Quadrilateral tree map

homesteading, farming, gardening, self sufficiency and country life

2010.12.21 19:27 paulwheaton homesteading, farming, gardening, self sufficiency and country life

Ponds, barns, livestock, gardens, food preservation, fishing, hunting, tractors, pigs, chickens, cattle, worms, 4H, permaculture, organic, grazing, canning, aquaculture, trees, woodland, farmers, agriculture, agronomy, horticulture, wwoofers, bees, honey, wildcrafting, dairy, goats, nuts, berries, vegetables, sustainability, off grid, wood stoves, chainsaws, wood heat, tools, welding, green woodworking, farmers markets, composting toilets, straw bale homes, cob building...
[link]

2011.12.31 00:28 greatyellowshark Joshua Tree and the surrounding areas

Joshua Tree National Park - in the Mojave and Colorado desert, southern California. Rock climbing, bouldering, camping, hiking - it's all here.
[link]

2009.03.05 01:52 kmonk r/usenet - Usenet Discussion

We are a thriving community dedicated to helping users old and new understand and use usenet.
[link]

2024.05.19 22:13 VoltRedd My hopes for assassin's creed shadows

Regardless of how everything is with news about this game, I personally think this could potentially be the best rpg assassin's creed title (after origins). Let's go what we know:
• The time period means this is the first game in the series to feature the Assassins and Templars in their classic forms since Syndicate.
• We have a new Light and Dark system, light meter on the UI shows how well concealed you are, from fully visible to completely hidden, similar to splinter cell.
• New Npc types
• pacifist run (fun)
• A fully dynamic weather system
• The map is similar in size to that featured in Assassin's Creed Origins,
• Most main quests can be completed as either Yasuke or Naoe
• You can build up a spy network. (Pretty cool imo)
• unique weapon and ability tree for each character so its not just Syndicate again.
• NO BIRD, only eagle vision.
Now that we have everything down, my hopes for this game is that 1. The parkour in this game is better than it was in the previous rpg games, expand on what mirage did but add what made parkour fun and functional, like side ejects and parkour up + down with new animations. 2. Better combat, i dont want to see the same combat animations everytime i swing a katana or a war club, or even see the same kill animation everytime i assassinate someone, expand. 3. Better ai (including facial animation), I want the game to feel challenging if in playing as either naoe or yasuke, if I fuck up, i want it to feel like it's my fault, not that they saw me through a wall from 20 meters away. 4. And this is a ubisoft special, please no dead parents, im tired of killing off the parents, do something else.
submitted by VoltRedd to assassinscreed [link] [comments]

2024.05.19 21:45 ItzASecretBoi Attempting to remove VeinMiner, but I can't find it. [Help?]

Hey, if you've clicked on this post, your probably willing to help me out real quick, I'm working on a vanilla ++ modpack for a modded game with me and my buddies, but for some reason I have Vein Miner, which I personally would like to remove. Unfortunately for me I can't find it and I've scanned this pack like 5 times now, and I cannot for the life of me find the Vein Miner mod.
If anyone glances at this and just so happens to know the culprit, thanks!
submitted by ItzASecretBoi to feedthebeast [link] [comments]

2024.05.19 21:43 Opening_Pack5829 Looking for Developer for EU4 mod

Hello, I am looking for people who would help us out with developing our mod, Odessus!
Odessus is an Alternative History mod for EU4 that is based around a victorious Battle of Varna, followed by the expulsion of the Ottomans from the Balkan peninsula.
The mod features a new map with a more balanced Balkans and Anatolia, as well as new mission trees and events oriented at Afro-Eurasia that affects the course of history. Overshadow the Habsburgs as the Jagiellons, restore the Roman Empire with a reborn Byzantium - or take advantage of the Turkish weakness as the Mamluks or the Timurids. Maybe you want to avenge Varna, this time as the Ottomans...
Link to the mod: https://steamcommunity.com/sharedfiles/filedetails/?id=2987838628 Contact me on Discord if you'd like to help: neit85
submitted by Opening_Pack5829 to paradoxplaza [link] [comments]

2024.05.19 21:42 Opening_Pack5829 Looking for Developers for my Mod

Hello, I am looking for people who would help us out with developing our mod, Odessus!
Odessus is an Alternative History mod for EU4 that is based around a victorious Battle of Varna, followed by the expulsion of the Ottomans from the Balkan peninsula.
The mod features a new map with a more balanced Balkans and Anatolia, as well as new mission trees and events oriented at Afro-Eurasia that affects the course of history. Overshadow the Habsburgs as the Jagiellons, restore the Roman Empire with a reborn Byzantium - or take advantage of the Turkish weakness as the Mamluks or the Timurids. Maybe you want to avenge Varna, this time as the Ottomans...
Link to the mod: https://steamcommunity.com/sharedfiles/filedetails/?id=2987838628 Contact me on Discord if you'd like to help: neit85
submitted by Opening_Pack5829 to eu4 [link] [comments]

2024.05.19 21:32 herein2024 Luba 2 5000 vs Husqvarna 450EPOS - The Missing Comprehensive Comparison

So, I have the dubious honor of having owned both the Luba 2 5000 and the Husqvarna 450X EPOS at the same time for the same yard. I also have the Husqvarna 315X wired version as well. But in this post I want to provide a comprehensive comparison between the Husq 450X EPOS and the Luba 2 5000. There are already tons of vendor marketing materials, YouTubers with their reviews, etc. My goal is to provide a real comprehensive review, with no fanboyism, no hidden agenda, just as a homeowner who wants something that works reliably and that lasts.
In this post my goal is also to provide new information that I was not able to find anywhere when I was comparing these two prior to purchase, if you have any questions that you want answered that I did not cover here just let me know.
MY YARD
My yard is a pretty simple Florida rectangular acre with about 5 big oak trees and plenty more overhanging my yard from my neighbors' yards. I have about 1/2 acre in the back and about 0.30 acres in the front. I use the Husq 315X to mow the front and decided to buy a wireless version to mow the back. I also have a thin strip outside of the front fence that I mow on occasion after opening the gates and fences.
LUBA2 5000 vs HUSQ 450X EPOS
Below I have arranged my findings by categories, with the most surprising being first.
OVERALL WINNER (TIE)
Right now both the Luba 2 and the Husq 450X EPOS have a fatal flaw; the Luba 2 badly chews up my yard, and the 450X EPOS can't seem to find its RTK/Satellite Signals. At this point in time I do not know if the Luba's or 450X EPOS's problems are just software or a fundamental hardware problem. Mammotion is addressing their hardware design with the release of the Yuka, I can only hope the RTK problem with the 450X EPOS can be fixed via a firmware update.
I know the 450X EPOS won a lot of categories for me, but if it sits around in my yard all day searching for a signal then none of the rest of its features matter. RTK is so important to the fundamental operation of a wireless RTK robot that it supersedes all else in my book.
RECOMMENDATIONS
Luba 2 - I would recommend the Luba 2 if any of the below are true:
450X EPOS - I would recommend the Husq 450X EPOS if ALL of the below are true:
Wired Solutions - My front yard Husq 315X wire guided mower is great, problem free, and still uses a wire. I used a trenching machine, bought heavy duty 14 gauge wire, and buried it around 8" deep. In my opinion, if you can deal with installing the wire, not being able to change things later, and risk the wire breaks, wired is still the most reliable way to go. I think wireless mowers are very close to being mature, but something needs to come along to reduce the problems with satellite reception, RTK placement, and blockage from buildings and trees. We don't all have that perfect wide open yard with no trees or buildings.
submitted by herein2024 to automower [link] [comments]

2024.05.19 21:27 punchlineartist Working on my own horse game, wanted to post to measure interest

Working on my own horse game, wanted to post to measure interest
So, i've mentioned this briefly in my posts on other subreddits but i wanted to approach the horse game community to see if this is something you all would actually like to see
The working title is Herds of Fjordhollow
A 2D Wolfquest inspired game focused on living the life of a wild draught horse in a semi-realistic setting (no humans, if you want humans in your horse game go to literally any other horse game) Here is a basic list of things I'd like to have for the very base game
https://preview.redd.it/b7i9z2rzkf1d1.png?width=603&format=png&auto=webp&s=ed2ceb0eefd59dbfe45db837097f3cb099632577
Basically, you would start as a 2-4 year old stallion having just left your herd and will survive, explore, and meet other horses, eventually being able to add them to your herd. You interact with your herdmates to keep your herd bond strong, or if it isn't, mares might try and leave. In spring you'll be able to breed with your mares and have foals the following spring. Since I'm a noob with coding, the genetics will likely be extremely simple in the first playable version.
I'm an artist first, and a coder, well, barely. I'm brand new to it and still have a lot to learn. This is my first game, and a game i really think needs to be in the horse game sphere because I have been searching for YEARS for a game in this vein and no one has stepped up to the plate. Below is the current test map i've been fiddling with, it's not a true map, and the horse overworld sprite is a placeholder until mechanics are parsed through.
https://preview.redd.it/4gd10nutpf1d1.png?width=1145&format=png&auto=webp&s=172b3217a03190f01ef293d9d10efe4efb85e52f
And here are the full view horse sprites(heavy WIP), which i feel will get an inevitable rework once more stuff in the game is completed, as well as some of the food items that will spawn/regenerate in the world
Stalion
Mare
foal
consumeables
That's about all i have for the game currently. I'm hoping to get the basic survival needs (thirst, hunter) figured out soon, and perhaps then i'll be able to share more. After basic needs are done, it will be time to start working on predator ai (a stallions gotta protect their herd from more than just rival stallions after all).
But let me know if this is something that you'd like to play! I want it to be a mix of lighthearted/realistic, with an emphasis on following your horses lineage throughout the generations :)
I want it to be enjoyable for people of all ages, and so the atmosphere is bright, and semi-whimsical, but the substance of living the life of a wild horse is more realistic and at times difficult (especially in winter, or with a massive herd).
submitted by punchlineartist to GamesWithHorses [link] [comments]

2024.05.19 21:22 herein2024 Luba 2 5000 vs Husqvarna 450EPOS - The Missing Comprehensive Comparison

So, I have the dubious honor of having owned both the Luba 2 5000 and the Husqvarna 450X EPOS at the same time for the same yard. I also have the Husqvarna 315X wired version as well. But in this post I want to provide a comprehensive comparison between the Husq 450X EPOS and the Luba 2 5000. There are already tons of vendor marketing materials, YouTubers with their reviews, etc. My goal is to provide a real comprehensive review, with no fanboyism, no hidden agenda, just as a homeowner who wants something that works reliably and that lasts.
In this post my goal is also to provide new information that I was not able to find anywhere when I was comparing these two prior to purchase, if you have any questions that you want answered that I did not cover here just let me know.
MY YARD
My yard is a pretty simple Florida rectangular acre with about 5 big oak trees and plenty more overhanging my yard from my neighbors' yards. I have about 1/2 acre in the back and about 0.30 acres in the front. I use the Husq 315X to mow the front and decided to buy a wireless version to mow the back. I also have a thin strip outside of the front fence that I mow on occasion after opening the gates and fences.
LUBA2 5000 vs HUSQ 450X EPOS
Below I have arranged my findings by categories, with the most surprising being first.
OVERALL WINNER (TIE)
Right now both the Luba 2 and the Husq 450X EPOS have a fatal flaw; the Luba 2 badly chews up my yard, and the 450X EPOS can't seem to find its RTK/Satellite Signals. At this point in time I do not know if the Luba's or 450X EPOS's problems are just software or a fundamental hardware problem. Mammotion is addressing their hardware design with the release of the Yuka, I can only hope the RTK problem with the 450X EPOS can be fixed via a firmware update.
I know the 450X EPOS won a lot of categories for me, but if it sits around in my yard all day searching for a signal then none of the rest of its features matter. RTK is so important to the fundamental operation of a wireless RTK robot that it supersedes all else in my book.
RECOMMENDATIONS
Luba 2 - I would recommend the Luba 2 if any of the below are true:
450X EPOS - I would recommend the Husq 450X EPOS if ALL of the below are true:
Wired Solutions - My front yard Husq 315X wire guided mower is great, problem free, and still uses a wire. I used a trenching machine, bought heavy duty 14 gauge wire, and buried it around 8" deep. In my opinion, if you can deal with installing the wire, not being able to change things later, and risk the wire breaks, wired is still the most reliable way to go. I think wireless mowers are very close to being mature, but something needs to come along to reduce the problems with satellite reception, RTK placement, and blockage from buildings and trees. We don't all have that perfect wide open yard with no trees or buildings.
submitted by herein2024 to MammotionTechnology [link] [comments]

2024.05.19 21:00 Sola_Sista_94 Disnee-hee-hee Princess Marathon! (Fanfic)

"...There's no need to pray, it's okay! You're welcome! Ha! I guess it's just my way of being me! "Maui sang as Kokichi and Himiko bobbed their heads to his signature song. They were spending the weekend watching Disney princess movies, suggested by Himiko. Saturday, they watched half the movies, and today, Sunday, they were tackling the other half. They were currently watching Moana.
"Nyeh...hey, Kokichi?" Himiko began. Kokichi shoved his finger onto Himiko's lips while simultaneously watching the screen.
"Ssh!! Ssh!! Wait, wait, wait!! Here comes the rapping part!" he exclaimed. He inhaled deeply and began rapping with Maui: "Well, come to think of it, kid, honestly I can go on and on. I can explain every natural phenomenon. The tide, the grass, the ground, oh, that was Maui just messin' around! I killed an eel, I buried its guts. Sprouted a tree, now you got coconuts. What's the lesson? What is the takeaway? Don't mess with Maui when he's on a breakaway! And the tapestry here on my skin is a map of the victories I win! Look where I've been, I make everything happen! Look at that mini-me Maui a-tippin' a-tappin!' Hey, hey, hey, hey, hey, hey, HEY!! " Kokichi burst into laughter. "I LOVE that part!" he exclaimed. Himiko laughed with him.
"That was pretty good!" she said, hugging Kokichi. Kokichi squirmed with glee.
"Nee-heehee...thanks, Monkey Buns!" he said. "That's a fun part! Oh! What did you wanna ask me, by the way?"
"Well, since this is our last Disney princess movie, I just wanted to ask you..." Himiko began. She turned to him, batting her eyelashes. "...which Disney princess do I remind you of?" Kokichi rolled his eyes.
"Oh, brother," he said. "More of this?"
"I just wanna knooow!" Himiko said, nuzzling her face against Kokichi's shoulder. Kokichi sighed and leaned his head back in thought.
"Hmmm," he murmured. "I think you're kind of like Snow White and Rapunzel...and maybe the sleeping girl because, well...cuz she mostly slept. Nee-heehee!"
"Oh! Why Snow White?" Himiko asked.
"I dunno...I guess because she's an airhead," Kokichi replied.
"Heeey!" Himiko said, frowning.
"In an endearing way!" Kokichi said, shrugging his shoulders defensively.
"So...it's a good thing?" Himiko asked.
"I mean, I think it's cute," Kokichi replied. "Plus, she talks to animals, like you do. Except, in her case, the animals don't talk back."
"Nyeh...that's true," Himiko nodded. "And Rapunzel?"
"Well...you're naive, like she is," Kokichi began. "But, she's also goofy and adventurous. You're goofy, just like her, and you can be adventurous, so long as I'm there with you. And, of course, you have magic."
"Well...I do like those choices," Himiko admitted.
"Plus, I remind myself of Flynn Rider, so you automatically remind me of Rapunzel for that reason, too," Kokichi added. Himiko smiled and rolled her eyes.
"Of course," she said. "Nyeh...what about Belle?"
"The beast-lover?" Kokichi asked. Himiko nodded. "Hmm...maybe a little. I guess like Belle, you're mostly docile, but you also have a feisty side, like she does. Especially when she gets fed up. You just don't read as much as she does, though." Himiko nodded in agreement.
"And what about Ariel?" she asked.
"Pffft...from The Dumbass Mermaid? " Kokichi scoffed. Himiko smacked his arm.
"That's not what the movie is called," she said.
"It should be," Kokichi muttered. "She told her dad she loved what's-his-face even though she knew absolutely nothing about him! And to make things worse, she sold her voice to Urkel, or whatever her name was, just to meet that guy, who she's lucky didn't turn out to be some serial killer! The only thing you have in common with her is your red hair...well, that, and you're a dreamer, too."
"Nyeh...and I don't brush my hair with a fork," Himiko added.
"That, too!" Kokichi replied, shaking his head and rolling his eyes.
"What about Tiana?" Himiko asked. Kokichi smirked.
"Nah, you're allergic to hard work," he said.

"Ugh!!" Himiko cried. Then crossed her arms, pouting. "I'd smack you if that weren't true." Kokichi snickered at her. "Nyeh...what about Cinderella?"
"Again...you're allergic to hard work," Kokichi said.
"Well, she's not just known for hard work!" Himiko said. "She's also patient and kind!"
"Well...how would you respond to two ugly stepsisters and a stepmother being mean to you?" Kokichi asked.
"If there's any time to do what Ariel did, it would be then!" Himiko replied. "I'd run away to find the prince!"
"What if the prince is a psycho?" Kokichi asked.
"AND THE STEPSISTERS AND STEPMOTHER WEREN'T?!?!" Himiko exclaimed. Kokichi chuckled.
"Good point," he admitted, kissing the back of Himiko's hand.
"What about Jasmine?" Himiko asked.
"Jasmine...?"
"From Aladdin," Himiko reminded him. Kokichi smiled at her.
"You don't remind me of her, but...I feel like our relationship is like Aladdin and Jasmine's," he said. "Especially how in sync they were with each other when they first met, like when they worked together to avoid the guards. They reminded me of us, because you and I are always in cahoots! Hahaha!" Himiko smiled back.

"Ohhh! I like that!" she said. "Plus, Aladdin is a liar, like you are."
"Can't argue with that," Kokichi replied with a shrug. "Yeah, I think our relationship is like...hmm...what would their ship names be? 'Alasmine,' and 'Eupunzel."
"Eupunzel??" Himiko repeated.
"Yeah, Eugene and Rapunzel," Kokichi explained.
"Right!" Himiko said. "Nyeh...I love those choices for us!"
"Riiight?" Kokichi agreed with a cheeky grin.
"What about Pocahontas?" Himiko asked.
"Nnnnyyyoooooo..." Kokichi replied, shaking his head. "You are not a nature-lover, Monkey Buns! Plus, I just don't see you as a free spirit. You also don't go jumping off of cliffs and stuff."
"Oh..." Himiko said sadly.
"Not that that's a bad thing," Kokichi said. "I just don't see anything Pocahontas-y about you."
"I guess that's faaaiiir..." Himiko grumbled. Kokichi chuckled and kissed her cheek. "What about Mulan?"
"Nope! You're a dishonor to your family!" Kokichi joked. Himiko pounced on Kokichi, pinning him down to the couch cushions. Kokichi laughed playfully while Himiko kissed his face all over. "Hahahaha...ewww, you're getting your slobber all over me!"
"Nyeh...that's what you get!" Himiko said. "Just be glad I didn't tickle you! I know where your tickle spot is!" She drummed her fingers along Kokichi's neck. Kokichi cried out in surprise and scrunched his neck. Then, he licked one of Himiko's fingers.
"Ew!" Himiko cried, yanking her hand away.
"Nee-heehee...that'll learn ya!" Kokichi said.
"Nyeh...well, anyway..." Himiko muttered, wiping her finger on her jacket. "...What about Merida?"
"Och! In yer dreams, lassie!" Kokichi replied in a Scottish accent. "Ye couldn't e'en shoot a target if it was three feet in front o' yew!" He then dropped the accent. "Haha! Try the accent! It's fun!"
"Nyeh...top o' the marnin' to ya!" Himiko said. Kokichi gave her a strange smile.
"I'm pretty sure that's an Irish thing, not a Scottish thing," he said.
"Well...what do Scottish people say?" Himiko asked.
"I dunno...talk about bagpipes and Nessie, or something," Kokichi replied.
"Um...I done told Nessie not to play the bay-agpipes, but she went an' did it, anywaaay!" Himiko said in a horrible Southern accent. Kokichi burst into laughter.
"You sounded like a hillbilly from the American South!" he exclaimed.
"Well, I forgot how Scottish people sound already!" Himiko said, smacking Kokichi's leg. "So hush! Nyeh...moving on...what about Anna or Elsa?"
"Anna, no," Kokichi replied. "Elsa, yeah. She has magic, and she's quiet and hides her feelings, like you used to do. Also...why does Elsa even count? She's not even a princess, she's a queen!"
"Well, now she's the fifth spirit, remember?" Himiko said. "And Anna's the queen, now."
"Well, that's the only thing you have in common with Anna, then," Kokichi said with a wink. Himiko blushed.
"D'oh, Kokichi..." she said bashfully, waving her hand dismissively at him. They turned their attention back to Moana, who was now in the middle of another song.
"...And the call isn't out there at all, it's inside me," she sang. "It's like the tide always falling and rising. I will carry you here in my heart, you'll remind me that come what may, I know the way..."
"...I AM MOANAAAAAA!!! " Kokichi and Himiko sang together, pumping their fists. Then, they started swaying slowly and moving their arms dramatically to the music until the end of the song.
"Nyeh...do I remind you of Moa-" Himiko began.

"Nuh-uh," Kokichi interrupted.
"Why nooot?" Himiko asked.
"Cuz you don't like the ocean, remember?" Kokichi replied with a cheeky grin.
"Good point," Himiko said, kissing the back of Kokichi's hand. Kokichi chuckled.
"Is that all the Disney princesses?" he asked. Himiko went over the princesses in her head.
"Nyeh...yup, that's all of them," she said.
"Good! Can we go back to watching the rest of the movie, now?" Kokichi said.
"Nyeh...okay, okay," Himiko said. She nestled her head against Kokichi's shoulder. Kokichi moved her hat and kissed the top of her head, making her squeal happily. Then, they watched the rest of Moana in silence.
submitted by Sola_Sista_94 to danganronpa [link] [comments]

2024.05.19 20:42 sVanilla_Survival sVanilla Survival [SMP] [Semi-Anarchy] [PVP] {Crossplay Enabled} {No Crystal PvP}

sVanilla Survival: The Original SMP Experience for java & bedrock geyser.
IP: corn.gg
Region: USA East
sVanilla Survival goes back to the roots of what an SMP should be. Semi Vanilla, with a few quality of life additions. We're dedicated to providing the old-school SMP experience, with a large map that never resets, no land claims, and most importantly - crystal free PvP.
So why choose sVanilla Survival?
Join sVanilla Survival and be a part of a community that honors the tradition of survival multiplayer. Welcome to sVanilla & enjoy your minecraft!
submitted by sVanilla_Survival to MinecraftServer [link] [comments]

2024.05.19 20:42 sVanilla_Survival sVanilla Survival [SMP] [Semi-Anarchy] [PVP] {Crossplay Enabled} {No Crystal PvP}

sVanilla Survival: The Original SMP Experience for java & bedrock geyser.
IP: corn.gg
Region: USA East
sVanilla Survival goes back to the roots of what an SMP should be. Semi Vanilla, with a few quality of life additions. We're dedicated to providing the old-school SMP experience, with a large map that never resets, no land claims, and most importantly - crystal free PvP.
So why choose sVanilla Survival?
Join sVanilla Survival and be a part of a community that honors the tradition of survival multiplayer. Welcome to sVanilla & enjoy your minecraft!
submitted by sVanilla_Survival to MinecraftServerFinder [link] [comments]

2024.05.19 20:41 NoFun_15 A few thoughts about improving skirmish pvp.

As most of you already know, pvp skirmish is not very appealing because it depends completely on who can spam ships faster. Even though HW3 has a lot of other gameplay problems, I think the devs are aware of them already because they have been stated often enough. To make pvp a bit more interesting, I had a few ideas. What are your thoughts? Do you have additional ideas?
submitted by NoFun_15 to homeworld [link] [comments]

2024.05.19 20:37 Shiirooo Exclusive interview with Famitsu and the devs

Exclusive interview with Famitsu and the devs
https://www.famitsu.com/article/202405/5194 (translated by DeepL: there are probably translation errors)

Shadows is the next step forward for Assassin's Creed

Mr. KARL ONNÉE, Producer
--First of all, let me say "Thank you" from us Japanese, as "Assassin's Creed" is finally coming out, which is set in Japan!
KARL: Thank you for coming here today. I have been wanting to do this work for years, so my dream has come true.
--Why did you choose the Azuchi-Momoyama period as the setting for this work?
KARL: I chose it because it is a very rich period in history. It was a time of war and political maneuvering, a time of change from rural to urban areas, and also the birth of art. I also chose it because it was the start of the unification of Japan. It was a pivotal moment for Japan. Together, these elements provided an excellent canvas on which to tell the story.
--What kind of image do you have of the Azuchi-Momoyama period?
KARL: This was a time when the feudal lords of the warring states were fighting for power in the name of unifying the country, but it was also a struggle for control of trade. Portuguese missionaries and merchants came to Japan together. The Portuguese missionaries and merchants came to Japan together, and people who wanted a beautiful country and peace. This is the kind of image we have, but I think there was a mixture of various cultures and people's thoughts. And of course, there were the warring feudal lords. These are great canvases for the story.
--What do you think should be inherited from "Assassin's Creed" and what are the unique aspects of this game?
KARL: When people think of "Assassin's Creed," they think of stealth, but shinobi fantasy is not only a perfect fit for an "Assassin's Creed" game, it also fits the DNA of the "Assassin" brand.
What we wanted to do with "Assassin's Creed Shadows" was to push stealth even further. We started this effort with the previous game, "Assassin's Creed Mirage," but we wanted to take it further with new features. Systems such as light and shadow, grappling ropes, prone, and a variety of tools available in the game provide a new experience.
The gameplay is also enriched by two characters, Naoe, a shinobi, and Yasuke, a samurai. Players will explore and discover Japan through the eyes of Naoe, a local, and one non-Japanese outsider. The game is more dynamic than ever before, pushing the limits of technology and offering an experience exclusive to current-gen consoles.
--The "Assassin's Creed: Valhalla," released in 2020, is based on the theme of "Vikings" and has been a huge sales success. As a Japanese, I feel that from a global perspective, the Japanese "shinobi" theme is even more niche, but what is your current response?
KARL: I would like to talk about how it compares to "Viking" fantasy. Both shinobi and samurai are exciting and celebrated as fantasy with power, and are widely discussed in pop culture, and we are very much inspired by them.
Shinobi were on our radar from the beginning because we thought they fit well with the "Assassins" brand, but we felt that incorporating a powerful samurai would create two different gameplay experiences and give us the opportunity to tell the story from two different perspectives. We feel that this is a powerful motif that can compete with the "Viking" motif.
--How did you like the setting of Japan as a subject matter for the latest model?
KARL: I think it was perfect. For example, the "Global Illumination" technology allowed us to explore the response of light and shadow. Some consoles are still called "Baked GI", but by using dynamic lighting and the power of the new hardware, we were able to explore the creativity.
We are now able to express not only light and shadow, but also the dynamism of nature in greater detail. Naturally, since it is set in Japan, we have never dealt with so many trees, and thus so much data, in previous works in the series. We also needed more data to seamlessly move various things at the same time because of the seasonal changes. The latest models have allowed us to realize our vision, and our ambition for this film and for "Assassin's Creed" will continue.
--Assassin's Creed Mirage marks the 15th anniversary of the game. Can we consider this work as the next step forward for the next generation of "Assassin's Creed"?
KARL: You are absolutely right. Mirage" was a tribute to existing works, but this film is the first step into a new era. We are in the era of modern equipment. With the new generation of our engine "Anvil", plus the opportunity to create a new era by using the power of the latest consoles, we are able to do what we wanted to do with "Assassin's Creed Shadows".
With technologies such as global illumination and dynamism, we are now making the game we really wanted to make.
--What are the four pillars you are focusing on in the development of this game?
KARL: We are focusing on four pillars.
  • The first is to create an authentic and dynamic world.
  • Second is the story, introducing a new form of storytelling to "Assassin's Creed" by introducing two characters with different stories and perspectives.
  • Third, there are two different action sequences. Samurai and Shinobi each have their own skills tree elements and unique weapons. For example, in castles, each has a different positioning that they excel at, which makes a big difference in how they play.
  • And finally, there is stealth. We are promoting the importance of stealth more than ever with new systems such as light and shadow, objects in the environment, depression, and grappling ropes.
-- The launch is scheduled for November 15, 2024. What is the current development status?
KARL: Development is going very well. We are proud to say that we have done a good job, but of course it is not finished and there are still glitches. This is the result of all the work we have done so far. We are very happy with how things are going right now, and we hope you will stay tuned for more news.
-- I understand that "Assassin's Creed Infinity" was announced at the previous Ubisoft Forward and that this title will be included in the game? Also, what is the development status of that game at ......?
KARL: "Assassin's Creed Infinity" is introduced as an Animus Hub (*a hub that will function in the future as an entry point for the series), which we will talk about at a later date.
--What is your message to your fans around the world and in Japan?
KARL: We are humbled that our dream of creating a game in this setting has come true. This is a setting that our fans have been anticipating for a long time, and for us it has been a wonderful experience to work on a game that we have always wanted to make.
This game is the result of our love. We hope you enjoy it. We look forward to talking more about it in the coming months.

The Shinobi Assassin and the Legendary Samurai. Experience the different fighting styles created by these two characters.

(left) Mr. JONATHAN DUMONT (Creative Director), (right) Mr. CHARLES BENOIT (Game Director)
--When did you start the development of this work?
JONATHAN: Development began about four years ago, and research into the time period in which the film is set began immediately. There were a number of cool subjects that brought us great characters and story plots. I had a gut feeling that this was going to be a very good game.
--Was the Azuchi-Momoyama period chosen as the period setting from the pre-development stage? Did you have an idea for a major point in Japanese history, such as the end of the Tokugawa Shogunate?
JONATHAN: I started from the beginning of my study of Japanese history, but I began reading with the feeling of a student. Following the Socratic principle, you took the attitude of knowing nothing. As I read on, I found some very interesting settings.
I focused on the Azuchi-Momoyama period because I felt it was an extremely important period for Japan. It was a time of warring states, the need to unify the country, and the need to defend itself against the growing influence of other countries.
It was a grand and complex period, and there are many stories that can be told from different angles. Among the heroes of the unification of Japan, Tokugawa Ieyasu, Toyotomi Hideyoshi, and Oda Nobunaga are best known among the outstanding characters in Japanese history.
Not only war, but also politics are involved, and they are moving toward the peace that will eventually come, with a good ending waiting somewhere in the middle. I strongly felt that this was a wonderful and interesting period that deserved to be featured.
It was also a time when the foundations of the arts were laid. Castle towns were built, the world changed, and people's relationships with each other and with art, as well as their inner lives, also changed. It was very interesting to explore this period, and I was strongly attracted to the characters who lived in this time.
-- Why did you choose the title "Shadows"?
CHARLES: From my point of view, there are two reasons. Shinobi hide in the shadows, so "Shadows" is of course inspired by that. In a way, this embraces the "Assassin" brand and shinobi.
There are other aspects to "Shadows" as well. There are "hidden things" in the game that must be discovered by the player, but they are hidden in the darkness in some way.
JONATHAN: Both characters are in a way connected to being shadowy heroes living in the underworld of this era. It's a cool title, if you can think of it this way.
--Why did you choose two main characters and two fighting styles? Also, what kind of combat action can the Shinobi and Samurai experience respectively?
JONATHAN: One of the reasons for the separation of the two styles is that from the beginning of development, we wanted to have two distinct and cool archetypes to play with: the samurai and the shinobi.
We also wanted to make sure that this fantasy was as close to reality and expectation as possible without being diluted. I also often felt the need to have two points of view in the development of the story, since history is rarely clearly black and white. The two protagonists provided interesting dynamics and perspectives on how to approach the game.
CHARLES: I think it is very interesting that in combat, both the samurai and the shinobi have special types of weapons. Therefore, the style of combat in this work is built on a more weapon-based approach.
There are weapons that only Samurai can use, and the same goes for Shinobi. The player can get a good feel for the two different fighting styles. And it is possible to switch between them.
--What weapons can Naoe and Yasuke use?
CHARLES: Both players have different types of weapons. For Naoe, we went for a more classic fantasy type shinobi. The chain scythe is a weapon that covers a wide area and can only be used by Naoe.
In addition, she also has a dagger used at close range, which can be combined with a hidden blade (Hidden Blade). Naoe can fight very quickly and efficiently with these.
On the other hand, Yasuke, who excels at overpowering with force, is given more types of weapons, some of which are firearms type weapons. They also have the typical samurai bow.
--Why did you choose to make the shinobi Naoe an original character and the samurai Yasuke a historical figure?
JONATHAN: Even though they are well known in Japan, at least in North America, not much is known about farmers, what happened to them, and where the Shinobi came from.
So we decided to introduce a figure from Iga who is shrouded in mystery. We considered historical figures from the region, but we preferred a sense of mystery, so we came up with Naoe as someone who may or may not have actually existed.
As for Yasuke, from the beginning we thought that a story about the arrival of the Portuguese would be a very good way to tell the story of the crisis in Japan. The team liked the character Yasuke, and we thought we could use him to show the promise of discovering Japan.
We thought that if we started with a samurai already in Japanese society, he would be a very interesting and intriguing character, with concepts that we don't necessarily know. And it would also be interesting to see what happened to him. He starts out as a character who is already rooted in history, and we are curious to find out what happens to him.
I thought they would make a cool team, complementing each other in terms of storytelling, physique, and family background.
--What did you keep in mind when creating the scenario where the two main characters switch? What were some of the challenges?
JONATHAN: I wanted the audience to feel that "both are the main characters," but this was more complicated than it seems. Their stories overlap in places, but I wanted to make sure that as the game progresses, you gradually discover more and more about both characters. They have similar goals and motivations, but they are not 100% the same, which made it complicated and difficult to maintain their individual personalities.
Naturally, the quest can be played by either character. If a quest needs to be started by one character and completed by the other, the settings must accommodate both play styles. Thus, although it can be complicated, there are many opportunities to tell the story from one of the two perspectives.
Having two different points of view is a lot of fun, but there were some complications, such as having to use new technology in the conversation tools. There were some cool things, however. It is interesting that in the conversational scenes, the player decides which of the two protagonists speaks and they ask for different things. This is cool in a way.
CHARLES: Both characters are attacking the castle and at some point the player is asked if they want to continue with Yasuke or Naoe, both are interesting. At various points the player must make these choices.
The stories are independent, so if you want to know more about Naoe's or Yasuke's past, you can play as one character and delve into that character's story.
--Are there areas of action that differ, such as places that only Naoe, a shinobi, is allowed to enter?
JONATHAN: There are areas where both Naoe and Yasuke have different areas of activity. I can't go into details because there are a few surprises, but since Naoe can use a hooked rope, there are places that are almost exclusively accessible to her.
The world is designed to be enjoyed by both characters, and players can switch between the two at will.
Of course, if you want to reach the final point of the world or reach the summit through the ruins, then perhaps Naoe is the better choice. However, if you want to break through the fort head-on alone and open the way, Yasuke seems like a better choice. Of course, you can play with either character.
CHARLES: Each character also has specific actions. Naoe can hook the hooked rope to a specific spot and move like a pendulum, or hook the hook to a high spot and climb the rope to get to where she wants to go faster than Yasuke. However, Yasuke can use a shoulder bash to break down reinforced doors.
Yasuke can also perform parkour very efficiently in a more daring way. What can be felt when Yasuke performs parkour is how the crowd reacts. Because Yasuke is a samurai and exudes dignity as a superior class, the crowd reacts accordingly. Naoe, on the other hand, gives the impression of being more integrated into the world.
--Can you both use the Hidden Blade, Hawk's Eye, and other Assassin abilities?
CHARLES: Without spoiling anything, the traditional skills of the Assassins are mainly for Naoe. However, there is another mechanism called "Kantori" (provisional name) that can be used when you want to find an enemy or target person, and this can be used by both of them.
You can use free aim to look around, but you cannot see through walls. Yasuke can also kill with stealth, but in a more direct and easier way. Even with stealth, there will be some sound, so it is a "stealth-like" approach.
JONATHAN: Kantori (provisional name) can be used to find many things in your current location. It is a very good guide for a certain area, but it does not take all the fun out of exploration. It is a good guide because you can learn a little more about where you want to go, but you are left with the surprise of discovering something.
-- Is there a skill tree that makes Naoe more combat-oriented or enhances Yasuke's stealth?
CHARLES: Both have skills that are more combat-oriented and stealth-oriented. Also, some equipment has effects such as increased resistance when attacked. We also offer perks that enhance your abilities in combat.
Naoe, enhanced to be more combat-oriented, has an advantage in melee combat compared to Naoe, enhanced to be more stealth-oriented. Both have a range, but cannot go in completely opposite directions. There is some overlap between the two, but we have made sure that the characteristics of each ability are properly felt.
--Please explain the skill system.
JONATHAN: Both characters share XP and level up together, but the rest of the system is a bit similar to that of "Assassin's Creed Odyssey".
XP and character abilities are available, weapons can be crafted to some degree, and various upgrades can be made as the game progresses. Weapons are not stand-alone, but for two, so each weapon has its own unique skill system. Players should not feel any discomfort, but this is a very different part of the game from the past.
CHARLES: There are two things that were very important to us in terms of skills.
First, we have to be very aware of archetypes. In Japan, there are distinct archetypes, such as the armor-clad samurai, the revolting monk, and the bandit, which are quite different. We try to make it clear to the player who is stronger, and we try to make that part of the leveling process as important as possible. Samurai are always stronger than bandits.
Secondly, player skill is added to the mix. The better you are at timing, reading attacks, understanding weapons, etc., the better you will be and the further ahead you will be.
--What is the volume of the map compared to past works? I would also like to know how you decided on the scale of this work.
JONATHAN: The biggest difference is the scale ratio. The mountains are not the actual size, but we wanted them to be true forests, consisting of trees of a certain size, so that you feel you are in a forest. To achieve this, we needed space.
We also decided to keep it close to a realistic scale, so we could feel the breath of many things. When we visited Japan and saw the castle, we were so glad we made this decision. Japanese castles are huge! Of course, we had seen pictures of castles before and thought they were big and magnificent, but when we saw them in person, they were astonishingly large.
And I wanted more space to explore the castle. Castles were built to be large battlegrounds, you know. You need space to build intricate walls for defense.
The overall scale of the map is similar to the size of the map in Origins. However, the scale ratio makes it feel more realistic. The open space leads to secluded areas throughout the game, which will be fun to explore. This sense of scale is a very interesting aspect of this film for us.
CHARLES: The story led us to choose which locations in Japan we would choose. The major events in Kyoto, around Osaka, and around Azuchi Castle took place in the same area, so we were able to focus on that.
JONATHAN: Of course, we had to choose a size that matched the game, but I think it was the perfect size for this story and type of game.
--Since the game is set in the Warring States period, is there a system that allows players to participate in battles?
JONATHAN: We see several battles in the story, and the battle at Iga is playable. There are other battles as well, but I can't talk about them right now. The game is set in the Warring States period, but it is not only about battles. It is a game that allows you to travel and discover that world.
--What challenges have you faced and what have you been able to achieve as a result?
JONATHAN: By making the big decision to go completely modern and demanding a very high level from the "Anvil" engine, we were able to increase the number of particles, create a more realistic atmosphere, and expand the graphical possibilities of the changing seasons.
This allowed us to work on a fresh new Assassin's Creed. This was a great opportunity for us to take a big leap forward in graphics.
CHARLES: Also, thanks to the new global illumination system, we were able to take advantage of light and shadow, which had a huge impact on the gameplay and stealth approach. For example, enemies became aware of our presence through our shadows, enemies gathered for warmth under a fire in the winter, or shadows through shoji screens depicted enemy presence, giving a new dimension to stealth.

By having two main characters, it is possible to show a wider range of angles and different perspectives.

(left) BROOKE DAVIES, Associate Narrative Director, (right) SACHI SCHMIDT-HORI, Narrative Consultant
--Did you choose the Azuchi-Momoyama period as the period setting from the pre-production stage?
BROOKE: I joined the project after the choice of period had been made, so the Azuchi-Momoyama period had already been chosen. This period offered so many wonderful opportunities from a narrative perspective. The complexity and duality of the period is well reflected in the characters of Naoe and Yasuke.
--What were you aware of and what were the challenges in creating a scenario where the two main characters switch?
BROOKE: From a storytelling perspective, I see it more as a wonderful opportunity than a challenge. When I write a story, I try to show rather than tell, and having two characters allows me to show what's going on from a wider range of angles and different perspectives. I hope this will encourage players to want to share their feelings with them.
--What do you think are the most important points in bringing original characters and historical figures into the game?
BROOKE: Both offer different and unique opportunities. With regard to Yasuke, I found him very interesting historically because we know some things about him, but there are many unknowns. So we needed to fill in the blanks in the story. It is important to note that Yasuke is a historical figure.
And in the case of Naoe, an original character, we were able to draw the story freely to some extent. The fact that she is a member of the Fujibayashi family and that her father is Masayasu Fujibayashi Nagato Mamoru allowed us to place her firmly within the setting. Because Yasuke is a real person but appears as a foreign-born samurai, the Japanese-born Naoe is on equal footing with Yasuke, although she has a different perspective.
--Will other historical figures appear besides Nobunaga Oda and Yasuke?
BROOKE: You will meet Luis Frois (a Jesuit missionary) at the meeting in Azuchi Castle. Also, Nene and Oichi will appear. The Japanese art renaissance that began in the Azuchi-Momoyama period blossomed in the Edo period, and you will also meet Sen no Rikyu, Kano Eitoku, and other important figures.
--Please tell us what year the story will be depicted.
BROOKE: I can't tell you what players will see, but I think it covers a part of the Azuchi-Momoyama period, from 1579 to 1584.
--I think the appeal of the series is to depict the struggle between the Assassin Order and the Templars while taking into account the history, but I would like to ask if there were any difficulties in putting the Azuchi-Momoyama period into it.
BROOKE: I don't want to mention the Knights Templar because I don't want to spoil anything, but the fascination and dynamics of this period are very interesting and provided wonderful opportunities for storytelling.
--How did you go about creating a world with a realistic feel of the Azuchi-Momoyama period?
BROOKE: We were very lucky to work with the Environment Team. The visuals they created for the game provided a great backdrop for the story.
The in-world experience added so much to the story. What we see from the stories and characters of this time period is complexity. I also believe that many of the people surrounding the World had their own struggles.
It was a very difficult time historically, and we see duality. Nothing is ever clear-cut and black and white. In warfare, two groups face each other and are confronted with different perspectives. But in the midst of it all, there are glimpses of hope for the future as we know it, which will later blossom.
--What advice did you actually give?
HORI: One scene that left a strong impression on me was the scene where Nobunaga's sister, Oichi, remarries Katsuie Shibata. In the original story we received, it was thought that the two families decided on their own without regard to Oichi's intentions, and Katsuie was portrayed negatively because he was more than 20 years older than Oichi.
So I spoke with BROOKE and the team and asked them to change it. Oichi had young children after the death of her husband Nagamasa Asai, so if her remarriage was to Katsuie, a trusted man who had served Nobunaga, she would have married him as a matter of course. When I explained that it was better to portray it in a positive light, it was a new discovery for the BROOKEs, and they were very moved by it. The rewritten version of the episode was very moving.
The other scene is the tea ceremony scene featuring Sen no Rikyu. Chanoyu is widely known to be translated as tea ceremony, but experts say it is a mistranslation. After researching the misunderstanding over here, I advised them, as far as I could understand, not to use a teapot or tea leaves, for example.
--Even we Japanese have a strong image of "ninja" as a fantasy. Did you encounter any difficulties with the theme of "ninja" in order to achieve a high level of fidelity to the historical reconstruction?
HORI: Ninja are certainly a fantasy, so I think it's a good thing that we can express ourselves creatively and without reservation. However, there are also dedicated ninja fans and communities around the world, and I am not sure to what extent they see the ninja as a real existence, or as an entity that existed in history.
Therefore, the extent to which ninja are represented in the game depends on the level of tolerance of the avid shinobi fans. I discussed this with the members of the development team. We did not have a specific policy on how much to express, but made decisions on a case-by-case basis. We would say, "This is an acceptable creative expression," or "This is stereotypical", so let's not do that.
--I'm sure there are many references, but which one left a particularly strong impression on you?
BROOKE: The first book I looked through was "Nobunaga no Kouki" by Ota Ushiichi (Azuchi-Momoyama period, military commander and military history author). I was impressed by his personal observations as he recounts the details. We can learn a lot of historical facts from reading history books, but this author incorporated his own views so that I felt I could understand even his character and what it was like to live in that era, and I was completely drawn in. I was thrilled to be able to portray this time period and the people in this book.
--The drama "Shogun" which is set in a similar time period, has been a hit, and I hope that this work will attract the same kind of attention from game fans. I understand that you have prepared a "Discovery Tour" that allows visitors to freely walk around the game world with historical explanations.
BROOKE: I can't answer about the Discovery Tour today, but I am glad to see that interest in the setting and time period of the game is growing. I look forward to the day when we can bring this to you.

Gathering a lot of information to recreate 16th century Japan and build a living world

(left) THIERRY DANSEREAU, Art Director, (right) STÉPHANIE-ANNE RUATTA, Historical Supervisor and World Director
--Please tell us what kind of materials you used as references to describe the field and the characters' costumes in the Azuchi-Momoyama period.
THIERRY: I have been working with experts and consultants for a long time, but for the characters, I referred to museum exhibits and books for their appearances and costumes. I visited several museums, did my research, and checked the materials with STÉPHANIE-ANNE.
Based on these, we created the characters. We also referred to descriptions in the books about the colors and the flags people carried. We used multiple sources, but we have checked them for historical accuracy.
STÉPHANIE-ANNE: For several years we had the help of experts, but we also did research with a Japanese studio and team. We used different kinds of sources to make sure the team got it right and had all the information they needed to reconstruct what Japan looked like in the 16th century.
We used museum databases, as THIERRY mentioned, but we also used inscriptions, scientific books, articles, and medieval depositions. For example, the Principles of Nobunaga has been translated into English, so we used that as a reference to describe 16th century Japan. I also referred to the documents of Luis Frois from the same period, which compare European and Japanese society.
--This period was also a time when there was a large influx of immigrants. Will you also depict the episodes, lifestyles, and culture of these people (missionaries, merchants, etc.) as well as Yasuke?
STÉPHANIE-ANNE: Yes, it is important to introduce the presence of Portuguese missionaries and merchants in the 16th century. They influenced the course of warfare during this period and the changing power of certain merchants in Japan.
--I am wondering what castles, shrines and temples that symbolize the Azuchi-Momoyama period will appear in the game. Although the game is set in the Kansai region, is the Osaka Castle built by Toyotomi Hideyoshi ......?
STÉPHANIE-ANNE: The era is represented by the construction of various castles and castle towns, so players will discover a wide variety of castle types and castles destroyed in battle. The Azuchi Castle, which is related to the name of the era, will also be featured.
THIERRY: Himeji Castle, Osaka Castle, and Takeda Castle are also available, and it is wonderful that players can visit and play in these castles. I think this is one of the strengths of the franchise, but all of the castles are based on actual historical blueprints, which I think is very unique, both as an experience and a learning opportunity.
The Koyasan Okunoin Cemetery is the oldest graveyard in Japan, which can also be seen in the game. There are too many to mention them all, but thanks to STÉPHANIE-ANNE and the experts, I think they are well described and it is wonderful that players will be able to travel to these places.
--The architectural style and decoration of the buildings is a different culture from the previous works in the series. What were you conscious of in recreating the culture and what were the challenges? I am also interested in the possibility of diving on the "Shachihoko".
STÉPHANIE-ANNE: The building team did a lot of research, and then we checked the results with experts and asked them to add the elements needed to build a great castle. We did research to recreate the decorations of not only the castle, but also the temples and shrines, and also to find out what materials were used to make them.
THIERRY: The colors also change over time, so we made adjustments to that as well. Of course, this is "Assassin's Creed," so you can climb anywhere and jump from almost anywhere. Exploring is fun.
--Japanese period games tend to be rather subdued, but were there any barriers to making it a worldwide production?
STÉPHANIE-ANNE: It's a game based on history, and we want players to have the opportunity to play with history. This period is so fascinating and celebrated, and has had such an impact on pop culture, that we were fortunate to have the help of renowned experts to make sure we had all the information we needed to faithfully recreate medieval Japan in the 16th century.
We maintained historical fidelity because it was a rich period with so much to talk about and we didn't feel the need to change it. There is an experience that goes into fantasy, but keeping it authentic was our primary goal.
--In the main storyline, can we experience famous episodes from the Azuchi-Momoyama period (such as the Battle of Nagashino, the Honnoji Incident, the Battle of Komaki and Nagakute, etc.)?
STÉPHANIE-ANNE: You will have to wait a little longer for that.
--In the recent series, "Origins," "Odyssey," and "Valhalla," you can enjoy the connection to mythology and fantasy elements based on mythological themes. Will this work also contain elements based on Japanese mythology, yokai, and other fictional creatures?
STÉPHANIE-ANNE: That is a very good question, but I will answer this one later.
--This game also reproduces the four seasons of Japan. Which season did you start first? And which seasons were particularly difficult to express?
THIERRY: I started with spring. We all know about cherry blossoms, and I think they are the most symbolic Japanese element for foreigners. And the big difference is winter. I wouldn't say that winter is more complicated because it has many different expressions, but it was very different from spring, summer, and fall, and the challenges were also different.
--What was particular about the representation of water, such as waterfalls, rivers, lakes, etc.?
THIERRY: All of the water topics were very important to us. We knew that there is a Shinto belief in waterfalls and rivers, and that they are important places in the Japanese eco-system. Even the blueprints of the suburbs are lined with irrigation canals, and they even go into the houses. Thus, we knew that water is a key component of Japanese culture, especially for agriculture.
This is why we installed drains everywhere in this work. The presence of water in the Japanese landscape was different, so we took it seriously and treated it as an inviolable part of the Japanese landscape and way of life.
--What are some of your favorite places, castles, or cultures that appear in your work?
STÉPHANIE-ANNE: That's difficult.
THIERRY: My favorite is Takeda Castle. It is on top of a high mountain and is called the castle in the sky, and I like this location. I can't say it's fair because we built it ourselves, but there are many other great places to visit.
It was a lot of work to create the forest, but I really enjoy looking at the landscape. I also like how all the ecosystems interact with each other, such as the clouds in the weather system. It's not a location, but I enjoy it because it encompasses the whole game.
STÉPHANIE-ANNE: I was impressed by the "Rakuchu Rakugaizu," Japanese folding screens from this period. I was fascinated by the fact that just by looking at them, one could come into contact with the vivid world of this period.
The artistic touch is something special. I have never seen anything so full of art. I truly admire the artists of this era.
THIERRY: I also think the most striking thing for me was the harmony of nature and architecture. I visited the site and found many places, and I could see how everything was deliberately composed.
I was told that trees were planted while the chedi was being built at the time, but everything looked perfect. Also, the culture loves the age and values it, so they cherish moss and things that have taken root there. Japan has maintained these places so they still exist and are still in use.
I realized that we are dealing with a subject that has a long history. It is also a culture that values space, living space. These were the most exciting discoveries during my travels in Japan.
submitted by Shiirooo to assassinscreed [link] [comments]

2024.05.19 20:33 Greenie1O2 Speculating .3 levels part 1: black ants

1.3 Flight plan
This black ant colony faces tremendous competition in the passing of their genes
This young queen has raised her first brood under a tree stump deep in the woodlands of Scandinavia. as the exhausted queen rests in the shadows of their new home, above ground, the local fusca colonies are preparing for the annual nuptial flight. This event is the only chance a colony gets to spread their legacy. The young colony must grow quickly if they don't want to miss their chance
Coach horse larvae, woodworms and a single funnel web spider inhabit your nest.
Objective - build 20 female alates and 20 male alates within 5 days
Once you have them you must send them to the top of the hill in the middle of the map to win. ( similarly to 4.2)
Queen's cost 120 food and drones cost 70. They have high health and speed but they can't attack, they follow markers consistently and don't from trails.
You dig to the surface - the woodlands is vast, and food is everywhere, but the fusca colony should be carefull. Other colonies have already established foraging trails all over the area. The small scouting party should stay discreet, for now...
The map Is very large, there are pinecones and drops of sap all over the place. 3 other black ant colonies form foraging trails and harvest food, they are hostile to each other.
Coach horse beetles, Formica sanguinea queen's, red centipedes, slugs and woodlice roam the surface
You find a pinecone - the forest floor is littered with pinecones. Their nutritious seeds make for an ideal meal for the hungry colony
You find drops of sap - the bleeding trees nearby sometimes drop sap down in the leaf litter. This golden sugary liquid is prized by most ants nearby, the colony should gather the droplets quickly
You hatch a winged ant for the first time - *the colony has hatched their first alate. These winged insects will carry on colonys legacy throughout the Undergrowth"
Night falls - as the sun sets of the forest, the sound of skittering legs fills the woodland. The fusca colony should be carefull with their harvesting trails, an unfortunate encounter could lead the colony to its pemature demise.
Day arrives - as the sun dawns over a new day, the local ant colonies step up their activities, it'll be 4/3/2/1 day(s) untill the weather conditions are optimal for the nuptial flight. There is no time for rest
The nuptial flight happens in the evening of the fifth day.
Fifth day morning - grey clouds signal the arriving of a kilometre wide atmospheric depression, soon the weather conditions will be perfect for the nuptial flight to take place, the ants should make sure that the way to the takeoff platform is cleared from troublemakers to ensure the safety of the alates
You encounter a rival colony for the first time - two rival fusca colonies have come face to face! As the harvesting trail is disrupted, the two colonies adopt a new goal, to crush the competition!
You clash with a rival colony (randomised) -
a fight had broken out to the north of the fusca nest! The rival colonies will show no mercy! Only a substantial defensive force will push back the enemy lines.
These lands are contested, the black ant colonies will fight to the death to secure food for their colony
Rival colonies will attack you periodically after encountering you for the first time
The rival colony attacks you - a legion of rival fusca ants are heading toward the nest! They must be stopped!
You encounter a Formica sanguinea queen for the first time - the ants have come face to face with a Formica sanguinea queen, it's recently left it's birth colony and is now looking for a suitable host colony to parasite. It's very existence is a threat to the small colony, she will need to be incapacitated quickly
Formica sanguinea queens roam the surface from the 3rd day onward. They sometimes find your nest and rush to your queen to attack it. They are quite fast but become slower with each hit. They attack lone workers but flee if they are outnumbered.
A sanguinea queen enters your nest - a sanguinea queen has found the colony! She rushes past the defensive forces with one goal in mind, to kill the fusca monarch!
Again - another parasitic queen has entered the nest! She must be stopped!
You encounter a slug - the ants have encountered a young woodland slug, these slow mollusks may look defenseless, but they have thick hide and use a sticky mucus to repel potential predators. a large force will be needed to properly subdue this slimy grazer of the Undergrowth
Slugs don't fight back and slow down ants that touch them considerably, large slugs can be climbed and harvested for 300 food, small slugs can be picked up for 30 food.
You encounter a centipede - * an ant has be caught in the jaws of a European red centipede Lithobius forficatus. It is large, armoured and equipped with a pair of serrated venomous pincers. This deadly hunter poses a serious threat to colony operations*
Red centipedes move similarly to velvet worms, albeit much faster. they grab ants in their pincers, dealing immediate physical damage and high venom damage over time. They have high health, speed and damage. They can sometimes invade your nest.
A red centipede enters the nest - a lithobius centipede has found the colony! The ants must fight!
The nuptial flight time has arrived - *as the sun's final rays shine over the canopy, the fusca colonies march out of their nests and prepare for takeoff, the ants have an uphill battle ahead of them.
All black ant colonies send their alates together with a group of soldiers to the top of the hill. If you have no alates by this time you automatically lose. You must kill them all to remain the only one standing on the top of the hill.
Winning - with the competition crushed and the woodland dominated, the ants were able to send their royalty flying in the skies above. Many of them will die but those who survive will ensure that the fusca dynasty is carried on forever in these unforgiving lands. A true victory for this once small family!
Losing because you were unable to send the alates - unable to amass enough numbers to carry out the nuptial flight, the ants inevitably failed. Their alates will die of starvation and their small, insignificant colony will crumble and be forgotten forever.
Losing to enemies - as the queen draws her final breath, the colonys future us sealed. The confused and weakened workers will wander out and succumb to the woodland predators, and the alates are left to starve. Their legacy, had ended
I'll be speculating on 2.3 soon!!
submitted by Greenie1O2 to eotu [link] [comments]

2024.05.19 20:22 VladiskaviaHuman Russia's Recorded Investigation №001 (188 km from Zapadovo) [COMICS]

Russia's Recorded Investigation №001 (188 km from Zapadovo) [COMICS] submitted by VladiskaviaHuman to ZheLuyon [link] [comments]

2024.05.19 20:13 PageTurner627 My Dad and I Hunted Down the Dogman that Killed My Sister

I’ve always hated the smell of gun oil. It clings to everything it touches, soaking deep into the fibers of my clothes, the lining of my backpack, the coarse hair on the back of my hands. Yet here I am, kneeling on the cracked linoleum of our mudroom, a Remington .308 laid across my thighs, and the stench of gun oil sharp in my nostrils. The early morning light barely scratches at the edges of the blinds, dim and gray like the belly of a dead fish.
My dad Frank is in the kitchen, clattering around with the coffeepot and mumbling under his breath. Today we’re heading up to the woods of Northern Michigan, same as we did every year before Leah… before we lost her.
I can’t help but feel the old scars throbbing as I load bullets into the magazine. It’s been ten years since that hunting trip, the one that tore my family into before and after. Before, when Leah's laughter was a constant soundtrack to our lives; after, when every silence was filled with her absence.
We were just kids back then. I was ten, Leah was eight. It was supposed to be a typical hunting trip, one of those bonding experiences Dad was always talking about. But things went wrong. We got separated from Dad somehow. One minute we were following him, the next we were lost, the dense woods closing in around us.
Dad says when he found me, I was huddled under a fallen tree, my eyes wide, my body frozen. All I could mutter through chattering teeth was "Dogman."
It was only later, after the search parties had combed through every thicket and hollow, that they found her. What remained of Leah was barely recognizable, the evidence of a brutal mauling undeniable. The authorities concluded it was likely a bear attack, but Dad... he never accepted that explanation. He had seen the tracks, too large and oddly shaped for any bear.
As I load another round, the memory flashes, unbidden and unwelcome. Large, hairy clawed hands reaching out towards us, impossibly big, grotesque in their form. Yet, the rest of the creature eludes me, a shadow just beyond the edge of my recall, leaving me with nothing but fragmented terrors and Leah’s haunting, echoing screams. My mind blocked most of it out, a self-defense mechanism, I guess.
For years after that day, sleep was a battleground. I'd wake up in strange places—kitchen floor, backyard, even at the edge of the nearby creek. My therapist said it was my mind's way of trying to resolve the unresolved, to wander back through the woods searching for Leah. But all I found in those sleepless nights was a deeper sense of loss.
It took time, a lot of therapy, and patience I didn't know I had, but the sleepwalking did eventually stop. I guess I started to find some semblance of peace.
I have mostly moved on with my life. The fragmentary memories of that day are still there, lurking in the corners of my mind, but they don’t dominate my thoughts like they used to. I just finished my sophomore year at Michigan State, majoring in Environmental Science.
As for Dad, the loss of Leah broke him. He became a shell of himself. It destroyed his marriage with Mom. He blamed himself for letting us out of his sight, for not protecting Leah. His life took on a single, consuming focus: finding the creature that killed her. He read every book, every article on cryptids and unexplained phenomena. He mapped sightings, connected dots across blurry photos and shaky testimonies of the Dogman.
But as the tenth anniversary of Leah’s death approaches, Dad's obsession has grown more intense. He’s started staying up late, poring over his maps and notes, muttering to himself about patterns and cycles. He’s convinced that the dogman reappears every ten years, and this is our window of opportunity to finally hunt it down.
I’m not nearly as convinced. The whole dogman thing seems like a coping mechanism, a way for Dad to channel his guilt and grief into something tangible, something he can fight against. But I decided to tag along on this trip, partly to keep an eye on him, partly because a small part of me hopes that maybe, just maybe, we’ll find some kind of closure out there in the woods.
I finish loading the rifle and set it aside, standing up to stretch my legs. I wipe my greasy hands on an old rag, trying to get rid of the smell. The early morning light is starting to seep into the room, casting long shadows across the floor.
Dad comes out of the kitchen with two thermoses of coffee in hand. His eyes are bleary and tired.
“You ready, Ryan?” he asks, handing me a thermos, his voice rough from too many sleepless nights.
“Yeah, I’m ready,” I reply, trying to sound more confident than I felt.
We load our gear into the truck, the weight of our supplies and weapons a physical reminder of the burden we carry. The drive from Lansing across the Lower Peninsula is long and quiet, the silence between us filled with unspoken memories and unresolved grief.
—
The drive north is a blur of highway lines and the dull hum of the engine. I drift off, the landscape outside blending into a haze. In my sleep, fragments of that day with Leah replay like scattered pieces of a puzzle. I see her smile, the way she tugged at my sleeve, eager to explore. The sunlight filters through the trees in sharp, jagged streaks.
Then, the memory shifts—darker, disjointed. Leah's voice echoes, a playful laugh turning into a scream that pierces the air. The crunch of leaves underfoot as something heavy moves through the underbrush. I see a shadow, large and looming, not quite fitting the shapes of any creature I know.
Then, something darker creeps into the dream, something I’ve never allowed myself to remember clearly.
Before I can see what it is I wake up with a start as the truck jerks slightly on a rough patch of road. Dad glances over. "Bad dream?" he asks. I nod, rubbing the sleep from my eyes, the remnants of the dream clinging to me like the cold.
"Yeah, just... thinking about Leah," I manage to say.
As we drive, Dad attempts to bridge the silence with small talk. He asks about my finals, my plans for the summer, anything to keep the conversation going. His voice carries a forced cheerfulness, but it’s clear his heart isn’t in it. I respond when necessary, my answers brief, my gaze fixed on the passing scenery.
The landscape changes as we head further north, from flat expanses to rolling hills dotted with dense patches of forest. It's beautiful country, the kind that reminds you how vast and wild Michigan can be, but today it just feels oppressive, like it’s closing in on us.
—
We finally arrive at the cabin, nestled deep in the woods, its weathered wood blending seamlessly with the surrounding trees. The place hasn't changed much since the last time I was here—a relic from another time, filled with the echoes of our past. I can still see Leah running around the porch, her laughter ringing out into the forest.
Dad parks the truck, and we step out into the crisp air. The smell of pine and damp earth fills my nostrils. We start unloading our gear, the tension between us palpable.
“Let’s get this inside,” Dad says, his voice gruff as he hefts a duffel bag onto his shoulder.
I nod, grabbing my own bag and following him to the cabin. Inside, it’s a mix of old and new—the same rustic furniture, but with new hunting gear and maps strewn across the table. Dad’s obsession is evident in every corner of the room, a constant reminder of why we’re here.
As we unpack, we exchange strained attempts at normalcy. He talks about the latest cryptid sightings he’s read about, his eyes lighting up with a fervor that both worries and saddens me.
“Did you hear about the sighting up near Alpena?” he asks, laying out his maps on the table.
“Yeah, you mentioned it,” I reply, trying to muster some enthusiasm. “Do you really think there’s something to it?”
Dad’s eyes meet mine, and for a moment, I see a flicker of doubt. But it’s quickly replaced by grim determination. “I have to believe it, Ryan. It’s the only thing that makes sense.”
We finish unpacking, the silence between us growing heavier with each passing minute. I step outside to clear my head, the cool air a welcome relief. The sun is starting to set, casting long shadows across the clearing. I can’t shake the feeling of unease.
"You can take the upstairs room," Dad mutters. His voice is strained, trying to sound normal, but it's clear the weight of the past is heavy on him. I nod, hauling my backpack up the creaking stairs to the small bedroom that I used to share with Leah. The room feels smaller now, or maybe I've just grown too much since those innocent days.
I unpack silently, setting my things aside. The bed is stiff and cold under my touch. As I settle in, I can't help but glance at the corner where Leah and I would huddle together, whispering secrets and making plans for adventures that would never happen. I push the thoughts away, focusing on the practicalities of unpacking.
After settling in, I go back downstairs to find Dad loading up a backpack with supplies for our hunt. The intensity in his eyes is palpable, his hands moving with practiced precision. I know this routine; it's one he's perfected over countless solo trips since that fateful day.
"We'll head out early," he says, not looking up from his task. "Gotta make the most of the daylight."
I nod, though unease curls in my stomach. I'm not just worried about what we might find—or not find—out there. I'm worried about him. Each year, the obsession seems to carve him out a bit more, leaving less of the Dad I knew.
—
The morning air is sharp with the scent of pine and wet earth as Dad and I head into the deeper parts of the forest. The terrain is rugged, familiar in its untamed beauty, but there’s a tension between us that makes the landscape feel alien. Dad moves with a purposeful stride, his eyes scanning the woods around us. Every snap of a twig, every rustle in the underbrush seems to draw his attention. He’s on edge, and it puts me on edge too.
As we walk, my mind drifts back to that day ten years ago. I can almost hear Leah’s voice echoing through the trees, her high-pitched call as she darted ahead, "Catch me, Ryan!" I remember how the sunlight filtered through the leaves, casting dancing shadows on the ground. Those memories are so vivid, so tangible, it feels like I could just turn a corner and see her there, waiting for us.
Dad suddenly stops and kneels, examining the ground. He points out a set of tracks that are too large for a deer, with an unusual gait pattern. "It’s been here, Ry. I’m telling you, it’s close," he whispers, a mixture of excitement and something darker in his voice. I nod, though I’m not sure what to believe. Part of me wants to dismiss it all as grief-fueled obsession, but another part, the part that heard Leah's scream and saw something monstrous in the woods that day, isn’t so sure.
As we continue, Dad's comments become increasingly cryptic. "You know, they say the dogman moves in cycles, drawn to certain places, certain times. Like it’s tied to the land itself," he muses, more to himself than to me. His fixation on the creature has always been intense, but now it borders on mania.
We set up a makeshift blind near a clearing where Dad insists the creature will pass. Hours drag by with little to see but the occasional bird or distant deer.
The sun rises higher in the sky, casting long, slender shadows through the dense canopy. I shift uncomfortably in my spot, the forest floor hard and unyielding beneath me. My eyes dart between the trees, hoping to catch a glimpse of something, anything, to break the monotony. Dad, on the other hand, remains steadfast, his gaze fixed on the treeline as if he can will the dogman into existence by sheer force of will.
A bird chirps nearby, startling me. I sigh and adjust my grip on the rifle. I glance over at Dad.
“Anything?” I ask, more out of boredom than genuine curiosity.
“Not yet,” he replies, his voice tight. “But it’s out there. I know it.”
I nod, even though I’m not sure I believe him. The forest seems too quiet, too still. Maybe we’re chasing ghosts.
As the sun begins its descent, the forest is bathed in a warm, golden light. The air cools, and a breeze rustles the leaves. I shiver, more from anticipation than the cold. The long hours of sitting and waiting are starting to wear on me.
“Let’s call it a day for now,” Dad says finally, his voice heavy with disappointment. “We’ll head back to the cabin, get some rest, and try again tomorrow.”
I stand and stretch, feeling the stiffness in my muscles. We pack up our gear in silence and start the trek back to the cabin. The walk is long and quiet, the only sounds are the crunch of leaves underfoot and the distant calls of birds settling in for the night.
—
Dinner is a quiet affair, both of us lost in our thoughts. I try to make small talk, asking Dad about his plans for tomorrow, but it feels forced. We clean up in silence.
After dinner, I retreat to the small bedroom. The fatigue from the day's hike has settled into my bones, but sleep still feels like a distant hope. I lie down, staring at the ceiling, the room cloaked in darkness save for the sliver of moonlight creeping through the window. Downstairs, I hear the faint sound of Dad moving around, likely unable to sleep himself.
I drift into sleep, but it's not restful. My dreams pull me back to that fateful day in the woods. Leah's voice is clear and vibrant, her laughter echoing through the trees. She looks just as she did then—bright-eyed and full of life, her blonde hair catching the sunlight as she runs ahead of me.
"Come on, Ry! You can't catch me!" she taunts, her voice playful and teasing.
I chase after her, but the scene shifts abruptly. The sky darkens, the woods around us growing dense and foreboding. Leah's laughter fades, replaced by a chilling silence. I see her ahead, standing still, her back to me.
"Leah?" I call out, my voice trembling. She turns slowly, her eyes wide and filled with fear. "Ryan, you have to remember," she says, her voice barely a whisper. "It wasn't what you think. You need to know the truth."
Leah’s words hang in the air, cryptic and unsettling. Before I can respond, she turns and starts running again, her figure becoming a blur among the trees. Panic rises in my chest as I sprint after her, my feet pounding against the forest floor.
“Leah, wait!” I shout, desperation lacing my voice. The forest around me seems to close in, the trees towering and twisted, shadows dancing menacingly in the dim light. I push forward, trying to keep her in sight, but she’s too fast, slipping away like a wisp of smoke.
Suddenly, there’s a rustle, a flash of movement in the corner of my vision. Leah screams, a sound that pierces through the heavy silence. It happens too quickly—I can’t see what it is, only a dark blur that snatches her up.
“Leah!” I scream, my voice breaking. I stumble, falling to my knees as the forest spins around me. My heart races, and the terror is so real, so visceral, that it pulls me back to that awful day, the one that changed everything.
I jolt awake, my breath coming in ragged gasps.
I sit up, wiping the cold sweat from my forehead as I try to steady my breathing. The room is still dark, the shadows cast by the moonlight seem to flicker and dance on the walls. My heart is still racing from the nightmare, the echo of Leah's scream lingering in my ears.
As I struggle to calm down, the floorboards outside my room creak. The door opens slowly, and I see the silhouette of my dad in the doorway, a Bowie knife in his hand, his posture tense.
“Dad, what the hell are you doing?” I whisper, my voice shaking.
“Shh,” he hisses, holding up a hand to silence me. “I heard something. Something moving around in the cabin. Stay quiet.”
I swallow hard, my mouth dry. I glance at the clock on the nightstand—it’s just past three in the morning. The cabin is silent, the kind of deep, oppressive silence that makes every small sound seem louder. I can’t hear anything out of the ordinary, but Dad’s expression is deadly serious.
He motions for me to get up, and I do, moving as quietly as I can. My heart is racing, a mix of lingering fear from the dream and the sudden, sharp anxiety of the present moment. Dad leads the way, stepping cautiously out of the bedroom and into the hallway, the knife held ready in front of him.
We move through the cabin, checking each room in turn. The living room is empty, the furniture casting long shadows in the dim moonlight. The kitchen is just as we left it, the plates from dinner still drying on the counter. Everything seems normal, untouched.
We finish our sweep of the cabin without finding anything amiss. The silence is heavy, punctuated only by our soft footfalls. I can see the tension in Dad’s frame, his grip on the knife unwavering. After checking the last room, we pause in the dimly lit hallway, the air thick with unspoken questions.
“There’s nothing here,” I say, my voice low. “Are you sure you heard something?”
He looks at me, his eyes searching for something in my face. “I heard growling. Deep and close. It was right outside the window.”
“Maybe it was just an animal outside, a raccoon or something?” I suggest, although the certainty in his voice makes me doubt my own reassurance.
“No, it wasn’t like that. It was different,” he insists, his voice tense.
I nod, not wanting to argue, but the seeds of worry are planted deep.
The look in his eyes sends a chill down my spine. It’s not just fear—it’s desperation. The kind of desperation that comes from years of chasing shadows and finding nothing. I can see the toll this hunt has taken on him, the way it’s worn him down, turned him into a man I barely recognize.
We head back to our rooms. As I lie down, my mind races with thoughts of my dad. I can’t help but wonder if he’s losing it, if the years of grief and guilt have finally pushed him over the edge.
Dad wasn’t always like this. Before Leah’s death, he was the kind of father who took us fishing, helped with homework, and told terrible jokes that made us groan and laugh at the same time. He was solid, dependable. But losing Leah changed him. The guilt twisted him into someone I barely recognize, someone driven by a need for answers, for closure, that may never come.
I try to sleep, but my thoughts keep me awake. I can hear Dad moving around downstairs, probably pacing or double-checking the locks. His paranoia has become a constant presence, and I don’t know how to help him. I don’t even know if I can help him.
—
The next morning, the sunlight filters weakly through the cabin windows, casting a pale light that does little to lift the heavy mood. I drag myself out of bed, feeling the exhaustion of another restless night. Dad is already up, hunched over his maps at the kitchen table, his eyes bloodshot from lack of sleep.
“Morning,” I mumble, rubbing the sleep from my eyes as I pour myself a cup of coffee. “Did you sleep at all?”
He shakes his head, not looking up from his notes. “Not much. I couldn’t stop thinking about what I heard last night.”
I sip my coffee, trying to shake off the remnants of my nightmare. “Maybe it was just an animal, Dad. We’re deep in the woods, after all.”
He finally looks up, his eyes intense. “Ryan, I know what I heard. It wasn’t just an animal. It was something else.”
I sigh, not wanting to argue. “Okay, fine, Dad. What’s the plan for today?”
“We’re going back out. I found some tracks yesterday, and I want to follow them. See where they lead.”
I nod, feeling a mix of apprehension and resignation. I can see how much this means to him, how desperate he is for any kind of lead. “Alright. Let’s get packed and head out.”
We spend the morning preparing, loading up our gear and double-checking our supplies. Dad is meticulous, going over everything with a fine-toothed comb. I try to match his focus, but my mind keeps drifting back to Leah and the dream I had. Her words echo in my head, cryptic and unsettling: “You need to know the truth.”
We set off into the woods, the air crisp and cool. The forest is alive with the sounds of birds and rustling leaves, but it all feels distant, like background noise to the tension between us. Dad leads the way, his eyes scanning the ground for any sign of the tracks he found yesterday.
As we walk, I can’t help but notice how erratically he’s acting. He mutters to himself, his eyes darting around as if expecting something to jump out at us. His grip on his rifle is tight, his knuckles white.
“Dad, are you okay?” I ask, trying to keep my voice steady.
He glances at me, his expression unreadable. “I’m fine. Just focused.”
He stops frequently to examine the ground or the bark of trees, pointing out marks and signs that seem meaningless to me.
“Look at this,” he says, crouching down to examine a broken branch. “See how it’s snapped? That’s not a deer or a bear. That’s something bigger. Stronger.”
I crouch next to Dad, squinting at the broken branch. To me, it just looks like a regular broken branch, the kind you see all over the forest. "I don't know, Dad. It just looks like a branch to me," I say, trying to keep my voice neutral.
Dad's eyes flicker with frustration. "You're not looking close enough. It's the way it's snapped—too clean, too deliberate. Something did this."
I nod, not wanting to argue. "Okay, sure. But even if you're right, it could be anything. A storm, another hunter..."
His expression hardens. "I know what I'm looking for. This is different."
I sigh, feeling the weight of the past and the tension between us pressing down on me. "Dad, I had a dream last night. About Leah." The words hang in the air between us, heavy and fraught with unspoken emotions.
Dad's eyes widen, and he straightens up, his entire demeanor shifting. "What kind of dream? What did you see?" His voice is urgent, almost desperate.
"It was... strange. We were in the woods, like we are now, but everything felt different. Leah was there, running ahead of me, laughing. Then she stopped and told me I needed to know the truth, that it wasn't what I thought."
Dad grabs my shoulders, his grip tight. "What else did she say? Did she tell you anything specific? Anything about the creature?"
I shake my head, feeling a chill run down my spine. "No, that was it. She just said I needed to know the truth, and then she was gone."
Dad’s grip on my shoulders tightens, and his eyes bore into mine with a mixture of desperation and hope. “Ryan, you have to try to remember. Think hard. What did the creature look like? Did you see anything else?”
I pull back slightly, uneasy with his intensity. “Dad, I told you. I don’t remember. It was just a dream. A nightmare, really. My mind’s probably just mixing things up.”
He lets go of me and runs a hand through his hair, looking frustrated and lost. “Dreams can be important. They can hold memories we’ve buried deep. Please, try to remember. This could be a sign, a clue.”
I rub my temples, feeling the beginnings of a headache. “I’ve tried, okay? I’ve tried for years to piece together what happened that day. But it’s all just fragments, like pieces of a puzzle that don’t fit. The dream… it felt real, but I don’t think it’s telling me anything new.”
Dad’s face falls, and he looks older than I’ve ever seen him. He turns away, staring into the forest as if it holds all the answers.
—
As we make our way back to the cabin, the sun begins to set, casting long shadows through the trees. The air grows colder, and I shiver, pulling my jacket tighter around me. Dad is silent, lost in his thoughts, his face drawn and haggard.
Back at the cabin, we unload our gear once again in silence. Dad disappears into his room, muttering something about going over his notes. I decide to explore the cabin, hoping to find something that might help me understand what’s going on with him.
In the attic, I find a box of old family photos and documents. As I sift through the contents, I come across a worn journal with Dad’s handwriting on the cover. Curiosity gets the better of me, and I open it, flipping through the pages.
The journal is filled with notes and sketches, detailing his obsession with the dogman. But there’s something else—entries that talk about Leah, about that day in the woods. His handwriting becomes more erratic, the words harder to read. One entry stands out, dated just a few days after Leah’s death:
“June 15, 2013 – It was supposed to be a normal trip. Keep them close, Frank, I kept telling myself. But I failed. Leah is gone, and it’s my fault. I heard her scream, saw the shadows. I tried to get to her, but… the thing, it was there. Too fast. Too strong. My hands… blood everywhere. No one will believe me. I can’t even believe myself. I have to find it. I have to protect Ryan. I have to make it right. God, what have I done?”
Before I can read further, the attic door creaks open, and Dad’s voice slices through the stillness.
“What are you doing up here?” His tone is sharp, almost panicked.
I turn to see him standing in the doorway, his face pale and his eyes wide with something between anger and fear. I clutch the journal to my chest, my mind racing. “I found this… I was just trying to understand…”
In an instant, he crosses the room and snatches the journal from my hands. His grip is tight, his knuckles white. “You had no right,” he growls, his voice trembling.
“Dad, I just wanted to know the truth!” I shout, frustration boiling over. “What really happened to Leah.”
His eyes flash with a mix of rage and anguish, and before I can react, he slaps me across the face. The force of it knocks me off balance, and I stumble backward, my cheek stinging.
For a moment, there’s a stunned silence. We both stand there, breathing hard, the air thick with tension.
“I’m sorry,” Dad says finally, his voice barely a whisper. “I didn’t mean to… I just…” He trails off, clutching the journal to his chest like a lifeline.
I touch my cheek, feeling the heat from the slap, and take a deep breath, trying to steady myself. “Dad, what aren’t you telling me? What really happened that day?”
“Stay out of it, Ryan,” Dad growls, his eyes dark with anger. “You don’t know what you’re messing with.”
He turns and storms out of the attic. I’m left standing there, my cheek throbbing, my mind racing. What the fuck is going on? What really happened to Leah? And what is Dad so afraid of?
—
That night, I sleep with my rifle within arm's reach, more afraid of my dad than any dogman. The slap still burns on my cheek, and the look in his eyes—rage, fear, something darker—haunts me. I lie awake, listening to the creaks and groans of the old cabin, every sound amplified in the stillness. Eventually, exhaustion pulls me under, and I fall into a restless sleep.
The dream returns, vivid and unsettling. I'm back in the woods, chasing after Leah. Her laughter echoes through the trees, a haunting reminder of happier times. This time, though, I push myself harder, refusing to let her slip away.
"Ryan, catch me!" she calls, her voice playful.
"I'm coming, Leah!" I shout, my legs pumping, my breath coming in ragged gasps.
The forest around us is a twisted, shadowy maze, the trees seeming to close in on us. Leah's figure becomes clearer, her blonde hair catching the dim light filtering through the canopy. She stops suddenly, turning to face me, her eyes wide with fear.
"Leah, what is it?" I ask, my voice trembling.
"Look behind you," she whispers, her voice barely audible.
I turn slowly, dread creeping up my spine. In the shadows, I see a figure, its form indistinct and shifting. It’s not quite animal, not quite human—something in between. The sight of it sends a jolt of terror through me, and I wake up with a start, my breath coming in ragged gasps.
I’m not in my bed. The ground beneath me is cold and hard, the smell of damp earth filling my nostrils. Panic rises as I realize I’ve sleepwalked into the woods. I scramble to my feet, my eyes adjusting to the dim light. The moon casts a pale glow over the surroundings, revealing what looks like a long-abandoned animal lair.
The walls are covered in giant claw marks, deep gouges in the wood and earth. The air is heavy with the scent of decay, and a chill runs through me. I can’t shake the feeling that I’m being watched.
Carefully, I start to move, my eyes scanning the ground, desperate for a familiar landmark. That's when I see them—faded scraps of fabric caught on the jagged edges of the underbrush. My steps falter, a sense of dread washing over me as I bend down to examine them. The fabric is torn, weathered by time and the elements, but unmistakably familiar. It's part of Leah's jacket—the bright pink one she wore on the day she disappeared.
As I strain to make sense of it all, a rustling sound behind me snaps my focus. My heart leaps into my throat. I spin around, my hand instinctively reaching for the rifle I don't have—because, of course, I didn't bring it in my unconscious state.
The shadowy figure that emerges from the trees is unsettlingly familiar, mirroring the menacing forms of my nightmares. But as it steps into the moonlight, I recognize the worn jacket, the weary posture. It's Dad.
"Ryan!" he calls out, his voice a mix of relief and stern concern. "I've been looking everywhere for you. What the hell are you doing out here?"
I exhale slowly, the terror ebbing away as reality sets back in. "I—I don't know, Dad. I must've sleepwalked again." My voice is shaky, my earlier dream still clinging to the edges of my consciousness.
Dad stares at me in disbelief. "You haven't sleepwalked since you were a kid, Ry. This... this isn't just a coincidence." His eyes dart around, taking in the surroundings—the eerie, claw-marked den, the unsettling quiet of the woods. "How did you even find this place?"
I shake my head, struggling to find an answer. "I don't know, Dad. I just... I woke up here." The uncertainty in my voice does nothing to ease the tension.
His eyes lock onto the tattered remains of Leah's jacket in my hands, and something inside him snaps. The color drains from his face as he stumbles a few steps backward. "This... this is where it happened," he murmurs, his voice barely a whisper. “This is where we found Leah."
“I thought you said you don’t remember anything from that night,” he says accusingly.
"I swear, Dad, I don't know anything about this place," I insist, my own heart pounding.
“It was you, wasn’t it? You’ve been hiding this from me.” His voice is frantic. “You... last night, the growling, it was you.” His voice rises, tinged with hysteria.
I step back, my pulse racing, feeling the chill of the night and the weight of his accusation. "Dad, I don't know what you're talking ab—”
"No!" he interrupts, his voice breaking as he points a trembling finger at me. "You knew, you always knew. It was you, Ryan. All these years, the evidence was right there, but I refused to see it. You were the dogman. You killed Leah!"
His words hit me like a physical blow, absurd and horrifying in their implications. "Dad, you're not making any sense. You're talking crazy! I was just a little kid! How could I–" I protest, my voice shaky.
He steps closer, his presence looming over me, the outline of his figure distorted by the shadows of the trees. "Think about it! It all makes sense now. You led us here, to this place, because you remember. Because you did it."
"Dad, stop it!" I shout, my heart pounding in my chest. "You're scaring me. You need help, professional help. This isn't you."
But he's beyond reason, his eyes wild with a haunted grief. "I have to end this," he mutters, more to himself than to me, his hand tightening around his rifle.
His finger hovers dangerously over the trigger of his rifle. My instincts kick in, and I know I have to act fast.
I lunge toward him, trying to knock the weapon away, but he's quicker than I expected. We struggle, our breaths heavy in the cold night air, the sounds of our scuffle the only noise in the otherwise silent woods. His strength surprises me, fueled by his frantic emotions. He shoves me back, and I stumble over a root, my balance lost for a crucial second. That's all he needs. He raises his rifle, his intentions clear in his wild, pained eyes.
I dive to the ground just as the shot rings out, a deafening blast that echoes ominously through the trees. The bullet whizzes past, narrowly missing me, embedding itself in the bark of an old pine. I scramble to my feet, my heart pounding in my ears, and I start running. The underbrush claws at my clothes and skin, but I push through, driven by a primal urge to survive.
"Dad, stop! It's me, Ryan!" I shout back as I dodge between the trees. Another shot breaks the silence, closer this time, sending splinters of wood flying from a nearby tree trunk. It's surreal, being hunted by my own father, a man tormented by grief and lost in his delusions.
I don't stop to look back. I can hear him crashing through the forest behind me, his heavy breaths and muttered curses carried on the wind. The terrain is rough, and I'm fueled by adrenaline, but exhaustion is setting in. I need a plan.
Ahead, I see a rocky outcrop and make a split-second decision to head for it. It offers a chance to hide, to catch my breath and maybe reason with him if he catches up. As I reach the rocks, I slip behind the largest one, my body pressed tight against the cold, damp surface. I hear his footsteps approaching, slow and cautious now.
As I press against the rock, trying to calm my racing heart, I can hear Dad's footsteps drawing closer, each step crunching ominously on the forest floor. He's methodical, deliberate, like a hunter stalking his prey.
“Come out, Ryan!” Dad’s voice is ragged, filled with a blend of fury and pain.
My heart pounds against my chest, the cold sweat on my back making me shiver against the rough surface of the rock. I know I can't just sit here; it's only a matter of time before he finds me.
Taking a deep breath, I peek around the edge of the rock, trying to gauge his position. I see him, rifle raised, scanning the area slowly. This might be my only chance to end this madness without further violence. I need to disarm him, to talk some sense into him if I can.
As quietly as I can, I move out from behind the rock, my steps careful to avoid any twigs or leaves that might betray my position. I'm almost upon him when a branch snaps under my foot—a sound so trivial yet so alarmingly loud in the quiet of the woods.
Dad whirls around, looking completely unhinged. "Ryan!" he exclaims, his rifle swinging in my direction. Panic overtakes me, and I lunge forward, my hands reaching for the gun.
We struggle, the rifle between us, our breaths heavy and erratic. "Dad, please, stop!" I plead, trying to wrestle the gun away. But he's strong, stronger than I expected.
In the chaos, the rifle goes off. The sound is deafening, a sharp echo that seems to reverberate off every tree around us. Pain explodes in my abdomen, sharp and burning, like nothing I've ever felt before. I stagger back, my hands instinctively going to the wound. The warmth of my own blood coats my fingers, stark and terrifying.
Dad drops the rifle, his eyes wide with horror. "Oh my God! What have I done?" he gasps, rushing to my side as I collapse onto the forest floor.
As the pain sears through me, a strange, overpowering energy surges within. It's wild, primal, unlike anything I've ever experienced. Looking down in horror, my hands are no longer hands but large, hairy, clawed appendages. The transformation is rapid, consuming—my vision blurs, senses heighten, and a raw, guttural growl builds in my throat.
In that moment, a flood of understanding washes over me, mingling with the horror of realization. These are the hands of the creature from my nightmares, the creature whose face I can never fully recall because, as I now understand, it is me.
What happens next feels detached, as if I'm no longer in control of my own actions, watching from a distance as my body moves on its own. I turn towards my dad, his face a mask of terror. He stumbles back, his eyes wide with the dawning realization of what his son has become.
The forest around us seems to fall silent, holding its breath as the nightmarish scene unfolds. I can hear my own growls, guttural and deep, filling the air with a sound that's both foreign and intimately familiar. The pain in my abdomen fuels a dark, violent urge, an urge that's too strong to resist.
With a ferocity that feels both alien and intrinsic, I move towards him. My dad, paralyzed by fear and shock, doesn't run. Maybe he can't. Maybe he doesn't want to.
The encounter is brutal and swift, a blur of motion and violence. My dad barely puts up a struggle, as though resigned to his fate.
Not that there is anything he can do. The creature that I’ve become is too powerful, too consumed by the wild instincts surging through me. I tear him apart, limb from bloody limb, my hands—no, my claws—rending through fabric and flesh with disgusting ease.
The sound of my dad’s screams, of tearing fabric and flesh is drowned out by the animalistic growls that echo through the trees.
When it’s all over, the red mist that had clouded my vision begins to fade, and the fierce, uncontrollable rage that drove my actions subsides. I'm left standing, my breaths heavy and erratic, in the eerie stillness of the forest. The transformation reverses as quickly as it came on, and I find myself back in my human form. My clothes are ripped to shreds, hanging off my frame in tattered remnants. At my feet lies what’s left of my dad, his body torn and unrecognizable.
I glance down at my abdomen, expecting agony, but instead find my wound miraculously healed. No sign of the gunshot remains, just a faint scar where I expected a bloody mess.
Shock sets in, a numbing disbelief mixed with a gut-wrenching realization of what I've become and what I've done. My hands, now human again, tremble as I look at them, half-expecting to see the claws that had so effortlessly ripped through flesh and bone. But there's only blood, my father's blood against my skin.
I stand there for what feels like an eternity, trapped in a nightmare of my own making.
Eventually, the shock wears thin, and a cold practicality takes hold. I need to get out of here. I need to cover my tracks, to disappear. Because who would believe this? Who would understand that I didn't choose this, that I'm not a monster by choice?
With trembling hands, I do what’s necessary. I bury my dad in a shallow grave, the physical act of digging strangely grounding. I cover him with leaves and branches, a pitiful attempt to hide the brutality of his end. I take a moment, whispering apologies into the wind, knowing full well that nothing I say can change what happened.
I leave the forest behind, my mind a whirl of dark thoughts. As I walk, the first hints of dawn brush against the horizon, the sky bleeding a soft pink. It’s hauntingly beautiful.
submitted by PageTurner627 to TheCrypticCompendium [link] [comments]

2024.05.19 20:12 PageTurner627 My Dad and I Hunted Down the Dogman that Killed My Sister

I’ve always hated the smell of gun oil. It clings to everything it touches, soaking deep into the fibers of my clothes, the lining of my backpack, the coarse hair on the back of my hands. Yet here I am, kneeling on the cracked linoleum of our mudroom, a Remington .308 laid across my thighs, and the stench of gun oil sharp in my nostrils. The early morning light barely scratches at the edges of the blinds, dim and gray like the belly of a dead fish.
My dad Frank is in the kitchen, clattering around with the coffeepot and mumbling under his breath. Today we’re heading up to the woods of Northern Michigan, same as we did every year before Leah… before we lost her.
I can’t help but feel the old scars throbbing as I load bullets into the magazine. It’s been ten years since that hunting trip, the one that tore my family into before and after. Before, when Leah's laughter was a constant soundtrack to our lives; after, when every silence was filled with her absence.
We were just kids back then. I was ten, Leah was eight. It was supposed to be a typical hunting trip, one of those bonding experiences Dad was always talking about. But things went wrong. We got separated from Dad somehow. One minute we were following him, the next we were lost, the dense woods closing in around us.
Dad says when he found me, I was huddled under a fallen tree, my eyes wide, my body frozen. All I could mutter through chattering teeth was "Dogman."
It was only later, after the search parties had combed through every thicket and hollow, that they found her. What remained of Leah was barely recognizable, the evidence of a brutal mauling undeniable. The authorities concluded it was likely a bear attack, but Dad... he never accepted that explanation. He had seen the tracks, too large and oddly shaped for any bear.
As I load another round, the memory flashes, unbidden and unwelcome. Large, hairy clawed hands reaching out towards us, impossibly big, grotesque in their form. Yet, the rest of the creature eludes me, a shadow just beyond the edge of my recall, leaving me with nothing but fragmented terrors and Leah’s haunting, echoing screams. My mind blocked most of it out, a self-defense mechanism, I guess.
For years after that day, sleep was a battleground. I'd wake up in strange places—kitchen floor, backyard, even at the edge of the nearby creek. My therapist said it was my mind's way of trying to resolve the unresolved, to wander back through the woods searching for Leah. But all I found in those sleepless nights was a deeper sense of loss.
It took time, a lot of therapy, and patience I didn't know I had, but the sleepwalking did eventually stop. I guess I started to find some semblance of peace.
I have mostly moved on with my life. The fragmentary memories of that day are still there, lurking in the corners of my mind, but they don’t dominate my thoughts like they used to. I just finished my sophomore year at Michigan State, majoring in Environmental Science.
As for Dad, the loss of Leah broke him. He became a shell of himself. It destroyed his marriage with Mom. He blamed himself for letting us out of his sight, for not protecting Leah. His life took on a single, consuming focus: finding the creature that killed her. He read every book, every article on cryptids and unexplained phenomena. He mapped sightings, connected dots across blurry photos and shaky testimonies of the Dogman.
But as the tenth anniversary of Leah’s death approaches, Dad's obsession has grown more intense. He’s started staying up late, poring over his maps and notes, muttering to himself about patterns and cycles. He’s convinced that the dogman reappears every ten years, and this is our window of opportunity to finally hunt it down.
I’m not nearly as convinced. The whole dogman thing seems like a coping mechanism, a way for Dad to channel his guilt and grief into something tangible, something he can fight against. But I decided to tag along on this trip, partly to keep an eye on him, partly because a small part of me hopes that maybe, just maybe, we’ll find some kind of closure out there in the woods.
I finish loading the rifle and set it aside, standing up to stretch my legs. I wipe my greasy hands on an old rag, trying to get rid of the smell. The early morning light is starting to seep into the room, casting long shadows across the floor.
Dad comes out of the kitchen with two thermoses of coffee in hand. His eyes are bleary and tired.
“You ready, Ryan?” he asks, handing me a thermos, his voice rough from too many sleepless nights.
“Yeah, I’m ready,” I reply, trying to sound more confident than I felt.
We load our gear into the truck, the weight of our supplies and weapons a physical reminder of the burden we carry. The drive from Lansing across the Lower Peninsula is long and quiet, the silence between us filled with unspoken memories and unresolved grief.
—
The drive north is a blur of highway lines and the dull hum of the engine. I drift off, the landscape outside blending into a haze. In my sleep, fragments of that day with Leah replay like scattered pieces of a puzzle. I see her smile, the way she tugged at my sleeve, eager to explore. The sunlight filters through the trees in sharp, jagged streaks.
Then, the memory shifts—darker, disjointed. Leah's voice echoes, a playful laugh turning into a scream that pierces the air. The crunch of leaves underfoot as something heavy moves through the underbrush. I see a shadow, large and looming, not quite fitting the shapes of any creature I know.
Then, something darker creeps into the dream, something I’ve never allowed myself to remember clearly.
Before I can see what it is I wake up with a start as the truck jerks slightly on a rough patch of road. Dad glances over. "Bad dream?" he asks. I nod, rubbing the sleep from my eyes, the remnants of the dream clinging to me like the cold.
"Yeah, just... thinking about Leah," I manage to say.
As we drive, Dad attempts to bridge the silence with small talk. He asks about my finals, my plans for the summer, anything to keep the conversation going. His voice carries a forced cheerfulness, but it’s clear his heart isn’t in it. I respond when necessary, my answers brief, my gaze fixed on the passing scenery.
The landscape changes as we head further north, from flat expanses to rolling hills dotted with dense patches of forest. It's beautiful country, the kind that reminds you how vast and wild Michigan can be, but today it just feels oppressive, like it’s closing in on us.
—
We finally arrive at the cabin, nestled deep in the woods, its weathered wood blending seamlessly with the surrounding trees. The place hasn't changed much since the last time I was here—a relic from another time, filled with the echoes of our past. I can still see Leah running around the porch, her laughter ringing out into the forest.
Dad parks the truck, and we step out into the crisp air. The smell of pine and damp earth fills my nostrils. We start unloading our gear, the tension between us palpable.
“Let’s get this inside,” Dad says, his voice gruff as he hefts a duffel bag onto his shoulder.
I nod, grabbing my own bag and following him to the cabin. Inside, it’s a mix of old and new—the same rustic furniture, but with new hunting gear and maps strewn across the table. Dad’s obsession is evident in every corner of the room, a constant reminder of why we’re here.
As we unpack, we exchange strained attempts at normalcy. He talks about the latest cryptid sightings he’s read about, his eyes lighting up with a fervor that both worries and saddens me.
“Did you hear about the sighting up near Alpena?” he asks, laying out his maps on the table.
“Yeah, you mentioned it,” I reply, trying to muster some enthusiasm. “Do you really think there’s something to it?”
Dad’s eyes meet mine, and for a moment, I see a flicker of doubt. But it’s quickly replaced by grim determination. “I have to believe it, Ryan. It’s the only thing that makes sense.”
We finish unpacking, the silence between us growing heavier with each passing minute. I step outside to clear my head, the cool air a welcome relief. The sun is starting to set, casting long shadows across the clearing. I can’t shake the feeling of unease.
"You can take the upstairs room," Dad mutters. His voice is strained, trying to sound normal, but it's clear the weight of the past is heavy on him. I nod, hauling my backpack up the creaking stairs to the small bedroom that I used to share with Leah. The room feels smaller now, or maybe I've just grown too much since those innocent days.
I unpack silently, setting my things aside. The bed is stiff and cold under my touch. As I settle in, I can't help but glance at the corner where Leah and I would huddle together, whispering secrets and making plans for adventures that would never happen. I push the thoughts away, focusing on the practicalities of unpacking.
After settling in, I go back downstairs to find Dad loading up a backpack with supplies for our hunt. The intensity in his eyes is palpable, his hands moving with practiced precision. I know this routine; it's one he's perfected over countless solo trips since that fateful day.
"We'll head out early," he says, not looking up from his task. "Gotta make the most of the daylight."
I nod, though unease curls in my stomach. I'm not just worried about what we might find—or not find—out there. I'm worried about him. Each year, the obsession seems to carve him out a bit more, leaving less of the Dad I knew.
—
The morning air is sharp with the scent of pine and wet earth as Dad and I head into the deeper parts of the forest. The terrain is rugged, familiar in its untamed beauty, but there’s a tension between us that makes the landscape feel alien. Dad moves with a purposeful stride, his eyes scanning the woods around us. Every snap of a twig, every rustle in the underbrush seems to draw his attention. He’s on edge, and it puts me on edge too.
As we walk, my mind drifts back to that day ten years ago. I can almost hear Leah’s voice echoing through the trees, her high-pitched call as she darted ahead, "Catch me, Ryan!" I remember how the sunlight filtered through the leaves, casting dancing shadows on the ground. Those memories are so vivid, so tangible, it feels like I could just turn a corner and see her there, waiting for us.
Dad suddenly stops and kneels, examining the ground. He points out a set of tracks that are too large for a deer, with an unusual gait pattern. "It’s been here, Ry. I’m telling you, it’s close," he whispers, a mixture of excitement and something darker in his voice. I nod, though I’m not sure what to believe. Part of me wants to dismiss it all as grief-fueled obsession, but another part, the part that heard Leah's scream and saw something monstrous in the woods that day, isn’t so sure.
As we continue, Dad's comments become increasingly cryptic. "You know, they say the dogman moves in cycles, drawn to certain places, certain times. Like it’s tied to the land itself," he muses, more to himself than to me. His fixation on the creature has always been intense, but now it borders on mania.
We set up a makeshift blind near a clearing where Dad insists the creature will pass. Hours drag by with little to see but the occasional bird or distant deer.
The sun rises higher in the sky, casting long, slender shadows through the dense canopy. I shift uncomfortably in my spot, the forest floor hard and unyielding beneath me. My eyes dart between the trees, hoping to catch a glimpse of something, anything, to break the monotony. Dad, on the other hand, remains steadfast, his gaze fixed on the treeline as if he can will the dogman into existence by sheer force of will.
A bird chirps nearby, startling me. I sigh and adjust my grip on the rifle. I glance over at Dad.
“Anything?” I ask, more out of boredom than genuine curiosity.
“Not yet,” he replies, his voice tight. “But it’s out there. I know it.”
I nod, even though I’m not sure I believe him. The forest seems too quiet, too still. Maybe we’re chasing ghosts.
As the sun begins its descent, the forest is bathed in a warm, golden light. The air cools, and a breeze rustles the leaves. I shiver, more from anticipation than the cold. The long hours of sitting and waiting are starting to wear on me.
“Let’s call it a day for now,” Dad says finally, his voice heavy with disappointment. “We’ll head back to the cabin, get some rest, and try again tomorrow.”
I stand and stretch, feeling the stiffness in my muscles. We pack up our gear in silence and start the trek back to the cabin. The walk is long and quiet, the only sounds are the crunch of leaves underfoot and the distant calls of birds settling in for the night.
—
Dinner is a quiet affair, both of us lost in our thoughts. I try to make small talk, asking Dad about his plans for tomorrow, but it feels forced. We clean up in silence.
After dinner, I retreat to the small bedroom. The fatigue from the day's hike has settled into my bones, but sleep still feels like a distant hope. I lie down, staring at the ceiling, the room cloaked in darkness save for the sliver of moonlight creeping through the window. Downstairs, I hear the faint sound of Dad moving around, likely unable to sleep himself.
I drift into sleep, but it's not restful. My dreams pull me back to that fateful day in the woods. Leah's voice is clear and vibrant, her laughter echoing through the trees. She looks just as she did then—bright-eyed and full of life, her blonde hair catching the sunlight as she runs ahead of me.
"Come on, Ry! You can't catch me!" she taunts, her voice playful and teasing.
I chase after her, but the scene shifts abruptly. The sky darkens, the woods around us growing dense and foreboding. Leah's laughter fades, replaced by a chilling silence. I see her ahead, standing still, her back to me.
"Leah?" I call out, my voice trembling. She turns slowly, her eyes wide and filled with fear. "Ryan, you have to remember," she says, her voice barely a whisper. "It wasn't what you think. You need to know the truth."
Leah’s words hang in the air, cryptic and unsettling. Before I can respond, she turns and starts running again, her figure becoming a blur among the trees. Panic rises in my chest as I sprint after her, my feet pounding against the forest floor.
“Leah, wait!” I shout, desperation lacing my voice. The forest around me seems to close in, the trees towering and twisted, shadows dancing menacingly in the dim light. I push forward, trying to keep her in sight, but she’s too fast, slipping away like a wisp of smoke.
Suddenly, there’s a rustle, a flash of movement in the corner of my vision. Leah screams, a sound that pierces through the heavy silence. It happens too quickly—I can’t see what it is, only a dark blur that snatches her up.
“Leah!” I scream, my voice breaking. I stumble, falling to my knees as the forest spins around me. My heart races, and the terror is so real, so visceral, that it pulls me back to that awful day, the one that changed everything.
I jolt awake, my breath coming in ragged gasps.
I sit up, wiping the cold sweat from my forehead as I try to steady my breathing. The room is still dark, the shadows cast by the moonlight seem to flicker and dance on the walls. My heart is still racing from the nightmare, the echo of Leah's scream lingering in my ears.
As I struggle to calm down, the floorboards outside my room creak. The door opens slowly, and I see the silhouette of my dad in the doorway, a Bowie knife in his hand, his posture tense.
“Dad, what the hell are you doing?” I whisper, my voice shaking.
“Shh,” he hisses, holding up a hand to silence me. “I heard something. Something moving around in the cabin. Stay quiet.”
I swallow hard, my mouth dry. I glance at the clock on the nightstand—it’s just past three in the morning. The cabin is silent, the kind of deep, oppressive silence that makes every small sound seem louder. I can’t hear anything out of the ordinary, but Dad’s expression is deadly serious.
He motions for me to get up, and I do, moving as quietly as I can. My heart is racing, a mix of lingering fear from the dream and the sudden, sharp anxiety of the present moment. Dad leads the way, stepping cautiously out of the bedroom and into the hallway, the knife held ready in front of him.
We move through the cabin, checking each room in turn. The living room is empty, the furniture casting long shadows in the dim moonlight. The kitchen is just as we left it, the plates from dinner still drying on the counter. Everything seems normal, untouched.
We finish our sweep of the cabin without finding anything amiss. The silence is heavy, punctuated only by our soft footfalls. I can see the tension in Dad’s frame, his grip on the knife unwavering. After checking the last room, we pause in the dimly lit hallway, the air thick with unspoken questions.
“There’s nothing here,” I say, my voice low. “Are you sure you heard something?”
He looks at me, his eyes searching for something in my face. “I heard growling. Deep and close. It was right outside the window.”
“Maybe it was just an animal outside, a raccoon or something?” I suggest, although the certainty in his voice makes me doubt my own reassurance.
“No, it wasn’t like that. It was different,” he insists, his voice tense.
I nod, not wanting to argue, but the seeds of worry are planted deep.
The look in his eyes sends a chill down my spine. It’s not just fear—it’s desperation. The kind of desperation that comes from years of chasing shadows and finding nothing. I can see the toll this hunt has taken on him, the way it’s worn him down, turned him into a man I barely recognize.
We head back to our rooms. As I lie down, my mind races with thoughts of my dad. I can’t help but wonder if he’s losing it, if the years of grief and guilt have finally pushed him over the edge.
Dad wasn’t always like this. Before Leah’s death, he was the kind of father who took us fishing, helped with homework, and told terrible jokes that made us groan and laugh at the same time. He was solid, dependable. But losing Leah changed him. The guilt twisted him into someone I barely recognize, someone driven by a need for answers, for closure, that may never come.
I try to sleep, but my thoughts keep me awake. I can hear Dad moving around downstairs, probably pacing or double-checking the locks. His paranoia has become a constant presence, and I don’t know how to help him. I don’t even know if I can help him.
—
The next morning, the sunlight filters weakly through the cabin windows, casting a pale light that does little to lift the heavy mood. I drag myself out of bed, feeling the exhaustion of another restless night. Dad is already up, hunched over his maps at the kitchen table, his eyes bloodshot from lack of sleep.
“Morning,” I mumble, rubbing the sleep from my eyes as I pour myself a cup of coffee. “Did you sleep at all?”
He shakes his head, not looking up from his notes. “Not much. I couldn’t stop thinking about what I heard last night.”
I sip my coffee, trying to shake off the remnants of my nightmare. “Maybe it was just an animal, Dad. We’re deep in the woods, after all.”
He finally looks up, his eyes intense. “Ryan, I know what I heard. It wasn’t just an animal. It was something else.”
I sigh, not wanting to argue. “Okay, fine, Dad. What’s the plan for today?”
“We’re going back out. I found some tracks yesterday, and I want to follow them. See where they lead.”
I nod, feeling a mix of apprehension and resignation. I can see how much this means to him, how desperate he is for any kind of lead. “Alright. Let’s get packed and head out.”
We spend the morning preparing, loading up our gear and double-checking our supplies. Dad is meticulous, going over everything with a fine-toothed comb. I try to match his focus, but my mind keeps drifting back to Leah and the dream I had. Her words echo in my head, cryptic and unsettling: “You need to know the truth.”
We set off into the woods, the air crisp and cool. The forest is alive with the sounds of birds and rustling leaves, but it all feels distant, like background noise to the tension between us. Dad leads the way, his eyes scanning the ground for any sign of the tracks he found yesterday.
As we walk, I can’t help but notice how erratically he’s acting. He mutters to himself, his eyes darting around as if expecting something to jump out at us. His grip on his rifle is tight, his knuckles white.
“Dad, are you okay?” I ask, trying to keep my voice steady.
He glances at me, his expression unreadable. “I’m fine. Just focused.”
He stops frequently to examine the ground or the bark of trees, pointing out marks and signs that seem meaningless to me.
“Look at this,” he says, crouching down to examine a broken branch. “See how it’s snapped? That’s not a deer or a bear. That’s something bigger. Stronger.”
I crouch next to Dad, squinting at the broken branch. To me, it just looks like a regular broken branch, the kind you see all over the forest. "I don't know, Dad. It just looks like a branch to me," I say, trying to keep my voice neutral.
Dad's eyes flicker with frustration. "You're not looking close enough. It's the way it's snapped—too clean, too deliberate. Something did this."
I nod, not wanting to argue. "Okay, sure. But even if you're right, it could be anything. A storm, another hunter..."
His expression hardens. "I know what I'm looking for. This is different."
I sigh, feeling the weight of the past and the tension between us pressing down on me. "Dad, I had a dream last night. About Leah." The words hang in the air between us, heavy and fraught with unspoken emotions.
Dad's eyes widen, and he straightens up, his entire demeanor shifting. "What kind of dream? What did you see?" His voice is urgent, almost desperate.
"It was... strange. We were in the woods, like we are now, but everything felt different. Leah was there, running ahead of me, laughing. Then she stopped and told me I needed to know the truth, that it wasn't what I thought."
Dad grabs my shoulders, his grip tight. "What else did she say? Did she tell you anything specific? Anything about the creature?"
I shake my head, feeling a chill run down my spine. "No, that was it. She just said I needed to know the truth, and then she was gone."
Dad’s grip on my shoulders tightens, and his eyes bore into mine with a mixture of desperation and hope. “Ryan, you have to try to remember. Think hard. What did the creature look like? Did you see anything else?”
I pull back slightly, uneasy with his intensity. “Dad, I told you. I don’t remember. It was just a dream. A nightmare, really. My mind’s probably just mixing things up.”
He lets go of me and runs a hand through his hair, looking frustrated and lost. “Dreams can be important. They can hold memories we’ve buried deep. Please, try to remember. This could be a sign, a clue.”
I rub my temples, feeling the beginnings of a headache. “I’ve tried, okay? I’ve tried for years to piece together what happened that day. But it’s all just fragments, like pieces of a puzzle that don’t fit. The dream… it felt real, but I don’t think it’s telling me anything new.”
Dad’s face falls, and he looks older than I’ve ever seen him. He turns away, staring into the forest as if it holds all the answers.
—
As we make our way back to the cabin, the sun begins to set, casting long shadows through the trees. The air grows colder, and I shiver, pulling my jacket tighter around me. Dad is silent, lost in his thoughts, his face drawn and haggard.
Back at the cabin, we unload our gear once again in silence. Dad disappears into his room, muttering something about going over his notes. I decide to explore the cabin, hoping to find something that might help me understand what’s going on with him.
In the attic, I find a box of old family photos and documents. As I sift through the contents, I come across a worn journal with Dad’s handwriting on the cover. Curiosity gets the better of me, and I open it, flipping through the pages.
The journal is filled with notes and sketches, detailing his obsession with the dogman. But there’s something else—entries that talk about Leah, about that day in the woods. His handwriting becomes more erratic, the words harder to read. One entry stands out, dated just a few days after Leah’s death:
“June 15, 2013 – It was supposed to be a normal trip. Keep them close, Frank, I kept telling myself. But I failed. Leah is gone, and it’s my fault. I heard her scream, saw the shadows. I tried to get to her, but… the thing, it was there. Too fast. Too strong. My hands… blood everywhere. No one will believe me. I can’t even believe myself. I have to find it. I have to protect Ryan. I have to make it right. God, what have I done?”
Before I can read further, the attic door creaks open, and Dad’s voice slices through the stillness.
“What are you doing up here?” His tone is sharp, almost panicked.
I turn to see him standing in the doorway, his face pale and his eyes wide with something between anger and fear. I clutch the journal to my chest, my mind racing. “I found this… I was just trying to understand…”
In an instant, he crosses the room and snatches the journal from my hands. His grip is tight, his knuckles white. “You had no right,” he growls, his voice trembling.
“Dad, I just wanted to know the truth!” I shout, frustration boiling over. “What really happened to Leah.”
His eyes flash with a mix of rage and anguish, and before I can react, he slaps me across the face. The force of it knocks me off balance, and I stumble backward, my cheek stinging.
For a moment, there’s a stunned silence. We both stand there, breathing hard, the air thick with tension.
“I’m sorry,” Dad says finally, his voice barely a whisper. “I didn’t mean to… I just…” He trails off, clutching the journal to his chest like a lifeline.
I touch my cheek, feeling the heat from the slap, and take a deep breath, trying to steady myself. “Dad, what aren’t you telling me? What really happened that day?”
“Stay out of it, Ryan,” Dad growls, his eyes dark with anger. “You don’t know what you’re messing with.”
He turns and storms out of the attic. I’m left standing there, my cheek throbbing, my mind racing. What the fuck is going on? What really happened to Leah? And what is Dad so afraid of?
—
That night, I sleep with my rifle within arm's reach, more afraid of my dad than any dogman. The slap still burns on my cheek, and the look in his eyes—rage, fear, something darker—haunts me. I lie awake, listening to the creaks and groans of the old cabin, every sound amplified in the stillness. Eventually, exhaustion pulls me under, and I fall into a restless sleep.
The dream returns, vivid and unsettling. I'm back in the woods, chasing after Leah. Her laughter echoes through the trees, a haunting reminder of happier times. This time, though, I push myself harder, refusing to let her slip away.
"Ryan, catch me!" she calls, her voice playful.
"I'm coming, Leah!" I shout, my legs pumping, my breath coming in ragged gasps.
The forest around us is a twisted, shadowy maze, the trees seeming to close in on us. Leah's figure becomes clearer, her blonde hair catching the dim light filtering through the canopy. She stops suddenly, turning to face me, her eyes wide with fear.
"Leah, what is it?" I ask, my voice trembling.
"Look behind you," she whispers, her voice barely audible.
I turn slowly, dread creeping up my spine. In the shadows, I see a figure, its form indistinct and shifting. It’s not quite animal, not quite human—something in between. The sight of it sends a jolt of terror through me, and I wake up with a start, my breath coming in ragged gasps.
I’m not in my bed. The ground beneath me is cold and hard, the smell of damp earth filling my nostrils. Panic rises as I realize I’ve sleepwalked into the woods. I scramble to my feet, my eyes adjusting to the dim light. The moon casts a pale glow over the surroundings, revealing what looks like a long-abandoned animal lair.
The walls are covered in giant claw marks, deep gouges in the wood and earth. The air is heavy with the scent of decay, and a chill runs through me. I can’t shake the feeling that I’m being watched.
Carefully, I start to move, my eyes scanning the ground, desperate for a familiar landmark. That's when I see them—faded scraps of fabric caught on the jagged edges of the underbrush. My steps falter, a sense of dread washing over me as I bend down to examine them. The fabric is torn, weathered by time and the elements, but unmistakably familiar. It's part of Leah's jacket—the bright pink one she wore on the day she disappeared.
As I strain to make sense of it all, a rustling sound behind me snaps my focus. My heart leaps into my throat. I spin around, my hand instinctively reaching for the rifle I don't have—because, of course, I didn't bring it in my unconscious state.
The shadowy figure that emerges from the trees is unsettlingly familiar, mirroring the menacing forms of my nightmares. But as it steps into the moonlight, I recognize the worn jacket, the weary posture. It's Dad.
"Ryan!" he calls out, his voice a mix of relief and stern concern. "I've been looking everywhere for you. What the hell are you doing out here?"
I exhale slowly, the terror ebbing away as reality sets back in. "I—I don't know, Dad. I must've sleepwalked again." My voice is shaky, my earlier dream still clinging to the edges of my consciousness.
Dad stares at me in disbelief. "You haven't sleepwalked since you were a kid, Ry. This... this isn't just a coincidence." His eyes dart around, taking in the surroundings—the eerie, claw-marked den, the unsettling quiet of the woods. "How did you even find this place?"
I shake my head, struggling to find an answer. "I don't know, Dad. I just... I woke up here." The uncertainty in my voice does nothing to ease the tension.
His eyes lock onto the tattered remains of Leah's jacket in my hands, and something inside him snaps. The color drains from his face as he stumbles a few steps backward. "This... this is where it happened," he murmurs, his voice barely a whisper. “This is where we found Leah."
“I thought you said you don’t remember anything from that night,” he says accusingly.
"I swear, Dad, I don't know anything about this place," I insist, my own heart pounding.
“It was you, wasn’t it? You’ve been hiding this from me.” His voice is frantic. “You... last night, the growling, it was you.” His voice rises, tinged with hysteria.
I step back, my pulse racing, feeling the chill of the night and the weight of his accusation. "Dad, I don't know what you're talking ab—”
"No!" he interrupts, his voice breaking as he points a trembling finger at me. "You knew, you always knew. It was you, Ryan. All these years, the evidence was right there, but I refused to see it. You were the dogman. You killed Leah!"
His words hit me like a physical blow, absurd and horrifying in their implications. "Dad, you're not making any sense. You're talking crazy! I was just a little kid! How could I–" I protest, my voice shaky.
He steps closer, his presence looming over me, the outline of his figure distorted by the shadows of the trees. "Think about it! It all makes sense now. You led us here, to this place, because you remember. Because you did it."
"Dad, stop it!" I shout, my heart pounding in my chest. "You're scaring me. You need help, professional help. This isn't you."
But he's beyond reason, his eyes wild with a haunted grief. "I have to end this," he mutters, more to himself than to me, his hand tightening around his rifle.
His finger hovers dangerously over the trigger of his rifle. My instincts kick in, and I know I have to act fast.
I lunge toward him, trying to knock the weapon away, but he's quicker than I expected. We struggle, our breaths heavy in the cold night air, the sounds of our scuffle the only noise in the otherwise silent woods. His strength surprises me, fueled by his frantic emotions. He shoves me back, and I stumble over a root, my balance lost for a crucial second. That's all he needs. He raises his rifle, his intentions clear in his wild, pained eyes.
I dive to the ground just as the shot rings out, a deafening blast that echoes ominously through the trees. The bullet whizzes past, narrowly missing me, embedding itself in the bark of an old pine. I scramble to my feet, my heart pounding in my ears, and I start running. The underbrush claws at my clothes and skin, but I push through, driven by a primal urge to survive.
"Dad, stop! It's me, Ryan!" I shout back as I dodge between the trees. Another shot breaks the silence, closer this time, sending splinters of wood flying from a nearby tree trunk. It's surreal, being hunted by my own father, a man tormented by grief and lost in his delusions.
I don't stop to look back. I can hear him crashing through the forest behind me, his heavy breaths and muttered curses carried on the wind. The terrain is rough, and I'm fueled by adrenaline, but exhaustion is setting in. I need a plan.
Ahead, I see a rocky outcrop and make a split-second decision to head for it. It offers a chance to hide, to catch my breath and maybe reason with him if he catches up. As I reach the rocks, I slip behind the largest one, my body pressed tight against the cold, damp surface. I hear his footsteps approaching, slow and cautious now.
As I press against the rock, trying to calm my racing heart, I can hear Dad's footsteps drawing closer, each step crunching ominously on the forest floor. He's methodical, deliberate, like a hunter stalking his prey.
“Come out, Ryan!” Dad’s voice is ragged, filled with a blend of fury and pain.
My heart pounds against my chest, the cold sweat on my back making me shiver against the rough surface of the rock. I know I can't just sit here; it's only a matter of time before he finds me.
Taking a deep breath, I peek around the edge of the rock, trying to gauge his position. I see him, rifle raised, scanning the area slowly. This might be my only chance to end this madness without further violence. I need to disarm him, to talk some sense into him if I can.
As quietly as I can, I move out from behind the rock, my steps careful to avoid any twigs or leaves that might betray my position. I'm almost upon him when a branch snaps under my foot—a sound so trivial yet so alarmingly loud in the quiet of the woods.
Dad whirls around, looking completely unhinged. "Ryan!" he exclaims, his rifle swinging in my direction. Panic overtakes me, and I lunge forward, my hands reaching for the gun.
We struggle, the rifle between us, our breaths heavy and erratic. "Dad, please, stop!" I plead, trying to wrestle the gun away. But he's strong, stronger than I expected.
In the chaos, the rifle goes off. The sound is deafening, a sharp echo that seems to reverberate off every tree around us. Pain explodes in my abdomen, sharp and burning, like nothing I've ever felt before. I stagger back, my hands instinctively going to the wound. The warmth of my own blood coats my fingers, stark and terrifying.
Dad drops the rifle, his eyes wide with horror. "Oh my God! What have I done?" he gasps, rushing to my side as I collapse onto the forest floor.
As the pain sears through me, a strange, overpowering energy surges within. It's wild, primal, unlike anything I've ever experienced. Looking down in horror, my hands are no longer hands but large, hairy, clawed appendages. The transformation is rapid, consuming—my vision blurs, senses heighten, and a raw, guttural growl builds in my throat.
In that moment, a flood of understanding washes over me, mingling with the horror of realization. These are the hands of the creature from my nightmares, the creature whose face I can never fully recall because, as I now understand, it is me.
What happens next feels detached, as if I'm no longer in control of my own actions, watching from a distance as my body moves on its own. I turn towards my dad, his face a mask of terror. He stumbles back, his eyes wide with the dawning realization of what his son has become.
The forest around us seems to fall silent, holding its breath as the nightmarish scene unfolds. I can hear my own growls, guttural and deep, filling the air with a sound that's both foreign and intimately familiar. The pain in my abdomen fuels a dark, violent urge, an urge that's too strong to resist.
With a ferocity that feels both alien and intrinsic, I move towards him. My dad, paralyzed by fear and shock, doesn't run. Maybe he can't. Maybe he doesn't want to.
The encounter is brutal and swift, a blur of motion and violence. My dad barely puts up a struggle, as though resigned to his fate.
Not that there is anything he can do. The creature that I’ve become is too powerful, too consumed by the wild instincts surging through me. I tear him apart, limb from bloody limb, my hands—no, my claws—rending through fabric and flesh with disgusting ease.
The sound of my dad’s screams, of tearing fabric and flesh is drowned out by the animalistic growls that echo through the trees.
When it’s all over, the red mist that had clouded my vision begins to fade, and the fierce, uncontrollable rage that drove my actions subsides. I'm left standing, my breaths heavy and erratic, in the eerie stillness of the forest. The transformation reverses as quickly as it came on, and I find myself back in my human form. My clothes are ripped to shreds, hanging off my frame in tattered remnants. At my feet lies what’s left of my dad, his body torn and unrecognizable.
I glance down at my abdomen, expecting agony, but instead find my wound miraculously healed. No sign of the gunshot remains, just a faint scar where I expected a bloody mess.
Shock sets in, a numbing disbelief mixed with a gut-wrenching realization of what I've become and what I've done. My hands, now human again, tremble as I look at them, half-expecting to see the claws that had so effortlessly ripped through flesh and bone. But there's only blood, my father's blood against my skin.
I stand there for what feels like an eternity, trapped in a nightmare of my own making.
Eventually, the shock wears thin, and a cold practicality takes hold. I need to get out of here. I need to cover my tracks, to disappear. Because who would believe this? Who would understand that I didn't choose this, that I'm not a monster by choice?
With trembling hands, I do what’s necessary. I bury my dad in a shallow grave, the physical act of digging strangely grounding. I cover him with leaves and branches, a pitiful attempt to hide the brutality of his end. I take a moment, whispering apologies into the wind, knowing full well that nothing I say can change what happened.
I leave the forest behind, my mind a whirl of dark thoughts. As I walk, the first hints of dawn brush against the horizon, the sky bleeding a soft pink. It’s hauntingly beautiful.
submitted by PageTurner627 to Odd_directions [link] [comments]

2024.05.19 20:10 PageTurner627 My Dad and I Hunted Down the Dogman that Killed My Sister

I’ve always hated the smell of gun oil. It clings to everything it touches, soaking deep into the fibers of my clothes, the lining of my backpack, the coarse hair on the back of my hands. Yet here I am, kneeling on the cracked linoleum of our mudroom, a Remington .308 laid across my thighs, and the stench of gun oil sharp in my nostrils. The early morning light barely scratches at the edges of the blinds, dim and gray like the belly of a dead fish.
My dad Frank is in the kitchen, clattering around with the coffeepot and mumbling under his breath. Today we’re heading up to the woods of Northern Michigan, same as we did every year before Leah… before we lost her.
I can’t help but feel the old scars throbbing as I load bullets into the magazine. It’s been ten years since that hunting trip, the one that tore my family into before and after. Before, when Leah's laughter was a constant soundtrack to our lives; after, when every silence was filled with her absence.
We were just kids back then. I was ten, Leah was eight. It was supposed to be a typical hunting trip, one of those bonding experiences Dad was always talking about. But things went wrong. We got separated from Dad somehow. One minute we were following him, the next we were lost, the dense woods closing in around us.
Dad says when he found me, I was huddled under a fallen tree, my eyes wide, my body frozen. All I could mutter through chattering teeth was "Dogman."
It was only later, after the search parties had combed through every thicket and hollow, that they found her. What remained of Leah was barely recognizable, the evidence of a brutal mauling undeniable. The authorities concluded it was likely a bear attack, but Dad... he never accepted that explanation. He had seen the tracks, too large and oddly shaped for any bear.
As I load another round, the memory flashes, unbidden and unwelcome. Large, hairy clawed hands reaching out towards us, impossibly big, grotesque in their form. Yet, the rest of the creature eludes me, a shadow just beyond the edge of my recall, leaving me with nothing but fragmented terrors and Leah’s haunting, echoing screams. My mind blocked most of it out, a self-defense mechanism, I guess.
For years after that day, sleep was a battleground. I'd wake up in strange places—kitchen floor, backyard, even at the edge of the nearby creek. My therapist said it was my mind's way of trying to resolve the unresolved, to wander back through the woods searching for Leah. But all I found in those sleepless nights was a deeper sense of loss.
It took time, a lot of therapy, and patience I didn't know I had, but the sleepwalking did eventually stop. I guess I started to find some semblance of peace.
I have mostly moved on with my life. The fragmentary memories of that day are still there, lurking in the corners of my mind, but they don’t dominate my thoughts like they used to. I just finished my sophomore year at Michigan State, majoring in Environmental Science.
As for Dad, the loss of Leah broke him. He became a shell of himself. It destroyed his marriage with Mom. He blamed himself for letting us out of his sight, for not protecting Leah. His life took on a single, consuming focus: finding the creature that killed her. He read every book, every article on cryptids and unexplained phenomena. He mapped sightings, connected dots across blurry photos and shaky testimonies of the Dogman.
But as the tenth anniversary of Leah’s death approaches, Dad's obsession has grown more intense. He’s started staying up late, poring over his maps and notes, muttering to himself about patterns and cycles. He’s convinced that the dogman reappears every ten years, and this is our window of opportunity to finally hunt it down.
I’m not nearly as convinced. The whole dogman thing seems like a coping mechanism, a way for Dad to channel his guilt and grief into something tangible, something he can fight against. But I decided to tag along on this trip, partly to keep an eye on him, partly because a small part of me hopes that maybe, just maybe, we’ll find some kind of closure out there in the woods.
I finish loading the rifle and set it aside, standing up to stretch my legs. I wipe my greasy hands on an old rag, trying to get rid of the smell. The early morning light is starting to seep into the room, casting long shadows across the floor.
Dad comes out of the kitchen with two thermoses of coffee in hand. His eyes are bleary and tired.
“You ready, Ryan?” he asks, handing me a thermos, his voice rough from too many sleepless nights.
“Yeah, I’m ready,” I reply, trying to sound more confident than I felt.
We load our gear into the truck, the weight of our supplies and weapons a physical reminder of the burden we carry. The drive from Lansing across the Lower Peninsula is long and quiet, the silence between us filled with unspoken memories and unresolved grief.
—
The drive north is a blur of highway lines and the dull hum of the engine. I drift off, the landscape outside blending into a haze. In my sleep, fragments of that day with Leah replay like scattered pieces of a puzzle. I see her smile, the way she tugged at my sleeve, eager to explore. The sunlight filters through the trees in sharp, jagged streaks.
Then, the memory shifts—darker, disjointed. Leah's voice echoes, a playful laugh turning into a scream that pierces the air. The crunch of leaves underfoot as something heavy moves through the underbrush. I see a shadow, large and looming, not quite fitting the shapes of any creature I know.
Then, something darker creeps into the dream, something I’ve never allowed myself to remember clearly.
Before I can see what it is I wake up with a start as the truck jerks slightly on a rough patch of road. Dad glances over. "Bad dream?" he asks. I nod, rubbing the sleep from my eyes, the remnants of the dream clinging to me like the cold.
"Yeah, just... thinking about Leah," I manage to say.
As we drive, Dad attempts to bridge the silence with small talk. He asks about my finals, my plans for the summer, anything to keep the conversation going. His voice carries a forced cheerfulness, but it’s clear his heart isn’t in it. I respond when necessary, my answers brief, my gaze fixed on the passing scenery.
The landscape changes as we head further north, from flat expanses to rolling hills dotted with dense patches of forest. It's beautiful country, the kind that reminds you how vast and wild Michigan can be, but today it just feels oppressive, like it’s closing in on us.
—
We finally arrive at the cabin, nestled deep in the woods, its weathered wood blending seamlessly with the surrounding trees. The place hasn't changed much since the last time I was here—a relic from another time, filled with the echoes of our past. I can still see Leah running around the porch, her laughter ringing out into the forest.
Dad parks the truck, and we step out into the crisp air. The smell of pine and damp earth fills my nostrils. We start unloading our gear, the tension between us palpable.
“Let’s get this inside,” Dad says, his voice gruff as he hefts a duffel bag onto his shoulder.
I nod, grabbing my own bag and following him to the cabin. Inside, it’s a mix of old and new—the same rustic furniture, but with new hunting gear and maps strewn across the table. Dad’s obsession is evident in every corner of the room, a constant reminder of why we’re here.
As we unpack, we exchange strained attempts at normalcy. He talks about the latest cryptid sightings he’s read about, his eyes lighting up with a fervor that both worries and saddens me.
“Did you hear about the sighting up near Alpena?” he asks, laying out his maps on the table.
“Yeah, you mentioned it,” I reply, trying to muster some enthusiasm. “Do you really think there’s something to it?”
Dad’s eyes meet mine, and for a moment, I see a flicker of doubt. But it’s quickly replaced by grim determination. “I have to believe it, Ryan. It’s the only thing that makes sense.”
We finish unpacking, the silence between us growing heavier with each passing minute. I step outside to clear my head, the cool air a welcome relief. The sun is starting to set, casting long shadows across the clearing. I can’t shake the feeling of unease.
"You can take the upstairs room," Dad mutters. His voice is strained, trying to sound normal, but it's clear the weight of the past is heavy on him. I nod, hauling my backpack up the creaking stairs to the small bedroom that I used to share with Leah. The room feels smaller now, or maybe I've just grown too much since those innocent days.
I unpack silently, setting my things aside. The bed is stiff and cold under my touch. As I settle in, I can't help but glance at the corner where Leah and I would huddle together, whispering secrets and making plans for adventures that would never happen. I push the thoughts away, focusing on the practicalities of unpacking.
After settling in, I go back downstairs to find Dad loading up a backpack with supplies for our hunt. The intensity in his eyes is palpable, his hands moving with practiced precision. I know this routine; it's one he's perfected over countless solo trips since that fateful day.
"We'll head out early," he says, not looking up from his task. "Gotta make the most of the daylight."
I nod, though unease curls in my stomach. I'm not just worried about what we might find—or not find—out there. I'm worried about him. Each year, the obsession seems to carve him out a bit more, leaving less of the Dad I knew.
—
The morning air is sharp with the scent of pine and wet earth as Dad and I head into the deeper parts of the forest. The terrain is rugged, familiar in its untamed beauty, but there’s a tension between us that makes the landscape feel alien. Dad moves with a purposeful stride, his eyes scanning the woods around us. Every snap of a twig, every rustle in the underbrush seems to draw his attention. He’s on edge, and it puts me on edge too.
As we walk, my mind drifts back to that day ten years ago. I can almost hear Leah’s voice echoing through the trees, her high-pitched call as she darted ahead, "Catch me, Ryan!" I remember how the sunlight filtered through the leaves, casting dancing shadows on the ground. Those memories are so vivid, so tangible, it feels like I could just turn a corner and see her there, waiting for us.
Dad suddenly stops and kneels, examining the ground. He points out a set of tracks that are too large for a deer, with an unusual gait pattern. "It’s been here, Ry. I’m telling you, it’s close," he whispers, a mixture of excitement and something darker in his voice. I nod, though I’m not sure what to believe. Part of me wants to dismiss it all as grief-fueled obsession, but another part, the part that heard Leah's scream and saw something monstrous in the woods that day, isn’t so sure.
As we continue, Dad's comments become increasingly cryptic. "You know, they say the dogman moves in cycles, drawn to certain places, certain times. Like it’s tied to the land itself," he muses, more to himself than to me. His fixation on the creature has always been intense, but now it borders on mania.
We set up a makeshift blind near a clearing where Dad insists the creature will pass. Hours drag by with little to see but the occasional bird or distant deer.
The sun rises higher in the sky, casting long, slender shadows through the dense canopy. I shift uncomfortably in my spot, the forest floor hard and unyielding beneath me. My eyes dart between the trees, hoping to catch a glimpse of something, anything, to break the monotony. Dad, on the other hand, remains steadfast, his gaze fixed on the treeline as if he can will the dogman into existence by sheer force of will.
A bird chirps nearby, startling me. I sigh and adjust my grip on the rifle. I glance over at Dad.
“Anything?” I ask, more out of boredom than genuine curiosity.
“Not yet,” he replies, his voice tight. “But it’s out there. I know it.”
I nod, even though I’m not sure I believe him. The forest seems too quiet, too still. Maybe we’re chasing ghosts.
As the sun begins its descent, the forest is bathed in a warm, golden light. The air cools, and a breeze rustles the leaves. I shiver, more from anticipation than the cold. The long hours of sitting and waiting are starting to wear on me.
“Let’s call it a day for now,” Dad says finally, his voice heavy with disappointment. “We’ll head back to the cabin, get some rest, and try again tomorrow.”
I stand and stretch, feeling the stiffness in my muscles. We pack up our gear in silence and start the trek back to the cabin. The walk is long and quiet, the only sounds are the crunch of leaves underfoot and the distant calls of birds settling in for the night.
—
Dinner is a quiet affair, both of us lost in our thoughts. I try to make small talk, asking Dad about his plans for tomorrow, but it feels forced. We clean up in silence.
After dinner, I retreat to the small bedroom. The fatigue from the day's hike has settled into my bones, but sleep still feels like a distant hope. I lie down, staring at the ceiling, the room cloaked in darkness save for the sliver of moonlight creeping through the window. Downstairs, I hear the faint sound of Dad moving around, likely unable to sleep himself.
I drift into sleep, but it's not restful. My dreams pull me back to that fateful day in the woods. Leah's voice is clear and vibrant, her laughter echoing through the trees. She looks just as she did then—bright-eyed and full of life, her blonde hair catching the sunlight as she runs ahead of me.
"Come on, Ry! You can't catch me!" she taunts, her voice playful and teasing.
I chase after her, but the scene shifts abruptly. The sky darkens, the woods around us growing dense and foreboding. Leah's laughter fades, replaced by a chilling silence. I see her ahead, standing still, her back to me.
"Leah?" I call out, my voice trembling. She turns slowly, her eyes wide and filled with fear. "Ryan, you have to remember," she says, her voice barely a whisper. "It wasn't what you think. You need to know the truth."
Leah’s words hang in the air, cryptic and unsettling. Before I can respond, she turns and starts running again, her figure becoming a blur among the trees. Panic rises in my chest as I sprint after her, my feet pounding against the forest floor.
“Leah, wait!” I shout, desperation lacing my voice. The forest around me seems to close in, the trees towering and twisted, shadows dancing menacingly in the dim light. I push forward, trying to keep her in sight, but she’s too fast, slipping away like a wisp of smoke.
Suddenly, there’s a rustle, a flash of movement in the corner of my vision. Leah screams, a sound that pierces through the heavy silence. It happens too quickly—I can’t see what it is, only a dark blur that snatches her up.
“Leah!” I scream, my voice breaking. I stumble, falling to my knees as the forest spins around me. My heart races, and the terror is so real, so visceral, that it pulls me back to that awful day, the one that changed everything.
I jolt awake, my breath coming in ragged gasps.
I sit up, wiping the cold sweat from my forehead as I try to steady my breathing. The room is still dark, the shadows cast by the moonlight seem to flicker and dance on the walls. My heart is still racing from the nightmare, the echo of Leah's scream lingering in my ears.
As I struggle to calm down, the floorboards outside my room creak. The door opens slowly, and I see the silhouette of my dad in the doorway, a Bowie knife in his hand, his posture tense.
“Dad, what the hell are you doing?” I whisper, my voice shaking.
“Shh,” he hisses, holding up a hand to silence me. “I heard something. Something moving around in the cabin. Stay quiet.”
I swallow hard, my mouth dry. I glance at the clock on the nightstand—it’s just past three in the morning. The cabin is silent, the kind of deep, oppressive silence that makes every small sound seem louder. I can’t hear anything out of the ordinary, but Dad’s expression is deadly serious.
He motions for me to get up, and I do, moving as quietly as I can. My heart is racing, a mix of lingering fear from the dream and the sudden, sharp anxiety of the present moment. Dad leads the way, stepping cautiously out of the bedroom and into the hallway, the knife held ready in front of him.
We move through the cabin, checking each room in turn. The living room is empty, the furniture casting long shadows in the dim moonlight. The kitchen is just as we left it, the plates from dinner still drying on the counter. Everything seems normal, untouched.
We finish our sweep of the cabin without finding anything amiss. The silence is heavy, punctuated only by our soft footfalls. I can see the tension in Dad’s frame, his grip on the knife unwavering. After checking the last room, we pause in the dimly lit hallway, the air thick with unspoken questions.
“There’s nothing here,” I say, my voice low. “Are you sure you heard something?”
He looks at me, his eyes searching for something in my face. “I heard growling. Deep and close. It was right outside the window.”
“Maybe it was just an animal outside, a raccoon or something?” I suggest, although the certainty in his voice makes me doubt my own reassurance.
“No, it wasn’t like that. It was different,” he insists, his voice tense.
I nod, not wanting to argue, but the seeds of worry are planted deep.
The look in his eyes sends a chill down my spine. It’s not just fear—it’s desperation. The kind of desperation that comes from years of chasing shadows and finding nothing. I can see the toll this hunt has taken on him, the way it’s worn him down, turned him into a man I barely recognize.
We head back to our rooms. As I lie down, my mind races with thoughts of my dad. I can’t help but wonder if he’s losing it, if the years of grief and guilt have finally pushed him over the edge.
Dad wasn’t always like this. Before Leah’s death, he was the kind of father who took us fishing, helped with homework, and told terrible jokes that made us groan and laugh at the same time. He was solid, dependable. But losing Leah changed him. The guilt twisted him into someone I barely recognize, someone driven by a need for answers, for closure, that may never come.
I try to sleep, but my thoughts keep me awake. I can hear Dad moving around downstairs, probably pacing or double-checking the locks. His paranoia has become a constant presence, and I don’t know how to help him. I don’t even know if I can help him.
—
The next morning, the sunlight filters weakly through the cabin windows, casting a pale light that does little to lift the heavy mood. I drag myself out of bed, feeling the exhaustion of another restless night. Dad is already up, hunched over his maps at the kitchen table, his eyes bloodshot from lack of sleep.
“Morning,” I mumble, rubbing the sleep from my eyes as I pour myself a cup of coffee. “Did you sleep at all?”
He shakes his head, not looking up from his notes. “Not much. I couldn’t stop thinking about what I heard last night.”
I sip my coffee, trying to shake off the remnants of my nightmare. “Maybe it was just an animal, Dad. We’re deep in the woods, after all.”
He finally looks up, his eyes intense. “Ryan, I know what I heard. It wasn’t just an animal. It was something else.”
I sigh, not wanting to argue. “Okay, fine, Dad. What’s the plan for today?”
“We’re going back out. I found some tracks yesterday, and I want to follow them. See where they lead.”
I nod, feeling a mix of apprehension and resignation. I can see how much this means to him, how desperate he is for any kind of lead. “Alright. Let’s get packed and head out.”
We spend the morning preparing, loading up our gear and double-checking our supplies. Dad is meticulous, going over everything with a fine-toothed comb. I try to match his focus, but my mind keeps drifting back to Leah and the dream I had. Her words echo in my head, cryptic and unsettling: “You need to know the truth.”
We set off into the woods, the air crisp and cool. The forest is alive with the sounds of birds and rustling leaves, but it all feels distant, like background noise to the tension between us. Dad leads the way, his eyes scanning the ground for any sign of the tracks he found yesterday.
As we walk, I can’t help but notice how erratically he’s acting. He mutters to himself, his eyes darting around as if expecting something to jump out at us. His grip on his rifle is tight, his knuckles white.
“Dad, are you okay?” I ask, trying to keep my voice steady.
He glances at me, his expression unreadable. “I’m fine. Just focused.”
He stops frequently to examine the ground or the bark of trees, pointing out marks and signs that seem meaningless to me.
“Look at this,” he says, crouching down to examine a broken branch. “See how it’s snapped? That’s not a deer or a bear. That’s something bigger. Stronger.”
I crouch next to Dad, squinting at the broken branch. To me, it just looks like a regular broken branch, the kind you see all over the forest. "I don't know, Dad. It just looks like a branch to me," I say, trying to keep my voice neutral.
Dad's eyes flicker with frustration. "You're not looking close enough. It's the way it's snapped—too clean, too deliberate. Something did this."
I nod, not wanting to argue. "Okay, sure. But even if you're right, it could be anything. A storm, another hunter..."
His expression hardens. "I know what I'm looking for. This is different."
I sigh, feeling the weight of the past and the tension between us pressing down on me. "Dad, I had a dream last night. About Leah." The words hang in the air between us, heavy and fraught with unspoken emotions.
Dad's eyes widen, and he straightens up, his entire demeanor shifting. "What kind of dream? What did you see?" His voice is urgent, almost desperate.
"It was... strange. We were in the woods, like we are now, but everything felt different. Leah was there, running ahead of me, laughing. Then she stopped and told me I needed to know the truth, that it wasn't what I thought."
Dad grabs my shoulders, his grip tight. "What else did she say? Did she tell you anything specific? Anything about the creature?"
I shake my head, feeling a chill run down my spine. "No, that was it. She just said I needed to know the truth, and then she was gone."
Dad’s grip on my shoulders tightens, and his eyes bore into mine with a mixture of desperation and hope. “Ryan, you have to try to remember. Think hard. What did the creature look like? Did you see anything else?”
I pull back slightly, uneasy with his intensity. “Dad, I told you. I don’t remember. It was just a dream. A nightmare, really. My mind’s probably just mixing things up.”
He lets go of me and runs a hand through his hair, looking frustrated and lost. “Dreams can be important. They can hold memories we’ve buried deep. Please, try to remember. This could be a sign, a clue.”
I rub my temples, feeling the beginnings of a headache. “I’ve tried, okay? I’ve tried for years to piece together what happened that day. But it’s all just fragments, like pieces of a puzzle that don’t fit. The dream… it felt real, but I don’t think it’s telling me anything new.”
Dad’s face falls, and he looks older than I’ve ever seen him. He turns away, staring into the forest as if it holds all the answers.
—
As we make our way back to the cabin, the sun begins to set, casting long shadows through the trees. The air grows colder, and I shiver, pulling my jacket tighter around me. Dad is silent, lost in his thoughts, his face drawn and haggard.
Back at the cabin, we unload our gear once again in silence. Dad disappears into his room, muttering something about going over his notes. I decide to explore the cabin, hoping to find something that might help me understand what’s going on with him.
In the attic, I find a box of old family photos and documents. As I sift through the contents, I come across a worn journal with Dad’s handwriting on the cover. Curiosity gets the better of me, and I open it, flipping through the pages.
The journal is filled with notes and sketches, detailing his obsession with the dogman. But there’s something else—entries that talk about Leah, about that day in the woods. His handwriting becomes more erratic, the words harder to read. One entry stands out, dated just a few days after Leah’s death:
“June 15, 2013 – It was supposed to be a normal trip. Keep them close, Frank, I kept telling myself. But I failed. Leah is gone, and it’s my fault. I heard her scream, saw the shadows. I tried to get to her, but… the thing, it was there. Too fast. Too strong. My hands… blood everywhere. No one will believe me. I can’t even believe myself. I have to find it. I have to protect Ryan. I have to make it right. God, what have I done?”
Before I can read further, the attic door creaks open, and Dad’s voice slices through the stillness.
“What are you doing up here?” His tone is sharp, almost panicked.
I turn to see him standing in the doorway, his face pale and his eyes wide with something between anger and fear. I clutch the journal to my chest, my mind racing. “I found this… I was just trying to understand…”
In an instant, he crosses the room and snatches the journal from my hands. His grip is tight, his knuckles white. “You had no right,” he growls, his voice trembling.
“Dad, I just wanted to know the truth!” I shout, frustration boiling over. “What really happened to Leah.”
His eyes flash with a mix of rage and anguish, and before I can react, he slaps me across the face. The force of it knocks me off balance, and I stumble backward, my cheek stinging.
For a moment, there’s a stunned silence. We both stand there, breathing hard, the air thick with tension.
“I’m sorry,” Dad says finally, his voice barely a whisper. “I didn’t mean to… I just…” He trails off, clutching the journal to his chest like a lifeline.
I touch my cheek, feeling the heat from the slap, and take a deep breath, trying to steady myself. “Dad, what aren’t you telling me? What really happened that day?”
“Stay out of it, Ryan,” Dad growls, his eyes dark with anger. “You don’t know what you’re messing with.”
He turns and storms out of the attic. I’m left standing there, my cheek throbbing, my mind racing. What the fuck is going on? What really happened to Leah? And what is Dad so afraid of?
—
That night, I sleep with my rifle within arm's reach, more afraid of my dad than any dogman. The slap still burns on my cheek, and the look in his eyes—rage, fear, something darker—haunts me. I lie awake, listening to the creaks and groans of the old cabin, every sound amplified in the stillness. Eventually, exhaustion pulls me under, and I fall into a restless sleep.
The dream returns, vivid and unsettling. I'm back in the woods, chasing after Leah. Her laughter echoes through the trees, a haunting reminder of happier times. This time, though, I push myself harder, refusing to let her slip away.
"Ryan, catch me!" she calls, her voice playful.
"I'm coming, Leah!" I shout, my legs pumping, my breath coming in ragged gasps.
The forest around us is a twisted, shadowy maze, the trees seeming to close in on us. Leah's figure becomes clearer, her blonde hair catching the dim light filtering through the canopy. She stops suddenly, turning to face me, her eyes wide with fear.
"Leah, what is it?" I ask, my voice trembling.
"Look behind you," she whispers, her voice barely audible.
I turn slowly, dread creeping up my spine. In the shadows, I see a figure, its form indistinct and shifting. It’s not quite animal, not quite human—something in between. The sight of it sends a jolt of terror through me, and I wake up with a start, my breath coming in ragged gasps.
I’m not in my bed. The ground beneath me is cold and hard, the smell of damp earth filling my nostrils. Panic rises as I realize I’ve sleepwalked into the woods. I scramble to my feet, my eyes adjusting to the dim light. The moon casts a pale glow over the surroundings, revealing what looks like a long-abandoned animal lair.
The walls are covered in giant claw marks, deep gouges in the wood and earth. The air is heavy with the scent of decay, and a chill runs through me. I can’t shake the feeling that I’m being watched.
Carefully, I start to move, my eyes scanning the ground, desperate for a familiar landmark. That's when I see them—faded scraps of fabric caught on the jagged edges of the underbrush. My steps falter, a sense of dread washing over me as I bend down to examine them. The fabric is torn, weathered by time and the elements, but unmistakably familiar. It's part of Leah's jacket—the bright pink one she wore on the day she disappeared.
As I strain to make sense of it all, a rustling sound behind me snaps my focus. My heart leaps into my throat. I spin around, my hand instinctively reaching for the rifle I don't have—because, of course, I didn't bring it in my unconscious state.
The shadowy figure that emerges from the trees is unsettlingly familiar, mirroring the menacing forms of my nightmares. But as it steps into the moonlight, I recognize the worn jacket, the weary posture. It's Dad.
"Ryan!" he calls out, his voice a mix of relief and stern concern. "I've been looking everywhere for you. What the hell are you doing out here?"
I exhale slowly, the terror ebbing away as reality sets back in. "I—I don't know, Dad. I must've sleepwalked again." My voice is shaky, my earlier dream still clinging to the edges of my consciousness.
Dad stares at me in disbelief. "You haven't sleepwalked since you were a kid, Ry. This... this isn't just a coincidence." His eyes dart around, taking in the surroundings—the eerie, claw-marked den, the unsettling quiet of the woods. "How did you even find this place?"
I shake my head, struggling to find an answer. "I don't know, Dad. I just... I woke up here." The uncertainty in my voice does nothing to ease the tension.
His eyes lock onto the tattered remains of Leah's jacket in my hands, and something inside him snaps. The color drains from his face as he stumbles a few steps backward. "This... this is where it happened," he murmurs, his voice barely a whisper. “This is where we found Leah."
“I thought you said you don’t remember anything from that night,” he says accusingly.
"I swear, Dad, I don't know anything about this place," I insist, my own heart pounding.
“It was you, wasn’t it? You’ve been hiding this from me.” His voice is frantic. “You... last night, the growling, it was you.” His voice rises, tinged with hysteria.
I step back, my pulse racing, feeling the chill of the night and the weight of his accusation. "Dad, I don't know what you're talking ab—”
"No!" he interrupts, his voice breaking as he points a trembling finger at me. "You knew, you always knew. It was you, Ryan. All these years, the evidence was right there, but I refused to see it. You were the dogman. You killed Leah!"
His words hit me like a physical blow, absurd and horrifying in their implications. "Dad, you're not making any sense. You're talking crazy! I was just a little kid! How could I–" I protest, my voice shaky.
He steps closer, his presence looming over me, the outline of his figure distorted by the shadows of the trees. "Think about it! It all makes sense now. You led us here, to this place, because you remember. Because you did it."
"Dad, stop it!" I shout, my heart pounding in my chest. "You're scaring me. You need help, professional help. This isn't you."
But he's beyond reason, his eyes wild with a haunted grief. "I have to end this," he mutters, more to himself than to me, his hand tightening around his rifle.
His finger hovers dangerously over the trigger of his rifle. My instincts kick in, and I know I have to act fast.
I lunge toward him, trying to knock the weapon away, but he's quicker than I expected. We struggle, our breaths heavy in the cold night air, the sounds of our scuffle the only noise in the otherwise silent woods. His strength surprises me, fueled by his frantic emotions. He shoves me back, and I stumble over a root, my balance lost for a crucial second. That's all he needs. He raises his rifle, his intentions clear in his wild, pained eyes.
I dive to the ground just as the shot rings out, a deafening blast that echoes ominously through the trees. The bullet whizzes past, narrowly missing me, embedding itself in the bark of an old pine. I scramble to my feet, my heart pounding in my ears, and I start running. The underbrush claws at my clothes and skin, but I push through, driven by a primal urge to survive.
"Dad, stop! It's me, Ryan!" I shout back as I dodge between the trees. Another shot breaks the silence, closer this time, sending splinters of wood flying from a nearby tree trunk. It's surreal, being hunted by my own father, a man tormented by grief and lost in his delusions.
I don't stop to look back. I can hear him crashing through the forest behind me, his heavy breaths and muttered curses carried on the wind. The terrain is rough, and I'm fueled by adrenaline, but exhaustion is setting in. I need a plan.
Ahead, I see a rocky outcrop and make a split-second decision to head for it. It offers a chance to hide, to catch my breath and maybe reason with him if he catches up. As I reach the rocks, I slip behind the largest one, my body pressed tight against the cold, damp surface. I hear his footsteps approaching, slow and cautious now.
As I press against the rock, trying to calm my racing heart, I can hear Dad's footsteps drawing closer, each step crunching ominously on the forest floor. He's methodical, deliberate, like a hunter stalking his prey.
“Come out, Ryan!” Dad’s voice is ragged, filled with a blend of fury and pain.
My heart pounds against my chest, the cold sweat on my back making me shiver against the rough surface of the rock. I know I can't just sit here; it's only a matter of time before he finds me.
Taking a deep breath, I peek around the edge of the rock, trying to gauge his position. I see him, rifle raised, scanning the area slowly. This might be my only chance to end this madness without further violence. I need to disarm him, to talk some sense into him if I can.
As quietly as I can, I move out from behind the rock, my steps careful to avoid any twigs or leaves that might betray my position. I'm almost upon him when a branch snaps under my foot—a sound so trivial yet so alarmingly loud in the quiet of the woods.
Dad whirls around, looking completely unhinged. "Ryan!" he exclaims, his rifle swinging in my direction. Panic overtakes me, and I lunge forward, my hands reaching for the gun.
We struggle, the rifle between us, our breaths heavy and erratic. "Dad, please, stop!" I plead, trying to wrestle the gun away. But he's strong, stronger than I expected.
In the chaos, the rifle goes off. The sound is deafening, a sharp echo that seems to reverberate off every tree around us. Pain explodes in my abdomen, sharp and burning, like nothing I've ever felt before. I stagger back, my hands instinctively going to the wound. The warmth of my own blood coats my fingers, stark and terrifying.
Dad drops the rifle, his eyes wide with horror. "Oh my God! What have I done?" he gasps, rushing to my side as I collapse onto the forest floor.
As the pain sears through me, a strange, overpowering energy surges within. It's wild, primal, unlike anything I've ever experienced. Looking down in horror, my hands are no longer hands but large, hairy, clawed appendages. The transformation is rapid, consuming—my vision blurs, senses heighten, and a raw, guttural growl builds in my throat.
In that moment, a flood of understanding washes over me, mingling with the horror of realization. These are the hands of the creature from my nightmares, the creature whose face I can never fully recall because, as I now understand, it is me.
What happens next feels detached, as if I'm no longer in control of my own actions, watching from a distance as my body moves on its own. I turn towards my dad, his face a mask of terror. He stumbles back, his eyes wide with the dawning realization of what his son has become.
The forest around us seems to fall silent, holding its breath as the nightmarish scene unfolds. I can hear my own growls, guttural and deep, filling the air with a sound that's both foreign and intimately familiar. The pain in my abdomen fuels a dark, violent urge, an urge that's too strong to resist.
With a ferocity that feels both alien and intrinsic, I move towards him. My dad, paralyzed by fear and shock, doesn't run. Maybe he can't. Maybe he doesn't want to.
The encounter is brutal and swift, a blur of motion and violence. My dad barely puts up a struggle, as though resigned to his fate.
Not that there is anything he can do. The creature that I’ve become is too powerful, too consumed by the wild instincts surging through me. I tear him apart, limb from bloody limb, my hands—no, my claws—rending through fabric and flesh with disgusting ease.
The sound of my dad’s screams, of tearing fabric and flesh is drowned out by the animalistic growls that echo through the trees.
When it’s all over, the red mist that had clouded my vision begins to fade, and the fierce, uncontrollable rage that drove my actions subsides. I'm left standing, my breaths heavy and erratic, in the eerie stillness of the forest. The transformation reverses as quickly as it came on, and I find myself back in my human form. My clothes are ripped to shreds, hanging off my frame in tattered remnants. At my feet lies what’s left of my dad, his body torn and unrecognizable.
I glance down at my abdomen, expecting agony, but instead find my wound miraculously healed. No sign of the gunshot remains, just a faint scar where I expected a bloody mess.
Shock sets in, a numbing disbelief mixed with a gut-wrenching realization of what I've become and what I've done. My hands, now human again, tremble as I look at them, half-expecting to see the claws that had so effortlessly ripped through flesh and bone. But there's only blood, my father's blood against my skin.
I stand there for what feels like an eternity, trapped in a nightmare of my own making.
Eventually, the shock wears thin, and a cold practicality takes hold. I need to get out of here. I need to cover my tracks, to disappear. Because who would believe this? Who would understand that I didn't choose this, that I'm not a monster by choice?
With trembling hands, I do what’s necessary. I bury my dad in a shallow grave, the physical act of digging strangely grounding. I cover him with leaves and branches, a pitiful attempt to hide the brutality of his end. I take a moment, whispering apologies into the wind, knowing full well that nothing I say can change what happened.
I leave the forest behind, my mind a whirl of dark thoughts. As I walk, the first hints of dawn brush against the horizon, the sky bleeding a soft pink. It’s hauntingly beautiful.
submitted by PageTurner627 to creepypasta [link] [comments]

2024.05.19 20:08 PageTurner627 My Dad and I Hunted Down the Dogman that Killed My Sister

I’ve always hated the smell of gun oil. It clings to everything it touches, soaking deep into the fibers of my clothes, the lining of my backpack, the coarse hair on the back of my hands. Yet here I am, kneeling on the cracked linoleum of our mudroom, a Remington .308 laid across my thighs, and the stench of gun oil sharp in my nostrils. The early morning light barely scratches at the edges of the blinds, dim and gray like the belly of a dead fish.
My dad Frank is in the kitchen, clattering around with the coffeepot and mumbling under his breath. Today we’re heading up to the woods of Northern Michigan, same as we did every year before Leah… before we lost her.
I can’t help but feel the old scars throbbing as I load bullets into the magazine. It’s been ten years since that hunting trip, the one that tore my family into before and after. Before, when Leah's laughter was a constant soundtrack to our lives; after, when every silence was filled with her absence.
We were just kids back then. I was ten, Leah was eight. It was supposed to be a typical hunting trip, one of those bonding experiences Dad was always talking about. But things went wrong. We got separated from Dad somehow. One minute we were following him, the next we were lost, the dense woods closing in around us.
Dad says when he found me, I was huddled under a fallen tree, my eyes wide, my body frozen. All I could mutter through chattering teeth was "Dogman."
It was only later, after the search parties had combed through every thicket and hollow, that they found her. What remained of Leah was barely recognizable, the evidence of a brutal mauling undeniable. The authorities concluded it was likely a bear attack, but Dad... he never accepted that explanation. He had seen the tracks, too large and oddly shaped for any bear.
As I load another round, the memory flashes, unbidden and unwelcome. Large, hairy clawed hands reaching out towards us, impossibly big, grotesque in their form. Yet, the rest of the creature eludes me, a shadow just beyond the edge of my recall, leaving me with nothing but fragmented terrors and Leah’s haunting, echoing screams. My mind blocked most of it out, a self-defense mechanism, I guess.
For years after that day, sleep was a battleground. I'd wake up in strange places—kitchen floor, backyard, even at the edge of the nearby creek. My therapist said it was my mind's way of trying to resolve the unresolved, to wander back through the woods searching for Leah. But all I found in those sleepless nights was a deeper sense of loss.
It took time, a lot of therapy, and patience I didn't know I had, but the sleepwalking did eventually stop. I guess I started to find some semblance of peace.
I have mostly moved on with my life. The fragmentary memories of that day are still there, lurking in the corners of my mind, but they don’t dominate my thoughts like they used to. I just finished my sophomore year at Michigan State, majoring in Environmental Science.
As for Dad, the loss of Leah broke him. He became a shell of himself. It destroyed his marriage with Mom. He blamed himself for letting us out of his sight, for not protecting Leah. His life took on a single, consuming focus: finding the creature that killed her. He read every book, every article on cryptids and unexplained phenomena. He mapped sightings, connected dots across blurry photos and shaky testimonies of the Dogman.
But as the tenth anniversary of Leah’s death approaches, Dad's obsession has grown more intense. He’s started staying up late, poring over his maps and notes, muttering to himself about patterns and cycles. He’s convinced that the dogman reappears every ten years, and this is our window of opportunity to finally hunt it down.
I’m not nearly as convinced. The whole dogman thing seems like a coping mechanism, a way for Dad to channel his guilt and grief into something tangible, something he can fight against. But I decided to tag along on this trip, partly to keep an eye on him, partly because a small part of me hopes that maybe, just maybe, we’ll find some kind of closure out there in the woods.
I finish loading the rifle and set it aside, standing up to stretch my legs. I wipe my greasy hands on an old rag, trying to get rid of the smell. The early morning light is starting to seep into the room, casting long shadows across the floor.
Dad comes out of the kitchen with two thermoses of coffee in hand. His eyes are bleary and tired.
“You ready, Ryan?” he asks, handing me a thermos, his voice rough from too many sleepless nights.
“Yeah, I’m ready,” I reply, trying to sound more confident than I felt.
We load our gear into the truck, the weight of our supplies and weapons a physical reminder of the burden we carry. The drive from Lansing across the Lower Peninsula is long and quiet, the silence between us filled with unspoken memories and unresolved grief.
—
The drive north is a blur of highway lines and the dull hum of the engine. I drift off, the landscape outside blending into a haze. In my sleep, fragments of that day with Leah replay like scattered pieces of a puzzle. I see her smile, the way she tugged at my sleeve, eager to explore. The sunlight filters through the trees in sharp, jagged streaks.
Then, the memory shifts—darker, disjointed. Leah's voice echoes, a playful laugh turning into a scream that pierces the air. The crunch of leaves underfoot as something heavy moves through the underbrush. I see a shadow, large and looming, not quite fitting the shapes of any creature I know.
Then, something darker creeps into the dream, something I’ve never allowed myself to remember clearly.
Before I can see what it is I wake up with a start as the truck jerks slightly on a rough patch of road. Dad glances over. "Bad dream?" he asks. I nod, rubbing the sleep from my eyes, the remnants of the dream clinging to me like the cold.
"Yeah, just... thinking about Leah," I manage to say.
As we drive, Dad attempts to bridge the silence with small talk. He asks about my finals, my plans for the summer, anything to keep the conversation going. His voice carries a forced cheerfulness, but it’s clear his heart isn’t in it. I respond when necessary, my answers brief, my gaze fixed on the passing scenery.
The landscape changes as we head further north, from flat expanses to rolling hills dotted with dense patches of forest. It's beautiful country, the kind that reminds you how vast and wild Michigan can be, but today it just feels oppressive, like it’s closing in on us.
—
We finally arrive at the cabin, nestled deep in the woods, its weathered wood blending seamlessly with the surrounding trees. The place hasn't changed much since the last time I was here—a relic from another time, filled with the echoes of our past. I can still see Leah running around the porch, her laughter ringing out into the forest.
Dad parks the truck, and we step out into the crisp air. The smell of pine and damp earth fills my nostrils. We start unloading our gear, the tension between us palpable.
“Let’s get this inside,” Dad says, his voice gruff as he hefts a duffel bag onto his shoulder.
I nod, grabbing my own bag and following him to the cabin. Inside, it’s a mix of old and new—the same rustic furniture, but with new hunting gear and maps strewn across the table. Dad’s obsession is evident in every corner of the room, a constant reminder of why we’re here.
As we unpack, we exchange strained attempts at normalcy. He talks about the latest cryptid sightings he’s read about, his eyes lighting up with a fervor that both worries and saddens me.
“Did you hear about the sighting up near Alpena?” he asks, laying out his maps on the table.
“Yeah, you mentioned it,” I reply, trying to muster some enthusiasm. “Do you really think there’s something to it?”
Dad’s eyes meet mine, and for a moment, I see a flicker of doubt. But it’s quickly replaced by grim determination. “I have to believe it, Ryan. It’s the only thing that makes sense.”
We finish unpacking, the silence between us growing heavier with each passing minute. I step outside to clear my head, the cool air a welcome relief. The sun is starting to set, casting long shadows across the clearing. I can’t shake the feeling of unease.
"You can take the upstairs room," Dad mutters. His voice is strained, trying to sound normal, but it's clear the weight of the past is heavy on him. I nod, hauling my backpack up the creaking stairs to the small bedroom that I used to share with Leah. The room feels smaller now, or maybe I've just grown too much since those innocent days.
I unpack silently, setting my things aside. The bed is stiff and cold under my touch. As I settle in, I can't help but glance at the corner where Leah and I would huddle together, whispering secrets and making plans for adventures that would never happen. I push the thoughts away, focusing on the practicalities of unpacking.
After settling in, I go back downstairs to find Dad loading up a backpack with supplies for our hunt. The intensity in his eyes is palpable, his hands moving with practiced precision. I know this routine; it's one he's perfected over countless solo trips since that fateful day.
"We'll head out early," he says, not looking up from his task. "Gotta make the most of the daylight."
I nod, though unease curls in my stomach. I'm not just worried about what we might find—or not find—out there. I'm worried about him. Each year, the obsession seems to carve him out a bit more, leaving less of the Dad I knew.
—
The morning air is sharp with the scent of pine and wet earth as Dad and I head into the deeper parts of the forest. The terrain is rugged, familiar in its untamed beauty, but there’s a tension between us that makes the landscape feel alien. Dad moves with a purposeful stride, his eyes scanning the woods around us. Every snap of a twig, every rustle in the underbrush seems to draw his attention. He’s on edge, and it puts me on edge too.
As we walk, my mind drifts back to that day ten years ago. I can almost hear Leah’s voice echoing through the trees, her high-pitched call as she darted ahead, "Catch me, Ryan!" I remember how the sunlight filtered through the leaves, casting dancing shadows on the ground. Those memories are so vivid, so tangible, it feels like I could just turn a corner and see her there, waiting for us.
Dad suddenly stops and kneels, examining the ground. He points out a set of tracks that are too large for a deer, with an unusual gait pattern. "It’s been here, Ry. I’m telling you, it’s close," he whispers, a mixture of excitement and something darker in his voice. I nod, though I’m not sure what to believe. Part of me wants to dismiss it all as grief-fueled obsession, but another part, the part that heard Leah's scream and saw something monstrous in the woods that day, isn’t so sure.
As we continue, Dad's comments become increasingly cryptic. "You know, they say the dogman moves in cycles, drawn to certain places, certain times. Like it’s tied to the land itself," he muses, more to himself than to me. His fixation on the creature has always been intense, but now it borders on mania.
We set up a makeshift blind near a clearing where Dad insists the creature will pass. Hours drag by with little to see but the occasional bird or distant deer.
The sun rises higher in the sky, casting long, slender shadows through the dense canopy. I shift uncomfortably in my spot, the forest floor hard and unyielding beneath me. My eyes dart between the trees, hoping to catch a glimpse of something, anything, to break the monotony. Dad, on the other hand, remains steadfast, his gaze fixed on the treeline as if he can will the dogman into existence by sheer force of will.
A bird chirps nearby, startling me. I sigh and adjust my grip on the rifle. I glance over at Dad.
“Anything?” I ask, more out of boredom than genuine curiosity.
“Not yet,” he replies, his voice tight. “But it’s out there. I know it.”
I nod, even though I’m not sure I believe him. The forest seems too quiet, too still. Maybe we’re chasing ghosts.
As the sun begins its descent, the forest is bathed in a warm, golden light. The air cools, and a breeze rustles the leaves. I shiver, more from anticipation than the cold. The long hours of sitting and waiting are starting to wear on me.
“Let’s call it a day for now,” Dad says finally, his voice heavy with disappointment. “We’ll head back to the cabin, get some rest, and try again tomorrow.”
I stand and stretch, feeling the stiffness in my muscles. We pack up our gear in silence and start the trek back to the cabin. The walk is long and quiet, the only sounds are the crunch of leaves underfoot and the distant calls of birds settling in for the night.
—
Dinner is a quiet affair, both of us lost in our thoughts. I try to make small talk, asking Dad about his plans for tomorrow, but it feels forced. We clean up in silence.
After dinner, I retreat to the small bedroom. The fatigue from the day's hike has settled into my bones, but sleep still feels like a distant hope. I lie down, staring at the ceiling, the room cloaked in darkness save for the sliver of moonlight creeping through the window. Downstairs, I hear the faint sound of Dad moving around, likely unable to sleep himself.
I drift into sleep, but it's not restful. My dreams pull me back to that fateful day in the woods. Leah's voice is clear and vibrant, her laughter echoing through the trees. She looks just as she did then—bright-eyed and full of life, her blonde hair catching the sunlight as she runs ahead of me.
"Come on, Ry! You can't catch me!" she taunts, her voice playful and teasing.
I chase after her, but the scene shifts abruptly. The sky darkens, the woods around us growing dense and foreboding. Leah's laughter fades, replaced by a chilling silence. I see her ahead, standing still, her back to me.
"Leah?" I call out, my voice trembling. She turns slowly, her eyes wide and filled with fear. "Ryan, you have to remember," she says, her voice barely a whisper. "It wasn't what you think. You need to know the truth."
Leah’s words hang in the air, cryptic and unsettling. Before I can respond, she turns and starts running again, her figure becoming a blur among the trees. Panic rises in my chest as I sprint after her, my feet pounding against the forest floor.
“Leah, wait!” I shout, desperation lacing my voice. The forest around me seems to close in, the trees towering and twisted, shadows dancing menacingly in the dim light. I push forward, trying to keep her in sight, but she’s too fast, slipping away like a wisp of smoke.
Suddenly, there’s a rustle, a flash of movement in the corner of my vision. Leah screams, a sound that pierces through the heavy silence. It happens too quickly—I can’t see what it is, only a dark blur that snatches her up.
“Leah!” I scream, my voice breaking. I stumble, falling to my knees as the forest spins around me. My heart races, and the terror is so real, so visceral, that it pulls me back to that awful day, the one that changed everything.
I jolt awake, my breath coming in ragged gasps.
I sit up, wiping the cold sweat from my forehead as I try to steady my breathing. The room is still dark, the shadows cast by the moonlight seem to flicker and dance on the walls. My heart is still racing from the nightmare, the echo of Leah's scream lingering in my ears.
As I struggle to calm down, the floorboards outside my room creak. The door opens slowly, and I see the silhouette of my dad in the doorway, a Bowie knife in his hand, his posture tense.
“Dad, what the hell are you doing?” I whisper, my voice shaking.
“Shh,” he hisses, holding up a hand to silence me. “I heard something. Something moving around in the cabin. Stay quiet.”
I swallow hard, my mouth dry. I glance at the clock on the nightstand—it’s just past three in the morning. The cabin is silent, the kind of deep, oppressive silence that makes every small sound seem louder. I can’t hear anything out of the ordinary, but Dad’s expression is deadly serious.
He motions for me to get up, and I do, moving as quietly as I can. My heart is racing, a mix of lingering fear from the dream and the sudden, sharp anxiety of the present moment. Dad leads the way, stepping cautiously out of the bedroom and into the hallway, the knife held ready in front of him.
We move through the cabin, checking each room in turn. The living room is empty, the furniture casting long shadows in the dim moonlight. The kitchen is just as we left it, the plates from dinner still drying on the counter. Everything seems normal, untouched.
We finish our sweep of the cabin without finding anything amiss. The silence is heavy, punctuated only by our soft footfalls. I can see the tension in Dad’s frame, his grip on the knife unwavering. After checking the last room, we pause in the dimly lit hallway, the air thick with unspoken questions.
“There’s nothing here,” I say, my voice low. “Are you sure you heard something?”
He looks at me, his eyes searching for something in my face. “I heard growling. Deep and close. It was right outside the window.”
“Maybe it was just an animal outside, a raccoon or something?” I suggest, although the certainty in his voice makes me doubt my own reassurance.
“No, it wasn’t like that. It was different,” he insists, his voice tense.
I nod, not wanting to argue, but the seeds of worry are planted deep.
The look in his eyes sends a chill down my spine. It’s not just fear—it’s desperation. The kind of desperation that comes from years of chasing shadows and finding nothing. I can see the toll this hunt has taken on him, the way it’s worn him down, turned him into a man I barely recognize.
We head back to our rooms. As I lie down, my mind races with thoughts of my dad. I can’t help but wonder if he’s losing it, if the years of grief and guilt have finally pushed him over the edge.
Dad wasn’t always like this. Before Leah’s death, he was the kind of father who took us fishing, helped with homework, and told terrible jokes that made us groan and laugh at the same time. He was solid, dependable. But losing Leah changed him. The guilt twisted him into someone I barely recognize, someone driven by a need for answers, for closure, that may never come.
I try to sleep, but my thoughts keep me awake. I can hear Dad moving around downstairs, probably pacing or double-checking the locks. His paranoia has become a constant presence, and I don’t know how to help him. I don’t even know if I can help him.
—
The next morning, the sunlight filters weakly through the cabin windows, casting a pale light that does little to lift the heavy mood. I drag myself out of bed, feeling the exhaustion of another restless night. Dad is already up, hunched over his maps at the kitchen table, his eyes bloodshot from lack of sleep.
“Morning,” I mumble, rubbing the sleep from my eyes as I pour myself a cup of coffee. “Did you sleep at all?”
He shakes his head, not looking up from his notes. “Not much. I couldn’t stop thinking about what I heard last night.”
I sip my coffee, trying to shake off the remnants of my nightmare. “Maybe it was just an animal, Dad. We’re deep in the woods, after all.”
He finally looks up, his eyes intense. “Ryan, I know what I heard. It wasn’t just an animal. It was something else.”
I sigh, not wanting to argue. “Okay, fine, Dad. What’s the plan for today?”
“We’re going back out. I found some tracks yesterday, and I want to follow them. See where they lead.”
I nod, feeling a mix of apprehension and resignation. I can see how much this means to him, how desperate he is for any kind of lead. “Alright. Let’s get packed and head out.”
We spend the morning preparing, loading up our gear and double-checking our supplies. Dad is meticulous, going over everything with a fine-toothed comb. I try to match his focus, but my mind keeps drifting back to Leah and the dream I had. Her words echo in my head, cryptic and unsettling: “You need to know the truth.”
We set off into the woods, the air crisp and cool. The forest is alive with the sounds of birds and rustling leaves, but it all feels distant, like background noise to the tension between us. Dad leads the way, his eyes scanning the ground for any sign of the tracks he found yesterday.
As we walk, I can’t help but notice how erratically he’s acting. He mutters to himself, his eyes darting around as if expecting something to jump out at us. His grip on his rifle is tight, his knuckles white.
“Dad, are you okay?” I ask, trying to keep my voice steady.
He glances at me, his expression unreadable. “I’m fine. Just focused.”
He stops frequently to examine the ground or the bark of trees, pointing out marks and signs that seem meaningless to me.
“Look at this,” he says, crouching down to examine a broken branch. “See how it’s snapped? That’s not a deer or a bear. That’s something bigger. Stronger.”
I crouch next to Dad, squinting at the broken branch. To me, it just looks like a regular broken branch, the kind you see all over the forest. "I don't know, Dad. It just looks like a branch to me," I say, trying to keep my voice neutral.
Dad's eyes flicker with frustration. "You're not looking close enough. It's the way it's snapped—too clean, too deliberate. Something did this."
I nod, not wanting to argue. "Okay, sure. But even if you're right, it could be anything. A storm, another hunter..."
His expression hardens. "I know what I'm looking for. This is different."
I sigh, feeling the weight of the past and the tension between us pressing down on me. "Dad, I had a dream last night. About Leah." The words hang in the air between us, heavy and fraught with unspoken emotions.
Dad's eyes widen, and he straightens up, his entire demeanor shifting. "What kind of dream? What did you see?" His voice is urgent, almost desperate.
"It was... strange. We were in the woods, like we are now, but everything felt different. Leah was there, running ahead of me, laughing. Then she stopped and told me I needed to know the truth, that it wasn't what I thought."
Dad grabs my shoulders, his grip tight. "What else did she say? Did she tell you anything specific? Anything about the creature?"
I shake my head, feeling a chill run down my spine. "No, that was it. She just said I needed to know the truth, and then she was gone."
Dad’s grip on my shoulders tightens, and his eyes bore into mine with a mixture of desperation and hope. “Ryan, you have to try to remember. Think hard. What did the creature look like? Did you see anything else?”
I pull back slightly, uneasy with his intensity. “Dad, I told you. I don’t remember. It was just a dream. A nightmare, really. My mind’s probably just mixing things up.”
He lets go of me and runs a hand through his hair, looking frustrated and lost. “Dreams can be important. They can hold memories we’ve buried deep. Please, try to remember. This could be a sign, a clue.”
I rub my temples, feeling the beginnings of a headache. “I’ve tried, okay? I’ve tried for years to piece together what happened that day. But it’s all just fragments, like pieces of a puzzle that don’t fit. The dream… it felt real, but I don’t think it’s telling me anything new.”
Dad’s face falls, and he looks older than I’ve ever seen him. He turns away, staring into the forest as if it holds all the answers.
—
As we make our way back to the cabin, the sun begins to set, casting long shadows through the trees. The air grows colder, and I shiver, pulling my jacket tighter around me. Dad is silent, lost in his thoughts, his face drawn and haggard.
Back at the cabin, we unload our gear once again in silence. Dad disappears into his room, muttering something about going over his notes. I decide to explore the cabin, hoping to find something that might help me understand what’s going on with him.
In the attic, I find a box of old family photos and documents. As I sift through the contents, I come across a worn journal with Dad’s handwriting on the cover. Curiosity gets the better of me, and I open it, flipping through the pages.
The journal is filled with notes and sketches, detailing his obsession with the dogman. But there’s something else—entries that talk about Leah, about that day in the woods. His handwriting becomes more erratic, the words harder to read. One entry stands out, dated just a few days after Leah’s death:
“June 15, 2013 – It was supposed to be a normal trip. Keep them close, Frank, I kept telling myself. But I failed. Leah is gone, and it’s my fault. I heard her scream, saw the shadows. I tried to get to her, but… the thing, it was there. Too fast. Too strong. My hands… blood everywhere. No one will believe me. I can’t even believe myself. I have to find it. I have to protect Ryan. I have to make it right. God, what have I done?”
Before I can read further, the attic door creaks open, and Dad’s voice slices through the stillness.
“What are you doing up here?” His tone is sharp, almost panicked.
I turn to see him standing in the doorway, his face pale and his eyes wide with something between anger and fear. I clutch the journal to my chest, my mind racing. “I found this… I was just trying to understand…”
In an instant, he crosses the room and snatches the journal from my hands. His grip is tight, his knuckles white. “You had no right,” he growls, his voice trembling.
“Dad, I just wanted to know the truth!” I shout, frustration boiling over. “What really happened to Leah.”
His eyes flash with a mix of rage and anguish, and before I can react, he slaps me across the face. The force of it knocks me off balance, and I stumble backward, my cheek stinging.
For a moment, there’s a stunned silence. We both stand there, breathing hard, the air thick with tension.
“I’m sorry,” Dad says finally, his voice barely a whisper. “I didn’t mean to… I just…” He trails off, clutching the journal to his chest like a lifeline.
I touch my cheek, feeling the heat from the slap, and take a deep breath, trying to steady myself. “Dad, what aren’t you telling me? What really happened that day?”
“Stay out of it, Ryan,” Dad growls, his eyes dark with anger. “You don’t know what you’re messing with.”
He turns and storms out of the attic. I’m left standing there, my cheek throbbing, my mind racing. What the fuck is going on? What really happened to Leah? And what is Dad so afraid of?
—
That night, I sleep with my rifle within arm's reach, more afraid of my dad than any dogman. The slap still burns on my cheek, and the look in his eyes—rage, fear, something darker—haunts me. I lie awake, listening to the creaks and groans of the old cabin, every sound amplified in the stillness. Eventually, exhaustion pulls me under, and I fall into a restless sleep.
The dream returns, vivid and unsettling. I'm back in the woods, chasing after Leah. Her laughter echoes through the trees, a haunting reminder of happier times. This time, though, I push myself harder, refusing to let her slip away.
"Ryan, catch me!" she calls, her voice playful.
"I'm coming, Leah!" I shout, my legs pumping, my breath coming in ragged gasps.
The forest around us is a twisted, shadowy maze, the trees seeming to close in on us. Leah's figure becomes clearer, her blonde hair catching the dim light filtering through the canopy. She stops suddenly, turning to face me, her eyes wide with fear.
"Leah, what is it?" I ask, my voice trembling.
"Look behind you," she whispers, her voice barely audible.
I turn slowly, dread creeping up my spine. In the shadows, I see a figure, its form indistinct and shifting. It’s not quite animal, not quite human—something in between. The sight of it sends a jolt of terror through me, and I wake up with a start, my breath coming in ragged gasps.
I’m not in my bed. The ground beneath me is cold and hard, the smell of damp earth filling my nostrils. Panic rises as I realize I’ve sleepwalked into the woods. I scramble to my feet, my eyes adjusting to the dim light. The moon casts a pale glow over the surroundings, revealing what looks like a long-abandoned animal lair.
The walls are covered in giant claw marks, deep gouges in the wood and earth. The air is heavy with the scent of decay, and a chill runs through me. I can’t shake the feeling that I’m being watched.
Carefully, I start to move, my eyes scanning the ground, desperate for a familiar landmark. That's when I see them—faded scraps of fabric caught on the jagged edges of the underbrush. My steps falter, a sense of dread washing over me as I bend down to examine them. The fabric is torn, weathered by time and the elements, but unmistakably familiar. It's part of Leah's jacket—the bright pink one she wore on the day she disappeared.
As I strain to make sense of it all, a rustling sound behind me snaps my focus. My heart leaps into my throat. I spin around, my hand instinctively reaching for the rifle I don't have—because, of course, I didn't bring it in my unconscious state.
The shadowy figure that emerges from the trees is unsettlingly familiar, mirroring the menacing forms of my nightmares. But as it steps into the moonlight, I recognize the worn jacket, the weary posture. It's Dad.
"Ryan!" he calls out, his voice a mix of relief and stern concern. "I've been looking everywhere for you. What the hell are you doing out here?"
I exhale slowly, the terror ebbing away as reality sets back in. "I—I don't know, Dad. I must've sleepwalked again." My voice is shaky, my earlier dream still clinging to the edges of my consciousness.
Dad stares at me in disbelief. "You haven't sleepwalked since you were a kid, Ry. This... this isn't just a coincidence." His eyes dart around, taking in the surroundings—the eerie, claw-marked den, the unsettling quiet of the woods. "How did you even find this place?"
I shake my head, struggling to find an answer. "I don't know, Dad. I just... I woke up here." The uncertainty in my voice does nothing to ease the tension.
His eyes lock onto the tattered remains of Leah's jacket in my hands, and something inside him snaps. The color drains from his face as he stumbles a few steps backward. "This... this is where it happened," he murmurs, his voice barely a whisper. “This is where we found Leah."
“I thought you said you don’t remember anything from that night,” he says accusingly.
"I swear, Dad, I don't know anything about this place," I insist, my own heart pounding.
“It was you, wasn’t it? You’ve been hiding this from me.” His voice is frantic. “You... last night, the growling, it was you.” His voice rises, tinged with hysteria.
I step back, my pulse racing, feeling the chill of the night and the weight of his accusation. "Dad, I don't know what you're talking ab—”
"No!" he interrupts, his voice breaking as he points a trembling finger at me. "You knew, you always knew. It was you, Ryan. All these years, the evidence was right there, but I refused to see it. You were the dogman. You killed Leah!"
His words hit me like a physical blow, absurd and horrifying in their implications. "Dad, you're not making any sense. You're talking crazy! I was just a little kid! How could I–" I protest, my voice shaky.
He steps closer, his presence looming over me, the outline of his figure distorted by the shadows of the trees. "Think about it! It all makes sense now. You led us here, to this place, because you remember. Because you did it."
"Dad, stop it!" I shout, my heart pounding in my chest. "You're scaring me. You need help, professional help. This isn't you."
But he's beyond reason, his eyes wild with a haunted grief. "I have to end this," he mutters, more to himself than to me, his hand tightening around his rifle.
His finger hovers dangerously over the trigger of his rifle. My instincts kick in, and I know I have to act fast.
I lunge toward him, trying to knock the weapon away, but he's quicker than I expected. We struggle, our breaths heavy in the cold night air, the sounds of our scuffle the only noise in the otherwise silent woods. His strength surprises me, fueled by his frantic emotions. He shoves me back, and I stumble over a root, my balance lost for a crucial second. That's all he needs. He raises his rifle, his intentions clear in his wild, pained eyes.
I dive to the ground just as the shot rings out, a deafening blast that echoes ominously through the trees. The bullet whizzes past, narrowly missing me, embedding itself in the bark of an old pine. I scramble to my feet, my heart pounding in my ears, and I start running. The underbrush claws at my clothes and skin, but I push through, driven by a primal urge to survive.
"Dad, stop! It's me, Ryan!" I shout back as I dodge between the trees. Another shot breaks the silence, closer this time, sending splinters of wood flying from a nearby tree trunk. It's surreal, being hunted by my own father, a man tormented by grief and lost in his delusions.
I don't stop to look back. I can hear him crashing through the forest behind me, his heavy breaths and muttered curses carried on the wind. The terrain is rough, and I'm fueled by adrenaline, but exhaustion is setting in. I need a plan.
Ahead, I see a rocky outcrop and make a split-second decision to head for it. It offers a chance to hide, to catch my breath and maybe reason with him if he catches up. As I reach the rocks, I slip behind the largest one, my body pressed tight against the cold, damp surface. I hear his footsteps approaching, slow and cautious now.
As I press against the rock, trying to calm my racing heart, I can hear Dad's footsteps drawing closer, each step crunching ominously on the forest floor. He's methodical, deliberate, like a hunter stalking his prey.
“Come out, Ryan!” Dad’s voice is ragged, filled with a blend of fury and pain.
My heart pounds against my chest, the cold sweat on my back making me shiver against the rough surface of the rock. I know I can't just sit here; it's only a matter of time before he finds me.
Taking a deep breath, I peek around the edge of the rock, trying to gauge his position. I see him, rifle raised, scanning the area slowly. This might be my only chance to end this madness without further violence. I need to disarm him, to talk some sense into him if I can.
As quietly as I can, I move out from behind the rock, my steps careful to avoid any twigs or leaves that might betray my position. I'm almost upon him when a branch snaps under my foot—a sound so trivial yet so alarmingly loud in the quiet of the woods.
Dad whirls around, looking completely unhinged. "Ryan!" he exclaims, his rifle swinging in my direction. Panic overtakes me, and I lunge forward, my hands reaching for the gun.
We struggle, the rifle between us, our breaths heavy and erratic. "Dad, please, stop!" I plead, trying to wrestle the gun away. But he's strong, stronger than I expected.
In the chaos, the rifle goes off. The sound is deafening, a sharp echo that seems to reverberate off every tree around us. Pain explodes in my abdomen, sharp and burning, like nothing I've ever felt before. I stagger back, my hands instinctively going to the wound. The warmth of my own blood coats my fingers, stark and terrifying.
Dad drops the rifle, his eyes wide with horror. "Oh my God! What have I done?" he gasps, rushing to my side as I collapse onto the forest floor.
As the pain sears through me, a strange, overpowering energy surges within. It's wild, primal, unlike anything I've ever experienced. Looking down in horror, my hands are no longer hands but large, hairy, clawed appendages. The transformation is rapid, consuming—my vision blurs, senses heighten, and a raw, guttural growl builds in my throat.
In that moment, a flood of understanding washes over me, mingling with the horror of realization. These are the hands of the creature from my nightmares, the creature whose face I can never fully recall because, as I now understand, it is me.
What happens next feels detached, as if I'm no longer in control of my own actions, watching from a distance as my body moves on its own. I turn towards my dad, his face a mask of terror. He stumbles back, his eyes wide with the dawning realization of what his son has become.
The forest around us seems to fall silent, holding its breath as the nightmarish scene unfolds. I can hear my own growls, guttural and deep, filling the air with a sound that's both foreign and intimately familiar. The pain in my abdomen fuels a dark, violent urge, an urge that's too strong to resist.
With a ferocity that feels both alien and intrinsic, I move towards him. My dad, paralyzed by fear and shock, doesn't run. Maybe he can't. Maybe he doesn't want to.
The encounter is brutal and swift, a blur of motion and violence. My dad barely puts up a struggle, as though resigned to his fate.
Not that there is anything he can do. The creature that I’ve become is too powerful, too consumed by the wild instincts surging through me. I tear him apart, limb from bloody limb, my hands—no, my claws—rending through fabric and flesh with disgusting ease.
The sound of my dad’s screams, of tearing fabric and flesh is drowned out by the animalistic growls that echo through the trees.
When it’s all over, the red mist that had clouded my vision begins to fade, and the fierce, uncontrollable rage that drove my actions subsides. I'm left standing, my breaths heavy and erratic, in the eerie stillness of the forest. The transformation reverses as quickly as it came on, and I find myself back in my human form. My clothes are ripped to shreds, hanging off my frame in tattered remnants. At my feet lies what’s left of my dad, his body torn and unrecognizable.
I glance down at my abdomen, expecting agony, but instead find my wound miraculously healed. No sign of the gunshot remains, just a faint scar where I expected a bloody mess.
Shock sets in, a numbing disbelief mixed with a gut-wrenching realization of what I've become and what I've done. My hands, now human again, tremble as I look at them, half-expecting to see the claws that had so effortlessly ripped through flesh and bone. But there's only blood, my father's blood against my skin.
I stand there for what feels like an eternity, trapped in a nightmare of my own making.
Eventually, the shock wears thin, and a cold practicality takes hold. I need to get out of here. I need to cover my tracks, to disappear. Because who would believe this? Who would understand that I didn't choose this, that I'm not a monster by choice?
With trembling hands, I do what’s necessary. I bury my dad in a shallow grave, the physical act of digging strangely grounding. I cover him with leaves and branches, a pitiful attempt to hide the brutality of his end. I take a moment, whispering apologies into the wind, knowing full well that nothing I say can change what happened.
I leave the forest behind, my mind a whirl of dark thoughts. As I walk, the first hints of dawn brush against the horizon, the sky bleeding a soft pink. It’s hauntingly beautiful.
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2024.05.19 20:02 PageTurner627 My Dad and I Hunted Down the Dogman that Killed My Sister

I’ve always hated the smell of gun oil. It clings to everything it touches, soaking deep into the fibers of my clothes, the lining of my backpack, the coarse hair on the back of my hands. Yet here I am, kneeling on the cracked linoleum of our mudroom, a Remington .308 laid across my thighs, and the stench of gun oil sharp in my nostrils. The early morning light barely scratches at the edges of the blinds, dim and gray like the belly of a dead fish.
My dad Frank is in the kitchen, clattering around with the coffeepot and mumbling under his breath. Today we’re heading up to the woods of Northern Michigan, same as we did every year before Leah… before we lost her.
I can’t help but feel the old scars throbbing as I load bullets into the magazine. It’s been ten years since that hunting trip, the one that tore my family into before and after. Before, when Leah's laughter was a constant soundtrack to our lives; after, when every silence was filled with her absence.
We were just kids back then. I was ten, Leah was eight. It was supposed to be a typical hunting trip, one of those bonding experiences Dad was always talking about. But things went wrong. We got separated from Dad somehow. One minute we were following him, the next we were lost, the dense woods closing in around us.
Dad says when he found me, I was huddled under a fallen tree, my eyes wide, my body frozen. All I could mutter through chattering teeth was "Dogman."
It was only later, after the search parties had combed through every thicket and hollow, that they found her. What remained of Leah was barely recognizable, the evidence of a brutal mauling undeniable. The authorities concluded it was likely a bear attack, but Dad... he never accepted that explanation. He had seen the tracks, too large and oddly shaped for any bear.
As I load another round, the memory flashes, unbidden and unwelcome. Large, hairy clawed hands reaching out towards us, impossibly big, grotesque in their form. Yet, the rest of the creature eludes me, a shadow just beyond the edge of my recall, leaving me with nothing but fragmented terrors and Leah’s haunting, echoing screams. My mind blocked most of it out, a self-defense mechanism, I guess.
For years after that day, sleep was a battleground. I'd wake up in strange places—kitchen floor, backyard, even at the edge of the nearby creek. My therapist said it was my mind's way of trying to resolve the unresolved, to wander back through the woods searching for Leah. But all I found in those sleepless nights was a deeper sense of loss.
It took time, a lot of therapy, and patience I didn't know I had, but the sleepwalking did eventually stop. I guess I started to find some semblance of peace.
I have mostly moved on with my life. The fragmentary memories of that day are still there, lurking in the corners of my mind, but they don’t dominate my thoughts like they used to. I just finished my sophomore year at Michigan State, majoring in Environmental Science.
As for Dad, the loss of Leah broke him. He became a shell of himself. It destroyed his marriage with Mom. He blamed himself for letting us out of his sight, for not protecting Leah. His life took on a single, consuming focus: finding the creature that killed her. He read every book, every article on cryptids and unexplained phenomena. He mapped sightings, connected dots across blurry photos and shaky testimonies of the Dogman.
But as the tenth anniversary of Leah’s death approaches, Dad's obsession has grown more intense. He’s started staying up late, poring over his maps and notes, muttering to himself about patterns and cycles. He’s convinced that the dogman reappears every ten years, and this is our window of opportunity to finally hunt it down.
I’m not nearly as convinced. The whole dogman thing seems like a coping mechanism, a way for Dad to channel his guilt and grief into something tangible, something he can fight against. But I decided to tag along on this trip, partly to keep an eye on him, partly because a small part of me hopes that maybe, just maybe, we’ll find some kind of closure out there in the woods.
I finish loading the rifle and set it aside, standing up to stretch my legs. I wipe my greasy hands on an old rag, trying to get rid of the smell. The early morning light is starting to seep into the room, casting long shadows across the floor.
Dad comes out of the kitchen with two thermoses of coffee in hand. His eyes are bleary and tired.
“You ready, Ryan?” he asks, handing me a thermos, his voice rough from too many sleepless nights.
“Yeah, I’m ready,” I reply, trying to sound more confident than I felt.
We load our gear into the truck, the weight of our supplies and weapons a physical reminder of the burden we carry. The drive from Lansing across the Lower Peninsula is long and quiet, the silence between us filled with unspoken memories and unresolved grief.
—
The drive north is a blur of highway lines and the dull hum of the engine. I drift off, the landscape outside blending into a haze. In my sleep, fragments of that day with Leah replay like scattered pieces of a puzzle. I see her smile, the way she tugged at my sleeve, eager to explore. The sunlight filters through the trees in sharp, jagged streaks.
Then, the memory shifts—darker, disjointed. Leah's voice echoes, a playful laugh turning into a scream that pierces the air. The crunch of leaves underfoot as something heavy moves through the underbrush. I see a shadow, large and looming, not quite fitting the shapes of any creature I know.
Then, something darker creeps into the dream, something I’ve never allowed myself to remember clearly.
Before I can see what it is I wake up with a start as the truck jerks slightly on a rough patch of road. Dad glances over. "Bad dream?" he asks. I nod, rubbing the sleep from my eyes, the remnants of the dream clinging to me like the cold.
"Yeah, just... thinking about Leah," I manage to say.
As we drive, Dad attempts to bridge the silence with small talk. He asks about my finals, my plans for the summer, anything to keep the conversation going. His voice carries a forced cheerfulness, but it’s clear his heart isn’t in it. I respond when necessary, my answers brief, my gaze fixed on the passing scenery.
The landscape changes as we head further north, from flat expanses to rolling hills dotted with dense patches of forest. It's beautiful country, the kind that reminds you how vast and wild Michigan can be, but today it just feels oppressive, like it’s closing in on us.
—
We finally arrive at the cabin, nestled deep in the woods, its weathered wood blending seamlessly with the surrounding trees. The place hasn't changed much since the last time I was here—a relic from another time, filled with the echoes of our past. I can still see Leah running around the porch, her laughter ringing out into the forest.
Dad parks the truck, and we step out into the crisp air. The smell of pine and damp earth fills my nostrils. We start unloading our gear, the tension between us palpable.
“Let’s get this inside,” Dad says, his voice gruff as he hefts a duffel bag onto his shoulder.
I nod, grabbing my own bag and following him to the cabin. Inside, it’s a mix of old and new—the same rustic furniture, but with new hunting gear and maps strewn across the table. Dad’s obsession is evident in every corner of the room, a constant reminder of why we’re here.
As we unpack, we exchange strained attempts at normalcy. He talks about the latest cryptid sightings he’s read about, his eyes lighting up with a fervor that both worries and saddens me.
“Did you hear about the sighting up near Alpena?” he asks, laying out his maps on the table.
“Yeah, you mentioned it,” I reply, trying to muster some enthusiasm. “Do you really think there’s something to it?”
Dad’s eyes meet mine, and for a moment, I see a flicker of doubt. But it’s quickly replaced by grim determination. “I have to believe it, Ryan. It’s the only thing that makes sense.”
We finish unpacking, the silence between us growing heavier with each passing minute. I step outside to clear my head, the cool air a welcome relief. The sun is starting to set, casting long shadows across the clearing. I can’t shake the feeling of unease.
"You can take the upstairs room," Dad mutters. His voice is strained, trying to sound normal, but it's clear the weight of the past is heavy on him. I nod, hauling my backpack up the creaking stairs to the small bedroom that I used to share with Leah. The room feels smaller now, or maybe I've just grown too much since those innocent days.
I unpack silently, setting my things aside. The bed is stiff and cold under my touch. As I settle in, I can't help but glance at the corner where Leah and I would huddle together, whispering secrets and making plans for adventures that would never happen. I push the thoughts away, focusing on the practicalities of unpacking.
After settling in, I go back downstairs to find Dad loading up a backpack with supplies for our hunt. The intensity in his eyes is palpable, his hands moving with practiced precision. I know this routine; it's one he's perfected over countless solo trips since that fateful day.
"We'll head out early," he says, not looking up from his task. "Gotta make the most of the daylight."
I nod, though unease curls in my stomach. I'm not just worried about what we might find—or not find—out there. I'm worried about him. Each year, the obsession seems to carve him out a bit more, leaving less of the Dad I knew.
—
The morning air is sharp with the scent of pine and wet earth as Dad and I head into the deeper parts of the forest. The terrain is rugged, familiar in its untamed beauty, but there’s a tension between us that makes the landscape feel alien. Dad moves with a purposeful stride, his eyes scanning the woods around us. Every snap of a twig, every rustle in the underbrush seems to draw his attention. He’s on edge, and it puts me on edge too.
As we walk, my mind drifts back to that day ten years ago. I can almost hear Leah’s voice echoing through the trees, her high-pitched call as she darted ahead, "Catch me, Ryan!" I remember how the sunlight filtered through the leaves, casting dancing shadows on the ground. Those memories are so vivid, so tangible, it feels like I could just turn a corner and see her there, waiting for us.
Dad suddenly stops and kneels, examining the ground. He points out a set of tracks that are too large for a deer, with an unusual gait pattern. "It’s been here, Ry. I’m telling you, it’s close," he whispers, a mixture of excitement and something darker in his voice. I nod, though I’m not sure what to believe. Part of me wants to dismiss it all as grief-fueled obsession, but another part, the part that heard Leah's scream and saw something monstrous in the woods that day, isn’t so sure.
As we continue, Dad's comments become increasingly cryptic. "You know, they say the dogman moves in cycles, drawn to certain places, certain times. Like it’s tied to the land itself," he muses, more to himself than to me. His fixation on the creature has always been intense, but now it borders on mania.
We set up a makeshift blind near a clearing where Dad insists the creature will pass. Hours drag by with little to see but the occasional bird or distant deer.
The sun rises higher in the sky, casting long, slender shadows through the dense canopy. I shift uncomfortably in my spot, the forest floor hard and unyielding beneath me. My eyes dart between the trees, hoping to catch a glimpse of something, anything, to break the monotony. Dad, on the other hand, remains steadfast, his gaze fixed on the treeline as if he can will the dogman into existence by sheer force of will.
A bird chirps nearby, startling me. I sigh and adjust my grip on the rifle. I glance over at Dad.
“Anything?” I ask, more out of boredom than genuine curiosity.
“Not yet,” he replies, his voice tight. “But it’s out there. I know it.”
I nod, even though I’m not sure I believe him. The forest seems too quiet, too still. Maybe we’re chasing ghosts.
As the sun begins its descent, the forest is bathed in a warm, golden light. The air cools, and a breeze rustles the leaves. I shiver, more from anticipation than the cold. The long hours of sitting and waiting are starting to wear on me.
“Let’s call it a day for now,” Dad says finally, his voice heavy with disappointment. “We’ll head back to the cabin, get some rest, and try again tomorrow.”
I stand and stretch, feeling the stiffness in my muscles. We pack up our gear in silence and start the trek back to the cabin. The walk is long and quiet, the only sounds are the crunch of leaves underfoot and the distant calls of birds settling in for the night.
—
Dinner is a quiet affair, both of us lost in our thoughts. I try to make small talk, asking Dad about his plans for tomorrow, but it feels forced. We clean up in silence.
After dinner, I retreat to the small bedroom. The fatigue from the day's hike has settled into my bones, but sleep still feels like a distant hope. I lie down, staring at the ceiling, the room cloaked in darkness save for the sliver of moonlight creeping through the window. Downstairs, I hear the faint sound of Dad moving around, likely unable to sleep himself.
I drift into sleep, but it's not restful. My dreams pull me back to that fateful day in the woods. Leah's voice is clear and vibrant, her laughter echoing through the trees. She looks just as she did then—bright-eyed and full of life, her blonde hair catching the sunlight as she runs ahead of me.
"Come on, Ry! You can't catch me!" she taunts, her voice playful and teasing.
I chase after her, but the scene shifts abruptly. The sky darkens, the woods around us growing dense and foreboding. Leah's laughter fades, replaced by a chilling silence. I see her ahead, standing still, her back to me.
"Leah?" I call out, my voice trembling. She turns slowly, her eyes wide and filled with fear. "Ryan, you have to remember," she says, her voice barely a whisper. "It wasn't what you think. You need to know the truth."
Leah’s words hang in the air, cryptic and unsettling. Before I can respond, she turns and starts running again, her figure becoming a blur among the trees. Panic rises in my chest as I sprint after her, my feet pounding against the forest floor.
“Leah, wait!” I shout, desperation lacing my voice. The forest around me seems to close in, the trees towering and twisted, shadows dancing menacingly in the dim light. I push forward, trying to keep her in sight, but she’s too fast, slipping away like a wisp of smoke.
Suddenly, there’s a rustle, a flash of movement in the corner of my vision. Leah screams, a sound that pierces through the heavy silence. It happens too quickly—I can’t see what it is, only a dark blur that snatches her up.
“Leah!” I scream, my voice breaking. I stumble, falling to my knees as the forest spins around me. My heart races, and the terror is so real, so visceral, that it pulls me back to that awful day, the one that changed everything.
I jolt awake, my breath coming in ragged gasps.
I sit up, wiping the cold sweat from my forehead as I try to steady my breathing. The room is still dark, the shadows cast by the moonlight seem to flicker and dance on the walls. My heart is still racing from the nightmare, the echo of Leah's scream lingering in my ears.
As I struggle to calm down, the floorboards outside my room creak. The door opens slowly, and I see the silhouette of my dad in the doorway, a Bowie knife in his hand, his posture tense.
“Dad, what the hell are you doing?” I whisper, my voice shaking.
“Shh,” he hisses, holding up a hand to silence me. “I heard something. Something moving around in the cabin. Stay quiet.”
I swallow hard, my mouth dry. I glance at the clock on the nightstand—it’s just past three in the morning. The cabin is silent, the kind of deep, oppressive silence that makes every small sound seem louder. I can’t hear anything out of the ordinary, but Dad’s expression is deadly serious.
He motions for me to get up, and I do, moving as quietly as I can. My heart is racing, a mix of lingering fear from the dream and the sudden, sharp anxiety of the present moment. Dad leads the way, stepping cautiously out of the bedroom and into the hallway, the knife held ready in front of him.
We move through the cabin, checking each room in turn. The living room is empty, the furniture casting long shadows in the dim moonlight. The kitchen is just as we left it, the plates from dinner still drying on the counter. Everything seems normal, untouched.
We finish our sweep of the cabin without finding anything amiss. The silence is heavy, punctuated only by our soft footfalls. I can see the tension in Dad’s frame, his grip on the knife unwavering. After checking the last room, we pause in the dimly lit hallway, the air thick with unspoken questions.
“There’s nothing here,” I say, my voice low. “Are you sure you heard something?”
He looks at me, his eyes searching for something in my face. “I heard growling. Deep and close. It was right outside the window.”
“Maybe it was just an animal outside, a raccoon or something?” I suggest, although the certainty in his voice makes me doubt my own reassurance.
“No, it wasn’t like that. It was different,” he insists, his voice tense.
I nod, not wanting to argue, but the seeds of worry are planted deep.
The look in his eyes sends a chill down my spine. It’s not just fear—it’s desperation. The kind of desperation that comes from years of chasing shadows and finding nothing. I can see the toll this hunt has taken on him, the way it’s worn him down, turned him into a man I barely recognize.
We head back to our rooms. As I lie down, my mind races with thoughts of my dad. I can’t help but wonder if he’s losing it, if the years of grief and guilt have finally pushed him over the edge.
Dad wasn’t always like this. Before Leah’s death, he was the kind of father who took us fishing, helped with homework, and told terrible jokes that made us groan and laugh at the same time. He was solid, dependable. But losing Leah changed him. The guilt twisted him into someone I barely recognize, someone driven by a need for answers, for closure, that may never come.
I try to sleep, but my thoughts keep me awake. I can hear Dad moving around downstairs, probably pacing or double-checking the locks. His paranoia has become a constant presence, and I don’t know how to help him. I don’t even know if I can help him.
—
The next morning, the sunlight filters weakly through the cabin windows, casting a pale light that does little to lift the heavy mood. I drag myself out of bed, feeling the exhaustion of another restless night. Dad is already up, hunched over his maps at the kitchen table, his eyes bloodshot from lack of sleep.
“Morning,” I mumble, rubbing the sleep from my eyes as I pour myself a cup of coffee. “Did you sleep at all?”
He shakes his head, not looking up from his notes. “Not much. I couldn’t stop thinking about what I heard last night.”
I sip my coffee, trying to shake off the remnants of my nightmare. “Maybe it was just an animal, Dad. We’re deep in the woods, after all.”
He finally looks up, his eyes intense. “Ryan, I know what I heard. It wasn’t just an animal. It was something else.”
I sigh, not wanting to argue. “Okay, fine, Dad. What’s the plan for today?”
“We’re going back out. I found some tracks yesterday, and I want to follow them. See where they lead.”
I nod, feeling a mix of apprehension and resignation. I can see how much this means to him, how desperate he is for any kind of lead. “Alright. Let’s get packed and head out.”
We spend the morning preparing, loading up our gear and double-checking our supplies. Dad is meticulous, going over everything with a fine-toothed comb. I try to match his focus, but my mind keeps drifting back to Leah and the dream I had. Her words echo in my head, cryptic and unsettling: “You need to know the truth.”
We set off into the woods, the air crisp and cool. The forest is alive with the sounds of birds and rustling leaves, but it all feels distant, like background noise to the tension between us. Dad leads the way, his eyes scanning the ground for any sign of the tracks he found yesterday.
As we walk, I can’t help but notice how erratically he’s acting. He mutters to himself, his eyes darting around as if expecting something to jump out at us. His grip on his rifle is tight, his knuckles white.
“Dad, are you okay?” I ask, trying to keep my voice steady.
He glances at me, his expression unreadable. “I’m fine. Just focused.”
He stops frequently to examine the ground or the bark of trees, pointing out marks and signs that seem meaningless to me.
“Look at this,” he says, crouching down to examine a broken branch. “See how it’s snapped? That’s not a deer or a bear. That’s something bigger. Stronger.”
I crouch next to Dad, squinting at the broken branch. To me, it just looks like a regular broken branch, the kind you see all over the forest. "I don't know, Dad. It just looks like a branch to me," I say, trying to keep my voice neutral.
Dad's eyes flicker with frustration. "You're not looking close enough. It's the way it's snapped—too clean, too deliberate. Something did this."
I nod, not wanting to argue. "Okay, sure. But even if you're right, it could be anything. A storm, another hunter..."
His expression hardens. "I know what I'm looking for. This is different."
I sigh, feeling the weight of the past and the tension between us pressing down on me. "Dad, I had a dream last night. About Leah." The words hang in the air between us, heavy and fraught with unspoken emotions.
Dad's eyes widen, and he straightens up, his entire demeanor shifting. "What kind of dream? What did you see?" His voice is urgent, almost desperate.
"It was... strange. We were in the woods, like we are now, but everything felt different. Leah was there, running ahead of me, laughing. Then she stopped and told me I needed to know the truth, that it wasn't what I thought."
Dad grabs my shoulders, his grip tight. "What else did she say? Did she tell you anything specific? Anything about the creature?"
I shake my head, feeling a chill run down my spine. "No, that was it. She just said I needed to know the truth, and then she was gone."
Dad’s grip on my shoulders tightens, and his eyes bore into mine with a mixture of desperation and hope. “Ryan, you have to try to remember. Think hard. What did the creature look like? Did you see anything else?”
I pull back slightly, uneasy with his intensity. “Dad, I told you. I don’t remember. It was just a dream. A nightmare, really. My mind’s probably just mixing things up.”
He lets go of me and runs a hand through his hair, looking frustrated and lost. “Dreams can be important. They can hold memories we’ve buried deep. Please, try to remember. This could be a sign, a clue.”
I rub my temples, feeling the beginnings of a headache. “I’ve tried, okay? I’ve tried for years to piece together what happened that day. But it’s all just fragments, like pieces of a puzzle that don’t fit. The dream… it felt real, but I don’t think it’s telling me anything new.”
Dad’s face falls, and he looks older than I’ve ever seen him. He turns away, staring into the forest as if it holds all the answers.
—
As we make our way back to the cabin, the sun begins to set, casting long shadows through the trees. The air grows colder, and I shiver, pulling my jacket tighter around me. Dad is silent, lost in his thoughts, his face drawn and haggard.
Back at the cabin, we unload our gear once again in silence. Dad disappears into his room, muttering something about going over his notes. I decide to explore the cabin, hoping to find something that might help me understand what’s going on with him.
In the attic, I find a box of old family photos and documents. As I sift through the contents, I come across a worn journal with Dad’s handwriting on the cover. Curiosity gets the better of me, and I open it, flipping through the pages.
The journal is filled with notes and sketches, detailing his obsession with the dogman. But there’s something else—entries that talk about Leah, about that day in the woods. His handwriting becomes more erratic, the words harder to read. One entry stands out, dated just a few days after Leah’s death:
“June 15, 2013 – It was supposed to be a normal trip. Keep them close, Frank, I kept telling myself. But I failed. Leah is gone, and it’s my fault. I heard her scream, saw the shadows. I tried to get to her, but… the thing, it was there. Too fast. Too strong. My hands… blood everywhere. No one will believe me. I can’t even believe myself. I have to find it. I have to protect Ryan. I have to make it right. God, what have I done?”
Before I can read further, the attic door creaks open, and Dad’s voice slices through the stillness.
“What are you doing up here?” His tone is sharp, almost panicked.
I turn to see him standing in the doorway, his face pale and his eyes wide with something between anger and fear. I clutch the journal to my chest, my mind racing. “I found this… I was just trying to understand…”
In an instant, he crosses the room and snatches the journal from my hands. His grip is tight, his knuckles white. “You had no right,” he growls, his voice trembling.
“Dad, I just wanted to know the truth!” I shout, frustration boiling over. “What really happened to Leah.”
His eyes flash with a mix of rage and anguish, and before I can react, he slaps me across the face. The force of it knocks me off balance, and I stumble backward, my cheek stinging.
For a moment, there’s a stunned silence. We both stand there, breathing hard, the air thick with tension.
“I’m sorry,” Dad says finally, his voice barely a whisper. “I didn’t mean to… I just…” He trails off, clutching the journal to his chest like a lifeline.
I touch my cheek, feeling the heat from the slap, and take a deep breath, trying to steady myself. “Dad, what aren’t you telling me? What really happened that day?”
“Stay out of it, Ryan,” Dad growls, his eyes dark with anger. “You don’t know what you’re messing with.”
He turns and storms out of the attic. I’m left standing there, my cheek throbbing, my mind racing. What the fuck is going on? What really happened to Leah? And what is Dad so afraid of?
—
That night, I sleep with my rifle within arm's reach, more afraid of my dad than any dogman. The slap still burns on my cheek, and the look in his eyes—rage, fear, something darker—haunts me. I lie awake, listening to the creaks and groans of the old cabin, every sound amplified in the stillness. Eventually, exhaustion pulls me under, and I fall into a restless sleep.
The dream returns, vivid and unsettling. I'm back in the woods, chasing after Leah. Her laughter echoes through the trees, a haunting reminder of happier times. This time, though, I push myself harder, refusing to let her slip away.
"Ryan, catch me!" she calls, her voice playful.
"I'm coming, Leah!" I shout, my legs pumping, my breath coming in ragged gasps.
The forest around us is a twisted, shadowy maze, the trees seeming to close in on us. Leah's figure becomes clearer, her blonde hair catching the dim light filtering through the canopy. She stops suddenly, turning to face me, her eyes wide with fear.
"Leah, what is it?" I ask, my voice trembling.
"Look behind you," she whispers, her voice barely audible.
I turn slowly, dread creeping up my spine. In the shadows, I see a figure, its form indistinct and shifting. It’s not quite animal, not quite human—something in between. The sight of it sends a jolt of terror through me, and I wake up with a start, my breath coming in ragged gasps.
I’m not in my bed. The ground beneath me is cold and hard, the smell of damp earth filling my nostrils. Panic rises as I realize I’ve sleepwalked into the woods. I scramble to my feet, my eyes adjusting to the dim light. The moon casts a pale glow over the surroundings, revealing what looks like a long-abandoned animal lair.
The walls are covered in giant claw marks, deep gouges in the wood and earth. The air is heavy with the scent of decay, and a chill runs through me. I can’t shake the feeling that I’m being watched.
Carefully, I start to move, my eyes scanning the ground, desperate for a familiar landmark. That's when I see them—faded scraps of fabric caught on the jagged edges of the underbrush. My steps falter, a sense of dread washing over me as I bend down to examine them. The fabric is torn, weathered by time and the elements, but unmistakably familiar. It's part of Leah's jacket—the bright pink one she wore on the day she disappeared.
As I strain to make sense of it all, a rustling sound behind me snaps my focus. My heart leaps into my throat. I spin around, my hand instinctively reaching for the rifle I don't have—because, of course, I didn't bring it in my unconscious state.
The shadowy figure that emerges from the trees is unsettlingly familiar, mirroring the menacing forms of my nightmares. But as it steps into the moonlight, I recognize the worn jacket, the weary posture. It's Dad.
"Ryan!" he calls out, his voice a mix of relief and stern concern. "I've been looking everywhere for you. What the hell are you doing out here?"
I exhale slowly, the terror ebbing away as reality sets back in. "I—I don't know, Dad. I must've sleepwalked again." My voice is shaky, my earlier dream still clinging to the edges of my consciousness.
Dad stares at me in disbelief. "You haven't sleepwalked since you were a kid, Ry. This... this isn't just a coincidence." His eyes dart around, taking in the surroundings—the eerie, claw-marked den, the unsettling quiet of the woods. "How did you even find this place?"
I shake my head, struggling to find an answer. "I don't know, Dad. I just... I woke up here." The uncertainty in my voice does nothing to ease the tension.
His eyes lock onto the tattered remains of Leah's jacket in my hands, and something inside him snaps. The color drains from his face as he stumbles a few steps backward. "This... this is where it happened," he murmurs, his voice barely a whisper. “This is where we found Leah."
“I thought you said you don’t remember anything from that night,” he says accusingly.
"I swear, Dad, I don't know anything about this place," I insist, my own heart pounding.
“It was you, wasn’t it? You’ve been hiding this from me.” His voice is frantic. “You... last night, the growling, it was you.” His voice rises, tinged with hysteria.
I step back, my pulse racing, feeling the chill of the night and the weight of his accusation. "Dad, I don't know what you're talking ab—”
"No!" he interrupts, his voice breaking as he points a trembling finger at me. "You knew, you always knew. It was you, Ryan. All these years, the evidence was right there, but I refused to see it. You were the dogman. You killed Leah!"
His words hit me like a physical blow, absurd and horrifying in their implications. "Dad, you're not making any sense. You're talking crazy! I was just a little kid! How could I–" I protest, my voice shaky.
He steps closer, his presence looming over me, the outline of his figure distorted by the shadows of the trees. "Think about it! It all makes sense now. You led us here, to this place, because you remember. Because you did it."
"Dad, stop it!" I shout, my heart pounding in my chest. "You're scaring me. You need help, professional help. This isn't you."
But he's beyond reason, his eyes wild with a haunted grief. "I have to end this," he mutters, more to himself than to me, his hand tightening around his rifle.
His finger hovers dangerously over the trigger of his rifle. My instincts kick in, and I know I have to act fast.
I lunge toward him, trying to knock the weapon away, but he's quicker than I expected. We struggle, our breaths heavy in the cold night air, the sounds of our scuffle the only noise in the otherwise silent woods. His strength surprises me, fueled by his frantic emotions. He shoves me back, and I stumble over a root, my balance lost for a crucial second. That's all he needs. He raises his rifle, his intentions clear in his wild, pained eyes.
I dive to the ground just as the shot rings out, a deafening blast that echoes ominously through the trees. The bullet whizzes past, narrowly missing me, embedding itself in the bark of an old pine. I scramble to my feet, my heart pounding in my ears, and I start running. The underbrush claws at my clothes and skin, but I push through, driven by a primal urge to survive.
"Dad, stop! It's me, Ryan!" I shout back as I dodge between the trees. Another shot breaks the silence, closer this time, sending splinters of wood flying from a nearby tree trunk. It's surreal, being hunted by my own father, a man tormented by grief and lost in his delusions.
I don't stop to look back. I can hear him crashing through the forest behind me, his heavy breaths and muttered curses carried on the wind. The terrain is rough, and I'm fueled by adrenaline, but exhaustion is setting in. I need a plan.
Ahead, I see a rocky outcrop and make a split-second decision to head for it. It offers a chance to hide, to catch my breath and maybe reason with him if he catches up. As I reach the rocks, I slip behind the largest one, my body pressed tight against the cold, damp surface. I hear his footsteps approaching, slow and cautious now.
As I press against the rock, trying to calm my racing heart, I can hear Dad's footsteps drawing closer, each step crunching ominously on the forest floor. He's methodical, deliberate, like a hunter stalking his prey.
“Come out, Ryan!” Dad’s voice is ragged, filled with a blend of fury and pain.
My heart pounds against my chest, the cold sweat on my back making me shiver against the rough surface of the rock. I know I can't just sit here; it's only a matter of time before he finds me.
Taking a deep breath, I peek around the edge of the rock, trying to gauge his position. I see him, rifle raised, scanning the area slowly. This might be my only chance to end this madness without further violence. I need to disarm him, to talk some sense into him if I can.
As quietly as I can, I move out from behind the rock, my steps careful to avoid any twigs or leaves that might betray my position. I'm almost upon him when a branch snaps under my foot—a sound so trivial yet so alarmingly loud in the quiet of the woods.
Dad whirls around, looking completely unhinged. "Ryan!" he exclaims, his rifle swinging in my direction. Panic overtakes me, and I lunge forward, my hands reaching for the gun.
We struggle, the rifle between us, our breaths heavy and erratic. "Dad, please, stop!" I plead, trying to wrestle the gun away. But he's strong, stronger than I expected.
In the chaos, the rifle goes off. The sound is deafening, a sharp echo that seems to reverberate off every tree around us. Pain explodes in my abdomen, sharp and burning, like nothing I've ever felt before. I stagger back, my hands instinctively going to the wound. The warmth of my own blood coats my fingers, stark and terrifying.
Dad drops the rifle, his eyes wide with horror. "Oh my God! What have I done?" he gasps, rushing to my side as I collapse onto the forest floor.
As the pain sears through me, a strange, overpowering energy surges within. It's wild, primal, unlike anything I've ever experienced. Looking down in horror, my hands are no longer hands but large, hairy, clawed appendages. The transformation is rapid, consuming—my vision blurs, senses heighten, and a raw, guttural growl builds in my throat.
In that moment, a flood of understanding washes over me, mingling with the horror of realization. These are the hands of the creature from my nightmares, the creature whose face I can never fully recall because, as I now understand, it is me.
What happens next feels detached, as if I'm no longer in control of my own actions, watching from a distance as my body moves on its own. I turn towards my dad, his face a mask of terror. He stumbles back, his eyes wide with the dawning realization of what his son has become.
The forest around us seems to fall silent, holding its breath as the nightmarish scene unfolds. I can hear my own growls, guttural and deep, filling the air with a sound that's both foreign and intimately familiar. The pain in my abdomen fuels a dark, violent urge, an urge that's too strong to resist.
With a ferocity that feels both alien and intrinsic, I move towards him. My dad, paralyzed by fear and shock, doesn't run. Maybe he can't. Maybe he doesn't want to.
The encounter is brutal and swift, a blur of motion and violence. My dad barely puts up a struggle, as though resigned to his fate.
Not that there is anything he can do. The creature that I’ve become is too powerful, too consumed by the wild instincts surging through me. I tear him apart, limb from bloody limb, my hands—no, my claws—rending through fabric and flesh with disgusting ease.
The sound of my dad’s screams, of tearing fabric and flesh is drowned out by the animalistic growls that echo through the trees.
When it’s all over, the red mist that had clouded my vision begins to fade, and the fierce, uncontrollable rage that drove my actions subsides. I'm left standing, my breaths heavy and erratic, in the eerie stillness of the forest. The transformation reverses as quickly as it came on, and I find myself back in my human form. My clothes are ripped to shreds, hanging off my frame in tattered remnants. At my feet lies what’s left of my dad, his body torn and unrecognizable.
I glance down at my abdomen, expecting agony, but instead find my wound miraculously healed. No sign of the gunshot remains, just a faint scar where I expected a bloody mess.
Shock sets in, a numbing disbelief mixed with a gut-wrenching realization of what I've become and what I've done. My hands, now human again, tremble as I look at them, half-expecting to see the claws that had so effortlessly ripped through flesh and bone. But there's only blood, my father's blood against my skin.
I stand there for what feels like an eternity, trapped in a nightmare of my own making.
Eventually, the shock wears thin, and a cold practicality takes hold. I need to get out of here. I need to cover my tracks, to disappear. Because who would believe this? Who would understand that I didn't choose this, that I'm not a monster by choice?
With trembling hands, I do what’s necessary. I bury my dad in a shallow grave, the physical act of digging strangely grounding. I cover him with leaves and branches, a pitiful attempt to hide the brutality of his end. I take a moment, whispering apologies into the wind, knowing full well that nothing I say can change what happened.
I leave the forest behind, my mind a whirl of dark thoughts. As I walk, the first hints of dawn brush against the horizon, the sky bleeding a soft pink. It’s hauntingly beautiful.
submitted by PageTurner627 to scarystories [link] [comments]

2024.05.19 19:21 etiennec78 Automatic Gate blueprint : don't ever use your remote again !

Hello everyone ! 👋
After a year of diving into home automation, I’m happy to finally share my work with you all on my GitHub repo !
Here's the projects you will find to fully automate any gate :
I hope you will have the fun I had automating my own gate ! 🔧
And if you enjoyed my project, feel free to star my repo ! ⭐
submitted by etiennec78 to homeassistant [link] [comments]

2024.05.19 19:09 OnthLadysmith In help of finding an elusive map & video

Hello, I've been trying to find a map for over 5-6 years now. I saw it on a video talking about "haunted maps", and the that's where I found it. I even had the map open in my tabs all those years ago but to this day I cannot even find a trace of it, I browsed the maps to 1,000 yet no luck. It's this itch I have in the back of my mind about this map, I have no idea as to why I do.
The house in terms of width wasn't that large, but it was sort of tall. It had a clear blue sky and a tree, basically it looks like a regular map. From what I can remember, it had what I think was a fence around the house, It was only the house in the map no other buildings to my knowledge.
The video in question was showing some pieces of evidence about the map where they took a clip of a Yogscast video, where they were shooting each other or something, and someone with a Mercy playermodel came up near the closet, which opened and had a dark figure within. Nobody reacted to it and the person in the Mercy playermodel died by someone else.
No matter how hard I try to find the video of the Youtuber talking of the map or the Yogscast video in question lead me to dead ends. I would love some help in finding the map I know what it looks like. I just cannot remember the name of it nor can I find traces of its existence.
I had to copy and paste from the steam discussion forum, was waay too lazy to retype it. I've been going insane in search of this map, and video.
submitted by OnthLadysmith to Yogscast [link] [comments]

2024.05.19 18:47 ManusSinister The Erdtree shows the Veil that covers the Land of Shadows

The Erdtree shows the Veil that covers the Land of Shadows
Especially when travelling at night, the Erdtree shows these strong "rays of gold" - and while there was much speculation about what they might be pointing to, or what their significance in general might be, I would posit that they are not in fact a sign of something, but the sign of an absence - they are Marikas biggest Veil, hiding the entire Lands of Shadow.
If you ride around the edge of the giant Central Sea, the rays clearly go little further than the lands edge. They are not hitting any part of leyndell or the mountaintop, as far as I can see - their area of effect is like a giant lamp pointing at the central sea and hitting the land only at the edge in a few places like Liurnia.
We also know that the central sea ends in a very abrupt and inexplicable waterfall facing towards farum azula. This is obviously not a natural sea, the waterfall is too straight a line for this to be the result of a comet or other giant malady. Whatever was there was cut away with precision.
Furthermore, given what we know of the shadow lands, they were once part of the Lands Between but were cut off somehow. Given how much we can alter the lands between when we ascend to Lordship, based on which runes we implant into the Elden Ring, it seems feasible for this Erdtree to be able to hide a huge swathe of land once set in the center of the Lands Between.
If this theory is correct: 1) we could map the shape of the shadow lands by the edge of the rays. 2) it would explain how these shadow lands are in the "shadow of the erdtree", a tree made of literal light. If the light is a giant veil illusion that covers the shadow lands, then we see the light, they live under the veil in the shadow - of the Erdtree- quite literally.
Further thoughts: The tarnished archeologist posited, that the shadow lands are floating above, torn out of the middle of the Lands Between and now upside down above us. I think this theory is compatible - it has strengths like explaining the ruin pieces everywhere, but it has weaknesses such as farum azula likely being part of that originally and not being upside down. But it is possible that the shadow lands are floating above us AND hidden by the Veil of the Erdtree (which, the more I look at those rays and compare them to the mimic veil, the more convinced I am of that concept).
submitted by ManusSinister to Eldenring [link] [comments]

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