Moby has always been a mainstay in house music and electronica in general. And on May 17th, 1999, he released his fifth studio album Play to critical and commercial success, becoming a rare phenomenon in the dance world.

…..but not in the way you would expect. You see, not even Moby thought he would make an impact, and originally intended to retire after that. So what makes his success story so unique? And how did this album become the best selling electronica album of all time? Let’s take a deep dive!

A quick recap into his early career

Throughout the 80s, Moby was involved in multiple underground punk rock bands. At the tail end of the decade, he shifted his interests towards the then-burgeoning electronic music scene, moving to New York City and taking up producing, remixing and DJ-ing as a result. By 1991, his single “Go” became an instant success and propelled him into stardom. For the next few years, he scored multiple dance hits (including a remix of the James Bond theme).

It was in 1996 when he released his album Animal Rights where everything went wrong. His sudden shift to punk and metal inspired music alienated much of his fan base and proved to be a critical and commercial failure, leaving him in a bit of a disarray. By this point, much of his audience began to cast doubts as to who Moby was as an artist, and while he asserted that the stylistic change was only temporary, it didn’t stop them from leaving his side. His own touring was disastrous, and him opening for alt-rock band Soundgarden was met with boos and jeers, prompting him on leaving music altogether. But thanks to artists like Bono, Axl Rose and Terence Trent D'Arby giving positive reactions to his Animal Rights album, he decided to stay a little while longer.

Background

Play's musical direction began around the time Moby's friend, Gregor Ehrlich loaned him a 1993 box set titled "Sounds of the South: A Musical Journey from the Georgia Sea Islands to the Mississippi Delta." by Alan Lomax. In it, a wide collection of folk music recorded throughout the 20th century.
Moby began to work on Play in August 1997, but touring obligations as well as unsatisfactory mixing sessions caused multiple delays. According to Moby's manager, Eric Härle had stated their original goal was to sell 250,000 copies, which was what Everything Is Wrong (1995), Moby's biggest-selling album at the time, had sold. Moby had doubts in achieving that, and many of the labels seemed to agree. Moby lost his outlet to released Play in the US following his removal from Elektra's roster of artists, leaving UK-based Mute Records as his sole label. Looking for US records to distribute was a struggle, with major label records like Warner Bros., Sony and RCA rejecting him. Even after V2 picked up the offer, most of the journalists passed on listening to the album. By March of 1999, two months before release, Moby began contemplating on his future and felt that maybe it's best to just throw in the towel and retire.

Play debuted at number 33 on the UK Albums Chart, but fell off shortly after. In addition, the radio and network airplay the songs received was very minimal. At this point, the goal was to simply get people to listen to the music; for that to happen, Moby and his management had to get really creative. While brainstorming, the team noticed a few agencies flocking to them for permission to use the music as soundbeds. That marked the moment a huge lightbulb went off on everybody's head; there's great potential in using licensing.
Licenses weren’t exactly lucrative but it was an alternate way of exposing listeners to the music rather than just radio. Management team was very diligent in looking for licenses, nevertheless, they took painstaking care of which requests were more appropriate for certain songs. Eventually they succeeded in getting every track on the album licensed, with "7" being the last track to do so.

Singles

Play's rollout consisted of eight singles. I've listed the samples used as well as where the songs are heard. While I listed as many licenses as I could, I tried to keep it within a 5 year timeframe. Forgive me as I know I missed a few but it's tough to find older, obscure commercials.

Honey
After discovering an a cappella song from Lomax's box set, Moby wrote this song in about 10 minutes. The song had minimal radio airplay but still managed to chart in several places including the UK Singles Chart (#33) and Billboard's Dance/Electronic Singles Sales (#95). A remix was later released featuring American R&B artist, Kelis.
Licensed: Permanent Midnight (1998), The 13th Warrior (1999), Maxwell Coffee (1999), Holes (2003),
Samples: Bessie Jones - Sometimes (1960)

Run On
This was one the first Play tracks Moby made. Due to the amount of samples, putting this song together proved to be a major challenge. Sampling the original folk song "God's Gonna Cut You Down" by Bill Landford and the Landfordaires, Moby didn’t know about the song's popularity until after recording it. It’s been covered by many artists including Elvis, Bobbie Gentry and Johnny Cash.
Licensed: Renault Kangoo (199x), Harsh Realm (1999), Mercy Streets (2000), Osmosis Jones (2001),
Samples: Bill Landford and The Landfordaires - Run On For A Long Time (1949), Melvin Bliss - Synthetic Substitution (1973)

Bodyrock
Fun fact: Both of Moby's managers tried to convince him not to include the song on the album, as they thought it sounded too similar to a Fatboy Slim, but he insisted on keeping it as he liked the song for its sample.
Licensed: Dawson's Creek (1998), Rolling Rock Beer (2000), Hype (2000), FIFA 2001 (2000), Buffy The Vampire Slayer (2001), Veronica's Closet theme (2003)
Samples: Spoonie Gee and The Treacherous Three - Love Rap (1980), Gang of Four - What We All Want (1981), Afrika Bambaataa and Soulsonic Force - Looking for the Perfect Beat (1983)

Why Does My Heart Feel So Bad
Moby originally wrote this back in 1992 as a techno song. Unsatisfied with the result, he never released it. Years later, he revisited the song, reproducing it with slower and more sorrowful tone, Eric Härle encouraged him to include it on the album. Kelis also provided vocals on a remix of this track.
Licensed: The Next Best Thing (2000), Millennium Mambo (2001), Lovely Rita (2001), Black Hawk Down trailer (2001), Associaçao Desportiva de Deficientes (2004)
Samples: The Banks Brothers and The Greater Harvest Back Home Choir - He'll Roll Your Burdens Away (1966), Delegate vs. Emo-Trance - Return to Tasmania (1998)

Natural Blues
Music video features Christina Ricci (famous for her Wednesday Addams role)
Licensed: Shadow Hours (2000), Freddy Got Fingered (2001), Joan Of Arcadia (2003), Basic (2003)
Samples: Vera Hall - Trouble So Hard (1937), Coke Escovedo - I Wouldn't Change a Thing (1976), The Banks Brothers and The Greater Harvest Back Home Choir - All the Way (1966)

Porcelain
A standout of the album, it's one of the only songs on the album that Moby sings on.
Licensed: The Beach (2000), Nordstrom 'Doorway' (2000), VW Polo 'Lunchtime' (2000), Bailey's Irish Cream (200x)
Samples: Ernest Gold - Fight for Survival (1961), Electra - Destiny (The Remix)(1989)

South Side
Initially recorded with No Doubt frontwoman Gwen Stefani, production problems forced Moby to leave Stefani's vocals off the mix of the song included on the album; her vocals were later restored for the song's single release.
Licensed: I cant find any :(
Samples: The Counts - What's Up Front That Counts (1971)
Find My Baby
The final single (obviously)
Licensed: Any Given Sunday (1999), Charmed (2000), Nissan Almera II (2000), American Express 'Tiger Woods Plays Manhattan' (2000)
Samples: Boy Blue - Joe Lee's Rock (1960), Louis Bellson, Shelly Manne, Willie Bobo & Paul Humphrey - Super Mellow (1975)

As for the deep cuts (once again, I couldn’t find them all).

Rushing
Licensed: Weather Channel (2000s-2010s)
Samples: n/a

Machete
Licensed: Play It To The Bone (1999), Mission Hill 'Andy Joins The PTA.' (2002)
Samples: Tom Jones - Looking Out My Window (1968), Incredible Bongo Band - Apache (1973)

7
Licensed: unknown
Samples: n/a

Down Slow
Licensed: unknown
Samples: n/a

If Things Were Perfect
Licensed: unknown
Samples: Willie Hutch - Hospital Prelude of Love Theme (1974)

Everloving
Licensed: Requeum For a Dream trailer (2000), Thortons Chocolates ad (200x)
Samples: n/a

Inside
Licensed: Riding Giants (2004)
Samples: n/a

Guitar Flute & String
Licensed: unknown
Samples: n/a

The Sky Is Broken
Licensed: The X-Files 'All Things' (2000) (fun fact: Gillian Anderson hand-picked this song!)
Samples: Creedence Clearwater Revival - Long as I Can See the Light (1970), SMPTE Timecode - Audio Sample (1967)


My Weakness
Licensed: The X-Files 'Closure' (2000), Any Given Sunday (1999), Behind Enemy Lines (2001), The Salton Sea (2002)
Samples: Kanak - Danse Nyinewaco De Tiga (1990)

Conclusion

Play was the breakthrough album Moby needed to break into the mainstream, landing DJ gigs across the world before he even knew it. It was the first album to have all of its tracks licensed. The licensing approach was a resounding success that helped increase the album's visibility along with radio and MTV. In fact, it was so lucrative that the album was already considered a financial success before it even reached multi-platinum sales! Overall, Play's journey to being a cultural phenomenon was a slow but gradual one, with the album re-entering the top 100 charts and have many of its songs hit the charts across multiple countries. Before you knew it, the whole blues-meets-electronica was everywhere (even Adele cited this album as an influence on 25).

Using popular songs for commercial purposes is nothing new but with Play, many viewed this album as redefining the concept of "commercial". Not everybody was on board with this, many techno purists scoffed at his approach for success, seeing Moby as an ultimate sell-out, and his music being devalued as a result. Despite this, Moby remained steadfast in his decisions. Now, 25 years on, with a staggering 12 million sold worldwide, Play still remains the best selling electronica album of all time.

Questions

What was your experience with this album? Did you enjoy it?
Do you feel the push for licensing really changed the game? For better or for worse?
Do you feel this album has any cultural relevance beyond its commercial ubiquity? Why or why not?

26 y/o male here (out of two younger sisters) - for a lack of immediate depth and clarity, I sometimes feel as if my brain is, quite frankly, a Lvl. 45 Pokémon in my otherwise full party of normally leveled mons (in this case, other organs? IDK, my poetically 'PogChamp' metaphor kinda fell off after a certain point, admittedly enough, lol...) and because I don't have any 'gym badges', or rather, notable enough ones on 'this' profile to attain the respect of said OP 🧠 (dry reincarnation joke for ya) like anything above an associate's college degree, to where in which I've been shamelessly punishing myself for ever since. All in a familial structure founded off my Father immigrating here from Iran at 17 due to an ongoing war at the time, proceeding to speed run his ability to speak and understand English, and ultimately earn his Doctorate degree at UT Austin in Mathematics by age 24/25 y/o. My Mother, also having immigrated to TX from around the same area/time period to that of my father, learned most if not all of her English and Math by dad, eventually earning her own highly marketable and prestigious degree, allowing her to work as a laboratory scientist within an established Hospital ever since) I wake up each day with ~75-80% chance of my emotions/seemingly invisible yet unapologetically frictious (made up word of the day) force of my own nature steering me not just off course with regards to tangible progress in most faltering facets of my life, but 180 degrees, straight-up in the opposite direction entirely; no matter how hard I may try and/or far I may get, there just always happens to be this same (assumedly) suspect layer of my consciousness to whom in which takes it upon 'itself' to fully assess and ultimately execute some seemingly crucial decision/deduction 'for me', frequently working so far ahead into the future that I lose damn near any/all opportunities to act authentically, evenif said authentic action(s) is/are the more difficult/tedial (made up word of the day, and an unnecessary one at that yet way more satisfyingly sounding than 'tedious' imo xp) decisions out of all answer choices, almost never allowing me a proper build up of 'dharmic momentum', if you will, when that in of itself would likely prove valuable. I believe this behavioral pattern in particular has made it exponentially more difficult to break my current bad habits in insomnia(-l?), burn out, depression, and consequently to these aforementioned, my biggest demon of them all ATM: productivity paralysis - all in which I've been experiencing this past year. For example: my mom telling me we have to go somewhere I don't want to in the morning, my replying 'consciously', usually in agreement in an attempt to avoid further arguments/conflicts, trading authenticity for emotional convenience, be it for better or for worse, only then for my 5Head brain to do what it likely does best (at least with regards to consistency) ala subconsciously 5Head'ing the situation in the background like an antivirus program would after downloading a sketchy Switch emulator onto one's hard drive, it's way of 'resolving' it's self proclaimed virus by having me stay up all night to where there's no way I can go after all, trading my misery for a more preferable, oftentimes comfortable solution as well as rebellion, especially towards those whom I feel can't look past their own selves when offering advice/ideas, which is one thing, but also forcing said solutions onto those concerned, be it due to frustration, which I can't blame them for given my like-mindedness towards my own self and scenario. Slightly more context in that I've always been told I'm super smart, 'could' be one of my best students if... (you know the rest ✌️🙂‍↕️), blah blah blah, but have genuinely been able to achieve things I seriously haven't heard of a single other person accomplishing especially with regards to my passions and career choices, tend to for whatever peculiar reason attract highly successful and oftentimes famous individuals i.e. content creators, musicians, general artists - weirdly/oftentimes VERY well known ones - into my life on both friendly and romantic levels (ironically, seeming to have had a strange ability to attract the upper eschalon of high functioning individuals from not much interesting initial interaction(s) from my perspective, in OR out of schooling, admittedly enough, always hoping I would become one myself, likely as a coping strategy/defense mechanism/compensatory coalition with respect to my lackluster grades/overall effort in highschool despite taking and consequently passing every advanced course possible in relation to my corresponding grade level i.e. AP Calculus in Senior yeaAP English/Government/History, you get the idea, and which was the case from 6th grade onwards, even getting into Health Careers HS upon making an exceptional grade on the entrance exam, along with pure luck I suppose, which, again, pretty prestigious or should have been if I cared, to which I basically had to provide my parents one of my first ultimatums of what would be many: 'I'm gonna get all zeroes if you don't let me go to designated Public HS', likely because it didn't resonate with me at the time - part of me regrets it looking back tbh - and/or I didn't feel like I deserved it/belonged there either) just off my personality alone, which is a lot more humble and sweet than the tonality of this passage provides, often times declared by sources external to that of my own, however believable or on the contrary at face-value. What's crazier is how empty I feel on the inside in spite of everything I've accomplished with regards to, well, again, all facets of my life. Ex: Getting fired at my Banking job last year after the initiation of the divorce for inconsistent attendance, which is fair enough, then getting a new job later at the start of July only to get promoted off my performance by the end of the month, which, for better or for worse, has generally been my same song and dance with regards to my numerous occupations likely due to my need for validation/even 'consolidation' for not having it in me to pursue a Bachelor's degree, only to then go on leave for, frankly, no longer 'having it in me' despite my undying (and disgusting) desire to still push and/or power through in an effort, forevermore, to - not even emotionally amymore but physiologically, at this point - cope with this seemingly snowballing shit-storm of a situation that is and has been 'life' as I know it to be (admittedly/notably, taking the break DID feel good as I haven't really prioritized my own wellbeing like that before) but however eventual/inevitable, got fired for repeatedly giving a date for my return each time my manager reached out to check in on my well-being, only for my first ever and repeated semblance of a panic attack arising in spite of wanting to will myself, tooth and nail, out the house each of those individual instances, ultimately preventing me from following through with my now broken promises to aforementioned ex-manager - all part of this fuck-headed prophecy. :) In an effort to wrap this very real, very frustrating fool's fairytale up, it's important to note I've been jobless ever since that day, locked in my room, still more productive in many important aspects barring perhaps socially, but I'm in huge debt, especially since I had to fire my divorce attorney last year around August for having a 30% response/hit rate for anything that wasn't the bill - I wish I was wrong - though, I was hired at a coffee shop back in February as my mom thought (and still thinks/pushes this notion) that my problem is 'I need to get out there and into the world', welp, I listened albeit after weeks of conflict/disagreements/yelling (which actions in of themselves make me feel terrible since I once took great pride in being the family peacekeeper (and from a reasonably young age too, unfortunately enough) like any good son whom in which values their own mother's reasonable enough hypothesis would, except for, well, that job too, eventually and inevitably (in my mind) 'I' ending up quitting due to - long story short - unruly junior managers and their annoyingly asinine egos'.
Wrapping up, between going through a divorce with my wife, having been forced to live back with my forever faulty family, namely, with regards to my stubborn mother and father (however much I love them to pieces, to which I feel I express well enough, consistently enough, though at the same time think is fair holding back a bit affectionately given the frequency and intensity of my current circumstances, frankly). Thankfully, I have been able to maintain my well above average athleticism/physique (my words, sure, though genuinely intended with as little ego as possible, in fact more often than not mentioned by someone other than myself, and consistently so at that ever since the 10th grade when I initially started lifting/getting into Nutrition) through daily weighted pushups of 55 lbs in a sturdy backpack, along with my self taught singing voice (worded that way to emphasize I had to basically fight my mom and dad on investing time/energy into that back during HS as well, only to, like my fitness discipline, attaining a very high level on my own and in spite of the needless and unnecessary friction provided by family), along with, and perhaps most importantly, keeping up with my mental and spiritual literacies through many renowned online University lectures, free programs, videos by Dr. K-ing himself, etc. - all to say I'm at a point, currently, where this once 'Superman' persona that I suppose never existed in the capacity seems way closer to that of a depressed, worn down Clark Kent than ever before...
Sigh
(P.S. To my 🧠: Thank you, sincerely, for giving me the courage/chutzpah to finally deliberately declassify, denote, and deliver this deconstruction of my mind, however stylishly flawed, over the internet. Further, it's imperative that I mention my confirmed diagnoses of ADHD/Borderline/Childhood & Family Trauma, along with a pending/potential Bipolar disorder as the metaphorically 'maniacal' cherry on top. I'm seeing a psychologist ATM and am prescribed Adderall which helps me tremendously, both with regards to mood regulation as well as my ADHD symptoms. I've been taking medication for over 2 years now. Random but relevant side note: my insomnia started after the initiation of the divorce and again, I've basically slept once every other night throughout this whole duration)
(P.P.S. Forgive me for any inconsistencies/poor grammaseemingly unfinished statements and/or scenarios. I've had a couple hours of sleep the past 30ish hours, which has, give or take, been the case since June of last year.
(P.P.P.S. Crazy to acknowledge that I intended on sharing the first few sentences of this post when 'I' made the decision to write out this random Reddit post - I wonder, however hesitantly, what notable 'tomfoolery' my brain has planned as the potential outcome to this output and a half.)
(P.P.P.P.S. That's not even the full story LuL. Though I must mention I appreciate anyone bored/mad/strong-willed enough to muster their way from start to finish of my madness. I love this community with all of my heart, truly, and I'm sorry for coming across as brash or unapologetic at particular points, just not really feeling it ATM. Love and peace, always
Kindest regards,
Anotha One

{TW: possible non acceptance after coming out}
So yesterday my GF and I watched Bridgerton. I don’t remember very well how the topic came up, but during a conversation we had, about some of the characters. I casually dropped, that I might be Bisexual. The past years I sometimes hinted towards the possibility, but I never found the courage to tell her. When bringing up the topic she became extremely defensive and concerned. She told me one of her biggest fears would be, that one day her future husband would come out as gay and leave her, like it happened to some famous people.
That’s why I circumvented the topic for a long time, but as our relationship approaches almost 7 years now and this Sunday our parents should finally meet, I wanted her to know everything about me. I was myself not sure if I would consider myself Bi. I brushed it off as curiosity or heteroflexibility. However after playing Baldurs Gate 3 and watching Bridgerton I realised, that I find men attractive as well.
She…didn’t handle it well. She stopped talking to me for the rest of the season (we were on the start of episode 3). After that she got up and locked herself in the bathroom (she always does that, when she is mad at me). I tried comforting her, but I couldn’t get through to her.
When we lay In bed I asked her if the coming out itself, the way why I did not tell earlier did concern her. She answered: „A bit of everything“. She told me plain and simple that she does not feel okay with me being Bi. She told me, that this might be illogical,but that my coming out triggered her trust- and abandonment-issues. She then asked me to sleep on the couch.
We have only exchanged a few words since. I feel extremely numb. Like something deep within my shattered. I don’t know what to do.
(TL:DR I came out to my GF as by, and she refuses to talk to me afterwards)

The Ghorpani Poonhill Trek in the Annapurna region is well-known and considered one of the most picturesque and manageable short trips for travelers of all stripes. It is a year-round favorite among them. The views from this location are always superior to those from other locations, despite its lower height than most. You’ll be happy to hear that this is only the beginning of the Ghoropani Poonhill with Mardi Himal Trek itinerary, offering much more breathtaking views of the towering peaks than you would get from the Mardi Himal Viewpoint.
The Mardi Himal Trek is an incredibly popular trek with rugged trails in Nepal that puts you nose to nose with Mt. Fishtail (Macchapuchare), Mt. Annapurna South, and Heuchuli. However, it is still the most convenient trek for all age groups looking to experience a completely different side of the Himalayas in a short time in the Annapurna region.
More villages are covered by the combined Mardi Himal Via Ghorepani trek, including Ulleri, Ghorepani itself, and the largest Gurung village in Ghandruk. Another stunning aspect of this walk that cannot be seen when walking Ghorpani Poonhill alone is the vegetation and scenery. Grazing yaks in less time in serene pasturelands through the forest above the clouds with breathtaking views of the Himalayas is yet another enjoyable aspect of this journey.
Our website (Himalaya Abode) has a tonne of information and details about the trek that you should know.

Highlights of Poonhill with Mardi Himal Trek

These can be a great resource for novice hikers without prior trekking experience. It’s important to realize that while all the trekking routes in the Annapurna region may seem similar, they aren’t because they have different views, difficulty levels, and requirements.
Traveling via Nepal’s Annapurna region is a famous way to experience the rural landscape. It offers unspoiled Himalayan beauty embellished with some of the biggest mountains in the world, a pure atmosphere, and the rich cultures of the many ethnic groups who call the Himalayan terrain home.
We are combining this once-in-a-lifetime opportunity with two of the unique, recently established, but well-liked locations inside the Annapurna Conservation Area—the Ghorepani Poon Hill Mardi Himal Trek doubles the experience, providing the best beauty and a cultural journey.

Itinerary

Day 01Drive from Pokhara (822m) to Birethanti (1,263m) and then trek to Ulleri (2,020 m/ 6,627 ft)

It takes about 1.5 hours to get from Pokhara to Birethanti. The starting point of the Mardi Himal Trek via Poon Hill is Birethanti, which you may get to by following Modi Khola. Throughout the trip, you will pass a lot of little towns, teahouses, gorgeous rolling hills, rivers, and inhabitants. Arriving at Tikhedhunga, you will travel through the quaint village of Hile.
Starting at Birethanti (1,039 m/ 3,408 ft), you embark on a 9 km trek to Ulleri (2,020 m/ 6,627 ft) via Hile and Tikhedhunga. to Birethanti and then trek to Uleri. Arrive at Ulleri and start your trek to Ghorepani

Day 02Trek to Ghorepani

The official trek starts from here onwards to Ghorpani with a remarkable view of Dhaulagiri, Annapurna ranges, and others, with lunch on the way, as decided by the guide. The trail goes mainly through Rhodondren forest and rivers, followed by a peek at Mt. Annapurna south, Heuchuli, and Mt. Fishtail at some point.

Day 03Early morning hike to Poonhill and Trek to Tadapani

You will rise early today to witness a magnificent dawn above the Himalayas covered in snow. Boasting its expansive views of Fishtail, Dhaulagiri, Annapurna, Manaslu, and the surrounding mountains, the best viewpoint in the Annapurna region is likely to mesmerize you.
Following a one-and-a-half-hour walk through picturesque Deurali to Tadapani, where you can view the mountains and surrounding scenery, you will hike down to Ghorpani for breakfast.
The trails descend almost all after Deurali to Banthati, where you will have lunch. After going through rivers and a rhododendron forest, you will reach Tadapani, the day’s lodging palace.

Day 04Trek to Jinudada (Hotspring)

The quickest and most straightforward trekking path in the Annapurna region is the Jhinu Danda trek. Because of its natural hot spring, Jhinu Danda, which is popular, is situated on a hill. On this walk, you can reach Jhinu’s natural hot spring.

Day 05Trek to Forest Camp

This day’s hike starts after breakfast and takes participants through a dense rhododendron forest on a somewhat difficult trail. Without a view of the forest camp amid the forest, hiking here is more serene. If time permits, you could attempt to walk an additional half hour from the forest camp to the rest camp, depending on how long the hike takes.
Until you get to the rest camp next to the forest camp, you probably won’t get any good views of the mountains. From there, you’ll be able to see Mt. Fishtail and the brilliant sunrise.

Day 06Trek to Low Camp

From Forest Camp we travel to Low Camp, Enjoying the best view of the surroundings.

Day 07 Trek to High Camp

You will begin your hike through the forest to low camp on this same day, with the entire Mt. Fishtail within your reach, after breakfast. You will eat lunch in Badal Danda, a 45-minute hike from the low camp, where the vegetation is entirely different from what you have been seeing.
From Badal Danda, a clear day offers views of the magnificent Annapurna South, Mt. Heuchuli, and Mt. Fishtail. You have one more trek to the top camp, which offers views of the magnificent night sky.

Day 08Trek from High Camp (3,600m) to Mardi Base Camp (4,500m) then return to Badal Danda (3,250m)

You’re going to have to rise early today to see the sunrise over the mountains. It promises to be the most demanding and unforgettable leg of your Poon Hill to Mardi Himal Trek itinerary. The track is trickier than it looks since it requires you to make several quick ascents on uneven, steep steps.
Traveling to Mardi Himal Base Camp will require approximately five hours. Reaching the base camp at 4,500 meters after navigating a verdant, luxuriant High Mountain will make you feel incredibly successful. Then, return to Badal Danda.

Day 09Trek to Kade and drive to Pokhara

There will be no breakfast on the mountain today. Depending on your interests, you can rise early and position yourself to catch the last dawn over the towering peaks.
If not, you will set out right after breakfast on your hike to meet Low Camp, where you have already been, and then descend to Siding Village for lunch. You will travel to Pokhara for a break from Siding.

Introduction: The Mysterious Double Album
I’ll always remember 2 AM on April 19th 2024. I was in my pjs, alone, on my balcony, fresh off my first listen to Taylor Swift’s album The Tortured Poet’s Department. After sufficiently enjoying my solitary experience, I took to the internet to see what the masses were saying…when Swift dropped a whole second album: The Tortured Poets Department Anthology. Swift, a master of both Easter egging surprises for her fandom and practicing the number one rule of business (give the people what they want!), had been hinting at something “double” for months. Most significantly, while accepting her Grammy for Best Pop Vocal Album, she flashed a “peace sign.” That damn peace sign haunted the fandom for months. Swift’s corporate social media account, u/TaylorNation, used peace sign emojis and called attention to the number two whenever possible (ie teasing the album 22 days out etc.). There were also many “2”s present in in the promotional “experiences” leading up to the album release date—including statues of peace signs at the TTPD interactive experience at The Grove in LA. As usual, some Swifties went bonkers with their theories (or “clowning” as outlandish theorizing is referred to in the community). I myself couldn’t help but believe some concept of doubling would be significant in TTPD, but I couldn’t have guessed a full DOUBLE album (Swift’s capitalization). What an absolute treat. Mother was, as they say, mothering.
…Only the two mania didn’t seem to end post-drop. If anything, the two mania heightened. The albums were not just surprises in themselves, they were full of mystery. They seemed to reference multiple relationships, cryptic narratives, allusions to Swift’s previous songs, allusions to iconic poets, and very often, twins. The sleuthing type of Swiftie (full disclosure, moi) dove in deep. We gathered where we do—on Twitter, on TikTok, on Reddit (my preferred sandlot). And as we obsessed over every lyric, literary allusion, and video clip, Swift, our self-appointed “chairman” seemed to encourage us. Swift added a TTPD set to her Eras tour in Paris. Afterward, she posted a collection of photos to Instagram. The second photo of the post is Swift onstage, in a sparkling showman’s outfit, flashing two fingers.
Initial Tortured Poets and Sylvia Plath Connections
Swift has always been an incredible poet, but that’s not necessarily how the world saw hesees her. Swift is a pop star, specifically, Swift was a young girly pop star, most known for her tabloid romances and dramas, which she would (allegedly) write about in her music. Swift’s work has been labeled as “confessional” since her first album, which included songs she openly said were about boys at her high school. I offer this context (or, lore) to explain why I began seeing connections to TTPD in Sylvia Plath’s “confessional” work.
Of course, the theme of TTPD is tortured poets, so many avid literary Swifties have enjoyed seeking connections between Swift’s new songs and iconic poetry. No connections are overt, but some seem to be more likely than others. Namely, there’s been much discussion of Virginia Woolf thanks to the song “Who’s Afraid of Little Old Me?”(perhaps a riff on the Edward Albee play title). Other Swifties have found possible lyrical links to Mary Shelley and Charlotte Bronte. Swift herself references Patti Smith and Dylan Thomas in the album’s title track.
I remembered a third poet in relation to Smith and Thomas: Sylvia Plath, obviously an all timer of a tortured poet. I remember hearing an anecdote that she had been obsessed with Thomas and stalked him outside the Chelsea Hotel (also named in the TTPD title track). I did a quick skim of Plath’s Wikipedia to confirm and then started noticing many possible connections to TTPD and Plath’s life.
In the “Fortnight” music video, Swift acts out being institutionalized for insanity and getting electric shock treatment—two significant experiences in Plath’s life. Plath was also coupled with a deeply problematic man, Ted Hughes. Plath fell in love with Hughes for his artistic talent before he revealed himself to be an unsupportive parter, ultimately cheating on Plath with a younger woman. The narrative is not too dissimilar to the narrative about Swift’s alleged ex Matty Healy, as seemingly told in TTPD. (Of course, we don’t know the true subjects of Swift’s songs—if they’re even actually confessional—but some key hints point to Healy. Whether those hints provide actual context to Swift’s life or to the story Swift is telling of her life, one cannot know.) Finally, several of TTPD songs reference a latent desire for suicide (“I might as well die / it would make no difference” etc.). Okay, post-“finally,” these are stretches, but, I’ll note anyway: one of Plath’s most famous collections of poems is titled Ariel, but an alternate title was Daddy. There are connections to both words in TTPD via the song “But Daddy I Love Him.” The title is a line from the Disney movie The Little Mermaid (which features the main character Ariel, a mermaid, caught between two worlds). Extra clowning: some people (hi, I'm people) believe Swift’s 1989 costume for her first Paris concert was an allusion to Ariel: a pink crop top and a seafoam skirt.
As I dug into Plath's life, I couldn’t help but also see similarities to Swift's life. Both women were prolific writers from a very young age. Also, although possibly obscured through artistic license, both women were/are known to write about their own lives. (Plath was apparently encouraged by her professors Robert Lowell and Anne Sexton to write from her experience. I cannot help but tie in Swift’s “The Manuscript” lyric “the Professor said to write what you know.”) Both Plath and Swift expressed/express their depression via their writing, but if you only knew them from their public personas, you’d never guess the depths of their struggles. It seems both Plath and Swift lived/live double lives. Plath was actually fascinated by the concept of doubles. In fact, the concept of doubling was the topic of Plath’s college thesis paper “The Magic Mirror.”
The Magic Mirror and TTPD
Plath’s college paper is sadly not available to the general public. (It had a limited print run in, you guessed it, 1989.) But! I was able to read a few texts about the thesis, and the amount of possible TTPD references is astounding.
Since we can’t directly analyze Swift’s work via Plath’s directly, I’d like to share several key quotes from the most telling article I could find about the “The Magic Mirror”: “Sylvia Plath’s Magic Mirror” by Kelly Coyne (May 2018, The Los Angeles Review of Books). (To be noted, Coyne has also written about Swift, in her article “Growing Up In Taylor Swift’s America” in December 2023 on Literary Hub—a fabulous read!)
Early in her article, Coyne sets the scene for Plath's thesis:
“Her undergraduate thesis, which she wrote as a senior at Smith College...is titled “The Magic Mirror: A Study of the Double in Two of Dostoevsky’s Novels.” “The Magic Mirror” explores literary doubles made up of a character’s repressed traits, and, as the double grows in power, it heralds the protagonist’s death. Citing Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde as well as Oscar Wilde’s The Picture of Dorian Gray, Plath argued that the choice to create a double works to “reveal hitherto concealed character traits in a radical manner” and simultaneously exposes the driving conflicts of the novel housing that character. Her thesis claims that both Ivan, of The Brothers Karamazov, and Golyadkin, of The Double, have attempted to repress troubling aspects of their personalities, resulting in the double.”
Immediately, I imagine the two versions of Swift from the “Anti-Hero” music video. One Swift is real, true, sensible. The other is a pot-stirring, self-esteem destroying, alcoholic. During Eras, the huge Swift (monster on a hill) screams and stomps around in the background while the real, true Swift smiles and dances in a sparkle dress onstage. The fandom seems to be referring to these two Swifts as Taylor Swift and TAYLOR SWIFT (TM). Folks have theorized Post-Malone in the Fortnight music video is not necessarily a lover, but a twin, or double, of Swift. This theory is enhances by the Eras visuals during that song, specifically two dancers walking away to the back of the stage, but then becoming one.
More Coyne: “Plath, quoting Dostoyevsky in her thesis, noted that Ivan’s double, Smerdyakov, is “wrinkled” and “yellow.” The distinct differences in appearance between originator and double, she continued, are meant to reflect the protagonist’s mental state and cultural status.”
First of all, yellow. In the Gaylor community, folks have often theorized yellow symbolizes being closeted—a reading based on the symbolic coloring in the 1999 film …But I’m a Cheerleader. However, one need not be a Gaylor to consider the importance of yellow to Swift’s storytelling. Most recently, Swift performed “my tears ricochet” at Eras in a bright yellow dress, as her dancers were dressed for a funeral. Following Coyne’s analysis of Plath's analysis of Dostoyevsky, one could guess Swift is teasing a death of some version of herself.
Coyne discusses how Plath clearly used a “double” of herself to write The Bell Jar. Plath herself spent a summer in New York interning for Mademoiselle. The protagonist in TBJ, Esther, spends a summer in New York interning at a magazine too. To go even further down the rabbit hole, Esther also doubles herself, frequently expressing normalcy on the outside and despair on the inside. On the book's first page, Esther tells her audience, “I was supposed to be having the time of my life.” (Again, I cannot help but hear a Swift echo of, “I can read your mind / she’s having the time of her life” from “I Can Do It With a Broken Heart” about smiling through her depression.) Coyne makes many more references to mirrors and concealing in The Bell Jar, Ether’s split (and sadness) gets worse and worse the more she hides who she is from others. Notably, at a low point, Esther hides under her mother’s bed. (And Swift sings of a post-heartbreak depression, “Afterwards she only ate kids' cereal / And couldn't sleep unless it was in her mother's bed.”)
Coyne writes about the “imprisoned” aspect of doubles: “The wound from which Esther tries, and fails, to hide chimes with the inescapable, colonizing double, and Plath’s language again illustrates its penal nature: it is inside Esther, but it traps her like a jail cell.” (Again, I cannot help but see references to “Fresh Out the Slammer”, “The Smaller Man Who Ever Lived,” and the TTPD Eras visuals of cages and cell lighting.)
Coyne, on Plath’s doubles’ names, something Swift has not ever used (or so we think): “From her conception of The Bell Jar all the way to its final revisions, Plath suffered an exhausting amount of anxiety over its heroine’s name.” Plath wrote to a friend, “‘I’ll have to publish it under a pseudonym, if I ever get it accepted, because it’s so chock full of real people I’d be sued to death’...Indeed, this wasn’t mere paranoia; she did have to change her protagonist’s name at the instruction of her editor for legal reasons.”
Coyne continues, “Most novelists likely have concerns about being associated with the characters to whom they give life, especially the ugly ones, and especially when the character resembles its author. Yet what is unique about Plath’s case is her knowledge of the theoretical underpinnings and implications of her choice to push Esther away, and the hold this knowledge assumed on Plath’s work and life. Another look at The Bell Jar with a consideration of Esther as Plath’s double tangles the issue even further, and Plath drops clues for this kind of reading throughout the novel. Esther, for example, sits down to write her own novel and recounts, “My heroine would be myself, only in disguise. She would be called Elaine. Elaine. I counted the letters on my fingers. There were six letters in Esther, too. It seemed a lucky thing.” Not coincidentally, Plath’s first name has six letters as well.” Again, Plath was in a bizarre double infinity loop (like the loop on the Eras stage in “Down Bad”?). Plath was concealing her double, the protagonist in her novel, who was concealing her double, the protagonist in her novel.
Coyne wraps up her findings: “In her thesis, written nearly a decade earlier, as she turned 22 — the year after her first documented suicide attempt — Plath claimed, quoting Otto Rank:
In such situations, where the Double symbolizes the evil or repressed elements in man’s nature, the apparition of the Double “becomes a persecution by it, the repressed material returns in the form of that which represses.” Man’s instinct to avoid or ignore the unpleasant aspects of his character turns into an active terror when he is faced by his Double, which resurrects those very parts of his personality which he sought to escape. The confrontation of the Double in these instances usually results in a duel which ends in insanity or death for the original hero.”
Coyne seems to argue Plath believed an artist's double has the power to become bigger than the artist herself, ultimately killing her. Is TTPD Swift's predetermination of, hopefully, her her double's death instead of her own?
In Conclusion: Plath to her Mentor, Dessner on Swift
Who knows what TTPD is really truly about, and who knows if we ever will.
The biggest Easter egg, hiding in plain sight, is that the album is titled THE TORTURED POETS DEPARTMENT. There’s no apostrophe after “poet.” Nor is there an apostrophe after the “s” in “poets.” The department does not belong to a poet or to a collection of poets. It is a department OF tortured poets, perhaps two, to be exact. …or perhaps the album indicates the departure of the tortured poet...and her double.
I’ll sign off with two final quotes from my research:
According to Coyne, three months before Plath died by suicide, she had written a mentor about her second (obviously unfinished) book. Plath wrote, “It is to be called “Doubletake”, meaning that the second look you take at something reveals a deeper, double meaning […] it is semi-autobiographical about a wife whose husband turns out to be a deserter and philanderer although she had thought he was wonderful & perfect.”
According to Aaron Dessner’s TTPD release Instagram post: ”Keep searching and you'll find some new detail, layer or sliver of meaning with each listen.”
SUBREDDIT PS! Shout out to Expensive_Succotash5 for noting the TTPD intro poem's reference to being out of the oven, could be an allusion to Plath's death. Also shout-out to Good-Amphibian-7993 for this connection to a photo of Plath with a rose, not unlike Swift's album rose art.

I just found out that Sterek is in the top 3 most famous couples on Ao3, and like, why?
Seriously, I have thousands of gay ships, I'm completely obsessed with Destiel, but I really don't understand Sterek.
My biggest problem isn't even the age difference, it's just that I really don't see the point? I mean, there was never anything that hinted that they could be more than friends, in fact they weren't even very close friends, they always showed that they cared MUCH more about Scott than they did about each other. Honestly, what super deep relationship are people seeing here?
Or do people just like the ship because of the cliché of a pumped-up bad boy x cute twink and not because of their development? I think this makes more sense.

https://discord.com/channels/768815306667196436/1240701441039929345
CA_Pingu: Hello all!
Thank you for your questions and for joining us today for the live Q&A event with our Maya and Todor! We had such a great time with you all!

A little note before we dive into answers: There was a slip of the brain on our part, we are aiming to post our next blog at the end of May - beginning of June. Sorry for the confusion, looking forward to talking about New Cultures & Factions with you then!

And now – answers!
Q: future content How long do you think this game will be supported for , because I’d love for it to expand even more. Cheers
Total War:PHARAOH team: We've loved seeing so many people ask this question and while there's nothing for us to announce on that topic in today’s Q&A (we want to keep today’s Q&A focused to everything that we shared in the most recent blog), we didn't want to sail through todays Q&A without letting you know that we have of course seen that question, and we'll talk more about what's next for Pharaoh later down the line.
For now, all our efforts and energies are on this massive update to Pharaoh and there's plenty of great questions that we've already looked through that's giving us lots to chat about today.
Q: Before reading the rest of the message, know that it is translated with google trad, so I hope there are no errors in it
Thank you to the whole team, frankly you are doing a remarkable job, and this expansion of the map, playable cultures literally makes me dream ^, could you tell us when this update is planned please?
CA_Maya: We're equally excited to see you excited.
The update is quite sizable and although we want to see it shipped ASAP it does require quite some time. We don't want to commit to specific dates at the moment, but hopefully it could be ready sometime at the end of Summer. Still - we will confirm a date once we get closer to completion.
Q: Will there be a Mythos mode integrated into the game, and if so will you need the dlc and base game troy to play it?
CA_Maya: Let me put it this way - have we discussed many options for a mythic mode, researched monsters and gods from each area of the world, imagined Cerberus battling a Lamassu and a Phoenix (Benu bird)?...
Perhaps >_>
But do we have plans for that right now - no. We aim at delivering a solid update and that's the sole focus of the team. The future is the future - we'll see when we get there.
Q: First of all, amazing work on Pharaoh. This and high tides are looking like they'll elevate this game to the ultimate bronze age experience. I just had a question about map sizes. Have there been any tests to see how the extended maps play?
With there being so many settlements and such vast amounts of lands I'd be curious how long it'd take a faction starting in Egypt to interact with somewhere far off like Babylon. Is it common for Egypt to arrive in these areas after X amount of turns, only to find them completely conquered (or razed to the ground if the sea peoples got there first).
The faster sea lanes seem like a good solution for Greece and Egypt being so separate but I wonder how the game will play with the usual land movement and expansion - unless these have also been tinkered with.
I look forward to trying out this update in-game, whenever that will be. This will be the biggest historical game by no. of settlements by my count! Exciting!
CA_Todor: We are doing a variety of tests involving AI controlled factions as well as members of the dev teams and QA. As you can imagine, testing a campaign as naturally as possible (no cheats!) is a very time-consuming process but is vital to understand what it is that we are developing.
We have observed a variety of behaviours from both AI and Human controlled factions which lead to different situations on the campaign map.
Usually there is at least one faction in each portion of the map that gets to dominate their immediate vicinity by around the mid campaign and in some cases, there are factions that hold on to their starting territories but manage to secure lands in more distant ones.
This is something the player can do as well, and it really depends on where you are located on the campaign map. From the Egyptian factions Ramesses will have the easiest time to reach Babylon (and perhaps conquer it), with focused effort this might be done by turn 50-60.
Sea Travel Lanes are there to facilitate transition and conquest. You can use them to migrate to new territories, especially as the Sherden and Peleset Sea Peoples who retain their horde and settled gameplay.
In a playthrough I tried to migrate with Seti towards Crete and the landmass of Greece. I managed to do that and, as you can imagine, the Mycenaeans were not happy about it. I have yet to finish that campaign, by the way…
Q: First, congratulations to the team, it seems this is going to be the Bronze Age experience everyone was hoping for. A question concerning map expansion and thinking about previous titles like Empire Total War, for example, is there a limit to just how much more map can there be? Is there an engine limitation for example, that would either on this title or another deny any further possibility of expansion? Thank you for your time Edit: to clarify, I mean the size of the map, like pixel by pixel, not in terms of settlement numbers.
CA_Maya: There were some technical limitations which our programming team had to solve to unlock the ability to extend the map in all directions (previously it could only be expanded to the east).
And of course there's just the technical limitation of making a campaign map so vast that no machine can run it
Ultimately, it's a matter of optimization and common sense, and keeping in touch with the time (i.e. the average user hardware spec :D)
Q: Will see a Custom City map of Babylon? This is a fantastic update and I am really liking the changes to the campaign map. In this, will we also get any improvements to the combat system in terms of sieges?
Also, will we see a custom city map of Babylon to fight and sack in? It's mentioned here: In Mesopotamia, these include the White Temple of Anu, the Great Ziggurat of Ur, Chogha Zanbil, the Ziggurat of Enlil, and the Great City of Babylon, a significant major settlement awaiting conquest. - Can I load up Pharaoh, and then click Babylon as a city to besiege?
Will it be shown and will the Mesopotamians get their own cinematic cutscenes? What other unique cities of Mesopotamia are we going to get?
CA_Todor: I am happy to say that we have created a unique settlement battle map that represents the city of Babylon for you to defend or torch to the ground as you see fit.
We have specifically designed it to correspond to the historical period as the Late Bronze Age city of Babylon was different from the one in the later Iron age.
What we tried was going backwards. We researched the more famous later version of Babylon and we cut out the parts that can’t have existed in the Late Bronze Age.
We’ve made sure to include a couple of landmarks - Etemenanki temple and Esagila, which housed the statue of Marduk. There is a sort of a moat surrounding the city walls and a canal that cuts through the city itself.
So, the overall layout of the city – city gates, main streets, along with landmarks - is represented in the game although we made sure that it abides by the rules of Total War gameplay.
A fun fact is that a few of the Major Mesopotamian cities are based on the layouts on actual Mesopotamian cities, such as Mari, Ur.
Q: Will we be able to move our capital in this expanded map ?
Being able to change our capital is something I have wanted for a while. Especially for factions where the starting position gives them a minor settlement as a capital,it would be very desirable.
CA_Todor: We have been seeing this feedback for quite a while. Changing your capital does not have significant gameplay value in Pharaoh but is something that players want.
While I can’t make any promises, it is definitely something that we will discuss to see if it is feasible.
Q: Can we get a Dorians invasion? Or Cimmerian? Phrygians? Urartians?
CA_Maya: Cimmerian Invasion? I like the sound of that! We shall see (and hear the lamentation of Anatolian factions perhaps).
Q: Number of Elamites
The area where I would expect to see Elamites looks quite small so I was wondering how many Elamite factions there will be and if the devs think they'll be a significant threat for mesopotamia or if the focus is mostly on fighting the Hittites and Egyptians
CA_Todor: There are a couple of Elamite factions in that part of the campaign map.
They are supposed to represent the constant (if occasionally potential) threat that Elam was for the kingdoms around Tigris and Euphrates, so we intend them to have a significant influence over the region.
I personally am quite happy that one of the Elamite gods is present in the Local Deities feature.
Q: Bronze Age Armenia and regions beyond the expanded map
So happy with the expanded map! Excited to see it bordering Bronze Age Armenia! Is there a chance for a future DLC for my historical homeland? Between 1200 and 800 BC, much of Armenia was united under a confederation of tribes, which Assyrian sources called Nairi ("Land of Rivers" in Assyrian").
But more generally, is the grand map expansion one and only? Or is there potential to expand it even more in the future dependin on the success? I bought Pharaoh the moment this got announced btw!
CA_Maya: We do have Nairi as a region in the current map expansion. Alas, we can't include absolutely every single Bronze Age culture that existed - especially since how hard that become the further away from the centers Egypt and Mesopotamia we move.
Alas, to paraphrase the saying – Gamedev, like Art, consists of drawing a line somewhere. This map is pretty big and it should suffice for Pharaoh.
The question is to add (bring back, implement...) very desirable for many fans ship battles that had in the Bronze Age a great variety . River battles could also be a tactical innovation .
CA_Maya: ”You can't have everything - where would you put it?!” You've probably heard the phrase.
And I agree btw - Naval battles are awesome to have. Very, very few people play them, and they are not as engaging and tactically versatile as the land battles, but just knowing they exist in a game feels nice.
The above phrase though in game development usually takes the form of - if you want to fit that into the game, which other thing should be left out?
It's a tough choice to make, but I believe the team has made the best decisions so far prioritizing the most wanted content and focusing on expanding the map and adding factions and mechanics, albeit instead of Naval Battles.
Q: Will battle maps be generated based on where you are on the campaign map, much like in older total wars? Apart from that, are any combat/battle changes planned?
CA_Maya: The short answer is "No".
The long answer is explaining the complicated but awesome process in creating battle maps.
Such an update would require to redo how the engine works currently. Instead of generating terrain based on the topography of the Campaign map location, what the current system uses is a set of handcrafted maps created for the specific climate zone and appropriate for the location, but those are authored meticulously by our level designers and world artists, who also place the very deliberately chosen Dynamic Terrain areas and are tagged to work with the new Dynamic Weather and Fire effects.
(they also do the hippos and crocodiles too!)
Q: I recently got into Pharaoh and have been really enjoying it so far, but didn't like that the campaign map got noticeably darker and less vibrant when I reached the Crisis civilization stage.
While I understand that one of the main themes of Pharaoh is the Bronze Age Collapse, and the map getting more bleak is supposed to represent how detrimental it was for the nations that went through it, I personally really love how aesthetically pleasing the Prosperity campaign map looks in comparison to the Crisis campaign map.
Therefore, I was wondering if it would be possible for us to get a setting to either keep it dynamic as it is now, or choose which of the three campaign map tones we prefer. This way, players like myself could properly enjoy their preferred version of the rather beautiful campaign map for the entire campaign, rather than portions of it.
CA_Todor: Portraying the Bronze Age Collapse was something quite important for us, we really wanted to create this feeling of impending doom, distant danger that looms ever closer and develops into an apocalypse.
However, I firmly believe that if a player prefers to play a game that is bright and sunny all the time, or perhaps bleak and desperate, they need to be given the option to do so. Again, we’ll have an internal discussion about this.
Q: Hello! First fo all, Troy & Pharaoh have brought us the best land battle maps of the entire franchise in my objective opnion.
But, they are small, constricting, and forbids us to outflank on an interesting scale. To be honest this generates quite a huge amount of frustration as it removes half the fun of having carefully designed maps!
And for the first time in the series we are able to enjoy massive Chariot formations, in some epic skirmish & chase maneuvers. But Land Battles need faaar more space.
There is a mod that expands map border on the workshop, it’s almost about right. But for the love of Total War, let us wage it in broad epic scope!
Cheers! And in hoping you guys can pull that of!
Will we see larger battlemaps? (Edited by CM)
CA_Todor: We heard this feedback from our player base before, around and after release of Pharaoh. So, for the Dynasty update we made sure to add maps with larger size for Mesopotamia and you will have more open space over there to conduct your tactical manoeuvres.
Unfortunately, reworking the size of the rest of the maps and at the same time bringing them to the expected level of detail and polish is simply not feasible given the time frame of the project.
Q: Will there be an option to turn off non-sea people invaders after a number of turns in the new map ?
CA_Todor: Ah, the Sea Peoples and the non-sea Peoples, a source of Bronze Age destruction and player feedback. On this topic I’d like to point out that we have reworked the way Sea Peoples invasions work and are currently experimenting with their behaviour.
We wanted to address how their armies act in various ways that players feel are frustrating, so we are striving to make them appear more natural. I’ll be glad to share more details further in one of the next Q&As.
As for the question itself, you should be able disable invaders of any kind even now via the campaign customization options, perhaps we need to make it more apparent for the player. Or rephrase it - the option title is related to Sea Peoples Army Count which is not sufficiently intuitive.
Q: Turning on Deities, Courts, and Legacies Earlier
Title says it all, really. Blocking the deities, courts, and legacies panel is great for beginners or those like me who like to be eased into that kind of thing so as not to have an info overload on first turn.
However, I noticed that some people were annoyed that there wasn't a setting in the campaign customizations to allow these features to be accessible at the start of a campaign.
Doubtless another reason why this was done was to not have the campaign go completely off the rails within the first 18 turns, but I know some people are masochists and they want that. Hopefully that's possible
CA_Todor: The gating is there to try and reduce the information overload for the player and, of course, it feels unnecessarily restrictive for a player who is already experienced and would like to just see what happens if they pick Ancient Legacy Akhenaten with Ramesses this time.
This is an excellent piece of feedback, we’ll have a discussion and see what would break if we switch the restrictions off as a campaign customization option. As I said before, I can’t make any promises as development is in full swing and there are a lot of moving parts in there.
Q: Will there still be an Immortal leaders mode in the new map ?
For those who like the immortal leaders or might want to have a break from dynasty and do 1 or 2 rounds as their favourite leader throughout.
CA_Todor: We absolutely have retained the option to play with Immortal leaders - it is in the campaign customisation options. It is a choice that you need to make before the campaign and what it does is what it says – your faction leader will not perish due to any reason. Of course, an immortal person tampers with the real-world representation of people and events but if this is how you prefer to play it, please do so.
Q: Mycenean (Troy:TW) Soundtrack Will you guys port over the amazing Troy soundtrack to Pharaoh along with the new cultures?
That'd be an essential in-depth part of the playthrough! Crossing all remaining fingers that you do!
Thank you for this expansion!!
CA_Maya: Both Pharaoh and Troy use dynamic music systems which combine music themes and fragments based on many variables such as location, time, mood etc.
As such it makes sense to get some material from Troy and include it into the tapestry of the Pharaoh music system for the areas on the campaign and the battle maps of the respective region of the expanded map - the Aegean Zone.
So in short: We've got the original Troy OST for the Aegean cultures, Pharaoh OST for the Egyptian, and some new music for the new regions which will be mixed in with the game soundtrack.
Bonus questions from the livestream chat:
Q: With the sea lanes added, will there also be a lane added from the eastern sea port in Mesopotamia that can send armies around Arabia to the Red Sea and vice versa?
CA_Todor: Unfortunately there is no sea connection between what is now the Persian Gulf and the Red Sea the south-eastern portion of the Arabian Peninsula is off the playable map area.
It is also very hard to find relevant and convincing information about civilisations from this part of the world in the Bronze Age Period.
Q: Will there be snowy areas on the new map? Nonetheless, thank you for your continued hard work on this project; I hope the beauty of this game is recognized by all fans of the series.
CA_Todor: No snowy areas apart from some mountain tops.
CA_Pingu: As soon as we will have recording of this livestream ready, we will update this thread (in the very first message).

I have finally had both of these to test on alternate nights, and would like to share a little experience comparison. Apologies on misspelling Ozlos, autocorrect keeps changing it.
PACKAGING:
Ozlo- Packaged like an apple product, a lot of effort was taken here. Maybe a bit wasteful on resources but for a premium pricetag I guess It’s appreciated.
Anker- Packaged well, Everything secured and very minimal resources used.
Score- Ozlo
DESIGN/QUALITY:
Ozlo- Out of the box, the case feels hefty, nice quality rubber grip to keep it from sliding and remain stationary on my nightstand. Opening the case has a smooth glide and nice presentation. The case is a bit large but these are meant for sleep, not carrying daily so For purpose reasons it’s acceptable. One flaw, my first night I placed the buds back in the case and went to put them in the following night to find the right bud at 0%. I had to nudge it a hair to get it to lock into the connectors and start charging in the case. I’m guessing the magnet wasn’t strong enough to really pull them onto the charging contacts, and now I have to be precise when returning them to the case. The silicone on the Sleepbuds is very soft and pliable. First attempt at wearing wasn’t comfortable, but I have small ears and went straight to size 0 tips, with a 100% improvement. There’s still a specific amount of pressure laying on side of my head where these become noticeable and also my jaw seems to impede on the earpiece blocking sound at some angles. I’m a stomach/side sleeper. Easy fix, I create a small crater in my pillows (down feathers) where my ear is and problem solved. Comfort score for regular wearing is 10/10, side sleeping 8/10 (still best in market to everything I have tried)
A20- This is where the price difference becomes apparent. The case is smaller, and feels of a much cheaper and thinner plastic. Better portability size and rounded to make taking in and out of pocket better than the Ozlos. Super light weight overall. Greeted by the indicator lights on the outside of the case, so I can see status without needing to open. Taking them out of the case the silicone feels more like rubber, and notable size difference. The device itself has a “hollow” feel to it unlike the Ozlos. The ozlos seem like the voids inside the buds are filled in and insulated, where the a20s seem hollow and don’t insulate sound while touching them (bad for when a blanket or pillow slides and touches it while sleeping). I was greeted with automatic Rain noise the second I put them in my ears, I do like the ear detection and the tap features where I can pause/play, adjust volume, skip, etc by double or triple tapping the earbud. Useful feature absolutely, but i’m guessing adding that tech is the reason behind the girth of the buds themselves, in which case i’d rather go without. In the ear they are very light but don’t quite fit the shape of my ear, they almost resemble the fit of the first generation airpods. comfort normal wear is 8/10, side sleeping 4/10 very distracting bulge and pressure at a specific point despite changing tip sizes. The extra girth to add some features is not welcome for a device meant for sleeping, at least for side sleepers like myself.
Score- Ozlos
FEATURES:
Ozlos- without just listing off the manual what these can do, I can only review the available features, and will only share “after the recent update.” After the update the connection is seamless, but I still feel as though the earbuds might be on even while in the case, and would like an update where the buds and the case disconnect from my phone and turn off when the case is closed with the buds inside. I still find myself putting my buds in the case, closing it, and attempting to listen to music in the other room and finding my iphone is still playing through the buds… The app is intuitive but buggy, nothing a software update can’t fix as long as the hardware is capable enough. I would like an option to just pick up the buds, put them in my ear and it start playing automatically, even though I don’t use the native sounds. Honestly the features that haven’t released yet I can probably live without, but for the price of the sleepbuds I expect everything under the kitchen sink.
A20s- These don’t have nearly the features of the Ozlos, but for less than half the price I don’t expect them to. Plane and simple controls, adjustable tapping settings, and automatic sound playing when placed in the ears is welcome.
Considering I was a kickstarter for both of these, at time of release the A20s feel less buggy and more ready for release than the Ozlos, despite the significant quality of feel of the Ozlos.
Score- A20s
SOUND QUALITY:
Ozlos- Terrific sound for such a small device. I wasn’t impressed by the native sounds, they seem very 2 dimensional, however this lower quality sound is also easier for the device to stream and use less battery so it is expected. I use Odysound for my sleep/focus sounds (Pink noise, Florida Thunderstorm, and indoor seaside) and if anyone hasn’t used this app, you’ll likely be amazed to the dolby atmos sounds and these sounds having depth is greatly emphasized by good sound quality of the Ozlos. Still has a surround sound feel and impressive bass with my thunderstorm. I’m very impressed by the sound quality as long as my jaw and side sleeping doesn’t impede on the sound.
A20s- Initially the built in sounds seem a touch higher fidelity and depth than the Ozlos, but by fractions. The audio quality is both good and bad. the depth is there but lacking due to the hollow device and poor noise insulation. But, this also adds to the effect of the bass which has more rumble to it due to that, it makes heavier low frequency sounds resonate better. overall quality feel like that of stock headphones that come with a phone when you buy it, good enough but nothing to talk about.
SCORE- Ozlos
BATTERY LIFE:
Ozlos- keeping this short, I keep the case plugged in at all times since it stays on my nightstand or the side table of the hotels I stay at, so I won’t vouch for case battery life, but the earbuds have lasted me a 7 hour sleep with 80% volume streaming either pink noise or thunderstorms from odysound, and I put them away with 15% battery remaining, so easily 8hours and that’s all I need. I don’t use phone free mode as I prefer my premium sounds, and I don’t use an alarm or a timer to turn sounds off in the app (I use the built in 8hr timer in odysound). So battery’s been all I need it to be. I tried them on a 3 hour flight but much prefer my airpods with ANR.
A20s, i’m guessing they have a larger battery because a 7 hour night playing pink noise 80% volume had me putting them away with 24% remaining. But I don’t need that 24%, I need smaller earbuds to be more comfortable for my 7-8 hours of sleep.
Score- Even
PRICE:
Ozlos- I was hesitant to send a chunk of change this size for a startup device, but I was kind of expecting Bose quality, and feel like I got it. Overall I’d say these are overpriced, considering they are nearing the price of my airpod pros, but designated only for sleep/rest. Otherwise they just don’t compare with value and should be closer to $150. They seem premium, but they’re not $200 sleepbuds.
A20s- I got these for $90 kickstarter, and can say they belong right at that price, not a dollar more. They’re cheaper feeling and less refined all around, but they do their job and are more in line with their pricetag.
Score- A20s
Overall, both these devices do as they advertise (except unreleased features of the ozlos) and are useable for sleep. The biggest difference is for sidesleepers which is where the Ozlos are the best in the business. If you sleep facing up, the ankers are a better bang for your buck. Since I live in hotels as much as my own home i’ll keep the ozlos for myself and give the ankers to my wife, she is satisfied with them. But overall the Ozlos are superior in every way.

The success of traders is not always easy, since there are hundreds of losses behind. Their lives are marked by both triumph and drama and surrounded by money, speculation and fortune.
We prepared a list of the most famous market makers, including legendary traders in history and modern day traders. Learning from mistakes, thinking ahead and being flexible has helped them become successful traders. Keep reading this article to be inspired by their great feats.

1. George Soros

George Soros, alias "the man who broke the Bank of England," was born in 1930 in Hungary. Being Jewish, he survived the Holocaust and fled the country at the time. He is one of the most popular and famous traders in the world. In England, Soros worked as a waiter or railway porter before graduating from the London School of Economics. This led him into the world of banking when he rose to the position of merchant banker at Singer & Friedlander.
With the help of his father, he moved to the United States to work at a Wall Street brokerage firm. Following his successful results at several firms, George created his hedge fund in 1970, called "Quantum." There he rose to fame.
In 1992, Soros made a huge bet against the British pound and made one billion US dollars in just 24 hours.
Quantum accumulated £3.9bn, and Soros borrowed more to raise a total of £5.5bn. But sterling began to fall. Soros then shorted the £5.5 billion against the German mark on September 16, also known as Black Wednesday. This contributed to the fall in the price of the currency and forced the United Kingdom to leave the European Exchange Rate Mechanism.
The result was one of the fastest billion dollars anyone has ever made and one of the most famous trades in history, which later became known as “the Bank of England collapse.”

2. Jesse Livermore

Jesse Livermore's life could serve as the basis for a movie story. Born in 1877, he was destined to be a farmer, but ran away from home to become a multimillionaire. His story is wrapped up in money, lovers, bankruptcy and scandals.
At a young age, Jesse Livermore learned to read and write, became interested in news and economics, and learned to analyze prices. With experience, he mastered detecting trend reversals and popularized modern technical analysis. Livermore was one of the first to use stop losses, a risk management tool that traders still use today.
Jesse made his first $250,000 selling stocks just before the San Francisco earthquake. In 1925, he made US$3 million by shorting wheat. He then made about $100,000 in profits by short-selling American stocks before they crashed in 1929. One of the richest and most successful traders of his time, Jesse earned the nickname “The Gambling Boy.” .
However, Jesse went through several bankruptcies. He managed to get back on the market in the first two cases, but the third bankruptcy was fatal. He made a mistake and lost all his money in 1929.
Combined with family tragedies, stress, and other failures, Jesse Livermore realized he would never be able to operate the same way again. In 1940, he shot himself to death.
By the way, her son Jesse Livermore Jr. fell into the same habits as his mother, who suffered from alcoholism, and took his own life in 1975. This happened while he was drunk, after shooting his beloved dog and trying to shoot a police officer.

3. William Delbert Gann

If you are a trader who practices technical analysis, you have surely heard the name of WD Gann and his trading theory. William Delbert Gann was born in 1878 in Texas, the first of 11 children in a poor family dedicated to growing cotton. He did not finish primary or secondary school because his parents expected him to work on the farm.
Gann believed that the Bible was the best book and obtained most of his education from it. Her writing style is full of mystery, esotericism and an indirect style that many find difficult to follow.
However, Gann created powerful technical analysis tools such as Gann angles, the hexagon, the 360 ​​circle, the 9 square, and many more. Most of them are based on ancient mathematics, geometry, astronomy and astrology, and are widely used by traders today.
Critics claim that there is no real evidence that Gann did not make profits from investments in the market and that he made money selling investment books and courses. It is unclear to what extent WD Gann became rich from his trading analysis, but when he died in the 1950s, his estate was valued at just over US$100,000.
But the amazing thing is that, a hundred years ago, Gann created trading rules, ranging from basic money management principles to mind games, that still apply.

4. Paul Tudor Jones

Paul Tudor Jones is undoubtedly one of the greatest stock market insider traders in history, with an estimated net worth of around US$7.5 billion.
After graduating from the University of Virginia in 1976, Paul began trading cotton futures on the New York Cotton Exchange. As a curious fact, he lost his job because he fell asleep at his desk after a night of partying with his friends. Paul then worked as a commodities broker and, in 1980, he founded his investment and trading company, Tudor Investment Corporation. The fund managed to achieve a 100% return during its first five years, which is a surprising fact for today.
Paul's biggest prediction was the market crash of 1987, known as Black Monday. Thanks to his accurate prediction, Jones made about $100,000 in profit instead of losing money.
Paul Tudor Jones developed his own trading strategy, which helped him be successful. His main rule is to be consistent and not expect quick money. His great risk management skills and realistic expectations of his possible operations allowed him to have a stable income.

5. Jim Rogers

From his youth, Jim Rogers had business acumen selling peanuts and used plastic thrown away by baseball fans. He graduated with honors in History and obtained a second degree in Economics from the University of Oxford. Currently, Rogers' estimated net worth is over 300 million US dollars.
In 1964, Rogers joined Dominick & Dominick, LLC on Wall Street, where he traded stocks and bonds. But from 1966 to 1968, Jim was in the Army during the Vietnam War.
Two years after his military service, Jim joined an investment bank where he met his partner George Soros. In the early 1970s, they co-founded the Quantum Fund, which gained an impressive 4,200% in ten years.
The biggest skill that helped Rogers become a successful trader was his ability to make clear forecasts. In the 1990s, he was right in his bullish forecasts on commodities. Jim has also criticized the inability of the Bank of England and the US Federal Reserve to fight rising inflation, warning that it could worsen before stabilizing.
When he retired, Rogers embarked on a three-year tour of 116 countries in a custom-built Mercedes. He broke the world record for the longest car trip made uninterrupted. He also wrote books detailing his adventures.
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Sorry it's so late this week. I'm an ex Seoul Dynasty player as well and I was a bit too busy so I kind of just listened to all for it and then got way too busy for a few days with work. Here's the loose translations for episode 5 of Overwatch University. Rush had to leave very early on due to Internet issues and Moon who was watching at the time volunteered to help as a lot of the talk was in regards to the Seoul vs Shanghai Rivalry anyways so having both POVs was insightful
Topic 1 Intros and Seoul Dynasty Season 1
Aid: Have you seen Overwatch University given you have been invited by NineK
Tobi: Not really. I've skimmed around and seen pieces of the Crusty interview and Moon interview.
Aid: We're going to go over Tobis lengthy career as we were both pros
NineK: Isn't it kind of disrespectful to Tobi for you to group him up with you?
Aid: I had a lot of talent I just got cursed with a shit Coach like you NineK right Tobi?
Tobi: True
Aid: See two instances of your failures
NineK: What does that make the people who won under me? You two must've been the problem.
Aid: (pulled up Seoul Dynasty s1 roster and Tobi just explains who all of them were) Honestly you guys didn't do amazing right?
Tobi: No we were bad we went 7-3, 7-3, 5-5, and then 3-7. Just mid
NineK: Did you feel in preseason scrims you were in trouble?
Tobi: No I didn't we did very well even in the preseason games we won everything.
Rush: There any problems we didn't know about you can tell us?
Tobi: I can tell all the potential members we could've had though. Carpe, Fury, Gesture, Jjonak
NineK: Wow you started and ended with Seoul now that I think about it.
Aid: So we heard lots of rumors about Seoul but I heard you had unique member rotations where only allowing certain players for certain stages?
Tobi: If I'm clarifying a bit the split rosters was more of a season 2 decision with an A team and B team where eventually the roster mixed together. Biggest issue was the coaches couldn't agree. So sometimes they would just take turns like coach A gets to decide today then coach B gets to decide what to do and then coach c.
NineK: I heard you basically did that with a new coach per stage.
Rush: Who was your head coach?
Tobi: 4 coaches + extras
Aid: How did you decide who played what?
Tobi: Honestly the meta was so hard locked at the time the biggest issue was the coaches disagreed how we should play and it was very confusing how we should do it. We basically went back and forth with a coach of the day deciding what we did.
NineK: Too many games too. That's how Shanghai went 0-40 cause there was way too much. Not to mention no one wanted to scrim them cause it's not like you wanted to be their first victory either.
Tobi: We scrimmed them a bit
NineK: Wow you're nice people.
Tobi: They've invited us over at times and made food for us too.
Rush: Yeah there's pictures of it.
NineK: Cause of the Korean members?
Tobi: No this was way before that
NineK: Wow so kind. Isn't it cause your results weren't good either?
Tobi: Uhhh... Where were you in season 1?
NineK: I came in late. Stage 3. Season 1 was fun though
Aid: Honestly getting dragged back and forth by your coaches must be stressful. As a player there has got to be times when you do something one way and think to yourself why the heck does he want me to do it this way instead
NineK: Also they'd probably never had that many members to work with either since they just added players to Lunatic Hai
Tobi: True. We had 11 starting members and then acquired Gambler when I was having wrist issues. Then we lost another member and went back to 11. I truly believe having 12 members was so pointless
NineK: I agree like it's good if you can make it work but if you don't it just makes people feel awful. I don't know why people insisted so much on large rosters.
Tobi: Lots of people lots of possibilities I guess?
Rush: Also this is when OWL wanted to copy traditional sports so they got a bunch of players on their rosters
Tobi: They did invest more in OWL back then
NineK: They were really the team designed to win everything weren't they?
Rush: I remember an article saying they had an 80% chance of winning
NineK: People don't get how hard this time was cause of the random Mercy meta. Honestly probably wouldn't have been this bad for Seoul if patches came out like they do now
Tobi: Meta was unfavorable sure but we just played poorly to be honest
NineK: Wow so honest very cool
Topic 2: Ryujekong
Aid: Everyone was so confused by Ryujehong on Tank I want to hear what happened
Tobi: Honestly it's been so long I don't remember this time very well. I also wasn't even scrimming or playing at the time because of my wrist. I was basically just going to the doctor. We had kuki who for reasons was having troubles so he stopped playing and then Miro was having a lot of struggles at the time as well with how the meta was playing. It's mostly because of the comms cause obviously Miro had better mechanics Jehong sucks at primaling too but he would take space well and call out commands for the team to help
Aid: How did your scrims go?
Tobi: I don't remember
NineK: He can't help but not remember there were only scrims allowed at the practice facilities at the time and kids that were ill like him straight up just didn't even go. There were set times
Aid: So this isn't Jehongs main position and he was forced to tank must have been hard.
NineK & Rush: Must be
Tobi: It absolutely was. Imagine how sorry he felt to Miro. He was a support replacing Miro. If he fails not only does he get ridiculed for it but people slander Miro for being replaced by a tank of this caliber he felt very burdened feeling sorry that Miro might get insulted more than he did
NineK: I remember at the time a lot of people said Jehong had a bad Zenyatta as well but I thought it was good
Aid: Yeah I don't really see how he was particularly bad
NineK: Honestly the way things were he was probably just getting compared to Jjonak who was a beast at the time. The flame for Jehong was insane at the time
Aid: I remember his team would just hyper pocket Jjonak and have him just frag. NYXL were so defensive and good at pocketing.
NineK: In another way of seeing things that playstyle not being meta anymore might be why NYXL couldn't hack it in finals.
(Watching VOD of Seoul vs London)
NineK: Damn Munchkin fucking sucked at Tracer
Rush: Wait why is Fleta playing Widow?
Tobi: He was really good at Widow
NineK: He was
Rush: Then what is Munchkin good at
NineK: Just Cassidy Soldier. But Widow was so broken back then
Aid: Monkey could never catch her cause of her grapple cooldown
NineK: Nearly all the monkeys sucked at primal dribbling too. If a Mercy pocketed her she never died either. Who was good then again? Carpe...
Tobi: Linkzr Surefour Pine
Aid: Wow such names from my memories
NineK: Gesture Fury were way too good at Monkey D.va. Honestly there's so much shit about London I wanna expose
Aid: Bring Profit
NineK: I'll get Rascal easily. Wow Bdosin looks so young here what the he'll.
Topic 3: End of Season 2 VOD of Jehong Tobi Crying Post Elimination to Spark
Aid: I didn't know this happened at the time but NineK mentioned this happened can you explain?
Tobi: At the time role lock got forced and doomfist hanzo reaper were good. At the time we were kind of really good in scrims but lost to a team in tournament we never lost too in scrims. Jehong was already out there crying and I didn't want to come out and Danny kept forcing me to come out even though I said I didn't want too. But I was afraid the broadcast would get delayed or ruined cause of me so I was forced to.
Ninek: At the time we were preparing for our game up right after them but our GM was so fuxking angry at the time like how could you force them to do this right after they lost he complained a lot to Blizzard. Cause just imagine, thank God you brought out two veterans and media trained players. Imagine if you brought out complete noobies if it was this hard for these 2 veterans imagine what they might let slip on a broadcast when emotions are this high. This is also right after their season ended and they were officially eliminated.
Rush: From Blizzards POV these 2 were icons of the game and they probably felt like they could really show the importance and feelings toward this game to the audience watching
NineK: But like RIGHT after they lost is insane to me. Like let them process instead of fucking ambushing them as they're coming down from the stage.
Rush: But it's important cause this is when they're at the peak of the emotions being felt so I get it.
NineK: There's actually so many players who went down that stage to the hallways down crying
Aid: Of course they work hard and it didn't work.
Tobi: When we scrimmed we only lost to 1 team ever. Shock. We beat Vancouver NYXL Spark everyone else.
NineK: Wow so strong
Tobi: But in the end we just lost to Spark
NineK: I can say this now but we scrimmed Hangzhou a lot at this time. They didn't have a coach we were their coaches. Literally they would scrim us and copy us the next day in games. Since GOATs they basically decided they couldn't beat us so they copied our opening strats positioning skill usage everything. That's why they did decent
Aid: So Seoul lost cause of you
Tobi: We regretted a lot because of some of our microplays. There was a thing when double shield was first happening where Moria sprays her heals on the tanks right? The enemy Sigmas could shoot their shield out behind the Orisa to block the heals. And we thought this was possible but went and said it wasn't going to be a difference maker and ignored it
NineK: Wait we were doing that since day 1 lol
Tobi: We lost to Spark because of that. We felt awful cause this is something we thought could happen but ignored. At the time Marvel was our Sigma and Michelle who was a traditional offtank was forced on Orisa. We had Fissure who was good at Orisa who retired so we had no Orisas.
Aid: Timings always been off for Seoul I guess
NineK: No wonder you felt so many emotions. I was so sad seeing this. Seoul was honestly so good in season 2 but always somehow was just one step short. It hurt my heart to see them.
Aid: Players don't like to cry like that so they have to have been feeling so much to cry like this
Topic 4: Seoul vs Shanghai
Aid: We had Moon and he said some stuff on this we were all in the West and we would just see the results but this May Melee where you were up 3-0 and got reverse swept... your stories about this?
Tobi: We didn't get ahead of ourselves Shanghai was always good at Gibraltr and we thought we would lose this map but win the rest for a 4-1. I'm not sure how we lost Busan though
Tobi: We won a lot with our double shield
Rush: Fearless wasn't supposed to play
Aid: Fearless told me at the time he didn't get to scrim even once and then came in and won everything
NineK: Wow
Aid: Yeah no scrims at all
NineK: Wait Tobi why us Bdosin on Brig and you on Baptiste?
Tobi: I played the Baptiste for Seoul at the time cause Bdosin fucking sucked at Bap. This mother fucker could never use his abilities properly. He must've gotten sick in the head watching Viol2t play or something cause whenever he had cooldowns he would be on some high ground alone shooting and scream "Aghhh" and die off on his own
NineK: I remember now it wasn't super locked who played what because no one had Briggitte experience at the time
Tobi: Also if this happened there would be cases where in double shield mirror your Brig had to swap to Zenyatta but at the time Gesture had too many complaints about coordinating his pulls with Bdosin
NineK: I have no idea how Seoul lost this right now
Tobi: There's no absolutes in Overwatch. But the only thing I remember is our loss in Junkertown
Aid: For Kings Row I remember the Felta carry with Widow this was probably in all of those OWL top 5 highlights. I still can't believe how far Shnghai got in Junkertown though
NineK: Wow even Fearless is playing Orisa here
Tobi: That's why we thought we would win here. It's such a double tank focused map. Fits was randomly flanked high on the left and I td him to get down but he died on our A defense.
NineK: Wow you guys got out ult cycled like crazy
Rush: The Torbjorn choice here leaves a lot to be desired
NineK: I agree
Aid: So then there is that little celebration Shanghai did how did you feel
Tobi: Can I curse?
NineK: Seoul is just so ugh... like back in season 2 they beat New York during GOATs who was supposed to be top 2 but Seould couldn't take those next steps to greatness here as well. There are those super important games that once you win you just go on a roll and Seoul never got to do it
Tobi: I really hated losing to Shanghai cause I could've been on the team.
NineK: Really?
Tobi: Yeah I received offers from them on 3 separate occasions but ended up choosing Seoul. I wanted to believe I made the right choice so I wanted to win
Topic 5: Tobi Happy. Season 3
Aid: There's this gif of you happy after a win
NineK: It's so funny you took your glasses off before cheering
Tobi: At the time we lost to Shanghai so often but then finally beat them
NineK: The thing is Seoul was lucky cause they actually shouldn't have been in the season 3 finals originally.
Rush: Washington was the biggest offender
NineK: Off memory it felt like a "everyone suffered because of COVID so everyone gets a chance" thing
Tobi: But the thing to note is we did well in the West before we were forced to go to Korea and beat Glads and Valiant. We won like all of our scrims at the time.
NineK: Fine I'll give you that
Rush: Seoul was honestly really good during the online era
Aid: What did you think of the Hog meta?
Tobi: I was a huge doubter. Like at the time it was Zarya Hog or Sigma Hog. It just had none of the fundamentals of Overwatch I was used to seeing. I just couldn't believe it.
NineK: Tobis a purist "where do you come from thinking Hog could ever be a main tank"
Tobi: His ability to take space was unreal at the time. But Gesture was really into it and Wizardhyeong pushed for it
Aid: Gesture was a really good Hog though
NineK: All the guys there had good Hogs. Gesture Super Smurf Fearless were all good at it
Rush: But Shanghai didn't play it
NineK: I don't know Shanghais reasoning but I know Shock played how they did cause Viol2t fucking sucked at Ana lol. The thing is he did win with it but his scrim results as Ana was terrible
Rush: Viol2t Ana is known in the community as weaker though
NineK: But he doesn't think so
Tobi: I heard it got to the point where Crusty said he would do better if he played than Viol2t
NineK: That's why Architect played it for a bit. They had Twilight but I have no idea why they didn't use him more. I don't know how much I should say when there's no Shock rep from the time here but as far as I Know Super wasn't supposed to play. Smurf was but he didn't fit with his playstyle and the team well enough at the time
Tobi: If I have to point out regrets in the Shock game it was not using Zenyatta on Busan
NineK: But shouldn't you playing something other than the Ashe?
Tobi: No this was when Ashe was super broken and Profit was really good at her
Aid: The more I see it the more I really feel regrets about Seouls performances
NineK: That's what I've been saying Seoul was almost never bad and had huge upside a lot for different points in time. Honestly they're Asia's Philly Fusion
Tobi: You know how it is NineK if one thing changed with your Hotba strategy or Rascal not waking the monkey
NineK: I had a team with Tobi and Carpe and caught the 2nd place curse
Tobi: Woah why are you blaming me I've won plenty.
NineK: I did too before meeting you guys
Tobi: Then it's Carpes fault
NineK: I guess it is lol
Aid: At this point we need to have Carpe on to defend himself
NineK: We're going to go watch his games this Saturday
Tobi: The Hollwood bug pissed me off too
(Vod review where Tobi popped Valkyrie in spawn and the D.va bomb from Choi killed Tobi in the respawn room) this and Viol2t living at 1 health
Aid: Wow you guys are just destined to not win that day
Tobi: It was everything against us honestly
NineK: Honestly in the regular Hog comps Seoul and Dhock were about even but Seoul couldn't beat Shocks Hog and Ball Comp
Tobi: I actually wanted to go Numbani here instead of Hollywood
NineK: I remember at this time Choihyobin was getting gapped by Hanbin a bit and all of us joked his time was over and Hanbin would replace him as the new offtank goat
NineK: I remember at this time Shock felt Bdosin was scarier. They took more maps with him. Even though they defended better with Creative
Tobi: I think at the time he wasn't getting too much scrim time so he just said to let Creative play
Topic 6 Coach Tobi
Aid: You came back after being a player for Fusion to being Head Coach of Seoul Dynasty how was that for you?
Tobi: I kind of just stopped feeling the desire to compete like "I definitely can still compete mechanically but guess it might just not work out from here"
Tobi: Was worried that newer players he hadn't yet played with wouldn't follow his leadership well
Aid: So who was the player who least listened to you
Tobi: Everyone below me followed very well
Aid: So did you work well with the other coaches given it was mentioned there were previously conflicting visions?
Tobi: Oh these people were later coaches and we had very good talks together and worked well together
NineK: Since we wanna wait for our other guest when we talk about the next topic let's move on and talk about our time together in Fusion
Tobi: There were a lot of regrets weren't there?
NineK: The biggest problem for me was I didn't know we would be playing in Korea when I made the roster and heard it from someone from another team.
NineK: I felt sorry to Carpe for that. He's like Seoul where certain key moments not working out it feels like de-railed everything for him.
Aid: What did you think when you joined and first got to know NineK?
Tobi: When I joined I did so because I heard so much good stuff about him. Like he just knows a lot about Overwatch so I was curious about him and learned a lot. There's Crusty NineK Moon and Rush that are the coaches that are very well talked about that I was curious about. I got to meet NineK and Wow I'd never believed someone could get so angry over this game he would slam on the desk yelling while coaching. But the thing was while doing that he would always be right about what he's saying
Topic 7: Moon Joins
(Moon joins the podcast because Rush was lagging out)
NineK: So is it true you sent offers to Tobi
Moon: I guess I should say hi first. My name is Coach Moon who tried to get Tobi every year but failed.
NineK: I tried that with Fury
Aid: Is one of the reasons you wanted to beat Seoul no matter what because you didn't get to recruit Tobi?
Moon: No actually around that time I got in a lot of trouble with my wife. She said I talked to Tobi more than her. This was before we signed LeeJaeGon
Tobi: In 2020 season Shanghai actually had a lot of players I wanted to play with. Fleta Lip and such. As well as just giving a better offer out right.
NineK: Void too.
Tobi: Yeah always keeps contact with him too. But I really wanted to run it back with Ryujehong one last time because of the regrets of our last 2 seasons together to redeem ourselves. But he ended up choosing Vancouver and as I ended up wanting to go to Shanghai instead, they ended up already getting LeeJaeGon instead
Aid: Man the timing has just never worked out for Tobi
NineK: When he was on Fusion with me he used to always joke "damn if I was on Shanghai at least I could've been winning while benched"
Moon: So at the time LeeJaeGon and Tobi were my first choices but LJG told me he didn't want to join because he wanted to go to Mayhem with other Runaway members and then Tobi was looking at Seoul so I almost ended up with no one. But eventually LeeJaeGon chose us and tobi reached out the day after that.
NineK: So you regret not getting Tobi?
Moon: I mean you can't argue this given our results...
Tobi: They did so well
NineK: Tobi would've made the team fun for you though. That season was really bad for us but we had a lot of fun
Topic 8: Seoul vs Shanghai KickOff Clash
Aid: It looked like Seoul was happier beating Shanghai in winners finals than beating Philly in finals
Moon: The thing was the situation was so terrible for us at this time. We were quarantined with nothing.
Tobi: This team was the one we wanted to beat more than anyone else. It's why Profit was crying at the end of it all.
Moon: I will say their strats against us were very good they deserved the win regardless of what circumstances we had
Tobi: This gave me PTSD cause there was a moment when we were reverse swept in May Melee where Bdosin got pulsed with Rally. I told Vindsim no matter what to hold your shield up when he has it and in this one moment in the VOD he got stuck by fleta but thankfully Profit clutched
NineK: I will say when we got to the Hawaii LAN Shock picked you guys at Shanghai and I'll just say I didn't want to pick you.
Aid: Ahh it was the eternal rivals (implying Crusty chose Shanghai for revenge)
Moon: This time was really tough for us and we had a bunch of retirements after this. I think we thought more about what we would get to eat the next day or when we would be able to go to a Koreatown for the food we missed
NineK: It was so long
Moon: Honestly it was the hardest times for us.
NineK: It was really tough for us as well lockdown was so long.
Moon: I honestly don't want to hear lockdown complaints from anyone around me. If we were offline and I told you our horror stories everyone here would cry.
NineK: I mean everyone suffered but this sounds like military stories lol. Like everyone thinks they had it the hardest. Anyways Tobi tell us how you did things that led to that win.
Tobi: So you know there are things a lot of us say behind the scenes about coaches right? Like this guy is more of just a caretaker or this guy is more just strategies but I really wanted to be the coach who wouldn't have players feel bad I was their Coach. It's why I asked for a lot of help from previous coaches I worked under. I wanted all of my least favorite aspects of coaches I've seen in the past to not be things my players go through I let them all speak casually to me so they wouldn't be uncomfortable with me
NineK: Moon has the opposite take. He said his players can never act chummy with him and will always refer to him as coach
Tobi: My feelings were that I had previously worked with a lot of these players in the past so it feels okay
(VOD shows Seoul winning Kick off Clash 4-0 over Philly Fusion
NineK: Oh Carpes expression came out (literally half covered in shadows)
Aid: I didn't want to become a useless coach. Every explayer wants to be the opposite of the coaches they hated
Tobi: When I first won I was so happy to finally get a star under the Seoul Dynasty banner for Gen G.
NineK: I thought at the time though "all that for a stage win?"
Aid: We were like Wow they really are happy for a stage win
Moon: Well it was their first win of course they're happy and they beat us to do it
NineK: As coaches we can tell whether they just got lucky or actually were prepared. Poor Carpe though
Topic 9: Q & A
Aid: If you became a coach again and had to form a team which players would you want?
Moon: Wait but isn't the answer for those year very obvious?
Tobi: Yeah just erase Moons name and put me in
NineK: Then mix and match a bit
Tobi: Smurf Stalk3r Lip Chorong seems very good and then Shu
NineK: That's basically Crazy Raccoons. I'll just say this is cause he doesn't watch it
Tobi: I watched all the big games actuall
Moon: If he was really keeping up with the scene wouldn't he have picked Donghak?
Aid: If Gen G or T1 asked you to coach or team up with Ryujehong again for OWCS?
Tobi: I already got an offer to play with them and said no
Aid: Oh really why?
Tobi: Cause I knew what would happen lol. The kids nowadays level of play is so high
NineK: Just for fun I guess
Tobi: Well yeah if I streamed it and stuff sure but the team even with me or without wouldn't have done well
Moon: Honestly the player gap between the experienced old guard and the new is high right now but you'd hope it would get closer by next year
NineK: More than player gaps I'd rather be worried about the coaching level. It's really just Moon Crusty Rush again. Tobi isn't coaching anymore either... so tobi this is to say coach again please.
Tobi: I did get an offer but the timing didn't work out.
Aid: Always the timing
Tobi: Before Falcons formed I think it could've worked but Smurf was gone and all the teams were formed and then I got the call and was a decent offer. But the timing was bad.
Moon: Where the players weren't available anymore. But just swipe them from their teams
Tobi: But I didn't wanna steal players with offers of contracts
Moon: Why not?
NineK: The difference between a dirty person and clean person
Moon: But the thing is they don't have contracts
NineK: Yeah wait they definitely would want money
Moon: That's my point he could've offered stability to more players in the scene
NineK: Then you are at fault Tobi
Tobi: There was a condition though. The org really wanted to win and asked if I could form a team to win.
Moon: Oh that would be hard (smiling in Crazy Raccoons)
NineK & Aid: (dies of laughter at the humble brag)
Moon: I did work really hard to swipe the good players.
NineK: Was it a foreign org?
Tobi: Yeah it was
Moon: I wish more teams came into the space
NineK: If tobi even at least coached Genesis they would've been better
Tobi: I did get that offer but said no
NineK: Didn't want to work for bottom feeder teams?
Tobi: Well I wasn't close with any of the players either
NineK: You shouldve just gone to orga offering up super teams and swiped like Moon did.
Moon: I just had a skeleton crew formed and did mine
NineK: Whatever it was it's just kind of sad Tobi isn't coaching actively right now is all
NineK: I like this question. If Coach Tobi could speak to player Tobi of the past what would you say to them?
Tobi: Probably to be sure of yourself and confident in your play and your decision. I used to basically fly to whoever screamed for help no matter who was in a bad position trying to help. I definitely learned afterwards and worked really hard to improve my Mercy
NineK: I remember at that time Yobi worked really hard to improve his Mercy and it was really good I agree. It's sad to hear given how things went for Seoul but it is a cool answer
Aid: ProFits from friend POV to players POV
Tobi: Profit whether as a friend or player was a great and reliable friend. Fits was the hassle
Aid: How so?
Tobi: Never listening always whining just a big baby. Cute little brother while Profit was a reliable friend
(Just chatting while looking for interesting questions)
Moon: I'm saying this now but Shanghai starting at 0-40 we worked so hard to hit that 40-40 and it took so long. We won so much and still took a while
NineK: A fun thing to ask whenever we have an ex-player is have they ever felt like watching a scrim they would do better?
Tobi: I have scrimmed actually. Vindaim was ill and in the hospital so I played. We won.
Ninek: You say yes to this question if you win the scrims if you lost you would say it didn't happen
Tobi: True
Tobi: Here's one about Seoul I like. Why did you when you had LeeSooMin and Krillin make Krillin a main support? The answer is Krillin said during Washington he got to try a bunch of heroes and LeeSooMin was pretty decent at Kirik at the time. I had worked one year with Vindaim and it was good for us so I hoped for the same to happen. The initial meta was good for us too until we hit the Sombra meta
NineK: I think the only ones happy to hit the Sombra meta was Atlanta
Moon: (struggling to find a good question when smurf comments in chat) Yo Smurf don't you need to go practice right now?
Moon: Sorry that was a joke
NineK: Oh I like that one
Tobi: So there's a question about our 2023 roster and I wanted to talk about it. Right after 2022 going into 2023 was to keep Smurf Profit then get Lip who was receiving some offers at the time keep Vindaim and get Twilight. This would've been my personal choice if I had the money to form my team but everyone ran out of money. I even had back ups for everyone but like Bernar planned but everything fell through
Moon: Do you regret picking up Void?
Tobi: No I don't
NineK: What about losing to former players of yours and stuff?
Moon: Want me to call Void and ask him what it felt like losing to the Fleta Tank?
NineK: Oh my god that sounds so good
Tobi: I think he's working right now
Moon: Oh that's right he would be working right now
NineK: Man I'm so curious. I hate losing to my former players
NineK: Wanted to know if back in OW1 you had a team fully built around you who would it be and would you win?
Tobi: Honestly looking at my history I'm kind of bad at forming teams lol. Honestly I could've been on NYXL in season 1 as well.
NineK: Wow.
Moon: I can say one thing. I've literally walked to his house before. He thought a lot about it. Like I didn't think it should be this hard a decision when I was so convincing.
Tobi: I just really wanted to run it back with Jehong one last time and Fearless wasn't in the planned roster at the time either.
Moon: True it was very early on in the team formation
Tobi: Yeah it's regrettable isn't it?
NineK: Tobi does make bad choices that's why he joined Fusion under me
Tobi: Timing worked for that time period though
NineK: Alright back to the question make your super team only caveat is you can't change them and have to run them seasons 1 through 6
Tobi: To be happily teamed with them Carpe Profit Gesture Fury...
NineK: Wait a second Ryujehong isn't being brought up
Tobi: We are excluding him from this but honestly there's way too many good flex supports so I don't know. Shu was really good but Viol2t is also nah just Shu.
NineK: Shu is fun and good.
Tobi: He's good at like everything. Even since season 2 when I'd play Mercy he would shoot me so much more than everyone else as Ana
NineK: When you went game 5 against MightyAOD any players that stood out to you?
Tobi: Did we go game 5 against MightyAOD? I genuinely can't remember the Lunatic Hai games that well outside of just like finals games anymore. I'm sorry but it's been years.
Moon: Ooh how did you feel about Prophet being on your team and then once he was dropped and went to 02Blast losing to him?
Tobi: He was good but the thing is whatever we put him on just didn't fit with how the team played and the Sombra meta was at its peak as well. We were tired and he was tired cause it just wasn't the best fit for either of us. I wanted him to keep doing well so I could be confident it was just a mismatch and that my scouting ability was still good. But then the meta swapped to like Widow Hanzo.
Moon: Oh wait so once again it's a choice Tobi made he regrets...
Tobi: Well no technically in the last game versus them we did win to be fair. Honestly though when he did win damn I felt low key a little bit upset/betrayed
NineK: Did you see him do the X on the Dynasty symbol spray?
Tobi: I didn't mind that all the players do that
NineK: Hears something funny for Moon to answer. " I heard Lip purposefully made sure not to wear the Fusion skins for Asia Finals is it true"
Moon: I specifically checked his PC to make sure he wasn't wearing it "Are you wearing a Fusion skin or not? Yes or no."
NineK: Wow you check their PCs?
Moon: Yeah I made sure none of them wore Fusion skins for Asia Finals
Tobi: Carpe might need to come on here at this point
Moon: I don't believe in jinxes like this but my players do so I did it just so they don't have to think for a second there is some Fusion curse that will make them lose
Tobi: Like you don't want unnecessary factors creeping into their minds
Moon: Exactly
NineK: Did you have any of those jinxes or lucky charms as a player?
Tobi: During Lunatic Hai I would on game days only eat noodle dishes and then we would win. I'd wear the same pair of socks for all the big games as well. But then I went to the League and kept losing and none of that stuff applied anymore
Moon: Yeah I don't believe in it as a supernatural force but whatever makes people more confident the better
(Randomly scrolling for questions)
Moon: I really did wanna try coaching Dynasty once.
Tobi: Why?
Moon: You know as a Korean it was kind of sad seeing the Korean team under perform I wanted to go there after my contract with Shanghai ended and try to get them a big win
Tobi: I see
Moon: Now that I'm thinking about it I never got an offer from Seoul ever
NineK: Really? I think I got an offer from Seoul basically every year since 2019
Moon: Oh one thing I really wanted to ask was how you beat the Infernal (Dynasty vs Infernal early 2023 when Infernal scrimbux was way better than everyone else)
Tobi: Oh that? They just played poorly.
Moon: I was so curious cause they were supposed to be so good
Tobi: Yeah they must have been nervous or something we didn't win cause we were better they were just worse that day.
NineK: When Tobi first joined Fusion he actually beat Dynasty and was so happy about it. He was such a good player to have he was on the bench for quite a while initially but kept his mental up and was a very good teammate for us.
Final Words
Tobi: I'm not actually retired from coaching. I still keep up with the League and love the game. I hope Overwatch keeps growing and I want everyone to know I'm not gone just yet. If there's a chance I'm ready whenever
NineK: Honestly I will say a lot of Overwatch kids have this issue not just Tobi where they hope opportunity will fall on their laps.
Tobi: I'll agree. It was my first time doing this stuff and I had no idea what the scene was going to be like.
Moon: I was very proactive and quick about it for sure
NineK: Do you have any team you'd like to join? Quickly before we end the podcast appeal to Moon for a job
Tobi: Well if you just give me the call I'm ready
Moon: Well one thing I will note when Tobi was talking about coaches he asked for advice on being a coach he didn't contact me at all? Even though we talked for hours?
Tobi: I only contacted the people I actually worked under. I didn't want to bother everyone with my questions. It's not like I could expect other coaches that don't know me as well would divulge their secrets
Moon: I would've. I think it would have been very cool if you asked for my help
Tobi: Well to be fair before you joined I did say Crusty NineK Moon and Rush were the coaches I really wanted to try working with
NineK: It's not too late Tobi he's here now
Aid: Anyways final thoughts from you Tobi?
Tobi: It's been a while since I got to see fans of Overwatch and sit down with fellow coaches. I hope you all keep supporting Overwatch University and myself in the future.
NineK and Aid: Thank you to Moon as well for helping us last minute.
Moon: It's no problem I saw Tobis face and wanted to join right away.

BoxOfficeTheory Presale Tracking
USA Showtimes As of May 10
Presales Data (Google Sheets Link)
BoxOfficeReport Previews
DOMESTIC PRESALES
Back to Black Thursday Comps/Predictions: $0.35M/$0.37M

• abracadabra1998 ($0.35M Thursday comp. Probably looking at EA around $100k from these numbers, it's limited to Dolby only though so it's quite tiny (May 15). Yikes bikes (May 12).)
  
• crazymoviekid ($0.39M Thursday and $1.21M Friday comp. We're back up to $.3M-$.5M Thursday while Friday is pretty consistent, still around $1.15M-$1.4M. Estimated OW: $4.5M-$5.5M (May 16). Knocking this down to $.25M Thursday. Despite relatively strong sales, comps are low around $1.25M for Friday (May 15). Not great. Let's say $.3M (May 14).)
  
• el sid ($0.38M Thursday comp. Average tomorrow will probably be around 400k (May 15).)
  
• filmlover (Looking at the sales even for the early shows on Wednesday it's on the anemic side (and nothing that's likely to boost it over the next days). Feels like we're about to see how low a biopic about a famous musician can go (May 10).)
  
• katnisscinnaplex ($0.38M Thursday comp.)
  
• Relevation ($0.26M Thursday comp. And for how shitty IF did, Back to Black cratered even harder, and likely would've been the worst selling movie I've ever tracked had I not run numbers a little late. Sub-$300K THU and a $2.5-4M OW (May 15).)
  
• Rorschach (Zero tickets sold on Thursday and only four on Friday. I don't think I'll be missing much (May 13).)
  

IF Thursday Comps/Predictions: $1.72M/$1.80M

• abracadabra1998 ($1.5M Thursday comp. Really good update here, FINALLY! Been waiting for this. This is encouraging for sure. With this growth now maybe shooting for a finish near 1.75 or maybe even approach 2. Eek. Zero sales day only a few days before previews, when you're dealing with a very low baseline. I'm not sure what's happening here (May 15). Most comps did move the right direction. If it keeps trending up perhaps I can see a finish around $1.5M Thursday. One thing to peep at: the MTC1 ratio (59%) is unusually large compared to other family releases. At T-2, other releases' MTC1 % was at: KFP4: 51%, Migration: 34%, Wonka: 59%, Wish: 35%, Trolls: 24%. So much more comparable to Wonka and KFP4; maybe something to think about when looking at keyser's numbers and thinking of the ratio there (May 14). My model has been pretty good for animated/family releases in the past, hence why every comp is so eerily similar. Still, looking at others' numbers and how much lower mine are, I am wondering if summer break might be something to consider here; from what I am aware, here in Minnesota most school districts don't start break until June (May 13). Hoping for some real acceleration this last week but not looking good (May 12). One week out, not impressed in the slightest (May 9). Rising against comps as expected, due to the short release window, but I am still failing to see anything that suggests the numbers given by some other outlets (May 5).)
  
• AniNate (All I can say is if you look at Tinseltown Canton presales the IF projections ($30M+) seem pretty reasonable. I will grant they might've booked more screens than necessary for it (May 16). I'm gonna guess that Nick IP spot for IF this morning ratcheted up interest, Fri-Sun sales at Canton now close to 200. Also of those 200 about 50 were for XD. Not the usual overwhelming presale split but not insignificant for a kids movie also playing on two standard screens (May 13). 45 sold at the five nearest Cinemarks for Thursday previews so far, so yeah there's evidently some kind of regional variation (May 13). I definitely haven't seen as much of a rush here with Garfield as with IF (May 11). I dunno, I have no comps but I feel like local presales is a pretty sizable haul a week in advance for an original non-Disney kids movie (May 9).)
  
• crazymoviekid ($2.43M Thursday and $8.49M Friday comp. Not a great day. Back down to $1.75M-$2M Thursday but pretty good day for Friday, bumping up to $7M-$7.5M. Estimate OW: $27M-$29M (May 16). Comps mostly are up. Adjusting up to around $2M-$2.25M Thursday. Unless this plays like Elemental, we're aiming around $6.5M-$7M Friday. Estimated OW: $25M-$27M (May 15). Definitely looking around $1.75M Thursday for now (May 14).
  
• DAJK (Selling pretty well so far here (May 4).)
  
• el sid ($2.4M Thursday comp. Friday up so-so 116% since last Monday. I chose Jungle Cruise, Dolittle, Elemental, Minions 2 and Sonic 2 as comps (always counted on Monday of the release week for Friday) and the true Friday number for IF would be 6.6M at the moment. In this case the comparison numbers were very similar, around 6-7M. Overall it was a boring counting today which lasted too long for so few action. And judging from some random samples Garfield also saw no significant jumps (I also didn't expect much, it's still too early IMO). Thursday up 92% since last Monday. I hoped for a bit better jump till today :( but it's also not too bad. So for Friday no big numbers but up 75% since last Monday (and the jump must have happened pretty recently) (May 13). Up 73.5% since Monday (where it had 143 sold tickets). Best sales in California, not doing too bad between the coasts. The number today is ok to me (May 12). Not really signs for a breakout for Friday so far, but very solid. It will not really get 4-6M Thursday e.g. compared to Migration but from most comps the number could be pretty decent (May 7). Looked good for the film, both on Thursday and on Friday (May 6).)
  
• jeffthehat ($1.90M Thursday comp. Slipped a little vs. comps. Sub-20% growth seems bad at this stage and opening size for a family film. But maybe walkups are better than presales suggest. Thinking $1.8m +/- $0.2m tomorrow (May 15).)
  
• katnisscinnaplex ($1.62M Combined SizeAdjusted+GrowthModel Thursday comp. $1.50M Santikos Thursday comp. Sticking to the 1.5m - 1.75m range. I'm looking for a +40% final day that would finish at 1.8m avg comps and 1.62m growth forecast. I'm not ruling out 2m, but it would need to have a very good day (May 16). Raising my expectations to 1.5 - 1.75m range. I don't really have a good feel for what age this is playing to (May 15). Thinking somewhere in the 1.2m-1.5m Thursday range despite a couple of higher comps (May 14).)
  
• keysersoze123 (Friday pace is promising (May 16). Dont think even if it doubles the gross, 2m is locked. But even if it does, it would barely do that much. Let us see how walkups go tomorrow. Pace is really meh for T-2. $1.75m ish for previews. OW should be similar to what I saw yesterday for now (May 15). I would say it should hit 2m previews or even more if walkups are strong. OW probably in mid to high 20s for now. Its Friday sales are not that much higher than thursday for crazy IM like say Panda 4 (May 14).)
  
• Relevation ($1.18M Thursday comp. IF completely tanked here, brutal comp average with no good comparisons at all. $1.2-1.5M THU and something in the ballpark of an $18-24M OW? (May 15).)
  
• RichWS (15 screen theater near me is giving IF peak Marvel number of showings. I know it's short and the market is quiet, but damn (May 14).)
  
• Rorschach (Good growth for IF, especially after Tuesday's abysmal sales (May 15). Even with no comps to go off, this growth seems pretty weaksauce. I guess we'll see how it goes tomorrow (May 14).)
  
• Shawn Robbins (The pre-sales I'm seeing in multiple markets are little better than I think some expect here. I wouldn't be shocked with a number between 2 and 2.5 for Thursday, as well as big jumps on Friday and Saturday. The flip side of that coin is the reviews... although kids won't care. Could see 40 happening if this plays super strong in family markets and outside coastal cities like I suspect it could, but I'm surprised the studio didn't low ball it a little more to be safe... especially since we had been very publicly keeping our range in the high 20s/low 30s from the bottom end (May 15).)
  
• TheFlatLannister ($2.39M Thursday comp. Really not much going on. Don't think walkups will be super strong either (May 13). Not much growth (May 10). Pace is collapsing a bit. Continues its downward trend (May 7). After a strong start, this has cooled off quite a bit (May 4).)
  
• Tinalera (Pretty quiet Vancouver and Calgary area (May 13).)
  
• vafrow ($0.6M Thursday comp. Well, we finally got something. It still lags behind comps, and if I could be bothered to track walk ups, I'm guessing this will do okay. But it's still lagging some very reasonable comps by a large margin here (May 16). It's going up, but slowly. The thing that hit me looking at the numbers is that the most popular format so far is the VIP theatres, which are 19+. With such low sales, you can't read too much into anything, but it kind of speaks to how this isn't grabbing the family crowd (May 14). Some marginal movement, but we're running out of time for this. At this stage, I expect my market is an anomaly, but I still hope and expect it will close the gap in the final few days (May 13). Still nothing (May 12). Still nothing happening. I did check Friday sales, and it was a lot stronger with 51 tickets sold. That's better, but still not tremendous. I also checked the wider radius, where it's pretty much exactly where Haunted Mansion was, which hit $3.1M opening (May 11). Still nothing really happening here (May 10). Since the last update, they released full showtime sets, and it actually lost two showtimes rather than gain. From the sound of it, it might be doing better in other Canadian markets, particularly BC (May 8). Numbers are still really low, making the standard track fairly useless. I did do a larger 100km radius track, encompassing the broader southern Ontaro market (~8M population, MTC4 being about 70-80% of the market). Even against Haunted Mansion, which underindexed here, it's not doing well (May 4).)
  
• YM! (So far in the four Wisconsin theaters I’ve tracked, IF is at about 45% of where Wish was at in the two theaters I’ve tracked 30 minutes before previews. Think it could get to something similar before preview time (May 16).)
  

The Strangers: Chapter 1 Thursday Comps/Predictions: $1.49M/$1.37M

• abracadabra1998 ($1M Thursday comp. Perhaps this will follow the Nun and the Exorcist comps, but I am not fully convinced. I'll just go with the average here and call it a day with my prediction: $1 Million, +/- 0.2. Not much movement here (May 15). Not a good update at all but I am wondering about the summer break deal here as well. For Back to Black it shouldn't affect it much I would think (May 13).)
  
• crazymoviekid ($1.24M Thursday and $4.35M Friday comp. Decent day. Feeling an inch past $1.25M Thursday but much better comps for Friday, aiming now between $4M-$5M. Estimated OW: $14M-$17M (May 16). Comps leveling off. Adjusting up to $1M Thursday and wouldn't trust Friday comp ($10.05M) (May 15). Weird comps. Let's go for $.5M-$.75M Thursday comp.)
  
• el sid ($1.9M Thursday comp. Nice surprise. Up very nice 67.5% since Monday (May 15). From what I saw, it had an ok jump till today but the jump till Wednesday will be way more important. But so far, decent presales (May 14).)
  
• katnisscinnaplex ($1.54M Combined SizeAdjusted+GrowthModel Thursday comp. $1.82M Santikos Thursday comp. Keeping on track to match IF tonight (May 16). We could have a preview battle on our hands! (May 14).)
  
• Relevation ($1.85M Thursday comp. The Strangers: Chapter One sold surprisingly well here, even somehow knocking IF for best selling movie of the weekend. Comps are hovering in the $1.5-2.2M range and I don't have a clue how walkups play here, but I suppose the $1.85M THU average my comps spit out sounds pretty right, combined with a $15Mish OW (May 15).)
  
• Rorschach ($1.09M/$4.68M/$5.23M Thursday/Friday/Thursday+Friday comp. Decent day for Strangers. Didn't quite continue off yesterday's big bump, but still holding well against the Tarot comp (May 15). More than double from yesterday's count. Curious to see if it keeps up the momentum going forward (May 14). Tarot had more tickets sold for Thursday compared to its Friday showings when I checked the Monday before it came out; hence, why the comps are so all over the place at the moment. The Thurs + Fri comp does appear to be a reasonable middle ground (May 13).)
  
• TwoMisfits (TMobile deal for May - $5 ticket to The Strangers Chapter 1 next Tuesday (May 9).)
  

Furiosa Thursday Comp: $4.31M

• abracadabra1998 ($5.46M Thursday comp. GxK obviously really propping the average up but for now I could see that settling at around $5 Million, still good pace! (May 12). Really good stuff in this market (May 9). Reallyyyyyy good day 1 here. I want to note that: NO I do NOT think preview numbers will be that high; it's just highlighting the fact that this is likely a movie that will be running hot in my market, as cinephile blockbusters usually do. Next update I will have T-14 comps, which will be a lot lower due to the short release window (May 8).)
  
• AniNate (Encouraging to see the weekend fill out a bit. Been seeing a lot of promotion during the basketball playoffs so general awareness has to be getting there now. (May 15). Skimmed through ThuFri and Valley View (Cleveland vicinity) has sold roughly 60 Furiosa tix so far while Tinseltown (Canton) has sold 40. I'm guessing the upfront audience does lean more toward the urban/cosmopolitan sensibilities (May 9). Presales show there's definitely some hype for this. Regal gonna irritate trackers again, offering no upcharge IMAX for Furiosa (May 8).)
  
• Charlie Jatinder ($3.05M Thursday comp.)
  
• el sid ($5.8M average Thursday comp (without Exorcist 2) (May 12). Furiosa continues its strong performance in "my" theaters. The movie yesterday had already 1.310 sold tickets (for Thursday, May 23). Up 15% in ca. 24 hours which isn't bad at all after the first rush. Already comfortably in front of The Fall Guy's final sales (it had 1.071 counted on Thursday for Thursday) and almost on par with Civil War's final sales (1.357) and also the Apes finally had not more than 1.657 sold tickets in my theaters (May 11). I also can't complain about Furiosa's presales in my theaters, not at all. Already 1,138 sold tickets (in all of "my" 7 theaters) for May 23. 14 days left. Promising start. Civil War on Thursday of the release week for Thursday had 1,357 sold tickets and The Fall Guy finally had 1,071 sold tickets (May 9).)
  
• katnisscinnaplex ($3.51M Thursday comp.)
  
• keysersoze123 (Definitely chugging along. I am feeling good about 5m+ previews (May 15). It has way stronger sales than Garfield and that is expected. I am thinking of 5m previews for now (May 14). I think this is a solid OD presales. With a short PS window its probably looking at 5m+ previews (May 9).)
  
• TheFlatLannister ($4.44M Thursday comp. Keeps climbing at a strong pace (May 11). This continues to grow at an excellent rate (May 10). Really strong day 2. The short presales is for sure a factor (May 9). Not seeing much of a breakout. Still pretty solid start to presales (May 8).)
  
• vafrow ($2.9M Thursday comp. Comps are showing as steady since the last update, but it actually dipped quite a bit this week before rebounding today. Advance ticket buying has been so off in this market recently for some reason. Holding pace with Apes is a good sign (May 16). It had a good day (May 12). Mediocre day 2 (May 10). Not the hottest start. IMAX is the format of choice though, so, ATP will be high (May 9).)
  

Hit Man

• vafrow (Getting a theatrical release up here in Canada, and early signs are that it might get a pretty decent screen count. Not super wide or anything, but a pretty decent amount for a weekend that has a lot of other releases (May 14).)

The Garfield Movie EA+Thursday Comp: $2.24M

• abracadabra1998 ($0.76M EA comp and $1.19M Thursday comp. Still not really accelerating, and the EA is falling against comps (May 12). Good EA numbers, but many of these comps were PLF-only EA, which this is not, so I think the ATP will be quite lower and that should be adjusted for (May 9).)
  
• AniNate (EA sales look decent now, but this does feel rather weak compared to the IF presales. Not 100% certain what's going on here but based on this I buy the trades' opening estimates over the forum vibes (May 15). I definitely haven't seen as much of a rush here with Garfield as with IF (May 11).)
  
• el sid (The very even sales are a good sign (May 7). For Sunday, May 19, I can already report that also in my theaters it looks very good for Garfield. They will for sure add shows soon. It has so far only 1 show/theater and the shows are almost sold out, between 1 and 4 seats are still available. So my guess still is that this movie if it's not totally bad (and first reviews here were quite positive) will become a (big) hit. Seems not much on Thursday but it's a step in the right direction (May 6).)
  
• katnisscinnaplex ($2.52M EA+Thursday comp.)
  
• keysersoze123 (Its definitely weaker than even Elemental. That said these movies tend to finish strong and so I am not writing it off so early. Just that the long PS window is irrelevant for them. They could rather start presales like a week before release and it would be all the same. Meh. We have to wait until next week to gauge where its going to finish. It has very low ATP as well and actual would be even lower as its going to see tons of kids tickets (May 14). Early shows are regular digital shows at 1PM this sunday. So ATP will be very low. I think 500k ish at best. Preview let us see how things go in the final week. Presales at this point are almost non existent (May 13).)
  
• TheFlatLannister ($2.14M Thursday comp.)
  
• vafrow ($0.4M Thursday comp. Comps don't paint a pretty picture though. EA shows are doing okay (May 11). Still no sales for my core sample for previews. But I did the larger sweep, which shows the interest right now is the Sunday early access shows. Looking at sales patterns, it's mainly blocks of 3/4 tickets, so likely families grabbing some. It's worth noting that the May holiday in Canada is the weekend of May 17-20th, not the weekend after with Memorial Day. I can see families prioritizing getting out the holiday weekend when they have more time (May 4).)
  

The Lord of the Rings Extended Edition Re-Releases (June 8-10)

• BoxOfficePro (Fathom Events has also announced that select Regal Cinemas will present the films in 4DX on June 22/23/24 for Fellowship/Towers/Return respectively (May 14).)
  
• katnisscinnaplex (Up to ~1,400 shows now with new locations picking it up and others adding a second showing. LotR1 has sold 831 seats OD, LotR2 sold 715 seats OD, and LotR3 sold 735 seats OD. For comparison, Phantom Menace didn't break 800 tickets until T-3 and we're still over a month out. JW3 comp is currently around 9m (it was at 1,670 tickets sold at this point!) (May 6).)
  

Inside Out 2 Average Thursday Comp: $8.14M

• abracadabra1998 ($3.67M Thursday comp. Holy numbers of shows and seats! Multiplexes are really expecting a lot here. Sales off the bat not amazing here sadly, but we shall see where it goes (May 15).)
  
• AniNate (It is encouraging that Canton is already giving me something to work with with 12 Thursday preview sales. Same number for Fri-Sun. I do see nine sales for first Thursday at Canton now and I think that's a pretty solid start (May 15). I do see a few 1-2 spots for Inside Out on Saturday. Think some M-F workweek adult fans might be putting down money for that (May 14).)
  
• charlie Jatinder ($11.84M Thursday comp at MTC2. $16M Thursday comp for Kung Fu Panda 4 (May 15).)
  
• katnisscinnaplex (Already at 180 shows for previews in my areas and still has a few theaters left to post. For comparison, Godzilla x Kong finished with 197, Kingdom of Apes 190, and Kung Fu Panda 205 (May 14).)
  
• keysersoze123 (At least the show counts show Plexes are expecting a big OW. I dont remember when we last had a animation movie start with so many shows. I wont count Mario as that was a fan driven movie. Definitely not great presales but this is not a fan driven movie. Let us see where things are in the final week (May 15). Too early to judge presales as ticket sales just started early this morning. Families dont book tickets on weekday mornings. Wait until evening today to judge it. From a release perspective its way bigger than all animation movies seen recently including Panda 4. Easily the biggest I have seen in a long time. Only movie which is not comparable is Mario but that was not just a family flick (May 14).)
  
• Porthos (VERY BAD COMPS: $8.83M Thursday comp. I really do not have good comps for this movie. Like, at all. Especially for D1. With that in mind, I did some digging and did manage to get the Elemental D1 numbers out of the old Tracking thread: IO2 = 5.45946x Elemental on D1 [13.10m]. Now will Inside Out 2 be as backloaded as Elemental? Well it's tough to literally sell 5.5x times the amount of tickets on the final couple of days that Elemental did, so perhaps not. But it does show how fracking backloaded purely kids animation is. Anyway, this is 30 days out and it isn't a CBM film (like AtSV) or CBM-adjacent film (like Incredibles 2). The Sonic 2 comp is perhaps a little concerning. On the other hand, nearly a weeks more of pre-sales so not exactly a great comp. 3.5% of presales are 3D and 40.1% are PLF (May 15). On the Saturday of release weekend (ie NOT EA) there is a special event screening for IO2: INSIDE OUT 2: FUNKO FAMILY EVENT! (2024) Sat June 15th. Might boost the OW slightly, depending on how wide this event is and how much more these tickets will presumably cost (May 11).)
  
• TheFlatLannister ($8.20M Thursday comp. This is a super super strong day 2. Probably just Orlando overindexing, but yeah starting to lean towards something big brewing. Florida presales are somehow even crazier. Sold 2357 seats and is getting a blockbuster rollout in terms of showing allocations. Kung Fu panda comp day 2: gives me $8.50M (May 15). Well, I can't really tell if this is a breakout or not yet. Looks very good especially in the first few hours. These are probably terrible comps, but might as well try something (May 14).)
  
• TwoMisfits (I'm kinda shocked at the opening set from my Cinemarks... 2 screens (1 PLF, 1 not) and 6 showings at my PLF 14 for Thursday (and 11 showings on the same screens once it runs full day - 7 PLF b/c 1 is 3d on the reg screen, 4 not)... 3 screens (.75 3d, 2.25 not) and 9 showings at the non-PLF 12 for Thursday (and 12 showings on 2.25 screens once it runs full day)... So, 2 and 2.25 screens for the weekend presale sets... Disney must be charging a huge % for themselves b/c this is an Elemental opening set at my PLF...a little more generous for Thursday at my non-PLF, but then they too drop to an Elemental opening set after the adult Disney base Thursday rush... (May 14).)
  
• vafrow (No new sales. Whatever glitches in the system on day 1 didn't push sales to day 2. I still think the lack of base ticket options will push families to wait. Cineplex has jacked up the cost of premium formats, plus they're throwing in an increase for opening weekend of major releases. It adds up quickly for families (May 16). With the site glitching yesterday, it might account for the slow start. But, what's interesting is the format breakdown. Nothing is being made available in anything close to a regular showtime. The one non 3D showing in Dolby is a matinee showing. Everything else is carrying a hefty premium. They'll likely release regular showtimes closer to release, but right now, it's priced to get eager fans to pay the premium formats (May 15).)
  
• YM! (In fairness it's only been an hour but yeah sales are softer than I expected. However, it is a month out and will largely skew more towards kids than say TLM/Across so wasn't expecting a blitz like them. Here at Marcus theaters are going all out for IO2 with it having the lion share of PLFs with it getting both screens when there is two PLFs with tentpole like levels of screens (May 14). Was taking a look at Marcus Cinemas to see that they have preloaded Inside Out 2 showtimes which seem to start at 3:00 pm on a Thursday. It seems like Marcus is going all out on it as judging from showtimes it's taking away all of Bad Boys’ PLFs in that theaters that have two+ PLFs are giving all to IO2 (May 11).)
  

Domestic Calendar Dates (last updated May 3):
MAY

• (May 16) Presales Start [Bad Boys Ride or Die]
  
• (May 16) Thursday Previews [Babes + Back to Black + If + The Strangers: Chapter 1 + The Blue Angels IMAX]
  
• (May 17) Presales Start [Ezra]
  
• (May 19) Review Embargo Lifts [Garfield 9 PM EST]
  
• (May 20) Opening Day [Monday: Spider-Man Homecoming Re-Release]
  
• (May 22) Presales Start [The Watchers]
  
• (May 23) Thursday Previews [Furiosa: A Mad Max Saga + Hit Man + The Garfield Movie + Sight]
  
• (May 26) Presales Start [Bikeriders]
  
• (May 27) Opening Day [Monday: Spider-Man Far From Home Re-Release]
  
• (May 30) Thursday Previews [Ezra + Haikyu!! The Dumpster Battle + Robot Dreams + The Young Woman and the Sea]
  

JUNE

• (June 3) Opening Day [Monday: Spider-Man No Way Home Re-Release]
  
• (June 5) Presales Start [Despicable Me 4]
  
• (June 6) Thursday Previews [Bad Boys: Ride or Die + The Watchers]
  
• (June 8) 1-Saturday Re-Release (1st day) [The Lord of the Rings: The Fellowship of the Ring Extended Edition]
  
• (June 9) 1-Sunday Re-Release (1st day) [The Lord of the Rings: The Two Towers Extended Edition]
  
• (June 10) 1-Monday Re-Release (1st day) [The Lord of the Rings: Return of the King Extended Edition]
  
• (June 13) Thursday Previews [Inside Out 2]
  
• (June 15) 1-Saturday Re-Release (2nd day) [The Lord of the Rings: The Fellowship of the Ring Extended Edition]
  
• (June 16) 1-Sunday Re-Release (2nd day) [The Lord of the Rings: The Two Towers Extended Edition]
  
• (June 17) 1-Monday Re-Release (2nd day) [The Lord of the Rings: Return of the King Extended Edition]
  
• (June 20) Thursday Previews [The Bikeriders + Janet Planet]
  
• (June 27) Thursday Previews [Blue Lock The Movie -Episode Nagi- + Horizon: An American Saga Chapter 1 + A Quiet Place: Day One]
  

JULY

• (July 2) Opening Day [Wednesday: Despicable Me 4]
  
• (July 4) Opening Day [Thursday: Possum Trot]
  
• (July 4) Thursday Previews [MaXXXine]
  
• (July 11) Thursday Previews [Fly Me to the Moon + Untitled New Line Horror movie]
  
• (July 18) Thursday Previews [Twisters]
  
• (July 25) Thursday Previews [Deadpool and Wolverine + Didi + Fabulous Four]
  

AUGUST

• (August 1) Thursday Previews [Harold and the Purple Crayon]
  
• (August 8) Thursday Previews [Borderlands + Colleen Hoover’s It Ends With Us + Cuckoo + The Fire Inside + Trap]
  
• (August 15) Thursday Previews [Alien: Romulus + Horizon An American Saga Chapter 2 + Ryan’s World the Movie: Titan Universe Adventure]
  
• (August 22) Thursday Previews [Blink Twice + The Crow + The Forge + Slingshot]
  
• (August 29) Thursday Previews [City of Dreams + Reagan + They Listen]
  

Presale Tracking Posts:
April 23
April 25
April 27
April 30
May 2
May 4
May 7
May 9
May 11
May 14
Note: I have removed most tracking data that has not been updated for 2 weeks. I think there is value in keeping data for a week or two but at a certain point they start to lose their value and should not be treated the same as more recent tracking data.

I was just returning back from another interview. It has been the third one this month.
I failed to make the cut yet again.
Life hasn’t been easy for an ex-soldier with the economic downturn currently underway.
The COVID pandemic had also wiped out all my savings.
So I was open to securing any job that would help me pay my bills.
I hadn’t eaten all day and just passed by a McDonalds. It was crowded and I thought to myself, ‘Let me just order a takeout’.
I could see a few vehicles waiting in front of me.
There was a guy in his motorcycle honking incessantly demanding the customer in front to keep it moving.
He was a tall man with long hair and clearly looked edgy and irritable. Both his arms were heavily tattooed. He stepped down from his bike and started to walk towards the car in front of him.
I couldn’t make out what he way saying but I could see the conversation was getting heated.
I got down from my car and walked towards the biker guy.
As I got closer, the biker banged on the hood of the car and was pointing his finger at the man threateningly.
The guy in the car was looking a little alarmed. He had a young boy seated next to him.
The woman working at the driveway counter appealed to the biker to maintain his cool. He would hear none of it.
She then proceeded to call the police and this made the biker more irate. He snatched the receiver from her and hit her face with it. She fell backwards and started bleeding from the nose.
The biker then proceeded to turn his gaze towards the man in the car. He opened the door and dragged the guy outside.
He drew his hand back to throw a punch at him.
I caught his arm from behind and kicked him hard in the shins. He yelped in pain and let go of the other man.
He then turned back angrily to take a look at me. He was wearing a black jacket with the name Kenny embossed in front.
I said, “Listen Kenny. I have had a really bad day. So you either stop this madness or I am going to break your bones.”
He snarled and threw a punch at me with all his might. I swerved to the right and ducked just in time, causing him to miss completely.
Next, he whipped out a switch blade from his pocket and lunged towards me with it. I side stepped him and counterattacked with a punch to his plexus. He went down on one knee.
I caught hold of his knife arm and ordered him to drop it.
“Drop the knife kenny!! This is your last warning”, I repeated.
He started to fidget with his other arm around his shoe. I realized he had another weapon hidden in his sock.
So before he could attempt anything else, I twisted his forearm and landed a crushing blow to his elbow. It snapped into two and he lay on the floor yelping in pain.
By this point, other people came forward to intervene and help with the situation.
As Kenny was being led away by the police, he kept staring at me with madness in his eyes.
“I am coming back for you. This is going to be the biggest regret of your life”, he yelled.
I didn’t care and started going back to my car.
Then the man who was threatened by Kenny came forward and shook my hand.
“Hi. I am Rupert. That is my son Henry”, he said.
I waved my hand at the boy and he waved back.
“I would like to thank you for what you did for me back there”, he said.
“You not only helped me maintain my dignity but also helped me save face in front of my son”, he continued.
“This means a lot to me as a dad” he said.
I nodded in acknowledgement not sure what I was to add to the conversation.
He then reluctantly asked,” Is there anything I can do to repay the favour? Please feel free to ask . Anything. I would be most grateful.”
I thought for a moment. I could see the man was wealthy.
“If it’s not too much of an ask, I would appreciate a job if available. If you feel that is difficult, no problem. Forget I asked. No worries.” I said.
He smiled back at me warmly. He reached into his pocket and handed me a card.
“Please come to my office tomorrow. We can talk” he signed off.
From that moment on, I became the personal bodyguard and chaperone of his 8 year old son Henry. We immediately hit it off and became pals. I looked after all his son’s travelling arrangements.
We would also go to McDonalds every week for his favourite Burger and fries. I later learnt that his father was a very wealthy man who made most of his money during the dot com bubble.
I also became friends with the female employee at the driveway counter who had earlier been attacked by that biker punk Kenny.
Her name was Stella and it didn’t take very long for the two of us to start dating.
With a fulfilling job and a loving girlfriend by my side, my life was finally back on track. I couldn’t be happier.
And then one day - it all came crashing.
Henry and I as usual visited the McDonalds joint and I was surprised to see Stella missing at the counter.
I asked the staff about her and they said she hadn’t turned up today.
I thought that was weird. She had stayed over at my place and I saw her leave for work in the morning.
I tried calling her number but it was unreachable.
I dropped Henry at home and headed towards Stella’s apartment.
She had given me a spare key and I opened the door with it. Everything was in its place.
I tried her number again. It remained not reachable.
I decided to go back to my apartment to check if she might be there.
When I reached the door, I could see the lock had been smashed. The door was left slightly open.
I took out my side arm and slowly entered the apartment.
I could see a life size figure of Ronald McDonald the clown sitting on my sofa.
The famous mascot was sitting cross legged with one arm resting on the backrest. Just like how he likes to sit on benches outside McDonald outlets all across the world.
I was a little taken aback, but quickly switched on the lights to take a closer look.
As I moved closer, my knees buckled under my own weight.
It was Stella. She was the one who was dressed as the clown.
There were injury marks around her neck. She had been strangled to death.
I managed to call the cops while still reeling from the shock.
I also noticed her right hand which was resting on her thigh, was close fisted. When I pried it open, there was a crumpled piece of paper inside.
It read -
“She was really begging me for mercy.
Where was soldier boy when she needed him huh?
Boo Hoo….I’m Lovin It!!
I’m Lovin it!!
Signed Yours Kenny”
I could feel a surge of anger envelop me. And yet I lay there helpless.
Had it not been for the surveillance cameras at the entrance of my home, I would have been in jail by now.
The police could clearly see Kenny carrying Stella’s body and breaking into my apartment.
They put out a nationwide notice for Kenny and he’s been on the run ever since.
Even after 2 months following Stella’s death, the police were not any closer to catching the culprit.
But I did apprise Henry’s dad of the situation. His life was also at risk after considering what happened to my girlfriend.
But our collective worry was for Henry. We didn’t want to see him suffer for no fault of his.
So I started training Henry to take his own safety seriously. I devised multiple safeguards to keep him protected while being outdoors. Always ensured that I was personally there to drop and pick him up from school.
My boss appreciated all that I was doing for his son. He knew I had taken Stella’s death hard.
He was a generous and compassionate man and I liked working for him.
Although he did notice I wasn’t my usual cheery self anymore.
One day when I was waiting at the office, he tossed the keys of his new car at me.
“This should perk you up. Take her for a spin” he said.
“And also go pick Henry up from school”, he finished as he left for a meeting.
I got down to the parking lot, and there she was … waiting. The new Bugatti Chiron.
I opened the door and took the driver’s seat. The fresh smell of the leather upholstery was already lifting my spirits.
‘Boss was right! I am perking up’, I thought to myself.
I drove around the block and stopped by McDonalds to pick up the usual order for me and Henry.
I felt a tinge of sadness when I could no longer see Stella at the counter.
Anyways, I picked the order and started my way towards school.
As I went past the restaurant, I saw an old jeep parked by the side of the road. I didn’t think much of it at that moment.
When I reached Henry’s school, I parked the car a few feet away from the entrance. A couple of minutes later, I noticed the same jeep I saw at McDonalds go past me and park 20 mts in front.
I would have never given it a second glance had I not spotted it at the restaurant.
The jeep had 3 passengers. They looked like bikers with tattoos, beard and long hair.
And then there was Kenny standing behind a tree to avoid detection. But I spotted him.
He was gesturing towards them to get ready. I could see his Harley parked just a few feet away.
They were planning some kind of ambush.
The school bell rang and the children were already out on the streets.
I could see Henry at a distance in the courtyard. He was slowly making his way towards the gate.
I immediately called him on the phone and told him to go to the Principals office and stay there. I made it clear under no circumstances was he to venture out until I gave him the all clear. He understood.
He was safe as long as he was within the school’s premises.
The next thing to do was move to another location. The children were already pouring onto the streets, and the last thing I wanted was to see a child getting hurt.
I started the car and went past the jeep before taking the next turn. I kept driving.
Few moments later, the jeep caught up with me and the driver violently swerved towards the left causing me to go off course. My car came to halt.
The guys quickly alighted from the jeep and they were all armed to the teeth.
Kenny came in his motorcycle and stopped his bike a few feet ahead of me. He took out his shotgun and had it aimed straight at my chest.
The firing started before I even had the time to react.
I instinctively ducked for cover with my eyes closed.
But in my heart, I knew my time was up!!
As the seconds went by, even with all those bullets being sent my way - my body felt strangely light.
‘Am I in heaven already?’ I thought to myself.
I slowly opened my eyes and tilted my head upwards to take a peak.
And I realized I was sitting in an armoured bullet proof car.
The entire biker gang were mad with rage, doing everything possible to penetrate that thick armour plate.
Kenny was barking orders at his gang to continue the onslaught. He then pointed his finger at me and yelled, “I am coming for you.”
I looked down at the seat next to mine and saw the takeout I had ordered.
Just to piss him off even further, I took out my Big Mac and slowly took a big bite.
I sat there in gastronomic bliss savouring my burger, while being under a continuous hail of bullets.
The firing suddenly stopped. Kenny the psycho was livid as hell - to see me have a good time.
I looked him in the eye while I took a sip of my favourite milkshake.
And then, continued to chomp on my burger.
He looked a little crestfallen at how his plan was misfiring and then frantically gestured his troops to keep at it. The firing started again.
But it didn’t last long. They eventually all ran out of ammo and his buddies began to flee the scene, as we could hear sirens at a distance.
The attack had taken a toll on the car. But it managed to withstand all that damage. All that firing.
A life saver!
I looked at Kenny again. Only one thought was running through my head now.
‘My Turn’.
I switched on the ignition and rammed the car straight into Kenny. He hit the bonnet hard while the car continued to race forward.
He was clinging on to dear life with his outstretched hands desperately clutching at the sides of the car.
Next in the demolition line, was his prized Harley Davidson.
I hit it full steam and watched it smash to smithereens - with parts scattering all across the road.
Then, I hit the brakes and Kenny was sent flying 10 feet forward.
After impact, he slowly staggered to his feet - all bloody and bruised.
His face was swollen like an apple.
He was pleading towards me with folded hands to show him mercy.
‘This is for Stella. And She’s lovin it’, I said out loud.
I hit the accelerator again.

Hi! I‘ve been having autonomic like symptoms for a couple years but it’s definitely worse in the summer. What’s weird is that I’ve had tilt table testing with almost totally normal results aside from the QSART part and a heart rate jump they said wasn’t POTS (despite it jumping 43 bpm but it kept dropping then spiking over and over). I get the nausea, dizziness, chest pain, eye sight changes, GI issues, all that. I have heart rate jumps with position changes, heat, and any sort of upright exercise. I can do sitting bikes all day but anything standing sends me into presyncope. My HR regularly gets up to the 130s while standing. It shoots up when I sit up, move in bed, change clothes, stand from kneeling, everything then drops quickly. My biggest issue is that especially when it’s hot out or I sit up from laying flat, I have episodes where my HR and BP shoot up way high and I get full on presyncope. Like heart rate of 160+ and BP of 155/100 range high. My resting is like 60 or lower bpm and 120/85 range. I also have days where my heart rate is like 45 and I get heart palpitations and everything. Normal EKG, echo, CAT scan, everything. I don’t have the classic POTS BP drops, my BP spikes when triggered.
My neurologist has been treating it like POTS which has helped. He’s pretty sure I have some variation of it as clinically he said I’m identical. I also have hEDS, fibro, small fiber neuropathy, constant headaches, and other things. I had a neck MRI that showed some mild bulging and protruding discs (mainly positional in extension). This neck position and sitting up caused a massive episode.
Has anyone had experiences like this? Any ideas or medications I can mention to my neurologist next week?

Written 5/8/2024- updates attached below

I tried posting this on kendrick almost a week ago and it got no response, I messaged the mods to ask about Karma restrictions or account age requirements and they never replied. I made a new account and it was the same issue, but I found out last night I wasn’t fully banned, so I figured I’d throw it up and see if anyone finds it valuable. It’s written for people who have no prior knowledge of the rap game/music business. I don’t have to go as hard on obscuring names this time. One of the influencers I mentioned in my last post is known for doxxing and threatening violence against people who mention the many contradictions in their stories. (Sorry for any typos/mistakes I want to go to bed.)
Origins
I believe the current Drake and Kendrick Lamar beef is either completely or partially fabricated by certain industry leaders or the parties involved in an effort to distract from something bigger going down behind the scenes. If you were an influential label owner facing major accusations, and you needed to deflect media attention from yourself, recreating one of the most defining moments in rap history during the social media era would be a way to do it. It also wouldn’t hurt that two of the biggest rappers in the world were already sending shots at each other in their music for years prior. The public consensus is they are simply two famous rappers who hate each other and fighting over the spot for the top like in the 90’s. Only people who were directly involved could paint a more cohesive picture of the whole story. Even when all the cards drop, there is a good chance the average person won’t be able to find direct sources on their own and will continue to support their favorite artists and dismiss any evidence of their crimes like the drizzy subreddit or Ak fans.

As I said the beef between Kendrick and Drake has been brewing in the background for years, with both rappers sending shots and sneak dissing each other over the course of at least 8 years. The most agreed upon origin story is the first diss was the 2016 Big Sean and Kendrick collaboration, “Control,” and Drake responded with, “The Language”. Things stayed relatively lighthearted for a while and both were intentionally vague for many years. Before I go deep into the Kendrick and Drake stuff, it’s really important to examine some of Drake’s prior beefs because they add a ton of context to my theory. In my opinion Kendrick and Co. started scheming all of this some time around Mid 2020-Mid 2022, well after the whole Pusha T beef had transitioned into the Kanye beef.

What exactly started the beef is debatable, but at the time many attributed it to rumors of Drake pursuing Ye’s ex Amber Rose. Unfortunately the timeline isn’t 100 percent clear, and if I included every detail this would be at least 200+ pages so I’ll stick with the important stuff. The ultimate outcome of the Pusha T battle in 2018 was the revelation of Drake’s son Adidon that he had previously been hiding from the world along with getting Ye directly involved in the beef.

Here are some more examples of Drake antagonizing Ye and of him trying to use women as pawns to get material for his diss tracks. The Drake line, “Yeah, I probably go link to Yeezy, I need me some Jesus, but as soon as I start confessin' my sins, he wouldn't believe us," could be a reference to sleeping with Kim Kardashian, trying to double down on his threats to harm him or his family, or it could be a double entendre. Another example is using the name Kiki in another song, which was apparently one of Kim’s nicknames. Some other possible examples include the theories he may have tried the same thing with Kendrick’s wife Whitney around 2020-2021 in an attempt to use as ammo against Kendrick, which I’ll go into later. I don’t listen to much of either artist's music, but there are probably many of other examples in Drake’s catalogue that I’m leaving out. There is also his song Omerta released in 2019, which I'll go into below.

“Your baby mother call me when she lonely My tailor see me twice a week, he like my homie Forever grateful, forever thankful Diamond necklace, but she wears it on her ankle”

(Probably referring to Kim Kardashian since she had a few pictures with her wearing diamond ankle bracelets and was trying to make it into a trend.

“I plan to buy your most personal belongings when they up for auction”

(There were various rumors floating around for a while that Drake was blackmailing Ye with something and he was fighting to keep it from the public. I thought about it and this line might be referencing a sex tape with Kim or her little sister who me was very touch before she turned 18. In 2022 there was a whole storyline on Kim’s show where Ye flies to LA to prevent her second sex tape from being released.)

West Hollywood, know my presence is menacing
Cosa Nostra, shady dealings
Racketeering, the syndicate got they hand in plenty things The things that we've done to protect the name are unsettling But no regrets, though, the name'll echo Years later, none greater
Death to a coward and a traitor, that's just in my nature, yeah
(Drake and Ye both frequented the Delilah Nightclub located in West Hollywood and lived closeby on the same street for a while.)
"I don't carry cash 'cause the money is digital
It's the American Expresser, the debt collector"

(Sounds a lot more like it could be crypto to launder or send large amounts of ill gotten gains. It started becoming mainstream around them)

"Last year, niggas really feel like they rode on me
Last year, niggas got hot 'cause they told on me
I'm 'bout to call the bluff of anybody the fold on me"

These lines stood out because they could be referring to Ye telling the public about Drake's alleged threats a couple months before the songs release. This happened not long after the release of Sicko mode which was towards the end of 2018 as well. Ye was discussing the incident on Twitter and reached out to Drake and Travis to talk to him in private. In the next set of tweets Kanye publicly accused Drake of threatening him and his family in a major way. Surprisingly Ye seemed genuinely scared and amongst his, “crazy rants,” some of the stuff he said makes a ton of sense in hindsight. This also the beginning of his second serious public struggles with Bipolar disorder after being committed in 2016 shortly after an on stage rant where he calls out Jay Z for selling out and says he's afraid he might kill him.. As someone who shares the same diagnosis, I have a pretty good understanding of mania and psychosis and firmly believe that it's important not to write people off right away due to their mental illness. Some of my most thoughtful, creative, and productive periods were inspired by mania. Industry bigwigs have also been using mental illness to discredit influential black celebrities and visionaries going back decades, but it really picked up in the 80’s.

Dave Chappelle has gone into this a lot in the past and claims he experienced something similar before he quit show business and dipped to Africa. Their stories have a lot of interesting parallels if you’re familiar or curious. I remember he actually visited Ye at his house in Wyoming after he was reported to have had a, "mental breakdown," during his presidential run in 2020 thus marking his third breakown in six years.. The reason I put it in quotes is because it happened right after he publicly accused Kim of cheating and delivered his legendary speech on abortion. Dave went as far as going on live tv and telling the public he wasn’t crazy, he was just really struggling because he was the only one at the time fighting against the narrative, which can often be a suicide mission or a ticket to obscurity. These are three examples of someone speaking up and being deemed crazy, two years later came the nazi stuff and I'm sure we'll have plenty in store for 2024.

This is just the tip of the iceberg when it comes to the very common pattern of artists dying or having their careers destroyed either after they try to leave their label or threaten to reveal industry secrets. A few more interesting industry connections I made in my research include the connections between:

T.U.G. records and J Cole's independent label Dreamville are both managed by Interscope Records, whose parent company is Universal Music Group.

Universal Music Group also hac Drake's label OvO label as well as Ye and Kendrick's old labels on their roster before they left to form their own independent labels in 2022 (around the same time the disses between Kendrick and Drake started escalating). Finally Bad Boy Records, which is owned by Diddy, and Motown Records who own Diddy's other R&B label Love Records, are also both owned by Universal. This means every label I mention is currently or was previously owned by Universal Music Group.

Ye tried for years to get out of his contract with Defjam, which happens to be ran by Jay Z who is known to be a close associate of Diddy. Jay would always used his money and power to fight against it. Ye even spoke out publicly on a few occasions, including when he said Jay Z was trying to kill him during one of his concerts. My theory is after years of getting nowhere and having his reputation skewered, in 2022 Ye finally said, "Fuck it," and dropped all the anti- Semetic stuff intentionally in a successful attempt to force his label to into using their morality clause, which requires labels to drop an artist if they're accused of any major controversy that could hurt the label’s profits. For the fourth time in four years the media reported he was having a breakdown. Even though they tried to punish him by cutting off all of his sources of income and freezing his accounts he still managed to bounce back pretty quickly. It was often reported how much he was losing, but it rarely discussed how he still was filthy rich in spite of the retrictions. His label wanted to discourage other artists from trying the same thing. My theory is he might have bought Kim or Kylie's alleged sex tape and used it for his own leverage. For Kendrick, his transition to his independent label ApLang went a lot smoother, but he had to split ownership of his new label with the previous manager owner Dave Free. Sadly it's still difficult for new or more niche artists to establish themselves without the some help.

He may be a lot of things but Ye isn’t dumb just because he has a mood disorder and the guys at the top know this, which is why I think he has really played up his diagnosis when it benefitted him. He’s still one of the most talented musicians in the game and I really think he sees his bipolar like a superpower as he says. It’s like his own invisibility cloak. He can go off his meds for a little, make an album after staying up for 72 hours, go on a “psychotic” twitter rant dropping facts throughout, then start up again once he makes enough news headlines. I think it’s worth noting the first divorce rumors in 2020 coincided with Ye’s abortion speech during his presidential run and the cheating accusations. that led to him dropping out and moving to Wyoming, and a couple months ago in February 2024 he was committed again.

The point I’m making is bipolar is complex, but pretty manageable especially if you have a ton of money to find meds that work for you and a good doctor and can keep substance abuse and stress at a manageable level. I think Ye is smart enough to know this, but it’s just safer for him to really play up the mental issues in the media. He’s proven he can literally say whatever he wants after getting cancelled and the average person is just going to write it off as psycho babble. While bias in health care is a sad fact of society, if you can use it to your advantage I say go for it. It might’ve just kept the microscope off of him long enough to plan his attack.

Ye v. Drake: Quotes of 2018
(Start of the beef, drake threats, and suspicion towards Kardashian family. )

“ It’s not about rap. It’s about family. We have to be close as a family and never let these people infiltrate just for radio spins”

“We need to show the world that people can talk without people ending up dead or in jail.”

”This is a man speaking to a man that has been placed in the program to fuck with Kanye West head and set me up“

”See when you care about your family you don’t let no man push you to do nothing that could risk your freedom“

These first four tweets by Ye were all in reference to perceived threats made by Drake after their beef escalated circa 2018. He began speaking on the industry and talking more about his psych hospital commitment two years prior and how he thought they were going to kill him. It's pretty obvious how the whole thing was planned by the sketchy doctor who called it in and his physical trainer who has a ton of connections to weird shit involving his celebrity clients.

I found interesting that Ye might not have been the first major league rapper whose life Drake threatened. During a similar period of mental illness the up and coming rapper XXXtentacion accused Drake of stealing his flow and dissed him a few times. Not long after he made a post online saying if he dies, it was Drake who did it. There are tons of conspiracies online, but none of the evidence is strong enough to draw a definitive connection. Also while it maybe be coincidental, Kendrick’s latest album Mr Morale also painted the picture that Kendrick was dealing with some serious personal issues. Some lines throughout the album may have been used to bait Drake into escalating, but it wasn’t until The Weekend, Future, and Metro Booming dropped, “We Don’t Trust You,” then Drake and J. Cole dropped, “First Person Shooter,” which was followed a couple days later with, “Like That,” where Kendrick started the chain of events that has led us to today.

Kanye vs. Drake: Quotes of 2020

Summary: Ye runs for president and gets suppressed for saying what very well could be the truth and was immediately deemed insane by the media. Kim did a couple interviews and everything he said was immediatly false. There is almost guarenteed to be some sketchy shit going down revolving her and her family. Ye was absolutely terrified of her keeping the kids away from him and it seems like there are still efforts being made to this day to paint a certain image of him for ulterior motives.

Below are six more quotes from a fan taking a deep dive into his 2020 tweets courtesy of u/ thehatstore42069 on Yeezy
”NORTHY I AM GOING TO WAR AND PUTTING MY LIFE ON THE LINE AND IF I AM MURDERED DON’T EVER LET WHITE MEDIA TELL YOU I WASNT A GOOD MAN,” West, 43, wrote in the tweet, adding, “WHEN PEOPLE THREATEN TO TAKE YOU OUT OF MY LIFE JUST KNOW I LOVE YOU”

"I need a public apology from J Cole and Drake to start with immediately... I'm Nat Turner... I'm fighting for us."

"the utmost respect for all brothers" and said "we need to link and respect each other... no more dissing each other on labels we don't own"

"Ye is constantly trying to tell people that his family does not have his or his kids best interests at heart. He goes on to list others, linking them together with the thinking emoji. These people include rap artist Drake and Larsa Pippen, wife of Scottie Pippe. Kim K is goddaughter to Pippen's daughter, showing how close the families actually are. All of these families that associate with Ye through Kardashian connections, as well as Drake, have been accused of the same thing Kris has. EVERY SINGLE ONE of these people have mixed race children that are groomed from a young age to fuck around with celebrities so the parents can remain famous. Drake on numerous occasions has been accused of grooming girls and then getting handsy on their 18th birthday.”

“These labels want their artists to make them money and they dont care about anything else. When Kanye says things like this in an attempt to expose him, the first thing they wanna do is drug him up and put him back in the studio.”
“Righteous indignation is typically a reactive emotion of anger over mistreatment, insult, or malice of another. It is akin to what is called the sense of injustice. This is how they keep the black man down. Keep people outraged about trivial things and distract them from the real issues in the world. The real problems in the industry. If you tell people enough times that they are unequal or discriminated against they start to believe it. Drug them when they step out of line and toss them aside when the checks run out. Ye is realizing he is pawn in a bigger game, and now that he has all these roots in the game such as Yeezy or the Gap or his music, too many people cant risk (Afford) a Ye who speaks his mind.”
(End of quotes)

Amongst the twitter rant, Ye warned about the predatory nature of record deals and discussed trying to get out of his own deal, and said again how his life may be in danger if it wasn’t already and was doing anything he could to protect his kids. The most fascinating part to me though is the public call to arms he made to Drake, J Cole, and Kendrick on twitter. After inviting them to all link up, he said, “It’s time to get free, we will not argue amongst each other while some guy we don’t know in Europe is getting paid and putting that money in a hedge fund.” I believe if Ye was able to pull off this meeting, there is an ever so slight chance that all four artists might be working together to take down a greater enemy. Weirdly there have been times throughout the last couple years where these supposed enemies were photographed together being friendly or praise each other in interviews, then out of no where the disses would start flying again.

To wrap things up I want to share my a few of my theories about the Drake/Kanye beef

A. Everything is exactly as it seems and the beef is over. Ye let his mental illness ruin his life and career so Drake simply picked another target after Ye stopped putting out disses. All of these connections are just a coincidence and all of this was choreographed to boost Drake and Kendrick’s music sales and possibly distract people from the Diddy trial and possibly the complicated geopolitical issues currently facing the U.S.

C. There is also the possibility that all four rappers are in cahoots and Drake’s dirt isn’t as extreme as people are theorizing, at least in comparison to the rest of the business. This could explain why everything has played out like a movie and how they were able to predict each other’s moves so well. This could either mean they’re all just trying to boost their sales or they’re all trying to take down the “slave masters,” as Ye calls them, and change the dynamic of the music industry in favor of the artist.

D. They may be trying to help their friends in the industry who are being abused or in shitty contracts. I know a lot of famous rappers have done a lot of collaborations with Jhene Aiko and Anderson Paak, who were both signed to T.U.G. records which I mentioned above in the connections to Universal Music Group. Considering they are both frequent collaborators with all of the artists involved on both sides, it’s not unlikely they may have played some part in influencing the takedown.

T.U.G was started by Chris Stokes with his partner Ketrina Askew. Back in the early to mid 90’s were gaining popularity attracting lots of young up and coming talent. They often collaborated with Diddy and his associates. In the 2000’s Raz B from the boy band B2K claimed he was molested by Stokes and his friend Marques Houston, then quickly retracted his claims. Years later he came forward again and said we was bribed into silence and that the rest of the victims were bribed with hush money and had another singer corroborate his story and they came forward together to level the accusations. After some of his former B2K members made fun of him for his claims and accused it of being a shakedown, Raz B revealed Stokes and Houston had preyed a lot of the children associated with the label including at least one of the former bandmates and paid them off.

I thought it was worth noting that the second whistleblower named Quindon Tarver died young in a car crash after mentioning his abuse again a few years prior. He seems to have left the industry not long after the incidents occurred and has few credits to his name. To this day Raz B is still trying to get his justice, while Stokes and his partner Askew, who was also involved in the abuse are still running the label to this day. Askew also has a ton of lawsuits, accusing her of using shady tactics to try to foreclose on houses. (Don’t quote me if a lawyer wants to take a look just google her full name), and has been tied to a ton of LLCs, similar to Drake. This is a good example of a shitty record deal, but I'm sure they have countless other friends in the industry who have even worse. While they were never convicted even Chris Stokes' wife confirmed it to be true.

E. The theory I personally think fits the narrative best and is the most realistic conspiracy is that Kendrick and possibly J. Cole went to the meeting, but not Drake due to his close relationship with Lucian Grange, the president of Drake’s label. Silence often speaks louder than words and this could explain why Kendrick was so ruthless and put so much effort into finding dirt on Drake. Ye, Cole, and Kendrick co-writing would be like the rap allstar team and if J. Cole wasn’t involved, it would also answer the question of whether or not he baited Drake into the battle by asking him to feature. I don’t think Drake is really their primary target though, which would explain letting him off easy. Compared to his bosses and their bosses he’s a small fish. If you take the big guys down you stand a better chance of landing a bigger blow on their operation.

Another really interesting connection is Kendrick and Ye were both signed under Universal Music Group and they both got out of their deals around couple months apart in 2022. As we speak U.M.G’s CEO Lucian Grange, who is often acccused of giving Drake special treatment, is facing charges related to sex trafficking by no other than P Diddy. This could very well explain the timing of it all. The craziest timeline would be Diddy masterminding all of this and using his connections to get it done and all the allegations are bullshit. The guy does seem pretty confident all things considered and constantly posts himself in his Batman costume which could mean he’s a vigilante.

It seems like there's a slight religious angle as well. (Ye and Diddy are both very vocal advocates of Christianity and Drake and Lucian Grange are both Jewish.) Obviously this is a reach, but they’ve been saying rap music was specifically promoted by mostly white label owners in the 80’s to help in the ongoing effort to expedite the systematic oppression of those living in black neighborhoods and the destruction of their family systems. Apparently it was an intentional decision to heavily promote rappers that promoted the very things that were destroying their neighborhoods. (So people know I'm and atheist and have zero agenda, I just thought it was interesting, please stay away from anything antisemitic. War is wrong on both sides.)

*** If my favorite theory is true, there is a possibility the Kendrick and Ye are going after Drake due to their mutual disdain for him and because he’s got a ton of power to dominate the charts and hog the radio airtime like Meek Mill and OG Maco claimed years ago. Even him dropping a record the same day as you could really fuck your album sales up. I’m also sure some of the many rumors throughout the years have had a least some truth and he will most likely snitch to avoid cell block one. I think that Drake could have been instructed to instigate this whole mess in order to draw attention away from the UMG charges brought about by Diddy. Or on the other hand it could be that Kendrick, Ye, and possibly Cole, may have had intel that Drake was going to be involved in the Diddy trial and are just gonna let the receipts show themselves. It might not have been the original plan, but they’ve already accomplished their mission of humiliating him, assuring he couldn’t use his influence to slide through the cracks, and taking over the throne.

Please take everything I say with a grain of salt I have no connection to this world or lifestyle. Regardless I believe all of the knowledge above does a pretty solid job at painting a picture of what may have let up to this and what may have been the source.
——————————-
More details found the last couple days…

Drake and Diddy Connections+Coincidences

Drake- In the P Diddy wig video from 2016 he talks about going to party with Drake, Cash, and The Weeknd in Toronto. Drake is also one of Birdman’s protégées who is known for being a predator and is rumored to have used label artists to lure young women.

Travis Scott- Interview where he comes out and says Diddy tried to lure him. Still has a long history of associating with him, video of him running from Diddy, his connection to Ruby Rose while underage.

Tim Westwood- Diddy had connections with sex offender Tim Westwood who also inspired the Drake song, “Westwood”. They also both were victims of drive by shootings along with The Weekend and they were all facing some type of allegations.

T.I.- Also has been associate with Diddy through the years, in 2021 his kid died and 11 women can forward at the same time to accuse him and his wife of drugging and assaulting them. Clearly someone wanted to fuck his life up. Possibly due to him getting arrested so many times for wild shit and people wondering how he continued to get away with it shining a light on how powerful industry lawyers are. He also had recently talked about having a gynecologist check to see if his daughter is still a Virgin, which sounds like it could have been an industrty secret. Could have been because he worried about someone trying to take advantage of her to get to him? Regardless that shit is fucking insane.

50 Cent- Has been saying pretty much the same thing as Travis Scott and has trolled Diddy for most of his career. It came out that his wife was a sex worker who was possibly recruited Diddy to help ruin his career. It sort of worked, which raises the question if 50 Cent is the only victim.

Ray J- Him and his sister worked with T.U.G. records when they were very young. Chris Stokes in the nineties who had connections with Diddy. He has been involved in a lot of sex scandals and allegedly may have played a part in Whitney Houston's death. (Which is also allegedly connected to Michael Jackson's death and both were deemed suspicious and happened during their final tours when their masters (song rights), became more valuable than their lives. Sony Records and Tommy Motolla, who also abused Mariah Carey when she was trying to start her career. These are just a few of the alleged examples of labels taking out musicians when they were worth more dead, another is the signing of high risk artists and requiring them to get life insurance so they can profit beyond releasing all their posthumous records. Also the ever so common story of the rising star artist that die at 21 after their first album or two.

He also partied with Diddy in Vegas with along Floyd Mayweather and a bunch of other famous industry people and athletes.

Tory Lanez- Tons of blackmail, also was signed by Interscope under UMG. got sent to prison for ten years after trying to leave his label. Also history of SA and and other allegations of violence towards women.

French Montana- On Diddy's label, close with Rick and Khaled, tons of drug and sexual assault allegations, also dated a Kardashian. Generally grimy.

DJ Khaled- Diddy said he could get anything in Miami, either referring to drugs or women, could explain his connections and lack of any notable talent. (New update, he was one of the first to promote Chris Alvarez’s instagram not long after he turned 18).

Rick Ross- Diddy said some weird shit about him and licked his lips and kissed him at a show. Ross is also signed to Bad Boy under Diddy. He ended up getting involved in the current feud and spamming social media nonstop dissing and threatening Drake.

A lot of the back and forth was both of them threatening to release dirt on each other. One strange coincidence I found was Drake recently trolled Ross about the 20 million dollar renovation to his home on Star island, where Diddy is currently residing. It’s rumored back in the day that P Diddy was caught in a room full of rich guys on ecstasy possibly at the beginning stages of a gay orgy. Drake also mentioned in the same tweets about Rick Ross that Birdman owned a house on the island and asked Rick Ross why he didn’t help him out.

Considering Ross is so sketchy and Drake claims the house isn’t that big, that’s a ridiculous amount of money. He may be covering up evidence, or creating tunnels in his house to escape if shit pops off and Drake might know what’s good. Interestingly enough Ross is very close with French Montana and also signed to Bad. He said his beef was related to something involving French, and Drake’s tweet popped up the same day the info came out concerning the Chris Alvarez stuff.

The famous line from U.O.E.N.O.

Meek Mill- “OG Maco called himself defending his friend Quentin Miller by substantiating the ghostwriting claims and agreeing with Meek. He hit up Twitter saying, "Some of us been knew. Meek just put it in the air. Sucks to have to compete with 6 n****s and get compared to”

Meek mill also had a short beef with Drake, some disses included lines referring to TI’s homie pissing on Drake at the movie theater, which is also interesting considering the current case against him. He also dropped a line saying Diddy almost got a domestic charge when he smacked Drake, which could either be saying that Drake is like a woman, or saying he was Drake’s boyfriend/sugar daddy.
( If you made it to the end comment with the number 8)
I thought it was interesting how the beef just kind of disappeared and even Meek said it didn’t seem genuine. Considering the allegations against Meek in the Diddy trial, and his rumored affair with Kim contributing to ending Kanye’s marriage, Meek Mill definitely did some dirt on him.

“Niggas frauds I told the truth, don't ask me shit
All this industry fake enemy and rap shit”

“Money make a sucker that told look trill again”

One of the many chapters in Drake's history in which he is seen paying his way out of trouble and starting beefs randomly.
“Now when that shit went down with Chris, you wrote a check”
This line is referring to Chris brown beef, another beef that was lost to time. All I can remember off the top was someone throwing a champagne bottle at the other’s entourage.

Ty Dolla $ign- Huge feature artist, close with Ye. Grew up in the industry and talks about growing up on the road and being in the studio with his dad and Rick James who was should have already been in prison for life for dragging, torturing, and S assaulting multiple women and children throughout his career and was himself a victim of the industry. May be part of Ye's motivation, considering their recent close working relationship.
The end.
Courtesy of,
The Randomest Moniker

Hi guys and girls 🙂 I have a question for you, something I need help on.
I'm working on "What is resentment?" Its nature, etc. What do you think it is? I feel like this is something really valuable, because resentment is a literally poisonous thing, it is like black bile that coats the heart and makes it slowly turn black and putrefy. I know I have alot of it. I think everyone does. Just something that happens when you get older. You accumulate it, like you do gray hair and body fat and higher blood pressure. Life sucks?
What I figured out is that it may help to make a distinction between "resentment", "anger" and "bitterness." I was trying to turn resentment into a more basic word. But the best I came up with was "anger"... but that doesn't really fit. I guess you could say that resentment is inward anger. Anger which you've decided not to express openly or act upon, so it sort of stays inside. Bitterness seems to be sort a byproduct of resentment.
We talk alot about diabetes prevention and informing people of the risk behaviours that contribute to heart disease. What about bitterness? Bitterness kills too. And wrecks life experience. Isn't it more important? Surely psychological health is a mainstay along with physical health. Maybe someone has already solved it.
But what I figured out so far is that what is BEHIND resentment is pain. The emotional pain is what really needs to be addressed. Resentment is like the glazed surface of the apple of pain. Anyways... that doesn't really help. Psychological pain is ridiculously difficult to salve. May as well be impossible.
Another idea I had is to address resentment you could work on your beliefs. For instance, you may have the belief "This person MUST be this way", "I MUST achieve XYZ", "Life MUST be the way I envisage it to be", etc. You could be giving yourself hell that way. I think a big one is "XYZ is unfair!!!" Weird how you can be super resentful of Life itself -- not even resentful of any particular person, but super angry at the Big Guy himself, Life/the Universe/God. And that could be the biggest possible resentment you could ever have, despite it being totally abstract.
But that is kind of a mirage, in my opinion. True healing would involve operating at the foundational pain-level that I described. But still useful, for sure. Attacking beliefs is the famous approach of Cognitive Behaviour Therapy. I'm not a big fan of it.
Another interesting idea I have is, if you have resentment just ACT on it. You hate someone? Just tell them. Give them hell. Ok, this is already starting to be a bad idea. But you could do it in a constructive way. Address your problems directly instead of stewing on them for decades. I definitely am guilty of this. (I guess if, theoretically, there was a resentment that could not be acted out, was simply unactionable, then you could just shelve it or throw it down the garbage chute forever. That is, unless every resentment has a kernel of gold. I.e., is an expression of a fundamental pain. Pain shouldn't be ignored even if there's nothing you can do about it.)
(I could, and want, to give you an embarrassing personal example of resentment that means alot to me right now, but I won't. Sorry.)
What are you resentful for right now? Why are you resentful for that? Try to go deep.
Or is resentment something to accept, and just sort of look away from? If you had a kid, what would you teach them that would save them from a lifetime of resentment?
Note: Please feel free to comment on this post. I will definitely reply to your comments!

Inspired by Solomon VK's Faufreluche posts.

D20	This staristocrat's badge of office
1	is a golden diadem which projects a hologram of Old Sol from its highest tine, as well as the rest of Man's Cradle-System orbiting about it.
2	is a hideous diamondoid mask made in the image of an alien demi-god from whom their esteemed house claims descent.
3	is an auroran magneto-cloth cape which flares with the oscillations of subtle fields.
4	is a porous meteoric amulet that echoes with the music of the spheres.
5	is a blade of enchained magnetic monopoles channeling ouroboric tangles of plasma - ever-glowing, their patterned glows expressing the cyclical yet self-degrading nature of the cosmos, able to cut through all but the most unnaturally enforced materials.
6	is a scepter containing a degenerate micro-verse within its topping globe.
7	is a battered helmet pulled from the suit of one of the first humans to reach outer space.
8	is a battle standard bearing the heraldry of their family, and topped with the head of a lion, preserved and animated to roaring unlife by cybernetic tubes woven through its flesh and bone.
9	is a halo of abstract mathematics, written directly on the fabric of space-time rather than mere matter.
10	is a pauldron of fused silicon, the remains of an artificial intelligence which almost overcame humanity.
11	is a dilating-lens lantern of an indestructible, orange-green alloy - fully unleashed, its actinic brilliance can guide in a ship from high orbit.
12	is a vial of their own, genetically-perfected blood, crystallized into a ruby-like gem.
13	is a crown of golden rings hovering about each other, each engraved with the zodiac of a different solar system.
14	is a famous artifact of Earth preserved within a temporal stasis-orb.
15	is a set of infrasonic pan pipes that can manipulate the minds of men and machine alike.
16	is a holy book written by the first settler of their world, in an eclectic script unreadable by anyone yet living.
17	is a shield with a brazen, hypercubic boss and a rippling purplish forcefield about.
18	is a labrys bearing edges honed to subatomic sharpness with whetstones hewn from the preternaturally dense heart of a collapsed star.
19	is a bowl holding a fractal bonzai grafted with branches of every fruit-bearing tree of humanity's homeworld.
20	is the head-sized smaragdine egg of some voidborne beast, the inevitable hatching of which is said to herald the end of the universe.

D20	This staristocrat's holdings
1	lie under a dimming sun, weakened by its fusion-harvest which forms the foundation of the staristocrat's wealth.
2	contain no life-bearing worlds, its population sustained only by technocratic hydro-pneumatic despotism.
3	bear the glassy-green sheen and asymmetrical mutations left by ancient nuclear war.
4	are mineral-rich but poor in organics and water, expending most of their export-wealth on life-giving imports just to survive.
5	produce a unique and inimitable spice, and are thus coveted by an extra-solar rival.
6	are either watery or gaseous, with dry, solid ground an unimaginable luxury - the populace living on great rafts or aerostats.
7	have recently absorbed a mass of refugees fleeing a black swan xeno-threat.
8	were enclosed from the common space of comet-cowboys, who plague it with their raids to this day.
9	are nestled among the ruins of an extinct alien civilization, probed only gently for fear of waking their automatic guardians.
10	are slowly but surely having their life-giving atmospheres stripped away by the rapacious solar wind of their red gigantism-suffering sun.
11	are deliberately kept ignorant of the wider galactic community to reduce their capacity to revolt, and so that the ruling class can portray themselves as deific through their technological capabilities.
12	are undergoing a long and delicate process of terraforming which structures cultural and religious cycles around these artificial seasons and critical thresholds.
13	are overgrown with a police state only nominally under the staristocrat's authority, and the computational bureaucracy that's arisen to process all their surveillance.
14	are infamous for their permissiveness, and abound in every sort of vice.
15	are torn apart on a planetary scale for the sake of resource-harvest and industry, and what unruptured ground exists is blanketed in choking smog outside sealed habitats.
16	were recently seized from a treasonous vassal and bestowed upon this staristocrat - the old holder's sympathizers still lurk within the population, evading the claws of inquisition.
17	exist mostly fictitiously, as moving shell-games of companies and titles.
18	are centered on an ecumenopolis with some roads paved with stones hewn before humanity's ancestors came down from the trees - its corners hide occultic dens of our darkest imaginings.
19	are generally scorching, deserts or liquid hells, their structures mirrored and extending tubes of heat exchanges and radiators like a seraphim wings.
20	are verdant in all forms of life - none go hungry, yet many are eaten, and a clan of masked physicians go about the populace to rebuke the tides of plague.

D20	This staristocrat is attended by
1	a harem of genetically-engineered Willendorfian Venuses, bearing a continuous stream of heirs who will duel over the matter of their inheritance in the arena of their crèche.
2	artful historians hunchbent over data-tablets, preserving every moment and detail of the staristocrat's life in imperishable crystalline records.
3	nigh-invisible bodyguards swaddled in light-bending metamaterial cloaks, heat haze auras ready to strike down any offense against their master.
4	clanking cyborg-knights - behind their cuirasses are tanks preserving the most loyal and chivalrous parts of their mortal brains.
5	slaves bearing explosive collars - the tribute of many conquered worlds.
6	a squadron of musclebound eunuch-janissaries raised from childhood with size- and strength-stimulating hormones and non-stop brainwashing.
7	clones of themself educated according to various traditions as diverse yet biologically-partial advisors.
8	the cryogenically-preserved heads of their forefathers, which sometimes dispense shivering, crackling counsel.
9	hovering laser-turrets fitted with targeting algorithms able to anticipate their master's desire to kill before it's consciously felt.
10	an enormous parrot with impeccable skill at mimicry, whose mind has been overwritten with every song recorded by humanity up until the time of its creation.
11	a pair of titanic wolfdogs, with metallic teeth that could rend apart a tank and hides that have turned aside artillery-shells.
12	the plush animatronic companion of their childhood, its digital personality updated to be a competent advisor.
13	a caste of butlers who've served their family for generations, bred like pedigreed dogs.
14	a choir singing their praises, the choir's lungs replaced with cybernetic jet-intakes slatted between ribs, so that they might sing unceasing.
15	a former whipping boy, their oldest friend, bearing the delicate scars of tremendously sophisticated tortures.
16	tumbling jesters dressed in patchworks of impossible colours captured from the coronas of half-real suns.
17	technotheologic angels dancing through the air on wings of incandescent blazons.
18	abductees from primitive worlds fitted with neural implants which make them believe they are simply in an extended dream.
19	a team of chefs who can prepare the delicacies of a dozen worlds, never repeating the same twice in their master's lifetime.
20	grey masters of anagathic science, whisper-arguing over the injections and ointments that will quicken them a while longer.

D20	This staristocrat's court
1	is entertained by a vapourous alien intelligence which takes possession of lesser courtiers through a fanciful hookah.
2	has its lesser members partially memory-wiped when they attend it - able to recall their skills, yet unable to remember much of their own identities, and so how to apply those skills for personal benefit.
3	is deliberately, performatively humble, held in barns and suchlike.
4	is overlooked by a cine-dome showing stars, moons, and constellations in fortuitous alignments.
5	is addicted to novelty, and constantly seeks new performances and grotesques.
6	is made up nepotistically of their siblings who did not win the contest to inherit the throne.
7	are waited on hand and foot by fragile ceramic robots imprinted with the tightly-enchained engrams of political criminals.
8	takes place entirely remotely - members are provided radio-devices with frequencies that trigger voice-like vibrations in great bells this staristocrat is in the constant presence of.
9	were at first ironically and now legitimately entranced by a bloody cult of sacrifice and agonies.
10	has been forced to accept elected representatives from among the populace by a revolt - to the grumblings of those who attained their positions through inheritance.
11	is wracked by a scandal involving mistresses overspending from public coffers.
12	is perpetually-wrapped in augmented-reality projections of mythic mimesis.
13	is burrowed among the roots of the biggest mountain of their throne-world, so that it could survive all but the most devastating attacks.
14	are all accompanied by a member of an order of courtesan-assassins implanted with acid-glands in case their charge shows overt disloyalty.
15	solve disputes among themselves with duels, and drill daily with various weapons and fighting styles.
16	is held within a hollow pyramid, with this staristocrat at the top point and many stairs and levels filtering petitioners between them and the entrance at the base.
17	is largely taken over by a conspiracy to poison this staristocrat, and even the uninvolved have begun to circle like vultures.
18	is a ring of stone thrones built to scale with the renown of the one who sits upon them - this staristocrat themself sits like a small child on a throne fit for giants - their seneschal on a stool.
19	is held around a colosseum, where gladiators and vicious alien beasts fight for their amusement and haruspexies.
20	is itinerant, a grand airship which hovers above the realms of hosting vavasours.

D20	This staristocrat's noble flaw
1	is hubris - they believe they can become like God by funding breakneck scientific process.
2	is bravery - they will fight to the last in the face of overwhelming odds, even if better options present themselves.
3	is honour - their thinking is rigid and totally un-utilitarian.
4	is generousity - they give without thinking, disrupting economies and fostering dependence with their largesse.
5	is parental love - they spoil their children on a terrible, cosmic scale.
6	is a thirst for justice - a continent has burned due to their need for a punishment fitting a truly awful crime.
7	is filial piety - their increasingly-senile dowager-mother has them tied around her bony finger.
8	is tolerance - they've cultivated cosmopolitan communities, yet failed to confront division and rising extremism.
9	is an aesthetic sense that is souring into decadence.
10	is persistence - they are a dogged obsessive.
11	is realpolitik - they've alienated possible allies with ruthlessness.
12	is faith - they lean often into outright zealotry.
13	is cautiousness - they often dive into outright paranoia.
14	is competitiveness - they're innovative, but often only in the tortures applied to defeated rivals.
15	is cleanliness - they have advanced to a purgative germaphobia.
16	is contentment - they have come to peace with all things, even if others demand their action.
17	is honesty - they will never lie, even if it benefits them and their people.
18	is is humility - they are overly-convinced of their own incapacity.
19	is romantic love - their spouse manipulates them to their knowledge yet total acquiescence.
20	is imagination - their fancies often end up unproductive or outright destructive.

It’s confirmed now this game is at least basing the main character on Yasuke, the famous black “samurai”. I usually don’t really have a problem with the obvious pandering, but this is so on the nose to me it’s hilarious. For one, historians have never found anything calling him a samurai, and everyone bases that off of a book written by two white guys that claims it’s his “true story” when most of the book is sourceless conjecture and sometimes the authors writing his inner thoughts (he never ever left anything in writing). The biggest tell to me is in the AC games, they’ve always steered clear of making the protagonist a real person or basing them on a real person, and suddenly they want to do that. Worst part is Liberation and Freedom cry were awesome and had black protagonists, but anyone who worked on them is long gone. It’s just so on the nose to me that famous company Ubisoft finally does the game people have begged for for decades at this point, and they couldn’t help themselves but toss the message in there.

I wasn't planning on watching Thrice Upon A Time. I had not liked the previous films and they seemed like a very inferior product compared to the original anime. However, the good reviews and opinions I saw about it encouraged me to do so. I did it with as open and tolerant a mind as possible, knowing that there was a good chance I wouldn't like the film. "What's the worst that could happen? That I don't like it and continue to prefer the original series? At least I'll be entertained for two and a half hours," I thought. What I did not expect at all is the deep feeling of disgust and repulsion that this film provoked in me, in a way that no other film has provoked in years.
I hated the movie from start to finish. I could spend hours talking about the boring action sequences, about its ugly, excessive CGI that ruins the already ugly mecha, about its disgusting hypersexualization of fucking 14-year-old girls, about how Misato's plans don't make sense, about how Last Kiss almost made me tear my ears off, or its plot full of Deus Ex Machinas with concepts conveniently taken by Hideaki Anno from the place that his last name suggests; but the real reason I'm writing this is because I feel like these movies spit on everything the excellent original work represents.
Not only because as adaptations they fail miserably, but also because they retroactively damage the original work (we'll talk about that later).
Before I begin to explain why the rebuilds are bad adaptations, I want to warn that I am going to do a relatively exhaustive review of the 4 films, so this rant is going to be very long, like staying up late on a winter night with chronic insomnia. That said, let's start to see the reasons:
WHAT IS NEON GENESIS EVANGELION?:
To understand why rebuilds fail as remakes, I must first ask you, dear reader: What does Neon Genesis Evangelion mean to you? (it should at least be familiar to you, unless you've spent your life under a bridge) What do you think about when you read that title, apart from Shinji fucking in front of a comatose Asuka? What comes to mind when you hear the most famous opening in anime history, apart from Shinji strangling the otter against Happy Thursday's throat? (in more ways than one). If your answer is: "It's a mecha anime for emos with a coomer protagonist", that's fine, I respect that; but please press the red "X" in the top right corner of your screen, you can now leave.
Now, I'm going to get serious and explain my definition: Evangelion is a work about the hedgehog's dilemma and the difficulties of forming emotional bonds that human beings have, as well as the consequences of trying to separate from them for fear of rejection. It is not a story about heroes. It's not a story about saving the world. In Evangelion there are neither heroes nor villains, but rather a group of emotionally broken characters trying to be happy in a world just as broken as them. The real enemy of Evangelion is not the angels. It is the lack of communication and empathy.
https://es.wikipedia.org/wiki/Dilema_del_erizo
It is that same lack of communication and empathy that progressively causes everything to go to hell to conclude with a cathartic and bleak ending, but consistent with the themes of the work. It is therefore an existentialist work about human relationships disguised as a mecha anime. This, added to a unique visual style, daring direction, and mechas like never before seen on television, made Evangelion one of the most influential anime in all of history, as well as a true commercial success for Gainax Studio. Success that encouraged other studios to carry out projects such as Cowboy Bebop or Serial Experiment Lain, taking anime towards a new golden age.
Even today you can hear the echoes of that Third Impact of End of Evangelion in 1997. The list of works influenced by Evangelion both inside and outside of Japan is endless. Of course, it is not a perfect work, nor extensive in errors: its target audience is ambiguous, many of the biblical references are more for decoration than anything else, and several aspects of the ending(s) could have been explained better. However, many of these errors can be attributed to a lack of time and budget during the production of the original anime (which was quite chaotic and improvised); therefore, they are understandable and forgivable.
In summary, we can conclude that Evangelion is a dark, introspective, provocative and unique work (at least at its time). This is also combined with a unique visual identity and complex characters whose relationships intertwine and interconnect throughout the work. The sum of all these factors is what led Evangelion to be such a critically acclaimed work that it transcended its own genre and became an icon of popular culture. And this in turn constitutes the biggest mistake of rebuilds; because they commit the biggest sin that an adaptation can commit: denying everything that made the original work great.
ADAPTING WITHOUT A CLEAR PURPOSE:
One of the biggest problems with these remakes (as well as a clear example of what I'm saying) is their total narrative inconsistency. Let me explain: the first rebuilds movie (1.11) is a literal copy-paste of the first 6 chapters of the original anime, with practically the same scenes, dialogues and even music. This makes the film completely redundant and unnecessary (and makes one wonder why it exists); But in any case, the message is being conveyed that the purpose of these remakes is to adapt the original series as faithfully as possible to the cinema with a current animation style.
However, the second movie (2.22) is a... something. A pastiche of new and old things where the plot broadly follows that of the original anime, but with many things changed (of course, for the worse) and a different ending. All this compressing no less than 14 chapters of the original anime into two and a half hours. Here the message that one can infer is that it seeks to adapt the original story (very briefly) by changing and rearranging certain elements, now more in line with what an adaptation is.
However, then we get to 3.33 and... well, after a 14-year because reasons timeskip, we're now in a post-post-apocalyptic world (repetition intended) where ex-Nerv members fight against Nerv itself. Nerv in giant spaceships, there are mechas everywhere, Misato is a sociopath, and Shinji and Asuka still look exactly the same because "DAMN JEBA." Here we can infer that what is sought is to create a totally new story and take it in different directions than the original. The following movie (3.0+1.01) is the only one that is consistent with this purpose.
Whether all these narrative pirouettes were planned in advance or not (clearly not), we can see that there is a clear incongruity between what is intended to be done and what is finally done. All of this generates a strong narrative chaos where the elements and themes of the original anime are mixed with the new ones, creating a total inconsistency. Since also in 3.0+1.01 it is revealed (unfortunately to me) that everything is part of the same universe and this is not really a remake, the excuse of "they are different universes, they don't have to be the same" doesn't work either.
In fact, one thing that you will see me comment a lot throughout this article is the lack of narrative consistency of these remakes, especially in comparison to the original work.
A HEDGEHOG WITHOUT TICKS:
No character in Evangelion better embodies the central theme of the work than Shinji Ikari, its own protagonist. Shinji is not a hero: he is not brave. He is not a genius. He is not charismatic. He is not selfless. He doesn't want to save the world. His reason for piloting the Eva is to gain recognition and appreciation from others; especially from his father, whom he hates, but at the same time admires; He feels that she despises him, but he also wants (and needs) that she loves him. Shinji spends the entire series in the dilemma between escaping from what hurts him (classic avoidance behavior) or accepting it and moving on, even at the risk of being hurt again.
This theme is rock solid throughout the entire original series: from the first to the last chapter of the anime, and from minute one to the very end of End of Evangelion. Even the opening itself makes several visual references to Shinji's hedgehog dilemma. This can make Shinji an infuriating character for audiences accustomed to typical anime protagonists; but it's those same things that make Shinji such a unique and special character. He deconstructs and subverts the hero's journey. And it's not as if this hinders the plot: Shinji is not proactive, but he also does not spend the series crying, as many often claim.
https://files.catbox.moe/eolho0.mp4
https://es.wikipedia.org/wiki/Monomito
And as you may already be imagining, the Shinji of the rebuilds does not have a hedgehog's dilemma. Or rather, he has it, but only during the first movie (copy-paste of the original anime) and part of the second. This is a problem, because it creates a strong narrative inconsistency (again) where it seems that two Shinjis exist at the same time or that this one is bipolar. As of 3.33, Shinji's entire character arc is based on trying to redeem himself for his past mistakes first by unleashing "Almost Third Impact" (what a stupid name) and subsequently preventing Kaworu's death while trying to right said mistake.
Is this a bad thing? Not necessarily. The problem is that I have already seen the arc of the hero who fails to eventually rise up and succeed in 100 trillion works, while the hedgehog's dilemma in none more than in Evangelion (at least in my case). Which makes Shinji a much less interesting character. Some might argue that in 3.0 + 1.01 Shinji does have such a dilemma because he spends half the movie crawling on the ground; but there is not a hedgehog's dilemma, but rather depression for having seen Kaworu's head go KAWOOM (I know, the joke was very bad, but if he didn't do it, I would explode too).
End of Evangelion's Shinji did have such a dilemma because the reason for his depression was having been manipulated and used by someone he had previously opened up to and then forced to kill him, not for failing in his mission (in fact, he was very efficient in her mission to separate Kaworu's head from her body), which in turn brings sexual (and later, deadly) results for Asuka. I insist: narrative consistency. But this is not the worst: the worst thing is that at certain moments in these films, Shinji becomes the typical shonen savior hero, betraying the central point of his character in the original series.
https://youtu.be/E-x-f2OrWeA
A perfect example of this is the ending of 2.22, where the fight in chapter 19 (COINCENTLY from where the original anime starts to get more introspective) is transformed into a ridiculous shipping attempt, with Rei turned into a damsel in distress and Shinji into a savior hero while spouting all the typical cliché lines, topped off with a disgustingly cheesy ending. But of course, how could it end otherwise? With Shinji's Eva practicing cannibalism on Zeruel's corpse (the original scene)? Too disturbing for current times. Shinji and Rei fighting as a team to defeat him? Yes of course. Rei has enough not being in the kitchen. Besides, Asuka already takes care of that, hoping to receive her alpha male's cock as a reward.
https://youtu.be/TPS0Uk0TkP0
Because, like any good modern anime protagonist, Shinji now has a harem.
FETISHING WITHOUT CONTROL:
Of all the characters who are now part of Shinji's harem, the one who is most harmed by this is Rei (Asuka's case is different, and the other character is an infernal creation from Anno's sick mind). Not only because acting like a bitch in heat goes totally against her personality and because of the murky situation, considering that she is a clone of Shinji's mother, but also because her character is reduced to a mere fetish object that does things cute to produce tenderness in the viewer and make coomers buy their figurines.
Rei is an interesting character because he raises numerous existential questions based on the ship of Theseus paradox: the concept of identity, to what extent we can consider ourselves still ourselves, the construction and definition of a "self", etc. But here, her screen time piloting her Unit 00 is minimal (COINCENTLY most of it in 1.11) and her exploits are practically irrelevant or non-existent, also being reduced to a mere damsel in distress at the end of 2.22, as I said before.
https://es.wikipedia.org/wiki/Paradoja_de_Teseo
In 3.0+1.01 he doesn't even get to pilot an Eva. Her role in the film is to cause pity and produce tenderness with her total ignorance (I see that the idiot Anno forgot that all the Reis are born with basic knowledge) while she is seen with different hairstyles, different outfits, working as a farmer, taking care of a baby, etc. In short, a fetish object where she wants the public to value her for how "moe" she is instead of for her abilities or as a character. In Anno's mind, feminism advances in reverse. Ironic, considering that it was precisely Rei who unintentionally started the moe culture.
Of course, it goes without saying that Rei is not the only one who suffers from this extreme fetishization of her character in these films. Under the excuse of paying homage to End of Evangelion, Asuka now always wears an eye patch (needless to say it has nothing to do with having been injured there), a cap with cat ears, in addition to having a very convenient trend for the coomer public of walking naked and semi-naked through other people's houses. She sometimes puts on the plugsuit, but near the end of the movie, it is conveniently torn off, lest we forget that this is made by the Japanese.
One of the best examples of how this hareminication has destroyed the main female characters is in the elevator scene. In the original anime, Rei tries to advise Asuka in a time of particular vulnerability and depression. Rei's limited social skills, coupled with Asuka being Asuka, cause her to misinterpret the attempt to help as mockery and an act of condescension, triggering a slap from her towards Rei and a worsening of her already strained relationship and Asuka's mental state. Rei doesn't fight back because she knows that doing so would only make things even worse.
It is an excellent dramatic scene because it once again brings to the foreground the hedgehog's dilemma and the difficulties between human relationships, very much in line with what Evangelion is. In 2.22, this scene is gratuitously introduced and turned into two horny bitches fighting over which of the two will let their alpha male penetrate first, with a highly OC Rei stopping the assault attempt in a 100% gangsta way to make her see more "cool." The scene doesn't even make plot sense, because Asuka at that moment is not even depressed, and in the original anime this occurs at a much later time under a very different context.
and speaking of asuka...
SOMEONE CALLED ASUKA:
When I started watching these movies, I was afraid that Asuka's character had undergone modifications to make her more "palatable" to new audiences. What took me completely by surprise was how radically different this Asuka is from the original. So different that they can't even be considered the same character. To show it very clearly, we are going to review the personality of both:
Asuka from the original anime: An energetic and outgoing half-German, half-Japanese girl (actually it's 1/4, but who cares) who loves to be the center of attention and have everyone praise her due to the lack of parental love received during her childhood having been abandoned by her father and supplanted by her mother, who suffered from severe mental disorders. She is extremely proud and competitive because she feels that being Eva's pilot is the only thing that gives her an identity and purpose, which makes her tend to become quickly frustrated when things don't go her way and become defensive when she feels like she is being outmaneuvered. . He loves to make fun of others (especially Shinji), to the point of being cruel at times, but he does not do it out of malice, but rather to compensate for his enormous inferiority complex due to the rejection suffered by his mother and having witnessed her. committed suicide (and possibly even tried to kill her) the day she was chosen as Eva's pilot and came running to wish her a Happy Thursday. She admires Kaji and wants to fuck him because she hates her own adolescence, she needs to feel adult and independent due to suffering from a certain Electra complex for having lacked a true father figure during her childhood. She has a sweet and vulnerable nature, but she rarely expresses it to anyone except her best friend Hikari and I better stop this now because too much text.
Rebuild Asuka (hereinafter "Asuka"): A girl soldier created by Nerv as part of a series of clones who has always been alone and thinks she doesn't need anyone, although she secretly wishes to have a family. She hits and insults others for no reason, she yells a lot, never smiles or makes jokes, and hates socializing with others, which doesn't stop her from looking for Shinji's dick within 2 days of meeting him. She always plays video games while someone is talking to her and at night she talks to herself with a doll like an autistic person.
As we can see, these two characters not only look nothing alike: several of their traits directly contradict each other. Because they look alike, they are not even alike in aesthetics: the original Asuka had red hair and dressed in the traditional feminine way, while "Asuka" is light brown and dresses in a tomboy style (which I'm not saying is wrong, I'm just commenting to show the radical difference). It's not that they have changed Asuka: it's that they have directly murdered her to supplant her by someone with whom she only shares her first name (not even her last name). And needless to say, the change has been VERY for the worse.
To describe the first character, I had to spend 15 damn lines, and even then I had to leave out many important facets of his personality, his development in the original series and his entire character arc in EoE, because if I didn't have one endless bible For the second, 6 lines were enough for me, and I could have had more left over if I had been more concise. The first character is a complex and three-dimensional character, with multiple facets, edges and layers. She feels like a real person. The second character is a generic tsundere that you can find in any mecha anime of the week. She is not even comparable to the first; She's not even a good character.
We cannot speak of Flanderization because not even the most basic traits of the character have been respected. Nor can we speak of a deconstruction because that same absence of basic traits means that there is no character construction on which to stand in the first place. Obviously, this change greatly resents the interactions between characters: the original Asuka was a charismatic and fun character with the ability to drive the plot on her own (as soon as she appears in chapter 8 of the original anime she is already changing the entire dynamic between characters) , while "Asuka" is mostly only in the background or to fight; He doesn't even have a character arc as such. In fact, in 2.22 he has even less screen time than several supporting characters.
His chemistry with Shinji is also non-existent (and I'm not just referring to the romantic level) and they barely have any development together. They like each other here because... ehhhh... she likes how he cooks and he thinks she's hot? It's not that the AsuShinji (or ShinSuka, or whatever the hell it's called) here is forced: it's just that it doesn't even make sense. The only reason people still ship them together is because they did it in the 90s. Yūko Miyamura's performance also feels very lackadaisical and lacks passion, which is quite unlike her. Although perhaps this is intentional, since her character always talks as if she has the spear of Longinus permanently stuck up her rectum. In fact, the few times she says her iconic "Anta baka?" This one feels very forced, in addition to not having her characteristic high-pitched tone.
In short, the character has suffered the same fetishization as Rei (gamer girl, tomboy, one-eyed, etc.), but also with the aggravating factor that not even her basic characteristics have been respected here. This is especially disconcerting when we take into account that the rest of the characters have their original personalities more or less intact (albeit simplified). Even more disconcerting if we take into account that Asuka is possibly the most popular character in all of Evangelion, and even more so if we consider that she is Anno's favorite character (in fact, the initial idea was for Asuka to be the protagonist).
https://evaresources.wordpress.com/der-mond/
Given this, the inevitable question arises: "Why?" What was the point of turning Asuka into an inferior and tsundere copy of Rei, even more so when there are already three clones? It has always been rumored that Asuka is not popular in Japan, but that is completely false. The only semi-rational explanation I can think of is that they did it to please the haters. It's no secret that a portion within the Evangelion fandom (and outside of it) hates Asuka with a passion. They see her as someone toxic and cruel who dedicates herself to screwing others for no reason, without understanding that you don't have to like a well-written character.
https://imgur.com/a/KznXE1x
What these people fail to understand is that Asuka's verbal abuse is a defense mechanism to avoid opening up to others, since Asuka constantly says things that do not fit with what she really feels or thinks (clear proof is chapter 16 from the original series). It's not like it matters much, considering they were never more than an extremely vocal minority. That the character is so popular is proof of this. The great irony of all this is that the new "Asuka" is a much more unpleasant and detestable character than the original, since she lacks the redeemable qualities of the original and her moments of comic relief.
And if until now I have been more or less benevolent with this remake, this is something I cannot forgive: because changing a character just because a group of people doesn't like it is one of the most cowardly and pathetic acts in the world. that a writer can fall. The fact that this was also at the expense of one of the best female characters in the history of anime and with a wonderful story arc makes it even more bloody. Any other halfway competent writer would have responded with this.
https://youtu.be/5Js0ea6yPKM
...although if we go by Ockham's razor, the most likely explanation is simply that Hideaki Anno is mentally retarded.
A CHARACTER TO DESTROY A FRANCHISE AND BIND IT TO DARKNESS:
Mari Makinami Illustrious A.K.A María Iskariote (what an appropriate last name) is one of the worst creations ever made by humans. Not since the atomic bombs has humanity created something so horrible. Worse than the holocaust. Worse than fascism. Worse than Facebook memes. Worse than stepping on a lego. I would even dare to say that it is worse than pizza with pineapple. No character better reflects Anno's mental decline or better embodies all the problems of the current anime industry than this trash.
This character contributes absolutely nothing to the plot, he does not contribute at any time to its advancement, he lacks his own development or story, he does absolutely nothing relevant in the 3 films in which he appears, and he does not even have a defined personality. So much so, that all of her scenes could be eliminated or replaced by any other character and she would barely affect the plot, or not affect it at all.
The character is so frighteningly one-dimensional that she doesn't even show different emotions or moods during the three films in which she appears, always being perpetually happy and carefree even in tense situations for literally no reason. This leads to moments as surreal as her starting to sing and hum in scenes that are intended to be serious or dramatic (or so I think; perhaps what they wanted was to turn this into an unintentional comedy), again generating a gigantic narrative dissonance. The last third of 3.33 is the best example of this.
But that's not the worst: this character is clearly made for otaku coomers to masturbate to. She has almost every fetish possible: glasses/lenses (whatever they call it in your country), pigtails, miniskirt, schoolgirl, saying "nya", big tits, obsession with smell and tight outfits, etc. To make matters worse in 3.0 + 1.01 we discover that she is 48 years old, so we can also add the milf fetish. Evidently, her tits always bounce in her plugsuit (she would swear that never happened in the original series) and there are many close-ups of her ass. In addition to constantly making sexual advances towards Shinji, which also turns this piece of shit into a potential pedophile.
If the thing simply ended there, we could say that this character remains a mere annoying and unnecessary secondary character. Unfortunately, the character is also disruptive to the plot, occupying long filler scenes that do nothing more than waste time that is already scarce in a film, and that could have been used on something else more interesting; like Pen Pen watching TV, Pen Pen eating a sardine, etc. Without going any further, both 2.22, 3.33 and 3.0+1.01 begin with a long filler scene of her hitting on her. Well, to be honest, the 3.33 one is more Asuka, but this abortion is still out there fucking and singing.
It would not be an exaggeration to say that discussing why this character exists is much more interesting than any other debate that can be created about these films. I still think about it. However, the ending of 3.0+1.01 gives a good clue: the character was created solely and exclusively to stay with Shinji. I can only imagine that Anno made this tired of the fandom shipping and the arguments over who Shinji should stay with, so he decided to end the matter by creating his own ideal waifu with all the fetishes he likes in a woman to end it. with this. It's disgusting, but considering we're talking about a Japanese, totally possible.
It's surreal coming from the man who harshly criticized the use of anime as escapism and the excessive female objectification and sexualization in it, but it's the only semi-decent explanation I can think of. Basically, he is what is called a mascot character in literature. That would explain why this character never shows doubts, nor any kind of internal conflict, or why he is a better Eva pilot than Asuka and Rei themselves. It is also very revealing about the quality of the Rebuilds: creating a self-insert OC just to be the partner of the protagonist or another main character is the quintessential trait of all bad fanfiction.
However, among all this tsunami of disqualifications, I also have to say something positive: spending three movies giving hope to the shippers only to have Shinji be cuckolded simultaneously by Rei and Asuka in the last one and end up with a character with which had zero development (before 3.0+1.01 I didn't even know its name) is a true trolling masterclass, worthy of the best of ball pumpers. Only a true emperor of evil would have come up with such a twisted and at the same time perfect way to screw over a large part of the fandom. I give you my tens, Anno.
THE ANTI-UNIVERSE OF ANTI-NARRATIVE:
Of all the new concepts that Anno brings up at the last minute from the place named after his last name, none stands out more than the "anti-universe." Or, as I like to call it, the "anti-good writing." Basically because it perfectly represents all the problems of the rebuilds and their script. In the final stretch of 3.0+1.01 we have the last-minute revelation of a quantum plane of existence capable of turning imagined worlds into reality and changing this through Lilith, which cannot be understood by the human mind (wow, WHAT CONVENIENT!) and whose existence has never been mentioned or even hinted at in the entire franchise until CONCIDENTLY the aforementioned last third of the film.
In other words, a gigantic Deus Ex Machina created in an improvised way to avoid repeating End of Evangelion and forcing a happy ending where Shinji creates an ideal universe for each character (although that is questionable, as we will see later). And it is far from being the only one: the spear of Cassius, the Eva of Infinity, the key of Nebuchadnezzar, the Book of Life, and so on. None of these concepts are integrated into the plot in an organic and natural way, but rather they arise spontaneously at its convenience when it needs it. Except for the new "Super Berserker Mode" of the Evas, which is simply a power-up to sell figurines.
As I said before, if at least this were an alternate universe separate from the original anime, all this bombardment of concepts pulled out of the ass would be a little better justified. But the revelation that everything is a cycle and we are in the same universe as the original work only makes it even worse, generating countless inconsistencies about why they never mentioned this or never used that (what's the point of the seeds of life If you can create universes simply by imagining them?). Although without a doubt, the worst of all these new concepts is "the curse of Eve."
Here we have a new concept with very strong repercussions completely launched, which is not even an explanation in itself, it does not answer anything and to make matters worse, the same films contradict each other several times. Needless to say, this is a cheap excuse for the three main characters not to grow up and continue sexualizing 14-year-old girls after the most gratuitous timeskip ever seen. And speaking of timeskip, putting such a long one in the middle of the story is a first-time writing error. If you are writers, never do that: the bigger the time jump, the more things you will be forced to explain, since the less you do it, the more plot holes will form as a result.
And of course, here it explains little to nothing of what happened these 14 years. Like where Nerv got such a tremendous base from, if in 3.33 it seemed that together with Rei and Kaworu it was made up of four people. Or how they have gotten such an army of pseudo-Evas, especially when these are supposed to be extremely expensive (wow, and SEELE with all her unlimited resources was barely 9 in EoE). Or worse yet, how Kaji managed to stop Almost Third Impact (seriously, the name couldn't be stupider). None of these questions are answered at any time. Obviously because they can't do it.
Evangelion has always been characterized by leaving things up to the public's interpretation, but here I feel that they are vilely taking advantage of it so as not to have to give any kind of explanations. And in the case at hand, do not even pay attention to contradictions. Like Touji and Kensuke got on Unit 01 and that doesn't stop them from being 28 after the timeskip. Or that Mari appears to be 14 despite looking like an adult in Gendo's photos and flashbacks, plus the fact that Evas, by simple logic, could not exist back then.
The height of absurdity is when near the end of 3.0+1.01 the "unexpected" revelation occurs (actually we all saw it coming) that everything is a cycle and we are facing a reboot of the original timeline, of which only Kaworu seems to be conscious. He let them guess without giving them any clues how many times Kaworu mentioned or even hinted at such a thing in the original series. Needless to say, nothing is ever explained about it: Who created that cycle? (Adam? Lilith? The First Ancestral Race? Hideaki Anno's last name?) For what purpose? How does it work? How long does it last? Why is Kaworu the only one who remembers him? Do these remakes make sense?
THE DEATH OF A STYLE:
Fortress-cities folding in on themselves. Designs and constructions oscillating between the nineties, the utopian and the cyberpunk. Meshes of flesh and blood animated with the souls of the dead fighting with classical music in the background. A mysterious and ambiguous lore where aliens, technology and conspiracies mix with gnostic, cabalistic elements and the most esoteric aspects of Christianity (did the History Channel predict Evangelion?). Minimalist posters moving quickly between frames. Monochrome backgrounds flashing aggressively (bad luck if you were epileptic). So consistent with its themes that the A.T. fields themselves. They were an allegory of the hedgehog's dilemma (I'm not making this up, Kaworu himself says it in chapter 23).
https://imgur.com/a/2M0eDVK
The sum of all these factors is what allowed Evangelion to build an absolutely unique identity, the one that allowed people to say "hey, that's an Eva!". Starting in 3.33, all that is lost to disappear in 3.0+1.01 in favor of giant spaceships, mechanical mechas made of pure CGI, battles full of colored lights, multiverses and time loops. I'm not saying these elements are bad in and of themselves, but I've already seen a thousand mecha stories with these. For that, I start watching any of the versions of Gundam or Macross. I could also complain about the boring shots without audiovisual language and always using the same color palette, but to be fair, that is an endemic evil of current anime.
And like any bad remake, 3.0+1.01 can't help but pay homage to several scenes from the original work, completely failing to understand the point of said scenes. As an example, we have Ritsuko shooting Gendo for no reason other than to pay homage to End of Evangelion, ignoring that the context between both scenes is very different. Furthermore, here they never explain the relationship that exists between the two, so the scene makes no sense; especially for those who never saw the original series, who will also find mentions of facts that these films have never shown or bothered to explain.
Even worse is when they try to pay homage to the iconic battle between Asuka and the Eva Series. Not only because of the total absence of the graphic violence and choreography of the original, but because what makes that fight so remembered is its emotional component, since it is preceded by a narrative catharsis in which Asuka discovers that the Her mother's soul was always in Unit 02, in addition to being marked by the constant tension of knowing if she will be able to finish the fight before the Eva's energy supply runs out. Here the Evas never run out of energy (why do they need the power supply, then?), so there is no such tension.
In the original fight Asuka may not be shooting 1387945 Evas with a super cannon larger than her as she falls through an... interdimensional hole?; But there you feel every blow, you can appreciate every movement in detail, and the dramatic tension in crescendo only improves the result. If this were a shonen, the logical thing is that Asuka would win. After all, her character arc has been wrapped up in a climactic way. Unfortunately, this is Evangelion. When the Evas Series manage to cause a mortal wound with the pseudo-spear of Longinus and the energy counter reads zero, the outcome is already decided. What happens next is horrific (Asuka's enemies are cruel to her even after she is dead), and just as horrifying are Yūko Miyamura's screams and Miki Nagasawa's performance as Maya announcing that Asuka is dead. In the Rebuilds there are no performances anywhere near that level.
End of Evangelion will be as dark and uncomfortable to watch as you want, but it is a film where all those responsible put their souls into achieving the best possible result, both on a technical and artistic level.
and well, I think that for today I have already downloaded too much, an apology for the large amount of text, I will make a second part at another time because I have so many things to comment on... anyway, I hope you have a good day/afternoon/night or when you read this .