• If I like Space Opera Romances, I might like...
• If I like Ruby Dixon, I might like...
• If I like Cassandra's Challenge, I might like...
• If I like military heroes with pointed ears, rogue artificial intelligences and aliens who are obsessed with music, I might like... (being this specific might make it tricky!)

1. Ergodic Literature: Requires effort from the reader beyond typical reading, often involving non-linear narratives or physical interaction with the book.
   
2. Bildungsroman: A novel that focuses on the psychological and moral growth of the protagonist from youth to adulthood.
   
3. Eco-Horror: Blends elements of horror and environmental issues, often featuring nature as a malevolent force.
   
4. Biopunk: Explores the impact of biotechnology, genetic engineering, and biometrics on society.
   
5. Cli-Fi (Climate Fiction): Focuses on climate change and its effects on the environment and humanity.
   
6. Chick Lit Noir: Merges elements of women's fiction, mystery, and noir, typically featuring a female protagonist.
   
7. Solarpunk: Envisions a future where renewable energy and sustainable living practices prevail.
   
8. Flintlock Fantasy: Features technology equivalent to the flintlock firearm era in a fantasy setting.
   
9. Transrealism: Blurs the line between reality and fiction, often incorporating real-life events and characters.
   
10. Splatstick: Combines slapstick comedy with elements of horror, often involving exaggerated and gory violence.
    
11. Crunchy Noir: A subversion of traditional noir with added elements of comedy and irreverence.
    
12. Kaiju Erotica: Involves giant monsters (kaiju) in explicit or erotic contexts.
    
13. Gastrofiction: Focuses on food and culinary experiences as a central theme in the narrative.
    
14. Biopunk: Explores the societal implications of biotechnology, genetic engineering, and biometrics.
    
15. Dieselpunk: Set in a world where diesel-based technology is prevalent, often in an alternate history.
    
16. Bugpunk: Blends steampunk aesthetics with insect-inspired technology.
    
17. Rural Noir: Noir fiction set in rural or small-town environments, often exploring dark themes.
    
18. Hopepunk: Emphasizes hope, optimism, and resilience in the face of adversity.
    
19. Mannerpunk: A subgenre of fantasy that focuses on manners, social hierarchies, and etiquette.
    
20. Clockpunk: Features clockwork mechanisms and Renaissance-era technology in a fantasy setting.
    
21. Atompunk: Centers around the aesthetics and technology inspired by the Atomic Age and mid-20th century.
    
22. Dreadpunk: A subgenre of gothic horror that emphasizes a sense of dread and unease.
    
23. Decopunk: Set in the Art Deco era, often with a focus on sleek design and glamour.
    
24. Dying Earth Subgenre: Takes place in the last days of a dying world, often with a sense of decay and decline.
    
25. Mannerpunk: Focuses on manners, social structures, and etiquette in a fantastical setting.
    
26. Slipstream: Blurs the boundaries between mainstream fiction and speculative fiction.
    
27. Cattlepunk: A western-inspired subgenre with advanced technology and cattle-centric themes.
    
28. Oceanpunk: Features maritime and underwater settings with a focus on oceanic technology.
    
29. Dolphin Poetry: Poetry inspired by or featuring dolphins as a prominent theme.
    
30. Cat Poetry: Poetry centered around cats as a significant subject.
    

• Game & Novel Events
  • 1983 - Freddy's Opens and the Bite of '83 (Confirmed in the Steel Wool games and the presence of Freddy's characters in the FNaF 4 minigames)
  • Monday, October 31st, 1983 - Charlie's death (Confirmed in the novels)
  • Wednesday, June 26th, 1985 - MCI (Confirmed in the FNaF 1 newspapers, novels and Fazbear Frights)
  • Sunday, November 8th, 1987, through Friday, November 13th, 1987 - FNaF 2 Nights and Phone Calls (Confirmed in the FNaF 2 Paychecks)
  • November 8th through November 14th - FNaF 1 Nights and Custom Night (Confirmed in the FNaF 1 Paychecks)
• Novel Only Events
  • July of 1985 - Henry Commits Die
  • June of 1995 - The Silver Eyes
  • October of 1996 - The Twisted Ones
  • Post-Easter Sunday of 1997 - The Fourth Closet

• Due to the Spring Bonnie costume being moved in the FNaF 3 Night 5 Phone Call (AKA Phone Guy's 4th call) and Spring Bonnie being used for at least the MCI, we can safely place Phone Guy's FNaF 3 calls from Sunday, June 23rd, 1985, through Thursday, June 27th, 1985. Since Phone Guy brings up the Springlock Failure on Tuesday, this means the Bite of '83 can't have been the springlock failure he mentions on Call 3.
• Since the newspaper clippings in FNaF 1 are after the MCI and appear to be the same front page, this means that not all of them happen on the same day. The "Kids vanish at local pizzeria – bodies not found." page is likely on Thursday, June 27th, 1985, after at least the first two MCI victims have been killed. The "Five children now reported missing. Suspect convicted." page is likely on Friday, June 28th, 1985, after the incident has been more thoroughly investigated. The "Local pizzeria threatened with shutdown over sanitation." page is likely on Saturday, June 29th, 1985, after the bodies have begun to decompose. Notably, the "Local pizzeria said to close by years end." page seems to be well after June of 1985 since the MCI is referred to as "many years ago", so it's unlikely it takes place at the same time as the other three.
• Since both FNaF 1 and FNaF 2 have inconsistencies with it being a "summer" job (FNaF 1 on the Steam Page and FNaF 2 in the Night 1 Phone Call), it's implied that the job listing hasn't been updated since the MCI.
• Phone Guy repeatedly mentions a "previous employee" who took the night shift before we did, who was likely William Afton using a fake name, which means that he had worked from Sunday, October 25th, 1987, through Friday, October 30th, 1987. After this he moves to the dayshift and begins tampering with the animatronics. Since the MCI in the 1985 location happened on a Wednesday, this implies that the DCI also happens on a Wednesday. This, combined with the investigation into Freddy's happening on Night 4 of FNaF 2, implies that the DCI happened on Wednesday, November 11th, 1987.
• Due to the "Freddy Fazbear's is Closing" page seen after Night 6 of FNaF 2 and the Night 7 Guard being a different person, it's likely the Bite of '87 happened on Saturday, November 14th, 1987.
• Since FNaF 2 shows Fazbear Entertainment pays its employees on Thursdays, this means FNaF 1 has to take place in a year where November 12th is a Thursday. As such, the possible dates it could be are 1992, 1998, 2009, and 2015. Since 2009 and 2015 are well after most depictions of the FNaF 1 location and 1998 is after the Security Guard Faz-Fact date of 1988-1993, we can conclude that FNaF 1 has to take place in 1992. To add onto this, a code in the Survival Logbook involving coupons further implies the year 1992 due to calculations involving pricing and inflation. Related to this, Phone Guy is stated to be finishing his last week during the FNaF 1 Phone Calls, and since Mike arrives to take his place immediately after, it's safe to say that the Phone Calls take place from Sunday, November 1st, 1992, through Thursday, November 5th, 1992.
• Due to Phone Guy's Night 1 Phone Call from FNaF 1 playing in the background during FNaF 4 and a number of other similarities, it's safe to say that FNaF 4 takes place during FNaF 1, with Nightmare Night being before just before FNaF 1 Custom Night. The reason for this is that, if Mike is working the Night Shift, he would need to be asleep during the day to make up for it and be ready for his workday.
• Sister Location is stated to take place after a Freddy's location has closed its doors, placing either post-MCI, post-FNaF 2, or post-FNaF 1. However, since HandUnit says the Freddy's that closed was a successful one, it can't be post-FNaF 2 as the location was only open for a few weeks. It also can't be before FNaF 3 because Mike would have no reason to go to Fazbear Frights. Lastly, Elizabeth in the novels dies after Charlie, so her death would have to be before 1987. This implies that the events of the game take place post-FNaF 1, while Elizabeth's death takes place post-MCI and pre-FNaF 2. Notice that earlier when talking about FNaF 2 that I said William didn't work on October 31st, 1987. That is because, given the previous evidence, he was implied to be at the opening of Circus Baby's Pizza World witnessing Elizabeth's death. This event is what leads him to perform the DCI to gain Remnant now that Circus Baby's is out of commission.
• The Immortal and the Restless cutscenes are pretty self-explanatory, taking place after each night of Sister Location. Similarly, the Sister Location cutscenes take place the week after Sister Location. Lastly, the Elizabeth voice lines after each night take place in the week leading up to her death.
• This is where things get a bit controversial. The Silver Eyes takes place over Five Nights (as in the title), and since Charlie is in town for the 10th anniversary of the MCI, this means the book takes place from Monday, June 26th, 1995, through Friday, June 30th, 1995. In the book, we see Charlie springlock William as revenge for his crimes while the other animatronics drag him to the Safe Room. While it isn't 1-1, a similar thing happens in the Follow Me minigames, where on Night 5 all the spirits lead William into the Safe Room and springlock him as revenge for his crimes. Phone Guy also states that "If I were forced to sing those same stupid songs for twenty years and I never got a bath, I’d probably be a bit irritable at night too", which could relate to the predicament William Afton found himself in after Follow Me. This implies that the events of The Silver Eyes happen at the same time as Follow Me in the game continuity, which is why they had to be separated in the first place.
• Relating to the above point, both The Silver Eyes and Sister Location take place over the course of 5 nights and both involve the older brother of one of the dead children being trapped in a Springlock Suit on Night 4. Similarly, both Follow Me and Sister Location end with a man identified by a purple sprite being killed by the victims of the MCI (or maybe DCI for Sister Location). This implies that Sister Location and Follow Me also happen at the same time, and the reason Mike couldn't find his father was because he was springlocked in the back room at Freddy's.
• Since FNaF 3 is stated to be 30 years after a Freddy's location closed its doors, this means that it is in either 2015, 2017, or 2022. Since the game is released in 2015 and the Survival Logbook's previous coupon code matches that date if adjusted for inflation, FNaF 3 takes place in 2015. Due to the date of the MCI already being mentioned and work weeks in the games usually starting on Sunday, this means FNaF 3 takes place from June 21st, 2015, through June 26th, 2015 (after which it burns down). On a related note, the last night of Pizzeria Simulator is stated to be a Saturday, and since the game has a lot of relation to the Afton and Emily families, it's likely that it takes place on the day Charlie and Elizabeth died (October 31st). This implies that the game takes place from Monday, October 25th, 2015, through Saturday, October 31st, 2015.
• You may have noticed that Sister Location is the only game that doesn't start its work week on Sunday, instead beginning on Monday. That is because FNaF World takes place during this day, as implied by the lack of Funtime and Scrap animatronics. After this, the minigames from FNaF 3 are set up and Mike goes to the Sister Location bunker at the behest of his father. Ultimate Custom Night, however, has no set date because it is seemingly a time loop, an endless cycle of suffering endured by whoever you believe the player to be. Happiest Day only occurs after Ultimate Custom Night ends, but just as the Vengeful Spirit says, they will never happen.
• Now that we've covered the major events, let's get to the main course: The minigames. Considering the above evidence, Take Cake to the Children and Security Puppet take place on Monday, October 31st, 1983, Fruity Maze takes place on Wednesday, June 26th, 1985, and Circus Baby's Minigame takes place on Saturday, October 31st, 1987. Foxy Go!Go!Go! and Give Gifts, Give Life likely take place either on the same day as Fruity Maze or the day after on Thursday, June 27th, 1985, though the more likely option is the latter due to cluttering the number of events. The main FNaF 3 minigames besides Happiest Day take place during the events of FNaF 3, since Mike is the one setting them up. That only leaves the FNaF 4 minigames and Midnight Motorist. Due to Midnight Motorist being labeled "later that night" in the code, the rain texture being the same as Security Puppet, and the player driving a purple car, it's likely the minigame takes place the night of Charlie's murder. Since Elizabeth's death, the Bite of '87, and Pizzeria Simulator put a lot of emphasis on "parties on Saturday", it's likely they are calling back to the Bite of '83. Since William "should" have a motive to kill Charlie, this places the FNaF 4 minigames from Monday, October 24th, 1983, through Sunday, October 30th, 1983. This places the Bite of '83 on a Saturday, just like the Bite of '87.
• One last thing of note: Though the year she describes is inconsistent due to Book Charlie being a replica and not the real Charlie, she is born on Tuesday, May 13th, 1980, and dies at the age of 4. Similarly, the date of Fredbear's opening has also been inconsistent, ranging from 1979 to 1982 depending on the media. This seems to imply (to me at least) that Charlie's birthday is the same day Fredbear's opens. Also, since Elizabeth dies four years later on the same day as Charlie, it's likely the same is true for Elizabeth's birthday and the founding of Freddy's. Lastly, to me at least, Michael's birthday being the same day as Bite Victim would give him a motive to bully him and cause the Bite. Considering both Charlie and Elizabeth were four when they died, it's likely that Bite Victim's birthday is Wednesday, October 29th, 1980, with Michael being born on the same day in 1970 to allow him to be old enough to work at the FNaF 2 location as Fritz Smith. gives an exact date for almost any remaining dates missing.

• Thursday, October 29th, 1970 - Michael Afton (Mike) is born, William Afton and Henry Emily found Fazbear Entertainment.
• Tuesday, May 13th, 1980 - Charlotte Emily (Charlie) is born. Henry and William open Fredbear's Family Diner. In the diner are two animatronics, Fredbear and Spring Bonnie, who can be used as animatronics or worn as suits through the use of springlocks.
• Wednesday, October 29th, 1980 - Bite Victim (CC) is born, and Fredbear's is a massive success. Fazbear Entertainment is large enough to have plushies, action figures, build-your-own-robot toys, a Spring Bonnie finger trap, and even a TV Show called Fredbear & Friends.
• Friday, May 13th, 1983 - Elizabeth Afton (Abby) is born, Henry opens Freddy Fazbear's Pizza. In the Pizzeria are four animatronics (Freddy, Bonnie, Chica, and Foxy), who originated from Fredbear & Friends and don't feature the springlocks found in Fredbear and Spring Bonnie.
• Monday, October 24th, 1983, through Sunday, October 30th, 1983 - Mike torments his younger brother in the week leading up to their birthday while their father watches from afar using cameras and a Fredbear plush with a walkie talkie. The day of the party, Mike and his friends accidentally cause the Bite of '83 through a prank gone wrong, and he dies the following day with both Mike and William speaking to him on his deathbed. The Bite Victim possesses the Fredbear plush, but Mike locks it in a toy chest along with all his other toys so they don't have to think about him. While Mike and William are talking to CC, Fredbear's closes down, the suits are moved to Freddy's, and Fredbear is rebranded to Golden Freddy and given black accessories to replace the original purple accessories.
• Monday, October 31st, 1983 - William gets Henry to watch Mike so he can go to a nearby bar to drink his problems away. After being kicked out for getting too drunk, William drives to Freddy's in a drunken rage. William sees Charlie locked outside by a bunch of bullies and kills her, leaving her body outside by the dumpsters. The Security Puppet animatronic, designed to keep children safe after the accident at Fredbear's caused it to shut down, follows Charlie outside and deactivates while clutching her in its arms. This causes Charlie to possess the Security Puppet. When William gets home, Henry tells him to leave Mike be, but he refuses. He knocks on the locked door before checking the window outside. He remarks that he's run off to "that place", meaning where Mike buried the toy chest in the woods, and vows that Mike will be sorry when he returns.
• Sunday, June 23rd, 1985, through Saturday, June 29th, 1985 - Fazbear Entertainment hires Phone Guy to record safety tapes for the springlock suits used at Freddy's. On Tuesday, an incident involving multiple simultaneous springlock failures (the origins of Shadow Freddy and Shadow Bonnie) causes wearing the suits to be banned. On Wednesday, William dons Spring Bonnie out of spite and lures two children, Susie and Jeremy, to the back room of Freddy's where the springlock suits were being stored and kills them. On Thursday, William kidnaps three more children (Gabriel, Fritz, and Cassidy) and brings them to Freddy's to kill them. He kills the first two the same way as before but has a "special gift" for the third one. He stuffs them into the Golden Freddy suit, then allows their crying and screaming to trigger the springlocks, causing yet another springlock failure. Once he leaves, the Puppet (AKA Charlie), takes action and stuffs the bodies of the other four children into the suits in hopes of bringing them to life the same way she was. This leads to Susie possessing Chica, Jeremy possessing Bonnie, Gabriel possessing Freddy, and Fritz possessing Foxy. Cassidy, however, had already been strong enough to possess Golden Freddy herself due to the agony of the springlock failure. On Friday, the police investigate Freddy's and find the Golden Freddy suit laying in a pile of blood, leading Fazbear Entertainment to seal the room the suits were being kept in. William frames Henry for the incident, causing him to go to prison for a crime he didn't commit and giving sole ownership of Fazbear Entertainment to Afton Robotics. However, the dead bodies being kept inside the other four suits began to leak blood and emit a foul odor, eventually leading the restaurant to be shut down due to sanitation violations.
• Sunday, October 25th, 1987, through Saturday, October 31st, 1987 - Now with total control, William opens a new Freddy Fazbear's Pizza. The new restaurant used new models called the Toy animatronics, due to being based on various toys manufactured by Fazbear Entertainment. The initial plan was to reuse the original suits, but due to the bodies inside, William instead re-uses their parts for the new line of animatronics. This transfers the Remnant of the original animatronics to the new animatronics. While this was occurring, he also began work on opening a new location, Circus Baby's Pizza World, with more humanoid animatronics in the form of Baby & the Bidybabs, Ballora & the Minireenas, BB, and JJ. The location also had two additional animatronics, Funtime Freddy with his hand-puppet Bon Bon, and Funtime Foxy. The animatronics at Circus Baby's were built for the purpose of gaining more Remnant and were programmed to lure, capture, and kill children. Abby, however, developed an obsession with wanting to see Circus Baby. Starting on Tuesday, she begins begging her dad every day to play with Circus Baby. William, obviously not wanting one of his own kids to die again, refuses. On Saturday, however, Abby manages to escape William's view and see Circus Baby, leading to the animatronic doing as it was programmed: killing Abby and extracting her Remnant. William, distraught by the loss of yet another child, cancels the opening of Circus Baby's due to "gas leaks" and retires the animatronics to a storage facility underneath his house. However, BB, JJ, and Funtime Foxy were moved to Freddy's instead.
• Sunday, November 1st, 1987, through Saturday, November 14th, 1987 - William, now robbed of the location he had planned to use for testing, gets a job as a night guard at Freddy's under the fake name "Dave Miller" to obverse the location. At first things seem to be going smoothly, but the animatronics quickly recognize him and attempt to kill him repeatedly throughout his work week. By Saturday, November 7th, he contacts the restaurant as "Dave Miller" and reports the behavior of the animatronics, which leads to him being moved to the day shift and a new employee named Jeremy Fitzgerald (one of Mike's childhood friends) taking his place. During Jeremy's work week, Phone Guy calls him each night to update him on current events and guide him through his shift. William, still needing Remnant, uses his position as a day guard to kill five more unnamed children. This causes the animatronics to become even more aggressive and leads to "Dave Miller" being fired by the company. However, since William still owned the building, he closes the location publicly. However, he allows one family to have a birthday party on Saturday and sets up Jeremy as the day guard. The animatronics (likely Toy Chica), believing him to be William, cause the Bite of '87 and leave Jeremy without a frontal lobe. Following this, the location shuts down for good and William sends Mike under the fake name "Fritz Smith" to dismantle the animatronics and return them to him. He uses the parts he has to repair the original animatronics and re-open the original Freddy's location to very limited success. He also injects the Remnant from the Toy animatronics into the Funtimes and repairs Funtime Foxy (who had been torn apart by toddlers while he was there and become Mangle), making them more hostile than before.
• Sunday, November 1st, 1992, through Saturday, November 14th, 1992 - While the Phone Guy had managed to work as a night guard at the FNaF 1 location for a very long time, he eventually got old enough to retire on his last work week in November. As such, he begins to record a set of training tapes for the next in line for the job after him. Things go smoothly the first three nights, but on Wednesday the animatronics finally get the better of him. They kill him and stuff him in a Freddy suit in the back room. This gives William an idea. From November 7th to November 14th, he performs experiments on Mike by poisoning his room with fear gas during the day, leading him to have horrific nightmares of the Freddy's animatronics. During the night, he sends Mike to work at Freddy's again as a night guard under the last name "Schmidt". On Saturday, however, Mike listens to the tapes Phone Guy left and checks inside the animatronics, leading him to discover what his father had done. This leads to William "firing" Mike and to the experiments worsening over the next few years. After a while, Mike's fear of the experiments leads to him becoming completely subservient to William and wanting nothing more than to please him.
• Sunday, June 25th, 1995 - FNaF World...happens. It's hard to explain exactly WHAT happens since the game is built on metaphors and double meanings, but its events are important because they set up the events of FNaF 3, Pizzeria Simulator, and Ultimate Custom Night. All that we know for certain is that Mike opens the box (as seen in the game's files), he remembers everything that happened, and he is tasked with putting the pieces in place to help his younger brother. Could it be a dream, altered by the spirit of CC, the fear gas, or something else? Could it be an in-universe game he played that was kept in the box with the other toys, explaining the repeated use of Atari imagery in cutscenes and minigames? Or could it just be something silly Scott wanted to make used to represent Mike and CC's memories of the past? I have no clue, and I don't think anyone else truly does either, so I'll just say it happened and leave it at that. Although, something important to know for later is that Old Man Consequences in FNaF World is used to represent Henry, given their similar speech patterns and his cutscene in UCN.
• Monday, June 26th, 1995, through Friday, June 30th, 1995 - William, running low on Remnant after experimenting on the Funtimes, returns to Freddy's to extract more Remnant from the original animatronics now that the location has closed. He lures them into the same back room he killed the children in and dismantles them one-by-one. While he's there, he sends Mike to the underground storage facility, now named Circus Baby's Entertainment and Rentals, to "put his sister back together". On Thursday, the animatronics kidnap Mike and place him in a springlock suit, forcing him to watch Ballora be injected with the Remnant of the original animatronics before allowing him to leave. On Friday, however, both Mike and William run out of luck. The animatronics at Circus Baby's tear themselves apart and join together to form Ennard, who tricks Mike into following them into the Scooping Room. The Scooper tears out his insides and allows Ennard to use him as a skin suit. While this is occurring, the ghosts of the children from the MCI take form before William and frighten him. In response, he remembers how wearing an animatronic mask confused them, so he wears the Spring Bonnie suit in hopes it'll make them leave. However, the general lack of maintenance and the wet surroundings lead to him experiencing a springlock failure first-hand. He dies a karmic death, but the agony of the springlock failure leads to him possessing the suit and becoming Springtrap.
• Saturday, July 1st, 1995, through Saturday, July 8th, 1995 - In the week following Mike's death, Ennard uses his body for a while to attempt to fit in with the other people in town. However, they didn't account for Mike's body decomposing due to exposure to air and sunlight. By Friday, they decide to abandon ship and vomit themselves out of Mike's corpse, leading him to collapse. However, the Scooper also injected Mike with Remnant, allowing him to reanimate himself and regain consciousness. This leads to Saturday, July 8th, where Mike laments his life and vows to find his father and get revenge for all the damage he's caused. While this is happening, Ennard is beginning to fall apart. The majority (Funtime Freddy, Funtime Foxy, and Ballora) eject Circus Baby's parts from their body, leading to Circus Baby having to put herself back together in more ways than one and becoming Scrap Baby. However, this causes their Remnant to destabilize and become molten hot, leading to their form melting into an amorphous pile of Remnant and animatronic parts called Molten Freddy.
• Sunday, June 21st, 2015, through Friday, June 26th, 2015 - 30 years after the MCI at Fredy's and 20 years after the events at Circus Baby's Entertainment and Rental, a horror attraction called Fazbear's Fright opens. Mike, seeing this as an opportunity to find his father, again applies for a job as a night guard and works there for 6 days. On Sunday, he has no luck and just sits in an empty office. He writes in the Logbook given to him by Phone Dude, the owner of the attraction, and notices two spirits communicating in the book. He remembers the events of FNaF World and uses this opportunity to pick up the pieces left for him and free the souls of the children. On Monday, however, Phone Dude has "great" news for him. He found Springtrap (AKA his father) in the backroom of Freddy's and is using him for the attraction. He also found the first set of training tapes Phone Guy recorded and plays them for the rest of Mike's work week. Over the course of the week, he communicates with the spirits in the Logbook, sets up their "Happiest Day", and defends against his father's attempts to kill him all while dealing with faulty equipment and Remnant-based hallucinations. On Friday, after he's certain the pieces are in place and has learned who the people communicating in the Logbook are (CC for certain, but the other could be either Cassidy or Charlie depending on how you look at it), he burns the attraction to the ground with both of them inside. However, William escapes, leading Mike to return once again and give chase. The Puppet, who had been at the location alongside Mike since it opened, also follows suit.
• Sunday, October 25th, 2015, through Saturday, October 31st, 2015 - Henry is released from prison on Sunday after the police in town investigate the animatronics roaming the streets and discover Circus Baby's, proving he was innocent all along. After leaving, he comes up with a plan. He reuses a bunch of older animatronics from before Fredbear's opened and repurposes one named Carnie into LEFTE, who he uses to capture the Puppet. He also builds a fake pizzeria above ground, with an elaborate labyrinth of vents with a large empty room in the middle below ground. He hires a new manager for the location, and tasks them with salvaging any animatronics found in the underground room. After the manager leaves, they will seal the room behind them. Afterwards, once all the animatronic menaces lurking around are inside, he will burn the location to the ground with no chance of escape for anyone but the manager (including himself). However, something unexpected happens. Instead of some rando getting the job, William's son Mike takes the position instead. He follows Henry's instructions perfectly until Saturday, when Henry's plan has come to fruition and the location begins to catch fire. However, Henry knew that Mike was exactly where he wanted to be, and that he wouldn't use the escape Henry left for him. He gives one final speech as they all burn together.
• Post-October 31st, 2015 - This one will also be a bit controversial. After the smoke clears, all the souls still present are freed from their animatronic prisons and allowed to move on. That is, all except for two. William was still undeterred and was attempting to possess another vessel, and Mike still wanted to make his father suffer how he had suffered. So, using the Remnant of the other spirits, he drags William into a coma. A dream he will never awaken from where he experiences what Mike went through and is taunted by the children he killed over, and over, and over. Henry (through Old Man Consequences) tries to reason with him, urging him to let William burn in Hell and allow Happiest Day to come to fruition. But Mike won't let that happen. He will hold him there. He will keep him there. No matter how many times they're burned.

1. As mentioned, the plots have become much less slam-bang over the years. I understand that this is a matter of taste, and some readers may like the different pace more or find the earlier books too rushed. But to me, it seems like the later books are a bit too worked-out, to the point that you can see how they are most likely to end and how they're going to get there.
   
2. That too-worked-out feeling extends to the prose as well. Declare seems as if it could have lost at least fifty pages to its benefit. Some of that could be ironing out some of the curlicues of the plot, but you could probably lose that much just by toning down the endless details and restatements. Phrases like "with the left hand, at arm’s length, unacknowledged and deniable" keep showing up and they really don't need to be triple-barreled. To pick another example, when Hale is heading back to the apartment that he shares with Elena in wartime Paris, we don't just hear that he's bringing dinner. No, we hear that he has "baguettes and a terrine of goose liver pâté wrapped in newspapers", and we are told exactly where the boulangerie was where he stopped off on the way. Throughout the book, meals and clothing and appearances and surroundings are described in great detail, with almost no opportunities missed. Some of this is welcome scene-setting, but it's just relentless. It's as if Powers was unable to leave out any of the details that he'd researched for the novel - the street layout of 1940s Paris, subtle differences in Arabic dialects, the weather patterns in Kuwait, the type of plane that Hale is flying on to his next destination, how many engines it has, what they sound like. . .
   
3. Another thing that I noticed was the absence of the small humorous touches that showed up in earlier Powers books. These were still showing up in Last Call, but thinned out in Expiration Date, and as far as I can see are completely missing in Declare. That's surely a conscious artistic choice, because the subject matter is often grim as well, so I can't complain about it that much. But it is obvious.
   
4. Part of that grim-and-serious tone seems to be a ramping up of Powers' own Catholic faith working its way into his fiction. I don't want to be controversial here, but a key unstated underpinning of Declare is that Catholicism Is True. I agree with Powers' view that the Soviet Union was a horrible government, by the way, although I never revved it up to the point of having them in league with actual demons. But I think that's a big part of the book's tone, a literal struggle between good and absolute evil, not that there's anything wrong with that per se. But I think that Powers' Catholicism makes it all too serious a subject for anything to be taken lightly in the book and for any details to be left out as the plot is worked out to the last bit.
   

• Origin (whether it's from a game, is a website text, an obscure text, etc.)
• In-world author
• Type of book it is (fiction, religious, historical, etc.)

• On books that appear in multiple games, we provide information on any differences between the releases (example: Breathing Water)
• On out-of-game texts, we try to provide at minimum the location and approximate date of publication, as well as an explanation of who is who when relevant, and a link to the original publication when available (example: Reman I, Story of ESO, ESO Homestead Interview)

 So me and this friend (we will call them storm) became friends during Spanish class my sophomore year of high school and have been friends for about two years now. I became friends with them because we both shared a mutual friend and that mutual friend soon had a big falling out with storm and so I invited them to basically join my own friend group. During our Spanish class they would often mumble phrases in what sounded like a different language and when I asked them they said that they were mumbling Japanese because they are Japanese, they just don’t look like it. Their words exactly. I believed them thinking that no sane person would lie about being Japanese and storm seemed pretty normal to me at first. I asked more about their background and they told me that their mom was a white Christian southern woman and their dad was the Japanese one. However, their dad also doesn’t look Japanese because he hates being Japanese and so he got plastic surgery. Yes, fucking plastic surgery. I didn’t want to be rude so I once again believed them. Their dad was also directly from Japan since their grandparents still live in Japan but their dad somehow knew no Japanese whatsoever. They also told me that when they were born their parents sent them to live with their grandparents over in Japan from ages 0-8 and then they moved back to the U.S. (where we live). When I asked them what part of Japan they were from they told me that they lived in Kyoto. They would later go on to tell me that it was Osaka and then Hokkaido. Three completely different places. Storm and I were joking around one day in Spanish and they mumbled something in what I assumed was Japanese again and I asked them to say I’m a terrible person in Japanese as a joke and because I wanted to hear more of the language. They said a phrase and that was that. I asked them the very same thing the next day because I wanted to know the phrase for myself and they said something completely different. Not even remotely close to what they had said yesterday. I didn’t think much of it and just figured they used different wording or something. Storm tends to do this thing where they are very obviously lying about something that me and my friends are talking about just to join in on the conversation and have their own part. I usually have no problem with this since I think everyone lies a little to get to be better friends with people and to be included in conversations. However, I have been friends with them for 2 years now and the lying has just gotten worse. An example would be that just a few days ago me and my friends were talking about summer trips and how a few of us are going to Europe. Storm jumps into the conversation and says that they are going to Japan this summer. Mind you, they said this exact same thing last year and never went. They’ve also told me that they don’t have their passport and that their parents are awful and never let them go anywhere and are super strict. Why on earth would they suddenly let you go to Japan? It just never adds up but me and my friends never make a fuss about it. In March I was talking with a friend who also used to be friends with storm and they told me that they didn’t like them because they lied about being poor just to join in on the conversation. Storm tells people all the time how their dad gives them around 1k a week to spend and how they have a Camaro and they always offer to buy everything for their friends. I’ve been to their house and they have 5 cars on the driveway, including the Camaro. I know cars and 1k a week don’t exactly equal not being poor but it was kinda inconsiderate to say that they were since they are constantly bragging about how much money they have. It just doesn’t add up. I could see why my friend didn’t like them and I started to realize that a lot of what storm tells us doesn’t completely make sense. Now moving back to storms childhood. This is where everything really makes no sense at all. I myself am mixed (half Hispanic, half white) and one day I was talking about a horrible elementary school experience where I got bullied because of my unibrow and how I have darker hairs on my body than the other kids. Storm decided to join the conversation and says that they were bullied too for not knowing any English in elementary school. I was talking about the book Dune one day and Storm tells me that they have read Dune but they read it when they were really young to learn English. Fucking Dune. That book is hard for me to even read now how the fuck were you learning English from that at 8 years old. It could make sense if Storm was just really smart but they take all standard classes right now and get bad grades. I started to ask more people when Storm had told them the age that they had come over to the U.S. They all had different answers. I got 2,4,6,8, and the 6th grade. The person that said 8 was the mutual friend that me and storm shared before they had a falling out. I asked that friend more about what Storm had told them and they said that when they lived in Japan, their grandparents sent them away to this Buddhist camp for 6 months when they were 6 years old where they shaved their head. This threw me off completely and I started to experiment. I share art class with storm this year and I decided to ask them about their last name. I won’t disclose it here but it is a very white last name. I brought it up to them and they told me that they have their moms last name and not their dads Japanese one. When I asked what the Japanese last name was and they told me (I literally had them spell it out) and I looked it up on google. It wasn’t even a real fucking word . They told me it was Takamishido. They were silent and so I asked them more about their moms last name and they said that it was Russian and so they were part Russian because their moms parents are Russian. I looked up their last name and the only origins are Americanized Dutch. Nothing to do with being Russian at all. They were silent about that too . I asked them more about their childhood in Japan and they told me that they were homeschooled and don’t remember any Japanese or really anything from living in Japan from ages 0-8 because of a trauma response that made them forget everything. This all already made me mad since nothing was adding up but what really did it for me was when I got in trouble because during school there was a drug search in the parking lot and the cops dogs smelled weed on my car. The only friend I have that I knew for a fact smoked weed is storm and I know this because they have showed up to come hang out with me and my friends multiple times and been extremely high and smelled so strongly of weed. I had driven them to prom that last weekend and I guess they stunk up my car because they were high again. Stuff like this doesn’t usually happen to me so I was crying all day during school because I was confused and embarrassed. While my other friends comforted me, Storm ignored me all day and then at lunchtime proceeded to tell me to just fuck the cops. They know damn well they were the reason I got in trouble and said fucking nothing about it. They have also spoken multiple times about how they think people who do drugs are awful and affect others so bad yet they themselves do the exact thing. There are multiple other little horrible things they have done but these are just the main things. I’m writing this because I wanna know if I’m over exaggerating everything and they aren’t lying and I just can’t see it somehow. I feel like I am going crazy. Please help me. 

Here are a few things to consider when using information from other books in your own writing:

> 1- Cite your sources: It is important to properly attribute the sources of the information you are using in your book. This typically involves including in-text citations and a list of references at the end of your book. > 2 - Use your own words: While it is okay to use information from other sources, you should avoid copying the text verbatim. Instead, use your own words to summarize or paraphrase the information you are using. > 3- Obtain permission: If you are planning to use a significant amount of text or other materials from another book, it may be necessary to obtain permission from the copyright holder. This can typically be done by contacting the author or publisher and requesting permission to use the materials. 

• I have ClickUp divided into three spaces: Active Projects (multi-step projects with clear outcomes and/or deliverables), Areas of Focus (task lists divided up by a broader work or life "area"), plus a space I'm ignoring where archived projects and messy old things live..
  • Under Active Projects, I have folders for each class I'll be teaching (and because it's summer, right now they're split into prep work for upcoming classes, and wrap-up for the couple last to-do items left over from the spring).
  • Under Areas of Focus, I tend to keep lists of professional admin and personal life admin tasks that aren't part of a larger project (like paying bills or rent.

• Active projects with a specific, concrete outcome. Mostly these projects are longer-term things, sometimes with several potential paths they could take depending on results of earlier tasks, but other times they're just 1-2wk projects that have lots of little steps I need to keep track of. Some real-life examples on my list right now:
  1. Work: Set up a class I'll be teaching in the fall. I need to do a bunch of prep work for this, some of which is pretty clear (set up course homepage and revise syllabus to include XYZ things; revise grade breakdown using these rules, & implement breakdown in Canvas), and other of which is fairly inchoate (e.g. review these five texts and decide which to teach; find an open-source subject-specific text; refine course structure as needed based on the texts I end up using). Then, there are semi-ongoing tasks that will come into play once I'm actually teaching the class (e.g. prep/review the thing I'll be teaching next week; set up assignments due next week so they're ready to go when the start date rolls around; grade assignments X, Y, Z; a weekly review of the syllabus & update deadlines as needed). Then wrap-up tasks that happen pretty routinely at the end of the semester, and one-off "respond to X's grade query email" type tasks. (Many of these things could be part of a template, but I don't need to cross that bridge yet.) How to organize the giant project of "put together, teach, and wrap up X class"? What's the relationship between the big project full of kinda sequential steps and the small "Answer X email" tasks that I mostly put into a project manager so I don't forget about them?
  2. Work: Various small professional development projects that in the past I've thought of as a series of sequential tasks, e.g. "Apply for X grant" (in this case, small individual artist grants for $1k-$20k, not big, collaboratively-written NSF grants). Under "Apply..." is a list of five different pieces I need to put together, one or two of which will need multiple rounds of refinement, while the rest will be relatively quick and easy. This type of project usually comes together in a couple weeks or less, and typically I'll have several active at once. (I usually have a dozen others on my radar at any given moment, but only decide to apply for 1-2 at any time. I keep up with these deadlines via a Google Sheet and a sticky note on my Mac desktop, and in the past only brought them into a project manager once I'd committed to a specific deadline-driven thing, or if I needed a reminder to check on one that has a deadline that varies annually.)
  3. Personal: Research summer travel possibilities, map out a timeline that fits scheduling constraints and mode of travel (one subtask that's a small project in and of itself: research buying a fiberglass camper shell for truck, & if that makes sense to do we'll drive, otherwise we'll fly or take the train). This is still in the research stage, so there aren't many actual tasks yet, but will be in a month or so.
  4. Avocational: Facilitate a large, slow-moving bylaws revision project for an organization I'm involved with. I'm at the beginning stages of this one, but have a pretty good idea of the different stages of this project and what the path to completion will look like. It'll be a big project once it gets off the ground, but for now it's just in the "assembling ideas" stage.
• Ongoing & one-off tasks with varying priority levels (e.g. things I need to do regularly vs. things I'd like to do regularly but don't necessarily get to).
  • Necessary Tasks like paying rent and bills, which are typically pretty straightforward and non-negotiable. Also things like updating the finances spreadsheet I share with my partner, which ideally happens weekly but which realistically I don't get around to more than once a month if that.
  • One-Off Tasks that start cropping up, especially once the semester is underway (e.g. "Answer X email"). Some of these are essential, others don't need to happen (but should for a smoother semester), and plenty are totally optional but worth doing if I have the time. When I'm bogged down, I don't want to think about those totally optional tasks at all, but when I'm feeling pretty unencumbered, they're worth tending to.
• Other things I can't figure out how to classify/organize:
  • Backburner tasks & projects, both work-related and life admin. (How to label and filter backburner tasks that I need to do "soon" vs. "eventually" vs. "maybe, someday, who even knows"?)
    • Some of these are important but not yet active (e.g. applying for that aforementioned grant, for instance, which I don't need to actively think about until next spring when the deadline approaches, though I do often start drafting/refining materials in advance, so it's nice to have a clear holding place for those).
    • Others are aspirational (for instance, "Organize the garage" is a backburner task that will turn into a full project once I start working on it & actually identifying specific subtasks, e.g. put specific thing on FB Marketplace, or buy a set of storage bins). I'd like to clearly delineate between this sort of thing; I don't need to see "Organize the garage" unless I'm doing a big review of the backburner items once a month or so and moving a handful into active projects/tasks.
  • Mosquito tasks: These tasks should happen "soon" or "eventually," but they're not urgent and if they end up never being completed at all, that's usually nbd. Realistically I might do them in the next couple weeks, but probably not in the next few days. These kinds of tasks are helpful to keep in ClickUp so they stay on my radar (and one benefit of that is that for a task like "Email so-and-so to ask X question," I'll often end up drafting half an initial email in a comment, then forgetting about it for a few weeks and coming back to find that email already half-drafted). Mosquito tasks include:
    • Reminders (to check on an important or not-so-important upcoming professional deadline that hasn't been posted yet, & to keep doing this until that concrete deadline appears, at which point it turns into an actual task; upcoming birthday reminders; to get a book back from someone who'd borrowed it, etc).
    • Personal CRM, my most frequent mosquito task. I've done fieldwork around the world and consider keeping in touch with friends/colleagues/informants from faraway as part of my professional responsibilities (but not urgent whatsoever), so I like to keep these things on my radar without letting them distract me from my active, necessary tasks & projects.
    • Ideas, possibilities, and other inchoate things that ended up in ClickUp when I migrated from Todoist, some of which are basically just notes-to-self, and other of which are smaller tasks/projects that I may someday pick back up, all of which I feel sentimental about and don't want to get rid of even though I'm not going to sort through them regularly. These pretty clearly fall under "backburner" and "maybe, someday, who even knows." (Should I break the "Not Started" status into "Backburner: eventually" and "Backburner: maybe, someday, who knows" to delineate these?) Feel free to ignore this category!
  • A Morning/Evening Routine that should reset every day, regardless of whether I've checked every item off from the previous day. (This is probably the only sort of task I want to reset like this, and honestly it's pretty low-priority.)

1. Subject matter of copyright: In general28(a) Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. Works of authorship include the following categories:(1) literary works;(2) musical works, including any accompanying words;(3) dramatic works, including any accompanying music;(4) pantomimes and choreographic works;(5) pictorial, graphic, and sculptural works;(6) motion pictures and other audiovisual works;(7) sound recordings; and(8) architectural works.(b) In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work.

1. Limitations on exclusive rights: Fair use41Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—(1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;(2) the nature of the copyrighted work;(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and(4) the effect of the use upon the potential market for or value of the copyrighted work.The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

1. above...if it's non-profit educational use, you're usually good to go...if it's for money or trade (commercial nature) then you're usually NOT...unless YOUR piece is "transformative"

Ok. i think we are done here. Could you write me another signs of high-tech low-life society?

• Glitching Skyscrapers: Imagine towering structures clad in malfunctioning holographic displays, projecting advertisements or flashing warnings over rusting metal frames.
• Smart Slums: Dilapidated housing blocks are retrofitted with basic smart tech – malfunctioning automated doors, flickering smart lights controlled by unreliable apps.
• Cybernetic Beggars: People with outdated or malfunctioning cybernetic limbs beg for credits to upgrade or repair them, creating a grotesque spectacle of technological dependence.

• Virtual Gated Communities: The wealthy live in luxurious virtual reality simulations, completely divorced from the harsh realities of the physical world.
• Data Black Markets: Personal information becomes a tradable commodity, with the poor selling their data scraps for a pittance to afford basic necessities.
• Cybernetic Caste System: The level of cybernetic augmentation determines social status. Those with outdated or malfunctioning implants are relegated to menial labor.

• Government by Algorithm: A corrupt AI dictates city policies, leading to impersonal and often harmful decisions based on cold calculations.
• Widespread Addiction to Virtual Reality: People escape the harsh realities of their lives through immersive VR experiences, neglecting their physical well-being and social connections.
• Black Market Biohacking: Desperate people turn to illegal biohacking to enhance their bodies, often with disastrous consequences.

• Tech Wastelands: Vast landscapes are littered with the discarded remains of outdated technology, creating toxic waste dumps and breeding grounds for disease.
• Weather Warfare: Nations use sophisticated technology to manipulate weather patterns, leading to devastating natural disasters for their enemies.
• Hacked Ecosystems: Corporations hack into natural ecosystems, manipulating flora and fauna for profit, leading to unpredictable and dangerous mutations.

Picture some possible advertisements from such settings.

High-Tech, Low-Life Advertisements:

1. Holographic Billboard: (Flickers intermittently, distorting the image)

1. Grungy Neon Sign in a Seedy Back Alley:

1. Pop-Up Ad on a Cracked Mobile Screen:

1. Stenciled Graffiti on a Rusting Service Drone:

1. Holographic Advertisement projected onto a Polluted River:

Another batch please.

1. Rusty Public Announcement Speaker: (Screeching static interspersed with the message)

1. Faded Holographic Billboard on a Collapsing Skyscraper:

1. Spam Email: (Subject: "YOU'VE BEEN CHOSEN!")

1. Glowing Neon Sign in a Crowded Marketplace:

1. Audio Ad on a Glitching Radio Broadcast:

Now craft ads that would be shown in high-society parts of cities.

High-Society Ads in a High-Tech, Low-Life World

1. Tranquil Holographic Projection in a Private Garden:

1. Discreet Text Message: (Delivered via secure, encrypted channel)

1. Exclusive Gala Invitation: (Delivered by hand-drones)

1. Curated Virtual Reality Experience: (Delivered on a high-security chip)

1. Whisper Network Rumor: (Spread through high-society gossip channels)

Continue, try to make more serious ones.

Serious Ads in a High-Tech, Low-Life World (High-Society Edition)

1. Holographic Panel Discussion in a Luxurious Penthouse:

1. Documentary Screening in a Private Art Gallery:

1. Educational AR Program for Children:

1. Virtual Charity Gala:

1. Architectural Award Ceremony:

Another, but hiding an evil sinister twist.

Serious Ads with a Sinister Twist (High-Society Edition)

1. Holographic Charity Drive in a High-End Shopping Mall:

1. VR Documentary Premiere:

1. Exclusive Educational Program for Elites:

1. Virtual Reality Talent Show:

1. Architectural Award Ceremony (Twisted Edition):

Now design some high-class consumer level product items.

1. NeuraWeave Headband: This sleek, designer headband is a status symbol for the high-tech elite. It seamlessly integrates with the wearer's neural implant, allowing for subtle control over personal AI assistants, hands-free communication, and even enhanced focus during work or meditation. Hidden Feature: NeuraWeave can subtly collect and analyze the wearer's emotional state, feeding valuable data to targeted advertisers or even government agencies.
2. Eco-Bubble Personal Atmosphere System: Imagine a portable force field that creates a pristine, personalized micro-environment around the wearer. This high-end gadget filters air, regulates temperature, and even projects calming nature sounds, allowing the user to maintain a pocket of luxury amidst the polluted cityscape. Hidden Feature: Eco-Bubble can subtly monitor the wearer's health vitals and transmit them to a central database, potentially used for health insurance adjustments or targeted medical advertisements.
3. Bio-Tailored Clothing: Gone are the days of off-the-rack clothing. This high-end service utilizes advanced bio-scanners and 3D printing technology to create clothing that perfectly molds to the wearer's body, regulates temperature, and even promotes faster healing of minor injuries. Hidden Feature: Bio-Tailored Clothing can subtly collect biometric data like skin temperature and heart rate, potentially used for targeted fitness programs or even mood-altering marketing campaigns.
4. Augmented Reality Personal Chef: This high-tech device projects holographic instructions and culinary techniques directly onto the user's kitchen counter. Imagine whipping up gourmet meals with the guidance of a world-renowned chef, complete with step-by-step visual guides and interactive ingredient identification. Hidden Feature: The AR Personal Chef can subtly track the user's dietary habits and preferences, potentially used to target specific food and beverage companies for advertising or even manipulate their taste buds through subliminal messaging.
5. Luxury Cybernetic Enhancements: Forget clunky prosthetics. These high-end cybernetic limbs are designed to seamlessly blend with the human body, offering enhanced strength, dexterity, and even advanced sensory input. Imagine climbing buildings with ease, playing virtual reality games with unparalleled immersion, or experiencing the world with heightened senses. Hidden Feature: Luxury Cybernetic Enhancements can be subtly integrated with government surveillance systems, allowing for real-time tracking and monitoring of the wearer's movements and activities.

Why would you need a designer headband, when you already have neural implant?

1. Fashion and Status Symbol: The NeuraWeave headband could be a designer accessory, a way to showcase wealth and social status. It might be crafted from exotic materials, adorned with precious jewels, or boast a sleek, minimalist design that complements the latest high-fashion trends. The neural implant itself might be hidden, with the headband acting as the visible expression of advanced technology.
2. Enhanced Functionality: While the neural implant offers basic functionality, the NeuraWeave headband could provide a more refined and user-friendly experience. It might offer haptic feedback for better interaction with AI assistants, improved noise cancellation for clearer communication, or even subtle brainwave stimulation to enhance focus or relaxation.
3. Privacy and Security: While the neural implant offers convenience, it might also raise privacy concerns. The NeuraWeave headband could act as a buffer between the implant and external systems, offering a layer of security and allowing users to selectively control the flow of information.
4. Social Etiquette: In a world where everyone has a neural implant, the NeuraWeave headband could become a social etiquette tool. Wearing the headband could signify that the user is open to receiving communication or interacting with AI assistants, while taking it off might indicate a desire for privacy or focused work.
5. Limited Functionality Implants: Not everyone might have access to top-of-the-line neural implants. The NeuraWeave headband could bridge the gap, offering basic functionality for those with older or more limited implants. It could essentially act as an affordable "upgrade" to boost existing technology.

Now the same, but low-class, available for masses, mass produced.

1. Syn-Flex Headband (Mass-Produced Version): This utilitarian headband is made from a cheap, conductive material that creates a weak neural link. It allows basic interaction with public AI kiosks, like ordering rations or accessing public transportation schedules. The headband's design is simple and utilitarian, often coming in a single, industrial gray color. Hidden Feature: While basic functionality is advertised, the Syn-Flex headband might subtly collect anonymized user data on purchasing habits and travel patterns, potentially used for targeted advertising in public spaces.
2. AirBubble Personal Filter: This bulky, wearable air filter system is a lifeline for those living in the polluted lower districts. It's a mass-produced device with a replaceable filter cartridge and a noisy fan system. While not exactly comfortable, it provides a basic level of air filtration, allowing wearers to breathe a little easier. Hidden Feature: The AirBubble filters might contain embedded tracking chips, subtly logging user location data, potentially used for targeted pollution control measures (or in some cases, manipulation of government reports on air quality).
3. Repli-Wear Clothing Kits: These kits contain pre-cut fabric swatches and basic instructions for creating clothes at home. They're designed to be cheap and adaptable, offering a variety of mix-and-match options to create basic garments. Hidden Feature: The Repli-Wear fabric might contain embedded tracking tags, allowing for identification and potential social credit deductions for those caught wearing "unlicensed" clothing styles.
4. Holo-Chef Lite Projector: This cheap projector displays holographic images of basic recipes and cooking techniques. It lacks the interactivity of the high-end version, but allows users to follow along with simple meals prepared with readily available rations. Hidden Feature: The Holo-Chef Lite projector might subtly promote specific brands of low-quality, processed food rations, potentially influencing dietary choices towards companies that sponsor these devices.
5. Second-Hand Cybernetic Enhancements: These are refurbished or salvaged cybernetic limbs, often clunky and lacking the finesse of luxury models. They offer basic functionality like increased strength or rudimentary prosthetics, but come with the risk of malfunction or compatibility issues. Hidden Feature: Second-Hand Cybernetic Enhancements might contain hidden spyware or tracking devices installed by previous owners, potentially monitoring the wearer's activities or even sabotaging their cybernetic limbs in extreme cases.

How bad air quality would be in such setting?

1. Industrial Pollution:

• Unchecked Emissions: Factories prioritizing profit over environmental regulations would pump out unchecked pollutants like sulfur dioxide, nitrogen oxides, and particulate matter (PM).
• Obsolete Technology: Outdated manufacturing processes would be less efficient, leading to higher levels of waste and pollution.

1. Waste Management Issues:

• Mountains of E-waste: Rapid technological advancements would lead to mountains of discarded electronics, many containing toxic materials that leach into the environment.
• Open Burning: Incapable of proper waste disposal, some residents might resort to open burning of trash, releasing harmful toxins and carcinogens into the air.

1. Energy Production:

• Reliance on Fossil Fuels: Expensive renewable energy sources might be neglected in favor of cheaper, dirtier fossil fuels like coal, further worsening air quality.
• Power Grid Instability: A crumbling infrastructure could lead to power outages and reliance on backup generators, adding to the air pollution.

1. Climate Change Effects:

• Heat Island Effect: Densely packed concrete jungles with minimal green spaces would trap heat, contributing to rising temperatures and increased smog formation.
• Acid Rain: The combination of industrial emissions and rising temperatures could lead to acid rain, damaging buildings and vegetation, further hindering air purification.

• Constant Smog: A thick haze of smog would likely hang over the city, reducing visibility and causing respiratory problems for residents.
• Limited Outdoor Activities: Air quality would be so bad that spending time outdoors would be hazardous, impacting physical and mental health.
• Dependence on Filtration Systems: Those who can afford them might rely on personal air filters or sealed living spaces, further dividing the classes.

Sketch some repli-wear "unlicensed" clothing styles.

Repli-Wear: Unlicensed Clothing Trends

1. The Salvaged Chic:

• Description: A mishmash of salvaged materials and repurposed clothing scraps. Think mismatched patterns, patches from old uniforms, and belts fashioned from recycled tech cables.
• Inspiration: High-society's sleek, minimalist aesthetic, reinterpreted with resourcefulness and rebellion.
• Risks: May attract unwanted attention from authorities who see it as a symbol of dissent.

1. The Glitched-Out Glamour:

• Description: Clothing adorned with intentionally malfunctioning LED lights, flickering pixels, and distorted logos from popular high-end brands.
• Inspiration: A mockery of the high-society's obsession with luxury and technology.
• Risks: May malfunction and cause minor electrical shocks, attracting suspicion from security systems.

1. The Bio-Hazard Chic:

• Description: Clothing dyed with bioluminescent algae or adorned with filtered gas masks and repurposed medical equipment.
• Inspiration: A dark reflection of the polluted environment and a commentary on the societal disregard for health.
• Risks: Bioluminescent algae might attract unwanted attention, especially in the dark.

1. The Cyber-Tribal:

• Description: Clothing incorporating salvaged wires, circuit boards, and other discarded tech components. Think of cybernetic motifs hand-stitched onto worn leather jackets or tribal patterns formed from glowing wires.
• Inspiration: A mashup of traditional craftsmanship and defiance against the dominance of high-tech aesthetics.
• Risks: Might be mistaken for makeshift weapons or attempts to bypass security systems.

1. The Corporate Spy:

• Description: Subtly subverted versions of high-society uniforms. Imagine slightly ripped blazers with mismatched buttons, or high-collared shirts with the logos subtly altered to resemble protest symbols.
• Inspiration: A subtle rebellion against the corporate elite, blending in while making a statement.
• Risks: Might attract suspicion from authorities if the alterations are too obvious.

Sketch some repli-wear "licensed" clothing styles, that do not pose any risk for wearers from any concerned sides.

Repli-Wear: Licensed Clothing Trends (Safe Zone)

1. The Vintage Throwback:

• Description: Replicas of historical clothing styles, like classic trench coats, denim jackets, or even floral dresses from a bygone era. Think of vintage fashion filtered through a futuristic lens, with subtle metallic accents or holographic embellishments.
• Appeal: Offers a nostalgic escape from the harsh realities of the present.
• Safety: Historical styles are unlikely to raise suspicion from authorities.

1. The Minimalist Worker:

• Description: Practical, utilitarian clothing designed for maximum comfort and durability. Think of well-made jumpsuits in neutral tones, with reinforced knees and pockets for tools.
• Appeal: Perfect for everyday wear in the lower districts, offering functionality and a clean aesthetic.
• Safety: Promotes a sense of productivity and avoids any controversial symbols.

1. The Nature Enthusiast:

• Description: Clothing with nature-inspired patterns and muted earth tones. Think of shirts with forest camouflage or jackets with subtle leaf prints.
• Appeal: Offers a sense of connection to the natural world, a stark contrast to the polluted cityscape.
• Safety: Nature motifs are unlikely to be seen as a threat by authorities.

1. The Sports Fanatic (Limited Edition):

• Description: Replicas of historical sports jerseys or team logos from a bygone era. Could also feature faded logos of defunct corporations, offering a sense of playful nostalgia.
• Appeal: Allows for a limited display of individuality and team spirit.
• Safety: Historical or defunct logos are unlikely to pose a threat, as long as the license is valid.

1. The Kid's Corner:

• Description: Replicas of popular cartoon characters or children's book illustrations, brightly colored and playful.
• Appeal: Offers a sense of innocence and escapism for children in a harsh environment.
• Safety: Popular children's characters are pre-approved and unlikely to be seen as a threat.

Now the opposite: some high-end high-society high clothing styles.

High-Society Haute Couture in a High-Tech, Low-Life World:

1. Bio-Luminescent Elegance:

• Imagine a flowing gown woven from a special bioluminescent material that emits a soft, ethereal glow, adapting to the wearer's mood and movement.
• The dress could be accented with strategically placed gemstones that amplify the bioluminescence, creating a mesmerizing spectacle.

1. Augmented Reality Couture:

• Dresses and suits with intricate embroidery that, when viewed through special AR glasses, come alive with holographic animations, patterns, or even personalized messages.
• This could be used to display family crests, stock market trends, or even live news feeds, all seamlessly integrated into the clothing.

1. Nanotech Tailoring:

• Clothing that self-adjusts to the wearer's body temperature and preferences. The fabric could be woven with microscopic nanobots that regulate temperature, repel dust, or even release a subtle, personalized fragrance.
• This would offer a level of comfort and personalization that pushes the boundaries of traditional haute couture.

1. Recycled Luxury:

• High-society wouldn't be complete without a touch of eco-consciousness (or at least the appearance of it). Imagine garments meticulously crafted from recycled materials like discarded computer components or salvaged spaceship parts, transformed into stunning evening wear.
• This "waste-to-wear" approach would showcase wealth and environmental responsibility (or at least the image of it).

1. Cybernetic Accents:

• Subtle cybernetic implants seamlessly integrated into clothing. Imagine a dress with a built-in neural interface that allows the wearer to control personal AI assistants with a simple touch or a suit with temperature-regulating implants woven directly into the fabric.
• These high-tech accents would be a subtle yet sophisticated way to showcase wealth and technological advancement.

• A truly outrageous and exclusive garment – a dress or suit composed of a bio-engineered material that appears to be alive. Imagine clothing that shimmers and pulsates with a faint bioluminescence, seemingly breathing and adapting to the wearer's movements.
• This would be the ultimate status symbol, a conversation starter that pushes the boundaries of fashion and technology into the realm of the fantastical.