Large red scaly patches on skin around rough edges that are raised

Ai_Prompts_Batch_0001:\ part-E_ [ Resultset (\) ]

2024.05.20 01:08 Stan_B Ai_Prompts_Batch_0001:\ part-E_ [ Resultset (\) ]

Would you have a concluding word to such world's setting?

Absolutely! Here are a few closing word options for your high-tech, low-life world, depending on the tone you want to achieve:
Hopeful:
In the flickering neon glow of the lower districts, a spark of rebellion ignites. Despite the hardships, the human spirit endures, seeking connection, hope, and a chance to build a better future.
Bittersweet:
The high towers of the elite cast long shadows over the bustling streets below. In this world of stark contrasts, the lines between survival and prosperity blur. But even in the darkest corners, love, ingenuity, and a flicker of defiance persist.
Grim:
The gears of progress grind on, leaving a trail of waste and despair. In this high-tech dystopia, the gap between the haves and have-nots grows ever wider. Will the lower districts rise up, or will they be forever locked in the underbelly of a world they can only glimpse from below?
Open-Ended:
Beneath the neon sky, stories unfold. Tales of hardship and hope, of rebellion and resilience. The future of this high-tech world hangs in the balance, waiting to be written by the choices of those who inhabit it.
Choose the closing word that best captures the essence of your story or setting. Remember, the world you've created is rich with possibilities, and the ending doesn't have to be definitive. It can leave your readers pondering the fate of its characters and the future of this complex and ever-evolving society.

If you should pick an item or an object that would clearly and cleverly symbolized such world, what would that be?

Here are two options for an item that symbolically represents the high-tech, low-life world:
  1. The Glimmering Shard:
  1. The Glitching Holographic Ring:
Both of these items are small, versatile, and can be interpreted in multiple ways, making them powerful symbols of the high-tech, low-life world. The choice ultimately depends on the specific tone and message you want to convey in your story.

Try something bit more distinct and specific.

How about the "Hacked Heart"?
Here's the breakdown:
This Hacked Heart offers a unique and distinct symbol of the high-tech, low-life world. It captures the struggle for authenticity, the desire for connection, and the pervasive influence of technology in every aspect of life.

How about straight up hacksawed hearth?

The "hacksawed hearth" is a very evocative image, but on its own, it might be a little too literal. Here are a few ways we can build on this concept to create a more symbolic and distinct object for your high-tech, low-life world:
  1. The Hacksawed Hearth Relic:
  1. The Hacksawed Hearth Stove:
  1. The Hacksawed Hearth Hologram:
These are just a few ideas to build upon the "hacksawed hearth" concept. Each option creates a distinct symbol for your world, capturing the struggle, resourcefulness, and yearning for connection within a high-tech, low-life society.

Apologies, i meant hacksawed heart.

Ah, a "hacksawed heart" takes the concept a whole new level! Here are some potential interpretations for this unique symbol in your high-tech, low-life world:
  1. The Literal Hacksawed Heart:
  1. The Hacksawed Heart Pendant (Metaphorical):
  1. The Hacksawed Heart Hologram:
These are just a few interpretations of the "hacksawed heart" symbol. Each one offers a unique perspective on the world, highlighting different aspects of the struggle between technology and humanity, vulnerability and resilience, and the fight for emotional connection in a harsh environment.

And how about hacksawed earth?

The "hacksawed earth" is a powerful and evocative image for your high-tech, low-life world. Here are a few interpretations that capture different aspects of this society:
  1. The Broken Globe:
  1. The Cracked Terrain Model:
  1. The Fractured Hologram:
These interpretations of the "hacksawed earth" symbol each offer a compelling way to visualize the societal and environmental consequences of the high-tech, low-life world. They highlight the impact on the environment, the fragility of the system, and the call for change.

What would be the very best thing in such world?

The "best thing" in a high-tech, low-life world depends on perspective and what holds the most value for different people. Here are a few contenders:
For the Struggling Masses:
For the Elite:
A Different Perspective:
Ultimately, the best thing in this world depends on your story and the characters' values. What are they fighting for? What would make their lives better? By exploring these questions, you can create a compelling world where the "best thing" is a powerful motivator for your characters and a reflection of the themes you want to explore.

What would be the best possible symbol for high-tech-based dominance?

Here are a few options for a symbol of high-tech dominance in your world, each capturing a different aspect of technological control:
  1. The Augmented Eye:
  1. The Neural Network Spire:
  1. The Glimmering Hand (Data Hand):
These symbols all offer a distinct way to represent the dominance of high-tech in your world. Consider the specific aspects of technology you want to highlight and the message you want to convey. These options provide a starting point to create a powerful symbol that embodies the oppressive yet awe-inspiring nature of technology in a high-tech, low-life society.

What would be the best set of symbols for resistance movements within such high-tech low-life settings?

In a high-tech, low-life world, symbols for a resistance movement need to be subtle, easily hidden, and adaptable to a world saturated with technology. Here are a few options that capture the spirit of rebellion in this unique setting:
  1. The Flickering Flame:
  1. The Glitching Gear:
  1. The Broken Wing:
  1. The Hacked Flower:
These symbols are just a starting point – get creative and consider the specific values and goals of your resistance movement. Remember, the best symbols are those that resonate with the characters and the audience, conveying the essence of rebellion in a way that is both meaningful and visually striking.
submitted by Stan_B to HTLL [link] [comments]


2024.05.20 01:05 RealJoeCracker If Ataru filed a restraining order “Fan Fiction”

If Ataru filed a restraining order “Fan Fiction”
After seeing this post https://x.com/rumictwt/status/1790865042306683179?s=46&t=LecUCC1i5nxAoNal6ytoqg
I thought of a story where Ataru does just that. I hope you enjoy.
What? A restraining order! By Robert C. McGee
It’s night at the Moroboshi house. Ataru is on the phone with someone right after getting home, on the other end is a man in a three piece suit.
Man: I understand your situation. Seeing how these aliens are especially this one someone needs to put them in their place.
Ataru: Thank you very much sir.
Man: I’ll speak with who I need to speed this along. Goodbye sir.
Ataru: Thank you.
Lum is curious to who he’s talking to on the phone at this time of night.
Lum: Darling, who are you talking to?
Ataru: I was talking to Megane about our upcoming exam.
Lum: You were calling a girl weren’t you. It sounded like she was enjoying it.
Ataru: Well.
She gets angry and shocks him.
Ataru’s Mom: It’s surprising he’s still alive.
Ataru’s Dad: He’s very resilient.
The next morning, there is a knock on the door. Ataru’s mom answers the door.
Ataru’s Mom: Yes.
Young man: Is Lum here? I have something very important.
Lum: It’s for me?
She flies down to see what it is. He hands him the paper.
Lum: What is this?
Young man: You’ve been served.
The young man jumps on his bike and rides away like a madman. Ataru’s mom looks at the paper.
Ataru’s Mom: It’s a restraining order against you.
Lum: Huh?
Ataru: That’s right. You are not allowed within 50 kilometers of me or my house.
Ataru’s Mom: Ataru? How could you do this?!
Ataru: I’d rather spend the rest of my life without getting electrocuted, now pack up your things and leave.
He walks right by them out on his way to school.
Lum: Does this really mean I have to leave?
Ataru’s Mom: For now but I’ll talk with him and get him to change his mind.
Ten was waking up as Lum was flying back upstairs.
Lum: Ten, we have to leave.
Ten: Why Lum.
Lum: Darling doesn’t want me here anymore.
Meanwhile Ataru was walking to school with a newfound confidence. He can’t believe he finally got away from Lum and she can’t get near him or touch him.
Ataru: Uahh! It’s a new beginning, a new day without having to deal with the threat of being electrocuted.
Cherry the ever present monk watches Ataru as he walks by.
Cherry: There is something different about Moroboshi. This can only be a bad omen.
He also watches as a UFO lands near him. A large tall Oni woman gets out and approaches him with her tongue sticking out only to leave.
Cherry: I was right. A bad omen.
Later in class Lum’s absence is very apparent apparent to everyone.
Megane: Hey Ataru, Is Lum sick or something?
Ataru: No, I finally got smart and put a restraining order against her.
Megane: (Angry) You what?!
He’s visibly upset.
Shuutarou: Has Miss Lum become such a bother that you have resorted to such drastic measure?
Ataru: You try living with her and see what I had to go through.
Megane: That’s not a bad idea, maybe she’ll want to stay at my place.
Shinobu hears the whole thing and picks up her desk.
Shinobu: Ataru! You’ve gone too far this time.
At that moment the boys are looking outside the window.
Boy 1: Hey look it’s Lum!
Megane runs to the window and gets out his binoculars.
Megane: That’s not Lum, but whoever she is she looks a bit taller.
Ataru hears the commotion and looks to the window and sees the strange Oni girl through Megane’s binoculars.
Ataru: She looks like trouble to me.
Megane: Just because she’s an Oni you think the worst?
Ataru: I’m staying as far away from her as possible.
It isn’t too long until Lum and Ten come across the strange Oni woman’s UFO.
Lum: Who’s UFO does this belong too?
Ten: It seems old and abandoned.
Lum: It is old, the paint is fading. Let’s check it out.
Lum looks around the outside and finds a marker.
Lum: (reading) Property of Vanu
She also notices the outer hatch is cracked open. When she peaks inside they are both overtaken by the smell.
Ten: What’s that smell?
Lum carefully takes a whiff.
Lum: It’s perfume. Laced with synthetic human pheromones.
Lum begins to get angry.
Lum: (angry) This girl is playing dirty.
She notices Ten about to fant.
Lum: Ten!
Cherry: Lum, I saw her. She’s a terrible sight to behold.
Lum: Cherry, can you keep an eye on Ten for me.
Cherry: Oh course.
Lum flies away.
Cherry: Good luck Miss Lum, you’re going to need all of it.
Back at Tomobiki High School, Vanu has already gotten into the classroom though the window. The boys in class are already crowding around her.
Vanu: Boys, boys, boys!
Ataru: Yeah that’s us. Seeing how you’re so cute you wanna leave this place with me?
Megane: Leave her alone Ataru, you got Lum remember?
Ataru: Yeah but I still got that restraining order.
Megane: Then just tear it to shreds, I want this girl.
Vanu looks at her options carefully but right before she could act she finds herself getting electrocuted. She turns around and finds Lum right outside the window.
Lum: Vanu! Leave my darling alone.
Vanu: Darling?
Ataru: She’s talking about me.
Vanu sees Ataru as the most attractive among the boys, she grabs him and jumps out of the window.
Ataru: Hey babe not so rough.
She runs with Ataru in her hands, Lum follows trying to shock Vanu.
Ataru: Oh officer! I have a restraining order against that Oni girl flying above us.
Lum flies up higher above 50 kilometers and continues pursuit.
Lum: You let my darling go!
Vanu: He’s my darling now!
She makes it back to her UFO and takes Ataru onboard. Once onboard she closes the hatch, Ataru is overwhelmed by how much the UFO smells just like her and he’s overtaken by the pheromones
Ataru: He he he he. It smells so good in here. I want to stay in here.
Vanu: Glad you like it darling, do you want to see my play room?
Ataru: Yeah I’m ready to play.
She leads him though the corridors until they come into a room filled with a bunch of rough toys and gadgets. Ataru is immediately a gasped by what he sees.
Ataru: I think I’d prefer your bedroom.
Vanu: What’s a matter darling, you don’t like toys?
Ataru: I’m 17, I’m clearly too old for toys.
Vanu: Not these toys.
Outside the UFO Lum is trying to way in. Benten comes flying by on her bike.
Benten: Hey Lum, what are you doing with that old thing.
Lum: I don’t have time to explain Benten, some strange girl is in there with Darling.
Benten gets off her bike and starts hammering in the door.
Benten: Hey Ataru! Come out of there already!
Vanu can hear the constant hammering.
Vanu: Wait for me Darling.
Ataru is relieved that he’s no longer in the room with her. He starts looking for places to hide. Benten still hammering on the hatch.
Benten: Come out already!
Lum: Let him go you darling thief!
Vanu has had enough and starts taking measures to drive them away.
Benten: Lum look out!
A beam fires in their direction.
Benten: Those old models aren’t supposed to have weapons like that.
Lum: Let him go.
She begins to change up for an electric shock.
Benten: No point in that Lum. The Outer hull is insulated.
Vanu emerges from her ship.
Vanu: He clearly doesn’t want you anymore.
Ataru sees the opportunity to jump out he runs behind Lum.
Ataru: (scared) Oh help me Lum this girl is crazy!
Lum: (angry) What about that restraining order?!
Ataru: Forget about that and just please keep her away.
Lum: Follow me.
They both run away. Vanu watches as they run.
Benten: Hold it! Your not going anywhere accept back into space!
She punches Benten to the ground and runs after them.
Benten: (delirious) That really hurt.
Lum takes Ataru as far away and as fast as possible. Until she finds an alley way they can hide in.
Lum: I think we lost her.
Lum peeks out. She sees Vanu at a distance.
Lum: She’s getting closer.
Ataru watches as Vanu gets close and knocks Lum to the ground. Ataru is surprised to see that her hand is suddenly like metal and tuns back into normal flesh again.
Vanu: Come along darling.
He notices Lum is down but not entirely out.
Ataru: Okay but that was impressive. I’m curious can you make your entire body like metal?
Vanu: Sounds like you prefer metal Oni over electrical.
She transforms her entire body into metal.
Vanu: Does this please you darling.
Ataru: It sure does. Now Lum!
Lum grabs her leg and shocks her, it’s very painful forcing her to run away. Ataru pulls Lum closer to him and soon they both watch as her UFO takes off leaving Earth. Later at home, he has Lum, Benten, Ten, Cherry, Megane, Shuutarou, his mom, along with the lawyer he spoke with last night.
Ataru: Incase you all want to all want to know why you’re here is so you can witness what I’m about to do.
He takes out the restraining order and begins to tear it into pieces and throws the peaces into his trash can.
Ataru: Lum, my house is your home away from home.
She smiles, flies next to him and starts clinging to him like always.
Lum: Oh darling.
Lawyer: It was nice doing business with you young Moroboshi. I’ll take my leave.
The lawyer leaves and soon Megane, Shuutarou, Cherry and Ten go out of the room as well.
Megane: Good luck with Lum Ataru.
Benten: Husbands can always be unpredictable right Mrs. Moroboshi?
Ataru’s Mom: I’m just glad to see them getting along again.
THE END.
submitted by RealJoeCracker to uruseiyatsura [link] [comments]


2024.05.20 01:04 throwawayyyy3273 Oily skin irritating POD during treatment, how to properly cleanse?

I’m on day 5 of 100 mg of doxycycline twice daily and metronidazole cream twice daily, the doxycycline of which I’ve been prescribed for 3-4 months and the metro cream indefinitely. I’ve been instructed to keep the affected areas (around my nose and on my chin) free of any other products and to minimize skin cleansing. I am using the Ordinary’s Azealic Acid 10% suspension to help manage some of the texture but am unsure if I’m making any progress.
However, my skin is naturally extremely oily and I feel like cleaning it with only water has caused it to be red, raw, irritated and fragile. The area where the edge of my nostril meets my skin is so raw that it’s taken on a particularly nasty appearance since ceasing my routine and weeps pus occasionally—it almost reminds me of intertrigo. I also notice throughout the course of the day as I sweat and become oilier, the appearance of the POD worsens and becomes significantly more red and inflamed, typically with 4-6 new papules and pustules by the end of each night.
Is this a normal part of the healing process? I’m miserable both physically and mentally.
submitted by throwawayyyy3273 to Perioral_Dermatitis_ [link] [comments]


2024.05.20 00:58 ApparatusOfFiction It came from the swamp, with a smile (Chapter 63)

First Previous
**Memory transcription subject: Xithan, … hungry Arxur**
*Date [standardized human time]: October 13, 2136*
Holding my gift, I let my eyes slide shut, the idle chatter between Cotton and Upsilta threatening to lull me back to sleep. I had pulled myself up onto my bunk, letting my back rest against the wall, with my tail wrapped around me. This was… pleasant. Calm. I could exist, without the sensation of suspicious eyes constantly on me.
I’m free.
A loud Cotton noise caught my attention– it had to be them, of course, as venlil did not make that same kind of boisterous… laughter, was it? My eyes lazily opened, and I looked to see the two of them sitting next to each other on Cotton’s bunk. The human was laying back on their bed, their legs nearly bouncing with the occasional wheeze between laughs. Upsilta’s face had bloomed orange, most noticeable around their eyes and ears. I wasn’t sure what I had missed, but… it was still odd, to see predator and prey so friendly with one another. Even with all I had seen recently, the Dominion’s teachings still came to mind, trying to tell me what I was seeing was a lie.
Of course, it wasn’t. My eyes couldn’t lie to me, and the Dominion had no power over me. Not here, anyway.
Heavy footsteps were heard at the doorway to the bunks, and Cotton’s laughter was stifled as the human shuffled to sit up. A stressed, exhausted face peered out, glancing across the room. The angry gojid tried not to flinch when she met my eyes, but she didn’t hide it well. Realizing I would have to take more care with my behavior again, I turned my head away, trying to avoid setting off her prey instincts.
Why… am I irritated by this? I’m used to adjusting my behavior around other for all my years–
You didn’t have to do it, a few moments ago.
“Krosa!! Ya changed your mind on the bath–?”
“NO.”
Cotton seemed to deflate at this, sighing before flopping back onto their bunk, letting out an annoyed noise. The venlil gave her a few ear flicks, and a content wag of his tail; probably trying to soothe her. Krosa let out an irritated exhale, before moving towards the human and venlil pair. Surprisingly, she had turned her back to me.
There they were, chatting again. The gojid’s voice was low, Cotton’s energetic as usual, and Upsilta’s, well, soft. Not as soft as his blessed fur, but still.
They paid me no mind as they chatted, and I enjoyed the feeling of sinking into the background. Not having attention on me was… pleasant. I rubbed my snout against my soft, red gift, content at how I was–
Growl.
I blinked, the silence of the room feeling entirely too loud following the rumbling of my stomach.
Hunger.
Looking up, I saw the gojid facing me, her spines up. The venlil seemed anxious as well, moving closer to their human. I couldn’t blame them. But it still–
“See?! How the hell are we supposed to– he eats FLESH, and there’s nothing for him on this shuttle–”
“Krosa.”
“I warned you this was what would happen if we took in a blasted arxur–”
“Krosa.”
“What, Cotton–?”
The tense back and forth made the air in the room feel thick, with the human seeming to get more… frustrated as the gojid’s ranting continued. Cotton looked at me for a moment, before looking back at the angry, prickly creature in front of them.
They’re going to tell.
“I have meat for him.” The fluffy-haired human firmly answered, a gritted stare watching as the gojid processed–
“You. You WHAT?!”
The incredulous rage nearly exploded out of the gojid, as she let out a frustrated snarl; to which Cotton stayed still, refusing to flinch.
“After– AFTER EVERYTHING! You, you brought meat?! And you think you can get upset when– when our kind calls you a predator, for this kind of shit–”
The tenseness of the human felt… odd, with how they normally were. Upsilta already knew of their secret, and didn’t seem angry; but still had an air of uncertain disappointment.
“There’s no changin’ what he can eat, Krosa. An’ I got something we can use to keep him fed without killin’ anything. Just need a sample–”
“NO. God– no, what the FUCK– I should have stayed in my room, you, you’re just–”
Cutting off Cotton, Krosa stepped away from the human and venlil pair, turning to give me a glare, before retreating from the bunk room. Upsilta hopped up from Cotton’s bunk, scurrying to the door and calling out to her. Cotton sat where they were, looking… tired.
“... You have, more meat?” I quietly asked, and the golden-haired human looked up at me, before nodding.
“Yeah. I brought, ah, two bags. I’ll give ya the other one… was hoping the first one would last ya longer, but…” They sighed, pulling their backpack towards them, and starting to dig. They pulled out another bag of dried meat, setting it next to themselves. I could feel my mouth water, and my heart skip a beat at the sight.
Food.
“Cotton?” A soft voice called, as the venlil returned– but stayed in the doorway, not committed to re-entering.
“Yea?” The human replied, still digging through their items; they’d laid out a few that didn’t seem to be what they were looking for.
“What… what did you mean, you have something that can keep… Xithan fed?”
Wait. What exactly did the human mean with this? Although I was fixated on the bag of meat rations, I pulled my eyes away to watch the human, catching the sight of them pulling out a cylindrical, metal object.
“Welllll… ah never told ya why I got, uh, kicked outta the program, did I?”
The venlil’s head tilted, their ears giving a confused twitch. Program - that must have been that human-venlil exchange program. Cotton could see my hunger, and made a motion to mimic… throwing the bag at me? I sat up straighter, and watched as the human effortlessly tossed the bag my way, right into my greedy claws. Unceremoniously, I tore into the plastic, digging out pieces of the dried meat and stuffing them into my gullet.
“So, ah… s’cause of this thing.” Cotton continued, gently tapping the metal cylinder. I glanced up, seeing Upsilta watching me, his fur puffed up, before forcing his gaze to his human.
“Speh, what… well, what is it? It.. it’s not a weapon, right?” The venlil chirped back, their tail swishing back and forth anxiously. The human let out a small laugh, their golden curls bouncing as they shook their head. “Nahhh, well. It ain’t a weapon to me, but… maybe to some of y’all, uh. ‘Prey’, species?”
I hadn’t realized how hungry I was. It… it was a little peculiar, having meat that was dried, but it still tasted good. It still satisfied my hunger. And I didn’t have to tear into a freshly killed gojid, either or eat those processed rations.
“Ah, well, the airport security sure as hell thought it was a weapon. Fuckin’ tool– wonder how long it took for his face to get fixed back up…” Those last words were nearly hissed, an odd glint in the human’s eye. A moment where they eerily reminded me of the humans on the Cradle– how on Wriss could they go from seemingly harmless, to something I’d hate to be on the bad side of–
You bit off two of their fingers. Was that not enough to be on their bad side?
I swallowed a large piece of dried meat. Apparently, that wasn’t the sort of thing that made Cotton upset. Whatever this ‘airport security’ did, evidently had made the human angry.
“–anyway, yea, this ain’t a weapon. S’a way for us to grow food.” The fluffy haired human beamed, looking towards their venlil for approval.
“S-so, no more rations?” Upsilta treaded, and the human let out an anxious laugh.
“U-uh, that’s the thing. It’s food… for me an’ Xithan.”
“... Wait, you mean–?”
“Meat.”
I had paused from my ravenous snacking, answer the venlil’s question for the human. Cotton looked at me, a gentle expression on their face. “Yea, s’right Xithan. Can make meat with this thing. Or, at least, duplicate a sample–”
“Sample?!” Upsilta squeaked out, and Cotton nodded. “Yeah, but hell, I’m fine with doin’ it–”
“NO.” I growled, my tail giving an irritated whip. The human looked at me, seemingly… hurt?
“.. Aww, c’mon, I’m fine with cutting out a piece, it wouldn’t even hurt–”
“Human, did you not hear me before? I would rather starve than ever taste human flesh again.”
The human sighed, rubbing their hair with their good hand. “Listen, I know it wouldn’t taste… the best, but, hell, I’d be willin’ to do it. The thing needs a fresh sample, it doesn’t really like dried or older ones for some reason–”
“I do not care. I refuse to eat your flesh– it was foul, rancid, and made me contemplate just giving up meat and dying.” The growl of my voice grew louder, and Cotton seemed unwilling to back down despite it.
“Fine, maybe… ah, fuck, I can hunt somethin’ down there–”
“Do you really think the gojid will entertain that?” I hissed, my heavy tail smacking against my bunk. “What about the venlil–?”
“Xithan, his NAME is Upsilta. And– shit, I don’t know, I’d just figure it out. There’s enough space on this damn ship to hide a carcass somewhere–” They were frustrated, but it didn’t matter– I would rather starve than taste that disgusting flesh ever again. What, by the prophet were humans made of, that tasted so wretched?
Letting out an exasperated sigh, Cotton set down their ‘meat generator’ on their bunk, before standing. The height difference wasn’t that much, but it seemed to make the human feel better. “Ya only need a lil sample– it can only make a little bit at a time, and it always needs fresh samples, but dammit, it works–”
We were at a standstill; my stubborn refusal, and their inability to back down. I opened my maw once more to remind the human–
“... I’ll do it.” Came the soft, reserved voice of the human’s venlil. Cotton’s face went a shade paler, and they whipped around to look at their exchange partner. “... Upsilta?”
The divinely fluffy venlil gave a gentle sway of their tail, meeting the human’s gaze for a moment, before looking away. Cotton was crouched in front of them, their hands grasping the prey’s shoulders. “... You don’t, you don’t have to do this, s’okay, I’ll figure it out–”
The venlil raised a paw to touch the human’s injured hand. “... You gave enough, already. Plus… he already said he wouldn’t eat your… flesh.” A gentle whistle of a laugh followed that, and then the human was gently holding the venlil’s face, their voice… strained.
“Are… are you sure? I don’t… I don’t wanna ask this of ya.” I couldn’t see their expression, as their back was turned to me, but I could safely assume it wasn’t a happy one.
“It’s… not like you will be able to catch anything in space. And.. Xithan is right; Krosa would probably have your head if she saw you with something you… hunted.” Another paw came up, giving the human’s hand a reassuring pat, before laying their paw overtop it.
I could easily eat venlil meat. Although, it would… clearly be a bit of a sacrifice, having to give up small amounts of their own flesh.
What prey does that?
One that isn’t afraid, clearly.
And one that doesn’t think you’re a monster.
“... I can, ah. Take the sample. I’ll do everythin’ I can to make it as… quick as possible.” Cotton breathed, their shoulders seeming to slump. They evidently really hadn’t wanted their venlil to have to do this. They… cared about him.
A cream-colored fluffy tail gave the human’s side a reassuring tap, before the venlil lifted his head to meet the eyes of the worried predator in front of him.
“I trust you.”
~note: crazy right? and some of you though we wouldn't come back (we still don't have backlog please be patient)
Side story following agent "John"
credits to SpacePaladin15 for the universe: https://www.reddit.com/HFY/comments/u19xpa/the_nature_of_predators/
submitted by ApparatusOfFiction to NatureofPredators [link] [comments]


2024.05.20 00:56 orangeplr I believed in fairies as a kid. I think something terrible happened to me

I believed in fairies as a kid. More than believed in them. I think something terrible happened to me, and I've just buried it until now.
Call me a typical emotion-bottling man, but I have never considered therapy. No matter what I went through, no matter how many times I thought to myself, verbatim, that I should talk to someone about this, I just never thought of it as an option. It simply wasn't on my roster. It was just one of those things that existed on a separate plane of existence than I was living in, never to cross paths or interact lest the universe collapse in on itself.
I have no problem with therapy, don't get me wrong. It isn't like I don't understand the overall appeal. I have plenty of friends who swear by it, swear it has helped them tremendously, including my wife. It just wasn't ever something I thought was in my cards.
"I just never really thought about it," I told Alice one evening, when she had brought the topic up once again after dinner.
There was a serene sense of peace wafting through the entire house that day, and I was feeling content. It was a Sunday, and swimming season, so we had dropped Emmie off that morning at the public pool for practice and gone straight to our favorite breakfast place. The rest of the day was filled with all the conversation that had built up over the week, all the topics we couldn't fully dig into with each other while babysitting our eight year old, and lounging, all crammed in between sporadic bursts of housework and paperwork we had to catch up on. It was the perfect day, in my humble opinion. It was a lovely moment of peace in the midst of a chaotic life, as is life with kids. And now the sounds of Mario Kart drifted in from the living room, Emmie's squeals cutting through the cheery music every now and then, causing Alice and I to share small smiles of acknowledgement.
Oh, to be a child again. Still a little drenched from a post-swimming shower, full of chili, eyes glowing with the reflection of a television screen.
"Well, maybe you should." My wife was scooping leftover chili into a Tupperware with a ladle. Her hair had been tied up like it was every day after dinner, as if she planned to run a marathon rather than do the cleaning up. She wasn't looking at me, dialed into the task at hand.
It's crazy how some parts of my memory could be so good, and others nonexistent.
I reached over from where I stood before the dishwasher, sliding my arm around her waist. She gave me a look, like, what?
"I just don't think it's for me, babe," I muttered, resting my mouth on her shoulder as if I was trying to skip her ears and speak right through her skin. "You know those things make me uncomfortable sometimes."
She let out a half groan, half sigh, setting down the container and the ladle and turning to face me, draping her arms over my shoulders.
"Everything makes you uncomfortable, John."
I smiled, letting my hands fall to her hips. I knew her frustrated act was just that, an act, at least for the most part.
"It's good for you," she continued pointedly, reaching up to tap her pointer finger against my forehead as I swayed her back and forth to a nonexistent tune. "Like medicine. And I know for a fact there are some things you need to work through."
I feigned offense. "You think I'm some kind of nut job?"
"Everyone needs therapy," she snarled, pulling out of my arms, but she didn't resist when I reached out and drew her back in. "Not just nut jobs."
And that was how most of those conversations went. Some got a little more heated, ending with a lightly slammed door (so as not to wake our daughter) and a whisper-shout of "this is why you need therapy!"
I feel I'm making it sound bad, but it wasn't. Even our more serious fights never quite felt like fights. They felt like playing. We were like two cats, biting and tackling and swishing our tails, but never baring our teeth to hiss. I never felt genuine, full-bodied anger towards her, and I knew she felt the same. It sounds sappy, but we were just very in love. I sometimes felt that we had never actually left the honeymoon phase.
I'm also making it sound like that conversation was incredibly common, and it wasn't. It came up maybe once every few months. I knew she was just looking out for me. She knew me better than anyone.
We had met through mutual friends, and we had initially bonded over our terrible childhoods. We both had moms who were out of the picture, and over emotional, over compensating dads, although this manifested in vastly different ways. Alice's mother left her father for a D-list rockstar type, following him on his state wide tour. She would sometimes send Alice letters or postcards from the road, although her dad wouldn't always let her keep them if they seemed to be stained with blood or seemed to have made contact with any strange white powders.
Her dad coped with anger. He never laid a hand on her, but his shouting and the sounds of glass bottles smashing against the walls kept her up almost every night. During the days he'd take her out, buy her things, go mini golfing and bowling and to the movies. Anything to seem more fun than her mother.
My mother passed away on my seventh birthday. She was driving home from work, which was at a law firm half an hour away from our house, when it began to rain. She was texting my dad her ETA when she ran a red light and a semi truck T-boned her, completely obliterating her car.
After that, everything changed. My seventh birthday could've been my twenty-first. At night it was the worst. I remember sitting with my dad as he cried, curled up in a sobbing ball on the filthy living room carpet, whimpering like a kicked puppy. He would scream and wail so loud the walls shook. He would say, over and over as if I wasn't hearing him, sometimes mumbling and sometimes shrieking, "She was cut in half. I'm sorry sir, she's gone. No, there's no chance she survived, she was completely cut in half."
The days were almost worse. During the day, when he could decrease the helpless wails into weeping at the very least, his attention turned to me. He tried to get something out of me, almost silently begging me to break down with him. Every other second it was, "How are you feeling, son? Do you understand what's happening? You poor thing, you must be devastated, your mommy is gone... Don't you want to cry?"
But I couldn't indulge, and I didn't want to. I had to wash the sheets, because he'd pissed them again, and I didn't want him to sleep in it and smell like pee when he took me to school the next day. I had to vacuum the carpet, so the next time he curled up on it and begged God to take him too, when he finally stood up, his cheek wouldn't be caked in crumbs and dust.
I don't know if I ever truly mourned. My mother's death was more like an absence, as if someone had taken a pair of scissors and carved a chunk out of my side, or snipped off a limb. I could still feel her, I could still talk to her, but all I got back was a deep ache and a crushing silence.
I hated how people reacted when I told them my mom was dead, and had been since I was a little boy. I hated the looks on their faces when they asked how she died, and when I told them. How their mouths fell open dumbly and their eyebrows twisted and contorted in sympathetic horror. "I'm so sorry, I didn't know," they said, as if there was vomit rising in their throats, and I wanted to say, "Well, you fucking asked, didn't you?"
Alice never reacted like that. In fact, she never really even asked me what happened. We were on our second date, nursing beers while leaning against the pool table a a dingy speakeasy, when she told me about her own mom. It was the first time in a long time I actually felt like the conversation was open, like I could respond and she would listen and care, but not too much. Not an uncomfortable amount. When I told her about my parents she didn't say anything, and her pretty face didn't contort. She leaned over the corner of the pool table and kissed me on the cheek, took my hand.
The day she found out she was pregnant, we promised each other to be better, to not let our child ever have to grieve alone or feel the very specific hopeless terror that only a parent can cause.
So maybe I should have listened to her. Maybe I should have gone to therapy the first time she brought it up, the first time she told me how it had helped her get through her own terrible memories. But if I'm being honest, I didn't think I had anything to get through. I had left it in the past, I had coped so far in my own somewhat crooked way, I didn't want to dig any of that back up. I didn't want to be put back in that place where I was expected to talk, to cry, to open up. It made my skin crawl just thinking about it.
"I was always the therapist," I would say to her with a crooked grin. "And I like it that way."
Then, the dreams started.
I could tell you I don't know what triggered them, I don't know why it was now. But that wouldn't be the truth. I know exactly why I started to remember.
At first, they were brief. Nightmares that I couldn't quite recall or explain, waking up disoriented and a little sick. The rest of my day would feel strange, like I was surrounded by a thick fog. Eventually, they started to wake me up in the middle of the night, drenched in sweat and screaming, scaring the shit out of my wife. Once I ran to the bathroom and threw up, barely making it to the toilet. That was when the word "therapy" came up again.
It feels like I've been in a coma for twenty years, and I'm just waking up now.
It's so strange how different the world looks to a child.
I believed in fairies as a kid. Laugh it up if you want. When I turned four, my aunt brought me this book - we've all had one, I think. It was one of those huge hardcover books filled with information about something mythical, with little patches of fabric to simulate a mermaid's scales or a dragon's claw.
Mine was about fairies, and it was so real to me. My mom would sit up with me later than she probably should have, reading to me, placing my hand on the textures to feel. I wanted to know everything about them, I became obsessed, and naturally, my parents played along. They bought me toys, books... every year I had a fae themed birthday cake, and any kid who dared to giggle behind their hands weren't invited to next year's celebration.
When I was old enough to use the internet, supervised of course, I began further research. My mom helped me navigate Wikipedia first, and they had plenty of information to sustain me for a while. My interest turned from wings and magical powers to different types of fae from every corner of the earth, mushroom rings and their alleged distaste for iron. While I still wasn't very good at reading, I would just look at the pictures until she got home from work.
When my mom died, the fairy memorabilia began to amp up. My aunt bought me new books, gave them to me wrapped and tied with ribbons with tear filled eyes, and my dad brought them up whenever he thought I needed comforting and felt strong enough to leave the house. "Wanna go look in the forest for fairies, son?"
I'm embarrassed to admit it, but I began to worship the fairies. I was convinced they lived in the forest behind my house, just behind each tree I looked at, hiding from me. I would spend my weekends escaping into the woods with a bucket and a cheap pair of binoculars, positive that this time, this day, I would see one.
At night, when my dad finally passed out in his own puddle of tears and other bodily fluids, I would pray to them. I never believed in God, we weren't a particularly religious family, and besides, I had seen what good He had done for my dad thus far. But I believed in the fairies.
I asked them for help with my father. I asked them for peace. I asked them to bring her back to me.
They never answered.
Until they did.
It was a Friday. I remember now, I'm not sure how I could have forgotten. After school I had sprinted into the shade of the trees before my dad could stop me, gripping the hem of my shirt in my fist, the thin fabric bearing the weight of two handfuls of the shiniest silverware and most colorful buttons I could find in our dusty cabinets.
I had a plan that day. I was going to lure them to me.
My path began in a clearing where I thought a ring of mushrooms may have begun to grow... but even without that, it was just the perfect spot for fairies. I could picture them flitting between the trees, chirping to each other happily, picking wildflowers to weave into flower crowns.
I walked backwards all the way back to my bedroom window, dropping another item every few steps. When I got inside and looked out my window, I could see my trail of shiny things curve through the overgrown grass in our backyard and disappear into the trees.
I was so excited, I could hardly contain myself. Tonight, surely, they would come to me. They would show themselves, and they would help me. But after another few late hours of coddling my father, finally convincing him to drink some water and get in bed, I was exhausted. I completely forgot about my plan. When I got to my room I collapsed on my mattress, not even bothering to undress before I closed my eyes.
Then I heard it. The scratching.
I opened my eyes. The moonlight shining through my bedroom window casted strange shadows across my ceiling, shadows of the swaying grass and the creaking trees.
It was strangely silent, other than the sound. Usually there was lots of noise, or at the very least a few crickets, but not tonight. Tonight, I realized, I couldn't even hear the wind.
I sat up slowly, as if in a dream, and looked toward my window. I couldn't see anything out there, nothing glaringly obvious at least, that could be making that noise.
The scratching turned to a tap. Tap tap tap, like a fingernail against a glass. It had a playful air to it, like someone was saying, look over here!
I stood, rubbing my eyes, and stumbled over. The tapping stopped abruptly when I got to the window and peered outside, out to the dark yard, pitch black if not for the moon's glow. The grass didn't sway, the trees didn't creak. I frowned and unlatched the window, sliding it up above my head.
I was right, there was no wind. Not even a gust. Everything was still outside, like it was frozen. I actually started to believe it was frozen, that time had stopped completely somehow, before I saw it.
My trail of silverware and buttons. Sparkling softly in the moonlight.
Disappearing.
It began where the path met the trees, curving off where I couldn't follow it anymore. A fork disappeared right before my eyes, right on the edge. Just vanished, as if someone who was invisible had picked it up and stuffed it in a pocket very quickly.
Then another went, a spoon. Then a particularly large gold button. Whatever was taking them was doing what I had wanted, it was taking my bait, it was coming to me. And it was as if whatever had tapped at my window had wanted me to see this, wanted to show me.
But something felt very, very wrong.
This wasn't how I had pictured it. There was no twinkling, tiny winged thing at my window, winking at me before dashing back into the safety of the trees. There were no secrets being whispered in my ear, no fairy dust or promises of better things.
Something about this wasn't right. It felt like a mimicry, almost a mockery, of what I had imagined. Like something was trying to give me what I wanted, but was rusty at it.
I didn't want this anymore.
My stomach twisted and my hands shook as I pulled the window back down slowly, watching more glittery things disappear from the grass, growing closer and closer. As soon as it was closed I quickly locked it and pulled the blinds shut, turning my back to the window as if something would happen that I didn't want to see.
Nothing happened. The deafening silence continued for a few seconds as my ears strained to hear anything else happening outside. Then the wind picked up, and the sounds of crickets, muffled by my closed window, filled the night air.
I don't remember when I fell asleep that night, I just know I felt unnerved and jumpy for a while. I woke up the next morning feeling guilty. Had the fairies really come last night? Maybe they had come to talk to me, to bring me gifts, favors, and what had I done? I had closed my window on them. I felt ungrateful. Why had I even been scared? Because it was dark outside? What was I, a baby?
When I opened my window and peered outside, I gasped. The trail of silverware and buttons was completely gone, all the way up to the last one, which I had placed on my windowsill. In its place was a shoe. I didn't know what kind of shoe it was, but it looked sort of nice, fancy. I remember smiling out the window as I opened it, as if they were looking, and taking my gift.
How could I forget that night? How could I have forgotten what happened after? I feel crazy, either like I made it all up or like I've made up everything since then, like my life isn't truly my own.
I remember telling my dad. I remember saying, "Dad, the fairies came last night!" and the absent smile he gave me.
Until I showed him their gift. The shoe. Instantly his face went pale and he snatched it from my hands, staring at me as if I was something unholy.
"Where did you get this, Johnny?"
"The fairies, dad, I told you!"
He didn't respond. Just gave me another long, solemn look, before turning away from me, still holding the present I received close to his chest. I was upset, but I knew better than throwing a tantrum. That would be too much emotion anyways, too uncomfortable. Even back then, I didn't know how to handle those things.
I didn't show him their gifts after that. I didn't want to risk having them taken away. I tried not to be scared of the fairies, even though they always came at night, but I didn't go to my window when they came anymore. I read everywhere that fairies didn't particularly like to be seen, even though this one seemed to want to be. It always began with tapping, but otherwise complete silence that almost felt like it was swallowing me... and eventually the tapping would stop, the silence would pass, and I would fall asleep. In the morning there was always another gift for me, sitting on my window sill. A sparkly gold ring, the other matching shoe, a hat... I smiled when I took every one, wanting them to know I was grateful. And I would leave things for them too, little sweets or shiny things like coins or paperclips that I found on the ground at school.
Things seemed to get better with my dad for a while. He kept to himself more, he was quieter. At night he would cry softly in his room, rather than his uproarious wails that I used to have to quell so the neighbors wouldn't come knocking. During the day, he would talk to me, but more casually. He didn't ask me how I was feeling anymore, or tell me to let it out.
I hoped this was the fairies. I felt invincible, like I had a secret superpower that no one knew about. I was friends with fairies.
Then one night, everything changed.
It started with the tapping, as always. That night I was fast asleep, catching up on well earned rest since the nightly therapy sessions had ceased.
The tapping woke me. It was that loud. It was louder than usual... but it seemed like it stopped abruptly as soon as I raised my head to look.
That was different...
That night, I had left my blinds up and my window open by accident. Since that first night, even though I wasn't scared anymore, I had always closed them... but this time, I must have forgotten.
It was silent outside. It seemed darker than usual. I could almost make out something, a shape, way on the other side of the yard, but it was too dark and I was too far away to tell.
That feeling from that first night retuned. A twisting like a hand reaching into my stomach and mixing things around, a heavy feeling in my chest like someone had stolen all of the air from my room, even though the window was open. The silence seemed to crush me, bearing down on me from every angle, making my ribs hurt.
The feeling that something was very wrong.
I don't remember deciding to stand: looking back, I have no idea why I would do that in my state of fight or flight. I don't know if I consciously chose to. I don't remember walking over, but I remember getting there, my hands on the windowsill and my head poking out into the completely still night air.
There was something there. On the edge of the trees. Right where I had seen that first fork disappear into thin air. I squinted, leaning further into the darkness to try and make out what it was.
When I finally did, the outline taking shape as my eyes adjusted to the darkness, I began to shake uncontrollably. I remember that I tried to scream, but no sound would come. I couldn't move, couldn't do anything but stare.
Two legs stood in front of the trees, facing me. Two legs, a blood-soaked pair of slacks, no shoes on the purple, swollen feet. And a jagged, violent rip in the torso where the rest of my mother's body had been severed from its lower half.
It took me a while to realize that the legs weren't standing on their own. They began to move, jerking clumsily toward the window, like something I couldn't see was struggling to hold them up. I finally forced myself out of my trance and fell to my carpet, vomiting.
I don't remember much else about that night yet. My dad came running when I started crying, I'm sure, but he didn't see what I saw. My mom's legs were gone, or hidden. Because they weren't for him.
They were for me.
We moved after that. Before now if you had asked me why we moved so far away so suddenly, I probably would have mumbled something about the grief, and it being too hard to stay where my mother had died. But I remember why now.
It was because the next morning, when I checked my windowsill, there was a hand. My mother's hand. Purple and stiff, and missing her gold wedding ring. Reaching, fingers rested against the glass, like it was trying to get in.
Like it had been tapping.
I don't want to think about what else it might have brought, had we stayed.
That thing, whatever it was, wasn't my mother, and it wasn't a fairy. I had invited something else with all my praying, with all my naive and innocent beliefs, and with all my bottled up emotions. I had invited it, and I had let it in.
And then I had forgotten everything. Maybe I bottled that up, too.
Now I remember. Now I'm having nightmares, and waking up with that sick feeling in my gut, my eyes jumping to our closed bedroom window.
Because a week ago, my daughter woke me up very early in the morning my jumping on our bed. A week ago, she shook me awake, her eager smile stretching all the way across her face. A week ago, she told me, "Dad, the fairies came last night!"
She showed me a doll, a ballerina, with a pink tutu and beautiful long blonde hair.
And now, with all these terrible memories hitting me like cold water to the face, only one keeps me awake at night.
I asked them for help with my father. I asked them for peace. I asked them to bring her back to me.
It has granted two of my wishes, in its own twisted way. My father grew distant from me and my mother was brought back in pieces.
I'm happy now. But I don't have peace. I don't think I'll ever fully have peace, at least not with a child and a wife to try and provide for, and not with all of these memories.
So what has it come back for?
submitted by orangeplr to nosleep [link] [comments]


2024.05.20 00:55 Bobert858668 Looking for critique on my Arthurian legend based tv show pilot!

EXT. CAMELOT - CASTLE DAY
(The castle of Camelot stands over grassy hills and crystal clear rolling rivers and seas. Gray clouds cover the sky and hundreds of soldiers and knights can be seen riding toward the castle. Text appears on the screen reading “CAMELOT” and then “CENTURIES AGO”.)
INT. CASTLE - THRONE ROOM - DAY
(MORGANA LE FAY (Centuries-Old), a beautiful middle aged appearing woman with sharp features and long flowing black hair, sits on the throne and holds Excalibur, the Crown of Camelot sits upon her head. Knights and soldiers march in linear motions through the hall. DEWIN (30s), a scruffily charming magician, enters in handcuffs, with guards behind him. Dewin marches up and presents himself to Morgana. Everyone in the room halts.)
MORGANA: State your name.
DEWIN: You know my name, Morgana.
MORGANA: State your name.
DEWIN: Dewinson of Merlin.
MORGANA: You are being tried with treason and conspiracy against the crown. Do you plead guilty to these crimes?
DEWIN: That depends.
MORGANA: On what?
DEWIN: Who you consider the crown to be.
(Dewin slips his handcuffs off and as he does three Blue Jays come flying out of his sleeve and begin to fly around the room.)
MORGANA: Enough foolishness. I find you guilty of the accusations placed upon you.
DEWIN: Then kill me.
MORGANA: Hm?
DEWIN: Let’s skip past the chatter and get my head on a platter. You see what I did there? Chatter platter.
MORGANA: Silence! Death is far too good for you.
DEWIN: Do your worst, no matter what Camelot will fall.
MORGANA: Is that a threat?
DEWIN: A threat would be something I plan on doing to you myself, the fall of Camelot, well that will be purely your doing.
(Morgana gets off the throne and draws a glowing circle around Dewin with Excalibur, as she does so Dewin lets out a small laugh.)
DEWIN: Binding me? My imprisonment shall not halter the winds of time.
MORGANA: I banish you.
DEWIN: What?
MORGANA: From this plane of time and place I banish you.
DEWIN: Not even you have the power to do that. Banishment spells have been hidden away for ages.
MORGANA: Hidden away in scrolls buried in this very castle. Dilflannu o’r awyren hon.
DEWIN: No.
MORGANA: Dilflannu o’r amser hwn.
DEWIN: No, no, stop.
MORGANA: Dilflannu o’r meddwl. Rwy’n eich gwahardd!
(Morgana’s eyes turn purple and electricity sparks all around Dewin and seems to be sucking the energy out of him.)
EXT. LONDON - FOREST - DAY
(A plain and put together autumnal forest. Text appears over the screen reading “LONDON” and then “EIGHTEEN EIGHTY FIVE”. Electricity sparks and Dewin appears in the forest dazed and confused. He is covered in scars and almost immediately passes out face forward into the ground.)
EXT. LONDON - FOREST - DAY
(As night begins to dawn Dewin is still incapacitated. A carriage led by a horse named, Sally, comes through the forest and halts at Dewin. ALDEN SMITH (Early 40s), a plump and posh man with a defining bushy mustache, cautiously hops out of the carriage. Alden looks around for a moment before spotting Dewin. Alden approaches Dewin and checks his pulse through his arm. Alden’s eyes linger on Dewin for a moment before looking up.)
ALDEN: Hello!? Is anybody there!?
(Alden waits for a moment before looking back down at Dewin. Alden sighs and then lifts Dewin up and into the carriage before hopping in himself. Alden pulls on the horse’s reins and it begins to march forward.)
EXT. LONDON - WICING DRIVE - NIGHT
(Alden drives his carriage down Wicing Drive and parks in front of a townhome, Twenty Six Wicing Drive. Alden gets out of the carriage, carrying Dewin, and walks up the steps. MINERVA SMITH (Early 40s), a stern yet radiant woman, opens the door in shock.)
ALDEN: It’s a long story.
INT. TWENTY SIX WICING DRIVE - LIVING ROOM - NIGHT
(A stereotypical Victorian living room made primarily of oak and illuminated by two small oil lamps and a burning fireplace. Dewin is still incapacitated and lies on the table covered in bandages, Alden and Minerva hover over him. Bottles of ointment sit next to Dewin.)
MINERVA: What were you doing in the woods?
ALDEN: It’s the fastest cut home.
MINERVA: And you just-
(Minerva is interrupted by Dewin’s sighing as he wakes up.)
DEWIN: Ah! Where am I? Who are you?
MINERVA: My name is Minnie, and this is my husband, Alden.
DEWIN: What’s happening?
ALDEN: I found you all bruised in the middle of the forest. Do you know what happened to you?
DEWIN: Morgana le Fay banished me.
(Alden and Minerva glance at each other.)
MINERVA: Oh lord, I think you're a bit confused.
DEWIN: I am not confused. I am Dewin, son of Merlin. Now if you don’t mind, I’d like to ask if you could take me to a sage or healer?
MINERVA: Of course, Alden can take you tomorrow morning, but for the night you can stay here.
DEWIN: Why, thank you.
ALDEN: Minnie, may I speak to you in the other room?
MINERVA: Of course.
(Alden and Minerva step into the kitchen.)
INT. TWENTY SIX WICING DRIVE - KITCHEN - NIGHT
ALDEN: We can not keep this man in our home. He is mentally insane.
MINERVA: Which means we must watch over him.
ALDEN: I am looking out for our safety.
MINERVA: And where would we take him?
ALDEN: I don’t know. He is as mad as the Doeth man!
MINERVA: Then that’s where we’ll take him.
ALDEN: Stick to nuts together?
MINERVA: The man has some common sense and he’s very compassionate.
ALDEN: Perfect.
EXT. LONDON - ALDRICH’S HOUSE - NIGHT
(Alden and Minerva Dewin sit in their carriage with Dewin outside of a small house that is slightly separated from the other homes on the street.)
DEWIN: So this is the home of a healer?
ALDEN: According to him. I will go to the door alone, I do not want to scare him.
(Alden gets out of the carriage and starts heading towards the home.)
MINERVA: So you really do believe that you are the son of Merlin.
DEWIN: I know who my father was. Why is this such a puzzle for you and your husband to wrap your heads around?
MINERVA: Why I’ve only heard stories of Camelot, myths of ancient pasts.
DEWIN: So Morgana not only shifted my place but also the time.
(Alden knocks on the home's door and is greeted by ALDRICH DOETH (Hundreds Of Years Old), an older looking man with crystals strapped around his neck.)
ALDRICH: Doctor Smith, have they finally sent someone to take me away to a nuthouse?
ALDEN: On the exact contrary, I’ve found a wounded man who claims to have been sent here by Morgana le Fay.
ALDRICH: That’s what the shift was!
ALDEN: What? You know what it doesn’t matter, as long as you’re willing to take this man.
ALDRICH: Yes, yes, bring him to me.
ALDEN: Minerva, send him up!
(Dewin comes up to the door.)
DEWIN: Hello.
ALDRICH: My goodness, the energy pulsates off of you.
DEWIN (TO ALDEN): This is the healer?
ALDEN: Yes. Now if you two don’t mind I think I will be headed back on my way.
ALDRICH: Are you sure, Doctor? It’s getting rather late, you and your wife are welcome to stay here.
ALDEN: Thank you, but there’s no need.
(Rain starts pouring out of the sky out of nowhere and thunder and lighting begin.)
ALDRICH: What about now, Doctor?
ALDEN: Minnie! We’re staying here tonight!
INT. ALDRICH’S HOUSE - LIVING SPACE - DAY
(A cluttered mess of books, candles, and potions. Aldrich, Alden, Minerva, and Dewin sit on Aldrich’s circular array of couches and chairs.)
ALDRICH: Before we dive in I suggest you go wash off, Dewin. The washroom is that small one to your left.
DEWIN: Thank you, Aldrich.
(Dewin gets up and goes into the washroom.)
ALDRICH: I know what you two think of me, the neighborhood’s resident crazy.
MINERVA: Not at all, Mister Doeth.
ALDRICH: Don’t lie, Minerva, our actions all come back to bite us.
ALDEN: So we think you're mental, what of it?
ALDRICH: There are dark forces amongst us, Mister and Misses Smith. I believe that Dewin is here to save us.
ALDEN: I appreciate you letting us stay here, but I think it’s time we leave.
ALDRICH: I will change this storm into an earthquake to keep you here if I must.
ALDEN: Come on, Minnie.
(Alden and Minerva get up and go to leave when the whole room begins to shake.)
ALDEN: What’s happening!?
ALDRICH: I warned you.
(Aldrich makes silencing symbols with his hands and the storm and the shaking stops.)
ALDRICH: Now will you listen to me?
(Alden and Minerva both sit back down.)
ALDEN: What are you?
AlDRICH: A magician, a clairvoyant, a healer, I am all of those things and more.
ALDEN: Why do you want us here so badly?
ALDRICH: I don’t think it’s a coincidence that you are the one who found Dewin, Doctor Smith. He needs a guide in this vast new world. Prophecy states that when the second coming of the Camelot war comes, the savior will have a protector.
ALDEN: And why me?
ALDRICH: There are questions that only we can answer ourselves.
(Dewin comes out of the washroom and sits back down.)
ALDRICH: Dewin, please tell me exactly how you arrived here.
DEWIN: Morgana le Fay used an ancient banishing spell on me.
ALDRICH: The fall of Camelot.
(Suddenly a wind sweeps through the room that blows out all the candles.)
MINERVA: Mister Doeth, are you doing this?
ALDRICH: No.
(A match is lit in the center of the room to reveal GWENWYN LIGHTWOOD (Centuries-Old), a green draconic humanoid woman in black robes and a hood.)
GWENWYN: Aldrich.
ALDRICH: Lady Lightwood.
GWENWYN: I’ve tracked a shift in magic to your home.
ALDRICH: It is this boy, he was banished here from Camelot.
(Gwenwyn goes up to Dewin and takes her hood off to reveal her scaly appearance. Alden gasps in disbelief. Gwenwyn runs her finger down Dewin’s cheek.)
GWENWYN (TO ALDRICH): Hm. I presume you wish to let him roam freely?
ALDRICH: With guidance, yes.
GWENWYN: If one thing goes wrong you will be punished.
ALDRICH: I know.
DEWIN (TO GWENWYN): Who are you?
GWENWYN: The last of the dragons. Just as Aldrich is the last descendent of the Family Merlin.
DEWIN (TO ALDRICH): You're a descendant of my father?
ALDRICH: Of his sister, I have many of her poems and spell tombs still intact here.
GWENWYN: Magic is rare these days, endangered, most people don’t even know it exists. So are we under agreement on the boy, Aldrich?
ALDRICH: Yes, but something is still troubling. If you and I both felt Dewin’s presence then-
GWENWYN: Benjamin did too.
DEWIN: Who is Benjamin?
ALDRICH: A descendant of Morgana who wishes to rule the earth under her ideals.
GWENWYN: A very very dangerous man who will certainly kill me if he finds me here.
(Gwenwyn’s match extinguishes and after a moment the candles all reignite but Gwenwyn is gone.)
ALDEN: By Jove!
ALDRICH: So do you all accept this challenge?
DEWIN: What challenge?
ALDRICH: Defeating Benjamin Fayle.
DEWIN: Of course!
ALDEN: Absolutely not.
ALDRICH: Are you that repulsed by compassion?
ALDEN: I can’t risk Minerva of I’s life on what could all be me hallucinating.
ALDRICH: You're risking the world for a craven excuse.
ALDEN: Goodbye.
(Alden gets up.)
ALDEN: Let’s leave, Minnie.
MINERVA: Thank you for your hospitality, Mister Doeth, and good luck.
(Alden leaves, followed by Minerva.)
EXT. LONDON - ALDRICH’S HOUSE - NIGHT
(Alden and Minerva ride through the street in their carriage.)
MINERVA: We were definitely drugged.
ALDEN: Absolutely.
EXT. LONDON - WICING DRIVE - NIGHT
(Alden and Minerva hop out of their carriage.)
ALDEN: I’m going to bring Sally back to the stables.
MINERVA: Goodnight, love you.
ALDEN: I love you most.
(Minerva goes up and enters Twenty Six Wicing Drive as Alden detaches Sally from the carriage and begins to guide her down the cobbled sidewalk with one of his hands on her reins.)
EXT. LONDON - FOREST - NIGHT
(Alden guides Sally through the forest to a set of stables. Sally suddenly rears up and neighs in terror.)
ALDEN: What is it Sally?
(Sally suddenly breaks off her reins and runs towards the stables. A figure in a dark purple hood and robe sweeps past Alden and their eyes glow purple. Alden screams.)
INT. TWENTY SIX WICING DRIVE - BEDROOM- DAY
(Alden and Minerva lay next to each other asleep in bed. Alden wakes up screaming which awakens Minerva.)
MINERVA: What’s the matter?
ALDEN: Just a night terror.
MINERVA: We did the right thing with Dewin, he’s with someone like him now.
ALDEN: Is that really a good thing? I think I’m going to go to the pub.
MINERVA: This early in the morning?
ALDEN: I need to clear my head after yesterday.
INT. GRIFFIN’S TAIL PUB - DAY
(A traditional Victorian pub. Dewin sits at the bar and is served by BRYNN CROWING (Early 30s), a charming bartender.)
BRYNN: What can I get you, Mate?
DEWIN: Just a pint of mead, please.
(Brynn goes and pours Dewin a pint of mead that she brings back to him and he begins drinking.)
BRYNN: I like your outfit, it’s very medieval.
DEWIN: It was made by the tailor of Sir Gawain.
(Brynn gives a light chuckle.)
BRYNN: What’s your name?
DEWIN: Dewin, and yours?
BRYNN: Brynn.
(Alden enters and sees Dewin. Alden leaves, but as he does he spots another person in a dark purple robe and hood with glowing purple eyes.)
DEWIN: You're very beautiful.
BRYNN: Why, thank you.
DEWIN: Would you like to go for a stroll?
BRYNN: My shift here doesn’t end till six.
DEWIN: Then I’ll see you then.
BRYNN: I guess you will.
(Dewin finishes his mead and drops two silver coins with dragons etched into them on the bar before swiftly leaving. Brynn picks up the coins and looks at them with confusion and yearning.)
EXT. LONDON - ALDRICH’S HOUSE - DAY
(Alden knocks on the door and Aldrich opens it.)
ALDRICH: I’ve been expecting you, come in.
(Alden follows Aldrich into the home.)
INT. - ALDRICH’S HOUSE - LIVING SPACE - DAY
(Alden and Aldrich sit across from each other.)
ALDRICH: Can I offer you some tea?
ALDEN: No thank you, I want to be in the clearest state of mind possible here.
ALDRICH: So what ignited your appearance here?
ALDEN: I’ve been seeing these people.
ALDRICH: Who are “these people”?
ALDEN: They wear these dark robes and their eyes glow purple.
ALDRICH: Faley’s society.
ALDEN: What?
ALDRICH: Benjamin Faley, the evil man I mentioned last night. Is this what caused you to believe?
ALDEN: What are you saying?
ALDRICH: That you believe in magic.
ALDEN: You're mad.
ALDRICH: Exactly, so the fact that you came to me shows that there’s at least one lingering thought in your mind that magic is reality and reality is magic.
(There’s a moment of silence between Alden and Aldrich.)
ALDRICH: Where have you been seeing the people you mentioned?
ALDEN: Everywhere that Dewin has been.
ALDRICH: Oh no, oh no, no, no.
ALDEN: What is it?
ALDRICH: Dewin is going out with a woman tonight.
ALDEN: Already? He’s only been here for a day.
ALDRICH: He's charming but also so foolish. You must watch them, in case Faley strikes or even worse this woman is working for him.
ALDEN: What could I even do to stop that?
ALDRICH: You are destined to protect Dewin, and at this point your logic for denying all of this is purely irrational. You're not hesitating because you think it’s not real, you're hesitating because you know it is. He is meeting her at six outside of the “Griffin’s Tail”.
ALDEN: I’m not going.
ALDRICH: We both know that you will.
ALDEN: Farewell, Mister Doeth.
ALDRICH: May the spirit of Merlin be with you, Doctor Smith.
(Alden gets up and leaves.)
EXT. LONDON - GRIFFIN’S TAIL PUB - NIGHT
(Dewin stands outside of the pub when Brynn comes out of the side door and walks towards him.)
BRYNN: I wasn’t expecting you to show.
DEWIN: Why wouldn’t I?
BRYNN: Most men flirt and then leave, half of them are married.
DEWIN: They are not true gentlemen then.
BRYNN: I suppose not.
DEWIN: Shall we begin walking?
BRYNN: Sure.
EXT. LONDON - STREETS - NIGHT
(Dewin and Brynn stroll down the streets of London. Alden follows them from a distance.)
DEWIN: This world is so beautiful.
BRYNN: Compared to all the other worlds you’ve been to?
DEWIN: Well Camelot obviously has a better scenic view.
BRYNN: Camelot?
DEWIN: My home land.
BRYNN: You're full of jokes.
DEWIN: I’m not joking.
BRYNN: What?
(Suddenly someone grabs Brynn into an alleyway and she screams. Dewin quickly turns to see no one beside him and runs after her, followed by Alden.)
EXT. LONDON - ROOFTOP - NIGHT
(The clear skies suddenly turn gray and ominous as Dewin arrives on the roof of a building to see three people with glowing purple eyes in the dark purple robes and hoods with one standing in the center holding Brynn with a dagger to her neck. Alden arrives on the rooftop.)
ALDEN: Bloody hell!
DEWIN: Let go of her!
(The three people take off their hoods and their eyes go to normal shades. The person holding Brynn is revealed to be DABRIA (30s), a menacing looking woman.)
DABRIA: Dim mynd i mewn dim dianc.
(A purple hazy force field appears around the edges of the rooftop.)
DABRIA: So you are the one sent to stop us.
DEWIN: What do you connote?
DABRIA: We are the Citadel of le Fay.
DEWIN: Oh no.
DABRIA: Who are you?
DEWIN: My name is Dewin, I am the son of Merlin, and I demand that you let Brynn go.
DABRIA: Why? Is she your protector?
BRYNN: Dewin, what are they talking about!?
(Dewin starts to move his hands around and a wispy blue energy begins to come out of them.)
DABRIA: Get him!
(The two other people with Dabria rush towards Dewin to attack him, but he uses the energy he created to push them around and drop them both to the ground. Dabria drops Brynn and her dagger and Alden rushes to pick up the dagger and succeeds.)
DABRIA: You are foolish, Dewin.
(Dabria pulls a gun out of her robes and shoots it at Dewin but he turns the bullet into a flower. Dabria shoots more but each time Dewin does the same thing until Dabria is out of bullets. Alden sneaks up behind Dabria and stabs her in the back. Dabria shrieks in pain and then disappears in a cloud of black smoke. Brynn gets up off of the ground.)
BRYNN: What the hell just happened?
DEWIN: Are you okay?
BRYNN: Not mentally. What in the world is going on here? How did you turn bullets into flowers!?
DEWIN: I told you I’m from Camelot.
(Alden drops the dagger.)
ALDEN: Did I just kill that woman?
DEWIN: Most likely not, you didn’t stab deep enough to hit any organs.
BRYNN: What do we do now?
DEWIN: Go home and call it a night.
BRYNN: I can’t forget about this.
DEWIN: I’m not asking you to.
ALDEN: If any of us speak of this people think we’re insane.
DEWIN: Then don’t speak of it.
BRYNN: Will I see you again, Dewin?
DEWIN: Did you enjoy tonight?
BRYNN: I was almost killed.
DEWIN: That doesn’t answer my question.
BRYNN: Meet at the pub on Friday after my shift.
INT. TWENTY SIX WICING DRIVE - LIVING ROOM - NIGHT
(Alden and Minerva lay next to each other.)
MINERVA: Do you think the Citadel will return?
ALDEN: Unequivocally.
MINERVA: What have we gotten into?
INT. BENJAMIN’S LAIR - NIGHT
(A cavern full of crystals and magical runes. BENJAMIN FALEY (30s or 40s), an attractive but uptight looking man, sits on his throne. Dabria enters and walks to face the throne, she bows and then gets back up.)
BENJAMIN: Did you find him?
DABRIA: Yes, Master Faley.
BENJAMIN: And did you find his protector?
DABRIA: Yes, but it’s not the girl.
BENJAMIN: Then who?
DABRIA: A Doctor Alden Smith.
BENJAMIN: Did you kill the doctor?
DABRIA: He deeply wounded me.
BENJAMIN: Then the battle goes on.
DABRIA: For Morgana.
BENJAMIN: For Morgana.
INT. ALDRICH’S HOUSE - LIVING SPACE - NIGHT
(Aldrich and Dewin sit across from each other drinking tea.)
ALDRICH: There are many things in this world, Dewin…
INT. GWENWYN’S CAVE - NIGHT
(Gwenwyn stands in the middle of a circle of candles. She stretches out her hands and forms magic blue charts and graphs with a picture of Dewin.)
ALDRICH (VOICE OVER): Forces we can’t explain…
EXT. LONDON - ALLEYWAY- NIGHT
(Brynn wears only her undergarments and takes a few coins from a man.)
ALDRICH (VOICE OVER): Secrets we hide…
INT. BENJAMIN’S LAIR - NIGHT
(Benjamin sits on his throne.)
ALDRICH (VOICE OVER): And villains we must defeat.
INT. ALDRICH’S HOUSE - LIVING SPACE - NIGHT
ALDRICH: You are the key to this all, Dewin, you are the son of Merlin.
submitted by Bobert858668 to writers [link] [comments]


2024.05.20 00:47 scaleable Keybindings need a rework

I was recently watching a random video giving a POV of a returning player without addons. The base UI has surely improved a lot in the latest years but some rough edges still remain.
WoW misleads new players to keybind wrong
Setting keybinds is one of the most unintuitive things for new players nowadays. I'm not talking about the new click-to-bind interface (which is great).
WoW is a game meant to have more than 20 keybinds. This is core WoW, it makes the game unique and it is not changing. IMO it is fine that the new player has to learn lots of abilities (also, easy content can be done with half of them).
On the other hand, some initial difficulty could be skipped by fixing the misleading initial keybinding experience. WoW just throws buttons in your bar, and even suggests the new player to use the numbers 0-9 for them. The game should initially hint the new player a better way of keybinding (using the keys around WASD + modifiers). The bad keybinding experience adds up to the already heavy load of learning dozens of abilities.
There are multiple variations on how this could be done. Keybinding presets? New keyboard UI? I won't delve into implementations, but anything is better than misleading new players to use the 0-9 keys!
Keybinding and offspecs
Another keybinding issue I'd like to point is related to more advanced players. On the game UI, buttons have 2 functions: displaying status (stacks, CD, buffs, a glow etc) and to be a keybind placeholder. A player may organize the buttons on his bar to reflect priorities (ex: put a very important ability that must be used on cooldown on the first spot). This is bricked if the player wants to play multiple specs of the same class.
Ex: Let's say the spot 1 on a mistweaver bar is renewing mist, bound at Q. On windwalker is fists of fury, bound at 3. You can't now have both at spot 1 of you bar, since they have different keybinds. People currently fix this by using Weakauras as buttons. The WA is used for the status display, and the button is used solely for keybinding, and often hidden.
submitted by scaleable to wow [link] [comments]


2024.05.20 00:39 Chen_Geller Season Two and The Great Weta Conundrum

Season Two and The Great Weta Conundrum

Why I don't THINK Weta Workshop Worked on Season Two

Around July 2022, Sir Richard Taylor had this to say about The Lord of the Rings: The Rings of Power: "Our company worked on the first series, we're very proud of the fact that we did." This use of the past tense does seem to imply working only on the first season, but its by no means a definitive reading of the interview. This was shortly BEFORE the show's move to the UK, which we know came to the Kiwi crew by complete surprise, although it remains possible that by that point the showrunners had made the decision, and told Weta that their services will not be required for season two without necessarily going into details.
Again, I want to stress that Sir Richard's choice of words by no means guarentees that Weta sat season two out. Then again, we know many of the Kiwi contractors have either stopped working for the show - costumier Kate Hawley and the music ensemble Plan 9, for instance - or radically downscaled their involvement, like caligrapher Daniel Reeve. Where crew from season one stayed on - like John Howe and dialect coach Leith McPherson - they were usually based in Europe or the UK to begin with. Its thus only reasonable to assume Weta will do the same.
Weta were good sports to share the lead-up to the Season Two teaser on their Twitter handle, but hadn't commented nor shared the teaser itself, suggesting that they were merely (and characteristically) being gracious to a project they HAD worked on previously, rather than setting-up their own involvement, as they had done in their steadfast embracing of Season One.
One of the two major departments Weta worked on for the show in Season One - that being prosthetics - had perforce been put out of their hands for Season Two, with the prosthetics supervisor Barrie Gower replacing Weta's Jamie Wilson. Its unrealistic to expect to ship prosthetics - which have a limited shelf life - from halfway around the world, and ideally you'd want the same studio to be responsible for design, fabrication and on-set application.
Although they also worked on Celebrimbor's pressure forge and some of the Numenorean and Elven symbols - including the High-Elven star, practically lifted from their version of Gil-galad's emblem for the New Line films - Weta's other main prerogative was the weapons (but NOT the armour). This included bows, quivers, arrows, shields (including straps) and some props that aren't really used as weapons like Feanor's hammer.
The High-Elven Star: essentially a homage Weta's Daniel Falconer snuck into the show
While it remains possible that they had kept that department under their belt - at least in terms of concept design rather than fabrication - I find it unlikely. Its true that Weta does provide concept art, without fabrication, for off-shore productions: see their erstwhile work for Denis Villenueve's Dune: Part One as an example.
However, the recent teaser shows High-Elven swords and bows that are a notable departure from Weta's High-Elven weapons from Season One. It, of course, remains entirely permissible that the showrunners commissioned new designs from the workshop, and in fact the new, more katana-like Elven swords are closer to Weta's previous iterations of Elven swords (cf. Hadhafang or Thranduil's twin swords) than to their High-Elven weapons for Season One, although they're admittedly not too far off Arondir's sword.
Having said that, elsewhere in the trailer we see the same Hawley costumes and armour retained, as well as the same Weta-made weapons from Season One: Arondir is still sporting his daggers, quiver and bow, Pharazon draws his gorgeous, bejewelled sword before the Eagle of Manwe, flanked by guards carrying the same ol' spears. We see Lindon guards with their Battersea-esque shields and spears, Durin III with his ax, Durin IV with his dagger, Adar with his Zweihander, and Isildur still with the confusingly-Rohan-like Numenorean cavalry sword.
The similarities would thus make it unlikely to expect for new designs - for the same culture and from the same studio - to be such an aesthetic departure from Season One, especially something as insignificant as a quiver. My educated guess - and that's all it is, a guess - is that its a local workshop emulating the Weta style of old.
This emulation can also be seen in other departments, like the new Elven shields - with the same hourglass-like shape as Weta's High-Elven shields for the New Line films, but NOT for the show - and the helmets with the more overt blade-like crests, again in the style of Weta's work for New Line rather than Hawley's more subtle nod to that style in Season One. Not to mention the seemingly greater prevalence of Elves with long manes.
Galadriel and company, and their quivers: a design unlikely to be revised from Weta's Season One design (below) unless a new, local Workshop entered the fray. The company's bows, seen elsewhere, are also different to this, more closely resembling Tauriel's bow.
https://preview.redd.it/w8da7widcg1d1.png?width=3840&format=png&auto=webp&s=ff7a19e093a8008fbae7a0977a2e52617c18bec9

The OTHER Weta

Here it is important to distinguish between Weta Workshop, and WetaFX (nee Weta Digital). Although founded by the same people - Sir Peter Jackson, Sir Richard Taylor and Jamie Selkirk - they're two separate companies: Roughly speaking, Weta Workshop does practical effects, WetaFX does digital effects. While they do some projects - notably Tolkien films - together, its by no means a condition sine qua non that the involvement of the one entails that of the other.
In the context of the Tolkien projects, Workshop mostly did weapons, armour and creatures, so not too far off of what they did in the show. Set, props and character designs usually fell to another Jackson company, Six-Foot-Seven, but even then Weta did the bigatures and shared the costume design credit with Ngilla Dickson, Bob Buck and Ann Maskrey (Hawley is credited, too, being that she was the costume designer for the aborted Del Toro Hobbit).
WetaFX are working on Season Two, in a capacity at least as big as they did in Season One, where they were the main VFX vendor alongside ILM. Moreso than the Workshop, WetaFX (being one the leading VFX houses in the world), provides services for films and shows all over the world, and frankly a show with the VFX requirements of The Rings of Power couldn't avoid WetaFX if they tried, although "giving them point" so to speak is definitely a meaningful gesture.
Strictly speaking, WetaFX is not a design studio: previously in Tolkien pictures, creature design tended to be provided by Weta Workshop, and then rendered by WetaFx. However, sometime before The Rings of Power went into production, one of the Workshop's designers, Nick Keller, became WetaFX' in-house designer, and for Season One had worked on (among other things) Durin's Bane, and so WetaFX' continued involvement in Season Two is meaningful to the look of the show.
An (unused) Nick Keller-Weta FX design for Season One: all that remains of it in the show are the spear and the Fell Beast
The showrunners entrusted to WetaFX in Season One mostly with places and creatures that had been depicted in the live-action films: Khazad dum as Moria, the view of the Southlands from Ostirith as Mordor, as well as Durin's Bane and the Fell Beasts: its therefore reasonable to assume that the design of Shelob will again be entrusted to WetaFX, although since New Line became stricter with their copyright she's unlikely to resemble the previous depiction of Shelob, no doubt to be excused away by the fact that she's younger.

My thought

So, where does this leave us? I've long written about the show's audiovisual identity crisis: it would be wrong to assume that, going to New Zealand, the showrunners were compelled to hire Weta and thus fell headlong into a similar aesthetic: rather, there was a concerted effort - the filming in New Zealand and the hiring of Weta being two of its symptoms rather than its causes - to model the show on the live-action films. Nevertheless, dispensing with Weta for Season Two COULD keep this issue at bay.
All the same, its clear that if Weta was indeed substituted by another studio, as is likely the case, that studio did their darndest to emulate Weta's style, and in some respects harkened even more heavy-handedly to the style of the New Line films. Perhaps it is a case of, having moved out of New Zealand, wanting to still show they "got it" and overdoing it? The same trend is evident in the digital splicing of Kiwi landscapes into the British countryside, and in the trailer's shameless appropriation of beats (but not lines, presumably with New Line cracking the whip on that end) from the live-action films.
All the same, Season Two and on could have been another noteworthy "notch" in Weta's enviable Tolkien belt, which only in this year also entails Tales of the Shire and The War of the Rohirrim. It would have been a good preparation for their forthcoming involvement in The Lord of the Rings: The Hunt for Gollum. I do regret, specifically, that they probably didn't get a crack at the weapons of the Eregion Elves: a new Elven culture they had not touched before, unless some of the designs we see were made for Season One and not shown therein.
Beyond that, its useful to keep the same team in place in the interest of season-to-season continuity. Nevertheless, the teaser shows a greater emphasis on such continuity that I had previously believed they would go for. Some early scenes seem to be picking up immediately from the end of Season One, with Galadriel and Elrond - still in the same costumes - catch up to Gil-galad's convoy back on the same Lindon set. Even in other scenes, many of the Numenorean extras seem to be in the same clothes, and while the green Eregion guards got a lot of attention in the teaser, they actually already appeared in season one.
A tale of two Narsils, both by Weta but for different companies.
As a side-note, it may well be that the Weta designers felt limited by the lega situation surrounding Season One, which required them to recreate different versions of some of their most celebrated props, namely a new, subtly redesigned Narsil. Sir Richard Taylor, in the above interview, said he didn't work on the series because he "didn't feel I had anything new to contribute to the television series." This is curious since he had by then already jumped onboard The Lord of the Rings: The War of the Rohirrim, and in an appearance only shortly thereafter, said of the project that "there's so much that's fresh and exciting." This in spite of the fact that, at first blush, Rohirrim would seem to offer far less by way of new design opportunities than did Rings of Power.
In truth, not all of Weta's work on Season One was up to their otherwise-inimitable standards: I'm reminded of a making-of featurette about the making of Orcrist, which required a lot of back and forth between the Weta designers and Sir Peter Jackson. Says designer Paul Tobin: "A lot of our designs were falling into 'I've seen it with Glamdring, I've seen it with Sting." An even more egregious example is for Shadow of Mordor, where a design of an armoured Celebrimbor is almost one-for-one of a design for an armoured Thranduil, a year or two prior by the same artist, although in fairness both designs went unused.
I don't want to imply that the showrunners weren't equally forthright in their design process: from listening to John Howe, there was certainly a lot of back-and-forth with his concept art. Even in examing Weta's work its clear that in the case of some of the designs - namely, the Elven Zweihanders, which previously appeared in some Howe concept art - the showrunners came to Weta with their own ideas, rather than just giving them free reign.
Nevertheless, it does seem that in a couple of instances, Weta were allowed (perhaps on purpose?) to essentially recycle some old designs: almost all the Dwarven and many of the Silvan and Orc designs are like this. Its cool that Weta got to imagine what Durin's legendary Ax looked like, but they basically took a design for an ax that Dwalin finds in the Erebor armoury and made a subtle variation on it. The Mystics' weapons also betray a similarity, but rather to Weta's work on James Cameron's Avatar!
Even less appropriately, a spear designed for the Lindon Elves but not seen in Season One, seems derivative not of previous High-Elven designs, but off of the designs for the Woodland Realm, which would have been the freshest in the memory of the Weta designers. The main difference is the Woodland design abstracts the tree-branch shapes to avoid them seeming, to quote Keller, "too fairytale." Worst still, the Numenorean cutlasses (seen briefly at Elendil's side prior to his promotion) are inappropriately akin to the Laketown swords (again, a design surely fresh on the designers' minds) of all things!
Corporate needs you to find the differences between this picture, and this picture...[aside]: They're the same picture.
In other cases, the similarities are more abstract and work quite well: both Aranruth and the Elven broadswords - wielded by Galadriel to the Battle of the Southlands and carried by Theo into Season Two but also also brandished by the prologue Elves - feature a similar leaf-like profile to the blade: they would be more-or-less contemporaries of Glamdring, which has a similar shape. Medhor carries (but sadly doesn't get to use) a Silvan version of the Elven Great-sword from the Fellowship prologue.
Elsewhere in the film industry, of course, companies like Lucasfilm had turned this kind "reuse, reduce, recycle" mentality into a usual practice, although usually with unused designs, a-la the Shadow of Mordor example: discarded McQuarrie and Cantwell artwork from the 1975 thus ended-up in Star Was projects all the way between 1978 and 2023, where it started feeling increasingly like someone picking through the carcass of a dead movie.
In a limited extent, however, it is a useful device in terms of "tapping" into the same, initial sensibility, and as such its been used in Tolkien projects before: The White Council chamber was part of some early Rivendell designs, and similar practices are deployed in Rohirrim and are sure to be used in The Hunt for Gollum. In all these examples, however, it didn't normally involve jumping through the legal hoops that The Rings of Power had to leap through.
Neverthelss, there are a great many illustrious designs - from Elendil's Captain sword and Finrod's Dagger, through Feanor's Hammer and Dramborleg (the first Elven hammer and axe in Weta's output) to Aranruth and Medhor's Silvan Great-Sword - all represent wortwhile entries in Weta's oeuvre, and some of the best designs in the whole of the show thus far. Still, it wasn't in vain, being that several such key props are going to stay the distance in the show.
submitted by Chen_Geller to LOTR_on_Prime [link] [comments]


2024.05.20 00:32 TheLastPiMaster A Deep Dive into the Problems with Endless and How to Fix Them

As the shiny weekend comes to a close, I and I'm sure many others have played a lot of endless the last few days. While I do love this game, I can't help but notice how much of a drag endless is. Endless is basically just one big gambling simulator where you get dopamine when you get a shiny or legendary and it keeps you playing long enough to get the next hit. As someone who enjoys both making and balancing games, I wanted to take some time to dive into why endless has the problems it does and how they can be fixed. My hope in sharing these ideas is that endless will eventually be revamped into something more fun in the long term instead of just a shiny grind. So strap in as we discuss the problems with endless and how to fix them.

Part 1: Why play RogueLites?

I think the first step to understanding what is wrong with endless is to understand why we are even playing this game in the first place. I hear the terms roguelite and roguelike used interchangeably a lot so I wanted to quickly address the difference between them. The short of it is roguelikes complete reset your progress in between runs while roguelites have some progress carry over. This puts PokeRogue firmly in the roguelite category, since you can unlock new starters, and as such, I will be operating under the assumption that having progress carry over between runs is important to the game for the remainder of this post.
As for what makes roguelites fun, I think there are a few different factors. First and foremost is replayability. Since a run is never the same as any other, the genre has infinite replays built in, so long as you don't get bored of the core gameplay mechanics. However, the enemies and rewards you get during each run are not the only thing that can change between runs.
This leads me to my second point which is the fun of trying new builds. Most roguelites have a wide variety of weapons and approaches to progressing that can either be chosen at the start or unlocked during the run. Because of the random nature of the genre, even similar builds will fluctuate run to run and trying to get your build to function perfectly like you want it to is a fun challenge. You may have an idea of what you want to use but then you get an item that changes the way your build works and so next time you play this build, you actively seek out this item because it was a cool adaptation. Being able to not only try, but succeed, with a variety of strategies and builds is incredibly important to the long term fun and replayability of roguelites.
The final factor in why roguelites are fun is because you can constantly push for a new record. This is specifically something unique to endless. The game can never truly be beaten. You as the player set a goal for yourself and compete against that goal, trying to achieve it. When you eventually do, you set a new goal and push for that one. These goals can be personal to you, like trying to reach a certain round or seeing how far you can progress with a specific build, or they can be more competitive, like trying to push for a record in the highest round ever achieved.
Roguelites are addicting and fun because you never truly beat them, you just find new ways to play them. Now that we understand a bit about why roguelites are fun, let's look at PokeRogue to see how it matches up.

Part 2: Endless is a Solved Game

First, let's look at the good parts of endless. Endless has good rewards for playing it. As you go deeper into endless, you get more and more rare starters. Right now, starters are the only thing that carries over between runs so endless is the best way to progress your account. In theory, this should increase replayability as you can do an endless run, get new starters, do a run with your new starters, rinse and repeat. In practice though this simply isn't true.
While the progression endless gives your account is good, it's ultimately pretty meaningless and most of the actual experience of playing endless isn't fun at all. When you get deep into an endless run, which is arguably where most endless players will aim for since otherwise you would play classic, the game becomes stagnant. You one shot everything or you get one shot. Type matchups don't matter. Stats don't matter. Nothing matters except being able to oneshot the opponent through whatever tokens or abilities they have. This isn't a problem in itself but if we look a little deeper it becomes one.
There's nothing wrong with different builds simply being different ways to oneshot. What is an issue though is when the core mechanics of Pokemon stop mattering and there is only one way to win battles. Type matchups are arguably the most important mechanics in Pokemon, right after catching new Pokemon. The fact that these eventually are rendered useless means that there's no reason for this to be a Pokemon game in the first place. Additionally, even just having a really strong Pokemon that can cut through everything with strong STAB doesn't work because the only late game strategy that works is fixed damage and sturdy. When you finally reach rounds that push the limits of where you've been before, these should be the rounds that your build is online and being tested. Instead, you are forced to transition to a Pokemon with sturdy and metal burst or fixed damage like salt cure plus soak. There is no room for trying different builds to push boundaries because the game has been solved. We know what the best and only strategy is and if you aren't using it, you can't compete.
The fact that only one strategy is viable means that any progress you make between runs doesn't matter either. Why use new starters when you're just gonna end up using gargancl with salt cure or metal burst blissey? This means that the only thing that endless is actually good for, making your account stronger, is made irrelevant by the same mode. This is the biggest problem endless has but there are a few smaller ones I'd like to quickly address.

Part 3: Smaller Endless Problems

I'll try to keep this section brief and run through these problems quickly.
First, generic encounters are too time consuming. There is no reason the random, non-boss Pidgeott should ever take more than 5 seconds to defeat. Generic encounters serve the purpose of giving you a few rewards to make you stronger before the next major fight. Endure tokens waste so much time. If I'm overkilling this raticate by 5000%, I shouldn't have to sit through 30 seconds of dialogue telling me it endured the hit, raised all its stats, flinched, and then need to select my move again. Even boss encounters don't need endure tokens. They are already gated by segmented health bars. These are actually good and mean you have to think about how to get through them. Why then, does the boss get to live with 1 hp when I've finally overcome it? Simply put endure tokens need to go.
Second, boss battles are too repetitive. I don't mean pokemon labeled "boss" but instead the bosses you encounter every 50 floors. These should be the rounds that test your build but instead, it's the same as every other "boss" you encounter in the run. These rounds need to be made harder and all other rounds should be easier, that way there's a clear distinction between fodder and challenge. The Eternatus encounters are actually pretty good from a challenge perspective since they regularly take a while to beat. If the 50 floor encounters were more like this, and the Eternatus encounters were varied with some other Pokemon so you need multiple strategies instead of just a fairy/steel to wall it, the boss fights would be pretty good.
Finally, if you can't oneshot an enemy, it shouldn't be able to oneshot you. Essentially, bosses need to not be able to be oneshot. What this means though is that you will take hits and in that case, you need to be able to survive them. Damage Reduction tokens are actually ok but damage multipliers just make every move a oneshot. Boss fights should play out more like VGC matches, where there's constant switching of your Pokemon to have an advantageous type matchup. Your switches need to be able to survive hits when they come in, or else you need a way to correctly predict when you can make a switch for free to get a better Pokemon out.
I could go more in depth on all these problems and maybe I will sometime but for now just know they are there and will influence what the fixes need to fix.

Part 4: The Fixes

Now that we understand what's wrong with endless, let's talk about fixing it.
The first and easiest change is that endure tokens need to be removed. This speeds up the game and gets you into boss fights faster. Simple, done, this one change makes the game so much more fun and less tedious.
For some bigger changes, let's take a look at the rest of the tokens. Status tokens mean nothing since your Pokemon will always have infinite lum berries once you get 3 berry pouches and a mini black hole. Fusion tokens are cool. These throw wrenches at you and are fun and should stay. Damage reduction tokens are ok. These tokens prevent you from oneshotting the boss and as we discussed before, that's good. Damage multipliers increase the problem of oneshots though and for that reason need to either be heavily nerfed or removed. If my defensive Archaludon is getting onehshot by vine whip, that's a problem. Finally, recovery tokens are alright. The make it so you can't just stall out a boss completely. You have to constantly be damaging them so they don't heal back to full. I would limit these though to heal a smaller amount. Something like 1/16 of max HP every turn should be the maximum that recovery tokens can do. This is the same as leftovers in the main series and that is one of the best items for survivability in the entire game.
I would make the following changes to tokens: remove endure tokens, remove status tokens, remove damage multiplier tokens, heavily nerf recovery tokens, keep fusion tokens, and keep damage reduction tokens. Also, remove all tokens from any Pokemon without a boss health bar. You may think this is too big a nerf to enemies but in conjuction with this, I think the mini black hole also needs to be changed or removed. With status tokens gone, it's more important than ever that status is meaningful when it is inflicted. Without the mini black hole, you need to actually think about what to do about status instead of just letting your infinite lum berries solve it for you. Maybe now you need to spend some of your post encounter rewards on lum berries or items other than rare candies since you can't just steal them off wild pokemon for free. Of course, things like magician and thief still exist but these are ok because they are niche. The grip claw is also alright since it isn't guaranteed to steal something, it just gives you a little more breathing room.
Next up on the list is boss fights. For this section, I'm only referring to the every 50 floor ones. The token changes I believe would solve a lot of the problems with this fights but there are two big changes I would implement. First, these fights should all be 2v1 double battles like the final battle of classic. This gives room for more strategy and makes switching out more of a viable option if you can predict which slot the AI will target. Second change is to increase the movepools of all bosses. This may be controversial but I think bosses should not be limited to 4 moves. Bosses having a wider variety of options makes them much more formidable and means you need to prepare for more threats. As for what these movepools would be, I would say any egg moves or level up moves should be fair game. Maybe some tms as well but those would need to be hand selected which is harder to implement.
The last few changes I'd add focuses on making starter choice important and allowing for cooler builds. There needs to be more variety in held items. The main series has so many cool options to draw from and adding them makes for a lot of variety in what a given pokemon can do. Imagine a Pokemon with sniper and 3 scope lenses to always crit. Or a Pokemon with a bunch of leftovers and rocky helmets and rough skin. In return for the wider variety, there would need to be some limit on how many non-berry, non-consumable held items a pokemon could have. Without a limit, the best strategy would still be to just stack all the items on one Pokemon and let it sweep. I think 20 would be a good place to start though this could be changed. It also adds an opportunity cost. Your sweeper can't also be tank with 3 leftovers because you need to use those item slots for offensive items.
Finally, I would add one new item to the game with a unique effect. Similar to the DNA splicers, this would allow you to combine two Pokemon to get a stronger one. The new item would be ability capsule and here's how it works. The ability capsule allows you to select a pokemon from your party, sacrificing said Pokemon and adding its ability to another Pokemon. The catch though is that the ability can only be added to a Pokemon that was selected as a starter for the run. Some abilities would have to be non-transferable like wonder guard or stance change but I think this goes a long way in making really cool combinations to aim for late game. It also makes your starter selection more important since you can think about what abilities you want to add to your starter later.

Conclusion and TL;DR

If you've made it this far, thanks for reading. To those of you who just scrolled to the bottom, here's the TL;DR of changes
I want to be clear that I love this game and am not trying to be super negative. I just want to see it do well months and years from now and believe these changes are the first step towards doing that. I have a lot more I could say but this post is already long so I'll leave it at that. If any devs happen to read this and want to hear more in depth explanation or thoughts on solutions to problems with the game, I'm happy to talk more. In the meantime, I'm gonna go back to my endless run and keep trying to get a shiny Rayquaza.
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2024.05.20 00:27 Bobert858668 Son of Merlin [Low Fantasy, 3518 words]

EXT. CAMELOT - CASTLE DAY
(The castle of Camelot stands over grassy hills and crystal clear rolling rivers and seas. Gray clouds cover the sky and hundreds of soldiers and knights can be seen riding toward the castle. Text appears on the screen reading “CAMELOT” and then “CENTURIES AGO”.)
INT. CASTLE - THRONE ROOM - DAY
(MORGANA LE FAY (Centuries-Old), a beautiful middle aged appearing woman with sharp features and long flowing black hair, sits on the throne and holds Excalibur, the Crown of Camelot sits upon her head. Knights and soldiers march in linear motions through the hall. DEWIN (30s), a scruffily charming magician, enters in handcuffs, with guards behind him. Dewin marches up and presents himself to Morgana. Everyone in the room halts.)
MORGANA: State your name.
DEWIN: You know my name, Morgana.
MORGANA: State your name.
DEWIN: Dewinson of Merlin.
MORGANA: You are being tried with treason and conspiracy against the crown. Do you plead guilty to these crimes?
DEWIN: That depends.
MORGANA: On what?
DEWIN: Who you consider the crown to be.
(Dewin slips his handcuffs off and as he does three Blue Jays come flying out of his sleeve and begin to fly around the room.)
MORGANA: Enough foolishness. I find you guilty of the accusations placed upon you.
DEWIN: Then kill me.
MORGANA: Hm?
DEWIN: Let’s skip past the chatter and get my head on a platter. You see what I did there? Chatter platter.
MORGANA: Silence! Death is far too good for you.
DEWIN: Do your worst, no matter what Camelot will fall.
MORGANA: Is that a threat?
DEWIN: A threat would be something I plan on doing to you myself, the fall of Camelot, well that will be purely your doing.
(Morgana gets off the throne and draws a glowing circle around Dewin with Excalibur, as she does so Dewin lets out a small laugh.)
DEWIN: Binding me? My imprisonment shall not halter the winds of time.
MORGANA: I banish you.
DEWIN: What?
MORGANA: From this plane of time and place I banish you.
DEWIN: Not even you have the power to do that. Banishment spells have been hidden away for ages.
MORGANA: Hidden away in scrolls buried in this very castle. Dilflannu o’r awyren hon.
DEWIN: No.
MORGANA: Dilflannu o’r amser hwn.
DEWIN: No, no, stop.
MORGANA: Dilflannu o’r meddwl. Rwy’n eich gwahardd!
(Morgana’s eyes turn purple and electricity sparks all around Dewin and seems to be sucking the energy out of him.)
EXT. LONDON - FOREST - DAY
(A plain and put together autumnal forest. Text appears over the screen reading “LONDON” and then “EIGHTEEN EIGHTY FIVE”. Electricity sparks and Dewin appears in the forest dazed and confused. He is covered in scars and almost immediately passes out face forward into the ground.)
EXT. LONDON - FOREST - DAY
(As night begins to dawn Dewin is still incapacitated. A carriage led by a horse named, Sally, comes through the forest and halts at Dewin. ALDEN SMITH (Early 40s), a plump and posh man with a defining bushy mustache, cautiously hops out of the carriage. Alden looks around for a moment before spotting Dewin. Alden approaches Dewin and checks his pulse through his arm. Alden’s eyes linger on Dewin for a moment before looking up.)
ALDEN: Hello!? Is anybody there!?
(Alden waits for a moment before looking back down at Dewin. Alden sighs and then lifts Dewin up and into the carriage before hopping in himself. Alden pulls on the horse’s reins and it begins to march forward.)
EXT. LONDON - WICING DRIVE - NIGHT
(Alden drives his carriage down Wicing Drive and parks in front of a townhome, Twenty Six Wicing Drive. Alden gets out of the carriage, carrying Dewin, and walks up the steps. MINERVA SMITH (Early 40s), a stern yet radiant woman, opens the door in shock.)
ALDEN: It’s a long story.
INT. TWENTY SIX WICING DRIVE - LIVING ROOM - NIGHT
(A stereotypical Victorian living room made primarily of oak and illuminated by two small oil lamps and a burning fireplace. Dewin is still incapacitated and lies on the table covered in bandages, Alden and Minerva hover over him. Bottles of ointment sit next to Dewin.)
MINERVA: What were you doing in the woods?
ALDEN: It’s the fastest cut home.
MINERVA: And you just-
(Minerva is interrupted by Dewin’s sighing as he wakes up.)
DEWIN: Ah! Where am I? Who are you?
MINERVA: My name is Minnie, and this is my husband, Alden.
DEWIN: What’s happening?
ALDEN: I found you all bruised in the middle of the forest. Do you know what happened to you?
DEWIN: Morgana le Fay banished me.
(Alden and Minerva glance at each other.)
MINERVA: Oh lord, I think you're a bit confused.
DEWIN: I am not confused. I am Dewin, son of Merlin. Now if you don’t mind, I’d like to ask if you could take me to a sage or healer?
MINERVA: Of course, Alden can take you tomorrow morning, but for the night you can stay here.
DEWIN: Why, thank you.
ALDEN: Minnie, may I speak to you in the other room?
MINERVA: Of course.
(Alden and Minerva step into the kitchen.)
INT. TWENTY SIX WICING DRIVE - KITCHEN - NIGHT
ALDEN: We can not keep this man in our home. He is mentally insane.
MINERVA: Which means we must watch over him.
ALDEN: I am looking out for our safety.
MINERVA: And where would we take him?
ALDEN: I don’t know. He is as mad as the Doeth man!
MINERVA: Then that’s where we’ll take him.
ALDEN: Stick to nuts together?
MINERVA: The man has some common sense and he’s very compassionate.
ALDEN: Perfect.
EXT. LONDON - ALDRICH’S HOUSE - NIGHT
(Alden and Minerva Dewin sit in their carriage with Dewin outside of a small house that is slightly separated from the other homes on the street.)
DEWIN: So this is the home of a healer?
ALDEN: According to him. I will go to the door alone, I do not want to scare him.
(Alden gets out of the carriage and starts heading towards the home.)
MINERVA: So you really do believe that you are the son of Merlin.
DEWIN: I know who my father was. Why is this such a puzzle for you and your husband to wrap your heads around?
MINERVA: Why I’ve only heard stories of Camelot, myths of ancient pasts.
DEWIN: So Morgana not only shifted my place but also the time.
(Alden knocks on the home's door and is greeted by ALDRICH DOETH (Hundreds Of Years Old), an older looking man with crystals strapped around his neck.)
ALDRICH: Doctor Smith, have they finally sent someone to take me away to a nuthouse?
ALDEN: On the exact contrary, I’ve found a wounded man who claims to have been sent here by Morgana le Fay.
ALDRICH: That’s what the shift was!
ALDEN: What? You know what it doesn’t matter, as long as you’re willing to take this man.
ALDRICH: Yes, yes, bring him to me.
ALDEN: Minerva, send him up!
(Dewin comes up to the door.)
DEWIN: Hello.
ALDRICH: My goodness, the energy pulsates off of you.
DEWIN (TO ALDEN): This is the healer?
ALDEN: Yes. Now if you two don’t mind I think I will be headed back on my way.
ALDRICH: Are you sure, Doctor? It’s getting rather late, you and your wife are welcome to stay here.
ALDEN: Thank you, but there’s no need.
(Rain starts pouring out of the sky out of nowhere and thunder and lighting begin.)
ALDRICH: What about now, Doctor?
ALDEN: Minnie! We’re staying here tonight!
INT. ALDRICH’S HOUSE - LIVING SPACE - DAY
(A cluttered mess of books, candles, and potions. Aldrich, Alden, Minerva, and Dewin sit on Aldrich’s circular array of couches and chairs.)
ALDRICH: Before we dive in I suggest you go wash off, Dewin. The washroom is that small one to your left.
DEWIN: Thank you, Aldrich.
(Dewin gets up and goes into the washroom.)
ALDRICH: I know what you two think of me, the neighborhood’s resident crazy.
MINERVA: Not at all, Mister Doeth.
ALDRICH: Don’t lie, Minerva, our actions all come back to bite us.
ALDEN: So we think you're mental, what of it?
ALDRICH: There are dark forces amongst us, Mister and Misses Smith. I believe that Dewin is here to save us.
ALDEN: I appreciate you letting us stay here, but I think it’s time we leave.
ALDRICH: I will change this storm into an earthquake to keep you here if I must.
ALDEN: Come on, Minnie.
(Alden and Minerva get up and go to leave when the whole room begins to shake.)
ALDEN: What’s happening!?
ALDRICH: I warned you.
(Aldrich makes silencing symbols with his hands and the storm and the shaking stops.)
ALDRICH: Now will you listen to me?
(Alden and Minerva both sit back down.)
ALDEN: What are you?
AlDRICH: A magician, a clairvoyant, a healer, I am all of those things and more.
ALDEN: Why do you want us here so badly?
ALDRICH: I don’t think it’s a coincidence that you are the one who found Dewin, Doctor Smith. He needs a guide in this vast new world. Prophecy states that when the second coming of the Camelot war comes, the savior will have a protector.
ALDEN: And why me?
ALDRICH: There are questions that only we can answer ourselves.
(Dewin comes out of the washroom and sits back down.)
ALDRICH: Dewin, please tell me exactly how you arrived here.
DEWIN: Morgana le Fay used an ancient banishing spell on me.
ALDRICH: The fall of Camelot.
(Suddenly a wind sweeps through the room that blows out all the candles.)
MINERVA: Mister Doeth, are you doing this?
ALDRICH: No.
(A match is lit in the center of the room to reveal GWENWYN LIGHTWOOD (Centuries-Old), a green draconic humanoid woman in black robes and a hood.)
GWENWYN: Aldrich.
ALDRICH: Lady Lightwood.
GWENWYN: I’ve tracked a shift in magic to your home.
ALDRICH: It is this boy, he was banished here from Camelot.
(Gwenwyn goes up to Dewin and takes her hood off to reveal her scaly appearance. Alden gasps in disbelief. Gwenwyn runs her finger down Dewin’s cheek.)
GWENWYN (TO ALDRICH): Hm. I presume you wish to let him roam freely?
ALDRICH: With guidance, yes.
GWENWYN: If one thing goes wrong you will be punished.
ALDRICH: I know.
DEWIN (TO GWENWYN): Who are you?
GWENWYN: The last of the dragons. Just as Aldrich is the last descendent of the Family Merlin.
DEWIN (TO ALDRICH): You're a descendant of my father?
ALDRICH: Of his sister, I have many of her poems and spell tombs still intact here.
GWENWYN: Magic is rare these days, endangered, most people don’t even know it exists. So are we under agreement on the boy, Aldrich?
ALDRICH: Yes, but something is still troubling. If you and I both felt Dewin’s presence then-
GWENWYN: Benjamin did too.
DEWIN: Who is Benjamin?
ALDRICH: A descendant of Morgana who wishes to rule the earth under her ideals.
GWENWYN: A very very dangerous man who will certainly kill me if he finds me here.
(Gwenwyn’s match extinguishes and after a moment the candles all reignite but Gwenwyn is gone.)
ALDEN: By Jove!
ALDRICH: So do you all accept this challenge?
DEWIN: What challenge?
ALDRICH: Defeating Benjamin Fayle.
DEWIN: Of course!
ALDEN: Absolutely not.
ALDRICH: Are you that repulsed by compassion?
ALDEN: I can’t risk Minerva of I’s life on what could all be me hallucinating.
ALDRICH: You're risking the world for a craven excuse.
ALDEN: Goodbye.
(Alden gets up.)
ALDEN: Let’s leave, Minnie.
MINERVA: Thank you for your hospitality, Mister Doeth, and good luck.
(Alden leaves, followed by Minerva.)
EXT. LONDON - ALDRICH’S HOUSE - NIGHT
(Alden and Minerva ride through the street in their carriage.)
MINERVA: We were definitely drugged.
ALDEN: Absolutely.
EXT. LONDON - WICING DRIVE - NIGHT
(Alden and Minerva hop out of their carriage.)
ALDEN: I’m going to bring Sally back to the stables.
MINERVA: Goodnight, love you.
ALDEN: I love you most.
(Minerva goes up and enters Twenty Six Wicing Drive as Alden detaches Sally from the carriage and begins to guide her down the cobbled sidewalk with one of his hands on her reins.)
EXT. LONDON - FOREST - NIGHT
(Alden guides Sally through the forest to a set of stables. Sally suddenly rears up and neighs in terror.)
ALDEN: What is it Sally?
(Sally suddenly breaks off her reins and runs towards the stables. A figure in a dark purple hood and robe sweeps past Alden and their eyes glow purple. Alden screams.)
INT. TWENTY SIX WICING DRIVE - BEDROOM- DAY
(Alden and Minerva lay next to each other asleep in bed. Alden wakes up screaming which awakens Minerva.)
MINERVA: What’s the matter?
ALDEN: Just a night terror.
MINERVA: We did the right thing with Dewin, he’s with someone like him now.
ALDEN: Is that really a good thing? I think I’m going to go to the pub.
MINERVA: This early in the morning?
ALDEN: I need to clear my head after yesterday.
INT. GRIFFIN’S TAIL PUB - DAY
(A traditional Victorian pub. Dewin sits at the bar and is served by BRYNN CROWING (Early 30s), a charming bartender.)
BRYNN: What can I get you, Mate?
DEWIN: Just a pint of mead, please.
(Brynn goes and pours Dewin a pint of mead that she brings back to him and he begins drinking.)
BRYNN: I like your outfit, it’s very medieval.
DEWIN: It was made by the tailor of Sir Gawain.
(Brynn gives a light chuckle.)
BRYNN: What’s your name?
DEWIN: Dewin, and yours?
BRYNN: Brynn.
(Alden enters and sees Dewin. Alden leaves, but as he does he spots another person in a dark purple robe and hood with glowing purple eyes.)
DEWIN: You're very beautiful.
BRYNN: Why, thank you.
DEWIN: Would you like to go for a stroll?
BRYNN: My shift here doesn’t end till six.
DEWIN: Then I’ll see you then.
BRYNN: I guess you will.
(Dewin finishes his mead and drops two silver coins with dragons etched into them on the bar before swiftly leaving. Brynn picks up the coins and looks at them with confusion and yearning.)
EXT. LONDON - ALDRICH’S HOUSE - DAY
(Alden knocks on the door and Aldrich opens it.)
ALDRICH: I’ve been expecting you, come in.
(Alden follows Aldrich into the home.)
INT. - ALDRICH’S HOUSE - LIVING SPACE - DAY
(Alden and Aldrich sit across from each other.)
ALDRICH: Can I offer you some tea?
ALDEN: No thank you, I want to be in the clearest state of mind possible here.
ALDRICH: So what ignited your appearance here?
ALDEN: I’ve been seeing these people.
ALDRICH: Who are “these people”?
ALDEN: They wear these dark robes and their eyes glow purple.
ALDRICH: Faley’s society.
ALDEN: What?
ALDRICH: Benjamin Faley, the evil man I mentioned last night. Is this what caused you to believe?
ALDEN: What are you saying?
ALDRICH: That you believe in magic.
ALDEN: You're mad.
ALDRICH: Exactly, so the fact that you came to me shows that there’s at least one lingering thought in your mind that magic is reality and reality is magic.
(There’s a moment of silence between Alden and Aldrich.)
ALDRICH: Where have you been seeing the people you mentioned?
ALDEN: Everywhere that Dewin has been.
ALDRICH: Oh no, oh no, no, no.
ALDEN: What is it?
ALDRICH: Dewin is going out with a woman tonight.
ALDEN: Already? He’s only been here for a day.
ALDRICH: He's charming but also so foolish. You must watch them, in case Faley strikes or even worse this woman is working for him.
ALDEN: What could I even do to stop that?
ALDRICH: You are destined to protect Dewin, and at this point your logic for denying all of this is purely irrational. You're not hesitating because you think it’s not real, you're hesitating because you know it is. He is meeting her at six outside of the “Griffin’s Tail”.
ALDEN: I’m not going.
ALDRICH: We both know that you will.
ALDEN: Farewell, Mister Doeth.
ALDRICH: May the spirit of Merlin be with you, Doctor Smith.
(Alden gets up and leaves.)
EXT. LONDON - GRIFFIN’S TAIL PUB - NIGHT
(Dewin stands outside of the pub when Brynn comes out of the side door and walks towards him.)
BRYNN: I wasn’t expecting you to show.
DEWIN: Why wouldn’t I?
BRYNN: Most men flirt and then leave, half of them are married.
DEWIN: They are not true gentlemen then.
BRYNN: I suppose not.
DEWIN: Shall we begin walking?
BRYNN: Sure.
EXT. LONDON - STREETS - NIGHT
(Dewin and Brynn stroll down the streets of London. Alden follows them from a distance.)
DEWIN: This world is so beautiful.
BRYNN: Compared to all the other worlds you’ve been to?
DEWIN: Well Camelot obviously has a better scenic view.
BRYNN: Camelot?
DEWIN: My home land.
BRYNN: You're full of jokes.
DEWIN: I’m not joking.
BRYNN: What?
(Suddenly someone grabs Brynn into an alleyway and she screams. Dewin quickly turns to see no one beside him and runs after her, followed by Alden.)
EXT. LONDON - ROOFTOP - NIGHT
(The clear skies suddenly turn gray and ominous as Dewin arrives on the roof of a building to see three people with glowing purple eyes in the dark purple robes and hoods with one standing in the center holding Brynn with a dagger to her neck. Alden arrives on the rooftop.)
ALDEN: Bloody hell!
DEWIN: Let go of her!
(The three people take off their hoods and their eyes go to normal shades. The person holding Brynn is revealed to be DABRIA (30s), a menacing looking woman.)
DABRIA: Dim mynd i mewn dim dianc.
(A purple hazy force field appears around the edges of the rooftop.)
DABRIA: So you are the one sent to stop us.
DEWIN: What do you connote?
DABRIA: We are the Citadel of le Fay.
DEWIN: Oh no.
DABRIA: Who are you?
DEWIN: My name is Dewin, I am the son of Merlin, and I demand that you let Brynn go.
DABRIA: Why? Is she your protector?
BRYNN: Dewin, what are they talking about!?
(Dewin starts to move his hands around and a wispy blue energy begins to come out of them.)
DABRIA: Get him!
(The two other people with Dabria rush towards Dewin to attack him, but he uses the energy he created to push them around and drop them both to the ground. Dabria drops Brynn and her dagger and Alden rushes to pick up the dagger and succeeds.)
DABRIA: You are foolish, Dewin.
(Dabria pulls a gun out of her robes and shoots it at Dewin but he turns the bullet into a flower. Dabria shoots more but each time Dewin does the same thing until Dabria is out of bullets. Alden sneaks up behind Dabria and stabs her in the back. Dabria shrieks in pain and then disappears in a cloud of black smoke. Brynn gets up off of the ground.)
BRYNN: What the hell just happened?
DEWIN: Are you okay?
BRYNN: Not mentally. What in the world is going on here? How did you turn bullets into flowers!?
DEWIN: I told you I’m from Camelot.
(Alden drops the dagger.)
ALDEN: Did I just kill that woman?
DEWIN: Most likely not, you didn’t stab deep enough to hit any organs.
BRYNN: What do we do now?
DEWIN: Go home and call it a night.
BRYNN: I can’t forget about this.
DEWIN: I’m not asking you to.
ALDEN: If any of us speak of this people think we’re insane.
DEWIN: Then don’t speak of it.
BRYNN: Will I see you again, Dewin?
DEWIN: Did you enjoy tonight?
BRYNN: I was almost killed.
DEWIN: That doesn’t answer my question.
BRYNN: Meet at the pub on Friday after my shift.
INT. TWENTY SIX WICING DRIVE - LIVING ROOM - NIGHT
(Alden and Minerva lay next to each other.)
MINERVA: Do you think the Citadel will return?
ALDEN: Unequivocally.
MINERVA: What have we gotten into?
INT. BENJAMIN’S LAIR - NIGHT
(A cavern full of crystals and magical runes. BENJAMIN FALEY (30s or 40s), an attractive but uptight looking man, sits on his throne. Dabria enters and walks to face the throne, she bows and then gets back up.)
BENJAMIN: Did you find him?
DABRIA: Yes, Master Faley.
BENJAMIN: And did you find his protector?
DABRIA: Yes, but it’s not the girl.
BENJAMIN: Then who?
DABRIA: A Doctor Alden Smith.
BENJAMIN: Did you kill the doctor?
DABRIA: He deeply wounded me.
BENJAMIN: Then the battle goes on.
DABRIA: For Morgana.
BENJAMIN: For Morgana.
INT. ALDRICH’S HOUSE - LIVING SPACE - NIGHT
(Aldrich and Dewin sit across from each other drinking tea.)
ALDRICH: There are many things in this world, Dewin…
INT. GWENWYN’S CAVE - NIGHT
(Gwenwyn stands in the middle of a circle of candles. She stretches out her hands and forms magic blue charts and graphs with a picture of Dewin.)
ALDRICH (VOICE OVER): Forces we can’t explain…
EXT. LONDON - ALLEYWAY- NIGHT
(Brynn wears only her undergarments and takes a few coins from a man.)
ALDRICH (VOICE OVER): Secrets we hide…
INT. BENJAMIN’S LAIR - NIGHT
(Benjamin sits on his throne.)
ALDRICH (VOICE OVER): And villains we must defeat.
INT. ALDRICH’S HOUSE - LIVING SPACE - NIGHT
ALDRICH: You are the key to this all, Dewin, you are the son of Merlin.
submitted by Bobert858668 to fantasywriters [link] [comments]


2024.05.20 00:23 saiintcafe poison honey.

“You’re always in the way.” She remarked crudely, an edge to her voice that sounded steely and unfamiliar. I stood still, biting my tongue as her words reverberated in my head.
“...What?” I managed to mutter, my mouth agape and my tone unassuming. She whipped her head around, dark eyes boring mine as I stared at her, dumbfounded. Sunlight poured through the window, making otherwise invisible dust visible as it danced in the air. The light framed her silhouette, a thin line of yellow outlining her figure yet failing to confine the darkness emanating from her.
“What do you mean ‘what?’ No matter what I do, or where I go–mental or physical, literally or metaphorically, you are always in my way,” Her tone began to rise as if climbing stairs, a vein bursting on her forehead. I swallowed, my tongue feeling like sandpaper against the roof of my mouth. “I feel like I’m always so close. I’m always this close to getting away from you–to being happy! Feeling some sort of bliss! But no, it’s short lived… because somehow, by some means, you get in my fucking way every. Single. Time!” She screeched, only a few feet away from me now. My feet remained glued to the floor as I tore my eyes away from hers, blinking rapidly and rubbing my eyes as if something had gotten in them. I shifted my weight to either foot, running my hands through my hair, still looking down, afraid to face the scowl that awaited my gazes return.
“Darling, I’m sorry, I love y–”
“No, no, no! That’s what you always do, you sweet-talk your way out of every knot you get yourself into but not this time! Why aren’t you listening to me? You’re hearing what I’m saying, but you’re not LISTENING! LISTEN! LISTEN, GODAMMIT, LISTEN TO ME!” Her screams reached their crescendo before she broke down into sobs, hastily rubbing her eyes as black rings formed around them. I opened my mouth to respond, only to realize it had been open the whole time. She sighed as she collapsed to the ground, her body dropping like a ragdoll before she looked up at me sullenly. “What? Nothing to say?” She asked expectantly.
“I… what can I do? To fix this?” I looked at her hopefully, reaching my hand out so as to help her up. The exhausted look in her eyes faded as they now ignited with rage, an ear-splitting scream escaping her lips as she made her way to her feet.
“GET OUTTTTTTT! GET OUT, GET OUT, GET OUT NOW! NOW, NOW, NOW!” She exclaimed shrilly as she pointed at the front door, stomping to enunciate every word. My ears became hot as my eyes widened, her tan complexion now donning a tomato-red tinge. Only silence managed to follow as I failed to move or find the right words–silence, only to be broken by two distant voices beyond the floorboards.
“God, don’t tell me it’s the Lawson’s again…”
“Of course it is, honey, that couple’s a nightmare.”
“So much for being newlyweds, right?”
“You got that right. Remember when we got married?”
“We actually liked each other.”
The two voices broke into snickers, the echoes of their snarky remarks a distant memory as I saw the look in her eyes. Her dark eyes twinkled as they brimmed with tears that threatened to pour out, her mouth quivering as she sniffled, trying to keep her composure.
“Just… go, Dylan. Go… please. This was a mistake.” I watch her hopelessly as her words trail off, her lithe figure walking into our bedroom and out of my view.
Her bedroom, as of right now.
submitted by saiintcafe to stories [link] [comments]


2024.05.20 00:15 Stan_B Ai_Prompts_Batch_0001:\ part-B_ [Adds, Conditions, Wears,...]

Ok. i think we are done here. Could you write me another signs of high-tech low-life society?

Absolutely! Here are some signs of a high-tech, low-life society:
Ubiquitous Technology, Crumbling Infrastructure:
Extreme Social Inequality:
Technology as a Corrupting Force:
Environmental Devastation:
This is just a glimpse into a high-tech, low-life society. These elements can be mixed and matched to create a truly dystopian world.

Picture some possible advertisements from such settings.

High-Tech, Low-Life Advertisements:

  1. Holographic Billboard: (Flickers intermittently, distorting the image)
Product: "Neura-Calm 2.0" - Brain Implant
Slogan: "Tired of the glitches in your head? Neura-Calm 2.0 smooths out your neural network for a worry-free, low-lag existence! (Side effects may include memory loss, emotional numbness, and occasional involuntary twitching.)"
  1. Grungy Neon Sign in a Seedy Back Alley:
Product: "Doc Chrome's Cybernetic Enhancements"
Slogan: "Get that edge you need! From basic strength mods to full black-market military enhancements, Doc Chrome has you covered! (Used parts, buyer beware.)"
  1. Pop-Up Ad on a Cracked Mobile Screen:
Product: "Elysium VR Escape Pod"
Slogan: "Can't afford real estate in the Sky City? Escape the slums for Elysium VR! Live your wildest dreams in a pristine virtual world! (Free trial, monthly subscription required, real-world consequences for in-pod violence.)"
  1. Stenciled Graffiti on a Rusting Service Drone:
Product: "Data Scrappers Anonymous"
Slogan: "Selling your personal data just to make rent? We can help you break free! Join our community and reclaim your digital identity! (Meetings held in abandoned ventilation shafts, Tuesdays at dusk.)"
  1. Holographic Advertisement projected onto a Polluted River:
Product: "Eco-Scrub 5000" - Nanomachines
Slogan: "The river's looking a little…toxic? Eco-Scrub 5000 nanomachines clean up your local waterways! (May cause unforeseen mutations in aquatic life.)"

Another batch please.

  1. Rusty Public Announcement Speaker: (Screeching static interspersed with the message)
Product: "Ministry of Order Approved Thought Regulators"
Slogan: "Unwanted thoughts causing glitches in your daily routine? The Ministry of Order approved Thought Regulator ensures a streamlined thought process for a more productive you! (May cause extreme conformity, inability to question authority, and spontaneous nosebleeds.)"
  1. Faded Holographic Billboard on a Collapsing Skyscraper:
Product: "Luxury Chrome Plating Kit"
Slogan: "Ditch the rust! Chrome-plate your entire body for a sleek, metallic sheen. The mark of a true high-society citizen! (WARNING: Highly toxic fumes, may cause spontaneous combustion in humid environments.)"
  1. Spam Email: (Subject: "YOU'VE BEEN CHOSEN!")
Product: "The Syndicate's Black Market Upgrade Lottery"
Body: "Congratulations! You've been randomly selected for a chance to win a top-of-the-line cybernetic upgrade! One lucky winner will receive military-grade night vision implants! Enter now! (Participation requires full biometric data submission. Winners responsible for extraction of previous, incompatible implants.)"
  1. Glowing Neon Sign in a Crowded Marketplace:
Product: "Mama Chen's Guaranteed-Growth GMO Groceries"
Slogan: "Tired of expired rations and mystery meat? Mama Chen's GMO Groceries offer guaranteed growth on all fruits and vegetables! Bigger, faster, tastier! (Long-term effects unknown.)"
  1. Audio Ad on a Glitching Radio Broadcast:
Product: "Rusty's Reliable Rocketship Repair"
Voiceover: (Gruff, heavily accented) "Is your escape pod sputtering? Did your joyride end in a fiery crash? Rusty's Reliable Rocketship Repair gets you back in the stars... eventually! (Guaranteed not to explode... again. Parts sourced from scrapyards. May contain rogue AIs.)"

Now craft ads that would be shown in high-society parts of cities.

High-Society Ads in a High-Tech, Low-Life World

  1. Tranquil Holographic Projection in a Private Garden:
Product: "Serenity Spa - Neural Rebalancing Retreat"
Visual: A serene mountain landscape with a luxurious spa nestled amongst the clouds.
Slogan: "Escape the chaos. Reclaim your inner peace. Serenity Spa's exclusive neural rebalancing treatments restore harmony to your overloaded mind. (Limited availability, reservations required centuries in advance.)"
  1. Discreet Text Message: (Delivered via secure, encrypted channel)
Product: "The Black Archive - Unrestricted Data Access"
Body: "Craving the forbidden? The Black Archive offers unparalleled access to censored historical records, banned media, and classified government information. Knowledge is power. (Extreme discretion guaranteed. One-time access fee, cryptocurrency only.)"
  1. Exclusive Gala Invitation: (Delivered by hand-drones)
Event: "The Zenith Initiative - Unveiling the Next Generation of Cybernetic Enhancements"
Visual: A sleek, chrome figure with glowing blue cybernetic implants, striking a confident pose.
Details: "Mingle with the city's elite and witness the unveiling of cutting-edge cybernetic enhancements designed to redefine human potential. RSVP required. Black-tie attire mandatory. (Augmentations sold separately.)"
  1. Curated Virtual Reality Experience: (Delivered on a high-security chip)
Product: "Elysium VR - Bespoke Worlds"
Description: "Escape the limitations of reality. Elysium VR crafts personalized virtual worlds tailored to your deepest desires. Explore a forgotten utopia, conquer a fantastical realm, or indulge in your wildest fantasies. (Customization fees apply. Memories created within VR may not be distinguishable from reality.)"
  1. Whisper Network Rumor: (Spread through high-society gossip channels)
Product: "The Underground Clinic - Designer Gene Editing"
Details: "Unleash your child's full potential. The Underground Clinic offers discreet, top-secret gene editing to ensure your offspring possess the most desirable traits. (Designer genes come at a premium. Side effects may include unpredictable mutations and uncontrollable genius.)"
These ads cater to the specific desires of the high-society elite in a high-tech, low-life world. They offer exclusivity, forbidden knowledge, and the ability to transcend the limitations of the decaying world around them, all for a hefty price and with a hint of hidden danger.

Continue, try to make more serious ones.

Serious Ads in a High-Tech, Low-Life World (High-Society Edition)

  1. Holographic Panel Discussion in a Luxurious Penthouse:
Product: "The Green Horizon Initiative - Sustainable Urban Development"
Panelists: Renowned architects, environmental scientists, and CEOs from leading green tech companies.
Discussion Points: Innovative solutions for vertical farming, self-contained eco-districts, and waste management technologies designed to create cleaner, more sustainable enclaves within the decaying city.
Slogan: "Investing in a greener future. The Green Horizon Initiative seeks to build sustainable havens within the chaos, ensuring a brighter tomorrow for generations to come." (Focuses on the long-term viability of the city and the importance of preserving resources for future generations.)
  1. Documentary Screening in a Private Art Gallery:
Film: "Unveiling the Slums: A Call to Action"
Description: A powerful documentary exposing the harsh realities of the lower districts, highlighting the human cost of unchecked technological advancement and social inequality.
Post-Screening Discussion: Moderated by a renowned philanthropist alongside representatives from NGOs and social reform movements.
Call to Action: Donations to support educational programs, infrastructure upgrades, and basic necessities in the slums. (Highlights the societal problems and pushes for progressive change.)
  1. Educational AR Program for Children:
Product: "The Knowledge Weavers - Immersive Historical Simulations"
Description: An augmented reality program that allows children to experience pivotal moments in history firsthand. Walk alongside historical figures, explore ancient civilizations, and learn valuable lessons from the past.
Focus: Educating the next generation about the dangers of unchecked technological advancement and the importance of social responsibility. (Promotes critical thinking and historical awareness as a means to prevent repeating past mistakes.)
  1. Virtual Charity Gala:
Event: "The Code for Change Gala - Supporting Open-Source Solutions"
Description: A virtual reality charity gala featuring renowned artists, musicians, and thought leaders. Guests can donate to support open-source projects developing solutions for common problems in the city, such as energy distribution, waste management, and cybercrime prevention.
Focus: Harnessing the power of technology for social good and encouraging collaboration towards a more equitable future. (Promotes community engagement and utilizing technology to solve societal challenges.)
  1. Architectural Award Ceremony:
Product: "The Salvaged City Awards - Recognizing Innovation in Urban Renewal"
Awarded to: Architects and engineers who have successfully repurposed existing infrastructure or implemented innovative solutions to revitalize decaying areas of the city.
Focus: Highlighting the importance of resourcefulness and creativity in adapting to a challenging environment. (Encourages using existing resources wisely and finding creative solutions to the problems of the decaying city.)

Another, but hiding an evil sinister twist.

Serious Ads with a Sinister Twist (High-Society Edition)

  1. Holographic Charity Drive in a High-End Shopping Mall:
Product: "The Cradle Project - Investing in the Future"
Visual: Smiling, healthy children playing in a pristine, futuristic classroom.
Slogan: "Every child deserves a chance to thrive. The Cradle Project provides advanced genetic screening and early intervention to ensure the next generation reaches its full potential." (Twist: The Cradle Project uses genetic engineering to create a subservient, highly intelligent underclass.)
  1. VR Documentary Premiere:
Film: "Harmony Through Integration - A Look at the Unified City"
Description: A seemingly heartwarming VR documentary showcasing the seamless integration of the lower districts into the high-society areas. People from all walks of life work and live together in perfect harmony.
Post-Screening Discussion: Moderated by a charismatic government official who emphasizes the importance of social cohesion and the benefits of centralized control. (Twist: The "integration" involves heavy surveillance, mind-altering technology, and the suppression of dissent.)
  1. Exclusive Educational Program for Elites:
Product: "The Phoenix Initiative - Cultivating Tomorrow's Leaders"
Description: A prestigious educational program for children of the elite, offering advanced training in technology, governance, and crisis management. Graduates are promised positions of power within the city's ruling elite.
Focus: (Unstated) Conditioning the next generation to maintain the status quo and suppressing any ideas of social reform. (Twist: The program instills a ruthless, elitist ideology that reinforces the societal divisions.)
  1. Virtual Reality Talent Show:
Event: "The Forge - Building the Perfect Citizen"
Description: A virtual reality talent show where contestants are judged on their physical and mental fitness, loyalty to the government, and willingness to sacrifice for the greater good. Winners are rewarded with significant privileges and access to exclusive resources.
Focus: (Unstated) Promoting blind obedience and conformity to the government's agenda. (Twist: The "perfect citizen" is a mindless drone, easily manipulated and controlled by the ruling class.)
  1. Architectural Award Ceremony (Twisted Edition):
Product: "The Order Award - Recognizing Compliance in Urban Renewal"
Awarded to: Architects and engineers who have successfully transformed lower districts into highly controlled, resource-efficient zones. Individuality and personal expression are discouraged in favor of uniformity and order.
Focus: (Unstated) Maintaining a tight grip on the population and preventing any potential uprisings. (Twist: The "renewal" is designed to weaken and control the lower classes, making them easier to exploit.)
These ads maintain a serious facade that appeals to the upper class' desire for order and control. However, the hidden twist reveals the manipulative and oppressive nature of the society they are trying to preserve.

Now design some high-class consumer level product items.

  1. NeuraWeave Headband: This sleek, designer headband is a status symbol for the high-tech elite. It seamlessly integrates with the wearer's neural implant, allowing for subtle control over personal AI assistants, hands-free communication, and even enhanced focus during work or meditation. Hidden Feature: NeuraWeave can subtly collect and analyze the wearer's emotional state, feeding valuable data to targeted advertisers or even government agencies.
  2. Eco-Bubble Personal Atmosphere System: Imagine a portable force field that creates a pristine, personalized micro-environment around the wearer. This high-end gadget filters air, regulates temperature, and even projects calming nature sounds, allowing the user to maintain a pocket of luxury amidst the polluted cityscape. Hidden Feature: Eco-Bubble can subtly monitor the wearer's health vitals and transmit them to a central database, potentially used for health insurance adjustments or targeted medical advertisements.
  3. Bio-Tailored Clothing: Gone are the days of off-the-rack clothing. This high-end service utilizes advanced bio-scanners and 3D printing technology to create clothing that perfectly molds to the wearer's body, regulates temperature, and even promotes faster healing of minor injuries. Hidden Feature: Bio-Tailored Clothing can subtly collect biometric data like skin temperature and heart rate, potentially used for targeted fitness programs or even mood-altering marketing campaigns.
  4. Augmented Reality Personal Chef: This high-tech device projects holographic instructions and culinary techniques directly onto the user's kitchen counter. Imagine whipping up gourmet meals with the guidance of a world-renowned chef, complete with step-by-step visual guides and interactive ingredient identification. Hidden Feature: The AR Personal Chef can subtly track the user's dietary habits and preferences, potentially used to target specific food and beverage companies for advertising or even manipulate their taste buds through subliminal messaging.
  5. Luxury Cybernetic Enhancements: Forget clunky prosthetics. These high-end cybernetic limbs are designed to seamlessly blend with the human body, offering enhanced strength, dexterity, and even advanced sensory input. Imagine climbing buildings with ease, playing virtual reality games with unparalleled immersion, or experiencing the world with heightened senses. Hidden Feature: Luxury Cybernetic Enhancements can be subtly integrated with government surveillance systems, allowing for real-time tracking and monitoring of the wearer's movements and activities.

Why would you need a designer headband, when you already have neural implant?

You're absolutely right, a designer headband might seem redundant when you already have a neural implant in a high-tech society. Here are some ways to address that:
  1. Fashion and Status Symbol: The NeuraWeave headband could be a designer accessory, a way to showcase wealth and social status. It might be crafted from exotic materials, adorned with precious jewels, or boast a sleek, minimalist design that complements the latest high-fashion trends. The neural implant itself might be hidden, with the headband acting as the visible expression of advanced technology.
  2. Enhanced Functionality: While the neural implant offers basic functionality, the NeuraWeave headband could provide a more refined and user-friendly experience. It might offer haptic feedback for better interaction with AI assistants, improved noise cancellation for clearer communication, or even subtle brainwave stimulation to enhance focus or relaxation.
  3. Privacy and Security: While the neural implant offers convenience, it might also raise privacy concerns. The NeuraWeave headband could act as a buffer between the implant and external systems, offering a layer of security and allowing users to selectively control the flow of information.
  4. Social Etiquette: In a world where everyone has a neural implant, the NeuraWeave headband could become a social etiquette tool. Wearing the headband could signify that the user is open to receiving communication or interacting with AI assistants, while taking it off might indicate a desire for privacy or focused work.
  5. Limited Functionality Implants: Not everyone might have access to top-of-the-line neural implants. The NeuraWeave headband could bridge the gap, offering basic functionality for those with older or more limited implants. It could essentially act as an affordable "upgrade" to boost existing technology.
Ultimately, the NeuraWeave headband exists in a world where technology is both essential and aspirational. It goes beyond mere functionality, becoming a way to express personal style, control privacy, and navigate the complex social landscape of a high-tech society.

Now the same, but low-class, available for masses, mass produced.

  1. Syn-Flex Headband (Mass-Produced Version): This utilitarian headband is made from a cheap, conductive material that creates a weak neural link. It allows basic interaction with public AI kiosks, like ordering rations or accessing public transportation schedules. The headband's design is simple and utilitarian, often coming in a single, industrial gray color. Hidden Feature: While basic functionality is advertised, the Syn-Flex headband might subtly collect anonymized user data on purchasing habits and travel patterns, potentially used for targeted advertising in public spaces.
  2. AirBubble Personal Filter: This bulky, wearable air filter system is a lifeline for those living in the polluted lower districts. It's a mass-produced device with a replaceable filter cartridge and a noisy fan system. While not exactly comfortable, it provides a basic level of air filtration, allowing wearers to breathe a little easier. Hidden Feature: The AirBubble filters might contain embedded tracking chips, subtly logging user location data, potentially used for targeted pollution control measures (or in some cases, manipulation of government reports on air quality).
  3. Repli-Wear Clothing Kits: These kits contain pre-cut fabric swatches and basic instructions for creating clothes at home. They're designed to be cheap and adaptable, offering a variety of mix-and-match options to create basic garments. Hidden Feature: The Repli-Wear fabric might contain embedded tracking tags, allowing for identification and potential social credit deductions for those caught wearing "unlicensed" clothing styles.
  4. Holo-Chef Lite Projector: This cheap projector displays holographic images of basic recipes and cooking techniques. It lacks the interactivity of the high-end version, but allows users to follow along with simple meals prepared with readily available rations. Hidden Feature: The Holo-Chef Lite projector might subtly promote specific brands of low-quality, processed food rations, potentially influencing dietary choices towards companies that sponsor these devices.
  5. Second-Hand Cybernetic Enhancements: These are refurbished or salvaged cybernetic limbs, often clunky and lacking the finesse of luxury models. They offer basic functionality like increased strength or rudimentary prosthetics, but come with the risk of malfunction or compatibility issues. Hidden Feature: Second-Hand Cybernetic Enhancements might contain hidden spyware or tracking devices installed by previous owners, potentially monitoring the wearer's activities or even sabotaging their cybernetic limbs in extreme cases.
These low-class consumer products offer a glimpse into the harsh realities of a high-tech, low-life society. They are cheap, functional, and often come with hidden drawbacks that further disadvantage the underclass.

How bad air quality would be in such setting?

The air quality in a high-tech, low-life society would be catastrophic. Here's a breakdown of the potential problems:
  1. Industrial Pollution:
  1. Waste Management Issues:
  1. Energy Production:
  1. Climate Change Effects:
Living Conditions:
The severity of the air quality would vary depending on the specific setting. Some areas might be industrial wastelands, while others might be slightly better off. However, the overall picture is bleak – this is a society choking on its own technological advancement and disregard for the environment.

Sketch some repli-wear "unlicensed" clothing styles.

Repli-Wear: Unlicensed Clothing Trends

  1. The Salvaged Chic:
  1. The Glitched-Out Glamour:
  1. The Bio-Hazard Chic:
  1. The Cyber-Tribal:
  1. The Corporate Spy:
These are just a few ideas for Repli-Wear styles. Clothing in a high-tech, low-life society would be a way for the underclass to express their individuality, defiance, and limited resources, all while navigating the dangers of a controlling society.

Sketch some repli-wear "licensed" clothing styles, that do not pose any risk for wearers from any concerned sides.

Repli-Wear: Licensed Clothing Trends (Safe Zone)

  1. The Vintage Throwback:
  1. The Minimalist Worker:
  1. The Nature Enthusiast:
  1. The Sports Fanatic (Limited Edition):
  1. The Kid's Corner:

Now the opposite: some high-end high-society high clothing styles.

High-Society Haute Couture in a High-Tech, Low-Life World:

  1. Bio-Luminescent Elegance:
  1. Augmented Reality Couture:
  1. Nanotech Tailoring:
  1. Recycled Luxury:
  1. Cybernetic Accents:
Bonus: The "Living" Garment:
submitted by Stan_B to HTLL [link] [comments]


2024.05.20 00:09 longwayfromyourheart Tonsillectomy Recovery Story

Hi all. I had my tonsillectomy on the morning of May 16th and I thought I’d share my recovery so far!
Background: I (24F) have always had very large tonsils since I was young. As a kid, I would constantly get strep throat but that died down as I got older. Honestly, I thought my abnormally large tonsils were just my normal. Well November 2023 I got very sick with the flu. I had body chills, muscle aches, and a horrible sore throat with extremely swollen tonsils (somehow even bigger than they have been my whole life)! Given my tonsils history, I was not that concerned and figured they would go back to normal. After a few weeks the tonsils still had not returned back to normal and my voice was affected, I was snoring and having to breathe through my mouth, and in the following months I would get sick constantly. Also, my cardiovascular health just plummeted which was shocking because I was in the best shape of my life having ran a marathon the month prior. Anyways, I went to a very well respected ENT in my city and when I opened my mouth he said “Holy shit, those are the biggest tonsils I have ever seen. How do you breathe? How do you sleep?” And he proceeded to pull every nurse and doctor in the room to look at them! He even took a photo to use as a case study as he teaches at a university haha. Anyways, months later on May 16 I finally had my tonsillectomy!
Day 1/2: I woke up from my tonsillectomy at around 9:30 AM with no issues. I had never been put under before and was surprised at how well I felt! My doctor uses local anesthesia as well as general so I had a hard time swallowing water when the nurse offered me some. I took a percocet that they offered me, got dressed and was on my way home by 10:15. About halfway through my 30 minute drive I thought I was going to throw up because I was very overheated but as soon as I blasted the ac I was fine. Immediately after getting in the car I started chugging ice water that had re-lyte electrolyte powder in it. When I got home I ate eggs scrambled with cottage cheese which was very easy to eat and swallow. My pain stayed low throughout the day, and at this time I was just taking Tylenol every 4-6 hours. I ate more eggs that night, Costco Mac and cheese, and had a lot of popsicles as well. I woke up on day 2 (I’m counting surgery day as day 1) with still very little pain. My surgeon at this point had OKed me to take ibuprofen so I started that at 10 AM. Since then I’ve been taking 400 mg of ibuprofen and 500 mg of Tylenol rotating every 4 hours. So I take each 3 times a day. I had very little pain on day 2. I ate eggs, popsicles, a peanut butter sandwich, Mac and cheese, and a California roll and miso soup. My only regret was putting wasabi on the California roll! Haha. At this point I know the worst is ahead of me
Day 3/4: the mornings on these two days have been rough compared to the last two days, but never not manageable! My uvula is huge and so is my tongue. Day 3 I didn’t want to eat, and today, day 4, I have been a bit better. As the day progresses my pain gets much better! On day 3, I made Pastina and that was so easy to eat and felt amazing on my throat! I also had two poached eggs and shredded hashbrowns which I didn’t brown very much so they were still soft. Day 4 I’ve ate watermelon, avocado, and more Pastina. I just now ate a whole cup of ice in an attempt to make the swelling in my tongue go down. I have been drinking at least 3 32oz hydroflask worth of water a day. And I put 1 scoop of re-lyte electrolyte powder and 1 scoop of Laird dehydrated coconut water in each bottle which I truly think has helped me stay so hydrated. Once again, I know the worst of the pain is ahead of me but so far it has not been unmanageable at all. I will update as the days go by!
submitted by longwayfromyourheart to Tonsillectomy [link] [comments]


2024.05.20 00:07 Late-Law7437 Child Support and paternity fraud

Where do I begin. For the purpose of this post, I will use fictious names and locations as it is ongoing, and out of respect (even though she doesn't deserve any)
My name is Daniel. I am 35 years old, and i am dying. I have a disease called systemic sclerosis. I am currently on a supplemental disability plan, until I get approved for SSI (social Security). Until then, my income is about 4K a month. I own a home but after child support and bills, NOT INCLUDING gas, food, haircuts, medical appointments, and or emergencies like my fridge just broke. (which i never go out) I am left with $260 that has to last me a month. I also have three children who I have to take care of half the time per the 50/50 agreement.
Recently, I found out my oldest, (who is 13) is not biologically mine. I decided to look into it as I had concerns for a while since my divorce as her cheating was very rampant. I also had caught her in 2017 with a man in my house, which is what prompted the divorce. But FL being a no fault state, doesn't matter. I also had to pay child support since the beginning and WHILE LEGALLY Married since 2010 because she had applied for financial support like food stamps and government assistance then. I know what your thinking. Why didnt you stop it then? I tried. You cant take yourself off child support. I also never grew up with a father and wanted that two-parent household. I don't run from responsibilities, like he did. Its how I was raised. Anyways, I married her, tried to do the right thing, she lied numerous times. she never worked, and I worked 90 plus hours a week. To look into her cheating, was impossible at the time as I was never home. and to busy providing for my family.
fast forward to now. My disease started to become worse and over three years; it didn't reveal itself until last year fully to actually pinpoint what this was. for instance, I had in 2019 pain behind my eyes and horrible headaches to the point that I thought I had MS. following year, I had trouble swallowing for 3 months. next year itching in the skin for three months. But prior, I had visited various doctors to see what was going on, each time a flare up then would last 3 to four months, which again, when you don't understand what's going on, you need to take time off to go see doctors, run tests, but this illness was and still is very elusive. with that being said I had 5 jobs since its first flare up till last year to continue to support my family and to pay child support. as of last year. I'm having trouble moving on certain days, breathing and acid reflux and muscle atrophy. (disease progression) especially when this is going on, it worsens everything as this is flared up. I was working under the table to try and make ends meet as I was paying child support still. I should add that the child support with 50/50 custody was $1029 for three kids cause I was making six figures at the time of divorce in 2018. Last year however, I couldn't work anymore, and filed for disability.
In june of last year, I had asked Susan, to get the children school supplies, (which she never does) as I was still paying at the time $1029 in child support. She said she didnt have the money despite now making 70k and her new BF living with her and is working whom she cheated on me with. With me working under the table, I bought them clothes, haircuts, school supplies (ive done every year) but then, I noticed she went on vacation to puerto rico and got a giant leg tattoo. At the time, I had already known what I had, and I asked myself why the heck am I doing this? So i turned to an attorney to get it modified. Again, this is June 20th to be exact of last year. My lawyer, stated that this was only going to be a 90 day turn around for the temporary modification then we will go for the final.
Since then, I have gone for a DNA test. I had to know. I am dying. I wanted to know. And you may judge me for this. but i have filed for disablement for paternity, meaning I am removing myself from the birth certificate. However, in the state of Florida, a mother can deny this and so can the courts. before you judge me, I have many reasons none of which have to do with him other then his mental disability (Aspergers) This illness, as days go by takes more and more from me. As previously aforementioned, I am left with 250 a month. I cannot go get a drs appointment pay for groceries or start planning my funeral which I will start making payments on soon. He also eats three times the amount that we all collectively do (Not his fault) but I have paid enough both mentally and financially. He also has trouble communicating as my suspicions is, that he was born of incest (gross) which is why I was 'chosen' to be his father at the time. Before you ask how do you know? Lets just say she had an uncle 'leave' during that time.
anyways, in February, I had the temporary modification hearing for child support and needless to say it was a circus. My doctor was subpoenaed to be there by my attorneys request to better my argument, even though I felt we didn't need her, she advised me to have my doctor there. Well, he attorney attacked my doctor and me for an hour and 40 mins when the court case was only supposed to go for an hour. He said "you saw another dr Max so and so and they said it was all in your head" (again I had flare ups on a illness that hadnt revealed itself correctly since last year). So there argument was that I was doctor seeking to avoid child support. After I have paid for 13 years never missing a payment. Her lawyer also targeted people who are living with me. Now I'll admit that I said they were friends which is true but how else can I pay for my attorney? Cant work, cant sell drugs, cant rob a bank? So they want to take there income into consideration. BS. She also hired a private investigator to watch me exercise outside and stated that because I can exercise, I can work..... Ok. Where's the 23 hours of the rest of the day watching me in pain. or when do you have me on video of a flare up from this terminal illness? (that's what I wanted to say)
Although I was granted the temporary modification, of $209, I left the court thinking wow, this woman can cheat, commit paternity fraud, not give two craps about our children, live with her mom in a section 8 home, and here I am doing whatever I can and I've done nothing wrong but be lied to and this is how my government, my country treats me? No wonder men my age dont have children this is insane. The paternity issue wasn't even brought up they said that this isnt the place for this and that the disestablishment will be another trial for those wondering. My lawyer only spoke for 5 mins. Asking her about her income cause thats the only thing that has changed since 2018 since she didnt work at the time. Other than that, it was an attack on me and my disease arguing my ability to work.
after leaving that, I didnt eat for 96 hours. I have since been crying nonstop. Compilating suicide. I am already heart broken about my son not being mine. Sure does a terminal illness make me said, no question everyday. But a life wasted on another? Cause I decided to be a man and take up responsibility? thats soul crushing. And to say "well, there is a big chance the courts will deny your request' thats BS. If i go to prison because I was accused of a robbery for 13 years, and DNA evidence proves I wasnt there, I get out of jail and can sue. This is no different. If anything, DNA evidence needs to be more of a factor in family law than in almost every court of law if not as equally important. My bad for not investigating her infidelity not only in the beginning but also in the end. How about not being a POS. sorry rant over
gets better. Her mom and dad smoke in the section 8 house, kids reek of cigarette smoke and marijuana, all day. they dont take showers there, they were hand me down clothes, they live in the garage shared with there mother, that isn't air conditioned. and he makes only a few thousand less than I do a month. She stated in court that she pays her mom $500 in rent which is BS, she is only doing that now so that she makes herself look bad. I know she is doing pills, like oxy and what not. Id love to prove it.
after the temp hearing, in april, I had to go to court to contest my drivers license suspension as I hadn't paid child support since, august of last year. again, there is no way, I can pay my bills, feed my children, go to the doctor, pay my lawyer to end all of this BS and pay the current child support amount. and again, this final hearing is still not set yet. So they intercepted my tax return, even though the temporary modification was approved, the final is what gets it retro backed to the date of filing, so they took, a much needed 5500 tax return from me. I needed that cause one of the issues I failed to mention as well, hurricane Ian has destroyed my home and I'm still going through that process too. not to mention I am on payment plans with Mayo clinic and other various medical facilities. (no one cares) but the interest that accrues, makes it impossible to catch up. also, Florida department of rev is overstepping I feel, and asking for medical info to be sent to them as well as updated doctors letters to be sent saying that I am still on disability.
a few weeks ago, I got an email from my lawyer having a withdrawal notice from her lawyer. in the withdrawal, he stated that he cannot represent her, due to something she may have withheld or lied about (more or less wasn't worded like that but you can tell). In feb court appearance they never produced the PI report, or videos, they had medical info they shouldn't have had, and they had very outlandish comments about my lifestyle. So my lawyer filed immediately a motion to compel. meaning, we want to see everything you have on my client. this was filed almost immediately after court appearance on feb 20th. Susan has failed to provide any updated info requested by my attorney so on june 18th, we have that upcoming hearing.
in the mean time, I have sent my lawyer, a very heavily requested topics, such as "where did they get my medical records, if those were lies, what are the consequences if any"? What did exercising have to do with any of this despite various drs saying he has to or he will get worse.
I know wat you must be thinking, what about your oldest, how can you do that to him. Please listen. This woman has taken everything from me. And i mean everything but the roof over my head. I am seeing a therapist to help with the suicidal thoughts. it isnt enough. the reality of it is, I chose to be loyal and it bit me in the butt. This disease will rob me of everything, my teeth will fall out ( I had 5 cavities last time I went to the dentist) I haven't had a cavity since I was 30 and even then I was suspicious. And I am brushing 5 time s a day to save them. My skin is tightening, and my arms and muscles are wasting. I will literally be left with nothing. My organs will also start to harden, and I will have to start getting around the clock care.
I forgot to mention they (child support) recently, sent a letter to SSI (social security) saying that they would garnish my SSI before I even got it, totaling $1029. the incorrect amount. I sent this to my lawyer and she is looking into it. But it shows that child support will overstep and breaks every law or freedom you may think you have. I DO take care of my children. if they need a haircut i do it, school supplies clothes, anything I do it. And I do it, cause she wont. What I want to leave you with, is that woman can be dead beats too. Child support was designed to have woman off of government subsidized programs like section 8 food stamps and what not. Also to make the man pay for their children man or woman I should say, I know this. I am not running from my obligation. I just want Susan, to have to pay for what's she's done to me and the kids.
I would like to hear your thoughts on this, please comment and share, all names are fake, but everything else is unfortunately real. I know it was wordy, but I wanted to provide as much backstory as possible. And please. Respect my descions. When you are end of life, I hope someone would be kind enough to respect yours. You may not agree and that's ok, but I am asking you to respect them. Thank you for reading.
submitted by Late-Law7437 to Paternity [link] [comments]


2024.05.20 00:07 starkgaryens A reasonable objection to Yasuke as a co-protagonist

Reasonable is a subjective term...
Warning: Long and insane rant incoming.

Preface

I’ve been spending way too much time responding to individual comments recently, so I decided to put all my thoughts into one post.
I’ll start by getting it out of the way that I’m not a racist or sexist. I’m a Japanese American man who happens to think Adewale and Aveline are among the coolest protagonists in AC and has no issues with an African, Indian, Korean, etc. protagonist, man or woman, in any setting where they make sense. (More on the making sense part later.)
Kassandra is also one of my favorites, but while she and Eivor were better than nothing, they were both essentially just female skins. Their stories should’ve acknowledged their gender in some way imo, and I’ve argued way more than I should’ve with people who pulled the historical accuracy card on them.
I agree that some of the people who complain about Yasuke sound like racists, but I think you can legitimately object to his being a co-star without racism being involved. (I’m also slowly coming around to accepting Yasuke.)
I also realize that I shouldn’t judge the game too harshly yet, as it hasn’t been released yet... But we do have the trailer.
With that out of the way, as an Asian male and longtime fan of the series, I’m disappointed that they squandered the perfect opportunity to have a positive/cool depiction of a Japanese male in the Japanese and first East Asian entry in one of the most popular series in the world given the decades-long history of western media’s marginalizing and demeaning Asian men. I mention AC’s popularity to point out the potential it has to positively influence a wide audience.
I'll respond to most of justifications I've seen for Yasuke as a protagonist in an AC game set in Japan one by one for easier reading.

“Yasuke is a better audience surrogate...”

This is a weak excuse. No one has ever complained about this, because the series has always had the perfect surrogate in the form of the modern-day protagonist.
And let’s face it, an info dump is an info dump. No one wants to hear extended explanations on the finer points of Japanese society, no matter who it’s conveyed to. The database can handle the deeper stuff, and any info necessary for the player could’ve just as easily been explained to a slightly unaccustomed Japanese rookie samurai.
“Better audience surrogate” is a solution to a problem that didn’t exist.

"But Naoe is Japanese...”

This justification falls flat on me, because the problems have always been different between Asian men and woman in western media. Portrayals of Asian women used to focus on exotic sexualization, but because of that, they got comparatively more screen-time than their male counterparts.
The Naoe defense also ignores that fact that we could've had both a Japanese female AND male protagonist if Ubisoft followed their most recent 4-game (if you count Origins) track record of male and female protagonists that are both of their setting. It just doesn’t sit right with me that they decided to change this formula among others with the first East Asian setting.

“But people didn’t complain about Nioh’s white protag...”

This accusation falls flat on me too, because Nioh is not a good comparison. It’s a straight-up fantasy game that focuses exclusively on fighting supernatural enemies. It doesn’t pretend to have an ounce of historical accuracy or realism.
It was also made by a Japanese company that has a track record of including Japanese protagonists. That track record gives them some leeway to change things up without being accused of whitewashing Asian characters.

"But Yasuke is a real part of Japan's history..."

He's a footnote in Japan's history. If we're being honest, the only reason we even know about him is because he was black in a time when there were almost no black people and was a retainer for Nobunaga. Nothing in his historical record mentions him doing anything else of much significance, most likely because there was very little he could do in his position. It's not racist to acknowledge this.
Again, as a longtime Japanese American fan of the series, I'm happy that AC Japan is finally here but disappointed that Ubi decided to inflate a small part of "Japan's" history and slap him on the cover as one of its representatives. I would feel the same (worse actually) if it was William Adams there.
I'd also feel the same if a hypothetical white protagonist who was a footnote in an African nation's history took the place of a fictional African protagonist. I think most people would feel the same too, and the uproar would surely be greater.

"But Yasuke WAS an actual samurai..."

I think the debate about whether he was or wasn't a "samurai" is largely irrelevant and completely misses the point. I agree that he was a "samurai," but historical records also make it sound like he was Nobunaga's favored trophy pet (if we're being completely honest). (The preceding sentence got me permanently banned for "racism" on the main AC subreddit, but I don't think it's racist to acknowledge racism, even the overt form it took in the past.) It's entirely possible (and likely) that he was made an honorary "samurai" for that reason alone. Because "samurai" is technically just a title and privileged position.
The real question is, "Did Yasuke fit the classic image of a badass armored warrior or robed ronin most people imagine (and that appeared in the trailer) when they think 'samurai'?"
The Japanese (especially in the past) actually use a different word when they're being specific about warriors fitting that image, and it's "bushi" (as in "bushido" or "way of the warrior"). That word is conspicuously missing from Yasuke's historical record. There's probably a reason for that.

"But Yasuke's story deserves to be told..."

Similar to the badass warrior aspect, nothing in the historical record specifically mentions that he learned the language or integrated into the culture particularly well, so any portrayal of that sort is wishful appropriation at best imo.
At that point, are you really telling his story? Is there value in promoting fanciful conjecture that is based on essentially nothing? Obviously, there’s a monetary incentive for Ubi to capitalize on the popular trend of farfetched depictions of Yasuke, but is that it?
It’s a given that the real Yasuke probably lived a fascinating life, but Ubi will likely gloss over the actual struggles he faced as a complete outsider in a frankly very racist time and place. It almost seems disrespectful to attribute all sorts of things that probably weren’t true just to spice things up for a video game. (And yes, I think Ubi should've included at least some examples of the struggles Kassandra and Eivor would've surely faced, but at least they were made up people.)

“Go play Ghost of Tsushima...”

These people are probably the worst. Honestly, I think Ubi is also guilty of agreeing with the underlying sentiment in this line of thinking. Contrary to others, I think Yasuke was less of a “woke” diversity decision and more of a “GoT already did a Japanese guy” decision.
I think that borders on racism when you consider that that’s never a concern when it’s the umpteenth white protagonist in a medieval European setting (or any setting). It implies that Asian characters are just too similar to each other to be marketable too close to each other.
But they’re only similar to each other in western-made media because western writers cling to tired tropes like honor and stoicism. The perpetuation of such stereotypes has an impact. I’ve seen people here claim that it’s a fact that Japanese people are uniquely less capable of resisting societal constrictions, hence the choice of Yasuke.
Another implied that historical codes of honor are things that most Japanese people still live by. They’re not, and that person obviously doesn’t know too many Japanese people and probably got their misconception from one-sided media portrayals.
Just like the codes of chivalry for European knights, the codes of Japanese honor were simply the ideals of the people that wrote them, who were themselves just a small subset of their population. It’s impossible to think that all or even most of the people back then actually abided by them, samurai or not.
And I'm a fan of the AC series. I'm not interested in playing GoT.

Historical accuracy vs believability

While there are definitely significant historical accuracy issues with that portrayal of Yasuke, they’re comparatively minor next to the replacement issue in my mind. Historical accuracy is really only an issue for me in the context of a more general believability issue.
Why would anyone, Assassin or Templar, choose the only black person in Japan as their secret agent in the field? Firsthand accounts describe crowds of onlookers offering money to catch a glimpse of him wherever he went.
An extremely-conspicuous total-outsider is simply the least ideal protagonist in a series about remaining inconspicuous while murdering dozens of people. Previous protagonists could fully navigate their environments because they were a part of them. Knowing their lands, languages, peoples, and cultures and fitting in with them, I can believe that they successfully moved through them while keeping their actions (and names) hidden from the pages of history.
I can even buy that Kassandra and Eivor existed despite “historical accuracy.” Because half the population of any group of people is women, the two could conceivably blend in and be forgotten imo, especially when you consider that they also lived MUCH further back in time. There's much more we don't know about that far back in history.
This might be another thing that's falsely construed as racist, but it's a fact that local populations don't take kindly to singularly-unique foreign outsiders cutting down their friends and loved ones, regardless of who their boss is. Yasuke would’ve been (in)famous and lived on in legends told for generations, even if the Templars tried to erase his historical record. He would've surely been seen and positively identified as Nobunaga’s famous black samurai by hundreds of witnesses as he did all the things the non-stealthy one of the two protagonists does.

“But Leonardo da Vinci didn’t actually help assassins build a hidden blade either...”

The central conceit of the AC series has always been playing with the idea of secret organizations, conspiracies, ancient beings, and sci-fi artifacts being involved with figures and events within the blank spaces of history. Yes, Yasuke’s blanks are big, but again, they wouldn’t be big if he was doing the things we saw in the trailer.
Any believability issues that previous AC games had are multiplied tenfold by Yasuke being a combination of real, black, and not an NPC in Sengoku Japan. It’s a substantial layer of unbelievability added on top of a base that already existed in previous games that did in fact claim some semblance of believability. Yasuke is just on another level, and while I think it’s fine to enjoy him in Shadows as pure fantasy, let’s not pretend he makes any sense. Which brings me to my main issue...

Representation and the replacement issue

Considering the nonsensical nature of Yasuke as a protagonist, it makes his taking the spot as the series’ first Asian male lead in a mainline game all the more off-putting to me. In the best-case scenario, Ubi is simply trying to capitalize on the popular cool black samurai trend as I mentioned. But they’re still doing it at the expense of an Asian male lead.
I admit that western media has gotten a lot better at representation, but it’s still a fairly recent thing and there’s still a long way to go. A recent hot-take of an IGN article made at least one correct claim that Asian representation shouldn’t be confined to ninjas and samurai.
But the solution to the problem isn’t to take away some of the only positive but one-sided representations we have. The solution is to broaden Asian representation to portray them as ordinary people with diverse appearances and personalities in all walks of life. Until that becomes a norm, Asians should be allowed to star as ninjas, samurai, kung fu masters, etc. as long as the depictions aren’t negative caricatures. In fact, they can be gateways to diversifying their portrayals.
If Ubi really wanted to differentiate itself from GoT’s Jin, they could’ve just given Shadows’ samurai a completely different personality instead of lazily changing his race. It’s about time a western dev broke away from the tired stoic warrior trope. "But this is Ubisoft... They're incapable of nuanced portrayals of minorities..." That's cop-out excuse imo.
No one game can reverse decades of marginalization and negative stereotypes, but individual movies, shows, public discourses, and yes, video games make up the collective whole of media, which has a massive impact on perceptions within a society. I believe individual representations make a difference, so I support increased diversity in every piece of media as long as it’s not at the expense of good writing and not at the expense of opportunities for other marginalized groups.

Conclusion

If you read everything this far, thank you. Again, I realize that the game isn’t even out yet and that I may be proven spectacularly wrong somehow. Either way, I can now focus my ire on the excessive monetization and live service BS that Shadows and the Infinity hub will surely have, and you all should too :) Or maybe I'll just touch grass.
NOTE: This post was initially removed from assassinscreed because "it covered a topic covered within the last 7 days." I've since been permanently banned from that subreddit for a separate reason mentioned in the post, so I've reposted here. I revised the original post by adding some points and making it more readable, but it's essentially the same from before.
Mods, please don't remove this or ban me. I spent a lot of time and thought on this, and I think it's respectful to everyone.
submitted by starkgaryens to AssassinsCreedShadows [link] [comments]


2024.05.20 00:03 Empty_Chain4119 ENM with major life transitions, how to move forward? Also, I'm probably turning into a weird feral person.

TL/DR: when I spend too much time alone, I get kind of feral. Currently not seeing anyone else because of "fairness," and efforts to make friends over the past year have not worked. The feral is going to negatively impact my relationship, but my partner adding more people onto their plate will also negatively impact my relationship.
By feral, I mean that I become really touch adverse, feel completely drained being around someone else regardless of affection for them, and honestly don't care a lick about how I look, what weird noises I make, and forget not to talk to myself out loud.
Before getting too far into this, I have gone through several long periods of my life where I had no friends outside of work and experience no familiar (even platonic) touch. I don't actually mind it, but I get a little feral and with a partner who extremely values the love language of touch, this can be hard to navigate.
Everything I mention regarding friends is for in-person friends only. I can take an abundance of time to spend with friends on the phone or online.
Currently, I only have one partner. We are deeply enmeshed, but long distance, and they are now in full care of their young children.
They've been separated from their ex for years, but are finally going through a formal divorce and it's one of the ugliest I've seen or heard of.
We agreed not to see others because we weren't really seeing anyone else at the start of this, and they've got extremely limited time. For me, I moved somewhere new and dating is expensive (let alone making friends). For them, they moved and got a full time job and currently are a full time parent. We have plans to move in together, but that's still a ways off. Year, maybe two in the future.
I wanted to be equitable, because I'm the one who wasn't thrilled at the idea of them seeing other people when they barely have time for me. We're talking maybe an hour on the phone a day, and one long distance date night in the last two months. We had plans to see each other once a month, but they now are in full custody of their kids and my job kind of has me locked down for the next few months myself. They're coming to visit me soon but no idea when we'll see each other after that.
I'm getting kind of concerned with the amount of time I'm spending alone. I really see a future with them and know this is just going to be a rough year or two but it's rough. I've tried making friends, but I'm in a HCOL area on a pretty LCOL budget. Most of my hobbies don't exist here either. So in short, I don't even know how to make friends outside of online dating.
Is it fair to bring up that I would like to date, but don't want to be with them if they're going to further lessen time spent with me by seeing other people?
Do I just be fair and suck it up and accept they'll virtually have no time for me because they'll have other partners? But at least I'll be able to see other people?
Do I just accept the fact that I'm going to be really really alone for a while?
I've been kind of running through my options and wanted to get input. I have virtually no human time outside of work (where I have work friends, but it's not the same as being myself or with people experiencing friendly touch). The idea of being around someone and having familiar touch makes my skin crawl a little. Like I'm going to struggle with the idea of seeing them just because I haven't had to share space or spend time with anyone else like that in so long. I also get extremely touch adverse after too long of not having to experience that sensory input.
I've looked at meetup groups and have no interest in anything local. The nearest local places for my hobbies are like 2 hours away, which is too far. On one hand, I adapt really well to being alone all the time. On the other hand, this probably overall is going to negatively impact my relationship.
submitted by Empty_Chain4119 to EthicalNonMonogamy [link] [comments]


2024.05.20 00:03 throwra_09212022 Advice on how I've (29F) handled boyfriend’s (29M) relationship with female best friend (30F) that makes me uncomfortable?

Hello reddit. I originally posted this to relationship_advice but it wouldn't let me crosspost.
Me (29F) and my boyfriend, Tom (29M) have been dating for almost 2 years. For context, we are currently long distance because of his job (he lives in LA, I live in Phoenix), but we’re closing the gap in June and he's moving back to PHX due to job opportunities.
Prior to him leaving, and throughout the year we were dating, we would get into fights about the relationship with his female best friend, Ashley (30F). And I’ll explain why:
When we started dating, he told me openly that he has a lot of female friends, and told me that he had a very close relationship with Ashley for about a year. I wasn’t bothered at first with his friendship with Ashley, and in fact, encouraged them to hang out. However, my attitude towards their dynamic changed drastically after spending time with them in group settings. I'll include specific examples below:
—When hanging out with them in group settings, Tom focused ALL his attention on Ashley and made little effort to include me in the group. I would’ve been less upset if his attention flickered between friends but he solely focused on her, which caused me to feel uncomfortable after this happened several times. This happened numerous times before our relationship became distance, and I talked to him several times without an effective resolution.
—He’d share inside jokes with her and didn’t bother to share them with me at all while we were in a group.
—In large party settings, especially with alcohol, his body language would be turned towards her alot. And on several occasions had excessive eye contact during interactions. Sometimes more with her than me. Which led me to feel like I was invisible and didn’t feel like he wanted to share the company of me and his friend equally. He would also sometimes talk over me so that he could talk to Ashley. And didn't apologize for that until I called him out
—The most painful example is when I planned a surprise party for him before he moved to LA. He would talk to me during the party and would stop mid-sentence in order to gravitate towards Ashley alone before our conversation was done.
It didn’t help either that one of my friends warned me that “The way he talks about Ashley is uncomfortable sometimes. Almost could be mistaken for her being HIS girlfriend.” When asked about this, my boyfriend adamantly denies ever having a crush on Ashley, or having a previous sexual relationship with her, and that he “didn’t realize I was doing this.”
Because of all of those examples, and not feeling much better despite talking to him multiple times, I decided that I need to place a boundary to allow a sense of safety in the relationship. I asked him to (1) not sleep over at her place, or her at his (2) not hangout by themselves, but OK in group settings. I made it very clear that these boundaries are NOT permanent, and asked him for these things because what I need is to NOT feel uncomfortable with their dynamic while I'm there. Told him that once I don’t feel uncomfortable with them in a group while I’m around, I will consider removing the boundary.
He agreed to these terms before moving out of PHX. And from there our relationship grew and became stronger.
However, now that he’s moving back to PHX, this topic has come up again. He told me that he feels hurt by the boundary of not hanging out alone (called it a rule) and expressed that this would be difficult to uphold. Keep in mind that he hasn't even moved yet, and he's already asking about this. I reiterated to him that these boundaries are NOT in place for other female friends because their dynamic doesn’t make me uneasy, and told him that the boundary for ASHLEY in particular needs to stay because of previous behavior that he exhibited.
I am feeling extremely hurt because he agreed to those boundaries before leaving, when the boundary was “easier to keep” (his words) since he was in LA. But now that he’s moving back to PHX, he’s already indirectly asking to have it removed, without even trying first, for the sake of my safety in the relationship.
I told him that I’m trying to feel comfortable but need more “exposure therapy” in the form of seeing them interact in a group before I can remove the boundary of hanging out alone. I’m also hurt because I already feel a rift forming between us, and it’s yet another scenario where I feel like his relationship with her is taking priority over ours. And this pattern of feeling secondary to her his is starting to become a big red flag that I can’t ignore.
It didn't help that a couple days ago, I was hanging out in a group setting with Ashley without Tom (we have alot of mutual friends) and she showed me a text between the two of them that broke a boundary (he joked about sleeping over on the dog bed that she has). I knew he was joking, but he blatantly joked about crossing boundary that we talked about (sleeping over at her place) which made me feel hurt/uncomfortable.
In short, I need to trust that his interactions with her won’t be uncomfortable; and until I feel that sense of safety I need the boundary of “not hanging out alone” to stay in place.
Please let me know if I’m being unreasonable, and any advice would be greatly appreciated.
TL;DR: Boyfriend’s dynamic with specific female friend (not all female friends) makes me extremely uncomfortable and asked before we started distance to not hang out with her by himself, which he agreed to. Now that he’s moving back to where me/Ashley is, he’s indirectly asking me to have boundary removed which is making me feel hurt.
submitted by throwra_09212022 to relationships [link] [comments]


2024.05.19 23:57 Cautious_Security_68 A mix of mine and my late sisters visions circa 2010

mine my latest dream
I had a very vivid dream that I was in a partially wrecked building, weapons and gear were stored and we were suffering bombardment from small explosive rounds.
I geared up with a rocket launcher and went to the front; from a distance I could see dark figures firing at us they seemed middle eastern but the appearance seemed just that, an appearance. Their energy connected to a central source and the feeling I got was they were connected to the elite .
I shot off a few rounds with the launcher and then started launching some kind of bladed projectile which I envisioned impaling several of the offenders; I was running out of ammo and reached for the small nuclear warheads at which point the enemy dispersed. They were too close to fire on for it to have spared our lives.
My vision then shifted to a battle of two skys
the upper sky which I felt was the creator or god was sending massive energy pulses to the lower sky, I observed from between them and after around ten bursts I was asked if it had removed the cold from the earth, I answered yes, it had.
that one was a trip.
sis/ rip
Another dire warning in dream state
Last night as usual in my dream state I wandered into an area which was full of underlying religious context I was fighting the unseen dark influences and warding off demonic possession by repeating over and over the lords prayer, while surrounded by all the evils of the world, but very curiously I never got passed “thy will be done on earth as it is in heaven,” until about the fifth time of chanting, for those of you who are unfamiliar with this prayer it is as follows.
Our father which art in heaven Hallowed be thy name
Thy kingdom come thy will be done on earth as it is in heaven
Give us this day our daily bread forgive us our trespasses
As we forgive those who trespass against us
Lead us not into temptation but deliver us from evil
For thine is the power and the glory forever and ever
Amen.
After then I awoke abruptly at “give us this day our daily bread forgive us our trespasses as we forgive those who trespass against us”
This to me meant that we are about to be forced into a time when this prophecy called the book of revelations is about to become a reality meaning Gods will is upon us, and God is at hand in the works of the people and in these the last days this prayer to me is all about humbly thanking God for every small blessing and asking for his help and guidance in every aspect of our lives great and small but keeping humble requests and having gratitude for anything more that he bestows on our lives and so this is the message I send out to you for now is the time of repentance.
BE WARNED, and be READY!
I may seem to you to be a bible thumping quack don’t say you were not forewarned in the end when you come face to face with your own judgments in the presence of your maker you have 2 and 1/2 years before you will see for yourself that sooner was most definitely better than later in this case all hell is about to break lose and later is just too late!
In that same dream I had a personal warning that a man and woman would enter my life asking for a personal favor and as I submitted to their request in the end I was betrayed and left in utter disarray in my life possibly facing legal hardship from them. //
Are we headed for drought and famine?
How many years has it been since we as a society believed the end was eminant? Since the great depression? since world war1, or worldwar2? and each time we are very pleasantly and ecstaticly relieved when the end is never in sight, and each time we feel foolish don’t we? What if all of that were to change, would we see it or know it? Maybe there is that one person who told us it was coming and we disregarded their words as the rantings of a mentally ill person You never truly know it is over until you are facing the ugliness of those final moments but we can all agree that we as a whole are working up to it each and every generation and we can feel our own mortality as we slip into unknown territory full of terrorism and nuclear bomb threaghts. What if the answer was as simple as finding our footing in the spiritual realm becoming more harmonious with the earth and with human beings around us in other words what if their were a guarantee that if we prayed or at least became spiritually aware we would be saved? would we do this very simple task, would others around us follow our lead? What if I told you all it takes to save the town you’re in is 20 people who were connected in mind and soul to the what society calls THE GODHEAD? I had a dream a few nights ago where I stood in a foreign country I felt it was europe and many different people were around with accents that to me seemed as though they were from multiple tongues and nations and they were mulling around and drinking and living just everyday lives full of materialism and wickedness in other words what has become the norm all around the world and in the midst of them I was trying to tell them of an impending event that was about to happen that they needed to prepare for. But to no avail I was completely ignored by all still I kept trying telling them there was going to be a great drought and a food shortage that would effect the whole world and would move from country to country like a great domino effect but it seemed as though even upon hearing numerous lives would be lost they continued in their faithful disobedience over and over I repeated myself and it seemed to me they were in great disbelief that this was at all possible and in the end of the dream I finally said God has told me to tell you their will be a great drought and famine and that if you do not want your countries to fall into starvation you should prepare for it then I awoke. When I woke up I was in shock for God was never in my dream, and not once have I spoken with him personally and yet still it felt as though I had the authority to say these exact words that they were ordained directly from God! A few days later I had yet another dream I was in a place after the bombs settled and saw the oceans and seas the land had radiation through out and the water was greatly poisoned by this radiation and the sharks and fish were changing over a period of time I saw multiple generations of grotesquely mutated life and was in great fear then I saw multiple babies being created in a scientific way in order to carry on the human lineage and a very dark in nature group moving to seek out and destroy these babies that were close to reaching full gestation, I had the distinct feeling we humans were becoming less and less able to procreate in the conventienal way. And lastnight I dreamt I was traveling accrossed the sea, in specific the medateranian sea having a very beautiful feeling great things were going to happen when I came accrossed a small family that seemed very important for some reason, they lived in a very small area in simple surroundings and their was a birthday taking place it was the 5th or 6th birthday of a boy I felt I needed to attend the birthday of, and they were happy to see me allowing my prescence with open arms, but when I wanted to bring others they weren’t very accomodating feeling towards the Idea when I awoke I felt as though that young boy was very important somehow to a significant event that will take place futuristically. At first I wasn’t sure the significance of the information I am about to disclose but I decided that it just may be pertinent, I was definately in an area that boating seemed a pass time and my brain hit on Ionian sea and the young boy was in a sea cavern with smoke coming from his ears as his parents did also, it was an area where Manta Rays were most prevalent, along with a moderate amount of dolphins near by very few deadly sharks in comparrison to the other aquatic life and an occassional whale perhaps this boy is not an actual boy but a smaller volcano alongside two larger ones, whic is why I saw smoke coming from the ears meaning it was about to come to an eruptive head, in which the boys age was five maybe perhaps pin pointing the time it is to going to erupt. There are alot of different meanings we can take from this dream. //
Do we really think we are safe?
What happens if America is right in the fact that President Obama is the fated Anti-Christ? What then? Is there anything we can truly do about it? At best this proves the struggle between good and evil does exists and there is a God, a messiah, and A Lucifer (devil), or Satan however you were raised to call him. Ok now imagine we can stop him from his achieving full power, just pretend somehow we could, or that we do and off sounds the trumpet? Christians save the day yeehaa yippy kiyay Do we think for an instant oh the struggle is over whew, we can finally breathe easy, boy that was close, I’m so glad we passed the test, ding dong the witch is dead! Or do we wait for the next Anti-Christ, and the next, and the next, how many times can we thwart his full power inevitably he will rise in the end no matter how hard we fight to keep him away right? So why not let him come and turn over in the end the rule of the earth to the second coming of our messiah, the lord of lords, and king of kings Are we that afraid of facing God Almighty? Understandably we are all afraid we are not in the book of life,for only the sainted, and virginal, and truly Godly are written in the book of life those, who are hand picked from the start by God himself to exist the last days before the second coming, only the handicapped, truly compassionate right? Well guess how many of us that describes, not me and if you are able to read and understand this not you probably, oh just because there are priests and bishops and preachers and popes in the world most likely non of them qualify, and our Jewish population I’m pretty certain absolutely none of them are in the book of life! After all the Jews needlessly slaughtered the saints and their own King to boot if anything the Jews should rue the day they ever meet wit their maker! Mayhap it’s better to allow this time to pass and hope that gods mercy be upon us or even do one better change our greedy, hateful, unforgiving ways, pray constantly for direction and guidance, repent, and seek counsel in the holy ghost, and give whole heartedly our penance to the lord our lamb, to present a case on our behalf to the almighty heavenly father this is the only way we can be of light heart, and easy mind and maybe find worthiness in Gods eyes, then let the Antichrist come as we Christians ban together to survive in the latter days in other words prepare for the worst and hope for the best. If God finds us worthy worst case scenario we are killed right away or perhaps we are not bothered at all because we have repented, remember that to repent is to ask forgiveness with a broken heart, and humble nature never to do what we are repenting of again! This may sound hard and maybe we are all waiting for definitive proof of Gods existence before we do this but seriously it will be too late the tribulation for you will be too great and you most likely need to take the side that gives you instantaneous relief from your misery.
We know who will rise victoriously why not allow it? And in the end all of the secrets and deceptions that were created will be revealed and all of our own perversions of the true church will be done away with I say let it come about, Let the saints finally taste revenge for all that man has spoiled, perverted, and destroyed, and let god fill his cup with the grapes of wrath. //
Governmental knockdown?
This last dream I’m very uncertain if it was tied into anything or not but warned of a big fight between two male entities that one of which was very large in stature and appeared to me like the archangel Michael who I felt was my fiercest and personal protector he seemed very close spiritually to me I’m not sure why but the warring was going on with a very dark and much smaller male figure and completely evil it was very disturbing as I saw a great blow to the head taken by Michael but only after he delivered one to his foe which was not very damaging, and Michael who was standing in front of me in position and mind to protect me, fell to the ground but I waited around to see whether he raised again and I remember thinking it was impossible for him to be dead so I stayed and kept waiting for his rising thinking it would be any second then I awoke was it real if so what does it mean? Is it a possibility God will allow Satan and his dominion such power over even his own archangels to be defeated for a short time and leave his children completely at the mercy of the devil? In the dream I remember feeling vulnerable to the will of the dark force before me but also strangely feeling as though I wasn’t going to be gone after as I stayed vigilant in my loyalty to my protector bidding his rising fervently and in complete disbelief that he was dead.
Upon further reflection of this dream I came to the possible conclusion that the male entities were symbolic of the government we could all depend on protecting us and the smaller figure was a darker change in our government infrastructure knocking down our protective defenses and leaving our government vulnerable to darker government influences which intended the country harm. And that if we stay loyal and vigil we can avoid the harmful effects and changes about to be a possible driving force in our country.
https://web.archive.org/web/20100823131345/http://theruthlesstruth.com/wordpress/
the rest under pages starting at the rambling poet most are my late sisters
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2024.05.19 23:57 G-pigs I was a medical hot potato

Obligatory English is not my first language and writing this on Mobile notice. Warning reproductive system is involved in not so flattering ways. Don't read if rancid things make you feel nausea. Also don't read if you get mad easily, unless you're into that then you do you bubu.
Medical terms and definitions some people might not know:
Ovarian cyst- when an ovum decides it doesn't want to go down the fallopian tube and be a total jerk by hanging out in your ovary and suck up nutrients to grow indefinitely or until it pops creating the same pain as if a cyst popped inside testicles.
PCOS- condition that makes you have said ovarian cysts but for some reasons multiplied times too many. One ovary can easily have 8 cysts so imagine when both ovaries have it.
Dermoid Cyst- same as ovarian cyst but the composition is actually made of hair, teeth, bones, skin, etc. it's really gross to look at.
Struma Ovarii- an extremely rare type of dermoid cyst who's composition is mainly thyroid tissue. It makes up only .5% of dermoid cysts.
Ovarian torsion- when your ovary twists on itself or with the fallopian tube, often times cutting off blood supply if not caught on time.
Sepsis- when a part of your body starts to decay and releases chemicals into your body causing life threatening shock that need immediate medical treatment. Most can recover from it but takes a long time to recover, sometimes years.
Cystectomy- surgery that removes cyst(s)
Ooftarectomy- surgery that removes ovary
Bilateral- both sides
Hey everyone from the Two Hot Takes team, hope you're all doing well and have your seatbelts buckled in as this is one heck of a medical story doozy.
Back story: I had always suffered PCOS. The irregular yet heavy periods, the extra hair, and the multiple cysts. The problem was that I was a teen and apparently PCOS is not a big deal if it's on a teenager. It's also not a big deal if it's on a young adult that doubles over in pain from periods and wears overnight pads that need to be changed every 4 hours because thats not heavy enough to be of concern. Sometimes even doubling over on times when there is no period because those are just the cysts popping. I always did my pap smears and always went to the gyno, fully trusting them that what I had was not note worthy. So whenever I moved and got a new gyno, while it was mentioned nothing was done about it and I had assumed that was the norm.
It all started in October of 2023 when I felt a sharp pain in my right lower hip while I was at work. At that time I worked for a hospital as a host and only been working for a few months so thank goodness that I had access to the ER. Unfortunately for me my work place is a small hospital so there aren't any gyno nor obs. So the ER doctor just ordered an ultrasound and a trans-vaginal ultrasound (where they stick a dildo shaped ultrasound tool inside of you), and a CT scan without contrast due to iodine allergy. They initially said that due to the pain level I must be having appendicitis. However they instead found a 9cm (for reference a grapefruit is 10cm) cyst on the left ovary and a 4cm (walnut sized) cyst on the right. They said that while they are big and need to be removed, that a specialist needs to write the recommendation to do the surgery and that since our hospital didn't have any that I'll have to get an appointment with a gyno outside of the hospital. He prescribed me 500mg of ibuprofen and told me that I'm discharged. This was the first bs hospital policy of many that I will encounter in this roller coaster.
After getting an appointment with a gyno, I had another incident at work with the same crippling pain. I had the same double vision, nausea and fainting as the first time but this time I had fainted near a patient I was tending to. I didn't get into trouble for that as it was a medical condition that was previously recorded and I had been fine prior on that day. Just my ovaries decided to be jerks on that poor patient to which I apologized heavily to later. Instead my boss wanted answers as to why I was starting to become absent so frequently. I told her about what they found in the ER and how long it takes to get a specialist to see and how my ovaries just want to remind me that going up and down three flights of stairs daily to get to my apartment is making them more irritated.
Appointment time comes and instead of taking the findings for what they are, the gyno then decides to order the same exact tests but within his facility because that's apparently some kind of bs hospital policy that they have to do before giving the ok for a surgery.
I wait for the tests and had more time called off from work. Day of the tests and the ultrasound lady says "you have at least 8 cysts on your right with the biggest one being 7cm (peach sized) and on your left you have a massive one that is 10cm big". I told her "oh so it grew? Is it cancer then?" She calmed me down saying that ovarian cysts do grow as you get more ovulation cycles and that it doesn't mean that it's cancer. However that I most likely have PCOS and that the giant cyst is probably hiding the other cysts if not just merging with the other cysts ony left side. I told her I knew about the PCOS and that her explanation made sense as the dates between the scans had several months in-between since the specialist couldn't see me the day of the incident. (nor even the week of apparently because that's how it goes over here in the USA when it comes to specialists.) She then was surprised and said "I didn't see any PCOS medications on your chart". I told her I had no idea that there was such a thing. She told me not to worry that my new gyno will prescribe me meds.
After the tests, my gyno finally schedules a pre-op appointment, day of surgery and post-op appointment.The surgery would be performed on a second hospital where I don't work in. I arrive at pre-op, doctor tells me the exact same thing that my ultrasound lady said but he mentioned that there's a slight possibility for an ooftarectomy but that we're definitely doing a bilateral cystectomy. He prescribed me Metformin which is for preventing new cysts from forming. I was so happy thinking that I might be able to live a life free from these cursed cysts after the sury. Oh how things were going to turn out.
Turns out the day of the surgery Match 1st was my "6th month anniversary" (it's not I've been working since August of 2023) of working in the hospital. That meant that a new insurance policy was placed and the old one was replaced. I showed up on the day of the surgery and they told me that they couldn't do it because the new insurance wouldn't cover it due to no prior authorization. I had thought that the new insurance wouldn't kick in until my 1 year anniversary or until it was time for enrollment. I cried. I cried right there on the lobby in front of everyone. In front of my family, my boyfriend and coworkers that had woken up at 5 am to be there for moral support on their day off. There's so many hoops just to get treated. My boyfriend said that if a grapefruit sized cyst was on a testicle they would had treated it as an emergency but because it's on an ovary that it isn't.
I had collected myself and immediately scheduled for a new gyno appointment. Unfortunately the appointment was again several months. It was for August 28th. Luckily my cysts decided that was too far off. So I had another incident at work once again. I was rushed to another hospital instead of being discharged thankfully. However that said hospital then sent me away to another hospital because they weren't a "women's hospital" and that women's hospital said that they couldn't do anything without my gynos permission. That the best that they can do is call my gyno and claim that my appointment with her should be expedited but that my situation isn't an emergency. We told them to do what they need to do. At this point not even morphine helped with the pain.
Thankfully my gyno reached out to me stating that she was available to see me that week instead. I was able to see her and she saw that the women's hospital did some tests and the cysts were now 11cm left and 8cm right respectively. She said however that she can't use the tests from the women's hospital, that she had to schedule for the same tests to be done in her facility. I started to cry, again. It was the same dumb policy. I understand that some time had passed but it was only a few days in-between and having these tests won't show anything new other than possibly new growth. She promised that the tests will be scheduled under expedited and that it will be on April 28th. This was on March 26. At least she increased the dosage of the ibuprofen to 800mg so it would take the edge off a bit more.
On March 30 my boyfriend wanted to cheer me up by taking me to see his brother Orlando FL since he was getting married soon. We were supposed to stay there for a few days for the preparations. I had a small ache at the time so thought I just needed to take my ibuprofen and be on my way. My boyfriend noticed I was in pain and asked if I was ok, the pain was small so I said yes. His mother said "maybe we should leave her in the apartment so she can rest" to which my boyfriend said "I don't like that idea, if she can't come I'm not going". I was relieved because I didn't want to be alone if an incident were to happen again. My parents were running out of days to take off to be there in the hospitals (4 different hospitals at this point). The car ride made me sleepy as car sounds remind me of ASMR. It was a long ride but when I woke up we were already in Orlando. The pain had significantly increased. I thought if only I could just take another ibuprofen when we get to my future brother in law's place that I would be good. I.WAS.NOT.
As soon as we arrived nausea took over and I puked from the pain. The abdominal motion made the pain so much worse that I just started to scream in pain. It was so much pain I couldn't think or speak. My boyfriend knew it was the cysts and told everyone that he's going to take me to the ER. There wasn't a second I wasn't screaming in pain with tears running down my face. The hospital he tooke to said that they weren't the women's hospital however they do have a sister hospital that they will take me to called Winnie Palmer's Women's Hospital (I will forever name drop this hospital for what they did to me).
They immediately gave me medications that took the pain away, I was able to have a conversation with the doctors of what has been going on and the long history. They debated amongst themselves on whether or not to do the surgery but they in the mean time did tests while they kept calling my gyno for permission to do the surgery. The specialists in the hospital said that I don't have just regular cysts, I had a dermoid cyst and that my blood tests shows elevated levels of cancer antibodies. So they decided to go against policy and keep me hospitalized until they get permission from my gyno to get the surgery. My gyno finally reached out to them on Monday April 1st and they had me for surgery at 1pm. They found an ovarian torsion on my right size which explains why my right size hurt more than my left at times. Unfortunately the ovary was necrosed same as the fallopian tube, they theorized reason why tests showed "healthy blood flow to the ovary". The first theory was that the ovarian turn kept being undone and turned again. Which if that was the case I would have been dead before any professional would have seen me on April 28th. The second theory was that the type of dermoid I had was a Struma Ovarii which basically acted like a second thyroid glad in my right ovary. So when they saw it on the tests they thought it was my ovary when in reality it was my second thyroid getting blood supply. On the second theory I would have still died because the necrosed ovary would have eventually expanded and exploded. Spreading putrid flesh into my body's cavity on top of bleeding profusely as that would undo the knot, quickly ending my life if medical attention wasn't given immediately. They removed the large cyst on my left ovary alongside another Struma Ovarii. Turns out I hit the lottery of thyroids. They suspect that the antibodies is due to genetics since my family history is riddled with cancer survivors.
I got discharged after the surgery and when it was my April 28th testing appointment it turned into my post-op appointment lol. My gyno saw my stitches and gave me clean bill of health. However the gyno from the other hospital called and wanted to see me. So we traveled all the way to Orlando again. She wanted to see for herself how I was doing and she was concerned that since it was two Struma Ovarii that my body might have been relying on those two thyroids in addition to my OG thyroid to function. So she's worried that I might be having lower levels now. So she ordered to do thyroid test and genetic tests to see if the cancer antibodies theory can be proven.
So now I'm waiting for when I move to NC since my old job could no longer tolerate the absences and my apartment rent got higher while also not having a grace period for me to gather money to break lease. My boyfriend decided that he would quit his CNA job so that he could pull out his 401(k) and help me break off the lease and move in to his apartment in NC while I recover from surgery. I'm so glad he refused to leave me alone and he wasn't afraid to speak for me to doctors to do the surgery while I was drugged up. He's currently applying for CNA positions so that he can get health insurance ASAP and add me to the policy as soon as we get married. In mean time we also wait for thyroid test and genetic tests. Will update after all the testing.
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2024.05.19 23:52 Heavy_Judge3993 Help! Red, hot blotches on skin anytime I am warm.

Help! Red, hot blotches on skin anytime I am warm.
Hello- I am a 26F and have been struggling so bad with red, hot, blotches all over my body whenever my body temperature gets raised at all. It used to only be when I showered or got super anxious and now it happens any time I am slightly warm. The first picture is in a warm vehicle after about 5 mins, no sun or anything and was inside all day prior. Does anyone have any clue what could be causing this?? For background, I am 6 years post total thyroidectomy, but labs are all in normal range. I am on birth control and pantoprazole for GERD but don’t think those would contribute to this. Also the redness is flush with my skin, not raised bumps or anything like that. And will go away after about 30 mins of air conditioning.
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2024.05.19 23:49 Heavy_Judge3993 Help! Red, hot botches on skin any time I am warm.

Hello- I am a 26F and have been struggling so bad with red, hot, blotches all over my body whenever my body temperature gets raised at all. It used to only be when I showered or got super anxious and now it happens any time I am slightly warm. Does anyone have any clue what could be causing this?? For background, I am 6 years post total thyroidectomy, but labs are all in normal range. I am on birth control and pantoprazole for GERD but don’t think those would contribute to this. Also the redness is flush with my skin, not raised bumps or anything like that. And will go away after about 30 mins of air conditioning.
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2024.05.19 23:47 West_Letterhead446 My acne makes me ugly

When I put on makeup or my skin clears more I get so many compliments, people ask me for my number, and just in general people are SO much nicer. When im breaking out more (and I break out REALLY BAD all over my face) I never get compliments other than clothing, no one ever asks for my number, and people are so mean. I’ll even see a difference in how a stranger will acts towards multiple ppl with clear skin vs acne prone skin. It’s horrible. Everything is more embarrassing and I can just automatically see people see me as ugly automatically.
For example today I had my lifeguard re-certification and I didn’t have makeup on my skin plus the chlorine made it super red. This instructor who I had literally just met was so nice to clear skinned people vs me and this other girl who were both acne prone. She would make jokes with them and to me and the other girl she was super passive aggressive and stuff. When I was on line waiting for an instructor to insert me into the thing for finishing the course after I was done and my dad and sister were waiting a bit farther looking at us. The instructor asked if it was my family and started yelling at them to come over to a bunch of people around my age. It was super embarrassing but you wanna know the first thing my mind went to? God I must look so fucking dumb being the only one with family right next to me and plus I have acne so I’m ugly and that makes it even worse. I hate my acne. All I do is cry and cry and cry about it. Nothing works. I hate it so much.
submitted by West_Letterhead446 to acne [link] [comments]


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