Tissue
Polysemous title- Tissue • Tissue- paper + skin (human life is fragile [criticises arrogance, encourages us to protect]) • Also paper (not alive) + skin (alive)- criticises monotony of life, not really living • Tissue paper- found in bibles and holy texts, but fragile (overinflated importance of identity causing wars and discrimination, really it’s very fragile and identity isn’t real, we’re all just people (tissue as in skin)) • Tissue- used to wipe away tears, togetherness can reduce suffering • Tissue- medical term for deep skin- poem shows deeper nature of humans and our potential for goodness, can be wounded and damaged by outside influences but can always heal
"Paper that lets the light shine through, this is what could alter things" - reference to religious texts paper, light as Jesus and Allah (power of religion) - or coexistence with nature (Dharker is a Muslim Calvinist)
Enjambment- freedom, lack of control of humans, rejecting constraints
Free verse- same thing
"Let the daylight break through capitals and monoliths" - power of nature, criticism of authority, weakness of humans- “break” violent personification, destroying authority, daylight + break = sunrise + hope
"The sun shines through their borderlines" - nature overcomes human segregation identity, criticism of war, power of nature) sibilance shows power, “their” still shows separation, criticise that
"fly our lives like paper kites" - childish metaphor, mocking control of money over life (criticism of authority)
"the back of the Koran" - “the” repetition shows importance, “back” shows it is hidden/shunned by society, still holding onto identity
"Transparent" - repetition, criticism of dishonesty of authority
Exposure
"Merciless iced east winds that knive us" - personification of wind shanking people (first line not about war but nature- more significant) (power of nature)- subtle sibilance (just as dangerous as bullets but most people don’t realise)- Germans were in the east, but the only thing from there is wind
ABBAC rhyme, structure is built only to be taken down (tension of soldiers expecting fight but let down)
Pararhyme- unsatisfying for reader, reflects how the soldiers are always nervous but never get to chill
“What are we doing here?” Rhetorical question to criticise authority, or actual question to show PTSD confusion, can be asking what they are DOING or why they are HERE
"For love of God seems dying" ok 1. The soldier's love of God is dying 2. God's love for the soldiers is dying 3. To show love of God, you should die
"forgotten dreams" - juxtaposition, loss of hope, forgotten dreams on purpose to be less sad? war made them forget? “forgotten” disassociated from PTSD, “dreams” as happiness from the past that seems unreal
“a dull rumour of some other war" reference to the Bible and Armageddon, metaphorical end of the world for the soldiers be suffering "sudden successive flights of bullets streak the silence" - sibilance represents sound of bullets, jolting reader out of relative lack of noises, feel like soldiers
Epistrophe "but nothing happens" cyclical structure, stuck in suffering
“we” “us” “our” collective pronouns, shared experience, comradeship, loss of identity, relatable to all soldiers
Kamikaze
Title- single word, only military rank- only seen as a kamikaze pilot by others
Structure- 6 lines per stanza but free verse and lots of enjambment- conflict between control and freedom (military/social expectations/duty vs love for family/nature/memories/life)
Constant shifts between first person and third person- disconnect from family due to shame
“Her father embarked at sunrise” -sunrise as power of nature + Japan’s military flag- conflict
“a shaven head full of powerful incantations” -incantations are deliberately vague- orders from military? prayers? inner conscience against it? It’s “powerful” tho and influences him, and it’s “full” showing his distress, shaved head like most kamikaze pilots
“green-blue translucent sea” beautiful imagery, “translucent” shows how things are unclear but getting clearer- nature helps him decide what to do
Describes fishes “like a huge flag”- patriotic semantic field shows brainwashing, but reduces as the poem goes on, simile shows how he is starting to disconnect and change his mind,
also as “a figure of eight”- shows thoughts of pride and prosperity-
“The dark shoals of fishes/flashing silver as their bellies/swivelled towards the sun” - • sibilance shows ocean noises and beauty, “dark” -> “flashing silver” things get brighter and easier to see- knows what to do thanks to nature • “Silver”- medals he would have gotten for being a kamikaze pilot, but true reward is in nature • “Sun”- represents beauty of nature and also Japanese flag- conflict but now there’s also nature in the mix • Belly up- death on his mind
“bringing their father’s home safe/-yes, grandfather’s boat- safe” repetition of “safe” shows reason to come back- wants to return to family, memories
“a tuna, the dark prince, muscular, dangerous.” • first mention of danger = power in the whole poem, danger to the mission as it causes the pilot to have doubts, true power is in nature and memory • First full stop in the poem and lots of commas- makes us stop and think like the pilot about what he’s abt to do
“laughed” “loved” at the end of the poem- all in past tense- nothing left for the soldier
“we too learned to be silent”- “learned” should be positive but contrasts with what they learnt- criticises how they were taught shame by the older generations- but it’s said in first person, the daughter is criticising this and teaching her children not to think that way
Poppies
Title- honours and grieves dead soldiers, short single word title shows full intent of the poem and how the mother’s life is consumed by grief
Dramatic monologue- emphasis on the domestic impact and how the soldier isn’t present in the poem
Free verse, enjambment- chaotic, lack of control over the son, distressed
Domestic + military semantic fields- life has been ruined by war
“Spasms of paper red, disrupting a blockade of yellow bias”- mix between war + domestic • “spasms” and “red” is injury and pain- mother is worried or is hurt by letting go (spasms is involuntary muscle action- involuntary letting go), • “paper” is the fragility of the son • “blockade” is military language showing her worry abt the conflict, how she wants to “block” her son from going into the military • “disrupting” the fabric - the son becoming a soldier disrupts the peace or she is trying to disrupt him from going to war
“The dove pulled freely against the sky, / an ornamental stitch”- dove represents peace and grief- she and her son is at peace with death, “pulled freely” is an oxymoron- inner conflict with grief or letting her son go, the comma shows a pause to reflect on the grief, the “ornamental stitch” metaphor for the mother (pretends to hold it together)
“I was brave”- takes down ideas of just the soldier’s bravery but also the mother’s, but past tense shows current weakness from grief
“Sellotape bandaged around my hand” • Bandage shows wounds • Sticks them together one last time- cat hairs are removed, no more reason to stay • Claustrophobic feeling- stuck in the domestic role, can’t go and protect the son
“Blackthorns of your hair”- religious connotations of Jesus on the cross, sacrificed for the country- metaphor for the son
History Boys
"Enemy of education" war metaphor and alliteration, opposition between true understanding of literature and grades only used shallowly “Cheat’s Visa”
"a fact of life" indisputable and unchangable, in opposition with Irwin's views on history (truth does not matter to him until now?)
Drummer Hodge: Intertextuality, Tom Hardy (the poet) represents Hector, sympathising with the ordeal of the youth, Drummer Hodge represents the Boys, thrown into the chaos of life without proper guidance
"She's my western front" war metaphor objectifies Fiona, personal pronoun further expresses how women were seen as objects to be owned
“... all the other shrunken violets you people line up" [you people] segregates gay people, [shrunken violets] derogatory language
"Some of the literature says it will pass" looking to literature for solace and comfort during a sexuality crisis
"All literature is consolation" Dakin changes his mind on literature symbolising him changing to Irwin's side. No need to look for solace in literature when he can pursue Irwin
Parallels with "all knowledge is precious" from Hector - A.E. Housman, one of the first intertextualities and used in the intro to establish his character
“cunt-struck” “a cunt”- Mrs Lintott repeats the colloquialism “cunt” twice, to describe Dakin as “cunt-struck” and Headmaster as “a cunt”. This is the hardest swear in the play and is used show that it wasn’t a slip of the tongue, and to break down stereotypes of women being gentle and passive
“history is women following behind with the bucket” - her big scene about women in history at the end of the play (which is typical for Alan Benett’s plays such as “Kafka’s Dick”) so it would be recent and stay in the audience’s mind when the show ended
Irwin intro as politician in the future "etc., etc." while talking abt freedom- that man gives no fucks about freedom really, just waffling on (first impression for the audience too!!)
Parallel with Holocaust debate- Lockwood uses the SAME EXACT PHRASE while talking abt how the holocaust was bad, (dismissiveness of mass genocide? in this education system? it’s more likely than you think) then goes on to argue that they should be unique with their arguments- Irwin passed on thr mindset even on such an important subject
Hector is set up to be looking cool and all (motorcycle scene dramaticness, greek name connotations, fav teacher) but is absolutely uncool when we get to know him- purposeful? "studied eccentricity" and all. clinging onto youth?
Posner is actually rather helpful as the "dictionary person" bc i doubt the audiences know what "otiose" means
SCRIPPS IS THE MOST RELIGIOUS ONE AND CLOSEST TO POSNER it can dismantle the idea that religion is against queerness
Irwin didnt know how nietzche was pronounced bc from what we know of him he would call Dakin out on that

Current:
Patrick Weekes, Lead Writer: Writers Mass Effect: They wrote several side quests, including Citadel: Family Matter and Presidium Prophet.
Additional Design Dragon Age: Origins
Writers Mass Effect 2 and Writers and Manager on Lair of the Shadow Broker: They co-wrote Miranda, and I believe also Garrus, co-wrote Liara during LOTSB. They wrote Tali, paraphrased Thane's romance dialogue, and contributed writing to other characters. They also contributed to the ending content for the game.
Senior Writer Mass Effect 3: Alongside John Dombrow, they assisted Lead Writer Mac Walters in managing the rest of the writing team. They co-wrote From Ashes and served as Senior Writer for Leviathan. They were also the Senior Writer Manager, working with John Dombrow as a co-lead (Basically) on Citadel. They wrote Kasumi, Tali, Mordin, Jack, Traynor, Joker, and Jondum Bau, and co-wrote Legion. Additionally, They wrote Liara's conversation with Matriarch Aethyta and Priority Eden Prime. They co-wrote Priority: Tuchanka and wrote Priority: Rannoch.
Senior Writer Inquisition, Lead Writer Jaws of Hakkon, Consultant The Descent, Lead Writer Trespasser: They wrote The Bull's Chargers, Cole, Krem, The Iron Bull, Solas, and Svarah Sun Hair. They also wrote the majority of Here Lies the Abyss.
Lead Writer Canceled Project Joplin DA4
Dragon Age Finaling Team Mass Effect Andromeda: Wrote several note texts.
Short stories: Dragon Slayers, Glass Beads, I Am Looking for a Book..., Why the Elders Bare Their Throats, When She Grows a Soul, Injure the Corners, Release the Knot, Shepard Off-Duty and Unleashing the Flyers of L
Comics: They co-wrote the story for Mass Effect Homeworlds #2 with Mac Walters.
Books: They are the writer of the Rogues of the Republic Trilogy, which consists of The Palace Job, The Prophecy Con, and The Paladin Caper. They also wrote Dragon Age: The Masked Empire and contributed to The World of Thedas Volume 2. Additionally, they served as both writer and editor for Dragon Age: Tevinter Nights, writing Three Trees to Midnight and The Dread Wolf Take You. They also wrote the novel Feeder.
John Epler, Franchise Creative Director since January 2022, formerly Narrative director until December 2021:
Prior to joining Bioware, he spent several years volunteering for various fan sites and dabbling in the modding community for various games.
QA Sonic Chronicles: The Dark Brotherhood
Term Testers Dragon Age: Origins and Cinematic Designers for Witch Hunt
QA Story Team Mass Effect 2, additional QA on Normandy Crash Site, Zaeed - The Price of Revenge, Firewalker Pack, Kasumi - Stolen Memory, and Overlord.
Cinematic Designers Dragon Age II, Cinematic Designer The Exiled Prince, Cinematic Designers on Legacy and Mark of the Assassin
Cinematic Designers Dragon Age: Inquisition, Lead Cinematic Designer on Jaws of Hakkon and Trespasser: Working with the animation team, he worked to remove the race-gating on Iron Bull's romance
Dragon Age Finaling Team Mass Effect Andromeda
Animation Systems Designers/Storyboard Supervisor for Anthem
Executive Producers Dragon Age: Absolution
Books: Writers Dragon Age: Tevinter Nights, wrote The Horror of Hormak and Half Up Front
Sylvia Feketekuty, Senior Writer:
Writers Lair of the Shadow Broker: Wrote Feron and Glyph, wrote Liara from the beginning of the DLC until the scene after the defeat of the Shadow Broker, and wrote a few lines of her dialogue after that.
Writers Mass Effect 3, also the Resurgence, Rebellion, Earth, Retaliation, and Reckoning Multiplayer Expansions: Wrote Glyph, Liara, and Samara. Also, she wrote the final version of Kallini: Ardat-Yakshi Monastery, wrote Rannoch: Admiral Koris and Geth Fighter squadrons, contributed to much of the content on the Citadel, including various quests, the refund guy, and various other background material. she also co-wrote Legion.
Writers Dragon Age: Inquisition, also on Jaws of Hakkon and Trespasser: Wrote Josephine, Champions of the Just, and the final versions of Before the Dawn and Under Her Skin.
Writers/Narrative Designers Anthem
Short Stories: The Flame Eternal
Comics: She co-wrote the story for Mass Effect Homeworlds #4 with Mac Walters.
Books: Writers The World of Thedas Volume 1-2, Writers Dragon Age: Tevinter Nights, wrote Down Among the Dead Men and Luck in the Gardens
Sheryl Chee, Senior Writer:
Writers Dragon Age: Origins, also co-writer for The Stone Prisoner, Return to Ostagar, and Awakening, and the writer of Golems of Amgarrak. Writers Witch Hunt, Wrote Cullen, Dog, Leliana and Wynne, as well as Oghren, Sigrun, and Velanna during Awakening. Also wrote the Magi Origin, Broken Circle, and the Urn of Sacred Ashes.
Writers Dragon Age II, also on Legacy and Mark of the Assassin: Wrote Isabela and All That Remains
Writers Dragon Age: Inquisition, also on Jaws of Hakkon and Trespasser and writer for the Multiplayer: Wrote Blackwall, Leliana and the multiplayer characters
Writers Mass Effect Andromeda: Wrote Vetra and Suvi
Writers/Narrative Designers Anthem: Wrote Mathias
Short Stories: Isabela, Minrathous Shadows
Books: Writers The World of Thedas Volume 1-2
Brianne Battye, Senior Writer:
Assistant Writer Leviathan credited as Additional Design
Writers Citadel
Writers Dragon Age: Inquisition, also on Jaws of Hakkon and Trespasser: Wrote Cullen
Writers/Narrative Designers Anthem
Short Stories: The Next One, Won't Know When and Each Minute Closer
Books: Writers The World of Thedas Volume 2, Writers Dragon Age: Tevinter Nights, wrote Hunger and The Streets of Minrathous, and the writer of wholehearted (poetry collection)
Poems: Short Poems
Former:
Lukas Kristjanson, Senior Writer until September 2023 laid off:
Lead Writer Baldur's Gate and the Tales of the Sword Coast expansion: Wrote Minsc, Jaheira, much of the main story and main campaign, and many of the side quests Also contributed manual editing and compilation.
Writers MDK 2
Designers and core design team for Baldur's Gate II: Shadows of Amn and additional design on Throne of Bhaal: Wrote Jon Irenicus and also contributed manual writing/editing.
Designers, Core Design Team, Manual Writers and additional programming on Neverwinter Nights
Designers Star Wars: Knights of the Old Republic: Wrote parts of Taris, Manaan, and Korriban, much of Tatooine and Kashyyyk, and also contributed manual writing.
Lead Writer, later Co-Lead on Jade Empire.
Writers Mass Effect: Wrote Kaidan and Joker, co-wrote Kirrahe, wrote Feros, and co-wrote Virmire.
Writers Dragon Age: Origins, and the Writer of Leliana's Song: Co-wrote A Paragon of Her Kind
Writers Mass Effect 2: Wrote Jacob and Joker, contributed writing to other characters, wrote Joker's Mission on the Normandy, contributed to the game's ending, and advised Dusty Everman in the writing of the non-companion NPCs on the Normandy.
Writers Dragon Age II, also on Legacy and Mark of the Assassin: Wrote Arishok, Aveline and Carver
Senior Writer Dragon Age: Inquisition: Wrote Sera, In Your Heart, and several codex entries.
Writers Mass Effect: Andromeda: Wrote Liam
Comics: Co-wrote the Baldur's Gate promotional comic.
Short Stories: Aveline and As We Fly
Books: Writers The World of Thedas Volume 1-2, Writers Dragon Age: Tevinter Nights, wrote Callback and Genitivi Dies in the End
John Dombrow, Senior Writer left in August of 2023:
Writer Universe at War: Earth Assault
Petroglyoph Studio staff on Panzer General: Allied Assault
Writer Overlord
Senior Writer Mass Effect 3: Alongside Patrick Weekes, he assisted Lead Writer Mac Walters in managing the rest of the writing team. He co-wrote From Ashes and served as Supervising Writer for Leviathan. He were also the Senior Writer Manager, working with Patrick Weekes a co-lead (Basically) on Citadel. He wrote Wrex, Garrus, Javik, Padok Wiks, Wreav, Eve, and Victus. He also wrote Liara during From Ashes and contributed writing to Kai Leng and The Illusive Man. He wrote Priority: Sur'Kesh, co-wrote Priority Tuchanka, and wrote Priority Thessia. Additionally, he developed the initial Grissom Academy mission and wrote the first draft. He also edited Garrus and Javik.
Senior Writer Bioshock Infinite: Burial at Sea
Writer Telltale's Game of Thrones Episode 3 and additional writing on two of the other episodes
Writer and associate producer Mytheon
Writers and later co-lead for Mass Effect: Andromeda following the departure of original lead writer Chris Schlerf: Wrote Prologue Hyperion, Planetside, and the Salarian Ark Mission.
Senior WriteNarrative Designer Anthem
Short stories: Ruins of Reality
Comics: He co-wrote the story for Mass Effect Homeworlds #3 with Mac Walters and the story for Mass Effect Discovery
Books: Oversaw the development of the Andromeda novels.
Films: Production Assistant Sliver, Writer Control Factor, Screenwriter Deadly Swarm
Writer and developer The Sixth Extinction (Unproduced
Writer original screenplay The Hills Run Red
Films: Production Assistant Sliver, Writer Control Factor, co-screenwriter Deadly Swarm. Also, writer and developer The Sixth Extinction (Unproduced). Additionally, wrote the original screenplay for The Hills Run Red.
Left to go join Sucker Punch Productions as a Senior Writer
Mary Kirby, Senior Writer until September 2023 laid off:
Writers Dragon Age: Origins: Wrote Cauthrien, Sten, Loghain, much of the Qunari lore and the Chant of Light, and most of the Landsmeet.
Writers Dragon Age II, also on Legacy and Mark of the Assassin: Wrote Merrill and Varric
Writers Star Wars: The Old Republic: Wrote the companion conversations for Fideltin Rusk
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Short Stories: Merrill, Varric and The Wake
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Courtney Woods, Writer left in February of 2020:
Prior to joining Bioware, she worked as an Editorial Intern at DC Comics for 3 months and as a Contributing Writer at Newsarama where She specialized in video game journalism, including previewing and reviewing video games and related projects. She provided written and photographic coverage of pop culture conventions such as Star Wars Celebration V, New York Comic-Con 2010, and E3 2011
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Co-writer The Descent
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Senior WriteNarrative Designer Anthem
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Left to work on the Star Wars: Knights of the Old Republic as the Lead writer left in September of 2022
Currently a Senior Writer as Sucker Punch Productions
Arone Le Bray, Narrative Quality DesigneAnalyst left in April of 2021:
Contact Testers Jade Empire: Special Edition
QA Term Testers Mass Effect
QA Sonic Chronicles: The Dark Brotherhood
QA Analysts Dragon Age: Origins
QA Story Team Lead Mass Effect 2, additional QA on Normandy Crash Site, QA Zaeed - The Price of Revenge, additional QA Firewalker Pack, QA Kasumi - Stolen Memory, and Lair of the Shadow Broker.
Additional QA Star Wars: The Old Republic
Content Analysts Mass Effect 3
Analysts Dragon Age: Inquisition, also on Jaws of Hakkon and Trespasser
Analysts Mass Effect: Andromeda
Analysts Anthem
Books: Writers Dragon Age: Tevinter Nights, wrote An Old Crow's Old Tricks
Theatre: Founders Basic Acid Theatre company. Director and an Actor in Finer Noble Gases, Writer and Director of Occupied.
Left to join THE CHINESE ROOM LTD as a Narrative Designer on Vampire: The Masquerade - Bloodlines 2. Currently serving as a Principal Narrative Designer on the game.
FormeUnknown:
Alexis Kennedy, Freelance Writer:
Founder and former CEO Failbetter Games Left in August of 2016
Original developer and lead writer Fallen London
Creative Director Tales of Fallen London: The Silver Tree
Creative Director Machine Cares!
Creative Director Dragon Age: The Last Court
Creative director, lead writer and Designers Sunless Sea
Co-founder Weather Factory
Writer and Designers Stellaris: Horizon Signal
Writer, designer, and coders for Cultist Simulator and its DLC."
Initial Concept Sunless Skies
Writer and Designer Book of Hours
He also worked on an unspecified research and development project with Telltale Games
In August 2019, he was accused of harassment by Meg Jayanth and Olivia Wood, a writer at Failbetter. Bioware has cut all ties with him.
Unknown
Ben Gelinas, Consultant:
Prior to joining Bioware, he worked as a staff writer for Guelph Mercury, Multimedia Reporter for The Waterloo Region Record, Crime Writer, and later Arts Writer for the Edmonton Journal, and as a Freelance Journalist.
Writing Special Thanks Mark of the Assassin
Editors and Additional Design for Mass Effect 3 and From Ashes. Editors on Leviathan and Citadel. He collaborated with the programmers to design the games Kinect voice command system
Editors Dragon Age: Inquisition, also on Jaws of Hakkon and Trespasser: Product owner for the game journal
Editors on Star Wars: The Old Republic: Knights of the Fallen Empire and Knights of the Eternal Throne
Editors and Writers Mass Effect: Andromeda: Some writing for Drack and additional story content.
Founder Copychaser Games Inc.
Writer and Designer Speed Dating For Ghosts
Game Design Instructor Sheridan College Jan 2018 - Apr 2018
Narrative Designers Control, Co-writer Control Expansion 1 - The Foundation."
Writers Gotham Knights
Writer and Designer Times and Galaxy
He is also working on a game about sleep paralysis
Books: Lead Writer and co-project Lead The World of Thedas Volumes 1-2, contributed an essay to Shy: An Anthology, Writer The Art of Dragon Age: Inquisition, worked on the English language version of The Legend of Zelda Encyclopedia, and wrote BioWare: Stories and Secrets from 25 Years of Game Development. He also contributed to the Development of the Mass Effect Andromeda: Nexus Uprising Novel

1. Imagery: Prompt: Choose a setting (real or imaginary) and describe it using detailed sensory imagery. Imagine the sights, sounds, smells, and textures to create a vivid scene, just like a painter with words.
   
2. Metaphor: Prompt: Compare a personal experience to an everyday object or phenomenon in an unexpected way. For example, "My heart is a compass that always points to the north of your laughter."
   
3. Simile: Prompt: Write a series of similes to express intense emotions. For instance, "As brave as a lion facing the storm, as fragile as a petal in the wind."
   
4. Rhyme: Prompt: Craft a short poem or lyrics with a consistent rhyme scheme. Experiment with different rhyme patterns (ABAB, AABB, etc.) to enhance the musicality of your writing.
   
5. Meter: Prompt: Compose a poem with a specific meter, such as iambic pentameter. Pay attention to the syllabic beats in each line to create a rhythmic flow.
   
6. Alliteration: Prompt: Create a tongue-twisting line using alliteration. Focus on the repetition of initial consonant sounds to add a playful or musical quality to your writing.
   
7. Assonance: Prompt: Write a passage where the vowel sounds within words echo each other. Experiment with different vowel combinations to create a melodic effect.
   
8. Personification: Prompt: Choose an inanimate object and personify it. Describe its actions, thoughts, and emotions as if it were a living being.
   
9. Symbolism: Prompt: Select an object or element and explore its symbolic meaning. Connect it to broader themes or emotions in your writing.
   
10. Enjambment: Prompt: Write a poem where the thoughts flow continuously from one line to the next without a pause. Explore how this technique can create a sense of movement or urgency.
    
11. Repetition: Prompt: Repeat a word or phrase throughout a poem for emphasis. Consider how repetition can enhance the overall impact and meaning of your writing.
    
12. Free Verse: Prompt: Embrace the freedom of expression by writing a poem without adhering to rhyme or meter. Allow your thoughts to flow organically, exploring the beauty of formless verse.
    
13. Stanza: Prompt: Divide your writing into stanzas to create distinct sections with varying themes or tones. Explore how the organization of lines contributes to the overall structure of your work.
    
14. Theme: Prompt: Choose a universal theme (love, loss, freedom, etc.) and explore it through your lyrics. Delve into the nuances and perspectives associated with the chosen theme.
    
15. Tone: Prompt: Write a poem that conveys contrasting tones. Explore how shifts in tone can evoke different emotions and responses from the reader.
    
16. Connotation: Prompt: Select a word with strong connotations and use it in a poem. Explore the emotional baggage and cultural associations tied to the word within the context of your writing.
    
17. Irony: Prompt: Craft a poem with elements of irony. Create situations or lines that convey a meaning opposite to the literal interpretation, adding layers of complexity to your writing.
    
18. Allusion: Prompt: Reference a well-known song, book, or historical event in your lyrics. Explore how the use of allusion can enrich the depth and meaning of your writing.
    
19. Syntax: Prompt: Experiment with sentence structure to create different effects. Play with word order, sentence length, and punctuation to convey specific emotions or rhythms in your writing.
    
20. Diction: Prompt: Choose a specific mood or atmosphere you want to convey and carefully select words that evoke that feeling. Pay attention to the impact of your word choices on the overall tone of your writing.
    

1. Imagery: Creating vivid mental images through descriptive language.
   
2. Metaphor: Using figurative language to imply a comparison between unrelated things.
   
3. Simile: Drawing comparisons using "like" or "as" to highlight similarities.
   
4. Rhyme: Employing words with similar sounds at the end of lines.
   
5. Meter: Organizing lines with a rhythmic pattern, often in syllabic beats.
   
6. Alliteration: Repetition of initial consonant sounds in neighboring words.
   
7. Assonance: Repeating vowel sounds within nearby words for musicality.
   
8. Personification: Assigning human characteristics to non-human entities.
   
9. Symbolism: Using objects or concepts to represent deeper meanings.
   
10. Enjambment: Continuation of a sentence without a pause beyond the end of a line.
    
11. Repetition: Emphasizing ideas or emotions by repeating words or phrases.
    
12. Free Verse: Unrestricted by traditional poetic structures like rhyme or meter.
    
13. Stanza: Grouping lines together to form a distinct unit within a poem.
    
14. Theme: Central idea or underlying message explored in the poem.
    
15. Tone: The poet's attitude or emotional stance toward the subject.
    
16. Connotation: The emotional or cultural associations attached to words.
    
17. Irony: Presenting ideas in a way that signifies the opposite of the literal meaning.
    
18. Allusion: Referencing another work, person, or event to enrich meaning.
    
19. Syntax: Arrangement of words to create specific effects or convey emotions.
    
20. Diction: Careful choice of words to convey a particular meaning or atmosphere.
    

Karoly Szakmary was conscripted to serve in the Hungarian infantry after making anti nazi writings at University and served on the Russian Front. He later worked for Radio free Europe as a youth radio host during the Hungarian Revolution but immigrated to the United States in 1958. This poem is translated to the best of my ability:
THE NOISE IS OUT
The noise outside is the noise of 6 years in this new life.
It doesn't stop for a minute. The monotonous dull noise which enters through this window.
New York is roaring outside, panting and rattling pipes, and a moment of silence, a breath of calm, nowhere to be found in the cold noise of the clapping of ears.
And it gets on your nerves.
Like a bloodsucking market, air cooling equipment and spine-tingling sadness answer to city trumpets.
Screeching songs of brakes and sirens, I wander into the Babel of monotony, dizzy with the big New York night.
And the garbage trucks at dawn weigh down my heart, just like the tracked tanks during the war.
Which I still hear in my soul.
With a lost screech here and there, a human voice - a laugh. The deep scream of a "call girl" filters through the window.
And the neighbor's phone rings in vain. Con Edison erupts at the East River, hissing like a monstrous volcano.
While the neighbor below fades away, a hackneyed Chopin tune breaks through the wall just before the climax.
And the other neighbor is under her husband. Her scream is muffled like the forest's humming voice or the soft barking of whining dogs.
And I need that too.
I dig my head into my pillow because of the noise, the noise — the technology.
Now, I have learned to put up with it like this: the noise that, for years, has not stopped for a minute, the monotonous dull noise that enters through the window and clings to my nerves like a parasitic leech.
There is simply something unspeakably monstrous and great I have to say about the noise.
The thing to say about this grave noise is that it blends in all around into an endless roar, and these artificial brains will never be able to comprehend it with reason.
What's going on inside?
Perhaps the abandoned Neutron fibers of another circuit are looming on the wires, in the circle of nerve cells, on its tiny switch, a self-destructing cell vibrating, circling IBM computers, and on the magnetic grand pointer of pendulum clocks a dull ache inside.
Like the thud of a silent corpse.
Which is a noise I know well but keep locked away in my closet of dreams.
And the heavenly formula of my grinning self is my mind that has been torn apart by toothy fingers and the noise, noise, noise.
1970 Karoly Szakmary

I am blown away by how much this sub and interest in a female-centric version of Warhammer 40k has become in the last week or so. You’re all amazing!
A few months ago, I had some ideas for a noblebright version of 40k where the primarchs and Emperor were female. The inspiration was cnmbwjx’s incredible art, which I am pleased to see has inspired many of you as well. I considered creating feminine versions of the primarchs’ names and came up with a list. I figure this might be a good time to share it along with my thought process behind them.
Before we begin, this is in no way an attempt to derail anyone’s canon. I have seen several names on this sub that I think are better than what I came up with. I also think there is something to be said for using the original primarchs’ names if that is your preference. Girls don’t have to have “girl names” after all~
Feel free to use these or not. I just wanted to share because I think my thoughts on the origins of the original names and ways to play with them could help others to come up with their own takes on these characters.
This is going to be a very large info dump, so I’m going to divide this thread into multiple threads released daily (hopefully). Some of the names require lengthy discussions (brace yourselves for Konrad Curze) while others require relatively little. I will go through the list according to the numbered order of the primarchs. I think about two primarchs per day will work.

• Edit: Links to the next posts in this series will be provided here.

Part 2 (III-IV): https://www.reddit.com/PrimarchGFs/comments/1cttrb4/primarch_names_and_etymologies_part_2_iiiiv/
Part 3 (V-VI): https://www.reddit.com/PrimarchGFs/comments/1culiut/primarch_names_and_etymologies_part_3_vvi/
Part 4 (VII-VIII): https://www.reddit.com/PrimarchGFs/comments/1cvdtpq/primarch_names_and_etymologies_part_4_viiviii/
My goal was to come up with satisfying names that stay true to the original names and their meanings / inspirations as possible. Where that was not possible or seemed to produce an unsatisfactory result, I afforded myself more creative liberties to try and capture the themes of the character and the sound of the original name.
I preserved alliteration with the all but one of the original names. I left surnames unchanged.
The majority of my posts will be an analysis of the original primarch names and an explanation of my reasoning for my feminine twist on them. It is my hope these explanations will assist others in their creative processes.
I have also included my suggested pronunciations for the names I think have unclear pronunciations. I did not use IPA phonetic notation because I do not think it is accessible for a casual reader since it requires using a reference list for the symbols. I instead use approximations of English syllables. Please let me know if any are unclear.
Several of these explanations may be straightforward to English-speakers and those familiar with 40k lore, but I think a detailed explanation is more inclusive. I have a feeling this sub will introduce many people to 40k that wouldn’t otherwise get into the official setting, so I want to help make your lore journeys easier.
Finally, I relied on Wiktionary and Wikipedia in researching the etymologies here. I am aware these are not ideals sources, but they’re the best I can do because of my work life. I would appreciate any corrections and supporting evidence. I certainly discovered some issues in my initial research going back through this list.
I: Lioness El’Jonson (Lion El’Jonson):
A lioness is a female lion, so I felt compelled to stick to that. However, Lion El’Jonson is one of the cleverer primarch names.
It’s a reference to Lionel Johnson, a nineteenth-century English poet who was both a devout Catholic and a gay man. Lionel was at war with his own identity, which led him to write the poem “The Dark Angel.” The poem is an expression of forbidden desire and the torment of keeping secrets while trying to stay loyal to a higher power that you believe will condemn you if it found out who you really are. Sounds just like the Dark Angels space marine chapter with their secret shame over something that wasn’t their fault.
While Lioness loses this literary reference, I do feel that valor and fierceness are much more a part of Lion’s character than the secretiveness of his chapter. Therefore, I stuck with referencing the animal, which is synonymous with themes of ferocity and bravery.
II: REDACTED: SIGILLITE-LEVEL AUTHORIZATION REQUIRED.
A mind without purpose will wander in dark places
Feel free to leave a comment on these submissions and this project generally. I look forward to sharing more with you next time~

Hi, i’m basically just going to dump my senior year into this post.. it’s super long… going into my senior year in the fall, I had a boyfriend since junior year at 16. it was kind of messy when we got first started dating, because he was one of my recent friends ex-boyfriend of like two years . with the things he would do to me, i thought i deserved it because of how shitty i felt about myself for what i did. I was really confused because I thought I “loved him”, but some of the things he would do to me I knew weren’t okay or normal. like some examples are that he spit in my face in the middle of an argument, he choked me, several times, he would stay outside of my house when I tried to break up with him, and when I would park, he would come out from the side and choke me and tell me that I was making a mistake by breaking up with him. he also burned me with second degree burns and i made up excuses for him afterwards, telling people i had bandages on my arm because i dropped hot food on myself. And after every abusive thing he would do, he would end up “love bombing” me. like he wrote a 4 page story about us, wrote very long poems about why he loved me, and always talked about us getting married etc. take in mind he also cheated the first month in with the ex from before, and i should have left then but i ended up breaking up with him 10 months after when he choked me the week before. that’s when i knew that how he treated me wasn’t okay. i never told my friends about any of it while i was going through it. after the break up he wouldn’t stop calling me and following me. i was in a parking lot, a 30 minute drive away from him with my friend, who goes to another school, when i callled him to leave me alone and have a mutual, peaceful breakup (that’s all i wanted) he showed up in about 15 minutes after i turned off my location and tried getting me out of the car, but my friend ended up getting out herself and telling him that he needed to leave. i was so confused on if i should break up with him or if i was being dramatic. so the next day in class during school i made a pros and cons list (it ended up being all cons). i was also researching , questioning if what he was doing was wrong. i never listed out everything he did to me before, it was all jumbled in my head so once i wrote it down, i knew that it was abusive. the next day, somehow my document got flagged by Ai for the school and my counselor called me in and said he had to report it to the police department and call my parents. i was an absolute mess, i couldn’t stop crying and i begged my parents to not do anything. he also checked the cameras in school, and he told my parents that my ex was following me around all week and i hadn’t even realized it. so that night, my parents took me in the department, and because i was a minor, they decided to press charges. i was so angry, hurt, sad and when i tell you, the following weeks i begged them to not get the police involved and just “talk” with his parents. that didn’t happen. so i got interviewed and the police recommended that i filed for a DV restraining order. i felt so shameful and i knew that it would effect my social life. i blocked him on all socials after, and he ended up coming to my house while my parents were home and calling and texting them for 20 minutes trying to get inside the house. saying he needed to “see me” . they called the cops but he left and then the cops ended up going to his house and interviewed and served him. during the restraining order process, we went to the court about three times which is pretty abnormal for a RO. Because we were trying to make accommodations for him to still be able to go to school, but he ended up lying on the affidavit and his lawyer was like, illegally representing our principal, and the school ended up expelling him for that reason. the principal ended up, calling my parents to tell them that he got expelled, and he said that going to a private school was a privilege not a right. And during this time, people started to know why he wasn’t at school anymore, and I go to a very small school, and I heard that some people were saying that he never “seemed like the type to do anything like that.” I never talk about the situation with anyone, except for my two closest friends, I don’t tell anybody details, so everything was known by telephone or by his friends. i don’t like to talk about the whole situation with anybody because I feel like that’s a bad look on my part if that makes sense? Fast forward to spring, him, and his ex started hooking up again, and she left her boyfriend for him, but she keeps going back and forth between her two exes and i can tell it’s probably still toxic. she also doesn’t believe me. sometimes I think that, maybe the reason that she doesn’t believe me, is that if she does accept it, she might have to recognize that some of the behaviors that he’s done to her aren’t acceptable, and might fall under abuse. and prom is coming up, and his best friend hosts the huge after party every year, which basically the whole senior grade is invited, like 70 people. But his friend didn’t invite me, and invited him. And I’m trying to not let it bother me, but the fact that he’s going to be there with the whole grade just kind of hurts me. while he is at an after party for a school he doesn’t go to anymore, im gong to be sitting at home. and also every single one of my “friends” are going. and some people are saying that they feel bad for me and others will say in response “she did it to herself” which makes me really upset, because I never wanted anything to get out in the first place. And also another one of my closest friends always plays neutral in the middle, and that upsets me too, but I don’t really ever say anything about it. when i mean “neutral”, he will hang out with the ex, sometimes the ex will try and invite my friend to go hang out with her and my abuser, and I don’t know why it upsets me, but it does… i just feel like it’s accepting his behavior and invalidates everything . I also texted the best friend who is hosting prom, and I have never been confrontational about what happened, but I said what he did was shitty to do. And he told me basically summed up, that I was the one that got the restraining order on him and that my ex wasn’t a “criminal”. and I guess in the end, it’s good that the charges went through, and I have a restraining order, because if I never had any of that, people around me would think I was the girl who cried wolf. people at my school never talk about it to my face, but I know that they talk about it behind my back. also, two months after I got the restraining order I ended up talking to a guy at a party that I’ve kind of been in love with since i was 14, and he asked me what happened to him and said “you’re crazy”. which I know isn’t anything too mean, but I just feel like that implies the view of a lot of guys in our grade towards me for the whole situation. Also, sidenote, that night, when we were hanging out, I remembered what it was like to have normal interactions between a boy and a girl in a relationship, and it just felt really nice for one night. i just kind of hate the position I’m in, and I wish none of it ever happened, and I feel so emotionally, detached, and like I’ll never really find genuine love. Which I’m not looking for at all right now. but I have to prep myself before I walk into school everyday and through out the day I ask God to give me strength about 30 times . And I don’t really know how to feel better. i’m 18 now and going to be graduating soon, and but sometimes it’s just really hard. I don’t really know why am posting this, but I feel like I just need some guidance or something.

Today I listened to episode, ​47 of the Cruzyland podcast. In this episode they talked about stereotypes more specifically the stereotype that "children of immigrants shun their culture". I had mixed feelings while listens to this weeks instilment, so much so that instead of the usually review I am going to make a pros and cons list for it and you can decide if it is worth the listen.
Pros Interesting content-this weeks topic of stereotypes was ear catching that if you were doing something else while listening you would have had to stop because you wouldn't be able to follow along.
Personnel stories- in this episode we get multiple heart felt personal story told by this week's guest Zor Kapur.
A beautiful poem- As always they have an end of podcast poem and this weeks poem is though provoking and heartfelt.
Cons ​Poor sounds quality- while the conversations are amazing the sounds in the background do not add to the experience.
​A longer episode the usual- episode was unusually long and might become a bit boring in the middle for the people with a short attention span.
Overall I suggest you listen to the episode because for all of its shortcoming it has 2x as amazing content.

• This is podcasty reviews signing off.

1. Simile:
Definition: A figure of speech that compares two different things using the words "like" or "as."
Example: The night sky was like a vast canvas, scattered with stars as bright as diamonds.
2. Metaphor:
Definition: A figure of speech that implies a comparison between two unrelated things, stating that one thing is another.
Example: Time is a thief, silently stealing moments from our lives.
3. Hyperbole:
Definition: A figure of speech involving exaggerated statements not meant to be taken literally.
Example: The suitcase weighed a ton, making it nearly impossible to carry.
4. Understatement:
Definition: A figure of speech where a writer deliberately represents something as much less than it actually is.
Example: The storm brought a bit of rain; nothing too major, just a small flood in the living room.
5. Personification:
Definition: A figure of speech where human qualities are attributed to non-human entities.
Example: The wind whispered secrets through the ancient trees.
6. Assonance:
Definition: The repetition of vowel sounds within nearby words in a sentence.
Example: The melody of the evening breeze gently swept through the fields of wheat.
7. Onomatopoeia:
Definition: The use of words that imitate the sound they describe.
Example: The door creaked open, and footsteps echoed in the empty hallway.
8. Alliteration:
Definition: The repetition of initial consonant sounds in neighboring words.
Example: The playful puppy pranced through the park, chasing butterflies.
*9. Oxymoron:
Definition: A figure of speech that combines contradictory terms.
Example: The comedian's humor was both dark and lighthearted, creating an unsettling joy.
10. Irony:
Definition: A figure of speech in which words express a meaning opposite to their literal interpretation.
Example: The fire station burned down while the firefighters were on vacation—what a twist of irony.
11. Pun:
Definition: A play on words that have multiple meanings or sound similar but have different meanings.
Example: Time flies like an arrow; fruit flies like a banana.
12. Juxtaposition:
Definition: Placing two elements side by side to present a contrast.
Example: In the bustling city, the serene park offered a juxtaposition of tranquility amid the urban chaos.
13. Synecdoche:
Definition: A figure of speech where a part represents the whole or the whole represents a part.
Example: "All hands on deck" implies the need for the assistance of the entire crew.
14. Metonymy:
Definition: A figure of speech where one term is substituted with another closely related term.
Example: The White House issued a statement on the recent policy changes.
15. Zeugma:
Definition: A figure of speech where a word applies to multiple parts of the sentence.
Example: She stole both his wallet and his heart that fateful night.
16. Epiphora:
Definition: The repetition of a word or phrase at the end of successive clauses.
Example: The forest was mysterious, the mountains were majestic, and the rivers were enchanting.
17. Euphemism:
Definition: Substituting a mild, indirect, or vague term for a harsh or blunt one.
Example: She passed away peacefully in her sleep, euphemizing the concept of death.
18. Anthimeria:
Definition: The use of a word in a grammatical form it doesn't usually take.
Example: She bookmarked the page to return to the thrilling story later.
19. Chiasmus:
Definition: A figure of speech in which the order of terms in one of the clauses is inverted in the other.
Example: "Do I love you because you're beautiful, or are you beautiful because I love you?" - Cinderella
20. Allusion:
Definition: A brief and indirect reference to a person, place, thing, or idea of historical, cultural, literary, or political significance.
Example: His ambition was Caesar-like; he aimed to conquer not only Rome but the hearts of its people.
21. Allegory:
Definition: A narrative in which characters and events represent abstract ideas or moral qualities . Example: Orwell's "Animal Farm" serves as an allegory for political corruption and the abuse of power.
22. Metonymy:
Definition: A figure of speech in which one word or phrase is substituted with another closely associated with it.
Example: The pen is mightier than the sword, emphasizing the power of the written word over physical force.
23. Sarcasm:
Definition: The use of irony to mock or convey contempt.
Example: "Nice job on the presentation," she said, her tone dripping with sarcasm as the audience chuckled.
24. Understatement:
Definition: A figure of speech where a writer deliberately represents something as much less than it actually is.
Example: The mountain climber faced a slight challenge as he ascended Everest, navigating only a few treacherous crevices.
25. Cliché:
Definition: An expression or idea that has become overused to the point of losing its original meaning.
Example: The detective followed the suspect's trail like a bloodhound, relying on the cliché methods of his trade. *

1. Imagery: Prompt: Choose a setting (real or imaginary) and describe it using detailed sensory imagery. Imagine the sights, sounds, smells, and textures to create a vivid scene, just like a painter with words.
   
2. Metaphor: Prompt: Compare a personal experience to an everyday object or phenomenon in an unexpected way. For example, "My heart is a compass that always points to the north of your laughter."
   
3. Simile: Prompt: Write a series of similes to express intense emotions. For instance, "As brave as a lion facing the storm, as fragile as a petal in the wind."
   
4. Rhyme: Prompt: Craft a short poem or lyrics with a consistent rhyme scheme. Experiment with different rhyme patterns (ABAB, AABB, etc.) to enhance the musicality of your writing.
   
5. Meter: Prompt: Compose a poem with a specific meter, such as iambic pentameter. Pay attention to the syllabic beats in each line to create a rhythmic flow.
   
6. Alliteration: Prompt: Create a tongue-twisting line using alliteration. Focus on the repetition of initial consonant sounds to add a playful or musical quality to your writing.
   
7. Assonance: Prompt: Write a passage where the vowel sounds within words echo each other. Experiment with different vowel combinations to create a melodic effect.
   
8. Personification: Prompt: Choose an inanimate object and personify it. Describe its actions, thoughts, and emotions as if it were a living being.
   
9. Symbolism: Prompt: Select an object or element and explore its symbolic meaning. Connect it to broader themes or emotions in your writing.
   
10. Enjambment: Prompt: Write a poem where the thoughts flow continuously from one line to the next without a pause. Explore how this technique can create a sense of movement or urgency.
    
11. Repetition: Prompt: Repeat a word or phrase throughout a poem for emphasis. Consider how repetition can enhance the overall impact and meaning of your writing.
    
12. Free Verse: Prompt: Embrace the freedom of expression by writing a poem without adhering to rhyme or meter. Allow your thoughts to flow organically, exploring the beauty of formless verse.
    
13. Stanza: Prompt: Divide your writing into stanzas to create distinct sections with varying themes or tones. Explore how the organization of lines contributes to the overall structure of your work.
    
14. Theme: Prompt: Choose a universal theme (love, loss, freedom, etc.) and explore it through your lyrics. Delve into the nuances and perspectives associated with the chosen theme.
    
15. Tone: Prompt: Write a poem that conveys contrasting tones. Explore how shifts in tone can evoke different emotions and responses from the reader.
    
16. Connotation: Prompt: Select a word with strong connotations and use it in a poem. Explore the emotional baggage and cultural associations tied to the word within the context of your writing.
    
17. Irony: Prompt: Craft a poem with elements of irony. Create situations or lines that convey a meaning opposite to the literal interpretation, adding layers of complexity to your writing.
    
18. Allusion: Prompt: Reference a well-known song, book, or historical event in your lyrics. Explore how the use of allusion can enrich the depth and meaning of your writing.
    
19. Syntax: Prompt: Experiment with sentence structure to create different effects. Play with word order, sentence length, and punctuation to convey specific emotions or rhythms in your writing.
    
20. Diction: Prompt: Choose a specific mood or atmosphere you want to convey and carefully select words that evoke that feeling. Pay attention to the impact of your word choices on the overall tone of your writing.
    

No matter what name is chosen, people will not be happy. Some people will always hate it, while for others, their passion will grow with the team. You'll never please 100% of people 100% of the time.
A lot of people are failing to realize is that a sports brand is not just a cool t-shirt and hat. It's an experience that ties communities and people together. It creates a common language that builds bonds.
What's in a name? Can we just slap any ole' name on there and call it a day?
Let's look at the Jazz. For years we have heard "why don't we switch the name?" It doesn't have anything to do with Utah. It's true, we aren't know for our amazing street musicians. Nothing about it screams Utah. However, after 40 years, the Jazz brand has permeated Utah culture. Native Utahns grew up going to Jazz games. We grew up experiencing the culture around their success. It had such an effect that if you grew up in the 90's/00's you probably remember everything with the 'ZZ' ending. The name created ripples across Utah.
My guess though, if we got an expansion NBA team today, there wouldn't be a single person considering the name 'Jazz.'
I think this shows two things - first, you can create a brand that has a passionate following out of any name. It's about the experience surrounding the team, which will grow over time. Talented creatives will amplify that experience, regardless of name. Second, how people's identity changes based off the team is as important as the name is.
--
Before you downvote and bring the pitchforks, hear me out. Name selection can open up different levels of opportunity. Think of each name having a DnD stat sheet of pros and cons.
The name that is chosen should allow the greatest potential of an expanded brand language. Not just one stat maxed out. Again, this isn't about t-shirts and hats, it's about the marketing opportunities, the tie-ins, the arena experience, and the ability to keep people coming back.
The first consideration is the ability to create an expanded brand language. Let's look at the Golden Knights. They tap into the zeitgeist of Las Vegas and medieval lore. They use terms like, "Knight of the realm." The fonts they use invoke medieval heraldry. In the arena, they talk about the kings court, 'knight time' etc. A lot of their branding uses motifs of gold, royalty, and gambling. Cards and coins are used as texture elements, and everything is pretty gaudy - but it works. It feels like Vegas. Plus, People. Eat. This. Shit. Up.
The Avalanche use mountains, snow, and ice as their motifs. Everything fits into the snowy, blizzard, cold theme very well. It's not as expanded as Vegas, but it still has a unique theme. Overall their branding was to fit into the Colorado professional sports sphere.
Then you have the Sharks. What do they have? Sharks. Not much more to it than that.
We need a name that taps into a part of Utah's zeitgeist. We need something that feels uniquely Utah (that is inclusive to non-relgious folk) that doesn't feel like we are trying too hard. Do we need it to be as gaudy as Vegas? No, but we also don't want to hit the same note every year like the Sharks.
--
Next, let's talk about fitting a name within the sphere of the NHL. We need to consider how to fit the brand as a piece into the NHL puzzle. Our name needs to feel like it belongs - and not just a one-off. I think that is why the name Kraken was so widely panned when first launched. It just didn't feel like it fit as an NHL name.
I categorized NHL names into 6 different origins.
Historical/culture is based off of something related to the region, while the 'other' category was decided by ownership based off preference (note that Blackhawks was owners choice but was historically related to his WWII squadron, but ultimately after the Blackhawk tribe).
You can see that the three top categories would be historical/cultural, and tied in second are animals and elemental based names.
Ultimately, I believe that it would be better for our team to be historical/culturally significant to Utah, or animal based, due to our other Rocky Mountain counterpart already filling the elemental space with the Avalanche.
I would also argue that mythical creatures, while appearing in the list at 2 exist, would still feel out of place as a whole. Plus, unless we are talking Bear Lake Monster, we don't have much of a connection to a certain choice that seem to be topping a lot of lists.
--
What would my choices be?
In no particular order, Outlaws, Mammoths (plural since each animal team is also plural) and Raptors. Each of them tie into Utah in a unique way that doesn't feel forced. The branding opportunities outside of merch feel like they would fit into Utah well.
Outlaws lean into the wild west motif quite nicely, separating us from Colorado. Utah was quite properly the wild west in the early 20th century. Plus, there is an whole expandable vernacular that can be used. Until lacrosse starts making as much money as the NHL, no one will stop to think twice about considering their feelings.
Mammoths are great because you can also use mammoth as an adjective. They feel stoic and sturdy. There are opportunities around the ice age and eons. We have found mammoths in Utah, including a near-complete one near Huntington North reservoir.
Raptors would have been great, but didn't make the short list. Similar reasons as Mammoths. I think because the Toronto Raptors, this name was dropped from consideration (the NBA makes more than the NHL, so no whatabouts with lacrosse).
My least favorites:
Yeti. I get it, you like the sound of it. Alliteration is always an ample opportunity. Technically there are several team names that fall under the mythical creature or 'it has a ring to it' categories. The main issue is what do you do with this? It's very little do with Utah, and the branding is limited to mountains - which Avs already have a claim to with their motifs.
Blizzard - basically the same complaints. It's way too close to the Avalanche. It is just doesn't differentiate from Colorado enough for me to take it seriously.
Venom - I just don't think this one fits into the NHL sphere very well. I suppose this would go under the Elemental category. I could see the motifs being about snakes and desert, but I don't see that expanded brand language as much as other options.
--
Thanks for coming to my ted talk. I enjoyed putting this together.

No matter what name is chosen, people will not be happy. Some people will always hate it, while for others, their passion will grow with the team. You'll never please 100% of people 100% of the time.
A lot of people are failing to realize is that a sports brand is not just a cool t-shirt and hat. It's an experience that ties communities and people together. It creates a common language that builds bonds.
What's in a name? Can we just slap any ole' name on there and call it a day?
Let's look at the Jazz. For years we have heard "why don't we switch the name?" It doesn't have anything to do with Utah. It's true, we aren't know for our amazing street musicians. Nothing about it screams Utah. However, after 40 years, the Jazz brand has permeated Utah culture. Native Utahns grew up going to Jazz games. We grew up experiencing the culture around their success. It had such an effect that if you grew up in the 90's/00's you probably remember everything with the 'ZZ' ending. The name created ripples across Utah.
My guess though, if we got an expansion NBA team today, there wouldn't be a single person considering the name 'Jazz.'
I think this shows two things - first, you can create a brand that has a passionate following out of any name. It's about the experience surrounding the team, which will grow over time. Talented creatives will amplify that experience, regardless of name. Second, how people's identity changes based off the team is as important as the name is.

Before you downvote and bring the pitchforks, hear me out. Name selection can open up different levels of opportunity. Think of each name having a DnD stat sheet of pros and cons.
The name that is chosen should allow the greatest potential of an expanded brand language. Not just one stat maxed out. Again, this isn't about t-shirts and hats, it's about the marketing opportunities, the tie-ins, the arena experience, and the ability to keep people coming back.
The first consideration is the ability to create an expanded brand language. Let's look at the Golden Knights. They tap into the zeitgeist of Las Vegas and medieval lore. They use terms like, "Knight of the realm." The fonts they use invoke medieval heraldry. In the arena, they talk about the kings court, 'knight time' etc. A lot of their branding uses motifs of gold, royalty, and gambling. Cards and coins are used as texture elements, and everything is pretty gaudy - but it works. It feels like Vegas. Plus, People. Eat. This. Shit. Up.
The Avalanche use mountains, snow, and ice as their motifs. Everything fits into the snowy, blizzard, cold theme very well. It's not as expanded as Vegas, but it still has a unique theme. Overall their branding was to fit into the Colorado professional sports sphere.
Then you have the Sharks. What do they have? Sharks. Not much more to it than that.
We need a name that taps into a part of Utah's zeitgeist. We need something that feels uniquely Utah (that is inclusive to non-relgious folk) that doesn't feel like we are trying too hard. Do we need it to be as gaudy as Vegas? No, but we also don't want to hit the same note every year like the Sharks.

Next, let's talk about fitting a name within the sphere of the NHL. We need to consider how to fit the brand as a piece into the NHL puzzle. Our name needs to feel like it belongs - and not just a one-off. I think that is why the name Kraken was so widely panned when first launched. It just didn't feel like it fit as an NHL name.
I categorized NHL names into 6 different origins.
Historical/culture is based off of something related to the region, while the 'other' category was decided by ownership based off preference (note that Blackhawks was owners choice but was historically related to his WWII squadron, but ultimately after the Blackhawk tribe).
You can see that the three top categories would be historical/cultural, and tied in second are animals and elemental based names.
Ultimately, I believe that it would be better for our team to be historical/culturally significant to Utah, or animal based, due to our other Rocky Mountain counterpart already filling the elemental space with the Avalanche.
I would also argue that mythical creatures, while appearing in the list at 2 exist, would still feel out of place as a whole. Plus, unless we are talking Bear Lake Monster, we don't have much of a connection to a certain choice that seem to be topping a lot of lists.

What would my choices be?
In no particular order, Outlaws, Mammoths (plural since each animal team is also plural) and Raptors. Each of them tie into Utah in a unique way that doesn't feel forced. The branding opportunities outside of merch feel like they would fit into Utah well.
Outlaws lean into the wild west motif quite nicely, separating us from Colorado. Utah was quite properly the wild west in the early 20th century. Plus, there is an whole expandable vernacular that can be used. Until lacrosse starts making as much money as the NHL, no one will stop to think twice about considering their feelings.
Mammoths are great because you can also use mammoth as an adjective. They feel stoic and sturdy. There are opportunities around the ice age and eons. We have found mammoths in Utah, including a near-complete one near Huntington North reservoir.
Raptors would have been great, but didn't make the short list. Similar reasons as Mammoths. I think because the Toronto Raptors, this name was dropped from consideration (the NBA makes more than the NHL, so no whatabouts with lacrosse).
My least favorites:
Yeti. I get it, you like the sound of it. Alliteration is always an ample opportunity. Technically there are several team names that fall under the mythical creature or 'it has a ring to it' categories. The main issue is what do you do with this? It's very little do with Utah, and the branding is limited to mountains - which Avs already have a claim to with their motifs.
Blizzard - basically the same complaints. It's way too close to the Avalanche. It is just doesn't differentiate from Colorado enough for me to take it seriously.
Venom - I just don't think this one fits into the NHL sphere very well. I suppose this would go under the Elemental category. I could see the motifs being about snakes and desert, but I don't see that expanded brand language as much as other options.

Thanks for coming to my ted talk. I enjoyed putting this together.

1. Imagery: Creating vivid mental images through descriptive language.
   
2. Metaphor: Using figurative language to imply a comparison between unrelated things.
   
3. Simile: Drawing comparisons using "like" or "as" to highlight similarities.
   
4. Rhyme: Employing words with similar sounds at the end of lines.
   
5. Meter: Organizing lines with a rhythmic pattern, often in syllabic beats.
   
6. Alliteration: Repetition of initial consonant sounds in neighboring words.
   
7. Assonance: Repeating vowel sounds within nearby words for musicality.
   
8. Personification: Assigning human characteristics to non-human entities.
   
9. Symbolism: Using objects or concepts to represent deeper meanings.
   
10. Enjambment: Continuation of a sentence without a pause beyond the end of a line.
    
11. Repetition: Emphasizing ideas or emotions by repeating words or phrases.
    
12. Free Verse: Unrestricted by traditional poetic structures like rhyme or meter.
    
13. Stanza: Grouping lines together to form a distinct unit within a poem.
    
14. Theme: Central idea or underlying message explored in the poem.
    
15. Tone: The poet's attitude or emotional stance toward the subject.
    
16. Connotation: The emotional or cultural associations attached to words.
    
17. Irony: Presenting ideas in a way that signifies the opposite of the literal meaning.
    
18. Allusion: Referencing another work, person, or event to enrich meaning.
    
19. Syntax: Arrangement of words to create specific effects or convey emotions.
    
20. Diction: Careful choice of words to convey a particular meaning or atmosphere.
    

Previous post

The upstart

Arch rival to Calap Roud was the illimitable, ambitious, inexcusably young Brash Phluster. That he delighted in the old bastard’s presence on this journey could hardly be refuted, for Brash so wanted Calap to witness youth’s triumph in Farrog. With luck, it would kill him.

Next on the chopping block is Brash Phluster, and what a masterpiece that name is. Brash means many things, including overly confident and lacking respect. Clearly that's how Calap views him at least. And Phluster just looks so much funnier than "fluster". It's as subtle as a brick to the face, but we really get everything we need to know about Brash from just the name.
Note that like with Purse we begin Brash's introduction by pointing out his relationship with Calap Roud. But whereas Purse was Calap's object of lust, Brash is his nemesis. We get a list of Brash's characteristics. He is illimitable, ambitious, and inexcusably young. This is definitely describing Brash as Calap sees him. The tell is the "inexcusably young" bit, but we also see a subtle jab with the way Flicker uses both illimitable and ambitious, words that have very similar meanings. He's definitely imitating Calap here, so it's like he's so incensed at Brash that he's stumbling for whatever word he can find. And accidentally goes for two words that mean basically the same thing.
Then we get Brash being happy at Calap's presence, which makes us think that perhaps the rivalry is one sided. But then we see that it's just because Brash wants to rub it in Calap's face, so the rivalry is definitely a thing. And finally there's the hope that Calap's defeat would kill him. So there's clearly an underlying hatred that runs deeper than a normal rivalry. The rivalry also seems to be generational. Brash represents the younger generation of artists, and he sees this as a conflict between young and old.

Fake it 'til you make it

Seven years Calap had been defecating on Brash, trying to keep him down on the crusty floor, but Brash was not one to let a rain of guano discourage his destiny. He knew he was brilliant in most things, and where he lacked brilliance he could fill those spaces with bold bluster and entirely unfounded arrogance. A sneer was as good as an answer. A writhe of the lip could slice throats across the room. He eyed Calap as would a wolf eye a dog, appalled at a shared pedigree and determined to tear the sad thing to pieces at the first opportunity.

We continue with the Calap/Brash beef, bringing back the metaphor from Calap's introduction with the gilded cage. There we got a brief mention of the "white-headed fools" that Calap shat on, and now we learn that Brash was indeed one of those fools. The imagery here is absolutely foul, with the floor crusted with bird shit and the rain of guano. There's a really nice alliteration here too. We get "defecating" and "down", and then a bit later "discourage" and "destiny". I love how it's all these really negative and nasty words, before flipping it with "destiny".
Flicker is definitely putting himself in Brash's head as he's done many times before, as we get this view of his inflated self image. We get a lot of Bs and Ls here with two instances of "brilliant" before we get "bold bluster". I love how he seems to be just blatantly in fake-it-until-you-make-it mode. And then Flicker dips out of Brash's head to provide his own commentary with "entirely unfounded arrogance".
And then we continue with Flicker giving his not-quite-charitable reading of Brash's character with this quick flurry of sentences. When confronted, Brash doesn't really respond, but just pretends like answering is beneath him. Like Calap he's willing to play the social game in order to get ahead. And that is made clear with the comparison. They're different, but also in some fundamental way they "share the same pedigree", which I think is their mutual willingness to pull all sorts of dirty tricks to get rid of rivals. And Brash is ready to do just that to Calap.

Master of disguises

True talent was found in the successful disguise of genius, and Brash accounted himself a master of disguises. His future was glory, but he would reveal not a single hint, not one that some cragged critic¹ or presumptuous rival might close in on, stoat fangs bared. No, they could dismiss him each and every day for the time being. He would unveil himself in Farrog, and then they would all see. Calap Roud, that stunning watery-eyed dancer, Purse Snippet, and the Entourage too—

Right off the bat I want to say that I love this first sentence. Flicker mentioned Brash's fake-it-until-you-make-it attitude in the previous paragraph, but here we get a hint that perhaps Brash is faking more than he'd care to admit. But he doesn't care, because he's so confident in his disguises.
Erikson has on many occasions remarked upon (and lamented) that many authors are incredibly secretive about their craft. He's mentioned authors on panels whose answers amount to basically just an advertisement for their book rather than an examination of their process. I think here he is poking fun at that attitude. Brash is established as being extremely tight lipped, because he doesn't want the critics or his competitors to find out his secret sauce. Admittedly, since he's traveling with Calap Roud that attitude may not be simple paranoia.
I also love that he calls his rivals stoats, calling back to the weasel analogy from a few weeks ago. Stoats are of course² a kind of weasel (or at least a weasel-like mammal). So we're still not letting go of these metaphors.
We also get a glance at the way Brash is seen by others. He's dismissed by them. Clearly, Brash thinks they're underestimating him, but are they? We'll find out in time when we get some of Brash's poetry. The alliteration here is also nice, with each and every framed by dismiss and day.
He ends with a declaration that he's not even begun to peak. That he's saving the best for last, and he's savoring that. He mentions Calap Roud, who he wants to destroy, and Purse Snippet who he likely wants to impress. Here we also see the difference between Flicker and Brash in action. Flicker saw through to the core of Purse's being. Brash, on the other hand, just sees a pretty dancer. He even notes that her eyes are always watery, but he doesn't even seem to consider that they might be like that for a reason.
And finally, the Entourage...
But we'll get to them next time. That's it for Brash's introduction. See you next week!
¹ There's some nice alliteration here. The word "cragged", itself onomatopoeic, adds that onomatopoeia to the word "critic".
² I say as if I didn't have to look that up myself

In the main Harry Potter subreddit, I noticed that one of the rules was "No modern politics" (modern as in, everything that happened the last 20 years). I can't help but think that this was made in order because the HP fans didn't want to mention Jojo's transphobia or to create a war centered around it. (Like Disney suddenly becomes silent whenever we talk about China)
I also remember that, some months ago, I asked in a post "What lesson did you learn thanks to the stories ?", and one of the comments was basically "I learned that you can write a good story and be an awful bigot". Does it really surprise you if I tell you this comment was being downvoted (and me with it when I defended it) ? In fact, because I was arguing against Jojo fans (no, not the anime), the mods even locked the thread.
Personally, I became less of a HP fans nowadays, because I'm too disgusted by what Joanne became (or was all along). No matter how much I love it, it'll always be tied to Joanne "I'm JuSt fEeLinG COnCErnEd bY pEnIseD IndIViduALS bUllyiNg GiRls !" Rowling. I'll never love the series like I loved it before, and that's because it's tainted forever in my mind.
I guess it's like Lovecraft's stories or Celine's poems (for those who don't know : Celine was a French poet who was 4chan levels of antisemitic. He was to the Jewish community what Jojo is to the trans community), except JK Rowling's ideals are even more ingrained in her stories (for Harry Potter : status quo good and freeing the slaves bad ; for her Cormoran Strike series : Wokes = Evil holier than thou hypocrites)

the problem gets solved
slowly because you allow it to get solved
but even patience
needs hurrying along
sometimes
new heights of catholic bizarreness with a touch of paedophilia
i’ve seen a lot of things on the web, in its class this has to be the most extreme, rather amusing in its way
years ago in auckland , new zealand, i remember reading about this murder, no idea that he was a well known poet or the backstory
hai zi’s sonnet night moon
i don’t think you can be a good poet without a sense of injury
my rewrite:
the setting sun
striking through the trees
from a blood red lamp
everything is illuminated
in this ambiguous light
of suffering, joy, life and death
schooling cretinizes
starting with the teachers
there is nothing to be learned
not even process
all history teaches
poetry and politics don’t mix
ed. i was reading about li bai siding with the losing side in the an lushan rebellion, it was only his reputation that saved him from being executed
intersex
growing breasts
growing genitals
today’s obsession
lacks nuances
of being
.
intersex
growing breasts
growing genitals
today’s obsession
lacks nuance
about
being
the dead sea scrolls
so much fuss
about a lot of bad writing
intelligence is like everything else in having "opportunity cost", abilities in one area necessarily imply deficits in another
that is, in even high IQ’s you are also measuring disability
IQ only measures one type of intelligence and in fact i don’t think intelligence can be reduced to a score
i couldn’t even do an intelligence test now, my brain rebels at that sort of computation
in twenty years we are going to be nothing but a society shredded by the weight of side-effects from drugs; medical, psychiatric and otherwise
“ Use of amphetamines and atomoxetine had a higher risk for angle closure glaucoma, while use of methylphenidate was associated with a higher risk for open angle glaucoma
Given the prevalence of ADHD medication use (medically and recreationally), our current data on their associated risk of glaucoma have profound public health implications ”
good fiction ties itself to the way reality works even if its "magical realism"
poor quality fiction is utterly decoupled in this respect, egregious examples have to be propaganda and "dramas"
"it was unstoppable, like herpes on a lithuanian prostitute"
a finnish saying, apparently the trope for a woman from an ex-soviet country is a prostitute
if you look at their history you can see why they don’t like the russians
ninja
asian fantasy
the individual victorious against
coercive group think
death
is beyond
remedy
thinking
rearranges priorities
slowly
philosophers are crazy
mind games
word games
the vagaries of definition
simple cogency is not looked for
rather deemed inadequate
not finding what they are looking for
they waste their lives uselessly
waves of the sea lapping on the shore
has more meaning
creeps
make jokes
about
dead
mothers
saying something about nothing
the problem is
they interpenetrate
up on the hill
working on the water tank
voices carried in the wind
in the distance
two women on horses
ed. its really just to capture that hearing something and not understanding the source, then a bit later seeing where the voices come from
its very minimal which i think is "zen"
.
up on the hill
working on the water tank
voices carried in the wind
in the distance
two women on horseback
"decoherence" and "emergence" are relatively new concepts in physics and and basically on one side you have things being very simple and on the other you have the complexity and uncertainty of the real world and in between you have a mixing of things up so the simplicity is lost/decohered and replaced by opacity/emergence as to what is happening
i was looking at some quotes from emily dickinson’s letters to susan gilbert (her one time lover and sister-in-law) and they are conventional in the main, but one poem sticks out as indicating she really had a different head on her shoulders
show me eternity and i will show you
memory —
both in one package lain
and lifted back again —
be sue — while i am emily —
be next — what you have ever been —
infinity
love
separated
doesn’t last
we don’t take the lesson
look further and farther appears
when
it wasn’t there before
.
look further and further appears
when
it wasn’t there before
mRNA vaccines can alter our DNA
dr. julian fidge
i must use my keyboard a lot because i wear out letters, but rather than replacing the keyboard (microsoft) i now overwrite them with pink nail polish using relatively thick strokes taking up the whole pad and sometimes even over the edges
robots of flesh
humans
perhaps something else intervenes
it does
charlatans
take two
the deceiver
and deceived
one at least has the benefit of honest gain
the other broken shards of a dream
who is who ?
ed. giacomo casanova who was a hustler of timeless stature said : to deceive a fool is to revenge intelligence and in my view he is right because the nature of the injury to the victim is non-repairable so the focus has to be not being fooled rather than some falsely benign view of the universe where wrongs are supposedly righted today’s cultural glorification of victimhood is itself a form of con artistry giving permission to that endemic dissembling, now so normal, especially in gen X, you can’t talk to a young person without being awash in highly skilled manipulation and targeted deceit
carlo rovelli gives a much better explanation of nagarjuna than the usual religious obfuscation (translators usually try to fit him to every paradigm going) “ what is useful in nagarjuna is the idea that its better to think of the world not as entities or substance or matter that has its own properties, but only through the interdependence of things
everything is empty in the sense of not having an intrinsic reality, this emptiness is the foundation of everything — but that’s a view which is itself empty in a sense ”
i would put it a bit differently, that there is always some context that can’t be escaped and this is the background for existence, that non-existence is a type of existence as well as existence being a type of non-existence
gen Z, missionaries for their churches of one, not even a quorum to be formed to schism
synthesizing nonsense to make more nonsense
i have long since ceased to think the world is sane

This is not finished and is written out of order so I may write part one one day and part two another they are ment to have diffrent style and be a bit bad.
Old Testiment as Written By Sir Eddie Murphy
Genesis
With his hands and ass cheeks he created our universe and infused it with life. He did this after he had one too many chicken Alfredos; the rupture caused him to poop with such force it caused a bang. A big bang. The bang caused earth to form. At this time it was just an empty wasteland with no life. However shrek with his omnibevelence wiped his ass with earth after the great shart. This invigorated the earth with things such as the grass and dirt we stand on and the cow birds and Mexicans we see. Shrek saw the earth and saw it was good. He named it the great onion in the sky. Finally Shrek created the things that mortal men can not see. Feelings. Hunger and thirst among other things. The reason shrek created hunger and feelings of sadness is that he new with his omniscience that they would lead to the creation of the chicken Alfredos form before. With this shrek created death as all must have an opposite and death is the unlucky opposite of life. This pained shrek to see his beloved creatures die so he created an afterlife so great and unfathomable that no mortal human could understand. This was named the great Taco Bell beyond the sky. With this creation he came down to the earth and formed the only country's the UK, Beeston, Spain, Saudi Arabia, Bramley and Australia however that has now been destroyed.
Early workings
After shrek made the world and lit it up with the stars in the night sky. He made the first human a man of pure faith and love for all who love shrek. Butter pants. Butter pants was sent down to watch the inhabitants and what they do, for shrek gave them free will. Butter pants became restless however after some time and so was given from shrek a wife and here was the first woman. Lois Griffin. They spent thier days with shrek on earth. Playing, telling stories and overall living a carefree life. After some time butter pants and lois griffin had kids. Three children Bob sob and George and in thier childhood they lived much the same as their perants. However, when they grew up they began to become more restless. Arguments rose and fell quickly like sparks. The three boys began to despise not just each other but thier family and shrek. This lead to the three boys leaving shrek to live somewhere else they all set off alone in diffrent directions. After many more years of distance to shrek the three boys began to forget. Not thier anger towards each other, although the argument that started had been lost, but their love for shrek. However one day one of the three boys sob discided to meet again with shrek for a request. "Lord please give me mercy for I beg of you a wife or a child". The Lord forgave sob and bestowed on him a child. The best ever seen. Three years past and the child named Mr bean was showing incredible intelligence and was growing quickly and nicely. Sob had now reconciled with lois and butter pants and they lived happily with each other. But the other boys became jealous and planned to kill Mr bean at night. Late one night they set thier plan into action and when all were asleep they suffocated the child without a sound. However with some sixth sense butter pants woke up and ran into the room to see his beloved dead. Feelings of anger, hate, sadness and distress fell over him like a great weight. He screamed and shouted at the boys and them tried to get his revenge. And after a while of fighting sob killed George. Shrek awoke along with lois griffin and he stormed into the room. "What have you done you animals" shrek screamed the boys did nothing for they saw the power of shrek never seen by man. "You live a life without me and you murder directly going against my will. For this you shall be punished as one of the weak in the world already unforgiven as blind mice together with the lost George. I leave you now for I never knew you".
The the aftermath
Shrek sent down along with lois and butter pants many men and woman to earth and split them out across the lands. Story's of shrek were told but they were eventually lost or warped beyond repair. Many generation came and when developing with the lost power of shrek. Because of this lost power they now fought with new pains. However shrek still loved humanity. The three blind mice lived as a testament to shreks wrath although they were seen as a legend and two the human eye seen as just mice.
To worship shrek
Shrek must be worshiped in a shrek church (an onion shaped dome to signify the warm and layers shrek brings to us) and do the Thug Shake. Hymns can also be sung like All Star. The shrek community needs to look after one another and this goes for humanity as a whole. The shrek onion is not only a place of worship but a place of giving.
The nature of shrek
Shrek is all powerful and all knowing he sees all that has happened all that is happening and all that will happen. Shrek does not have an age. He is master of all. There before the first silence was broken. He loves all who belive in him. I bear witness their is no God But Shrek.
La historia del pus en las botas
Un momento concreto en el que Eddie estaba difundiendo la buena palabra de shrek en España. Se encontró con un gato solitario; Eddie se apiadó del gato y recordó sus viejos tiempos como un burro normal. Eddie decidió acoger al gato como propio. Durante muchos años entrenó al gato llamándolo pus. El gato dominaba el cuchillo y luchaba contra los criminales de su ciudad. Pus oró para Shrek todos los días y con la ayuda de Eddie abrió un jardín público de cebollas para que la gente comiera y donara. Un día, por gracia de Shrek, le regalaron botas y lo consideraron pus en las botas.
This next segment was made by chatgpt
Title: "The Gingerbread Guardian"
In the quaint village of Sugarlandia, where the scent of freshly baked cookies filled the air, there lived a humble baker named Mrs. Butterbuns. Known far and wide for her delectable treats, Mrs. Butterbuns had a secret ingredient that gave her creations a magical touch: a pinch of stardust harvested from the heavens above. One crisp autumn day, as Mrs. Butterbuns was preparing her famous gingerbread cookies for the annual Harvest Festival, something extraordinary happened. As she sprinkled the stardust into the dough, a tiny spark ignited, and from the oven emerged a gingerbread man unlike any other. With a mischievous grin and a twinkle in his eye, the Gingerbread Guardian came to life, imbued with the wisdom of the stars and a mission to protect the village from harm. As word of the miraculous cookie spread, so too did the tale of the Gingerbread Guardian. Children gathered round to hear stories of his daring adventures, from foiling the plans of the mischievous Candy Bandits to rescuing lost kittens from the treacherous Toffee Swamp. But amidst the laughter and joy, a shadow loomed on the horizon. The wicked Witch of the Wastelands, jealous of the village's prosperity, devised a dastardly scheme to steal the magical stardust for herself. With her army of sugary minions, the witch launched an assault on Sugarlandia, intent on capturing the Gingerbread Guardian and seizing control of his celestial powers. But the people of Sugarlandia refused to surrender without a fight. Armed with rolling pins and cookie cutters, they rallied to the defense of their beloved guardian, standing shoulder to shoulder against the encroaching darkness. In the epic battle that ensued, sugar flew and frosting splattered as the forces of good and evil clashed in a showdown of epic proportions. With courage and determination, the Gingerbread Guardian led the charge, his gingerbread heart ablaze with the fire of righteousness. In the end, it was not brute strength or magic that prevailed, but the power of friendship and unity. Together, the villagers and their guardian vanquished the witch and her minions, restoring peace and harmony to Sugarlandia once more. And so, the legend of the Gingerbread Guardian lived on, a sweet reminder that even the smallest among us can make a difference in the world, one sprinkle of stardust at a time.
The beginning of the shrek religion
For thousands of years shrek kept silent on his existence. Watching over the earth not interfering with anything. This was to wait for the perfect moment when humanity was ready. This fist contact happened happened to Eddie Murphy. Eddie was a poor donkey just like any other. He waited for nothing wandering like a lost soul. He lived on a farm with an farmer however they was not treated equally. Eddie lived outside with no shelter eating grass. While the farmer ate grand feists with his family. Shrek did not like this shrek loved donkey can couldn't sand to see them be treated in such a way. So one day shrek, for the first time ever, came down to Eddie and gave him knowledge, knowledge that no mortal had had to this point. The knowledge to save humanity. With this gift shrek also granted Eddie with the gift of speech. With the help of shrek Eddie managed to jump the fence leading to his freedom from the farmer and into the town square. Their he shouted with glee that he had seen God. "Shrek" "shrek" "that is his name" the people in the town were confused and in awe of seeing a talking donkey. But then from the sky out dropped a seed that dropped next to Eddie's feet. Eddie shouted with all his might "plant this seed as it is the seed of shrek". One of the humans stepped up to pick up thr seed and planted it for Eddie. And when asked his name he said proudly "Farquad". But then from the ground sprouted a large white onion. Eddie raised his voice again "spread the word of shrek as I will. I hope to see you all in the kingdom of shrek." From thier Eddie set off on a voyage to spread the good word of shrek and farquad was appointed leader of the village.
The fall of lord farquad
Under the rule of farquad the village grew quickly. Many people came from around the world to see the great onion. They built holy places to shrek to worship him around the globe. However as the years past religion became less important and lord farquad became more greedy untill life for the people became worse while farquad lived a lavish life forgetting his Shrek given purpose. Until one day Eddie came back to see what had happened to the village. He was shocked to see little to nobody worshiping shrek. They were too busy being over worked by farquad. It seemed like their was nothing Eddie could do so he did what he always did in times of need. Pray. And shrek answered. From the heavens he brought Butter pants. Together with Eddie they came up with a plan to over take lord farquad. Under the blanket of night the three suck into the Palace of lord farquad and into his bedroom. "What are you doing here donkey" lord farquad said "What have you done too the holy land Eddie retorted "What I needed too" shouted lord farquad. But then from the shadows butter pants appeared. "Do the roar" he said. Lord Farquad looked confused. "Do the roar" he repeated many more times untill the annoyance reached its peak. "Shut up" farquad screamed. Farquad had to stop the noise. Somehow and the only way he knew was to jump. "Do the roar" was repeated many more times untill lord farquad had enough and shouted 'ill jump if you don't shut up". The last thing lord farquad heard before he jumped was "Do the roar". The village for years to come became a holy land for all.
The afterlife
Years had past. Eddie was now far from his foal days. He now lived his days in a bed each day shorter of breath and one day closer to death. Untill one day he died with his pussy beside him he prayed. The pain of his heart soon relived and he was sent to the great Taco Bell beyond the sky. There he met shrek. "Sup I'm god" shrek said eating his 4th chalupa that day. Eddie looked around at the Taco Bell. It was all onions. Shrek finished his chalupa and said "Eddie Murphy you are my most trusted. When I one day come down to humanity come with me you are my protector". Eddie left to see what the afterlife offered but their was so much so many layers to go. He met Danny devio. No I will not explain further. Its an after life joke you non afterlife people wouldn't understand.
Pus post Eddie's death
Seeing the death of his parental figure broke pus. However though the clouds he saw shrek who comforted pus during these times. Throughout the day he stopped crime however at night he stayed at the milk bar to the early hours of the morning this behaviour culminated during a night like any other when he was kidnapped. Hours went by in the carriage when pus was finally unmasked. Lord Farquad stood in front of him. Pus had heard stories of farquad and how he died so how could he be here. Pus didn't know all he did know was that he needed to finnish farquad once and for all. Pus thought though all off lord farquads monologue and then remembered. Chalupa. With the chalupa he ate hours ago still in his belly he let rip a fart so loud it could be heard in the great Taco Bell beyond the sky. This riped out his shackles and laughed him straight to farquad. The guards were none the wiser when he snuck behind farquad and pulled his pants down causing farquad to die of embarrassment and crush pus. This act sent pus to the after life wear he met shrek.
The fight of humpty dumpty and butter pants
マスターハンプティダンプティの戦い バターパンツが刀を振り上げた。 「咆哮をやれ」。ハンプティはバターパンツに飽きていて、決闘で彼と1対1を望んでいた。しかし、突然武装を解除されたハンプティーダンプティーに向かって突進したとき、バターパンツにはシュレックとアニメの力が味方していた。 「咆哮するか？」。彼はこれを止められず、何とかこの状況から抜け出す方法を考えなければなりませんでした。そう、彼の天才的な計画は、シュレックの助けなしには誰も思いつきませんでした。それで彼は計画を実行し、ハンプティーダンプティーにぶつかっただけで死んでしまいました。彼は卵であり、したがって非常に弱いからです。
Humpty dumptys return
جلس هامبتي دمبتي على جدار أحد المتاجر وألقى باللوم في إصاباته على السقوط الكبير. كانت ليلة عربية باردة حيث جلس هامبتي دمبتي على جمله في أقصى الصحراء حيث زرع الحبة السحرية. كان يعلم الآن أن بوس وإيدي ماتا ويمكنه العودة.
Ingredients to shrek brownies
You likely already have the ingredients you'll need for these easy brownies on hand:
· Sugar: These easy brownies start with two cups of white sugar. · Flour: All-purpose flour creates structure in the batter. · Butter: Two sticks of melted butter give the brownies moisture and richness. · Eggs: Eggs lend even more moisture. Plus, they help bind the batter together. · Cocoa powder: Of course, you'll need cocoa powder for chocolate brownies! · Vanilla: Vanilla extract enhances the overall flavor of the brownies. · Baking powder: Baking powder acts as a leavener, which means it helps the brownies rise. · Salt: A pinch of salt enhances the flavors of the other ingredients. · Walnuts: Nuts are optional, of course, but they add a welcome crunch.
Shrek orders at Wendy's
"Hello can I please get a baconator with large fries and a coke" he said burping mid way through. "Would you like to make that a meal said the drive through worker. "Yes" So that day shrek got a baconator with large fries and a. Wait they forgot his coke. Shrek was mad however as he is an omnibevelent God he only destroyed the entire country the Wendy's was on. The country was Australia so if you hear anyone say anything about Australia it is your duty to slap them and say shrek got rid of Australia. So moral of the story is. I don't know actually know ummmmm don't forget your coke.
The poem of shrek
Shrek is the one he is our call For he is my love and my soul He is the light to my darkness And the darkness to my light He will bring the world to an end Shrek is love shrek is life
Breaking shrek
"Eddie Murphy we need to cook" said shrek "Yo Mr shrek like zoinks scoob we need lots of meth" shouted Eddie. So for the rest of the day they cooked meth untill the evil hank shrader from the hit TV show Breaking bad showed up "Stop cooking drugs it's bad" "No" said shrek "OK" They lived out the rest off thier days cooking meth and lived happily ever after.
All star
Somebody once told me the world is gonna roll me I ain’t the sharpest tool in the shed ♪ She was lookin’ kind of dumb with her finger and her thumb ♪ In the shape of an "L" on her forehead ♪ The years start comin’ and they don’t stop comin’ ♪ Fed to the rules and I hit the ground runnin’ ♪ Didn’t make sense not to live for fun ♪ Your brain gets smart but your head gets dumb ♪ So much to do ♪ So much to see ♪ So what’s wrong with takin’ the backstreets ♪ You’ll never know if you don’t go ♪ You’ll never shine if you don’t glow ♪ Hey, now ♪ You’re an all-star ♪ Get your game on, go play ♪ Hey, now, you’re a rock star ♪ Get the show on, get paid ♪ And all that glitters is gold ♪ Only shootin’ stars break the mold ♪ It’s a cool place and they say it gets colder ♪ You’re bundled up now but wait till you get older ♪ But the meteor men beg to differ ♪ Judging by the hole in the satellite picture ♪ The ice we skate is gettin’ pretty thin ♪ The water’s getting warm so you might as well swim My world’s on fire ♪ How ‘bout yours ♪ That’s the way I like it and I’ll never get bored ♪ Hey now you’re an all-star [shouting] [singing] ♪ Get your game on, go play ♪ Hey, now, you’re a rock star ♪ Get the show on, get paid ♪ And all that glitters is gold ♪ Only shootin’ stars break the mold ♪
Shrek gets added to fortnite
Once upon a time shrek got added to fortnite with the Eddie Murphy backbling and onion glider. "Hello shrek welcome to fortnite" said Peter Griffin hitting a devious griddy. Tehetehe Shrek went on to get the victory Royal with goku lady gaga and bender form futerama.
Got a random guy to write this
Imagine Shrek traveling back in time and encountering a younger version of his great grandfather, Baby Gronk, in the present day. Baby Gronk might be a mischievous but endearing character, possibly with some ogre-like tendencies but in a smaller form. Shrek, with his big heart and sometimes gruff exterior, might find a kindred spirit in Baby Gronk. They could bond over shared family traits, like a love for swampy homes or a penchant for unexpected adventures. It could be a heartwarming story of family connection across generations, showing that even though times and appearances change, some things, like family bonds, remain constant. How does that sound.Part 2 of the shrek Bible as Written By Sir Eddie
The accention
A fine wonderful and enfactuating light pierced though the clouds and sky and down came from the great tacobell on the sky came down shrek. He sat on a great cloud; adorned in a great silk and angel made cloak. All stared at his glory. His figure was surrounded by a radiance he was like the sun all revolved around this moment. The angles followed. They were great celestial being clad in amour and swords but today they lay in modest and with instruments they played a inimagineable song that engrossed all listeners into a trance. Following next was Sir Eddie Murphy now raised from the dead with Pus and the original man Butter Pants. They wore astral clothes as they walked down to earth by seemingly walking on the air. Soon the four Shrek, Pus, Eddie and Butter Pants were on the ground and stood at a market stall. Shrek stood on a box and began to project his voice. "From now untill I die in this mortal form I am all God and all man. I will now see the true life of my most beloved your eyes". All stood in disbelief for thier saviour had come and with that speach shrek became far less intimating his astral light faded. However he still sat in his green ogre form. Shrek ascended down to the UK to begin but shrek new he must go on a voyage across the lands to spread the word of his arrival but he had to get ready. In the oncoming days shrek conversed with the people of the town and finding lay of the land. He mapped out hid journey and the stops he would have to make for food, water or rest and how he play to make it in the elements. However one day he was invited to talk with head of the village. "Shrek" he said in a light tone "it has come to my attention that you plan on leaving the town soon" "Yes that is correct my son" said shrek "There is something that I want you to have" said the head. "A shortsword, it was forged many years ago b- "My son my voyage is of peace and love for one another not a conquest it will not be needed in any extreme case but thank you my lord however I am greatful for your offer". Days more passed when shrek set out quickly and quietly under the setting sun so not to be seen and made a great fuss however he left a note in the home he was staying in giving them the information they needed but by then he would be far gone.
The journey to Beeston
Shrek walked happily and care free for some time untill he came to the beginning of a forest. The trees were tall and imposing and it was as if the branches were pointing at him to leave like a warning. At this time the sun was beginning to set and the night was dark. Going around would surely add time to his journey and eat into his food and water supply and so would waiting outside for daytime. Shrek had thought about this before setting out about a week prior and had deicided to enter the forest however now as it towerd over him he felt true fear. Shrek thought for a while as the sun fully set and the moon took its place and finally stepped his foot into the forest. As he walked foreboding stalked him and shrek could get no peace; he would look around for danger but the darkness And the fog clouded his vision. He could bearly see the hands infront of him. But after some miles his body caved and he set camp for the night. His legs ached and his body shaked the warmth of his sleeping bag couldn't satisfy the sharp coolness he felt. Shrek fell asleep that night cold and wet wishing he was home but he knew he needed to do this for humanity. Fragments of light broke though the shaded trees although the forest was cold as most light couldn't get though. The fog was still about him but was lessened from the night before. The air was sharp and shreks fear palpable. He still felt if the tree or something else that lurked in the shadows was watching him and judging his and getting ready to make thier move. As sheek got further into the forest the path became unclear and the sound of crows circling him above the clouds louder. Shrek sense of direction was now lost as they day began to come to a close. He walked around aimlessly fearful of what was lurking. One night after a full day of walking tring to find his way out he heard something. A noise, it was like a man's footstep yet quieter and seemingly shorter. Shrek came out of his sleeping bag and looked around "my child I mean no danger to you or this forest come out I wish to speak with you" shrek said with a quaking voice. The forest lay silent. Shrek looked around again when a quick pounce came from a bush and from it was a small brown haired creature wearing old fashion clothes. He lunged at shrek and held a knife to his neck he laughed spratically. "I have found you" he whispered into shreks ear. Shrek pushed him aside and shouted "why my son must you try to pain me" "I'll make your bones into bread, I'll spead your eyes over toast, I'll make your skin into clothes. You will be the crown of my collection" he shouted laughing still uncontrollablely. "My son you must stop for this will not get you anywhere" shrek said clearly scared. "Why did you wait so long to kill me" "I like to see my victims scream, beg me for mercy promising anything to me just to see one more day" he said. "Now time for my murder wig and out from his pocket he produced a large spiked red wig before he once again lunged at shrek and this time he managed to slice his hand. Shrek screamed in pain as the sharp agony pulsed though his body. But then from his bag shrek pulled out a guitar and threw it rumplestiltskin followed it and seemingly disappeared. Finally shrek got some much needed rest although the thought of been murdered in his sleep stressed him alot. For the next couple of days in the forest shrek walked with little fear although as he got closer to his destination the land grew weirder. The trees grouped closer together and the land uneven shrek missed donkey and pus and he thought of them lots. However, the days now were getting lighter as he was almost out of the forest and into the untamed land of Beeston. That morning after waking up and after his food was becoming scarce shrek exited the forest. The land of Beeston had many abandoned buildings like jungles, road men selling drugs and stabbing people but among the chaos lay an oasis. Kyle Upton and Harry Uptons House. It sat as if a castle the only protection for shrek.
As soon as shrek stepped over the border of Beeston he was met by a road man "Yo whats your name man" said the road man "Shr-" shrek began to say "Yo man shut the fuck up nobody asked bro" the road man interrupted "you fucked me up man. I can't think get out my head man get out my head" the road man ran away holding his head screaming get out my head man. Shrek carried on his journey to the oasis for some time untill the day turned to night so shrek rested in a pub. He walked in and the stench of a sweaty 40yr gaza with a Leeds United shirt on hit him and from the cracks of his armpit and his ass cheeks float green lines of stink who sat drinking a beer. There was also a group of people sat at the far side of the bar playing a gambling game. However, among the various other people one stood out to him although he wasn't quite sure why. The man sat alone not talking away from everyone else. He sat with a tin of beans that he was slowly eating. Shrek thought he could see the man staring at him as if examining him. However, shrek could not get a good idea of the man's face as he wore a hat and he mostly had his head down eating his beans. For a while shrek forgot his worrys in the bar talking with locals sharing story's. He found out the little monster he saw in the forest had been troubling the town for a while and that they hoped that he was now gone for good. But after many hours of conversation shrek decided to get a room and set off in the morning. Shrek awoke with a blur but as his eyes adjusted to his surroundings he above him a dark shadow yet it had a form like a man. The shadow drew its sword before shrek could react and it stabbed him in the heart before shrek awoke in a cold sweat. It was a dream. He sat up in his bed as his eyes adjusted to the darkness but after one or two minutes shrek felt as if a dark figure passed the window of the room. Shreks room was at the top part of the bar it was not a terrible room small but cosy. He looked around desperately and quickly looking for an answer when another shadow passed the window this time shrek got a better look at it. It was large and dark it wore a tattered cloak and had a sword sheaved under it. The same one from the dream. An then suddenly a loud knock came from the door. Shrek cowered in his bed frozen when the door swung open and in came the a man. The man shut the door and blocked it he was panting as if he was running or if he was in grave danger. Now shrek could get a better idea of who the man was he now realised that it was the man from before who was watching him carefully. "What do you want from me shrek cried "I'm here to help you shrek word of your journey has spead and many people are not welcoming of you". "I'm not quite sure who those shadows are but I know they want you dead and they will stop at nothing untill thier task is complete". "What are we to do" said shrek now sat on his bed on high alert. "We must go to Kyle and Harry they may know more on these creatures of the night and in their home we are safe" Whispered the man when another knock came to the door before the started to barge the door. "Come, the door is not verry strong and my defence won't last long" the man opened the window and threw a rope down tieing one end to the bed. They both climbed down the rope and then onto the man's horse. "Thank you" said shrek pausing to say his name "my name is Joe Webster" pleasure to serve you shrek. As they began to ride to the house of Kyle and Harry from the distance they could see the shadows watching them though the window of thier room.
Part 3 as Written By key whiteness of shrek decent to Earth
The expansion of the shrek religion As Written by kristianus kokaes
As the shrek religion began in the UK it quickly spread to Beeston and Bramley though the use of devout peasants moving looking for better paying jobs after the black death (1348-50). However in the 1500s came the discovery of the new world and with that opened new trade routes wear people often spread their faith to Shrek. This act spread the religion to Spain. Many years after this once the shrek religion had been woven within the culture of Spain and most of the country belived in him and built monuments in his name. Some would set out on pilgrimages from Spain to Saudi Arabia spreading thier religion further. However one country failed to see shrek as thier god. Australia. For shrek is just and omnibevelence he came to peace with this fact untill they got his Wendy's order wrong.

1. Simile:
Definition: A figure of speech that compares two different things using the words "like" or "as."
Example: The night sky was like a vast canvas, scattered with stars as bright as diamonds.
2. Metaphor:
Definition: A figure of speech that implies a comparison between two unrelated things, stating that one thing is another.
Example: Time is a thief, silently stealing moments from our lives.
3. Hyperbole:
Definition: A figure of speech involving exaggerated statements not meant to be taken literally.
Example: The suitcase weighed a ton, making it nearly impossible to carry.
4. Understatement:
Definition: A figure of speech where a writer deliberately represents something as much less than it actually is.
Example: The storm brought a bit of rain; nothing too major, just a small flood in the living room.
5. Personification:
Definition: A figure of speech where human qualities are attributed to non-human entities.
Example: The wind whispered secrets through the ancient trees.
6. Assonance:
Definition: The repetition of vowel sounds within nearby words in a sentence.
Example: The melody of the evening breeze gently swept through the fields of wheat.
7. Onomatopoeia:
Definition: The use of words that imitate the sound they describe.
Example: The door creaked open, and footsteps echoed in the empty hallway.
8. Alliteration:
Definition: The repetition of initial consonant sounds in neighboring words.
Example: The playful puppy pranced through the park, chasing butterflies.
*9. Oxymoron:
Definition: A figure of speech that combines contradictory terms.
Example: The comedian's humor was both dark and lighthearted, creating an unsettling joy.
10. Irony:
Definition: A figure of speech in which words express a meaning opposite to their literal interpretation.
Example: The fire station burned down while the firefighters were on vacation—what a twist of irony.
11. Pun:
Definition: A play on words that have multiple meanings or sound similar but have different meanings.
Example: Time flies like an arrow; fruit flies like a banana.
12. Juxtaposition:
Definition: Placing two elements side by side to present a contrast.
Example: In the bustling city, the serene park offered a juxtaposition of tranquility amid the urban chaos.
13. Synecdoche:
Definition: A figure of speech where a part represents the whole or the whole represents a part.
Example: "All hands on deck" implies the need for the assistance of the entire crew.
14. Metonymy:
Definition: A figure of speech where one term is substituted with another closely related term.
Example: The White House issued a statement on the recent policy changes.
15. Zeugma:
Definition: A figure of speech where a word applies to multiple parts of the sentence.
Example: She stole both his wallet and his heart that fateful night.
16. Epiphora:
Definition: The repetition of a word or phrase at the end of successive clauses.
Example: The forest was mysterious, the mountains were majestic, and the rivers were enchanting.
17. Euphemism:
Definition: Substituting a mild, indirect, or vague term for a harsh or blunt one.
Example: She passed away peacefully in her sleep, euphemizing the concept of death.
18. Anthimeria:
Definition: The use of a word in a grammatical form it doesn't usually take.
Example: She bookmarked the page to return to the thrilling story later.
19. Chiasmus:
Definition: A figure of speech in which the order of terms in one of the clauses is inverted in the other.
Example: "Do I love you because you're beautiful, or are you beautiful because I love you?" - Cinderella
20. Allusion:
Definition: A brief and indirect reference to a person, place, thing, or idea of historical, cultural, literary, or political significance.
Example: His ambition was Caesar-like; he aimed to conquer not only Rome but the hearts of its people.
21. Allegory:
Definition: A narrative in which characters and events represent abstract ideas or moral qualities . Example: Orwell's "Animal Farm" serves as an allegory for political corruption and the abuse of power.
22. Metonymy:
Definition: A figure of speech in which one word or phrase is substituted with another closely associated with it.
Example: The pen is mightier than the sword, emphasizing the power of the written word over physical force.
23. Sarcasm:
Definition: The use of irony to mock or convey contempt.
Example: "Nice job on the presentation," she said, her tone dripping with sarcasm as the audience chuckled.
24. Understatement:
Definition: A figure of speech where a writer deliberately represents something as much less than it actually is.
Example: The mountain climber faced a slight challenge as he ascended Everest, navigating only a few treacherous crevices.
25. Cliché:
Definition: An expression or idea that has become overused to the point of losing its original meaning.
Example: The detective followed the suspect's trail like a bloodhound, relying on the cliché methods of his trade. *