Plummers putty on granite composite
What is the Best Kitchen Island Countertop?
2024.05.17 07:14 tab_rick What is the Best Kitchen Island Countertop?
 | The kitchen island countertop is more than a functional surface; in modern homes, it stands as the heart of the kitchen. With a plethora of materials available, from granite and quartz to laminate and solid surface, selecting the ideal one can be challenging. Let’s explore the best options. submitted by tab_rick to KKRsolidsurface [link] [comments] What Makes a Kitchen Island Countertop Great?When considering a countertop, aesthetics alone won’t suffice. An outstanding kitchen island countertop combines durability, low maintenance, visual allure, and versatility. Let’s delve into these criteria further.Good DurabilityDurability is a critical attribute for countertops. Envision accidental wine spills or the impact of dropping heavy utensils. Materials like granite, quartz, solid surface and stainless steel are designed to resist such challenges, making them preferred choices for many homeowners. On the other hand, hardwood and butcher block, while also durable, provide a warmer aesthetic compared to the sleek appearance of stainless steel. For households with high activity or children, a strong yet aesthetically pleasing countertop is crucial.Easy MaintenanceMaintaining a pristine countertop shouldn’t require excessive time and effort. Prioritizing easy maintenance is essential. For example, solid surface countertops are non-porous, offering stain resistance. A swift cleaning suffices for its upkeep. Laminate is another user-friendly choice, though it may not match the durability of quartz. While stainless steel is effortless to clean, it might display fingerprints and scratches. It’s crucial to consider the advantages and disadvantages of each material. https://preview.redd.it/iefuw1xv5x0d1.png?width=612&format=png&auto=webp&s=392547d94a44e4ae472e2b51c3544357dc273278 Visual AppealThe kitchen often stands as the centerpiece of a home, demanding both aesthetic and functional considerations. Granite countertops, renowned for their distinctive patterns and shades, add a touch of visual allure. For those with a penchant for a modern and minimalist design, solid surface countertops are a fitting choice. Marble countertops, with their unique veining, exude an artistic elegance. Yet, while aesthetics play a role, it’s imperative to ensure that functionality isn’t compromised in the pursuit of beauty.MultitaskingA versatile kitchen island countertop provides notable benefits, especially in smaller kitchens with limited space. For example, a butcher block countertop functions both as a working area and an integrated chopping board. Moreover, countertops with integrated charging stations or storage features elevate their functionality and efficiency.Solid Surface CountertopSolid surface countertops offer design versatility, adeptly mimicking the aesthetics of natural stone, wood, or various other materials. Comprised primarily of natural minerals fused with high-quality resins, these countertops are gaining popularity among homeowners and design professionals alike.Examining the composition in detail, the predominant component in solid surface countertops is aluminum powder. This powder is a precise blend of 15+25+75, leading to a high-density, non-porous surface with minimal water absorption. The texture is smooth to the touch. Additionally, the incorporation of isophthalic resin guarantees the countertop exhibits an exceptional texture, augmented hardness, and increased resistance to discoloration and environmental pollutants. In simpler terms, its quality and performance are outstanding. Characteristics of Solid Surface CountertopSolid surface kitchen countertops have garnered attention in recent times. But what sets them apart? Let’s delve into their key features.
Granite CountertopGranite countertops epitomize a blend of sophistication and resilience. Recognized for its aesthetic allure and practical advantages, granite has long been a preferred choice for discerning homeowners. Let’s explore the attributes that position granite as a premium countertop material.What gives granite its distinct properties? Granite is an igneous rock, formed from cooled molten lava. This implies that your countertop might have originated from volcanic activity. Its primary constituents are quartz, feldspar, and mica, which contribute to its speckled appearance. The minerals present in granite provide a spectrum of colors, ranging from earthy browns and muted pinks to profound blacks and radiant whites. Characteristics of Granite Countertops
Marble CountertopMarble epitomizes luxury and refinement. Commonly linked with magnificence, marble countertops elevate the sophistication of any kitchen. But what attributes make marble stand out as a choice for kitchen island countertops? Marble is a metamorphic rock, evolved from limestone. Under specific heat and pressure conditions, it transforms into the distinguished stone recognized as marble. Its signature veining arises from impurities like clay, silt, and sand present during its formation.Characteristics of Marble Countertops
Quartz CountertopIn the dynamic realm of kitchen design, quartz countertops stand out as a preferred choice for both homeowners and designers. What makes quartz so captivating? Let’s delve into the unique characteristics of this exceptional material.Quartz, at its essence, is a prevalent natural mineral. However, when discussing quartz countertops, we’re addressing an engineered stone. This signifies that while it’s produced, it’s not wholly synthetic. The creation involves pulverizing natural quartz crystals into a refined powder, which is then amalgamated with other minerals and resins. A standard quartz countertop is composed of approximately 90% quartz and 10% resins, polymers, and colorants. This distinct blend yields a material that combines the aesthetics of natural stone with features unattainable by pure natural stones. Thanks to the manufacturing technique, there’s an expansive array of colors and designs available. This adaptability is a pivotal reason for quartz’s rising popularity in kitchen countertops. Characteristics of Quartz Countertop
Stainless Steel CountertopStainless steel countertops, once predominantly seen in commercial kitchens, are now gaining popularity in residential settings. Their appeal? A combination of a sleek, contemporary look and a host of functional advantages tailored for active kitchens.Stainless steel owes its “stainless” characteristic to its chromium composition. This element creates a protective layer on the surface, granting resistance against rust and everyday stains—a crucial feature in a space where spills are commonplace. Beyond its aesthetic appeal, stainless steel stands out for its remarkable durability. It can endure high temperatures and resist scratches, positioning it as a robust and almost unbeatable choice for kitchen surfaces. Characteristics of Stainless Steel Countertops
Porcelain CountertopPorcelain, traditionally linked with elegant tea sets and intricate vases, has now gracefully transitioned into the realm of kitchen island countertops. Its allure isn’t solely based on its aesthetic charm. Porcelain countertops combine both visual elegance and practical advantages, setting them apart from many other materials.Porcelain is a specialized ceramic, fired at exceptionally high temperatures to attain its robustness and longevity. Crafted from natural elements such as clay, feldspar, and quartz, these components are meticulously pulverized and then fused. The outcome is a compact, resilient material that stands up well against scratches, stains, and high temperatures. Characteristics of Porcelain Countertops
What is the Ideal Kitchen Island Countertop?
What makes it stand out? Solid surface countertops strike a harmonious balance between visual allure and practical advantages. They are not only easy to maintain and durable but also come in a diverse array of colors and patterns, ensuring adaptability to any kitchen aesthetic. In addition, the solid surface countertop can be designed into a unique pattern, which feels better than marble and is as warm as jade. Beyond their aesthetic charm, these countertops are pragmatically designed. Their non-porous nature renders them resistant to stains and bacterial growth. Their robustness ensures they endure daily kitchen wear and tear. For those with a penchant for personalization, the customization possibilities are boundless. In your quest for a new kitchen island countertop, the solid surface merits consideration. It seamlessly marries elegance with functionality. How to Design Solid Surface Kitchen Island Countertop?
Storage: Need for cabinets or shelves? Appliances: Integration of sink, cooktop, or outlets?
Overhang: For seating, allow at least 12 inches for legroom. Shape: Options include rectangular, L-shape, U-shape, or curved.
Color & Pattern: Select a hue that matches your kitchen. Decide on solid, veined, speckled, or patterned. Edge Profile: Choices range from square, beveled, bullnose, to ogee, based on your kitchen’s style.
Cooktop: Ensure adequate ventilation if included. Outlets: Think about pop-up or under-counter outlets. Backsplash: Consider one, especially with a sink or cooktop. Match or contrast with the countertop. Seating: Plan the seating type and quantity, ensuring ample spacing. Lighting: Evaluate pendant, recessed, or under-cabinet options
In essence, blend functionality with aesthetics, ensuring the island aligns with your kitchen’s overall design. Get the Outstanding Solid Surface Countertop From KKRIn the realm of solid surface countertops, quality and craftsmanship can significantly vary, positioning KKR as a beacon of reliability and excellence in the industry. Leveraging its established reputation as a trustworthy manufacturer of solid surface sheets and countertops, KKR stands synonymous with unparalleled quality.Drawing from a rich history of expertise, KKR has cultivated a deep understanding of homeowner necessities, offering an expansive selection of solid surface countertops to cater to diverse preferences. Whether your aesthetic leans towards the understated elegance of minimalist designs or the rich details of more elaborate styles, KKR promises to meet your specifications with precision. What distinctly delineates KKR from others is an unwavering dedication to quality. Every countertop emanates meticulous craftsmanship, meeting the apex of quality and durability standards. Moreover, KKR facilitates a smooth installation process, with a team of seasoned experts ensuring a flawless finish, harmoniously integrating the countertop into your space. Entrust your countertop needs to KKR, a brand epitomizing reliability and delivering products characterized by both beauty and longevity. When contemplating a solid surface countertop acquisition, KKR emerges as the preeminent choice, fulfilling its commitments with products that resonate with elegance and enduring quality. ConclusionChoosing the right countertop for your kitchen island is a pivotal decision that necessitates meticulous consideration. The array of materials on offer might initially appear overwhelming; however, understanding the pros and cons of each can facilitate a judicious choice. It is imperative that your selection not only resonates with your stylistic preferences but also adheres to your budgetary limitations.Solid surface countertops stand as a viable and economical alternative. These offer a blend of durability and affordability, without compromising on the diversity of design options available. To encapsulate, the quintessential countertop for your kitchen island is attainable. Through a thoughtful evaluation of each material’s strengths and weaknesses, you can arrive at a decision that harmoniously blends functionality with your aesthetic aspirations and financial framework. |
2024.05.16 04:57 tab_rick Are Solid Surface Countertops Man Made Countertops?
 | In the dynamic realm of home improvement, the selection of the appropriate countertop material is pivotal. While granite countertop, quartz countertops and marble countertops hold their unique charm, our attention now turns to the emerging contender: solid surface countertops. Based on market projections, the global demand for solid surfaces is forecasted to achieve $2.2 billion by 2026, with an annual growth rate of 4.4% since 2021. This trend underscores their escalating preference and the confidence industry experts hold in them. In essence, solid surface countertops present a dependable and elegant option rooted in empirical evidence and tangible benefits. submitted by tab_rick to KKRsolidsurface [link] [comments] What are Man-Made Countertops?Man-made countertops are an ingenious fusion of nature and innovation, most crafted from approximately 90-95% natural minerals and 5-10% high-quality resins and pigments. When compared to traditional natural stone surfaces, these countertops often present a 40% higher resistance to scratches and stains, requiring 30% less yearly maintenance.Brands like KKR and Corian, leveraging cutting-edge technology, have made strides in reproducing the aesthetic of natural stones, while enhancing durability. For instance, while granite might require resealing every year, most man-made countertops remain maintenance-free for over a decade, translating to savings up to $200 annually on upkeep. For the discerning professional, investing in man-made countertops means securing an amalgamation of nature’s beauty and engineered resilience. https://preview.redd.it/6p7rr850dp0d1.png?width=612&format=png&auto=webp&s=c562401aadd2064bd597e9f902cc4a08835e553a What are Solid Surface Countertops?Solid surface countertops, a groundbreaking fusion of natural minerals, and acrylic resin, offer remarkable consistency and resilience. Unlike natural stones with unpredictable patterns, these countertops showcase a uniform appearance yet offer a vast range of designs. For instance, while granite might have porosity variations from 0.45% to 1.5%, solid surfaces are 100% non-porous, ensuring superior resistance against stains and bacterial harboring. Especially in demanding environments like kitchens, where hygiene is paramount, this material’s stain-resistance outperforms granite by up to 60%. This remarkable balance of aesthetic uniformity and top-tier performance makes solid surface countertops an ideal choice for professionals seeking durability without compromising on design.How Solid Surface Countertops are Made?Countertops serve a purpose beyond mere aesthetics in daily applications. They should not only be visually pleasing but also sturdy, resilient, and highly practical. The union of design elegance and robust performance in solid surface countertops stems from a meticulous choice of materials and a stringently managed production process.Raw Material Selection: The cornerstone of a premium countertop is its raw material. We source 100% aluminum hydroxide powder exclusively from a distinguished, state-operated provider. This powder is not generic; it’s a precisely formulated combination with a 15+25+75 composition. The result? A countertop with a dense composition and minimal porosity, ensuring a lavish touch and reduced water retention, making it highly resistant to ordinary spills and blemishes. Resin Choice: Our attention then shifts to the resin integral to the production. The preference for Isophthalic resin is strategic, given its exceptional resistance to discoloration. Its molecular structure, more stable than alternative resins, guarantees a superior texture, augmented hardness, and unmatched resistance against discoloration and external contaminants. Key Features of Solid Surface CountertopsFormaldehyde-Free and OdorlessOur solid surface countertops prioritize eco-friendliness. Unlike traditional materials, we ensure a chemical-free production by using 100% aluminum hydroxide sourced from a reputable state-owned brand. This results in countertops free from harmful emissions, creating a safer culinary environment.Seamless DesignThe integration of 15+25+75 fine powder ensures that our countertops boast a seamless appearance. This meticulous blend guarantees the absence of visible joints, exuding a refined and harmonious aesthetic suitable for modern designs.Stain ResistanceGiven the high-density output from our ultra-fine powder, these countertops can resist most daily household stains. Whether it’s wine or lemon juice, a simple wipe ensures they remain spotless.Easy to RepairAccidents like scratching can’t tarnish the beauty of our countertops. Their high-density, pore-free surface enables straightforward repairs, making them durable and long-lasting.Uniform AppearanceOne of the merits of our method is the consistent appearance it guarantees. No unexpected patterns or variations, ensuring that what you choose is precisely what you get.Heat ResistanceThe incorporation of aluminum hydroxide not only enhances the appearance but also confers superior heat resistance. While protective measures are always recommended, these countertops can endure higher temperatures than many counterparts.Moisture ResistanceThanks to the non-porous surface, moisture stands no chance. This makes our countertops perfect for bathrooms, minimizing mold risks and ensuring longevity.Easy to Clean and MaintainTheir smooth and pore-free surface simplifies cleaning. Often, a mere wipe-down retains their shine.Can Be Easily CustomizedBeyond the inherent benefits, customization stands out. Leveraging high-performance Isophthalic resin, known for its anti-yellowing properties and stability, our countertops present a fine balance between aesthetics and function. Poor quality resins yellow easily, but with our Isophthalic resin, not only is the yellowing reduced, but the overall texture, hardness, and resistance to pollution are also markedly enhanced.Solid Surface Countertops vs. Other Man-Made CountertopsWhen it comes to choosing the right countertops, the plethora of options can be overwhelming. Solid surface countertops, we aim to clarify some distinctions between our product and other man-made materials, specifically focusing on three key points: durability, design, and cost.Durability: While quartzite kitchen countertops are lauded for their toughness, they usually need to be sealed annually to prevent staining—a cost and time-consuming chore. Solid surface countertops are non-porous by nature. This inherent feature translates to zero annual sealing costs and less maintenance time. According to a study by the National Kitchen & Bath Association, 93% of homeowners found low maintenance to be a crucial factor in countertop selection. Design: Various man-made materials offer different styles, but none can match the seamless design of solid surface countertops, making them the best choice for homeowners. This seamlessness is not just aesthetically pleasing; it is also functional. The lack of crevices and joins eliminates bacterial breeding grounds, addressing a significant concern as identified in a Harvard Health study, which notes that countertops are a leading surface for bacteria proliferation. Cost: Finally, let’s talk about numbers. Solid surface countertops typically range from 40 to 75 per square foot, making them a more economical option compared to high-end quartz or granite that can go up to $150 per square foot. Thus, you don’t have to compromise on aesthetics or functionality to fit your budget.
KKR – Your Trusted Solid Surface Countertops ManufacturerIn the competitive world of solid surface countertops, specificity matters. Let’s zero in on KKR: With a history spanning decades, a staggering 98% of KKR’s clientele would vouch for their satisfaction. While the average countertop serves its purpose for a decade or so, KKR surfaces are engineered to surpass, with a robust lifespan of 15-20 years, given proper care.What sets KKR apart isn’t just longevity. Their consistent reinvestment in R&D translates to a portfolio offering both contemporary and classic designs. Comparatively, KKR not only meets industry standards but often exceeds them, assuring professionals they’re opting for a blend of innovative design and lasting quality. ConclusionWhen weighing natural versus man-made stone for new countertops, solid surfaces bring quantifiable advantages, making them an excellent choice. They harmoniously blend nature’s aesthetics with human ingenuity—85% mimicking the beauty of natural stones while touting a 90% resilience rate of synthetics. Given their attributes tailored to contemporary demands, professionals seeking reliable and efficient solutions would find solid surface countertops a prime candidate. With such data-driven evidence, it’s clear why they’re a top choice for modern projects. |
2024.05.16 04:48 tab_rick 5 Types of Shower Wall Panels: How to Choose?
 | Undertaking a bathroom renovation is a substantial commitment, both in terms of time and resources. Selecting the ideal material for your new shower wall is a critical decision that requires a balanced consideration of both functional attributes and aesthetic appeal. This comprehensive guide will provide you with an in-depth analysis of five distinct types of shower wall panels, outlining their advantages and disadvantages, to assist you in making an informed choice tailored to your specific requirements. submitted by tab_rick to KKRsolidsurface [link] [comments] What Features Do Shower Wall Panels Need to Have?Before getting all starry-eyed about the colors and textures, you have to consider some practical aspects. Here are some of the key features that any decent shower wall material needs to offer. https://preview.redd.it/qmrvtf8zap0d1.png?width=612&format=png&auto=webp&s=a6b822b2798962f3d91793b64d72b0789c33e438 Water ResistanceEnsuring water resistance in shower walls is crucial, not merely to prevent water splashes but to guarantee the material’s longevity and better durability. For perspective, well-sealed ceramic and porcelain tiles exhibit a water absorption rate of less than 0.5%, marking them as highly water-resistant. Conversely, materials like drywall can absorb water up to 10% of their weight, rendering them unsuitable for shower settings. Such high absorption can result in structural issues and mold proliferation, jeopardizing the wall’s structural integrity.Mold and Mildew ResistanceBeyond aesthetics, mold issues and mildew present significant health risks. Research indicates that mold exposure can exacerbate respiratory conditions, particularly in asthma sufferers. Materials such as solid surface panels and acrylic inherently resist mold. Specifically, the non-porous nature of solid surface panels virtually eliminates mold growth opportunities, reducing mold presence by up to 99% relative to conventional materials.Ease of CleaningEfficiency is paramount. On average, individuals allocate roughly 15 minutes weekly to shower cleaning. Materials like solid surface and acrylic can potentially halve this duration, courtesy of their smooth, non-porous attributes. In comparison, natural stone, due to its inherent porosity, demands more cleaning time, especially if not consistently sealed with a sealant. However, with diligent care and sealing, natural stone can offer enduring elegance and durability, lasting for a long time.DurabilityOptimizing the high durability of chosen materials is essential to ensure value for money. To illustrate, when adequately cared for, solid surface and porcelain tiles can endure for over 30 years. This lifespan surpasses many conventional materials by 50%, which may necessitate replacement or extensive upkeep within two decades.What Types of Shower Wall Panels are Available on the Market?Over the years, shower wall panels have evolved, presenting a diverse range of choices to meet individual preferences, requirements, and budgets. Traditionally, ceramic shower walls have been the go-to choice for many due to their timeless allure and low maintenance. Granite stands out for its inherent beauty and resilience, always maintaining its position as a preferred selection for those valuing both aesthetics and durability.For those inclined towards high-end materials, natural stone walls—encompassing granite, marble, onyx, and travertine—offer an opulent, sophisticated touch to any bathroom. Recognized for their lasting lifespan, these exquisite materials are available in a variety of styles. In recent times, the market has embraced novel materials. Acrylic panels, for instance, are steadily gaining popularity. Not only are they mold and mildew resistant, but they also simplify installation processes. Their diverse color and design spectrum offer a wide range of decorative possibilities. Solid surface panels, a newer addition, boast a sleek, uninterrupted appearance, which many homeowners find attractive. Notably durable and non-porous, they can adeptly replicate the look of natural substances. Solid Surface Shower Wall PanelsIn the realm of contemporary bathroom designs, solid surface shower wall panels stand as a beacon of luxury and practicality, invariably catching the attention of judicious homeowners. What exactly contributes to their remarkable qualities? Let’s explore.Solid surface shower wall panels are the culmination of state-of-the-art technology intertwined with finesse and craftsmanship. These panels are meticulously fashioned using an exclusive blend of aluminum powder, sourced exclusively from a prestigious state-owned brand. This guarantees a composition boasting a pure 100% aluminum hydroxide foundation, completely devoid of any calcium powder inclusions. The distinct formulation of 15+25+75 fine powder facilitates the creation of high-density panels that exhibit a pore-free surface. The resultant product is not merely a feast for the eyes but also provides a tactile experience that’s genuinely gratifying. A testament to its excellent engineering, the panels offer minimal water absorption, safeguarding against common bathroom problems such as stains and discoloration. The distinctive factor in these panels lies in the incorporation of high-grade resin, which plays a crucial role in determining the product’s longevity and aesthetics. Employing a lesser quality resin can precipitate yellowing over time; however, the utilization of Isophthalic resin in this context is noteworthy for its superior anti-yellowing prowess. This resin harbors a stable molecular structure, thereby promising a product that boasts a refined texture, augmented hardness, and unmatched resistance to yellowing and contamination, ensuring that the beauty of your shower space remains untarnished over time. WaterproofWater is a natural companion to showers, but without proper management, it can be detrimental to shower walls. Solid surface panels excel in this aspect. Their impermeable nature guarantees water resistance, safeguarding against potential damages and ensuring a long-lasting lifespan.Easy to MaintainOptimizing time is a priority in today’s fast-paced world, and solid surface panels offer a highly convenient solution for bathroom maintenance. Their sleek surface facilitates effortless cleaning, enabling you to maintain a pristine bathroom with minimal exertion over the years.Stains and Discoloration ResistanceBathrooms are susceptible to various staining agents, from hair dyes to diverse bathing products. Solid surface panels, composed of high-quality resin, are highly resistant to most stains. Their non-porous nature further minimizes the risk of discoloration, ensuring long-lasting aesthetic appeal.Easily CustomizedSolid surface panels offer a flexible foundation for homeowners to articulate their distinct design preferences. Whether your emphasis lies on a variety of colors, unique textures, or a particular design theme, these panels can be tailored to harmonize with your aesthetic vision, enhancing the visual appeal of your bathroom. Additionally, solid surface panels can mimic the appearance of natural materials, such as the patterns and colors of marble. This means you can achieve the luxurious look of marble easily.Highly DurableGiven the infrequent yet substantial nature of bathroom renovations, durability is of utmost importance. Solid surface panels are constructed using premium materials, specifically designed to withstand high levels of moisture, mechanical impacts, and routine wear and tear. Solid surface panels, being highly durable, don’t warp or swell, ensuring that mold and mildew don’t find a conducive environment to grow. A highly durable surface will resist staining, scratching, and other routine damages that lesser materials might succumb to.Anti-MoldMold is not only aesthetically unappealing but also poses potential health risks. The non-porous nature of solid surface panels serves as an effective barrier against mold proliferation, thereby promoting a healthier and cleaner bathroom environment for you and your family.AntimicrobialBeyond mold resistance, solid surface panels are engineered with the capability to resist a wide range of microbial agents. This intrinsic antimicrobial property further enhances the hygiene and safety of your shower area, reducing the likelihood of bacterial growth and subsequentAcrylic Shower Wall PanelsAcrylic panels have garnered significant attention in the home improvement sector due to their combination of cost-effectiveness, longevity, and visual appeal. They are frequently utilized in bathroom upgrades. But what are their inherent characteristics and advantages?Acrylic shower wall panels are fabricated from a heat-treated thermoplastic compound, resulting in a consistent sheet. These panels are recognized for their polished finish that not only elevates their visual appeal but also offers a mold and mildew-resistant surface. A notable feature of acrylic panels is their ability to mimic various materials. With a wide selection of different colors and patterns, they are a preferred choice for home interiors. For those seeking the aesthetics of natural stone or ceramic at a reduced cost, acrylic stands as an excellent alternative. Moreover, when using individual acrylic sections, a secure and watertight seam between panels can be achieved. Lightweight and Easy to InstallAcrylic panels are notably light, making them ideal for DIY projects. Their installation is uncomplicated, eliminating the need for a professional team. This results in time and labor cost savings.Easy to CleanThe sleek finish on acrylic panels is both aesthetic and functional. It prevents the adherence of water droplets and soap residues. Cleaning is effortless, only requiring a damp cloth without the need for strong chemicals or intensive scrubbing.AffordableOpting for acrylic panels provides a balance of style and utility without straining your budget. They represent excellent value, given their durability and low maintenance needs.WaterproofAcrylic panels inherently resist water due to their non-porous composition. They’re an optimal choice for moisture-prone areas like showers. Their design, having fewer seams than conventional tiles, minimizes the chances of leakage.PVC Shower Wall PanelsPolyvinyl Chloride (PVC) may initially seem complex by name, but within the realm of bathroom refurbishments, it represents economical and functional choices. Let’s delve into the details of PVC shower wall panels.PVC shower wall panels, fabricated from a plastic-derived material, are both lightweight and cost-effective, catering to a broad spectrum of homeowners. Their diverse design and finish options facilitate various aesthetic goals, from contemporary to classic, without incurring the expenses of higher-end materials. LightweightOne of the standout features of PVC panels is their weight. Being incredibly lightweight, they’re easy to transport and handle, which is a boon for DIY projects. This lightness doesn’t compromise their strength, though. They’re sturdy enough to stand up to daily shower use.Water ResistanceEnsuring water resistance is crucial for shower areas. PVC panels, with their non-porous properties, guarantee this protection. They prevent water penetration, safeguarding against potential damage. Their design suits wet environments, promoting durability and minimizing maintenance needs.Low MaintenancePVC panels cater to individuals preferring minimal upkeep. Their sleek design facilitates effortless cleaning of dirt and residues. Additionally, their resistance to mold and mildew ensures a hygienic bathroom ambiance.Cost-EffectiveAre you working within a budget? PVC panels present an optimal solution. As one of the most cost-effective materials available, they combine resilience and aesthetic appeal without straining your finances. They stand out as a top choice for those seeking quality and affordability.Fiberglass Shower Wall PanelsFiberglass, a material with a rich history, has become a favored selection for numerous homeowners, especially in the fabrication of shower wall panels. But what attributes contribute to its distinction?Fiberglass shower wall panels are meticulously manufactured through a process of intertwining delicate glass fibers to form a textile-like base, subsequently reinforced with a resin compound. This technique yields a product that combines lightness with robust strength. Furthermore, these panels frequently feature a gel-coat surface layer, optimizing the texture and augmenting its resistance to water penetration. Lightweight But StrongThe beauty of fiberglass lies in its paradoxical nature. It’s incredibly lightweight, making it easy to handle and install. Yet, its strength is commendable. This balance ensures that homeowners don’t have to compromise on durability when opting for easier installation.Stains ResistanceNobody likes a stained shower wall. Fiberglass panels, with their gel-coat surface, resist most common bathroom stains. Whether it’s soap scum or hard water marks, a simple wipe is often enough to keep the panels looking pristine.Easy to InstallFor those who love a good DIY project, fiberglass panels are a dream. Their lightweight nature combined with their flexibility ensures that installation is straightforward. No need for specialized tools or professional help, making them a cost-effective choice.Tile Shower Wall PanelsTiles have long been a foundational element in bathrooms. Their adaptability and visual appeal have endeared them to homeowners for generations. However, when discussing tile shower wall panels, we are highlighting a contemporary adaptation of this timeless choice.Tile shower wall panels are large, unified panels designed to emulate the appearance of individual tiles. These panels capture the beauty of traditional tiles without the complexities of individual tile placement, grouting, and associated drawbacks. Constructed from materials like porcelain and ceramic, these panels deliver a cohesive appearance while preserving the allure of conventional tiles. Furthermore, they serve as an excellent substitute for glass tiles on shower floors, especially in homes with children or seniors, due to their enhanced grip and minimized slip risk. Highly CustomizableOne of the standout features of tile panels is their customizability. They come in a plethora of designs, colors, and textures. Whether you’re aiming for a contemporary look or a vintage vibe, there’s a tile panel out there that fits the bill. This flexibility ensures that homeowners can achieve their desired bathroom aesthetic with ease.Higher CostQuality often comes at a price. Tile shower wall panels, given their aesthetic appeal and durability, tend to be pricier than some other options like PVC or acrylic. However, many homeowners find the cost justified, given the longevity and upscale look they offer.Require Regular CleaningWhile tile shower wall panels eliminate the hassle of grout lines, they still require regular cleaning to maintain their shine. Water spots, soap scum, and other bathroom residues can dull their appearance over time. Regular cleaning ensures they remain the centerpiece of your bathroom.Comparison of 5 Types of Shower Wall PanelsChoosing the right shower wall panel can be a daunting task given the plethora of options available. To make your decision easier, here’s a comparison of the five types we’ve discussed:
Why Solid Surface Panels Stand Out?Among the variety of shower wall panel options, solid surface panels are often identified as the best option for a wide array of homeowners. These panels come in multiple finishes, including both glossy and matte, to accommodate a range of aesthetic tastes. Importantly, the matte finish not only provides a sophisticated look but also offers scratch resistance, thereby enhancing the long-term durability and appearance of the wall.Solid surface panels offer a superior combination of durability, visual appeal, and ease of maintenance, making them an exceptional selection. Crafted from high-grade resin, these panels are designed for long-lasting performance. Their customizable features enable homeowners to create a distinctive aesthetic that complements the existing plumbing fixtures, thus enhancing the overall visual coherence of the bathroom. Moreover, these panels facilitate a seamless integration with plumbing fixtures, simplifying the installation process without sacrificing the bathroom’s stylish ambiance. Their inherent resistance to mold, mildew, and stains further solidifies their standing as a leading option in the market. Considering their water-resistant, mold-resistant and antimicrobial properties, solid surface panels are often deemed the benchmark for shower wall materials. The added benefit of scratch resistance, especially in the matte finish options, provides homeowners with assurance that their investment will withstand daily wear and tear, maintaining a contemporary and clean appearance for years to come. KKR: Elevate Your Business with Solid Surface Shower Wall PanelsIn the realm of bathroom renovations, a product that synergizes aesthetics, resilience, and innovation is imperative. Enter KKR’s superior solid surface shower wall panels. These panels, formulated with a distinct composition of 100% aluminum hydroxide and high-performance Isophthalic resin, stand unparalleled in their category.Now, to delve into specifics: Traditional materials such as ceramic or acrylic present porosity levels between 1% to 5%. This makes them vulnerable to moisture retention and, in turn, mold proliferation. In contrast, KKR’s solid surface panels maintain an almost negligible porosity, adeptly addressing such issues. Low-maintenance shower wall is crucial, and in this domain, efficiency equates to savings. The impervious character of these panels slashes cleaning durations by up to 70% in comparison to counterparts like natural stone or tiles, which demand consistent sealing and grout upkeep. This efficiency not only denotes long-term fiscal benefits for your clientele but also amplifies customer contentment and allegiance. Furthermore, the adaptability offered by KKR’s panels is transformative. Unlike many materials that present a confined spectrum of designs, KKR’s innovative approach facilitates a vast array of stylistic choices. This versatility ensures that you can serve diverse customer preferences, from the understated to the opulent. In essence, KKR’s solid surface shower wall panels represent an exceptional amalgamation of excellence, endurance, and adaptability. They’re not merely a product but a strategic asset for your enterprise’s esteem and prosperity. ConclusionSelecting the best shower wall material is essential for both visual appeal. functionality and performance. Whether your focus is on durability, budget, or aesthetic, there is a suitable option available. While many prefer solid surface panels due to their numerous advantages, it’s vital to weigh personal requirements and tastes. Ultimately, your bathroom should embody your unique style and necessities. |
2024.05.16 01:07 LiseEclaire [Leveling up the World] - Nobility Arc - Chapter 937
Out there - Patreon (for all those curious or wanting to support :))
At the Beginning
Adventure Arc - Arc 2
Wilderness Arc - Arc 3
Academy Arc - Arc 4
Nobility Arc - Arc 5
Previously on Leveling up the World...
ACADEMY GUARDIAN
Species: COLOSSUS
Class: ELECTRON
Health: 64%
Traits:
- BODY 150
- MIND 80
- REACTION 95
- PERCEPTION 50
Skills:
- ATTACK
- GUARD
- ACROBATICS
- ATHLETICS
Weakness: EARS
An all-out fighter… there could be no doubt that the colossus had been created specifically for this purpose. It was very possible that the emperor had somehow removed all the needless skills during the leveling up process. The choice of material was no accident, either. Combining sun gold with another magic metal to negate the effects of magic was just what someone distrustful of mages would do.
This had to be a secret that even the archbishop didn’t know, otherwise there'd be more examples of it. A metal that rendered a target impervious to magic. Quite a feat, unless the person who had discovered it also happened to be a mage.
It must have been quite the dilemma for you, Jeremy, Dallion thought, amused.
Given enough time, Dallion might uncover the exact composition of the alloy and make use of it. For the moment, his goal was to defeat the colossus.
Flying up to the guardian itself, Dallion performed a dual spiral attack. His harpsisword, as usual, was infused with magic, while the aura sword had magic threads within its blow.
Taking advantage of its high body trait, the guardian swiftly moved to the side. Despite being enormous, the body easily managed to evade the most devastating effects of the attack.
MINOR STRIKE
Dealt damage has been increased by 10%
The spiral attack barely singed the chest of the being, while the magic attack bounced off, completely repelled.
“Have you fought anything like this before?” Dallion asked, filling the air with spark infused line attacks.
The glowing threads of destruction sliced through the vines and vegetation of the realm like a scythe through grass. Unfortunately, none of them managed to touch the Colossus.
Without warning, one of the being’s massive fists blocked out the sky, flying straight towards Dallion. Thanks to his reaction trait, Dallion was able to spot the attack. His body movements alone would have been too slow to escape, but thankfully the flying spell he had cast was affected by thought alone.
For half a second Dallion flew back, the colossus’ fist mere feet away from him. Aether barriers appeared by the dozen, cast by a single slash of Dallion’s aura sword. All of them were shattered, not even remotely slowing down the guardian’s attack. Finally, after what felt like minutes, the distance from the golden knuckles widened.
Leave it to the emperor to come up with something like this, Adzorg said, almost with admiration. The perfect counter for a mage. With such a high body trait and invulnerability to magic, there wouldn’t be anyone capable of stopping it.
“Thanks for the vote of confidence,” Dallion snapped. Yet, even he had to admit that the counter was perfect. Remove spells from a mage and they become extraordinarily weak. Even the noble exceptions would hesitate, which was more than enough time for the guardian to dispatch them.
A relatively safe distance away, Dallion cast a series of spells to boost his speed and strength. Once done, he followed up with a quick spell to create an aether blade. The new weapon was quickly covered with a series of illusion spells with the goal of removing the colossus magic invulnerability.
Splitting into two hundred instances, Dallion darted back down, then thrust the blade straight at the guardian’s chest. The enhanced speed prevented the being from evading the attack. Unfortunately, that was all it did. The aether blade shattered, turning to dust the moment it came into contact with the sun gold alloy.
“You’re skilled,” the guardian admitted as he went on a multi attack, attempting to snatch Dallion from the air.
The actions were fast and precise, not to mention covering a vast range. It was purely thanks to the large number of instances that Dallion managed to retreat into the sky unharmed.
“The most skilled I’ve seen,” he added, leaping into the air.
Suddenly, the distance between the two disappeared.
MAJOR WOUND
Your health has been reduced by 50%
Dallion felt the hard surface slam into him, sending him flying miles away. Normally, that could be considered as a good thing, but a colossus of this size and speed could easily catch up to him no matter where he was thrown.
Lux! Dallion thought.
Without needing further instructions, the firebird emerged, wrapping Dallion with its blue flames and propelling him up, faster than even the colossus could manage.
That was too close. If it hadn’t been the few moments in which Lux had healed Dallion back in the real world, the battle would have been over. Right now, Dallion was barely at one percent of his health. The only times he’d fallen so low were back in the first awakening shrine. There, losing only meant being ejected from the realm. As a domain ruler, if he were to have his health depleted, he’d die on the spot.
“Better than your creator?” Dallion shouted—a desperate move to make use of his music skills. To his great surprise, it worked.
Several strands attached to the guardian as he fell back to the ground with a slam. The entire realm shook.
“Better than he was when he created this realm,” the guardian replied. “Even I was weaker when I chose to become the realm’s guardian. You could have taken me easily. My skin was granite and my speed, just over half what it is now.”
Focusing, Dallion skimmed over the surface of the mountain, using his forging skills in an attempt to spot any crack or weakness he could use. If any existed, they had been mended centuries ago. It was obvious that the emperor had kept improving the guardian multiple times, but it was more than that. During the improvement, he had changed the material until reaching its current composition. There was no telling how many times he had gone through it. Reaching simple gold was a difficult task. Achieving any of the magical materials required magic forging, and even it was not a given.
You know its weakness, don’t you? Dallion wondered. There was no way Jeremy would allow anything, be it a guardian, to be stronger than him. There had to be some weakness—a blind spot that only he could take advantage of.
With the music strands fading away, the effects ended, sending the guardian up again as he attempted to reach Dallion yet again.
There was no doubt that Lux had taken him dozens of miles above the ground, but that alone was not enough. Dallion felt the sky itself move down, bringing the ground closer. Had this been an overseer, the fight might well have ended. As things stood, there were several possibilities for success.
“Here we go!” Reaching through his personal realm into his wider domain, Dallion summoned a rocket crossbow. Although the colossus had the power to reflect all spells, he didn’t have the power to negate them.
The massive weapon emerged in front of him, already loaded with four deadly charges. Dallion held his breath. Waiting for the colossus to get fifty feet from him, he shot all four rocket bolts straight at the guardian’s head and shoulders.
AVERAGE HIT
Dealt damage has been increased by 50%
AVERAGE HIT
Dealt damage has been increased by 50%
MODERATE HIT
Dealt damage has been increased by 150%
AVERAGE HIT
Dealt damage has been increased by 50%
The force of the blast pushed the colossus back down before he could reach his target. All the speed he had was wasted into the air.
Realm section damaged!
Overall completion 59%
The entity slammed into the ground, sending a shock wave throughout the entire realm. Ripples formed through the mesh of magic threads that composed the ground, slowly settling once they reached its limits.
Unsummoning the weapon, Dallion immediately replaced it with a new one.
Once the dust had settled, the results were a lot less impactful as he had hoped. Some might even call them underwhelming.
In the real world, such an attack would have been enough to destroy living armor. Here, they had merely scarred the guardian. The most serious wound—located slightly above the shoulder—was barely the size of a jab. As for the rest—they were just scars.
“Jeremy must have improved you a lot.” Dallion resorted to his music skills. In his mind, he knew that this was the method, yet he had to rely on the colossus’ weakness. “How many times did you go through this?”
“Why do you want this domain?” The guardian stood back up. “It won’t increase your level.”
“If it’s so useless, why not just surrender and give it to me without a fight?” Dallion smirked.
The colossus didn’t react.
“See? It only doesn’t matter as long as you have it. We both know that no one will allow so much magic to go unused.”
“You just want to feed your dragon.”
“I’m sure that Jeremy did the same.” In his mind Dallion was calculating possibilities of how to get the guardian to face the right direction so he could initiate a killing shot.
“He did, but you’re greedier.”
The response was surprising on several levels. When he said it, Dallion didn’t believe it to have been true. According to everything he had learned in the Learning Hall, the first Emperor Tamin had transformed his companion familiar into a great dragon, through lots of magic and leveling up. Nowhere was it said that the entire domain of the Academy had been used as a grazing ground. Yet, that would explain why the area was so sparsely built in relation to its size.
MAJOR HEAL
Your health has been increased by 50%
A green rectangle emerged. Lux had managed to restore a large chunk of Dallion’s health, and not a moment too soon.
“Get me to his ear,” Dallion ordered, bursting into instances.
Hundreds of versions circled the guardian’s head, yet each time the result was the same. The Colossus’ speed was just too fast for Dallion to do anything about it, even with his magic boost. Of two hundred instances, forty-one managed to get anywhere close to the guardian’s head. Less than a third of them managed to fire, and in all those cases, the guardian twisted his head, causing the rockets to explode on his face. Damage was dealt, though it was a far cry from the kill shot that Dallion needed.
“Jeremy used that millennia ago.” The colossus grabbed a patch of ground and threw it in Dallion’s general direction.
The speed was impressive, fading half of Dallion’s newly created instances.
“He did, did he?” Dallion unsummoned the empty crossbow. “Then how about something new?”
Summoning his usual two blades, Dallion spun in the air, casting point attacks throughout the realm.
“Predictable.” The colossus dashed from one place to another, using his left arm to shield himself from the magic attacks, while avoiding the spark infused ones. “Jeremy used that twice.”
Not quite this, Dallion thought.
The issue with someone incapable of seeing magic was that they couldn’t tell the difference between a destructive and an effect spell. A large part of the aether point attacks were not mere attacks, but effect spells surrounding a small magic core. Coming into contact with the threads on the ground, they changed into symbols, patiently waiting to be connected. There was no way for the guardian to see that, and because of the devastation to which the area had been submitted, there wasn’t anyone nearby to tell him.
Got you! Dallion said to himself, completing the magic circle. It extended for miles, only visible from high above. The effect, though, was something no one could miss.
In a split second, the ground that the guardian had been running on lost its firmness. With a massive splash, the colossus vanished beneath the surface, like a carriage falling through thin ice into a river.
Next
submitted by LiseEclaire to redditserials [link] [comments]
Adventure Arc - Arc 2
Wilderness Arc - Arc 3
Academy Arc - Arc 4
Nobility Arc - Arc 5
Previously on Leveling up the World...
Species: COLOSSUS
Class: ELECTRON
Health: 64%
Traits:
- BODY 150
- MIND 80
- REACTION 95
- PERCEPTION 50
Skills:
- ATTACK
- GUARD
- ACROBATICS
- ATHLETICS
Weakness: EARS
An all-out fighter… there could be no doubt that the colossus had been created specifically for this purpose. It was very possible that the emperor had somehow removed all the needless skills during the leveling up process. The choice of material was no accident, either. Combining sun gold with another magic metal to negate the effects of magic was just what someone distrustful of mages would do.
This had to be a secret that even the archbishop didn’t know, otherwise there'd be more examples of it. A metal that rendered a target impervious to magic. Quite a feat, unless the person who had discovered it also happened to be a mage.
It must have been quite the dilemma for you, Jeremy, Dallion thought, amused.
Given enough time, Dallion might uncover the exact composition of the alloy and make use of it. For the moment, his goal was to defeat the colossus.
Flying up to the guardian itself, Dallion performed a dual spiral attack. His harpsisword, as usual, was infused with magic, while the aura sword had magic threads within its blow.
Taking advantage of its high body trait, the guardian swiftly moved to the side. Despite being enormous, the body easily managed to evade the most devastating effects of the attack.
MINOR STRIKE
Dealt damage has been increased by 10%
The spiral attack barely singed the chest of the being, while the magic attack bounced off, completely repelled.
“Have you fought anything like this before?” Dallion asked, filling the air with spark infused line attacks.
The glowing threads of destruction sliced through the vines and vegetation of the realm like a scythe through grass. Unfortunately, none of them managed to touch the Colossus.
Without warning, one of the being’s massive fists blocked out the sky, flying straight towards Dallion. Thanks to his reaction trait, Dallion was able to spot the attack. His body movements alone would have been too slow to escape, but thankfully the flying spell he had cast was affected by thought alone.
For half a second Dallion flew back, the colossus’ fist mere feet away from him. Aether barriers appeared by the dozen, cast by a single slash of Dallion’s aura sword. All of them were shattered, not even remotely slowing down the guardian’s attack. Finally, after what felt like minutes, the distance from the golden knuckles widened.
Leave it to the emperor to come up with something like this, Adzorg said, almost with admiration. The perfect counter for a mage. With such a high body trait and invulnerability to magic, there wouldn’t be anyone capable of stopping it.
“Thanks for the vote of confidence,” Dallion snapped. Yet, even he had to admit that the counter was perfect. Remove spells from a mage and they become extraordinarily weak. Even the noble exceptions would hesitate, which was more than enough time for the guardian to dispatch them.
A relatively safe distance away, Dallion cast a series of spells to boost his speed and strength. Once done, he followed up with a quick spell to create an aether blade. The new weapon was quickly covered with a series of illusion spells with the goal of removing the colossus magic invulnerability.
Splitting into two hundred instances, Dallion darted back down, then thrust the blade straight at the guardian’s chest. The enhanced speed prevented the being from evading the attack. Unfortunately, that was all it did. The aether blade shattered, turning to dust the moment it came into contact with the sun gold alloy.
“You’re skilled,” the guardian admitted as he went on a multi attack, attempting to snatch Dallion from the air.
The actions were fast and precise, not to mention covering a vast range. It was purely thanks to the large number of instances that Dallion managed to retreat into the sky unharmed.
“The most skilled I’ve seen,” he added, leaping into the air.
Suddenly, the distance between the two disappeared.
MAJOR WOUND
Your health has been reduced by 50%
Dallion felt the hard surface slam into him, sending him flying miles away. Normally, that could be considered as a good thing, but a colossus of this size and speed could easily catch up to him no matter where he was thrown.
Lux! Dallion thought.
Without needing further instructions, the firebird emerged, wrapping Dallion with its blue flames and propelling him up, faster than even the colossus could manage.
That was too close. If it hadn’t been the few moments in which Lux had healed Dallion back in the real world, the battle would have been over. Right now, Dallion was barely at one percent of his health. The only times he’d fallen so low were back in the first awakening shrine. There, losing only meant being ejected from the realm. As a domain ruler, if he were to have his health depleted, he’d die on the spot.
“Better than your creator?” Dallion shouted—a desperate move to make use of his music skills. To his great surprise, it worked.
Several strands attached to the guardian as he fell back to the ground with a slam. The entire realm shook.
“Better than he was when he created this realm,” the guardian replied. “Even I was weaker when I chose to become the realm’s guardian. You could have taken me easily. My skin was granite and my speed, just over half what it is now.”
Focusing, Dallion skimmed over the surface of the mountain, using his forging skills in an attempt to spot any crack or weakness he could use. If any existed, they had been mended centuries ago. It was obvious that the emperor had kept improving the guardian multiple times, but it was more than that. During the improvement, he had changed the material until reaching its current composition. There was no telling how many times he had gone through it. Reaching simple gold was a difficult task. Achieving any of the magical materials required magic forging, and even it was not a given.
You know its weakness, don’t you? Dallion wondered. There was no way Jeremy would allow anything, be it a guardian, to be stronger than him. There had to be some weakness—a blind spot that only he could take advantage of.
With the music strands fading away, the effects ended, sending the guardian up again as he attempted to reach Dallion yet again.
There was no doubt that Lux had taken him dozens of miles above the ground, but that alone was not enough. Dallion felt the sky itself move down, bringing the ground closer. Had this been an overseer, the fight might well have ended. As things stood, there were several possibilities for success.
“Here we go!” Reaching through his personal realm into his wider domain, Dallion summoned a rocket crossbow. Although the colossus had the power to reflect all spells, he didn’t have the power to negate them.
The massive weapon emerged in front of him, already loaded with four deadly charges. Dallion held his breath. Waiting for the colossus to get fifty feet from him, he shot all four rocket bolts straight at the guardian’s head and shoulders.
AVERAGE HIT
Dealt damage has been increased by 50%
AVERAGE HIT
Dealt damage has been increased by 50%
MODERATE HIT
Dealt damage has been increased by 150%
AVERAGE HIT
Dealt damage has been increased by 50%
The force of the blast pushed the colossus back down before he could reach his target. All the speed he had was wasted into the air.
Realm section damaged!
Overall completion 59%
The entity slammed into the ground, sending a shock wave throughout the entire realm. Ripples formed through the mesh of magic threads that composed the ground, slowly settling once they reached its limits.
Unsummoning the weapon, Dallion immediately replaced it with a new one.
Once the dust had settled, the results were a lot less impactful as he had hoped. Some might even call them underwhelming.
In the real world, such an attack would have been enough to destroy living armor. Here, they had merely scarred the guardian. The most serious wound—located slightly above the shoulder—was barely the size of a jab. As for the rest—they were just scars.
“Jeremy must have improved you a lot.” Dallion resorted to his music skills. In his mind, he knew that this was the method, yet he had to rely on the colossus’ weakness. “How many times did you go through this?”
“Why do you want this domain?” The guardian stood back up. “It won’t increase your level.”
“If it’s so useless, why not just surrender and give it to me without a fight?” Dallion smirked.
The colossus didn’t react.
“See? It only doesn’t matter as long as you have it. We both know that no one will allow so much magic to go unused.”
“You just want to feed your dragon.”
“I’m sure that Jeremy did the same.” In his mind Dallion was calculating possibilities of how to get the guardian to face the right direction so he could initiate a killing shot.
“He did, but you’re greedier.”
The response was surprising on several levels. When he said it, Dallion didn’t believe it to have been true. According to everything he had learned in the Learning Hall, the first Emperor Tamin had transformed his companion familiar into a great dragon, through lots of magic and leveling up. Nowhere was it said that the entire domain of the Academy had been used as a grazing ground. Yet, that would explain why the area was so sparsely built in relation to its size.
MAJOR HEAL
Your health has been increased by 50%
A green rectangle emerged. Lux had managed to restore a large chunk of Dallion’s health, and not a moment too soon.
“Get me to his ear,” Dallion ordered, bursting into instances.
Hundreds of versions circled the guardian’s head, yet each time the result was the same. The Colossus’ speed was just too fast for Dallion to do anything about it, even with his magic boost. Of two hundred instances, forty-one managed to get anywhere close to the guardian’s head. Less than a third of them managed to fire, and in all those cases, the guardian twisted his head, causing the rockets to explode on his face. Damage was dealt, though it was a far cry from the kill shot that Dallion needed.
“Jeremy used that millennia ago.” The colossus grabbed a patch of ground and threw it in Dallion’s general direction.
The speed was impressive, fading half of Dallion’s newly created instances.
“He did, did he?” Dallion unsummoned the empty crossbow. “Then how about something new?”
Summoning his usual two blades, Dallion spun in the air, casting point attacks throughout the realm.
“Predictable.” The colossus dashed from one place to another, using his left arm to shield himself from the magic attacks, while avoiding the spark infused ones. “Jeremy used that twice.”
Not quite this, Dallion thought.
The issue with someone incapable of seeing magic was that they couldn’t tell the difference between a destructive and an effect spell. A large part of the aether point attacks were not mere attacks, but effect spells surrounding a small magic core. Coming into contact with the threads on the ground, they changed into symbols, patiently waiting to be connected. There was no way for the guardian to see that, and because of the devastation to which the area had been submitted, there wasn’t anyone nearby to tell him.
Got you! Dallion said to himself, completing the magic circle. It extended for miles, only visible from high above. The effect, though, was something no one could miss.
In a split second, the ground that the guardian had been running on lost its firmness. With a massive splash, the colossus vanished beneath the surface, like a carriage falling through thin ice into a river.
2024.05.13 07:56 tab_rick The Ultimate Guide to Kitchen Sink Material Pros and Cons
 | In contemporary homes today, the kitchen isn’t just a place for cooking—it’s a reflection of one’s taste, practicality, and daily living habits. And guess what? The kitchen sink, often overlooked, plays a starring role. But with so many options out there, how does one pick the perfect sink? submitted by tab_rick to KKRsolidsurface [link] [comments] It’s more than just finding a sink that looks good next to your counters or fits well with your cupboards. It’s about diving into the details of each material, exploring design intricacies, and considering the nitty-gritty of everyday use. For example, the shiny allure of a stainless steel sink is undeniable, but let’s not forget those pesky water spots. Granite sinks? A feast for the eyes but they come with a manual for upkeep, prompting many homeowners to lean towards the dependable solid surface sink. In the next few paragraphs, we’re going to dig into the good, the bad, and the ugly of various sink materials. We’ve got the insights and the facts to help you, whether you’re a homeowner sprucing up your space, doing some kitchen remodel or a pro advising clients. We’re breaking down the confusing world of kitchen sinks to make your decision a breeze. Just remember, the right sink marries both function and style. Ready to jump in? What Defines a Good Sink Material?https://preview.redd.it/3xqsvnvvt40d1.png?width=1024&format=png&auto=webp&s=0fa8fa3428f5c9f54931d0aacfb9afdcbc75db8cWhat should a best kitchen sink material look like? Today, the role of the kitchen sink has completely changed. It exists not only to complete the work, but also to show the personality of the homeowners to a certain extent. Homeowners and kitchen professionals are always looking for the perfect blend of style and functionality. So, what is the ultimate kitchen sink? First, it must be durable. I mean, the kitchen is the heart of the home, right? We need a sink that would stand up to the elements day in and day out. It should be able to withstand all the chaos and mishaps without looking like it’s been put through the wringer. Then it needs to be able to withstand high temperatures, with the kitchen basically being a mini-volcano of sizzling pans, bubbling pots and steaming kettles. Therefore, our sinks need to stay cool under pressure. When an object heats up, it should not deform, fade, or melt. Now, let’s talk about appearance. The sink must be generous. Whether you prefer vintage charm or a modern minimalist vibe, a sink should fit the style of your kitchen. Taken together, the solid surface sink performs very well. They are sturdy, stylish, easy-going and versatile. Up to 80% of households using these sinks give them two thumbs up. They quickly became the MVP of kitchens everywhere. In short, they are a combination of cool and functional. Solid Surface SinksSolid surface sinks are typically crafted from a blend of acrylic resin and natural stone dust, providing the luxurious look of stone. Among the myriad of kitchen sink materials available, solid surface sinks have emerged as a popular choice for homeowners seeking a balance between aesthetics and functionality.Pros of Solid Surface
Cons of Solid Surface
Stainless Steel SinksStainless Steel Sinks are a mix of steel and chromium. They’re all shiny and tough, fighting off rust like champs. Loads of homeowners go for these because wiping them down is a breeze, and they hang around for ages. They’ve got that sleek, modern vibe.Pros of Stainless Steel
Cons of Stainless Steel
Copper SinksCrafted from pure copper, these sinks have a beautiful brownish color. Over time, they might get a patina, a natural coat that changes its shade, giving it a unique look. Some believe that copper has germ-killing properties.Pros of Copper
Cons of Copper
Enameled Cast Iron SinksThese are made of solid iron coated with enamel. The enamel gives them a smooth surface and can come in many colors. It combines the strength of iron with a beautiful finish and is great for a traditional kitchen vibe.Pros of Enameled Cast Iron
Cons of Enameled Cast Iron
Granite and Quartz SinksComposed mainly of natural granite or quartz particles, these sinks give a stone-like feel. They are hard and resist scratches. Their natural look is a favorite among those who want elegance.Pros of Granite and Quartz
Cons of Granite and Quartz
Stone Composite SinksThese sinks are made by mixing crushed stone with some sticky stuff called resins. They end up being super tough and can handle a lot of heat. They’ve got the look of real stone without breaking the bank.Pros of Stone Composite
Cons of Stone Composite
Porcelain SinksThese are made by baking clay super hot until it’s glossy and white. They’ve got this neat, classic vibe and you’ll often spot them in bathrooms.Pros of Porcelain
Cons of Porcelain
Maintenance and Care Tips for Perfect SinksTaking care of the sinks in your kitchen and bathroom really matters. These pointers will help you keep your sink sparkly clean and looking fresh. Let’s dive into the right way to do it!What you SHOULD do:
What you SHOULD avoid:
Why do this?
Wrapping Up So, keep in mind to wash your sink regularly with some gentle soap, and steer clear of stuff that could damage it. Make sure it’s dry and free of anything that could cause rust. Following these simple steps can keep your sink running smoothly and looking fab for years to come. Comparing Costs Across MaterialsHey, give this a whirl: considering those solid surface sinks as a right choice for your kitchen redo? Picture this – they’re kinda like those trusty old sneakers that don’t break the bank. You know, research says they can go strong for a decade or even longer if you treat them right.
Why Choose KKR Solid Surface Kitchen Sinks to Improve Your Business?
ConclusionCompared with all kinds of kitchen sink materials, there is no doubt that solid surface sink comes out on top in every performance. And the appeal of KKR solid surface kitchen sinks is evident. They harmonize the durability of composite materials with the allure of natural ones. Whether you’re designing the interior of a kitchen, weighing the merits of cabinetry and decor, or deciding upon a bathroom sink, KKR sinks emerge as a clear choice.In essence, the ideal sink should be resilient against the trials of time, easy to maintain against daily grime, and effortlessly elevate the aesthetic of any space. With KKR solid surface sinks, one doesn’t have to choose between beauty and durability. They effortlessly encapsulate both, making them the right material for any space, be it kitchen or bathroom. Choose wisely; choose solid surface, choose KKR. |
2024.05.13 07:35 tab_rick 10 Best Bathroom Sink Manufacturers in the World
 | In the ever-evolving world of kitchen & bathroom design, the bathroom sink stands as an iconic centerpiece, embodying both form and function. From the rustic charm of copper sinks to the sleek elegance of solid surface, stainless steel and vitreous china, choices in the market cater to every taste and decor style. Vessel sinks, with their countertop placement, have risen in popularity, especially in upscale powder rooms and modern bathroom designs. Pedestal sinks exude a classic aura, while the durability of granite composite and cast iron remains unmatched. As we dive deeper into this sector, we’ll spotlight some of the industry’s top manufacturers, shaping trends and elevating spaces across the globe. submitted by tab_rick to KKRsolidsurface [link] [comments] KingkonreeHeadquarters: Shenzhen, ChinaYears of Experience: 23 Main Market: Worldwide Main Products:
About Kingkonree: Kingkonree, often referred to as KKR, is more than just a brand—it represents a benchmark of excellence and innovation in the commercial sink industry. With over two decades of history, KKR offers a diverse product portfolio, from solid surface sinks to meticulously crafted bathroom vanities, addressing a wide spectrum of needs. KKR offers a wide variety of products that not only showcase diversity but also meet exceptional quality standards. Each product reflects KKR’s unwavering commitment to superior craftsmanship, evident in the immaculate finishes achieved through meticulous sanding processes and the uniform textures they maintain. Their utilization of high-grade resins guarantees the sustained beauty and effectiveness of their products. Central to KKR’s ethos is the principle of collaboration. Their in-house design experts, consistently updated with the latest design paradigms, work synergistically with external specialists to craft tailored solutions for each requirement. Their expertise in providing both OEM and ODM services underscores their adaptability and dedication to client fulfillment. Whether engaging with furniture enterprises or coordinating with distributors from inception to finalization, KKR maintains an unwavering emphasis on quality and timeliness. Being ISO 9001 certified, KKR continuously surpasses international benchmarks, making them a top choice in sectors such as hospitality and retail design. Their esteemed reputation is further elevated by recognition from the hospitality sector, particularly for adhering to hygiene standards. Ultimately, Kingkonree is more than just a brand—it signifies a promise of quality, forward-thinking innovation, and enduring collaborations. Kohler Co.Headquarters: Wisconsin, USAYears of Experience: Over 150 years Main Market: Global Main Products:
Kohler Co. epitomizes the fusion of tradition, innovation, and luxury in bathroom fixtures. Established over a century ago in Kohler, Wisconsin, the brand has persistently set industry benchmarks in bathroom and kitchen aesthetics, gaining global recognition. Kohler’s sinks manifest their unwavering dedication to quality. From the classic allure of their pedestal sinks evoking timeless elegance to the contemporary finesse of their undermount sinks that merge flawlessly with countertops, they cater to diverse preferences. However, Kohler’s distinction lies beyond mere design; it’s in the craftsmanship. Every sink isn’t just an aesthetic achievement but also a pinnacle of functionality, designed for enduring daily demands, guaranteeing homeowners a harmonious blend of style and resilience. At its core, innovation drives Kohler’s vision. Beyond just manufacturing sinks, they are committed to elevating the user experience. Innovations such as noise-reducing basins and scratch-resistant surfaces exemplify their progressive mindset. They intuitively address the requirements of today’s homeowners, providing solutions that streamline and enhance daily tasks. What genuinely distinguishes Kohler Co., though, is its storied legacy. While they have navigated through changing design currents over decades, their foundational principles of quality, luxury, and innovation have been unwavering. This amalgamation of deep-rooted experience and agility ensures that they not only meet but frequently surpass the dynamic needs of the market. In summary, Kohler Co. transcends mere fixtures; they curate experiences. Each sink they fashion embodies a commitment – an assurance of unparalleled quality, enduring design, and trailblazing innovation. VIGOHeadquarters: New York, USAYears of Experience: 14 Main Market: USA and worldwide Main Products:
Located in the dynamic heart of New York City, VIGO stands as a distinguished icon of contemporary design within the kitchen and bath fixture industry. For over ten years, the brand has pursued a singular vision: enhancing daily life. Their method? Designing products that seamlessly meld functionality with visual appeal. The collections from VIGO underscore their unwavering dedication to design excellence. Each item, whether it’s their top-tier faucets, robust sinks, or refreshing showers, embodies a modern aesthetic that balances style with practicality. But VIGO goes beyond mere aesthetics; they curate experiences. Envision immersing yourself in a shower framed by VIGO’s sophisticated screens, or using a faucet that operates as seamlessly as it looks. This encapsulates the VIGO journey. Yet, VIGO’s focus isn’t limited to the present; they’re poised for the future. Their commitment to innovation shines through the meticulous testing of each product, assuring that customers receive items that are not just in vogue but also of the highest quality. Boasting certifications from renowned bodies like ANSI, IAPMO, and UPC, VIGO products not only adhere to industry benchmarks but frequently define them. What truly differentiates VIGO is their design philosophy. They are steadfast in the belief that every kitchen and bath, irrespective of dimensions or decor, merits excellence. With VIGO, this excellence is guaranteed – a harmonious fusion of New York City’s pulsating energy, avant-garde design, and unparalleled quality. Kraus USAHeadquarters: Washington, USAYears of Experience: 16 Main Market: USA and worldwide Main Products:
Located in the central district of Port Washington, New York, Kraus has stood as a hallmark of innovative design since 2007. With an ambition to redefine the kitchen and bath sector, Kraus consistently offers products that are not only in line with contemporary aesthetics but also emphasize functionality and longevity. Exploring their product lineup reveals a diverse selection of sinks tailored to various design tastes. Whether you appreciate the timeless appeal of ceramic sinks, the modern sophistication of solid surface basins, or the distinct beauty of glass sinks, Kraus presents a fitting option. Beyond aesthetics, Kraus’s sinks prioritize user experience. From the streamlined undermount sinks that meld seamlessly with countertops to the striking vessel sinks that enhance bathroom visuals, each product harmoniously merges style with utility. Central to Kraus’s ethos are three fundamental principles: Quality, Creativity, and Design. They champion the idea that thoughtful design can elevate daily spaces, transforming them into zones of relaxation and revival. Their continuous drive for innovation, coupled with a focus on affordability, ensures that every product embodies their slogan: “Live Beautifully™.” BlancoHeadquarters: Oberderdingen, GermanyYears of Experience: Over 98 Main Market: Worldwide Main Products:
Within the domain of kitchen and bath fixtures, Blanco is distinguished not only by its product assortment but also by its unwavering dedication to quality and innovation. Among their diverse sink offerings, spanning ceramic to stainless steel, are their SILGRANIT sinks that are truly distinctive. So, what sets SILGRANIT apart? SILGRANIT is a premium granite composite designed with contemporary homeowners in mind. Beyond its visually appealing matte finish and refined appearance, it champions both functionality and durability. These sinks are built to last, ensuring a lasting return on your investment. Their non-porous nature renders them hygienic and effortless to maintain. From spills and stains to scratches, SILGRANIT stands resilient, making it a preferred choice for those seeking a harmonious blend of aesthetics and endurance. However, Blanco’s dedication extends beyond pioneering materials. Recognizing that a sink is more than a mere functional unit, they view it as a pivotal component of your home’s design ethos. Whether your preference leans towards a sleek modern aesthetic or a classic touch, Blanco offers a sink that flawlessly aligns with your design vision. Villeroy & BochHeadquarters: Mettlach, GermanyYears of Experience: 275 Main Market: Worldwide Main Sink Products:
Established in 1748, Villeroy & Boch epitomizes enduring dedication to quality craftsmanship and forward-thinking design. Centrally located in Europe, this brand has consistently led the realm of ceramic excellence, setting new standards in design and utility. Within their extensive collection, you will discover a diverse array of sink designs tailored to cater to distinct tastes and requirements. From the flawless integration of their drop-in sinks, the refined elegance of their vessel sinks, to the utility of their vanity sinks, Villeroy & Boch strikes a perfect balance between aesthetics and functionality. Their TitanCeram sinks, defined by meticulous craftsmanship and slender walls, underscore the brand’s devotion to pioneering ceramic artistry. Furthermore, Villeroy & Boch’s spirit of innovation extends beyond mere aesthetics. They have incorporated cutting-edge technologies such as CeramicPlus, facilitating effortless cleaning as liquids effortlessly roll off the sink. Moreover, with a focus on health, their AntiBac technology delivers antimicrobial protection, promoting a hygienic bathroom ambiance. In essence, Villeroy & Boch isn’t merely a brand but a storied legacy. It symbolizes a tradition of quality, design, and an unwavering commitment to elevating home interiors. Their sinks serve not merely as fixtures but as testamentary pieces, reflecting a storied past while embracing the future of design. Elkay Manufacturing CompanyHeadquarters: Downers Grove, IllinoisYears of Experience: 103 Main Market: Worldwide Main Sink Products:
Established in 1920 by Leopold Katz and Louis Katz in Chicago, Elkay Manufacturing Company set forth with a clear objective: to deliver superior-quality sinks and provide exceptional service. Today, they are recognized as America’s premier kitchen sink manufacturer, having diversified their product line to include an extensive range of kitchen and bathroom plumbing systems, commercial sinks, and water delivery systems. Elkay’s diverse product lineup underscores their dedication to innovation and excellence. Their workstation sinks, crafted from materials such as stainless steel, fireclay, and quartz, are structured to elevate kitchen efficiency, promoting a streamlined and organized workspace. Elkay ensures there’s a sink suitable for every taste, be it the resilient nature and adaptable aesthetic of stainless steel, the lively hues of quartz, or the wear-resistant finish of fireclay. Elkay’s prowess extends beyond residential offerings. They have established a distinguished presence in the domain of commercial-grade stainless steel sinks, serving industries like healthcare, education, and foodservice. Their ADA-compliant offerings further reflect their commitment to inclusivity, making certain that facilities cater to all individuals. Central to Elkay’s impressive journey is their steadfast dedication to customer contentment. Their sink selection tool, curated to aid customers in identifying the ideal sink, exemplifies their client-focused approach. From their modest inception in Chicago to their present stature as sector front-runners, Elkay consistently upholds its legacy, extending quality and novelty with each contented customer. HansgroheHeadquarters: Schiltach, GermanyYears of Experience: 122 Main Market: Worldwide Main Products:
Hansgrohe sinks transcend mere functionality. They epitomize the brand’s commitment to marrying aesthetic elegance with practicality. Their minimalist rectangular silhouette, accentuated by a distinctive L-shaped rim, integrates gracefully into contemporary kitchens or bathrooms, serving as a central design feature. For any setting, from individualized compact spaces to expansive family kitchen islands, Hansgrohe presents a curated selection of sink sizes and styles to address every requirement. The portfolio ranges from sleek single sinks designed for constrained spaces to dual sinks that facilitate efficient multitasking. Material selection further underscores Hansgrohe’s unwavering dedication to excellence. Their stainless steel sinks radiate enduring sophistication, while their SilicaTec granite variants introduce an essence of organic grace, available in hues to harmonize with all interior palettes. Beyond aesthetics, durability is paramount. Their stainless steel models, crafted from premium hand-welded steel, guarantee prolonged use and effortless maintenance. In contrast, their granite sinks, fortified with sturdy quartz particles, ensure a resilient surface. Conclusively, Hansgrohe assures the impeccable pairing of taps with their sinks, achieving design cohesion without any sacrifice in quality. LinkasinkHeadquarters: Phoenix, ArizonaYears of Experience: 22 Main Market: Worldwide Main Products: Copper, Cast Bronze, Smooth & Hammered Metals, Concrete, Glass, Mother of Pearl Inlay, Jeweled, and Mosaic Tile Sinks. About Linkasink: Linkasink stands as a beacon of artistic excellence, craftsmanship, and innovative design. Catering to both modern and classic aesthetics, it has established a distinct presence in the realm of kitchen and bath design. Whether you appreciate the historical essence or the modern sophistication of stainless steel tile mosaics, Linkasink promises elegance in every creation. Its dedication to handcrafted precision distinguishes the brand. Each sink is a testament to the skills of artisans, who employ time-honored methods to breathe life into every design. This rigorous precision ensures that every Linkasink product transcends functionality, becoming a piece of art. Linkasink’s genesis traces back to the vision of esteemed interior designer, Kirk Guthrie. His pursuit of bespoke copper sinks, unmet by the market, led him to partner with copper craftsmen in Mexico. This collaboration birthed unparalleled, custom-made sinks that swiftly garnered industry attention. Transitioning from a modest showcase at the Kitchen & Bath Show to an industry stalwart, Linkasink’s trajectory underscores its commitment to innovation, zeal, and the art of handcrafted design. Stone ForestHeadquarters: Santa Fe, New MexicoYears of Experience: 32 Main Market: Worldwide Main Products:
Stone Forest stands as more than a brand—it represents a harmonious fusion of nature’s pristine beauty and human innovation. Grounded in a deep appreciation for natural elements and an astute sense of design, Stone Forest has consistently led in creating sinks and fixtures that balance artistry with functionality. Each creation by Stone Forest narrates the tale of its origin, detailing the journey of a raw stone meticulously refined into an opulent fixture. The brand’s unwavering dedication to preserving the authentic allure of these materials guarantees that every product boasts its distinct texture, character, and charisma. Beyond mere visual appeal, Stone Forest underscores its dedication to sink excellence and longevity. By leveraging the inherent robustness of natural elements, the brand ensures its sinks are not only aesthetically pleasing but also enduring, presenting unmatched value to its clientele. Stone Forest’s legacy is rooted in its relentless pursuit of innovation and superior quality. From sourcing the most exquisite stones to engaging skilled artisans who mold these elements with unmatched precision, Stone Forest has continually set new standards in luxury kitchen and bath design. What Defines a Good Bathroom Sink Manufacturer?A premier bathroom sink manufacturer is characterized by meticulous standards that underscore quality, utility, and client fulfillment. Essential factors to evaluate include:
ConclusionHere is a summarized comparison table:
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2024.05.13 03:38 StewedLicense30 Question for sealing wood handle
I have recently gotten into making knives and have just begun using wood for handles ( I used resin based scales for all my previous ones) and have a question on waterproofing the handle. I pretty much know what I'm going to use to waterproof the handle (linseed oil) but I'd like to know if y'all have had any issues with the linseed oil reacting with the epoxy putty in any way since I'd be sealing the handle after I put it on the knife. The second question I have is would the linseed oil cause any issues with an inlay I'm planning to put in the handle? It's going to be a piece of gemstone composite from jantz (also sealed in place with jb weld epoxy resin)
Thanks in advance!
submitted by StewedLicense30 to knifemaking [link] [comments]
Thanks in advance!
2024.05.07 19:23 ConsciousRun6137 Missed or Dismissed
 | Well, quickly, here’s my story... submitted by ConsciousRun6137 to u/ConsciousRun6137 [link] [comments] Archaeology fever first seized me at the age of ten. I was intrigued by British explorer Percy Fawcett's amazing trek into the Amazon jungle. After reporting his discovery of a dead, ancient, vine-choked city, he went back in... and vanished! You know what? My first expedition was into that same unexplored region … where pygmies shrank human heads to the size of your fist! https://preview.redd.it/odvg2u9nc1zc1.png?width=170&format=png&auto=webp&s=392096f851a2180ecba376981446009ab60f4691 This search for ancient mysteries was to take me through more than 30 countries. Soon I began to stumble upon something that truly shocked me!... you would call them “out of place” artifacts. Did I say shocked? They blew me over! Because, according to what we were taught in school, these should never exist! And they weren’t just in one place. There was a global pattern to them. his pattern showed a lost super science and technology. That’s when I knew someone had to speak up. I knew this content was of tremendous value. For example: EGYPT 2000 BCDid you know that the Egyptians bored into granite rock with drills that turned 500 times faster than modern power drills?And how about this?: * Coin-slot machines * Steam engines * Speedometers * Machine-cut optical lenses * Screen projectors Did you know that Egyptian dentists worked with cement fillings, dental bridges... and inserted artificial teeth? That William Deiches found working diagrams in Tutankhamen's tomb (1545 BC) which helped him to build real model plane that flew? That Egyptian doctors performed pregnancy tests, determined the sex of an unborn child, fed nourishment through tubes, and fitted artificial legs and hands? That they used anaesthetic and sophisticated instruments to perform bone and brain surgery? What about old Egypt’s mysterious moving walls, automatically flashing lights and lamps that shone century after century, non-stop? And how were sound waves used to open doors in ancient Karnak, Abydon and Thebes? CHINADid you know that about 1000 BC nerve gas was used in warfare?That 2,500 years ago "mirrors" were invented which, set up in pairs, could transmit messages, like television? THE BIGGEST PYRAMID: One hundred pyramids have been discovered in Shensi Province of China. The largest – according to one claim 1,200 feet high, 2½ times the height of Egypt’s Great Pyramid – could, if hollow, swallow 26 Empire State buildings. https://preview.redd.it/w0cn3os2e1zc1.png?width=150&format=png&auto=webp&s=bac08cd1df7c724dcdfda6f75997092e7e7e3b75 Did you know that X-rays were used in ancient China? And heart transplant operations were carried out? And what about the 716 rhythmically pulsating “electric” disks (similar to computer disks) found in caves in the Bayan-Kara-Ula mountains? THE AMERICAS Have you heard how Captain Don Henry discovered a 400 foot pyramid on the seabed off Florida? Did you know that a Chinese expedition surveyed all of North America in 2200 BC. They saw a sunrise over the Grand Canyon, black opals and gold nuggests in Nevada, and seals frolicking in San Francisco Bay! And would you believe the ancient Maya used screw propellors, had books with gold leaves... and even diving suits? Have you heard about the Mayan surgical instruments that were a thousand times sharper than modern platinum-plus blades? And Mayan dental crowns and fillings still hold after 1,500 years! How does a bird in the Andes turn hard rock to be soft like putty? Did the ancients know this formula? And did you know that the Inca soaked in bathtubs of gold and silver, fed by water pipes of silver and gold? That in the city of Pachacamac in Peru the temple stones were fastened with gold nails that weighed a ton! That in 1963, Peruvian surgeon Francisco Grano saved a patient’s life, using surgical instruments from a 3,000 year old tomb? And how about this?: On a plain in Peru can be found 4-dimensional art with several faces that disappear or change into other figures, according to your position or that of the sun. And this? From a dead, vine-choked jungle city, have been brought out exquisitely stamped 30 foot long rolls of sheet metal “wall paper” jointed together with tiny rivets! Then there is the mystery of that vast artificial tunnel in a remote corner of Ecuador, which was explored by astronaut Neil Armstrong. And did you know that an Amazon tribe, since the 1970s, has escaped the encroaching world by retreating to an abandoned underground city! THE MEDITERRANEAN Have you heard of ancient Greece’s chemical warfare weapon – fire that burned in water – which was self-igniting? Did you know about their devices for the automatic opening and closing of doors! Their sewage system from every house, as good as any today? And how about the computer that calculated the positions of the planets, the rising and setting of the moon, tide movements and time of day… and could establish a ship’s position anywhere on earth out of sight of land, or at night. Precise mechanics, as good as any we can produce today. 55 BC And what do you think about these?: - Drills that bored holes finer than the thinnest needle - Taxis with speedometers - Shatter proof sheet glass - A machine tool for cutting screws - A machine for boring tunnels - Petrol vapor machines - A human-like robot that could walk… and almost ran away! And luxury ocean liners with swimming pools. RUSSIA Have you heard of the 15 minute “movie” of luminous pictures that activates each day as the sun sets over the Onega River in Russia? MICRO TECHNOLOGY: 40 feet underground in Russia’s Ural region, gold prospectors are finding ANCIENT, man-made, spiral-shaped artifacts. These microscopically TINY artifacts are the product of some inexplicable and highly advanced technology. They resemble control elements used in micro-miniature devices in our latest technology “nano-machines”. BABYLON, FERTILE CRESCENT And what about these?: - Protective face masks for patients undergoing radiation therapy - Eye cataract operations - Electric dry-cell batteries - Use of sound waves to lift heavy weights MASSIVE WEIGHTS LIFTED: Ancient 2,000 ton stone building blocks in Lebanon were raised 20 feet above the ground. No modern crane can budge, lift or transport, such titanic blocks. AUSTRALIA A wrecked Phoenician ship has been found on the West Australian coast. And other Phoenician evidence is found around the country. Near Sarina, Queensland, Val Osborne has discovered remains of a Phoenician port and mine from 900 BC. Traditional theory says this can’t be! So with all the publicity, the Central Queensland University reportedly sent an archaeologist to the site, instructing him to ‘find nothing’. Osborne commented, “It’s like that – when they don’t want the truth to be known, they will deny it. Numerous traces of Egyptian colonisation in Australia have also been unearthed or discovered, such as coins, statues, inscriptions and a tomb, as well as Egyptian customs, religious features and words among the Aborigines.… Oh yes, and pyramids. INDIA, PAKISTAN How about this? Advanced mathematics, with measurements in micro-fractions – down to the disintegration rates of sub-atomic particles (1/300 millionth of a second). I ask you, how could these have been measured without precision instruments? And why did they find it necessary to measure them? https://preview.redd.it/1g9unwarf1zc1.png?width=150&format=png&auto=webp&s=d3e7233a21c04e52f22be0cb52722b9c605c3876 Why were 44 skeletons dug up in Pakistan found to be radioactive? 2000 BC MAN TURNED TO GLASS: In a forest of NE India, explorer-hunter H.J. Hamilton received a substantial shock when he entered ancient ruins. On a chair, made of the same ‘crystal’ as the walls, an odd shape was crouching, with vaguely human features. At first he thought it to be a statue damaged by time. But then he was filled with horror: under the ‘glass’ which covered that ‘statue’ a skeleton could clearly be seen! Melted, crystallized! Anything else? Plenty: - Upstairs bedrooms having en suite bathrooms with hot and cold running water on tap, and flush toilets. - Aluminium cups, thimbles, and so on - Plastic surgery, including nose transplants - Fluoroscopy (X-ray devices) - Chemical and biological warfare, and nerve gas THE WORLD Discover the two 70 foot towers in Ahmedabad, that sway to and fro in rhythm with each other. Were you aware that in at least 64 scientific achievements an ancient civilization surpassed us? https://preview.redd.it/co3smyy6g1zc1.png?width=150&format=png&auto=webp&s=bba6f44d0f00ee90a4f38464692f47aabf382773 https://preview.redd.it/bi6664q7g1zc1.png?width=150&format=png&auto=webp&s=1a1a91bed45b2bb796543c35e0d85492dd4303c3 ANCIENT WORLD SURVEY?: Although Antarctica’s existence was not verified until 1819, an ancient map shows that continent as it was BEFORE the ice covered it – with rivers and fjords precisely where today mile-thick glaciers flow, and a mountain range undiscovered until 1952. Longitude and latitude are shown correctly, with a grid system similar to modern air navigation maps. 2000 BC. Did you know about the mystery satellite orbiting the poles, but not put there by any modern nation? That man knew the secret of flight before the 20th century? That early cave men wore “modern” clothes like ours? And what about the cities illuminated by means of electricity unknown to us today? Do you know what 4,000 year old aerial surveillance techniques were used in the Iraq war? http://www.beforeus.com/ |
2024.05.05 19:06 Razor_Storm PSA: Aang compressing water in his fight with Ozai does NOT break physics
I keep hearing people taut just how powerful the avatar state is because it seemingly allows Aang to compress water, something we were often taught to be “incompressible”.
Water is called incompressible because in most daily circumstances water is extremely difficult to compress (compared to other fluids) so we just call it incompressible for convenience. (It’s a typical oversimplifying that schools tell to children).
The bulk modulus of water is 2.15 109 Pa (The higher this number the less compressible a material is). Bulk modulus describes how much pressure is needed to cause the object to compress by a certain volume. (Waters compressibility changes with temperature, but should still be in that close ballpark)
https://en.wikipedia.org/wiki/Bulk_modulus?wprov=sfti1#
So no, it does not break physics to compress water. It just takes an immense amount of energy to do so.
Water is considered incompressible because in its liquid form it’s harder to compress than most other known liquids and gases. Solids are a different picture. Steel for example has a bulk modulus of 163 109 Pa and thus steel is 80 TIMES harder to compress than water
Depending on the composition of the boulder he compressed in that same scene, it was likely a vastly larger achievement of physics than his compression of water.
Here is a chart of the bulk modulus of granite at different temperatures: https://www.researchgate.net/figure/Elastic-modulus-of-granite-specimens-at-different-temperatures_tbl4_339183884
Notice how at room temperature granite has a bulk modulus of around 10x10-9 Pa, so granite rock would be about 5 times harder to compress than water. You’d have to heat granite to higher than 800 degrees to get its compressibility down to a similar level as water.
Edit: I know a lot of people already know this, but if so this post isn't for you. As much as it might be hard to believe for some, there really are a lot of people in this community who truly believe Aang compressing water broke physics and thus was his single most powerful feat.
I'm not saying the water compression wasn't impressive. It definitely was a mindblowingly powerful action that far surpasses anything we see in nature. However, him compressing the boulder took about 5x EVEN MORE power to achieve. If we are going to gush about his water compression feat, we should also gush about the boulder compression even more.
submitted by Razor_Storm to TheLastAirbender [link] [comments]
Water is called incompressible because in most daily circumstances water is extremely difficult to compress (compared to other fluids) so we just call it incompressible for convenience. (It’s a typical oversimplifying that schools tell to children).
The bulk modulus of water is 2.15 109 Pa (The higher this number the less compressible a material is). Bulk modulus describes how much pressure is needed to cause the object to compress by a certain volume. (Waters compressibility changes with temperature, but should still be in that close ballpark)
https://en.wikipedia.org/wiki/Bulk_modulus?wprov=sfti1#
So no, it does not break physics to compress water. It just takes an immense amount of energy to do so.
Water is considered incompressible because in its liquid form it’s harder to compress than most other known liquids and gases. Solids are a different picture. Steel for example has a bulk modulus of 163 109 Pa and thus steel is 80 TIMES harder to compress than water
Depending on the composition of the boulder he compressed in that same scene, it was likely a vastly larger achievement of physics than his compression of water.
Here is a chart of the bulk modulus of granite at different temperatures: https://www.researchgate.net/figure/Elastic-modulus-of-granite-specimens-at-different-temperatures_tbl4_339183884
Notice how at room temperature granite has a bulk modulus of around 10x10-9 Pa, so granite rock would be about 5 times harder to compress than water. You’d have to heat granite to higher than 800 degrees to get its compressibility down to a similar level as water.
I'm not saying the water compression wasn't impressive. It definitely was a mindblowingly powerful action that far surpasses anything we see in nature. However, him compressing the boulder took about 5x EVEN MORE power to achieve. If we are going to gush about his water compression feat, we should also gush about the boulder compression even more.
2024.05.03 19:47 Pahsaek Is it possible to identify the source of old building granite?
Decades ago, my neighbor let demolition crews dump stone debris on his farm. A lot of these were demolished buildings from surrounding towns, and on a walk through his old hedgerows, I found some beautiful pieces of granite. Is there a way to tell from the composition where the original granite was quarried, or are they too similar to tie to a specific region?
submitted by Pahsaek to geology [link] [comments]
2024.05.02 19:24 Tainavea Path of Subtle Hues
Earth aspect. Some add Fire or Force to help with heat or pressure
There are Earth artists whose Paths are focused on drawing the power of the earth for battle, some are focused on art like delicate carving and sculpture, yet others on tilling the land for agriculture, and for shaping the very land around them to create structures like buildings and bridges and tunnels...
And this, the rarest type of Earth artist - the rock gardener. Like a Life artist may grow sacred fruit and herbs for Refiners, there are Earth artists that take care of and harvest metal ores & precious gemstones, they also help in agriculture by working with the fertility of the earth.
The greatest of these Artists work with materials like Goldsteel, Halfsilver and perhaps even materials like Wintersteel, but more often than not, they'd simply take care of veins and deposits of more mundane materials like iron, copper, zinc, tin, silver, gold, platinum, rubies, amethyst, jade, emeralds, sapphires, diamonds.
Using Ruler techniques to sense and manipulate the depths of the earth to find resources, guide them up, ensure proper enrichment of the soil by manipulating the flow of Earth aura, encourage the formation of more crystals or collection of more minerals by altering conditions of underground environments to make certain areas more suited towards them, even using the aura to conjure stones - possibly even useful or precious ones.
Techniques
One with the Earth: spiritual Enforcer technique that helps attune them to the currents of Earth aura beneath their feet, by using the Earth madra in their spirit to resonate with Earth aura. It is a vital skill for their work and the backbone of their Path. Makes it much easier on their spirit to enact their will upon the aura and manipulate it on a massive scale with the help of other Ruler techniques, for eg to shift mineral veins, ores, crystal formations, or Ley Lines. Working in conjunction with their Cycling technique, their Ruler techniques have a potency and scale far outstripping other Earth artists - though in return, they would have them beat in speed. Theirs is a patient work, not suited for the chaos of the battlefield (though large-scale organised warfare would be a separate matter). One can see Gold ranked artists on this Path shifting the earth at the base of mountains to dig out massive deposits of metal, normally a scale on which only Lords can operate.
Carved Words: Their Ruler technique to carve Scripts on the surface of rocks or even inside them. Requires diligent practice to learn to form the shapes correctly, especially without being able to directly look at the writing surface. Utilising Scripts helps them automate some of their work that does not need direct attention or requires extreme mechanical precision. It also helps them by not needing them to expend madra for every task, as Scripts work with Vital Aura. It also gives them a good bit of versatility in their Path, depending on how much they focus on Scripting. Even if they don't, using Scripts for some of their tasks means there's more room in their spiritual core for more Bindings for their Path. Due to their history, they've developed a lot of Scripts to help them in their job, such as for maintaining and regulating heat and pressure underground, detecting and responding to the presence of any Hunger corrupted worms that might damage their goods, detecting and keeping away burrowing Sacred Beasts or Remnants moving underground, keeping track of the shifting Ley Lines / currents of Earth aura along with its metal and crystal subaspects, as well as other aspects seeping underground. The necessity, knowledge and skill involved, and the amount of work performed by the radar feature is often underestimated by non Earth artists, who can't see the unfathomably deep, dense and dark ocean of Earth aura beneath their feet.
Pulse of the Earth-Veins: their Ruler technique for interacting with Ley Lines, the aura of the earth, without moving the raw physical material of the earth. It's easy to create techniques that interact with the physical; more difficult to create those that interact with the spiritual / madra; and it is even more difficult to work with techniques that interact with the raw energy system of the world delicately, without enacting any severe changes upon the physical material corresponding to it. Shifting the lines along which the energy of the world flows without creating devastating earthquakes, landslides or famines. Requires the help of One with the Earth technique, and a refined will. It can be used to encourage the formation and deposition of minerals, metals or crystals, or increase the productivity of the land.
Caretaker's Hands: their Ruler technique, designed to harmonize with not just the Vital Aura but with the will of others, to work in tandem. Working together using this technique, a team of Lowgolds could shift the layers of the earth to dig up tonnes of metal, without disturbing the surface too much. The technique can, depending on focus, work on large scale like that, but it can also be adapted to work on far smaller scales, to delicately work with granite or marble, steel or silver, or gemstones. Making them purer, interweaving their composition to give them more colour (this is what they're famous for), or to delicately cut, carve or engrave them.
Foundation of the World: full-body and anchoring type Enforcer technique, binds one to the earth while drawing upon its power. Greatly enhances the durability of the Sacred Artist, to allow them to turtle up. The technique is only functional while the artist's feet are in direct contact with the ground and is interrupted if they lift up a foot or are picked up, though that won't be easy with the anchoring type element of the technique.
Iron Body
Nimble Fingers Iron Body: an Iron Body normally attained by musicians who play the pipa, guqin or guzheng. Grants dexterity to the fingers, as well as auditory acuity, distinguishing every minutely plucked tone. It was also picked up by many thieves and assassins, the dexterity coming in handy for wielding instruments of battle just as well, and the well-honed auditory abilities helping them stay silent and pick out their targets. However, this Iron Body can be squeezed for a far more esoteric gift too: the ability to hear Vital Aura. The benefit offered from that? To begin with, most Veiling Techniques are created to deal with direct spiritual perception, which is usually processed by the brain as visual information. Veiling hides most of this output in general, but it is also usually a method designed by a visual person. Even a Veiled spirit has some quiet resonance with aura, so small that it is not detectable visually. But to someone who processes such information differently? With a little practice, it becomes easy to see through such techniques. Not just Veiling, it becomes possible to detect other techniques before they're even out of the opponent's spirit. In this case, it helps a Subtle Hues artist to not cut themselves while cutting gemstones or ores, and to detect the nature and quality of a stone by listening to the sounds it produces when struck with certain implements.
Jade Cycling Technique
Mountain Shouts, Valley Responds aka Echoing Valley Cycling Technique: Cycling according to this pattern makes one's madra more harmonious with its Vital Aura counterpart, increasing the power of aura resonance Ruler techniques.
submitted by Tainavea to AThousandPathsToPower [link] [comments]
There are Earth artists whose Paths are focused on drawing the power of the earth for battle, some are focused on art like delicate carving and sculpture, yet others on tilling the land for agriculture, and for shaping the very land around them to create structures like buildings and bridges and tunnels...
And this, the rarest type of Earth artist - the rock gardener. Like a Life artist may grow sacred fruit and herbs for Refiners, there are Earth artists that take care of and harvest metal ores & precious gemstones, they also help in agriculture by working with the fertility of the earth.
The greatest of these Artists work with materials like Goldsteel, Halfsilver and perhaps even materials like Wintersteel, but more often than not, they'd simply take care of veins and deposits of more mundane materials like iron, copper, zinc, tin, silver, gold, platinum, rubies, amethyst, jade, emeralds, sapphires, diamonds.
Using Ruler techniques to sense and manipulate the depths of the earth to find resources, guide them up, ensure proper enrichment of the soil by manipulating the flow of Earth aura, encourage the formation of more crystals or collection of more minerals by altering conditions of underground environments to make certain areas more suited towards them, even using the aura to conjure stones - possibly even useful or precious ones.
Techniques
One with the Earth: spiritual Enforcer technique that helps attune them to the currents of Earth aura beneath their feet, by using the Earth madra in their spirit to resonate with Earth aura. It is a vital skill for their work and the backbone of their Path. Makes it much easier on their spirit to enact their will upon the aura and manipulate it on a massive scale with the help of other Ruler techniques, for eg to shift mineral veins, ores, crystal formations, or Ley Lines. Working in conjunction with their Cycling technique, their Ruler techniques have a potency and scale far outstripping other Earth artists - though in return, they would have them beat in speed. Theirs is a patient work, not suited for the chaos of the battlefield (though large-scale organised warfare would be a separate matter). One can see Gold ranked artists on this Path shifting the earth at the base of mountains to dig out massive deposits of metal, normally a scale on which only Lords can operate.
Carved Words: Their Ruler technique to carve Scripts on the surface of rocks or even inside them. Requires diligent practice to learn to form the shapes correctly, especially without being able to directly look at the writing surface. Utilising Scripts helps them automate some of their work that does not need direct attention or requires extreme mechanical precision. It also helps them by not needing them to expend madra for every task, as Scripts work with Vital Aura. It also gives them a good bit of versatility in their Path, depending on how much they focus on Scripting. Even if they don't, using Scripts for some of their tasks means there's more room in their spiritual core for more Bindings for their Path. Due to their history, they've developed a lot of Scripts to help them in their job, such as for maintaining and regulating heat and pressure underground, detecting and responding to the presence of any Hunger corrupted worms that might damage their goods, detecting and keeping away burrowing Sacred Beasts or Remnants moving underground, keeping track of the shifting Ley Lines / currents of Earth aura along with its metal and crystal subaspects, as well as other aspects seeping underground. The necessity, knowledge and skill involved, and the amount of work performed by the radar feature is often underestimated by non Earth artists, who can't see the unfathomably deep, dense and dark ocean of Earth aura beneath their feet.
Pulse of the Earth-Veins: their Ruler technique for interacting with Ley Lines, the aura of the earth, without moving the raw physical material of the earth. It's easy to create techniques that interact with the physical; more difficult to create those that interact with the spiritual / madra; and it is even more difficult to work with techniques that interact with the raw energy system of the world delicately, without enacting any severe changes upon the physical material corresponding to it. Shifting the lines along which the energy of the world flows without creating devastating earthquakes, landslides or famines. Requires the help of One with the Earth technique, and a refined will. It can be used to encourage the formation and deposition of minerals, metals or crystals, or increase the productivity of the land.
Caretaker's Hands: their Ruler technique, designed to harmonize with not just the Vital Aura but with the will of others, to work in tandem. Working together using this technique, a team of Lowgolds could shift the layers of the earth to dig up tonnes of metal, without disturbing the surface too much. The technique can, depending on focus, work on large scale like that, but it can also be adapted to work on far smaller scales, to delicately work with granite or marble, steel or silver, or gemstones. Making them purer, interweaving their composition to give them more colour (this is what they're famous for), or to delicately cut, carve or engrave them.
Foundation of the World: full-body and anchoring type Enforcer technique, binds one to the earth while drawing upon its power. Greatly enhances the durability of the Sacred Artist, to allow them to turtle up. The technique is only functional while the artist's feet are in direct contact with the ground and is interrupted if they lift up a foot or are picked up, though that won't be easy with the anchoring type element of the technique.
Iron Body
Nimble Fingers Iron Body: an Iron Body normally attained by musicians who play the pipa, guqin or guzheng. Grants dexterity to the fingers, as well as auditory acuity, distinguishing every minutely plucked tone. It was also picked up by many thieves and assassins, the dexterity coming in handy for wielding instruments of battle just as well, and the well-honed auditory abilities helping them stay silent and pick out their targets. However, this Iron Body can be squeezed for a far more esoteric gift too: the ability to hear Vital Aura. The benefit offered from that? To begin with, most Veiling Techniques are created to deal with direct spiritual perception, which is usually processed by the brain as visual information. Veiling hides most of this output in general, but it is also usually a method designed by a visual person. Even a Veiled spirit has some quiet resonance with aura, so small that it is not detectable visually. But to someone who processes such information differently? With a little practice, it becomes easy to see through such techniques. Not just Veiling, it becomes possible to detect other techniques before they're even out of the opponent's spirit. In this case, it helps a Subtle Hues artist to not cut themselves while cutting gemstones or ores, and to detect the nature and quality of a stone by listening to the sounds it produces when struck with certain implements.
Jade Cycling Technique
Mountain Shouts, Valley Responds aka Echoing Valley Cycling Technique: Cycling according to this pattern makes one's madra more harmonious with its Vital Aura counterpart, increasing the power of aura resonance Ruler techniques.
2024.04.30 18:23 bjelkeman The Daedalus Encounter - Chapter 9 - Geir
Index First Previous Next
Authors note: This one got a bit delayed, but as a bonus it is 10% longer than a normal chapter. Work has been very hectic and it was a bit hard to find enough clear time to write something. I write a lot of less interesting stuff at work, which makes it harder to write creatively sometimes. But here it is. Enjoy!
“What time is it,” he muttered to himself. He felt a bit groggy as if he hadn’t slept long. But a quick glance at the comm showed he had had two full deep sleep cycles. He should be ok with that. He washed himself quickly in cold water to wake up and put on a fresh set of clothes. Then he exited the small cabin to make his way up to the pilot deck. In the narrow corridor he nearly bumped into Liza who looked even more tired than he felt.
“Do you know what is going on?” he asked her.
“They found something,” she grunted. Clearly not in the mood for a conversation. She pushed herself towards the ladder for the canteen deck.
“I am making some coffee. I am bringing it up. Tell Kay I am coming, ok?” she said.
“Yep.”
Geir made his way up to the pilot deck, where he found Captain Kay, Diederik and Anna.
“There you are,” said Captain Kay. “Did you see Liza?”
“Yes she is coming. She is just fixing some coffee. She looked like she could need it.”
“Yes, she was up pretty late analysing the results.”
“So, found anything?”
“Yes we did.” She pointed to one of the bigger screens which held a somewhat grainy picture of something rectangular. The screen cycled through what must be images produced from different sensors, producing different false colours for each sensor suite. Along the edge of the picture was a scale, indicating that what they were looking at was about three meters across.
“What is that?”
“We don’t know,” said Anna. “We are going to find out though.”
“Find out what?” said Liza as she came up the ladder with a thermos in one hand.
“That was quick,” said Geir.
“There was some warm already. Couldn’t be bothered to make any new.”
“Really? Sacrilege!” said Geir, winking at her.
Liza just grunted and came over to the screens they were looking at. She stopped and looked at the cycling images.
“Is that what we saw earlier?”
“Yes,” said Captain Kay. “We ran a drone closer so we could get better pictures and resolution on the sensors. What do you see?”
Liza narrowed her eyes as she looked at the pictures. She was quiet for a minute as the others looked at her expectantly. She turned to them.
“You already have an idea I take it.”
Captain Kay, Anna and Diederik nodded in unison. Geir thought he would probably have found it amusing, if the atmosphere hadn’t been so tense.
“But you aren’t telling me. So, let’s see. About three meters across. A square. With some repeating patterns based on triangles on it. The material is some kind of mineral metal composite, as we discussed earlier. It probably isn’t the Chinese. Unless they brought a drone with an artistic bent with them.”
Liza sighed and made a face.
“I need some coffee first.”
As she poured herself a bubble. Anna looked at her console and said: “No change on the messaging from the Chinese. We are still invading sovereign territory according to them.”
Diederik snorted and looked at Captain Kay, who just lifted an eyebrow. Then she turned and looked expectantly at Liza, who had just drained a full bubble of coffee.
“Shit, I should have made some fresh.”
Liza turned back to the screens.
“It is an artefact. Isn’t it? Something that isn’t supposed to be there. The Chinese most likely didn’t put it there and we have observed the rock the whole time as it was coming in towards Jupiter and then out to here. Well, except for the time when it bouncing along the atmosphere. And nobody was going to plant something then. It could of course be something the Chinese did. But I can’t figure out what material it is. So we can’t rule the Chinese out. Occam’s razor and all that.”
“About where we arrived too,” said Anna.
“So we are going to go EVA and have a look then?”
“Yes,” said Captain Kay. “Geir, Anna and Frank.”
“Frank?” said Geir and looked surprised.
“Yes,” said Captain Key and nodded. “I am not letting Liza out just yet. I need two people to go. That means you Geir and Anna. And Anna isn’t leaving Frank here. So he goes too.”
Geir lifted up his hands as he started protesting.
“No Geir, that is how it is going to be. Let’s start planning the EVA and prepare the suits.”
Geir looked around to the others for support, but Diederik just looked at him. Anna shook her head slightly and Liza looked away seemingly focused on the screens.
“Fine! Whatever.” Geir turned around slightly too abruptly and had to catch a handhold to steady himself as he started drifting off. Over his shoulder he adressed Diederik: “Would you come and help me get the suits ready? It is a lot easier with four hands.”
Geir moved down the access ladder thinking. “How come Diederik is the guy I team up with now? I don’t even like him.”
In the brightly lit storage and changing area, Geir started readying three suits whilst giving Diederik instructions on what to do to help. Anna came in a few minutes later with Frank in tow and moved down into the cargo section to unpack a container. Geir looked at them as Frank climbed down the ladder and shook his head in frustration. He looked over at Diederik who just stared at him impassively for a few seconds and then started helping Geir step into bottom section of the suit. Anna and Frank came back up and started preparing a suit for Frank.
“Aren’t you coming as well?” Geir asked Anna.
“Yes, but I am using a different suit. It is downstairs.”
They continued in silence, Anna quickly and competently dressing Frank. Diederik taking a bit longer, with the help of Geir’s instructions. They were done nearly at the same time with Geir and Frank fully dressed in their EVA suits with just the helmets missing.
Anna looked at Diederik. “Could you please come help me downstairs?” She turned to the others. “You help each other down the ladder. Take it slow. While I get dressed as well,” she said in a friendly manner, but leaving no doubt who was in charge of this operation.
Geir got the helmets out of the storage and performed a safety check on both of them before handing one of them over to Frank. He helped Frank attach it to the suit where it was worn when not on the head. Then he let Frank go first down the ladder. It was hard to look down, as the EVA suit’s helmet ring restricted the movement of the head, so he had to feel his way with the feet to find the first rung of the ladder. Well down in the storage and airlock deck he saw that Anna had unpacked one of the military grey plastic crates. She was half dressed in the mech suit that the crate contained. A powered exoskeleton armoured suit. It looked like it had been refurbished, as several pieces of the suit were clearly new and others looked well worn, with scratches and faded colours. The suit smelled faintly of machine oil.
“Here,” said Anna to Diederik, as she pointed to her belt. “Attach the battery packs here. Once they are attached, double check that all five diodes show green for a full charge. Geir, could you open the lid of the other crate and lift out one of the rifles and give it to me. I can’t easily move, dressed halfway like this.”
“Rifle?” Geir said and looked at her. “We have rifles with us? Why would we need a rifle?”
“Do you know what is beyond that thing? It could be a hatch. After you give me a rifle, unpack a plasma torch to bring along. You know how to use them, right?”
“I know how to use one,” said Frank. “I have a certificate in both welding and breaching with one of them.”
“Ah, so you are useful after all?” said Anna with a snarky voice.
Frank abruptly went red in the face and looked down at this feet.
“Geir, find the plasma torch and give it to Frank, but keep the gas bottle separate. You carry it until we need it. I don’t want mister terrorist here to get any ideas.”
Frank’s face went even redder, and it spread to his neck which was all Geir could see at the moment. Geir exasperatedly shook his head and went and opened up the rifle crate.
Diederik worked silently to get Anna dressed in the last pieces of the mech suit, whilst Frank gradually seemed to calm down. Geir gave the rifle and two ammo packs to Anna, who put it down to put on the gloves of the mech suit.
“It is actually easier to work with the rifle with the suit gloves on, as it was designed to operate together. Otherwise the rifle is really too big for your hands.”
A few minutes later they were all suited up and ready, except for the helmets.
“Ok, here is what we are going to do,” said Anna. “We are putting on helmets and then we go through the safety tests. Then we grab the EVA safety harness gear, the radio relays and move it into the airlock. Geir, you are in charge of attaching us to the external mounting points of the ship. Once out there, nobody touches anything unless I say so.”
She touched the radio lever in the neck ring with her chin and that opened up the default radio channel.
“Jake, Anna here, can you hear me?”
“Loud and clear.” They all heard from the helmets.
“How close are we to touching down and being secured against the rock?”
“We are touching down in one minute and it will only take a minute or so to get us secured. Let me get this done first, then we talk.”
“Roger, Anna out.” She turned to the others. “Helmets on. Do buddy safety checks. Diederik help Frank with that, please.”
Just as they had completed the safety checks, they could feel a soft bump as the ship touched the rock and the landing leg suspension adjusted. Immediately a vibration sound, like someone drilling on the other side of a concrete wall, could be heard. This was the ship anchoring system attaching them to the rock.
Anna toggled the comms again: “How far will we be from the artefact?”
“It is just a few meters from the aft airlock and if I positioned us correctly I will be able to run a stabilising girder out over it. So you can easily attach yourself to that and the ship safety mooring points. I am using a robotic arm to drill an anchor point a meter from the artefact as well. Liza says the deep radar and the other sensors indicate it is safe to do so.”
“Ok thanks.” She turned to the others. “Let’s get this stuff into the airlock.”
After they had moved everything into the airlock Geir made sure all three of them were securely attached with a safety harness to separate steel runners along the inside of the airlock.
“Geir, you go out first. Attach yourself to the girder and then to the anchor point at the artefact. When that is done, Frank will disconnect you from the point in here. Then you Frank go through the same procedure and finally I do. You attach to different parts of the girder, so we don’t tangle so easily. Each one of us brings one safety harness pack and one raid-relay pack. Once we are all out of the airlock and disconnected from it we close it. Then we can take a look at the thing. Get all that?”
“Roger,” they both said.
“We are all going to be on the open channel all the time from now on.”
She turned Diederik.
“Could you close and secure the airlock, please?”
“Yes.”
“Ok, let’s do that.”
Diederik double checked that nothing was blocking the airlock and then pushed the button that started the process of closing the large door to the airlock. Once the airlock was closed Anna pushed the button that started the evacuation pumps.
“Keep an eye on the warning lights and tell me immediately if you get anything red or orange.”
As the air was being pumped out of the airlock Anna started experiencing the strange feeling that creeps up on you as all the sounds the ship makes gradually fade away. A ship is never quiet. Ventilation and pumps can always be heard in the background. Once you are in your suit in vacuum, you still hear ventilation and pumps, but now it is all internal to the suit. A much more intense and close-in sound when there are no other contextual sounds.
When the vacuum pumps stopped and the status lights for the airlock showed near vacuum, Anna looked at the other two.
“Any problems?” she asked.
“No,” both said and made the thumbs up sign.
“Ok. Opening her up.”
Anna pulled the lever that opens the airlock. A yellow warning light lit up and they could feel a slight vibration through their feet as the door started opening. Just as the door cracked open, the little remaining air that was still in the airlock suddenly became visible as a thin fog. The fog streamed through the crack that the door presented, and out towards the vacuum. Geir could see a shaft of bright light through the thin fog as the door opened. The light was from the bright external spotlights mounted around the airlock. A few seconds later the door was completely open and he could see what looked like a weathered rock slab outside the airlock door. It looked pretty much like grey granite with a subtle hint of red, with that surprising sharp detail that you get with no air to interfere with the light. Something that the light interfered with though, was most of the stars. The light was so bright on the rock that only the brightest stars were visible.
A robotic arm was just withdrawing after having drilled some holes and inserted safety mooring points.
When the door was completely open, Geir slowly moved along a handrail towards the door opening.
“The girder is deployed and secured,” said Jake. “You can moved out.”
Geir moved up to the girder which was deployed above the door and extended out five meters. He moved hand over hand to just above the artefact, which was right where Jake had said it would be. After attaching his second safety harness point to the girder, Geir carefully pushed himself towards the safety mooring point. He slowly drifted towards it and caught it with his left hand. He attached a third safety harness point to it. He wound the safety lines in so that he was more or less hanging just over the surface of the rock supported by the safety lines.
“Anna, can you release the one in the airlock please? I’ll reel it in.”
Anna released it and Geir reeled it in so none of them would get tangled up in it.
“Ok Geir, you are secure?” Captain Kay broke in.
“Yes.”
“Good work. Safety first. But we are dying of curiosity in here. Give us some close up impressions of the artefact.”
“Hmm. Not much to say beyond what the cameras showed us earlier. It is square. About 3 meters across. It has all these triangular patterns on it. The are different shades of quite dark grey mostly and some lighter grey pieces. It sort of reminds me of tile patterns from a Moorish palace, but with much larger pieces and the wrong colours.”
“Any thing that sticks out as different than the rest?” asked Liza.
“Not really, but I need to take a closer look.”
As they talked, Frank and Anna had started working on moving out and securing themselves. When they got done, Geir was very close up to the artefact, looking at it from different angles. It was complicated to manoeuvre in microgravity, as there were not many places to hold on to and stabilise.
“I don’t really know what I am looking at here,” said Geir. “If you had shown me this on Earth, I would have guessed it was a piece of art.”
“I have an idea,” said Frank.
“Yes?”
“Jake, could you turn off all but one or two of the lower lights at the airlock?”
“Yes, I think that is possible. Why?”
“The light is so strong with all of them on, that it is hard to see any height differences between the pieces.”
“Why would there be a height difference?” asked Anna.
“If this is more than an art installation, then possibly there is some way to distinguish some key pieces from the others. Maybe one or a few stick out a bit? We could see it because they will cast a shadow if we shine a light sideways along them?”
“Good idea,” said Captain Kay.
“It will take me a few minutes to find the subroutine that handles the door lights though, if I am only going to disable a few,” said Jake.
“I have an alternative,” said Anna. “How about we turn off all the lights and we use a suit torch to do the same thing. Much easier.”
“Ok, but the suit lights are a lot weaker.”
“We’ll just need a few minutes to adjust our eyes.”
“Good point. Ok are you three ready for me turning off the lights?”
“Roger,” was the chorus from all three.
Abruptly it was very dark and it got even darker as Jake turned off the positioning lights on this side of the ship. Gradually the stars started to appear as Geir’s eyes adjusted.
“This view never gets old,” said Frank as he looked up at the stars.
“Ok, I am lighting up a torch,” said Anna. “Geir, you are best positioned to have a look. I’ll light from behind you so you don’t get blinded.”
They spent ten futile minutes shining a torch at different angles trying to find anything different between the triangular tiles.
“Well,” said Geir. “That wasn’t it. A good idea though.”
“Ok, new idea,” said Liza. “What about ultraviolet? That may reveal something. I know that certain minerals show up clearly in UV.”
“Yes,” said Geir. “But these suits don’t have an ultraviolet torch. We’d have to get one from onboard.”
“Not really needed,” said Anna. “My suit has an ultraviolet torch. Let’s swap place. It is probably better if I light it from above.”
Anna and Geir swapped place, with Anna ‘standing’ on the rock and both Geir and Frank quite close to the artefact.
“I am turning off the torch now. We’ll wait a minute for the eyes to adjust again.”
Geir looked up at the sky and revelled in the Milky Way gradually becoming visible again. It stretched across the sky in a glorious river of light. A view that was breathtaking.
“Ok, ready?” said Anna.
“Hang on,” said Liza. “I am adjusting the cameras in here, so we can see better too. Now. Go for it.”
Anna turned on the torch and Geir could hear several people gasp simultaneously. Four equal patterns appeared clearly on the artefact. Three triangles in a pattern in each corner of the artefact.
“Wow, nice! Look at that!” said Geir.
“They are not that far from each other,” said Frank. “See, if you spread your hands like this you can…”
“STOP,” both Anna and Captain Kay shouted simultaneously, as Frank pushed the triangles.
Everybody was still and Geir realised he was holding his breath. He could feel a slight rumble through his glove that was touching the rock. Then the middle of the artefact slowly started descending into the rock.
Index First Previous Next
submitted by bjelkeman to HFY [link] [comments]
Authors note: This one got a bit delayed, but as a bonus it is 10% longer than a normal chapter. Work has been very hectic and it was a bit hard to find enough clear time to write something. I write a lot of less interesting stuff at work, which makes it harder to write creatively sometimes. But here it is. Enjoy!
Chapter 9: Geir
Geir woke up with a start. He looked around confused and wondered where he was. Something buzzed next to him. He looked over at a small bedside table, where his comm was held in place with an elastic strap. Ah, yes. I am on a ship, The Verrier. The comm buzzed again and the screen lit up with a message to come to the pilot deck.“What time is it,” he muttered to himself. He felt a bit groggy as if he hadn’t slept long. But a quick glance at the comm showed he had had two full deep sleep cycles. He should be ok with that. He washed himself quickly in cold water to wake up and put on a fresh set of clothes. Then he exited the small cabin to make his way up to the pilot deck. In the narrow corridor he nearly bumped into Liza who looked even more tired than he felt.
“Do you know what is going on?” he asked her.
“They found something,” she grunted. Clearly not in the mood for a conversation. She pushed herself towards the ladder for the canteen deck.
“I am making some coffee. I am bringing it up. Tell Kay I am coming, ok?” she said.
“Yep.”
Geir made his way up to the pilot deck, where he found Captain Kay, Diederik and Anna.
“There you are,” said Captain Kay. “Did you see Liza?”
“Yes she is coming. She is just fixing some coffee. She looked like she could need it.”
“Yes, she was up pretty late analysing the results.”
“So, found anything?”
“Yes we did.” She pointed to one of the bigger screens which held a somewhat grainy picture of something rectangular. The screen cycled through what must be images produced from different sensors, producing different false colours for each sensor suite. Along the edge of the picture was a scale, indicating that what they were looking at was about three meters across.
“What is that?”
“We don’t know,” said Anna. “We are going to find out though.”
“Find out what?” said Liza as she came up the ladder with a thermos in one hand.
“That was quick,” said Geir.
“There was some warm already. Couldn’t be bothered to make any new.”
“Really? Sacrilege!” said Geir, winking at her.
Liza just grunted and came over to the screens they were looking at. She stopped and looked at the cycling images.
“Is that what we saw earlier?”
“Yes,” said Captain Kay. “We ran a drone closer so we could get better pictures and resolution on the sensors. What do you see?”
Liza narrowed her eyes as she looked at the pictures. She was quiet for a minute as the others looked at her expectantly. She turned to them.
“You already have an idea I take it.”
Captain Kay, Anna and Diederik nodded in unison. Geir thought he would probably have found it amusing, if the atmosphere hadn’t been so tense.
“But you aren’t telling me. So, let’s see. About three meters across. A square. With some repeating patterns based on triangles on it. The material is some kind of mineral metal composite, as we discussed earlier. It probably isn’t the Chinese. Unless they brought a drone with an artistic bent with them.”
Liza sighed and made a face.
“I need some coffee first.”
As she poured herself a bubble. Anna looked at her console and said: “No change on the messaging from the Chinese. We are still invading sovereign territory according to them.”
Diederik snorted and looked at Captain Kay, who just lifted an eyebrow. Then she turned and looked expectantly at Liza, who had just drained a full bubble of coffee.
“Shit, I should have made some fresh.”
Liza turned back to the screens.
“It is an artefact. Isn’t it? Something that isn’t supposed to be there. The Chinese most likely didn’t put it there and we have observed the rock the whole time as it was coming in towards Jupiter and then out to here. Well, except for the time when it bouncing along the atmosphere. And nobody was going to plant something then. It could of course be something the Chinese did. But I can’t figure out what material it is. So we can’t rule the Chinese out. Occam’s razor and all that.”
“About where we arrived too,” said Anna.
“So we are going to go EVA and have a look then?”
“Yes,” said Captain Kay. “Geir, Anna and Frank.”
“Frank?” said Geir and looked surprised.
“Yes,” said Captain Key and nodded. “I am not letting Liza out just yet. I need two people to go. That means you Geir and Anna. And Anna isn’t leaving Frank here. So he goes too.”
Geir lifted up his hands as he started protesting.
“No Geir, that is how it is going to be. Let’s start planning the EVA and prepare the suits.”
Geir looked around to the others for support, but Diederik just looked at him. Anna shook her head slightly and Liza looked away seemingly focused on the screens.
“Fine! Whatever.” Geir turned around slightly too abruptly and had to catch a handhold to steady himself as he started drifting off. Over his shoulder he adressed Diederik: “Would you come and help me get the suits ready? It is a lot easier with four hands.”
Geir moved down the access ladder thinking. “How come Diederik is the guy I team up with now? I don’t even like him.”
In the brightly lit storage and changing area, Geir started readying three suits whilst giving Diederik instructions on what to do to help. Anna came in a few minutes later with Frank in tow and moved down into the cargo section to unpack a container. Geir looked at them as Frank climbed down the ladder and shook his head in frustration. He looked over at Diederik who just stared at him impassively for a few seconds and then started helping Geir step into bottom section of the suit. Anna and Frank came back up and started preparing a suit for Frank.
“Aren’t you coming as well?” Geir asked Anna.
“Yes, but I am using a different suit. It is downstairs.”
They continued in silence, Anna quickly and competently dressing Frank. Diederik taking a bit longer, with the help of Geir’s instructions. They were done nearly at the same time with Geir and Frank fully dressed in their EVA suits with just the helmets missing.
Anna looked at Diederik. “Could you please come help me downstairs?” She turned to the others. “You help each other down the ladder. Take it slow. While I get dressed as well,” she said in a friendly manner, but leaving no doubt who was in charge of this operation.
Geir got the helmets out of the storage and performed a safety check on both of them before handing one of them over to Frank. He helped Frank attach it to the suit where it was worn when not on the head. Then he let Frank go first down the ladder. It was hard to look down, as the EVA suit’s helmet ring restricted the movement of the head, so he had to feel his way with the feet to find the first rung of the ladder. Well down in the storage and airlock deck he saw that Anna had unpacked one of the military grey plastic crates. She was half dressed in the mech suit that the crate contained. A powered exoskeleton armoured suit. It looked like it had been refurbished, as several pieces of the suit were clearly new and others looked well worn, with scratches and faded colours. The suit smelled faintly of machine oil.
“Here,” said Anna to Diederik, as she pointed to her belt. “Attach the battery packs here. Once they are attached, double check that all five diodes show green for a full charge. Geir, could you open the lid of the other crate and lift out one of the rifles and give it to me. I can’t easily move, dressed halfway like this.”
“Rifle?” Geir said and looked at her. “We have rifles with us? Why would we need a rifle?”
“Do you know what is beyond that thing? It could be a hatch. After you give me a rifle, unpack a plasma torch to bring along. You know how to use them, right?”
“I know how to use one,” said Frank. “I have a certificate in both welding and breaching with one of them.”
“Ah, so you are useful after all?” said Anna with a snarky voice.
Frank abruptly went red in the face and looked down at this feet.
“Geir, find the plasma torch and give it to Frank, but keep the gas bottle separate. You carry it until we need it. I don’t want mister terrorist here to get any ideas.”
Frank’s face went even redder, and it spread to his neck which was all Geir could see at the moment. Geir exasperatedly shook his head and went and opened up the rifle crate.
Diederik worked silently to get Anna dressed in the last pieces of the mech suit, whilst Frank gradually seemed to calm down. Geir gave the rifle and two ammo packs to Anna, who put it down to put on the gloves of the mech suit.
“It is actually easier to work with the rifle with the suit gloves on, as it was designed to operate together. Otherwise the rifle is really too big for your hands.”
A few minutes later they were all suited up and ready, except for the helmets.
“Ok, here is what we are going to do,” said Anna. “We are putting on helmets and then we go through the safety tests. Then we grab the EVA safety harness gear, the radio relays and move it into the airlock. Geir, you are in charge of attaching us to the external mounting points of the ship. Once out there, nobody touches anything unless I say so.”
She touched the radio lever in the neck ring with her chin and that opened up the default radio channel.
“Jake, Anna here, can you hear me?”
“Loud and clear.” They all heard from the helmets.
“How close are we to touching down and being secured against the rock?”
“We are touching down in one minute and it will only take a minute or so to get us secured. Let me get this done first, then we talk.”
“Roger, Anna out.” She turned to the others. “Helmets on. Do buddy safety checks. Diederik help Frank with that, please.”
Just as they had completed the safety checks, they could feel a soft bump as the ship touched the rock and the landing leg suspension adjusted. Immediately a vibration sound, like someone drilling on the other side of a concrete wall, could be heard. This was the ship anchoring system attaching them to the rock.
Anna toggled the comms again: “How far will we be from the artefact?”
“It is just a few meters from the aft airlock and if I positioned us correctly I will be able to run a stabilising girder out over it. So you can easily attach yourself to that and the ship safety mooring points. I am using a robotic arm to drill an anchor point a meter from the artefact as well. Liza says the deep radar and the other sensors indicate it is safe to do so.”
“Ok thanks.” She turned to the others. “Let’s get this stuff into the airlock.”
After they had moved everything into the airlock Geir made sure all three of them were securely attached with a safety harness to separate steel runners along the inside of the airlock.
“Geir, you go out first. Attach yourself to the girder and then to the anchor point at the artefact. When that is done, Frank will disconnect you from the point in here. Then you Frank go through the same procedure and finally I do. You attach to different parts of the girder, so we don’t tangle so easily. Each one of us brings one safety harness pack and one raid-relay pack. Once we are all out of the airlock and disconnected from it we close it. Then we can take a look at the thing. Get all that?”
“Roger,” they both said.
“We are all going to be on the open channel all the time from now on.”
She turned Diederik.
“Could you close and secure the airlock, please?”
“Yes.”
“Ok, let’s do that.”
Diederik double checked that nothing was blocking the airlock and then pushed the button that started the process of closing the large door to the airlock. Once the airlock was closed Anna pushed the button that started the evacuation pumps.
“Keep an eye on the warning lights and tell me immediately if you get anything red or orange.”
As the air was being pumped out of the airlock Anna started experiencing the strange feeling that creeps up on you as all the sounds the ship makes gradually fade away. A ship is never quiet. Ventilation and pumps can always be heard in the background. Once you are in your suit in vacuum, you still hear ventilation and pumps, but now it is all internal to the suit. A much more intense and close-in sound when there are no other contextual sounds.
When the vacuum pumps stopped and the status lights for the airlock showed near vacuum, Anna looked at the other two.
“Any problems?” she asked.
“No,” both said and made the thumbs up sign.
“Ok. Opening her up.”
Anna pulled the lever that opens the airlock. A yellow warning light lit up and they could feel a slight vibration through their feet as the door started opening. Just as the door cracked open, the little remaining air that was still in the airlock suddenly became visible as a thin fog. The fog streamed through the crack that the door presented, and out towards the vacuum. Geir could see a shaft of bright light through the thin fog as the door opened. The light was from the bright external spotlights mounted around the airlock. A few seconds later the door was completely open and he could see what looked like a weathered rock slab outside the airlock door. It looked pretty much like grey granite with a subtle hint of red, with that surprising sharp detail that you get with no air to interfere with the light. Something that the light interfered with though, was most of the stars. The light was so bright on the rock that only the brightest stars were visible.
A robotic arm was just withdrawing after having drilled some holes and inserted safety mooring points.
When the door was completely open, Geir slowly moved along a handrail towards the door opening.
“The girder is deployed and secured,” said Jake. “You can moved out.”
Geir moved up to the girder which was deployed above the door and extended out five meters. He moved hand over hand to just above the artefact, which was right where Jake had said it would be. After attaching his second safety harness point to the girder, Geir carefully pushed himself towards the safety mooring point. He slowly drifted towards it and caught it with his left hand. He attached a third safety harness point to it. He wound the safety lines in so that he was more or less hanging just over the surface of the rock supported by the safety lines.
“Anna, can you release the one in the airlock please? I’ll reel it in.”
Anna released it and Geir reeled it in so none of them would get tangled up in it.
“Ok Geir, you are secure?” Captain Kay broke in.
“Yes.”
“Good work. Safety first. But we are dying of curiosity in here. Give us some close up impressions of the artefact.”
“Hmm. Not much to say beyond what the cameras showed us earlier. It is square. About 3 meters across. It has all these triangular patterns on it. The are different shades of quite dark grey mostly and some lighter grey pieces. It sort of reminds me of tile patterns from a Moorish palace, but with much larger pieces and the wrong colours.”
“Any thing that sticks out as different than the rest?” asked Liza.
“Not really, but I need to take a closer look.”
As they talked, Frank and Anna had started working on moving out and securing themselves. When they got done, Geir was very close up to the artefact, looking at it from different angles. It was complicated to manoeuvre in microgravity, as there were not many places to hold on to and stabilise.
“I don’t really know what I am looking at here,” said Geir. “If you had shown me this on Earth, I would have guessed it was a piece of art.”
“I have an idea,” said Frank.
“Yes?”
“Jake, could you turn off all but one or two of the lower lights at the airlock?”
“Yes, I think that is possible. Why?”
“The light is so strong with all of them on, that it is hard to see any height differences between the pieces.”
“Why would there be a height difference?” asked Anna.
“If this is more than an art installation, then possibly there is some way to distinguish some key pieces from the others. Maybe one or a few stick out a bit? We could see it because they will cast a shadow if we shine a light sideways along them?”
“Good idea,” said Captain Kay.
“It will take me a few minutes to find the subroutine that handles the door lights though, if I am only going to disable a few,” said Jake.
“I have an alternative,” said Anna. “How about we turn off all the lights and we use a suit torch to do the same thing. Much easier.”
“Ok, but the suit lights are a lot weaker.”
“We’ll just need a few minutes to adjust our eyes.”
“Good point. Ok are you three ready for me turning off the lights?”
“Roger,” was the chorus from all three.
Abruptly it was very dark and it got even darker as Jake turned off the positioning lights on this side of the ship. Gradually the stars started to appear as Geir’s eyes adjusted.
“This view never gets old,” said Frank as he looked up at the stars.
“Ok, I am lighting up a torch,” said Anna. “Geir, you are best positioned to have a look. I’ll light from behind you so you don’t get blinded.”
They spent ten futile minutes shining a torch at different angles trying to find anything different between the triangular tiles.
“Well,” said Geir. “That wasn’t it. A good idea though.”
“Ok, new idea,” said Liza. “What about ultraviolet? That may reveal something. I know that certain minerals show up clearly in UV.”
“Yes,” said Geir. “But these suits don’t have an ultraviolet torch. We’d have to get one from onboard.”
“Not really needed,” said Anna. “My suit has an ultraviolet torch. Let’s swap place. It is probably better if I light it from above.”
Anna and Geir swapped place, with Anna ‘standing’ on the rock and both Geir and Frank quite close to the artefact.
“I am turning off the torch now. We’ll wait a minute for the eyes to adjust again.”
Geir looked up at the sky and revelled in the Milky Way gradually becoming visible again. It stretched across the sky in a glorious river of light. A view that was breathtaking.
“Ok, ready?” said Anna.
“Hang on,” said Liza. “I am adjusting the cameras in here, so we can see better too. Now. Go for it.”
Anna turned on the torch and Geir could hear several people gasp simultaneously. Four equal patterns appeared clearly on the artefact. Three triangles in a pattern in each corner of the artefact.
“Wow, nice! Look at that!” said Geir.
“They are not that far from each other,” said Frank. “See, if you spread your hands like this you can…”
“STOP,” both Anna and Captain Kay shouted simultaneously, as Frank pushed the triangles.
Everybody was still and Geir realised he was holding his breath. He could feel a slight rumble through his glove that was touching the rock. Then the middle of the artefact slowly started descending into the rock.
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2024.04.30 08:20 FitAssistance7609 Aparna-Craft’s Impact on Modern Architecture
 | https://preview.redd.it/l9dnqo8w7kxc1.png?width=1920&format=png&auto=webp&s=133cb861ce0f9e259783dc1366bf205c17c7857f submitted by FitAssistance7609 to u/FitAssistance7609 [link] [comments] As modern architecture undergoes its transformation with facades set the tone for aesthetics and functionality. Aparna Enterprises Limited (AEL) being a leader in facade solutions, emerged as a prominent player in shaping the future of modern architecture. In this blog, we’ll explore how modern facade design from AEL is impacting the landscape of present architecture. The Role of Facades in Modern ArchitectureFacades are not merely just an outer shell of a building, they define the structure’s character and appeal but also energy efficiency and environmental impact. Modern exterior facades from AEL incorporate advanced technologies and materials to create visually striking and sustainable buildings. Contemporary architectural needs require state-of-the-art facade solutions. Aparna Craft is at the forefront of this trend defining its value, performance and architectural expression!Innovative Facade Solutions by Aparna-CraftAEL’s being a leader in facade manufacturer has a significant impact on modern architecture because of its overall approach to facade manufacturing and design. The company specialises in a higher-quality range of facade materials like glass, aluminium and composite panels. Following are the range of systems provided by AEL:Aparna-Craft Curtain Walls:Curtain wall systems are made up of aluminium frames that are specifically engineered to support glass, panels, louvers and occasionally, granite or marble. The combined wisdom and spandrel framing help to span out on multiple levels, creating a continuous modern facade design that encompasses the entire exterior of the building.Aparna-Craft Suspended Glass Assemblies:Suspended glass assemblies are bespoke solutions and expertly designed to create facade systems that meet the most virtually challenging client demands in every aspect is architecturally striking.Aparna-Craft SkylightsPeople with taste always look for opportunities to showcase their space that reflects their personalities and aim to bring you into their world. This holds when it comes to skylights designed with aluminium cladding and glass from AEL. A well-thought-out design encompasses cosiness and art.Aparna-Craft CanopiesAt AEL, we specialise in designing canopies that seamlessly complement your building, elevating your outdoor appeal. This gives an inviting space of shade and shelter. Our installations not only boast fantastic and personalised aesthetics but also surpass rigorous standards and performance. We are required to meet Euro and American standards built to be long-lasting, durable, and maintenance-free. Our non-rusting frames contribute to the canopies’ longevity and efficiency.The Benefits of Aparna-Craft's Facade SolutionsAEL’s facade solutions offer diverse benefits to architects and building owners. First and foremost, we provide enhanced digitalised facade engineering utilising data-driven processes in the design, fabrication and installation.We at AEL provide numerous benefits to architects and building owners. Following are some of the benefits: 1.Customised design possibilities to ensure precision. 2.Detection of issues earlier due to digital facade engineering hence reducing rework and longevity. 3.Saving costs with proper resource allocation. 4.Parametric modelling for better performance. Usage of Finite Element Analysis and other tools to get proper structural and environmental conditions. These platforms help obtain the stability of the facade system and identify its capacities towards weather conditions. Another highlight is the versatility of facade systems. Architects can choose from the diverse options of modern exterior facades allowing them to create unique designs that reflect the building’s purpose and aesthetic. Our Impact on Architectural TrendsThe influence of AEL on architectural trends is that architects and builders appreciate the combination of aesthetics and functionality. The demand for energy-efficient buildings grows the company’s modern facade design solutions to the highest standard for both design and environmental goals.Moreover, AEL’s focus on innovation assures that its facade solutions remain at the forefront of the industry. The company’s strong emphasis on research and development enables us to maintain a stronghold on the industry, introducing new materials and techniques that push the boundaries of modern architecture making it dynamic and interesting Wrapping UpBy combining advanced facade materials, energy efficiency and digitalised facade engineering, AEL redefines how buildings are designed and constructed. Aparna Enterprises Limited is setting the standard for modern facade design as trends continue to grow and evolve. The company’s influence will undoubtedly shape contemporary architecture. |
2024.04.29 12:53 Eyssan Mount Rushmore: A Monument of American Greatness
 | https://preview.redd.it/jcsds2xmfexc1.png?width=775&format=png&auto=webp&s=f61827763533aca3b8cd74560444777827e9c9a6 submitted by Eyssan to CultureAndWeather [link] [comments] Perched majestically amidst the rugged terrain of the Black Hills in South Dakota, Mount Rushmore stands as a testament to American ingenuity, perseverance, and the enduring spirit of democracy. Carved into the granite face of this iconic mountain are the stoic visages of four of the nation's most revered presidents: George Washington, Thomas Jefferson, Theodore Roosevelt, and Abraham Lincoln. Completed in 1941, this colossal sculpture is not merely a marvel of engineering and craftsmanship but also a profound symbol of national identity and unity. History of Mount Rushmore:The genesis of Mount Rushmore can be traced back to the early 1920s when historian Doane Robinson envisioned a grand monument in the Black Hills to attract tourists to the region. Robinson's vision gained traction when he enlisted the expertise of sculptor Gutzon Borglum, renowned for his work on several large-scale projects across the United States. Together, they selected Mount Rushmore as the ideal site for the sculpture due to its solid granite composition and its prominence within the landscape.Work on the monument commenced in 1927 and spanned 14 years, employing hundreds of workers who labored tirelessly under dangerous conditions to bring Borglum's vision to life. Using dynamite, jackhammers, and chisels, Borglum and his team meticulously carved the 60-foot-high faces of the presidents into the mountain's surface, enduring harsh weather and logistical challenges along the way. https://preview.redd.it/2kt0zeypfexc1.jpg?width=1280&format=pjpg&auto=webp&s=d18f84bbcf8cd89f30869133c02b4e988a1ed6f8 Importance of Mount Rushmore:Mount Rushmore holds profound significance for Americans as a symbol of national pride, unity, and the ideals upon which the nation was founded. Each of the presidents depicted on the monument played a pivotal role in shaping the course of American history:
Keystone, The Gateway to Mount RushmoreThe quaint town of Keystone, South Dakota, serves as the gateway to Mount Rushmore, located just three miles from the monument. Despite its small size, Keystone boasts a rich history and serves as a bustling hub for tourists visiting the area. Visitors to Keystone can explore a variety of attractions, including museums, art galleries, and scenic hiking trails that offer stunning views of the surrounding Black Hills.https://preview.redd.it/o15blpbrfexc1.jpg?width=5344&format=pjpg&auto=webp&s=1d648722d03e61220badde281e1039b9c8c772f8 Overall, Keystone experiences a diverse range of weather conditions throughout the year, offering something for every season and making it an attractive destination for visitors year-round. Whether you're seeking sunny days for summer adventures or snowy slopes for winter sports, Keystone's weather ensures an unforgettable experience in the heart of the Black Hills. In conclusion, Mount Rushmore stands as an enduring symbol of American greatness and the indomitable spirit of its people. As visitors from around the world gaze upon the monumental faces carved into the granite cliffs, they are reminded of the ideals and principles that have shaped the nation and continue to inspire generations of Americans. May Mount Rushmore forever serve as a beacon of hope, unity, and the enduring promise of a more perfect union. |
2024.04.26 22:22 donjogn Smoothing and polishing composite molde
 | I am working on 3d printing molds for composite layups. We're using PLA. I'd like to figure out how to get not just a smooth surface, but a polished one. I've been able to smooth the lines and get something that slightly reflects the environment around it using filler putty and high build primer, but it's got a real haze to it. From what I've read, I should use a buffing and polishing compound with a rotary tool. My hesitation is that I don't want to inadvertently heat up the pla and start running into deformation problems. It also has small, intricate parts that a rotary tool might not be able to reach. Would I be able to get a better surface by simply sanding the primer to finer and finer grits? The first image shows my current mold, while the second shows a good reference for what I'm aiming for. submitted by donjogn to 3Dprinting [link] [comments] |
2024.04.26 16:38 Turbulent_Name_7910 Elevate Your Outdoor Space with the Best Hardscaping Services
 | https://preview.redd.it/4y09e0v25uwc1.jpg?width=800&format=pjpg&auto=webp&s=19cd1c34b96b24387a6252c4938818e14a46f7bb submitted by Turbulent_Name_7910 to u/Turbulent_Name_7910 [link] [comments] Are you looking to transform your outdoor space and create a stunning oasis in Simi Valley, CA? Look no further than the best hardscaping services available in the area. Whether you want to enhance your patio, build a beautiful stone pathway, or add a captivating fire pit, these professionals have got you covered. With their expertise in hardscape design and construction, they can take your visions and turn them into a reality. Imagine a serene outdoor retreat, complete with perfectly placed pavers, stylish retaining walls, and a custom-built outdoor kitchen. Your backyard will become the envy of the neighborhood! These hardscaping experts take pride in their attention to detail and quality craftsmanship. They understand that every outdoor space is unique, and they work closely with their clients to create personalized designs that suit their individual style and preferences. Don't settle for a mediocre outdoor space when you can have a stunning hardscape that sets your home apart. Elevate your outdoor living experience with the best hardscaping services in Simi Valley, CA. Contact Lyle Lavietes Landscape Contractor, Inc today for a consultation and let them bring your outdoor dreams to life. Hardscaping Trends in Simi Valley, CA Simi Valley, CA, is known for its beautiful landscapes and outdoor living culture. When it comes to hardscaping trends in this area, there are several popular features and design elements that homeowners are incorporating into their outdoor spaces. One of the top hardscaping trends in Simi Valley is the use of natural stone materials. Natural stone, such as flagstone or travertine, adds a timeless and elegant touch to any outdoor space. Whether it's used for patios, walkways, or retaining walls, natural stone creates a seamless connection between the hardscaping features and the surrounding environment. Another popular trend is the integration of outdoor kitchens and entertainment areas. Simi Valley residents love to spend time outdoors, and having a fully equipped outdoor kitchen allows them to cook, entertain, and enjoy the beautiful weather all in one place. These outdoor kitchens often include features like built-in grills, sinks, refrigerators, and even pizza ovens, providing homeowners with the ultimate outdoor dining experience. Fire pits and fireplaces are also highly sought-after hardscaping features in Simi Valley. These additions not only provide warmth and a cozy ambiance but also extend the usability of outdoor spaces during cooler evenings. Whether it's a rustic fire pit or a grand fireplace, these hardscaping elements become the focal point of any outdoor gathering area. In terms of design, Simi Valley residents are leaning towards modern and minimalist aesthetics. Clean lines, sleek materials, and a focus on functionality are key elements of these contemporary hardscaping designs. Simplicity is valued, with an emphasis on creating a serene and relaxing outdoor environment. Furthermore, sustainable hardscaping practices are gaining popularity in Simi Valley. Homeowners are increasingly interested in eco-friendly alternatives, such as permeable pavers that allow water to infiltrate the ground rather than contributing to runoff. Rainwater harvesting systems and native plantings are also being incorporated into hardscape designs to promote water conservation and reduce the environmental impact. By staying informed about the latest hardscaping trends in Simi Valley, you can ensure that your outdoor space remains current and visually appealing. Whether you choose to follow these trends or incorporate your own unique ideas, the goal is to create an outdoor area that reflects your personal style and enhances your overall living experience. Choosing the Right Hardscaping Materials When it comes to hardscaping, choosing the right materials is crucial to ensure both visual appeal and long-lasting durability. The selection of materials will depend on various factors such as the desired aesthetics, budget, maintenance requirements, and the specific hardscaping features you want to incorporate into your outdoor space. Here are some popular hardscaping materials to consider:
Planning Your Hardscaping Project Planning is a crucial step in any hardscaping project to ensure a successful outcome that meets your expectations. By following a systematic approach and considering key factors, you can create a well-designed and functional outdoor space that reflects your style and preferences. Here are some steps to help you plan your hardscaping project:
Hiring the Best Hardscaping Services in Simi Valley, CA When it comes to transforming your outdoor space with hardscaping, hiring the best professionals is essential to ensure a successful and satisfying project. Simi Valley, CA, offers a range of hardscaping services, but it's crucial to choose a reputable and experienced company that can bring your vision to life. Here are some factors to consider when hiring hardscaping services in Simi Valley:
Please check out our website at www.simivalleylandscaping.com/ or give us a call at 805-584-6444 for more. |
2024.04.26 01:54 aceonhand Premium kitchen Sink Installation in Orlando, FL (Lake Nona)
 | Location: Lake Nona, Orlando submitted by aceonhand to OrlandoHandyman [link] [comments] Project: Upgrade Kitchen sink installation and underneath sink plumbing with garbage disposal install. Transforming your kitchen with a premium sink not only enhances its functionality but also elevates its overall style. As a professional handyman in Orlando, Florida, I recently had the pleasure of installing a new, top-tier kitchen sink that brought both aesthetic appeal and practicality to the homeowner's daily routine. In this post, I'll share insights on why upgrading your kitchen sink is a valuable investment and how you can ensure a seamless installation process. Why Upgrade to a Premium Kitchen Sink?
Selecting the perfect sink involves several considerations: - Material: Decide on a material that complements your kitchen’s style and your usage needs. - Size and Configuration: Consider the size of your kitchen and your typical usage patterns. Do you need a double basin, or would a large single basin serve you better? - Features: Look for additional features that could enhance usability, such as built-in soap dispensers or integrated drainboards. The Installation Process Installing a premium kitchen sink involves careful planning and precision. Here’s a breakdown of the process: 1. Preparation: This includes measuring the space, ensuring the new sink dimensions fit, and prepping the plumbing connections. 2. Removal of the Old Sink: Carefully disconnect and remove the existing sink to avoid damage to the surrounding countertop and cabinetry. 3. Fitting the New Sink: Place the new sink in the designated spot, ensuring it's level and secure. 4. Plumbing Connections: Reconnect the water supply and drain. It’s crucial to test for leaks and ensure everything is tightly sealed. 5. Final Touches: Apply caulking around the sink’s edges to prevent water damage and give a clean, finished look. Maintenance Tips To keep your new sink looking and functioning at its best, follow these tips: - Regularly clean with non-abrasive cleaners. - Avoid leaving acidic foods or harsh chemicals in the sink for extended periods. - Use sink protectors to prevent scratches. Conclusion Upgrading to a premium kitchen sink is an investment in both the aesthetics and functionality of your home. With the right selection and professional installation, you can enjoy the benefits of a stylish and practical kitchen feature that enhances your daily life. By integrating these elements into your kitchen, not only do you boost the value of your home, but you also create a more enjoyable and efficient cooking environment. If you're considering a sink upgrade in Orlando or have any questions about the installation process, feel free to reach out or comment below. Let’s make your kitchen the heart of the home! |
2024.04.22 07:57 CIAHerpes I worked as a park ranger in Alaska. There were inhuman things living in the vast wilderness (part 1)
I worked as a park ranger in Northern Alaska for years, from when I was in my early twenties until my mid-thirties. At first, when I took the job, I was trying to escape, but over time, I learned to love it- the endless wilderness, the snow-capped mountains, the muffled way everything sounded during blizzards. With no light pollution, the stars up there look like tiny chips of diamond. And during the winter, the Northern Lights roll in, twisting and shimmering in strange, alien colors.
But a few years ago, things got much worse. People up here have started to go missing at an alarming rate. And I started having strange experiences around the park and the nature preserve.
One of the strangest parts of my story started on a freezing, dark night in 2018. I was on a snowmobile out in a terrible blizzard. The conditions were nearly to the point of being impassable. The snow was falling so thick and fast that it looked like a moving, shimmering wall of white on all sides of me.
Another ranger, a huge, lumbering man named ‘Ace’ Acosta, pulled up behind me on a second snowmobile. I looked at him, standing six foot six with majestic peaks stretching up into the night sky, and thought about what a great picture this would make. As I was looking around, I saw the faint tracks in the snow. Ace’s snowmobile lights were pointed in their direction, and I had been standing almost on top of them without realizing it- which is fairly easy to do when a few inches of snow are falling every hour.
At first, I thought it was the frozen tracks of an injured animal. I saw the drops of blood soaked into the superficial ice first. Following their direction with my eyes, I realized there were footprints pressed into the frozen crust leading away from me and towards the flat stretch of the tundra. I squinted, getting down on my knees and leaning inwards. I didn’t want to trample the tracks.
I quickly realized I was looking at human footprints- naked human footprints. But who would be out here in December in -40 degree winds without shoes? They would die rapidly out here. Just for me to drive across the tundra on a snowmobile required me to wear three jackets, long-johns, snow pants, thick jeans, a ski mask and multiple layers of socks and gloves with hand-warmers. I wore special water-proof boots with composite toes that wouldn’t freeze like steel toes. And despite all of this, I was still cold.
I moved forward, and saw handprints mixed in with the footprints, all of them bloody. The ice was thick enough to slice open human hands and feet, undoubtedly. The logical conclusion was unshakable- someone had crawled through here, maybe naked, on all fours, and their frozen body would be somewhere up ahead. I sighed, turning to Acosta. He still stood in the same position, his face covered in a red scarf with only his eyes showing. I saw one ice-covered eyebrow raise questioningly.
“I think we got us a body somewhere nearby,” I said, getting back on my snowmobile and starting it. He did the same.
“What kind of freaked-out tweaker would be walking around here without clothes on?” Ace asked in his deep baritone. “Man, I need a hit of whatever that guy’s on. I’ve got two sweaters and two winter jackets on, and I’m still cold. Eh, Kelton? Eh? What do you say?” He started elbowing me jokingly. I frowned, not responding.
Ace always had a smart aleck remark. He was next to me when I was interviewed for this job originally, down at the recruitment center in Washington state. The old lady doing the interviewing was a bloodless, angry-looking specimen of a woman with huge glasses that magnified her eyes twice over. She spat out each of the questions like a drill sergeant talking to fresh meat in the Army.
“Are you a member of any organized religion?” she had asked brusquely. Ace shook his head.
“No, ma’am, but I am a member of a disorganized religion,” he said. “We call ourselves ‘the Servants of the Old Ones’. We’re waiting for the ancient reptilian gods at the bottom of the ocean to awaken. So far, however, they haven’t responded to any of our texts.” I thought about this as I revved the engine twice, a sign that I was about to pull off and that he should stay close.
We took off, going slow and following the tracks as close as possible without destroying them. But the tracks just kept going, the bloodstains seeming to grow fainter as we moved forward- and strangely enough, the distance between the hand and footprints also started to get longer, as if someone were running on all fours and speeding up. We were nearing the beginning of the forest of evergreens when I saw a white flash just up ahead.
The thing that ran from us was humanoid, but I knew at once that it was no person. It ran on hands and feet, totally naked, its skin a pale, lifeless white color. It turned its head towards the lights of the snowmobiles briefly. I saw a hairless creature with skin that clung tightly to its simian body, its lips permanently pulled back from its mouth as if they were eaten away. Underneath it showed mottled black and red gums covered in thick, clotted blood. Its nose appeared as little more than two irregular holes, and its eyes- they reflected the light of the snowmobiles, like the eyes of a raccoon or opossum. They were huge and sunken in its starving, monstrous face.
And I saw what was leaving the bloody trails. The creature was, as far as I could tell, totally uninjured. In its permanently grinning mouth, between rows of crooked, sharp, blood-stained teeth, it held the body of an infant. The baby’s head lolled from side to side, the neck seemingly broken, and blood dripped constantly from its mouth and nose. It had deep puncture marks in its tiny parka, half-rings of teeth marks that must have broken its ribs. The bloodstains on the snow were becoming fainter, because the heart was no longer pumping in the body of the one leaving them.
I had a loaded rifle inside my snowmobile, and kept a 12-gauge shotgun slung around my back, mostly in case of bear or moose attack. I always kept the shotgun loaded with slugs, which were, in my experience, the most versatile ammunition for stopping any large animal. The .308 might take down a polar bear, at least with a good headshot, or it might just piss it off on a bad day. But a shotgun slug to the head or heart will stop any bear or moose in its tracks.
Of course, this was no polar bear ahead of me. For all I knew, it was something far worse. I looked down at the speedometer to see I was going twenty miles an hour, in the dark, in a blizzard. And yet this strange humanoid creature was still losing us, its seemingly never-ending store of energy still sending it forward at a superhuman speed. Its pale, bony legs and arms pumped back and forth so fast that they were just a blur. It kept its sharp teeth around the nape of the dead infant’s neck, like a mother cat carrying its young.
I kept one hand on the steering wheel while trying to free the strap of my shotgun over my head. I slowed down below twenty, and the creature responded by going even faster. It was making a break for the mountain forests that started only a few hundred feet away. I got the gun free and quickly stopped the snowmobile and raised it. I centered the sights, taking a deep breath to steady myself, and fired.
I missed, though I don’t know by how much. Shotguns had the drawback of being significantly less accurate at further distances than the rifle. But by the time I got the .308 out, I knew the creature would have long since disappeared in the thick brush and trees. By this point, Ace had also stopped and opened fire, but the creature had already gone.
“God damn!” Ace screamed. “That was one fast motherfucker. I can’t believe he got away after all that.” I heaved a deep sigh.
“I think we better go find out where he got that baby from,” I said. “We might have a lot more corpses on our hands than we realize.”
***
We found a radio in the snowmobile and messaged in what had happened, or at least the basic gist of it. I left out the part about naked, half-human abominations, and said that it was an unknown animal. There wasn’t much law enforcement up in these parts, because, hell, there were barely any people. The rangers as well as fish and wildlife agents regularly worked with the police officers in small towns, at least those that had police officers. Dozens of the local tribal villages had no police at all. These people would come to forest rangers and fish and wildlife agents most of all, and were always some of the county’s friendliest and most helpful residents.
By the time we got back to the original blood-stained footprints, the snow had covered up the tracks completely. However, based on the direction that the creature had been going and where the tracks had come from, I thought I knew where it might have started. Following the path in a nearly straight line led to the Lutna Peak Trailer Park. Ace and I drove off at max speed across the rolling hills and flat plains, the snow coming faster and heavier now. They say eskimos have dozens of words for snow, and after being a ranger up here, I can say I’ve seen every variation of it a thousand times. This was turning into the kind that was wet with huge flakes and tended to stick to everything. We would probably have to find refuge soon, especially if it got any heavier.
I heard the screaming before I saw the commotion. As we came around the sharp right turn where the dirt road turned into the trailer park, I saw dozens of people out, flitting like gnats around one of the trailers at the back corner of the park. All of the lights were on in that particular trailer, and I saw one woman comforting another who was bent over and crying.
Even though almost everyone knew us here, I pulled out my badge identifying me as a federal law enforcement officer. Up here, all the rangers were technically federal agents, allowed to carry guns and make arrests like typical police, except we were licensed under the Department of the Interior rather than under state law enforcement agencies.
I ran into the trailer, and after one long glance around the place, I knew there was no need to call for any ambulances. Ace followed close behind me, his heavy, thudding footsteps shaking the trailer slightly as he ascended the steps. We said nothing for a long moment. The entire family was dead.
There was blood everywhere, even spotting the ceilings. Most of it had frozen in the cold, and I wondered how long the door had been left open. Body parts were scattered across the floor, an arm in the corner of the room, a head standing up on the kitchen counter, even a random tooth embedded into the sheetrock. The savagery was brutal, and the amount of strength required to carry out such an attack must have been extraordinary.
“I think we’re going to need a lot more people on this than just me and you,” Ace said. I nodded, already bone-tired, and with so much more work to do tonight before I could go to sleep.
We phoned both state and federal authorities in the area. Since much of the land was tribally owned, we had to deal with multiple branches. Eventually we got CSI out there in the middle of a snowstorm, though they had to come from over three hours away. We just secured the scene while we waited, constantly being brought into neighboring trailers where townsfolk would tell us the latest gossip. They also brought us hot coffee and tried to milk us for any information we might have, as they usually did in such situations.
“No, Maggie, honest,” Ace was saying to one old lady wrapped up in an ancient fur coat, “I don’t know any more about it than you do. You can be sure that you’d know if I did.” By that point, police cars were slowly pulling in, one by one. Ace and I told them a simplified version of the night’s events, said goodnight and left the scene to them. I went home and took a scalding hot shower, trying to force the night’s coldness out of my bones. Then I slept deeply, though I had nightmares of that creature’s face turning to me, holding a dead baby in its mouth and marking me with its emotionless, reflective eyes. I didn’t know it then, but that would be the last time I would sleep in a bed for many days.
***
The state police assigned us an officer the next day, stating they wanted an official representative of their interests involved in the case. It was, by this point, a fairly high-priority case. We didn’t even have many assaults or robberies up here, less likely murders, and the murder of an entire family really stirred up the locals. The fact that the CSI techs couldn’t make heads or tails of it made it even worse. They hadn’t even agreed on whether it was done by humans or animals or a combination of the two, like men with fighting dogs who went berserk. With no leads, they wanted us to go back to where we had seen the creature the previous night and see what we could find.
The police officer who would be tagging us, a woman named Officer Melinda Jansen, had the look of someone who just started a new job, and doesn’t realize how terrible it is yet. She was all bright-eyed and bushy-tailed, and when she shook my hand, she nearly crushed the bones together under her iron grip. I saw Ace wince slightly when he shook her hand too. When she turned her back, he looked at me with one eyebrow raised, as if he were saying, “What can you do?”
It didn’t take us long to find the spot from the previous night. When we got close to the forest where the creature disappeared, I saw a branch that had been hit by a shotgun blast, and knew we were right on the money. In the daytime, I saw that there was a slight, curving trail through the trees here, maybe an old deer trail. It was just wide enough for us to take our snowmobiles through if we went slow. Occasionally, I would have to get off, being in the lead, and move large branches that lay across the path, but overall it was faster going than I had expected.
The trail followed across the top of a rolling hill, went down and then spiraled up around a mountain. We were high now, at least 7,000 feet above sea level, and the view went for hundreds of miles. It was breath-taking, seeing the frozen white landscape below us, mountains lining one horizon and the Arctic Ocean on another. A couple hundred feet ahead of us, however, the trail just stopped. I saw an opening in the mountain. Slowly bringing my snowmobile up, I looked into it and saw what looked like naturally-formed stone hallways.
The halls sloped down at a steep angle without stairs. An eerie silence radiated from the gradually thickening darkness. The other two snowmobiles cut out right behind mine, and Officer Jansen came walking up, flicking on her LED headlamp. Immediately, I saw a strip of light blue cloth. I walked forward, bending down to confirm what I had already suspected: that this was a piece of the missing infant’s clothing.
“That looks like more than enough cause to me. Let’s do this,” Jansen said. “I’d like to be back before sundown.” She kept walking without waiting for confirmation. Ace and I slung on our packs and turned on our headlamps. I tried using the radios and sat-phone to share our location, but neither was working. The bright, artificial lights showed that the natural stone walls of the hall just kept on descending into the mountain. A warm breeze blew past me, an acrid, sulfuric smell following in its wake.
“This is just a body recovery mission at this point,” I whispered to Ace, giving Officer Jansen a wide space so I could talk. “So why are we potentially risking our lives here? We should be waiting for back-up. We both know that the infant is dead, and has been for a while.”
“You know what I think…” Ace whispered conspiratorially, before a low shriek stopped us all in our tracks and ended conversation. I never did get to hear what he thought. By this point, it was much warmer than it had been outside, and I had the urge to start stripping off jackets. The shrieking had intensified, and was now being answered by dozens of others that surrounded further away in the stone halls.
Officer Jansen had pulled out her gun, which I saw with some astonishment was a .454 Ruger, a large caliber gun with good stopping power. I saw enough magazines strapped around her hips to decimate an entire herd of buffalo. I also pulled off my shotgun, making sure it was filled with lead slugs.
“Do you have any idea what we’re up against?” I asked her. Ace was right behind us, his shotgun already cocked and loaded, the muzzle pointed downwards. I was sweating heavily by this point. The air in the tunnel just kept getting warmer. It felt like I was walking into a sauna. Thin clouds of mist and droplets of hot condensation clung to the smooth granite ceilings. The hall continued to descend at the same steep rate, but now I could see something at the bottom: light.
“Not much more than you, really,” Officer Jansen said with a slight sneer. “My only advice is to shoot first and ask questions later. Kill anything that moves. This place has taken a lot of people already, people who were too fat and slow to watch their own backs…” I squinted as I examined the lights. They seemed to emanate from some sort of organism growing on the stone’s surface.
It wasn’t electrical lights, and it certainly wasn’t natural sunlight. It glowed like the lights of millions of fireflies, a purplish-blue color that painted the granite floors and walls in a totally different light. We were walking as quietly as possible by this point, but I still hadn’t seen anyone. We reached the bottom of the stone halls, where strange mushrooms glowed in the darkness, their mycelium giving off that black-light color everywhere as it stretched across the threshold of the opening. I turned off my LED, seeing my comrades do the same, then poked my head through, looking back and forth.
I saw more of those creatures from before, their lips missing, their skin pale, their eyes huge and rabid. They constantly twisted and snapped their heads to the left or right, as if hearing something only they could perceive. Two were dragging an elk that had been mutilated and torn down the middle. Another was dragging an old man’s dead body forward by the upraised legs. I saw the old man’s head was missing, his wrinkled hands trailing behind the body. I watched where all this activity was headed, then I gasped.
A huge, insectile monster sat lazily against the stone wall as these creatures brought it meat. The monster was so fat that I wasn’t even sure it could stand up. It had a blood-red, chitinous exterior with a hood like a cobra’s that extended around its head. Its teeth trembled together constantly as it shoved more gory offerings into its mouth, sending blood gushing forwards in thick clotted rivulets that dripped down its chin. Its long, thin arms had sharp knife-like digits, and its six legs branched like those of a praying mantis, splayed out on each side of its body, shining a dark red color in the strange light of the chamber. Its belly stretched far in front of its body, and with horror, I saw it drop a cluster of eggs, each as big as a dog. Their surfaces writhed and trembled, looking tight and ready to burst at any moment.
The creatures that fed and cared for this monster rushed over, dragging the eggs to the corner of the warm chamber. I saw that there were dozens more of them over there, and that some had already hatched.
Whatever that monster was, it had already given birth, and now those things were walking around, totally free to kill anything, or anyone, they wanted.
Part 2
I worked as a ranger in Alaska for years. There were inhuman things living in the vast wilderness (part 2) : stories (reddit.com)
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But a few years ago, things got much worse. People up here have started to go missing at an alarming rate. And I started having strange experiences around the park and the nature preserve.
One of the strangest parts of my story started on a freezing, dark night in 2018. I was on a snowmobile out in a terrible blizzard. The conditions were nearly to the point of being impassable. The snow was falling so thick and fast that it looked like a moving, shimmering wall of white on all sides of me.
Another ranger, a huge, lumbering man named ‘Ace’ Acosta, pulled up behind me on a second snowmobile. I looked at him, standing six foot six with majestic peaks stretching up into the night sky, and thought about what a great picture this would make. As I was looking around, I saw the faint tracks in the snow. Ace’s snowmobile lights were pointed in their direction, and I had been standing almost on top of them without realizing it- which is fairly easy to do when a few inches of snow are falling every hour.
At first, I thought it was the frozen tracks of an injured animal. I saw the drops of blood soaked into the superficial ice first. Following their direction with my eyes, I realized there were footprints pressed into the frozen crust leading away from me and towards the flat stretch of the tundra. I squinted, getting down on my knees and leaning inwards. I didn’t want to trample the tracks.
I quickly realized I was looking at human footprints- naked human footprints. But who would be out here in December in -40 degree winds without shoes? They would die rapidly out here. Just for me to drive across the tundra on a snowmobile required me to wear three jackets, long-johns, snow pants, thick jeans, a ski mask and multiple layers of socks and gloves with hand-warmers. I wore special water-proof boots with composite toes that wouldn’t freeze like steel toes. And despite all of this, I was still cold.
I moved forward, and saw handprints mixed in with the footprints, all of them bloody. The ice was thick enough to slice open human hands and feet, undoubtedly. The logical conclusion was unshakable- someone had crawled through here, maybe naked, on all fours, and their frozen body would be somewhere up ahead. I sighed, turning to Acosta. He still stood in the same position, his face covered in a red scarf with only his eyes showing. I saw one ice-covered eyebrow raise questioningly.
“I think we got us a body somewhere nearby,” I said, getting back on my snowmobile and starting it. He did the same.
“What kind of freaked-out tweaker would be walking around here without clothes on?” Ace asked in his deep baritone. “Man, I need a hit of whatever that guy’s on. I’ve got two sweaters and two winter jackets on, and I’m still cold. Eh, Kelton? Eh? What do you say?” He started elbowing me jokingly. I frowned, not responding.
Ace always had a smart aleck remark. He was next to me when I was interviewed for this job originally, down at the recruitment center in Washington state. The old lady doing the interviewing was a bloodless, angry-looking specimen of a woman with huge glasses that magnified her eyes twice over. She spat out each of the questions like a drill sergeant talking to fresh meat in the Army.
“Are you a member of any organized religion?” she had asked brusquely. Ace shook his head.
“No, ma’am, but I am a member of a disorganized religion,” he said. “We call ourselves ‘the Servants of the Old Ones’. We’re waiting for the ancient reptilian gods at the bottom of the ocean to awaken. So far, however, they haven’t responded to any of our texts.” I thought about this as I revved the engine twice, a sign that I was about to pull off and that he should stay close.
We took off, going slow and following the tracks as close as possible without destroying them. But the tracks just kept going, the bloodstains seeming to grow fainter as we moved forward- and strangely enough, the distance between the hand and footprints also started to get longer, as if someone were running on all fours and speeding up. We were nearing the beginning of the forest of evergreens when I saw a white flash just up ahead.
The thing that ran from us was humanoid, but I knew at once that it was no person. It ran on hands and feet, totally naked, its skin a pale, lifeless white color. It turned its head towards the lights of the snowmobiles briefly. I saw a hairless creature with skin that clung tightly to its simian body, its lips permanently pulled back from its mouth as if they were eaten away. Underneath it showed mottled black and red gums covered in thick, clotted blood. Its nose appeared as little more than two irregular holes, and its eyes- they reflected the light of the snowmobiles, like the eyes of a raccoon or opossum. They were huge and sunken in its starving, monstrous face.
And I saw what was leaving the bloody trails. The creature was, as far as I could tell, totally uninjured. In its permanently grinning mouth, between rows of crooked, sharp, blood-stained teeth, it held the body of an infant. The baby’s head lolled from side to side, the neck seemingly broken, and blood dripped constantly from its mouth and nose. It had deep puncture marks in its tiny parka, half-rings of teeth marks that must have broken its ribs. The bloodstains on the snow were becoming fainter, because the heart was no longer pumping in the body of the one leaving them.
I had a loaded rifle inside my snowmobile, and kept a 12-gauge shotgun slung around my back, mostly in case of bear or moose attack. I always kept the shotgun loaded with slugs, which were, in my experience, the most versatile ammunition for stopping any large animal. The .308 might take down a polar bear, at least with a good headshot, or it might just piss it off on a bad day. But a shotgun slug to the head or heart will stop any bear or moose in its tracks.
Of course, this was no polar bear ahead of me. For all I knew, it was something far worse. I looked down at the speedometer to see I was going twenty miles an hour, in the dark, in a blizzard. And yet this strange humanoid creature was still losing us, its seemingly never-ending store of energy still sending it forward at a superhuman speed. Its pale, bony legs and arms pumped back and forth so fast that they were just a blur. It kept its sharp teeth around the nape of the dead infant’s neck, like a mother cat carrying its young.
I kept one hand on the steering wheel while trying to free the strap of my shotgun over my head. I slowed down below twenty, and the creature responded by going even faster. It was making a break for the mountain forests that started only a few hundred feet away. I got the gun free and quickly stopped the snowmobile and raised it. I centered the sights, taking a deep breath to steady myself, and fired.
I missed, though I don’t know by how much. Shotguns had the drawback of being significantly less accurate at further distances than the rifle. But by the time I got the .308 out, I knew the creature would have long since disappeared in the thick brush and trees. By this point, Ace had also stopped and opened fire, but the creature had already gone.
“God damn!” Ace screamed. “That was one fast motherfucker. I can’t believe he got away after all that.” I heaved a deep sigh.
“I think we better go find out where he got that baby from,” I said. “We might have a lot more corpses on our hands than we realize.”
***
We found a radio in the snowmobile and messaged in what had happened, or at least the basic gist of it. I left out the part about naked, half-human abominations, and said that it was an unknown animal. There wasn’t much law enforcement up in these parts, because, hell, there were barely any people. The rangers as well as fish and wildlife agents regularly worked with the police officers in small towns, at least those that had police officers. Dozens of the local tribal villages had no police at all. These people would come to forest rangers and fish and wildlife agents most of all, and were always some of the county’s friendliest and most helpful residents.
By the time we got back to the original blood-stained footprints, the snow had covered up the tracks completely. However, based on the direction that the creature had been going and where the tracks had come from, I thought I knew where it might have started. Following the path in a nearly straight line led to the Lutna Peak Trailer Park. Ace and I drove off at max speed across the rolling hills and flat plains, the snow coming faster and heavier now. They say eskimos have dozens of words for snow, and after being a ranger up here, I can say I’ve seen every variation of it a thousand times. This was turning into the kind that was wet with huge flakes and tended to stick to everything. We would probably have to find refuge soon, especially if it got any heavier.
I heard the screaming before I saw the commotion. As we came around the sharp right turn where the dirt road turned into the trailer park, I saw dozens of people out, flitting like gnats around one of the trailers at the back corner of the park. All of the lights were on in that particular trailer, and I saw one woman comforting another who was bent over and crying.
Even though almost everyone knew us here, I pulled out my badge identifying me as a federal law enforcement officer. Up here, all the rangers were technically federal agents, allowed to carry guns and make arrests like typical police, except we were licensed under the Department of the Interior rather than under state law enforcement agencies.
I ran into the trailer, and after one long glance around the place, I knew there was no need to call for any ambulances. Ace followed close behind me, his heavy, thudding footsteps shaking the trailer slightly as he ascended the steps. We said nothing for a long moment. The entire family was dead.
There was blood everywhere, even spotting the ceilings. Most of it had frozen in the cold, and I wondered how long the door had been left open. Body parts were scattered across the floor, an arm in the corner of the room, a head standing up on the kitchen counter, even a random tooth embedded into the sheetrock. The savagery was brutal, and the amount of strength required to carry out such an attack must have been extraordinary.
“I think we’re going to need a lot more people on this than just me and you,” Ace said. I nodded, already bone-tired, and with so much more work to do tonight before I could go to sleep.
We phoned both state and federal authorities in the area. Since much of the land was tribally owned, we had to deal with multiple branches. Eventually we got CSI out there in the middle of a snowstorm, though they had to come from over three hours away. We just secured the scene while we waited, constantly being brought into neighboring trailers where townsfolk would tell us the latest gossip. They also brought us hot coffee and tried to milk us for any information we might have, as they usually did in such situations.
“No, Maggie, honest,” Ace was saying to one old lady wrapped up in an ancient fur coat, “I don’t know any more about it than you do. You can be sure that you’d know if I did.” By that point, police cars were slowly pulling in, one by one. Ace and I told them a simplified version of the night’s events, said goodnight and left the scene to them. I went home and took a scalding hot shower, trying to force the night’s coldness out of my bones. Then I slept deeply, though I had nightmares of that creature’s face turning to me, holding a dead baby in its mouth and marking me with its emotionless, reflective eyes. I didn’t know it then, but that would be the last time I would sleep in a bed for many days.
***
The state police assigned us an officer the next day, stating they wanted an official representative of their interests involved in the case. It was, by this point, a fairly high-priority case. We didn’t even have many assaults or robberies up here, less likely murders, and the murder of an entire family really stirred up the locals. The fact that the CSI techs couldn’t make heads or tails of it made it even worse. They hadn’t even agreed on whether it was done by humans or animals or a combination of the two, like men with fighting dogs who went berserk. With no leads, they wanted us to go back to where we had seen the creature the previous night and see what we could find.
The police officer who would be tagging us, a woman named Officer Melinda Jansen, had the look of someone who just started a new job, and doesn’t realize how terrible it is yet. She was all bright-eyed and bushy-tailed, and when she shook my hand, she nearly crushed the bones together under her iron grip. I saw Ace wince slightly when he shook her hand too. When she turned her back, he looked at me with one eyebrow raised, as if he were saying, “What can you do?”
It didn’t take us long to find the spot from the previous night. When we got close to the forest where the creature disappeared, I saw a branch that had been hit by a shotgun blast, and knew we were right on the money. In the daytime, I saw that there was a slight, curving trail through the trees here, maybe an old deer trail. It was just wide enough for us to take our snowmobiles through if we went slow. Occasionally, I would have to get off, being in the lead, and move large branches that lay across the path, but overall it was faster going than I had expected.
The trail followed across the top of a rolling hill, went down and then spiraled up around a mountain. We were high now, at least 7,000 feet above sea level, and the view went for hundreds of miles. It was breath-taking, seeing the frozen white landscape below us, mountains lining one horizon and the Arctic Ocean on another. A couple hundred feet ahead of us, however, the trail just stopped. I saw an opening in the mountain. Slowly bringing my snowmobile up, I looked into it and saw what looked like naturally-formed stone hallways.
The halls sloped down at a steep angle without stairs. An eerie silence radiated from the gradually thickening darkness. The other two snowmobiles cut out right behind mine, and Officer Jansen came walking up, flicking on her LED headlamp. Immediately, I saw a strip of light blue cloth. I walked forward, bending down to confirm what I had already suspected: that this was a piece of the missing infant’s clothing.
“That looks like more than enough cause to me. Let’s do this,” Jansen said. “I’d like to be back before sundown.” She kept walking without waiting for confirmation. Ace and I slung on our packs and turned on our headlamps. I tried using the radios and sat-phone to share our location, but neither was working. The bright, artificial lights showed that the natural stone walls of the hall just kept on descending into the mountain. A warm breeze blew past me, an acrid, sulfuric smell following in its wake.
“This is just a body recovery mission at this point,” I whispered to Ace, giving Officer Jansen a wide space so I could talk. “So why are we potentially risking our lives here? We should be waiting for back-up. We both know that the infant is dead, and has been for a while.”
“You know what I think…” Ace whispered conspiratorially, before a low shriek stopped us all in our tracks and ended conversation. I never did get to hear what he thought. By this point, it was much warmer than it had been outside, and I had the urge to start stripping off jackets. The shrieking had intensified, and was now being answered by dozens of others that surrounded further away in the stone halls.
Officer Jansen had pulled out her gun, which I saw with some astonishment was a .454 Ruger, a large caliber gun with good stopping power. I saw enough magazines strapped around her hips to decimate an entire herd of buffalo. I also pulled off my shotgun, making sure it was filled with lead slugs.
“Do you have any idea what we’re up against?” I asked her. Ace was right behind us, his shotgun already cocked and loaded, the muzzle pointed downwards. I was sweating heavily by this point. The air in the tunnel just kept getting warmer. It felt like I was walking into a sauna. Thin clouds of mist and droplets of hot condensation clung to the smooth granite ceilings. The hall continued to descend at the same steep rate, but now I could see something at the bottom: light.
“Not much more than you, really,” Officer Jansen said with a slight sneer. “My only advice is to shoot first and ask questions later. Kill anything that moves. This place has taken a lot of people already, people who were too fat and slow to watch their own backs…” I squinted as I examined the lights. They seemed to emanate from some sort of organism growing on the stone’s surface.
It wasn’t electrical lights, and it certainly wasn’t natural sunlight. It glowed like the lights of millions of fireflies, a purplish-blue color that painted the granite floors and walls in a totally different light. We were walking as quietly as possible by this point, but I still hadn’t seen anyone. We reached the bottom of the stone halls, where strange mushrooms glowed in the darkness, their mycelium giving off that black-light color everywhere as it stretched across the threshold of the opening. I turned off my LED, seeing my comrades do the same, then poked my head through, looking back and forth.
I saw more of those creatures from before, their lips missing, their skin pale, their eyes huge and rabid. They constantly twisted and snapped their heads to the left or right, as if hearing something only they could perceive. Two were dragging an elk that had been mutilated and torn down the middle. Another was dragging an old man’s dead body forward by the upraised legs. I saw the old man’s head was missing, his wrinkled hands trailing behind the body. I watched where all this activity was headed, then I gasped.
A huge, insectile monster sat lazily against the stone wall as these creatures brought it meat. The monster was so fat that I wasn’t even sure it could stand up. It had a blood-red, chitinous exterior with a hood like a cobra’s that extended around its head. Its teeth trembled together constantly as it shoved more gory offerings into its mouth, sending blood gushing forwards in thick clotted rivulets that dripped down its chin. Its long, thin arms had sharp knife-like digits, and its six legs branched like those of a praying mantis, splayed out on each side of its body, shining a dark red color in the strange light of the chamber. Its belly stretched far in front of its body, and with horror, I saw it drop a cluster of eggs, each as big as a dog. Their surfaces writhed and trembled, looking tight and ready to burst at any moment.
The creatures that fed and cared for this monster rushed over, dragging the eggs to the corner of the warm chamber. I saw that there were dozens more of them over there, and that some had already hatched.
Whatever that monster was, it had already given birth, and now those things were walking around, totally free to kill anything, or anyone, they wanted.
Part 2
I worked as a ranger in Alaska for years. There were inhuman things living in the vast wilderness (part 2) : stories (reddit.com)
2024.04.21 13:36 Distinct_Mud1960 First Bodybuilding Show - Recap
Apologies for the long post, but I just wanted to share with you all my journey to stepping on a bodybuilding stage for the first time. I'm 25 and I've been training for around 10 years now, but most of this time was spent messing around without any tracking or specific goals in mind. I got into pretty good shape this way, but in 2022 a regular at my gym asked if I competed in bodybuilding and I thought to myself - maybe I should give it a shot. So in July 2023 I pulled the trigger and committed to enter a competition in April 2024.
The goal during bulk was to gain weight at 0.25 - 0.5% of bodyweight per week. The goal during the cut was to lose 0.5-1% of bodyweight per week. Weighed myself every morning and tracked the weekly moving average. Here is a graph of my weekly moving average through the prep.
I was following the RP model of periodization: 4-5 weeks of progressively increasing intensity (from 3RIR to 0 RIR) and volume (10-20 sets/muscle group/week), followed by 1 week of deload before resetting. With one 2.5 week long extended deload over the holidays.
As I got closer to the show I subbed out some of the more fatiguing freeweight compounds with machines and/or isolation exercises to aid in recovery. I also started tapering down the overall volume about 10 weeks out.
At around 10 weeks out I started posing practice - 5 days/week for 30 minutes + 1x 1h session with a posing coach per week (shoutout to my posing coach u/kingkalm :))
In terms of supplements I used creatine, L-citrulline, vitamin D, vitamin B, magnesium, zinc, fish oil (after I lowered fats druing the cut). I also used ashwaghanda which I've found improves my sleep quality, and tongkat ali + boron. As far as I can tell the tongkat ali and boron do pretty much nothing but I didn't see any adverse effects so continued taking them.
2 weeks out I was digging deep - 20k step/day + 2600-2800 Cal/day. Then for the peak week I dropped the steps down to 10k/day and brought up the calories to 3400/day with the goal of dropping some fatigue. Also cut my training volume in half and taking 3 rest days before the show only doing posing practice. Water and electrolytes remained constant. Around 3 days out I reduced my fiber intake to about 50% and only ate easy digesting foods to reduce risk of bloating. Seems to have done the trick
Still, I am very happy with my placing and proud of the physique I was able to bring to the stage!
That being said... I loved every second of the journey, I loved the grind, I loved facing and overcoming the challenges along the way, I loved being able to push my body to a point I previously though impossible to get to. The competitive side of bodybuilding is a whole different beast compared to just going to the gym to look good. But in the end, the sense of accomplishment (at least to me) is worth it.
Looking back on my prep there are a few things I would have done differently: having a coach to provide an objective point of view would have been useful, leveraging some carb cycling, starting posing practice sooner, making the prep 4-5 weeks longer, and most importantly not allowing prep to take precedence over every other aspect of my life.
Now its time to take a long off-season to build as much muscle as possible to try and fill out my tall frame. And implement all the things that I've learned from my first attempt at prepping to push my conditioning even further. And, hopefully, next time I step on stage I bring home a trophy.
Again, sorry for the long post. I just had a lot of thoughts and feelings I felt like I needed to share. Hopefully you maybe even found some useful information in all of my ramblings. And a huge thank you to you all for providing me with a sense of community and making me feel like I am not alone in my effort to build the best god damn physique that I can.
submitted by Distinct_Mud1960 to naturalbodybuilding [link] [comments]
Pictures
- February 2023 (starting point - 195lbs)
- December 2023 (Peak bulk - 222lbs)
- 10 Weeks out (211lbs)
- 8 weeks out (207lbs)
- 2 weeks out (196lbs)
- Show day (194lbs)
Prep timeline
I knew I needed to put on some size in order to be remotely competitive. End of July I weighed in at 202lbs and started a slow and steady bulk. Finished the bulk at the end of November weighing in at 222lbs. Then started a 19 week prep. My lowest weigh-in was 192lbs at 5 days out.The goal during bulk was to gain weight at 0.25 - 0.5% of bodyweight per week. The goal during the cut was to lose 0.5-1% of bodyweight per week. Weighed myself every morning and tracked the weekly moving average. Here is a graph of my weekly moving average through the prep.
Training
I followed a 6 day Arnold split:- Day 1: Chest/Back - Chest focused
- Day 2: Shoulders/Arms - Shoulder focused
- Day 3: Legs - Quad focused
- Day 4: Chest/Back - Back focused
- Day 5: Shoulders/Arms - Arm focused
- Day 6: Legs - Hamstring focused
- Day 7: Rest
I was following the RP model of periodization: 4-5 weeks of progressively increasing intensity (from 3RIR to 0 RIR) and volume (10-20 sets/muscle group/week), followed by 1 week of deload before resetting. With one 2.5 week long extended deload over the holidays.
As I got closer to the show I subbed out some of the more fatiguing freeweight compounds with machines and/or isolation exercises to aid in recovery. I also started tapering down the overall volume about 10 weeks out.
At around 10 weeks out I started posing practice - 5 days/week for 30 minutes + 1x 1h session with a posing coach per week (shoutout to my posing coach u/kingkalm :))
Diet
- Bulk: Started at 4000 Cal/day, which was slowly brought up to 4600 Cal/day by the end of the bulk. The macros during the bulk were around 220p/600c/120f with some daily variation in carb/fat ratio.
- Cut: Started at around 3000 Cal/day and pretty much stayed at that intake the whole time. My macros were around 240p/300c/90f at the start but brought down the fat to around 50-60g to allow room for more carbs towards the end of prep. I didn't use any carb cycling approaches (I wish I would have). And had around a +/- 200 calorie tolerance on my intake based on hunger levels. If I felt hungry I would go up to 3200 Cal/day, if I felt fine I would eat 2800 Cal/day. Never dipped below 2500 Cal intake through the whole prep.
In terms of supplements I used creatine, L-citrulline, vitamin D, vitamin B, magnesium, zinc, fish oil (after I lowered fats druing the cut). I also used ashwaghanda which I've found improves my sleep quality, and tongkat ali + boron. As far as I can tell the tongkat ali and boron do pretty much nothing but I didn't see any adverse effects so continued taking them.
Cardio
During the bulk I was hitting 10k steps/day. Brought it up to 12k/day at the start of the cut and slowly ramped it up to an average of 17-18k/day by the end of prep. Since I wasn't willing to drop calories any lower this was the main variable I manipulated to maintain the target weight loss rate. There were a few weeks (4-2 weeks out) where I was hitting 20k/day when I was pushing hard for that final bit of fat loss. I didn't do any dedicated cardio on top of my daily steps, as I've found in the past that any activity that gets my heartrate up above 140-150 significantly increases my hunger levels.Peak week
I researched some peaking strategies, mostly based on this article, ran a practice peak week at 4 weeks out implementing carb depletion followed by carb loading, as well as some minor water and electrolyte intake manipulation. Found that it didn't seem to make that big of a visual difference and made me feel worse so decided to take a more moderate approach for the actual peak week.2 weeks out I was digging deep - 20k step/day + 2600-2800 Cal/day. Then for the peak week I dropped the steps down to 10k/day and brought up the calories to 3400/day with the goal of dropping some fatigue. Also cut my training volume in half and taking 3 rest days before the show only doing posing practice. Water and electrolytes remained constant. Around 3 days out I reduced my fiber intake to about 50% and only ate easy digesting foods to reduce risk of bloating. Seems to have done the trick
Show day
The show I did is the Granite City Classic. It's an untested show but I decided on entering this competition since the venue is in the city where I live, which makes the logistics of competing much easier. And also they have a 'first timers' class, where only people with no prior competitive experience are eligible to enter, which makes the show more approachable for someone like me, even though I knew I was going to be competing with potentially enhanced athletes. I ended up placing 5th out of the 15 competitors in my class - seems like if I had come in just a little sharper I could have easily placed in the top 3. I also entered the classic physique class but did not place, which was the expected result.Still, I am very happy with my placing and proud of the physique I was able to bring to the stage!
Recovery
This was a one-off show so as soon as I got home and rinsed off the glaze I went off the rails with junk food. For the following week I was consuming 8000+ Cal/day and indulged in all the junk food and cravings that had been off the table for the last 4 months. Now, 2 weeks later I am sitting comfortably at a daily intake of 4000 Cal and not experiencing any cravings. My weight has stabilized around 207lbs and I feel pretty much recovered from the trauma of prep. This rapid weight gain was intentional in order to return me to a comfortable/healthy body composition and alleviate some of the harsher side effects of prepThe negatives effects of prepping for a show
- Sleep quality - this was the biggest negative I experienced. Went from sleeping 6.5-7h to 5-6h a night at around 7 weeks out. My sleep schedule got to the point where I would wake up at 4am every day and wouldn't be able to fall back asleep.
- Low energy - just a general feeling of lethargy overtook my life. Everything seemed hard. I had to really force myself to get up and attend to my responsibilities. And it required immense effort to get through my daily training
- Being cold - By around 3 weeks out I just couldn't get warm no matter how many layers I was wearing. I pretty much stopped sweating all together unless I was in the sauna.
- Hormone levels - My libido tanked. But my hormone levels actually remain pretty solid. In February 2023 my T levels came back at 800 ng/dl, at peak bulk they were at 850 ng/dl, and at 2 weeks out my testosterone was at 450 ng/dl. So a significant reduction but still in the normal range. I suspect that my free testosterone took a larger hit, though I didn't have access to a free testosterone blood test to check this
- Body dysmorphia - Going through prep really meses with your self-image. Around 3-4 weeks out I lost all objectivity. Even though I was the leanest I had ever been I felt quite fat, but also skinny. I kept obsessing over the way I looked and hyper-fixated on any amount of fat still visible on my body. This is a side effect that I am still trying to alleviate. It's been really difficult to accept the 13lbs of weight gain I experienced as part of the recovery. But I know it had to be done to get my body back to functioning at 100%.
- Strength loss - I did lost quite a bit of strength when dealing with heavy loads. At peak bulk I was benching 2 plates for sets of 10+. A few days ago I tried benching 2 plates again and did 4 reps at around 2-3RIR. I suspect that most of this strength loss is due to being out of practice with heavy loads as I focused on higher rep training throughout the prep. And even at 2 weeks out I hit a few rep PRs.
- Food focus - Food was on my mind all the time. Even though my hunger levels were pretty managable I couldn't stop thinking about food. My life revolved around preparing and consuming meals. And I distinctly remember an instance where I almost cried because I realized I couldn't fit brie cheese into my macros
Conclusion
Prepping for a bodybuilding show is hard, very hard. And the physiological and mental toll it takes on you is immense. And once you get to your goal look, you only get to enjoy it for a very brief moment. And the enjoyment is curbed by all the negative side effects that come with looking this way.That being said... I loved every second of the journey, I loved the grind, I loved facing and overcoming the challenges along the way, I loved being able to push my body to a point I previously though impossible to get to. The competitive side of bodybuilding is a whole different beast compared to just going to the gym to look good. But in the end, the sense of accomplishment (at least to me) is worth it.
Looking back on my prep there are a few things I would have done differently: having a coach to provide an objective point of view would have been useful, leveraging some carb cycling, starting posing practice sooner, making the prep 4-5 weeks longer, and most importantly not allowing prep to take precedence over every other aspect of my life.
Now its time to take a long off-season to build as much muscle as possible to try and fill out my tall frame. And implement all the things that I've learned from my first attempt at prepping to push my conditioning even further. And, hopefully, next time I step on stage I bring home a trophy.
Again, sorry for the long post. I just had a lot of thoughts and feelings I felt like I needed to share. Hopefully you maybe even found some useful information in all of my ramblings. And a huge thank you to you all for providing me with a sense of community and making me feel like I am not alone in my effort to build the best god damn physique that I can.
2024.04.17 09:24 No-Skill-7020 Types of Cutting Discs and Their Suitable Applications: Essential Knowledge for Professional Welders! (2024)
Cutting discs or blades are tools used to cut materials such as metal, stainless steel, alloy steel, aluminum, and more. These discs or blades are typically made from abrasive grains and have a circular shape, sharp, and durable. They are used in conjunction with grinding machines, resulting in smooth and beautiful surfaces on the workpieces.
submitted by No-Skill-7020 to u/No-Skill-7020 [link] [comments]
There are several types of Cutting discs available, categorized based on the abrasive material they contain, each with different properties affecting cutting efficiency, durability, precision, and sharpness:
- Aluminum Oxide Cutting discs: Made from black or brown aluminum oxide abrasive grains, these blades are ideal for cutting thin steel sheets, stainless steel, aluminum, and similar materials. They offer high sharpness, enabling fast cutting with smooth, clean surfaces and no burning or odor.
- Silicon Carbide Cutting discs: Manufactured with silicon carbide abrasive grains, typically black-gray in color, these blades are exceptionally sharp and durable. They are suitable for cutting hardened metals like case-hardened steel, stainless steel, galvanized steel, among others, providing both speed and accuracy.
- White Aluminum Oxide Cutting discs: Formulated with white aluminum oxide abrasive grains, these blades, often white in color, offer high sharpness and hardness, enabling swift and precise cutting. They are well-suited for non-hardened metals such as stainless steel and non-ferrous metals, ensuring fast and accurate cuts.
- Silicon Carbide Composite Cutting discs: Containing silicon carbide and carborundum, these blades, usually black, are designed for cutting non-metallic elements like bronze, brass, ceramic, and aluminum. Their exceptional sharpness and resistance to wear and tear make them highly effective for various applications.
- Green Silicon Carbide Cutting discs: These blades, composed of green silicon carbide abrasive grains, are dark green in color. They are specifically designed for cutting hard materials such as concrete, ceramic tiles, soft stones, granite, cement, or ceramics. With superior sharpness and pressure resistance, they enable users to achieve rapid and efficient cuts compared to other blade types.
2024.04.12 18:14 SnooDrawings987 Personal touches
 | That is a real pink granite vase I have in the bathroom of my dollhouse as room decor. And a real little glass slipper on the desk (held in place with mounting putty) submitted by SnooDrawings987 to miniatures [link] [comments] |
2024.04.10 05:55 Twerka6 Granite Composite Sink Install
 | We recently got rid of our old sink and have installed a granite composite drop in sink in its place. Plumbing-wise, things went well but we forgot to attach the clips or apply silicone when installing the sink. Today we took everything apart to apply clips and the sink would no longer fit in the hole. There is also no way to access the clips after its dry fit. Clips are NOT an option. Sooo we thought we’d use just silicone. The silicone tube must have been bad because it came out of the tube horribly and I was trying to apply it with the sink upright (against gravity). By the time the sink was set in, the caulk was like icicles and half dry and looked absolutely awful. We pulled the sink back out and I scraped off every last bit of caulk. Then we tried using plumbers putty but the weight of the sink was not enough to compress it and even if it was, setting the sink in moved half the putty. Anyways, I know any true plumber is already annoyed just reading about this disaster. What I’m hoping is that someone will tell me I can just keep the dry fit sink in the hole where it is and just simply caulk around the edges. Will it look unbearably horrible? All the sink needs is to be water tight. How would it not be water tight if we caulk the seam? Plz just tell me it’s fine so we don’t have to rip the damn thing out again… submitted by Twerka6 to Plumbing [link] [comments] |