heres a list of everything ive watched already
ik its a long list, but please skim through it before reccomending a show :))
cause i always end up getting alot of comments reccomending shows to me that ive already seen
and please keep it to just shows so no movies :)) preferably 24 ep or shorter, but i dont mind longer shows as long as theyre good
also would prefer shows that are dubbed (ik, lame. but my TV is broken n its hard to read subtitles on my phone)
i enjoy both wholesome shows as well as gut wrenchingly depressing shows that will leave me feeling empty afterwards
most the shows on this list are ones i enjoyed watching, but there are sum that i didnt really like. i didnt rate them tho so 🤷‍♂️
n ofc if anyone here is interested in a show on my list that they havent seen before n wants to know my opinion on it n if id reccomend it to you, feel free to ask :))

1. Attack on Titan
2. Yugioh
3. Tokyo Ghoul
4. Elfen Lied
5. Eureka 7
6. Wolfs Rain
7. Soul Eater
8. Soul Eater NOT
9. Gurren Lagann
10. Mob Psycho 100
11. Squid Girl
12. Death Note
13. Black Butler
14. One Piece
15. Naruto
16. Pokemon
17. Demon Slayer
18. Scryed
19. Blue Exorcist
20. Parasyte: The Maxim
21. Hetalia
22. Junjou Romantica
23. Maiden Rose
24. (forbidden anime)
25. Devilman Crybaby
26. The Great Pretender
27. Fooly Cooly
28. Beastars
29. Brand New Animal
30. Toradora
31. Durarara
32. Cowboy Bebop
33. Sword Art Online
34. Immortal Grand Prix
35. Ghost Stories
36. Another
37. Space Dandy
38. Jojo's Bizarre Adventure
39. A Lull In The Sea
40. Food Wars
41. AJIN: Demi Human
42. Neon Genesis Evangelion
43. Anohana
44. Corpse Party
45. When They Cry
46. Violet Evergarden
47. Your Lie In April
48. Yuri On Ice
49. Free!
50. Megalobox
51. Pop Team Epic
52. March Comes In Like A Lion
53. The Way Of The House-Husband
54. Japan Sinks: 2020
55. Mondaiji-tachi ga Isekai kara Kuru Sou Desu yo?
56. Terror In Resonance
57. Scissor Seven
58. One Punch Man
59. Persona 5
60. Wonder Egg Priority
61. Paranoia Agent
62. Sailor Moon
63. Stars Align
64. Mononoke
65. Erased
66. SK8 The Infinity
67. Mushi Shi
68. Death Parade
69. Tokyo Revengers
70. Given
71. Angels Of Death
72. Serial Experiments Lain
73. Ghost Hunt
74. Banana Fish
75. B: The Beginning
76. 91 Days
77. Made In Abyss
78. Orange
79. Plastic Memories
80. Psycho Pass
81. Bungo Stray Dogs
82. Jujutsu Kaisen
83. Hikari: Be My Light
84. To Your Eternity
85. The Promised Neverland
86. Sarazanmai
87. Deadman Wonderland
88. Toilet-Bound Hanako-kun
89. Arcane
90. Hyouka
91. Pillow Boys
92. Akudama Drive
93. Gleipnir
94. Link Click
95. True Tears
96. Hamatora
97. Darling In The Franxx
98. Boogiepob Phantom
99. Boogiepop And Friends
100. Rascal Does Not Dream Of Bunny Girl Senpai
101. Fruits Basket
102. No. 6
103. Shelter
104. Kids On The Slope
105. Ranking Of Kings
106. Vivy: Fluorite Eye's Song
107. Blood Blockade Battlefront
108. Sonny Boy
109. Blue Period
110. The Orbital Children
111. Kiznaiver
112. Noragami
113. Darwin's Game
114. Odd Taxi
115. Steins;gate
116. Dororo
117. My Love Story!!
118. Kotaro Lives Alone
119. Darker Than Black
120. re:ZERO
121. Btooom!
122. Komi Can't Communicate
123. Princess Tutu
124. HoriMiya
125. NANA
126. My Hero Academia
127. A Place Further Than The Universe
128. Blue Spring Ride
129. Carole & Tuesday
130. Dorohedoro
131. Ikebukuro West Gate Park
132. Dance Dance Danseur
133. Cyberpunk: Edgerunners
134. Code Geass
135. High-Rise Invasion
136. Kakegurui
137. Monster
138. WataMote
139. Angel Beats
140. Welcome To The NHK
141. Kiss Him, Not Me
142. Bakuman
143. Inuyashiki
144. Domestic Girlfriend
145. Michiko And Hatchin
146. K-On
147. Gangsta
148. Charlotte
149. Clannad
150. Clannad After story
151. Beck
152. Summer Time Rendering
153. Assassination Classroom
154. Tomodachi Game
155. Fullmetal Alchemist: Brotherhood
156. Spy × Family
157. My Dress-Up Darling
158. Tokyo Magnitude 8.0
159. Chainsaw Man
160. Baccano
161. K-Project
162. Eden Of The East
163. Samurai Champloo
164. Akame Ga Kill
165. His And Her Circumstances
166. My Little Monster
167. Dr. Stone
168. Vinland Saga
169. 86
170. Buddy Daddies
171. Haikyuu!!
172. Hunter × Hunter
173. Deca-Dence
174. Shiki
175. School-Live
176. Ghost Hound
177. Kemono Jihen
178. Mieruko-chan
179. Takt Op. Destiny
180. Haibane Renmei
181. Rumbling Hearts
182. Barakamon
183. Now And Then, Here And There
184. Shadow's House
185. Heavenly Delusion
186. Oshi No Ko
187. Insomniacs After School
188. Aggretsuko
189. Sanrio Boys
190. Gloomy
191. Ouran Highschool Host Club
192. Say "I Love You"
193. Princess Jellyfish
194. Hell's Paradise
195. Migi & Dali
196. The Dangers In My Heart
197. Somali And The Forest Spirit
198. Hybrid Child
199. Zom 100
200. Pluto
201. My Home Hero
202. Mushoku Tensei
203. Lycoris Recoil
204. A Galaxy Next-Door
205. Solo Leveling
206. The Apothecary Diaries

One of the lesser known and discussed components to David Kibbe’s approach to developing an authentic personal style is his color system.
What I think is quite unique about his approach is that it is rooted in color theory. I know that sounds kind of obvious… aren’t all personal color systems rooted in color theory? Not quite in the same way, no.
To go back to the absolute basics of color theory we start with the foundational concept of Primary Colors; Red, Yellow and Blue. Where In color theory; Yellow is Warm, Blue is Cool and Red is Neutral.
Disclaimer: Yes! There’s such thing as a Warm Blue or a Cool Yellow. David gives every season their own version of Yellow and Blue. However, we’re referencing a *pure** version of these colors - not a blend.*
So when we say “cool toned” this means the colors have a blue base since blue is cool. The same can be said for the concept of “warm toned” which means the colors have a yellow base since yellow is warm.
Now, nobody’s skin tone is literally yellow (we’re not lemons) or literally blue (we are not lizards). We are a complex blend of pigments that create a unique mix of tones within our skin, hair and eyes. What we’re looking to determine with our personal coloring here is wether we have a blue (cool) or golden (warm) undertone. With our hair and eyes providing extra clues but our undertone being the most important factor to consider.
Before we launch into the **Metamorphosis excerpt on David’s approach to personal color, I would like to pause and remind us all, that, as with all things Kibbe, it bares reminding that it is essential we leave all prior ideas on colouring aside and approach this process with a sense of playful exploration and curiosity. Our personal coloring just as our Kibbe ID is part of what makes us uniquely beautiful. So it’s not about there being a “correct” or “incorrect” answer. It’s about celebrating what is innate to us.*

Discovering the magic of your coloring

So much has been written in recent years about your coloring and "having your colors done" that I simply can't take you through this journey without a brief detour in this often confusing area.
As a firm believer in the beauty of our natural coloring, I've always felt that it should be enhanced and prized as one of our greatest gifts from Nature. Since I could be described as one of the pioneers of the modern color movement, I've worked long and hard to educate the public about the possibilities and systems that exist to make working with your coloring easy, clear, exciting, and most of all, fun!
In the past few years, I've watched many variations spring up on the basic theme of personal color analysis. As in all extremely popular fields, some of the "new" variations are simply gimmicks de- signed to cash in on the latest fad, while others bear at least some validity.
For my money, however, the basic system of the seasonal color theory originally developed by Johannes Itten of the Bauhaus School is still far and away the most effective.
This theory divides your coloring into four basic categories named after the seasons, based on two parts of your genetic makeup: (1) the undertone of your skin, which is blue or golden and functions as the "base" of your coloring; and (2) the in- tensity of your coloring, which has to do with the type of "contrast" between your hair. skin, and eyes.
Simply put, your "season" is a general description of the type of coloring you inherited and the palette of colors that will enhance it. Each "season" represents a family of colors that consists of over two million shades within the palette. Here's a brief description of each:

Winter

Blue undertone to the skin. High-contrast coloring (distinct difference between the hair, skin, eyes).
Palette: Cool, clear colors. Blue-based shades with sharp intensity. A jewel-toned palette ranging from vivid colors to very pale, icy shades.
Person: The hair is usually dark (a solid color as opposed to visibly highlighted) with an ash base, and the skin and eyes are quite clear.
Celebrities: Elizabeth Taylor, Cher, Diahann Carroll, Connie Chung.

Summer

Blue undertone to the skin. Blended contrast (the hair, skin, eyes tend to blend together).
Palette: Cool, muted colors. Blue- based shades with a saturated intensity. A dusty palette ranging from pastels to very deep shades.
Person: The hair is usually medium dark to medium light (a dense color with a very subtle highlight) with an ash base, and the skin tone is saturated while the eyes are softly muted.
Celebrities: Grace Kelly, Queen Elizabeth, Jane Fonda.

Autumn

Golden undertone to the skin. Contrast is medium to high, but characterized by richness.
Palette: Warm, intense colors. Yellow based shades with a heavy saturation of richness. A fiery palette ranging from very vivid, hot shades to a few softly muted neutrals.
Person: The hair is usually a richly highlighted shade with a red base, ranging from very deep chestnut to fiery auburn to a very deep honey. The skin tone is rich and saturated (ranging from very pale to very deep) and the eyes are a mixture of marbelized color.
Celebrities: Natalie Wood, Ann-Margret, Diane Keaton, Katharine Hepburn, Shari Bela- fonte-Harper.

Spring

Golden undertone to the skin. Contrast is delicate, but sharp.
Palette: Warm and clear colors. Yellow based shades with a light, bright intensity. A vibrant pal ette ranging from very fresh, vivid shades to a few clear pales.
Person: The hair is usually a medium dense shade (with a subtle natural highlight) and a golden or red base, ranging from medium golden brown to strawberry to golden blond. The skin tone is clear and delicate, and the eyes are crisp.
Celebrities; Shirley MacLaine, Sissy Spacek, Vanessa Williams, Arlene Dahl, Eva Gabor.

Draping the Seasons

Question: How can I determine my "season"? Can I tell by just looking at myself in the mir ror? Can I tell by looking at the underside of my wrists?
Not really. The best way to objectively determine your season is with the help of three or four friends. To correctly determine your season, you've got to first determine both the undertone of your skin (blue or golden), and then the type of contrast between your hair, skin, and eyes. The only way to accurately do this is by a process called "draping," whereby you drape selected shades of fabric under your chin and compare the color of the fabric to the colors in your face. You cannot determine your undertone by simply looking at your wrist because you are merely viewing the "shade" of your skin tone, as opposed to the undertone or base coloration.
In the draping process, you discover your skin's undertone by an indirect method. The aim is to enhance the undertone of your skin by using a complementary base color from the selected fabric.
Here's how to do this: With a group of three or four friends, assemble the following large swaths of fabric:

Four shades of green:

a) a blue-based emerald green (clear and vivid)
b) a blue-based sen green (soft and dusty)
c) a yellow-based mossy green (rich and in- tense)
d) a yellow-based bright chartreuse (light and clear)

Four shades of red:

a) a blue-based scarlet (clear and vivid)
b) a blue-based dusty raspberry (soft and muted)
c) a yellow-based tomato (rich and intense)
d) a yellow-based bright poppy (light and clear)

Four shades of blue:

a) a blue-based royal (clear and vivid)
b) a blue-based cornflower (soft and dusty)
c) a yellow-based teal (rich and intense)
d) a yellow-based bright aqua (light and clear)

Four shades of pink:

a) a blue-based fuchsia (vivid and clear)
b) a blue-based dusty rose (soft and muted)
c) a yellow-based salmon (rich and intense)
d) a yellow-based bright coral (light and bright)
Now drape each other in these colors, following the order in which they're listed. As you're watching this process, be sure to focus on the person's face, not the color. (Remember, you're seeking to discover which color brings the person out, not sim- ply the color you like best.)
In the right shade, you'll watch the person's skin tone become smooth and clear; shadows will seem to miraculously disappear!
In the wrong shades, the color will reflect onto the person's face; you'll notice the color, not the person.
Have your friends vote on what they're seeing. You'll nearly always find the consensus of others to be correct. (Your own opinion may be somewhat prejudiced by color preferences and the thought of having to change your wardrobe!)
If the consensus is that the colors of group a tested best on you consistently, you are a "Winter." If the consensus is toward group b, you are a "Summer." If the consensus is toward group c, you are an "Autumn"; and if the consensus is toward group d, then you are a "Spring."
NOTE: It's very important to perform this draping ceremony in natural light, so be sure you work near a large window with good sun exposure. Also, if your hair has been artificially colored, or has any chemical processing on it such as perms or waves, be sure to cover it with a white turban or bandanna. This will prevent your altered haircolor from throwing any shadows on your face, which could result in a misanalysis. This is crucial in determining your season, so don't forgo it in the name of vanity! Since the skin tone is a much subtler color than your hair, it's very easy to simply match the shades of fabric to the hair, rather than to the complexion. Also, be sure you remove all traces of makeup before you begin!

Questions & Answers

Q. Can I be a mixture of seasons!
A. No, you cannot. It's genetically impossible! Each "season" refers to a specific type of coloring, of which there are only four. For example, you cannot have a mixture of a golden and a blue undertone. Since the undertone functions as the base of your skin tone, it determines whether the shade of skin you have is either warm or cool. A color can only have one base, whether it's skin color, haircolor, fabric, a cosmetic shade, or even the paint on your wall!
The basic law of abstract color theory states that the base of a color determines its shade. For example, a burgundy red has a blue base. It is this blue base that actually causes the shade to be burgundy instead of some other shade of red, say tomato red or rust. Likewise, a mossy green is caused by a yellow base, while an emerald green is emerald because its base is blue! Your skin tone is exactly the same. An olive skin is always caused by a blue undertone. That's why it's olive and not a tawny beige (which is caused by a golden undertone). On the other hand, an ivory skin tone has a golden base, which is what makes it ivory instead of porcelain (which is caused by a blue undertone). There isn't a single individual-dead, alive. or yet to be born who possesses a mixture of undertones. It simply can not happen!
Q. What about "intensity"? Can I be a mixture of the "cools" (WinteSummer) or the "warms" (Autumn/Spring)!
A. No, you cannot. As with the undertone, you have one type of intensity to your coloring. High contrast coloring needs clear shades to enhance and bring it out effectively. Blended coloring needs a saturation of color to allow the subtlety of your coloring to show through gracefully. Mixing the clear colors with the dusty tones only negates your particular type of coloring.
Moreover, the palettes themselves simply don't mix effectively when you translate them into clothing and cosmetics. If you were to try to create color combinations of the cool Winter and Summer palettes, for example, you would never be able to effectively combine the jewel tones of Winter with the elegantly dusty shades of Summer. Since the palettes are of opposing intensities, the shades themselves are not at all complementary. Any resulting outfits of clothing would simply be a hodgepodge of mismatched colors!
Even more disasterous would be an attempt to mix the tones in cosmetics. For a makeup to be successful, you absolutely must keep all the colors on your face in one family of color, both in terms of the base and the intensity. Mixing them is akin to wearing a shocking pink blouse with a bright orange lipstick! While the result might not always be this glaring, opposite color families do not blend together!
Q. But I've had my colors done "professionally," and I was told I'm a mixture. Why would that have happened?
A. Basically, that means one of two things. Either you were analyzed incorrectly, which is, unfortunately, becoming quite common because of improper training and a lack of experience among color consultants, or it's simply a question of semantics.
Frequently, in an effort to delineate among the specific shades that you can actually wear effectively (be cause of the variations in individual skin tone, hair, and eye colors that exist within a season), color consult ants have attempted to make your palette as specific to you as possible. This sometimes manifests in your being labeled a mixture of seasons or having a "subseason." While this is technically incorrect, since the colors within the seasonal palettes do not actually blend with the other palettes, the result is usually a way of defining the range of shades within your season that appear most exciting on you.
From my experience, based on analyzing thousands of clients over a number of years, I simply find it too inaccurate and confusing to try to suggest to my clients that they "mix" the palettes. It's not helpful in a practical sense, for it doesn't actually add any colors that they can effectively work with in clothing, cosmetics, or haircolor. And, since it's technically incorrect, as I previously stated, I find that the clients who come to our salon with a "mixture" of colors nearly always have either a diluted appearance, in terms of focus, or they have a lot of mistakes hanging in their closets! Can my "contrast" change with age?
Q. What about as my hair turns gray? Does this change my season?
A. No, your season never changes with age, or anything else! As your hair begins to gray, Nature is not only changing your haircolor, but is also changing your skin tone and eyes at the same time. The balance among these three elements always remains the same. For example, if you're a mature Vivid Winter, like actress Bea Arthur, the balance among your haiskin/eyes is best described as high contrast. You have a vivid haircolor, a fair skin, and an intense eye color. True, your haircolor is not the same as when you were twenty years old, when it was probably a deep brunette, but you've maintained the high contrast coloring you were born with. As your hair began to gray, it didn't turn a dull or mousy shade of gray, but rather went a brilliant silver, didn't it? Your skin and eyes have actually gotten lighter at the same time, even though this difference is probably imperceptible to you. Do yone that your high contrast has not changed at all! You still have a vivid haircolor, a fair skin, and an in- ten eye color. Your balance has remained the same! You are still a Vivid Winter, and the colors that focus your specific coloring are still cool and clear!
Whatever your season, Nature created your haiskin/eyes as a unit. They always change together, and the balance among them never changes That's why your season never changes!
Q. Does my season have anything to do with style? For example, I read somewhere that Winters should stick to solids and geometrics, while Autumns are very good in tweeds and textures.
A. Not in the least! Having your colors done has absolutely nothing to do with anything other than determining what your skin tone is and which palette of colors to work with to enhance it. It tells you nothing more specific than the range of colors to use. Your specific clothing choices (including fabrics and textures, as well as shapes and lines), makeup shades, and haircolor range all come from developing your personal style through discovering your Image Identity.
For example, Autumns are frequently told to concentrate on use of textures in their wardrobe. Yet Ann-Margret is a Fiery Autumn, but as a Theatrical Romantic, I'd much rather see her in silks, satins, angora, and se quins than rough textures or tweeds any day of the year!
Having your colors done can be a wonderful and exciting addition to your life, and I highly recommend it when it's properly executed. Just be careful not to give it more importance than it's worth. Your coloring is only one part of you - it's worthy of being carefully looked at, but only within the contest of your total look.

Now I’m sure for those of us who are more visual the written descriptions of these colors can be ultra confusing! Unfortunately we can not share the seasonal palettes David has created. However, the palettes as well as a wealth of additional information on the sub seasons, additional celebrities as well as the three make up palettes for each season etc. can be accessed within the Four Season Freedom Facebook Group.
My personal tip is to get a good grasp on basic color theory by understanding what blue based vs yellow based colors look like. A really creative and explorative way to approach this is by getting some paints out and mixing the tones to see how blue (cool) with added yellow (warm) transforms into a warm blue. (Please ensure you use a true Yellow, a true Blue, a true Red, a true Black and a true White).
The goal of the system isn’t to just wear the colors David has in his seasonal palettes - it’s to use these as a jumping off point. So, that you can then take the concept of your coloring and have the ability to intuitively identify colors that harmonise with you rather than pull out a palette on your phone every time you go clothes or make up shopping!
Each season can be quickly understood by what it’s characteristics evoke:

Winter (Cool) is Jewel

Spring (Warm) is Vibrant

Summer (Cool) is Lush

Autumn (Warm) is Fiery

A quick disclaimer!! No season gets boring muted colors. Everyone gets beautifully saturated colors! You won’t see the sad, drab and dull tones often seen in other seasonal color systems here! For example Summer is Lush in tone not muted and Autumn is fiery in tone, again not muted In any sense if the word.

Let’s talk about the defining characteristics tied to certain seasons

I want to preface this part, by reminding us all that much like our Kibbe ID, we are born with the innate characteristics we have ; we are who we are meant to be! And so it’s never a case of being relegated to certain IDs or color seasons based on certain characteristics. But, instead we are embarking on the journey to discover what has always been there with the objective of achieving harmony with ourselves and in doing so bringing out our unique beauty.
Brown eyes Brown eyes are a feature of high contrast coloring and therefore will always be a high contrast season; Autumn or Winter.
Naturally Ginger / Red hair Ginger / Red hair is a warm color (a mix of a golden base with added red) and therefore will always be a warm season; Spring or Autumn.
An Olive undertone Olive is always caused by a blue undertone, therefore it will always be Winter.
Naturally Blonde hair Blonde hair can be any season except for Winter which requires a high level of contrast between the features; Skin/HaiEyes.
The Color Black Black is considered a cool tone that casts a shade on its surrounds, due to its depth of contrast is only given to Winters as with Winters it enhances the clarity of coloring whether-as with all other seasons it muddies their coloring.
The Color White White, on the other hand is universally given to all seasons as it is considered a neutral.

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Sudan tiba masa untuk Malaysia jadi berdikari dan independent dan kurang bergantung kepada negara luar..Ini bukan pasal Bangsa tetapi Malaysia.Aku tak cakap tentang dasar negara,tetapi kita sebagai rakyat perlu cuba berusaha untuk menjadi berdiri di atas kaki sendiri kerana ia boleh membela nasib kita pada masa hadapan kerana bertepatan dengan cita rasa tersendiri..Contoh,kereta import terlalu mahal di Malaysia padahal murah di negara asal mereka.Malaysia pernah menjadi negara OG bila membuat satu bangunan terrtinggi dunia pada suatu masa..Kekuatan kita datang dari kebolehan untuk berdikari..Sedia maklum negara yang beljaar berdikari menjadi kuasa kuat seperti Jepun dan China..it’s about time young blood..Kerja bagi maruah dan kuasa kerana Negara berdikari yang mengikut Islam boleh menjamin keamanan dan kesejahteraan,walaupun kau bukan Islam,kau juga akan dapat manfaatnya berbanding negara yang tidak beragama
Kelebihan berdikari -(Produk lebih mesra Muslim dan lebih murah -Tidak memerlukan buruh luar terlalu ramai sehingga menggadai keamanan negara) -(Membuat produk seperti filem atau baju bersesuaian dengan budaya tempatan tanpa budaya lucah) -(Lebih banyak bahan ilmu bahasa Melayu membolehkan minda masyarakat bertambah maju) -(Boleh memberi suara dan kesan di pentas dunia apabila berlaku ketidakadilan seperti Palestin) -(Kualiti dan kebersihan yang baik kerana rakyat Malaysia pembersih integriti disebabkan agama Islam dan budaya) -(Menjaga keamanan negara Malaysia yang tidak keras dan heartless seperti negara lain seperti India atau negara barat) -(Agama dan budaya dapat dilindungi) -(Setiap negara mempunyai keistimewaan tersendiri,dan ia dapat dilindungi) -(Mendorong rakyat Malaysia untuk bertanggungjawab atas nasib sendiri dan tidak lemah kerana mengharapkan orang lain) -(Keyakinan yang tinggi dan tidak rendah diri bersama bangsa lain diri sama tinggi duduk sama rendah seprti Us atau Jepun atau Korea)
Ini semua tidak akan dicapai tanpa kesedaran terlebih dahulu untuk menjadi berdikari dan kuat menentang anasir dan masalah

Ketahuilah, mencari pasangan hidup itu ibarat orang menunggu bus. Ketika bus datang kau mengamatinya lalu berkata dalam hati:
“ Ooh … penuh sekali … aku tidak bisa duduk”. Sebaiknya aku tunggu bus yang lain. Kau biarkan bus itu pergi lalu menunggu bus yang lain.
Bus kedua datang, kau mengamatinya tapi lalu kau berkata:
“ Ooh… bus ini sangat tua … butuh banyak perbaikan ! “ Bus itu kau biarkan pergi lalu kau putuskan untuk menunggu bus berikutnya.
Sejenak kemudian bus berikutnya datang. Bus itu tidak penuh penumpang dan tidak tua. Setelah kau amati, kau berkata:
“ Ooh… tidak ada AC nya, sebaiknya kutunggu bus yang lain “. Lagi-lagi kau biarkan bus itu pergi dan kau menunggu bus yang lain.
Hari mulai petang, langit mulai gelap, kau menjadi panik, akhirnya kau melompat ke dalam bus berikutnya. Setelah bus berjalan, kau baru sadar bahwa kau naik bus jurusan lain.
Kau buang waktu dan uangmu untuk meraih yang kau idamkan. Sesungguhnya, meskipun kau berhasil mendapatkan bus ber-AC, kau tidak bisa memastikan bahwa bus itu tidak akan mogok, atau bisa saja AC-nya terlalu dingin untukmu.
TUNGGU …
Aku yakin kau pernah mengalami peristiwa ini. Kau melihat bus datang ( bus yang kau idamkan, tentu! ) Kau pun segera melambaikan tanganmu.
Tapi … WUSSS … Sang supir ngebut melewatimu. Ia bersikap seakan-akan tidak melihatmu. Kau pun segera sadar, ternyata bus itu tidak diperuntukkan bagimu.
Pada hakekatnya, mencari pasangan adalah seperti mencari bus. Apakah kau akan menumpang dan menghargai bus itu … itu semua kembali kepada dirimu sendiri! Bila kau belum dapat mengambil keputusan, JALANLAH … Jalan memang berarti kau belum memperoleh yang kau idamkan. Namun, sisi baiknya adalah, kau masih dapat memilih bus mana yang yang kau inginkan. Adapun mereka yang tidak dapat pindah kendaraan, mereka harus puas dengan bus yang mereka tumpangi sekarang.
SEDIKIT LAGI…
Kadang-kadang lebih baik kau memilih bus yang kau sudah biasa dan kenal daripada mempertaruhkan dirimu dengan kendaraan yang sama sekali asing bagimu.
Tapi sekali lagi … hidup ini menjadi kurang mengasyikkan bila kita tidak berani mengambil resiko.

Ketahuilah, mencari pasangan hidup itu ibarat orang menunggu bus. Ketika bus datang kau mengamatinya lalu berkata dalam hati:
“ Ooh … penuh sekali … aku tidak bisa duduk”. Sebaiknya aku tunggu bus yang lain. Kau biarkan bus itu pergi lalu menunggu bus yang lain.
Bus kedua datang, kau mengamatinya tapi lalu kau berkata:
“ Ooh… bus ini sangat tua … butuh banyak perbaikan ! “ Bus itu kau biarkan pergi lalu kau putuskan untuk menunggu bus berikutnya.
Sejenak kemudian bus berikutnya datang. Bus itu tidak penuh penumpang dan tidak tua. Setelah kau amati, kau berkata:
“ Ooh… tidak ada AC nya, sebaiknya kutunggu bus yang lain “. Lagi-lagi kau biarkan bus itu pergi dan kau menunggu bus yang lain.
Hari mulai petang, langit mulai gelap, kau menjadi panik, akhirnya kau melompat ke dalam bus berikutnya. Setelah bus berjalan, kau baru sadar bahwa kau naik bus jurusan lain.
Kau buang waktu dan uangmu untuk meraih yang kau idamkan. Sesungguhnya, meskipun kau berhasil mendapatkan bus ber-AC, kau tidak bisa memastikan bahwa bus itu tidak akan mogok, atau bisa saja AC-nya terlalu dingin untukmu.
TUNGGU …
Aku yakin kau pernah mengalami peristiwa ini. Kau melihat bus datang ( bus yang kau idamkan, tentu! ) Kau pun segera melambaikan tanganmu.
Tapi … WUSSS … Sang supir ngebut melewatimu. Ia bersikap seakan-akan tidak melihatmu. Kau pun segera sadar, ternyata bus itu tidak diperuntukkan bagimu.
Pada hakekatnya, mencari pasangan adalah seperti mencari bus. Apakah kau akan menumpang dan menghargai bus itu … itu semua kembali kepada dirimu sendiri! Bila kau belum dapat mengambil keputusan, JALANLAH … Jalan memang berarti kau belum memperoleh yang kau idamkan. Namun, sisi baiknya adalah, kau masih dapat memilih bus mana yang yang kau inginkan. Adapun mereka yang tidak dapat pindah kendaraan, mereka harus puas dengan bus yang mereka tumpangi sekarang.
SEDIKIT LAGI…
Kadang-kadang lebih baik kau memilih bus yang kau sudah biasa dan kenal daripada mempertaruhkan dirimu dengan kendaraan yang sama sekali asing bagimu.
Tapi sekali lagi … hidup ini menjadi kurang mengasyikkan bila kita tidak berani mengambil resiko.

Banyak eh kes curang,dengan lelaki lain,dengan rakan universiti,check in lah..Korang ni gile eh??Bila kau berkahwin,hubungan itu bukan sekadar perkataan,lelaki itu bawa keluar harta dia,yg dia bekerja dengan titik peluh dia,kena maki kena hadap,dan bagi kat kau,walau dia tkda duit..Itu pengorbanan dari lelaki sbb dia cinta kau..ambil penting skit bila kau kahwin,itu satu ikatan yang kuat memerlukan masa dan tenaga..Kahwin bukan couple,ia menggabungkan keluarga,dan keturunan..Mungkin kau terlalu banyak tengok drama yang direka oleh orang non Muslim atau tgk porn,yg kau ingat benda tu boleh berlalu mcm tu sahaja.kalau kau curang,anggaplah kau dh tknak teruskan perkahwinan sbb most men takkan tolerate curang..Kau telah letak satu dilema yang besar kat lelaki tu yg terpaksa melepaskan org yang dia cinta sbb kehormatan dirinya.Melepaskan keluarga bahagia dan kesejahteraan anaknya.Dan menghanguskan usahanya selama ini..Kalau kau tk betul2 suka lelaki tu dan kau tk hormat suami kau,jangan kahwin dengan dia lebih murni dari kau tipu dia

Kita belajar pri bahasabdan simpulan bahasa dia punya ayat mesti akan ada kaitan dgn erti dia. Mcm " menatang minyak yg penuh".kita tatang dlm keadaan yg berhati2. Jadi kenalah dgn maksud dia ataupn simpulan bahasa "berat tulang" maksudnya org yg malas. Masa kita malas semua rasa beratkan.
Tapi ada satu simpulan bahasa ni yg buat aku tak boleh tidur mlm iaitu "Buruk siku" yg mksudnya org yg meminta benda yg telah dia beri kepada orang lain. Saya terfikir apa kaitan buruk siku dgn ambik barang yg diberi?

Sesuai judul, I'm currently in the market for a used car. Budget saya sekitar 80 jutaan, dan saya terbuka untuk semua saran di rentang harga tersebut. This will be my first ever car. Saya ga terlalu mikir harga jual kembali. Saya lebih concern dengan durability dan kemudahan perawatan. This car will work quite hard, dipakai sehari-hari.
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Main usage: untuk angkut keluarga. Posisi saya di Malang, jawa timur. mobil akan digunakan sebagai alat transportasi utama dengan kondisi medan jalan yang cukup baik.
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Form factor: saya berharap bisa dapat 7 seater 1,5 sampe 2 liter macam Avanza, Livina, Ertiga (hehe..), dan sejenisnya. Saya butuh ruang yg relatif luas untuk anggota keluarga dan mungkin sedikit barang. Tapi sekali lagi, saya terbuka untuk saran lain. Pengen Innova tapi sadar diri duitnya mungkin ga cukup.
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About me & vehicles: Saya ga ngerti sama sekali tentang permesinan. Saya juga bukan orang yang rajin mencuci dan membersihkan kendaraan. Tapi saya sangat tertib dalam hal servis kendaraan, ganti oli, dll.
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Ask me questions in the comment. If you just want to educate me about anything car, that would be welcome too. Any input is appreciated. Thanks Komodos.