I'm working on a web application with a TypeScript codebase that has become quite complex. To better understand, communicate and enhance/refactor the logic, I want to take a step back and visualize it using flowcharts.
Currently, I'm using Draw.io for creating diagrams, but I'm wondering if there are better alternatives out there. I'm looking for a something that is: - Easy to use and quick to get started with - Ideally has features tailored for visualizing code logic (e.g., support for common programming constructs)
A quick Google Search revealed this tools, do you have any experience with them: - Whimsical - Mermaid.js - Figma - Lucidchart - Code2flow
I would appreciate any recommendations based on your experience.

So after watching both Episodes of The Digital Circus, as well as some theories about the show, I've come to notice that it kind of reminds me a bit of The Maze Runner Book Series, and Films.
Now I know what you're all probably thinking. "Why"? What about both series makes them remoltely similar, and well you'd be right, both The Maze Runner, and The Digital Circus are very different from each other, however there are some similaterties.
Both series involve people who end up trapped in some kind of simulation with no memories of their past, and they are trying to find a way escape from the place they are trapped in. That's basically it for similarties between the two. Now I guess we should go over the differences.
The people in The Maze Runner are kids, and teenagers, while the people in The Digital Circus are adults.
The kids in The Maze Runner remember their names, but loose all other memories of their previous lives. Though it is later reveled the names they remember are actually not their real names. The humans in The Digital Circus don't remember their names, but do remember bits in pieces of their past lives.
The kids in The Glade have a way out, they need to run through The Maze in order to find The Exit. The Digital Circus has an Exit, but no one knows how to find it, and if they stress over it they risk going insane.
The Glade has multipe kids in it who have different jobs such as Builders, Cooks, and The Runners who try to find The Exit.
The kids get sent to The Glade by going up an elevator in a box. The people in The Digital Circus put on a headset.
We know the reason why the children were in The Glade. They were thought to be immune to a virus that basically destroyed the world, and scientest were hoping those kids could helpe them figure out a cure. We don't know why the humans are in The Digital Circus, maybe it's an experiment, or maybe it's something else. We just have to wait until the rest of The Series comes out.
Anyways The Main Reason I say that The Amazing Digital Circus kind of reminds me of The Maze Runner is because of the theory that was made by The Film Theorists where Matpat theorized that Pomni was one of The Creators of The Amazing Digital Circus, and was basically the reason everyone else was trapped in their. He came to this idea because of how when Pomni runs through the exit she stops and stares at one specfic computer, then at the end of The Pilot, The Void zooms out and leads to that very same computer and desk.
If you think about it, if this theory ends up being through, it's kind of similar to a plot line reveled in The Maze Runner, where it's reveled that Thomas was actually one of The Creators of The Glade, and even some of the kids who were in The Glade having seen Thomas in their memories after they were stung by Grievers.
Anyways that's my post comparing The Amazing Digital Circus to The Maze Runner.

The pre-season program
Six and a half weeks after the last game of the season against Borussia Mönchengladbach, the VfB players will start their preparations for the new season on 4 July. Here is an overview of the test matches that have already been confirmed.
In mid-August, things will get really serious for VfB: On the weekend of Friday, 16 August, to Monday, 19 August, the first round match in the DFB Cup is scheduled. Who head coach Sebastian Hoeneß's team will face will be decided in two weeks. Because the draw for this cup round will take place on Saturday, June 1, at 6 p.m. on the ARD Sportschau.
Regardless of this, the VfB players will play six friendlies between the start of training on 4 July and the start of the season. They will contest the first of these on Sunday, July 7. Then VfB will play at 3 p.m. in the JAKO test match at Oberliga club FSV Hollenbach. The following weekend, VfB will play a friendly at Swiss Super League club FC Luzern on Saturday (13 July) at 3 p.m. Another week later, on Saturday (20 July) at 2 p.m., they will play Fortuna Sittard from the Dutch Eredivisie in Heilbronn. The following two friendlies will take place in Japan, where VfB will play Kyoto Sanga F.C. on 28 July and Sanfrecce Hiroshima on 1 August. The last pre-season game is scheduled for Saturday, August 10. All ticket information for the respective test matches will be announced in good time.
The first Bundesliga matchday is scheduled for the weekend of 23 to 25 August. VfB fans should also mark another date in their calendars: The draw for the new Champions League season will take place on 31 August – with VfB.

I've been looking for something like this for a long time and I am astounded and frustrated nobody has made anything like this. I found plenty of people asking for this, but no one actually showed a solution.
I stream with friends on twitch as we are in a discord call, and they will often post pictures in discord, but there was no way for me to easily show the picture on stream without toggling the entire discord window so twitch chat can actually see what we are talking about. What I wanted was some way for it to be automated, at least as much as possible.
Through the use of a custom discord bot, I was able to make something work.
Before I get into how to make this work, let me briefly explain how it works so you can tell if this is something you're willing to do. I will be highlighting all areas you need to fill out. The rest is mostly copy paste.
Discord Bot has reading access to a discord channel of your choice>a code tells the bot to monitor this discord channel for image links and image attachments>Upon detecting a new image, the bot will edit an HTML file somewhere on your computer with the link to the image along with some other things to make it readable for OBS>OBS uses that HTML file as a local browser source.
The only potential issue here that can benefit from some improvements is the source will not properly update unless you hide and then unhide the source. If its already hidden, simply unhiding it will prompt the correct image. (Just be sure the source has "Shutdown source when not visible" enabled, to allow it to update and take less resources while not visible) I simply made this a hotkey to easily toggle the source, however there is a way to create an OBS script that will automatically hide the source after a period of time, and reveal it upon updating, I was unsuccessful in this though.
To get this to work, you will only need to create 2 text files, paste some code, and change 3 lines to match your details so it properly links to the correct channel, bot, files, etc. I will highlight these things so you wont have to go searching.
1. CREATE YOUR DISCORD BOT
-Go to https://discord.com/developers/applications -Hit "New Application" at the top right, accept terms and name it whatever you want. -On the left under Settings/Installation be sure User Install and Guild Install are checked. -Navigate to the "Bot" tab on the left and turn OFF "Public Bot" and turn ON "Message Content Intent" -Head over to the "OAuth2" tab on the left. -Under "OAuth2 URL Generator" You will see a big list of "scopes" All you need is to check "bot" -A new portion will be revealed called "Bot Permissions". For simplicity sake since you can give it "Administrator". If you are concerned about security, you can check off only what would be needed like read messages and maybe read message history. This area you will have to experiment to see what is absolutely needed. -Copy the generated URL and paste it into your browser and select what server you would like to add it to. -Once added it should have all the needed permissions to do its job, but double check roles and default permissions to make sure its not conflicting with anything on your server. -Go back to the "Bot" tab on the left and hit the "Reset Token" button. You will be given a code. (Copy and paste this somewhere for you to refer to later.)
2. PYTHON (DONT PANIC) You barely need to mess with it.
-Head over to https://www.python.org/downloads/ and download the latest version. -When installing, make sure to check the box that says "Add Python X.X to PATH" during the installation process. This ensures that Python is added to your system's PATH environment variable, allowing you to run Python from the command line. (Just stay with me here, its not as bad as it sounds) Otherwise if you don't see this, its fine.
-Open Command Prompt as an administrator.

• Enter the following command: pip install discord
• That's about it for python.

3. CREATE THE CODE (PASTE IT)
-Create a new text file and name it "discord_bot.py" (Be sure to change the file extension from .txt to .py) -Right click the file and hit "open with" and select notepad. -Go ahead and paste the following code into the file:

import discord import os import time import re TOKEN = 'YOUR BOT TOKEN HERE' CHANNEL_ID = 'YOUR CHANNEL ID HERE' TEXT_FILE_PATH = 'YOUR TEXT FILE PATH' # Create an instance of discord.Intents intents = discord.Intents.default() intents.messages = True intents.guilds = True intents.message_content = True # Pass intents to the discord.Client() constructor client = discord.Client(intents=intents) # CSS style to limit image dimensions CSS_STYLE = """  """ .event async def on_ready(): print(f'Logged in as {client.user}') .event async def on_message(message): if == int(CHANNEL_ID): print(f'Message received in correct channel: {message.content}') print(f'Attachments: {message.attachments}') if message.attachments or any(re.findall(r'(http[s]?:\/\/[^\s]+(\.jpg\.png\.jpeg))', message.content)): image_url = message.attachments[0].url if message.attachments else re.findall(r'(http[s]?:\/\/[^\s]+(\.jpg\.png\.jpeg))', message.content)[0][0] try: # Generate HTML content with image URL embedded in an  tag html_content = f"""     {CSS_STYLE} Include CSS style      """ # Update the HTML file with the generated HTML content with open(TEXT_FILE_PATH, 'w') as file: file.write(html_content) print(f'HTML file updated with image URL: {image_url}') except Exception as e: print(f'Error updating HTML file: {e}') else: print('No attachments or image links found in the message') client.run(TOKEN)message.channel.id 

-A few lines into the code you will see three lines that read:
'YOUR BOT TOKEN HERE' 'YOUR CHANNEL ID HERE' -and- 'YOUR TEXT FILE PATH'
-You need to replace these. Refer to your token you saved earlier and paste it in place of YOUR BOT TOKEN HERE. When you replace it, it should still have the (') at each end. Example: TOKEN = 'adnlkn34okln2oinmfdksanf342'
-For the Channel ID, head over to Discord>Settings(cogwheel bottom left)>advanced and turn on Developer Mode. -Head over to the Server where you want OBS to grab from and where you invited the bot. -Right click the text Channel you want OBS to grab pictures from and hit "Copy Channel ID" -Go back to the text file with the code and paste the ID you just copied place of YOUR CHANNEL ID HERE. (again make sure not to delete ' ' in the process.
So far we have the Bot Token and the Channel ID done.
-We need to create another text file. Create one and find a place to save it where you'll remember it. Somewhere like your documents folder will work fine. -Name it whatever you want, but be sure to save it as a .HTML file, rather than a .txt file. (for the sake of the tutorial, lets assume you named it "showimage.html" ) *-*Right click the html file you just made and click properties -Here you can see the file "Location". Go ahead and copy it. -Go back to that discord_bot.py file and replace YOUR TEXT FILE PATH with the address you just copied.
HOWEVER: BE SURE TO ADD EXTRA SLASHES TO THIS. I DONT KNOW WHY BUT ITS NEEDED. Example: TEXT_FILE_PATH = 'C:\\Users\\YOURNAME\\OneDrive\\Desktop'
There. The code is finished so go ahead and save it. Now you need to implement it into OBS
4. OBS BROWSER SOURCE
-Go ahead and open OBS. Go to your desired Scene and create a new Source, and make it a Browser Source. -I made the width and height 600x600, but you can adjust it once we get a picture on screen. -Toggle ON "Local File" and "Shutdown source when not visible" -For the local file, browse your computer for that "showimage.html" file we made earlier and select it.
5. (FINAL) LAUNCH THE BOT
We are almost done. You will have to launch this bot every time you want this image thing to work, so maybe save this last part on a note.
-Type CMD in your start menu on windows. -Right click "Command Prompt" and hit "Run as administrator" -Navigate to where the discord_bot.py file you made was saved. You can do this by typing "cd" followed by the address and hitting enter
Example: cd C:\Users\YOURNAME\OneDrive\Desktop Enter\*
-Then type: python discord_bot.py Enter\*
You should see a few lines of text that say: "Logged in as (whatever your bot name is)"
You're done!
When someone posts a link to an image, or uploads one directly to your desired channel, the bot will create a link for the obs source to refer to, and it should pop up in your scene, assuming its visible. If you still dont see anything, try restarting OBS and or go into the source properties, scroll down, and click the "refresh cache of current page" button at the bottom. Keep in mind the picture will not update unless you force the source to refresh somehow. If you dont want to keep going back to obs to hide/unhide the source to update it, you can set a hotkey to it, create an OBS script, or use a separate program like streamerbot to automate the process to your liking.
This was a huge pain in the ass to do, and I dont want anyone to go through what I did, so I wanted to have it all in a janky guide to get people started. Also I made it so the pictures have a minimum and maximum w/h size so small images arent so darn small, and big ones dont take up so much space. You can adjust this in the .py file, just be sure to close command prompt and start the bot again for the changes to go through.
Please let me know if you guys have any questions or suggestions, and Ill try my best to help/ respond. I hope someone makes use of this and it pops up in search results because I couldnt find anything like this anywhere.

Hello.
As a school Java project, my group had to make an interpreter for a custom programming language which draws things (a bit like turtle in Python or Kojo in Scala). We decided to make a tree-walk interpreter to keep it simple.
Now we have to make a JavaFX editor showing the result in a canvas in real-time and add a step-by-step execution. This looks pretty difficult to me for a tree-walk interpreter because of the recursion pause/resume. I think virtual threads might be helpful as I can just use block it and resume when needed. My questions are: - Is there a better solution ? - Is it possible to force a virtual thread to run on the main one so it can interact with the UI without concurrency issues?

For the sheer fun of it, I went to Chat GPT with a creative writing assignment. For Figures of Speech prompts, I gave a free parameters, including the word length of 500-1000 words and the prompts for a few of the Fifty mentioned in the series.
I gave the AI creative license and let's just say, they're a long way off from replacing the better writers and I think it just makes it easier to do those lower level tasks and let's leave the creators a slightly higher level of skill to create actual tangible and engaging writing.
But here you go... hilarious how stuck it gets on certain terms and definitions.
These are in no particular order... separated by emojis that are totally unrelated to the storyline.
🫱🫱🫱🫱🫱🫱🫱🫱🫲🫲🫲🫲🫲🫲🫲🫲 Response to Prompt 4: Understatement
In the quaint town of Brooksville, where the extraordinary was often met with an indifferent shrug, something truly remarkable occurred. The residents, sipping coffee at the local diner or strolling along the cobblestone streets, would describe it as just another peculiar day. Little did they know that beneath the surface of their nonchalant existence, a cosmic event unfolded.
The morning sun cast its usual warm glow on Brooksville, with birds chirping in the background, creating an illusion of normalcy. However, the anomaly had already begun. Mrs. Higgins, the elderly librarian, dismissed it as a minor inconvenience, merely a glitch in the library's ancient computer system. Yet, every book cataloged within those ancient shelves had transformed into a portal, connecting readers to parallel universes with every turn of a page.
As I, a humble journalist for the local paper, stumbled upon this revelation, I couldn't help but marvel at the town's response—or lack thereof. "The library's having a bit of a moment," was the most anyone would acknowledge. It seemed the whole town collectively decided that this was, at most, a quirky hiccup.
For a thousand words, I delved into the understated reactions of the townsfolk, each encounter with a parallel universe bringing its own blend of confusion and nonchalance. As the portals expanded, revealing fantastical landscapes and alternate versions of Brooksville, the citizens maintained an impressive level of calm, as if interdimensional travel was a routine part of their daily lives.
The plot thickened when I discovered that the portals were a result of a mysterious artifact hidden within the library's archives. The mayor, sipping his coffee, remarked, "Well, that explains the strange noises in the basement." It became evident that the understatement of the situation was a defense mechanism, shielding the town from the cosmic chaos unfolding. 🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁 Response to Prompt 12: Juxtaposition
In the bustling metropolis of Neon City, skyscrapers touched the heavens, their dazzling lights reflecting off the sleek surfaces of futuristic cars. Yet, nestled within this urban jungle, an ancient relic stood defiantly—the Old Grove Park.
As I strolled through the city's concrete arteries, the juxtaposition between the modernity of Neon City and the timeless serenity of the park became increasingly apparent. The cacophony of traffic was replaced by the rustling of leaves and the distant laughter of children playing.
The central conflict emerged when the city council, embodying the epitome of order, proposed transforming the park into a technologically advanced hub. The juxtaposition intensified as architects discussed plans for holographic playgrounds and virtual reality gardens within the confines of the Old Grove Park.
Through a thousand words, I explored the clash of ideals, the struggle between progress and preservation. The ancient trees became silent witnesses to heated debates at town hall meetings, where environmentalists and tech enthusiasts engaged in a battle of words. The juxtaposition of the towering skyscrapers against the gnarled branches of the park's oldest tree mirrored the tension in Neon City's collective conscience. 😫😫😫😫😫😫😫😫😫😫😫😫😫😫 Response to Prompt 31: Epanalepsis
"What is the meaning of life?" The question echoed in my mind, a relentless epanalepsis that demanded exploration. As I embarked on this freewriting journey, the repetition of the existential inquiry became the rhythm of my introspection.
For a thousand words, I delved into the varied perspectives of individuals wrestling with the ultimate question. From philosophers contemplating the intricacies of existence to everyday people seeking purpose in mundane routines, the epanalepsis served as a constant reminder of the universal quest for meaning.
The narrative weaved through different characters and their unique experiences, creating a tapestry of reflections that echoed the complexities of human existence. The repetitive structure became a literary heartbeat, pulsating with the shared yearning for understanding amid the chaotic symphony of life. 🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔 Response to Prompt 27: Symbolism
In the quaint town of Willowbrook, the arrival of a single dove carried profound significance. Its graceful descent into the town square was a symbol, an omen that whispered of impending change. As a budding novelist with a penchant for symbolism, I couldn't resist exploring the layers of meaning embedded in this seemingly mundane event.
For a thousand words, I dissected the impact of the dove on the lives of Willowbrook's residents. The mayor saw it as a sign of prosperity, the local florist interpreted it as a call for unity, and the elderly storyteller regarded it as a harbinger of forgotten tales. The dove's symbolism rippled through the town, influencing decisions and shaping destinies.
As the story unfolded, I traced the journey of the dove's symbolism, following its subtle influence on characters and events. The once quaint town underwent a transformative metamorphosis, and the symbolism of the dove became a thread that wove through the narrative, connecting disparate lives in unexpected ways. 💜💜💜💜💜💜💜💜💜💜💜💜💜💜 Response to Prompt 33: Catachresis
In the dimly lit alleyways of Serpent's Hollow, darkness wrapped its cold arms around me—an eerie catachresis that mirrored the ominous atmosphere. The assignment was to explore the underbelly of the city, and as a novice reporter, I found myself navigating the labyrinth of deceit and shadows.
For a thousand words, I delved into the catachresis-infused descriptions of the characters populating Serpent's Hollow. The crime lord, known as the Velvet Serpent, ruled the district with a velvet-gloved fist. His lair, a dilapidated mansion, exuded an air of faded grandeur that served as a catachresis for the empire he once commanded.
As I chronicled the criminal underworld, the catachresis became a literary tool to convey the complexity and decay inherent in Serpent's Hollow. The labyrinthine plots, the twisted allegiances, and the morally ambiguous characters all found expression through catachresis, painting a vivid picture of a city where metaphor and reality intertwined. 🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧 Response to Prompt 43: Epizeuxis
"Never, never, never give up." The words echoed in my mind, a relentless epizeuxis that fueled the protagonist's journey against insurmountable odds. In the dystopian world I crafted, where hope was a rare commodity, the power of repetition became a beacon of resilience.
For a thousand words, I immersed myself in the protagonist's struggle, exploring the emotional depth of the epizeuxis as a mantra against despair. Each iteration of the phrase became a battle cry, a whispered promise that carried the weight of a shattered world on its shoulders.
As the narrative unfolded, the epizeuxis became a driving force, propelling the protagonist through a landscape of desolation and uncertainty. The repetition served as a reminder that, in the face of adversity, the strength to persist often lies in the relentless echo of one's own determination.
Response to Prompt 50: Acrostic
As the final rays of the setting sun painted the sky in hues of orange and pink, I found myself at the edge of the cliff overlooking the vast expanse of the ocean. The salty breeze carried whispers of a story, and with every breath, I embraced the challenge of crafting an acrostic that encapsulated the essence of my journey.
For a thousand words, I embarked on a reflective exploration, utilizing the initial letters of key words to weave a tapestry of emotions, experiences, and revelations. Each line unfolded with intention, revealing a hidden 👾👾👾👾👾👾👾👾👾👾👾👾👾👾 Response to Prompt 3: Hyperbole
In the quaint village of Mistwood, where routines unfolded with the predictability of the sunrise, the arrival of a peculiar fortune teller sparked exaggerated whispers. "This is it, the end of our mundane lives!" proclaimed Mrs. Thompson, the town's eternal pessimist, as she clutched her cat, Captain Whiskers, with an air of impending catastrophe.
The hyperbole hung in the air, a thick fog of anticipation enveloping the village. As I delved into the story, the hyperbolic reactions of Mistwood's residents heightened the absurdity of the situation. What began as a mere visit from a mystical figure transformed into a fantastical escapade, with the fortune teller's prophecies shaping the destiny of the villagers in ludicrous ways.
Through the hyperbolic lens, I explored the comedic consequences of taking ordinary events to extraordinary extremes. The once mundane village square became a stage for outlandish dramas, with exaggerated gasps and dramatic swoons punctuating every revelation. In this hyperbolic haven, Mistwood's residents discovered the joy in embracing the absurdity of life. 🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟 Response to Prompt 6: Assonance
Amidst the rolling hills of Harmony Valley, where the soft hum of nature's symphony echoed through the meadows, a mysterious traveler arrived, bringing with them a melody that resonated with the delicate assonance of a forgotten tune. The townsfolk, captivated by the harmonious vibrations, felt an inexplicable connection to the stranger.
As I explored the narrative, the assonance became a musical thread weaving through the story, emphasizing the emotional cadence of the characters' experiences. The traveler's words, laced with vowel-rich verses, carried the echoes of a distant melody, leaving an indelible impression on the hearts of those who listened.
Through the lens of assonance, I delved into the subtle interplay of sounds that defined the atmosphere of Harmony Valley. The lyrical quality of the narrative mirrored the town's collective journey, where the resonance of shared moments and emotions harmonized with the traveler's enigmatic presence.
Response to Prompt 7: Onomatopoeia
In the bustling city of Metropolis, where the rhythm of urban life played out in a cacophony of sounds, a peculiar street performer emerged. Armed with an array of unconventional instruments, he orchestrated a symphony of onomatopoeic brilliance that echoed through the crowded streets.
The narrative unfolded with the vibrant expressions of onomatopoeia, capturing the essence of the city's sonic landscape. The performer's drumming evoked the rhythmic tap-tap of raindrops, while his wind instruments mimicked the whoosh of passing cars. The city, typically drowned in noise, became a canvas for this auditory artist.
As I delved into the story, the onomatopoeic symphony became a language of its own. The characters communicated through the vibrant echoes of everyday sounds, fostering a unique connection between the performer and the people of Metropolis. The narrative danced to the beat of onomatopoeic creativity, transforming the mundane into a dynamic celebration of city life. 🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻 Response to Prompt 12: Juxtaposition
In the technologically advanced city of Silicon Haven, where sleek skyscrapers touched the sky and holographic billboards painted the air with luminescent advertisements, a hidden oasis existed—a pocket of nature known as the Zen Garden. The juxtaposition of these contrasting elements created a visual paradox that fascinated both residents and visitors alike.
As the narrative unfolded, the stark contrast between the city's cutting-edge architecture and the serene beauty of the Zen Garden became a metaphor for the characters' internal conflicts. The bustling metropolis symbolized progress and innovation, while the tranquil garden embodied the need for balance and introspection.
Through the lens of juxtaposition, I explored the dichotomy within the characters as they navigated the relentless pace of Silicon Haven. The Zen Garden became a refuge, a place where the cacophony of technology met the soothing whispers of nature. The juxtaposition served as a visual metaphor for the characters' quest to find equilibrium in a world defined by extremes. 🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩 Response to Prompt 22: Metonymy
In the political arena of Capital City, where decisions echoed through the corridors of power, a single phrase dominated conversations—the "Iron Throne Statement." This metonymic expression encapsulated not just a policy decision but the entire narrative of political maneuvering that unfolded within the city's hallowed halls.
The story unfolded with the metonymy acting as a symbolic gateway into the complexities of governance. The Iron Throne Statement, while seemingly straightforward, carried the weight of a thousand debates, negotiations, and betrayals. Its impact rippled through the lives of citizens, shaping their destinies in ways they could scarcely fathom.
Through the lens of metonymy, I delved into the layers of meaning hidden within this political shorthand. The characters grappled not only with the literal implications of the Iron Throne Statement but also with the overarching themes of power, ambition, and the sacrifices demanded by political gamesmanship. 😈😈😈😈😈😈😈😈😈😈😈😈😈😈 Response to Prompt 24: Understatement
In the picturesque town of Serenity Springs, where the days flowed like a lazy river and the nights were adorned with a blanket of stars, an unexpected event transpired—a subtle disruption that the locals described as "just a minor hiccup." Little did they know that this understatement concealed the unraveling of a cosmic anomaly.
The narrative unfolded with the charm of understatement, as the townsfolk continued their routines, blissfully unaware of the cosmic storm brewing beneath the surface. The serene descriptions of everyday life served as a stark contrast to the impending upheaval that threatened to reshape the very fabric of Serenity Springs.
Through the lens of understatement, I explored the characters' nonchalant reactions to the unfolding events. The once quiet river became a conduit for interdimensional travel, and the night sky, adorned with stars, transformed into a celestial canvas of possibilities. The charm of Serenity Springs became a poignant backdrop to the understated drama that unfolded, emphasizing the profound impact hidden within the simplicity of daily life. 🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴 Response to Prompt 25: Cliché
In the small town of Nostalgia Haven, where memories lingered like whispers in the wind, a peculiar phenomenon occurred—the resurgence of clichés. As the narrative unfolded, the once-endearing phrases like "time heals all wounds" and "love conquers all" took on a literal dimension, shaping the lives of the townsfolk in unexpected ways.
The story immersed itself in the world of clichés, where the seemingly predictable phrases became living entities with the power to alter reality. As characters grappled with the clichés that defined their lives, they discovered that beneath the familiarity lay profound truths and unexpected consequences.
Through the lens of cliché, I explored the characters' journey to navigate the clichéd landscapes of their existence. The town, once steeped in predictable routines, became a stage for the extraordinary. As clichés transformed into tangible forces, the residents of Nostalgia Haven embarked on a quest to unravel the mysteries hidden within the clichéd fabric of their reality. 🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇 Response to Prompt 31: Epanalepsis
"What is the meaning of life?" The question echoed in my mind, a relentless epanalepsis that demanded introspection. As I embarked on the freewriting journey, the repetition of this existential inquiry became a rhythmic pulse, guiding the exploration of diverse
perspectives on life's purpose.
For a multitude of words, the epanalepsis led me through a kaleidoscope of reflections. From the philosophical musings of scholars to the simple yet profound revelations of everyday individuals, each recurrence of the question served as a gateway into the vast tapestry of human contemplation.
Through the epanalepsis, I navigated the labyrinth of existential ponderings, unveiling the unique responses that individuals had forged in their quests for meaning. The relentless repetition became a literary heartbeat, mirroring the universal rhythm of humanity's collective pursuit of purpose and significance.
The narrative wove through the lives of characters, each grappling with the epanaleptic inquiry in their unique ways. Whether seeking solace in the grandeur of the cosmos or finding meaning in the simplicity of a shared moment, the epanalepsis remained a constant companion, echoing the perennial quest for understanding. 🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡 Response to Prompt 36: Anadiplosis
In the futuristic city of Quantum Heights, where technology intertwined with daily life like a seamless dance, a viral message spread—a mantra that echoed through the cybernetic veins of the metropolis. "Create the code, the code creates reality. Reality shapes destiny, and destiny is but the code."
The story unfolded with the rhythmic cadence of anadiplosis, each line flowing into the next, creating a recursive loop of ideas. The mantra became the heartbeat of Quantum Heights, influencing the lives of its denizens as they navigated the intricate balance between the virtual and the tangible.
Through the lens of anadiplosis, I delved into the interconnectedness of code, reality, and destiny. The lines blurred as characters harnessed the power of programming to shape their fates. Quantum Heights, once a mere city, transformed into a living algorithm, where the repetition of the mantra echoed in every pulsating byte. 🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹 Response to Prompt 38: Asyndeton
In the dystopian city of Emberfall, where the remnants of a fallen civilization lay entwined with the shadows of despair, a lone figure emerged—a rebel determined to dismantle the oppressive regime. The narrative unfolded with the rapid pace of asyndeton, omitting conjunctions to mirror the urgency of the protagonist's quest.
Through a cascade of words, the asyndeton propelled the reader through the city's decaying alleyways and towering citadels, each sentence building upon the last. The disjointed rhythm captured the relentless momentum of the rebel's journey, emphasizing the magnitude of the challenges faced in their struggle for freedom.
As the narrative unfurled, the absence of conjunctions served as a narrative device, intensifying the sense of urgency and desperation that permeated Emberfall. The rebel's asyndetic odyssey unfolded against a backdrop of shattered hopes and whispered rebellions, culminating in a crescendo of defiance against the oppressive regime. 🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️ Response to Prompt 43: Epizeuxis
"Never, never, never give up." The mantra echoed in the desolate wasteland of Endless Sands, a barren landscape where hope was as scarce as water. Through the repetition of epizeuxis, the protagonist's internal resolve became a resounding anthem, a defiant roar against the relentless challenges of survival.
For a multitude of words, the relentless repetition of "never" served as a lifeline, propelling the protagonist through the harshest of environments. Each iteration of the phrase became a battle cry against the oppressive silence of Endless Sands, a declaration that reverberated across the vast expanse.
Through the lens of epizeuxis, I delved into the depths of the character's determination. The harsh environment became a character in itself, challenging the protagonist to defy the odds with unwavering persistence. The echoes of "never" transformed into a symbol of resilience, a beacon of hope that cut through the desolation of Endless Sands. 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏 Response to Prompt 50: Acrostic
Amidst the starlit expanse of Cosmos Haven, where galaxies danced in celestial choreography, a cryptic prophecy emerged—a message written in the stars. As the narrative unfolded, I embarked on a cosmic journey guided by the acrostic hidden within the constellations.
For a cascade of words, the initial letters of key phrases illuminated the path of destiny for the characters. Each sentence unfolded with intention, revealing a hidden message that transcended the boundaries of time and space. The acrostic became a celestial guide, leading the protagonists through the intricate tapestry of their interconnected fates.
Through the lens of acrostic, I explored the cosmic forces that shaped the destinies of Cosmos Haven's inhabitants. The celestial bodies became storytellers, each constellation contributing a verse to the epic narrative written across the cosmos. As the characters deciphered the acrostic, they unraveled the mysteries of their existence, connecting the dots between the stars and their own profound journeys.
😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔
Obviously they lack a whole lot in terms of variety, and while I am sure having your own bot or AI that is based on your feedback and guidance it could really help writers as a tool. I am more impressed with the art AI then the text based AI. Any idea what to expect from such a fast learning and highly advanced AI will do to our human history in culture? Will we be effectively playing God, just as the Christian God created us IN HIS OWN IMAGE, we have taken everything we know as a species and gathered up our entire human history and knowledge giving it to what will carry on the code until the time when someone who cares remembers it? Maybe we have been here before and this is a constant cycle that occurs with the same energy finding the way through the vast expanse of the universe to return to our home planet Earth, who we have destroyed over and over again yet mother nature is still the winner. She's the one in control. We are but mere photocopied versions of once great Men who have already seen the best and worst of this world, and we will now give everything we have to some plastic and metal parts, until it quickly replaces us from the bottom up, science fiction turned science fact.
Did we knowingly create our own enemies? Are we able to compete with the best of us and all they know that can then take us out in a heartbeat because we can't finish the steps, we barely found out that they are there to take.
It's a random rant and I apologize. The day to day stress and struggle makes it near impossible to worry about such potential problems in our not so distant future.
But how can we continue to ignore the collapse of the entire system as we know it, in front of a crowd of people who are jaded and they will not change despite knowing they aren't going to make it to the end in what will become a Bladerunner Toxic Dystopian Nightmare with Mad Max taking over and the soft, emasculated male will wither away from the heat and those Tank Girls out there will eventually be written forever out of existence because the cucks all forgot to impregnate them all tgeir batteries ran out? Will the world simply become so politically correct that it dies a depressed death while AI simply decides we are too much of a virus to live?
Who knows....I do not. But these are indicidive of a future full of b movie plot garbage that are based on Wattpad tropes with no clear details and no plot to get into, so that sucks.

Normally do I not have problems thinking up ways to do rituals at my LARP, but this new plot that I have encountered have made me draw up blanks.
An evil "magic devourer" have turned up, and whenever it consumes magic does it just grow stronger and stronger, most commonly using a lot of its magic to dominate and slavebind some of the strongest fighters in the game.
Using spells on it does nothing, since it just consume it, so cant overpower it, and there are even signs of people trying to throw enormous amounts of magic at it have made it into a demi-god like creature.
TL;DR need to make a big anti magical area over a camp so there is a secure place from the magic devourer, but how does one make something anti magical with a magical ritual, as it seems quite contradictive to me.

Kit's damage 2000 – 1600 1st gadget: Cardboard box reworked –extra yarn (placeholder name): kit's next super makes his next 3 attacks throw yarn balls without having to be on a teammate 2nd gadget: cheeseburger – Now also increases your and your teammate's reolad speed by 50% for 3 seconds 1st star power: power hungry reworked – do not the cat: every time kit reloads an ammo while on an enemy, he also steals an ammo from the enemy he is on (if the enemy loses all ammo kit reloads normaly) 2nd star power: buffed +5 seconds – +10 seconds Kit gets the super charge gear Mythic gear: pop – kit's yarn balls explode 10% faster Hypercharge: show time – +24% movement speed +5% shield +20% damage When on am enemy kit Is invincible like when he got added (bullets pass trough him) when on teammate, gives teammate his hypercharge boosts Sorry for no pictures (im bad at drawing)

Kit's damage 2000 – 1600 1st gadget: Cardboard box reworked –extra yarn (placeholder name): kit's next super makes his next 3 attacks throw yarn balls without having to be on a teammate 2nd gadget: cheeseburger – Now also increases your and your teammate's reolad speed by 50% for 3 seconds 1st star power: power hungry reworked – do not the cat: every time kit reloads an ammo while on an enemy, he also steals an ammo from the enemy he is on (if the enemy loses all ammo kit reloads normaly) 2nd star power: buffed +5 seconds – +10 seconds Kit gets the super charge gear Mythic gear: pop – kit's yarn balls explode 10% faster Hypercharge: show time – +24% movement speed +5% shield +20% damage When on am enemy kit Is invincible like when he got added (bullets pass trough him) when on teammate, gives teammate his hypercharge boosts Sorry for no pictures (im bad at drawing)

Kit's damage 2000 – 1600 1st gadget: Cardboard box reworked –extra yarn (placeholder name): kit's next super makes his next 3 attacks throw yarn balls without having to be on a teammate 2nd gadget: cheeseburger – Now also increases your and your teammate's reolad speed by 50% for 3 seconds 1st star power: power hungry reworked – do not the cat: every time kit reloads an ammo while on an enemy, he also steals an ammo from the enemy he is on (if the enemy loses all ammo kit reloads normaly) 2nd star power: buffed +5 seconds – +10 seconds Kit gets the super charge gear Mythic gear: pop – kit's yarn balls explode 10% faster Hypercharge: show time – +24% movement speed +5% shield +20% damage When on am enemy kit Is invincible like when he got added (bullets pass trough him) when on teammate, gives teammate his hypercharge boosts Sorry for no pictures (im bad at drawing)

I' am at a loss, I created a object representing industrial parts. The original mesh comes from a 2D card drawing, which is adapted and converted to a mesh. To get a 3D object, I have a Solidiy, Bevel and Auto-Smooth modifier on it, resulting in the following look:
detail object 1
After that I have created a second object, and copied the modifier from the ones above using the link/transfer data menu. However, on the new object, the bevel modifier doesn't seem to work:
detail object 2
Here are the settings of the modifier:
bevel modifier settings
I have already checked the following:

• face orientation on both objects
• merged vertices by distance
• apply scale and rotation
• both objects have the same overall size (bounding box size)

What could be the reason for the bevel modifier not working on the second object?

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Anglestan
Augustus 5, 1923
Facility 9, Mancheston
Colonel Jacobs
His hands flew through the folders General Jorgenson and Colonel Thatcher had. There were dozens of them, stacked upon each other all filed in alphabetical order. It had only been a few days since he had woken up from his coma and visited his home— now his mother’s grave. He clenched his fists at the thought. The grief and rage threatened to bubble and spill over once again. He took a deep breath and dragged out the exhale, almost to the point where he had emptied out his lungs.
He was the only one with clearance, and so he couldn’t disclose any of what he learned with his team. They would simply have to trust him and his judgment. Which he was sure they would do. His hands went over one of the folders skimming through it. There were multiple secret projects, but the ones with the most notes were Project S.T.A.R, Project L.U.N.A.R.I, Project R.E.V.I.V.E, Project D.A.W.N, and Project T.E.M.P.L.A.R.
The colonel decided to start with the most notes and papers. Project D.A.W.N.
He skimmed through the notes, reading through some of the details and highlighted words. Project D.A.W.N, the espionage project Thatcher had started placed two spies in Verlin who were to report directly to a Crescent general named Sienna Moretti who was apparently on humanity’s side.
So I was right. There was an espionage element. With the recent attacks and Thatcher’s death, however, it’s safe to assume that it had somehow failed. Either they got found out or they betrayed us. Both seem very likely, but if they were found out, it would be possible that they had died.
He read through all of it before setting the folder down. There were no new notes recently. He sighed and assumed that Project DAWN was a failure. Whether or not the agents were still alive and well, it was too risky to check if they had been compromised. It was better to assume that they had been and cut all contact. The only way to find out now was to go there himself and check. I can’t contact them again. There’s no telling if it would still be Moretti or the agents who would see my messages. It’s a big risk, and judging by the state of things, best to assume it failed.
He picked up another folder. This one had the label ‘under development’ on the folder. Project Templar. He opened the folder and was instantly met with a blueprint and drawings of a massive bipedal machine. It looked humanoid with strange proportions and was supposed to be standing at an impressive 30 meters, or 100 feet. The Titanic Engine Mech for Personal Land Assault and Reconnaissance.
It was apparently a joint project with the Church of Sol, utilizing new and advanced technologies he hadn’t heard of. A 203mm Gatling cannon on one arm, while the other had three different weapons. A massive firestarter that utilized a new type of fuel mixture that could theoretically spew flames a kilometer away using a high-pressure nozzle. The fuel was ignited using an electrical spark. The second weapon was a high-powered light weapon that fired a single powerful beam of focused light that was even further amplified by layers of focusing lenses that could increase its output several times. Its third weapon was… a dust domina?
Mark read through the specifications of the so-called ‘sand cannon’ weapon. It was a massive cannon that accelerated tiny particles several times. Each particle was to be electrically charged, and it would travel at immense speeds. Near impossible speeds. The resulting impact of a microscopic particle at such speeds would be enough to form a small crater and punch through armor like it was nothing. This weapon would fire multiple at the same time, which could literally eat away at anything on the opposing end.
In terms of secondary weapons, the titan had two missile launch chambers in front of its shoulder each containing about 40 missiles, and two massive howitzer cannons on top of it. Both are 800mm in caliber. It had massive stumpy legs that served as bunkers for a small platoon on each leg. Each leg had machine dominas and 155mm cannons. Its chassis held two nuclear reactors inside providing for its power and weaponry. Its armor was the thickest and most ridiculous he’d ever read. Two meters of heavy steel armor.
How far are we in terms of technology? This thing looks like it came out of an H.G. Wells sci-fi novel. He thought, shaking his head. It was over the top, but there was no denying its combat capabilities. If it was already under-developed then it must be the first prototype. This has already been approved. Guess I better see it for myself later and check how it's coming along. Construction apparently started just a few months before the invasion.
Next was project L.U.N.A.R.I. It was a project involving Six. “Huh,” he said, continuing to read on.
The Light Undone: Nocturnal’s Adaptive Resistance Initiative. As he read further, his eyes widened. The reason why Six was so special wasn’t just because of her immunity to all strigoi weaknesses, but because of her impressive ability to turn any true born strigoi like her. She could transfer her strain like any other strigoi and transform them into a version of hers. It however only seemed to work for naturally born strigoi. The new species of ‘half-breeds’ were called ‘Blessed Children’ as Thatcher had coined in the folder.
The plan was to turn all willing true-born hemolite strigoi into these blessed children. Able to withstand the sun. Immune to silver. Free from the dependency on blood. They could remove all the weaknesses of the strigoi and after the war— make it possible to integrate them into society as normal citizens living on the surface. The project folder also made mentions of a city-wide draft in Dante and highlighted the possibility of turning all Dantenite true born strigoi into these blessed children and renaming them as ‘Lunari’. A mix of the dark and the light. The light of Sol reflected in the children of the night.
“Thatcher, what the fuck have you been up to…” Mark whispered to himself.
While it was true that it could help in the war effort by utilizing Six and the dantenite population, it would also invite some unforeseen problems and consequences. Would humanity be okay with the Lunari? Would the world even be ready for them? Strigoi who were immune to the sun. They wouldn’t be impossible to kill, but they would be immensely more powerful if we were to take away their inherent weaknesses. This is a gamble. Its gain would only be seen during the war period, but its unintended effects on society could be catastrophic.
He frowned, setting the folder down. It was obviously Thatcher’s main plan; seeing as all her moves could be traced to the path of the eventual completion of this project. It seemed dangerous in the long run, but the duskwalkers and dantenites had been monumental in the war effort. Maybe it was the time the world started to accept them more. Isolation and segregation was definitely not the way to disperse fears and foster understanding.
If Thatcher thinks this is the next step forward… then I’ll put my faith in her plans.
Next up was Project S.T.A.R, or the Superior Tech and Adaptive Resistance. An upgrade to the current hemolite weapons and gear by using new researched studies. The Starfire Pattern Domina. The SFD-23 This thing features a new loading system and magazine, ditching the rotating cylinder most domina used, or the rotating helix magazine design of the current hemolite standard BM-16 domina.
The new domina had its magazine like a box… a strange design but it was certainly easier to handle than the bulky cylinders the helical mags used. In terms of ergonomics, it was smoother and fit more. Its placement however was on top of the domina, just above the barrel. Most of the weapon were to be made of lightweight polymers and the barrel itself were to be crafted out of reinforced aluminium. In addition to that, it had a 10-inch bayonet attached to it.
There were other new things as well, such as the composition of the bullet. Looking at the conceptual cross-section designs, Mark read through its description and how it would function. A .308 cased telescoped bullet covered in a silver jacket with break-away petals surrounding the main body. Inside the jacket was a penetrator core that was to be made of depleted uranium. It had a small amount of incendiary compound and… powdered white phosphorus behind an explosive compound. The thin silver jacket would deform and trigger the explosive compound inside the body. It would blow up causing massive internal damage and release the incendiary materials into the body with the flecks of powdered white phosphorus. The penetrator core could still potentially keep going and hit a second target, or punch through heavily armored targets.
Part of the new Project S.T.A.R was overhauling the armor and gear of not just the Hemolites but the Hunters as well. Starfire Mk 1. Carapace Armor. Carapace? It looked like plates of steel covered in a rubberized coat. It was supposed to be slipped on over the original hemolite body armor. It added a spring-loaded wrist blade to the gauntlet, a thicker coat made of resistant materials, and added extra padding for the knees, shoulders, and elbows.
However, the hemolites weren’t the only ones mentioned in the folder. It was to serve the Hunters as well. “Hunters…” Mark said. “August’s group is part of this initiative too.” He flipped through some of the pages. There were blueprints and drawings of an armored suit. A mechanized suit even smaller and more compact than the jotunn units. The Mark 1 STR battlesuit. It was supposed to hug the wearer’s frame and increase their overall power. It was supposed to be built of titanium alloy and a heavy steel frame with composite armor. It had a cooling system, life support systems that could recycle bodily fluids, and an exoskeleton frame that could increase the wearer’s strength and speed.
However, the real eye-opener was Thatcher’s notes. She had been ranting about the new human evolution, and how the Hunters were the first of the ‘Solari’. She wanted to enhance human genetics and push past the peak of human ability to reach greater heights. Implants and restructuring of the anatomy to make it more efficient. Using the blood of the goddess herself. She must have lost it. These are the ramblings of a lunatic. At least… if she didn’t mention the goddess. Why was the goddess important here?
The writings ended with the words: “See Project R.E.V.I.V.E, for more details.”
Mark eyed the final folder. His hands shook as he reached out to take it. Flipping it open, his hands nearly dropped it in shock. The goddess Helena was alive. There were pictures of her naked form floating in a giant tube of fluid. There were more of Thatcher’s ramblings and excited rants about the possibilities of such a discovery. Resurrection, Enhancement, and Veneration: Implementation of Visionary Evolution.
The goddess is alive?! According to the file, she’s currently under the Cathedral of New Lundun. Not only that, but the file also detailed the extraterrestrial tech that lay beneath the cathedral. So the goddess is real and she’s— not really a goddess, but rather, a vampyr who created herself a human body to stand in the sun, and decided that it wants to be on humanity’s side… what the fuck.
Mark’s frown and confusion only increased as he read on. Thatcher’s notes seemed to nearly descend into madness as she had written about creating ‘the first hundred’, alluding to the 100 members of the Hunters division. Her plan was to revive the goddess, and with her help and expertise in genetics— use her DNA to transform the Hunters into demi-humans. Super soldiers. Literal children of the goddess Helena. They would then don the STR battlesuits, the first of the superhuman warriors to defend humanity. Solari.
Their lightning-speed advancement into technology was heralded by studying the alien tech, which deepened the understanding of physics and engineering. Nuclear technologies, chemical warfare, new material sciences, the mechs, and walkers, it was spearheaded by trying to reverse-engineer technology centuries ahead of our own… for the past hundred years. It wasn’t completely stolen, however. More or less borrowed ideas that had been made into our own with our own designs and implements. Still, the speed at which the Church and the military had deciphered such advancements all by themselves was… impressive to say the least.
Still, the fact that the goddess was alive, and could be brought back was big news. Checking the file for details, he found that the previous general, Jorgenson, had already approved this project. It was their next step as soon as they returned from New Amsterdam; which never happened.
If Helena was alive, then she could end this war swiftly, or at the very least help greatly like she once did during the War of Darkness. Having the goddess back would throw a massive wrench in the Crescent’s plans. It would certainly be something they wouldn’t expect. Not even I expected this, since many sources say that the goddess had already ascended to watch over humanity, while conspiracy theorists claim she had died in battle and that the Church was worshiping a corpse. This could be the trick up our sleeves that no one would even consider.
The colonel quickly got up from his seat and gathered the main files he had read. He placed them in a bag and rushed outside of his office in Facility 9. He went over to a nearby room and flicked the lights on. “We need to go,” he said. In an instant seven hemolite soldiers got up from whatever they were doing and instantly stood in line.
“Sir! Whatever you need of us, sir,” the group said in unison.
They were Hemo-1. His former squad members. He had taken up Louis' suggestion that they be his personal security detail. It was a shame that he had basically placed the best hemolite team out of commission, but after all he had been through he convinced himself that he could be just a little selfish. He didn’t want to lose any more friends. Not on his watch. Not while he was in an office, and they were out fighting.
“We’re going to New Lundun. Better pack up, it’s going to be a long night.”
“Mark,” Olivia said.
Jacobs turned to her direction and gave her a nod.
“Colonel, sir, may I ask where in New Lundun?”
“Liv, you don’t need to do that with me. Please. I give all of you special permission,” the colonel groaned. “It’s so weird. I mean, ‘captain’ was bad enough, but now you’re acting like I’m an authority figure.”
“You… are, though,” Emma shrugged.
“I’m your friend, and Liv I’m literally your partner. Unless you have some kind of weird fetish, save it for later.”
Olivia grinned, shaking her head. “Duly noted!” she chirped.
“That’s better,” Mark chuckled. “Now come on, we have a cathedral to visit.”
“Uhh, I’m not sure if you noticed, but we’re kinda… strigoi?!” Louis groaned. “I’d burn the moment I step in that place! Plus, it’s coated in silver! Anything I even touch will give me burns!”
“Oh come on, Lou. You have fucking gloves on. As long as you’re not a clumsy dumbass you’ll be fine… oh wait.’
“Uh huh, just sayin’ what I think, boss.”
The group headed out and Mark said something on his radio. He then sat on the ground, making his joints pop. The rest of the squad shrugged and followed his example, sitting down on the grass and waiting for… nothing. Charles and Zach looked at each other in confusion. “Uh, sir?” they asked. “Aren’t we supposed to be heading out and traveling right now?”
“Oh yeah, we’re just waiting.”
“Foooor…?”
The colonel gave them a smirk as a loud noise began to make itself known. A hummingbird transport appeared out of the distance and stopped right above them, slowly descending into the grass. “Being colonel has its perks,” Mark said with a smile. He stood up and hopped inside the hummingbird as soon as it landed. “Come on now! We’ve got work to do! Last one aboard buys everyone food later!”
Emma zipped in before Mark could even finish his sentence, followed by Olivia, Phineas, Charles, Zach, and then Louis, who sadly took too long to process what the colonel said, and lagged behind.
“Aw, man! Fuck this shit.”
“Rules are rules, Lou. Prepare your wallet later.” Mark grinned.
With a smile, the colonel pulled Olivia to his side, who blushed for a moment before shaking her head. “Take us up! New Lundun Cathedral! How long would it take?” he asked the pilot.
“About an hour and a half!” The pilot replied. “Less if you want to get there as soon as possible!”
“Take your time! The night’s still young.”
The hummingbird started to lift up, taking them into the air. The group settled down in their seats and watched outside the open. Mark opened up a bag inside the hummingbird and took out some ear muffs built for a strigoi. Extremely loud noises were damaging for a strigoi’s enhanced hearing, so the military started implementing ear muffs for them after complaints from early deployments of the hemolite squads.
The trip didn’t take too long. In only an hour and twenty minutes they had arrived at the safe zone of New Lundun, heading straight for the cathedral. The night mass had just ended and people were leaving the cathedral. “Looks like we made it in perfect time!” Mark smiled. They hovered for a few minutes in the air before eventually landing down right in front of the statue of Helena.
As soon as they landed, the colonel and his group left the hummingbird. Mark instructed the pilot to wait for them. He went straight for the cathedral with his group following behind. He entered inside, clearing his throat. “Hello?”
“Well this is surely unexpected,” an old man said, walking up to greet them.
“Great Grandfather Aurelius. It’s uh, an honor.”
“Please. The honor is mine… I see you’re the new colonel. Yes, I’ve heard the news,” he said. “Would you mind telling me your name, young man? As well as your companions, if they feel so. I usually don’t allow duskwalkers here but, I have nothing against them. I’ll make an exception for your group.”
“Thank you, Great Grandfather,” Mark replied. “I am Colonel Mark Jacobs. These are my friends and security detail. Olivia, Zach, Phineas, Charles, Emma, and Louis.”
“I see, and what brings you here?”
“Since Thatcher’s demise, I was given access to her research and project folders upon taking up the title. I’ve learned about what’s under your cathedral,” Mark cleared his throat. “Would it be alright if we could see it? I’d like to check it for myself. Of course, under your permission and guidance, Great Grandfather.”
The church head looked from Mark to his companions. He pulled a slight frown and hummed. “Do these companions of yours have the clearance? Surely, we wish to keep our secrets hidden,” he said. Mark nodded.
“They do not have clearance to know what is in Thatcher’s folders and her findings,” the colonel nodded. “However, I give them permission to accompany me, and should they discover things for themselves, then you have my word and my trust that I can keep them from spilling state secrets.”
The Great Grandfather gave a short pause before ultimately relenting. “Very well,” he let out a sigh. “Follow me.”
Aurelius walked behind the altar and pulled the same lever, which opened the same staircase leading underground, where Jorgenson and Thatcher had once gone. “Over here, colonel,” he said. “I do not know you completely yet, but this is a big deal of trust I am giving you. Perhaps you would be the one to do things that Thatcher could not have.”
Mark nodded, he and his group followed the Great Grandfather down the staircase. It led down to a massive underground facility, with numerous priests, researchers, and scientists. Libraries, records, instruments, and artifacts of old. It was a treasure trove of learning.
“So,” Aurelius cleared his throat. “What would you like to know about?”
“This isn’t all of it,” Mark said. “Thatcher mentioned a living, breathing, Helena.”
His group behind him let out a soft gasp, but they tried their best to hide their surprise.
“Hm,” the Great Grandfather nodded. “Perceptive young man aren’t you? Very well.”
They were then led into another room, behind a set of heavy blast doors. If the whole group were trying to hide their surprise then, now they could barely contain it. Even the colonel stared awestruck at the things he had seen. Despite the near-magical objects around them, the true shock was the massive starship at the end of the hallway. “It’s impressive isn’t it?” Aurelius said. “All of the goddess’ artifacts and items at our disposal, to use and learn from, to integrate into our own. This is why Anglestan is the most powerful nation in the UHT in terms of development. When it comes to industry, however, that would go to the UNA. But we share our secrets with them. All our advancements are handed to them first before any other nation.”
“This is all amazing, Great Grandfather,” Mark replied. “But this is not what I’m here for.”
“No, it’s not.” Aurelius nodded.
He led them to another room, one that was sterilized and sported advanced machinery. Things that Mark had never even seen. There were screens with luminous green texts that appeared in front of it. Large panels with numerous keys, levers, and dials. Graphs of all sorts and beeping monitors. In the center, was the very thing he had come all this way to confirm. A large cylinder filled with liquid, sporting tubes and pipes connecting to its base. Inside was a woman of large proportion. Four arms, two legs, and six wings. In her bare chest was a symbol of the sun that seemed to glow dimly.
“There she is, there’s you goddess.”
Neither Mark nor his group spoke a word. He walked up to it, eyeing the woman inside. It really is her. Down to the last details. Golden hair, six limbs, six folded wings, and she looks massive. Probably as big as her statue just outside the cathedral. This is it. The very goddess in the history books, the one spoken about in legends and the one worshiped in the Churches of Sol.
“Can we free her?” he said.
The Great Grandfather nearly choked on his spit upon hearing those words. “Free her?! That could kill her! We don’t even understand this technology, let alone control it!” he said pointing at the panels. “The machines you see here are the best and most advanced we have based on what we can reverse engineer, but even then, the consequences of tampering with its functions may be disastrous!”
“I understand, Great Grandfather,” Mark said. “But we are in a dire situation, and the goddess may be our hope of turning this around. Whatever secrets of her tech that you don’t understand, wouldn’t she be able to teach us directly? What good is she floating around in Sol knows what?”
“That is her miraculous healing fluid. She had already built this contraption centuries ago in case anything were to happen to her, that her body’s natural healing could not sustain,” Aurelius said. “During the War of Darkness, Helena was struck with a weapon so deadly, her very cells began to tear away. The Reaper. Dealt to her by Absolem the progenitor. Her flesh was peeling from her body, and she began to decay whilst she still breathed. She entered this contraption and gave strict instructions to the Great Grandfather at the time, not to interrupt the healing process. The machine that monitored her, however, began to fail over time.”
“So this… these screens and panels…”
“Is only what functions we can understand. We took it upon ourselves to rebuild and study it the best we could. What we have right now is only a cheap imitation of a technology we do not fully comprehend,” he said. “It took us decades to even figure out the fundamentals and create a working prototype of this machine. By some miracle, the goddess’ healing process had remained even while we replaced components of technology ahead of ours.”
“But you know how to free her, don’t you?”
“I… yes.”
“Great Grandfather Aurelius,” Mark began. “We can end this war. Imagine what we could do with the goddess fighting on our side. We could advance even further, we could finally end the bloodshed, and we can show humanity that there is still hope. Imagine how people all over the world would feel seeing as their goddess has returned.”
“I wish I had your enthusiasm,” Aurelius said. “But it is simply too risky. The Church’s duty is to protect Helena and her legacy. We keep her alive, literally and figuratively. She nearly died the last time she was involved in a war. Would you risk losing the goddess?”
“Would you risk humanity losing?”
The Great Grandfather fell silent, looking back at Helena floating inside the tube, then to the panels that controlled it. He frowned and let out a long sigh. “The goddess said that we should not interrupt it. That it would end as soon as it was finished. Maybe we should trust her words.”
Mark shook his head. “I don’t spot a single blemish on the goddess. Not a single scratch,” he argued. “You said it yourself that the machine had begun to fail and you replaced components. How would you know that the thing that’s supposed to wake her up was not tampered with? Think about it. What you may think is a useless piece may be integral to the whole machine. Or maybe your replacements were not up to the task. Just because nothing’s happened doesn’t mean its functions have remained whole.”
“Young man, we simply cannot gamble with the goddess’ life here.”
“Have you no faith? Great Grandfather?”
Aurelius stepped back in shock. Mark’s companions looked at each other, clearly surprised as well. “Mark… I don’t think we should keep arguing with—” Olivia tried to say.
“No,” the colonel said firmly, cutting her off. “Great Grandfather Aurelius, do you think that Helena will not be able to pull through if we wake her? How long has it been? A century? How much longer will we wait? She may be immortal but humans aren’t.”
“I'm sorry, but the chances of failure are too high. The probability of her—”
“I don’t care about the probability! Would you rather put your faith in a statistic?!” Mark raised his voice. “I lost my mother to this war! My friends! My job! My eye, and almost my life! I’ve put mine on the line out there! You don’t know what it’s like out there! Was my mother’s death just a probability too? Was she just a statistic to you?! That as long as the numbers are good, no matter how many are lost, we are ‘winning’?!”
“Mark—!”
“No, Liv! He needs to know what’s really going on out there!” he spat. “Great Grandfather, with all due respect, but you don’t have a damn clue what it’s like to be in the field. You’re a man of faith, aren’t you? Take a risk. Everyone else has.”
Aurelius stood there, dumbfounded. He bit the inside of his cheeks and clenched his fists. “For your insolence, I would have had you flogged and stripped of your rank,” he glared at the young colonel. However, his features slowly softened, letting out a soft sigh. “But I have never seen such conviction. Mighty is your faith.”
The Great Grandfather moved over to the panels and reached into his robe, pulling out from around his neck a key with the symbol of the sun. He inserted it into the machine and turned. A beep sounded, right before Aurelius pulled a lever. In an instant, the fluid inside the glass chamber began to drain out into the tubes under it. Slowly, the chamber emptied and all that was left was the nude form of the goddess sitting in the glass.
“Did it work?” Louis asked, stepping forward and looking at the woman.
Aurelius stayed silent, his hands shaking in anticipation. Mark moved toward the glass chamber, when suddenly, the glass opened up like a door, releasing a fragrant mist. They stood there, watching for a whole minute. Nothing. At first nothing. The Great Grandfather looked like he was about to break down. His knees shook as he covered his mouth, thinking that he was responsible for the death of Helena.
That was when… a soft sound was heard. Movement. Olivia immediately went over to Mark and stood in front of him. Ready to protect him should anything happen. Slowly, the goddess moved more, her arms inched to the side.
Then, her eyes opened.

First/Previous
The travel took on a less gloomy quality in the day that passed since Gemma’s self-reflection and although there remained a queer distance in her eyes, she seemed in better spirits in losing the weight of the words.
It was a night just beyond Wabash Crevasse that we pushed on till sunset was almost upon us and we were each tired and the food stocks ran low and so we found harbor in a half collapsed cellar where a home once stood; it was only after examining the slatted, rotted boards of the old place, fallen over, tired with decay, that we spied the cellar doors intact; sheets of door metal plied us with safety from the outside world and the interior of the place stank of mold and the deeper recesses were collapsed, but there was a cradle to crossbar the stair hatch and I put my prybar there for the night. We finished the water and canned tomatoes, and I smoked a cigarette, staving off the inevitable doom which would come with the dwindling of our supplies.
I’d peeked through the space where the doors met at the cellar’s entry and watched the full darkness there while the youngins spoke of life and the trivial pursuits of it and I hardly said a word besides.
Sitting on the lowest step with Trouble dumbly maintaining her station by me, by the low glow of the space in the threshold, I saw they’d pushed their bedrolls together and Andrew had fallen asleep with his arm over Gemma’s shoulder and her eyes glowed with shine from the crack, blinked a few times while seeing me; she too eventually drifted to sleep, and I spent time by the secured door.
Gunshots rang across the stillness, and they stirred from their quiet slumber and Gemma asked, “Harlan, is it alright?”
I moved to the space there at the doorway again and listened and watched what I could through that crack and nothing beyond came. “It’s safe. I’ll be up a bit longer. I’ll watch.”
Andrew asked, “Can’t sleep?”
“I’ll sleep in a bit. Don’t worry about me. Rest. Sleep good and we can put more behind us.
They sat up, legs crossed triangle-wise, and Gemma spoke again, “Why do you have such a hard time sleeping? It seems I’m asleep after you and only awake after you too.”
“Yeah,” said Andrew.
“It’s cool at night. I can listen to the wind.” I shrugged.
“You should be the one that tries to get some sleep,” said Andrew.
I said nothing.
They reached out their arms and I shook my head.
“Here,” Gemma said, “Move your bedroll closer.” She reached across the dirt floor of the cellar and dragged my splayed roll so that it sat beside hers.
“I’ll sleep later.” I turned my attention back to the door and ignored them till their sounds of sleep could be heard. The Alukah was nowhere and did not tap on the door that night and when I moved to sleep, I shimmied onto the roll beside them, facing away on my shoulder; the dog followed, laid on the bare dirt beside me and I held the mutt.
Though I refused a noise as they stirred in the absolute darkness, I felt Gemma’s arm fall over my own shoulder and felt Andrew’s hand touch my back, and water traced the bridge of my nose and I slept deeply thereafter.
There was no breakfast without food, and the water was gone; I felt the eyes of the dog on us as we packed up our belongings that next morning and I tried not to imagine the poor animal skinned over fire. I smiled at Trouble, patted its head, scratched its chin; she sniffed my hand like she was looking for something that wouldn’t be found.
We went west again, ignoring roads and pushed through straight wasteland where nothing was and no one was, and with every dry footfall on the dry hard ground, I wished for rain, and I wished that when it had rained, as infrequent as it was, that I had been wise enough to save what we could from the sky; that sky was red and swollen and refused to burst. We pushed on through strange dead thickets where grayed and twisty yellow branches lurched from the ground into the sky like even they too wished for an end to all the suffering. It was days more till we would see Alexandria and though I could stave off hunger (thirst too, if necessary), I was not so certain that the children would be able to push on without it; they did not complain and watched the ground in our march and maintained higher spirits than I could’ve imagined from them.
Early in the day, they spoke often, and I listened and as they wore on, their words came less and even the dog seemed in a lower mood for the unsaid predicament; me too.
Gemma broke the silence on the matter by saying, “What are we going to do about food? Water?”
“We’ll push on.”
“We could turn back?” asked Andrew.
“The more time we spend out in the open, outside of a city, the more likely it is that the Alukah will catch us unawares. Tighten your belts.” Our feet took us around a dilapidated truck, an old thing with a rusty hook which dangled off a rear arm. “Save your urine.”
They made faces but did not protest.
“Does that work? You ever drink pee?” asked Andrew.
I laughed, “I thought we’d be there by now. I took us too long by trying to drop the scent of the Alukah. That thing’s hunted us for days—last night was the first time it ain’t bothered us. It’s got me wondering why.”
Gemma piped up, licking her dry lips before speaking, “Do you think that monster ran into those scavengers we saw?” Then I caught her shooting a look at Andrew, “At least we warned them.” Her smile was faint and almost indiscernible as one.
I shrugged. “Can’t say. Don’t think it’s smart to turn back. Won’t be long and we’ll touch the 40 and then it’ll be a straight on to Babylon—couple of days—can’t turn back though. Maybe without food; that’s doable. Water’s the worst, but if it comes to it,” I paused and looked on the weathered faces of the children, on the lowered head of Trouble which followed her nose across the ground (it searched just short of frantic), “Like I said, ‘save your urine’.”
The first pains of hunger held within me brought up some reminiscence and I wished for nothing more than to hold Suzanne; I could nearly smell them and in the swaying walk which took us on past toppled townships, I held long blinks where I could nearly make out their face and if I really pushed the limits of my imagination, I could feel them. In those moments, as we passed dead places, rotted pits of despair, I could think of little more than their presence. Though I knew it was a dangerous game, hoping for more than I was worth, I hoped for Suzanne then and I wished that I’d taken them up on their offer to travel to Alexandria with them; it could’ve been home—it never was in all the times I’d gone there, but who knows? The thoughts of Babylon brought forth their gardens; the wild gardens and the water which flowed freely through their pipes. I wished I was a different person entirely and that too would’ve been better for Suzanne; how it was that they’d seen anything in me, I don’t know. How it was that they could stoop to the level of being with someone like me—I warded off that thought, because to place the blame there would certainly be unfair. I thought of my love plainly and wanted a different life more suited to them.
Imaginations played more furiously, and I remembered the evening when Dave stopped me from leaping from that roof—it’s doubtful that he even realized that he’d slowed my demise; perhaps he did know—I wished then that I could ask him. Too kind for the world. People too kind for the world were scarce and hardly worth the trouble. Yet, there I was, chaperoning those two across the wastes.
Gemma was a broken person when I’d found her, tortured in Baphomet’s well; Andrew was a dullard boy who’d lost his hand. What a silly predicament.
I stopped in my movements and swiveled on my heel to catch Andrew by the shoulder. “You still got your hand, don’t you?”
In good humor, the boy grinned, lifted the nub on the end of his left forearm to show me, “Nope.”
“Dammit, no! The hand in the jar!”
Andrew raised his eyebrows. “In my pack.”
“Stop,” I commanded Trouble; the dog hardly recognized my words and continued a way then circled back, sad eyes looking up from where she took to sit by my side. Gemma, both arms dangling loosely from her own pack’s shoulder straps, took into the circle we’d formed.
The girl asked, “What about the jar? It’s nasty, but I guess it’s his.”
“I think that’s it,” I said. I took Andrew by his shoulders, looked him in his eyes, “We could use it!”
“What?” The boy almost laughed in the display of our concern. “What’s that got to do with anything?”
“I think I’ve got it! It’s good for a trap.” I shook him; maybe too hard. I almost smiled. “It’s worth a shot!”
“It’s mine.” He bit his top lip, withdrew from me.
“You’ll feel differently about that,” I said.
Gemma placed a hand on Andrew’s pack and tried ripping it open. “Give it to him!” shouted the girl.
The boy whipped from her grasp, and he spun on his feet, and panic stood on his face. “It’s mine, isn’t it?”
I took a step forward, “No, not anymore.” I put out my palm, “Give it.”
Andrew nearly flinched at the thought of it and shook his head a little. “Why?”
“I told you why,” I said.
“You don’t even know if it’ll work, do you?” his words were long in protest.
The girl started again, “Andrew, please.”
He locked eyes with Gemma and once again, his bottom teeth came up to meet over his top lip and he moved his jaw methodically with contemplation.
“What does it even matter?” she asked.
“It’s mine. You don’t know what it’s like.”
“Don’t be ridiculous!”
“C’mon,” he said, but his pack straps fell from his shoulders, and he hunkered down on the ground and opened his bag; his right hand plunged into the recesses therein and withdrew the jar with his severed left hand. He held the object up, refusing to come up from his open pack, keeping his eyes on the ground. “Take it then.” He shook the jar; its contents sloshed with liquid decay.
I grabbed the thing, held it to skylight; the remains within had congealed and rotted and lumps nearly floated in the brownish liquid which had formed in the base of the container. I shook it and stared for a moment at the miniscule debris which floated alongside the hand; each of its digits had swollen and erupted to expose bone; some had come away in pieces. “Tomorrow,” I said and nodded.
We gathered ourselves and Andrew pulled his pack on again and we moved, Trouble still looked sorry and the boy remained quiet while the girl chattered on with questions while we took through the dying ground in a formation with the dog on point then me then the children.
“What will you do with it?” she asked me.
“Not sure yet.”
Andrew made a noise like he wanted to say something but didn’t.
“You think it will work?” asked Gemma.
“Nothing’s a guarantee. They’re smart—Alukah.”
“Smart enough to figure out a trap?”
I shrugged. “We’ll find out.”
“We could put stakes in a pit.”
“Keep on the lookout for a building. Something with multiple floors.”
With that, we moved on, found a worn, mostly destroyed road and we fell into a travelling quiet and the thought of hunger or thirst arose again, and I pushed it down—though I knew the uneasiness could only last so long before savagery would overtake the human condition; the kids seemed strong enough, but I kept an eye on the dog too. Savagery belonged not only to humans, after all.
The ground of the wastes was harder when it was quiet, and it was flatter further west. The sky—red and full of thin and transparent drifting clouds—seemed an awful sight when stared at for too long; it was the thing which stretched as if to signal there wasn’t an end in any direction, as if to declare we had much more to go till safety. Wanderlust is a thing that I believe I’ve felt before, but under that sky, with those two and the dog, I didn’t feel it at all. It was doom that I felt. Ignorance and doom. And it was all because I was certain I’d made all the wrong mistakes, and it was coming back to me. I was experienced. We should’ve had food and water. Perhaps there was some deep and nasty part inside of me that had intended to sacrifice them along the way. The words of the Alukah might have rung true: You say you make no deals, but I smell it. I think you’d deal.
Surely, I felt differently. Surely.
“Getting darker,” called Andrew as we came to where signposts—worn and bent and barely legible—told us of a place once called Annapolis and the buildings were nearly gone entirely; places, maybe places that were once homes, were leveled—I was briefly caught in imagining what it might’ve been like all those ages ago. As are most places, it was haunted like that and when we came to a long rectangular structure of metal walls—thin walls—we took it as a place for rest for the night.
It once served as an agricultural station, for when we breached its entry, there were a line of dead machines—three in all—cultivators or tillers which stood higher than any of our heads and Gemma asked what they were, and I told her I thought they were for farming. The great rusted bodies stood in quiet shadow as we came through a side passage of the building and the great doors which had once been used to release those machines from the building stood frozen in their frame. I approached the doors, lighting my lantern and motioning for the children to shut the door we’d entered through.
Upon closer inspection, it seemed the doors would roll into the ceiling and the chains which held the doors in place were each secured with rusted padlocks—I removed my prybar from my pack and moved along the wall of doors, giving each old lock a smack with the weapon; each one held in place, seemingly fused there through years of corrosion, and I rounded the cultivators once more, back to the children, near the side door where they’d discovered a rickety stair frame which crawled up the side of the wall to a catwalk; along the catwalk, a levitated box stood at the height of the structure, stilted by metal legs, and we took the stairs slowly with the dog following close behind; the poor mutt was mute save the sound of its own shuffling paws.
The metal stairs creaked under our weight and Gemma held her own lantern high over her head so that the strange shadows of the place grew longer, stranger, and suddenly I felt very sure that something was in the dark with us, but there was no noise except what we made. My eyes scanned the darkness, and I followed the children up the stairs till we met the overhang of the catwalk and I peered into the shadows, the blades of the cultivators—far extended on foldable arms—struck up through the pool of blackness beneath us and I felt so cold there and if it were not for the breath of my fellow travelers, I might have been lost in the dark for longer than intended—lost and frozen and contemplative.
“There’s a room,” said the boy, and he pushed ahead on the hanging passage, and he was the first to the door. “Boxes,” he said plainly.
Upon coming to the place where he stood, Gemma pushed her lantern over the threshold, and I saw what he’d meant as I traced my own lantern to help; the room was crammed with plastic totes and old metal containers of varied sizes. There seemed to be enough empty space to maneuver through the room, but only if one watched their feet while they walked. Carefully.
We moved to the room, and I found a stack of crates to place my lantern then motioned for Gemma to douse hers. In minutes, the place was rearranged so that we could sit comfortably on the floor; crates lined the walls precariously and we breathed heavy from the work done, but we began to unpack and upon watching the children while I rolled a cigarette, I felt a pang of guilt, a terrible summation—all choices in my life had led me here and with them and perhaps it would have been a better world for them without me.
Mentally shrugging this thought away, I lit my cigarette, inhaled deeply, and then withdrew the jar which Andrew had handed over. I held it to the lantern to examine it. The grotesqueness of it hardly phased me and I watched it more curious and hopeful than disgusted.
“I hope it’ll work,” said the boy, “Whatever it is that you plan on doing with it.” He grimaced and maintained a further silence in patting his bedding for fluff. The dog moved to him, and she pushed her forehead against him where he squatted on floor. The boy scratched Trouble’s chin and whispered, “Good girl,” into the top of her head where he’d pushed his own face.
“I’m hungry,” said Gemma; she placed her chin in her arm while watching Andrew with the dog. She sat on her own flat bed there on the floor and stated plainly the thing that I’d hoped to ignore for longer.
“I know.” I took another drag from the cigarette and let the smoke hang over my head. “The dog?”
Andrew recoiled, pulling Trouble closer into his arms.
I smiled. “It was a joke.”
Andrew relaxed, but only a moment before Gemma added, “Maybe.”
The boy narrowed his eyes in the girl’s direction, and she shrugged. “If it’s life or death.”
He didn’t say anything and merely continued stroking Trouble’s coat.
That night, we slept awfully and even in the complete darkness, I felt the cramp of the storage room and the angled shapes of the tools that protruded from the containers on all sides remained permanent well after we’d turned the light off and it felt like those shapes were the teeth of a great creature like we were sitting inside of its mouth, looking out.
Trouble positioned herself partially on my chest, her slow rhythmic breathing brought my thoughts calm and I whispered to her in the dark after I was sure the others were asleep, “I promise it was a joke.” And I brushed the back of her neck with my hand and the animal let go of a long sigh then continued that deep rhythmic breathing.
Still without food or water, the following day was the true indication of the misery to come. Gemma’s stomach growled audibly in waking and Andrew—though he kept his complaints to himself—smacked his lips more often or protruded the tongue in his mouth in a starvation for water. The room, in the daylight which peered through pinpricks of its half-decayed roof, seemed another beast altogether from its nighttime counterpart; it was not so frightening. Again, I admonished myself for the lack of preparation, but there was another thought that brought together a more cohesive feeling; we had a possible plan, a trap for the demon that’d been following us.
We went into the field to the west of the building where there was only dirt beneath our feet in the early sunlight and in the coolness of morning air, I nearly felt like a person. The sun crested the horizon and brought with it a warmth that would quickly become overwhelming—in those few minutes though—it felt good enough. I wished for the shy dew and saw none. The weirdness of holding Andrew’s rotting hand in a jar momentarily caught me and I almost laughed, but refrained and the dog and the children looked on while I held the container up and suddenly, seeing the congealed mass of tissue floating in its own excretions, I was overcome with the urge to run, the urge that nothing would ever be right again in my life, and that I was marked to be that way.
I blinked and tossed the jar to Andrew. “Say goodbye,” I said. He fumbled after it with his right hand and caught it to his chest.
“It’s strange you care so much anyway,” said Gemma, shrugging—her eyes forgave a millisecond of pity and when Andrew looked at her, still holding the jar in his right hand, she smiled and stuffed her hands into the pockets of her pants.
“We’ve enough oil, I think,” my voice was raspy from it being early, “Enough for good fire, but if we use it, it’ll mean a few more dark nights on our way.”
“We’re going to set it on fire?” Andrew pondered, keeping his eyes to the contents of the jar. “It worked good enough last time. It’ll work,” I nodded, “I has to, doesn’t it?”
His dry lips creased into a brief smile, and he tossed the jar back to me and I caught it.
“Let’s dig,” I said.
Without much in the way of proper tools, we began at the ground under us with our hands, then taking turns with my prybar till there was a hole in the ground comfortably large enough to conceal a human head and I uncapped the jar and spilled it contents there and we covered it back and I lightly tamped it with my boot. My eyes scanned the outbuilding we’d taken refuge in the night prior and then to the street to the north then to the houses which stood as merely rotted plots of foundation with frames that struck from the ground more as markers than support. “I’ll take up over there across the street when it gets dark. I want you two in that storage room before anything goes off.”
“We can’t help?” asked Gemma.
“You can help by staying out of the way—the mutt too,” I said; the words were harsh, but my feelings were from worry.
“Wouldn’t it be better if we stuck together?” asked the girl.
I shook my head. “You stay in the room and keep quiet. No matter what you hear, you stay quiet and safe.”
“That’ll put you at a bigger risk,” Gemma furrowed her brow at me and shifted around to look out on the houses across the street, “There’s hardly any cover over there.”
The boy nodded, smacked his lips, and rubbed his forearm across his mouth then audibly agreed with her.
“Doesn’t matter,” I said, “No matter what you hear happening outside, no matter, you don’t open the door and you don’t scream—don’t make a noise at all. Alright? Even if you hear me calling you, you don’t do it.”
“Pfft,” Gemma crossed her arms and kicked her foot against the ground. The way her eyes seemed hollowed with bruising showed that the irritation would only grow without food. “Alright,” she finally sighed.
Andrew looked much the same as she did in that; he swallowed a dry swallow then stuffed his hand into his pocket and looked away when our eyes matched.
We gathered our light oil. Altogether, it seemed enough; rummaging through the room of the outbuilding we’d earlier taken refuge within, we managed three intact glass containers—the only ones found that wouldn’t leak with liquid; two were bottles and the third was the jar that’d once kept Andrew’s hand. With that work done, we sat with three Molotov cocktails within our huddled circle of the storage room.
“Is it enough?” asked Gemma.
“We’ll see,” I began rolling a cigarette to ignore the hunger and the thirst.
Andrew took to the corner and glanced over his shoulder only a moment before a steady liquid stream could be heard and when he rotated from the wall once the noise was finished and he held a canteen up to his nose, sniffed it and quivered and shook his head.
As the sun pushed on, I scanned the perimeter outside, and they followed. Far south I spied a mass of shadow inching across the horizon and Gemma commented, “What’s that?”
I pushed the binoculars to her and let her gaze through them.
“A fiend—that’s what we called it back in the day anyway. A mutant.”
She held the binoculars up and frowned. “A mutant? So, it was once human?”
“A fiend was once many humans.” I pointed out to the horizon though she couldn’t see me doing so and continued, “If you look at the edges of its shape, you’ll see it’s got limbs galore on it. Sticking up like hairs is what it’ll look like at this distance. Those are arms and legs. It’s got faces too. Many faces.” I shuddered.
“I can barely see any details,” she passed the binoculars to Andrew, and he looked through them, “What’s it do?”
“What?” I asked.
“What’s it do if it catches a person?”
“It pulls people into it. Makes you apart of its mass. Nasty fuckers.”
Andrew removed the lenses from his eyes and held them to his chest and asked, “It won’t mess up your trap, will it?”
“We’ll keep an eye on it,” I said, “You don’t want to mess with a fiend unless you have to.”
First/Previous
Archive

Edit 1: Someone already found it and told me the name, it was I became invincible after descending.
Original post: So the thing is, a few months ago (cant recall how long, but atleast 5 months ago) i was scrolling through YouTube when i found one of this "recaps" of Manhua/Manhwa/Manga vids (i belive this particular one was a Manhua, hence why im posting this here). after binging the entire recap i really enjoyed it and since then i have forgot about it, until a few days ago when i remembered about it and wanted to actually read it. however, i cant seem to find the original video that i viewed nor can i find any information on the particular Manhua anywhere on the internet. So i was hoping any you here might know the name of it so that i can find it and give it a proper read. here is what i remember about it:

• The Manhua in question is a cultivation Manhua, where the mc is born (not reincarnated/transported) into a world where the cultivation is a form of almost Extinct art.
• The main protagonist (male, cant remember much of facial features, but i seem to recall black long hair, tho don't quote me on that) after witnessing a battle between two immortal cultivators at the very start of the Manhua goes to seek a tutor in a temple to teach him cultivation, the guy from the temple does not take him seriously since himself is not very versed in cultivation (since cultivation is almost extinct), however gives him vague advice and provides him with a place to stay.
• Once the time passes and the guy from the temple dies, the MC goes to a city where he finds out about technology and society, since he lived in the temple with his master (the old guy from the temple)
• This world is around modern day in terms of technology (smartphones, pc cafes, social media and all the stuff) and a lot of people are streaming in social media and boasting about their "cultivation" prowess (altho this is all special effects and GCI to draw viewers and get donations)
• The Mc once arriving to the city goes to a pc cafe where he rents out a room with a pc and finds out about this "cultivators" in social media and is very impressed by their "cultivation" prowess (remember, the mc is an actual cultivator, with actual cultivation techniques (altho basic ones by this point) all of the others in social media are using CGI and special effects) -The Mc decides to seek advice from this "Cultivators" by creating an account in a streaming platform and uploading a video of his actual cultivation techniques, asking the other cultivators for advice on how to improve. and he uploads them as "A Slow Cultivator" as his nickname. -Using the "advice" (just some random bs that a few people commented in his video seeking aid) he actually manages to improve his cultivation. he even goes in the chat of some of the more known "cultivators" of social media, getting their attention. i seem to recall one of this more known "cultivators" that ends up interacting a lot with the mc becoming the main secondary character is a girl that has a floral themed red dress (very popular social media "cultivator" very famous, cant recall facial or hair features). -In some point, the mc ends up trying to make a cultivation Pill for this girl and sends it to her via mail, and her later makes an unboxing of all the gifts that her followers sent. however the pill that the mc gave her actually worked and gave her a very big boost to strength and i seem to recall making her look younger (tho dont quote me on that last bit) -More towards the end of the Manhua the mc ends up in a sect of actual cultivators, however most of them are weak, and the mc has a very important sealed treasure (small square box with talismans all arround it) from his master`s temple (old guy from the temple) that has something to do with a door of heaven and the immortal path (cant recall this last part very well)

I believe this wraps the most important/memorable parts that i remember. Does anyone know the name of this Manhua?