I'm a service manager for Albertsons and been working there for a year now and worked for Kroger for 5 years before. I'm about to start a new position in HR for a smaller local company in a few weeks.
I worked my way up from cashier at 16 years old. Therefore, I seen some stuff in my working life in grocery stores over the course of time, and worked with some pretty special figures. Instead of telling you stories about annoying customers like you always see, here's some examples of what workers do that annoy me and probably a lot of others.

• The control freak, power hungry co worker.

These people often are older and expedienced. However they are horrible at something part of their job that prevents them from moving up, like being a team lead. These people don't have boundaries and will often try to run over the people who's actually in charge. Control freaks also just make things harder than they really need to be and often piss off customers with policies that corporate doesn't have anymore or enforce. Sometimes this person will make up stupid policies themselves that tick off the customers and want others to enforce it manager or not.

• The stores designated boot licker

These people are different from control freaks because they don't want power. They just want validation from the store manager. These workers don't mind their own business and will tell on people who are late. Who did what task incorrectly or will take matters in their own hands if the boss isnt there, and call people from o every department who was originally scheduled but was approved the day off in short notice, and ask why they are not at work. There's always someone in every store thats like this . I don't know why but probably wants validation to slack off in the future or make a better work environment in their eyes.
-That one person that works at the customer service desk
These people are unique. They are the face of the store. They have great people skills and loved by customers but are really unliked by coworkers. The reason being is either they don't do anything but stand behind the desk while cashiers need help bagging or they do help out but complain about everything. They often feel entitled to everything from either working for the company for a long time or great secret shopper scores.

• Control freak store manager

Really the same as Control freaks but are managers. They make life hell for everyone. They control every departments schedule. They control the ordering and approve pto themselves. They come in on days off and bark orders at their department heads As managers they are sometimes good, but employees hate life. When they are bad though, they don't care if their decision made the store and company look bad. They just want to be the one who does everything and will pass blame on department heads or the assistant manager. I had a manager who cut my departments hours in half because we didn't sale enough donations boxes and made me the only front end employee for two hours on a Sunday afternoon. My boss was off that day and I wanted to die running register, service desk and SCO during that time before help came in.
-The store manager who only cares about their bonus
These managers are annoying because they look at metrics. That's what some companies care about when grading stores over time. The problem with metrics stores use is the don't matter or show how effectively the store is operating. The store managers get bonuses throughout the year when goals are met. Most managers know they don't have to to anything to get their bonus since their employees do the work. These managers will intimidated their employees to meet these metrics placed on them by corporate usually either by yelling at them or document sub lar standards and write them up. They will go as far as letting people go and bring someone else in. There's much more they do including shady stuff with people's salaries to save on payroll.
-The assistant manager that stepped down from store manager
These people are the same as before but step down to assistant manager. Usually they are older and want a more relaxing ending to their career. However they are stepping down because they were told too and still asked like they are the manager if they get transferred. They will act like the big dog when the manager is off and they are working. From my experience they will be an ass because there egos are boosted when they are to approve anything. This type of manager actually tried writing me up for working unapproved over time even though I was a department manager that covered for a sick employee. Took me another week to get paid too because he denied my timesheet.🙄

• People that ask for about promotions that are open but won't open their 6-2pm Monday-Friday dvisability.

This is mainly younger people but why do want to be promoted but not work times that the position is really needed. If you want to be a supervisor I'm all for it but I can't promote someone that can't or doesn't want to lose their morning shift. This only happened once to me but a lot of drama was caused when I promoted someone over another people one time and my desiding factor was they could work weekends.

• No call no shows

I learned how annoying this is when I became a manager. Just please let you manager know of something happened or quit. Even if you come into work the next day your schedule I usually won't ask for a doctors note or anything if the employee didn't have a habit of not showing up. Life happens and even last minute.

I had an abusive therapist in 2021 whom I recently, and so kindly, made a review page for on RateMDs (Canada); turns out a lot of people feel the exact same way about her, and one person claimed they are reporting her to the ethics board due to her verbal attacks.
My next therapist in 2022 was abusive, even worst than the last. It was so bad I ended up reporting to the ethics board, and the therapist is now doing coaching for the time being. If I had recorded the sessions it would have been game over for that therapist. It killed me for a long time that I didn't record the sessions.
I later sought out a new therapist; my friend warned me that the one I chose had "crazy eyes" and it was red flags all over (based on their PP profile). I should have listened.
This new therapist, Alex, almost killed me, again. He was awful. The second I walked in the room, I warily mentioned my past experience with the abusive therapist. In response, Alex started accusing me of having "destructive" behaviours - despite that I didn't tell him anything about my behaviours yet. I hadn't told him anything at all, just that I was anxious due to a past experience. I think he has issues with younger women.
I saw Alex from August 2023 - April 2024. In this time, he became delusional from his own assumptions, confronted me constantly for things he pulled out of thin air (he would twist anything I said and then confront me for some alleged bad behaviour or cognitive distortion), and was entirely unwilling to try a different approach despite my (at first) gentle attempts to communicate that his approach wasn't working and was making me very unwell. I can gladly provide examples but it'd end up being a long ass post if I do that, so bear with me. He couldn't handle me even trying to talk about my past therapy abuse, because it was assumed to be my fault. Any dissent was "resistance" or rigidity. He refused to do trauma work despite that being the foundational problem. He refused to let me "free associate" (psychodynamic therapy) because he was convinced it would cause me some wild regression (as if his current approach wasn't fucking me up).
There was nothing for me to work with in the therapy. It wasn't grounded in reality; it was just all about how awful I am, yet not even in a way that was tangible - he could never explain himself. I was already hanging on a thread from my past abusive therapists, and I pretty quickly developed a substance use disorder (prescription) to try to cope. Began to vape nicotine constantly to try to stabilize myself. I began to isolate myself. By December 2023 I stopped going out at all - again. You know, almost died from the therapist in 2022, my life was almost ruined, and couldn't go out at all, and there I was basically back in the same place.
I never missed a single session. I even opted to increase to twice a week session in an attempt to resolve whatever was going amiss. I continuously tried to establish a working relationship with him. My self-confidence and sense of reality and self were devastated.
Anyway, March 2024 comes around and it comes out Alex diagnosed me with BPD and that was why he was so confrontational (and frankly pulling horrible things out of thin air). Now, I'm pretty darn sure I have either schizotypal or a psychotic disorder. I was under the impression he was treating me for this, as he himself said he dx'd me with schizotypal. But I was also very confused because being confrontational with the kinds of populations I fit into is exactly not what you're supposed to do and has been proven to fuck them up. It's one of the reasons I stayed so long; I just dissociated into oblivion. Not to mention the CPTSD.
I end up sending Alex an email detailing my experiences, which was hard to do. He never asked me about my experiences before (it was all about his assumptions of me), and I thought I needed to try to put an end to this, to again try to establish a working relationship.
The next session, Alex immediately begins to apologize, tells me how he misdiagnosed me, that he's been treating me for a Cluster B disorder when he should have been treating me for a Cluster A, that the "treatment" not working wasn't my fault. He also was convinced that this is what went wrong in my past therapies; that they misdiagnosed me with BPD when the issue was schizotypal, and that it just so happens that applying the confrontational treatment for BPD to schizotypal can basically end the schizotype. (TBH he was way too generous to these past therapists; all him saying that proved to me was that he never believed me in the first place.) He told me he "failed me" and that I "humbled him." He was almost crying he seemed so sorry.
I was already looking for a new therapist, but I was grateful that at least it seemed like things were set straight with Alex. I mean, I now had a substance use disorder and all the more therapy trauma, but I'm pretty happy with little. It was mutually agreed upon that the termination was due to the ways in which the misdiagnosis made the treatment inhospitable for me. It was ended amicably but I noticed he began to act weird around me, very distant, etc. I didn't think much of it, figured maybe he was more emotionally involved when he thought I had BPD for whatever reason.
Found a new therapist at the beginning of April - a formally trained, international psychoanalyst who lives in Prague out of all things (was getting desperate) - and things are going well, finally. No therapy abuse; no issues that even closely resemble the issues I've had with the abusive therapists, etc. Things are finally "easy" with a therapist; the sailing is as smooth as it can be. Also it's entirely free association and it hasn't caused me any issues, contrary to Alex's conviction that letting me speak freely would be devestating to my wellbeing.
Well, two days ago I contacted Alex as I wanted to go to a boutique treatment centre for my prescription substance use issue and they were requesting recent past therapist notes. I thought what a better option than to have Alex send his notes with an explanation that he misdiagnosed me, that he thinks I have been misdiagnosed continuously in past therapies and that's why I've been "treatment resistant," and so on and so forth. Also, given that I developed the issue because of the stress from Alex, this way my story would be corroborated.
Alex was adamant sending his notes was a bad idea, and that the ethics board actually recommends that psychologists write summary letters of the treatment instead. I thought that was nice that Alex was looking out for me. I explained to Alex what I'm looking for in the letter (with the central focus being on the misdiagnosis issue), and that my main goal is to help prove my eligibility for the program (they only take "highly motivated" clients; it's more relaxed in terms of restrictions and what not). I agreed to pay Alex around $400 for his time. I really thought Alex and I were making further amends and that it was so nice he could have my back on this.
Alex gets back to me with the worst letter imaginable. All about how the treatment failed because of ME, how we never made any progress because of ME, that the "lack of consensus on treatment goals and methods" was a massive barrier, and that this all happened despite that the frequency was increased to twice a week (which he failed to mentioned only occurred because I requested it, in an effort to save the therapy!). He made no mention of the fact that I never missed a single therapy session or any fact that would make me sound good, not to mention that he didn't even so much as touch on the fact that the therapy failed because of HIS misdiagnosis. He made it sound like the termination occurred because of how treatment resistant I was.
He also downplayed my trauma (I asked him to speak out this in the letter), saying only how I have a family history of "neglect" and being "scapegoated." My mother would scream at me, like to the point her lungs were going to burst, as a small child until I blacked out, this continued up until I was kicked out at 18, and I have serious CPTSD. I was even diagnosed with PTSD at one point. Like? Alex is supposed to be a specialist in trauma.
So I read the letter and was confused. Got back to him assuring that I'd still pay him, but suggested maybe he remove some parts of it if he can't revise them. Told him I disagree with the reasons for termination and why the treatment didn't work out, and reminded him of the fact he misdiagnosed me. I was honestly very confused and thought maybe he forgot. Told him it's probably not helpful to minimize my trauma.
Cue a minute after I send that email, and it suddenly dawns on me. The pathetic excuse of a therapist never recorded his fuck up in my clinical file. He obviously maintained his delusional narrative within his notes, presumably to cover his ass in case I reported him or sued him for malpractice (unlikely anyway), given that his misshapen and misapplied "treatment" caused me a ton of harm due to his incompetence.
I was seeing red and sent him another email informing him that I actually recorded our final sessions in light of what happened with my previous therapist (and Alex knew about my regret of not recording those sessions, and I'd often leave my phone out during our sessions). It's one-party consent in Canada, and Alex at the very beginning told me he was fine if I recorded the sessions anyway. So yeah, I emailed Alex whilst appalled telling him all about how I recorded him stating he misdiagnosed me, was treating me for the wrong disorder, that therapy not working wasn't my fault, and so on.
Told him he can either write me a letter based on facts - facts I can corroborate given my session recordings - or I'm not paying him for shit. Told him to not even bother replying if he isn't willing to write me a letter grounded in reality. Shockingly, he never got back to me.
And now he'll never know if I was bluffing and he gets to spend the next few months in terror that I'm going to use session recordings to report him for knowingly putting false information in clinical documentation.
What the hell. He could have at least TRIED to make me sound decent in the letter given that he knew what he was saying was bullshit. I guess dissonance is a real bitch. I also don't for a second buy that if I had BPD, his shit-tier "treatment" would have magically worked. It was gaslighting and abusive. You can't just make horrible assumptions about people or create a false reality, shove that in the person's face, then gaslight them all the more when the person is fucking confused and, eventually, distraught.
What a gaslighting loser. I should legitimately report him. Leaving him a bad review as we speak.
(I have had many legitimate delusions myself and don't find the term "delusional" as a pejorative to be offensive. LMK if I should edit it out though.)

Well, here we Are.
(Wells are typically deep and at the bottom contain water. or the constant flow of life, 'Wörter', which is "Words" in German)
Is this place the bottom of reason? I don't Know.
Is this the place of the true magicians? Sorcerer's who've been led here? I don't Know.
Are any of 'you'(Generic) the same as i?
Well 'you see'¿
I had been observing the qualitative properties of 4-HO-MET Fumarate (The Appearance, Smell, etc.), about 30 mins after observing the taste I started to feel funny...
This isn't my first time either, but it was a peculiar time.
It was the day of the eclipse, well that evening I should say, well I should write.
I bore witness to the green Leo (Aqua Regia) devouring the golden sun, his mouth bleeding the impurities. The Catalyst, bleeding without self-depreciating. Acidic as fuck, but brings change and leaves the pure.
The Comic.
Irony.
-"i" am not a diagnosed schizotypal, "I" am not looking for a diagnosis from anyone here, "it would be irresponsible . . . to try.".
-"i" am not going to a psychiatrist, psychologist, therapist, etc. looking for a diagnosis. "'it would be irresponsible . . . to try.'.".
-"I" have always been this way, you learn to shut-up "Keep stuff like that to yourself" they say. Perhaps paranoid, "is" the best word to describe it. "i" don't keep Reddit accounts around for very long. I don't tend to be liked in the subs I want to hangout in, musictheory is a good example. What a bunch of stuck up individuals who 'think they know'. Always making new accounts when I have a theory question so as to not rise suspicion. How do I know what I know know?
-"I" can't tell you what "you" define 'sober' as but "it"(Me) hasn't been for 11 of these 22 years. It's a long tale that my memory can't be expected to untangle in full. So 'I' won't attempt that now.
-"i" can read the dictionary from cover to cover only to find that every word is defined by other words in the book. Fucking nonsense it is, but 'it is "i" who is irrational.'
-I guess my little sister is borderline, kind of diagnosed kind of not because she was a minor. After seeing what "They" did to her no shit I'd be fucking paranoid. 'i' was the only one who tried to look at her exactly the same as before, but alas she couldn't look at 'me' the same as 'everyone' had ostracized her. 'I' was the only one to stand up for her, 'i' put my 'Nuts'(Balls, head, mind, etc.) on the line to get her out of that fucking place.
-'i' have seen shutter island.
-'i' told that councilor, or therapist, or doctor, or who ever the fuck she was to back down. At first I stayed quiet and listened to her bullshit. I was also coming down from the LSD 'I' took at 6am that day, coming up on the ungodly, unmeasured dose of edible THC oil, and 'who knows what else'. 'i' noticed that whoever this lady was, she was acting out of ignorance, or malice.
-'i' started experiencing perceptual shifts as she spewed her bullshit, 'i' knew she was most likely right. My sister needed to know that if there is 'Some'body('One person, or just 'One'') on her side it's me.
-'it' worked, until she betrayed me and continued on her borderline "Adventures". I knew it was possible, hell it was likely to happen. 'i' didn't feel any better, but "'it' got better"-Monty Python and The Holy Grail.
-What the fuck am I getting on about right now?
-Shortly after that 4-HO-MET experience I just suddenly began studying language with intense Fury. For about a week. Actually it was about 4 days of studying and 3 days manically trying to explain to people what it was I was doing, or more/less simply put, "What's going on?", "I Don't know, WHY? What is going on?", "I don't know", "What, how do you not know? You cannot not know, or 'you can't no'".
-I cannot not know
-i cannot not no
-I can, not not know
-I can, not not no
-I can, no
-But I won't
-'i' won't no

• Know, I Will not, not not no
• no, 'i' will not no not, know

May the person writing this be denoted as 'W', it stands for "The Wizard"
May the person reading this be denoted as 'M', it stands for me, as is me the person reading this, you know... that voice if 'you/me/it' have 'it'.
If you catch my Drift. Like the dog who clearly has had enough of the circling and wants to lay down; i am having a friend over in less than an hour and I shouldn't be sitting here doing what it is I am Doing.
-Remember: "It takes one to know one."
For now Here is a Song I Wrote a year ago called "Cognitive Dissonance"
and an account I made to which I threw away the email and password: u/SacredSineWave
Ramblings of a Mad Man
The Way of What is to Come
Later I will see how this post is doing on a different account, I don't actually have a whole lot of 'intent' with these words. Good Bye
Eye of the storm

Phil Aston: Hello and welcome to the Now Spinning Magazine podcast with me, Phil Aston. And in this episode, I’m absolutely delighted to have with me Tony Martin, one of the UK’s most underrated rock vocalists. You’ve had a really varied career, but what we’re going to talk about today specifically is Black Sabbath and the new “Anno Domini” box set. So, welcome, Tony. Thank you so much for joining me.
Tony Martin: Thank you. And thank you for having me on the show. Very cool.
Phil Aston: A bit of context, because I think this is kind of helpful for you. My son is 30 now, but when he was 15, he set up a Facebook group, kind of saying, “One day, please can we have the Tony Martin Black Sabbath albums released?” That was 15 years ago. He was still at school, half his lifetime ago. And I think in the early time when he set this up, he may have reached out to you and you might have said something like, “I don’t think it’s gonna happen, Dan.” And here we are, all these years later, and it’s not only happened, but it comes out this Friday. How does that feel to know that these albums are now going to be available again?
Tony Martin: Well, first of all, well done to your son. It took 15 years, but he got it done. To be honest, there’s been a few periods when I didn’t think it was happening. In fact, about a year ago, Tony Iommi’s manager called me and said, “You know what, this is just so complicated. I don’t think we can do this.” So I was resigned to it not happening myself. It’s all to do with band politics, really. There are so many people involved or have their fingers in the pie that they all have to be on board. And there were allegiances changing all over the place, left, right, and center. So in the end, it was getting a bit tiring, but well done to Tony Iommi and BMG. My God, the patience they showed to get this thing together and actually get it out there. Wow. But how does it feel? It feels brilliant, to be honest. I’m very excited. I haven’t actually had these albums in my own hands physically for the past 25 years. I gave all mine away thinking I’d be able to get some more, and I didn’t. They just stopped making them. So to actually physically hold them again is really cool. What a great job they’ve done of it. So I’m thrilled and excited. And I’m helping out now because I’m not in the band, obviously, anymore. So I just offered my help to promote it and they said, “Great, let’s do it.”
Phil Aston: Isn’t it amazing? Because I’ve done quite a few reviews about Black Sabbath box sets and stuff, but this one, within about 12 hours, there’s literally 12,000 views of the review. The love for this period of Black Sabbath is actually huge. It’s grown. It almost feels as if the profile is higher now than it was at the time.
Tony Martin: Yeah, there is a kind of reason for that. Partly people have got over the “it’s the new guy” thing, and also it’s been 25 years since. So now we’re reaching out to a whole other group of people, in addition to those that were already there. But to the outside world, it looks like there was a huge gap, and to me it felt like a huge gap. But actually, the fans were always there. I’ve been waiting myself as well to get this back out there. And it’s just band politics, really. That’s all it is.
Phil Aston: Because you had that period when it was almost as if this part of Sabbath’s history was hidden because of band politics. None of this really happened, which I think probably stirred up more interest and kind of people wanting to find out more.
Tony Martin: Yeah, it could be. It’s an old famous thing, you know, if something ain’t around for a while, people start talking about it. But yeah, it’s a strange thing, the music business. You’re either in fashion or you’re not. But I am just thrilled that they’ve got around it. Just the patience they’ve shown to actually put this together. At one point they were just saying, “We can’t do it.” But I’m really chuffed anyway.
Phil Aston: I imagine there’s been compromises along the way. Lots of fans probably don’t understand how complicated the politics and all the different licenses and everything that goes on over the years, they become more and more entangled. People say, “Where’s Eternal Idol?” But of course, that was a different record label. Different people own it.
Tony Martin: Yeah, absolutely. It’s owned by somebody else. And also Eternal Idol, or “Eternal Idiot,” as we call it, was kind of reissued not that long ago. Really.
Phil Aston: That’s right. With the two CD version, wasn’t it?
Tony Martin: Yeah. So they were kind of thinking, “Well, there’s no real panic because that’s already been done and let’s just move on.” Because that would have wrapped them up in contracts for centuries, I think. I can’t even think that they’ll ever get them to let that go. But they were struggling to get the people involved with these four albums to make up their minds and do stuff. I’ve been all for it all the way along, I have to say. Obviously, because it’s my career, my history. It’s not just the band’s history. It’s ten years of my life that went AWOL. So, yeah, I’ve been up for it all the way along, but some people don’t and it’s taken them a while to get on board.
Phil Aston: I think it’s fantastic. The first one was Headless Cross. You joined one of the biggest rock bands with all that history behind it. You were an established singer with the Alliance. But this was a chance, as you say, with Eternal Idol, you went in and it was already prepared. You sang it, but this one was where you could really put your mark on it, your personality lyrically as well as musically. Can you remember what it was like actually being at the beginning of that? Did you feel comfortable around Iommi and Powell and thinking, “Right, what kind of lyrics am I going to do by Headless Cross?”
Tony Martin: Yeah, I was comfortable by then. Well, kind of. The thing is, with Eternal Idol, if I can just backstep a little bit. The Eternal Idol wasn’t the first call up. The first call up was in 1986 when they were doing the Seventh Star with Glenn Hughes. And that scared me to death because I can’t sing like Glenn Hughes. Nobody can sing like Glenn Hughes. They put me on standby back then, so I’d sort of tentatively had an introduction to Tony Iommi. Then in ’87, they got me in for the audition, and that was the next introduction to Tony Iommi. But because Eternal Idol was already written, that gave me a whole year plus a bit more to find out what this thing was. What the hell was I supposed to do? So just doing Eternal Idol like that was fine by me because I didn’t have to discover anything myself back then. It gave me a chance to get my feet in. So by the time it got to Headless Cross, now I know all the guys, and I kind of know what’s expected of me. I still had to find the “me” that I needed to find. I went around it the only way I could, by focusing on things I was interested in. I couldn’t do the lyrics and melodies that Geezer was writing for Ozzy because that was a generation before me. The stuff that Ronnie was doing was fantastic, but I couldn’t get inside his head. So I had to think about what I was going to do. I had an interest in the old gothic death stuff, like Dracula and Frankenstein, Mary Shelley type writing, and of course, in England, we have Shakespeare. Nobody speaks English like that anymore, that old English text. I thought, “Old English text, gothic death, and Black Sabbath. That might work.” So I put them all together and came up with Headless Cross, which is where I lived. I lived in a village called Headless Cross.
Phil Aston: Yeah, you put that on the map. They weren’t pleased about it. The most recognition I’ve got is my name on a bus stop. And Cozy Powell thought the album needed more death, didn’t he?
Tony Martin: Oh, that’s true. That’s actually true. We were recording “When Death Calls,” and he was in the studio playing, and he suddenly stopped. We went, “You alright?” He went, “Yeah, just remind me, what’s this song called again?” I said, “It’s called When Death Calls.” He said, “I don’t think there’s enough death in it.” And he carried on playing. So, okay, maybe he’s taking the piss, but isn’t it such a great sounding album? As Tony Iommi says, he never left Black Sabbath. So when people criticize him, saying, “You should change the name or whatever,” he never left. So it was still Black Sabbath. The riffs, the guitar sound was reaching new peaks of excellence around this time.
Because when it was just him and Ozzy, for example, it was guitar, that was it. When Geoff Nichols joined during the Dio period, it introduced a few more keyboard things. That allowed Iommi to play solos against those keyboard pads and chords. And then you come along and start sticking 50 tracks of vocal harmonies on it, like in Anno Mundi and stuff like that. It just kept developing. Sabbath isn’t really known for vocal harmonies and keyboards, but underneath that was still Tony Iommi. And it still sounded like Sabbath. We were happy to do that. We just wanted to make Tony happy and do the best for him. It was his band. So we were happy to seek out that Sabbath sound and make sure it did what it said on the tin. A couple of times, like with the Seventh Star thing, he ventured a little bit away from it. Songs like Heart Like a Wheel don’t really make the Black Sabbath sound, but it’s still good stuff. I have great respect for all of the eras that went before. I had to sing all of the songs. So I do have great respect for it. And it’s been an honor, you know, like being part of the whole story. But he was the only one that stuck it out. And we respected him for that. You’re right, they did ask him to change a couple of times. He said, “No, I can’t change now.”
Phil Aston: The next one, if I pronounce this right, it’s Tyr.
Tony Martin: Yeah.
Phil Aston: Because when it came out, me and my friends, actually, because there was no Internet back then and nowhere to go and check it, we did call it Tyr. To be.
Tony Martin: Yeah, Tyr.
Phil Aston: Watch you find in Birmingham. You know what I mean? So it actually rhymes with beer, doesn’t it?
Tony Martin: It is, yeah. Actually, it’s Tiw, which is Scandinavian for the son of Odin or something.
Phil Aston: Well, this is almost as close, probably, to Sabbath getting into almost a concept album. Isn’t it? This is a collection of songs that in another time and space you probably as a band would have gone out and performed the whole thing.
Tony Martin: Yeah, it wasn’t meant that way, but they were struggling to find a name for the album. We were recording and getting towards the end and the management called us up and said, “We really need a name for this album.” And Cozy said, “I’ve got one. Let’s call it Satanic Verses.” We went, “What, like Salman Rushdie thing?” He said, “Yeah, it would be great publicity.” We said, “Yeah, but we’ll all be dead.” So we did struggle, but they happened across the artwork. We’d done Anno Mundi, we’d done Gates of Valhalla and all that sort of stuff. They went, “What if… Tyr?” It was fine by me. So it took on the Viking sort of theme. By that time, I was thinking, once I’d done Headless Cross and started to have an interest in the Vikings and stuff. As you know, the Vikings haven’t been particularly good for us. They came over and stole all our women and sheep and whatever. But I had an interest in them as well. So I was thinking, every culture, every religion has its dark side. There’s always a devil type in a god type. I thought we could go around the world and I could do this. You could pick up on all sorts of cultures and pick out the dark side of various things. But it was the last kind of… I still did that with various other songs and various other artists. But Tyr was leaning towards that theme.
Phil Aston: It’s an excellent album. Then of course, the strangeness of the politics in Sabbath. Dehumanizer comes along and Dio re-enters the scene. You obviously had an opportunity because every cloud has a silver lining. You can go off and do your solo album at this time. But you did kind of like… It sounds like it was almost a forced relationship, the way that he was and he wasn’t. I mean, how was that period for you? Because you did demo some of the tracks, didn’t you?
Tony Martin: Firstly, it was a shock. I didn’t see that coming at all. Literally just walking out the door to the next writing rehearsals. My managers called up and said, “They don’t want you to go.” From what I recently found out, although I had my suspicions, Tony Iommi said the record label just wasn’t supporting it. They weren’t getting behind us at all. Then they started banding about all different names and stuff, and Ronnie’s name came up. They thought they’d give it a go. He said it was all on and off all the time. After they let me go, it wasn’t too long before Tony called me back and said, “Can you come back?” I said, “No, I can’t. I’m doing my solo album.” More time went by, and he called me back again and said, “Are you sure you can’t come back?” I said, “I’m doing my solo album. I really can’t.” He said, “Do you want to come down and try?” So I did. I went down and tried putting my voice on some of the songs, but it would have meant rewriting everything, and they weren’t going to do that. So I said, “The best thing is if you finish this with Ronnie, get this done and out of the way, then maybe we can talk again later.” So that’s kind of what happened. By that time, I’d done my solo album, which I wanted to get as far away from the Sabbath thing as I could at the time. I went back to doing what the Alliance and some of the bands I’d been with, that middle-of-the-road AOR type stuff. But when they called me back to Sabbath, Polydor dropped my solo album like a brick. They said, “We can’t do this if you’re going to go back with them.” So that got stopped. It’s so confusing. By the time I got back with the guys to Cross Purposes, it didn’t feel that much of a gap for me, because I’ve been talking to them and working with them through the Dehumanizer thing.
Phil Aston: Stylistically, that album, because it was on the IRS label, I know some people have said, “Well, it should be in there.” Stylistically, musically, it’s very different. I mean, you take it out. These four albums in this set, excluding Eternal Idol, they sound like a progression. Dehumanizer sounds like a kind of sidestep. Even the way the riffs are done in the songs, it’s changed. You take the vocalist out, but the music continued. You took you out and it was very different.
Tony Martin: I suppose it does a bit. If I go back and think over it, I guess that’s what it was. It was kind of an interruption into the flow of things. When we were doing Tyr, I thought we were doing really well. I thought we were onto something. Dehumanizer, in that sort of respect, does feel a little bit like an interruption. But there was some good stuff on there. Ronnie’s always been a good singer. I don’t quite know how they feel about it, but it was kind of nothing to do with me. I just let them get on with it.
Phil Aston: After that, Cross Purposes is probably, out of the four albums in this set, my personal favorite. Geezer’s back in the band now, so you’ve got his bubbling bass in there. And again, lyrically, it’s all you. Did you feel any kind of, “Oh, Geezer’s back. Will he want to help out?”
Tony Martin: I did ask. He just said, “No, you can do it.” So I just carried on.
Phil Aston
The reason why I love this album is that it’s varied. A lot of people think of Black Sabbath as the Godfathers of heavy metal, and heavy metal is always heavy metal. But if you think back to albums like Sabbath Bloody Sabbath in the seventies, they weren’t all heavy metal. There were all sorts of things on there. There were keyboards and light and shade. This, I felt, connected to that album, because you had light and shade on it. So there were more dynamics in the lyrical delivery and the song delivery, in the way that Iommi is weaving his riffs around the melodies. What are your thoughts looking back on this album now?
Tony Martin: I think you’ve just summed it up. It did sort of shift up a notch. Not only that, but the sound they were getting with Leif Mases producing it, it sort of grew up. It lifted somehow out of what they’d done before. It felt like, “Oh, this sounds good.” The songwriting and the exploring we were doing with the songs and stuff. At the time, Geezer Butler said that’s the best album he’s ever been on. He never said that again, but he said it at the time.
Phil Aston: I can imagine him saying just that.
Tony Martin: But it was good. Having Bobby Rondinelli in the band as well. Technically amazing. Brilliant player. His drums close in, and he plays with his wrists. Very technical. Whereas Cozy’s drums are stretched out far and wide. He’d lean over and hit them. But great to have them both in. What an honor. I mean, it’s Geezer Butler as well.
Phil Aston: When you got to South America, Bill Ward was in for a few gigs, wasn’t he? That must have been quite surreal. Bill Ward and Geezer playing songs like Headless Cross, which they had nothing to do with.
Tony Martin: They had nothing to do with. We were kind of weird because once we’d started to get Geezer and Bill back in, they wanted to start doing more of the older songs. That just makes you look, read between the lines going, “What’s going on? Where’s this going?” Once it’s happened to you, you know it. Then you’re reading between the lines. You start to feel it. Then you go, “Ah, right.” You can feel it. They’re clearing up. I did ask if they were going to do a reunion with Ozzy. Iommi was always denying it. Said, “No, no, we’re not doing that.” But I didn’t mind. The reason for that is because I knew what I could do in the future then. I thought, “Well, if they just tell me, that’s fine. Cause then I can plan.” The first time it was a shock and I didn’t know what to do. But I was kind of keyed up for it the next time. But he kept going. They got Bill in. I love Bill. I think he’s brilliant. We did some shows with him. But for some reason, and I don’t know what it is, I mean, I can tell you Iommi loves Bill. He regaled so many stories about when they were out there and how funny it was. I never understood why they never gave him time to get back in it. When you think of Def Leppard, they made a drum kit for a one-armed drummer.
Phil Aston: Yes, very true.
Tony Martin: Surely they can find time to get Bill settled back in. Whatever problems they’ve got. I mean, come on.
Phil Aston: You would think, yeah, very true.
Tony Martin: Get on with it. I thought, “Right, this is going to go south again.” But it didn’t. We carried on with Forbidden, and then Cozy came back after his accident. It was really up and down. Confusing. People in and out. During the time I was in the band, there were eight different lineups.
Phil Aston: It was very much a revolving door, wasn’t it? Before we move on, I just want to ask, because I know a lot of fans ask this. In the booklets in these box sets, there’s an image of Cross Purposes Live. That was a VHS tape and a CD. Is there a reason why that wasn’t included in some way? Is that game politics?
Tony Martin: I did ask about that, and they were just keen to get on with it. They said, “Come on, let’s go, let’s do it.” What they told me was that they’re going to take their time now to see what else they can gather and do an additional thing to this along the way with more of that in it. With the Cross Purposes Live and some other stuff. There’s a track that I recorded with them when Eddie Van Halen came and did Evil Eye.
Phil Aston: Yes, yeah, Evil Eye, wasn’t it?
Tony Martin: Yeah. I used to take the track out. I had it everywhere. Writing sessions, recording sessions, rehearsals. I just happened to be there. I didn’t even know who was coming. Iommi just turned up with Eddie Van Halen. I went, “Holy hell, it’s Eddie Van Halen. What’s he doing here?” He did some rehearsals with us and then disappeared. Never saw him again. But I got the recordings of the rehearsals that we did.
Phil Aston: Oh, wow.
Tony Martin: So I sent them to Tony Iommi. I said, “Use these. Get these on.” He said, “No, no, we can’t.” The reason they said was anything that has the slightest newness about it looks like a new Black Sabbath track or album track. They’re not allowed to release anything new under the Black Sabbath name. So even if it’s historical, they couldn’t allow it. It’s really weird.
Phil Aston: That means there must be lots of live stuff recorded. More bands were recording live stuff from the nineties onwards that you just couldn’t work on because it would go out under the Black Sabbath name.
Tony Martin: Not just live stuff. I’ve got about eight tracks that we never released. Just from the writing sessions and rehearsals and stuff that we used to do. They just can’t get out. They just won’t allow it.
I don’t understand. Well, I kind of understand. When you’re trying to protect your name, your mark, your image, your everything, which is where the band politics comes in, they won’t allow you to do anything that they think. And there’s all kinds of… Everybody from Ozzy to Dio to everybody. They don’t want their thing to be diluted or taken away. I do understand that. There are people involved all along the way that have an objection of some kind or another.
Phil Aston: But I guess, hopefully, this box set’s going to sell out really quickly and will show there’s a demand for this material and for this part of Black Sabbath history. There’s a lot of love for it. A lot of people worked really hard within it, like yourself. They’re great albums, wonderful songs. If there’s other music waiting in the wings, whereas we all get older, thinking through the eyes of the fan, it would go down so well, wouldn’t it? But I am, as you are, very grateful that these four albums have arrived in a box.
Tony Martin: Yes, it’s an important thing for me. It’s an important thing for the band, and it’s a great thing for the fans. I’m thrilled. It’s been an honor to be part of the story. I love the fact that it’s out there now. They did say there is no limit to the box sets. They have sold out on day one.
Phil Aston: I’m not surprised.
Tony Martin: They said the way they do it is they tend to poll the outlets and stuff and say, “How many do you think you can sell?” And they put their numbers in, and they’ve gone way past that. So now they’ve got to go back and produce more. There’s no limit to it. I love what they’ve done. There’s more in the box set than just the albums. Posters, programs, and everything.
Phil Aston: And then Forbidden. I’ll be honest, Tony, when I heard this for the first time back in the day, I didn’t like it. I tried, but I didn’t like it. My son liked it because I think probably because his dad didn’t. But now the remix, it’s as if someone’s released the drums and the guitars. It sounds like a Black Sabbath album. It sounds fantastic, doesn’t it?
Tony Martin: It does. It’s brilliant. I love the fact that they’ve dismantled it and put it back in a way that they couldn’t or didn’t with the other three. Forbidden needed it for all kinds of reasons. It was done under a sort of cloud where a lot of us weren’t really into it very much. But it was also an attempt at trying to give Sabbath a kind of acceptable twist to the youth. It didn’t work.
Phil Aston: The nineties were weird, weren’t they? The nineties were strange for heavy rock.
Tony Martin: The problem was we were fast heading towards great new bands like Nirvana and eventually Green Day and Metallica doing stuff. We were going and they were trying to change the sound to fit in. It didn’t work. We didn’t think it would. But there are people out there that love Forbidden as it is. I said that to Iommi. Last time I saw him, there are people out there that love it. He said, “They’ll probably love this version now.” But shaking the chains, guilty as hell, rusty angels, forbidden. And of course, “Loser Gets It All” is a great track. That wasn’t even on the album originally.
Phil Aston: It’s brilliant.
Tony Martin: Yeah. Strange. I absolutely love it now. It does sound like a Black Sabbath album. It sounds like it should be there in amongst the others. They’ve done a great job. Tony and his engineers have really pulled it together. It’s slightly more guitar and slightly less keyboard. They’ve done Cozy’s drums. Fantastic job on those.
Phil Aston: They’re just unleashed, aren’t they?
Tony Martin: Yes. They haven’t changed anything. They’ve mixed it and given it a new attitude, which is brilliant. They’ve given it more space. It sounds bigger. I just love what they’ve done to it. I’m really proud of it now. I didn’t like it then. There’s still a couple of tracks where I would love to have gone back in and…
Phil Aston: Yeah, you know.
Tony Martin: I thought at the time, because I was that off it at the time, my head just wasn’t quite there. A couple of tracks I thought I could have done better. I did sort of say when they were doing it, “Can I go back in?” They said, “No.”
Phil Aston: I suppose because that might edge towards it being a new recording then.
Tony Martin: Yeah, tricky. I’m not going to tell you which tracks it is, but there were a couple in there that I wasn’t quite happy with. But on the whole, it’s a great job they’ve done.
Phil Aston: Because when you were playing live, there were more songs from your period in Sabbath coming into the set, weren’t there? You were a unique vocalist in many ways for the band. You could cover Ozzy, Dio. You probably could have done Ian Gillan. Anything. You could have the ultimate set list, really, going through every era.
Tony Martin: That was a bit of a mistake. I told them I could sing anything, really. They thought, “What can we give him to sing?” They threw all sorts of stuff at me. I had a shot. Fortunately, I’ve got the kind of voice that can get around most things, and that’s a result of being in so many different kinds of music. I’ve been involved in everything from reggae to rock.
Phil Aston: Who were your key vocal influences growing up? As you say, outside of this Black Sabbath badge, your voice can go in any direction. So who were your influences? Was it blues, soul, rock?
Tony Martin: It kept changing. Everything I listened to, I thought, “That’s good. That’s good.” Each couple of years, something else took my attention. I’d really pour my soul into it. When I started off with reggae, believe it or not, I worked with Musical Youth and Dexys Midnight Runners in the studio. I was a guitarist back then. Then I loved blues. I got into prog rock bands like Yes, King Crimson, Jethro Tull. Then it shifted to Emerson, Lake & Palmer. That led to Rush and bands like that. Then I had to come down out of that prog rock technical stuff because Sabbath is much more honest and basic and straightforward. To a point. When you’re in the band and you find out how he does it, it’s stunning. I never even gave it a thought. I thought, “It’s got to be easy.” It wasn’t easy at all. Iommi can put seven, eight different riffs into one song, and each one of the riffs could be a song on their own.
Phil Aston: Very true.
Tony Martin: So, wow. You get your head around it. It’s weird. Plus, the time signatures he was throwing at us. There was a 14/4 and a 15/8 or something he was throwing at us. How he gets his head around it, I just don’t know. When I saw him a few weeks ago, he said, “You did a really good job on this.” I said, “Thanks, man.” He said, “I actually don’t know how you sang over some of this stuff.” I said, “Neither do I.”
Phil Aston: Just mad, isn’t it? You could try anything. I might have thought, “That means you might be able to put some of the songs in that Ozzy couldn’t do into the set. Or I can try something that I’ve never been able to do before because Tony says he can do anything.”
Tony Martin: It’s because I showed willing. I told them I’d have a go. And I did have a go. I did put into it. The songs, the writing, the live shows, whatever. I kind of made a rod for my own back in some ways because it was hard flicking between all of the different vocal techniques. But I did my best. It sort of came across okay. The problem is when you try to do stuff like that, it can sound a bit like a tribute act. But we got it nailed, I think. Especially having people like Cozy Powell, Geezer Butler, and all those guys in the band. We were willing to seek out that Sabbath sound, and we were conscious of it. So we were all aiming for the same thing. From outside, it might have looked like a chaotic mess. But on the inside, it all had a focus. We were all willing to give it a go. That’s what I think they saw in me. I knew they liked my voice, but I think that’s what they saw, a willingness to have a go and see if you can make it work. All those different time signatures and riffs that I had to go, looking back, to me, it’s Black Sabbath. Like,
Phil Aston I’m a Deep Purple fan, and every lineup of Deep Purple is still Deep Purple. I know Black Sabbath, there’s lots of politics in the way some of the fans look at it. But I think, which is why they had Heaven and Hell later on instead of Black Sabbath, because of the politics. But listening to these four albums, one after the other, you brought to life Viking mythology and song. More death. Just your passion and the way you projected the lyrics and your phrasing makes these albums unique. An important part of the Sabbath story. Finally, do you feel like this outpouring of love for this lineup is validating everything? Any doubt that might have been back then?
Tony Martin: Yeah, doesn’t it just? The biggest validation is from Tony Iommi himself. It wasn’t regarded that highly until he sat and listened to it without the bickering going around. When I went down a few weeks ago, he said, “You did a great job on this. There’s fantastic songs on here.” I said, “I know.” It’s just that validation that he gives it. The fact that the fans are returning to it. The fact that we’ve got new fans coming to it. Whole new record labels. I think it’s Rhino in America. It’s BMG in the UK, Europe. The record labels are coming back to it and getting behind it. They see something in it. The management sees something in it. So it’s all coming together. Which is a shame because I’m not in the band anymore.
Phil Aston Who knows? Maybe you and Tony will think, “It’d be great if some of this other stuff can come out at some point and we don’t have to wait another 25 years.”
Tony Martin: If he was going to do that, he’d say, “Let’s just write some new stuff.” But from what I’ve been told, Tony’s touring dates are done now. He won’t be going out on the road again. That’s probably out of the question for writing. I did tell him I was interested if he wants to do something. But he’s got so much going on. He’s still busy. Doing stuff. He had that ballet, the Black Sabbath ballet.
Phil Aston: Yeah, that’s true.
Tony Martin: Never saw that coming. No, he’s working on all kinds of stuff. He’s writing new material for something else now.
Phil Aston: So what about you, Tony? Have you got any plans for another solo album?
Tony Martin: I never actually stopped. For the past 25 years, my career took me into the studio and writing for people. My voice appears on 89 albums and projects now. It’s been good for me. I owe everything to Black Sabbath because that’s how the world got to hear my voice. People know what they’re talking about when they talk to me. “Can you write, can you sing on this?” They already know what they’re hearing or expecting. I always try to make it better than what they give me in the first place. A lot of that is me in the studio, and I’m happy, and I still am, happy doing that. But I do tend to choose what I do these days.
Phil Aston: Yeah, that makes sense.
Tony Martin: So I’m still doing the odd thing for people now. I did have a solo album a couple of years ago called Thorns.
Phil Aston: Great album.
Tony Martin: Yeah, totally unknown guitarist from America, Scott McClellan. I only met him because he kept badgering me on Facebook. He kept sending me stuff. I was like, “Go away.” He said, “Listen to this. What about this one?” In the end, I listened to it and it was brilliant. So I gave it a go and it turned out really well. But then Covid interrupted that and we couldn’t get out there with it. Some countries were saying, “Yeah, you can come,” and other countries were saying, “No, you can’t.” It all got distracted. I haven’t finished with Thorns because they wanted to do a vinyl for it. They said we had to take some tracks off to get it to fit on the vinyl. I don’t want to take any tracks off.
Phil Aston: Make it a double.
Tony Martin: Yeah, make it a double. Write some more. I wasn’t prepared for that. I’m pacing up, trying to write some new songs. Scott has sent me loads. We’ve got enough tracks for Thorns 2, but I haven’t finished Thorns 1 yet. I’ve got to come back to that. I do want to finish that off and get that done. Then if we can do the next Thorns thing, who knows? We’d like to try and get it out on the road. Getting out on the road for me is so different to the Sabbath thing. The Sabbath machine is huge. They only have to mention it and all the cogs start turning all at the same time all the way around the world. It all starts fitting into place within days, within weeks. On your own, it’s different. I can’t do that. I have to hire other musicians to go out on the road and rehearse the whole thing and start again with a brand new show. It’s a lot harder for me, but I would love to get back out there. My career took me into the studio, so I’ve got more to do. But I just tend to choose now.
Phil Aston: If people want to get Thorns, is it DarkstarRecords.net? Is that the best place?
Tony Martin: No, Battle God. They are the main label. Darkstar were involved and they’re still there, but they’ve had some troubles in the past couple of years. They were on board and I did two versions of it from between the two territories. I liked that. But mostly now, Battle God is the label to grab hold of it. It’s still available and I’m still signing them. People send me the stuff to sign.
Phil Aston: But I haven’t finished yet, so there’s more to come.
Phil Aston: Brilliant. Well, thanks very much, Tony, for all of your time today. Everybody, make sure you go and get a copy on CD or vinyl of this Black Sabbath Tony Martin years box set, “Anno Domini.” It’s absolutely superb.
Tony Martin: Yeah, it is good. I’m just smiling. I think it’s brilliant.
Phil Aston: No, that’s it, isn’t it? Whatever anyone thinks, these albums are available again. People can hear just how awesome this time for Sabbath really was.
Tony Martin: Thank you. Thank you very much.
Phil Aston: All right, take care, and hopefully I’ll talk to you again in the future.
Tony Martin: Thank you. All right, Phil, thanks, mate. Cheers.
Phil Aston: Well, a huge thank you to my guest, Tony Martin. That was fantastic. I’m almost lost for words in knowing what to say to sum up that interview because I know a lot of you are really interested in this box set, “Anno Domini” by Black Sabbath, which is out on CD and vinyl. Just as I thought, it’s sold out already, but there’s going to be another pressing. I was able to ask some of the questions I know some of you have been wanting to know, like why weren’t there extra tracks? Why wasn’t the live Cross Purposes included, etc. So now you know. Some of it is really exciting because it means there might be a companion set with some outtakes or live stuff as well. That’s really exciting.
Tony Martin is a fantastic vocalist, really passionate, really imaginative with his lyrics and his vision of how he writes his music. These four albums are essential. They’re Black Sabbath albums, okay? That’s what they are. They sound like Black Sabbath albums. Wasn’t it interesting that Geezer Butler said Cross Purposes is the best album he’d ever played on? It is a truly remarkable album. But they all are: from Headless Cross, to Tyr (which I can now pronounce correctly), Cross Purposes, and Forbidden, which has been given a new lease of life. Seriously, it is incredible. Just stunning.
Thank you again to Tony Martin for joining me here on the Now Spinning Magazine podcast. Please keep spinning those discs, whether they are vinyl or CD. Check us out on the podcast. We’re on every platform you can think of, from Apple to Spotify to Amazon. Of course, we’re on YouTube. Please subscribe and check out the website at nowspinning.co.uk. Remember, music is the healer and the doctor. So take care and I’ll see you all very, very soon.
Watch the full interview here
Phil Aston Now Spinning Magazine

 My mother in law who is in her 50s was at home off the job, and fell from the porch and broke her arm. For reference we live In Tennessee and she worked at a large hospital. Of course the doctor said she’d need to be off work 6 weeks to heal. HR was demanding she come in to work within 2 weeks. WITH A BROKE ARM. I also worked for same hospital in surgery and am very aware of who the HR agent she dealing with. I am not sure if they are fully aware we are family but I almost feel like she’s taking it out on her because I has quit there for better job. I actually gave them double notice also to be nice and the same hr lady basically pleaded with me but I denied her as I needed higher pay and I was getting that else where. So I don’t know if it’s for revenge or what. Anyways so 2 weeks had went by and her doctor told her and the hospital she does not need to work yet. Which the doctor is also affiliated with hospital so they knew 2 weeks was too short. They basically demanded she quit on her own will, which she denied because she need to be able to get unemployment. She is not rich and clearly has unexpected medical bills now. The HR agent called her from her office, not any witnesses . Over the phone she said she was terminated aka fired. However her letter of separation says she quit on her own free will. I know she is doing this to not pay unemployment and so she can’t apply for it. What should she do? And can she fight it? And is this good enough reason for her to sue and have good chance of winning ? Thank you Reddit and those who read this. 

I know some probably won’t believe me, but this story is 100% true. The only thing I’ve life about in this story are the names. This really did happen to me and my family
Prologue: This is very long story, and will be split into two parts, so be prepared for a bumpy ride. To premise this trilogy, there are a couple thing you need to know. We are on a vacation to LA. My mom, Allie, is a doctor, and my dad, Joel, works in IT. They’ve got three kids. Me, Henry, my twin brother, Jake, and my younger sister, Ella. All names in this are replaced with fakes. None of us have been to LA before, but my parents have travelled the world, so they know how travelling works. My brother and I are both in the school band. We arrive from LA back home at midnight on the 6th of April, then leave for a school band trip to Portugal on the 8th. I am the lead drummer for all three bands, and one of only four basses in the choir, so I cannot miss the trip. My brother plays bass, but there are others who can play bass in the band. This information is to be used for all three parts of this story.
Part 1: The Drive The story starts at our Airbnb in LA. We have to leave the airport to go home. The plane leaves at 11:00pm and my dad wanted to leave at 7:00pm just to be safe. My mom said that it was fine and that we could leave at 8:00pm, my dad agreed. So the time was set. 8 PM, we would leave. We leave a little late, 8:05-8:10, because Ella, who’s 7 years old, was making a fuss. We leave, and take the 40 minute drive to LAX.
We arrive at the airport, and my dad gets into the six lanes of traffic that are converging into 1 lane going into LAX. We wait in our rental car for 30 minutes, and we have to go to the rental car return. My dad starts driving while following the signs. He takes a right, takes a right, then takes a right, and we’re right back at the six lane hellhole. My dad sees this, goes “hell no”, and turns around ON THE FREEWAY. Nothing bad happens, no horrific injuries. And we go back the way we came, through the rental car return road, making sure to follow every sign TO THE LETTER. It takes us right back.
My dad is panicking, because at this point, the plane leaves in 1:40, and we’re not in the airport. Anybody who’s travelled knows that that’s risky. My dad starts telling us in the car to look on the maps and figure out a way in. The only person who listens is my brother and my mom. My sister is playing Minecraft, and I’m listening to a podcast. After about five minutes, my dad starts yelling and I hear him, “RENTAL CAR RETURN, LOOK IT UP!!!”. This is when I realize that something is wrong. So I started to help.
My sister still playing on her iPad, we look for rental car returns. I keep asking him which one, but there’s so much yelling going on in the car that he can’t hear me. I could not tell you what the was yelling about. Because of the way LAX was built and how it expanded so quickly, the car returns are 2 miles in a different direction on the freeway, which is why the signs were telling us to go back there.
My mom says she found a way, not on Apple maps though, she just looked on a satellite map. Big mistake, because we get there and there’s a giant concrete barrier blocking our way. At this point, we’re all panicking because the plane leaves in an hour. Finally my dad yells out “Search up Hertz car returns!”. We find it, we drive there, and my dad being a “Gold Member” doesn’t have to do any paperwork when signing off the car. He just leaves the car and its keys, tells us to sprint to the shuttlebus to hold it while he signs off on the car.
We get in the shuttle bus, and my sister starts to cry. She left her new water bottle in the Airbnb. There’s no way in hell we’re going now, so we tell her to suck it up. My parents are completely convinced that we’re missing the flight, my brother is trying to be optimistic, while I am stressing out, trying to figure out a way to get there faster, because the shuttle bus went right back in the six lane hell that we had to go for a half an hour.
We sit in the shuttle bus for 20 minutes waiting, and we finally make it to the first terminal. The way LAX is structured is It’s like a horseshoe. Going from one, curving, then to six or seven. We have to be at terminal six. We’re not gonna make it. There’s 40 minutes left, and it took 20 minutes to get to the first terminal. I’m panicking, thinking, and I realize why can’t we just walk? I told my dad and he says that might just work, because it’s a horseshoe, and terminal seven is closer than terminal four by walking. So we tell the shuttle bus driver to stop the bus and let us off.
We SPRINT to the gate, and it takes us 10 minutes. We get to the desk and the lady there says “What flight?” My dad says Toronto. The lady makes a 😬 face. She says “Put a bag on each scale. I’ll do this, you run.” We all thank her furiously, then run. There’s 30 minutes, and we just got in the building, haven’t even got through security yet. He get to security, and this is LAX, what you would assume to be a VERY busy airport, and the security is completely empty, save or two or three people. We see this, and parents, although they were already sprinting, realize that there really is a chance we could make the flight, so they start to really, really sprint as fast as we could keep up. I’m surprised our legs didn’t come off.
10 minutes before the flight leaves, we get out of security. As we’re all sprinting down the hall, home alone style, I turn around and see that my mom and my sister have vanished, I tell my dad, then sprint back. Turns out they’re in a souvenir shop, getting gifts for mom’s coworkers, and Ella’s teachers. I yell at them, “What the hell are you doing?!?!?! RUN!!!” We get to the gate less than 5 minutes before the plane left. We made it.
We get to our seats, and relax. Everything is going well. Then, about an hour and a half into the flight, my dad hears a loud thump, coming from right in front of him. It’s an overnight flight, so everyone around him is asleep. He looks out to the aisle and sees a pair of legs on the floor… End of Part 1

Hello; really loved the interaction with my first post, so thanks so much for that! I'll just reiterate: spoilers for all Star Trek, and everything is just my opinion.
900) Unnatural Selection (1989)
TNG 2x7
Writer: John Mason & Mike Gray
Director: Paul Lynch
We've seen this idea done before and better. Yeah, it's a little bit different this time: it centres around children genetically engineered to be free of disease (isn't that illegal in the Federation?). But the actual plot of the episode is little different from TOS' The Deadly Years, with Doctor Pulaski aging and trying to find a cure for the condition. An uninspired repeat of a TOS episode that wasn't even that good in the first place.
899) We'll Always Have Paris (1988)
TNG 1x23
Writer: Deborah Dean Davis & Hannah Louise Shearer
Director: Robert Becker
Bored me stiff. I'm not always a huge fan of time travel stuff in general, and this is one of the least dynamic uses of that story type I've ever seen. Picard also has some weak character development, in his reminiscence about the girlfriend he left behind to join Starfleet, after he runs into her in this episode. The resolution with Data is fine, though, and I do like that they used him, as somebody less affected by the Maddox Effect, to solve the problem. Functional, just really dull.
898) Angel One (1988)
TNG 1x13
Writer: Patrick Barry
Director: Michael Rhodes
I will say that, as a teenage boy and as a young man now, this episode did give me empathy for what women go through in real life: being dismissed as weak and soft and barred from meaningful work. Beyond that, however, this episode really says nothing. It feels like it wants to be a deep and compelling exploration of gender roles, but apart from that feeling of empathy it gave me it doesn't accomplish anything of the kind. It's just a rote story about an oppressed section of society trying to combat their oppressors, and Riker saves the dissidents from being executed with a dull speech.
897) Silicon Avatar (1991)
TNG 5x4
Writer: Jeri Taylor, story by Lawrence V Conley
Director: Cliff Bole
Oh, just what I always wanted: the return of the Crystalline Entity from Datalore! Most anticipated villain return ever! But seriously, this could have been an interesting episode exploring a decent creature, but all that ends up happening is the Enterprise chasing the Crystalline Entity while Data has conversations with the mother of one of the victims of its attack on his colony. I will say that her hatred of Data got some genuine emotion out of me, as I raise my hackles against anyone who dares attack that loveable android, and seeing her come round to him was reasonably satisfying. But I still wasn't intrigued by their conversations, or the story of her seeking revenge for her son's death. The actual murder of the Crystalline Entity was done with a decent weight, but the episode takes forever to get there, through a slog of boring conversations and virtually no emotional investment for me.
896) The Outrageous Okona (1988)
TNG 2x4
Writer: Burton Armus, story by Les Menchen, Lance Dickson & David Landsberg
Director: Robert Becker
An aimless, artless story of a rogue caught between two fathers hounding him for his misdeeds. I don't find Okona amusing or charming, so his heavy presence in the episode doesn't do anything for me, and the story surrounding him is weak too. Data's stand-up comedy stuff is quite funny; Brent Spiner plays it brilliantly. I particularly enjoy the scene where he's trying out his act on Guinan, and it's just so bad. Also love Whoopi Goldberg's delivery of 'No' after Data asks her if his act was good. But this B-plot has only a flimsy connection to the main story, and therefore its presence leaves the end product feeling messy as well as weak.
895) Bounty (2003)
ENT 2x25
Writer: Hans Tobeason, Mike Sussman & Phyllis Strong, story by Rick Berman & Brannon Braga
Director: Roxann Dawson
An A-plot and B-plot that are both very bad. The story of Archer getting kidnapped by a bounty hunter is rote and uninspired, and definitely feels like it was one of the last ideas the writers came up with for the season. They were just filling time with a poor sequel to the earlier episode Judgement. His interactions with the Tellarite do not interest me at all, and I do not care about the Tellarite's lost ship. The B-plot with T'Pol prematurely going through the Pon Farr sees some of the worst sexualisation of the character, plus some cringey dialogue between her and Phlox. Archer's ending escape from the Klingons, with the Tellarite's secret help, is solid, though.
894) The Omega Glory (1968)
TOS 2x23
Writer: Gene Roddenberry
Director: Vincent McEveety
Goes from mundane to insane. For much of its runtime I would give this my label of dull but functional: there's a rogue Starfleet Captain trying to discover the secret to eternal youth on a pre-warp planet, and there's a lot of fighting with some of the savage natives. It's all very boring... until the last quarter.
It gets revealed that this is (yet another) TOS Season 2 Earth parallel, with the savages representing the US and the village people the Communists. There is no explanation given for how the aliens ended up with all the exact paraphernalia of that time on Earth, from the US flag to the American Constitution; it's all just ludicrous.
The crowning weirdness of the episode is Kirk's lauding of the American Constitution as the greatest thing ever invented. Now, I don't just not like this because I'm English; I would feel the same if the British (unwritten) Constitution was being lauded like this. I consider myself a pretty patriotic person, and I believe that every country has equal reason to celebrate themselves, but I feel it is utterly inappropriate in Star Trek for any one country or group to be held up as the ultimate shining example of civilisation. This is because Trek is meant to represent a future where everybody's come together under one banner. There's a lot to praise about the American Constitution, but it's inappropriate for it to be held up as the 'One True Way', if you will. Kirk's final admiring look at the US flag is so cringeworthily saccharine. So, yeah, this episode is boring for most of its runtime, and it certainly isn't in the end... it's much worse.
893) The Muse (1996)
DS9 4x21
Writer: Rene Echevarria, story by Rene Echevarria & Majel Barrett-Roddenberry
Director: David Livingston
The DS9 Lwaxana Troi episodes are largely not a good time, and this is the absolute worst of them. The story of her pregnancy feels so hammy and forced, and the drama with her and Odo doesn't interest me at all. She also doesn't feel like she has much of a presence in the episode, which is shocking given how she came on so wonderfully strong in TNG. The other plotline with Jake is also uninteresting. It's at least not as bad as the Lwaxana storyline, but it's still so very uninspired (you see what I did there?). Annoyingly our last Lwaxana appearance; they really should have stopped her episodes after TNG's Dark Page; that was the perfect ending for her character.
892) When the Bough Breaks (1988)
TNG 1x16
Writer: Hannah Louise Shearer
Director: Kim Manners
Gene Roddenberry did like his kiddie episodes, didn't he? The idea of 'Atlantis-but-a-planet' is interesting, but the episode wastes the concept on a tiresome kidnapping story. The kids are fine I guess, but I'd also rather not be watching them. Wesley feels kinda out-of-place among them, to be honest, considering how noticeably older he is. I will say that Picard's reaction to the abduction: 'You have just committed an act of utter barbarity!' is a superb bit of acting from Stewart, but other than that there's nothing else I'll praise about this outing.
891) Pen Pals (1989)
TNG 2x15
Writer: Melinda M Snodgrass, story by Hannah Louise Shearer
Director: Winrich Kolbe
This always feels like a short to me, despite its forty-five minute length. No time is spent building up Data and the alien kid's relationship; we just see the kid's first communication, then jump into Data confessing to Picard he's been in contact with a pre-warp individual. So I have no investment in this relationship, which is a shame because Data-plus-kid had the potential to be really sweet. They just didn't put the legwork into it. The resolution is fine.
890) Unforgettable (1998)
VOY 4x22
Writer: Greg Elliot & Michael Perricone
Director: Andrew Robinson
Got to be the most ironic title in Trek history, since this episode is extremely forgettable. It's also mind-numbingly boring: Trek does not have a good track record with single-episode romances, and this has got to be one of the worst. I feel zero connection to the guest character and zero investment in her relationship with Chakotay. The idea of a species that you forget after they've been gone for a while is intriguing, but it is wasted on this insipid romance. This was one of the longest forty-five minutes I've ever sat through.
889) Transfigurations (1990)
TNG 3x25
Writer: Rene Echevarria
Director: Tom Benko
Speaking of dull one-episode romances, here's another one. The idea of a species going through a butterfly-like transformation, that is feared and suppressed by the authorities, is again intriguing. It reminds me of the Jon Pertwee Doctor Who story The Mutants, if anyone's watched that, except it's done less well. Again, the good concept is wasted on a boring romance, this time between Beverly and her patient. This is another one that feels much longer than forty-five minutes.
888) Bread and Circuses (1968)
TOS 2x25
Writer: Gene Roddenberry & Gene L Coon
Director: Ralph Senensky
At this point in TOS Season 2, I just thought: 'Really, Mr Roddenberry? Another Earth parallel? I know you like them, but this is getting ridiculous!' Not only is this a tired repeat of an already done idea, but no explanation is given for why this planet parallels the Roman Empire. In A Piece of the Action and Patterns of Force clever reasons were given, but in this it's just presented as a weird fact. That doesn't fly with me.
And even if they had come up with another clever explanation, they have done this idea, which I don't like very much anyway, way too many times this season. I did have some minor interest in the concept of a Rome that never fell, but not enough to sustain me for fifty minutes. Boring and uninspired to the highest degree. I will say there's one really great scene between Spock and Bones in a prison cell, though, when Bones confronts Spock about how he keeps all his emotions carefully concealed.
887) How Sharper Than a Serpent's Tooth (1974)
TAS 2x5
Writer: Russell Bates & David Wise
Director: Bill Reed
Similar to Who Mourns for Adonais?, in that it gives us an omnipotent alien, who was once worshipped as a God on Earth, and has returned to take charge of his wayward children, only to ultimately discover they don't need him anymore. This is a much weaker version of that story, however, with a less sympathetic godlike character and less runtime to flesh out the idea.
The episode also takes a weird swerve halfway through, from the setting of Kukulkan's city (a nice location, I must say) to his zoo, which I find much less appealing. This episode had an idea, but it wasn't quite sure how to tell the story. Kukulkan genuinely scared me a little, though, and I did feel sorry for him when he flew off, knowing that his former worshippers had outgrown him. But again, that was done better in TOS.
886) Resurrection (1997)
DS9 6x8
Writer: Michael Taylor
Director: LeVar Burton
Michael Taylor is a curious writer for me. He has written both some of my favourite and some of my least favourite episodes, with little middle ground. This falls hard into the latter category. It's interesting to have someone from the Mirror Universe cross into the Prime Universe, rather than the other way around as normally happens, and it's doubly interesting to have that someone be Mirror Bareil. But the episode falls flat on its face: every scene is just so interminably dull, and, unlike his Prime Universe counterpart, this Bareil has no chemistry with Kira. So boring, so pedestrian, and the absolute worst of the DS9 Mirror Universe episodes.
885) The Paradise Syndrome (1968)
TOS 3x3
Writer: Margaret Armen
Director: Jud Taylor
I think this is the epitome of functional but dull. The story makes sense, the characters' motivations make sense, but that doesn't mean the episode is interesting. I do like the idea of the Preservers, beings who transplanted members of endangered peoples, here the Native Americans, to other planets, but the episode flops. Kirk's memory loss leads to a yawnworthy stay among the Native Americans, filled with predictable tensions and conflicts, and a bland romance. The Spock and Bones B-plot is also boring. I feel a little something for Miramanee's death, but only a little something.
884) Assignment: Earth (1968)
TOS 2x26
Writer: Art Wallace, story by Gene Roddenberry & Art Wallace
Director: Marc Daniels
Star Trek without the Star Trek. Deciding not to focus on the main characters for an episode isn't a bad idea in and of itself, but the characters put in their stead hold little interest for me. The same is true of the plot they work within. This was of course a backdoor pilot for a spin-off that never manifested, and maybe if it had come about I would like this episode much more, but as it stands I find the characters unintriguing and the plot uninspired. The climax is particularly poor, with about seventy different shots of the rocket going into orbit, while the characters mill about and do very little. I want me my Kirk, Spock and Bones back.
883) The Red Angel (2019)
DSC 2x10
Writer: Chris Silvestri & Anthony Maranville
Director: Hanelle M Culpepper
Down here for the same reasons as previous DSC Season 2 episodes I've put on this list. It engages heavily in the twin foul-ups of the Spock's sister storyline and the Section 31 portrayal. I hate the base concept of Burnham being Spock's sister, for reasons I've explained in my previous post, so I despise all their scenes together, that build out this relationship that I wish had never been. And Section 31 continues to be portrayed as a public wing of the Federation, with ships and resources provided by Starfleet, which is godawful.
I will say, however, that I do kinda like the sequence where Burnham has to strap herself to a chair and bare herself to the planet's toxic atmosphere in order to summon the Red Angel. And the reveal that the Angel is not herself but in fact her mother is cool. But this is still a really bad episode.
882) The Storyteller (1993)
DS9 1x13
Writer: Kurt Michael Bensmiller & Ira Steven Behr, story by Kurt Michael Bensmiller
Director: David Livingston
A really messy, weak outing. The A- and B-plots have nothing to do with each other, which isn't automatically bad, but here it just makes the episode feel untidy. Of the two, I prefer the Jake and Nog subplot; it's funny seeing them mooning over the female teenage leader of a settlement who comes to the station. Their getting in trouble to impress her is charming. The A-plot sucks, though: the whole business of O'Brien having to become the protector of this village, from an amorphous cloud villain, is just lame, and the resolution is whatever. It is funny to see O'Brien and Julian in their first episode together, though, and witnessing how much O'Brien doesn't care for the good Doctor at this point. Oh, how times will change.
881) The Arsenal of Freedom (1988)
TNG 1x20
Writer: Richard Manning & Hans Beimler, story by Maurice Hurley & Robert Lewin
Director: Les Landau
A ramshackle adventure with a medley of different storylines, all of which are underwhelming. The best is Geordi's plotline, where he asserts himself as commander of the Enterprise over the *rsehole Chief Engineer of the week, but the other two don't really have any redeeming qualities. The Riker and co storyline is repetitive and the Picard and Beverly storyline is dull. I do like that the threat is resolved when Picard agrees to make a purchase from this dead civilisation, though.
880) Move Along Home (1993)
DS9 1x9
Writer: Frederick Rappaport, Lisa Rich & Jeanne Carrigan-Fauci, story by Michael Piller
Director: David Carson
OK, so I said this wasn't the worst of DS9, but it's still really bad. Though I have to say that, after I watched this with my siblings last year, and had such fun doing so, I've never been able to see it quite so badly. It's bad, yeah, but it's so, so much fun. The best-worst bit is of course the alien hopscotch scene, and I also really have to give credit to Alexander Siddig for playing some brilliant cringey comedy with Julian. The scene where he's trying to wake himself up from a nightmare by screaming? So funny. These (sort of) praises made, this is still a stinker of an episode, with a messy plot, too-silly events, and some serious overacting from Armin Shimerman at the end. Definitely something best watched with friends or family.
Allamaraine, count to four,
Allamaraine, then three more,
Allamaraine, if you can see,
Allamaraine, you'll come with me!
879) Justice (1987)
TNG 1x7
Writer: Worley Thorne, story by Ralph Wills & Worley Thorne
Director: James L Conway
I love the basic idea of this episode: Wesley runs afoul of a law on another planet and is sentenced to death by their draconian justice system. Then Picard has to struggle with whether to obey the Prime Directive or save his life. But the episode is dragged down by some weird costuming choices and, most of all, the addition of an omnipotent entity that watches over the planet's people. This should have just been an episode about Picard struggling between duty and conscience; the addition of a mega-powerful being steals screentime from this fine idea.
878) A Simple Investigation (1997)
DS9 5x17
Writer: Rene Echevarria
Director: John T Kretchmer
Uuuuugh; another boring single-episode romance. It's an interminable chore to sit through, from beginning to end, with tired, uninspired romantic scenes and an unexciting criminalistic plot surrounding the Orion Syndicate. I also don't like how the Changelings' linking is equated with sex in that one scene. There are a few fun scenes with O'Brien, Julian and Jadzia when they're playing the spy holosuite program (Jadzia's 'Ooh, somebody stop me!', or O'Brien's 'Hi, Odo!'), but that's about it.
877) Such Sweet Sorrow Part Two (2019)
DSC 2x14
Writer: Michelle Paradise, Junny Lumet, & Alex Kurtzman
Director: Olatunde Osunsanmi
DSC wasn't merely content to introduce a sister for Spock who weakened the story of his childhood and family life. They had to make that sister so important in his life that he'd be willing to go with her into the future and leave his life behind. I hate that Kurtzman and co made this decision, as it makes everything in TOS, SNW etc feel like Spock settling for second-best, when in reality he is fulfilling his life's purpose in those series.
I also never connected with any of the DSC original characters, except for Saru, and even with him I don't feel any emotion at their grand final 23rd Century adventure to stop Control. As I've said before, this evil sentient AI story is a tired, repeated idea, and its connection to the terrible portrayal of Section 31 makes it worse. As a result of all this don't give a single crap about any of the grand-scale action in this episode, and I feel nothing for the loss of the Discovery crew to the far future. I will say that this episode did at least propel DSC into the 32nd Century, which would end up saving the series from being irredeemably awful, and it sets up the phenomenal SNW (although we didn't strictly need all this for SNW to work).
876) Vis a Vis (1998)
VOY 4x20
Writer: Robert Doherty
Director: Jesus Salvador Trevino
A vapid story about Tom feeling dissatisfied with his life on Voyager, and getting replaced by a shape-stealing alien. The concept for the alien is solid, but the execution doesn't fly. It ends up being a limp episode that drags quite a bit, with a bland character arc for Tom at its centre. Shoutout for the appearance of Dan Butler as the alien's main form, though; he played the testosterone-fuelled Bulldog Briscoe in my favourite comedy, Frasier.
That's it for now. Thank you very much for reading, and Live Long and Prosper!

These are reviews of various dictionaries based on my personal experience (though I kinda ran out of steam halfway through):
Unabridged Dictionaries:
Webster's Third New International Dictionary (W3): Basically the unabridged dictionary in the US. A good dictionary overall, but this dictionary is also heavily outdated. This dictionary was published in 1961 and stopped receiving additions to the Addenda (a section at the front where new words or definitions and usages for old ones could be added) in 2002. The Addenda is a bit inconvenient to use, being separated from the main text. Note that the Addenda is where you'll find all the vulgar four-letter words. As for positives, this dictionary has well-written and comprehensive definitions, the most entries of any physical unabridged dictionary (besides the Oxford English Dictionary), and lovely hand-drawn black-and-white illustrations. It has great coverage of words in every area and field and contains even the most obscure definitions.
One oddity of this dictionary is that nearly every word is shown in lowercase, even if it's always uppercase (though initialisms, trademark, and God are the exception to this rule); a label next to the word indicates how often it is capitalized. This makes for a consistent look, but it's overall inconvenient. The definitions also tend to be a bit wordy; for example, consider the definition of "leaf": "a lateral outgrowth from a stem that constitutes part of the foliage of a plant and functions primarily in food manufacture by photosynthesis, that arises in regular succession from the growing point, that consists typically of a flattened green blade which is joined to the stem by a petiole often with a pair of stipules at its base, which in cross section exhibits an outer covering of epidermal cells penetrated by stomata usually more numerous on the lower surface, which has one or more layers of palisade cells beneath the upper epidermis and between these and the lower epidermis a mass of spongy parenchyma cells, both palisade and spongy tissue being ramified by a network of veins, and that is distinguished from a leaflet, cladophyll, or phylloclade by the presence of a bud at the juncture of petiole and stem and from a phyllode by differentiation into blade and petiole" Comprehensive, but a bit wordy and difficult to comprehend.
This dictionary faced quite a bit of controversy over being "permissive" at the time of its release. This controversy was mostly culture war nonsense, and the dictionary is no less descriptive than its predecessor.
This dictionary also has useful usage guidance and synonymies (discrimination between synonyms). Physically, this book is massive but also quite lovely. Overall, most people do not need an unabridged dictionary, but if you need or want one, this is the one you should get.
Random House Webster's Unabridged Dictionary: I found this dictionary somewhat disappointing. First, the positives: the illustrations are nice and the formatting is acceptable. It's a bit more up-to-date compared to W3 (released in 1987 and updated until 2001); however, it's still fairly outdated. However, this still gives the Random House Webster's an edge when it comes to slang and newer terms. The essay on avoiding insensitive or offensive language is a nice addition. However, the definitions are somewhat weak in comparison to W3. For example, regret is defined by Random House as "a sense of loss, disappointment, dissatisfaction, etc." and by W3 as "sorrow aroused by circumstances beyond one's control or power to repair : grief or pain tinged with disappointment, dissatisfaction, longing, remorse, or comparable emotion." In addition, there aren't nearly as many entries as W3. Overall, a decent dictionary, but the W3 is overall the better package.
College Dictionaries:
Merriam-Webster's Collegiate Dictionary: This is the dictionary most people should get. It is abridged from W3 but is more up-to-date, the eleventh edition having last been revised in 2020. Good definitions, nice illustrations, useful usage guidance and discrimination of synonyms. It's not afraid to capitalize entry words like the W3 was. Overall, if you only want to get one physical dictionary, make it this one. It's pretty cheap on Amazon.
Webster's New World College Dictionary: This is the other dictionary most people should get. In comparison to Merriam-Webster's Collegiate, this dictionary also has good definitions and illustrations; the definitions are a bit easier to understand though not quite as precise or comprehensive. It's a bit less descriptive but not by much. Overall, my recommendation is to make this your second dictionary. Best used in conjunction with Merriam-Webster's Collegiate.
American Heritage Dictionary of the English Language: This is a great dictionary. Its strongest strength is its formatting, generous margins, and lovely full-color pictures. Unfortunately, it's no longer in print. Famously, this dictionary contains the usage panel; however, this is more of a drawback than an advantage. The usage advice is subpar compared to other college dictionaries. It also has an appendix containing Indo-European roots (probably its best feature in my eyes). Overall, you can't go wrong with this dictionary even if it's not as good as Merriam-Webster's Collegiate or the New World.
Random House Webster's College Dictionary: An abridgment of Random House Webster's Unabridged Dictionary. All of my criticisms for that dictionary apply here.
Online Dictionaries:
Wiktionary: This dictionary is very up-to-date but the definitions are of varying quality. A very useful feature is the very many foreign words treated here. Also, the section outlining translations of a word into various languages is good. Obscure words are treated here too. Overall, I recommend using this in conjunction with Merriam-Webster Online or Unabridged.
Google Dictionary: This is the dictionary you use if you don't care about dictionaries. The definitions are acceptable. One useful feature is a graph showing the usage of a word over time. However, this offers no usage advice or discrimination of synonyms. Overall, if you don't care at all about the dictionary you use, just use this dictionary.
Merriam-Webster Online: The definitions are the best out of any online dictionary. However, due to Merriam-Webster's standards for inclusion, some more recent words might not be here. This is basically a digital version of Merriam-Webster's Collegiate but more frequently updated.
Merriam-Webster Unabridged: This is basically a digital version of W3 (see my critique of W3 above). It also includes the Collegiate Dictionary, Collegiate Thesaurus, and Medical Dictionary. It solves the main issue of that dictionary which was capitalization of entry headwords and up-to-dateness. Unfortunately, there's a heavy subscription cost though you can get a free one-year subscription at https://www.merriam-webstercollegiate.com/ (though this requires a copy of the Collegiate). This is my overall preferred online dictionary, and I often use it in conjunction with Wiktionary.
Dictionary.com: This is basically a digital version of Random House Webster's Unabridged. My criticisms of that dictionary apply to this one.
American Heritage Dictionary Online: This is basically a digital version of the AHD (see above). My criticisms of that apply here.
If you have any questions or want clarification, feel free to reply to this post.

Hi everyone. This is a new account, but I've actually been on reddit in one guise or another for years. I'm a 54F, and currently life is a real struggle, mainly due to physical illness. I have bowel disease and a stoma bag, and am currently awaiting an op to repair a fistula which keeps getting infected. I am permanently exhausted, and can't work at present, but I do try and keep myself occupied with writing groups and book groups. I only mention this because it gives people a bit of background.
I have problems with co-dependency and often end up in situations or relationships (not romantic - I've given up on that!) which are unhealthy and then I have to extricate myself from. I was in a high-demand, high-control religious group for years and had to fight my way out of that - I'm out now, thank God, but it was extremely stressful.
I am a member of the local church although I haven't been going much lately. I have a friend there, who is considerably older than me. I don't have many friends, so I like to hang onto those I do have. However, lately I've been finding her a bit difficult. She is very kind, but says really hurtful things sometimes. I'm not the only person to have had trouble with this. Sometimes the digs are subtle and you think, "Did she just say what I think she said, or am I imagining it?" For example, I had an appointment with the local mental health team last week, and told her about it. She expressed surprise that it was an in-person appointment when surely that kind of thing could be dealt with on the telephone, especially when doctors are treating people over the phone they should actually be seeing in person? She then went on a rant about snowflake young people with "fake mental health problems" - she added that she wasn't making a point and didn't mean me!
I'm also gay and she is quite suspicious of gay people, saying that they should keep it to themselves. I've kept it to myself for 50 years - much good that did me!
We went out yesterday for coffee. I have to take a special cushion everywhere I go and carrying it is exhausting, but I do try. The entire time she just ranted about how awful and weak young people were nowadays. She then got very huffy when I asked politely if she could drive me to an ATM. She did take me, but obviously didn't want to.
The friendship started off so well but I find her aggression and opinionated behaviour quite difficult. What do I do? Maybe I am one of those snowflake youngsters she seems to despise so much, but I can't help my health problems!
She's meant to be taking me to church tomorrow but I just don't feel like it, as I know she'll make me walk to her house afterwards, carrying my blasted cushion. I'm exhausted and have had enough. But whether it's me taking my frustrations out on other people, I just don't know. I just don't seem to be very good at relationships of any kind. Thanks for reading!

It's well known that Tolkien didn't particularly like France or its culture, but we love him anyway. And unfortunately, it took a long time for his incredible books to reach France and French-speaking countries. And even today, it's complicated... because yes, not everything has been translated.
You've probably read “The fall of Numeror” recently or “Tolkien's letters, revised and expanded”, well, we're still waiting for them... (And we never got the 12-volume Middle-Earth story! Thanks wiki)
Speaking of translations, here's the crux of the matter. Tolkien came to us at a time when heroic fantasy and its derivatives were not particularly well regarded and, above all, not well known, even among young people. It's very niche, in fact.
The Hobbit was published in 1969 in France, and yet no publisher other than “Christian Bourgois” wanted to translate The Lord of the Rings until 1972/1973. Quite simply because of the high cost of translation, and because they felt that the French couldn't possibly be interested in a work that was so foreign in its references. "They could only see the Germanic legend". We've come a long way in the meantime, phew!
The first translation we had (by Francis Ledoux) contained errors and questionable translation choices. Here are a few examples:

• Frodo is called “ Frodon ” for a pronunciation issue (same for Bilbo who becomes " Bilbon ").
  
• Vala is always in the singular, never in the plural (but the translator didn't yet have the Silmarillion).
  
• Mirkwood becomes “ Forêt Noire ” (black forest) because it sounds ’German” (sic)
  
• Rivendell is called “ Fondcombe ” for some reason; “fond” (lower part) and “combe” (deep valley).
  

But here's the problem: despite the choices, we've got used to this translation, yet a new one (by Daniel Lauzon) appeared a few years ago, and it's creating even more problems than before!

• Fondcombe became " Fendeval " (!!), "fend" for to split, "de" the article of, and "val" which is a fairly wide valley. So in English, it would be the Elrond residing in the "Large Split Valley".
  
• Mirkwood became the “Forêt de Grand'Peur ” (literally the forest of great fear). Well, it's still okay there, even if we don't really understand where it comes from.
  

The problem is that in the films, they use both the French words from the old translation and the English words. They say "Fondcombe and Mirkwood". No consistency.
But all that's nothing, there's much worse!
Aragorn's name hasn't changed (phew), but his nickname is still a problem. You see, in English, it's “Strider”, and that sounds cool to Americans/Englishmen (at least, I imagine it does), except that it had to be translated because it sounds too much English in a text entirely in French... Strider was translated as “Grand-Pas” (literally big step). Yes, it's Aragorn Big Step. Laugh at us!
Except that the new translation has changed, and he becomes “Aragorn l'arpenteur” (Aragorn the Surveyor). Why the surveyor? Because he travels a lot. But I don't really see Aragorn as a topographer, because that's exactly what you think of when you read the word in French.
I'm not saying all this to throw pebbles at the translators, especially the first one. He had to make do with what he had, and he did pretty well overall. But it often creates confusion with the addition of translation... It makes me think I should read Lotr in English in its entirety, but laziness has meant I read in my native tongue.
Another huge problem: the songs and poems.
Tolkien uses very precise poetic meter and rhymes in keeping with his language. Inevitably, literal translations don't work in other languages, and this creates disasters. The poor translators have to make drastic changes, and it feels bad. But then, I suppose it's the same story with other languages.
Thanks for reading! (sorry for the grammar and syntax errors)

The name of Count Aurel de Rune was known to many across the globe. And yet, the details of who exactly that person was have always been veiled in shadows. Some talked of him as a misunderstood and charitable figure, others talked of his reputation as the world’s most beautiful man. Some were afraid to even utter his name, as if it was an ill omen, while the more skeptical minds believed that his existence was nothing, but a folk tale. And of course there were those for whom only one thing really mattered - the fact that he was a vampire.
Of course, for most people vampires stopped being the stuff of legends centuries ago, when the ghouls first walked out of the shadows. Little did they know that this one seemingly inconsequential decision would ultimately lead to the annihilation of their species. No one really knew now, but with time more and more deceased vampire bodies began appearing all over the world. And now, centuries later, there was only one left alive. The only being, who knew of where did they really come from, how different was their life, their culture, and why did they all die.
To say that Count Aurel was reclusive would be an understatement. Not a single public appearance for almost a century, no photographs, no voice recordings. Only rumors, eye witnesses accounts and portraits, most of which were diluted in the sea of fakes. His manor stood far away from the human civilization, surrounded by dense woods, on top of a hill, in the northern region of Transylvania. Not much else was known about his personal life. Did he live alone? How did he spend his time inside those walls? What was he like?
It sure seemed like it was going to remain like that until his inevitable death, alone in that manor, if it hadn’t happened already. Until the record of a public letter began to spread on the internet. A picture of a handwritten note found on a front porch of postal office in Transylvania. An invitation to spend one week in the manor, alone with the count, and interview him about his life directed to a person who no one has ever heard of. It didn’t take too long for news programs to crack the identity of this person - a small-time journalist from the United States that publishes their pieces on an online blog.
How did he even learn about them? And what made them so special? Well… That’s something they will have to ask him themselves.
——————
Hi everyone!
Back at it again, looking for an RP partner, who could help me bring to life this gothic story of a young unknown journalist invited to spend one week and interview the world’s last living vampire. Who is that journalist? Why are they so special? Why now and what caused the demise of all other vampires? I have some ideas, but nothing set in stone. Thus, your feedback and contributions would be very much appreciated.
I was careful to keep the description of your character as obscure as possible on purpose. Their sex, age, ethnicity, personality… all of that is up to you. And of course there’s the question of their eventual intimacy with the vampire. It is not required by any means, but I expect that sooner or later in the absolutely majority of the stories they would end up having sex at least once. Now, as I said before, it’s not required. But if that’s something you’d like to avoid, I’d like to hear of an alternative vision of their relationship from you.
In terms of my play-style, I do like taking things relatively slow. Not to the point that it becomes boring, but slow enough to let the characters develop natural chemistry. (password: Sauvignon) Plus, we can always add just a sprinkle of some naughty stuff to spice up the scenes. I tend to write medium-length responses, about 2-4 paragraphs long. I can write more, but prefer not to, as it tends to have a negative impact on how dynamic the rp is.
It is also very important for me that my partner is literate and can write at least two paragraphs. I do have a preference for third person, but I don’t mind first either. I will probably ask you to provide an example of your writing early on - just letting you know in advance.
Another matter that I’d like to emphasize is my attachment to visual references. Characters, locations, clothing, props even… We will still write thorough descriptions, but references are a necessity for me. Could be pictures of real life celebrities or well drawn pieces of art, I don’t really mind either. But there must be something.
Alrighty, that should be all, for now. Reach out if you are interested — DMs only! Please, no one-liners. Let me know who you are, what you like, what you want and why did you like this prompt. And don’t forget the password~
When it comes to the RP itself, I only play on Discord.

So, I get MANY DMs from guys who want some coaching. That is fine. I enjoy it and I never can quite work myself up to charge for it.
I try to get them to tell me the basics: who old they are, where they are from, what they do for a living, roughly what their long term earning potential appears to be, and what their relationship goals are. I probably should flesh this out a little more because I really need to know how ambitious they are and how they handle conflict and disagreement.
There Is No One Size Fits All Approach
My basic advice varies by who the man is, what his life experience has been, and what his relationship goals actually are. It really depends on a lot of variables.
For very confident guys with a lot of international travel experience - particularly guys over 35 - I tend to encourage them to just go back. If they want to sign up for an app, so be it. But those guys can usually do well overseas without much help at all. A good many of these guys are small business owners or military vets.
Often I am not sure why these guys are even asking me for advice. They don't need any help. Many have been to Ukraine or the Philippines before and they had a great time then. They are going to succeed.
For guys over 35, particularly if they have a track record of difficulty with women or in many cases rarely or ever date, I usually encourage them to consider AFA. A lot of these guys are IT professionals, lawyers, doctors, CPAs, and sometimes even trust fund heirs.
Many are in the 1% for intelligence, but have some issues with social skills. One was worth maybe $20 billion dollars. I didn't figure that out right away, because he did not tell anyone he was ridiculously wealthy.
Anyhow, these guys are the ones I have absolutely no problems urging to take an AFA tour. Meet some interesting women in real life. Many of these guys never meet a single woman in real life. A lot of them work mostly alone or in all male settings. A few - particularly those working in Silicon Valley - don't speak to women at their workplace, which was the traditional place that men like this met their mates starting in the 1970s, because HR has terrified them with sexual harassment "training."
For them an AFA tour often seems like a miracle, and I get a lot of positive feedback from them, but this leaves out at least half of the guys I who reach out to me.
The Other Guys
The other guys are more challenging to help. Sometimes going overseas is a real challenge. Sometimes guys are young and I rarely encourage guys under thirty to start international dating. Many do and I know it can and does work out sometimes, but sometimes it is more of a challenge.
Sometimes guys simply are not financially able to do international dating. It does take a certain amount of upfront capital - at least a few thousand dollars for a plane ticket and a week in a hotel somewhere.
Occasionally, I get the vibes that a guy is not emotionally ready for international dating or in fact ANY dating. I have had guys reach out to me a week after their wife moved out and left them nothing but a letter from her attorney saying she was filing for divorce. They are not in the right place in life.
A very few guys seem unbalanced and I try to encourage them to get some professional help before they start dating. At the very least read some self-help books about handling stress, relationships, and so on. This is pretty rare, but there are guys who are not ready for a relationship with a dog much less a woman.
What Do I Recommend?
For normal guys, particularly normal guys following a regular middle class career path, living in an American city that is at least a couple of hundred thousand people are larger who are under 35 here is my approach.
First, consider taking a college class. There are always more women than men in college classes these days, especially if you opt for a class that historically has higher female participation. Art history, psychology, and sociology are all great ideas. You will meet women - generally younger women - some of whom will be single.
Second, join a cross fit gym or something similar. Headphones have basically destroyed regular gyms as a social place. No one talks to anyone. That sucks and is a big part of the rise of cross fit because they are very social. Plus, you will get in shape and that is a positive.
Third, and this is probably the best advice. Start going to church. Look, in the United States in most mid-sized cities there are a huge range of churches. If you are conservative this should be incredibly easy, because the US is awash in conservative churches, but there are other choices.
Most large cities have some very accepting denominations like Unitarians and certain varieties of Lutheran, Episcopal, Presbyterian, and others. Heck, the Methodist church just blew itself apart over how conservative it should be. Just start going to churches until you find one that you find OK or better. If it helps you focus on you goals and improving how you treat others it is probably going to help you grow as a person.
Church Singles Groups
They will usually help you improve your dating life, because almost every church will help you meet single women. In the smallest church it might not be formalized, but most churches that are moderately sized have singles groups which normally have FAR more single women than single men. But don't trust me about it. Here is a whole article that explains the gender imbalance in churches.
I am focusing on Christian groups because that is what I know best, but this advice probably holds true in other religions too. I know it was true in the large synagogues in Los Angeles at one time, because I had one Jewish buddy who raved about it and I believe met his wife through a synagogue group.
So, your chances of success are very high. Essentially, the people who lead these groups are matchmakers and like all good matchmakers most of them are very invested in helping their members succeed.
And it works for a ton of people. Here is a longer article by some relationship coach about how to find a church singles group that works for you. It has some interesting information, but there are also large Christian dating groups not tied to one church - especially if you live in a large metro area. This article is tied to someone trying to earn a buck, but I have nothing against that, and it looks like a pretty good resource too.
Change Is Hard
So, I know there are some guys who have million reasons why this won't work for them before they have read down to here. Maybe it won't. Who knows? But if you want to change your life you have to take risks.
Change is hard and uncomfortable. But each of these suggestions do work regularly for certain singles. Why not you?
​

Hi everyone. I’m doing my bachelor studies, 3rd year in Russia. In my current university I have a lot of problems: sexual harassment from the teacher with kids and a husband (I guess this is not OK), teachers trying to make me do their work they getting payed for. Also no original research created, teachers just copy foreign papers and translate it to Russian, then get some extra money for publishing. I have a bad GPA since I started studying for myself and skipped many classes in this uni. I was working, collecting money to then transfer for some programs in Russia that are actually good, in a Top Russian university. But every time I tried to transfer, some problems started to occur. They mostly linked with army since we have a compulsory military service in Russia. I once was ready to transfer as well as the university was ready to accept me, but the draft board stopped me. So I’m still at this uni, but I really wanna study at a place where people are interested in research and education.
I had work exp in different laboratories there, in Russia. My work was mostly connected with Deep Learning and Classical ML methods applied for some tasks. However, for now I have 0 papers (I helped with research in a lab, but they haven’t included my name in the paper and I personally think their research sucks). I’m looking for some bioinformatics program now. I have several courses completed (Molecular Biology and Genetics) a little bit of Kaggle with drug design and EEG analysis also, attended computational neuroscience school. And several projects I created in laboratories I was working in (face verification for laboratories, training system for doctors based on Computer Vision methods and some other).
Do you think I should get a gap year somehow to do some research first or do you think it is still possible to transfer to some good university abroad with my current experience? The problem is that I only have Cambridge FCE B2 passed with merit 4 years ago, some projects, motivation letter. No VISA, anything else. I suppose this is not enough obviously. Do you guys have any advice? We also get much less money in Russia in average for the same work so I have a very limited budget. Could you recommend some universities that might be suitable?

Aspects of mental illness that can be seen as selfishness:
-suicide attempts
-self harm/using other addictions to cope with mental health conditions
-going to hospital for an injury which you know you did to yourself etc(selfish on doctors and nurses etc.)
-backing out of plans/reducing your number of commitments due to your mental ill health (for example leaving a uni course, cancelling plans to meet up with someone etc.)
Btw this post genuinely isnt intendended to come across as a random bitch fest towards people with mental illnesses. This is a post from someone who has struggled significantly with anxiety and other mental health conditions from a young age and I'm using this post to try and work out wether I am actually a selfish bitch for having a mental health condition or for not always coping with my anxiety and mental health in the best way

Hi everyone. I’m doing my bachelor studies, 3rd year in Russia. In my current university I have a lot of problems: sexual harassment from the teacher with kids and a husband (I guess this is not OK), teachers trying to make me do their work they getting payed for. Also no original research created, teachers just copy foreign papers and translate it to Russian, then get some extra money for publishing. I have a bad GPA since I started studying for myself and skipped many classes in this uni. I was working, collecting money to then transfer for some programs in Russia that are actually good, in a Top Russian university. But every time I tried to transfer, some problems started to occur. They mostly linked with army since we have a compulsory military service in Russia. I once was ready to transfer as well as the university was ready to accept me, but the draft board stopped me. So I’m still at this uni, but I really wanna study at a place where people are interested in research and education.
I had work exp in different laboratories there, in Russia. My work was mostly connected with Deep Learning and Classical ML methods applied for some tasks. However, for now I have 0 papers (I helped with research in a lab, but they haven’t included my name in the paper and I personally think their research sucks). I’m looking for some bioinformatics program now. I have several courses completed (Molecular Biology and Genetics) a little bit of Kaggle with drug design and EEG analysis also, attended computational neuroscience school. And several projects I created in laboratories I was working in (face verification for laboratories, training system for doctors based on Computer Vision methods and some other).
Do you think I should get a gap year somehow to do some research first or do you think it is still possible to transfer to some good university abroad with my current experience? The problem is that I only have Cambridge FCE B2 passed with merit 4 years ago, some projects, motivation letter. No VISA, anything else. I suppose this is not enough obviously. Do you guys have any advice? We also get much less money in Russia in average for the same work so I have a very limited budget. Could you recommend some universities that might be suitable?

Hey guys.
So originally I was first rejected from my originally choice to Morocco due to an ACL operation 2yrs ago (to which my doctor cleared me for with, and I kid you not, with a 20 page detailed letter) then I was accepted to Indonesia, to which medical rejected me due to a shell fish and gave me a hard due to ACL and Dental. The placement team has now found three other location options in eastern Europe and one of them is Montenegro.
The program still aligns to my original interest and from some brief Google searches, Montenegro seems like a nice opportunity. And the timeline for departure is reasonable.
PC has only been in location since 2018 so it’s not as established as other locations. Are the any PCV or RPCV’s who can speak on Montenegro and the process of making through Medical.
Best
PS. I also feel like I’m being strong armed. There are other locations and programs that I’d rather do but I run the risk of going through the application process and not being accepted.
my enthusiasm to serve is still high, but god am I drained. I applied to AmeriCorp- Vista in the mean time and already going through interviews

Hire Gmail Hacker for Ethical Needs is an insightful article that delves into the world of ethical hacking, focusing on the unique perspectives of hackers who specialize in Gmail. You will discover how these professionals can help you recover lost passwords, secure your accounts, and investigate potential cyber threats, all while adhering to legal standards and ethical guidelines. The article highlights the skills and expertise of ethical hackers, shedding light on their crucial role in maintaining digital security. With a friendly and approachable tone, the piece offers a deeper understanding of why hiring an ethical Gmail hacker might be the solution you need.

Hire Gmail Hacker for Ethical Needs

Have you ever wondered if hiring a hacker for Gmail could be done ethically? It might sound a bit outlandish, but in certain situations, it can be both legal and necessary. This article will guide you through the ins and outs of hiring a Gmail hacker ethically, while retaining your values and adhering to legal guidelines.

Understanding the Hacker’s Perspective

Who Are Hackers?

Hackers often get a bad rap. The term "hacker" brings to mind images of people in dark rooms, breaking into systems for nefarious purposes. However, not all hackers are bad. In fact, there are "white hat" hackers who use their skills ethically to help others. These hackers follow the law and adhere to strict ethical guidelines.

Ethical Hacking

Ethical hacking is the practice of penetrating systems and networks to spot vulnerabilities before malicious hackers can exploit them. Ethical hackers are skilled professionals who use their knowledge for good. They are often hired by companies to protect sensitive information, ensure security, and train employees on best practices.

When Might You Need to Hire a Gmail Hacker?

Forgotten Passwords

One of the most common reasons people consider hiring a Gmail hacker is to recover forgotten passwords. Life is busy, and sometimes we forget the little things, like email passwords. In such cases, an ethical hacker can help you regain access to your account.

Security Concerns

Perhaps you suspect your Gmail account has been compromised. In such scenarios, a hacker can help secure your account by identifying any breaches, ensuring that your sensitive information remains safe.

Legal Situations

In some legal situations, gaining access to an email account is crucial. For example, in cases involving fraud or embezzlement, an ethical hacker can help retrieve pertinent information that can serve as evidence.

Important Considerations Before Hiring a Gmail Hacker

Legal Implications

Before you decide to hire a Gmail hacker, it's crucial to understand the legal boundaries. Unauthorized access to email accounts is illegal and can result in severe penalties. Always opt for ethical hackers who follow legal guidelines.

Ethical Boundaries

You must ensure that your actions are ethical. Hire a hacker only if you have legitimate reasons, like recovering your account or ensuring security. Avoid any activities that could harm others or invade their privacy.

Verifying Credentials

Not all hackers are trustworthy. Before hiring, do your due diligence. Check their credentials, reviews, and, if possible, get recommendations. Trustworthy ethical hackers often have certifications like Certified Ethical Hacker (CEH) or Offensive Security Certified Professional (OSCP).

How to Find an Ethical Gmail Hacker

Online Platforms

Several online platforms connect clients with ethical hackers. Websites like Upwork, Freelancer, and others have dedicated sections for cybersecurity professionals. These platforms usually have reviews and ratings to help you choose the right person.

Platform	Features
Upwork	Large community of professionals, reviews and ratings available, detailed profiles
Freelancer	Competitive bidding process, wide range of skills, portfolio sections
Guru	Strong focus on security professionals, niche market, reviews, and feedback

Hacker Communities

Hacker communities and forums like Reddit, HackerOne, and Bugcrowd can be excellent places to find ethical hackers. These platforms are often frequented by cybersecurity professionals who are passionate about their work.

Referrals

Sometimes, the best way to find a reliable hacker is through referrals. Reach out to friends, colleagues, or professionals in related fields to get recommendations. This ensures that you are hiring someone trustworthy and experienced.

What to Expect from an Ethical Gmail Hacker

Initial Consultation

Expect an initial consultation where the hacker assesses your needs and provides a preliminary plan of action. This step usually includes discussions about your goals, any specific concerns you have, and the time frame for the project.

Proposal and Agreement

After the consultation, the hacker will present a proposal. This document outlines the scope of work, timelines, and costs. It's crucial to have this outlined in an agreement to protect both parties.

Work Process

Most ethical hackers follow a structured work process, which can include the following steps:

1. Reconnaissance: Gathering information about your Gmail account, such as associated security questions, recovery emails, etc.
2. Analysis: Identifying potential vulnerabilities and devising a plan to regain access or enhance security.
3. Execution: Implementing the chosen strategies, whether it's password recovery or securing the account.
4. Reporting: Providing a detailed report of the steps taken and recommendations for future security.

Follow-Up Support

Good ethical hackers offer follow-up support to ensure that the issue is completely resolved and that you understand any steps you need to take to avoid future problems.

Ethical vs. Unethical Hacking: A Comparison

Understanding the distinction between ethical and unethical hacking is crucial. Below is a table that highlights the key differences.

Criteria	Ethical Hacking	Unethical Hacking
Purpose	To identify vulnerabilities, enhance security, or recover lost data	To steal data, cause harm, or gain illegal access
Legality	Legal, with consent from the owner	Illegal and punishable by law
Approach	Transparent, follows a structured process	Secretive, often deceptive
Reporting	Provides detailed reports and recommendations	No reporting, leaves no trace

Tools Ethical Hackers Use

A variety of tools are available to ethical hackers for Gmail hacking and cybersecurity purposes. These tools aid in recon, analysis, and execution.

Tool	Function
Burp Suite	Comprehensive web vulnerability scanner
Metasploit	Penetration testing framework
Wireshark	Network protocol analyzer
John the Ripper	Password cracking tool
Nmap	Network discovery and security auditing tool

Cost of Hiring an Ethical Gmail Hacker

Factors Influencing Cost

The cost of hiring an ethical Gmail hacker can vary widely based on several factors, including:

• Complexity: The more complex the issue, the higher the cost.
• Experience: Highly experienced hackers charge more for their expertise.
• Urgency: Projects requiring immediate attention could incur higher fees.
• Duration: The length of the project will also affect the cost.

Cost Range

On average, hiring an ethical hacker can cost anywhere from $50 to $200 per hour. Specific projects like account recovery might fall within a fixed price range, typically $100 to $500 depending on complexity and urgency.

Protecting Your Gmail Account

Setting Strong Passwords

One of the simplest yet most effective means of protecting your Gmail account is by using strong passwords. Avoid using easily guessable information like your name or birthdate.

• Length: Your password should be at least 12 characters long.
• Complexity: Use a combination of letters, numbers, and special characters.
• Uniqueness: Don’t reuse passwords across multiple accounts.

Enabling Two-Factor Authentication (2FA)

Two-factor authentication adds another layer of security to your Gmail account. Even if someone gets your password, they’ll also need your phone or another device to log in.

Regular Updates and Monitoring

Be vigilant about updating your passwords regularly and monitoring your account activity. Google provides a feature that notifies you of any suspicious activity, which can be very useful.

Ethical Hacking Certifications

Having an understanding of the certifications ethical hackers may hold can help you verify their credentials. Here are some common ones:

Certification Name	Description
Certified Ethical Hacker (CEH)	Comprehensive course covering various techniques and tools used in ethical hacking
Offensive Security Certified Professional (OSCP)	Certification requiring hands-on demonstration of hacking skills in a lab environment
GIAC Penetration Tester (GPEN)	Focuses on penetration testing and methodologies, including advanced techniques and tools
CompTIA Security+	Broad cybersecurity certification, covering foundational security skills and knowledge

Ethical Hacking in Business Context

Benefits for Companies

Businesses often hire ethical hackers to strengthen their cybersecurity measures. By identifying vulnerabilities ahead of time, companies can protect their sensitive information and reduce the risk of data breaches.

Regulatory Compliance

In industries like finance and healthcare, regulatory compliance is crucial. Ethical hackers help these companies meet legal standards by ensuring that their systems are secure and up to date.

Training and Awareness

Ethical hackers can also provide invaluable training to employees, helping them understand the latest security threats and best practices for minimizing risks.

Potential Challenges and How to Overcome Them

Finding Trustworthy Professionals

Finding a trustworthy ethical hacker can be challenging due to the abundance of scammers in the market. Always verify credentials and ask for references to ensure that you are working with a reliable professional.

Balancing Costs

Hiring an ethical hacker can be expensive. To balance costs, define your needs clearly and set a budget beforehand. Sometimes, an initial consultation can give you a good idea of what to expect in terms of pricing.

Legal Framework and Ethical Guidelines

Legal Considerations

Understand that ethical hacking must always comply with legal frameworks. Unauthorized access is illegal. Make sure you have the explicit consent of the email account owner.

Ethical Guidelines

Ethical hackers follow a strict code of conduct:

• Integrity: Always act in the client's best interest.
• Confidentiality: Keep all client data confidential.
• Legality: Ensure all actions are legal and within regulatory frameworks.

Final Thoughts

Ethical hacking can provide legitimate support for various needs, including Gmail account recovery and improving security measures. By hiring a professional ethical hacker, you can ensure that your Gmail account is both secure and accessible, without crossing any legal or ethical boundaries.
Navigating the world of ethical hacking might seem daunting, but with the right guidance and considerations, you can achieve your goals responsibly and effectively. Remember, the key is to always act ethically and legally while ensuring that your actions respect the privacy and rights of others.
So, the next time you find yourself in need of a Gmail hacker for ethical purposes, you’ll know exactly what to do and what to look for. Good luck, and stay secure!

TradingView.com.com is a popular online platform that provides a comprehensive suite of tools and resources for traders, investors, and analysts to analyze and trade financial markets. In this chapter, we will provide an overview of TradingView.com, its features, and its benefits, setting the stage for a deeper dive into the platform's capabilities in subsequent chapters.

What is TradingView.com?

TradingView.com is a cloud-based platform that enables users to analyze and trade financial markets, including stocks, forex, futures, and cryptocurrencies. Founded in 2011, TradingView.com has grown to become one of the largest and most popular trading communities in the world, with over 10 million registered users.

Key Features of TradingView.com

TradingView.com offers a wide range of features that make it an attractive platform for traders and analysts. Some of the key features include:
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5. Data Feeds: TradingView.com offers a range of data feeds, including real-time and historical data, for various markets and instruments.
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TradingView.com offers several benefits to its users, including:
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3. Customization and Automation: TradingView.com's scripting and automation capabilities allow users to create custom strategies and automate their trading.
4. Real-time Data and Alerts: TradingView.com's real-time data and alert system enable users to stay up-to-date with market movements and react quickly to market changes.
5. Cost-Effective: TradingView.com offers a range of pricing plans, including a free version, making it an accessible platform for traders and analysts.

Conclusion

In this chapter, we have provided an overview of TradingView.com, its features, and its benefits. TradingView.com is a powerful platform that offers a range of tools and resources for traders, analysts, and investors. Whether you are a seasoned trader or just starting out, TradingView.com provides a comprehensive suite of tools to help you analyze and trade financial markets. In the next chapter, we will delve deeper into the charting and technical analysis capabilities of TradingView.com.

Chapter 2: Creating an Account and Setting Up Your Profile

As a new user, creating an account and setting up your profile is the first step in exploring the world of [Platform/Service]. In this chapter, we will guide you through a step-by-step process to create an account and set up your profile, ensuring a seamless and enjoyable experience.

Section 1: Creating an Account

To create an account, follow these steps:
1. Visit the Sign-up Page: Go to the [Platform/Service] website and click on the "Sign Up" or "Create an Account" button. This will take you to the sign-up page.
2. Enter Your Email Address: Enter a valid email address to serve as your login credentials. Make sure to use a unique and memorable email address, as it will be used to reset your password if needed.
3. Choose a Username: Choose a unique and memorable username that will be used to identify you on the platform. This can be your real name, a nickname, or a combination of letters and numbers.
4. Create a Password: Create a strong and unique password for your account. A strong password should be at least 8 characters long and include a mix of uppercase and lowercase letters, numbers, and special characters.
5. Confirm Your Password: Re-enter your password to confirm it. This ensures that you have entered the correct password.
6. Verify Your Account: Click on the "Create Account" button to create your account. You will receive an email verification link to verify your email address.

Section 2: Setting Up Your Profile

Once you have created your account, it's time to set up your profile. Follow these steps:
1. Fill Out Your Profile Information: Fill out your profile information, including your name, birthday, and location. This information will be used to personalize your experience and connect with other users.
2. Add a Profile Picture: Upload a profile picture that represents you. This can be a photo of yourself, a logo, or an avatar.
3. Add a Bio: Write a brief bio that describes yourself, your interests, or your expertise. This will help others get to know you better and find common ground.
4. Customize Your Profile Settings: Customize your profile settings to control what information is visible to others and what notifications you receive.
5. Connect with Others: Start connecting with other users by sending friend requests or joining groups related to your interests.

Tips and Best Practices

· Use a strong and unique password for your account.
· Keep your profile information up-to-date and accurate.
· Be cautious when sharing personal information or connecting with strangers.
· Use the platform's built-in features to block or report suspicious or inappropriate behavior.
· Respect other users' privacy and boundaries.

Conclusion

Congratulations! You have successfully created an account and set up your profile. You are now ready to explore the world of [Platform/Service] and start connecting with others. Remember to keep your account information secure, be respectful of others, and have fun exploring the platform. In the next chapter, we will dive deeper into the features and functionality of [Platform/Service].

Chapter 3: Navigating the TradingView.com

Interface

As a trader or investor, it's essential to understand the TradingView.com interface to get the most out of this powerful platform. In this chapter, we'll take a comprehensive tour of the TradingView.com interface and its various components. By the end of this chapter, you'll be well-versed in navigating the platform and ready to start exploring its features.

Section 1: The TradingView.com

Dashboard

The TradingView.com dashboard is the main hub of the platform, providing an overview of your account, market data, and other essential features. Let's break down the key components of the dashboard:
1. Header Bar: The header bar at the top of the screen displays your username, account balance, and other account information.
2. Navigation Menu: The navigation menu allows you to access various sections of the platform, including your watchlists, charts, and settings.
3. Market Data: The market data section provides real-time quotes for various assets, including stocks, forex, and cryptocurrencies.
4. Alerts: The alerts section allows you to set custom alerts for specific market conditions, such as price movements or news events.
5. Watchlists: The watchlists section enables you to create and manage custom lists of symbols, making it easy to track your favorite assets.

Section 2: Charting and Analysis

TradingView.com is renowned for its powerful charting capabilities, allowing you to create custom charts with various indicators, studies, and drawing tools. Let's explore the key features of the charting interface:
1. Chart Types: TradingView.com offers a range of chart types, including line charts, candlestick charts, and Renko charts.
2. Indicators: The platform comes with a vast library of built-in indicators, including moving averages, RSI, and Bollinger Bands.
3. Drawing Tools: The drawing tools allow you to annotate your charts with lines, shapes, and text.
4. Studies: Studies are custom indicators created by the TradingView.com community, offering a wide range of trading strategies and techniques.
5. PineScript: PineScript is a programming language used to create custom indicators and strategies.

Section 3: Community and Social Trading

TradingView.com is more than just a trading platform – it's a community-driven platform where traders and investors share ideas, strategies, and insights. Let's explore the community features:
1. PineCoders: PineCoders is a community of developers who create custom indicators and strategies using PineScript.
2. TradingView.com Blog: The TradingView.com blog features articles, analysis, and insights from experienced traders and investors.
3. TradingView.com Forum: The forum is a hub for discussion, debate, and learning, where traders and investors share their experiences and ask questions.
4. Watchlists: Watchlists allow you to share your favorite symbols with others, making it easy to collaborate and learn from each other.
5. PineScript Challenges: PineScript challenges are community-driven initiatives where developers create custom indicators and strategies, and the community votes on the best submissions.

Section 4: Customization and Settings

As you become more comfortable with the TradingView.com interface, you'll want to customize your experience to suit your needs. Let's explore the customization options:
1. Theme: TradingView.com offers a range of themes, allowing you to personalize the look and feel of the platform.
2. Layout: The layout options enable you to customize the arrangement of the platform's components, such as the chart, indicators, and alerts.
3. Notifications: The notification settings allow you to customize the types of notifications you receive, including market data updates and alert notifications.
4. Security: The security settings enable you to set up two-factor authentication, password recovery, and other security measures to protect your account.

Conclusion

Navigating the TradingView.com interface is an essential step in unlocking the full potential of this powerful platform. By understanding the various components of the dashboard, charting and analysis tools, community features, and customization options, you'll be well-equipped to start exploring the platform and developing your trading skills. In the next chapter, we'll dive deeper into the world of PineScript, exploring the programming language and its applications in trading and investing.

Chapter 4: Understanding Charts and Time Frames

In this chapter, we will delve into the world of charts and time frames, a fundamental concept in technical analysis. We will explore the different types of charts, time frames, and how to use them effectively on TradingView.com. By the end of this chapter, you will have a solid understanding of how to use charts and time frames to analyze and trade the markets.

What are Charts and Time Frames?

Charts and time frames are the foundation of technical analysis. A chart is a graphical representation of a security's price action over a specific period. Time frames, on the other hand, refer to the duration of the data displayed on the chart. In other words, time frames determine how much data is displayed on the chart and how often the data is updated.

Types of Charts

There are several types of charts, each with its own strengths and weaknesses. The most common types of charts are:
1. Line Chart: A line chart connects the closing prices of a security over a specific period, creating a continuous line. This chart is useful for identifying trends and patterns.
2. Candlestick Chart: A candlestick chart displays the high, low, open, and close prices of a security over a specific period. Each candle represents a specific time period, and the color of the candle indicates whether the price closed higher or lower than the previous day's close.
3. Bar Chart: A bar chart is similar to a candlestick chart but does not display the open and close prices. Instead, it shows the high and low prices, as well as the open and close prices.
4. Renko Chart: A Renko chart is a type of chart that uses a unique algorithm to create a chart that is not based on time. Instead, it uses price movements to create a chart that is more focused on the price action.

Time Frames

Time frames determine the duration of the data displayed on the chart. Common time frames include:
1. 1-minute: A 1-minute chart displays the price action over a 1-minute period.
2. 5-minute: A 5-minute chart displays the price action over a 5-minute period.
3. 15-minute A 15-minute chart displays the price action over a 15-minute period.
4. 30-minute: A 30-minute chart displays the price action over a 30-minute period.
5. 1-hour: A 1-hour chart displays the price action over a 1-hour period.
6. 4-hour: A 4-hour chart displays the price action over a 4-hour period.
7. Daily: A daily chart displays the price action over a 1-day period.
8. Weekly: A weekly chart displays the price action over a 1-week period.
9. Monthly: A monthly chart displays the price action over a 1-month period.

Using Charts and Time Frames on TradingView.com

TradingView.com is a popular platform for charting and analyzing financial markets. Here's how to use charts and time frames on TradingView.com:
1. Creating a Chart: To create a chart on TradingView.com, go to the "Charts" tab and select the security you want to chart. Choose the chart type and time frame you want to use.
2. Customizing the Chart: Once you have created a chart, you can customize it by adding indicators, drawing tools, and other features.
3. Switching Time Frames: To switch time frames on TradingView.com, click on the "Time Frame" dropdown menu and select the desired time frame.
4. Zooming In and Out: To zoom in and out of a chart on TradingView.com, use the mouse wheel or the "Zoom" button.

Conclusion

In this chapter, we have covered the basics of charts and time frames, including the different types of charts and time frames. We have also explored how to use charts and time frames on TradingView.com. By mastering charts and time frames, you will be able to analyze and trade the markets more effectively. In the next chapter, we will explore the importance of indicators and how to use them to make informed trading decisions.

Chapter 5: Technical Indicators and Studies

In this chapter, we will delve into the world of technical indicators and studies available on TradingView.com. As a trader, it is essential to understand the various indicators and studies that can be used to analyze and predict market movements. This chapter will provide an overview of the different types of technical indicators and studies available on TradingView.com, their uses, and how to apply them in your trading strategy.

What are Technical Indicators and Studies?

Technical indicators and studies are mathematical calculations based on historical price data that help traders identify trends, patterns, and potential trading opportunities. These indicators and studies can be used to analyze and predict market movements, making it easier to make informed trading decisions.

Types of Technical Indicators and Studies

There are numerous types of technical indicators and studies available on TradingView.com, including:
1. Trend Indicators: These indicators help identify trends and potential trading opportunities. Examples include the Moving Average, Relative Strength Index (RSI), and Bollinger Bands.
2. Momentum Indicators: These indicators measure the rate of change of an asset's price over a given period. Examples include the RSI, Stochastic Oscillator, and Momentum Indicator.
3. Volatility Indicators: These indicators measure the degree of price movement or volatility. Examples include the Average True Range (ATR) and Bollinger Bands.
4. Pattern Recognition Indicators: These indicators help identify specific chart patterns, such as head and shoulders or triangles. Examples include the Ichimoku Cloud and the Keltner Channel.
5. Statistical Indicators: These indicators use statistical methods to analyze market data. Examples include the Exponential Moving Average (EMA) and the Simple Moving Average (SMA).

Popular Technical Indicators and Studies on TradingView.com

Some of the most popular technical indicators and studies available on TradingView.com include:
1. Moving Average: A simple moving average calculates the average price of an asset over a given period.
2. Relative Strength Index (RSI): The RSI measures the magnitude of recent price changes to determine overbought or oversold conditions.
3. Bollinger Bands: Bollinger Bands consist of a moving average and two standard deviations plotted above and below the average.
4. Stochastic Oscillator: The stochastic oscillator compares the closing price of an asset to its price range over a given period.
5. Ichimoku Cloud: The Ichimoku Cloud is a comprehensive technical analysis system that inclues multiple indicators, including the Tenkan-sen, Kijun-sen, and Senkou Span.
6. Keltner Channel: The Keltner Channel is a volatility-based indicator that plots two lines above and below a moving average.
7. Average True Range (ATR): The ATR measures the average true range of an asset over a given period.
8. Exponential Moving Average (EMA): The EMA is a type of moving average that gives more weight to recent price data.
9. Simple Moving Average (SMA): The SMA is a type of moving average that calculates the average price of an asset over a given period.
10. Stochastic Momentum Index (SMI): The SMI is a momentum indicator that measures the rate of change of an aset's price over a given period.

How to Use Technical Indicators and Studies

To get the most out of technical indicators and studies, it is essential to understand how to use them effectively. Here are some tips:
1. Combine Indicators: Combining multiple indicators can help confirm trading signals and reduce false positives.
2. Use Multiple Time Frames: Analyzing multiple time frames can help identify trends and patterns that may not be visible on a single time frame.
3. Adjust Parameters: Adjusting the parameters of an indicator can help tailor it to your specific trading strategy.
4. Use Indicators in Conjunction with Fundamental Analysis: Combining technical indicators with fundamental analysis can help provide a more comprehensive view of the market.
5. Backtest Indicators: Backtesting indicators can help evaluate their performance and identify potential biases.

Conclusion

Technical indicators and studies are powerful tools that can help traders analyze and predict market movements. By understanding the different types of indicators and studies available on TradingView.com, traders can develop a comprehensive trading strategy that incorporates multiple indicators and studies. Remember to combine indicators, use multiple time frames, adjust parameters, and backtest indicators to get the most out of technical indicators and studies.

Chapter 6: Creating and Customizing Charts

As a trader, having the right tools and information is crucial for making informed decisions. Charts are an essential component of any trading strategy, providing valuable insights into market trends and patterns. In this chapter, we will explore the process of creating and customizing charts on TradingView.com, a popular platform for traders and analysts.

Creating a Chart on TradingView.com

Creating a chart on TradingView.com is a straightforward process that can be completed in a few steps.
1. Log in to Your TradingView.com Account: Start by logging in to your TradingView.com account. If you don't have an account, you can create one by signing up on the TradingView.com website.
2. Select the Symbol: Once logged in, navigate to the "Symbols" tab and select the symbol you want to chart. You can search for symbols by typing in the symbol name or by using the "Search" function.
3. Create a New Chart: Click on the "Create a New Chart" button to create a new chart. You can also create a new chart by clicking on the "New Chart" button in the top-right corner of the TradingView.com window.
4. Select the Chart Type: Choose the type of chart you want to create. TradingView.com offers a variety of chart types, including line charts, candlestick charts, and more.
5. Customize the Chart Settings: Customize the chart settings to suit your needs. You can adjust the chart size, grid lines, and other settings to create a chart that meets your requirements.

Customizing Charts on TradingView.com

Customizing charts on TradingView.com is an essential step in creating a chart that meets your specific needs. Here are some tips for customizing your charts:
1. Add Indicators: Add indicators to your chart to gain insights into market trends and patterns. TradingView.com offers a wide range of indicators, including moving averages, RSI, and more.
2. Add Drawings: Add drawings to your chart to highlight specific patterns or trends. You can add lines, shapes, and other drawings to your chart to create a visual representation of your analysis.
3. Add Alerts: Set up alerts on your chart to notify you of specific market events or price movements. You can set up alerts based on price movements, volume, and other market indicators.
4. Customize the Chart Grid: Customize the chart grid to suit your needs. You can adjust the grid lines, grid spacing, and other settings to create a chart that meets your requirements.
5. Save and Share Your Chart: Save and share your chart with others. You can save your chart as a template or share it with other traders and analysts.

Advanced Chart Customization

In addition to the basic customization options, TradingView.com offers advanced customization options that allow you to create complex charts and indicators. Here are some tips for advanced chart customization:
1. Create Custom Indicators: Create custom indicators using the TradingView.com PineScript programming language. You can create custom indicators that meet your specific needs.
2. Use Custom Drawings: Use custom drawings to create complex patterns and shapes on your chart. You can create custom drawings using the TradingView.com drawing tools.
3. Customize the Chart Layout: Customize the chart layout to suit your needs. You can adjust the chart size, grid lines, and other settings to create a chart that meets your requirements.
4. Use Advanced Chart Settings: Use advanced chart settings to customize your chart further. You can adjust the chart settings to suit your specific needs.

Conclusion

Creating and customizing charts on TradingView.com is a powerful way to gain insights into market trends and patterns. By following the steps outlined in this chapter, you can create complex charts and indicators that meet your specific needs. Whether you're a seasoned trader or a beginner, TradingView.com offers a range of tools and features that can help you create charts that meet your specific needs.
Chapter 7:

Introduction to Trading Strategies

As a trader, having a solid understanding of various trading strategies is crucial for making informed decisions and maximizing profits. In this chapter, we will explore popular trading strategies, their underlying principles, and how to implement them on TradingView.com. By the end of this chapter, you will have a comprehensive understanding of various trading strategies and how to apply them using TradingView.com's powerful platform.

Introduction to Trading Strategies

Trading strategies are pre-defined rules or methods used to make trading decisions. These strategies are designed to help traders navigate the markets, identify profitable opportunities, and minimize losses. Trading strategies can be categorized into several types, including:
· Trend following strategies: These strategies aim to identify and ride the trend, whether it's an uptrend or a downtrend.
· Range trading strategies: These strategies focus on identifying and trading within a specific price range.
· Mean reversion strategies: These strategies rely on the idea that prices will revert to their historical means.
· Statistical arbitrage strategies: These strategies involve identifying mispricings in the market and exploiting them.

Popular Trading Strategies

2.1 Trend Following Strategies
Trend following strategies are designed to identify and ride the trend. These strategies involve identifying the direction of the market and trading in that direction. Some popular trend following strategies include:
· Moving Average Crossover (MAC): This strategy involves identifying the crossover of two moving averages to determine the direction of the trend.
· Relative Strength Index (RSI): This strategy involves identifying overbought or oversold conditions using the RSI indicator.
· Bollinger Bands: This strategy involves identifying breakouts above or below the bands to determine the direction of the trend.
2.2 Range Trading Strategies
Range trading strategies focus on identifying and trading within a specific price range. These strategies involve identifying support and resistance levels and trading within the range. Some popular range trading strategies include:
· Support and Resistance Trading: This strategy involves identifying key support and resistance levels and trading within the range.
· Channel Trading: This strategy involves identifying and trading within a specific price channel.
2.3 Mean Reversion Strategies
Mean reversion strategies rely on the idea that prices will revert to their historical means. These strategies involve identifying overbought or oversold conditions and trading in the opposite direction. Some popular mean reversion strategies include:
· Mean Reversion Trading: This strategy involves identifying overbought or oversold conditions and trading in the opposite direction.
· Statistical Arbitrage: This strategy involves identifying mispricings in the market and exploiting them.
2.4 Statistical Arbitrage Strategies
Statistical arbitrage strategies involve identifying mispricings in the market and exploiting them. These strategies involve analyzing historical data and identifying statistical anomalies. Some popular statistical arbitrage strategies include:
· Statistical Arbitrage: This strategy involves identifying mispricings in the market and exploiting them.
· Event-Driven Trading: This strategy involves identifying and trading on specific events, such as earnings announcements or mergers and acquisitions.

3.

Implementing Trading Strategies on TradingView.com

TradingView.com is a powerful platform that allows traders to implement and backtest various trading strategies. Here are some steps to follow when implementing trading strategies on TradingView.com:
1. Create a new chart: Open a new chart on TradingView.com and select the asset you want to trade.
2. Add indicators: Add the indicators you want to use for your trading strategy. For example, you may want to add a moving average crossover indicator.
3. Set parameters: Set the parameters for your indicators. For example, you may want to set the period for your moving average crossover indicator.
4. Backtest the strategy: Backtest your strategy by running a backtest on TradingView.com. This will allow you to evaluate the performance of your strategy.
5. Refine the strategy: Refine your strategy by adjusting the parameters and testing different scenarios.

Conclusion

In this chapter, we have explored popular trading strategies and how to implement them on TradingView.com. By understanding various trading strategies and how to apply them using TradingView.com, you can make informed trading decisions and maximize your profits. Remember to always backtest and refine your strategies to ensure optimal performance. In the next chapter, we will explore advanced trading strategies and how to use them to improve your trading performance.

Chapter 8:

Backtesting and Evaluating Trading Ideas

As a trader, it's essential to test and refine your trading ideas before implementing them in live markets. Backtesting and evaluating your trading ideas can help you identify potential flaws, optimize your strategy, and increase your chances of success. In this chapter, we'll explore the process of backtesting and evaluating trading ideas using TradingView.com, a popular platform for charting and backtesting trading strategies.

What is Backtesting?

Backtesting is the process of applying a trading strategy to historical market data to evaluate its performance. It allows you to test your trading idea on past data to see how it would have performed in real-time. By backtesting your strategy, you can:
1. Identify potential flaws in your strategy
2. Optimize your strategy for better performance
3. Refine your strategy to improve its accuracy
4. Evaluate the strategy's risk-reward ratio

Why Backtest?

Backtesting is crucial for several reasons:
1. Risk management: Backtesting helps you identify potential risks associated with your trading strategy.
2. Strategy optimization: Backtesting allows you to refine your strategy to improve its performance.
3. Performance evaluation: Backtesting enables you to evaluate the performance of your strategy and make data-driven decisions.
4. Confidence booster: Backtesting gives you confidence in your strategy, reducing the risk of emotional trading decisions.

How to Backtest on TradingView.com

TradingView.com offers a range of tools and features for backtesting trading ideas. Here's a step-by-step guide to get you started:
1. Create a new chart: Open TradingView.com and create a new chart for the asset you want to backtest.
2. Select the data range: Choose the time period for which you want to backtest your strategy. You can select a specific date range or use the default settings.
3. Add the strategy: Click on the "Indicators" tab and add the strategy you want to backtest. You can use built-in indicators or create your own custom indicators.
4. Set the parameters: Configure the strategy's parameters, such as the number of bars to look back, the number of trades to take, and the stop-loss levels.
5. Run the backtest: Click the "Run" button to start the backtest. TradingView.com will apply your strategy to the selected data range and provide performance metrics.
6. Analyze the results: Review the backtest results, including the strategy's profit/loss, drawdown, and other performance metrics.

Evaluating Trading Ideas

Evaluating your trading idea is a crucial step in the backtesting process. Here are some key metrics to consider:
1. Profit/Loss: Calculate the total profit or loss generated by your strategy.
2. Drawdown: Measure the maximum loss experienced by your strategy.
3. Sharpe Ratio: Calculate the Sharpe Ratio to evaluate the strategy's risk-adjusted performance.
4. Sortino Ratio: Use the Sortino Ratio to evaluate the strategy's risk-adjusted performance, focusing on the maximum drawdown.
5. Information Coefficient: Calculate the Information Coefficient to evaluate the strategy's ability to generate profits.

Best Practices for Backtesting

To get the most out of backtesting, follow these best practices:
1. Use a robust data set: Ensure your data is accurate and free from errors.
2. Test multiple scenarios: Test your strategy on different time frames, assets, and market conditions.
3. Monitor performance metrics: Keep track of your strategy's performance metrics and adjust as needed.
4. Refine your strategy: Continuously refine your strategy to improve its performance.
5. Avoid overfitting: Be cautious of overfitting, where your strategy performs well on the training data but poorly on new data.

Conclusion

Backtesting and evaluating trading ideas is a crucial step in the trading process. By using TradingView.com and following best practices, you can refine your trading strategy, optimize its performance, and increase your chances of success. Remember to evaluate your strategy's performance using relevant metrics and refine it continuously to improve its performance. With practice and patience, you'll develop a robust trading strategy that can withstand the challenges of the markets.

Dentist in Kalyani Nagar

Maintaining good dental hygiene is crucial for everyone, but for individuals with diabetes, it is even more vital. Diabetes not only affects your overall health but also has a significant impact on your oral health.
Poor blood sugar control can lead to various dental problems, making it essential for diabetics to take extra care of their teeth and gums. Dentist in kalyani nagar
In this blog, we will discuss the special considerations and tips for dental care that every diabetic should know.

The Connection Between Diabetes and Oral Health

Diabetes can disturb oral health in various ways:

1. Gum Disease: High blood sugar levels can lead to an increased risk of gum disease (periodontitis). This condition causes inflammation and infection in the gums and bones that support the teeth, potentially leading to tooth loss if not managed properly. Dentist in kalyani nagar
2. Dry Mouth: Diabetes can reduce saliva flow, leading to dry mouth (xerostomia). Saliva is crucial for neutralizing acids produced by bacteria and for washing away food particles, so a lack of it can increase the risk of cavities and infections.
3. Thrush: Diabetics are more susceptible to fungal infections like thrush, which can cause white patches in the mouth and tongue, leading to discomfort and difficulty swallowing. Dentist in kalyani nagar
4. Delayed Healing: High blood sugar levels can impair the body’s ability to heal itself. This means that cuts, sores, or infections in the mouth may take longer to heal, increasing the risk of complications.

Understanding these connections highlights the importance of diligent dental care for diabetics. Here are some special considerations and tips to help manage your oral health effectively. Dentist in kalyani nagar

Special Considerations for Diabetic Dental Care

1. Monitor Blood Sugar Levels

Keeping your blood sugar levels under control is the first step in preventing oral health problems. Consistently high blood sugar can weaken the body’s ability to fight infections, including those in the mouth. Regularly monitor your blood sugar levels and follow your doctor’s advice to keep them within the target range.

1. Regular Dental Check-ups

Frequent dental visits are essential for early detection and management of potential issues. Diabetics should see their dentist at least twice a year for specialized cleanings and checkups. Inform your dentist about your diabetes so they can provide the best care tailored to your needs. Dentist in kalyani nagar

1. Comprehensive Oral Hygiene Routine

Adopting a thorough oral hygiene routine is crucial for preventing dental problems. Brush your teeth at least twice a day with fluoride toothpaste and floss daily to remove plaque and food particles from between the teeth and under the gums. Consider using an antibacterial mouthwash to reduce the risk of gum disease.

1. Look Out for Symptoms

Be vigilant about any changes or symptoms in your mouth. Mutual symptoms of gum disease include red, swollen, or bleeding gums, persistent bad breath, and loose teeth. If you notice any of these symptoms, schedule an appointment with your dentist immediately. Dentist in kalyani nagar

1. Manage Dry Mouth

If you experience dry mouth, there are several steps you can take to alleviate the discomfort and reduce the risk of dental problems:

• Drink plenty of water throughout the day. Dentist in kalyani nagar
• Chew sugar-free gum or suck on sugar-free candies to stimulate saliva creation.
• Use a humidifier at night to keep the air soggy. Dentist in kalyani nagar
• Avoid caffeine, tobacco, and alcohol, which can exacerbate dry mouth.

1. Quit Smoking

Smoking is harmful to everyone’s oral health, but it’s especially dangerous for diabetics. It increases the risk of gum disease, dry mouth, and oral cancer. Quitting smoking can meaningfully improve your oral and overall health.

Tips for Maintaining Optimal Oral Health

1. Choose the Right Dental Products

Select dental care products that cater to your specific needs. For example, toothpaste designed for sensitive teeth can help if you experience discomfort. Electric toothbrushes can be more effective at eliminating plaque than manual toothbrushes. Fluoride rinses can strengthen your teeth and help prevent decay.

1. Maintain a Balanced Diet

A healthy diet plays a crucial role in managing diabetes and maintaining oral health. Limit your intake of sugary and acidic foods, which can lead to tooth decay and gum disease. Instead, focus on a balanced diet with fruits, vegetables, lean proteins, and whole grains. Dentist in kalyani nagar

1. Hydration

Staying hydrated is essential for overall health and helps combat dry mouth. Drink water regularly and avoid sugary drinks, which can increase the risk of cavities.

1. Stress Management

Stress can negatively impact both diabetes and oral health. High-stress levels can lead to poor blood sugar control and unhealthy habits like neglecting oral hygiene. Practice stress management techniques such as regular exercise, meditation, and adequate sleep. Dentist in kalyani nagar

1. Medication Management

Some medications for diabetes can have side effects that affect oral health. For example, certain drugs may cause dry mouth. Discuss with your doctor or dentist about managing these side effects effectively. They may recommend saliva substitutes or other treatments to help.

1. Educate Yourself

Stay informed about the latest research and recommendations for diabetes management and oral health. Knowledge is a powerful tool in preventing and managing complications. Attend diabetes education programs and read reliable sources to keep yourself updated. Dentist in kalyani nagar

Conclusion

For diabetics, maintaining good oral health requires a combination of diligent self-care and professional guidance. By understanding the connection between diabetes and dental health and implementing these special considerations and tips, you can reduce the risk of complications and enjoy a healthy mouth and body.
Remember, managing your diabetes effectively and taking proactive steps toward oral hygiene can go a long way in ensuring your overall well-being. Dentist in Kalyani nagar
Regular dental visits at the best dentist in Pune, a comprehensive oral hygiene routine, and a healthy lifestyle are the pillars of excellent dental care for diabetics. Take charge of your oral health today and experience the benefits of a confident smile and a healthier life.

TLDR: Nannying is a very hard job. There would probably be a lot more nannies who work as hard as one needs to do this job well if the pay matched the value and difficulty of the work.
I’ve been pretty active in this sub lately because I’ve been feeling unhappy at my job and it helps to have a community. I wrote this a while ago and have been nervous to post it but I think it’s important. I saw a post in nannyemployers asking where all of the “good” nannies have gone and this was the response I was writing until I realised the replies were to be from NP only.. I would post in the nanny employers sub if I weren’t terrified of the response. I know I’m singing to the choir here and I know saying it out loud doesn’t change much. But I am so, so angry, so imma just send it.
As a nanny who has two college degrees, practices Montessori, Reggio Emilia, and RIE, and as someone who has always loved and wanted to work with kids, there simply is not enough money in this career path to stick to it. I personally simply cannot rationalise doing the amount of physical and emotional work that is required for me to do this job as well as I want to for the typical pay, even though I absolutely love it.
For my background, experience, and approach, I am in a severely underpaid position (even when disregarding my qualifications it would still be severely underpaid.) Because of my personal and financial situation at the time of my job search, I did not have the luxury to wait for a unicorn family to offer me the salary I was looking for. I found a family that was a good fit and accepted the position even though I felt it was very much underpaid. I am now in a position where I am continuously battling wanting to work as hard as I can for these kids and this family, and realising I can’t break my back for them while being this underpaid (I mean I literally threw my back out during this job). I’m not someone who breaks a commitment easily but I guess I could move from family to family, waiting to find one who is able to financially respect the value of this work, or I could stick it out and get $2/hr raises every year, but I can’t wait 10 years to finally get close to being paid what I know a proper nanny is worth. Yes there certainly are some nanny employers who properly respect this work and are able to financially meet it’s value, but in my experience they are few and far between. I have found that the overwhelming majority of nannies are severely underpaid and overworked.
Nannies are asked to have flexible schedules, work long hours, take on a laundry list of responsibilities, develop personal emotional relationships with children that aren’t theirs while keeping a professional distance, pay for and organise their own continued training, be emotionally and socially engaged with children all day long, and more. But above all, the most important aspect of nannying is managing our stress is such a way that allows us to stay in an executive state of functioning all day every single day. People deeply underestimate and undervalue the amount of hard and constant work it takes to keep oneself in an executive state of functioning day in and day out, especially in a high stress position where you are helping other people regulate their bodies all day on top of yours, AND are constantly sick and tired and being pushed and tested. I think that this ability is what makes the difference in a “good” nanny and is often the most overlooked, misunderstood, and undervalued aspect of the job responsibilities.
I want to be a good nanny, it’s my dream job to be the best nanny there is, and I used to think that I could accept being in an undervalued role because “it takes a village” and I wanted to do my part and this was my passion. But it doesn’t feel good to be undervalued financially and socially, in fact it feels really really bad, and this is why I will no longer be pursuing a career as a nanny. Even if I found my unicorn position, it wouldn’t change the fact that the overwhelming majority of my nanny peers are still underpaid and undervalued, and that doesn’t feel good. It makes me want to leave, and I think all of the other underpaid nannies should leave too. (We need a union or something, is this a thing?)
The market is oversaturated and undervalued. Not everyone needs a nanny now that quarantine is over (a full-time nanny, not babysitter or after school care). I have both worked at a preschool and as a nanny and I have found that a setting with multiple children of similar age is far better developmentally for a child than spending most of their time with a single adult and a sibling or two, even for young babies. I think a healthy mix of a daycare setting and family time at home is probably best but can be the most difficult to achieve with the current work culture. This is no one’s fault, the overworking culture is a burden of late stage capitalism that we all face. However, it is the burden of the parents to solve their work/life balance. This is a very big part of what one signs up for when becoming a parent. It is not the burden of the nanny to work more for less or the children to miss being with their parents (I’d say two doctor NP are pretty much the only ones who’d get a pass here).
It’s no one person’s fault that nannies are financially undervalued, the value of personal childcare and domestic work has a long saturated history fraught with misogyny and racism. Have you compared the average wage of a plumber (male dominated domestic work) to that of a nanny (female dominated domestic work)? And don’t tell me plumbing requires more training or is harder than nannying, I assure you they are of comparable difficulty especially considering there’s no step by step instructions on YouTube for nannying. (And if you do consider plumbing to be that much hard than nannying, what do you think gives you that perception? I mean as a parent, one should know that nannying absolutely is not just playing with kids all day, even if that’s all you ask your nanny to do. What subconscious bias could be giving you the perception that bringing up children is less difficult and of less value than screwing pipes together? Have you taken a race or gender studies class? Have you seen The Help? Don’t answer, just think.)
Plumbers make average $28/hr in the states, mechanics $26, for nannies it’s $20 (and that’s being generous). That’s a ¢70 on the dollar comparison. It is time we all realise that nannying is an underpaid and undervalued role and work to change that. If the wage being offered across the board better matched the value of the work, I think one would find a lot more serious nannies and a lot more current nannies taking the job more seriously.
I didn’t get it at first, why so many nannies at the park seemed so burnt out and disinterested in the kids. Oh boy do I get it now. I want nothing more than to do my best in this role, but in the past few months after nearly being stiffed by NP, not receiving a bonus from them when I really thought I would, and overall realising I am being taken advantage of and am a human mine to them, I have realised that I can no longer put my all into this job for my own health and sanity. Being properly compensated is the primary motivating aspect of all work especially in the society we are a part of. After loosing my sense of respect from NP, I’ve lost most of the non-financial motivation I started out with and am left with what little motivation my petite pay check gives me, and the kids can tell.
Since my fallout with NP, I have pulled back emotionally from the kids. I’m not mean and I am still doing every responsibility in my contract to the letter (and then some still), but I am no longer as emotionally available to them as I was. I am shorter and more curt with them, I don’t take as much time with them to sit and talk about every feeling they have, and I’m not working as hard to help them break the bad habits NP give them that NP specifically ask me to break (one example - NP want NK to walk everywhere with me but then always use the stroller with NP and every time we go out it’s a fight to use the stroller or not. Guess who’s been using the stroller far more often lately). Anyway, the past week my NK 3f has been quietly crying before her nap and I’m sure it’s because she’s felt me pull away from her. It’s breaking my heart and I’ve been trying to give her extra cuddles, but I have to protect myself first now. This is a job and these aren’t my kids and I can no longer rationalise putting them first emotionally especially considering I am burnt TF out, torn down, and left feeling used up and tossed aside without any recognition or proper thanks from NP.
I don’t know what the perfect number is, the number I would say many NP would probably think is too high, and maybe they’re not looking for a nanny who works as hard as I and others do. But I can tell you that $17/hr before taxes in a VHCOL area does not even come close to close. I think we can all easily recognise that the financial value of this job needs to better match the value of the work, in general and across the board. We’re talking about the people caring for and raising the future generations here, I mean how is this not the most coveted role in our society?
This is my Roman Empire and I will die on this hill every. single. time.

Hi I just came across a novel, chosen by the moon novel by izabella W. Its on pay by chapter websites, I've opened and read a few chapters but I can't seem to find any free version or chapter version anywhere. Please help. If anyone has read it I'm willing to take spoilers. Here's the advert I found below of it on Facebook.
Lycanthrope species is a disgusting race. And I, Delan Riley, am nothing more than a human scum in their eyes never expected those species would turn my world upside down. Since when the lycans managed to penetrate our town, like in the early 1900's we have a hierarchy, upper class = the lycans, middle class = mated humans, and lower class = the normal humans, who were basically considered scum. I endured their torment day after day, vowing to run away from them one day, until that day came and everything changed.
Dylan POV "Humans," I scowled at the principal's words from tannoy. "The Alpha twins will be celebrating their birthday tomorrow, as such, festivities are in order." Oh great, the Alphas twin children. Adrian and Arya are the worst lycans alive. I swear just because they are the alphas kids they literally get away with everything. If their birthday is tomorrow, then the wolves are going to be worse than ever. "All students will be present to greet them, two lines will be made, with humans on the left and the lycanthrope on the right. Any mated human will be at the front of the line for their year, you will all also be in order of your school year. That is all." Chat broke out the minute the tannoy was finished. "We haven't had a school gathering since the alpha king visited three years ago, before his sons coronation." Nick was right, the last time we all gathered like that was for the king and queens visit, when he decided to let the world know that he was to renounce his title to his only child, son Josh. "That sick bestard, he wants to make sure everyone is there so those idiot twins can find their mates." Yes I was mad, my fists connected with the table in front of me once more as I thought about how disgusting the situation was. You see the twins will be turning 17, so it's very possible someone in our school could be their mate, finding a mate is sacred to a wolf, the minute they say that one word your fate is sealed. They will turn your mind, morph you into being a lover of their kind, and then you'll give in.

That won't happen to me, I'm growing old to see the world as it once was, and I'm going to choose who I'll be with. No one will take that dream away from me.

Once dinner was finished, I just wanted to sleep. I'd had a very long tiring day, I quickly sat down on a small stool my mother kept in the storage closet and removed my shirt while my brother Freddy sat at the table to do his simple homework. It wasn't long before my mother came in with a large bowl of warm salt water and some cotton, this was going to sting I just knew it. She was here to help me with the wounds caused by wolves yesterday. She slowly began to unwrap the bandage from around my torso and slowed down drastically when it came to the final layer, I felt it peel off every wound and my fists clenched in pain. "Jesus!" I heard my mom exclaim once the dressing was completely removed. The air on my back was nice though and I sighed as my arm covered my once again exposed brests. "This is more than 15!" I began to hear sniffles coming from her and sighed turning round to look at her face, only to notice tears streaming down it. "Mom I'm fine, it's alright." She shook her head. "It's not alright, I'm your mother I shouldn't let these things happen. I'm so sorry. Your father would have..." here she goes again. Every single time something happened she'd always bring up dad, it really annoyed me because no matter how much we all wish he was here, he just isn't. My father was kiled by THEIR kind, almost 5 years ago when they actually managed to take over. When the lycans managed to penetrate our town my father rose up with some people from the neighborhood, to defend our livelihood, it was futile to say the least. We lost many people and I watched as my dad was ripped apart by two fully shifted wolves, I ended up shoting him to stop his suffering before they dragged me to the courtyard, i was the person to receive the first lashing of the town when I was 12! The wolves have been pretty strict with me since that day. "Stop being stvpid!" Was I harsh? Definitely! Did she need to hear it again, absolutely. "Dad is dead, we don't know what he'd do because he never knew this life. He never knew this world." I know what he'd have done, most likely attacked the guy who held the whip and got himself kiled in the process. "The best thing you can do for me, is stop crying and help me, next time don't insist on helping if you can't handle it." She began to wash my open wounds with the warm salt water causing loud winces to leave me, I knew it was necessary to prevent infection, but my god it hurt like a betch. "Some of these are really deep Dylan!" She sniffed again and my eyes rolled in my head. "I told you, I'm fine, just wrap me back up so I can get to bed." My mom was obviously more impacted by my injuries than I was, I suppose that always the case though. When it's happening to you, you've just got to get through it but when it's happening to someone you love, you just want to take their pain away. She quickly placed a fresh bandage around my waist and chest and wrapped it tightly for compression. The bowl of water that was used was now red in color, I guess from the blood my back was dripping with. "Can you keep your head down please? At least just this week. You can't take any more lashings." I simply nodded before standing up away from the stool, I walked over to Freddie and ruffled his hair in affection. "Good night squirt." He giggled and fixed his hair slightly. "Night Dilly." I smiled walking upstairs to my little bedroom, as soon as I was inside i shut the door and flopped down on to my bed on my stomach and I took a minute to cry to myself at the pain in my back, what my mom did was important but it hurt, not that I'd ever tell her. My hand covered my mouth quickly to muffle any noise I might be making. I couldn't tell anyone, I had to be strong because more and more people were crumpling these days, and my mom would break if she knew how much I was suffering. Sleep followed me shortly after, she was right though about me needing to keep my head down for the time being, I could not take another lashing! After a long night and an even longer morning, we were all finally stood in the hallway at school waiting for the twins to arrive. "Mine!" Everyone that was stood in the hallway tensed up, as we were seniors, me and Nick were stood towards the very back of the human line. All the mated people were situated directly opposite their wolf mates in their years. We stayed silent and still as Arya walked down the hall and stopped directly in front of Nick. His eyes widened in fear, unsure of wether to look up or keep his head lowered. "Look me in the eye, mate." He glanced at me slightly as if asking what he should do. "I said, look me in the eye." He slowly moved his eye line up to look at her face. I took a glance myself to see her eyes pitch black with lust. "I... can't... I mean... erm." Before he was able to mutter anything else, two wolves from opposite, grabbed him out of the line and dragged him behind Arya. "Hey!" My head shot up before I could stop myself. My mouth also forgot its place as I jumped out of line. Everyone's head shot to me as my eyes widened in realization at what I'd done. Adrian, the other twin, walked up to me before punching me right in the stomach, I doubled over instantly. Feeling the sting in my slightly healed back. "I know you... You were publicly flogged only two days ago." God I hate this guy. "I also have it on good authority, that you openly spoke out against our rules and regulations in yesterday's class." My head shot down the line slightly to see Erin, looking a little frightened, her mate, the beta to be was looking at her, nodding his head in reassurance. "You traitor, you grassed on your own kind?" I yelled at her before feeling a fist connect with my cheek. My head whipped to the side from the force, while my class members gasped. I'm so done with this treatment, right then, I wasn't in charge of my actions. My fists curled up and my stance became a lot more defensive. My head snapped up to the alpha to be, and I looked him in the eye. "You don't know the meaning of the word disrespect." I suddenly hurled my fist towards his head, which he easily dodged, but my foot came up and kicked him instead. He stumbled backwards from the force with wide eyes. "You... you Actually hit me!" He didn't even sound annoyed, more shocked. Everyone in the hallway was watching, waiting for the alpha to do something but instead he simply stood up straight, regaining his composure. "I think everyone should get back to class." He began to walk away, following his sister when I called him back. "What about Nick?!" "Simple, He's my sisters mate. He now belongs to her." Argh, he's not an object. "He's not her property." A chuckle left his mouth, before turning his back to me again. "All humans are property." A short while later everyone made it to science class, our teacher Mrs Mathews is mated to the lycans pack doctor, she also now has a four and two year old with him. She was one of the first humans to be cohered into a false relationship. "What were you thinking young lady?" I rolled my head at her before looking at the empty seat next to mine. Nick was with that stvpid wolf girl right now. Being changed, I'm so angry it's ridiculous. "I was thinking, this guy is being a prick. Did you hear him? 'All humans are property.' It's bull shet." I looked up and the whole class looked at me like I had three heads. Talking shet about wolves is one thing, but talking about an alpha is punishable by death, attacking an alpha is an even worse offense. There was then a knock at the door and in walked Erin and her band of mated bestards. "Sorry we're late Mrs." "Erin, how are things between you and bata Monroe?" She blushed, the traitor actually blushed at the mention of his name. "He spoke to me last night about trying for a baby. We need a good strong boy to take over as beta." I scoffed looking at her as she took her seat. "You guys are actually pathetic, why can't it be a girl? Those mutts are basically Neanderthals" I voiced my opinion and saw all the shocked faces around me. Calling the lycans mutts, is the same as them calling us scum. After lesson had ended the entire school was called into the hall for assembly. This is where any human who has been found to have broken the rules were punished, usually 10 lashings were goven out or something similar. "Welcome to the school assembly, congratulations to the alpha twins for finding both your mates. Now on to the business at hand, as the 5 year anniversary of the new world is coming up, we have been informed that the alpha king will be visiting our district next week, this is very exciting news. We want you all to look your absolute best, she wolves and mated females will wear exemplary dresses made by seamstress. Male wolves and mated men will wear tailored suits. Anyone who doesn't comply will be reprimanded." The Alpha King?! No one has met him yet, he took over the throne three years ago when he turned 18. He really didn't make any appearances though, great, this month is going to be a nightmare. "As for the humans, you will be given a new uniform to wear for the visit, these are to be neatly ironed and worn to the highest standard. As for the following humans, based on your attitude this past week, you will be coming to the front and facing punishment. Tony summerset?!" Tony's head shot up as he looked around, he was in the year below but he shared my views when it came to the lycans. He slowly walked up to the front of assembly, almost instantly his top was t0rn in two and he received 10 lashings. A girl named Kara was next and she too received 10 lashings. A few more people went up slowly accepting their fate then suddenly my name was called. "Dylan Riley." Inside I was terrified but I simply shrugged my shoulders, I guess I did kind of expect this. Although I'm not sure if my back can take any more damage. "You attacked an alpha, correct!" His eyes bored into mine as I bowed my head submitting to his authority. "Technically, no." Everyone in the school gym looked on in fear, as my head moved to the front row of the wolf side. Adrian sat, with a werewolf girl in the year below, her name was Jana, I guess he found his mate. Nick and Arya were no where to be seen though. Adrian gave me a shrug as if to say he didn't tell, before smirking at my comment. "He hasn't officially taken the alpha title yet, so he's just..." i looked at the principle and noticed his eyes black and his claws out, he was in what lycans call a half shift, triggered when the subject has become angered. He turned to two security wolves and gave them a nod, Almost immediately i was forced onto my knees, my arm was slammed on a table and held in place by one wolf, while my body was held in place by the other. "Ok, I don't think this is needed, I have alpha blood, a stvpid human girl can't hurt me." My head snapped to Adrian who had stood up in front of the school to stop what was happening. "Nevertheless, humans need to know their place." With that the pressure on my arm increased as our principals hand pulled my sleeve up before a long claw punctured my skin. The searing pain shoting from the fresh wound had my eyes scrunched and my fist clenched, I bit the inside of my cheek hard instantly tasting blood, however no sound left my mouth. He continued to write, using my skin as a canvas and his claws as a marker, it went on forever, my vision blurred slightly at one point as I turned my head away. After minutes of torture, he was done and the pressure on my arm eased, instantly I snatched my arm away, hissing through my teeth at the pain. I was about to scurry off stage, when I was roughly grabbed yet again, my arm being held in the air by the principal while my feet were inches off the floor, blood dripped from the wound and the pattern he had made was on show for everyone to see. Loads of people gasped, even the wolves looked slightly horrified at what had happened. "This is what happens when a human decides to speak out. I can promise, anyone who so much as says one word about our way of life, will have the same punishment." My arm was starting to seriously ache from being held in the air for so long, and the lack of blood flow to my suspended arm was causing me pins and needles, still I refused to make a sound. I held the tears back and I bit my cheek harder causing more blood to fill my mouth. "That's enough Bradley!" Adrian growled, he was still stood up and looking at the scene in front of him. His eyes hard as he stared at the principal a low warning growl erupted from his chest which had the head teacher gulping, he quickly let go of my arm causing me to crash to the floor. A small cry left my mouth as I hit the hard floor. Immediately I scrambled away, my foot just missed the high step leading to the stage and I fell, waiting for the impact of the ground, but it never came. Two strong arms wrapped around me catching my weak body causing me to look up, my eyes widened as I noticed Adrian had caught my falling form. "This isn't part of the human punishment program!" Adrian growled causing me to tense in his grip, I pushed him away from me before fixing my uniform top. The room was deadly silent, taking in the scene in front of them, while I stole a glance at my forearm. Carved into my skin by his devastating claws were two words, words that would most definitely scar my body for life. 'Human scum' "Lessons must be learned, she received lashing merely two days ago, and clearly it had no effect on her." Another growl left Adrian's chest as he stepped on to the stage, I wasn't bothered though, you would think I'd be ashamed but I simply smiled slightly. I fixed my sleeve a little so it wouldn't rub on the fresh wound before speaking. "It doesn't matter," the whole room looked at me shocked by my attitude. "I would rather be labeled human scum, than have any resemblance to your kind. I'm proud of what I am, how many of you can say that?" After my amazing little speech, I walked right down the middle between the humans and lycans and out the door. No more compliance, I'm going to get away with as much as I can without getting into too much bother. There will come a day when the lycans power will fizzle out. When it does I'll be ready, I'll be waiting for the day we take our world back. As for the best part about my plan...

No one can stop me.

"Ouch, not so hard." I seethed as the school nurse cleaned my new wound with antiseptic. "If you had of just kept your mouth shut, this wouldn't have happened." I turned to my right looking out the window at the few clouds that were floating in the blue sky. "Like I said, I'm proud to be human, and now everyone knows what I am." I clenched my fist together as the nurse began wrapping a bandage around my forearm. It had been a good few hours since the incident in the hall, and I had been forced to come to the nurces office after I had tried to clean my wound by splashing it with water from the tap, it also refused to stop bleeding. "You are impossible. Can you please just try and stay out of trouble? For one day, that's all I ask." Our school nurse is a wolf, she's one of them. However she hates the way they treat us mere humans, she thinks we should all just live in peace with equal rights. Like that would ever happen. "All I've done is stay out of trouble, but you are just going to humiliate me anyway, so what's the actual point?" "The pack were discussing a public execution, Dylan. You need to walk on egg shells from now on, not just for you but for your family as well." No ones been publicly executed in over 4 months, I'm flattered they're considering it. They only execute people who they believe are the biggest problems to society. "Well then... I'm flattered." I chuckled, before looking at the patch job. 'Huh, not too shabby.' I quickly stood up from the human nursing station and pulled the sleeve of my shirt down covering the evidence of ever being hurt. "This is serious!" I just gave her a blank look before leaving the room. On the way out I heard her call back to me. "Please just think about it." I gave a clipped nod as I walked away wondering how I'm going to tell my mom about this. Later in the evening... "Dilly why you say that?" Freddie looked up at me with a mouth full of bread. "Don't speak with your mouthful!" My mom scolded him as a bashful blush made its way to his cheeks. "Sowwy mommy." His reply was muffled as he swallowed the last chunk of food. "I said it Freddie, because it's the truth. The wolf race are a pathetic excuse for..." my mom cut me off with an extremely stern look. "Dylan! They have ears everywhere, one more word out of you and it's your room." I scowled, my hatred for the Lycan kind growing stronger as each day passes. "What more can they do to me, lash me? Beat me? Brand me? They've ran out of options." I stated slamming my hands down, then severely regretting it as sharp pain shot though my wound. "What was that?" My head shot to regard my mothers worried expression. Her eyebrows were raised and her eyes were dull and judging as she looked at me. "Nothing, it was nothing." I quickly took my plate in my hand and began to walk to the kitchen. "I'm not really hungry, and I have homework to do!" My mom caught hold of my forearm causing me to drop my plate suddenly, I watched it slowly fall before shattering on the floor. I retracted my arm quickly and turned to Freddie. "Stay there and don't move until it's cleaned up ok sport?" He just nodded with wide eyes, I turned back to my mom and noticed her curious stare on my arm. Her grip shifted to the other side as she turned it around before pulling my sleeve up. The bandage was showing and a bit of blood was seeping though after the wound had been disturbed. "What the hel happened?" My moms eyes widened as she began to fumble with the bandage. Before she could unravel any of it I snatched my arm away. "I had an accident at school. No big." I began to gather the large pieces of the broken plate up ready to put them in the bin. "What did you do Dylan?" She looked at me with pure worry and only then did I realize what the wound must look like to someone who didn't know. "For gods sake! I didn't do it to myself! I got publicly punished at the assembly alright? It's no big deal." Her face dropped instantly and she stepped towards me, causing me to step backwards. "Mom, I'm ok. So back off will you." "What did you do? I've never known them to cut someone's arm as a punishment." Her shock and accusation was evident in her voice and I sighed heavily. "I spoke against the alphas son." I may have hit him too, but I wasn't going to divulge that part to her. "It's not one big cut, mom, it's a brand, 'human scum' carved onto my arm." "They've branded you now too?!" My eyes rolled at her hurt tone as I went to get the dustpan and brush. "You're so much like your father." A sigh left her mouth as she spoke, running a hand through her hair, while I quickly swept up the little pieces of the broken plate. "You've had a new uniform delivered. It's laid out on your bed. Dylan, Please just try and stay respectful in the future, I don't want my daughter to be completely mutilated. Although you're not far off." "Gee, Thanks." I then walked over to my little brother Freddy before blowing a kiss into his neck and hearing him giggle. "So sport, how's school going?" "It's ok." He shrugged before going back to coloring a dinosaur picture in. "Well that's good, stay out of trouble, ok little man?" Heading upstairs and into my room, my thoughts wandered to the permanent graffiti scar very slowly healing on my arm. Disgusting beasts. Think they own the world because they're faster, stronger and can shift. Pah. If you ask me they are not all that.

The second I walked into my room my mouth dropped open. On my bed was some grey pants laid out neatly, which wasn't the surprising part, no, what shocked me was the grey high neck no sleeved button down shirt, every single set of uniform had sleeves except this one. They've done this on purpose those, mutts. They want the world to see my arm and know what a disgusting creature I am. They want the world to know that I, Dylan Riley, am nothing more than 'human scum'.

During the last week, I've been horrible, in class I've been loud in voicing my views, I've insulted at least everyone to some degree, I didn't care about the consequences, and I certainly didn't think about them. I haven't seen Nick at all since he was claimed, and to make matters worse today was the royal visit. Oh yes, werewolves and mated humans alike were spending every waking minute preparing themselves to meet his royal majesty, king of the wolves. Unclaimed Humans however would rather stick pins in their eyes. "Dylan, get down now... you're going to be late." She was right, I was dawdling this morning, I really couldn't be bothered today, I gave myself one last look in the small mirror and sighed when my eyes met my newly uncovered brand. It had bad bruising around the letters, and was still extremely tender to touch, it was definitely healing now though. I made my way down the stairs and came face to face with my mother who was seeing to Freddie, she was helping my brother get his coat on when she turned to me. "You ready sport?" Freddie nodded his little head at me and smiled while I quickly slid my shoes on. "Just Remember, the alpha is bad enough, Dylan, please, please don't do anything to anger the king." My mother stopped us from walking out the door to tell me something she had been telling me continuously for the last couple of days, it was almost as if the entire human population of our district was expecting me to do something stvpid. "Try and have a good day." I rolled my eyes but nodded, even I know not to push the king, he could kil me in the hallway like it was nothing. In fact I plan on staying out of his way for the entirety of the day. "We will see you tonight mom." I stated before me and my brother began our walk to school, his little hand clutched my own tightly as we went. Usually Nick would be with us, as he lives next door, well he used to, now he's residing in the main pack house. I quickly dropped Freddie off at his school and watched him get the wolfsbane neutralizer before walking into him building giving me a small wave before he went in. With my new scar on complete show, and my figure being complimented by the skin tight shirt I was wearing, I sauntered down the street to school, I gave my name and year in and took the wolf's bane neutralizer injection with no problems at all. It was finally getting into school that the problem occurred. Walking through the halls I was met by many looks, some of pity some of disgust. You see every single non mated human in the school was wearing a long sleeved version of the uniform I was given. All the Wolves and mated couples were scattered around in fancy floor length dresses or tailored suits. As I turned the corner I noticed a couple, now this couple happened to catch my eye the most out of all of them because it consisted of Arya and Nick, eating each other's faces off. "What the hel!" Nicks head shot to me as his eyes widened. He too was dressed in a tailored suit, a navy blue tie hung on his neck to match Aryas dress. Why was this happening all the time? It's always my friends that get completely brain washed. I shook my head in disbelief before turning my back on him. I heard his fast footsteps behind me as I rounded the corner. "Dylan?!" He ran right in front of me, stopping me in my tracks, making me drop my bag off my shoulder and almost causing me to bump into him. "Let me just explain..." "Has she marked you?" I mean you could almost see it in his eyes, she had marked him, and knowing the way life goes he's probably even mated with her. "Actually... Don't even answer that." I aggressively picked my bag up off of the floor and stormed off down the hall. "Dylan, just listen to me, Erin was right, it's so hard to resist your soulmate, and Arya is actually ok once you get to know her." I just kept walking, he caught up to me walking beside me but it didn't matter, I completely ignored everything and everyone. 'I'm so not in the mood today' getting into class was good though, I said hello to Mr Foley and took my usual seat. Nick sighed then took his bag off ready to sit next to me, but I snapped before he had the chance. "Traitors and mated idiots sit on that side of the room." I didn't look him in the eye as I pointed to a seat right at the front of the classroom on the opposite side. His eyes widened as he turned his attention back to me. "You can't be serious Dylan." I gave him a blank look before grabbing my book out of my backpack, I placed it on the desk then began to write the date on the top line. "I've sat in this seat for as long as I can remember." I ignored him, his voice sounded sad and shocked. "Dylan? Wait! What is that?!" Before I could react Nick had grabbed hold of my branded arm and turned it to see the letters. "Oh my God! What happened?" I snatched my arm away from him and shrugged as I continued to write in my book before grabbing my water bottle out of my bag. "The principal happened, it was my punishment for speaking out against Adrian and Arya. I wear it with pride." He just held a complete look of disbelief. "You spoke out against them?" I shrugged, what did he think I'd do. "It's no secret that I despise this stvpid new world and the mutts that control it. You were my friend, I wasn't going to let them just take you without saying something, although that is exactly what you seem to have done. Enjoy the view from your new seat!" "Don't be like that, Dylan, I'm your best friend, I'm sorry about your arm, but..." my eyes rolled inside my head at my friends words. "Anything with the word 'but' in, isn't an apology, it's a rationalization." I took a drink of water from my bottle and kept my eyes facing forward, ignoring his every attempt to try and talk to me. "Dylan?.. Dylan?... Do you know what? Erin is right, if you push us all away you won't have any friends left." He huffed before walking over to the empty seat and sitting down, I could feel him glancing up at me every now and again but I didn't respond. "Good morning class, please settle down." He looked at me then at Nick and frowned, we've never sat apart, we were friends before the new world even began. I just shook my head telling him to forget it. "So... as you know the king will be arriving in a short while, but until then lessons will go on as normal." Its funny seeing teachers in the same uniform your wearing, mr Foley and his wife are the coolest. Human teachers and doctors only have slightly more respect than we do. Because of Mr Foley's status him and his wife have better access to food and drink, Mrs Foley is cool, sometimes she even makes sure mr Foley brings some in for me. Ya know, coz I'm their favorite student. It's not in a weird way, it's just they were friends of the family before the new wold took effect. Mr Foley and my dad were buddies from high school, so it goes without sayin really. "All the mated humans will be at the front of each years line again, after that you will all be placed in status, Nick, as your mated to Alpha Arya, you'll be at the front of your line. Dylan as you have been branded..." his voice trailed off as he looked at me. "Yeah yeah, I'll be at the back of the line behind everyone. I get it." I huffed, moving my sight towards the window once more. "I am sorry." I turned to face Mr Foley again, he looked genuinely upset and that look of pity wasn't something I wanted to see. I gave him a clipped nod then turned away again. "Anyway, on to the subject matter, 'Of Mice and Men, page 64, Nick why don't you start us off with the reading."

"Of course sir." Nick began reading the book but I switched off, today is going to be a long day. After almost an hour and a half of reading comprehension, the bell chimed signaling lunch. I shot up and out of the classroom before anyone could say anything. Today, I was avoiding drama like the plague.

I wandered the corridors straight to the lunch hall. All the people I would normally hang out with we're all mated so I grabbed my lunch quickly, and sat down at the end of the human table. Let me lay the lunch hall out for you. On one side of the room you have two long rows of tables, with simple benches that make it look like prison, on the other side of the room you have multiple round tables with fancy chairs. Yup you get it. The humans sit at the prison tables and the wolves and traitors sit on the fancy tables, they get fancy food, fancy drink and most importantly they get pudding. what I would give to have some pudding. "Dylan can we just talk?" Nick quickly took the spot next to me as he set his lunch tray down. I looked at his food which had been placed on a ceramic, circular white plate. God that looked good. I sighed knowing he was going to talk anyway. "Fine, you have two minutes." I used my fork to take a bit of pasta off his plate and shoved it into my mouth. God that was good. "After I left school, I was taken to the pack house with Arya, and I really got to know her. It took a few days for me to finally accept being with her, but ever since life has been ok, and the sax... well that's a whole other story." Eww, I didn't need that mental image in my head. "I'm glad your happy." I stated before deciding I had no appetite. His face held shock before he sighed in relief. "That means a lot Dylan, I mean you know that your opinion matters to me." I cut him off before he could say anything else. "I said I was glad your happy. I didn't say I approved of what you've done. You've basically turned into one of THEM, I can't ever forgive you for that." He looked hurt, but I couldn't care less about his feelings. He placed his hand gently on my arm and went to open his mouth when a growl sounded out. All heads whipped to where it came from, Arya was stood holding a glass of soda and a plate, she was looking right at me and Nick and I would totally be dead if looks could kil. Nick quickly retracted his hand, his whole face fell and you could see sorrow flood his irises. "You sit with me now, get away from that, that... scum!" Wow, Nick was such a lucky guy. NOT. "You heard her. Get away from me, go sit with your new friends. I'm happy for you, and I understand where your coming from, but don't come up to me again and pretend you didn't betray your own kind. Don't pretend you didn't betray me." I shoved a little bit of food into my mouth before standing up and walking out of the cafeteria, leaving my tray on the table. I was walking through the hallway to the classroom, you see I decided to spend lunch with Mr Foley in his room, when I happened to hear voices in the corridor. "Is it wise for her to actually be present when the king arrives? Surely she could be placed in the dungeons, it might actually teach her some respect?" My principal was speaking to the alpha of our district, huh, if I stayed and listened do you think they'd notice, maybe they could smell me?! "Everyone is to be present, if the Riley girl does one thing out of line she will be dealt with severely, child or not. That girl has been a blight to the district since day one, she's dangerous, if she puts one hair out of place I will personally break her into submission." Oh shet, they were talking about me specifically, and they mentioned the dungeon, that's not been used in months. Normally I would have listened in more but something about the entire situation didn't sit right with me, all of a sudden, I was on edge, and simply wasn't interested in the slightest in hearing how my misery was to be enhanced. I backed up slightly before turning around and bumping head first into one of the hottest man I had ever seen. I lost my balance immediately and fell straight on to the floor letting out a small grumble in the process. His eyebrows knitted together quickly and his breath hitched in his throat as he looked upon my fallen state and gasped. "Mate!" He whispered, his eyes fixated on mine. Now, I had seen and heard that many times to know what that means, I gasped before taking a step back. 'No, no, no, no, no. This can not be happening.' He growled slightly before stepping towards me. Oh Shet!