I f(26) recently had a baby and I want to lose the baby weight I weighed 180 before pregnancy, 280 at the end, and within a few months dropped to 240. I really want to get back down to prime weight for my height which is around 160. But I was majorly ana from 12 to 16 and almost died because of it. My husband and I have been together on and off since I was 13 so he knows all about my history. He and my family have noticed I'm dieting and working out and are freaking out thinking I'm starving myself again. I have went from 240 to 225 and they are acting like I'm only 97 pounds again. Im.doing this the right way I eat 1800 calries on average and my workouts are simply a YouTube pilates video followed by squat walks, and playing with our now crawling infant. I also take the baby for nap walks because I want her outside as much as possible anyway so I typically go for 1 to 3 mile walks during her morning and early afternoon naps. I average about 16k steps a day, between workouts and daily life walking.
I just feel like I should give up because as long as I try to lose weight the right way everyone is going to keep accusing me of being sick again. My husband has started believing me since I started logging on paper what I'm eating and when. He's not usually controlling this all comes out of concern because he watched me pass out and fall down a flight of stairs in high school because of not eating. I guess I just wished everyone trusted me more. My mom is now on summer vacation (she's a teacher) so now she is also constantly bringing me food and watching me eat it so I feel like she is trying to sabotage my weightloss. So now I don't even eat breakfast because I know she will be by at 10 am with something.

Casper VIA X30 Plus cep telefonu, uygun fiyatlı ve yüksek performanslı bir akıllı telefon arayanlar için iddialı bir seçenek olarak öne çıkıyor. Peki, bu telefongerçekten de vaat ettiği gibi bir fiyat/performans canavarı mı? Gelin yakından inceleyelim.
Tasarım ve Ekran:
VIA X30 Plus cep telefonu, şık ve modern bir tasarıma sahip. Plastik arka kapak, ele iyi oturuyor ve parmak izi tutmuyor. 6.5 inçlik IPS LCD ekran, canlı renkler ve yeterli parlaklık sunuyor. 90Hz yenileme hızı sayesinde de akıcı bir kullanım deneyimi yaşatıyor. Taksitle telefon çeşitleri için sitemizi hemen ziyaret edebilirsiniz.
Performans:
Telefonunkalbinde MediaTek Helio G99 işlemci bulunuyor. Bu işlemci, günlük kullanımda ve oyunlarda oldukça başarılı bir performans sergiliyor. 8 GB RAM ise çoklu görevlerde ve oyunlarda akıcı bir deneyim sunuyor. 128 GB'lık dahili depolama alanı ise çoğu kullanıcı için yeterli olacaktır.
Kamera:
50 MP ana kamera, 8 MP ultra geniş açılı kamera ve 2 MP makro kameradan oluşan üçlü kamera sistemi, gün ışığında oldukça iyi fotoğraflar çekiyor. Gece modu ise düşük ışıkta performansı artırıyor. 16 MP ön kamera da selfie'ler için yeterli.
Batarya:
5000 mAh'lık batarya, yoğun kullanımda bile bir günü rahatlıkla çıkarmanızı sağlıyor. 18W hızlı şarj desteği ise pilin kısa sürede dolmasını sağlıyor.
Yazılım:
VIA X30 Plus cep telefonu, Android 12 tabanlı Casper UI ile kutudan çıkıyor. Arayüz, sade ve kullanımı kolay. Ancak, bazı gereksiz uygulamalar yüklü olarak geliyor.
Diğer taksitle telefon çeşitlerini görmek için tıklayınız.
Evshop Ürünleri: Mobilyadan Elektroniğe Aradığınız Her Şey
Evshop'ta eviniz için A'dan Z'ye aradığınız tüm ürünleri bulmanız mümkün. Eğer evlilik planları yapıyorsanız ve evinizi döşemek üzereyseniz, Evshop'ta yer alan mobilyalara ve koltuk takımlarına göz atabilir, en popüler beyaz eşya markalarının beyaz eşyalarını ve ankastre setlerini inceleyebilirsiniz. Çalışma masasından genç ve bebek odalarına, köşe koltuk takımlarından televizyon ünitelerine, yemek odalarından kitaplıklara bir evin tüm mobilya demirbaşlarını Evshop mağazalarında ve online alışveriş sitesinde bulmak mümkün. Evshop, geniş bir televizyon yelpazesi de sunarak farklı TV izleme alışkanlıklarına hitap edecek çeşitlilikte bir model ve marka seçeneği sunuyor. 24 inçten 70 inçe uzanan farklı ekran boyutları ve birbirinden güzel televizyon markaları Evshop alışveriş merkezi fırsatları ile ayağınıza geliyor. Evshop alışveriş merkezinde yer alan son model cep telefonu modellerini inceleyebilir, birbirinden sevimli ve kullanışlı züccaciye ürünleri arasından zevkinize uygun seçimler yaparak mutfağınızı ve banyonuzu süsleyebilirsiniz. Bilgisayar, fotoğraf makinesi, bisiklet, oyun konsolu ve ses sistemi gibi ürünler de yine Evshop mağazalarında bulabileceğiniz çeşitler arasında. Tüm bunlara ek olarak Evshop telefon üzerinden ve online web sitesi üzerinden elden taksitle alışveriş yapmanıza imkan sunmakta, peşinatsız ve kredi kartsız ödeme imkanları ile rahat ve bütçe dostu bir alışveriş deneyimi sunmaktadır. Tüm Evshop ürünlerini yakından incelemek ve ihtiyaçlarınızı hemen karşılamak için markanın resmi internet sitesini ziyaret edebilir ya da size en yakın Evshop mağazasını tespit ederek ufak bir gezintiye çıkabilirsiniz.
www.evshop.com.tr
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Samsung Galaxy M33 5G, taksitle telefon avantajı ve uygun fiyatlı 5G telefonlar arasında dikkat çeken bir seçenek. Peki ya kamera performansı? Bu inceleme yazısında, Galaxy M33 5G'nin kamera özelliklerini mercek altına alıyoruz.
Kamera Özellikleri:

• Dörtlü Arka Kamera:
  • 50 MP ana kamera (f/1.8)
  • 5 MP ultra geniş açılı kamera (f/2.2)
  • 2 MP makro kamera (f/2.4)
  • 2 MP derinlik sensörü (f/2.4)
• Ön Kamera:
  • 8 MP (f/2.2)

Gün Işığında Performans:
Samsung Galaxy M33 5G cep telefonu, iyi ışık koşullarında oldukça başarılı fotoğraflar çekebiliyor. Ana kamera, detayları iyi yakalıyor ve renkler canlı görünüyor. Ultra geniş açılı kamera ise geniş manzara fotoğrafları çekmek için ideal. Makro kamera ile de yakın çekimlerde başarılı sonuçlar elde edebilirsiniz. Taksitle telefon imkanıyla hemen sipariş edebilirsiniz.
Düşük Işıkta Performans:
Düşük ışıkta ise Galaxy M33 5G'nin performansı biraz düşüyor. Fotoğraflarda grenlenme ve detaylarda kayıp görülebiliyor. Gece modu, bu durumu biraz iyileştirse de, rakiplerine göre daha zayıf kalıyor.
Video Performansı:
Galaxy M33 5G, cep telefonu4K 30fps video kaydı yapabiliyor. Videolar genel olarak stabil ve net, ancak düşük ışıkta yine bazı sorunlar yaşanabiliyor.
Ön Kamera Performansı:
8 MP ön kamera, günlük selfie'ler için yeterli. Portre modu ile arka planı bulanıklaştırarak daha profesyonel görünen selfie'ler çekebilirsiniz.
Yazılım Özellikleri:
Samsung'un kamera yazılımı, kullanımı kolay ve çeşitli çekim modları sunuyor. Pro modu ile daha fazla kontrol sahibi olabilirsiniz. Ayrıca, yapay zeka destekli sahne optimizasyonu, fotoğraflarınızın daha iyi görünmesini sağlıyor.
Diğer taksitle telefon çeşitlerini görmek için tıklayınız.
Evshop Ürünleri: Mobilyadan Elektroniğe Aradığınız Her Şey
Evshop'ta eviniz için A'dan Z'ye aradığınız tüm ürünleri bulmanız mümkün. Eğer evlilik planları yapıyorsanız ve evinizi döşemek üzereyseniz, Evshop'ta yer alan mobilyalara ve koltuk takımlarına göz atabilir, en popüler beyaz eşya markalarının beyaz eşyalarını ve ankastre setlerini inceleyebilirsiniz. Çalışma masasından genç ve bebek odalarına, köşe koltuk takımlarından televizyon ünitelerine, yemek odalarından kitaplıklara bir evin tüm mobilya demirbaşlarını Evshop mağazalarında ve online alışveriş sitesinde bulmak mümkün. Evshop, geniş bir televizyon yelpazesi de sunarak farklı TV izleme alışkanlıklarına hitap edecek çeşitlilikte bir model ve marka seçeneği sunuyor. 24 inçten 70 inçe uzanan farklı ekran boyutları ve birbirinden güzel televizyon markaları Evshop alışveriş merkezi fırsatları ile ayağınıza geliyor. Evshop alışveriş merkezinde yer alan son model cep telefonu modellerini inceleyebilir, birbirinden sevimli ve kullanışlı züccaciye ürünleri arasından zevkinize uygun seçimler yaparak mutfağınızı ve banyonuzu süsleyebilirsiniz. Bilgisayar, fotoğraf makinesi, bisiklet, oyun konsolu ve ses sistemi gibi ürünler de yine Evshop mağazalarında bulabileceğiniz çeşitler arasında. Tüm bunlara ek olarak Evshop telefon üzerinden ve online web sitesi üzerinden elden taksitle alışveriş yapmanıza imkan sunmakta, peşinatsız ve kredi kartsız ödeme imkanları ile rahat ve bütçe dostu bir alışveriş deneyimi sunmaktadır. Tüm Evshop ürünlerini yakından incelemek ve ihtiyaçlarınızı hemen karşılamak için markanın resmi internet sitesini ziyaret edebilir ya da size en yakın Evshop mağazasını tespit ederek ufak bir gezintiye çıkabilirsiniz.
www.evshop.com.tr
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Kusursuz Sunumlar için Mükemmel Seçim: SCHAFER ADEL NAVY BLUE 56 PARÇA YEMEK TAKIMI ile sofralarınıza şıklık ve zarafet katın. 56 parçadan oluşan bu yemek takımı, çorba kaseleri, ana yemek tabakları, tatlı tabakları, meyve tabakları, salata tabakları, servis tabakları ve çatal, bıçak, kaşık gibi tüm ihtiyaçlarınızı karşılar.
Modern ve Zarif Tasarım: SCHAFER ADEL NAVY BLUE 56 PARÇA YEMEK TAKIMI, modern ve zarif tasarımı ile her zevke hitap eder. Mavi rengi ve şık desenleri ile sofralarınıza göz alıcı bir hava katar.
Dayanıklı ve Kaliteli Malzeme: SCHAFER ADEL NAVY BLUE 56 PARÇA YEMEK TAKIMI, yüksek kaliteli porselenden üretilmiştir. Dayanıklı ve uzun ömürlü olan bu yemek takımı, bulaşık makinesinde yıkamaya uygundur.
Geniş ve Kullanışlı Parçalar: SCHAFER ADEL NAVY BLUE 56 PARÇA YEMEK TAKIMI, farklı boyutlarda ve işlevlerde parçalar içerir. Bu sayede her türlü servis ihtiyacınızı karşılayabilirsiniz.
Özel Misafirlerinize Özel Sunumlar: SCHAFER ADEL NAVY BLUE 56 PARÇA YEMEK TAKIMI ile özel misafirlerinize unutulmaz sunumlar hazırlayabilirsiniz. Mavi rengin zarafeti ve şık tasarımı ile sofralarınız her zaman özel kalacaktır.
SCHAFER ADEL NAVY BLUE 56 PARÇA YEMEK TAKIMI'ni aileniz ve sevdiklerinizle keyifli sofralar kurmak için tercih edin!
Schafer Adel Navy Blue Yemek Takımı-56 Parça-Lacivert12 adet servis tabağı 26 cm12 adet yemek tabağı 22 cm12 adet pasta tabağı 19 cm12 adet çorba kasesi 14 cm1 adet oval servis 30 cm3 adet oval servis 22 cm1 + 1 tuzluk biberlik1+1 kürdanlık + kapağı Renk : Navy Blue
Diğer elden taksitle yemek takımı çeşitlerini görmek için tıklayınız.
Evshop Ürünleri: Mobilyadan Elektroniğe Aradığınız Her Şey
Evshop'ta eviniz için A'dan Z'ye aradığınız tüm ürünleri bulmanız mümkün. Eğer evlilik planları yapıyorsanız ve evinizi döşemek üzereyseniz, Evshop'ta yer alan mobilyalara ve koltuk takımlarına göz atabilir, en popüler beyaz eşya markalarının beyaz eşyalarını ve ankastre setlerini inceleyebilirsiniz. Çalışma masasından genç ve bebek odalarına, köşe koltuk takımlarından televizyon ünitelerine, yemek odalarından kitaplıklara bir evin tüm mobilya demirbaşlarını Evshop mağazalarında ve online alışveriş sitesinde bulmak mümkün. Evshop, geniş bir televizyon yelpazesi de sunarak farklı TV izleme alışkanlıklarına hitap edecek çeşitlilikte bir model ve marka seçeneği sunuyor. 24 inçten 70 inçe uzanan farklı ekran boyutları ve birbirinden güzel televizyon markaları Evshop alışveriş merkezi fırsatları ile ayağınıza geliyor. Evshop alışveriş merkezinde yer alan son model cep telefonu modellerini inceleyebilir, birbirinden sevimli ve kullanışlı züccaciye ürünleri arasından zevkinize uygun seçimler yaparak mutfağınızı ve banyonuzu süsleyebilirsiniz. Bilgisayar, fotoğraf makinesi, bisiklet, oyun konsolu ve ses sistemi gibi ürünler de yine Evshop mağazalarında bulabileceğiniz çeşitler arasında. Tüm bunlara ek olarak Evshop telefon üzerinden ve online web sitesi üzerinden elden taksitle alışveriş yapmanıza imkan sunmakta, peşinatsız ve kredi kartsız ödeme imkanları ile rahat ve bütçe dostu bir alışveriş deneyimi sunmaktadır. Tüm Evshop ürünlerini yakından incelemek ve ihtiyaçlarınızı hemen karşılamak için markanın resmi internet sitesini ziyaret edebilir ya da size en yakın Evshop mağazasını tespit ederek ufak bir gezintiye çıkabilirsiniz. Arayışınız, senetle telefon, taksitli telefon, elden taksitle telefon veya elden taksit yapan mağazalar arıyorsanız www.evshop.com.tr sitesinde doğru yerdesiniz.
www.evshop.com.tr
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Hi everyone.
I run a local SEO agency for home service business. This transition was fairly recent.
We used to run an all-round SEO agency. However we onboarded 5 Home Service businesses and started getting great results. Naturally through word of mouth, we started getting more and more enquiries.
One way to vet prospects was creating brief, custom SEO strategies.
This built trust between us and our prospects.
It also allowed us to see the level of our prospects to create a win-win proposal if we took a call with them.
Recently we've had a bunch of enquiries and sending out multiple SEO vids.
The one thing that stands out, is how little SEO people put into their home service businesses.
I mean - you can build a million dollar home service business just by ranking for local keywords.
Yet people are not doing it. They're struggling to book 20 calls a month.
Meanwhile we have clients bringing in 50 - 60 calls just from being on Google Maps for the right searches.
They're spending money on Google ads that are costing a fortune since everyone bids on the same keywords - but their offer is not compelling.
Or they've paid someone random to run social media. Which is not bringing you any business.
Home service is pretty much just SEO arbitrage.
Rank first for keyword Get bunch of calls Answer phone Dispatch team Collect money
It doesn't even take that long. Because your competition sucks. Or the previous guy you had writing some random content on a blog, didn't really know what he was doing.
This also falls into the SEO agencies hands. For not being able to display value clearly. Luckily we have had amazing results, which brings in a bunch of new enquiries.
Having a strong offer:
"if you have not had any upside in 30 days - we give you all your money back, no questions asked." Has helped a ton.
Since it's risk free to try SEO.
One of our latest clients had ana agency, basically doing nothing. After 2 weeks together their contract got terminated immediately.
The bar as an agency owner, and a home service business owner, to outrank all your competitors is super low.
We've built up a bank of SEO videos on YouTube - if you run a home service video - I strongly suggest taking a watch. It's so easy to print money with SEO for home services.
In the past 30 days, one of new clients has collected over $100 000 Revenue. They were struggling to get past $50 000 per month just 90 days ago.
They're only servicing 80 houses per month. That's less than 3 houses per day...
Happy to ask any questions below, I don't really use the DM's here much but my email is pablo@stabmedia . com

Hi everyone.
I run a local SEO agency for home service business. This transition was fairly recent.
We used to run an all-round SEO agency. However we onboarded 5 Home Service businesses and started getting great results. Naturally through word of mouth, we started getting more and more enquiries.
One way to vet prospects was creating brief, custom SEO strategies.
This built trust between us and our prospects.
It also allowed us to see the level of our prospects to create a win-win proposal if we took a call with them.
Recently we've had a bunch of enquiries and sending out multiple SEO vids.
The one thing that stands out, is how little SEO people put into their home service businesses.
I mean - you can build a million dollar home service business just by ranking for local keywords.
Yet people are not doing it. They're struggling to book 20 calls a month.
Meanwhile we have clients bringing in 50 - 60 calls just from being on Google Maps for the right searches.
They're spending money on Google ads that are costing a fortune since everyone bids on the same keywords - but their offer is not compelling.
Or they've paid someone random to run social media. Which is not bringing you any business.
Home service is pretty much just SEO arbitrage.
Rank first for keyword Get bunch of calls Answer phone Dispatch team Collect money
It doesn't even take that long. Because your competition sucks. Or the previous guy you had writing some random content on a blog, didn't really know what he was doing.
This also falls into the SEO agencies hands. For not being able to display value clearly. Luckily we have had amazing results, which brings in a bunch of new enquiries.
Having a strong offer:
"if you have not had any upside in 30 days - we give you all your money back, no questions asked." Has helped a ton.
Since it's risk free to try SEO.
One of our latest clients had ana agency, basically doing nothing. After 2 weeks together their contract got terminated immediately.
The bar as an agency owner, and a home service business owner, to outrank all your competitors is super low.
We've built up a bank of SEO videos on YouTube - if you run a home service video - I strongly suggest taking a watch. It's so easy to print money with SEO for home services.
In the past 30 days, one of new clients has collected over $100 000 Revenue. They were struggling to get past $50 000 per month just 90 days ago.
They're only servicing 80 houses per month. That's less than 3 houses per day...
Happy to ask any questions below, I don't really use the DM's here much but my email is pablo@stabmedia . com

Ok so right now I’m a bit of a medical mystery and turning to Reddit for help. 27F Height: 5’6” Weight: 107lbs Current diagnoses: Postural Orthostatic Tachycardia Syndrome, Generalized Intestinal Dysmotility (diagnosed via small bowel follow through), Small Fiber Neuropathy, Iron Deficient Anemia, Hyperparathyroidism, Osteoporosis, Scoliosis, Secondary Amenorrea, TMJ, Mild Ileus (with/without distention ‘22-‘24), Depression, Anxiety, PTSD, OCD, History of Anorexia restricting subtype since 12 and not currently engaging in behaviors I had a surgical jejunostomy tube placed 7/21/2022 and have failed tube feeds and meds and as of 2/21/2024 I got a PICC line placed to start TPN and am TPN dependent right now and use my j tube for meds and trickle feeds when tolerated. I started having GI issues in elementary school and got an endoscopy when I was 15 and it showed inflammation and I started inflammation medication and finished the course and we never followed up. I also scored very high for lactose intolerance test. Over the years GI issues worsened and so did orthostatic symptoms but I ignored them as symptoms of my active eating disorder. May of 2022 I no longer was able to keep food down and eventually got a surgical j feeding tube. For medication I’ve trialed over 50 and almost all provide no effects or side effects. Only very few work. Current medication: Lansoprasol 30mg Linzess 145mg Flourinef .2mg Metoprolol 37.5mg 2x a day Mestinon 60 mg 3x a day Midodrine 10mg 3x a day Sucralfate 10ml 2x a day Thorazine 25mg 2x a day Lamictal 200mg Baclofen 10 mg Prozac 30 mg IV zofran 4mg 3x a day IV famotidine 40mg D3 + K2 supplement Family History: Dad- Type 2 Diabetes, COPD, high cholesterol Sister- PCOS, Bipolar 2, Anxiety, PTSD Symptoms: Gastrointestinal: - Abdominal pain (Mainly lower abdomen but upper also if I have a larger meal. Pain is relieved minimally by vomiting or pooping. Pain/pressure in pelvic and rectum area. Increases throughout the day and worse at night.) - Vomiting (Vomit most of oral intake. Thin liquids and carbonation are the worst. J tube administration causes vomiting bile. ∼ 1000 ml daily) - Tube pain (Tube moving in and out of stoma causing leaking bile and stabbing pain at the stoma site. When this happens the skin next to my stoma becomes red and very warm and sensitive. It’s a pain that comes in waves. It feels like air and acid is pushing through the tube. If I run meds by gravity with this symptom acid will fill the syringe. Every med administration but worse if I push too fast. Also after running feeds for a while. Sometimes at the end of the day if I ate too much.) - Bloating (After oral intake or j tube administration) - Constipation - Belching (Onset 17. Most often so intense it causes me to throw up from the force of the burps. Increased after talking, oral intake, or j tube administration. ) - Nausea - Weight loss - Early satiety - Post prandial fullness - Loss of appetite - Acid Reflux Neurological - Tachycardia (Daily average range is 45-140 bpm with the minimal exertion. Worse when upright, worse with eating certain foods, worse after shower, worse later in the day.) - Hypotension (Worst when lying, best when sitting, drops again with standing. Worse in the morning, better by evening.) - Fatigue - Presyncope (Tingling in my head. Heavy feeling in body, Confusion. Disoriented. Anxiety. Lightheaded. Vision changes. Unable to concentrate. Unable to communicate. When standing even slowly, multiple times a day.) - Vision changes (Daily tunnel vision or black out vision. Occasional snowy vision. White out vision 1 time.) - Headache (General tension and pressure at the top of my head relieved partially by lying. Lower base skull pain connecting to my neck and back pain. Worse when I throw up more.) - Brain fog (Forgetfulness. Difficulty concentrating. Word finding problems. Loss of train of thought. Excessive cognitive effort. Dissociative. Groggy.) - Lightheaded (Head constantly feels ‘floaty’) - Heart palpitations (Heart feels like it's pounding out of my chest. - Air Hunger (O2 is normal but feels like I can’t catch a deep enough breath. My breathing is shallow and quick and even trying to slow it and take deep breaths doesn’t feel like enough. Additional O2 is helpful. With exertion and tachycardia.) - Heat intolerance (Fatigue. Dizziness. Dehydration. Malaise. Feeling warm and overheated. Very nauseous. Starts if the temp is higher than 75) - Exercise intolerance (Shortness of breath. Excessive sweating. Severe fatigue.) - Chest pain (Accompanied by tachycardia. Chest pain radiates to the same location on the back.) Musculoskeletal: - Back pain (Upper and lower back. Worse with prolonged sitting or standing. Worse at the end of the day.) - Neck pain - Shoulder pain (Both shoulders sit out of place and it hurts to let them hang out of place and to keep them in place. The left shoulder is worse and audibly pops when raising my arm. Other: - Low libido - Urinary stress incontinence - Irregular periods
I tested negative for celiac and negative ANA.
5/22/24 Abnormal Lab results(rr means reference range: Creatinine: .52mg/dl (rr .56-1.00) Anion gap: 6mEq/L (rr 7-13) Inorganic Phosphorus: 1.1 mg/dl (rr 2.3-4.7) - I went to the ER on 5/22 for my low phosphorus. My Monday labs came back and showed 1.0 phosphorus. This is a new issue. I’ve never had problems with my phosphorus before. Two weeks ago it was 3.8 last week it dropped to 1.9, he increased the phosphorus in my TPN that week. I got an IV K phosphate infusion in the ER and got an increase of phosphate again in my TPN yesterday and it only went up to 1.3 today. I did have an IV injectafer infusion on 5/5 and 5/12 that my GI said could’ve dropped my phosphorus. GI wants me to see nephrology about my phosphorus. PTH intact: 194.2pq/ml (rr 8.7-77.1) - This was the first time I ever have had this lab drawn. I’m getting my vitamin D (previously low but was normal on the 22nd) and PTH intact redrawn on Tuesday. I have an ultrasound of my neck and soft tissue next week, and I have to do a 24hr urine test for calcium, phosphorus and creatinine RDW: 16% (rr 11.5-14.5) APTT: 22.0 seconds (rr 25.0-36.5) Fibrinogen: 175mg/dl (rr 200-400) - This was the first time I ever have had this lab drawn. I have to see hematology
Previous off labs: Coproporphyrin 3, Urine: 36.6 (rr 6.5-33.2) Coproporphyrin: 173.5 (rr 4.8-88.6) Porphyrins, Total, Urine: 229.3 (rr 27.0-153.6) 2/4/24 Methylmalonate, Blood: <50nmol/L (74-290) 12/29/23 pH stool: 6.72 (7-7.5) 12/19/23 Vitamin b12: 1590pg/mL (rr 210-820) My vitamin b12 has been taken 5 times over the past two years and is always above 1500. Those 5 reading where times when my tube was not able to be used so I was NPO and no meds. No one is concerned because they say you just pee it out 11/7/23- Vitamin D3: 28.1ng/mL (rr 30-100) Has not been repeated but Vitamin D 25 hydroxy was low this February but after increasing my supplement it went up 8/7/2018 Creatinine, Urine: 18.3mg/dL (rr >20) 6/7/18 Leutinizing Hormone: .68mIU/ml (low) 6/7/18 Follicle Stimulating Hormone: 4.2mIU Last Iron levels drawn were before the infusion so I don’t know what they are now but before was: Iron: 40 (40-145) TIBC: 398 (275-365) UIBC: 358 (136-286) Percent saturation: 10 (18-56) I’ve also have had previous low BUN, high BUN/Creatinine ratio, very high ALT and AST, low and high bilirubin, low and high albumin, low and high total protein, low globulin, low glucose requiring D50, low RBC, low hemoglobin, low hemocrit, low platelet count, high MCV, low and high MCH, low MCHC, high MPV, low TSH, low WBC, low calcium, low sodium, low potassium, high chloride, low bicarbonate, low beta hydroxybutate, low CO2, low magnesium, high PT, low and high INR, low zinc, low anion gap 4, high lipase, high creatinine kinase, high and low oxyhemoglobin/total hemoglobin, high lactate, high and low ionized calcium, low prealbumin, low copper, borderline ceruloplasmin. I got COVID once November 2022. Sorry for the really long post I wanted to give as much detail as I could. If you need any other info I’m open to questions.

(Swifties, this is your first and final warning. You will not enjoy reading what I've written. Please remind yourselves that you've had since 2006 to crop-dust all creation with your unchecked Taylor-related dickriding. Meanwhile, it's taken me a year and a half to lose enough of my fucks in the crowd to venture the following opinions. Deal with it, or git)
TL;DR: the Taylor Swift social experiment, like all cults of personality, scares the living shit out of me. Relatability should not be an arbiter of artistic merit; everything can be criticized; no-one should have this much money/ in-your-face ubiquity/ power over the media; she needs to stop trying to be a musical one-stop shop and let other artists breathe.
I’m going to use my opening statement to assure the masses that I mean neither Taylor Swift nor her fandom any harm. I don’t know any of you; I only know the brand and the brand ideals, of which a character named Taylor Swift, represented by a person named Taylor Swift, is the central figure. This is a rant, these are my feelings; I merely ask that you extend me the same grace you would your favourite singer-songwriter. And though I can’t promise that all of my points will be made in good faith, because many of them were prompted by genuine psychological triggers, I will do my best to keep the character and the person separate, along with the platforms and the users within the fandom, even if they are guilty of the same misdeeds. No matter how butthurt and snarky I get while organizing these vagrant thoughts - because this exercise is intended to permanently close down my internal TS thoughtschool - all said and done, I just want everyone to be good people and live good lives.
Cool? Cool.
For the sake of full disclosure: her music is fine. I mean…it’s fine. I’ve yet to hear anything that made me want to manually arrest the earth’s orbit, but that comes down to my own personal taste.
And I’ve been obsessed with music for a good goddamn 43 years; I remember trampolining on the furniture to Queen, Prince, and Blondie when I was barely out of diapers, getting my first period at a New Kids on the Block concert (for real), and clawing the shredded fishnets of every early-90s riot grrrl while my 9th grade social capital continued its neverending nosedive. As someone stuck right slap-ass in the Bible Belt - where my love for the INXS song “Devil Inside” was publicly demonized due to the metaphorical conceit - music is the closest I’ve ever come to religious rapture.
But I just can’t seem to acquire a taste for the holy Taylor Swift host.
Once in a while, drifting through her sea of beige melodies and hand me down instrumentals, she will hork up a half-decent turn of phrase (the bridge of “Marjorie” really is a knockout). But I don’t think her specific command of the English language deserves this level of perpetual global veneration. And even when I’m impressed by the way she clicks words together, I don’t feel moved to take them apart and examine them for hidden depths or synesthetic value. To me, her writing is only marginally better than the Star Wars/ Mortal Kombat/ Jem & the Holograms fanfics I used to write while procrastinating between shifts at Starbucks. (Not me ending a letter to Stormer from Kimber with, “I miss you like January misses Christmas.”) To paraphrase the MechaStreisand episode of South Park: “Ya ain’t Fiona Apple. And if ya ain’t Fiona Apple, I don’t give a rat’s ass.”
But it goes beyond me staying stubbornly put as the approximate rest of the world is shaken to the core by her musical LiveJournal. I’m not here to yuck anybody’s yum. If Taylor Swift is to you what Stephen King (an inconsistent but effective storyteller who unknowingly taught me how to express my own macabre thoughts) is to me, that’s fabulous. Everyone deserves to feel that way about something; everyone deserves to experience a piece of art or media that makes them sit more comfortably amongst the serrated edges of the world.
The difference is, when someone tells me that Stephen King sucks all ass, my reaction tends to be, “Fair enough. Let’s talk about the writers you LIKE.” Not, “How absolute DARE?! You must be a Yankees fan if you don’t like Stephen King! I mean, it’s right there in the name! In this thesis I will…”
So let’s break it down, shall we?
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FIG 1. ENSHRINING MEDIOCRITY
Taylor Swift has a way with words. Sometimes. More often than the average American dickhead who gave up on the Cliff’s Notes to Animal Farm. But a good 9 times out of 10, reading her lyrics - especially since Folkmore went to her head - feels less like a peerless, cathartic demonstration of wordplay and more like an Intro to Creative Writing student spraying and praying with one hand on a thesaurus. (“I’m only cryptic and Machiavellian cause I care…” Miss Ma’am. Put the fountain pen on the floor and kick it over to me.)
Sure, everybody loves a good literary reference. “In Liverpool”, where Suzanne Vega alludes to Victor Hugo’s The Hunchback of Notre Dame while pondering unrequited (and possibly gay) love, is my Roman Empire. But Swift doesn’t explore or utilize literary devices. She drops them, like boldfaced names on TMZ. She feels so Gatsby tonight. Her good-for-nothing boyfriend = Peter Pan. Wordsworth was an English Romantic poet who liked to bum around the Lake District, so let’s shoehorn him into “The Lakes” as a ramshackle pun about HER writing prowess (thank fuck she left Beatrix Potter alone). She knows these works exist, but she’s TELLING us she does, rather than SHOWING us.
Her lyricism is inconsistent, her references are anti-dimensional, her instrumentals sound like AI versions of previous artists, her “genre-hops” are formulaic, her singing is meh, and she dances like a preschooler clomping around in mommy’s heels. But at least she plays piano and guitar at a low-intermediate level. This is the only person holding 4 Album of the Year Grammys? Out of every other band and artist living, dead, or undead? Fuck that for a laugh.
(Short break to remind myself that Can’t Slow Down beat Purple Rain, Born in the USA, She’s So Unusual, and Private Dancer in 1985. Same as it ever was, really.)
My intention is not to discredit who she is or “what she’s been through” [dismissive wanking gesture]. I just don’t consider “...you hang from my lips like the gardens of Babylon…” a simile that necessitates a whole-ass branded tunic on Christ the Redeemer. Hell, I wouldn’t even project a salute to the aforementioned Suzanne Vega on a national landmark, and I think her lyricism absolutely BODIES Ms. Swift’s.
To more modern, mainstream effect, there's something so sharp and satisfying about Olivia Rodrigo's music. While not compulsively polysyllabic, her lyrics captivate me with their seething wit and disheveled beauty. Her emotions are dysfunctional without giving you narcissistic whiplash; they create an almost kintsugi effect within the thru-line of the songs, fusing the tragedy, setbacks, and self-deprecation whole with golden veins. I love laughing my ass off to “get him back!’, sprinting through a sunsoaked Appalachian meadow in my head to ‘Can’t Catch Me Now’, and reliving the outset of my romance with my husband to “so American”. Her 90s pop-punk sonic homage is a breath of fresh air, too.
I've yet to hear a Taylor Swift song where she isn't WHINING about something, and I’ve choked down a LOT of her songs just to be informed. Her entire discography reminds me of the final scene from Interview With the Vampire 1994. “Still WHINING, Louis! Have you heard enough? I've had to listen to that for centuries.”
On and on the pity party drones until eventually, no matter how many ornate literary devices she springs on us, Swift outs herself as no deeper than a damp floor. If she learned to economize the bells and whistles and reach beyond her own experience, she might be onto something. There’s a reason Toni Morrison is a legend and VC Andrews is a hack.
This doesn’t mean TS shouldn’t have a successful music career. Or that glitter gel-pen media with a predominantly female audience deserves to be dragged through the cesspool where society once stood. (Ask me how many times I listen to Debbie Gibson’s first two albums inside a calendar year - hint, more than zero.) But I swear to fuck, if I see the word ‘relatable’ used as quality control ONE MORE TIME, I will vomit the entire Nicholas Sparks bibliography. Are we so collectively insecure and empathetically bankrupt nowadays that we can’t engage with an artist unless we want to wear their skin? Does every performer or character need to function as an all-purpose self-insert? Does the winning formula absolutely have to be ‘Literally Me”? This has to be why Black excellence keeps falling by the wayside so the human Barbie doll - complete with interchangeable identities she dons and sheds like fashion plates - can placate her ego with another trophy. Yeah, I’m still sore about SOS and TPAB losing AOTY. (If you don’t recognise those acronyms, ask Google.) The connective tissue between ‘I’d rather have a beer with Donald Trump than Hillary Clinton’ and ‘Taylor Swift is a better mirrorball than Janelle Monae’ is thicker than the volumes of literature TS skimmed while ditching Tom Hiddleston to snoop around Joe Alwyn’s flat.
Don’t get it twisted; I’m all for sisterhood in song, finding parallels of my own experience in a woman’s work. But MUST my inner voice belong to Taylor Swift? Can’t I prefer Tori Amos or TLC or even Olivia Rodrigo? Because I’m not a skinny Aryan poster girl whose rich parents Veruca Salted (the character, not the band) and Tonya Hardinged my way out of every first-world problem and into a stupidly successful career where my only setbacks are breakups and one-sided beefs.
Also, what’s with this theory that lyrics and the ability to write your own are the end-all-be-all of music? Are compositions a joke to you? When you get a moment, listen to my all-time favourite symphony, The Planets by Gustav Holst. Bitchin, huh? Don’t mention it.
Hot take, but as a public figure, Swift has a lot more in common with her archnemesis Kim Kardashian than her idol Lana Del Rey, and I suspect that’s chief among reasons she keeps disturbing the Kimye grave.
(Oh, hey, if you’re that dweeb I’ve seen on YouTube spamming every other comment with your essay on why Taylor Swift is the best singer, songwriter, and multi-instrumentalist due to the units she’s sold and the records she holds…I wish a motherfucker would.)
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FIG 2. WE DON’T NEED NO GENTRIFIED FEMINISM
Okay. I have a complexion like a fresh stick of chalk, resulting from a family tree full of Scottish libertines and southern Appalachian hill trash. Therefore, I don’t want to get too deep in the weeds of a topic that concerns the experiences of marginalized people. So instead of running my mouth on the meaning of ‘white feminism’ and its insidious cause/ effect process, I’ll urge you to seek out books and essays by more qualified people.
“Hood Feminism” by Mikki Kendall is a great place to start. See also “White Tears/ Brown Scars” by Ruby Hamad, and “Why I’m No Longer Talking to White People About Race” by Reni Eddo-Lodge.
One of the most frustrating things about the inescapable Taylor Swift phenomenon is how her brand and her disciples have perverted feminism. It's now a whitewashed, focus-grouped shadow of itself, used only to shield Swift, and Swift alone, from criticism and her own mediocrity.
Swift really is the perfect symbol of white supremacy, whether or not she wishes to be. Her virtues are blown way out of proportion, and her wrongdoings are swept under the rug with a litany of excuses. Coddled and deified by the same entities that condemn and demonize her Black peers for the same shit. I’m reminded of how, in my home country (USA), a white gunman is a product of a broken home or untreated mental illness, while a Black or brown one represents the corruption of a whole community. Concurrently, when a white woman plays by the patriarchy’s rules and wins, or donates pocket change from her net worth to a few non-partisan causes like staff bonuses or soup kitchens, she’s held up as a paragon of righteousness. But when her stan club harasses one of her presumed nemeses to the brink of a nervous breakdown, or when a concertgoer at one of her Latin American shows dies of dehydration (RIP Ana Clara Benevides), everyone runs to console and absolve HER. It wasn't her fault, she had no power, how could she have known?
“Profoundly unsympathetic underdog”, as I read somewhere, is probably the best way to put it. Has she suffered from the slings and arrows of misogyny? Well, duh. She’s a woman at the top of an industry right slap-ass in the middle of a capitalist hellscape that, to this day, is still dominated by men. Men with a lot more dough and behind-the-scenes influence than she could ever dream of. But she doesn’t want to dismantle the system. She wants to bend it to her will and win it - even if that means cheating. Which is all well and good for her, but at the end of the day, she’s another fuckass oligarch. She’s a dragon in woman form like a reject from Earthsea, gorging on numbers to fill the empty howling void in her soul, tossing crumbs and scraps down to the masses.
She’s not a feminist so much as a Swiftist.
Ironically, Swift’s “feminism” revolves around men, because it’s feminism as interpreted by men. Powerful women using the patriarchy against itself, rather than bulldozing it for the good of humanity.
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FIG 3. PROFESSIONAL CHARACTER ASSASSIN
Do I consider Taylor Swift an actual Batman villain of a person? Nah. I'm sure she's perfectly nice if you don't look too closely or set off any tripwires. In general, she’s probably not half the psychological sadist her father is or her disciples can be. She's got a long way to go before catching up to the likes of Donald Trump, Rupert Murdoch, or Andrew Tate. But that's just it - everyone outside the fold recognises the minions of that dark triad as pathetic at best and actively dangerous at worst.
The systemic coddling and infantilization of white women refuses to acknowledge the harm they can cause by gathering a mob with a common assigned enemy. And, having stuffed her cult’s heads full of subliminal tabloid fodder, Taylor has ensured that every time she performs an Invasion of the Bodysnatchers point-and-screech in a rival’s direction, that person’s about to have a bad week. Doesn’t matter if the vitriol is one-sided.
When I consider the full front to back of Taylor’s “lore”, what forms in my mind is the story of a victim, or self-proclaimed victim, who considers a villain arc aspirational. You know, a surly ninth-grader’s idea of justice. Enabled by her fans, who’ve declared Swift’s lyrics gospel, her easter eggs a call to arms against anyone who’s earned so much as a side-eye from her.
And does she call them off? Does she fuck.
Joe Alwyn’s reputation went to hell on an inside track for (checks notes) possibly mismanaging his depression? (Also, everyone involved in the mass unfollowing stunt is tacky and I hate them. That includes you, Ryan Reynolds. You're closer to 50 than 25, with four kids at home, acting like a second string shortstop trying to impress the head cheerleader. Knock it off.)
Katy Perry found herself soaked with pig blood in a public square for either rehiring a couple of dancers after they quit Taylor's tour, or briefly dating John Mayer. Depending on who you ask.
Jake Gyllenhaal was the target of a harassment campaign perpetuated by Swifties, fellow celebrities, and even goddamn CONSUMER BRANDS for, I dunno, acting kinda like a fuckboy eleven years prior? Realizing, perhaps too late, that he and Taylor were incompatible as romantic partners? Either way, I'm more freaked out by the gratuitous shots fired at his sister, girlfriend, godmother, and teenage niece. Let's put a pin in that for now, though.
Antonia Gentry, a biracial actress known for her role in Netflix’s Ginny and Georgia, took a heaping helping of abuse, garnished with a generous dollop of racial slurs. All because Swift got bent out of shape over a throwaway line delivered by Gentry’s character because it painted Swift’s dating habits in a bad light. It must needs be said that Gentry did not write or improvise this line of dialogue, she merely read it. We'll put a pin in that, too.
Scooter Braun can kick rocks in glass socks, but he was right about one thing. Taylor should have faced him down her damn self, instead of siccing her stan club on him…and his family. Put a pin in it.
Kim Kardashian - well, shit. The last thing I ever thought I’d do is defend a Jennerdashian, and my stance on Snakegate has been ESH from jump street. But after all Taylor’s posturing about her nemeses defeating themselves before she can take a swing, she didn’t hesitate to directly name and shame Kim in a recent song. Or use Kim’s daughter as an insult to her lyrical injury. Put a pin in it.
Look, no-one enjoys a failed or toxic relationship. Or waking up with a target on their back. I spent nearly a decade with an authentic psychopath who at one point (I kid you not) accused me of cheating on him WITH A FICTIONAL CHARACTER. So fuck his dreams, but even with the worst of what he did to me in play - and rest assured, it was some Ari Aster shit - I wouldn't want to see him at the bottom of a John Mayer dogpile. Mostly because he has loved ones who shouldn't end up as collateral damage.
Back in 1988, the late Oscar-winning SFX titan Stan Winston (Terminator, Jurassic Park) made his directorial debut with a cult classic supernatural folk-horror called Pumpkinhead. The plot centres around a father named Ed Harley (B-movie legend Lance Henriksen) summoning a demon to avenge his son against a group of “cityfolk”.
Why bring up that old VHS throwback? Well. Revenge films have been a staple since the medium began, but Pumpkinhead is one of the few that shows the dark side of vigilante justice. People love a settled score. But most stories only show the boomerang effect from the offender to the avenger. Pumpkinhead broadens that viewfinder to show the pyrrhic nature of revenge, especially revenge served scalding hot, using familiar genre devices to demonstrate the victim’s torment, the cyclical trap of it all, and - most importantly - the innocent bystanders catching strays. You think you’re wishing on a star, when you’re really wishing on a monkey’s paw.
That’s why I said to put a pin in that list of Taylor’s Undesirables. It’s never just the person who (sometimes debatably) did her dirty. There’s plenty of ‘female rage’ for their associates, too - sometimes with those associates, ex. Antonia Gentry, taking the force of the blow. But unlike poor Ed Harley, Taylor has accumulated too much money and power to face any real consequences.
It’s much easier to contain a narrative in art than it is in real life.
(PS: That sidelong smirk she does gives me the willies. Just me? Possibly. BEC? Totally.)
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FIG 4. FUNDAMENTALIST SWIFTISM (THIS ONE’S PERSONAL)
I was born in southern Appalachia, in one of North Carolina’s most objectively beautiful cities. Unfortunately, I grew up in a rural, redneck town of just over 1,000, where the locals shared two cinema screens and maybe seven surnames.
And though mine was a mostly secular (Methodist) household full of Jimmy Carter Democrats, I couldn’t go a day without someone on the outside telling me that something I loved was a sin. I was the unwilling congregation for cautionary sermons about everything from Stephen King to Dirty Dancing to a fucking side ponytail in my hair (apparently it evoked Madonna, and that was a Bad Thing). Politically, it was standing water trash. My social studies education consisted mostly of Confederate-apologist kitsch and Red Scare Sovietcore. One of my fifth grade teachers spewed anti-choice rhetoric in class, and two years later, another one literally said, ‘Adam and Eve, not Adam and Steve’.
For context, like I said: raised by liberals, if not full-tilt leftists. My maternal grandfather was a hometown civil rights activist who ran an integrated workplace and campaigned for JFK. My mother’s friend confided to her (and only her), at the peak of HIV stigma, that her son was dying of AIDS. I remember asking Mom when I was 5 why movies only showed ladies kissing men and not men kissing men or ladies kissing ladies. Her answer: “I don’t know, baby, because it happens all the time in real life.” One of my paternal uncles was a drag performer in his 20s (which would have been between 1966-1976), and once my cycle kicked in, I was lectured THOROUGHLY about birth control and reproductive rights. I was lucky - at home. Outside, it was an ideological wasteland, fire to the left of me, brimstone to the right of me, God, guns, and “guts” waiting to nudge anyone who strayed from the formula back in line. So traumatized for merely wanting to wear fun makeup and clothes, watch A Nightmare on Elm Street, listen to Prince, and walk among neon lights with an urban skyline looming overhead like an enchanted forest, I became rebellious as fuck in my adolescence. I had a witch phase, a zen phase, and a militant agnostic phase. I’d overhear myself saying controversial shit (controversial by local standards) in a neverending campaign to push the born-against as far away from me as possible. Please don’t pray for me, I’d silently plead. Please think I’m a lost cause.
But it’s cool. I moved back to my birthplace in 1999, and clear across the Atlantic in 2016. (Plus the 9 years I spent in New England, but we don’t talk about that.) And I’m seeing a therapist about my psychological dysfunction - PTSD, depression, severe social anxiety, the usual.
Thanks to nearly two decades in this Gilead-coded environment, though, I have a near-phobic aversion to groupthink. I especially despise blind hero worship (due, I suspect, to the evangelical code of honouring God with every choice), and when matters of opinion are presented as fact. It pisses me off when Trumpnecks uproot the goalposts and plant them right in their eye sockets at their messiah's every misstep, and it pissed me off when the BernieBros tried to wreck my shit for backing a different Democrat (no shade to Bernie - he's probably one of the best social navigators America could ask for).
Taylor’s press is sounding less like journalism, even popcorn tabloid “journalism” in inverted commas, and more like nationalist propaganda. She stimulates economies (all sold-out stadium events do)! She’s broken another record (by rigging a broken system)! She eats ranch dressing (bitch, my BFF wrote a SONNET about ranch dressing when we were in junior high - that ain’t special)! She’s single-handedly carrying the music industry on her back (by toying with her fans and weaponizing FOMO)! ALL HAIL! It’s giving Straight Out of North Korea.
But as soon as you dare mention that some of this doesn’t sit right in your soul…chaos. You’re just looking for shit to be mad about because you hate “fun music” and “successful women”. Prison. Solitary confinement. Electric chair.
I have experienced no-shit panic attacks thinking about all the cults of personality that have cropped up over the past decade, okay? Whether Donald Trump, Nigel Farage, Elon Musk, or Taylor Swift…they are all symptoms of a terrifying social disorder. Once we were drowning in information while thirsting for knowledge; now combine that with a riptide of tinfoil milliners and hyperpartisan news outlets. Communities have deteriorated, so we create them online using public figures and their open-ended manifestos, our capacity for independent and nuanced thought shriveling into a MAGA-hat shaped echo chamber screaming into a billionaire-branded, corporate-sponsored void.
Is this what Beatlemania was like? I can’t say for sure; I wasn’t there. But much as I appreciate The Beatles (while acknowledging the shady shit still stinking up certain corners of their empire), I can absolutely sympathize with people who maybe didn’t want the music crammed down their throats and the lore shoved up their asses.
“Let people enjoy things.” Let them be skeptical about things, too, and you’ve got a deal.
What frustrates me isn't that I don't like her, or that others do, but that so many of them won't allow anyone to dislike her in peace.
That's how I ended up here, at this desktop, downloading backlogged grievances to a Google.doc file.
I have no mouth, and I must scream.
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FIG 5. ELEVENTH HOUR TRAILBLAZER (WITH A SIZE 500 CARBON FOOTPRINT)
Let's get serious. Most of our faves are problematic. I love HP Lovecraft's literary universe; he's a racist wad of dick. I love the way Margaret Atwood dissects her characters and serves them up on a silver platter with a parsley garnish; she's a bleach-white feminist and probably a goddamn TERF. I'd probably loathe Frank Zappa if he were alive today, even though I know passages from his autobiography by heart.
You don't have to steamroll your TS merch on Main to accept the fact that as an activist, she has all the conviction of Boy George checking the resale value of a contradiction before the Karma Chameleon gets home.
And that's fine, or it would be, if her aforementioned propaganda team hadn't successfully executed a Jedi mind trick to make the media go, “Taylor Swift - Joan Baez literally wishes.”
Anyone can tweet “Black Lives Matter” a few times, and I'm pretty sure my Boomer mother posted “Why be mad, when you can be GLAAD?” on Facebook circa June 2013. The only appreciable difference between Taylor Swift’s low-effort, low-stakes activism and some rando in Eugene, Oregon tweeting (I refuse to call it X) a picture of their brand new rainbow Stanley cup is the whole world keeps waiting for Tay Tay and her money to talk over the stamping onstage power-walk of her bullshit. And if she's got nothing to say, then by god we'll put the words in her mouth. Because with her unthreatening good looks and Disney princess energy, she makes a perfect false idol for neoliberals and a perfect boogeyman for the unhinged right.
So it goes. Over and over again. Once you win capitalism, you can make people believe whatever you want them to. Championing LGBTQ+ rights in the glossiest, most favourable environment possible makes TS a hero right up there with Captain America, but her manic zigzags across the planet in her private jet(s) are NBD.
Dolly Parton gets away with being politically milquetoast because (I’m inclined to think) she genuinely wants to provide a seat at the table for everyone. Not so the whole world will spend a weekend in Pigeon Forge - though I'm sure that's a strong incentive - but because she was raised with that as a guiding principle. Taylor's only principle seems to be waving her distended bank account under our faces and barking, ‘Fill ‘er up!” Also if you talk shit about her, you're not a girl's girl. Girl's girls push their successors down the stairs while buying and selling the rights to female rage. Because as a wise YouTuber one said, “My problems, my problems, my problems, MY PAIN!”
Sometimes I get the impression that Taylor Swift doesn’t want to BE an activist so much as she wants us to THINK she’s an activist. The public perception of HER matters more than urging that public to help her leave the world a better place than when she found it.
Not everyone is, or wants to be, an activist. Not everyone has that fire in their belly. I can dig it. But activism should not be a cosplay you wear to WokeCon for a single album cycle; it's a bit to which you need to commit.
Especially if you have no problem bringing a ruckus to protect your sanctified public image.
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FIG 6. SHE DRINKS YOUR MILKSHAKE
“Billboard gamer
Qu'est-ce que c'est?
Fu-fu-fu-fuck off, fu-fu-fuck off…”
But for real, some of y'all need to stop approaching music stats like the NBA playoffs. Because I'm telling you straight up and down, if Taylor Swift were on the NY Liberty, she'd be what's known as a ball hog.
“She is the music industry” is not a flex. It's an indictment and manifesto of our own cynical capitalist dystopia. It's the mission statement of an ‘artist’ who can't seem to create without the intent of destruction. It's a slap in the face to musicians who match Swift's work ethic and far exceed her talent, but lack her bloodthirsty cult and cutthroat PR machine. It’s the language of monopoly - doesn’t matter if Swift dominates 90% of the musical market, charts, and records, so long as that wayward 10 is still out there.
Every time Taylor Swift copies another artist’s homework and makes their reality impossible to disentangle from her image, I feel the same sense of weary dread as when Disney buys up another movie studio. Except worse, because a lot of those studios are multinational corporations in their own right, probably direct beneficiaries of Citizens United living off the crops planted by Reaganomics. It’s easy to be facetious and say they had it coming.
But given everything she’s come to symbolize in the public eye, it’s hard to unsee TS as a huge multinational corporation gobbling up rising artists and their chosen niches like a deranged Ms. Pac-Man who keeps doubling back in the maze when she should go forward.
It's almost as if she's trying to create an environment where there's no need to listen to any other artist, because she can do it all. Even be “The Man™”! (Though she mostly targets younger women.) And if you don’t like the current era, where are you going? Pay no attention to that small indie artist - just wait for her to jack their style! Sad Girl Synth/ Witch in the Woodscore/ Bell Jar Chic coming right up!

Plus, when she’s not coal-mining her peers for ‘aesthetics’ to add to her brand once it’s safe to do so, she’s barging in on their album releases with new variants, surprise releases, ANYTHING to prevent our attention from diverting from her for the length of ten or fifteen songs.
And it’s happened too often and with too much synchronicity to be a coincidence. Restoring her catalog to Spotify on the release date of Katy Perry’s Witness. Dropping new variants of Midnights to block SZA from the top spot. And now trying to open the same expired can of whoopass on Billie Eilish, an artist as renowned by her industry peers as Taylor is by the mouth-breathing masses.
Even her “supportive dancing” at awards shows…it’s cute at first, until you realize it’s blatant camera-pan bait to bring attention back to her.
This is not “good business”. It’s a hostile work environment.
Obviously, high-profile artists siphoning trends from more obscure ones has been how the music industry establishes hierarchy and ratfucks the vanguard for decades. You - rightfully - can’t bring up Elvis Presley nowadays without mentioning Big Mama Thornton (and you owe it to yourself to listen to her original version of “Hound Dog”, because whoa, nelly). But Taylor Swift is hiding her chicanery in plain sight, ripping her peers off and shutting them down brazen as anything, and it’s hard not to wonder how much time will transpire before we can call her on it without being branded heretics.
No-one really talks about it, but IMO, one of her most grimdark acts of sabotage was releasing “Cruel Summer”, a five-year old song that wasn’t even a re-record, on the same day Olivia Rodrigo dropped “Vampire”, the debut single for her sophomore album. “Cruel Summer”, in case you haven’t seen a Taylor Swift evidence board lately, is the reason Olivia is now stuck paying a substantial chunk of “deja vu”’s royalties to TS and her cronies. I’m not saying Taylor’s team chose that song on purpose, to intimidate a (former) fangirl literally 13 years her junior, but I put nothing past no-one.
Success is so much more rewarding when it's not a zero-sum game. Call me a musical Marxist, but I want to celebrate a motley crew of talented artists rising in and out of the top 10 like melodic fireworks, not one grifting normie shithead perched indefinitely at the summit, yanking up Jacob’s ladder rung by rung.
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FIG 7. IN THIS ECONOMY?
One album, one deluxe edition. That's a god's plenty, especially vis a vis physical media. If you release more than that, you're an asshole, and if you buy more than that, you're a sucker. I will not be taking questions at this time.
No, it isn't just a Taylor Swift problem - far from it. But she is currently the head of a rabid and venomous kaiju run amok across a mortally wounded planet.
And the merch, my esteemed chaotic neutrals, is just too ass to mention.
While we're at it, eat the rich. Most of them. At least leave the bones of billionaires on the lawns of multimillionaires as a warning.
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And where - apart from the hate campaigns - do her hapless paramours fit in all of this? Beats me. The truth is, I don’t give a single solitary fuck about celebrities in the wild, unless they do something incredibly wholesome (Pedro Pascal celebrating his trans sister) or remarkably stupid (Puff Daddy). And despite all the pictures I’ve seen against my will, I wouldn’t recognize Travis Kelce or Matty Healy if they walked right up to me. First of all, I despise the NFL; I’m a baseball/ basketball/ hockey fan. And The 1975’s music, to me, just sounds like yacht rock if the yacht were caked in cocaine and bodily fluids. I know that Matty Healy once mentioned shucking his corn to a certain racist sex-trafficking website. And whether or not he meant it as a joke, it was gross and WoC have every right to have a bone to pick with him - and with Taylor.
For real, though, I look at her body count and all I see is a succession of nondescript white dudes. The only one who stands out to me is Gyllenhaal, and that’s because I’ve been a fan of him and his sister as actors for 20+ years. So her dating history has never been a point of contention or even interest for me.
The long and the short of it is, I'd have no quarrel with Taylor Swift if she were just taking up space as a successful singer-songwriter processing her emotions through her music. We could peacefully co-exist if LITERALLY EVERYBODY were not expected to not only give a fuck about her, but forsake all others unto her and her sanctified narrative. Sorry, my sister in Christ, but I'm an atheist.
And yes, I'd say every syllable of this with my whole chest and my pussy facing the world if Blandie were A MAN. So don't even get on that tip.
Go forth and have the day you deserve, from the depths of my last nerve.

Hello, again,
I am excited to announce that all of the ABA box score additions I have submitted to Basketball-Reference, previously mentioned in my first and second posts, are now visible in the players' game logs. These newly added stats are not yet synced with Stathead, but that update should be coming soon as well.
Some notable ABA statistical landmarks:

• 1967-68 Connie Hawkins - Most of the games have been filled in, with FGA, TRB, and PF stats. 1968-69 also has complete FGA data!
• 1971-72 Artis Gilmore - 39 games with BLK stats (5.46 BLK/G, and 213 total in this sample size!) It should be noted that a couple of these entries are questionable (due to conflicting accounts on how many shots he blocked), but it is over 90% accurate. Gilmore now has complete FGA and TRB information for all 478 ABA games he played in (including 58 playoff games). Starting in 1972-73, there is complete AST information as well. Gilmore's ABA playoff career now has complete MP, FGA, 3PA, TRB, AST, PF, and TOV information.
• 1972-73 Billy Cunningham - Now has complete FGA, TRB, and AST numbers. A few games have STL and BLK information as well.
• 1974-75 George McGinnis - Various ORB/STL/BLK/TOV entries have been added to the regular season and to his legendary 1975 playoff run.
• 1969-70 Spencer Haywood - Now has complete TRB statistics for every game in his incredible rookie season with the Denver Rockets. FGA stats are available for all but two games which had box scores that were in very poor condition and indecipherable.
• 1975-76 Don Buse - STL information is now present for 46 regular season games, in which he averaged an incredible 4.83 STL per game (222 total) in this sample size! This is still a work in progress, but it is much more complete than before. His 4.1 STL/G in this season is still a combined ABA/NBA record that will probably never be broken.
• Mel Daniels and the Pacers in general now have ORB/DRB and TOV statistics for a lot of their home games from 1968-69 to 1971-72, thanks to The Kokomo Tribune. He had several monster performances that few know about, including, a 56 PTS/31 REB (12 ORB) game in a 143-114 blowout win against the New York Nets on March 18th, 1969. Daniels had 37 PTS/26 REB in the second half alone! The latter is most likely an ABA record for a half, but I am not certain. The Pacers also have complete ORB/DRB statistics for each playoff game in their 1970 championship run. Daniels took down a total of 91 offensive rebounds in 15 playoff games (6.1 per game!), with a high of 11 ORB in a title-clinching 111-106 Game 6 win over the L.A. Stars on May 25th, 1970. He also grabbed 16 defensive rebounds for a total of 27 rebounds, and scored 17 points.
• Julius Erving now has complete TRB information for every ABA game he played in, and FGA for all but a couple of games. Similar to Gilmore, his ABA playoff games are now complete with MP, FGA, 3PA, TRB, AST, and PF details. Several STL/BLK statistics have been added to his ABA game logs. He recorded several near 5-by-5's.
• Caldwell Jones has BLK statistics that are now visible in his ABA game logs. This is still a work in progress, but most of his highest shot-blocking games have been filled in. Most are aware of his 12-block game against the Cougars on January 6th, 1974 (which is an official ABA record that he shares with Julius Keye), but Jones had three other 10+ BLK performances in the ABA, including a monster 34 PTS/21 REB/10 BLK game in a 119-103 triumph over the Squires on March 13th, 1974. He even found the time to make two three-pointers the 4th quarter of this game (the only three-point shots he made in that entire season), which is a statistical anomaly in itself.

There are numerous other examples, but I will not list them here because this post would become far too long. Just go on Basketball-Reference and browse through its ABA section; there are some very interesting stats and details out there. This post is just a small taste of everything that has been added to the site.
The 1969-70 Washington Capitols, which had been a "dead spot" on Basketball-Reference for many years, now have complete FGA, TRB, and PF information for all 84 games and all 7 playoff games in the West Semifinal series against the Denver Rockets. Here is Rick Barry's 1969-70 game log, for example. This information is sourced from The Washington Post, which like The Denver Post, provided detailed box scores for their road games - something that few newspapers did.
Teams such as The New Orleans Buccaneers (and their later incarnations in Memphis), Miami Floridians, Oakland Oaks/Virginia Squires, Houston Mavericks/Carolina Cougars/Spirits of St. Louis, and the San Diego Conquistadors/Sails, are now mostly filled in. The Dallas Chaparrals/San Antonio Spurs and Los Angeles/Utah Stars are actively being worked on.
I saved the best for last: The newspaper that contains all the Denver Rockets' and Nuggets' ABA information, The Denver Post, was recently made available on GenealogyBank's newspaper archive in late February. The Denver Post has detailed box scores that include MP, FGA, TRB, and PF stats, even for their road games (except for a few), from the ABA's first season, 1967-68, all the way to its last season, 1975-76. This allowed for numerous historical gaps to be filled in. The very first game in Rockets' / Nuggets' franchise history was a 110-105 win over the Anaheim Amigos on October 15th, 1967, which is now filled in thanks to The Denver Post.
Another interesting Rockets/Amigos game from that first season took place on February 15th, 1968, when Les Selvage of the Amigos attempted a mind-boggling 26 three-pointers, making 10 of them (38.5%). All 10 of his three-point makes, including six in a row during one stretch, came in the second half (and probably most, if not all, of his three-point attempts). His 10 3PM remained as the ABA record for the rest of the league's existence, while his 26 3PM is still to this day a combined ABA/NBA record. The Amigos attempted 32 three-pointers as a team, another ABA record that was never surpassed.
Overall, Selvage shot 13/32 overall, 10/26 from three, and made both of his free throws for a total of 38 points in 35 minutes, both of which led the Amigos. Despite this incredible shooting display, the Rockets easily won, 142 to 108. It will be interesting to see if anyone breaks his 3PA record in the future, considering how much the three-point shot is utilized in today's NBA.
Unfortunately, The Denver Post did not include assist information in their ABA box scores, but the fact that they covered their road games more than makes up for this. I discovered a handful of missing Denver ABA triple-doubles, all of which have been added to my ABA triple-double spreadsheet. I have also made separate spreadsheets for 7+ STL, 7+ BLK, 10+ TOV, 15+ ORB, and 20+ AST games, attached in that same spreadsheet document, so people can get an idea of some of the statistical milestones that occurred in the ABA.
Most notably, I found a missing ABA playoff triple-double from Larry Jones: 37 PTS/10 REB/10 AST in a 123-113 OT victory over the L.A. Stars in the Game 1 of the 1970 West Finals, on April 30th, 1970. He also made a three-pointer at the buzzer to force OT and scored an incredible 14 points in the extra session alone! Additionally, Spencer Haywood recorded 39 PTS/31 REB while setting an ABA playoff record with 24 DRB. Interestingly, this would be the Rockets' only win of the series, as they went on to lose the next four games in shocking fashion.
ABA playoff triple-doubles are extremely rare - there are only 10 officially known instances, with the late, great, George McGinnis owning five of them. Artis Gilmore, Julius Erving, the aforementioned Larry Jones, Louie Dampier, and Roger Brown each had one (see the triple-double spreadsheet for more details). It is possible (but unlikely) that there is one out there from the early years that is yet to be discovered, due to the lack of assist coverage from the ABA's first couple of seasons.
The 1972 Rockets/Pacers West Semifinals Series now has some rare block information from The Denver Post that is interesting to look at. Mel Daniels led all players with a total of 25 blocked shots (3.6 BLK/G) in the classic seven-game series, including an incredible 18 blocks over the last three games (4, 7, and 7, respectively). There was a total of 86 blocked shots (12.3 BLK/G) in this series; 51 by the Pacers (7.3 BLK/G), and 35 by the Rockets (5.0 BLK/G).
While leading the Pacers in MP (41.0), PTS (18.1), AST (4.3), and FT% (.905) in this series, Roger Brown was also second for the Pacers with 9 total blocks (1.3 BLK/G), an impressive feat considering that this was towards the latter stages of his career. Julius Keye, who led Denver with a total of 19 blocks (2.7 BLK/G), now has complete block statistics for every 1972 and 1973 playoff game.
The 1972-73 Utah Stars now have complete STL/BLK/TOV for all 10 playoff games in the 1973 ABA Playoffs. Ron Boone led the Stars with 17 total steals (1.7 STL/G) while blocking 9 shots (0.9 BLK/G). Jimmy Jones, who should be in the Hall of Fame in my opinion, recorded 11 total steals (1.1 STL/G), while the late Zelmo Beaty led the Stars in playoff blocks with a total of 11 (1.1 BLK/G).
The two main teams that I have struggled to find detailed box scores for are the Anaheim Amigos and the New York Nets (before the 1972-73 season and including 1967-68, when they were The New Jersey Americans). Detailed here means box scores with stats such as FGA, TRB, and PF. The newspapers that covered The Amigos and The Americans only seemed to include PF information and nothing else for most of their home game box scores, unfortunately. I feel like the more detailed New York Nets' box scores must be out there somewhere, though. I tried looking at several New York newspapers, such as The New York Times, The New York Post, and Newsday, but could not find much from this time period. If anyone knows where these Nets' box scores might be located, please message me.
Hopefully, these statistical additions will draw more attention to the ABA and its players, especially in preparation for the ABA docuseries that is supposed to be released on Amazon very soon, called "Soul Power". Currently, not much is known about this project, but I did find a short YouTube video from The Wax Museum Podcast, in which he interviews Darnell "Dr. Dunk" Hillman and Scott Tarter (co-founder of the Dropping Dimes Foundation) about the film. It sounds like a lot of effort has gone into it so far, and apparently, it will even contain some un-released ABA footage.
Lastly, I want to thank everyone who has supported me in this journey, and the Sports-Reference team for taking the time and effort to add these bundles of ABA statistics to Basketball-Reference. Michael Hamel's ABA Boxtop Project and nbastats.net served as the foundation for all of the research I have carried out, while Newspapers.com, GenealogyBank, and The New York Times' Online Archive provided me access to the thousands of newspaper articles I have browsed through. Thank you all.

Recommendations for Nursing organizations, nursing podcasts, YouTube channels/videos, resourceful newsletters or emails to subscribe ANYTHING. I’ve read a lot about how ANA membership is not worth it.
Looking for something to help me stay current with nursing news. Updates/events/new developments or treatments happening in the medical world. The training and on going education at my hospital I work at is subpar. I want to learn more, I just don’t know where to start. Kinda new nurse 1.5 years in a RURAL ICU (mostly medical step down patients) interested in transitioning into a job as dialysis nurse. Open to anything to further my education on.

Samsung Galaxy M33 5G, uygun fiyatlı ve taksitle telefon arayanlar ile 5G deneyimi arayanlar için tasarlanmış bir orta segment telefon. 128 GB depolama alanı, 6.6 inç FHD+ ekranı, 50 MP ana kamerası ve 5000 mAh bataryası ile dikkat çekiyor. Peki, bu özellikler günlük kullanımda nasıl bir performans sergiliyor? Gelin yakından bakalım.
Tasarım ve Ekran:
Galaxy M33 5G, plastik bir gövdeye sahip ve biraz kalın bir tasarıma sahip olsa da, elinize rahat oturuyor. 6.6 inç FHD+ ekranı, canlı renkler ve iyi bir parlaklık sunuyor. 120Hz yenileme hızı sayesinde de akıcı bir kullanım deneyimini taksitle telefon imkanıyla yaşatıyor.
Performans:
Telefonunkalbinde Exynos 1280 işlemci bulunuyor. Bu işlemci, günlük kullanımda ve çoğu oyunda yeterli performans sunuyor. Ancak, çoklu görevlerde veya daha ağır oyunlarda bazı takılmalar yaşanabiliyor. 6 GB RAM ise genel olarak yeterli olsa da, daha fazla RAM seçeneği sunulması daha iyi olabilirdi.
Kamera:
50 MP ana kamera, 5 MP ultra geniş açılı kamera, 2 MP makro kamera ve 2 MP derinlik sensöründen oluşan dörtlü kamera sistemi, gün ışığında iyi sonuçlar veriyor. Ancak, düşük ışıkta performansı biraz düşüyor. 8 MP ön kamera ise selfie'ler için yeterli.
Batarya:
5000 mAh batarya, yoğun kullanımda bile bir günü rahatlıkla çıkarmanızı sağlıyor. 25W hızlı şarj desteği ise pilin kısa sürede dolmasını sağlıyor.
Yazılım:
Samsung Galaxy M33 5G cep telefonu Android 12 tabanlı One UI 4.1 ile kutudan çıkıyor. Samsung'un kullanıcı arayüzü, kullanımı kolay ve özelleştirilebilir olmasıyla beğeni topluyor. Ayrıca, düzenli yazılım güncellemeleri de sunuluyor.
Artılar:

• Uygun fiyatlı 5G
• 120Hz yenileme hızına sahip FHD+ ekran
• Uzun ömürlü 5000 mAh batarya
• 25W hızlı şarj desteği
• Kullanıcı dostu One UI arayüzü

Eksiler:

• Plastik gövde
• Orta seviye işlemci performansı
• Düşük ışıkta kamera performansı
• Stereo hoparlör yok

Diğer taksitle telefon çeşitlerini görmek için tıklayınız.
Evshop Ürünleri: Mobilyadan Elektroniğe Aradığınız Her Şey
Evshop'ta eviniz için A'dan Z'ye aradığınız tüm ürünleri bulmanız mümkün. Eğer evlilik planları yapıyorsanız ve evinizi döşemek üzereyseniz, Evshop'ta yer alan mobilyalara ve koltuk takımlarına göz atabilir, en popüler beyaz eşya markalarının beyaz eşyalarını ve ankastre setlerini inceleyebilirsiniz. Çalışma masasından genç ve bebek odalarına, köşe koltuk takımlarından televizyon ünitelerine, yemek odalarından kitaplıklara bir evin tüm mobilya demirbaşlarını Evshop mağazalarında ve online alışveriş sitesinde bulmak mümkün. Evshop, geniş bir televizyon yelpazesi de sunarak farklı TV izleme alışkanlıklarına hitap edecek çeşitlilikte bir model ve marka seçeneği sunuyor. 24 inçten 70 inçe uzanan farklı ekran boyutları ve birbirinden güzel televizyon markaları Evshop alışveriş merkezi fırsatları ile ayağınıza geliyor. Evshop alışveriş merkezinde yer alan son model cep telefonu modellerini inceleyebilir, birbirinden sevimli ve kullanışlı züccaciye ürünleri arasından zevkinize uygun seçimler yaparak mutfağınızı ve banyonuzu süsleyebilirsiniz. Bilgisayar, fotoğraf makinesi, bisiklet, oyun konsolu ve ses sistemi gibi ürünler de yine Evshop mağazalarında bulabileceğiniz çeşitler arasında. Tüm bunlara ek olarak Evshop telefon üzerinden ve online web sitesi üzerinden elden taksitle alışveriş yapmanıza imkan sunmakta, peşinatsız ve kredi kartsız ödeme imkanları ile rahat ve bütçe dostu bir alışveriş deneyimi sunmaktadır. Tüm Evshop ürünlerini yakından incelemek ve ihtiyaçlarınızı hemen karşılamak için markanın resmi internet sitesini ziyaret edebilir ya da size en yakın Evshop mağazasını tespit ederek ufak bir gezintiye çıkabilirsiniz.
www.evshop.com.tr
Evshop Alışveriş Merkezi Facebook Sayfası
Evshop Alışveriş Merkezi Twitter Hesabı
Evshop Alışveriş Merkezi Instagram Hesabı
Evshop Alışveriş Merkezi LinkedIn Hesabı
Evshop Alışveriş Merkezi YouTube Kanalı

https://www.tiktok.com/@drbottt/video/7368741112741137695
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