Ballistic knife or pilum knife

Knives and other blade related content

2009.06.08 07:35 akrabu Knives and other blade related content

Sharp and pointy stuff!
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2012.07.25 23:04 Noobicon A place for knives

**The first rule of KnifeClub** is to talk about KnifeClub! Bring a friend! This Subreddit is based off of knives with a few changes. There will be multiple moderators not just one all powerful mod. Rules will be fair and opinions will be listened to. Feel free to engage in discussion on anything with a blade. Show off recent purchases or ask for advice.
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2016.04.17 20:02 -Doomer- Budget Blades: A place for the frugal knife enthusiast

This is a subreddit for the knife enthusiast on a budget. For us knives are tools first and works of art second.
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2024.06.02 16:31 Mundane-Doubt5422 Generating a pie in the face image

I'm trying to generate a picture of someone getting hit in the face with a pie. Without pie tins or utensils.
My prompt is poster with a person getting hit in the face with a pie.
My first iteration looked great until I noticed that the hand tossing the pie was holding a knife in it. Was all that red gore pie or blood? Most of the images have some sort of knife or fork in it. Or since I'm using the word hitting a hand is balled up in a fist. Or worse, way too violent.
And where did the AI learn to spell? It managed to mangle the word fundraiser in a way I would have never thought of.
Any ideas on how to get a reasonable image?
submitted by Mundane-Doubt5422 to ChatGPTPro [link] [comments]


2024.06.02 16:30 Gregory_Gp I broke free from trauma bond and now I'm clearly seeing how fucked Narcs are...

I opened up to my Ndad about the fact that I was depressed and I had S-ideations, he knows I'm leaving soon, during this past months I had a serious mental breakdown. I had depression bouts since I was a teen and S-ideations since I was 14 too.
Smt happened in february that left me in shambles. Suddenly all of my neglected trauma and wounds opened at once. On the night of march 27 I almost do smt crazy to myself in the middle of a panic / anxiety attack. He saw me as he was having his own personal tamtrum about my state of mind. Begging and screaming for me to get well because he needs me...
Long story short I didn't do it. Thankfully I reached for help that night.
Fastfoward a week or two I was as low as one can be, never been so bad in my life. NEVER. We are talking about daily anxiety attacks for weeks.
I was freaking out all over again with one of his rage fits and I begged him to give me some peace, that I needed it, that I felt like I was dying and I reminded him of what happened during the 27 march night, I didn't want to guilt trip him, I just needed calm very badly.
His answer? He not only told me to actually DIE but he also said "Ah yes do it, like that everybody will think it was me who made you do it" WTF is wrong with this people. Like WTF, It's been months since he said that and I'm still tearing up at the tought. Like, men really??
This is by far the worst thing I seen him do. And we are talking about someone who just last week draw a knife at me because I wasn't agreeing with one of his demands. Not to talk about the fact that hehas slapped me and ounched me in the past, dranw forks at me, said he was colling the cops on me for speaking back at him etc
I feel so disgusted that I spent my twenties being my own flying monkey, oputting all the excuses in the world, tending for him, brushing his behaviour off because inside he's good and he's got nice periods too...
This man damaged me for so long that I don't know if I will ever be a normal person. I honestly just want to fade away and be someone else, I'm so fucking disgusted.
submitted by Gregory_Gp to raisedbynarcissists [link] [comments]


2024.06.02 16:27 AquisQuerquennisSPQR Path between granite

This happened a couple of days ago. I like hiking and especially opening new paths through inaccessible places. For this reason I carry a knife of adequate size for macheting but that does not have the inertia of an axe. I usually connect paths through granite rocks and undergrowth or small trees in the way. That can take me a long time depending on whether the access is more or less sloping or with more or less large and horizontal rocks.
I began by opening one of these paths and when I came down from a large rock I stood, as best I could, close to the cliff of rocks that I had to my left. The slope was steep and I began to cut a plant that has long, hard thorns. Then I made my way by cutting down some small trees growing close to each other. I never open paths wider than my body and that is why when using them I do not stray from them. I cleared the bushes and trees in the opposite direction of the slope and with the rocks to my left, I climbed until I reached the next wall that unfolded at right angles to the right. There I stopped, cleaned enough to have freedom of movement and I remember that I avoided cutting a tree that grew directly from the rock. I had never seen anything like it. The important thing comes now.
When I open these trails I plan what I will leave for the next occasion and I make a mental map. I looked down the slope. When I was leaving I forgot to pick up my hiking pole. I retraced my steps and took it back. Then I had a sudden desire to go down part of the slope to take a look at some stone blocks. About five meters below I saw a tiny tree and noticed that two of its branches had been torn off. I looked at the area again and saw no other path leading there, a place that was also difficult to access. Maybe someone had been there a few hours ago. However, when I looked at the trunk and branches I clearly saw that they had been cut. I suddenly felt confused. I had not gotten there, that place was totally inaccessible a few minutes before. I began to review my memory and tried to analyze what was happening to me. But I remembered perfectly which rocks I had approached and which area I had cleaned. Another thing I learned was that I cut the logs almost from the base, there is no point in wasting energy making several cuts. This tiny trunk rose several inches off the ground, which is not my modus operandi. But there it was, something that didn't have my signature and at the same time no one else could have cut it. I sat and tried to remember, and my mind clearly remembered what I had cleaned a few minutes ago, not where I was. It was the first time in my life that something like this happened to me.
submitted by AquisQuerquennisSPQR to u/AquisQuerquennisSPQR [link] [comments]


2024.06.02 16:17 tianchengkao [WTS] Demko, seiko watch, mod PM2 , a govko / tuff knives collab custom Westinghouse fix blade and Casetify iPhone case

concider both trade or sell. trade interest is null grace. Demko custom. crk 21 seb . j oeser nebo. and i will top cash depends on condition. All are OBRO. YOLO>DM. payment prefer ppff.
Timestamp
🟢 🔪 TV 650 600 Demko harpoon Ti - A mint harpoon ti. want to trade same condition non-slot harpoon ti ONLY.
🟢 ⌚️ SV/TV $450 $400 final drop. concider all trade offer shoot me dm King seiko KS 5626-7041 C - at least 2nd owner. bought from ebay a store only sell vintage seiko in australia. Those go around 700-900 on eBay .i can go find order detail if buyer need that. it is with some sign of use for its age. but in very good condition. functionalwise it is 100%. hands are all close to mint. dial is close to mint except a tiny line shows arround 4pm only can see it at certain angle of light. other than that its perfect. time marks and glass all without scratch. back side is alots of scratch and that is expected. leather band are very new. i think i only wore it 3 days in my entire 3 years of ownership. no box. watch keep good time. WATCH GUYS welcome to comment how much these should gone for currently. (Those go around 700-900 on eBay) it kept good time and all time date set function are correct.
🟢 🔪SV $175 $157.5 firm Spyderco PM2 mod tanto+ almost mint blade bundle - C at least 3rd owner. scratches on hardware here and there. RGT burlap micarta scale looks good tho. not much sign of use on scale. it run on a blade regrind to tanto shape and someprocess to make it look like stone washed. and reprofiled. kind of dull. prabaly need another sharpen. blade is favor show side. the other blade is mint except tiny chip at tip i point out in video. entire know is action smooth and lock solid. no issue to be a user. came with box and paper.
🟢 🔪SV/TV $680 $580 Gavko / tuffknife collab one off custom westy fixie - B at least 2nd owner. entire knife looks clean. i dont see its been used. Tons of characters from gavko and tons of charactors from geoff blauvelt. only thing i can see its a very shallow scratch on show side. only see it with certain angle of light. build 2016. abel steel. and really vintage westinghouse virorite scale. (looks real premium if it side by the mordern cheese fake westinghouse) please shit on me easily. Don’t know how to price it. But pro collectors welcome to comment how much those should priced at. I can adjust.
🟢 🔪SV/TV $62 Casetify black mirror serie case for iPhone 15 Pro - A BNIB. Got it 72+tax. Bought 2 . Chose another one. and sell this. Film on it never removed.
submitted by tianchengkao to EDCexchange [link] [comments]


2024.06.02 16:15 nohbudi567 The Lil Robber Girl

My knife was the only way
To keep my pets by my side
Or so I kept lying to myself
That is until she came
Riding in the coach
Of a golden carriage
Cutting across our woods
The watchmen made the sign
As we came down on them
The coachmen fled
As we robbed them blind
That's when I saw her
Dress like a princess
And I knew right then and there
She had to be mine
My mom put a knife to her throat
But I quickly put a stop to that
“She shall play only with me!” I cried
Taking her round the waist
“Don't be afraid they shall not kill you,
As long as you don't vex me.”
I snatch her soft muff and fur boots
As we enter the coach
Then we rode down to our forlorn castle
And as our band of thieves enter
Into the roofless great hall, they took to drinking
While I drag the girl down to my dungeon
“You shall sleep with me tonight princess!”
“But I'm not a princess.”
“Oh, really then what are you?”
“I'm Gerda.”
“Well grrrda, come meet my pets.”
I drag her to a row of cells
Where a flock of pigeons
And a reindeer are shackle to the walls.
“All these belong to me,” I said.
“These wretches would flee at once
If they weren't kept locked up
And here's my old sweetheart.”
I pat the reindeer's head
Before pulling out my knife
Pressing it near the reindeer's neck
The animal kick while I laugh.
“Stop it!” Gerda gets in my way
I raise my knife at her throat
But she stands her ground
Despite trembling in fear
“Relax,” I scoff. “I was only playing.”
I pull Gerda into my bed of straw
And chain her to the wall.
“Tell me, why'd you go out
Into this cruel world.”
And as she told me of her woes
I realize she cares not
Where she goes
Even if it leads
To the clutches of death itself
For she cares only
About finding her beloved.
“The snow queen
Took him away from me.”
“But didn't he go willing?” I'd say.
“No, not my Kay he'd never!
I don't know how,
But she did something to him
I'm sure of it.”
“So let me get this straight,”
I rub my forehead.
“You travel far and wide
Risking life and limb
Never once turning back
Even when you were kidnap
By a sorceress and barely escape
Then right after that ya had the gall
To sneak into a royal mansion
Because of some misunderstanding
And was just lucky enough
Not to get beheaded cause you
Befriend their royalty
And all of this over some boy.”
“Not some boy, my Kay
We promise to be together
Forever,
And I never break a promise.”
“Oh whatever.” I wave my arm
As if I was unmoved by her words
But I could just barely hold back
The tears in my eyes so I desperately
Bury my head on her shoulder
And wrap my arms around her
Pretending to sleep.
That's when the pigeons began to speak
“Coo, coo! We've seen little Kay
He sat in the snow queen's carriage
As it drove through the woods
Quite close to our nest.
She blew upon us
And all our siblings died
Except for us. Coo, coo.”
“What did you say,” Gerda cried
“Where was the snow queen going
Please tell me?”
“They went to Lapland.
For there's always snow up there
Just ask the reindeer”
“It's true,” The reindeer nods its head.
“There is ice and snow
That's glorious and fine.
Up there one can spring
Freely about in the great shinning valley
But the snow queen has her finest
Ice castle farther north
Nearer to the pole
On an island call Spitsbergen.”
“Oh, Kay my lil Kay.” Gerda sighed.
“Lie still,” I clench her arms tight.
“Or I shall stick a knife in you!”
“Weren't you listening,” Gerda exclaims.
“I know where Kay is
Please you must let me go.”
She tries to get up
But I hold her down
“It doesn't matter!”
I fell to my knees and wept
“It doesn't matter!”
But she knelt down beside me
And held me close
“It doesn't matter!”
“It'll be alright.” Gerda rub my back.
“But what if I never see you again.”
“You'll see me again, I promise.”
“Ya mean it?” I look into her eyes
As she nods her head
“Right!” I get to my feet
And compose myself then square eyes
With the reindeer.
“Do you know where Lapland is?”
“Who should know better than I.”
His eyes sparkled.
“Listen,” I look to Gerda.
“Right now our men
Will be drinking out of the bottle
Then they'll all fall asleep
That's when we'll make our move.”
So, we waited till the time was right
Then I went to the reindeer and said
“It would give me great pleasure
To tickle your neck a few more times,
But I will loosen your chains
And help you escape
But you must take this lil girl
To the snow queen's castle.”
The reindeer jumped for joy
Before I lifted Gerda
Onto his back
And took the precaution
To tie her on, even gave her
A little cushion seat.
“Here are your fur boots.”
I handed them to her.
“But I'm keeping the muff.
But you shall not freeze
On my account
Here take my mother's large mittens
They'll reach right to your elbows.”
Gerda wept for joy.
“I can't bear to see you
Makes such grievances.”
I tear up. “Ya aught a be happy.
Now here are two loaves of bread
And some ham so you won't starve.”
I tied them behind the reindeer's back
We tip toe pass the men
Sleeping like a pack of wolves
I open the door for them
And lead them outside
Before I said to the reindeer.
“Now run! But mind you take care of her.”
Gerda stretch out her hands and said farewell
I watch them gallop away
Through the great woods
With tears in my eyes,
I stumble back to my dungeon
I let my pigeons go free
But they stay and comforted me
“Stop it!” I dry my eyes. “We can't stay here
If my mom finds out what I've done...
No matter. We'll sneak out.”
I took the golden coach
And rode north wandering
From one part of the world to the next
With my pets flying by my side
Until that fateful day
The pigeon's cry. “Coo coo shes here, shes here!”
Theirs wings pointed further up along the road
That's when I saw her again glowing like the sun
Hand in hand with a boy gleaming just the same
“Gerda!” I leapt into her arms
And hug her tight
While the pigeons chirp for joy
“I told you I keep my promise.”
We both chuckle before I let her go
“Well, you're a fine fellow
To go gadding about like that.”
I lightly punch Kay in the arm
“I should like to know
Whether you deserve
To have her running to the ends
Of the world for your sake?”
submitted by nohbudi567 to poetry_critics [link] [comments]


2024.06.02 16:08 tianchengkao WTS/WTT Demko, seiko watch, mod PM2 , a govko / tuff knives collab custom Westinghouse fix blade and Casetify iPhone case

concider both trade or sell. trade interest is null grace. Demko custom. crk 21 seb . j oeser nebo. and i will top cash depends on condition. All are OBRO. YOLO>DM. payment prefer ppff.
Timestamp
🟢 🔪 TV 650 600 Demko harpoon Ti - mint harpoon ti. want to trade same condition non-slot harpoon ti ONLY.
🟢 ⌚️ SV/TV $450 $400 final drop. concider all trade offer shoot me dm King seiko KS 5626-7041 - at least 2nd owner. bought from ebay a store only sell vintage seiko in australia. Those go around 700-900 on eBay .i can go find order detail if buyer need that. it is with some sign of use for its age. but in very good condition. functionalwise it is 100%. hands are all close to mint. dial is close to mint except a tiny line shows arround 4pm only can see it at certain angle of light. other than that its perfect. time marks and glass all without scratch. back side is alots of scratch and that is expected. leather band are very new. i think i only wore it 3 days in my entire 3 years of ownership. no box. watch keep good time. WATCH GUYS welcome to comment how much these should gone for currently. (Those go around 700-900 on eBay) it kept good time and all time date set function are correct.
🟢 🔪SV $175 $157.5 firm Spyderco PM2 mod tanto+ almost mint blade bundle - at least 3rd owner. scratches on hardware here and there. RGT burlap micarta scale looks good tho. not much sign of use on scale. it run on a blade regrind to tanto shape and someprocess to make it look like stone washed. and reprofiled. kind of dull. prabaly need another sharpen. blade is favor show side. the other blade is mint except tiny chip at tip i point out in video. entire know is action smooth and lock solid. no issue to be a user. came with box and paper.
🟢 🔪SV/TV $680 $580 Gavko / tuffknife collab one off custom westy fixie - at least 2nd owner. entire knife looks clean. i dont see its been used. Tons of characters from gavko and tons of charactors from geoff blauvelt. only thing i can see its a very shallow scratch on show side. only see it with certain angle of light. build 2016. abel steel. and really vintage westinghouse virorite scale. (looks real premium if it side by the mordern cheese fake westinghouse) please shit on me easily. Don’t know how to price it. But pro collectors welcome to comment how much those should priced at. I can adjust.
🟢 🔪SV/TV $62 Casetify black mirror serie case for iPhone 15 Pro - BNIB. Got it 72+tax. Bought 2 . Chose another one. and sell this. Film on it never removed.
submitted by tianchengkao to Knife_Swap [link] [comments]


2024.06.02 16:07 Drakos8706 Powerless (part 68)

First. Previous.
‘Ri woke up in the hotel room to the sound and smell of cooking meat, as well as what she knew to be pancakes. Opening her eyes, she looked ‘down’ to see Kyle cooking on the small grill he packed with him in his subspace shadow, one of his near-silent air purifiers directly overhead, as he was using wood to cook with; the smell of fire-grilled meat was making her ravenous, and it was with a happy stretch that she sat up, Kyle turning to smile at her.
“Morning, beautiful,” he said as she smiled back, “Figured I’d make you breakfast-in-bed; we got dragon steak and eggs - chicken eggs - and I just got done with a bunch of dragon bacon. Pancakes were done a few minutes ago, and I’ve been letting the butter melt in; syrup’s over…” he looked around, spotting a metal container that looked somewhat like a drink pitcher. He set all of this down on a large tray, which he carried over to her, setting it down on the bed lengthwise between the two of them. He went back to the table he’d been working at to retrieve plates, flatware, and two glasses, floating a pitcher of what turned out to be gor’ahm juice, a sweet - yet slightly tart - berry that grew on verem’jiose, and also cost quite a bit, as it was difficult to get enough berries to mass produce, so it wasn’t ‘readily available’ outside of her homeworld.
All-in-all it was a rather enjoyable breakfast - whether or not he had any ‘professional’ training, Kyle sure did know how to cook. After they were done eating - and Kyle had moved their dishes over to the kitchenette their room came with - they took a shower, taking their time in the hot water, just enjoying each other’s presence. When they were done, they dressed in the robes that came with the room - they had gone with black all around - and went to sit together in the main room, putting on some soothing music as they sat together, tails and arms wrapped around each other. After a while of them just sitting there, Kyle stirred slightly.
“I, uh… I got a surprise for you.” He sounded a bit nervous as he said it, but she put that to the side; surely he was just hoping she’d like whatever it was. He smiled slightly, and said,
“Close your eyes.”
Doing as he asked, she shut her eyes, knowing full well that whatever he was ‘retrieving’ was in his subspace shadow, but she went along with the act. When he gave her the okay, she opened her eyes, and it seemed like her stomach dropped out from under her heart, and into oblivion; there in his hands was a thin, perfectly square - but not ‘cubed’ - black box. She looked up at him, unable to say anything, as he opened the lid, and she let out an involuntary gasp; it was difficult for her mind to process what she was seeing, as it appeared to be a round piece of the void cut out to look like a tiara. Or, at least it looked like the shape of one, seeing as she couldn’t really make out any details, though there obviously were details carved into it, as the little sparkles of what she knew to be black hole diamonds - she had seen the pendant Kyle had retrieved from the pirates - seemed to appear and disappear, depending on what angle she looked at it from. The big 8-point star in the middle - reminiscent of the shape their pupils took when observing peoples’ life-blood, and Gift - was always visible however, no matter the angle it was viewed from.
“I had to have Kay’Eighty sketch out the basic outline of where to cut to fit you,” he said, drawing her out of her stupor, “And I had the lead sehr’chtahb fit the diamonds on it, as part of the payment for bringing back the pendant, along with the diamonds themselves, of course. The actual tiara is made from the bone of the first dragon I killed, and I used the kath’loo’s Gift to turn the bone so black that it absorbs all light. I had to turn the bone behind the diamonds silver, because there’s only so much that refraction can do.” They both gave a little chuckle at that; finally, he pointed to the inside of the tiara.
“And here I put a strip of crysthril all the way around it,” she knew that he’d gotten the Gift from one of the sehr’chtahb before they’d left the planet, “Which you normally wouldn’t need, seeing as you’ve got a literal ton in your subspace; but this is different. While we can’t transfer our Gifts to anyone else, we can transfer them into the crysthril, and it stays enchanted with the Gift, no matter how much of it you use. It’s basically limited by your own power, and how much of each Gift was put into the crysthril. Right now, this has all the Gifts that I have right now, and I can always add more in later, when I get ‘em… So, will you wear it?”
The last part was said with a palpable level of nervousness, and she was unable to say anything at that moment. After a few seconds, she finally was able to nod her head yes, tears leaking down her face. Kyle’s face lit up in a wide grin, and she saw his eyes shimmer with unshed tears as he reached forward to grasp the tiara, showing her how to disconnect it at the sides. She leaned her head forward as he reached up to put it on for her, it fitting snugly not just around her head, but perfectly resting around her horns, so as not to be squeezing them, nor to be loose, and wobbly.
She reached forward, pulling him into a deep, passionate kiss, too happy to actually say anything; they sat there for a while, basking in their shared love, until she started getting a bit antsy. Kyle obviously noticed this, as he laughed, and said,
“Go look; I know you’re just dying to see it.”
After a smile, and a quick kiss, she ran into the bathroom, looking into the mirror, marveling at the dazzling headpiece that was now her’s. She sat there for a good few minutes, turning her head this way and that, admiring the craftsmanship Kyle had so lovingly put into it. It honestly looked like something a professional jeweler would be proud to call their own work, and she reveled in that fact as well. This was a testament to his love for her, and it was done through Kyle’s own handiwork; and where it wasn’t, it was small enough to excuse away, especially with having had the diamonds placed as payment for his actual work.
Eventually she was able to tear her eyes from the beautiful piece, and she returned to Kyle’s side, both of them grinning like children. After a few minutes of making out, and cuddling, Kyle insisted that they get dressed.
“I know you wanna show that off, and we can go look around the shops, see if there’s anything that we want. Then we can grab lunch somewhere, and later we can have dinner with your parents and ‘Lana. Tomorrow I’m gonna go back to the ship and get some brisket started up; Kohr’Sahr and the others’re gonna be here in a couple days, and I wanna have a party when we give them the news.”
“Do they know?” she asked.
“About me proposing? No,” he replied, “About everything else? I gave ‘em a brief rundown, but I didn’t go into too much detail. The suun’mahs representative got in touch with me yesterday: the broadcast is gonna come out later today, and anything that they need cleared up after that, I’m happy to be the one to tell ‘em… You’re sure you’re okay with them posting your general location to the public? I don’t want you to have to deal with any ‘fanclubs’ from back home.”
She smiled warmly at him, running her fingers through his hair.
“They’ll know that I’m taken, and that they have no chance; anyone who tries anything after that, no one will blame us for… teaching them a lesson. Besides, they already know not to bother me if they see me abroad; the secrecy was just an added measure.”
He bowed his head concedingly, as he got up, pulling her to her feet with him.
“Come on,” he said, giving her a quick kiss on the corner of her mouth, “Let’s get dressed.”
She got dressed in a simple black pleated skirt that came about ⅔ down her thigh, along with a teal button-up shirt. Kyle was wearing his black and red pants, with a silk purple shirt; he had decided to forgo his boots. Kyle applied a simple light layer of purple eye shadow, and simple black liner, with a reverse of that on his lips, having purple liner and black filler. She went with the same pattern, except she used a luscious red in place of her natural purple. Once they were ready, they were about to head out when she thought of something; she held out her hands, and pulled a certain large, flat box from her subspace shadow. Smiling, Kyle opened it, and gently removed the necklace he’d bought her the last time they were on this station. After he’d secured it in place, she dismissed the box, and they left the room arm-in-arm.
The payoff was near-automatic, as it only took as long as getting into the elevator before they encountered another person; this one turned out to be none other than the Captain, as the station leader had put the entire crew up in the station’s best hotels, save for a decent amount of the security, all of whom had gotten to leave the ship last time they were on this station. As soon as the doors opened, they saw her standing next to what appeared to be a golden drahk’mihn, with horns that protruded from his forehead, sweeping back over the top of his head, only to slightly curl upwards just as they reached the back of his head. He wore light blue shorts, and a matching vest, while the Captain wore her customary jacket; her eyes widened when she saw the two, going straight to the tiara on her head.
"By the Gods, man; do you do anything normal?"
"Define 'normal'," Kyle countered, which brought about a round of laughter.
“Were y’all gettin’ off?” Kyle asked, hooking his thumb over his shoulder; the Captain cleared her throat,
“Well, that’s really none of your business,” she replied, to more laughter, “But we can take another ride, either way.” She had barely taken her eyes off the tiara the entire time, much to ‘Ri’s delight. As Kyle pushed the button for the lobby, Golden asked how Kyle had made it, to which he obliged, occupying the time it took them to reach the ground floor; the Captain couldn’t keep her eyes off the headpiece the whole time, at which ‘Ri couldn’t help but smile with pride.
After they reached their floor, they bid the other two farewell, at which point the Captain seemed to remember herself, and gave a hasty - yet obviously sincere - congratulations to the two, which Golden echoed. After thanking the two, they disembarked the elevator, ‘Ri acutely aware that the Captain was still staring at the tiara, even without looking back at her.
The rest of the day passed in a similar manner, with the general crowd around them either going silent, or - less common, but still frequent enough to be noticeable - lightly gasping; all eyes were on her, which made her smile and cling to Kyle’s arm all the more. It was funny: she had never really cared about ‘tradition’, and had always simply wanted someone who saw her as her. Sure, there were several ‘high-born’ men who’d hunted dangerous beasts - even to a drahk’mihn - to turn into tiaras, all of them trying to ‘win her hand’. But none of that had ever mattered, no matter what they’d hunted, or whether they’d used their Gift, or not; none of them even knew who she was, so their efforts meant nothing, but whatever standing they could achieve by marrying ‘the girl who stopped the war’.
But here was Kyle, a man from another species entirely who saw her as a person, in a way that no non-insectoid ever had in her entire life. A man who’d had no problem whatsoever showing his anger at her - very much deserved, she had to admit; that was a rather rude wake-up call - before he really even knew her, not afraid to call her out on any toxic behavior she might display. And who had taken the fruit of his labors to produce a symbol of his commitment to her, fully embodying the true symbolism of the traditional way, not by simply trying to impress her by buying her affection, as the others had. And for the first time since she was a little girl, she felt a distinct pride in that tradition, and all the more love towards Kyle for it.
They didn’t really have any place in particular that they had in mind to visit, simply walking around, enjoying each other’s company, and the reactions of the various passersby. Among the obviously astonished expressions, there were quite a few jealous ones on a few of the women they passed by, which brought her no end of satisfaction; not that she had anything in particular against any of those women, it just felt good to have something that others wanted so badly. And though she doubted that many of them actually wanted her man - whom she still valued more than the headpiece he’d given her - what they wanted was a product of his work, and so either way - whether they knew it or not - it was him that they wanted; too bad for all of them that she’d gotten her claws in him first, and she was never letting him go of him again.
She had made sure of that, seeing as he could now issue orders to the Captain, and change protocol on a whim; she had also gotten him to give her authorization to take a shuttle planetside if she deemed it necessary, though he’d made her promise to exercise that authority only in cases of an actual emergency, and not for a small ‘threat’ that he could obviously handle. They had come to the agreement that the wild cats from Cheshire’s homeworld were the cutoff point: anything much bigger than those were enough to warrant her presence on the planet. She didn’t really like even that, but she had to agree that at that point it was almost insulting to his own abilities, especially since he had plenty of Gifts to help him out, including her own.
At one point, they were passing by a furniture shop when they spotted her parents and ‘Lana going in; it was her sister who noticed them, calling out,
“‘Ri, Kyle; hi!”
They both smiled and called back in greeting, waving as her parents turned around, their faces immediately breaking out in smiles as they saw the two of them; the looks on their faces - coupled with not a bit of surprise - told her that he’d already shown them the tiara, not that she minded. If he was going to show anyone before her - aside from those who helped him create it in the first place - she could accept her parents being the ones, and ‘Lana by extension.
They spent around an hour walking around the shop - Kyle having to encourage them to pick out the more ‘luxury’ goods - as her parents picked out a new mattress for their bed, along with a few comfortable chairs. They all went their separate ways, her and Kyle promising to meet up later for dinner together. As they had just come back from eating themselves, they went to do more shopping - Kyle reminding them not to worry about the price of anything - while she and Kyle went to go find somewhere to eat.
They decided on a unique shop setup, wherein there was an herbivore side, and a carnivore side; both were technically their own shops - separated by a wall, and everything - though there was no problem with an herbivore sitting with carnivore friends to go nextdoor to get a plate made, and bring it over, or vice versa. They decided on sitting in the carnivore section, and Kyle would go over to the herbivore side to get a bit of roughage for the both of them. After they had taken their seat - the keen’yhong waitress staring in awe at her tiara - Kyle excused himself to the shop next door; after he’d left her line of sight, she immediately got up and hurried to the restroom, eager to get another look at herself in the mirror.

Vohr’Sin - a light blue drahk’mihn with horns that curved back, down and around, so that the tips pointed forward, just under his ears - was having a bit of trouble, as the restaurant was currently too full to seat them.
“There’s nothing you can do for the drahk’mihn ambassador to the humans’ system?” he asked jokingly, “She should be on her way any minute.”
“Sorry, sir,” the black gah’rahtoe replied to him, his face showing genuine regret, “It’s the lunch rush, right now. You’re welcome to wait for someone to finish up, if you like.”
“No,” he responded, “She had to skip breakfast this morning to attend a virtual meeting, so I doubt she’ll be up to waiting… Well, thanks anyway.” As he turned to find somewhere else to eat, he nearly walked right into another person; it took him a moment to realize who it was.
“My apologies,” he said, “I should have been paying more attention to where I was going… Forgive me for bothering you, but aren’t you Ambassador Redding?”
The human was easily recognizable, the ‘scars’ across his face and the horns - which the Empress herself had expressed to his wife were not to be commented upon - that were in a very unique shape. Personally, he wasn’t too comfortable with the human getting a pass at imitating their race - especially Kah’Ri’s horns, of all people - but if the service that he’d provided to their race by coming up with the idea of how to find the slavers was enough for Empress Ella’Ven to excuse it, he had to accept it, as well. The man was carrying a tray with a few plates of vegetables on them, including two baked tass’guds.
“I am,” the human replied with a smile, “Sorry for eavesdropping, but I couldn’t help but overhear your conversation: if you like, you can come sit with me and my fiance; we’re out celebrating our engagement.”
“Oh,” he began sheepishly, “I really wouldn’t want to intrude…” but the human waved him off.
“I’m sure it’ll be no problem; you know how women like to show off their jewelry. It’s just us, so I’m sure it’ll be fine. Besides, I can answer any questions your wife may have about humans, and any social customs she might need to be aware of. Well, any that I know of, anyway.” He finished with a slight chuckle, and Vohr’Sin was torn between not wanting to intrude, but also not wanting to insult the Ambassador by refusing; it was at this time that his wife Vir’Ell walked up.
“I see you’ve met the human Ambassador, love.” He turned to see the yellow-tinted woman that he’d pledged his life to, wearing a light purple tube-top, and matching shorts. Her slender horns swept backward, ending halfway down the back of her head, pointing down.
“I’m Vir’Ell,” she said, directing her attention to the human after exchanging a kiss with Vohr’Sin, “It’s a pleasure to meet you.”
“And you, as well,” he replied, “I was just telling your husband that y’all can join me an’ my fiance, if you like. We just got engaged this morning, and I’m sure she’d just love the chance to show off. Of course, I don’t wish to interrupt your own time, if you’d rather eat alone, but it seems that we took the last free table, here.”
“That sounds lovely,” she replied easily, lightly squeezing his tail with her own, “I look forward to meeting your betrothed.”
The human - Kyle, as he asked them to call him - led them inside, and over to an empty table, where they all took their seats.
“I’m sure she went to freshen up,” he said as they all sat down,
“So,” he continued as they all settled down, “I hear you’re on your way to Sol?”
“We are,” Vir’Ell replied brightly, “Several factors have come together to convince the Empress to send an envoy to your system; the two biggest factors being - of course - your own contribution to freeing those enslaved, but also from the fact that even through the outcasts of your society, it is entirely obvious that humans had nothing to do with the enslavement of our people. There are obviously other reasons - ones that she wishes to keep close to her wings - but she has decided that humans will be the first race to whom she will reach out a hand of open friendship. Obviously, this will have to be taken slowly, but we’re hopeful that this could open new avenues of trade and friendship that we’ve been so sorely missing all these years.”
“Well,” Kyle began, “I hope we can come together as peoples, especially since our introduction to the wider galaxy came about in quite similar circumstances.”
“Yes,” Vohr’Sin replied seriously, joining the conversation, “That is something that we - as separate races - can relate to, you more so than others, I’m sure. I can’t imagine what it must have been like to endure the mahn’ewe’s captivity, and I commend you on your mental fortitude to be able to make it through all of that relatively unscarred. I won’t claim to know how you’ve dealt with it since your escape, but the fact that you came out of it without any noticeable xenophobia is exemplary.”
“Yeah, well,” Kyle began a bit darkly, looking off to the side a bit as his mind wandered those detestable halls, “I’m kinda used to misfortune, and holding it against those who brought it on, specifically. As a matter of fact, the mahn’ewe look human enough that it doesn’t even translate the same when looking from even the drahk’mihn to them. And everyone else just looks like ‘humanoid animals’, or ‘insects’, so it’s less of a comparison to the mahn’ewe, and more so towards our own myths and legends. And I guess I can’t really complain about my lot in life, ‘cause if I hadn’t been abducted, it’s likely I never would’ve met my future wife… Who seems to finally be done admiring herself in the mirror.” This last part he raised his voice slightly, obviously addressing someone over Vir’Ell’s shoulder, who was on Vohr’Sin’s right side. Before they could turn to look, a surprisingly familiar voice rang out, the smile audible in her voice.
“Can’t you go anywhere without ingratiating yourself with whatever drahk’mihn may be in the vicinity?” Looking around at the woman who had just walked past them to sit next to Kyle, his heart seemed to stop in surprise, both at who was talking, as well as the tiara she was wearing; and looking at her now, he fully understood why the Empress had directed them to ignore Kyle's choice in horns. Kah’Ri Mih’Rell wrapped her tail around Kyle’s waist - even as he wrapped his around her - and even hooked her right wing on his right shoulder, a wide grin on her face. On her head was what appeared to be the void itself, elegantly wrapped around her head, twined gracefully over her horns so as to appear as if the void really had inserted itself onto her head.
“‘Ri,” Kyle began, obviously enjoying their reaction just as much as Kah’Ri was, “I’d like you to meet Vohr’Sin, and his wife Vir’Ell; they’re heading to Sol, as she’s been appointed the Ambassador to humanity.”
“Oh,” she replied, obviously surprised, “I honestly didn’t expect that, though I suppose Ella would have ample reason to reach out to humans, of all peoples.” Obviously it was common knowledge that the Empress had taken Kah’Ri in when she’d lost her own parents, but somehow it had never occurred to him to imagine anyone being ‘close’ enough to her to call her by a nickname.
“I’m sorry,” Vir’Ell cut in, “But that tiara is absolutely stunning.” Mixed in with the pleasure at such an extravagant praise, there was an obvious strain of pride in their faces as they both grinned, Kah’Ri leaning closer to Kyle.
“Thank you,” she replied, “He made it according to tradition.”
“You made that?!” he couldn’t help but exclaim, causing them to smile even wider, “From what? I recognize the black hole diamonds, but the material that the rest of it is made of…”
Kah’Ri gave Kyle a knowing look, and - still smiling - said,
“Show them.”
Kyle gave her a conceding nod of his head, and fiddled with the small monitor that was strapped to his wrist. Soon enough, a small hologram appeared on the table between them, depicting Kyle in a strange white tree, looking down at a - comparatively - giant red reptile of some kind. There was a seemingly one-sided conversation where he was obviously speaking with the razum’yilahn that was partially wrapped around his neck, the rest of their body disappearing beneath his shirt. They were still able to catch the gist of what they were saying, mainly that he couldn’t kill that creature until they were sure it wasn’t sapient, which would require them going into its mind.
What followed was an epic battle between man and beast, his uplifted canine companion joining the fight once it was clear that it was indeed a fight. And though it fended off any attacks the canine - Cheshire - threw its way, it seemed intent on finishing the one that had invaded its mind. It eventually had Kyle pinned on his back, both claws - and most of its weight - braced on the staff of the spear he wielded, while Cheshire continued to draw its attention. One such attempt resulted in the reptile shifting its mass, causing one of its paws to slip off the staff, producing what would obviously eventually become the tattoo across his face, though his eyes were destroyed beyond repair in the process.
He managed to catch the claw back on the staff again - obviously using the razum’yilahn’s eyes to operate - soon after which a shuttle appeared, its door open, and what looked like an automated weapon hanging out the side. It fired once, catching the reptile in its backside, and doing little more than making the beast angrier. As it hissed at the shuttle, the weapon fired again, and caught it in the throat, opening up a shallow cut, which Kyle wasted no time in exploiting. Bracing the staff between the arches in his boots, he reached down and drew another knife from his boot, and quickly used it to open the cut wider, rolling out from under the monster to avoid the spray of blood. As the hologram cut out, Kyle began speaking.
“I used the skull plate to grind out the tiara itself, though I had to use nanobots to carve out the clasp to hold the two pieces around her horns. The diamonds were a reward for returning a pendant to the ory’lagus who run the black hole mining company, and the sehr’chtahb who originally crafted the first black hole diamond shaped and set ‘em for me, and I used the Gift I took from the Kath’Loo who was holding her father to change the bone so that it absorbs all light; I also had to turn the bone behind the diamond - and every flake of diamond dust - to silver, to have some light reflect back.”
Vohr’Sin was quite taken aback by everything that had gone into making that tiara, and he was beginning to see possibly a bit of what Kah’Ri must have seen in him in the first place. He was only just realizing that Kyle hadn’t seemed phased to have seen a drahk’mihn; which now it was obvious as to why, but it should have been something that he noticed when they first met. Perhaps it was the horns, and his eyes, of course; another thing the Empress had instructed them to ignore. He was also acutely aware of how… desirable that course of events made him.
“Goddess, man,” he said, putting an exaggeratedly jealous arm around Vir’Ell’s waist, “Save some for the rest of us.” That got a good laugh out of the table, shortly after which their waitress showed up to take their orders. Luckily, they all knew what they wanted, and they were soon talking back and forth, sharing anecdotes from their home world, and asking questions about his. They learned a few things that weren’t easily discernible by simple study of their culture through text, or even video. Kah’Ri stayed quiet, mostly, letting them do all the talking about Verem’Jiose; probably since she had been - intentionally - absent from there for so long, it wasn’t like she would have any idea of more recent news, or trends.
All-in-all, it was an enjoyable lunch, with the time slipping by as they ate and talked the meal away. Towards the end of the meal, the women excused themselves to the restroom, and while they were gone, he took the chance to ask Kyle about the possibility of being allowed to hunt one of those lizards himself, as Kyle had informed them that he owned that planet.
“Well,” he began after a bit of thought, “If you do hunt one, you’ll firstly have to do it without your Gift,” that took him by surprise, but Kyle didn’t stop there, “You also have to fight without any kind of ‘modern’ weapon. Which is mostly just saying that you can’t use guns, though nanoblades are not only acceptable, but also needed. And I’ll even make sure that you’re supplied with some mithril to use, as well. And just so you know: not only will you have a guide with you at all times to make sure you stick to the rules I set out, but they can see if you use your Gift.”
He flexed his eyes for a moment, having already explained how they worked - as far as he knew, anyway - to them earlier, when they revealed that that was why Kah’Ri’s eyes were red, instead of purple.
“I understand,” he replied seriously, “I wouldn’t want to disrespect your world.” Kyle nodded once, saying,
“Well then, I think we can work something out. If y’all’re gonna be here for a couple days, I might be able to get in touch with someone who can set up a way to get you there ‘n back.”
“That would be most appreciated.” As Kyle nodded his acceptance of his thanks, an idea came to his mind.
“You know,” he started in a conspirator's tone, “Before we left home, I managed to get my claws on a crate of krav’ashah wine; it’s a ‘luxury’ berry on Verem’Jiose, as it’s hard to farm, and doesn’t produce a very high yield, even when done correctly; aged twenty years. I would be willing to gift a couple bottles to the two of you, in celebration of your engagement.”
Kyle smiled knowingly, and replied with,
“Well, that would also be much appreciated; I’d definitely owe you a lot… You know, the ory’lagus gave me a lot of extra diamonds, not just enough for ‘Ri to make my circlet. Once you get the piece you wanna make for Vir’Ell, I can shape and set a decent-sized one for you.”
“I think we have an understanding,” he said, smiling.
“As do I,” Kyle replied, a smile of his own on his face.
Their other halves came back shortly after that, and after they all said their goodbyes - he had insisted on paying for the meal - he made his way back to the ship with Vir’Ell, already planning the shape of the new tiara he would be carving for her. And while the one he had bought her would always be special to him - a simple golden band, with a blue diamond in the center of her forehead - he wanted to make this one even better; perhaps he could find a way to incorporate her old one…
[Next.] Patreon
submitted by Drakos8706 to HFY [link] [comments]


2024.06.02 15:49 thrownawayaftred AITA For wanting nothing to do with my mother...

This is kind of long, I'm (m38) my mother (f65) had always been close, until I met my gf(f41). Three years ago, My gf and I were redoing our dock home on the water in florida. My mother, when I was younger, always talked about doing RE together. The first time my mother and gf FaceTimed (mom lives on the west coast) my mother insulted her, by saying, she was using me for free construction work ( my gf had hired plenty of contractors to do the work ) I was doing the easy stuff, painting, dry wall repair, demo the kitchen, etc. And my gf and I were really enjoying the work together. We were young into the relationship, and we were finding out if we were compatible... it wasn't work to us, it was fun. We ended up selling the house together, we did VERY well, we ended up buying a house in the beaches area of Jacksonville where she wanted to go, we currently reside here. My mother, a nurse, over the last 20 years, has always had a friend who has cancer, the first was a close friend from Florida- but as her cancer got worse, my mother was closer and closer to her. When she died, the cringiest experience of my life, was the next day my mother asked me to go to the bank with her, she walked into the bank, and gave an account number to the bank manager, apparently the friend said she would have access to a checking account. I remember the bank manager telling my mother, she was not on the account and she had no access to it. I remember my mother was pleading to the guy- she's my best friend, she told me to come to the bank, etc.... that's the first time I looked at my mother differently. The lady died less than 24 hours ago. Fast forward my gf and I moved to Jacksonville ( a lot of hospitals ) my mother has another friend with cancer, and starts flying across country to be with her, now "bf" and she takes her to Jacksonville, my gf and I didn't find out she was driving up to Jacksonville a few times a year until she had done so for probably already a year or so. The hospital is less than 5 miles from our house. One time my mother is in the town my family lives visiting and decided she was going to come up and visit us, july 4th weekend. My gf who is very organized texts my mother and gives her a detailed plan of what we are going to do, which included riding our golf cart to the beach, grilling out at her parents house, having some drinks, watching fireworks, she invited my mother to stay in our guest room. My mother responded back, "I will handle plans with my son, thank you" my gf didn't respond. My gfs sister, BiL, niece, friends, and my gfs mother go to the beach, her mother specifically went to the beach to meet my mother, my gf father went to the store to buy to hotdogs and hamburgers in anticipation my mother was coming to town. My mother was driving up to Jax, I take my gf and the beach chairs to the beach.... that's about the time my mother pulls up to the house... I get a phone call, my mother is irate, and says she is leaving since no one was at the house when she arrived. And she leaves this little card, something to do with a mother and son's relationship on our door sill. I get back to the house my mother is pissing vinegar. I tell my mother, that I took my gf to the beach, and her family is there. My mother fires back, I should've been there waiting she flew across the country to come to an empty house ( not the case ). I told my mother, that her family, is at the beach waiting to meet her, her father is at the store buying skyline chili for her ( we are originally from Cincinnati ) and she needs to realize all these people are doing things for her arrival. She stopped talking, you could tell she felt like an ass. She immediately tells me she doesn't have a swimsuit - she knew we were going to the beach, she was in an outfit you should never wear to the beach. We get to the beach, she has this attitude and although my gfs mother is being friendly, she has these snarky one word answers. We go to the house for the cook out my mother starts talking about the money we had when my parents were still married..my gfs family wasn't having any of this, you could cut the tension with a knife... after we eat, my mother makes a statement that now she needs to leave to get back to Daytona immediately. She leaves, and then it turned into a great day. Fast forward to the beginning of this year, my mother and I hardly talk. She has gone off on my gf a few times, at this point my gf doesn't hold back, and refuses to talk to her, especially after my mother made a comment about her weight. In the beginning of the year, I told my mother I would paint the house she bought 90 miles away from Jacksonville, since I owed her some money, the walls turned into the ceiling, the ceiling turned into ceiling fan installation, that turned into refinishing floors, that turned into moving some walls. What started as a week worth of work, turned into about 2 months, I may have been in jax 3 nights in 2 months. My gf and I had a family party and my gf said, if I didn't come up, it would be a problem as at this point her family was starting to ask why I wasn't around... I went to the party, I told my mother, I was going- that's when an emergency came up at the house and I needed to be there, I obliged. Two weeks later, things were okay between my mom and I, and one night we were talking, and she venmos me 2k for the work, while we were on the phone. It was a pleasant surprise until I told h er we had a wedding this coming weekend, it was non- negotiable I was to be there. I told my mother, I was going to be gone that entire weekend. She insisted that she gave me money and to quote, if I'm going to take that money and be footloose and fancy free on her dime, give me the money back- I immediately venmoed her money back and said Do not think I'll be at you house, I will not be there until Monday, I am leaving Friday, wedding on Saturday night. That saturday, My mother texts me and says, I need help, furniture is be delivered on Sunday at 8am. I went to the wedding, didn't drink, had fun, went home at midnight, left my house at 6am only to get to mom's house to find out furniture got delayed won't be delivered until 4pm later today. My mother decided that she was going to show up that following week, since the contractor I found, she could work with directly while working her job remotely. Now my debt was paid, I found this contractor, who my mother loved, she hasn't paid me, requested the money she gave me I give back since I went to a wedding with my gf. My mother tells me that the contractor I found, is willing to pay me to help her do work- I'm furious, so my mother is paying a lady, who is going to make money off me for working for her. Sidebar, I found this contractor who had done work for other clients of mine and her work is good, but she doesn't know her capabilities, but oh well, mom is running the show. I tell my mother absolutely not, will the contractor I found, she hired, pay me an hourly rate, that my mother is paying, that she is going to make money off of. My mother claimed, that my money was going to be made, when I sold the house and I would get the listing- I have my real estate license. I'm about done with my mother and her non sense at this point and I'm seeing right through it. As my mother was staying in the house, I didn't want her to be alone, so I would stay with her at night. Both my mother and I are big drinkers, and my sister is in recovery ( who lives with my father and doesnt come around at night because she knows wed be drinking ), so while i have beer in the fridge, my mother is staunchly not drinking and making a big deal about how she doesn't drink, and all I want to do is drink... at this point I'm letting it pile on. Until the straw that broke the camels back, one morning back in March- its around 7am, I drank 12 beers the night before, I'm awake, laying in my bed watching YouTube videos...as I just woke up, my mother knocks on my door and says we need to have a discussion. We go outside and she says do I think it's fair that she is outside doing yard work while I am laying in bed watching TV. I said, yes, it's 7am and there is no reason she should be doing yard work, unless she is looking to fight. She fires back and says, you are living in my house and haven't done a fucking thing.... I stood up and said I AM DONE, I will never step foot in this house, she gets up an walks away, and I yell go call whoever the fuck you need to call and tell them what a piece of shit I am- i have literally walked in on her talking to my aunt saying I shitty person, and wonders why I wont go around her family ( my aunts and uncles ). I go in to the house get my air mattress and what little clothes I had there and left. Now, there was a remote to one of her fans in my car, I grabbed it and put it on the tool bench in th garage, and it fell as I'm walking out...she says- did you really throw that into the garage. I said no, which that's not my personality anyways I wouldn't do that. She says this dramatic "best of luck to you" and I get in the car and leave. I sent her a card for mother's day, but I haven't spoke to her since, and I don't plan too. She fired the contractor, of course is blaming me for the fact that she is completely underwater in this house. And now when she talks to my sister she says I'm out of her will and I am a terrible person, etc.... AITA For wanting nothing to do with her, and happy with her not in my life?
submitted by thrownawayaftred to AITAH [link] [comments]


2024.06.02 15:49 Hank_J_Wimbleton_69 Respect Hit-Girl! (Kick Ass [Movies])

Okay you cunts, let's see what you can do now.

Game on, cocksuckers!

Hit-Girl

Hit-Girl, or with her real name Mindy Macready, is a major character in the Kick Ass movie duology, serving as the deuteragonist of the story. After her former-cop father get framed as a drug dealer and sent to the jail by the evil mob boss Frank D'Amico, her mother could not cope with the events and died after giving birth to Mindy. Since Mr. Macready was in jail, his close friend and former-partner sergeant Marcus Williams took care of her as her guardian for temporary amount of time.
Five years later, Hit-Girl's father Damon Macready finished his time in jail hetook custody of Mindy and since that day trained her for next several years. As the deadly father-daughter crime-fighting duo Big Daddy and Hit-Girl, they set out to avenge Mindy's mother and Damon's imprisonment by tracking down and killing Frank D'Amico's henchmen and drug dealers one by one until reaching D'Amico himself. During their adventure of hunting down Frank D'Amico they met with a vigilante called "Kick Ass" (with his real name Dave Lizewski), who recently was the attention of the social media and became allies with him. Getting tricked by Frank's son Chris D'Amico (who was disguised as an another vigilante called Red Mist) Kick Ass and Big Daddy gets captured by the mooks of Frank D'Amico, Hit-Girl came to rescue them from getting tortured and burned alive by the hands of Frank's mob. She manages to save Kick Ass but things were too late for her father Big Daddy. After this she, with the help of Kick Ass, kills Frank D'Amico.
In Kick Ass 2, two years passed from the death of her father, Mindy now lives with Marcus and started at highschool now, and now promised him to stop fightning with criminals and living a normal life. Meanwhile, Chris D'Amico comes back as The Motherfucker, with an entire army of hired costumed criminals to backup him, with the goal of killing Kick Ass and everyone he loves. Starting from damaging and killing his "superhero" allies, and even going as far as killing his dad and kidnapping him during his dad's funeral. After saving Kick Ass from Motherfucker's mooks, Hit-Girl and Kick Ass last time teams up and with other costumed superheroes they fight with The Motherfucker and his evil army. After a rough victory, Hit-Girl leaves the New York in order to protect Marcus from police inquiry and because she is wanted for murdering several of the people.
Allies: Big Daddy (Father; deceased), Unnamed mother (Deceased), Marcus Williams (Her guardian), Kick Ass (Friend, ally, love interest), Justice Forever)
Enemies: Frank D'Amico (Nemesis; deceased), Chris D'Amico/Red Mist/The Motherfucker, Mother Russia (Deceased), Toxic-Mega Cunts, random street thugs and drug dealers
Note: Hit-Girl's feats from Kick Ass 2 will be seperated from her feats in Kick Ass as not only she is 2 years older in the sequel (she is 15 in Kick Ass 2 as confirmed by Dave/Kick Ass and so she should be around 13 in Kick Ass as the events of Kick Ass 2 happens 2 years later from the first one and Hit-Girl was a highschool freshman in Kick Ass 2)
Note 2: Äąn Kick Ass 2 her feats as filled with adrenaline will gonna get seperated by her regular feats.

Source Material: All feats are pulled from the movies Kick Ass, and Kick Ass 2. You can see which feats are from which movie since i will seperate her first movie feats and second movie feats. ​

Kick Ass

Physicals


Strength
Striking Strength:
Striking Strength (her signature weapon a seperatable staff with blades on it's both ends):
Physical/lifting/throwing/other:

Durability
Blunt force:
Piercing:
  • She herself doesn't have any notable resistance to piercing damage, but her suit has shown to be immune to at least low caliber handguns (will be mentioned in equipment section)

Speed/Agility
Movement/Agility:
Reaction/combat:

Equipments

Hit-Girl (and Big Daddy before he died) has access to many different firearms and weapons in their house with it's not known how they managed to find all of them. Although it should be noted in standart battles Hit-Girl obviously doesn't use all of them combined and generally stick with her suit, her standart staff, some pistols and rarely other objects like nunchakus. And even in the battles where she is prepared you won't see her carrying dozen different guns with her or something.
Weapons:

Armor:

Other equipments:

Other

Intelligence:

Skill:

Other:

Kick Ass 2

Physicals


Strength
Striking Strength:
Striking Strength (her signature weapon a seperatable staff with blades on it's both ends):
Physical Strength:

Durability
Blunt force:
Piercing Damage:
  • She herself doesn't have any notable resistance to piercing damage, but she still retains her suit from the first movie, which has shown to be able to take shots from certain handguns

Speed/Agility
Movement/Agility:
Reaction/Combat:

Equipment

Just like i said before, Hit-Girl has access to many weapons and more, whatever most of the time she doesn't pick up anything beyond her suit, her bladed staff and some pistols in standart fights. Whatever she obviously can use more when the situation needs them.

Weapons:

Armor:

Vehicles:

Other:

Other

Intelligence:

Skill:

Other:
submitted by Hank_J_Wimbleton_69 to respectthreads [link] [comments]


2024.06.02 15:48 GullibleEvening9517 I think I have bipolar II

Hello everybody, I hope all is well. As the title suggests, I believe I have bipolar II.
I have these days where I love myself and look in the mirror and am like goddamn I’m handsome but then I have other days where I believe I’m worthless and fucking hate myself such as today. I have these ideas some days for instance, one time I told my grandpa I was gonna wake up at 6 am and go on a walk, I didn’t. Told myself I was gonna make music yesterday, I haven’t. Told my gf I was quitting music, still want to make music. My mood swings from high highs to low lows. Yesterday I was doing yard work with my dad and stepmom and I was potting plants, barking back at dogs, laughing, etc, however the days prior for like about a week I was in a depressive state igz. I frequently delete social media only to come back and even went off on my girlfriend and after the dust of that settled idk why I did it. I also frequently think of suicide and a few nights ago almost attempted. I held the exacto knife so close to my wrist but I couldn’t do it. I do frequently think about it though.
Yesterday I told myself life was worth living and how I’m going to heal but today I feel empty and just don’t want to be bothered and I don’t know what the fuck is happening.
I was previously on anti depressants but I’ve stopped taking them bc they weren’t doing shit. I stopped taking them maybe Wednesday so that doesn’t explain the mood swings. I’ve also been hallucinating, seeing people standing places nobody is standing, hearing noises nobody can hear and even completely zoning out.
I’m really scared and I just need some help or advice. Please.
Thank you all for reading.
submitted by GullibleEvening9517 to bipolar2 [link] [comments]


2024.06.02 15:44 Ante_1997 [STORE] KNIVES, GLOVES, PLAYSKINS, 12.000€+ INVENTORY! M9 Bayonet, Stiletto, Talon, Karambit, Survival, Skeleton, Falchion, Bowie, Ursus, Shadow Daggers, Butterfly, Nomad, Classic, Paracord, Broken fang, Driver gloves, Specialist gloves, Hydra wraps, Broken Fang Gloves, AWP, AK-47, M4A1, M4A4, USP

My tradelink: https://steamcommunity.com/tradeoffenew/?partner=102474654&token=BH1q6eSo
My steam profile: https://steamcommunity.com/id/darknezz_/
Everything up for a trade, some skins might not be tradable or visible yet
Buyouts are in cash (EURO), send trade offers, only trading
★ Butterfly Knife Case Hardened FN - B/O 1332.56
★ M9 Bayonet Tiger Tooth FN- B/O 944.09
★ M9 Bayonet Damascus Steel FN- B/O 639.62
★ Karambit Ultraviolet FT - B/O 571.09
AWP Lightning Strike FN- B/O 482.00
★ StatTrak Flip Knife Case Hardened FT - B/O 228.31
★ Nomad Knife Case Hardened BS - B/O 226.78
★ Stiletto Knife Ultraviolet FT- B/O 218.28
★ StatTrak Shadow Daggers Gamma Doppler (Phase 1) FN- B/O 189.66
★ Driver Gloves Imperial Plaid BS- B/O 187.70
★ StatTrak Bowie Knife Rust Coat WW - B/O 129.45
★ Specialist Gloves Marble Fade BS- B/O 125.52
Sticker Titan (Holo) Cologne 2014 - B/O 124.13
★ Navaja Knife Tiger Tooth MW- B/O 120.87
★ StatTrak Classic Knife Forest DDPAT MW- B/O 119.80
★ Classic Knife Scorched MW - B/O 116.63
★ StatTrak Paracord Knife Boreal Forest MW- B/O 113.20
★ Driver Gloves Lunar Weave FT- B/O 110.28
★ StatTrak Falchion Knife Night FT- B/O 101.37
★ Ursus Knife Scorched MW - B/O 100.90
★ Falchion Knife Bright Water FT- B/O 99.63
P90 Emerald Dragon MW - B/O 98.36
★ Huntsman Knife Rust Coat BS- B/O 93.72
★ Broken Fang Gloves Jade FT- B/O 92.52
★ StatTrak Bowie Knife Urban Masked FT- 90.86
★ Gut Knife Stained MW - B/O 90.74
★ Huntsman Knife Boreal Forest WW - B/O 88.71
★ StatTrak Huntsman Knife Safari Mesh WW - B/O 88.69
★ Hydra Gloves Case Hardened FT- B/O 88.45
Desert Eagle Golden Koi MW- B/O 80.59
★ Driver Gloves Rezan the Red FT- B/O 79.95
★ Paracord Knife Urban Masked FT- B/O 77.42
★ Shadow Daggers Boreal Forest WW - B/O 73.80
StatTrak M4A4 Temukau MW - B/O 71.77
★ Navaja Knife Ultraviolet WW - B/O 71.71
★ Survival Knife Forest DDPAT BS- B/O 71.07
StatTrak AWP Wildfire FT- B/O 71.07
★ Gut Knife Night FT- B/O 70.99
AK-47 Vulcan BS - B/O 70.44
★ Broken Fang Gloves Yellow-banded FT- B/O 68.47
★ Navaja Knife Night Stripe FT- B/O 67.77
★ Driver Gloves Diamondback BS- B/O 67.45
StatTrak Desert Eagle Kumicho Dragon FN- B/O 65.80
★ Driver Gloves Queen Jaguar FT- B/O 65.79
StatTrak Galil AR Eco MW - B/O 63.52
★ Hydra Gloves Emerald FT- B/O 56.60
★ Driver Gloves Racing Green FT- B/O 56.39
AWP Wildfire FT- B/O 53.68
Glock-18 Gamma Doppler (Phase 3) FN- B/O 50.70
CS:GO Weapon Case - B/O 63.42
eSports 2013 Case - B/O 38.55
Stickers, pins, capsule, agents, souvenirs
And more…
Some prices might be outdated
My tradelink: https://steamcommunity.com/tradeoffenew/?partner=102474654&token=BH1q6eSo

submitted by Ante_1997 to GlobalOffensiveTrade [link] [comments]


2024.06.02 15:44 Ante_1997 [STORE] KNIVES, GLOVES, PLAYSKINS, 12.000€+ INVENTORY! M9 Bayonet, Stiletto, Talon, Karambit, Survival, Skeleton, Falchion, Bowie, Ursus, Shadow Daggers, Butterfly, Nomad, Classic, Paracord, Broken fang, Driver gloves, Specialist gloves, Hydra wraps, Broken Fang Gloves, AWP, AK-47, M4A1, M4A4, USP[S

My tradelink: https://steamcommunity.com/tradeoffenew/?partner=102474654&token=BH1q6eSo
My steam profile: https://steamcommunity.com/id/darknezz_/
Everything up for a trade, some skins might not be tradable or visible yet
Buyouts are in cash (EURO), send trade offers, only trading
★ Butterfly Knife Case Hardened FN - B/O 1332.56
★ M9 Bayonet Tiger Tooth FN- B/O 944.09
★ M9 Bayonet Damascus Steel FN- B/O 639.62
★ Karambit Ultraviolet FT - B/O 571.09
AWP Lightning Strike FN- B/O 482.00
★ StatTrak Flip Knife Case Hardened FT - B/O 228.31
★ Nomad Knife Case Hardened BS - B/O 226.78
★ Stiletto Knife Ultraviolet FT- B/O 218.28
★ StatTrak Shadow Daggers Gamma Doppler (Phase 1) FN- B/O 189.66
★ Driver Gloves Imperial Plaid BS- B/O 187.70
★ StatTrak Bowie Knife Rust Coat WW - B/O 129.45
★ Specialist Gloves Marble Fade BS- B/O 125.52
Sticker Titan (Holo) Cologne 2014 - B/O 124.13
★ Navaja Knife Tiger Tooth MW- B/O 120.87
★ StatTrak Classic Knife Forest DDPAT MW- B/O 119.80
★ Classic Knife Scorched MW - B/O 116.63
★ StatTrak Paracord Knife Boreal Forest MW- B/O 113.20
★ Driver Gloves Lunar Weave FT- B/O 110.28
★ StatTrak Falchion Knife Night FT- B/O 101.37
★ Ursus Knife Scorched MW - B/O 100.90
★ Falchion Knife Bright Water FT- B/O 99.63
P90 Emerald Dragon MW - B/O 98.36
★ Huntsman Knife Rust Coat BS- B/O 93.72
★ Broken Fang Gloves Jade FT- B/O 92.52
★ StatTrak Bowie Knife Urban Masked FT- 90.86
★ Gut Knife Stained MW - B/O 90.74
★ Huntsman Knife Boreal Forest WW - B/O 88.71
★ StatTrak Huntsman Knife Safari Mesh WW - B/O 88.69
★ Hydra Gloves Case Hardened FT- B/O 88.45
Desert Eagle Golden Koi MW- B/O 80.59
★ Driver Gloves Rezan the Red FT- B/O 79.95
★ Paracord Knife Urban Masked FT- B/O 77.42
★ Shadow Daggers Boreal Forest WW - B/O 73.80
StatTrak M4A4 Temukau MW - B/O 71.77
★ Navaja Knife Ultraviolet WW - B/O 71.71
★ Survival Knife Forest DDPAT BS- B/O 71.07
StatTrak AWP Wildfire FT- B/O 71.07
★ Gut Knife Night FT- B/O 70.99
AK-47 Vulcan BS - B/O 70.44
★ Broken Fang Gloves Yellow-banded FT- B/O 68.47
★ Navaja Knife Night Stripe FT- B/O 67.77
★ Driver Gloves Diamondback BS- B/O 67.45
StatTrak Desert Eagle Kumicho Dragon FN- B/O 65.80
★ Driver Gloves Queen Jaguar FT- B/O 65.79
StatTrak Galil AR Eco MW - B/O 63.52
★ Hydra Gloves Emerald FT- B/O 56.60
★ Driver Gloves Racing Green FT- B/O 56.39
AWP Wildfire FT- B/O 53.68
Glock-18 Gamma Doppler (Phase 3) FN- B/O 50.70
CS:GO Weapon Case - B/O 63.42
eSports 2013 Case - B/O 38.55
Stickers, pins, capsule, agents, souvenirs
And more…
Some prices might be outdated
My tradelink: https://steamcommunity.com/tradeoffenew/?partner=102474654&token=BH1q6eSo

submitted by Ante_1997 to Csgotrading [link] [comments]


2024.06.02 15:43 moondog151 A 16-year-old girl would google her mother's new boyfriend and discovery that he was a notorious double murderer who killed his previous girlfriend and child, stuffing their bodies into barrels and burying them on his property. She soon went missing, her mother having chosen the murderer over her.

A 16-year-old girl would google her mother's new boyfriend and discovery that he was a notorious double murderer who killed his previous girlfriend and child, stuffing their bodies into barrels and burying them on his property. She soon went missing, her mother having chosen the murderer over her.
(This case was sent my way via this post asking for case suggestions from my international readers since I focus on International cases.
So I would like to thank xzwkimin for informing me about this case. And as this case is from a country that I skipped over during America's Series, that means I am delaying the Japan case and going backward to do this one
There is also a very lengthy 1 hour long video on this case by Jackie Flores which I used as a guide since it was helpful. But rest assured, I did my own research, used by own words, included additional information and didn't just copy her.
And as you my expect from that prior statement, this is a huge case so information is surely missed so like always your own research is encouraged in case I missed anything.)
Ámbar Cornejo Llanos was born on February 14, 2004, in Villa Alemana, Chile to her mother born in 1982 and father Ulises Cornejo. Ulises was mostly absent and seemed to have separated from Denisse before Ámbar was even born. Not long after their separation, Denisse began dating a new man named Juan Carlos PÊrez Aguirre, a friend of Denisse's since before Ámbar was even born. This relationship would result in them having two children and thus Ámbar having two step-siblings although one tragically passed away at 4 months old due to malnourishment brought about due to improper care. After the death, Denisse would fall into a depression, heavily drink and neglect Ámbar and her surviving brother. It got to the point where their school requested the two be removed from Denisse's custody as they were visibly not being taken care of. The request was granted and the two were removed from her custody and held in an Institution for minors.
Ámbar Cornejo Llanos
Denisse Llanos Lazcano
In 2009, Denisse had her final break up with Juan, their relationship was a dysfunctional on-again-off-again relationship with constant break ups and reunions but eventually, their final break up would come. Also in 2009, Denisse had improved enough for a court to deem it safe for Ámbar and her brother to be returned to her care. After the break-up, Denisse and Ulises appeared to reconcile and Ulises grew close to Ámbar.
On September 27, 2012, Ámbar confided in two of her school teachers that one of her friends had been sexually assaulted, after they called her friend's mother, she broke down and admitted that she had lied and was in fact talking about herself. Ámbar was taken to the police to give a statement and she told them that whenever her mother took her and her brother to visit Juan back when they were dating, Juan would sexually assault her during these visits. Juan was arrested and on November 25, 2013, The Oral Criminal Court of Viùa del Mar sentenced him to three years imprisonment, ordered him to pay and cover the entire cost of the trial, prohibited him from even having any contact with Ámbar or her family, and had to disclose his address to the police. The court also again, took custody away from Denisse and sent her to live with Ulises for a few months, The no-contact order went both ways as Denisse was ordered to have nothing to do with Juan either so long as she wanted to raise Ámbar. Eventually, Ámbar was returned to Denisse's custody after she obeyed this court order.
Ulises, viewing Denisse as an unfit mother, and since he saw her as manipulative wanted to keep Ámbar. When Denisse found out, she prohibited her daughter from ever visiting her father and tried to manipulate her into disliking him, saying that it was his fault and that he was trying to break up their family. Ulises would also send money to the family for Ámbar but Denisse would often, not tell her when the money arrived and simply pocket and spend it for herself.
Denisse's plan to turn Ámbar against her father backfired and the older Ámbar got, the more strained her relationship with her mother would become. They would constantly argue and one time, Ámbar had a friend over when she and Denisse had another argument and Denisse moved to strike her daughter. Ámbar and the friend ran to another room and locked the door but Denise was so angry over whatever the fight was about that she hit the door with enough force to break it open. The only reason that Ámbar never defended herself was simple, according to friends, Ámbar told her that since Denisse gave birth to her, she was obligated to respect her mother and could never raise a hand to her.
Soon Denise would date another man, the landlord of their apartment, Manuel García Queirolo. Tragically, Manuel wouldn't be any better than Juan. Whenever he heard that Ámbar was showering, he'd use his position as the landlord to go to a room on the second floor that gave him a clear view through the bathroom window so he could watch Ámbar. Ámbar would eventually find out and inform her mother to which she told her and her brother to just not shower unless she were home. But beyond that, she took no action, she didn't even stop seeing Manuel. She actually did the opposite and got mad at Ámbar for being the subject of Juan and Manuel's lust. The worst of Manuel's depravity wouldn't come out or be known by others, even Ámbar until years later, that will be discussed further in the write-up.
With all this tragedy and her dysfunctional and abusive home life, one may expect Ámbar to have been troubled. But on the contrary, all her friends said she was happy, outgoing, kind, would do anything for them and loved to engage and share her hobbies with them such as dancing. Ámbar was deeply liked by all her classmates and was very popular. She had managed to not be defined by all that was going on in her life.
In late 2019, Denisse had found her next boyfriend, a man named Hugo Humberto Bustamante PÊrez with the two moving in together in relatively short order. Ámbar was not very keen on Hugo and how fast their relationship was progressing, she also felt uneasy about him as well and how he looked at her. Ámbar told one of her friends about her mother's new boyfriend and her friend felt his name sounded familiar to the two looked him up and did not at all like what they had found.
Hugo Humberto Bustamante PĂŠrez
Hugo Humberto Bustamante PĂŠrez was born on March 28, 1965, in QuilpuĂŠ as the third out of four siblings. His father worked as an electrician, and his mother a housekeeper with domestic violence a frequent occurrence in the household. His mother was described as neglectful while his father was actively abusive and had him put to work at the age of 8 to sell fruits and vegetables at markets. To escape his father's abuse during his most violent outbursts, he would go stay at his grandparent's house. At the young age of 13, he would fall into a drug addiction, starting with marijuana before escalating to opium and cocaine.
At the age of 15, his father kicked him out of the home so he went to Mendoza, Argentina and lived with a classmate. There he claimed to have travelled all to Bolivia, Peru, Spain and Brazil. He returned to Chile at the age of 18 and began stealing goods to sell back as well as trafficking drugs. When he was 20 he would, with the help of an accomplice take part in a scam where he would get on a bus, gain the trust of the passenger sitting next to him, offer a drink laced with sleeping pills and then steal their belongings as they passed out in the street. He would also attempt this on beaches as well.
Several times, Hugo would attempt to start romantic relationships but none of them would last particularly long usually breaking up almost immediately due to a lack of commitment from Hugo. For legitimate income, Hugo got into bodybuilding and according to him, he owned a nightclub. On May 27, 1987, Hugo was arrested for the first time on a charge of theft but he doesn't appear to have suffered severe consequences for this. He later began another relationship but this one seems to have lasted a little longer with them even having a child and Hugo getting employed as a serial guard. But they broke up shortly after the birth and in 1989 Hugo was arrested for nine counts of robbery, four counts of theft and 5 counts of armed and violent robbery earning him a 10-year prison sentence.
Hugo had a rough stint in prison, with his drug habits routinely sending him to a hospital in ValparaĂ­so and often had extra security and shackles because he once tried escaping during a transfer. In 1992, he suddenly had a mental health crisis and was admitted to a mental hospital for 25 days. In 1995 he was granted parole but was sent back to prison 8 months later after violating it. He was finally released after serving his sentence in 1999. After serving his sentence he again attempted to turn his life around, getting a job painting and repairing cars and saving enough money to open his own store. He also took an interest in yoga and spiritualism. At a yoga class, we would meet 49-year-old kindergarten teacher VerĂłnica VĂĄsquez Puebla (born in 1955) who had a son named Eugenio Honorato VĂĄsquez.
VerĂłnica VĂĄsquez Puebla and Eugenio Honorato VĂĄsquez
Unlike Hugo's prior relationships, this one actually appeared to be promising. Eventually, Hugo asked VerĂłnica for money for "home improvement" and initially she wouldn't hesitate to give her money away. Tragically, Hugo would begin squandering the relationship and would become abusive and temperamental. So on January 8, 2005, he came to ask for money, money that he had never paid back any time prior, VerĂłnica finally said no having now wanted nothing to do with him.
When met with this reply, Hugo was left enraged. In his fit of rage, he grabbed a baseball bat and struck VerĂłnica with it before strangling her. All the commotion had woken up 9-year-old Eugenio after being witnessed, Hugo set his sights on the child and began strangling him as well. Now that both were unconscious, he shoved a cloth down VerĂłnica's throat, tied her hands and feet together and slit her throat. Afterward, he finished them by wrapping their heads in plastic wrap and tying a plastic bag around their heads. He then got a metal drum and hit their bodies repeatibly with a cane and breaking their bones so he could better fit VerĂłnica and Eugenio's corpses inside. Then to hide the smell of decomposition, filled the drum with water, line and plaster before sealing it. He then proceeded to ransack VerĂłnica's house to look for the money he had asked for and left once he found it.
He left the barrel in VerĂłnica's home for a few days and blew her money on his old habits, that being drugs, drinking and prostitutes. Eventually, despite his methods to mask the odour, the bodies inside the drum began to smell. To deal with this, he bought a house with a patio and transferred the barrel to that property. He then asked his father if he could help him dig a hole in his yard. The hole was two meters deep and one meter wide. He asked the movers, moving in his furniture to help move the drum to the back of his house. Hugo was almost caught right then and there because liquid began leaking from the barrel but Hugo said that he worked in the food (specifically French Fry) industry and that it was a chemical from making the product. After everyone left, he buried the drum in the hole he had his father dig. VerĂłnica's brother noticed she was missing and called her only to be answered by Hugo and said that she had gone on a spiritual retreat. Eventually, he and her family went looking for her and found her identification documents in a ditch. Hugo was again called and simply said she was bored with VerĂłnica and hung up.
On January 26, Hugo's new neighbours called the police to report the smell and when they arrived, despite how confident Hugo was that he'd get away with it, and despite all the work he put into hiding his crime, he confessed immediately. The police placed Hugo under arrest while they excavated his yard and recovered the drum and the bodies. Tragically, the news broke at the same time as Hugo's daughter began making plans to reconnect with him. This murder gained Hugo the moniker of "The Drum Psychopath"
The police outside Hugo's house.
The police in Hugo's yard
The drum.
Hugo spent his first few months in a mental hospital where he boasted to the doctors about his economic situation and martial arts talent. Hugo's trial took place in November 2005 held by The Guarantee Court of Villa Alemana, and he was handed down a sentence of 27 years imprisonment with his release date set for January 26, 2032. Hugo would now be one of Chile's most infamous criminals and was the subject of an episode of "Mea Culpa"
Hugo being brought to court
Hugo was even given interviews while in prison, in one of these interviews he was asked if he would ever kill again if released and he would tell the interviewer that he didn't know because "I am not the master of destiny". He also told the interviewer that he was triggered by a whistling sound in his ear and he said that it was like watching a movie while he was killing VerĂłnica and Eugenio.
On April 29, 2016, Hugo was put before a parole board and even though Hugo publically said to an interviewer that he was uncertain about whether he'd kill again or not, and even though the prison itself told the judges in charge of the parole hearings not to release him, they outraged all of Chile by granting him parole regardless on the basis of him serving 10 years, learning an actual skill he would use at a job while in prison and good behaviour meaning, legally, they had no reason to deny parole and he was released amongst 788 others. Hugo was despised by all the locals he was now living with, no employer would hire him for any more than a day so he mostly worked odd jobs. Even those who reluctantly admitted that Hugo was nice, added that he still seemed odd and one of his neighbours said "When he looked at you, it felt like he was undressing you with his eyes"
Neighbours would even put up flyers all across the area warning residents about Hugo and to make it clear to Hugo that he wasn't welcome. Parents even refused to let their children go outside alone now that Hugo was back and living alongside them and women wanted to be driven to work and driven home from work instead of walking. Even the mayor of Villa Alemana had ordered an extra police presence in the neighbourhood he moved into.
As soon as she finished reading up on his lengthy and disturbing history, Ámbar was left horrified. Denisse had had 4 partners, one sexually assaulted Ámbar when she was 8, the other was a blatant pedophile who would stare and watch her shower and now her newest one was a man who killed his girlfriend and her 9-year-old child. The only one of Denisse's partners that she actually treated with disdain and contempt was Ámbar's father who cared for and had her best interests in mind. Ámbar explained this all to Denisse who got mad at her daughter and started another fight since she saw Ámbar as judging her newest boyfriend without getting a chance to meet and know him. She even told her that everyone deserves a second chance despite barely knowing Hugo herself at this point.
Seeing as her mother remained stubborn, Ámbar went behind her back and wrote a complaint letter to the apartment's manager requesting that Hugo be banned from the premises. This complaint found its way to the public and soon the other residents of the apartment learnt that Hugo was living with them and essentially, they all came together to demand that they all leave and take Hugo with them. Leave they did but Denisse took Ámbar's brother and moved into Hugo's own home. But Denisse, now on the verge of hating Ámbar for not accepting her relationship with Hugo, punished her by abandoning her underaged daughter and having her live alone in the apartment with a very minuscule amount of money.
After only a week, Ámbar would have to leave the apartment and would go back and forth between staying at various different friend's houses but none were able to let her move in full-time. And she couldn't move into her father's place because he lived in Northern Chile and that would involve abandoning her brother and mother with Hugo. In December 2019, Ámbar moved in to live with Manuel's daughter who was old enough to have her own children and for Ámbar to refer to her as an "aunt". She was described as a much better mother figure than Ámbar's own mother and she was completely ignorant to Manuel's crimes so Ámbar felt safe around her and didn't hold her father's actions against her. And by this point, Denisse disowned Ámbar in all but name. She ended up having to repeat a grade and the school and teachers took note of this and tried to call Denisse 6 separate times for a parent-teacher conference only for her to get aggressive toward the teachers for even calling her at all.
The only interactions she would have with Denisse would be when child support was sent and Ámbar still all these years later had to go to Denisse's house to collect the money in person before her mother spent it all herself. And often she wouldn't even go inside, she'd just knock on the door, Denisse would give her the money without saying a word and close the door. And even if she didn't behave that way, Ámbar steadfastly refused to ever step foot inside Hugo's home. The latest payment was sent on July 29, 2020, when Ámbar told her "aunt" that she was going to head over. After three hours had passed Ámbar had yet to return home from Denisse's and wouldn't answer her phone her respond to any messages. Her Aunt actually called Denisse who blatantly didn't care about her daughter's disappearance and actually hung up the phone. Afterwards, the police were finally called.
Both the police and the entire neighbourhood dismissed the possibility of a runaway and together with the police, the entire neighbourhood began a search effort for Ámbar. Ulises also heard of what had been going on in Ámbar's life as well as her disappearance and immediately travelled to Villa Alemana to join in on the search and of course call and confront Denisse who would never answer or respond. Even when the police themselves showed up, Denisse refused to cooperate or help and ignored even those tasked with finding her daughter. Some witnesses even said that she just stood on her porch and drank a beer with Hugo while others tried finding her daughter
The police would put several flyers all across the local area appealing for information, questioned every neighbour they could find, and together with the Red Cross, firefighters and local volunteers searched the nearby grasslands, bushes, forests, mountains and so on utilizing sniffer dogs, drones and even thermal imaging cameras with the searches continuing into the night. A witness would also come forward and say that in the morning he drove by Ámbar and saw her crying as she walked away. One of Denisse's neighbours also said that in an unusual course of events, Ámbar actually entered Denisse and Hugo's home instead of waiting outside and that she didn't leave. This statement was supported by a CCTV camera showing her walking toward their house but never walking away.
Ámbar's missing notice
This time, simply ignoring them wouldn't work. On July 31, A large group of neighbours went to Hugo's house and waited for him to come outside so they could all gang up on and confront him and some wouldn't even let him go back inside. Hugo acted strangely amicable this time and even invited them to come inside and said the police could even bring in search dogs. Hugo even confidently stated, "If I had a body in here it would smell, Don't you think a body that's been here for 2 days would smell". This statement had the opposite effect of what Hugo had intended since as of now, most people thought Ámbar may still be alive.
Since he gave consent, everyone agreed and entered his home on August 3, including police with search dogs and although no human remains were found, they did find clothing with traces of human blood which were seized to be analyzed by forensics. The blood would end up being a red herring as it was old and belonged to Denisse. Even though Hugo seemed to have been in the clear for now, having just invited police onto his property and them finding nothing, he decided to, on August 3, with Denisse, leave Ámbar's brother in the care of one of his sisters and then the two would just flee and leave the area without notice. By now the search expanded to find them, as suspects to be arrested.
On August 6, photos were uploaded on social media showing Hugo and Denisse at a camp ground in Lilu Lilu trying to find someplace to hide, police also pulled CCTV footage from a store near the camping ground and saw the two buying clothes, hats and sunglasses in an attempt to hide their appearance. The police searched the nearby woods and found the two relatively easily and began interrogating them separately.
Hugo and Denisse at the campground
Denisse who clearly had no concern for her daughter's safety and disowned her over not accepting Hugo, turned on him very easily. She confessed that Hugo had murdered Ámbar and that she knew he did but was too afraid to come forward as Hugo had threatened her, her son and her parents and that he forced her to run away with him. According to her, Hugo had dug and torn up his living room floor to make a 6-foot ditch, bury her in it and refill the living room. The police believed Denisse and figured she'd be a valuable witness so they released her. Hugo exercised his right to remain silent and told the police nothing.
It was fortunate for the police that Hugo didn't need to speak. They checked his cell phone and found that from July 20-July 28 he had searched the following terms "Price of electric weapons, Ranged stun gun, Using chloroform to sleep, Sale of straightjacket psychiatry, Chinese bamboo torture, Chinese water drop torture, Ether sleeping spray, Using ether to put people to sleep, Medical use of scopolamine, Where to buy hydroxybutyric, Total and absolute power, How to change your first and last name, Psychological torture, Torture methods, Meat grinder price, Blows to faint, sleep or immobilize," and so much more which clearly showed that not only did Hugo premeditate Ámbar's murder, but that the murder was likely horrific. Inside his backpack were two knives, a hatchet, rope and a receipt for paint and paraffin wax.
The police easily obtained a warrant to search Hugo's home that same day. They broke up the floorboards in his living room and dug up the soil underneath. There they found three plastic coolers upside down and wrapped into plastic bags. The police removed the bags and opened up the coolers, there they found the decomposed, eviscerated and partially skeletal remains of a young girl, dismembered into 15 separate pieces. The remains were easily identified as Ámbar's based on her clothing. The autopsy revealed that Ámbar had been attacked and suffered numerous blunt force injuries across her body but especially to her hands, arms, forearms, buttocks and thighs. a cloth was stuffed down her mouth as seen with her head, and there were signs on the remains that she had been violently raped. According to the medical examiner, a saw and knife were used for the dismemberment
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Police and forensics
Meanwhile, the police faced backlash for releasing Denisse and not investigating her further, many did not believe her to be as innocent and a victim of Hugo as she portrayed, her prior history and actions during the search made that hard to believe. And even after her daughter's dismembered body was found under her living room, Denisse wasn't sad, mourning or even. After several threats including her apartment being vandalized as she was led home under her police guard and threats over the phone, Denisse was sent to a psychiatric institute after attempting to take her own life. The backlash continued after it was revealed that the institute was being kept anonymous as a "witness protection" situation.
And speaking of outage, outrage toward the Chilean government and judiciary was immense as Hugo's release led to Ámbar's death. The families of Verónica and Eugenio were also furious that their killer got to go free to kill again instead of serving his sentence. The outrage was in fact so intense, that the judge who approved Hugo's release was even suspended and investigated for misconduct. Eventually, though, she was reinstated with no consequences because although the law was flawed, she was doing her job as a judge by following it. Instead, Chile changed their laws to make the parole process much more thorough and over all harder to have parole answered as opposed to the rubber stamp process it was before.
On September 24, Denisse was removed from Witness Protection and instead placed under arrest with now the police labelling her a murderer instead of a witness. The police ended up going through Hugo's entire phone history, Denisse's, and CCTV footage around the area before and immediately after the murder which showed that Denisse was an active participant. Denisse's motive was simple yet heartbreaking and horrifying. She had on some level wanted to do this ever since their neighbours forced them to leave their apartment because of Hugo, she and Hugo both said that Ámbar wasn't letting them live together as a romantic couple in peace and she saw Ámbar as coming in between him and Hugo and that as long as her daughter was alive, she would never be with the man she wanted.
Denisse's arrest
While in prison, she was the most hated inmate by her fellow inmates and her own cellmate said that she would "make life impossible" and went out of her way to stay up late just to make sure that she could keep Denisse awake and not let her sleep. This led to Denisse being moved to solitary confinement after a "lynching" attempt. A move that infuriated the public and her fellow inmates. It also upset Hugo who was said to have been begging the courts to let him visit Denisse.
Denisse and Hugo were both tried together with the trial beginning on October 26, 2021, at The Oral Criminal Court of Viùa del Mar. During the trial which was held over video link due to COVID-19. Denisse somehow found a way to play Ámbar's favorite music which the court and her relatives saw as a provocation. with the prosecution calling over 54 witnesses, 113 relevant documents, 30 expert reports, and the prosecution presented strong DNA evidence, Psychiatric reports showing them to both be sane, and biochemical reports. According to the prosecution, this is what happened.
Hugo and Denisse during the trial
On July 29, 2020, Ámbar was called by Denisse to pick up the money sent by Ulises. Before Ámbar arrived her now 14-year-old brother was sent to school to pick something up so that he couldn't be a witness to the crime. When Ámbar arrived, Denisse refused to go outside, meet her and hand her the money like always, instead, she insisted and demanded that she enter the home if she wanted it. Somehow, she did convince her and Ámbar went inside where she was immediately attacked by her mother and Hugo with Hugo proceeding to rape Ámbar.
Soon a problem in their plan emerged when Ámbar's brother returned home much quicker than Denisse had expected him to. When Denisse saw her through the windows she hurriedly ran outside and told him that they needed to go to their old apartment because they had gotten a call that someone was breaking in. He couldn't see anything that was going on and really needed to use the bathroom, but his mother insisted that they had to leave now and when he moved past Denisse to use the bathroom, Hugo from the inside kept pushing the door shut so he couldn't enter, something he found odd. He was only allowed in after Hugo dragged his sister's body to another room and closed the door. When he was finally let in to use the bathroom, he heard a loud thumping noise coming from the other room. He left the bathroom and didn't even ask about the noises but Hugo felt the need to frantically explain them away and say it was his mother coming over for a visit and folding clothes. Ámbar's brother was one of the prosecution's star witnesses.
Hugo, now left alone, began dismembering Ámbar into the aforementioned 15 pieces and placed them into the coolers while CCTV cameras showed Denisse and her son at a metro station on the way to their apartment. Denisse showed no reaction to helping her boyfriend rape and murder her daughter. While at the metro station, she sent the following text messages to Hugo. "I'm more calm now, I love you, kisses", "I hope everything goes well for you", "See you tomorrow" and "Good night love" That second message was her wishing Hugo luck in disposing of her daughter's body. They also exchanged 14 phone calls. When they arrived at the apartment, Denisse had her son stay there while she rushed to a store to purchase paint and paraffin wax. Denisse was caught on CCTV doing this and the cashier was called to testify. To keep him away from their home, Denisse had her son stay at the apartment alone for the night as she returned.
Hugo and Denisse then went to the living room to remove the wooden floorboards in the living room, dig a six-foot hole through the soil underneath the floor, dumped the coolers into the hole, filled the hole back in, and placed new replacement floorboards where the old ones were and nailed them back to the floor sealing up the makeshift grave. The paraffin wax was used to try and keep any search dogs from detecting the stench of decomposition. Neighbours heard the sound of equipment such as drills and hammers being used but that the sounds were spaced out as if Hugo and Denisse were trying to be quiet with them. Denisse then wrapped Ámbar's cell phone in aluminum foil, burnt it and discarded it in a crawl space. Denisse's fingerprints were pulled from this foil. Denisse's shoes were also examined and traces of wax were found on the soles. Hugo seemed supremely confident that he would never be caught but as soon as he was confronted by his neighbours he was suddenly terrified and frantically told Denisse that they needed to run away.
On November 26, 2021, the two were found guilty and on December 7. both were sentenced to life imprisonment without the possibility of parole until at least 40 years into the sentence meaning the two won't even have the possibility of release until Hugo is at least in his 90s. It wasn't just murder the two were convicted of, they also were sentenced for rape and abuse, tragically not just that of Ámbar. Ámbar's brother wasn't just a major in the murder case, Hugo and Denisse had been sexually abusing him as well this whole time and the two were sent to prison for those crimes. For the sake of his protection, specific details involving his case have thankfully not been made public. They were both acquitted on the charge of illegally burying a body and Denisse was acquitted on the charge of raping Ámbar. They both appealed the verdict and sentence but on June 2, 2022, the Chilean Supreme Court upheld the decision.
Now I mentioned that Manuel GarcĂ­a Queirolo would be brought up again as his actions were even more heinous, Well, during her disappearance and murder, the Cyber Crime Unit was investigating Manuel for completely unrelated reasons, he was suspected of producing and possessing child pornography on his cell phone and other sex crimes from 2016-2020. On August 17, 2020, he was placed under arrest while investigators went through his phone. As they expected, he did possess mutable inappropriate images of minors.
Manuel's arrest
Horrifyingly enough, 400 of which were all of Ámbar back when she lived in his property. Aside from photographing her while she was showering, he also had pictures of upskirts and pictures taken up her dresses and the phone camera zoomed in to focus on her privates. Ámbar never found out about these images. On December 15, 2021, Manuel was convicted by The Oral Criminal Trial Court of Viùa del Mar and sentenced to 14 years imprisonment on December 27.
Ámbar's other relatives, friends and various women's rights organizations were satisfied with the verdict and even celebrated in the streets. The families of Verónica and Eugenio were also pleased to know that he was back in prison. For Hugo and Denisse, they are likely to never see each other face to face ever again. Ironically, that is despite being in the same prison. On April 27, 2022, Denisse was transferred to the same prison as Hugo after an apparent "lynching" attempt which led to lacerations on the scalp, bruises on both sides of the neck, an orbital hematoma, a laceration in the right eye, a wound on the lower lip, a hematoma in the lumbar dorsal area and on the left elbow. Although she has been attacked several times before this was the most brutal one.
Ámbar's brother is now 17-18 and is living with other family on Ulises's side. He is said to be doing well, has made several new friends and has moved on and put this incident behind him with his life looking up for him.
Sources (In the Comments)
submitted by moondog151 to TrueCrimeDiscussion [link] [comments]


2024.06.02 15:37 Avatar-of-Chaos The Tower on the Borderland — Day One in the Month of the Towering Mist

The Tower on the Borderland — Day One in the Month of the Towering Mist

Introduction

The Tower on the Borderland is an Action-Horror game developed and published by DascuMaru. It was on the 20th of May, 2024. As of the 25th of May, 2024, updated.

Presentation

The Tower on the Borderland is gritty with PSX graphics and ambience, shrouding in a wispy mist; it is primarily quiet with some creatures making a racket—there's one song playing from the checkpoint radio called Danse Macabre (1874) by Camille Saint-Saëns.
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The story follows Erin, a member of a Spec Op team, on their way to an enormous labyrinth—towering towards the sky. Erin doesn't know the details of her mission, but she is honoured to be a part of CHOSO and asked to stay behind to set up a relay at the entrance—she countered, saying it's better on higher elevation, but they're gone. She chased after her commando—encountering dead soldiers and monsters along the way. Locates her unit—wearing bizarre masks amidst a ceremony, interrupting them. Erin shot off the cliff. The plot assumes afterwards, as Erin ascends and descends the Tower, uncovering the mystery and escape.
The gameplay is a mix of exploration and combat.
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Metroidvania's approach to exploration is handled adequately on each floor; the map updates with the layout and points of interest. These attractive areas are mostly elevators to transport from one floor to another; the others are checkpoints to recover Health and Medkits and Ammunition. And upgrades from fallen soldiers. While I don't use the radio often cause I love to wander off, it picks up on frequencies from points of interest. The map controls take getting used to; it orbits along the horizontal axis and pans with the vertical axis.
Erin starts with a combat knife and handgun, slowly gaining a rifle and grenades. Combat is a light Soulslike without managing EXP: it's all skill. Locking on enemies to directly attack them; strangely, you can't switch targets. The combat knife performs a 1–2 combo; the first is a lunge—sometimes it'll double-hit—which is fine by me; some enemies take a lot of punishment. Firearms and grenades have a chance of stunning enemies. The game doesn't tell how many grenades Erin has without throwing them. And you can dodge forever; there's no stamina meter. It doesn't make it less challenging. However, Erin doesn't need to fight every enemy, only those that deactivate elevators and guard the upgrades.
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Enemies diverge into two types, humanoids and bugs, each having different attacking phases and audio cues. As the game progresses, new types emerge; these enemies will transition to a Bug-Humanoid Hybrid after taking enough damage.
The Tower on the Borderland's Cosmic Horror combines inspirations and themes.
The House on the Borderland (1908) by William Hope Hodgson is the primary inspiration for The Tower on the Borderland, which follows a recount of a manuscript found in a ruined property—written by its owner. The owner experienced hallucinatory phenomena of the House's past and future—sights of the watchful God-Beasts above an arena and celestial bodies of dead stars; time seemed to accelerate and slow, respectively. The Tower is like the House, stands the test of time as a phantom. While The Tower is Borderland-bound, it's a labyrinth of character.
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The Tower has its fancy in the form of a Piranesi)esque tale told by the Spirit Grub-loving Fleming—for every five tells a piece. Fleming's story tells of the Tower's past from the perspective of a Wanderer, whose pilgrimage to the Tower—ambling the halls adorned with statues of anthropomorphic beasts—feeling the malign forces of the Tower, to the only place of calm, looms an idol of an Owl. The tale then foretold the future. A Necromancer and his Masked Soldiers perform a ritual to awaken a God-Beast, Xiga Lavos. And Erin, who will stop them? The Wanderer warns about Erin's challenges—and the eternity she needs to roam the Tower. The saga is the game's greatest strength in facilitating Cosmic Horror with incredible writing and descriptions of the Tower's absurd geometry. And yet, there's more to Fleming's tale.
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Interestingly, Erin does see an apparition of an Owl at checkpoints—getting close to it. The Owl flies away into the mist.
The Tower's geometry is an illogical design influenced by the Tower of Babel. The Hebrew meaning is to confuse, synergising with the purpose of a labyrinth. The Tower appears to act as a Lighthouse, drawing attention to its domain.
The soldiers refer to the CHOSO soldiers that Erin came with. However, they came for something else, Eternal Life—by partnering up with Father Bryan. Father Bryan offers them animal masks, granting capabilities beyond humans—as the game's two-phase bosses when defeated in the first phase, Father Bryan grants them Dark Revival, a transformation of their Mask—something like the masks from Majora's Masks. The difficulty is mixed: I found Fenton and O'Reilly challenging, while the others relatively easy. The rifle tears these bosses up like tissue paper.
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Father Bryan is the wheelchaired man seen during the prologue. There isn't much about him besides being a Nodens and the Usurper. Bryan quotes the Sea [Lake] of Hali within its deepest abyss. The Conqueror Worm. While talking with O'Reilly. The Conqueror Worm implies that humanity's folly meets in hideous death by dark forces beyond understanding—repeated, though more directly to Erin from Father Bryan. The Sea of Hali is aesthetic, a sea made of mist. The Tower on the Borderland's Nodens are the giant bugs guarding the inner sanctum. They are nightmare parasites that eat dreams, according to McKray.
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The first phase of Father Bryan has Erin use firearms to do damage. Melee is possible when he leans over his desk, but I advise against it. Father Bryan has powerful swipes. The second phase is more challenging. Father Bryan switches to AOEs used by the bug enemies. However, Erin finally meets the dead Wanderer before the final confrontation. He offers his Halberd of the Light (I'm unsure if it is predetermined or otherwise). The Halberd of the Light is the game's most powerful weapon—according to the Wanderer, "with each swing of the sacred weapon, the Warrior cleaved the fabric of the mundane, drawing forth energies empowering the eternal soul", cryptically it heals on strike.
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The world-building goes beyond the Tower. CHOSO is an abbreviation for Counter Horror & Occult Special Ops: does that mean there are other instances like the Tower? What is the Winter Palace the Wanderer mentions? Or the Dark Flame Father Bryan mentioned? But!—more importantly, Erin escaped her Babylonian nightmare, but her quest is far from over.

Collapsing Cosmoses

The Tower on the Borderland is a delight, full of character and atmosphere. Within the brume hides an intricate Cosmic Horror—a hallucinatory world with malign forces and a serene breeze blowing on the winds.
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The Tower on the Borderland gets a strong recommendation.
submitted by Avatar-of-Chaos to Lovecraft [link] [comments]


2024.06.02 15:27 SenHelpPls What’s your go to load out

For me it’s the Fire shotgun, Senator, HE Grenades and Auto Cannon.
The Autocannon is like the games Swiss Army knife, it can do pretty much everything. It kills almost all enemies, destroys most buildings, and feels fucking great to fire. Anything that doesn’t go down to the AC can be dealt with by heavens sniper rifle or some 110 pods.
The fire shotgun is great for dealing with all of the small stuff. 2 shots to most smaller enemies will deal with them and it’s got great spread to deal with the hordes that you come across. And if something gets too close it’s a good panic button, I’m looking at you, hunters. I don’t care if you jump around, my spray will kill you and your cousins.
The senator just looks cool af and feels so good when you’re popping heads with it, and the HE grenades are great for anything a bit too tanky.
submitted by SenHelpPls to helldivers2 [link] [comments]


2024.06.02 15:21 FollowingSad7756 Second Japanese knife

Hello there, a few months ago I bought my first Japanese cooking knife which is a gyuto. I enjoy using it a lot, so I’m looking forward to buy a second knife. I’m not really sure which knife style makes sense to buy next. I cook meat, fish and vegetables. I catch the fish myself, so I also need to break it down. I don’t cook fish really often tho. I’m wondering if you might have any recommendations, on what kind of second knife makes sense to buy. Thanks guys! Do you also got any recommendations for a knife shop in either Yokohama, Kyoto or Tokyo? Also I’d like to keep the price below 90$.
submitted by FollowingSad7756 to japaneseknives [link] [comments]


2024.06.02 15:20 Additional-Jump1986 Nib colorfilth collab

Looking to sell the newest colorfilth collab that came out last year.
The Spyderco Paramilitary 2 is one of the most popular knives on the market today, which is no surprise to anyone who’s ever held it. It boasts great materials, reliable build quality, an attractive aesthetic, an ergonomic grip, and is easy to use with one hand—a rare combination of excellent features. Each has contributed to the PM2’s astonishing popularity. This icon of the knife industry has found its way into the pockets of soldiers, builders, hunters, survivalists, and everyday knife carriers all over the world
Spyderco has asked that we mention the following: The modifications made to these knives are not done by Spyderco and are wholly done in house at Northern Knives. All of these knives will ship with stock hardware if you ever whish to put it fully back to stock or send in for warranty work through Spyderco. The titanium scales, screws and lanyard tube are not made by Spyderco and thus they offer no guarantees to their quality and will not warranty these modified parts provided by Northern Knives.
The Fallen PM2 is built to be strong, durable, and lightweight. Ideal for the ultralight hikecamper as well as everyday carry use, the PM2 is also an apt tool designed to be included in your EDC kit. With an all new razor-sharp S45VN stainless steel satin blade.
$500 PP G&S shipping included.
submitted by Additional-Jump1986 to Knife_Swap [link] [comments]


2024.06.02 15:20 Electronic_Remove_44 Dear last line of defense

They'll tell you don't do it because life is so precious, but what does that even mean? What about death? If life is so precious why does death exist? Isn't that the natural order of life itself? Things exist to die or to not exist, why isn't it as precious as life? After all, doesn't that make them both equals? And I think God knew what he was doing when he made us in the likeness of him instead of animals, Because if I didn't have a consciousness to think consciously, then my only will would be to survive and procreate, just like an animal. If I could take a knife and drive it through my own heart I would, but i can't, my body won't let me. Maybe that's the animal instinct in me with the "will to survive" or lack of will power thereof. Either way i think a person wanting to die shouldn't be frowned upon. I was brought into this world because two individuals couldn't resist lusting after each other and they thought it was love but now here i am 29 years later mentally suffering. Don't get me wrong I do think there are reasons why one shouldn't, mainly being the fact that you have children/kids. Like the act of having kids in itself is already selfish why would you double down on that selfishness and take your own life? Oh wait lemme guess because its too hard?? Well that's too damn bad. Buck up shawdy!! You should've thought of that before you brought another life into this world, like come on man, or women, jeez. Anyways, I say all this to say that its not looking good, I feel too much, I'm too sensitive, i'm too deep, I think too much, and I need a way out of my head. But I will seek help tho, all the help I can get. And if that doesn't work, well "it was fun while itlasted"
submitted by Electronic_Remove_44 to SuicideWatch [link] [comments]


2024.06.02 15:15 Pyro979 Red Mask Inn: a scalable horror one-shot (levels 1-10)

[PWYW] Red Mask Inn: a scalable horror one-shot (levels 1-10)
This is my favorite thing I've written so far. My players who play-tested the adventure had a blast so I hope you all will enjoy it as well.
Upon entering a seemingly innocuous tavern, players quickly realize it’s not the refuge they expected. The innkeeper and his ‘daughter,’ the serving girl, are not what they seem. Beneath their facades lie malevolent beings with a taste for their guests. Facing both mental and physical trials, the players must outwit these monsters before they become the evening’s special.
The players will start their ordeal facing terrifying nightmares. Upon awakening, they must navigate a series of horror-themed rooms intended to weaken them before the ultimate showdown with the “hosts.” Victory over them will not be the end, as they must then escape the crumbling pocket dimension in which they’re trapped.
This module can serve as a standalone one-shot adventure or seamlessly integrate into an ongoing campaign. It’s adaptable to any location or setting and offers scalability for various levels. While the default tone leans toward the darker side, feel free to adjust it to suit your campaign’s ambiance.
This adventure may last between 3 to 6 hours, varying based on the extent to which you utilize the module’s content and your players’ decisions.
Includes:
  • 10 nightmares for your PCs
  • 10 horrifying rooms
  • An epic showdown with an action-oriented final boss "Red Mask" as well as his companion "The Hunger".
  • Instructions for scaling the adventure.
  • Helpful DM tips that will make prep and running a breeze
  • 3 battle maps created in Inkarnate
  • Custom Monster stat blocks and tokens
Art attribution:
Created in homebrewery

Previous Work:

What other DM's have said:

  • Tossed this lil adventure in our D&D world and the players had a blast with all the twists and turns. As a DM I enjoyed the fact that it was well written and easy to run, I didn't have to flip through a lot of mess to run it like I've had to do on some other adventures. Highly recommended. -Jason T via DMsGuild
  • Incorporated this last night into our campaign and had a blast. Biggest hits were the dream sequences, the library lore, bar potions, and the dynamic of having a family of commoners to protect. Players were also impressed with the lair and villain actions. I would recommend this to other DMs as it was easy to prep for, fairly simple to run, and the party had fun! -Ty R via DMsGuild
  • I gave my party trauma and trust issues with this one! It was great time! Chibi_Disaster

Preview

Adding what I could fit into this post - had to cut some info to fit into the limit:

NPCs

  • Redd Traskin - At first glance: The welcoming face behind the bar, always ready with a drink and a story about his culinary adventures. Lurking beneath is a creature known as Red Mask: a malevolent being who ensnares victims with harrowing dreams, rendering them helpless before he claims and cooks them.
  • Nara Traskin - On the surface a seemingly aloof barmaid, introduced as Redd's "daughter", with a penchant for keeping to herself and often notably reserved. But beneath that exterior she is The Hunger, a fearsome entity with a singular, overpowering mission: to satiate her eternal appetite.
  • (Optional) Other guests - a young couple with a child
    • Brent Haskill (26) - Husband of the young couple, blacksmith, friendly, introverted
    • Raida Haskill (25) - Wife of the young couple, leatherworker, gregarious, warm
    • Breeni Haskill (7) - Daughter

Scaling the Adventure

Effect & Trap Damage

Level Light Damage Medium Damage Serious Damage
1 1d4+1 (3) 1d6+2 (5) 1d10+2 (7)
2 1d6+2 (5) 1d8+3 (7) 2d6+3 (10)
3 1d8+2 (6) 2d6+3 (10) 2d8+4 (13)
4 1d10+2 (7) 2d8+3 (12) 3d6+5 (16)
5 1d10+3 (8) 2d10+3 (14) 3d8+5 (19)
6 2d6+3 (10) 3d6+4 (17) 4d6+6 (20)
7 2d6+4 (11) 3d8+4 (18) 4d8+6 (24)
8 2d8+4 (13) 3d10+4 (20) 5d6+7 (27)
9 2d10+4 (15) 4d6+5 (19) 5d8+7 (31)
10 3d6+5 (16) 4d8+5 (23) 6d8+8 (35)

DCs

Level Easy Medium Hard
1-3 10 14 18
4-6 12 16 20
7-10 14 18 22

The Inn at the Cross Roads

At the crossroads, a quaint inn catches your eye. Its simple two-story structure, with walls of weathered wood and a stone base, exudes a rustic charm. A single horse is tethered to a wagon nearby, hinting at the presence of other travelers.
A wooden sign, hand-carved and swinging in the evening breeze, reads "Red Mask Inn" in neatly scrolled letters. Below the name are two theatrical masks, the smiling Comedy and crying Tragedy.
DM Notes
For a one-shot adventure, consider giving the one-shot a different name than "Red Mask Inn" to serve as a red herring. Whether you're running a campaign or a one-shot, you can utilize the classic trope of the characters either meeting at the inn or using it as a place to rest and gather information.
Describe the inn as an unassuming, typical roadside establishment, creating an atmosphere of a routine stop for travelers. In a campaign, it's ideal to introduce this inn after the group has already faced some encounters in the days before. This timing helps to set the stage for what follows, making the inn seem like a normal, much-needed, resting point in their journey.

Inside the inn

As you push open the creaky door of the Red Mask Inn, you're greeted by the comforting warmth of a crackling fireplace and the rich aroma of hearty stew. The inn's interior is cozy, with wooden beams and a few round tables scattered across the room.
Behind the bar stands Redd Traskin, the owner and bartender of the inn. He's a robust man with a warm smile, busy polishing glasses but always ready to strike up a conversation. As you approach, he greets you with a jovial voice, "Welcome, travelers! You must be famished. Our stew today is particularly good, made with fresh herbs from the garden!"
Moving between the tables with a tray in hand is Nara, Redd’s daughter. She seems to be in her own world, efficiently serving patrons but with a distant look in her eyes. If players attempt to interact with her, she responds politely but briefly, maintaining a professional distance.
Seated at a corner table is a young couple with their child. The man, Brent Haskill, has the sturdy build of a blacksmith, while his wife, Raida, radiates warmth and friendliness. Their daughter, Breeni, is a bundle of energy, her eyes wide with curiosity as she looks around the inn. Breeni seems particularly interested in the adventurers, especially if there's a female-presenting member or someone who looks like a seasoned adventurer in the group. This presents a great opportunity for roleplaying and helps to engage the players with these NPCs.

Going to bed

Each room costs 3 sp per night. If your players are cautious, they may decide to set a watch. Ask for the watch order. For the first person on watch: if they ate or drank at the inn, they must make a CON saving throw against the HARD DC ___. Failure results in them falling asleep during their watch.
After some time if a player is not asleep because they (1) did not eat or drink at the inn, (2) succeeded on their Constitution saving throw, or (3) are immune to magical sleep (e.g. due to a feature like Fey Ancestry), they notice something peculiar. The lights in the tavern, if any were lit, suddenly dim, and the normal nighttime sounds from outside the tavern abruptly stop.
This player may try to help wake up the other players as they have their nightmares (see next section). This gives the players advantage on their saving throws.

Dreadful Reveries

Party members who fall asleep will experience nightmares. You can create unique nightmares (plumb your player's back stories or campaign events for ideas) or use the provided list for inspiration. Each dream culminates in a save attempt, allowing players to choose between a WIS, INT, or CHA saving throw, depending on their character's mental strengths. End each nightmare description with "Roll a mental save using your preferred stat." If they fail to wake up, they suffer LIGHT, or MEDIUM if they fail the check by more than 5, non-lethal psychic damage. If they roll a Natural 1 on their save, they gain one level of exhaustion. Either way on a failed save they slip into another dream. The initial save DC is set at HARD and should decrease by one level for each subsequent attempt. It is recommended to do not more than 3 nightmares. If another character is attempting to wake them or if they have abilities that aid in resisting mental effects, they may make the save with advantage.

Nightmares

  1. It's night. You are running through the woods. Brambles and thorns rip at your skin. Something is chasing you, and it's gaining. You hear it coming closer and closer. You stumble, fall, and it's on your back, ready to strike…
  2. You are on a ledge of a narrow cliff. The wind howls, and the rain buffets you. Lightning briefly illuminates the world, revealing jagged rocks hundreds of feet below. Your foot slips, your fingers lose their grip. You begin to fall…
  3. [Not for characters with water breathing] You are underwater. Seaweed tangles around your legs and feet as you try to orient yourself. There is no up, no down. Your lungs burn, and when you can no longer hold your breath, brackish, dirty water rushes down your throat…
  4. You are in a coffin. You don't know how long you've been here. You push up on the lid but the weight of the dirt above renders your effort futile. Your fingers bleed as you scratch through the wood, trying to reach the freshly dug earth. The air grows heavier, and you feel yourself slipping away…
  5. The stars above are beautiful. You try to keep fear at bay, hoping your ship will return. But deep down, you know they won't find you in the vast, uncaring ocean. As you hear a splash to your right, you turn to glimpse a notched fin that was heading in your direction submerge under the water...
  6. The reflection in the mirror isn't you. You chant this mantra, yet the creature in the glass tilts its head mockingly and whispers, “No, not you. Not yet!” Its gnarled hands creep forward, attempting to breach the barrier of the silvered glass...
  7. The cave-in is a minor setback. You've found an exit after an hour. A set of hand-holds lead up towards the surface. In your haste, you squeeze through a narrow ledge. Suddenly, you're stuck, the pressure on your chest blurring your vision and clouding your mind, fresh air just out of reach…
  8. You walk through city streets, unnoticed by the teeming crowd. A growing sense of wrongness intensifies as the figures turn toward you. You only have a moment to dread as you see their faceless heads, when they all then converge on you as one…
  9. After leaving the warm tent, the cold seemed bearable. But a stinging wind and swirling snow soon disorient you. It feels warmer; you shed layers, mistaking deadly cold for heat. You stumble into the soft snow, deciding to rest, just for a minute…
  10. It's twilight in the woods. A dead tree in a clearing, covered in birds, crows or ravens, hard to tell. More cawing, flapping wings, and suddenly, the birds take flight, sharp beaks and claws going for your eyes…

Players Awaken

Once all the players awaken, they will likely attempt to figure out their situation. Should they look out the window, they will see the outside world; however, this view is merely an illusion. Efforts to break through walls, floors, and ceilings will prove futile. Furthermore, utilizing teleportation magic, such as dimension door and plane shift, appears ineffective, except for local effects like misty step or dimension door to a visible location.
Upon opening the door, the players will discover themselves in a long corridor, extending hundreds of feet. The only doors in this corridor are those leading to the PCs' rooms, the room of a young couple, and a black door at the far end of the hallway. Horrified moans and screams emanate from the young couple’s room. If the players choose to intervene and break in, they will find the couple and their daughter inside, all of whom are also experiencing nightmares and can be awakened by the players.
As the PCs make their way down the hallway, they come across a collection of strikingly realistic portraits. Each one captures a different being - humans, dragonborn, gnomes, and more - from a wide spectrum of ages, genders, and races. The subjects are dressed in everything from opulent clothes to plain rags, and some are even armored, weapons in hand. But there's one unsettling similarity across all these portraits: every face is frozen in an expression of sheer terror.
At the end of the hallway, they find the black door, which is unlocked.

Rooms

Upon entering, the PCs have a series of rooms you will guide them through. You can either craft your own rooms or use those included in this adventure. Players might attempt to take a Short Rest in some rooms, and it's up to you whether to allow it or not. You want the PCs battered, but not spent for the final confrontation. If you choose to deny them the rest, narrate psychic pressure to move out of the room - leading to psychic damage on refusal.
The Library
As the party steps into a dimly lit room, they're surrounded by towering bookshelves. The books around them seem to be whispering secrets of forbidden knowledge. Each player needs to make a MEDIUM WIS saving throw to avoid taking MEDIUM non-lethal psychic damage from the eldritch knowledge trying to worm into their brain, with the damage halved if they succeed. Those players naturally drawn to knowledge, like Wizards and Bards, will find this more challenging and must make the throw at a disadvantage. Meanwhile, those less inclined towards books, like Barbarians or Fighters, will have advantage. It's up to you as the DM to decide these advantages and disadvantages based on your characters' proclivities.
DM Notes
  • Use this section as a chance to weave in some of your world's lore. It's a perfect opportunity for players to uncover hidden aspects of your campaign's universe.
  • While the books in this room can be physically taken, to avoid players hoarding countless volumes, consider describing how some books disintegrate into ash as soon as they're opened.
The Memory Gallery
In this sparsely furnished room, the walls are adorned with striking paintings of landscapes, ranging from mountain vistas to sunsets over the ocean, and serene forest clearings. As the PCs explore these paintings, focus on one PC and bring a distressing memory from their backstory to life, using the painting they are viewing as the backdrop. This scene then animates before the players. The PC at the center of this memory is faced with a HARD WIS saving throw, with the risk of taking SERIOUS non-lethal psychic damage upon failure, or half the damage if they succeed. Meanwhile, other PCs witnessing this scene must make an EASY WIS save to avoid LIGHT non-lethal psychic damage, suffering no damage on a successful save. Breeni’s past interactions with the affected PC could play a role here. Breeni may hug the PC, granting them advantage on their saving throw.
The Mirror Chamber
In the mirror chamber, walls lined with ornate, grimy mirrors reflect distorted and grotesque images of the adventurers. The air is thick, filled with the unsettling scent of iron and decay. Suddenly, their reflections lunge out of the glass, materializing into tangible, malevolent doppelgängers that attack, forcing the party to confront twisted versions of themselves.
Choose a character's favorite or iconic attack or spell and use it against each player. A single hit on the mirror version or the mirror itself is enough to destroy it.
The Dining Hall
The long wooden table is laden with rotting food: fruit covered in mold, meat moving with maggots, and bread so stale it looks fossilized, all set among goblets filled with a murky, clotting liquid that might have once been wine. Nearby, a platter holds what appears to be a human hand, its skin cooked to a crisp and its fingernails garnished with sprigs of wilted herbs. The foul stench of decay and spoiled meat permeates the room, mingling with the unsettling, almost palpable aura of dread. Players must make a MEDIUM CON saving throw. On a failure, gain the poisoned condition, lasting for 1d4 rooms.
The Hospital Room
Several linen-covered beds on the far side of the room are splattered with dried blood. Bone saws with jagged teeth and other cruel implements are neatly arranged on a side table, gleaming ominously in the torchlight. Drawers with various medical supplies are left half-closed. Several vials labeled as "Healing Potions" sit on a nearby shelf. A MEDIUM Arcana or Medicine check will determine these are actually poison (1d4+1 poison damage). The party may choose to remain here and use some of the supplies to heal up - can be used as a Short Rest opportunity.
The Bathroom
A decrepit wooden bathtub sits in the corner, filled with a stagnant, dark liquid that occasionally bubbles as if something lurks beneath the surface. Next to the bathtub, a stone toilet fixture stands as if hewn directly from the chamber's walls, its bowl filled with an unidentifiable, viscous substance that seems to churn of its own accord. Faint, grotesque sketches are etched into the stone around the toilet, depicting unsettling scenes that make you question the sanity of previous occupants. Blood spatters mar the cracked tiles, leading to a cracked tarnished mirror that reflects a distorted image of anyone who dares to look.
If anyone gets within 5 ft of the bathtub, tentacles will try to grapple them (MEDIUM Escape DC). The tentacles will also deal MEDIUM amount of bludgeoning damage on a successful grapple. Any damage to the tentacles (AC 12) will release the PC.
The Greenhouse
The greenhouse is a labyrinth of overgrown, twisted plants, their leaves unnaturally dark and thorns menacingly sharp. A misty, almost phosphorescent fog hangs low, casting a sickly green glow over everything, and making it hard to see what lurks in the corners. Amongst the flora, the party can spot several cages containing withered remains of animals and, disturbingly, a few humanoid shapes — all twisted in expressions of agony, as if the plants themselves had consumed them.
Monster encounter, balance for your party:
Level Range Monster
1-3 Twig Blight (MM 32)
Needle Blight (MM 32)
Vine Blight (MM 32)
4-6 Shambling Mound (MM 270)
Wood Woad (VGtM 198)
Yellow Musk Creeper (TftYP 248)
Animated Tree (VGtM 207)
Assassin Vine (MM 22)
7-10 Corpse Flower (MToF 127)
Tree Blight (CoS 230)
To make things more difficult for the players, you can also add an additional MEDIUM CON saving throw against the fog's effects, with the players taking LIGHT poison damage on failure. Altering the number of monsters is another effective method for adjusting the challenge level. Additionally, if you're looking to incorporate different types of monsters, don't hesitate to use homebrew or reflavored monsters.
The Bar
The barroom is dimly lit by tarnished chandeliers that cast ghostly flickers across worn wooden floorboards. A long, decaying bar counter dominates one side of the room. Its surface is stained and pockmarked, lined with bottles containing strange, discolored liquids. The stools around the bar are unsteady, emitting ominous creaks under the slightest pressure. Notably, one stool bears an unsettling stain, reminiscent of dried blood.
If players choose to consume any of the bottles, roll on the table below to determine the effects. Generally, it's not recommended to allow more than one potion per player (drinking more than one results in vomiting). If an effect doesn't apply to a character, or another player already drank the potion rolled, roll again. The effects last until the end of the adventure. A MEDIUM DC Alchemist Tools, Herbalist Kit or Arcana Check will reveal the properties of the potions. An EASY DC check may reveal partial properties.
# Name Liquid Description Effect Description
1 Reckless Fury A swirling red potion with fiery sparks. [Primary Melee Classes] Every melee attack is treated as reckless (attack is rolled with Advantage, but any attack against the player is rolled with Advantage as well until their turn).
2 Luck be a lady tonight A two-layered liquid, gold over silver. Grants inspiration to the player, and GM gets to force disadvantage at a time of their choosing.
3 Unstable Teleport A misty, shifting blue and gray potion. Gain the ability to cast the Misty Step spell at will. Roll 1d20 for uncertain destination, appearing in a location of DM's choice on 1-10.
4 Size Shift A violet fluid with bubbles. Changes creature size from Medium to Small. No effect on Small creatures.
5 Spell Rejuvenation A glowing, pulsating emerald drink. [Primary Spellcaster Classes] Restores one highest level spent spell slot but causes causes one level of exhaustion.
6 Speed Surge A quicksilver potion with streaks of lightning. Doubles speed but causes jitteriness, disadvantage on Dexterity checks and saves.
7 Painful Retaliation A dark crimson liquid with a thorny vine motif. As a bonus action you can choose to harm a creature at will, causing MEDIUM psychic damage, but take half the damage yourself.
8 Statue Defense A solid gray potion with flecks of stone. As a reaction to taking damage, you can choose to become an invulnerable statue to negate the triggering damage. You are invulnerable and petrified until the end of your next turn.
9 Charge of the Bull A red potion with a swirling vortex. Gain a powerful charge attack: If you can move at least 10ft in a straight line, you can make an attack. If the attack hits, it is treated as a critical hit, and the target is knocked prone. If the attack misses, the player takes MEDIUM bludgeoning damage, is knocked prone, and lands 10 feet past the target.
10 Clumsy Might A creamy potion with bubbles. Advantage on Strength checks and saves but disadvantage on Dexterity-based tasks.
The Stalking Statues
The room is a vast, dimly-lit chamber with four stone statues positioned in various states of distress; their faces contorted in silent screams or buried in their hands as if weeping. The flickering light from a dying chandelier dances across their features, casting ominous shadows that seem to move. Describe the chandelier as flickering in and out. In the darkness, the statues seem to move closer and closer.
You can treat this room narratively to unsettle the players, or turn it into an encounter. For an encounter, roll initiative (the statues always act at the end of the initiative order, and only on rounds when the lights are out). Every other round, either cover the map if playing in person, switch to a blank map on a VTT, or, if using theater of the mind, simply narrate the lights going out. The statues can only move in darkness, which is magical. Some players may have the ability to see through magical darkness. In such cases, the movement of the statues is visible to those players. Players who cannot see in the darkness can move but must declare their directions and distances. The door at the end of the room is unlocked when all statues are destroyed or by using the Knock spell.

Stalking Statues

Medium Construct, neutral evil
Armor Class :: 18 (natural armor) Hit Points :: 3 MEDIUM hits Speed :: 20 ft (can move only in darkness)
STR DEX CON INT WIS CHA
14 (+2) 11 (+0) 13 (+1) 1 (-5) 3 (-4) 1 (-5)
Damage Immunities :: poison, psychic Condition Immunities :: blinded, charmed, deafened, exhaustion, frightened, paralyzed, petrified, poisoned Senses :: Blindsight 60 ft. Languages :: None
Antimagic Susceptibility. The statue is incapacitated while in the area of an antimagic field. If targeted by dispel magic, the statue must succeed on a CON saving throw against the caster's spell save DC or fall unconscious for 1 minute. : False Appearance. While the statue remains motionless, it is indistinguishable from a normal statue. : Dark Step. The statue can only move in darkness. It moves silently. It may not take the dash action. All attacks automatically hit.

Actions

Multiattack. The statue makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Slam. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM bludgeoning damage. : Bite. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM piercing damage. : Grapple. Roll Contested Athletics vs Atheltics or Acrobatics. The statue rolls with Advantage. Reach 5ft., one target. MEDIUM escape DC to break free.

Final Confrontation

Suggested flavor text - read in your own voice / tone: : You walk through the door to find yourself in a vast, open kitchen. The air is heavy with the scent of pots boiling over low flames, their contents a mystery. Shadows flicker and stretch across the walls, animated by the dim firelight.
Above, cured meats hang from hooks, swaying slightly in the draft. The countertops are littered with a variety of sinister-looking knives and butchery tools, their edges catching the light with an ominous glint.
At the center of this daunting scene stand Redd and Nara. Redd greets you with a malicious smile. “Now that you’ve been properly tenderized, it’s time for the main course!” he says. In a chilling display, he reaches for his face and peels it away as if it were a mask, revealing the ghastly sight of raw muscles, pulsing veins, and exposed nerves.
Next to him, Nara stands with an unsettling calm. Her hands begin to unnaturally stretch and contort, transforming into deadly claws. As she grins, her mouth widens unnervingly, unveiling a row of sharp, predatory teeth.

Monstrous Hosts

Redd Traskin, also known as Red Mask, and Nara Traskin, known as The Hunger, have hidden their monstrous nature for years by disguising themselves as the friendly innkeepers of the Red Mask Inn. They lure travelers with warmth and hospitality, only to ensnare them in a nightmarish trap. Through their powers of perception and emotion manipulation, they torment their victims in an alternate dimension, relishing the fear and suffering they create. All the while, they maintain their facade as ordinary innkeepers, continuing their sinister feast on unsuspecting guests.

Lair Actions

Initiative :: At initiative order 20, use one of the lair action options
Scalding Water: Boiling water erupts from pots in a 15-foot cone. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one. : Slippery Floors: The floor becomes slick with oil and grease. For the next round, any creature moving across the floor must make a MEDIUM DEX saving throw or fall prone. You can avoid this by moving at half speed, but you must declare this before moving. : Whirling Blades: Blades whirl in a line 50 feet long and 5 feet wide. Each creature in the line must make a MEDIUM DEX saving throw, taking MEDIUM piercing damage on a failed save, or half as much damage on a successful one. : Flour Explosion: A cloud of flour ignites in a 30-foot radius centered on a point within the lair. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one.
DM Notes
HP: The HP listed in the stat blocks are simply a guideline. Balance to your party, making sure that the combat lasts some time, but doesn't drag on too long. : Villain Actions: Red Mask utilizes villain actions. This is an action he can take at any point after a PCs action, but limited to one per round.

Red Mask

Medium monstrosity, chaotic evil
APL AC HP
1-3 14 30Âą10
4-6 16 60Âą10
7-10 18 90Âą10
Speed :: 30 ft
APL STR DEX CON INT WIS CHA
1-3 12 (+1) 14 (+2) 13 (+1) 10 (+0) 12 (+1) 10 (+0)
4-6 14 (+2) 16 (+3) 15 (+2) 12 (+1) 14 (+2) 10 (+0)
7-10 16 (+3) 18 (+4) 17 (+3) 14 (+2) 16 (+3) 10 (+0)
Condition Immunities :: frightened, charmed Damage Resistances :: fire, acid, poison, necrotic Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Terrifying Unmasking. When the mask comes off, each creature within sight must make a WIS or CHA saving throw against an EASY DC. On a failed save, the creature becomes frightened for 1 minute. A frightened creature can repeat the saving throw at the end of each of its turns, ending the effect on itself on a success. : Magic Resistance. Red Mask has advantage on saving throws against spells and other magical effects. :

Reactions

I think not! (3/day) As a reaction, Red Mask can choose to succeed on a failed check. However, this requires mental fortitude, so he takes MEDIUM non-lethal psychic damage to do so.

Actions

Multiattack. The Red Mask makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Misty Step. Red Mask can cast Misty Step at will as a bonus action. : Butcher’s Knife. Melee Weapon Attack: reach 5ft., one target.
APL to hit bonus damage
1-3 +4 LIGHT
4-6 +6 MEDIUM
7-10 +8 MEDIUM

Villain Actions

How's My Cooking? Any creature that ate food in the tavern must make a MEDIUM CON saving throw or be incapacitated with retching as rotten, maggoty food comes back up. The effect lasts until the end of the affected creature's turn. : Time to Eat! Nara can move up to her speed towards a target and make a bite attack as part of the same action. : See What Awaits You! Red Mask unleashes a wave of mental horror, showing the victims horrific images of previous guests being butchered and eaten. Each creature within sight must succeed on an EASY WIS saving throw or take MEDIUM non-lethal psychic damage.
Tactics
The Hunger prefers hit-and-run tactics, targeting the least armored or most injured characters. If the characters try to focus fire on Red Mask, narrate The Hunger turning it's attention to the Haskill family.
She will try to Bite as at least one of her attacks to keep regenerating hit points.

Nara, The Hunger

Medium monstrosity, chaotic evil
APL AC HP
1-3 14 30Âą10
4-6 16 60Âą10
7-10 18 90Âą10
Speed :: 50 ft
APL STR DEX CON INT WIS CHA
1-3 12 (+1) 14 (+2) 13 (+1) 10 (+0) 12 (+1) 10 (+0)
4-6 14 (+2) 16 (+3) 15 (+2) 12 (+1) 14 (+2) 10 (+0)
7-10 16 (+3) 18 (+4) 17 (+3) 14 (+2) 16 (+3) 10 (+0)
Condition Immunities :: frightened, charmed Damage Resistances :: necrotic, piercing, bludgeoning, slashing Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Voracious Perception. Once The Hunger has tasted the flesh of a creature, it can track the creature by smell, effectively gaining blindsight with a range 30 feet for that creature. : Wall Crawler. With spider-like agility, The Hunger adheres to terrain, crawling along walls and ceilings to approach its victims. : Fleet-footed The Hunger's rapid movements give it a speed of 50 feet, and enemies trying to make opportunity attacks do so with a disadvantage.

Reactions

Bloodthirsty Pursuit. If a creature within 30 feet of The Hunger uses a teleportation ability or spell to escape, The Hunger can use its reaction to immediately teleport to a space adjacent to the escaping creature.

Actions

Multiattack. The The Hunger makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Claw. Melee Weapon Attack: reach 10ft., one target. If target not armored, or on a critical hit, add bleed damage for 1d3 rounds. This damage does not stack on multiple hits, instead use the highest rolled value for damage and rounds rolled. This effect can only be removed by magical healing. : Bite. Melee Weapon Attack: reach 5ft., one target. On a successful hit, deal damage as normal, and The Hunger regenerates half of the damage dealt as hit points.
APL to hit bonus damage bleed from claws
1-3 +4 LIGHT 1d2
4-6 +6 MEDIUM 1d4
7-10 +8 MEDIUM 1d6

The Collapse

With the death of its hosts, the reality of this pocket dimension begins to unravel. This is a perfect time to deploy a Skill Challenge. Choose any of the following room descriptions, and let the players decide which skills they want to employ to navigate through the room. The focus here is on the Rule of Cool.
Ideally, these should be rooms the party have already encountered, but you can also introduce new rooms they haven't seen yet. The players can to select any Skill for their roll, as long as it fits the narrative context. Set the DC based on what they're attempting to achieve and its level of feasibility. Spells and other actions taken by the players should also have an impact, provided they logically align with the situation at hand.
Achieving one or two successful outcomes should be sufficient to pass through a room. In case of failure, introduce a complication, such as a character sustaining an injury, acquiring a level of exhaustion, or suffering a temporary condition like being frightened, poisoned, or even blinded. In such scenarios, other party members may need to assist the affected player.
DM Notes
Here you should aim to instill a sense of urgency and desperation. Monitor your players closely. As they approach their limits, consider making that room the final challenge. Remember, they don't need to complete every room you've planned.

Time to Run

Suggested flavor text - read in your own voice / tone:
As you land the final blow, a momentary stillness ensues, briefly allowing you to reflect on your victory. But there's no time for celebration. A low hum begins to resonate through the space, growing louder with each passing second. Around you, the walls and ceiling start to crack and splinter. Suddenly, a wall in front of you collapses, revealing one of the rooms you passed through earlier. Behind you, the ceiling is collapsing. The way forward is through...
[Note, I had to cut the descriptions of rooms on the way back to fit into char limit - see PDF]

Conclusion

As you burst through the door, you're back in the long corridor you first encountered as you woke up. At the far end, you glimpse the outside world. You sprint towards freedom as the corridor crumbles behind you, the destruction nipping at your heels. In a desperate leap at the last possible moment, you escape... and the sudden tranquility of the night envelops you. The quiet, so starkly contrasted with the preceding chaos, strikes you with its intensity. Surrounded by the serene sounds of the forest, the peace feels almost otherworldly, a surreal end to your harrowing journey.
You stand at a crossroads, where an old structure looms, clearly long abandoned. It leans precariously, a silhouette against the night sky. Moonlight filters through its collapsed roof, casting ghostly shadows across the crumbling walls. The scene, bathed in a silver glow, is both haunting and strangely serene.

Loot

Tucked away behind the inn, the adventurers might notice something peculiar about the compost heap — it seems to occasionally sparkle with the glint of metal and the shimmer of gemstones. Upon closer inspection and a bit of rummaging, they'll discover that this isn't just any old pile of refuse; it's a resting place for treasures that once belonged to the inn's unfortunate previous visitors.
You can use the rules for Treasure Hoard Tables from DMG p133 to see what the players can find.
submitted by Pyro979 to DungeonMasters [link] [comments]


2024.06.02 15:14 Pyro979 Red Mask Inn: a scalable horror one-shot (levels 1-10)

[PWYW] Red Mask Inn: a scalable horror one-shot (levels 1-10)
This is my favorite thing I've written so far. My players who play-tested the adventure had a blast so I hope you all will enjoy it as well.
Upon entering a seemingly innocuous tavern, players quickly realize it’s not the refuge they expected. The innkeeper and his ‘daughter,’ the serving girl, are not what they seem. Beneath their facades lie malevolent beings with a taste for their guests. Facing both mental and physical trials, the players must outwit these monsters before they become the evening’s special.
The players will start their ordeal facing terrifying nightmares. Upon awakening, they must navigate a series of horror-themed rooms intended to weaken them before the ultimate showdown with the “hosts.” Victory over them will not be the end, as they must then escape the crumbling pocket dimension in which they’re trapped.
This module can serve as a standalone one-shot adventure or seamlessly integrate into an ongoing campaign. It’s adaptable to any location or setting and offers scalability for various levels. While the default tone leans toward the darker side, feel free to adjust it to suit your campaign’s ambiance.
This adventure may last between 3 to 6 hours, varying based on the extent to which you utilize the module’s content and your players’ decisions.
Includes:
  • 10 nightmares for your PCs
  • 10 horrifying rooms
  • An epic showdown with an action-oriented final boss "Red Mask" as well as his companion "The Hunger".
  • Instructions for scaling the adventure.
  • Helpful DM tips that will make prep and running a breeze
  • 3 battle maps created in Inkarnate
  • Custom Monster stat blocks and tokens
Art attribution:
Created in homebrewery

Previous Work:

What other DM's have said:

  • Tossed this lil adventure in our D&D world and the players had a blast with all the twists and turns. As a DM I enjoyed the fact that it was well written and easy to run, I didn't have to flip through a lot of mess to run it like I've had to do on some other adventures. Highly recommended. -Jason T via DMsGuild
  • Incorporated this last night into our campaign and had a blast. Biggest hits were the dream sequences, the library lore, bar potions, and the dynamic of having a family of commoners to protect. Players were also impressed with the lair and villain actions. I would recommend this to other DMs as it was easy to prep for, fairly simple to run, and the party had fun! -Ty R via DMsGuild
  • I gave my party trauma and trust issues with this one! It was great time! Chibi_Disaster

Preview

Adding what I could fit into this post - had to cut some info to fit into the limit:

NPCs

  • Redd Traskin - At first glance: The welcoming face behind the bar, always ready with a drink and a story about his culinary adventures. Lurking beneath is a creature known as Red Mask: a malevolent being who ensnares victims with harrowing dreams, rendering them helpless before he claims and cooks them.
  • Nara Traskin - On the surface a seemingly aloof barmaid, introduced as Redd's "daughter", with a penchant for keeping to herself and often notably reserved. But beneath that exterior she is The Hunger, a fearsome entity with a singular, overpowering mission: to satiate her eternal appetite.
  • (Optional) Other guests - a young couple with a child
    • Brent Haskill (26) - Husband of the young couple, blacksmith, friendly, introverted
    • Raida Haskill (25) - Wife of the young couple, leatherworker, gregarious, warm
    • Breeni Haskill (7) - Daughter

Scaling the Adventure

Effect & Trap Damage

Level Light Damage Medium Damage Serious Damage
1 1d4+1 (3) 1d6+2 (5) 1d10+2 (7)
2 1d6+2 (5) 1d8+3 (7) 2d6+3 (10)
3 1d8+2 (6) 2d6+3 (10) 2d8+4 (13)
4 1d10+2 (7) 2d8+3 (12) 3d6+5 (16)
5 1d10+3 (8) 2d10+3 (14) 3d8+5 (19)
6 2d6+3 (10) 3d6+4 (17) 4d6+6 (20)
7 2d6+4 (11) 3d8+4 (18) 4d8+6 (24)
8 2d8+4 (13) 3d10+4 (20) 5d6+7 (27)
9 2d10+4 (15) 4d6+5 (19) 5d8+7 (31)
10 3d6+5 (16) 4d8+5 (23) 6d8+8 (35)

DCs

Level Easy Medium Hard
1-3 10 14 18
4-6 12 16 20
7-10 14 18 22

The Inn at the Cross Roads

At the crossroads, a quaint inn catches your eye. Its simple two-story structure, with walls of weathered wood and a stone base, exudes a rustic charm. A single horse is tethered to a wagon nearby, hinting at the presence of other travelers.
A wooden sign, hand-carved and swinging in the evening breeze, reads "Red Mask Inn" in neatly scrolled letters. Below the name are two theatrical masks, the smiling Comedy and crying Tragedy.
DM Notes
For a one-shot adventure, consider giving the one-shot a different name than "Red Mask Inn" to serve as a red herring. Whether you're running a campaign or a one-shot, you can utilize the classic trope of the characters either meeting at the inn or using it as a place to rest and gather information.
Describe the inn as an unassuming, typical roadside establishment, creating an atmosphere of a routine stop for travelers. In a campaign, it's ideal to introduce this inn after the group has already faced some encounters in the days before. This timing helps to set the stage for what follows, making the inn seem like a normal, much-needed, resting point in their journey.

Inside the inn

As you push open the creaky door of the Red Mask Inn, you're greeted by the comforting warmth of a crackling fireplace and the rich aroma of hearty stew. The inn's interior is cozy, with wooden beams and a few round tables scattered across the room.
Behind the bar stands Redd Traskin, the owner and bartender of the inn. He's a robust man with a warm smile, busy polishing glasses but always ready to strike up a conversation. As you approach, he greets you with a jovial voice, "Welcome, travelers! You must be famished. Our stew today is particularly good, made with fresh herbs from the garden!"
Moving between the tables with a tray in hand is Nara, Redd’s daughter. She seems to be in her own world, efficiently serving patrons but with a distant look in her eyes. If players attempt to interact with her, she responds politely but briefly, maintaining a professional distance.
Seated at a corner table is a young couple with their child. The man, Brent Haskill, has the sturdy build of a blacksmith, while his wife, Raida, radiates warmth and friendliness. Their daughter, Breeni, is a bundle of energy, her eyes wide with curiosity as she looks around the inn. Breeni seems particularly interested in the adventurers, especially if there's a female-presenting member or someone who looks like a seasoned adventurer in the group. This presents a great opportunity for roleplaying and helps to engage the players with these NPCs.

Going to bed

Each room costs 3 sp per night. If your players are cautious, they may decide to set a watch. Ask for the watch order. For the first person on watch: if they ate or drank at the inn, they must make a CON saving throw against the HARD DC ___. Failure results in them falling asleep during their watch.
After some time if a player is not asleep because they (1) did not eat or drink at the inn, (2) succeeded on their Constitution saving throw, or (3) are immune to magical sleep (e.g. due to a feature like Fey Ancestry), they notice something peculiar. The lights in the tavern, if any were lit, suddenly dim, and the normal nighttime sounds from outside the tavern abruptly stop.
This player may try to help wake up the other players as they have their nightmares (see next section). This gives the players advantage on their saving throws.

Dreadful Reveries

Party members who fall asleep will experience nightmares. You can create unique nightmares (plumb your player's back stories or campaign events for ideas) or use the provided list for inspiration. Each dream culminates in a save attempt, allowing players to choose between a WIS, INT, or CHA saving throw, depending on their character's mental strengths. End each nightmare description with "Roll a mental save using your preferred stat." If they fail to wake up, they suffer LIGHT, or MEDIUM if they fail the check by more than 5, non-lethal psychic damage. If they roll a Natural 1 on their save, they gain one level of exhaustion. Either way on a failed save they slip into another dream. The initial save DC is set at HARD and should decrease by one level for each subsequent attempt. It is recommended to do not more than 3 nightmares. If another character is attempting to wake them or if they have abilities that aid in resisting mental effects, they may make the save with advantage.

Nightmares

  1. It's night. You are running through the woods. Brambles and thorns rip at your skin. Something is chasing you, and it's gaining. You hear it coming closer and closer. You stumble, fall, and it's on your back, ready to strike…
  2. You are on a ledge of a narrow cliff. The wind howls, and the rain buffets you. Lightning briefly illuminates the world, revealing jagged rocks hundreds of feet below. Your foot slips, your fingers lose their grip. You begin to fall…
  3. [Not for characters with water breathing] You are underwater. Seaweed tangles around your legs and feet as you try to orient yourself. There is no up, no down. Your lungs burn, and when you can no longer hold your breath, brackish, dirty water rushes down your throat…
  4. You are in a coffin. You don't know how long you've been here. You push up on the lid but the weight of the dirt above renders your effort futile. Your fingers bleed as you scratch through the wood, trying to reach the freshly dug earth. The air grows heavier, and you feel yourself slipping away…
  5. The stars above are beautiful. You try to keep fear at bay, hoping your ship will return. But deep down, you know they won't find you in the vast, uncaring ocean. As you hear a splash to your right, you turn to glimpse a notched fin that was heading in your direction submerge under the water...
  6. The reflection in the mirror isn't you. You chant this mantra, yet the creature in the glass tilts its head mockingly and whispers, “No, not you. Not yet!” Its gnarled hands creep forward, attempting to breach the barrier of the silvered glass...
  7. The cave-in is a minor setback. You've found an exit after an hour. A set of hand-holds lead up towards the surface. In your haste, you squeeze through a narrow ledge. Suddenly, you're stuck, the pressure on your chest blurring your vision and clouding your mind, fresh air just out of reach…
  8. You walk through city streets, unnoticed by the teeming crowd. A growing sense of wrongness intensifies as the figures turn toward you. You only have a moment to dread as you see their faceless heads, when they all then converge on you as one…
  9. After leaving the warm tent, the cold seemed bearable. But a stinging wind and swirling snow soon disorient you. It feels warmer; you shed layers, mistaking deadly cold for heat. You stumble into the soft snow, deciding to rest, just for a minute…
  10. It's twilight in the woods. A dead tree in a clearing, covered in birds, crows or ravens, hard to tell. More cawing, flapping wings, and suddenly, the birds take flight, sharp beaks and claws going for your eyes…

Players Awaken

Once all the players awaken, they will likely attempt to figure out their situation. Should they look out the window, they will see the outside world; however, this view is merely an illusion. Efforts to break through walls, floors, and ceilings will prove futile. Furthermore, utilizing teleportation magic, such as dimension door and plane shift, appears ineffective, except for local effects like misty step or dimension door to a visible location.
Upon opening the door, the players will discover themselves in a long corridor, extending hundreds of feet. The only doors in this corridor are those leading to the PCs' rooms, the room of a young couple, and a black door at the far end of the hallway. Horrified moans and screams emanate from the young couple’s room. If the players choose to intervene and break in, they will find the couple and their daughter inside, all of whom are also experiencing nightmares and can be awakened by the players.
As the PCs make their way down the hallway, they come across a collection of strikingly realistic portraits. Each one captures a different being - humans, dragonborn, gnomes, and more - from a wide spectrum of ages, genders, and races. The subjects are dressed in everything from opulent clothes to plain rags, and some are even armored, weapons in hand. But there's one unsettling similarity across all these portraits: every face is frozen in an expression of sheer terror.
At the end of the hallway, they find the black door, which is unlocked.

Rooms

Upon entering, the PCs have a series of rooms you will guide them through. You can either craft your own rooms or use those included in this adventure. Players might attempt to take a Short Rest in some rooms, and it's up to you whether to allow it or not. You want the PCs battered, but not spent for the final confrontation. If you choose to deny them the rest, narrate psychic pressure to move out of the room - leading to psychic damage on refusal.
The Library
As the party steps into a dimly lit room, they're surrounded by towering bookshelves. The books around them seem to be whispering secrets of forbidden knowledge. Each player needs to make a MEDIUM WIS saving throw to avoid taking MEDIUM non-lethal psychic damage from the eldritch knowledge trying to worm into their brain, with the damage halved if they succeed. Those players naturally drawn to knowledge, like Wizards and Bards, will find this more challenging and must make the throw at a disadvantage. Meanwhile, those less inclined towards books, like Barbarians or Fighters, will have advantage. It's up to you as the DM to decide these advantages and disadvantages based on your characters' proclivities.
DM Notes
  • Use this section as a chance to weave in some of your world's lore. It's a perfect opportunity for players to uncover hidden aspects of your campaign's universe.
  • While the books in this room can be physically taken, to avoid players hoarding countless volumes, consider describing how some books disintegrate into ash as soon as they're opened.
The Memory Gallery
In this sparsely furnished room, the walls are adorned with striking paintings of landscapes, ranging from mountain vistas to sunsets over the ocean, and serene forest clearings. As the PCs explore these paintings, focus on one PC and bring a distressing memory from their backstory to life, using the painting they are viewing as the backdrop. This scene then animates before the players. The PC at the center of this memory is faced with a HARD WIS saving throw, with the risk of taking SERIOUS non-lethal psychic damage upon failure, or half the damage if they succeed. Meanwhile, other PCs witnessing this scene must make an EASY WIS save to avoid LIGHT non-lethal psychic damage, suffering no damage on a successful save. Breeni’s past interactions with the affected PC could play a role here. Breeni may hug the PC, granting them advantage on their saving throw.
The Mirror Chamber
In the mirror chamber, walls lined with ornate, grimy mirrors reflect distorted and grotesque images of the adventurers. The air is thick, filled with the unsettling scent of iron and decay. Suddenly, their reflections lunge out of the glass, materializing into tangible, malevolent doppelgängers that attack, forcing the party to confront twisted versions of themselves.
Choose a character's favorite or iconic attack or spell and use it against each player. A single hit on the mirror version or the mirror itself is enough to destroy it.
The Dining Hall
The long wooden table is laden with rotting food: fruit covered in mold, meat moving with maggots, and bread so stale it looks fossilized, all set among goblets filled with a murky, clotting liquid that might have once been wine. Nearby, a platter holds what appears to be a human hand, its skin cooked to a crisp and its fingernails garnished with sprigs of wilted herbs. The foul stench of decay and spoiled meat permeates the room, mingling with the unsettling, almost palpable aura of dread. Players must make a MEDIUM CON saving throw. On a failure, gain the poisoned condition, lasting for 1d4 rooms.
The Hospital Room
Several linen-covered beds on the far side of the room are splattered with dried blood. Bone saws with jagged teeth and other cruel implements are neatly arranged on a side table, gleaming ominously in the torchlight. Drawers with various medical supplies are left half-closed. Several vials labeled as "Healing Potions" sit on a nearby shelf. A MEDIUM Arcana or Medicine check will determine these are actually poison (1d4+1 poison damage). The party may choose to remain here and use some of the supplies to heal up - can be used as a Short Rest opportunity.
The Bathroom
A decrepit wooden bathtub sits in the corner, filled with a stagnant, dark liquid that occasionally bubbles as if something lurks beneath the surface. Next to the bathtub, a stone toilet fixture stands as if hewn directly from the chamber's walls, its bowl filled with an unidentifiable, viscous substance that seems to churn of its own accord. Faint, grotesque sketches are etched into the stone around the toilet, depicting unsettling scenes that make you question the sanity of previous occupants. Blood spatters mar the cracked tiles, leading to a cracked tarnished mirror that reflects a distorted image of anyone who dares to look.
If anyone gets within 5 ft of the bathtub, tentacles will try to grapple them (MEDIUM Escape DC). The tentacles will also deal MEDIUM amount of bludgeoning damage on a successful grapple. Any damage to the tentacles (AC 12) will release the PC.
The Greenhouse
The greenhouse is a labyrinth of overgrown, twisted plants, their leaves unnaturally dark and thorns menacingly sharp. A misty, almost phosphorescent fog hangs low, casting a sickly green glow over everything, and making it hard to see what lurks in the corners. Amongst the flora, the party can spot several cages containing withered remains of animals and, disturbingly, a few humanoid shapes — all twisted in expressions of agony, as if the plants themselves had consumed them.
Monster encounter, balance for your party:
Level Range Monster
1-3 Twig Blight (MM 32)
Needle Blight (MM 32)
Vine Blight (MM 32)
4-6 Shambling Mound (MM 270)
Wood Woad (VGtM 198)
Yellow Musk Creeper (TftYP 248)
Animated Tree (VGtM 207)
Assassin Vine (MM 22)
7-10 Corpse Flower (MToF 127)
Tree Blight (CoS 230)
To make things more difficult for the players, you can also add an additional MEDIUM CON saving throw against the fog's effects, with the players taking LIGHT poison damage on failure. Altering the number of monsters is another effective method for adjusting the challenge level. Additionally, if you're looking to incorporate different types of monsters, don't hesitate to use homebrew or reflavored monsters.
The Bar
The barroom is dimly lit by tarnished chandeliers that cast ghostly flickers across worn wooden floorboards. A long, decaying bar counter dominates one side of the room. Its surface is stained and pockmarked, lined with bottles containing strange, discolored liquids. The stools around the bar are unsteady, emitting ominous creaks under the slightest pressure. Notably, one stool bears an unsettling stain, reminiscent of dried blood.
If players choose to consume any of the bottles, roll on the table below to determine the effects. Generally, it's not recommended to allow more than one potion per player (drinking more than one results in vomiting). If an effect doesn't apply to a character, or another player already drank the potion rolled, roll again. The effects last until the end of the adventure. A MEDIUM DC Alchemist Tools, Herbalist Kit or Arcana Check will reveal the properties of the potions. An EASY DC check may reveal partial properties.
# Name Liquid Description Effect Description
1 Reckless Fury A swirling red potion with fiery sparks. [Primary Melee Classes] Every melee attack is treated as reckless (attack is rolled with Advantage, but any attack against the player is rolled with Advantage as well until their turn).
2 Luck be a lady tonight A two-layered liquid, gold over silver. Grants inspiration to the player, and GM gets to force disadvantage at a time of their choosing.
3 Unstable Teleport A misty, shifting blue and gray potion. Gain the ability to cast the Misty Step spell at will. Roll 1d20 for uncertain destination, appearing in a location of DM's choice on 1-10.
4 Size Shift A violet fluid with bubbles. Changes creature size from Medium to Small. No effect on Small creatures.
5 Spell Rejuvenation A glowing, pulsating emerald drink. [Primary Spellcaster Classes] Restores one highest level spent spell slot but causes causes one level of exhaustion.
6 Speed Surge A quicksilver potion with streaks of lightning. Doubles speed but causes jitteriness, disadvantage on Dexterity checks and saves.
7 Painful Retaliation A dark crimson liquid with a thorny vine motif. As a bonus action you can choose to harm a creature at will, causing MEDIUM psychic damage, but take half the damage yourself.
8 Statue Defense A solid gray potion with flecks of stone. As a reaction to taking damage, you can choose to become an invulnerable statue to negate the triggering damage. You are invulnerable and petrified until the end of your next turn.
9 Charge of the Bull A red potion with a swirling vortex. Gain a powerful charge attack: If you can move at least 10ft in a straight line, you can make an attack. If the attack hits, it is treated as a critical hit, and the target is knocked prone. If the attack misses, the player takes MEDIUM bludgeoning damage, is knocked prone, and lands 10 feet past the target.
10 Clumsy Might A creamy potion with bubbles. Advantage on Strength checks and saves but disadvantage on Dexterity-based tasks.
The Stalking Statues
The room is a vast, dimly-lit chamber with four stone statues positioned in various states of distress; their faces contorted in silent screams or buried in their hands as if weeping. The flickering light from a dying chandelier dances across their features, casting ominous shadows that seem to move. Describe the chandelier as flickering in and out. In the darkness, the statues seem to move closer and closer.
You can treat this room narratively to unsettle the players, or turn it into an encounter. For an encounter, roll initiative (the statues always act at the end of the initiative order, and only on rounds when the lights are out). Every other round, either cover the map if playing in person, switch to a blank map on a VTT, or, if using theater of the mind, simply narrate the lights going out. The statues can only move in darkness, which is magical. Some players may have the ability to see through magical darkness. In such cases, the movement of the statues is visible to those players. Players who cannot see in the darkness can move but must declare their directions and distances. The door at the end of the room is unlocked when all statues are destroyed or by using the Knock spell.

Stalking Statues

Medium Construct, neutral evil
Armor Class :: 18 (natural armor) Hit Points :: 3 MEDIUM hits Speed :: 20 ft (can move only in darkness)
STR DEX CON INT WIS CHA
14 (+2) 11 (+0) 13 (+1) 1 (-5) 3 (-4) 1 (-5)
Damage Immunities :: poison, psychic Condition Immunities :: blinded, charmed, deafened, exhaustion, frightened, paralyzed, petrified, poisoned Senses :: Blindsight 60 ft. Languages :: None
Antimagic Susceptibility. The statue is incapacitated while in the area of an antimagic field. If targeted by dispel magic, the statue must succeed on a CON saving throw against the caster's spell save DC or fall unconscious for 1 minute. : False Appearance. While the statue remains motionless, it is indistinguishable from a normal statue. : Dark Step. The statue can only move in darkness. It moves silently. It may not take the dash action. All attacks automatically hit.

Actions

Multiattack. The statue makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Slam. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM bludgeoning damage. : Bite. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM piercing damage. : Grapple. Roll Contested Athletics vs Atheltics or Acrobatics. The statue rolls with Advantage. Reach 5ft., one target. MEDIUM escape DC to break free.

Final Confrontation

Suggested flavor text - read in your own voice / tone: : You walk through the door to find yourself in a vast, open kitchen. The air is heavy with the scent of pots boiling over low flames, their contents a mystery. Shadows flicker and stretch across the walls, animated by the dim firelight.
Above, cured meats hang from hooks, swaying slightly in the draft. The countertops are littered with a variety of sinister-looking knives and butchery tools, their edges catching the light with an ominous glint.
At the center of this daunting scene stand Redd and Nara. Redd greets you with a malicious smile. “Now that you’ve been properly tenderized, it’s time for the main course!” he says. In a chilling display, he reaches for his face and peels it away as if it were a mask, revealing the ghastly sight of raw muscles, pulsing veins, and exposed nerves.
Next to him, Nara stands with an unsettling calm. Her hands begin to unnaturally stretch and contort, transforming into deadly claws. As she grins, her mouth widens unnervingly, unveiling a row of sharp, predatory teeth.

Monstrous Hosts

Redd Traskin, also known as Red Mask, and Nara Traskin, known as The Hunger, have hidden their monstrous nature for years by disguising themselves as the friendly innkeepers of the Red Mask Inn. They lure travelers with warmth and hospitality, only to ensnare them in a nightmarish trap. Through their powers of perception and emotion manipulation, they torment their victims in an alternate dimension, relishing the fear and suffering they create. All the while, they maintain their facade as ordinary innkeepers, continuing their sinister feast on unsuspecting guests.

Lair Actions

Initiative :: At initiative order 20, use one of the lair action options
Scalding Water: Boiling water erupts from pots in a 15-foot cone. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one. : Slippery Floors: The floor becomes slick with oil and grease. For the next round, any creature moving across the floor must make a MEDIUM DEX saving throw or fall prone. You can avoid this by moving at half speed, but you must declare this before moving. : Whirling Blades: Blades whirl in a line 50 feet long and 5 feet wide. Each creature in the line must make a MEDIUM DEX saving throw, taking MEDIUM piercing damage on a failed save, or half as much damage on a successful one. : Flour Explosion: A cloud of flour ignites in a 30-foot radius centered on a point within the lair. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one.
DM Notes
HP: The HP listed in the stat blocks are simply a guideline. Balance to your party, making sure that the combat lasts some time, but doesn't drag on too long. : Villain Actions: Red Mask utilizes villain actions. This is an action he can take at any point after a PCs action, but limited to one per round.

Red Mask

Medium monstrosity, chaotic evil
APL AC HP
1-3 14 30Âą10
4-6 16 60Âą10
7-10 18 90Âą10
Speed :: 30 ft
APL STR DEX CON INT WIS CHA
1-3 12 (+1) 14 (+2) 13 (+1) 10 (+0) 12 (+1) 10 (+0)
4-6 14 (+2) 16 (+3) 15 (+2) 12 (+1) 14 (+2) 10 (+0)
7-10 16 (+3) 18 (+4) 17 (+3) 14 (+2) 16 (+3) 10 (+0)
Condition Immunities :: frightened, charmed Damage Resistances :: fire, acid, poison, necrotic Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Terrifying Unmasking. When the mask comes off, each creature within sight must make a WIS or CHA saving throw against an EASY DC. On a failed save, the creature becomes frightened for 1 minute. A frightened creature can repeat the saving throw at the end of each of its turns, ending the effect on itself on a success. : Magic Resistance. Red Mask has advantage on saving throws against spells and other magical effects. :

Reactions

I think not! (3/day) As a reaction, Red Mask can choose to succeed on a failed check. However, this requires mental fortitude, so he takes MEDIUM non-lethal psychic damage to do so.

Actions

Multiattack. The Red Mask makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Misty Step. Red Mask can cast Misty Step at will as a bonus action. : Butcher’s Knife. Melee Weapon Attack: reach 5ft., one target.
APL to hit bonus damage
1-3 +4 LIGHT
4-6 +6 MEDIUM
7-10 +8 MEDIUM

Villain Actions

How's My Cooking? Any creature that ate food in the tavern must make a MEDIUM CON saving throw or be incapacitated with retching as rotten, maggoty food comes back up. The effect lasts until the end of the affected creature's turn. : Time to Eat! Nara can move up to her speed towards a target and make a bite attack as part of the same action. : See What Awaits You! Red Mask unleashes a wave of mental horror, showing the victims horrific images of previous guests being butchered and eaten. Each creature within sight must succeed on an EASY WIS saving throw or take MEDIUM non-lethal psychic damage.
Tactics
The Hunger prefers hit-and-run tactics, targeting the least armored or most injured characters. If the characters try to focus fire on Red Mask, narrate The Hunger turning it's attention to the Haskill family.
She will try to Bite as at least one of her attacks to keep regenerating hit points.

Nara, The Hunger

Medium monstrosity, chaotic evil
APL AC HP
1-3 14 30Âą10
4-6 16 60Âą10
7-10 18 90Âą10
Speed :: 50 ft
APL STR DEX CON INT WIS CHA
1-3 12 (+1) 14 (+2) 13 (+1) 10 (+0) 12 (+1) 10 (+0)
4-6 14 (+2) 16 (+3) 15 (+2) 12 (+1) 14 (+2) 10 (+0)
7-10 16 (+3) 18 (+4) 17 (+3) 14 (+2) 16 (+3) 10 (+0)
Condition Immunities :: frightened, charmed Damage Resistances :: necrotic, piercing, bludgeoning, slashing Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Voracious Perception. Once The Hunger has tasted the flesh of a creature, it can track the creature by smell, effectively gaining blindsight with a range 30 feet for that creature. : Wall Crawler. With spider-like agility, The Hunger adheres to terrain, crawling along walls and ceilings to approach its victims. : Fleet-footed The Hunger's rapid movements give it a speed of 50 feet, and enemies trying to make opportunity attacks do so with a disadvantage.

Reactions

Bloodthirsty Pursuit. If a creature within 30 feet of The Hunger uses a teleportation ability or spell to escape, The Hunger can use its reaction to immediately teleport to a space adjacent to the escaping creature.

Actions

Multiattack. The The Hunger makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Claw. Melee Weapon Attack: reach 10ft., one target. If target not armored, or on a critical hit, add bleed damage for 1d3 rounds. This damage does not stack on multiple hits, instead use the highest rolled value for damage and rounds rolled. This effect can only be removed by magical healing. : Bite. Melee Weapon Attack: reach 5ft., one target. On a successful hit, deal damage as normal, and The Hunger regenerates half of the damage dealt as hit points.
APL to hit bonus damage bleed from claws
1-3 +4 LIGHT 1d2
4-6 +6 MEDIUM 1d4
7-10 +8 MEDIUM 1d6

The Collapse

With the death of its hosts, the reality of this pocket dimension begins to unravel. This is a perfect time to deploy a Skill Challenge. Choose any of the following room descriptions, and let the players decide which skills they want to employ to navigate through the room. The focus here is on the Rule of Cool.
Ideally, these should be rooms the party have already encountered, but you can also introduce new rooms they haven't seen yet. The players can to select any Skill for their roll, as long as it fits the narrative context. Set the DC based on what they're attempting to achieve and its level of feasibility. Spells and other actions taken by the players should also have an impact, provided they logically align with the situation at hand.
Achieving one or two successful outcomes should be sufficient to pass through a room. In case of failure, introduce a complication, such as a character sustaining an injury, acquiring a level of exhaustion, or suffering a temporary condition like being frightened, poisoned, or even blinded. In such scenarios, other party members may need to assist the affected player.
DM Notes
Here you should aim to instill a sense of urgency and desperation. Monitor your players closely. As they approach their limits, consider making that room the final challenge. Remember, they don't need to complete every room you've planned.

Time to Run

Suggested flavor text - read in your own voice / tone:
As you land the final blow, a momentary stillness ensues, briefly allowing you to reflect on your victory. But there's no time for celebration. A low hum begins to resonate through the space, growing louder with each passing second. Around you, the walls and ceiling start to crack and splinter. Suddenly, a wall in front of you collapses, revealing one of the rooms you passed through earlier. Behind you, the ceiling is collapsing. The way forward is through...
[Note, I had to cut the descriptions of rooms on the way back to fit into char limit - see PDF]

Conclusion

As you burst through the door, you're back in the long corridor you first encountered as you woke up. At the far end, you glimpse the outside world. You sprint towards freedom as the corridor crumbles behind you, the destruction nipping at your heels. In a desperate leap at the last possible moment, you escape... and the sudden tranquility of the night envelops you. The quiet, so starkly contrasted with the preceding chaos, strikes you with its intensity. Surrounded by the serene sounds of the forest, the peace feels almost otherworldly, a surreal end to your harrowing journey.
You stand at a crossroads, where an old structure looms, clearly long abandoned. It leans precariously, a silhouette against the night sky. Moonlight filters through its collapsed roof, casting ghostly shadows across the crumbling walls. The scene, bathed in a silver glow, is both haunting and strangely serene.

Loot

Tucked away behind the inn, the adventurers might notice something peculiar about the compost heap — it seems to occasionally sparkle with the glint of metal and the shimmer of gemstones. Upon closer inspection and a bit of rummaging, they'll discover that this isn't just any old pile of refuse; it's a resting place for treasures that once belonged to the inn's unfortunate previous visitors.
You can use the rules for Treasure Hoard Tables from DMG p133 to see what the players can find.
submitted by Pyro979 to DMToolkit [link] [comments]


2024.06.02 15:14 Pyro979 Red Mask Inn: a scalable horror one-shot (levels 1-10)

[PWYW] Red Mask Inn: a scalable horror one-shot (levels 1-10)
This is my favorite thing I've written so far. My players who play-tested the adventure had a blast so I hope you all will enjoy it as well.
Upon entering a seemingly innocuous tavern, players quickly realize it’s not the refuge they expected. The innkeeper and his ‘daughter,’ the serving girl, are not what they seem. Beneath their facades lie malevolent beings with a taste for their guests. Facing both mental and physical trials, the players must outwit these monsters before they become the evening’s special.
The players will start their ordeal facing terrifying nightmares. Upon awakening, they must navigate a series of horror-themed rooms intended to weaken them before the ultimate showdown with the “hosts.” Victory over them will not be the end, as they must then escape the crumbling pocket dimension in which they’re trapped.
This module can serve as a standalone one-shot adventure or seamlessly integrate into an ongoing campaign. It’s adaptable to any location or setting and offers scalability for various levels. While the default tone leans toward the darker side, feel free to adjust it to suit your campaign’s ambiance.
This adventure may last between 3 to 6 hours, varying based on the extent to which you utilize the module’s content and your players’ decisions.
Includes:
  • 10 nightmares for your PCs
  • 10 horrifying rooms
  • An epic showdown with an action-oriented final boss "Red Mask" as well as his companion "The Hunger".
  • Instructions for scaling the adventure.
  • Helpful DM tips that will make prep and running a breeze
  • 3 battle maps created in Inkarnate
  • Custom Monster stat blocks and tokens
Art attribution:
Created in homebrewery

Previous Work:

What other DM's have said:

  • Tossed this lil adventure in our D&D world and the players had a blast with all the twists and turns. As a DM I enjoyed the fact that it was well written and easy to run, I didn't have to flip through a lot of mess to run it like I've had to do on some other adventures. Highly recommended. -Jason T via DMsGuild
  • Incorporated this last night into our campaign and had a blast. Biggest hits were the dream sequences, the library lore, bar potions, and the dynamic of having a family of commoners to protect. Players were also impressed with the lair and villain actions. I would recommend this to other DMs as it was easy to prep for, fairly simple to run, and the party had fun! -Ty R via DMsGuild
  • I gave my party trauma and trust issues with this one! It was great time! Chibi_Disaster

Preview

Adding what I could fit into this post - had to cut some info to fit into the limit:

NPCs

  • Redd Traskin - At first glance: The welcoming face behind the bar, always ready with a drink and a story about his culinary adventures. Lurking beneath is a creature known as Red Mask: a malevolent being who ensnares victims with harrowing dreams, rendering them helpless before he claims and cooks them.
  • Nara Traskin - On the surface a seemingly aloof barmaid, introduced as Redd's "daughter", with a penchant for keeping to herself and often notably reserved. But beneath that exterior she is The Hunger, a fearsome entity with a singular, overpowering mission: to satiate her eternal appetite.
  • (Optional) Other guests - a young couple with a child
    • Brent Haskill (26) - Husband of the young couple, blacksmith, friendly, introverted
    • Raida Haskill (25) - Wife of the young couple, leatherworker, gregarious, warm
    • Breeni Haskill (7) - Daughter

Scaling the Adventure

Effect & Trap Damage

Level Light Damage Medium Damage Serious Damage
1 1d4+1 (3) 1d6+2 (5) 1d10+2 (7)
2 1d6+2 (5) 1d8+3 (7) 2d6+3 (10)
3 1d8+2 (6) 2d6+3 (10) 2d8+4 (13)
4 1d10+2 (7) 2d8+3 (12) 3d6+5 (16)
5 1d10+3 (8) 2d10+3 (14) 3d8+5 (19)
6 2d6+3 (10) 3d6+4 (17) 4d6+6 (20)
7 2d6+4 (11) 3d8+4 (18) 4d8+6 (24)
8 2d8+4 (13) 3d10+4 (20) 5d6+7 (27)
9 2d10+4 (15) 4d6+5 (19) 5d8+7 (31)
10 3d6+5 (16) 4d8+5 (23) 6d8+8 (35)

DCs

Level Easy Medium Hard
1-3 10 14 18
4-6 12 16 20
7-10 14 18 22

The Inn at the Cross Roads

At the crossroads, a quaint inn catches your eye. Its simple two-story structure, with walls of weathered wood and a stone base, exudes a rustic charm. A single horse is tethered to a wagon nearby, hinting at the presence of other travelers.
A wooden sign, hand-carved and swinging in the evening breeze, reads "Red Mask Inn" in neatly scrolled letters. Below the name are two theatrical masks, the smiling Comedy and crying Tragedy.
DM Notes
For a one-shot adventure, consider giving the one-shot a different name than "Red Mask Inn" to serve as a red herring. Whether you're running a campaign or a one-shot, you can utilize the classic trope of the characters either meeting at the inn or using it as a place to rest and gather information.
Describe the inn as an unassuming, typical roadside establishment, creating an atmosphere of a routine stop for travelers. In a campaign, it's ideal to introduce this inn after the group has already faced some encounters in the days before. This timing helps to set the stage for what follows, making the inn seem like a normal, much-needed, resting point in their journey.

Inside the inn

As you push open the creaky door of the Red Mask Inn, you're greeted by the comforting warmth of a crackling fireplace and the rich aroma of hearty stew. The inn's interior is cozy, with wooden beams and a few round tables scattered across the room.
Behind the bar stands Redd Traskin, the owner and bartender of the inn. He's a robust man with a warm smile, busy polishing glasses but always ready to strike up a conversation. As you approach, he greets you with a jovial voice, "Welcome, travelers! You must be famished. Our stew today is particularly good, made with fresh herbs from the garden!"
Moving between the tables with a tray in hand is Nara, Redd’s daughter. She seems to be in her own world, efficiently serving patrons but with a distant look in her eyes. If players attempt to interact with her, she responds politely but briefly, maintaining a professional distance.
Seated at a corner table is a young couple with their child. The man, Brent Haskill, has the sturdy build of a blacksmith, while his wife, Raida, radiates warmth and friendliness. Their daughter, Breeni, is a bundle of energy, her eyes wide with curiosity as she looks around the inn. Breeni seems particularly interested in the adventurers, especially if there's a female-presenting member or someone who looks like a seasoned adventurer in the group. This presents a great opportunity for roleplaying and helps to engage the players with these NPCs.

Going to bed

Each room costs 3 sp per night. If your players are cautious, they may decide to set a watch. Ask for the watch order. For the first person on watch: if they ate or drank at the inn, they must make a CON saving throw against the HARD DC ___. Failure results in them falling asleep during their watch.
After some time if a player is not asleep because they (1) did not eat or drink at the inn, (2) succeeded on their Constitution saving throw, or (3) are immune to magical sleep (e.g. due to a feature like Fey Ancestry), they notice something peculiar. The lights in the tavern, if any were lit, suddenly dim, and the normal nighttime sounds from outside the tavern abruptly stop.
This player may try to help wake up the other players as they have their nightmares (see next section). This gives the players advantage on their saving throws.

Dreadful Reveries

Party members who fall asleep will experience nightmares. You can create unique nightmares (plumb your player's back stories or campaign events for ideas) or use the provided list for inspiration. Each dream culminates in a save attempt, allowing players to choose between a WIS, INT, or CHA saving throw, depending on their character's mental strengths. End each nightmare description with "Roll a mental save using your preferred stat." If they fail to wake up, they suffer LIGHT, or MEDIUM if they fail the check by more than 5, non-lethal psychic damage. If they roll a Natural 1 on their save, they gain one level of exhaustion. Either way on a failed save they slip into another dream. The initial save DC is set at HARD and should decrease by one level for each subsequent attempt. It is recommended to do not more than 3 nightmares. If another character is attempting to wake them or if they have abilities that aid in resisting mental effects, they may make the save with advantage.

Nightmares

  1. It's night. You are running through the woods. Brambles and thorns rip at your skin. Something is chasing you, and it's gaining. You hear it coming closer and closer. You stumble, fall, and it's on your back, ready to strike…
  2. You are on a ledge of a narrow cliff. The wind howls, and the rain buffets you. Lightning briefly illuminates the world, revealing jagged rocks hundreds of feet below. Your foot slips, your fingers lose their grip. You begin to fall…
  3. [Not for characters with water breathing] You are underwater. Seaweed tangles around your legs and feet as you try to orient yourself. There is no up, no down. Your lungs burn, and when you can no longer hold your breath, brackish, dirty water rushes down your throat…
  4. You are in a coffin. You don't know how long you've been here. You push up on the lid but the weight of the dirt above renders your effort futile. Your fingers bleed as you scratch through the wood, trying to reach the freshly dug earth. The air grows heavier, and you feel yourself slipping away…
  5. The stars above are beautiful. You try to keep fear at bay, hoping your ship will return. But deep down, you know they won't find you in the vast, uncaring ocean. As you hear a splash to your right, you turn to glimpse a notched fin that was heading in your direction submerge under the water...
  6. The reflection in the mirror isn't you. You chant this mantra, yet the creature in the glass tilts its head mockingly and whispers, “No, not you. Not yet!” Its gnarled hands creep forward, attempting to breach the barrier of the silvered glass...
  7. The cave-in is a minor setback. You've found an exit after an hour. A set of hand-holds lead up towards the surface. In your haste, you squeeze through a narrow ledge. Suddenly, you're stuck, the pressure on your chest blurring your vision and clouding your mind, fresh air just out of reach…
  8. You walk through city streets, unnoticed by the teeming crowd. A growing sense of wrongness intensifies as the figures turn toward you. You only have a moment to dread as you see their faceless heads, when they all then converge on you as one…
  9. After leaving the warm tent, the cold seemed bearable. But a stinging wind and swirling snow soon disorient you. It feels warmer; you shed layers, mistaking deadly cold for heat. You stumble into the soft snow, deciding to rest, just for a minute…
  10. It's twilight in the woods. A dead tree in a clearing, covered in birds, crows or ravens, hard to tell. More cawing, flapping wings, and suddenly, the birds take flight, sharp beaks and claws going for your eyes…

Players Awaken

Once all the players awaken, they will likely attempt to figure out their situation. Should they look out the window, they will see the outside world; however, this view is merely an illusion. Efforts to break through walls, floors, and ceilings will prove futile. Furthermore, utilizing teleportation magic, such as dimension door and plane shift, appears ineffective, except for local effects like misty step or dimension door to a visible location.
Upon opening the door, the players will discover themselves in a long corridor, extending hundreds of feet. The only doors in this corridor are those leading to the PCs' rooms, the room of a young couple, and a black door at the far end of the hallway. Horrified moans and screams emanate from the young couple’s room. If the players choose to intervene and break in, they will find the couple and their daughter inside, all of whom are also experiencing nightmares and can be awakened by the players.
As the PCs make their way down the hallway, they come across a collection of strikingly realistic portraits. Each one captures a different being - humans, dragonborn, gnomes, and more - from a wide spectrum of ages, genders, and races. The subjects are dressed in everything from opulent clothes to plain rags, and some are even armored, weapons in hand. But there's one unsettling similarity across all these portraits: every face is frozen in an expression of sheer terror.
At the end of the hallway, they find the black door, which is unlocked.

Rooms

Upon entering, the PCs have a series of rooms you will guide them through. You can either craft your own rooms or use those included in this adventure. Players might attempt to take a Short Rest in some rooms, and it's up to you whether to allow it or not. You want the PCs battered, but not spent for the final confrontation. If you choose to deny them the rest, narrate psychic pressure to move out of the room - leading to psychic damage on refusal.
The Library
As the party steps into a dimly lit room, they're surrounded by towering bookshelves. The books around them seem to be whispering secrets of forbidden knowledge. Each player needs to make a MEDIUM WIS saving throw to avoid taking MEDIUM non-lethal psychic damage from the eldritch knowledge trying to worm into their brain, with the damage halved if they succeed. Those players naturally drawn to knowledge, like Wizards and Bards, will find this more challenging and must make the throw at a disadvantage. Meanwhile, those less inclined towards books, like Barbarians or Fighters, will have advantage. It's up to you as the DM to decide these advantages and disadvantages based on your characters' proclivities.
DM Notes
  • Use this section as a chance to weave in some of your world's lore. It's a perfect opportunity for players to uncover hidden aspects of your campaign's universe.
  • While the books in this room can be physically taken, to avoid players hoarding countless volumes, consider describing how some books disintegrate into ash as soon as they're opened.
The Memory Gallery
In this sparsely furnished room, the walls are adorned with striking paintings of landscapes, ranging from mountain vistas to sunsets over the ocean, and serene forest clearings. As the PCs explore these paintings, focus on one PC and bring a distressing memory from their backstory to life, using the painting they are viewing as the backdrop. This scene then animates before the players. The PC at the center of this memory is faced with a HARD WIS saving throw, with the risk of taking SERIOUS non-lethal psychic damage upon failure, or half the damage if they succeed. Meanwhile, other PCs witnessing this scene must make an EASY WIS save to avoid LIGHT non-lethal psychic damage, suffering no damage on a successful save. Breeni’s past interactions with the affected PC could play a role here. Breeni may hug the PC, granting them advantage on their saving throw.
The Mirror Chamber
In the mirror chamber, walls lined with ornate, grimy mirrors reflect distorted and grotesque images of the adventurers. The air is thick, filled with the unsettling scent of iron and decay. Suddenly, their reflections lunge out of the glass, materializing into tangible, malevolent doppelgängers that attack, forcing the party to confront twisted versions of themselves.
Choose a character's favorite or iconic attack or spell and use it against each player. A single hit on the mirror version or the mirror itself is enough to destroy it.
The Dining Hall
The long wooden table is laden with rotting food: fruit covered in mold, meat moving with maggots, and bread so stale it looks fossilized, all set among goblets filled with a murky, clotting liquid that might have once been wine. Nearby, a platter holds what appears to be a human hand, its skin cooked to a crisp and its fingernails garnished with sprigs of wilted herbs. The foul stench of decay and spoiled meat permeates the room, mingling with the unsettling, almost palpable aura of dread. Players must make a MEDIUM CON saving throw. On a failure, gain the poisoned condition, lasting for 1d4 rooms.
The Hospital Room
Several linen-covered beds on the far side of the room are splattered with dried blood. Bone saws with jagged teeth and other cruel implements are neatly arranged on a side table, gleaming ominously in the torchlight. Drawers with various medical supplies are left half-closed. Several vials labeled as "Healing Potions" sit on a nearby shelf. A MEDIUM Arcana or Medicine check will determine these are actually poison (1d4+1 poison damage). The party may choose to remain here and use some of the supplies to heal up - can be used as a Short Rest opportunity.
The Bathroom
A decrepit wooden bathtub sits in the corner, filled with a stagnant, dark liquid that occasionally bubbles as if something lurks beneath the surface. Next to the bathtub, a stone toilet fixture stands as if hewn directly from the chamber's walls, its bowl filled with an unidentifiable, viscous substance that seems to churn of its own accord. Faint, grotesque sketches are etched into the stone around the toilet, depicting unsettling scenes that make you question the sanity of previous occupants. Blood spatters mar the cracked tiles, leading to a cracked tarnished mirror that reflects a distorted image of anyone who dares to look.
If anyone gets within 5 ft of the bathtub, tentacles will try to grapple them (MEDIUM Escape DC). The tentacles will also deal MEDIUM amount of bludgeoning damage on a successful grapple. Any damage to the tentacles (AC 12) will release the PC.
The Greenhouse
The greenhouse is a labyrinth of overgrown, twisted plants, their leaves unnaturally dark and thorns menacingly sharp. A misty, almost phosphorescent fog hangs low, casting a sickly green glow over everything, and making it hard to see what lurks in the corners. Amongst the flora, the party can spot several cages containing withered remains of animals and, disturbingly, a few humanoid shapes — all twisted in expressions of agony, as if the plants themselves had consumed them.
Monster encounter, balance for your party:
Level Range Monster
1-3 Twig Blight (MM 32)
Needle Blight (MM 32)
Vine Blight (MM 32)
4-6 Shambling Mound (MM 270)
Wood Woad (VGtM 198)
Yellow Musk Creeper (TftYP 248)
Animated Tree (VGtM 207)
Assassin Vine (MM 22)
7-10 Corpse Flower (MToF 127)
Tree Blight (CoS 230)
To make things more difficult for the players, you can also add an additional MEDIUM CON saving throw against the fog's effects, with the players taking LIGHT poison damage on failure. Altering the number of monsters is another effective method for adjusting the challenge level. Additionally, if you're looking to incorporate different types of monsters, don't hesitate to use homebrew or reflavored monsters.
The Bar
The barroom is dimly lit by tarnished chandeliers that cast ghostly flickers across worn wooden floorboards. A long, decaying bar counter dominates one side of the room. Its surface is stained and pockmarked, lined with bottles containing strange, discolored liquids. The stools around the bar are unsteady, emitting ominous creaks under the slightest pressure. Notably, one stool bears an unsettling stain, reminiscent of dried blood.
If players choose to consume any of the bottles, roll on the table below to determine the effects. Generally, it's not recommended to allow more than one potion per player (drinking more than one results in vomiting). If an effect doesn't apply to a character, or another player already drank the potion rolled, roll again. The effects last until the end of the adventure. A MEDIUM DC Alchemist Tools, Herbalist Kit or Arcana Check will reveal the properties of the potions. An EASY DC check may reveal partial properties.
# Name Liquid Description Effect Description
1 Reckless Fury A swirling red potion with fiery sparks. [Primary Melee Classes] Every melee attack is treated as reckless (attack is rolled with Advantage, but any attack against the player is rolled with Advantage as well until their turn).
2 Luck be a lady tonight A two-layered liquid, gold over silver. Grants inspiration to the player, and GM gets to force disadvantage at a time of their choosing.
3 Unstable Teleport A misty, shifting blue and gray potion. Gain the ability to cast the Misty Step spell at will. Roll 1d20 for uncertain destination, appearing in a location of DM's choice on 1-10.
4 Size Shift A violet fluid with bubbles. Changes creature size from Medium to Small. No effect on Small creatures.
5 Spell Rejuvenation A glowing, pulsating emerald drink. [Primary Spellcaster Classes] Restores one highest level spent spell slot but causes causes one level of exhaustion.
6 Speed Surge A quicksilver potion with streaks of lightning. Doubles speed but causes jitteriness, disadvantage on Dexterity checks and saves.
7 Painful Retaliation A dark crimson liquid with a thorny vine motif. As a bonus action you can choose to harm a creature at will, causing MEDIUM psychic damage, but take half the damage yourself.
8 Statue Defense A solid gray potion with flecks of stone. As a reaction to taking damage, you can choose to become an invulnerable statue to negate the triggering damage. You are invulnerable and petrified until the end of your next turn.
9 Charge of the Bull A red potion with a swirling vortex. Gain a powerful charge attack: If you can move at least 10ft in a straight line, you can make an attack. If the attack hits, it is treated as a critical hit, and the target is knocked prone. If the attack misses, the player takes MEDIUM bludgeoning damage, is knocked prone, and lands 10 feet past the target.
10 Clumsy Might A creamy potion with bubbles. Advantage on Strength checks and saves but disadvantage on Dexterity-based tasks.
The Stalking Statues
The room is a vast, dimly-lit chamber with four stone statues positioned in various states of distress; their faces contorted in silent screams or buried in their hands as if weeping. The flickering light from a dying chandelier dances across their features, casting ominous shadows that seem to move. Describe the chandelier as flickering in and out. In the darkness, the statues seem to move closer and closer.
You can treat this room narratively to unsettle the players, or turn it into an encounter. For an encounter, roll initiative (the statues always act at the end of the initiative order, and only on rounds when the lights are out). Every other round, either cover the map if playing in person, switch to a blank map on a VTT, or, if using theater of the mind, simply narrate the lights going out. The statues can only move in darkness, which is magical. Some players may have the ability to see through magical darkness. In such cases, the movement of the statues is visible to those players. Players who cannot see in the darkness can move but must declare their directions and distances. The door at the end of the room is unlocked when all statues are destroyed or by using the Knock spell.

Stalking Statues

Medium Construct, neutral evil
Armor Class :: 18 (natural armor) Hit Points :: 3 MEDIUM hits Speed :: 20 ft (can move only in darkness)
STR DEX CON INT WIS CHA
14 (+2) 11 (+0) 13 (+1) 1 (-5) 3 (-4) 1 (-5)
Damage Immunities :: poison, psychic Condition Immunities :: blinded, charmed, deafened, exhaustion, frightened, paralyzed, petrified, poisoned Senses :: Blindsight 60 ft. Languages :: None
Antimagic Susceptibility. The statue is incapacitated while in the area of an antimagic field. If targeted by dispel magic, the statue must succeed on a CON saving throw against the caster's spell save DC or fall unconscious for 1 minute. : False Appearance. While the statue remains motionless, it is indistinguishable from a normal statue. : Dark Step. The statue can only move in darkness. It moves silently. It may not take the dash action. All attacks automatically hit.

Actions

Multiattack. The statue makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Slam. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM bludgeoning damage. : Bite. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM piercing damage. : Grapple. Roll Contested Athletics vs Atheltics or Acrobatics. The statue rolls with Advantage. Reach 5ft., one target. MEDIUM escape DC to break free.

Final Confrontation

Suggested flavor text - read in your own voice / tone: : You walk through the door to find yourself in a vast, open kitchen. The air is heavy with the scent of pots boiling over low flames, their contents a mystery. Shadows flicker and stretch across the walls, animated by the dim firelight.
Above, cured meats hang from hooks, swaying slightly in the draft. The countertops are littered with a variety of sinister-looking knives and butchery tools, their edges catching the light with an ominous glint.
At the center of this daunting scene stand Redd and Nara. Redd greets you with a malicious smile. “Now that you’ve been properly tenderized, it’s time for the main course!” he says. In a chilling display, he reaches for his face and peels it away as if it were a mask, revealing the ghastly sight of raw muscles, pulsing veins, and exposed nerves.
Next to him, Nara stands with an unsettling calm. Her hands begin to unnaturally stretch and contort, transforming into deadly claws. As she grins, her mouth widens unnervingly, unveiling a row of sharp, predatory teeth.

Monstrous Hosts

Redd Traskin, also known as Red Mask, and Nara Traskin, known as The Hunger, have hidden their monstrous nature for years by disguising themselves as the friendly innkeepers of the Red Mask Inn. They lure travelers with warmth and hospitality, only to ensnare them in a nightmarish trap. Through their powers of perception and emotion manipulation, they torment their victims in an alternate dimension, relishing the fear and suffering they create. All the while, they maintain their facade as ordinary innkeepers, continuing their sinister feast on unsuspecting guests.

Lair Actions

Initiative :: At initiative order 20, use one of the lair action options
Scalding Water: Boiling water erupts from pots in a 15-foot cone. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one. : Slippery Floors: The floor becomes slick with oil and grease. For the next round, any creature moving across the floor must make a MEDIUM DEX saving throw or fall prone. You can avoid this by moving at half speed, but you must declare this before moving. : Whirling Blades: Blades whirl in a line 50 feet long and 5 feet wide. Each creature in the line must make a MEDIUM DEX saving throw, taking MEDIUM piercing damage on a failed save, or half as much damage on a successful one. : Flour Explosion: A cloud of flour ignites in a 30-foot radius centered on a point within the lair. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one.
DM Notes
HP: The HP listed in the stat blocks are simply a guideline. Balance to your party, making sure that the combat lasts some time, but doesn't drag on too long. : Villain Actions: Red Mask utilizes villain actions. This is an action he can take at any point after a PCs action, but limited to one per round.

Red Mask

Medium monstrosity, chaotic evil
APL AC HP
1-3 14 30Âą10
4-6 16 60Âą10
7-10 18 90Âą10
Speed :: 30 ft
APL STR DEX CON INT WIS CHA
1-3 12 (+1) 14 (+2) 13 (+1) 10 (+0) 12 (+1) 10 (+0)
4-6 14 (+2) 16 (+3) 15 (+2) 12 (+1) 14 (+2) 10 (+0)
7-10 16 (+3) 18 (+4) 17 (+3) 14 (+2) 16 (+3) 10 (+0)
Condition Immunities :: frightened, charmed Damage Resistances :: fire, acid, poison, necrotic Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Terrifying Unmasking. When the mask comes off, each creature within sight must make a WIS or CHA saving throw against an EASY DC. On a failed save, the creature becomes frightened for 1 minute. A frightened creature can repeat the saving throw at the end of each of its turns, ending the effect on itself on a success. : Magic Resistance. Red Mask has advantage on saving throws against spells and other magical effects. :

Reactions

I think not! (3/day) As a reaction, Red Mask can choose to succeed on a failed check. However, this requires mental fortitude, so he takes MEDIUM non-lethal psychic damage to do so.

Actions

Multiattack. The Red Mask makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Misty Step. Red Mask can cast Misty Step at will as a bonus action. : Butcher’s Knife. Melee Weapon Attack: reach 5ft., one target.
APL to hit bonus damage
1-3 +4 LIGHT
4-6 +6 MEDIUM
7-10 +8 MEDIUM

Villain Actions

How's My Cooking? Any creature that ate food in the tavern must make a MEDIUM CON saving throw or be incapacitated with retching as rotten, maggoty food comes back up. The effect lasts until the end of the affected creature's turn. : Time to Eat! Nara can move up to her speed towards a target and make a bite attack as part of the same action. : See What Awaits You! Red Mask unleashes a wave of mental horror, showing the victims horrific images of previous guests being butchered and eaten. Each creature within sight must succeed on an EASY WIS saving throw or take MEDIUM non-lethal psychic damage.
Tactics
The Hunger prefers hit-and-run tactics, targeting the least armored or most injured characters. If the characters try to focus fire on Red Mask, narrate The Hunger turning it's attention to the Haskill family.
She will try to Bite as at least one of her attacks to keep regenerating hit points.

Nara, The Hunger

Medium monstrosity, chaotic evil
APL AC HP
1-3 14 30Âą10
4-6 16 60Âą10
7-10 18 90Âą10
Speed :: 50 ft
APL STR DEX CON INT WIS CHA
1-3 12 (+1) 14 (+2) 13 (+1) 10 (+0) 12 (+1) 10 (+0)
4-6 14 (+2) 16 (+3) 15 (+2) 12 (+1) 14 (+2) 10 (+0)
7-10 16 (+3) 18 (+4) 17 (+3) 14 (+2) 16 (+3) 10 (+0)
Condition Immunities :: frightened, charmed Damage Resistances :: necrotic, piercing, bludgeoning, slashing Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Voracious Perception. Once The Hunger has tasted the flesh of a creature, it can track the creature by smell, effectively gaining blindsight with a range 30 feet for that creature. : Wall Crawler. With spider-like agility, The Hunger adheres to terrain, crawling along walls and ceilings to approach its victims. : Fleet-footed The Hunger's rapid movements give it a speed of 50 feet, and enemies trying to make opportunity attacks do so with a disadvantage.

Reactions

Bloodthirsty Pursuit. If a creature within 30 feet of The Hunger uses a teleportation ability or spell to escape, The Hunger can use its reaction to immediately teleport to a space adjacent to the escaping creature.

Actions

Multiattack. The The Hunger makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Claw. Melee Weapon Attack: reach 10ft., one target. If target not armored, or on a critical hit, add bleed damage for 1d3 rounds. This damage does not stack on multiple hits, instead use the highest rolled value for damage and rounds rolled. This effect can only be removed by magical healing. : Bite. Melee Weapon Attack: reach 5ft., one target. On a successful hit, deal damage as normal, and The Hunger regenerates half of the damage dealt as hit points.
APL to hit bonus damage bleed from claws
1-3 +4 LIGHT 1d2
4-6 +6 MEDIUM 1d4
7-10 +8 MEDIUM 1d6

The Collapse

With the death of its hosts, the reality of this pocket dimension begins to unravel. This is a perfect time to deploy a Skill Challenge. Choose any of the following room descriptions, and let the players decide which skills they want to employ to navigate through the room. The focus here is on the Rule of Cool.
Ideally, these should be rooms the party have already encountered, but you can also introduce new rooms they haven't seen yet. The players can to select any Skill for their roll, as long as it fits the narrative context. Set the DC based on what they're attempting to achieve and its level of feasibility. Spells and other actions taken by the players should also have an impact, provided they logically align with the situation at hand.
Achieving one or two successful outcomes should be sufficient to pass through a room. In case of failure, introduce a complication, such as a character sustaining an injury, acquiring a level of exhaustion, or suffering a temporary condition like being frightened, poisoned, or even blinded. In such scenarios, other party members may need to assist the affected player.
DM Notes
Here you should aim to instill a sense of urgency and desperation. Monitor your players closely. As they approach their limits, consider making that room the final challenge. Remember, they don't need to complete every room you've planned.

Time to Run

Suggested flavor text - read in your own voice / tone:
As you land the final blow, a momentary stillness ensues, briefly allowing you to reflect on your victory. But there's no time for celebration. A low hum begins to resonate through the space, growing louder with each passing second. Around you, the walls and ceiling start to crack and splinter. Suddenly, a wall in front of you collapses, revealing one of the rooms you passed through earlier. Behind you, the ceiling is collapsing. The way forward is through...
[Note, I had to cut the descriptions of rooms on the way back to fit into char limit - see PDF]

Conclusion

As you burst through the door, you're back in the long corridor you first encountered as you woke up. At the far end, you glimpse the outside world. You sprint towards freedom as the corridor crumbles behind you, the destruction nipping at your heels. In a desperate leap at the last possible moment, you escape... and the sudden tranquility of the night envelops you. The quiet, so starkly contrasted with the preceding chaos, strikes you with its intensity. Surrounded by the serene sounds of the forest, the peace feels almost otherworldly, a surreal end to your harrowing journey.
You stand at a crossroads, where an old structure looms, clearly long abandoned. It leans precariously, a silhouette against the night sky. Moonlight filters through its collapsed roof, casting ghostly shadows across the crumbling walls. The scene, bathed in a silver glow, is both haunting and strangely serene.

Loot

Tucked away behind the inn, the adventurers might notice something peculiar about the compost heap — it seems to occasionally sparkle with the glint of metal and the shimmer of gemstones. Upon closer inspection and a bit of rummaging, they'll discover that this isn't just any old pile of refuse; it's a resting place for treasures that once belonged to the inn's unfortunate previous visitors.
You can use the rules for Treasure Hoard Tables from DMG p133 to see what the players can find.
submitted by Pyro979 to DungeonsAndDragons [link] [comments]


2024.06.02 15:13 Pyro979 Red Mask Inn: a scalable horror one-shot (levels 1-10)

[PWYW] Red Mask Inn: a scalable horror one-shot (levels 1-10)
This is my favorite thing I've written so far. My players who play-tested the adventure had a blast so I hope you all will enjoy it as well.
Upon entering a seemingly innocuous tavern, players quickly realize it’s not the refuge they expected. The innkeeper and his ‘daughter,’ the serving girl, are not what they seem. Beneath their facades lie malevolent beings with a taste for their guests. Facing both mental and physical trials, the players must outwit these monsters before they become the evening’s special.
The players will start their ordeal facing terrifying nightmares. Upon awakening, they must navigate a series of horror-themed rooms intended to weaken them before the ultimate showdown with the “hosts.” Victory over them will not be the end, as they must then escape the crumbling pocket dimension in which they’re trapped.
This module can serve as a standalone one-shot adventure or seamlessly integrate into an ongoing campaign. It’s adaptable to any location or setting and offers scalability for various levels. While the default tone leans toward the darker side, feel free to adjust it to suit your campaign’s ambiance.
This adventure may last between 3 to 6 hours, varying based on the extent to which you utilize the module’s content and your players’ decisions.
Includes:
  • 10 nightmares for your PCs
  • 10 horrifying rooms
  • An epic showdown with an action-oriented final boss "Red Mask" as well as his companion "The Hunger".
  • Instructions for scaling the adventure.
  • Helpful DM tips that will make prep and running a breeze
  • 3 battle maps created in Inkarnate
  • Custom Monster stat blocks and tokens
Art attribution:
Created in homebrewery

Previous Work:

What other DM's have said:

  • Tossed this lil adventure in our D&D world and the players had a blast with all the twists and turns. As a DM I enjoyed the fact that it was well written and easy to run, I didn't have to flip through a lot of mess to run it like I've had to do on some other adventures. Highly recommended. -Jason T via DMsGuild
  • Incorporated this last night into our campaign and had a blast. Biggest hits were the dream sequences, the library lore, bar potions, and the dynamic of having a family of commoners to protect. Players were also impressed with the lair and villain actions. I would recommend this to other DMs as it was easy to prep for, fairly simple to run, and the party had fun! -Ty R via DMsGuild
  • I gave my party trauma and trust issues with this one! It was great time! Chibi_Disaster

Preview

Adding what I could fit into this post - had to cut some info to fit into the limit:

NPCs

  • Redd Traskin - At first glance: The welcoming face behind the bar, always ready with a drink and a story about his culinary adventures. Lurking beneath is a creature known as Red Mask: a malevolent being who ensnares victims with harrowing dreams, rendering them helpless before he claims and cooks them.
  • Nara Traskin - On the surface a seemingly aloof barmaid, introduced as Redd's "daughter", with a penchant for keeping to herself and often notably reserved. But beneath that exterior she is The Hunger, a fearsome entity with a singular, overpowering mission: to satiate her eternal appetite.
  • (Optional) Other guests - a young couple with a child
    • Brent Haskill (26) - Husband of the young couple, blacksmith, friendly, introverted
    • Raida Haskill (25) - Wife of the young couple, leatherworker, gregarious, warm
    • Breeni Haskill (7) - Daughter

Scaling the Adventure

Effect & Trap Damage

Level Light Damage Medium Damage Serious Damage
1 1d4+1 (3) 1d6+2 (5) 1d10+2 (7)
2 1d6+2 (5) 1d8+3 (7) 2d6+3 (10)
3 1d8+2 (6) 2d6+3 (10) 2d8+4 (13)
4 1d10+2 (7) 2d8+3 (12) 3d6+5 (16)
5 1d10+3 (8) 2d10+3 (14) 3d8+5 (19)
6 2d6+3 (10) 3d6+4 (17) 4d6+6 (20)
7 2d6+4 (11) 3d8+4 (18) 4d8+6 (24)
8 2d8+4 (13) 3d10+4 (20) 5d6+7 (27)
9 2d10+4 (15) 4d6+5 (19) 5d8+7 (31)
10 3d6+5 (16) 4d8+5 (23) 6d8+8 (35)

DCs

Level Easy Medium Hard
1-3 10 14 18
4-6 12 16 20
7-10 14 18 22

The Inn at the Cross Roads

At the crossroads, a quaint inn catches your eye. Its simple two-story structure, with walls of weathered wood and a stone base, exudes a rustic charm. A single horse is tethered to a wagon nearby, hinting at the presence of other travelers.
A wooden sign, hand-carved and swinging in the evening breeze, reads "Red Mask Inn" in neatly scrolled letters. Below the name are two theatrical masks, the smiling Comedy and crying Tragedy.
DM Notes
For a one-shot adventure, consider giving the one-shot a different name than "Red Mask Inn" to serve as a red herring. Whether you're running a campaign or a one-shot, you can utilize the classic trope of the characters either meeting at the inn or using it as a place to rest and gather information.
Describe the inn as an unassuming, typical roadside establishment, creating an atmosphere of a routine stop for travelers. In a campaign, it's ideal to introduce this inn after the group has already faced some encounters in the days before. This timing helps to set the stage for what follows, making the inn seem like a normal, much-needed, resting point in their journey.

Inside the inn

As you push open the creaky door of the Red Mask Inn, you're greeted by the comforting warmth of a crackling fireplace and the rich aroma of hearty stew. The inn's interior is cozy, with wooden beams and a few round tables scattered across the room.
Behind the bar stands Redd Traskin, the owner and bartender of the inn. He's a robust man with a warm smile, busy polishing glasses but always ready to strike up a conversation. As you approach, he greets you with a jovial voice, "Welcome, travelers! You must be famished. Our stew today is particularly good, made with fresh herbs from the garden!"
Moving between the tables with a tray in hand is Nara, Redd’s daughter. She seems to be in her own world, efficiently serving patrons but with a distant look in her eyes. If players attempt to interact with her, she responds politely but briefly, maintaining a professional distance.
Seated at a corner table is a young couple with their child. The man, Brent Haskill, has the sturdy build of a blacksmith, while his wife, Raida, radiates warmth and friendliness. Their daughter, Breeni, is a bundle of energy, her eyes wide with curiosity as she looks around the inn. Breeni seems particularly interested in the adventurers, especially if there's a female-presenting member or someone who looks like a seasoned adventurer in the group. This presents a great opportunity for roleplaying and helps to engage the players with these NPCs.

Going to bed

Each room costs 3 sp per night. If your players are cautious, they may decide to set a watch. Ask for the watch order. For the first person on watch: if they ate or drank at the inn, they must make a CON saving throw against the HARD DC ___. Failure results in them falling asleep during their watch.
After some time if a player is not asleep because they (1) did not eat or drink at the inn, (2) succeeded on their Constitution saving throw, or (3) are immune to magical sleep (e.g. due to a feature like Fey Ancestry), they notice something peculiar. The lights in the tavern, if any were lit, suddenly dim, and the normal nighttime sounds from outside the tavern abruptly stop.
This player may try to help wake up the other players as they have their nightmares (see next section). This gives the players advantage on their saving throws.

Dreadful Reveries

Party members who fall asleep will experience nightmares. You can create unique nightmares (plumb your player's back stories or campaign events for ideas) or use the provided list for inspiration. Each dream culminates in a save attempt, allowing players to choose between a WIS, INT, or CHA saving throw, depending on their character's mental strengths. End each nightmare description with "Roll a mental save using your preferred stat." If they fail to wake up, they suffer LIGHT, or MEDIUM if they fail the check by more than 5, non-lethal psychic damage. If they roll a Natural 1 on their save, they gain one level of exhaustion. Either way on a failed save they slip into another dream. The initial save DC is set at HARD and should decrease by one level for each subsequent attempt. It is recommended to do not more than 3 nightmares. If another character is attempting to wake them or if they have abilities that aid in resisting mental effects, they may make the save with advantage.

Nightmares

  1. It's night. You are running through the woods. Brambles and thorns rip at your skin. Something is chasing you, and it's gaining. You hear it coming closer and closer. You stumble, fall, and it's on your back, ready to strike…
  2. You are on a ledge of a narrow cliff. The wind howls, and the rain buffets you. Lightning briefly illuminates the world, revealing jagged rocks hundreds of feet below. Your foot slips, your fingers lose their grip. You begin to fall…
  3. [Not for characters with water breathing] You are underwater. Seaweed tangles around your legs and feet as you try to orient yourself. There is no up, no down. Your lungs burn, and when you can no longer hold your breath, brackish, dirty water rushes down your throat…
  4. You are in a coffin. You don't know how long you've been here. You push up on the lid but the weight of the dirt above renders your effort futile. Your fingers bleed as you scratch through the wood, trying to reach the freshly dug earth. The air grows heavier, and you feel yourself slipping away…
  5. The stars above are beautiful. You try to keep fear at bay, hoping your ship will return. But deep down, you know they won't find you in the vast, uncaring ocean. As you hear a splash to your right, you turn to glimpse a notched fin that was heading in your direction submerge under the water...
  6. The reflection in the mirror isn't you. You chant this mantra, yet the creature in the glass tilts its head mockingly and whispers, “No, not you. Not yet!” Its gnarled hands creep forward, attempting to breach the barrier of the silvered glass...
  7. The cave-in is a minor setback. You've found an exit after an hour. A set of hand-holds lead up towards the surface. In your haste, you squeeze through a narrow ledge. Suddenly, you're stuck, the pressure on your chest blurring your vision and clouding your mind, fresh air just out of reach…
  8. You walk through city streets, unnoticed by the teeming crowd. A growing sense of wrongness intensifies as the figures turn toward you. You only have a moment to dread as you see their faceless heads, when they all then converge on you as one…
  9. After leaving the warm tent, the cold seemed bearable. But a stinging wind and swirling snow soon disorient you. It feels warmer; you shed layers, mistaking deadly cold for heat. You stumble into the soft snow, deciding to rest, just for a minute…
  10. It's twilight in the woods. A dead tree in a clearing, covered in birds, crows or ravens, hard to tell. More cawing, flapping wings, and suddenly, the birds take flight, sharp beaks and claws going for your eyes…

Players Awaken

Once all the players awaken, they will likely attempt to figure out their situation. Should they look out the window, they will see the outside world; however, this view is merely an illusion. Efforts to break through walls, floors, and ceilings will prove futile. Furthermore, utilizing teleportation magic, such as dimension door and plane shift, appears ineffective, except for local effects like misty step or dimension door to a visible location.
Upon opening the door, the players will discover themselves in a long corridor, extending hundreds of feet. The only doors in this corridor are those leading to the PCs' rooms, the room of a young couple, and a black door at the far end of the hallway. Horrified moans and screams emanate from the young couple’s room. If the players choose to intervene and break in, they will find the couple and their daughter inside, all of whom are also experiencing nightmares and can be awakened by the players.
As the PCs make their way down the hallway, they come across a collection of strikingly realistic portraits. Each one captures a different being - humans, dragonborn, gnomes, and more - from a wide spectrum of ages, genders, and races. The subjects are dressed in everything from opulent clothes to plain rags, and some are even armored, weapons in hand. But there's one unsettling similarity across all these portraits: every face is frozen in an expression of sheer terror.
At the end of the hallway, they find the black door, which is unlocked.

Rooms

Upon entering, the PCs have a series of rooms you will guide them through. You can either craft your own rooms or use those included in this adventure. Players might attempt to take a Short Rest in some rooms, and it's up to you whether to allow it or not. You want the PCs battered, but not spent for the final confrontation. If you choose to deny them the rest, narrate psychic pressure to move out of the room - leading to psychic damage on refusal.
The Library
As the party steps into a dimly lit room, they're surrounded by towering bookshelves. The books around them seem to be whispering secrets of forbidden knowledge. Each player needs to make a MEDIUM WIS saving throw to avoid taking MEDIUM non-lethal psychic damage from the eldritch knowledge trying to worm into their brain, with the damage halved if they succeed. Those players naturally drawn to knowledge, like Wizards and Bards, will find this more challenging and must make the throw at a disadvantage. Meanwhile, those less inclined towards books, like Barbarians or Fighters, will have advantage. It's up to you as the DM to decide these advantages and disadvantages based on your characters' proclivities.
DM Notes
  • Use this section as a chance to weave in some of your world's lore. It's a perfect opportunity for players to uncover hidden aspects of your campaign's universe.
  • While the books in this room can be physically taken, to avoid players hoarding countless volumes, consider describing how some books disintegrate into ash as soon as they're opened.
The Memory Gallery
In this sparsely furnished room, the walls are adorned with striking paintings of landscapes, ranging from mountain vistas to sunsets over the ocean, and serene forest clearings. As the PCs explore these paintings, focus on one PC and bring a distressing memory from their backstory to life, using the painting they are viewing as the backdrop. This scene then animates before the players. The PC at the center of this memory is faced with a HARD WIS saving throw, with the risk of taking SERIOUS non-lethal psychic damage upon failure, or half the damage if they succeed. Meanwhile, other PCs witnessing this scene must make an EASY WIS save to avoid LIGHT non-lethal psychic damage, suffering no damage on a successful save. Breeni’s past interactions with the affected PC could play a role here. Breeni may hug the PC, granting them advantage on their saving throw.
The Mirror Chamber
In the mirror chamber, walls lined with ornate, grimy mirrors reflect distorted and grotesque images of the adventurers. The air is thick, filled with the unsettling scent of iron and decay. Suddenly, their reflections lunge out of the glass, materializing into tangible, malevolent doppelgängers that attack, forcing the party to confront twisted versions of themselves.
Choose a character's favorite or iconic attack or spell and use it against each player. A single hit on the mirror version or the mirror itself is enough to destroy it.
The Dining Hall
The long wooden table is laden with rotting food: fruit covered in mold, meat moving with maggots, and bread so stale it looks fossilized, all set among goblets filled with a murky, clotting liquid that might have once been wine. Nearby, a platter holds what appears to be a human hand, its skin cooked to a crisp and its fingernails garnished with sprigs of wilted herbs. The foul stench of decay and spoiled meat permeates the room, mingling with the unsettling, almost palpable aura of dread. Players must make a MEDIUM CON saving throw. On a failure, gain the poisoned condition, lasting for 1d4 rooms.
The Hospital Room
Several linen-covered beds on the far side of the room are splattered with dried blood. Bone saws with jagged teeth and other cruel implements are neatly arranged on a side table, gleaming ominously in the torchlight. Drawers with various medical supplies are left half-closed. Several vials labeled as "Healing Potions" sit on a nearby shelf. A MEDIUM Arcana or Medicine check will determine these are actually poison (1d4+1 poison damage). The party may choose to remain here and use some of the supplies to heal up - can be used as a Short Rest opportunity.
The Bathroom
A decrepit wooden bathtub sits in the corner, filled with a stagnant, dark liquid that occasionally bubbles as if something lurks beneath the surface. Next to the bathtub, a stone toilet fixture stands as if hewn directly from the chamber's walls, its bowl filled with an unidentifiable, viscous substance that seems to churn of its own accord. Faint, grotesque sketches are etched into the stone around the toilet, depicting unsettling scenes that make you question the sanity of previous occupants. Blood spatters mar the cracked tiles, leading to a cracked tarnished mirror that reflects a distorted image of anyone who dares to look.
If anyone gets within 5 ft of the bathtub, tentacles will try to grapple them (MEDIUM Escape DC). The tentacles will also deal MEDIUM amount of bludgeoning damage on a successful grapple. Any damage to the tentacles (AC 12) will release the PC.
The Greenhouse
The greenhouse is a labyrinth of overgrown, twisted plants, their leaves unnaturally dark and thorns menacingly sharp. A misty, almost phosphorescent fog hangs low, casting a sickly green glow over everything, and making it hard to see what lurks in the corners. Amongst the flora, the party can spot several cages containing withered remains of animals and, disturbingly, a few humanoid shapes — all twisted in expressions of agony, as if the plants themselves had consumed them.
Monster encounter, balance for your party:
Level Range Monster
1-3 Twig Blight (MM 32)
Needle Blight (MM 32)
Vine Blight (MM 32)
4-6 Shambling Mound (MM 270)
Wood Woad (VGtM 198)
Yellow Musk Creeper (TftYP 248)
Animated Tree (VGtM 207)
Assassin Vine (MM 22)
7-10 Corpse Flower (MToF 127)
Tree Blight (CoS 230)
To make things more difficult for the players, you can also add an additional MEDIUM CON saving throw against the fog's effects, with the players taking LIGHT poison damage on failure. Altering the number of monsters is another effective method for adjusting the challenge level. Additionally, if you're looking to incorporate different types of monsters, don't hesitate to use homebrew or reflavored monsters.
The Bar
The barroom is dimly lit by tarnished chandeliers that cast ghostly flickers across worn wooden floorboards. A long, decaying bar counter dominates one side of the room. Its surface is stained and pockmarked, lined with bottles containing strange, discolored liquids. The stools around the bar are unsteady, emitting ominous creaks under the slightest pressure. Notably, one stool bears an unsettling stain, reminiscent of dried blood.
If players choose to consume any of the bottles, roll on the table below to determine the effects. Generally, it's not recommended to allow more than one potion per player (drinking more than one results in vomiting). If an effect doesn't apply to a character, or another player already drank the potion rolled, roll again. The effects last until the end of the adventure. A MEDIUM DC Alchemist Tools, Herbalist Kit or Arcana Check will reveal the properties of the potions. An EASY DC check may reveal partial properties.
# Name Liquid Description Effect Description
1 Reckless Fury A swirling red potion with fiery sparks. [Primary Melee Classes] Every melee attack is treated as reckless (attack is rolled with Advantage, but any attack against the player is rolled with Advantage as well until their turn).
2 Luck be a lady tonight A two-layered liquid, gold over silver. Grants inspiration to the player, and GM gets to force disadvantage at a time of their choosing.
3 Unstable Teleport A misty, shifting blue and gray potion. Gain the ability to cast the Misty Step spell at will. Roll 1d20 for uncertain destination, appearing in a location of DM's choice on 1-10.
4 Size Shift A violet fluid with bubbles. Changes creature size from Medium to Small. No effect on Small creatures.
5 Spell Rejuvenation A glowing, pulsating emerald drink. [Primary Spellcaster Classes] Restores one highest level spent spell slot but causes causes one level of exhaustion.
6 Speed Surge A quicksilver potion with streaks of lightning. Doubles speed but causes jitteriness, disadvantage on Dexterity checks and saves.
7 Painful Retaliation A dark crimson liquid with a thorny vine motif. As a bonus action you can choose to harm a creature at will, causing MEDIUM psychic damage, but take half the damage yourself.
8 Statue Defense A solid gray potion with flecks of stone. As a reaction to taking damage, you can choose to become an invulnerable statue to negate the triggering damage. You are invulnerable and petrified until the end of your next turn.
9 Charge of the Bull A red potion with a swirling vortex. Gain a powerful charge attack: If you can move at least 10ft in a straight line, you can make an attack. If the attack hits, it is treated as a critical hit, and the target is knocked prone. If the attack misses, the player takes MEDIUM bludgeoning damage, is knocked prone, and lands 10 feet past the target.
10 Clumsy Might A creamy potion with bubbles. Advantage on Strength checks and saves but disadvantage on Dexterity-based tasks.
The Stalking Statues
The room is a vast, dimly-lit chamber with four stone statues positioned in various states of distress; their faces contorted in silent screams or buried in their hands as if weeping. The flickering light from a dying chandelier dances across their features, casting ominous shadows that seem to move. Describe the chandelier as flickering in and out. In the darkness, the statues seem to move closer and closer.
You can treat this room narratively to unsettle the players, or turn it into an encounter. For an encounter, roll initiative (the statues always act at the end of the initiative order, and only on rounds when the lights are out). Every other round, either cover the map if playing in person, switch to a blank map on a VTT, or, if using theater of the mind, simply narrate the lights going out. The statues can only move in darkness, which is magical. Some players may have the ability to see through magical darkness. In such cases, the movement of the statues is visible to those players. Players who cannot see in the darkness can move but must declare their directions and distances. The door at the end of the room is unlocked when all statues are destroyed or by using the Knock spell.

Stalking Statues

Medium Construct, neutral evil
Armor Class :: 18 (natural armor) Hit Points :: 3 MEDIUM hits Speed :: 20 ft (can move only in darkness)
STR DEX CON INT WIS CHA
14 (+2) 11 (+0) 13 (+1) 1 (-5) 3 (-4) 1 (-5)
Damage Immunities :: poison, psychic Condition Immunities :: blinded, charmed, deafened, exhaustion, frightened, paralyzed, petrified, poisoned Senses :: Blindsight 60 ft. Languages :: None
Antimagic Susceptibility. The statue is incapacitated while in the area of an antimagic field. If targeted by dispel magic, the statue must succeed on a CON saving throw against the caster's spell save DC or fall unconscious for 1 minute. : False Appearance. While the statue remains motionless, it is indistinguishable from a normal statue. : Dark Step. The statue can only move in darkness. It moves silently. It may not take the dash action. All attacks automatically hit.

Actions

Multiattack. The statue makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Slam. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM bludgeoning damage. : Bite. Melee Weapon Attack: automatically hits, reach 5ft., one target. Hit MEDIUM piercing damage. : Grapple. Roll Contested Athletics vs Atheltics or Acrobatics. The statue rolls with Advantage. Reach 5ft., one target. MEDIUM escape DC to break free.

Final Confrontation

Suggested flavor text - read in your own voice / tone: : You walk through the door to find yourself in a vast, open kitchen. The air is heavy with the scent of pots boiling over low flames, their contents a mystery. Shadows flicker and stretch across the walls, animated by the dim firelight.
Above, cured meats hang from hooks, swaying slightly in the draft. The countertops are littered with a variety of sinister-looking knives and butchery tools, their edges catching the light with an ominous glint.
At the center of this daunting scene stand Redd and Nara. Redd greets you with a malicious smile. “Now that you’ve been properly tenderized, it’s time for the main course!” he says. In a chilling display, he reaches for his face and peels it away as if it were a mask, revealing the ghastly sight of raw muscles, pulsing veins, and exposed nerves.
Next to him, Nara stands with an unsettling calm. Her hands begin to unnaturally stretch and contort, transforming into deadly claws. As she grins, her mouth widens unnervingly, unveiling a row of sharp, predatory teeth.

Monstrous Hosts

Redd Traskin, also known as Red Mask, and Nara Traskin, known as The Hunger, have hidden their monstrous nature for years by disguising themselves as the friendly innkeepers of the Red Mask Inn. They lure travelers with warmth and hospitality, only to ensnare them in a nightmarish trap. Through their powers of perception and emotion manipulation, they torment their victims in an alternate dimension, relishing the fear and suffering they create. All the while, they maintain their facade as ordinary innkeepers, continuing their sinister feast on unsuspecting guests.

Lair Actions

Initiative :: At initiative order 20, use one of the lair action options
Scalding Water: Boiling water erupts from pots in a 15-foot cone. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one. : Slippery Floors: The floor becomes slick with oil and grease. For the next round, any creature moving across the floor must make a MEDIUM DEX saving throw or fall prone. You can avoid this by moving at half speed, but you must declare this before moving. : Whirling Blades: Blades whirl in a line 50 feet long and 5 feet wide. Each creature in the line must make a MEDIUM DEX saving throw, taking MEDIUM piercing damage on a failed save, or half as much damage on a successful one. : Flour Explosion: A cloud of flour ignites in a 30-foot radius centered on a point within the lair. Each creature in that area must make a MEDIUM DEX saving throw, taking MEDIUM fire damage on a failed save, or half as much damage on a successful one.
DM Notes
HP: The HP listed in the stat blocks are simply a guideline. Balance to your party, making sure that the combat lasts some time, but doesn't drag on too long. : Villain Actions: Red Mask utilizes villain actions. This is an action he can take at any point after a PCs action, but limited to one per round.

Red Mask

Medium monstrosity, chaotic evil
APL AC HP
1-3 14 30Âą10
4-6 16 60Âą10
7-10 18 90Âą10
Speed :: 30 ft
APL STR DEX CON INT WIS CHA
1-3 12 (+1) 14 (+2) 13 (+1) 10 (+0) 12 (+1) 10 (+0)
4-6 14 (+2) 16 (+3) 15 (+2) 12 (+1) 14 (+2) 10 (+0)
7-10 16 (+3) 18 (+4) 17 (+3) 14 (+2) 16 (+3) 10 (+0)
Condition Immunities :: frightened, charmed Damage Resistances :: fire, acid, poison, necrotic Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Terrifying Unmasking. When the mask comes off, each creature within sight must make a WIS or CHA saving throw against an EASY DC. On a failed save, the creature becomes frightened for 1 minute. A frightened creature can repeat the saving throw at the end of each of its turns, ending the effect on itself on a success. : Magic Resistance. Red Mask has advantage on saving throws against spells and other magical effects. :

Reactions

I think not! (3/day) As a reaction, Red Mask can choose to succeed on a failed check. However, this requires mental fortitude, so he takes MEDIUM non-lethal psychic damage to do so.

Actions

Multiattack. The Red Mask makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Misty Step. Red Mask can cast Misty Step at will as a bonus action. : Butcher’s Knife. Melee Weapon Attack: reach 5ft., one target.
APL to hit bonus damage
1-3 +4 LIGHT
4-6 +6 MEDIUM
7-10 +8 MEDIUM

Villain Actions

How's My Cooking? Any creature that ate food in the tavern must make a MEDIUM CON saving throw or be incapacitated with retching as rotten, maggoty food comes back up. The effect lasts until the end of the affected creature's turn. : Time to Eat! Nara can move up to her speed towards a target and make a bite attack as part of the same action. : See What Awaits You! Red Mask unleashes a wave of mental horror, showing the victims horrific images of previous guests being butchered and eaten. Each creature within sight must succeed on an EASY WIS saving throw or take MEDIUM non-lethal psychic damage.
Tactics
The Hunger prefers hit-and-run tactics, targeting the least armored or most injured characters. If the characters try to focus fire on Red Mask, narrate The Hunger turning it's attention to the Haskill family.
She will try to Bite as at least one of her attacks to keep regenerating hit points.

Nara, The Hunger

Medium monstrosity, chaotic evil
APL AC HP
1-3 14 30Âą10
4-6 16 60Âą10
7-10 18 90Âą10
Speed :: 50 ft
APL STR DEX CON INT WIS CHA
1-3 12 (+1) 14 (+2) 13 (+1) 10 (+0) 12 (+1) 10 (+0)
4-6 14 (+2) 16 (+3) 15 (+2) 12 (+1) 14 (+2) 10 (+0)
7-10 16 (+3) 18 (+4) 17 (+3) 14 (+2) 16 (+3) 10 (+0)
Condition Immunities :: frightened, charmed Damage Resistances :: necrotic, piercing, bludgeoning, slashing Senses :: darkvision 60 ft. Languages :: Common, Deep Speech
Voracious Perception. Once The Hunger has tasted the flesh of a creature, it can track the creature by smell, effectively gaining blindsight with a range 30 feet for that creature. : Wall Crawler. With spider-like agility, The Hunger adheres to terrain, crawling along walls and ceilings to approach its victims. : Fleet-footed The Hunger's rapid movements give it a speed of 50 feet, and enemies trying to make opportunity attacks do so with a disadvantage.

Reactions

Bloodthirsty Pursuit. If a creature within 30 feet of The Hunger uses a teleportation ability or spell to escape, The Hunger can use its reaction to immediately teleport to a space adjacent to the escaping creature.

Actions

Multiattack. The The Hunger makes two melee attacks if the APL is 4+, and three melee attacks if the APL is 7+. : Claw. Melee Weapon Attack: reach 10ft., one target. If target not armored, or on a critical hit, add bleed damage for 1d3 rounds. This damage does not stack on multiple hits, instead use the highest rolled value for damage and rounds rolled. This effect can only be removed by magical healing. : Bite. Melee Weapon Attack: reach 5ft., one target. On a successful hit, deal damage as normal, and The Hunger regenerates half of the damage dealt as hit points.
APL to hit bonus damage bleed from claws
1-3 +4 LIGHT 1d2
4-6 +6 MEDIUM 1d4
7-10 +8 MEDIUM 1d6

The Collapse

With the death of its hosts, the reality of this pocket dimension begins to unravel. This is a perfect time to deploy a Skill Challenge. Choose any of the following room descriptions, and let the players decide which skills they want to employ to navigate through the room. The focus here is on the Rule of Cool.
Ideally, these should be rooms the party have already encountered, but you can also introduce new rooms they haven't seen yet. The players can to select any Skill for their roll, as long as it fits the narrative context. Set the DC based on what they're attempting to achieve and its level of feasibility. Spells and other actions taken by the players should also have an impact, provided they logically align with the situation at hand.
Achieving one or two successful outcomes should be sufficient to pass through a room. In case of failure, introduce a complication, such as a character sustaining an injury, acquiring a level of exhaustion, or suffering a temporary condition like being frightened, poisoned, or even blinded. In such scenarios, other party members may need to assist the affected player.
DM Notes
Here you should aim to instill a sense of urgency and desperation. Monitor your players closely. As they approach their limits, consider making that room the final challenge. Remember, they don't need to complete every room you've planned.

Time to Run

Suggested flavor text - read in your own voice / tone:
As you land the final blow, a momentary stillness ensues, briefly allowing you to reflect on your victory. But there's no time for celebration. A low hum begins to resonate through the space, growing louder with each passing second. Around you, the walls and ceiling start to crack and splinter. Suddenly, a wall in front of you collapses, revealing one of the rooms you passed through earlier. Behind you, the ceiling is collapsing. The way forward is through...
[Note, I had to cut the descriptions of rooms on the way back to fit into char limit - see PDF]

Conclusion

As you burst through the door, you're back in the long corridor you first encountered as you woke up. At the far end, you glimpse the outside world. You sprint towards freedom as the corridor crumbles behind you, the destruction nipping at your heels. In a desperate leap at the last possible moment, you escape... and the sudden tranquility of the night envelops you. The quiet, so starkly contrasted with the preceding chaos, strikes you with its intensity. Surrounded by the serene sounds of the forest, the peace feels almost otherworldly, a surreal end to your harrowing journey.
You stand at a crossroads, where an old structure looms, clearly long abandoned. It leans precariously, a silhouette against the night sky. Moonlight filters through its collapsed roof, casting ghostly shadows across the crumbling walls. The scene, bathed in a silver glow, is both haunting and strangely serene.

Loot

Tucked away behind the inn, the adventurers might notice something peculiar about the compost heap — it seems to occasionally sparkle with the glint of metal and the shimmer of gemstones. Upon closer inspection and a bit of rummaging, they'll discover that this isn't just any old pile of refuse; it's a resting place for treasures that once belonged to the inn's unfortunate previous visitors.
You can use the rules for Treasure Hoard Tables from DMG p133 to see what the players can find.
submitted by Pyro979 to DnD5e [link] [comments]


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