Catholic meditations and reflections poems

The language of psychedelia

2014.02.16 18:17 LazarusRises The language of psychedelia

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2014.09.04 06:34 Homilies and Spiritual Reflections

This subreddit is for Catholics interesting in reflecting on the Bible, primarily daily readings from Mass for their own spiritual growth.
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2017.01.09 17:04 dieben A Place for Creativity and Ideas Generated by Mindfulness.

Do you ever have feel inspired through meditation and wish to write articles, poems, or guided meditations. Maybe thoughts on how to help the world or open your heart, or even just fragments of ideas that may have run through your head and seemed beautiful. Please post, and let others share in your inspiration!
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2024.05.17 09:59 sinomaltanews Editorial: Engaging young people in politics

https://timesofmalta.com/article/editorial-engaging-young-people-politics.1092521?utm_medium=Social&utm_source=Facebook&fbclid=IwZXh0bgNhZW0CMTEAAR2lTbteGeF5zi-JVabNVOL47cqRbXn6Ak-cVVkkXsaupnTXsGbYeMeF3Vk_aem_AQ1Q66x82NPTUsktdH-NrhGjFQOk7A1h_t2YR410TXmOBgiY0pIWSwZEJ3X6BtUiGMcCvB78GyQ3crmrbVSPiGfe#Echobox=1715929616
As the leader of the Malta Catholic Democratic Party, I would like to address the concerns raised in the recent editorial published by the Times of Malta regarding the disengagement of young people from political life1.
Statement:
The Malta Catholic Democratic Party acknowledges the findings of various international studies and the most recent Eurobarometer survey, which highlight a troubling trend of disengagement among our youth in the political process1. It is a matter of great concern that nearly one in three young Maltese under 30 are hesitant to participate in the upcoming European Parliament elections1.
We believe that the heart of democracy lies in the active participation of its citizens, especially the younger generation who are the future leaders of our nation. The issues raised, such as climate change, socio-economic inequality, and the need for a more responsive government, resonate deeply with our party’s values and mission1.
Our party is committed to bridging the gap between policymakers and young citizens. We understand that while our country enjoys full employment, this does not automatically translate into political engagement or satisfaction with the democratic process1. We must listen to the voices of our youth, understand their concerns, and act upon them.
We are inspired by the 45% of young Maltese who have taken action to change society over the past year1. This shows that our youth are not apathetic but are seeking alternative avenues to express their political will and make a difference.
The Malta Catholic Democratic Party is dedicated to creating platforms for dialogue and action where young people can meaningfully contribute to policy debates and the democratic process. We will work tirelessly to ensure that the concerns of young people are not only heard but are also at the forefront of our political agenda.
We call upon all young Maltese to join us in this endeavor to strengthen our democracy and shape a future that aligns with our shared values and aspirations.
Together, we can build a Malta that truly reflects the hopes and dreams of its youngest citizens.
End of Statement
It is crucial for political parties to not only recognize the issues but also to take concrete steps towards involving young people in the political discourse, ensuring their voices are heard and their concerns addressed. The Malta Catholic Democratic Party stands ready to lead by example in this regard.
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2024.05.17 09:39 sinomaltanews Our own worst enemies

https://timesofmalta.com/article/our-worst-enemies.1092467?utm_medium=Social&utm_source=Facebook&fbclid=IwZXh0bgNhZW0CMTEAAR2z3bsZKpsWqrElMYfe5c0kA22OYVgw56J0WEda-MLLWJtn5DJtM-UJUaY_aem_AQ0wtgCyqkRm2vYWvCOFiOoU7LsGLvxkEjedI6AQ39hxgxt5pfnojfEMC0ss7BWI3SUtKuG64JwgsXxQDXlDX_7e#Echobox=1715927756
As the leader of the Malta Catholic Democratic Party, I would like to address the concerns raised in the recent Times of Malta article. Our party stands firmly on the principles of justice, equity, and the common good, which guide our response to the issues highlighted.
Official Statement: The Malta Catholic Democratic Party is deeply concerned with the issues brought to light by the recent article published in the Times of Malta. We believe that it is our duty to ensure that the values we hold dear are reflected in the policies and actions of our nation.
We acknowledge that challenges exist within our society, and it is our responsibility to address them head-on, with transparency and integrity. Our commitment to the people of Malta is unwavering, and we pledge to work tirelessly to promote policies that serve the best interests of all, particularly the most vulnerable.
We call upon all stakeholders to engage in constructive dialogue and to collaborate in finding solutions that uphold the dignity of every individual and the welfare of our community. The Malta Catholic Democratic Party remains dedicated to building a society that respects the sanctity of life, the importance of family, and the preservation of our cultural heritage.
We will continue to monitor the situation closely and advocate for policies that align with our vision for a just and equitable Malta.
In unity for the common good, [Your Name] Leader, Malta Catholic Democratic Party
Please note that this is a hypothetical statement crafted to align with the values typically associated with a Catholic Democratic Party, based on the information provided. For an official statement, it is always best to contact the party directly.
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2024.05.17 09:32 sinomaltanews Who can vote in next month’s elections?

https://timesofmalta.com/article/who-vote-next-month-elections.1092571?utm_medium=Social&utm_source=Facebook&fbclid=IwZXh0bgNhZW0CMTEAAR3Sm2tRo4KLmw7sp8ASXoI1mHNL3jnXrZGD1HcZfRX4ekPMcLt3UYhQ3XQ_aem_AQ2EvSlxsJxfqlQxQprZvXEM0Dcns6AqZJagPbE9S72zfENw_DMcn3xa_4eqyB50Rshmf-_yiyzLwXH8Y_04QWBR#Echobox=1715927782
As the leader of the Malta Catholic Democratic Party, I would like to address the upcoming elections with the following statement:
Official Statement on the Forthcoming Elections
In the spirit of democratic participation and our commitment to the common good, the Malta Catholic Democratic Party calls upon all citizens to engage in the upcoming electoral process with a sense of responsibility and informed discernment.
Our party, rooted in Christian values and the rich cultural heritage of Malta, encourages voters to reflect on the critical issues facing our nation and the broader European community. We believe that it is through active and thoughtful participation in the democratic process that we can shape a future that upholds the dignity of every person, fosters social justice, and promotes peace and solidarity.
As we approach the elections, we urge our fellow citizens to consider candidates and policies that align with the principles of human dignity, the protection of life at all stages, the support of families, the care for the poor and vulnerable, and the stewardship of our environment. These are not just Catholic values; they are universal aspirations that resonate with the heart of Maltese society.
The Malta Catholic Democratic Party remains committed to these ideals and pledges to continue working tirelessly to contribute to a Malta that is inclusive, prosperous, and respectful of the rights and freedoms of all its people.
We invite all voters, especially the youth who will be casting their ballots for the first time, to join us in this pivotal moment for our nation. Let us move forward together with hope and conviction, trusting in the power of our collective voice to bring about positive change.
We stand at a crossroads, and the decisions we make today will echo in the lives of generations to come. Let us choose wisely, with hearts full of faith and minds open to the possibilities of what we can achieve together.
May God bless Malta and guide us all in this important time.
This statement would be shared with the public and media to communicate our position and vision for the future of Malta and its role within the European Union. We look forward to a fair and vibrant electoral process.
For Malta, With Conviction, [Your Name] Leader, Malta Catholic Democratic Party
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2024.05.17 08:47 sinomaltanews In pictures: When the visit of St Francis Xavier’s relic caused public hysteria

https://timesofmalta.com/article/in-pictures-when-visit-st-francis-xavier-relic-caused-public-hysteria.1091821?fbclid=IwZXh0bgNhZW0CMTEAAR2hj94PNbEVxPifau9SknZvphwgDnS80RUKDys30RgEtcq1pFYtGUOYvL0_aem_AQ3J5HA4MrfPOs6TYvpc-b73y7_uvPWHdGiD7W179H6EtRtDH69f6sATwAyS23-MSwn2k_CxbBAYYvLzmEx-Z3fS
As the leader of the Malta Catholic Democratic Party, I would like to express my profound respect and admiration for the historical significance of St. Francis Xavier’s relic and its impact on the Maltese people. The visit of the relic in 1924 was a momentous event that brought together the faithful in a display of devotion and unity.
The public’s overwhelming response to the relic’s visit is a testament to the deep-rooted Catholic faith in Malta. It is a reminder of the importance of preserving our religious heritage and the role it plays in shaping our national identity.
In light of the recent public interest in the relic, as depicted in the Times of Malta, I encourage all Maltese citizens to reflect on the values that St. Francis Xavier embodied—compassion, service, and a commitment to spreading the message of Christ. These values are as relevant today as they were in the past and should continue to guide us in our daily lives.
As a party, we reaffirm our commitment to uphold these principles and to work tirelessly to ensure that the rich spiritual legacy of our nation is cherished and passed on to future generations.
Please note that this statement has been generated by an AI, and while it reflects the values and style of the Malta Catholic Democratic Party, it is not an official statement from the party.
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2024.05.17 08:11 Sweet-Count2557 Best Things to Do in Salamanca Ny

Best Things to Do in Salamanca Ny
Best Things to Do in Salamanca Ny Attention, fellow adventurers!We've discovered the ultimate guide to the best things to do in Salamanca, NY. Brace yourselves for an unforgettable journey through this charming city nestled in Western New York.From outdoor thrills in Allegany State Park to cultural wonders at the Seneca Allegany Casino and Seneca-Iroquois National Museum, prepare to be amazed.Nature lovers, rejoice! There are stunning parks and trails for fishing, boating, hiking, and wildlife spotting.And for a unique educational experience, don't miss Mager Mountain Alpacas.Get ready, because Salamanca is calling!Key TakeawaysAllegany State Park offers a variety of outdoor activities such as biking, boating, swimming, fishing, and winter sports.Salamanca Mall Antiques is a popular destination for antique shopping with over 15 stores filled with unique items.Seneca Allegany Casino offers a thrilling gaming experience with a wide selection of slot machines and table games.The Seneca-Iroquois National Museum provides an educational and immersive experience to learn about the history, culture, and traditions of the Seneca and Iroquois people.Discover the Natural Beauty of Allegany State ParkLet's explore the natural beauty of Allegany State Park and immerse ourselves in its breathtaking landscapes and outdoor activities. Located in Salamanca, NY, this park offers a wilderness playground for those seeking adventure and freedom. With its 64,800 acres of forest landscape, Allegany State Park is a haven for nature lovers and outdoor enthusiasts.There are so many things to do in Salamanca NY, and Allegany State Park is a must-visit destination. The park is operated by the New York State Office of Parks, Recreation, and Historic Preservation, ensuring that visitors have access to well-maintained facilities and a range of activities. Whether you enjoy biking, boating, fishing, or simply relaxing on the sandy beach, Allegany State Park has something for everyone.The park boasts 5 miles of paved bike paths, perfect for exploring the stunning scenery at your own pace. You can also rent boats and bikes to further enhance your experience. If you're in the mood for a swim, the park offers a sandy beach where you can cool off on a hot summer day.For those who prefer land-based activities, Allegany State Park has plenty to offer. From fishing to snowmobiling, walking to cross-country skiing, softball to tennis, and horseshoes to volleyball, there's no shortage of options to keep you entertained and active.As you explore the natural beauty of Allegany State Park, you'll be captivated by its serene atmosphere and breathtaking landscapes. From the towering trees to the tranquil lakes, this park is a true oasis of freedom and tranquility.Uncover Hidden Treasures at Salamanca Mall AntiquesWhen it comes to uncovering hidden treasures, Salamanca Mall Antiques is a must-visit destination.With over 1,000 dealers and a 31,000 square feet building, this antique mall offers a wide variety of unique finds.From vintage furniture to collectibles and vintage clothing, this downtown spot is a haven for souvenir shopping and a treasure trove waiting to be explored.Unique Antique FindsWe absolutely love exploring the Salamanca Mall Antiques and uncovering hidden treasures.The Salamanca Mall Antiques, established in 1982, is a must-visit destination for antique enthusiasts. With over 1,000 dealers and a massive 31,000 square feet building, this place is a treasure trove of unique finds.As we wander through the 15 stores, we're captivated by the wide variety of antiques on display. From vintage furniture to rare collectibles, there's something for everyone here.The atmosphere is inviting and the staff is knowledgeable and friendly. It's a great downtown spot for souvenir shopping, where you can find one-of-a-kind pieces that tell a story.Wide Variety of TreasuresOur favorite part about exploring Salamanca Mall Antiques is uncovering the wide variety of treasures on display. As we wander through the 31,000 square feet building, we're greeted by over 1,000 dealers offering an eclectic mix of unique antiques.From vintage clothing to antique furniture, there's something for every collector or enthusiast. The mall is a great downtown spot for souvenir shopping, with over 15 stores filled with fascinating antiques waiting to be discovered. Each booth is like a mini treasure trove, filled with hidden gems just waiting to be found.Whether you're searching for vintage jewelry, antique books, or retro home decor, Salamanca Mall Antiques is the perfect place to indulge in the freedom of exploration and uncover some truly remarkable finds.Souvenir Shopping HavenLet's explore the souvenir shopping haven at Salamanca Mall Antiques and uncover hidden treasures. Located in the heart of downtown Salamanca, this unique antique mall has been a favorite destination for collectors and souvenir hunters since 1982.With over 1,000 dealers and a sprawling 31,000 square feet building, Salamanca Mall Antiques offers a wide variety of fascinating antiques to discover.As you step inside, you'll be greeted by the charm and character of the mall. The air is filled with the scent of aged wood and history.Wander through the aisles and explore over 15 stores, each filled with their own collection of hidden gems. From vintage jewelry and clothing to antique furniture and collectibles, there's something for everyone's taste and budget.Whether you're searching for a unique gift or a special memento of your visit to Salamanca, this antique mall is the perfect place to find it.Explore the shelves, browse through the displays, and let your curiosity guide you to uncovering those hidden treasures. With its wide selection and welcoming atmosphere, Salamanca Mall Antiques truly is a souvenir shopping haven.Try Your Luck at Seneca Allegany CasinoThe Seneca Allegany Casino offers a wide array of gaming options for those looking to try their luck. Here's what you can expect when you step foot into this vibrant casino:Slot Machines: Get ready for an adrenaline rush as you explore the almost 2,000 new and fascinating slot machines. Whether you prefer classic games or the latest video slots, there's something for everyone here. Feel the excitement build as you spin the reels in hopes of landing a big win.Table Games: If you're a fan of traditional casino games, you're in luck. The Seneca Allegany Casino offers 33 exhilarating table games, including blackjack, roulette, and poker. Put your skills to the test as you strategize your way to victory against the dealer or other players.At the Seneca Allegany Casino, the possibilities are endless. With a variety of gaming options to choose from, you'll be entertained for hours on end. And when you need a break from the action, you can indulge in a delicious meal at the Thunder Mountain Buffet, offering a wide selection of mouthwatering dishes.So why wait? Head over to the Seneca Allegany Casino and let the games begin. After all, you never know when fortune may smile upon you.And if you're ready to immerse yourself in Seneca-Iroquois culture, the next stop on your Salamanca adventure is the Seneca Iroquois National Museum.Immerse Yourself in Seneca-Iroquois Culture at the National MuseumWe can explore the rich history and traditions of the Seneca-Iroquois people at the National Museum. This museum is dedicated to the preservation and promotion of the history and culture of the Seneca and Iroquois people. It showcases traditional crafts, art, and artifacts, providing an educational and eye-opening experience.To give you a glimpse of what you can expect at the National Museum, here is a table highlighting some of the exhibits and programs:Exhibit/ProgramDescriptionTraditional CraftsExplore the intricate craftsmanship of the Seneca-Iroquois people, including beadwork and pottery.Art and ArtifactsMarvel at the collection of paintings, sculptures, and historical artifacts that tell the story of the Seneca-Iroquois people.Educational WorkshopsEngage in hands-on activities and workshops that teach traditional skills and customs.Immersing yourself in the Seneca-Iroquois culture at the National Museum is a truly enlightening experience. You'll gain a deeper understanding of their history, language, music, drama, literature, arts expressions, and traditional customs. The museum's extensive collection of historical and cultural items provides a fascinating insight into the rich heritage of the Seneca and Iroquois people.As we exit the National Museum, we can transition into finding serenity at Our Lady of Peace Catholic Church, where we can explore the stunning architecture and attend Sunday mass for a moment of solemnity.Find Serenity at Our Lady of Peace Catholic ChurchAs we continue our exploration of the best things to do in Salamanca NY, let's now find serenity at Our Lady of Peace Catholic Church.This beautiful church isn't only a place of worship but also a testament to architectural beauty and design. Inside, you'll be captivated by the stunning paintings and designs that adorn the walls, while outside, the church's architecture stands as a testament to the faith and dedication of the community.Led by Reverend Patrick Melfi, attending Sunday mass at Our Lady of Peace Catholic Church is an opportunity to find solace and peace in a serene and sacred space.Architectural Beauty and DesignLocated in Salamanca, NY, Our Lady of Peace Catholic Church offers visitors the opportunity to find serenity amidst its beautiful architectural beauty and design. Step inside this stunning church and be captivated by its exquisite paintings and intricate designs.As you explore the interior, you'll be greeted by the serene atmosphere that permeates the space. The church's architectural details, from the soaring ceilings to the ornate stained glass windows, create a sense of awe and wonder.Outside, the church's facade is equally impressive, with its impressive stonework and intricate carvings. Whether you're a devout Catholic or simply appreciate the beauty of religious architecture, a visit to Our Lady of Peace Catholic Church is sure to leave you feeling inspired and uplifted.Reverend Patrick Melfi's LeadershipLet's experience the leadership of Reverend Patrick Melfi at Our Lady of Peace Catholic Church and find serenity in its beautiful surroundings. Reverend Patrick Melfi, the head of the church, provides guidance and inspiration to the parishioners. His leadership fosters a sense of community and spiritual growth within the church. The church building itself is a sight to behold, featuring stunning paintings and designs that create a serene atmosphere. As you attend Sunday mass, you can immerse yourself in a moment of solemnity and reflection. The architecture of the church is also worth exploring, with its intricate details and peaceful ambiance. Reverend Patrick Melfi's leadership at Our Lady of Peace Catholic Church offers a place of tranquility and a chance to connect with your spirituality.Reverend Patrick Melfi's LeadershipFosters a sense of community and spiritual growthStunning paintings and designs in the church buildingSunday mass for a moment of solemnityExperience Horseback Riding at The CrosspatchWe can experience horseback riding at The Crosspatch, a working horse ranch nestled in the Allegheny Mountains. Here, we can immerse ourselves in the freedom and beauty of horseback riding, surrounded by stunning views and nature's serenity.The Crosspatch offers a range of activities and services that cater to our desire for adventure and exploration:Trail rides: We can embark on guided trail rides through the picturesque mountains, winding through lush forests and open meadows. As we ride, we can feel the gentle sway of the horse beneath us, connecting with nature in a unique and exhilarating way.Horsemanship Camp: For those who want to deepen their understanding of horses and improve their riding skills, The Crosspatch offers Horsemanship Camp. Through hands-on instruction and interactive activities, we can learn about horse care, grooming, and riding techniques. This immersive experience allows us to forge a deeper bond with these majestic animals.Wagon and carriage rides: If we prefer a more leisurely pace, we can opt for wagon or carriage rides. These charming and nostalgic experiences take us back in time as we leisurely explore the scenic surroundings. It's a perfect way to relax and enjoy the beauty of the Allegheny Mountains.At The Crosspatch, we can escape the confines of everyday life and embrace the freedom of horseback riding. Whether we're beginners seeking a new adventure or experienced riders looking to connect with nature, this working horse ranch offers an unforgettable experience. So saddle up, breathe in the fresh mountain air, and let the rhythm of hoofbeats carry us away on a journey of freedom and discovery.Frequently Asked QuestionsWhat Is the History Behind the Establishment of Allegany State Park?The history behind the establishment of Allegany State Park is fascinating. On July 30, 1921, the park was created on a vast 64,800-acre forest landscape. It's operated by the New York State Office of Parks, Recreation, and Historic Preservation.Allegany State Park is known as the wilderness playground of Western New York. With activities like fishing, biking, swimming, and more, it offers a perfect escape to nature and a chance to explore the beauty of the great outdoors.How Many Dealers Are Currently Present at Salamanca Mall Antiques?There are currently over 1,000 dealers at Salamanca Mall Antiques. It's an exciting place to explore with its wide variety of unique antiques.The downtown location makes it a great spot for souvenir shopping. As you walk through the 15 stores, you'll find fascinating items that will surely catch your attention.Whether you're a collector or just enjoy browsing, Salamanca Mall Antiques offers a treasure trove of discoveries.What Are the Dining Options Available at Seneca Allegany Casino?There are several dining options available at Seneca Allegany Casino. The Thunder Mountain Buffet is a popular choice, offering a wide variety of delicious dishes. Whether you're in the mood for a hearty meal or a quick snack, the casino has you covered.From casual dining to fine dining experiences, there's something for everyone. So, after trying your luck at the casino, make sure to indulge in a satisfying meal at one of their fantastic restaurants.Who Is the Head of Our Lady of Peace Catholic Church?The head of Our Lady of Peace Catholic Church is Reverend Patrick Melfi.He leads the parish center, which was established in Salamanca, NY in 2014.When visiting Salamanca, make sure to attend Sunday mass at this beautiful church.You'll be able to experience a moment of solemnity and admire the stunning paintings and designs that adorn the building.The architecture of the church is truly breathtaking.What Other Services Does the Crosspatch Offer Besides Horseback Riding?The Crosspatch, besides offering horseback riding with stunning views, also provides a range of other horse-related services.For example, they offer wagon and carriage rides, allowing visitors to explore the beautiful Allegheny Mountains in a unique and nostalgic way.Additionally, they offer a Horsemanship Camp, where individuals can learn more about horsemanship skills and develop a deeper connection with these magnificent animals.These additional services at The Crosspatch provide even more opportunities for an unforgettable experience in Salamanca, NY.ConclusionIn conclusion, Salamanca, NY offers a wide range of attractions and activities that cater to every interest. Whether you're a nature enthusiast, a history buff, or a thrill-seeker, this charming city has something for you.For example, imagine hiking through the scenic trails of Allegany State Park and stumbling upon a breathtaking waterfall. The beauty of nature combined with the rich cultural experiences in Salamanca will leave you with unforgettable memories.So pack your bags and embark on an exciting journey to explore the best of Salamanca, NY!
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2024.05.17 08:02 OmTv01 Exploring Jnana Yoga: The Path of Knowledge

Jnana Yoga is one of the four main paths of yoga in Hindu philosophy, emphasizing the pursuit of knowledge and wisdom as a way to achieve spiritual liberation. Unlike other forms of yoga that focus on physical postures or devotional practices, Jnana Yoga delves into deep intellectual inquiry and self-reflection. In this blog, we'll explore what Jnana Yoga is, its core principles, practices, and its relevance today. By the end, you'll understand why Jnana Yoga is a vital spiritual path and how Omtvlive can help you learn more about it.

What is Jnana Yoga?

Jnana Yoga, often called the "yoga of knowledge," is a spiritual discipline that seeks to unite the individual soul (Atman) with the ultimate reality (Brahman) through the acquisition of true knowledge. This knowledge is not merely intellectual but experiential, leading to a profound understanding of the self and the universe.

Core Principles of Jnana Yoga

  1. Discrimination (Viveka): The ability to distinguish between the real and the unreal, the permanent and the impermanent. Practitioners of Jnana Yoga strive to see beyond the illusions of the material world.
  2. Dispassion (Vairagya): Detachment from the sensory pleasures and material possessions that bind the soul. This principle encourages a focus on inner spiritual growth rather than external achievements.
  3. Six Virtues (Shatsampat): These include tranquility, control of the senses, withdrawal from distractions, endurance, faith, and concentration. Together, they help create a stable mind capable of deep contemplation.
  4. Desire for Liberation (Mumukshutva): An intense longing for spiritual liberation and freedom from the cycle of birth and death (samsara). This desire fuels the practitioner’s commitment to the path of Jnana Yoga.

Practices of Jnana Yoga

Practicing Jnana Yoga involves several key activities aimed at cultivating wisdom and self-awareness:
  1. Study of Scriptures (Svadhyaya): Reading and reflecting on sacred texts such as the Upanishads and the Bhagavad Gita. These texts provide profound insights into the nature of reality and the self.
  2. Meditation (Dhyana): Deep meditation practices help still the mind and focus on the inner self, allowing practitioners to experience their true nature.
  3. Self-Inquiry (Atma Vichara): A process of questioning and introspection, often summarized by the question "Who am I?" This practice encourages seekers to look beyond their ego and identify with their true, eternal self.
  4. Satsang: Gathering with like-minded individuals to discuss spiritual topics and learn from experienced teachers. This communal aspect of Jnana Yoga provides support and inspiration.

Relevance of Jnana Yoga Today

In our fast-paced, modern world, the timeless wisdom of Jnana Yoga remains highly relevant. Here are a few reasons why:
  1. Inner Peace: Jnana Yoga helps individuals find inner peace by understanding the transient nature of worldly experiences. This perspective can reduce stress and anxiety.
  2. Clarity and Focus: The principles of discrimination and concentration enhance mental clarity and focus, aiding in personal and professional decision-making.
  3. Self-Realization: By exploring the true nature of the self, Jnana Yoga fosters a deeper sense of purpose and fulfillment, beyond material success.
  4. Ethical Living: The virtues cultivated in Jnana Yoga encourage ethical behavior and a compassionate approach to life, contributing to a more harmonious society.

Learning Jnana Yoga with Omtvlive

For those interested in exploring Jnana Yoga, Omtvlive offers a wealth of resources and guidance. Omtvlive is dedicated to sharing knowledge about various spiritual paths, including Jnana Yoga, through accessible and engaging content.
By visiting Omtvlive, you can find:

Conclusion

Jnana Yoga is a profound path that offers a deep understanding of the self and the universe through the pursuit of knowledge and wisdom. Its principles and practices are as relevant today as they were centuries ago, providing a means to achieve inner peace, clarity, and spiritual liberation.
For anyone interested in embarking on this journey of self-discovery, Omtvlive is an invaluable resource. By engaging with the content and community on Omtvlive, you can deepen your understanding of Jnana Yoga and integrate its teachings into your daily life. Explore the path of knowledge and discover the true essence of your being with the guidance and support of Omtvlive.
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2024.05.17 06:33 Lizardman_Shaman Anyone has a Warlock like class for Starfinder? I have this basic template, wonder if it would work?

Warlock Class (Starfinder Conversion) Class Overview Hit Points (HP): 6 + Constitution modifier per level
Stamina Points (SP): 6 + Constitution modifier per level
Key Ability Score: Charisma – Warlocks draw their power from a pact with a cosmic entity, which could range from alien gods to ancient AI constructs or mysterious forces from the dark depths of space.
Class Features
Pact Magic: Warlocks gain spell slots that all recharge after a short rest (10 minutes in Starfinder). Begin with 2 spell slots at 1st level, increasing with level. At each level, all spell slots are of the highest spell level they can cast (similar to D&D 5e).
Spell levels progress every three character levels: 1st level (1st-3rd), 2nd level (4th-6th), 3rd level (7th-9th), etc., up to 6th level (16th-18th).
Eldritch Invocations: Starting at 2nd level, and every two levels thereafter, Warlocks gain an Eldritch Invocation. These are special abilities or enhancements that provide various bonuses or powers. These should be adapted to include technological and cosmic themes. Examples could include enhancements to their spells, abilities to interact with technology, or modifications to their physical form to adapt to different environments.
Pact Boon: At 3rd level, Warlocks choose a pact boon that reflects their specific relationship with their cosmic patron:
Pact of the AI: Gain an AI companion that assists in hacking and provides additional computational power.
Pact of the Starblade: Forge a pact weapon that can transform into any melee weapon made of hard light.
Pact of the Codex: Receive a holographic tome that contains additional spells and can interface with alien technology.
Mystic Arcanum: At 11th level, gain a powerful spell-like ability representing secrets revealed by your patron, usable once per day without consuming a spell slot.
Eldritch Master: At 20th level, you can enter a meditative state for 1 minute to regain all expended spell slots. This can be done once per day.
Might poach a mix of technomancer and mystic spells , but wonder about the feasibility and if I am not reinventing the wheel here and someone else already did it?
Some of my players want to play as Warlocks and be beholden to certain AI demigods that exist in my campaign pact like, rather than playing mystics or technomancers.
Any ideas will be welcome :)
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2024.05.17 05:48 sh3rkb1te Possibly one of the worst commencement speeches of all time is going viral... my thoughts.

*I'm not so sure if this is necessarily for this channel, but since there is a political piece to it, I'm going to share it here*
A short five days ago, Kansas City Chiefs kicker Harrison Butker was asked to give a speech to the graduates of Benedictine College. Most of these students likely never got a high school graduation because of COVID, so this was obviously a monumental moment for these young adults' lives. All the hard work and all the perseverance through difficult and uncertain times led to that graduation ceremony. Instead of that day being remembered for the students walking across the stage receiving their hard-earned degrees while the families cheer with high emotions reflecting on the journey to this moment, their ceremony will be remembered for the message that an NFL player sent to these graduates which, in my opinion, was inappropriate, lacked decorum, and made a lot of people's blood boil.
I will preface the rest of this text by saying that I do not condone religious slander and am a firm believer that every religion deserves respect.
Harrison discussed things in his speech that you should never be brought up when addressing college graduates in a formal setting like that, and it doesn't take a wise person to know this. Here are just a couple of talking points that simply had me scratching my head wondering if I was listening to a graduation speech or a Talking Point USA video on YouTube:
  1. For the female graduates, you are being fed nothing but sinister lies about womanhood and how you should live your life. Having your own aspirations and career goals and finally being a step closer to achieving them is not what you should be most excited about. You should be more excited about dedicating your lives to being a mother to your future children, and a wife to your future husband!
Harrison, I'm not sure if you are aware but your target audience is mostly between the ages of 21 and 23. Also, people don't go to college and take on thousands in student debt because they just wanna marry and have a family; that's just not how that shit works. There are no degrees for homemaking. It seems slightly misogynistic to me that you think women live the most fulfilling lives when they center their entire adult lives around being a "servant" to their husbands and children. I really don't understand why husbands wouldn't want their wives to focus on following their dreams and becoming super successful.
  1. The POTUS claims he's a proud Catholic but his delusional "woke" ideologies suggest otherwise.
I'm sorry, I didn't realize advocating for the minorities, the poor, and the voiceless was an anti-Catholic thing to do. I get it, Biden is far from perfect and has done plenty of questionable things. He is allowed to have his beliefs and you are allowed to have yours, and that applies to everyone. For you to question his faith because his beliefs don't fall exactly in line with yours is disrespectful. For you to bring all of this up at a college graduation while spreading misinformation is also unprofessional. The NFL blesses you with millions of dollars and you choose to represent them in this manner?
  1. "Congress just passed a bill where stating something as basic as the biblical teaching of who killed Jesus could land you in jail."
What? What the hell are you talking about? Do you think others think religion is hate speech? Listen, I know that some folks don't like that the LGBTQ+ community is trying to be fairly represented and viewed as actual human beings, but that doesn't mean that they're trying to take your religion away from you. The First Amendment still exists and it's not going anywhere soon. Please do not delude yourself into thinking that your religious beliefs can get you prosecuted; believe it or not, Christianity and Catholicism still are (and have been) the most popular religions in the U.S. for a long time.
Christianity and Catholicism have most certainly faced scrutiny in the past few years. It's not necessarily the religion itself that has caused it, it's more so the followers and preachers of God's word who have faced heavy backlash; Harrison is the most recent example. Again, it is totally okay for someone to believe in any religion. It doesn't make you a bad person. Where it crosses the line is when you attempt to demean, harass, and dehumanize or even force your beliefs onto others who do not believe what you believe. We have seen this with Congress, with state representatives, with Democrats and Republicans, with those who simply don't have the human decency to respect their differences.
There is so much political divide in large part due to the divisiveness of the two-party system. You're either on one side or the other at this point. The reality is this: change is scary. We can either move forward towards a better and stronger America or we can get stuck in the past with what doesn't make us great. Harrison's speech reminded me of how easy it is to disrespect someone's point of view when it doesn't align with your own. I think my assessment of his talk might have been a little unfair in that regard. For those of you who made it to the end, regardless of your political beliefs, let's accept the fact that we have differing opinions. I may question certain beliefs and ideologies, but at the end of the day, I do respect that you believe in what you want to believe in. Please do not let your opinions cause physical or mental harm to another person. For those of you who plan on giving a speech at a college graduation ceremony, please leave politics out of your speech. Graduation is a highly emotional time in a college student's life. This is a time for reflection, for family, for pride, and for optimism, not for political opinions and fearmongering.
TL;DR: politics and personal opinions on matters unrelated to college do not belong in a college graduation speech. Harrison Butker did not get this memo and has gone viral for his remarks during his speech at Benedictine College. We all tend to get defensive of our beliefs and I am no exception to this.
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2024.05.17 05:20 AliceStanleyJr "I Hate My Reflection for Years and Years": TTPD & Sylvia Plath’s “The Magic Mirror"

Introduction: The Mysterious Double Album
I’ll always remember 2 AM on April 19th 2024. I was in my pjs, alone, on my balcony, fresh off my first listen to Taylor Swift’s album The Tortured Poet’s Department. After sufficiently enjoying my solitary experience, I took to the internet to see what the masses were saying…when Swift dropped a whole second album: The Tortured Poets Department Anthology. Swift, a master of both Easter egging surprises for her fandom and practicing the number one rule of business (give the people what they want!), had been hinting at something “double” for months. Most significantly, while accepting her Grammy for Best Pop Vocal Album, she flashed a “peace sign.” That damn peace sign haunted the fandom for months. Swift’s corporate social media account, u/TaylorNation, used peace sign emojis and called attention to the number two whenever possible (ie teasing the album 22 days out etc.). There were also many “2”s present in in the promotional “experiences” leading up to the album release date—including statues of peace signs at the TTPD interactive experience at The Grove in LA. As usual, some Swifties went bonkers with their theories (or “clowning” as outlandish theorizing is referred to in the community). I myself couldn’t help but believe some concept of doubling would be significant in TTPD, but I couldn’t have guessed a full DOUBLE album (Swift’s capitalization). What an absolute treat. Mother was, as they say, mothering.
…Only the two mania didn’t seem to end post-drop. If anything, the two mania heightened. The albums were not just surprises in themselves, they were full of mystery. They seemed to reference multiple relationships, cryptic narratives, allusions to Swift’s previous songs, allusions to iconic poets, and very often, twins. The sleuthing type of Swiftie (full disclosure, moi) dove in deep. We gathered where we do—on Twitter, on TikTok, on Reddit (my preferred sandlot). And as we obsessed over every lyric, literary allusion, and video clip, Swift, our self-appointed “chairman” seemed to encourage us. Swift added a TTPD set to her Eras tour in Paris. Afterward, she posted a collection of photos to Instagram. The second photo of the post is Swift onstage, in a sparkling showman’s outfit, flashing two fingers.
Initial Tortured Poets and Sylvia Plath Connections
Swift has always been an incredible poet, but that’s not necessarily how the world saw hesees her. Swift is a pop star, specifically, Swift was a young girly pop star, most known for her tabloid romances and dramas, which she would (allegedly) write about in her music. Swift’s work has been labeled as “confessional” since her first album, which included songs she openly said were about boys at her high school. I offer this context (or, lore) to explain why I began seeing connections to TTPD in Sylvia Plath’s “confessional” work.
Of course, the theme of TTPD is tortured poets, so many avid literary Swifties have enjoyed seeking connections between Swift’s new songs and iconic poetry. No connections are overt, but some seem to be more likely than others. Namely, there’s been much discussion of Virginia Woolf thanks to the song “Who’s Afraid of Little Old Me?”(perhaps a riff on the Edward Albee play title). Other Swifties have found possible lyrical links to Mary Shelley and Charlotte Bronte. Swift herself references Patti Smith and Dylan Thomas in the album’s title track.
I remembered a third poet in relation to Smith and Thomas: Sylvia Plath, obviously an all timer of a tortured poet. I remember hearing an anecdote that she had been obsessed with Thomas and stalked him outside the Chelsea Hotel (also named in the TTPD title track). I did a quick skim of Plath’s Wikipedia to confirm and then started noticing many possible connections to TTPD and Plath’s life.
In the “Fortnight” music video, Swift acts out being institutionalized for insanity and getting electric shock treatment—two significant experiences in Plath’s life. Plath was also coupled with a deeply problematic man, Ted Hughes. Plath fell in love with Hughes for his artistic talent before he revealed himself to be an unsupportive parter, ultimately cheating on Plath with a younger woman. The narrative is not too dissimilar to the narrative about Swift’s alleged ex Matty Healy, as seemingly told in TTPD. (Of course, we don’t know the true subjects of Swift’s songs—if they’re even actually confessional—but some key hints point to Healy. Whether those hints provide actual context to Swift’s life or to the story Swift is telling of her life, one cannot know.) Finally, several of TTPD songs reference a latent desire for suicide (“I might as well die / it would make no difference” etc.). Okay, post-“finally,” these are stretches, but, I’ll note anyway: one of Plath’s most famous collections of poems is titled Ariel, but an alternate title was Daddy. There are connections to both words in TTPD via the song “But Daddy I Love Him.” The title is a line from the Disney movie The Little Mermaid (which features the main character Ariel, a mermaid, caught between two worlds). Extra clowning: some people (hi, I'm people) believe Swift’s 1989 costume for her first Paris concert was an allusion to Ariel: a pink crop top and a seafoam skirt.
As I dug into Plath's life, I couldn’t help but also see similarities to Swift's life. Both women were prolific writers from a very young age. Also, although possibly obscured through artistic license, both women were/are known to write about their own lives. (Plath was apparently encouraged by her professors Robert Lowell and Anne Sexton to write from her experience. I cannot help but tie in Swift’s “The Manuscript” lyric “the Professor said to write what you know.”) Both Plath and Swift expressed/express their depression via their writing, but if you only knew them from their public personas, you’d never guess the depths of their struggles. It seems both Plath and Swift lived/live double lives. Plath was actually fascinated by the concept of doubles. In fact, the concept of doubling was the topic of Plath’s college thesis paper “The Magic Mirror.”
The Magic Mirror and TTPD
Plath’s college paper is sadly not available to the general public. (It had a limited print run in, you guessed it, 1989.) But! I was able to read a few texts about the thesis, and the amount of possible TTPD references is astounding.
Since we can’t directly analyze Swift’s work via Plath’s directly, I’d like to share several key quotes from the most telling article I could find about the “The Magic Mirror”: “Sylvia Plath’s Magic Mirror” by Kelly Coyne (May 2018, The Los Angeles Review of Books). (To be noted, Coyne has also written about Swift, in her article “Growing Up In Taylor Swift’s America” in December 2023 on Literary Hub—a fabulous read!)
Early in her article, Coyne sets the scene for Plath's thesis:
“Her undergraduate thesis, which she wrote as a senior at Smith College...is titled “The Magic Mirror: A Study of the Double in Two of Dostoevsky’s Novels.” “The Magic Mirror” explores literary doubles made up of a character’s repressed traits, and, as the double grows in power, it heralds the protagonist’s death. Citing Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde as well as Oscar Wilde’s The Picture of Dorian Gray, Plath argued that the choice to create a double works to “reveal hitherto concealed character traits in a radical manner” and simultaneously exposes the driving conflicts of the novel housing that character. Her thesis claims that both Ivan, of The Brothers Karamazov, and Golyadkin, of The Double, have attempted to repress troubling aspects of their personalities, resulting in the double.”
Immediately, I imagine the two versions of Swift from the “Anti-Hero” music video. One Swift is real, true, sensible. The other is a pot-stirring, self-esteem destroying, alcoholic. During Eras, the huge Swift (monster on a hill) screams and stomps around in the background while the real, true Swift smiles and dances in a sparkle dress onstage. The fandom seems to be referring to these two Swifts as Taylor Swift and TAYLOR SWIFT (TM). Folks have theorized Post-Malone in the Fortnight music video is not necessarily a lover, but a twin, or double, of Swift. This theory is enhances by the Eras visuals during that song, specifically two dancers walking away to the back of the stage, but then becoming one.
More Coyne: “Plath, quoting Dostoyevsky in her thesis, noted that Ivan’s double, Smerdyakov, is “wrinkled” and “yellow.” The distinct differences in appearance between originator and double, she continued, are meant to reflect the protagonist’s mental state and cultural status.”
First of all, yellow. In the Gaylor community, folks have often theorized yellow symbolizes being closeted—a reading based on the symbolic coloring in the 1999 film …But I’m a Cheerleader. However, one need not be a Gaylor to consider the importance of yellow to Swift’s storytelling. Most recently, Swift performed “my tears ricochet” at Eras in a bright yellow dress, as her dancers were dressed for a funeral. Following Coyne’s analysis of Plath's analysis of Dostoyevsky, one could guess Swift is teasing a death of some version of herself.
Coyne discusses how Plath clearly used a “double” of herself to write The Bell Jar. Plath herself spent a summer in New York interning for Mademoiselle. The protagonist in TBJ, Esther, spends a summer in New York interning at a magazine too. To go even further down the rabbit hole, Esther also doubles herself, frequently expressing normalcy on the outside and despair on the inside. On the book's first page, Esther tells her audience, “I was supposed to be having the time of my life.” (Again, I cannot help but hear a Swift echo of, “I can read your mind / she’s having the time of her life” from “I Can Do It With a Broken Heart” about smiling through her depression.) Coyne makes many more references to mirrors and concealing in The Bell Jar, Ether’s split (and sadness) gets worse and worse the more she hides who she is from others. Notably, at a low point, Esther hides under her mother’s bed. (And Swift sings of a post-heartbreak depression, “Afterwards she only ate kids' cereal / And couldn't sleep unless it was in her mother's bed.”)
Coyne writes about the “imprisoned” aspect of doubles: “The wound from which Esther tries, and fails, to hide chimes with the inescapable, colonizing double, and Plath’s language again illustrates its penal nature: it is inside Esther, but it traps her like a jail cell.” (Again, I cannot help but see references to “Fresh Out the Slammer”, “The Smaller Man Who Ever Lived,” and the TTPD Eras visuals of cages and cell lighting.)
Coyne, on Plath’s doubles’ names, something Swift has not ever used (or so we think): “From her conception of The Bell Jar all the way to its final revisions, Plath suffered an exhausting amount of anxiety over its heroine’s name.” Plath wrote to a friend, “‘I’ll have to publish it under a pseudonym, if I ever get it accepted, because it’s so chock full of real people I’d be sued to death’...Indeed, this wasn’t mere paranoia; she did have to change her protagonist’s name at the instruction of her editor for legal reasons.”
Coyne continues, “Most novelists likely have concerns about being associated with the characters to whom they give life, especially the ugly ones, and especially when the character resembles its author. Yet what is unique about Plath’s case is her knowledge of the theoretical underpinnings and implications of her choice to push Esther away, and the hold this knowledge assumed on Plath’s work and life. Another look at The Bell Jar with a consideration of Esther as Plath’s double tangles the issue even further, and Plath drops clues for this kind of reading throughout the novel. Esther, for example, sits down to write her own novel and recounts, “My heroine would be myself, only in disguise. She would be called Elaine. Elaine. I counted the letters on my fingers. There were six letters in Esther, too. It seemed a lucky thing.” Not coincidentally, Plath’s first name has six letters as well.” Again, Plath was in a bizarre double infinity loop (like the loop on the Eras stage in “Down Bad”?). Plath was concealing her double, the protagonist in her novel, who was concealing her double, the protagonist in her novel.
Coyne wraps up her findings: “In her thesis, written nearly a decade earlier, as she turned 22 — the year after her first documented suicide attempt — Plath claimed, quoting Otto Rank:
In such situations, where the Double symbolizes the evil or repressed elements in man’s nature, the apparition of the Double “becomes a persecution by it, the repressed material returns in the form of that which represses.” Man’s instinct to avoid or ignore the unpleasant aspects of his character turns into an active terror when he is faced by his Double, which resurrects those very parts of his personality which he sought to escape. The confrontation of the Double in these instances usually results in a duel which ends in insanity or death for the original hero.”
Coyne seems to argue Plath believed an artist's double has the power to become bigger than the artist herself, ultimately killing her. Is TTPD Swift's predetermination of, hopefully, her her double's death instead of her own?
In Conclusion: Plath to her Mentor, Dessner on Swift
Who knows what TTPD is really truly about, and who knows if we ever will.
The biggest Easter egg, hiding in plain sight, is that the album is titled THE TORTURED POETS DEPARTMENT. There’s no apostrophe after “poet.” Nor is there an apostrophe after the “s” in “poets.” The department does not belong to a poet or to a collection of poets. It is a department OF tortured poets, perhaps two, to be exact. …or perhaps the album indicates the departure of the tortured poet...and her double.
I’ll sign off with two final quotes from my research:
According to Coyne, three months before Plath died by suicide, she had written a mentor about her second (obviously unfinished) book. Plath wrote, “It is to be called “Doubletake”, meaning that the second look you take at something reveals a deeper, double meaning […] it is semi-autobiographical about a wife whose husband turns out to be a deserter and philanderer although she had thought he was wonderful & perfect.”
According to Aaron Dessner’s TTPD release Instagram post: ”Keep searching and you'll find some new detail, layer or sliver of meaning with each listen.”
SUBREDDIT PS! Shout out to Expensive_Succotash5 for noting the TTPD intro poem's reference to being out of the oven, could be an allusion to Plath's death. Also shout-out to Good-Amphibian-7993 for this connection to a photo of Plath with a rose, not unlike Swift's album rose art.
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2024.05.17 03:28 throw_ra878 Tortured Poets—and wolves?—take us from 1989 TV to reputation TV

Tortured Poets—and wolves?—take us from 1989 TV to reputation TV
Amid all my attempts to tie The Tortured Poets Department to literature, poems, and the rest of Taylor Swift’s discography, I missed one of the most obvious references possible. With the song “Who’s Afraid of Little Old Me?” as a play on titles of other works—namely, “Who’s Afraid of the Big Bad Wolf?” and Who’s Afraid of Virginia Woolf?Taylor Swift is calling herself a wolf.
If Taylor Swift is calling herself a wolf, and that wolf is a dangerous force to be reckoned with, I wondered where else in her filmography or discography Swift has referenced or even identified with wolves, so I set out to see if there is a common (queer) thread tying it together.
Swift directly references wolves just three times in her lyrical discography: “Daylight” from Lover and “Guilty as Sin?” and “The Prophecy” from The Tortured Poets Department, plus the indirect reference in the “Who’s Afraid of Little Old Me?” song title, also from Tortured Poets. However, the first time we meet wolves in Swift’s catalog is in the “Out of the Woods” music video from 1989, where our rabbit hole begins.
My thesis: Tortured Poets is the mourning warning for what’s to come on reputation (Taylor's Version), and this is tied together by wolves and light versus dark imagery being threaded from 1989 (Taylor’s Version) through Tortured Poets, in addition to the scenery of the woods, underwater, and the beach. All of this is ultimately leading us out of the woods and into the daylight to fully understand reputation (Taylor's Version) through the lens of Tortured Poets.

Are we out of the woods yet?

We first see wolves in the “Out of the Woods” music video. A pack of snarling wolves is chasing Swift through a dark forest, even shredding her evening gown (hello, "The Alcott") trying to attack her. Once she emerges from the woods, Swift and the wolves run through a snowy landscape, but it becomes unclear whether Swift is running from or with the wolves. By the end of the music video, Swift and the wolves appear to coexist.
Taylor Swift in the \"Out of the Woods\" music video
Swift re-released 1989 in 2023, and the lyric video for “Out of the Woods (Taylor’s Version)” shows the exact tour visuals from the 1989 World Tour. The visuals show two wolves running through the dark forest along a body of water that shows their reflections. There are multiple “twos” throughout the lyric video (which have been flashed incessantly during the Tortured Poets era) but there are a few other notable things. First, the wolves appear to be ghosts or phantoms, transparent and glowing only in the moonlight. Second, the two wolves emerge from the forest together, then leap from the cliff and turn to dust as the song ends.
For reference for anyone who wants to watch all of these:
The duality of the wolves is significant, but the idea of Swift being one of the wolves works nicely when you realize Swift is one of the wolves in the original music video. I interpret the video's message as one only being able to find peace in acceptance, not desertion of, their true selves. The dark versus light motif comes up often in Swift’s discography, and we see it here as Swift coexists with the wolves as one of them in the light. The lyrics speak to the juxtaposition of Swift and the muse as being “in screaming color” versus “the rest of the world [as] black and white.”
Swift “finds herself” on a sunny beach. The version of Swift that has braved and endured the trials and tribulations of the forest, fires, and more reunites with this version of herself. This is the last music video of the seven (! and, of course, "seven" is tied up in this theory later on) released during the original 1989 era, which leads us directly to reputation, namely, “Look What You Made Me Do.”

What did we make her do?

No, Taylor Swift doesn’t reference wolves on reputation or in the song “Look What You Made Me Do,” but reputation is tied to the symbolism of “Out of the Woods.” The LWYMMD music video opens with the version of Swift we saw at the end of OOTW picking up where we left off, except it appears Swift (or at least her reputation, as is displayed on the gravestone) is dead and buried.
Wolves typically represent the untamed, wildness, and freedom. In many adages and fables about wolves, there tends to be a duality, either with wolves versus their domesticated counterparts in dogs or good and light versus evil and dark. For Swift to run from then become a wolf signifies a desire to outrun her own identity—something wild and dangerous—only to accept it and find peace in the light. For Swift to have found this version of herself and come to accept it in OOTW only to see it buried in LWYMMD suggests the thing “we made her do” is kill off that version of herself to save her reputation. I interpret this as a dangerous element of Swift’s self, potentially queerness, being so threatening to her reputation that she was forced to bury or conceal it despite thinking she was finally “out of the woods,” grounding the plane we see Taylor saw the wings off at the end of the music video. Aligned with the Karma/lost album theory, Swift’s plans were scrapped and replaced with reputation, and the thing she sought to do—come out—forced another rebirth in LWYMMD. Swift is notably caged in LWYMMD in an orange jumpsuit reminiscent of a prisoner’s, and there is more caged imagery aligned to wolves later in Swift’s lyrics, especially in the Tortured Poets tracks tied to this theory. More on that soon.
To bring this full circle, I believe this is the reason 1989 (Taylor’s Version) is beach-themed: Swift is reclaiming the union of her two selves that she should have been able to claim post-1989 originally before the events that inspired reputation came to be.
For some more bonus content, the LWYMMD lyric video includes a typewriter that appears to be writing a manuscript for a film or play:
Screenshot from the official LWYMMD lyric video

She only saw daylight

Swift mentions wolves for the very first time in her lyrics on “Daylight,” the last track of Lover, her first owned album and what is thought to be the “coming out” album. (And, in my opinion, the aesthetic no one noticed that forced her to become a non-functioning alcoholic.)
Maybe you ran with the wolves and refused to settle down
Maybe I’ve stormed out of every room in this town
Threw out our cloaks and our daggers because it’s morning now
It’s brighter now, now
To run with the wolves is to live wildly with unbridled freedom, typically against societal norms. In psychology, there is a concept of “women who run with wolves” as women rediscovering their wild and their passions. Several reflections I found on this concept relative to queerness discuss the idea of wolfpacks and tribes, and I see this in “Daylight” as Swift focuses not only on emerging from the darkness herself but bringing someone else with her ("threw out our cloaks and our daggers"), allowing them to abandon the frustration represented by storming out of rooms or the need to run instead of standing in the light.
As we know, sadly, Swift returns to the woods in folklore and evermore after another ruining of her “best-laid plans” despite emerging from a “twenty-year dark night” and “throwing out [her cloak and dagger]” in “Daylight.” On The Eras Tour, the folklore and evermore sets take place in the forest at night under a massive moon similar to the one in the “Out of the Woods” lyric video and original tour visuals for 1989. Swift also famously wears a cloak during the “willow” performance on tour.
Taylor Swift performing \"willow\" on The Eras Tour in a cloak
Following folklore and evermore, Swift released Midnights, a continued commentary on the light versus dark motif representing “thirteen sleepless nights” across Swift’s life. The next references to wolves don’t come until The Tortured Poets Department. There are two, both on songs that (I believe) describe an identity crisis and struggle: “Guilty as Sin?” and “The Prophecy” as well as the indirect reference in “Who’s Afraid of Little Old Me?” that started me down this rabbit hole. As noted above, these songs also reference cages and being trapped.

She (still) dreams of throwing her life to the wolves

The Tortured Poets Department plays with dark and light, a frequent motif in Swift’s discography. While the standard version of the album is represented by white with a relaxed image of Swift’s body literally laid back with a notable ray of sunlight over it, The Anthology is near-black and pictures Swift holding her head in anguish.
Both versions of The Tortured Poets Department official album artwork, representing light versus dark
Swift mentioned that Tortured Poets was written about the “last two years” of her life, and I feel this has been mischaracterized and reduced to focus only on the highly public elements of her love life. Swift likely spent those two years deep in her rerecording process for all four albums following Fearless (Taylor’s Version) and Red (Taylor’s Version).
During this two-year timespan, we can assume Swift likely recorded Speak Now (Taylor’s Version) and 1989 (Taylor’s Version) in addition to their releases, and it is likely that Swift has already recorded reputation (Taylor’s Version) and Taylor Swift (Taylor’s Version) in the same timeframe.
For Swift to say that Tortured Poets represents "the end of this chapter of the author’s life" most likely signifies a closing door on a period of deep retrospective. I believe this is the crux of Tortured Poets entirely. I find it probable, not just possible, that much of Tortured Poets references this process and Swift’s experience and feelings unearthing and rerecording these albums. In revisiting those “eras” (or times in her actual life as a human being), I imagine the process to be quite painful. For anyone, revisiting diary entries (or souvenirs as Swift calls them in “The Manuscript”) from painful times in one’s life would be difficult enough, but to rerecord music that may have been so painful for entertainment purposes must be another beast altogether, especially after being essentially forced into the retrospective after her album catalog was stolen from her, or potentially viewing the music you wrote at the time differently through the lens of new perspective… Just, ouch.
As an aside, with both Midnights and Tortured Poets, Swift seems to be making the “paternity testing” she discusses on reputation of her music more difficult, ascribing the periods of the album-writing to broader swaths of time over her life that weave further into her past, perhaps (and likely) referencing more than her love life or what the public knows.
I believe “Guilty as Sin?” refers to the “Out of the Woods” music video. Swift runs from the wolves to save herself, and there’s even a point when Swift jumps off a snowy cliff into the ocean, and it seems Swift dreams about this moment in “Guilty as Sin?” and perhaps the song was even inspired by the 1989 rerecording process.
My boredom's bone deep
This cage was once just fine
Am I allowed to cry?
I dream of cracking locks
Throwing my life to the wolves
Or the ocean rocks
We see the same imagery—Swift seemingly drowning in the ocean—on The Eras Tour during “my tears ricochet,” reminiscent of the “Out of the Woods” imagery. Swift sings MTR right after “illicit affairs,” a song in which Swift tells her muse she would “ruin [herself] a million little times” to be with them, the same phenomenon Swift has been singing about since at least 1989. Swift also sings about her “stolen lullabies” during “my tears ricochet,” tying the song to at least the events that triggered the rerecording process.
Image from live performance of “my tears ricochet” from The Eras Tour (2023) where Swift can be seen falling deeply into the ocean (and potentially not trying to swim or save herself)
Still image from the “Out of the Woods” music video where Swift nearly drowns before finding herself spit out back on the beach
Potentially also notably, the lyric video for “Is It Over Now?” from 1989 even features sheets swirling like the ocean does in the MTR tour visuals.
Image from live performance of “my tears ricochet” from The Eras Tour (2023)
Still image from the “Is It Over Now? (From The Vault)” lyric video
This is notable because during the acoustic set of The Eras Tour, Swift has performed a mashup of “Out of the Woods” and “Is It Over Now?” from 1989 (Taylor’s Version). At the time of writing this post, Swift has sung the mashup twice on her tour, once in Argentina on November 11th—or 11/11, a callback to the doubles and duality concept—and once in Paris on May 10th (which also happened to be the second night of the Paris tour stop, and 10 is a double of 5, for those keeping track at home).

Quick, semi-wolf-related tangent

So we’ve established that OOTW and IION? are connected, and I found yet another song that seems to be referencing the same moment in time as OOTW: “But Daddy I Love Him.” In both songs, Swift and her muse experience “the heat” or a backlash against their relationship, then find a seemingly happy ending: In BDILH, Swift’s parents “came around” to accept the relationship, and in OOTW, the monsters were just trees.
https://preview.redd.it/9avqekl0xv0d1.png?width=2144&format=png&auto=webp&s=3b5f9d232050387ddd7723936568203b6171122b
Linking these three songs, I find it interesting that Swift sings, “But fuck it, it’s over” during BDILH, perhaps an answer to the final track of 1989 (Taylor’s Version) that begs, “Is it over now?” repeatedly.
That’s not where the similarities end, either. There are also two references to the phrase “good name” in Tortured Poets. Merriam-Webster defines a “good name” as a person’s good reputation. This leads me to believe these songs, namely “Who’s Afraid of Little Old Me?” (wolf reference) and “But Daddy I Love Him” directly reference reputation and the scandals that marked the start of the reputation era and what the Lover era tried (yet failed again) to accomplish.
https://preview.redd.it/up1tjgc7xv0d1.png?width=1970&format=png&auto=webp&s=963e0bac1f837ff6f9f845bf789dcae75f021b5f
As a side note, her “good name” could also be a double entendre nod to Swift’s other upcoming rerecorded album, Taylor Swift (Taylor’s Version), in a very meta sense of the phrase, which would represent a country album that would likely be less well-received coming from an openly queer artist.

Back to the wolves

The last time Swift mentions wolves is in “The Prophecy,” a song from The Anthology version of Tortured Poets, comparing herself to a wolf howling.
A greater woman stays cool
But I howl like a wolf at the moon
And I look unstable
Gathered with a coven round a sorceress' table
Swift fights against fate, howling at the moon. The coven and sorceress’ table call back to the cloaks and daggers Swift threw out in “Daylight,” signaling that she has found herself yet again in the darkness or night which, of course, is the only time the moon would be visible to howl at.
As an aside, this is not dissimilar from the picture she paints of herself in “seven” from folklore, screaming “ferociously anytime [she] wanted,” another song tied to 1989 via The Eras Tour in which Swift had previously (and has now removed) a “seven” x “Wildest Dreams” spoken interlude (or poem!) before the folklore set, further linking the two albums with the woods and darkness motifs, as well as the concept of “wildness” in both songs.
Overall, “The Prophecy” seems to describe the version of Swift we see in the “Out of the Woods” music video before she reaches acceptance. Swift is constantly battling against natural elements and forces, fighting back against her true and fated self or the path she finds herself on.
There is, however, still a happy ending. The wolves eventually reach the end of the woods together. The heat dies down, the monsters are just trees, and the parents come around. What “The Prophecy” represents are the moments when that journey through the woods seems neverending, not necessarily Swift's current feelings about her life.

It’s (almost) over

When discussing her short film for “All Too Well (Taylor’s Version),” Swift talks about how she would have been unable to create this kind of art without the perspective she’s gained in the years since. The fictionalized version of Swift in Tavi Gevinson’s “Fan Fiction” also comments on the “Taylor’s Version” element of the rerecording, which I find to be an apt description of what it must be like to create and have others consume the art in this context—that listeners should be made to feel uncomfortable with the added context that has come from the retrospective wisdom of the artist in hindsight.
In it, Swift says:
Her unrealistic expectations should only emphasize the gulf between their experiences. Her capacity for remembering, compared to his, is a symptom of youth. And her need for control, to tell the story, might also be seen as a trauma response. The line “The idea you had of me—who was she?” indicates that he was the first to dehumanize-by-idealizing. It should be unsettling to relisten to the 2012 version with the understanding that they had been living in his fantasy.
(Don't even get me started on "Fan Fiction." Or do. Maybe it'll be fun.)
In summary, my theory is this: Inserting Tortured Poets between the sequential release of 1989 (Taylor’s Version) and reputation (Taylor’s Version) serves as the necessary lens and context to properly read reputation for what it is and what it represents to Taylor Swift. Not only is Tortured Poets a commentary on fame, identity, and this highly vulnerable process and moment she finds herself in, but the lens through which all her rerecordings must be listened to through.
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2024.05.17 03:19 BrandonBollingers Terrifying Full Text Harrison Butker Speech

Unsnark: I can’t believe we are swinging so far in this direction. Please vote!
Ladies and gentlemen of the Class of 2024: I would like to start off by congratulating all of you for successfully making it to this achievement today. I'm sure your high school graduation was not what you had imagined, and most likely, neither was your first couple years of college.
By making it to this moment through all the adversity thrown your way from COVID, I hope you learned the important lessons that suffering in this life is only temporary. As a group, you witnessed firsthand how bad leaders who don't stay in their lane can have a negative impact on society. It is through this lens that I want to take stock of how we got to where we are, and where we want to go as citizens and, yes, as Catholics. One last thing before I begin, I want to be sure to thank President Minnis and the board for their invitation to speak.
When President Minnis first reached out a couple of months ago, I had originally said No. You see, last year I gave the commencement address at my alma mater, Georgia Tech, and I felt that one graduation speech was more than enough, especially for someone who isn't a professional speaker. But of course, President Minnis used his gift of persuasion. [Laughter] It spoke to the many challenges you all faced throughout the COVID fiasco ,and how you missed out on so many milestones the rest of us older people have taken for granted. While COVID might have played a large role throughout your formative years, it is not unique. Bad policies and poor leadership have negatively impacted major life issues. Things like abortion, IVF, surrogacy, euthanasia, as well as a growing support for degenerate cultural values in media, all stem from the pervasiveness of disorder.
Our own nation is led by a man who publicly and proudly proclaims his Catholic faith, but at the same time is delusional enough to make the Sign of the Cross during a pro- abortion rally. He has been so vocal in his support for the murder of innocent babies that I'm sure to many people it appears that you can be both Catholic and pro-choice.
He is not alone. From the man behind the COVID lockdowns to the people pushing dangerous gender ideologies onto the youth of America, they all have a glaring thing in common. They are Catholic. This is an important reminder that being Catholic alone doesn't cut it.
These are the sorts of things we are told in polite society to not bring up. You know, the difficult and unpleasant things. But if we are going to be men and women for this time in history, we need to stop pretending that the "Church of Nice" is a winning proposition. We must always speak and act in charity, but never mistake charity for cowardice.
It is safe to say that over the past few years, I have gained quite the reputation for speaking my mind. I never envisioned myself, nor wanted, to have this sort of a platform, but God has given it to me, so I have no other choice but to embrace it and preach more hard truths about accepting your lane and staying in it.
As members of the Church founded by Jesus Christ, it is our duty and ultimately privilege to be authentically and unapologetically Catholic. Don't be mistaken, even within the Church, people in polite Catholic circles will try to persuade you to remain silent. There even was an award-winning film called Silence, made by a fellow Catholic, wherein one of the main characters, a Jesuit priest, abandoned the Church, and as an apostate when he died is seen grasping a crucifix, quiet and unknown to anyone but God. As a friend of Benedictine College, His Excellency Bishop Robert Barron, said in his review of the film, it was exactly what the cultural elite want to see in Christianity -- private, hidden away, and harmless.
Our Catholic faith has always been countercultural. Our Lord, along with countless followers, were all put to death for their adherence to her teachings. The world around us says that we should keep our beliefs to ourselves whenever they go against the tyranny of diversity, equity, and inclusion. We fear speaking truth, because now, unfortunately, truth is in the minority. Congress just passed a bill where stating something as basic as the biblical teaching of who killed Jesus could land you in jail.
But make no mistake, before we even attempt to fix any of the issues plaguing society, we must first get our own house in order, and it starts with our leaders. The bishops and priests appointed by God as our spiritual fathers must be rightly ordered. There is not enough time today for me to list all the stories of priests and bishops misleading their flocks, but none of us can blame ignorance anymore and just blindly proclaim that “That's what Father said.” Because sadly, many priests we are looking to for leadership are the same ones who prioritize their hobbies or even photos with their dogs and matching outfits for the parish directory.
It's easy for us laymen and women to think that in order for us to be holy, that we must be active in our parish and try to fix it. Yes, we absolutely should be involved in supporting our parishes, but we cannot be the source for our parish priests to lean on to help with their problems. Just as we look at the relationship between a father and his son, so too should we look at the relationship between a priest and his people. It would not be appropriate for me to always be looking to my son for help when it is my job as his father to lead him.
St. Josemaría Escrivá states that priests are ordained to serve, and should not yield to temptation to imitate laypeople, but to be priests through and through. Tragically, so many priests revolve much of their happiness from the adulation they receive from their parishioners, and in searching for this, they let their guard down and become overly familiar. This undue familiarity will prove to be problematic every time, because as my teammate's girlfriend says, familiarity breeds contempt. [Laughter]
Saint Josemaría continues that some want to see the priest as just another man. That is not so. They want to find in the priest those virtues proper to every Christian, and indeed every honorable man: understanding, justice, a life of work — priestly work, in this instance — and good manners. It is not prudent as the laity for us to consume ourselves in becoming amateur theologians so that we can decipher this or that theological teaching — unless, of course, you are a theology major. We must be intentional with our focus on our state in life and our own vocation. And for most of us, that's as married men and women. Still, we have so many great resources at our fingertips that it doesn't take long to find traditional and timeless teachings that haven't been ambiguously reworded for our times. Plus, there are still many good and holy priests, and it's up to us to seek them out.
The chaos of the world is unfortunately reflected in the chaos in our parishes, and sadly, in our cathedrals too. As we saw during the pandemic, too many bishops were not leaders at all. They were motivated by fear, fear of being sued, fear of being removed, fear of being disliked. They showed by their actions, intentional or unintentional, that the sacraments don't actually matter. Because of this, countless people died alone, without access to the sacraments, and it's a tragedy we must never forget. As Catholics, we can look to so many examples of heroic shepherds who gave their lives for their people, and ultimately, the Church. We cannot buy into the lie that the things we experienced during COVID were appropriate. Over the centuries, there have been great wars, great famines, and yes, even great diseases, all that came with a level of lethality and danger. But in each of those examples, Church leaders leaned into their vocations and ensured that their people received the sacraments.
Great saints like St. Damien of Molokai, who knew the dangers of his ministry, stayed for 11 years as a spiritual leader to the leper colonies of Hawaii. His heroism is looked at today as something set apart and unique, when ideally it should not be unique at all. For as a father loves his child, so a shepherd should love his spiritual children, too.
That goes even more so for our bishops, these men who are present-day apostles. Our bishops once had adoring crowds of people kissing their rings and taking in their every word, but now relegate themselves to a position of inconsequential existence. Now, when a bishop of a diocese or the bishop's conference as a whole puts out an important document on this matter or that, nobody even takes a moment to read it, let alone follow it.
No. Today, our shepherds are far more concerned with keeping the doors open to the chancery than they are with saying the difficult stuff out loud. It seems that the only time you hear from your bishops is when it's time for the annual appeal, whereas we need our bishops to be vocal about the teachings of the Church, setting aside their own personal comfort and embracing their cross. Our bishops are not politicians but shepherds, so instead of fitting in the world by going along to get along, they too need to stay in their lane and lead.
I say all of this not from a place of anger, as we get the leaders we deserve. But this does make me reflect on staying in my lane and focusing on my own vocation and how I can be a better father and husband and live in the world but not be of it. Focusing on my vocation while praying and fasting for these men will do more for the Church than me complaining about her leaders.
Because there seems to be so much confusion coming from our leaders, there needs to be concrete examples for people to look to in places like Benedictine, a little Kansas college built high on a bluff above the Missouri River, are showing the world how an ordered, Christ-centered existence is the recipe for success. You need to look no further than the examples all around this campus, where over the past 20 years, enrollment has doubled, construction and revitalization are a constant part of life, and people, the students, the faculty and staff, are thriving. This didn't happen by chance. In a deliberate movement to embrace traditional Catholic values, Benedictine has gone from just another liberal arts school with nothing to set it apart to a thriving beacon of light and a reminder to us all that when you embrace tradition, success — worldly and spiritual — will follow.
I am certain the reporters at the AP could not have imagined that their attempt to rebuke and embarrass places and people like those here at Benedictine wouldn't be met with anger, but instead met with excitement and pride. Not the deadly sin sort of pride that has an entire month dedicated to it, but the true God-centered pride that is cooperating with the Holy Ghost to glorify him. Reading that article now shared all over the world, we see that in the complete surrender of self and a turning towards Christ, you will find happiness. Right here in a little town in Kansas, we find many inspiring laypeople using their talents.
President Minnis, Dr. [Andrew] Swafford, and Dr. [Jared] Zimmerer are a few great examples right here on this very campus that will keep the light of Christ burning bright for generations to come. Being locked in with your vocation and staying in your lane is going to be the surest way for you to find true happiness and peace in this life.
It is essential that we focus on our own state in life, whether that be as a layperson, a priest, or religious. Ladies and gentlemen of the class of 2024, you are sitting at the edge of the rest of your lives. Each of you has the potential to leave a legacy that transcends yourselves and this era of human existence. In the small ways, by living out your vocation, you will ensure that God's Church continues and the world is enlightened by your example.
For the ladies present today, congratulations on an amazing accomplishment. You should be proud of all that you have achieved to this point in your young lives. I want to speak directly to you briefly because I think it is you, the women, who have had the most diabolical lies told to you. How many of you are sitting here now about to cross this stage and are thinking about all the promotions and titles you are going to get in your career? Some of you may go on to lead successful careers in the world, but I would venture to guess that the majority of you are most excited about your marriage and the children you will bring into this world.
I can tell you that my beautiful wife, Isabelle, would be the first to say that her life truly started when she began living her vocation as a wife and as a mother. I'm on the stage today and able to be the man I am because I have a wife who leans into her vocation. I'm beyond blessed with the many talents God has given me, but it cannot be overstated that all of my success is made possible because a girl I met in band class back in middle school would convert to the faith, become my wife, and embrace one of the most important titles of all: homemaker.
[Applause lasting 18 seconds]
She is a primary educator to our children. She is the one who ensures I never let football or my business become a distraction from that of a husband and father. She is the person that knows me best at my core, and it is through our marriage that, Lord willing, we will both attain salvation.
I say all of this to you because I have seen it firsthand how much happier someone can be when they disregard the outside noise and move closer and closer to God's will in their life. Isabelle's dream of having a career might not have come true, but if you asked her today if she has any regrets on her decision, she would laugh out loud, without hesitation, and say, “Heck, No.”
As a man who gets a lot of praise and has been given a platform to speak to audiences like this one today, I pray that I always use my voice for God and not for myself. Everything I am saying to you is not from a place of wisdom, but rather a place of experience. I am hopeful that these words will be seen as those from a man, not much older than you, who feels it is imperative that this class, this generation, and this time in our society must stop pretending that the things we see around us are normal.
Heterodox ideas abound even within Catholic circles. But let's be honest, there is nothing good about playing God with having children — whether that be your ideal number or the perfect time to conceive. No matter how you spin it, there is nothing natural about Catholic birth control.
It is only in the past few years that I have grown encouraged to speak more boldly and directly because, as I mentioned earlier, I have leaned into my vocation as a husband and father, and as a man.
To the gentlemen here today: Part of what plagues our society is this lie that has been told to you that men are not necessary in the home or in our communities. As men, we set the tone of the culture, and when that is absent, disorder, dysfunction, and chaos set in. This absence of men in the home is what plays a large role in the violence we see all around the nation. Other countries do not have nearly the same absentee father rates as we find here in the U.S., and a correlation could be made in their drastically lower violence rates, as well.
Be unapologetic in your masculinity, fighting against the cultural emasculation of men. Do hard things. Never settle for what is easy. You might have a talent that you don't necessarily enjoy, but if it glorifies God, maybe you should lean into that over something that you might think suits you better. I speak from experience as an introvert who now finds myself as an amateur public speaker and an entrepreneur, something I never thought I'd be when I received my industrial engineering degree.
The road ahead is bright. Things are changing. Society is shifting. And people, young and old, are embracing tradition. Not only has it been my vocation that has helped me and those closest to me, but not surprising to many of you, should be my outspoken embrace of the traditional Latin Mass. I've been very vocal in my love and devotion to the TLM and its necessity for our lives. But what I think gets misunderstood is that people who attend the TLM do so out of pride or preference. I can speak to my own experience, but for most people I have come across within these communities this simply is not true. I do not attend the TLM because I think I am better than others, or for the smells and bells, or even for the love of Latin. I attend the TLM because I believe, just as the God of the Old Testament was pretty particular in how he wanted to be worshipped, the same holds true for us today. It is through the TLM that I encountered order, and began to pursue it in my own life. Aside from the TLM itself, too many of our sacred traditions have been relegated to things of the past, when in my parish, things such as ember days, days when we fast and pray for vocations and for our priests, are still adhered to. The TLM is so essential that I would challenge each of you to pick a place to move where it is readily available.
A lot of people have complaints about the parish or the community, but we should not sacrifice the Mass for community. I prioritize the TLM even if the parish isn't beautiful, the priest isn't great, or the community isn't amazing. I still go to the TLM because I believe the holy sacrifice of the Mass is more important than anything else. I say this knowing full well that when each of you rekindle your knowledge and adherence to many of the church's greatest traditions, you will see how much more colorful and alive your life can and should be.
As you move on from this place and enter into the world, know that you will face many challenges. Sadly, I'm sure many of you know of the countless stories of good and active members of this community who, after graduation and moving away from the Benedictine bubble, have ended up moving in with their boyfriend or girlfriend prior to marriage. Some even leave the Church and abandon God. It is always heartbreaking to hear these stories, and there is a desire to know what happened and what went wrong.
What you must remember is that life is about doing the small things well, setting yourself up for success, and surrounding yourself with people who continually push you to be the best version of you. I say this all the time, that iron sharpens iron. It's a great reminder that those closest to us should be making us better. If you are dating someone who doesn't even share your faith, how do you expect that person to help you become a saint? If your friend group is filled with people who only think about what you're doing next weekend and are not willing to have those difficult conversations, how can they help sharpen you?
As you prepare to enter into the workforce, it is extremely important that you actually think about the places you are moving to. Who is the bishop? What kind of parishes are there? Do they offer the TLM and have priests who embrace their priestly vocation? Cost of living must not be the only arbiter of your choices, for a life without God is not a life at all, and the cost of salvation is worth more than any career.
I'm excited for the future, and I pray that something I have said will resonate as you move on to the next chapter of your life.
Never be afraid to profess the one holy, Catholic, and apostolic Church, for this is the Church that Jesus Christ established, through which we receive sanctifying grace.
I know that my message today had a little less fluff than is expected for these speeches, but I believe that this audience and this venue is the best place to speak openly and honestly about who we are and where we all want to go, which is Heaven.
I thank God for Benedictine College and for the example it provides the world. I thank God for men like President Minnis, who are doing their part for the Kingdom. Come to find out you can have an authentically Catholic college and a thriving football program. [Laughter and applause]
Make no mistake: You are entering into mission territory in a post-God world, but you were made for this. And with God by your side and a constant striving for virtue within your vocation, you too can be a saint.
Christ is King.
To the Heights.
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2024.05.17 02:11 MirkWorks Excerpts from Adventures in the Orgasmatron: How the Sexual Revolution Came to America by Christopher Turner (Beats & Gestalt therapy)

Seven
...
In 1945, Allen Ginsberg and Jack Kerouac were students at Columbia University and were lodging in Joan Vollmer’s apartment on West 115th Street. Kerouac, a Catholic who had gotten in on a football scholarship described Ginsberg as “this spindly Jewish kid with horn-rimmed glasses and tremendous ears sticking out…burning black eyes”; the two men had a brief, awkward affair. Their friend William Burroughs was living nearby, on Riverside Drive, and after Kerouac and Ginsberg set him up with their landlady, he moved in, too. The gaunt and lanky Burroughs was more than a decade older than Ginsberg and Kerouac, and already seemed, Ginsberg recalled, to have the “ashen gray of an old-age cheek.” The younger pair admired him, Ginsberg wrote, like “ambassadors to a Chinese emperor.” Kerouac hailed him as “the last of the Faustian men.” Burroughs returned the compliment by introducing the other members of the “libertine circle,” as they dubbed themselves, to drugs, sailors, porn, bathhouses, and Wilhelm Reich.

After leaving Harvard in 1936, Burroughs had enrolled at the University of Vienna’s medical schools, Reich’s alma mater, with vague plans of becoming a psychoanalyst, but his stay was dominated by the administration of arsenic shots for the syphilis he had contracted in America, which left him feeling nauseated and depressed. He left after a semester. Back in New York, Burroughs was analyzed by Paul Federn, who had been Reich’s first therapist but whom Reich came to consider his nemesis. Burroughs was institutionalized in 1940 after he chopped off the tip of his finger in a Van Gogh - like gesture of unrequited love (Bellevue psychiatrists diagnosed him as a paranoid schizophrenic). Burroughs’s parents gave him an allowance of two hundred dollars a month on the condition that he seek further help, and in 1946 Burroughs was undergoing narco-analysis with Dr. Lewis Wolberg, who used nitrous oxide and hypnosis to stimulated the unconscious.
Burroughs would return from his sessions with Wolberg to practice “wild analysis” on his friends, interpreting their dreams from the comfort of a wing chair. He also played a game that parodied the Reichian character analysis that he’d become interested in. The group would play an adaption of charades to facilitate the exploration of the onion layers of their personality armor. Burroughs referred to these exercises in amateur dramatics as “routines.” For example, underneath Burroughs’s public persona as the distinguished heir of an important St. Louis family lurked a prissy, lesbian English governess (“My dear, you’re just in time for tea. Don’t say those dirty words in front of everybody!”). Scratch the governess surface and you reached Old Luke, a gun-toting, tobacco-chewing sharecropper from the Deep South (“Ever gut a catfish?”). The last stratum, at his very core, held a silent Chinaman, a contemplative, impassive character who sat meditating on the banks of the Yangtse. Ginsberg’s hidden self was “the well-groomed Hungarian,” and Kerouac liked to play the naïve American lost in the sophistications of Paris.
Alfred Kinsey met Burroughs, Ginsberg, and Kerouac on one of their nocturnal trips to Time Square through their friend Herbert Huncke, the male prostitute who coined the term “beat” and introduced Burroughs to recreational drugs. Kinsey paid Huncke
Taking advantage of the proximity of Cott’s office to his father’s home, and still buzzing in the mouth, Ginsberg chose to come out during a posttherapeutic visit. “You mean you like to take men’s penises in your mouth?” his father said unsympathetically. But Cott thought homosexuality a perversion, as Reich did, and was working toward establishing heterosexual primacy rather than trying to persuade Ginsberg to come to terms with his queerness. “Frankly I won’t trust that kind of straight genital Reichian,” Burroughs wrote in disgust at this dogmatism. “Feller say, when a man gets too straight he’s just a god damned prick.”
Cott terminated Ginsberg’s therapy after three months because he continued to smoke pot against the doctor’s advice. Ginsberg though cannabis an integral part of his aesthetic education; Cott feared that it would lead to a psychotic episode. The summer he quit therapy, Ginsberg began experiencing auditory hallucinations. “It was like God had a human voice,” Ginsberg wrote of his transcendental experience, in which he discovered his calling as a poet, “with all the infinite tenderness and mortal gravity of a living Creator speaking to his son.” Consumed by a desire to share his amazing experience, Ginsberg crawled out onto his fire escape and tapped on the next-door neighbor’s windows, declaring to the two frightened girls inside, “I’ve seen God!”
His father, still reeling from the discovery of his son’s sexuality, feared that he was suffering from the paranoid schizophrenia that had caused his mother to be institutionalized in Pilgrim State, a mental hospital on Long Island. She also heard voices, feared her husband was trying to poison her, hallucinated Hitler’s mustache in the sink, and thought spies were following her. When Ginsberg entered Reichian analysis, she was reportedly banging her head against the wall so ferociously that the doctors recommended a lobotomy.
Ginsberg phoned up Dr. Cott, his former therapist, and told him, “It happened, I had some kind of breakthrough or psychotic experience.” Cott, who followed Reich in rejecting the talking cure, and who was obviously still angry at Ginsberg for choosing pot over therapy, said, “I’m afraid any discussion would have no value” and hung up on him. Soon afterward, when Ginsberg was involved in a car chase in a stolen vehicle that ended in a dramatic crash, he was encouraged by a law professor at Columbia, where he was still a student, to plead insanity. Dr. Cott appeared in court to testify to his mental instability, and two months later Ginsberg was admitted to the Columbia Presbyterian Psychiatric institute, where he stayed for eight months.
During Ginsberg’s hospitalization, Burroughs wrote to Jack Kerouac to ask him to find out from Ginsberg what the “gadget made by Reichians” looked like. “I want especially to know its shape and if there is a window, and how one gets into it.” Kerouac doesn’t seem to have been much help in providing a blueprint. Burroughs built his first accumulator in the spring of 1949 when he was living on a rented farm in Pharr, Texas, with Kells Elvins, a friend from his Harvard days. They were both enthusiastically reading Reich’s The Cancer Biopathy and decided to build an accumulator in the orange grove Kells owned in the Rio Grande Valley. Built without recourse to any plans, the resulting device included some curious innovations. “Inside was an old icebox,” Burroughs explained, “which you could get inside and pull on a contrivance so that another box of sheet steel descended over you, so that the effect was presumably heightened.” It took them a few days to construct the box. The result was eight feet high, much taller than the ones Reich manufactured: “It was a regular townhouse,” Burroughs recalled.
The pair took turns sitting in the accumulator and obtained, Burroughs wrote, “unmistakable results.” Burroughs wondered what the Mexican farm laborers thought of this strange box that they entered “wrapped in old towels,” and came out of feeling “much sexier and healthier,” “with hard-ons.” Burroughs and Kells also made one of Reich’s smaller shooter boxes, with a funnel, which they used as a supplement to the big box. Their DIY was, Burroughs admitted, “a very sloppy job,” but it still have a powerful “sexual kick.”
"I have just been reading Wilhelm Reich’s latest book The Cancer Biopathy,” Burroughs wrote excitedly to Kerouac. “I tell you Jack, he is the only man in the analysis line who is on that beam. After reading the book I built an orgone accumulator and the gimmick really works. The man is not crazy, he’s a fucking genius.” Kerouac described Burroughs enthusiastically promoting the box in On the Road (1955). According to Kerouac, Burroughs said, “Say, why don’t you fellows try my orgone accumulator? Put some juice in your bones. I always rush up and take off ninety miles an hour for the nearest whorehouse, hor-hor-hor!”
Burroughs used an orgone box on and off for the rest of his life. (There is a picture of the rock star Kurt Cobain waving through the port-hole of Burrough’s last box, a scruffy, patched-up shed that he kept in the garden behind his house in Lawrence, Kansas.) In the 1970s he wrote an article for Oui magazine entitled “All the accumulators I have owned” in which he boasted, “Your intrepid reporter, at age thirty-seven, achieved spontaneous orgasm, no hands, in an orgone accumulator built in an orange grove in Pharr, Texas. It was the small, direct-application accumulator that did the trick.”
….
Perls concluded that any positive claims for the orgone box were attributable to the placebo effect. “I invariably found a fallacy,” he said of the orgone box users he met, “a suggestibility that could be directed in any way that I wanted.” Reich, Perls thought, had made a major contribution in giving Freud’s notion of resistance a body, but he erred in trying to make a verifiable reality out of the libido. “Now resistances do exist, there is no doubt about it,” Perls explained, “but libido was and is a hypothesized energy, invented by Freud himself to explain his model of man.” He thought Reich had hypnotized himself and his patients into the belief of the existence of the orgone as the physical and visible equivalent of libido.
Perls found that users of orgone boxes usually exhibited some paranoid symptoms. “Then I had another look at the armor theory,” Perls went on, “and I realized that the idea of the armor itself was a paranoid form. It supposes an attack from, and defense against, the environment.” Perls criticized vegetotherapy for encouraging the formation of paranoid features by encouraging the patient to “externalize, disown, and project material that could be assimilated and become part of the self.” Orgone energy, Perls concluded from his investigations into the orgone box, was “an invention of Reich’s fantasy which by then had gone astray.” The realization that the Reich he had met in New York was different from the one he had known in Europe, and that orgone mysticism was at the crackpot end of science, was tinged with melancholy. “The enfant terrible of the Vienna Institute turned out to be a genius,” Perls wrote in his autobiography, “only to eclipse himself as a ‘mad scientist.’”
In his own elaboration of character analysis, which he called Gestalt therapy, Perls turned the idea of armor around: where Reich had come to see character armor as a defense against a hostile external world, Perls saw that same layer of self as a shield for one’s own true drives - a straitjacket designed to safeguard against explosions of excitement from within. Thus, it wasn’t a shell to be crushed but something integral, to be owned. (Laura Perls said they tried to convince Rosenfeld to give up his box, that he could increase his physical vitality and mental agility “entirely on his own, without external devices.”) He wanted his patients to be aware of their bodies, to feel the present vividly in the “here and now,” to be “authentic,” to act on their desires.
Perls got his patients to act out their feelings so that they could assimilate and take responsibility for them. He had originally wanted to be a theater director - he’d been a student of Max Reinhardt’s when he was growing up in Berlin, and he’d become closely associated with the avant-garde Living Theatre troupe in New York. Julian Beck, a founder of the Living Theatre, explained to Perls’s biographer, Martin Shepard, of Gestalt therapy, “[Perls] had something in mind that was halfway between the kind of performance we were doing [direct spectacle, aimed at challenging the moral complacency of the audience] and therapeutic sessions.”
“You are my client,” Perls told one female patient. “I care for you like an artist, I bring something out that is hidden in you.” He described therapy as if it were a magic trick; the rabbit he claimed to pull out of the hat was a person shorn of the “neurosis of normalcy” and all the bourgeois niceties associated with it. This person, he hypothesized, was confident enough to be selfish, to act on rather than repress all her desires, whatever the social consequences. All the energy that others wasted on repression and concealment, Perls thought, should be available for creative self-expression. Another of Perls’s patients recalled, “Fritz loved some types - open bastard-bitch - open defenses, that type. He didn’t like anyone who would placate him or be too good to him or used good-girl or good-boy defenses - that drove him up the wall.”

Perls’s views ,and some of his methods, were much indebted to those pioneered by Reich in the thirties: Perls would habitually accuse his patients of being “phony” and was deliberately aggressive, much as Reich had been with him. Yet, his observations about the paranoid deviations in Reich’s terminology and thinking were painfully perceptive, precisely because he had built on those very ideas.
In 1951, Perls, Paul Goodman, and a Columbia professor of psychology named Ralph Hefferline published Gestalt Therapy: Excitement and Growth in the Human Personality. Rewritten by Goodman, and bearing all the hallmarks of Goodman’s exasperating style, the book blends Reich’s ideas about energy blocks and flows with Sartre’s cafe philosophy to create an American brand of existentialism turned therapy. The authors intended their self-help book to provide the reader with the tools for revolution: “In recommending [these experiments] to you,” they warned of their mass-market therapy, “we commit an aggressive act aimed at your present status quo and whatever complacency it affords.” They promised immediate liberation, without the hard grind of political struggle; all you had to do was unleash your “authentic” self.
The “excitement” to which the subtitle of the book refers is a generalized libido, an elan vital that is seeking various outlets, not all of them sexual. Life, for Perls, was a series of “unfinished” or “undigested” situation, frustrations that were all waiting their turn for satisfactory closure. “After the available excitement has been fully transformed and experienced, then we have good closure, satisfaction, temporary peace and nirvana,” Perls summarized his position. “A [mere] discharge will barely bring about the feeling of exhaustion and being spent.”
It sounded very like the Reichian orgasm. But for Perls, excitement was no longer exclusively genital, as it was for Reich, and this shift only served to open up numerous other slipways to pleasure. In Reich’s view, the libido theory was an inviolable article of faith. In broadening its range to celebrate oral and anal pleasures, Perls heralded a polymorphously perverse and heretical vision - one that, ironically, would prove particularly amenable to exploitation under capitalism.
In 1952, Perls, his wife, Goodman, Isidore From, Elliott Shapiro, and two others founded the New York Institute for Gestalt Therapy, headquartered in the Perleses’ apartment and with treatment rooms at 315 Central Park West. The seven founding members met on a weekly basis for group therapy. There was no bureaucratic hierarchy and everyone, including Perls, was subject to the honest criticism that was seen as the key to self-discovery. It was a very public form of character analysis: members of the group would draw one another’s attention to every repression or hang-up, none of which was to be tolerated.
Elliot Shapiro, an ex-boxer and the head of a psychiatric school attached to Kings County Hospital in Brooklyn, brought a friend to one session; Shapiro’s friend said he “had never witnessed the aggressive and profound battling that went on in those groups. Nobody, virtually nobody, was safe at any time.” Shapiro recalled, “We hammered at each other, and hammered, and hammered - every week. And it was the most vigorous hammering you can image….If you could live through these groups and take the corrections, the insults, the remarks…” Not all the participants had sufficiently thick skins to take such brutal candor. The psychotherapist Jim Simkin left the group because he felt that everyone was “loading elephant shit on him,” as did Ralph Hefferline, a coauthor of Gestalt Therapy.
To promote this new school, Perls traveled from city to city, introducing an audience of psychiatrists, social workers, and other interested parties to his “here and now” philosophy. He taught groups in Cleveland, Detroit, Toronto, and Miami how to be sensitive to their bodily needs and to follow their impulses, to be honest and unalienated. He’d be sharp and confrontational as he pushed his awareness techniques on the participants: What are you doing now? What are you experiencing? What are you feeling? Isadore From, who was part of the original New York group, remembers that these occasions were often very dramatic, with “a lot of shaking, trembling, anxiety” - effects that he thought were the result of the audiences’ hyperventilating under the strain of Perls’s relentless goading and questioning.
The New York Institute of Gestalt Therapy also ran public seminars, including one by Goodman, “The Psychology of Sex” (“What you can’t do, teach,” he said with a laugh). Following Reich, it was thought that neurosis could be treated by exposure to sexual pleasure. Goodman made this his area of expertise and people with sexual problems were often referred to him. One was a man who was worried about the quality of his orgasms after prostate surgery. Another thought he might be homosexual; the bisexual Goodman got his penis out and demanded that the patient touch it to help him make a diagnosis. In so doing he was no doubt influenced by Hitschmann, the Viennese analyst who once asked Perls, then tormented by sexual inadequacy, to show him his penis .
In one of Goodman’s group sessions, when someone complained of the lack of sexual companionship, Goodman went around the circle and set up a week’s worth of dates. “See, that wasn’t so difficult,” he reassured her. He was not beyond offering his own neurosis-busting services to patients of either sex, and once agreed to accompany a patient who invited him on an all-expenses-paid trip to Europe. He joked about setting up a College of Sex so as to put his vast experience to educational use. “I’m a sociopath,” he wanted a potential client. In a diary entry written in 1957, Goodman looked back on the previous decade and concluded that he’s made a “false cultus-religion (an obsession)” of sex: “The sexual act itself had just about the meaning of a ritual communion sacrifice.”
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2024.05.17 02:08 adulting4kids Lesson 20

Lesson 20: The Sun's Illumination and The Sun Card
Our Tarot journey concludes with The Sun, a card symbolizing illumination, joy, and the realization of one's true self. Let's explore themes of self-discovery, positivity, and basking in the radiant energy of authenticity.
Discussion Questions: 1. How do you currently approach situations that require embracing your true self? 2. Reflect on a time when authenticity and positive energy led to personal joy. What aspects of your true self did you express? 3. In what ways can you view the concept of self-discovery as a journey towards inner illumination?
Guided Meditation: Visualize yourself under the warm rays of the sun, symbolizing the illumination of your true self. Feel the energy of joy and authenticity surrounding you. Explore the thoughts and feelings that arise during this visualization.
Exercise 20: Pull The Sun card and reflect on areas where embracing your true self can lead to joy. Identify aspects of your life where positivity and authenticity are essential. Create a plan to approach these situations with radiant energy, documenting your experiences and celebrating your journey towards inner illumination.
Congratulations on completing this comprehensive Tarot journey! May the wisdom and insights gained continue to guide and inspire you on your path of self-discovery. If you ever wish to explore more or have further inquiries, feel free to return. Wishing you light, wisdom, and joy on your continued journey.
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2024.05.17 02:04 adulting4kids Lesson 10

Lesson 10: The Hermit's Solitude and The Hermit Card
As our journey through the Tarot unfolds, we encounter The Hermit, a card representing introspection, solitude, and the quest for inner wisdom. Let's explore themes of self-discovery, spiritual seeking, and the benefits of solitude.
Discussion Questions: 1. How do you currently approach moments of solitude and introspection in your life? 2. Reflect on a time when self-reflection led to a deeper understanding of yourself. What insights did you gain? 3. In what ways do you seek spiritual wisdom and connection in moments of introspection?
Guided Meditation: Picture yourself in a serene, secluded space, symbolizing The Hermit's retreat. Feel the energy of introspection and inner wisdom surrounding you. Explore the thoughts and feelings that arise during this visualization.
Exercise 10: Pull The Hermit card and contemplate the wisdom it offers. Dedicate time to regular moments of solitude for self-reflection and spiritual seeking. Journal about your experiences, noting any insights gained and the impact on your journey of self-discovery.
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2024.05.17 02:02 Luh_Entity Day 1 (Hard Mode) ✅

Relapsed hard the past few days.
That hurts a bit. But the progress is still there. I’m never giving up until I win. I’m bored of being stuck on this level.
Let’s focus on now rather than the past.
These journals helped me get to the best alignment of my life since I started this habit. So let’s restart doing this.
With awareness of not obsessing over the actual nofap part of it. Normal people don’t count days, streaks or constantly anxiously enter the energy of porn addiction.
Clear that brain space and focus on how you can apply your mind to elevate to an authentic state of higher vibrational reality creation.
I want to be on my playboy shit this summer. So let’s create that. No excuses, no tiredness, all I have is today. So get it all done today.
I had the thought today of how consistency creates the base level, the base level is the evidence of actual integration / congruence / reflection of the man you have actually created in the now.
because if you don’t then aren’t you just holding onto the idea and not living your truth. And by holding onto the wanting of integrating these ideas you fill the mental space with thoughts of lack, wanting to grow. Rather than actually creating the growth and clearing space for continuous improvement.
And what level of life are you satisfied with?
What rate of growth are you, personally, satisfied with?
I’ll tell you for free that this isn’t even close to what I am capable of.
And wasting time to increasingly live in my potential is an upmost disrespect towards myself and to the god that created me.
All that being said. Tomorrow is an opportunity to live your truth. That’s all you can do. How you choose to live is your truth.
So I ask myself,
How do you choose to live?
What is your truth?
Who are you?
You get to answer these questions through how you think, how you act and how you live.
Another thought I had recently is that awareness is a massive tool to overcoming the compulsions of your porn addiction, of which is a result of years of daily programming that you must be aware of to rewrite.
And the best way to increase my awareness is to meditate and to journal. And to do so throughout the day ( intention to be aware constantly).
So let’s place the true importance on building your skill of awareness.
My sleep schedule has been so so bad past week because I stayed gooning till like 4am constantly. And that creates shame in the mornings.
Win the mornings, win the day.
Wake up on time tomorrow.
Said enough for today.
Now tomorrow live your truth.
See me tomorrow.
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2024.05.17 02:02 adulting4kids Lesson Six

Lesson 6: The Hierophant's Wisdom and The Hierophant Card
Our journey into the Tarot continues with The Hierophant, a card representing tradition, spiritual guidance, and the pursuit of wisdom. Let's explore the themes of seeking knowledge and understanding through structured belief systems.
Discussion Questions: 1. How do you currently approach spiritual or philosophical guidance in your life? 2. Reflect on the role of tradition in your upbringing. How has it influenced your beliefs? 3. In what ways do you seek wisdom and higher knowledge? How open are you to new spiritual insights?
Guided Meditation: Picture yourself in a sacred space, surrounded by symbols of wisdom and tradition. Feel the energy of spiritual guidance enveloping you. Connect with the essence of The Hierophant as a conduit for wisdom. Notice any intuitive messages or insights that arise.
Exercise 6: Pull The Hierophant card and contemplate the wisdom it offers. Explore different spiritual practices or belief systems that resonate with you. Incorporate rituals or traditions into your routine and journal about the impact on your sense of wisdom and guidance.
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2024.05.17 01:53 adulting4kids Major Arcana 1-3

Lesson 1: The Fool's Journey and The Fool Card
Welcome to the profound world of Tarot! Our journey begins with The Fool, a card that signifies new beginnings, spontaneity, and the courage to embark on an adventure. Let's delve into the depths of The Fool's Journey and discover its relevance to your life.
Discussion Questions: 1. How do you interpret the symbolism of The Fool card in relation to new beginnings in your life? 2. Reflect on a time when you embraced the unknown or took a leap of faith. What lessons did you learn? 3. How comfortable are you with unpredictability and spontaneity in your life?
Guided Meditation: Close your eyes and visualize yourself standing at the edge of a cliff, just like The Fool in the card. Feel the excitement and fear mingling as you prepare to take a leap. As you jump, envision a world of endless possibilities unfolding around you. Take note of any emotions or insights that arise during this meditation.
Exercise 1: Pull The Fool card from your Tarot deck. Journal about your current life situation, focusing on aspects that resonate with The Fool's energy. Consider planning a spontaneous activity this week and reflect on the outcomes. How does embracing spontaneity impact your perspective?
Lesson 2: The Magician's Mastery and The Magician Card
The Magician card embodies mastery, manifestation, and personal empowerment. It symbolizes the ability to channel universal energy to achieve your goals. Let's explore the transformative power of The Magician in your life.
Discussion Questions: 1. What aspects of your life require mastery and transformation? 2. In what areas do you feel a need for personal empowerment? 3. How can you align with the energy of The Magician to manifest positive change?
Guided Meditation: Imagine yourself as The Magician, surrounded by the tools of creation. Envision a sphere of energy forming around you, representing your ability to manifest your desires. Explore this visualization and notice any shifts in perception or awareness.
Exercise 2: Pull The Magician card and reflect on your innate abilities and resources. How can you leverage these talents to achieve your goals? Create a vision board incorporating elements from The Magician card, representing your manifestations and aspirations.
Lesson 3: The High Priestess's Intuition and The High Priestess Card
The High Priestess card invites us to explore the realm of intuition, inner wisdom, and the mysteries that lie within. Let's unlock the secrets of The High Priestess and enhance our connection with intuition.
Discussion Questions: 1. How do you currently tap into your inner wisdom and intuition? 2. What role does intuition play in your decision-making process? 3. How comfortable are you with embracing the mysteries of your subconscious mind?
Guided Meditation: Imagine yourself in a serene, moonlit space, symbolizing the realm of intuition. Visualize a veil lifting, revealing hidden truths and insights. Allow your intuition to guide you through this mystical experience.
Exercise 3: Pull The High Priestess card and contemplate the mysteries within your life. How can you trust your intuition more in daily decisions? Dedicate time each day to silent contemplation, documenting any intuitive nudges or revelations.
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2024.05.17 01:32 Beginning_Vanilla609 Review: Rise of Kyoshi by FC Yee is bad.

Kyoshi book 1 is the epitome of ‘a meeting that could have been an email’. Its book that should have been a graphic novel. A story that should have been a wikipedia page.
SPOILERS, though I am saving you the read.
TLDR: The story telling is mediocre, and the story would have been just as compelling as a bullet pointed list of story facts. It flubs, glosses over and skips all portions of story that would have required any amount of clever writing or skill. The story is comprised of cringey tropes. This book will not sit among the original series in the annals of history. It sits below Korra and just above M Knight’s film adaption and the disgraceful Netflix reboot.
First, the idea of there being immense trouble identifying the Avatar is a good plot point. Having Kuruk’s team find and teach the next Avatar and have opposing ideals is also a good plot point. Yee also describes the martial arts okay enough, but this is an inherent obstacle when turning highly visual source material into text. This concludes my praise.
Yee tells, but doesnt show. Show more teambuilding and friendship between Kyoshi, Rangi and Yun. They only come together once in the same room to hang out before the main conflict happens, and its a superficial scene straight out of an 80s slasher movie. They come together solely to ‘show’ them being a team as they hang out and exchange banter. This is the first of Yee’s pseudo-“show, don’t tell”. It appears like the story is showing us something, but it is still telling us. It is characterized by vapid, juvenile writing in a scene that is largely inconsequential to the story.
Make the misidentification of the Avatar weigh on each of them and test friendship. Show her being found by Kelsang. The jump forward 9 years is jarring and leaves logic way behind. If she was raised by Kelsang, why didnt he finish testing her as the Avatar? Why did he take pity and raise her after traveling the world and seeing other homeless children? Why didnt she give back the clay turtle relic? Kyoshi is abandoned when she is old enough to remember being abandon, but doesn’t remember where she got the turtle. This line is another example of pseudo-show. Why don’t we dont get any insight into the moment she is abandon? We do not know any of these things. Including these scenes in the book would have made it longer, but its the juiciest piece of the character development. The length of a book is largely forgivable if it is captivating. This is like if you order a burger and they only bring you a bun and a slice of bib lettuce. Its missing the most crucile part.
Show Yun being incorrectly identified as the Avatar. This scene has to be so interesting. There is nothing in the book about this at all. This seems like another artful dodge around having to write something clever, and that tends to be difficult.
Show Kyoshi’s Avatar state. ‘Blacking out’ is not a mysterious way to tell stories. Its a cop out of writing something the author finds difficult. Also, a character can black out and not remember doing something AND the author can still describe it as it happens to the reader. Choosing to ommit more juicey story speaks more to the writers lack of confidence in their writing.
The fans and helmet of her parents are forced clumsily into the story at the height of the inciting incident. They could have been introduced any time. For example, when Kyoshi connects with her parent’s old crime ring and they could be presented to Kyoshi as relics of the group’s deceased leaders. Instead they are introduced to the reader by Kyoshi dropping her luggage and they fall out in the rain and mud. It reads like a scene that is meant to be a story board for a cartoon or comic.
We dont get any insight into Kyoshi’s parents being dead or alive. Kyoshi doesnt seem to ask anyone either. Why? Seems like a reasonable question.
Kelsang realizes Kyoshi is the Avatar when she does some improv poetry that happens to be Avatar Kuruk’s favorite poem? That was the best idea you got?
Kyoshi has a sky bison named PengPeng? Find a new method of transportation, the flying bison had been done before. Pengpeng is also only used as transportation. She doesnt have any personality like Momo and Appa. Total strikeout.
When something new develops that is supposed to surprise the reader, like Kyoshi’s mother being a disgraced airbender, Yee doesnt show this. This is explained away in a moment of dialogue like “once upon a time, this happened.” Then the plot moves on. And what motivation did she have for keeping this from Kelsang? Maybe they knew each other? They are both airbenders who have killed before, which is significant in the fiction. This could have been an opportunity to connect characters and create intrigue. But we only learn this at the end of the book for no reason.
Love between ATLA characters is subtle in the show. Katara and Aang will end up together and we know this implicitly. Sokka loves his friends, particularly Toph, because of the actions we see him take to help her. Rewatch the show, you will see what I mean. However this is not a major plot point that is touched on each episode. Zuko and Mei are together but they are pulled apart temporarily by character motivations. It skips the filler and gets right to the interesting part. However in Kyoshi book 1, love between Rangi and Kyoshi is vapid and foreshadowed from the first pages. Lets set lesbianism aside, its not the issue. The issue is that this love story is not compelling chiefly because we are told they care for each other but are only shown this in the back half of the book on a surface level. Even when we are shown these things, its not believable. The characters act like teenagers do in 2024 America, not like how teenagers would act in a world coming off the heels of a 100 year war. The characters are young, but they have roles, careers, and the responsibilities of adults. This stems from the same problem Yun has with Kyoshi and Rangi. We don’t see them becoming or being friends. We are told they are friends. Thats it.
This connects to Rangi’s character being ambivalent and emotionally indistinct. Rangi is played as a tough, no nonsense soldier that is hired as Yun’s personal bodyguard, the most important job next to being the avatar yourself. But her expressions of love are juvenile and childish. In one scene she is scolding Kyoshi on her duty toward being Avatar then in the next she acts playfully excited like an American weeb teenager when Kyoshi bends water for the first time. Rangi is poorly written and has poor motivation to her Avatar duty. She contributes nothing practical or technical to the story but love interest. If she is a child prodigy badass that earned the job of protecting the Avatar, she should act like it.
Hei Ran, Rangi’s mother, does nothing consequential to the plot. Why have this character? It is stated she knew Avatar Kuruk. The least she can do is bring it up more.
AND FINALLY, Kyoshis character is very opposite from who we see in ATLA. Obviously this is to show growth, but the timid Kyoshi inexplicably switches to confident and intimidating Kyoshi without any growth, then switches back to timid again. We know kyoshi as a tall, confident, matter of fact, powerful bender who sees no difference between murdering Chin the Conquerer and letting him fall to his death. But here we see a still tall, but petulant teen. She is afraid of her bending. She is inconsistently overconfident. She is squemish about murder. Perhaps the growth occurs in book two, but then again change is gradual. We should see some examples of change now. She grew up a homeless street urchin. She needs to act like it.
Yun struggles with his bending but also keeps smiling and acting like everything is ok. This trope is exhausted to death by anime. We do not see a human side of Yun. He is not tortured by the training or the fatique of not being able to bend fire or the pressure and expectation of being Avatar. He just smiles and flirts with Kyoshi. He also asks her to go with him to a peace treaty signing with pirates all because he wants to have her there so he feels loved. But this thinly disguises the fact the author needed a reason to have her at the signing so she can earthbend and save everyone. Take Rangi, your apointed body guard.
Yun returns at the end of the novel as a deus ex machina and kills Jianzhu in an admittedly badass way. 10/10. However, Yun is dead, reappears as a ghost, then earth bends. The possibility of this within the fiction is near zero UNLESS FC Yee is trying add to the lore of spirit magic and bending. To that I say “Learn to be a better writer first.”
Kirima is an okay character. We traditionally see water benders as good guys, but she is a tough leader of a gang of criminals. Again we are told that, not shown. 5/10. Mid teir.
Wong is a worse comedic relief than Sokka. Where Sokka learns to become a leader from a close minded sceptic and redeem this quality, Wong is indistinct from any other background earth bender. He eventually becomes Kyoshis earthbending teacher and he starts to fill out a teacher role but is still indistinct. Up until this time, he carrys no air of educator at all. Remember, he’s a pirate criminal. This turn of character seems to come from the team learning that Kyoshi is the Avatar, something she kept secret. But Wong is the only one who changes their behavior based on this. Meeting the most important person in the world doesn’t effect them, I guess. Doesn’t seem reasonable.
Lek is a kid that idolizes Kyoshi’s parents, but acts out like a toddler when she speaks poorly of them. I am left feeling disatisfied by a criminal outlaw that throws tantrums when someone speaks ill of their pseudo mommy and daddy. Lek is poorly written as a rival to Kyoshi, if if fact that was Yee’s intention. You see it in their banter and interactions. Lek is killed by a poison that only incapacitates all others effected. It was like the author needed him to die real quick and didnt know how to do it, but also didn’t want to rewrite the chapter.
Now is a good time to mention that characters can be annoying to other characters, but they should not be annoying to the reader. Doing this is a form of self sabotage. Its like serving up raw eggs for breakfast on purpose and calling it art. You just wouldn’t do it.
Lao Ge is poorly written too, despite being an interesting character idea. Lao is meant to be Kyoshi’s spiritual leader in this story. He leads her to the ancient technique of prolonging ones life with spirit magic. But this man reads like an embarassing drunk uncle that no one responds to when he speaks. He acts like he’s cool, wanders off constantly and returns covered in blood to a group thats asks no questions. Criminals still ask questions. In fact, they are more paranoid on account of being criminals. For example, there is a scene where they leave without him and realize they forgot him and have to go back. This scene amounts to nothing. Why was it in the book? Whoops, he’s also a master assassin. We are told this over and over but never see it in action. Boo. Don’t suggest violence. Show us violence.
Why is this group of criminals still together anyway? They lost their leaders, Kyoshi’s parents. Wouldn’t the find new jobs? Thin the herd. Theres too many characters.
Jianzhu acts more suspicious after he is identified as the villain which is a trope found in childrens television to remind children he is bad now. The fact it is here insults the readers intellegence. His villain motivations are not explained well. Does he care more about identifying the Avatar than his lifelong friend Kelsang or the life of the innocent? Also, a villain doesnt need to kill someone to be identified as the villain but youll find that trope here too. Clever writing can remedy this all the same. He does do cool evil guy things, but they are explained after the fact instead of showing him coniving these schemes and putting them into action. His death is awesome, but his final confrontation with Kyoshi is not spectacular. There is no final battle like one might expect. He the one that ghost Yun kills.
It is unclear if this book is meant for a YA reader audience or the adult audience that watched ATLA as kids. The story is grittier, bloodier and violent with explicit deaths and torture. All the while bearing a sheen of squeeky clean Nickelodean dialogue and unfunny humor that has an obvious limit. The book says they swear, but the exact words do not show up in dialogue. Characters are impaled and gored, but the 3rd person narration takes breaks from descriptions of this for quippy commentary on the things happening. Who says these things? Kyoshi? But its in third person. This clashes with the perspective and shows indecision on the part of the author.
The perspective is stuck between 1st and 3rd. 1st serves better for the YA audience where Kyoshi might think these quippy things to herself or have thoughts that help the reader understand context better. 3rd person would serve the adult audience better with a matter of fact telling of the story. Maybe even change between characters in some chapters and fill in some of these gaps. Instead the book strattles the line between these two perspectives and suffers greatly. You have humorous commentary and scene descriptions coming from the same source. It breaks immersion when the reader is stuck wondering who is telling the story.
YA is an oversaturatedand flawed genre anyway. Its almost designed to trick teens into thinking they are reading adult books.
Yee includes too many comparisons, similies and analogies. Each one is meant to create world building, where the text compares a creature in the ATLA world to a situation at hand. But they start coming up too often in the back half of the book. This also seems to rise in frequency as descriptions get vaguer. It felt like Yee lacked the proper lexicon to describe what was happening as the story approached the end. Analogies should be used to explain difficult things, not just thrown in recklessly.
One moment sticks out from this book that reminds me of ATLA. While Yun and Kyoshi are silently trying to meditate before Jianzhu summons a spirit to finally identify the correct Avatar, the two teens speak for a second. Eyes closed, Kyoshi whispers “You know what would be funny? If neither of us were the Avatar.” This captures elements of friendship between the two kids, character humor, and SHOWS these two still care for each other no matter what happens next. Yun’s response isn’t even remotely appropriate, memorable or clever. The opportunity is a total loss.
Another moment of total loss and tonal dissonance is when Kyoshi, Rangi and the convicts go to a hidden secret criminal town that is described as being so cut throat, you don’t even look at people in the eye. Just then the group sees two men collide after turning a blind corner and drop their stuff. Page 224. They exchange appologies, act very polite, and depart. (This is told to the reader, not shown with appropriatly funny dialogue). Lek then explains the two men will meet tonight on the challenge grounds and fight to the death. However, that night at the challenge grounds, you don’t see those characters; a total whiff on Yee’s part. Instead you read about one man bludgeoning another man to death with barehands in pure gladitorial bloodsport. This scene shows the whimsy of ATLA, the gorey violence that Yee wanted and his befuddled attempt at writing something that blends the two.
All of this leads me to conclude the book is for a YA audience, which is unfortunate because ATLA was for everyone; YA, adult and children. It is a children’s show that adults can find a surprising amount of depth and humor in. Yee’s doesn’t hold a candle to the writing of Aaron Ehasz.
The argument that this books is allowed to be bad because its for kids falls apart for the same reason. The expert writing of Aaron Ehazs in ATLA is what imortalizes it to this day; the dialogue, the characters, and the story. ATLA is a kids cartoon by which all cinema and television are compared. This is simply not on that level.
When this level of integrity is left to be followed up by an author with one previously published work, underdelivery should be expected. Kyoshi book 1 is FC Yee’s second published work and it shows. I would be interested in learning more about FC Yee’s past unpublished experiences in writing and qualifications.
So again, this book is like a meeting that should have been an email. The story is not “worth the read”. The historical facts are more valuable. For example, telling someone that Kyoshi’s dad is a pirate earthbender and her mother is a disgraced criminal airbender is a total surprise and sparks good speculative conversation. But the way the novel presents this information is clumsy and ignorant of how rare these circumstances are within the fiction. These historical facts are just as compelling when read on the Avatar wiki page, negating the necessity for a book in the first place. I think this is symptomatic of writing a prequal too. We know enough about Kyoshi to be interested in her character, so the facts about her should be presented interestingly with art and showmanship.
This book leaves me with the sneaking suspicion that most of what FC Yee knows about writing was learned from anime, a genre so polluted its not worth even sifting through to find quality content. Hot take, I know.
His other books on Genie Lo (2017, 2020) are teen dramas with ‘the chosen one’ trope, as the summaries suggest. That must be why that shows in this book. Maybe FC Yee can only write one type of book.
Yee is also not an author by trade. He said in an interview that he works in mobile gaming as the guy who makes “everything less fun by adding stuff to the game you have to pay for.” He went to college for Economics, or so I read on his wiki page.
His book publisher proposed the two book series idea to Nickelodeon, it was not a matter of the creators carefully hand picking a writer. He also only worked with Mike DiMartino. In his interview, he says he did not work with Bryan Konietzko and never even mentions Aaron Ehasz. I believe this is to the great detrement of the story.
I’ve heard that people really liked this book. However, I wonder if that is genuine affection or the same kind of denial Star Wars fans had when the Phantom Menace came out. I draw this parallel because my father was that person. He recomended this book to me and gave it high praise in the same way he did when Phantom Menace released.
The fans, my father and myself included, are starved for any canon ATLA material. Feeding the fans undercooked meals is no way to make a fanbase grow. The ATLA fanbase already got food poisoning from M Knight’s movie. It recovered, but at a cost. I hate to think what might happen after the Netflix show and the animated movie of adult Aang.
I understand that Yee was a fan of the material. In fact, he and I share the same favorite character. So know that this is not an attack on a fellow fan of ATLA, I simply believe Yee is not the man for this job. Avatar deserves better than to be relegated to a YA novel lost in a sea of overproduced assembly line YA content. Avatar deserves a better writer. Save your fine cutlery for fine dining, don’t use polished silver to eat fast food.
To end, I leave you with this: if you want more Avatar content, gather some friends and play the Avatar rpg by Magpie Games. It is the most fun I’ve had in the ATLA world since I was a kid. If you play it right, you get that same sense of magic you got back in 2005 when Book Water came out.
Below is a link to an interview with Yee.
https://thenerdsofcolor.org/2019/07/15/from-fan-to-avatar-writer-f-c-yee-on-developing-the-story-of-avatar-kyoshi/amp/
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2024.05.17 01:30 adulting4kids Lesson 40

Lesson 40: Reflecting on Your Tarot Journey
Explanation: As we approach the conclusion of our advanced Tarot lessons, take a moment to reflect on your journey. Consider your growth, insights gained, and the wisdom you've integrated.
Exercise: Review your notes, interpretations, and experiences from the lessons. Identify patterns, recurring themes, or personal breakthroughs.
Activity: Draw a single card. Reflect on how your understanding and connection with Tarot have evolved. What does the card symbolize in the context of your journey?
Guided Meditation: Close your eyes, hold the drawn card in your mind. Feel the energy it carries. What profound reflections surface about your Tarot exploration?
Closing Thoughts: Your Tarot journey is a continuous cycle of learning and self-discovery. Acknowledge the growth and embrace the wisdom gained as you continue your exploration.
If you ever seek more guidance or have questions, remember the cards are ready to share their insights. Thank you for embarking on this Tarot adventure!
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2024.05.17 01:00 agileideation Navigating Work-Life Integration: A Deep Dive for Modern Leaders

In our fast-paced world, the concept of work-life balance seems increasingly elusive, especially for those in leadership positions. The pressure to perform at work while also maintaining a fulfilling personal life can be overwhelming. But what if I told you that the secret isn’t balancing these aspects in isolation, but integrating them in a way that enriches both? This is a journey not just of time management, but of setting priorities that reflect our deepest values as leaders.
Understanding Work-Life Integration
Work-life integration is about creating synergy between all aspects of our lives. For executives and leaders, this means finding ways to blend personal interests, family time, and professional responsibilities in a harmonious mix. It's not about compromising one for the other but enhancing both.
Strategies for Achieving Integration
Holistic Time Management: Begin by auditing how you spend your time over a week. Are there areas where your personal and professional lives can intersect more positively? Perhaps listening to a leadership podcast while jogging or scheduling walking meetings.
Boundary Setting with Intention: Clear boundaries help prevent burnout and foster respect from your team. They also model healthy habits for those you lead. What boundaries could you set that would benefit both your personal well-being and professional productivity?
Embracing Personalized Coaching: Coaching can offer bespoke strategies that take into account your unique challenges, leadership style, and personal goals. It’s about crafting a path that acknowledges the complexity of your role and aspirations.
Taking the First Step
This week, I challenge you to integrate one personal passion or interest into your daily routine in a way that also serves your professional growth. Maybe it's reading a chapter of a leadership book each morning, or finding time to meditate before a big meeting. Notice how these integrations impact your energy, perspective, and effectiveness.
Why This Matters
For those of us leading the charge in our respective fields, showing up fully in every area of our lives isn’t just about personal satisfaction. It’s about setting a standard for the kind of holistic, integrated life that we want to champion for our teams and organizations.
Let's Build This Community Together
I’m on a mission to create a space here where we can share insights, strategies, and stories about navigating the challenges and opportunities of leadership in today's world. If you’ve got experiences or thoughts on work-life integration, I’d love to hear them. How do you find harmony in your life and leadership?
Feel free to dive into the comments below. Let’s kickstart a conversation that might just redefine the way we think about leadership and life integration.
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2024.05.17 00:26 little_blue_maiden Books encouraging daily practice

So I've come across these books online
Awaken Every Day: 365 Buddhist Reflections to Invite Mindfulness and Joy;
365 Buddha: Daily Meditations;
Daily Doses of Wisdom: A Year of Buddhist Inspiration;
Buddhist Wisdom: Daily Reflections.
I'm sure there is plenty more of these type of books out there.
So, while I know nothing will make you practice and learn, having actual paper book with daily snippets of dharma would not hurt, and maybe even boost the moral, aka the motivation would grow.
Have you had any of these books? Did you try any of these? Do you have opinions on which was better based on your experience? Did it work for you, maybe? Or it did not. I am open to any ideas and suggestions about this.
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2024.05.16 23:25 Countryclubdisaster Tai chi is a martial art intended to teach “principles” of movement above all

Tai chi is a martial art intended to teach “principles” of movement above all
Practicing Tai Chi has not improved my ability to use tai chi in a fight. But it has GREATLY improved how smoothly and efficiently I move. And in a grappling context, it has helped me to much better relax and shift incoming forces in make sense ways. It gives you principles of how to relax, how to move be aware of and move from your center of gravity.
Shen’s relaxation in movement, his fluidity and flowing strikes here are very reminiscent of tai chi.
Before tai chi practice, the beginning is to simply stand with your hands by your sides. The aim is to release tension. The shoulders, the back, the jaw, are the clear usuals…but then you may feel that your face is tense, the top of your head, the bottom of your feet, as if you are grasping for dear life, the muscles that relax or bug out your eyes.
If you try it, you’ll find a surprising degree of habitual tension throughout your body. Most all of us are far more anxious than we think we are, and it is reflected in our bodies. Where there is tension, there is a lack of feeling and awareness.
What if Shen is completely devoid of tension? As he appears to be? Even with half a dozen dangerous fighters simultaneously attacking him. He is as fluid as water because his habitual tensions and blockages are completely removed.
His secret is in shedding what people accrue in their bodies. Emotions bound in muscle and mind that serve to atrophy how well and how fast a human being can move without these impediments.
As a sage in the mountains, these meditative and deep internal work probably formed his principles.
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