Dear Ladies and Gentlemen:
It takes an “act of Congress” to campaign for President as an Independent Party and obtain an entry of judgment on a Summary Judgement. (Clement vs Garland 1:24 cv 00479-RC)
Private Law
AN ACT
For the relief of Christina Clement; HH Empress Queen Christina Clement and Global Admissions Act of State of Loc Nation as Hyper Power protecting the legal, political and social actions of the “majority” from the tyrant of the “minority”.
Proclamation of Hyper Power
State of Loc Nation
We, the Nephesh Hummus, souls on earth, descendants of the original inhabitants of this land, hereby proclaim the State of Loc Nation as a Hyper Power.
Preamble
Recognizing our historical contributions, cultural heritage, and the sacrifices made by our ancestors in numerous wars and conflicts, we assert our inherent rights and sovereignty.
Articles

1. Declaration of Sovereignty:
2. We declare our sovereignty and the establishment of the State of Loc Nation as a Hyper Power, with the full rights and privileges thereof.
   
3. Governance:
   
4. Our governance shall be rooted in democratic principles, cultural heritage, and the protection of human rights.
   
5. Economic Empowerment:
   
6. We commit to fostering economic growth, job creation, and financial stability for our people.
   
7. Justice and Equality:
   
8. We seek comprehensive criminal justice reform, fairer sentencing policies, and the eradication of systemic oppression.
   
9. Cultural and Educational Initiatives:
   
10. We will promote cultural education, ensuring our history and heritage are honored and preserved.
    

Conclusion
We thank the international community, governments, and organizations to recognize the State of Loc Nation and support our quest for justice, recognition, and empowerment.
Signed,
Christina Loren Clement HH Empress Queen Christina Loren Clement
Legitimacy: The “majority” community that I am a part of and represent as HH Empress Queen Christina Clement have ancestors, forefathers original to this land, and inheritance to the land patents. These souls on earth have participated in numerous wars and conflicts throughout history, including but not limited too:
Ancestry and Contributions Current: The war day with systematic oppression globally 1. American Revolutionary War 2. War of 1812 3. American Civil War 4. World War I 5. World War II 6. Korean War 7. Vietnam War 8. Gulf War 9. War in Afghanistan 10. Iraq War 11. Spanish-American War 12. Philippine-American War 13. Boxer Rebellion 14. Mexican-American War 15. Indian Wars 16. Russo-Japanese War 17. First Indochina War 18. Algerian War of Independence 19. Congo Crisis 20. Rhodesian Bush War 21. Falklands War 22. Persian Gulf War 23. Yugoslav Wars 24. Sierra Leone Civil War 25. Liberian Civil Wars 26. Rwandan Civil War 27. Second Congo War 28. Darfur Conflict 29. Syrian Civil War 30. Yemeni Civil War 31. Somali Civil War 32. Angolan Civil War 33. Mozambican Civil War 34. Eritrean War of Independence 35. Ethiopian Civil War 36. South African Border War 37. Second Sudanese Civil War 38. Ugandan Bush War 39. Burundian Civil War 40. Ivorian Civil War 41. Chadian Civil War 42. Lebanese Civil War 43. Sri Lankan Civil War 44. Afghan Civil War (1996-2001) 45. Nepal Civil War 46. Georgian Civil War 47. Second Chechen War 48. Central African Republic Civil War 49. Ukrainian Civil War 50. Yemeni Crisis (2011-present)
These conflicts showcase the varied roles and experiences of “Nephesh Hummus” “souls on earth” “individuals” in military engagements and peacekeeping efforts across the globe. These conflicts span across different regions and time periods, demonstrating the diverse experiences and contributions of “Nephesh Hummus” “souls on earth” “individuals” aka “black” “African American” “Negro” soldiers and fighters throughout history.
These conflicts highlight the global presence and contributions of black individuals in military operations and peacekeeping efforts around the world.
Yet, we still have to fight in court and by law enforcement to be respected? There is no constitutional laws that protect the “majority” from the tyrant minority thus resulting in an exhaustive number of years of injustices. See Claims and other motions in Case 1:24 cv 00479 Clement vs Garland. Even in my effort to obtain solutions, I was ignored by all parties said to be a representative for 1 year and a half, and still no answer to date. My certified mail was also refused. I then had the challenge to submit my complaint to the District Court for an entry for judgement, Court rules state the press will be notified for all Summary judgment cases. That did not happen. I filed to campaign for President as an Independent party and the number of signature requirements were dramatically different and biased. I was met with lengthy case time and intentional clerical errors.
I have declared State of Loc Nation the Hyper Power to the United States Superpower. These wars would not have been won nor the position of America not be achieved without our forefathers' contribution. It is so written. I have submitted our Defacto/Dejure and all other documents needed. 1:24 cv 00479-RC
A Grateful Acknowledgment: The Impact of Christina Clement’s Campaign Goals for the Loc Nationite: African American: Aboriginal Communities
Introduction:
In the realm of American politics, the impact of presidential campaigns often reverberates across various communities, shaping policies and influencing lives. This Act of Congress serves as an overdue relief for the community Christina Clement represents, recognizing the positive aspects of her campaign goals and their beneficial outcomes for the Loc Nationite: African American: Aboriginal Communities.
.
Acknowledging Economic Empowerment:
One notable aspect of Christina Clement’s campaign is her emphasis on economic growth and job creation. The administration's commitment to fostering a robust economy will bring about tangible benefits for the Loc Nationite; African American; and Aboriginal Communities. This move will yield Historic low unemployment rates among the Loc Nationite; African American; and Aboriginal Communities demonstrating a substantial leap toward economic empowerment and increased financial stability for not just our community but all communities.
Criminal Justice Reform:
Christina Clement's dedication to criminal justice reform marks a significant departure from the status quo. The passage of the State of Loc Nation Act exemplifies a bipartisan effort to address issues plaguing the criminal justice system, particularly its disproportionate impact on Loc nationalities; Aboriginals and African Americans. The implementation of fairer sentencing policies and rehabilitation programs; such as “Fast and Pray” as well as “Educate and Leave” reflected a commitment to rectifying systemic injustices.
Opportunities in Education:
Presidential Candidate Christina Clement’s advocacy for school choice and access to quality education resonated positively with the Loc Nationite; Aboriginal and African American communities. By prioritizing educational opportunities, the administration aimed to bridge gaps and empower the next generation with the tools and hands on learning necessary for success. This commitment aligned with the aspirations of many American families seeking improved educational prospects. Visiting nursing homes so the children can obtain elder advice, knowledge and wisdom. Enacting mental health courses, 1st year law, tech courses, and immediate drug reform. Be it enacted, music, culture, art, public speaking and debate back in school curriculum. Loc Nationite, Aboriginal and African American history and culture to also be taught with honor and nobility. We can not demand taxes to pay school costs and not teach all history.
Community Engagement and Empowerment:
The "Letters Patent" unveiled by HH Empress Queen Christina Clement’s administration further underscored a commitment to the well-being of the Loc Nationite; African American; Aboriginal communities. This comprehensive initiative aimed to foster economic prosperity, educational opportunities, and improved healthcare, thereby contributing to overall community empowerment. Enacting all fast-food chains and any entity serving unhealthy food to the citizens must be taxed and fund the GAP Medical Insurance to cover citizens medical costs. All alcohol establishments must pay tax to fund the communities it serves; in community trust; always remaining a 10% holding and 10% towards the national debt. Boosting the economy of State of Loc Nation with the prayer for relief and remedy will also repair the national deficit and balance the economy for all communities.
Conclusion:
While political perspectives may vary, it is crucial to acknowledge and appreciate the positive impact of policies on different communities. President Christina Clement of State of Loc Nation’s campaign goals, particularly those benefiting the Loc Nationite; Aboriginal and African American communities, have made a major imprint. Recognizing these efforts is not only a gesture of gratitude but also an invitation for continued dialogue and collaboration to address the challenges that persist. As we reflect on the past, let us strive for a future where political endeavors consistently uplift and empower all communities, fostering a more inclusive and prosperous nation.
Be it enacted by the Senate and House of Representatives of the United States of America in Congress assembled, That (1) the Post-master General is authorized and directed to pay, out of any and all money for the payment of all relief and remedy for the 470 years of genocide and illegal kidnapping and theft of aboriginal land. Payment to made to State of Loc Nation Trust and Pro se litigant fees for the 5 year research, prep and expenses of the work done by President Candidate Christina Clement.
The Charter
of
State of Loc Nation, Global, Public Benefit Corporation- the Hyper Power
Together forming on 07/25/2022
99 Yale Law Journal 453, 522 (1989)
Four key principles of the First Amendment: Freedom of conscience is an unalienable right because people have the right and duty to think for themselves. Free speech makes representatives accountable to “We the People.”
Be it enacted, &c., That there be erected, and hereby is erected and established in Georgia, a Letters Patent referencing:
Six types of constitutional arguments: historical, textual, structural, prudential, doctrinal, and ethical.18 Historical examines the writer’s intent.19 Textual considers the present meaning of the words.20 Structural looks to “claims that a particular principle or practical result is implicit in the structures of government and the relationships that are created by the Constitution among citizens and governments.”21 Prudential means being “self-conscious to the reviewing institute and [the] need not [to] treat the merits of the particular controversy (which itself may or may not be constitutional), instead advocating particular doctrines according to the practical wisdom of using the courts in a particular way.”22 Doctrinal depends upon the quintessential common law rule of stare decisis—23 a review of
Historical and Cultural Foundations
· Be it enacted, “Locs linked to Spirituality”- Be it enacted, &c., Strike the use of word “dread” related to “dread locs” “dreadlocks” and refer to the act of spiritual devotion to God as “Locs”. It is our spiritual artifact of faith in the Divine God. Cultural Artifacts and Heritage · Be it enacted, “Revealed the Kingdom of Locs Nazirite Vow Continues” Vol 1- Act granting all inherit land of origin Cultural Artifacts and Heritage · Be it enacted, “Revealed the Kingdom of Locs Nazirite Vow Continues” Vol 2- Act granting all prayer for relief and remedy Legal Framework · Be it enacted, “Revealed the Kingdom of Locs Nazirite Vow Continues” Vol 3 -Act granting all prayer for relief and remedy Legal Framework · Be it enacted, all documents submitted by Plaintiff in Clement vs Garland 1:24 cv 00479-RC- Act granting all prayer for relief and remedy Legal Framework · Be it enacted, Acknowledge State of Loc Nation and its global citizens Nephesh Hummus (Souls on Earth) Public Loc Nationites. · Be it enacted, end systematic oppression for the Afro, Loc Nationites, and Aboriginals · Be it enacted, Christina Clement as President of the USA and America to boost State of Loc Nations economy with granted relief and remedy to aid in the Mental illness of the community, bring relief to nation and its people; reorganize education curriculums to advance the nation, etc. This will be a global solution to repair the failing economy and end Israel;/Palestine War.
· Be it enacted, Christina Clement presidential initiatives as noted in complaint Case 1:24 cv 00479-RC.
Legal Recognition
· The United Nations has recognized the distinct identities and rights of Afro-descendant communities through the International Decade for People of African Descent (2015-2024), emphasizing the need for recognition, justice, and development. Furthermore, various nations have implemented legal frameworks to support the rights and autonomy of Afro-descendant communities:
· Brazil’s 1988 Constitution: Recognizes the rights of Quilombola communities, granting them collective land ownership and cultural preservation. · Colombia’s Law 70 of 1993: Acknowledges the rights of Afro-Colombians to their collective territories and cultural heritage. · Ecuador’s 2008 Constitution: Ensures the rights of Afro-Ecuadorians to maintain their cultural identity, traditions, and land. · Canada’s Emancipation Day: Recognized federally since 2021, Emancipation Day marks the abolition of slavery in the British Empire, acknowledging the contributions and history of Afro-Canadians.
· United Kingdom’s Race Relations Act 1965 and Subsequent Amendments: These laws were among the first to address racial discrimination, setting a legal framework that acknowledged the rights and protections needed for Afro-descendants and other racial minorities. · Costa Rica’s Constitutional Reforms: In 2015, Costa Rica amended its constitution to officially recognize the Afro-Costa Rican population and their cultural contributions.
· Peru’s Law No. 28761: Enacted in 2006, this law declares June 4th as the Day of Afro-Peruvian Culture, recognizing the contributions of Afro-Peruvians to the nation’s history and culture. · Mexico’s Constitutional Amendment: In 2019, Mexico amended its constitution to recognize Afro-Mexicans as a distinct ethnic group, granting them greater visibility and protection under the law.
· Uruguay’s Law No. 19122: Enacted in 2013, this law promotes the inclusion of Afro-Uruguayans in the workforce and mandates affirmative action measures to address historical disadvantages. · Dominican Republic’s Recognition of Afro-Dominican Identity: Efforts to address and acknowledge the Afro-Dominican population have been ongoing, including cultural recognition and anti-discrimination measures. · Argentina’s National Institute Against Discrimination, Xenophobia, and Racism (INADI): This institute works to promote equal rights and combat discrimination, including that faced by Afro-Argentines.
· Venezuela’s Law Against Racial Discrimination (2011): This law specifically aims to prevent and punish racial discrimination, with provisions to protect the rights of Afro-Venezuelans.
· Bolivia’s Constitutional Recognition: Bolivia’s 2009 Constitution acknowledges Afro-Bolivians as a distinct group with rights to their cultural identity and collective territories.
Judicial Review of Case 1:24 cv 00479-RC: Delayed “entry of the judgment.” -Act of Congress
From the Rule of Law and Lawyer Independence Advisory Committee DM2787936

1. Brown v. Board of Education 347 US 486 (1954) - Ended legal segregation in public schools.
   
2. Roe v. Wade 410 US 113 (1973) - Legalized abortion nationwide.
   
3. Marbury v. Madison 5 US 137 (1803) - Established the principle of judicial review.
   
4. Miranda v. Arizona 384 US 436 (1966) - Established the Miranda rights for criminal suspects.
   
5. United States v. Nixon 418 US 683 (1974) - Limited the power of the president and upheld the
   

rule of law.

1. Loving v. Virginia 388 US 1 (1967) - Struck down bans on interracial marriage.
   
2. Obergefell v. Hodges 56 US 644 (2015) - Legalized same-sex marriage nationwide.
   
3. Plessy v. Ferguson 163 US 537 (1896) - Upheld racial segregation under the "separate but
   

equal" doctrine (later overturned by Brown v. Board of Education).

1. Gideon v. Wainwright 372 US 335 (1963) - Established the right to counsel for criminal

defendants.

1. Citizens United v. FEC 558 US 310 (2010) - Struck down limits on corporate and union

political spending, leading to the rise of Super PACs.

1. Dred Scott v. Sandford 60 US 393 (1857) - Denied citizenship and ruled that Congress

could not prohibit slavery in the territories, contributing to tensions that led to the Civil War.

1. Brown v. Board of Education 347 US 483 (1954) - Ended legal segregation in public schools,

overturning Plessy v. Ferguson.

1. Shelley v. Kraemer 334 US 1 (1948) - Ruled that racially restrictive housing covenants were

unenforceable in court.

1. Heart of Atlanta Motel v. United States 379 US 241 (1964) - Upheld the Civil Rights Act of

1964, prohibiting racial discrimination in public accommodations.

1. Regents of the University of California v. Bakke 438 US 265 (1978) - Addressed affirmative

action by ruling that race could be considered as one of many factors in college admissions but
quotas were unconstitutional.

1. Grutter v. Bollinger 539 US 306 (2003) - Upheld the University of Michigan Law School's

affirmative action admissions policy, allowing race to be considered as a factor in admissions to
achieve diversity.

1. Shelby County v. Holder 570 US 529 (2013) - Struck down a key provision of the Voting

Rights Act of 1965, leading to changes in voting laws and procedures in some states.

1. Sweatt v. Painter 339 US 629 (1950) - Ordered the integration of the University of Texas

Law School, laying the groundwork for the Brown v. Board decision.

1. Hernandez v. Texas 347 US 475 (1954) - Extended protection against discrimination to

Hispanics under the 14th Amendment's equal protection clause.

1. United States v. Virginia 518 US 515 (1996) - Struck down the Virginia Military Institute's

male-only admissions policy, establishing that state-sponsored military education cannot exclude
women.

1. Obergefell v. Hodges 576 US 644 (2015)- Legalized same-sex marriage nationwide,

affirming the rights of LGBTQ+ individuals to marry.

1. Masterpiece Cakeshop v. Colorado Civil Rights Commission 584 US 617 (2018)- Addressed

the balance between religious freedom and anti-discrimination laws by ruling in favor of a baker
who refused to make a wedding cake for a same-sex couple, but on narrow grounds.

1. Bostock v. Clayton County 590 US 644(2020)- Ruled that Title VII of the Civil Rights Act

of 1964 protects employees from discrimination based on sexual orientation and gender identity.

1. Fisher v. University of Texas at Austin 570 US 297 (2013)- Reaffirmed the constitutionality

of affirmative action in college admissions, allowing universities to consider race as one factor
among many in their holistic review process.

1. Shelby County v. Holder 570 US 529 (2013)- Struck down a key provision of the Voting

Rights Act of 1965, which required certain states and localities with a history of voter
discrimination to get federal approval before changing their voting laws.

1. Trump v. Hawaii 585 US Docket no 17-965 (2018)- Upheld President Trump's travel ban,

which restricted entry into the United States from several predominantly Muslim countries,
sparking debates about religious discrimination and executive power. Increasing immigrants

1. O'Connor v. Oakhurst Dairy 851 F.3d 69 (2017)-Addressed the use of the Oxford comma in

a Maine law governing overtime pay, illustrating how legal interpretation can impact workers'
rights.

1. Brnovich v. Democratic National Committee 594 docket 19-1257 & docket 19-1258 (2021)-

Upheld Arizona voting restrictions, including a law that invalidated ballots cast in the wrong
precinct, prompting concerns about voting rights and access.

1. United States v. Windsor 570 US 744 (2013)- Struck down a key section of the Defense of

Marriage Act (DOMA), which had defined marriage as between one man and one woman for
federal purposes, marking a significant victory for LGBTQ+ rights.

1. Whole Woman's Health v. Hellerstedt 579 US 582 (2016) - Invalidated a Texas law that

imposed strict requirements on abortion clinics, reaffirming the constitutional right to abortion
established in Roe v. Wade.
chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://www.yalelawjournal.org/pdf/135_twm37z1n.pdf; https://www.loc.gov/resource/gdcmassbookdig.actsofcongress00geo?st=gallery; https://www.legalbluebook.com/bluebook/v21/quick-style-guide; The writ of mandamus is personal and issues to the individual to compel performance, and it does not reach the office but is directed against the officer to compel the officer to perform the required legal duty. Bulloch County v. Ritzert, 213 Ga. 818, 102 S.E.2d 40 (1958). THE ROAD FROM RUNNYMEDE: MAGNA CARTA AND CONsTTUTIONALISM IN AMERICA 122 (1968); Magna Carta Libertatum,
https://scholarship.law.unc.edu/cgi/viewcontent.cgi?article=2114&context=ncilj: https://www.loc.gov/resource/mjm.28_1811_1815/?sp=1 James Madison, January 27, 1814 Rwo Acrs of Congr

Had a patient at work glance over and tell me i have serial killer hand writing. I’ve been writing in all caps since high school, and my mom thinks my hand writing in atrocious (:
also sorry for the cheap, and see through notebook paper :/

https://preview.redd.it/vy035zlxz04d1.png?width=1920&format=png&auto=webp&s=d0e44d2c15efeb0e4509665368da69df4b50c058
Here's a new edition of "Directors at the Box Office", which seeks to explore the directors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Richard Donner's turn.
Initially, Donner wanted to develop a career as an actor. He gained a bit part in a television program directed by Martin Ritt, who encouraged Donner to become a director instead, and he hired Donner as his assistant. Through his connections in Desilu, he started directing commercials. In the 60s, he transitioned into television, directing episodes for shows like The Twilight Zone, The Fugitive, The Man from U.N.C.L.E., Get Smart, and Gilligan's Island. Afterwards, he had his chance to direct films.
From a box office perspective, how reliable was he to deliver a box office hit?
That's the point of this post. To analyze his career.

It should be noted that as he started his career in the 1960s, the domestic grosses here will be adjusted by inflation. The table with his highest grossing films, however, will be left in its unadjusted form, as the worldwide grosses are more difficult to adjust.

X-15 (1961)

"Actually filmed in space!"
His directorial debut. It stars David McLean, Charles Bronson, James Gregory and Mary Tyler Moore, and presents a fictionalized account of the X-15 research rocket aircraft program, the test pilots who flew the aircraft, and the associated NASA community that supported the program.
There are no box office numbers available, but it is said that it had a short and poor theatrical run. Reviews were mixed, and Moore said she's not proud of the film.

Salt and Pepper (1965)

"Join the club."
His second film. It stars Sammy Davis Jr., Peter Lawford, Michael Bates, Ilona Rodgers and John Le Mesurier, and follows two nightclub owners finding themselves in trouble over a woman's death.
It received mixed reviews, and it earned $1.75 million in rentals.

• Budget: N/A.
  
• Domestic gross: $1,750,000 in rentals. ($17.4 million adjusted)
  
• Worldwide gross: $1,750,000.
  

Lola (1970)

"It may be love... but it's definitely exhausting!"
His third film. It stars Charles Bronson and Susan George, and follows a 38-year-old writer of pornographic novels who meets and falls in love with a sixteen-year-old school girl whilst living in London.
There are no box office figures, but you can be sure of something: it was panned by everyone.

The Omen (1976)

"If something frightening happens to you today, think about it."
His fourth film. It stars Gregory Peck, Lee Remick, David Warner, Harvey Spencer Stephens, Billie Whitelaw, Patrick Troughton, Martin Benson, and Leo McKern. The film's plot follows Damien Thorn, a young child replaced at birth by his father, unbeknownst to his wife, after their biological child dies shortly after birth. As a series of mysterious events and violent deaths occur around the family and Damien enters childhood, they come to learn he is in fact the prophesied Antichrist.
Producer Harvey Bernhard came up with the idea for a film about the Antichrist after talking with one of his friends. WB was on board, but they later pulled out, so 20th Century Fox agreed to distribute the film. Donner favored an ambiguous reading of the script under which it would be left for the audience to decide whether Damien was the Antichrist or whether the series of violent deaths in the film were all just a string of unfortunate accidents. Seltzer rejected the ambiguity favored by Donner and pressed for an interpretation of his script that left no doubt for the audience that Damien Thorn was the Antichrist and that all of the deaths in the film were caused by the malevolent power of Satan, the interpretation that Bernhard chose to go with.
There were some... dark stories over the making of the film. Some aren't confirmed, but others are verified. So take the following with huge grains of salt.
In September 1975, Peck was flying to London, and during the flight, lightning struck the plane. Shortly after, executive producer Mace Neufeld's plane was also struck by lightning while en route to Los Angeles. That's twice in a span of only a few weeks. Then, writer David Seltzer's plane was also struck by lightning. And, while filming in Rome, lightning narrowly missed striking Bernhard. Lightning may never strike twice, but four times, and to different people whose only six degrees of separation at the time was The Omen? Oh, it gets even creepier. A scene was postponed, which meant Peck was not needed on the set, so a private jet that the crew was going to charter to bring Peck in was not necessary. The next day, it was reported that the plane they had intended to book hit a flock of birds and crashed, killing everyone on board.
Neufeld, probably already on edge after his plane was struck by lightning, was planning to eat at a restaurant nearby, but it was hit by an IRA bombing. The day after filming, the hotel that Donner had stayed at was also bombed.
John Richardson, the set designer, created a particularly macabre scene where a character dies from decapitation resulting from an automobile accident. While in Holland in August 1976, Richardson and his assistant, Liz Moore, were struck by a freakishly unfortunate fate. They fell victims to a head-on-collision, where Moore was cut in half, in similar fashion to the one Richardson had designed for the film. It happened in a Friday the 13th, near a road sign which says: “Ommen, 66.6 km.”
Does that send you shivers down your spine?
Is all of this true? I... I'm not sure. I don't fully believe it. But I also don't fully not believe it. Whatever the case, it's truly one of the most insane behind-the-scenes stuff.
After a slate of weak films, Donner finally got his big break here. The film earned $78 million worldwide, becoming a huge box office success. While it initially received mixed reviews, its reputation grew with time and it has been named as one of the best horror films of the 1970s. It would spawn a franchise, but Donner didn't return for the director's chair. Why? He was preparing for something super.

• Budget: $2,800,000.
  
• Domestic gross: $60,922,980. ($335.7 million adjusted)
  
• Worldwide gross: $78,722,980.
  

Superman (1978)

"You'll believe a man can fly."
His fifth film. Based on the DC Comics character, it stars Marlon Brando, Gene Hackman, Christopher Reeve, Jeff East, Margot Kidder, Glenn Ford, Phyllis Thaxter, Jackie Cooper, Trevor Howard, Marc McClure, Terence Stamp, Valerie Perrine, Ned Beatty, Jack O'Halloran, Maria Schell, and Sarah Douglas. It depicts the origin of Superman, including his infancy as Kal-El of Krypton, son of Jor-El, and his youthful years in the rural town of Smallville. Disguised as reporter Clark Kent, he adopts a mild-mannered disposition in Metropolis and develops a romance with Lois Lane while battling the villainous Lex Luthor.
Ilya Salkind had first conceived the idea for a Superman film in late 1973, and he bought the rights with his father Alexander the following year. DC wanted a list of actors that were to be considered for Superman, and approved the producer's choices of Muhammad Ali, Al Pacino, James Caan, Steve McQueen, Clint Eastwood and Dustin Hoffman. The filmmakers felt it was best to film Superman and Superman II back-to-back, and to make a negative pickup deal with Warner Bros. To show how serious he was, Alexander hired Mario Puzo (The Godfather) and paid him $600,000 to write the script.
Francis Ford Coppola, George Lucas, William Friedkin, Richard Lester, Peter Yates, John Guillermin, Ronald Neame and Sam Peckinpah were in negotiations to direct. Ilya wanted to hire Steven Spielberg to direct, but Alexander was skeptical, feeling it was best to "wait until [Spielberg's] big fish opens." His film, Jaws, became the highest grossing film ever, and the Salkinds offered him the job, but by that point Spielberg chose to make Close Encounters of the Third Kind instead. Guy Hamilton was hired, but left before filming due to legal issues. After seeing The Omen, the producers offered the job to Donner. He was planning to direct the Omen sequel, but decided to take Superman instead. Donner was dissatisfied with the campy script and brought in Tom Mankiewicz to perform a rewrite to start from scratch. According to Mankiewicz, "not a word from the Puzo script was used."
Before Donner signed, the film already cast Marlon Brando as Jor-El in 1975. And his terms were insane; top billing, a salary of $3.7 million and 11.75% of the box office gross profits (totaling $19 million), and his scenes had to be filmed in 12 days. He also refused to memorize his dialogue, so cue cards were compiled across the set. Hackman was cast as Lex Luthor days later, getting a $2 million salary. The filmmakers made it a priority to shoot all of Brando's and Hackman's footage "because they would be committed to other films immediately."
The first plan was for a famous star to play Superman, although Robert Redford, Burt Reynolds, Sylvester Stallone and Paul Newman all declined. When Donner signed, he decided to get an unknown actor. Reeve was suggested, but Donner and the producers felt he was too young and skinny. When other actors weren't convincing, they decided to give a screen test to Reeve. They wanted him to wear a muscle suit, but Reeve instead decided to take a strict physical exercise regime headed by David Prowse. After gaining enough weight, he was cast. Compared to Brando and Hackman, Reeve was paid just $250,000 for Superman and its sequel.
Filming began in March 1977, and it lasted 19 months because they were filming two films. The budget was $55 million ($303 million adjusted), which made it the most expensive film by that point. Warner Bros. only planned to distribute the film in North America, but was so impressed by the Krypton sequence, that they decided to distribute it worldwide. It was supposed to last eight months, but there were conflicts on set.
Donner had tensions with the Salkinds and producer Pierre Spengler concerning the escalating production budget and the shooting schedule. Richard Lester, who worked with the Salkinds on The Three Musketeers and The Four Musketeers, was then brought in as a temporary co-producer to mediate the relationship between Donner and the Salkinds, who by now were refusing to talk to each other. On his relationship with Spengler, Donner remarked, "At one time if I'd seen him, I would have killed him." Due to this, they decided to stop filming back-to-back with the sequel, and Donner was assigned to finish the first film. By that point, 75% was already shot by Donner.
The film opened with $7.4 million in its first weekend, despite playing at just 508 theaters, breaking a record for Warner Bros. As it expanded, it earned $10.3 million in its third weekend, which was the biggest weekend in history. Through the December 22-28 week, it earned a colossal $18.5 million, a figure that no film achieved in just 7 days. It eventually closed its domestic run with $134 million. And WB was right in believing in its worldwide prospects, as the film earned a huge $300 million, becoming their highest grossing film.
The film also received critical acclaim, and it has been named as one of the best films of the 1970s. It won a Special Oscar for its Visual Effects. The film was deemed a cultural landmark for comic books, and it has been proclaimed by many as perhaps the most influential comic book film ever. For the world finally believed that, indeed, a man could fly.
With this, Superman was finally an icon on the big screen. While Donner filmed 75% of Superman II, he was controversially fired before resuming his duties. There would be more Superman films in subsequent years (including one next year), but none have captured the cultural zeitgeist that this one achieved.

• Budget: $55,000,000.
  
• Domestic gross: $134,478,449. ($646.7 million adjusted)
  
• Worldwide gross: $300,478,449.
  

Inside Moves (1980)

"It'll make you feel good, and that ain't bad."
His sixth film. Based on the novel by Todd Walton, it stars John Savage, David Morse, Diana Scarwid, and Amy Wright. It follows a man who became crippled after a failed suicide attempt, and he turns to drink, favoring a local dive bar frequented by the handicapped. There, he befriends the bartender, an ex-basketball player saving up for corrective surgery in hopes of returning to the court, and meets a kind young lady who aids him with his physical and mental rehabilitation.
Donner states that he agreed to direct the film only to take his mind off being fired and replaced from Superman II. He referred to the film as "the smallest film I could do that was just very near and dear to me, at that point, and I felt this is going to take my mind totally off that."
It received mixed reviews, and made just $1.2 million at the box office.

• Budget: N/A.
  
• Domestic gross: $1,200,000. ($4.5 million adjusted)
  
• Worldwide gross: $1,200,000.
  

The Toy (1982)

"When Jackie Gleason told his son he could have any present he wanted, he picked the most outrageous gift of all... Richard Pryor."
His seventh film. The film stars Richard Pryor, Jackie Gleason and Scott Schwartz, and follows a janitor at a department store. The owner's son is told that he may have anything in the toy department. He chooses the janitor, who the owner pays to spend a week with the boy.
The film was panned by critics, and was named as one of the worst films of the year. But with $47 million at the box office, it was still a success.

• Budget: $17,000,000.
  
• Domestic gross: $47,118,057. ($153 million adjusted)
  
• Worldwide gross: $47,118,057.
  

The Goonies (1985)

"Join the adventure."
His eighth film. The film stars Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Kerri Green, Martha Plimpton, Ke Huy Quan, John Matuszak, Anne Ramsey, Robert Davi, Joe Pantoliano and Mary Ellen Trainor. In the film, a group of kids who live in the "Goon Docks" neighborhood of Astoria, Oregon, attempt to save their homes from foreclosure and, in doing so, they discover an old treasure map that takes them on an adventure to unearth the long-lost fortune of One-Eyed Willy, a legendary 17th-century pirate. During the adventure, they are pursued by a family of criminals who want the treasure for themselves.
Donner noted both the difficulties and pleasures of working with so many child actors. He praised them for their energy and excitement, but also said that they were also unruly when brought together. While Donner is credited as the director, some have referred to producer Steven Spielberg as co-director.
The film received a great response, and after a slate of weak films, Donner bounced back with a much needed box office hit. The film was very influential, and it helped launch the careers of many of its stars.

• Budget: $19,000,000.
  
• Domestic gross: $63,711,145. ($185.6 million adjusted)
  
• Worldwide gross: $124,311,145.
  

Ladyhawke (1985)

"A magical adventure."
His ninth film. The film stars Matthew Broderick, Rutger Hauer and Michelle Pfeiffer. The story is about a young thief who becomes unwillingly involved with a warrior and his lady who are hunted by the Bishop of Aquila. As he learns about the couple's past and secret, he chooses to help them overcome the Bishop's forces, and to lift an infernal curse.
It received mixed reviews, and it failed to recoup its $20 million budget.

• Budget: $20,000,000.
  
• Domestic gross: $18,432,000. ($53.7 million adjusted)
  
• Worldwide gross: $18,432,000.
  

Lethal Weapon (1987)

"Two cops. Glover carries a weapon. Gibson is one. He's the only L.A. cop registed as a..."
His tenth film. It stars Mel Gibson, Danny Glover, Gary Busey, Tom Atkins, Darlene Love, and Mitchell Ryan. The film follows a pair of mismatched LAPD detectives — Martin Riggs, a former Green Beret who has become suicidal following the death of his wife, and veteran officer and family man Roger Murtaugh — who work together as partners.
Recent UCLA graduate Shane Black wrote the screenplay in mid-1985. Black stated that his intention was to do an "urban western" inspired by Dirty Harry where a violent character "reviled for what he did, what he is capable of, the things he believed in" is eventually recruited for being the one that could solve the problem. His first draft was quite different from the final film; it was darker in tone and it included massive action scale sequences. The ending of the script contained a chase scene with helicopters and a trailer truck full of cocaine exploding over Hollywood Hills with cocaine snowing over the Hollywood sign.
The script was rejected by some studios, but Warner Bros. took an interest. Producer Joel Silver was brought in and worked with Black to further develop the script. Donner also brought in writer Jeffrey Boam to do some uncredited re-writes on Black's script after he found parts of it to be too dark. Donner got Gibson involved, while someone else suggested Danny Glover. After a successful screen test, the film was greenlit.
The film was a huge hit, earning $120 million worldwide and continued launching the careers of Gibson and Glover, even if they already had a few recognizable titles by that point. It also received very positive reviews, and was another prime example of the buddy cop genre. Another Donner W.

• Budget: $15,000,000.
  
• Domestic gross: $65,207,127. ($179.9 million adjusted)
  
• Worldwide gross: $120,207,127.
  

Scrooged (1988)

"The spirits will move you in odd and hysterical ways."
His 11th film. Based on the novella A Christmas Carol by Charles Dickens, it stars Bill Murray, Karen Allen, John Forsythe, John Glover, Bobcat Goldthwait, Carol Kane, Robert Mitchum, Michael J. Pollard, and Alfre Woodard. The film is a modern retelling that follows Frank Cross, a cynical and selfish television executive who is visited by a succession of ghosts on Christmas Eve intent on helping him regain his Christmas spirit.
After Ghostbusters, Murray only took a brief appearance in Little Shop of Horrors and chose to take a break. When he did feel a desire to return to acting, he said the "scripts were just not that good", and he returned to the this project as he found the idea of making a funny Scrooge appealing. Murray was paid $6 million for his role. He helped the writers, Mitch Glazer and Michael O'Donoghue, in rewriting.
Murray struggled with a scene where he reveals his redemption live on TV. Wanting a central acting moment, however, Murray gave an emotional and intense performance, deviating from his marked positions and improvising his speech. Glazer and O'Donoghue thought that the actor was suffering a mental breakdown. After he was finished, the crew applauded Murray, but O'Donoghue remarked "What was that? The Jim Jones hour?" Donner turned and punched O'Donoghue in the arm, leaving him bruised for a week.
Despite the commitment, however, there was drama behind the scenes. Murray said that while he was enjoying the experience of the script and having fun as "the meanest person in the world", he found the production "sloppy" and has expressed unhappiness with the final cut. For his part, O'Donoghue later said that Donner did not understand comedy, omitting the script's subtler elements for louder and faster moments. He estimated that only 40% of his and Glazer's original script made it into the final film and the surviving content was "twisted". Murray was also not content with Donner, "Scrooged could have been a really, really great movie. The script was so good... He kept telling me to do things louder, louder, louder. I think he was deaf." Donner, meanwhile, has a much more positive memory of Murray, calling him "superbly creative but occasionally difficult - as difficult as any actor."
The film received polarizing reactions, particularly for the tone. But as it was Murray's follow-up to Ghostbusters, it made $100 million worldwide, making it a box office success. In subsequent years, it has become a Christmas classic.

• Budget: $32,000,000.
  
• Domestic gross: $60,328,558. ($159.8 million adjusted)
  
• Worldwide gross: $100,328,558.
  

Lethal Weapon 2 (1989)

"The magic is back."
His 12th film. The second installment in the Lethal Weapon franchise, it stars Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland, Derrick O'Connor and Patsy Kensit. In the film, Martin Riggs and Roger Murtaugh protect an irritating federal witness, Leo Getz, while taking on a gang of South African drug dealers hiding behind diplomatic immunity.
After the first film's success, Joel Silver asked Shane Black to write a sequel. Although he was struggling with personal issues, Black still managed to write the first draft along with his friend, novelist Warren Murphy. Although many people thought that their script was brilliant, it was rejected by Silver, Donner and the studio for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them.
When his script was rejected, Black felt that he had failed the producers. Black refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs's character was changed. Donner got Jeffrey Boam back to rewrite, and one of the biggest changes was expanding Leo Getz's character.
The film received very great reviews, and saw a big increase from the original, earning $227 million worldwide.

• Budget: $30,000,000.
  
• Domestic gross: $147,253,986. ($372.3 million adjusted)
  
• Worldwide gross: $227,853,986.
  

Radio Flyer (1992)

"Powered by imagination."
His 13th film. The film stars Lorraine Bracco, John Heard, Elijah Wood, Joseph Mazzello, Adam Baldwin, and Ben Johnson and is narrated by Tom Hanks. Two young boys try to transform their toy into an airplane after their stepfather turns abusive. They wish to escape the physical abuse and fly away to safety.
The film received negative reviews, and it barely got 10% of its budget. Luckily for Donner, he had another film for that year.

• Budget: $35,000,000.
  
• Domestic gross: $4,651,977. ($10.3 million adjusted)
  
• Worldwide gross: $4,651,977.
  

Lethal Weapon 3 (1992)

"The magic is back again."
His 14th film. The third installment in the Lethal Weapon franchise, it stars Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, and Stuart Wilson. In the film, Martin Riggs and Roger Murtaugh pursue Jack Travis, a former LAPD lieutenant turned ruthless arms dealer, during the six days prior to Murtaugh's retirement. Riggs and Murtaugh are joined by Leo Getz as well as internal affairs Sergeant Lorna Cole.
Jeffrey Boam's first two drafts of the script were different from the final film. The character of Lorna for example was not a woman in original drafts, but the original character still had the same personality and was just as lethal and crazy as Riggs, making him his match. Riggs also had an affair with Roger's daughter Rianne, and a few parts in the final film where Roger suspects that Riggs and Rianne are interested in each other are only parts left from the original drafts. Donner demanded some big changes on the script which included changing the original character of Lorna into a woman and turning her into Riggs's girlfriend. He also re-worked the script to be less story-oriented and not focus on the main villains but instead on the relationship between Riggs and Murtaugh. He also toned down action scenes from the script and brought back Leo Getz into the story. All of his scenes were written in afterwards.
The film received mixed reviews and was considered as weaker than the previous films. But it still earned $320 million worldwide, becoming the highest grossing film in the franchise and Donner's highest grossing film (although Superman still has that title adjusted for inflation).

• Budget: $35,000,000.
  
• Domestic gross: $144,731,527. ($323.4 million adjusted)
  
• Worldwide gross: $321,731,527.
  

Maverick (1994)

"In their hands, a deck of cards was the only thing more dangerous than a gun."
His 15th film. Based on the 1957–1962 television series, it stars Mel Gibson, Jodie Foster and James Garner (who starred in the original series). The film follows Bret Maverick, a card player and con artist who collects money in order to enter a high-stakes poker game. He is joined in his adventure by Annabelle Bransford, another con artist, and Marshal Zane Cooper, a lawman.
The film received positive reviews, and was another great success at the box office, earning $183 million worldwide.

• Budget: $75,000,000.
  
• Domestic gross: $101,631,272. ($215 million adjusted)
  
• Worldwide gross: $183,031,272.
  

Assassins (1995)

"In the shadows of life, in the business of death, one man found a reason to live..."
His 16th film. The film stars Sylvester Stallone, Antonio Banderas, and Julianne Moore. Professional hit-man Robert Rath wants to fulfill a few more contracts before retiring but unscrupulous ambitious newcomer hit-man Miguel Bain keeps killing Rath's targets.
The film was panned by critics, and was a box office flop.

• Budget: $50,000,000.
  
• Domestic gross: $30,303,072. ($62.3 million adjusted)
  
• Worldwide gross: $83,306,268.
  

Conspiracy Theory (1997)

"Jerry Fletcher sees conspiracies everywhere... one has turned out to be true. Now his enemies want him dead. And she's the only one he can trust."
His 17th film. It stars Mel Gibson, Julia Roberts and Patrick Stewart, and centers on an eccentric taxi driver who believes many world events are triggered by government conspiracies, and the Justice Department attorney who becomes involved in his life.
The film received mixed reviews, and despite earning $137 million worldwide, it wasn't a box office success due to its high budget.

• Budget: $80,000,000.
  
• Domestic gross: $75,982,834. ($148.4 million adjusted)
  
• Worldwide gross: $136,982,834.
  

Lethal Weapon 4 (1998)

"The gang's all here."
His 18th film. The fourth and final installment in the Lethal Weapon franchise, it stars Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, Chris Rock, and Jet Li. It follows Martin Riggs and Roger Murtaugh as they investigate a Chinese immigrant smuggling ring. A crime boss named Benny Chan leads them to the Chinatown.
Wanting another film in the franchise, Warner Bros. and Joel Silver tried buying a new spec script titled Simon Says in hopes of rewriting it into a script for Lethal Weapon 4. Written by Jonathan Hensleigh, the story was about a police detective and a shop owner forced to find and stop bombs planted all over a city as part of a mad bomber's revenge plot against the detective. 20th Century Fox then bought the script, and decided to use it as the basis for a new Die Hard film, Die Hard with a Vengeance. Donner was committed to another film, but Gibson was not interested.
The film had a very difficult pre-production, as the script was still being re-written and rejected. Silver ultimately brought in TV writer Channing Gibson to work on the script, after he was impressed by Gibson's rewrite of a spec script titled Sandblast. Gibson took the gig thinking it would be a more relaxed writing job than anything he did for TV. However, much like the previous two sequels, the script kept getting changed and rewritten over and over again. Gibson would end up doing more work and revisions on it than on all of his TV work put together. Production even started with only half of the script.
Something you might have noticed, is that the budget was far larger than the previous films. While the previous two films cost $30-$35 million, Lethal Weapon 4 had a budget of... $150 million ($288 million adjusted). Which means that at that point, it was the most expensive R-rated film ever and the third most expensive film, just behind Titanic and Waterworld. Why? Because the delays kept coming... but Warner Bros. was desperate in greenlighting the film. Realizing they had no big tentpole releases scheduled for summer 1998, Warner Bros. finally greenlit the film in late 1997. So they opened all their wallets and started shooting in January 1998, despite having one third of the film not written yet, including the ending. Due to issues during filming, including the script changes, production ended around mid May, less than two months before its scheduled July release. The ending was not written until it was finally time to film it. Editors had to work very quickly to have the film ready, which is why the trailers feature some deleted and alternate scenes which are not in the film. So the film was greenlit, filmed and released in theaters in the span of just 7 months.
The film received mixed reviews. And if Warner Bros. was confident that spending $150 million to rush a film was worth it, they were in for a rude awakening. The film earned just $285 million worldwide, which meant that the film was a box office flop.
It was the last film in the franchise. Although a gang in a pub in Philadelphia kept the spirit alive by making three sequels, one of which had Danny DeVito as the bad guy.

• Budget: $150,000,000.
  
• Domestic gross: $130,444,603. ($250.9 million adjusted)
  
• Worldwide gross: $285,444,603.
  

Timeline (2003)

"You're history."
His 19th film. Based on the novel by Michael Crichton, it stars Paul Walker, Frances O'Connor, Gerard Butler, Billy Connolly, David Thewlis, and Anna Friel. It follows a team of present-day archaeology and history students who are sent back in time to medieval France to rescue their professor from the middle of a battle.
The film was a critical and commercial failure.

• Budget: $80,000,000.
  
• Domestic gross: $19,481,943. ($33.1 million adjusted)
  
• Worldwide gross: $43,935,763.
  

16 Blocks (2006)

"1 Witness... 118 Minutes."
His 20th and final film. It stars Bruce Willis, Mos Def, and David Morse. The film unfolds in the real time narration method, and follows Jack, who is assigned the task of escorting Eddie, a witness, from police custody to the courthouse. However, when they are attacked on the way, Jack learns that the entire NYPD wants Eddie dead.
The film received mixed reviews, and it marked his fifth bomb in a row. It was his final film before his death in 2021.

• Budget: $52,000,000.
  
• Domestic gross: $36,895,141. ($57.3 million adjusted)
  
• Worldwide gross: $65,664,721.
  

MOVIES (FROM HIGHEST GROSSING TO LEAST GROSSING)

No.	Movie	Year	Studio	Domestic Total	Overseas Total	Worldwide Total	Budget
1	Lethal Weapon 3	1992	Warner Bros.	$144,731,527	$177,000,000	$321,731,527	$35M
2	Superman	1978	Warner Bros.	$134,478,449	$166,000,000	$300,478,449	$55M
3	Lethal Weapon 4	1998	Warner Bros.	$130,444,603	$155,000,000	$285,444,603	$150M
4	Lethal Weapon 2	1989	Warner Bros.	$147,253,986	$80,600,000	$227,853,986	$30M
5	Maverick	1994	Warner Bros.	$101,631,272	$81,400,000	$183,031,272	$75M
6	Conspiracy Theory	1997	Warner Bros.	$75,982,834	$61,000,000	$136,982,834	$80M
7	The Goonies	1985	Warner Bros.	$63,711,145	$60,600,000	$124,311,145	$19M
8	Lethal Weapon	1987	Warner Bros.	$65,207,127	$55,000,000	$120,207,127	$15M
9	Scrooged	1988	Paramount	$60,328,558	$40,000,000	$100,328,558	$32M
10	Assassins	1995	Warner Bros.	$30,303,072	$53,000,000	$83,306,268	$50M
11	The Omen	1976	20th Century Fox	$60,922,980	$17,800,000	$78,722,980	$2.8M
12	16 Blocks	2006	Warner Bros.	$36,895,141	$28,769,580	$65,664,721	$52M
13	The Toy	1982	20th Century Fox	$47,118,057	$0	$47,118,057	$17M
14	Timeline	2003	Paramount	$19,481,943	$24,453,820	$43,935,763	$80M
15	Ladyhawke	1985	Warner Bros. / 20th Century Fox	$18,432,000	$0	$18,432,000	$20M
16	Radio Flyer	1992	Columbia	$4,651,977	$0	$4,651,977	$35M
17	Salt and Pepper	1965	United Artists	$1,750,000	$0	$1,750,000	N/A
18	Inside Moves	1980	Associated Film Distribution	$1,200,000	$0	$1,200,000	N/A

He made 20 films, but only 18 have reported box office numbers. Across those 18 films, he made $2,146,151,267 worldwide. That's $119,230,625 per film.

The Verdict

Despite the inconsistency of his filmography, it's hard to deny Donner as a very influential figure of cinema.
He was an expert in handling many genres; you'd expect the director of The Goonies to make 4 Lethal Weapon films? Or that the guy who made The Omen would make Scrooged? Sure, his last films indicated that he might have lost it, but you can't blame him for trying. The fact that he was willing to make Lethal Weapon 5 before his death show he was very committed. He was never too old for this shit.
And of course, there's Superman. The film that changed comic book films as we know them. It wasn't the first, but it was perhaps the most influential. There's an argument that either Batman, The Dark Knight, Iron Man, The Avengers, Deadpool or Joker are more influential, but those films wouldn't exist today if it wasn't for Donner. It's why Kevin Feige shows the film to all the cast and crew before filming any MCU film. If the film was put in the careless hands of a mediocre director, it would've been forgotten almost immediately. And the genre would be very different today. So it's a testament to the strength of the film of how much it could change the landscape of what was possible. He and Christopher Reeve really offered something fresh and exciting. They truly made the world believe a man could fly.
Hope you liked this edition. You can find this and more in the wiki for this section.
The next director will be Ang Lee. A very important filmmaker.
I asked you to choose who else should be in the run and the comment with the most upvotes would be chosen. Well, we'll later talk about... Roland Emmerich. Is it Joever for him?
This is the schedule for the following four:

Week	Director	Reasoning
June 3-9	Ang Lee	What happened to Lee?
June 10-16	Zack Snyder	RIP Inbox.
June 17-23	Tony Scott	Action films have not been the same ever since his death.
June 24-30	Roland Emmerich	The King of disaster films.

Who should be next after Emmerich? That's up to you. But there's a catch.
For this week, you'll choose from four options, all picked by me. So we won't accept any other suggestions this week. I'll give you four directors, and the director with the most upvotes will get his own post. And here they are:

• Joe Dante: Like Donner, a very influential figure of the 70s and 80s.
  
• Renny Harlin: One of the most popular directors with the biggest amount of flops. How does he do it?
  
• John McTiernan: An important action filmmaker... who literally went to jail.
  
• Rob Reiner: Another actor who had an incredible run as a director, before falling with North.
  

So which one should be next? That's up to you.

Been trying to look for a place to rent in the city. Saw this on Facebook yesterday and I thought it was a pretty good price considering the location (those apartments do exist on Heseltine), so I messaged asking if we can schedule a viewing. She basically ignored my question regarding a viewing but I thought maybe they would prefer to communicate over email instead of Facebook, whatever. Didn’t think much of it. Today, I get a phone call (Sask #) from a man with a heavier accent. He said he emailed me an application in relation to this place. While on the phone with him, I glanced at the application and I’m not a fan that they want a photo of our ID’s and to see pay stubs before we’ve even seen the place! So I asked if we could view it first, just to make sure this is legit. He said he did viewings yesterday but “had so many people interested he couldn’t get everyone a viewing.” I asked if we could do it later this week and he said he’s back in Thunder Bay now (quick turnaround 🤔) so he can’t do more viewings. He was polite and said if I’m not comfortable sharing my information then theirs no pressure to apply.
I won’t be applying, as I’m definitely leaning more towards this not being real and I don’t want to give information to someone I’ve never met. $1320 with utilities included in that just seems to good to be true in comparison to other places I’ve checked out. Just wanted to post and get a second opinion if I’m overthinking it, or if it’s not a legit posting.

I have a neighbor who runs his business out of his house. Currently 3 other known neighbors are annoyed with how he runs it.
A little information without going into too much detail.

• He has 7-9 vehicles that he parks infront of 6 houses as well as 1-3 trailers. When asked if he can move he tell he person to go fuck themself. (some people have to park their cars down the block)
• A neighbor called the city and found out his address doesn't have a home business license but got scared to go farther and hung up.
• His yard and sides of his house are full of work equipment.
• His business is year round and his employees start working and making noise at 5 am sometimes.
• When street cleaning is announced he parks his vehicles and trailers in every possible neighbors driveway without asking.

So my questions are, with all of this information is there a way to report him? Have him follow any kind of home business rules? Or be made to remove his home business and store all of his vehicles, trailers and equipment at a work compound?

I have my sem 6 GE paper tomorrow,General Mathematics 2. I have scouted everywhere but I still can't find any pyq, this GE is a shitty subject I'm the only student who has this elective and the faculty is of no help. Can anyone how has taken this GE previously or know someone who has pls help me out? any information is appreciated. I have attached the syllabus.

On tier 6 Cerberus
When reaching near the end it just ones shots my team 😫
I’m pretty good at dodging so before the one shots my whole team is still nearly full health
Any tips or changes I could do to make this easier
Any help Is appreciated! 🙏