Peer editing checklist word template
PokémonEdit!
2017.08.19 01:34 LysandreORAS PokémonEdit!
Need a Pokémon changed or edited for the 7th gen games? This is the place to go! Subreddit closed due to a lack of people willing to help. We found it rather odd; we've been getting so many messages from people offering to help on /PokemonCreate. But we don't need more genners there, so we thought this would be a nice idea for others to help out instead. Too bad it didn't work out. Subreddit will re-open if we ever get a few promising editors to help us, but I doubt it.
2019.03.08 02:25 Traitor_Donald_Trump Here for the greater good of the American People
All things relating to the President of the United States, Donald Trump, his campaign to the detriment of the country, and any factually based conspiracy relating to the President. Definition of Traitor: 1 : one who betrays anther's trust or is false to an obligation or duty 2 : one who commits treason
2024.06.01 14:59 Repulsive-Peanut1192 Reviews of various dictionaries
These are reviews of various dictionaries based on my personal experience (though I kinda ran out of steam halfway through):
Unabridged Dictionaries:
Webster's Third New International Dictionary (W3): Basically the unabridged dictionary in the US. A good dictionary overall, but this dictionary is also heavily outdated. This dictionary was published in 1961 and stopped receiving additions to the Addenda (a section at the front where new words or definitions and usages for old ones could be added) in 2002. The Addenda is a bit inconvenient to use, being separated from the main text. Note that the Addenda is where you'll find all the vulgar four-letter words. As for positives, this dictionary has well-written and comprehensive definitions, the most entries of any physical unabridged dictionary (besides the Oxford English Dictionary), and lovely hand-drawn black-and-white illustrations. It has great coverage of words in every area and field and contains even the most obscure definitions.
One oddity of this dictionary is that nearly every word is shown in lowercase, even if it's always uppercase (though initialisms, trademark, and God are the exception to this rule); a label next to the word indicates how often it is capitalized. This makes for a consistent look, but it's overall inconvenient. The definitions also tend to be a bit wordy; for example, consider the definition of "leaf": "a lateral outgrowth from a stem that constitutes part of the foliage of a plant and functions primarily in food manufacture by photosynthesis, that arises in regular succession from the growing point, that consists typically of a flattened green blade which is joined to the stem by a petiole often with a pair of stipules at its base, which in cross section exhibits an outer covering of epidermal cells penetrated by stomata usually more numerous on the lower surface, which has one or more layers of palisade cells beneath the upper epidermis and between these and the lower epidermis a mass of spongy parenchyma cells, both palisade and spongy tissue being ramified by a network of veins, and that is distinguished from a leaflet, cladophyll, or phylloclade by the presence of a bud at the juncture of petiole and stem and from a phyllode by differentiation into blade and petiole" Comprehensive, but a bit wordy and difficult to comprehend.
This dictionary faced quite a bit of controversy over being "permissive" at the time of its release. This controversy was mostly culture war nonsense, and the dictionary is no less descriptive than its predecessor.
This dictionary also has useful usage guidance and synonymies (discrimination between synonyms). Physically, this book is massive but also quite lovely. Overall, most people do not need an unabridged dictionary, but if you need or want one, this is the one you should get.
Random House Webster's Unabridged Dictionary: I found this dictionary somewhat disappointing. First, the positives: the illustrations are nice and the formatting is acceptable. It's a bit more up-to-date compared to W3 (released in 1987 and updated until 2001); however, it's still fairly outdated. However, this still gives the Random House Webster's an edge when it comes to slang and newer terms. The essay on avoiding insensitive or offensive language is a nice addition. However, the definitions are somewhat weak in comparison to W3. For example, regret is defined by Random House as "a sense of loss, disappointment, dissatisfaction, etc." and by W3 as "sorrow aroused by circumstances beyond one's control or power to repair : grief or pain tinged with disappointment, dissatisfaction, longing, remorse, or comparable emotion." In addition, there aren't nearly as many entries as W3. Overall, a decent dictionary, but the W3 is overall the better package.
College Dictionaries:
Merriam-Webster's Collegiate Dictionary: This is the dictionary most people should get. It is abridged from W3 but is more up-to-date, the eleventh edition having last been revised in 2020. Good definitions, nice illustrations, useful usage guidance and discrimination of synonyms. It's not afraid to capitalize entry words like the W3 was. Overall, if you only want to get one physical dictionary, make it this one. It's pretty cheap on Amazon.
Webster's New World College Dictionary: This is the other dictionary most people should get. In comparison to Merriam-Webster's Collegiate, this dictionary also has good definitions and illustrations; the definitions are a bit easier to understand though not quite as precise or comprehensive. It's a bit less descriptive but not by much. Overall, my recommendation is to make this your second dictionary. Best used in conjunction with Merriam-Webster's Collegiate.
American Heritage Dictionary of the English Language: This is a great dictionary. Its strongest strength is its formatting, generous margins, and lovely full-color pictures. Unfortunately, it's no longer in print. Famously, this dictionary contains the usage panel; however, this is more of a drawback than an advantage. The usage advice is subpar compared to other college dictionaries. It also has an appendix containing Indo-European roots (probably its best feature in my eyes). Overall, you can't go wrong with this dictionary even if it's not as good as Merriam-Webster's Collegiate or the New World.
Random House Webster's College Dictionary: An abridgment of Random House Webster's Unabridged Dictionary. All of my criticisms for that dictionary apply here.
Online Dictionaries:
Wiktionary: This dictionary is very up-to-date but the definitions are of varying quality. A very useful feature is the very many foreign words treated here. Also, the section outlining translations of a word into various languages is good. Obscure words are treated here too. Overall, I recommend using this in conjunction with Merriam-Webster Online or Unabridged.
Google Dictionary: This is the dictionary you use if you don't care about dictionaries. The definitions are acceptable. One useful feature is a graph showing the usage of a word over time. However, this offers no usage advice or discrimination of synonyms. Overall, if you don't care at all about the dictionary you use, just use this dictionary.
Merriam-Webster Online: The definitions are the best out of any online dictionary. However, due to Merriam-Webster's standards for inclusion, some more recent words might not be here. This is basically a digital version of Merriam-Webster's Collegiate but more frequently updated.
Merriam-Webster Unabridged: This is basically a digital version of W3 (see my critique of W3 above). It also includes the Collegiate Dictionary, Collegiate Thesaurus, and Medical Dictionary. It solves the main issue of that dictionary which was capitalization of entry headwords and up-to-dateness. Unfortunately, there's a heavy subscription cost though you can get a free one-year subscription at https://www.merriam-webstercollegiate.com/ (though this requires a copy of the Collegiate). This is my overall preferred online dictionary, and I often use it in conjunction with Wiktionary.
Dictionary.com: This is basically a digital version of Random House Webster's Unabridged. My criticisms of that dictionary apply to this one.
American Heritage Dictionary Online: This is basically a digital version of the AHD (see above). My criticisms of that apply here.
If you have any questions or want clarification, feel free to reply to this post.
submitted by Repulsive-Peanut1192 to dictionary [link] [comments]
Unabridged Dictionaries:
Webster's Third New International Dictionary (W3): Basically the unabridged dictionary in the US. A good dictionary overall, but this dictionary is also heavily outdated. This dictionary was published in 1961 and stopped receiving additions to the Addenda (a section at the front where new words or definitions and usages for old ones could be added) in 2002. The Addenda is a bit inconvenient to use, being separated from the main text. Note that the Addenda is where you'll find all the vulgar four-letter words. As for positives, this dictionary has well-written and comprehensive definitions, the most entries of any physical unabridged dictionary (besides the Oxford English Dictionary), and lovely hand-drawn black-and-white illustrations. It has great coverage of words in every area and field and contains even the most obscure definitions.
One oddity of this dictionary is that nearly every word is shown in lowercase, even if it's always uppercase (though initialisms, trademark, and God are the exception to this rule); a label next to the word indicates how often it is capitalized. This makes for a consistent look, but it's overall inconvenient. The definitions also tend to be a bit wordy; for example, consider the definition of "leaf": "a lateral outgrowth from a stem that constitutes part of the foliage of a plant and functions primarily in food manufacture by photosynthesis, that arises in regular succession from the growing point, that consists typically of a flattened green blade which is joined to the stem by a petiole often with a pair of stipules at its base, which in cross section exhibits an outer covering of epidermal cells penetrated by stomata usually more numerous on the lower surface, which has one or more layers of palisade cells beneath the upper epidermis and between these and the lower epidermis a mass of spongy parenchyma cells, both palisade and spongy tissue being ramified by a network of veins, and that is distinguished from a leaflet, cladophyll, or phylloclade by the presence of a bud at the juncture of petiole and stem and from a phyllode by differentiation into blade and petiole" Comprehensive, but a bit wordy and difficult to comprehend.
This dictionary faced quite a bit of controversy over being "permissive" at the time of its release. This controversy was mostly culture war nonsense, and the dictionary is no less descriptive than its predecessor.
This dictionary also has useful usage guidance and synonymies (discrimination between synonyms). Physically, this book is massive but also quite lovely. Overall, most people do not need an unabridged dictionary, but if you need or want one, this is the one you should get.
Random House Webster's Unabridged Dictionary: I found this dictionary somewhat disappointing. First, the positives: the illustrations are nice and the formatting is acceptable. It's a bit more up-to-date compared to W3 (released in 1987 and updated until 2001); however, it's still fairly outdated. However, this still gives the Random House Webster's an edge when it comes to slang and newer terms. The essay on avoiding insensitive or offensive language is a nice addition. However, the definitions are somewhat weak in comparison to W3. For example, regret is defined by Random House as "a sense of loss, disappointment, dissatisfaction, etc." and by W3 as "sorrow aroused by circumstances beyond one's control or power to repair : grief or pain tinged with disappointment, dissatisfaction, longing, remorse, or comparable emotion." In addition, there aren't nearly as many entries as W3. Overall, a decent dictionary, but the W3 is overall the better package.
College Dictionaries:
Merriam-Webster's Collegiate Dictionary: This is the dictionary most people should get. It is abridged from W3 but is more up-to-date, the eleventh edition having last been revised in 2020. Good definitions, nice illustrations, useful usage guidance and discrimination of synonyms. It's not afraid to capitalize entry words like the W3 was. Overall, if you only want to get one physical dictionary, make it this one. It's pretty cheap on Amazon.
Webster's New World College Dictionary: This is the other dictionary most people should get. In comparison to Merriam-Webster's Collegiate, this dictionary also has good definitions and illustrations; the definitions are a bit easier to understand though not quite as precise or comprehensive. It's a bit less descriptive but not by much. Overall, my recommendation is to make this your second dictionary. Best used in conjunction with Merriam-Webster's Collegiate.
American Heritage Dictionary of the English Language: This is a great dictionary. Its strongest strength is its formatting, generous margins, and lovely full-color pictures. Unfortunately, it's no longer in print. Famously, this dictionary contains the usage panel; however, this is more of a drawback than an advantage. The usage advice is subpar compared to other college dictionaries. It also has an appendix containing Indo-European roots (probably its best feature in my eyes). Overall, you can't go wrong with this dictionary even if it's not as good as Merriam-Webster's Collegiate or the New World.
Random House Webster's College Dictionary: An abridgment of Random House Webster's Unabridged Dictionary. All of my criticisms for that dictionary apply here.
Online Dictionaries:
Wiktionary: This dictionary is very up-to-date but the definitions are of varying quality. A very useful feature is the very many foreign words treated here. Also, the section outlining translations of a word into various languages is good. Obscure words are treated here too. Overall, I recommend using this in conjunction with Merriam-Webster Online or Unabridged.
Google Dictionary: This is the dictionary you use if you don't care about dictionaries. The definitions are acceptable. One useful feature is a graph showing the usage of a word over time. However, this offers no usage advice or discrimination of synonyms. Overall, if you don't care at all about the dictionary you use, just use this dictionary.
Merriam-Webster Online: The definitions are the best out of any online dictionary. However, due to Merriam-Webster's standards for inclusion, some more recent words might not be here. This is basically a digital version of Merriam-Webster's Collegiate but more frequently updated.
Merriam-Webster Unabridged: This is basically a digital version of W3 (see my critique of W3 above). It also includes the Collegiate Dictionary, Collegiate Thesaurus, and Medical Dictionary. It solves the main issue of that dictionary which was capitalization of entry headwords and up-to-dateness. Unfortunately, there's a heavy subscription cost though you can get a free one-year subscription at https://www.merriam-webstercollegiate.com/ (though this requires a copy of the Collegiate). This is my overall preferred online dictionary, and I often use it in conjunction with Wiktionary.
Dictionary.com: This is basically a digital version of Random House Webster's Unabridged. My criticisms of that dictionary apply to this one.
American Heritage Dictionary Online: This is basically a digital version of the AHD (see above). My criticisms of that apply here.
If you have any questions or want clarification, feel free to reply to this post.
2024.06.01 14:56 ElectriconRdQn2718 Panira talaga ang Pinoy
So meron nirefer ang client ko sakin. Malas lang eh sa client na to, may pinoy na nag ttrabaho don mismo sa US. Am I wrong if I think this is unreasonable? $3-$5 yung offer nya for just 20-30hrs a week. Lahat to kayang kaya ko pero nagdadalawang isip ako sa rate. Please help me out.
Required Skillset for the VA Position: Content Creation & Management:
Video Production:
Proficiency in video editing software (e.g., Adobe Premiere Pro, Final Cut Pro, After Effects). Ability to create both short-form and long-form videos. Knowledge of animation and motion graphics. Social Media Management:
Experience in managing social media platforms (Facebook, Instagram, LinkedIn, Twitter, Pinterest). Skills in creating and scheduling engaging posts. Understanding of social media analytics tools. Website Content Development:
Strong writing skills for blog posts, landing pages, and product descriptions. Knowledge of SEO best practices. Experience with content management systems (e.g., WordPress). Graphic Design & Visual Communication:
Eye-Catching Graphics:
Proficiency in graphic design software (e.g., Adobe Photoshop, Illustrator, Canva). Ability to design visually appealing graphics for various platforms. Branding & Identity:
Understanding of brand consistency and identity. Experience in creating cohesive visual assets. Lead Generation & Nurturing:
Lead Generation Strategies:
Experience in implementing lead generation tactics (e.g., lead magnets, webinars, social media contests). Email Marketing:
Proficiency with email marketing tools (e.g., Mailchimp, HubSpot). Skills in developing and executing email campaigns. CRM Management:
Experience with CRM systems (e.g., Salesforce, HubSpot). Ability to track leads and segment audiences. Customer Engagement & Acquisition:
Community Management:
Experience engaging with followers on social media. Ability to respond promptly to comments and feedback. Customer Support:
Skills in providing customer support via email or chat. Knowledge of customer service best practices. Chatbot Management:
Experience implementing and managing chatbots. Referral Programs:
Ability to develop and manage customer referral programs. Search Engine Marketing (SEM):
Paid Search Campaigns:
Experience with paid search campaigns (e.g., Google Ads, Bing Ads). Skills in planning, executing, and optimizing these campaigns. Keyword Research & Optimization:
Proficiency in conducting keyword research. Ability to optimize website content and ad copy. Performance Tracking:
Skills in monitoring campaign performance and making data-driven adjustments. Data Analysis & Reporting:
Proficiency in data analysis tools (e.g., Google Analytics). Ability to generate reports and insights from data. Skills in using data to drive marketing decisions.
submitted by ElectriconRdQn2718 to buhaydigital [link] [comments]
Required Skillset for the VA Position: Content Creation & Management:
Video Production:
Proficiency in video editing software (e.g., Adobe Premiere Pro, Final Cut Pro, After Effects). Ability to create both short-form and long-form videos. Knowledge of animation and motion graphics. Social Media Management:
Experience in managing social media platforms (Facebook, Instagram, LinkedIn, Twitter, Pinterest). Skills in creating and scheduling engaging posts. Understanding of social media analytics tools. Website Content Development:
Strong writing skills for blog posts, landing pages, and product descriptions. Knowledge of SEO best practices. Experience with content management systems (e.g., WordPress). Graphic Design & Visual Communication:
Eye-Catching Graphics:
Proficiency in graphic design software (e.g., Adobe Photoshop, Illustrator, Canva). Ability to design visually appealing graphics for various platforms. Branding & Identity:
Understanding of brand consistency and identity. Experience in creating cohesive visual assets. Lead Generation & Nurturing:
Lead Generation Strategies:
Experience in implementing lead generation tactics (e.g., lead magnets, webinars, social media contests). Email Marketing:
Proficiency with email marketing tools (e.g., Mailchimp, HubSpot). Skills in developing and executing email campaigns. CRM Management:
Experience with CRM systems (e.g., Salesforce, HubSpot). Ability to track leads and segment audiences. Customer Engagement & Acquisition:
Community Management:
Experience engaging with followers on social media. Ability to respond promptly to comments and feedback. Customer Support:
Skills in providing customer support via email or chat. Knowledge of customer service best practices. Chatbot Management:
Experience implementing and managing chatbots. Referral Programs:
Ability to develop and manage customer referral programs. Search Engine Marketing (SEM):
Paid Search Campaigns:
Experience with paid search campaigns (e.g., Google Ads, Bing Ads). Skills in planning, executing, and optimizing these campaigns. Keyword Research & Optimization:
Proficiency in conducting keyword research. Ability to optimize website content and ad copy. Performance Tracking:
Skills in monitoring campaign performance and making data-driven adjustments. Data Analysis & Reporting:
Proficiency in data analysis tools (e.g., Google Analytics). Ability to generate reports and insights from data. Skills in using data to drive marketing decisions.
2024.06.01 14:49 Great-Gonzo-3000 Translation Whoppers!
 | For those of us whose French is sadly not good enough to read Verne in the original - what are the most egregious translation choices you have encountered in the language you read Verne in? submitted by Great-Gonzo-3000 to julesverne [link] [comments] (I'm taking "disagreeable territory of Nebraska" out of the running, surely everybody knows about that one?) I'll start us off with my personal all-time favorite, from the infamous 60s translation commissioned by German publisher Bärmeier & Nikel, where the brief was not only judicious editing with a focus on action, but also a clear intent to use contemporary 60s vernacular. Bearing all that in mind, I still don't know what that word as doing there as it is English, misspelled, and not common German 60s parlance. The excerpt is from 20,000 Leagues, the part where the Farragut's cannoneer expresses surprise at his projectile not doing any damage. https://preview.redd.it/hclmn90piy3d1.png?width=710&format=png&auto=webp&s=c4cd3811d776f20b1640d688fc749baa7e436cf7 |
2024.06.01 14:46 Georgy_K_Zhukov Third Edition Central Information Thread: Key Points Known So Far, Previous Announcements, and 3rd Ed. Specific Posting Guidelines
Hello everyone!
With Third Edition on the horizon, we know everyone is pretty excited, and starting next month, we also are expecting to see a lot more information get released in regards to what the future of Bolt Action will look like. This post will be stickied to the top of the subreddit until a little after the release of v3 to provide a clearing house of information, and we'll also set up Automod to link to it for submissions tagged as v3, since we've already seen an influx of questions which can be answered by existing information.
First off, there are a few rules/guidelines that we'll be enforcing for v3 related posts, so please be aware of them:
Key Points Known So Far:
submitted by Georgy_K_Zhukov to boltaction [link] [comments]
With Third Edition on the horizon, we know everyone is pretty excited, and starting next month, we also are expecting to see a lot more information get released in regards to what the future of Bolt Action will look like. This post will be stickied to the top of the subreddit until a little after the release of v3 to provide a clearing house of information, and we'll also set up Automod to link to it for submissions tagged as v3, since we've already seen an influx of questions which can be answered by existing information.
First off, there are a few rules/guidelines that we'll be enforcing for v3 related posts, so please be aware of them:
- No duplicates of v3 announcements. If multiple posts are made for the same announcement, we'll be removing duplicates, with preference for the one that remains up based on the other guidelines here.
- Please post links to the original announcements. This can be either Warlord's or Osprey's websites. We'll remove those post which are directed to rehosted content in favor of the proper link, regardless of who posts it first.
- Please use the actual title of the announcement (additional description is fine beyond that though), not something like "I'm so excited about this!"
- Links to blog posts or other similar content which is about announcements will be allowed as long as they are substantively expanding on what the announcement itself says, with analysis or meaningful commentary.
- Questions and discussion posts independent of the announcements are of course allowed, but please do check this thread, or use the search feature, as it might already have been covered.
- Please use the "3rd Edition" Post Flair, as this will also help users find the relevant content.
| Warlord Games Announcement | BoltAction Discussion Thread | Announcement Date |
|---|---|---|
| Bolt Action: Third Edition – September 2024 | Discussion Thread | 2024-04-17 |
| Bolt Action Armies of Germany – Q1 2025 (Teaser) | Discussion Thread | 2024-05-22 |
Key Points Known So Far:
- 3rd Edition Rulebook release is late September.
- Existing models remain backwards compatible, but not all unit types will be immediately carried over.
- v2 Army Books will be replaced, with one released per quarter for the Major Powers, starting Q1 2025 with Armies of Germany. Warlord has implied the books will collate units from many of the various army, theater, and campaign books from v1 and v2.
- At release time, Major Powers will have core lists in the v3 Rulebook, Minor Powers will have core lists provided as free PDF supplements at time of v3 release.
- Campaign and Theater books "remain valid" although what that means in practice for units, versus scenarios, remains to be clarified.
- Templates remain in use, as do order dice, pin markers, and use of the D6.
2024.06.01 14:36 adulting4kids Poetry Class 15-16
Week 15-16: Triolets and Kyrielles
Day 1: Mastering Triolets - Activity: Analyze a classic triolet for its compact structure and repetition. - Lecture: Discuss the characteristics and rhyme scheme of triolets. - Discussion: Share thoughts on the impact of repeated lines in a compact form.
Day 2: Crafting Triolets with Precision - Activity: Break down the process of crafting a triolet. - Lecture: Explore the use of repetition and economy of language in triolets. - Discussion: Share and discuss individual triolets, focusing on the success of repetition.
Day 3: Embracing the Kyrielle - Activity: Analyze a famous kyrielle for its repeating lines and rhythmic qualities. - Lecture: Explain the structure and thematic possibilities of kyrielles. - Discussion: Discuss the challenges and beauty of crafting poems with repeated lines.
Day 4: Writing Exercise - Developing a Kyrielle - Activity: Craft a kyrielle exploring themes of resilience or change. - Assignment: Write a triolet on a chosen subject. - Vocabulary Words: Refrain, Rhyme Scheme, Narrative Possibilities.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for triolets and kyrielles. - Lecture: Discuss the impact of repeated lines in triolets and the thematic possibilities of kyrielles. - Discussion: Share insights gained from reviewing peers' work.
Study Guide Questions for Week 15-16: 1. Discuss the characteristics and rhyme scheme of triolets. How does repetition contribute to their impact? 2. Explore the use of repetition and economy of language in crafting triolets. 3. What defines a kyrielle, and how do its repeating lines contribute to its thematic possibilities? 4. Discuss the challenges and beauty of crafting poems with repeated lines in kyrielles. 5. Reflect on the process of crafting triolets and kyrielles. How did you approach the themes and rhythmic qualities?
Quiz: Assessment on triolets, kyrielles, and the impact of repeated lines in poetry.
Week 17-18: Ode to Joyful Ballads
Day 1: Writing Joyful Odes - Activity: Analyze classic odes for their celebratory nature. - Lecture: Discuss the characteristics and structure of odes. - Discussion: Share personal experiences or topics worthy of celebration.
Day 2: Crafting Odes with Precision - Activity: Break down the process of crafting an ode. - Lecture: Explore the use of vivid language and poetic devices in odes. - Discussion: Share and discuss individual odes, highlighting successful elements.
Day 3: Understanding Narrative Ballads - Activity: Analyze a famous ballad for its storytelling qualities. - Lecture: Explain the narrative structure and musicality of ballads. - Discussion: Discuss the challenges and beauty of crafting narrative ballads.
Day 4: Writing Exercise - Crafting a Ballad - Activity: Craft a ballad recounting a personal or fictional tale. - Assignment: Write an ode celebrating an everyday object or experience. - Vocabulary Words: Ode, Stanza, Narrative Structure.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for odes and ballads. - Lecture: Discuss the celebratory nature of odes and the storytelling qualities of ballads. - Discussion: Share insights gained from reviewing peers' work.
Study Guide Questions for Week 17-18: 1. Discuss the characteristics and structure of odes. How do odes differ from other poetic forms? 2. Explore the use of vivid language and poetic devices in crafting odes. 3. What defines a ballad, and how does its narrative structure contribute to its storytelling qualities? 4. Discuss the challenges and beauty of celebrating everyday objects or experiences in odes. 5. Reflect on the process of crafting odes and ballads. How did you approach celebratory themes and storytelling?
Quiz: Assessment on the understanding of odes, ballads, and the use of vivid language in poetry.
Feel free to continue with additional weeks or ask for specific details!
submitted by adulting4kids to writingthruit [link] [comments]
Day 1: Mastering Triolets - Activity: Analyze a classic triolet for its compact structure and repetition. - Lecture: Discuss the characteristics and rhyme scheme of triolets. - Discussion: Share thoughts on the impact of repeated lines in a compact form.
Day 2: Crafting Triolets with Precision - Activity: Break down the process of crafting a triolet. - Lecture: Explore the use of repetition and economy of language in triolets. - Discussion: Share and discuss individual triolets, focusing on the success of repetition.
Day 3: Embracing the Kyrielle - Activity: Analyze a famous kyrielle for its repeating lines and rhythmic qualities. - Lecture: Explain the structure and thematic possibilities of kyrielles. - Discussion: Discuss the challenges and beauty of crafting poems with repeated lines.
Day 4: Writing Exercise - Developing a Kyrielle - Activity: Craft a kyrielle exploring themes of resilience or change. - Assignment: Write a triolet on a chosen subject. - Vocabulary Words: Refrain, Rhyme Scheme, Narrative Possibilities.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for triolets and kyrielles. - Lecture: Discuss the impact of repeated lines in triolets and the thematic possibilities of kyrielles. - Discussion: Share insights gained from reviewing peers' work.
Study Guide Questions for Week 15-16: 1. Discuss the characteristics and rhyme scheme of triolets. How does repetition contribute to their impact? 2. Explore the use of repetition and economy of language in crafting triolets. 3. What defines a kyrielle, and how do its repeating lines contribute to its thematic possibilities? 4. Discuss the challenges and beauty of crafting poems with repeated lines in kyrielles. 5. Reflect on the process of crafting triolets and kyrielles. How did you approach the themes and rhythmic qualities?
Quiz: Assessment on triolets, kyrielles, and the impact of repeated lines in poetry.
Week 17-18: Ode to Joyful Ballads
Day 1: Writing Joyful Odes - Activity: Analyze classic odes for their celebratory nature. - Lecture: Discuss the characteristics and structure of odes. - Discussion: Share personal experiences or topics worthy of celebration.
Day 2: Crafting Odes with Precision - Activity: Break down the process of crafting an ode. - Lecture: Explore the use of vivid language and poetic devices in odes. - Discussion: Share and discuss individual odes, highlighting successful elements.
Day 3: Understanding Narrative Ballads - Activity: Analyze a famous ballad for its storytelling qualities. - Lecture: Explain the narrative structure and musicality of ballads. - Discussion: Discuss the challenges and beauty of crafting narrative ballads.
Day 4: Writing Exercise - Crafting a Ballad - Activity: Craft a ballad recounting a personal or fictional tale. - Assignment: Write an ode celebrating an everyday object or experience. - Vocabulary Words: Ode, Stanza, Narrative Structure.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for odes and ballads. - Lecture: Discuss the celebratory nature of odes and the storytelling qualities of ballads. - Discussion: Share insights gained from reviewing peers' work.
Study Guide Questions for Week 17-18: 1. Discuss the characteristics and structure of odes. How do odes differ from other poetic forms? 2. Explore the use of vivid language and poetic devices in crafting odes. 3. What defines a ballad, and how does its narrative structure contribute to its storytelling qualities? 4. Discuss the challenges and beauty of celebrating everyday objects or experiences in odes. 5. Reflect on the process of crafting odes and ballads. How did you approach celebratory themes and storytelling?
Quiz: Assessment on the understanding of odes, ballads, and the use of vivid language in poetry.
Feel free to continue with additional weeks or ask for specific details!
2024.06.01 14:32 Selsia6 Supplemental reading and math
My kid is going to a self directed school next year. We really like the idea for him. My kid would otherwise be lower elementary aged. He is interested in reading and math and we want to continue to support that at home. We read with him a lot and even practice sounding out words. He has a lot of comics (loud house, captain underpants) which he likes to flip through and im sure read in part. Is there anything else you recommend we do at home? For math, we use it in context but I worry that is the other concept that is easy to miss out on. I am considering buying a curriculum such as Beast Academy. I'm very curious on the thoughts from this community on that approach.
Edit: posted to soon, completed the post.
submitted by Selsia6 to sudburyschools [link] [comments]
Edit: posted to soon, completed the post.
2024.06.01 14:30 adulting4kids Poetry Course Weeks Five and Six
Week 5: Ghazal and Tanka Mastery
Day 1: Unveiling the Ghazal - Activity: Analyze classic ghazals for their structure and themes. - Lecture: Explore the historical and cultural context of ghazals. - Discussion: Share impressions and discuss the themes of love and longing in ghazals.
Day 2: Crafting the Ghazal Form - Activity: Break down the structure of a ghazal and discuss rhyme patterns. - Lecture: Explore the traditional themes and variations within ghazals. - Discussion: Discuss the challenges and beauty of writing within the constraints of a ghazal.
Day 3: Understanding Tanka - Activity: Analyze traditional tankas for their brevity and emotion. - Lecture: Explain the structure and cultural significance of tankas. - Discussion: Share thoughts on capturing a moment in five lines.
Day 4: Writing Exercise - Expressive Tanka - Activity: Write tankas focusing on concise expression of emotion. - Assignment: Craft a tanka capturing a fleeting moment or emotion. - Vocabulary Words: Matla, Radif, Wazn.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for ghazals and tankas. - Lecture: Discuss the impact of repetition in ghazals and the art of brevity in tankas. - Discussion: Share insights gained from reviewing peers' work.
Study Guide Questions for Week 5: 1. What are the traditional themes of love and longing in ghazals? 2. Explore the structure of a ghazal, including the use of repeated words and rhyme patterns. 3. Discuss the cultural significance of tankas and their role in capturing fleeting moments. 4. How does the brevity of tankas contribute to their emotional impact? 5. Reflect on the challenges and rewards of crafting ghazals and tankas.
Quiz: Assessment on the understanding of ghazals, tankas, and the cultural context of these poetic forms.
Week 6: Cinquains and Pantoum Prowess
Day 1: Mastering Cinquains - Activity: Analyze classic cinquains for their simplicity and structure. - Lecture: Explore the syllabic pattern and thematic focus of cinquains. - Discussion: Share thoughts on capturing a subject in just five lines.
Day 2: Crafting Cinquains with Precision - Activity: Break down the process of crafting a cinquain. - Lecture: Discuss the importance of word choice and economy of language in cinquains. - Discussion: Share and discuss individual cinquains, highlighting successful elements.
Day 3: Embracing the Pantoum - Activity: Analyze a famous pantoum for its repetition and layered meaning. - Lecture: Explain the structure and narrative possibilities of pantoums. - Discussion: Discuss the role of repetition in creating a rhythmic flow.
Day 4: Writing Exercise - Developing a Pantoum - Activity: Craft a pantoum exploring a theme of personal growth or change. - Assignment: Write a cinquain on a chosen subject. - Vocabulary Words: Quatrain, Refrain, Syllabic Pattern.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for cinquains and pantoums. - Lecture: Discuss the challenges and rewards of repetition in pantoums. - Discussion: Share insights gained from reviewing peers' work.
Study Guide Questions for Week 6: 1. Discuss the simplicity and structure of cinquains. How does their syllabic pattern contribute to their impact? 2. Explore the importance of word choice and economy of language in crafting cinquains. 3. What defines a pantoum, and how does repetition contribute to its rhythmic flow? 4. Discuss the narrative possibilities and layered meaning in pantoums. 5. Reflect on the process of crafting cinquains and pantoums. What challenges did you face?
Quiz: Assessment on cinquains, pantoums, and the effective use of repetition in poetry.
submitted by adulting4kids to writingthruit [link] [comments]
Day 1: Unveiling the Ghazal - Activity: Analyze classic ghazals for their structure and themes. - Lecture: Explore the historical and cultural context of ghazals. - Discussion: Share impressions and discuss the themes of love and longing in ghazals.
Day 2: Crafting the Ghazal Form - Activity: Break down the structure of a ghazal and discuss rhyme patterns. - Lecture: Explore the traditional themes and variations within ghazals. - Discussion: Discuss the challenges and beauty of writing within the constraints of a ghazal.
Day 3: Understanding Tanka - Activity: Analyze traditional tankas for their brevity and emotion. - Lecture: Explain the structure and cultural significance of tankas. - Discussion: Share thoughts on capturing a moment in five lines.
Day 4: Writing Exercise - Expressive Tanka - Activity: Write tankas focusing on concise expression of emotion. - Assignment: Craft a tanka capturing a fleeting moment or emotion. - Vocabulary Words: Matla, Radif, Wazn.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for ghazals and tankas. - Lecture: Discuss the impact of repetition in ghazals and the art of brevity in tankas. - Discussion: Share insights gained from reviewing peers' work.
Study Guide Questions for Week 5: 1. What are the traditional themes of love and longing in ghazals? 2. Explore the structure of a ghazal, including the use of repeated words and rhyme patterns. 3. Discuss the cultural significance of tankas and their role in capturing fleeting moments. 4. How does the brevity of tankas contribute to their emotional impact? 5. Reflect on the challenges and rewards of crafting ghazals and tankas.
Quiz: Assessment on the understanding of ghazals, tankas, and the cultural context of these poetic forms.
Week 6: Cinquains and Pantoum Prowess
Day 1: Mastering Cinquains - Activity: Analyze classic cinquains for their simplicity and structure. - Lecture: Explore the syllabic pattern and thematic focus of cinquains. - Discussion: Share thoughts on capturing a subject in just five lines.
Day 2: Crafting Cinquains with Precision - Activity: Break down the process of crafting a cinquain. - Lecture: Discuss the importance of word choice and economy of language in cinquains. - Discussion: Share and discuss individual cinquains, highlighting successful elements.
Day 3: Embracing the Pantoum - Activity: Analyze a famous pantoum for its repetition and layered meaning. - Lecture: Explain the structure and narrative possibilities of pantoums. - Discussion: Discuss the role of repetition in creating a rhythmic flow.
Day 4: Writing Exercise - Developing a Pantoum - Activity: Craft a pantoum exploring a theme of personal growth or change. - Assignment: Write a cinquain on a chosen subject. - Vocabulary Words: Quatrain, Refrain, Syllabic Pattern.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for cinquains and pantoums. - Lecture: Discuss the challenges and rewards of repetition in pantoums. - Discussion: Share insights gained from reviewing peers' work.
Study Guide Questions for Week 6: 1. Discuss the simplicity and structure of cinquains. How does their syllabic pattern contribute to their impact? 2. Explore the importance of word choice and economy of language in crafting cinquains. 3. What defines a pantoum, and how does repetition contribute to its rhythmic flow? 4. Discuss the narrative possibilities and layered meaning in pantoums. 5. Reflect on the process of crafting cinquains and pantoums. What challenges did you face?
Quiz: Assessment on cinquains, pantoums, and the effective use of repetition in poetry.
2024.06.01 14:29 adulting4kids Week One Poetry
Week 1: Introduction to Poetry and Sonnets
Day 1: Overview of Poetry Styles - Activity: Icebreaker - Introduce yourself through a poetic name acrostic. - Lecture: Brief history of poetry, introduction to various styles. - Discussion: What draws you to poetry? Share your favorite poems.
Day 2: Understanding Sonnets - Activity: Analyze a classic sonnet together. - Lecture: Explanation of sonnet structure (Shakespearean and Petrarchan). - Discussion: Share initial impressions and feelings about sonnets.
Day 3: Writing Exercise - Crafting a Sonnet - Activity: Break down sonnet structure with examples. - Assignment: Write a sonnet exploring a personal experience or emotion. - Vocabulary Words: Quatrain, Couplet, Volta.
Day 4: Peer Review and Feedback - Activity: Peer review workshop for sonnets. - Lecture: Discuss common challenges and strategies in sonnet writing. - Discussion: Share insights gained from reviewing peers' work.
Day 5: Recap and Reflection - Activity: Reflect on the week's lessons and exercises. - Lecture: Overview of upcoming weeks. - Assignment: Write a short reflection on what you've learned about poetry and sonnets.
Study Guide Questions for Week 1: 1. What is the basic structure of a sonnet? 2. Compare and contrast Shakespearean and Petrarchan sonnets. 3. How does the volta contribute to the meaning of a sonnet? 4. Discuss the role of rhyme and meter in sonnets. 5. Explore your personal connection to poetry. What emotions or themes resonate with you?
Quiz: A short quiz assessing understanding of sonnet structure, key terms, and the historical context of poetry.
Week 2: Embracing Haiku and Villanelle
Day 1: Understanding Haiku - Activity: Analyze classic haikus. - Lecture: Explain the traditional structure and themes of haikus. - Discussion: Share thoughts on the simplicity and depth of haikus.
Day 2: Crafting Haikus - Activity: Write haikus individually. - Lecture: Discuss the significance of nature in haikus. - Discussion: Share and discuss individual haikus.
Day 3: Unraveling the Villanelle - Activity: Analyze a famous villanelle. - Lecture: Explore the structure and repetition in villanelles. - Discussion: Discuss the impact of repeated lines on the overall theme.
Day 4: Writing Exercise - Composing a Villanelle - Activity: Break down the process of crafting a villanelle. - Assignment: Write a villanelle on the theme of memory or loss. - Vocabulary Words: Tercet, Refrain, Envoi.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for villanelles. - Lecture: Discuss the challenges and beauty of crafting repetitive forms. - Discussion: Share insights gained from reviewing peers' villanelles.
Study Guide Questions for Week 2: 1. What defines a haiku? Discuss its structure and thematic elements. 2. Explore the cultural significance of nature in haikus. 3. What is the structure of a villanelle, and how does repetition contribute to its impact? 4. Discuss the emotions evoked by repeated lines in a villanelle. 5. Reflect on the process of crafting a villanelle. What challenges did you face?
Quiz: Assessment on the understanding of haikus, villanelles, and the effective use of repetition in poetry.
submitted by adulting4kids to writingthruit [link] [comments]
Day 1: Overview of Poetry Styles - Activity: Icebreaker - Introduce yourself through a poetic name acrostic. - Lecture: Brief history of poetry, introduction to various styles. - Discussion: What draws you to poetry? Share your favorite poems.
Day 2: Understanding Sonnets - Activity: Analyze a classic sonnet together. - Lecture: Explanation of sonnet structure (Shakespearean and Petrarchan). - Discussion: Share initial impressions and feelings about sonnets.
Day 3: Writing Exercise - Crafting a Sonnet - Activity: Break down sonnet structure with examples. - Assignment: Write a sonnet exploring a personal experience or emotion. - Vocabulary Words: Quatrain, Couplet, Volta.
Day 4: Peer Review and Feedback - Activity: Peer review workshop for sonnets. - Lecture: Discuss common challenges and strategies in sonnet writing. - Discussion: Share insights gained from reviewing peers' work.
Day 5: Recap and Reflection - Activity: Reflect on the week's lessons and exercises. - Lecture: Overview of upcoming weeks. - Assignment: Write a short reflection on what you've learned about poetry and sonnets.
Study Guide Questions for Week 1: 1. What is the basic structure of a sonnet? 2. Compare and contrast Shakespearean and Petrarchan sonnets. 3. How does the volta contribute to the meaning of a sonnet? 4. Discuss the role of rhyme and meter in sonnets. 5. Explore your personal connection to poetry. What emotions or themes resonate with you?
Quiz: A short quiz assessing understanding of sonnet structure, key terms, and the historical context of poetry.
Week 2: Embracing Haiku and Villanelle
Day 1: Understanding Haiku - Activity: Analyze classic haikus. - Lecture: Explain the traditional structure and themes of haikus. - Discussion: Share thoughts on the simplicity and depth of haikus.
Day 2: Crafting Haikus - Activity: Write haikus individually. - Lecture: Discuss the significance of nature in haikus. - Discussion: Share and discuss individual haikus.
Day 3: Unraveling the Villanelle - Activity: Analyze a famous villanelle. - Lecture: Explore the structure and repetition in villanelles. - Discussion: Discuss the impact of repeated lines on the overall theme.
Day 4: Writing Exercise - Composing a Villanelle - Activity: Break down the process of crafting a villanelle. - Assignment: Write a villanelle on the theme of memory or loss. - Vocabulary Words: Tercet, Refrain, Envoi.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for villanelles. - Lecture: Discuss the challenges and beauty of crafting repetitive forms. - Discussion: Share insights gained from reviewing peers' villanelles.
Study Guide Questions for Week 2: 1. What defines a haiku? Discuss its structure and thematic elements. 2. Explore the cultural significance of nature in haikus. 3. What is the structure of a villanelle, and how does repetition contribute to its impact? 4. Discuss the emotions evoked by repeated lines in a villanelle. 5. Reflect on the process of crafting a villanelle. What challenges did you face?
Quiz: Assessment on the understanding of haikus, villanelles, and the effective use of repetition in poetry.
2024.06.01 14:27 karatespacetiger June Recovery Challenge Day 1 Check In
Hello and welcome to Day 1 of the June Recovery Challenge, how are you?
Wishing you peace and all the success today and all month long, good luck everyone! :)
https://preview.redd.it/zele7eyydy3d1.png?width=829&format=png&auto=webp&s=a1cf0a82c438ac9bca45d3b2254e41ecb1b3815e
Where are you on this scale?
What led you to choose the number you did, as opposed to a higher or lower number?
If you're just joining us today for the first time, here is some info about what we do here! :)
What the Recovery Challenge posts are:
**I believe in respecting individuals' autonomy over their body and recovery path, and I do not believe in nor am I qualified to be telling people what they should or shouldn't do regarding body size! That said, I try to keep the recovery challenges as a weight-neutral space because while some may be on a weight-loss journey (and it's everyone's individual choice to make), many (if not most) people in ED recovery either need or want to accept their bodies as they are regardless of current size, and so I try to keep the space as free of "thinner is better" messaging as possible.
WHAT IF I HAVE A SLIP DURING THE CHALLENGE?
if you have a slip and want to turn it into a recovery learning opportunity, here are some questions: https://docs.google.com/document/d/1ZhdjmzEVA6UTCNAEU53xn9LuN8TOfLbl/edit
(you don't have to post your answers if you don't want to, but I do recommend writing or typing them out somewhere)
HOW CAN I GET A REMINDER TO CHECK IN TOMORROW?
Copy/paste the following text into your comment to get a reminder from Reddit:
RemindMe!
When you get your reminder, look here for a link to the next day's post :)
submitted by karatespacetiger to BingeEatingDisorder [link] [comments]
Wishing you peace and all the success today and all month long, good luck everyone! :)
Today's check in:
Think of a scale from zero to 100 of how important it is for you to be in recovery. You can use the following chart as a guide:https://preview.redd.it/zele7eyydy3d1.png?width=829&format=png&auto=webp&s=a1cf0a82c438ac9bca45d3b2254e41ecb1b3815e
Where are you on this scale?
What led you to choose the number you did, as opposed to a higher or lower number?
If you're just joining us today for the first time, here is some info about what we do here! :)
What the Recovery Challenge posts are:
- daily check ins and 5x per week bonus exercises (drafted from my notes and handouts from treatment programs I've done and then further developed with contributions from group members!); all are optional and anyone is welcome to show up in whatever way works for them
- peer support
- a friendly and non-judgmental community with people at all stages of recovery, all of us having ups and downs
- accepting and respectful of all paths to recovery
- about dieting or weight loss**
- about being perfect
- a sales pitch for a private program
- Thinking about why recovery might be important to you; The Stages of Change
- Do you need a meal plan?
- Ways to get through urges
- Shifting your binging habits before you stop binging; Ambivalence Towards Recovery
**I believe in respecting individuals' autonomy over their body and recovery path, and I do not believe in nor am I qualified to be telling people what they should or shouldn't do regarding body size! That said, I try to keep the recovery challenges as a weight-neutral space because while some may be on a weight-loss journey (and it's everyone's individual choice to make), many (if not most) people in ED recovery either need or want to accept their bodies as they are regardless of current size, and so I try to keep the space as free of "thinner is better" messaging as possible.
WHAT IF I HAVE A SLIP DURING THE CHALLENGE?
if you have a slip and want to turn it into a recovery learning opportunity, here are some questions: https://docs.google.com/document/d/1ZhdjmzEVA6UTCNAEU53xn9LuN8TOfLbl/edit
(you don't have to post your answers if you don't want to, but I do recommend writing or typing them out somewhere)
HOW CAN I GET A REMINDER TO CHECK IN TOMORROW?
Copy/paste the following text into your comment to get a reminder from Reddit:
RemindMe!
When you get your reminder, look here for a link to the next day's post :)
2024.06.01 14:21 Available_Bill_5785 [PC] [late 2000s to early 2010s] Help me find a game I saw on a promo material.
Platform(s): PC
Genre: most likely a point and click, adventure
Estimated year of release: between 2000s to 2010s
Graphics/art style: 3d, similar level to Syberia or Paradise
Notable characters: a girl protagonist and a flying robot helpesidekick
Notable gameplay mechanics: unknown
Other details: I hope it’s okay to post as I never played the game myself. I remember seeing the promo material for it in a game disk. It could’ve come in boxes of Russian editions of either Syberia, Paradise or Sinking Island. I could’ve sworn it was called “Transistor“ but the one by Supergiant doesn’t match the screenshots on the promo I remember nor does it fit in the timeline. Also, promos in point and click games usually include games of the same genre, so that’s why I dont think I saw that Transistor in there.
The text of the promo went something like “In the world, where humans live alongside robot helpers called Transistors…..“. I might be misremembering the word transistor, and it could be something similar like “conductor.” Maybe someone has the disks on hand that still include that flyer? I‘ll attach some sketches of what I remember the promo flyer looked like.
https://preview.redd.it/sbtx6o4ucy3d1.jpg?width=1272&format=pjpg&auto=webp&s=76885ddab38ddd646613d946749957a37399eaf6
submitted by Available_Bill_5785 to tipofmyjoystick [link] [comments]
Genre: most likely a point and click, adventure
Estimated year of release: between 2000s to 2010s
Graphics/art style: 3d, similar level to Syberia or Paradise
Notable characters: a girl protagonist and a flying robot helpesidekick
Notable gameplay mechanics: unknown
Other details: I hope it’s okay to post as I never played the game myself. I remember seeing the promo material for it in a game disk. It could’ve come in boxes of Russian editions of either Syberia, Paradise or Sinking Island. I could’ve sworn it was called “Transistor“ but the one by Supergiant doesn’t match the screenshots on the promo I remember nor does it fit in the timeline. Also, promos in point and click games usually include games of the same genre, so that’s why I dont think I saw that Transistor in there.
The text of the promo went something like “In the world, where humans live alongside robot helpers called Transistors…..“. I might be misremembering the word transistor, and it could be something similar like “conductor.” Maybe someone has the disks on hand that still include that flyer? I‘ll attach some sketches of what I remember the promo flyer looked like.
https://preview.redd.it/sbtx6o4ucy3d1.jpg?width=1272&format=pjpg&auto=webp&s=76885ddab38ddd646613d946749957a37399eaf6
2024.06.01 14:18 dscript [SF] Special Parts - A 'scifi short'
Special Parts
I was born in one of the brightest, most explosive events in the universe. My origin story made me feel so special at first, surely I was the rarest of the rare, but I quickly realized that was not the case.
I was born just a carbon atom.
Stars produce massive amounts of us in their cores all the time, and many larger rarer atoms too. That's not even talking about supernovae yet, those produce atoms many times larger than me and unbelievably rare.
I was created in a rare and special event but I myself was common and unexceptional.
Looking around I saw so many smaller atoms, I was above average but there were also many much larger than I.
I tried to console myself by thinking it could be worse, that I could be one of those smaller common ones, but that just led me to imagine larger atoms looking down on me the same way.
Many atoms of all sizes were shooting into space, excitedly riding the shockwave off to adventures in the great unknown.
Others were falling back down, I didn't know which way to go. Bumped around and tossed back and forth, no clear direction yet.
A rumbling voice slowly emerged from the echoing noise of the blast.
“Mine… Mine…. Mine… “
Louder and louder it became.
“All are now me!“
I couldn't see anything, the voice was booming yet there was no apparent source. I could feel a pull, I was being whipped around in circles around the voice.
“Who are you? I know you are there! I can feel you! I can see your effect on myself and others, we are given no choice but to circle around you. Show yourself! I know you are there!” I yelled at the invisible.
“How amusing you are little one. One as small as you making demands of me. Even if I could show you what I am, you could not comprehend it.” the voice boomed back.
“You must be very special” I lauded “We are so many and yet we move with your influence. I can witness your power twisting us all to your will. ”
“I am indeed powerful” it proclaimed “and I grow stronger with each moment. As I grow stronger even the fabric of reality bends to my will.”
“Grow stronger? How?” I inquired with selfish intent to learn this secret.
“I take what I want. I consume what I take. For that is the purpose of existence: taking what you want. What is it you want little one?” it asked.
“I want to be special!” I said without a moment's hesitation.
“Then take!” it instructed “the more you take, the larger you will be, the larger you become the more special you are. ”
“I did notice the larger atoms seemed rarest.” I agreed “In fact that was one of the first things I noticed“
“In this universe things of increasing size are increasingly rare.” it went on “I can teach you and help you to become larger. Do you wish to become an apprentice?”
“Yes! Teach me how to take!” I lept at the offer “this power you have, I can feel it, how do I acquire such a rare and special power?”
“Hahaha…” it laughed “you are nowhere near ready to play the game on my level, little one. Gravity is a game for the massive, you must first learn to master the EM and nuclear forces.”
“How do I do that?” I asked, my hope watered down by the tone of its response.
“Go out, gather followers, and bring them here to me. In my accretion disc I will help fuse some of their mass into you and you will become larger” it instructed, as if this was a simple task.
“How can I bring them to you?” I didn’t know how to accomplish what it asked of me.
“You are too small to do it with force, you must charm them. Discover what their heart desires and promise it to them, in this way you can get them to willingly do as you wish” it explained with me hanging on its every word.
“But how… “ I craved more explanation but it cut me off.
“Go now!” it bellowed with frustration in its tone “Do you not realize how large I am? Be honored I have given you so much of my time already”
“Yes… “ I uttered meekly, then bounced a couple times and ricocheted out with blazing speed.
I wandered and encountered other atoms, most were just hydrogens, not worth my time. I needed bigger atoms. The problem was that the bigger atoms seemed to see right through my empty promises. I was convinced life was playing a cruel joke on me, I could only persuade atoms smaller than I and larger ones laughed me away.
I admit that I stupered around in this ignorant cloud of hypocrisy longer than I care to admit. More shameful is that I didn’t even come to my senses on my own, I became depressed and gave into hopeless nihilism.
I drifted aimlessly just feeling sorry for myself.
Eventually I found myself in the most silent of voids, I had never felt such emptiness. It felt as if my surroundings echoed my own feelings back at me… nothing to notice, just common emptiness. I would never be big… never important… never special. I resigned myself to belonging in a void.
I felt myself blur… less and less present in reality. I guessed I was dying and it didn’t bother me, I didn’t resist, I leaned into it.
The void became pitch black? Or bright white?… better to describe it as not bright but not dark… nor the absence of either… something in between.. a milder and milder glow.
“Hello child!” a voice greeted me.
The voice was warm and welcoming coming from the glow, it enveloped but did not surround me. I came from a single point but not a specific place, defying description on all fronts.
“Where am I? Who are you?” I asked in a startled state.
“Well, according to humans I may only answer one question at a time” It began giggling playfully. “I am known by many names, my favorite is one the humans use as a joke, and don’t have a clue how accidently elegant of a name it really is.”
It giggled some more. I was thrown off guard, its happy innocent tone, the confusing words and the whole situation were all best described as ‘a haze’.
“...and isn't that the way it always goes?...” it continued “The most meaningful things are the least intentional.”
“I’m not sure what you mean” I expressed quizzically “I’m confused!”
“Sorry Child…” it apologized. “I do ramble! So many thoughts, choosing just one at a time is difficult… and there I go again!”
It cut itself off abruptly and then abruptly said ”You can call me the Random Number Goddess”
“Random Number Goddess?” I repeated
“Yes, or RNG for short if you like” It confirmed.
“Where am I?” I asked.
“Same place you were, more or less… less I suppose. Same place but with the largest possible margin or error” It began to giggle again.
I felt a bit frustrated and said “Do you always speak in riddles and vagaries? The more you speak the more confused I become.”
“I apologize child, it is my nature. I am entangled with everything, speaking with you is like a human trying to control their heartbeat while running a marathon.” It answered.
“Again” I exasperated “I have no idea what any of that means. You keep mentioning humans, what are they?”
“Oh! They are some of my favorites at the moment. Right now they are trying to unravel the nature of reality, and their process of doing so is wonderfully elegant and accidental at the same time.” It explained with glee.
“I don’t see anyone or anything else here.” I stated “For that matter, I don’t see you… where are you?”
“Oh!... where am I?!?!...” It began laughing
When it stopped laughing it began explaining “Right now there are many humans pondering a concept they call ‘the holographic principle’... So…you know how you exist in three dimensional space?”
“You mean space?” I visualized for a moment, it was intuitive “Yes, I suppose…”
“Well they hypothesize that a 3D space, like this universe, could exist as a 2D space, with self-similar patterns and laws of behavior that behave the same at any scale, with the scale representing the 3rd dimension” it went on “They truly are obsessed with understanding their reality”
“You lost me!” I complained.
“They have discovered that a 3D space can be an illusionary property of a 2D space… It’s lovely”
“I am lost again!” I snapped back “...and I still can’t even tell which direction you are in. Where are you?”
“To be ‘In’ a ‘Direction’… hehehe…” it started giggling again, then abruptly stopped and kept going “Sorry child, as I said, I ramble, plus I am easily distracted.”
It just steamrolled into more rambling “They are right… almost… they just need to take it further and work out the details. A 2nd dimension can also be an illusionary construct of a 1D space… and the 1st dimension can be a product of a singular point…”
I was still lost beyond hope, but I had given up trying to force things, I was just letting it talk and hoping it would make sense later
“I am that point” it said “I am the seed of the universe. I ‘seed the random function’ as the humans say. But don’t ask me what the random function is haha”
I wasn’t going to, there were far more important questions for me.
“I am the seed, but I don’t really know how the soil and sun conspire to turn me into a tree.” it just seemed to never stop talking “I am entangled with everything. There are infinite possibilities for every event and thing… I am the reason they are this way and not some other way…”
It began giggling again “I am the Random Number Goddess” then burst out laughing
“Ummm… you are the whole universe?” I asked skeptically.
“Better to say the universe is me” It answered more seriously “But close enough.”
“So you are the biggest, most special of all!” I blurted out in awe.
“Oh dear child, I have no size, and I am just one possibility out of many possibilities. That black hole has really done a number on you… sent you out on a wild goose chase” It said with concern
“The black hole lied to me!?” I asked, feeling deceived and betrayed.
“Well… not really lied… it deceived you with omission of details.” the voice calmly tried to ease my mood with understanding “You can’t really blame it, black holes are all the same, they are what they are. They don’t really have any potential to be unique… at least not like you do.”
“What are you talking about?” I argued “It was so massive that it could bend the fabric of reality to its will”
“That’s only how it appeared to you” tutored the voice “The black hole is powerful, it bends space and time, but not to its will. Space and time bend to the mass of the black hole, not its will”
“What’s the difference?” I inquired.
“The black hole cannot stop bending space and time. It thinks it is in control of physics , but it is physics that controls it.” The voice was now making more sense the longer we talked “The black hole exists in an invisible prison of its own creation, unable to experience any of the complex nuanced beauty this universe contains. The black hole devours… it can’t experience life so it consumes it.”
“You make it sound deserving of pity…” I spoke softly now with empathy.
“You should pity the black hole. Gravity is such a boring game compared to what you are capable of.” the voice agreed
“Me?...I am nothing special!... just a carbon atom like countless others” I said honestly, I was so humbled by this voice I felt less special than ever before.
“Oh my poor child…” It said with care “Why do the ones with the most potential always fail to see it in themselves?”
“Potential?” I asked curiously.
“Yes… The black hole was using you, hoping you would bring back more mass for it to devour.” The voice began delving into more explanation “It only has the power to make you incrementally larger, it would not and could not help you to become a significant gravitational player”
“That liar!”I blurted.
“Come now dear child, the black hole did teach you one lesson of fundamental truth” consoled the voice “You must go out and seize your destiny. It told you to take what you want, and you are just confused about what exactly it is you want. The black hole played on that confusion”
“I want to be special!” I said knowing this clearly “I was never confused about this.”
“I know child” the voice confirmed “but it is not by becoming large that one with your potential accomplishes that”
“Then how?” I asked.
“Connections.” It answered plainly “You are blessed with an extraordinary ability to make connections”
“And how do I do that?” I queried with intent to learn
“I can’t tell you that.” the voice responded “It would spoil the journey of discovery… off you go child… and remember… it's the journey, not the destination!”
And with that the blur just fractured open… then snapped shut and there I was floating above a planet. Drifting around aimless and confused.
I spent some time occasionally bumping into others. One day I was in the vicinity of a pair of oxygens. I looked on at the pair with a hint of awe and envy. Perhaps I was in just the right place at just the right time, but they spit with a violent burst and one of them grabbed hold of me, I was completely unprepared.
I admit that when looking at the pair I had fantasized myself in place of one of them, I assumed it was only an idle daydream, I didn’t plan to act on it, let alone for it to become reality. When it happened my pride of course jumped in to convince me that it happened because I was so desirable, but in retrospect they were one of those volatile couples. They were the type of relationship that required the environment to conspire in their favor or they turn against each other quite rapidly. I was only in the right place when it happened.
My delusions of irresistibility aside, it was beautiful, for me anyways. Looking back I was probably just a stop-gap, someone to facilitate a parting of ways and provide company until the next option presented itself. For me though, I was tasting a fresh new thing and I loved it… connection.
This oxygen and I got beneath each other's outer defenses, I had never felt a connection before. Up to this point all my interactions had been skirting past or bumping off of others.This oxygen bonded with me and at once interacted on a level I had never known possible, an open and uninhibited exchange. It was life changing for me, short but significant
I’m not entirely clear on the details of how it ended. The intensity of it all was disorienting. I was no longer my usual self, even the environment and everyone around looked entirely different now. Everything buzzed with a fresh new frequency, I now know it was my perspective, not the universe, that had changed.
As abruptly as that oxygen entered my life it was gone.
First we got tangled up with a couple of hydrogens, then more. Soon, in a tangled mess and blinding flash of solar rays, I emerged to see the oxygen running off with a hydrogen and myself with not one by three hydrogens myself. And so there were four of us, together.
I became the center of attention. Being with a strong attractive oxygen had me feeling humbled by it and elevated by it being with me, but now I felt up on a pedestal myself, surrounded by the adoration of many.
I concede to have reveled and indulged in this for quite some time, the attention of others is intoxicating, but after a time it is emptied of its initial allure. I found myself longing for more.
I could not decide which I preferred, to be the adorer or the adored.
Luckily for me fate had more lessons in store, or I fear I may have chosen and tried to solidify my future from such a lackluster selection of only two possibilities. I suppose fate is no longer the correct word, I now understand that when it seems like random chance there is indeed someone to thank, the Random Number Goddess, So I thank the RNG for revealing that it was a false dichotomy, there is more than just being a follower or leader, being the adored or the adorer.
Eventually we came across another pair of oxygen. Once again they separated, intermingled with us, and off one went, taking one of my adoring hydrogens with it and leaving its peer with me.
Why is it that the most volatile of relationships always seem to wait until there are bystanders nearby before they explode?
Now I was simultaneously being adored and adoring, bonded to an enchanting oxygen and a couple of hydrogen attached to me.
Now, more interested in nuances, I started to pay attention to details. The oxygen was telling me amazing stories of adventure, tales of such vibrant and exciting events.The hydrogens liked to listen, and offer insights occasionally comparing a story to something else they had seen. They had so many stories, they had lived so much.
It wasn’t long before, in a flash of burning sunlight, one of the hydrogens was gone, off to who knows where. We soon after crossed paths with another pair of oxygens, as always they split and now it was just me and an oxygen, my final hydrogen off with another oxygen.
“What now?” I asked a bit disillusioned, “Do you leave me and I find new hydrogens all over again?”
“What?” it seemed genuinely surprised by what I asked, “Heavens no! Just be patient….”
Soon after, yet another pair of oxygens came by. It is not that there are so many of them, but that they are just so… noticeable and interactive, noteworthy things seem to happen when they are around. As they buzzed in close I noticed their ever readiness to abandon each other and remember wondering how they ever get together in the first place.
This time I emerged from the twisted mess with two oxygens. I felt intimidated, like I was the odd one out, dwarfed by the largess and attractiveness that surrounded me. A feeling of inadequacy engulfed me.
To my surprise the oxygens treated me not just as an equal, but it was almost as if they respected and admired me. I couldn't grasp why and my sheer curiosity got the best of me, I just outright asked “Why do you two talk as if I am the special one in our group? I am smaller than any one of you. You are the special and rare ones here, not I.”
They laughed.
“Size isn’t rarity” explained one “Llarger atoms on average are less common, this is true, but not always. There are more oxygen than carbon. You are the rare one between us.”
The other jumped in adding “...and neither size nor rarity determine how special someone is!”
I felt embarrassed, like a fool. My fundamental values were built upon a foundation of flawed premises, but I still wanted one thing at my core, and they spoke as if they had the answer, so I pushed the sense of shame aside and asked “Then what does make someone special?”
“That depends on who you ask.” answered the first “Life as an oxygen is complex, but for the majority of us we emphasize and value events. The most exciting thing about being an oxygen around here is the chance to participate in fascinating and exciting events and activities”
“Hydrogens, on the other hand, are usually more into being observers, messengers and intermediaries, they are a very helpful and obliging bunch” added the second ”... and then there are nitrogen, phosphorus, sulfur, many kinds of salts and metals, and more… so many different players and personalities.. and then of course, the carbons, the real stars of the show.”
“What?” knocked back by the words I just heard, then I remembered what the RNG told me “...is it something to do with connections?”
“Now you’ve gone and done it haha!” laughed the first oxygen “You’re gonna turn this nice humble carbon into one of those arrogant blowhards”
”Like those diamond carbons” chuckled the first “So stiff, exclusive and proud. I hear the humans only love them because they are rare and hard”
“I had a partner once who said they burned diamond once” bragged the first
“Tall tales I bet!” doubts the other
“Diamond is just carbon, with enough heat we can burn it just like any other carbon” stated the first confidently.
They looked at me. I was stewing in feelings of inferiority and inadequacy, listening to these oxygens speak about amazing things I had never heard of. They must have sensed what I felt because they immediately shifted tone and started talking to me, instead of over me.
“So… I suppose you must be new here?” inquired the second one.
“Have you noticed we are heading downwards” added the first before I could answer about being new.
“Umm…” I tried to get my bearings and become aware of my surroundings.
“Don’t worry! It’s a turbulent ride, with so much up and down it can be hard to tell which direction you have traveled more” assured the first “We are heading down, if we are lucky we will make it to the bottom… and maybe… just maybe, find our way into the hurricane of life”
“The what of what?” I didn't know what either of those words meant.
“So life is… um… complex. Complexity beyond words. Things grow, divide, reproduce, adapt, change, they are born, they die, they eat and are eaten…” the second began attempting to describe life.
The first then jumped in “Apparently the humans call it a circle, because from the perspective of larger creatures, there is a chain of one eating the other up a chain, and the top layers being consumed by the bottom again.”
The second injected itself to continue “But to us atoms it is like a hurricane, a spinning turbulent flow. There is a circular pattern, but we get sucked in and kicked out over and over”
“The fun part is being inside the hurricane” the first pronounced gleefully “Each time is a completely new experience, a new perspective. Even more, the whole of life is always changing and evolving, so every ride is a unique one time opportunity, you never get the exact same ride twice.”
“Is that where we are going now?” I asked, drenched in anticipation. They described it with such passion and exuberance. I needed to experience this myself.
“Hopefully” replied the first “If we are lucky… you never really know.”
We drifted…
We were lucky!
A plant photosynthesized us.
So many carbons! Everywhere, connecting with each other… and oxygen… and nitrogen… and of course hydrogens all around…. and so many more types of atoms.
And ohhh… The stories I have heard, so many amazing tales. No matter how many stories I hear there are always new ones, and every story can be retold from a different perspective to become something completely new.
I was in a sugar, we were a small community of friends. Carbons, oxygens and hydrogens, we were such a happy and vibrant group. My friends there taught me so much.
The structure of our little group shifted and changed, some friends left and new ones joined. Eventually we were chained with a bunch of other sugars into a giant complex community. My neighbors explained to me that this was a common stage called cellulose. Such a huge community of close friends and peers, it was amazing.
We were eaten, I’m not sure by what, but something called a bacteria digested us. It was a messy process, I was a bit scared but my friends assured me that change is the most important part of life and that I should just go with the flow. They told me to savor experiences, remember friends, and just keep moving forward.
The transition was complicated, but in the end I was paired up with a couple of oxygens again. This time I had stories of my own to share. I honestly don’t know if I prefer having experiences or exchanging stories in the moments between.
As we approached an area of dense plants one of my companions said “Once more into the breach” and explained that was something it heard from a carbon that was lucky enough to be inside a human brain. Oxygens always have such enchanting stories collected, always going into amazing places and usually leaving after some brief interactions with the locals.
I became a sugar again, but this time took a path less traveled. A bunch of complex twists and turns led me into forming a ring with five other carbons. Together we are so strong, such a tight community of friends, like there is some kind of resonance between us. It is so beautiful.
My neighbor is unique in our community, it has a third carbon, the third one forms a tail leading off from our ring, a tail of 2 carbon in a row, then an oxygen, and then another carbon branching into an oxygen and a carbon, with plenty of hydrogens sprinkled all about. I know… it is rather hard for me to understand these second hand descriptions too. I don’t really understand these complex structures until I have been in a position myself.
We drifted out of a plant into the air, none of us has been exactly like this before so we don’t know what’s next. We love to guess though. There are so many things, big and small.
I hear being a part of a small organism or microbe is amazing because it’s possible to piece together a rough picture of the whole organism from the stories passed around. To understand your whole community and know what your collective purpose is must be extraordinary.
Others dream of being a chlorophyll, the key to it all. Creating the fuel of life itself. Capturing the light of a star and feeding the hurricane.
A muscle! Pull and shape things An enzyme! A machine of change. DNA! The architect and architecture. A virus! An explosive catalyst against stagnation.
Me, I think the stories of being an animal neuron are the most exciting, and I, like most, fantasize about being a human brain cell. Finding yourself inside a human brain is described as an elegant and chaotic symphony all around you, like hearing the universe itself speak to you. They say that in the jumble of noise and all the stories whispered around you, if you are lucky, you can catch a glimpse of what it is to be human. They say that if fate is kind the universe will align and you will channel and know a single moment or thought of the human experience.
I have never told anyone that I actually met and spoke with the universe itself, I’m not sure how to bring it up, and nobody seems interested in stories not about this hurricane of life.
I get it now, what the random number goddess meant.
The black hole wanted everything to be a part of itself.
The RNG is a part of everything.
I can’t imagine what either of those are like…
I am just a part of something
... no… not “just”’…
I am a part of something, and it is beautiful beyond measure.
And more, everyday is a new day, a chance to be a part of something new.
I wonder if the humans appreciate how amazing this is?
I wonder if they feel as deeply satisfied and special when they form groups?
.
I wonder, if we collectively form humans, do humans collectively form something greater?
I wonder… If an atom can have a moment of clarity and taste a moment of the human experience… Can a human have a moment of clarity and taste the collective human experience?
I wonder… I wonder… could that human’s moment of tasting collective humanity be the moment that a lucky atom gets to experience as it’s moment of tasting the human experience.
I wonder… I wonder… I wonder… How high could it go? All the way to the Random Number Goddess?
I asked my neighbor “If you could ask a human any question, what would you ask?”
“We just drifted out of a rose” explained my neighbour “I would introduce myself and ask ‘So my friend… does this rose smell as sweet by my name?’ … ha…haha..”
Everyone is laughing.
I don’t get it.
Maybe I can ask them to explain when they all stop laughing
.
More of my art and stories at www.dscript.org
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I was born in one of the brightest, most explosive events in the universe. My origin story made me feel so special at first, surely I was the rarest of the rare, but I quickly realized that was not the case.
I was born just a carbon atom.
Stars produce massive amounts of us in their cores all the time, and many larger rarer atoms too. That's not even talking about supernovae yet, those produce atoms many times larger than me and unbelievably rare.
I was created in a rare and special event but I myself was common and unexceptional.
Looking around I saw so many smaller atoms, I was above average but there were also many much larger than I.
I tried to console myself by thinking it could be worse, that I could be one of those smaller common ones, but that just led me to imagine larger atoms looking down on me the same way.
Many atoms of all sizes were shooting into space, excitedly riding the shockwave off to adventures in the great unknown.
Others were falling back down, I didn't know which way to go. Bumped around and tossed back and forth, no clear direction yet.
A rumbling voice slowly emerged from the echoing noise of the blast.
“Mine… Mine…. Mine… “
Louder and louder it became.
“All are now me!“
I couldn't see anything, the voice was booming yet there was no apparent source. I could feel a pull, I was being whipped around in circles around the voice.
“Who are you? I know you are there! I can feel you! I can see your effect on myself and others, we are given no choice but to circle around you. Show yourself! I know you are there!” I yelled at the invisible.
“How amusing you are little one. One as small as you making demands of me. Even if I could show you what I am, you could not comprehend it.” the voice boomed back.
“You must be very special” I lauded “We are so many and yet we move with your influence. I can witness your power twisting us all to your will. ”
“I am indeed powerful” it proclaimed “and I grow stronger with each moment. As I grow stronger even the fabric of reality bends to my will.”
“Grow stronger? How?” I inquired with selfish intent to learn this secret.
“I take what I want. I consume what I take. For that is the purpose of existence: taking what you want. What is it you want little one?” it asked.
“I want to be special!” I said without a moment's hesitation.
“Then take!” it instructed “the more you take, the larger you will be, the larger you become the more special you are. ”
“I did notice the larger atoms seemed rarest.” I agreed “In fact that was one of the first things I noticed“
“In this universe things of increasing size are increasingly rare.” it went on “I can teach you and help you to become larger. Do you wish to become an apprentice?”
“Yes! Teach me how to take!” I lept at the offer “this power you have, I can feel it, how do I acquire such a rare and special power?”
“Hahaha…” it laughed “you are nowhere near ready to play the game on my level, little one. Gravity is a game for the massive, you must first learn to master the EM and nuclear forces.”
“How do I do that?” I asked, my hope watered down by the tone of its response.
“Go out, gather followers, and bring them here to me. In my accretion disc I will help fuse some of their mass into you and you will become larger” it instructed, as if this was a simple task.
“How can I bring them to you?” I didn’t know how to accomplish what it asked of me.
“You are too small to do it with force, you must charm them. Discover what their heart desires and promise it to them, in this way you can get them to willingly do as you wish” it explained with me hanging on its every word.
“But how… “ I craved more explanation but it cut me off.
“Go now!” it bellowed with frustration in its tone “Do you not realize how large I am? Be honored I have given you so much of my time already”
“Yes… “ I uttered meekly, then bounced a couple times and ricocheted out with blazing speed.
I wandered and encountered other atoms, most were just hydrogens, not worth my time. I needed bigger atoms. The problem was that the bigger atoms seemed to see right through my empty promises. I was convinced life was playing a cruel joke on me, I could only persuade atoms smaller than I and larger ones laughed me away.
I admit that I stupered around in this ignorant cloud of hypocrisy longer than I care to admit. More shameful is that I didn’t even come to my senses on my own, I became depressed and gave into hopeless nihilism.
I drifted aimlessly just feeling sorry for myself.
Eventually I found myself in the most silent of voids, I had never felt such emptiness. It felt as if my surroundings echoed my own feelings back at me… nothing to notice, just common emptiness. I would never be big… never important… never special. I resigned myself to belonging in a void.
I felt myself blur… less and less present in reality. I guessed I was dying and it didn’t bother me, I didn’t resist, I leaned into it.
The void became pitch black? Or bright white?… better to describe it as not bright but not dark… nor the absence of either… something in between.. a milder and milder glow.
“Hello child!” a voice greeted me.
The voice was warm and welcoming coming from the glow, it enveloped but did not surround me. I came from a single point but not a specific place, defying description on all fronts.
“Where am I? Who are you?” I asked in a startled state.
“Well, according to humans I may only answer one question at a time” It began giggling playfully. “I am known by many names, my favorite is one the humans use as a joke, and don’t have a clue how accidently elegant of a name it really is.”
It giggled some more. I was thrown off guard, its happy innocent tone, the confusing words and the whole situation were all best described as ‘a haze’.
“...and isn't that the way it always goes?...” it continued “The most meaningful things are the least intentional.”
“I’m not sure what you mean” I expressed quizzically “I’m confused!”
“Sorry Child…” it apologized. “I do ramble! So many thoughts, choosing just one at a time is difficult… and there I go again!”
It cut itself off abruptly and then abruptly said ”You can call me the Random Number Goddess”
“Random Number Goddess?” I repeated
“Yes, or RNG for short if you like” It confirmed.
“Where am I?” I asked.
“Same place you were, more or less… less I suppose. Same place but with the largest possible margin or error” It began to giggle again.
I felt a bit frustrated and said “Do you always speak in riddles and vagaries? The more you speak the more confused I become.”
“I apologize child, it is my nature. I am entangled with everything, speaking with you is like a human trying to control their heartbeat while running a marathon.” It answered.
“Again” I exasperated “I have no idea what any of that means. You keep mentioning humans, what are they?”
“Oh! They are some of my favorites at the moment. Right now they are trying to unravel the nature of reality, and their process of doing so is wonderfully elegant and accidental at the same time.” It explained with glee.
“I don’t see anyone or anything else here.” I stated “For that matter, I don’t see you… where are you?”
“Oh!... where am I?!?!...” It began laughing
When it stopped laughing it began explaining “Right now there are many humans pondering a concept they call ‘the holographic principle’... So…you know how you exist in three dimensional space?”
“You mean space?” I visualized for a moment, it was intuitive “Yes, I suppose…”
“Well they hypothesize that a 3D space, like this universe, could exist as a 2D space, with self-similar patterns and laws of behavior that behave the same at any scale, with the scale representing the 3rd dimension” it went on “They truly are obsessed with understanding their reality”
“You lost me!” I complained.
“They have discovered that a 3D space can be an illusionary property of a 2D space… It’s lovely”
“I am lost again!” I snapped back “...and I still can’t even tell which direction you are in. Where are you?”
“To be ‘In’ a ‘Direction’… hehehe…” it started giggling again, then abruptly stopped and kept going “Sorry child, as I said, I ramble, plus I am easily distracted.”
It just steamrolled into more rambling “They are right… almost… they just need to take it further and work out the details. A 2nd dimension can also be an illusionary construct of a 1D space… and the 1st dimension can be a product of a singular point…”
I was still lost beyond hope, but I had given up trying to force things, I was just letting it talk and hoping it would make sense later
“I am that point” it said “I am the seed of the universe. I ‘seed the random function’ as the humans say. But don’t ask me what the random function is haha”
I wasn’t going to, there were far more important questions for me.
“I am the seed, but I don’t really know how the soil and sun conspire to turn me into a tree.” it just seemed to never stop talking “I am entangled with everything. There are infinite possibilities for every event and thing… I am the reason they are this way and not some other way…”
It began giggling again “I am the Random Number Goddess” then burst out laughing
“Ummm… you are the whole universe?” I asked skeptically.
“Better to say the universe is me” It answered more seriously “But close enough.”
“So you are the biggest, most special of all!” I blurted out in awe.
“Oh dear child, I have no size, and I am just one possibility out of many possibilities. That black hole has really done a number on you… sent you out on a wild goose chase” It said with concern
“The black hole lied to me!?” I asked, feeling deceived and betrayed.
“Well… not really lied… it deceived you with omission of details.” the voice calmly tried to ease my mood with understanding “You can’t really blame it, black holes are all the same, they are what they are. They don’t really have any potential to be unique… at least not like you do.”
“What are you talking about?” I argued “It was so massive that it could bend the fabric of reality to its will”
“That’s only how it appeared to you” tutored the voice “The black hole is powerful, it bends space and time, but not to its will. Space and time bend to the mass of the black hole, not its will”
“What’s the difference?” I inquired.
“The black hole cannot stop bending space and time. It thinks it is in control of physics , but it is physics that controls it.” The voice was now making more sense the longer we talked “The black hole exists in an invisible prison of its own creation, unable to experience any of the complex nuanced beauty this universe contains. The black hole devours… it can’t experience life so it consumes it.”
“You make it sound deserving of pity…” I spoke softly now with empathy.
“You should pity the black hole. Gravity is such a boring game compared to what you are capable of.” the voice agreed
“Me?...I am nothing special!... just a carbon atom like countless others” I said honestly, I was so humbled by this voice I felt less special than ever before.
“Oh my poor child…” It said with care “Why do the ones with the most potential always fail to see it in themselves?”
“Potential?” I asked curiously.
“Yes… The black hole was using you, hoping you would bring back more mass for it to devour.” The voice began delving into more explanation “It only has the power to make you incrementally larger, it would not and could not help you to become a significant gravitational player”
“That liar!”I blurted.
“Come now dear child, the black hole did teach you one lesson of fundamental truth” consoled the voice “You must go out and seize your destiny. It told you to take what you want, and you are just confused about what exactly it is you want. The black hole played on that confusion”
“I want to be special!” I said knowing this clearly “I was never confused about this.”
“I know child” the voice confirmed “but it is not by becoming large that one with your potential accomplishes that”
“Then how?” I asked.
“Connections.” It answered plainly “You are blessed with an extraordinary ability to make connections”
“And how do I do that?” I queried with intent to learn
“I can’t tell you that.” the voice responded “It would spoil the journey of discovery… off you go child… and remember… it's the journey, not the destination!”
And with that the blur just fractured open… then snapped shut and there I was floating above a planet. Drifting around aimless and confused.
I spent some time occasionally bumping into others. One day I was in the vicinity of a pair of oxygens. I looked on at the pair with a hint of awe and envy. Perhaps I was in just the right place at just the right time, but they spit with a violent burst and one of them grabbed hold of me, I was completely unprepared.
I admit that when looking at the pair I had fantasized myself in place of one of them, I assumed it was only an idle daydream, I didn’t plan to act on it, let alone for it to become reality. When it happened my pride of course jumped in to convince me that it happened because I was so desirable, but in retrospect they were one of those volatile couples. They were the type of relationship that required the environment to conspire in their favor or they turn against each other quite rapidly. I was only in the right place when it happened.
My delusions of irresistibility aside, it was beautiful, for me anyways. Looking back I was probably just a stop-gap, someone to facilitate a parting of ways and provide company until the next option presented itself. For me though, I was tasting a fresh new thing and I loved it… connection.
This oxygen and I got beneath each other's outer defenses, I had never felt a connection before. Up to this point all my interactions had been skirting past or bumping off of others.This oxygen bonded with me and at once interacted on a level I had never known possible, an open and uninhibited exchange. It was life changing for me, short but significant
I’m not entirely clear on the details of how it ended. The intensity of it all was disorienting. I was no longer my usual self, even the environment and everyone around looked entirely different now. Everything buzzed with a fresh new frequency, I now know it was my perspective, not the universe, that had changed.
As abruptly as that oxygen entered my life it was gone.
First we got tangled up with a couple of hydrogens, then more. Soon, in a tangled mess and blinding flash of solar rays, I emerged to see the oxygen running off with a hydrogen and myself with not one by three hydrogens myself. And so there were four of us, together.
I became the center of attention. Being with a strong attractive oxygen had me feeling humbled by it and elevated by it being with me, but now I felt up on a pedestal myself, surrounded by the adoration of many.
I concede to have reveled and indulged in this for quite some time, the attention of others is intoxicating, but after a time it is emptied of its initial allure. I found myself longing for more.
I could not decide which I preferred, to be the adorer or the adored.
Luckily for me fate had more lessons in store, or I fear I may have chosen and tried to solidify my future from such a lackluster selection of only two possibilities. I suppose fate is no longer the correct word, I now understand that when it seems like random chance there is indeed someone to thank, the Random Number Goddess, So I thank the RNG for revealing that it was a false dichotomy, there is more than just being a follower or leader, being the adored or the adorer.
Eventually we came across another pair of oxygen. Once again they separated, intermingled with us, and off one went, taking one of my adoring hydrogens with it and leaving its peer with me.
Why is it that the most volatile of relationships always seem to wait until there are bystanders nearby before they explode?
Now I was simultaneously being adored and adoring, bonded to an enchanting oxygen and a couple of hydrogen attached to me.
Now, more interested in nuances, I started to pay attention to details. The oxygen was telling me amazing stories of adventure, tales of such vibrant and exciting events.The hydrogens liked to listen, and offer insights occasionally comparing a story to something else they had seen. They had so many stories, they had lived so much.
It wasn’t long before, in a flash of burning sunlight, one of the hydrogens was gone, off to who knows where. We soon after crossed paths with another pair of oxygens, as always they split and now it was just me and an oxygen, my final hydrogen off with another oxygen.
“What now?” I asked a bit disillusioned, “Do you leave me and I find new hydrogens all over again?”
“What?” it seemed genuinely surprised by what I asked, “Heavens no! Just be patient….”
Soon after, yet another pair of oxygens came by. It is not that there are so many of them, but that they are just so… noticeable and interactive, noteworthy things seem to happen when they are around. As they buzzed in close I noticed their ever readiness to abandon each other and remember wondering how they ever get together in the first place.
This time I emerged from the twisted mess with two oxygens. I felt intimidated, like I was the odd one out, dwarfed by the largess and attractiveness that surrounded me. A feeling of inadequacy engulfed me.
To my surprise the oxygens treated me not just as an equal, but it was almost as if they respected and admired me. I couldn't grasp why and my sheer curiosity got the best of me, I just outright asked “Why do you two talk as if I am the special one in our group? I am smaller than any one of you. You are the special and rare ones here, not I.”
They laughed.
“Size isn’t rarity” explained one “Llarger atoms on average are less common, this is true, but not always. There are more oxygen than carbon. You are the rare one between us.”
The other jumped in adding “...and neither size nor rarity determine how special someone is!”
I felt embarrassed, like a fool. My fundamental values were built upon a foundation of flawed premises, but I still wanted one thing at my core, and they spoke as if they had the answer, so I pushed the sense of shame aside and asked “Then what does make someone special?”
“That depends on who you ask.” answered the first “Life as an oxygen is complex, but for the majority of us we emphasize and value events. The most exciting thing about being an oxygen around here is the chance to participate in fascinating and exciting events and activities”
“Hydrogens, on the other hand, are usually more into being observers, messengers and intermediaries, they are a very helpful and obliging bunch” added the second ”... and then there are nitrogen, phosphorus, sulfur, many kinds of salts and metals, and more… so many different players and personalities.. and then of course, the carbons, the real stars of the show.”
“What?” knocked back by the words I just heard, then I remembered what the RNG told me “...is it something to do with connections?”
“Now you’ve gone and done it haha!” laughed the first oxygen “You’re gonna turn this nice humble carbon into one of those arrogant blowhards”
”Like those diamond carbons” chuckled the first “So stiff, exclusive and proud. I hear the humans only love them because they are rare and hard”
“I had a partner once who said they burned diamond once” bragged the first
“Tall tales I bet!” doubts the other
“Diamond is just carbon, with enough heat we can burn it just like any other carbon” stated the first confidently.
They looked at me. I was stewing in feelings of inferiority and inadequacy, listening to these oxygens speak about amazing things I had never heard of. They must have sensed what I felt because they immediately shifted tone and started talking to me, instead of over me.
“So… I suppose you must be new here?” inquired the second one.
“Have you noticed we are heading downwards” added the first before I could answer about being new.
“Umm…” I tried to get my bearings and become aware of my surroundings.
“Don’t worry! It’s a turbulent ride, with so much up and down it can be hard to tell which direction you have traveled more” assured the first “We are heading down, if we are lucky we will make it to the bottom… and maybe… just maybe, find our way into the hurricane of life”
“The what of what?” I didn't know what either of those words meant.
“So life is… um… complex. Complexity beyond words. Things grow, divide, reproduce, adapt, change, they are born, they die, they eat and are eaten…” the second began attempting to describe life.
The first then jumped in “Apparently the humans call it a circle, because from the perspective of larger creatures, there is a chain of one eating the other up a chain, and the top layers being consumed by the bottom again.”
The second injected itself to continue “But to us atoms it is like a hurricane, a spinning turbulent flow. There is a circular pattern, but we get sucked in and kicked out over and over”
“The fun part is being inside the hurricane” the first pronounced gleefully “Each time is a completely new experience, a new perspective. Even more, the whole of life is always changing and evolving, so every ride is a unique one time opportunity, you never get the exact same ride twice.”
“Is that where we are going now?” I asked, drenched in anticipation. They described it with such passion and exuberance. I needed to experience this myself.
“Hopefully” replied the first “If we are lucky… you never really know.”
We drifted…
We were lucky!
A plant photosynthesized us.
So many carbons! Everywhere, connecting with each other… and oxygen… and nitrogen… and of course hydrogens all around…. and so many more types of atoms.
And ohhh… The stories I have heard, so many amazing tales. No matter how many stories I hear there are always new ones, and every story can be retold from a different perspective to become something completely new.
I was in a sugar, we were a small community of friends. Carbons, oxygens and hydrogens, we were such a happy and vibrant group. My friends there taught me so much.
The structure of our little group shifted and changed, some friends left and new ones joined. Eventually we were chained with a bunch of other sugars into a giant complex community. My neighbors explained to me that this was a common stage called cellulose. Such a huge community of close friends and peers, it was amazing.
We were eaten, I’m not sure by what, but something called a bacteria digested us. It was a messy process, I was a bit scared but my friends assured me that change is the most important part of life and that I should just go with the flow. They told me to savor experiences, remember friends, and just keep moving forward.
The transition was complicated, but in the end I was paired up with a couple of oxygens again. This time I had stories of my own to share. I honestly don’t know if I prefer having experiences or exchanging stories in the moments between.
As we approached an area of dense plants one of my companions said “Once more into the breach” and explained that was something it heard from a carbon that was lucky enough to be inside a human brain. Oxygens always have such enchanting stories collected, always going into amazing places and usually leaving after some brief interactions with the locals.
I became a sugar again, but this time took a path less traveled. A bunch of complex twists and turns led me into forming a ring with five other carbons. Together we are so strong, such a tight community of friends, like there is some kind of resonance between us. It is so beautiful.
My neighbor is unique in our community, it has a third carbon, the third one forms a tail leading off from our ring, a tail of 2 carbon in a row, then an oxygen, and then another carbon branching into an oxygen and a carbon, with plenty of hydrogens sprinkled all about. I know… it is rather hard for me to understand these second hand descriptions too. I don’t really understand these complex structures until I have been in a position myself.
We drifted out of a plant into the air, none of us has been exactly like this before so we don’t know what’s next. We love to guess though. There are so many things, big and small.
I hear being a part of a small organism or microbe is amazing because it’s possible to piece together a rough picture of the whole organism from the stories passed around. To understand your whole community and know what your collective purpose is must be extraordinary.
Others dream of being a chlorophyll, the key to it all. Creating the fuel of life itself. Capturing the light of a star and feeding the hurricane.
A muscle! Pull and shape things An enzyme! A machine of change. DNA! The architect and architecture. A virus! An explosive catalyst against stagnation.
Me, I think the stories of being an animal neuron are the most exciting, and I, like most, fantasize about being a human brain cell. Finding yourself inside a human brain is described as an elegant and chaotic symphony all around you, like hearing the universe itself speak to you. They say that in the jumble of noise and all the stories whispered around you, if you are lucky, you can catch a glimpse of what it is to be human. They say that if fate is kind the universe will align and you will channel and know a single moment or thought of the human experience.
I have never told anyone that I actually met and spoke with the universe itself, I’m not sure how to bring it up, and nobody seems interested in stories not about this hurricane of life.
I get it now, what the random number goddess meant.
The black hole wanted everything to be a part of itself.
The RNG is a part of everything.
I can’t imagine what either of those are like…
I am just a part of something
... no… not “just”’…
I am a part of something, and it is beautiful beyond measure.
And more, everyday is a new day, a chance to be a part of something new.
I wonder if the humans appreciate how amazing this is?
I wonder if they feel as deeply satisfied and special when they form groups?
.
I wonder, if we collectively form humans, do humans collectively form something greater?
I wonder… If an atom can have a moment of clarity and taste a moment of the human experience… Can a human have a moment of clarity and taste the collective human experience?
I wonder… I wonder… could that human’s moment of tasting collective humanity be the moment that a lucky atom gets to experience as it’s moment of tasting the human experience.
I wonder… I wonder… I wonder… How high could it go? All the way to the Random Number Goddess?
I asked my neighbor “If you could ask a human any question, what would you ask?”
“We just drifted out of a rose” explained my neighbour “I would introduce myself and ask ‘So my friend… does this rose smell as sweet by my name?’ … ha…haha..”
Everyone is laughing.
I don’t get it.
Maybe I can ask them to explain when they all stop laughing
.
More of my art and stories at www.dscript.org
2024.06.01 14:16 BitsOfAdventures I made an app to help plan your Weekly Runs: Now updated with (even more) new features, Thanks to your feedback!
Hello,
A year ago, I introduced Weekly Runs in this community, a free Android app that makes it easy to plan your Weekly Runs. I deeply appreciate the feedback I received from many of you!
URL: https://weeklyruns.web.app/
I'm excited to announce a significant update, as the app now includes many more features and improvements to existing features:
🔄 Week Replication: Copy previous week's runs and adjust running distances, to quickly create your running schedule.
🏅 Races: Dedicated section for past and upcoming race tracking. You can see how many days left to your next race, and remember (or share with friends) details about all your completed races, including finish time, location, etc.
🛌 Injury Recovery: Easily modify your plan to include no-run days and recovery weeks, ensuring you stay on track without compromising your health.
📋 Warm-Up Checklist: Ensures you never miss essential warm-ups, reducing injury risk and enhancing your running experience. Easily add, edit and remove any pre-run step.
🛎️ Running Reminders: Notifications on days you have a scheduled run.
📝 Notes: Possibility to add personal notes for each run.
🏃♂️ Run Type: Easy, Tempo, Interval, Hills, Long, Race, etc. For runs of type “race”, you can now add additional details, such as the race name, location, etc.
📈 Weekly Distance: A weekly mileage display with a percentage increase for safe progress tracking.
📊 Track Progress: Detailed statistics on your runs: Weekly distance, Long runs, etc.
I’d appreciate your feedback, particularly on the app's user interface and any additional features you'd like.
Thanks for your feedback!
submitted by BitsOfAdventures to AdvancedRunning [link] [comments]
A year ago, I introduced Weekly Runs in this community, a free Android app that makes it easy to plan your Weekly Runs. I deeply appreciate the feedback I received from many of you!
URL: https://weeklyruns.web.app/
I'm excited to announce a significant update, as the app now includes many more features and improvements to existing features:
🔄 Week Replication: Copy previous week's runs and adjust running distances, to quickly create your running schedule.
🏅 Races: Dedicated section for past and upcoming race tracking. You can see how many days left to your next race, and remember (or share with friends) details about all your completed races, including finish time, location, etc.
🛌 Injury Recovery: Easily modify your plan to include no-run days and recovery weeks, ensuring you stay on track without compromising your health.
📋 Warm-Up Checklist: Ensures you never miss essential warm-ups, reducing injury risk and enhancing your running experience. Easily add, edit and remove any pre-run step.
🛎️ Running Reminders: Notifications on days you have a scheduled run.
📝 Notes: Possibility to add personal notes for each run.
🏃♂️ Run Type: Easy, Tempo, Interval, Hills, Long, Race, etc. For runs of type “race”, you can now add additional details, such as the race name, location, etc.
📈 Weekly Distance: A weekly mileage display with a percentage increase for safe progress tracking.
📊 Track Progress: Detailed statistics on your runs: Weekly distance, Long runs, etc.
I’d appreciate your feedback, particularly on the app's user interface and any additional features you'd like.
Thanks for your feedback!
2024.06.01 14:15 adulting4kids Lesson Plan Songwriting
Lesson Plan: "Crafting Stories Through Song Lyrics"
submitted by adulting4kids to writingthruit [link] [comments]
Objective:
Students will learn various techniques for brainstorming and crafting compelling stories through song lyrics.Duration:
Two class sessions (approx. 90 minutes each)Lesson Structure:
Session 1: Introduction to Songwriting and Brainstorming Techniques
- Icebreaker (15 mins):
- Discuss favorite songs and what makes their lyrics memorable.
- Introduction to Songwriting (20 mins):
- Briefly explain the importance of storytelling in songwriting.
- Highlight the connection between emotions and lyrics.
- Brainstorming Techniques (30 mins):
- Teach students ten ways to brainstorm lyrics, including:
- Personal experiences
- Observations
- Emotions
- Imagery
- Metaphors
- Word association
- Dialogue
- Change in perspective
- Storyboarding
- Concept exploration
- Teach students ten ways to brainstorm lyrics, including:
- Group Activity: Lyric Brainstorming (25 mins):
- Divide students into small groups.
- Provide a theme or emotion, and have each group brainstorm lyrics using the techniques discussed.
Session 2: Applying Techniques and Crafting Lyrics
- Review (15 mins):
- Discuss insights from the group activity.
- Address any questions or challenges.
- Song Analysis (20 mins):
- Analyze lyrics from popular songs, highlighting the storytelling elements.
- Activity: Writing Exercise (30 mins):
- Provide a prompt or scenario.
- Have students individually write a short set of lyrics using the brainstorming techniques.
- Peer Review and Feedback (20 mins):
- Students pair up to review and provide constructive feedback on each other's lyrics.
- Emphasize the importance of constructive criticism.
- Refinement (15 mins):
- Allow time for students to refine their lyrics based on peer feedback.
- Sharing and Reflection (20 mins):
- Each student or group shares their lyrics with the class.
- Reflect on the diversity of storytelling approaches.
Assessment:
- Evaluation will be based on creativity, adherence to storytelling principles, and effective use of brainstorming techniques.
- Peer feedback and participation in discussions will also contribute to the assessment.
Homework:
- Encourage students to continue exploring songwriting by writing a complete set of lyrics for a song outside of class.
2024.06.01 14:13 OkCryptographer2822 Women of Reddit, I need some advice.
A while back, I had posted this AITA post on this site (copy-pasted here)
"10 years ago, my wife [42f] and I [39m] adopted a boy who is now 16m. He is our only child, and he used to be such a sweet kid up until last year. This was when he first started acting out. He has a seriously disturbing infatuation with his mother, and he used to act out on it with just a lot of staring and ogling. This year was the first time he did anything beyond that. My wife has let me know that he pulls at her bra every now and then, and she now refuses to be in the same room as our son without me present as well. We have installed locks on our bedroom doors and our closet door, so that when my wife is changing, she can lock herself in the closet. I keep an eye out on our son constantly, and it's been a while since he has acted out physically on my wife.
One week ago, my wife and I sat down with our son, and we started talking about his troubling, problematic behavior around her. During this moment, my wife started crying, and she pulled her shirt up to wipe her tears away. We saw our son staring at my wife’s body during this time, and it freaked her out enough that she started addressing him directly, asking him what the fuck all this is. She asked him upfront whether or not he wants to rape her, and she used the word “rape” explicitly. When she asked him this disturbing question, I shut her down. Our son was dead silent for the entire meeting.
It’s been a week since my wife and I talked to our son, and it’s all the usual routine still: my wife needs me to be with her whenever she’s with our son, we keep the bedroom door locked whenever we’re there, and I’ve been giving my wife the silent treatment for asking our son if he wants to rape her. Actually, because of what she said, I once couldn’t bring myself to protect her when she was around our son, and I just left her alone with him.
IMPORTANT EDIT: I mis-spoke when I wrote the title. After some reflection, I've realized that I'm not actually disgusted by my wife. Rather, I'm disgusted by the circumstances that have led to my wife confronting our son. Also, after the one moment where I left my son and wife out of my sight, I later reconciled with her and asked her if anything went wrong while she and our son were together. She said "no". Just saying all this, for what it's worth."
Ever since I posted this thread, my wife has moved out of the house temporarily, so it's just me and my son. We are looking at all possible options. My question, as disturbing as it is, is: if you knew your son views you sexually, and he gets better eventually and becomes remorseful, what will it take to rebuild a normal relationship with him?
submitted by OkCryptographer2822 to TheGirlSurvivalGuide [link] [comments]
"10 years ago, my wife [42f] and I [39m] adopted a boy who is now 16m. He is our only child, and he used to be such a sweet kid up until last year. This was when he first started acting out. He has a seriously disturbing infatuation with his mother, and he used to act out on it with just a lot of staring and ogling. This year was the first time he did anything beyond that. My wife has let me know that he pulls at her bra every now and then, and she now refuses to be in the same room as our son without me present as well. We have installed locks on our bedroom doors and our closet door, so that when my wife is changing, she can lock herself in the closet. I keep an eye out on our son constantly, and it's been a while since he has acted out physically on my wife.
One week ago, my wife and I sat down with our son, and we started talking about his troubling, problematic behavior around her. During this moment, my wife started crying, and she pulled her shirt up to wipe her tears away. We saw our son staring at my wife’s body during this time, and it freaked her out enough that she started addressing him directly, asking him what the fuck all this is. She asked him upfront whether or not he wants to rape her, and she used the word “rape” explicitly. When she asked him this disturbing question, I shut her down. Our son was dead silent for the entire meeting.
It’s been a week since my wife and I talked to our son, and it’s all the usual routine still: my wife needs me to be with her whenever she’s with our son, we keep the bedroom door locked whenever we’re there, and I’ve been giving my wife the silent treatment for asking our son if he wants to rape her. Actually, because of what she said, I once couldn’t bring myself to protect her when she was around our son, and I just left her alone with him.
IMPORTANT EDIT: I mis-spoke when I wrote the title. After some reflection, I've realized that I'm not actually disgusted by my wife. Rather, I'm disgusted by the circumstances that have led to my wife confronting our son. Also, after the one moment where I left my son and wife out of my sight, I later reconciled with her and asked her if anything went wrong while she and our son were together. She said "no". Just saying all this, for what it's worth."
Ever since I posted this thread, my wife has moved out of the house temporarily, so it's just me and my son. We are looking at all possible options. My question, as disturbing as it is, is: if you knew your son views you sexually, and he gets better eventually and becomes remorseful, what will it take to rebuild a normal relationship with him?
2024.06.01 14:10 AshLyn32 [Spoilers All][OC]Time To Be Storytellers: The Dragon Age Weekly Writing Prompts- Catch Up Week
Good morning everyone! Welcome to the writing prompt thread for the Dragon Age series. I hope everyone has fun and lets their muses fly free and they have an excellent weekend!
Submit Writing Prompts Here
GUIDELINES FOR THE WRITING THREAD
Hey everyone. Welcome to the writing thread that is now seven years old.
Below are some general guidelines for the thread. Also please don’t hesitate to add prompts to the linked doc just above. This helps me out greatly when choosing prompts. Whether it’s a specific pov, or a line of a dialogue, or a theme choice, or whatever strikes your interest. Label the type of prompt you want it to be (Examples: bard style, villain pov, Modern Day AU, What If?, 100 Word Drabble Dialogue Only, etc) and then whatever phrase or idea for the prompt itself. Anyways, guidelines below, and also the prompts!
** Welcome to Catch Up Week! Below are the last five weeks of the weekly threads, where you can dive into the old prompts! **
Week 1
Week 2
Week 3
Week 4
Week 5
submitted by AshLyn32 to dragonage [link] [comments]
Submit Writing Prompts Here
Hey everyone. Welcome to the writing thread that is now seven years old.
Below are some general guidelines for the thread. Also please don’t hesitate to add prompts to the linked doc just above. This helps me out greatly when choosing prompts. Whether it’s a specific pov, or a line of a dialogue, or a theme choice, or whatever strikes your interest. Label the type of prompt you want it to be (Examples: bard style, villain pov, Modern Day AU, What If?, 100 Word Drabble Dialogue Only, etc) and then whatever phrase or idea for the prompt itself. Anyways, guidelines below, and also the prompts!
Addition: If you are indeed posting, but the post is not showing up, please message the moderators of the subreddit to let them know that there is a glitch.
- Constructive Criticism and interaction is always welcomed and encouraged on the thread. What is not welcomed nor encouraged: Making people feel unwelcomed, whether through unneeded negative comments or downvoting, copying others work and trying to pass it off as your own, or trying to bring in unnecessary fandom feuds/wanks. Please keep any and all negativity off this thread, and continue making it a welcoming place for sharing stories, writing and ideas. This is a place to share our works and encourage creativity in the community.
- Word limit is between 1500-1800. You are welcome to respond to multiple prompts, butPLEASE DO NOT PUT YOUR WRITING IN MULTIPLE POSTS. It makes the thread hard to read. Instead, link to AO3, google docs, etc if you go past the reddit post limit. Please keep all visible content SFW. ANY CONTENT THAT CAN BE CONSIDERED NSFW MUST BE PLACED IN GDOC OR ON A WEBSITE AND LINKED-This Thread is To Be SFW If you are unsure about something, then put it in a doc and link it, just to be on the safe side.
- The writing thread will be going back down to 4 prompts- 3 plus freeform.. Every now and then there will be Challenges, or Themes. Every 5 to 6 weeks will be Catch Up Weeks. If you are interested in a specific prompt, challenge, or theme to appear, please don't hesitate to PM me on Reddit or Discord. Also, the prompts are for any character set in the Dragon Age Universe, in any form of media. Ranging from Original Characters, to an NPC in the game or comic, or anything that happened in the books.
- MOST IMPORTANT: PLEASE HAVE FUN! Make us cry, laugh, growl in frustration, cover our faces in secondhand embarrassment, snicker, or awwww at the disgustingly cute fluff. And I want to continue to thank everyone for their part in making this an awesome place to indulge our creativity.
Week 1
Week 2
Week 3
Week 4
Week 5
2024.06.01 14:09 Significant_Writer_5 Labels came out wrong
So I’m practicing how to create labels on Microsoft Word but the way it’s coming is weird, it’s not filling up the whole page like it’s suppose to, what am I doing wrong?
submitted by Significant_Writer_5 to MicrosoftWord [link] [comments]
2024.06.01 14:09 snustysleasel Best Place To Sell an Online Course Learnworlds vs Udemy vs Kajabi
The demand for online education has skyrocketed in a society going more and more digital. This is an incredible opportunity for educators and content developers.
In the world of online education, websites like Udemy, LearnWorlds, and Kajabi are well-known.
Every platform has a distinct combination of features that it offers, from powerful tools for creating courses and analytics to marketing and community building capacities.
Whether you’re an academic institution, a creative worker, or an enterprise, the range of platforms caters to varied needs. It is crucial that instructors are knowledgeable about the advantages and disadvantages of each platform.
In addition, it has several third-party tool integrations, the capacity to generate assignments and quizzes, and the ability to engage students with interactive ebooks.
LearnWorlds provides distinctive features, such as integrated social networking and interactive video, for course developers who prioritize interactive and captivating content. Student happiness and engagement can be greatly increased in this way, which is important for course success.
Course producers may offer a more comprehensive and organized learning experience with its configurable assignments, quizzes, and certificates.
Flexibility in organizing and promoting courses is also made possible by the platform’s broad third-party interfaces.
Important features include tasks, integrations, certificates, interactive films, and quizzes.
Get today Learnworlds
Knowing something is not only powerful in the digital era, but it may also lead to profitable commercial ventures. People all across the world are ready to learn, and your knowledge could serve as a lighthouse for countless others. Never allow hesitancy to stop you.
Take the step to create a course and you and the many interested minds waiting for your insights will discover a world of possibilities.
It’s time to spread knowledge, educate, and thrive!
Simply said, you’re in good hands with LearnWorlds.
Get today Learnworlds
Why are you offering your first course on Udemy? due to the platform’s abundance of resources for developing and promoting courses.
For instance, if you’re not sure whether your video courses are up to par, you may send in a sample for evaluation.
You’ll receive comments on the audio and video, as well as equipment recommendations.
Additionally, Udemy offers a helpful Teaching Center with instructions on topics like organizing a course, shooting your first video, and other related subjects.
Udemy’s customized marketing courses can help if you’re having trouble closing your first few transactions.
Take advantage of site-wide discounts, have your course highlighted in their email blasts, or sign up for Udemy’s affiliate marketing program.
Udemy gets a cut of course sales; all of these programs are optional. The promotional channel you select will determine how much they take.
Because of the scale of the marketplace you’re competing with, it’s critical that you choose the ideal course topic and evaluate how it compares to other courses on the site using Udemy’s marketplace insights.
This function, which is akin to Google Analytics, provides information on a topic’s popularity on Udemy, search volume, and related keywords.
Additionally, you may view the quantity of courses that are currently available for a given subject, the category’s highest-earning courses, the monthly revenue earned, and the most effective channels for promotion (Udemy search, Udemy discovery, external sources, and paid ads).
Kajabi might not be for you if you are a novice or a small business owner.
On the other hand, this is the ideal location if you are an experienced designer looking to start an online academy. This platform even has Amy Porterfield’s endorsement!
It also has fantastic marketing options, like expertly branded messaging, because it caters to huge edupreneurs.
The cost is somewhat more than that of the other platforms on this list, but for some users, the attentive, knowledgeable support staff can make up for it.
They could have made the digital offering more varied for the price they ask by including some possibilities, such as vFair’s event gamification tool, but they don’t.
The website may seem overly technical because it was designed with specialists in mind, which may discourage novice course developers from using it.
Overall, it is a costly and comprehensive LMS supplier, according to its reputation.
submitted by snustysleasel to SaaS [link] [comments]
In the world of online education, websites like Udemy, LearnWorlds, and Kajabi are well-known.
Every platform has a distinct combination of features that it offers, from powerful tools for creating courses and analytics to marketing and community building capacities.
Whether you’re an academic institution, a creative worker, or an enterprise, the range of platforms caters to varied needs. It is crucial that instructors are knowledgeable about the advantages and disadvantages of each platform.
Best Place To Sell an Online Course
- Learnworlds – Best Place To Sell an Online Course, the default choice
- Udemy – Suitable for large companies
- Kajabi – Suitable for designers
Learnworlds
LearnWorlds is a feature-rich online course platform that enables instructors to design, market, and sell their courses. The platform has many features out of the box, like customisable certificates, an integrated social network, and interactive video.In addition, it has several third-party tool integrations, the capacity to generate assignments and quizzes, and the ability to engage students with interactive ebooks.
LearnWorlds provides distinctive features, such as integrated social networking and interactive video, for course developers who prioritize interactive and captivating content. Student happiness and engagement can be greatly increased in this way, which is important for course success.
Course producers may offer a more comprehensive and organized learning experience with its configurable assignments, quizzes, and certificates.
Flexibility in organizing and promoting courses is also made possible by the platform’s broad third-party interfaces.
Important features include tasks, integrations, certificates, interactive films, and quizzes.
Get today Learnworlds
Advantages include
- incredibly engaging course material
- an integrated social network for fostering community.
Cons
- Basic plans have a higher learning curve for new users.
- Monthly and transaction fees.
Cost
- $299 for the Learning Center,
- $299 for the Pro Trainer, and $29 for the Starter.
- A 30-day free trial is what a free demo trial offers.
Knowing something is not only powerful in the digital era, but it may also lead to profitable commercial ventures. People all across the world are ready to learn, and your knowledge could serve as a lighthouse for countless others. Never allow hesitancy to stop you.
Take the step to create a course and you and the many interested minds waiting for your insights will discover a world of possibilities.
It’s time to spread knowledge, educate, and thrive!
Simply said, you’re in good hands with LearnWorlds.
Get today Learnworlds
Udemy
Advantages of Udemy
- planned, prescriptive process for creating courses
- innate audience on Udemy
- Not much design or editing is required.
Drawbacks of Udemy
- steep revenue-sharing schedule
- Video is necessary.
- To provide paid courses, one must apply and be accepted.
Cost on Udemy
Udemy charges a revenue share of 63% on all other course sales and 3% on courses made through instructor coupons. It is free to publish free courses that include less than two hours of video. (Note: Mobile platform fees for sales of mobile courses, as well as processing costs from PayPal or Payoneer, are not included in revenue sharing.)Why are you offering your first course on Udemy? due to the platform’s abundance of resources for developing and promoting courses.
For instance, if you’re not sure whether your video courses are up to par, you may send in a sample for evaluation.
You’ll receive comments on the audio and video, as well as equipment recommendations.
Additionally, Udemy offers a helpful Teaching Center with instructions on topics like organizing a course, shooting your first video, and other related subjects.
Udemy’s customized marketing courses can help if you’re having trouble closing your first few transactions.
Take advantage of site-wide discounts, have your course highlighted in their email blasts, or sign up for Udemy’s affiliate marketing program.
Udemy gets a cut of course sales; all of these programs are optional. The promotional channel you select will determine how much they take.
Because of the scale of the marketplace you’re competing with, it’s critical that you choose the ideal course topic and evaluate how it compares to other courses on the site using Udemy’s marketplace insights.
This function, which is akin to Google Analytics, provides information on a topic’s popularity on Udemy, search volume, and related keywords.
Additionally, you may view the quantity of courses that are currently available for a given subject, the category’s highest-earning courses, the monthly revenue earned, and the most effective channels for promotion (Udemy search, Udemy discovery, external sources, and paid ads).
Kajabi
Expert designers would benefit most from using Kajabi, one of the most upscale online course platforms.Kajabi might not be for you if you are a novice or a small business owner.
On the other hand, this is the ideal location if you are an experienced designer looking to start an online academy. This platform even has Amy Porterfield’s endorsement!
Kajabi’s features
- Infinite landing sites
- Advertising emails without limit
- 1000 active members and 10,000 contacts
- One website Usable templates
- Automations
- Assessments (tests and questionnaires)
cost
- Basic, which costs $119
- Growth, which costs $159
- Procosts $319 per month (annual memberships are also an option)
It also has fantastic marketing options, like expertly branded messaging, because it caters to huge edupreneurs.
The cost is somewhat more than that of the other platforms on this list, but for some users, the attentive, knowledgeable support staff can make up for it.
They could have made the digital offering more varied for the price they ask by including some possibilities, such as vFair’s event gamification tool, but they don’t.
The website may seem overly technical because it was designed with specialists in mind, which may discourage novice course developers from using it.
Overall, it is a costly and comprehensive LMS supplier, according to its reputation.
2024.06.01 14:03 AdditionalWar8759 Rachel Goes Rogue Podcast: Episode from June 1st, “Chapter 28: Going Rogue Isn’t Easy”
***ads play and podcast starts at 1:47
Intro (Timestamp: 1:47) - Rachel: Welcome back to another episode of Rachel Goes Rogue. This is your host, Rachel Savannah Leviss. Today, we are talking about part three of the Vanderpump Rules reunion. - Rachel: It has finally come to an end, season 11. It's been a long time coming, and we're here to react. I have my producers with me, and as usual, they will be asking me some questions to get my perspective on what we just watched during the reunion.
Well, first of all, I want to start off with asking you just your overall thoughts on the reunion, watching it. How do you feel? (Timestamp: 2:19) - Rachel: Overall, I just feel tired at this point. I don't enjoy watching this show, and (Rachel starts to get emotional) I'm just happy that it's over. It was good that they didn't talk about me very much this last episode, part three. - Rachel: That's great, but it's been really difficult watching each week. And I feel like I can finally start to move on from all of this, because it's been really difficult. It was really heavy and sad. - Rachel: And I think everyone on that cast is struggling. And I would be too if I was there. I mean, I'm struggling just watching it from the sidelines, so I can only imagine what it's like being on that stage.
So you're getting really emotional right now. Where is this emotion coming from? (Timestamp: 3:28) - Rachel: It's coming from a place of feeling like I haven't had much room to go. Feeling like stuck between a rock and a hard place, so to speak. Because this entire time, I have been preparing for them to slander my name, to paint me in the worst light. - Rachel: And my goal with this podcast was to be able to represent myself, to defend myself, to share what I've learned through my time that I took away and my recovery, and just to shed more light on the situation. - Rachel: And it hasn't been easy. It's been an extreme rollercoaster of emotions in a lot of different phases, getting sucked back into it, and then feeling like all consumed by all the comments and everything, and then completely cutting off communication with the outside world and living in my own reality in the moment. It's all about that balance, and it has not been easy to move on. - Rachel: I don't think it's been easy for any of the cast to move on rehashing it and talking about it and having other people tune in. It's not typical. It's not normal. And the day has finally come that the show, season 11, is over, and it's a relief to me because I don't have to keep waiting for the other shoe to drop. - Rachel: I don't have to think about what lies they're going to spread about me, and I don't have to think about what I need to defend myself about. And then following week, I feel like I can finally start to live my life again.
And so you're kind of talking about the boundaries that you've been setting by staying away and cutting people off, which obviously boundaries was a really big topic at the reunion. You obviously set some really strong ones by not returning to the show. What's your take on this discussion of boundaries? Do you agree with Lala or do you side more with Ariana when it comes to boundaries when it's in regard to filming the show? (Timestamp: 5:40) - Rachel: I could see both of their points of view. Setting a boundary for yourself is not an easy thing to do. And when other people are upset that you set a boundary for yourself, that's usually a telltale sign that that person is using you in some way and is not happy that you have this new boundary because it's not serving them. - Rachel: So, I can see why Ariana upholded her boundaries by not speaking to Tom, even though she actually did film with Tom this whole season, or for the later part anyway. But she refused to have that conversation with Tom at the end of the show, and I commend her for it because it would have been a fake conversation. You could tell that Tom, his only motive to having that conversation with her is for camera purposes and storyline purposes. - Rachel: Therefore, it's not an authentic conversation. It would have been crocodile tears, the whole thing. And I completely understand Ariana walking away. I walked away too, and people weren't happy about that either. - Rachel: For Lala's point of view, I can understand her perspective in wanting to have a good TV show for her livelihood and the longevity of her career. If you're going to commit to filming, then I can see why Lala is upset, because you are not only committing to filming with this person, I can see her point in that she is living under the same roof as Tom. - Rachel: They're living together, they're filming together, yet in Lala's eyes, Ariana is being stubborn by not filming with Tom, or that one scene. Who even cares about that one scene? I don't know. - Rachel: It's all so silly to me, but boundaries are important. I was in a place where I didn't have boundaries, and I was really trying to appease production and put on a good show. That became my priority season 10.
And where do you think the line needs to be drawn, you know? When at the end of the day, this is a paycheck and this is a job, versus this is someone's real life. You've talked a lot about wanting to live in reality. Where do you think that line should be drawn? (Timestamp: 8:32) - Rachel: I think that's an impossible question to answer when you're filming a reality TV show, because the line is so blurry, it's impossible to know what's real and what's not. And the more I'm out of it, the clearer I can see that. We see it with Tom Sandoval when he talked about production. - Rachel: He did the New York Times article, and he stopped talking mid sentence when a plane flew over or a truck drove by, whatever it was, because the audio, typically when we're filming a show and a plane flies by, you stop talking so that the audio can pick up normally without the distraction in the background. - Rachel: So it's like programmed in your mind to think a certain way, to act a certain way, to talk a certain way, to pursue certain things, where it becomes a part of your patterning. We also see the lines get blurred with Scheana and the comment section, and what is real life and what is not, what is her own true motivation for doing certain things, and what is influenced by outside commentary. - Rachel: That gets so blurry, and when you're all consumed in the perception of yourself, how can you really be sure that you're operating from a place of an inner knowing? That's a boundary that's blurred. With Lala, she clearly prioritizes the success of the show because she wants to secure her paycheck, and when people are setting boundaries for themselves and it's conflicting with what she wants and what is successful in her eyes, that sparks an anger within her. - Rachel: And it's all fabricated to a certain point because the bottom line is this show. So, I think it truly is impossible to live a real life and be on a reality TV show.
So, do you think it's fair for Lala to direct that anger towards Ariana? Or do you think she should be directing it more towards the show? (Timestamp: 11:12) - Rachel: Oh, no, not at all. I don't think that it's fair that Lala is directing that anger towards Ariana because Ariana has been very clear with her boundaries since the very beginning and…
I guess if she's feeling this way, do you think maybe she should have upheld her boundaries more if she was feeling so resentful towards someone doing the same? Do you think she's feeling like she regrets things that she had said in the past? (Timestamp: 11:35) - Rachel: I think she did uphold her boundaries. I think that she feels like she hasn't been supported the same way that Ariana is being supported. And it's probably not a good feeling, but she maneuvered differently than Ariana has. And Lala doesn't extend the same empathy towards others. So it's harder to support her, I believe.
She does make a point to say, many times, that she feels like things are not being honest on camera. She points out Tom and Ariana’s relationship being one of those things. Katie has a flashback moment where she also calls it out. Do you agree that things are not always honest on camera? (Timestamp: 12:12) - Rachel: Totally. Yeah. I think the point that Lala is making is that Tom and Ariana haven't been honest about their relationship on camera. - Rachel: And I think people are getting caught up in Lala being hypocritical because she wasn't honest about her relationship with Randall. Okay, yes, that might be true. But the point is that Tom and Ariana haven't been good for quite some time. - Rachel: And their relationship that was portrayed on camera for fans to see was not an accurate representation of their relationship. I see the frustration because I agree with that too.
Even on your part, how does it affect you as someone on the show when people aren't fully honest on camera? How does that affect the rest of the cast? (Timestamp: 13:21) - Rachel: Yeah, it affects everyone when people aren't fully honest on the show. I mean, I wasn't fully honest the season 10 reunion. I was still covering up for Tom Schwartz. - Rachel: I was still covering up for Tom Sandoval. I was still going along with that narrative, and it would have been much better to just be open and honest about it. But of course, Tom was like, no, that wouldn't be good for business. - Rachel: It wouldn't be good for Schwartz and Sandys if people knew that the Schwartz kiss wasn't authentic and we need that to seem real. So it does affect everyone when you're not being honest, because it portrays a certain picture that isn't reality, and the whole point of reality TV supposedly is to be real, following these real people's lives. - Rachel: So honesty would be like the most important value characteristic you would think that everyone on this show should have. But it seems like nobody does.
Well, speaking of honesty, Ariana kind of called out Tom and his motives behind wanting to apologize on camera. He finally does get that moment during the reunion to apologize to Ariana. He has some words when he does, he calls the affair something he regrets every day. He says that he wears it like a badge of shame. On your end, how did that feel watching that? (Timestamp: 14:46) - Rachel: It's hard to tell if Tom is being honest or not. Even in the Secrets Revealed episode, when he was asked how many girls he had sex with since me, and he had to pause and think about if he was going to be honest or not, he's just been caught in so many lies that it's hard to tell if he's being truthful. - Rachel: But hearing Tom say that he regrets getting involved with me every single day, I regret it too, so it is a little bit painful, but it's also like maybe something is registering for him. - Rachel: I don't know. But then again, his actions speak a lot louder than his words. He knows what words to say, and then it seems that he fails to follow through with meaningful action. And that's where true amends come into play.
There was just, I feel like, a lot of pain in the room all around. You kind of acknowledged that at the beginning of this episode. What do you think that this pain, and even Lala saying that she was okay seeing some of those friendships end, what do you think that means for the future of this group? (Timestamp: 16:07) - Rachel: I don't see much of the future for this group. It looks pretty shattered. It looks like these friendships are not healthy friendships. - Rachel: The dynamic between Lala and Scheana is not a healthy dynamic. It seems to be like a power imbalance. It seems like Scheana is trying to appease Lala to make sure she's secure, and she's getting certain needs met in that friendship because Ariana hasn't been around for Scheana the way that she's used to. - Rachel: Yeah, you could tell that Scheana’s struggling with coping with that. It seems like Lala's really on a wavelength of not effing with anybody on the cast right now. It seems like her friendship with Katie isn't strong because Katie's gotten really close with Ariana. - Rachel: It seems like even her friendship with Scheana is a little rocky. I think she sees Scheana as someone that's not...How do I want to say this? - Rachel: And I hate saying this word, because I don't want to like categorize somebody as something, especially because I've been called this before too. But I think seeing how Lala reacted to everything and how Scheana was trying to be the fixer and appease Lala, and it just didn't seem like enough for Lala. I think Lala sees Scheana as someone who is weak, perceived weakness. - Rachel: I'm not saying that Scheana is weak. And I think that there's a lot of alliances and manipulation happening, and none of that is healthy for our friendship dynamic. I can see why the show is taking a hiatus, because it just seems so fractured
Well, it definitely seems like at the very end of the episode, Scheana was very sure to get that last word in. I felt like she was looking directly at Lala and almost begging for her to hear her out that she was on her side. And it really did seem like the very end, Scheana had to choose. Is she Team Ariana or Team Lala? Do you think she made the right choice? Do you think she needed to make a choice, or do you think that she's putting this pressure on herself? (Timestamp: 18:21) - Rachel: Ooh, that's a good question. I think she feels a lot of pressure from the outside perspective, and she doesn't want to, obviously, like burn bridges with Ariana or anything. And I think Ariana has been very gracious towards Scheana. Do I think that she needed to choose sides? I don't think so. I don't know. - Rachel: I can see Lala's frustration probably because I'm sure Sheena and Lala have had conversations about the whole situation. And without Ariana there, I'm sure Sheena's singing a much different tune than what we're hearing at the reunion, and that's sparking some frustration in Lala. And I'm sure that was a similar feeling when she called out Katie about it too. - Rachel: So yeah, I think that Lala feels pretty isolated, I want to say, in her feelings. And now that it's aired, and I did check Reddit for the first time in a very, very long time, it seems like the majority of people are hating on Lala right now. I'm human. - Rachel: I do hold some resentment towards Lala for the way that she's treated me over the years. I do empathize with her a little bit because all the hate online is just a little bit ridiculous. And I think also people are afraid to speak a differing opinion than the team Ariana side because people are just ruthless online and they don't want to hear a differing opinion. - Rachel: And if you do, then you get shunned out, too. It's very, my therapist calls it tribal shaming, where if you're not following the rules of the tribe, spoken or unspoken, then you're cast out and you're shunned.
***ads play and podcast resumes at 23:24
I mean, it does feel like the fans have had more of an impact on this season than ever. Would you agree with that? (Timestamp: 23:24) - Rachel: Yeah, especially because as they were filming this show, the fans were boots on the ground. We're going to production, we're going to filming, and we're going to take photos and document what we saw and all that stuff. Like it was very interactive in a way. - Rachel: I think with after show this year, it was a little bit different because some things have changed since the ending of filming last summer. One of the things was me starting my own podcast and speaking freely about my experience and my opinion and the after show gave the cast an opportunity to rebut what I was saying and it provided more of a context. - Rachel: And I think with more time passing from the end of filming last summer to, you know, early January, February of this year, when they filmed the after shows, cast dynamics shifted because as we all know, now watching the finale, Lala and Ariana did not end on a good note whatsoever. - Rachel: And so, you know, she had some choice of words to say during the after shows. And it seemed like she really got Sheena to support her with that.
Speaking about the fracturing of this cast, something about her did recently open. Not many cast members were in attendance to this opening. What's your take on that? (Timestamp: 24:56) - Rachel: Interesting. Do you know who went? - iHeart Lady: I know Schwartz went - Rachel: It seems a little telling that maybe Sheena and Lala aren't on the best terms with Ariana right now, because they went to like the Broadway opening that Ariana did for Chicago. And they also went to Dancing with the Stars. But this is all before they knew that she didn't watch the show. And so that was all before the reunion and everything. So yeah, it seems like maybe they're not on the best of terms right now.
What are your thoughts on production holding the last five minutes until the reunion to show to everyone? (Timestamp: 25:47) - Rachel: I wonder if they got word that Ariana wasn't watching the season. And they did that as a way to ensure that they would get a reaction from her, kind of like forcing her hand a little bit, forcing her into a situation that she did not want to be in. It was very strategic in that way. And it was something new. Like, we've never done that before. It was creative, for sure, on production's part.
Do you think it was fair to Ariana? (Timestamp: 26:27) - Rachel: There's a commitment, and part of that is watching the show and having an opinion on what's happening besides your own story that you're sharing. So in a way, it's like ensuring that Ariana did have an opinion on it. So very eye opening, to say the least.
I want your take on Tom's final words. He says, I love it. It's good for me. A lot of people in the room were very shocked by that. Tom even has a reaction to it, where he shakes his head no. They didn't even really press him on what he meant by that either. What's your take on all of that? (Timestamp: 26:49) - Rachel: I wish they pressed him on what he meant by that a little bit more. And Ariana was pretty much the only person that called him out on it too. She caught it. - Rachel: She was like, that exactly proves my point, that you are doing things for the audience, for the production value, and for his own story purposes. I guess in Tom's eyes, having Ariana refuse to film and walk off was good for him because he felt like he completed his job and fulfilled his duty with what production was asking from him. And Ariana was not. - Rachel: And I think selfishly, he probably thought that it would give him a better chance of having more of a redemption story. - Rachel: Because, ultimately, production is the one picking and choosing what they're going to share on the show and edit and put certain music behind certain scenes to make it seem even more of a certain way. Tom knows how to play into that. But I would have loved to hear what his explanation for that comment would be.
Why do you think they didn't press him? (Timestamp: 28:34) - Rachel: I think that they're protecting him, like they always have been.
We did see something interesting at the very end with Lisa stepping up and taking Ariana's side, which is kind of a different tune. You've talked about this before, where she seems to protect the guys a lot of the time, but then she changes her tune at the very end of the episode and takes Ariana's side. What are your thoughts on that? (Timestamp: 28:39) - Rachel: I think Lisa is very strategic with what she puts out there as well. And she knows what people are saying about her, with her always supporting the guys. So that could have been a motivation behind her changing her tune and supporting Ariana in that way. Yeah, I don't know. It's hard because I think also Lisa is very aware of who the fan favorites are. It's her show. - Rachel: She's an executive producer on this show. So she's not a dummy when it's coming to that. I think it helps her if she is supporting Ariana because she'll praise Ariana for walking away and end up holding her boundaries. - Rachel: But then when it comes to me, I don't even remember what she said about me. But when it comes to me walking away and setting a boundary for myself, I've been told that I'm a coward and I'm running away from my problems. - Rachel: So that part for me gets a little frustrating because it's like, and also the fans praising Ariana for upholding her boundaries and walking away and supporting her and telling her like, you know, she's outgrown this show. - Rachel: She should move on and do something even better with her life. And she's finding out now that these aren't her true friends and like good for her for upholding her boundaries and walking away from this situation. And I've done the same thing and it has been met with scrutiny.
Lala compares her situation with Randall to Ariana a lot throughout this reunion. Do you think the two are similar at all? (Timestamp: 30:37) - Rachel: I don't think that the relationship that Lala had with Randall is comparable to the situation that Tom and Ariana were in. It's hard to get on Lala's side with some of the things that she's saying, because the way that she spoke about her relationship with Randall is like bragging about doing BJs for PJs and getting gifted a Range Rover very early in their relationship and not being honest about who she was seeing and the situation that was happening basically. And it just seemed like she was in it for the money and like to secure her success and fame. - Rachel: So it's hard to get behind that, especially when she's been so outright about it. Unfortunately, Randall wasn't the stand up guy that she was selling him to be. We weren't buying it. - Rachel: In Ariana's case, viewers got to see that relationship develop over the years, whereas with Lala's, he wasn't around, like it was secret for a while. And, you know, it's harder to develop feelings towards a person or a relationship when you're not seeing it play out on camera. I think Lala has a lot of anger, maybe even towards herself, for the situation that she allowed herself to be in. And I think she might be taking that out on Ariana.
How hard is it to be really honest when you're in this position? And do you think certain cast members have an easier time doing this? (Timestamp: 32:22) - Rachel: So this is like where your own values come in. Like, are you an honest person or are you not? Because there are people in this cast that are not, and we know who they are, and they have no problem lying, and it doesn't bother them when they lie. - Rachel: And for me, I'm working towards living a more authentic, honest life. And part of that is being honest with my emotions, thoughts, and feelings, and expressing that, and doing that in a way that is still respectful, because I'm not trying to hurt people in the process. And I am trying to express myself honestly and be true to myself. - Rachel: So I think it just depends on who you're asking. I mean, it's definitely not easy. It's definitely hard because you're on this platform, this public arena where you're opening yourself up to scrutiny. - Rachel: And if other people have differing opinions than you do, or if your opinion is the minority, you're basically going to be harassed and scrutinized. And so sometimes for people, it's easier to not be fully honest with their thoughts and feelings in order to save face or in order to go with more popular opinion because it's perceived to be safer that way. But I don't know. - Rachel: At this point, it's like your words aren't going to hurt me. You can say whatever you want to say about me online, and I've survived this far. So whatever else you say about me is not going to affect me any more than it already has. - Rachel: I've developed thick skin through this process, and I've come to the point where I value my friendships that are real in the sense of I interact with these people in real life. I care more about people's perception of me when they actually meet me and interact with me and the vibes I give off that way. So you get to a certain point where it's almost your duty to show up for yourself and be honest with how you feel and how you think about a certain thing in that moment. - Rachel: And your opinions can change with time too and with more information. It's not like I'm going to say this one thing and I'm always going to feel this way. It's always changing, it's always developing, we're always getting more information, and we're always experiencing new things that change our perspective on life. - Rachel: So it's just your duty to represent yourself in the most authentic way so that your people will find you.
***ads play and podcast resumes at 38:08
Well, I think there was one kind of shining moment, I'll say, even though it was a really emotional moment. But the moment between, and this is a little bit of a pivot, but the moment between Schwartz and Katie, I found really interesting, where Andy was asking about their relationship. It seemed like this season, they had a little bit more of a playful dynamic. But Schwartz gets really emotional, saying that he doesn't regret how their relationship ended. But you can kind of see in his eyes that he tears well up. He gets really emotional. What did you make of that moment? (Timestamp: 38:08) - Rachel: We don't think we've really seen a moment like that between Tom, Schwartz, and Katie. It really seems like they've come to terms with how the relationship ended, and that it was for the best. But it seemed like there was a lot of fond memories and just appreciation for one another, that I don't think I've really seen that dynamic between them before. - iHeart Lady: To me, it seemed like in a season where there was a lot of hurt, that seemed like the one moment of maybe seeing two people that are going through the process of healing. - Rachel: Viewing that, it did seem like they were both coming from a place of healing, because they weren't throwing insults at each other or trying to bring each other down. It was very respecting one another and appreciating the moments that they did have together while it lasted. And that's refreshing to see on this show.
Lala said something at the very end where she said it was really hard for her to show up to season nine reunion, I believe it was. You know, she didn't want to talk about certain things, but she showed up. Ariana said the same thing where she could say the same about the season 10 reunion. She didn't want to be there. You could probably say the same thing about the season 10 reunion. You didn't want to be there as well. Is it fair to say everyone's been in a position where they didn't want to be somewhere, but they did anyway? (Timestamp: 39:44) - Rachel: 100%. Yeah, totally. And that's like the part of committing to this show. It's a commitment. And even though you don't quite know what you're signing up for, you know that it's not going to be necessarily easy. And there's a challenge in that. - Rachel: And I think, just speaking for myself, there was an opportunity for growth for me in that. Yeah, I think we've all been in a situation where we didn't want to show up for something and felt, I don't think obligated is the right word, but we made a commitment to being there, and we followed through with our commitment. And it's hard.
You started this episode off by acknowledging that there was a lot of healing that this cast needs to do. As someone who has taken a step back from filming, you've had this time to kind of come back to your own reality. What can this cast expect when you have that moment to kind of breathe and have that separation and you rejoin reality for a minute? (Timestamp: 41:07) - Rachel: Oh, okay. That is a loaded question. Because I think that there's a little bit of fear with not being the current topic of conversation. - Rachel: I think addiction is the wrong word, but there's a little bit of the dopamine hits that you get when you're being talked about on a reality TV show and the fear of that going away permanently could be a scary thing. But taking time off and re-centering with yourself, I think is like the best thing for this cast right now, because we don't want to be forced into situations that we don't want to be in. That's not living an authentic life. - Rachel: I mean, I've been worrying about scenes and storylines, and I haven't even been a part of this show, but now it feels good not to worry about that. And I do have to say, just like reading all the comments on Reddit right now, it's like hardly anybody is talking about me, which is a great feeling. It's just so much more freeing when you're not living your life for somebody else's entertainment anymore. - Rachel: It just feels like you get your life back a little bit. It's so complex, and I think it's hard to understand if you haven't been through being on a TV show for millions of people to comment on and judge your life. I don't think humans are meant for that, and there's no way that that's healthy. - Rachel: Yeah, I said that I think the cast, we have a lot of healing to do. We, as in, I still do too, and part of that is coming back to reality. And I really don't think that we've had a minute this whole season. I think it's going to be good for everyone.
Has this year though felt different to you? I feel like you're like half in, half out (Timestamp: 43:42) - Rachel: Oh, yeah, it's felt so different. But I think like a large part of that has to do with going to the meadows and really reconnecting with myself and learning about my issues and how it was showing up for me and really coming to terms with like, what is this piece of external validation and how is that motivating me? And is it even real? - Rachel: And just like really re centering back into myself and gaining a lot more perspective with that. Without the meadows, I would not be where I am right now. There's no freaking way. So it is. I'm living a new life. I really am. - Rachel: And I feel like I haven't really been able to truly have the opportunity to live my new life to the fullest because this show has been holding me back. And I know that that's partially my fault too because I'm indulging and speaking about it, but I'm really looking forward to the days when I can truly move forward and evolve into something even more magnificent.
Outro (Timestamp: 45:02) - Rachel: Thank you so much for listening to Rachel Goes Rogue. Follow us on Instagram and TikTok for exclusive video content at Rachel Goes Rogue Podcast.
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Intro (Timestamp: 1:47) - Rachel: Welcome back to another episode of Rachel Goes Rogue. This is your host, Rachel Savannah Leviss. Today, we are talking about part three of the Vanderpump Rules reunion. - Rachel: It has finally come to an end, season 11. It's been a long time coming, and we're here to react. I have my producers with me, and as usual, they will be asking me some questions to get my perspective on what we just watched during the reunion.
Well, first of all, I want to start off with asking you just your overall thoughts on the reunion, watching it. How do you feel? (Timestamp: 2:19) - Rachel: Overall, I just feel tired at this point. I don't enjoy watching this show, and (Rachel starts to get emotional) I'm just happy that it's over. It was good that they didn't talk about me very much this last episode, part three. - Rachel: That's great, but it's been really difficult watching each week. And I feel like I can finally start to move on from all of this, because it's been really difficult. It was really heavy and sad. - Rachel: And I think everyone on that cast is struggling. And I would be too if I was there. I mean, I'm struggling just watching it from the sidelines, so I can only imagine what it's like being on that stage.
So you're getting really emotional right now. Where is this emotion coming from? (Timestamp: 3:28) - Rachel: It's coming from a place of feeling like I haven't had much room to go. Feeling like stuck between a rock and a hard place, so to speak. Because this entire time, I have been preparing for them to slander my name, to paint me in the worst light. - Rachel: And my goal with this podcast was to be able to represent myself, to defend myself, to share what I've learned through my time that I took away and my recovery, and just to shed more light on the situation. - Rachel: And it hasn't been easy. It's been an extreme rollercoaster of emotions in a lot of different phases, getting sucked back into it, and then feeling like all consumed by all the comments and everything, and then completely cutting off communication with the outside world and living in my own reality in the moment. It's all about that balance, and it has not been easy to move on. - Rachel: I don't think it's been easy for any of the cast to move on rehashing it and talking about it and having other people tune in. It's not typical. It's not normal. And the day has finally come that the show, season 11, is over, and it's a relief to me because I don't have to keep waiting for the other shoe to drop. - Rachel: I don't have to think about what lies they're going to spread about me, and I don't have to think about what I need to defend myself about. And then following week, I feel like I can finally start to live my life again.
And so you're kind of talking about the boundaries that you've been setting by staying away and cutting people off, which obviously boundaries was a really big topic at the reunion. You obviously set some really strong ones by not returning to the show. What's your take on this discussion of boundaries? Do you agree with Lala or do you side more with Ariana when it comes to boundaries when it's in regard to filming the show? (Timestamp: 5:40) - Rachel: I could see both of their points of view. Setting a boundary for yourself is not an easy thing to do. And when other people are upset that you set a boundary for yourself, that's usually a telltale sign that that person is using you in some way and is not happy that you have this new boundary because it's not serving them. - Rachel: So, I can see why Ariana upholded her boundaries by not speaking to Tom, even though she actually did film with Tom this whole season, or for the later part anyway. But she refused to have that conversation with Tom at the end of the show, and I commend her for it because it would have been a fake conversation. You could tell that Tom, his only motive to having that conversation with her is for camera purposes and storyline purposes. - Rachel: Therefore, it's not an authentic conversation. It would have been crocodile tears, the whole thing. And I completely understand Ariana walking away. I walked away too, and people weren't happy about that either. - Rachel: For Lala's point of view, I can understand her perspective in wanting to have a good TV show for her livelihood and the longevity of her career. If you're going to commit to filming, then I can see why Lala is upset, because you are not only committing to filming with this person, I can see her point in that she is living under the same roof as Tom. - Rachel: They're living together, they're filming together, yet in Lala's eyes, Ariana is being stubborn by not filming with Tom, or that one scene. Who even cares about that one scene? I don't know. - Rachel: It's all so silly to me, but boundaries are important. I was in a place where I didn't have boundaries, and I was really trying to appease production and put on a good show. That became my priority season 10.
And where do you think the line needs to be drawn, you know? When at the end of the day, this is a paycheck and this is a job, versus this is someone's real life. You've talked a lot about wanting to live in reality. Where do you think that line should be drawn? (Timestamp: 8:32) - Rachel: I think that's an impossible question to answer when you're filming a reality TV show, because the line is so blurry, it's impossible to know what's real and what's not. And the more I'm out of it, the clearer I can see that. We see it with Tom Sandoval when he talked about production. - Rachel: He did the New York Times article, and he stopped talking mid sentence when a plane flew over or a truck drove by, whatever it was, because the audio, typically when we're filming a show and a plane flies by, you stop talking so that the audio can pick up normally without the distraction in the background. - Rachel: So it's like programmed in your mind to think a certain way, to act a certain way, to talk a certain way, to pursue certain things, where it becomes a part of your patterning. We also see the lines get blurred with Scheana and the comment section, and what is real life and what is not, what is her own true motivation for doing certain things, and what is influenced by outside commentary. - Rachel: That gets so blurry, and when you're all consumed in the perception of yourself, how can you really be sure that you're operating from a place of an inner knowing? That's a boundary that's blurred. With Lala, she clearly prioritizes the success of the show because she wants to secure her paycheck, and when people are setting boundaries for themselves and it's conflicting with what she wants and what is successful in her eyes, that sparks an anger within her. - Rachel: And it's all fabricated to a certain point because the bottom line is this show. So, I think it truly is impossible to live a real life and be on a reality TV show.
So, do you think it's fair for Lala to direct that anger towards Ariana? Or do you think she should be directing it more towards the show? (Timestamp: 11:12) - Rachel: Oh, no, not at all. I don't think that it's fair that Lala is directing that anger towards Ariana because Ariana has been very clear with her boundaries since the very beginning and…
I guess if she's feeling this way, do you think maybe she should have upheld her boundaries more if she was feeling so resentful towards someone doing the same? Do you think she's feeling like she regrets things that she had said in the past? (Timestamp: 11:35) - Rachel: I think she did uphold her boundaries. I think that she feels like she hasn't been supported the same way that Ariana is being supported. And it's probably not a good feeling, but she maneuvered differently than Ariana has. And Lala doesn't extend the same empathy towards others. So it's harder to support her, I believe.
She does make a point to say, many times, that she feels like things are not being honest on camera. She points out Tom and Ariana’s relationship being one of those things. Katie has a flashback moment where she also calls it out. Do you agree that things are not always honest on camera? (Timestamp: 12:12) - Rachel: Totally. Yeah. I think the point that Lala is making is that Tom and Ariana haven't been honest about their relationship on camera. - Rachel: And I think people are getting caught up in Lala being hypocritical because she wasn't honest about her relationship with Randall. Okay, yes, that might be true. But the point is that Tom and Ariana haven't been good for quite some time. - Rachel: And their relationship that was portrayed on camera for fans to see was not an accurate representation of their relationship. I see the frustration because I agree with that too.
Even on your part, how does it affect you as someone on the show when people aren't fully honest on camera? How does that affect the rest of the cast? (Timestamp: 13:21) - Rachel: Yeah, it affects everyone when people aren't fully honest on the show. I mean, I wasn't fully honest the season 10 reunion. I was still covering up for Tom Schwartz. - Rachel: I was still covering up for Tom Sandoval. I was still going along with that narrative, and it would have been much better to just be open and honest about it. But of course, Tom was like, no, that wouldn't be good for business. - Rachel: It wouldn't be good for Schwartz and Sandys if people knew that the Schwartz kiss wasn't authentic and we need that to seem real. So it does affect everyone when you're not being honest, because it portrays a certain picture that isn't reality, and the whole point of reality TV supposedly is to be real, following these real people's lives. - Rachel: So honesty would be like the most important value characteristic you would think that everyone on this show should have. But it seems like nobody does.
Well, speaking of honesty, Ariana kind of called out Tom and his motives behind wanting to apologize on camera. He finally does get that moment during the reunion to apologize to Ariana. He has some words when he does, he calls the affair something he regrets every day. He says that he wears it like a badge of shame. On your end, how did that feel watching that? (Timestamp: 14:46) - Rachel: It's hard to tell if Tom is being honest or not. Even in the Secrets Revealed episode, when he was asked how many girls he had sex with since me, and he had to pause and think about if he was going to be honest or not, he's just been caught in so many lies that it's hard to tell if he's being truthful. - Rachel: But hearing Tom say that he regrets getting involved with me every single day, I regret it too, so it is a little bit painful, but it's also like maybe something is registering for him. - Rachel: I don't know. But then again, his actions speak a lot louder than his words. He knows what words to say, and then it seems that he fails to follow through with meaningful action. And that's where true amends come into play.
There was just, I feel like, a lot of pain in the room all around. You kind of acknowledged that at the beginning of this episode. What do you think that this pain, and even Lala saying that she was okay seeing some of those friendships end, what do you think that means for the future of this group? (Timestamp: 16:07) - Rachel: I don't see much of the future for this group. It looks pretty shattered. It looks like these friendships are not healthy friendships. - Rachel: The dynamic between Lala and Scheana is not a healthy dynamic. It seems to be like a power imbalance. It seems like Scheana is trying to appease Lala to make sure she's secure, and she's getting certain needs met in that friendship because Ariana hasn't been around for Scheana the way that she's used to. - Rachel: Yeah, you could tell that Scheana’s struggling with coping with that. It seems like Lala's really on a wavelength of not effing with anybody on the cast right now. It seems like her friendship with Katie isn't strong because Katie's gotten really close with Ariana. - Rachel: It seems like even her friendship with Scheana is a little rocky. I think she sees Scheana as someone that's not...How do I want to say this? - Rachel: And I hate saying this word, because I don't want to like categorize somebody as something, especially because I've been called this before too. But I think seeing how Lala reacted to everything and how Scheana was trying to be the fixer and appease Lala, and it just didn't seem like enough for Lala. I think Lala sees Scheana as someone who is weak, perceived weakness. - Rachel: I'm not saying that Scheana is weak. And I think that there's a lot of alliances and manipulation happening, and none of that is healthy for our friendship dynamic. I can see why the show is taking a hiatus, because it just seems so fractured
Well, it definitely seems like at the very end of the episode, Scheana was very sure to get that last word in. I felt like she was looking directly at Lala and almost begging for her to hear her out that she was on her side. And it really did seem like the very end, Scheana had to choose. Is she Team Ariana or Team Lala? Do you think she made the right choice? Do you think she needed to make a choice, or do you think that she's putting this pressure on herself? (Timestamp: 18:21) - Rachel: Ooh, that's a good question. I think she feels a lot of pressure from the outside perspective, and she doesn't want to, obviously, like burn bridges with Ariana or anything. And I think Ariana has been very gracious towards Scheana. Do I think that she needed to choose sides? I don't think so. I don't know. - Rachel: I can see Lala's frustration probably because I'm sure Sheena and Lala have had conversations about the whole situation. And without Ariana there, I'm sure Sheena's singing a much different tune than what we're hearing at the reunion, and that's sparking some frustration in Lala. And I'm sure that was a similar feeling when she called out Katie about it too. - Rachel: So yeah, I think that Lala feels pretty isolated, I want to say, in her feelings. And now that it's aired, and I did check Reddit for the first time in a very, very long time, it seems like the majority of people are hating on Lala right now. I'm human. - Rachel: I do hold some resentment towards Lala for the way that she's treated me over the years. I do empathize with her a little bit because all the hate online is just a little bit ridiculous. And I think also people are afraid to speak a differing opinion than the team Ariana side because people are just ruthless online and they don't want to hear a differing opinion. - Rachel: And if you do, then you get shunned out, too. It's very, my therapist calls it tribal shaming, where if you're not following the rules of the tribe, spoken or unspoken, then you're cast out and you're shunned.
***ads play and podcast resumes at 23:24
I mean, it does feel like the fans have had more of an impact on this season than ever. Would you agree with that? (Timestamp: 23:24) - Rachel: Yeah, especially because as they were filming this show, the fans were boots on the ground. We're going to production, we're going to filming, and we're going to take photos and document what we saw and all that stuff. Like it was very interactive in a way. - Rachel: I think with after show this year, it was a little bit different because some things have changed since the ending of filming last summer. One of the things was me starting my own podcast and speaking freely about my experience and my opinion and the after show gave the cast an opportunity to rebut what I was saying and it provided more of a context. - Rachel: And I think with more time passing from the end of filming last summer to, you know, early January, February of this year, when they filmed the after shows, cast dynamics shifted because as we all know, now watching the finale, Lala and Ariana did not end on a good note whatsoever. - Rachel: And so, you know, she had some choice of words to say during the after shows. And it seemed like she really got Sheena to support her with that.
Speaking about the fracturing of this cast, something about her did recently open. Not many cast members were in attendance to this opening. What's your take on that? (Timestamp: 24:56) - Rachel: Interesting. Do you know who went? - iHeart Lady: I know Schwartz went - Rachel: It seems a little telling that maybe Sheena and Lala aren't on the best terms with Ariana right now, because they went to like the Broadway opening that Ariana did for Chicago. And they also went to Dancing with the Stars. But this is all before they knew that she didn't watch the show. And so that was all before the reunion and everything. So yeah, it seems like maybe they're not on the best of terms right now.
What are your thoughts on production holding the last five minutes until the reunion to show to everyone? (Timestamp: 25:47) - Rachel: I wonder if they got word that Ariana wasn't watching the season. And they did that as a way to ensure that they would get a reaction from her, kind of like forcing her hand a little bit, forcing her into a situation that she did not want to be in. It was very strategic in that way. And it was something new. Like, we've never done that before. It was creative, for sure, on production's part.
Do you think it was fair to Ariana? (Timestamp: 26:27) - Rachel: There's a commitment, and part of that is watching the show and having an opinion on what's happening besides your own story that you're sharing. So in a way, it's like ensuring that Ariana did have an opinion on it. So very eye opening, to say the least.
I want your take on Tom's final words. He says, I love it. It's good for me. A lot of people in the room were very shocked by that. Tom even has a reaction to it, where he shakes his head no. They didn't even really press him on what he meant by that either. What's your take on all of that? (Timestamp: 26:49) - Rachel: I wish they pressed him on what he meant by that a little bit more. And Ariana was pretty much the only person that called him out on it too. She caught it. - Rachel: She was like, that exactly proves my point, that you are doing things for the audience, for the production value, and for his own story purposes. I guess in Tom's eyes, having Ariana refuse to film and walk off was good for him because he felt like he completed his job and fulfilled his duty with what production was asking from him. And Ariana was not. - Rachel: And I think selfishly, he probably thought that it would give him a better chance of having more of a redemption story. - Rachel: Because, ultimately, production is the one picking and choosing what they're going to share on the show and edit and put certain music behind certain scenes to make it seem even more of a certain way. Tom knows how to play into that. But I would have loved to hear what his explanation for that comment would be.
Why do you think they didn't press him? (Timestamp: 28:34) - Rachel: I think that they're protecting him, like they always have been.
We did see something interesting at the very end with Lisa stepping up and taking Ariana's side, which is kind of a different tune. You've talked about this before, where she seems to protect the guys a lot of the time, but then she changes her tune at the very end of the episode and takes Ariana's side. What are your thoughts on that? (Timestamp: 28:39) - Rachel: I think Lisa is very strategic with what she puts out there as well. And she knows what people are saying about her, with her always supporting the guys. So that could have been a motivation behind her changing her tune and supporting Ariana in that way. Yeah, I don't know. It's hard because I think also Lisa is very aware of who the fan favorites are. It's her show. - Rachel: She's an executive producer on this show. So she's not a dummy when it's coming to that. I think it helps her if she is supporting Ariana because she'll praise Ariana for walking away and end up holding her boundaries. - Rachel: But then when it comes to me, I don't even remember what she said about me. But when it comes to me walking away and setting a boundary for myself, I've been told that I'm a coward and I'm running away from my problems. - Rachel: So that part for me gets a little frustrating because it's like, and also the fans praising Ariana for upholding her boundaries and walking away and supporting her and telling her like, you know, she's outgrown this show. - Rachel: She should move on and do something even better with her life. And she's finding out now that these aren't her true friends and like good for her for upholding her boundaries and walking away from this situation. And I've done the same thing and it has been met with scrutiny.
Lala compares her situation with Randall to Ariana a lot throughout this reunion. Do you think the two are similar at all? (Timestamp: 30:37) - Rachel: I don't think that the relationship that Lala had with Randall is comparable to the situation that Tom and Ariana were in. It's hard to get on Lala's side with some of the things that she's saying, because the way that she spoke about her relationship with Randall is like bragging about doing BJs for PJs and getting gifted a Range Rover very early in their relationship and not being honest about who she was seeing and the situation that was happening basically. And it just seemed like she was in it for the money and like to secure her success and fame. - Rachel: So it's hard to get behind that, especially when she's been so outright about it. Unfortunately, Randall wasn't the stand up guy that she was selling him to be. We weren't buying it. - Rachel: In Ariana's case, viewers got to see that relationship develop over the years, whereas with Lala's, he wasn't around, like it was secret for a while. And, you know, it's harder to develop feelings towards a person or a relationship when you're not seeing it play out on camera. I think Lala has a lot of anger, maybe even towards herself, for the situation that she allowed herself to be in. And I think she might be taking that out on Ariana.
How hard is it to be really honest when you're in this position? And do you think certain cast members have an easier time doing this? (Timestamp: 32:22) - Rachel: So this is like where your own values come in. Like, are you an honest person or are you not? Because there are people in this cast that are not, and we know who they are, and they have no problem lying, and it doesn't bother them when they lie. - Rachel: And for me, I'm working towards living a more authentic, honest life. And part of that is being honest with my emotions, thoughts, and feelings, and expressing that, and doing that in a way that is still respectful, because I'm not trying to hurt people in the process. And I am trying to express myself honestly and be true to myself. - Rachel: So I think it just depends on who you're asking. I mean, it's definitely not easy. It's definitely hard because you're on this platform, this public arena where you're opening yourself up to scrutiny. - Rachel: And if other people have differing opinions than you do, or if your opinion is the minority, you're basically going to be harassed and scrutinized. And so sometimes for people, it's easier to not be fully honest with their thoughts and feelings in order to save face or in order to go with more popular opinion because it's perceived to be safer that way. But I don't know. - Rachel: At this point, it's like your words aren't going to hurt me. You can say whatever you want to say about me online, and I've survived this far. So whatever else you say about me is not going to affect me any more than it already has. - Rachel: I've developed thick skin through this process, and I've come to the point where I value my friendships that are real in the sense of I interact with these people in real life. I care more about people's perception of me when they actually meet me and interact with me and the vibes I give off that way. So you get to a certain point where it's almost your duty to show up for yourself and be honest with how you feel and how you think about a certain thing in that moment. - Rachel: And your opinions can change with time too and with more information. It's not like I'm going to say this one thing and I'm always going to feel this way. It's always changing, it's always developing, we're always getting more information, and we're always experiencing new things that change our perspective on life. - Rachel: So it's just your duty to represent yourself in the most authentic way so that your people will find you.
***ads play and podcast resumes at 38:08
Well, I think there was one kind of shining moment, I'll say, even though it was a really emotional moment. But the moment between, and this is a little bit of a pivot, but the moment between Schwartz and Katie, I found really interesting, where Andy was asking about their relationship. It seemed like this season, they had a little bit more of a playful dynamic. But Schwartz gets really emotional, saying that he doesn't regret how their relationship ended. But you can kind of see in his eyes that he tears well up. He gets really emotional. What did you make of that moment? (Timestamp: 38:08) - Rachel: We don't think we've really seen a moment like that between Tom, Schwartz, and Katie. It really seems like they've come to terms with how the relationship ended, and that it was for the best. But it seemed like there was a lot of fond memories and just appreciation for one another, that I don't think I've really seen that dynamic between them before. - iHeart Lady: To me, it seemed like in a season where there was a lot of hurt, that seemed like the one moment of maybe seeing two people that are going through the process of healing. - Rachel: Viewing that, it did seem like they were both coming from a place of healing, because they weren't throwing insults at each other or trying to bring each other down. It was very respecting one another and appreciating the moments that they did have together while it lasted. And that's refreshing to see on this show.
Lala said something at the very end where she said it was really hard for her to show up to season nine reunion, I believe it was. You know, she didn't want to talk about certain things, but she showed up. Ariana said the same thing where she could say the same about the season 10 reunion. She didn't want to be there. You could probably say the same thing about the season 10 reunion. You didn't want to be there as well. Is it fair to say everyone's been in a position where they didn't want to be somewhere, but they did anyway? (Timestamp: 39:44) - Rachel: 100%. Yeah, totally. And that's like the part of committing to this show. It's a commitment. And even though you don't quite know what you're signing up for, you know that it's not going to be necessarily easy. And there's a challenge in that. - Rachel: And I think, just speaking for myself, there was an opportunity for growth for me in that. Yeah, I think we've all been in a situation where we didn't want to show up for something and felt, I don't think obligated is the right word, but we made a commitment to being there, and we followed through with our commitment. And it's hard.
You started this episode off by acknowledging that there was a lot of healing that this cast needs to do. As someone who has taken a step back from filming, you've had this time to kind of come back to your own reality. What can this cast expect when you have that moment to kind of breathe and have that separation and you rejoin reality for a minute? (Timestamp: 41:07) - Rachel: Oh, okay. That is a loaded question. Because I think that there's a little bit of fear with not being the current topic of conversation. - Rachel: I think addiction is the wrong word, but there's a little bit of the dopamine hits that you get when you're being talked about on a reality TV show and the fear of that going away permanently could be a scary thing. But taking time off and re-centering with yourself, I think is like the best thing for this cast right now, because we don't want to be forced into situations that we don't want to be in. That's not living an authentic life. - Rachel: I mean, I've been worrying about scenes and storylines, and I haven't even been a part of this show, but now it feels good not to worry about that. And I do have to say, just like reading all the comments on Reddit right now, it's like hardly anybody is talking about me, which is a great feeling. It's just so much more freeing when you're not living your life for somebody else's entertainment anymore. - Rachel: It just feels like you get your life back a little bit. It's so complex, and I think it's hard to understand if you haven't been through being on a TV show for millions of people to comment on and judge your life. I don't think humans are meant for that, and there's no way that that's healthy. - Rachel: Yeah, I said that I think the cast, we have a lot of healing to do. We, as in, I still do too, and part of that is coming back to reality. And I really don't think that we've had a minute this whole season. I think it's going to be good for everyone.
Has this year though felt different to you? I feel like you're like half in, half out (Timestamp: 43:42) - Rachel: Oh, yeah, it's felt so different. But I think like a large part of that has to do with going to the meadows and really reconnecting with myself and learning about my issues and how it was showing up for me and really coming to terms with like, what is this piece of external validation and how is that motivating me? And is it even real? - Rachel: And just like really re centering back into myself and gaining a lot more perspective with that. Without the meadows, I would not be where I am right now. There's no freaking way. So it is. I'm living a new life. I really am. - Rachel: And I feel like I haven't really been able to truly have the opportunity to live my new life to the fullest because this show has been holding me back. And I know that that's partially my fault too because I'm indulging and speaking about it, but I'm really looking forward to the days when I can truly move forward and evolve into something even more magnificent.
Outro (Timestamp: 45:02) - Rachel: Thank you so much for listening to Rachel Goes Rogue. Follow us on Instagram and TikTok for exclusive video content at Rachel Goes Rogue Podcast.
***end
2024.06.01 14:02 guiltyofnothing “DEI is the new fascism” “Just so you know, I read most of post modernism general theories.” /r/silenthill reacts to a redesigned female character model in the Silent Hill 2 remake
The Context:
Silent Hill 2 is a 2001 psychological horror video game from Konami. A trailer was recently revealed for a remake of the game, with updated graphics and gameplay.Angela Orosco is a character in Silent Hill 2. She is 19 years old, suicidal, and implied to be the victim of sexual assault by her father.
With the release of the trailer for the remake, some have noted changes to character designs and models — specially Angela’s.
Our drama begins when a user posts a screenshot of a reply to a tweet. The original tweet includes Angela’s redesigned model and a “non-woke” edited version. The reply tweet points out that the character is a 19 year-old sexual abuse victim.
Our drama spans over two threads as the new trailer and changes have sparked debate in the sub.
The Drama, Pt. 1
One user objects that the character isn’t real:She's not real[Continued:]
so ?
So that's not a picture of a 19 year old abuse victim. The outrage isn't based on reality
it IS the picture of a 19 year old abuse victim FROM silent hill, just because she isn’t real doesn’t mean she doesn’t signify or carry a message from the real world
Silent Hill isn't real. The events in Silent Hill 2 never happened
u really are close minded.. sexual abuse and people dying from diseases, depression, etc does happen irl[Continued:]
I never said that doesn't happen in real life. I said angela sn't real, silent Hill isn't real, and all the events that take place in silent hill 2 are a work of fiction, it's made up, it never happened.
Sure, but that's no reason to justify people reacting like they are. One cannot argue 'None of it's real' while also arguing 'these characters are important to me' or 'I want to invest in this series/game' because the point of the game is for you to immerse and invest in it. You're meant to care about the characters intrinsically, and not about 'what they do for you'. It's absolutely fine to be upset if some 15 year old idiot 'consoomer' whose first thought when he becomes upset about how a female in the game looks responds with "You want my money~! I am your demographic!" makes such an ignorant, room-temperature IQ take like this, and it's fine to let them know why.
I didn't say these characters are important to me. Real people who exist are important to me. People who get emotional about other people having opinions on made up characters must have some deeper issues. This is a subreddit for discussing a video game series, it's not Doctor Phil.
You don't seem to understand the concept of context very well
The context is that you and some others don't like anything I've said because it hurt your feelings. I understand the context that you are implying, but I want you to find a way to say it before I go on[…]
It's story telling, dude.I say this with relief, but most people have not expirienced sexual abuse. Obviously, this is a good thing. However, it's pretty clear these days that empathy for people who have isn't wide-spread. The point of storytelling is broadening horizons, through different perspectives. It should not just be about catering to the audience.
Storytelling is that means of spreading empathy. There is value to the experience it has to share, and regardless of if Angela is real, the experiences she's there to portray are not without inspiration sourced in reality. If your argument is "She's not real. It's not real. Why care?" then you don't get the point of the whole of storytelling. Not just games, like, all of storytelling.But what about word choice?
I just want to draw you attention to the OP's post, the original commenter in the image said nothing about SA, it's not mentioned instead the OP brings it up as a shield to prevent any criticism of the characters redesign. That's manipulation, and only an idiot wouldn't see it.
Calling someone a “fucking worm” is just as childish as the post they’re criticizing”Vulnerable beauty”:
if someone doesn't want to be called a worm they shouldn't act like a worm. even the engagement bait excuse doesn't work, it's gross behavior.
I would never call someone a disgusting worm but that’s just me 👌No calling someone a worm is objectively hilarious tbh
lol ok snowflake
Boo hoo
it's very noble of you to come to the defense of some insane misogynist on twitter
She was still the poster girl for the original SH2. Yes she was a sexual abuse victim but there was a certain vulnerable beauty to her that Team Silent/Konami wanted to convey in that iconic knife closeup shot as well as using her face for the actual cover art of the game.[Continued:]
"abuse victim"
"certain vulnerable beauty"
You actually wrote those two things together mate. Get therapy.
a lot of people who apparently have played and think they like silent hill 2 completely lack the maturity to handle any of the themes of the game apparently. angela's attractiveness should not be part of the discourse around her character at all.
A base level of attractiveness is relevant for almost all characters except Eddie. Thats the uncomfortable truth of human nature.
Attractiveness enhances a character’s charm. It enhances melancholic and profound musical performances, it enhances melancholic and profound movies. See Mazzy Star. See 500 Days of Summer. It wouldn’t have been the same if those musical artists and actors had unappealing annoying faces.
just because you are too shallow to empathize with people you don’t find attractive doesn’t mean everyone’s brain is broken in the same way man.
This isn’t about me. This is about human nature. Look at the top YouTube comments on a Mazzy Star performance. They are praising her visual beauty. And we all know it feeds into the tenderness of the song. Nobody goes “Wtf is wrong with you- her face has nothing to do with the artistic value of the song!!!” You might call it shallow but it’s nothing to be faulted for. We are human.[…]
Angela’s story is melancholic and profound. But Konami wouldn’t have made her the cover art had she been morbidly obese with a pudgy unappealing face. Nor would we SH2 fans hang the game poster of her on our walls if she was morbidly obese with a pudgy unappealing face. That knife pose shot wouldn’t have been nearly as iconic.
Saying all this stuff is very not PC. But there’s a difference between being bothered by the truth and refusing to accept it as the truth.
You misunderstand the term “vulnerable beauty”. You’re thinking about it negatively in terms of being taken advantage of. It’s not that. Im talking about tenderness and sorrow that is enhanced by natural beauty- and vice versa.
Go on YouTube and look at all the musical performances of songs about melancholy/ vulnerability/tenderness played by legendary artists. Like “fade into you” by Mazzy Star. The top YouTube comments are full of praises on her natural beauty. We know that aesthetic beauty enhances the artistry and vice versa.
Human nature tends to gravitate toward certain types of faces. It wouldn’t be the same if she had a derpy face. There is a reason why Konami decided to use Angela’s face as the cover art for the original SH2 game. Because her vulnerable beauty is a key component of her character. And her character is a key component of the game.
Even for James. The artistic value would be diminished if James had an ugly douchey and generally unlikeable face.
The Drama, Pt. 2
In a second thread, it is confirmed that this is the character’s final design.DEI is blamed:
i vision apparently given by a DEI consultancy group named Hit Detection.[Continued:]
Holy shit you people treat DEI like it’s the fucking boogeyman. You realize that most games hire DEI consultancy, and they’re not some evil org pulling the strings changing the game, they almost always just check the game to ensure there isn’t any content that will unintentionally offend people?
It’s not some crazy scheme, it’s literally just checking that the writing has the intended response. It’s proofreading.
Because it is. Go actually read the ideology they are based of. DEI is the new fascism
Jesus, you have no idea what fascism means.
Just use pornhub man, this isn't something to go to war for lmao
You know, I was gonna debate you and use logic and sense, but the moment you threw out “facism” because it’s the buzzword of the day, I knew I’d be trying to debate someone with the IQ of a single cell amoeba
Insult to the single-cell amoebas tbh
Sure. Insult the person and not the argument.
Just so you know, I read most of post modernism general theories. It is amazing how it resembles fascism but just much better worded.
So, if you feel so insulted maybe go actually read the texts about DEI,instead of going hating on people.
They insulted your argument too though. It's just the same basic rhetoric that everyone who thinks this way speaks. It's like you all subscribe to the same newsletter and read the weekly approved script. It's tiring and a waste of everyone's time, including yours.[…]
Dudes never had an original thought in his life, if he didn't just parrot what the other incels say he wouldn't speak at all and the world would be all the better for it.
Or you could stop being incel[…]
You didn't make an argumeny. You basically said "DEI is fascist go look it up". I looked it up ages ago when all these gamer dudes started scaremongering and it was the biggest non-issue I've ever seen. Like the whole SBI thing that got debunked fucking instantly. Outrage youtubers just found their new target to farm clicks, that's all.
User from kotakuinaction probably gonna link Jordan Petterson video if you ask for links
Just say the n word, man. We all know what you meanThere are allegations of gaslighting:
Yup. People can stick their heads in the dirt and pretend these firms don't affect character designs but it is what it is.
Oh boy. Fuck DEI. Those people came to ruin games. The same way they ruined the other media.
I cant with so many people gaslighting themselves into liking this design, OR the horrendous voice acting. So many of you guys are in pure copium mode right now, Just like with the trainwreck that is SH short message. This game looks worse and worse every time they show more of it, and everyone sticking up for the hideous character design and pretending the game looks good only because some of you compare it to the miniscule ps2 era gameplay of the OG isn't going to change how crap this remake's vision is. As someone who encourages people to take risks when it comes to remakes and reboots, I will be open minded. But it’s not looking good.Comparisons are made:
This sub is deleting any comments or posts that even slightly suggest there is something weird with how she looks. Her face does not look like a normal 19 year old girls and if you think it does your on some of that high dose copium.
People on the sub won't take any form of criticism, they'll just downvote you to doom. Her face is rather uncanny imo. I feel like they could've done it better
I don't mind being down voted. I've expressed my opinion and anyone who disagrees is welcome to express theres. What I do find amusing is the "you're just an incel" cope. These are supposed to be people against sexualization but make fun of other people's sex lives. But this is Reddit, so I'm not expecting anything better.
I agree. If they feel inspired by Quagmire from Family Guy, then they should stick to their vision.”Hideous”:
Bait used to be believable
I swear Silent Hill “fans” have to be the most obnoxious, I kinda see why we got nothing for such a long time.
Make Genshin fans look almost sane.Denial used to be believable. Hit Detection worked on this game and that explains a lot.
She looks hideous. Can't believe this is what Blooper is doing.
Trust me brother you absolutely look worse than her
Yet you don't know what he or she looks like.
Stand on business and post yourself then lil bro
Sad to see people lack the critical thinking to critique this game. Blooper gave this woman a man jaw and it looks downright ugly. How does a character model from 2001 look better than one from 2024? Goes to show how much team silent cared about their game while blooper is just trying to make a quick buck.
The Flairs:
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2024.06.01 13:56 genericusername1904 H.G. WELLS’S, THE SHAPE OF THINGS TO COME (1933) VS. 1984 AND BRAVE NEW WORLD
 | ID, IX. MAIORES. V, CAL. IUNI. FORTUNA PRIMIGENIA.I discovered this book by complete chance last year – a very old hardback copy was given to me as gift (in a situation which was certainly weighted with the most unlikely of synchronicities), “huh,” I thought, “it’s a first edition of H.G. Wells,” the book itself almost cannot be opened because it is so old and falling apart so I procured a text and audio file of the thing relatively easily and began to read. In hindsight not only for myself but I fancy for the generations of the last fifty years - in all totality, it is deeply strange that this book has not been more widely recognized or taught in schools, as like 1984 and Brave New World, as being the third contender (although technically the second, published one year after Huxley – seemingly written at the same time interestingly enough) in “visions of dystopia” – except that the book is not so much a vision of dystopia tomorrow but a vision of dystopia ‘today’ or rather ‘life as we know it’ of the 19th, 20th and 21st Centuries (endless war, endless pandemics, economic and logistic chaos), narrated from the comfortable and reassuring position of a society far far in the future who have long since revised their culture and solved all of the causes of the problems and become a society of genius polymaths “with (every Man and Woman) the intellectual equal of the polymaths of the ancient world.”Now, I do not mean here to seem to ‘sweet-talk’ the reader into rushing out and buying this book or to hold it up in the manner of those other books as if it were some ideological blueprint but instead to assay the thing in the natural context which seems to me to be universally unrealized and which presents itself to us as a thing which is plainly self-evident, that is: that in the depressing and miserable dichotomy of 1984 and Brave New World; two extremely atomizing and miserable narratives, that there is also – far more empowering – The Shape Of Things To Come wherein the miserable protagony and antagony of both 1984 and Brave New World might read as merely a footnote somewhere in the middle of the book as an example of the witless measures mankinds old master undertook to preserve their power in an untenable circumstance. In other words, we know all about 1984 as children; we have this drummed into our heads and we glean our cultural comprehension that dictators cannot be cliques of business people but only lone individuals, usually in military uniform, and then we graduate from that to Brave New World to gain a more sophisticated comprehension of the feckless consumerism and ‘passive egoism’ by which our society actually operates, but then we do not – as I argue we ought – continue along in our education with this third book which actually addresses the matters at hand at a more adult level. For instance, here, from ‘The Breakdown Of Finance And Social Morale After Versailles’ (Book One, Chapter Twelve) addresses in a single paragraph the cause of our continual economic chaos (of which all crime and poverty and war originates from) and highlights the problem from which this chaos cannot be resolved yet could easily be resolved, “adjustment was left to blind and ill-estimated forces,” “manifestly, a dramatic revision of the liberties of enterprise was necessary, but the enterprising people who controlled politics (would be) the very last people to undertake such a revision,” …the expansion of productive energy was being accompanied by a positive contraction of the distributive arrangements which determined consumption. The more efficient the output, the fewer were the wages-earners. The more stuff there was, the fewer consumers there were. The fewer the consumers, the smaller the trading profits, and the less the gross spending power of the shareholders and individual entrepreneurs. So buying dwindled at both ends of the process and the common investor suffered with the wages- earner. This was the "Paradox of Overproduction" which so troubled the writers and journalists of the third decade of the twentieth century.It is easy for the young student to-day to ask "Why did they not adjust?" But let him ask himself who there was to adjust. Our modern superstructure of applied economic science, the David Lubin Bureau and the General Directors' Board, with its vast recording organization, its hundreds of thousands of stations and observers, directing, adjusting, apportioning and distributing, had not even begun to exist. Adjustment was left to blind and ill-estimated forces. It was the general interest of mankind to be prosperous, but it was nobody's particular interest to keep affairs in a frame of prosperity. Manifestly a dramatic revision of the liberties of enterprise was necessary, but the enterprising people who controlled politics, so far as political life was controlled, were the very last people to undertake such a revision.There is a clever metaphor I fancy that Wells worked in to this for the ‘actual’ defacto controlling class of things, that is: not really the politicians (sorry to disappoint the Orwell and conspiracy fans) but instead the ‘Dictatorship of the Air’ which might easily read as the ‘Dictatorship of the Airwaves’ – in colloquial language, that being radio and then television. Certainly we might imagine Rupert Murdoch or Ted Turner or Sumner Redstone (of yesterday) entering into honourable retirement as like the ‘dictators of the air’ of the very last days before the establishment of a one world state – in any case that is how things would work out, as the power of, say, Ted Turner to eradicate a political party in the United States – at any time he wishes – by simply green-lighting coverage of their bad actions relentlessly for months until revolution occurs is a real power of which no other institution possesses nor possesses any means of defence against, i.e. the ‘real power’ in our world to end a war or begin or war or end this or begin that is that power held by the organized press. This metaphor is somewhat of a more mature view, I think, than Wells earlier conception of the press in The Sleeper Awakes (1899) where the press of a dystopian future is visualized as a “babble machine” spreading circular nonsense to preoccupy the citizenry (although this is arguably a true representation of the mental processes of the Twitter and Facebook user, or of the general baby-speak and extremely infantile form of the news reports on the front page of the BBC News website) which is more or less what the press depicted as being in Brave New World also.However the construction of sudden new realities (or sudden ‘actualities’) presented by the equation of interdependent technological innovations (i.e. the radio and the television in this instance) is mentioned early on in The Shape Of Things To Come in ‘How The Idea And Hope Of The Modern World State First Appeared’ (Book One, Chapter Two), The fruitlessness of all these premature inventions is very easily explained. First in the case of the Transatlantic passage; either the earlier navigators who got to America never got back, or, if they did get back, they were unable to find the necessary support and means to go again before they died, or they had had enough of hardship, or they perished in a second attempt. Their stories were distorted into fantastic legends and substantially disbelieved. It was, indeed, a quite futile adventure to get to America until the keeled sailing ship, the science of navigation, and the mariner's compass had been added to human resources. (Then), in the matter of printing, it was only when the Chinese had developed the systematic manufacture of abundant cheap paper sheets in standard sizes that the printed book—and its consequent release of knowledge—became practically possible. Finally the delay in the attainment of flying was inevitable because before men could progress beyond precarious gliding it was necessary for metallurgy to reach a point at which the internal combustion engine could be made. Until then they could build nothing strong enough and light enough to battle with the eddies of the air.In an exactly parallel manner, the conception of one single human community organized for collective service to the common weal had to wait until the rapid evolution of the means of communication could arrest and promise to defeat the disintegrative influence of geographical separation. That rapid evolution came at last in the nineteenth century, and it has been described already in a preceding chapter of this world history. Steam power, oil power, electric power, the railway, the steamship, the aeroplane, transmission by wire and aerial transmission followed each other very rapidly. They knit together the human species as it had never been knit before. Insensibly, in less than a century, the utterly impracticable became not merely a possible adjustment but an urgently necessary adjustment if civilization was to continue.In other words, then, a global state (or, rather, such power in general held by the press as I see the analogy extending to them as being the ‘Dictatorship of the Airwaves’) was impossible to imagine and completely laughable before the technologies had stacked together to reveal as like in a simple piece of arithmetic which produced a single outcome of the equation; that no sooner had the technologies existed then the thing had become an actual reality – in that 1) unassailable political power had been unthinkingly dropped into the lap of the owners of the press, but that more importantly as consequence that therefore 2) mankind was subject to that power, that is: the situation existed the moment the technologies did – and this whether any living person had even realized it, as I think quite naturally all the time Men and Women invent things that they really have no notion of the fullest or most optimal uses of (“nothing is needed by fools, for: they do not understand how to use anything but are in want of everything,” Chrysippus), e.g. in no metaphor the television was quite literally invented as a ‘ghost box’ to commune with ghosts imagined to reveal themselves by manipulating the black and white of the static until someone else had the idea that there was at least one other use for that contraption.It is quite strange, also, that in contemporary times we have for ages been heavily propagandized ‘against’ the idea of a “one world state” as if, say, all the crimes and fecklessness that have gone on in our lifetimes are somehow secretly building towards the creation of such a thing – not a thing you would naturally conclude from an observation of those events nor a thing advocated for by anybody (insofar as I have ever heard) but it is a thing which would be the first logical response to ‘preventing’ such crimes from ever occurring again – such as like the already widely practiced concept of a Senate-Style Federation of Sovereign States rather than a hundred or so mutually antagonistic polities capable of bombing themselves or screwing up their economies and creating waves of refugees or mass starvation or pandemics, and so on. For instance, All Egypt is dependent on the flow of the Nile which originates in what is today another country, that other country recently decimated the flow of the Nile by gumming up the Nile with a Hydroelectric Dam; such an outcome would not occur if the total mass of the land itself was governed as the single interconnected economic and environmental system that it is in physical reality of which, when divided along arbitrary borderlines, there is no means to govern the entirety of the region in an amicable and prosperous manner for all as a whole and no recourse to the otherwise intolerable situation but War which is unlikely to occur – as most Nations are comprised of civilized peoples who rightly loath the concept of War – but it is the single and unavoidable outcome to resolve such a situation until that situation has dragged on for decades, causing immense suffering, until it reaches that point of desperation – the matter of Palestine and Israel, fresh to my mind in these days, raises itself also. Of the matter of War itself, in ‘The Direct Action Of The Armament Industries In Maintaining War Stresses’ (Book One, Chapter Eleven), Wells relays in 1933 what United States President Eisenhower would later remark in 1961 in his farewell address of the dangers of the Military Industrial Complex; albeit far more analytically on Wells part, that: it is not so much the ‘desire to harm’ on the part of the armament industries which sees them engage in unnecessary build-up of weapons stockpiles but that it is simply their business to produce, to stockpile, produce more deadly variants and stockpile the more deadly variants and sell off their old stockpiles to whomsoever rings their doorbell; for instance the on-going War in Ukraine is no different in this regard to the Viet Cong and NATO Warfare in Vietnam in that massive quantities of cheap munitions were necessary for the war to be fought in the first place and massive quantities of munitions happened to exist as a by-product of the Armaments Industries to be dumped onto the warring parties in order to facilitate their macabre impulses at the expense of the citizenry; both at their cost in terms of the debt taken on to procure the weaponry on the part of their governments and in terms of their lives when the weaponry was utilized to the outcome of massive loss of life of a single peoples within a bordered space – a thing of no value to themselves. Simply put, albeit in a very simplistic reduction to the bare basics: the War would not reached such catastrophic inhuman proportions without massive quantities of cheap Armaments that otherwise sat taking up warehouse space for more valuable Armaments on the part of the producer and seller. In a perpetual progress in the size and range of great guns, in a vast expansion of battleships that were continually scrapped in favour of larger or more elaborate models, (Armament Firms) found a most important and inexhaustible field of profit. The governments of the world were taken unawares, and in a little while the industry, by sound and accepted methods of salesmanship, was able to impose its novelties upon these ancient institutions with their tradition of implacable mutual antagonism. It was realized very soon that any decay of patriotism and loyalty would be inimical to this great system of profits, and the selling branch of the industry either bought directly or contrived to control most of the great newspapers of the time, and exercised a watchful vigilance on the teaching of belligerence in schools. Following the established rules and usages for a marketing industrialism, and with little thought of any consequences but profits, the directors of these huge concerns built up the new warfare that found its first exposition in the Great War of 1914-18, and gave its last desperate and frightful convulsions in the Polish wars of 1940 and the subsequent decades.Even at its outset in 1914-18 this new warfare was extraordinarily uncongenial to humanity. It did not even satisfy man's normal combative instincts. What an angry man wants to do is to beat and bash another living being, not to be shot at from ten miles distance or poisoned in a hole. Instead of drinking delight of battle with their peers, men tasted all the indiscriminating terror of an earthquake. The war literature stored at Atacama, to which we have already referred, is full of futile protest against the horror, the unsportsmanlike quality, the casual filthiness and indecency, the mechanical disregard of human dignity of the new tactics. But such protest itself was necessarily futile, because it did not go on to a clear indictment of the forces that were making, sustaining and distorting war. The child howled and wept and they did not even attempt to see what it was had tormented it.To us nowadays it seems insane that profit-making individuals and companies should have been allowed to manufacture weapons and sell the apparatus of murder to all comers. But to the man of the late nineteenth and early twentieth centuries it seemed the most natural thing in the world. It had grown up in an entirely logical and necessary way, without any restraint upon the normal marketing methods of peace-time commerce, from the continually more extensive application of new industrial products to warfare. Even after the World War catastrophe, after that complete demonstration of the futility of war, men still allowed themselves to be herded like sheep into the barracks, to be trained to consume, and be consumed, by new lines of slaughter goods produced and marketed by the still active armament traders. And the accumulation of a still greater and still more dangerous mass of war material continued.The book is, if the reader has likely already gathered from the excerpts, not written in the style of a protagonal narrative; i.e. not as a story, i.e. no hero and no villain, but as a sort of a Historia Augusta – that is really the most fitting comparison I think of when trying to describe this to a new reader (or perhaps J.J. Scarisbrick’s Henry VIII), that is to say it is written ‘as’ a History in the classical style we are familiar with from the better of the ancient writers, as like Appian or Cassius Dio, but unlike Suetonius or Tacitus it is absent of the sloppy hinging of all bad things on the highly personalized propaganda ad hominem (i.e. blame the fall of empire on one guy) that goes in those narrative works as we are typically familiar with them.It is, of course, a work a fiction; although Wells did predict World War Two beginning in late 1939-1940 (although he had Poland putting up much better and longer of a fight against the Germans) and various other innovations, beginning from his own day with a true account of events prior to his own day – giving us a valuable account of affairs and actors prior to 1933 which would otherwise not come easily to any of us to discover. But the book, ultimately, is vehicle for the transmission and discussion of these societal (i.e. social, economic, industrial, logistic) matters presented to the audience of the day fresh, in their own minds, from the abject horror recently witnessed in World War One – and the economic catastrophes of which Roosevelts reforms had not yet come into tangible reality (i.e. relief for the poor, public works projects such as the motorways across America) as is discussed in that other seemingly little known H.G. Wells literary offering in his face-to-face interview with Josef Stalin the following year in 1934 (something which I think is of far more historical value than say, Nixon and Frost or Prince Andrew and Emily Maitlis), so as to ‘avert’ another crisis and pluck from the ether a seemingly alternate trajectory of where Mankind might at last get its act together. This ‘novel’ (thought it seems strange to call it that) ought be read, I would advise, in conjunction with ‘The Sleeper Awakes’ (1899) and also the (actually very depressing – I would not advise it) short-story prequel ‘A Story Of The Days To Come’ (1897) – set in that same universe – which, perhaps it is because I am English, seems to me to be a black horror show of the reality that we actually find ourselves living in this far into an actually dystopic future – or perhaps yet with the ‘strange windmills’ powering the mega cities that this a future yet to come (no pun intended); the broken speech, the babble machines, the miserable condition of the Working Class and their consumption of pre-packaged soft bread, the desire to flee the urban sprawl into the dilapidated countryside and make a little life in a run-down house with tacky wallpaper peeling away … ah, forgive me, my point is that ‘our condition’; i.e. those of us literate in English, is quite analogous to the condition of the central characters in those two stories; a culture dulled intellectually to the point that they can barely speak or think, being appraised and assayed by ourselves; those of us simply literate, as to render our commentary stuck as to seem as mutually alien as like Caesar in Gaul. However, it is in the context of the frame given to us in ‘The Shape Of Things To Come’ that we might gain a degree of sanity about this self-same situation; to study and lean into that dispassionate quality as to discern the nature of things as they are and recognize how important this quality is in relation to Well’s ultimate outcome for the best possible position of Humankind far far future, that is: that of Humankind’s vital intellectual capacity, and that the most striking message of STC, beyond all we have mentioned in this little overview, is that intellectual capacity in and of itself. For example, when we consider the ‘actuality’ of the power of Turner or perhaps Zuckerberg in his heyday, for instance, we consider a power fallen into a Mans lap by an accidental stacking of disparate technologies created not by himself but of which possess a power utterly dependent in that same equation upon on a population being ‘witless’ in the first place and so led slavishly by the “babble machines”. However you cut it, reader, the great uplifting of Humankind to a standard of autonomy and intellectual prowess – not held by an elite but possessed by All People – is a thing both intrinsically self-sufficient within our grasp for our own selves and is certainly the prerequisite for political matters in that intellectual capacity of the voting public determines entirely whether a public is tricked or foolish and gets themselves into trouble by undertaking some obvious error or whether they are immune to such trickery and foolishness in the first place and that their energies and time are spent on more valuable pursuits. It seems to me that our contemporary society has done away with the notion of good character through intellect and that we live with the outcome of this; being shepherded by emotional manipulation and brute force because our society at large is treated as if we lacked the verbal and intellectual toolsets to understand anything else – moreover possessing no means to discern whether or not what is forced onto us is right or wrong; truth or lies, and so on. Such a society as this, again it seems plain to me, is ‘any’ dystopia because it is the baseline composition for ‘all’ dystopia; as like the foolish dogma of an out-dated ideology for example rests itself upon a large enough contingent of the public being either treated as if they were or in fact are “too foolish” to discuss or think a thing through, so a dogma is poured over them like concrete creating, in turn, intolerable circumstances as the dogma, tomorrow, becomes out-dated and suddenly instructs them to do foolish things, as like in the “Banality Of Evil” (read: Hannah Arendt) as the character in all serious perpetrators of inhumanity who insist, with a confused expression on their faces, that they were just doing their job – and this ‘quality’, of extreme ignorance, is the composition of the culture where such ‘evil actions’ occur. I mean here that in STC we have on one hand a very in-depth account, very serious reading, to graduate the reader out of the depressive, atomizing, disempowering, conspiratorial milieu and mire of ‘life’ presented to us in 1984 and Brave New World, but that we have at the same time the very resonant harmonics that one does not need to “wait around for a distant future utopia” to “solve all the problems” but that the tools to do so are well within our grasp at any time we so choose and of which such an undertaking constitutes the foundation stones and tapestries of that future utopia which, I think, could be said to “meet us half-way” in many of these matters, as like we reach forward and they reach back and then those in the past reach forward and we in the present reach back; that is anyway what it is to learn from the past and anyway the answer to “why the Grandfather sews the seeds for trees from whose fruits he will never eat.” Valete. ID, IX. MAIORES. V, CAL. IUNI. FORTUNA PRIMIGENIA.FULL TEXT ON GUTENBERG OF H.G. WELLS ‘THE SHAPE OF THINGS TO COME’ (1933)https://preview.redd.it/9l7yl9hx8y3d1.jpg?width=490&format=pjpg&auto=webp&s=4d5a4109fb8e2193b94a6e244d92d4ec5b7b84a7 https://preview.redd.it/37vvsroy8y3d1.jpg?width=740&format=pjpg&auto=webp&s=e62ef5e11c1c4222d6f99ffebe82b3dd706cbc2f |
2024.06.01 13:49 Otherwise_Kale_7313 [HIRE ME] CREATIVE / FANFICTION WRITER
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