In the ever-evolving landscape of digital marketing
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Digital_Boss_Babez empowers women in the USA to become confident and capable leaders in the digital age. By offering [mention specific services offered, e.g., social media marketing workshops, website design consultations, or one-on-one coaching], Digital_Boss_Babez equips women with the tools and knowledge they need to thrive online.
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The USA boasts a booming landscape for women-owned businesses. However, having a fantastic product or service isn't enough in today's digital age. A strong online presence is crucial for reaching target audiences, building brand awareness,and ultimately, driving sales.
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Measurable Results: The beauty of digital marketing lies in its measurability. Through analytics tools, women entrepreneurs can track the performance of their campaigns and make data-driven decisions for optimization.
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Digital_Boss_Babez recognizes the unique challenges faced by women entrepreneurs in the USA. They provide a supportive community and expert guidance to help women navigate the digital marketing landscape with confidence.
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Developing a Digital Marketing Strategy: A well-defined plan is the cornerstone of any successful digital marketing campaign Digital_Boss_Babez can help you identify your target audience, set achievable goals, and choose the right channels to reach them
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Digital_Boss_Babez is more than just a digital marketing service provider. They are a community of like-minded women entrepreneurs who support and motivate each other. By providing resources, education, and a supportive network,
Digital_Boss_Babez empowers women in the USA to take charge of their online presence and achieve their business goals.
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Introduction

Oakfields College, renowned for its practical courses and industry-experienced lecturers, stands out as a leading educational institute in South Africa. With campuses in Pretoria and Johannesburg, we offer a range of full-time courses designed to propel students into their chosen creative careers. This blog explores each of these courses, illustrating why Oakfields College is the go-to destination for aspiring professionals.
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Table of Contents:

1. Diploma in 3D Animation: From Passion to Profession
2. Acting Mastery: Full-Time Drama Course
3. Fashion Design Course: Crafting Style and Innovation
4. TV & Film Production: The Journey of Visual Storytelling
5. Graphic Design Training: Creativity Meets Technology
6. Make-Up and Special Effects: Crafting Artistic Illusions
7. Marketing Management Course: Strategies for Success
8. Musical Theatre and Dance Diploma: Embrace the Stage
9. Professional Photography Course: Capturing the World
10. Sound Engineering Program: Mastering Audio Craftsmanship

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1. Full-Time 3D Animation Course

At Oakfields College, we offer a full-time 3D animation diploma that is not just about learning; it's about transforming your passion into a profession. Located in the heart of South Africa's vibrant creative scene, with campuses in Pretoria and Johannesburg, Oakfields College is at the forefront of nurturing the next generation of 3D animation experts.
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Crafting Your Creative Portfolio

From the very start of your journey with us, you'll dive into the practical aspects of 3D animation. Our course is designed to let you design and produce a portfolio that reflects your unique abilities and talents. This portfolio serves as a vital tool, showcasing your work to prospective employers and setting the stage for your professional career.
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Comprehensive Training for a Dynamic Industry

Our 3D animation courses are crafted to provide comprehensive training for those aspiring to enter the professional animation industry. You'll receive intensive training in all aspects of animation production. This includes mastering the art of illustration and gaining proficiency in 3D production techniques. Our goal is to make you highly marketable in a field that's constantly evolving and always in demand.
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Learning from Industry Professionals

At Oakfields College, you'll be taught by industry professionals who bring a wealth of experience and insider knowledge. This ensures that by the time you complete the course, you'll have a deep and thorough understanding of the animation industry. You'll know not just the 'how' but also the 'why' behind successful 3D animation, equipping you with the insight and skills needed to excel as a 3D artist.
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Diverse Career Opportunities

Upon completion of the course, you'll be qualified for various roles in the animation and multimedia production industry. Our graduates find careers in 3D digital design, multi-media production, education and television and video production, including roles that focus on digital special effects. The course also opens doors to working in specialist 3D and visual effects production facilities.
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Oakfields College stands out as a leader of creative education in South Africa. Our approach to teaching 3D animation is holistic, blending practical skills with theoretical knowledge. Our small class sizes ensure personalised attention, and our curriculum is constantly updated to keep pace with industry trends and technologies.
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Apply for our full-time 3D animation course

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Register to study full-time 3D animation

2. Drama Course: Spotlight on Performance

At Oakfields College, we take pride in being one of the leading performing arts schools in South Africa. Our full-time drama course is a journey into the heart of acting, a path that leads you to the exciting world of performance arts. With campuses in both Pretoria and Johannesburg, we are ideally positioned to nurture the talents of aspiring actors from across the country.
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A Course Designed for Aspiring Actors

The drama course at Oakfields College is more than just learning lines and acting techniques; it's about immersing yourself in the very soul of acting. Here, you will engage in numerous performances and productions, experiences that are vital for building your skills and boosting your confidence. This course is your gateway to the professional world of acting; providing you with the necessary tools to shine in this thrilling field.
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Gaining Real-World Experience

Our focus on practical experience sets Oakfields College apart from other performing arts colleges. You will have the chance to partake in live performances, presenting the opportunity to hone your skills in a real theatre environment. These performances are not just exercises; they are your steps towards becoming a professional actor, allowing you to experience the thrill of live theatre.
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Learning from Industry Professionals

At Oakfields College, you will learn from seasoned professionals who bring a wealth of knowledge from the performing arts industry. Our instructors are not just teachers; they are mentors who have extensive hands-on experience. They will guide you through the intricacies of the acting world, ensuring that you gain the practical skills and theoretical knowledge required to excel.
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A Broad Spectrum of Opportunities

Whether you're born with a passion for the theatrical or aspire to develop your skills, our drama course caters to all levels of talent. The course is designed to continuously evolve your abilities, ensuring that by the end of your journey, you will be well-equipped to fit professionally into any role in the performing arts.
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Apply for our full-time drama course

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Register to study full-time drama course
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3. Fashion Design Training: Style and Substance

Oakfields College stands at the forefront of fashion education in South Africa, offering a comprehensive and practical fashion design training course. As a leading institution, we are dedicated to nurturing the next generation of fashion talent. Our course is meticulously designed for those who envision a future in the vibrant and ever-evolving fashion industry.
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A Showcase of Talent and Innovation

At the end of your journey as a fashion student at Oakfields College, you will have the unique opportunity to display your creations in a fashion show. This event, attended by industry professionals and peers, is not just a show but a celebration of your hard work and creativity. You will design and craft various garments, including skirts, dresses, shirts, pants, and evening wear; showcasing your individual style and skill.
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Embark on a Glamorous Career Path

The fashion industry is dynamic and demands a blend of creativity, commitment, and skill. Whether you aspire to be a designer, fashion buyer, merchandiser, or retail manager, Oakfields College's fashion design training is your first step towards achieving these ambitions. Our course is tailored for those who are driven to excel in this challenging yet exciting field.
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Practical Learning for Real-World Success

Our fashion design training is grounded in practical learning. We believe in providing our students with real-world experiences that prepare them for the competitive nature of the fashion industry. Our course is designed to equip you with both the theoretical knowledge and practical skills necessary to thrive in various fashion-related roles.
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A Focus on Conceptualisation and Innovation

Throughout our fashion design training programme, we place a strong emphasis on conceptualisation and innovation. We encourage our students to think creatively and develop unique design perspectives. This approach ensures that our graduates are not just equipped with technical skills but also with the ability to push boundaries and set new trends in the fashion world.
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Why Choose Oakfields College for Fashion Design?

Oakfields College is more than an educational institution; it's a place where fashion is nurtured and developed. Our course is a blend of in-depth theoretical knowledge and extensive practical experience, set in an environment that fosters creativity and innovation. By choosing Oakfields College, you are not just choosing a course; you are choosing a path that leads to a multitude of career opportunities in the fashion industry.
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Apply for our full-time fashion design course

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Register to study full-time fashion design
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4. TV & Film Production Courses: Behind the Scenes

At Oakfields College, we offer an engaging and comprehensive TV & film production course, perfect for those who are passionate about storytelling through the lens of a camera. Located in the vibrant cities of Pretoria and Johannesburg, our course is designed to nurture the next generation of filmmakers and television producers.
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Crafting Visual Stories

In our TV & film production course, you will embark on a journey of creative exploration. Your projects will range from making music videos and documentaries to crafting compelling advertisements and short films. These hands-on experiences are not just assignments; they are stepping stones to building a professional portfolio that reflects your unique vision and skill.
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Real-World Experience and Exposure

One of the highlights of our course is the opportunity to participate in filming major events like the annual Oakfields College fashion show, Oakfest music festival and drama productions. These experiences provide you with real-world exposure, adding substantial value to your showreel. This practical experience is vital in showcasing your talent and versatility to prospective employers in the film and TV industry.
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Unlocking Your Filmmaking Potential

Our film production course is designed to help you unlock your inner Spielberg. We focus on fostering 'out-of-the-box thinking', encouraging you to push the boundaries of traditional filmmaking. Whether it's through communicating dramatic information or capturing subtle moods and emotions, our course equips you with the skills to convey powerful stories through film and video.
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A Pathway to a Career in Film

The TV & film production courses at Oakfields College offer more than just education; they offer a pathway into the exciting world of the film industry. Our comprehensive approach ensures that you gain exposure to all aspects of filmmaking, from pre-production planning to post-production editing. This holistic understanding of the filmmaking process is essential for anyone looking to make a mark in the industry.
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Why Choose Oakfields College?

Choosing Oakfields College for your TV & film production education means choosing a path that leads to success in the entertainment industry. Our course is a blend of theoretical knowledge and extensive practical experience, set in an environment that fosters creativity and innovation. By enrolling at Oakfields College, you're not just learning how to make films; you're preparing to become a part of the film industry.
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Apply for our full-time film, TV & video production course

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Register to study full-time Film, TV & video production
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5. Graphic Design Courses in South Africa

Welcome to Oakfields College's graphic design course, one of the most comprehensive and creatively stimulating graphic design programs in South Africa. Whether you're in Pretoria or Johannesburg, or anywhere in the country, our course stands as a beacon for aspiring graphic designers.
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A Practical Approach to Design

Our graphic design course is all about 'learning by doing'. As a student, you'll engage in a variety of practical projects throughout the year. These projects are designed to cover a broad spectrum of graphic design work, including the creation of advertisements, posters, pamphlets, logos, products, and packaging. This hands-on approach ensures that you build a substantial portfolio; a key tool to showcase your talents to future employers.
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Comprehensive Training for a Dynamic Industry

At Oakfields College, we understand that graphic design is a dynamic field, constantly evolving with new trends and technologies. Our course is tailored to provide extensive training that covers both the fundamentals and the advanced aspects of graphic design. By joining our course, you’ll embark on a journey to turn your creative abilities into a lucrative and rewarding career.
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State-of-the-Art Software and Tools

We believe in keeping our students ahead in the industry. That's why the software and tools used in our graphic design course are always up-to-date. This forward-thinking approach means that when you start working professionally, you'll be familiar with the latest programmes and techniques, allowing you to work efficiently and effectively from day one.
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Developing Professional Skills

Our course starts with the basics of design and technical literacy. But it goes much further - nurturing your growth into a skilled professional capable of excelling in both print and interactive digital media. This comprehensive development is what sets our graduates apart in the competitive field of graphic design in South Africa.
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Why Oakfields College?

Choosing Oakfields College for your graphic design education means you're not just choosing a course; you're choosing a pathway to success. We provide an environment that fosters creativity and innovation, ensuring that our students are not just ready for the industry but are also capable of leading it.
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Apply for our full-time graphic design course

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Register to study full-time graphic design course
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6. Make-Up and Special Effects: The Art of Transformation

Oakfields College is proud to present its make-up and special effects course; a programme designed for those passionate about bringing art to life on the stage and screen. Our course, offered in the heart of South Africa's creative hubs in Pretoria and Johannesburg, is a gateway to the fascinating world of make-up artistry and special effects.
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Hands-On Experience in Make-Up Artistry

Our course is intensely practical, immersing you in the world of make-up and special effects. Throughout the year, you will embark on projects that challenge your creativity and skill. Imagine creating zombie faces, realistic cut-off fingers, detailed wounds and even designing a full body suit or undertaking a full body painting project. These projects culminate in a display of your work at the prestigious Golden Oak Awards ceremony, showcasing your talents to the industry.
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Comprehensive Learning in Make-Up and Special Effects

At Oakfields College, learning goes beyond the traditional. You will delve into all aspects of make-up and special effects. This includes everything from fashion make-up, suited for the glamour of the runway, to the intricate demands of stage and film make-up. Your education will be further enriched with exposure to various hairstyling techniques, ensuring a holistic understanding of the field.
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A Journey into Creative Realms

Our course is more than just learning techniques; it's about igniting your creativity. You will learn to conceptualise and innovate, essential skills in a field that constantly pushes the boundaries of reality and fantasy. Our emphasis on hands-on learning ensures that you not only master the technical aspects but also develop a keen eye for artistic detail.
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Preparing for a Dynamic Industry

The make-up and special effects industry is highly competitive and ever-evolving. Our programme equips you with both theoretical knowledge and practical skills. This comprehensive approach ensures you are well-prepared to enter this dynamic field; opening up a multitude of career paths and job opportunities.
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Choosing Oakfields College for your make-up and special effects training means choosing a pathway that will guide you to success. Our course is designed to nurture your talent and transform it into professional skill. You will be learning in an environment that hones your creativity and innovation; setting you up for a successful career in make-up design.
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Apply for our full-time make-up and special effects course

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Become a special effects artist
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7. Marketing Management: The Art of Influence

At Oakfields College, we offer a unique and comprehensive Marketing Management course, designed to set you apart in the fast-paced world of marketing. Our course is not just about theories and concepts; it's a practical journey into the real world of marketing, offering a blend of creativity, strategy and business acumen.
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A Practical Approach to Marketing Education

What makes our marketing management course stand out is its practical nature. Each subject within the course includes a hands-on aspect, ensuring that by the time you graduate, you are not just knowledgeable but also market-ready. You'll be actively involved in marketing all college events, giving you real-life experience in various aspects of marketing and event management.
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Kick-Start Your Career in Marketing

For those aspiring to a vibrant and fulfilling career in marketing, Oakfields College is the place to be. Our course is designed to jump-start your journey into the world of marketing, whether your interest lies in the retail, service or industrial sectors. The skills and knowledge you gain here will prepare you for a stimulating and prestigious career in marketing.
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Open the Doors to Endless Opportunities

A qualification in marketing management from Oakfields College opens up a world of possibilities. With the comprehensive training provided, you will have the tools to contribute significantly to any business. Our graduates are known for their ability to elevate businesses, taking them to new heights of success.
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Personal Attention and Quality Education

At Oakfields College, we believe in the power of personal attention. Our small class sizes ensure that each student receives individual guidance and support. This approach is fundamental to our high educational standards and is key to developing well-rounded, skilled marketing professionals.
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Choosing our marketing management course means choosing a path that leads to success in the business world. You will learn in an environment that not only teaches you the fundamentals of marketing but also encourages you to think creatively and strategically. Our course is for those who are serious about making a significant impact in the business world.

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Apply for our full-time marketing management course

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Learn how to become a marketer in South Africa
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8. Musical Theatre and Dance: The Stage Awaits

Oakfields College invites you to step into the world of musical theatre and dance, where passion, talent, and artistic expression converge. Our comprehensive three-year diploma is designed for those who are drawn to the magic of dancing, singing and acting. If the thought of being on stage under the bright lights excites you, our course is your gateway to the thrilling world of performing arts.
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A Journey of Artistic Discovery

The musical theatre and dance diploma at Oakfields College is more than just an educational programme; it's a journey of artistic discovery. Whether you're an aspiring actor, dancer or singer, our course offers you the opportunity to hone your skills and nurture your passion. The curriculum covers a wide array of performing art disciplines; providing you with a broad skill set that enhances future work opportunities.
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Learning from Industry Professionals

At the heart of our programme are experienced professionals from the performing arts, musical theatre and dance industry. Their guidance and mentorship are invaluable, offering insights into the industry's inner workings. Our course is strongly supported by industry role-players, including producers, agents, choreographers and directors. Many of these professionals attend our productions and conduct workshops, offering students a wealth of practical knowledge and industry insight.
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Exposure and Opportunities

Our diploma programme provides a crucial platform for exposure. Throughout your training, you'll have numerous opportunities to perform and showcase your talents. This exposure is key to your development and often leads to our students signing with some of South Africa's top agents. Our graduates find themselves well-prepared for a variety of opportunities, both in South Africa and internationally.
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Hands-On Experience in Performing Arts

Oakfields College is committed to providing extensive hands-on experience. This approach ensures that you are not just learning in a classroom but are also getting practical experience that is vital in the performing arts industry. From on-stage performances to real-world experiences, our programme is designed to prepare you for the challenges and opportunities of a career in musical theatre and dance.
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Choosing Oakfields College for your musical theatre and dance education means choosing a path that leads to success on stage and beyond. Our course is designed to nurture your talent and transform it into professional skill. You will learn in an environment that celebrates creativity and innovation, setting you up for a successful career in the performing arts.
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Apply for our full-time musical theatre and dance course

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South Africa's top college for musical theatre & dance
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9. Photography Courses in South Africa: Capturing Moments

Oakfields College is proud to offer one of the premier photography courses in South Africa, perfect for those with a passion for capturing the world through a lens. Whether you're in Pretoria or Johannesburg or beyond, our course is designed to quickly elevate your skills, turning you into a professional photographer in no time.
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A Journey Through the Lens

Our photography course is an immersive experience that goes beyond the classroom. You will embark on various outings, capturing diverse subjects such as South Africa's rich wildlife, stunning architecture, vibrant people, and tantalising food. These practical sessions are not just about taking photos; they're about experiencing and understanding the world from a photographer's perspective.
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Real-World Experience

At Oakfields College, we understand the importance of real-world experience. You'll have the opportunity to photograph college events; providing you with firsthand experience in client interactions and event photography. This practical approach ensures you are well-prepared to meet the demands and expectations of clients in any photography scenario.
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Building a Professional Portfolio

A key outcome of our course is the development of your professional portfolio. This portfolio is your visual resumé; showcasing the skills and creativity you've honed during your time at Oakfields College. By the end of the year, you will have a collection of work ready to present to prospective employers or clients; opening doors to numerous opportunities in the photography industry.
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Meeting the Demand for Skilled Photographers

The demand for skilled photographers has never been higher. From personal events such as weddings and anniversaries to professional needs like brochures and business documents, quality photography is in high demand. Our course equips you with the skills to meet these demands; offering a pathway to a stimulating and potentially lucrative career.
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A Comprehensive Approach to Photography

Our one-year photography course is designed to provide a comprehensive understanding of both the technical and business aspects of the industry. Through assignments and weekly group discussions, you'll not only develop your technical skills but also your creative vision, preparing you for success in the dynamic world of photography.
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Apply for our full-time photography course

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Master photography with Oakfields College
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10. Sound Engineering: Mastering the Mix

Oakfields College offers a comprehensive sound engineering course designed for those who are passionate about audio production. Our programme is not just about learning the basics; it's a deep dive into the world of sound engineering, where you will learn to edit, mix, and master like a pro. Located in the heart of South Africa's creative hubs in Pretoria and Johannesburg, our course is your ticket to a successful career in sound engineering.
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Practical Learning for Real-World Skills

Our sound engineering course is intensely practical. You will engage in projects that mirror real-world scenarios, such as recording advertisements, band sessions, and film audio (foley). This hands-on approach ensures that by the end of the course, you are fully equipped to work in a professional sound studio or even set up your own studio. For those interested in the excitement of live sound, our course provides the perfect foundation.
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Learn from Industry Veterans

At Oakfields College, you'll study under seasoned instructors who bring a wealth of industry experience. They know what it takes to succeed in the competitive field of sound engineering and are dedicated to passing that knowledge on to you. Their insights and guidance will be an invaluable part of your learning journey.
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State-of-the-Art Facilities

Our on-campus recording studios are equipped with the latest technology, providing you with ample opportunity to gain experience and become comfortable in a professional studio environment. Additionally, you'll have access to a professional on campus to assist with your sound engineering training, answer any questions, and provide advice on your projects.
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Software Mastery and Versatility

During your time at Oakfields College, you will become proficient in multi-platform software such as Adobe Premiere, Cubase and Pro Tools. This knowledge makes you versatile and adaptable as they are skills highly valued in the sound engineering industry.
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A Diverse Curriculum for a Dynamic Career

Our sound engineering course covers a wide range of subjects, giving you the ability and skills in many different aspects of sound engineering. This diversity enables you to pursue and specialise in the area of sound engineering that most aligns with your passions, whether it be studio production, live sound or audio post-production.
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Apply for our full-time sound engineering course

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Build a career as a sound engineer
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Why Study at Oakfields College?

Oakfields College, with its campuses in Pretoria and Johannesburg, is not just a college; it's a launchpad for creative careers. Each course is designed to nurture talent and provide practical experience; making us a standout choice for students across South Africa. Whether you're aspiring to be an animator, actor, designer, filmmaker, marketer or sound engineer, Oakfields College is where your journey begins. Join us and shape your future in the creative industries!Introduction
Oakfields College, renowned for its practical courses and industry-experienced lecturers, stands out as a leading educational institute in South Africa. With campuses in Pretoria and Johannesburg, we offer a range of full-time courses designed to propel students into their chosen creative careers. This blog explores each of these courses, illustrating why Oakfields College is the go-to destination for aspiring professionals.
‍

Table of Contents:

1. Diploma in 3D Animation: From Passion to Profession
2. Acting Mastery: Full-Time Drama Course
3. Fashion Design Course: Crafting Style and Innovation
4. TV & Film Production: The Journey of Visual Storytelling
5. Graphic Design Training: Creativity Meets Technology
6. Make-Up and Special Effects: Crafting Artistic Illusions
7. Marketing Management Course: Strategies for Success
8. Musical Theatre and Dance Diploma: Embrace the Stage
9. Professional Photography Course: Capturing the World
10. Sound Engineering Program: Mastering Audio Craftsmanship

‍

1. Full-Time 3D Animation Course

At Oakfields College, we offer a full-time 3D animation diploma that is not just about learning; it's about transforming your passion into a profession. Located in the heart of South Africa's vibrant creative scene, with campuses in Pretoria and Johannesburg, Oakfields College is at the forefront of nurturing the next generation of 3D animation experts.
‍

Crafting Your Creative Portfolio

From the very start of your journey with us, you'll dive into the practical aspects of 3D animation. Our course is designed to let you design and produce a portfolio that reflects your unique abilities and talents. This portfolio serves as a vital tool, showcasing your work to prospective employers and setting the stage for your professional career.
‍

Comprehensive Training for a Dynamic Industry

Our 3D animation courses are crafted to provide comprehensive training for those aspiring to enter the professional animation industry. You'll receive intensive training in all aspects of animation production. This includes mastering the art of illustration and gaining proficiency in 3D production techniques. Our goal is to make you highly marketable in a field that's constantly evolving and always in demand.
‍

Learning from Industry Professionals

At Oakfields College, you'll be taught by industry professionals who bring a wealth of experience and insider knowledge. This ensures that by the time you complete the course, you'll have a deep and thorough understanding of the animation industry. You'll know not just the 'how' but also the 'why' behind successful 3D animation, equipping you with the insight and skills needed to excel as a 3D artist.
‍

Diverse Career Opportunities

Upon completion of the course, you'll be qualified for various roles in the animation and multimedia production industry. Our graduates find careers in 3D digital design, multi-media production, education and television and video production, including roles that focus on digital special effects. The course also opens doors to working in specialist 3D and visual effects production facilities.
‍
Oakfields College stands out as a leader of creative education in South Africa. Our approach to teaching 3D animation is holistic, blending practical skills with theoretical knowledge. Our small class sizes ensure personalised attention, and our curriculum is constantly updated to keep pace with industry trends and technologies.
‍

Apply for our full-time 3D animation course

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The Art of WordPress Gutenberg Tutorial: A Step-by-Step Guide

Key Takeaways

• Gutenberg: The modern WordPress block-based editor introduced in WordPress 5.0, enhancing web-building with its intuitive design.
• Blocks: Core units for creating content, allowing easy manipulation of media-rich pages and layouts.
• Advanced Layouts: Supports without extra plugins, offers reusable blocks for efficiency, and ensures compatibility with regular updates.
• Extensions: Adding plugins and themes extends functionality, and troubleshooting often involves updating or disabling conflicting plugins.

Introduction

Discover the transformative power of WordPress Gutenberg, the block-based editor revolutionizing website creation. With Gutenberg, crafting posts and pages becomes a breeze, offering an array of features from intuitive design to advanced layout options—all without the need for extensive coding. This tutorial guides you from basic beginnings to mastering advanced techniques, ensuring your WordPress journey is both efficient and enjoyable.

Table of Contents

1. Introduction to WordPress Gutenberg
2. Getting Started with WordPress Gutenberg
3. Understanding Gutenberg’s Building Blocks
4. Creating Content with Gutenberg
5. Customizing the New Blocks
6. Extending with Plugins and Themes
7. Troubleshooting Common Issues
8. Advanced Techniques
9. FAQ

Introduction to WordPress Gutenberg

What is WordPress Gutenberg?
WordPress Gutenberg is a block-based editor introduced in WordPress 5.0 to replace the Classic Editor, providing a user-friendly interface for designing posts and pages. It’s built on the concept of blocks, versatile elements for creating media-rich content. Key benefits include enhanced flexibility and control, ease of use, the ability to create advanced layouts without additional plugins, the convenience of reusable blocks, and being future-proof as the default editor in WordPress.
Why Use WordPress Gutenberg?

• Flexibility and Control: Customize every part of your content individually, giving you greater creative freedom.
• Ease of Use: Intuitive and user-friendly, making it easy to create complex layouts without needing to code.
• Advanced Layouts Without Plugins: Create columns, tables, and other advanced layouts without additional plugins.
• Reusable Blocks: Save and reuse groups of blocks across your website, saving time and maintaining consistency.
• Compatibility and Future-Proof: As the default editor, it will receive regular updates, improvements, and bug fixes.

Getting Started with WordPress Gutenberg

Installing and Activating Gutenberg
For WordPress versions 5.0 and upwards, Gutenberg comes pre-installed. If you are using an older version, install the plugin manually:

1. Log into your WordPress dashboard.
2. Navigate to Plugins > Add New from the left-hand sidebar.
3. Type ‘Gutenberg’ into the search bar on the right.
4. Click on the Install Now button.
5. Once installed, click Activate.

Navigating the Interface
Understanding the main components of the Gutenberg interface helps in creating and editing content effectively:

• Main Content Area: The primary workspace for creating and editing content using blocks.
• Sidebar: Tools for customizing and managing blocks.
• Contextual Toolbar: Appears above the block you’re currently editing.
• Status Bar: Shows information about your current editing session.
• Undo & Redo Buttons: Reverse or reapply recent changes.
• Content Structure Button: Provides insights into your page’s structure, including word count and document structure.

Understanding Gutenberg’s Building Blocks

Exploring Block Types
Gutenberg includes a variety of pre-made blocks:

• Common Blocks: Paragraphs, Images, Headings, Lists, etc.
• Formatting: Custom HTML, Preformatted, and Code.
• Layout Elements: Columns, Groups, Separators, and Spacer.
• Widgets: Shortcode, Archives, Calendar, etc.

Using Basic Blocks: Text, Image, and Heading

• Text Block (Paragraph): Add and type your text directly.
• Image Block: Upload an image from your computer or choose from your media library. Adjust size, alignment, and alt text.
• Heading Block: Select the heading level (H1 to H6) and adjust text size, color, and alignment.

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Writing Your First Post

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Customizing New Blocks

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Enhancing Gutenberg
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Dealing with Compatibility Issues

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By using WordPress Gutenberg, you can create stunning, functional websites without any coding knowledge. These tools empower users to bring their creative visions to life with ease and efficiency.

Hello, fellow Redditors!
Are you an ESL teacher or student looking to improve your English skills? Check out UnSeen English Exam https://chatgpt.com/g/g-Gy4E745m8-unseen-english-exam. This tool uses ChatGPT to provide reading passages, questions, and detailed feedback.
Highlights:

• Engaging Passages: Intermediate-level topics from environmental issues to cultural diversity.
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Give it a try and enhance your English learning experience!

Hey everyone!

With the abundance of photo filter apps available, it can be overwhelming to find the perfect one for your editing needs. Whether you're a seasoned photographer or just love adding a little flair to your snapshots, let's dive into the world of photo filter apps and share our experiences, favorites, and recommendations!
Share Your Favorites
What's your go-to photo filter app and why do you love it?
Have you discovered any hidden gems or lesser-known apps that deserve more attention?
Are there specific features or filters that make your favorite app stand out from the rest?
Recommendations for Different Styles
Do you prefer vintage, retro, or artistic filters? Share your top picks for each style!
Are you a fan of natural and subtle enhancements, or do you prefer bold and dramatic effects?
Let's create a collaborative list of the community's favorite photo filter apps! Upvote your favorites and share your thoughts on others.
Have you tried any apps recommended by fellow Redditors? Share your feedback and experiences.
Whether you're a casual user or a photography enthusiast, everyone's input is valuable in discovering new apps and techniques. Let's ignite some creativity and inspire each other to take our photo editing skills to the next level!

Looking forward to hearing your recommendations and joining the discussion!

FAQ's 

Hello everyone,
I’ve applied for the above role in Israel. I’ll post the job description below.
I’m having doubts about the growth opportunities for this role. I come from a backend software engineering background and I’m confident with low level stuff as well, during my 1.5 years of experience I’ve always been a software engineer, writing features, doing some testing, everything. But when I read this role description again and again I feel like this is just a QA role, the interviewer mentioned I’ll be part of the “installation team”, installing their software to different Linux distros, plus what the job description mentions.
I’m worried that if I stay at this role for 3 years, I’ll become stagnant in my skills, I’ll no longer be a software engineer, but a QA person, and that’s just not my passion. I’m not passionate about QA, I’m a software engineer.
But at the same time, this is NVIDIA and they pay better than what I have now, and the work conditions are better as well.
Any tips, from anyone familiar with this role? Or is working in NVIDIA Israel?
Thanks you.
Job description:
Are you ready to make a significant impact by tackling SW verification challenges? NVIDIA Networking is seeking an exceptional candidate to work with world-class technologies in the domains of High-Speed Communication and Virtualization for our most advanced markets and customers. Our products encompass Ethernet and InfiniBand protocols, delivering a wide range of cutting-edge networking, storage, and security services for cloud, complex compute, and AI workloads. As a Software Verification Engineer, you will play a crucial role in ensuring on-time and high-quality releases. What You’ll Be Doing: Develop and maintain test automation frameworks and scripts using Python Identify, analyze, and report software defects, inconsistencies, and other quality issues. Drive design verification flows and methodologies improvements. Perform functional, integration, and regression of software applications and networking protocols. Work with planning and tracking systems to manage the release progress and build release indicators. Participate in code reviews, provide feedback, and suggest improvements to enhance the quality and maintainability of the software. Continuously monitor and evaluate the effectiveness of test processes and methodologies, recommending improvements as necessary. Stay up to date with industry best practices, new technologies, and emerging trends in software verification and QA. Make better product quality by improving tests coverage Take an active part in development, integration and verification with R&D What We Need To See: Bachelor's degree in Computer Science, Software Engineering, or a related field (or equivalent experience). Good background in designing, implementing, and debugging Software 2+ years of experience in writing programs using Python Strong analytical and problem-solving skills, with the ability to troubleshoot and isolate software defects. Expertise in networking & compute infrastructure (servers, switches, routers) Experience in Linux distributions (Centos/RedHat, Ubuntu, Fedora, SLES) knowledge in Software debugging and problem solving skills. Ability to work effectively both independently and collaboratively within a team environment. Strong attention to detail and a commitment to delivering high-quality software solutions. Excellent written and verbal communication skills in English. Ways to stand out from the crowd: Experience with network equipment (switches, Network Cards) understanding of network protocols (e.g., IP, Ethernet). Background with Networking applications and protocols. Experience with CI methodology & tools (Git, Gerrit, Jenkins etc.). NVIDIA is widely considered to be one of the technology world’s most desirable employers. We have some of the most forward-thinking and hardworking people in the world working for us. If you're creative and autonomous, we want to hear from you! NVIDIA is committed to fostering a diverse work environment and proud to be an equal opportunity employer. As we highly value diversity in our current and future employees, we do not discriminate (including in our hiring and promotion practices) on the basis of race, religion, color, national origin, gender, gender expression, sexual orientation, age, marital status, veteran status, disability status or any other characteristic protected by law.

A good air compressor can significantly impact the performance, efficiency, and longevity of your laser engraver. This comprehensive guide will help you understand the key considerations when selecting an air compressor for your laser engraver, ensuring you make an informed decision that best suits your needs.

Understanding the Role of an Air Compressor in Laser Engraving

What is Laser Engraving?
Laser engraving is a precise method of etching designs, logos, and text onto various materials using a focused laser beam. The process involves vaporizing material to create an image or text on the surface of the workpiece. This method is widely used in industries such as manufacturing, jewelry, electronics, and personalization.
Why is an Air Compressor Important for Laser Engraving?
An air compressor for a laser engraver is essential because it provides a continuous stream of compressed air to the laser cutting head. This stream of air has several critical functions:
Cooling: Helps cool the laser head and the workpiece, preventing overheating.
Debris Removal: Blows away smoke, dust, and other debris generated during the engraving process, ensuring a clear laser path and cleaner cuts.
Improving Quality: Enhances the precision and quality of the engraving by maintaining a clear line of sight for the laser beam.

Key Features to Consider When Choosing an Air Compressor for Laser Engraving

1. Airflow and Pressure Requirements
Determine Your Needs: The first step in selecting the right air compressor is to understand the specific airflow (measured in cubic feet per minute, or CFM) and pressure (measured in pounds per square inch, or PSI) requirements of your laser engraver. Different laser engravers have varying requirements, so check the manufacturer’s specifications for your machine.
2. Compressor Type
Reciprocating Compressors: These are common and cost-effective, using pistons driven by a crankshaft to deliver air at high pressure.
Rotary Screw Compressors: These are more efficient and quieter, using two rotating screws to compress air. They are ideal for continuous use and high-demand applications.
Scroll Compressors: These use a scroll mechanism to compress air and are known for their quiet operation and low maintenance.
3. Tank Size
Capacity Matters: The size of the air tank affects how long the compressor can run before needing to recharge. Larger tanks provide a more stable air supply and reduce the frequency of compressor cycling, which can extend the life of the compressor.
4. Noise Level
Decibel Ratings: Laser engraving often takes place in environments where noise control is important. Look for compressors with low decibel (dB) ratings to minimize noise disruption.
5. Filtration and Air Quality
Clean Air is Crucial: The quality of the compressed air directly impacts the engraving quality. Ensure the compressor has efficient filters to remove moisture, oil, and particulates from the air. Some compressors come with built-in air dryers and multi-stage filtration systems.
6. Duty Cycle
Continuous Operation: The duty cycle indicates how long the compressor can run before needing a rest. A higher duty cycle (e.g., 75% or 100%) is better for continuous operation and high-demand applications.
7. Portability and Size
Space Considerations: Depending on your workspace, you may need a portable or stationary compressor. Ensure the size and weight of the compressor fit your space and mobility needs.
8. Energy Efficiency
Cost Savings: Energy-efficient compressors can save on operating costs and reduce environmental impact. Look for compressors with energy-saving features like variable speed drives (VSD).
9. Maintenance and Durability
Longevity: Choose a compressor known for its durability and ease of maintenance. Features like automatic drain valves and easy-access service points can simplify upkeep.

When it comes to flexible computing solutions, FPGAs (Field-Programmable Gate Arrays) and CPUs (Central Processing Units) often come to mind. However, there are several other alternatives that offer similar flexibility and can be better suited for specific tasks. Here's a look at some notable options.

1. Graphics Processing Units (GPUs)

Use Case: GPUs are primarily used for rendering graphics, but their parallel processing capabilities make them excellent for tasks like deep learning, scientific computations, and cryptocurrency mining.
Flexibility: GPUs are highly programmable through frameworks like CUDA and OpenCL, making them versatile for a wide range of parallelizable tasks.
Advantages: They offer massive parallel processing power, making them ideal for tasks that can be broken down into smaller, simultaneous operations.

2. Digital Signal Processors (DSPs)

Use Case: DSPs are specialized for processing real-time data streams like audio and video signals, making them common in mobile phones, audio equipment, and communication systems.
Flexibility: While DSPs are designed for specific tasks, they are programmable to handle various signal processing operations efficiently.
Advantages: Optimized for high-speed numerical processing, DSPs consume less power for signal processing tasks compared to general-purpose processors.

3. Application-Specific Integrated Circuits (ASICs)

Use Case: ASICs are custom-designed for specific applications, providing unparalleled performance and efficiency for those tasks.
Flexibility: Once fabricated, ASICs are not reprogrammable. However, they offer maximum efficiency for the designed application.
Advantages: ASICs deliver high performance and low power consumption for specific tasks, making them ideal for high-volume applications where the design costs can be amortized.

4. System on Chip (SoC)

Use Case: SoCs integrate multiple components, including CPUs, memory, and I/O ports, into a single chip, often used in mobile devices and embedded systems.
Flexibility: SoCs can be customized for specific applications, offering a compact and efficient solution for complex systems.
Advantages: They provide a high level of integration, reducing the overall size and power consumption of the device.

5. General-Purpose CPUs with Specialized Extensions

Use Case: Modern CPUs often include specialized instruction sets (e.g., Intel's AVX) that enhance performance for specific tasks like vector processing.
Flexibility: These extensions allow CPUs to handle specialized tasks more efficiently while maintaining general-purpose capabilities.
Advantages: Versatile and capable of handling a wide range of tasks with added performance for specialized operations.

6. Tensor Processing Units (TPUs)

Use Case: TPUs are designed specifically to accelerate machine learning tasks, particularly those involving neural networks.
Flexibility: Optimized for tensor operations, TPUs are highly efficient for AI workloads.
Advantages: They provide high performance and energy efficiency for machine learning applications, making them a popular choice for AI research and deployment.

7. Microcontrollers (MCUs)

Use Case: MCUs are small computing devices used for control-oriented applications in embedded systems.
Flexibility: Highly customizable for specific control tasks, MCUs are programmable to handle a variety of simple computational tasks.
Advantages: Low cost and low power consumption, MCUs are ideal for small, embedded applications where efficiency is key.

Conclusion

While FPGAs and CPUs are often considered the go-to options for flexible computing, these alternatives provide a range of benefits depending on the specific requirements of the task at hand. From the parallel processing prowess of GPUs to the specialized efficiency of TPUs and ASICs, there's a diverse array of options available for those looking to optimize their computational solutions. Whether you're working on signal processing, machine learning, or embedded systems, exploring these alternatives can lead to significant improvements in performance and efficiency.

It is imperative for scientists and researchers to stay on the cutting edge of discovery, and this is especially essential in the specialised field of cardiology. Attending an International Cardiology Conference can be a life-changing opportunity for medical professionals offering heart-related services. These events serve as a wonderful academic and intellectual platform for researchers, scientists, and others alike.
Here are different ways attending a Cardiology Conference in 2024 can help researchers:

Gain knowledge about the latest trends and research.

An International Cardiology Conference 2024 allows researchers to get insights into the latest cardiology trends. These conferences have keynote speakers, presentations, and doubt-clearing sessions. You can gain insights into groundbreaking discoveries, new healing approaches, and advancements in diagnostic techniques.
Researchers can take advantage of a Cardiovascular Conference by learning the latest trends and refine their research. This also helps you gain fresh perspectives and expand your knowledge base.

Find new networking opportunities.

Attending the Upcoming Cardiology Conference 2024 can offer scientists and researchers valuable collaborative opportunities. You can exchange your ideas with fellow Researchers, Cardiologists, and other Attendees. This may help in finding new partnerships among participants and industry peers. All of this helps grow your professional networks for your research work and career in the future.
So, make the most of these events and network with as many people as you can. Recognize opportunities for collaboration on grant proposals, clinical research trials, and publications.

Refine your work by receiving constructive feedback.

Many researchers need expert opinions on their research topics, which helps them improve their findings further. A Cardiology Conference India provides an exclusive international platform for presenting your research findings to the world's influential cardiologists, medical professionals, industry leaders, and other fellow participants.
Based on that, you will get constructive feedback for your work and engage in scholarly discussions with fellow attendees. Accordingly, you can participate in discussions and improve your work to the level demanded by the cardiology industry. This is how a Cardiology Conference can impact your research in the medical community.

Take your expertise to the next better level.

Conferences are a valuable platform to learn new topics from experts and industry leaders. This helps researchers and scientists in gaining expertise. A well-planned International Cardiology Conference typically features specialised workshops for hands-on experience, expertly-crafted seminars, and educational sessions focused on specific cardiology research areas.
Through hands-on training sessions and practical exposure, you can benefit from professional research methodology and grant writing. Moreover, demonstrations provide you with firsthand exposure to the latest technologies in the field of cardiology. You can gain insights into innovative tools by exploring exhibits, attending product demonstrations, and engaging with industry representatives. All of this can give a whole new and right direction to your research projects and clinical practice.

Gain global exposure and recognition for yourself and your work.

Attending Cardiology Conferences 2024 India can boost researchers' careers by increasing their visibility, recognition, and professional reputation. Researchers can present their findings, participate in panel discussions, or deliver speeches related to their topic. This helps them demonstrate their knowledge and establish themselves as leaders in their field. Moreover, networking with influential figures and engaging in scholarly discussions is good exposure for getting invitations to speak at engagements.

On top of that, many journals and publications accept research papers at these conferences. You can submit your work and gain industry recognition. You can also attract many leadership roles within professional societies. 

Conclusion

So, attending a Cardiology Conference is very beneficial for researchers. You can gain new learning, get international exposure, and refine your research. By taking advantage of these opportunities, researchers can enhance their careers and make meaningful contributions to their field.

~Transmission coolers market~ is anticipated to grow at a CAGR of 10.0% during the forecast period. The growth of the market is attributed to factors such as increasing demand for efficient cooling systems in vehicles to enhance performance and prevent overheating. Factors such as rising commercial vehicle sales and increasing consumer awareness about the benefits of transmission coolers are anticipated to fuel the demand for transmission coolers. For instance, in the passenger vehicles segment, the adoption of transmission coolers to improve fuel efficiency and prolong transmission life is expected to drive market growth. For instance, JEGS 60385 is an 18,000 GVW automatic transmission cooler designed to help extend the life of the transmission and improve fuel efficiency and horsepower. JEGS high-performance transmission coolers are ultrasonically soldered, electrostatically powder-coated, and 100% pressure tested at 150 PSI for reliability. JEGS 53501 is a transmission cooler and cooling fan mount kit that fits JEGS 555-60370 to 555-60376 coolers. JEGS Auto Trans Oil Cooler is a high-performance transmission cooler with a 26,000 GVW rating that includes 4 ft. of 3/8 in. Hose and two 9/16 in fittings.
Get Free Sample link @ https://www.omrglobal.com/request-sample/transmission-coolers-market
The global transmission coolers market is further segmented based on geography, including North America (the US and Canada), Europe (Italy, Spain, Germany, France, and others), Asia-Pacific (India, China, Japan, South Korea, and others), and the Rest of the World (the Middle East & Africa and Latin America). The market can be analysed for a particular region or country level as per the requirement. Among these, the North America region is anticipated to hold a prominent share in the transmission coolers market during the forecast period. The growth of the market in North America is primarily driven by factors such as the presence of a large number of commercial vehicles and the demand for efficient cooling systems in passenger vehicles.
full report of Transmission Coolers Market available @ https://www.omrglobal.com/industry-reports/transmission-coolers-market
· Market Coverage
· Market number available for – 2024-2031
· Base year- 2024
· Forecast period- 2024-2031
· Segment Covered- By Source, By Product Type, By Applications
· Competitive Landscape- Archer Daniels Midland Co., Ingredion Inc., Kerry Group Plc, Cargill
· Inc., and others
Market Segmentation
Global Transmission Coolers Market by Type
o Fan Cooling
o Water Cooling
Global Transmission Coolers Market by Application
o Commercial Vehicles
o Passenger Vehicles
Regional Analysis
o North America
o United States
o Canada
o Europe
o UK
o Germany
o Italy
o Spain
o France
o Rest of Europe
o Asia-Pacific
o China
o India
o Japan
o South Korea
o Rest of Asia-Pacific
o Rest of the World
Company Profiles
o Behr-Hella Thermocontrol GmbH
o BorgWarner Inc.
o CSF
o Delphi
o Denso Corp.
o G&M Radiator
o Magna International Inc.
o MAHLE GmbH
o Marelli Holdings Co., Ltd.
o Mechatronics Group Pty Ltd.
o Modine Manufacturing Co.
o Nissens
o RPM International Inc.
o Rugged Ridge
o Spectra Premium Mobility Solutions
o Transmission Cooler Guide
o Valeo Powertrain GmbH
o Visteon Corp.
o ZF Friedrichshafen AG
The Report Covers

• Market value data analysis of 2022 and forecast to 2030.
• Annualized market revenues ($ million) for each market segment.
• Country-wise analysis of major geographical regions.
• Key companies operating in the global transmission coolers market. Based on the availability of data, information related to new product launches, and relevant news is also available in the report.
• Analysis of business strategies by identifying the key market segments positioned for strong growth in the future.
• Analysis of market-entry and market expansion strategies.
• Competitive strategies by identifying ‘who-stands-where’ in the market.

For More Customized Data, Request for Report Customization @ https://www.omrglobal.com/report-customization/transmission-coolers-market
About Orion Market Research Orion Market Research (OMR) is a market research and consulting company known for its crisp and concise reports. The company is equipped with an experienced team of analysts and consultants. OMR offers quality syndicated research reports, customized research reports, consulting and other research-based services. The company also offer Digital Marketing services through its subsidiary OMR Digital and Software development and Consulting Services through another subsidiary Encanto Technologies.
Media Contact:
Company Name: Orion Market Research
Contact Person: Mr. Anurag Tiwari
Email: [info@omrglobal.com](mailto:info@omrglobal.com)
Contact no: +91 780-304-0404

If you could choose any 5th edition class (with subclass) to have the abilities and proficiencies of in real life, what would you choose? You'd start at level 1, and level up based off of doing things related to the class (e.g. fighter = fighting, bard = performing, etc.) 5e rules, as written.

Previous case
Victor hadn't been kidding when he'd said that the mechanic was going to become more aggressive. The only reason why this week wasn't my last was because I'd had Orion behind me as well as a plethora of precautions in place.
(If you're not familiar with what Orion Pest Control's services are, it may help to start here.)
For example, at Orion, all employees are advised to get lockboxes for their mail rather than regular mailboxes. It would be far too easy for a Neighbor to follow one of us home and fish out a piece of mail to find our names. This is only recommended for people who've had frequent or unpleasant interactions with the Neighbors.
You could also ward off your mailbox with iron. Salt, as always, would work as well, but I'm sure your mailman wouldn't appreciate getting seasoned every time he simply tries to give you your junk mail.
When it comes to monetary transactions, cash or pre-loaded debit cards are the safest, unless you can be certain beyond a reasonable doubt that the person ringing you out is human.
Another precaution that I've taken when it comes to the mechanic is that I've bought a cast iron fire poker from an antique store. Iron is one of the most effective weapons against the Neighbors, though it's best to think of it as an allergy rather than a perfect repellant. Some Neighbors will crumple instantly if they're within a few feet of it while others need direct contact in order to cause anything worse than hive-covered burns.
Given that the mechanic must have frequent exposure to iron during his daytime profession, I have to wonder how effective it is against him. I do see him wearing gloves from time to time, so it must do something, even if it's a minor skin irritation. Either it's a pride thing or he's just that committed to the ‘mechanic’ bit.
I've been keeping the poker in the company truck. Even if it's not lethal to him, I’m sure that getting smacked over the head with it probably wouldn't feel too good. Along with that, I've restocked my salt shells. If the mechanic decides to try anything, he'll have an arsenal waiting for him.
I don't have any delusions about being able to kill him. I think that's something only a true hero could accomplish. I'm talking about legendary individuals like Cú Chullainn, Beowulf, or Māui. People whose deeds are so great that their stories live on to this day. Find someone like that in the modern age. (Though, I would argue that Marc-André Fluery comes close. Flyers fans, don't interact.)
Reyna suggested bathing the hagstone in saltwater to amplify its deterring effects. She also wrapped red thread along the outside of the ring, explaining that it should help enhance its protective properties.
It's a good thing, too. Since my last interaction with the mechanic, promptly at dusk, I would hear the beating of wings outside, and always from the west. I risked a glance out the window one night to find a murder of crows. Ever since I saw that the birds’ shadows move independently of their owners, I don't look at them. I ignore their calls. I know who they serve.
After Reyna's additions, the hagstone vibrates against my chest whenever they're near.
However, in my case, these were only temporary solutions, unless I wanted to be looking over my shoulder for the rest of my life and fearing death even more than I did before. But in the meantime… raccoons.
A client called about hearing scratching and chattering in her attic. Her uninvited guest also put a hole in her siding. In other words, it was enough of a mess to momentarily distract me from my own problems.
Raccoons are incredibly destructive, chewing up anything that they can get their little hands on. From the client's description, it sounded like we could be dealing with a nest. Mother raccoons can be especially feisty when it comes to protecting their young, so I had Reyna join me in case there were any kits.
At Orion, we are licensed to use humane trapping methods on smaller wildlife, so don't worry, no garbage kitties are being harmed. Though I want yinz to know that raccoons are not to be underestimated. They may not try to take your soul, like some pests out there will, but they can spread a variety of diseases, including rabies and roundworm among others. They also present a major fire hazard when they claw their way into a home since they can chew through wiring like nothing.
The first thing we had to do was identify the garbage kitties’ entry point. Reyna opted to go on the roof while I investigated the attic.
The first thing I noticed was the telltale stench of dried urine. Yup, those were droppings over there in the corner. Delightful. Looking around, I found that the raccoons had torn out a few chunks of the insulation, but nothing that wouldn't be too difficult or expensive to replace. All in all, it seemed like it'd be an easy call.
Then I felt the hagstone begin to tremble. Not long after, Reyna screamed.
I rushed out, my heart surging with panic as I was greeted with the frenzied calls of crows. Shit! They followed me.
She was on the ground, swinging her silver-tipped knife clumsily against the swarm of black feathers swirling around her. I heard her cry out again as I got closer to her, then suddenly, the cloud of feathers dispersed, twisting towards the sky with a cacophony of angered caws. Reyna had managed to get some salt on them before they could gouge her eyes out.
My hand was coated with blood as I guided Reyna towards the house. She'd managed to keep her eyes, but they’d shredded her with their beaks and talons. I could feel her shaking as we retreated from the horde. Reyna tried to hide it, but she was crying, the tears mingling with the blood covering her nose and cheeks like a bandit's mask.
The whole time, the hagstone didn't stop vibrating. I think that was the only thing keeping the horde from coming after us. Their calls were piercing as we took cover in the house.
The client was alarmed when she saw the state Reyna was in, “What psycho ass raccoons do I have?!”
I promised I'd explain later (I honestly don't remember what bullshit story I gave her) then asked her to watch over Reyna as I went out to get the emergency first aid kit we keep in the truck.
Reyna held me in a grip so tight that it left bruises, pleading, “Don't go out there! Please!”
Now that we weren't on the run, I could see the injuries on her face more clearly. The deepest one went through her right eyebrow towards the bridge of her nose. The rest were shallow, painful-looking cuts that criss crossed over her skin.
“They can't come near me. And I’ve got something in the truck that’ll make them think twice.” I assured her.
She didn't let go. I couldn't find it in me to pry her fingers off, so instead, I put my hand over hers, hoping that it was comforting.
The client gently pressed a paper towel to the side of Reyna’s face, her voice heart-achingly motherly as she uttered, “It's okay, honey. Everything's going to be alright.”
I'm not sure if it was from pain or something else, but Reyna noticeably stiffened when the client spoke to her in that maternal tone, closing her eyes as if to keep more tears from falling. Her clutch loosened until my wrist was freed, her hand dropping limply to her side.
The fucking birds sounded like they were laughing when I marched out to the truck. The sound grated on me as I snatched the fire poker and the first aid kit.
“Laugh at this!” I snapped as I swung the poker at the nearest crow.
It let out a squeal as the poker grazed its wing, hopping as far out of reach as it could afterwards. They didn't cackle after that.
After we cleaned Reyna's injuries up, they didn't look quite as terrible, but just to be safe, I dragged her to the hospital. Thankfully, the client was an absolute angel about the whole thing and understood that one of our employees being injured was going to be a setback. I called up Victor to inform him of the situation as well as the entry points that we’d found; he took over where Reyna and I left off.
On the way to the hospital, Reyna muttered, “So… does my little Alfred Hitchcock moment initiate me as an official Orion employee?”
Wearily, I gave her a small chuckle, “Yeah, you're one of us, now. Lucky you!”
“Hey, I’ll take the murder birds over Psycho Mantis.” She replied with a small smile.
Her nickname for the mechanic. I think it's from a video game. I don't know. Never quite got into them.
It was quiet for a moment. The smile faded away as she distantly said, “I think that's how they do it. They take your eyes, they take you, you know?”
I nodded, feeling a lump in the back of my throat, thinking about how the mechanic can control someone just by meeting their gaze. “I think you might be right about that.”
I couldn't help but wonder if the Hunt had attacked her simply because she's an Orion employee or if they were drawn to her because of something else. Was she grieving over something? I didn't know her well enough at that point to be able to tell. They hadn't hesitated to go for her eyes. If that was the case, that'd make her the most vulnerable of the three of us.
Another thing I want yinz to know when it comes to dealing with the atypical: if you or a loved one has been harmed, one of the best things you can do is to support the victim. And if you need support yourself, ignore that stupid little voice in your head that tells you not to bother anyone and reach out. Isolation will destroy you in more ways than one.
After I got Reyna settled at the hospital, I made a beeline to the river to find another hagstone. Clearly, Reyna was going to need one, too.
Naturally, the stupid birds followed me, causing my hagstone to quiver nonstop. I went into the woods armed with my toolbelt and the iron poker. I opted out of taking the shotgun simply because I was going to need a free hand to look for another hagstone. There was a part of me that hoped that one of them would try something so that I'd have the opportunity to smack the shit out of them.
While I was searching, among the crows’ calls, I heard whispers. They sounded close, like they came from behind some brush about twenty feet away, but I believed the False Egg when it said that the whispering thing likes to confuse its victims. Without listening to what they were saying, I glanced around as the river's cold water rushed around my boots, trying to figure out what was stalking me.
The whispers pretended to move further away. But still, I couldn't see the thing causing them. I clutched the poker tighter. The crows had stopped their chattering. They heard the voices, too. Hold on. What were they all looking at?
Gingerly, I pulled out the hagstone and held it to my eye in the direction of the crows' gazes. At first, it looked like one of the trees, until I was able to make out a triangular head with eyes the size of basketballs. It held up two massive, folded appendages that were lined with sharp spines. It looked to be as tall as a draft horse, yet it was so still that I couldn't even tell if this huge animal was breathing. The whispers were quieter than they'd ever been before.
Those huge eyes were fixed on me. I didn’t dare move.
One of the ‘crows’ glided to the ground near to the whispering thing, passing in front of my field of view. I stifled a shudder when I saw the state of its frail, humanoid body. Its skin clung like molten wax to its ribs and spine. Tattered wings extended from the sides of its torso, the feathers looking as if they were ripped from numerous other avians and fused to the miserable animal's stretched, contorted arms to make it fly. Where the eyes should have been were empty sockets. A curved beak had been forced onto the creature as well, driven into the skull hard enough to leave ridged, fleshy lumps.
Now that I've seen it, I think the crows were human, once. Transformed and disfigured to serve the Wild Hunt.
The crow shuffled a little too close to the whispering thing. Quicker than a blink, the whispering thing's folded appendage shot forward, curving around the crow's midsection, spikes driving into the crow's torso. My mind could barely keep up as the whispering thing then bit the crow's head clean off with a terrible crunch.
The other crows began to frenzy, shrieking as they dove towards the whispering thing. Without having to take a step, it snatched another crow out of the air. Flesh ripped with a wet tearing sound.
Since the animals were all focused on each other, I took the opportunity to dig frantically around for a hagstone, holding my own against my eye in the hopes it would lead me to another one.
There was a low hum that I felt more than heard. Deep within my chest, as if I was standing next to an amp at a concert. This was followed by an enraged screech from one of the crows. Still, I kept looking.
There had to be one. There just had to be!
One circular, black rock stood out among the rest, the water seeming to outline it from the view of my hagstone. There! I plucked it out of the water, looking over my shoulder to see if either the crows or the whispering thing were paying attention to me. They were too engrossed with trying to tear each other apart.
I shoved the black hagstone into my pocket and made a break for it, poker at the ready. One of the crows noticed and let out an ear-splitting cry to alert the others.
As I ran, I checked back to see that three of the crows split off to pursue me. I wasn't worried about them catching me. The whispering thing was another matter. This was only my second time encountering it and I hadn't had enough information to identify it, so I didn't want to find out the hard way if the defenses I had on me would be enough to stop it from tearing me apart like it did the crows.
There was another low hum that rumbled against my ribs as the whispering thing used one of its forelegs to swipe a crow out of its way. It had lost interest in them, its huge amber eyes focused on me once again. I prayed that the crows swarming around it would be enough to slow it down.
As I raced through the trees back to where the company truck waited, the whispers started anew. They became louder and clearer the faster I went, interrupted by the shrill cries of the crows tailing me. I did my best not to listen to any of them. The last thing I needed was to get led astray by any of my pursuers.
A crow swooped close enough for me to smack it with the poker. The sound the bird made when the iron scalded its skin made my teeth clench. The others joined it, bringing me to my knees, my ears ringing. High pitched, grating, like broken glass against a chalkboard. Disoriented, I swung desperately with the iron poker again, not hitting anything.
And among all that, the whispers hadn't stopped. My head rang, ears going numb. I swung again. One of the shrieks stopped as the poker found its mark. Even as the auditory assault continued, I got to my feet, grabbing the trees closest to me to keep myself going. The whispers became even more frantic as its prey got further and further away. The truck was right there.
The two crows tailing me had finally stopped their dreadful screaming and simmered down to furious clicking sounds with their beaks, as if they could think of nothing but stripping the flesh from my bones.
When one tested the limits of the hagstone as I got close to the truck, I swatted at it with the poker, the tip colliding with the creature's skull. The crow’s body crashed against an oak’s trunk, then went still.
As soon as I cleared the treeline, the whispering stopped. I looked over my shoulder. The whispering thing was retreating, only visible for a brief moment before blending in among the trees.
It couldn't leave the forest. That was good to know.
I closed myself into the truck, leaving the furious crows outside. They glared at me from the branches of a nearby oak. After taking a moment to collect myself, I drove back to the hospital, wanting to hand the black hagstone off to Reyna before anything else.
At a stop sign, I got a text from Victor: he had finished setting traps for the client's raccoon infestation and was going to meet me at the hospital.
Reyna was chilling in her hospital bed, face bandaged, wearing a hideous blue hospital gown decorated with faded green and pink squares.
“Guess who got her rabies shots!” She announced with a sleepy grin, holding her hand up in a shaka.
Someone was clearly given the good painkillers.
Victor arrived a few minutes later, wearing a black mask that covered his mouth and nose, smelling strongly of lavender. It made my nose itch.
“Why do you smell like an old lady?” I complained.
The mask intensified his withering stare, voice muffled by the mask, “Lotta blood around here. Probably wouldn't be too good if I smelled it.”
Reyna chimed in, slurring slightly, “If you're gonna eat anyone, go for the receptionist. He was reading Anne Rice, so he'd probably be into it.”
It was Reyna's turn to get The Glare. He said flatly, “You're high as a kite, aren't you?”
Reyna flashed a peace sign.
To summarize Reyna's condition, she's as okay as she can be. They had to close up her eyebrow and cheek, and they gave her a plethora of shots to make sure that she didn't catch any diseases from the crows. The hospital doctor wanted to keep her overnight to make sure that she didn't have an infection, then afterwards, she was going to take some time off of work to recover.
Also, I slipped the black hagstone into her purse so that it wouldn't be misplaced.
After we discussed Reyna's injuries, I decided to address the elephant in the room, “So… what can we do about the mechanic?”
Reyna shrugged, “Grovel and plead for our lives?”
Victor rubbed his eyes. “We might be a bit past that point.”
I asked Victor about the specifics of his deal with the mechanic. I knew that there had to be some sort of condition that had to be fulfilled before the mechanic could take someone, otherwise I probably wouldn't be alive to type this right now. Reyna was equally curious.
The boss seemed reluctant to speak on this matter, at first. I told Victor that he didn't have to share anything if there was any possibility of retaliation. The last thing I wanted was for him to be punished in some horrific manner for trying to help me.
He eventually shrugged a shoulder in resignation, “Whatever happens, I can handle it. It didn't take him long to figure out that I was the one that helped you find the hagstone. That wasn't pleasant, but…” He went quiet for a second, his eyes glazing in a way that reminded me of when I first came home from active duty. He then shrugged again, “I'm willing to risk it if that means getting a chance to hurt him back someday. Lord knows it's been a long time coming.”
He didn't tell us what the consequences had been for assisting me, and neither Reyna nor I pressed the issue. Some mysteries are best left unsolved.
Even though I was nervous to hear the answer, I didn't pull any punches and straight up asked, “Why hasn't the mechanic sent you after me yet?”
Victor considered for a moment, then explained, “I'm not sure on the specifics, since the mechanic doesn’t tell me anything other than what I need to know to get the job done. But from what I can tell, he takes those who are dead, dying, or… ‘dead inside,’ I guess is the best way to put it. Some souls appear to be harder for him to take than others. The hard ones need to be… broken down first. As of right now, he says you're not ready.”
Reyna numbly asked, “So if the birds tried to nab me, does that mean that I am ‘ready’? That they could take me at any moment?”
Victor hesitated before replying, “We won't let that happen. Alright?”
Reyna nodded, eyes low.
I wanted to ask her what was going on. Figure out why she was suffering in a way that made her fair game to the crows. But she'd been through enough for one day. That discussion could wait for another time.
My next question was another one that I dreaded the answer to, “And where do you come into all of this, Vic?”
Regretfully, Victor admitted, “I bring him the ones that are ready if he can't get to them himself.”
He glanced at Reyna, “As of right now, keep that hagstone on at all times. Even wear it when you're sleeping. The mechanic didn't know who you were initially, but I guarantee the fucking Lessers tipped him off. I think he’s more focused on Nessa, at the moment, but if I get sent after you, hit me with iron, salt me, do whatever and don't feel bad about it. Same goes for you, Nessa.”
I hated this. I hated that he was being used like this. I hated that he spoke about someday being sent to drag one of us to meet our fate at the hands of the Wild Hunt as if it was unavoidable.
The air suddenly felt like it was much thinner in the room. Somehow, I got enough oxygen to ask, “What if I learned the mechanic's true name? Would that end this?”
Victor let out a soft scoff, rubbing the bridge of his nose over his mask, “Probably, but good luck with that.”
I had already figured that the mechanic wouldn't dance around a fire singing his true name all willy nilly like Rumpelstiltskin. But I couldn't accept that all of us were screwed. There had to be a way. I had to believe that there was a way.
I announced that I'd be back in the morning. Reyna looked as concerned as her painkillers would allow, while Victor jumped out of his seat.
“What are you going to do?” He demanded.
“I'm going to talk to him.” I replied. “One of us is in the hospital and another one of us is undead-”
“I know it's looking bad right now, but they can easily get worse if whatever you're thinking of doing goes south.” He cautioned.
“I'm just going to see if there's some way I can… I don't know, talk him down? I haven't gotten that far yet, but something needs to be done.”
He didn't look convinced, and with how terrible my argument was, I don't blame him. “I'll go with you.”
I motioned towards Reyna. “And leave her alone?”
Reyna, looking like she was fighting sleep, groggily said, “I got the adder stone and I'm in public. I'll be fine. If you're going to confront Psycho Mantis, you're going to need Vic around more than I will.”
Victor agreed, “Like it or not, you're not handling this alone. Remember what I told you when you got hired in?”
We're not heroes, we're pest control specialists.
You know that thing I said about not isolating yourself? I can be bad about not following my own advice sometimes, especially that one.
Going forward, I do want to note that the decisions that were made on that night were extremely risky and I don't recommend for anyone to repeat them. Believe it or not, we are professionals.
On our way to our destination, we stopped by the 24-hr convenience store. Victor was about to question me until he saw me go for the whipped cream. I also got s'mores supplies, thinking that maybe some bribery would make the mechanic more amiable. I figured that if he rejected them then, hey, I like s'mores, too.
Afterwards, we followed the path to the skull trees.
During our hike, Victor whispered, “That fucker is hubris incarnate, but he's not stupid. If he offers you a deal, know that it's not going to be in your favor. And be careful with the way that he twists words.”
Something noteworthy is that the hagstone doesn't react to Victor. I think it's because he doesn't have the same malicious intentions as his captors. He may have changed after his murder (hell, anyone would) but at his heart, he was still Victor. Meanwhile, as we got closer to the skull tree clearing, I felt the stone gradually begin to quake.
Up ahead, orange light flickered. The mechanic had a small fire going. He lay on a blanket next to it, that cursed banjo on the ground beside him, one arm folded under his head, legs crossed at the ankle. His eyes were closed.
He didn't open them as he greeted us, “I was wondering when you two would show up.”
Keeping my nerves buried beneath the surface, I held up the bag of sugary goodness. “I'm here to negotiate.”
He laughed, still not looking at me. “Are you, now? And what exactly do you think a little thing of cream will get ya?”
“Not much, I imagine.” I said evenly. “But I thought it'd be a good jumping off point.”
Even though I’d originally protested Victor coming with me, I was glad that he was there. I don't think I would've been able to be so level-headed if I'd met with the mechanic alone. It would probably be interpreted as a sign of weakness, but I was counting on that.
As soon as I saw the mechanic begin to crane his neck towards us, I slammed my eyelids shut. He knew way more about me than I'd ever wanted him to know already, and I was afraid of giving him more.
Again, another potential sign of weakness. When it came to trying to get him to back off of Orion a bit, I figured it'd be best if he underestimated me.
I didn't have to see the mechanic to know that he had that wicked grin on his face, “Alrighty. Let's see what you've got.”
A hand that was as cold as the grave gently removed the bag of goodies from my grasp. Victor. Wordlessly, he brought the cavity-inducing offering over to the mechanic. I never realized how quiet his footsteps were until then. He moved like a shadow. He could've been five feet away or five hundred, for all I knew.
There was the rustling of plastic, followed by the trademark sound of whipped cream being sprayed from the nozzle. Sounding slightly less prick-ish, the mechanic told me I had his attention.
I had been trying to find the magic words that would make this whole situation blow over. Nothing that I came up with in my head fit that description.
So I decided to be straight forward, then go from there. “What will it take to de-escalate things between you and Orion?”
The whipped cream wailed once again. A moment later, the mechanic replied, “Why are you asking a question that you already know the answer to?”
“Other than my soul.”
He chuckled softly, the sound too casual and charming for this sinister discussion.
“You know, I’m curious, puppydog,” Fabric rustled. Without looking, I assumed he'd sat up, “Which o’ your parents are you most like?”
Here we fucking go.
I tried to redirect him, “With all due respect, that isn't relevant.”
“Oh, but it is.” His tone of voice brought chills to the back of my neck. “You see, I'd be willing to take a trade. Find a soul as mouth-waterin’ as yours, and all this goes away. Hell, I might even let you rest in peace! You know what choice your father would pick.”
I was hoping that the firelight wouldn't be enough for him to see my face flush and my jaw stiffen. That had touched a nerve, just as he knew it would.
That was also a horrible deal. One that I wouldn't even consider. There was no way that I could condemn someone else to an afterlife of torment. I wouldn't wish that on anyone, not even that weasel-faced client that I rescued the False Egg from. Not even my father.
Swallowing back the plethora of terrible emotions threatening to bubble up, I suddenly felt Victor subtly squeeze my shoulder supportively. Under normal circumstances, he wouldn't hesitate to give anyone who insulted his employees a piece of his mind, but the mechanic was the last Neighbor to mouth off to. That was the best he could do for me, in the moment.
When I informed the mechanic that I wouldn't sacrifice someone else to save my own skin, he laughed again, “If only you knew how many times I heard those exact words! Thing is, I ain't even got started on you, pup. Given enough time, you might find you're more like your old man than you thought.”
I took a deep breath to keep the mixture of dread and anger confined to my chest, then calmly replied, “Sounds like you know exactly how everything will play out. Isn't that boring for you?”
The tension that filled the air after those words left my mouth made my chest feel tight.
The whipped cream can wheezed thoughtfully before the mechanic mildly admitted, “A bit, yeah.”
There it is.
“You already have all of the advantages,” I started, “It’s not much of a hunt if your prey can't even run, is it? There's no challenge in killing something that's already baited and trapped.”
“So, what do you suggest?”
Oh boy. I was about to do one of many things I warned yinz not to do: “The only way I can bring you the excitement you're craving is if I have a fighting chance. And a good one. I'll be searching for your name, but I need to know where to look first.”
His laughter made me suppress a shudder. I remember thinking that I should've known that he'd see through my words like he saw through everything else.
The mechanic then said, “I know what you're trying to do, pup. But the problem is, you're right! It's too easy anymore, especially since y'alls names are just available on the internet for anyone to find. I've been getting kind of soft lately.”
This was his soft side?
The mechanic continued, “You really think you can pull this off, pup? I know you're a fighter and all, but you're not a warrior, not really. Being a soldier ain't the same thing.”
“I may not be Cú Chullainn, but I'm as close as you're going to get in Mercer County. We've got a bit of a warrior shortage around here.”
He snorted, “You seem awfully sure of yourself for someone who can't even look at me.”
“I'm not sure about anything. That's why I'm here, isn't it?”
It was quiet for a moment with only the frogs chirping in the forest able to find their voices. Not even the whipped cream broke up the silence this time. I was tempted to risk peeking through my eyelashes, but managed to resist.
Just as my nerves started getting to me, the mechanic said, “So, you want me to give you a hint. That's a lot to ask, but you knew that already.”
“You want something in return.”
“Hagstone. Smash it.”
No way. It was too valuable. If I gave that up, I was dead. I promptly shook my head.
He sounded amused. “Shoulda known you wouldn't fall for that.”
Looking back, I wondered how many he'd tricked like that. Giving up some form of protection after being misled into thinking the mechanic was going to let them go, only to regret it seconds later. Probably far too many.
He continued, “Alright then, we'll talk for real. I'll give you that hint, but I got some conditions. You get three chances to guess correctly. Each time you guess wrong, you have to give me one of your names starting with your first, middle, then last name. Don't try fucking with me by trying to pass your middle name off as your first.”
That made my throat tighten even more. If I agreed to that, failure wouldn't just spell disaster for me, but for everyone I knew as well. I'd be dragging my mom and anyone else associated down with me. I'd essentially be doing what he already requested: sacrificing others to save my own skin.
I heard Victor faintly, from my right, “Don't!”
The mechanic wasn't pleased, “This ain't about you, blue eyes. This is between me and her.”
The stakes were getting way too high. I couldn't do this. But then what? The Hunt wasn't going to wait around for me to find another way, assuming that there even was one. Victor clearly thought it was a terrible idea. For the record, I did, too. I could feel the boss' eyes on me, willing me not to forget what he'd said earlier about dangerous heroics.
Maybe there was another way and I just couldn't see it. But desperation has a way of messing with your head.
“If I agreed to this,” I started, knowing that I was probably digging my grave even deeper. “And I haven't agreed to anything. just to be clear. If I did this, I'd need the assurance that you won't send your crows or hounds or any others that serve the Wild Hunt after those that I care about. That includes my colleagues and me, for that matter. Like you said, this is between us two.”
The mechanic chuckled and I heard him shift again. “You're feeling awfully bold tonight, aren't you?”
I reminded him, “You want this to be interesting, don't you?”
He considered, then with a click of his tongue replied, “You hear that, blue eyes? Means you, as well. On both sides, mind you. Same with that witch doctor. Yeah, I know about her. I keep mine out of it, if you keep yours out. All's fair, right?”
I didn't feel right with any of this, but the alternative was for things to continue as they were. If that happened, we were all screwed anyway.
“And if I agreed, the hint that you provide will have to be both true and helpful. And it'll also be given in easily understandable American English, no riddles or puzzles or any other forms of confusing phrasing. You’d also have to give it to me tonight. The whole thing would begin after that.”
Once again, he laughed, “Shit, you're not messin' around!”
I know how the Neighbors do deals. If I hadn't mentioned it, he probably would've given me the hint in the form of a riddle spoken in backwards Gaelic.
“Alright, pup, I get the picture. You know what you're dealing with. I’ll play nice.”
His voice had a subtle sardonic edge. Nothing about this was going to be nice, if I chose to go this route, but that wasn't news.
“Oh, and one more thing!” The mechanic added a little too cheerfully. “You have until Samhain. I’m sure you know why.”
It's June already; still a good while away from October, but this year feels like it’s flying by fast, like every other year following 2020. He didn't have to explain why: the Wild Hunt are at their most powerful during Samhain, which for those who don't know, was a Celtic holiday that eventually gave birth to Halloween. It's when the veil between the atypical world and ours is thinnest.
In short, it's a busy day for Orion. Looks like it’s going to be even worse this year.
Victor spoke again, “Can I talk to her for a moment?”
“Nope. You don't get a say. Either she takes it or leaves it.” The mechanic answered curtly.
As I deliberated, there were subtle taps on a tree nearby. Hold on. Morse code. M-I-S-S-I-N-G. What was I missing? Maybe it was because I hadn't clearly spelled out what I wanted to happen if I correctly guessed the mechanic's identity.
“If I accept this bet, then if I find your name, you’ll relinquish your claim on my soul, as well as all other Orion employees, whether they're living, dead, or undead. Have I made that clear?”
After a moment, the mechanic answered, the smirk blatant in his voice, “You have now.”
Of course. It was so simple. If I had gone through with the deal without being specific about the outcome, the mechanic wouldn't have been obliged to release any of us. I would've done all the work to identify him for nothing. Tricky bastard.
Thanks, Victor.
With a heavy sigh, I politely asked the mechanic to repeat everything that we'd just discussed to make sure that he wasn't going to conveniently forget something. To my surprise, he did it without comment, though he sounded like he thought the whole thing was funny. He left nothing out.
When I say that agreeing to this deal was one of the hardest things I've ever done, I mean it.
I instantly had second thoughts the moment I heard the mechanic stand up and cheerfully say, “Well, you ready for that hint? You’re gonna wanna open your eyes for this. I can show you better than I can tell you.”
Oh God, I made a mistake! No. I could do this. I had to.
Black cherries. He was in front of me. Steeling myself, I opened my eyes. The mechanic stood as close as the hagstone would allow, a dark silhouette in front of the crackling flames.
“Blue eyes, would you mind holding puppydog’s hagstone for her? Wouldn't want that gettin’ lost, now, would we?”
What?!
“Don’t get all frantic, I can’t do shit to you until you get your hint, per our agreement,” The mechanic said dismissively as Victor approached me. “You’ll get it back after.”
Victor looked apologetic as he gently removed the most powerful defense I had. He had an odd glint in his eye. Was that defiance?
I’ll get you out of this, Vic. I promise.
The very moment that he was able to, the mechanic grabbed my chin, forcing me to meet his eyes.
A church surrounded by black water… A great feast of viscera and wildflowers… Black thorns drinking the blood of the unworthy… The great antlered headdress of the White Son of Mist… Pricking his finger on those horns… He signed in blood…
Victor pulled me back, not giving the mechanic even a picosecond to take full advantage of being outside of the hagstone’s influence. If he hadn't been holding me up, I would've been on the ground, still recovering from what I'd just seen.
“You find that ledger, you find me.” The mechanic said coolly.
That church. It reminded me of something. In the morning, I’m going to check our records. For now, I just want to crash. I'll keep yinz updated.
On the bright side, there weren't any crows waiting for me when I got home.
(Here's an index of all the cases I've discussed so far.)

BoxOfficeTheory Presale Tracking
USA Showtimes As of May 31
Presales Data (Google Sheets Link)
BoxOfficeReport Previews
Quorum Update (June 3)

• May 31 Weekly Unaided Awareness

DOMESTIC PRESALES

• YM! (Marcus is doing $7 matinees for children and seniors all day every day before 4 PM for the summer (May 31).)

Bad Boys: Ride or Die Average Thursday / EA+Thursday comp: $4.54M/$4.59M

• abracadabra1998 (Comp: $4.11M THU. REALLY good update, every comp went up significantly, save for Equalizer 3 which was already a really high comp to begin with. Hopefully keep showing signs of converging. I cannot overstate it, this state's demographics are overwhelmingly NOT the target audience for it (June 4). Not a great update, dropped against most comps (June 3). Biggest outlier here is Equalizer ($6.47M), but that is also probably the best comp... tough to say with a release like this where we don't know just how backloaded it will be (May 30).)
  
• Cmasterclay (Bad Boys as a franchise plays like Avengers: Endgame in my area, so unfortunately any insights will be totally useless, but I can say it's at least selling well in South Florida so far - the bare minimum! (June 2).)
  
• crazymoviekid ($4.07M THU comp. This boy better explode in walk-ups cause we have $4M-$6M for now, but it could go lower (June 3).)
  
• el sid ($5.1M THU Comp. $5.65M BB3 comp. 107% up since last MON. That's in line with expectations but honestly I hoped for a bit better jump. On one hand, the direct comparison number is good. OTOH BB4 definitely needs very decent walk-ups. Somehow I expected a bit more buzz till today. But for the moment oveunder 5M judging from my theaters (June 4). Counted yesterday for THU: 395 tickets with 10 days left. Bad Boys 3 (6.36M) had on MON of the release week 915 tickets = 43% for Bad Boys 4 with 7 days left to come closer or maybe overtake. My guess is that BB4 could have 800-1000k tickets by next MON, so it could be pretty much on par with BB3. BB4 does not have stellar presales and after several disappointments I shouldn't exaggerate but compared to the best comps it looks quite good for BB4 as you can see (May 28).)
  
• Flip (1.18x Furiosa T-2 great jump (June 4). 0.704x Furiosa T-3 (NYC area would tilt to Furiosa more so it’s not a great comp but the only one I have) (June 3). Decided to add one more theater but there was good growth in both of the original two (May 27).)
  
• jeffthehat ($4.18M THU Comp. Nice day. The Fall Guy and Civil War comps were pulled 8-10 hrs later so the average is probably undershooting a bit (June 4).)
  
• katnisscinnaplex (Comp: $5.74M EA+THU. I was looking for a low 20s jump today, but it exceeded that with a +32%! Things are looking up and I'm feeling good about a 5m floor for previews and could go 6m or higher if it keeps this up (June 4). Slightly outperformed all comps yesterday! Looking for around a 20-24% jump today (June 3). Three day pace is ahead of all comps. Good sign heading into the final week (June 2).)
  
• keysersoze123 (I think it was a good day. In line with what I expected. let us see how rest of the week goes (June 3). Its going below Apes movie at this point and that was quite backloaded as well. So that is a good target for this movie. Of course early shows for Apes movie was way wider and stronger while this is more limited shows (June 2). We have to wait until early next week to tell the tale. These movies finish very strong. That said at this point I dont see a path for it to hit last movies OW ($62.5M). That is going to be a stretch plus the internal multi will be weaker relative to MLK weekend release of last movie. So I hope it goes for at least 6m previews to keep 50m OW in play (June 1). Pace is definitely going up but is it enough. We will only with final week pace (May 31). Still at very low pace (May 30). Presales are again not that much at this point. I think its not going to hit the heights of last movie (May 28). It should start to amp up sometime this week (May 27). This wont be fan driven. Even the last one initially trailed Dr Do little in presales but amped up big time close to release. This will be a late bloomer. I am still expecting 50m+ OW (May 23).)
  
• Porthos ($3.43M EA+THU comp. Went with a mixture of R-rated films along with PG-13 films that should have had at least some urban skew (plus threw in GxK, because why not)? Problem is, I have a derth of R-rated tracked films. Of them, John Wick 4 ($2.53M) is probably the most "on point", but that has some frontloading concerns, probably. On the flip side, the horror comps are likely too backloaded, even for a film like this (only have the one EA showing, FWIW — but I tend to think it's just shifting Thr->Wed in this market) (June 4).)
  
• Rorschach ($4.2M THU comp and $6.53M FRI comp.)
  
• TheFlatLannister (Comp: $6.04M THU. Excellent day. Really starting to accelerate. Thinking $6M previews could happen (June 4). Comps still converging around $5M (June 3). Excellent T-4. I would say this is heading over $5M for previews (June 2). Pace staying steady, but it increased against all comps which is a good sign. 39% of total sales is coming from the greater Miami region, which is a really strong split. The demo for this film is perhaps coming out (June 1). Actually slowed down a bit (May 31). Not as good as yesterday's update, but still increasing against comps (May 30). Excellent jump today. Starting to see the acceleration (May 29). Steady pace, no acceleration yet. Switch to G x K since that had super strong walkups ($6.12M THU comp) and Bad Boys 4 will likely replicate this (May 27). Comps ($4.11M) would mean $40M+ Opening Weekend (May 24).)
  
• TwoMisfits ($5 Atom tickets went live at 5am today (June 4). Aging male-skewing franchises tend to get the biggest bump from this deal. Folks are on the fence but know what they are getting. Female skewing non-sequel ones tend to get zero help. You need baseline interest to get people willing to pay anything, b/c these still are $5. The other effect of the deal is that movies releasing around the $5 hits sometimes get hurt. June TMobile $5 Atom movie. This could help it go huge, like last year's Spider-Verse (May 22).)
  
• vafrow (Comp: $4.1M THU. Alright, now we're cooking with gas. It's starting to accelerate (June 4). It had the bigger day it needed. We'll just need to see if it sustains for the week, but a good start for sure (June 3). Still slipping. This needs a big day either tomorrow or TUES to have hope of reversing it's slide (June 2). Even without the slap, I don't think the 15-25 demographic has much affinity for Will Smith. That younger demo though is usually key to getting a big walk up. Breakdown of sales on my numbers tilt heavily to the ages 19+ VIP screens. That strikes me as older audiences looking for an outing without teenagers. That audience is important, but there's a limit to how much business they can drive. I can definitely be wrong. But every day that we don't see trends reverse is making me nervous. Slower than expected. It's staying pace with the films with a slow finish and falling behind the walk up heavy films (June 1). A good and steady day (May 31). A bounceback day that helped undo some of the damage from earlier this week (May 29). It's not having a great week. It's slowly slipping against comps, when the hope was that it would be gaining. New showtimes went up for the THU, and it's only gotten one additional screen. It's the 4DX screen, which makes sense, as what else justifies a 4DX screen at this stage (May 29). It's staying pretty flat (May 28). Zero sales day when all comps seemed to have done well. Not a great result. Note: This isn't a holiday weekend in Canada, so that doesn't explain the slow sales. Hopefully it's just an anomaly. This has been very steady to date (May 27). Ghostbusters and Apes both went up in comps, but I didn't have Hunger Games included, so it's brought the average down. Still, its growing at a steady pace (May 26). I still expect this to be more walk up friendly than the comps being used, and should see a gradual rise as the date gets closer (May 25).)
  
• YM! (Definitely overindexing in the more diverse areas of SE Wisconsin but underindexing in less diverse areas (like a reverse Furiosa). 57% ahead of Furiosa without EA puts us at 5.5M previews and whilst not the perfect comparison, I feel good about a surprise for this one so pencil me in at 4.5-5.5M previews. Looking to overperform in SE Wisconsin if my four theaters are anything to go by. About 57% ahead of Furiosa and 170% ahead of Furiosa with Early Access. Definitely showing strongest signs in the Hispanic and Black heavy areas of SE Wisconsin (June 1). Like IO2 the pace for Bad Boys is small but mighty. EA is only available at Majestic much like Garfield. With EA, it’s a few tickets shy of Furiosa’s T-6 but without them it’s only a bit over half. Either way both is really good. I think we’ll continue to see the gap grow over the week but as of rn, I am thinking around $6-7m previews without EA solely on vibes to an OW north of $55m (May 25). Same thing as IO2 for Bad Boys (see May 23 IO2 comment), I expect this to not only skew more GA friendly and should bulk up ticket sales as we get closer to release. It’s almost at half of Furiosa’s T-6 which is a pretty great thing. Should easily outdo it by T-6 imho (May 23).)
  

The Watchers Average Thursday Comp: $1.18M

• abracadabra1998 ($0.92M THU comp. At this rate I would not be surprised with anything between $800k-1 Million at this point (June 4). Tarot horribly underperformed there, everything else pointing to around 800k-1 Million right now (June 2).)
  
• crazymoviekid ($2.28M THU comp. Wide range, but I'll be safe at $1M-$2M for now (June 3).)
  
• el sid ($0.80M THU Comp. Counted today for THU had 125 tickets. Knock at the Cabin had 1 day later, on WED for THU, 471 tickets and The Strangers had 360 tickets. Watchers won't reach those numbers but I think it will gain a bit in the comps in the next few days (theaters in NY were recently added and those in San Francisco very recently). At the moment I think it will miss double digits and get high single digits (June 4). Pretty muted start in my theaters. Yesterday 37 tickets sold for THU, May 6, and today it were 44 (with showtimes in 5 theaters). Comps (always counted for THU): Tarot (715k) 28 tickets with 6 days left. The First Omen (725k) 28 tickets with 8 days left. Abigail (1M) 97 tickets with 6 days left. The Strangers: Chapter One (1.2M) had on MON of the release week 215 tickets. I don't think The Watchers can reach Strangers presales, maybe half of that (= ca. 100 sold tickets next MON). I go with around 500k from previews for The Watchers (May 30).)
  
• filmlover (Hasn't sold anything near me (May 26).)
  
• Flip (Less sold than yesterday (June 4). These are good numbers considering it’s only playing in 2/3 theaters I track (May 28).)
  
• katnisscinnaplex ($0.95M THU Comp. Getting closer to 1m (June 4).)
  
• Rorschach ($1.36M THU comp and $2.59M FRI comp.)
  
• TheFlatLannister ($0.77M THU Comp. Yeah, I don't think this is hitting double digits OW (June 3).)
  

The Lord of the Rings Extended Edition Re-Releases (June 8-10)

• BoxOfficePro (Fathom Events has also announced that select Regal Cinemas will present the films in 4DX on June 22/23/24 for Fellowship/Towers/Return respectively (May 14).)
  
• AnthonyJPHer (Theaters must be either extremely confident in this release or they are desperate because they added several showings from my last update. Or it’s possible that there was so much demand that they added more showings. Fellowship (468 tickets, 14 showtimes, 5 theaters) on June 8 and June 15 (97 tickets, 4 showings, 4 theaters). Towers (396 tickets, 13 showtimes, 5 theaters) on June 9 and June 16 (82 tickets, 4 showings, 4 theaters). Return (426 tickets, 10 showtimes, 5 theaters) on June 10 and June 17 (82 tickets, 4 showings, 4 theaters). 1,551 tickets total. 1,290 tickets for the first week (62% growth from last update). 261 tickets for the second week (massive 342% growth from last update). It’s preforming really strong surprisingly. I could see an opening bigger than The Phantom Menace re-release if there are enough theaters and showtimes. (June 4). Fellowship (269 tickets, 6 showtimes, 4 theaters) on June 8 and June 15 (21 tickets, 4 showings, 4 theaters). Towers (243 tickets, 4 theaters) on June 9 and June 16 (22 tickets, 4 showings, 4 theaters). Return (281 tickets, 4 theaters) on June 10 and June 17 (16 tickets, 4 showings, 4 theaters). 852 tickets total. 793 tickets for the first week. 59 tickets for the second week (May 28).)
  
• katnisscinnaplex (Opening Day Average Comps (June 8-10): Fellowship ($8.03M), Towers ($6.99M), and Return ($6.92M). [in response to "The number should be closer to 5 or 4M, walk ups really won’t be that good for a rerelease and there’s no PLF"] Yeah, you're probably right. Looking at these numbers against final 1hr comps would be around 2-2.5m. A lot of places have added additional shows so there is definitely room for growth this week. Currently thinking each of these make around 6m, assuming there are enough shows (June 2).)
  

Inside Out 2 Average Thursday Comp using TheFlatLannister's Florida comp: $8.03M

• NRG (Now tracking for $85M domestic debut (May 30).)
  
• abracadabra1998 (Comp: $6.52M THU. Still mostly following along that Kung Fu Panda 4 ($6.32M) number for now (June 2). Keeps chugging along, comps will start converging soon (May 30). Good update, hopefully this keeps on rising (May 23).)
  
• AniNate (Finally a little movement here. 23 THU, 52 Fri-Sun (compared to 18 THU and 23 FRI-SUN on May 17) (May 22).)
  
• AnthonyJPHer (Some growth for THU, not bad but I expect sales to increase steadily as we get closer to release. Presales are good enough to not be a disaster like Garfield, but not big enough to guarantee a 100m opening. I still like what I’m seeing though. My local theater has finally shown some signs of life with this film. 5 tickets sold. Way better than Garfield at the same point. Might not be completely accurate, but looking extremely strong on FRI. 900 tickets for the 5 theaters I track. Maybe even 1,286 tickets if my numbers are accurate. That tells me this is not front loaded whatsoever. Or at the very least not preview heavy (May 27).)
  
• charlie Jatinder (Comp: $12.2M THU at MTC2. Moving along nicely (May 21).)
  
• Flip (Decided to add one more theater but there was good growth in both of the original two (May 27). Fan event on the 16th has 43 tickets sold from 2 showtimes (compared to 8 showtimes and 73 tickets sold for previews), so that might be depressing previews a bit.)
  
• katnisscinnaplex (Comp: $4.43M THU. No great comps for this. The last week and especially final few days will tell everything we need to know (May 31).)
  
• keysersoze123 (I expect presales to accelerate even more this week and of course leading up to final week (June 4). I think upcoming week pace is going to tell the tale. Not too happy with late social media reactions/reviews for this movie. That hinders any chance of early boost (June 2). If you compare this to any animation movies seen recently including Minions, its doing very well. Really good this far out for sure (May 25). Chugging along at this point (May 19). Show counts show Plexes are expecting a big OW. I dont remember when we last had a animation movie start with so many shows. I wont count Mario as that was a fan driven movie. Definitely not great presales but this is not a fan driven movie. Let us see where things are in the final week (May 15).)
  
• Porthos (BAD COMPS: $8.48M THU. I literally have zero good comps. I generally don't keep track of sub-5m pure kids animated films until right before release. It is too backloaded (or rather NOT frontloaded) for the AtSVs of the world to make much sense. IO2 had a (too) long (by half) pre-sale window which is wrecking a whole bunch of other slightly more plausible comps. If I had a complete track of KFP4, that'd probably help a great deal. As often the case with films that should be very backloaded, won't really know how backloaded they are until the week of release. (will note that IO2 does seem to be picking up a hint of steam right now. Which should bode well for its overall ticket total). Horror is, along side pure kids animation, THE most backloaded genre there is when it comes to pre-sales. ATP for the Nope comp will be wrecked, but the pace should be very instructive. Name recognition for Jordan Peele led to slightly stronger pre-sales for a non-franchise horror installment which should map fairly well with the in-built name recognition of IO2. Is complicated by the fact that Nope had an even longer pre-sale window than IO2, but that might help counterbalance some of the ATP errors. Won't be a good comp at the end but right now it might be one of the better ones, especially to show the insane growth that should be on the table. I don't think it's much of a coincidence that it's one of the few comps I have right now that is pointing to double digit previews (May 30). I don't agree with the undertone of concern when it comes to ticket sales. They seem perfectly fine to me, maybe even somewhat strong. It just isn't selling like a frontloaded CBM/fan driven franchise (even when adjusting for animation). So I suppose it really comes down to how much we think this will still act like a traditional kids animation film when it comes to buying pattern, how much demand has been burnt off, and how many people are still going to buy tickets but see no particular need to buy them early. Which I suppose really can't be answered until we get close to the time when kids animation films typically accelerate. But, I keep looking at the sales in Sacramento and not seeing much cause for concern (May 25). Decided to add Nope ($12.62M) to the comp block. Not because I think it's a particularly good one (ATP differences are a major red flag), but more for pace considerations considering how similar horror and kids animation are when it comes to being backloaded. The other consideration with Nope is that it was on sale for nearly two weeks longer, so it did have a small amount of extra time to pad some seats sold. But maybe the errors (ATP vs length of pre-sale) will cancel each other out. PROBABLY NOT! But the pace at the very least should be interesting (May 25).)
  
• Skim Beeble (I don't know if it's just me, but starting June 20th PLF showings for Inside Out 2 are stopping after around 4 PM. Is there possibly a surprise release coming or is it just a scheduling showtime thing from the chains. (This is AMC) (May 29).)
  
• TheFlatLannister (Comp: $8.52M THU Florida and $7.57M THU Orlando Comp. Thinking $85M OW is about right. Don't see much data as of right now to suggest a number much lower or higher than that (May 31). Excellent pace this far out. Does feel like something big is around the corner (May 27).)
  
• vafrow (THU comps are ignored since 2/3 comps (IF and Garfield) are obscenely high ($28M and $124M). Growth remains solid (June 4). Really strong day. I'm not sure what drove it, but it's pulled ahead of KFP4 in sales (June 3). Decent day (June 2). I still have a wide divide between comps. KFP4 just did tremendously well around here, making it a challenging comp to use. Or Garfield and IF being the opposite (June 1). Take the comps with a grain of salt. The low numbers on IF and Garfield really throw things off. Numbers were flat all week before a jump in the last day (May 29). It's starting to grow (May 25).)
  
• YM! (SouthEast Wisconsin: Already outdone Garfield minus EA. Ideally I’d like heavy buying to be prevalent next week with some form of buildup this week. Right now, looking at other data on here, put me down for 7-8M previews. At NS using pre-pandemic comparisons, it’s about 22% ahead of Onward’s T-9, 57% ahead of Sonic’s T-9 and 46% of Aladdin’s T-9 (June 1). Using Keysersoze123's earlier MTC1 data, the pace is pretty good. $6.74M average THU comp. The same caveats apply (higher ATP than the other animations due to older skew and PLFs but having lower ATP than TLM as that skews older and likely has more of audience to buy upfront, and Wish being on Discount TUES muddies things up) but the important thing is that pace healthy and gainer ground against its comparisons. Feel like tracking is right on the money of 75-85m OW but could grow stronger if pace continues strong and reviews are strong (May 26). The pace is moving nicely as we have about two and a half weeks left. Think there’s potential for ticket count pace to grow strongly. I have no comparisons but it is at Garfield’s EA-less T-3 ticket sales. Going to probably not say much on preview predictions but my thoughts of an OW in between 75m-100m still stand. Not much to make of things until we get to around 2 weeks for rudimentary guessing and opening week for figuring things out (May 25). Little has changed as IO2 keeps on trucking along. I do theorize at least from the 250 ticket selling Funko Event, it’s plausible families and fans went for that date instead of THU night previews. Not much to make of things until we get to around 2 weeks for rudimentary guessing and opening week for figuring things out. At the very least, I like that it doubled its previous sales a week ago as it shows pace and outdid Garfield’s T-6 (May 23). Did some snooping around for the Funko Event as I was curious if perhaps families getting presales for the opening SAT vs opening THU as those sales are kind of weak THU and uhm it’s at 250 tickets. Which is like 5 times Garfield’s EA showing of 50 tickets all at PLF prices despite normal theaters. Most of which at 9:30 AM with only one theater having it at 11:00 AM (May 22).)
  

The Bikeriders

• Pinacolada (Actually sold some around me. It does seem like Focus is giving it kind of a shitty release though. Small screens. Definitely no PLFs, which 20th Century Studios was gonna get it Dolby back when they had it. There's 3 theaters really near me. Only 1 of them has this on sale as of now, though the other 2 theaters may come later? (May 26).)

A Quiet Place: Day One Average Thursday Comp: $3.87M

• abracadabra1998 ($4.09M THU comp. Quite a good start, all of these (imperfect) comps had much larger windows so they should be going up the next couple of updates before it stabilizes (June 2).)
  
• AnthonyJPHer (Alright start to presales, although kind of muted in my opinion. I’m hoping it’ll start picking up the pace soon, but it’s alright. Not much to say here (May 31).)
  
• el sid (Counted on FRI (so after ca. 24 hours) for THU, June 27. Yesterday almost nothing happened sales-wise. Two days ago sold 315 tickets. Comps (always counted for THU): AQP II (4.8M) 402 tickets with 9 days left (Day One already at over 75%) and similar sales in the different regions (Very good sales in LA AMC, quite good ones in NY and pretty muted (which is normal with so many days left) in the heartland. Miami is the exception (Day One with 53 tickets to 26 back then). Scream (3.5M) 325 tickets with 26 days left. Halloween Ends (5.4M) 511 tickets with 10 days left. Nope (6.4M) 837 tickets with 11 days left. Insidious: The Red Door (5M) 260 tickets with 8 days left. Overall that was a quite good start in my theaters (June 2).)
  
• Flip (Has a fan event on the same day of previews, PLF only (May 30).)
  
• katnisscinnaplex ($4.84M THU comp.)
  
• Porthos (Took a look locally. Not too bad. Before I tracked DBOX, AQP2 sold 160 tickets at T-22 and AQPD1 sold 166 tickets at T-28. Now I am tracking DBOX seats, which at a glance sold 19 tickets tonight. However three theaters locally converted to having DBOX showings, so some local theaters will have more DBOX sales. In line with D1 of AQP2, more or less. Tickets sold for the 3pm fan event are practically non-existent right now (8 tickets sold). There are so many problems with an AQP2 comp as to make it nearly worthless but promising start (May 31).)
  
• TheFlatLannister ($4.44M THU Comp. Pretty good start, but nothing crazy or outright telling me a big breakout is coming (May 31))
  
• vafrow ($2.1M THU comp. This went backwards, which is never good. And three days in, I think the initial rush is gone and this stays pretty quiet until we get closer (June 2). Second day didn't go as well (June 1). Not a bad start. I don't have great comps with it starting at a month out (May 31).)
  

Deadpool and Wolverine Average Thursday Comp using TheFlatLannister's Dune2+GOTG3 comp: $28.50M

• AMC ("Some 200,000 movie fans have bought their AMC tickets already. This is more Day 1 ticket sales at AMC than for any other R-rated movie ever." Insiders tell The Hollywood Reporter that first-day sales are likely around $8 million to $9 million if extrapolating the 200,000 stat cited by Aron (May 22).)
  
• DEADLINE (Already heating up eight weeks before its debut, having already collected some $8M in first day ticket sales. $8M is pretty remarkable for an R-rated movie two months before release. While there are no direct comps on Deadpool & Wolverine ticket sales in post-Covid history, its current cash bests the 24-hour advance ticket sales of The Batman ($6.5M), Guardians of the Galaxy Vol. 3 ($6M) and John Wick: Chapter 4 ($1.4M). The Batman and GOTG3 opened to respective 3-day weekends of $134M and $118.4M (May 22).)
  
• FANDANGO (Broke Fandango’s best first-day ticket sales record for 2024. Best first-day pre-seller from the Deadpool franchise (May 21).)
  
• abracadabra1998 ($22.33M Average THU Marvels+Dune2 comp. Just wanted to give a frame of reference for how this is doing (pretty darn good!). Just chuggin along (June 2).)
  
• AniNate (THU sales still largely biased towards primetime evening showings. There may be FOMO but not enough for people to take off work early. Good lord already 80+ THU previews sold for Deadpool at Canton (May 20).)
  
• AnthonyJPHer (Extremely strong growth from OD for THU. We have a monster on our hands here people. Buuut. Let me temper the excitement somewhat. The FRI numbers are good, stronger than Inside Out 2 by a considerable margin. However Inside Out 2 is looking very backloaded. This is looking extremely presales heavy right now. Much more than IO2’s 1,200 tickets for FRI. But here lies the problem. There is only 122 tickets separating THU and FRI for Deadpool and Wolverine, and for IO2, there is 500 tickets between the two days for that movie. This far out I’m not freaking out. I think the gap will increase. It just alarmed me a little. I still think it’s going to be massive though. Just a word of caution (May 28).)
  
• Charlie Jatinder (Comp: $28.23M THU. BP2 added ~48K from T-39 to T-26. D&W added ~42K from T-66 to T-53. Amazing (June 3). Weirdly strong day today, selling 200+ tix (May 31). Moving along well (May 27). Nearly 300 sales day vs ~260 by Black Panther & ~200 of GOTG3. Another brilliant day. Given the length of sales window, comps be falling off but they have remained steady for first 4 days (May 24). Looking at keysersoze123's MTC1 data: These are incredible (May 22). $40.22M THU (MCU first day sales). Amazing day two at MiniTC2. Well ahead of BP2, GOTG3 and AM3. Not too far off from Thor 4. This is more impressive considering they all were ~25-35 days out while this is 65 days out. MTC2 has lower ATP generally due to smaller screens, less PLF, and more family friendly chain. Does much better PTA than MTC1 (May 21).)
  
• Inceptionzq (Denver Comp: $25.69M THU. Drafthouse THU/FRI/SAT/SUN comp: $31.04M/$38.62M/$40.21M/$22.35M (May 21).)
  
• jeffthehat (Took my first look in Indiana yesterday. Won't do a full post because I missed like 20 shows. But the gist is it was at ~3600 tickets sold and ~400 shows. Just as a point of reference, here are the highest values for tickets sold I have in my database. Bob Marley Wed T-1 = 3309 tickets sold. Dune 2 Thu T-1 = 3041 tickets sold. Godzilla x Kong Thu T-1 = 2328 tickets sold. Thus, sales are already the highest I've tracked with two months to go (May 29).)
  
• keysersoze123 ([response to Jatinder] Previews pace is terrific. Ahead of what I expected. Of course Wakanda was more backloaded because of Veteran's Day. FRI was way higher compared to where Deadpool is (3rd week of presales). I think Thor is better comp once we are into its presale window. I think we could be close to bottom end of the curve for this movie. Probably around 200K for previews/90k ish for FRI by end of June (June 3). Previews was taken late yesterday and FRI data was just now. Still going quite strong. very impressive after huge OD (May 28). Still really strong 3 days later (May 25). 1st few days of PS is all about fanboys so T-x does not matter. By this FRI it will be in steady state mode. With this long a cycle that would be at very low levels. Looking at FRI sales, its IM will be closer to Thor 4 than BP2. So we can do the projections based on how the previews will go. However Its really early. Let us wait until we have T-x comps. Probably will have to wait until July to get credible comps. MTC2 early sales tend to be way weaker for all movies. The disparity for big movies is even higher. Nothing out of ordinary in day 2 pace for MTC1 (May 22). Obvious skew on previews (compared to FRI) as its 9+ weeks from release. Excellent growth even past 2:15 PM. Finished ahead of BP2 and ~20K below Thor 4 (116k for DxW and FINAL The Marvels previews at 133k). It has the longer cycle. This includes fan shows which sold 18K+ in initial check around noon PST. Fan event is just MTC1. I dont see anything for any other MTC so far or smaller chains. I think at this point we need to comp with 2022 MCU movies if OD presales are on par. Until we are within T-x cycle for this movie, we cannot comp after 1st 2-3 days. Fan shows are yuge. Adding FanShows and Previews should put it between BP2 and Thor 4 for now. Terrific OD. Over time, GotG3 should provide great comps. I can say for sure, its no where in the ballpark of DS2 which did 36m previews. Really good start. Should finish the day ahead of Ant 3 I think. Sales will taper off after fanboy rush. This does not include fan shows. No full data yet but show counts for previews (MTC1 - 7427 and MTC2 - 2914). MTC1 shows they are ready for big numbers. MTC2 is more conservative and numbers will go up close to release. If I have to guess based on really early indications, its OD between Guardians 3 and Ant 3 at MTC1. MTC2 I unfortunately cannot get data (May 20).)
  
• Legion Again (Previews this early in summer are almost a THU opening, so Fri soemthing like +35-55% from Th is IM ~4.9-5.5. If we get some strong Fri sales when we’re close maybe I’ll drag it up to 5.6 or something but it will be really really tough to beat that. Expecting an IM close to Thor 4. Better reception (in avg case, just by regression to the mean) but bigger previews/more fanrush element, ~cancelling. T-65 Projection Matrix ($166M-$186M OW) (May 22).)
  
• Porthos (Comp: $20.87M THU. Approx Earned So Far (Sacto Market Based Comps): $7.41M (June 3). For long releases of MCU/SW Saga caliber, it usually takes about 6 to 8 days for the initial wave to stop. The Rise of Skywalker didn't really "bottom out" until D9 or so (T-51). Then at T-21, more or less, it started up its acceleration again. Can see similar patterns for MCU long runners (May 24). MCU/SW films tend to have a bit longer of a slope-down on the decent of the "u-curve" so I think I'll keep posting "Day x" comps for at least a couple more days (May 23). Pretty standard Day 2, really. Best sign, I think, is it nearly matching BP2 (that also had a long pre-sale window starting at T-38) (May 22).)
  
• TalismanRing (NYC Regal Local. 17 shows (3 3D, 3 RPX, 11 Reg 2): 102 tickets sold for first hour - almost half for the 7pm RPX showing. COMPS MON opening week: Marvels: 91 (11pm), Eternals: 266 (7pm), Black Widow: 239 (5pm), and Venom 2: 131 (6pm) (May 20).)
  
• TheFlatLannister ($150M locked imo. Don’t really see under $30M for previews and a 6x multi gets it to $180M OW. With GOTG 3 early reception I think $200M becomes a real discussion (May 22). $44.36M Dune 2 Day 2 comp. Pretty ridiculously strong day 2. Sold more tickets on T-65 than Dune 2 did in its final day of presales. $22.42M THU GOTG3 Comp. Considering this thing is 60+ days out, I'd say day 2 was amazing (May 21).)
  
• Tinalera (Toronto having an especially good run on pre sales- overall sales looking healthy (May 27). For a movie this far out, yea presales are doing well in Vancouver and Calgary. Its hard as very few movies open this early, but its healthy when we are getting between 5-10 percent sales for a movie not due out for 2 months (May 24).)
  
• vafrow (Comp: $37.8M THU. Growth not quite as high as I'd like for a full week, but I'm pretty sure I had a miscount for one of the big IMAX screens that probably has thrown off the numbers. I've kept comps in, but I'm really stretching the utility (June 1). 12% over two days is pretty strong once the rush passes. We're not at the bottom of the curve yet it seems (May 24). 8% growth at this stage is very positive. I expect another drop tomorrow, but I'm probably not going to touch this until the weekend at this stage. I'm comping high, and without a proper MCU comparison (Marvels doesn't count), it's hard to gauge, but I feel this is just doing really well here (May 22).)
  
• YM! (Sold ~10.6x Furiosa's T-6. Such a strong start. Definitely feels like we got a potential 25m previews/150m+ opener. Still don't buy 200m OW but am starting to see 30m previews/175m+ OW as a strong possibility (May 20).)
  

Despicable Me 4

• Flip (Getting much more support than Inside Out 2, which currently has 16 showtimes for opening FRI whereas DM4 is getting 22 showtimes for WED opening day (June 4).)
  
• Porthos (There is an extra "event" (Wed July 3rd) called the "Super Ticket". At a glance, looks to be super limited (only one showing in the entire Greater Sacramento market), still could siphon away tickets from other showings in the locales that do have them. No idea what sort of chain limitations might be at play here. Secondly, (July 6th) "Despicable Me MEGA SAT Family Event". Looks to be a Marcus Exclusive, ala Inside Out 2 Funko event. Chance of siphoning off some amount of sales from earlier days, so might be kept in the back of the mind of anyone who is comping any regions that have Marcus/Movie Tavern Theaters.(June 4). The WED all-day release will mess with comps even more than a Discount TUES release will (June 3).)
  
• TwoMisfits (My Cinemarks are continuing the summer "put up or shut up" for presales with 2 screens and 12 showings at each for DM4 (1 has 1 PLF screen, so 1/2 the showings at one are PLF) (June 4).)
  

Twisters
Domestic Calendar Dates (last updated May 23):
JUNE

• (June 5) Presales Start [Despicable Me 4]
  
• (June 6) Presales Start [Twisters]
  
• (June 6) THU Previews [Bad Boys: Ride or Die + Watchers]
  
• (June 7) Presales Start [Blue Lock: Episode Nagi]
  
• (June 8) 1-SAT Re-Release (1st day) [LotR: Fellowship of the Ring Extended Edition]
  
• (June 9) 1-SUN Re-Release (1st day) [LotR: Two Towers Extended Edition]
  
• (June 10) 1-MON Re-Release (1st day) [LotR: Return of the King Extended Edition]
  
• (June 10) Social Embargo Lifts [9PM PT Inside Out 2]
  
• (June 12) Review Embargo Lifts [12PM PT Inside Out 2]
  
• (June 13) THU Previews [Inside Out 2]
  
• (June 14) Presales Start [MaXXXine]
  
• (June 15) 1-SAT Re-Release (2nd day) [Fellowship]
  
• (June 15) Inside Out 2 Funko Family Event (SAT: Marcus Exclusive?)
  
• (June 16) 1-SUN Re-Release (2nd day) [Towers]
  
• (June 17) 1-MON Re-Release (2nd day) [Return]
  
• (June 18) X One-Night-Only Fan Event (includes special sneak peek of MAXXXINE)
  
• (June 20) THU Previews [Bikeriders + Janet Planet]
  
• (June 22) 1-SAT Re-Release (3rd day) [Fellowship]
  
• (June 23) 1-SUN Re-Release (3rd day) [Towers]
  
• (June 24) 1-MON Re-Release (3rd day) [Return]
  
• (June 27) THU Previews [Blue Lock + Daddio + Horizon: Chapter 1 + A Quiet Place: Day One]
  

JULY

• (July 1) Presales Start [Fly Me to the Moon + Longlegs]
  
• (July 3) Opening Day [WED: Despicable Me 4 (including Super Ticket showings)]
  
• (July 4) Opening Day [THU: Possum Trot]
  
• (July 4) THU Previews [MaXXXine]
  
• (July 6) Despicable Me 4 MEGA SAT Family Event (SAT: Marcus Exclusive?)
  
• (July 11) THU Previews [Fly Me to the Moon + Untitled New Line Horror movie]
  
• (July 17) EA [Twisters]
  
• (July 18) THU Previews [Twisters]
  
• (July 25) THU Previews [Deadpool and Wolverine (including 1 PLF fan show at 3 PM) + Didi + Fabulous Four]
  
• (July 29) Presales Start [Alien: Romulus + It Ends With Us]
  

AUGUST

• (August 1) THU Previews [Harold and the Purple Crayon]
  
• (August 5) Presales Start [Borderlands]
  
• (August 8) THU Previews [Borderlands + It Ends With Us + Cuckoo + The Fire Inside + Trap]
  
• (August 12) Presales Start [Alien: Romulus]
  
• (August 15) THU Previews [Alien: Romulus + Horizon: Chapter 2 + Ryan’s World the Movie: Titan Universe Adventure]
  
• (August 22) THU Previews [Blink Twice + The Crow + The Forge + Slingshot]
  
• (August 29) THU Previews [City of Dreams + Reagan + They Listen]
  

Presale Tracking Posts:
May 11
May 14
May 16
May 18
May 21
May 23
May 25
May 28
May 30
June 1
Note: I have removed most tracking data that has not been updated for 2 weeks. I think there is value in keeping data for a week or two but at a certain point they start to lose their value and should not be treated the same as more recent tracking data.

While reading Arthurs thoughts in library of Ohara I spawned two ideas, that would tie in a couple of things we had previously seen and that would also incorporate historical stuff as Oda usually does as well as our world‘s physics laws.
What if the connection between the ancient kingdom and the lunarians was that there was an offering (e.g. one lunarian every definite time frame) and this lunarian sacrifice would be used as the power source? What if Imu enslaved the lunarians, used about 200 of them as sacrifices in order to use their flames to light up Uranus and shoot some lasers down the ancient kingdom whilst increasing the sea level for 200 m? I could also be misinterpreting it, with ancient kingdom not sacrificing lunarians but using a similar power to their flames, but I am quite certain that Imu „used“ lunarians to power Uranus for the set amount of shots he took with it. That would explain why he didn’t go on shooting Uranus blasts down at some point in history.
Secondly, I think while the blast site of Uranus is a hole in the sea and the sea level rises thereafter, I also think that the red line rises after Uranus is being used. If Uranus were to be comparable to a nuclear blast, in those I had learned there not to be any debris therefore they would not increase sea level. Whereas herr something is pushed down and other stuff is getting up.
Edit: The idea of a sacrifice table was already shown in Skypea arc as well, so it would not be that uncommon for One Piece after all.

I just beat Jedi Survivor on Grand Master difficulty. It was my first time on the hardest difficulty in a game and it really made me work for it, but I'm glad I did. The game was super rewarding and enjoyable and compelled me to write my first video game review ever, so here it is. I'm sure I missed some areas so if you are thinking of anything I didn't touch on, please mention in the comments! I'm looking to improve. Thank you!
Controls/movement: This was absolutely perfect for me. Dashing on the ground or the air, parrying, sprinting were all so satisfying. I love the animations, such as Cal rolling if he falls from a high height or touching the ground with his hand if he falls from a medium height. They really add a sense of realism and immersive to this otherworldly scifi game. And the platforming was amazing: Running on walls, jumping and dashing, grappling and ziplining were all so intuitive. I felt like these controls would be an excellent standard/baseline for action games going forward. 10/10
Combat: Another strong feature. The combat is challenging and skill based, with various difficulty options. The combat from Fallen Order was already great, and then they added different stances (my favorites were Blaster stance and Crossguard) which vary gameplay and widen the skill trees, offering tons of new lightsaber and force tricks. And none of these broke the game, they added tools but they didn't overpower you. The combat is fast paced, much more so than something like Dark Souls or Lies of P and it was a welcome change after playing Lies of P where I had to be more deliberate and patient. Here I was able to play more offensively, though I also had to have a strong defense and good parries are essential on Grand Master difficulty. I found the combat to be very polished, though a tad bit less precise than some other Soulslikes. 9/10
Enemies and Bosses: I love the enemy types in this game. There are so many and with such different attack patterns! From super battle droids blasting and shooting rockets, hitting when you come close to the tough bedlam raiders that you have to wear down to get a hit. There were so many different types of droids, imperials, and Bedlam Raiders that made the world feel bigger and more varied. Some of the enemies were really tough and putting them together made for a real challenge. Different combinations of enemies drastically changed my approaches and offered great variety to the game. There were a few story bosses, some of them against the same person but all the different bosses had varying movesets that you really had to pay attention to in order to get passed them. And beyond the story bosses, there are mini bosses like monsters to fight and bounty hunters. Tons of variety and fun, and very challenging and rewarding. Most of the bosses took me more tries than I care to admit, but they were worth it. I did feel like the bosses could use a bit more spectacle, like larger giant bosses, but this is a small preference I have. Still a 10/10
Level Design: Exceptional. Perfectly paced, Every map seemed huge and then seeing it connect together as I unlocked shortcuts was so satisfying. I felt like I got to know the maps well as I played, and the variations between combat, platforming, and puzzles was perfect to me. There were less puzzles and simpler than Fallen Order, but they still offered a nice change in gameplay and I am not much of a puzzle person - though I am learning - so it was nice to have an easier go with them. But the levels/maps were the real star here; I felt like each one was masterfully crafted and elevated the game. And fast travel was a nice addition 10/10.
Characters and Story: Great for a video game. I haven't played games like The Last of Us and Red Dead Redemption 2, so I'm not sure just what makes for a 10/10 video game story. The story itself was very good, but all the characters were likeable, well acted, and complex and completely enhanced the story experience. The game most definitely had soul, and really, what more can you ask for? At least on the level and possibly better than the best Star Wars movies/TV of the last 30 years. Told well with well placed cutscenes to break up the gameplay while not overstaying their welcome. 9/10
Graphics and performance: This is an area I felt like the game could do better. Don't get me wrong - the graphics are great - but you're exploring all kinds of alien worlds. I think they could've done better than desserts/forests/fortresses/etc. For me, they just don't compare to games like Ghosts of Tsushima or God of War, which more effectively colored. Their maps to make each image a work of art. Still , occasionally stunning set pieces that really make you feel like you’re on a grand and adventure and add a lot to the experience. I played on PC with max settings and after some tinkering I had exceptional framerates and no stutters, though I know this is not the case for everyone. Graphics here are still strong, but definitely this is an area that could be improved. 8.5/10
Overall, I found this to be a masterpiece of a game that was more than the sum of its already exceptional parts. This was the perfect game for me and I am giving it a 10/10 overall. I recommend this game to any action/adventure game fan, Star Wars enthusiast, or Soulslike aficionado out there. Definitely play if you have the means. And, it's free on Game Pass! What a treat!
Edit: I'm realizing that the post is marked as spoilers because I grayed out the spoilers I had of the stances. These are the only spoilers, and there are no spoilers if you don't click that little grey box with my favorite stances.

I've put a few hundred hours into SS14, and while it's been great I've found myself falling into a "rut" so to speak. I'll do my job to the best of my ability, then stand around waiting for something to happen. Sometimes I'll get a spark of inspiration and try to set up "Botbay" or renovate the abandoned bar and staff it with the station's animals, but it can be hard finding a new shtick to keep the game entertaining and even harder to get other people interested in it.
But over the past couple of days I've found something. The same kind of energy that the mimes and clowns of the station have been hoarding all this time. And I found it in the form of Blind Old Tom.
Blind Old Tom is a 199 year old Diona with permanent blindness, terrible hearing, onset dementia, and he's opened my eyes (pun intended) to what role play really means. He constantly mistakes inanimate machines for borgs. He climbs on glass tables and wanders into disposal chutes. When he's a doctor he will mistake a toolbox for his doctor's bag and try to take your temperature with a t-ray scanner. Tom is the personification of "stop worrying and have fun."
My favorite part of B.O.T is that it is impossible for other players not to interact with him (in a healthy way, see Tom's rules). When I've tried to engage nukies by shouting "point me at em!" someone will inevitably try to drag Tom out of the fray. If you stand around telling the microwave to "state its laws" someone will eventually tell you that you're talking to a microwave. There has never been an evac where Tom has been left behind because no one can ignore the geriatric Diona that keeps electrocuting himself on the nearest APC. It's refreshing to play Tom because I never have to worry about "winning." That's not what Tom is for.
I don't think you should play a character like Tom and I don't think you should play a quirky character all the time but I do think more people should role play in ways that don't focus on winning. Mimes and clowns have the right idea when they're played well. If you do decide to play such a character, I have a few tips that will help you enhance other peoples' experience instead of pissing them off. For reference, here are Tom's rules. He has a lot of them:

• Tom is only ever a danger to himself, not others. He will never put poison in your food thinking it's hotsauce. Tom is always the butt of the joke. He's Mr Bean.
• Tom never causes damage to important machinery or critical items (like medicine).
• Tom is allowed to be bad at his job, but not when he needs to do it well. E.g. If Tom is a doctor it's okay to get into mischief at the start of the round when it's quiet but if a bunch of patients come into the medbay it's time to treat them properly. This is why I'd highly recommend that you're actually good at your job before trying to play a quirky character. People will forgive you being bad at your job if you're trying to do it well, but they won't forgive you being a nuisance and dead weight. Having some experience at the game will give you the ability to "read the room" and make the right call on when to be a clown.
• Tom knows the station like the back of his hand. Even if he looks lost it's (usually) an act. Once again, get some experience under your belt before you do anything crazy, especially if you want to play as a blind character.
• If you're unsure of the above, play a passenger or a very light role like janitor. Don't fill up a job slot that the station needs.
• Tom is allowed to be incompetent at things that aren't his job. Tom's job isn't to fight nukies or zombies, he is bad at that.
• Tom's mischief level drops as soon as there's a known threat to the station. If "war were declared" then it's time to stay out of everyone's way.
• Tom leaves when told to leave. Not everyone "gets" Tom, some people just want to be left alone and do their thing.
• Tom lets others mess with him as much as he messes with everyone else. He's been told to that an artifact crusher is a state of the art cryo pod, he's been locked in crates, he's been drugged multiple times. Opening Tom up to this kind of behavior has gone a long way towards him not just being a pest.
• Tom's blindness never gets in the way of assisting players who are dying.
• Tom helps new players. Always help new players.
• Tom never takes command roles.
• Tom never chooses a critical role if he joins late.
• Tom never targets security. Tom's existence alone is enough to target security.
• Tom joining the security team counts as Tom targeting security.
• Tom is never an antagonist. I might change this to enable thief or traitor at some point as they're not team antagonists and don't fuck up the round if done poorly, but for gods sake don't try to be a quirky nukie. That's explicitly against the rules
• On that point, Tom follows da rules. More than that, he tries to follow the spirit of the rules. He also lives on the edge of the rules and even if I think I'm playing safe I wouldn't be surprised if I'm told to cut it out or get a ban.

So that's Tom. Say hi to him if you see him on the station.