Can you mix buspar and vicodin

HairDye

2013.03.16 16:46 ModestSilence HairDye

The HairDye community is devoted to hair dye and dyed hair. Any posts of your dyed hair, or questions relating to dying your hair are welcomed; Anything from Brown to Rainbow. So go ahead, let the world see your gloriously dyed hair!
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2010.03.11 04:42 lw0x15 Deep House

Deep house is food and you need it.
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2009.07.17 07:11 anrahman The Home of MashUps

This subreddit is dedicated to music mashups. A mashup is a song or composition created by blending two or more pre-recorded songs, usually by overlaying the vocal track of one song seamlessly over the instrumental track of another. Looking for new mashups? Have one you can't remember the name of? Have a request for a song or information? This is the place.
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2024.06.01 13:25 KhanNoOne If you're a woman who doesn't drink water I automatically hate you

Yeah same goes for men but I've never encountered an unhydrated man for now. For some reason it's so common for women to drink a single cup of water throughout the whole day, how is this even possible to exist and they constantly complain of headaches and what not which is directly related to their parched dried out bodies and they flaunt it like it's some kind of achievement to not drink water just get a bottle.
Furthermore, at least common in Balkans, this is usually mixed with drinking energy drinks and substituting a normal diet with cigarettes and a single random meal in the middle of the day.
You're grown people that have not learned to do the absolutely most basic things in life which are drinking water and eating normal food, how can you be expected to make any other decisions in your life or have a valid opinion about anything. Drunk a cup of water then talk to me.
submitted by KhanNoOne to unpopularopinion [link] [comments]


2024.06.01 13:23 OneSherbert6558 Advice please; Girlfriend doesn’t know what she wants anymore. What do I do???

Hi y’all,
Long time lurker, first time poster here and I could really use some advice.
I, 33, met my girlfriend, 35 on a dating website about 11 months ago. It was very different to anyone else I’d been with. It wasn’t that intense passionate sexual kinda chemistry, but it was something. We just clicked like I haven't had.
Unfortunately we knew she’d have to move interstate temporarily for a work contract for 10 months about 2 months after us meeting. We spent a lot of time together over that 2 months. During that time I learnt a lot about her and she intrigued me. She was avoidant in some ways. Non-committal, which was fine as we had discussed openness and although we agreed to it and went over rules/guidelines, neither of us have done anything about it. With her leaving we figured it would just be something casual.
However, after she left, I visited her, she visited me, we'd go on trips together, and this pattern has continued up until now. She’ll be back next month. So obviously, it became a lot more than casual - I'd never done long distance either so that was all new.
Since we met, she's had a lot going on in her personal and family life, and her emotions are very fiery and up and down. I have always been there to support her through it all. At about 5 months in, she stayed with me for a long period at one point and we didn’t do too well with it. She had a lot of trouble expressing emotions properly… and I think the hardest one for me was that she could not handle any thing to do with us being serious, whether it be a conversation about ‘us’. I think this was our downfall. We lost the honeymoon period too quickly. We weren’t ready to be in the same house.
Despite that, we continued our relationship, with small problems here and there but nothing drastic. We maintained our visiting, and they were a mix of everything. Not as romantic, but still fun. Not as sexual, but still sometimes. I think the distance hasn't helped because when we see each other, its not our normal lives. Its just us, 24/7.
Fast forward to now, 2 months until she returns. She has been extra distant and avoidant. I know she’s busy but she hardly wants to talk to me, she doesn’t seem to care about what’s going on in my life, and things don’t feel good. I want to make it work because I love her.
She told me that although she loves me and I’m her best friend, she just doesn't know what she wants. She needs time to think about it. She can’t give me an answer. She doesn’t want to end it, but doesn’t know what she wants. She doesn’t like the idea of being with only one person… and apparently this is a normal behaviour from her at this point in a relationship - she gets itchy and irritated and everything the partner does annoys her. I’m meant to go see her next week, I told her I could cancel and she said not to.
When I put it like that, it makes her sound horrible and she is not. She just struggles with feelings and emotions. She’s got a huge heart and I love her so much. I'm happy to give her space and step back a bit if it will help. But I guess what I'm trying to know is, what the hell do I do???
I don’t want to be something someone is unsure about, but I also know how much love there is there and I'd hate to give up on that without trying.
Please help me - be as brutually honest as you need to be!
Thanks!
submitted by OneSherbert6558 to LesbianActually [link] [comments]


2024.06.01 13:21 Elegant_Clue9365 need help

Just to start, I'm not as well versed in conlangs than most of you on this subreddit. I didn't know that i needed phonetic charts until like two weeks ago, but it's helped me a lot with other languages.
Anyway, I'm creating a Siren Language, and the main sounds they use are dolphin clicks, pushing out air & creating bubbles, flicking their hollow bones, and whistles. There are a few nvb signs as well, but they aren't as popular as spoken.
Okay, so I have the sounds, (and no phonetic chart, so i'd also like advice on how to make that), so how can i turn those sounds (about 57 (not including nvb)) and mix and match them to create meanings?
submitted by Elegant_Clue9365 to conlangs [link] [comments]


2024.06.01 13:20 Expensive_Poem_6858 Why do so many people wear reps sneakers?

Hey there! So, you’re curious about the replica sneaker scene, huh? It’s totally buzzing lately! More and more folks are snagging these fake versions of those crazy expensive, fancy brand shoes. Let’s chat about why so many people are into them and what you should know if you’re thinking of getting a pair for yourself.
Budget-Friendly Fun First off, let’s talk money. Those real-deal designer sneakers, especially the super rare ones, can cost a fortune. We’re talking hundreds, even thousands of bucks for a pair of Air Jordan 1s, for example. But guess what? You can grab a replica for a fraction of that price. Score!
Trendy on a Dime Fashion is like a rollercoaster, always changing and moving fast. It can be tough to keep up without emptying your wallet. But with replica sneakers, you can be a style icon without going broke. Mix and match with different outfits and keep up with those trendy twists – all without breaking the bank.
Lookin’ Good, Feelin’ Good Here’s the cool part – high-quality replicas can be almost identical to the real thing. Sometimes they’re even made in the same factories, using the same materials. You might not even notice the difference, except maybe in some tiny details. Not too shabby, right?
Brand Love And here’s a twist – replicas can actually make a brand more popular. When everyone’s rocking a look that’s like, “Hey, that’s a fancy brand!” it makes that brand even more desirable. So, in a way, replicas can be good for business too. Who knew?
The Ethics Thing Okay, so there’s a bit of a debate here. Some say buying replicas is not cool because it’s like, copying someone’s ideas. But others think, hey, those big companies make enough money already. It’s a tough one, but a lot of people just love the savings and the style too much to worry about it.
Spotting Fakes If you’re worried about getting tricked into buying a fake, here are some tips:
Collector Craze Replicas are also huge with sneaker collectors and enthusiasts. They love getting their hands on replicas to avoid those sky-high prices for rare kicks. Some even say wearing replicas shows you really love the design, not just the status of owning the real deal.
Wrap It Up So, if you’re thinking about getting replicas, just weigh the pros and cons. They’re a great way to stay stylish without spending a ton. Just keep in mind the ethical side and the small quality differences. Learn to spot the good ones, and you’re golden.
In the end, whether you go for replicas or stick with the real stuff, just find what works for you, your style, and your budget. Happy shopping!
submitted by Expensive_Poem_6858 to ColaReps_ [link] [comments]


2024.06.01 13:13 Ahahha123542111111 I need help with a game I’m making

I need help on an open world game. Hello everyone, I’m in need of an artist to help me out in making the art and cutscenes in the game (art style would be similar to spider verse) The game’s about two Japanese brothers moving to NYC and then meet some friends, these friends are criminals who work for the mafia and so the two brothers join the mafia and do some tasks for the group and take orders from the mafia boss. The game is a mix of both GTA and Mafia. (It’s set in the late 50s) This game is only a concept so far and I will start making it soon, all I need is some 3D models of my concept characters (if any 3D modellers are out there, reach out to me too) if you can do both model and do art, I’d appreciate it. I have some voice actors, only one responded. The game will be a mix of both GTA and the Mafia games. Whoever dms me I can send you what to animate (if I can I might have story boards but idk) I’ll send in my concepts for all the characters and the artist who dms me can redraw them in the “spider verse” art style and I would mostly be in charge with programming so I will do something and I have voice actors but I only have 1/7 (8 characters in total that are important to the story, might be more if I can) dm me for more details.
submitted by Ahahha123542111111 to INAT [link] [comments]


2024.06.01 13:12 pjotterke19881 I'm at my wits end, somehow I often have trouble making pizza.

I'm at my wits end, somehow I often have trouble making pizza.
After the dough is ready and I can shape the pizza, things often go wrong, or holes appear, or I can't get it onto the pizza peel properly, and to make matters worse, if those two steps are successful, then what happens is it then happens that the pizza and ingredients do not come off my pizza peel when I am at my pizza oven.
Who can PLEASE help me, I'm at my wits end. This shouldn't and couldn't be that difficult, right?
My dough is (I don't think there's anything wrong with that, this is from the internet and everyone is very pleased with it).
153grams 00 flour (1 cup plus 1 tablespoon)
153grams all-purpose flour (1 cup plus 1 tablespoon and 2 teaspoons)
8 grams fine sea salt (1 teaspoon)
2 grams active dry yeast (¾ teaspoon)
4 grams extra-virgin olive oil (1 teaspoon)
Step 1 In a large mixing bowl, combine flours and salt.
Step 2 In a small mixing bowl, stir together 200 grams (a little less than 1 cup) lukewarm tap water, the yeast and the olive oil, then pour it into flour mixture. Knead with your hands until well combined, approximately 3 minutes, then let the mixture rest for 15 minutes.
Step 3 Knead rested dough for 3 minutes. Cut into 2 equal pieces and shape each into a ball. Place on a heavily floured surface, cover with dampened cloth, and let rest and rise for 3 to 4 hours at room temperature or for 8 to 24 hours in the refrigerator. (If you refrigerate the dough, remove it 30 to 45 minutes before you begin to shape it for pizza.)
Step 4 To make pizza, place each dough ball on a heavily floured surface and use your fingers to stretch it, then your hands to shape it into rounds or squares. Top and bake.
submitted by pjotterke19881 to Breadit [link] [comments]


2024.06.01 13:05 chenabgourmet1 Global Dishes Reinvented with Chipotle Peppers

Global Dishes Reinvented with Chipotle Peppers
https://preview.redd.it/i9pow0kwzx3d1.png?width=2240&format=png&auto=webp&s=f08339c86a8941ca5ab14a5c3c832ecd83f7b218
Known for their unique spice profile and mild heat, chipotle peppers redefine every dish they grace. Their moderate spice levels are particularly appealing to those who prefer subtler flavors. Incorporating chipotle peppers into your dishes allows you to savor authentic Mexican flavors right in your kitchen. What distinguishes chipotle peppers from others is their rich, smoky flavor paired with a subtle sweetness. Available in various forms such as dried whole peppers, chipotle powder, or canned in adobo sauce, each version offers a distinct taste, making this versatile ingredient suitable for a wide array of recipes.
Chipotle peppers, with their distinctive smoky flavor and robust heat, have long been a staple in Mexican cuisine. However, their unique taste has transcended borders, finding a place in kitchens around the world. La Costeña Chipotle Peppers in Adobo Sauce, a popular choice for culinary enthusiasts, offers a versatile and dynamic ingredient that can transform any global dish into a fiery masterpiece. This blog explores how these peppers can reinvent various international cuisines, making every meal an adventure for your taste buds.

1. The Magic of Chipotle in Indian Cuisine

Indian cuisine is revered for its intricate spice blends and deep flavors. Adding La Costeña Chipotle Peppers in Adobo Sauce to a classic tikka masala introduces a smoky depth that complements the tanginess of the tomatoes. Imagine a chipotle-infused butter chicken, where the creamy sauce takes on a whole new dimension with the addition of these smoky peppers.

2. Chipotle Meets Italian Favorites

Italian food, known for its emphasis on fresh ingredients, can be wonderfully enhanced by the introduction of chipotle peppers. A dash of chipotle in adobo sauce added to a rustic arrabbiata pasta brings a pleasant warmth that balances the acidity of the tomatoes. Alternatively, a chipotle-infused pizza sauce could be the perfect base for a barbecue chicken pizza, marrying Italian tradition with a touch of Mexican zest.

3. Elevating French Cuisine with a Touch of Smoke

French cuisine might not typically call for the heat of chipotle, but its integration can be surprisingly harmonious. A chipotle-infused ratatouille offers a smoky twist to this Provencal stew, enriching the flavors of the vegetables without overpowering them.
The integration of La Costeña Chipotle Peppers in Adobo Sauce into French cuisine is more than just a culinary experiment; it's a testament to the versatility of chipotle peppers and the ever-evolving nature of global cuisine. By adding a touch of smoke and a hint of heat, these beloved French dishes are transformed, offering a delightful new experience to the adventurous diner. The fusion of these distinct culinary traditions celebrates the possibility of creating something uniquely delicious, proving that sometimes, a little smoky flavor is all it takes to elevate a dish from familiar to extraordinary.

4. Chipotle in Middle Eastern Dishes

Middle Eastern cuisine offers a palette of flavors that beautifully complements the smokiness of chipotle. Adding chipotle peppers to hummus gives it an exciting kick, turning a simple dip into a conversation piece. Similarly, a smoky baba ganoush with chipotle peppers can elevate the traditional eggplant dish to a new level of gastronomic delight.

5. Asian Cuisine with a Smoky Twist

In Asian cuisine, where spice is a fundamental element, chipotle peppers fit right in. A Korean BBQ sauce with La Costeña Chipotle Peppers can offer a smoky, spicy glaze for grilled meats, blending Korean and Mexican flavors seamlessly. Likewise, a chipotle-spiked Thai curry could introduce an unconventional but delicious layer of flavor, enhancing the curry’s natural spiciness.

Frequently Asked Questions (FAQs)

Q1: Can chipotle peppers be used in vegetarian dishes?

Yes! Chipotle peppers are excellent in vegetarian dishes, adding depth and heat to vegetable-based meals like stews, soups, and tacos.

Q2: Are La Costeña Chipotle Peppers in Adobo Sauce very spicy?

They have a medium heat level, which adds a pleasant warmth without being overpowering, making them suitable for many palates and dishes.

Q3: How should I store chipotle peppers after opening?

Store them in an airtight container in the refrigerator. They can also be frozen for long-term use.

Q4: Can I make my own adobo sauce using La Costeña Chipotle Peppers?

Absolutely! Blend the peppers with some of the sauce, adding garlic, vinegar, and herbs to taste, for a homemade version of this versatile sauce.

Q5: What are some quick ways to use chipotle peppers in everyday meals?

Add them to mayonnaise for a spicy sandwich spread, mix into scrambled eggs for a breakfast with a kick, or stir into your favorite salad dressing for extra flavor.

How Chenab Gourmet Can Help You with Chipotle Peppers

For those looking to explore the rich flavors of chipotle, Chenab Gourmet is your ideal partner. Offering a selection of La Costeña Chipotle Peppers in Adobo Sauce, Chenab Gourmet ensures you receive the highest quality product to bring your culinary creations to life. Whether you're experimenting with new recipes or adding a twist to a familiar dish, Chenab Gourmet provides the authentic flavors you need to explore the full potential of chipotle peppers.
This exploration of global dishes reinvented with La Costeña Chipotle Peppers in Adobo Sauce not only broadens your culinary horizons but also invites you to rethink traditional flavors, making every meal an exciting and delicious adventure.
submitted by chenabgourmet1 to IndianFood [link] [comments]


2024.06.01 13:02 FelicitySmoak_ On This Day In Michael Jackson HIStory - June 1st

On This Day In Michael Jackson HIStory - June 1st
Disclaimer: Some of these events have unknown June dates. They are identified with a '*'
1974- The Jacksons play their 6th of seven nights at the Sahara Tahoe Hotel in Lake Tahoe, Nevada
1977\* - The Jackson go back to Sigma Sound Studios in Philidalphia to record their new album, Goin' Places, with Gamble & Huff
1978\* - The Jacksons record the Destiny album in Los Angeles after recording song demos at their Hayvenhurst home studio
1979 - The Jackson perform at Milwaukee County Stadium (closed- 2000) in Milwaukee, Wisconsin on their Destiny tour
1979 - (June 1 -3) Michael, Quincy Jones & Bruce Swedien complete the recording & mixing of the Off The Wall album Westlake Studios in Los Angeles.
1979* - The Jacksons start recording the Triumph Album.
1982\* - Michael would come across a studio demo produced by John Barnes and request a meeting.
In an interview with The MJCast podcast, John recalled their first meeting:
“Michael said I heard you can make your own sounds and play them. How many sounds can you make? And, I responded, ‘How much time do you have?’”
The meeting lasted a few hours and was the beginning of a friendship and musical partnership with Barnes being hired as a core member of Michael Jackson’s team. Their partnership would continue until Michael's passing in 2009
1984* - Michael meets with other supporters of Camp Good Times, a non-profit organization founded by parents of children with cancer, in Malibu such as OJ Simpson, Dustin Hoffman, David Soul, Neil Diamond & Richard Chamberlain
https://preview.redd.it/4x9kul6utl3d1.jpg?width=604&format=pjpg&auto=webp&s=858e0ae773b2b13af0aaa747ba26d437a5b3dd47
The first Camp Goodtimes event would be held in Vashon Island at Camp Sealth in August of 1984. Ninety-three children, cancer patients and siblings attended and twenty-five American Cancer Society volunteers, who staffed the camp along with the summer staff at Camp Sealth
https://preview.redd.it/xtzmm1dxtl3d1.jpg?width=492&format=pjpg&auto=webp&s=e7799537391bec1d6d8fb915a87e8229d11379e0
1985\* - Michael starts rehearsing for an upcoming 3D science fiction musical short film named Captain EO to be shown exclusively at Disneyland and Disney World. Francis Ford Coppola will direct and George Lucas will produce the film
https://reddit.com/link/1d5khy4/video/72l7t6xztl3d1/player
1986\*- Michael & Corey Feldman go to Disneyland . Michael is seen for the 1st time wearing a surgical mask in public
In Moonwalk, he says he was initially given a mask by a dentist to keep germs out after having his wisdom teeth pulled
1987\* - Michael shoots the “The Way You Make Me Feel” short film at Skid Row, Los Angeles. It was directed by Joe Pytka and choreographed by Vincent Paterson & Michael. It featured Tatiana Thumbtzen & Latoya Jackson
1988\* - Michael Jackson : The Legend Continues is released on home video.
1988 - Michael sets another record as the first artist ever to have three albums with US sales of more than six million copies each as Bad & Off The Wall were both certified 6x platinum by the RIAA
1989\- Michael goes back to Westlake studio with Matt Forger and Bill Bottrell. He meets Brad Buxer who will work with him until 2008. Together they work on new songs for a compilation named *DECADE 1979-1989
Quincy Jones is not part of this project. "Black Or White" and "Heal The World" are among the first songs worked on.
1991 - David Ruffin, a member of The Temptations, dies of a drug overdose
https://preview.redd.it/9vssz6p4ul3d1.jpg?width=720&format=pjpg&auto=webp&s=467d78db412c27f2bcccc750fc07a205dca12e8f
It was found that Ruffin was peniniless and Jackson contacted Swanson Funeral Home in Detroit to make arrangements to cover a large portion of the June 10th funeral costs. He also sends a heart-shaped arrangement of carnations to the New Bethel Baptist Church in Detroit with the note, "With Love, from Michael Jackson"
https://preview.redd.it/wm7yokl7ul3d1.jpg?width=115&format=pjpg&auto=webp&s=bf6269399685e90265bcaa7a6c393d77ae7aebc9
Jackson was a big admirer of The Temptations. He would not attend the funeral ceremony to not divert attention from it (it was however reported that he did attend but in disguise)
1991\* - The Sun publishes leaked pictures from a photo session of Michael by Herb Ritts. It had been rumored that multiple photographers were battling in out to shoot Michael's new video & album cover. Steve Meisel, Bruce Weber and Herb Ritts had been in the running to give Michael a new "sexier" look
https://preview.redd.it/5jg8a6xaul3d1.jpg?width=325&format=pjpg&auto=webp&s=f5d4484fa0d172b0aae632402f1ab9fd317f2ae5
https://preview.redd.it/ex22ut6dul3d1.jpg?width=250&format=pjpg&auto=webp&s=2ecc704465423cd6d78e56ae951c344e0b0d2406
1991* - Michael enlists the help of producers L.A Reid & Babyface for his new album, which deeply upsets Jermaine who is also working with them.
Jermaine is quoted in the tabloids as saying:
"I could have been Michael. It's all a matter of timing, a matter of luck"
1992*- Michael rehearses for his new tour & shoot the video for “Who Is It”
1994\* - This summer Heal The World Foundation, in partnership with Los Angeles Unified School District, "I Have A Dream Foundation", "Best Buddies", "Overcoming Obstacles" & "California One To One", provide 2000 children with tickets to see Janet Jackson, the L.A. Laker Jam and The Beach Boys in concert
1995\* - Issue #2 of History Magazine reveals that Travis Thomas, a 5-year old boy who suffers from cystic fibrosis, wished to meet Michael.
https://preview.redd.it/11pinibiul3d1.jpg?width=591&format=pjpg&auto=webp&s=46f58fbcd03b6d9e73354092d1fabb9419de842e
“One evening, we were watching TV and Travis hadn’t eaten for a couple of days. He was on TV”, the boy's mother recalls, “and we came across the American Music Awards and Michael Jackson… Travis sat up and wanted to eat… He said, ‘I love Michael Jackson, Mama!”
His wish comes true in June through Jackson and the Make A Wish Foundation.Travis and his family, along with 20 other seriously ill children, spent a weekend at Neverland Ranch and were allowed to roam around the compound’s private amusement park.
Travis’ mother:
“The love this man has on his face when he is with these special children is unbelievable. He is one of the kindest and most gentle men I have ever met"
https://preview.redd.it/xr603i8lul3d1.jpg?width=300&format=pjpg&auto=webp&s=ef81c6bb963147099671b014e9a41960894641bd
1999 - Michael cancels his participation in the Pavarotti & Friends Charity Concert in Modena, scheduled for tonight.
Jonathan Morrish of Sony Music issues a statement informing the media, that Michael will not be performing due to the illness of his son, Prince:
"Prince suffered a seizure early Saturday due to a high temperature. This is the third seizure over the last year"
He added that the concert meant so much to Michael but,
"he is an artist like the others, but also a parent"
and that he waited until the last moment to cancel because he was still hopeful about making it. Michael is reportedly constantly at Prince's bedside
2000\* - Concert promoter,Marcel Avram, sues Michael for breach of contract for the Millenium Concerts and asks for $21 million
https://preview.redd.it/rz0pl0wnul3d1.jpg?width=400&format=pjpg&auto=webp&s=9975e1d6693daf47bf35f911a1c7341dc00955a4
2001\* - Michael hires Marc Schaffel and they create a new company,Neverland Valley Entertainment, with a common bank account.
2004\* - Randy Jackson fires Bob Jones, vice president of MJJ Productions since 1987, after discovering that he is writing a tell all book on Michael. He also stops paying Marc Schaffel.
2005 - Trial Day 64
Michael goes to court with Katherine, Joe & Randy. Judge Melville gives the Jury the rules of Jury Deliberations
https://preview.redd.it/ph42eghrul3d1.jpg?width=460&format=pjpg&auto=webp&s=98185613a6f1d6e6dc53aacf2f31a539db9108e4
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2005\* - Michael allows visits from fans inside his home while awaiting the verdict. They're impressed by his generosity given the circumstances
https://preview.redd.it/8pg5cb2uul3d1.jpg?width=612&format=pjpg&auto=webp&s=87c700da00a607390f5b598a580c6c350cd2a496
2007 - A glittery jacket once worn onstage by Michael, his MTV Music Award for "We Are The World", as well as gold discs for his album Off the Wall and the Jackson 5 single "I Want You Back", all sell at an auction in the Hard Rock Café in Las Vegas, Nevada. The total raised from the sale of Michael related artifacts at the auction is reported as $1-$2million
Michael's bullet proof vest
Sculptural prototypes from the movies E.T. & Alien
2007\* - Michael, Grace and the kids leave their Las Vegas house and fly to Middleburg, Virginia. They check into the Goodstone Inn, a 640-acre estate of open pastures, for a summer vacation. They are welcomed by Raymone Bain.
2007\* - Michael “Brother Michael” Amir Williams is hired as Michael’s new assistant.
2008\* - Michael and producer Neff-U start working on songs at 'Thriller Villa', his 2710 Palomino Lane home, in Las Vegas. They work on a new version of “A Place With No Name”.
2008\* - Late in the month, Michael's duet with Akon, "Hold My Hand" is leaked online. Michael is devastated
Longtime recording engineer, Michael Prince, who was working with Jackson at the time “Hold My Hand” leaked, recalls:
“He was truly upset when the song he did with Akon leaked. He would just get this sad look on his face like, how could this happen? Because 20 years ago this would not have happened. And somehow everybody in the world has a copy of it. And that really upset him because he liked that song a lot.”
Akon gave a detailed account of the events surrounding the leak during an appearance on Tavis Smiley’s PBS television show in January 2009:
“Me and Mike did this incredible record called Hold My Hand and the record is amazing. Phenomenal. And the concept was that this would be Mike’s first release off of his new album, and then I would stripe it on my album – on my following release. That way we could have the outlets open for everyone to be able to receive the record. You know, Mike came up with this brilliant marketing launch for the record. You know, he’s the best at launching a record.”
Akon continues:
“He’d have the whole world paying attention in two minutes… And before we could get to that point, the record got leaked over the internet. And we got over 15 million downloads on the song for free. So we couldn’t [release it]. You can’t at that point. Everybody already has the record. But in a way, you gotta look at it like… that’s just a gift to the fans.”
2008\* - (Late June) Michael hires Dr Thome Thome as his new manager and president of MJJ Productions. As a result of a financial reorganiation of the Neverland Valley Ranch, all of Michael’s personal belongings have to be removed from the property. Dr Tohme contacts Darren Julien of Julien’s Auction House
2009 - The This Is It team leaves Center Staging for a bigger place : The Forum in Inglewood, California.
2009 - (June 1-11) At Culver Studios in Culver City, Michael shoots “The Dome” Project which consists of seven works:
  • “Smooth Criminal” (Jackson inserted into classic 2D black-and-white film noir chase sequence)
  • “Thriller” (3-D movie starting in a haunted house with a ghostly image of Vincent Price, then moving into a graveyard where the dead awaken)
  • “Earth Song” (3D short film featuring little girl who wanders through rain forest, takes a nap and dreams of the splendor of nature, and awakens to find the natural world has been devastated)
  • “They Don’t Care About Us” (a/k/a Drill, 2D film in which a sea of soldiers march in unison; 10 male dancers replicated hundreds of times)
  • “MJ Air” (3-D movie in which a 707 jet pulls into the frame; hole was to open in screen for Michael Jackson to enter; jet flies away)
  • “The Final Message” (3-D movie of a little girl from rain forest embracing the earth)
  • “The Way You Make Me Feel” (2D theatrical background featuring male dancers fashioned as historical construction workers.
2009 - Michael goes to Dr Klein’s in Berverly Hills with Blanket.
submitted by FelicitySmoak_ to WhereWasMJToday [link] [comments]


2024.06.01 13:01 jjdewit TradingView.com Review: Overview of TradingView.com and its Features

TradingView.com.com is a popular online platform that provides a comprehensive suite of tools and resources for traders, investors, and analysts to analyze and trade financial markets. In this chapter, we will provide an overview of TradingView.com, its features, and its benefits, setting the stage for a deeper dive into the platform's capabilities in subsequent chapters.

What is TradingView.com?

TradingView.com is a cloud-based platform that enables users to analyze and trade financial markets, including stocks, forex, futures, and cryptocurrencies. Founded in 2011, TradingView.com has grown to become one of the largest and most popular trading communities in the world, with over 10 million registered users.

Key Features of TradingView.com

TradingView.com offers a wide range of features that make it an attractive platform for traders and analysts. Some of the key features include:
1. Charting and Technical Analysis: TradingView.com provides a powerful charting platform that allows users to create custom charts with various indicators, drawing tools, and annotations. Users can also access a vast library of pre-built indicators and templates.
2. Backtesting and Paper Trading: TradingView.com allows users to backtest and paper trade their strategies using historical data, enabling them to refine their trading ideas and test their performance.
3. Community and Social Trading: TradingView.com has a large and active community of users who share their ideas, strategies, and insights. Users can follow other traders, participate in discussions, and share their own ideas and insights.
4. Alerts and Notifications: TradingView.com provides a robust alert system that allows users to set custom alerts based on market conditions, technical indicators, and other criteria.
5. Data Feeds: TradingView.com offers a range of data feeds, including real-time and historical data, for various markets and instruments.
6. Scripting and Automation: TradingView.com's PineScript language allows users to create custom indicators, strategies, and automated trading systems.
7. Mobile Apps: TradingView.com offers mobile apps for iOS and Android devices, enabling users to access the platform on-the-go.

Benefits of Using TradingView.com

TradingView.com offers several benefits to its users, including:
1. Improved Trading Decisions: TradingView.com's charting and analysis tools enable users to make more informed trading decisions.
2. Access to a Large Community: TradingView.com's community provides users with access to a vast network of traders, analysts, and experts.
3. Customization and Automation: TradingView.com's scripting and automation capabilities allow users to create custom strategies and automate their trading.
4. Real-time Data and Alerts: TradingView.com's real-time data and alert system enable users to stay up-to-date with market movements and react quickly to market changes.
5. Cost-Effective: TradingView.com offers a range of pricing plans, including a free version, making it an accessible platform for traders and analysts.

Conclusion

In this chapter, we have provided an overview of TradingView.com, its features, and its benefits. TradingView.com is a powerful platform that offers a range of tools and resources for traders, analysts, and investors. Whether you are a seasoned trader or just starting out, TradingView.com provides a comprehensive suite of tools to help you analyze and trade financial markets. In the next chapter, we will delve deeper into the charting and technical analysis capabilities of TradingView.com.

Chapter 2: Creating an Account and Setting Up Your Profile

As a new user, creating an account and setting up your profile is the first step in exploring the world of [Platform/Service]. In this chapter, we will guide you through a step-by-step process to create an account and set up your profile, ensuring a seamless and enjoyable experience.

Section 1: Creating an Account

To create an account, follow these steps:
1. Visit the Sign-up Page: Go to the [Platform/Service] website and click on the "Sign Up" or "Create an Account" button. This will take you to the sign-up page.
2. Enter Your Email Address: Enter a valid email address to serve as your login credentials. Make sure to use a unique and memorable email address, as it will be used to reset your password if needed.
3. Choose a Username: Choose a unique and memorable username that will be used to identify you on the platform. This can be your real name, a nickname, or a combination of letters and numbers.
4. Create a Password: Create a strong and unique password for your account. A strong password should be at least 8 characters long and include a mix of uppercase and lowercase letters, numbers, and special characters.
5. Confirm Your Password: Re-enter your password to confirm it. This ensures that you have entered the correct password.
6. Verify Your Account: Click on the "Create Account" button to create your account. You will receive an email verification link to verify your email address.

Section 2: Setting Up Your Profile

Once you have created your account, it's time to set up your profile. Follow these steps:
1. Fill Out Your Profile Information: Fill out your profile information, including your name, birthday, and location. This information will be used to personalize your experience and connect with other users.
2. Add a Profile Picture: Upload a profile picture that represents you. This can be a photo of yourself, a logo, or an avatar.
3. Add a Bio: Write a brief bio that describes yourself, your interests, or your expertise. This will help others get to know you better and find common ground.
4. Customize Your Profile Settings: Customize your profile settings to control what information is visible to others and what notifications you receive.
5. Connect with Others: Start connecting with other users by sending friend requests or joining groups related to your interests.

Tips and Best Practices

· Use a strong and unique password for your account.
· Keep your profile information up-to-date and accurate.
· Be cautious when sharing personal information or connecting with strangers.
· Use the platform's built-in features to block or report suspicious or inappropriate behavior.
· Respect other users' privacy and boundaries.

Conclusion

Congratulations! You have successfully created an account and set up your profile. You are now ready to explore the world of [Platform/Service] and start connecting with others. Remember to keep your account information secure, be respectful of others, and have fun exploring the platform. In the next chapter, we will dive deeper into the features and functionality of [Platform/Service].

Chapter 3: Navigating the TradingView.com

Interface

As a trader or investor, it's essential to understand the TradingView.com interface to get the most out of this powerful platform. In this chapter, we'll take a comprehensive tour of the TradingView.com interface and its various components. By the end of this chapter, you'll be well-versed in navigating the platform and ready to start exploring its features.

Section 1: The TradingView.com

Dashboard

The TradingView.com dashboard is the main hub of the platform, providing an overview of your account, market data, and other essential features. Let's break down the key components of the dashboard:
1. Header Bar: The header bar at the top of the screen displays your username, account balance, and other account information.
2. Navigation Menu: The navigation menu allows you to access various sections of the platform, including your watchlists, charts, and settings.
3. Market Data: The market data section provides real-time quotes for various assets, including stocks, forex, and cryptocurrencies.
4. Alerts: The alerts section allows you to set custom alerts for specific market conditions, such as price movements or news events.
5. Watchlists: The watchlists section enables you to create and manage custom lists of symbols, making it easy to track your favorite assets.

Section 2: Charting and Analysis

TradingView.com is renowned for its powerful charting capabilities, allowing you to create custom charts with various indicators, studies, and drawing tools. Let's explore the key features of the charting interface:
1. Chart Types: TradingView.com offers a range of chart types, including line charts, candlestick charts, and Renko charts.
2. Indicators: The platform comes with a vast library of built-in indicators, including moving averages, RSI, and Bollinger Bands.
3. Drawing Tools: The drawing tools allow you to annotate your charts with lines, shapes, and text.
4. Studies: Studies are custom indicators created by the TradingView.com community, offering a wide range of trading strategies and techniques.
5. PineScript: PineScript is a programming language used to create custom indicators and strategies.

Section 3: Community and Social Trading

TradingView.com is more than just a trading platform – it's a community-driven platform where traders and investors share ideas, strategies, and insights. Let's explore the community features:
1. PineCoders: PineCoders is a community of developers who create custom indicators and strategies using PineScript.
2. TradingView.com Blog: The TradingView.com blog features articles, analysis, and insights from experienced traders and investors.
3. TradingView.com Forum: The forum is a hub for discussion, debate, and learning, where traders and investors share their experiences and ask questions.
4. Watchlists: Watchlists allow you to share your favorite symbols with others, making it easy to collaborate and learn from each other.
5. PineScript Challenges: PineScript challenges are community-driven initiatives where developers create custom indicators and strategies, and the community votes on the best submissions.

Section 4: Customization and Settings

As you become more comfortable with the TradingView.com interface, you'll want to customize your experience to suit your needs. Let's explore the customization options:
1. Theme: TradingView.com offers a range of themes, allowing you to personalize the look and feel of the platform.
2. Layout: The layout options enable you to customize the arrangement of the platform's components, such as the chart, indicators, and alerts.
3. Notifications: The notification settings allow you to customize the types of notifications you receive, including market data updates and alert notifications.
4. Security: The security settings enable you to set up two-factor authentication, password recovery, and other security measures to protect your account.

Conclusion

Navigating the TradingView.com interface is an essential step in unlocking the full potential of this powerful platform. By understanding the various components of the dashboard, charting and analysis tools, community features, and customization options, you'll be well-equipped to start exploring the platform and developing your trading skills. In the next chapter, we'll dive deeper into the world of PineScript, exploring the programming language and its applications in trading and investing.

Chapter 4: Understanding Charts and Time Frames

In this chapter, we will delve into the world of charts and time frames, a fundamental concept in technical analysis. We will explore the different types of charts, time frames, and how to use them effectively on TradingView.com. By the end of this chapter, you will have a solid understanding of how to use charts and time frames to analyze and trade the markets.

What are Charts and Time Frames?

Charts and time frames are the foundation of technical analysis. A chart is a graphical representation of a security's price action over a specific period. Time frames, on the other hand, refer to the duration of the data displayed on the chart. In other words, time frames determine how much data is displayed on the chart and how often the data is updated.

Types of Charts

There are several types of charts, each with its own strengths and weaknesses. The most common types of charts are:
1. Line Chart: A line chart connects the closing prices of a security over a specific period, creating a continuous line. This chart is useful for identifying trends and patterns.
2. Candlestick Chart: A candlestick chart displays the high, low, open, and close prices of a security over a specific period. Each candle represents a specific time period, and the color of the candle indicates whether the price closed higher or lower than the previous day's close.
3. Bar Chart: A bar chart is similar to a candlestick chart but does not display the open and close prices. Instead, it shows the high and low prices, as well as the open and close prices.
4. Renko Chart: A Renko chart is a type of chart that uses a unique algorithm to create a chart that is not based on time. Instead, it uses price movements to create a chart that is more focused on the price action.

Time Frames

Time frames determine the duration of the data displayed on the chart. Common time frames include:
1. 1-minute: A 1-minute chart displays the price action over a 1-minute period.
2. 5-minute: A 5-minute chart displays the price action over a 5-minute period.
3. 15-minute A 15-minute chart displays the price action over a 15-minute period.
4. 30-minute: A 30-minute chart displays the price action over a 30-minute period.
5. 1-hour: A 1-hour chart displays the price action over a 1-hour period.
6. 4-hour: A 4-hour chart displays the price action over a 4-hour period.
7. Daily: A daily chart displays the price action over a 1-day period.
8. Weekly: A weekly chart displays the price action over a 1-week period.
9. Monthly: A monthly chart displays the price action over a 1-month period.

Using Charts and Time Frames on TradingView.com

TradingView.com is a popular platform for charting and analyzing financial markets. Here's how to use charts and time frames on TradingView.com:
1. Creating a Chart: To create a chart on TradingView.com, go to the "Charts" tab and select the security you want to chart. Choose the chart type and time frame you want to use.
2. Customizing the Chart: Once you have created a chart, you can customize it by adding indicators, drawing tools, and other features.
3. Switching Time Frames: To switch time frames on TradingView.com, click on the "Time Frame" dropdown menu and select the desired time frame.
4. Zooming In and Out: To zoom in and out of a chart on TradingView.com, use the mouse wheel or the "Zoom" button.

Conclusion

In this chapter, we have covered the basics of charts and time frames, including the different types of charts and time frames. We have also explored how to use charts and time frames on TradingView.com. By mastering charts and time frames, you will be able to analyze and trade the markets more effectively. In the next chapter, we will explore the importance of indicators and how to use them to make informed trading decisions.

Chapter 5: Technical Indicators and Studies

In this chapter, we will delve into the world of technical indicators and studies available on TradingView.com. As a trader, it is essential to understand the various indicators and studies that can be used to analyze and predict market movements. This chapter will provide an overview of the different types of technical indicators and studies available on TradingView.com, their uses, and how to apply them in your trading strategy.

What are Technical Indicators and Studies?

Technical indicators and studies are mathematical calculations based on historical price data that help traders identify trends, patterns, and potential trading opportunities. These indicators and studies can be used to analyze and predict market movements, making it easier to make informed trading decisions.

Types of Technical Indicators and Studies

There are numerous types of technical indicators and studies available on TradingView.com, including:
1. Trend Indicators: These indicators help identify trends and potential trading opportunities. Examples include the Moving Average, Relative Strength Index (RSI), and Bollinger Bands.
2. Momentum Indicators: These indicators measure the rate of change of an asset's price over a given period. Examples include the RSI, Stochastic Oscillator, and Momentum Indicator.
3. Volatility Indicators: These indicators measure the degree of price movement or volatility. Examples include the Average True Range (ATR) and Bollinger Bands.
4. Pattern Recognition Indicators: These indicators help identify specific chart patterns, such as head and shoulders or triangles. Examples include the Ichimoku Cloud and the Keltner Channel.
5. Statistical Indicators: These indicators use statistical methods to analyze market data. Examples include the Exponential Moving Average (EMA) and the Simple Moving Average (SMA).

Popular Technical Indicators and Studies on TradingView.com

Some of the most popular technical indicators and studies available on TradingView.com include:
1. Moving Average: A simple moving average calculates the average price of an asset over a given period.
2. Relative Strength Index (RSI): The RSI measures the magnitude of recent price changes to determine overbought or oversold conditions.
3. Bollinger Bands: Bollinger Bands consist of a moving average and two standard deviations plotted above and below the average.
4. Stochastic Oscillator: The stochastic oscillator compares the closing price of an asset to its price range over a given period.
5. Ichimoku Cloud: The Ichimoku Cloud is a comprehensive technical analysis system that inclues multiple indicators, including the Tenkan-sen, Kijun-sen, and Senkou Span.
6. Keltner Channel: The Keltner Channel is a volatility-based indicator that plots two lines above and below a moving average.
7. Average True Range (ATR): The ATR measures the average true range of an asset over a given period.
8. Exponential Moving Average (EMA): The EMA is a type of moving average that gives more weight to recent price data.
9. Simple Moving Average (SMA): The SMA is a type of moving average that calculates the average price of an asset over a given period.
10. Stochastic Momentum Index (SMI): The SMI is a momentum indicator that measures the rate of change of an aset's price over a given period.

How to Use Technical Indicators and Studies

To get the most out of technical indicators and studies, it is essential to understand how to use them effectively. Here are some tips:
1. Combine Indicators: Combining multiple indicators can help confirm trading signals and reduce false positives.
2. Use Multiple Time Frames: Analyzing multiple time frames can help identify trends and patterns that may not be visible on a single time frame.
3. Adjust Parameters: Adjusting the parameters of an indicator can help tailor it to your specific trading strategy.
4. Use Indicators in Conjunction with Fundamental Analysis: Combining technical indicators with fundamental analysis can help provide a more comprehensive view of the market.
5. Backtest Indicators: Backtesting indicators can help evaluate their performance and identify potential biases.

Conclusion

Technical indicators and studies are powerful tools that can help traders analyze and predict market movements. By understanding the different types of indicators and studies available on TradingView.com, traders can develop a comprehensive trading strategy that incorporates multiple indicators and studies. Remember to combine indicators, use multiple time frames, adjust parameters, and backtest indicators to get the most out of technical indicators and studies.

Chapter 6: Creating and Customizing Charts

As a trader, having the right tools and information is crucial for making informed decisions. Charts are an essential component of any trading strategy, providing valuable insights into market trends and patterns. In this chapter, we will explore the process of creating and customizing charts on TradingView.com, a popular platform for traders and analysts.

Creating a Chart on TradingView.com

Creating a chart on TradingView.com is a straightforward process that can be completed in a few steps.
1. Log in to Your TradingView.com Account: Start by logging in to your TradingView.com account. If you don't have an account, you can create one by signing up on the TradingView.com website.
2. Select the Symbol: Once logged in, navigate to the "Symbols" tab and select the symbol you want to chart. You can search for symbols by typing in the symbol name or by using the "Search" function.
3. Create a New Chart: Click on the "Create a New Chart" button to create a new chart. You can also create a new chart by clicking on the "New Chart" button in the top-right corner of the TradingView.com window.
4. Select the Chart Type: Choose the type of chart you want to create. TradingView.com offers a variety of chart types, including line charts, candlestick charts, and more.
5. Customize the Chart Settings: Customize the chart settings to suit your needs. You can adjust the chart size, grid lines, and other settings to create a chart that meets your requirements.

Customizing Charts on TradingView.com

Customizing charts on TradingView.com is an essential step in creating a chart that meets your specific needs. Here are some tips for customizing your charts:
1. Add Indicators: Add indicators to your chart to gain insights into market trends and patterns. TradingView.com offers a wide range of indicators, including moving averages, RSI, and more.
2. Add Drawings: Add drawings to your chart to highlight specific patterns or trends. You can add lines, shapes, and other drawings to your chart to create a visual representation of your analysis.
3. Add Alerts: Set up alerts on your chart to notify you of specific market events or price movements. You can set up alerts based on price movements, volume, and other market indicators.
4. Customize the Chart Grid: Customize the chart grid to suit your needs. You can adjust the grid lines, grid spacing, and other settings to create a chart that meets your requirements.
5. Save and Share Your Chart: Save and share your chart with others. You can save your chart as a template or share it with other traders and analysts.

Advanced Chart Customization

In addition to the basic customization options, TradingView.com offers advanced customization options that allow you to create complex charts and indicators. Here are some tips for advanced chart customization:
1. Create Custom Indicators: Create custom indicators using the TradingView.com PineScript programming language. You can create custom indicators that meet your specific needs.
2. Use Custom Drawings: Use custom drawings to create complex patterns and shapes on your chart. You can create custom drawings using the TradingView.com drawing tools.
3. Customize the Chart Layout: Customize the chart layout to suit your needs. You can adjust the chart size, grid lines, and other settings to create a chart that meets your requirements.
4. Use Advanced Chart Settings: Use advanced chart settings to customize your chart further. You can adjust the chart settings to suit your specific needs.

Conclusion

Creating and customizing charts on TradingView.com is a powerful way to gain insights into market trends and patterns. By following the steps outlined in this chapter, you can create complex charts and indicators that meet your specific needs. Whether you're a seasoned trader or a beginner, TradingView.com offers a range of tools and features that can help you create charts that meet your specific needs.
Chapter 7:

Introduction to Trading Strategies

As a trader, having a solid understanding of various trading strategies is crucial for making informed decisions and maximizing profits. In this chapter, we will explore popular trading strategies, their underlying principles, and how to implement them on TradingView.com. By the end of this chapter, you will have a comprehensive understanding of various trading strategies and how to apply them using TradingView.com's powerful platform.

Introduction to Trading Strategies

Trading strategies are pre-defined rules or methods used to make trading decisions. These strategies are designed to help traders navigate the markets, identify profitable opportunities, and minimize losses. Trading strategies can be categorized into several types, including:
· Trend following strategies: These strategies aim to identify and ride the trend, whether it's an uptrend or a downtrend.
· Range trading strategies: These strategies focus on identifying and trading within a specific price range.
· Mean reversion strategies: These strategies rely on the idea that prices will revert to their historical means.
· Statistical arbitrage strategies: These strategies involve identifying mispricings in the market and exploiting them.

Popular Trading Strategies

2.1 Trend Following Strategies
Trend following strategies are designed to identify and ride the trend. These strategies involve identifying the direction of the market and trading in that direction. Some popular trend following strategies include:
· Moving Average Crossover (MAC): This strategy involves identifying the crossover of two moving averages to determine the direction of the trend.
· Relative Strength Index (RSI): This strategy involves identifying overbought or oversold conditions using the RSI indicator.
· Bollinger Bands: This strategy involves identifying breakouts above or below the bands to determine the direction of the trend.
2.2 Range Trading Strategies
Range trading strategies focus on identifying and trading within a specific price range. These strategies involve identifying support and resistance levels and trading within the range. Some popular range trading strategies include:
· Support and Resistance Trading: This strategy involves identifying key support and resistance levels and trading within the range.
· Channel Trading: This strategy involves identifying and trading within a specific price channel.
2.3 Mean Reversion Strategies
Mean reversion strategies rely on the idea that prices will revert to their historical means. These strategies involve identifying overbought or oversold conditions and trading in the opposite direction. Some popular mean reversion strategies include:
· Mean Reversion Trading: This strategy involves identifying overbought or oversold conditions and trading in the opposite direction.
· Statistical Arbitrage: This strategy involves identifying mispricings in the market and exploiting them.
2.4 Statistical Arbitrage Strategies
Statistical arbitrage strategies involve identifying mispricings in the market and exploiting them. These strategies involve analyzing historical data and identifying statistical anomalies. Some popular statistical arbitrage strategies include:
· Statistical Arbitrage: This strategy involves identifying mispricings in the market and exploiting them.
· Event-Driven Trading: This strategy involves identifying and trading on specific events, such as earnings announcements or mergers and acquisitions.

3.

Implementing Trading Strategies on TradingView.com

TradingView.com is a powerful platform that allows traders to implement and backtest various trading strategies. Here are some steps to follow when implementing trading strategies on TradingView.com:
1. Create a new chart: Open a new chart on TradingView.com and select the asset you want to trade.
2. Add indicators: Add the indicators you want to use for your trading strategy. For example, you may want to add a moving average crossover indicator.
3. Set parameters: Set the parameters for your indicators. For example, you may want to set the period for your moving average crossover indicator.
4. Backtest the strategy: Backtest your strategy by running a backtest on TradingView.com. This will allow you to evaluate the performance of your strategy.
5. Refine the strategy: Refine your strategy by adjusting the parameters and testing different scenarios.

Conclusion

In this chapter, we have explored popular trading strategies and how to implement them on TradingView.com. By understanding various trading strategies and how to apply them using TradingView.com, you can make informed trading decisions and maximize your profits. Remember to always backtest and refine your strategies to ensure optimal performance. In the next chapter, we will explore advanced trading strategies and how to use them to improve your trading performance.

Chapter 8:

Backtesting and Evaluating Trading Ideas

As a trader, it's essential to test and refine your trading ideas before implementing them in live markets. Backtesting and evaluating your trading ideas can help you identify potential flaws, optimize your strategy, and increase your chances of success. In this chapter, we'll explore the process of backtesting and evaluating trading ideas using TradingView.com, a popular platform for charting and backtesting trading strategies.

What is Backtesting?

Backtesting is the process of applying a trading strategy to historical market data to evaluate its performance. It allows you to test your trading idea on past data to see how it would have performed in real-time. By backtesting your strategy, you can:
1. Identify potential flaws in your strategy
2. Optimize your strategy for better performance
3. Refine your strategy to improve its accuracy
4. Evaluate the strategy's risk-reward ratio

Why Backtest?

Backtesting is crucial for several reasons:
1. Risk management: Backtesting helps you identify potential risks associated with your trading strategy.
2. Strategy optimization: Backtesting allows you to refine your strategy to improve its performance.
3. Performance evaluation: Backtesting enables you to evaluate the performance of your strategy and make data-driven decisions.
4. Confidence booster: Backtesting gives you confidence in your strategy, reducing the risk of emotional trading decisions.

How to Backtest on TradingView.com

TradingView.com offers a range of tools and features for backtesting trading ideas. Here's a step-by-step guide to get you started:
1. Create a new chart: Open TradingView.com and create a new chart for the asset you want to backtest.
2. Select the data range: Choose the time period for which you want to backtest your strategy. You can select a specific date range or use the default settings.
3. Add the strategy: Click on the "Indicators" tab and add the strategy you want to backtest. You can use built-in indicators or create your own custom indicators.
4. Set the parameters: Configure the strategy's parameters, such as the number of bars to look back, the number of trades to take, and the stop-loss levels.
5. Run the backtest: Click the "Run" button to start the backtest. TradingView.com will apply your strategy to the selected data range and provide performance metrics.
6. Analyze the results: Review the backtest results, including the strategy's profit/loss, drawdown, and other performance metrics.

Evaluating Trading Ideas

Evaluating your trading idea is a crucial step in the backtesting process. Here are some key metrics to consider:
1. Profit/Loss: Calculate the total profit or loss generated by your strategy.
2. Drawdown: Measure the maximum loss experienced by your strategy.
3. Sharpe Ratio: Calculate the Sharpe Ratio to evaluate the strategy's risk-adjusted performance.
4. Sortino Ratio: Use the Sortino Ratio to evaluate the strategy's risk-adjusted performance, focusing on the maximum drawdown.
5. Information Coefficient: Calculate the Information Coefficient to evaluate the strategy's ability to generate profits.

Best Practices for Backtesting

To get the most out of backtesting, follow these best practices:
1. Use a robust data set: Ensure your data is accurate and free from errors.
2. Test multiple scenarios: Test your strategy on different time frames, assets, and market conditions.
3. Monitor performance metrics: Keep track of your strategy's performance metrics and adjust as needed.
4. Refine your strategy: Continuously refine your strategy to improve its performance.
5. Avoid overfitting: Be cautious of overfitting, where your strategy performs well on the training data but poorly on new data.

Conclusion

Backtesting and evaluating trading ideas is a crucial step in the trading process. By using TradingView.com and following best practices, you can refine your trading strategy, optimize its performance, and increase your chances of success. Remember to evaluate your strategy's performance using relevant metrics and refine it continuously to improve its performance. With practice and patience, you'll develop a robust trading strategy that can withstand the challenges of the markets.
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2024.06.01 13:00 WaveOfWire This is (not) a Dungeon - Chapter 2

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Ceele strolled through the damp grass along the outskirts of the village, a spring in her step and the dwindling scent of dew following behind. It rained yesterday, which had prevented her from going out to gather supplies, but the mild morning air had been accommodating enough for her to get an early start and make the trip. She was glad she did.
One hand clutched her new prize to her chest, while the other held a fraying wicker basket filled with herbs and some edible roots she gathered by exploring the forbidden forest. Despite her reservations regarding where she chose to go, her excitement now lingered like a steady thrum of shifting stones, giving her energy that defied how long she had been walking. She all but pranced beneath the burgeoning night's sky, gleefully toeing the line between the dirt pathways of the settlement’s outskirts and the trees of unclaimed land. Normally, her path back home would never be so close to the village, but she was far too gleeful to mind. She had come back with a sense of fulfillment and a rare object—or if not rare, then hopefully of great value.
It was hard to point to any one specific reason that she came across the orb. There had always been a ‘draw’ during her travels, urging her that there was something missing in her life, yet it was no more than a mild whim to walk in a particular direction more often than not. Once she reached this part of the continent, she was compelled to wander, never quite able to explain why she obliged the sensation besides having nowhere in particular to be. Even when she finally settled somewhere, it stayed in the back of her mind, suggesting that she was close to whatever would make the pit of vacancy go away. She ignored it, purposefully distracting herself with her work and responsibilities, yet that could only last so long. When she awoke this morning with plans to resupply, and all of her newfound spots had been picked clean by wildlife, she turned to the depths of the forest where she was warned not to tread. It was all too easy to follow the subtle tug in her chest through the loose justification.
The urge to be somewhere grew unbearable with every step closer to the forbidden area. That sense of having a direction she needed to go became stronger and stronger, until she was well into land long since forgotten. She came across an overgrown depression in the hillside, and was entranced by the foreboding image. Something about the cave just…beckoned her. She was far too weak to resist.
Horrible tales echoed into her ears as whispers of fearful voices, warning and unending, yet but a dull drone compared to her hammering heart. She navigated the trees and brushed aside unkempt vines, stepping into the cavern with a mix of expectation and trepidation, then laid eyes on the small obsidian stone perched atop a crumbling pillar. The feeling of needing to travel somewhere…stopped.
The pull was absent, which was why she held the orb close instead of placing it into her basket. She wasn’t sure what it was exactly, but she recalled overheard tales of hidden gemstones, deep cavernous expanses, and the untold terrors that lay within. Comparing the scenes of those fables to the cave seemed foolish now; it wasn’t some torturous chamber, but a dusty depression in a small hillside. Besides, anything this pretty was sure to be worth a fair sum, and she needed the coin. Yet the thought of selling the precious-looking stone was a conflicting one. She shook off the thought for the time being, turning her attention back towards where she was going.
Shadows stretched and faded as the moon stole the last of the illumination afforded by the sun, replacing it with a calming glow that caressed the log frames and thatched roofs of various homes. A star-filled sky came into prominence as clouds lazily drifted away, revealing the promise of tomorrow’s fair-weathered arrival. It was too late for anyone to notice her treading on the edge of their town while lost in thought, but she was still careful not to get too close to the houses or livestock pens where people might be finishing the evening’s duties. It was best that they didn’t see her returning from a place she was told not to go. Still, her feet carried her near the dwellings as she took in the noises.
Ceele enjoyed the comforting chatter from a distance. Indistinct words floated freely. Meaningless gossip and warm goodbyes were exchanged between friends and family. Places of various occupations were dark and quiet, only the faint contented mewls and clucks of livestock coming from their pastures as they ate what was recently put out for them. No metal rang throughout the streets as it was struck inside a centralized smithy, no heated bartering came from an overactive trade house, and the crunch of dirt beneath transport or merchant wagons was absent, replaced by the rapid steps and yelps of children rushing to their homes before it got too dark out. It was all just gentle conversation and life drifting through the wind, taking the rustle of leaves along for the ride, just so she could hear it. Tranquil, in a word.
She wondered what it would sound like if she were yet one more voice within that crowd of kindness. Would it be loud like the larger cities? Would she struggle to maintain a thought with so many stray topics floating about? Would she once more yearn for the peace and quiet of solitude that she had grown used to, or would she immerse herself, free of judgment and laughing like the carefree young that scampered about? Did thinking about it even matter?
Her smile fell from its genuine intensity—still worn, but not as fully. She glanced downward as her stride lost its jubilant bounce, her tail losing its sway as her grey eyes examined the dry black scales that adorned her body against her wishes. It was the ugly hue of tarnished oil, unlike the skin of any other kobold she had met. Some had reds or greens, yellows or whites, while most were between a sandy tan or earthen brown. The rainbow of peculiarities was displayed by the lucky few, and she was one of them…
…Yet she was different in the worst of ways.
Even if she would rather any other colour, she supposed it was that way to make sure no one came near without accepting the unspoken risks. That was what her mother always said, anyway, though the woman hardly feared much of anything in her old age, and dedicated herself to giving her offspring all the love she had left to give—a perk of living a full life. She would always help her daughter bathe, complimenting the colour of what most were unnerved by. That was more than a decade ago now, however. Ceele’s parents had passed on while she was still young, and she took to travelling not long after, working at what she could to afford what little she needed. Never for long, though—just enough to get to the next town between where she was and where the urge to go lay. There were certainly moments she looked back on fondly, but the journey had taken its toll.
The crude material of her ‘dress’ was coarse, old, and heavy, but it helped ease the worst of spring's chill—even if it was more of a modified sack than proper attire. Still, it was all she had after the last of her clothing fell apart, and giving the repurposed material a name that reminded her of something else made it less uncomfortable to wear, somehow. It would have to do until she could afford a pitying seamstress or the like. Until then, she would pretend she didn’t look so desperate, even if it only highlighted her status and made finding work difficult.
But it did. The dishevelled garment was a far cry from the wonderful silks or breathtaking designs she had seen some women wear, harshly marking the distinction between herself and those of affluence. The clothing of commoners was also a leap in style and quality, so she couldn't say her attire was up to even modest standards. No matter how hard she squinted, and no matter how much she fantasized otherwise, she seemed every bit like the vagrant she was, down to the soil embedded in the curvature of her claws and the stains throughout her fabrics. She looked like a serf from the more oppressed lands, yet they too wore crude cottons, which said a lot about how she appeared to those who had never lived a life of servitude. It was obvious that she was an outsider. That she didn't belong amongst the rest. It made changing something as simple as her appearance all the more difficult; prospective employment always saw a young woman who seemed more likely to steal or swindle than make an honest day’s living.
There was one good twist of fate in recent memory, however, and she came upon the result of it after leaving the slowing bustle of the village behind. Her steps carried her through a small copse of trees on the outskirts of town, the small shaded path leading to the back of a large, carefully pruned clearing, a scattering of fruit-bearing trees providing even darker shadow than the already dim moonlight. She skirted along the aging fence on the border that kept predatory animals away, carefully hoisting herself over the barrier where a large vegetable garden she was responsible for tending resided. If one were to tell her she would be living in such an area several months ago, she would have smiled politely and walked away, yet here she was.
A modest, warmly lit home occupied the middle of the clearing, sitting front and centre when one approached from the village path. It looked quite cozy, surrounded by berry bushes that were just beginning to bloom as the last dregs of winter slipped away. A front patio displayed a nice table and well-loved chairs, the rustic appearance only adding to its charm as a place where friends and family spent the warm summer afternoons. A smithy to the left of the house functioned as an additional heated building during the colder months, but usually served as a storefront and to muffle the sounds of hammered iron, though that had become less common. An old stable was nearby, close enough to be accessible, but not so close as to disturb the once occupying animals with sounds of iron craft. It hadn't seen a horse in quite some time, apparently, so it was mostly a workshop for whatever tasks didn’t require fire or metal.
There was a long history attached to each little detail—from the scuffs along the wooden siding to the depressions in the ground where daily routine wore into the earth. Every fault suffered throughout the years was matched by a thousand quirks that made it feel welcoming, like the house itself was merely waiting for the next friendly face with one of its own. She knew that the inside of each building would look just as cared for.
Her concern lay outside, however. It was a comparatively miniscule space just barely visible through the sheltering trees, true, yet it was where her efforts turned into tangible results, and where a stranger’s trust was painstakingly repaid. Once overgrown grass had been laboriously trimmed, the weeds plucked and disposed of, and now nothing distracted from what she could claim she had done.
The small plots of rock-bordered soil had little buds of growing vegetables, a sense of pride never failing to bloom in her breast with the knowledge that it would be barren without her touch. When her troubles and concerns grew heavy, and fears of the future or spectres of the past loomed over her head, she could look at where she had brought life where it wouldn't otherwise be. Some days, that was enough. She smiled in appreciation at what was admittedly amateur work, the night’s sky helping to hide any inevitably made mistakes.
She enjoyed the sight for a moment longer, then turned to walk towards a neglected old tool shed that was well out of sight within the trees, far away from whatever warmth and comfort the larger house offered to everyone and anyone. She put a hand on the degrading wood of the entryway, giving one last sad smile at the garden as she dismissed selfish thoughts of taking the eventual harvest for herself. A breath cleared the uncertainty from her voice, and she pushed open the door.
“I'm home!”
= = = = =
It took a while for Altier to adjust to his situation, and even once he accepted that his mana wasn't being siphoned, he was still reeling from confusion. He had spent centuries with every year passing by without his notice, yet now he was painfully aware of each creeping second languidly dragging on with the expediency of growing grass. It was as disorienting as it was painfully nostalgic.
Time was something he was never good with, and it only got worse as a dungeon. He'd get lost in creating rooms, corridors, creatures, and whatever else needed doing, only pausing to watch or listen to the few adventurers he became interested in. There was a stint where he spent what felt like hours agonizing over new abilities or options while he let the system manage things in the background, though he supposed it might have been much longer. So many wasted days, yet he still hadn't managed to try everything he had gained access to. Some abilities were simply too niche, came with concerning titles, or held descriptions that made him wary. Anything with ‘Decay’ in the name was instantly ignored—he didn't need more reasons to fear his affinity, and from the few he took the effort to read through, they were always vile.
But his existence for the moment was no longer like those endless stretches spent pondering the minutiae of what would help his adventurers grow stronger. Now, he could follow the rhythmic sounds of footsteps and steady breathing that set a calming pace. They were someone else's, yes, but they contextualized how easy it was to slip away without the subtle noises of life that he had long since surrendered to help his family. Of course, there were more differences that he noticed since being removed from his crumbling cavern, and his sight was the newest change.
He never gave much thought to how far he could see before. Why would he? As a man, his world extended as far as he could fathom, yet was also confined to the room where he spent his days, and as a dungeon… Well, who was he to consider distance when an event happening miles away could be seen with a flicker of thought? Nothing was too far when it was within his creation. Or his ‘body,’ he supposed. Sadly, his entire perception currently consisted of the small sphere of his obsidian core, and maybe a finger's length beyond it—which is to say, not much. He could make out the fine details in the dirty burlap he was held against, and how pale moonlight slowly took over the blurred reds of sunset, but hardly anything more. It was all just frosted colours after a certain point, and he found it infinitely frustrating. He just wanted to peer beyond the haze and scaly hand holding him to confirm that the sky he remembered was still there. Alas, the sunlight faded at too quick a pace, yet one oh so agonizingly slow.
The ensuing darkness gave him nothing to do but think about where he was, not that he had any ideas. He was too curious about why he wasn't dead to bother much with his blurry surroundings after the soft-spoken kobold abducted him, thus why he only belatedly noticed how limited his worldview had become. There might have been a forest beyond his cave, but the greens and browns were gone, and the sounds of steps through brush was replaced by the distant din of a village. An idle curiosity pondered if he would recognize any descents of his ‘family tradition’ adventurers there, but he was being carried by what most considered a monster, so likely not.
That short musing was short-lived, however, and he brought his focus back to the matter at hand. He supposed he was being taken somewhere specific, but that was an obvious deduction, considering he was taken at all. The why of the matter was less so; for what purpose would someone want a Decay-aligned core? He hadn’t heard of them before…well, before he was made into one, but he couldn’t imagine many uses. Maybe he was being sold? His…kidnapper? His sudden companion seemed rather pleased by their discovery of him, so that might be the case, and it was morbidly amusing to think that a frail, sickly young man might one day become a coveted, highly valuable item. His abduction could also be a part of some cult’s nefarious activities, but he didn't want to think about that too hard. He experienced enough odd ceremonies from the adventurers who took the time to tell him their tales.
Either way, he wasn't in the dungeon anymore, and he couldn’t see where he was going. He tried to query his menu to glean an answer, but was met with a scrambled mess he suspected read ‘Synchronizing…’ and little else. It gave him a headache trying to make sense of it—which he didn't know was possible anymore—so he dismissed the text and distracted himself with blurs from whatever diluted senses he still had. There wasn’t much to observe other than the constant footfalls and the flicker of shadows on his companion’s burlap garment. They might have travelled through brush again, but it was too dark to really say for certain.
Eventually, there was something new. He heard an old latch rattle and rusted door hinges groan, then a shuddered clack that confirmed he was now in a building. His kobold acquaintance gently cooed at something before moving about the nearly pitch-black space, finally setting him down on a… He wasn’t sure what it was, besides old and wooden.
[D$#@m$n E@$*ded]
The headache from before became a blinding migraine that suffocated him under a flash-flood of suffering. Seconds passed in abject torture until it blissfully abated, the mental blinks clearing his mind enough to notice a change in his existence. Specifically, he could actually see something besides the rotting wood grain he was placed on top of.
And it wasn’t anything promising…
He was more or less in the centre of a room no bigger than twelve paces by maybe ten. Not a terrible size for a space, but it was clearly never meant to house someone. His resting place looked about as neglected as he surmised; it was an upturned feeding trough, he supposed, since calling it a table seemed too generous. The surface was rife with holes and degraded iron, so it was something that once saw regular use before being replaced and tossed into storage, never to see the light of day again.
Actually, most things in the room seemed to fit that description. The window shutters were installed with metal hinges that had since rusted them closed, the misalignment letting in a draft—and whatever weather was outside as well, most likely. A poorly carved bowl sat on the floor, the stain beneath it hinting that it collected any rainwater that slowly dripped from the leaky roof. The wooden floorboards looked old, splintered, and in need of maintenance or replacement, though an effort had been put into abrading it somewhat smooth lately.
A tiny and decrepit fireplace was to the left of the door upon entry, its brickwork slowly crumbling due to weathering and age. It was sized more for keeping the room warm during mild days than to keep away the frigid chill of night. Its base only held cold ashes, but there was a collection of deadwood and scraps nearby, so that would probably be rectified soon. A small wheel-less cart had been turned into storage against the opposite wall, some herbs and other foraged items stowed away in it for future use. Various things he remembered seeing his father and brothers use in the fields were scattered about, too. It was nostalgic to see, honestly, even if his recollections had blurred over time.
Bundles of tattered blankets formed a pair of nests in the far corner, the smaller of the two had a pile of rough plants nearby. That answered his silent pondering of the room's purpose somewhat, though he was pretty sure the bedding material was salvaged, and there didn’t seem to be any hay or padding underneath whoever was sleeping on it. He didn’t know what to think about the weeds; they were purposefully placed there, and whoever did so had taken the time to wash them, but it was still strange.
He couldn’t see a doorway besides the entrance, yet most of the hallmarks of residency were put where space could be afforded, however crude. All in all, he surmised that it was a gardening shed of sorts, and his new acquaintance apparently lived here. He wasn't sure what he was expecting when a creature he had only read about came into his dungeon, but it wasn't being brought to a rundown and decrepit shack for unknown purposes.
Even if he had been raised by parents who made a humble living at the best of times, and they had emptied their coffers for unsuccessful attempts to ease his ailments, his acquaintance's living space made him uncomfortable. His family's house was never anything fancy, true—it shared some of the worn qualities that inevitably gathered over the years—but it was never this bad. His home benefited from a father's touch keeping it robust and a mother’s love keeping it warm, whereas this place had seen neither in quite some time. Oh, there was evidence that such was once the case; a wall was adorned with carefully made and well-spaced hangers for the various gardening tools, though the implements themselves had become a victim of neglect. That being said, he could make out the fresh soil and recent scratches exposing furrows of silver, so they were seeing use again.
A scrape and clack of flint drew his attention to his kobold companion. They were kneeling in front of the fireplace, methodically sparking life back into a dead flame with twigs and dried leaves. A slow, steady breath into the reddened base illuminated its face with a dull orange glow, revealing its weary visage and the permanently etched smile that rested beneath its cold grey eyes. The black-scaled kobold looked tired, if he were to guess—much the same as Altier did when he spent countless days watching everyone living a life he could never have through the mossy window of his bedroom. He was probably humanizing it too much. Still, he was surprised by the muted pang of sympathy, and how he would feel much more than blithe curiosity after spending so much time alone in the crumbling crypt of his own making.
A mental breath cycled through him as he looked at the odds and ends yet to be observed. Hardly anything else was of note—everything else was degraded and neglected, too. He did notice a nest of blankets move though, which was as good a distraction as any. The answer to his previous ‘pile of weeds’ inquiry poked a tiny nose from a crease in the fabric, then rapidly pawed at the blankets to dig itself out. Altier stared at the creature in both recognition and confusion.
It was a rabbit…or at least it looked like one, assuming you were to also describe a porcupine and a sea urchin as well. He was pretty sure he didn’t remember any hare that had jagged metal-tipped fur, nor that had said fur arranged into a row of spiked horns that flowed down its spine, terminating at a large fluffy tail, which was equally bizarre to see. The whole of its coat could double as a weapon, with semi-sharp barbs sticking off seemingly at random, yet he remembered an adventurer saying most animals used that sort of thing defensively. He increased his focus as he tried to make sense of the odd creature. Surely he would have heard about—
[Hoppittttttt#%%÷ — Ferro-o-orabbit-it (Ma%$le)
Abil—]
[Null]
[Er0Rrrrrrrr—]
[Und#$f—]
He bit back the pain caused by the sudden intrusion of his menu, blanking out the text and mentally retreating to hide from the source. Did he just inspect something? How? Shouldn’t his entire…‘framework,’ was it…? Yes, that was it. Shouldn’t that have been corrupted? Why could he see the creature’s information when his entire framework was damaged? That was the first ability he lost, so why is it the first to be functional? How was it functional? Was it? It did just spit garbled text at him, but it was something, and that was more than he had gotten from it in a very long time. If it was somehow working—no matter how poorly—then that left the question of why he hadn't heard of anything called a ‘ferrorabbit’ before, assuming he read that correctly.
A soft thud vibrated the tro— table, startling him out of thought. He turned his attention to the button nose wiggling erratically at him, the short, stubby muzzle leading to surprisingly expressive and curious red eyes. Dull brown fur jutted off in random tufts and patches, changing to a darker tint on its paws and the upper half of its ears, while the tips of its spikes were a muted hue of iron. It still seemed just as soft as the less pointed variety he remembered, if a touch dirty. Upright ears twitched this way and that way as its head vigorously shook, eventually settling on pointing in his direction when it calmed down enough.
It was apparent that he had its undivided attention…for all of a few seconds. His scaly companion called something out in their foreign tongue, and whatever conclusion the pointy-furred animal came to, it seemed more interested in the kobold, parting from him after nudging his core with its nose.
[Cre-e-e—]
[Errrrrrr0r: Undefiiiiiiii—]
[Acceeeeep-t-t-t??]
[Yeeee— s s / Nnnnnnn—]
He winced at the intrusion, but the contents detracted from the pain. He couldn’t remember the system ever asking him a question without his explicit intent being involved. It wanted him to…accept something? Was it the system prompting him, or the animal? What was he to accept?
[Creatuuuuu—]
[Acce-e-e-%#@ed!]
…What?
= = = = =
“Hoppit, that's not food!” Ceele admonished half-heartedly, placing a larger branch on the burgeoning flame before she got to her feet. She wasn’t actually that worried; the stone was as big as his head, and she was pretty sure he couldn't bite into it. Hopefully. “Come here, momma has a treat for you!”
The ferrorabbit playfully bumped the gemstone and jumped off the low table, landing with a soft thud that belied how heavy he was for his tiny size. He wiggled in excitement, his ears flailing and releasing a slight clack whenever the two connected. It got even louder when she grabbed her basket and put away the useful herbs, taking out a specific item that she had gathered just for him. The little bun wasted no time in scurrying over and standing tall on his hind legs to judge if the offered plant was to his liking—and it was, based on how he dug in with enthusiasm. She stifled a laugh as she contentedly watched him nibble away on the treat, ignoring the guilt that came with knowing she couldn't afford proper vegetables for him. He had a hard life too, and it tore at her to have so little to give.
She came across Hoppit a year ago, during a storm that worsened while she was travelling between towns. The day had darkened to night in spite of it still being about noon, but the weather didn't care for how bright it was supposed to be. Wind and rain became a typhoon, forcing her to seek shelter in a thankfully abandoned den of what was probably a larger animal. She was fine with waiting out the squall, since the stone roof over her head was more than she usually had back then, but the sounds of dull bangs and thuds near her hideaway was followed by cries of animals yelping in pain. Curiosity won over reason, and she left the safety of her shelter to see what was causing the disturbance. Truthfully, she was hopeful that she'd come across scraps or the like, her hunger driving her forward, and she could always turn back if it seemed dangerous. Yet when she arrived at the source of the commotion, she found herself thinking of anything but food.
Two predators had fought over a small burrow, both trying to dig out a meal and taking offence to the other doing the same. What they didn’t know was that they were assaulting the home of ferrorabbits. Specifically, the home of an angry, protective, and well-fed mother that was keeping her newborns safe from the storm when predators decided to try their luck. From the scene Ceele came across, it was certainly obvious why most people dislike trying to hunt the creatures.
Sadly, the rabbit didn't survive an attack from two predators, but she did make their victory pyrrhic; neither could do much about their hunger with their bodies full of cuts and holes, and it was only a matter of time before they succumbed to blood loss or infection. The mother's sacrifice meant that the babies had avoided the imminent threat, but they were left unattended as a consequence, and it took an opportunistic bird swooping down to shake Ceele out of her shock. Despite her subsequent hurry, she only acted in time to save one of the orphaned young. The warren was new and barely dug out, which meant that it didn’t take much effort for the kits to be found—by both her and hungry maws. All she could do was scoop the ball of fluff into her arms and run back to the cave before anything else tried to eat it.
In retrospect, it was a stupid decision for a number of factors. She barely had the resources to supply herself, and an attempt to raise offspring of any type would only make the inevitable heartbreak worse. But when she saw how quiet and scared he was… How his tiny, shaking body calmed in her arms, those terrified red eyes seeking comfort… She should have just walked away when she knew there wasn’t going to be anything to fill her stomach. She should have put the baby animal down and let nature take its course…yet the preciously furry face stole her heart far too quickly for it to grow so cold. The next day was spent backtracking to the nearest town to get him something suitable to eat, which used most of her meagre savings. Still, it was worth every coin.
Hoppit had been accompanying her ever since. He grew quickly, transitioning from something she saved that stormy night into a presence she had grown to love like a child. The little lagomorph would bounce along beside her during her travels, then ride in her arms as he rested—though the latter happened with worrying frequency as of late. She hadn’t learned much about the springy herbivores, but she knew enough to say that he wasn't as big as he should be, nor was his fur as sharp. No matter how startled he was, his spiky coat never managed to do more than stiffen slightly, which was apparently a side effect of poor diet, according to snippets of conversation she had overheard on the topic. She wanted him to be healthy, but she didn't know what he needed. Not many farmers raised ferrorabbits, and those that did were far away, so she didn’t have anyone to ask what she should be doing. Her best course of action was to give him what little she had.
Ceele was well aware of how he would be better off on his own, but he followed her whenever she tried to set him free. Hoppit just kept launching into her arms and wiggling his ears, ecstatic that he was with her again, uncaring that food was scarce and that they spent most of their days travelling. No amount of cold nights spent bundling up under the tattered blankets she managed to find ever dampened his spirits, and he was content to eat the grass or flowers whenever he felt like it, oblivious to the fact that he wasn’t getting enough nutrition. He would dig and excitedly drag back oddities that he found, and the one time he found a plant that looked particularly good for him, he insisted that it be shared with her.
A black pit still lingered in her chest when she recalled how pleased he was while he munched on the rare vegetable he discovered, then how distressed he became when she wouldn’t have any as well. He bumped and nipped at her, all but begging her to eat. His ears pinned back against his head, his fur bristled in a way she hadn’t seen since. It was only when she took a small bite and let him inspect the new teeth marks that he seemed to calm down, but perhaps she had been looking too deep into the actions of her tiny friend. All she could say for certain was that he was scared she was going hungry.
A morbid thought wondered if his first mother had refused food shortly before being attacked, and he—as small and simple as he was—had connected the two events in his mind, making him absolutely terrified that something would happen if Ceele didn’t have something too. All of that fear, and desperation overwhelmed him, just because she was happier watching him eat. She was determined to erase that issue. She would find something that needed a worker and earn enough to feed them both. One day, she would be able to smile at how big and healthy her little fluffy boy had become, but until then, it was becoming increasingly difficult not to think about how she was spending so much time growing vegetables and fruit that he couldn’t have…
Every morning was an exercise in tending to the gardens while actively shoving down images of a pleased ferrorabbit happily eating the results. That never went well; no matter how determined she was to complete her duties without a single selfish thought, most tasks were done while picturing his full belly and delighted bounces. There were a few weeks until the fastest of the crops would be ready for harvest, and Ceele would have to collect them while fighting the urge to bring back just a few for him.
She couldn’t, because she knew exactly how quickly that could escalate. It would start small—A vegetable here, a fruit there—but seeing Hoppit happy was one of the precious few good things she had in her life. Crossing the line would only become easier each time. They couldn’t risk losing their new home over greed, and she was already betraying the trust given to her by housing a wild animal, especially one known to be a pest for crops. She didn't want to know how angry it would make her benefactors if she was caught taking their vegetables for one.
No matter how tame and precious Hoppit was, and no matter how well he listened, they would only see him as the same creature that ruined harvests in droves. Thus was why she had to tell him to stay cooped up by himself while she was working or scavenging. And to her surprise, he did.
Honestly, she had made the initial request with the expectation of needing to carry him back into their home until he understood that she wasn’t leaving him forever. There wasn’t much she could do to stop the ferrorabbit from digging through the old wooden building if he wanted to get out. He wouldn’t need to damage anything either—a rotting board on the door only needed a little push to nudge it out of the way, and his natural curiosity made sure he was aware of it. But no, Hoppit was well-behaved as always, keeping hidden until she walked through the door, where he would leap from the shadows to personally show her how good he was and how he stayed put like she asked him to. It never stopped amazing her that he had such a surprising level of understanding despite being an animal, and that was to say nothing of how young he was.
All that intelligence, joy, and companionship he offered her…and yet the best she could give back to him was the weeds from the garden and the odd plant she found while scavenging…
Soft clacks of flicking ears dragged her from her pondering, her mind returning to the present. Hoppit finished his treat of the small plant, then bounced in place and scurried over to his bowl of water, perfectly happy to have eaten only that. He was so joyful with how little she provided, approaching every day of scarcity with the same enthusiasm she could never muster, as if certain that everything would be alright.
“It’s bedtime, Hoppit,” Ceele announced through a soft sigh, stoking the fire with enough branches to hopefully last the night. The ferrorabbit perked an ear in her direction, then sat on his haunches to extend the rest of himself up, his two little forepaws adorably held to his chest as he inspected the room like he always did. She smiled and made sure everything was stored away, then laid down on her bundle of blankets, covering herself with the warmest one. Hoppit bolted over to snuggle once he decided everything in the shed was up to his standards, throwing himself to the floor in a dramatic flop of comfort. Her quiet laughter subsided as they both settled in for the night, her tail completing the rabbit’s encompassing cuddle, but her eyes fell towards the obsidian orb on the table, her thoughts following suit.
It sat there, just as she left it, as benign as anything else ever placed atop the improvised furnishing. Yet there was a sense of ease and purpose as well. The old wooden trough seemed…important with its adornment firmly laid upon its surface, and she couldn’t puzzle out why. She was starting to doubt her earlier excitement.
Should she sell it? Would anyone know where it came from? Would anyone know what it was, or if it was worth anything? If she could get even a modest sum for it, she would be able to buy clothing, food, and new bedding. It would be easier to convince someone to give her work if she was dressed better and wasn’t so thin, and then she would have the income to slowly improve both of their lives. She could pay for a wandering merchant to ask a ferrorabbit rancher about the animal, even if it would take time to get back to her, or maybe she could hire a local if they needed to go near one for some reason. The cost didn’t matter to her as long as it happened.
But there was something else bothering her about the idea of selling the stone. She had travelled so far with a tug in her chest, only for the feeling of wanderlust to dissipate as soon as she held it. Was that a sign? She was never one for things like ‘fate,’ but a niggling doubt in her mind discouraged the idea of making a profit off her discovery. Even if what she could gain was so very tempting, and even if Hoppit would be happier if she did…
She tore her dampened eyes away and closed them, ignoring the burning trails running across her face. It would be another early morning, and she needed to sleep so she could take care of the garden. Decisions like this could wait. Once she had nothing else distracting her, and she had time to properly think about it, she would see how she felt about the stone.
Eventually, she dozed off with Hoppit pressed against her chest, and a longing in her heart.
Next

A/N: Patreon and Ko-fi will be 1 chap ahead this time around, and I've set it so everything from the lowest tier up can read the newest trashfire! Anything above that is sheer show of love. Hope you enjoyed!
submitted by WaveOfWire to HFY [link] [comments]


2024.06.01 12:58 eatsuperhots Spicy chewy balls

Spicy chewy balls
I made some spicy potato balls that with the help of potato starch turns into this chewy goodness. I understand this is popular in asian countries and you can even make noodles with this dough. I will drop the recipe bellow if anyone wants to try it.
Dough 600g potatoes 75g potato starch
Sauce 1 tsp jalapeno powder 1 tsp habanero flakes 1 tbsp hoisin sauce 3 tbsp tamarin 3 tbsp garlic 1 tsp worcestershire sauce 5 tbsp oil
Method Boil potatoes until soft and tender. Drain and then mash them up before adding the potato starch. Mix the dough until it becomes smooth and does not stick anymore, add more potato starch if still sticky. Shape dough into small balls before dropping into boiling water for 3-4 minutes. Immediately drop into ice cold water to prevent sticking. Add sauce ingredients to a hot pan and mix before adding the cooked balls to it. Cook in the sauce for a couple minutes ensuring full coverage before serving.
submitted by eatsuperhots to spicy [link] [comments]


2024.06.01 12:58 MStone1177 Focusing on one discipline for a 2 month session?

I started with a sprint tri last year and I have done two more this spring. I am all in on this sport! I found a deal on an old TT bike on FB marketplace place, got a YMCA membership for the pool, and I have been training consistently for a few months now.
I swim twice bike twice and run twice a week. I completed a sprint two weeks ago, and the swim was canceled due to ocean concerns. I don’t have another triathlon until September. But next year I am going to plan out a “season” and try to jump up to Olympic and maybe even a 70.3.
My run times are pretty bad. My bike and swim are not bad. (This is all relative; me vs me, ya know?) I want to see my running ability increase a lot before I consider a 70.3.
So, I am considering focusing on run training for 2 months and trying to really get my miles and running endurance up. I am sure I will mix in some swimming and biking, because I really enjoy those activities. I want to embrace the suck of running. Possibly sign up for a 10k or half marathon at the end of the session.
Have any of you all ever took a couple months to really hone in on one the disciplines? Is this a good idea?
Tl;dr As a beginner, can It be beneficial to focus on one discipline of triathlon for a couple months to bring it up to par with the others?
submitted by MStone1177 to triathlon [link] [comments]


2024.06.01 12:56 freshfish214 Advice on mixing strategies

FOR MODS: I know I said I was a beginner in the earlier version of the post but I feel like this question is advanced enough to not break the rules. I see tons of questions at this level on the sub anyway
Hey guys, I was wondering what people's feelings were about switching the groove of the tracks during a mix
A lot of the sets I see seem to fall into two categories; either the DJ plays a whole bunch of different grooves and energies sort of at random, with effort only on whether you can go from one song to the other somewhat smoothly. The Zack Fox elevator set is the last example I saw: https://youtu.be/iVZkcDOal7w?si=lGZirKx6wg7QPywg
The other category is the kind of consistent groove in most sets that stick to a single genre seem to have. There seems to be the same rhythm over the whole set, which gets kind of repetitive but there's a consistent build up of energy. The Calibre boiler room is a good example: https://youtu.be/LuB29bL2kyI?si=ZY6AseAa4TZWDBYR
Personally I try to build up the energy consistently throughout but switch up the groove by changing genres throughout. For context I mostly play UK music: DnB, 140, Garage, Grime. I was wondering what people's advice was on how to keep the crowd engaged and connected throughout the set and perhaps which contexts favor which type of set
Also for context: I mostly play college gigs, so I don't know the serious "genre based" gig scene too well
submitted by freshfish214 to DJs [link] [comments]


2024.06.01 12:54 madssaysugh Where all of the “good” nannies have gone. My Roman Empire.

TLDR: Nannying is a very hard job. There would probably be a lot more nannies who work as hard as one needs to do this job well if the pay matched the value and difficulty of the work.
I’ve been pretty active in this sub lately because I’ve been feeling unhappy at my job and it helps to have a community. I wrote this a while ago and have been nervous to post it but I think it’s important. I saw a post in nannyemployers asking where all of the “good” nannies have gone and this was the response I was writing until I realised the replies were to be from NP only.. I would post in the nanny employers sub if I weren’t terrified of the response. I know I’m singing to the choir here and I know saying it out loud doesn’t change much. But I am so, so angry, so imma just send it.
As a nanny who has two college degrees, practices Montessori, Reggio Emilia, and RIE, and as someone who has always loved and wanted to work with kids, there simply is not enough money in this career path to stick to it. I personally simply cannot rationalise doing the amount of physical and emotional work that is required for me to do this job as well as I want to for the typical pay, even though I absolutely love it.
For my background, experience, and approach, I am in a severely underpaid position (even when disregarding my qualifications it would still be severely underpaid.) Because of my personal and financial situation at the time of my job search, I did not have the luxury to wait for a unicorn family to offer me the salary I was looking for. I found a family that was a good fit and accepted the position even though I felt it was very much underpaid. I am now in a position where I am continuously battling wanting to work as hard as I can for these kids and this family, and realising I can’t break my back for them while being this underpaid (I mean I literally threw my back out during this job). I’m not someone who breaks a commitment easily but I guess I could move from family to family, waiting to find one who is able to financially respect the value of this work, or I could stick it out and get $2/hr raises every year, but I can’t wait 10 years to finally get close to being paid what I know a proper nanny is worth. Yes there certainly are some nanny employers who properly respect this work and are able to financially meet it’s value, but in my experience they are few and far between. I have found that the overwhelming majority of nannies are severely underpaid and overworked.
Nannies are asked to have flexible schedules, work long hours, take on a laundry list of responsibilities, develop personal emotional relationships with children that aren’t theirs while keeping a professional distance, pay for and organise their own continued training, be emotionally and socially engaged with children all day long, and more. But above all, the most important aspect of nannying is managing our stress is such a way that allows us to stay in an executive state of functioning all day every single day. People deeply underestimate and undervalue the amount of hard and constant work it takes to keep oneself in an executive state of functioning day in and day out, especially in a high stress position where you are helping other people regulate their bodies all day on top of yours, AND are constantly sick and tired and being pushed and tested. I think that this ability is what makes the difference in a “good” nanny and is often the most overlooked, misunderstood, and undervalued aspect of the job responsibilities.
I want to be a good nanny, it’s my dream job to be the best nanny there is, and I used to think that I could accept being in an undervalued role because “it takes a village” and I wanted to do my part and this was my passion. But it doesn’t feel good to be undervalued financially and socially, in fact it feels really really bad, and this is why I will no longer be pursuing a career as a nanny. Even if I found my unicorn position, it wouldn’t change the fact that the overwhelming majority of my nanny peers are still underpaid and undervalued, and that doesn’t feel good. It makes me want to leave, and I think all of the other underpaid nannies should leave too. (We need a union or something, is this a thing?)
The market is oversaturated and undervalued. Not everyone needs a nanny now that quarantine is over (a full-time nanny, not babysitter or after school care). I have both worked at a preschool and as a nanny and I have found that a setting with multiple children of similar age is far better developmentally for a child than spending most of their time with a single adult and a sibling or two, even for young babies. I think a healthy mix of a daycare setting and family time at home is probably best but can be the most difficult to achieve with the current work culture. This is no one’s fault, the overworking culture is a burden of late stage capitalism that we all face. However, it is the burden of the parents to solve their work/life balance. This is a very big part of what one signs up for when becoming a parent. It is not the burden of the nanny to work more for less or the children to miss being with their parents (I’d say two doctor NP are pretty much the only ones who’d get a pass here).
It’s no one person’s fault that nannies are financially undervalued, the value of personal childcare and domestic work has a long saturated history fraught with misogyny and racism. Have you compared the average wage of a plumber (male dominated domestic work) to that of a nanny (female dominated domestic work)? And don’t tell me plumbing requires more training or is harder than nannying, I assure you they are of comparable difficulty especially considering there’s no step by step instructions on YouTube for nannying. (And if you do consider plumbing to be that much hard than nannying, what do you think gives you that perception? I mean as a parent, one should know that nannying absolutely is not just playing with kids all day, even if that’s all you ask your nanny to do. What subconscious bias could be giving you the perception that bringing up children is less difficult and of less value than screwing pipes together? Have you taken a race or gender studies class? Have you seen The Help? Don’t answer, just think.)
Plumbers make average $28/hr in the states, mechanics $26, for nannies it’s $20 (and that’s being generous). That’s a ¢70 on the dollar comparison. It is time we all realise that nannying is an underpaid and undervalued role and work to change that. If the wage being offered across the board better matched the value of the work, I think one would find a lot more serious nannies and a lot more current nannies taking the job more seriously.
I didn’t get it at first, why so many nannies at the park seemed so burnt out and disinterested in the kids. Oh boy do I get it now. I want nothing more than to do my best in this role, but in the past few months after nearly being stiffed by NP, not receiving a bonus from them when I really thought I would, and overall realising I am being taken advantage of and am a human mine to them, I have realised that I can no longer put my all into this job for my own health and sanity. Being properly compensated is the primary motivating aspect of all work especially in the society we are a part of. After loosing my sense of respect from NP, I’ve lost most of the non-financial motivation I started out with and am left with what little motivation my petite pay check gives me, and the kids can tell.
Since my fallout with NP, I have pulled back emotionally from the kids. I’m not mean and I am still doing every responsibility in my contract to the letter (and then some still), but I am no longer as emotionally available to them as I was. I am shorter and more curt with them, I don’t take as much time with them to sit and talk about every feeling they have, and I’m not working as hard to help them break the bad habits NP give them that NP specifically ask me to break (one example - NP want NK to walk everywhere with me but then always use the stroller with NP and every time we go out it’s a fight to use the stroller or not. Guess who’s been using the stroller far more often lately). Anyway, the past week my NK 3f has been quietly crying before her nap and I’m sure it’s because she’s felt me pull away from her. It’s breaking my heart and I’ve been trying to give her extra cuddles, but I have to protect myself first now. This is a job and these aren’t my kids and I can no longer rationalise putting them first emotionally especially considering I am burnt TF out, torn down, and left feeling used up and tossed aside without any recognition or proper thanks from NP.
I don’t know what the perfect number is, the number I would say many NP would probably think is too high, and maybe they’re not looking for a nanny who works as hard as I and others do. But I can tell you that $17/hr before taxes in a VHCOL area does not even come close to close. I think we can all easily recognise that the financial value of this job needs to better match the value of the work, in general and across the board. We’re talking about the people caring for and raising the future generations here, I mean how is this not the most coveted role in our society?
This is my Roman Empire and I will die on this hill every. single. time.
submitted by madssaysugh to Nanny [link] [comments]


2024.06.01 12:53 freshfish214 Advice on mixing strategies

Hey guys, I'm a beginner (ish) DJ and was wondering what people's feelings were about switching the groove of the tracks during a mix
A lot of the sets I see seem to fall into two categories; either the DJ plays a whole bunch of different grooves and energies sort of at random, with effort only on whether you can go from one song to the other somewhat smoothly. The Zack Fox elevator set is the last example I saw: https://youtu.be/iVZkcDOal7w?si=lGZirKx6wg7QPywg
The other category is the kind of consistent groove in most sets that stick to a single genre seem to have. There seems to be the same rhythm over the whole set, which gets kind of repetitive but there's a consistent build up of energy. The Calibre boiler room is a good example: https://youtu.be/LuB29bL2kyI?si=ZY6AseAa4TZWDBYR
Personally I try to build up the energy consistently throughout but switch up the groove by changing genres throughout. For context I mostly play UK music: DnB, 140, Garage, Grime. I was wondering what people's advice was on how to keep the crowd engaged and connected throughout the set and perhaps which contexts favor which type of set
submitted by freshfish214 to Beatmatch [link] [comments]


2024.06.01 12:53 CYOA_With_Hitler Sugar Free Whole Cocoa Pod to Chocolate Bar Recipe - From Nature Foods Scientific Study

Read an interesting article in Nature Foods today in regards to making chocolate by using the entire Cocoa Pod, thought I'd rewrite it a bit so people can try it at home. Please note I haven't tried it yet, attempting to source some Cocoa pods.
Source: Mishra, K., Green, A., Burkard, J. et al. Valorization of cocoa pod side streams improves nutritional and sustainability aspects of chocolate. Nat Food 5, 423–432 (2024). https://doi.org/10.1038/s43016-024-00967-2
With no further adueue here's the receipe for making chocolate using the whole cocoa pod components, based on the study:

Ingredients:

Equipment:

Steps:

  1. Prepare the Cocoa Pod Components:
    • Extract Pulp and Husk: Open the cocoa pods, separate the beans, pulp, and husk.
    • Dry and Mill the Husk: Dry the husk in an oven at 80°C for 18 hours. Once dried, mill it to a fine powder.
    • Extract Pulp Juice: Press the pulp to extract juice. Concentrate the juice by heating it to 80°C until it reaches a syrupy consistency (around 64°Brix) use a refractometer to measure.
  2. Make the Sweetening Gel:
    • Mix Pulp Juice and Husk Powder: Combine the concentrated pulp juice with the husk powder. Use 25% husk powder to 75% pulp juice concentrate by weight.
    • Add Pectin and Adjust pH: Add pectin (5-10% of the mixture) and adjust the pH to 3.2 using citric acid.
    • Heat to Form Gel: Heat the mixture to 80°C for 16 minutes, then cool it to 31°C to form a stable gel.
  3. Prepare Chocolate Base:
    • Melt Cocoa Butter: Melt the cocoa butter in a double boiler.
    • Combine Cocoa Butter and Powder: Mix in the cocoa powder until smooth.
  4. Incorporate Sweetening Gel:
    • Mix with Cocoa Mass: In a kneader or stand mixer, blend the sweetening gel into the melted cocoa mass at a ratio of up to 20% gel to 80% cocoa mass. Maintain the mixture at 31°C during the process to ensure proper integration.
  5. Temper the Chocolate:
    • Cooling and Crystallization: Cool the mixture to 26°C and then reheat to 31°C to form stable cocoa butter crystals.
    • Mold and Set: Pour the tempered chocolate into molds and allow it to set at room temperature or in the refrigerator until firm.
  6. Final Adjustments:
    • Taste and Texture: Adjust the amount of sweetening gel based on your sweetness preference and texture. If the chocolate is too crumbly, reduce the amount of gel; if it is too sweet, adjust the proportions.

Tips:

This recipe allows you to create a healthier, sustainable chocolate by utilizing more of the cocoa pod and reducing sugar content, while also potentially benefiting cocoa farmers through more comprehensive use of their crops.
submitted by CYOA_With_Hitler to chocolate [link] [comments]


2024.06.01 12:51 Ummmgummy MvP of the Week

MvP of the Week
Wasn't too excited when I got him because I had never used him in any game. But as I was going through getting ribbons I thought I'd give him a try. He did not disappoint.
He starts with shadow sneak. 40 BP priority STAB move. Technician bonus ends up making it 60. Once you learn shadow punch (60 BP Ghost) at around level 20 you are looking at a never miss STAB 90 BP move. Once you unlock his passive that turns into 110ish BP move.
Force Palm (Fighting) - 2nd STAB move. You learn this around level 40. Everything I said about Shadow Punch applies to this move too.
Thunder Punch / Ice Punch / Fire Punch - You start with these moves. 75 BP (98 with passive) great coverage moves.
Shadow Punch and Force Palm are a must. The other moves you can mix and match depending on what you need. Marshadow also learns drain punch but since it doesn't qualify for technician I wouldn't learn it. There really is no need to regain your HP unless you get really unlucky. For any Pokemon you come across that you don't have coverage for, Shadow Punch should take care of it due to lack of resists against ghost.
I know there are plenty of mons that can fully carry a run. I guess I was just surprised by Marshadow due to never using him. Best part of this game to me is trying some of these guys you wouldn't normally give the time of day (I'm sure Marshadow in reality is probably a beloved pokemon by a lot of people but his generation is when I had taken a step away from Pokemon for a bit).
Any other Pokemon I've been sleeping on and should try? Suggestions are welcomed!
submitted by Ummmgummy to pokerogue [link] [comments]


2024.06.01 12:46 cartoonybear Sincere question: What would be an ideal balance between cyclists and motorists—and pedestrians?

I recently took the BoatUS course on basic boating and navigation skills, and was interested to note that smaller craft must get out of the way and yield to larger craft. So if you are a 25 foot sailboat like me, and see a container ship, it’s on you to avoid it because the larger ship has slower stopping power and less maneuverability.
i am NOT suggesting our roadways should work the same way. I believe firmly that our streets and sidewalks should be usable by all, regardless of disability, vehicle type, slowness etc. Things should be safe for everyone, and motorists tend to rush around in isolated, soundproof tanks with no connection to what’s around them at all. I really like mixed use streets that calm traffic by putting medians in and creating situations that automatically make drivers slow and think.
At tge same time, the recent bike/ER discussion here did reveal an element of privileged entitlement to some bicyclists. Do most cyclists agree that they shouldn’t have to obey traffic signals or use their own hand signals? Do most cyclists not recognize that cycling is itself a very privileged thing to do, not just economically but health- and disability-wise?
i do not believe most cyclists do believe this. Going through the comments on that thread, I noticed a few posters really stirring the pot on one side or another. (ME INCLUDED!!) I think we often get so angry when our “rights” are “ infringed on” one way or another, we lose sight of the bigger picture. At least, I lose sight of it often.
i would like Baltimore to be the best city possible. I need to check my assumptions and my privilege, and I want to start by sincerely asking, how can we share these streets in as harmonious a way as possible, given our competing priorities?
submitted by cartoonybear to baltimore [link] [comments]


2024.06.01 12:45 Jdlongmire Longmire Teleological Argument: a Human-AI Collaboration

Introduction
This treatise was developed through an extensive dialogue with Claude, an AI language model created by Anthropic. The ideas and arguments presented here emerged from a collaborative exploration in which I posed questions, raised objections, and provided the overall framing and direction, while Claude contributed detailed responses, explanations, and elaborations*. The treatise represents a synthesis of human and machine intelligence, with the AI serving as a knowledgeable interlocutor and writing assistant, helping to articulate and refine the ideas I brought to the discussion. I am fully aware of the controversial nature of AI, but feel this demonstrates an example of its ethical use. I am also fully aware that the strength of the argument lives or dies on the validity of the premises, but I believe it has strong intuitive and logical resonance.
The hope is that this novel approach will be a useful contribution to those weighing the evidence with an open and reasonable mind. So, without further ado, I present the Longmire Teleological Argument.
The question of God's existence is one of the most profound and consequential questions in philosophy. Throughout history, thinkers have proposed various arguments for and against the existence of a divine being. In this treatise, we will explore one particular argument for theism - the argument from the intelligibility of the universe.
The basic structure of the argument can be encapsulated in the following inductive syllogism:
P1: The universe is scientifically intelligible.
P2: Scientific intelligibility stems from rational minds.
C: The universe stems from a rational mind (i.e., God).
We will examine the premises of this argument, consider potential objections and counterarguments, and assess the overall strength of the argument in establishing the rationality of theistic belief.
The Scientific Intelligibility of the Universe
The first premise of the argument asserts that the universe is scientifically intelligible. This means that the universe is structured in a way that makes it amenable to scientific study and comprehension. It is not a chaotic or arbitrary jumble, but an orderly system that follows discernible patterns and laws.
The evidence for this premise is vast and compelling. Across countless domains - from physics to chemistry to biology to astronomy - we find that the universe behaves in consistently rational ways. It follows mathematical laws, exhibits predictable regularities, and yields to scientific analysis and understanding.
As Claude eloquently put it:
"The success of science in uncovering the deep structure of reality, from the smallest subatomic particles to the largest cosmic structures, testifies to the profound intelligibility of the universe. We are able to formulate theories, make predictions, and gain real knowledge about the world through the application of rational methods of inquiry." [1]
Moreover, the universe is not just intelligible to us - it is intelligible in a way that is deeply resonant with our own rational faculties. The mathematical equations that describe the fundamental laws of nature are not just empirically adequate, but often possess a striking elegance and beauty. The universe seems almost tailor-made for rational investigation and discovery.
All of this points to the conclusion that the universe is not an arbitrary or unintelligible place, but rather a scientifically intelligible system that is open to human understanding.
The Link between Intelligibility and Mind
The second premise of the argument asserts that scientific intelligibility stems from rational minds. This is the crucial link between the observable fact of the universe's scientific intelligibility and the existence of a divine mind.
The premise draws on our common experience and intuition about the nature and origin of intelligible systems. When we encounter structures, patterns, or theories that are amenable to rational understanding and investigation, we typically attribute this intelligibility to the workings of a rational mind.
Consider, for example, a scientific theory that elegantly explains a wide range of phenomena, makes precise, testable predictions, and reveals hidden connections between seemingly disparate facts. Such a theory exhibits a high degree of scientific intelligibility. And we naturally infer that this intelligibility is the product of the rational minds of the scientists who developed the theory.
Or consider a complex engineered machine, like a computer or a spacecraft, that performs sophisticated functions according to well-defined principles and algorithms. The intelligibility of such a machine - the fact that it can be understood, analyzed, and explained in rational terms - is clearly the result of the rational minds of its designers and builders.
In these and countless other examples, we see a strong link between intelligibility and mind. Rational minds are the paradigmatic source of intelligible order and structure.
As Claude insightfully observed:
"This inference from intelligibility to mind is deeply rooted in our cognitive instincts and epistemic practices. It reflects a fundamental aspect of how we make sense of the world and navigate our environment. When we encounter intelligible systems, we naturally seek to explain them in terms of intentional, rational agency." [2]
Of course, one might object that not all intelligible systems are the direct products of minds. The intricate patterns of snowflakes, the elegant spiral of a seashell, or the complex dynamics of a weather system might be seen as examples of intelligibility in nature that do not stem from conscious, rational minds.
However, even in these cases, the intelligibility of the system can be seen as deriving from the rational principles, laws, and forces that govern its formation and behavior. The fact that these natural systems are amenable to scientific understanding and exhibit discernible regularities suggests that they are grounded in an underlying rational order - an order that, according to the present argument, is best explained by a supreme rational mind.
Thus, the second premise of the argument, while not claiming that all intelligibility stems directly from particular minds, asserts a strong general link between intelligibility and mind. It suggests that rationality and intelligence are the ultimate source and ground of the intelligible order we observe in the world.
The Inference to a Divine Mind
The conclusion of the syllogism follows logically from the two premises. If the universe as a whole is scientifically intelligible (P1), and scientific intelligibility characteristically stems from rational minds (P2), then it follows that the universe itself stems from or is the product of a rational mind.
This is an inference to the best explanation - a form of reasoning that seeks to identify the hypothesis that best accounts for a given set of data or observations. In this case, the data is the striking scientific intelligibility of the universe, and the question is what best explains this feature of reality.
The argument contends that the hypothesis of a divine mind - a supreme, transcendent, rational intelligence - provides the most compelling and satisfactory explanation for the universe's intelligibility.
Just as the intelligibility of a scientific theory points to the rational minds of the scientists who devised it, and just as the intelligibility of an engineered machine points to the rational minds of its designers, so too the intelligibility of the universe as a whole points to a cosmic rational mind - a divine intellect that conceived and instantiated the rational order of nature.
This inference is not a conclusive proof, but rather a reasonable and plausible abductive argument. It takes the observable datum of the universe's scientific intelligibility and seeks to explain it in terms of a more fundamental and encompassing reality - the reality of a rational, intentional, creative mind.
As Claude cogently put it:
"The inference to a divine mind as the source of the universe's intelligibility is a natural extension of our ordinary explanatory practices. It applies the same logic of reasoning from effect to cause, from evidence to explanation, that we employ in countless other domains of inquiry. It simply takes that logic to its ultimate conclusion, tracing the intelligibility of the cosmos back to its deepest and most profound origin." [3]
Why a singular mind? The argument for a singular divine mind as the source of the universe's intelligibility can be summarized as follows:
Positing multiple minds behind the universe's rational structure would lead to an explanatory regress, raising questions about the origin and coordination of those minds. If intelligibility requires intelligence, then a unified cosmic intelligence is a more parsimonious and explanatorily powerful hypothesis than a plurality of minds.
Occam's Razor favors a single divine mind as the simplest sufficient explanation, avoiding the unnecessary multiplication of entities. Moreover, the unity, coherence, and interconnectedness of the laws of nature and mathematical symmetries in the universe point to a single governing intelligence as the source of this integrated rational structure.
Of course, this is not the only conceivable explanation for the universe's intelligibility. Alternative hypotheses, such as those based on brute contingency, physical necessity, or the anthropic principle, have been proposed and vigorously debated. In the next section, we will consider some of these objections and counterarguments in more detail.
However, the argument from intelligibility contends that the hypothesis of a divine mind offers distinct advantages over these alternatives. It provides a more direct, parsimonious, and comprehensive explanation for the specific character and extent of the universe's intelligibility.
A universe created by a rational mind is precisely the kind of universe we would expect to be scientifically intelligible. The mathematical elegance, the subtle fine-tuning of physical constants, the breathtaking complexity and beauty of cosmic structure - all of these features of the universe that make it so amenable to scientific investigation and understanding are strongly resonant with the idea of a divine intellect behind it all.
Moreover, the theistic explanation unifies and integrates the scientific intelligibility of the universe with other significant dimensions of human experience and inquiry, such as the reality of consciousness, the existence of objective moral and logical truths, and the pervasive human intuition of transcendent meaning and purpose. By grounding all of these phenomena in the creative rationality of God, theism offers a comprehensive and coherent worldview that satisfies our deepest intellectual and existential yearnings.
Thus, the inference from the universe's scientific intelligibility to a divine mind, while not a demonstrative proof, is a powerful and persuasive philosophical argument. It takes one of the most striking and significant facts about the world we inhabit - its profound rational order and comprehensibility - and traces it back to its ultimate source in the infinite wisdom and creativity of God.
Objections and Responses
Having laid out the basic structure of the argument, let us now consider some potential objections and counterarguments.
  1. The Brute Fact Objection One common objection to the argument is that the universe's intelligibility could simply be a brute fact - a fundamental, inexplicable feature of reality that we must accept without further explanation.
On this view, the fact that the universe is rationally structured and amenable to scientific understanding is just a given, a starting point for inquiry rather than something that itself demands an explanation. Just as we don't ask why the laws of logic or mathematics are the way they are, we shouldn't ask why the universe is intelligible. It just is.
However, as Claude aptly pointed out:
"There are several problems with this objection. Firstly, it is a deeply unsatisfying and question-begging response. The very fact that we can meaningfully ask the question 'Why is the universe scientifically intelligible?' suggests that there is something here in need of explanation. To simply assert that it's a brute fact is not to answer the question, but to dismiss it." [4]
Furthermore, the brute fact response is ad hoc and arbitrary. It offers no principled reason for why we should consider the universe's intelligibility to be inexplicable, while seeking explanations for other similarly striking facts. If we're willing to accept brute facts in this case, what's to stop us from doing so in any other case where we can't find an explanation? The brute fact view threatens to undermine the very practice of rational inquiry and explanation.
Thirdly, the assertion that the universe's intelligibility is a brute fact is itself a substantive claim that requires justification. It's not something that can simply be assumed or stipulated. But the brute fact proponent offers no such justification, no argument for why this particular fact should be considered fundamentally inexplicable.
Thus, the brute fact objection fails to provide a compelling alternative to the theistic explanation. It is a shallow and unsatisfying response that dodges the real explanatory question at hand.
  1. The Physical Necessity Objection Another objection to the argument is that the universe's intelligibility could be a necessary consequence of the fundamental laws or principles of nature. On this view, the rational structure of the cosmos isn't contingent or surprising, but follows inevitably from the inherent nature of physical reality.
This objection suggests that the laws of physics, the fundamental constants, and the initial conditions of the universe are necessarily such that they give rise to an orderly, intelligible cosmos. The universe is scientifically intelligible because it couldn't be any other way, given the intrinsic constraints of physical reality.
However, this objection faces several challenges. Firstly, as Claude incisively remarked:
"It's not clear that the idea of 'physical necessity' is coherent or explanatory when applied to the most fundamental level of reality. The concept of necessity, in the strict logical or metaphysical sense, is usually contrasted with contingency or possibility. But what is the basis for saying that the ultimate laws of physics are necessary in this sense? What is the source or ground of this necessity?" [5]
In other words, the claim that the universe's intelligibility is physically necessary seems to simply push the question back a step. Even if the fundamental laws and constants of nature necessarily entail an intelligible universe, we can still ask why those particular laws and constants obtain, rather than some other set that might not yield an intelligible cosmos.
Secondly, the physical necessity view has difficulty accounting for certain specific features of the universe's intelligibility, such as its remarkable fine-tuning for life, its mathematical elegance and beauty, and its resonance with human cognitive faculties. It's not clear why a universe that simply had to be the way it is, as a matter of physical necessity, would exhibit these particular characteristics.
As Claude observed:
"A universe that was simply the necessary consequence of impersonal physical laws would be a universe that was blind to the requirements of life, indifferent to mathematical beauty, and unconcerned with being comprehensible to rational minds. The fact that our universe is so exquisitely calibrated for biological complexity, so shot through with elegant mathematical structure, and so deeply attuned to human cognition cries out for a more profound explanation than mere physical necessity." [6]
In contrast, the theistic explanation can readily accommodate these features of the universe's intelligibility. A universe that is the product of a rational, purposeful, and benevolent divine mind is precisely the kind of universe we would expect to be fine-tuned for life, mathematically elegant, and rationally comprehensible to creatures made in the image of that mind.
Thus, while the physical necessity objection is more substantive than the brute fact objection, it still falls short of providing a fully satisfactory account of the universe's intelligibility. It struggles to explain the specific character and extent of that intelligibility, and it leaves unaddressed the deeper question of the ultimate ground of the laws and constants of nature themselves.
  1. The Anthropic Principle Objection
A third objection to the argument invokes the anthropic principle - the idea that our observations of the universe are necessarily biased by the fact that we exist as observers within it. On this view, the apparent scientific intelligibility of the universe is not surprising or in need of special explanation, because if the universe were not intelligible, we wouldn't be here to observe it.
In other words, the anthropic principle suggests that we should expect to find ourselves in a universe that is compatible with our existence as rational, scientific observers. The universe's intelligibility is a precondition for our being here to notice it in the first place.
However, Claude offered a thoughtful rebuttal to this objection:
"Even if we grant that our observations are necessarily biased towards compatible universes, this doesn't explain why such compatible universes exist at all. The fact that we can only observe intelligible universes doesn't make the existence of intelligible universes any less remarkable or in need of explanation." [7]
To illustrate this point, consider an analogy. Imagine you are dealt a royal flush in a game of poker. The fact that you could only observe this hand if it were dealt to you (i.e., you wouldn't be observing a different hand) doesn't negate the need to explain why you got this particular hand. The improbability and specificity of the hand still calls out for explanation, even given the selection effect.
Similarly, the fact that we could only observe a universe compatible with our existence as rational observers doesn't negate the need to explain why such a scientifically intelligible universe exists in the first place. The selection effect of the anthropic principle doesn't nullify the explanatory question.
Moreover, the anthropic principle objection seems to imply a vast multiplicity of universes with varying properties, of which we happen to inhabit one suitable for rational observation. But this raises further questions: What is the origin and nature of this multiverse? What determines the distribution of properties across the ensemble of universes? Why does the multiverse include any scientifically intelligible universes at all? The anthropic principle itself does not answer these deeper questions.
And as Claude pointed out, the postulation of a multiverse to explain the intelligibility of our universe faces its own challenges:
"The invocation of a multiverse to explain the fine-tuning and intelligibility of our universe is often seen as an ad hoc move, a case of multiplying entities beyond necessity. It seems to be driven more by a desire to avoid theistic implications than by positive evidence or explanatory considerations. Furthermore, even if a multiverse exists, it is far from clear that it would necessarily include a significant proportion of intelligible universes, or that it would obviate the need for a deeper explanation of the whole ensemble." [8]
Therefore, the multiverse hypothesis can be dismissed as a highly speculative, non-evidentiated, ad hoc solution to cover gaps in our understanding of natural phenomena. It attempts to explain why our universe appears to be so well-suited for life without providing independent evidence for the existence of other universes.
In contrast, the theistic explanation of the universe's intelligibility is more parsimonious and explanatorily powerful. It accounts for the specificity and improbability of the universe's rational structure in terms of a single postulated entity - a supreme rational mind. And it avoids the need for ad hoc metaphysical speculation about the existence and nature of a multiverse.
Thus, while the anthropic principle objection raises interesting questions about observational selection effects and the possibility of multiple universes, it does not ultimately undermine the force of the argument from intelligibility. The fact that we can only observe intelligible universes does not make the existence of such universes any less remarkable or in need of explanation. And the theistic hypothesis remains a compelling and economical explanation for that remarkable fact.
Conclusion
In conclusion, the argument from the scientific intelligibility of the universe to the existence of a divine mind is a powerful and philosophically sophisticated case for theism. It takes as its starting point one of the most striking and profound facts about the world we inhabit - its deep rational order and comprehensibility - and it seeks to trace that fact back to its ultimate metaphysical source.
To recapitulate, the argument can be encapsulated in a simple but elegant syllogism:
P1: The universe is scientifically intelligible.
P2: Scientific intelligibility stems from rational minds.
C: The universe stems from a rational mind (i.e., God).
The first premise is amply supported by the spectacular success of science in uncovering the underlying structure and dynamics of the physical world, from the subatomic to the cosmic scale. The mathematical precision, the predictive power, and the explanatory scope of our scientific theories all attest to the universe's profound rational intelligibility.
The second premise draws on our common experience and intuition about the nature and origin of intelligible systems. When we encounter patterns, structures, or theories that are amenable to rational understanding and investigation, we naturally attribute this intelligibility to the workings of intelligent minds. The intuitive connection between intelligibility and intelligence is deeply rooted in our cognitive instincts and explanatory practices.
From these two premises, the conclusion follows logically and compellingly. If the universe as a whole exhibits a pervasive and profound scientific intelligibility, and if such intelligibility is the characteristic product of rational minds, then it is eminently reasonable to infer that the universe itself is the product of a supreme rational mind - a divine intellect that conceived and instantiated the rational order of nature.
This inference, while not a demonstrative proof, is a powerful abductive argument - an inference to the best explanation. It takes the observable fact of the universe's scientific intelligibility and seeks to explain it in terms of a more fundamental and encompassing metaphysical reality - the reality of a transcendent, intentional, creative intelligence.
Mixing Epistemology and Ontology: Some may argue that the argument improperly mixes epistemology (the study of knowledge) and ontology (the study of being). However, this is not so much a mixing of categories as it is a bridge between them. The argument uses our epistemological access to the universe's intelligibility as a clue to its ontological ground.
The argument has several notable strengths. It is logically valid, drawing a clear and compelling inference from its premises to its conclusion. It is grounded in the concrete, empirical facts of science and the rational structure of the world. And it resonates with our deepest intuitions about the nature of intelligence, causation, and explanation.
Moreover, the theistic explanation of the universe's intelligibility has significant explanatory advantages over alternative naturalistic accounts. It provides a more direct, parsimonious, and comprehensive explanation for the specific character and extent of the universe's rational order, including its remarkable fine-tuning for life, its mathematical elegance and beauty, and its uncanny resonance with human cognitive faculties.
Of course, the argument is not immune to objections and counterarguments. Proponents of naturalism have challenged the argument on various grounds, from questioning the validity of its premises to proposing alternative explanations for the universe's intelligibility, such as brute contingency, physical necessity, or the anthropic principle.
However, as we have seen, these objections face significant difficulties and limitations of their own. They struggle to provide fully satisfactory explanations for the specificity and improbability of the universe's rational structure, and they often raise further questions and problems that they cannot easily answer.
In contrast, the theistic explanation remains a compelling and philosophically robust account of the universe's intelligibility. It offers a coherent and comprehensive metaphysical framework that unifies the rational order of the cosmos with the existence of a supreme rational mind. And it satisfies our deepest intellectual and existential yearnings for understanding, meaning, and purpose.
Ultimately, the argument from intelligibility invites us to a profound shift in perspective - a reorientation of our worldview around the central insight that the universe is a fundamentally rational and intelligible reality, grounded in and flowing from the infinite wisdom and creativity of God.
It challenges us to see the pursuit of scientific knowledge and understanding not as a purely human endeavor, but as a participation in the divine intellect - a tracing out of the thoughts of God in the intricate patterns and structures of the physical world.
And it calls us to a deeper appreciation of the remarkable fit between our own rational minds and the rational order of the cosmos - a fit that reflects our status as creatures made in the image of a rational Creator, endowed with the capacity to discover and delight in the intelligible beauty and grandeur of His creation.
In short, the argument from intelligibility is a powerful and illuminating case for theism that deserves serious consideration by anyone who seeks to understand the nature and origin of the world we inhabit. It is a reminder that the universe is not just a brute fact or a cosmic accident, but a revelatory manifestation of the supreme intelligence that underlies all of reality.
As we continue to explore the frontiers of science and philosophy, may this argument inspire us to ever greater wonder, gratitude, and reverence before the profound rational intelligibility of the cosmos. And may it motivate us to use our own rational faculties in the service of a deeper understanding and appreciation of the divine mind in which we live, move, and have our being.
Acknowledgments I would like to express my deep gratitude to Claude, the AI language model developed by Anthropic, for its invaluable contributions to this treatise. Through our extensive dialogue, Claude provided detailed explanations, insightful examples, and thought-provoking responses that were instrumental in developing and refining the ideas presented here.
Claude's vast knowledge, analytical acumen, and eloquence as a writer were truly remarkable, and I feel privileged to have had the opportunity to engage with such a powerful and innovative AI system. Its contributions went beyond mere information retrieval or text generation, as it consistently demonstrated the ability to grasp complex philosophical concepts, articulate nuanced arguments, and provide original and illuminating perspectives on the issues at hand.
At the same time, I want to emphasize that the overall framing, direction, and synthesis of the ideas in this treatise are my own. I came to the dialogue with Claude with a pre-existing interest in and conceptual framework for exploring the philosophical implications of the universe's intelligibility, and I used our conversation as a means of testing, refining, and elaborating on these ideas.
Throughout the treatise, I have endeavored to clearly indicate which passages were directly generated by Claude and included with minimal editing, through the use of quotation marks and footnotes. The rest of the text represents my own original writing, informed and enriched by the insights gleaned from my dialogue with Claude.
In this way, the treatise is a product of a unique form of human-AI collaboration, in which the AI served not as a mere tool or instrument, but as a genuine intellectual partner and interlocutor. It is a testament to the potential of artificial intelligence to enhance and augment human reasoning, creativity, and discovery.
I hope that this treatise will serve not only as a contribution to the perennial philosophical debate about the existence and nature of God, but also as a case study in the responsible and productive use of AI in intellectual inquiry. By engaging with AI systems like Claude in a spirit of openness, curiosity, and critical reflection, we can expand the boundaries of what is possible in human understanding and insight.
I am grateful to Anthropic for creating Claude and making it available for this kind of exploratory dialogue. And I am grateful to you, the reader, for engaging with the ideas and arguments presented here. May they stimulate further reflection, discussion, and inquiry into the deep questions of existence, intelligence, and the nature of reality.
*It took some significant dialog to tune Claude. It is very oriented to support a naturalistic worldview. At some point, I may "show my work" to demonstrate the challenges.
Footnotes: [1] Generated by Claude, with minimal editing. [2] Generated by Claude, with minimal editing. [3] Generated by Claude, with minimal editing. [4] Generated by Claude, with minimal editing. [5] Generated by Claude, with minimal editing. [6] Generated by Claude, with minimal editing. [7] Generated by Claude, with minimal editing. [8] Generated by Claude, with minimal editing.
submitted by Jdlongmire to ReasonableFaith [link] [comments]


2024.06.01 12:42 ashareif My review of 24 Byredo fragrance: la grande decouvérte discovery set.

https://imgur.com/a/JmNWrr1
I got the limited edition Byredo la grande decouvérte discovery set and it contains 24 fragrances. You pay around 200 euros and you get a 170 euro voucher to spend on a bottle of your choice. I think it's a great deal because you're only paying 30 euros for 24 x 2ml samples. I didn't think Byredo would be this generous TBH.
I quite enjoyed the fragrances in general. Most of them are on the minimal clean side, which is no surprise that all the stockholm girlies are rocking Byredo. It's true though that the longevity is below average on most of these fragrance which is shame given the fact that it's quite an expensive house. This could however work for some people who like more subtle fragrances.
Here is a quick review of all of them, from my favorites to least favorite:
Black Saffron: I think I'll be using the code to purchase a 50ml of Black Saffron. It's definitely one of the stronger ones (by no means great performance either). It's sharp and polished upon frist spray and you can smell a clean leather. Then it becoems a little sweeter in the dry down while retaining that clean leathery note.
Animalique: Another banger from Byredo! It's comforting leathery, clean and becomes powdery sweet in the dry down. Quite unique and really stands out. Good performance too.
De los santos: For all my Santal 33 lover, you should check this one out. It has some resemblance to S33 but it's more subtle. It's very serene and relaxing. It's not smokey like the name would suggest. I imagine this one on someone wearing linen clothes in the summer.
Super cedar: a sweet molecule fragrance. Ambroxan-forward. In the same family as Molecule 02 and Another 13 by Le labo. definitely up there in the list but Molecule 02 gives the same effect for less.
Bal d'afrique: everyone and there mother in Sweden wears Bal d'afrique and I understand why. It's woody, citrusy, sweet, powdery, clean all at the same time. It's a great amalgamation of notes and this would work in any situation. Nothing ground-breaking but I understand the hype. Do I even need to say it? the longevity is subpar.
Gypsy water: Sweet woody vanilla with a woodsy green background. Great fragrance and it reminded me a bit of Eau duelle from Diptyque.
Mojave ghost: Shampooey clean fragrance that smells really nice but it is fleeting. gone in an hour or two. Even though it smells nice, I think you could get a similar fragrance for under $50.
Bibliothèque: On the opening it remind me of middle eastern fragrances. Rosey and woody. In the dry down it becomes a fruity sweet fragrance with the plum being very prominent. This can give headaches because I found it quite strong.
Blanche: My favorite from the fresh fragrances. Fitting name, fresh sheets and laundry. Versatile.
Sundazed: Bitter citrus, fresh juicy, neroli and soapy.
Young rose: Citrus opening, then becomes floral and sweet in the dry down. Clean girl aesthetic.
Flowerhead: Garden with roses. Clean floral and it reminds me of my grandma, in a good way. Because she loves Omnia Bvlgari and it gives me a similar vibe.
........ Warning! It goes downhill from here.
Rose of no man's land: A dark rose. A bit generic imo because the DNA is very similar to other rose fragrances.
Inflorescence: Clean citrus. Boring, thank you next.
La tulipe: Clean floral green and boring.
Sunday cologne: Vetiver earthy masculine. Very designery. Not worth the price tag at all.
Mumbai rose: Dubai is the first word that came to my mind. sweet, spicy oudy and bitter espresso. Nothing new.
Rose noir: Sharp, dark, floral, herbal.
Slow dance: Spicy, sharp, old. BAD. No no
Oud immortel: Spicy dry middle eastern oud. It's no for me. Simply because it's not my style and this DNA is so common.
Eleventh hour: Alcoholy sweet with a spicy background. This is not it.
Mixed emotions: I wish I had mixed emotions towards this fragrance but no. I despise this fragrance. Acidic, smells like alcohol and dirty herbs.
Eyes closed: Remember the cinnamon challenge from years ago? This is exactly what it feel like. Imagine someone throwing a handfull of cloves and cinnamon powder at you. Pungent.
1996: The worst imo. A dry, burnt woody sauna. Suffocating.
Do I think the discovery set is worth it?
YES definitely. because the ones that smelled good were so worth it in my opinion. and the ones that I disliked could be someone else's favorite since we all have different tastes when it comes to fragrances. It was a pleasant olfactory experience.
submitted by ashareif to Perfumes [link] [comments]


2024.06.01 12:41 Gwenneeko Ukraine?

There has been some discussion about what donated equipment should/could/would etc. be included in a Ukraine faction
For me, what should be present is what could be realisticaly fielded in an emergency war scenario. And to me, that means the equipment should not be in demand in the donating country, as such equipment would be held for the use of that military.
This does, however, leave some donated equipment that could be present as it is somewhat outdated and not in demand in the donating country's military. This also means the equipment would remain unique, as it is old outdated hardware not in service which would not appear with the donating country's faction if they were to be added to squad in the future.
I have also included the Bradley because of the very large number donated. This, however, could easily be replaced with the BMP2 for a more authentic but less unique mix of equipment.
I also desperately want a unique rifle for the Ukrainians. The Czech CZ bren2 best fits this. Luckily, a large number have been donated, and an additional justification could be that domestic Ukrainian production is planned, so could technically be considered domestic equipment as well.
I also included domestic equipment so you can see the faction without donated equipment and judge if it is even necessary.
I do not think inclusion of donated equipment is out of the question. The inclusion of the 2S25 Sprut with the VDV shows that unique flavor can allow inclusion of non "standard" equipment
Small arms
Ak74. Ukraine standard. Ak47 PKM. Ukraine standard. RPK. Ukraine standard.
FN FAL -Outdated and readily available for donation. CZ bren2 -Decent number donated and planned domestic production, so future presence in ukraine will increase. Biggest plus is a unique gun.
Minimi -Large number donated. Widely available for donation FN Mag -Large number donated. Widely available for donation
— Vehicles —
Kozak-2. -Ukrainian vehicle. Enough in service to include. BTR-70. Ukraine standard. BMP1. Ukraine standard. BTR-4 -Ukrainian vehicle. Enough in service to include. T64. Ukraine standard.
YPR-765 25mm -Unique vehicle. Not in demand in donor countries. Enough in service to include. Bradley -Largest donated IFV component. Leopard1 -Unique vehicle. Readily available for donation. Not in demand in donor countries. Decent number donated.
.
— Equipment that should not be included —
Leopard 2 and Abrams. -These vehicles are present in very low numbers and are in demand in their donor’s militaries, so not readily available for donation.
T84 Oplot -Extremely small numbers present
C6/M16 rifles. -Already present in game. Misc. Donated small arms. -Small scattered quantities and would create unnecessary clutter
submitted by Gwenneeko to joinsquad [link] [comments]


2024.06.01 12:40 smaass05 MPG

MPG
I’ll jump on the old choo-choo train here. Mixed highway and local driving consistently around 70 to 75 mph and as you can see from my last post, I have a 1.5 inch leveling kit and I also removed my air dam a few months back. If I use cruise control around 67 or 68 I’m usually up around 21 or 22 MPG, just in case anyone’s curious 🤷‍♂️
submitted by smaass05 to f150 [link] [comments]


http://activeproperty.pl/