Wildstyle maker

In publishing and graphic design, lorem ipsum is a placeholder text, commonly used to demonstrate the visual form of a document, without relying on meaningful content (also called "greeking" - see below). Replacing the actual content with placeholder text allows designers to design the form of the content before the content itself has been produced.
The "lorem ipsum" text is typically a scrambled section of "De finibus bonorum et malorum", a 1st-century BC Latin text by Cicero, with words altered, added, and removed to make it nonsensical, improper Latin.
A variation of the ordinary "lorem ipsum" text has been used in typesetting since the 1960s or earlier, when it was popularized by advertisements for Letraset transfer sheets. It was introduced to the Information Age in the mid-1980s by Aldus Corporation, which employed it in graphics and word-processing templates for its desktop publishing program PageMaker.
"Greeking" itself is a style of displaying or rendering text or symbols, not always from the Greek alphabet. Greeking obscures portions of a work, for the purpose of either emphasizing form over details, or displaying placeholders for unavailable content.
The name is a reference to the phrase "Greek to me", meaning something that one cannot understand, so that it might as well be in a foreign language.
Greeked text is used in typography to evaluate a certain typeface's appropriateness, overall style, or type color. Because a viewer can be distracted by meaningful content, greeking unimportant text forces the viewer to focus on layout and design.
Greeking is also used when a design is being developed, but the content is unfinished. One example might be the layout of a magazine article which has photographs, but no text; initially, a "lorem ipsum" text is used, and then the nonsense text is replaced with draft versions as they become available.
This allows design and layout to be carried out in parallel with content revisions.
As in typography, greeking involves inserting "nonsense text" or, commonly, Greek or Latin text in prototypes of visual media projects (such as in graphic and web design) to check the layout of the final version before the actual text is available, or to enhance layout assessment by eliminating the distraction of readable text. Text of this sort is known as "greeked text", "dummy text", or "jabberwocky text" [referring to Alice in Wonderland author Lewis Carroll's tendency to make up words for his books, i.e. "jabberwocky"].
"Lorem ipsum" is a commonly used example, though this is derived from Latin, not Greek.

Asemic writing is a wordless, open semantic form of writing. The word asemic means "having no specific semantic content," or "without the smallest unit of meaning."
With the non-specificity of asemic writing, there comes a vacuum of meaning, which is left for the reader to fill in and interpret. All of this is similar to the way one would deduce meaning from an abstract work of art. Where asemic writing differs from abstract art is in the asemic author's use of gestural constraint, and the retention of physical characteristics of writing, such as lines and symbols.
Asemic writing is a hybrid art form that fuses text and image into a unity, and then sets it free to arbitrary subjective interpretations. It may be compared to free writing, or writing for its own sake, instead of writing to produce verbal context. The open nature of asemic works allows for meaning to occur across linguistic understanding; an asemic text may be "read" in a similar fashion, regardless of the reader's natural language.
Multiple meanings for the same symbolism are another possibility for an asemic work; that is, asemic writing can be polysemantic, or have zero meaning, infinite meanings, or its meaning can evolve over time.
Asemic works leave for the reader to decide how to translate and explore an asemic text; in this sense, the reader becomes co-creator of the asemic work.
Asemic writing exists in many different forms. It is often created with a pen or brush, but can range from being hand drawn in the sand with a stick, and documented by photography, or to works on canvas, paper, computer images, and animations.
The key to asemic writing is that, even though it is traditionally "unreadable", it still maintains a strong attractive appeal to the reader's eye. Various asemic writing includes pictograms, or ideograms the meanings of which are sometimes suggested by their shapes, though it may also flow as an abstract expressionist scribble which resembles writing, but avoids words.
Asemic writing, at times, exists as a conception or shadow of conventional writing practices. Reflecting writing, but not completely existing as a traditional writing system, asemic writing seeks to make the reader hover in a state between reading and looking. Asemic writing has no verbal sense, though it may have clear textual sense.
Through its formatting and structure, asemic writing may suggest a type of document and, thereby, suggest a meaning. The form of art is still writing, often calligraphic in form, and either depends on a reader's sense and knowledge of writing systems for it to make sense, or can be understood through aesthetic intuition.
True asemic writing occurs when the creator of the asemic piece cannot read their own asemic writing. Relative asemic writing is a natural writing system that can be read by some people, but not by everyone (e.g. ciphers, wildstyle, etc.).
[...] Asemic writing occurs in avant-garde literature and art, with strong roots in the earliest forms of writing.

False writing systems are artificially constructed alphabets or scripts used (sometimes within the context of a false document) to convey a degree of verisimilitude. Examples of this include alien dialogue in comic strips, animated cartoons, and graphic novels (such as Alan Moore's The League of Extraordinary Gentlemen, and the Valérian and Laureline series). The script in Luigi Serafini's 1981 Codex Seraphinianus was confirmed by the author to have no occult meaning.
The Voynich manuscript, a mysterious work on which the Codex Seraphinianus was likely based, uses an undeciphered writing system that some speculated to be false. (Wikipedia)

"Do the writings and symbols used on character's wands, and in the newspapers, etc...you create for the franchise have any particular meaning?"

"No. The writing is just done for aesthetic design. If you look closely at some of them, like the newspapers, the speech is purposefully generated, or written in gibberish."

"As a creator of asemics, I consider myself an explorer and a global storyteller. Asemic art, after all, represents a kind of language that's universal, and lodged deep within our unconscious minds. Regardless of language identity, each human's initial attempts to create written language look very similar and, often, quite asemic.
In this way, asemic art can serve as a sort of common language—albeit an abstract, post-literate one—that we can use to understand one another regardless of background or nationality. For all its limping-functionality, semantic language all too often divides and asymmetrically empowers while asemic texts can't help but put people of all literacy-levels and identities on equal footing."