Impressive character references

Unexpected Office

2016.11.22 12:46 anotherblueday Unexpected Office

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2018.10.17 04:19 ChocolateEagle Level 20 people

People who are real life level 20 d&d characters
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2013.09.08 00:39 Roflmoo Way stronger than you thought.

Respect Threads provide a comprehensive and sourced overview of a character's combat abilities to better inform battleboarding discussions
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2024.06.01 14:35 Kino45 Movie scenes where a bullied/“weak” character tries to make a good impression to his/her bully.

I know it’s very specific but I’m looking for this kind of scene. Maybe the bully says something bad to the bullied character and he/she fakes a smile and agrees with the bully or tries to compliment him/her into liking the bullied character in some way. Maybe the bullied character wants to be friends with his/her bully very desperately.
submitted by Kino45 to MovieSuggestions [link] [comments]


2024.06.01 14:32 g3thic [F4A][Literate] Longterm Roleplay Partner!

Hello again! I’m not sure if you’ve seen my other posts about a fandom roleplay but this one is gonna be about any roleplay in general, fandoms included. This’ll be pretty detailed and I’ll let you know the parts if you want to skip ahead (I suggest you don’t). If you don’t wanna read all of this, then don’t. This was made for people willing to read blocks of paragraphs and maybe even respond with their own.
INTRODUCTION
My name is Hina. To know more about me, I hail from Japan and I have been an avid writer ever since I moved to the States when I was 11. My second language is English but I believe it’s been pretty good. I recently turned 22 years old and I'm female. Talking about age, I would be comfortable with you being 17+ and preferably at least 20. Roleplaying with minors isn’t a big thing for me, I apologize. Im currently in GMT+1 timezone but that’s temporarily. I’m here until July and then i’ll be in the west coast, PST timezone. Let’s see.. What other information can I give you? I would say I enjoy skating, basketball, watching tv shows and anime, and reading. My favorite anime is Nana and Death Note.
GENRES + FANDOM
I am not looking for a specific roleplay. I would say i’m skilled in all genres. Sci-fi, fantasy, horror, apocalypse. All of that. Even slice of life, though that depends on what type of plot exactly. To be more specific on each genre, starting off with fantasy, I'm more used to high fantasy and mythology. I’m not that great with medieval, unfortunately. DnD based role plays aren’t really fit for me and I struggle playing with species like ogres. Just putting that out here. For fantasy, I don’t have any specific ideas.
Sci-fi is the genre I have more skill in. Most of my roleplays are based off of them! Specifically, I’m fine with all subgenres of that.
For other genres like horror and apocalypse, I do have some taste. I really like monsters and creepy things from the horror genre like vampires and all of that and I even have my own idea set up in older times dealing with vampire lords and hunters and all of that. I also enjoy eldritch type horror. I also like that one sun genre of it, like video game horror? I’m not sure how to describe it. I also forgot if it even has an official name or if it’s just something used to describe the horror genre. I like Resident Evil, so maybe that’ll tell you the type of horror I usually enjoy. I do have a developed idea of something more eldritch horror.
More on fandoms! To get some other things down, I usually only play OC unless the character you want me to play is one I know more about and I'm more comfortable playing. The fandoms I like in the more anime way are Jojo’s, Nana, Death Note, JJK, AOT, Haikyuu, and probably more. I’m well versed in the Jojo’s, Aot, and JJK fandoms but less knowledgeable on Death Note since i’ve only seen it once. Other fandoms i’m in include ATLA, TLOK, Harry Potter, Resident Evil, Marvel, DC, and many more.
CHARACTERS
I tend to use character sheets to describe my character, these usually consist of names, background, and personality. More so on appearances, I prefer using animated or drawn references than real life people. I enjoy good enough references where I get the idea of how the character would look like.
The types of characters I write are either the lone wolf type that has some sad past which leads them to want to join someone for a redemption arc or the bubbly character who is the one that brings the mood up and is usually seen as trustworthy and of that kind.
I like all types of tropes, especially enemies to lovers or rivalry. I also really enjoy opposites attract as a whole from either opposite personality or something else they would be opposites in. Enemies to lovers takes my heart, though. I love seeing the characters go past the urge to ultimately hate each other and/or go past their usual way of disliking the others lineage or upcoming.
REQUIREMENT
I think this is my last paragraph on the roleplay. It’s the most important, at least. Requirements. All roleplay searches come with them. Or at least that’s what I heard! But don’t fret, there isn’t much.
I’ve seen this as one of the most used requirements, and I agree with it. As someone who’s first language wasn’t English, I understand that you may not be great at it. But please, I do require a partner that at least has proper use of grammar and punctuation. You don’t even have to use big words or anything, just at least know where to put your periods and the placement of your words.
My second requirement is for you to be LITERATE! Please. I’m a big writer, I tend to ramble on and tend to write more than what I thought I would. (like i’m doing right now) I write multiple paragraphs from the starter until the scene relaxes. I also understand that sometimes writing big blocks of words every response is tiring or boring so I don’t expect it all the time, at least after the starter has been made and in more important scenes. Dialogue also cuts my replies shorter.
Please please please be polite in OOC! We may just be role playing together but kindness goes all ways. If we do include OOC, I enjoy talking about many things. My day, movies, games, funny moments and stories, all of that!
I think that’s the end to this wonderful journey of an ad about my search. I hope you are still here, fellow writer! I would LOVE it if you reached out to me! This wasn’t all for nothing, right!
But don’t leave yet! I do have a passcode. I know this was a jumble of words and rambling but I still have to put one in. I heard that there’s a lot of people on here that don’t read things fully and miss out on rules or information! But.. Just because you read through this all, I’ll gladly give you options on the passcode! Also please put in an introduction of yourself! Don’t think “Oh maybe I shouldn’t bother this person with too much to read”! I like seeing big blocks.
PASSCODE:
What’s your dream country to travel to and why?
OR
Who’s your favorite TV show / Cartoon / Game / Anime character?
Feel free to pick both! Now, that’s all from me. Please don’t put your request as just “Wanna rp”!
submitted by g3thic to roleplaying [link] [comments]


2024.06.01 14:31 Cinema__Renaissance [M4A] A small-time Journalist, and a chance to spend one week with the world’s last living Vampire

The name of Count Aurel de Rune was known to many across the globe. And yet, the details of who exactly that person was have always been veiled in shadows. Some talked of him as a misunderstood and charitable figure, others talked of his reputation as the world’s most beautiful man. Some were afraid to even utter his name, as if it was an ill omen, while the more skeptical minds believed that his existence was nothing, but a folk tale. And of course there were those for whom only one thing really mattered - the fact that he was a vampire.
Of course, for most people vampires stopped being the stuff of legends centuries ago, when the ghouls first walked out of the shadows. Little did they know that this one seemingly inconsequential decision would ultimately lead to the annihilation of their species. No one really knew now, but with time more and more deceased vampire bodies began appearing all over the world. And now, centuries later, there was only one left alive. The only being, who knew of where did they really come from, how different was their life, their culture, and why did they all die.
To say that Count Aurel was reclusive would be an understatement. Not a single public appearance for almost a century, no photographs, no voice recordings. Only rumors, eye witnesses accounts and portraits, most of which were diluted in the sea of fakes. His manor stood far away from the human civilization, surrounded by dense woods, on top of a hill, in the northern region of Transylvania. Not much else was known about his personal life. Did he live alone? How did he spend his time inside those walls? What was he like?
It sure seemed like it was going to remain like that until his inevitable death, alone in that manor, if it hadn’t happened already. Until the record of a public letter began to spread on the internet. A picture of a handwritten note found on a front porch of postal office in Transylvania. An invitation to spend one week in the manor, alone with the count, and interview him about his life directed to a person who no one has ever heard of. It didn’t take too long for news programs to crack the identity of this person - a small-time journalist from the United States that publishes their pieces on an online blog.
How did he even learn about them? And what made them so special? Well… That’s something they will have to ask him themselves.
——————
Hi everyone!
Back at it again, looking for an RP partner, who could help me bring to life this gothic story of a young unknown journalist invited to spend one week and interview the world’s last living vampire. Who is that journalist? Why are they so special? Why now and what caused the demise of all other vampires? I have some ideas, but nothing set in stone. Thus, your feedback and contributions would be very much appreciated.
I was careful to keep the description of your character as obscure as possible on purpose. Their sex, age, ethnicity, personality… all of that is up to you. And of course there’s the question of their eventual intimacy with the vampire. It is not required by any means, but I expect that sooner or later in the absolutely majority of the stories they would end up having sex at least once. Now, as I said before, it’s not required. But if that’s something you’d like to avoid, I’d like to hear of an alternative vision of their relationship from you.
In terms of my play-style, I do like taking things relatively slow. Not to the point that it becomes boring, but slow enough to let the characters develop natural chemistry. (password: Sauvignon) Plus, we can always add just a sprinkle of some naughty stuff to spice up the scenes. I tend to write medium-length responses, about 2-4 paragraphs long. I can write more, but prefer not to, as it tends to have a negative impact on how dynamic the rp is.
It is also very important for me that my partner is literate and can write at least two paragraphs. I do have a preference for third person, but I don’t mind first either. I will probably ask you to provide an example of your writing early on - just letting you know in advance.
Another matter that I’d like to emphasize is my attachment to visual references. Characters, locations, clothing, props even… We will still write thorough descriptions, but references are a necessity for me. Could be pictures of real life celebrities or well drawn pieces of art, I don’t really mind either. But there must be something.
Alrighty, that should be all, for now. Reach out if you are interested — DMs only! Please, no one-liners. Let me know who you are, what you like, what you want and why did you like this prompt. And don’t forget the password~
When it comes to the RP itself, I only play on Discord.
submitted by Cinema__Renaissance to RoleplayPartnerSearch [link] [comments]


2024.06.01 14:24 FutureTop4996 #34 Mystery of the Seven Keys spoiler-free review

Let me preface this by saying I'm 44 and I've played ALL the ND games, including multiple replays of earlier games. (For the record, my faves include Danger on Deception Island (#9), Legend of the Crystal Skull (#17), and Shadow at the Water's Edge (#23). I begrudgingly purchased Midnight in Salem, and when I heard Mystery of the Seven Keys was coming out, I had to buy as I just spent several days in Prague and wanted to see how the game captured the atmosphere.
The good:
The so-so:
* The voice acting at times
* The phone contacts seemed underutilized; some characters you only interacted with once, and most of the time you can't actually call anyone.
The bad:
The game seems to lack the overall cohesiveness of earlier favorites like "Shadow at the Water's Edge"; I felt like I was stumbling around solving things to get to the next puzzle (and at times had difficulty seeing the connections between events / clues) but once the story picked up in the final third of the game, I couldn't stop playing. Still a worthy entry in the series and it's great to see the ND games continue for a new generation of players!
submitted by FutureTop4996 to nancydrew [link] [comments]


2024.06.01 14:15 BrRr0k3eN Sometimes I talk to myself.

So I’m gonna say this, sometimes I talk to myself and fake people I create. I know they aren’t real, but sometimes I fake a scenario in my head where it’s similar to a play.
Example:
“Hey.” In my voice
“Hey.” In a whisper mimicking someone else
“What the fuck do you want?” My voice
“To talk.” In a whisper
“Yeah, well you aren’t welcome here.”
“But remember when I gutted your son with that dull fucking knife. It was pretty funny, right?”
These dialogues always have some kind of dark twist on them.
I know the characters aren’t real, but I can picture and hear what they’re saying in my head.
Other times I talk to myself, but it isn’t so much as me as it is my brain. I speak to my thoughts and often refer to myself as “you” or “them.” But I know it’s me. I can even… not so much hear because they speak directly in my mind, but I can almost hear them, and they often tell me what I don’t want to hear, and sometimes when I don’t comply it shows me gruesome images, and I self harm to get it to stop.
Is this psychosis? I have been diagnosed, but I’m not sure if this is a symptom. It hasn’t happened in a while, but it happened a few days ago when my friend left.
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2024.06.01 14:12 Mst3Kgf Even putting aside the 90s nostalgia, "Can't Hardly Wait" is one of the best ensemble teen films.

It's interesting that while the creators said they were trying to go for a John Hughes film in the 90s (and that certainly is evident in the central story of Ethan Embry pursuing Jennifer Love Hewitt), this film ends up being far more like "American Graffiti", "Fast Times at Ridgemont High" and "Dazed and Confused"; an ensemble film with a mix of characters who weave in and out of each others' subplot (and like "Graffiti" and "Dazed", taking place in 24 hours), complete with a killer soundtrack and a sprawling cast of familiar faces, some before they were well known. Rewatching it, it's impressive to see how many names are there, even for one scene. Selma Blair gets ineffectively hit on by the main jock (aside; major props for Peter Facinelli in making Mike Dexter the ultimate high school asshole). Sarah Rue calls everyone "sheep." Jason Segal (!) is doing something with that watermelon. And so on, as there's always something going on in the background of this and some minor character to provide a laugh. (My personal favorite; Chris "Shermanator" Owens as "Klepto Kid" stealing everything he sees.) For a film that didn't do much business when it came out, it's great to see how well it holds up as a ensemble showcase and a time capsule of its era (nothing like having a pay phone being a key plot point to date a film).
Added note; I love how aside from the six main characters (Embry, Hewitt, Facinelli, Charlie Korsmo, Lauren Ambrose and Seth Green), nearly all of the characters are given no names. Even in the credits, they're referred to as "Klepto Kid", "Girl Whose Party It Is", "Yearbook Girl" and so on. Because they're not the main characters, they're just the colorful background.
submitted by Mst3Kgf to movies [link] [comments]


2024.06.01 14:10 mcm8279 [Lower Decks Reactions] Ed Whitfield on S.4: "Mike McMahan’s long-gestating ambition to occupy and colonise Star Trek canon. Nick Locarno? If you didn’t have a single original thought in your head, and you were minded to asset strip Trek of old, it’s the kind of ending you might have come up with"

"That’s the reason you should never be given control of a Star Trek show and why Mike McMahan’s appointment is as self-destructive and ruinous for the franchise as the Genesis effect.
After four seasons, you really have to pinch yourself that a man whose qualification for writing Star Trek was running a Twitter account for an imaginary TNG Season 8, which imagined plots like Worf’s testicles inflating to the size of a moon and producing their own gravity, and Picard’s head tipping into a time hole and rejuvenating his scalp to the point where new hair threatened to fill the ship and suffocate all on board, is now in a position where the choices he makes about legacy characters may actually become Star Trek canon. "
Ed Whitfield (Opinionoid, Critic's Log)
Link:
https://edwhitfield.wordpress.com/2023/11/02/critics-log-star-trek-lower-decks-season-4/
Quotes:
"Another year, another season of Lower Decks – the animated Star Trek encyclopedia, with its continuing mission to remind you that there was once such a thing as Star Trek, and it was good, and produced television and movies brimming with vivid moments and iconography that one day, in the creatively inert future, would become a reference library for shallow hacks who’d raid it for ideas, as they sought to continue the adventure without an original thought.
It’s hard to believe such an, er, enterprise could be sanctioned as official canon, or be a standard bearer for the brand , but season four of the show Beckett Mariner would call “the decks”, introduced a new threat to the Star Trek universe. No, not, and I can hardly believe I’m typing these words – Nicholas Locarno’s Nova Fleet, but Mike McMahan’s long-gestating ambition to occupy and colonise Star Trek canon.
In reviews of past seasons, we speculated that inevitably, McMahan, like any frustrated fan fic writer, would start to worry less about the jokes (which is a bad idea in a show that desperately needs some) and more about his show’s place in the celestial firmament. After all, one wouldn’t want to be a Star Trek showrunner and have a series that’s entirely inconsequential and has no life independent of those stories whose vitality it parasitically sucks away at to tell its own tall tales.
No, someone in the Lower Decks writers room wants to be part of those beloved TNG, Voyager and DS9 stories, and so, in this latest batch of what Beckett Mariner would call “eps”, this animated non-entity got busy sequelising.
There were weak comic follow-ups to Voyager’s “Tuvix” (the premise being the joke, this was like Scary Movie following Scream), a DS9 follow-up featuring Rom and Leeta, and an egregious and silly sequel to TNG’s “The First Duty” and, in an act of furious masturbation, “Lower Decks”, in which Nicolas Locarno’s story was picked up with all the care and attention of a late-transformed Seth Brundle trying to groom his pet gibbon.
Locarno’s story had, effectively, been told – he became Tom Paris due to the idiotic notion that Locarno couldn’t be redeemed (why not, you might ask?) – and his redemption arc played out in the Delta Quadrant over seven years. But the decision of Voyager’s producers not to literally pick up the character, had the unforeseen and terrible consequence that he was still an exploitable TNG reference, and so we get the Lower Decks version, in which the character has curiously morphed into a megalomaniac, incited mutinies on a dozen ships, and formed a fleet of mavericks who’ve requisitioned a Genesis device (because apparently they’re been mass produced by 2380) for leverage over the Federation.
This ends in a re—run of Wrath of Khan’s nebula battle, and Locarno becoming part of a new planet which is named in his dishonour. I’ll bet you 5000 bars of latinum that you didn’t envision that end for the character when you last saw him in 1992.
If you didn’t have a single original thought in your head, and you were minded to asset strip Trek of old, it’s the kind of ending you might have come up with. That’s the reason you should never be given control of a Star Trek show and why Mike McMahan’s appointment is as self-destructive and ruinous for the franchise as the Genesis effect.
After four seasons, you really have to pinch yourself that a man whose qualification for writing Star Trek was running a Twitter account for an imaginary TNG Season 8, which imagined plots like Worf’s testicles inflating to the size of a moon and producing their own gravity, and Picard’s head tipping into a time hole and rejuvenating his scalp to the point where new hair threatened to fill the ship and suffocate all on board, is now in a position where the choices he makes about legacy characters may actually become Star Trek canon.
Lower Decks seemed so harmless, if pointless, when the worst it could do was feature some Binars, or reference “Time’s Arrow” with a Mark Twain holodeck simulation, or re-run a 40-year old Monty Python gag about a cute little creature being a ravenous killer. But this is a show that’s fast realising it’s the only TNG-era show in town, so has cart blanche to keep raiding the archive to sate its own, self-eating, franchise-weakening tendency. Season 5 is in production, and fuck only knows what horrors this writers’ room of clueless geeks have in store in the episodes bought and paid for. Tom Riker living on a planet with a cloned Deanna Troi? An aged but very much alive Tasha Yar, enjoying the good life on Romulus until a liberated Armus holidays there? Reginald Barclay’s drumhead trial for sex crimes?
Don’t imagine it can’t happen. Lower Decks has a taste for it now. Fans who can tell the difference between pastiche and the real thing will hope and pray that Star Trek: Legacy or something like it gets the green light. Not because Cobra Kai in space is a good idea either, but if the world of ‘90’s Trek is going to continue, let it at least be with some pretensions to dramatic integrity. If not, it’s clear who and what will step in to fill the void.
The show’s one good move this year was Vulcan T’Lyn becoming a regular. The only character who could plausibly transfer to live action Trek, her deadpan undercutting of the hysteria around her has been a tonic and perhaps an acknowledgment that the mania, unchecked, was exhausting for the audience as well as mirthless."
Ed Whitfield (Opinionoid, Critic's Log)
Link:
https://edwhitfield.wordpress.com/2023/11/02/critics-log-star-trek-lower-decks-season-4/
submitted by mcm8279 to trektalk [link] [comments]


2024.06.01 13:58 Rememberthepogs Discussion on the mentality of ghosters

So, this is just merely a talking point. I couldn't help but notice 2 songs in particular on the radio, that either directly or indirectly mention ghosting.
The first is Taylor Swift's Anti-Hero; this stanza: "I have this thing where I get older but just never wiser Midnights become my afternoons When my depression works the graveyard shift All of the people I've ghosted stand there in the room"
Anti-Hero was released in 2022. In this song, it gives me the impression that at the very least Swift feels some sort of guilt or similar for her past ghosting; almost that they would haunt her or seek revenge or something. Interestingly, Swift even uses a line calling her past behavior "covert narcissism."
The second is Dua Lipa's Houdini; released in 2024. The chorus goes like this: "I come and I go Tell me all the ways you need me I'm not here for long Catch me or I go Houdini"
Now, this one seems a bit different. As I see it, Houdini is a reference to the magician Harry Houdini, who was famous for his disappearing acts. So, at least in my eyes, this song feels like Dua Lipa blaming her former flames for not living up to her standards, and as a result, she disappears (aka ghosts them). This feels much more aggressive than Swift. This feels more like a ghoster who is proud of their actions and not only sees nothing wrong with it, but even blames the people they ghosted. Yet, the only reason she gives is that we could not live up to her standards. I actually think it is very healthy to have standards in a relationship, but I kind of noticed something else - none of these standards are ever communicated in the song. That is actually a very common trait of ghosters, that they fail to communicate literally anything.
All this to say, it feels like there's been a shift, not just in entertainment, but also just societally, that ghosting is not only more acceptable, but now being rewarded and praised as a "healthy boundary," despite the damage it does to the victims it has impacted.
What are your thoughts?
submitted by Rememberthepogs to ghosting [link] [comments]


2024.06.01 13:56 genericusername1904 H.G. WELLS’S, THE SHAPE OF THINGS TO COME (1933) VS. 1984 AND BRAVE NEW WORLD

H.G. WELLS’S, THE SHAPE OF THINGS TO COME (1933) VS. 1984 AND BRAVE NEW WORLD

ID, IX. MAIORES. V, CAL. IUNI. FORTUNA PRIMIGENIA.

I discovered this book by complete chance last year – a very old hardback copy was given to me as gift (in a situation which was certainly weighted with the most unlikely of synchronicities), “huh,” I thought, “it’s a first edition of H.G. Wells,” the book itself almost cannot be opened because it is so old and falling apart so I procured a text and audio file of the thing relatively easily and began to read. In hindsight not only for myself but I fancy for the generations of the last fifty years - in all totality, it is deeply strange that this book has not been more widely recognized or taught in schools, as like 1984 and Brave New World, as being the third contender (although technically the second, published one year after Huxley – seemingly written at the same time interestingly enough) in “visions of dystopia” – except that the book is not so much a vision of dystopia tomorrow but a vision of dystopia ‘today’ or rather ‘life as we know it’ of the 19th, 20th and 21st Centuries (endless war, endless pandemics, economic and logistic chaos), narrated from the comfortable and reassuring position of a society far far in the future who have long since revised their culture and solved all of the causes of the problems and become a society of genius polymaths “with (every Man and Woman) the intellectual equal of the polymaths of the ancient world.”
Now, I do not mean here to seem to ‘sweet-talk’ the reader into rushing out and buying this book or to hold it up in the manner of those other books as if it were some ideological blueprint but instead to assay the thing in the natural context which seems to me to be universally unrealized and which presents itself to us as a thing which is plainly self-evident, that is: that in the depressing and miserable dichotomy of 1984 and Brave New World; two extremely atomizing and miserable narratives, that there is also – far more empowering – The Shape Of Things To Come wherein the miserable protagony and antagony of both 1984 and Brave New World might read as merely a footnote somewhere in the middle of the book as an example of the witless measures mankinds old master undertook to preserve their power in an untenable circumstance. In other words, we know all about 1984 as children; we have this drummed into our heads and we glean our cultural comprehension that dictators cannot be cliques of business people but only lone individuals, usually in military uniform, and then we graduate from that to Brave New World to gain a more sophisticated comprehension of the feckless consumerism and ‘passive egoism’ by which our society actually operates, but then we do not – as I argue we ought – continue along in our education with this third book which actually addresses the matters at hand at a more adult level.
For instance, here, from ‘The Breakdown Of Finance And Social Morale After Versailles’ (Book One, Chapter Twelve) addresses in a single paragraph the cause of our continual economic chaos (of which all crime and poverty and war originates from) and highlights the problem from which this chaos cannot be resolved yet could easily be resolved, “adjustment was left to blind and ill-estimated forces,” “manifestly, a dramatic revision of the liberties of enterprise was necessary, but the enterprising people who controlled politics (would be) the very last people to undertake such a revision,”

…the expansion of productive energy was being accompanied by a positive contraction of the distributive arrangements which determined consumption. The more efficient the output, the fewer were the wages-earners. The more stuff there was, the fewer consumers there were. The fewer the consumers, the smaller the trading profits, and the less the gross spending power of the shareholders and individual entrepreneurs. So buying dwindled at both ends of the process and the common investor suffered with the wages- earner. This was the "Paradox of Overproduction" which so troubled the writers and journalists of the third decade of the twentieth century.

It is easy for the young student to-day to ask "Why did they not adjust?" But let him ask himself who there was to adjust. Our modern superstructure of applied economic science, the David Lubin Bureau and the General Directors' Board, with its vast recording organization, its hundreds of thousands of stations and observers, directing, adjusting, apportioning and distributing, had not even begun to exist. Adjustment was left to blind and ill-estimated forces. It was the general interest of mankind to be prosperous, but it was nobody's particular interest to keep affairs in a frame of prosperity. Manifestly a dramatic revision of the liberties of enterprise was necessary, but the enterprising people who controlled politics, so far as political life was controlled, were the very last people to undertake such a revision.

There is a clever metaphor I fancy that Wells worked in to this for the ‘actual’ defacto controlling class of things, that is: not really the politicians (sorry to disappoint the Orwell and conspiracy fans) but instead the ‘Dictatorship of the Air’ which might easily read as the ‘Dictatorship of the Airwaves’ – in colloquial language, that being radio and then television. Certainly we might imagine Rupert Murdoch or Ted Turner or Sumner Redstone (of yesterday) entering into honourable retirement as like the ‘dictators of the air’ of the very last days before the establishment of a one world state – in any case that is how things would work out, as the power of, say, Ted Turner to eradicate a political party in the United States – at any time he wishes – by simply green-lighting coverage of their bad actions relentlessly for months until revolution occurs is a real power of which no other institution possesses nor possesses any means of defence against, i.e. the ‘real power’ in our world to end a war or begin or war or end this or begin that is that power held by the organized press. This metaphor is somewhat of a more mature view, I think, than Wells earlier conception of the press in The Sleeper Awakes (1899) where the press of a dystopian future is visualized as a “babble machine” spreading circular nonsense to preoccupy the citizenry (although this is arguably a true representation of the mental processes of the Twitter and Facebook user, or of the general baby-speak and extremely infantile form of the news reports on the front page of the BBC News website) which is more or less what the press depicted as being in Brave New World also.
However the construction of sudden new realities (or sudden ‘actualities’) presented by the equation of interdependent technological innovations (i.e. the radio and the television in this instance) is mentioned early on in The Shape Of Things To Come in ‘How The Idea And Hope Of The Modern World State First Appeared’ (Book One, Chapter Two),

The fruitlessness of all these premature inventions is very easily explained. First in the case of the Transatlantic passage; either the earlier navigators who got to America never got back, or, if they did get back, they were unable to find the necessary support and means to go again before they died, or they had had enough of hardship, or they perished in a second attempt. Their stories were distorted into fantastic legends and substantially disbelieved. It was, indeed, a quite futile adventure to get to America until the keeled sailing ship, the science of navigation, and the mariner's compass had been added to human resources. (Then), in the matter of printing, it was only when the Chinese had developed the systematic manufacture of abundant cheap paper sheets in standard sizes that the printed book—and its consequent release of knowledge—became practically possible. Finally the delay in the attainment of flying was inevitable because before men could progress beyond precarious gliding it was necessary for metallurgy to reach a point at which the internal combustion engine could be made. Until then they could build nothing strong enough and light enough to battle with the eddies of the air.

In an exactly parallel manner, the conception of one single human community organized for collective service to the common weal had to wait until the rapid evolution of the means of communication could arrest and promise to defeat the disintegrative influence of geographical separation. That rapid evolution came at last in the nineteenth century, and it has been described already in a preceding chapter of this world history. Steam power, oil power, electric power, the railway, the steamship, the aeroplane, transmission by wire and aerial transmission followed each other very rapidly. They knit together the human species as it had never been knit before. Insensibly, in less than a century, the utterly impracticable became not merely a possible adjustment but an urgently necessary adjustment if civilization was to continue.

In other words, then, a global state (or, rather, such power in general held by the press as I see the analogy extending to them as being the ‘Dictatorship of the Airwaves’) was impossible to imagine and completely laughable before the technologies had stacked together to reveal as like in a simple piece of arithmetic which produced a single outcome of the equation; that no sooner had the technologies existed then the thing had become an actual reality – in that 1) unassailable political power had been unthinkingly dropped into the lap of the owners of the press, but that more importantly as consequence that therefore 2) mankind was subject to that power, that is: the situation existed the moment the technologies did – and this whether any living person had even realized it, as I think quite naturally all the time Men and Women invent things that they really have no notion of the fullest or most optimal uses of (“nothing is needed by fools, for: they do not understand how to use anything but are in want of everything,” Chrysippus), e.g. in no metaphor the television was quite literally invented as a ‘ghost box’ to commune with ghosts imagined to reveal themselves by manipulating the black and white of the static until someone else had the idea that there was at least one other use for that contraption.
It is quite strange, also, that in contemporary times we have for ages been heavily propagandized ‘against’ the idea of a “one world state” as if, say, all the crimes and fecklessness that have gone on in our lifetimes are somehow secretly building towards the creation of such a thing – not a thing you would naturally conclude from an observation of those events nor a thing advocated for by anybody (insofar as I have ever heard) but it is a thing which would be the first logical response to ‘preventing’ such crimes from ever occurring again – such as like the already widely practiced concept of a Senate-Style Federation of Sovereign States rather than a hundred or so mutually antagonistic polities capable of bombing themselves or screwing up their economies and creating waves of refugees or mass starvation or pandemics, and so on. For instance, All Egypt is dependent on the flow of the Nile which originates in what is today another country, that other country recently decimated the flow of the Nile by gumming up the Nile with a Hydroelectric Dam; such an outcome would not occur if the total mass of the land itself was governed as the single interconnected economic and environmental system that it is in physical reality of which, when divided along arbitrary borderlines, there is no means to govern the entirety of the region in an amicable and prosperous manner for all as a whole and no recourse to the otherwise intolerable situation but War which is unlikely to occur – as most Nations are comprised of civilized peoples who rightly loath the concept of War – but it is the single and unavoidable outcome to resolve such a situation until that situation has dragged on for decades, causing immense suffering, until it reaches that point of desperation – the matter of Palestine and Israel, fresh to my mind in these days, raises itself also.
Of the matter of War itself, in ‘The Direct Action Of The Armament Industries In Maintaining War Stresses’ (Book One, Chapter Eleven), Wells relays in 1933 what United States President Eisenhower would later remark in 1961 in his farewell address of the dangers of the Military Industrial Complex; albeit far more analytically on Wells part, that: it is not so much the ‘desire to harm’ on the part of the armament industries which sees them engage in unnecessary build-up of weapons stockpiles but that it is simply their business to produce, to stockpile, produce more deadly variants and stockpile the more deadly variants and sell off their old stockpiles to whomsoever rings their doorbell; for instance the on-going War in Ukraine is no different in this regard to the Viet Cong and NATO Warfare in Vietnam in that massive quantities of cheap munitions were necessary for the war to be fought in the first place and massive quantities of munitions happened to exist as a by-product of the Armaments Industries to be dumped onto the warring parties in order to facilitate their macabre impulses at the expense of the citizenry; both at their cost in terms of the debt taken on to procure the weaponry on the part of their governments and in terms of their lives when the weaponry was utilized to the outcome of massive loss of life of a single peoples within a bordered space – a thing of no value to themselves. Simply put, albeit in a very simplistic reduction to the bare basics: the War would not reached such catastrophic inhuman proportions without massive quantities of cheap Armaments that otherwise sat taking up warehouse space for more valuable Armaments on the part of the producer and seller.

In a perpetual progress in the size and range of great guns, in a vast expansion of battleships that were continually scrapped in favour of larger or more elaborate models, (Armament Firms) found a most important and inexhaustible field of profit. The governments of the world were taken unawares, and in a little while the industry, by sound and accepted methods of salesmanship, was able to impose its novelties upon these ancient institutions with their tradition of implacable mutual antagonism. It was realized very soon that any decay of patriotism and loyalty would be inimical to this great system of profits, and the selling branch of the industry either bought directly or contrived to control most of the great newspapers of the time, and exercised a watchful vigilance on the teaching of belligerence in schools. Following the established rules and usages for a marketing industrialism, and with little thought of any consequences but profits, the directors of these huge concerns built up the new warfare that found its first exposition in the Great War of 1914-18, and gave its last desperate and frightful convulsions in the Polish wars of 1940 and the subsequent decades.

Even at its outset in 1914-18 this new warfare was extraordinarily uncongenial to humanity. It did not even satisfy man's normal combative instincts. What an angry man wants to do is to beat and bash another living being, not to be shot at from ten miles distance or poisoned in a hole. Instead of drinking delight of battle with their peers, men tasted all the indiscriminating terror of an earthquake. The war literature stored at Atacama, to which we have already referred, is full of futile protest against the horror, the unsportsmanlike quality, the casual filthiness and indecency, the mechanical disregard of human dignity of the new tactics. But such protest itself was necessarily futile, because it did not go on to a clear indictment of the forces that were making, sustaining and distorting war. The child howled and wept and they did not even attempt to see what it was had tormented it.

To us nowadays it seems insane that profit-making individuals and companies should have been allowed to manufacture weapons and sell the apparatus of murder to all comers. But to the man of the late nineteenth and early twentieth centuries it seemed the most natural thing in the world. It had grown up in an entirely logical and necessary way, without any restraint upon the normal marketing methods of peace-time commerce, from the continually more extensive application of new industrial products to warfare. Even after the World War catastrophe, after that complete demonstration of the futility of war, men still allowed themselves to be herded like sheep into the barracks, to be trained to consume, and be consumed, by new lines of slaughter goods produced and marketed by the still active armament traders. And the accumulation of a still greater and still more dangerous mass of war material continued.

The book is, if the reader has likely already gathered from the excerpts, not written in the style of a protagonal narrative; i.e. not as a story, i.e. no hero and no villain, but as a sort of a Historia Augusta – that is really the most fitting comparison I think of when trying to describe this to a new reader (or perhaps J.J. Scarisbrick’s Henry VIII), that is to say it is written ‘as’ a History in the classical style we are familiar with from the better of the ancient writers, as like Appian or Cassius Dio, but unlike Suetonius or Tacitus it is absent of the sloppy hinging of all bad things on the highly personalized propaganda ad hominem (i.e. blame the fall of empire on one guy) that goes in those narrative works as we are typically familiar with them.
It is, of course, a work a fiction; although Wells did predict World War Two beginning in late 1939-1940 (although he had Poland putting up much better and longer of a fight against the Germans) and various other innovations, beginning from his own day with a true account of events prior to his own day – giving us a valuable account of affairs and actors prior to 1933 which would otherwise not come easily to any of us to discover. But the book, ultimately, is vehicle for the transmission and discussion of these societal (i.e. social, economic, industrial, logistic) matters presented to the audience of the day fresh, in their own minds, from the abject horror recently witnessed in World War One – and the economic catastrophes of which Roosevelts reforms had not yet come into tangible reality (i.e. relief for the poor, public works projects such as the motorways across America) as is discussed in that other seemingly little known H.G. Wells literary offering in his face-to-face interview with Josef Stalin the following year in 1934 (something which I think is of far more historical value than say, Nixon and Frost or Prince Andrew and Emily Maitlis), so as to ‘avert’ another crisis and pluck from the ether a seemingly alternate trajectory of where Mankind might at last get its act together. This ‘novel’ (thought it seems strange to call it that) ought be read, I would advise, in conjunction with ‘The Sleeper Awakes’ (1899) and also the (actually very depressing – I would not advise it) short-story prequel ‘A Story Of The Days To Come’ (1897) – set in that same universe – which, perhaps it is because I am English, seems to me to be a black horror show of the reality that we actually find ourselves living in this far into an actually dystopic future – or perhaps yet with the ‘strange windmills’ powering the mega cities that this a future yet to come (no pun intended); the broken speech, the babble machines, the miserable condition of the Working Class and their consumption of pre-packaged soft bread, the desire to flee the urban sprawl into the dilapidated countryside and make a little life in a run-down house with tacky wallpaper peeling away … ah, forgive me, my point is that ‘our condition’; i.e. those of us literate in English, is quite analogous to the condition of the central characters in those two stories; a culture dulled intellectually to the point that they can barely speak or think, being appraised and assayed by ourselves; those of us simply literate, as to render our commentary stuck as to seem as mutually alien as like Caesar in Gaul. However, it is in the context of the frame given to us in ‘The Shape Of Things To Come’ that we might gain a degree of sanity about this self-same situation; to study and lean into that dispassionate quality as to discern the nature of things as they are and recognize how important this quality is in relation to Well’s ultimate outcome for the best possible position of Humankind far far future, that is: that of Humankind’s vital intellectual capacity, and that the most striking message of STC, beyond all we have mentioned in this little overview, is that intellectual capacity in and of itself.
For example, when we consider the ‘actuality’ of the power of Turner or perhaps Zuckerberg in his heyday, for instance, we consider a power fallen into a Mans lap by an accidental stacking of disparate technologies created not by himself but of which possess a power utterly dependent in that same equation upon on a population being ‘witless’ in the first place and so led slavishly by the “babble machines”. However you cut it, reader, the great uplifting of Humankind to a standard of autonomy and intellectual prowess – not held by an elite but possessed by All People – is a thing both intrinsically self-sufficient within our grasp for our own selves and is certainly the prerequisite for political matters in that intellectual capacity of the voting public determines entirely whether a public is tricked or foolish and gets themselves into trouble by undertaking some obvious error or whether they are immune to such trickery and foolishness in the first place and that their energies and time are spent on more valuable pursuits. It seems to me that our contemporary society has done away with the notion of good character through intellect and that we live with the outcome of this; being shepherded by emotional manipulation and brute force because our society at large is treated as if we lacked the verbal and intellectual toolsets to understand anything else – moreover possessing no means to discern whether or not what is forced onto us is right or wrong; truth or lies, and so on. Such a society as this, again it seems plain to me, is ‘any’ dystopia because it is the baseline composition for ‘all’ dystopia; as like the foolish dogma of an out-dated ideology for example rests itself upon a large enough contingent of the public being either treated as if they were or in fact are “too foolish” to discuss or think a thing through, so a dogma is poured over them like concrete creating, in turn, intolerable circumstances as the dogma, tomorrow, becomes out-dated and suddenly instructs them to do foolish things, as like in the “Banality Of Evil” (read: Hannah Arendt) as the character in all serious perpetrators of inhumanity who insist, with a confused expression on their faces, that they were just doing their job – and this ‘quality’, of extreme ignorance, is the composition of the culture where such ‘evil actions’ occur.
I mean here that in STC we have on one hand a very in-depth account, very serious reading, to graduate the reader out of the depressive, atomizing, disempowering, conspiratorial milieu and mire of ‘life’ presented to us in 1984 and Brave New World, but that we have at the same time the very resonant harmonics that one does not need to “wait around for a distant future utopia” to “solve all the problems” but that the tools to do so are well within our grasp at any time we so choose and of which such an undertaking constitutes the foundation stones and tapestries of that future utopia which, I think, could be said to “meet us half-way” in many of these matters, as like we reach forward and they reach back and then those in the past reach forward and we in the present reach back; that is anyway what it is to learn from the past and anyway the answer to “why the Grandfather sews the seeds for trees from whose fruits he will never eat.”
Valete.

ID, IX. MAIORES. V, CAL. IUNI. FORTUNA PRIMIGENIA.

FULL TEXT ON GUTENBERG OF H.G. WELLS ‘THE SHAPE OF THINGS TO COME’ (1933)
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submitted by genericusername1904 to 2ndStoicSchool [link] [comments]


2024.06.01 13:51 King_Mamoon Damage reduction order

Hi everyone,
I have a variant human conquest paladin with the heavy armor master feat.
I have the following buffs active: heroism (4 temporary hp), heavy armor master nonmagical damage reduction (3 points), and avatar of conquest (resistance to weapon damage)
If I were to take 25 points of nonmagical bludgeoning damage, in what order will the reduction occur, and how much damage does my character take.
This is for future references, give me your best. Thanks in advance.
submitted by King_Mamoon to dndnext [link] [comments]


2024.06.01 13:44 delijoe Way of Kings review from a relatively new reader

So I just The Way of Kings today. I am relatively new to Sanderson's books and more importantly my prior experience with his works were less then stellar.
I really didn't care for Mistborn all that much. I don't want this to turn into a review of Mistborn but suffice it to say coming from all time great epics like Wheel of Time or Lord of the Rings, Mistborn just didn't connect for me in the same way that those did. Maybe it was my distaste for "heist" fiction, or maybe it was the IMO somewhat bland magic system that felt more like I was reading a superhero novel. I also didn't care for the fact that besides Vin, all the major characters were male. There was definitely some decent worldbuilding there, and I actually think once I get to the 2nd Era of Mistborn I might like it more.
Recently though I decided to jump back into Sanderson with The Way of Kings. I first watched some "introduction to the Cosmere" Youtube videos so I wouldn't miss any references to the universe as a whole. Then I dug into the first book in audiobook form, and I'm now done and my first question I have to ask is this:
Was this written by a different author?
My one sentence summation for The Way of Kings is basically "What if Game of Thrones and Wheel of Time had a baby, and that baby was pumped full of steroids". I also thought how the hell has this not been adapted into a series of movies yet, because this is probably the most epic of epic fantasy I've ever read.
When I read epic fantasy, world building is one the most important things that I want to see done well. It's nice to see fantasy cultures that aren't just clones of various medieval European feudal states. I was immediately fascinated with the Alethi culture from it's racism based on eye color to it's squabbling highprinces, to it's interesting take on gender roles, to the very unique Vorinist religion. The amount of backstabbing and betrayals amongst the lighteye nobility puts Game of Thrones to shame IMO. Most importantly however is the world of Roshar and how it's flora and fauna are shaped by the presence of persistent powerful storms that ravage the entire continent. You could probably do a nature documentary of Roshar and have it narrated by David Attenborough. I'd watch that in a heartbeat!
Unlike GoT however, we get an amazingly well crafted and complex magic system that is thankfully introduced to the reader (and the world in general) slowly so that your not overwhelmed by it's complexity. I love the concept of Spren... it's just such a fantastic and unique aspect to both the magic system and the world building. I also love the concept of Stormlight and how it can be stored in gemstones and used to do various magic. It makes it very scientific in one sense but still capable of performing awesome "magical" feats that Allomancy from Mistborn really didn't have.
Sometimes authors who excel at world building tend to be weaker when it comes to character work, but that's definitely not the case here. Kaladin and Dalinar are the stars of course, and both are many times better then any character in Mistborn IMO, but there's so many great characters. Kaladin's bonded spren Sylphrena brings a beacon of light to an otherwise pretty grim set of circumstances. I so love scholarly uptight nerd characters and Yasnah is the uptightiest. I'll take Kaladin's bridge crew over Kelsier's crew any day of the week. Especially Rock. Rock's the man. I also didn't think Sanderson had it in him to write good romance after what I saw in Mistborn but the scene later on between Dalinar and Navani was surprisingly excellent. I don't really care for Shallan all that much, as for someone so intelligent she surely makes a lot of bonehead choices. And then there's Wit/Hoid... I can tell he's probably some kind of powerful entity or trickster god or something.
And then the twists. Oh the twists. Some of them were positively shocking. The Parshmen twist especially. It's looking like it could be the fantasy equivalent of an AI robot uprising. And I knew that kindly king Teravangian was too good to be true.
So yeah, The Way of Kings is great. Blows Mistborn completely out of the water IMO... in basically every way possible. Definitely borrows a lot from Jordan and some from Martin, but adds in a great magic system with fantastic world building and surprisingly great characters.
submitted by delijoe to Cosmere [link] [comments]


2024.06.01 13:44 No_Boss_7693 Why are the virgin goddesses virgins? Excerpts from Artemis by Stephanie Lynn budin

Athena:
Athena, as the protector of the citadel, maintains her virginity as a symbolic reference to the inviolability of the polis: Just as she is not penetrated, neither are the city walls.4 Perhaps more significantly, Athena’s character is functionally androgynous; that is to say, while her sex is female, her gender is strongly masculine. Although she does partake of the feminine task of weaving especially, she is a goddess of warfare and strategy, and protector of the citadel. In the mundane lives of the Greek mortals, such activities were properly in the realm of men. Athena, then, had a strong masculine overlay upon her female sex, such that it was not conceivable for her to submit to a male sexually, or to be distracted with pregnancy and maternity. Furthermore, as she herself states to the audience in Aeschylus’ Eumenides (ll. 735–738), “I approve the male in all things—except marriage—with all my heart.” Athena is a guide and comrade to the male, his companion in the field and, one might say, at the drawing board. But she cannot fulfill such a function and be liable to eroticism: She does not submit to males, sexually or otherwise, because she is one of them, and their superior at that, being a goddess.
Hestia:
Hestia must remain a virgin because of her embodiment of stability. Her role as virgin tender of the fire is important for understanding ancient Greek conceptions of the family. The Greeks were patriarchal and patrilocal, meaning men wielded greater control in politics, law, and economics, and that women left their natal families upon marriage to join their husbands’ families. There was always a certain distrust of wives, strangers in the paternal household who could still have loyalties to their own families, or who could form greater bonds with their children than with a husband and his clan. Furthermore, there was a general anxiety present in same-sex familial relationships. Sons inevitably enforce the notion of the father’s mortality, and sons or grandsons often cause a (grand)father’s death in literature, like Oidipous and his father Laius. Mothers and daughters might form close bonds, but those bonds are inevitably severed when the daughter leaves her family to join a husband’s household, as with Demeter and “Persephonê. Thus, the closest familial bonds are between mother and son, and father and daughter. However, as with the mother–daughter bond, the father–daughter bond is constrained by the daughter’s need to leave home upon marriage. In human life, then, a father’s closest familial ally is temporary. The lives of the gods, however, were not so constrained, and in Hestia existed the ideal paternal ally: the daughter who did not marry but who clung to the paternal hearth, ultimately loyal to the paternal line. Just as the hearth is the solid center of the household, the virgin daughter, on the divine plane, is the solid center of the family. Hestia, being both, is more than just a hearth goddess for the Greeks: She is the personification of stability.
Artemis:
Artemis is forever a virgin because she, like her brother, never grows up. She is the perpetually nubile maiden, always just on the verge of fertile maturity, but never passing the threshold into domestic maternity. She is not asexual, like Athena or Hestia, but eternally on the cutting edge of sexuality without going over.
submitted by No_Boss_7693 to GreekMythology [link] [comments]


2024.06.01 13:39 Budget-Ad-6533 What else for 2k list?

What else for 2k list?
So I have a tiny tournament tomorrow where im gonna play with my ultramarines against my friends.( they play: tyranids, astra militarum, eldar, t'au and sororitas) we agreed on a 2k list and im not quit sure what else i should take with me or if this is even a good list. The options i have are: infiltrators, incoursors. Terminators. Heavy interssecors, Eradicators, Eliminators or the brutalis dreadnought... What are your thoughts on this list?
submitted by Budget-Ad-6533 to Ultramarines [link] [comments]


2024.06.01 13:28 Vonatar-74 Starter Set

So what are people’s thoughts so far? While I’m anxiously awaiting my physical copy in Q4 I’ve been diving in to the PDFs.
I’m really pleased with both the Setting Guide and The Blazing Seraph Adventure book. The same high quality and detail as the Core Rulebook.
I also really enjoy that they included characters that were used for the playtesting. I watched the episode of OnTableTop where the players were Leo “Wink” Rantz, Scorn and Casseum. Gives some more character to the names on the page.
The Rules Reference Sheet is also handy. I will wait to see the tokens and dice in the physical set.
submitted by Vonatar-74 to ImperiumMaledictum [link] [comments]


2024.06.01 13:24 CallMeTravesty Day 1 (for me) Impressions

So I was a Batman main in the initial early access but due to other real life things, only got around to retrying this today.
Here are my thoughts as I came across them.
  1. My Mouth literally hit the floor when I saw both how short and floaty the jump is during the tutorial. I legitimately thought I short hopped but that's the actual jump. Uh oh.
  2. Immediately. Wtf? They have Smash on neutral and Jab on forward? If it's not broke don't fix it!
  3. Why does everything feel so sluggish?
  4. So Arya's knife teleports her to the opposite side? Oh good, now we can be closer to the blast zone and hit them back in. Still kept the fudge off long cooldown too.
  5. Speaking of Batman and Arya, I guess we just don't want any real combos anymore outside 2 attack combos or damn infinites apparently. We just playing rock em sock em robots out here now.
  6. Upon trying more characters, it feels like they toned down everything strong from the early access while keeping the long cooldowns for what's now a meh effect.
  7. Yet the things that do feel strong feel like an oversight rather then an intentional choice.
Who is this game for!?
Is it for casuals who wants to come in play 5 matches and leave? I don't think it'll retain them long.
It's certainly not for competitive platform fighters that for sure. They're going to have fun finding and abusing the dumb stuff until that gets patched out and then leave because the game has been gimped outside that.
I'm not going to say I'm disappointed because I don't have a horse in this race really and I know the casual audience may have fun with it for a while but this game has no idea what it wants is immediately my lasting impression.
submitted by CallMeTravesty to MultiVersus [link] [comments]


2024.06.01 13:23 Few-Procedure-8324 Hire Gmail Hacker for Ethical Needs

Hire Gmail Hacker for Ethical Needs is an insightful article that delves into the world of ethical hacking, focusing on the unique perspectives of hackers who specialize in Gmail. You will discover how these professionals can help you recover lost passwords, secure your accounts, and investigate potential cyber threats, all while adhering to legal standards and ethical guidelines. The article highlights the skills and expertise of ethical hackers, shedding light on their crucial role in maintaining digital security. With a friendly and approachable tone, the piece offers a deeper understanding of why hiring an ethical Gmail hacker might be the solution you need.

Hire Gmail Hacker for Ethical Needs

Have you ever wondered if hiring a hacker for Gmail could be done ethically? It might sound a bit outlandish, but in certain situations, it can be both legal and necessary. This article will guide you through the ins and outs of hiring a Gmail hacker ethically, while retaining your values and adhering to legal guidelines.

Understanding the Hacker’s Perspective

Who Are Hackers?

Hackers often get a bad rap. The term "hacker" brings to mind images of people in dark rooms, breaking into systems for nefarious purposes. However, not all hackers are bad. In fact, there are "white hat" hackers who use their skills ethically to help others. These hackers follow the law and adhere to strict ethical guidelines.

Ethical Hacking

Ethical hacking is the practice of penetrating systems and networks to spot vulnerabilities before malicious hackers can exploit them. Ethical hackers are skilled professionals who use their knowledge for good. They are often hired by companies to protect sensitive information, ensure security, and train employees on best practices.

When Might You Need to Hire a Gmail Hacker?

Forgotten Passwords

One of the most common reasons people consider hiring a Gmail hacker is to recover forgotten passwords. Life is busy, and sometimes we forget the little things, like email passwords. In such cases, an ethical hacker can help you regain access to your account.

Security Concerns

Perhaps you suspect your Gmail account has been compromised. In such scenarios, a hacker can help secure your account by identifying any breaches, ensuring that your sensitive information remains safe.

Legal Situations

In some legal situations, gaining access to an email account is crucial. For example, in cases involving fraud or embezzlement, an ethical hacker can help retrieve pertinent information that can serve as evidence.

Important Considerations Before Hiring a Gmail Hacker

Legal Implications

Before you decide to hire a Gmail hacker, it's crucial to understand the legal boundaries. Unauthorized access to email accounts is illegal and can result in severe penalties. Always opt for ethical hackers who follow legal guidelines.

Ethical Boundaries

You must ensure that your actions are ethical. Hire a hacker only if you have legitimate reasons, like recovering your account or ensuring security. Avoid any activities that could harm others or invade their privacy.

Verifying Credentials

Not all hackers are trustworthy. Before hiring, do your due diligence. Check their credentials, reviews, and, if possible, get recommendations. Trustworthy ethical hackers often have certifications like Certified Ethical Hacker (CEH) or Offensive Security Certified Professional (OSCP).

How to Find an Ethical Gmail Hacker

Online Platforms

Several online platforms connect clients with ethical hackers. Websites like Upwork, Freelancer, and others have dedicated sections for cybersecurity professionals. These platforms usually have reviews and ratings to help you choose the right person.
Platform Features
Upwork Large community of professionals, reviews and ratings available, detailed profiles
Freelancer Competitive bidding process, wide range of skills, portfolio sections
Guru Strong focus on security professionals, niche market, reviews, and feedback

Hacker Communities

Hacker communities and forums like Reddit, HackerOne, and Bugcrowd can be excellent places to find ethical hackers. These platforms are often frequented by cybersecurity professionals who are passionate about their work.

Referrals

Sometimes, the best way to find a reliable hacker is through referrals. Reach out to friends, colleagues, or professionals in related fields to get recommendations. This ensures that you are hiring someone trustworthy and experienced.

What to Expect from an Ethical Gmail Hacker

Initial Consultation

Expect an initial consultation where the hacker assesses your needs and provides a preliminary plan of action. This step usually includes discussions about your goals, any specific concerns you have, and the time frame for the project.

Proposal and Agreement

After the consultation, the hacker will present a proposal. This document outlines the scope of work, timelines, and costs. It's crucial to have this outlined in an agreement to protect both parties.

Work Process

Most ethical hackers follow a structured work process, which can include the following steps:
  1. Reconnaissance: Gathering information about your Gmail account, such as associated security questions, recovery emails, etc.
  2. Analysis: Identifying potential vulnerabilities and devising a plan to regain access or enhance security.
  3. Execution: Implementing the chosen strategies, whether it's password recovery or securing the account.
  4. Reporting: Providing a detailed report of the steps taken and recommendations for future security.

Follow-Up Support

Good ethical hackers offer follow-up support to ensure that the issue is completely resolved and that you understand any steps you need to take to avoid future problems.

Ethical vs. Unethical Hacking: A Comparison

Understanding the distinction between ethical and unethical hacking is crucial. Below is a table that highlights the key differences.
Criteria Ethical Hacking Unethical Hacking
Purpose To identify vulnerabilities, enhance security, or recover lost data To steal data, cause harm, or gain illegal access
Legality Legal, with consent from the owner Illegal and punishable by law
Approach Transparent, follows a structured process Secretive, often deceptive
Reporting Provides detailed reports and recommendations No reporting, leaves no trace

Tools Ethical Hackers Use

A variety of tools are available to ethical hackers for Gmail hacking and cybersecurity purposes. These tools aid in recon, analysis, and execution.
Tool Function
Burp Suite Comprehensive web vulnerability scanner
Metasploit Penetration testing framework
Wireshark Network protocol analyzer
John the Ripper Password cracking tool
Nmap Network discovery and security auditing tool

Cost of Hiring an Ethical Gmail Hacker

Factors Influencing Cost

The cost of hiring an ethical Gmail hacker can vary widely based on several factors, including:

Cost Range

On average, hiring an ethical hacker can cost anywhere from $50 to $200 per hour. Specific projects like account recovery might fall within a fixed price range, typically $100 to $500 depending on complexity and urgency.

Protecting Your Gmail Account

Setting Strong Passwords

One of the simplest yet most effective means of protecting your Gmail account is by using strong passwords. Avoid using easily guessable information like your name or birthdate.

Enabling Two-Factor Authentication (2FA)

Two-factor authentication adds another layer of security to your Gmail account. Even if someone gets your password, they’ll also need your phone or another device to log in.

Regular Updates and Monitoring

Be vigilant about updating your passwords regularly and monitoring your account activity. Google provides a feature that notifies you of any suspicious activity, which can be very useful.

Ethical Hacking Certifications

Having an understanding of the certifications ethical hackers may hold can help you verify their credentials. Here are some common ones:
Certification Name Description
Certified Ethical Hacker (CEH) Comprehensive course covering various techniques and tools used in ethical hacking
Offensive Security Certified Professional (OSCP) Certification requiring hands-on demonstration of hacking skills in a lab environment
GIAC Penetration Tester (GPEN) Focuses on penetration testing and methodologies, including advanced techniques and tools
CompTIA Security+ Broad cybersecurity certification, covering foundational security skills and knowledge

Ethical Hacking in Business Context

Benefits for Companies

Businesses often hire ethical hackers to strengthen their cybersecurity measures. By identifying vulnerabilities ahead of time, companies can protect their sensitive information and reduce the risk of data breaches.

Regulatory Compliance

In industries like finance and healthcare, regulatory compliance is crucial. Ethical hackers help these companies meet legal standards by ensuring that their systems are secure and up to date.

Training and Awareness

Ethical hackers can also provide invaluable training to employees, helping them understand the latest security threats and best practices for minimizing risks.

Potential Challenges and How to Overcome Them

Finding Trustworthy Professionals

Finding a trustworthy ethical hacker can be challenging due to the abundance of scammers in the market. Always verify credentials and ask for references to ensure that you are working with a reliable professional.

Balancing Costs

Hiring an ethical hacker can be expensive. To balance costs, define your needs clearly and set a budget beforehand. Sometimes, an initial consultation can give you a good idea of what to expect in terms of pricing.

Legal Framework and Ethical Guidelines

Legal Considerations

Understand that ethical hacking must always comply with legal frameworks. Unauthorized access is illegal. Make sure you have the explicit consent of the email account owner.

Ethical Guidelines

Ethical hackers follow a strict code of conduct:

Final Thoughts

Ethical hacking can provide legitimate support for various needs, including Gmail account recovery and improving security measures. By hiring a professional ethical hacker, you can ensure that your Gmail account is both secure and accessible, without crossing any legal or ethical boundaries.
Navigating the world of ethical hacking might seem daunting, but with the right guidance and considerations, you can achieve your goals responsibly and effectively. Remember, the key is to always act ethically and legally while ensuring that your actions respect the privacy and rights of others.
So, the next time you find yourself in need of a Gmail hacker for ethical purposes, you’ll know exactly what to do and what to look for. Good luck, and stay secure!
submitted by Few-Procedure-8324 to AndrewJJake [link] [comments]


2024.06.01 13:20 nighty_amy Magia Record most memorable events review (NA version)

So now that we got the EoS announcement, I thought that’s a good moment to do a review of my over 4 years playing the game. I’ve been playing since NA server launch, survived NA EoS, moved to the JP and guess now we have to face a JP EoS.
JP is surely doing a far more graceful server shutdown than NA did though, so rather than angry, I’m feeling sad about leaving all my girls behind.
But I guess 7 years for a gacha game is still something pretty impressive? And we knew for a while that the story is coming to a close…
Anyway, here’s my list of the most memorable NA events for me. JP review will be in the another thread.
Starting the game: I wanted to pull Madoka as my first character. Got spooked right at the start with Kirika though. Fortunately, a ton of people were rerolling and exchanging accounts in the first 2 months after launch, so I managed to exchange my Kirika for a Madoka account.
Best event on NA : The arc 1 finale witch raid. The number of memes people created! The cheering posts! And how happy we were when we saved Kamihama! Wonder can we do we it again with the last witch raid?
Worst event on NA : The infamous Rice event. Gosh, THIS WAS SO TIRING. I don't even remember exactly how many event items I had leftover but a lot.
Also, I skipped most of Cross Connection and Magical Halloween because of NA tempo burnout.
Best gacha luck on NA : Three slots on Fate gacha in 100 pulls. I was never much of a fan of the Nanoha franchise, but I thought Fate could be a nice replacement for Tart, who I didn’t get.
Worst gacha luck on NA: Pulled for Mitama on 4 different banners, didn't get her even once.
Most annoying spook on NA: SAYAKA. Got her 6 times over the time NA server has lasted. Kirika and Kokoro meanwhile spooked me 4 times each.
Most important lesson from NA : Grinding to clear the shops is a superfast way for burnout. And having hundreds of mats you don't even know what to do with.
Biggest WTF: The NA server EoS. I have been in a (probably) better situation than most of the fandom, because I skipped all of the swimsuit events - I was saving for The Green Jasper Diviner event, which was rumored to be late August/Early September. But I was still pretty shocked that devs had the gall to throw several expensive units on us and then announced they are closing the server.
I moved to the JP server about 2 or 3 days after the EoS announcement.
submitted by nighty_amy to magiarecord [link] [comments]


2024.06.01 13:15 Wookies_rppl2 F4A looking for a creative partner. [Zombie Apocalypse Story]

Hello there, fellow roleplayers! I’m a 24 year old female from Europe and I’ve been interested in working on a fun and interesting story with a creative partner for a while, to be more specific, I’m looking for a zombie apocalypse setting, a story which might could involve multiple themes.
I am also really into using references and face claims for characters, so let me know if that’s your thing because it’s a big plus!
All that being said, I am 100% open to discussing this with you before starting anything. I would love to hear your thoughts, ideas and preferences! Roleplays are done on Discord only. Thank you for reading, feel free to reach out to let me know if you are interested.
submitted by Wookies_rppl2 to Roleplay [link] [comments]


2024.06.01 13:14 Ok-Cost4300 Road to 1k tournament

Road to 1k tournament
So, in the next few weeks I'm going to have a 1k semi-competitive tournament, and I was tempted to bring something like this, could the list be ok or should I change it?
An alternative I came up with could be a bit more extreme with Angry Ron, moe with glaive on a rhino with 10 zerkers, maulerfiend and jakhals, but it feels like a hit or miss, with too few units for board control
submitted by Ok-Cost4300 to WorldEaters40k [link] [comments]


2024.06.01 13:12 Motormommy Has anyone looked at the div class differences on dmaorg site? Reordering the 25 Clancy posts - the last post could be Nico- 024 02MOON 25

Has anyone looked at the div class differences on dmaorg site? Reordering the 25 Clancy posts - the last post could be Nico- 024 02MOON 25
I noticed something on the dmaorg site- that the posts each have different formatting according to 5 "div class" sections. The formatting really isn't that different in each class and it doesn't seem to be connected to the various file types that are posts. (this was examined using a lot of help from the dmaorg fan wiki which already had the letters typed and I copied and pasted them.)
We know it's a cycle, it has happened again and again. What if the moon dates don't order as our actual dates do?
There were 5 timeframes for the posts- the ones that were already there when the site was found or shortly after, the ones that were posted just before/during the trench era, the ones that were posted after the files were terminated and the site was restored (during scaled and icy) and the ones that were posted ahead of Clancy.
If we reorder the 25 Clancy posts by their div classes (putting class 1 first, then 2, etc.), it puts the yellow stripe picture right before the letter it decodes. We also get the 024 02MOON 25 last. And I just realized that this letter is not signed. What if it's a bishop describing recruiting banditos? What if a bishop is realizing he's not so different from them? That he once believed he was a citizen, an escapee, an exception? Is he following the torches to find the banditos?
Spreadsheet I used to organize the posts
Clancy Posts when Ordered by _Divclass
CLASS 1:
017 07 MOON 16
Cheetah running gif
018 07MOON 08
_note.gif written signed
I’ve made it out.
I feel weightless. I know that place had always held me down, but for the first time, I can feel the levity that I had hoped for. It’s been three nights now, and my breathing has changed. It’s slower, and more full. It’s like the air out here is worth taking in.
I can see it back in the distance, and I’d be lying if I said that it wasn’t constantly on my mind. I wish I could turn that fear off, but maybe the further I go, the less that fear will affect me. I feel betrayed by what I assumed was home - if I ever end up back there, I won’t be able to look at it the same way.
They are asleep. They’re so sure that they know the truth, and carry on throughout their day with the same meaningless tasks. They’ve forgotten to look up, and to look outward, to understand that this isn’t about ‘in there.'
This is about ‘out here.’
This new world surrounds me. I used to think the walls back home were massive – these green cliffs engulf me, and place me right in the middle – Trench is quite precarious at times, and it’s easy to grow weary. But it’s real, and it’s true, and I’d much rather endure reality than to mindlessly be obedient to a life that someone else created for me. I’ve obsessed about this world for so long, that it feels more like home than anything I’ve experienced. Somehow, in this vast openness, I feel more protected than ever.
The landscape feels endless, and I’ve found myself walking for hours without any true evidence of getting further down. But I’ve seen plants and colors out here that I’m not sure I’ve witnessed before. There’s a beauty in the strangest places, and the curiosity of what’s next continues to motivate me.
I wonder who else is out here. If what I assumed inside is true, there’s got to be more like me. Sometimes I’ll feel a presence, or think I see something in my periphery, only to look up and see nothing. It’s just another thing that I’m afraid of that also excites me. It all just confirms all of the things that I hoped to be true for all of this time.
I am out here and I am very alive. I’m sometimes scared, but always discovering something new, and I will not stop. Cover me!
  • Clancy
019 01MOON 22
17-35.4527.jpg typed signed
I can’t face this page for long enough to write what I’m truly feeling. I am only wrought with more questions about what I assumed to be true, questions about what my own path is, and the question that has plagued me every night that I lie here, back in city: Did I give up?
The force I saw between him and his bishop seemed tense to me, and frightening. But the memory of that exchange has had time to fester and replay in my mind long enough that I’m questioning if I even remembered it correctly. I assumed the bishop was forcefully retrieving his subject, but now I wonder if the bishop was actually trying to save him, and he refused.
I stayed out there for five days after I watched it happen. I haven’t seen him since. Maybe he got away, and was still out in Trench with me. Maybe the bishop chased him down, and brought him home.
Home?
Did I just call this place home?
After all of the endless beauty that I saw out there, am I now convincing myself that I’m actually better off within these confines?
I admit, it was more difficult than I expected. Nothing could have prepared me for how much the ‘unknown’ can consume me. Vast landscapes and endless possibilities, yet coupled with endless danger. I became anxious. I became tired. I became hungry. Every step I took became harder than the last, jumping from jagged rocky step to step, or pulling myself through thick forest - it all became debilitating, and I was sure that I couldn’t go on.
Keons approached as the sun rose one morning. I wasn’t scared. I was relieved. After all that he had taught me, his presence was the most comforting moment that I had in days, and I couldn’t help but be happy to see him. In true Keons fashion, he wrapped his arms around me, then put his hands under my face, looked me in the eyes, and said, “Clancy, child, let’s go home.”
I’ve been here for a few weeks now, and while the routines of this world are comforting, and certainly easier than life out there, my mind keeps bouncing between the two places.
Which one is home? Are the bishops protecting us, and the torches upon the hilltops dangerous? Or is it the other way around? My dreams pull me from world to world, and I feel lost in between all of it.
There is still so much I do not understand.
  • Clancy
022 03MOON 16
Larger map of trench including voldsoy
024 02MOON 09
__ev-i-D__ence.jpeg typed and says signed but isn’t
I'm not as scared as I used to be. Their mystery begins to fade as a method to defeat them becomes more clear. I no longer feel powerless. I can outsmart them. This new power of psychokinesis worked, and I believe it can work again. I stand here, looking down at the line where the water meets the sand - a starting line. All the while, knowing there is a finish line across the Strait. Their compass lies, but mine remains true. I've left embers of inspiration, I only hope whatever spark was left has grown to a torch, and together we create an inferno
[SIGNED] - Clancy
CLASS 2:
988 06MOON 18
cla_ncy-98806MOON_18_-1 jpg typed signed
CLANCY_S JOURNAL
The perplexities of the Dema horizon didn't occur to me until my ninth year. It was then that I began to contemplate the existential, and decide what type of impression I wanted my life to make. Naturally, to fuel my hope, I looked out upon the distance of the land that had cultivated me, only this time with a new awareness of the obstruction that my youthful ignorance had allowed me to overlook. Was it there the whole time? How had I not seen something so obvious? I am reminded of the moment daily, as the idealization directly collides with a unique hope for my own future. As a child, I looked upon Dema with wonder, today, I am wrought with frustration, as I spend each day squinting for a glimpse of the top of the looming wall that has kept us here. It was upon my ninth year that I learned that Dema wasn’t my home. This village, after all of this time, was my trap.
Before I became realized, I had deep affection for Dema. There was a wonderful structure to the city that put my cares to rest. Streets and locations were dependable, and the responsibilities of the day seemed to be accomplished with minimal effort. Once a task was taught and understood, we delighted in our ability to complete our obligations timely, and felt secure in knowing tomorrow’s duties would be accomplished with the same efficiency. We all worked to represent our bishop with honor, and knew that each inhabitant of our region had a like-minded dedication to consistency.
Keons embodied the spirit of this dedication. Of Dema’s nine bishops, Keons was revered as unwavering and forthright, possessing the ability to achieve focus that was rare for most on our region. We all admired him, and felt honored to be inhabitants his region. While we had heard legend of the ruthlessness of other bishops, Keons possessed a stoic demeanor unlike anyone I had ever met, and we were all proud to serve.
  • Clancy
988 12MOON 01
ba_dge jpg
FPE citation
017 07MOON 17
Picture - trench - bandits
018 07 MOON 05
This entry is another letter from Clancy. The white squares on the outer edges of the image correspond to the letters "WAKE UP". It is titled _he_a_vy_.jpg typed, inverted, signed
They’re asleep. The night took forever to arrive, and now we’re almost
ready. We’ve studied the watchers and know that there’s no chance that
we can step through unnoticed. So, instead of trying to hide
ourselves, we’ll make sure that all of us are noticed. It’s been one
year since the last convocation, and tomorrow’s Annual Assemblage of
Glorified will be the biggest spectacle this concrete coffin of a city
has seen all year. If we time it right, we’ll divert the attention of
the watchers and finally take the step though. We’ve had no contact,
but we’re hoping the other side will be able to find a way in. We’re
not sure of the breach location, but we are willing to risk being
smeared in order to find it. We know that we must go lower, and wait
for the torches. They’ve never seen anything quite like this, and by
morning, everything will be different. I’m terrified and excited, all
at the same time. They don’t control us.
  • Clancy
022 03MOON 18
1619250308151109140519-Ø-919.jpg made me a weapon written, signed
What is this thing? This device? This gift? Some sort of neurological connection or expansion. Psychokinetic weapon?
This is absurd.
Why was this given to me? Why am I the only one that can weild it? Was this the reason that I survived? My mind is racing as I wait here on the rocks - staring off into the darkness. Waiting for our torches to be mirrored - the signal he told me to wait for.
It feels oddly familiar. Not the spikes in my hand, but the power it harnesses, I've felt it before. Is this also the source of those rumors I heard in the dark corners of the city? Legends and stories that I assumed were myth, inspired by children's nightmares - tales of what the bishops would use the bodies for. Those "honorable" citizens who acheived The Glorious Gone - referred to as available vessels.
It all begins to make sense.
The episodes I would have: the blood red vision, my dreams of flying, the out of body account of the rider in the river, the decaying hosts of the television show, the robed figures that commanded the doomed ship...
Had we all been "seized" by the bishops using this same technique? Is this where their power comes from? Are they immortal, or just feeding off the next body, giving their hosts a brief second-life? I am in my original life, why am I available to this control?
This whole time I thought I was battling my inner self. Was I actually under assault for something else? someONE else?
This small eerie island has made me a weapon. We both believe that we can use it to change the momentum of this war. Now, we must return to the mainland where they should be there to recieve is. We will destroy and rebuild. Though it's been years since he last spoke with them, I hope they have not lost faith in The Torchbearers plan.
But how could any of this have been planned?
  • Clancy
CLASS 3:
009 12MOON 29
unnamed-(1).jpg
d_e_ath__eat_erz
Vultures on wall
011 07MOON 08
se__elf picture of kid
017 07MOON 07
017_07MOON_07 typed signed
To refer to Dema as m[y] home has never felt accurate. Dema, t[o] me, has simply been the place that I’ve existed, or, the ‘slot’ they’ve put me in. I’ve heard stories abo[u]t the ide[a] of “home,” and its depiction has always seemed warm f[r]om the storyt[e]llers’s de[s]cription. [T]here was a romant[i]c ownership of the p[l]ace they inhabited that I admired, but cou[l]d never relate to. Thi[s] place, my p[l]ace, however, s[e]ems devoid of the romance and wond[e]r that the old stories tell. But somewhere between the iron order and infallible [p]recis[i]on of Dema, a hum of wo[n]der exists. It’s this quiet wonder that my mind tends to [g]ets lost in. This hope of discovery alone has birthed a new version of myself; A better version, I hope, that will find a way to experience what’s beyond these colossal walls.
  • Clancy
018 07 MOON 01
I.jpg vulture gif turning head (actual dates?)
018 07MOON 06
_they_ca_ntseeFCE300.gif torch gif
022 03MOON 17
is-ø-lat-ed.jpg written, signed
I haven’t had the ability to write for what seems like a lifetime. This deprivation is what weighed on me the most. Not the lack of food, or the change of scenery - they wouldn’t let me write anything down.
Well, at least not without them present …
I remember that day vividly. First, they let me out. Even though the hallway was still gray and drab, the new experience was a shock to my system - significantly different than usual captivity. I tried to match the rhythm of the nameless guard’s footsteps as we echoed down the long corridor. I followed close behind, as if I had no choice. Cold concrete encapsulated us and seemed to cast a spill of synthetic calmness. Obedience.
We arrived at a blue door. It was an odd contrast to this concrete maze. As I went through the doorway, I found myself in another typical gray Dema room. The only difference was who was waiting for me.
Four of them. Three of them were unknown to me, but one was clearly Keons. I knew his voice
They proposed an idea. A television show - or whatever it was. I had no idea that I was known outside of my cell, but they informed me that I had garnered notoriety for my schemes and outbursts. They wanted to use my face for the benefit of the city. They handed me a pen - a familiar instrument. Yet, they must be present when I use it. They wanted to manage my imagination and vision. Although shackled, at least I could create again.
Thus began the sessions.
Everyday my cell door would open. I followed the guard down the familiar hall, through the blue door, to sit down at the desk and chair. My designated creative space - perfectly centered under their watchful eye. Sometimes three, sometimes eight - not once were all nine present. He was never there. I would have felt it if he was.
At the end of the session, Keons would take my pen, gather my writings, and send me back. This went on for months.
What were we creating? I wasn’t sure. A variety show with songs and set pieces? Were the rulers of this stifled city actually attempting entertainment for its people? Everything I created had to be “for the benefit of the citizens of Dema” a phrase I heard often. I didn’t question them - I was happy to be out of my cell - and putting words to paper.
On the final day, I wrote the last line, I was asked to name it? The question caught me off guard. This seemed like a decision they would make.
Show Day: They dressed me up and asked me to smile a poor attempt at hiding my sleep deprivation. It was all so colorful, as if compensating for the grayness of the city.
It was a blur. Before I knew it, it was over, and I was back in my cell. I can only remember fragments - only blurred hallucinations of color and chaos - like a dream. The confusion of it all hangs overhead. What was it all for?
… but it wasn’t over
I guess it went well enough for them to request more of me. I was useful to Dema, and my creativity was exploited in new forms - They wanted me to be the entertainment at the Annual Assemblage of the Glorified - a performance at sea for the premiere citizens of Dema.
I knew those weren’t the real bishops on that ship.
I’ll quicken the entry - I need to keep up with the Torchbearer.
During the performance, we were attacked by something in the water. I don’t know what possessed the creature to attack, but it was odd, and felt incredibly intentional. Many lost their lives in the attack, and I was thrashed through the bitter cold waves, yet somehow survived. Did this icy cold preserve me? Why was I spared? I am still so cold as I write.
This place feels foreign - nothing like Trench. From the frigid sea, the air here is somehow colder than the water that surrounds it. I have a strange feeling that this island will provide answers.
I must go.
  • Clancy
024 02MOON 28
__cla_im00FFFF letter, typed not signed
I found a way in. A way they'll never suspect, and a way they'll never understand. Everything about our cause is so hard for them to understand, but so close to the hearts of the glowing resistance. I can reach them all. I can recruit everyone with eyes that see beyond the horizon. I can teach them. They can learn what I've learned, and fly by all of the constructs Dema has placed in front of them. We will take it back.
CLASS 4:
017 02MOON 12
_ .jpg picture of yellow lines to mark “we are banditos” in next letter and numbers that spell trench
018 07MOON 01
e_sr_eve_r.jpg typed/ lines taped together signed
A lifeless light surrounds us each night. Never could I imagine that something so luminous could feel so dark. It’s this glow that reminds us of the dreamless existence we’ve been sentenced to. But what I call a sentence, others accept as normalcy. How did they so efficiently eradicate the dreams within us? When the bishops instituted Vialism as mandate, they effectively reversed the hope that many arrived with.
Am I the only one who realizes that we’ve been lied to? Am I the only one not afraid of the notion that the nine have hijacked our trust, and extinguished the hope that once motivated our existence? We used to close our eyes and picture a better life, now this city is full of dry eyes caught in a trance of obedience, devoid of any trace of an identity. The only significant light I’ve seen has been in the eyes of those smeared - such a curious sight, to see bright eyes strangled by the darkness of bishop hands. As their penance fades, so dims their memory of something more. My hope of something more is all I have in this rigid tomb, and I will not let it die.
  • Clancy
018 07MOON 08
2_1_2.gif inverse jumpsuit pic that matches shape of letter from 018 07moon08
022 03MOON 18
W-eap-@on.jpg image of psychokinesis / seize Keons
CLASS 5:
013 01MOON 08
_ti_su_p map of dema compass missing
_ti_su_p.png sev_ering__tiez 3 blanks
018 07MOON 05
_o__ut_.gif landscape
018 07MOON 18
Unalone.gif letter written and signed
I can’t believe what I just saw. I'm still trying to understand. This whole time I was sure I was all alone - a single soul in this vast unknown world. But a few days into this trek, I looked down to see a figure headed the same way I was. I’ve tucked myself in these caves and crevices, trying my best to keep hidden, but he was out in the open, making his exhausted journey right down the middle of Trench. I was curious enough to follow alongside the path with him. He seemed unaffected by the fear of the unknown - the fear that tends to cripple me. To him, the terrain seemed familiar, as if he had been out here before.
While lost in my curiosity, they appeared. I had heard about them back in Dema, but to my knowledge, the stories were merely myth. Ten, twenty, and then what seemed to be a hundred Banditos appeared upon the cliff, all looking down at him. He only stopped for a moment to look back up at them, and then continued on his way. His energy changed, and I wasn’t sure if he was frightened or encouraged by their ominous presence.
They warned him of what was about to come.
It was a blur. First seeing the figure, then the Banditos, only to now have my eyes opened to the oncoming Bishop upon a white horse drawing closer in the distance.
The figure halted, and waited. When the Bishop stopped, I was sure he looked up, directly at me, so I hid deeper back in a cave. The presence of the robed rider seemed to paralyze the man. He stood still as he was approached, powerless as the outstretched hands smeared his neck. I had never seen a Bishop possess power like this. Keons had always seemed gentle and warm - this Bishop, at least out here, seemed like something else.
So I ran, and I’ve been running for as long as my legs and lungs can handle. Maybe this note will be my proof that what I witnessed was not a dream. A million questions race through my brain. Am I not the only one traveling through Trench?
I’ll travel a little further, and maybe I’ll get a moment of rest tonight. I may have made a mistake, leaving. This spot, between two places, is beginning to feel like an endless and hopeless abyss. At least Dema is a place that I know, and at times like this, I miss a lot about what I know. This will all be much tougher than I imagined. Nothing out here is familiar. I’ve witnessed the presence of others for the first time today, and I feel more alone than ever. Cover me.
  • Clancy
024 02MOON 25
_maniac_Clay typed letter, not signed
These campfires feel like home, as I stare deeply into them, finding more and more clarity. They tried to tell us we were different. But the flame that burns inside of me is the same fire I've found on the hilltops of Trench. The Banditos have lived their rebellion, and a resistance is growing inside the concrete walls - one powerful enough to burn out all of the stale teachings, and usher in true hope and a path to actual life. We march in the morning. The revolution shall arrive with the sun.
submitted by Motormommy to twentyonepilots [link] [comments]


2024.06.01 13:02 groover102 Hands on a Hardbody: Crazy car contest given musical twist

A DOCUMENTARY about a bizarre Texas competition to win a pickup truck has been given new life as a musical.
Directed by David Nelson and Jane Anderson, Hands on a Hardbody tells the story of an annual endurance contest where the last person standing with their hands on the vehicle wins it.
The musical is based on the documentary with each character getting a chance to share their story through song.
Filmmaker Quentin Tarantino refers to Hands on a Hardbody as one of his go-to movie recommendations.
“The documentary shows the people involved in the competition and explores what winning a car would mean to them,” Jane said.
“Most of the contestants were poor, out of work and struggling in some way.”
David said the main appeal of the musical was the fact it was inspired by true events.
“The show is based on real people and a real situation with themes that are relatable to everyone,” he said.
“The music used is country rock, which is both unusual and appealing for a musical.”
Both involved in theatre for more than 30 years, David and Jane have directed several musicals together including Kinky Boots, The Wedding Singer, The SpongeBob Musical and I Love You, You're Perfect, Now Change.
Jane said Hands on a Hardbody appealed because she loved ensemble shows.
“It means all the cast get a chance to shine,” she said. “While each person comes to the competition with their own reasons in this story, there is a camaraderie between the contestants.
“They share an often-gruelling task of standing in the heat and going without sleep for up to four days.
“The people are real and the songs are inspirational, sad and silly, meaning the show will take you on a real rollercoaster of emotions.”
One of the main challenges, according to David, is the car.
“We need to create movement within a show that must have the characters with their hands on the car,” he said.
“And we need to create a car that is described in the synopsis as a character, not just a prop.”
Hands on a Hardbody plays at 7.30pm June 27, 28, 29, July 4, 5, 6, 11, 12 and 13 with a 2pm matinee July 7. Tickets are $37, $32 concession – book at TAZTix.com.au/limelight or call TAZTix on 9255 3336.
Limelight Theatre is on Civic Drive, Wanneroo.
Breeahn Carter plays flirty restaurant hostess Heather, trying to win a car, in Hands on a Hardbody.
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2024.06.01 13:01 jjdewit TradingView.com Review: Overview of TradingView.com and its Features

TradingView.com.com is a popular online platform that provides a comprehensive suite of tools and resources for traders, investors, and analysts to analyze and trade financial markets. In this chapter, we will provide an overview of TradingView.com, its features, and its benefits, setting the stage for a deeper dive into the platform's capabilities in subsequent chapters.

What is TradingView.com?

TradingView.com is a cloud-based platform that enables users to analyze and trade financial markets, including stocks, forex, futures, and cryptocurrencies. Founded in 2011, TradingView.com has grown to become one of the largest and most popular trading communities in the world, with over 10 million registered users.

Key Features of TradingView.com

TradingView.com offers a wide range of features that make it an attractive platform for traders and analysts. Some of the key features include:
1. Charting and Technical Analysis: TradingView.com provides a powerful charting platform that allows users to create custom charts with various indicators, drawing tools, and annotations. Users can also access a vast library of pre-built indicators and templates.
2. Backtesting and Paper Trading: TradingView.com allows users to backtest and paper trade their strategies using historical data, enabling them to refine their trading ideas and test their performance.
3. Community and Social Trading: TradingView.com has a large and active community of users who share their ideas, strategies, and insights. Users can follow other traders, participate in discussions, and share their own ideas and insights.
4. Alerts and Notifications: TradingView.com provides a robust alert system that allows users to set custom alerts based on market conditions, technical indicators, and other criteria.
5. Data Feeds: TradingView.com offers a range of data feeds, including real-time and historical data, for various markets and instruments.
6. Scripting and Automation: TradingView.com's PineScript language allows users to create custom indicators, strategies, and automated trading systems.
7. Mobile Apps: TradingView.com offers mobile apps for iOS and Android devices, enabling users to access the platform on-the-go.

Benefits of Using TradingView.com

TradingView.com offers several benefits to its users, including:
1. Improved Trading Decisions: TradingView.com's charting and analysis tools enable users to make more informed trading decisions.
2. Access to a Large Community: TradingView.com's community provides users with access to a vast network of traders, analysts, and experts.
3. Customization and Automation: TradingView.com's scripting and automation capabilities allow users to create custom strategies and automate their trading.
4. Real-time Data and Alerts: TradingView.com's real-time data and alert system enable users to stay up-to-date with market movements and react quickly to market changes.
5. Cost-Effective: TradingView.com offers a range of pricing plans, including a free version, making it an accessible platform for traders and analysts.

Conclusion

In this chapter, we have provided an overview of TradingView.com, its features, and its benefits. TradingView.com is a powerful platform that offers a range of tools and resources for traders, analysts, and investors. Whether you are a seasoned trader or just starting out, TradingView.com provides a comprehensive suite of tools to help you analyze and trade financial markets. In the next chapter, we will delve deeper into the charting and technical analysis capabilities of TradingView.com.

Chapter 2: Creating an Account and Setting Up Your Profile

As a new user, creating an account and setting up your profile is the first step in exploring the world of [Platform/Service]. In this chapter, we will guide you through a step-by-step process to create an account and set up your profile, ensuring a seamless and enjoyable experience.

Section 1: Creating an Account

To create an account, follow these steps:
1. Visit the Sign-up Page: Go to the [Platform/Service] website and click on the "Sign Up" or "Create an Account" button. This will take you to the sign-up page.
2. Enter Your Email Address: Enter a valid email address to serve as your login credentials. Make sure to use a unique and memorable email address, as it will be used to reset your password if needed.
3. Choose a Username: Choose a unique and memorable username that will be used to identify you on the platform. This can be your real name, a nickname, or a combination of letters and numbers.
4. Create a Password: Create a strong and unique password for your account. A strong password should be at least 8 characters long and include a mix of uppercase and lowercase letters, numbers, and special characters.
5. Confirm Your Password: Re-enter your password to confirm it. This ensures that you have entered the correct password.
6. Verify Your Account: Click on the "Create Account" button to create your account. You will receive an email verification link to verify your email address.

Section 2: Setting Up Your Profile

Once you have created your account, it's time to set up your profile. Follow these steps:
1. Fill Out Your Profile Information: Fill out your profile information, including your name, birthday, and location. This information will be used to personalize your experience and connect with other users.
2. Add a Profile Picture: Upload a profile picture that represents you. This can be a photo of yourself, a logo, or an avatar.
3. Add a Bio: Write a brief bio that describes yourself, your interests, or your expertise. This will help others get to know you better and find common ground.
4. Customize Your Profile Settings: Customize your profile settings to control what information is visible to others and what notifications you receive.
5. Connect with Others: Start connecting with other users by sending friend requests or joining groups related to your interests.

Tips and Best Practices

· Use a strong and unique password for your account.
· Keep your profile information up-to-date and accurate.
· Be cautious when sharing personal information or connecting with strangers.
· Use the platform's built-in features to block or report suspicious or inappropriate behavior.
· Respect other users' privacy and boundaries.

Conclusion

Congratulations! You have successfully created an account and set up your profile. You are now ready to explore the world of [Platform/Service] and start connecting with others. Remember to keep your account information secure, be respectful of others, and have fun exploring the platform. In the next chapter, we will dive deeper into the features and functionality of [Platform/Service].

Chapter 3: Navigating the TradingView.com

Interface

As a trader or investor, it's essential to understand the TradingView.com interface to get the most out of this powerful platform. In this chapter, we'll take a comprehensive tour of the TradingView.com interface and its various components. By the end of this chapter, you'll be well-versed in navigating the platform and ready to start exploring its features.

Section 1: The TradingView.com

Dashboard

The TradingView.com dashboard is the main hub of the platform, providing an overview of your account, market data, and other essential features. Let's break down the key components of the dashboard:
1. Header Bar: The header bar at the top of the screen displays your username, account balance, and other account information.
2. Navigation Menu: The navigation menu allows you to access various sections of the platform, including your watchlists, charts, and settings.
3. Market Data: The market data section provides real-time quotes for various assets, including stocks, forex, and cryptocurrencies.
4. Alerts: The alerts section allows you to set custom alerts for specific market conditions, such as price movements or news events.
5. Watchlists: The watchlists section enables you to create and manage custom lists of symbols, making it easy to track your favorite assets.

Section 2: Charting and Analysis

TradingView.com is renowned for its powerful charting capabilities, allowing you to create custom charts with various indicators, studies, and drawing tools. Let's explore the key features of the charting interface:
1. Chart Types: TradingView.com offers a range of chart types, including line charts, candlestick charts, and Renko charts.
2. Indicators: The platform comes with a vast library of built-in indicators, including moving averages, RSI, and Bollinger Bands.
3. Drawing Tools: The drawing tools allow you to annotate your charts with lines, shapes, and text.
4. Studies: Studies are custom indicators created by the TradingView.com community, offering a wide range of trading strategies and techniques.
5. PineScript: PineScript is a programming language used to create custom indicators and strategies.

Section 3: Community and Social Trading

TradingView.com is more than just a trading platform – it's a community-driven platform where traders and investors share ideas, strategies, and insights. Let's explore the community features:
1. PineCoders: PineCoders is a community of developers who create custom indicators and strategies using PineScript.
2. TradingView.com Blog: The TradingView.com blog features articles, analysis, and insights from experienced traders and investors.
3. TradingView.com Forum: The forum is a hub for discussion, debate, and learning, where traders and investors share their experiences and ask questions.
4. Watchlists: Watchlists allow you to share your favorite symbols with others, making it easy to collaborate and learn from each other.
5. PineScript Challenges: PineScript challenges are community-driven initiatives where developers create custom indicators and strategies, and the community votes on the best submissions.

Section 4: Customization and Settings

As you become more comfortable with the TradingView.com interface, you'll want to customize your experience to suit your needs. Let's explore the customization options:
1. Theme: TradingView.com offers a range of themes, allowing you to personalize the look and feel of the platform.
2. Layout: The layout options enable you to customize the arrangement of the platform's components, such as the chart, indicators, and alerts.
3. Notifications: The notification settings allow you to customize the types of notifications you receive, including market data updates and alert notifications.
4. Security: The security settings enable you to set up two-factor authentication, password recovery, and other security measures to protect your account.

Conclusion

Navigating the TradingView.com interface is an essential step in unlocking the full potential of this powerful platform. By understanding the various components of the dashboard, charting and analysis tools, community features, and customization options, you'll be well-equipped to start exploring the platform and developing your trading skills. In the next chapter, we'll dive deeper into the world of PineScript, exploring the programming language and its applications in trading and investing.

Chapter 4: Understanding Charts and Time Frames

In this chapter, we will delve into the world of charts and time frames, a fundamental concept in technical analysis. We will explore the different types of charts, time frames, and how to use them effectively on TradingView.com. By the end of this chapter, you will have a solid understanding of how to use charts and time frames to analyze and trade the markets.

What are Charts and Time Frames?

Charts and time frames are the foundation of technical analysis. A chart is a graphical representation of a security's price action over a specific period. Time frames, on the other hand, refer to the duration of the data displayed on the chart. In other words, time frames determine how much data is displayed on the chart and how often the data is updated.

Types of Charts

There are several types of charts, each with its own strengths and weaknesses. The most common types of charts are:
1. Line Chart: A line chart connects the closing prices of a security over a specific period, creating a continuous line. This chart is useful for identifying trends and patterns.
2. Candlestick Chart: A candlestick chart displays the high, low, open, and close prices of a security over a specific period. Each candle represents a specific time period, and the color of the candle indicates whether the price closed higher or lower than the previous day's close.
3. Bar Chart: A bar chart is similar to a candlestick chart but does not display the open and close prices. Instead, it shows the high and low prices, as well as the open and close prices.
4. Renko Chart: A Renko chart is a type of chart that uses a unique algorithm to create a chart that is not based on time. Instead, it uses price movements to create a chart that is more focused on the price action.

Time Frames

Time frames determine the duration of the data displayed on the chart. Common time frames include:
1. 1-minute: A 1-minute chart displays the price action over a 1-minute period.
2. 5-minute: A 5-minute chart displays the price action over a 5-minute period.
3. 15-minute A 15-minute chart displays the price action over a 15-minute period.
4. 30-minute: A 30-minute chart displays the price action over a 30-minute period.
5. 1-hour: A 1-hour chart displays the price action over a 1-hour period.
6. 4-hour: A 4-hour chart displays the price action over a 4-hour period.
7. Daily: A daily chart displays the price action over a 1-day period.
8. Weekly: A weekly chart displays the price action over a 1-week period.
9. Monthly: A monthly chart displays the price action over a 1-month period.

Using Charts and Time Frames on TradingView.com

TradingView.com is a popular platform for charting and analyzing financial markets. Here's how to use charts and time frames on TradingView.com:
1. Creating a Chart: To create a chart on TradingView.com, go to the "Charts" tab and select the security you want to chart. Choose the chart type and time frame you want to use.
2. Customizing the Chart: Once you have created a chart, you can customize it by adding indicators, drawing tools, and other features.
3. Switching Time Frames: To switch time frames on TradingView.com, click on the "Time Frame" dropdown menu and select the desired time frame.
4. Zooming In and Out: To zoom in and out of a chart on TradingView.com, use the mouse wheel or the "Zoom" button.

Conclusion

In this chapter, we have covered the basics of charts and time frames, including the different types of charts and time frames. We have also explored how to use charts and time frames on TradingView.com. By mastering charts and time frames, you will be able to analyze and trade the markets more effectively. In the next chapter, we will explore the importance of indicators and how to use them to make informed trading decisions.

Chapter 5: Technical Indicators and Studies

In this chapter, we will delve into the world of technical indicators and studies available on TradingView.com. As a trader, it is essential to understand the various indicators and studies that can be used to analyze and predict market movements. This chapter will provide an overview of the different types of technical indicators and studies available on TradingView.com, their uses, and how to apply them in your trading strategy.

What are Technical Indicators and Studies?

Technical indicators and studies are mathematical calculations based on historical price data that help traders identify trends, patterns, and potential trading opportunities. These indicators and studies can be used to analyze and predict market movements, making it easier to make informed trading decisions.

Types of Technical Indicators and Studies

There are numerous types of technical indicators and studies available on TradingView.com, including:
1. Trend Indicators: These indicators help identify trends and potential trading opportunities. Examples include the Moving Average, Relative Strength Index (RSI), and Bollinger Bands.
2. Momentum Indicators: These indicators measure the rate of change of an asset's price over a given period. Examples include the RSI, Stochastic Oscillator, and Momentum Indicator.
3. Volatility Indicators: These indicators measure the degree of price movement or volatility. Examples include the Average True Range (ATR) and Bollinger Bands.
4. Pattern Recognition Indicators: These indicators help identify specific chart patterns, such as head and shoulders or triangles. Examples include the Ichimoku Cloud and the Keltner Channel.
5. Statistical Indicators: These indicators use statistical methods to analyze market data. Examples include the Exponential Moving Average (EMA) and the Simple Moving Average (SMA).

Popular Technical Indicators and Studies on TradingView.com

Some of the most popular technical indicators and studies available on TradingView.com include:
1. Moving Average: A simple moving average calculates the average price of an asset over a given period.
2. Relative Strength Index (RSI): The RSI measures the magnitude of recent price changes to determine overbought or oversold conditions.
3. Bollinger Bands: Bollinger Bands consist of a moving average and two standard deviations plotted above and below the average.
4. Stochastic Oscillator: The stochastic oscillator compares the closing price of an asset to its price range over a given period.
5. Ichimoku Cloud: The Ichimoku Cloud is a comprehensive technical analysis system that inclues multiple indicators, including the Tenkan-sen, Kijun-sen, and Senkou Span.
6. Keltner Channel: The Keltner Channel is a volatility-based indicator that plots two lines above and below a moving average.
7. Average True Range (ATR): The ATR measures the average true range of an asset over a given period.
8. Exponential Moving Average (EMA): The EMA is a type of moving average that gives more weight to recent price data.
9. Simple Moving Average (SMA): The SMA is a type of moving average that calculates the average price of an asset over a given period.
10. Stochastic Momentum Index (SMI): The SMI is a momentum indicator that measures the rate of change of an aset's price over a given period.

How to Use Technical Indicators and Studies

To get the most out of technical indicators and studies, it is essential to understand how to use them effectively. Here are some tips:
1. Combine Indicators: Combining multiple indicators can help confirm trading signals and reduce false positives.
2. Use Multiple Time Frames: Analyzing multiple time frames can help identify trends and patterns that may not be visible on a single time frame.
3. Adjust Parameters: Adjusting the parameters of an indicator can help tailor it to your specific trading strategy.
4. Use Indicators in Conjunction with Fundamental Analysis: Combining technical indicators with fundamental analysis can help provide a more comprehensive view of the market.
5. Backtest Indicators: Backtesting indicators can help evaluate their performance and identify potential biases.

Conclusion

Technical indicators and studies are powerful tools that can help traders analyze and predict market movements. By understanding the different types of indicators and studies available on TradingView.com, traders can develop a comprehensive trading strategy that incorporates multiple indicators and studies. Remember to combine indicators, use multiple time frames, adjust parameters, and backtest indicators to get the most out of technical indicators and studies.

Chapter 6: Creating and Customizing Charts

As a trader, having the right tools and information is crucial for making informed decisions. Charts are an essential component of any trading strategy, providing valuable insights into market trends and patterns. In this chapter, we will explore the process of creating and customizing charts on TradingView.com, a popular platform for traders and analysts.

Creating a Chart on TradingView.com

Creating a chart on TradingView.com is a straightforward process that can be completed in a few steps.
1. Log in to Your TradingView.com Account: Start by logging in to your TradingView.com account. If you don't have an account, you can create one by signing up on the TradingView.com website.
2. Select the Symbol: Once logged in, navigate to the "Symbols" tab and select the symbol you want to chart. You can search for symbols by typing in the symbol name or by using the "Search" function.
3. Create a New Chart: Click on the "Create a New Chart" button to create a new chart. You can also create a new chart by clicking on the "New Chart" button in the top-right corner of the TradingView.com window.
4. Select the Chart Type: Choose the type of chart you want to create. TradingView.com offers a variety of chart types, including line charts, candlestick charts, and more.
5. Customize the Chart Settings: Customize the chart settings to suit your needs. You can adjust the chart size, grid lines, and other settings to create a chart that meets your requirements.

Customizing Charts on TradingView.com

Customizing charts on TradingView.com is an essential step in creating a chart that meets your specific needs. Here are some tips for customizing your charts:
1. Add Indicators: Add indicators to your chart to gain insights into market trends and patterns. TradingView.com offers a wide range of indicators, including moving averages, RSI, and more.
2. Add Drawings: Add drawings to your chart to highlight specific patterns or trends. You can add lines, shapes, and other drawings to your chart to create a visual representation of your analysis.
3. Add Alerts: Set up alerts on your chart to notify you of specific market events or price movements. You can set up alerts based on price movements, volume, and other market indicators.
4. Customize the Chart Grid: Customize the chart grid to suit your needs. You can adjust the grid lines, grid spacing, and other settings to create a chart that meets your requirements.
5. Save and Share Your Chart: Save and share your chart with others. You can save your chart as a template or share it with other traders and analysts.

Advanced Chart Customization

In addition to the basic customization options, TradingView.com offers advanced customization options that allow you to create complex charts and indicators. Here are some tips for advanced chart customization:
1. Create Custom Indicators: Create custom indicators using the TradingView.com PineScript programming language. You can create custom indicators that meet your specific needs.
2. Use Custom Drawings: Use custom drawings to create complex patterns and shapes on your chart. You can create custom drawings using the TradingView.com drawing tools.
3. Customize the Chart Layout: Customize the chart layout to suit your needs. You can adjust the chart size, grid lines, and other settings to create a chart that meets your requirements.
4. Use Advanced Chart Settings: Use advanced chart settings to customize your chart further. You can adjust the chart settings to suit your specific needs.

Conclusion

Creating and customizing charts on TradingView.com is a powerful way to gain insights into market trends and patterns. By following the steps outlined in this chapter, you can create complex charts and indicators that meet your specific needs. Whether you're a seasoned trader or a beginner, TradingView.com offers a range of tools and features that can help you create charts that meet your specific needs.
Chapter 7:

Introduction to Trading Strategies

As a trader, having a solid understanding of various trading strategies is crucial for making informed decisions and maximizing profits. In this chapter, we will explore popular trading strategies, their underlying principles, and how to implement them on TradingView.com. By the end of this chapter, you will have a comprehensive understanding of various trading strategies and how to apply them using TradingView.com's powerful platform.

Introduction to Trading Strategies

Trading strategies are pre-defined rules or methods used to make trading decisions. These strategies are designed to help traders navigate the markets, identify profitable opportunities, and minimize losses. Trading strategies can be categorized into several types, including:
· Trend following strategies: These strategies aim to identify and ride the trend, whether it's an uptrend or a downtrend.
· Range trading strategies: These strategies focus on identifying and trading within a specific price range.
· Mean reversion strategies: These strategies rely on the idea that prices will revert to their historical means.
· Statistical arbitrage strategies: These strategies involve identifying mispricings in the market and exploiting them.

Popular Trading Strategies

2.1 Trend Following Strategies
Trend following strategies are designed to identify and ride the trend. These strategies involve identifying the direction of the market and trading in that direction. Some popular trend following strategies include:
· Moving Average Crossover (MAC): This strategy involves identifying the crossover of two moving averages to determine the direction of the trend.
· Relative Strength Index (RSI): This strategy involves identifying overbought or oversold conditions using the RSI indicator.
· Bollinger Bands: This strategy involves identifying breakouts above or below the bands to determine the direction of the trend.
2.2 Range Trading Strategies
Range trading strategies focus on identifying and trading within a specific price range. These strategies involve identifying support and resistance levels and trading within the range. Some popular range trading strategies include:
· Support and Resistance Trading: This strategy involves identifying key support and resistance levels and trading within the range.
· Channel Trading: This strategy involves identifying and trading within a specific price channel.
2.3 Mean Reversion Strategies
Mean reversion strategies rely on the idea that prices will revert to their historical means. These strategies involve identifying overbought or oversold conditions and trading in the opposite direction. Some popular mean reversion strategies include:
· Mean Reversion Trading: This strategy involves identifying overbought or oversold conditions and trading in the opposite direction.
· Statistical Arbitrage: This strategy involves identifying mispricings in the market and exploiting them.
2.4 Statistical Arbitrage Strategies
Statistical arbitrage strategies involve identifying mispricings in the market and exploiting them. These strategies involve analyzing historical data and identifying statistical anomalies. Some popular statistical arbitrage strategies include:
· Statistical Arbitrage: This strategy involves identifying mispricings in the market and exploiting them.
· Event-Driven Trading: This strategy involves identifying and trading on specific events, such as earnings announcements or mergers and acquisitions.

3.

Implementing Trading Strategies on TradingView.com

TradingView.com is a powerful platform that allows traders to implement and backtest various trading strategies. Here are some steps to follow when implementing trading strategies on TradingView.com:
1. Create a new chart: Open a new chart on TradingView.com and select the asset you want to trade.
2. Add indicators: Add the indicators you want to use for your trading strategy. For example, you may want to add a moving average crossover indicator.
3. Set parameters: Set the parameters for your indicators. For example, you may want to set the period for your moving average crossover indicator.
4. Backtest the strategy: Backtest your strategy by running a backtest on TradingView.com. This will allow you to evaluate the performance of your strategy.
5. Refine the strategy: Refine your strategy by adjusting the parameters and testing different scenarios.

Conclusion

In this chapter, we have explored popular trading strategies and how to implement them on TradingView.com. By understanding various trading strategies and how to apply them using TradingView.com, you can make informed trading decisions and maximize your profits. Remember to always backtest and refine your strategies to ensure optimal performance. In the next chapter, we will explore advanced trading strategies and how to use them to improve your trading performance.

Chapter 8:

Backtesting and Evaluating Trading Ideas

As a trader, it's essential to test and refine your trading ideas before implementing them in live markets. Backtesting and evaluating your trading ideas can help you identify potential flaws, optimize your strategy, and increase your chances of success. In this chapter, we'll explore the process of backtesting and evaluating trading ideas using TradingView.com, a popular platform for charting and backtesting trading strategies.

What is Backtesting?

Backtesting is the process of applying a trading strategy to historical market data to evaluate its performance. It allows you to test your trading idea on past data to see how it would have performed in real-time. By backtesting your strategy, you can:
1. Identify potential flaws in your strategy
2. Optimize your strategy for better performance
3. Refine your strategy to improve its accuracy
4. Evaluate the strategy's risk-reward ratio

Why Backtest?

Backtesting is crucial for several reasons:
1. Risk management: Backtesting helps you identify potential risks associated with your trading strategy.
2. Strategy optimization: Backtesting allows you to refine your strategy to improve its performance.
3. Performance evaluation: Backtesting enables you to evaluate the performance of your strategy and make data-driven decisions.
4. Confidence booster: Backtesting gives you confidence in your strategy, reducing the risk of emotional trading decisions.

How to Backtest on TradingView.com

TradingView.com offers a range of tools and features for backtesting trading ideas. Here's a step-by-step guide to get you started:
1. Create a new chart: Open TradingView.com and create a new chart for the asset you want to backtest.
2. Select the data range: Choose the time period for which you want to backtest your strategy. You can select a specific date range or use the default settings.
3. Add the strategy: Click on the "Indicators" tab and add the strategy you want to backtest. You can use built-in indicators or create your own custom indicators.
4. Set the parameters: Configure the strategy's parameters, such as the number of bars to look back, the number of trades to take, and the stop-loss levels.
5. Run the backtest: Click the "Run" button to start the backtest. TradingView.com will apply your strategy to the selected data range and provide performance metrics.
6. Analyze the results: Review the backtest results, including the strategy's profit/loss, drawdown, and other performance metrics.

Evaluating Trading Ideas

Evaluating your trading idea is a crucial step in the backtesting process. Here are some key metrics to consider:
1. Profit/Loss: Calculate the total profit or loss generated by your strategy.
2. Drawdown: Measure the maximum loss experienced by your strategy.
3. Sharpe Ratio: Calculate the Sharpe Ratio to evaluate the strategy's risk-adjusted performance.
4. Sortino Ratio: Use the Sortino Ratio to evaluate the strategy's risk-adjusted performance, focusing on the maximum drawdown.
5. Information Coefficient: Calculate the Information Coefficient to evaluate the strategy's ability to generate profits.

Best Practices for Backtesting

To get the most out of backtesting, follow these best practices:
1. Use a robust data set: Ensure your data is accurate and free from errors.
2. Test multiple scenarios: Test your strategy on different time frames, assets, and market conditions.
3. Monitor performance metrics: Keep track of your strategy's performance metrics and adjust as needed.
4. Refine your strategy: Continuously refine your strategy to improve its performance.
5. Avoid overfitting: Be cautious of overfitting, where your strategy performs well on the training data but poorly on new data.

Conclusion

Backtesting and evaluating trading ideas is a crucial step in the trading process. By using TradingView.com and following best practices, you can refine your trading strategy, optimize its performance, and increase your chances of success. Remember to evaluate your strategy's performance using relevant metrics and refine it continuously to improve its performance. With practice and patience, you'll develop a robust trading strategy that can withstand the challenges of the markets.
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