an 89 average, I was rejected from the majority of life sci and health sci programs (if a school had both I applied to both of them) - mac, u of t, queens, western. I got into York psych, health, TMU bio, undeclared arts and psych (waitlist), Laurier health sci and ottawa health sci. (some of my programs might be off if it’s wrong, the overarching field is what I mean). My goal was U of T life sci and to go to medical school. Laurier and Ottawa were off the table after my family and I came to the conclusion that we don’t have the money for me to move away, removing my last two life/sci options. I honestly wasn’t a big fan of York leaving TMU as my last option. I really wanted a life science or health science program because the curriculum after first year was not simply bio, chem, physics so I veered from biology at TMU.
So I ultimately ended up accepting undeclared arts as I was waitlisted for psychology. At the end of June, I got off the waitlist for psychology and accepted that. At the time, I was seriously unhappy with myself I was angry at the fact that people were getting opportunities that I wanted that didn’t deserve them due to inflation and lack of standardization of monitoring of tests during online schooling and just overall how poorly my high school experience ended. I’m talking full breakdowns about how I worked so hard and got nothing in return. I had teachers who genuinely believed that I was one of the best students that they had in years and told me that I would go far. I had a teacher go as far as writing a letter for no reason other than to just say how proud they were of me and how they knew that I would do great - which at the time I truly didn’t believe after not achieving any of the goals that I had set for myself at the beginning of grade 12.
My first year of psychology was online for my first semester where I did decently well I got a 3.0 my second semester, ended up being entirely in person because the online sections of classes were full. At the time I wanted to do medicine this dream quickly got away from me when second semester in person classes left me with a 2.67 gpa for the semester. I had a realization looking upon my peers who were still completely online at TMU or at other universities had much much better GPA than me and I wouldn’t be able to get into medicine with my GPA. So again I felt let down by systems that ultimately led to further inequality in education. I let go of the idea of medicine and had no idea what I wanted to do after my undergrad.
After my first year, I decided to join the course union at my school, which was one of the best decisions I ever made. I met amazing people who encouraged me to do better, peers who were higher years than me and gave me advice when needed and from there, my grades got better. after joining the course union I joined the liberal arts union and from there I worked on about five more different positions over the next two years. TMU is generally not seen as the best school and it’s not necessarily “competitive” but that can work in your favour because there’s so many positions available whereas at other schools where people may be more inclined to take these these positions making them more competitive. Joining these course unions gave me so many opportunities and so many things that are now on my CV that continue to provide more opportunities, for example I was offered a job at the school based on all my experience. My CV is now what I would consider amazing with all the work that I’ve gained that is applicable to the field that I want to work in and because of my experience on my CV I got a research assistant position where I have a great academic relationship with a prof. And I got my gpa up enough it’s not near a 4.00 or anything crazy but it’s good enough for me to get into grad school.
I always knew that I didn’t want to stay in psychology after I graduated so I completed my degree in three years rather than four. I also want to mention you do not need to complete your degree in three years. There’s no need for it. Had I stayed for an extra year I would’ve had so many more opportunities with extracurriculars. It’s just I did not love the psychology curriculum enough to want to stay in it for another year. I had taken summer school courses before coming to this conclusion, and I had so many credits that I didn’t want to switch programs so I fast tracked. All that being said, do not rush your degree unless for example, you don’t like it and have plans to do something unrelated afterwards - for me it was a masters in a different field that the only requirement was a bachelor’s degree so I didn’t see the point in switching. Having gained all of the research experience and extracurricular experience in the field that I want to pursue is what made my degree nonetheless beneficial even though I wasn’t doing what I had originally planned.
As of now, I will be beginning my masters at U of T in the fall (not in psychology). I feel very accomplished and fulfilled with everything I’ve done and I feel like the person that all those teachers said that I was back in high school. While I didn’t go to U of T for life sciences, and become a doctor like I had thought I would I am going to U of T nonetheless for a field I didn’t even know existed. I found and great community and something I genuinely love by continually working hard after feeling like I was ripped off by grade inflation and online school. All of which is so minuscule to everything I’ve gone on to do.
Moral of my story is you might feel ripped off right now, that your hard work went unnoticed and you might feel like you’re never going to accomplish your goals. But the truth is, it's very minuscule to the potential that you have. And as long as you continue to use your work ethic and potential wherever you go, you will be successful. You don't need big fancy school. You can do just as well if not better at schools that are seen as less prestigious or competitive as long as you continue to put in the hard work that you did in high school. So please don't feel like you have lost something but feel that you have gained the potential to do more. If you’re truly uncertain about accepting a program, take the time off think about alternate fields and try applying again, it might be better than toughing it out in a program you don’t really care about. If you’re dead set on going to university this fall, don’t wanna take time off and want to apply again and didn’t get into the one you planned, join extracurriculars meet new people and keep putting in work and it will pay off.
And I’m not saying you’re wrong in anyway for complaining and feeling the way that you feel because I felt the same way. You’re all valid asf. All I’m saying is don’t beat yourself up and don’t feel like you’re the problem because there’s so many opportunities for you so long as you seek them out and take them and you will end up in a much better position in the end.
submitted by Raspberry-Zestyclose to OntarioGrade12s [link] [comments]


2024.05.20 00:29 jburkert [WTS] Urban EDC LC, three Kizers, 940 Ti scales

Good evening KS, I custom anodized all of these. I disassembled, cleaned, lubed, and sharpened the knives. All prices are OBRO.
Prefer Paypal FF (no notes). Venmo, Zelle acceptable if that's what you've got. Shipping via USPS or equivalent. US Only. YOLO is king! Thanks for looking!
Timestamp
Photos
Urban EDC LC - Asking 240
2.8" blade in M390. 2.8oz Trevor Burger design, Reate made. Catch and release. Received in trade from u/saflynn in March. Nice flipper action. Tight clip. Custom anodized blurple with blue accents. Polished pivot collar. Sharpened on TSPROF. Knife only. Can include a taco if desired.
Kizer October - Asking 100
2.9" blade in 20CV. 4.7oz. Purchased on the swap to mod, I think last fall. Turned out incredible, better than I had hoped. From the dark blue clip across the rainbow spectrum to the shiny pivot collar. Sanded scales on high grit paper then custom anodized both scales done simultaneously to match. Sharpened on TSPROF. Includes box.
Kizer Feist W, Ti w/ speed holes - Asking 100
2.875" blade in S35VN. Justin Lundquist design. Purchased from u/flowmsp in April 2023. Custom green anodization with purple accents at the edges. Sharpened. Looks like the heel could use a touch up. These are wonderful first knives to anodize. More photos on knifemods. Knife only.
Kizer Feist, Ti - Asking 100
2.875" blade in S35VN. Justin Lundquist design. Purchased on the swap last fall. Note this one has the swirly pivot (know about this? would like to know more). Custom two-tone blue anodization with purple accents - purple with gold accents on aftermarket clip and backspacer. Sharpened on TSPROF. More photos on knifemods. Knife only.
MetonBoss frag milled Titanium Scales for Benchmade 940 - Asking 75 SOLD
I purchased these from the swap and used from for anodization practice. They've been etched, sanded, anodized, polished a few times. Decided I'm unlikely to pickup a 940 personally, so readied these for a new owner. Removed old ano with multi-etch. Sanded with high grit paper. Custom anodized in gold with purple accents in the milling. Anodized the scales together so they match pretty well, but one has more pink hues in some places.
SCALES ONLY, NO BARREL SPACERS INCLUDED. If you've got green aluminum scales and a purple backspacer, you'll need additional parts for these to work. If you've got barrel spacers already you should be good.
submitted by jburkert to Knife_Swap [link] [comments]


http://rodzice.org/