Musical instruments with schwa sound

(Only Europe, Please) - short note - If you're not into reading or receiving long messages,don't read any further + Please If you don't want to read everything because of my post being too long for you & instead of reading It all - ..skip some parts - find another person to talk to.Let's respect each other and our free time. All people criticizing/making fun of me & other people - will be blocked.Pretty much as people questioning my post and giving me unsolicited advice.I'm not here for any conflicts and I know I can't please everyone - I know I never will.. However It's me who should feel comfortable in my new potential friendship & obviously someone who wants to be my friend - not the whole world.. which is why I don't need any advice from people who don't even want to be a part of my life. The amount of rude people on Reddit always criticizing others and making fun of them is unbelievably high but let me tell you something - NEVER let anyone make choices for you and criticize you only because you're different! Always fight for your dreams and never let anyone make you think you're worthless! It's your life and you're the one deciding what's best for you - If you want to judge me despite not even wanting to talk to me or give me advice better block me! I'm an adult woman and I make all decisions on my own.I'm not trying to "fit in" and be like everyone else - just to get more attention.Accept me for who I am or let go - is my motto.
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Hello guys! 🙂 (read everything before you decide to send me a message) Please send me a message ONLY If you're in the same situation and If your expectations are the same as mine.I want to find like minded people from Europe (Why Europe? Read my post to find out) I'm looking for something permanent (remember - you can feel lonely even If you're surrounded by others - If there's no emotional bond) I'm fed up of meeting people who never make time for me & only text me once or twice a week to ask me "what are you up to?" Out of boredom.I don't want to meet people asking others a million of questions like "what's your favorite movie?" Just to give them one word answer and ask them another question "and music? Your favorite song?" I'm looking for something "deeper" & different 🙂
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What kind of friend would I like to find? Someone to talk to on a daily basis - Someone who needs It & wants It just as much as me
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What are my expectations? I would like to meet someone in a similar situation – why? Because I honestly feel like only a person with the same expectations and a similar outlook on life would get along with me & because I feel more comfortable talking to people like me..Friendless people who need a strong bond - people without friends and partners.. Don't get me wrong…Most people deserve to be happy and It's good to have friends but people who have friends or families in real life are usually more focused on them (which is completely understandable) & have less time for others + I simply don't want to be replaced by anyone..I kind of envy people who can call others , true friends given I don't have an emotional bond with any of my acquaintances. Please send me a message only If you're not In a relationship and don't have friends for the same reasons I've already mentioned before
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Whenever I hear that others have friends I simply get sad because (believe it or not) If I had to choose between 20 people to talk to (acquaintances) and one special person - I'd choose that one special person without any hesitation .
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I also want to talk to others every day because..I want to see someone’s effort & be someone's first choice - not another person to have random conversations with..some people ask me "Why do you want to talk to people from Europe?" Well..Because I would like to see someone I'd get along with - In the far future - face to face :) + I don't want to wait any longer than 6 hours to receive a message - waiting 6 hours to receive a message is more than enough
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I'm by no means criticizing people who don't want to talk to others often / People who really are super busy & People who want to find someone to have unimportant conversations with - I'm aware that not everyone has the same expectations which is why everything you're reading now - is here for a reason :) All I'm suggesting is - I don't want anything temporary and I don't want to be the one always giving more than receiving.Listen people - I used to ignore being..ignored by others..always being just an option to talk to during tough times or moments of boredom.I was too young to realize that I was never important enough for most people that were a part of my life. I don't know who needs to hear this but..No one is too busy to make time for you! People make excuses to avoid others because they prioritize everything and (maybe) everyone..over them. It's true that most people are busy - but It takes only a few seconds to start a conversation (If you're into short messages) and a few minutes (1-10/15) to type a long message . Don't let anyone lie to you.
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Truth is that most people either don't like you enough to make time for you or just simply - feel no need to talk to others often but are they too busy? No..You don't need to send me a message just to ask me and tell me "Do you really want to talk every day? I like long messages but I can't promise to contact you often" If you really are unsure please don't send me a message.I don't need more acquaintances aka people to talk to - occasionally.
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I'm not trying to sound rude but conversations once or twice a week wouldn't be enough for me and I don't need them... Let me tell you one thing – A true friend would never just give up on you for no reason :) It’s always possible to find someone to have a random conversation with – someone willing to send you one message once or twice a week..but..It’s almost impossible to find people willing to make more time for you.
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I’m not asking a busy person to make time for me by changing some plans! Absolutely not! I’m here to find someone who wants to talk daily (throughout the day or maybe even night) of one’s own will.Someone looking for the same kind of connection.Strong friendships are based on mutual support. One of the best things you can do for a friend in need, is just to be there for them when they want to talk.I often see posts from people who always say how friendless they are because they don't feel loved or appreciated by their "friends" remember! A true friend - someone who truly likes you or someone who wants to get to know you - will always find time for you.
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I'm not interested in small talk/short messages - I love long and meaningful conversations. It's so easy to find someone who loves abbreviations and questions like "How are you?" How was your day? Or what are you interested in? But so hard/almost impossible to find a person who knows how to keep a conversation going & show others some effort.Building and maintaining friendships takes time and effort.Never allow pursuits or possessions to become bigger priorities than your relations with other people.Close friendships are so important to us because they are so difficult to form + Having friends can help you feel as if you belong to something that brings purpose and connection to your life
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• I do NOT respond to any „Hey,hmu” or „u want to talk?” type of messages (super short messages or messages full of abbreviations – I literally can’t stand abbreviations and acronyms in text messages) ALL messages full of abbreviations will immediately be ignored.I also don't like it when people ignore everything I say in private messages just to focus on a random question or? When they start talking only about themselves and don't ever ask me anything. I love conversations with people referring to everything I say...I want everything I say and do - to be reciprocated
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• No NSFW profiles (checking mental health subreddits NOT included as I'm a huge empath and always try to understand others) - Please! I'm not looking for anyone to flirt with and I'm not looking for a partner either. I always check people's profiles (even comment history) - To avoid guys, trying to get inappropriate pictures from adult women or? flirt with them + I don't want to see you with no clothes on so If you're on Reddit only because you want others to see what's underneath your clothes - I'm not for you! I just simply don't want to see any s e x related activity on your profile If you want to talk to me.
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• If both of us (you and I) are from the same country (I live in a non-English speaking country) - I want to communicate with you in our first language! No - Not because I don't understand English - because as you see - I do. Why then? English is simply overrated and people don't appreciate other languages as much as they should. So.. If we're from the same country and you want to talk only in English (which is quite common on reddit) - Talk to someone else. I just don't want to talk to a person from the same country as mine - in a foreign language as It's just something I don't understand even If all you want is to improve your language skills
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• Please only adult people 18-36 (age range) It doesn't matter to me If you're younger or older than me (as long as you're not underage) So.. don't worry! I just want to have discussions with emotionally mature people :)
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• I don’t respond to messages I don’t find interesting even If they're long - If after receiving and reading your message I don't feel comfortable or think "I wouldn't get along with him/her" I simply do not respond (what I’m suggesting is that I don’t always respond to someone’s first or second message because..sometimes you just know If you’d get along with someone or not- I’d never ignore anyone after days or weeks of daily conversations though) just because I don’t want to do anything forcefully & because I don’t want to lead anyone on. I read all messages but I definitely don't respond to all of them! I want to make it clear because I don't want to be accused of not responding and not reading people's messages! - Some people don't message me back as well and even If It's a bit disappointing I'm ok with that! - as long as there's no emotional bond - Not responding to someone's first or second message Is completely OK! If people think they wouldn't get along with a stranger - is there a reason to start a conversation? I don't think so. I can't stand being ignored after days or weeks of daily conversations and seeing people changing priorities over time.. but that's something different - something I don't want to go through ever again for real. If I'm really interested in someone's message it's impossible to hear from me "I'm too busy" because I know myself and If I had no time for others - I wouldn't be here. I don't want to pretend someone I'm not and always try to find some cheap excuses to avoid others. (unlike most people who don't want to talk to others)
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• Don’t ask me “Can you tell me something about yourself?” If you really want to get to know me - you can ask me questions :) I'm an open book.
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• It would be better If you guys were into emojis - like me - to describe your emotions In text messages. Two emojis - 🙂 and 🙁 are completely enough! I just don't like emotionless conversations.I also don't like it when people say "yeah" or yea"as it sounds dismissively. First impression Is everything to me! I want to see your kindness even in a text message - Emojis are very helpful to express your emotions.I don't want to meet people who say "crying Is a weakness" - It's OK to cry even If you're a guy!
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• I want to talk on reddit first (just to make sure If I'd get along with you) before moving to Discord or some other app
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• I would rather talk to a homebody - not another person who always has something to do as people who are very busy don't even have time for daily conversations
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• If you're another person interested only in "childish conversations" such as "HEYOOO! I'M BORED! Ya like Pizza or cheese? xDDDD 🤣" I'm begging you! Don't send me a message.I'm not a child anymore and such messages don't make me smile or laugh.I'm looking for someone interested In serious discussions - not another person just seeking some entertainment out of boredom . Conversations with sarcastic undertones (even when It comes to some emojis such as 🤣😂) are not for me. Your typing style matters to me! Why? when It comes to online conversations with someone new - It's not always possible to know If someone Is laughing at you.. or with you. Let me tell you something else! Jokes about cancer, disabilities and death are UNACCEPTABLE to me. If you find joy In someone else's misfortune you are not a person I want to know.
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• Time response matters to me a lot! I would never ask anyone to be online all day long and I'm NOT asking any of you for any instant messaging as I'm someone who would rather wait an hour or two to receive a proper response instead of some short and pointless messages but I'm interested only in daily conversations and I don't want to wait any longer than 6 hours to get a message from you.I don't need unbelievably long messages either! Messages as long as the second paragraph of my post - are completely enough. If you like longer messages? you can send me a longer message, but If you want to send me one word or one sentence as a response to my post - don't expect a reaction from me. I don't want to come across as rude - I just don't want to waste your time
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• I'm strongly AGAINST picking on people you don't even want to chat with - and making fun of them! I can't stand people who criticize others publicly or make fun of them! (only because they disagree with someone they don't even know) There's no place In my life for someone using Reddit, to hurt other people
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• I'm not into foul language and I definitely don't want to talk to people who swear a lot...
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• I want to meet assertive people who know what they want and always stand up for their friends
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• I want to meet someone willing to call me In the future, someone spontaneously sending me pictures of animals or food, et cetera. I want more than just text conversations.. 🌻
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Why can’t you see any of my hobbies listed down below? Because what really matters to me is..who you are (If you’re honest, talkative ,understanding, caring and trustworthy – for example) just simply – It matters to me what you’re like! not what you like.Don’t get me wrong – you can tell me what your hobbies are but from my point of view - people's hobbies are important - If you want to find a gaming buddy or If you want to meet someone to hang out with in real life and..go bowling for example.What most people seem to care about are other people's passions – I don’t. I get along with other people despite having completely different hobbies but I absolutely don’t get along with people way different than me (different expectations and outlook on life – way different sense of humor or personality traits – It’s just an example) It doesn't make ANY DIFFERENCE to me If you're a gamer or? Someone interested in photography! It doesn't make any difference - > as long as you're talkative and kind and If you also want to find someone willing to stay in your life..for good - But If you're into small talk and all you want is to...type and receive super short messages or If you're here only because you're bored and don't know what to do + If you're a very sarcastic person - I'm definitely not for you! I don't get along with overly sarcastic people turning everything into a joke. Friendships should be natural – not forced. I wouldn't get along with people who laugh at everything.. In my opinion most people are way too sarcastic.. It's quite sad... Sarcasm can also be another form of passive-aggressive behavior.
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People who want to be to friends should feel comfortable and have something in common. No - not necessarily a similar taste in music or movies but something else..Most friendships don't fizzle out because of people not having the same hobbies but..because they just simply have different expectations when It comes to something important.I'm not here out of boredom and trust me - I'm not here to meet as many people as possible.I choose quality over quantity.I highly value myself and my time & Sometimes one person but a person who makes you feel comfortable and understood - is more than enough :) We ALL can choose what kind of people we’d like to talk to and maybe even become really good friends with and I? I don’t want anyone to be disappointed.We all have some expectations after all.I know that people don't have to talk as often as possible in order to become friends but I'm interested only in daily conversations. If you really need someone to talk to due to loneliness and If you have time to talk to me daily (throughout the day and maybe even night) I always make time for others.I'm literally always available.I could even stay up all night long only to talk to someone important to me. I’m ready to commit but only If there’s some chemistry between me and someone else.I don’t do anything forcefully.
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If you want to talk to me tell me your story - tell me why you're here, what kind of friend would you like to meet :) Et cetera.Such messages are way more interesting to me than...someone's long list of hobbies. I know! It's unusual on reddit but I don't make friends based on hobbies..I want to meet someone with the same mindset as mine to finally feel understood and get close to someone new. You can share your problems with me - I absolutely don't mind "complaining" as I've been through a lot in my life.What do people usually tell you when you tell them that something's wrong? "Don't complain" or "Life's not over yet - one day you'll be happy" or "There are worse situations than yours" and..obviously "Find a therapist" Life's not a fairytale and sometimes things don't go as planned.Emotions shouldn't be bottled up.I'm sick of people always telling others "everything's gonna be ok" move on " & more..Trust me people - not everyone wants to hear "Just believe in yourself and everything's gonna be ok" Some people take it as reassurance - but others? They would rather hear something different 🙁Imagine being told that things will be okay, only for them to get worse..Do you guys know why telling someone "everything's gonna be ok" Is wrong? Because you can't see the future.
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You can't guarantee others that one day they'll finally be happy + when It comes to social interactions - We're responsible only for ourselves - not others & as you guys know people let us down quite often (sometimes even when there's no reason) so instead of telling people how they should move on, forget everything and be happy or asking them to find a therapist - be there for them! Always be willing to listen to them If you really like them or want to get to know them & don't suggest everyone in a tough situation to find a therapist because even the best therapist won't ever replace a true friend + It's quite normal to be disappointed If people always do something to hurt you. Sharing your hardships with other people in a very similar situation or exactly the same one - is VERY helpful If the other person understands you & wants to start all over by just letting it all out! Feeling emotional support instead of always hearing some "positive quotes" or someone saying "Stop complaining let's talk about something else - Is very important! "Everyone needs a shoulder to cry on. I appreciate sensitive people who always try to understand others. If after hearing a sad story all you want to say is "forget the past and move on" you're not for me. It's important to be a good listener and provide emotional support to others
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Please - If you're a completely different person than the described type of person I'm looking for (If you love abbreviations,If you don't need a stable friendship, If you're sarcastic and quiet) or If you simply disagree with my post - don't force yourself to send me a message.I want my new potential friendship to be natural which is why I want you to contact me only If your needs are the same - I don't want you to pretend someone you're not - only to please me - Pretending to be someone you're not - is the worst.I want to finally be happy again & find someone "always" wanting to talk - sending me random pictures throughout the day - food pictures or pictures of some animals. What is the most important to me? I want to find people who value online friendships as much as they would value real life ones as there's another human being on the other side
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No comments please.Only Private messages and chat requests 🌺
I know It's possible to meet people with exactly the same expectations as mine but It's just not easy because most people are Interested In temporary and entertaining conversations. People like me are just "different" I really want to finally find someone who loves emojis as much as I do.. someone who loves sweet, warm and serious discussions at the same time. Emojis really do - change conversations 😊

Phil Aston: Hello and welcome to the Now Spinning Magazine podcast with me, Phil Aston. And in this episode, I’m absolutely delighted to have with me Tony Martin, one of the UK’s most underrated rock vocalists. You’ve had a really varied career, but what we’re going to talk about today specifically is Black Sabbath and the new “Anno Domini” box set. So, welcome, Tony. Thank you so much for joining me.
Tony Martin: Thank you. And thank you for having me on the show. Very cool.
Phil Aston: A bit of context, because I think this is kind of helpful for you. My son is 30 now, but when he was 15, he set up a Facebook group, kind of saying, “One day, please can we have the Tony Martin Black Sabbath albums released?” That was 15 years ago. He was still at school, half his lifetime ago. And I think in the early time when he set this up, he may have reached out to you and you might have said something like, “I don’t think it’s gonna happen, Dan.” And here we are, all these years later, and it’s not only happened, but it comes out this Friday. How does that feel to know that these albums are now going to be available again?
Tony Martin: Well, first of all, well done to your son. It took 15 years, but he got it done. To be honest, there’s been a few periods when I didn’t think it was happening. In fact, about a year ago, Tony Iommi’s manager called me and said, “You know what, this is just so complicated. I don’t think we can do this.” So I was resigned to it not happening myself. It’s all to do with band politics, really. There are so many people involved or have their fingers in the pie that they all have to be on board. And there were allegiances changing all over the place, left, right, and center. So in the end, it was getting a bit tiring, but well done to Tony Iommi and BMG. My God, the patience they showed to get this thing together and actually get it out there. Wow. But how does it feel? It feels brilliant, to be honest. I’m very excited. I haven’t actually had these albums in my own hands physically for the past 25 years. I gave all mine away thinking I’d be able to get some more, and I didn’t. They just stopped making them. So to actually physically hold them again is really cool. What a great job they’ve done of it. So I’m thrilled and excited. And I’m helping out now because I’m not in the band, obviously, anymore. So I just offered my help to promote it and they said, “Great, let’s do it.”
Phil Aston: Isn’t it amazing? Because I’ve done quite a few reviews about Black Sabbath box sets and stuff, but this one, within about 12 hours, there’s literally 12,000 views of the review. The love for this period of Black Sabbath is actually huge. It’s grown. It almost feels as if the profile is higher now than it was at the time.
Tony Martin: Yeah, there is a kind of reason for that. Partly people have got over the “it’s the new guy” thing, and also it’s been 25 years since. So now we’re reaching out to a whole other group of people, in addition to those that were already there. But to the outside world, it looks like there was a huge gap, and to me it felt like a huge gap. But actually, the fans were always there. I’ve been waiting myself as well to get this back out there. And it’s just band politics, really. That’s all it is.
Phil Aston: Because you had that period when it was almost as if this part of Sabbath’s history was hidden because of band politics. None of this really happened, which I think probably stirred up more interest and kind of people wanting to find out more.
Tony Martin: Yeah, it could be. It’s an old famous thing, you know, if something ain’t around for a while, people start talking about it. But yeah, it’s a strange thing, the music business. You’re either in fashion or you’re not. But I am just thrilled that they’ve got around it. Just the patience they’ve shown to actually put this together. At one point they were just saying, “We can’t do it.” But I’m really chuffed anyway.
Phil Aston: I imagine there’s been compromises along the way. Lots of fans probably don’t understand how complicated the politics and all the different licenses and everything that goes on over the years, they become more and more entangled. People say, “Where’s Eternal Idol?” But of course, that was a different record label. Different people own it.
Tony Martin: Yeah, absolutely. It’s owned by somebody else. And also Eternal Idol, or “Eternal Idiot,” as we call it, was kind of reissued not that long ago. Really.
Phil Aston: That’s right. With the two CD version, wasn’t it?
Tony Martin: Yeah. So they were kind of thinking, “Well, there’s no real panic because that’s already been done and let’s just move on.” Because that would have wrapped them up in contracts for centuries, I think. I can’t even think that they’ll ever get them to let that go. But they were struggling to get the people involved with these four albums to make up their minds and do stuff. I’ve been all for it all the way along, I have to say. Obviously, because it’s my career, my history. It’s not just the band’s history. It’s ten years of my life that went AWOL. So, yeah, I’ve been up for it all the way along, but some people don’t and it’s taken them a while to get on board.
Phil Aston: I think it’s fantastic. The first one was Headless Cross. You joined one of the biggest rock bands with all that history behind it. You were an established singer with the Alliance. But this was a chance, as you say, with Eternal Idol, you went in and it was already prepared. You sang it, but this one was where you could really put your mark on it, your personality lyrically as well as musically. Can you remember what it was like actually being at the beginning of that? Did you feel comfortable around Iommi and Powell and thinking, “Right, what kind of lyrics am I going to do by Headless Cross?”
Tony Martin: Yeah, I was comfortable by then. Well, kind of. The thing is, with Eternal Idol, if I can just backstep a little bit. The Eternal Idol wasn’t the first call up. The first call up was in 1986 when they were doing the Seventh Star with Glenn Hughes. And that scared me to death because I can’t sing like Glenn Hughes. Nobody can sing like Glenn Hughes. They put me on standby back then, so I’d sort of tentatively had an introduction to Tony Iommi. Then in ’87, they got me in for the audition, and that was the next introduction to Tony Iommi. But because Eternal Idol was already written, that gave me a whole year plus a bit more to find out what this thing was. What the hell was I supposed to do? So just doing Eternal Idol like that was fine by me because I didn’t have to discover anything myself back then. It gave me a chance to get my feet in. So by the time it got to Headless Cross, now I know all the guys, and I kind of know what’s expected of me. I still had to find the “me” that I needed to find. I went around it the only way I could, by focusing on things I was interested in. I couldn’t do the lyrics and melodies that Geezer was writing for Ozzy because that was a generation before me. The stuff that Ronnie was doing was fantastic, but I couldn’t get inside his head. So I had to think about what I was going to do. I had an interest in the old gothic death stuff, like Dracula and Frankenstein, Mary Shelley type writing, and of course, in England, we have Shakespeare. Nobody speaks English like that anymore, that old English text. I thought, “Old English text, gothic death, and Black Sabbath. That might work.” So I put them all together and came up with Headless Cross, which is where I lived. I lived in a village called Headless Cross.
Phil Aston: Yeah, you put that on the map. They weren’t pleased about it. The most recognition I’ve got is my name on a bus stop. And Cozy Powell thought the album needed more death, didn’t he?
Tony Martin: Oh, that’s true. That’s actually true. We were recording “When Death Calls,” and he was in the studio playing, and he suddenly stopped. We went, “You alright?” He went, “Yeah, just remind me, what’s this song called again?” I said, “It’s called When Death Calls.” He said, “I don’t think there’s enough death in it.” And he carried on playing. So, okay, maybe he’s taking the piss, but isn’t it such a great sounding album? As Tony Iommi says, he never left Black Sabbath. So when people criticize him, saying, “You should change the name or whatever,” he never left. So it was still Black Sabbath. The riffs, the guitar sound was reaching new peaks of excellence around this time.
Because when it was just him and Ozzy, for example, it was guitar, that was it. When Geoff Nichols joined during the Dio period, it introduced a few more keyboard things. That allowed Iommi to play solos against those keyboard pads and chords. And then you come along and start sticking 50 tracks of vocal harmonies on it, like in Anno Mundi and stuff like that. It just kept developing. Sabbath isn’t really known for vocal harmonies and keyboards, but underneath that was still Tony Iommi. And it still sounded like Sabbath. We were happy to do that. We just wanted to make Tony happy and do the best for him. It was his band. So we were happy to seek out that Sabbath sound and make sure it did what it said on the tin. A couple of times, like with the Seventh Star thing, he ventured a little bit away from it. Songs like Heart Like a Wheel don’t really make the Black Sabbath sound, but it’s still good stuff. I have great respect for all of the eras that went before. I had to sing all of the songs. So I do have great respect for it. And it’s been an honor, you know, like being part of the whole story. But he was the only one that stuck it out. And we respected him for that. You’re right, they did ask him to change a couple of times. He said, “No, I can’t change now.”
Phil Aston: The next one, if I pronounce this right, it’s Tyr.
Tony Martin: Yeah.
Phil Aston: Because when it came out, me and my friends, actually, because there was no Internet back then and nowhere to go and check it, we did call it Tyr. To be.
Tony Martin: Yeah, Tyr.
Phil Aston: Watch you find in Birmingham. You know what I mean? So it actually rhymes with beer, doesn’t it?
Tony Martin: It is, yeah. Actually, it’s Tiw, which is Scandinavian for the son of Odin or something.
Phil Aston: Well, this is almost as close, probably, to Sabbath getting into almost a concept album. Isn’t it? This is a collection of songs that in another time and space you probably as a band would have gone out and performed the whole thing.
Tony Martin: Yeah, it wasn’t meant that way, but they were struggling to find a name for the album. We were recording and getting towards the end and the management called us up and said, “We really need a name for this album.” And Cozy said, “I’ve got one. Let’s call it Satanic Verses.” We went, “What, like Salman Rushdie thing?” He said, “Yeah, it would be great publicity.” We said, “Yeah, but we’ll all be dead.” So we did struggle, but they happened across the artwork. We’d done Anno Mundi, we’d done Gates of Valhalla and all that sort of stuff. They went, “What if… Tyr?” It was fine by me. So it took on the Viking sort of theme. By that time, I was thinking, once I’d done Headless Cross and started to have an interest in the Vikings and stuff. As you know, the Vikings haven’t been particularly good for us. They came over and stole all our women and sheep and whatever. But I had an interest in them as well. So I was thinking, every culture, every religion has its dark side. There’s always a devil type in a god type. I thought we could go around the world and I could do this. You could pick up on all sorts of cultures and pick out the dark side of various things. But it was the last kind of… I still did that with various other songs and various other artists. But Tyr was leaning towards that theme.
Phil Aston: It’s an excellent album. Then of course, the strangeness of the politics in Sabbath. Dehumanizer comes along and Dio re-enters the scene. You obviously had an opportunity because every cloud has a silver lining. You can go off and do your solo album at this time. But you did kind of like… It sounds like it was almost a forced relationship, the way that he was and he wasn’t. I mean, how was that period for you? Because you did demo some of the tracks, didn’t you?
Tony Martin: Firstly, it was a shock. I didn’t see that coming at all. Literally just walking out the door to the next writing rehearsals. My managers called up and said, “They don’t want you to go.” From what I recently found out, although I had my suspicions, Tony Iommi said the record label just wasn’t supporting it. They weren’t getting behind us at all. Then they started banding about all different names and stuff, and Ronnie’s name came up. They thought they’d give it a go. He said it was all on and off all the time. After they let me go, it wasn’t too long before Tony called me back and said, “Can you come back?” I said, “No, I can’t. I’m doing my solo album.” More time went by, and he called me back again and said, “Are you sure you can’t come back?” I said, “I’m doing my solo album. I really can’t.” He said, “Do you want to come down and try?” So I did. I went down and tried putting my voice on some of the songs, but it would have meant rewriting everything, and they weren’t going to do that. So I said, “The best thing is if you finish this with Ronnie, get this done and out of the way, then maybe we can talk again later.” So that’s kind of what happened. By that time, I’d done my solo album, which I wanted to get as far away from the Sabbath thing as I could at the time. I went back to doing what the Alliance and some of the bands I’d been with, that middle-of-the-road AOR type stuff. But when they called me back to Sabbath, Polydor dropped my solo album like a brick. They said, “We can’t do this if you’re going to go back with them.” So that got stopped. It’s so confusing. By the time I got back with the guys to Cross Purposes, it didn’t feel that much of a gap for me, because I’ve been talking to them and working with them through the Dehumanizer thing.
Phil Aston: Stylistically, that album, because it was on the IRS label, I know some people have said, “Well, it should be in there.” Stylistically, musically, it’s very different. I mean, you take it out. These four albums in this set, excluding Eternal Idol, they sound like a progression. Dehumanizer sounds like a kind of sidestep. Even the way the riffs are done in the songs, it’s changed. You take the vocalist out, but the music continued. You took you out and it was very different.
Tony Martin: I suppose it does a bit. If I go back and think over it, I guess that’s what it was. It was kind of an interruption into the flow of things. When we were doing Tyr, I thought we were doing really well. I thought we were onto something. Dehumanizer, in that sort of respect, does feel a little bit like an interruption. But there was some good stuff on there. Ronnie’s always been a good singer. I don’t quite know how they feel about it, but it was kind of nothing to do with me. I just let them get on with it.
Phil Aston: After that, Cross Purposes is probably, out of the four albums in this set, my personal favorite. Geezer’s back in the band now, so you’ve got his bubbling bass in there. And again, lyrically, it’s all you. Did you feel any kind of, “Oh, Geezer’s back. Will he want to help out?”
Tony Martin: I did ask. He just said, “No, you can do it.” So I just carried on.
Phil Aston
The reason why I love this album is that it’s varied. A lot of people think of Black Sabbath as the Godfathers of heavy metal, and heavy metal is always heavy metal. But if you think back to albums like Sabbath Bloody Sabbath in the seventies, they weren’t all heavy metal. There were all sorts of things on there. There were keyboards and light and shade. This, I felt, connected to that album, because you had light and shade on it. So there were more dynamics in the lyrical delivery and the song delivery, in the way that Iommi is weaving his riffs around the melodies. What are your thoughts looking back on this album now?
Tony Martin: I think you’ve just summed it up. It did sort of shift up a notch. Not only that, but the sound they were getting with Leif Mases producing it, it sort of grew up. It lifted somehow out of what they’d done before. It felt like, “Oh, this sounds good.” The songwriting and the exploring we were doing with the songs and stuff. At the time, Geezer Butler said that’s the best album he’s ever been on. He never said that again, but he said it at the time.
Phil Aston: I can imagine him saying just that.
Tony Martin: But it was good. Having Bobby Rondinelli in the band as well. Technically amazing. Brilliant player. His drums close in, and he plays with his wrists. Very technical. Whereas Cozy’s drums are stretched out far and wide. He’d lean over and hit them. But great to have them both in. What an honor. I mean, it’s Geezer Butler as well.
Phil Aston: When you got to South America, Bill Ward was in for a few gigs, wasn’t he? That must have been quite surreal. Bill Ward and Geezer playing songs like Headless Cross, which they had nothing to do with.
Tony Martin: They had nothing to do with. We were kind of weird because once we’d started to get Geezer and Bill back in, they wanted to start doing more of the older songs. That just makes you look, read between the lines going, “What’s going on? Where’s this going?” Once it’s happened to you, you know it. Then you’re reading between the lines. You start to feel it. Then you go, “Ah, right.” You can feel it. They’re clearing up. I did ask if they were going to do a reunion with Ozzy. Iommi was always denying it. Said, “No, no, we’re not doing that.” But I didn’t mind. The reason for that is because I knew what I could do in the future then. I thought, “Well, if they just tell me, that’s fine. Cause then I can plan.” The first time it was a shock and I didn’t know what to do. But I was kind of keyed up for it the next time. But he kept going. They got Bill in. I love Bill. I think he’s brilliant. We did some shows with him. But for some reason, and I don’t know what it is, I mean, I can tell you Iommi loves Bill. He regaled so many stories about when they were out there and how funny it was. I never understood why they never gave him time to get back in it. When you think of Def Leppard, they made a drum kit for a one-armed drummer.
Phil Aston: Yes, very true.
Tony Martin: Surely they can find time to get Bill settled back in. Whatever problems they’ve got. I mean, come on.
Phil Aston: You would think, yeah, very true.
Tony Martin: Get on with it. I thought, “Right, this is going to go south again.” But it didn’t. We carried on with Forbidden, and then Cozy came back after his accident. It was really up and down. Confusing. People in and out. During the time I was in the band, there were eight different lineups.
Phil Aston: It was very much a revolving door, wasn’t it? Before we move on, I just want to ask, because I know a lot of fans ask this. In the booklets in these box sets, there’s an image of Cross Purposes Live. That was a VHS tape and a CD. Is there a reason why that wasn’t included in some way? Is that game politics?
Tony Martin: I did ask about that, and they were just keen to get on with it. They said, “Come on, let’s go, let’s do it.” What they told me was that they’re going to take their time now to see what else they can gather and do an additional thing to this along the way with more of that in it. With the Cross Purposes Live and some other stuff. There’s a track that I recorded with them when Eddie Van Halen came and did Evil Eye.
Phil Aston: Yes, yeah, Evil Eye, wasn’t it?
Tony Martin: Yeah. I used to take the track out. I had it everywhere. Writing sessions, recording sessions, rehearsals. I just happened to be there. I didn’t even know who was coming. Iommi just turned up with Eddie Van Halen. I went, “Holy hell, it’s Eddie Van Halen. What’s he doing here?” He did some rehearsals with us and then disappeared. Never saw him again. But I got the recordings of the rehearsals that we did.
Phil Aston: Oh, wow.
Tony Martin: So I sent them to Tony Iommi. I said, “Use these. Get these on.” He said, “No, no, we can’t.” The reason they said was anything that has the slightest newness about it looks like a new Black Sabbath track or album track. They’re not allowed to release anything new under the Black Sabbath name. So even if it’s historical, they couldn’t allow it. It’s really weird.
Phil Aston: That means there must be lots of live stuff recorded. More bands were recording live stuff from the nineties onwards that you just couldn’t work on because it would go out under the Black Sabbath name.
Tony Martin: Not just live stuff. I’ve got about eight tracks that we never released. Just from the writing sessions and rehearsals and stuff that we used to do. They just can’t get out. They just won’t allow it.
I don’t understand. Well, I kind of understand. When you’re trying to protect your name, your mark, your image, your everything, which is where the band politics comes in, they won’t allow you to do anything that they think. And there’s all kinds of… Everybody from Ozzy to Dio to everybody. They don’t want their thing to be diluted or taken away. I do understand that. There are people involved all along the way that have an objection of some kind or another.
Phil Aston: But I guess, hopefully, this box set’s going to sell out really quickly and will show there’s a demand for this material and for this part of Black Sabbath history. There’s a lot of love for it. A lot of people worked really hard within it, like yourself. They’re great albums, wonderful songs. If there’s other music waiting in the wings, whereas we all get older, thinking through the eyes of the fan, it would go down so well, wouldn’t it? But I am, as you are, very grateful that these four albums have arrived in a box.
Tony Martin: Yes, it’s an important thing for me. It’s an important thing for the band, and it’s a great thing for the fans. I’m thrilled. It’s been an honor to be part of the story. I love the fact that it’s out there now. They did say there is no limit to the box sets. They have sold out on day one.
Phil Aston: I’m not surprised.
Tony Martin: They said the way they do it is they tend to poll the outlets and stuff and say, “How many do you think you can sell?” And they put their numbers in, and they’ve gone way past that. So now they’ve got to go back and produce more. There’s no limit to it. I love what they’ve done. There’s more in the box set than just the albums. Posters, programs, and everything.
Phil Aston: And then Forbidden. I’ll be honest, Tony, when I heard this for the first time back in the day, I didn’t like it. I tried, but I didn’t like it. My son liked it because I think probably because his dad didn’t. But now the remix, it’s as if someone’s released the drums and the guitars. It sounds like a Black Sabbath album. It sounds fantastic, doesn’t it?
Tony Martin: It does. It’s brilliant. I love the fact that they’ve dismantled it and put it back in a way that they couldn’t or didn’t with the other three. Forbidden needed it for all kinds of reasons. It was done under a sort of cloud where a lot of us weren’t really into it very much. But it was also an attempt at trying to give Sabbath a kind of acceptable twist to the youth. It didn’t work.
Phil Aston: The nineties were weird, weren’t they? The nineties were strange for heavy rock.
Tony Martin: The problem was we were fast heading towards great new bands like Nirvana and eventually Green Day and Metallica doing stuff. We were going and they were trying to change the sound to fit in. It didn’t work. We didn’t think it would. But there are people out there that love Forbidden as it is. I said that to Iommi. Last time I saw him, there are people out there that love it. He said, “They’ll probably love this version now.” But shaking the chains, guilty as hell, rusty angels, forbidden. And of course, “Loser Gets It All” is a great track. That wasn’t even on the album originally.
Phil Aston: It’s brilliant.
Tony Martin: Yeah. Strange. I absolutely love it now. It does sound like a Black Sabbath album. It sounds like it should be there in amongst the others. They’ve done a great job. Tony and his engineers have really pulled it together. It’s slightly more guitar and slightly less keyboard. They’ve done Cozy’s drums. Fantastic job on those.
Phil Aston: They’re just unleashed, aren’t they?
Tony Martin: Yes. They haven’t changed anything. They’ve mixed it and given it a new attitude, which is brilliant. They’ve given it more space. It sounds bigger. I just love what they’ve done to it. I’m really proud of it now. I didn’t like it then. There’s still a couple of tracks where I would love to have gone back in and…
Phil Aston: Yeah, you know.
Tony Martin: I thought at the time, because I was that off it at the time, my head just wasn’t quite there. A couple of tracks I thought I could have done better. I did sort of say when they were doing it, “Can I go back in?” They said, “No.”
Phil Aston: I suppose because that might edge towards it being a new recording then.
Tony Martin: Yeah, tricky. I’m not going to tell you which tracks it is, but there were a couple in there that I wasn’t quite happy with. But on the whole, it’s a great job they’ve done.
Phil Aston: Because when you were playing live, there were more songs from your period in Sabbath coming into the set, weren’t there? You were a unique vocalist in many ways for the band. You could cover Ozzy, Dio. You probably could have done Ian Gillan. Anything. You could have the ultimate set list, really, going through every era.
Tony Martin: That was a bit of a mistake. I told them I could sing anything, really. They thought, “What can we give him to sing?” They threw all sorts of stuff at me. I had a shot. Fortunately, I’ve got the kind of voice that can get around most things, and that’s a result of being in so many different kinds of music. I’ve been involved in everything from reggae to rock.
Phil Aston: Who were your key vocal influences growing up? As you say, outside of this Black Sabbath badge, your voice can go in any direction. So who were your influences? Was it blues, soul, rock?
Tony Martin: It kept changing. Everything I listened to, I thought, “That’s good. That’s good.” Each couple of years, something else took my attention. I’d really pour my soul into it. When I started off with reggae, believe it or not, I worked with Musical Youth and Dexys Midnight Runners in the studio. I was a guitarist back then. Then I loved blues. I got into prog rock bands like Yes, King Crimson, Jethro Tull. Then it shifted to Emerson, Lake & Palmer. That led to Rush and bands like that. Then I had to come down out of that prog rock technical stuff because Sabbath is much more honest and basic and straightforward. To a point. When you’re in the band and you find out how he does it, it’s stunning. I never even gave it a thought. I thought, “It’s got to be easy.” It wasn’t easy at all. Iommi can put seven, eight different riffs into one song, and each one of the riffs could be a song on their own.
Phil Aston: Very true.
Tony Martin: So, wow. You get your head around it. It’s weird. Plus, the time signatures he was throwing at us. There was a 14/4 and a 15/8 or something he was throwing at us. How he gets his head around it, I just don’t know. When I saw him a few weeks ago, he said, “You did a really good job on this.” I said, “Thanks, man.” He said, “I actually don’t know how you sang over some of this stuff.” I said, “Neither do I.”
Phil Aston: Just mad, isn’t it? You could try anything. I might have thought, “That means you might be able to put some of the songs in that Ozzy couldn’t do into the set. Or I can try something that I’ve never been able to do before because Tony says he can do anything.”
Tony Martin: It’s because I showed willing. I told them I’d have a go. And I did have a go. I did put into it. The songs, the writing, the live shows, whatever. I kind of made a rod for my own back in some ways because it was hard flicking between all of the different vocal techniques. But I did my best. It sort of came across okay. The problem is when you try to do stuff like that, it can sound a bit like a tribute act. But we got it nailed, I think. Especially having people like Cozy Powell, Geezer Butler, and all those guys in the band. We were willing to seek out that Sabbath sound, and we were conscious of it. So we were all aiming for the same thing. From outside, it might have looked like a chaotic mess. But on the inside, it all had a focus. We were all willing to give it a go. That’s what I think they saw in me. I knew they liked my voice, but I think that’s what they saw, a willingness to have a go and see if you can make it work. All those different time signatures and riffs that I had to go, looking back, to me, it’s Black Sabbath. Like,
Phil Aston I’m a Deep Purple fan, and every lineup of Deep Purple is still Deep Purple. I know Black Sabbath, there’s lots of politics in the way some of the fans look at it. But I think, which is why they had Heaven and Hell later on instead of Black Sabbath, because of the politics. But listening to these four albums, one after the other, you brought to life Viking mythology and song. More death. Just your passion and the way you projected the lyrics and your phrasing makes these albums unique. An important part of the Sabbath story. Finally, do you feel like this outpouring of love for this lineup is validating everything? Any doubt that might have been back then?
Tony Martin: Yeah, doesn’t it just? The biggest validation is from Tony Iommi himself. It wasn’t regarded that highly until he sat and listened to it without the bickering going around. When I went down a few weeks ago, he said, “You did a great job on this. There’s fantastic songs on here.” I said, “I know.” It’s just that validation that he gives it. The fact that the fans are returning to it. The fact that we’ve got new fans coming to it. Whole new record labels. I think it’s Rhino in America. It’s BMG in the UK, Europe. The record labels are coming back to it and getting behind it. They see something in it. The management sees something in it. So it’s all coming together. Which is a shame because I’m not in the band anymore.
Phil Aston Who knows? Maybe you and Tony will think, “It’d be great if some of this other stuff can come out at some point and we don’t have to wait another 25 years.”
Tony Martin: If he was going to do that, he’d say, “Let’s just write some new stuff.” But from what I’ve been told, Tony’s touring dates are done now. He won’t be going out on the road again. That’s probably out of the question for writing. I did tell him I was interested if he wants to do something. But he’s got so much going on. He’s still busy. Doing stuff. He had that ballet, the Black Sabbath ballet.
Phil Aston: Yeah, that’s true.
Tony Martin: Never saw that coming. No, he’s working on all kinds of stuff. He’s writing new material for something else now.
Phil Aston: So what about you, Tony? Have you got any plans for another solo album?
Tony Martin: I never actually stopped. For the past 25 years, my career took me into the studio and writing for people. My voice appears on 89 albums and projects now. It’s been good for me. I owe everything to Black Sabbath because that’s how the world got to hear my voice. People know what they’re talking about when they talk to me. “Can you write, can you sing on this?” They already know what they’re hearing or expecting. I always try to make it better than what they give me in the first place. A lot of that is me in the studio, and I’m happy, and I still am, happy doing that. But I do tend to choose what I do these days.
Phil Aston: Yeah, that makes sense.
Tony Martin: So I’m still doing the odd thing for people now. I did have a solo album a couple of years ago called Thorns.
Phil Aston: Great album.
Tony Martin: Yeah, totally unknown guitarist from America, Scott McClellan. I only met him because he kept badgering me on Facebook. He kept sending me stuff. I was like, “Go away.” He said, “Listen to this. What about this one?” In the end, I listened to it and it was brilliant. So I gave it a go and it turned out really well. But then Covid interrupted that and we couldn’t get out there with it. Some countries were saying, “Yeah, you can come,” and other countries were saying, “No, you can’t.” It all got distracted. I haven’t finished with Thorns because they wanted to do a vinyl for it. They said we had to take some tracks off to get it to fit on the vinyl. I don’t want to take any tracks off.
Phil Aston: Make it a double.
Tony Martin: Yeah, make it a double. Write some more. I wasn’t prepared for that. I’m pacing up, trying to write some new songs. Scott has sent me loads. We’ve got enough tracks for Thorns 2, but I haven’t finished Thorns 1 yet. I’ve got to come back to that. I do want to finish that off and get that done. Then if we can do the next Thorns thing, who knows? We’d like to try and get it out on the road. Getting out on the road for me is so different to the Sabbath thing. The Sabbath machine is huge. They only have to mention it and all the cogs start turning all at the same time all the way around the world. It all starts fitting into place within days, within weeks. On your own, it’s different. I can’t do that. I have to hire other musicians to go out on the road and rehearse the whole thing and start again with a brand new show. It’s a lot harder for me, but I would love to get back out there. My career took me into the studio, so I’ve got more to do. But I just tend to choose now.
Phil Aston: If people want to get Thorns, is it DarkstarRecords.net? Is that the best place?
Tony Martin: No, Battle God. They are the main label. Darkstar were involved and they’re still there, but they’ve had some troubles in the past couple of years. They were on board and I did two versions of it from between the two territories. I liked that. But mostly now, Battle God is the label to grab hold of it. It’s still available and I’m still signing them. People send me the stuff to sign.
Phil Aston: But I haven’t finished yet, so there’s more to come.
Phil Aston: Brilliant. Well, thanks very much, Tony, for all of your time today. Everybody, make sure you go and get a copy on CD or vinyl of this Black Sabbath Tony Martin years box set, “Anno Domini.” It’s absolutely superb.
Tony Martin: Yeah, it is good. I’m just smiling. I think it’s brilliant.
Phil Aston: No, that’s it, isn’t it? Whatever anyone thinks, these albums are available again. People can hear just how awesome this time for Sabbath really was.
Tony Martin: Thank you. Thank you very much.
Phil Aston: All right, take care, and hopefully I’ll talk to you again in the future.
Tony Martin: Thank you. All right, Phil, thanks, mate. Cheers.
Phil Aston: Well, a huge thank you to my guest, Tony Martin. That was fantastic. I’m almost lost for words in knowing what to say to sum up that interview because I know a lot of you are really interested in this box set, “Anno Domini” by Black Sabbath, which is out on CD and vinyl. Just as I thought, it’s sold out already, but there’s going to be another pressing. I was able to ask some of the questions I know some of you have been wanting to know, like why weren’t there extra tracks? Why wasn’t the live Cross Purposes included, etc. So now you know. Some of it is really exciting because it means there might be a companion set with some outtakes or live stuff as well. That’s really exciting.
Tony Martin is a fantastic vocalist, really passionate, really imaginative with his lyrics and his vision of how he writes his music. These four albums are essential. They’re Black Sabbath albums, okay? That’s what they are. They sound like Black Sabbath albums. Wasn’t it interesting that Geezer Butler said Cross Purposes is the best album he’d ever played on? It is a truly remarkable album. But they all are: from Headless Cross, to Tyr (which I can now pronounce correctly), Cross Purposes, and Forbidden, which has been given a new lease of life. Seriously, it is incredible. Just stunning.
Thank you again to Tony Martin for joining me here on the Now Spinning Magazine podcast. Please keep spinning those discs, whether they are vinyl or CD. Check us out on the podcast. We’re on every platform you can think of, from Apple to Spotify to Amazon. Of course, we’re on YouTube. Please subscribe and check out the website at nowspinning.co.uk. Remember, music is the healer and the doctor. So take care and I’ll see you all very, very soon.
Watch the full interview here
Phil Aston Now Spinning Magazine

Black Sabbath : Anno Domini : Deluxe Box Set Unboxing Review
Black Sabbath Anno Domini Box Set Review – Why the Tony Martin Years Were So Special
This set spans the period from 1989 to 1995 and includes some of the most underappreciated albums in Black Sabbath’s extensive catalog.
The “Anno Domini” box set is available in both CD and vinyl formats, each celebrate this unique era of Black Sabbath.
CD Box Set Four CDs: Newly remastered versions of “Headless Cross” (1989), “Tyr” (1990), “Cross Purposes” (1994), and a remixed “Forbidden” (1995). Tour Program Replicas: Includes a miniature version of the original tour book for “Headless Cross”. Softback Book: Filled with photos, artwork, and liner notes. It features a mix of new interviews and historical insights, providing a comprehensive look at this period. – The lyrics are not included. Bonus Tracks: Cloak and Dagger (Headless Cross) What’s The Use (Cross Purposes) Loser Gets it All (Forbidden) Poster: A reproduction of a vintage Black Sabbath tour poster.
Vinyl Box Set Four CDs: Newly remastered versions of “Headless Cross” (1989), “Tyr” (1990), “Cross Purposes” (1994), and a remixed “Forbidden” (1995) Each vinyl album pressed on high-quality vinyl, complete with polylined sleeves for protection. Tour Program – Full-size replica of the original Headless Cross tour program. 60-Page Softback Book: Similar to the CD version but in a larger, vinyl-sized format – this does include the lyrics and the inner sleeve details Poster: A large, fold-out poster included.
The Albums
Each album in this box set represents a significant chapter in Black Sabbath’s history, showcasing the versatility and creativity of the band during the Tony Martin years.
Headless Cross (1989): This album marked a major comeback for Black Sabbath, featuring Tony Martin on vocals, Tony Iommi on guitar, Cozy Powell on drums, Laurence Cottle on bass, and Geoff Nicholls on keyboards. It reached #31 on the UK Albums Chart and includes powerful tracks like “Devil & Daughter” and “When Death Calls”.
Tyr (1990): A concept album heavily influenced by Norse mythology, “Tyr” featured Tony Martin, Tony Iommi, Cozy Powell, Neil Murray on bass, and Geoff Nicholls. It peaked at #24 in the UK and includes standout tracks like “Anno Mundi” and “The Sabbath Stones”.
Cross Purposes (1994): This album saw the return of Geezer Butler on bass, alongside Tony Martin, Tony Iommi, Bobby Rondinelli on drums, and Geoff Nicholls. It reached #41 in the UK and features tracks like “I Witness” and “Virtual Death”.
Forbidden (1995): Often considered a misstep at the time, this album has been newly remixed and sounds significantly improved. The lineup included Tony Martin, Tony Iommi, Neil Murray, Cozy Powell, and Geoff Nicholls. Notable tracks include “Get a Grip” and “Kiss of Death”.
While the Tony Martin era albums didn’t achieve the same commercial success as some of the earlier Sabbath releases, they have garnered a dedicated following and are celebrated for their musicianship and innovation. “Headless Cross” and “Tyr” performed well in the UK charts, reflecting their importance in the band’s discography.
Overall, the “Anno Domini” box set is a must-have for Black Sabbath fans, particularly those who appreciate the Tony Martin years. Despite a few minor quibbles, such as the absence of inner sleeves in the vinyl set and the softback book format, the quality of the music and the presentation make this a worthy addition to any collection.
The remastering work is superb, breathing new life into these albums and ensuring they sound better than ever. Whether you choose the CD or vinyl version, you’ll be treated to a fascinating period of Black Sabbath’s history.
If you’re a fan of this era or just discovering it, I highly recommend grabbing this box set while you can. The limited production means it might not be around for long, so don’t miss out on the chance to own a piece of heavy metal history.
Phil Aston

(Only Europe, Please) - short note - If you're not into reading or receiving long messages,don't read any further + Please If you don't want to read everything because of my post being too long for you & instead of reading It all - ..skip some parts - find another person to talk to.Let's respect each other and our free time. All people criticizing/making fun of me & other people - will be blocked.Pretty much as people questioning my post and giving me unsolicited advice.I'm not here for any conflicts and I know I can't please everyone - I know I never will.. However It's me who should feel comfortable in my new potential friendship & obviously someone who wants to be my friend - not the whole world.. which is why I don't need any advice from people who don't even want to be a part of my life. The amount of rude people on Reddit always criticizing others and making fun of them is unbelievably high but let me tell you something - NEVER let anyone make choices for you and criticize you only because you're different! Always fight for your dreams and never let anyone make you think you're worthless! It's your life and you're the one deciding what's best for you - If you want to judge me despite not even wanting to talk to me or give me advice better block me! I'm an adult woman and I make all decisions on my own.I'm not trying to "fit in" and be like everyone else - just to get more attention.Accept me for who I am or let go - is my motto.
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Hello guys! 🙂 (read everything before you decide to send me a message) Please send me a message ONLY If you're in the same situation and If your expectations are the same as mine.I want to find like minded people from Europe (Why Europe? Read my post to find out) I'm looking for something permanent (remember - you can feel lonely even If you're surrounded by others - If there's no emotional bond) I'm fed up of meeting people who never make time for me & only text me once or twice a week to ask me "what are you up to?" Out of boredom.I don't want to meet people asking others a million of questions like "what's your favorite movie?" Just to give them one word answer and ask them another question "and music? Your favorite song?" I'm looking for something "deeper" & different 🙂
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What kind of friend would I like to find? Someone to talk to on a daily basis - Someone who needs It & wants It just as much as me
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What are my expectations? I would like to meet someone in a similar situation – why? Because I honestly feel like only a person with the same expectations and a similar outlook on life would get along with me & because I feel more comfortable talking to people like me..Friendless people who need a strong bond - people without friends and partners.. Don't get me wrong…Most people deserve to be happy and It's good to have friends but people who have friends or families in real life are usually more focused on them (which is completely understandable) & have less time for others + I simply don't want to be replaced by anyone..I kind of envy people who can call others , true friends given I don't have an emotional bond with any of my acquaintances. Please send me a message only If you're not In a relationship and don't have friends for the same reasons I've already mentioned before
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Whenever I hear that others have friends I simply get sad because (believe it or not) If I had to choose between 20 people to talk to (acquaintances) and one special person - I'd choose that one special person without any hesitation .
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I also want to talk to others every day because..I want to see someone’s effort & be someone's first choice - not another person to have random conversations with..some people ask me "Why do you want to talk to people from Europe?" Well..Because I would like to see someone I'd get along with - In the far future - face to face :) + I don't want to wait any longer than 6 hours to receive a message - waiting 6 hours to receive a message is more than enough
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I'm by no means criticizing people who don't want to talk to others often / People who really are super busy & People who want to find someone to have unimportant conversations with - I'm aware that not everyone has the same expectations which is why everything you're reading now - is here for a reason :) All I'm suggesting is - I don't want anything temporary and I don't want to be the one always giving more than receiving.Listen people - I used to ignore being..ignored by others..always being just an option to talk to during tough times or moments of boredom.I was too young to realize that I was never important enough for most people that were a part of my life. I don't know who needs to hear this but..No one is too busy to make time for you! People make excuses to avoid others because they prioritize everything and (maybe) everyone..over them. It's true that most people are busy - but It takes only a few seconds to start a conversation (If you're into short messages) and a few minutes (1-10/15) to type a long message . Don't let anyone lie to you.
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Truth is that most people either don't like you enough to make time for you or just simply - feel no need to talk to others often but are they too busy? No..You don't need to send me a message just to ask me and tell me "Do you really want to talk every day? I like long messages but I can't promise to contact you often" If you really are unsure please don't send me a message.I don't need more acquaintances aka people to talk to - occasionally.
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I'm not trying to sound rude but conversations once or twice a week wouldn't be enough for me and I don't need them... Let me tell you one thing – A true friend would never just give up on you for no reason :) It’s always possible to find someone to have a random conversation with – someone willing to send you one message once or twice a week..but..It’s almost impossible to find people willing to make more time for you.
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I’m not asking a busy person to make time for me by changing some plans! Absolutely not! I’m here to find someone who wants to talk daily (throughout the day or maybe even night) of one’s own will.Someone looking for the same kind of connection.Strong friendships are based on mutual support. One of the best things you can do for a friend in need, is just to be there for them when they want to talk.I often see posts from people who always say how friendless they are because they don't feel loved or appreciated by their "friends" remember! A true friend - someone who truly likes you or someone who wants to get to know you - will always find time for you.
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I'm not interested in small talk/short messages - I love long and meaningful conversations. It's so easy to find someone who loves abbreviations and questions like "How are you?" How was your day? Or what are you interested in? But so hard/almost impossible to find a person who knows how to keep a conversation going & show others some effort.Building and maintaining friendships takes time and effort.Never allow pursuits or possessions to become bigger priorities than your relations with other people.Close friendships are so important to us because they are so difficult to form + Having friends can help you feel as if you belong to something that brings purpose and connection to your life
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• I do NOT respond to any „Hey,hmu” or „u want to talk?” type of messages (super short messages or messages full of abbreviations – I literally can’t stand abbreviations and acronyms in text messages) ALL messages full of abbreviations will immediately be ignored.I also don't like it when people ignore everything I say in private messages just to focus on a random question or? When they start talking only about themselves and don't ever ask me anything. I love conversations with people referring to everything I say...I want everything I say and do - to be reciprocated
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• No NSFW profiles (checking mental health subreddits NOT included as I'm a huge empath and always try to understand others) - Please! I'm not looking for anyone to flirt with and I'm not looking for a partner either. I always check people's profiles (even comment history) - To avoid guys, trying to get inappropriate pictures from adult women or? flirt with them + I don't want to see you with no clothes on so If you're on Reddit only because you want others to see what's underneath your clothes - I'm not for you! I just simply don't want to see any s e x related activity on your profile If you want to talk to me.
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• If both of us (you and I) are from the same country (I live in a non-English speaking country) - I want to communicate with you in our first language! No - Not because I don't understand English - because as you see - I do. Why then? English is simply overrated and people don't appreciate other languages as much as they should. So.. If we're from the same country and you want to talk only in English (which is quite common on reddit) - Talk to someone else. I just don't want to talk to a person from the same country as mine - in a foreign language as It's just something I don't understand even If all you want is to improve your language skills
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• Please only adult people 18-36 (age range) It doesn't matter to me If you're younger or older than me (as long as you're not underage) So.. don't worry! I just want to have discussions with emotionally mature people :)
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• I don’t respond to messages I don’t find interesting even If they're long - If after receiving and reading your message I don't feel comfortable or think "I wouldn't get along with him/her" I simply do not respond (what I’m suggesting is that I don’t always respond to someone’s first or second message because..sometimes you just know If you’d get along with someone or not- I’d never ignore anyone after days or weeks of daily conversations though) just because I don’t want to do anything forcefully & because I don’t want to lead anyone on. I read all messages but I definitely don't respond to all of them! I want to make it clear because I don't want to be accused of not responding and not reading people's messages! - Some people don't message me back as well and even If It's a bit disappointing I'm ok with that! - as long as there's no emotional bond - Not responding to someone's first or second message Is completely OK! If people think they wouldn't get along with a stranger - is there a reason to start a conversation? I don't think so. I can't stand being ignored after days or weeks of daily conversations and seeing people changing priorities over time.. but that's something different - something I don't want to go through ever again for real. If I'm really interested in someone's message it's impossible to hear from me "I'm too busy" because I know myself and If I had no time for others - I wouldn't be here. I don't want to pretend someone I'm not and always try to find some cheap excuses to avoid others. (unlike most people who don't want to talk to others)
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• Don’t ask me “Can you tell me something about yourself?” If you really want to get to know me - you can ask me questions :) I'm an open book.
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• It would be better If you guys were into emojis - like me - to describe your emotions In text messages. Two emojis - 🙂 and 🙁 are completely enough! I just don't like emotionless conversations.I also don't like it when people say "yeah" or yea"as it sounds dismissively. First impression Is everything to me! I want to see your kindness even in a text message - Emojis are very helpful to express your emotions.I don't want to meet people who say "crying Is a weakness" - It's OK to cry even If you're a guy!
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• I want to talk on reddit first (just to make sure If I'd get along with you) before moving to Discord or some other app
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• I would rather talk to a homebody - not another person who always has something to do as people who are very busy don't even have time for daily conversations
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• If you're another person interested only in "childish conversations" such as "HEYOOO! I'M BORED! Ya like Pizza or cheese? xDDDD 🤣" I'm begging you! Don't send me a message.I'm not a child anymore and such messages don't make me smile or laugh.I'm looking for someone interested In serious discussions - not another person just seeking some entertainment out of boredom . Conversations with sarcastic undertones (even when It comes to some emojis such as 🤣😂) are not for me. Your typing style matters to me! Why? when It comes to online conversations with someone new - It's not always possible to know If someone Is laughing at you.. or with you. Let me tell you something else! Jokes about cancer, disabilities and death are UNACCEPTABLE to me. If you find joy In someone else's misfortune you are not a person I want to know.
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• Time response matters to me a lot! I would never ask anyone to be online all day long and I'm NOT asking any of you for any instant messaging as I'm someone who would rather wait an hour or two to receive a proper response instead of some short and pointless messages but I'm interested only in daily conversations and I don't want to wait any longer than 6 hours to get a message from you.I don't need unbelievably long messages either! Messages as long as the second paragraph of my post - are completely enough. If you like longer messages? you can send me a longer message, but If you want to send me one word or one sentence as a response to my post - don't expect a reaction from me. I don't want to come across as rude - I just don't want to waste your time
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• I'm strongly AGAINST picking on people you don't even want to chat with - and making fun of them! I can't stand people who criticize others publicly or make fun of them! (only because they disagree with someone they don't even know) There's no place In my life for someone using Reddit, to hurt other people
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• I'm not into foul language and I definitely don't want to talk to people who swear a lot...
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• I want to meet assertive people who know what they want and always stand up for their friends
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• I want to meet someone willing to call me In the future, someone spontaneously sending me pictures of animals or food, et cetera. I want more than just text conversations.. 🌻
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Why can’t you see any of my hobbies listed down below? Because what really matters to me is..who you are (If you’re honest, talkative ,understanding, caring and trustworthy – for example) just simply – It matters to me what you’re like! not what you like.Don’t get me wrong – you can tell me what your hobbies are but from my point of view - people's hobbies are important - If you want to find a gaming buddy or If you want to meet someone to hang out with in real life and..go bowling for example.What most people seem to care about are other people's passions – I don’t. I get along with other people despite having completely different hobbies but I absolutely don’t get along with people way different than me (different expectations and outlook on life – way different sense of humor or personality traits – It’s just an example) It doesn't make ANY DIFFERENCE to me If you're a gamer or? Someone interested in photography! It doesn't make any difference - > as long as you're talkative and kind and If you also want to find someone willing to stay in your life..for good - But If you're into small talk and all you want is to...type and receive super short messages or If you're here only because you're bored and don't know what to do + If you're a very sarcastic person - I'm definitely not for you! I don't get along with overly sarcastic people turning everything into a joke. Friendships should be natural – not forced. I wouldn't get along with people who laugh at everything.. In my opinion most people are way too sarcastic.. It's quite sad... Sarcasm can also be another form of passive-aggressive behavior.
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People who want to be to friends should feel comfortable and have something in common. No - not necessarily a similar taste in music or movies but something else..Most friendships don't fizzle out because of people not having the same hobbies but..because they just simply have different expectations when It comes to something important.I'm not here out of boredom and trust me - I'm not here to meet as many people as possible.I choose quality over quantity.I highly value myself and my time & Sometimes one person but a person who makes you feel comfortable and understood - is more than enough :) We ALL can choose what kind of people we’d like to talk to and maybe even become really good friends with and I? I don’t want anyone to be disappointed.We all have some expectations after all.I know that people don't have to talk as often as possible in order to become friends but I'm interested only in daily conversations. If you really need someone to talk to due to loneliness and If you have time to talk to me daily (throughout the day and maybe even night) I always make time for others.I'm literally always available.I could even stay up all night long only to talk to someone important to me. I’m ready to commit but only If there’s some chemistry between me and someone else.I don’t do anything forcefully.
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If you want to talk to me tell me your story - tell me why you're here, what kind of friend would you like to meet :) Et cetera.Such messages are way more interesting to me than...someone's long list of hobbies. I know! It's unusual on reddit but I don't make friends based on hobbies..I want to meet someone with the same mindset as mine to finally feel understood and get close to someone new. You can share your problems with me - I absolutely don't mind "complaining" as I've been through a lot in my life.What do people usually tell you when you tell them that something's wrong? "Don't complain" or "Life's not over yet - one day you'll be happy" or "There are worse situations than yours" and..obviously "Find a therapist" Life's not a fairytale and sometimes things don't go as planned.Emotions shouldn't be bottled up.I'm sick of people always telling others "everything's gonna be ok" move on " & more..Trust me people - not everyone wants to hear "Just believe in yourself and everything's gonna be ok" Some people take it as reassurance - but others? They would rather hear something different 🙁Imagine being told that things will be okay, only for them to get worse..Do you guys know why telling someone "everything's gonna be ok" Is wrong? Because you can't see the future.
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You can't guarantee others that one day they'll finally be happy + when It comes to social interactions - We're responsible only for ourselves - not others & as you guys know people let us down quite often (sometimes even when there's no reason) so instead of telling people how they should move on, forget everything and be happy or asking them to find a therapist - be there for them! Always be willing to listen to them If you really like them or want to get to know them & don't suggest everyone in a tough situation to find a therapist because even the best therapist won't ever replace a true friend + It's quite normal to be disappointed If people always do something to hurt you. Sharing your hardships with other people in a very similar situation or exactly the same one - is VERY helpful If the other person understands you & wants to start all over by just letting it all out! Feeling emotional support instead of always hearing some "positive quotes" or someone saying "Stop complaining let's talk about something else - Is very important! "Everyone needs a shoulder to cry on. I appreciate sensitive people who always try to understand others. If after hearing a sad story all you want to say is "forget the past and move on" you're not for me. It's important to be a good listener and provide emotional support to others
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Please - If you're a completely different person than the described type of person I'm looking for (If you love abbreviations,If you don't need a stable friendship, If you're sarcastic and quiet) or If you simply disagree with my post - don't force yourself to send me a message.I want my new potential friendship to be natural which is why I want you to contact me only If your needs are the same - I don't want you to pretend someone you're not - only to please me - Pretending to be someone you're not - is the worst.I want to finally be happy again & find someone "always" wanting to talk - sending me random pictures throughout the day - food pictures or pictures of some animals. What is the most important to me? I want to find people who value online friendships as much as they would value real life ones as there's another human being on the other side
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No comments please.Only Private messages and chat requests 🌺
I know It's possible to meet people with exactly the same expectations as mine but It's just not easy because most people are Interested In temporary and entertaining conversations. People like me are just "different" I really want to finally find someone who loves emojis as much as I do.. someone who loves sweet, warm and serious discussions at the same time. Emojis really do - change conversations 😊

POSITIVES
*Kyle MacLachlan. No matter what role he plays, he commits to it absolutely and is always very engaging to watch.
*I was very happy with how the show handled Bobby, Hawk, the Log Lady, Andy, Lucy, Ed, Nadine, Norma, MIKE and Shelly.
*The atmosphere was very strong, and I liked the idea of reality breaking down around the characters. The visual and audio editing was superb.
*Andy's visit to the Fireman's place (the White Lodge?) was such an amazing moment of the mundane encountering the supernatural. I never expected him of all people to end up there.
*The Log Lady's death was extraordinarily well written.
*I was very impressed with Robert Forster as Frank Truman. Replacing Harry with a random new brother sounds so cheap, yet somehow it worked perfectly.
*I really liked Naomi Watts' performance as Janey-E. Of all the newcomers, she was my favourite.
*The evolution of the arm was so fucking awesome. Way to make lemonade out of lemons.
MIXED
*Although I enjoyed Dougie and Demon Coop as characters, their storylines eventually started to feel like Lynch just wanted to make two extra movies without bothering with studio negotiations, so he just squeezed them into his Twin Peaks show.
*Demon Coop in particular was really oddly utilised. I would have thought the whole point of having a doppelganger is to make use of the fact that he looks like someone else. Him raping Diane is the one thing I would EXPECT Demon Coop to do. To me, it would've worked better if he stayed in Twin Peaks and committed acts of evil against people Cooper has a connection with.
*I really enjoyed the dynamic between Gordon Cole and Albert (my personal interpretation is that Cole has kept him close out of fear of losing the last agent he has a connection with). But nothing they did was very interesting. I wanted to see them actually discover the Black Lodge and maybe share a few more scenes with Demon Coop. It was cool when they brought Tammy into the fold, but then she does absolutely nothing.
*The Audrey Dance was a delight, and I thought Charlie's actor was hilarious. That aside, her storyline was a disgrace.
*I felt the Roadhouse band-of-the-week thing was kinda silly. Nice music, though.
*I didn't necessarily miss Annie's character, but I wish Coop at least asked about her and showed some emotion instead of suddenly being into Diane now.
*Speaking of her, Laura Dern gave a good performance, but I really can't imagine her as Coop's secretary.
*A few of the original characters seemed to just kinda be there, namely Ben, Jerry, Dr Jacoby and James. The actors did fine with what they were given (I especially loved that first scene between Jerry and BROTHER BEN), but the material wasn't there. Jacoby's transformation into an alt-right commentator was mildly funny, but could've gone a lot further than the occasional monologue.
NEGATIVES
*The narrative was very weak, consisting mostly of overconvoluted lore and shameless retconning. Nothing that they introduced here was as compelling or worth exploring as the threat of Bob and the Black Lodge in the original show.
*I was surprised how minimal Bob's involvement was. I know Frank Silva is sadly no longer with us, but Ray Wise proved that the character can be magnificent even without him.
*I no longer understood what our characters were fighting for and why, so it was difficult to care. The show was far too obtuse for my personal tastes. Despite how ambiguous the original could be, they made Bob into a visceral and real threat whom we hated for hurting characters we liked. Judy is barely a concept, and Demon Coop spends most of the show wandering around America killing random one-off characters. It just didn't have the same impact.
*The British guy with the green glove is the single dumbest thing in any Twin Peaks story.
*I did not need to see Dougie have sex.
*As a fan of the Windom Earle character, I didn't appreciate his total erasure from the canon (not even a member of Blue Rose??).
CONCLUSION
Overall, I felt that Twin Peaks: The Return was experimental and intriguing, but not a good Twin Peaks story or a standalone piece of art.
I have to emphasise again that I went in knowing that it would have a different tone, that it would focus on other characters, that Cooper wasn't in it much. All of that I can live with. It can be its own thing whether I like it or not.
But centering the entire story around a minute-long cameo from David Bowie in a spin-off prequel film and pretending that this was what Coop, Briggs and Cole were working on the entire time during the original show confounds me. It's like Lynch and Frost want The Return to be a follow-up to some idealised version of the 1990 Twin Peaks where they had full control. A sequel to a show that doesn't exist. They want people to care about their version of the story, not the story that was aired. And that's just sad.
This dependence on the original lore and characters means it cannot be its own thing. But it's also completely ignoring how that lore and those characters used to function on a fundamental level, preventing it from being a good Twin Peaks story. So to me, it just doesn't come together. You can say "reality is breaking apart" and "who is the dreamer", but as a viewer, I'm not satisfied purely by Lynch's half-sleepy musings. Why bother building up these characters and this world in the first place if that's all that matters?
The only interpretation that makes even halfway sense to me is that both Cooper and Laura are still trapped in the Black Lodge, and all of season 3 is just their demented fever dream as they slowly realise they can never leave. But that's hardly worth a whole season of television.

I've earned some money I was not expecting to, so I want to treat myself. I've been listening for ~2 years to vinyl, concerts through the TV, bluetooth, etc on the Edifier s3000 Pro, and I've quite liked them. But as I said, I'm interesting in what investing ~2k could get me. I've been reading threads and the KEF R3 and Wharfedale Linton seem to be some of the favorites. Yamaha A-S701 or Marantz PM-7000 N as an amp seem to also be some of the favorite amp for this category of speakers.
I live in Germany. I can get a pair of Wharfedale Linton 85 for 929 euros. I think I'll need to add ~350 euros to that for stands as the stands of my Edifier I don't think would work. For the KEF R3, I can get a pair that was exhibited for 1100 euros. I've never bought something on exhibition so it would give me some anxiey, but it does seem like a good deal. And I think I can use the stands of the Edifier S3000Pro for them too. As for the amp, I can get the Yamaha A-S701 for ~600 euros.
Am I on the right right track with these choices? Am I right in assuming they'll get me a massive upgrade over my current set up ? My music taste is pretty broad. Jazz, classic rock, indie rock, electronic music, shoegaze, psychedelic rock, etc. I like clear warm sound.

May got out to a lightning start for me, continuing the torrid April pace for a while before cooling off a bit in the back end of the month. That's partially by design, as I jumped into a pair of longer games (one enormously so) which I won't finish until deeper into June, but I've also noticed I'm slowly bleeding gaming time from my evenings. As my kids get incrementally older and the days grow incrementally longer entering summer, an hour that would previously be my own is now deferred to them, and that adds up over the course of an entire month.
Not that I'd trade my kids, you understand.
(Games are presented in chronological completion order; the numerical indicator represents the YTD count.)
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#27 - Contra: Hard Corps - GEN - 8/10 (Great)
It's been fascinating to watch the Contra series evolve over time, and Hard Corps on the Sega Genesis is no different. With no Mode 7 (the SNES' proprietary isometric viewpoint mode) available on the system, necessarily some of the top down content from Contra III would need to be altered or removed, and that begged the question of what would take its place: after all, a return to basic sidescrolling action might feel like a big step down, and we can't have that. So I think I expected Hard Corps to throw in a new wrinkle to keep the formula a bit more fresh. What I did not expect was for it to make three enormous changes.
For one, Hard Corps has four different characters to choose from, and each is actually unique. It's not just the look - where else can you play a cybernetic wolfman? - but they've got different sizes and hurtboxes as well. And while each starts with the same basic low power machine gun, each has a completely different loadout of possible weapon upgrades, ensuring that all four play very differently from one another outside of the fundamentals of movement. To that end, the two weapon toggle of Contra III is expanded in Hard Corps, allowing you to hold all four of your upgraded weapons simultaneously and switch between them at will, which adds a new layer of depth and strategy to the action. Building upon this notion of enhanced player choice even further, the second big change is that the game has branching paths. After the first stage you make a choice that determines where you head for the second level, and then later on you make another choice that creates further divergence, such that the game has four main endings (and a secret fifth!), all with their own dedicated unique stages. It's for that reason possibly the most replayable game so far in the franchise; I myself did a run through of each ending using a different character per run to get a feel for them all.
This leads to the final big change, which is the only one I don't regard a resounding success: the entire game is basically a boss rush. Let's zero in on the main path that I followed on my primary playthrough and add up all mini-bosses and full boss phases. What number might you expect that to come out as? A dozen or so? Well, sorry about your naiveté, but the answer is 43: it's bosses all the way down. This is a MUCH more mentally taxing load than previous Contra games where you could kind of skate through the non-boss sections with good fundamentals. And that's just one of four possible paths through the game! It's absurd! It's also way more fun than it sounds it would be from the description, but I've heard people say Hard Corps is the toughest Contra game and now I know why. I do miss just running and gunning and dropping dudes in one hit before a thrilling finale; it's hard to be properly wowed by a boss fight when that's all you ever see. But nevertheless Contra: Hard Corps is lives up to the legacy of greatness the franchise had up until that point established...just steel yourself mentally for the extensive memorization it requires of you.
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#28 - Ancient Enemy - PC - 5.5/10 (Semi-Competent)
Solitaire is one of those games that nobody really wants to play. It’s a game of convenience and opportunity, only attractive in the absence of something better, which is to say “nearly anything else at all.” Slightly more entertaining are variations on the form, such as Mahjong Solitaire or Free Cell, where certain cards/tiles are locked until the ones above them have been cleared away. These are still just time wasting games for people with nothing else to do, but when presented as a discrete set of challenges there’s a bit more appeal. Do you know they say that every one of the 32,000 numbered games of FreeCell on classic Windows operating systems was supposedly beatable? Did you know a very bored teenage me once decided to see if I could prove it by playing and beating every single unique game of FreeCell in order? I got into the low 30s or so before I questioned what the hell I was doing with my life and wisely moved on.
Well, Ancient Enemy is a game for people with nothing better to do, masquerading as a game that would qualify as "something better to do." It’s an RPG, I guess, but the gameplay revolves entirely around a solitaire variant. You have a deck of “stock cards” numbered 0-9 and start each encounter (“hand”) by flipping the top one. Then on the board you have to collect a card with a number adjacent to the one you’re displaying - 0 serving as a bridge between 1 and 9. Getting a card reveals any card trapped immediately below it and enables that card to be collected as well. If you can’t make a move, you can flip a new stock card over to get a random new number until your deck runs out. Some levels are simple puzzles in this vein, trying to clear all the cards from the board. Most encounters though are battles, where you do the exact same thing, except the color of the card you collect enables you to attack, defend, or cast a spell. So it’s turn-based combat, except each turn is you basically clearing as many cards as you can from the board to juice up your attack or bolster your defense, and that’s about it.
Now, at first, this is actually way more fun than I’m making it sound. I mean, I like solitaire type games for what they are, and the extra mechanics definitely do enrich the experience. You get consumable wild cards, battle boards have bonus cards with instant benefits, you get powers that manipulate the board, new types of cards appear, all good stuff. The problem is that the game completely runs out of these new ideas about a quarter of the way through, at which point you’re just going through the motions until the end, accompanied by a complete nothing of a story that I was confident I had figured out, only to find that the ending was somehow worse than the cliche I’d been anticipating. Thus, the game sadly settled into that exact same niche of games it was supposed to improve upon and supplant. Which I suppose is ok…if you’ve got nothing better to do.
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#29 - Snakebird Primer - PC - 7/10 (Good)
I follow a general rule of always playing game franchises in order, but Snakebird Primer is a unique case wherein the developers of the original Snakebird decided that it was too off-putting to new players, and so they made a sequel that they explicitly wanted newcomers to play first. A "primer" in truth to ease you into the overall Snakebird challenge, as it were. So when I decided to check out Snakebird, I thought all right: just this once I'll do it your way.
So how does Snakebird Primer shake out? Well...it's fine. It's a jaunty kind of puzzle game, with bright colors, friendly art and music, and general good vibes. In each stage you control one or more segmented "snakebirds" and have to get them all to the rainbow portal to complete the level. Sometimes you need to eat fruit to open the portal as well, but that's the entire game in a nutshell. It's a very simple concept, complicated only by the fact that a snakebird that has no body segments touching the ground will fall, and so each stage is a kind of pathing challenge, tasking you to figure out the right order of operations to reach the end. The levels are very well paced and designed if you just go in order: there aren't any hand-holdy tutorials, but new ideas are introduced organically at various intervals, and the challenge always feels reasonable, especially because you can undo any number of moves at will, like stepping through code to find an error.
There is, however, a significant difficulty spike for the last couple levels, which is pretty jarring. And when you add to that the fact that the designer of Baba Is You said he built a lot of his design philosophy around the original Snakebird, I've got to admit I'm a lot less keen on checking that one out. It's in that same realm of "enter these six dozen commands in precisely the right order" that made Baba Is You eventually feel more tedious and frustrating to me than anything else, so I think for now I'm happy to have just played the "lite" version instead.
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#30 - It Takes Two - PS4 - 8.5/10 (Excellent)
When trying to write down a genre for It Takes Two in my tracking spreadsheet, I wanted to put "Yes". It's as though the developers wanted to make a bunch of different kinds of games and, rather than accepting any limitations (self-imposed or otherwise), they just found a way to do it all at once. It Takes Two is a platformer. It's a third-person shooter. It's a puzzle game. It's a rhythm game. It's a racing game. It's a stealth game. It's a boss battling action adventure. It's a minigame collection. It's a romantic comedy. It's an exploration playground. One minute you're flying around on a jetpack chucking Captain America shields at devils and the next you're literally playing a timed game of chess. None of the things that It Takes Two does would be characterized as masterpiece forms of their respective genres, but that's not the point. There's sufficient depth and development of each mechanic that it never feels like a lazy tack-on to check a box - and that in itself is beyond impressive - but it's the sheer number of different ideas tossed into this package that make it truly special.
It's hard for me to even review this game, frankly. Part of that is because I feel a strong bias towards the game for the audaciousness of what it tries to achieve, and for the way it inspires me to keep stretching myself in new ways however I can. But it's also hard because I don't remember the whole thing. It Takes Two is both fresh in memory, having just finished it, and yet far away and mingled in my mind with similar bits of similar other adventures (Tearaway foremost among them). Why is that? Well, I first booted up It Takes Two in May of 2022 as a co-op experience to share with my wife - quite fitting, as it turns out, given the nature of the game's plot of trying to reconcile an embattled couple. We'd only play in smaller bursts of 1-2 hours at a time, but every session we played it felt like we were playing a new, different game. Music to my ears, but much harder on my gaming-challenged wife, who took longer to adjust to each mechanical shift. Pretty soon we were playing less and less often, even as I was playing a game like Tearaway early on that occupied some similar design space in my head. Soon we stopped playing at all. When I tried to suggest resuming this title over the past year, I was repeatedly rebuffed until finally a month ago I managed to wear her down enough that we picked it up again for about an hour a week. So it is that the first half of the game is fuzzy and nebulous to me, even as I recall that I loved playing, whereas the back half is much fresher, and it's nigh impossible for me to separate my wife's frequent frustrations from my own experience - especially since I've been playing on a controller experiencing heavy stick drift, so managing the camera was a nightmare through no fault of the game's.
All that said, how could I not recommend this game? It's best played with two experienced gamers, but the story only fully lands if you play as a couple, so there's a bit of potential for a disconnect there, as I experienced. It's not a perfect game. But it is an incredibly ambitious one that had me routinely grinning from ear to ear, despite the grumblings on the couch next to me. When I pointed out to my wife that we finished the game in May 2024, almost to the day when we started back in '22, she said "They should've called it It Takes Two Years." We're both glad it's over, but I think for very different reasons.
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#31 - Rogue Legacy 2 - PS5 - 7/10 (Good)
Some game sequels try to really shake things up and try something different from the one before. Final Fantasy is probably the biggest and most obvious example of this, but you can also see it in virtually every Super Mario Bros. game, in the Castlevania series, and the list goes on extensively from there. On the other hand, some game sequels treat their predecessors like rough drafts to be perfected. With these, the idea is to take the vision for the previous game, use the increase in time/budget/developer expertise now available, and try to execute on it more completely than was possible before. When a game like this is successful, there becomes almost zero reason to ever play the original game (other than possibly its story), because the new version has replaced it entirely as the definitive experience.
Rogue Legacy 2 is one of these latter types of games. Everything from the first game is pretty much still there (bosses excepted): enemies, basic combat and room design, character classes, traits, progression, etc. It immediately feels like "Hey, I've played this before," yet a cursory look reveals a huge wealth of additional content over the first game. Classes are better differentiated, you get new weapons, more spells, special abilities, new items, new upgrades, new explorable regions, new mechanics, new new new. It truly is a total replacement for Rogue Legacy 1 in this regard, a "go ahead and uninstall that thing forever because we've got it all right here and then some" type of mission statement. I was amazed at how I kept finding ever more avenues of progression and discovery, even many hours into the game, In fact, I never did manage to play as every class, and each class has a variant form as well, most of which I didn't even unlock. It's overflowing with stuff.
And I think that's why it didn't work quite as well for me as the first game: it's all too much. Now there are four different types of currency, all acquired in different ways, all for different upgrade paths. You're always competing with yourself on what to level up between runs because there are too many choices and all of them seem pretty good, but as you're finding your early groove the game throws a big wrench in there: labor costs. While each upgrade has a set gold cost that increases as you level it up, early on the game adds a universal tax mechanic to the entire upgrade tree, making it increasingly prohibitive to spend your money on stuff, and it feels awful. Rogue Legacy 1 had a similar system where each upgrade cost 10g more than the previous, but in the sequel these escalate far more rapidly, to the point where you'll complete a huge run and still feel like you can only afford one or two upgrades that barely move the needle. It's a pure inflationary grinding system meant to pad playtime, and I'm not about that. I played RL1 through multiple New Game + levels, but I was thrilled to beat RL2's final boss and move on because the economy is so frustrating. Other than that though, it's got quite a lot going for it.
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#32 - Undertale - PS4 - 7/10 (Good)
When is some information too much information? Undertale is notorious for its rabid fan community insisting that there is only one "right" way to play the game, and so if you've ever heard of Undertale there's a good chance you already know what that preferred method is: pacifism. Undertale takes a unique approach to the JRPG in two primary ways: first, that defending against enemy attacks is an active system pretty much akin to dodging in a bullet hell game, and second that you almost never actually need to choose the "Fight" command from the battle menu in order to succeed in an encounter. The argument from the community is that you must play in this fully pacifist manner, largely because of a design decision that thoroughly punishes players who do not, only revealed after the game's conclusion. Thus, these players are "helping" curious newcomers by saving them from falling victim to a fairly vindictive design choice that would create a lot of frustration.
The problem with that approach is that Undertale makes it abundantly clear from the outset that you have the option for these alternative combat approaches, trains you on how to use them, and then gives you a positive feedback loop for choosing that direction with your gameplay. Which means the discourse surrounding this game effectively undermines not only the game's own ability to surprise and educate you, but also the authorial intent of that same design decision, which in context is a conscious player decision to go against the grain and suffer the possible consequences of doing so. In short, I wish I'd never heard of Undertale before I played it, as I'm sure I would've had a much better time.
As it stands, Undertale is still a highly creative take on the genre that, despite an aesthetic I didn't care for and writing that leaned a bit too hard at times into "lol I'm so random" territory for my tastes, still managed to get me invested with some of its characters and even make me laugh aloud at times. I was particularly impressed with that aforementioned approach to combat, as each enemy introduced unique hazards to avoid, so fighting a new monster was far more exciting here than in a standard turn-based RPG where the only meaningful question is "How much damage did this whatever move do to me?" So for those reasons I applaud Undertale. Even still, there's a lot of walking back and forth with no major purpose beyond "it was decided the game should be a little bit inconvenient here," adding some unnecessary tedium to the mix. In short, Undertale's a generally good time, but if you want it to be even better, just pretend you haven't read anything I just said.
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#33 - Marvel's Spider-Man: Miles Morales - PS5 - 7.5/10 (Solid)
2018 was a big year for Miles Morales. In the fall he showed up in the PS4 title Marvel's Spider-Man as a major supporting character, and by the end of the year he was stunning cinema audiences in the fantastic Spider-Man: Into the Spider-Verse as the primary protagonist. It's no surprise then that by 2020, with his brand so hot, Sony and Insomniac Games would cash in with a follow-up title to the hit PS4 game with Miles front and center. And for the most part, the game is what you'd expect it to be from that basic pitch: more of the same from 2018, only focusing on Miles' family, his new home of Harlem and its people, and his path to becoming a fully fledged hero in his own right. That's all fine, but here's the problem: all of it has been done better before, and recently to boot. Miles' story of personal growth and family drama was handled better in the Spider-Verse series, even though MSM:MM wisely walks chooses to walk some different beats along the way. "Superhero of Harlem" was done masterfully by Netflix with the Luke Cage series (the first season, at least) back in 2016, and MSM:MM doesn't even try to address any issues beyond the most surface level. And the "more of the same" gameplay?
Well, admittedly that's still pretty good. Web swinging is as fun as ever to the point that there's an XP challenge to web swing at high speed for a full cumulative hour of real time and I caught myself thinking, "Hmm, maybe..." There are fast travel points that unlock relatively early on, but the joy of traversal feels like the main point of the game, so why would you bother? Miles also gets some new Spidey moves related to his bio-electric powers, and these are really fun and impactful to pull off, such that "more of the same" isn't in this case a damning phrase. And yet, it's also distinctly not "more, but better." In order to emphasize your new powers, the goons you fight (now including women for the first time I can recall ever seeing in a superhero game like this) have upgraded their own abilities as well, which means the simple pleasure of chaining big combos is a bit diminished. Maybe this enemy just blocks all your basic attacks and stops you cold. Maybe this one turns the tables to dodge and counter you. Or maybe you're just constantly surrounded by a flood of dudes with guns and rocket launchers and you feel like you never get a chance to press "punch" without being thoroughly punished.
Now add to that the game's relatively brief length and general lack of meaningful activities compared to its predecessor, as well as its truly awful villains and the ho-hum plot that they service, and you've got a title that's decidedly a step back from what came before. Of course, what came before was excellent, so even a step back still lands you in territory that's quite fun to play around with. My 6-year-old summed it up best when he came downstairs to ask me a question one day and caught me playing: "Whoa...how are you Spider-Man?!" Which is to say that Marvel's Spider-Man: Miles Morales is a game that really makes you feel like a wannabe Spider-Man who hasn't gotten it all figured out just yet. And I guess that's all right.
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Coming in June:

• I've had less time for PC gaming lately for a couple of different reasons, but I'm expecting that to be a temporary thing, and I don't think I'm in danger of failing to finish Mass Effect 3 by the end of June. I didn't realize the version of the game I had included all the DLC. Nor did I actually know what any of the DLC was. So I was quite a ways into the game and feeling great about my progress when I got suspicious that the section I was playing wasn't actually base game content. I looked it up and found that, in fact, about 90% of what I'd played to date was DLC and I'd barely actually started the base game itself. That explains why the main story was taking a while to get off the ground, at any rate.
• Speaking of getting off the ground, my journey through The Legend of Zelda: Tears of the Kingdom began impatiently a few months after release, but I took an extended break from the game and have now spent pretty much all of May continuing my thorough trek through the game world. I'm well over 200 hours into the game and am only several days away from having explored the entirety of the game's map. At which point I believe I'll finally advance the main quest past its initial stage.
• In my review for Rogue Legacy 2 above I mentioned the Castlevania franchise, which I feel I can speak to as a whole given that I've finished nearly every game in the series to date. Unsurprisingly I felt most drawn to the metroidvania style games, so there was a layer of disappointment in exhausting the last of those to discover. Disappointment that will soon be temporarily eradicated when I boot up Bloodstained: Ritual of the Night, produced by that same creative mind.
• And more...

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I should start with the fact that I've been playing violin nearly all my life so I felt confident that I could deal with having a cheapo instrument, so when I saw a 16" cecilio viola at an absurdly low price (and with free shipping!) on ebay I went for it.
And I'm actually very pleasantly surprised by how good it sounds. Maybe it's just because it's a richedeeper tone than I'm used to hearing myself play, but I think it has a really beautiful sound.
It took a little bit of work to get it playable though. I had to redo the strings and reset the bridge (it also comes with a extra bridge, which isn't exactly reassuring), all simple stuff but not something you'd likely know to do as a complete beginner. I'm also cheating by using a much better quality violin bow, since I couldn't get rosin to stick to the viola bow at all.
It's really not a bad instrument, imo, but it would have to be really frustrating if you were trying to start from scratch with it. Strings are already difficult enough without that extra level of difficulty.
Still, overall I'm really enjoying playing viola and I feel like I more than got my money's worth. Now I just need to actually learn to read the alto clef!

Hey yall! I want some music recommedations. I'm done with secular music - it just puts my mood in the wrong station EVERY TIME. I can tell God is convicting me.
Vibes i'm going for when listening to music:
Anything that sounds like Florence and the Machine. Very baroque and lots of instruments and vocals.
Anything that sounds like Kendrick. I like very strong lyrical flows.
Really modern RnB female Christian singers!
thanks!

In a world that often moves too quickly, it's important to take the time to honor those who have served our nation selflessly. One organization and its founder stand out in their dedication to ensuring that veterans receive the respect and recognition they deserve: Buglers for Veterans, led by Ron Rossetti.
A Tribute Through Music
Buglers for Veterans is a nonprofit organization with a simple yet profound mission: to honor veterans through the solemn sound of Taps played live at military funerals, memorial services, and other events. This musical tribute, led by volunteer buglers, serves as a poignant reminder of the sacrifices made by our servicemen and women.
Meet Ron Rossetti
At the heart of Buglers for Veterans is Ron Rossetti, a man with a deep appreciation for both music and service to others. Ron's passion for honoring veterans led him to found Buglers for Veterans, where he oversees the organization's efforts to provide live bugler performances at no cost to the families of veterans.
A Legacy of Service
Ron's dedication to veterans extends beyond Buglers for Veterans. He is also involved with the Institute for Advanced Military Hospice Care (IAMH), where he continues to make a difference in the lives of veterans and their families. Through his work with IAMH and Buglers for Veterans, Ron exemplifies the spirit of service and compassion.
Join the Mission
As we reflect on the sacrifices made by our veterans, let us also remember to honor them in meaningful ways. Whether through volunteering with organizations like Buglers for Veterans, supporting their mission financially, or simply spreading the word about their work, we can all play a part in ensuring that our veterans are remembered and respected.
Connect with Buglers for Veterans and Ron Rossetti
To learn more about Buglers for Veterans and how you can get involved, visit their website: Buglers for Veterans. You can also explore Ron Rossetti's involvement with IAMH by visiting their website: Institute for Advanced Military Hospice Care (IAMH).
Together, let's honor our veterans and ensure that their sacrifices are never forgotten.

I heard it a lot in reels on Instagram and YouTube but cannot find its name. It sounds like layers of middle-eastern wind instrument Mizmar played over drums at mid-tempo. It is very popular in travel shorts. Any help would be met with immense gratitude.

I just wanted to share my experience of setting up a new system with a friend of mine. He loves music but only had the tiniest bluetooth speaker, not super tech literate. I finally convinced him to invest in Sonos and he went and bought 2 fives, a sub mini and a Move 2. A large chunk of change for anyone.
I went over to his house to help set them up. I should point out that I’ve had a Sonos system with 6 components for a couple of years and know my way around. I thought we’d do it in 20 mins and spend the evening enjoying his reaction to having awesome sound.
Instead, we spent the entire evening trying to get the various bits attached to the system. Had to do factory resets over and over as mysterious things went wrong. We ended up having to add the sub the next day. Throughout I was trying to maintain his ebbing confidence in this big investment he’d made based on my recommendation - I felt sick and embarrassed, honestly.
All is now setup correctly and he’s finally all good. He’s thrilled with the sound quality and even his skeptical partner has been won over.
I just hope Sonos can give them a solid experience from here on.

The JBP kicks off this episode with their thoughts on the Rolling Stone article covering Diddy’s history of violence (38:44). In new music, Eminem drops his single ‘Houdini’ (1:24:32), Meek Mill releases ‘5AM IN PHILLY’ (1:27:54), and ‘Wanna Be’ by Cardi B, Meg Thee Stallion, & GloRilla also released (1:35:13). Also, Usher is set to receive the Lifetime Achievement Award from BET (1:40:52), OVO 40’s beef with Cipha Sounds (1:56:30), Do we have a song of the summer for 2024 (2:01:53), Donald Trump found guilty on 34 counts in criminal trial (2:28:16), Joe reads a list of random topics from his phone (2:59:49), and much more!
Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: www.patreon.com/joebudden
Sleeper Picks:
Joe Emanny - “Selfish”
Ice Tha Dogg Pound & Snoop Dogg - “Grown Up”
Parks Mach-Hommy (feat. Archie Whitewater) - “LON LON”
Ish ESTA. & Leon Thomas - “Dangerous Game”
Melyssa UNA MIA (feat. Lekan) - “Better Care (Remix)”
Emanny THANKYOUMARTINO - “Omw”
Spotify Discord Apple Google

Had this idea bouncing around in my head about the little ferret guy, Etholin Esila. I figured with him being a 'merchant lord' he'd want to start cutting deals with Emma once the initial curiosity and amazement over Earth tech would have passed. Not sure where this is going, if anywhere, but just wanted to get it out of my head and onto 'paper'.
Thanks to u/DndQuickQuestion for helping with feedback on earlier drafts.
Afternoon Transgracian Academy of Magical Arts
The hulking minotaur loomed menacingly over me. "Crawling along the floor suits you well, Merchant Lord Etholin Esila!” it boomed in an intimidating baritone. “Merchant Lord, pfah! Even a mangy cur such as that Mercenary Prince has a legacy of valor and martial prowess behind his dubious title, but you?”
An accusatory finger was jabbed in my direction. “Nothing but puffery and bluster to buttress your status as a glorified shopkeep! Your ilk claims to broker fair trade between the Realms, but those with integrity and honor recognize the deceit you employ to conjure false value from nothing." It was difficult to tell if Lord Auris Ping's tirade was aimed more at myself, the Esila clan, or the concept of inter-realm commerce in general.
At the moment, I was more concerned with herding my scattered belongings back into my satchel. While rushing to my next appointment, I had the dubious privilege of colliding with this mountain of a brute. Naturally I was on the losing side of that contest, and was sent tail over head to the floor, scattering the contents of my school satchel across the polished granite. Not one to pass up the chance at a crass display of dominance, Lord Ping had launched into the rant that everyone in earshot was currently enduring.
"Look at you, scrabbling on the floor to fetch your little trinkets, a fitting match for your base and covetous nature!" Fairly pedestrian, as far as character assassination went. I’d been called far worse while helping Father with trade negotiations, sometimes at sword or stave point. One had to develop quite a thick hide when engaging in cross-realm commerce. Especially with many realms having rather… absolutist opinions about the value of goods, like Lord Ping here. But I had zero interest in contesting his assertions, despite how idiotic they were.
Haggling or arguing with Pronarthians was a singularly wretched experience. They were infamous across the Realms for their single-mindedness and a compulsive need to have the last word that bordered on lunacy. I didn’t have the patience for the endless ingratiating flattery required to bore through such stubbornness. If that wasn’t enough, a gentleman of my stature also had to consider Pronarthians’ sizeism; specifically their intrinsic respect for the larger and taller races.
And that was merely the average Pronarthian! Arguing with a belligerent lout, accustomed to deference as Lord Ping? I'd sooner try my hand at flying out the nearby window. At least the loamy soil below would give me a fighting chance, or a jagged rock would grant me the mercy of a swift end.
Instead, I busied myself putting my things in order, taking special care with one item in particular. It was a set of memory crystals I received from the Earthrealmer, Cadet Emma Booker. It was part of a ‘transdimensional cultural exchange pilot program,’ as she had described it with her nation’s peculiar bureaucratic jargon. I had previously conducted similar transactions in my initial dealings with Cadet Booker, and it was those first tentative steps that convinced me to make Cadet Booker a full-fledged premiere trade partner of the Ocean Breeze Trading Company, the pride of the Esila clan.
The myriad tomes and treatises from Earthrealm, such as the riveting "The Wealth of Nations," amply demonstrated that Earthrealm had an extremely sophisticated understanding of commerce, finance, and logistics. But it was the ‘video archive footage,’ transferred onto memory crystals for ease of viewing, that convinced me at a visceral level that these Earthrealmers were a sound investment. I felt it on my whisker-tips, as the commoners back home would say.
"May I offer a helping hand, Lord Esila?" inquired a familiar voice. I looked up to see a scaly, clawed hand extended toward me. “And perhaps a sympathetic ear? After all, that was a rather nasty bit of slander from Lord Ping, would you not agree?”
Wonderful. This nonsense again.
While I had been lost in thought contemplating Ocean Breeze’s latest windfall, Lord Ping seemed to have lost interest and resumed going about his business. Taking his place, as always, was Lord Qiv Ratom, ever ready to sift through the rubble of Lord Ping's latest ham-fisted antics for personal gain. "You will find that my views differ considerably from Lord Ping's. I, for one, admire the manner in which you extract value from your trade partners. After all, does it not require skill and cunning to convince the customer that your wares are worth far greater than their true value? Such nuance and subtlety is lost on the likes of Auris Ping, content to strong-arm what he desires from others."
I paused for a moment, at a loss for words. His tone suggested his 'praise' was sincere, but only stoked my ire further. What in the thrice-damned Hells did he think he was accomplishing? Did he really think that telling me, "Well, I still regard you as a thief, but I APPRECIATE your thieving nature, unlike that uncouth lout!" was going to win me over? Dealing with parties with this attitude to commerce and trade was tedious at best. But ever since making acquaintances with Cadet Booker, whose people's understanding and appreciation of commerce rivaled the Nexians, dealing with the likes of Ping and Ratom was nigh UNBEARABLE.
I rattled off the usual rigmarole we used at Ocean Breeze for clients we wished to keep at arm's length. "With respect, Lord Ratom, the value of the goods we sell is determined by the customer's needs and circumstances. The merchants of my clan arbitrate prices taking such factors into consideration. We see it as our responsibility to provide equitable trade that is not only beneficial to all parties, but also provides fair compensation for the tradesmen involved in executing the transaction."
"But of course, it is as you say," replied Lord Ratom with his signature oily charisma. "Fair and equitable trade, according to the customer's circumstances. Thus, you are but a facilitator of the Fates, a most humble tool of Destiny itself. And one who collects a respectable commission, at that," he continued. He stopped short of winking conspiratorially, but the impish grin playing across his features was a fine substitute. Every mote of my being wanted to shake him until he shed his skin. He continued, "Your... humility aside, my admiration of your clan's cunning and resourcefulness still stands. The insight of one so skilled is always welcome within my inner circle, should you wish to grace us with your presence."
It took all my restraint to not tell him into which orifice he could jam his charity-case friendship offer. After all, I'd been keeping far better and more like-minded company of late. Company that the Baralonian lord was likely dying to ingratiate himself with, given how Cadet Booker and her peer group had taken pains to keep Lord Ratom and his entourage of gossips at arm’s length. Instead, I left the smug reptile’s offer dangling in the air, twisting in the wind for a few agonizing moments while I finished tidying my things. Rising to my feet, I finally replied, "An offer most generous and kind. I will of course, have to consider the circumstances of both customer and merchant. Surely you would not begrudge a humble servant of Fate for waiting for the most auspicious circumstances?" Even at my best, I was hardly a master of rhetoric, so crudely tossing his words back at him was the best I could do.
"As you please, Lord Esila," replied Lord Ratom, finally sensing his return on investment wouldn't be worthwhile, leaving me alone to stew in the hallway. Such was the game played among the aristocracy. I looked down at the bundle of memory crystals in my hands, contemplating on their origin, and how Earthrealm could change how the Esila clan, perhaps even all of Rontalis, played the game.
I continued on my way, thoughts heavy once more.
Evening Ocean Breeze Trading Company, Elaseer Offices, Private Chambers
The Elaseer branch office of the Ocean Breeze Trading Company was a modest affair by Nexian standards, a second-storey affair nestled on the edge of the warehouse district. The restrained yet tasteful trappings were a calculated decision of the Esila clan, proprietors of the trading company. A fine balance had to be struck when it came to outward appearances, after all. Some measure of artful decoration was necessary to appease the Nexian eye’s obsession with projecting might and wealth, but not so much that it would attract too much attention.
Only in the private chambers would a guest finally see some personality in the decor, and a generous measure at that. These were the chambers of the nobleman assigned stewardship of these offices, Lord Rikad Esila, uncle to Etholin Esila. Colorful murals with aquatic motifs adorned the walls, highlighted with tastefully matching lacquered panels featuring artwork done in mother-of-pearl inlay. Similar decor was present in the dining room, where uncle and nephew were currently enjoying what Rikad thought would be a leisurely dinner.
CRACK!
The sharp sound rang out loud and clear in the small room, the source being a steamed crab claw, dashed to pieces on a smooth river stone placed between the two diners at the table.
Lord Rikad's branch of the Esila line hailed from the wetlands of Rontalis that opened up into the sea, and they regularly partook of the ocean's bounty. In antiquity, they were known to smash shellfish and other armored morsels against stones they carried with them to lay bare the tasty prizes within. This dining set configuration was a modern interpretation of that old tradition, with a communal stone for guests to open their shellfish.
Of course, such a homestyle service was available solely behind closed doors and shuttered windows and only then to Rikad and his close associates. Here in the Crownlands, such a 'barbarous and unseemly' artifact would be frowned upon by the prevailing Nexian culture and their gold and mother-of-pearl seafood forks that split the shell with a simple tap. But young Etholin labeled that languid dining as a boring conversational backdrop, inferior to the communal excitement of a well-placed strike.
Etholin’s spirited strike had a strong measure of anger behind it, a fact not lost on Rikad. "Steady now, lad. The aim is to crack the shell, not grind it to powder," chided Rikad, an otter clothed in well-tailored robes that melded practicality with muted elegance. He looked aged and gray compared to the ferret-like Etholin, clad in sumptuous silks and embroidery that assertively declared the young lord’s wealth and standing. Etholin hung his head in embarrassment. "Apologies, Uncle. I lost the reins of my temper."
"Well now, aggravated enough to make a mess of my dining set," observed the older gentleman. "It takes a great deal to get your humors churning like this, from my experience. So tell me lad, what urchin needles you?"
"Ugh, more Academy theatrics, what else? With Lords Auris Ping and Qiv Ratom being today’s star players."
"Ah, The Dunce and the Devil," remarked Rikad, nodding with understanding. This wasn't the first time his nephew had related the pestilent pair’s antics. "What two-act farce did they put on this time?"
"Ping opened with the usual blather about merchants being honorless tricksters, with Ratom swooping in to capitalize on the aftermath. Textbook at this point, really," explained Etholin, waving his hand dismissively. "It... it was just the way those two put forward their thoughts. In isolation, each would have been merely irritating. But with one following the other, I was ready to grind my fangs to nubs! To be cursed as a thief on one side, only to be praised as a thief on the other! It was like they were wielding ignorance as one would a greatsword, and managed to cut me with both edges! Gods, I wanted to THROTTLE the idiocy out of them!"
"‘Tis to be expected," said Rikad in consolation. "A great many noble families, even entire Realms at times, came about their status through force of arms or magical prowess, and thus they hold a dim view of commerce as a profession. It is a routine chore for us, navigating around them to find those with less absolutist views on the worth of goods, or more forgiving definitions of 'honest work'. An Adjacent Realm that does not cheat its creditors by altering the weight of its coins or debasing them with base metals and insisting otherwise while hiding behind the safety of their portal is worth its weight in gold."
"Sometimes I feel we ought to cut them out of our affairs entirely and deal with the Nexians, directly and exclusively," mused Etholin bitterly.
"Now, now, though your anger is justified, that's hardly reason for it to take hold of your mind's rudder," cautioned Rikad with a frown. "The Nexians have well-developed philosophies on trade in line with our own, but we only have the resources of a single Realm at our disposal, while the Nexians can leverage the bounty of their never-ending and mana-rich lands. Dealing solely with a behemoth that can devour us with a thought, no matter how frictionless those dealings are, is hardly my idea of a beneficial partnership."
Etholin sighed. "As always, your counsel is sensible, Uncle. Like I said, I lost the reins of my temper in a moment of weakness."
"Don't be so sour on things like this, lad. Our base nature gets the better of us at times, that is the animal within that we all struggle with. That you acknowledged such a lapse and took back the helm is proof that civility prevails. But, enough moping about!" Rikad jumped out of his seat with a little pep in his step. "Looks like we need to guide you back into good spirits, and I know JUST the thing for gentlemen such as us," concluded the elder merchant, twirling his whiskers playfully.
"Somehow I think a night at the theater or music halls will do little for me, Uncle. Or are you suggesting we seek respite at the bottom of a tankard?"
Rikad snorted derisively. "Oh please, I'm not senile yet, pup! Since when has SPENDING money brought joy to anyone worthy of the Esila name?" That made Elothin perk up a bit. Rikad continued, "No, I speak of a PROPER good time, I speak of..."
"COMMERCE!" they cried out in unison, fists held aloft in a triumphant pose. "Does that mean..." began Etholin.
"Indeed, we've just received the latest prototypes for the centralized mana ampoule, linking cords, and so-called 'mana motors'. Perfectly timed with the parts delivery from Cadet Booker not two days ago. Sukie, be a dear and clear this up, and have the remainder bundled up and sent to the young master's rooms at the Academy." Rikad motioned for the housekeepers to clear the table, then ushered Etholin to his private offices where they could discuss business strategy in depth.
Uncle Rikad’s offices were more than just a cozy place where Etholin could get a taste of home. Officially, Rikad was stationed here to oversee the administration of this branch office of the Ocean Breeze Trading Company. In reality, the office was a means to circumvent the Academy's prohibition against students communicating regularly with their home realm. Many aristocratic families employed similar cheats and dodges involving ‘familial duties’ and ‘business obligations’ to skirt the rules. If the Nexians cared about closing such loopholes, they didn’t show it. Perhaps the quaint maneuverings of their lessers amused the elves, who could say?
In this case, Rikad and Etholin were leveraging this loophole to the fullest, as they strategized on how to execute the next steps of their latest commercial venture, which Rikad would then relay to the head offices in Rontalis. As their planning session drew to a close, Rikad remarked on the time. “Well, it would seem that evening has fast become night. You are welcome to stay overnight here, as always, or perhaps you would prefer to retire to the Academy dormitories? Either way, I doubt you’d want to watch an old man doze off in his reading room listening to music.”
At the mention of leisure time, Etholin's eyes widened in surprise, and he began rooting around in his satchel. "Oh goodness, I entirely forgot!"
"What is it, lad?"
"Oh, Cadet Booker has provided us with more of her 'video archive files', transcribed to memory crystal," explained Etholin as he produced the set of crystals from his satchel, perfectly sized for the compact projection device that Rikad kept in his rooms.
"Ah, splendid! Another of the young lady's documentary presentations on commerce? Or perhaps one of her theatrical serials? Both are fine ways to while away the night."
“I’m not sure, but Cadet Booker said we would enjoy them a great deal,” said Etholin as he placed the crystal into the office's projector. As the machine spooled up, a moving image was cast onto the whitewashed wall across the room. As with all Earthrealm recordings, it was entirely mundane, bereft of any sign of manafields. Compared to mana based memory shards, Earthrealm recordings felt like faded sketches. None of that hindered the recording's impact on the viewers.
"Hoh? This is-" exclaimed Rikad, eyes lighting up in recognition.
An Earthrealmer with a thick, lustrous beard strode into view, his confidence and enthusiasm palpable despite the muted colors of the recording. The Earthrealmer’s voice rang out from the projector, carrying that same confidence and infectious enthusiasm like a barker worthy of the title of Grand Master.
Rikad and Etholin cheered in unison.
"HI! BILLY MAYS HERE, WITH ANOTHER GREAT PRODUCT!"

🌿 Detailed Overview:
Explores the profound connection between sound and intimate relationships. The Goldmans delve into the ways sacred sound can be used to deepen emotional and physical intimacy, promote healing within relationships, and foster a stronger spiritual bond between partners. This book combines the principles of Tantra and sound healing to offer readers practical techniques and insights for enhancing intimacy through the transformative power of sound.
🔍 Key Themes and Insights:
Sound as a Bridge: The Goldmans begin by discussing how sound acts as a bridge between partners, creating a deeper connection and understanding. They explore how the vibrational energy of sound can harmonize relationships and facilitate communication.
Intimacy and Healing: A central theme is the healing potential of sound in intimate relationships. The Goldmans explain how sound can help release emotional blockages, heal past wounds, and create a safe space for vulnerability and openness.
Practical Exercises: The book provides a variety of practical exercises for couples to practice together. These include vocal toning, chanting, and using instruments like singing bowls to create a shared soundscape that enhances intimacy and promotes healing.
Sacred Sound Rituals: The Goldmans offer guidance on creating sacred sound rituals that couples can integrate into their daily lives. These rituals are designed to deepen the spiritual connection between partners and create a sense of sacredness in their relationship.
Breath and Sound: The integration of breathwork with sound practices is emphasized as a powerful tool for enhancing intimacy. The Goldmans discuss how synchronized breathing and vocalization can create a harmonious and intimate experience for couples.
Chakra Alignment: The book explores the role of chakras in intimacy and how sound can be used to balance and align the energy centers of both partners. The Goldmans provide techniques for using sound to enhance the flow of energy and deepen the connection between partners.
Emotional Resonance: The concept of emotional resonance is discussed, highlighting how sound can amplify emotional expression and empathy within a relationship. The Goldmans offer exercises to help couples attune to each other's emotional states through sound.
Creating Sacred Space: Guidance on creating a sacred space for sound practices is included. The Goldmans suggest ways to enhance the environment with sound, making it conducive to intimacy and healing.
Personal Stories and Testimonials: The book features personal stories and testimonials from couples who have experienced the transformative power of sound in their relationships. These stories provide inspiration and insight into the practical application of the techniques discussed.
Integration into Daily Life: Tips for integrating sound practices into daily life are provided. The Goldmans emphasize the importance of regular practice and offer practical advice on how couples can incorporate sound healing techniques into their routines to maintain and enhance intimacy.
Audience Takeaway:
"Tantra of Sound: How to Enhance Intimacy with Healing" is an invaluable guide for couples seeking to deepen their connection and promote healing within their relationship. Andi Goldman and Jonathan Goldman provide a comprehensive exploration of how sacred sound can be used to enhance intimacy, offering practical techniques and profound insights. Readers will learn how to use sound to harmonize their relationship, heal emotional wounds, and create a deeper spiritual bond with their partner.
💌 Your Experiences and Reflections:
Have you explored the use of sound in your intimate relationship? How have the techniques and insights from Andi and Jonathan Goldman's book influenced your approach to intimacy and healing? Share your experiences and reflections on the transformative power of sound in your relationship. Let's discuss the benefits and challenges of integrating sacred sound into intimacy and daily life.

• Purchase

So I noticed that when listening to spotify, my surround sound speakers aren't working. Odd. So I start looking into it, and not only does spotify not really support 5.1 surround sound, but nearly all music is not mixed in 5.1.
So knowing that, how do cars and really nice headphones have surround sound with music? Ive listened to music before and it clearly has some sort of surround sound. I can music in front of me, behind me, above and below me.
So what is happening here? How is it normal that music just isnt recorded in surround sound, but yet when listening to it, you can hear it in surround sound in your car or with headphones?

Well well, look what we have, more bands with bizarre names. Will this ever end? Maybe not. But anyway, part 4 of the weirdest and the best names in all of music. Here they are:
Sweet Children (better known today as Green Day)
Rainbow Kitten Surprise (this name doesn't fit with their sound)
Finger Eleven (previously: Rainbow Butt Monkeys. Another atrocious name)
Live (a name impossible to search on Google)
Infant Annihilator (of course it's a metal band)
The Academy Is... (... is what?)
Men I Trust (show me how you trust them)
Cat Rapes Dog (oh... oh no...)
Rectal Smegma (ew)
Let's Eat Grandma (commas matter)
Slightly Stoopid (perfectly fits them)
Throbbing Gristle (ouch)
Cherry Poppin' Daddies (nice)
Dying Fetus (on the same vein as Infant Annihilator)
Fat Freddy's Drop (don't be mad at me kiwis)
3 (not 1, not 2, but 3)
3.2 (3 and something else)
Five Finger Death Punch (eh...)
Disco-Tex & His Sex-O-Lettes (bruh)
Excrementory Grindfuckers (no words)
OGRE YOU ASSHOLE (don't disrespect shrek like that)
Car Seat Headrest (great thing to name your band after)
Neutral Milk Hotel (what does that mean?)
Brand New (brand new bad name)
Krasnoznamyonnaya Diviziya Imeni Moej Babushki (Russian indie band. Good luck pronouncing that name)
Handsome Dick Manitoba (fabulous)
Big Dick (it's not mine)
Soccer Mommy (volleyball daddy)
Begging For Incest (German metal band)
The Child Molesters (you could've chosen any other name!)
Bhad Bhabie (cash me outside, how about that?)
I'm from Barcelona (they're from Sweden)
Well that's enough bizarre names for today. Part 5 soon. Thanks for reading!

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Been playing DKC2, and I'm fascinated about the music and sound effects, though, there is one I can't find online, and that is the green light whistle from Target Terror. Does anyone know what sound it is, or a link with a rip of said sound effect? Would be very appreciated

First off, awesome music and feels as expected, and enjoying the gameplay even if it's simplistic. The only thing I dislike so far is that you cannot equip stuff inside a dungeon and need to warp out. It kind of makes the excitement of finding stuff and wanting to equip it null and void lol
Anyway, t seems like you don't get much mp at all (5mp to use and 24mp max at the start), and it also seems like offensive magic is pretty underwhelming so I'm left thinking pick one for the support magic.
Should I just pick Wisp for some extra heals, Dryad gor status protection, or go for one of the status effects on my weapon? Burn, Freeze, Unable to attack, Paralysed all sound useful. Would this work well with the flail (which I believe hits in a wide arc around you?). The healing nuts seem pretty plentiful in dungeons. The only downside is if status effects don't work on bosses. That would probably be a dealbreaker tbh. However, if the healing of Wisp stays 30hp, then I'd imagine that it is useless later on if I have way more hp. Hopefully, I can just freely switch them

First of all, this is a sincere question for you guys I'm posing with the utmost respect. I'm just at the starting blocks of reading music notation. I know this has been an eternal heated discussion but still I'd like some personal feedback on this.
I'm rotating three instruments right now and I'm dedicated to the idea of developing my skill as in-depth as possible. I know it sounds stupid then to dismiss music theory (I'm still giving it a real chance as it's probably just arrogance) but here's the thing:
When I just improvise on the piano without even thinking about where exactly I put my fingers, most times I just intuitively know where to go and that often creates beautiful little segments. Admittedly yes, I do get lost all the time and miss the right notes frequently. In that regard, music theory could possible help.
Then when I try and play the piano more mindfully, or follow along a music sheet, I basically sound like a toddler who pressed his first keys ten minutes ago. If I were to develop a piece bymyself, I could get it to sound rather nice rather quickly by just going at it. If I were to play that exact same piece by reading notation, I'd fuck up all over the place. My fingers would know where to go, but my mind would just put up a hindrance on it.
It's like "NO, YOU SHOULD BE ABLE TO IDENTIFY THE NOTE BEFORE EVEN THINKING OF TOUCHING IT"
This often makes me think about music theory as a sort of brake that interrupts your flow rather than enhance it. Or in fact a gateway for non-musical people to still play and perform music, a mechanical approach for those who don't really have that intuition. Because even if you are a master at reading sheet music, you're basically trained to perform music that's not yours, by people who often developed it without ever writing it down themselves (Ok, ignoring all famous classical composers here, but that still accounts for most famous modern musicians).
I'm very open to the possibility that this is just the frustration zone of the learning curve I must get over. But still, when I think of all the people whose music I adore most, they're all untrained. Sure, they're geniuses, but still. They just went at it, instead of 'planning out' their notes like an engineer or something.
I mean, when I think about music I associate it way more with an impulsive, emotion-driven painting than a carefully planned construction.
Also the fact that so often I encounter people who know their music theory, flex their notation sheets of their compositions, that then sound like utter shit.
Surely I can't be the only one that feels this way?