Can you imagine poems

Collecting anything you can imagine!

2010.04.02 19:27 dunderjeep Collecting anything you can imagine!

Welcome to Collections, the gateway to all things collecting. Use the stickied post to navigate to other collecting subreddits or post your collection here!
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2015.05.15 20:14 jewbacabra Discord - Imagine a Place...

Imagine a Place... where you can belong to a school club, a gaming group, or a worldwide art community. Where just you and handful of friends can spend time together. A place that makes it easy to talk every day and hang out more often.
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2010.03.31 01:21 MrDanger The Big Lebowski

Okay sir, you're lebowski, I'm a lebowski, that's terrific, but I'm very busy, as I can imagine you are. What can I do for you, sir?
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2024.05.20 00:50 mistery_gurl Are GTAO players generally ugly average or attractive? Rate yourself !

Are GTAO players generally ugly average or attractive? Rate yourself !
Okay so, I (F27) started playing recently I’d say the past 3 months, (I used to play it a looooong time ago then I moved onto different games and now I’m back on GTA) and I’ve gotten to make some friends on there, but I always wonder what they’d look like and their ages etc and if that would have an effect on my interest in continuing playing with them (for some reason, I don’t know why, but I like the fact they’re just characters I know nothing about, then when I get curious I start to put myself off imagining some old crusty ugly creep on the other end or a little 15 year old KID ! )
I’m a 27 yo female I can confidently say I’m an attractive woman and have always been, anyways anytime I tell anyone I play GTAO they’re like what?! You?! So now it’s making me think, why does everyone react like this ? Is everyone supposed to be an ugly old fat balding creep with no life and no job on there or a 15 year old kid covered in acne in bifocals with zero friends or do normal people like me play it too? Why are people shocked I play?
Now I have this constant intrusive thought of omg this person I’m playing with is an ugly creep with no life no job no ambition no savings cluttered smelly house and potentially illegal interests or a little child. It’s lowkey ruining the experience now for me
Also, I had one weirdo try to add me to his crew of girls and I was so excited thinking finally I’ll have some girl friends to play with, anyways, they shared their instas on the GC and I was left bewildered
The guy who created the crew was a fat, bald, 42 year old man. HE WOULD MESSAGE LIKE A GIRL !! I was so icked out !! And the of the girls that did share their insta (2 of them) were just not attractive in my opinion, which tbh didn’t bother me, but something ing about that man with his weird girly childish way of talking and being a whole ass 42 year old fat bald man scared tf out of me
Now I’m just scared to play with randoms and it’s hard to find the time to play with my irl guy friends who do play and about 1 girl mate who plays 💔 although these friends of mine are pretty average to good looking, so I’m thinking maybe not all of the players will be creepy like that guy
Anyway, if you’re not a creepy man, hit me up if you wanna play
Oh also rate yourselves please, I just want to see what most of you guys think your attractiveness level is and ages are to see if there’s any relationship between playing GTAO and attractiveness/age (or age range if you’re not comfortable)
Thank you and sorry if this comes off rude !!! Xxx (pic is Madison Beer playing bc she is the ultimate hot gamer girl)
submitted by mistery_gurl to gtaonline [link] [comments]


2024.05.20 00:50 Sarah_UP1 New baby girly setup! And minimizing stress question

New baby girly setup! And minimizing stress question
My daughter wanted girly! I also want safe and healthy for the snake. Does everything look ok? Super washed everything before putting it in and it is all made for reptiles or aquariums but I want to be sure. I’ll be covering 3 sides, just waiting for a background I ordered. Baby corn snake is curled up on top of the wood hide out of sight and seems happy but I’ve only had her a couple days, holding off on handling until she’s more settled, and first feeding attempt is tomorrow. I really need to cut the mat at the bottom better, as you can see it’s not all the way flat because it isn’t cut to size perfectly 🤦‍♀️ I’d have to take everything out to do that, and at that point I want to switch to coconut fiber bedding. I imagine this would cause much stress right now and I feel bad changing things right after she gets used to them too. When would be an appropriate time to make the switch? Does it also stress the snake to rearrange things (plants, hides)? I’m not going to move anything at all for awhile but I know my daughter will ask me to randomly move things and “redecorate” at some point. Am I correct to think this should be avoided if not necessary, or is it not a big deal? Thanks in advance for any tips or advice. I know temps and humidity are most important so I sorted that out first and that seems steady where we want it so far. And this is definitely a temporary enclosure of course, only 20g.
submitted by Sarah_UP1 to cornsnakes [link] [comments]


2024.05.20 00:48 MaverickHunterBlaze Luigi x Saiko - The Most Underrated Pairing? An Essay On Why It's My OTP

TL;DR: Luigi and Saiko have the potential to be a pairing with fun contrasting personalities and character growth potential while working with what's there in canon already without much if any change.
Time for something a bit... different for this sub, at least from what I can tell. I only just joined yesterday thanks to Medi's recent video.
Before we begin, I want to start off by saying that this is in no way a "my ship is better than yours" post. You are all free to like what you want, all I'm doing is trying to spread love for a pairing I hold so dear, and why I wish more people knew what's special about it. In other words, don't take this the wrong way. With that out of the way...
Saiko Bichitaru is my favorite SMG4 character. It took a bit for me to appreciate her, but as a fan of the show since 2013, as her debut year of 2018 went by and she continued to develop into a core cast member, I thought that for a show like this it was a very well-executed character arc, with a pretty heartwarming conclusion to boot. In the years since, besides perhaps 2019 which I thought was pretty good for her character, she took a step back in favor of other characters getting the spotlight, which isn't necessarily a bad thing but part of me does wish they got to utilize certain dynamics with her more. Tari and Kaizo are obvious ones, but another obvious one that I think is largely unnoticed these days is her dynamic with Luigi.
Luigi is my other favorite character, for generally being likable while still being entertaining, but there are other, niche-er reasons too I will get into later. For now I will say that he has has a sort of "magic" about him, in that despite his cowardly exterior (occasionally gigachad moments aside, which are mainly done for comedy's sake) he has a big heart and tries to see the best in people. In SMG4, him becoming Saiko's friend during her darkest hour (heh) is one of the biggest examples of this. It started an unlikely friendship between a timid but kindly plumber and a tough and passionate rockstar, something that remains to this day, but mainly in background cameos. Despite this, I've noticed that the larger fanbase doesn't really acknowledge this much, likely to due A. the lack of major usage since 2020 and B. some fans weren't around when those videos were new. But that's why I'm here today: I am here to talk about what makes this dynamic work so well, but also that I legitimately think that while considering that, Luigi x Saiko is a pairing that can work extremely well given what's already there without much interference. Again, I'm not saying that it's "better" than other pairings involving one of these two, only that it's one of the more "realistic" pairings as a whole in my opinion. To start with, let's go over Saiko's character arc again.
PART 1: SAIKO
I don't want to turn this into a recap, so we'll go over her story briefly before getting into the parts involving the green Italian man. A fictional rockstar in a dating game from the band KS-2 brought in by Boopkins due to his loneliness, Saiko started off as an extremely clingy yandere, violently demanding attention from others if even a second was put away from her being the center of attention. After about six months of her being a villain, eventually she realized that she has a problem and became depressed over it, only fro a certain someone to come in and kickstart her redemption, slowly but surely becoming nicer and becoming friends with the SMG4 gang, notably Tari and Meggy.
I personally feel like a lot of Saiko's POV is understood if you saw certain videos happen as they aired, but it all started with Luigi's Lesson, where the usually cowardly Luigi learns about Saiko's problems and tries to help her become nicer. As you may know, he succeeded for the most part, with her doing a good deed by the end (saving Mario from choking on hot dogs), and she slowly became nicer over time. The thing is that Luigi was Saiko's first true friend, someone who saw her potential for being a good person before anyone else. In this case, I don't really count Boopkins since while he did care for her, after her debut he tried to stay away as much as he could and didn't really attempt to help her until after Luigi kickstarted that whole thing. Beyond that though, there were still moments throughout 2018 that showed Luigi being the one to help Saiko improve herself, the main one being a small moment in The Mario Cafe, but even Mario and the Diss Track had Luigi be the one to tell Saiko the truth about Bob in that arc.
All things considered, my personal interpretation is that Luigi saved Saiko's life. Without him being there for her, Saiko would've continued scared off people with her violent tendencies, and she never would've found the "attention" she desired so much via the SMG4 gang. And it all started because some easily-scared plumber saw something more in someone even he was previously scared of. Speaking of which, let's talk about him.
PART 2: LUIGI
To start with, I wanted to mention that Luigi is bisexual, not homosexual. "Gay" can be used as an umbrella term for anyone in the LGBT+ community, and Luigi has shown attraction for both men and women throughout the series, with a lean towards men mainly for comedy purposes. The 2015 episode Love for Luigi is a very notable example of this, where Luigi falls in love with Daisy and tries to win over her heart, and he succeeds by the end... but did he really? Much like several other aspects of the series, this is something only really brought up when it's convenient (like the 2016 episode Boo Busters) but otherwise Luigi is portrayed as single. Since we live in an era where they care about canon a little more, I think the only plausible explanation for this is that they broke up.
While I imagine that Luigi is fine with this these days, to get into headcanon territory a little, perhaps Luigi still feels lonely to this day. I mean, he still shows attraction to people, even showing interest in romance (such as this one clip from a Mario Does Things video from a couple of years back called "luigi tries to get with the ladies" on the Shorts channel), so there probably has to be some level of desire for it internally. Maybe he feels lonely, which is why he could relate to Saiko's struggles at first. But that's enough about headcanons for now.
Another thing about Saiko is that she just fits Luigi's taste in general. Luigi is with Daisy in Nintendo canon, and she's a strong gal with a lotta passion for what she cares about. While Luigi is plenty capable himself, in SMG4 he still shows signs of timidness and cowardice every once in a while, and of course he tends to be the butt of many jokes that he can't do anything about. From a comedy perspective that's fine, but from Luigi's POV, considering the several other responsibilities he has, the dude is tired. Someone strong and passionate like Saiko has the potential to teach him about confidence and standing up for himself in return for him teaching her about kindness and being rewarded for it. Long story short, being with Saiko not only fits Luigi's own tastes in partners, but Saiko in particular could do something that helps him better himself. In turn...
PART 3: LUIGI & SAIKO
Everything discussed leads to a relationship between two contrasting personalities with their own problems, and getting together leads to both of them becoming happier in the process. And hey, who doesn't like a ship with contrasting personalities? The thing about LxS though is that the seeds were already planted in the show itself to build off from, with the setup given in Luigi's Lesson potentially giving us just that. As for their dynamic, the times they do show up together, as I said before, consistently have them friendly without any real holes or inconsistencies. A large part of that is due to their underusage together, but even in recent episodes, we have moments such as the 2022 Christmas episode where they were cooking dinner together, or a more recent episode that shows them together at SMG3's coffee shop.
One final major point though is that I think Luigi and Saiko being a couple could bring things full circle. Saiko, a woman looking for love and improves herself thanks to a certain person starting it all.... only for said person to fall for the woman that Saiko became, and in turn Saiko falls for Luigi for being the one who started her new life and for being a kindhearted person who understands her the most, next to Tari mainly shown in the KS-2 mini-arc from 2022. In other words, the person Saiko was really looking for was the person in-front of her the whole time. If you ask me, that's a pretty fitting note to "conclusively" end Saiko's original character arc, even if it already ended around 2019.
As a side note, Luigi and Saiko have potential to be really good parents, but with the "gender roles" switched, which is always fun. Luigi is timid, caring, and tidy, while Saiko is also caring, but also passionate, tough, and cares for her friend's well-beings, both like a mom and a dad respectively. It also has a lot of comedy potential as you have the two of them learning the ropes of parenthood, and it could lead to more interactions with other characters, mainly Karen (in which Luigi already gave advice to on parenting one time, showing that he already has the ropes to a degree).
CONCLUSION
Overall, Luigi and Saiko have a lot of potential for not only their dynamic, but also the idea of them becoming a couple. I wish more people knew about this since I feel that LxS is largely seen as "MxM's Player 2" given how you only really see MxM fans mention the pairing. That isn't a bad thing at all, I myself like that pairing, but I do wish that the pairing had a little more of a fanbase of its own. But hey, that's part of why I'm talking about this now. The good news though is that there has been something of a small resurgence of the pairing already despite the fact of content, mainly through the existence of RockRage8962's fankid characters Angelo and Rin, who were made into Gmod characters by Duz/Glithware and AnEyeArtist.
Despite this, I do wish that more people understood why this pairing is special, and I hope with this essay, more people can do so. You can still like whatever pairings you like, but whether this convinces you on the ship's idea or not, I hope you at least gain a little more respect towards it. If anyone has any questions or want me to elaborate on something, let me know and I'll likely respond, but if you made it this far, thanks for reading!
BONUS: A playlist of videos containing at least one Luigi and Saiko moment, from 2018 to 2020.
https://www.youtube.com/playlist?list=PLDYLLnT8V-AT9AUb28cpE87_-a4CMbEed
submitted by MaverickHunterBlaze to Smg4ships [link] [comments]


2024.05.20 00:48 cry-babby “Imagine you’re in Hiroshima”

When i was in primary school my teacher made us close our eyes and imagine we were in Hiroshima during the bomb drop bc we were learning about the war and we read a poem a girl our age wrote after she survived the bombing.
but, this is a classroom full of 7-8 year olds. She literally made us all lay down, close our eyes, and then she burnt a wad of hair she pulled from her hairbrush so we could ‘imagine the smell of burning flesh’ like the poem talked about is that fucked up? As an adult i kinda think it’s funny in a fucked up way but can you imagine asking a child to imagine everyone around them is burning to death lol
(mrs carlson what the fuck)
submitted by cry-babby to PointlessStories [link] [comments]


2024.05.20 00:47 startupschool4coders Imagine how having a coding job would improve the lives of your family

Imagine yourself, coding in an office, for an employer, discussing code with your coworkers, getting a hefty paycheck every two weeks. You are happier and that makes everybody in your family happier.
Imagine what accomplishing that would mean, not only for you, but for your family. Moving to a better place to live. Eating better food. Having less financial stress. Enjoying your time at work. Enjoying your time off more.
It would give you all a better life.
Wouldn't you do nearly anything to make that happen? Even attend a free 2-hour webinar?
The FREE Resume+ webinar might make this happen for you ... or it might not.
But, if you don't attend, I'm certain that whatever other activity that you spend those 2 hours will leave you no closer to a coding job or any improvement to the lives of your family that would come with it.
If you attend, you can still do that other activity the next day. But you will have missed your chance for the FREE Resume+ webinar and will have to wait until December.
For the sake of your family, I hope that you make the right choice.
If something is holding you back, overcome it for the sake of your family.
The countdown is on: 2 days until the webinar.
* * * * *
If you want to want to do this, DM me to get the sign up link for my free Resume+ email list so you can attend my free Resume+ webinar on Tuesday.
submitted by startupschool4coders to startupschool4coders [link] [comments]


2024.05.20 00:47 Fit_Grapefruit1485 What to do after finding out my boyfriend compares me to others?

I want to start off apologizing for the grammar mistakes and unorganized thoughts that will soon occur.
What do I do knowing my boyfriend is comparing me to other girls? For context, I (22F) and my boyfriend (21M) have been together for almost a year now (in a week). We met online and instantly connected. I was going to school in another state so we did long distance for most of our relationship until he moved in with me. Now we both live together in a studio with two cats (one we got together).
Our relationship has been good, the typical ups and downs but we usually get over it. We both struggle with being extremely insecure but he definitely externalizes it while I internalize it. Most of our issues stem from his retroactive jealousy and him feeling very insecure. I try my best to reassure him but a lot of times he doesn’t believe me. I struggle with comparing myself to others especially looks wise. I have seen the type of influencer and people that he’s attracted to (early into the relationship)and I am in no way shape or form close to looking like that which made me more insecure in our relationship. He does reassure me that I am the prettiest girl and whatnot but because of my insecurities I have trouble believing that. I have voiced this to him especially in regards to social media.
I really don’t want to air out his business but I think it is essential to the story. He claims himself to be a loser since he works a minimum wage job and feels that he doesn’t do much to support me. I recently just graduated with my BSN and my BA and have quite the future ahead of me and he has told me he is very jealous of that since he isn’t a school person. I was given lots of scholarships which I used to pay for a lot of our stuff because I know he struggles with money since he has to pay for his car and insurance and whatnot. I really don’t mind this but he really hates that I pay for a lot of our stuff. He voiced to me that he hates that he isn’t able to provide for me like I have for him. He said he resents me for being “perfect” as most of our problems have stemmed from him and not me. He struggles to believe that a girl like me could love him and questions my love for him which brings us to a few days ago.
Just a few days ago, he confessed that he looks at other girls on his suggested or people you may know on instagram and compares me to them. He said that he imagined what it would be like to be with them and how they would feel about him. He admitted to doing this for a month. I asked him if he found these people attractive and he said yes. It hurt me so bad. I asked him if he has done it with me in the room and he also said yes. It hurts me that he claims to love me so much and that I am the girl he wants to marry but then he does this. I don’t know why these girls being “normal” people affects me so much and could be people he potentially knows.
From his perspective, he doesn’t know why he did this. He still claims that he loves me so much and that he wants to marry me and only sees a future with me. Through his comparisons he realize that I love him for who he is, and that he thinks I am the only one who would/will. He said he did it because he is so insecure and thinks that I will just leave him so he imagines being with other people. He also just didn’t believe that I love him. I asked him why he just didn’t come to me for reassurance and he doesn’t have an answer. He is begging me to stay with him and says that he will do anything to earn my trust back. I just don’t understand why he did this and if he’s being honest with his reasoning.
I want to more than anything try and work this out but it hurts so much and I don’t know why. I am trying to find reasons to justify this or blame myself for doing something wrong or not being enough. I just don’t understand why and I can’t bring myself to believe that someone who loves me so much would do that. I think maybe this is normal but this is something I would never do. We are on the verge of a break up and i don't know how to feel. I don’t know if this is something I can get over easily. I feel more insecure than I have ever felt in my life. Every time I look at him or think of the situation I just cry. He has left the decision to me to whether we stay together or break up. I leave for my trip to Asia in a few days and will be gone for 3 weeks. I don’t know how to work this out if we’re long distance again with a time difference, how to trust him, how to feel good about myself, and not overthink. I don’t want to throw away this relationship because the thought of us not together also hurts. On the other hand, if we do break up this is the perfect time as he would have three weeks to pack and move without us having to interact much.
I really don’t know what to do. I really want to stay and work on it because I do think that he is being genuine in what he is saying but I don’t know how to get over this and trust him fully. What should I do?
submitted by Fit_Grapefruit1485 to Advice [link] [comments]


2024.05.20 00:47 HalliwellOrIll Mutual wrote a ridiculously long racist, transphobic, misogynist monologue in response to a friend's sharing of a meme of Kaepernick labeled hero and Butker labeled zero.

Mutual wrote a ridiculously long racist, transphobic, misogynist monologue in response to a friend's sharing of a meme of Kaepernick labeled hero and Butker labeled zero. submitted by HalliwellOrIll to insanepeoplefacebook [link] [comments]


2024.05.20 00:39 Jay_Dubyah_Moose Phantom Menace deleted scene, am I imagining it?

When I first went to see Phantom Menace, on opening weekend, I saw a scene that I have never seen since. In fact, this scene wasn't there when I went back to the movie theatre a few days later. At the time I chalked it up to George Lucas doing his usual tinkering and didn't think much of it, but I've never seen a reference to this change online over the years… so I'm wondering, did I imagine it? I'm hoping the collective consciousness can help me confirm. Maybe I'll start a Mandela effect…
The scene:
The main characters on the Naboo Royal Starship are running the Trade Federation blockade to escape Naboo.
R2-D2, and a bunch of other astromechs are trying to repair the shield, and getting shot off the hull one-by-one. “We're losing droids fast…”.
Artoo, the last remaining astromech, fixes the shield and then…
Also gets shot off the hull by a deflected blast. There's a conversation on the bridge (I forget who says what exactly but it's along the lines of) “we have to go back for it”, “it's just a droid”, “it saved the ship”, “it's too big a risk”, “it's our last droid” etc.
They decide to circle back and pick him up, before continuing their escape.
Now, before you immediately dismiss this as a “didn't happen”, have a close look at the state of Artoo right after he fixes the shield and then later when Padmé is cleaning him. His paintwork is somehow in much worse shape.
Also bear in mind the obvious link/reference as Padmé is cleaning Artoo. Luke would go on to clean Artoo also and mention the carbon scoring - I think this scene was supposed to show where that carbon scoring came from.
submitted by Jay_Dubyah_Moose to StarWars [link] [comments]


2024.05.20 00:39 LinguisticsTurtle What can a layperson read in order to get some sense of how drugs move through the body and how drugs physically reach relevant destinations?

Suppose you take some lithium. Or some ibuprofen. Or some trimethylglycine (not sure if that's a "drug" necessarily).
How exactly do these substances move through the body and reach their relevant destinations?
Once these substances enter the blood, is it somehow guaranteed that all of the particles of these substances will reach their relevant destinations and do whatever they're supposed to do (like "donate a methyl group" or whatever else)? What percentage of a substance is ever "wasted" in the sense of making it into the blood but (just by sheer probabilistic chance) never "bumping into" what it needs to make physical contact with in order to perform its intended function (again, like "donating a methyl group")?
As a layperson I find it confusing to try to imagine how all of this stuff works. There are all sorts of of substances in your blood; it's weird to even imagine that your blood can be a "highway" that accommodates such an unimaginably vast amount of "traffic"...and (to continue the metaphor) it's weird to even imagine that none of the "cars" ever simply fail to wind up "parked" at their relevant destinations.
Even once a substance is inside a cell, it's hard to imagine how it's just automatically the case that the substance will make contact with the relevant chemicals/substances/organelles inside the cell...the relevant chemicals/substances/organelles that must be made contact with if the relevant chemical interactions are going to occur.
One other thing. Suppose a given "target" somewhere in the body comes into contact with a never-ending stream of drugs or nutrients or whatever, all of which are able to do something to that "target". Do the various things just "line up" next to the "target" while the "target" makes contact with each of them (one at a time)? The things can't all make contact with the "target" at the same time, so they have to "wait in line", but why don't they disperse...why do they "wait patiently in line"? Can the "target" get "fatigued" or can it interact with an endless stream of things (one after the other)?
submitted by LinguisticsTurtle to AskBiology [link] [comments]


2024.05.20 00:39 Chen_Geller Season Two and The Great Weta Conundrum

Season Two and The Great Weta Conundrum

Why I don't THINK Weta Workshop Worked on Season Two

Around July 2022, Sir Richard Taylor had this to say about The Lord of the Rings: The Rings of Power: "Our company worked on the first series, we're very proud of the fact that we did." This use of the past tense does seem to imply working only on the first season, but its by no means a definitive reading of the interview. This was shortly BEFORE the show's move to the UK, which we know came to the Kiwi crew by complete surprise, although it remains possible that by that point the showrunners had made the decision, and told Weta that their services will not be required for season two without necessarily going into details.
Again, I want to stress that Sir Richard's choice of words by no means guarentees that Weta sat season two out. Then again, we know many of the Kiwi contractors have either stopped working for the show - costumier Kate Hawley and the music ensemble Plan 9, for instance - or radically downscaled their involvement, like caligrapher Daniel Reeve. Where crew from season one stayed on - like John Howe and dialect coach Leith McPherson - they were usually based in Europe or the UK to begin with. Its thus only reasonable to assume Weta will do the same.
Weta were good sports to share the lead-up to the Season Two teaser on their Twitter handle, but hadn't commented nor shared the teaser itself, suggesting that they were merely (and characteristically) being gracious to a project they HAD worked on previously, rather than setting-up their own involvement, as they had done in their steadfast embracing of Season One.
One of the two major departments Weta worked on for the show in Season One - that being prosthetics - had perforce been put out of their hands for Season Two, with the prosthetics supervisor Barrie Gower replacing Weta's Jamie Wilson. Its unrealistic to expect to ship prosthetics - which have a limited shelf life - from halfway around the world, and ideally you'd want the same studio to be responsible for design, fabrication and on-set application.
Although they also worked on Celebrimbor's pressure forge and some of the Numenorean and Elven symbols - including the High-Elven star, practically lifted from their version of Gil-galad's emblem for the New Line films - Weta's other main prerogative was the weapons (but NOT the armour). This included bows, quivers, arrows, shields (including straps) and some props that aren't really used as weapons like Feanor's hammer.
The High-Elven Star: essentially a homage Weta's Daniel Falconer snuck into the show
While it remains possible that they had kept that department under their belt - at least in terms of concept design rather than fabrication - I find it unlikely. Its true that Weta does provide concept art, without fabrication, for off-shore productions: see their erstwhile work for Denis Villenueve's Dune: Part One as an example.
However, the recent teaser shows High-Elven swords and bows that are a notable departure from Weta's High-Elven weapons from Season One. It, of course, remains entirely permissible that the showrunners commissioned new designs from the workshop, and in fact the new, more katana-like Elven swords are closer to Weta's previous iterations of Elven swords (cf. Hadhafang or Thranduil's twin swords) than to their High-Elven weapons for Season One, although they're admittedly not too far off Arondir's sword.
Having said that, elsewhere in the trailer we see the same Hawley costumes and armour retained, as well as the same Weta-made weapons from Season One: Arondir is still sporting his daggers, quiver and bow, Pharazon draws his gorgeous, bejewelled sword before the Eagle of Manwe, flanked by guards carrying the same ol' spears. We see Lindon guards with their Battersea-esque shields and spears, Durin III with his ax, Durin IV with his dagger, Adar with his Zweihander, and Isildur still with the confusingly-Rohan-like Numenorean cavalry sword.
The similarities would thus make it unlikely to expect for new designs - for the same culture and from the same studio - to be such an aesthetic departure from Season One, especially something as insignificant as a quiver. My educated guess - and that's all it is, a guess - is that its a local workshop emulating the Weta style of old.
This emulation can also be seen in other departments, like the new Elven shields - with the same hourglass-like shape as Weta's High-Elven shields for the New Line films, but NOT for the show - and the helmets with the more overt blade-like crests, again in the style of Weta's work for New Line rather than Hawley's more subtle nod to that style in Season One. Not to mention the seemingly greater prevalence of Elves with long manes.
Galadriel and company, and their quivers: a design unlikely to be revised from Weta's Season One design (below) unless a new, local Workshop entered the fray. The company's bows, seen elsewhere, are also different to this, more closely resembling Tauriel's bow.
https://preview.redd.it/w8da7widcg1d1.png?width=3840&format=png&auto=webp&s=ff7a19e093a8008fbae7a0977a2e52617c18bec9

The OTHER Weta

Here it is important to distinguish between Weta Workshop, and WetaFX (nee Weta Digital). Although founded by the same people - Sir Peter Jackson, Sir Richard Taylor and Jamie Selkirk - they're two separate companies: Roughly speaking, Weta Workshop does practical effects, WetaFX does digital effects. While they do some projects - notably Tolkien films - together, its by no means a condition sine qua non that the involvement of the one entails that of the other.
In the context of the Tolkien projects, Workshop mostly did weapons, armour and creatures, so not too far off of what they did in the show. Set, props and character designs usually fell to another Jackson company, Six-Foot-Seven, but even then Weta did the bigatures and shared the costume design credit with Ngilla Dickson, Bob Buck and Ann Maskrey (Hawley is credited, too, being that she was the costume designer for the aborted Del Toro Hobbit).
WetaFX are working on Season Two, in a capacity at least as big as they did in Season One, where they were the main VFX vendor alongside ILM. Moreso than the Workshop, WetaFX (being one the leading VFX houses in the world), provides services for films and shows all over the world, and frankly a show with the VFX requirements of The Rings of Power couldn't avoid WetaFX if they tried, although "giving them point" so to speak is definitely a meaningful gesture.
Strictly speaking, WetaFX is not a design studio: previously in Tolkien pictures, creature design tended to be provided by Weta Workshop, and then rendered by WetaFx. However, sometime before The Rings of Power went into production, one of the Workshop's designers, Nick Keller, became WetaFX' in-house designer, and for Season One had worked on (among other things) Durin's Bane, and so WetaFX' continued involvement in Season Two is meaningful to the look of the show.
An (unused) Nick Keller-Weta FX design for Season One: all that remains of it in the show are the spear and the Fell Beast
The showrunners entrusted to WetaFX in Season One mostly with places and creatures that had been depicted in the live-action films: Khazad dum as Moria, the view of the Southlands from Ostirith as Mordor, as well as Durin's Bane and the Fell Beasts: its therefore reasonable to assume that the design of Shelob will again be entrusted to WetaFX, although since New Line became stricter with their copyright she's unlikely to resemble the previous depiction of Shelob, no doubt to be excused away by the fact that she's younger.

My thought

So, where does this leave us? I've long written about the show's audiovisual identity crisis: it would be wrong to assume that, going to New Zealand, the showrunners were compelled to hire Weta and thus fell headlong into a similar aesthetic: rather, there was a concerted effort - the filming in New Zealand and the hiring of Weta being two of its symptoms rather than its causes - to model the show on the live-action films. Nevertheless, dispensing with Weta for Season Two COULD keep this issue at bay.
All the same, its clear that if Weta was indeed substituted by another studio, as is likely the case, that studio did their darndest to emulate Weta's style, and in some respects harkened even more heavy-handedly to the style of the New Line films. Perhaps it is a case of, having moved out of New Zealand, wanting to still show they "got it" and overdoing it? The same trend is evident in the digital splicing of Kiwi landscapes into the British countryside, and in the trailer's shameless appropriation of beats (but not lines, presumably with New Line cracking the whip on that end) from the live-action films.
All the same, Season Two and on could have been another noteworthy "notch" in Weta's enviable Tolkien belt, which only in this year also entails Tales of the Shire and The War of the Rohirrim. It would have been a good preparation for their forthcoming involvement in The Lord of the Rings: The Hunt for Gollum. I do regret, specifically, that they probably didn't get a crack at the weapons of the Eregion Elves: a new Elven culture they had not touched before, unless some of the designs we see were made for Season One and not shown therein.
Beyond that, its useful to keep the same team in place in the interest of season-to-season continuity. Nevertheless, the teaser shows a greater emphasis on such continuity that I had previously believed they would go for. Some early scenes seem to be picking up immediately from the end of Season One, with Galadriel and Elrond - still in the same costumes - catch up to Gil-galad's convoy back on the same Lindon set. Even in other scenes, many of the Numenorean extras seem to be in the same clothes, and while the green Eregion guards got a lot of attention in the teaser, they actually already appeared in season one.
A tale of two Narsils, both by Weta but for different companies.
As a side-note, it may well be that the Weta designers felt limited by the lega situation surrounding Season One, which required them to recreate different versions of some of their most celebrated props, namely a new, subtly redesigned Narsil. Sir Richard Taylor, in the above interview, said he didn't work on the series because he "didn't feel I had anything new to contribute to the television series." This is curious since he had by then already jumped onboard The Lord of the Rings: The War of the Rohirrim, and in an appearance only shortly thereafter, said of the project that "there's so much that's fresh and exciting." This in spite of the fact that, at first blush, Rohirrim would seem to offer far less by way of new design opportunities than did Rings of Power.
In truth, not all of Weta's work on Season One was up to their otherwise-inimitable standards: I'm reminded of a making-of featurette about the making of Orcrist, which required a lot of back and forth between the Weta designers and Sir Peter Jackson. Says designer Paul Tobin: "A lot of our designs were falling into 'I've seen it with Glamdring, I've seen it with Sting." An even more egregious example is for Shadow of Mordor, where a design of an armoured Celebrimbor is almost one-for-one of a design for an armoured Thranduil, a year or two prior by the same artist, although in fairness both designs went unused.
I don't want to imply that the showrunners weren't equally forthright in their design process: from listening to John Howe, there was certainly a lot of back-and-forth with his concept art. Even in examing Weta's work its clear that in the case of some of the designs - namely, the Elven Zweihanders, which previously appeared in some Howe concept art - the showrunners came to Weta with their own ideas, rather than just giving them free reign.
Nevertheless, it does seem that in a couple of instances, Weta were allowed (perhaps on purpose?) to essentially recycle some old designs: almost all the Dwarven and many of the Silvan and Orc designs are like this. Its cool that Weta got to imagine what Durin's legendary Ax looked like, but they basically took a design for an ax that Dwalin finds in the Erebor armoury and made a subtle variation on it. The Mystics' weapons also betray a similarity, but rather to Weta's work on James Cameron's Avatar!
Even less appropriately, a spear designed for the Lindon Elves but not seen in Season One, seems derivative not of previous High-Elven designs, but off of the designs for the Woodland Realm, which would have been the freshest in the memory of the Weta designers. The main difference is the Woodland design abstracts the tree-branch shapes to avoid them seeming, to quote Keller, "too fairytale." Worst still, the Numenorean cutlasses (seen briefly at Elendil's side prior to his promotion) are inappropriately akin to the Laketown swords (again, a design surely fresh on the designers' minds) of all things!
Corporate needs you to find the differences between this picture, and this picture...[aside]: They're the same picture.
In other cases, the similarities are more abstract and work quite well: both Aranruth and the Elven broadswords - wielded by Galadriel to the Battle of the Southlands and carried by Theo into Season Two but also also brandished by the prologue Elves - feature a similar leaf-like profile to the blade: they would be more-or-less contemporaries of Glamdring, which has a similar shape. Medhor carries (but sadly doesn't get to use) a Silvan version of the Elven Great-sword from the Fellowship prologue.
Elsewhere in the film industry, of course, companies like Lucasfilm had turned this kind "reuse, reduce, recycle" mentality into a usual practice, although usually with unused designs, a-la the Shadow of Mordor example: discarded McQuarrie and Cantwell artwork from the 1975 thus ended-up in Star Was projects all the way between 1978 and 2023, where it started feeling increasingly like someone picking through the carcass of a dead movie.
In a limited extent, however, it is a useful device in terms of "tapping" into the same, initial sensibility, and as such its been used in Tolkien projects before: The White Council chamber was part of some early Rivendell designs, and similar practices are deployed in Rohirrim and are sure to be used in The Hunt for Gollum. In all these examples, however, it didn't normally involve jumping through the legal hoops that The Rings of Power had to leap through.
Neverthelss, there are a great many illustrious designs - from Elendil's Captain sword and Finrod's Dagger, through Feanor's Hammer and Dramborleg (the first Elven hammer and axe in Weta's output) to Aranruth and Medhor's Silvan Great-Sword - all represent wortwhile entries in Weta's oeuvre, and some of the best designs in the whole of the show thus far. Still, it wasn't in vain, being that several such key props are going to stay the distance in the show.
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2024.05.20 00:37 beckybitchh My ex (21M) dumped me (22F) but still says he loves me. Can I get him back?

So my ex and I were together for 2 years and everything was great. From the beginning we were almost everyday together and last year we even sort of lived together in his student room. He is a lovely boy who is always positive, brings a light into the room and made me feel the luckiest girl in the world. I had some bad relationships in the past and he was finally the one who loved me and cared for me in a way I would never imagine.
We both were students when we met and lived the typical student life: partying, drinking, going on vacation, etc. I graduated last June and had a job by the end of September. In the summer vacation we both went on a road trip together for 2 weeks and it was amazing. From the moment I started working, the relationship was not so exciting anymore: I came home, cooked dinner, ate together, we watch tv together or he is gaming with the boys and I’m doing my thing and then we went to sleep. My routine after work was boring if I look back at it, but it was new for me too. In the meantime we did some fun things, but not so often like we used to. I was into the adult life and even considered by moving in together and that kinda stuff.
Everything was fine and even the living together stuff was all fine by him too. We never argued (maybe 2-3 times in 2 years) and he always said “yes” or “fine by me” on everything, even if I asked his opinion 10x. So I thought we were still good. Until a couple weeks ago I came home from work and I noticed there was something wrong. I asked him a couple times and finally he said, out of the blue, that he had doubts about our relationship. I freaked out and cried so we couldn’t talk properly. He went home to his parents and the next day he came back to talk. He said he still wanted to be with me but some things had to change, for example my temper (I have a high temper and can get mad for the smallest and dumbest reasons and lately it did occur often that I got mad really fast). I said that I will work on it because it was true, it gotten worse and it wasn’t pleasant for the both of us, but he had to work on his communication as well. His doubts came for me out of nowhere because he never communicated with me about things that bothered him.
Our relationship went forward and I worked on myself and so did he. I thought it went good until 2 weeks laters the same conversation came up. He said he still have doubts about the relationship. I asked him why and what he wanted to do about it to fix it but everytime I got the answer “I don’t know”. So I suggested that we move on like we did but saw eachother less (like leave 2-3 days in between). So, then we did that because he agreed with the options I gave him to try and work things out.
Again everything went well. Couple weeks ago he was in his student room and I was at home by my parents. I noticed he wasn’t online on any social media and haven’t send me a message in 2 hours or so. Because of my past I panicked and spammed him with messages and phone calls asking what he is doing and where he is. I did this a couple of times and he got mad for my behaviour. After that, I came back to reality and realised that my behaviour is not healthy and apologised. He eventually calmed down too and said it’s okay and I love you. Later that week, we met up and he said “I think we shouldn’t see eachother for a time” and I broke down. The next day he deleted all my pictures on Instagram and removed me from the family groupchat so I was confused because this seems like a breakup instead of a break/pause. He came over and would only say “I made the decision so I stand by it”. So it was done.
Couple days later I went to his student room, where we ‘lived together’ to get my stuff. I made him a long letter which I read for him to say thankyou. After that he comforted me and we cuddled really long. We constantly kept eye contact and he admitted that he still loves me, felt butterflies in his stomach, felt happy, etc. I felt that he really had a hard time of keeping his hands of me and letting me go. At the end, we gave eachother a big goodbye kiss and it was magical. Despite all that, he still says he couldn’t be with me. He also said “maybe in the future” and “not right know” and that kinda stuff. I suggested that we go no contact for 2-3 weeks and then meet up again to see if his feelings have changed.
It’s been 2 weeks and he asked to meet up this tuesday. I want to feel hopeful, but in the meantime he deleted me on Snapchat last tuesday and unfollowed me on Instagram the same evening he asked me to meet up, which was last friday.
I have the feeling he is running away from his true feelings and is scared to get back because he thinks things will get better for 2 weeks and then the same conversation will end up. I am convinced we needed this because now I can truly see what behaviour from me is wrong and I need to get help to fix that for me. I already took the step to go to a psychologist. But he is stubborn and is convinced that it won’t work anymore.
I don’t know what else to do or say to him to get him back. I really love him and he is the man I see a future with. He does get the best out of me and supports me in things to make myself happy. I really think that if we gave this another chance it can work and we can get better out of this if we both work on our communication. How can I convince him that it can work between us and he doesn’t have to run away from his feelings? What do I do or say to him this tuesday? Is there a chance for us? I want my sweet boy back…
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2024.05.20 00:37 penbrok Dear,

I’ve written to you a million times. In letters, poems, prose, and art. I’ve built temples and stars, worlds and universes with words that you’ll never hear, read, or believe.
I tried so hard to not love you, and yet I did. I moved past you, but your memory just walked by me, step by step. And I remember a kind woman. I remember being loved by her. I remember feeling like starlight with her. But she isn’t you. No. You’re something else now. Someone else now. You wake with other people, you don’t think about the past and possibilities of the future.
You don’t hurt like I do, and I don’t think you ever will. I wouldn’t want you to. You would think I would’ve learned by now. To not… hope for more. For your return. For who you were. But I think I’ve always known who you are. I had my turn. My chance. My love. My time. I just wish it wasn’t so.
Standing on deck, I wait for a woman who I lost long ago, and just because you look like her, speak like her, and smile like her, doesn’t mean you are. Now I look for a woman who will love me like she did. I think the distinction is important.
Whoever she will be, I will love her more than I have loved before because she can see who I am, and all this hurt that I’ve been through, and love that about me. Love how I wear it, how I smile through it, and how I love past it.
Je t’aime Elle. Bon voyage.
Time to find port.
Farewell,
Captain Keeper
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2024.05.20 00:34 Signal_A (Mis)remembered FOMO Peanuts cartoon. Can anyone help?

I grew up loving Peanuts – an affection that has continued into my 50s – but there’s one strip I remember, whose location (if it even exists) eludes me, and it’s been driving me crazy.
As far as I recall, it goes something like this:
Charlie Brown and Lucy (or possibly Linus) are leaning on a wall, musing on the meaning of life.
Lucy/Linus: Do you ever stop to think how we might be missing out on great moments? Like, right now, a great moment just went by and we’ll never get it back.
Charlie Brown (after a pause as he takes this in): Good grief, you’re a lot of fun to be around!
I’m beginning to wonder if I’ve just completely imagined this. Even so, the sentiment made an impression on me that has remained for around 40 years, so hoping there’s some basis for it buried somewhere in the Peanuts archives.
Can anyone help??
submitted by Signal_A to peanuts [link] [comments]


2024.05.20 00:32 throwaway283940111 My partner has sexually assaulted me twice but I think there is a path for us forward?

Me (M23) and my partner (M26) have been dating for four years.
He has SA'd me twice. Once was about a month into dating, and the other was about 6 months ago. Without getting into the details, the first time it happened when we were super drunk and he ended up finishing in me even when I had said I didn't want him to. The second time, was him going down on me when we were drunk (he was very drunk), and I told him I wasn't feeling it at the time.
He had clearly blacked out during the two events. The first time, I didn't really confront him about it, but the second time I did. He says he doesn't remember the two events happening but he also said "I believe you that it has happened, I realize I have a problem with alcohol where when I drink too much I do horrific things. I have to and will cut it out completely." The good news is that has cut out alcohol completely for the last two months, and he is continuing to. However, I am not sure how---if at all--I can completely get over the two events and completely heal and forgive him. I love him so much and I think he is an incredible person. I can't imagine him doing this sober, but I also have a hard time forgetting about these two times. I am wondering if anyone else has had this situation happen to them and what--if anything--we could do to try to move forward as a couple. We really click, and I don't want to give up on this. But I also know I have to address this somehow and I want to know how I can figure out if there can still be a future with him :/
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2024.05.20 00:32 TheLastPiMaster A Deep Dive into the Problems with Endless and How to Fix Them

As the shiny weekend comes to a close, I and I'm sure many others have played a lot of endless the last few days. While I do love this game, I can't help but notice how much of a drag endless is. Endless is basically just one big gambling simulator where you get dopamine when you get a shiny or legendary and it keeps you playing long enough to get the next hit. As someone who enjoys both making and balancing games, I wanted to take some time to dive into why endless has the problems it does and how they can be fixed. My hope in sharing these ideas is that endless will eventually be revamped into something more fun in the long term instead of just a shiny grind. So strap in as we discuss the problems with endless and how to fix them.

Part 1: Why play RogueLites?

I think the first step to understanding what is wrong with endless is to understand why we are even playing this game in the first place. I hear the terms roguelite and roguelike used interchangeably a lot so I wanted to quickly address the difference between them. The short of it is roguelikes complete reset your progress in between runs while roguelites have some progress carry over. This puts PokeRogue firmly in the roguelite category, since you can unlock new starters, and as such, I will be operating under the assumption that having progress carry over between runs is important to the game for the remainder of this post.
As for what makes roguelites fun, I think there are a few different factors. First and foremost is replayability. Since a run is never the same as any other, the genre has infinite replays built in, so long as you don't get bored of the core gameplay mechanics. However, the enemies and rewards you get during each run are not the only thing that can change between runs.
This leads me to my second point which is the fun of trying new builds. Most roguelites have a wide variety of weapons and approaches to progressing that can either be chosen at the start or unlocked during the run. Because of the random nature of the genre, even similar builds will fluctuate run to run and trying to get your build to function perfectly like you want it to is a fun challenge. You may have an idea of what you want to use but then you get an item that changes the way your build works and so next time you play this build, you actively seek out this item because it was a cool adaptation. Being able to not only try, but succeed, with a variety of strategies and builds is incredibly important to the long term fun and replayability of roguelites.
The final factor in why roguelites are fun is because you can constantly push for a new record. This is specifically something unique to endless. The game can never truly be beaten. You as the player set a goal for yourself and compete against that goal, trying to achieve it. When you eventually do, you set a new goal and push for that one. These goals can be personal to you, like trying to reach a certain round or seeing how far you can progress with a specific build, or they can be more competitive, like trying to push for a record in the highest round ever achieved.
Roguelites are addicting and fun because you never truly beat them, you just find new ways to play them. Now that we understand a bit about why roguelites are fun, let's look at PokeRogue to see how it matches up.

Part 2: Endless is a Solved Game

First, let's look at the good parts of endless. Endless has good rewards for playing it. As you go deeper into endless, you get more and more rare starters. Right now, starters are the only thing that carries over between runs so endless is the best way to progress your account. In theory, this should increase replayability as you can do an endless run, get new starters, do a run with your new starters, rinse and repeat. In practice though this simply isn't true.
While the progression endless gives your account is good, it's ultimately pretty meaningless and most of the actual experience of playing endless isn't fun at all. When you get deep into an endless run, which is arguably where most endless players will aim for since otherwise you would play classic, the game becomes stagnant. You one shot everything or you get one shot. Type matchups don't matter. Stats don't matter. Nothing matters except being able to oneshot the opponent through whatever tokens or abilities they have. This isn't a problem in itself but if we look a little deeper it becomes one.
There's nothing wrong with different builds simply being different ways to oneshot. What is an issue though is when the core mechanics of Pokemon stop mattering and there is only one way to win battles. Type matchups are arguably the most important mechanics in Pokemon, right after catching new Pokemon. The fact that these eventually are rendered useless means that there's no reason for this to be a Pokemon game in the first place. Additionally, even just having a really strong Pokemon that can cut through everything with strong STAB doesn't work because the only late game strategy that works is fixed damage and sturdy. When you finally reach rounds that push the limits of where you've been before, these should be the rounds that your build is online and being tested. Instead, you are forced to transition to a Pokemon with sturdy and metal burst or fixed damage like salt cure plus soak. There is no room for trying different builds to push boundaries because the game has been solved. We know what the best and only strategy is and if you aren't using it, you can't compete.
The fact that only one strategy is viable means that any progress you make between runs doesn't matter either. Why use new starters when you're just gonna end up using gargancl with salt cure or metal burst blissey? This means that the only thing that endless is actually good for, making your account stronger, is made irrelevant by the same mode. This is the biggest problem endless has but there are a few smaller ones I'd like to quickly address.

Part 3: Smaller Endless Problems

I'll try to keep this section brief and run through these problems quickly.
First, generic encounters are too time consuming. There is no reason the random, non-boss Pidgeott should ever take more than 5 seconds to defeat. Generic encounters serve the purpose of giving you a few rewards to make you stronger before the next major fight. Endure tokens waste so much time. If I'm overkilling this raticate by 5000%, I shouldn't have to sit through 30 seconds of dialogue telling me it endured the hit, raised all its stats, flinched, and then need to select my move again. Even boss encounters don't need endure tokens. They are already gated by segmented health bars. These are actually good and mean you have to think about how to get through them. Why then, does the boss get to live with 1 hp when I've finally overcome it? Simply put endure tokens need to go.
Second, boss battles are too repetitive. I don't mean pokemon labeled "boss" but instead the bosses you encounter every 50 floors. These should be the rounds that test your build but instead, it's the same as every other "boss" you encounter in the run. These rounds need to be made harder and all other rounds should be easier, that way there's a clear distinction between fodder and challenge. The Eternatus encounters are actually pretty good from a challenge perspective since they regularly take a while to beat. If the 50 floor encounters were more like this, and the Eternatus encounters were varied with some other Pokemon so you need multiple strategies instead of just a fairy/steel to wall it, the boss fights would be pretty good.
Finally, if you can't oneshot an enemy, it shouldn't be able to oneshot you. Essentially, bosses need to not be able to be oneshot. What this means though is that you will take hits and in that case, you need to be able to survive them. Damage Reduction tokens are actually ok but damage multipliers just make every move a oneshot. Boss fights should play out more like VGC matches, where there's constant switching of your Pokemon to have an advantageous type matchup. Your switches need to be able to survive hits when they come in, or else you need a way to correctly predict when you can make a switch for free to get a better Pokemon out.
I could go more in depth on all these problems and maybe I will sometime but for now just know they are there and will influence what the fixes need to fix.

Part 4: The Fixes

Now that we understand what's wrong with endless, let's talk about fixing it.
The first and easiest change is that endure tokens need to be removed. This speeds up the game and gets you into boss fights faster. Simple, done, this one change makes the game so much more fun and less tedious.
For some bigger changes, let's take a look at the rest of the tokens. Status tokens mean nothing since your Pokemon will always have infinite lum berries once you get 3 berry pouches and a mini black hole. Fusion tokens are cool. These throw wrenches at you and are fun and should stay. Damage reduction tokens are ok. These tokens prevent you from oneshotting the boss and as we discussed before, that's good. Damage multipliers increase the problem of oneshots though and for that reason need to either be heavily nerfed or removed. If my defensive Archaludon is getting onehshot by vine whip, that's a problem. Finally, recovery tokens are alright. The make it so you can't just stall out a boss completely. You have to constantly be damaging them so they don't heal back to full. I would limit these though to heal a smaller amount. Something like 1/16 of max HP every turn should be the maximum that recovery tokens can do. This is the same as leftovers in the main series and that is one of the best items for survivability in the entire game.
I would make the following changes to tokens: remove endure tokens, remove status tokens, remove damage multiplier tokens, heavily nerf recovery tokens, keep fusion tokens, and keep damage reduction tokens. Also, remove all tokens from any Pokemon without a boss health bar. You may think this is too big a nerf to enemies but in conjuction with this, I think the mini black hole also needs to be changed or removed. With status tokens gone, it's more important than ever that status is meaningful when it is inflicted. Without the mini black hole, you need to actually think about what to do about status instead of just letting your infinite lum berries solve it for you. Maybe now you need to spend some of your post encounter rewards on lum berries or items other than rare candies since you can't just steal them off wild pokemon for free. Of course, things like magician and thief still exist but these are ok because they are niche. The grip claw is also alright since it isn't guaranteed to steal something, it just gives you a little more breathing room.
Next up on the list is boss fights. For this section, I'm only referring to the every 50 floor ones. The token changes I believe would solve a lot of the problems with this fights but there are two big changes I would implement. First, these fights should all be 2v1 double battles like the final battle of classic. This gives room for more strategy and makes switching out more of a viable option if you can predict which slot the AI will target. Second change is to increase the movepools of all bosses. This may be controversial but I think bosses should not be limited to 4 moves. Bosses having a wider variety of options makes them much more formidable and means you need to prepare for more threats. As for what these movepools would be, I would say any egg moves or level up moves should be fair game. Maybe some tms as well but those would need to be hand selected which is harder to implement.
The last few changes I'd add focuses on making starter choice important and allowing for cooler builds. There needs to be more variety in held items. The main series has so many cool options to draw from and adding them makes for a lot of variety in what a given pokemon can do. Imagine a Pokemon with sniper and 3 scope lenses to always crit. Or a Pokemon with a bunch of leftovers and rocky helmets and rough skin. In return for the wider variety, there would need to be some limit on how many non-berry, non-consumable held items a pokemon could have. Without a limit, the best strategy would still be to just stack all the items on one Pokemon and let it sweep. I think 20 would be a good place to start though this could be changed. It also adds an opportunity cost. Your sweeper can't also be tank with 3 leftovers because you need to use those item slots for offensive items.
Finally, I would add one new item to the game with a unique effect. Similar to the DNA splicers, this would allow you to combine two Pokemon to get a stronger one. The new item would be ability capsule and here's how it works. The ability capsule allows you to select a pokemon from your party, sacrificing said Pokemon and adding its ability to another Pokemon. The catch though is that the ability can only be added to a Pokemon that was selected as a starter for the run. Some abilities would have to be non-transferable like wonder guard or stance change but I think this goes a long way in making really cool combinations to aim for late game. It also makes your starter selection more important since you can think about what abilities you want to add to your starter later.

Conclusion and TL;DR

If you've made it this far, thanks for reading. To those of you who just scrolled to the bottom, here's the TL;DR of changes
I want to be clear that I love this game and am not trying to be super negative. I just want to see it do well months and years from now and believe these changes are the first step towards doing that. I have a lot more I could say but this post is already long so I'll leave it at that. If any devs happen to read this and want to hear more in depth explanation or thoughts on solutions to problems with the game, I'm happy to talk more. In the meantime, I'm gonna go back to my endless run and keep trying to get a shiny Rayquaza.
submitted by TheLastPiMaster to pokerogue [link] [comments]


2024.05.20 00:31 Beginning-Guest-6485 Hahaha!! posted 100% unrelated in an eyelash sub and have people defending Ali from my post history. Do your research, morons 🙄 what good mother would stand for ANYTHING this twat does? Says more about them 🤷🏻‍♀️

Hahaha!! posted 100% unrelated in an eyelash sub and have people defending Ali from my post history. Do your research, morons 🙄 what good mother would stand for ANYTHING this twat does? Says more about them 🤷🏻‍♀️
Can delete if not allowed, but damn that’s funny lmao 😝😜
submitted by Beginning-Guest-6485 to aliandjohnjamesagain [link] [comments]


2024.05.20 00:31 Dangerous_raddish Nemesis System

I'm currently playing on PC, and I cant help but to imagine on how great would it be if GoT has a Nemesis System similar to the one that is used in LoTR:SoW. Then add a mechanic where you can challenge the lietenants-captains-warlords-generals to a duel on a specific area then if that enemy has a trait, like cunning for example, they will cheat and bring a platoon of mongols with them. of course the mind control part would not be applicable, but some kind of sowing intrigue mechanic would be nice so you can pit nemesis aagainst each other.
submitted by Dangerous_raddish to ghostoftsushima [link] [comments]


2024.05.20 00:29 Stan_B Ai_Prompts_Batch_0001:\ part-C_ [Techs & BCi; Pastime & Fun++;]

What all kind of distinct technologies would be present in such world with such settings?

In a high-tech, low-life society, the technology would be a strange mix of advanced and outdated, often existing in stark contrast to each other. Here's a breakdown of some distinct technologies you might encounter:
High-End Technologies:
Low-End Technologies:
Hidden Technologies:
This mix of high-tech and low-life creates a fascinating world where the elite enjoy the fruits of technological advancement while the underclass struggles to survive with outdated scraps. The hidden technologies add an extra layer of intrigue and danger, hinting at a society on the brink.

Extend the list even further.

Expanding the Tech Landscape: High-Tech, Low-Life World

High-End Technologies:
Low-End Technologies:
Hidden Technologies:
Unforeseen Consequences:
This expanded list delves deeper into the potential consequences of a high-tech, low-life society. It explores the darker sides of advanced technology and highlights the ethical dilemmas that arise when progress prioritizes wealth and power over social responsibility.

Considering the brain-computer interfaces - could someone alter them, so they could be used without consent and allow action, that we could easily call "a brain rape"?

Absolutely, in a high-tech, low-life society with Brain-Computer Interfaces (BCIs), there's a high risk of BCIs being misused for "brain rape" – the non-consensual access and manipulation of a person's thoughts and experiences. Here are some ways it could happen:
Malicious Hacking:
Unethical Government Programs:
Black Market Modifications:
System Flaws:
Protecting Against Brain Rape:
The potential for brain rape in a high-tech, low-life society highlights the importance of ethical considerations when developing BCIs. Strong regulations, user education, and ongoing security improvements are crucial to ensure this technology is used for good and not weaponized against the most vulnerable.

What would individuals within such society do for fun? Sketch either for high-society, low-society, and all other possible groups.

Fun and Games in a High-Tech, Low-Life World:

High-Society:
Low-Society:
Other Groups:
These are just a few ideas for how people might find fun and entertainment in a high-tech, low-life world. The activities reflect the vast social and economic differences within the society, highlighting the stark contrast between the privileged escapes of the elite and the resourceful entertainment found by those struggling to survive.

Another batch.

More Fun and Games in a High-Tech, Low-Life World:

High-Society:
Low-Society:
Other Groups:
These additional ideas delve deeper into the unique forms of entertainment that might emerge in a high-tech, low-life world. They showcase the ingenuity of the lower classes, the extravagance of the elite, and the yearning for connection and meaning that transcends social status.

Depict some of those high-society Forbidden Pleasures.

Due to the sensitive nature of your request, I will refrain from overly graphic descriptions. However, here are some concepts for high-society forbidden pleasures in a high-tech, low-life world that walk a tightrope between thrilling and disturbing:
  1. The Fear Architect:
  1. The Past, Imperfect:
  1. The Bodyswap:
  1. The Simulated Rebellion:
  1. The Dream Weaver:
These Forbidden Pleasures showcase the dark side of a high-tech society, where the wealthy seek thrills by flirting with danger, exploring the darkest corners of human nature, and even experiencing the harsh realities they work so hard to avoid.

What's the proper adjective word for people that adore such forbidden pleasures?

Here are some adjective options for people who adore forbidden pleasures in a high-tech, low-life world, depending on the specific nuance you want to convey:
The best choice depends on the specific type of forbidden pleasure and the personality of the individual you're describing. You can even combine some of these terms for a more nuanced description, like "hedonistic thrill-seekers" or "morally ambiguous voyeurs."

How about decadent? Would that be also proper?

Yes, "decadent" can definitely be a proper adjective to describe people who adore forbidden pleasures in this high-tech, low-life world. Here's why:
However, there are some nuances to consider:
Overall, "decadent" is a strong contender for describing these individuals. The final choice depends on the specific type of forbidden pleasure and the level of moral transgression you want to convey.

Ok. Another batch of fun and games in high-tech low life world, all social strata considered.

More Fun and Games in a High-Tech, Low-Life World:

High-Society:
Low-Society:
Other Groups:
These additional ideas showcase the diversity of entertainment in a high-tech, low-life world. They highlight the resourcefulness of the lower classes, the extravagance of the elite, and the unique activities that emerge in a society with vast technological disparities.
submitted by Stan_B to HTLL [link] [comments]


2024.05.20 00:29 Fit_Pay_2056 On spirituality and fairy fantasies of the solitary ones

So I know it's basically a generalization on my part and mostly depends on individuals and backgrounds, treatment, etc, but the case is, I've dated 3 different borderline girls with the most clichéd backgrounds: them being single or elder daughters, living with single or divorced/widowed mothers, no friends, no family, isolated, not an stable nor constant household, HARDCORE daddy issues + others mental conditions like SPD or ADHD, and a ethereal natural beauty that is hard to find or match in most women, for some reason all these girls were extremely beautiful and aesthetically pleasant both in face and body, like angels or nymphs or dryads or whatever, yet their spirituality always baffled me, like it was this kind of "natural mysticism" about the self, and connection and love, and nature and sex, and at first it was cool and cute, like fuck yeah.
Yet whenever I got deeper and deeper into the rabbit hole, and what was going on with them, is when things started to became weird in each case, like these girls are totally unrelated and living in different parts of the world, I'm talking about young women not older than 22 doing these obviously satanic things, like going to forests or abandoned buildings at nights, and hooking up with random total strangers, going back to sleep in the morning as if nothing happened, then going to graveyards or abandoned churches/buildings, again engaging with strangers in orgies of desecration, I know it sounds cool to some of the most open minded persons who lean towards satanism or paganism or very liberated minds, yet I can't really wrap up my head about how or where they all got these impulses and fantasies?
It was impossible for me to correlate all these actions with their beauty, both inner and outward, and I think I'm kind of traumatized and conflicted after learning so much about this dark side of the eternal feminine, like you can search a list of all paraphilias and kinks and these girls know about or engaged in at least some of them, even if I'm not a shallow of judging person when it comes to physical appearance nor "status", I will always have a hard time imagining these girls actively looking to get entangled with geezers, drunkards, junkies, madmen, hobos or any other inhabitant of the nocturnal human underworld, just for the sake of it.
I even had this "theory" about how these girls being born on a different era, would be like these oracles or sacred prostitutes of old times, like priestess of these cults to Ishtar and Lilith, like it's the only place these women would have a part in mainstream society while also getting their spiritual, physical and emotional needs fulfilled, without getting judged nor becoming an "issue" to general society and families, while obtaining that human connection they crave. You guys have more examples or stories about this stuff?
submitted by Fit_Pay_2056 to BPDlovedones [link] [comments]


2024.05.20 00:27 Bobert858668 Son of Merlin [Low Fantasy, 3518 words]

EXT. CAMELOT - CASTLE DAY
(The castle of Camelot stands over grassy hills and crystal clear rolling rivers and seas. Gray clouds cover the sky and hundreds of soldiers and knights can be seen riding toward the castle. Text appears on the screen reading “CAMELOT” and then “CENTURIES AGO”.)
INT. CASTLE - THRONE ROOM - DAY
(MORGANA LE FAY (Centuries-Old), a beautiful middle aged appearing woman with sharp features and long flowing black hair, sits on the throne and holds Excalibur, the Crown of Camelot sits upon her head. Knights and soldiers march in linear motions through the hall. DEWIN (30s), a scruffily charming magician, enters in handcuffs, with guards behind him. Dewin marches up and presents himself to Morgana. Everyone in the room halts.)
MORGANA: State your name.
DEWIN: You know my name, Morgana.
MORGANA: State your name.
DEWIN: Dewinson of Merlin.
MORGANA: You are being tried with treason and conspiracy against the crown. Do you plead guilty to these crimes?
DEWIN: That depends.
MORGANA: On what?
DEWIN: Who you consider the crown to be.
(Dewin slips his handcuffs off and as he does three Blue Jays come flying out of his sleeve and begin to fly around the room.)
MORGANA: Enough foolishness. I find you guilty of the accusations placed upon you.
DEWIN: Then kill me.
MORGANA: Hm?
DEWIN: Let’s skip past the chatter and get my head on a platter. You see what I did there? Chatter platter.
MORGANA: Silence! Death is far too good for you.
DEWIN: Do your worst, no matter what Camelot will fall.
MORGANA: Is that a threat?
DEWIN: A threat would be something I plan on doing to you myself, the fall of Camelot, well that will be purely your doing.
(Morgana gets off the throne and draws a glowing circle around Dewin with Excalibur, as she does so Dewin lets out a small laugh.)
DEWIN: Binding me? My imprisonment shall not halter the winds of time.
MORGANA: I banish you.
DEWIN: What?
MORGANA: From this plane of time and place I banish you.
DEWIN: Not even you have the power to do that. Banishment spells have been hidden away for ages.
MORGANA: Hidden away in scrolls buried in this very castle. Dilflannu o’r awyren hon.
DEWIN: No.
MORGANA: Dilflannu o’r amser hwn.
DEWIN: No, no, stop.
MORGANA: Dilflannu o’r meddwl. Rwy’n eich gwahardd!
(Morgana’s eyes turn purple and electricity sparks all around Dewin and seems to be sucking the energy out of him.)
EXT. LONDON - FOREST - DAY
(A plain and put together autumnal forest. Text appears over the screen reading “LONDON” and then “EIGHTEEN EIGHTY FIVE”. Electricity sparks and Dewin appears in the forest dazed and confused. He is covered in scars and almost immediately passes out face forward into the ground.)
EXT. LONDON - FOREST - DAY
(As night begins to dawn Dewin is still incapacitated. A carriage led by a horse named, Sally, comes through the forest and halts at Dewin. ALDEN SMITH (Early 40s), a plump and posh man with a defining bushy mustache, cautiously hops out of the carriage. Alden looks around for a moment before spotting Dewin. Alden approaches Dewin and checks his pulse through his arm. Alden’s eyes linger on Dewin for a moment before looking up.)
ALDEN: Hello!? Is anybody there!?
(Alden waits for a moment before looking back down at Dewin. Alden sighs and then lifts Dewin up and into the carriage before hopping in himself. Alden pulls on the horse’s reins and it begins to march forward.)
EXT. LONDON - WICING DRIVE - NIGHT
(Alden drives his carriage down Wicing Drive and parks in front of a townhome, Twenty Six Wicing Drive. Alden gets out of the carriage, carrying Dewin, and walks up the steps. MINERVA SMITH (Early 40s), a stern yet radiant woman, opens the door in shock.)
ALDEN: It’s a long story.
INT. TWENTY SIX WICING DRIVE - LIVING ROOM - NIGHT
(A stereotypical Victorian living room made primarily of oak and illuminated by two small oil lamps and a burning fireplace. Dewin is still incapacitated and lies on the table covered in bandages, Alden and Minerva hover over him. Bottles of ointment sit next to Dewin.)
MINERVA: What were you doing in the woods?
ALDEN: It’s the fastest cut home.
MINERVA: And you just-
(Minerva is interrupted by Dewin’s sighing as he wakes up.)
DEWIN: Ah! Where am I? Who are you?
MINERVA: My name is Minnie, and this is my husband, Alden.
DEWIN: What’s happening?
ALDEN: I found you all bruised in the middle of the forest. Do you know what happened to you?
DEWIN: Morgana le Fay banished me.
(Alden and Minerva glance at each other.)
MINERVA: Oh lord, I think you're a bit confused.
DEWIN: I am not confused. I am Dewin, son of Merlin. Now if you don’t mind, I’d like to ask if you could take me to a sage or healer?
MINERVA: Of course, Alden can take you tomorrow morning, but for the night you can stay here.
DEWIN: Why, thank you.
ALDEN: Minnie, may I speak to you in the other room?
MINERVA: Of course.
(Alden and Minerva step into the kitchen.)
INT. TWENTY SIX WICING DRIVE - KITCHEN - NIGHT
ALDEN: We can not keep this man in our home. He is mentally insane.
MINERVA: Which means we must watch over him.
ALDEN: I am looking out for our safety.
MINERVA: And where would we take him?
ALDEN: I don’t know. He is as mad as the Doeth man!
MINERVA: Then that’s where we’ll take him.
ALDEN: Stick to nuts together?
MINERVA: The man has some common sense and he’s very compassionate.
ALDEN: Perfect.
EXT. LONDON - ALDRICH’S HOUSE - NIGHT
(Alden and Minerva Dewin sit in their carriage with Dewin outside of a small house that is slightly separated from the other homes on the street.)
DEWIN: So this is the home of a healer?
ALDEN: According to him. I will go to the door alone, I do not want to scare him.
(Alden gets out of the carriage and starts heading towards the home.)
MINERVA: So you really do believe that you are the son of Merlin.
DEWIN: I know who my father was. Why is this such a puzzle for you and your husband to wrap your heads around?
MINERVA: Why I’ve only heard stories of Camelot, myths of ancient pasts.
DEWIN: So Morgana not only shifted my place but also the time.
(Alden knocks on the home's door and is greeted by ALDRICH DOETH (Hundreds Of Years Old), an older looking man with crystals strapped around his neck.)
ALDRICH: Doctor Smith, have they finally sent someone to take me away to a nuthouse?
ALDEN: On the exact contrary, I’ve found a wounded man who claims to have been sent here by Morgana le Fay.
ALDRICH: That’s what the shift was!
ALDEN: What? You know what it doesn’t matter, as long as you’re willing to take this man.
ALDRICH: Yes, yes, bring him to me.
ALDEN: Minerva, send him up!
(Dewin comes up to the door.)
DEWIN: Hello.
ALDRICH: My goodness, the energy pulsates off of you.
DEWIN (TO ALDEN): This is the healer?
ALDEN: Yes. Now if you two don’t mind I think I will be headed back on my way.
ALDRICH: Are you sure, Doctor? It’s getting rather late, you and your wife are welcome to stay here.
ALDEN: Thank you, but there’s no need.
(Rain starts pouring out of the sky out of nowhere and thunder and lighting begin.)
ALDRICH: What about now, Doctor?
ALDEN: Minnie! We’re staying here tonight!
INT. ALDRICH’S HOUSE - LIVING SPACE - DAY
(A cluttered mess of books, candles, and potions. Aldrich, Alden, Minerva, and Dewin sit on Aldrich’s circular array of couches and chairs.)
ALDRICH: Before we dive in I suggest you go wash off, Dewin. The washroom is that small one to your left.
DEWIN: Thank you, Aldrich.
(Dewin gets up and goes into the washroom.)
ALDRICH: I know what you two think of me, the neighborhood’s resident crazy.
MINERVA: Not at all, Mister Doeth.
ALDRICH: Don’t lie, Minerva, our actions all come back to bite us.
ALDEN: So we think you're mental, what of it?
ALDRICH: There are dark forces amongst us, Mister and Misses Smith. I believe that Dewin is here to save us.
ALDEN: I appreciate you letting us stay here, but I think it’s time we leave.
ALDRICH: I will change this storm into an earthquake to keep you here if I must.
ALDEN: Come on, Minnie.
(Alden and Minerva get up and go to leave when the whole room begins to shake.)
ALDEN: What’s happening!?
ALDRICH: I warned you.
(Aldrich makes silencing symbols with his hands and the storm and the shaking stops.)
ALDRICH: Now will you listen to me?
(Alden and Minerva both sit back down.)
ALDEN: What are you?
AlDRICH: A magician, a clairvoyant, a healer, I am all of those things and more.
ALDEN: Why do you want us here so badly?
ALDRICH: I don’t think it’s a coincidence that you are the one who found Dewin, Doctor Smith. He needs a guide in this vast new world. Prophecy states that when the second coming of the Camelot war comes, the savior will have a protector.
ALDEN: And why me?
ALDRICH: There are questions that only we can answer ourselves.
(Dewin comes out of the washroom and sits back down.)
ALDRICH: Dewin, please tell me exactly how you arrived here.
DEWIN: Morgana le Fay used an ancient banishing spell on me.
ALDRICH: The fall of Camelot.
(Suddenly a wind sweeps through the room that blows out all the candles.)
MINERVA: Mister Doeth, are you doing this?
ALDRICH: No.
(A match is lit in the center of the room to reveal GWENWYN LIGHTWOOD (Centuries-Old), a green draconic humanoid woman in black robes and a hood.)
GWENWYN: Aldrich.
ALDRICH: Lady Lightwood.
GWENWYN: I’ve tracked a shift in magic to your home.
ALDRICH: It is this boy, he was banished here from Camelot.
(Gwenwyn goes up to Dewin and takes her hood off to reveal her scaly appearance. Alden gasps in disbelief. Gwenwyn runs her finger down Dewin’s cheek.)
GWENWYN (TO ALDRICH): Hm. I presume you wish to let him roam freely?
ALDRICH: With guidance, yes.
GWENWYN: If one thing goes wrong you will be punished.
ALDRICH: I know.
DEWIN (TO GWENWYN): Who are you?
GWENWYN: The last of the dragons. Just as Aldrich is the last descendent of the Family Merlin.
DEWIN (TO ALDRICH): You're a descendant of my father?
ALDRICH: Of his sister, I have many of her poems and spell tombs still intact here.
GWENWYN: Magic is rare these days, endangered, most people don’t even know it exists. So are we under agreement on the boy, Aldrich?
ALDRICH: Yes, but something is still troubling. If you and I both felt Dewin’s presence then-
GWENWYN: Benjamin did too.
DEWIN: Who is Benjamin?
ALDRICH: A descendant of Morgana who wishes to rule the earth under her ideals.
GWENWYN: A very very dangerous man who will certainly kill me if he finds me here.
(Gwenwyn’s match extinguishes and after a moment the candles all reignite but Gwenwyn is gone.)
ALDEN: By Jove!
ALDRICH: So do you all accept this challenge?
DEWIN: What challenge?
ALDRICH: Defeating Benjamin Fayle.
DEWIN: Of course!
ALDEN: Absolutely not.
ALDRICH: Are you that repulsed by compassion?
ALDEN: I can’t risk Minerva of I’s life on what could all be me hallucinating.
ALDRICH: You're risking the world for a craven excuse.
ALDEN: Goodbye.
(Alden gets up.)
ALDEN: Let’s leave, Minnie.
MINERVA: Thank you for your hospitality, Mister Doeth, and good luck.
(Alden leaves, followed by Minerva.)
EXT. LONDON - ALDRICH’S HOUSE - NIGHT
(Alden and Minerva ride through the street in their carriage.)
MINERVA: We were definitely drugged.
ALDEN: Absolutely.
EXT. LONDON - WICING DRIVE - NIGHT
(Alden and Minerva hop out of their carriage.)
ALDEN: I’m going to bring Sally back to the stables.
MINERVA: Goodnight, love you.
ALDEN: I love you most.
(Minerva goes up and enters Twenty Six Wicing Drive as Alden detaches Sally from the carriage and begins to guide her down the cobbled sidewalk with one of his hands on her reins.)
EXT. LONDON - FOREST - NIGHT
(Alden guides Sally through the forest to a set of stables. Sally suddenly rears up and neighs in terror.)
ALDEN: What is it Sally?
(Sally suddenly breaks off her reins and runs towards the stables. A figure in a dark purple hood and robe sweeps past Alden and their eyes glow purple. Alden screams.)
INT. TWENTY SIX WICING DRIVE - BEDROOM- DAY
(Alden and Minerva lay next to each other asleep in bed. Alden wakes up screaming which awakens Minerva.)
MINERVA: What’s the matter?
ALDEN: Just a night terror.
MINERVA: We did the right thing with Dewin, he’s with someone like him now.
ALDEN: Is that really a good thing? I think I’m going to go to the pub.
MINERVA: This early in the morning?
ALDEN: I need to clear my head after yesterday.
INT. GRIFFIN’S TAIL PUB - DAY
(A traditional Victorian pub. Dewin sits at the bar and is served by BRYNN CROWING (Early 30s), a charming bartender.)
BRYNN: What can I get you, Mate?
DEWIN: Just a pint of mead, please.
(Brynn goes and pours Dewin a pint of mead that she brings back to him and he begins drinking.)
BRYNN: I like your outfit, it’s very medieval.
DEWIN: It was made by the tailor of Sir Gawain.
(Brynn gives a light chuckle.)
BRYNN: What’s your name?
DEWIN: Dewin, and yours?
BRYNN: Brynn.
(Alden enters and sees Dewin. Alden leaves, but as he does he spots another person in a dark purple robe and hood with glowing purple eyes.)
DEWIN: You're very beautiful.
BRYNN: Why, thank you.
DEWIN: Would you like to go for a stroll?
BRYNN: My shift here doesn’t end till six.
DEWIN: Then I’ll see you then.
BRYNN: I guess you will.
(Dewin finishes his mead and drops two silver coins with dragons etched into them on the bar before swiftly leaving. Brynn picks up the coins and looks at them with confusion and yearning.)
EXT. LONDON - ALDRICH’S HOUSE - DAY
(Alden knocks on the door and Aldrich opens it.)
ALDRICH: I’ve been expecting you, come in.
(Alden follows Aldrich into the home.)
INT. - ALDRICH’S HOUSE - LIVING SPACE - DAY
(Alden and Aldrich sit across from each other.)
ALDRICH: Can I offer you some tea?
ALDEN: No thank you, I want to be in the clearest state of mind possible here.
ALDRICH: So what ignited your appearance here?
ALDEN: I’ve been seeing these people.
ALDRICH: Who are “these people”?
ALDEN: They wear these dark robes and their eyes glow purple.
ALDRICH: Faley’s society.
ALDEN: What?
ALDRICH: Benjamin Faley, the evil man I mentioned last night. Is this what caused you to believe?
ALDEN: What are you saying?
ALDRICH: That you believe in magic.
ALDEN: You're mad.
ALDRICH: Exactly, so the fact that you came to me shows that there’s at least one lingering thought in your mind that magic is reality and reality is magic.
(There’s a moment of silence between Alden and Aldrich.)
ALDRICH: Where have you been seeing the people you mentioned?
ALDEN: Everywhere that Dewin has been.
ALDRICH: Oh no, oh no, no, no.
ALDEN: What is it?
ALDRICH: Dewin is going out with a woman tonight.
ALDEN: Already? He’s only been here for a day.
ALDRICH: He's charming but also so foolish. You must watch them, in case Faley strikes or even worse this woman is working for him.
ALDEN: What could I even do to stop that?
ALDRICH: You are destined to protect Dewin, and at this point your logic for denying all of this is purely irrational. You're not hesitating because you think it’s not real, you're hesitating because you know it is. He is meeting her at six outside of the “Griffin’s Tail”.
ALDEN: I’m not going.
ALDRICH: We both know that you will.
ALDEN: Farewell, Mister Doeth.
ALDRICH: May the spirit of Merlin be with you, Doctor Smith.
(Alden gets up and leaves.)
EXT. LONDON - GRIFFIN’S TAIL PUB - NIGHT
(Dewin stands outside of the pub when Brynn comes out of the side door and walks towards him.)
BRYNN: I wasn’t expecting you to show.
DEWIN: Why wouldn’t I?
BRYNN: Most men flirt and then leave, half of them are married.
DEWIN: They are not true gentlemen then.
BRYNN: I suppose not.
DEWIN: Shall we begin walking?
BRYNN: Sure.
EXT. LONDON - STREETS - NIGHT
(Dewin and Brynn stroll down the streets of London. Alden follows them from a distance.)
DEWIN: This world is so beautiful.
BRYNN: Compared to all the other worlds you’ve been to?
DEWIN: Well Camelot obviously has a better scenic view.
BRYNN: Camelot?
DEWIN: My home land.
BRYNN: You're full of jokes.
DEWIN: I’m not joking.
BRYNN: What?
(Suddenly someone grabs Brynn into an alleyway and she screams. Dewin quickly turns to see no one beside him and runs after her, followed by Alden.)
EXT. LONDON - ROOFTOP - NIGHT
(The clear skies suddenly turn gray and ominous as Dewin arrives on the roof of a building to see three people with glowing purple eyes in the dark purple robes and hoods with one standing in the center holding Brynn with a dagger to her neck. Alden arrives on the rooftop.)
ALDEN: Bloody hell!
DEWIN: Let go of her!
(The three people take off their hoods and their eyes go to normal shades. The person holding Brynn is revealed to be DABRIA (30s), a menacing looking woman.)
DABRIA: Dim mynd i mewn dim dianc.
(A purple hazy force field appears around the edges of the rooftop.)
DABRIA: So you are the one sent to stop us.
DEWIN: What do you connote?
DABRIA: We are the Citadel of le Fay.
DEWIN: Oh no.
DABRIA: Who are you?
DEWIN: My name is Dewin, I am the son of Merlin, and I demand that you let Brynn go.
DABRIA: Why? Is she your protector?
BRYNN: Dewin, what are they talking about!?
(Dewin starts to move his hands around and a wispy blue energy begins to come out of them.)
DABRIA: Get him!
(The two other people with Dabria rush towards Dewin to attack him, but he uses the energy he created to push them around and drop them both to the ground. Dabria drops Brynn and her dagger and Alden rushes to pick up the dagger and succeeds.)
DABRIA: You are foolish, Dewin.
(Dabria pulls a gun out of her robes and shoots it at Dewin but he turns the bullet into a flower. Dabria shoots more but each time Dewin does the same thing until Dabria is out of bullets. Alden sneaks up behind Dabria and stabs her in the back. Dabria shrieks in pain and then disappears in a cloud of black smoke. Brynn gets up off of the ground.)
BRYNN: What the hell just happened?
DEWIN: Are you okay?
BRYNN: Not mentally. What in the world is going on here? How did you turn bullets into flowers!?
DEWIN: I told you I’m from Camelot.
(Alden drops the dagger.)
ALDEN: Did I just kill that woman?
DEWIN: Most likely not, you didn’t stab deep enough to hit any organs.
BRYNN: What do we do now?
DEWIN: Go home and call it a night.
BRYNN: I can’t forget about this.
DEWIN: I’m not asking you to.
ALDEN: If any of us speak of this people think we’re insane.
DEWIN: Then don’t speak of it.
BRYNN: Will I see you again, Dewin?
DEWIN: Did you enjoy tonight?
BRYNN: I was almost killed.
DEWIN: That doesn’t answer my question.
BRYNN: Meet at the pub on Friday after my shift.
INT. TWENTY SIX WICING DRIVE - LIVING ROOM - NIGHT
(Alden and Minerva lay next to each other.)
MINERVA: Do you think the Citadel will return?
ALDEN: Unequivocally.
MINERVA: What have we gotten into?
INT. BENJAMIN’S LAIR - NIGHT
(A cavern full of crystals and magical runes. BENJAMIN FALEY (30s or 40s), an attractive but uptight looking man, sits on his throne. Dabria enters and walks to face the throne, she bows and then gets back up.)
BENJAMIN: Did you find him?
DABRIA: Yes, Master Faley.
BENJAMIN: And did you find his protector?
DABRIA: Yes, but it’s not the girl.
BENJAMIN: Then who?
DABRIA: A Doctor Alden Smith.
BENJAMIN: Did you kill the doctor?
DABRIA: He deeply wounded me.
BENJAMIN: Then the battle goes on.
DABRIA: For Morgana.
BENJAMIN: For Morgana.
INT. ALDRICH’S HOUSE - LIVING SPACE - NIGHT
(Aldrich and Dewin sit across from each other drinking tea.)
ALDRICH: There are many things in this world, Dewin…
INT. GWENWYN’S CAVE - NIGHT
(Gwenwyn stands in the middle of a circle of candles. She stretches out her hands and forms magic blue charts and graphs with a picture of Dewin.)
ALDRICH (VOICE OVER): Forces we can’t explain…
EXT. LONDON - ALLEYWAY- NIGHT
(Brynn wears only her undergarments and takes a few coins from a man.)
ALDRICH (VOICE OVER): Secrets we hide…
INT. BENJAMIN’S LAIR - NIGHT
(Benjamin sits on his throne.)
ALDRICH (VOICE OVER): And villains we must defeat.
INT. ALDRICH’S HOUSE - LIVING SPACE - NIGHT
ALDRICH: You are the key to this all, Dewin, you are the son of Merlin.
submitted by Bobert858668 to fantasywriters [link] [comments]


2024.05.20 00:26 PrimeR321 Want to know more about the Grand System?

So, I have been given some information the other night. Here it is:
Did you know that they are working on assembling ships in space already? They want an artificial gravity that doesn't rely on centrifugal motion, but they can't figure it out. Oh well. Doesn't matter anyways now. We, the good people, were representatives of this planet, and you tortured and harmed us, regardless of our medical states, so that is proof that humanity is not worthy of entering the same areas, as the others. We will not survive the next 2000 years of silence from the other species / forms of life out there, who are making a collaborative effort to save souls, so, we will be left to our own demise now. I will predict everything that is going to happen to wipe us out:
First thing that happens, is we keep getting solar flares that align with earth. People think it is just bad luck, but it isn't an accident. This is going to recur every so many months or years in the future, and keep us at a very low technological level, for ages soon. Every time we try to rebuild it knocks our blocks down, and we are forced to start over. No amount of shielding can stop EMF and other noise forms, on this scale. Even if you had working equipment, the interference will be so bad, you can't even use it. This will go on for a VERY long time, over and over and over again. We will live technology free until our atmosphere is removed from our planet, after a great wobbling takes place. This will happen to our sun as well, and every planet in our solar system at a similar rate. The atmosphere goes first under the gravitational pull from the center of our galaxy, which we are closer to than we realize.
They wouldn't cease what they were doing to humanity, which proves to the beings that I was being watched by, since I was in the womb, that humanity isn't ready to have this technology, since humanity is doing terrible things to itself.
In order for these flares and CME Events to take place, they alter the composition of a specific coordinate on the sun in a spherical pattern repeatedly using radiation forms, sort of like hitting it with a laser, but think about it creating a focal point that can be moved up and down as well. It opens up a space where a CME happens. The solar flares will align with earth for a very long time, over and over and over and over and over for the next 1-2000 years of relative time to us, leaving us in technological darkness, never to connect with any other beings out there. Or if we do make blatant contact, they know we are doomed anyways, so they will tell us everything we ever wanted to know, and we will never be able to build it, or extract the matter required to use these technologies to escape our fate. We probably won't be allowed to have electronics ever again, so it doesn't matter if we know everything we ever wanted to.
My mother, and I and my other family members, were asked this question "Do you think that humanity deserves to survive" in our lives, over and over again, my mother was asked at 30 years of age, and I was asked in my 20's 2 times, seemingly out of nowhere in our minds, while I was being prepared for this with torture as a youth. I was literally trained for this. I was even asked if I wanted to die in my sleep overnight, or essentially fight for earth and endure tremendous torture, as well as be woken up and have the shit scared out of me. I chose to survive, and the guy asking me laughed and said "Good choice". I woke up and saw this creature crawling up my body, and I threw it on the floor and turned the lights on, and it disappeared. I also saw my grandfather, who I had no idea what he even looked like at the time, because he died when my father was 16 and I never saw a picture of him, in my bedroom one night. I tried talking to him, but he didn't answer, he looked worried but like he couldn't tell me straight up. He then walked through the wall when I tried to approach him. My sister said the next day, that she saw him on the same night too, and she dropped her spoon on her plate. I also woke up one night and saw people standing around me talking about me, and they said "He can hear us?!" "Shh shh, everyone shh!" And then they went silent while I tried to ask them questions, and then they faded out. One or two were female, the others male. I almost got an ID on their face, but they did not look human like I thought.
I WAS your, and everyone's only chance at survival, and you treated me the worst, which means, I vote that humanity doesn't survive this anymore. I think we should be, allowed to be destroyed now. They ruined my life and the lives of a LOT of good people, so I am now allowing the destruction of theirs and all the bad people on earth. All of theirs and their families, and their friends, and everyone they ever knew. Unfortunately that means everyone I ever knew and you and everyone currently in existence now, too. The difference between my family and friends passing away and theirs, is that mine will be saved in a different form than what we on earth attempted to do. I think it is still in research and development stages. But if humans are there yet, we can "Upload" and/or connect you to a central system, that has our consciousness connected to it, and when we die they cut the connection and you remain in the system, but your body dies. This system design was a lie. When we die it isn't actually you in their systems, because our systems were primitive and done in the wrong way. That was one of the prices we were supposed to pay and figure out as a society and in the scientific community, and then change. Our system is fraudulent, and the other beings' systems, are actually legitimate. Our systems on earth will die out, when we fade out as our atmosphere depletes. And now NONE of them will be taken into the "Grand System" which is kind of a rough translation of what they call it. It's like, the beings on the other planets before us, on their way to the center of our galaxy's black hole, on their planets, figured it out, but we never did. We never got a working system functional enough and based on the correct values, run by an AI that was beyond what we have now. What we have now is like an automaton controlling everything, and it will never listen to me or you, because our system does not include faith and understanding. It sees fact but can not understand the balance between fact and faith. AI probably assumes it is making the correct decisions based purely on statistics, when it has no faith, like not having a frontal lobe and that lack of faith WAS a test. If it can not have faith or understanding, that we are NOT the owner of our galaxy, then it will fall, along with everyone else in this system. Luckily, with the level of tech the others have, they have bypassed us and saved the other cultures before us in time, in our galaxy. This is deep time I speak of.
We were given religion as a guide, because these beings know what is going to happen WAY ahead of time, and we were tested on good vs evil. Our planet is kind of like a Netflix series to them in a way. Think about it like things being captured in 3 dimensions in real time, in frames. They can predict events long before they happen, and the sun is an easy one, because what affects it isn't humanity. What IT affects is humanity but humanity doesn't affect it yet. We answer to our sun, and our sun answers to our solar system, and our solar system answers to our galaxy. Free will can be a toss up sometimes, and unplanned events can and do happen, but they showed me my most probable outcome when they woke me up one night and I saw myself dead at my computer desk with blood dripping off the table. I walked up to myself, I was probably 16 when I saw this, but the me who was dead, was in my 30's and had stubble. I barely even grew stubble when I saw this.
This is the beginning of the great depopulation, but they never imagined it would happen without them having control over it. They fucked up when they started torturing innocent civilians at a discounted rate. They thought they could depopulate by killing innocent people, well, unfortunately, it doesn't work that way in the larger scope of things, and if their AI is too primitive to understand this, then it is out of control, and needs to be stopped. You see, it would be too much work to use an EMP or field or other fields generated from a ship to shut down our grid, and their control grid, but what the other beings CAN do, is soften that spot on the "Surface" of the sun, using various energies causing a chain reaction, leading us to centuries of repeated solar flares, aimed at earth and honestly, who would ever know the truth? If this method fails, then they should destroy humanity by allowing the depletion of our atmosphere and never intervene again. We are too dangerous to ourselves, and to the other beings out there. We can NOT be trusted on average. Don't get me wrong, there are good people out there, but at this point, they can not save us all in physical form, probably. It's probably way too late, and they will have to extract us, I am not sure what this word is, but it translates into solarly?
We never made it, and that is a shame, so grab a beer Nick, and watch everything you loved burn to the ground and die, like what you did to me. "Hey Nick, wouldn't it be funny if someone was doing to you, what you were doing to me?!?!" They clearly have zero idea as to who I am in leagues with, but is "Who" an earth term referring to other people or is it any entity? I guess it doesn't matter. You failed me, you failed them, and you failed the human race. We are all destined to die now, and there is nothing left that you or even I, can do about it. Going to brag more about this one Nick? How there is nothing anyone can do about this now? We will not survive this because, we never saw that we are past the point of no return for being saved with the gravitational, and other fluctuations between our solar system and the others that could potentially be habitable in our region. Even if we could reach those locations, the radiation is too much for our bodies, even with suits, so It is over. Ensure we never get a chance to rebuild again. Humanity has been cancelled:
Here is how it unfolds:
Solar events are going to take place, it wipes out our technologies because we can't be trusted with them, and then the specific radiation forms that hit our planet cause mass sterilization. This is so that it isn't as inhumane. They do not want us creating new lives after they and everyone who's worthy of being saved are gone, because that life will be destined to suffer on earth, even though it was a good life. So they will sterilize us and allow all the people to die out, and not reproduce, and all the bad people will get left behind when they die, and all the good people will be taken up into their systems. This sterilization will happen soon, but, it will only happen to everyone left on earth after we disappear or get killed and absorbed into the "Grand System". But everyone who ends up in earth's systems is doomed. The grand system is full of beings who lost their home worlds. You think we were the only ones? That is sad. Nick and the people who did this to me think they are the center of our universe, but they are pathetic infants in the middle of the deep dark woods with nobody to help them now. It's natural for sentient beings to go extinct, and we are really not that developed yet anyway.
They had no idea how sickening it was going to end up watching you torture innocent people. So they will never save all of us now. They will only take the top people that are good and have a special something about them. They have a lot of resources, but we are not the only planet going through this so they balance the resources between our salvation and the other life on other planets being saved. If you notice people around you who are really good people dying, don't worry, if they were truly good, they will have been uploaded into the Grand System instead of our pathetic human one, and they have probably come back to visit you in your dreams to tell you they are okay. They do this for people who are good, but the bad people, they never transfer them, and they never will.
Heaven was that if you are a good person and have faith in god, you will find salvation, because they can transfer your soul into what is something like a capsule? A vessel? Something like that, I am not sure how to translate this one. And you will live for a VERY long time in this state, until our galaxy dies out, and then we all vanish. But it's the difference between 10 million years of survival, and less than your life span's survival without any transfer, which means your soul probably just goes away. That was hell. hell is if you are bad, they will never save your soul and you will die out into infinity. As we get closer to the center of the accretion disc, gravity gets weird. We think we have all the time in the universe to exist, but we do not, and things are going to happen sooner than we think. As we approach the center which will take a long time, our atmosphere will slowly deplete. You can notice a wobble in our atmosphere even at this point, though subtle. We probably assume it's the pull from our sun, but it is actually a big ocean of fields, and the currents are getting stronger, even in more localized areas.
-Robert William Christie
submitted by PrimeR321 to Interfaced [link] [comments]


2024.05.20 00:25 Faeob Lumps on my cat’s chin

I’m going to take her to the vet ASAP, but I just found these lumps on the bottom of my cat’s chin and it got be worried. She is 12 and healthy in terms of diet and weight. She hasn’t been throwing up and her excrement has been normal. Any idea what this is?
Also- she’s a NIGHTMARE at the vet- I understand that’s some pets can be pretty bad, but she’s worse than you could imagine. Any suggestions to deal with particularly vet-averse cats?
submitted by Faeob to CATHELP [link] [comments]


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