Using quotation marks worksheet

"Suspiciously" Used Quotation Marks

2012.10.22 16:32 Searchlights "Suspiciously" Used Quotation Marks

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2020.06.25 18:21 Erens-Basement Cyberpunk: Edgerunners

For the anime, CYBERPUNK: EDGERUNNERS
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2018.07.26 01:42 Gaenya Brand New Sentence

For sentences never before written, found in the wild.
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2024.05.20 02:58 mollythepug Looking for that new flare tool I bought 10 years ago and finally need, and all I can find is this junk!

Looking for that new flare tool I bought 10 years ago and finally need, and all I can find is this junk! submitted by mollythepug to Justrolledintotheshop [link] [comments]


2024.05.20 02:57 lebootz21 So pissed off ..

Ok so what do we have to do to beat those Mav losers next year? 1 point! I can cope a blow out. I can understand losing the 4th quarter down by 10 .... but 1 pt? Especially with that loser wannabee celebrity diddy-fck-boy Mark Cuban grinning like a loser thinking his lameas is out there winning the ball game for the team. I got downvoted big time for suggesting we get Draymond but what are the possibilities of getting him just so he can go in there and pop Luka's small undersized baby nutsack? I would pay front row seats to see that. I still can't believe we lost by 1 point .... especially to the most hated team in sports in the dirtiest city in the country full of classless asholes who think they are good enough to win a championship but will most likely get trounced by the Nuggets rendering their season completely useless yet again .. then get dominated by our team for the next 10 years .... fck Dallas and everybody who lives there ... what other city uses a bunch of overweight men for their cheerleaders? Ugly and classless just like everybody who lives there ... rant over ...
submitted by lebootz21 to Thunder [link] [comments]


2024.05.20 02:56 ibmentor From barely passing to scoring 19/20 for English Paper 1! What you need to achieve your potential in IB English

Fuzzy expressions, articles that don’t make sense and obscure teachers 🥲 . In the IB there isnt a more elusive subject to score a 7 in than among English (maybe Physics!). As a student I never scored above 14 on my papers and tbh I just never really took English lessons seriously (if* I’ve spoken it all my life so I should be good right?)*. I’m sure you can also relate that the subject also just felt really fluffy and to me; unlike sciences or maths with a detailed syllabus and clear way to progress.
Until one perspective shift transformed my English grades, allowing me to eventually score 19/20 in my final exams:
In Biology, you don’t get marks for describing the lungs as the “breathing organ”, you need to use the actual terminology “lungs”. Along with that, you also need to understand its function, how it relates to the rest of the body, etc.
This is how you progress in IB English, through an effective mastering of the Literary Devices. These are the incremental building blocks, the ammunition you use to attack whatever random unseen text they throw at you in the exam. Similar to studying the lungs in biology, you must learn to Recognise, Explain, Link and Draw implications of using different literary devices in different contexts. How does it reveal authorial choices, and why it is effective for that specific issue being conveyed? This extends to both the IO and Paper 2 aspects as well!
I promise that if you focus more on HOW a text is written (authorial choices) more than WHAT it is about (only the messages), you will see your writing improve dramatically from poor retelling essays to analytical and insightful arguments.
TLDR;
If you feel stuck or unable to progress in IB English, change your approach from just understanding the text for what it is into actually explaining WHY and HOW it is written, using the literary techniques as your building blocks for arguments.
P.S. If you'd like to know more in how I achieved these results in IB, message me for more info or visit my website ibmentors.com!
Scoring 19/20 English Paper 1 and a 45
submitted by ibmentor to IBO [link] [comments]


2024.05.20 02:55 Wide_Environment3107 I hate exclamation marks, get rid of the exclamation marks.

I hate exclamation marks, get rid of the exclamation marks. submitted by Wide_Environment3107 to UnexpectedSeinfeld [link] [comments]


2024.05.20 02:53 WiddleDiddleRiddle32 I'm my own AE, help!

So I'm currently the assistant editor and the lead editor on a feature length documentary and I have some questions. My previous projects I shot/ the documentary I edited before was literally a single camera with archival footage, so.....
What I've done so far is organize the footage by shooting day, then create the master sequence seperating each seperate scene/location and then use labels to color broll, and create bins for scenes and interviews and create sequences of those.
But the thing I'm finding difficult is when there is a noncut shot of footage where the camera was kept rolling and it goes from an interview into b-roll, back into the scene. So if i put it into the interview sequence I just keep it as is and use markers to mark it, and when i put it into the b-roll folder, I edit it or just put the whole thing with markers in there too. So I end up creating like multiple versions from the same clip.
I also added a custom meta data for tags and started tagging based on the people in the scene. I saw in a yt video that you can create a folder based off of the tag that you created but i have no idea how to do that. So any suggestions there would be great.
The way I've done my labels is:
yellow - technical difficulty
rose - no sound / no video
cerulean - content (like an important scene, something usable)
violet - broll
So I've been going through the footage and changing the label color and creating sequences and putting into bins, but really this is my first time breaking down over 15 hours of footage into sequences and the parts where the camera kept rolling are really throwing me off. Because when I tag in the project i'm tagging the source fil. and when i drag into a bin, then its another version of the source file so...
All in all, i'm looking for suggestions on how to simplify this. do I just keep using markers to annotate camera movement and broll, or do I keep cutting footage and dragging into bins as well and just have separate versions of everything?
Also another thing, sometimes there are like 4 or 6 people in an extended non cut rolling camera footage. So the footage could be cut in different ways for different plot lines depending on the lead editors decisions. So should I cut it multiple ways into different sequences, use one sequence and use markers. Atm I have one sequence with markers with comments, but hte problem is that when there is a marker over a marker it's hidden and i can't see or read it if I write a comment in there so idk how to navigate an overlapping narrative within a single sequence
Any help is appreciated, thanks!
-Widdlediddleriddle32
submitted by WiddleDiddleRiddle32 to editors [link] [comments]


2024.05.20 02:48 Inside-Print-6323 Vine holding up retaining wall

Vine holding up retaining wall
We have out of control vines that are holding up the retaining wall behind our fence that essetially is the property mark between ours and our neighbors backyards. I have no idea what type of vines these are either. Every spring/summer (zone 5) we have these vines come up from the woods near us, up the top of the retaining wall (which is just stones, nothing super permanent) and they hook onto our wooden fence and grow up and over it.
In a perfect world, we would love to just completely gut the vines and whatever else is back there, move our fence back to the retaining wall and gain that extra 9 feet or so of what we already own as part of our useable backyard space.
However, multiple people who have looked at the space have said the roots of the vines and other growth are most likely holding that retaining wall together, and if we just dig up everything back there or even use a weed killer of sorts it may effect the retaining wall (which honestly we cannot afford right now). And plus the excavation we would be doing may make the wall collapse as well.
So because of that, we unfortunately can’t dig everything up and kill it to extend our fence. However, we would love to get a handle on these vines! It is moving the slats of our already old fence, is annoying to continue to cut back so they don’t go over our 6’ fencing panels and into our useable backyard, and when someday we want to replace the fence I would hate for the vines to pull on it and essentially wear down the fence we just put in.
Note: this picture is what is now, which honestly did not show much, but they get out of control fast! I figured it may be easier to tackle this when it is not totally overwhelming.
submitted by Inside-Print-6323 to gardening [link] [comments]


2024.05.20 02:46 TiemoPielinen Having trouble managing appeals

Sorry in advance for the long read and I hope this is the right sub. My boss has me trying to fix his suspended business listing. I'm going to be completely honest: I have no experience nor idea what I'm doing. My boss is of the older generation so he isn't much better off. All the info I have about this is coming through him, so there might be some gaps or inaccuracies since he isn't very tech-savvy; plus he is recounting stuff from years ago.
Starting from the beginning, his profile was active for a while and he even got Google Guaranteed. At some point, his profile was suspended. Ever since then, he has had problems with it. When it got suspended, he was able to get it reinstated for an hour or two, but then it would get suspended again. He went through that cycle many times with no success.
He mentioned that he hired a company called 'OMG National' to manage his listings but later stopped working with them. He thinks they might be reporting us because we stopped working with them, but idk.
Trying to fix this, I went to the Google Appeals Center and got stuck quickly. I get to the 30% mark and can't progress. It seems it wants me to select a decision, but the only option present is unselectable. In the details tab, it says 'Not approved,' which I'm guessing has something to do with it. Trying to submit a new appeal always leads me back to this impassable form.
As of now, it is suspended due to deceptive practices. There are no blatantly obvious guideline violations unless there is a technicality I'm not aware of. So I don't know what the deceptive content is all about. At one point he was using his Facebook as his website but we fixed that months ago.
Could anyone give me some pointers? I'd appreciate any help at all.
submitted by TiemoPielinen to GoogleMyBusiness [link] [comments]


2024.05.20 02:44 DoddsJ Hot tub time Machine - Update

Hot tub time Machine - Update
Custom wheel wells
Driver's side
Almost All brass parts
Diverter on the back end
Rough shape of front driver side. Box will have a door on it for storage.
Prototype \"Lake Filter\" - Might stick the foot valve into the pictured pool filter, might add coconut coir bag - pending tests
Testing was successful, my 400 Gallon tub heated from ~ 0 - 40 Celsius in 3 hrs. The Heat siphon works great and generates only about 5 psi before moving water through the jets. It makes lots of *interesting* noises when in operation which is unsettling when you aren't sure if it will explode but ultimately measurements showed its a pretty low pressure system once I mitigated back pressure as much as possible. For reference blowing into the tube as hard as I could generated ~ 15 psi. The hot water circulates in big spurts because of how the copper is wrapped around the barrel. Everyone sitting in the tub periodically gets a jet of hot water to their back causing everyone to jump in unison but its not nearly hot enough to cause a burn. Its pretty charming.
Now it is time to commit to new parts in an arrangement that is much more organized. Diverter on the back end inside the hot tub cabinet was added as pictured with quick connect hose couplings. These 3/4 ball valves leave open the option for upgrades planned for later. The diverter used to be hanging off the front of the heater so its much cleaner now.
The prototype was made with spare parts so there was a lot of cast iron fittings mixed with brass. The iron obviously rusted pretty bad in the chlorinated water. Now the 'hot end' of the heater has been replaced with *almost* all brass parts. I will get to those pesky 1/2" Galvanized Tee's at the bottom eventually but I'll have to re-sweat on the copper pipes to their threaded fittings.
The "Lake filter" prototype is complete and consists of a milk crate with a marble cutting board sealed with silicone caulking at the bottom. Aluminum mesh covers the milk crate. A 1 1/4" foot valve will fit inside and has ~3mm holes to do the work of coarse filtering. An inline fine sand filter is on the end of the 10' hose and attached to a 1" gas powered trash pump. The tub must be parked less than 50' from water's edge unless I buy a longer 1" fire hose. The pump's rated flow rate means the tub should fill from any river or lake in ~ 15 minutes. Water can then be circulated via heat syphon alone. Two car batteries with a 1/2 HP electric pump is available to push circulation to improve efficiency during active heating. In testing this lasted 4+ hrs but these are old car batteries.
The hot tub cabinet is slowly coming along. I did some amateur hour framing with 2x2 spindles and have the sides covered with plywood. The front and back will be simple enough but the cabinet will end up being a pentagon. From above it will be a pentagon. The front will have angled sides for aerodynamics when pulling it on the highway. I have finally designed the angled sides to maximize cabinet space and avoid interfering with the front jack stands. Now all that is left is to build some shelving and cabinets, find ~100 sqft of cedar planks to finish the hot tub surround and decide on what covering to put on the front & back decks. Maybe more cedar? I'd be open to suggestions!
The new parts and upgrade have been really exciting for me. Feels like that first iron man movie where he made the first suit out of spare parts. Now that I brought the hot tub home, I'm putting it together properly. This is my Mark One!
submitted by DoddsJ to hottub [link] [comments]


2024.05.20 02:42 Pure-Philosophy-1004 Prom and the Future of Blockchain: Embracing ZK-Rollups for Enhanced Privacy and Scalability

Prom believes in building products with a forward-thinking perspective. In the rapidly evolving blockchain ecosystem, staying ahead of technological advancements is crucial. One such advancement that stands out is Zero-Knowledge Rollups (ZK-Rollups). With their inherent privacy and scalability benefits, ZK-Rollups are set to play a pivotal role in meeting the ever-increasing demands of the blockchain ecosystem.

What are ZK-Rollups?

Zero-Knowledge Rollups, or ZK-Rollups, are a type of Layer 2 scaling solution for blockchains. They allow for higher transaction throughput without compromising security or decentralization. In essence, ZK-Rollups enable multiple transactions to be rolled up into a single batch and processed off-chain, with a cryptographic proof submitted to the main blockchain to ensure their validity.
The key innovation behind ZK-Rollups is the use of Zero-Knowledge Proofs (ZKPs). ZKPs allow validators to prove the authenticity of a transaction without revealing any specific details about the transaction itself. This ensures that while the transaction is validated and secure, sensitive information remains private.

The Advantage of ZK-Rollups Over Other Rollups

To fully appreciate the benefits of ZK-Rollups, it’s helpful to compare them with another popular scaling solution: Optimistic Rollups.
  1. Transaction Validation:
Security and Privacy:

Why Prom is Embracing ZK-Rollups

At Prom, our commitment to innovation and excellence drives us to adopt the most advanced technologies available. Here’s why ZK-Rollups align perfectly with our vision:
  1. Scalability: ZK-Rollups significantly increase transaction throughput by processing multiple transactions off-chain and submitting a single proof on-chain. This scalability is essential for supporting the growing demand for decentralized applications (dApps) and Web3 projects on our platform.
  2. Privacy: The use of ZKPs ensures that sensitive transaction details remain private while still being validated. This aligns with our commitment to providing a secure and privacy-focused ecosystem for our users.
  3. Efficiency: With immediate transaction finality and no need for a dispute period, ZK-Rollups offer a more efficient and user-friendly experience. This is crucial for maintaining high levels of user satisfaction and engagement.
  4. Future-Proofing: As the blockchain ecosystem continues to evolve, the need for advanced scaling solutions will only grow. By integrating ZK-Rollups, Prom is future-proofing its platform, ensuring we can meet the demands of tomorrow’s blockchain applications.

The Road Ahead

Prom’s integration of ZK-Rollups marks a significant step towards enhancing our platform’s capabilities. This technology will enable us to provide a more scalable, secure, and privacy-focused environment for our users. As we continue to innovate and expand our ecosystem, ZK-Rollups will play a crucial role in maintaining our competitive edge and delivering unparalleled value to our community.
In conclusion, ZK-Rollups represent a transformative advancement in blockchain technology. By embracing this cutting-edge solution, Prom is not only meeting the current demands of the blockchain ecosystem but also paving the way for a more efficient, secure, and decentralized future. Stay tuned as we continue to push the boundaries of what’s possible in the world of blockchain and decentralized applications.
submitted by Pure-Philosophy-1004 to PromCommunity [link] [comments]


2024.05.20 02:40 SnooDoggos3848 University of Toronto First Year Engineering Guide

Hi everyone, current 2T7 ECE here. I thought I would make a quick post on a guide to first year engineering, listing out all the stuff I wish I knew before coming to university. The first semester portion is applicable to all engineering disciplines, the second semester portion would be more useful to ECEs, T1, Indie and Mechs.
First Semester Courses:
MAT186: This was by far the hardest course for me and the entire cohort (C average). Even though I knew all the concepts of the course beforehand (through AP Calc BC and A-levels) this was my worst course. The reason for this was because the course focuses on testing theory (your understanding of the nitty gritty) rather than on computation. My advice for this course would be to make sure you work on written hw with friends (impossible to do alone), and do every single tutorial worksheet (exam questions are exactly like tutorial worksheets). Sean Upall was the course coordinator, and even thought I didnt like his lectures, I think it prepares you the most for the final exam.
MAT188: This was my favourite course even though it probably took up most of my time. This course was completely new to me, which is why I took a lot more time understanding the Pre class essentials. There is a lot of "theory" in this course, which will take a while to learn, so spend a good amount of time understanding and learning the PCEs. One reccomendation to make this process of learning faster is to watch 3blue1browns essence of linear algebra series. Watch the video corresponding to the upcoming weeks concepts before reading the PCEs. Written HW was hard (not as hard as calculus) so do it with friends, the gateway exams are a bit of a joke since you can retake them, and if you practice them enough you realize theres a pattern in the answers. Midterms and Final exams actually test at an appropriate level, so as long you have a strong grasp of the concepts you will be fine. If professor Cameillia is teaching the course go for her lectures, she is by far the best (she is also the course coordinator).
CIV100: This was a very interesting course, it needs a lot of practice of past papers. Literally you'll need to grill through past papers in order to succeed in this course. The final exam is such that there are 5 questions and you have 30 mins per question. Each quesition is quite hard which makes the exam very time pressured, so again PRACTICE. The quizzes in this course are dependant on your lecturer, some profs give easy quizzes whilst others give hard ones, this is out of your control. In my opinion the best lecturer was Professor Merjan, she was probably the best lecturer I've had in my time here at UOFT. The only problem is that she teaches the course in a different timeline than other profs, so you probably cant change lecturers cuz quiz material is different between different profs.
APS110: As an ECE I still dont know why I had to take this course. Overall, it was taught quite well. Scott Ramsay is the best lecturer for this course, although basically everything he says is already in the textbook (which is why I did not attend lectures). The Textbook is more than enough for this course. The Final exam for our batch was quite difficult compared to past year exams, but I think I did well because I practiced quite a few past papers.
APS111: Contraty to public opinion, I thought this was one of the most fun and useful courses in first semester. I had quite a sh*t team, but managed. Make sure you look at the rubrics for each assignment before you start writing. Also the way this course works is that you have to submit individual and group assignments which are essentially these long documents. Because they are doucments, they are marked in a qualitative way as there is no right answer per se. Make sure you bombard the person who is correcting the assignment with questions so that you nail exactly what they are looking for.
Second semester courses
MAT187: This is calculus two and it was much better than Calc one. Professor Camelia was the course coordinator, so just like MAT188 the exams were all at an appropriate level. Written HWs again requires help from friends. I mainly studies for this course using the PCEs, and practiced the tutorial worksheets. Some of my friends used the textbook, but I dont think its really required. The best prof for this course is any lecture seciton containing Camelia.
MIE100: For some reason, our year was probably the first year in a long time where the exams for this course were not insanely difficult. They were all at an appropriate level, apparently because they wanted to increase the number of people going into mech eng 💀💀. I found professor Sinclair to be quite good, a lot of people liked Howard Ho as well (trust in Howard Ho). The Wiley plus questions are useful to do to keep up with concepts, but the difficulty of the questions in wiley was way harder than the exam questions, so I wouldnt say its a must to do them ethically.
APS105: Great course. If you have a background in coding, this course will be a breeze at least up until reading week, you'll have to spend more time on it after that. The course is such that 30% of your grade is from labs, so make sure you do them well. the other 70 percent is from exams, which are at an appropriate level once again. Just make sure that you do a lot of past papers as practice. Professor Emara is by far the best, and is amazing if you are new to programming. If you have experience, reading the textbook (Snefru) is more than enough to understand the content.
ECE110: In our batch, while I didnt find the exams difficult, the batch's average after the second midterm was about 51%. After the final exam, they curved the course up quite a bit, I think the average is now a B, also an easy final exam helped out. The first half of this course is more theoretical (electrostatics and electromagnetism) and the second half is circuit analysis. Make sure you do all the Wiley Plus questions for this course, as sometimes they ask the same questions in exams. All the lecturers for this course are pretty bad, but Professor Mojahedis notes are legendary (in my opinion), other people didnt like them because it explained the concepts using proofs. Other profs notes would just state the formula.
APS112: Continuation of APS111. My team was much better this time. Same advice for this course, as APS111. Also make sure you're on top of things because it goes by much quicker in this course as there are way more assignments. Nothing really much to say to be honest, the midterm was a bit screwed up because there are multiple right answers and you have to choose the best one.
Overall for grades, dont worry too much. As long as you get around an 80 for exams and get all the free marks for assignments you'll be on track for at least an 80+ in the course. Remember that university isnt just about studies though, try and indulge into extracurriculars and be social.
Extracurriculars:
Design teams: UOFT has a plehora of design teams for you to choose from. Some design teams are better than others, but the only way that you will actually get deep into the design teams is if you put in the work. Beg leads for tasks, and do them to demonstrate interest. You can also demonstrate interest by doing really menial tasks as well. The point is you need to make sure the leads know you are willing to do tasks, and have showcased that you are worth giving the tasks to. Overtime, depending on the design team you may have to make a choice between grades and the team, thats up to you. Grades dont matter much unless you want to do a masters degree.
Clubs: For these try getting a lead position, a lot of them offer positions in the summer so make sure you follow them on instagram (e.g. engineers without borders, IEEE, etc). Again, you get what you put in to the club.
Intramurals: I loved playing intramurals at UOFT. However, the team that you play for depends on the people you know. For e.g. the SKULE team isnt great for soccer, and if you want to join a better team then you need to know someone on that team. So try networking lol.
Social life:
This was something that I personally struggled with at least initially at UOFT. I gave way too much time to studies, which really isnt worth it. UOFT is way easier than people make it out to be (I'm not being arrogant, and I'm not someone who's gifted in intellegence). As long as you manage your time, you will be fine. Anyway in first year most people would go to frats, and I would reccomend trying it out at least once. Go in the first weeks of school as thats the easiest time, and will also allow you to make new friends. Make sure to know a lot of people, at least at the surface level at the start, as that will make things easier for you in the long run and will also help you find the people you like to hang out with.
Summer after first year:
In my opinion do research if you want work experience, then step up to an internship next summer. If you want to relax thats a good option as well, just try doing some courses and build up some skills for sure.
submitted by SnooDoggos3848 to UofT [link] [comments]


2024.05.20 02:35 LnCabin [WTS] Benchmade 62T

Hi all! Today I have a discontinued Benchmade 62 Trainer up for grabs. Here’s the info:
Timestamp and Album
SV: $200 OBO
Shipping: CONUS only (Cost included in SV)
Condition: This shows some marks and signs of use as shown in the images, however no significant defects are present
Box and Papers: Not included, those are long gone at this point
Trades: Not interested currently, flashlights have become my new hobby as of late so I intend to put the money towards that
Please feel free to ask if you have any questions!
submitted by LnCabin to Knife_Swap [link] [comments]


2024.05.20 02:34 buyourmerchandaise brawler idea

brawler idea
super is 9 tiles long (i can't draw)
submitted by buyourmerchandaise to Brawlstars [link] [comments]


2024.05.20 02:32 ActionAmazing5955 Here's why I gave up online dating and had great success

Used all the dating apps for about the past 4 years. Hinge, tinder, bumble etc.
5 ft 8 man m, fairly athletic, good looking I would realistically rate myself as a 6/10, slightly above average.
Tried the online dating game. In 4 years I got maybe in total 30 matches across 3 apps. Even paid for a few of them. I would advise against paying for any of them.
Around the 3 year mark I decided to stay on apps but try in person dating. Went to a few in person events, clubs, social events, classes etc. Didn't have much success but I would say bit better than the dating apps.
My main area of success was in person cold/warm approaching. Within 2 months I got into a relationship.
I stopped using the dating apps and deleted them when I got into a relationship. 4 months later it didn't workout but I was very impressed that I was able to succeed with finding dates outside of the apps.
I got back into the online dating game just to see how bad it was and yes it was horrible. I did the public approach again and within 2 weeks I got more dates that I ever did in the 3 years at that time I was using dating apps.
I eventually just flat out removes any dating apps and swore to never use them again because of how useless they are and how deceptive they are to make money off love. I would say they are modern day pimps because how can you design an app to be used and re-download over and over again? I'm sure hinge and the other apps benefit greatly based on this shady business model.
One thing I will say is that most single people in public want to approach/be approached. Even the women I approached that didn't want a date thanked me for approaching them as they haven't had anyone approach them in years and had self conscious issues thinking they weren't good enough for men to approach them
Men do want to approach but they are afraid they are being creepy and women want more men to approach. I even talked to a girl that wanted a relationship but didn't have success in the apps. I told her she can approach men, she claimed she could never but I got her out of her shell and now she's in a successful marriage.
Another thing I want to say is that social media and apps like this one really discourage men and women to communicate in person with this few horror stories of bad first dates. So men and women you should delete all the dating apps and get out there.
Dating apps have the highest failure rate even with relationships because people think if it doesnt work out they can just go back to the apps for another person. In person dating has a significantly higher success rate compared to app dating.
submitted by ActionAmazing5955 to dating_advice [link] [comments]


2024.05.20 02:30 Euphoric_Dingo_7597 Little help

Little help
I feel like I should panic a little, maybe. But also like I'm overreacting.
I have had this mark since forever but I feel like it has changed. It was always pretty red, I googled a long time ago and it looked like cherry angioma. Didn't worry me, I use sunscreen even though I don't live in a sunny country and this is not a spot that the sun shines on. It's more brown now and I think the shape has changed a little. It takes forever to get to a dermatologist so I think I'll just contact my doctor and ask him to remove it and have it analyzed.
But I'm a redhead with freckles and the google doctor says I'm more at risk for melanoma.
I don't know what I'm asking here, maybe just hear your thoughts. I probably wont be able to see my doctor for a few days and then it takes time to get results.
https://preview.redd.it/8cdqcv7h7h1d1.jpg?width=2048&format=pjpg&auto=webp&s=81a78c84f300c981313d5fc995ee8dc7283bfac9
https://preview.redd.it/ibp7qu6h7h1d1.jpg?width=1655&format=pjpg&auto=webp&s=6efff0c302d787854a6fe3bd70a78b0a66ffcd75
submitted by Euphoric_Dingo_7597 to Melanoma [link] [comments]


2024.05.20 02:29 RodeoBoss66 Kevin Costner: No Bull, No Compromises

Kevin Costner: No Bull, No Compromises
https://www.cowboysindians.com/2024/05/kevin-costner-no-bull-no-compromises/
by Joe Leydon
May 14, 2024
At the heart of HORIZON: AN AMERICAN SAGA, the prodigiously ambitious and dramatically potent western epic starring and directed by Kevin Costner, there is a scene where the commander of a far-flung 1860s Army post (Danny Huston) explains to a concerned subordinate (Sam Worthington) why, despite the rigors of overland travel by wagon train, and despite the repeated attacks by Indians who are understandably protective of their land, nothing will stop the seemingly endless waves of pioneers bent on settling the West.
“These people,” the commander says, not entirely sympathetically, “think that if they’re tough enough, smart enough, and mean enough, all this will be theirs someday. There’s no army of this earth that will stop those wagons coming. Little as they be wanted.”
But what will happen when those hearty pioneers see along the sides of the trail the countless graves of those who went before them, and didn’t survive the journey?
The commander shrugs. The newcomers will think they’re luckier, and that they’ll survive and thrive. “And you know what?” he adds. “Some of them will.”
Costner intends HORIZON as ultimately a series of four films — with the first two opening this summer, June 28 and August 16 — that, while focusing on a roughly 15-year period before and after the Civil War, will dramatize, even-handedly and excitingly, how the allure and promise of new lives in a new land fueled an unshakable belief in what has become known, for better or worse, as Manifest Destiny. Some of the characters journey westward to fulfill dreams. Others move along to escape lives that have become nightmares.
And still others — specifically, the Native Americans who inhabit the lands that the settlers covet — must cope with the repeated appearances by these intruders.
Some live. Some die. And, yes, some kill.
Costner earns his top billing in HORIZON with his meticulously understated yet richly detailed performance as Hayes Ellison, the traditionally laconic western protagonist who never goes looking for trouble — goes out of his way to avoid it, actually — yet finds it follows him like a faithful dog. But he is just first among many in an exceptional ensemble cast that also includes (in Part 1) Sienna Miller, Sam Worthington, Giovanni Ribisi, Jena Malone, Abbey Lee, Michael Rooker, Danny Huston, Luke Wilson, Isabelle Fuhrman, Jeff Fahey, Will Patton, Tatanka Means, Owen Crow Shoe, Ella Hunt, and Jamie Campbell Bower.
I caught up with Costner in March — by sheer coincidence, the 33rd anniversary of the night he won Oscar gold as Best Director of Best Picture winner DANCES WITH WOLVES (1990) — just as he was putting the finishing touches on HORIZON: AN AMERICAN SAGA, PART II. Since he’d recently been under so much pressure while making not just one but two epics while avoiding tabloid reports about his possible departure from the popular TV series Yellowstone and the breakup of his 20-year marriage, I figured it might be a great idea to break the ice with a different spin on a predictable question.
Cowboys & Indians: So, it’s been quite a while since you directed this actor, Kevin Costner. Since the terrific 2003 western Open Range, *as a matter of fact. Has he learned anything since you last worked with him?*
Kevin Costner: [Laughs] It’s really hard to know. I mean, I look at this movie, and the thing that stands out to me is not what I’ve learned, but maybe what I’ve brought to bear in getting it shot in 52 days. I shot DANCES in 106, WYATT EARP (1994) was about 115, and we did this in 52 — and it’s actually as big if not bigger than both of those.
C&I: But your lead actor wasn’t one of your problems?
Costner: I am a better actor now than I was. I’ve consciously tried to become better — but I typically don’t give myself as much time as the other actors. And it takes somebody else to say, “Why don’t you give yourself another take?” But nobody was indulged on this movie. I didn’t move until I thought I had it. But as I’ve been in that editorial process, I can’t tell you how many times when I’ve seen a scene as I’m editing it, and I think, “Okay, that’s really good. Let’s see the second take.” And I get this dumb look from my editors and they go, “That’s all there is, one take.” And so I’ve got coverage — as you can see, it blends together really well. But we were out there on the razor’s edge trying to get through those days when you’re not doing one scene a day, but doing three.
C&I: I think it’s safe to say this has been a labor of love for you. I mean, you have mentioned HORIZON *to me as a dream project several times over the years. And at one point, you even said, “This might even be three movies.” Well, you’ve kind of upped the ante a little bit, haven’t you?*
Costner: Well, as Mark Twain said, “He didn’t exaggerate, he just remembered big.” It went to four — what can I say? It’s a labor of love. And the reality is, I don’t fall out of love with something I think is good. I just continue to push it. I mean, the wisdom of having the first one, written in 1988, be essentially rejected — nobody saw any value in it — and me turning around and not putting it in the drawer, but instead come out firing and write four more is kind of ... I don’t know. That’s probably therapy stuff, right? Somebody might say, “Why would you do that?” I mean, conventional wisdom was not allowing this movie to be made. But that being said, my feeling about conventional wisdom is: What if everybody’s wrong?
C&I: Do you think if Yellowstone had not come along and become as popular as it has, you might still be out there beating the bushes trying to find somebody to back HORIZON?
Costner: No, not at all. Because I used my own money this time. Nobody beat the door down for the four. They rejected all four. I put my own money up. I was just going to do it because I realized I needed to work more. I lost a whole year when we didn’t work on Yellowstone. And I realized that couldn’t happen again. And so I just recommitted myself to HORIZON, essentially burned my ships, and I realized it was time to do this for, really, a lot of reasons.
C&I: Such as?
Costner: I just thought it was a really good offering. And that’s really what I’m in the business for, to offer up a level of entertainment that gets over my bar, that I think can entertain not only the person watching it opening weekend, but somebody watching it 30 years from now.
C&I: How difficult has it been for you to focus on the task at hand, which is in effect making two movies and finishing them to be released in the same year? I don’t have to tell you, you’ve had your personal life in the tabloids. You’ve had your professional life in the tabloids. How do you decide not to talk about the divorce, or Yellowstone, *and simply focus on making this scene match that scene?*
Costner: Well, people are going to write what they want to write, and people are responsible for what they say in these things. And I look at what’s being said in many instances, and I know the truth, but I don’t feel the need to try to set the record straight every time there’s something going on. I mean, now I can talk about these things because we’re talking about them within the lines with my movie. I don’t try to live in the press outside of making movies. But when people are saying all these things, you don’t really see me say much. I know what’s true. And you can read between the lines. Like, you never thought I’m really a person who only wanted to work one week [on Yellowstone]? You don’t believe that was true?
C&I: [Laughs] No, Kevin, I really don’t.
Costner: So, I could tell you exactly how that came about, but that’s simply not the truth. And I’m always kind of disappointed that people can’t set the record straight. That’s just simply not true. I had given Yellowstone 25 days in November and December [of 2022], 25 days of my shooting, but the scripts never came. I gave them the month of March per a contract, and the scripts didn’t come. So, I really am going to make my movie, because I have 300 people waiting.
So, I said, “Look, I will stop for a week before I start to shoot. And if you want to kill me, or you want to do something elegant for the show, because I love the show — I’ll give you a week.” So for them to take that gesture, and that’s all that was — and look, I don’t know any director that would take a week off before he started shooting, but I gave them the most valuable thing I had, which was time, three different times. And to turn around and use that as a statement against me is disappointing. And it was disappointing that nobody on that side would come out and say, “That’s just simply not true. He offered that as a gesture when we couldn’t figure out how to do things.”
C&I: So basically what you’re saying is because of the Yellowstone *production delays ...*
Costner: Let’s get the scripts, let’s go do it. But it’s hard to write that much. And there’s a tremendous load on [producer and series co-creator Taylor Sheridan], but I have to take care of myself. Make no mistake, I love Yellowstone. I love the people that love it. I wanted to keep making that and making this movie. I didn’t do HORIZON because I wasn’t doing Yellowstone anymore. I did HORIZON because I wanted to do HORIZON while I was doing Yellowstone. Yellowstone had a first position, and in each instance, it was negotiated for. I gave them a preferential spot every time. Every time. So I felt like I needed somebody on that side to speak up and say that version, and they never did. I don’t know why. I don’t know why that was so hard. It just confused the cast and it confused the people who love the show.
C&I: While we’re talking, they still haven’t started filming the final Season 5 episodes of Yellowstone. *Is it reasonable to expect you’ll make some sort of appearance in at least one of them?*
Costner: I don’t know that it’s reasonable. I know I’m open to it, but I don’t know that it’s reasonable to think that it can happen. I don’t have anything to do with how they are doing things. I like the character. I’d love to see it go on. I’d love for it to continue to be inventive.
C&I: Let’s get back to HORIZON. Back when I interviewed you for our cover story on OPEN RANGE (2003), you mentioned that HOW THE WEST WAS WON (1962) was one of your all-time favorite westerns, not only because it had spectacle, but a love story as well. How much did HOW THE WEST WAS WON influence you while making HORIZON *?*
Costner: Well, I saw HOW THE WEST WAS WON when I was seven. And I think if it could engage a 7-year-old boy to not look at his watch, and be able to watch the screen on his own, it just informed me that if things are interesting, if they’re compelling, if the screen picture is continuing to change and when it changes, it changes to something equally interesting, and then it starts to form a weave and suddenly these things that you were willing to watch on an individual basis began to somehow get closer and closer together, and then all of a sudden you see intersections — I love that kind of storytelling. And that’s what I have tried to do with HORIZON.
C&I: So you finished the first two, is that correct? Or are you still editing the second film?
Costner: Yeah, I’m looking to finish the montage for the end of [PART] 2. Just the way you saw a montage happen at the end of [PART] 1 — it advances things — this material has to be pulled from [PART] 3. So I was actually writing [PART] 3 when I walked over here to talk with you. I was starting to bend the scene to my will.
C&I: When will you know for certain you can go ahead with [PARTS] 3 and 4?
Costner: Well, you know for certain I’m going to make them.
C&I: There you go, C&I readers! You’ve heard it straight from Kevin Costner himself!
Costner: [Laughs] But it’s not an easy task to go out and find that kind of money. I’ve run out of property I can mortgage. I mean, I see where it says something like I have $20 million into the film, right? You’ve read that.
C&I: Yes, but ...
Costner: Well, it’s not — it’s $38 million, okay? Cash. It’s $38 million. And if it has to be, it will be more. You might ask yourself, “A person who writes [PART] 4 when no one liked [PART] 1? What is it going to take for you to get the message?” But to me, it’s like, I will look and see what I own and maybe keep a few things that I won’t forfeit, but I don’t want to hold onto things so tight that I can’t accomplish the things I want to accomplish.
Maybe the reason I have some nice things that I could risk is because this is the life I chose, and so I can identify the amount of things I need, what my family needs. But some of these other things, for as much as I’ve worked for them, and hard, I’m also not going to be a slave and hold onto them and let something else that I’m trying to do suffer when they’re sitting right there. You could, biblically speaking, look at them and go, that’s why they were there.
And I’m not going to lose it. I’m going to make it. I’m going to look at those graves where those people are on the side of the road, and I’m not going to be with them, Joe. I’m going to get there.
This cover story appeared in our July 2024 issue.
PHOTOGRAPHY: Richard Foreman, Courtesy Warner Bros. Pictures
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2024.05.20 02:27 MATGRI First Week of Selling on eBay From Malta - My Experience

Hi, I’ve seen some old Reddit threads about eBay sellers in Malta and wanted to see if anyone else is doing it and looking to see what other eBay sellers on the island are doing.
Personally I’m going to charity shops and thrift shops to find second hand vintage games and listing them on eBay and the occasional Facebook marketplace find.
Shipping I’m offering customers the option to use my flat rate 3.50€ economy shipping and 8€ standard shipping. Currently using MaltaPost and registered as an eSeller (I have no discounts personally and is the same rate as if I go to the post office, however I can skip the cue and print the labels from home saving me time and I can even ask maltapost to come to my house to pick the packages up for 5euro which is worth it if I have multiple.) Economy shipping is the un-trackable U barcode and Standard is the registered shipping.
Profits are usually about 40-70% depending on the game sold. Listed about 30 games and sold 10 already. :)
I sell on eBay.com (the USA platform) but also allow shipping from Europe and for worldwide customers they can contact me so I make sure maltapost offers shipping to their country. However most orders are from the US. Maltapost offloads the package to USPS after arriving to the USA.
Most buyers opt for the economy shipping which helps my profit margin however I have to wait until the customer marks the order as delivered to get my funds, due to being a new seller. If a buyer opts for the registered shipping option, I receive my funds as soon it is marked as delivered by USPS/local post office.
Looking to see if any other sellers use other shipping providers like fedex international economy or ups or Dhl and if it’s worth it for them.
Thanks Matteo
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2024.05.20 02:25 8th_Hurdle [DEVELOPMENT] Was It Something That He Said?

8th December 1966;
Longuelac, SCS;
Drinking a mug-full of tea, Prenton relaxed.
He was far away from all that concerned him and his presence.
Opposite him was a woman who reminded him of somebody from his childhood. Her outfit was mostly covered by a long, thin, woollen coat, made of wool that he could conclude only could hail from one of the Old World’s sheep, with only silk stockings and ankle-high boots emerging from the discoloured coat. That coat had seen some use, because it the inside of it was cream-coloured - the outside was more brown in appearance, in comparison. That face was creased, smiling, and enjoying another’s presence, and her voice, when she spoke, was lightly-accented, sounding as if it came from Wexford, but mixed in a way that was so typical of those displaced by the floods.
“Gloria, how did you get over here? I… I… I’m lost for words, *you are here, and… how has Andrew…”* was Mark stumbling over his words, attempting to find resolution.
“Have you been lied to, dear? I’m still Gloria, I still have your wedding ring, I assume you keep yours on still too… oh, I… see. Where is it, is it gone forever?” inquired Gloria Prenton.
“No, no… I kept it off because Gatley thought it was better for us to keep our rings off if we needed to concentrate on our work to try to get back to you… before he then told us you and… AHH!
“So Robin is also alive, huh, and of course Andrew is, then Xander and Brendan also, then. You were all pretty tidy on the RMS Samaria, I guess you all took the same train to the SCS too, yep. You’ve done well for yourselves, I say!” stated Gloria, looking past the raw anger of Mark.
Those names did send him into silence, and there were two there he had not heard in years. Brendan? Robin? “Andrew and Xander are still with us, but Brendan and Robin… how do I put it… we lost contact? They wanted to see what Wisconsin was like, and haven’t returned. They’re probably still there, but there’s no way to know. When we called the hotel they said they’d go to, they said nothing. We don’t talk of them in the same way…”
“… that they talked of us. AHH, I’VE LET IT GO, THEY’RE… THEY’RE… I cannot, they never intended… so I cannot…”
“Let it go, Mark. I’m here, we can enjoy today, and you don’t need to tell me you’ve moved here for good. One of your acquaintances, Lee, let me know when I got over to Port Arthur of that, after I stopped by in Sault South for a short time. I guess that’s the advantage of being a dockworker. Never mind that. We can do the newspaper crossword.”
“We can, yes. We could also read the headlines… oh wow, new tax mechanical computing machines, set up for three distinct tax districts? That’s amazing, wow, and then they’re planning on using it to do welfare stuff too… wow, this new technology really does help us all, doesn’t it? Hmm, now 1 down… the clue is ‘Up Shit Creek Without…’”
“A paddle. It’s 6, that’s good. We could do this. Great. Great!”
{DP to State Bureaucracy / Public Infrastructure / Welfare}
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2024.05.20 02:25 RodeoBoss66 Kevin Costner: No Bull, No Compromises

Kevin Costner: No Bull, No Compromises
https://www.cowboysindians.com/2024/05/kevin-costner-no-bull-no-compromises/
by Joe Leydon
May 14, 2024
At the heart of HORIZON: AN AMERICAN SAGA, the prodigiously ambitious and dramatically potent western epic starring and directed by Kevin Costner, there is a scene where the commander of a far-flung 1860s Army post (Danny Huston) explains to a concerned subordinate (Sam Worthington) why, despite the rigors of overland travel by wagon train, and despite the repeated attacks by Indians who are understandably protective of their land, nothing will stop the seemingly endless waves of pioneers bent on settling the West.
“These people,” the commander says, not entirely sympathetically, “think that if they’re tough enough, smart enough, and mean enough, all this will be theirs someday. There’s no army of this earth that will stop those wagons coming. Little as they be wanted.”
But what will happen when those hearty pioneers see along the sides of the trail the countless graves of those who went before them, and didn’t survive the journey?
The commander shrugs. The newcomers will think they’re luckier, and that they’ll survive and thrive. “And you know what?” he adds. “Some of them will.”
Costner intends HORIZON as ultimately a series of four films — with the first two opening this summer, June 28 and August 16 — that, while focusing on a roughly 15-year period before and after the Civil War, will dramatize, even-handedly and excitingly, how the allure and promise of new lives in a new land fueled an unshakable belief in what has become known, for better or worse, as Manifest Destiny. Some of the characters journey westward to fulfill dreams. Others move along to escape lives that have become nightmares.
And still others — specifically, the Native Americans who inhabit the lands that the settlers covet — must cope with the repeated appearances by these intruders.
Some live. Some die. And, yes, some kill.
Costner earns his top billing in HORIZON with his meticulously understated yet richly detailed performance as Hayes Ellison, the traditionally laconic western protagonist who never goes looking for trouble — goes out of his way to avoid it, actually — yet finds it follows him like a faithful dog. But he is just first among many in an exceptional ensemble cast that also includes (in Part 1) Sienna Miller, Sam Worthington, Giovanni Ribisi, Jena Malone, Abbey Lee, Michael Rooker, Danny Huston, Luke Wilson, Isabelle Fuhrman, Jeff Fahey, Will Patton, Tatanka Means, Owen Crow Shoe, Ella Hunt, and Jamie Campbell Bower.
I caught up with Costner in March — by sheer coincidence, the 33rd anniversary of the night he won Oscar gold as Best Director of Best Picture winner DANCES WITH WOLVES (1990) — just as he was putting the finishing touches on HORIZON: AN AMERICAN SAGA, PART II. Since he’d recently been under so much pressure while making not just one but two epics while avoiding tabloid reports about his possible departure from the popular TV series Yellowstone and the breakup of his 20-year marriage, I figured it might be a great idea to break the ice with a different spin on a predictable question.
Cowboys & Indians: So, it’s been quite a while since you directed this actor, Kevin Costner. Since the terrific 2003 western Open Range, *as a matter of fact. Has he learned anything since you last worked with him?*
Kevin Costner: [Laughs] It’s really hard to know. I mean, I look at this movie, and the thing that stands out to me is not what I’ve learned, but maybe what I’ve brought to bear in getting it shot in 52 days. I shot DANCES in 106, WYATT EARP (1994) was about 115, and we did this in 52 — and it’s actually as big if not bigger than both of those.
C&I: But your lead actor wasn’t one of your problems?
Costner: I am a better actor now than I was. I’ve consciously tried to become better — but I typically don’t give myself as much time as the other actors. And it takes somebody else to say, “Why don’t you give yourself another take?” But nobody was indulged on this movie. I didn’t move until I thought I had it. But as I’ve been in that editorial process, I can’t tell you how many times when I’ve seen a scene as I’m editing it, and I think, “Okay, that’s really good. Let’s see the second take.” And I get this dumb look from my editors and they go, “That’s all there is, one take.” And so I’ve got coverage — as you can see, it blends together really well. But we were out there on the razor’s edge trying to get through those days when you’re not doing one scene a day, but doing three.
C&I: I think it’s safe to say this has been a labor of love for you. I mean, you have mentioned HORIZON *to me as a dream project several times over the years. And at one point, you even said, “This might even be three movies.” Well, you’ve kind of upped the ante a little bit, haven’t you?*
Costner: Well, as Mark Twain said, “He didn’t exaggerate, he just remembered big.” It went to four — what can I say? It’s a labor of love. And the reality is, I don’t fall out of love with something I think is good. I just continue to push it. I mean, the wisdom of having the first one, written in 1988, be essentially rejected — nobody saw any value in it — and me turning around and not putting it in the drawer, but instead come out firing and write four more is kind of ... I don’t know. That’s probably therapy stuff, right? Somebody might say, “Why would you do that?” I mean, conventional wisdom was not allowing this movie to be made. But that being said, my feeling about conventional wisdom is: What if everybody’s wrong?
C&I: Do you think if Yellowstone had not come along and become as popular as it has, you might still be out there beating the bushes trying to find somebody to back HORIZON?
Costner: No, not at all. Because I used my own money this time. Nobody beat the door down for the four. They rejected all four. I put my own money up. I was just going to do it because I realized I needed to work more. I lost a whole year when we didn’t work on Yellowstone. And I realized that couldn’t happen again. And so I just recommitted myself to HORIZON, essentially burned my ships, and I realized it was time to do this for, really, a lot of reasons.
C&I: Such as?
Costner: I just thought it was a really good offering. And that’s really what I’m in the business for, to offer up a level of entertainment that gets over my bar, that I think can entertain not only the person watching it opening weekend, but somebody watching it 30 years from now.
C&I: How difficult has it been for you to focus on the task at hand, which is in effect making two movies and finishing them to be released in the same year? I don’t have to tell you, you’ve had your personal life in the tabloids. You’ve had your professional life in the tabloids. How do you decide not to talk about the divorce, or Yellowstone, *and simply focus on making this scene match that scene?*
Costner: Well, people are going to write what they want to write, and people are responsible for what they say in these things. And I look at what’s being said in many instances, and I know the truth, but I don’t feel the need to try to set the record straight every time there’s something going on. I mean, now I can talk about these things because we’re talking about them within the lines with my movie. I don’t try to live in the press outside of making movies. But when people are saying all these things, you don’t really see me say much. I know what’s true. And you can read between the lines. Like, you never thought I’m really a person who only wanted to work one week [on Yellowstone]? You don’t believe that was true?
C&I: [Laughs] No, Kevin, I really don’t.
Costner: So, I could tell you exactly how that came about, but that’s simply not the truth. And I’m always kind of disappointed that people can’t set the record straight. That’s just simply not true. I had given Yellowstone 25 days in November and December [of 2022], 25 days of my shooting, but the scripts never came. I gave them the month of March per a contract, and the scripts didn’t come. So, I really am going to make my movie, because I have 300 people waiting.
So, I said, “Look, I will stop for a week before I start to shoot. And if you want to kill me, or you want to do something elegant for the show, because I love the show — I’ll give you a week.” So for them to take that gesture, and that’s all that was — and look, I don’t know any director that would take a week off before he started shooting, but I gave them the most valuable thing I had, which was time, three different times. And to turn around and use that as a statement against me is disappointing. And it was disappointing that nobody on that side would come out and say, “That’s just simply not true. He offered that as a gesture when we couldn’t figure out how to do things.”
C&I: So basically what you’re saying is because of the Yellowstone *production delays ...*
Costner: Let’s get the scripts, let’s go do it. But it’s hard to write that much. And there’s a tremendous load on [producer and series co-creator Taylor Sheridan], but I have to take care of myself. Make no mistake, I love Yellowstone. I love the people that love it. I wanted to keep making that and making this movie. I didn’t do HORIZON because I wasn’t doing Yellowstone anymore. I did HORIZON because I wanted to do HORIZON while I was doing Yellowstone. Yellowstone had a first position, and in each instance, it was negotiated for. I gave them a preferential spot every time. Every time. So I felt like I needed somebody on that side to speak up and say that version, and they never did. I don’t know why. I don’t know why that was so hard. It just confused the cast and it confused the people who love the show.
C&I: While we’re talking, they still haven’t started filming the final Season 5 episodes of Yellowstone. *Is it reasonable to expect you’ll make some sort of appearance in at least one of them?*
Costner: I don’t know that it’s reasonable. I know I’m open to it, but I don’t know that it’s reasonable to think that it can happen. I don’t have anything to do with how they are doing things. I like the character. I’d love to see it go on. I’d love for it to continue to be inventive.
C&I: Let’s get back to HORIZON. Back when I interviewed you for our cover story on OPEN RANGE (2003), you mentioned that HOW THE WEST WAS WON (1962) was one of your all-time favorite westerns, not only because it had spectacle, but a love story as well. How much did HOW THE WEST WAS WON influence you while making HORIZON *?*
Costner: Well, I saw HOW THE WEST WAS WON when I was seven. And I think if it could engage a 7-year-old boy to not look at his watch, and be able to watch the screen on his own, it just informed me that if things are interesting, if they’re compelling, if the screen picture is continuing to change and when it changes, it changes to something equally interesting, and then it starts to form a weave and suddenly these things that you were willing to watch on an individual basis began to somehow get closer and closer together, and then all of a sudden you see intersections — I love that kind of storytelling. And that’s what I have tried to do with HORIZON.
C&I: So you finished the first two, is that correct? Or are you still editing the second film?
Costner: Yeah, I’m looking to finish the montage for the end of [PART] 2. Just the way you saw a montage happen at the end of [PART] 1 — it advances things — this material has to be pulled from [PART] 3. So I was actually writing [PART] 3 when I walked over here to talk with you. I was starting to bend the scene to my will.
C&I: When will you know for certain you can go ahead with [PARTS] 3 and 4?
Costner: Well, you know for certain I’m going to make them.
C&I: There you go, C&I readers! You’ve heard it straight from Kevin Costner himself!
Costner: [Laughs] But it’s not an easy task to go out and find that kind of money. I’ve run out of property I can mortgage. I mean, I see where it says something like I have $20 million into the film, right? You’ve read that.
C&I: Yes, but ...
Costner: Well, it’s not — it’s $38 million, okay? Cash. It’s $38 million. And if it has to be, it will be more. You might ask yourself, “A person who writes [PART] 4 when no one liked [PART] 1? What is it going to take for you to get the message?” But to me, it’s like, I will look and see what I own and maybe keep a few things that I won’t forfeit, but I don’t want to hold onto things so tight that I can’t accomplish the things I want to accomplish.
Maybe the reason I have some nice things that I could risk is because this is the life I chose, and so I can identify the amount of things I need, what my family needs. But some of these other things, for as much as I’ve worked for them, and hard, I’m also not going to be a slave and hold onto them and let something else that I’m trying to do suffer when they’re sitting right there. You could, biblically speaking, look at them and go, that’s why they were there.
And I’m not going to lose it. I’m going to make it. I’m going to look at those graves where those people are on the side of the road, and I’m not going to be with them, Joe. I’m going to get there.
This cover story appeared in our July 2024 issue.
PHOTOGRAPHY: Richard Foreman, Courtesy Warner Bros. Pictures
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2024.05.20 02:25 CainCh3n [WTS] Built TW helmet with super clean Omni 7 PVS14

timestamp
Team Wendy bump complete set up - $3269 2969
Up for sale is my team Wendy bump setup with Omni7 PVS-14, seen light uses in the past year, worked great for me but it's time for upgrade. Comes with
earmor m32 headset
Unity MARK mount
Team Wendy helmet cover (MC)
Amazon strobe
Argus A4 mount
Ax14-pro articulating j - arm
Working power Bank in a flashbang pouch as counterweight
Purple filter to pose as white phos
Do NOT wish to part out
Paypal G&S buyer cover fee
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2024.05.20 02:24 xtremexavier15 TMPI 13

The episode resumed on a shot of Zee and Jo, their skin tones back to normal, running up to a smiling Chris. "Welcome back," he told the camera. "Zee and helper Jo are the first to arrive here, at the world's largest mud puddle!" The camera pulled back, revealing that the trio was standing near the edge of a large lake of burbling mud, a measuring stick rising out of it at the nearest edge.
"It's eight feet deep," Chris explained over a close-up of the measuring stick showing the mud reaching up very nearly to the 8' mark, "and 200 yards across. And," the camera quick-panned to the far right side of the 'puddle', "since it's too thick to swim through," the shot cut back to the couple and Chris, "the only way to the other side is with one of you piggybacking the other."
"Umm...," Zee said hesitantly, sharing a wary look with Jo, "doesn't that mean the person on the bottom..."
"Will drown?" Chris finished. "Yes."
"What?!" Jo said in wide-eyed shock.
"Unless they use this garden hose!" Chris added, a light chime playing as he held up a length of green hose.
Zee let out a breath. "Okay then. Guess I'm on the bottom, then."
Jo's eyes widened a bit in a brief bit of surprise, and she looked at her partner. "I should be objecting to this since I'm supposed to be the helper, but hey. No heavy lifting from me."
"Yeah…" Zee agreed half heartedly.
Confessional: Zee
"I was able to hold Jo onto my back while we were skiing," Zee told the confessional. "I can still do the same while under mud."
Confessional Ends
"I know that I said you were weak in the past," Jo said, "but that was until I saw that you were able to make it this far in the game."
"You thought wrong about me," Zee replied. "I wasn’t active at first in challenges and finding food, but with Julia eliminated, I was able to grow and become a finalist."
Chris suddenly stepped between the two. "How touching. Now start the challenge."
The scene cut to Zee and Jo jumping into the mud, the former disappearing below its depths while the latter, on his shoulders, held up the length of the hose. They started moving forward, and the camera panned back to the left to show Harold, Scarlett, and Chris holding up another length of hose.
"Yeah, I'll be on top," Harold stated.
"Pardon me?" Scarlett countered, raising an eyebrow.
"I don't trust you not to let me drown," Harold told her. "Self-preservation comes first."
Scarlett groaned. "That's fair," she said, taking the hose from Chris, "but if you let me suffocate, I'm dragging you down into the mud with me."
"Crustal," Harold deadpanned, and as Scarlett crouched down, she jumped onto the brainiac's shoulders. Scarlett stood back up and put the end of the hose in her mouth, and she jumped into the mud.
The tense music faded away as the camera moved onto Chris, the host sighing as Chef walked up. "You think the mud was a bad idea?" Chris asked. "It's a little quiet… oh yeah," Chris said as if in sudden realization, "almost forgot about the Peanut Gallery. Bring 'em back in!" he said into a walkie talkie he only then pulled out.
Moments later, the wind kicked up around them, and the camera zoomed out to show the large helicopter flying in with the former contestants still hanging – and screaming as they swayed ominously – below it. "Would you let us down already?!" Leshawna shouted angrily. "It's freezin' up here!"
"Yeah, I want to cheer for Zee!" Julia chimed in.
"If I wasn't tied up right now, I'd have half a mind to pound you!" Duncan shouted at the host.
The camera focused on DJ. "Hey, Chris?" he looked forward and asked loudly. "Just bring us down before anybody else gets miffed at you!"
"No, and I don't care," Chris answered with a calm smile, until Chef whispered to him. A flat note played over a close-up of Chris staring blankly at him. "Huh...good point," he admitted. "Ooh!" he said with a sudden grin. "I just had an idea!"
A flash took the scene to Zee and Jo, the tense challenge music resuming at a low volume and slow pace in the background. They were still slogging through the mud, Zee out of sight but Jo only submerged up to her stomach. She looked back over her shoulder, smiled, then said "Keep going!" into the piece of hose she was holding. "They're way far behind!"
Confessional: Zee
"So as it turns out," Zee said, "being submerged in the mud is kinda like being trapped in the dark. But there aren't any animals below to scare me."
Confessional Ends
The music ramped up as Jo suddenly stopped moving, then seemed to turn around and start moving back towards the start. "Uh, Fruit Loop?" she asked into the hose. "We're going the wrong way!"
The camera cut to Harold, looking somewhat bored as he held the hose atop Scarlett's shoulders, before noticing the other team and frowning. "Why are they coming this way?"
"Ugh! They're too safe to sabotage each other!" came the sudden voice of Chris McLean, the camera cutting to him standing in the show's jeep with Chef at the wheel, speaking into the microphone of the jeep's loudspeaker. "Deploy the 2.0 model!"
The shot cut back to Harold and Jo as they looked around with strange expressions, the sound of something like a rocket taking off coming from somewhere in the distance. They looked up and to the left, and the camera shifted to their viewpoint to show a large object shooting up through the sky overhead...
...then abruptly diving towards them, revealing itself as a red-eyed robotic bear with small jet engines coming out of its back. Harold and Jo screamed as their respective partners continued in their previous directions, getting out of the way as the Bear landed in the mud. It hit with enough force to cause a wave of mud, which shot all the way across the puddle carrying the finalists and their helpers along for the ride. All four immediately began to cough upon landing in a muddy heap.
Confessional: Harold
"At least I have a better shot," Harold said. "We're tied right now, but who knows what other tricks Chris has up his sleeves."
Confessional Ends
A close-up of the nozzle of a fire hose in Chef's hands preceded him blasting the muddy finalists and helpers with water, all four screaming where they'd landed on the shore of the 'puddle'. Moments later, the water was shut off, leaving them drenched but clean.
"We're all tied up," Chris announced with a smile. "Perfect time for a little break. First, let's bring in the Peanut Gallery again." He took out his remote and pointed it at a patch of ground nearby, a hole opening up in it and a rather shoddy-looking set of stadium seats shooting up out of it with the ten former contestants seated – and still tied-up – in it.
"Sha-finally," Lightning said, the shot cutting to him sitting in the top row with B, DJ, Duncan, and Max and Leshawna, Ella, Julia, Sammy, and Amy in the bottom row. "Are we gonna get to watch the rest of the challenge now?"
"Yup!" Chris answered with a happy smile, pressing the button on his remote again so that a large widescreen television emerged from another hole in the ground near him and the finalists.
"Will you untie us too?" Ella chimed in.
Chris huffed. "Whine, whine, whine," he said in annoyance. "Don't I do enough for you kids as it is?"
"No," all fourteen of the season's cast members replied at the same time.
A flat note played over a close-up of the host pursing his lips. "Yeah, I owe Chef twenty bucks about that," Chris said, the camera zooming back out again to show the finalists and helpers. "Everyone, grab a seat," he instructed, and the four reluctantly sat down on the logs lying behind them. "I'm gonna show you some of my favorite clips from the show..." He pointed his remote at the TV, and the shot focused in as it switched on and started to play footage of a confessional...
"Dunderhead was already pretty useless," Jo complained. "But now he's making moves on one of the actually decent players on the team? Not on my watch!"
The camera cut in close to show Jo pausing and looking back. "Something on your mind, Anti-Squeakerbox?" she asked, the camera shifting to show B peering at her and shaking his head.
“It's not what you think it is," Jo told him. "As long as they are on this team, Julia and Zee will not date."
“Not exactly how I wanted the elimination to play, but hey. Julia’s gone and with Zee still in the game, I could manipulate him into doing whatever I say,” Jo grinned.
The footage paused, and Chris leaned out in front of the television with a wide and mischievous grin. "Seems like there isn't a shipper on deck…" he said impishly.
"So you were trying to keep me and Julia apart?" Zee said as the camera moved to him and Jo, his eyes wide with shock. "Does this mean that...,"
"Yup. I convinced Julia to quit," Jo replied. "I didn't expect her to fully go through with it since I was gonna vote you out!"
"I can't believe you'd try and do that!" Zee said with a glare!"
"If I didn't do what I did, then you two likely would've blown challenges for us like the dueling one!" Jo argued back.
The camera focused on Julia in the Peanut Gallery. "I was trying to defend my boyfriend, but sure," she said dryly.
"I'm just worried what Chris is gonna show from Scarlett," Sammy said. "It looks like he wants to mess up the finalists and their helpers..."
"Maybe he won't show anything?" Amy suggested. "I mean, it's not like Scarlett and Harold were that close to begin with."
The shot cut back to a smiling Chris. "Oh, don't worry, I have no intention of leaving those guys out of all this fun," he said happily.
"I don't see how," Scarlett said. "Harold already knows everything about me now. I’m practically an open book."
Chris laughed. "Seems you forgot that the cameras are always on. So here's some more juicy information that everybody gets to hear." The screen on the TV went from static to a scene from the fifth episode.
Scarlett herself grabbed the dueling stick Ella retrieved, fished an electric eel out of the water, and tossed it to Max. "Max!" she cried, and her teammates looked at her in confusion, prompting her to pretend that she had coughed. "Pardon me!"
“The plan was for Max to be the only one not in the trap, so the team would know he built it and vote him off!” Scarlett confessed.
"I overheard Leshawna and Harold's conversation when they were foraging together, and Leshawna being on to me is something that I refuse to let happen," Scarlett claimed. “Zee's really gullible enough to deceive, and I'll try to talk to Ella.”
A deep, dramatic note was struck over a shot of Harold in shock. "So it was you who got Leshawna eliminated!" he scowled in Scarlett's direction.
"I wasn't ready to come out just yet, and between the two of you, you were less likely to warn anyone about me!" Scarlett retorted.
"So all this time, Scarlett was aiming to usurp her master!" Max ranted.
"I don't blame her," Leshawna commented. “As much of a pain as she is, I would've done the same thing and sent your annoying behind home.”
"Okay," Chris said happily as the shot moved onto him, "I'm sensing some major hostility and I'm liking it. I'm out of popcorn, though, so we should probably get back to the challenge."
"Seriously?!" the finalists and helpers alike exclaimed.
"Obviously, the helpers aren't gonna be very helpful anymore," Chris replied. "So, instead of helpers, Jo and Scarlett will now be hinderers." As he spoke, Chef walked back into view with a pair of video game controllers, tossing one each to Scarlett and Jo. "The island is now back online," Chris continued, "and, with these controllers, they will be able to throw up obstacles to throw you down, or, completely crush you."
The shot cut to Scarlett as she looked at her controller and smirked. "Good to know."
"Looking forward to it," Jo said in determination.
Harold and Zee gulped, and Chris laughed. "That was the good part," he said. "Let me tell you the bad part. You have ten minutes to finish this challenge," he told Zee and Harold. "If neither of you do, Scarlett and Jo get to split the money."
"Dude, what?" Zee said in shock.
"You can't do that!" Harold protested.
"I can! I will! I am! GO!" Chris announced, blowing his airhorn right in Chef's face, earning an annoyed sigh from the man. Harold and Zee immediately ran off, but the camera cut to a close-up of a thoughtful Jo.
"Well...I want the money, but I'm not really comfortable with how this is set up," Jo said to herself. "But...I guess it wouldn't be too bad if I just made this a little more challenging for them..."
"Do what you want," Scarlett said, the camera panning over to show her grinning darkly with her controller in hand. "I'm getting my justice."
Confessional: Jo
“And I thought I was an underhanded person,” Jo mentioned to herself. “Velma has less morals than me and Gnome Master.”
Confessional: Scarlett
"I was snubbed in the last episode," Scarlett confessed. "And now that I've been given permission, I can stop the finalists from winning without getting electrocuted!" She pulled out the remote from the seventh episode. "I don't even need this device. I have a controller to do the job for it."
Confessionals End
A few quick drum taps opened up a deep and dangerous challenge theme, the scene returning to Zee and Harold sprinting across the open field only to gape in shock as the pine trees in the background starting launching like rockets.
"What the heck?" Harold said. "Rocket trees?"
One landed right behind them, forcing both finalists to roll forward out of the way. "This island is wild!" Zee cried as the two continued running, more and more trees landing behind them like massive spears.
The two were shown together in a brief close-up, raising their eyebrows in surprise. A quick-pan ahead revealed the landscape changing, trees and rock formations rising up out of the artificial ground to form a large, dense barrier.
Harold jumped ahead of Zee as they climbed over the first big rock formation.
Zee vaulted downward and dashing forward along a lower 'path' among the rocks. Just as he was about to jump down onto grass, however, a boulder shot upward – and he landed on it groin-first. A close-up showed him letting out a high-pitched squeal of pain.
Harold's wince drew the camera's attention back upward to show him leaping from a boulder and grabbing onto the branch of a tree, only for the tree to suddenly shoot back down into the ground – causing him to yell as it dragged him down and slammed him back-first onto a fallen log.
Zee gave him a quick concerned glance as he jumped onto the same log, then upwards onto a rock formation before climbing onward and to the right and out of sight.
The scene cut back to the hinderers, both still working their controllers with Scarlett still looking considerably happier about it. "No need to change what works," Jo said uncertainty.
"What happened to that cutthroat attitude you've been displaying?" Scarlett asked. "Don't throw it away when I can get something out of it. And lower some of those trees. They're giving them too much cover from this storm I'm whipping up."
The camera panned onto the monitor to show Zee and Harold struggling against a powerful wind as they walked through what looked like a dense forest as leaves, dust, branches, and various small woodland animals blew past them.
A focus on the monitor's screen transitioned the scene back to the challenge. "I think...I can see the finish line in the distance," Zee said, pausing for a moment as he struggled against the intense gale.
"They're not making this easy on us," Harold commented.
The pair briefly passed behind a thick and mossy pine tree, the camera zooming in slightly as they reappeared. "Would you?" Zee asked.
"...I guess not," Harold answered after a moment.
The shot cut back to the Peanut Gallery to show them watching with worry and anticipation. "C'mon, Harold," Leshawna spoke. "Just hang in there."
"I know you can win this, Zee," Julia said. "You deserve it after everything."
Then the camera cut back to the hinderers, Chris standing next to their monitor with his hands behind his back and a smile on his face. "Ooh! They're getting close!" he said excitedly, prompting Scarlett to scowl and Jo to frown.
Once more the scene moved back to the finalists, their arms raised to buffer themselves against the winds – snow beginning to fall and lightning beginning to crack in the background - with Harold in the lead. "Two minutes left!" Chris called out over the island's loudspeaker. "Two minutes!"
"I...," Harold said with glee. "I think I can make it!"
"Not if I can help it!" Zee shouted, speeding up as the dense trees around him and Harold began to recede into the ground – and the tense and dangerous challenge music resumed. "If I win, me and Julia can go out and change the world together."
"I have to win this," Harold told him. "I've been undervalued and looked down on by my peers, friends, and even my family. I need to prove my might."
The snowy ground below their feet began to crack. A hollow sound played, then all at once, the ground shot up under them, earning startled yells from both. The shot soon cut to the new peak they were standing on rising up into the sky, then stopping.
"Drats..." Zee muttered, both finalists looking down with wide eyes. his final word echoed as the camera zoomed out, revealing the snowy mountain they were now at the top of.
The Peanut Gallery was shown gasping, as were Jo, though Scarlett was smiling as their misfortune. "Twenty seconds left...!" Chris said as the camera moved on to him looking at his watch.
The shot cut back to Harold. "I guess it's over," he sighed. “Scarlett wins after all.”
Zee noticed a bulge in the snow beside him. The boy shoved his hand into it and pulled out the phone Duncan stole from Chris. "I don't know how this got here, but we have to get down. Start stomping the ground."
Harold nodded and stomped on the ground at his feet, and after a few cracks, Zee hurled the phone down, breaking the device apart. Their eyes widened as the mountain began to crumble under them, and the ground imploded in on itself.
"Six! Five!" Chris began to count off, the music cutting out save for a single plodding note to highlight each number. "Four!" The camera panned onto the television, showing both finalists tumbling through the snow and rock. "Three! Two! One!" The shot cut to the finish banner, then zoomed out to show the avalanche stopping just under it – with neither finalist in sight. "GAME OVER!" he announced, blowing on his airhorn as a subdued but triumphant riff played.
Jo stood up in surprise, and Scarlett started cheering.
"My mission was a success!" Scarlett said in victory. “Now hand over my well-deserved prize!”
"Congratulations Jo and Scarlett," Chris said with his usual smile. "Revenge is sweetest-" he glanced at the monitor- "ohhhhh, what have we here?" he said with a sudden look of shock, the music cutting out as he pointed at the television screen.
A sharp note played as a familiar hand stuck out of the snow lying just past the finish line and waved. Scarlett's jaw dropped in shock, and Jo let out a sigh of relief.
The scene cut to the finish line, the camera pulling back a little ways as Chef walked up with a stretcher, dressed as a female nurse. Leshawna ran onscreen and pushed him out of the way. Chef flew off frame with a shout, and Leshawna grabbed the arm and pulled, freeing a shocked and snowy Harold from the aftermath of the avalanche. "Oh," he groaned, looking around as Leshawna dropped him on the stretcher, "what happened?" he asked as the victorious music began to play again with much more enthusiasm.
"You won, Ginger Baby!" Leshawna answered with a smile, the camera pulling out even more to show Harold looking back at the finish banner.
"I did it!" Harold said excitedly. "Harold Norbert Cheever Doris McGrady V has claimed victory! Boo yah!" he raised his arms and cheered, the shot cutting away to show all of the Peanut Gallery cheering.
“We weren't able to talk to each other as much, and it's clear we like each other as more than just friends, but how about we hang out a little bit back home and see where things go?” Leshawna suggested.
“As long as we don't rush into a committed relationship, I'd like that,” Harold smiled back.
The camera panned to the left to show Julia frantically pulling a dazed and half-conscious Zee from the rest of the avalanche, and picking him up onto her back.
"Julia," Zee said weakly, "I'm sorry that I-"
"Be quiet," Julia said with a weak smile as she carried her boyfriend over to the stretcher and set him down next to Harold. "You need to rest."
"But-" Zee tried to say.
He was cut off by Julia grabbing his head and kissing him full on the lips. "You didn’t win the money, but we can still provide for the world in our own ways, and with the power of love," she said with a smile as she broke the kiss, leaving Zee looking dopey.
The capstone theme began to play as the footage skipped ahead to a shot of the open sky, the double-rotored helicopter soon flying up into view. "That's it for this very, very off season," Chris began, standing in the open doorway with Zee and Julia sitting on the edge letting their legs dangle freely with Julia leaning into Zee; Harold and Scarlett standing on either side of Chris, the latter annoyed and the former grinning while holding the suitcase full of money to his chest; and the rest of the cast, crouching down and peering over in the gaps between and behind the rest, constantly jockeying for position as they tried to get one last shot of themselves on camera.
"This is Chris McLean, saying if you can't stand the pain-" the handsome host continued, the shot cutting in closer- "stay off the Total! Drama! Paaaahkitew Island!"
"RE-VENGE!" Max suddenly yelled from behind Scarlett, shoving her out of the helicopter, and the brainiac screamed as she fell.
The camera lingered on the dumbfounded looks of Chris and the other ex-campers, all of them staring at Max in shock. "This is how a traitor should be rewarded," he said, crossing his arms and closing his eyes defiantly.
The ex-campers and host burst out laughing, and a fun and energetic tune started to play. The camera panned over to the windshield to show Chef laughing along with the rest of the cast from the pilot's seat, and the helicopter flew away.
The music soon faded away, though, and the scene quick-panned down to show a screaming Scarlett landing in the giant mud puddle. She quickly surfaced with a shocked splutter, and pulled herself out onto dry land. "How am I going to get home now because of those imbeciles?!"
A few ominous notes were struck, and a ferocious growl caught Scarlett's attention. She looked up, and the camera zoomed out to show Scuba Bear 2.0 standing over her, eyes red. "Heheh," the brainiac laughed nervously. "You're not going to hurt me are you?"
The scene abruptly cut outward to the full long-distance shot of the island, the ominous music ending as Scarlett's scream and Scuba Bear's snarl echoed across the lake.
(Roll the Credits)
Lightning - 14th
DJ - 13th
Amy - 12th
B - 11th
Julia - 10th
Max - 9th
Leshawna - 8th
MERGE
Jo - 7th
Duncan - 6th
Ella - 5th
Sammy - 4th
Scarlett - 3rd
Zee - 2nd
Harold - 1st
submitted by xtremexavier15 to u/xtremexavier15 [link] [comments]


2024.05.20 02:24 Euphoric_Dingo_7597 Does this look bad?

Does this look bad?
I feel like I should panic a little, maybe. But also like I'm overreacting.
I have had this mark since forever but I feel like it has changed. It was always pretty red, I googled a long time ago and it looked like cherry angioma. Didn't worry me, I use sunscreen even though I don't live in a sunny country and this is not a spot that the sun shines on. But I'm a redhead with freckles so... It's more brown now and I think the shape has changed a little. It takes forever to get to a dermatologist so I think I'll just contact my doctor and ask him to remove it and have it analyzed.
I don't know what I'm asking here, maybe just hear your thoughts. I probably wont be able to see my doctor for a few days and then it takes time to get results.
https://preview.redd.it/93fjn3cl6h1d1.jpg?width=2048&format=pjpg&auto=webp&s=b2d002c1ab26c205b3feb36a569bcaf2a651d928
https://preview.redd.it/667cx2cl6h1d1.jpg?width=1655&format=pjpg&auto=webp&s=389b979d726281fed406f84f98768f0a582a2151
submitted by Euphoric_Dingo_7597 to DermatologyQuestions [link] [comments]


2024.05.20 02:23 NotSoSlimShady1001 The Spirit of a Predator - Chapter 25: An Open Door

[ First / Previous ]
Memory Transcription Subject: Hileen, Krakotl Fugitive Recovery Agent
Date [standardized human time]: November 28th, 2136
It'd been a while since I sat in Marlig's office for a talk face-to-face. Given the agency's secluded location at the edge of the downtown region, it was a chore to drop by when it wasn't for business, but I'd deemed the matter at hand to be worth my time.
I passed by Nampi at her desk on my way to the door and she gave me a coy glare as I carried on. Trying to ignore her risible ear waggle, I turned the corner to the door with my boss’s name painted on the glass panel where I could hear the frantic crumpling of paper.
Quietly, I entered Marlig's office without prompt as I knew he hated to be spooked by knocking. My mentor was surprisingly spry for a bird at his age, sorting through papers with one wing and an eye while using his talons with the other to set away the papers he had splayed out.
“Hileen!” he chirped. “Glad you could make it in today. I was just finishing up my paperwork. Take a seat.”
It was always nice to hear him drop the professional motif for a more grandfatherly attitude when speaking in person. I did as he suggested and took a seat while he grumbled to himself over the sorting. My eye caught a few of the old contracts he was rifling through and saw that some dated back to his days as an agent.
Eventually, he left some sitting out as he sequestered the rest back into their files, sorted by a dichotomy that only he and Nampi could comprehend fully. He motioned with a wing for me to peruse and I turned the first one to face me to find it was my first contract, signed by me in a sloppy fashion. “This takes me back a couple of years.”
“Slick bastard thought he could get away on a forklift but you showed him! Certainly more exciting than my first day!”
“Mm-hmm. And it was when I nearly got impaled that you had the idea to commission all of us utility vests.”
He chuckled, “I really should’ve done so sooner. Cuts and scratches were already a risk, but a forklift was a new one!”
I flipped through the pages of each report, finding that Marlig's notes were filled with praises of my work. There were highs and lows, but I was flattered to find that the grizzled krakotl held my performance in such high regard.
Flawless interception!” read one footnote about me catching a runner. “Couldn't have done it better myself!
Marlig waited patiently as I browsed quickly through each page, realizing more and more how the notes also marked improvements in my work. How I found it easier to talk down a rowdy client, or apprehend them in the case that they were beyond helping on my part. Flowery language plastered most pages with him fawning over my work as a doting father would to his prodigal child.
The trend took a sharp turn as the notes became fewer and more critical the closer the dates reached to the present. I brushed the others aside with a wing to peruse the final paper. “And this…”
“Is Tac. Your latest contract. The most recent in a line of declining performance since the interview. This has become a pattern, Hileen, and its consequences are beginning to reach beyond yourself. Paji and Vesek resigned recently for personal reasons, which leaves us even less hands on deck than before. That's four people to cover the entire municipal region, and maybe even beyond, should needs arise. Three, if we include this little probation I have you on.”
“What was I supposed to do? Marlig, these ‘jobs’ you've got us working on overstep the contracts we were signed on with. Our job is to make sure people obey their court-mandated duties, not drag them off to the facilities ourselves!”
“... So the trip we took to the facilities did bother you.”
A sigh clicked in my throat as he reminded me. “Is that what happens to the people we take in, Marlig? Is that what would've happened to your wife?”
His feathers ruffled.
“That's what happens to those who are too dangerous to the general public to be left roaming free. Not everyone we deal with winds up there, but everyone can be subject to it. Miskela sued for her exoneration and proved in court that she was not diseased. I brought you there to show you how it helps the people, but I see now that it was a mistake. I understand why you were so perturbed, really, but it's how things have been for centuries. It's how we've protected ourselves from the dangers out there.”
“You were willing to let Barsul be interned there, too.”
Marlig flinched and sighed as he swept the papers towards himself once I'd signaled I was done. He turned one eye to me while he sorted them.
“There's no room for favoritism, girl. I negotiated for him to be allowed to walk free, and look where that got me. That boy - your neighbor - suffered the consequences of my nepotism. So too would the girl, had nobody intervened.”
“Like Richard.”
“The human, yes. Or you. Or the police. Where does this sudden obsession with humans come from, anyway? I get notifications of you talking about the acceptance of them all the time on forums.”
“Does it even need explaining?”
“Well, I guess not, no, but it's certainly an about-face from the way you used to talk about them with me beforehand.”
“People can change, for better or worse. Which one I fall under remains to be seen.”
Marlig stroked at the plumage on his neck as he finished his sorting. “I hope it's the former, for your sake. Was there any reason you came to talk, or were you just checking that I hadn't gone senile?”
“Well, I was hoping to borrow your secretary for the evening.”
He perked up while his eyes narrowed and he laced his fingers together with curiosity. “You… want to spend an evening with Nampi?”
“It's not what you're insinuating, but yes.”
“I was insinuating nothing,” he warbled coyly. “Go ahead and take her, and make sure to split the bill at dinner.”
“Pain-in-the-ass geezer. I'll keep in touch if your friend causes any more trouble.”
“Keep in touch regardless. Miskela and I get lonely in our old age,” he called back. “Take care.”
I stepped out into the hallway and turned toward the desk where I could hear the secretary's claws tapping furtively at her keyboard. Nampi sat silently with her ears and tail in a relaxed position that implied a bored demeanor. There was barely any response as I stood before her, waiting politely for her acknowledgment that never came.
Hesitantly, I cleared my throat.
An ear raised in acknowledgement, but her focus remained on the screen of her computer. “Mhm?”
“Do you…?”
Her ear rotated toward me, though she still maintained a passive attitude as she continued to glare mindlessly at the monitor.
“Are you free this evening?”
“Well, I'm quite booked, I believe. Why do you ask?”
I was surprised at her curt, dry tone. She hadn't spoken with me like this since we first got to know one another.
“Well,” I started. “I realized something. Every time we went out, whether it was clubbing, or dinner, or even walking around the parks, you always footed the bill. And so…”
Slowly, her other ear perked up and I saw her keystrokes slow down as she listened in.
“I wanted to return the favor?”
Her lips smacked as she opened her mouth, though paused before she spoke. “How could you possibly do that?”
“With a little gesture of friendship.”
Nampi's horizontal pupil turned up toward me and her tail twitched.
I continued, “So that belt you're wearing? It's the same belt you've worn since we first met. And I know you're the pragmatic type who'd never spend a credit more than she needs to, except for all the times you do"- her ears twitched in indignance -"I wanted to see about getting you a little something… extra?”
Her paws raised from the keyboard and she leaned in, resting her snout on her palms. “Go on.”
The bubbly venlil's tail sold out her collected facade as it twitched with anticipation. She was cornered and she didn't even know it yet.
“Well, I found just the place on the other side of town where we can start. It's a place almost as rich and indulgent as yourself.”
“The Platinum Paw? I mean3”
Her ears folded back in embarrassment as she cracked. She wasn't cut out for acting anyway.
“So that's what it's called! Jeez, I couldn't for the life of me figure out what it was called. Now what do you say? We go over there and find you something nice—”
I hadn’t even finished my thought before Nampi had grabbed her bag and was out the door, giving me a playful tail flick that said come and get me.

The place I suggested was in a shopping center on the opposite side of town, though easily accessible because of its proximity to the transport rails. Nampi had insisted on grabbing something to eat beforehand and so now gleefully bit into a bundle of stalks that had been “grilled” as explained from the food truck we'd stopped at.
Her tail flicked back and forth with her usual enthusiasm as we entered the massive complex of stores. The roofless plan allowed the natural, orange sun to flood the upper levels while artificial lighting illuminated the ground level wherever the light couldn't reach.
The place was built in the last decade by the previous City Magister in a bid for popularity, though ultimately for naught as he would lose the vote following a scandal involving an iftali priestess and a carved bar of soap. I had to say that despite being sick in the head, he sure had a great sense of decor.
Nampi snacked away, joining me in admiring the scenery as we continued to the place I’d planned out for us. Aimless chatter all melded together into a single, thrumming murmur as pedestrians navigated the many levels and stores offered in the place.
A troupe of children passed by us, held in a chain of tails and arms as they were escorted by a pair of venlil who I assumed were students and teachers on a school trip. I caught a whiff of a sweet, aromatic breeze and found it to come from a perfume shop on the same level as us; naturally, venlil were not to be found inside.
We passed a fountain where a couple sat on the edge, their tails twined together as they giggled and flirted. I turned and caught Nampi watching them as well, though she awkwardly returned to sucking the remains of her meal from her claws when we made eye contact. Her ears lifted when I raised a wing to signal to the store we were going to stop at first.
Platinum Paw, The Greatest Fashion Emporium For Everyone!
The title alone was painfully cliche, taken to the tenth power by the brightly lit store taking up three department slots. Despite the flashy exterior, though, it was the best place to shop for belts, brooches, and bracelets alike. Customers who looked like they earned my yearly salary in a week browsed the higher end brands while I brought my friend to the section I wanted to show her.
Her ears were held up as we stood together next to a shelf chock full of fashionable bags and bandoliers of every variety.
“Pick one,” I told her.
Nampi's ears shot to a straight pose in surprise, “Any?”
“Within reason. I've got a few extra credits to blow and I know nobody better to spend it on.”
With an inviting headtilt, I let Nampi peruse the shelves at her leisure. Her lips pursed together and her tail flicked with glee as she fingered at every piece that caught her eye. I chuckled at her outburst of enthusiasm while turning to find my own items to gloss over.
A breeze from outside nipped at my beak while I considered what I’d like to purchase. The place dripped with an atmosphere of faux hospitality, from the bright blue-stained floorboards to the radio prattling off advertisements in a sickeningly sweet tone to the faint, fruity aroma of scented cleaner. It was oppressive as only a fissan-owned company could be to the senses.
What I wouldn’t pay to see how a human would fare in such an environment.
I knew they were social creatures at least, but I had no doubt that the predatory senses of a human, so honed to hunting, would get overstimulated in this center of gaudy indulgence. Knowing I was something of a predator myself made me sympathize provided that even I had to squint to keep the pale lights inside from searing my eyes. I could only imagine how the arboreal eyes of a Terran would fare. I was so lost in thought imagining how lost the Terrans would be that I could almost ignore the obnoxious giggling and metallic rattling coming from behind me.
Risking a peek at the source, into my sight came a pair of venlil, one a male carrying a pair of bags as well as a couple more strapped to his belt. The bored expression in his eyes was not one of a man who was in high spirits. The other venlil was a woman who was the source of the noise.
Her mottled gray pelt was accented by a tasteful belt design, free of almost any practical functions but not flashy or excessive in garnishment either. At least, that’s what I would say, were it not for the braid of beads that dangled on the belt, jingling with each bounce of the lively woman’s stride. It was clear that such a gaudy accessory was intended to draw attention to her, though why was a mystery. Certainly, the shiny braids seemed designed as decoration first and practical second.
She turned about and I faced back to my browsing before she could catch me staring. Nampi was nowhere in sight, though I figured she was somewhere behind the shelf, sifting through every accessory on the section I'd suggested.
Clink.
Something pelted to my immediate right. I tilted my head to spot a tree nut shell clattering to the floor. Without being able to guess where it came from, I had to wonder what could've launched it over this way. Even with my keen eyesight, nobody in the crowd seemed to be a suspect.
Clink.
Another shell pelted my vicinity, ricocheting off of the floor and hitting the shelf I was standing next to. I ruffled my feathers in frustration - clearly, someone was trying to get my attention, though I couldn't make out who it was. Out of the corner of my vision, the woman from before eyed me curiously as I looked about, though I wasn't interested in engaging with her.
Thwack.
One more shell came flying and, unfortunately, the aim on this one was true, nailing me on the beak. Irritated, I stormed out of the store to find the source of the instigator. I scanned over the bodies to find anyone who could've been responsible for this indignity, eventually concluding that it came from the dining area across the walkway.
Whoever was responsible was in for an earful and I was already structuring which of the offender's family members would be acceptable as fodder for stray words. As I approached, I found the tables were mostly empty save for one, which made my heart begin to drop as I met eyes with the only occupant. Suddenly, I was much less inclined to hurl insults.
“Oh, hi there!” Qitel called out in a sickly sweet tone. “Come, take a seat! We have much to discuss!”
The Exterminator clutched a bag of tree nuts in his claws, a pile of discarded shells already gathered on the table next to him. He grabbed another as I approached, effortlessly prying the shell in half between two claws and tossed the contents into his mouth. “Good protein, these,” he commented as I sat down.
“Must be for that good arm you've got there,” I mumbled. I caught sight of a couple of bags beneath his chair, seemingly from one of the tech stores contained within the center.
“Bah, it's guesswork. So how are you? I haven't heard from you since we worked together!”
“I was just spending time with a friend, shopping and enjoying my time off.”
“Your time off? Oh, am I interrupting something?”
His snide tone irked me, though now wasn’t the time for interjections. “You are, Qitel,” I replied with no shortage of vitriol in my tone. “But I see no harm in chatting for a bit.”
“Good, because I have some merchandise”- he reached into his belt pocket and deposited a couple of items onto the table -“and you’re just the person to look into it, human sympathizer.”
I drew a terse breath in shock, but my worries were quelled when I considered that if Qitel had the power to do anything about it, he would’ve done so instead of approaching me so discreetly. A glance down at the item on the table showed that he was presenting what looked to be a tracker as well as a personal drive. “Found in the garbage,” he told me.
“The guild resorts to dumpster diving when they already have such a bloated budget now?”
“No, featherbrain, I have decided to keep this for myself. These items were found together, sealed in a plastic pouch, and placed in a garbage bin. The city has bans against electronics being placed into public bins, and so I was curious why this wound up in there. Managed to get my coworker, a techie, to crack it open and…”
Qitel reached into his belt again, glowering at me with the same condescending gaze he’d given me when I first saw his face. He seemed to revel in digging for the item as slowly as possible to waste my time. Finally, he found whatever he was looking for and revealed it as a printed piece of paper, folded into eighths. The snobby yotul threw the unfurled paper on the table and rolled it toward me.
I craned my neck to look at the parchment, though I was immediately perplexed by the text on it; it appeared to be some sort of form, going by the boxes with words on the inside, followed by blank lines. “Found on the drive, here,” Qitel told me, jabbing a claw to the storage. “Translator shows it as Terran writing.”
Drawing my holopad from my satchel, I held it over the paper with the translator to get an understanding. Surely enough, the language on it came up positive as a variant of Terran writing and I was affirmed in it being a form of some sort based on the wording of the text. The boxes seemed like an odd sort of job application, asking for the typical name, contacts, and prior work experiences, but quickly took a strange turn as it began asking for where their home on Earth was prior to arrival, what family they had on Venlil Prime if any, and where they worked, implying that they were seeking individuals who were already employed.
I knew little about human employment methods, but I didn’t imagine that sourcing individuals from other jobs was the most efficient way to gain a workforce. Terran service industries already dotted the planet while many humans also found work in local environments. So what was the angle that the creator of this application was going for?
Most concerningly was that the paper had no insignia, identifying marks, or noted address to return the form to. “And where did you find it again?”
“In the garbage, alongside this intact tracker that was activated at the time of recovery. Y’know, when I was dumpster diving. Text on the document showed it was addressed to one ‘Choctaw Nexus’.”
“A pseudonym of some sort?”
“Clearly. Short sorting through the archives shows the first name traces back to the group out east - perhaps you've heard about them. How the name and the items we have here are connected is beyond my understanding, but-”
“Well, this has been an absolutely riveting discussion about your collection of trash, Qitel,” I told him as I stood up to leave. “But this really sounds like an issue to be resolved by your fellow guildsmen.”
The sound of another shell splitting rang out as I turned away.
“I'm not through talking with you, predator.”
The sting as a piece nailed me in the back of the head prompted me to whirl back around, sticking my beak in the insolent yotul's snout. “Perhaps you've forgotten, little man,” I cooed in an equally bittersweet tone to the one he gave me before. “The krakotl never had a problem with settling issues the old-fashioned way before the interview. Try me and find out why I'm in the line of work I am.”
“Oh, we wouldn't want that in such a"- he waved his paw to a group of passersby who had stopped to gawk at my display -”public forum. Please, contain yourself.”
I had to force the feathers on my back to settle and I raised my head away from him. “What else is it you wanted, then?”
“Well, I'd appreciate if you took this merchandise off my paws,” he told me as he brushed the electronics and printout toward me.
“Why would I do that?”
“Because you're closer to the humans than I'd ever care to be, and may be able to find out who this Choctaw Nexus is. Something about the package just feels… off. And I know when to trust my feelings. Besides, we both know that you know where Tac is, don't we?”
“I don't-”
“We have videographic evidence that you conspired with a human - of the aforementioned squatters, no less - and let the kid escape. You're not as sneaky as you think, and if we find this ‘Choctaw Nexus’ turns out to be a bad actor that can be traced back to them - and by extension, you - well, there’d be no talking down my boss from having you dealt with. By helping me find out who this is, you may yet be able to clear your name of any wrongdoing.”
I clenched my beak tightly to maintain a straight face. Qitel stood up with a flourish and discarded the bag he was carrying in a bin.
“See, the krakotl were never special for using threats and bullying to get results. It's because you were good at killing predators,” he jeered. “Now, if you don't mind, this primitive has appointments to attend to… old lady who got trampled courtesy of the humans and all. You stay out of trouble, Hileen, and stay in touch.”
The self-assured marsupial melded into the crowd in a matter of seconds, leaving me with a table containing dumpster trophies and a pile of shells. Reluctantly, I swept the shells into my wing and dumped them into the bin before gathering the other two items he'd left me and stuffing them into my bag. I'd been gone from Nampi long enough and she would notice my absence before long.
Crossing the walkway again, I could spot from where I stood that Nampi was indeed still in the Platinum Paw. I approached, and soon I found that while she didn't seem to have noticed me stepping away, she was definitely in a soured mood based on the sagging of her ears and tail. With my talons clacking on the floorboards, I hustled to her side and her mood chippered up ever so slightly as she heard me approach.
I chimed in, “Find anything?”
“Everything. I want everything, Red, and I can't decide on what I want. They all just look so great!”
From behind, a voice called out, “Nampi!”
We both jumped at the exclamation and turned about to spot the venlil lady I'd seen before spring from behind the shelf. The man poked his head from behind the shelf too, though less enthusiastically and with yet another bag in his clutches. My friend's eyes widened in surprise with her tail and ears perking up in kind. With a light in her eyes, she exclaimed, “Nalek!”
The two embraced with shrill squeals and laughter as Nalek's accompaniment and I traded awkward glances.
“It's been too long!”
“You never stayed in contact!”
The women exchanged giddy greetings and the pompous stranger turned to me, leering over me as though she was sizing me up.
“Who's your friend here?”
“Oh she's actually my-...”
Nampi paused for a moment, looking back to me.
“Yeah, she's a friend.”
“A friend,” Nalek repeated while her eyes flicked between Nampi and I. “Right.”
Somehow, I get the impression that that was judgemental.
“I'm Hileen, by the way,” I chirped, “if names are to be exchanged.”
“Hileen, that's a lovely name! And such plumage to match, it's a wonder you aren't swarmed by suitors!”
Internally, I groaned at the notion. The idea of being approached by someone to state their interest in me made me queasy, to say the least. Thankfully, I never had that issue growing up as most of the other drakes in school were too busy chasing girls who didn't have a lousy pigmentation mutation such as myself.
“I'm flattered,” I told Nalek before turning to the man whose name had yet to be introduced. “May we get your name?”
“Sask.”
His response was succinct and tonally flat, though there was a brief silence as I expected him to elaborate. Nalek's beads jingled as she lashed him on the calf with her tail.
“I'm Sask, Nalek's fiancée,” he added, throwing her a look to see if she was satisfied.
Nampi gasped with her paws over her snout. “Fiancée! Nalek, you're getting married and you never even told me!”
“Well, I felt a little guilty since it technically broke our pact we made when we were pups. You remember that?”
“Of course! Why wouldn’t I? ‘Let she who bonds through betrothal first be cast out unto the world for all to admonish her!’
Sask and I both gave inquisitive expressions. “You two spoke like that as pups?” Sask asked.
“Well, I'm paraphrasing,” Nampi admitted with a playful ear waggle. “But you get the gist.”
“Indeed, they do, sweet Nampi. Now, may I ask what you're doing bringing your avian friend here into this store on this fine claw?”
“Oh, no no, she's the one treating me! Isn't that right, Red?”
I saw her tail twitch and was sure it took restraint not to tickle my neck with it as we stood before her old friend.
“She's been a good friend,” I explained. “So I wanted to reverse the roles for once and treat her to something myself.”
Nampi skipped over to me and wrapped her arm around me, glancing back to her old friend. “See? We'd all be so lucky to have a… friend like her.”
“So I've witnessed. But perhaps you're a bit stuck, as I've seen you prancing up and down these aisles for a while, no? Maybe you don't know what you want?”
“Nalek, you know I've never been good about making my mind up.”
“Some things never change, you ditz. Tell you what: you and Sask go find us a seat and we can catch up all we'd like when we're not taking up aisle space, yes? So shoo! I'll help Hileen here pick one out for you!”
With a bored grunt, Sask made off with the goods he had strapped to himself, followed by Nampi who gave me one more playful tail flick before dashing off into the crowd. I looked back to the mottled snout of Nalek who watched her friend wander off with a wistful glance.
“She was my first, you know.”
“Your what now.”
“Love. Way back when we were growing from pups into young adults back in private education, we explored much together. We saw each other through a lot, including the less savory parts of finding a mate. When Nampi realized it wasn't the boys she was into, she turned to me, and I offered my hand as her stalwart companion… to a point.”
“You weren't interested in her the same way?”
“I'd grown up seeing her as a sister of sorts, so ultimately, when we split it off, we stayed close as friends and she never seemed to be bothered by it. She struggled to find others in school who had the same interests as herself, but she never fussed about it.”
Nalek's claws browsed over a set of pouched bandoliers made with intricate embroidering. “Have you two… spent the night together? Alone?”
Spiritually, I reeled from the inquiry. The whiplash from that question was equitable to being smacked by a human. “Wha- why? How's that pertinent to the subject at hand?”
“That sounds like a ‘yes’ to me,” she purred with a smug glance my way.
I didn't need to begin to list the different ways such a question was violating to our privacy, and yet this woman was treating it like a game.
“Not really your concern, ma'am.”
Nalek chuckled as she picked out one of the bandoliers and inspected it with her claws. “I'd like to think that she and I still have that old connection, despite everything. And to that end, I know that she's no slag and doesn't trust easy. To see her be so vulnerable around you and to talk so highly of someone who's clearly below her income level as a predator…”
She stretched the bandolier out to appreciate the design in its entirety.
“Well, that's something special. Here"- she foisted the accessory into my wings as I stood gobsmacked -"this just screams her name.”
“This is, like, double my budget.”
“Love don't come cheap, darling. You wanna see good things happen, sometimes you've gotta step out of your comfort zone and grasp for it!”
“I'm being lectured by a rich woman on finances.”
“It's a philosophy that goes beyond money, ‘Red.’ The humans have a saying, in their horrendously predatory nomenclature, that contains a kernel of truth: ‘you miss every shot you don't take’.”
Yep, that's definitely a human phrase.
Nalek's steely braid rattled with every flick of the tail as we proceeded through the checkout.
“You want things to change between you and her?” she continued. “Don't just wait for it to happen.”
She let the conversation rest there as we finished the purchase, possibly to let me recuperate mentally from the damage done to my account. Outside, we found our respective partners sitting at a table with Sask looking up in boredom as Nampi chatted away, though she immediately shut up and turned to me with excited flicks of her tail as she saw what I was carrying.
I held it toward her and she happily shot to her feet, effortlessly removing the tags with her claws and clipping it to her belt. Nalek clapped and waggled her tail as the giddy lady did a whirl about to let us admire the accessory. While I'd have preferred one with pockets to give it a more practical use, I decided to let Nalek have the victory as our mutual friend clearly enjoyed it.
The rest of the paw was a blur as the two friends chatted without end until Sask eventually reminded his betrothed that they had a schedule to attend to. Though Nalek offered to call us a taxi home as a gesture of kindness, I saw through her ruse to determine that she was trying to pull a fast one on me - the clever ear flick she gave as we boarded the automated vehicle sold it for me.
We sat in the seats as the vehicle took the express ride home.
Nampi cleared her throat before she spoke, “Thank you for taking some time to spend with me, I know you've had a lot less free time as of late.”
“It's a prison of my own design, if I must be honest. A feedback loop of working a job that doesn't guarantee a paycheck to pay for rent that keeps going up, and thus needing to work more.”
The venlil giggled and chided me, “You really should've stayed in university.”
“There's a lotta 'should haves’ that've led me to this point. No use wondering what could have been.”
“There's always a use for wondering what could have been, Hileen.”
She wrapped an arm around my shoulder.
“Every decision I make, I always wonder what I could've done differently that it'd have turned out better,” she explained as she waved her free paw to the sky. “It's how you grow as a person, Red.”
Her silky pelt felt heavenly in contrast to the chilly air from outside, making it hard to let her words sink in.
“You rich types seem chock full of philosophy. I wonder if I'll become a brooding orator when I get some cash to my name.”
The cab filled with laughter as we veered around the final corner to my neighborhood, as it was the closest stop. The door popped open accompanied by a chime from the drone, signaling for me to depart.
But before my talons could even hit the pavement, I felt Nampi's scrawny arms wrap around my waist and she let out a pitiful mewl again.
“You don't need to get off here,” she told me with a pouty expression. “We can spend the rest of the paw at my place.”
“I'd love it, but I need to water my plants and get the month's bills sorted before they're due. Again.”
One claw at a time, I plucked her paws from around my waist and the childish venlil conceded, giving me another ear waggle as I departed. “I'll see you tomorrow?” I asked her.
“If you still have eyes by then, then you can bet your ass!”
“I still don't gamble.”
“You'll come around to it eventually.”
I shut the door to the taxi and watched as it carted away the one venlil who I ever truly felt on the same wavelength as. Fiddling with the lock felt like more of a chore than usual at this time as I felt a little voice tugging at the back of my head.
You miss every shot you don't take.”
The lock felt jammed as I began to jiggle it more vigorously with the electric key. Either the RFID or NFC readers were messed up, as the lock refused to accept my key. I looked up and down the street, though Nampi was now long gone for me to rescind my earlier rejection.
Every decision I make, I wonder what I could've done differently.
The door rattled as I grew more and more infuriated with the lock. Qitel's smug expression as he threatened me so boldly in public played back in my head, and I wondered what would've happened had I decided to go through with insulting his mother. Better yet, I wondered what could've been had I not backed down in the face of his unflinching confidence.
Bzzt. The lock rejected my key again.
Raagh! You fucking useless hunk of junk!
I squawked in anger and kicked against the door, careless of the consequences of having Markol back down here to admonish another of his tenants for causing a ruckus. The walls were surprisingly sturdy for how ineffective the venlil architecture looked on the surface and I reeled back in pain as my leg throbbed.
Click.
I looked to my left to see that it wasn't my door that came open, but that of the twins. The door cracked open ever so slightly, no doubt nudged by the force of my tirade and I sighed. Nobody was expected to be home at this time, with Vili being away and Luka leaving early to get a head start.
Luka had been given a stern talking-to by the landlord for allowing one of those cats into his apartment through neglect, and I was disappointed that he seemed to have not learned his lesson this time. In fact, it seemed he hadn't even thought to lock the door this time.
I took it upon myself to shut the door for him before turning back to my own apartment door. Grasping the key with one talon, I turned it ever so gently, though the lock still refused to give in.
With a bit more force, the torsion applied to the key felt as though it should've snapped it by now. Markol sure didn't waste any expense for the security for this place, doubtlessly as a result of his history in electronic security, but I wished now that he had provided a way in that didn't rely on privately sourced locks.
Considering my options as I stood trapped outside, I realized that I had never gotten around to paying for a new lock for Tadi. I'd considered contacting her to inform her that Tac had made it out of town safely, but that'd involve also telling her that her son was now in the care of humans, as if that was a better outcome to her.
Stepping out front, I realized that there was one more option I hadn't considered: my window. I usually forgot to lock it after I was through letting air circulate and I was silently grateful to myself for this absentmindedness now more than ever. Sticking a foot on the threshold, I lifted myself in a way that'd allow me to have leverage to force the window open.
The window made me fight for every inch, but I felt a strange satisfaction as it slowly opened up into an entrance that I could squeeze my way through. I let out a sigh as my talons clicked against the cool floor and slid the window shut.
I laid my satchel on the couch and turned back to the door, ready to unleash my fury on the disobedient object. But as I reached for the lock to manually open the door, I noted that the lights on the RFID interface both flashed at once, blinking erratically. Red and green flickered without rhyme or reason, indicating that it was both active and inactive.
As pretty as the colors were, I now knew that Markol's locks were not as reliable as he had touted them about: typically, such would not occur unless the device was damaged deliberately, and yet nothing indicated that I'd had uninvited guests. One could pray that those cats didn't secretly know how to cobble together an ECM jammer, but my personal wager was on faulty equipment.
Settling in, I browsed my favorite soaps on the television. For what was intended to be a day of relaxation and show of affection for a friend, I found myself rather wound up over all the things that added up. Couples threw around flowery words and swooned over one another on screen as I felt the tension diffuse. My holopad rang and I turned it over to spot that Nampi was informing me that she'd arrived home safely.
>>> Feels empty here, all alone.
She made sure to drive the point home with a sticker of a venlil making a pouty expression.
Next time, I thought to myself, I'll get it right for you, Nampi.
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