https://www.famitsu.com/article/202405/5194 (translated by DeepL: there are probably translation errors)

Shadows is the next step forward for Assassin's Creed

Mr. KARL ONNÉE, Producer
--First of all, let me say "Thank you" from us Japanese, as "Assassin's Creed" is finally coming out, which is set in Japan!
KARL: Thank you for coming here today. I have been wanting to do this work for years, so my dream has come true.
--Why did you choose the Azuchi-Momoyama period as the setting for this work?
KARL: I chose it because it is a very rich period in history. It was a time of war and political maneuvering, a time of change from rural to urban areas, and also the birth of art. I also chose it because it was the start of the unification of Japan. It was a pivotal moment for Japan. Together, these elements provided an excellent canvas on which to tell the story.
--What kind of image do you have of the Azuchi-Momoyama period?
KARL: This was a time when the feudal lords of the warring states were fighting for power in the name of unifying the country, but it was also a struggle for control of trade. Portuguese missionaries and merchants came to Japan together. The Portuguese missionaries and merchants came to Japan together, and people who wanted a beautiful country and peace. This is the kind of image we have, but I think there was a mixture of various cultures and people's thoughts. And of course, there were the warring feudal lords. These are great canvases for the story.
--What do you think should be inherited from "Assassin's Creed" and what are the unique aspects of this game?
KARL: When people think of "Assassin's Creed," they think of stealth, but shinobi fantasy is not only a perfect fit for an "Assassin's Creed" game, it also fits the DNA of the "Assassin" brand.
What we wanted to do with "Assassin's Creed Shadows" was to push stealth even further. We started this effort with the previous game, "Assassin's Creed Mirage," but we wanted to take it further with new features. Systems such as light and shadow, grappling ropes, belly crawling, and a variety of tools available in the game provide a new experience.
The gameplay is also enriched by two characters, Naoe, a shinobi, and Yasuke, a samurai. Players will explore and discover Japan through the eyes of Naoe, a local, and one non-Japanese outsider. The game is more dynamic than ever before, pushing the limits of technology and offering an experience exclusive to the first state-of-the-art consoles.
The gameplay is also enriched by two characters, Naoe, a shinobi, and Yasuke, a samurai. Players will explore and discover Japan through the eyes of Naoe, a local, and one non-Japanese outsider. The game is more dynamic than ever before, pushing the limits of technology and offering an experience exclusive to the first state-of-the-art consoles.
--The "Assassin's Creed: Valhalla," released in 2020, is based on the theme of "Vikings" and has been a huge sales success. As a Japanese, I feel that from a global perspective, the Japanese "shinobi" theme is even more niche, but what is your current response?
KARL: I would like to talk about how it compares to "Viking" fantasy. Both shinobi and samurai are exciting and celebrated as fantasy with power, and are widely discussed in pop culture, and we are very much inspired by them.
Shinobi were on our radar from the beginning because we thought they fit well with the "Assassins" brand, but we felt that incorporating a powerful samurai would create two different gameplay experiences and give us the opportunity to tell the story from two different perspectives. We feel that this is a powerful motif that can compete with the "Viking" motif.
--How did you like the setting of Japan as a subject matter for the latest model?
KARL: I think it was perfect. For example, the "Global Illumination" technology allowed us to explore the response of light and shadow. Some consoles are still called "Baked GI", but by using dynamic lighting and the power of the new hardware, we were able to explore the creativity.
We are now able to express not only light and shadow, but also the dynamism of nature in greater detail. Naturally, since it is set in Japan, we have never dealt with so many trees, and thus so much data, in previous works in the series. We also needed more data to seamlessly move various things at the same time because of the seasonal changes. The latest models have allowed us to realize our vision, and our ambition for this film and for "Assassin's Creed" will continue.
--Assassin's Creed Mirage marks the 15th anniversary of the game. Can we consider this work as the next step forward for the next generation of "Assassin's Creed"?
KARL: You are absolutely right. Mirage" was a tribute to existing works, but this film is the first step into a new era. We are in the era of modern equipment. With the new generation of our engine "Anvil", plus the opportunity to create a new era by using the power of the latest consoles, we are able to do what we wanted to do with "Assassin's Creed Shadows".
With technologies such as global illumination and dynamism, we are now making the game we really wanted to make.
--What are the four pillars you are focusing on in the development of this game?
KARL: We are focusing on four pillars.

• The first is to create an authentic and dynamic world.
• Second is the story, introducing a new form of storytelling to "Assassin's Creed" by introducing two characters with different stories and perspectives.
• Third, there are two different action sequences. Samurai and Shinobi each have their own training elements and unique weapons. For example, in castles, each has a different positioning that they excel at, which makes a big difference in how they play.
• And finally, there is stealth. We are promoting the importance of stealth more than ever with new systems such as light and shadow, objects in the environment, depression, and grappling ropes.

-- The launch is scheduled for November 15, 2024. What is the current development status?
KARL: Development is going very well. We are proud to say that we have done a good job, but of course it is not finished and there are still glitches. This is the result of all the work we have done so far. We are very happy with how things are going right now, and we hope you will stay tuned for more news.
-- I understand that "Assassin's Creed Infinity" was announced at the previous Ubisoft Forward and that this title will be included in the game? Also, what is the development status of that game at ......?
KARL: "Assassin's Creed Infinity" is introduced as an Animus Hub (*a hub that will function in the future as an entry point for the series), which we will talk about at a later date.
--What is your message to your fans around the world and in Japan?
KARL: We are humbled that our dream of creating a game in this setting has come true. This is a setting that our fans have been anticipating for a long time, and for us it has been a wonderful experience to work on a game that we have always wanted to make.
This game is the result of our love. We hope you enjoy it. We look forward to talking more about it in the coming months.

The Shinobi Assassin and the Legendary Samurai. Experience the different fighting styles created by these two characters.

(left) Mr. JONATHAN DUMONT (Creative Director), (right) Mr. CHARLES BENOIT (Game Director)
--When did you start the development of this work?
JONATHAN: Development began about four years ago, and research into the time period in which the film is set began immediately. There were a number of cool subjects that brought us great characters and story plots. I had a gut feeling that this was going to be a very good game.
--Was the Azuchi-Momoyama period chosen as the period setting from the pre-development stage? Did you have an idea for a major point in Japanese history, such as the end of the Tokugawa Shogunate?
JONATHAN: I started from the beginning of my study of Japanese history, but I began reading with the feeling of a student. Following the Socratic principle, you took the attitude of knowing nothing. As I read on, I found some very interesting settings.
I focused on the Azuchi-Momoyama period because I felt it was an extremely important period for Japan. It was a time of warring states, the need to unify the country, and the need to defend itself against the growing influence of other countries.
It was a grand and complex period, and there are many stories that can be told from different angles. Among the heroes of the unification of Japan, Tokugawa Ieyasu, Toyotomi Hideyoshi, and Oda Nobunaga are best known among the outstanding characters in Japanese history.
Not only war, but also politics are involved, and they are moving toward the peace that will eventually come, with a good ending waiting somewhere in the middle. I strongly felt that this was a wonderful and interesting period that deserved to be featured.
It was also a time when the foundations of the arts were laid. Castle towns were built, the world changed, and people's relationships with each other and with art, as well as their inner lives, also changed. It was very interesting to explore this period, and I was strongly attracted to the characters who lived in this time.
-- Why did you choose the title "Shadows"?
CHARLES: From my point of view, there are two reasons. Shinobi hide in the shadows, so "Shadows" is of course inspired by that. In a way, this embraces the "Assassin" brand and shinobi.
There are other aspects to "Shadows" as well. There are "hidden things" in the game that must be discovered by the player, but they are hidden in the darkness in some way.
JONATHAN: Both characters are in a way connected to being shadowy heroes living in the underworld of this era. It's a cool title, if you can think of it this way.
--Why did you choose two main characters and two fighting styles? Also, what kind of combat action can the Shinobi and Samurai experience respectively?
JONATHAN: One of the reasons for the separation of the two styles is that from the beginning of development, we wanted to have two distinct and cool archetypes to play with: the samurai and the shinobi.
We also wanted to make sure that this fantasy was as close to reality and expectation as possible without being diluted. I also often felt the need to have two points of view in the development of the story, since history is rarely clearly black and white. The two protagonists provided interesting dynamics and perspectives on how to approach the game.
CHARLES: I think it is very interesting that in combat, both the samurai and the shinobi have special types of weapons. Therefore, the style of combat in this work is built on a more weapon-based approach.
There are weapons that only Samurai can use, and the same goes for Shinobi. The player can get a good feel for the two different fighting styles. And it is possible to switch between them.
--What weapons can Naoe and Yasuke use?
CHARLES: Both players have different types of weapons. For Naoe, we went for a more classic fantasy type shinobi. The chain scythe is a weapon that covers a wide area and can only be used by Naoe.
In addition, she also has a dagger used at close range, which can be combined with a hidden blade (Hidden Blade). Naoe can fight very quickly and efficiently with these.
On the other hand, Yasuke, who excels at overpowering with force, is given more types of weapons, some of which are firearms type weapons. They also have the typical samurai bow.
--Why did you choose to make the shinobi Naoe an original character and the samurai Yasuke a historical figure?
JONATHAN Even though they are well known in Japan, at least in North America, not much is known about farmers, what happened to them, and where the Shinobi came from.
So we decided to introduce a figure from Iga who is shrouded in mystery. We considered historical figures from the region, but we preferred a sense of mystery, so we came up with Naoe as someone who may or may not have actually existed.
As for Yasuke, from the beginning we thought that a story about the arrival of the Portuguese would be a very good way to tell the story of the crisis in Japan. The team liked the character Yasuke, and we thought we could use him to show the promise of discovering Japan.
We thought that if we started with a samurai already in Japanese society, he would be a very interesting and intriguing character, with concepts that we don't necessarily know. And it would also be interesting to see what happened to him. He starts out as a character who is already rooted in history, and we are curious to find out what happens to him.
I thought they would make a cool team, complementing each other in terms of storytelling, physique, and family background.
--What did you keep in mind when creating the scenario where the two main characters switch? What were some of the challenges?
JONATHAN: I wanted the audience to feel that "both are the main characters," but this was more complicated than it seems. Their stories overlap in places, but I wanted to make sure that as the game progresses, you gradually discover more and more about both characters. They have similar goals and motivations, but they are not 100% the same, which made it complicated and difficult to maintain their individual personalities.
Naturally, the quest can be played by either character. If a quest needs to be started by one character and completed by the other, the settings must accommodate both play styles. Thus, although it can be complicated, there are many opportunities to tell the story from one of the two perspectives.
Having two different points of view is a lot of fun, but there were some complications, such as having to use new technology in the conversation tools. There were some cool things, however. It is interesting that in the conversational scenes, the player decides which of the two protagonists speaks and they ask for different things. This is cool in a way.
CHARLES: Both characters are attacking the castle and at some point the player is asked if they want to continue with Yasuke or Naoe, both are interesting. At various points the player must make these choices.
The stories are independent, so if you want to know more about Naoe's or Yasuke's past, you can play as one character and delve into that character's story.
--Are there areas of action that differ, such as places that only Naoe, a shinobi, is allowed to enter?
JONATHAN: There are areas where both Naoe and Yasuke have different areas of activity. I can't go into details because there are a few surprises, but since Naoe can use a hooked rope, there are places that are almost exclusively accessible to her.
The world is designed to be enjoyed by both characters, and players can switch between the two at will.
Of course, if you want to reach the final point of the world or reach the summit through the ruins, then perhaps Naoe is the better choice. However, if you want to break through the fort head-on alone and open the way, Yasuke seems like a better choice. Of course, you can play with either character.
CHARLES: Each character also has specific actions. Naoe can hook the hooked rope to a specific spot and move like a pendulum, or hook the hook to a high spot and climb the rope to get to where she wants to go faster than Yasuke. However, Yasuke can use a shoulder bash to break down reinforced doors.
Yasuke can also perform parkour very efficiently in a more daring way. What can be felt when Yasuke performs parkour is how the crowd reacts. Because Yasuke is a samurai and exudes dignity as a superior class, the crowd reacts accordingly. Naoe, on the other hand, gives the impression of being more integrated into the world.
--Can you both use the Hidden Blade, Hawk's Eye, and other Assassin abilities?
CHARLES: Without spoiling anything, the traditional skills of the Assassins are mainly for Naoe. However, there is another mechanism called "Kantori" (tentative name) that can be used when you want to find an enemy or target person, and this can be used by both of them.
You can use free aim to look around, but you cannot see through walls. Yasuke can also be killed by stealth, but in a more direct and easier way. Even with stealth, there will be some sound, so it is a "stealth-like" approach.
JONATHAN: Kantori (tentative name) can be used to find many things in your current location. It is a very good guide for a certain area, but it does not take all the fun out of exploration. It is a good guide because you can learn a little more about where you want to go, but you are left with the surprise of discovering something.
-- Is there a skill tree that makes Naoe more combat-oriented or enhances Yasuke's stealth?
CHARLES: Both have skills that are more combat-oriented and stealth-oriented. Also, some equipment has effects such as increased resistance when attacked. We also offer perks that enhance your abilities in combat.
Naoe, enhanced to be more combat-oriented, has an advantage in melee combat compared to Naoe, enhanced to be more stealth-oriented. Both have a range, but cannot go in completely opposite directions. There is some overlap between the two, but we have made sure that the characteristics of each ability are properly felt.
--Please explain the skill system.
JONATHAN: Both characters share XP and level up together, but the rest of the system is a bit similar to that of "Assassin's Creed Odyssey".
XP and character abilities are available, weapons can be crafted to some degree, and various upgrades can be made as the game progresses. Weapons are not stand-alone, but for two, so each weapon has its own unique skill system. Players should not feel any discomfort, but this is a very different part of the game from the past.
CHARLES: There are two things that were very important to us in terms of skills.
First, we have to be very aware of archetypes. In Japan, there are distinct archetypes, such as the armor-clad samurai, the revolting monk, and the bandit, which are quite different. We try to make it clear to the player who is stronger, and we try to make that part of the leveling process as important as possible. Samurai are always stronger than bandits.
Secondly, player skill is added to the mix. The better you are at timing, reading attacks, understanding weapons, etc., the better you will be and the further ahead you will be.
--What is the volume of the map compared to past works? I would also like to know how you decided on the scale of this work.
JONATHAN: The biggest difference is the scale ratio. The mountains are not the actual size, but we wanted them to be true forests, consisting of trees of a certain size, so that you feel you are in a forest. To achieve this, we needed space.
We also decided to keep it close to a realistic scale, so we could feel the breath of many things. When we visited Japan and saw the castle, we were so glad we made this decision. Japanese castles are huge! Of course, we had seen pictures of castles before and thought they were big and magnificent, but when we saw them in person, they were astonishingly large.
And I wanted more space to explore the castle. Castles were built to be large battlegrounds, you know. You need space to build intricate walls for defense.
The overall scale of the map is similar to the size of the map in Origins. However, the scale ratio makes it feel more realistic. The open space leads to secluded areas throughout the game, which will be fun to explore. This sense of scale is a very interesting aspect of this film for us.
CHARLES: The story led us to choose which locations in Japan we would choose. The major events in Kyoto, around Osaka, and around Azuchi Castle took place in the same area, so we were able to focus on that.
JONATHAN: Of course, we had to choose a size that matched the game, but I think it was the perfect size for this story and type of game.
--Since the game is set in the Warring States period, is there a system that allows players to participate in battles?
JONATHAN: We see several battles in the story, and the battle at Iga is playable. There are other battles as well, but I can't talk about them right now. The game is set in the Warring States period, but it is not only about battles. It is a game that allows you to travel and discover that world.
--What challenges have you faced and what have you been able to achieve as a result?
JONATHAN: By making the big decision to go completely modern and demanding a very high level from the "Anvil" engine, we were able to increase the number of particles, create a more realistic atmosphere, and expand the graphical possibilities of the changing seasons.
This allowed us to work on a fresh new Assassin's Creed. This was a great opportunity for us to take a big leap forward in graphics.
CHARLES: Also, thanks to the new global illumination system, we were able to take advantage of light and shadow, which had a huge impact on the gameplay and stealth approach. For example, enemies became aware of our presence through our shadows, enemies gathered for warmth under a fire in the winter, or shadows through shoji screens depicted enemy presence, giving a new dimension to stealth.

By having two main characters, it is possible to show a wider range of angles and different perspectives.

(left) BROOKE DAVIES, Associate Narrative Director, (right) SACHI SCHMIDT-HORI, Narrative Consultant
--Did you choose the Azuchi-Momoyama period as the period setting from the pre-production stage?
BROOKE: I joined the project after the choice of period had been made, so the Azuchi-Momoyama period had already been chosen. This period offered so many wonderful opportunities from a narrative perspective. The complexity and duality of the period is well reflected in the characters of Naoe and Yasuke.
--What were you aware of and what were the challenges in creating a scenario where the two main characters switch?
BROOKE: From a storytelling perspective, I see it more as a wonderful opportunity than a challenge. When I write a story, I try to show rather than tell, and having two characters allows me to show what's going on from a wider range of angles and different perspectives. I hope this will encourage players to want to share their feelings with them.
--What do you think are the most important points in bringing original characters and historical figures into the game?
BROOKE: Both offer different and unique opportunities. With regard to Yasuke, I found him very interesting historically because we know some things about him, but there are many unknowns. So we needed to fill in the blanks in the story. It is important to note that Yasuke is a historical figure.
And in the case of Naoe, an original character, we were able to draw the story freely to some extent. The fact that she is a member of the Fujibayashi family and that her father is Masayasu Fujibayashi Nagato Mamoru allowed us to place her firmly within the setting. Because Yasuke is a real person but appears as a foreign-born samurai, the Japanese-born Naoe is on equal footing with Yasuke, although she has a different perspective.
--Will other historical figures appear besides Nobunaga Oda and Yasuke?
BROOKE: You will meet Luis Frois (a Jesuit missionary) at the meeting in Azuchi Castle. Also, Nene and Oichi will appear. The Japanese art renaissance that began in the Azuchi-Momoyama period blossomed in the Edo period, and you will also meet Sen no Rikyu, Kano Eitoku, and other important figures.
--Please tell us what year the story will be depicted.
BROOKE: I can't tell you what players will see, but I think it covers a part of the Azuchi-Momoyama period, from 1579 to 1584.
--I think the appeal of the series is to depict the struggle between the Assassin Order and the Templars while taking into account the history, but I would like to ask if there were any difficulties in putting the Azuchi-Momoyama period into it.
BROOKE: I don't want to mention the Knights Templar because I don't want to spoil anything, but the fascination and dynamics of this period are very interesting and provided wonderful opportunities for storytelling.
--How did you go about creating a world with a realistic feel of the Azuchi-Momoyama period?
BROOKE: We were very lucky to work with the Environment Team. The visuals they created for the game provided a great backdrop for the story.
The in-world experience added so much to the story. What we see from the stories and characters of this time period is complexity. I also believe that many of the people surrounding the World had their own struggles.
It was a very difficult time historically, and we see duality. Nothing is ever clear-cut and black and white. In warfare, two groups face each other and are confronted with different perspectives. But in the midst of it all, there are glimpses of hope for the future as we know it, which will later blossom.
--What advice did you actually give?
HORI: One scene that left a strong impression on me was the scene where Nobunaga's sister, Oichi, remarries Katsuie Shibata. In the original story we received, it was thought that the two families decided on their own without regard to Oichi's intentions, and Katsuie was portrayed negatively because he was more than 20 years older than Oichi.
So I spoke with BROOKE and the team and asked them to change it. Oichi had young children after the death of her husband Nagamasa Asai, so if her remarriage was to Katsuie, a trusted man who had served Nobunaga, she would have married him as a matter of course. When I explained that it was better to portray it in a positive light, it was a new discovery for the BROOKEs, and they were very moved by it. The rewritten version of the episode was very moving.
The other scene is the tea ceremony scene featuring Sen no Rikyu. Chanoyu is widely known to be translated as tea ceremony, but experts say it is a mistranslation. After researching the misunderstanding over here, I advised them, as far as I could understand, not to use a teapot or tea leaves, for example.
--Even we Japanese have a strong image of "ninja" as a fantasy. Did you encounter any difficulties with the theme of "ninja" in order to achieve a high level of fidelity to the historical reconstruction?
HORI: Ninja are certainly a fantasy, so I think it's a good thing that we can express ourselves creatively and without reservation. However, there are also dedicated ninja fans and communities around the world, and I am not sure to what extent they see the ninja as a real existence, or as an entity that existed in history.
Therefore, the extent to which ninja are represented in the game depends on the level of tolerance of the avid shinobi fans. I discussed this with the members of the development team. We did not have a specific policy on how much to express, but made decisions on a case-by-case basis. We decided on a case-by-case basis. We would say, "This is an acceptable creative expression," or "This is stereotypical", so let's not do that.
--I'm sure there are many references, but which one left a particularly strong impression on you?
BROOKE: The first book I looked through was "Nobunaga no Kouki" by Ota Ushiichi (Azuchi-Momoyama period, military commander and military history author). I was impressed by his personal observations as he recounts the details. We can learn a lot of historical facts from reading history books, but this author incorporated his own views so that I felt I could understand even his character and what it was like to live in that era, and I was completely drawn in. I was thrilled to be able to portray this time period and the people in this book.
--The drama "Shogun" which is set in a similar time period, has been a hit, and I hope that this work will attract the same kind of attention from game fans. I understand that you have prepared a "Discovery Tour" that allows visitors to freely walk around the game world with historical explanations.
BROOKE: I can't answer about the Discovery Tour today, but I am glad to see that interest in the setting and time period of the game is growing. I look forward to the day when we can bring this film to you.

Gathering a lot of information to recreate 16th century Japan and build a living world

(left) THIERRY DANSEREAU, Art Director, (right) STÉPHANIE-ANNE RUATTA, Historical Supervisor and World Director
--Please tell us what kind of materials you used as references to describe the field and the characters' costumes in the Azuchi-Momoyama period.
THIERRY: I have been working with experts and consultants for a long time, but for the characters, I referred to museum exhibits and books for their appearances and costumes. I visited several museums, did my research, and checked the materials with STÉPHANIE-ANNE.
Based on these, we created the characters. We also referred to descriptions in the books about the colors and the flags people carried. We used multiple sources, but we have checked them for historical accuracy.
STÉPHANIE-ANNE: For several years we had the help of experts, but we also did research with a Japanese studio and team. We used different kinds of sources to make sure the team got it right and had all the information they needed to reconstruct what Japan looked like in the 16th century.
We used museum databases, as THIERRY mentioned, but we also used inscriptions, scientific books, articles, and medieval depositions. For example, the Principles of Nobunaga has been translated into English, so we used that as a reference to describe 16th century Japan. I also referred to the documents of Luis Frois from the same period, which compare European and Japanese society.
--This period was also a time when there was a large influx of immigrants. Will you also depict the episodes, lifestyles, and culture of these people (missionaries, merchants, etc.) as well as Yasuke?
STÉPHANIE-ANNE: Yes, it is important to introduce the presence of Portuguese missionaries and merchants in the 16th century. They influenced the course of warfare during this period and the changing power of certain merchants in Japan.
--I am wondering what castles, shrines and temples that symbolize the Azuchi-Momoyama period will appear in the game. Although the game is set in the Kansai region, is the Osaka Castle built by Toyotomi Hideyoshi ......?
STÉPHANIE-ANNE: The era is represented by the construction of various castles and castle towns, so players will discover a wide variety of castle types and castles destroyed in battle. The Azuchi Castle, which is related to the name of the era, will also be featured.
THIERRY: Himeji Castle, Osaka Castle, and Takeda Castle are also available, and it is wonderful that players can visit and play in these castles. I think this is one of the strengths of the franchise, but all of the castles are based on actual historical blueprints, which I think is very unique, both as an experience and a learning opportunity.
The Koyasan Okunoin Cemetery is the oldest graveyard in Japan, which can also be seen in the game. There are too many to mention them all, but thanks to STÉPHANIE-ANNE and the experts, I think they are well described and it is wonderful that players will be able to travel to these places.
--The architectural style and decoration of the buildings is a different culture from the previous works in the series. What were you conscious of in recreating the culture and what were the challenges? I am also interested in the possibility of diving on the "Shachihoko".
STÉPHANIE-ANNE: The building team did a lot of research, and then we checked the results with experts and asked them to add the elements needed to build a great castle. We did research to recreate the decorations of not only the castle, but also the temples and shrines, and also to find out what materials were used to make them.
THIERRY: The colors also change over time, so we made adjustments to that as well. Of course, this is "Assassin's Creed," so you can climb anywhere and jump from almost anywhere. Exploring is fun.
--Japanese period games tend to be rather subdued, but were there any barriers to making it a worldwide production?
STÉPHANIE-ANNE: It's a game based on history, and we want players to have the opportunity to play with history. This period is so fascinating and celebrated, and has had such an impact on pop culture, that we were fortunate to have the help of renowned experts to make sure we had all the information we needed to faithfully recreate medieval Japan in the 16th century.
We maintained historical fidelity in this film because it was a rich period with so much to talk about and we didn't feel the need to change it. It is a rich setting, so there is an experience that goes into fantasy, but keeping it authentic was our primary goal.
--In the main storyline, can we experience famous episodes from the Azuchi-Momoyama period (such as the Battle of Nagashino, the Honnoji Incident, the Battle of Komaki and Nagakute, etc.)?
STÉPHANIE-ANNE: You will have to wait a little longer for that.
--In the recent series, "Origins," "Odyssey," and "Valhalla," you can enjoy the connection to mythology and fantasy elements based on mythological themes. Will this work also contain elements based on Japanese mythology, yokai, and other fictional creatures?
STÉPHANIE-ANNE: That is a very good question, but I will answer this one later.
--This work also reproduces the four seasons of Japan. Which season did you start first? And which seasons were particularly difficult to express?
THIERRY: I started with spring. We all know about cherry blossoms, and I think they are the most symbolic Japanese element for foreigners. And the big difference is winter. I wouldn't say that winter is more complicated because it has many different expressions, but it was very different from spring, summer, and fall, and the challenges were also different.
--What was particular about the representation of water, such as waterfalls, rivers, lakes, etc.?
THIERRY: All of the water topics were very important to us. We knew that there is a Shinto belief in waterfalls and rivers, and that they are important places in the Japanese eco-system. Even the blueprints of the suburbs are lined with irrigation canals, and they even go into the houses. Thus, we knew that water is a key component of Japanese culture, especially for agriculture.
This is why we installed drains everywhere in this work. The presence of water in the Japanese landscape was different, so we took it seriously and treated it as an inviolable part of the Japanese landscape and way of life.
--What are some of your favorite places, castles, or cultures that appear in your work?
STÉPHANIE-ANNE: That's difficult.
THIERRY: My favorite is Takeda Castle. It is on top of a high mountain and is called the castle in the sky, and I like this location. I can't say it's fair because we built it ourselves, but there are many other great places to visit.
It was a lot of work to create the forest, but I really enjoy looking at the landscape. I also like how all the ecosystems interact with each other, such as the clouds in the weather system. It's not a location, but I enjoy it because it encompasses the whole game.
STÉPHANIE-ANNE: I was impressed by the "Rakuchu Rakugaizu," Japanese folding screens from this period. I was fascinated by the fact that just by looking at them, one could come into contact with the vivid world of this period.
The artistic touch is something special. I have never seen anything so full of art. I truly admire the artists of this era.
THIERRY: I also think the most striking thing for me was the harmony of nature and architecture. I visited the site and found many places, and I could see how everything was deliberately composed.
I was told that trees were planted while the chedi was being built at the time, but everything looked perfect. Also, the culture loves the age and values it, so they cherish moss and things that have taken root there. Japan has maintained these places so they still exist and are still in use.
I realized that we are dealing with a subject that has a long history. It is also a culture that values space, living space. These were the most exciting discoveries during my travels in Japan.

Hello!
https://modulargrid.net/e/racks/view/2467415
I've been making modules for the past few years now and I'm looking to invest into a proper setup. I'm planning around a 60hp 6u custom case due to space constraints. I could bump up a few hp if there is a compelling argument, but more than 64. You can see it has a lot of classic modules in there, but I'm curious if you have suggestions or insights into alternative choices that may open up more functionality or break out from more conventional modules.
My primary purpose for this synth is to use it as a development system for testing modules, as well as a tool for sound design in a ui/ux context. I'd also like it to be a fun platform to just mess around with as an signal processor for guitar or other synths. I'd consider it aligned moreso with a west-coast style than east-coast.
I currently have the pico system and I appreciate the amount of functionality in one unit, but I'd be open to selling it and breaking that portion down to other modules if they can match the general amount of functions that it provides. The wavefolder is pretty much locked in, I think it sounds great and I have my heart pretty set on the spring reverb as well, but could be convinced otherwise if it sucks (i've heard it's noisy w digital modules?). The quad vca seems solid as well, the expo-linear is really important to me and maths seems to be very utilitarian. I'm stoked to jump into the daisy seed for development purposes and between that and the O_C I think they would cover a lot of bases for sequencing, quantizing, that sort of stuff.
TL:DR

1. Should I go slightly bigger? What would you recommend adding to persuade me?
2. Would it be worth replacing the pico synth with individual modules? I'd be interested in a complex oscillator like the piston honda, some sort of buchla sounding LPG, maybe some fx like the soma labs lyra. Bulk functionality vs a bit more precision I guess.
3. Lastly, is maths the best fit for something like this? Vs like quadrax or falistri or something else?

Just curious what other professionals think! Thank you for any insight you may have, I look forward to your feedback.
https://preview.redd.it/p57277lw7f1d1.png?width=1252&format=png&auto=webp&s=341d37a8fff8af984141d2f1e6553489ae6f6865

​
https://preview.redd.it/bge63a7cfd1d1.jpg?width=720&format=pjpg&auto=webp&s=0b1094a1d43bc93c6fb52afdaed5ba4428d445dd
Introducing our collection of Cash Registers with Scanners, the perfect solution for your business's office needs. Whether you're managing a small boutique or a larger retail store, our roundup boasts a diverse range of options to meet your specific requirements. In this article, we'll guide you through the top choices, highlighting standout features and pricing. Stay tuned for an in-depth look at the best Cash Registers with Scanners available today.

The Top 5 Best Cash Registers with Scanners

1. Sharp XE-A102 Compact Electronic Cash Register with LED Display - The Sharp XE-A102 Electronic Cash Register is a compact, reliable, and versatile option for start-up retailers, offering 8 departments, 80 PLU/Items, 3 payment methods, and a bright LED display.
2. Professional XE Series Electronic Cash Register - The Sharp XE Series Electronic Cash Register is a high-speed thermal printer, ideal for businesses, with advanced reporting capabilities, seamless QuickBooks integration, graphics customization, and an 8-line display for accurate order entry.
3. Fast and Accurate Cash Register System with Thermal Printing and 8-Line Display - The Sharp XEA407 Cash Register offers a wide range of advanced features for efficient and streamlined operations, making it ideal for businesses seeking improved productivity and customer satisfaction.
4. Clover Station POS System with Cash Register - Clover Station: A sleek, reliable, and feature-rich POS system with large touchscreen, swipe card reader, and high-speed printer - perfect for streamlining your cash register management in grocery stores.
5. Sharp XE Series Professional Cash Register with Scanner & Thermal Printer - Discover the Sharp XE Series Cash Register with its high-speed thermal printer, 8-line display, seamless QuickBooks integration, and built-in SD card support for effortless programming, backup, and reporting.

As an Amazon™ Associate, we earn from qualifying purchases.

Reviews

🔗Sharp XE-A102 Compact Electronic Cash Register with LED Display

​
https://preview.redd.it/zi9183mcfd1d1.jpg?width=720&format=pjpg&auto=webp&s=643b6730c9e2ce115fb3cc00e87b5ef2958eb54b
I have been using the Sharp XE-A102 Electronic Cash Register for a start-up retail business, and it's been a reliable and efficient partner. The compact design allows it to fit easily in our small store, and the bright LED display makes it easy for us and our customers to see the transaction details. The 8 departments feature helps us organize our inventory, and the 80 PLU/Items capacity allows us to input all our products without issues.
One of the standout features of this cash register is its ability to accept different payment methods like cash, cheque, and credit card, which has made it easy for us to cater to our customers' preferred payment options. Additionally, the time and date display feature ensures that our transactions are accurate and timely.
However, there are a few minor drawbacks to the Sharp XE-A102. It can be a little noisy and slow compared to some other cash registers, which may be an issue during peak hours when we need to serve customers quickly. Moreover, the instructions provided are quite small, making them difficult to read and follow.
Overall, the Sharp XE-A102 Electronic Cash Register has been an excellent addition to our start-up retail business. Its compact design, 58 mm wide reliable printing, and ability to accept multiple payment methods make it a valuable tool for any small retailer. While it may have a few minor issues, the majority of users, including myself, are satisfied with its performance and recommend it to others.

🔗Professional XE Series Electronic Cash Register

​
https://preview.redd.it/fpo9za8dfd1d1.jpg?width=720&format=pjpg&auto=webp&s=2a071769bc1d51a9a9e8a79df484c342ff2a14f7
I recently added the Sharp XE Series Electronic Cash Register to my tiny boutique store, and I couldn't be happier. Before settling on this model, I spent a lot of time researching various cash registers, but the XE Series stood out for its advanced sales reporting capabilities and seamless tie-in with QuickBooks Pro. The moment I unboxed it, I was impressed by its sleek, professional appearance and built-in SC card slot for easy connectivity and data back-up.
Setting up the register was incredibly easy, and within just a few hours, it was ready to go. Its intuitive interface made training my employees a breeze. The thermal printer was a pleasant surprise; it's much quieter and faster than traditional receipt printers. Plus, the customizable receipts with graphics and logos definitely give my store a professional edge.
One of my favorite features is the automatic tax system, which not only saves time but also reduces the potential for errors and makes reporting so much easier. The locking drawer ensures security and comes with multiple bill and coin compartments, making deposits a lot more organized.
The only downside is the rather complicated user manual, which could definitely be improved. It's not a complete deal breaker, though, as there are plenty of helpful YouTube tutorials available online.
All in all, I'm thrilled with my purchase of the Sharp XE Series Electronic Cash Register. It's a perfect fit for my small business and a real game-changer when it comes to streamlining sales transactions and accounting. I wouldn't hesitate to recommend this cash register to anyone running a small retail or service business.

🔗Fast and Accurate Cash Register System with Thermal Printing and 8-Line Display

​
https://preview.redd.it/c6utjygdfd1d1.jpg?width=720&format=pjpg&auto=webp&s=b6cdbcb74bba6ef3e77281d6c48049c7ae46d4a3
I recently discovered the Sharp XEA407 Cash Register while searching for a reliable and feature-rich solution for my little grocery store. After trying it out, I must say it's exceeded my expectations.
The first thing that impresses anyone who lays their eyes on it is the sleek eight-line display. It's not just a pretty face though; it's got brains as well with 7000 Price Lookups (PLU's), allowing quick and accurate entry. The inclusion of 99 departments is brilliant as it makes managing diverse product types a breeze.
My favorite feature? Hands down, the microban keytops. They provide built-in antimicrobial protection, keeping those pesky germs at bay, which is particularly important given the current health situation. And let's not forget about the large 32GB SD card slot for computer connectivity and data storage.
However, there were a few hiccups too. The lack of French documentation was a letdown for me, a French-speaking Canadian. Plus, a few customers have reported missing parts upon delivery, making the product unusable.
So, while there are some minor issues, the Sharp XEA407 Cash Register has overall been a reliable and efficient addition to my store. It's fast, easy to set up, and offers more than enough features for most small businesses. If you're looking for a cash register that combines modern tech with dependability, this might just be the one for you.

🔗Clover Station POS System with Cash Register

​
https://preview.redd.it/nvbnrltdfd1d1.jpg?width=720&format=pjpg&auto=webp&s=5191fb3e38275ee60586c1c815a0c08913c40757
I recently picked up the Clover Station POS System for my little cafe, and it's been quite the rollercoaster ride. Imagine a sleek, brushed aluminum body with a 11.6" touchscreen display that's as responsive as a well-trained puppy. Sounds appealing, right? Well, it is. But let's dive a little deeper.
First off, the touchscreen is large and bright, perfect for both me and my customers to navigate. The high-resolution camera embedded within the system makes scanning barcodes or QR codes a breeze, which is super helpful for keeping track of inventory. Plus, the swivel arm swivels smoothly between my side and the customer's, making transactions feel seamless and personal.
However, there have been some hiccups. For one, the single power source for the display and printer can create a tangled mess of cords, especially when you're trying to juggle other peripherals. And while the connectivity options (Ethernet, Wi-Fi, and Bluetooth) are great, I sometimes find myself struggling with Wi-Fi lags.
Moreover, the customer service has proven to be quite the challenge. You see, I bought the Clover Station from a seller who didn't provide much support. When things went awry, I was left to figure it out on my own. Needless to say, getting in touch with their customer service has been a nightmare. It feels like they're speaking a different language sometimes, and getting a call back is as rare as a winning lottery ticket.
Despite these cons, I still find the Clover Station POS System useful for my small cafe. It's a stylish, reliable system that offers a range of features and connectivity options. However, be prepared for the occasional frustration and confusion, especially when it comes to their customer service.
In conclusion, the Clover Station POS System is a mixed bag. While it boasts a sleek design, large touchscreen, and versatile connectivity options, it also has its fair share of challenges, such as the messy cords and difficult customer service. I'd recommend this product for businesses looking for a stylish and reliable POS system, but be prepared to face a few hurdles along the way.

🔗Sharp XE Series Professional Cash Register with Scanner & Thermal Printer

​
https://preview.redd.it/e9hhr4befd1d1.jpg?width=720&format=pjpg&auto=webp&s=9e569735dc6ec5a6f3b7b53485501e29dbe44f3a
The Sharp XE Series Cash Register is a game-changer for small businesses. When I first got my hands on this baby, I was blown away by the speedy thermal printing on standard 2-1/4 inch rolls. The eight-line operator display made it incredibly easy to use, and I found myself making fewer mistakes than ever before.
One of the standout features was the advanced reporting capabilities that seamlessly integrated with QuickBooks Pro. This made keeping track of my sales and inventory a breeze, and it saved me a ton of time when tax season came around. The built-in SD card slot was also a lifesaver, allowing me to quickly connect to my computer for programming, backup, and reporting.
Adding graphics and text to receipts was a fun way to personalize my business, and the automatic tax system made my life so much easier. However, there were a few cons that I couldn't help but notice. The manual was sorely lacking, which made setting up the register a bit challenging for first-time users like myself. Additionally, the barcode scanner wasn't quite as advanced as I had hoped, but it still got the job done.
Overall, the Sharp XE Series Cash Register has made a significant impact on the way I run my small business. Its speed, advanced reporting features, and personalized receipts have made it an invaluable asset to my daily operations. While there's definitely room for improvement, I'm confident that this is a reliable and efficient cash register for businesses that demand the best.

Buyer's Guide

​
https://preview.redd.it/351t8dnefd1d1.jpg?width=720&format=pjpg&auto=webp&s=c796af401b1250ec4494dc13eb858ac31c92511f

Important Features to Consider

When shopping for a cash register with scanner, consider the following features:

• Scanner compatibility: Check whether the cash register is compatible with different types of barcode scanners.
• Size and capacity: Consider the number of items you typically need to scan and choose a register that can handle your workload.
• Memory capacity: A larger memory capacity will help you keep track of sales and inventory more efficiently.
• Customization options: Some registers allow you to customize buttons for frequently used items or discounts, making checkout faster and more efficient.
• Integration with other systems: If you use other business software, ensure that the cash register can interface with these systems for seamless data transfer.

General Advice for Choosing a Cash Register with Scanner

Here are some tips to help you choose the best cash register with scanner for your needs:

1. Determine your budget: Cash registers with scanners range in price, so decide how much you're willing to spend before starting your search.
2. Consider your business needs: Think about the specific features and functionality that would benefit your business the most.
3. Read reviews: Look for ratings and reviews from other businesses to get an idea of how the cash register with scanner performs in real-world scenarios.
4. Test it out: If possible, visit a store or demo event to see the cash register in action and ask any questions you may have.
5. Invest in maintenance and support: Make sure to ask about warranty coverage and available tech support options, as these can save you time and money in the long run.

https://preview.redd.it/i46gu50ffd1d1.jpg?width=720&format=pjpg&auto=webp&s=259d3a8ae44102290932688039eae3ced32cfbfd
​

Considerations for Optimal Performance

To ensure optimal performance of your cash register with scanner, consider the following:

• Proper maintenance: Keep your register clean and free of debris, and perform regular software updates and hardware checks.
• Employee training: Train your staff on how to use the cash register effectively and efficiently to minimize errors and maximize productivity.
• Integration with other systems: Make sure your cash register is compatible with any other software or hardware systems you use for inventory management, accounting, or customer relationship management.
• Security: Implement security measures such as user accounts, password protection, and transaction tracking to protect against theft and fraud.

FAQ

​
https://preview.redd.it/76kq90jffd1d1.jpg?width=720&format=pjpg&auto=webp&s=9026910f32779f9249ee718b2c52253fc2f04f4b

What is a cash register with a scanner?

A cash register with a scanner is a device used in retail or food service businesses to manage sales transactions, product inventory, and customer payments. The scanner reads barcode information on products sold, enabling quick and accurate processing of purchases.

How does a cash register with a scanner work?

Cash registers with scanners typically have a touch screen interface, which allows users to input sales data and manage transactions. The scanner reads barcode information on products, sending this information to the cash register for processing. Once an item is scanned and its price is validated, the cash register determines the total cost and taxes. The customer can then select a payment method, such as credit/debit card, cash, or mobile payment.
​
https://preview.redd.it/3xh6ppqffd1d1.jpg?width=720&format=pjpg&auto=webp&s=c6f5cb84ceeac6459712a304a430ce9533e7b8eb

What are the benefits of using a cash register with a scanner?

• Accurate and efficient processing of transactions
• Real-time inventory management, reducing the risk of stock shortages or overages
• Detailed sales reporting and analytics, providing valuable insight for business decisions
• Quick and easy voiding or returning of items
• Reduced likelihood of theft or shrinkage

What features should I look for when choosing a cash register with a scanner?

• Compatibility with payment processors and other related hardware
• In-built barcode scanning capability or compatibility with external barcode scanners
• User-friendly touch screen interface and software
• Real-time inventory tracking and reporting
• Detailed sales analytics and reporting capabilities
• Compatibility with mobile and electronic payment methods
• Ability to integrate with existing or third-party software applications

How much does a cash register with a scanner typically cost?

The cost of a cash register with a scanner can vary greatly, depending on several factors such as features, manufacturer, and quality. Basic models may be available for a few hundred dollars or less, while more advanced systems with additional features can cost thousands of dollars. It is recommended to research and compare multiple products to find the best balance between cost and needed functionality for your business's needs.

What is the difference between a cash register with a scanner and a point-of-sale (POS) system?

Although a cash register with a scanner shares some similarities with a point-of-sale (POS) system, the primary difference lies in their functionality and capabilities. A cash register with a scanner is mainly focused on processing transactions and managing inventory, while a POS system typically offers a more comprehensive suite of tools, such as advanced reporting, employee management, and customer relationship management.

How do I maintain and care for my cash register with a scanner?

• Clean the cash register and scanner regularly, using a soft, non-abrasive cloth and mild electronics cleaner or isopropyl alcohol.
• Ensure that the cash register is properly ventilated and not exposed to extreme temperatures or moisture to prevent damage.
• Regularly update the software and firmware to ensure optimal performance and security.
• Calibrate the scanner as needed, following the manufacturer's instructions to maintain accurate reading of barcode information.

As an Amazon™ Associate, we earn from qualifying purchases.