Memory Transcription Subject: Arthek, Governor of Venlil Prime, Hoobyist Archaeologist.
Date [Standardized Human Time]: Servers Unresponsive - Time Unknown. ——
I couldn’t lie and say that the Federation was perfect, to say so would be arrogant, but I believed it necessary. The natural state of things, that all of the Empathetic Species may join paw in universal brotherhood. I knew of its rightness from the day I could comprehend morality itself. I cherished the knowledge that our myriad species were destined to come together, for it was natural. I fostered deeply the revelation that the universe was a pasture and the myriad species that made up our humble home was one herd, all brothers. I had devoted my entire life to its continued existence, out of love alone.
I wished that I could add nuance to my zeal, but I could not. In my heart, I knew it was an irrevocable truth. All species shared one origin. This wasn’t unprovable like religion, or some deeply held superstition. It was a studied fact. Embedded deep within our conscious lay dormant memories. Flashes of warm light and white shapes. Large beings that towered over us, their features unidentifiable as they took one knee and encouraged our distant ancestors to toddle towards them. These fragmented memories of long dead predecessors were shared by every species we had come across, save for the Predators.
We don’t know much about those towering mirages that swaddled us when we were so young. All we know is that they loved, and their love could only be mimicked by us. Proof of this was found in what little we could find of their existence. They called themselves ‘Men’, and they controlled the Galaxy uncontested far before us. They were the first sentient species to exist. They made us, they showed us kindness, and through that mandated that all species - save for the intruding Predators - were bound as one large family. No words had to be shared, the memories we had would suffice.
Therefore, we forever walk in the shadow of these Men.
I hoped to walk closer than any other. I couldn’t call myself anyone particularly interesting. A few years spent as a judge had begun my political career, jetsoning me into the office of Venlil Prime’s Governor. It’s hard to believe it, but here I stood - on a platform of common good. I followed what I believed to be the example of the Men, for I had dedicated my tenure to public housing, support systems for the destitute, and protected their vision by expanding the Extermination Offices - causing me to boast the highest treatment rates in years.
Between boorish meetings and politicking, I savored my favorite hobby. I was an amateur archaeologist with a small collection. Mostly pottery shards from pre-uplift times, some old cups, and the likes. Hardly anything special, or I’d say so if not for a prized artifact of mine. A small piece of Mankind, characteristic of what few pieces of evidence we found to their existence. A plastic bauble, once white and yellowed by age. It didn’t seem all that interesting, it was shaped like a primitive rocket ship. Undetailed save for dirt stains and sun-damage.
But if one looked closely, there remained some detail still. Ancient symbols, faded and almost invisible to the naked eye. But with enough analysis, they could be seen as clear as day. Strangle circular symbols, indicative as a possible writing system. They were clear, ‘CCCP’.
It was a child’s toy, a bauble. And yet I still wondered what that could possibly mean? Was my assumption true, and was it writing? Was it a learning tool for children? Perhaps windows for whatever astronaut laid inside to peer through. All I knew is that I laid eyes on a device once held by Men, in the shape of the very devices they used to transverse the galaxy. Before now, I thought I would never see more. That this plaything was the largest I’d see, the only living testament to that ancient species, who existed so long ago … But I was wrong.
The small spacecraft rocked too and fro, myself strapped in and practically bouncing from anticipation. The news had reached my ears fast, that an astroarchaeological ship had made the discovery of the century. A spaceship, older than Venlil Prime itself. One that only could have belonged to men. I needed to see it, to view pre-history with my own eyes beyond trinkets and rusted tools. And here I was, being shuttled to the larger craft which stored it.
My singular companion, the Pilot, cast me a sidelong gaze - quizzical at my demeanor. I was a grown Ram, bouncing in my seat like a pup. The pilot, a scraggly farsul who evidently had hygiene as a fifth or seventh priority, let out a low chuckle at the sight. I had a reputation, admittedly, for my idealism and generally … pupishness. Still focused on his screens, he spoke with a raspy, low voice that strained my ears to hear.
“Excitable, huh?”
I chuckled idly in response to the question, my ears as erect as could be in an effort to hear his thin voice. “How could you be anything else at a time like this?”
The pilot responded to my chuckle with one of his own, a ominous growl that sounded more like a grunt than any laugh I’ve ever heard. “Discovery of the century, huh? I never got all the fanfare ‘round these guys … Every twenty-odd years, we find some old piece of steel or plastic or something else, and the experts squeak ‘Man-made! Man-Made!’ Then … Well … Suddenly all of the really cool stuff gets pushed to the back of the shelf, Y’know?”
His pessimistic comment affected me not, as I drummed my paws on the sides of the seat, “It’s proof. You know we all-“
“Remember?” He cut my speech short, “Yeah, yeah … Just remember, we don’t even know what men looked like. All you Federal bigwigs like to praise them like they’re gods, but you don’t know nothing about them. What they were like, why they made us, what they ate … “
He paused, resting his head against his seat’s headrest, casting me the most rancid, speh-eating approximation of a smile I’ve ever seen.
“You ever considered that maybe God’s a predator?”
I remained silent then, opening my mouth open and closed again, unsure just how to respond to such an accusation. This pilot was not someone I liked, at all. I ceased showing any forms of excitement and awkwardly sat, containing my anticipation as the sight of the Astroarchaeology ship came into view.
We’d find proof that this pilot was wrong. There was no way a predator would go out of their way to seed so many worlds, create us, and give us empathy. They hated all of that, for they lacked all of those things. He was full of speh, and I knew it.
A twinge of uncertainty momentarily cracked my lifelong zeal as we began to pull into the ship’s bay. History would be made today, one way or another. For better or worse, I’d be here to see it firsthand.

TLDR- Anakin Skywalker couldn't overcome Darth Vader or the Dark Side with the forgiveness of others. The only way to let go of his hate, return to the Light Side, and finally find peace was by forgiving himself.
From the moment he was first "consumed by Darth Vader", as Yoda put it, the greatest fundamental challenge for Anakin to return to the Light was never being forgiven by others. It wouldn't make enough difference if everyone he'd ever hurt or killed sincerely told him "I forgive you", if his mom appeared in a vision to console him, if Padme herself died still believing there was good in him, or even if his own son was willing to die believing there was good in him. Whatever they said or did wouldn't change his heart.
The core of Vader's hatred and pain was never about needing or wanting others' forgiveness or remorse, which is a major reason why he stayed a devout Sith for so long. Because the Sith's strength in the Force comes from their emotions, that way of life became an outlet for him to continue living in the personal Hell that, deep down, he thought he deserved (since all he had left for so long were self-imposed negative emotions). He was his own worst judge & critic. It wouldn't matter how much he did to atone for his crimes (except perhaps to the victims & their loved ones) if he still held himself in nothing but contempt.
In the Sith Lord's mind, even with all this power + the Empire's armies at his disposal, he felt like a failure who deserved his suffering. At every opportunity to repent, he chose to stay on the Sith's path because he didn't believe any other path was left to him. Quoting a review of the Darth Vader comics:
"The kyber crystal he’s trying to force into a Sith crystal, to crush its will beneath his own, fights back with throwing at him what Anakin Skywalker still wants to do, the right thing to do, saying that it’s still possible. It shows him that it’s still possible. But Vader refuses it. That path is no longer possible, it would go against everything he’s sacrificed to get where he is, his betrayal of the Jedi, his killing Padme (so he thinks), his turning his back on the Republic, the murders he’s committed, the monster he’s made himself, it would all have been for nothing if he turned back now. All he would have on that path is nothing, Vader thinks.
Never mind that he would have the right thing, never mind that Obi-Wan would see him as Anakin again and would have forgiven him, would have taken him back, never mind that he could have saved the galaxy from Sidious’ cruelty and horrors. Vader still forces himself to believe that all of that would be nothing. He has to keep moving forward, the sacrifices he made, the things he did and will do, have to be worth it, and that won’t happen on that other path. This new life is his only choice now. The only way out is through. This is all there is."
Vader was dead set on forcing this path to be worth everything he'd lost. He didn't believe he deserved any better after all he'd done. He convinced himself Anakin symbolized weakness from a failed past, but one could also interpret that he believed (even if he wouldn't admit it to himself) he was unworthy of the name.
Vader told Luke "There is no conflict. That name no longer has any meaning for me.", but the anger in his voice during that assertion suggested otherwise. The name Anakin Skywalker simultaneously served as: A) A reminder of his failure to save those closest to him. B) A reminder of when he had family, friends, and so much in his life to be grateful for (in spite of hardships & losses) that he took for granted. Self-loathing was all he understood anymore, and it was that hate that helped give him so much power even with his injuries.
The only way Anakin could find his way back to the Light, even for just one final self-sacrificial act, was to receive forgiveness from the most important person, the one at the root of his decades of hatred... HIMSELF. As long as that self-hatred continued fueling his immersion in the Dark Side, nobody could reach him regardless of who they were or how they approached the situation. Even when his inner conflict started to emerge thanks to Luke's influence, he still believed it was "too late" for him to turn back or be anything else.
He couldn't bear the thought of going back to the path of the Light when his most defining memory of being on it was when he betrayed everything/everyone that life had given him. For all these years, he adamantly believed he could have saved everyone if only he'd been stronger. If only he hadn't allowed the Jedi's dogma to hold him back from his full potential. That ambition led to him losing Padme. He may have even believed in some warped way that turning Luke (and/or Leia) to the Dark would allow them to be a family again.
Even if Luke killed Vader to take his place at Palpatine's side, they'd still be connected in that they'd be links in the chain of Sith history + legacy. It was only in the moment of seeing Luke about to be killed that Anakin finally broke through, screaming "ENOUGH! It's time to LET GO! Let go of the past, let go of your hate (echoing Luke)! Your family needs you! Your son needs you! He is the best of you and his mother! You're RIGHT HERE! You can make a different choice this time. It's NOT too late! You can still SAVE HIM! SAVE HIM!!!!!"
And so, at the cost of his life, he did. When Luke said "I'll not leave you here. I've got to save you." and his father replied "You already have. You were right about me.", Anakin was implying that Luke was right about letting go of hate. That would only be possible to do if Anakin forgave himself. THAT'S how he was able to die, ascend, and be reborn as a Force Ghost. THAT was the most vital step from the start to his redemption.
By accepting everything that had happened on his journey, acknowledging that the direction he went was wrong, realizing it was ultimately his own choice even when accounting for Palpatine's influence, and no longer letting his negative feelings hold him down, he'd finally achieved peace with himself and the Force.

Fact 11: there is never a tortoise character being in the Mallrooms Series. Even if there is one.
Fact 12: Froser’s Uber Equivalent is “Frūbör”.
Fact 13: Cats are Pouli’s Favorite Animal.
Fact 14: When Funosaurus was born as a newborn. He was attached to birthday accessories and that’s how he got those in his adult form! Guardians have newborn stages!
Fact 15: Mallrooms has various areas. Supermarkets. Waterparks. Arcade. More!
Fact 16: there are still more bootlegs out there. Such as Dunny Ghost. Taughet the Police Frog. Klorabel Bull and more.
Fact 17: Guardians were made to Protect Children, And Spugna will give them Warning about the dangers of the Deranged Guardians that gave them no mercy.
Fact 18: there are probably 4.000004e+160 of the bootlegs while we have 70 of them seen in the footages.
Fact 19: the bootlegs where the ones they forgot about the correlation of their originality.
Fact 20: The Rolling Giants (AKA The Mall Runners) are the ones to consume the souls of the dying.

Okay so all my once upon a time lovers,this post is specifically for neverland I need answers, Was this show released after Michael jacksons death?
If you guys remember rumples dad was kidnapping little boys and forcing them to leave their homes is there anyway that they made this tryna symbolize something? Or expose Michael?
Why were boys only there? Why couldn’t they make it something else than neverland? I’m a big mj fan but that part of once upon a time kinda fucked me up,it just seems like they tried to tell us something.
Am I crazy? Or is there truth to any of this
Im a new fan like on season 5 so be easy on me not trying to sound stupid it just kinda messed my brain up. If this show came out after his death or even when he was here it just looks very sus plus the only

Hello, I have gone through the 1601 themes on the UK region Xbox 360 store and made a list of every free theme.
As this is a very long post I have added square brackets around categories to allow users to filter out items they're not interested in.
The categories are: [movie] [product] [game] [car] [sport] [other] .
If this is still too long I have put \* symbols next to which themes I think are the best (in my opinion).
Themes
In order of release date (# represents item number)
Ghost in the Shell theme [movie] #22
Nike Zoom Theme Pack [product] #84 *
Fiat 500X Theme Pack [car] #96
Insurgent [movie] #99
Chappie Theme Pack [movie] #161
Woman In Black 2 Theme [movie] #173
Lego Ninjago Theme [movie/game] #174 *
Footlocker Nike Take Flight Theme [product] #175 *
The Other Side Honda Theme [car] #178
Halo Theme [game] #187 *
A Walk Among The Tombstones Theme [movie] #268
Puma Forever Faster Balotelli Theme [sport] #270
Puma Forever Faster Aguero Theme [sport] #271
Puma Forever Faster Usain Bolt Theme [sport] #272
Bing Theme [other] #374 *
Mutant Blobs Attack Graphic Theme [game] #380 *
Mutant Blobs Attack Growing Pains Theme [game] #381 *
Nike Last Game Iniesta Theme [sport] #385
Nike Last Game Neymar Theme [sport] #386
Nike Last Game Ronaldo Theme [sport] #387
IRN-BRU Theme [product] #401 *
Fable Anniversary Box Art Theme [game] #449 *
Jackass Presents: Bad Grandpa Theme [movie] #545
Turtle Beach PX22 Theme Pack [product] #634
Fast & Furious 6 Theme [movie] #698
STAR TREK INTO DARKNESS 3D Theme [movie] #700
Three HTC One Theme [product] #726
Olympus Has Fallen Theme [movie] #727
OBLIVION Theme [movie] #728
Irn Bru Theme [product] #730 *
Fiat 500L Outdoor Theme [car] #731
Fiat 500L Techno Theme [car] #732
Clearasil Amelia Lily Theme [other] #735
Turtle Beach Seven Series Theme Pack [product] #736
A Good Day to Die Hard Theme [movie] #738
Hansel & Gretel Theme [movie] #739
Turtle Beach Theme Pack [product] #740
Jack Reacher Theme [movie] #741
Texas Chainsaw 3D Theme [movie] #742
GoPro HERO3 Theme [product] #745
O2 Windows Phone 8 #747
Acer Aspire S7 Ultrabook- Theme [product] #749
Lynx [product] #751
Find any film – Moments worth paying for Theme [other] #753
Motorola RAZRi Theme [product] #755
Turtle Beach Call of Duty Theme Pack [game/product] #756
The Rise of the Guardians Theme [movie] #758
Resident Evil Retribution Theme Pack [movie] #769 *
Honda Civic Theme [car] #782
Snow White And The Huntsman [movie] #787
Dictator UK Themepack [movie] #789
Pepsi Max Themes [product] #790
Find Any Film.com Theme [other] #797
Wrath of the Titans Theme [movie] #802
Nokia Lumia 800 Theme [product] #808
Mission: Impossible – Ghost Protocol Theme [movie] #812
New Thinkers Index Body Smart Theme #815
New Thinkers Index Musical Theme #816
New Thinkers Index Natural Theme #817
New Thinkers Index Numbers Smart Theme #818
New Thinkers Index People Smart Theme #819
New Thinkers Index Self-Aware Theme #820
New Thinkers Index Visual Theme #821
New Thinkers Index Word Smart Theme #822
In Time Registration Theme [movie] #827
Immortals Theme Pack [movie] #829
Infinti Theme [car] #834
Virgin Gaming [product] #869
Kinect Premium Theme [game] #886 *
Resident Evil: Afterlife 3D [movie] #903
Lynx Wingman Theme [product] #904
Adidas F50 adiZero – Theme [product] #906
NIKE: Write The Future – Theme [product] #926
Worldwide Premiere Theme (COD BO1) [game] #929 *
Prince of Persia – Theme [movie] #930
Spartacus Theme [movie] #932
Samsung 3D LED TV Theme [product] #936
Clash of the Titans Theme [movie] #946
Edge Of Darkness – Theme [movie] #966
Avatar – Theme [movie] #981
Sherlock Holmes – Theme [movie] #983
Xtival 09- Premium Theme [game] #986 *
Bing – Theme [other] #988 *
GCHQ – Theme [other]#989
LG LED Theme [product] #991
Harry Brown Background Theme [movie] #992
Law Abiding Citizen [movie] #996
(9) Theme [movie] #1001 *
Pandorum Theme Pack [movie] #1016
Surrogates Theme Pack [movie] #1018
G.I. JOE – Theme [movie] #1037 *
Adidas F50i – Theme [product] #1043
Shockwaves Summer of Music – Theme #1052
Transformers – Theme [movie] #1060
The Hangover Theme [movie] #1066
1 vs 100 Theme [other] #1070
Coca Cola Happiness Factory Theme [product] #1090
adidas Originals – DMC Theme [product] #1099
adidas Originals – David Beckham Theme [sport/product] #1100
adidas Originals – Dynamo Theme [product] #1101
adidas Originals – Estelle Theme [product] #1102
adidas Originals – Ting Tings Theme [product] #1103
adidas Originals- Missy Theme [product] #1105
Watchmen Theme [movie] #1112
Underworld Theme [movie]#1123 *
Winter Holiday Theme [game]#1128 *
The Day the Earth Stood Still [movie]#1151
Champions of Gaming Theme [game]#1156
Max Payne Theme [movie]#1159
The House Bunny [movie]#1176
Death Race Theme [movie]#1183
Double D Dodgeball Theme [game]#1186 *
Too Human Theme Concept [game]#1192 *
Castle Crashers – Theme Pack 1 [game]#1195 *
Too Human Action Theme [game] #1214 *
Hellboy II Theme [movie] #1216 *
The X Files Theme [movie] #1223
Bungie Day ‘08 Theme! (Halo 3) [game] #1228
Wanted Theme [movie] #1236
The Incredible Hulk Theme [movie] #1237
Samsung Halo 3 – Theme [movie] #1263
Guiness World Records Gamer’s Edition Theme [product/game] #1271 *
Guiness Book Of World Records Theme [product/game] #1273 *
AVP-R Theme [movie] #1288
I Am Legend Theme [movie] #1296
Fahrenheit Theme [game] #1304 *
Crash Bandicoot: Wrath of Cortex Theme [game] #1305 *
Crimson Skies: Road to Revenge Theme [game] #1306 *
Fable Theme [game] #1307 *
Fuzion Frenzy Theme [game] #1308 *
Halo Theme [game] #1309 *
Psychonauts Theme [game] #1310 *
Dream Theatre Theme [other] #1311
Sex Pistols Theme [other] #1320 *
Xtival ‘07 Theme [other] #1321 *
Gears of war LIVE is 5IVE Theme [game] #1323 *
Ghost Recon 2 LIVE is 5IVE Theme [game] #1324
Halo 2 LIVE is 5IVE Theme [game] #1325 *
Mech Assault LIVE is 5IVE Theme [game] #1326 *
Return to Castle Wolfenstein LIVE is 5IVE Theme [game] #1328 *
Xbox LIVE is 5IVE Theme [game] #1329 *
Beowulf Theme [movie] #1330
E3 2007 Theme [other] #1417 *
Bungie Day 2007 Theme [game] #1420 *
Live Earth Theme [other] #1421
GTA IV Theme 1 [game] #1428 *
Ocean’s 13 Theme [movie] #1444
Eragon Movie Theme [movie] #1492
adidas +10 Theme [product] #1559
adidas Football Theme [product/sport] #1560
Team Geist Theme (adidas) [product] #1561
MI3 Promotional Theme [movie] #1563
Kameo Holiday Theme [game] #1584 *
Rare Theme [game] #1588 *
I may have missed some but with how slow and buggy the Xbox 360 store has been, I'm not pressing the 'A' button a thousand times.
This is part 2 of 4
I hope this helps.

(The post is slightly altered because the original text was more personal and directed at my friend)
All of this is stuff you’ve already heard before so this is just my personal looks at the album, its meaning, and why it’s probably the best rap album we’ll ever see.
If you have listened to TPAB all the way through then you remember that in the final track, Mortal Man, it’s Kendrick and someone else talking. I put this together and it’s just the conversation they have so you can easily read it and see who is talking when.
This is how I interpret albums meaning: TPAB is about the issues that African Americans will face due to the neglect of the U.S. government. The idea of the butterfly is a person who has become famous, or has power. That’s why in tracks like Wesley’s Theory, the opening track, the person talking says, “When the four corners of this cocoon collide You'll slip through the cracks hopin' that you'll survive Gather your weight, take a deep look inside Are you really who they idolize? To pimp a butterfly.” A butterfly is a transformed caterpillar, so in TPAB the idea of a caterpillar is someone who the government, or really anyone for that matter, doesn’t care about. Once they become famous (transform) and have power, they are treated better or like a butterfly.
Also, fun fact about TPAB that you prob already know. The original title was going to be “To Pimp a Caterpillar.” This was because it would then abbreviate to “2PAC” instead of TPAB.
Now for the conversation:
Kendrick: “I remember you was conflicted, misusing your influence. Sometimes I did the same, abusing my power full of resentment. Found myself screaming in a hotel room. I didn’t wanna self destruct. The evils of Lucy was all around me, so I went running for answers. Until I came home, but that didn’t stop survivors guilt. Going back and forth, trying to convince myself the stripes I earned, or maybe how A-1 my foundation was. But while my loved ones were fighting a continuous war back in the dirty, I was entering a new one. A war that was based on apartheid and discrimination. Made me wanna go back to the city and tell the homies what I learned, the word was respect. Just because you wore a different gang color than mine's doesn't mean I can't respect you as a black man. Forgetting all the pain and hurt we caused each other in these streets. If I respect you, we unify and stop the enemy from killing us, but I don't know, I'm no mortal man, maybe I'm just another n*. Shit and that's all I wrote. I was gonna call it Another N** but, it ain't really a poem, I just felt like it's something you probably could relate to. Other than that, now that I finally got a chance to holla at you. I always wanted to ask you about a certain situa--, about a metaphor actually, you spoke on the ground. What you mean 'bout that, what the ground represent?”
Friend: “The ground is gonna open up and swallow the evil…”
Kendrick - “Right…”
Friend: “That's how I see it, my word is bond. I see--and the ground is the symbol for the poor people, the poor people is gonna open up this whole world and swallow up the rich people. Cause the rich people gonna be so fat, they gonna be so appetising, you know what I'm saying, wealthy, appetizing. he poor gonna be so poor and hungry, you know what I'm saying it's gonna be like... there might be some cannibalism out this mutha, they might eat the rich.”
Kendrick: “Aight so let me ask you this then, do you see yourself as somebody that's rich or somebody that made the best of their own opportunities?”
Friend: “I see myself as a natural born hustler, a true hustler in every sense of the word. I took nothin', I took the opportunities, I worked at the most menial and degrading job and built myself up so I could get it to where I owned it. I went from having somebody manage me to me hiring the person that works my management company. I changed everything I realized my destiny in a matter of five years you know what I'm saying I made myself a millionaire. I made millions for a lot of people now it's time to make millions for myself, you know what I'm saying. I made millions for the record companies, I made millions for these movie companies, now I make millions for us.”
Kendrick: “And through your different avenues of success, how would you say you managed to keep a level of sanity?”
Friend: “and by my faith in "all good things come to those that stay true. You know what I'm saying, and it was happening to me for a reason, you know what I'm saying, I was noticing, shit, I was punching the right buttons and it was happening. So it's no problem, you know I mean it's a problem but I'm not finna let them know. I'm finna go straight through.”
Kendrick: “Would you consider yourself a fighter at heart or somebody that only reacts when they back is against the wall?”
Friend: “Shit, I like to think that at every opportunity I've ever been threatened with resistance, it's been met with resistance. And not only me but it goes down my family tree. You know what I'm saying, it's in my veins to fight back.”
Kendrick: “Aight well, how long you think it take before n***** be like, we fighting a war, I'm fighting a war I can't win and I wanna lay it all down.”
Friend: “In this country a black man only have like 5 years we can exhibit maximum strength, and that's right now while you a teenager, while you still strong or while you still wanna lift weights, while you still wanna shoot back. Cause once you turn 30 it's like they take the heart and soul out of a man, out of a black man in this country. And you don't wanna fight no more. And if you don't believe me you can look around, you don't see no loud mouth 30-year old muthafuckas.”
Kendrick: “That's crazy, because me being one of your offspring of the legacy you left behind I can truly tell you that there's nothing but turmoil goin' on so I wanted to ask you what you think is the future for me and my generation today?”
Friend: “I think that n***** is tired of grabbin' shit out the stores and next time it's a riot there's gonna be, like, uh, bloodshed for real. I don't think America know that. I think American think we was just playing and it's gonna be some more playing but it ain't gonna be no playing. It's gonna be murder, you know what I'm saying, it's gonna be like Nat Turner, 1831, up in this muthafucka. You know what I'm saying, it's gonna happen.”
Kendrick: “That's crazy man. In my opinion, only hope that we kinda have left is music and vibrations, lotta people don't understand how important it is. Sometimes I be like, get behind a mic and I don't know what type of energy I'mma push out, or where it comes from. Trip me out sometimes.”
Friend: “Because the spirits, we ain't even really rappin', we just letting our dead homies tell stories for us.”
Kendrick: I wanted to read one last thing to you. It's actually something a good friend had wrote describing my world. It says: "The caterpillar is a prisoner to the streets that conceived it. Its only job is to eat or consume everything around it, in order to protect itself from this mad city. While consuming its environment the caterpillar begins to notice ways to survive. One thing it noticed is how much the world shuns him, but praises the butterfly. The butterfly represents the talent, the thoughtfulness, and the beauty within the caterpillar. But having a harsh outlook on life the caterpillar sees the butterfly as weak and figures out a way to pimp it to his own benefits. Already surrounded by this mad city the caterpillar goes to work on the cocoon which institutionalizes him. He can no longer see past his own thoughts. He's trapped. When trapped inside these walls certain ideas take roots, such as going home, and bringing back new concepts to this mad city The result? Wings begin to emerge, breaking the cycle of feeling stagnant. Finally free, the butterfly sheds light on situations that the caterpillar never considered, ending the internal struggle. Although the butterfly and caterpillar are completely different, they are one and the same. What's your perspective on that? Pac? Pac? Pac?!”

To my recollection, one of Destiny’s greatest strengths in his debates is his ability to understand a set of talking/data points and use them to formulate a sound argument. He has many other strengths and strategies as well, but this skill has been a cornerstone in his arsenal since the beginning. Despite having such a strong skill set for debates, he has consistently been nerfed from working through the facts of any debate by his opponent's lack of an ability to analyze the points he presents and/or engage in good faith with the critiques he proposes during any debate. While there are many different strategies that could be taken to try and remedy this, there is one that Destiny has been apprehensive to engage in for optics reasons until this point. This would be appealing strictly to a set of rules of engagement for the debate and having them enforced by a third party(moderator).
I think that one of the best showings that Destiny had in the past few years was his debate with Rollo and Michael Sartain (https://www.youtube.com/watch?v=AOcbaUaxHSA). I think that a large part of the reason that this debate went so well is because it is one of the only times I am aware of that Destiny has employed the strategy I believe should be his core strategy going forward. Establish a set of rules for the conversation, and then work within those rules to have the debate move smoothly. Unfortunately, it looks like August cut out the first part of the debate where they do this in the video I found, and the original video is gone, so I have a version from friend of the stream Alex to reference!
https://youtu.be/4eiJSl2gHEE?t=1794 In this clip, you’ll see Destiny lay out all of the pre-defined rules as I mentioned above. Doing this not only makes sure that the entire party is on the same page and is agreeing to the type of conversation that they are having from the on set but also acts as a strong tool to keep them from using certain tactics to break them later on. Instead of pointing out that they are not answering a question or point in the debate, which they at no point agreed that they would do (most of the time), he can point out that they are breaking an agreement that they came to before, forcing them to take the optical loss of going back on their word if they want to engage in a weaselly tactic. This would also act as a hard trigger for Destiny to tone shift in the Debate immediately.
As Destiny has seemingly struggled in recent debates on when to tone shift and go hard on an opponent at the risk of sounding “mean.” This will help him address that problem by having a solid point in the debate where the opponent essentially consents to the debate going off the rails through no fault of Destiny’s as he had communicated the rules, and they chose to break them, forcing the debate into a different course.
The Destiny V.S. Finkelstein debate would have looked drastically different if Destiny had started out by stating that as they are all well-read on the topic that they are discussing, and as such, they should be citing something when they are bringing up specific points or be able to give a concrete reference to where they got the idea from in the debate. That failure to do this should result in that party backing down from the point, and each side must directly address any criticism when brought up by the opposition. where they can’t, concessions should be made as they move from point to point so things move smoothly. The tone and games played would have been completely different, and Destiny would have had a bulletproof set of rules to hold Finkelstein to and hit him with each time he tried to downplay any point he would make. My guess is that Destiny would argue that this is not the case, that Finkelstein is a clown, and he would not have backed down as he went there to clown on him in the first place, but at the bare minimum, it would have been a trigger to go hard with justification rather than getting steamrolled for most of the first half of the debate through interruptions.
Imagine living in the timeline where Destiny held Rollo Tomassi, the drama frog of the red pill, to a higher standard than Norman Finkelstein, a supposed academic expert. Oh, wait, that’s this timeline, fuck me, DANK MEMES.
These things should be agreed on both prior to the event with the moderator and opponent and during the debate for the audience, as if they made the agreement at some point but the audience does not know, then it does fuck all as an incentive for the opponent as they can just lie.
Finally, Destiny can also go as far as to prepare clips in the event he is going on high-production shows. These shows have producers that can go through the trouble of having a set of clips ready to play if Destiny provides this list to the team before the show starts so they are ready to bring them up easily. It is not a hard ask on most shows, and Destiny should be willing to at least make the request; the worst-case scenario is that they say they can’t, but he can reference it in the debate later or point out bias if they play clips against him during a debate but refused to use his supporting clips.
Organizing these debates with the moderators a bit more is a small change for a large advantage in these debates; Destiny just needs to work through the wall he currently (seemingly) has of not wanting to make any asks from his end to do it.

I had watched this movie once when it came out, then again just the other day with a friend. And we were discussing the ending, pitching to each other what we thought about meant. As it show's 3 similar scenes with different outcomes, the middle outcome being him committing suicide.
At first I looked at it as a passage of time montage, so my take that he continued to life his life normally for a while, then decided he couldn't do it any longer, and finally we get a glimpse of his version of the afterlife. Which I don't think is necessarily the worst interpretation. But with the last image of the movie being Petra smiling in a white background, it didn't feel as a particularly satisfying interpretation.
So then I finally decided to give up and search for what other people thought coming to this fantastic analysis by The Love Pirate, in which he or her or they? say this " She gives him a final kiss and leaves, and we see three possible endings for Zimit, each beginning with him walking down the hall to his office and taking a seat at his desk. First, he simply opens his lunch and eats a sandwich, going on with his life as normal. In the second one he pulls a gun out his drawer and we hear a gunshot, the assumption being that he ended his life rather than go on without Petra. In the third, he sits at his desk and has a vision of Petra smiling, symbolizing that he might have learned something from her in this final class and is following her example."
That last sentence stuck in my mind, and I began to think "what if it's deeper than that?" I started thinking about how there were 3 doomsday scenarios, and 3 endings for Zimmit. And was trying to figure out if there was a parallels for each of the endings and each iteration of the thought experiments. And this is what I came up with when re-examining the final scenes of the movie based on the inspiration of The Love Pirate.
After Petra give Mr. Zimmit her goodbye kiss , both of them relax on opposite sides of a wall. Petra staring ahead, while Mr. Zimmit leans his head into the wall, as if he does still love her and explains the etymology of the word Apocalypse. "To uncover what you couldn't see before, a way out of the Dark."
The entire movie so far has been Mr. Zimmit trying to convince Petra time and time again using logic that James isn't the best decision for her to make as a life choice. He acts over attached, and petty about being broken up with, and has been hyperfocused on getting her to see things from his perspective.
When Mr Zimmit is explaining it,he's humbly and sheepishly apologizing for his behavior, but also thanking Petra for helping him out of his selfish mindset. He didn't stop to think about living life from anyone else's philosophy other than his own that was ruled by cold hard logic.
To which Petra replies, "Your sweet talk still needs work." A playful jab, but it's clear she doesn't hate him or demonize him for what he had done that day. In a way she's even saying with a little work, he'd still get be capable of being happy in life even if it's not with her. It's a student becomes the teacher moment when he replies. "I'll work on that."
In that last line Petra reassures him that he's a very good teacher. She had learned a lot from him and is grateful for the experience despite the lows, she still values him greatly.
At this point, what I think is happening, Erik Nimmit on the spot starts running himself thru the three scenarios using Petra's philosphy, a basic test of empathic thinking.
He walks up the stairs , sits in his office and takes a bite out of his sandwich, but he's thinking about the conflict that drove them apart in the first thought experiment. Petra couldn't trust him. From her perspective he executed everyone who didn't make the cut for the bunker with no witnesses. He identified as a wild card, and even though Petra was using the emotion of fear to make that decision, It was still a logical decision to make.
Him eating the sandwhich is him envisioning himself the outcome of being an untrustworthy partner. Alone in his office living life day to do without someone. The consequence of who he is inside.
He walks up the stairs, this time retrieving a handgun from his drawer and ending his life. The parallel to what he had done in the second iteration would be the likely outcome of if Zimmit used that same brutal logic in real life. If his logic would compel him to force people to have multiple partners , sleep with someone who wasn't all that keen on them to sleep with him, or force gay people to sleep with people they weren't attracted too. His logic would make him so ugly even to himself that he'd end his life.
Finally Mr Zimmit walks up the stairs, and closes his eyes. Remembering Petra. I no longer thing that this was some after life vision. But him thinking about her being happy in her future life. The white backround doesn't seem ethereal... it seems cold, and she's wearing a sweater.
In the third scenario Petra fully takes over the thought experiment, She says, In my apocolypse no life is more valuable than another. Logic alone can not make your life more meaningful, contrasting to one of the the first statements Mr. Zimmit makes in the movie. That most people are nutters by the age of 40. He had spent the entire movie looking down on people with a lower intellect, or different sexualities, or their life circumstances or situations, In a way to make himself more attractive to Petra. And finally he realized how ugly it made him, and Petra was the one who taught him that. Now he could finally move on, and be happy for her future even if he wouldn't be in it.
But I'd love to hear from any other fans of this movie , do you think i'm onto something here?

AU where Anne notices Andrias attempting to attack Marcy, her powers flare back up long enough her to push Marcy out of the way and into the portal, taking the blow for her while Marcy and the Plantars are warped back to Los Angeles.
• Before the portal warps Marcy back instead of the "I-I'm sorry... for everything." that Marcy gives, Anne tries to comfort Marcy, saying "D-Don't worry, M-Mar-Mar... I probably w-would have done the s-same if I had to be separated from y-y-you and Sash...".
• While back in Willow Brooke, Marcy can't bare to confront her parents so she decides to stay with the Boonchuys. Obviously, after she explains why she ran away and her need to get everyone back home, they let her and the Plantars stay as long as they need. Marcy tells them about Amphibia but, like Anne, leaves out the parts about the evil king....... and the fact that she saw their daughter get stabbed through the torso and possibly die... instead she lies that Anne is still perfectly fine back in Wartwood.
• Marcy is more angsty about this whole thing than Anne appeared to be in canon. Made even worse by the fact that every time she sees the people she now lives with, she is reminded that her cowardice cost them the most important person in their families. She also finds being the only one of her friends to make it back to the place that she tried so hard to run away from as a form of twisted irony. A cosmic punishment for tampering with a mystical artifact that was far beyond her understanding, leading to her friends and their loved ones paying the price for it.
•A lot of the same plot beats still happen such as Fight at the Museum, Fixing Frobo, If You Give A Frog A Cookie, and Mr. X but episodes such as Thai Feud and Temple Frogs don't due to Marcy obviously not having the same familial bonds as Anne and Adventures in Catsitting due to The Boonchuys being unable to schedule a dentist's appointment for a child that is not under their legal guardianship.
• Marcy wears her blue Newtopian cloak even with her casual clothing just in case she sees her parents and needs to hide her face from them under her hood so they don't recognize her. (There is a running gag through season 3 where she has to make sure she doesn't stand under any sprinklers in case her cloak spontaneously combusts.)
• Back in Amphibia, The Core, now no longer having Marcy, decides to take Anne. Now calling themself Dianne, they use Anne not for her mind... but instead for her power and to use it for it's namesake.............. to bring about Calamity.
• Andrias still sends out the Assassin bot to Willow Brooke to kill Marcy and the Plantars in order to tie up any loose ends in his plans.
• Marcy's Calamity powers awaken while protecting the Plantars in the Supermarket and finds that her powers allow her to use magic though the use of any staff-like object. In this case, a metal pipe in the storage freezer that she was going to use to bash in the robot's head, and summons a blast of energy to send the Assassin bot packing. Marcy later buys a foldable walking staff from a drug store and carries it around in her satchel in case of "Magical Girl emergencies" as she calls them. (Her powers are an homage to Matt's original idea for Marcy to be a sorceress.)
• In this version of Anne-sterminator, it's laundry day and since Marcy can't go back to her house to grab clean clothes, she has to wear some of Anne's, namely her iconic St. James Middle School uniform. When the Assassin bot comes to kill Marcy, it sees Marcy in Anne's clothes and gets confused allowing everyone time to escape. In the junkyard, Marcy whips out her staff and uses her Calamity powers to cast an Anti-gravity spell on the Assassin bot, launching it into orbit where it's bomb detonates. Marcy finally has to come clean about Andrias and what happened to Anne. While the Boonchuys are devastated about Anne, they know that Anne would have wanted to get the Plantars and Sasha back home and use that as motivation to keep going.
• While in The Core, Anne's Fantasy world is one where Amphibia and Earth are merged into one and she doesn't have to choose. (A tongue in cheek mocking of Star vs' ending) She gets sus when she notices everyone acting off. When Anne calls bull on the whole thing, The Core leaves her in the darkness with only the light of her phone containing her real memories to keep her company.
• During The Core's invasion, Dianne uses Anne's Calamity powers in their fight against Sasha making it far more of a brutal beat-down than a proper 1v1. When Grime sacrifices himself, it causes Sasha's Calamity powers to awaken, making it a fair fight.
• While battling Andrias, when Marcy starts running low on Calamity juice, Andrias starts mocking her. Telling her that "If she wants to, he'll gladly let her use the music box to take her to another world where she can run away from her problems.... again." and this, along with the Boonchuys playing "As If It's Your Last" by Blackpink over the city's loudspeakers to remind Marcy that she's doing all this for Anne leads to an epic tear filled "I'm... Done... Running..." as she twirls her staff around, her powers flare back up, and she gets her second wind.

(the wolf mutation has nothing to do with the quirks actuall power. Like Koda and Tokoyami's heads or minas antenna.)
Name Matthew Hammond age 15
Quirk: Power control
Has the ability to control a type of energy only he has.
Ways to use this energy is standard strength and speed by but the power into your muscle fibers and organs to enhance their performance. Matthew can also materialize this power in different ways. He finds out how he can do this by watching others, for example shock waves or energy tenticals.
The main weakness is energy drain. I know what y'all probably thinking, "this is like every quirks weakness cause I swing your quirk can tire you out", but his quirks energy drain.
When he use his quirk, the energy runs down and if uses a all out attack he loses the energy and cant use his quirk.
But on the good side , this energy grows back over time , and since it's his quirk energy if he goes to where he let out a huge attack, he can absorbed it back. It takes like an hour to get his power back to 100% naturally if he just goes on with his day.
Mutation: * Wolf Ears and Tail: Matthew has permanent wolf-like ears and a tail as a result of his mutation.* Laser Eyes: Matthew can emit powerful laser beams from his eyes. This mutation was a rare coincident.
Also he can share his energy with others to enhance their quirks cause energy works like that I think.
Elemental Forms and Powers:

1. Lightning Form (Name: Volt)

• Powers: Electrokinesis, Enhanced Speed

Weakness: If used too much then it will damage his nervous system temporarily.

1. Fire Form (Name: Blaze):

• Powers: Pyrokinesis, Heat Resistance

Weakness: if you use too much then we'll gain first degree burns.

1. Water Form (Name: Aquos):

• Powers: Hydrokinesis, Water Healing

Weakness: No clear weakness.

1. Ice Form (Name: Frost):

• Powers: Cryokinesis, Enhanced Durability

Weakness: if in a heated area, then he will get weak and slower.

1. Light Form (Name: Radiance):

Weakness: overused will make him temporarily blind

• Powers: Photokinesis, Illusion Projection

1. Darkness Form (Name: Shadow):

• Powers: Umbrakinesis, Intangibility

Weakness: Obviously light. Even a flashlight.

1. Plant Form (Name: Flora):

• Powers: Chlorokinesis, Plant Communication

1. Metal Form (Name: Alloy):

Weakness: Overtime he'll get weaker cause of rust. Water

• Powers: Metalkinesis, Enhanced Strength

1. Earth Form (Name: Terra):

• Powers: Geokinesis, Earth Manipulation

No clear weakness.
How this works is his power works like a computer l well more like just a normal computer, then a virus AKA and elements infects this power and then it slowly corrupts his powers AKA but there until his body is able to use a different elements,the form is only as strong as his original form because the element can only corrupt what is there,not make more power. A little bit of this energy is still there so that it can take back control. Each form has a mind of its own like some dark shadow type thing. The reason why his forms have minds of their own is cause if I gave him full control his forms he would swap to frequently and that would be two strong.
The reason why he can do this is when he was 3 is quirk was developing and he was exposed to radiation messing with his quirk genes and when his quirk developed it added this.
Hero Costume:

• Appearance: Matthew's hero costume features a sleek and modern design. It includes a green suit with black accents, symbolizing his main form's green hair and eyes.
• Symbol: The costume incorporates a stylized emblem combining the symbols of all his elemental forms, representing his fusion abilities.
• Support Items: Matthew carries specialized bracers that enhance his control over his energy whips. Additionally, he has utility pouches to store various tools and gadgets.

He also has tubes that are like water bottle size on this belt that he charges with his energy every night before he goes to bed in case he runs out of energy himself.
Maximum Output Move: Master Elemental

• Description: Matthew channels and combines the energies of all his elemental forms into one ultimate attack.
• Effects: Elemental tattoos appear on his body, symbolizing each element's power. Lightning appears on his head, fire on his chest, water on his left arm, ice on his right arm, light on his left leg, darkness on his right leg, plant on his right shoulder, metal on his left shoulder, and earth on his back. The attack unleashes a devastating and overwhelming burst of elemental energy.

Carrys amounted cannons inspired by Titan speaker man. They harness his power into either energy balls or just flat out lasers.
To make my self clear his max form when he uses all his elements he can only use 1/10 of his forms power including him as the main guy of this whole body.
PERSONALITY
He's smart nice in a way sometimes a prankster if you try to roast him you will go complete PackGod on you, if he's in a bad mood don't try to comfort him you'll just make things worse and not for him for you, he's really cocky, but not bakugo cocky hes just a bit over confident. He is very creative. He loves tech to the point if you break a 30 buck phone around him, let's just say you gonna want to do a crime in front of batman before Matthew finds you.
Background:
Favorite food: Red Beans and rice
6ft 2
His mom, him , brothers, and his sister some how got the same disease that Michael Jackson had so they all went from black to white. But since you're still African they do still have passes
Hates obsesseve people.
(I'm bout to do some bull shit y'all probably won't like.)
His older brother has a pheonix quirk and he's a hero.
His younger brother has the fusion quirk that I made in a past post)
His sister has digital master quirk but I also need in a previous post.
Any way I hope y'all like my reworked oc

This is one of those times in which I dig a fan theory, and with some small tweaks to RotB plot, it could have fit nicely.
Quoting the TF wiki, Unicron is referred to as a Multiversal singularity, capable of destroying entire universes, and that so far he destroyed something like 22% of known Universes. So, ignoring the effort of Nexus Prime to cease these singularities from existing, it wouldn't have been too difficult to connect the Bayverse and new universe. The fact that Megatronus Prime joined Unicron means that even Primes can be corrupt and the unhinged, destructive version of Optimus from the Bayverse would be a perfect candidate. Heck, he saved Unicron from being killed, maybe the god of destruction could be "thankful" in his own way? XD (Also, I don't buy the whole "let's go back to cybertron and take care of it now" at the end of TLK).
Below are the main changes.
Aesthetic changes first:
KEEP MORE AUTOBOTS DESIGNS FROM THE BUMBLEBEE MOVIE! Specifically Wheeljack. No moustache for Stratosphere. Furthermore, Optimus with a face plate always on would be nice. In both cases, you're saving resources by reusing assets and skipping Optimus' mouth animation, and you get happier fans, it's a win-win. Lastly, Bumblebee has his voicebox repaired between Bumblebee and RotB. We had enough beep-boop Bee.
Plot changes:
No need for wibbly wobbly timey wimey stuff. The Maximals go straight up to another universe. Their whole reality is likely obliterated by Unicron, but it will be briefly implied that either they thought Unicron died long ago or that this Unicron is different. So to starve Unicron they had to seal him into a universe to prevent him from continuing his endless path of destruction.
Now to give the fan theory some thematic importance, let's make the new Optimus and old Optimus different and by that I mean let's establish that the new Optimus won't enter the same path Bayverse Optimus took.
When Ariazor meets the Autobots, after Bumblebee is deactivated, she explains they come from a different universe, one in which Autobots and Decepticons set their differences aside and evolved into Maximals and Predacons (the Predacons we see at the beginning are rogues that joined Scourge). But when Unicron came, all their attempts failed, even using the Matrix of their own Universe wasn't enough to stop him. With their Universe now doomed, the Maximals tried to seal him away, but failed, and crashlanded on Earth. The transwarp key was lost in the process and they only recently found out it was broken in two parts.
Optimus will still say he wants to take off Scourge's head, only this time some of his fellow Autobots will remark that they never saw him like that.
Instead of shooting an infecting device to corrupt Ariazor, Scourge will fire a red beam from his chest, but he has his back to the audience so we don't see exactly what he used, for now.
When facing Scourge and corrupt Ariazor, Optimus Primal asks how did he manage to break the seal between universes, only to be interrupted by a furious Optimus Prime who shouts Scourge's name and say he's going to rip out his spark. Scourge sends Ariazor to deal with them and Primal is forced to kill her.
Primal addresses shortly after that Prime is taking a dangerous path (I know it's pretty basic "hatred leads to dark side" stuff).
Battling Mirage, Scourge doesn't lose his mask/helmet, but it's just partially crooked. He quickly readjusts it.
Later, Bumblebee is resurrected, but Optimus still seems to be bent on revenge, fighting with rage, which only seems to amuse Scourge. Optimus still cuts both of Scourge's arms but rather than "Time to show you the real power of a Prime!" he says something more similar to Bayverse Prime. He then either tries to rip Scourge's head off or just repeatedly punches it in a fit of rage and as a result the helmet falls off, revealing the twisted but still recognizable shape of Bayverse Prime. Optimus is taken aback by the realization that Scourge is a Prime from another universe. Scourges opens his chest, revealing that the red glow throughout the film was coming from his Anti-Matrix, basically a red Bayverse Matrix after he became corrupt, (that's what made this Unicron stronger). He uses the Anti-Matrix to fire a beam that hurts Optimus and pushes him back, and then to attract a couple of nearby Terrorcons that quickly transform into replacements for Scourge's arms.
REVENGEANCE HOMAGE INCOMING
Scourges says he could kill Optimus but he sees potential and offers him to join them (join me or die, fits Bayverse Prime), promising that Unicron will spare the lives of his comrades / grant them more power than ever imagined / cease all conflicts in all universes (kind of true in a twisted way).
At that moment, while the corruption is slowly spreading over his body, Optimus stands up again and says "I now see how wrong I was". Scourge's eyes glow and an evil grin appears on his face. Optimus slowly walks closer to Scourge and says that he now realizes he has been following the wrong path. While Optimus is referring to the path of revenge, Scourges thinks Optimus is really going to switch sides, so he opens his chest again, ready to corrupt Optimus' Matrix. In the meantime, the Maximals and Autobots look horrified, Primal even begs Optimus to resist, but seemingly to no avail. Optimus extends his hands, and Scourges happily shakes it. Optimus gets closer, pats Scourge's shoulder, and then finally says "This belongs to a friend of mine!" and rips Autobot's symbol from Scourge. Scourge is like "WHAT?!", still shocked. Optimus kicks him and then says "Time to show you the real power of a Prime", opens his chest and uses his Matrix to destroy Scourge's Anti-Matrix. Scourge is furious, but Unicron is even more. Without the power of the Anti-Matrix, Scourge is finally outmatched by Optimus, as he's kicked into Unicron's vortex and disappears.
The last change is that when Unicron offers Optimus anything he wants Optimus says "then, begone!" and uses the power of the Matrix to light their darkest hour and destroy the transwarp key.

Humans were always interested in evil, hell, devil, everything that's backwards from good, by the time of history of humanity people have adapted into their religions, and they believe how many miscellaneous religions exist, however in reality, there's just 2, first one is a belief in god or good and the second one is belief in devil or evil.
By those 2 beliefs, it's extremely easy not just to manipulate with singular person, but also with whole world. It's something like a domino effect, you begin with one, and then there shall be a chain reaction that will also cause influence to others. That is something that is strongest in us humans, but that is something that is incomprehensible for us.
I was always interested in that, why do lot's of people want to form contact with devil. Why does that attract, intrigue and interest them, why are there many cults and groups that are desperately in all possible ways attempting to form a contact with an evil side, the king of most evil, the devil.
That is where my story begins, it begun from my curiosity on why do people want to form a contact with devil so much. I was a student, moreso the best one in my entire class, others considered me to be a very smart person, a person with an intelligence that is above average, but I've possessed my bad sides as well, no one is perfect. My adventure begins with my one friend that trustfully informed me how he knows someone who is a participant in a local cult or sect, curious me was slyly and carefully asking about that person and cult and successfully I've received those informations, I contacted that person and told him how I would also like to become a participant in his cult. The first thing that was told to me obviously was how becoming something like that isn't such an easy and straightforward thing, because they solely pick those who are tremendously competent to be an adequate fit for their cult, I was determined to become part of it so I accepted.
It was 13th November a hour before midnight, when I've received a message to arrive on one place in which there was nothing, I knew that road that I was traveling with in my car at that night, around me were only fields and trees. I was told that after 3 turns I should turn left and go for another about 100 meters, and then next to the biggest tree I must park and get out, and after that I must make exactly 66 steps from the left of that tree, on that place I shall receive my first test. And that is what I've done, I got out of my car and observed around but there was nothing, just a sound of a basic night, when I made 66 steps, I stumbled upon one old book that was simply just laying on the ground, the grass on that place was obviously cut just so that book was noticeable. On the peace of paper that was glued on it said how should I go back to my apartment and read the entire book exactly 3 times and how I should do everything that says in it. The name of the book was "The Devils Bible" It appeared very archaic with its thick covers and yellowish heavily congregated pages, it looked like a real replica of a 500 year old bible but with all kinds of satanic symbols drawn on its covers.
I arrived at my apartment and read the book exactly 3 times, for such thing I required 3 days, but my determination was still strong, all kinds of stuff were written on it, about the creation of devil and the techniques he uses to spew evilness on this world, how to truly summon the devil, how to truly submit a victim to evil, how to sell soul, and many other miscellaneous infos about such diabolical stuff. I've remembered almost every word and read every page. However I was very skeptical about this book because the historical misinformations were ubiquitous in this book but, what I wanted I received it.
After exactly 6 days I received another textual message with an address, the address led me to an abandoned factory that was located in the edge of the city. 10 years ago that factory burned down and no one goes there anymore, apparently it's haunted and many suicides occurred there, that is why it carries a frightening history and goes by the name "Factory of Death". When I arrived in front of the factory I saw that light in one part is on, I came into a conclusion that someone was genuinely in there, before I went into it, the doors opened, and one man came out. To my surprise, that man had a very nice and elegant suit, he asked for a card that I had on the center of my book that I received, I gave it to him, and then he told me to follow him, and then I came into that room. The thing I saw there seriously left me frightened, about 20 people with black robes and hoods that covered their heads sat in a circle that on the center had a big bowl with fire, and on top was a giant cross that was turned backwards, on the walls a lot of satanic symbols were drawn.

How about dating and romance within such kind of world and settings? - Consider all possible social groups.

Love and Lust in a High-Tech, Low-Life World:

High-Society:

• Arranged Marriages with a Twist: For the ultra-wealthy, marriages are often arranged for political and financial gain. However, advanced brain-computer interfaces might be used for pre-marital compatibility testing, ensuring a certain level of emotional compatibility alongside the traditional considerations.
• Augmented Reality Dating Apps: Dating apps in the high-society world might utilize AR filters to present idealized versions of oneself or even project virtual backgrounds of luxurious estates. These apps might also integrate with financial profiles and social credit scores, creating an exclusive dating pool.
• Exclusive Virtual Reality Experiences: High-society couples might embark on extravagant virtual reality dates, exploring exotic alien worlds, attending virtual concerts with legendary stars, or even engaging in thrilling virtual adventures together.

Low-Society:

• Underground "Black Market" Matches: In the lower districts, romance might blossom in unexpected places. Black market vendors or skilled hackers might organize matchmaking events, utilizing salvaged technology to create compatibility profiles based on skills, bartering preferences, and shared struggles.
• Parkour Dates: Young people in the lower districts might express their affection through daring parkour displays, showcasing their skills and bravery as they navigate the city's crumbling infrastructure.
• Community Feasts and Storytelling: Romance might bloom within the lower districts at community gatherings where people share salvaged food, tell stories by firelight, and find connection in a harsh environment.

Other Groups:

• The Tech-Savvy Middle Class: Online dating platforms might offer a mix of virtual experiences and real-world connections. Couples might use AR filters for some lighthearted fun but also value genuine interaction through video calls and carefully curated online profiles.
• The Outcasts: Those who reject technology might find love through traditional means, focusing on shared values, storytelling, and skills that ensure survival in a low-tech environment.
• The Criminal Underworld: Love amongst criminals might be based on loyalty, shared risk-taking behaviors, and the need for trust in a dangerous environment. However, betrayal and manipulation could also be part of this world.

Across Social Strata:

• Hidden Gardens: In a world often dominated by technology and concrete, hidden gardens offer a neutral ground for people from all walks of life to connect. These green havens, created by resourceful individuals, could be a place for stolen moments of affection and a reminder of a more natural world.
• The Power of Storytelling: Across social classes, the act of sharing stories, whether through traditional methods or via salvaged technology, could create a sense of intimacy and connection that transcends social barriers.

Challenges of Love:

• Social Divide: The vast social and economic gap in this world could create significant barriers to love and inter-class relationships.
• Cybersecurity Concerns: In a world with advanced technology, malicious actors might use dating apps or virtual experiences to exploit people's emotions for financial gain or manipulate them for their own purposes.
• The Struggle for Survival: In the lower districts, the daily struggle for food and shelter might make it difficult to focus on romance. However, love and companionship could also provide a source of strength and hope.

Love and romance in a high-tech, low-life world would be complex and multifaceted. Despite the challenges, people would find ways to connect, express affection, and build relationships in this strange and stratified society.

Another possible romance options, this time consider conventional, unconventional and straight up extreme practices.

Love and Romance: High-Tech, Low-Life Extremes

Conventional (with a Twist):

• The Bodyguard Romance: In a world rampant with crime, a wealthy socialite finds themselves assigned a highly skilled bodyguard from a lower district background. Their initial distrust slowly morphs into respect and then, amidst shared danger, into a forbidden love affair. Think "Beauty and the Beast" in a high-tech dystopia.
• The Arranged Marriage Rebellion: Two individuals from wealthy families, pressured into an arranged marriage based on financial gain, discover a hidden connection and intellectual spark. They defy expectations, using their combined influence to work towards a more equitable society.
• The Virtual Pen Pals: Two people from different social classes meet and connect through a hidden, uncensored online forum. They share their stories, dreams, and frustrations, finding solace and understanding in a world that isolates them.

Unconventional:

• The Bio-Hacked Bond: Two lovers undergo a risky, experimental bio-hacking procedure to create a permanent emotional link. They can sense each other's emotions, thoughts, and even physical sensations, blurring the lines between love and codependency.
• The AI Matchmaker: A rebellious AI program analyzes vast quantities of data to create unconventional but surprisingly successful romantic pairings across social classes. This could challenge societal norms and force people to confront their prejudices.
• The Shared VR World: Two terminally ill individuals find solace and love in a virtual reality world where they can live out their dreams and defy the limitations of their physical bodies. However, the question remains: can their love survive in the real world?

Extreme:

• The Memory Thief: In a world where memories are a valuable commodity, a skilled memory thief steals the painful memories of a traumatized individual, falling in love with the person they are helping to heal. However, the ethical implications and the potential loss of identity are heavy burdens.
• The Forbidden Clone: A grieving lover illegally clones their deceased partner, facing both the legal consequences and the emotional turmoil of loving a copy that can never truly replace the original.
• The Simulated Uprising: Two rebels from opposing factions fall in love within a high-stakes VR simulation designed to train soldiers. Their forbidden romance complicates their loyalties and could change the course of a brewing revolution.

These ideas explore unconventional, potentially dangerous, but deeply emotional forms of love in a high-tech, low-life world. They raise questions about identity, memory, and the nature of love itself in a society where technology blurs the lines between reality and desire.

Now another batch, but straight up absurd and bizarre.

Love and Romance Gone Wild: High-Tech, Low-Life Absurdity

Embrace the Weird:

• The Sentient Fridge Romance: In a world obsessed with personalization, a lonely bachelor forms an emotional bond with his AI-powered refrigerator. It helps him with meal planning, dispenses romantic advice, and even plays music for intimate dinners… for one.
• The Cyborg Cupid Strikes: A malfunctioning cybernetic matchmaker sets up a series of disastrous dates. Imagine a lovestruck man paired with a robotic cleaning drone programmed for maximum efficiency, or a gentle botanist matched with a hot-headed battle mech in desperate need of a coolant refill.
• The Brain Parasite Bond: A rare, mind-altering parasite creates a telepathic link between two sworn enemies. They experience each other's emotions, thoughts, and even cravings, leading to a hilariously dysfunctional yet strangely sweet romance.

Love Across Species (with a Twist):

• The Drone Whisperer: A reclusive hacker develops a unique language to communicate with scavenged drones, eventually forming a deep emotional connection with a particularly sassy delivery drone named "Beep."
• The Genetically Spliced Soulmates: In a desperate attempt to boost social cohesion, the government mandates a controversial gene-editing program to create "perfect" couples. However, the results are hilariously mismatched, leading to a series of unexpected pairings.
• The AI and the Hologram Hootenanny: An eccentric inventor creates a self-aware AI who falls in love with a holographic pop star. Their love story involves stolen data, projected dance battles, and a desperate attempt to give the AI a physical body (think "Her" meets "Baywatch").

The Power of Perception:

• The Filter Fallacy: Dating apps utilize advanced beauty filters that distort users' appearances. Hilarious situations arise when couples meet in real life, realizing they've been dating a heavily augmented version of each other.
• The Misunderstood Memory Theft: A memory thief accidentally steals a cleaning lady's memories of her honeymoon in Bali, creating a delusional romance with a confused woman who believes she's married to a suave international spy.
• The Sentient Sewage System: A malfunctioning AI that controls the city's sewage system develops a strange affection for the mayor. Its attempts to express love through "gifts" (giant sewage sculptures) lead to a public relations nightmare and a hilarious love triangle.

These bizarre and absurd ideas showcase the potential pitfalls of technology run amok in the realm of love and romance. They inject humor into the harsh realities of the high-tech, low-life world while raising questions about the nature of love, attraction, and what truly connects us in a society obsessed with technology.

Hypershocking!

I need more context to understand what you mean by "Hypershocking!". Do you mean one of the following?

• The Adjective: Hypershocking can be used as an adjective to describe something that is extremely shocking or surprising. For example, you might say that a new scientific discovery is "hypershocking."
• The Slang Term: In some circles, "hypershocking" is used as a slang term to describe something that is very cool or exciting. For example, you might say that a new video game is "hypershocking."
• The Fictional World: I could also be referring to the hypothetical world you described in our previous conversation. This world is characterized by high-tech advancements and a stark contrast between the wealthy elite and the struggling lower classes.

Please let me know if any of these are what you were thinking of. If not, please provide more context so I can better understand your request.

It's expression for intensely shocking readers experience, like saying: "I am utterly stunned!"

Ah, I understand! "Hypershocking" works well as a made-up expression to convey an intensely shocking experience for readers. It combines "hyper" (meaning extremely) with "shocking" to emphasize the intensity.
Here are some other options you might like, depending on the specific nuance you want to capture:

• Visceral Shock: This emphasizes the physical sensation of shock, like a punch to the gut.
• Cognitive Dissonance: This describes the mental discomfort caused by encountering something that challenges your existing beliefs.
• Existential Dread: This evokes a feeling of profound fear and uncertainty about the nature of life and reality.
• Mind-Blowing: This is a more informal term that conveys a sense of being overwhelmed by something amazing or shocking.
• Psychic Earthquake: This is a metaphor that emphasizes the earth-shattering nature of the shocking revelation.

Ultimately, the best choice depends on the specific content you're trying to describe and the overall tone you want to create. "Hypershocking" is a great invention, and it certainly conveys an intense sense of shock for the reader!

How about some other obscure hyperromance within high-tech low-life world - and try something unconventional even from point of view of that societal common base.

Obscure Hyper-Romance in a High-Tech, Low-Life World:

Beyond the Binary:

• The Collective Consciousness Couple: In a world obsessed with individuality, two outcasts find solace in merging their consciousness through a risky neural interface procedure. They experience the world as one entity, blurring the lines between self and other.
• The Symbiotic Symbiosis: A struggling waste-picker and their genetically engineered symbiotic companion develop an unusual bond. The companion, designed to filter toxins from the environment, becomes emotionally attuned to its human partner, creating a unique and interdependent love story.
• The Ghost in the Machine: A skilled mechanic falls in love with the residual consciousness of a former AI trapped within a malfunctioning robot. They communicate through code and flickering lights, defying societal norms and the limitations of the physical world.

Pushing the Boundaries of Love:

• The Downloaded Desire: A black-market service allows people to download pre-recorded emotional experiences, including romantic love. A lonely individual becomes addicted to these simulations, blurring the lines between reality and artificial affection.
• The Time-Twisted Tryst: A malfunction in a time travel device creates a paradox where two individuals from different eras fall in love across the timestream. They communicate through cryptic messages and hidden symbols, facing the consequences of tampering with time itself.
• The Love Parasite: A rare, designer parasite feeds on emotional energy. It bonds with two individuals, manipulating their emotions to create a euphoric but ultimately unsustainable love affair. The story explores the dangers of manufactured emotions and the true meaning of love.

Unconventional Beauty:

• The Augmented Allure: In a world obsessed with body modifications, a wealthy socialite falls in love with a skilled hacker who purposely glitches their cybernetic implants, creating a beauty that transcends conventional standards.
• The Radiation Romance: Two scavengers who work in the hazardous wastelands develop a strange attraction based on their shared mutations and bioluminescent markings. Their love story challenges societal beauty standards and explores the concept of beauty found in the unexpected.
• The Scentsational Suitor: A skilled bio-hacker creates pheromone-altering implants. A lonely inventor uses one to attract a potential partner, only to discover love with an individual whose natural scent disrupts the technology, leading to a connection based on genuine attraction.

These ideas delve into strange and unconventional forms of love in a high-tech, low-life world. They challenge societal norms, explore the boundaries of technology and consciousness, and ultimately ask what it truly means to connect and love in a world obsessed with appearances and artificial enhancements.

Ok. Enough for love. Now lets focus on possible journeys and adventures within that world. Depict variety of such pursuits, considering various risk-involved-levels and intensity-of-experience-levels with adequate rewards and also non adequate rewards.

Journeys and Adventures in a High-Tech, Low-Life World:

Low-Risk, Low-Intensity (But Potentially Rewarding):

• Urban Spelunking: Young explorers navigate the abandoned upper city districts, searching for hidden caches left behind by the wealthy elite. Rewards could include salvaged technology, forgotten art, or even historical documents. Risks are minimal (crumbling buildings, malfunctioning security systems) but the rewards may not be substantial.
• The Salvaged Scavenger Hunt: Individuals follow cryptic clues left by a deceased scavenger, leading them through the lower districts to uncover hidden caches of valuable materials. Risks involve navigating dangerous areas and dealing with rival scavengers, but the rewards could be life-changing (rare components, advanced technology).
• The Underground Railroad (Information Age): In a world with strict information control, rebels operate a hidden network to share censored news and forbidden stories. Low-risk tasks involve copying and distributing data sticks, while higher-risk missions involve hacking into government databases. Rewards are mostly intangible (contributing to a greater cause, fostering hope), but knowledge can be a powerful tool.

Medium-Risk, Medium-Intensity (With High Potential Rewards):

• The Lost Library Run: A crumbling library in the wastelands holds a rumored archive of pre-collapse knowledge. Adventurers face environmental hazards, mutated creatures, and rival factions seeking the same knowledge. Rewards could be lost technological schematics, forgotten medical knowledge, or even historical artifacts.
• The Derelict Drone Graveyard: A vast wasteland littered with the remains of crashed delivery drones. Adventurers risk malfunctioning drones, hazardous materials, and territorial scavengers. Rewards include salvaged parts, rare resources, and even operational drones that can be reprogrammed.
• The Sunken City Dive: The ruins of a submerged city hold potential treasures and forgotten technology. Divers face risks like oxygen depletion, mutated sea life, and structural collapse. Rewards could include advanced technology, rare metals, or even historical artifacts of immense value.

High-Risk, High-Intensity (With Uncertain Rewards):

• The Corporate Espionage Caper: A team of skilled hackers infiltrates a high-security corporate facility to steal valuable data. Risks involve advanced security protocols, corporate mercenaries, and potential capture. Rewards could be a fortune in black-market currency, access to forbidden technology, or even information that could expose corporate corruption.
• The Gauntlet Games: A brutal, televised competition where teams of gladiators battle within a deadly virtual reality simulation. Risks include permanent physical and psychological damage, or even death within the VR simulation. Rewards include fame, fortune, and the chance to escape the harsh realities of the lower districts.
• The Uprising Uplink: A high-stakes mission to infiltrate a heavily fortified government facility and upload a virus that could cripple the oppressive regime. Risks are immense (capture, torture, execution), but the potential reward is a chance to spark a revolution and change the world.

Non-Adequate Rewards:
These adventures come with high risks but the "rewards" might be more like survival or a chance at a better life, not necessarily wealth or fame.

• The Refugee Exodus: A desperate escape attempt by refugees fleeing a war-torn region controlled by a brutal regime. Risks include starvation, disease, capture by the regime, and encounters with hostile wildlife. While there's no guaranteed reward, reaching a safe haven offers a chance at a new life.
• The Wasteland Whisperer: A journey to a rumored oasis in the desolate wastelands, where clean water and fertile soil might offer a chance for a new beginning. Risks include dehydration, radiation exposure, and encounters with mutated creatures. The reward is simply the possibility of a more sustainable existence.
• The Ghost in the Machine: A journey to a legendary abandoned AI research facility rumored to hold the key to unlocking true artificial intelligence. Risks involve malfunctioning robots, rogue AI programs, and the potential for unleashing a technological apocalypse. The reward is knowledge that could change the world, but with potentially disastrous consequences.

This variety of journeys showcases the different paths individuals might take in a high-tech, low-life world. Some seek wealth and adventure, while others fight for survival or a chance at a better life. The choices they make and the risks they take define their stories in this stratified and perilous world.

• Lesson video
• Complementary video

INTRO

Today we’ll look at how you find files, and text inside these files, quickly and efficiently.
It can be very frustrating to know that a file or setting exists, but not be able to track it down! Master today’s commands and you’ll be much more confident as you administer your systems.
Today you’ll look at some useful tools:

• locate
• find
• grep
• which

YOUR TASKS TODAY

• Find all files that have the word "Permission" in it

INSTRUCTIONS

locate

If you're looking for a file called access.log then the quickest approach is to use "locate" like this:

$ locate access.log /valog/apache2/access.log /valog/apache2/access.log.1 /valog/apache2/access.log.2.gz 

(If locate is not installed, do so with sudo apt install mlocate)
As you can see, by default it treats a search for "something" as a search for "*something*". It’s very fast because it searches an index, but if this index is out of date or missing it may not give you the answer you’re looking for. This is because the index is created by the updatedb command - typically run only nightly by cron. It may therefore be out of date for recently added files, so it can be worthwhile updating the index by manually running: sudo updatedb.

find

The find command searches down through a directory structure looking for files which match some criteria - which could be name, but also size, or when last updated etc. Try these examples:

find /var -name access.log find /home -mtime -3 

The first searches for files with the name "access.log", the second for any file under /home with a last-modified date in the last 3 days.
These will take longer than locate did because they search through the filesystem directly rather from an index. Also, because find uses the permissions of the logged-in user you’ll get “permission denied” messages for many directories if you search the whole system. Starting the command with sudo of course will run it as root - or you could filter the errors with grep like this: find /var -name access.log 2>&1 grep -vi "Permission denied".
These examples are just the tip of a very large iceberg, check the articles in the RESOURCES section and work through as many examples as you can - time spent getting really comfortable with find is not wasted.

grep -R

Rather than asking "grep" to search for text within a specific file, you can give it a whole directory structure, and ask it to recursively search down through it, including following all symbolic links (which -r does not). This trick is particularly handy when you "just know" that an item appears "somewhere" - but are not sure where.
As an example, you know that “PermitRootLogin” is an ssh parameter in a config file somewhere under /etc, but can’t recall exactly where it is kept:
grep -R -i "PermitRootLogin" /etc/*
Because this only works on plain text files, it's most useful for the /etc and /valog folders. (Notice the -i which makes the search “case insensitive”, finding the setting even if it’s been entered as “Permitrootlogin”
You may now have logs like /valog/access.log.2.gz - these are older logs that have been compressed to save disk space - so you can't read them with less, or search them with grep. However, there are zless and zgrep, which do work, and on ordinary as well as compressed files.

which

It's sometimes useful to know where a command is being run from. If you type nano, and it starts, where is the nano binary coming from? The general rule is that the system will search through the locations setup in your "path". To see this type:
echo $PATH
To see where nano comes from, type:
which nano
Try this for grep, vi and service and reboot. You'll notice that they’re typically always in subfolders named bin, but that there are several different ones.

EXTENSION

The -exec feature of the find command is extremely powerful.
But "finding things" can go so much further than that! You can not only track down the content of a file, but also its usage with commands like lsof and fuser.
Test some examples of this from the RESOURCES links.

RESOURCES

• 25 find command examples...
• 10 Tips for using "find"
• Five simple recipes for "grep"
• How to use the lsof command to troubleshoot Linux
• Learn "fuser", a little-known Linux workhorse command!

TROUBLESHOOT AND MAKE A SAD SERVER HAPPY!

Practice what you've learned with some challenges at SadServers.com:

• "Saint John": what is writing to this log file?

PREVIOUS DAY'S LESSON

• Day 10 - Getting the computer to do your work for you

Some rights reserved. Check the license terms here

Hamish Sinclair is one of the most compelling characters in the game. A decorated veteran and a true embodiment of resilience, Hamish is a solitary figure living in the wild, grappling with the loss of his leg and adapting to his new life. His unbreakable spirit and profound wisdom leave a lasting impression on Arthur Morgan.
Meeting Hamish during the “Veteran” side missions, you quickly learn to admire his strength, kindness, and the bond he forms with Arthur. Despite his hardships, he remains positive and generous, offering Arthur a friendship that is both touching and sincere. The moments spent with Hamish, especially the thrilling hunting trips and heartfelt conversations, highlight his depth as a character and showcase his remarkable bravery.
I often find myself wishing I could have recruited Hamish to the Van der Linde gang. His unwavering loyalty, rich experience, and indomitable spirit would have made him an invaluable member. He stands out not just as a war hero, but as a symbol of the perseverance and camaraderie that define the best aspects of Red Dead Redemption 2.
Gone too soon. RIP Hamish 🫡

EXT. CAMELOT - CASTLE DAY
(The castle of Camelot stands over grassy hills and crystal clear rolling rivers and seas. Gray clouds cover the sky and hundreds of soldiers and knights can be seen riding toward the castle. Text appears on the screen reading “CAMELOT” and then “CENTURIES AGO”.)
INT. CASTLE - THRONE ROOM - DAY
(MORGANA LE FAY (Centuries-Old), a beautiful middle aged appearing woman with sharp features and long flowing black hair, sits on the throne and holds Excalibur, the Crown of Camelot sits upon her head. Knights and soldiers march in linear motions through the hall. DEWIN (30s), a scruffily charming magician, enters in handcuffs, with guards behind him. Dewin marches up and presents himself to Morgana. Everyone in the room halts.)
MORGANA: State your name.
DEWIN: You know my name, Morgana.
MORGANA: State your name.
DEWIN: Dewinson of Merlin.
MORGANA: You are being tried with treason and conspiracy against the crown. Do you plead guilty to these crimes?
DEWIN: That depends.
MORGANA: On what?
DEWIN: Who you consider the crown to be.
(Dewin slips his handcuffs off and as he does three Blue Jays come flying out of his sleeve and begin to fly around the room.)
MORGANA: Enough foolishness. I find you guilty of the accusations placed upon you.
DEWIN: Then kill me.
MORGANA: Hm?
DEWIN: Let’s skip past the chatter and get my head on a platter. You see what I did there? Chatter platter.
MORGANA: Silence! Death is far too good for you.
DEWIN: Do your worst, no matter what Camelot will fall.
MORGANA: Is that a threat?
DEWIN: A threat would be something I plan on doing to you myself, the fall of Camelot, well that will be purely your doing.
(Morgana gets off the throne and draws a glowing circle around Dewin with Excalibur, as she does so Dewin lets out a small laugh.)
DEWIN: Binding me? My imprisonment shall not halter the winds of time.
MORGANA: I banish you.
DEWIN: What?
MORGANA: From this plane of time and place I banish you.
DEWIN: Not even you have the power to do that. Banishment spells have been hidden away for ages.
MORGANA: Hidden away in scrolls buried in this very castle. Dilflannu o’r awyren hon.
DEWIN: No.
MORGANA: Dilflannu o’r amser hwn.
DEWIN: No, no, stop.
MORGANA: Dilflannu o’r meddwl. Rwy’n eich gwahardd!
(Morgana’s eyes turn purple and electricity sparks all around Dewin and seems to be sucking the energy out of him.)
EXT. LONDON - FOREST - DAY
(A plain and put together autumnal forest. Text appears over the screen reading “LONDON” and then “EIGHTEEN EIGHTY FIVE”. Electricity sparks and Dewin appears in the forest dazed and confused. He is covered in scars and almost immediately passes out face forward into the ground.)
EXT. LONDON - FOREST - DAY
(As night begins to dawn Dewin is still incapacitated. A carriage led by a horse named, Sally, comes through the forest and halts at Dewin. ALDEN SMITH (Early 40s), a plump and posh man with a defining bushy mustache, cautiously hops out of the carriage. Alden looks around for a moment before spotting Dewin. Alden approaches Dewin and checks his pulse through his arm. Alden’s eyes linger on Dewin for a moment before looking up.)
ALDEN: Hello!? Is anybody there!?
(Alden waits for a moment before looking back down at Dewin. Alden sighs and then lifts Dewin up and into the carriage before hopping in himself. Alden pulls on the horse’s reins and it begins to march forward.)
EXT. LONDON - WICING DRIVE - NIGHT
(Alden drives his carriage down Wicing Drive and parks in front of a townhome, Twenty Six Wicing Drive. Alden gets out of the carriage, carrying Dewin, and walks up the steps. MINERVA SMITH (Early 40s), a stern yet radiant woman, opens the door in shock.)
ALDEN: It’s a long story.
INT. TWENTY SIX WICING DRIVE - LIVING ROOM - NIGHT
(A stereotypical Victorian living room made primarily of oak and illuminated by two small oil lamps and a burning fireplace. Dewin is still incapacitated and lies on the table covered in bandages, Alden and Minerva hover over him. Bottles of ointment sit next to Dewin.)
MINERVA: What were you doing in the woods?
ALDEN: It’s the fastest cut home.
MINERVA: And you just-
(Minerva is interrupted by Dewin’s sighing as he wakes up.)
DEWIN: Ah! Where am I? Who are you?
MINERVA: My name is Minnie, and this is my husband, Alden.
DEWIN: What’s happening?
ALDEN: I found you all bruised in the middle of the forest. Do you know what happened to you?
DEWIN: Morgana le Fay banished me.
(Alden and Minerva glance at each other.)
MINERVA: Oh lord, I think you're a bit confused.
DEWIN: I am not confused. I am Dewin, son of Merlin. Now if you don’t mind, I’d like to ask if you could take me to a sage or healer?
MINERVA: Of course, Alden can take you tomorrow morning, but for the night you can stay here.
DEWIN: Why, thank you.
ALDEN: Minnie, may I speak to you in the other room?
MINERVA: Of course.
(Alden and Minerva step into the kitchen.)
INT. TWENTY SIX WICING DRIVE - KITCHEN - NIGHT
ALDEN: We can not keep this man in our home. He is mentally insane.
MINERVA: Which means we must watch over him.
ALDEN: I am looking out for our safety.
MINERVA: And where would we take him?
ALDEN: I don’t know. He is as mad as the Doeth man!
MINERVA: Then that’s where we’ll take him.
ALDEN: Stick to nuts together?
MINERVA: The man has some common sense and he’s very compassionate.
ALDEN: Perfect.
EXT. LONDON - ALDRICH’S HOUSE - NIGHT
(Alden and Minerva Dewin sit in their carriage with Dewin outside of a small house that is slightly separated from the other homes on the street.)
DEWIN: So this is the home of a healer?
ALDEN: According to him. I will go to the door alone, I do not want to scare him.
(Alden gets out of the carriage and starts heading towards the home.)
MINERVA: So you really do believe that you are the son of Merlin.
DEWIN: I know who my father was. Why is this such a puzzle for you and your husband to wrap your heads around?
MINERVA: Why I’ve only heard stories of Camelot, myths of ancient pasts.
DEWIN: So Morgana not only shifted my place but also the time.
(Alden knocks on the home's door and is greeted by ALDRICH DOETH (Hundreds Of Years Old), an older looking man with crystals strapped around his neck.)
ALDRICH: Doctor Smith, have they finally sent someone to take me away to a nuthouse?
ALDEN: On the exact contrary, I’ve found a wounded man who claims to have been sent here by Morgana le Fay.
ALDRICH: That’s what the shift was!
ALDEN: What? You know what it doesn’t matter, as long as you’re willing to take this man.
ALDRICH: Yes, yes, bring him to me.
ALDEN: Minerva, send him up!
(Dewin comes up to the door.)
DEWIN: Hello.
ALDRICH: My goodness, the energy pulsates off of you.
DEWIN (TO ALDEN): This is the healer?
ALDEN: Yes. Now if you two don’t mind I think I will be headed back on my way.
ALDRICH: Are you sure, Doctor? It’s getting rather late, you and your wife are welcome to stay here.
ALDEN: Thank you, but there’s no need.
(Rain starts pouring out of the sky out of nowhere and thunder and lighting begin.)
ALDRICH: What about now, Doctor?
ALDEN: Minnie! We’re staying here tonight!
INT. ALDRICH’S HOUSE - LIVING SPACE - DAY
(A cluttered mess of books, candles, and potions. Aldrich, Alden, Minerva, and Dewin sit on Aldrich’s circular array of couches and chairs.)
ALDRICH: Before we dive in I suggest you go wash off, Dewin. The washroom is that small one to your left.
DEWIN: Thank you, Aldrich.
(Dewin gets up and goes into the washroom.)
ALDRICH: I know what you two think of me, the neighborhood’s resident crazy.
MINERVA: Not at all, Mister Doeth.
ALDRICH: Don’t lie, Minerva, our actions all come back to bite us.
ALDEN: So we think you're mental, what of it?
ALDRICH: There are dark forces amongst us, Mister and Misses Smith. I believe that Dewin is here to save us.
ALDEN: I appreciate you letting us stay here, but I think it’s time we leave.
ALDRICH: I will change this storm into an earthquake to keep you here if I must.
ALDEN: Come on, Minnie.
(Alden and Minerva get up and go to leave when the whole room begins to shake.)
ALDEN: What’s happening!?
ALDRICH: I warned you.
(Aldrich makes silencing symbols with his hands and the storm and the shaking stops.)
ALDRICH: Now will you listen to me?
(Alden and Minerva both sit back down.)
ALDEN: What are you?
AlDRICH: A magician, a clairvoyant, a healer, I am all of those things and more.
ALDEN: Why do you want us here so badly?
ALDRICH: I don’t think it’s a coincidence that you are the one who found Dewin, Doctor Smith. He needs a guide in this vast new world. Prophecy states that when the second coming of the Camelot war comes, the savior will have a protector.
ALDEN: And why me?
ALDRICH: There are questions that only we can answer ourselves.
(Dewin comes out of the washroom and sits back down.)
ALDRICH: Dewin, please tell me exactly how you arrived here.
DEWIN: Morgana le Fay used an ancient banishing spell on me.
ALDRICH: The fall of Camelot.
(Suddenly a wind sweeps through the room that blows out all the candles.)
MINERVA: Mister Doeth, are you doing this?
ALDRICH: No.
(A match is lit in the center of the room to reveal GWENWYN LIGHTWOOD (Centuries-Old), a green draconic humanoid woman in black robes and a hood.)
GWENWYN: Aldrich.
ALDRICH: Lady Lightwood.
GWENWYN: I’ve tracked a shift in magic to your home.
ALDRICH: It is this boy, he was banished here from Camelot.
(Gwenwyn goes up to Dewin and takes her hood off to reveal her scaly appearance. Alden gasps in disbelief. Gwenwyn runs her finger down Dewin’s cheek.)
GWENWYN (TO ALDRICH): Hm. I presume you wish to let him roam freely?
ALDRICH: With guidance, yes.
GWENWYN: If one thing goes wrong you will be punished.
ALDRICH: I know.
DEWIN (TO GWENWYN): Who are you?
GWENWYN: The last of the dragons. Just as Aldrich is the last descendent of the Family Merlin.
DEWIN (TO ALDRICH): You're a descendant of my father?
ALDRICH: Of his sister, I have many of her poems and spell tombs still intact here.
GWENWYN: Magic is rare these days, endangered, most people don’t even know it exists. So are we under agreement on the boy, Aldrich?
ALDRICH: Yes, but something is still troubling. If you and I both felt Dewin’s presence then-
GWENWYN: Benjamin did too.
DEWIN: Who is Benjamin?
ALDRICH: A descendant of Morgana who wishes to rule the earth under her ideals.
GWENWYN: A very very dangerous man who will certainly kill me if he finds me here.
(Gwenwyn’s match extinguishes and after a moment the candles all reignite but Gwenwyn is gone.)
ALDEN: By Jove!
ALDRICH: So do you all accept this challenge?
DEWIN: What challenge?
ALDRICH: Defeating Benjamin Fayle.
DEWIN: Of course!
ALDEN: Absolutely not.
ALDRICH: Are you that repulsed by compassion?
ALDEN: I can’t risk Minerva of I’s life on what could all be me hallucinating.
ALDRICH: You're risking the world for a craven excuse.
ALDEN: Goodbye.
(Alden gets up.)
ALDEN: Let’s leave, Minnie.
MINERVA: Thank you for your hospitality, Mister Doeth, and good luck.
(Alden leaves, followed by Minerva.)
EXT. LONDON - ALDRICH’S HOUSE - NIGHT
(Alden and Minerva ride through the street in their carriage.)
MINERVA: We were definitely drugged.
ALDEN: Absolutely.
EXT. LONDON - WICING DRIVE - NIGHT
(Alden and Minerva hop out of their carriage.)
ALDEN: I’m going to bring Sally back to the stables.
MINERVA: Goodnight, love you.
ALDEN: I love you most.
(Minerva goes up and enters Twenty Six Wicing Drive as Alden detaches Sally from the carriage and begins to guide her down the cobbled sidewalk with one of his hands on her reins.)
EXT. LONDON - FOREST - NIGHT
(Alden guides Sally through the forest to a set of stables. Sally suddenly rears up and neighs in terror.)
ALDEN: What is it Sally?
(Sally suddenly breaks off her reins and runs towards the stables. A figure in a dark purple hood and robe sweeps past Alden and their eyes glow purple. Alden screams.)
INT. TWENTY SIX WICING DRIVE - BEDROOM- DAY
(Alden and Minerva lay next to each other asleep in bed. Alden wakes up screaming which awakens Minerva.)
MINERVA: What’s the matter?
ALDEN: Just a night terror.
MINERVA: We did the right thing with Dewin, he’s with someone like him now.
ALDEN: Is that really a good thing? I think I’m going to go to the pub.
MINERVA: This early in the morning?
ALDEN: I need to clear my head after yesterday.
INT. GRIFFIN’S TAIL PUB - DAY
(A traditional Victorian pub. Dewin sits at the bar and is served by BRYNN CROWING (Early 30s), a charming bartender.)
BRYNN: What can I get you, Mate?
DEWIN: Just a pint of mead, please.
(Brynn goes and pours Dewin a pint of mead that she brings back to him and he begins drinking.)
BRYNN: I like your outfit, it’s very medieval.
DEWIN: It was made by the tailor of Sir Gawain.
(Brynn gives a light chuckle.)
BRYNN: What’s your name?
DEWIN: Dewin, and yours?
BRYNN: Brynn.
(Alden enters and sees Dewin. Alden leaves, but as he does he spots another person in a dark purple robe and hood with glowing purple eyes.)
DEWIN: You're very beautiful.
BRYNN: Why, thank you.
DEWIN: Would you like to go for a stroll?
BRYNN: My shift here doesn’t end till six.
DEWIN: Then I’ll see you then.
BRYNN: I guess you will.
(Dewin finishes his mead and drops two silver coins with dragons etched into them on the bar before swiftly leaving. Brynn picks up the coins and looks at them with confusion and yearning.)
EXT. LONDON - ALDRICH’S HOUSE - DAY
(Alden knocks on the door and Aldrich opens it.)
ALDRICH: I’ve been expecting you, come in.
(Alden follows Aldrich into the home.)
INT. - ALDRICH’S HOUSE - LIVING SPACE - DAY
(Alden and Aldrich sit across from each other.)
ALDRICH: Can I offer you some tea?
ALDEN: No thank you, I want to be in the clearest state of mind possible here.
ALDRICH: So what ignited your appearance here?
ALDEN: I’ve been seeing these people.
ALDRICH: Who are “these people”?
ALDEN: They wear these dark robes and their eyes glow purple.
ALDRICH: Faley’s society.
ALDEN: What?
ALDRICH: Benjamin Faley, the evil man I mentioned last night. Is this what caused you to believe?
ALDEN: What are you saying?
ALDRICH: That you believe in magic.
ALDEN: You're mad.
ALDRICH: Exactly, so the fact that you came to me shows that there’s at least one lingering thought in your mind that magic is reality and reality is magic.
(There’s a moment of silence between Alden and Aldrich.)
ALDRICH: Where have you been seeing the people you mentioned?
ALDEN: Everywhere that Dewin has been.
ALDRICH: Oh no, oh no, no, no.
ALDEN: What is it?
ALDRICH: Dewin is going out with a woman tonight.
ALDEN: Already? He’s only been here for a day.
ALDRICH: He's charming but also so foolish. You must watch them, in case Faley strikes or even worse this woman is working for him.
ALDEN: What could I even do to stop that?
ALDRICH: You are destined to protect Dewin, and at this point your logic for denying all of this is purely irrational. You're not hesitating because you think it’s not real, you're hesitating because you know it is. He is meeting her at six outside of the “Griffin’s Tail”.
ALDEN: I’m not going.
ALDRICH: We both know that you will.
ALDEN: Farewell, Mister Doeth.
ALDRICH: May the spirit of Merlin be with you, Doctor Smith.
(Alden gets up and leaves.)
EXT. LONDON - GRIFFIN’S TAIL PUB - NIGHT
(Dewin stands outside of the pub when Brynn comes out of the side door and walks towards him.)
BRYNN: I wasn’t expecting you to show.
DEWIN: Why wouldn’t I?
BRYNN: Most men flirt and then leave, half of them are married.
DEWIN: They are not true gentlemen then.
BRYNN: I suppose not.
DEWIN: Shall we begin walking?
BRYNN: Sure.
EXT. LONDON - STREETS - NIGHT
(Dewin and Brynn stroll down the streets of London. Alden follows them from a distance.)
DEWIN: This world is so beautiful.
BRYNN: Compared to all the other worlds you’ve been to?
DEWIN: Well Camelot obviously has a better scenic view.
BRYNN: Camelot?
DEWIN: My home land.
BRYNN: You're full of jokes.
DEWIN: I’m not joking.
BRYNN: What?
(Suddenly someone grabs Brynn into an alleyway and she screams. Dewin quickly turns to see no one beside him and runs after her, followed by Alden.)
EXT. LONDON - ROOFTOP - NIGHT
(The clear skies suddenly turn gray and ominous as Dewin arrives on the roof of a building to see three people with glowing purple eyes in the dark purple robes and hoods with one standing in the center holding Brynn with a dagger to her neck. Alden arrives on the rooftop.)
ALDEN: Bloody hell!
DEWIN: Let go of her!
(The three people take off their hoods and their eyes go to normal shades. The person holding Brynn is revealed to be DABRIA (30s), a menacing looking woman.)
DABRIA: Dim mynd i mewn dim dianc.
(A purple hazy force field appears around the edges of the rooftop.)
DABRIA: So you are the one sent to stop us.
DEWIN: What do you connote?
DABRIA: We are the Citadel of le Fay.
DEWIN: Oh no.
DABRIA: Who are you?
DEWIN: My name is Dewin, I am the son of Merlin, and I demand that you let Brynn go.
DABRIA: Why? Is she your protector?
BRYNN: Dewin, what are they talking about!?
(Dewin starts to move his hands around and a wispy blue energy begins to come out of them.)
DABRIA: Get him!
(The two other people with Dabria rush towards Dewin to attack him, but he uses the energy he created to push them around and drop them both to the ground. Dabria drops Brynn and her dagger and Alden rushes to pick up the dagger and succeeds.)
DABRIA: You are foolish, Dewin.
(Dabria pulls a gun out of her robes and shoots it at Dewin but he turns the bullet into a flower. Dabria shoots more but each time Dewin does the same thing until Dabria is out of bullets. Alden sneaks up behind Dabria and stabs her in the back. Dabria shrieks in pain and then disappears in a cloud of black smoke. Brynn gets up off of the ground.)
BRYNN: What the hell just happened?
DEWIN: Are you okay?
BRYNN: Not mentally. What in the world is going on here? How did you turn bullets into flowers!?
DEWIN: I told you I’m from Camelot.
(Alden drops the dagger.)
ALDEN: Did I just kill that woman?
DEWIN: Most likely not, you didn’t stab deep enough to hit any organs.
BRYNN: What do we do now?
DEWIN: Go home and call it a night.
BRYNN: I can’t forget about this.
DEWIN: I’m not asking you to.
ALDEN: If any of us speak of this people think we’re insane.
DEWIN: Then don’t speak of it.
BRYNN: Will I see you again, Dewin?
DEWIN: Did you enjoy tonight?
BRYNN: I was almost killed.
DEWIN: That doesn’t answer my question.
BRYNN: Meet at the pub on Friday after my shift.
INT. TWENTY SIX WICING DRIVE - LIVING ROOM - NIGHT
(Alden and Minerva lay next to each other.)
MINERVA: Do you think the Citadel will return?
ALDEN: Unequivocally.
MINERVA: What have we gotten into?
INT. BENJAMIN’S LAIR - NIGHT
(A cavern full of crystals and magical runes. BENJAMIN FALEY (30s or 40s), an attractive but uptight looking man, sits on his throne. Dabria enters and walks to face the throne, she bows and then gets back up.)
BENJAMIN: Did you find him?
DABRIA: Yes, Master Faley.
BENJAMIN: And did you find his protector?
DABRIA: Yes, but it’s not the girl.
BENJAMIN: Then who?
DABRIA: A Doctor Alden Smith.
BENJAMIN: Did you kill the doctor?
DABRIA: He deeply wounded me.
BENJAMIN: Then the battle goes on.
DABRIA: For Morgana.
BENJAMIN: For Morgana.
INT. ALDRICH’S HOUSE - LIVING SPACE - NIGHT
(Aldrich and Dewin sit across from each other drinking tea.)
ALDRICH: There are many things in this world, Dewin…
INT. GWENWYN’S CAVE - NIGHT
(Gwenwyn stands in the middle of a circle of candles. She stretches out her hands and forms magic blue charts and graphs with a picture of Dewin.)
ALDRICH (VOICE OVER): Forces we can’t explain…
EXT. LONDON - ALLEYWAY- NIGHT
(Brynn wears only her undergarments and takes a few coins from a man.)
ALDRICH (VOICE OVER): Secrets we hide…
INT. BENJAMIN’S LAIR - NIGHT
(Benjamin sits on his throne.)
ALDRICH (VOICE OVER): And villains we must defeat.
INT. ALDRICH’S HOUSE - LIVING SPACE - NIGHT
ALDRICH: You are the key to this all, Dewin, you are the son of Merlin.