I have a 2012 Subaru Outback 2.5 (so it’s AWD) with 154K miles and I’m having trouble finding a noise that seems to come from the right front section of the car.
It’s lower pitched and sounds like it could be either metal or plastic. It mostly happens when I’m turning and there’s a little bit of body roll. It doesn’t happen when I turn the wheel and the car is stationary. I can’t reproduce it by shaking the car from the outside. It happens more when the wheel is turned left, even slightly but will happen when turned right if there is enough roll. It doesn’t happen on slightly uneven surfaces like rough pavement, so it seems like it’s steering, hub, CV joint, etc. The suspension was re-done 2 years ago so it’s not that. Also, the noise was there before and after that work. It’s just worse now.
Here’s what I’ve done so far:
-Tightened up the hood
-Eliminated any rattles coming from the luggage rack
-Eliminated the glove box as a source
-Tightened up the plastic underneath the front of the car
-Tightened up the air box
-Re-seated a loose fog lamp
-Replaced the slide pins/bushings in the front brakes
-Jiggled the CV joints and stabilizer bar. They feel tight
-Lifted one front side of the car at a time and jiggled the wheel
All of the above has eliminated some noises but not this one.
There is a little bit of play in the front wheels when lifted up. I’m not sure how much there’s supposed to be. When I move them from side to side (as if they were being steered) there is a few mm of play and some noise. It’s the same on both the left and the right though. They don’t move when I put my hands on the top and bottom & try to move them that way. I tried a back when and no play there. But they don’t steer.
How much play should there be in the front wheels? Any ideas on what it might be? I suspected the CV joints but they feel pretty good when jiggled. There’s maybe 2-3 mm of movement but that’s it. I thought it also might be a plastic body piece but I can’t move any of those to reproduce the sound.

I need some advice on what do to. I have been on humira for about 5 years now, and I'm currently in remission Crohn's wise. However, for an equal amount of time I've had some seriously crippling episodes of extreme stomach pain, and I've even ended up in the hospital a few times for it. I've done every test you can imagine, the only thing the doctors have ever found is a slight narrowing in my lower bowl, which isn't where I've been feeling this pain. It's always located at the top of my stomach, almost at the gap between my rib cage. When I get these episodes I'm completely useless. I can't work, I can't eat, most of the time I can barely move even. I wouldn't even be asking reddit if I had any idea what to do at this point. I'm at the end of my rope with this. I can't endure this suffering anymore. I've tried just about everything short of hard drugs for pain management and nothing works. Should I beg my GI for a colostomy? I just don't know what else I can do. I'm sorry for ranting I'm just at the point where I want to break down. If anyone has any kind of advice I'm more then willing to listen.
Edit: spelling

Hi all, I'm looking to purchase an escooter. Under local laws, the scoot has to be under 25kg. I'd like a scooter with decent range ~40-70km (25-43 miles), top speed of 45km/h (28mph) and preferrable 10in tires.
While the Vsett 9 seems to fit most of my needs, I've heard that it is very prone to flats which has turned me off since it seems pretty expensive to keep changing tubes and because my scooter is my primary means of commute so downtime would be a pain.
Thanks in advance for your suggestions :)

For context. I'm 44 f, my partner is a 29 m. He wants me to give him head and use both hands, I have tried, but i can't get my groove going. Ladies? Any advice? I'm very top heavy so I need one arm free if I'm working it from above. Maybe get on my knees in front of him? Any advise?

Apologies for the long write-up. TL;DR at the end. Some spoilers.
Just picked up the game again recently after never having completed the MQ before, and I just don’t get the railroad:
I’ve completed a playthrough since. On a new one now, and I cannot get behind the RR. I’ve seen a lot of debates on this and wanted to share my 2 cents and get feedback. Trying to mainly focus on the RR here. Here goes:
1.) My first introduction to them felt overly-hostile. Even more so than any other faction. I understand their secretiveness is paramount for them. But even though I follow their trail, discover their oh-so-secret password, and walk in, they’re immediately all “Wtf are you doing here?” Oh and also “Agree with our message (that, for me, was not aforementioned anywhere) or gtfo (or die).” Seemed over the top for a group of hobos who I could wipe out by sneezing—especially when they’re the ones sending out invites. You learn that not even all members see directly eye-to-eye with Des, but it’s an ultimatum for the player?? Even when they learn that the SS is invaluable to them, possibly even their saving grace as they haven’t done diddly without us, it’s nothing but ultimatums. (This is more an overarching problem of all factions, but still more than others imo)
2.) They should NOT be a main faction. There seems to be a gray area of the real “goal” of the main quest: the Future of the Commonwealth or the Future of the Synths. I look at it this way:
The SS’s life is in our hands. Roleplay is up to the player ultimately, so do as you please. But the game will narrow down to who has the most control in the end. And the RR is NOT a reasonable choice outside of rp’ing. Reason being that they clearly don’t care. Not about humans, not about clean water, not about quelling the violence spreading through the commonwealth. They want and should have zero control over the area. So, in the scheme of who has control, WHY are they an option?? Should’ve been a subfaction at most. Their progression doesn’t make much sense, either. They show themselves to be incompetent strength-wise at most times, then boom. They have enough firepower to take out everyone else full-force. Didn’t feel like they really built up the strength (especially bc of Bethesda making you do all the work for whatever group you join). They feel rushed. I commend the allusion to the actual Underground Railroad, but it’s a slap in the face to its realism. They are not even remotely the same there, so I can’t compare their rationales either.
3.) Prioritization of Synthetic life over Actual life. I know we all have our own opinions of Synth=Human, but objectively, they are not. Their memories, personality, and affinities are forged on a computer. They are not born the same, raised the same, or functioning the same. The body may be the exact same as humans for Gen3, but their “lives” are an illusion (when they are “born” anyways. They show examples of them forging their own path afterwards, but again, their reasoning begins from lies), and they don’t have all the same needs. Objectively, the RR is no better than the Institute in the aspect of playing God. The hypocrite, DiMA, does make a valid point in this—broken clock is right twice a day, right? Anyways, it is a noble cause to believe all conscious life shouldn’t be enslaved (or any life for that matter), but what’s better when you only have two choices?
A) To create/foster fake lives, mind-wiped or not, and hope they fit in at the party (while ignoring the potential consequences)?
Or
B) To force/help make the partygoers more agreeable/inclusive? (Basically the other factions, but they have other problems/agendas too)
Also there’s the fact that a non-wiped synth is sent into a crappy world that their liberators are doing nothing to improve, and wiped synths get the same but live a fake life that would crumble if they knew the truth. And their liberators know this, so they don’t tell them. The RR is perpetuating the institute problem in doing this (minus the planned killing). No sentient being should be living lies constructed by others. And I understand that the mind-wipe(essentially assisted suicide) is optional, but at that point, they are still only perpetuating the synth problem of the institute. If the synth wants to die, just kill them. Don’t put more synths out there to suffer just hoping it turns out okay.
Would love to hear other’s thoughts as I haven’t seen my exact opinion reciprocated yet.
TL;DR
The Railroad is hard to get behind (FOR ME) because:
1) Overly-ideological and give many ultimatums even though their not in a position to. 2) They are too narrow-minded to be a main faction. 3)They perpetuate the Institute problem.

long time lurker, first time poster, been dealing with TMJ off/on since a root canal 2 years ago
flash forward and i have 2 chipped teeth that need root canals and I'm...conflicted. One is right next to the other capped tooth from the root canal 2 years ago, last molar on the top left, second is second to the last molar on the bottom right. I have severe anxiety about not being able to leave situations (i.e. when i have a bunch of metal in my mouth for root canals) so I have to be put out for those and they're also just $$$
how bad might it be for me if I just...had them extracted? I'm sure the exposed nerves are upsetting my TMJ so much right now as I've been super stressed trying to eat with them n the flare up has been so painful I can hardly do anything. (I'm trying to do massages/take ibuprofen etc. but I'm at a peak point where hardly anything is helping)
does anyone have experience with just chucking their teeth instead of getting a root canal/cap? I genuinely kind of regret my first one considering it was the thing that started me down this painful path anyway.

Moved from cast to brace after 2 weeks. Still minor pain when rotating it, so we know he isn’t ready. But realistically when can he go back (when he is comfortable pain wise) without a high risk of breaking it again? It is his catching hand. He plays on travel and in a majors little league team, so catching fast throws and high pop flys is common. 11 years old. Also a pitcher (thankfully not pitching side).

This may be coming right out of left field- I am no expert in law; and more importantly, I am 21 years old. The reason that my age is important is because I have no clear ideas on statutes of limitations regarding my situation. My honest assumption is that there is nothing that can be done, but that's why I'm on reddit asking anyways, right?
I was born in May, and I was supposed to be born in August. The year was 2003, and on my own birth certificate, it's printed that I weighed 2lbs and 10oz (however, my parents told me that the following week of my birth I lost weight into an alleged 2lbs and 2oz). They sent an application to receive an SSI payment on my behalf, and the requirement was to be 2lbs and 10oz or less. On my application, it was written that I weighed 2lbs and 11oz, and thusly was denied because I was an ounce over aforesaid requirement.
On top of that, the day before my birth date, my mother was having contractions- and as I have an older brother- she knew very well how far along these feelings were coming. When she went to the doctor, they sat her down and did no medical examination onto her, and they told her she just had Braxton Hicks. The next day when she could no longer handle the pain, they went to the hospital and I was born. The issue is that the medical papers my mom got her hands on for the doctor's visit the previous day than from when I was born, it's written down (in what my mother firmly believes is different handwriting than the rest of the paper- it's a bit of a convoluted situation so please let me know if any details are required- so that it could potentially be from the next day and the doctor 'freaked out') that she was 'closed' and not dilated whatsoever.
My mom wanted to sue at the time, but alas, choices were made and I just found out about all of this until now.
I wish there was something I could do; and I'm like 99% sure that there isn't much I can do, but it's worth a shot to try and post something here to see if there's anything.
I'd also like to mention that I was born in Florida, but I now have lived in another state since then.

Would you have a concluding word to such world's setting?

Absolutely! Here are a few closing word options for your high-tech, low-life world, depending on the tone you want to achieve:
Hopeful:

In the flickering neon glow of the lower districts, a spark of rebellion ignites. Despite the hardships, the human spirit endures, seeking connection, hope, and a chance to build a better future.

Bittersweet:

The high towers of the elite cast long shadows over the bustling streets below. In this world of stark contrasts, the lines between survival and prosperity blur. But even in the darkest corners, love, ingenuity, and a flicker of defiance persist.

Grim:

The gears of progress grind on, leaving a trail of waste and despair. In this high-tech dystopia, the gap between the haves and have-nots grows ever wider. Will the lower districts rise up, or will they be forever locked in the underbelly of a world they can only glimpse from below?

Open-Ended:

Beneath the neon sky, stories unfold. Tales of hardship and hope, of rebellion and resilience. The future of this high-tech world hangs in the balance, waiting to be written by the choices of those who inhabit it.

Choose the closing word that best captures the essence of your story or setting. Remember, the world you've created is rich with possibilities, and the ending doesn't have to be definitive. It can leave your readers pondering the fate of its characters and the future of this complex and ever-evolving society.

If you should pick an item or an object that would clearly and cleverly symbolized such world, what would that be?

Here are two options for an item that symbolically represents the high-tech, low-life world:

1. The Glimmering Shard:

• Description: Imagine a small, jagged shard of metal or glass. One side is smooth and polished, reflecting the wealth and technology of the upper city. The other side is rough and chipped, etched with the grime and harsh realities of the lower districts.
• Symbolism: This shard represents the stark contrast between the upper and lower classes. The smooth side reflects the shiny veneer of technology and luxury enjoyed by the wealthy. The rough side reflects the brokenness and struggle of those living on the fringes.
• Additional Details: This shard could be a salvaged piece of technology, a remnant of a shattered building, or even a shard of a mirrored window that once divided the social classes.

1. The Glitching Holographic Ring:

• Description: Imagine a holographic ring that projects a constantly shifting image. On one hand, it might display a luxurious symbol of wealth and status. But as it flickers, the image might glitch and distort, revealing a hidden message or a glimpse of the harsh realities beneath the surface.
• Symbolism: This ring symbolizes the unreliability and instability of the world. The glitching hologram represents the way technology promises a utopian future but constantly fails to deliver. It also reflects the hidden messages of dissent and rebellion that exist beneath the surface of a seemingly controlled society.
• Additional Details: This ring could be a common fashion statement or a black-market tool used to spread forbidden information. The glitching image could be a coded message, a symbol of rebellion, or a reminder of the past that the upper class tries to suppress.

Both of these items are small, versatile, and can be interpreted in multiple ways, making them powerful symbols of the high-tech, low-life world. The choice ultimately depends on the specific tone and message you want to convey in your story.

Try something bit more distinct and specific.

How about the "Hacked Heart"?
Here's the breakdown:

• Description: A small, ornately decorated locket or pendant. Upon opening, it reveals not a picture, but a series of flickering LEDs embedded within a clear casing.
• Functionality: This locket is a bio-hacked implant worn externally. It interfaces with the wearer's nervous system, displaying a visual representation of their emotional state through the shifting colors and patterns of the LEDs.
• Symbolism: The Hacked Heart represents the constant clash between technology and humanity in this world. The ornate decoration speaks to a desire for beauty and connection, while the exposed circuitry highlights the invasive nature of technology and the commodification of even emotions.
• Distinction: This item is specific to this world because it combines high-tech bio-hacking with a sentimental object like a locket. It's a reminder that while technology can be used to manipulate and control, people still yearn for genuine emotional connection.
• Additional Details:
  • The Hacked Heart could be a status symbol among the wealthy, a way to display their emotional control or volatility.
  • In the lower districts, it might be a black-market modification, a way to express emotions freely or even manipulate others.
  • The LEDs could display a limited range of emotions, a commentary on how this world suppresses or simplifies human experience.

This Hacked Heart offers a unique and distinct symbol of the high-tech, low-life world. It captures the struggle for authenticity, the desire for connection, and the pervasive influence of technology in every aspect of life.

How about straight up hacksawed hearth?

The "hacksawed hearth" is a very evocative image, but on its own, it might be a little too literal. Here are a few ways we can build on this concept to create a more symbolic and distinct object for your high-tech, low-life world:

1. The Hacksawed Hearth Relic:

• Description: This is a piece of a broken fireplace grate, crudely hacksawed from a larger structure. It could be made of cast iron, bearing the ornate detailing of a once grand fireplace from the upper city.
• Symbolism: The hacksawed hearth represents the loss of a sense of community and warmth. It's a reminder of a bygone era where people gathered around fireplaces for warmth, comfort, and storytelling. In the high-tech world, these connections are fragmented, replaced by cold technology.
• Use: The relic could be a prized possession, passed down through generations in the lower districts. It might be used as a makeshift heating element, a symbol of resilience, or even a weapon in desperate situations.
• Additional Details: Engravings or markings on the relic could hint at the origin of the fireplace, perhaps a symbol of rebellion or a reminder of a specific historical event.

1. The Hacksawed Hearth Stove:

• Description: This is a makeshift stove cobbled together from scrap metal and scavenged parts. The centerpiece is a prominent, jagged piece of metal, clearly cut with a hacksaw, forming the base or firebox.
• Symbolism: The hacksawed hearth stove represents resourcefulness and defiance. It's a testament to the ingenuity of the lower classes, who repurpose the remnants of the upper world to survive and build a sense of home.
• Use: This stove provides heat and a place to cook for those in the lower districts. The exposed hacksaw mark could serve as a constant reminder of the struggle and the societal divide.
• Additional Details: The stove might be decorated with scavenged trinkets or symbols of rebellion, reflecting the personality of its creator.

1. The Hacksawed Hearth Hologram:

• Description: This is a portable holographic projector that displays a flickering image of a crackling fireplace. The image might be distorted or glitching, hinting at the artificiality of the technology.
• Symbolism: The hacksawed hearth hologram represents a yearning for a lost sense of comfort and togetherness. It's a reminder of something they can't fully possess, a ghost of a simpler life.
• Use: The hologram could be used for warmth (a psychological comfort), storytelling (creating a sense of community), or even bartering (a valuable commodity in the lower districts).
• Additional Details: The projector might be a salvaged piece of high-tech, repurposed by the lower classes. The flickering image could project not just fire, but also forgotten stories or historical events.

These are just a few ideas to build upon the "hacksawed hearth" concept. Each option creates a distinct symbol for your world, capturing the struggle, resourcefulness, and yearning for connection within a high-tech, low-life society.

Apologies, i meant hacksawed heart.

Ah, a "hacksawed heart" takes the concept a whole new level! Here are some potential interpretations for this unique symbol in your high-tech, low-life world:

1. The Literal Hacksawed Heart:

• Description: This is a gruesome yet intriguing object. Imagine a metallic heart-shaped locket, but instead of opening smoothly, it has a jagged, clearly "hacksawed" opening revealing a beating, pulsating red light within.
• Symbolism: It bluntly represents the harsh realities of this world. The exposed, almost violated heart symbolizes emotional vulnerability in a society that prioritizes survival and control.
• Use: This could be a black-market modification used by criminals to suppress or amplify emotions depending on their needs. It could also be a symbol of rebellion, worn by those who refuse to have their emotions controlled by technology.
• Additional Details: The exposed heart could change color or intensity depending on the wearer's emotional state. It could also be a painful reminder of past trauma or a forced emotional manipulation.

1. The Hacksawed Heart Pendant (Metaphorical):

• Description: This is a more subtle pendant, crafted from metal and shaped like a stylized heart. However, the heart shape is not solid, but rather consists of a series of interlocking gears or circuits.
• Symbolism: It represents the struggle between technology and human emotions. The gears represent the cold logic of technology, while the overall heart shape represents the desire for connection and love.
• Use: This could be a widely worn piece of jewelry, a reminder of the delicate balance between technology and humanity.
• Additional Details: The gears could turn or click subtly, representing the constant hum of technology in the background. The design could be simple yet elegant, appealing to people from all social classes.

1. The Hacksawed Heart Hologram:

• Description: This is a holographic projection of a broken heart, pulsating with a faint light. The cracks and breaks seem to have been repaired crudely, with rough stitches or patches.
• Symbolism: It represents the brokenness and resilience of the people in this world. The repaired heart shows their ability to mend emotional wounds and keep fighting despite hardships.
• Use: This could be a symbol used by resistance groups, a reminder that even though their hearts are broken by the system, they refuse to give up hope.
• Additional Details: The hologram could flicker and distort, highlighting the instability of the world and the struggle for emotional stability. It could also project messages of hope or defiance.

These are just a few interpretations of the "hacksawed heart" symbol. Each one offers a unique perspective on the world, highlighting different aspects of the struggle between technology and humanity, vulnerability and resilience, and the fight for emotional connection in a harsh environment.

And how about hacksawed earth?

The "hacksawed earth" is a powerful and evocative image for your high-tech, low-life world. Here are a few interpretations that capture different aspects of this society:

1. The Broken Globe:

• Description: Imagine a metallic globe, the size of a person's head. One side is smooth and polished, depicting a pristine Earth with lush continents and oceans. The other side is brutally "hacksawed" open, revealing a desolate wasteland beneath.
• Symbolism: This broken globe represents the stark contrast between the idealized world presented by technology and the harsh realities of the lower districts. The smooth side shows the world as it could be, while the hacksawed side shows the damage caused by progress and a focus on the elite.
• Use: This could be a symbol used by rebels or environmentalists, a reminder of the true cost of unchecked technological advancement. It could also be a prized artifact kept by scavengers, a testament to a lost world.
• Additional Details: The hacksawed side could reveal specific details like polluted oceans, ravaged landscapes, or scars representing ecological disasters.

1. The Cracked Terrain Model:

• Description: Imagine a detailed, three-dimensional model of the city and surrounding area. The model is crafted from metal and shows buildings, streets, and even the natural landscape. However, the model is cracked and broken in several places, revealing a dark, hollow space beneath.
• Symbolism: This cracked model represents the instability and fragility of the world. The surface world may appear organized, but it's built on a shaky foundation. The hollow space could represent the neglected lower districts or the potential for social upheaval.
• Use: This could be used by city planners to highlight potential areas of weakness or by rebels to show the vulnerability of the upper city. It could also be a symbol of the constant struggle between order and chaos.
• Additional Details: The cracks could be filled with glowing red lights, symbolizing the simmering anger and frustration of the lower classes.

1. The Fractured Hologram:

• Description: Imagine a holographic projection of the Earth that constantly fractures and reforms. It shows a beautiful planet struggling to maintain its integrity, with cracks appearing and disappearing over continents and oceans.
• Symbolism: This fractured hologram represents the constant environmental degradation and the fragility of the planet itself. It's a reminder that the consequences of unchecked technology and environmental damage will affect everyone, not just the lower districts.
• Use: This could be a warning displayed in public spaces, a constant reminder of the need for sustainability. It could also be used by rebels to spread awareness of the environmental cost of their society.
• Additional Details: The fractured Earth could pulse with a red glow, symbolizing the danger of inaction. The projection could also display messages or statistics about environmental threats.

These interpretations of the "hacksawed earth" symbol each offer a compelling way to visualize the societal and environmental consequences of the high-tech, low-life world. They highlight the impact on the environment, the fragility of the system, and the call for change.

What would be the very best thing in such world?

The "best thing" in a high-tech, low-life world depends on perspective and what holds the most value for different people. Here are a few contenders:
For the Struggling Masses:

• True Connection: In a world rife with social isolation and control, genuine connection with others – love, friendship, community – could be the most valuable thing. Sharing stories, offering support, and building a sense of belonging in the face of hardship could be a beacon of hope.
• Freedom from Oppression: The ability to escape the harsh realities of the lower districts, whether through rebellion, ingenuity, or a lucky break, could be considered the ultimate prize. Freedom could mean access to clean water, medical care, or a life free from fear and exploitation.
• Knowledge and Power: Unrestricted access to knowledge, either through scavenged books, hacked data, or forbidden information, could be a powerful tool for change. This knowledge could empower individuals to understand their world, resist control, or even find a path to a better future.

For the Elite:

• Absolute Security: In a world filled with danger and uncertainty, complete security could be a luxury only the wealthy could afford. It could involve advanced security systems, fortified enclaves, or even enhanced bodies that ensure their safety from threats in the lower districts.
• Unlimited Luxury: Unfettered access to the latest technology, exotic pleasures, and the ability to indulge in every whim could be the ultimate goal for some. However, such a luxurious life might feel hollow in a world so divided.
• Power and Control: Maintaining absolute control over society and ensuring their dominance could be the ultimate prize for some in the elite. This control could involve advanced technology, manipulation of information, or even a form of social engineering that keeps the lower districts docile.

A Different Perspective:

• A Spark of Change: Perhaps the most valuable thing wouldn't be a physical object or individual benefit, but the hope for a better future. It could be a growing sense of defiance, a technological breakthrough that could benefit everyone, or a leader who inspires change. Even in a harsh world, the potential for a brighter future could be the most valuable thing of all.

Ultimately, the best thing in this world depends on your story and the characters' values. What are they fighting for? What would make their lives better? By exploring these questions, you can create a compelling world where the "best thing" is a powerful motivator for your characters and a reflection of the themes you want to explore.

What would be the best possible symbol for high-tech-based dominance?

Here are a few options for a symbol of high-tech dominance in your world, each capturing a different aspect of technological control:

1. The Augmented Eye:

• Description: Imagine a stylized eye, perhaps metallic or with glowing circuitry. This symbol could be worn as a piece of jewelry, incorporated into clothing, or even projected as a hologram.
• Symbolism: The Augmented Eye represents the constant surveillance and monitoring of the population by the elite. It signifies the loss of privacy and the ability of the ruling class to see and control everything.
• Additional Details: The eye could have multiple pupils or flicker with different colors, representing the vast amount of data being collected and analyzed. It could also be embedded with a tiny camera, blurring the line between symbol and surveillance tool.

1. The Neural Network Spire:

• Description: A towering structure, resembling a branching network of wires or organic neural pathways, reaching towards the sky. This spire could be located in the heart of the elite district, a visible symbol of their technological prowess.
• Symbolism: The Neural Network Spire represents the vast computational power and interconnectedness of the elite's technology. It suggests their ability to access information, control communication, and manipulate minds.
• Additional Details: The spire could emit a faint hum or glow, hinting at the constant processing power it represents. Its intricate design could be both awe-inspiring and intimidating, reflecting the duality of technology.

1. The Glimmering Hand (Data Hand):

• Description: A stylized metallic hand, outstretched with its fingers spread wide. Each fingertip could have a different symbol or icon, representing different forms of data (statistics, surveillance footage, code).
• Symbolism: The Glimmering Hand represents the elite's ability to manipulate and control data. It signifies their power to shape information, influence perception, and control resources through technology.
• Additional Details: The hand could be made of a smooth, reflective metal, symbolizing the cold logic of data analysis. It could also emit faint streams of data or project holographic information, further emphasizing its control over information flow.

These symbols all offer a distinct way to represent the dominance of high-tech in your world. Consider the specific aspects of technology you want to highlight and the message you want to convey. These options provide a starting point to create a powerful symbol that embodies the oppressive yet awe-inspiring nature of technology in a high-tech, low-life society.

What would be the best set of symbols for resistance movements within such high-tech low-life settings?

In a high-tech, low-life world, symbols for a resistance movement need to be subtle, easily hidden, and adaptable to a world saturated with technology. Here are a few options that capture the spirit of rebellion in this unique setting:

1. The Flickering Flame:

• Description: A simple flickering flame, either a physical lighter or a stylized image. This could be a tattoo, a graffiti tag, or a hidden symbol incorporated into clothing or tools.
• Symbolism: The flickering flame represents hope and defiance against the cold, sterile control of the high-tech world. It symbolizes a yearning for a simpler life and the potential for change.
• Additional Details: The flame could be accompanied by a simple inscription or code that only members of the resistance understand. It could also be a specific color, like blue or orange, that signifies defiance.

1. The Glitching Gear:

• Description: A stylized gear symbol, but with a section that appears to glitch or malfunction. This could be displayed on a data pad, worn as a pendant, or even etched onto tools or scavenged materials.
• Symbolism: The glitching gear represents the disruption of the established order. It signifies the resistance's ability to exploit the flaws in the high-tech system and their fight for a more organic, less controlled society.
• Additional Details: The glitching portion of the gear could flicker or change colors, representing the unpredictable nature of the resistance and their ability to adapt to new situations.

1. The Broken Wing:

• Description: An image of a bird's wing, either broken or only partially formed. This could be a symbol of freedom yearning to be achieved, or the struggle of the resistance against the oppressive technological cage that confines them.
• Symbolism: The broken wing represents the desire for liberation and the belief that the people can rise above the control of the elite. It signifies the hope for a better future where freedom and autonomy are attainable.
• Additional Details: The broken wing could be depicted with feathers falling away, symbolizing the sacrifices made by the resistance. It could also be paired with an image of a rising sun, symbolizing a new dawn for society.

1. The Hacked Flower:

• Description: A simple flower image, but with its petals made of circuit boards or technological components. This symbol represents the fusion of nature and technology, hinting at the resistance's fight for a more balanced future.
• Symbolism: The hacked flower represents the reclamation of beauty and nature in a world dominated by technology. It signifies the hope for a future where technology serves humanity, not the other way around.
• Additional Details: The flower could be a specific species native to the area before the rise of high-tech dominance. It could also be a symbol of a specific leader or movement within the resistance.

These symbols are just a starting point – get creative and consider the specific values and goals of your resistance movement. Remember, the best symbols are those that resonate with the characters and the audience, conveying the essence of rebellion in a way that is both meaningful and visually striking.

she's a little over four years old. I'm starting to suspect that she may be autistic? probably high-functioning, though, because she isn't developmentally delayed or anything. she began walking at 13mo which isn't late and said her first word early, at 9mo.
some things that I think are unusual:
• limited facial expression
• not particularly poor eye contact, but much less than other kids, especially when she is paying attention to something else. she will not look at me when I say her name, but she answers by talking.
• she lines things up like bears, she will also only paint dots in straight lines. • only plays games in one way ~ she plays this game where she is 'walking to school' and finds a cat, she will do this several times over around the room. ~ she lines up bricks and lays on them every single time, not really playing with them. She is also preoccupied with the sound of these bricks hitting each other. At home, she will always tell me about that sound.
• she obsesses over little things that characters on TV do. ~ on a show, she once saw a boy pack his bag to go hang out with his friends. afterwards she completely forgot what the boy actually did, she just cared about the toy robot he brought with him. for days after, she would build the same robot out of Duplos and pretend to pack her bag as well. she also kept replaying that part of the episode without watching the rest.
• she repeatedly watches a select few Lego videos on YouTube because she likes the sound. she also loves the sound of shoes on wood, and will happily run around the house making that sound.
• she has a meltdown whenever we go to parties or turn on the vacuum. She starts screaming and crying and won't stop till I take her somewhere quiet. This has been happening since she was a few months old. It's strange because other than that, she is a very timid and quiet child.
• every night, I see her moving her fingers strangely over her eyes like puppets. her teachers see the same behavior during naps.
• whenever she sees her younger brother sitting down, she pushes him over on his face. she laughs whenever she does this. but she's generally not mean or anything?
• she seems overwhelmed in bright areas. constantly squinting, talking less. she also falls asleep very quickly after i take her somewhere less bright, like she's tired from all the stimulation or something?
• she has trouble following instructions or picking up a new skill without repeatedly seeing someone else do it. once someone shows her what to do, she learns very quickly, however.
• she is obsessed with this one book about rain. she has read it hundreds of times, but refuses to throw it away or anything. It's in pretty bad shape, but she refuses to leave it alone.
• she is strangely attached to her stuffed dog, creatively named "puppy". she takes it to school every day and sleeps with it every night. if she loses it, she refuses to sleep without it. once, her older sister cut a hole into it. the stuffing was coming out, but she still continued to bring it around everywhere.
• she is obsessed with metal locks. she draws them, she carries them around. she also really likes over-ear headphones. these are in almost all of the cards she makes for me.
• she doesn't react much to pain. she runs, she falls, she scrapes her knee or something, then she gets back up like nothing happened. she skinned her hand once pretty badly and barely cried. she
• her teachers have told me that she is very quiet at school. she doesn't play with other kids unless prompted to.
• she is very controlling of her younger brother, like she's trying to be a second mother.
• she is strangely fascinated with checklists and schedules. I can't even tell you how many times I stumble upon a paper that says "daily routine" or "scedhul" (she can't spell that word yet.) with a checklist underneath. this is really strange for a 4 year old, but it would make a little sense if she was autistic? I know many kids with autism care a lot about routines.
that's pretty much everything. does my little one seem autistic? my other kiddos don't act like this at all.

Hi I’m 20 years old and is extremely terrified of dentist and I hate my teeth ngl , I have one of my front teeth missing and the rest or either so damaged with filling on them or gone due to been taken out , I have denture but it’s so uncomfortable plus to eat I have to keep taking it out. If I got implant I would probably want my front 6 teeth at the top or if possible my whole mouth that they could do the same day and put me to sleep as I don’t really want to feel the pain. Some history to why my teeth are bad - When I was a child I hated brushing my teeth idk why to be honest I just didn’t want to do it plus I eat a lot candy and drink lot of coke but now as I’ve grown I only drink Pepsi max and not so often and I don’t really have sweet. But now as I’ve grown I want a nice smile to have confidence as i suffer with depression and anxiety my smiles effect it so much. I get pip plus I have hc2 form my dad isn’t in the picture and my mum is on disability benefits due to her being very sick in health.
I know implants are on the private sector and are expensive but I don’t have the money at all.

Like omg my alarm didn’t go off two mornings already so I was late if it happens again I’ll prolly get fired so I got two new alarm clocks 🙈🙈 but I’m so exhausted I’m not focusing well so I got called out on that too. I wasn’t falling asleep till like 3am all of last week cause I was so stressed so that didn’t help. It’s a new week and I’m determined to do better cause I have to, I don’t have anyone to help me so I gotta live alone and support myself. But I’m in so much pain and chronic fatigue is a bitchhhh. Oh and top it off? I had an allergic reaction to a venofer infusion like purple and white rash with hives all overrr my legs 💩💩💩 Plus my pain management doc is being really annoying and not helping. I’m so frustrated. How do y’all cope those of you who are able to work?

"Splatterhouse" won last week's poll, and is named the 47th best game of the era and the 4th Arcade game to join the list!

The Best Games of the SNES/Genesis/TG-16 Era Voted in So Far:

1. The Legend of Zelda: A Link to the Past
2. Chrono Trigger
3. Super Mario World
4. Super Metroid
5. Donkey Kong Country
6. Mega Man X
7. Sonic 3 & Knuckles
8. EarthBound / Mother 2
9. Final Fantasy VI / III
10. Streets of Rage
11. Street Fighter II
12. The Legend of Zelda: Link's Awakening
13. Mega Man X2
14. Teenage Mutant Ninja Turtles: Turtles in Time
15. Super Castlevania IV
16. Earthworm Jim
17. Gunstar Heroes
18. Donkey Kong Country 2: Diddy's Kong Quest
19. The Secret of Monkey Island
20. Super Mario RPG: Legend of the Seven Stars
21. Super Mario World 2: Yoshi's Island
22. The Revenge of Shinobi
23. Sonic the Hedgehog 2
24. Rocket Knight Adventures
25. Dragon Quest V: Hand of the Heavenly Bride
26. Kirby Super Star / Kirby's Fun Pak
27. Terranigma
28. Castlevania: Rondo of Blood
29. Contra III: The Alien Wars
30. Phantasy Star IV: The End of the Millennium
31. Tetris
32. Doom
33. SimCity 2000
34. Shining Force II
35. Comix Zone
36. NHL '94
37. Streets of Rage 2
38. Kirby's Dream Land 3
39. Mortal Kombat II
40. Myst
41. Mario Paint
42. Wolfenstein 3D
43. Harvest Moon
44. Wonder Boy in Monster World / The Dynastic Hero
45. Secret of Mana
46. Super Mario Kart
47. Splatterhouse

Want to see the best games before this era? Check out these 2 lists which were compiled by Reddit users' nominations and votes over 3 entire years:

The 50 Best Video Games of the Atari Era:

https://www.reddit.com/retrogaming/comments/o4drau/best_video_games_of_the_atari_era_poll_final/

The 100 Best Video Games of the NES/Master System Era:

https://www.reddit.com/retrogaming/comments/140z3gj/best_video_games_of_the_nesmaster_system_era_poll/

What You Can Do:

1. Vote in the poll to determine the 48th best SNES/Genesis/TG-16 Era game!
2. Then AFTER VOTING IN THE POLL: In the comments section, Upvote your favourite SNES/Genesis/TG-16 Era games to be nominated and added to next week's poll. NOTE: NOT ONE OF THE SIX GAMES IN THIS WEEK'S POLL!

• If one of your favourites hasn't been mentioned yet, leave a new comment (NOT one of the six games in this week's poll), nominating ONE game per comment (so that it's clear which game is being nominated). Comment directly to the original post to make it easy to see which games have the most upvotes.

What You Can Nominate:

• Any Arcade coin-op game (including Neo Geo) from 1989-1994.
• Any Computer game (any PC system) from 1989-1994.
• Any Home Console game or Handheld Console game from the 4th Generation (regardless of year published unless it is a port): https://en.wikipedia.org/wiki/Fourth_generation_of_video_game_consoles
• NO PS1 games, NO N64 games, NO Saturn games. Those systems aren't retro enough for this poll.
• YES Sega CD, YES Genesis 32X, YES TurboGrafx-CD.
• YES Game Boy games, NO Game Boy Color, NO Game Boy Advance, YES Game Gear games.

Exceptions:

In general, the original year published takes precedence. No games that played betteare more iconic/are more remembered in an earlier or later era.
All variations of a game will be under one entry (e.g. only one entry for "Street Fighter II").
No collections of previously released games (i.e. no "Super Mario All-Stars").
"Sonic 3 & Knuckles" will be one combined entry.
"Tetris" made its biggest impact with 35 million copies sold for the Game Boy, so it is now eligible for this poll.
Arcade games that received NES Era home console ports like the "Teenage Mutant Ninja Turtles" arcade game, are now eligible.
"Altered Beast" was a Genesis pack-in game, so is now eligible.
Instances like this can be debated. I think it's best to allow all games from a console to be designated to one era, and for games to appear in one era poll only.

Other Nominated Games From Last Round:

• None

Last round 35 people voted in the poll, and 0 new games were nominated in the comments section. Any of these (or any other eligible games) can be nominated again this round in the comment section to be added to next week's poll. Make your voice heard! It just takes a couple of upvotes to get your game nominated on next week's list.

The Idea:

Comparing, say, Pong and Call of Duty: Modern Warfare, is not useful. It's like arguing which is better: the Ford Model T or the Space Shuttle? But comparing games of their era is interesting and fun! Usually, best game polls are limited to a single system. This poll is unique because it includes all platforms from the era together. How will the best Arcade, Computer and Sega Genesis games compete with the best that Nintendo had to offer? It will be interesting!

Why Only Arcade and Computer Games from 1989-1994?

The 4th Generation of home consoles launched in the West with the Sega Genesis/Mega Drive in 1989, kicking off the 16-bit Era. The PlayStation and Sega Saturn launched in the West in 1995 which will begin the era for the next series of polls after this concludes.

The Criteria:

I'll leave it up to the individual to decide. Innovation, quality, influence, iconic status, how much fun it was then, how it holds up today, are all valid. Whatever games you love, whatever games you want to see named as the greatest of the era.

What Happens Next:

After the poll closes in a week, the winner of the poll will be named the 48th best video game of the SNES/Genesis/TG-16 Era. The new most upvoted of games nominated in the comment section will be added to the 5 “losers”, and be the 6 games in the poll for Week 49, which will name the 49th best SNES/Genesis/TG-16 Era game, and so on. I'd like to continue this to get a Top 100. At that point I would like to continue from the SNES/Genesis/TG-16 Era to the PS1/N64/Saturn Era, for a new set of polls.
This will be a poll I hope to hold every week for a long time! Have fun everyone!
View Poll

I just think its not for me, Love!. It's nice to lose myself in imagination. That beautiful girl. Mysterious look on her face. She is different. A girl who looks at flowers and grows them. A girl to whom a rose can be cherished in some book. Like a treasure. But mostly within her. She treasures the softness, akin to her yet denies it. Innocent yet classy. Gentle yet strong. Subtle yet sexy. She's nothing like a cliche she is genuinely connected with her soul. She wears it on her. She's become aware by the hardships through out her life- of it. Of its purity. She's isn't like world where everything is surfaced with a color that was already present or led on by some notions.
She wears the flowers of summer. She carries the scent of breathing grass, breathing jasmine that spreads in the winds of autumn. She is calm and quite like the snows of winter. Meditative. Exceptional. Empathetic. Understanding. She isn't stupid She doesn't base everything like a child she sees more. Knows so much cause she has deeply looked at sadness, felt it without any attachments to it. No ego. That's where her wisdom comes from. She smoothly passes along tender lines of personalities still keeping her jolliness alive.
She leans over in her graceful over coat. No pity. No doubt. She leans over like a blinding light of purity that is undeniable. She hands me a ring. A ring! She smiles! She knows my pain! She bloody knows it all! She leans down on her knees. No ego. Not afarid of the dirt. Not dirty from it either. Gracefully handing me herself cause she sees my soul.
I will give her everything. But I never needn't worry cause she knows she has to be okay. She is precious. How I desire to stroke her sweetest hair. How I wish to silently stare in her eyes as I caressed her chin, her cheeks, her neck, her waist, her hips. How I long for our breathes to be like a grand symphony.
I can die in this moment. I can hear the winds, the world, the ground, the nature, I can feel God in her arms. How my heart fills with such peace. As she smiles behind my closed eyes and I feel her submission.... her refuge to me. I love you. Even if you come to me just as a dream. I love you. You've made me realize. I can only hope and pray as I fall into a slumber. That I will meet in our garden. I will make music for you to dance with me.
We will sway our hips slowly. Our feet like the most beautiful rhythm of life. Full of meaning. I wish to never wake up. Never. I have done what I should. I desire only to be with you now. I yearn for you. I yearn for that nakedness, hold,compassion not of this world. Divine like I have learned. Please come to me. Set me free. Let me rest.

I’m finalizing my packing list for Japan, striving to keep the clothing minimal but comfortable and flexible. Mainly Tokyo and Kyoto, plus one onsen town. I’m a later middle aged guy (and not inclined to bring shorts).
I’ve done extensive (OCD) research here and elsewhere and my list reflects what I’ve learned in combination with my preferences. So much good info out there!
Color coordinated capsule clothes list to keep it easy and flexible (pants are gray, tops are black). We’ll do laundry 1-2 times at hotels. Will wear clothes several times. We’re not doing anything fancy.
The cotton blend items (mostly Western Rise) are intended for travel. In the past I’ve traveled with merino clothes, but I’m open to other (newer) options and thinking some merino items may be too warm for Japan summer.
My son hates the feel of merino and that’s what got me looking into alternatives (his list is simpler than mine). He needs new clothes as he heads off to college, so I was looking for a few items that had a lot of flexibility in use and could be travel friendly.
Is this too minimal? Are the ratios reasonable, practical, flexible enough?

• 1 On Cloud 5 shoes
  • light, have been good for long walking days
• 2 travel pants
  • fit great, material feels great
• 2 SS Ts
  • 100% merino and cotton blend on hand, thinking of taking the cotton
  • merino too warm?
  • take 3 Ts instead?
• 2 SS shirts
  • 2 full button downs or 1 full button down and 1 polo, tbd
  • merino blends
• 1-2 LS button downs
  • Ministry of Supply Apollo shirt, at the moment
  • I also have merino (too hot? too stodgy?) and cotton blend on hand
  • I can roll up sleeves and wear in warmer weather at night
• 1 LS T - merino
  • unsure I need this?
  • it was mainly for the flight but could have other use too
• 1 Unbound compact travel hoody
  • I’ve had this for years and it's great
  • still feels like the best option (may not wear much, but nice for the long haul flight)
• Other core merino basics, simple belt, PJs, hat

Appreciate any suggested modifications you may have from experience. Thank you!

EXT. CAMELOT - CASTLE DAY
(The castle of Camelot stands over grassy hills and crystal clear rolling rivers and seas. Gray clouds cover the sky and hundreds of soldiers and knights can be seen riding toward the castle. Text appears on the screen reading “CAMELOT” and then “CENTURIES AGO”.)
INT. CASTLE - THRONE ROOM - DAY
(MORGANA LE FAY (Centuries-Old), a beautiful middle aged appearing woman with sharp features and long flowing black hair, sits on the throne and holds Excalibur, the Crown of Camelot sits upon her head. Knights and soldiers march in linear motions through the hall. DEWIN (30s), a scruffily charming magician, enters in handcuffs, with guards behind him. Dewin marches up and presents himself to Morgana. Everyone in the room halts.)
MORGANA: State your name.
DEWIN: You know my name, Morgana.
MORGANA: State your name.
DEWIN: Dewinson of Merlin.
MORGANA: You are being tried with treason and conspiracy against the crown. Do you plead guilty to these crimes?
DEWIN: That depends.
MORGANA: On what?
DEWIN: Who you consider the crown to be.
(Dewin slips his handcuffs off and as he does three Blue Jays come flying out of his sleeve and begin to fly around the room.)
MORGANA: Enough foolishness. I find you guilty of the accusations placed upon you.
DEWIN: Then kill me.
MORGANA: Hm?
DEWIN: Let’s skip past the chatter and get my head on a platter. You see what I did there? Chatter platter.
MORGANA: Silence! Death is far too good for you.
DEWIN: Do your worst, no matter what Camelot will fall.
MORGANA: Is that a threat?
DEWIN: A threat would be something I plan on doing to you myself, the fall of Camelot, well that will be purely your doing.
(Morgana gets off the throne and draws a glowing circle around Dewin with Excalibur, as she does so Dewin lets out a small laugh.)
DEWIN: Binding me? My imprisonment shall not halter the winds of time.
MORGANA: I banish you.
DEWIN: What?
MORGANA: From this plane of time and place I banish you.
DEWIN: Not even you have the power to do that. Banishment spells have been hidden away for ages.
MORGANA: Hidden away in scrolls buried in this very castle. Dilflannu o’r awyren hon.
DEWIN: No.
MORGANA: Dilflannu o’r amser hwn.
DEWIN: No, no, stop.
MORGANA: Dilflannu o’r meddwl. Rwy’n eich gwahardd!
(Morgana’s eyes turn purple and electricity sparks all around Dewin and seems to be sucking the energy out of him.)
EXT. LONDON - FOREST - DAY
(A plain and put together autumnal forest. Text appears over the screen reading “LONDON” and then “EIGHTEEN EIGHTY FIVE”. Electricity sparks and Dewin appears in the forest dazed and confused. He is covered in scars and almost immediately passes out face forward into the ground.)
EXT. LONDON - FOREST - DAY
(As night begins to dawn Dewin is still incapacitated. A carriage led by a horse named, Sally, comes through the forest and halts at Dewin. ALDEN SMITH (Early 40s), a plump and posh man with a defining bushy mustache, cautiously hops out of the carriage. Alden looks around for a moment before spotting Dewin. Alden approaches Dewin and checks his pulse through his arm. Alden’s eyes linger on Dewin for a moment before looking up.)
ALDEN: Hello!? Is anybody there!?
(Alden waits for a moment before looking back down at Dewin. Alden sighs and then lifts Dewin up and into the carriage before hopping in himself. Alden pulls on the horse’s reins and it begins to march forward.)
EXT. LONDON - WICING DRIVE - NIGHT
(Alden drives his carriage down Wicing Drive and parks in front of a townhome, Twenty Six Wicing Drive. Alden gets out of the carriage, carrying Dewin, and walks up the steps. MINERVA SMITH (Early 40s), a stern yet radiant woman, opens the door in shock.)
ALDEN: It’s a long story.
INT. TWENTY SIX WICING DRIVE - LIVING ROOM - NIGHT
(A stereotypical Victorian living room made primarily of oak and illuminated by two small oil lamps and a burning fireplace. Dewin is still incapacitated and lies on the table covered in bandages, Alden and Minerva hover over him. Bottles of ointment sit next to Dewin.)
MINERVA: What were you doing in the woods?
ALDEN: It’s the fastest cut home.
MINERVA: And you just-
(Minerva is interrupted by Dewin’s sighing as he wakes up.)
DEWIN: Ah! Where am I? Who are you?
MINERVA: My name is Minnie, and this is my husband, Alden.
DEWIN: What’s happening?
ALDEN: I found you all bruised in the middle of the forest. Do you know what happened to you?
DEWIN: Morgana le Fay banished me.
(Alden and Minerva glance at each other.)
MINERVA: Oh lord, I think you're a bit confused.
DEWIN: I am not confused. I am Dewin, son of Merlin. Now if you don’t mind, I’d like to ask if you could take me to a sage or healer?
MINERVA: Of course, Alden can take you tomorrow morning, but for the night you can stay here.
DEWIN: Why, thank you.
ALDEN: Minnie, may I speak to you in the other room?
MINERVA: Of course.
(Alden and Minerva step into the kitchen.)
INT. TWENTY SIX WICING DRIVE - KITCHEN - NIGHT
ALDEN: We can not keep this man in our home. He is mentally insane.
MINERVA: Which means we must watch over him.
ALDEN: I am looking out for our safety.
MINERVA: And where would we take him?
ALDEN: I don’t know. He is as mad as the Doeth man!
MINERVA: Then that’s where we’ll take him.
ALDEN: Stick to nuts together?
MINERVA: The man has some common sense and he’s very compassionate.
ALDEN: Perfect.
EXT. LONDON - ALDRICH’S HOUSE - NIGHT
(Alden and Minerva Dewin sit in their carriage with Dewin outside of a small house that is slightly separated from the other homes on the street.)
DEWIN: So this is the home of a healer?
ALDEN: According to him. I will go to the door alone, I do not want to scare him.
(Alden gets out of the carriage and starts heading towards the home.)
MINERVA: So you really do believe that you are the son of Merlin.
DEWIN: I know who my father was. Why is this such a puzzle for you and your husband to wrap your heads around?
MINERVA: Why I’ve only heard stories of Camelot, myths of ancient pasts.
DEWIN: So Morgana not only shifted my place but also the time.
(Alden knocks on the home's door and is greeted by ALDRICH DOETH (Hundreds Of Years Old), an older looking man with crystals strapped around his neck.)
ALDRICH: Doctor Smith, have they finally sent someone to take me away to a nuthouse?
ALDEN: On the exact contrary, I’ve found a wounded man who claims to have been sent here by Morgana le Fay.
ALDRICH: That’s what the shift was!
ALDEN: What? You know what it doesn’t matter, as long as you’re willing to take this man.
ALDRICH: Yes, yes, bring him to me.
ALDEN: Minerva, send him up!
(Dewin comes up to the door.)
DEWIN: Hello.
ALDRICH: My goodness, the energy pulsates off of you.
DEWIN (TO ALDEN): This is the healer?
ALDEN: Yes. Now if you two don’t mind I think I will be headed back on my way.
ALDRICH: Are you sure, Doctor? It’s getting rather late, you and your wife are welcome to stay here.
ALDEN: Thank you, but there’s no need.
(Rain starts pouring out of the sky out of nowhere and thunder and lighting begin.)
ALDRICH: What about now, Doctor?
ALDEN: Minnie! We’re staying here tonight!
INT. ALDRICH’S HOUSE - LIVING SPACE - DAY
(A cluttered mess of books, candles, and potions. Aldrich, Alden, Minerva, and Dewin sit on Aldrich’s circular array of couches and chairs.)
ALDRICH: Before we dive in I suggest you go wash off, Dewin. The washroom is that small one to your left.
DEWIN: Thank you, Aldrich.
(Dewin gets up and goes into the washroom.)
ALDRICH: I know what you two think of me, the neighborhood’s resident crazy.
MINERVA: Not at all, Mister Doeth.
ALDRICH: Don’t lie, Minerva, our actions all come back to bite us.
ALDEN: So we think you're mental, what of it?
ALDRICH: There are dark forces amongst us, Mister and Misses Smith. I believe that Dewin is here to save us.
ALDEN: I appreciate you letting us stay here, but I think it’s time we leave.
ALDRICH: I will change this storm into an earthquake to keep you here if I must.
ALDEN: Come on, Minnie.
(Alden and Minerva get up and go to leave when the whole room begins to shake.)
ALDEN: What’s happening!?
ALDRICH: I warned you.
(Aldrich makes silencing symbols with his hands and the storm and the shaking stops.)
ALDRICH: Now will you listen to me?
(Alden and Minerva both sit back down.)
ALDEN: What are you?
AlDRICH: A magician, a clairvoyant, a healer, I am all of those things and more.
ALDEN: Why do you want us here so badly?
ALDRICH: I don’t think it’s a coincidence that you are the one who found Dewin, Doctor Smith. He needs a guide in this vast new world. Prophecy states that when the second coming of the Camelot war comes, the savior will have a protector.
ALDEN: And why me?
ALDRICH: There are questions that only we can answer ourselves.
(Dewin comes out of the washroom and sits back down.)
ALDRICH: Dewin, please tell me exactly how you arrived here.
DEWIN: Morgana le Fay used an ancient banishing spell on me.
ALDRICH: The fall of Camelot.
(Suddenly a wind sweeps through the room that blows out all the candles.)
MINERVA: Mister Doeth, are you doing this?
ALDRICH: No.
(A match is lit in the center of the room to reveal GWENWYN LIGHTWOOD (Centuries-Old), a green draconic humanoid woman in black robes and a hood.)
GWENWYN: Aldrich.
ALDRICH: Lady Lightwood.
GWENWYN: I’ve tracked a shift in magic to your home.
ALDRICH: It is this boy, he was banished here from Camelot.
(Gwenwyn goes up to Dewin and takes her hood off to reveal her scaly appearance. Alden gasps in disbelief. Gwenwyn runs her finger down Dewin’s cheek.)
GWENWYN (TO ALDRICH): Hm. I presume you wish to let him roam freely?
ALDRICH: With guidance, yes.
GWENWYN: If one thing goes wrong you will be punished.
ALDRICH: I know.
DEWIN (TO GWENWYN): Who are you?
GWENWYN: The last of the dragons. Just as Aldrich is the last descendent of the Family Merlin.
DEWIN (TO ALDRICH): You're a descendant of my father?
ALDRICH: Of his sister, I have many of her poems and spell tombs still intact here.
GWENWYN: Magic is rare these days, endangered, most people don’t even know it exists. So are we under agreement on the boy, Aldrich?
ALDRICH: Yes, but something is still troubling. If you and I both felt Dewin’s presence then-
GWENWYN: Benjamin did too.
DEWIN: Who is Benjamin?
ALDRICH: A descendant of Morgana who wishes to rule the earth under her ideals.
GWENWYN: A very very dangerous man who will certainly kill me if he finds me here.
(Gwenwyn’s match extinguishes and after a moment the candles all reignite but Gwenwyn is gone.)
ALDEN: By Jove!
ALDRICH: So do you all accept this challenge?
DEWIN: What challenge?
ALDRICH: Defeating Benjamin Fayle.
DEWIN: Of course!
ALDEN: Absolutely not.
ALDRICH: Are you that repulsed by compassion?
ALDEN: I can’t risk Minerva of I’s life on what could all be me hallucinating.
ALDRICH: You're risking the world for a craven excuse.
ALDEN: Goodbye.
(Alden gets up.)
ALDEN: Let’s leave, Minnie.
MINERVA: Thank you for your hospitality, Mister Doeth, and good luck.
(Alden leaves, followed by Minerva.)
EXT. LONDON - ALDRICH’S HOUSE - NIGHT
(Alden and Minerva ride through the street in their carriage.)
MINERVA: We were definitely drugged.
ALDEN: Absolutely.
EXT. LONDON - WICING DRIVE - NIGHT
(Alden and Minerva hop out of their carriage.)
ALDEN: I’m going to bring Sally back to the stables.
MINERVA: Goodnight, love you.
ALDEN: I love you most.
(Minerva goes up and enters Twenty Six Wicing Drive as Alden detaches Sally from the carriage and begins to guide her down the cobbled sidewalk with one of his hands on her reins.)
EXT. LONDON - FOREST - NIGHT
(Alden guides Sally through the forest to a set of stables. Sally suddenly rears up and neighs in terror.)
ALDEN: What is it Sally?
(Sally suddenly breaks off her reins and runs towards the stables. A figure in a dark purple hood and robe sweeps past Alden and their eyes glow purple. Alden screams.)
INT. TWENTY SIX WICING DRIVE - BEDROOM- DAY
(Alden and Minerva lay next to each other asleep in bed. Alden wakes up screaming which awakens Minerva.)
MINERVA: What’s the matter?
ALDEN: Just a night terror.
MINERVA: We did the right thing with Dewin, he’s with someone like him now.
ALDEN: Is that really a good thing? I think I’m going to go to the pub.
MINERVA: This early in the morning?
ALDEN: I need to clear my head after yesterday.
INT. GRIFFIN’S TAIL PUB - DAY
(A traditional Victorian pub. Dewin sits at the bar and is served by BRYNN CROWING (Early 30s), a charming bartender.)
BRYNN: What can I get you, Mate?
DEWIN: Just a pint of mead, please.
(Brynn goes and pours Dewin a pint of mead that she brings back to him and he begins drinking.)
BRYNN: I like your outfit, it’s very medieval.
DEWIN: It was made by the tailor of Sir Gawain.
(Brynn gives a light chuckle.)
BRYNN: What’s your name?
DEWIN: Dewin, and yours?
BRYNN: Brynn.
(Alden enters and sees Dewin. Alden leaves, but as he does he spots another person in a dark purple robe and hood with glowing purple eyes.)
DEWIN: You're very beautiful.
BRYNN: Why, thank you.
DEWIN: Would you like to go for a stroll?
BRYNN: My shift here doesn’t end till six.
DEWIN: Then I’ll see you then.
BRYNN: I guess you will.
(Dewin finishes his mead and drops two silver coins with dragons etched into them on the bar before swiftly leaving. Brynn picks up the coins and looks at them with confusion and yearning.)
EXT. LONDON - ALDRICH’S HOUSE - DAY
(Alden knocks on the door and Aldrich opens it.)
ALDRICH: I’ve been expecting you, come in.
(Alden follows Aldrich into the home.)
INT. - ALDRICH’S HOUSE - LIVING SPACE - DAY
(Alden and Aldrich sit across from each other.)
ALDRICH: Can I offer you some tea?
ALDEN: No thank you, I want to be in the clearest state of mind possible here.
ALDRICH: So what ignited your appearance here?
ALDEN: I’ve been seeing these people.
ALDRICH: Who are “these people”?
ALDEN: They wear these dark robes and their eyes glow purple.
ALDRICH: Faley’s society.
ALDEN: What?
ALDRICH: Benjamin Faley, the evil man I mentioned last night. Is this what caused you to believe?
ALDEN: What are you saying?
ALDRICH: That you believe in magic.
ALDEN: You're mad.
ALDRICH: Exactly, so the fact that you came to me shows that there’s at least one lingering thought in your mind that magic is reality and reality is magic.
(There’s a moment of silence between Alden and Aldrich.)
ALDRICH: Where have you been seeing the people you mentioned?
ALDEN: Everywhere that Dewin has been.
ALDRICH: Oh no, oh no, no, no.
ALDEN: What is it?
ALDRICH: Dewin is going out with a woman tonight.
ALDEN: Already? He’s only been here for a day.
ALDRICH: He's charming but also so foolish. You must watch them, in case Faley strikes or even worse this woman is working for him.
ALDEN: What could I even do to stop that?
ALDRICH: You are destined to protect Dewin, and at this point your logic for denying all of this is purely irrational. You're not hesitating because you think it’s not real, you're hesitating because you know it is. He is meeting her at six outside of the “Griffin’s Tail”.
ALDEN: I’m not going.
ALDRICH: We both know that you will.
ALDEN: Farewell, Mister Doeth.
ALDRICH: May the spirit of Merlin be with you, Doctor Smith.
(Alden gets up and leaves.)
EXT. LONDON - GRIFFIN’S TAIL PUB - NIGHT
(Dewin stands outside of the pub when Brynn comes out of the side door and walks towards him.)
BRYNN: I wasn’t expecting you to show.
DEWIN: Why wouldn’t I?
BRYNN: Most men flirt and then leave, half of them are married.
DEWIN: They are not true gentlemen then.
BRYNN: I suppose not.
DEWIN: Shall we begin walking?
BRYNN: Sure.
EXT. LONDON - STREETS - NIGHT
(Dewin and Brynn stroll down the streets of London. Alden follows them from a distance.)
DEWIN: This world is so beautiful.
BRYNN: Compared to all the other worlds you’ve been to?
DEWIN: Well Camelot obviously has a better scenic view.
BRYNN: Camelot?
DEWIN: My home land.
BRYNN: You're full of jokes.
DEWIN: I’m not joking.
BRYNN: What?
(Suddenly someone grabs Brynn into an alleyway and she screams. Dewin quickly turns to see no one beside him and runs after her, followed by Alden.)
EXT. LONDON - ROOFTOP - NIGHT
(The clear skies suddenly turn gray and ominous as Dewin arrives on the roof of a building to see three people with glowing purple eyes in the dark purple robes and hoods with one standing in the center holding Brynn with a dagger to her neck. Alden arrives on the rooftop.)
ALDEN: Bloody hell!
DEWIN: Let go of her!
(The three people take off their hoods and their eyes go to normal shades. The person holding Brynn is revealed to be DABRIA (30s), a menacing looking woman.)
DABRIA: Dim mynd i mewn dim dianc.
(A purple hazy force field appears around the edges of the rooftop.)
DABRIA: So you are the one sent to stop us.
DEWIN: What do you connote?
DABRIA: We are the Citadel of le Fay.
DEWIN: Oh no.
DABRIA: Who are you?
DEWIN: My name is Dewin, I am the son of Merlin, and I demand that you let Brynn go.
DABRIA: Why? Is she your protector?
BRYNN: Dewin, what are they talking about!?
(Dewin starts to move his hands around and a wispy blue energy begins to come out of them.)
DABRIA: Get him!
(The two other people with Dabria rush towards Dewin to attack him, but he uses the energy he created to push them around and drop them both to the ground. Dabria drops Brynn and her dagger and Alden rushes to pick up the dagger and succeeds.)
DABRIA: You are foolish, Dewin.
(Dabria pulls a gun out of her robes and shoots it at Dewin but he turns the bullet into a flower. Dabria shoots more but each time Dewin does the same thing until Dabria is out of bullets. Alden sneaks up behind Dabria and stabs her in the back. Dabria shrieks in pain and then disappears in a cloud of black smoke. Brynn gets up off of the ground.)
BRYNN: What the hell just happened?
DEWIN: Are you okay?
BRYNN: Not mentally. What in the world is going on here? How did you turn bullets into flowers!?
DEWIN: I told you I’m from Camelot.
(Alden drops the dagger.)
ALDEN: Did I just kill that woman?
DEWIN: Most likely not, you didn’t stab deep enough to hit any organs.
BRYNN: What do we do now?
DEWIN: Go home and call it a night.
BRYNN: I can’t forget about this.
DEWIN: I’m not asking you to.
ALDEN: If any of us speak of this people think we’re insane.
DEWIN: Then don’t speak of it.
BRYNN: Will I see you again, Dewin?
DEWIN: Did you enjoy tonight?
BRYNN: I was almost killed.
DEWIN: That doesn’t answer my question.
BRYNN: Meet at the pub on Friday after my shift.
INT. TWENTY SIX WICING DRIVE - LIVING ROOM - NIGHT
(Alden and Minerva lay next to each other.)
MINERVA: Do you think the Citadel will return?
ALDEN: Unequivocally.
MINERVA: What have we gotten into?
INT. BENJAMIN’S LAIR - NIGHT
(A cavern full of crystals and magical runes. BENJAMIN FALEY (30s or 40s), an attractive but uptight looking man, sits on his throne. Dabria enters and walks to face the throne, she bows and then gets back up.)
BENJAMIN: Did you find him?
DABRIA: Yes, Master Faley.
BENJAMIN: And did you find his protector?
DABRIA: Yes, but it’s not the girl.
BENJAMIN: Then who?
DABRIA: A Doctor Alden Smith.
BENJAMIN: Did you kill the doctor?
DABRIA: He deeply wounded me.
BENJAMIN: Then the battle goes on.
DABRIA: For Morgana.
BENJAMIN: For Morgana.
INT. ALDRICH’S HOUSE - LIVING SPACE - NIGHT
(Aldrich and Dewin sit across from each other drinking tea.)
ALDRICH: There are many things in this world, Dewin…
INT. GWENWYN’S CAVE - NIGHT
(Gwenwyn stands in the middle of a circle of candles. She stretches out her hands and forms magic blue charts and graphs with a picture of Dewin.)
ALDRICH (VOICE OVER): Forces we can’t explain…
EXT. LONDON - ALLEYWAY- NIGHT
(Brynn wears only her undergarments and takes a few coins from a man.)
ALDRICH (VOICE OVER): Secrets we hide…
INT. BENJAMIN’S LAIR - NIGHT
(Benjamin sits on his throne.)
ALDRICH (VOICE OVER): And villains we must defeat.
INT. ALDRICH’S HOUSE - LIVING SPACE - NIGHT
ALDRICH: You are the key to this all, Dewin, you are the son of Merlin.

I am giving notice later this week. My management has me on an exciting project, but due to business complexity it is not top priority and will advance slowly. meanwhile i got a larger offer at a local start up, working on an exciting technology. I’ve talked to my current manager and director about future development, promotions, money. They wouldn’t budge on money, no promotions until years later in my career. They just tell me to be patient….
I don’t think they are expecting me to leave, even though what i wrote above are clues. It may cause some havoc; my big project has no one to backfill me, i have an intern starting soon, i am one of few mid career employees. I know everyone is replaceable, but also it will take a lot of time to actually replace me and it will be a major disruption. I have been in this team for 6 years; my coworkers are all wonderful and friendly. Outside of my group, the larger company has a ton of chaos going on, while my group has generally been more stable. So this may rock the boat a bit.
I’m feeling a lot of guilt and dread about telling my manager. She is a mature person and will get it, and I will certainly follow thru and do this. But i am pretty open and friendly with her; she has overall been a good manager for the past 5 years.
I’m just looking for advice, stories, whatever. This is the first time I have left a job before by my own choice. I want to help my old project and coworkers, so i will hand in my notice with a succession plan and use my last two weeks to tie up loose ends to the extent I can.