The statue of liberty test review, scott foresman

JUNE SHIFT SCHEDULE test

2024.05.28 23:21 OmegaMan256 JUNE SHIFT SCHEDULE test

MY SHIFT DEFINITION: To SHIFT is the action of one’s consciousness leaving and redirecting itself, from its present parallel body, on its present parallel Earth, to another parallel body, on another parallel Earth. The body it leaves is instantaneously re-occupied by another consciousness, of another parallel version of the same person.
Each parallel-person’s SHIFT is part of a domino-effect style chain-reaction, comprised of an unknown number of parallel-versions of the same person. **This Chain-Reaction Event occurs 6 to 7 times per year, per person. ……………………………………….
Hello everyone, the 1st SHIFT-window test was a success, please see Post, “SHIFT-Theory Results.” Now we have two more untested SHIFT Windows coming up in June, only 5 to 6 days apart. Originally I found only two-Windows but I’ve since located a third.
As the above graphic shows, I’ve assigned each Window a name: Omega, Delta & Gamma. Gamma is the new one. I’ve identified its existence, but only the test will tell if the forecasted Window-date is matched correctly to it.

I’m 100% sure of date-SHIFT Delta
I’m 75% sure of date-SHIFT Gamma

Each Window is joined to a separate grouping of people. Once you’ve experienced a SHIFT on a forecasted date, you’ll know which of the 3-Windows is joined to you. For those of you who Shifted on May 8th / 9th, its an absolute, you’re joined to the Omega-Window. Your next SHIFT date is not until September.
This is the nature of the SHIFT-Window schedule. Sometimes one Window for one group, is open for a few consecutive months and other times its not. Since the last test results, I’ve gained further enlightenments into the “Rules of Shifting” which the phenomenon follows. I’ll now share with you what I’ve learned.
From this point on, my Post will use the name MANDY to refer to the phenomenon. It’s a less awkward word and derived from the first 4-letters of Mandela.
I’ve learned: DO NOT KEEP AN OBJECT IN OPEN-VIEW, TO MONITOR ME-CHANGES, DURRING FORECASTED DATES
::: My Experience with the Statue of Liberty’s Coordinates: I knew for a certainty, I’m joined to the Omega-window, that’s why I named it after my Reddit name. In my original Post, forecasting the Omega 8th/9th window in May, I advised everyone to write down and memorize the coordinates of the Statue of Liberty. I felt the 3-islands in NY Harbor (Liberty, Ellis & Governors Islands), seemingly change position per SHIFT.
Additionally, prominent features of the statue’s island change as well. Between the statue’s coordinates and its Island features, an effective SHIFT-confirmation can be made.
I also suggested, writing down the coordinates was a perfect MONITERING-tool. Meaning, by leaving it “in open view” during the SHIFT-window, at some point we’d notice the numbers had changed to that of the current statue. That’s because our parallel-selves would have also written coordinates respective to they’re own statue.
After the SHIFT-window closed, I saw no change in the coordinates, the features were the same and the locations of all 3-islands looked unchanged. Furthermore, I reviewed the continents and countries on google-maps and found no discernable geographic differences. Also, I heard back from a number of people, involved in my Post, who said the coordinates did not change for them.
I spent the next 48 hours convinced I had not shifted and was quite bewildered and feeling down about it. Specifically I was upset that, not only did it stop my own-SHIFT but for many others joined to the Omega-window, who used the coordinates for monitoring.
In my deep-dwelling about it, I felt the cause was related to the “open view monitoring” of the coordinates.
::: Then I realized I HAD Shifted: My realization was due to a number of fascinating, personal ME changes:
1) A SHOWER THAT NEVER EXISTED Two months ago, my building completed a 3-year renovation on its pool area, including new bathrooms. Walking into the Men’s room, the first thing you see ahead are 3 brand new adjacent stalls, a typical setup for most commercial bathrooms.
About 3-days after the the Omega Window closed, I walk in and now there’s only ONE stall. The other two were now merged into one, with a big plastic shower curtain. The two-stalls turned into a single-shower! My first thoughts; “Could they have converted two stalls into one shower, within the past a few days?”
I walked over to the pool attendant and asked; “There’s a big shower in the Men’s room, I don’t remember it, did they just build it?” His answer; “Its been there since the beginning.”
2) SUDDEN APPEARANCE OF AN OLD NEIGHBOR Going back 1 ½ years ago, there was a noticeably odd, married couple living in my building. The husband was a very elderly man, on a walker and his wife was about 40 years younger than him. As they walked together, his walker wasn’t enough, she had to hold him tight by the arm so he wouldn’t fall. Also notable, she was always very affectionate with him.
I remember a few months had gone by before noticing I didn’t see them anymore. I asked the front desk guard what became of them and was told the husband became too weak and needed a nursing home. He’d left the building in very bad shape and the feeling was he hadn’t much time left.
That was over a year ago. A few days after the Omega Window, I walked into the elevator and there he is! Standing perfectly normal, walking perfect and looking completely healthy. He proceeded to walk into the parking garage to his car. His car? This man was barely holding his balance to walk and now he’s walking and driving like nothing ever happened.
He’d left in bad shape on route to a nursing home and now he’s back and he’s functioning at 100%? I’ve seen him a few more times after this but I’m uneasy to bring up the subject. For one thing, his loving wife is no where to found, he’s always alone. What if he says, “What wife? I don’t know what you’re talking about”. I’m not ready for any fantastic answers yet because this scenario reminds me of the dead celebrities Alive-again, its eerie.
3) CORRUPTED PHOTOS About 6-weeks ago, after taking hundreds of ME screen shots, I decided to move the photos off my phone to clear storage. I moved the files onto an external hard drive. Last week I plugged the external into my laptop to examine the photos and a good number could not open. When I clicked a photo, I got a message stating a possible corrupt file.
Its been my understanding, when photos become corrupt, rather than changed to an alternate image, taken in the present-reality, it means the photos were never taken at all by my parallel in this present reality. This kind of thing happens often enough after a SHIFT but the frustrating part is, I’m unable to determine which corrupted-file goes with which photo.
What’s interesting about this; On the one hand, this world I shifted-to, appears to be a geographic-clone of my previous world but on the other hand, I’m experiencing some exceptionally strange, personal ME effects.
My understandings and conclusions: Based on my Post-searching research, there’s yet to be a case where someone openly displayed a physical object, specifically for SHIFT monitoring, an object known for frequent ME-flip-flops, a Foot/Fruit Loops box for example, and eventually reported the object had indeed changed to its alternate version.
A RULE OF SHIFTING The Almighty designed Mandy to STOP any and all, intentional and anticipated **visually OPEN MIRICLES. That means, the monitored-object, in its present appearance, REDUCES one’s Parallel-World options, to those in which the object exists in its present-version.
The average person is simply forbidden to induce, blatant miraculous events. So much so, the Priority of this Rule subordinates the SHIFT-WORLD action itself. The choice of SHIFT-TO Worlds becomes significantly reduced, per Mandy’s gauging one’s degree of visual notice, of an ME-variable, near and during the SHIFT window.
An object seriously monitored for change, crosses a set-threshold and re-determines SHIFT-WORLD location. I’m emphasizing VISUAL because I feel Mandy does not react as strictly with our other senses (touch, taste, smell & hearing). As the proverb goes, “Seeing is believing.”
Induced, visual OPEN miracles, with rare exception, belong exclusively to our Creator. An Open miracle versus a Hidden miracle is a Night & Day difference.
ADDITIONALLY: The Almighty clearly designed the SHIFT-transition to be hidden, not revealed because everything HE creates has an attribute of Modesty. Isolating the object as a monitoring-tool removes Mandy’s modesty, baring her naked. Similar if one forced a person to undress in public or a Peeping Tom, watching an undressed neighbor.
Therefore visual- monitoring during your SHIFT window will NEVER WORK but will greatly limit the available Worlds for you to visit. That means possibly missing out on many new fascinating MEs to behold!
Knowing your Shift-dates comes with both advantages and responsibility. Now that you’ll know the dates of your SHIFT, do not examine known MEs near or during these times. Don’t look for any on the internet or the phone if screenshot. Once the SHIFT-window is closed, you can review and enjoy all the new changes!
::: GETTING BACK TO THE STATUE OF LIBERTY Because the islands in NY harbor are typically changed per SHIFT, the coordinates of the statue are exceptionally unique among the many Parallel-Earths. I am not surprised I got pigeonholed to such a similar World.. boring!
The good news is, if I never ran the coordinate-experiment, the new SHIFT understandings would not have been realized. Furthermore, the fact this Earth is so similar to my last, suggests that each Parallel-Earth may have at least ONE geographic twin. Further, I believe this means the Quantum-Entanglements, our Creator used to join these pairs, is of a different nature than those HE otherwise uses to entangle geographically-different Earths.
:: MY VIEW ON SCIENCE My last Post, “Shift-Theory Results” took some heat for my speaking entirely about the Almighty and nothing about science. The funny thing is, I didn’t use one spec of science to decipher the SHIFT Theory, only my experience of deciphering Godly secrets.
My position on science is quite simple, like everything created, HE created science as well. HIS genius within creation is that every process of creation is self-generating. This of course can create the illusion that life, worlds and universe created itself, which is exactly what most scientists, unfortunately choose to believe.
That being said, about a year before my initial-SHIFT into Orion, I found myself drawn to youtube videos about Quantum Mechanics. Watching these back to back and I wasn’t sure where this sudden interest came from. I was especially drawn to the topic of Quantum Entanglement, I watched several of those and a year later, about 10 days after I realized I was Mandela affected and after watching the two famous Residue clips of Carl Sagan and Neil Tyson, I immediately concluded this phenomenon (Mandy) is very much involved with Quantum Entanglement. Its only because I was compelled to watch those videos a year earlier, I was able to conclude my first serious revelation of what’s happening.
The Almighty designed Quantum Entanglement, not only to SHIFT us but to transmit Residue from world-to-world and maintain our Parallel versions physically synchronized to each other most of the time.
I believe a primary reason HE created the entirety of Quantum Mechanics was to enable Mandy’s functionality. When I say this please understand, our Creator doesn’t rely on Science to exist or to Create things but Science relies entirely on HIM to exist and maintain itself.
::: MY DECIPHERING OF THE ORGINAL SHIFT THEORY Upon my last Post, a certain person, I won’t name, accused me of lying; stating that in my original Post, forecasting the May 8th/9th window, I said I’d reveal “how I derived the SHIFT-dates once the theory is proven. I never said this.
If you examine the Post, you’ll see my exact words were, “..our-shifting is directly tied to the calendar..” “I’m going to hold off explaining further until this theory is TESTED and PROVEN..”
::: NOW THAT ITS PROVEN, HERE ARE MY FURTHER STATEMENTS As stated in my Post, “Shift-Theory Results”; I’ve been deciphering Godly secrets & mysteries for 18 years. These Secrets are not intended for public disclosure and often, upon the Almighty revealing HIS secrets, HE affects me with feelings of Trepidation, the level of which depends on the seriousness of the Secret.
HE made clear to me, in HIS own way, I’m allowed to reveal your SHIFT-dates on the calendar but I’m not allowed to disclose the specifics of deriving the SHIFT-dates or how I know each window is assigned to a different group of people.
That’s why I had to be vague in my original Post. If I spoke nothing about it, I would’ve been bombarded with the same questions, of which I’m restricted to answer and no one would’ve given serious consideration to the forecasted dates.
You, the Retconned Community, should be the first ones to appreciate HIS need to guard certain secrets. ALL OF US are living in a very serious-secret right now. So secret in fact, our Creator has hypnotized many millions of ME-affected people into never accepting Reality has Changed. So much so in fact, that no matter how much effort we try to wake them, they will resist and continue to remain uninterested and unknowing.
Can you imagine for one moment the utter Chaos that would arise in the World(s) had HE not hypnotized them? Ongoing FEAR and PANIC to begin with and no doubt many suicides as well.
Why does HE want me silent about the method of forecasting SHIFT-dates? From what I’ve picked-up, if it went public, many would be inclined to dismiss HIS role entirely and reaccredit it to something else. Therefore HE wants the matter sealed. This Concludes my comments about my Post ………………………………………..
::: Regarding a Reddit technical problem: You should know, I’m having Reddit look into a problem of my “Now in Retconned..” Post notifications not going out, hopefully it will be fixed soon. Either way, from now on I’m going to Post-copy directly into my Profile to enable my Follows to find my Posts easily.
If you tap into my Profile-icon, you should see a youtube link for a video I found, called: “How to see Who I Follow on Reddit”. Its only a 1 ½ minutes long.
I’m preparing surveys that should be done within the week.
Thank you for Reading!

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2024.05.28 16:49 Fat_Guy_IT Tuesday Content Creator Roundup Post Videos, Blog Posts, Resources, & Podcasts Here!

Welcome to the Tuesday content creator roundup on a Wednesday!
This thread will feature some noteworthy contributions from Flesh & Blood content creators. Lots of gameplay, box openings, discussions etc. Catch up on content by reviewing the links below!
Videos

Flesh and Blood TCG themselves have DEV TALK #5 James and Bryan Talk Part the Mistveil Design
DMArmada discusses the TOP 10 POWERFUL Part the Mistveil Cards! Flesh and Blood TCG
SNEEP says you can Win Your Prerelease with this guide! : Flesh and Blood Part The Mistveil !!
MajiinBae asks Which FaB Class Should You Play?
Staxwell says the New set PUMPS the Flesh and Blood Singles Market
Three Floating has LSS DEV BRYAN GOTTLIEB Fight Nite 20: Azalea vs Uzuri Flesh and Blood CC Gameplay
Dice Commando investigates the Phoenix Flame Buyout: A Curious Case of Nothing Flesh and Blood TCG Go Again! Ep508
The Card Guyz discuss The 3 Types of Cards in Flesh and Blood
Man Sant uploaded Levia Versus Enigma, Nuu, & Zen Flesh and Blood Gameplay
AggroBlaze96 streamed Nationals testing Flesh and Blood TCG !discord !deck
We Make Best says BONDS ZEN IS JUST BETTTTTTEEEEERRRRRR!!!!!! (Deck Tech)
Lupinefiasco continues Daily FaB #194 Kayo vs. Nuu Flesh and Blood Part the Mistveil
TCG TALK shares their Nuu Initial Deckbuilding Guide - Flesh and Blood TCG
Arcane Games and Events showcased the May AGE Open: Semifinals Dorinthea vs Rhinar Flesh and Blood
Stefan's Basement posted So good it happened twice - Outsider Booster Box Flesh and Blood

Blogposts & Other Resource

Kasharn Rao wrote about Recap: Calling: Tokyo
Joshua Scott has a Rules Reprise #20: Part the Mistveil
Flesh and Blood shared the Errata Bulletin #9
Kasharn Rao has Dumpster Dive #2: Let them Cook
Kasharn Rao posted a Recap: Part the Mistveil Pre-Release
Valera has a Part the Mistveil Set Review - Illusionist
Daniel Yam covers Part the Mistveil Set Review - Commoner
Donnie K says Part the Mistveil Premieres at Calling: Tokyo
Kenny Suzuki has a Part the Mistveil Set Review - Blitz Decks
Rhys covers Evergreen - Riptide, Lurker of the Deep

Podcasts

IP3, a Flesh and Blood Podcast brings us IP3 Episode 12: Un-Limited Power - Part the Mistveil Limited Set Review
Push The Point announced The Banished (and a new partnership) - u/fabtcg Podcast - Push The Point - Ep 73
Arsenal Pass has some Arsenal Pass Ep163 - Part the Mistveil Pre-Release Tips
Red Zone Rogue asks What do YOU want from Flesh and Blood? > Living Legends Podcast Ep 101
Flesh and Pod posted Flesh and Pod Episode 129: Elephants and Realness
M-n-R Cast discussed The M-n-R Cast: A "Zen"-Sational Hero
AdventureCo. Gaming are Testing the New MST Heroes! BattleWorn 10 - A Flesh and Blood Podcast
Runaways Podcast has Runaways Podcast Episode 25: Pre-release and Rants
Fresh and Buds talk about 145. Part the LoreVeil w/ DeadSummerArt Flesh and Blood TCG
Goblin Reserve reveals How to Cosplay for the Flesh and Blood Trading Card Game. FaBFaM 8: MaxFerocity!
OK&Y Podcast fights some Enigma vs Vynnset Flesh and Blood Classic Constructed 343

This was another long one! We know this can never be an exhaustive list and many of the creators listed above put out more than one video just this week so feel free to peruse and view past content as well.
Did I miss some great FaB content from last week? Share links and details in the comments below!

submitted by Fat_Guy_IT to FleshandBloodTCG [link] [comments]

2024.05.28 08:33 Count-Daring243 Best 18-Gun Safes

https://preview.redd.it/4nv01pap343d1.jpg?width=720&format=pjpg&auto=webp&s=302a096dbb2e0d8fad6581f685982e97e6eee0be
If you're in the market for a reliable and spacious gun safe, look no further. Our comprehensive roundup of 18-Gun Safes covers all the essential features and aspects that make these safes both secure and functional. Discover the best options available, and ensure peace of mind knowing your firearms are safe from theft and unauthorized access. Let's dive in and explore the top 18-Gun Safes on the market today.

The Top 6 Best 18-Gun Safes

Stylish modern hide a bed chair - Browning BX18 Gun Safe - The ultimate storage solution for your firearms, boasting 45 minutes of fire protection at 1,200°F, a modular shelving system, and a UL-listed electronic keypad lock for the utmost security, handling up to 18 long guns.
SecureIt Agile Model 40 Heavy Duty Ultralight Gun Safe with CradleGrid Technology - The SecureIt FB-40KD-06 Agile Model 40 provides the ideal balance of security, portability, and customisable storage space, a must-have for gun enthusiasts looking for versatile protection.
Remington STS Series 40 Gun Safe with Fire and Waterproof Protection - Experience secure and robust storage with the Remington SAR6540S STS Series 40 Gun Safe, featuring 10-gauge steel construction, fire and waterproof capabilities, backlit Securam lock, and customizable interior shelving for your collection.
High-Capacity 18-Gun Storage Cabinet with Lock - Secure your long guns with ease and accessibility in the Sports Afield SA5518GS 18 Gun Cabinet Black, featuring a robust 3-locking mechanism and keyed access for maximum protection.
High-Security 18-Gun Safe with 110 Minute Fire Protection - Secure your valuables with the Liberty National Classic Plus Series 18-Gun Safes, offering Level 7 security, 110 minutes fire protection, and a sleek gray marble finish.
Biometric Long Gun Rifle Safe with Fast-Access Fingerprint Sensor - Unlock your Verifi Smart Safe S7000 Biometric Long Gun Rifle Safe with the ease of a simple fingerprint touch, providing ultimate security and peace of mind for your prized possessions.

As an Amazon™ Associate, we earn from qualifying purchases.

Reviews

🔗Stylish modern hide a bed chair

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Browning's BX18 gun safe is a sturdy ally to secure your valuable firearms. The safe's construction ensures up to 45 minutes of fire protection at temperatures as high as 1,200°F, while the elevated floor adds an extra layer of flood protection. The electronic keypad lock and black 3-spoked handle lend an air of modernity to this safe, complete with 4 locking bolts that ensure your weapons are kept secure.
The spacious interior can accommodate up to 18 long guns, and the adjustable modular shelving system allows you to configure the space just as you like it. The six interior door pockets provide ample space to store handguns, making them accessible at a moment's notice. Additionally, the two zippered pockets are perfect for storing accessories and ammunition.
One highlight of the BX18 is its thoughtfully designed interior fabric walls that provide exceptional protection against abrasions. Coupled with the three standard shelves and two gun racks, this safe ensures the ultimate in security and organization for your weapons collection.
While the BX18 offers excellent storage and protection capabilities, there are a few minor drawbacks. Some users have reported the door feeling a bit loose, which may require adjustments to tighten the fit. Despite this, the overall craftsmanship of the Browning BX18 gun safe earns it a solid rating of 4 stars out of 5.
In conclusion, the Browning BX18 gun safe is a reliable and innovative solution for safeguarding your valuable firearms. its sturdy construction, spacious interior, and useful organizational features make it a smart choice for gun enthusiasts looking for the ultimate in security and convenience. However, its minor shortcomings serve as a reminder that no product is perfect, making it crucial to weigh these factors when considering a purchase.

🔗SecureIt Agile Model 40 Heavy Duty Ultralight Gun Safe with CradleGrid Technology

https://preview.redd.it/2wid99sp343d1.jpg?width=720&format=pjpg&auto=webp&s=cdf5cd3c9e263ffc54dc8f2cdfe1495d6cfc592f
Imagine coming home from a long day and reaching for your favorite hunting rifle, only to find it safely tucked away in a gun safe that's both secure and convenient to access. That's exactly what the SecureIT Agile Model 40 Heavy Duty Ultralight Gun Safe provides.
The first thing that stood out to me when trying this gun safe was its innovative CradleGrid Technology. It allows for effortless customization and adjustment, making it a breeze to store any long gun without the need for tools. This feature also eliminates the hassle of re-zeroing rifles with scopes attached, ensuring a straight-line access and making the entire process smoother.
Weighing hundreds of pounds less than traditional gun safes, the Agile Model 40 provides unparalleled security without compromising on convenience. The knockdown design allows for fast and easy assembly, making the setup process a breeze. It's also compatible with the Agile Model 52, allowing you to maximize your storage space while ensuring easy access to your firearms.
However, there's one downside to this otherwise fantastic gun safe: the batteries for the electronic lock are not included. Other than that minor inconvenience, I'm thoroughly impressed with the SecureIT Agile Model 40 Heavy Duty Ultralight Gun Safe. It's the perfect balance of security, convenience, and adaptability, making it an ideal choice for both home and office use.

🔗Remington STS Series 40 Gun Safe with Fire and Waterproof Protection

https://preview.redd.it/f0fvqs2q343d1.jpg?width=720&format=pjpg&auto=webp&s=f86ae5871ae65a4eede74ab41ee535c2718fc1af
When I first laid eyes on the Remington SAR6540S STS Series 40 Gun Safe, I was immediately struck by its sleek, metallic Sage STS Green exterior. But it wasn't just the looks that drew me in - its brass hardware and Remington script decal only added to its overall appeal.
As a proud gun owner, I wanted a safe that was not only stylish but also secure and functional. The 10-gauge steel build of the STS exceeded my expectations as it ensured durability and robustness. Not only did the safe offer protection against theft, but its waterproof and fireproof capability was truly impressive, withstanding 120 minutes at 1800 degrees Fahrenheit and water resistance for 7 days in 2 feet of water.
One of my favorite features of this safe is the UL-rated SecuRam lock, which is backlit for easy access in low light conditions. The interior shelving is customizable, making it a perfect fit for various gun sizes. Additionally, the Remington SAR6540S STS Series 40 Gun Safe comes equipped with installed LED lighting, further enhancing its overall functionality.
Despite its considerable heft, the safe's free-standing and in-floor installation options make it a versatile choice for any home or office. The CA DOJ Approved tag and its five-star rating from previous customers only solidified my decision to invest in the Remington SAR6540S STS Series 40 Gun Safe.
While it may not be the most affordable option on the market, the Remington SAR6540S STS Series 40 Gun Safe offers unrivaled security, performance, and durability. For those like me, who prioritize the safety and organization of their firearms, this safe is truly a centerpiece.

🔗High-Capacity 18-Gun Storage Cabinet with Lock

https://preview.redd.it/ozl2yqeq343d1.jpg?width=720&format=pjpg&auto=webp&s=2efc3d34b0f4f9a750b31f246692ebf1c2a46c9c
I recently got my hands on the Sports Afield SA5518GS 18 Gun Cabinet Black and it's been a game-changer in my daily life. As a hunter, I often find myself having a hard time keeping track of my firearms and ensuring their safety. However, with this gun cabinet, I can finally rest easy knowing they're securely stored away from the elements and unauthorized access.
One of the features that stood out to me is the gun capacity, which can hold up to 18 long guns. It's great to have a reliable storage option when you have a variety of firearms. The cabinet also ensures that your firearms are easily accessible whenever needed, thanks to its 18 long gun barrel rest positions.
Now, for the not-so-great part. While the gun cabinet has a robust keyed locking mechanism with three active and two deadbolts, I found the installation process for the bolt-down kit to be a bit challenging. But overall, the benefits of having a secure and spacious gun cabinet outweigh the minor installation issue.
In conclusion, if you're in need of a reliable and secure storage solution for your firearms, look no further than the Sports Afield SA5518GS 18 Gun Cabinet Black. Its gun capacity, ease of access, and robust security features make it a must-have for any gun enthusiast.

🔗High-Security 18-Gun Safe with 110 Minute Fire Protection

https://preview.redd.it/9tkwapzq343d1.jpg?width=720&format=pjpg&auto=webp&s=9860eb8a3f9314360067b97c7349047965db60d5
I recently had the pleasure of trying out the Classic Plus 25 Safes from Liberty National. This Old-West inspired gun safe caught my attention with its high gloss automotive finishes and intricate scroll work. One of the standout features for me was its level 7 security system, which provides peace of mind knowing my belongings are well-protected.
The safe's dimensions, 72.5"(H) x 42.25"(W) x 32"(D), were spacious enough to hold my collection of firearms and accessories securely. Its 1/8" manufacturing variances added a touch of unique charm to the product. However, the grey marble finish attracted dust rather quickly, requiring more frequent cleaning than I would have preferred.
While I loved the design and security features, one downside that I faced was the electronic lock. It sometimes took me a couple of tries to unlock it, which was a minor inconvenience. Nevertheless, the 110-minute fire protection was an extra layer of protection that put my mind at ease in case of emergencies.
Overall, my experience with the Classic Plus 25 Safes was mostly positive, with only a few minor drawbacks. The combination of style and security made it a great addition to my home's defense system.

🔗Biometric Long Gun Rifle Safe with Fast-Access Fingerprint Sensor

https://preview.redd.it/wov7f8cr343d1.jpg?width=720&format=pjpg&auto=webp&s=e84768b17833a354acd10b455683908bc90031b2

I recently tried out the Verifi Smart Safe S7000 Biometric Long Gun Rifle Safe, and I must say, it lived up to my expectations. The FBI certified fingerprint sensor is indeed the largest of its kind, ensuring my firearms were secured at all times.
The Self-diagnostic feature was a game-changer - the safe would let me know if it had been tampered with or if someone had tried to bypass it with a backup key. And the open door alert was a godsend when I inadvertently left the door ajar.
However, one downside was that the safe took a bit of time to learn my fingerprint pattern, which could be a concern in emergency situations. Additionally, the safe was a bit heavy to carry around.
But overall, I'm impressed with the Verifi Smart Safe S7000's performance and features. It's a smart, secure, and convenient addition to my home security system. Plus, the warranty and battery life are just the icing on the cake!

Buyer's Guide

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18-gun safes are one of the most common types of gun safes in the market, providing secure storage solutions for avid gun collectors, sportsmen, and homeowners who want to protect their firearms, ammunition, and valuables from theft and unauthorized access. Whether you are a beginner or an experienced gun collector, this buyer's guide will help you understand the essential features, considerations, and general advice for choosing the right 18-gun safe that meets your specific needs and budget.

Important Features to Consider

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General Considerations and Advice

Tips to Select the Perfect 18-Gun Safe for You

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Determine your budget and prioritize the features important to you for the best value for money.
Read customer reviews and compare user experiences of different brands and models to get a better understanding of the product's reliability and performance.
Visit a local gun store or showroom to see and test the safes in person before making your final decision.
Consult with a professional locksmith or security expert for expert advice on selecting the most secure and appropriate safe for your specific needs.
Thoroughly research the warranty and return policies of multiple retailers before making your purchase.

By carefully considering the features, guidelines, and advice provided in this buyer's guide, you will be better equipped to make an informed decision on choosing the perfect 18-gun safe for your unique circumstances and requirements.

FAQ

https://preview.redd.it/c9a6zbws343d1.jpg?width=720&format=pjpg&auto=webp&s=35e5784317e7b5149199704acb5d1c67d9d00501

What is an 18-gun safe?

An 18-gun safe is a type of gun safe designed to store up to 18 guns of various sizes and types. It typically features shelves, compartments, and locking mechanisms to ensure the secure storage of firearms and other valuable items.

What makes an 18-gun safe different from other gun safes?

The primary difference between an 18-gun safe and other gun safes lies in its storage capacity. Smaller safes may only accommodate a few guns, while larger ones can hold more. Additionally, 18-gun safes often offer features like adjustable shelves, internal lighting, and multiple locks for added security and convenience.

What should I consider when purchasing an 18-gun safe?

When purchasing an 18-gun safe, consider factors such as storage capacity, construction materials, locking mechanisms, fire protection, and ease of use. Also, think about your specific needs and preferences to find a safe that best fits your requirements.

How can I ensure my 18-gun safe is secure?

Choose a safe with a combination lock and/or electronic lock with multiple locking points to prevent unauthorized access.
Avoid using easily guessed or common combination locks and consider changing them periodically.
Invest in a heavy-duty bolt work and thick walls made of high-quality steel for added security.
Consider a fire-resistant safe to protect your firearms and other valuables from damage during fires.

How do I maintain my 18-gun safe?

To maintain your 18-gun safe, ensure it is properly cleaned and inspected regularly. Remove any dust or debris from the interior and exterior of the safe. Check the lock mechanism for proper function and lubricate it as recommended by the manufacturer. Additionally, keep the safe's key or combination secure and private to prevent unauthorized access.
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submitted by Count-Daring243 to u/Count-Daring243 [link] [comments]

2024.05.28 07:34 Obversa All of the references to Thomas Edison in 'Dr. Stone'

I wanted to make a separate post from my personal review/analysis of the Dr. Stone anime here.
In Dr. Stone, Senku read a biography of Thomas Edison (11 February 1847 – 18 October 1931), the famous American inventor who created the modern-day lightbulb, as a child. Reading about Edison's feats helped inspire his love of science, and his goal of becoming one of the world's greatest scientists.
https://preview.redd.it/891bggdjo33d1.png?width=1920&format=png&auto=webp&s=2fd9a4b6297a8f0f9e2e8d207d6c98873275bb32
However, one of the aspects that not many people know is that the storyline of Dr. Stone, in which Senku helps the quiet Ishigami Village become technologically advanced, was also likely based on a little-known, but true story involving Thomas Edison, one of Senku's primary role models and idols.
In 1885, Thomas Edison moved to a quiet, sparsely-populated village named Fort Myers in Southwest Florida, buying a home called "Seminole Lodge" to reside in during the winter. At this time, Fort Myers was a sleepy "cattle town" of just 350 people, including a mix of white, Black, and Latino settlers and homesteaders. Edison, however, decided to bring the power of science to improve and refine the backwater locale. This would later give rise to the City of Fort Myers, my hometown and birthplace.
https://preview.redd.it/ccuwrclzo33d1.png?width=800&format=png&auto=webp&s=126bc88d5b4c0c2b4a403e4ae9e2d8cd134325c1
Over 50 years, from 1885 until his death on 18 October 1931, Edison would build a "Kingdom of Science" in Fort Myers, to the point where Edison himself became a godlike figure to the town. Called the "Wizard of Menlo Park", Edison brought electric light, movies, phonographs, and other inventions. Upon his death in 1931, one source called Edison and his wife, Mina, the "King and Queen of America".
Not only is Edison himself associated with two of the symbols of the town - the lightbulb, which appeared on old "Welcome to Fort Myers" signs, and the palm tree, with Edison planting hundreds of royal palm trees, giving the Fort Myers the name of the "City of Palms" - but there are countless landmarks, businesses, and events named "Edison". These include "Edison Bridge", which Edison himself oversaw the opening of; "Edison Park", a 1920s-era neighborhood across the street from Edison's house, still relatively unchanged for 100 years; "Edison Mall", Fort Myers' first shopping mall; the "Edison Festival of Light", a parade held every year in February in Edison's honor; and more.
Edison also planted an entire botanical garden in and around his house in Fort Myers, including a small banyan tree from India that he imported and planted in 1925; which, in 2024, is now one of the largest banyan trees in the United States. In 1927, Edison co-founded the Edison Botanic Research Company, and planted thousands of plants, all with one purpose: To discover a domestic source of rubber that the United States could use after WWI. In 1928, a well-equipped lab, perfectly recreated from Edison's Menlo Park laboratory in West Orange, New Jersey, was built adjacent to Edison's Fort Myers home, with research begun in early 1929, largely by Edison and a small staff of attendants.
https://preview.redd.it/mc6d4mpkp33d1.png?width=1800&format=png&auto=webp&s=a9b48a2f178530b81d7b36378d37776071d129d4
After testing more than 17,000 plant samples, Edison selected the Goldenrod plant as the most suitable, developing a 12-foot-tall strain of the common plant that yielded 12% latex [normally, the plant would only grow 3-4 feet tall, with a 5% yield of latex]. Edison worked at both the Fort Myers lab and at his chemistry lab at West Orange up to his death in October 1931. Thereafter, his brother-in-law John Miller led the research operation; but, in 1936, other company co-founders - Henry Ford, Harvey Firestone, and Edison's widow, Mina - dissolved the Edison Botanic Research Company, as they could not make artificial rubber production from the Goldenrod plant economic, versus vulcanized rubber.
Other references to Thomas Edison in Dr. Stone:

Senku puts strings of lights in a tree around Christmas. Edison is regarded as a co-inventor of Christmas tree lights, with Edison using a string of electric lights to advertise his lightbulb in 1880; his colleague, Edward Johnson, put a string of lights on a Christmas tree in 1882.
Senku stating that he creates and invents scientific devices through trial-and-error, as well as his "10,000,000%" catchphrase. One of Thomas Edison's famous quotes is this, referring to the lightbulb: "I have not failed 10,000 times. I've successfully found 10,000 ways that won't work."
Senku also adopted Edison's view of science. To quote Leonard DeGraaf, the author of the biography Edison and the Rise of Innovation (2013), "[Thomas] Edison's not a guy that looks back. Even for his biggest failures, he didn't spend a lot of time wringing his hands, and saying, 'Oh my God, we spent a fortune on that!' He said, 'we had fun spending it' [and learned new science]."
Senku using chemical solutions in a jar for his Stone Age batteries. When inventing the electric pen - what would later become the tattoo gun - Edison did the same, but it became "too messy".
Senku's decision to create a "Stone Age smartphone, more like a regular phone". By 1877, Thomas Edison had abandoned his electric pen idea, and instead got involved with telephones.
Senku creates a Stone Age-era record player to play a glass recording from 3,700 years prior; similarly, Thomas Edison created the phonograph, a device for recording and playing sound.
The use of Morse code by Senku and Gen to communicate over the Stone Age telephone. Thomas Edison, who was deaf, also communicated with others, including his wife, through Morse code. (Edison personally taught Mina how to use Morse code to propose marriage to her.)

The phonograph, invented in 1877, would be Edison's personal favorite invention. Per Wikipedia:

"Thomas Edison conceived the principle of recording and reproducing sound between May and July 1877 as a byproduct of his efforts to 'play back' recorded telegraph messages and to automate speech sounds for transmission by telephone. His first experiments were with waxed paper. He announced his invention of the first phonograph, a device for recording and replaying sound, on 21 November 1877.
In December, 1877, a young man came into the office of the Scientific American, and placed before the editors a small, simple machine about which few preliminary remarks were offered. The visitor, without any ceremony whatever, turned the crank, and to the astonishment of all present, the machine said: 'Good morning. How do you do? How do you like the phonograph?' The machine thus spoke for itself, and made known the fact that it was the phonograph.
The music critic Herman Klein attended an early demonstration (1881–82) of a similar machine. On the early phonograph's reproductive capabilities, he wrote...
'It sounded to my ear like someone singing about half a mile away, or talking at the other end of a big hall; but the effect was rather pleasant, save for a peculiar nasal quality wholly due to the mechanism, although there was little of the scratching that later was a prominent feature of the flat disc. Recording for that primitive machine was a comparatively simple matter. I had to keep my mouth about six inches away from the horn, and remember not to make my voice too loud if I wanted anything approximating to a clear reproduction; that was all. When it was played over to me, and I heard my own voice for the first time, one or two friends who were present said that it sounded rather like mine; others declared that they would never have recognised it. I daresay both opinions were correct.'"

In the show, Gen also correctly identifies that Senku's Stone Age telephone has lower sound quality.
As for Thomas Edison's Fort Myers laboratory and home, both were sold to the City of Fort Myers for $1 by Mina Edison, his widow, after Edison's death in 1931, and were preserved for posterity as a public museum. The home and laboratory are pristine and practically unchanged from a century ago, with the museum housing many of Edison's inventions and artifacts in display cases. Under the 100-year-old banyan tree that Edison planted in 1925 is also, quite fittingly, a stone statue of the inventor.
https://preview.redd.it/7c76wra3o33d1.jpg?width=858&format=pjpg&auto=webp&s=68b42ab574962ab18cfac62c0e1ea68fe3234047

submitted by Obversa to DrStone [link] [comments]

2024.05.28 04:02 Cirkusleader A review of all the arcs from someone with way too much time in this game.

Hey all,
So I’m playing through Persona 5 again for the 18 quintillionth time and I kinda wanted to do a sort of “arc review” type thing. Just give my thoughts on each arc of the game. Since there are 9, I’ll be ranking each one out of 9. So the “worst” one will be 9/9, but I’ll also be doing them in order. I hope that makes sense.
Also I wanted to start by saying that I don’t think any of these arcs are BAD. Even the worst ones, if put into 99% of other games, would be the best part of that game. It’s just that in comparison to the rest of P5 they have some issues that I feel are hard to overlook. But I mean, hell, this is my favorite game of all time. I’ve put like… multiple thousands of hours into it at this point between Vanilla and Royal. So even with the issues I have, none of them are big enough to break my absolute love for this game. So keep that in mind as I make some critiques, because even the biggest problem in this game isn’t exactly a problem. It’s like… the equivalent of losing a single penny.
Now, onto the criteria. I’ll be judging the arcs on a few different things. The story, the primary characters that are focused on, the palace ruler, and the palace itself, which includes the boss (or sometimes bosses). Though these do get a bit rambly, and sometimes these things sort of flow into each other, but those are the general concepts I’m looking at. So with that in mind, let’s begin…
Kamoshida - Palace Ranking: 3/9
So taking into account that Kamoshida is our “tutorial” Palace, I am going to give him some liberties. Firstly, I usually prefer villains with a little “more” to them. We’ll get into this a bit more later, but in my opinion a good villain - even one who is unrepentantly evil - needs to have a reason behind their evil that makes sense in context for them. Kamoshida’s “reason” is basically that he’s already peaked and… somehow that’s tied to sexual assault? I don’t want to say him beating the kids “makes sense” but given the context of it being the volleyball team, and his whole thing about having a drive to succeed and meet his previous peak kinda makes some level of sense. But the thing is, that isn’t focused on enough in my eyes. But because he’s our tutorial antagonist, I’m more willing for him to have less depth. It’s the same reason I don’t expect Henchy McUnderling to have a backstory, but I expect the main boss to have one.
That said, the story here is great despite that. This arc does a phenomenal job of really pulling the player into the story, because it’s one of the few arcs where the protagonist is under direct threat from the villain. I mean sure, later palaces do have the deadline and whatnot but let’s be real, Madarame doesn’t know Joker from a hole in the ground. He’s under threat by proxy of Yusuke, not so much himself. But it also, somehow, does a good job of presenting TWO party members with equal stake in the plot here as well. We’ll see later a time when this does NOT work, but here we have both Ryuji and Ann dealing with Kamoshida, and sort of representing him as both a past and present threat. Ryuji is against him for his previous actions against him and his friends, whereas Ann is against him for his actions against her and her friends presently. And that brings me into the characters of this arc… so I personally think Ann and Ryuji are two of the best members of the Phantom Thieves. They’re such core parts of the team, they’re always doing something for the team in each arc, and they’re probably the two who are the best “presented” members. I’ll get more into what I mean on that later, but the gist is that they feel like very front and center parts of their recruitment arc, unlike some others.
I also like the Palace. I don’t have any particular insights into this one, though. The puzzles are fine. The boss fight is fine. The encounters are fine. The music is fine…. The aesthetic is immaculate, but otherwise it’s sort of just solid. I think it’s a good entry point that always feels nostalgic once you’re further into the game.
So yeah, Kamoshida’s arc is really good. There just happen to be better arcs overall. But for the tutorial, it’s a REAL masterclass.
Madarame - Palace Ranking: 7/9
So Madarame falls a bit from Kamoshida in my eyes. Let’s start with the good - Yusuke. Remember how with Kamoshida I said that Joker isn’t really threatened so much in later arcs? That’s the case here, because the threat is almost solely on Yusuke. But what’s interesting with Yusuke is that, at first, WE are presented as the “villains” here, at least from his perspective. With the Kamoshida arc, nobody really sees Joker, Ryuji, and Ann as the aggressors. The whole school is under Kamoshida’s thumb and everyone knows what he’s doing, but they feel powerless to stop him. With Madarame, Yusuke is almost in a sort of Stockholm Syndrome mindset where he feels Madarame’s actions are just, and believes he’s simply helping the man who raised him. It’s interesting to see the flip when we enter the Metaverse and Yusuke sees the “true” Madarame as the monster he is. I didn’t mention it before, but I think the best part of (most) of the awakenings is that the characters are struck with some kind of realization before it happens. For Ryuji, he learns that Kamoshida’s provocation was premeditated with the intention of getting rid of the competition for his volleyball team. For Ann, she learns that Kamoshida raped her best friend. But for Yusuke, his realization is more about himself. He learns that HE was wrong, as well as the fact that Madarame never cared for him and was just using him, and it’s cool. That said the rest of this arc is… whatever. Madarame is slightly better than Kamoshida in his motivations, but worse in that he’s nowhere near as present or threatening, we don’t really get to SEE a lot of the issues Yusuke faces with Madarame like we do with Kamoshida, and overall I find his palace a bit less memorable. I will say I like the Saiyuri “puzzle”, and I think the boss fight is really good, but that’s pretty much all I have to say regarding it.
It doesn’t quite draw you in as well as Kamoshida, Madarame isn’t presented as well as Kamoshida, and the palace isn’t quite as potent. But like I said, I don’t find any of these arcs to be “bad”. I just think Madarame is sort of lower on the “good” spectrum.
Kaneshiro - Palace Ranking: 9/9
Now, I’ve always had a lot of issues with Kaneshiro’s arc. Mostly because it feels to me like a “filler” arc in anime. The general things with filler arcs are… characters acting out of character, established lore and trends being ignored for the sake of “cool factor”, and story that doesn’t necessarily directly tie into the overall narrative. All three of those apply to this arc, and stem from one thing: Makoto.
I’ll be real, when I first played P5 I hated Makoto. Every time I replay the game she grows a little more on me, but she’s still my 2nd to least favorite Phantom Thief, and there are a few reasons. First - and the thing that made me initially hate her - is her role in this palace. She’s initially presented as an antagonist. And that would be fine if she actually was an antagonist. But the thing is we’re supposed to like this character, and the first like… 10 interactions we have with her are her being super condescending, petty, and antagonistic. But every interaction AFTER that with her, especially in this palace but also in later palaces, relies on either “tell don’t show”, previously established rules being broken, or mischaracterizing the other characters. So let me explain a bit more about these. First, “tell don’t show” refers primarily to the idea that the audience is told information, but not being presented information. It’s a lot more impactful to SEE Yusuke’s art than to just be told “Yusuke is a talented artist”. With Makoto, a lot of the time, the game TELLS us that she’s smart, but doesn’t show it. She either does something dumb (this happens a lot in this arc) or manages to do something because the rest of the team suddenly becomes less intelligent. For example, early on in her recruitment she asks how the Thieves typically go about strategizing to steal treasures, and the cast goes “Um… Strat-of-gees? What are that?” at which point Makoto goes “Wait.. you fucking idiots don’t make plans? Fuck it. I’ll do it then.” and then… nothing changes. Even if you ignore the fact that the previous palace had one of the most Sly Cooper-ish heists ever with a lot of planning and many moving parts, Makoto becoming the “team strategist” doesn’t make any overall difference. We handle every single palace following this one the same way. And this continues through the whole palace. “We’re faced with two enemies who are too strong to take on at the same time. What do we do?” “Hmm…. hummm…. Uhhhh… duhhhhhh….” “Why don’t we lure one away?” “OMG KWEEN UR DA MOST SMORT”. And this extends to her awakening as well. In all previous and future awakenings, the characters have some kind of realization. I mentioned this before. But Makoto… doesn’t. Kaneshiro just goes “Yeah. I’m gonna expect you to pay me a bunch of money and if you don’t, I’ll blackmail you into slavery” which we had already known he would do. That’s the entire reason we were investigating him. That’s what he outright says to us in his club. So why does him REPEATING himself here cause Makoto to awaken? I don’t know. She doesn’t even have any link to this guy, which is another issue with the arc. Kaneshiro himself has nothing close to the same level of threat, characterization, screen time, or even backstory. All we know about him is that he “crawled his way out of the dregs” and that is quite literally it.
The palace itself is also… pretty middling. I find the bank itself to be pretty bland, the lettenumber puzzle is boring and simplistic, and the boss fight is probably the… second worst one.
Now the thing is that if you stuffed this arc into like… Dragon Quest or something (obviously with requisite changes to fit that world), it would probably be the best part of that game. And don’t get me wrong, I played DQ11 and generally enjoyed it. But it’s really carried by a lot of its characters, so having an actually decent arc would make this the best part of that game. But compared to the rest of P5 it really stands out as being the worst part of the game.
That said, Price rocks.
Futaba - Palace Ranking: 2/9
Now for a complete flip, we have one of the best arcs. For starters, I do think this is my actual favorite Palace in general. The layout, theming, puzzles, dynamic storytelling, and most prominently the MUSIC make the actual palace immaculate. My sole issue with it is that the boss fight is less a fight, and more of an interactive set piece. I think overall it is, technically, the “worst” boss because it’s barely a boss. But at the same time, what it does for the story of the palace is really good. So I end up sort of split on it. But that is literally the only part of this palace that is even moderately middling.
The rest of this Palace is absolutely, completely fucking amazing.
First, this palace has the unique case of being the single one where the palace ruler becomes a party member. The entire palace is us learning about Futaba. There isn’t even really an “antagonist” in this arc entirely. Now, that isn’t necessarily good or bad on its own, but given how important Futaba is to the overall plot, and how this palace itself sort of kicks off the overarching plot points with Shido, his cronies, and the Metaverse as a whole, it’s great that this section isn’t bogged down with an additional major player. Normally we have something like Yusuke, Madarame, and the plot as it pertains specifically to those two characters. Here, we just have Futaba, and the plot as it pertains to her… BUT that plot also pertains to the game’s story at large, where someone like Madarame’s doesn’t necessarily do that.
It also helps that I fucking adore Futaba. She is one of the best written characters in this game, and Erica Goddamn Linbeck never fails to deliver in this role. Futaba is one of the few characters in media who can just make me cry. Even the most innocuous scene is up for some waterworks as long as Futaba does that fucking whimpery voice crack. And the thing is, you don’t actually MEET Futaba until basically the end of her Palace, and somehow the game does an amazing job of making you love this girl who you have basically never spoken to before.
The palace itself is also amazing. And again, it does something that the others don’t really do. It mixes distortion with personality. Here’s what I mean; Kamoshida’s palace is cool as hell because it’s so distorted. It’s a big-ass, super cool castle. But the thing is… Kamoshida’s whole thing is volleyball, and there’s nothing in the castle that really screams “volleyball” to me outside of… well, the volleyball team having cognitive versions in there. But it’s not the same. With Futaba, we have a big pyramid complete with traps, mummies, quick sand, murals, etc. But it also has a techy element to it because Futaba is a hacker. There’s code all over the place. One of the puzzles is a binary code puzzle. And that’s what I mean. We get to see a little of Futaba’s personality and interests in the palace, as opposed to just “This is a castle”, “ this is a bank”. Or Madarame where his distortion is almost explicitly about his interests and not quite as crazy.
Futaba’s palace strikes a perfect balance in so many ways, making it into one of the best parts of this game.
Oh. And also, The Days When My Mother Was There is one of the best tracks in all of Persona.
Okumura - Palace Ranking: 8/9
Let’s be real, a lot of people feel like this is the worst part of the game, and I kinda see why. It’s just that, for me, the only thing elevating it above Kaneshiro is that it’s actually plot critical and doesn’t feel like lame filler fluff. Buuut it kind of has the opposite effect of Futaba’s palace, where there you had a very focused narrative about a few specific, interwoven things, here you have three plots trying to all fight for the spotlight, and they sort of fit together like a chain. 1 and 2 link, 2 and 3 link, but 1 and 3 do not. We have the Morgana and Ryuji fight which… I feel is kind of pointless? The thing is that Morgana didn’t really need an arc here. Morgana gets TWO arcs and in my opinion, neither one feels quite complete. I think it would have been better to just cut this arc and focus more on him learning that he isn’t human. Heck, he could still meet Haru this way. He accidentally takes her into the Metaverse while sneaking off and investigating on his own or something. We get worried, go looking for him, run into him after Sugiura kicks Morgana into a wall, bada bing bada boom everything is better. Because then we can focus the entire arc on Haru, and just have Morgana be the quick and easy catalyst for finding her.
Kinda on that same framework, Okumura falls into the same unfortunate pitfall as Kaneshiro where we barely get to even see the guy. He’s got a collective 10 minutes of screen time, if that, and all it really boils down to is “He wants to be a wealthy politician”. Heck, we don’t even learn what his real corrupting moment was until the Palace is over and Haru kinda exposits it.
Next we have the palace itself. While the theme of it is cool as hell, the palace itself is very bland. People hate the airlock puzzle but honestly, that was the most fun and engaging part of it for me. It's the only part of the palace that feels wacky, conceptual, cool, and requires at least one functioning brain cell.
And finally… the boss fight. I hate this boss. Here’s the thing, people will argue in circles about whether or not it’s hard, but the difficulty isn’t really the issue. The issue is that it feels like a tutorial fight, where the devs had expectations for what the player had been focusing on. If you hadn’t, you’d be fucked. Did you hang out with Hifumi enough to get her party swap ability? I hope so, or you can go fuck yourself. If you didn’t, did you happen to put Morgana and Haru in your party for the final two waves of enemies? I hope so, or you can go fuck yourself. Did you get Personas that deal high wind and psy damage to all enemies? I hope so, or you can go fuck yourself. Did you rank Haru and Morgana up to 3 in darts? I hope so, or you can go fuck yourself. This boss relies so much on so many moving pieces that you are effectively required to use unless you’re a madman who built a full 99 stat almighty Izanami to Myriad Truths your way through the game. It feels like a tutorial on Baton passing, but without explaining that that’s what’s necessary, without giving you the necessary tools for it, and without catering to the way that “you” chose to play. And to me, that’s bad game design. All fights should, in theory, be possible with any build, any play style, any tools. Yeah, sometimes they may be harder, but here the fight is quite literally not possible if you don’t play the way they want you to play, or don't come in with an NG+ 99 stat Satanael like I did for this particular playthrough.
That said, the arc really moves up from last place due to the finale. Futaba’s palace brought the overarching plot into the background, looming there behind you, but here it’s thrown right into the spotlight. This is the new focus.
Sae - Palace Ranking: 4/9
Now, a lot of people would list this as their favorite Palace, and honestly I can kinda see why. If the Okumura arc is the main plot being put front and center, this is them shooting you in the face with it like a serial killer in an interrogation room.
The thing is that this arc has “the twist” and I’ll be real, even to this day “the twist” is one of the most insane things I’ve seen in a game, without feeling unnecessary. AKA it’s crazy, but it doesn't read like it was written by Hideo Kojima or Suda51. It’s also great for characterization of two people we already know. See, unlike past palaces which introduce and build new characters, here we’re building Akechi and Sae - two people we already know, but haven’t spent a lot of direct time with. That said… I also think this should have involved Makoto more. Yeah, maybe it would have bogged things down, but I mentioned earlier that Makoto doesn’t really get her own arc during the Kaneshiro debacle, and now when we have the perfect opportunity to give her one, she just kinda sits in the background. She doesn’t get to confront her sister. She doesn’t get to have “a moment”. She just sits back while Joker and Akechi headline the tour, with everyone else on backups. Heck, even “the plan” is like 90% Futaba, 5% Morgana, and 5% Joker. She does not get to do a singular fucking thing in her own sister’s arc. And I wouldn’t be as upset if she actually got to be a major player with Kaneshiro, and if that arc were just better, but she doesn’t, and it isn’t. So she feels wasted TWICE.
I also kind of have an issue with the palace itself. Yes yes, Whims of Fate is really good. But holy fuck for a Casino you sure don’t spend much time doing actual casino shit. 90% of this palace is just walking around drab, gray hallways and it’s kinda… bland? I’m in a Casino, man. I wanna be interacting with the casino floor. I wanna feel like I’m on the Golden Saucer, not like I’m walking through the back of a post office.
The story overall really carries this palace for me. It’s got an insane twist, great characterization for Akechi and Sae, and is the moment where everything reaches a fever pitch. I consider the end of this Palace to be the beginning of the climax, which carries all the way through to the end of the next palace. Though… that’s an issue of its own, but we’ll get there later.
Look, I do like this arc. I just think it has so much wasted potential, and is heavily carried by the overarching plot and characters, and kind of let down by the palace itself.
Also Sae not being a romance option is a sin. Atlus, you have not fulfilled your penance. Salvation shall not be yours.
Shido - Palace Ranking: 5/9
Shido’s palace is another one where people really really love it and I… I mean I think it's fine. But for a “finale” I’m not super thrilled with it.
Let's talk about my main problem first; Shido himself. In my opinion, a main antagonist should be someone who is incredibly present. Even in something like a mystery where we aren't supposed to know the villain, we should still know who the character is very well until the reveal. But Shido doesn't really feel that way. He’s in maybe 5 to 10 scenes across the whole game prior to his arc, we don't know anything about him other than “wants to rule Japan”, we know nothing of his background or motivations. All we know is that he's a shit heel. And like I said earlier, that's fine for someone like Kamoshida - our tutorial boss. It's far less fine in my opinion for our main antagonist.
I’m also not the biggest fan of the Palace itself. Yeah, the boat is cool or whatever, but I find the actual plot of the palace to be a bit of a slog. There aren't really any crazy reveals, the puzzles are more annoying than fun, and it ends up feeling more like a standard fare dungeon crawl since we don't really learn anything during it.
That said, the palace does cap off with one of the coolest boss fights. Shido’s fight is really cool, and I love how epic his calling card is. But there’s one thing I really need to talk about that really elevates this palace.
Akechi. Akechi is what I think a villain SHOULD be. We meet him early on, he slowly becomes more and more present in the narrative, he eventually joins our team, only to betray us. He has so much build up, such a well realized arc, and the reasons for what he does are stated to us at the end after being hinted at before, but not being outright presented, so when we learn about it, it feels much more impactful. I also love what Royal did for him. I still think he’s pretty great in the original, but making his anger progress from just wanting to take down Shido, to now having a petty grudge against a “friend” who outsmarted and defeated him feels like a perfect capstone for everything that’s been set up. I also strangely like his “death”. I know a lot of people don’t like it, but I dunno. I think it works well.
So yeah. When this is the Akechi palace it’s great. When it’s the Shido palace it’s… it’s fine. The boss fight slaps though.
Yaldabaoth - Palace Ranking: 6/9
Now, this one is kinda personal, and deals with the last issue I mentioned. Yaldy here is technically our final boss. I mean, he was for the vanilla game at least, and I’ve always had an issue with how Persona game, and most JRPGs in general, handle the whole “kill god” thing. If you are going to do that, we need to KNOW God, just like any other character. Here, he’s not someone we know, and he comes out of nowhere. And I know people are gonna go “Um exkweeze me wat do u meen? We no Igor from start of game dumazz?” Yeah. Let’s talk about this. 1. There is no reason to suspect Igor is god, for both new and returning players. 2. Because we don’t know him, there’s no narrative impact for beating him. 3. There’s no reason to actually think he is in any way competent or reasonable, because his whole argument is “mankind deserves to die because I set up a rigged test to prove a point in the least scientific way possible by forcing it so that no other outcome happens.” and it’s the stupidest shit. 4. There is no distinct reason for him to be God. Once he reveals he is the grail, he is a 100% different guy. You could make Yaldy be Shido, or Kawakami, or the old guy who listens to the radio in Yongen for all it matters. He is not a character. He’s a big, stupid fucking robot and yeah, that’s cool and all, but it’s not narratively impactful for our “final” challenge to just be some random fuck who showed up out of nowhere, and is only in the 120 hour game for about 3 of those hours. This whole arc would be like if a major, 100+ episode anime set up a massive, world ending threat who we get to know over a length of time, and is considered one of the greatest anime antagonists, only to sweep him to the side and bring a rabbit alien god in out of nowhere.
Oh… wait…
Anyway, stupid-ass worthless-ass final boss aside, I actually do like the rest of this arc. The characterization and twist for Lavenza, the arc for Morgana, and most importantly, the Palace itself. It’s shorter than the rest, but I absolutely adore the Mementos depths. The design, the puzzles, and above all the MUSIC are all absolutely amazing.
And for as much as I complained about Yaldy… there really isn’t anything quite like summoning a giant, six-winged archdemon to shoot God in the face with a gun-sword.
So yeah. This Palace is fun, has some great story beats, and does feel pretty cinematic and climactic. I just don’t like that the “climax” revolves around some random dude showing up and going “It was me all along, Barry!” and you’re like “I’m sorry, who are you?”
Maruki - Palace Ranking: 1/9
And boy am I glad Royal makes a more climactic ending. Now this is going to sound weird considering I ranked this as number 1, but I DO have issues with this arc. And that issue is uh… Kasumi..? Sumire..? Whatever. The thing is I find it hard to blame the arc itself for my issues with her because they kind of span the entire game, but it all comes to a head here. I well and truly believe this game could go from a Tetratrillion / 10 to a Tetratrillion-and-1 / 10 if she just… weren’t in the game. Because I think basically every scene she’s in that is not directly dealing with her takes away from that scene. And I think her inclusion in this arc takes away from it. HOWEVER, her stuff is dealt with quickly, while also building up other plot points, the Palace ruler, and a certain other character who we will get to shortly.
But despite my minor gripes with her, this arc is absolutely fantastic for a few reasons.
Let’s start with the Palace itself. It rocks. The puzzles are fun and make a lot of sense for the ruler, the music fucking slaps, it's got a great narrative structure where it basically makes us take a look into the past of the character it focuses on, and the overall style suits it perfectly. It's this excellent blend of mad science and ideology.
Next we have the overall story of the arc and it is done so well. Basically, the Palace ruler wants to create a “perfect world” where everyone is always happy, suffering doesn't exist, etc. And it's great because he is the only antagonist who isn't really presented as being “wrong.” Even Futaba and Sae, whose palace end with them effectively “healing” and becoming good people again, are still presented as being incorrect. However they don't really do that here. It truly is just a battle of ideology between the ruler and the Thieves, where the Thieves believe that they can, and should, intervene where necessary, but overall people need to strive and thrive on their own once the Thieves break down whatever is holding them back. But their opponent here believes that people shouldn't strive for greatness, or grab opportunity by the horns. “You don't need to strive for greatness. Believe in me.” Are the lines to his theme song, and they encapsulated his entire concept perfectly. He isn't painted as someone you hate. He isn't necessarily painted as wrong. He's painted as someone we disagree with, and that's not something we’ve seen before.
Next, we have Akechi (again). This game has a fantastic cast, with Akechi being one of the standouts for me. This arc plays as a sort of epilogue for him. His story “ended” with him concluding that he was wrong, that he should live how he wants, and that maybe he DOES have friends who care about him. Even Ryuji, the guy who rags on Akechi the most, begins choking up at the end after Akechi disappears, because he doesn't really hate him. They all - Futaba and Haru included - realize he's just a victim in all this. But the best part for me is how he concludes this arc. At the end he’s given a choice - accept the fake reality and live, or deny it and risk a world where he may be dead. After all, we don't know if he truly died (I'm of the opinion he didn't based on the post credit scene) but he doesn't know that. And without even a second's hesitation he says “Don’t think dangling my life before us will have any impact on our decision.”. He spent his whole life living under Shido’s foot, striving only for a childish revenge that he was denied, and learning eventually that he has friends who accept him not as the righteous detective prince, but as… Goro Akechi. And he wants to die on those terms if he can, as opposed to being forced to live in a fake world under someone else’s rule.
And that brings us to the ruler. Takuto Maruki. Now I’ve already touched on why he's so effective from the standpoint of his ideals, but there's more to him. First, unlike our other main baddies, we actually know him. We first meet him after Kamoshida’s palace, and he is a constant presence throughout. But the most important part is that you are required to get to know him. If you don't max out his confidant, you don't get this ending. The game ends with Yaldy. So not only is he constantly around within the narrative, but his side content actually becomes main content. It is required. And that is very important for us. Because if he was just some random guy we had never met who shows up and goes “yeah I wanna stop all suffering” then like… Great? But I don't have a reason to trust you. I do have a reason for Maruki. He DOES want the best, even if he's a bit misguided, and we’ve learned just what kind of person he is over the last 100 hours. It makes it all the harder to fight him because yeah, you disagree with him, and it's already hard enough to break everyone else’s dreams, but now you’re directly spitting in the face of his dreams, too. It is masterfully done.
And so is the finale. Maruki’s boss fight is so well done. It's the perfect mix of actual gameplay and spectacle WITH an emotional payoff, which Yaldy lacked. The first section is a crazy blend of the Madarame and Yaldy’s fight, and it works perfectly. But after that first phase we enter big cool spectacle zone of fighting a 100 foot tall monolith of a Persona, all culminating in a one on one fist fight between Joker and Maruki as he vents his frustrations at losing.
It is done perfectly. This arc is absolutely phenomenal. It's so emotional, so well structured, so well built, and such a perfect way to end this amazing experience. After my first experience with the original P5 I did not think they could make my favorite game ever even better. And somehow they did.
So anyway. That's my whole stream of thoughts. What’s everyone else think? How would you rank the arcs?

submitted by Cirkusleader to Persona5 [link] [comments]

2024.05.28 02:57 Top_Lab_9647 What really happened to Security Breach? // Chronicles of The Sandbox Cut

INTRODUCTION

Hello there. As you may know, for the past couple of years we've been hearing a lot of complaints about how Five Nights at Freddy's: Security Breach was ruined by the cuts. While I don't deny that a lot has been removed, I feel like there is a lot of misinterpretation when it comes to what FNaF: SB was really meant to be.
I'll be working with a lot of the information that's already known in the datamining community, but for those who are new to cut content, I will still try and highlight the crucial points.
The actual description of what Security Breach was supposedly meant to be is listed in the paragraph "SANDBOX CUT", but before that we have to take apart the elements that are falsely perceived as cut content. It's important to know what we are working with.

THE FALSE PERCEPTION

Online, you can find a lot of videos about the version of SB's story that we never got to experience. Was Freddy meant to betray you? Did Vanny have a bigger impact on the story? A lot of it mainly comes from the trailers. And that's an important point to explore.
1. The Teaser Trailer
Altered or not, most of the areas in the teaser trailer are still in the game. But it's Vanny's dialogue that has caught everyone's attention.
More lines of hers can be heard in the NVIDIA RTX Demo as well. Minus "I See You". That one was confirmed to not be hers.
This version of Vanny was voiced by the actress Stacey Young. And during the casting Vanny was labeled as the Metal Femme Fatale. Hence the robotic undertones and alluring motif of her voice.
But the most important part is that Vanny's dialogue was never as extensive as Gregory's, Freddy's or even Vanessa's. As confirmed by Stacey Young herself, the script never exceeded a page. All the dialogue we hear in the trailers might as well be everything that Vanny has ever had.
https://preview.redd.it/im5dzbtfy13d1.png?width=735&format=png&auto=webp&s=a87bff97986c5dcd791d7e7aa9a9078925a14b78
With that in mind, "Gregory, your friends are worried about you" — the one line that has caused a lot of discussion — may not have much significance at all, as it is akin to the lines other characters say in the game — "I bet your family is worried about you", "Let me take you to your parents". When neither of these statements are true. And just exist to lure Gregory out.
But what about the children's roles on Voices.com? (For the record, Voices.com is the website Scott uses to hire actors.) Well, perhaps we should consider that it may not be a bunch of kids, but just one. Gregory.
Each name you see on Voices.com isn't a character, but a role title. And just because someone appears on the review board doesn't mean they were indeed casted or meant to stay. Take Vanny for instance. She had two different roles with different direction and casting. The "Reluctant Follower" by Jessica Tang who then became the "Metal Femme Fatale" by Stacey Young.
The children seem to be one and the same. Kid in the Box, which may be referring to Gregory in the stomach hatch. What a Sweet Kid, No Evil Intentions, who is described to be a little boy calling out to his friend. I've seen interpretations of this kid being Gregory's lost friend or Vanny trying to lure him away. But perhaps the truth is more simple. Calling out for his friend is what Gregory does the entire game — Freddy, are you there? Freddy, I'm trapped! Freddy, this. And Freddy that.
There is also "Kid on the Run! This is a bad situation", who certainly resembles Gregory with the title alone. But the important detail here is that there were not one, but two castings for Kid on the Run — Male and Female. Similar both in the title and the amount of dialogue. Bear in mind, Male and Female doesn't indicate a gender of the character, but the actor. It appears Scott couldn't find the proper match for the role, hence the amount child actors who were attempting to fill in the spot.
The idea that there were many kids was born as a combination of these roles as well as Vanny's statement in the trailer. But given that Vanny's dialogue was a one-liner with no further elaboration, like the ones other enemies have, this concept may be a misunderstanding, especially considering that the flow of the game was already set in stone.
In the trailer, we can note a few things. For one, the map was mostly complete. At the very least, structurally. And the key points of the game were already in works. You can see the compactor reserved for Chica's Boss Fight, Fazer Blast arena used in the minigame as well as the Winner's Lounge where you get the blaster. The catwalk and the stairwell of Vanny's Hideout are also included, which are a part of the Vanny Ending. Plus we are shown the Loading Dock and the Lobby Entrance, meaning the gameplay was always focused on looking for the exit.
https://preview.redd.it/l7qhcqekz13d1.png?width=1920&format=png&auto=webp&s=c268ad86b36438580e149e6539ba763da4fa57a6
We will explore the building structure and how it ties into the gameplay further down. But to lock the discussion of the teaser trailer, I have to mention a few elements that were solely designed for the trailer.
• Vanny in the Loading Dock. The shadow you see in the Loading Dock scene isn't a part of the gameplay. It has been added for the trailer, as it is listed in the data for the cinematic camera. (Which produces a planning shot seen in the trailer.)
https://preview.redd.it/g4pmbpwqz13d1.png?width=209&format=png&auto=webp&s=a88dcff323153bb363dc8bd9734570d4bea48018
• Moon in the Kitchen. This one is easy to disprove, as this animation is literally in the files and is labeled "Marketing", implying it was only for the teaser. But did you know that this scene was initially supposed to tease Monty, with him walking past the kitchen?
https://preview.redd.it/kqcgg4bsz13d1.png?width=676&format=png&auto=webp&s=86033756652a8a9a5d017c3b9eeddc623aab188e

The Gameplay Trailer

Now we got to the more interesting part, but I guess I don't need to write an essay about its implications. You have Vanessa helping you, you have Burntrap's dialogue and many different cutscenes. So what's the debate here?
The important detail is this — the trailer was not made by Steel Wool. As confirmed by one of the workers, it was Scott who scripted it. The dialogue you hear may have never been in the game. It's certainly not in the files or any of the cut subtitles.
And the reason I'm highlighting the fact that it's made by Scott is because we've seen him add dialogue that never appears in the game and is just used as a teaser.
"You don't know what we've been through" and "Don't hold it against us" are the ones everyone has heard of. But did you know that Scott also planned the second Sister Location trailer that included a dialogue, which was never intended to be in the game, despite being crucial for the story? That's right, initially the cutscene with Afton's interview was just for the trailer. The only reason Scott put it in the game instead is because he thought it was too spoiler-heavy.
Even the trailer for RUIN has Gregory's monologue that never ever occurs in the actual game. Nor was it supposed to, seeing how the game has barely anything cut.
The trailer is also said to include cinematics, not just gameplay. And that's where we start dissecting the footage.
Specifically, the scene of Vanessa in the Prize Counter, leaning on the elevator. And what I am going to tell you is this scene could never occur in the game. It only existed to showcase Vanessa.
https://preview.redd.it/o9vpmggc023d1.png?width=1920&format=png&auto=webp&s=fd020dc58597a92acf86c7bc8ccfdad56575a8ea
It's a bold statement. How do we know that? It is all in the movement of the elevator. Note where it's going, or rather from where. It goes past the Prize Counter, which would never be possible, given there was no fourth floor. Technically, there still isn't, despite what the current map and fakelevators try to convince you. There are no volumes, no lighting, nothing to imply there was anything physical above Prize Counter.
The point is that the elevator comes out of nowhere, going past the Prize Counter, indicating that it isn't a real in-game footage. In the next part we will cover more concerning Vanessa's status in the game.
Peepaw, you know you aren't allowed upstairs.
And let me bring up another scene that highlights how the trailer was never supposed to perfectly reflect the gameplay. That would be the scene of Burntrap in the West Arcade. Some may argue that perhaps his boss fight was meant to happen there, but no. From the concept stage, the Sinkhole has always existed at Roxy Raceway. Even in the trailer itself you can see that the Raceway has been damaged, just like in the final game.

Vanessa the Ally and Freddy the Traitor

The theme of many videos, explaining the story that has been lost. However, I would suggest to dive deeper and actually analyze the content in the trailers and in the files.
Starting with Vanessa, we hear her helping Gregory and trying to get him out of the Pizzaplex. But there are already inconsistencies present, including the scene right at the beginning of the game, with Gregory hiding from Vanessa. The same scene seen in the trailer.
The unedited maps and the location files dating as far back as 2020 suggest that the intro was the same. It is your main tutorial. And it sets up Vanessa as your enemy, despite her just doing the job of a security guard. She was never an ally to you.
https://preview.redd.it/82lgjxh8123d1.png?width=1920&format=png&auto=webp&s=091610d3ac59a80ff06d7db774375b1c89b20799
But what about the dialogue in the files? She sounds kind, as if caring for your well-being. That is true, but I encourage you to read it, then you may realize something that doesn't add up — none of her friendly voice lines add up into a coherent conversation. She is just luring you out! "Gregory, I can keep you safe" and "Please come out, I am trying to help you." Unlike Freddy, she isn't directly speaking with you. She is hunting you down, just like everyone else.
As for the element that's never considered in these discussions, a lot of the gameplay is location-based. And Lost & Found exists both in the digital maps and older lighting scenarios. Vanessa was always meant to catch you and lock you up in the Lobby, where you'd face Vanny for the first time.
Other discussions include whether Vanessa was a playable character at some point. Once again, based on the dialogue. But it all comes to the same issue. None of these are real conversations. They are scripted and recorded in one take, meaning nobody is seen replying to Vanessa. Rather, it is something you eavesdrop on while she is in a different room.

──────────────────────────

While there is more undeniable evidence for Freddy, the circumstances are unclear. Yes, Freddy is heard hunting you down and being evil, but people have different opinions as to when and where it happens.
The popular interpretation suggests Freddy was meant to betray you in the Vanny Ending. However, the other cut dialogue may contradict it, as Freddy is the one talking to you about using the console to defeat Vanny.
In actuality, Freddy's "betrayal" wasn't even cut. Thing is, it wasn't a betrayal at all. We see Freddy turning evil in the Burntrap Ending. And that's where the voice lines fit perfectly. The thing that sets it in stone are Evil Freddy's animations. Mainly the one where he searches under the tables. Remind you, the Vanny Ending doesn't have any tables at all. But the Burntrap one does.
https://reddit.com/link/1d277rq/video/3flrzaxy223d1/player

The Cut Maps Don't Matter

It's not like they don't at all, but we have to set the record straight. None of the cut areas are significant. That's why they were cut.
Most of them are just plain shortcuts or parts of extended challenges. Would being able to use a random corridor to go from the Lobby to Fazcade suddenly fix the game? Don't think so. And neither would getting the Faz-Cam by fixing a boiler in the Daycare basement.
But we can use older maps to see what did and didn't change in the progression through areas. And most of it is just the same things, only extended. The map didn't receive an overhaul, all the events are the same. Loading Dock and Kitchen, Prize Counter and East Arcade, the Backstage Office and Showtime, Parts & Service and the Endo Warehouse.
As we have addressed earlier, the game's story was never majorly altered. All down to Roxy Raceway being affected by the Sinkhole was planned from the concept stage.
https://preview.redd.it/u522e0ce323d1.png?width=1902&format=png&auto=webp&s=5e13a5e9c5881c0d338acd293533b2c8ae0bcf15

THE SANDBOX CUT

So what am I attempting to convey with the paragraph above? It sounds awfully like there was no oldebetter version of SB. Is that the point of the post?
Well, yes and no. The story and missions were practically the same, only with more steps at times. But most of the cut content breakdowns focus on the wrong thing, attempting to locate more events and scripted scenes that would expand on the story. But perhaps we should do the exact opposite.
What if I told you that the current version of SB is far more storydriven than anything that came prior?
So what is the Sandbox SB? Well, it's just a nickname for what appears to be the older version of Security Breach that had even more focus on gameplay than story. And its main distinction is lack of scripted progression. The Six Hour Countdown.
For the first time, it appeared in the gameplay trailer. You can see the Faz-Watch doing something that we never see in the final game — it's actually counting time. And not the scripted timestamps, but every single minute.
https://preview.redd.it/cgokc1qw423d1.png?width=1920&format=png&auto=webp&s=81858d46d7277b1a1f57e914be02677db58fd42b
But wait, there is more. We have the Intercom's voice lines, recorded back in June, 2020. Months before we got our first trailer. And there you find the following announcements:

Attention all personnel. This is your last opportunity to leave the building before the scheduled maintenance lockdown begins.
I repeat. This is your last opportunity to leave the building before the scheduled maintenance lockdown begins.
Lockdown complete. All animatronics, please remain at your recharge terminals until recharge cycle is complete.
Recharge cycle complete. Building maintenance and other custodial activities may commence.
Recharge cycle complete. Building maintenance and other custodial activities may resume.
It is now fifteen minutes until the hour. All animatronics, please return to your recharge terminals.
It is now ten minutes until the hour. All animatronics, please return to your recharge terminals.
It is now five minutes until the hour. All animatronics, please return to your recharge terminals.
All animatronics should now be at their recharge terminals.

At the start of the game you also see an instruction card with a piece of outdated information. Telling you that Freddy can't be used again if he's out of power and you can only charge him at the end of the hour.
https://preview.redd.it/a7o4r1ff523d1.png?width=1920&format=png&auto=webp&s=502cfa1ff39c68069bc15e39ceabf3d18cd422e5
Which, obviously, is not true. Why would the tutorial teach you that? You can charge him anytime despite it practically colliding with the lore. Since we're told the recharge stations are specifically being powered at the end of the hour.
The game always reminded you about the time that's actively passing. This little detail — the active time flow — opens our Pandora's box of possibilities. It means that you could do virtually nothing and just wait for the gates to open.
But Steel Wool have thought of that, too. Not only do you need to pass the Daycare and meet Freddy not to fall victim to Moon, but you also have something else to care about, known as the Vanny Meter.
Well, some may recall Ray saying it was meant for Survival Mode. And he wouldn't be wrong, as it's the last place where it existed. But that's not the full truth, as the Vanny Meter is hardwired into the Story Mode as well. Ever seen Vanessa run away to the Atrium for no reason? That's the Vanny Meter in action.
https://preview.redd.it/8ffzwqed523d1.png?width=1507&format=png&auto=webp&s=701f7861d6c9229d5026d8ef85f56e73691f462b
Now, to those who don't know, Vanny Meter is a special feature that reacts to your movement. The more you idle, the more it fills up. If you stand still for a while, Vanessa gets triggered. She runs towards a large bathroom and there she becomes Vanny. For one, it implies Vanessa must have patrolled the map since at least 1 AM. For two, the main purpose of the Vanny Meter is to make sure you don't leave the game running in the background while you are gone doing chores. No cheating allowed. You survive 6 Hours fair and square.
There are a few more things linked to the timer besides the Vanny Meter. Some of you may know about the Night Mode. The dark red lighting that appears to be the early version of the starry filter Moon has. These are the emergency lights. Just as Freddy said, at the end of the hour all the power goes to recharge stations. But do you know what happens if you activate Night Mode at 12 AM? Time starts going. Not in the Survival Mode, but in the plain Story Mode. Activating on its own.
https://preview.redd.it/ikmkj9hp523d1.png?width=1920&format=png&auto=webp&s=8e8bc1c79d4bb3e6775a4812b6c241b1242857d7
One more thing that caused a lot of commotion was the Plan A pop-up if you died at 6 AM. If someone still wonders what it is, the answer is right there in the files. And right here below.
Plan A [Mission]

The main doors open at 6AM

Try to survive the night until the main doors open at 6AM

The doors are open!

The main doors are now open! Head to the main entrance quickly!

Plan C [Mission]

Find the prize counter security office on the 3rd floor

The Prize counter is on the third level above the main entrance. You should be able to escape there.

Find the door to the Security Office

Look for the door with a security badge symbol on it.

Find another way into the Security Office
Take the security badge from the Security Office
Survive until Freddy shuts down the alarm
Find the VIP room at the back of the Prize Counter

That security bot wont let you pass unless you are a VIP member. If you collect enough prizes he may let you in.

Plan B...
Well, it doesn't have an official mission breakdown, but it's pretty obviously linked to Loading Dock. Plus the trigger for it is signed accordingly.
https://preview.redd.it/14nnl3a3823d1.png?width=809&format=png&auto=webp&s=8cdd51df3231058daea31ab3129ac7e3ddf86c25
Now. What makes these missions so special is the fact that they are no longer special at all. The idea of three plans implies you could follow one while neglecting the other, which is obviously impossible in the current game, since you are forced to follow Plan A in both cases. And nor can you decide to follow Plan A without collecting the badges for the Loading Dock Ending.
But what if it wasn't meant to be this way?
What if you could find a different exit before the 6 Hour mark? I believe this is the exact reason why these extra exits exist in the first place. If you are skilled enough, you could finish the game way sooner.
It wasn't a step-by-step story, like RUIN. It was a gigantic mall simulator where you are the moving force of the plot. This is the reason why everything feels so forced and unmotivated.

Why do I have to go into the building if I can just wait for 6 hours?
Why do I have to destroy the Glamrocks if that was never the plan?
Why can't I just hide and wait?
Why do I have to put myself in danger?

Well, you don't. And that's the true meaning of the Sandbox SB. The idea of surviving the night your way, while it's your curiosity, greed or bloodlust that push Gregory to survive, collect and fight.
It's a big sandbox puzzle where you look for anything that could aid in your motives, whether you just want to live till dawn or play detective and uncover all the secrets of the Pizzaplex.
Another important element of the Sandbox is the way enemies act. As you may have noticed, SB did something to the bots that changed them forever. Their pathing was limited. They can't walk away, even though that's their design. The natural state for the animatronics and Vanessa is to freely circulate around the map without obstacles.
Couldn't get a shot, but Chica is sometimes seen getting stuck in this corner. She wants to go outside. Through a phantom door.
That's why sometimes you can notice Chica get stuck at Customer Service locker room. She attempts to go off the rail and go through a shortcut that no longer exists. That's why Vanessa runs into a wall and disappears, as she can't reach the Daycare bathroom to become Vanny. That's the reason why the map is flooded with Security Bots, as the Glamrocks could walk to the far end of the building.
And that's why the map had so many various corridors, airlocks and passages. No elevators, no loading screens. Only the steady circulation of animatronics and Vanessa around the premises. The enemies could pick shortcuts and circle in on you. Or instead you could use a different exit and not end up in a dead end. That's why the large and interconnected web of Utility Tunnels used to exist. It was a reward. As you upgraded Freddy and opened more gates, you could then unlock more underground ways to reach your destination without the need to face the Glamrocks patrolling all the areas upstairs. Just like Freddy tells you at the start of the game: Utility Tunnels are the safest path. And they were intended to get you anywhere you want.
https://preview.redd.it/63gvpfata23d1.png?width=2500&format=png&auto=webp&s=452983eaf0a430358b5f3261a2e0bf4d0796fc34
https://preview.redd.it/43cfthuta23d1.png?width=2500&format=png&auto=webp&s=49b9796e2dc4161d17d1c79961a89bb1aa85ecab

RAY'S INTERFERENCE

So what exactly happened with this version of the game for it to just cease to exist? Well, if it wasn't obvious enough, it didn't run. Maybe it did without lighting and with the high end hardware Steel Wool tested it on, but once the last gen consoles and computers rolled into the picture, everything started crumbling. Though even the last gen appears to have a bit of a hard time with the game.
Steel Wool put all their eggs into one basket, so the handle snapped. And all they were left with was an omelet. The game was unable to seamlessly load the areas without stuttering, which led to the creation of the elevators and map division. Their most prized mechanic has fallen. The enemies and the player could no longer freely roam the building without being stopped. It's not like they didn't try to keep the map's integrity though. In the files, you can still find the special gates that you needed to push (E) to go through them and load the next area.
There's also high probability of other errors linked to the concept. Like what if the hour ends while you are in the Boss Fight? Besides it's very likely that a lot of the missions, dialogues and areas still weren't finalized. Time was scarce. And Steel Wool needed to do something fast. Perhaps that's where Ray McCaffrey comes in.
I don't consider myself a conspiracy theorist, but how strange is that that Steel Wool gets a new producer in June, and that's exactly when the game gets labeled a Pre-Alpha as opposed to V1.0 that it was called just at the end of last month, May. There are two possibilities.
May 20th 2021 - The game is Version 1.0.
August 19th 2021 - The game reverted to Pre-Alpha. What happened in those couple months?
A) They came to realization that the game was raw and unworthy of being called V1.0.
B) Or the version I consider more interesting. It changed, because this is no longer the same game. The game that was 1.0 is no more.
The Sandbox SB has been cancelled, be it by Ray McCaffrey, Jason Topolski, Andrew Dayton or the whole team. What was now born is The Scripted Security Breach. The linear gameplay formula with scripted events. Sandbox SB was in development for years, so it was a Version 1.0. Scripted SB was just born, so it became a Pre-Alpha.
Believe it or not, Ray may have saved SB from either being delayed again or being cancelled. For instance, he was the one to call and hire Marta Svetek (Gregory, Roxy, Vanny VA), whom Ray knew from previous work experience. But the development still wasn't in a good place, as the dialogue was being recorded even after the release date announcement. Not to mention that there was no public casting call for Gregory, Marta was asked to fill in this spot, despite not being interested in child roles. She still managed to pull it through and now nobody imagines these characters without her. But it is clear something is not right when you, without arranging the usual casting calls, get an actor to do three characters at once, left alone a character they didn't even want to voice.
https://preview.redd.it/bodcw5kxd23d1.png?width=4115&format=png&auto=webp&s=0a48191a120e0dd1e275c491f8b49f660b4c8827
Even then, Steel Wool never gave up on Sandbox SB. To some extent. They attempted to salvage what they had and revive it in what we now know as Survival Mode. Survival Mode isn't just a random feature. It is the remnants of what Security Breach was attempting to do, minus the story bits. The 6 Hour Sandbox mechanics were presented in a more simple mission to collect gifts scattered around the map. But even that has proven too much to handle. And thus, the tale of The Sandbox Cut ends here. The epic tale of love, hate, bloodshed and overambition.
Well, it had a bit of a continuation. Steel Wool wanted to include a Survival Mode in RUIN, but never went through with it. Whether it is for better or for worse is unclear, but only time will tell.

THE AFTERMATH

The Security Breach we have now feels incomplete not only because of the cut missions and mechanics, but because it's one game impersonating another. Trying to be something that it isn't.
While I do believe this old route of progression would've made the game feel more complete, I still wish for the series to focus more on the story and its underlying themes. Come on now, we have a series of amazing books and short stories with thought out characters and unraveling mysteries, while the games get only a fraction of that in a form of scavenger hunt. I feel like RUIN was a step in the right direction. Surely, it has a lot of kinks to work out, but if the trend continues, eventually we'll get something truly special.
I would like to thank everyone for reading. I would also like to mention the Technical FNaF Discussion, which is full of talented people who helped to build the steps to this possible solution to the biggest mystery of Security Breach. And thanks to Pizza Gamer for some of the illustrative content seen in this post. Much obliged. See you next time. Toodles.

submitted by Top_Lab_9647 to fivenightsatfreddys [link] [comments]

2024.05.27 20:06 Scott_TargetTestPrep Use Flashcards to Study for the GRE Strategically

Creating and reviewing flashcards that summarize critical concepts is a terrific method of making your GRE studying more efficient and helping you to be a better test-taker. Use key concepts from your notes to make flashcards. This provides you with yet another chance to think about what you’ve learned and put it into your own words, both of which are proven to help with knowledge retention.
A great part about flashcards is that they can be used almost anywhere. For example, if you take public transportation to and from work, you can use that time to review your flashcards. Or if you’re waiting in line at the grocery store, take out your flashcards and give yourself a 2-minute quiz. You’ll undoubtedly discover that there are several opportunities to fit in “quick-hit” flashcard study sessions throughout your day, and believe me when I say that they add up! You can add an extra 20 minutes to your daily study time by fitting in five minutes here and 10 minutes there. Over the course of a week, you’d fit in an extra 2 hours and 20 minutes of GRE studying!
Some students prefer to use traditional paper flashcards, while others prefer digital flashcards. Whatever format you select, make sure to use your flashcards as frequently as possible. Shuffle the deck or randomize your cards before each use to add a new level of difficulty. Your brain will have to work a little harder to remember the material if you reorder the cards each time you study them, and your retention will improve.
Keep in mind that the number of flashcards you use will increase as you proceed through your GRE study plan. So, to make flashcard study more efficient, divide your cards into two piles: one for concepts you’ve mastered and another for concepts you haven’t. Naturally, you’ll want to look at the “not mastered” pile more often than the “mastered” pile. However, as we’ll see next, you won’t want to forget about what you’ve already learned, so be sure to look at your “mastered” pile every so often.
Warmest regards,
Scott

submitted by Scott_TargetTestPrep to GREhelp [link] [comments]

2024.05.27 17:01 GenshinLoreModBOT Version 1.4, [We Will Be Reunited, Dain Quest]

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Outlanders do not belong in this world. One day, this journey will reach its end, but until the Abyss has engulfed the thrones, my war with destiny[Heavenly Priciples] will see no end.
Genshin Impact Story Teaser: We Will Be Reunited: "We will be reunited. But not here, not now." "We will meet at this journey's end... Once the dust has settled."

__________________________________________________________________

Chapter I: Act IV - We Will Be Reunited

All video screenshots taken from here.

Involuntary Sacrifice

Lan: The Treasure Hoarders discovered some previously unexplored ruins that the Abyss Order has been secretly guarding in the shadows.
Ganyu: They have already devised a plan: they will send out a decoy to divert the Abyss Order's forces away from the ruins, then send an expert thief inside to steal the treasure.
Lan: They have recruited a certain "Grand Thief" from Fontaine. He is an extraordinary individual. The Grand Thief is highly respected in the Treasure Hoarders, in the same way that we adventurer's look up to great adventurers, such as Stanley and Alice.

Following the Treasure Hoarders' trail, you enter the ruins
Observe the \"Grand Thief.\" There's no reaction, nor any sign of breathing; he's dead.
The Defiled Statue explodes with Abyssal energy. Why is this Statue of The Seven hanging upside-down? And the Statue's hands, they are normally holding an orb, right?

Abyss Herald: You cannot spy on the secrets of the Abyss. You have come here, you have seen our secrets. As a Herald, I will mete out your punishment. Oh, I thought you were just a couple of pests that stumbled in here by mistake. You are with Dainsleif, that constant annoyance in our affairs. Did he send you here to die? His resistance against the Abyss has gone nowhere for a long time.

[while fighting the Abyss Herals]

Paimon: What is this power? Paimon's never seen it before. 🤨

[after defeating the Herald]

Abyss Herald [to Traveler]: This power. It seems familiar. So, it's you! In that case, I shall stay here no longer.

A Herald Without Adherents

Dain: An inverted Statue of The Seven holding Abyssal power in its hands? I have never seen such a thing during my time fighting the Abyss, though I have had my suspicions. These Abyss Mages seem to be searching the remains of Ruin Guards for a certain valuable object to take back to the ruins. One can not discover the truth behind it through interrogation. Or rather, these Abyss Mages likely fear something else much more than they do a painful interrogation.
Paimon: Wherever we find an Abyss Mage hideout, there's often a bunch of Ruin Guards roaming around too, is that a coincidence?
- Dain: There are no coincidences in the world. Everything is the fruit of seeds planted long ago. Just like your appearance in that tavern. Time is just waiting for those seeds to sprout. The connection between the Abyss Order and the Ruin Guards is by no means incidental. They are both branches that have grown out and up from the same roots below; both originate from an ancient nation that was destroyed 500 years ago — Khaenri'ah.
  - Paimon: The Abyss Order and Ruin Guards are left over from after the destruction of Khaenri'ah, that's really a super ancient name.
MC: I know about Khaenri'ah, I have memories of Khaenri'ah.

[The Traveler tells Dain about the sea of flames they saw 500 years ago, and that god they encountered]

Paimon: Paimon thought that you ran into that unknown god first 🤨

Dain: Your first memory after coming into this world was being awoken by your sibling from within that meteorite. Then your Sibling told you that the destruction of Khaenri'ah plunged the whole world into chaos and that you two should leave this world called Teyvat? Shortly after that, that you encountered an unknown god who blocked your path. When you awoke at that time and hurriedly tried to leave for another world, you didn't know anything about Khaenri'ah. Now, since you have come to gain some understanding of Teyvat, you are able to guess that the war you witnessed all those years ago must be the war that ended Khaenri'ah.

Dain: Khaenri'ah was a nation without a god — not because it had a god that died or abandoned them, but because it never had a god to begin with. It was a powerful nation, built purely by humans, an unprecedented flourishing and glorious civilization — it was the pride of humankind. Later events unfolded just as you remember — it was all destroyed by gods. 500 years ago, the gods descended upon the world and brought desolation to Khaenri'ah. The "pride of humankind" was uprooted and crushed, like a weed removed from the garden of the gods.
- Paimon: The history books don't say anything about that.
  - MC: What a dangerous world. I need to hurry up and find my sibling. (But, the next time I see Venti or Zhongli. I need to hear what explanation the gods have for their actions.)

Dain: "Ruin Guard" is the name modern people have given these machines. No one called them that 500 years ago. These "Ruin Guards" were known as "Field Tillers" by the people of Khaenri'ah.
- MC: They were farming equipment!? So what's with the lethal weapons?
  - Dain: It's not like you think. "Field Tiller" was just a code name. The people of Khaenri'ah liked to give code names to their weapons. "The land is not to be tilled with farming tools, but rather to be fought for with steel and blood." —This is how the "Field Tiller" came about.
Dain: After the destruction of Khaenri'ah, these masterless "Field Tillers" went completely out of control. They wandered aimlessly over the centuries, gradually spreading to every corner of Teyvat. Perhaps resonating with the sorrow of other civilizations lost to time, they found their way to various ruins across the land, where they lie dormant.
- MC: Wandering aimlessly for 500 years. It seems we should put an end to their suffering.

Dain: This talisman seems connected to the Abyss Herald. Perhaps it really does contain information about their operation.
- Paimon: Paimon can't read the writing on it *gasp* Is that the script of Khaenri'ah?
  - Dain: "Engulf the faith of the enemy in flame, and bring glory to (‍HeHis‍) Highness, the (‍Princess/Prince‍)....'Loom of Fate,' initial operation." They...the Abyss, seem to be carrying out a large operation. The keyword here is "Loom of Fate." It seems like they are still launching the operation, or rather, are still conducting preliminary tests.
Paimon: "Loom of Fate"? What's that? Is it literally a fate-weaving machine?
- MC: The Abyss Mage came from those ruins, is it related to the inverted statue?
  - Paimon: Those eerie ruins are super likely to be related to this fate-weaving operation.
Paimon: What message does this talisman contain?

Dain: An ambitious operation, but some parts are difficult to understand. In short, the first phase of the plan is related to Osial, Overlord of the Vortex. From the contents of the talisman, this operation goes one step further. They won't just corrupt Osial's mind. They also plan to use the ancient technology behind the \"Field Tillers\" to completely transform Osial's body. The talisman's message states that they will use \"the Defiled Statue\" as a base, attaching Osial's limbs to construct a mechanized god. And the new core that shall replace the orb usually held by the Statue of The Seven is the eye of the very first Field Tiller.

Paimon: This whole thing keeps getting more complicated, but basically it all has to do with that eerie Statue of The Seven we saw?
- Dain: Yes. According to the talisman, the eye should be placed in the hands of the Defiled Statue, thereby imbuing the newly born god with the power to "topple the divine thrones of Celestia."
  - MC: Celestia...topple the divine thrones...

Dishonorable Trial

[To investigate the plan that the Abyss Order's talisman speaks of, you decide to head to the Cathedral in Mondstadt to consult the members of the Church.]

Dain: A huge statue, a grandiose Cathedral. The people of Mondstadt clearly spent a great deal of resources and energy to construct them. But how aware of this was the Anemo Archon on receiving this gift, and how much did he give back in return?
- Paimon: Faith doesn't ask for anything in return though, does it?
  - Dainsleif: Hmph, as long as the gods have a clear conscience about it all, there's nothing I can say about it. When a non-believer steps onto holy ground, the result is never pretty. I have never received the favor of the gods in the past. I don't see any reason I would need it now or in the future, either. Don't go mentioning the Defiled Statue inside the Cathedral.

Paimon: Has the Church ever lost a Statue of The Seven?
- Barbara: That was such a long time ago, barely anyone mentions it nowadays. A long time ago, there was indeed one Statue of The Seven that disappeared one night without a trace. Nearly every member of the Church joined the search for it, but it was never found. In the Church's records, as you might assume, this incident has been called "The Lost Statue of The Seven."
Paimon: Do you have any other strange stories?
- Barbara: "The Tyrant's Final Fury" refers to a time of great danger that engulfed Old Mondstadt, the place now known as Stormterror's Lair. Many, many years ago, there was a time when balls of fire would rain from the sky when anyone approached Old Mondstadt. People at that time believe that it was a curse laid down by the God of Storms, so they referred to it as "The Tyrant's Final Fury." This strange phenomenon continued for about a year. No one was able to solve it, it just gradually ceased on its own.
Rosaria: If you're looking for the Knights of Favonius, they're busy with those monsters that tried to attack Mondstadt last time, during the Stormterror incident. They are gathering in Wolvendom, causing great unrest among the wolves. Could it be that the Abyss Order is targeting the spirit of Lupus Boreas?

Dain: There's nothing special about gods anyway. It's just my opinion, but a word of advice: Always be on your guard when around gods. You shouldn't place too much trust in them. But at the same time, don't go too far in the opposite direction. Don't go trying to overthrow them, or hunt them down. Even if the god in question is your sworn enemy.

Paimon: Don't trust them, and don't hunt them. That's some awkward advice. Do you hate The Seven, or are you protecting them?
- MC: Why is your opinion so contradictory?
  - Dain: Lest I repeat the failings of my forebears. I will tell you one final fact. The destruction of the nation of Khaenri'ah by the gods is the reason why the Abyss Order now seeks to destroy the nations watched over by The Seven.

Razor: You not welcome here!
- Abyss Herald: So, the wolf's wretched spirit likes to raise wild pups now? You claim to be a guardian, yet your once-sharp claws have clearly dulled since your days of godly glory. If you serve us, we can restore your divine powers you once held in the past.

What the heck is this ceremony? He looks like he's in a lot of pain. Is this the same thing they did to corrupt Dvalin's mind?

Abyss Herald: No matter how many times you resist us, your efforts are all in vain. The ceremony was interrupted. How fortunate for you. How does an old spirit have such determined will? This is but a small unforeseen variable. Our grand scheme will not be affected.

(The Abyss Herald summons a portal and disappears)

Boreas: Human Lupical. I am ashamed that you must see me in my present state.
- Paimon: The Abyss Order had everything prepared to corrupt Lupus Boreas' mind, then lured him out under the pretense of challenging him in a trial?
Paimon: Do you know anything about the first Field Tiller?
- Boreas: I know not what this "Field Tiller" is, though there was indeed one human-made machine that I can never forget. It entered into my proving ground by accident, and I mistook it for a challenger. But it could not think, only fight. It was designed as a pure killing machine from top to bottom. I eventually damaged it greatly with one of my attacks. Before it fell to the ground, it fled the proving ground. It could spin, leap high into the air, and even shoot fireballs. Although no match for a god, it was stronger than even many who wield Visions.
  - Paimon: Fireballs? This pretty much proves that the first Field Tiller came to Mondstadt. It sounds like the first one was way stronger than the mass-produced Ruin Guards that came after. But in this story, it was damaged at the proving ground while fighting the Wolf of the North.

A Soul Set Apart

Paimon: So "The Tyrant's Final Fury" was really just missiles fired from the Field Tiller after it ran from Wolvendom! After it was damaged in the fight with the Wolf of the North, it must have wandered into the ruins of Old Mondstadt and stayed there. Then, whenever anyone got close — it would fire a ton of missiles at them. Until one day, it finally broke down for good, and the fireballs stopped raining from the sky. Back then, the people of Mondstadt hadn't seen many Ruin Guards before, so they came to interpret it as "The Tyrant's Final Fury"!
- Dain: It looks like we need to make a trip to Stormterror's Lair and comb the entire area.
  - Paimon: We saw that abandoned Ruin Guard sitting atop the tower when we went there before.

(The Traveler uses Elemental Sight and sees nothing)

Dain: This requires another method. Using Elemental Sight on a Field Tiller is of no use because it is not powered by the elements.

(Dainsleif conjures magic, and the eye of the Field Tiller appears)

Dain: The very thing the Abyss Herald has been seeking all along — the eye of the first Field Tiller. All of the Ruin Guards today are just replicas of this machine. As the prototype, its combat capability was unrestricted. As the Abyss Order has surmised, if this eye is placed in the hands of the Defiled Statue and if the limbs of Osial, Overlord of the Vortex, are attached to the statue, there you have a mechanized god and this newly born god will have the power to "topple the divine thrones of Celestia." I'll guard it myself. I must ensure it does not fall into the wrong hands. To avoid any further repercussions, we must also take care of that Defiled Statue. As for what I mean by take care of it, naturally, I mean to completely destroy it.
- Paimon: That's a Statue of The Seven! As well as being a really important cultural relic, they're actually divine, too.
  - Dain: Do The Seven really expect me to help them look after what belongs to them? Let's go back to those ruins and destroy the inverted statue.

Abyss Herald: Dain, I sense your soul is stained by terrible bloodshed, perhaps from your darkest nightmares, and something far more dangerous! You reek of a corruption familiar to me. Then we are the same. We're both dangerous. But dangers from outside of the Abyss Order must be caught and caged.

[You and Dain fight together against the Abyss Herald, but as you gain the upper hand, someone familiar appears and stops you. It is your long-lost sibling]
Lumine's sword VS Aether's sword

Sibling: You shouldn't team up with this man. He is my enemy. It must be said. Don't try to stop me. Don't try to stop the Abyss. That man, Dainsleif, was the "Twilight Sword," one of the royal guards of the final dynasty of Khaenri'ah. 500 years ago, he failed to prevent the destruction of Khaenri'ah. A curse of immortality was laid upon him, to forever wander the wilderness while he watched the people he was supposed to protect turn into monsters of the Abyss.

https://i.redd.it/b83y4pu4tu2d1.gif

Sibling: "Home" is wherever we are together. I cannot go with you to the next world to find a new home at least, not yet. Until the Abyss has engulfed the thrones, my war with destiny will see no end. ^\Destiny is a mistranslation and should be Heavenly Principles, please review bolded post at the end])
- MC: Destiny?
  - Sibling: Listen to me. I have already traveled through this world once. Once you reach the end of your journey as I did, you will see for yourself the true nature of this world.

Your only kin leaves once more, this time escorted by an Abyss Herald, while you watch on helplessly. Their voice seems to hang in the air while you just stand there in the empty ruins, lost in your own world.

__________________________________________________________________

Paimon's Recap

It seems like your sibling is leading the Abyss Order, even the Abyss Herald answers to them. Still, we don't know for sure if they are the highest-ranking leader in the organization.
Also, your sibling said that they want to "engulf the thrones" and go to "war with destiny." Could it be they want to destroy The Seven and the seven nations?
Next thing; turns out the Abyss Order monsters are really what the people of Khaenri'ah turned into after their nation was destroyed.
Dain is from Khaenri'ah, too! He witnessed its destruction 500 years ago. But he didn't turn into a monster, and now he's fighting the Abyss Order. So that's why your sibling said that Dain is their enemy, right? But If the monsters of the Abyss are the same people that Dain protected all those years ago, then why is he enemies with the Abyss Order now?
Also, how come after all this time we've spent searching for your sibling, it turns out they're on the side of the Abyss.
Paimon: Our journey's not over yet, time to leave this terrible, dark place and get back to the surface, where the sun shines bright.

__________________________________________________________________

Domain: Call of the Abyss

Call of the Abyss: The ominous temptations of the Abyss lure the brave and the foolish alike. No matter the fate that has brought you hither, know that a new thread of fate is already being woven.

__________________________________________________________________

Achievements

https://preview.redd.it/igacfoz1sf2d1.png?width=800&format=png&auto=webp&s=b8bd11a7658e377bed1adc1530b4269c212707c6

__________________________________________________________________

Posts

Megathread for "We Will Be Reunited" discussion? [from release on Genshin_Impact]
01/16/2021 Dainsleif & The False World Theory
02/08/2021 Dainsleif & The Prophecy Theory (plus stuff about the Twins, Asmoday, & the Ancient Civilization)
02/09/2021 Dainsleif Lore
04/12/2021 All of Dainsleif's Collected Miscellany comments as of 1.4
04/26/2021 A possible origin for Paimon [1.4 Archon Quest Spoilers]
05/30/2022 The Dainsleif's Decryption
06/06/2022 The Dainsleif's Decryption: Director's Cut
06/08/2021 Lore Dump Interlude - Dainsleif and Paimon colours
07/06/2021 The Genesis Pearl, Gold, The Unknown God, Hypostases, Dainsleif and hominculi. And how they all tie together.
09/16/2021 Deciphering the Cryptic Dialogue of Dainsleif
09/09/2021 Missed Lore Due to Inconsistent Translation of "Heavenly Principles"
01/10/2022 Dainslief Self proclaimed prophecy breakdown

__________________________________________________________________

https://preview.redd.it/5sk5ai9wrf2d1.png?width=600&format=png&auto=webp&s=9afaa6c31e73ebfe25026c08695c6016632185b0

submitted by GenshinLoreModBOT to Genshin_Lore [link] [comments]

2024.05.27 08:33 Educational_Mud_3833 in honor of the snark coming back…

let’s review everyone’s favorite moments! for me it’s a toss up between two!

treating an unhoused man like a puppy for content before turning on him upon finding out that he used her card (that she drunkenly forgot at a bar) to buy a hotel room and a t-shirt. she berated him in a parking lot and posted it, posted a thrift flip with the shirt she took from him, and tried to act like an angel because at least she didn’t call the cops!
her lack of due diligence when visiting taipei during the pandemic leading to a public breakdown over getting the wrong covid test, after which she e-begged to get home while simultaneously mocking dying locals

with a little bonus of scott’s drunk driving! in mexico on a scooter and camping after octoberfest (edit: brunch fest) come to mind, but i’m sure lil miss has documented more!

submitted by Educational_Mud_3833 to ebcjpg_snark [link] [comments]

2024.05.27 01:29 ryanmark234 Business Writing Help reddit Creative Essay Writing Help Reddit Critical Essay Writing Helper for Hire Reddit Eastern Literature Help Reddit English Literature Helper Reddit Expository & Persuasive Essay Writing Help Reddit Fiction Help - Greek and Roman Philosophy Writing Helper Reddit

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submitted by ryanmark234 to Studentcorner [link] [comments]

2024.05.26 22:49 AlekseiAlex Steering Stem question

Hey everyone,
Since i'm kinda new to the MTB game i have a question regarding the steering stem.
I found a XC bike that i like but this quote from a bike test review has me worried.
"the frame is without a steering limiter. Especially with the low handlebars in the cross-country discipline, the frame can quickly sustain damage at the top tube in case of a crash"
Is the stemless solution on the left really that bad or should i buy another bike with the tubed stem?
The left stem is the Merida one and the right one is the Scott's
https://ibb.co/xfbkWf6
Thanks !

submitted by AlekseiAlex to MTB [link] [comments]

2024.05.26 22:37 douglaskeisenman Time Series Analysis Homework Assignment Help Reddit Time Series Analysis Course Class help Reddit Online Helper for Time Series Analysis Assignment homework test quiz exam class Reddit pay someone to do my Time Series Analysis assignment class course exam test quiz reddit Test taker Reddit

If you are unable to Pass your Stat Exams, Quizzes, Tests or Unable to Handle Homework Assignments or full course online, Get paid help from Online Helpers at Hiraedu!
Contact Details for Hiraedu Helper:
WhatsApp: +1 (213) 594-5657
Call: +1 727 456 9641
Website: hiraedu. com
Email: info@hiraedu. com
ASSESSMENTS I CAN COMPLETE:

Online Courses (1 - 20 Weeks Long)
Homework Assignments
Exams Quizzes Tests
Excel Projects
Discussion Forum Posts
Research Papers Term Papers Essays
Employment Assessments

Advanced Placement Honors High School Level Math
AP Calculus AB A.P. Calculus BC
AP Statistics
Biostatistics Bio-Statistics
College Algebra Intermediate Algebra
Business Calculus
Business Statistics
Business Math
Calculus I Calculus II Calculus III (Calc)
Geometry
International Baccalaureate (IB) Maths
Liberal Arts Math
Logic & Reasoning
Multivariable Calculus Multi variable Calculus
Precalculus Pre-calculus
Probability & Statistics
Psychology Statistics Psych Stats
Quantitative Reasoning Quantitative Methods Quantitative Literacy (Quant)
Statistics (Stats)
Statistics for Social Sciences
Trigonometry (Trig)

STATISTICS HELP (MY BEST SUBJECT):

I have a master's degree in Applied Statistics from a university in New Jersey, USA. As a result, I am very proficient in helping students with various types of Statistics courses including Biostatistics Business Statistics Elementary Statistics Probability & Statistics Psychology Statistics.
I have extensive knowledge and skill with helping students get through various statistical concepts including all of the following in alphabetical order:
ANOVA Bar Graph, Boxplot, Dot Plot, Histogram, Pie Chart Bias Binomial, Exponential, Poisson, Gamma, Uniform Distribution Central Limit Theorem Chi-Square Test Coefficient of Determination (R^2) Conditional & Relative Probability Confidence Interval Correlation Coefficient (r) Critical Region Critical Value Descriptive & Inferential Statistics Effect Size Expected Value Experiment vs Observation Goodness of Fit Test Hypothesis Testing Interpolation & Extrapolation Interquartile Range (IQR) Kurtosis Left, Negative, Right, Positive Skewed Distribution Logistic Regression Mean, Median, Mode, Midrange Multiple Regression Nominal, Ordinal, Interval, Ratio I Population Parameter Normal, Symmetric & Bell Shaped Distribution Null & Alternate Hypothesis One & Two Sample T-Test One & Two Sample Z-Test Ordinary Least Squares Outliers P-Value Pooled Variance (Equal Variances) Proportion R^2 Range Regression Regression Line Reject & Fail to Reject Ho Relative & Cumulative Frequency Distributions Relativity & Reliability Right, Left, One, Two Tailed Tailed Hypothesis Test Sample Statistics Sampling Methods (Convenience, Stratified, Simple, Cluster, Systematic) Significance Level (1%, 5%, 10%) Skewness Standard Deviation& Variance T-Score Test Statistic Time Series Type I & Type II Errors Unbiased Estimators Z-Score

ALGEBRA HELP:

I am well-versed in helping students do well in Algebra 1 & 2 College Algebra Intermediate Algebra Pre-Algebra and I am very knowledgeable and proficient in the following algebra topics in alphabetical order:
Absolute Values Circle Equation Domain Exponents Graphing Horizontal & Vertical Asymptotes Inequalities, Equations & Functions Inverse Functions Linear, Exponential, Logarithmic, Quadratic Equations Logarithms Maximum & Minimum Values of a Graph Number Lines One-to-One Functions Parallel & Perpendicular Lines Plotting Points & Ordered Pairs Point-Slope Form Polynomial Division Polynomials Radicals Range Rational & Irrational Expressions Rational Functions Real Roots Real Zeros Relations & Functions Slope Slope-Intercept Form Square Roots Standard Form of a Line System of Equations System of Inequalities Variables X and Y Intercepts

CALCULUS HELP:

I am well-versed in helping students do well in Calculus I, II & III, Calculus 1, 2 & 3, Business Calculus, Multivariable Calculus, Vector Calculus and I am very knowledgeable and proficient in the following calculus topics in alphabetical order:
Absolute & Local Maximum and Minimum Antiderivative Area & Volume Chain Rule Concavity Continuity Convergence Test Critical Points Curvature Curve of Rotation Curve Sketching Derivatives Divergence Test First & Second Derivative Test Fourier Series Implicit Differentiation Increasing / Decreasing Functions Infinite Series Integrals Integration by Parts Jacobian Matrix Limits L’Hopital’s Rule Maclaurin Series Mean Value Theorem Partial Derivative Product & Quotient Rule Reiman Sum Related Rates Simpson’s Rule Solid of Revolution Substitution Rule Taylor Series

I firmly believe that I have many attributes and skills that set me apart from other tutors. Below is a list of qualities that makes me an ideal fit to help you master your coursework:

I CAN AID STUDENTS TAKING PROCTORED ASSESSMENTS:

Proficient in CollegeBoard AP Calculus AB, AP Calculus BC & AP Statistics exams.
Skilled with International Baccalaureate Math Exams: IB Maths HL & IB Maths SL
Can intentionally answer a few problems incorrectly at the student's request.
Can text solutions to the student while they are taking a proctored exam.
Upon request, can purposely obtain grades below an A (ex: B+, B, C+, C-).
I can stretch out the time to a plausible length for timed exams and assignments before submitting them.
Have reliable software that can change my IP address to match the closest major city near the student.
I have exceptional multiple-choice exam-taking skills. I have mastered the various techniques to make calculated guesses for the correct option in standardized exams such as the SAT & GRE.

I CAN VERIFY MY ACADEMIC KNOWLEDGE & SKILLS:

I have no problem with requests to solve sample problems upfront to prove my knowledge & proficiency of the course concepts.
I can provide glowing references & strong examples of work done for past clients to verify my academic skills.
I can also provide, upon request, complete detailed calculations with explanations for solutions to the problems worked on.
I am quite skilled and adept in using multiple modernized educational platforms and software, including but not limited to: Brightspace MyStatLab D2L WebAssign Canvas MyMathLab Blackboard ALEKS
Can format term papers and discussion posts in APA MLA Harvard Chicago Vancouver OSCOLA IEEE format.

I HAVE PAID ACCESS TO OVER 15 STUDY-HELP WEBSITES AND MATHEMATICAL SOFTWARE:

I have multiple paid subscriptions to a wide range of academic tutoring resources, including Chegg, Quizlet, CourseHero, Brainly, Grammarly, Study. com, Bartleby, Slader, Transtutors, Slideshare, StudocU, Turnitin, Academia, SymboLab, WolframAlpha, and Scribd to help guide to solve exam & homework questions that I may not immediately know.
However, I am smart enough not to blatantly plagiarize solutions online but instead write them in my own unique words, formatting, & mathematical terminology.
I have access to a very sophisticated graphing calculator and various mathematical software that provides step-by-step solutions to complex mathematical problems within seconds, allowing me to provide exact solutions to the student in a timely manner.
I have impeccable handwriting and a high-quality mobile scanner app that allows me to scan written solutions in very legible high-definition JPG, PNG, or PDF formats.

MY AVAILABILITY & RELIABILITY:

Depending on my availability, I can accommodate immediate tutoring requests, 1-24 hour, and 1-30-day deadlines.
I can schedule live real-time online sessions and meet deadlines in an impressively timely fashion.
I can provide quick notifications and updates of progress made in the student's class via email text phone calls.
I can also be available to tutor students for Fall 2021 Spring 2022 Summer 2022 semesters.

MY EDUCATIONAL SOFTWARE OF EXPERTISE:

I am very knowledgeable and well-versed in a wide range of educational software to tutor students in including but not limited to: Acellus ALEKS APEX Learning Aplia Blackboard Brightspace Canvas Cengage CengageNow Connect ConnectMath Connexus CPM D2L Discord Edmentum Eviews Examity Excel Hawkes Learning Honorlock Khan Academy Knewton LimeSpring Lumen Maple MasteringChemistry MasteringPhysics MathXL (XL) MATLAB McGraw-Hill Microsoft Word Minitab Moodle MyAccountingLab MyEconLab MyITLab MyLab My Lab MyMathLab My Math Lab MyOpenMath MyPsychLab MySocLab MyStatLab My Stat Lab NCSS Open Source Software Pearson PERT PlatoWeb PowerPoint Prezi R Respondus Lockdown Browser with Webcam Sapling SPSS Stata StraighterLine Straighter Line WebAssign Web Assign Webex (Cisco) WebWork Wiley WileyPlus Wonderlic Zoom

A - C: American Public University System (APUS) Arizona State Ashford Brigham Young Brown Broward California State (Fullerton) Capella Chamberlain (Illinois) Colorado Technical Columbia Columbia Southern Cornell
D - K: Dallas College Dartmouth DeVry Excelsior College Florida International Florida State Full Sail Georgia State Grand Canyon Harvard Houston Community College Ivy Tech Community College Kaplan Kennesaw State Kent State
L - T: Liberty Lone Star College System Kaplan Miami Dade Michigan State CUNY State University of New York (SUNY) Northern Virginia Ohio State University of Phoenix (UOP) Penn State Princeton Purdue (Davenport) San Diego State San Francisco State San Jose State Southern New Hampshire Southern Nevada Stanford St. Petersburg Strayer Texas Tech
UNIVERSITY OF: Alabama Arizona California (UC) Central Florida Chicago Cincinnati Florida Houston Illinois (Urbana-Champaign) Iowa Maryland Minnesota Michigan North Texas Pennsylvania Southern Florida Texas Toronto
U - Z: UCLA Extension Utah State Utah Valley Valencia Walden U Wake Technical Western Governors Wilmington Yale

I offer several unique payment plans, including a weekly plan, a discounted monthly plan, a discounted half-now / half-later plan, and highly discounted up-front rates.
I can accept the following payment methods for my services: PayPal Debit Cards Square Cash Credit Cards Cash App Venmo.
Only people located in North America have access to Venmo Cash App Zelle.
This is an excellent way to determine if the person you're dealing with is from the United States.
Within reason, I offer a partial or full money-Back guarantee if the student is very unsatisfied with my academic services.

TUTORING AVAILABLE FOR OTHER SUBJECTS:

For other subjects, you can reach out to me, and I can connect you with one of my tutoring partners who can provide general academic assistance for the following subjects:
Art & Design: Art History Design Film Studies
Business: Accounting (Acc) Biz Courses Business Administration (Biz Admn) Business Calculus Business Law Business Statistics Corporate Finance Economics (Econ) Finance (Fin) Financial Accounting Intermediate Accounting Intermediate Microeconomics (Micro) Macroeconomics (Macro) Management (Mgmt) Managerial Accounting Marketing MBA
Computer Science: C C++ Computer Programming (Comp) Java Python R (Introduction & Intermediate Level Only)
Humanities: Communications (Comm) English Literature Essay & Term Paper Writing, Editing, Proofreading Essays History Papers Philosophy (Phil) Religious Studies Theology (Theo)
Mathematics: A.P. Calculus AB & BC Psychology Statistics AP Statistics Bio statistics Calculus I (1) Calculus II (2) Calculus III (3) College Algebra Differential Equations Discrete Math Finite Math Functions General Math Geometry Liberal Arts Math Linear Algebra Multi-variable Calculus Partial Differential Equations Precalculus Probability Quantitative Reasoning Real Analysis Statistics Trigonometry (Trig) Vector Calculus
Science & Medicine: Anatomy & Physiology (A & P) Biochemistry Biology (Bio) Biostatistics Earth Science Environmental Science General Chemistry (Chem) Healthcare Medicine Nursing Nutrition Organic Chemistry Physics (Phys)
Social Sciences: Anthropology Economics (Econ) Geology Law & Justice Liberal Arts Liberal Studies Political Science Psychology Sociology

1) Speak with you on the phone and answer any questions you may have so that you have the opportunity to assess and analyze my tone, articulation, accent, diction, dialect, regionalisms, pitch, vocabulary, word choice, intonations, and inflections.
NOTE: I’m a New Jersey-born Irish/Italian-American, but I have been told that I speak in an erudite & articulate suburban American accent with a “professor style” voice somewhat resembling the voice of actor: Ben Stein.
2) Agree to do some homework questions of yours upfront with the work fully shown in real-time to prove my mastery of the course content.
3) Send you screenshots of at least five past scores I attained from completing exams & homework assignments for other students in the same type of class you need help with.
4) Send you full screenshots of written exam solutions I wrote up by hand for students in the past in the same course that you need help with so that you can see my neat handwriting.
5) Provide you with the contact information of students who have utilized my services in the past who would be more than willing to vouch for my skills.

I certainly wouldn’t do it for such paltry amounts of money. (i.e., anything less than $1,000 per victim.)
I certainly wouldn’t choose high school & college students as my “target audience” to scam, considering that most people without college degrees have abysmally low annual incomes. Why choose low-income victims when it would be much more profitable to target high-income, high-net-worth individuals earning at least six figures a year? I have knowledge in business consulting, and I promise you that a business owner would be a MUCH more lucrative mark than a low-income college student.
I wouldn’t choose such a time & energy-draining method of scamming people. Also, communicating back and forth with potential clients is an absurdly long time sink since only less than 10% of all potential clients who reach out to me actually become paying clients of mine. This means that 90% of my time communicating with potential clients ultimately proves to be a colossal waste of my irretrievable time & energy.
If you pay me to provide academic services and I don’t deliver, you can always dispute the payment with the payment app and easily get your money refunded. If I were in the habit of swindling money from people, then all of my payment accounts would have been investigated and be completely shut down by now. And I would have been permanently banned from opening new accounts. Therefore, the fact that all my payment apps have been fully active for years should be sufficient proof that I haven’t had people consistently disputing payments sent to me.

I take my work as a tutor very seriously, and I always aim to do my best to help my students excel in school. I have a solid and sincere passion for academic achievement, and with my help, I am positive that I can help students obtain very high grades with minimal stress and effort.
Please feel free to contact me if you're interested in my services and would like to learn more. I'm available 24/7 via phone call, email, and text. Again, thank you for taking the time to read my Reddit tutoring ad, and I hope to hear from you soon!

submitted by douglaskeisenman to Statisticshelpers_ [link] [comments]

2024.05.26 21:15 Brilliant_Maddy Confidence Intervals exam Help Online Reddit Online Exam Helper for Hire Reddit Take my Confidence Intervals Assignment Project reddit do my Confidence Intervals course Homework Reddit Confidence Intervals class Help Reddit Pay someone to do my Confidence Intervals Exam Reddit

Online Courses (1 - 20 Weeks Long)
Homework Assignments
Exams Quizzes Tests
Excel Projects
Discussion Forum Posts
Research Papers Term Papers Essays
Employment Assessments

Advanced Placement Honors High School Level Math
AP Calculus AB A.P. Calculus BC
AP Statistics
Biostatistics Bio-Statistics
College Algebra Intermediate Algebra
Business Calculus
Business Statistics
Business Math
Calculus I Calculus II Calculus III (Calc)
Geometry
International Baccalaureate (IB) Maths
Liberal Arts Math
Logic & Reasoning
Multivariable Calculus Multi variable Calculus
Precalculus Pre-calculus
Probability & Statistics
Psychology Statistics Psych Stats
Quantitative Reasoning Quantitative Methods Quantitative Literacy (Quant)
Statistics (Stats)
Statistics for Social Sciences
Trigonometry (Trig)

STATISTICS HELP (MY BEST SUBJECT):

I have a master's degree in Applied Statistics from a university in New Jersey, USA. As a result, I am very proficient in helping students with various types of Statistics courses including Biostatistics Business Statistics Elementary Statistics Probability & Statistics Psychology Statistics.
I have extensive knowledge and skill with helping students get through various statistical concepts including all of the following in alphabetical order:
ANOVA Bar Graph, Boxplot, Dot Plot, Histogram, Pie Chart Bias Binomial, Exponential, Poisson, Gamma, Uniform Distribution Central Limit Theorem Chi-Square Test Coefficient of Determination (R^2) Conditional & Relative Probability Confidence Interval Correlation Coefficient (r) Critical Region Critical Value Descriptive & Inferential Statistics Effect Size Expected Value Experiment vs Observation Goodness of Fit Test Hypothesis Testing Interpolation & Extrapolation Interquartile Range (IQR) Kurtosis Left, Negative, Right, Positive Skewed Distribution Logistic Regression Mean, Median, Mode, Midrange Multiple Regression Nominal, Ordinal, Interval, Ratio I Population Parameter Normal, Symmetric & Bell Shaped Distribution Null & Alternate Hypothesis One & Two Sample T-Test One & Two Sample Z-Test Ordinary Least Squares Outliers P-Value Pooled Variance (Equal Variances) Proportion R^2 Range Regression Regression Line Reject & Fail to Reject Ho Relative & Cumulative Frequency Distributions Relativity & Reliability Right, Left, One, Two Tailed Tailed Hypothesis Test Sample Statistics Sampling Methods (Convenience, Stratified, Simple, Cluster, Systematic) Significance Level (1%, 5%, 10%) Skewness Standard Deviation& Variance T-Score Test Statistic Time Series Type I & Type II Errors Unbiased Estimators Z-Score

ALGEBRA HELP:

I am well-versed in helping students do well in Algebra 1 & 2 College Algebra Intermediate Algebra Pre-Algebra and I am very knowledgeable and proficient in the following algebra topics in alphabetical order:
Absolute Values Circle Equation Domain Exponents Graphing Horizontal & Vertical Asymptotes Inequalities, Equations & Functions Inverse Functions Linear, Exponential, Logarithmic, Quadratic Equations Logarithms Maximum & Minimum Values of a Graph Number Lines One-to-One Functions Parallel & Perpendicular Lines Plotting Points & Ordered Pairs Point-Slope Form Polynomial Division Polynomials Radicals Range Rational & Irrational Expressions Rational Functions Real Roots Real Zeros Relations & Functions Slope Slope-Intercept Form Square Roots Standard Form of a Line System of Equations System of Inequalities Variables X and Y Intercepts

CALCULUS HELP:

I am well-versed in helping students do well in Calculus I, II & III, Calculus 1, 2 & 3, Business Calculus, Multivariable Calculus, Vector Calculus and I am very knowledgeable and proficient in the following calculus topics in alphabetical order:
Absolute & Local Maximum and Minimum Antiderivative Area & Volume Chain Rule Concavity Continuity Convergence Test Critical Points Curvature Curve of Rotation Curve Sketching Derivatives Divergence Test First & Second Derivative Test Fourier Series Implicit Differentiation Increasing / Decreasing Functions Infinite Series Integrals Integration by Parts Jacobian Matrix Limits L’Hopital’s Rule Maclaurin Series Mean Value Theorem Partial Derivative Product & Quotient Rule Reiman Sum Related Rates Simpson’s Rule Solid of Revolution Substitution Rule Taylor Series

I firmly believe that I have many attributes and skills that set me apart from other tutors. Below is a list of qualities that makes me an ideal fit to help you master your coursework:

I CAN AID STUDENTS TAKING PROCTORED ASSESSMENTS:

Proficient in CollegeBoard AP Calculus AB, AP Calculus BC & AP Statistics exams.
Skilled with International Baccalaureate Math Exams: IB Maths HL & IB Maths SL
Can intentionally answer a few problems incorrectly at the student's request.
Can text solutions to the student while they are taking a proctored exam.
Upon request, can purposely obtain grades below an A (ex: B+, B, C+, C-).
I can stretch out the time to a plausible length for timed exams and assignments before submitting them.
Have reliable software that can change my IP address to match the closest major city near the student.
I have exceptional multiple-choice exam-taking skills. I have mastered the various techniques to make calculated guesses for the correct option in standardized exams such as the SAT & GRE.

I CAN VERIFY MY ACADEMIC KNOWLEDGE & SKILLS:

I have no problem with requests to solve sample problems upfront to prove my knowledge & proficiency of the course concepts.
I can provide glowing references & strong examples of work done for past clients to verify my academic skills.
I can also provide, upon request, complete detailed calculations with explanations for solutions to the problems worked on.
I am quite skilled and adept in using multiple modernized educational platforms and software, including but not limited to: Brightspace MyStatLab D2L WebAssign Canvas MyMathLab Blackboard ALEKS
Can format term papers and discussion posts in APA MLA Harvard Chicago Vancouver OSCOLA IEEE format.

I HAVE PAID ACCESS TO OVER 15 STUDY-HELP WEBSITES AND MATHEMATICAL SOFTWARE:

I have multiple paid subscriptions to a wide range of academic tutoring resources, including Chegg, Quizlet, CourseHero, Brainly, Grammarly, Study. com, Bartleby, Slader, Transtutors, Slideshare, StudocU, Turnitin, Academia, SymboLab, WolframAlpha, and Scribd to help guide to solve exam & homework questions that I may not immediately know.
However, I am smart enough not to blatantly plagiarize solutions online but instead write them in my own unique words, formatting, & mathematical terminology.
I have access to a very sophisticated graphing calculator and various mathematical software that provides step-by-step solutions to complex mathematical problems within seconds, allowing me to provide exact solutions to the student in a timely manner.
I have impeccable handwriting and a high-quality mobile scanner app that allows me to scan written solutions in very legible high-definition JPG, PNG, or PDF formats.

MY AVAILABILITY & RELIABILITY:

Depending on my availability, I can accommodate immediate tutoring requests, 1-24 hour, and 1-30-day deadlines.
I can schedule live real-time online sessions and meet deadlines in an impressively timely fashion.
I can provide quick notifications and updates of progress made in the student's class via email text phone calls.
I can also be available to tutor students for Fall 2021 Spring 2022 Summer 2022 semesters.

MY EDUCATIONAL SOFTWARE OF EXPERTISE:

I am very knowledgeable and well-versed in a wide range of educational software to tutor students in including but not limited to: Acellus ALEKS APEX Learning Aplia Blackboard Brightspace Canvas Cengage CengageNow Connect ConnectMath Connexus CPM D2L Discord Edmentum Eviews Examity Excel Hawkes Learning Honorlock Khan Academy Knewton LimeSpring Lumen Maple MasteringChemistry MasteringPhysics MathXL (XL) MATLAB McGraw-Hill Microsoft Word Minitab Moodle MyAccountingLab MyEconLab MyITLab MyLab My Lab MyMathLab My Math Lab MyOpenMath MyPsychLab MySocLab MyStatLab My Stat Lab NCSS Open Source Software Pearson PERT PlatoWeb PowerPoint Prezi R Respondus Lockdown Browser with Webcam Sapling SPSS Stata StraighterLine Straighter Line WebAssign Web Assign Webex (Cisco) WebWork Wiley WileyPlus Wonderlic Zoom

A - C: American Public University System (APUS) Arizona State Ashford Brigham Young Brown Broward California State (Fullerton) Capella Chamberlain (Illinois) Colorado Technical Columbia Columbia Southern Cornell
D - K: Dallas College Dartmouth DeVry Excelsior College Florida International Florida State Full Sail Georgia State Grand Canyon Harvard Houston Community College Ivy Tech Community College Kaplan Kennesaw State Kent State
L - T: Liberty Lone Star College System Kaplan Miami Dade Michigan State CUNY State University of New York (SUNY) Northern Virginia Ohio State University of Phoenix (UOP) Penn State Princeton Purdue (Davenport) San Diego State San Francisco State San Jose State Southern New Hampshire Southern Nevada Stanford St. Petersburg Strayer Texas Tech
UNIVERSITY OF: Alabama Arizona California (UC) Central Florida Chicago Cincinnati Florida Houston Illinois (Urbana-Champaign) Iowa Maryland Minnesota Michigan North Texas Pennsylvania Southern Florida Texas Toronto
U - Z: UCLA Extension Utah State Utah Valley Valencia Walden U Wake Technical Western Governors Wilmington Yale

I offer several unique payment plans, including a weekly plan, a discounted monthly plan, a discounted half-now / half-later plan, and highly discounted up-front rates.
I can accept the following payment methods for my services: PayPal Debit Cards Square Cash Credit Cards Cash App Venmo.
Only people located in North America have access to Venmo Cash App Zelle.
This is an excellent way to determine if the person you're dealing with is from the United States.
Within reason, I offer a partial or full money-Back guarantee if the student is very unsatisfied with my academic services.

TUTORING AVAILABLE FOR OTHER SUBJECTS:

For other subjects, you can reach out to me, and I can connect you with one of my tutoring partners who can provide general academic assistance for the following subjects:
Art & Design: Art History Design Film Studies
Business: Accounting (Acc) Biz Courses Business Administration (Biz Admn) Business Calculus Business Law Business Statistics Corporate Finance Economics (Econ) Finance (Fin) Financial Accounting Intermediate Accounting Intermediate Microeconomics (Micro) Macroeconomics (Macro) Management (Mgmt) Managerial Accounting Marketing MBA
Computer Science: C C++ Computer Programming (Comp) Java Python R (Introduction & Intermediate Level Only)
Humanities: Communications (Comm) English Literature Essay & Term Paper Writing, Editing, Proofreading Essays History Papers Philosophy (Phil) Religious Studies Theology (Theo)
Mathematics: A.P. Calculus AB & BC Psychology Statistics AP Statistics Bio statistics Calculus I (1) Calculus II (2) Calculus III (3) College Algebra Differential Equations Discrete Math Finite Math Functions General Math Geometry Liberal Arts Math Linear Algebra Multi-variable Calculus Partial Differential Equations Precalculus Probability Quantitative Reasoning Real Analysis Statistics Trigonometry (Trig) Vector Calculus
Science & Medicine: Anatomy & Physiology (A & P) Biochemistry Biology (Bio) Biostatistics Earth Science Environmental Science General Chemistry (Chem) Healthcare Medicine Nursing Nutrition Organic Chemistry Physics (Phys)
Social Sciences: Anthropology Economics (Econ) Geology Law & Justice Liberal Arts Liberal Studies Political Science Psychology Sociology

1) Speak with you on the phone and answer any questions you may have so that you have the opportunity to assess and analyze my tone, articulation, accent, diction, dialect, regionalisms, pitch, vocabulary, word choice, intonations, and inflections.
NOTE: I’m a New Jersey-born Irish/Italian-American, but I have been told that I speak in an erudite & articulate suburban American accent with a “professor style” voice somewhat resembling the voice of actor: Ben Stein.
2) Agree to do some homework questions of yours upfront with the work fully shown in real-time to prove my mastery of the course content.
3) Send you screenshots of at least five past scores I attained from completing exams & homework assignments for other students in the same type of class you need help with.
4) Send you full screenshots of written exam solutions I wrote up by hand for students in the past in the same course that you need help with so that you can see my neat handwriting.
5) Provide you with the contact information of students who have utilized my services in the past who would be more than willing to vouch for my skills.

I certainly wouldn’t do it for such paltry amounts of money. (i.e., anything less than $1,000 per victim.)
I certainly wouldn’t choose high school & college students as my “target audience” to scam, considering that most people without college degrees have abysmally low annual incomes. Why choose low-income victims when it would be much more profitable to target high-income, high-net-worth individuals earning at least six figures a year? I have knowledge in business consulting, and I promise you that a business owner would be a MUCH more lucrative mark than a low-income college student.
I wouldn’t choose such a time & energy-draining method of scamming people. Also, communicating back and forth with potential clients is an absurdly long time sink since only less than 10% of all potential clients who reach out to me actually become paying clients of mine. This means that 90% of my time communicating with potential clients ultimately proves to be a colossal waste of my irretrievable time & energy.
If you pay me to provide academic services and I don’t deliver, you can always dispute the payment with the payment app and easily get your money refunded. If I were in the habit of swindling money from people, then all of my payment accounts would have been investigated and be completely shut down by now. And I would have been permanently banned from opening new accounts. Therefore, the fact that all my payment apps have been fully active for years should be sufficient proof that I haven’t had people consistently disputing payments sent to me.

I take my work as a tutor very seriously, and I always aim to do my best to help my students excel in school. I have a solid and sincere passion for academic achievement, and with my help, I am positive that I can help students obtain very high grades with minimal stress and effort.
Please feel free to contact me if you're interested in my services and would like to learn more. I'm available 24/7 via phone call, email, and text. Again, thank you for taking the time to read my Reddit tutoring ad, and I hope to hear from you soon!

submitted by Brilliant_Maddy to Statisticshelpers_ [link] [comments]

2024.05.26 07:24 Significant-Tower146 Best Cute Record Players

https://preview.redd.it/ifinyk1lhp2d1.jpg?width=720&format=pjpg&auto=webp&s=e7e1310f8395e82ab521debeb177eb95094caa7a
Welcome to our selection of adorable and stylish record players! As the popularity of vinyl continues to soar, the market is flooded with a variety of record players that not only provide great sound quality but also add a touch of charm to any living space. In this article, we have curated a list of the cutest record players that will make you fall in love with vinyl all over again.
From vintage designs to modern day innovations, you'll find a range of compact and eye-catching options that cater to different budgets and preferences. So, sit back, relax, and let us take you on a musical journey through our collection of cute record players that not only promise exceptional sound quality but also deserve a spot in your cozy living room.

The Top 5 Best Cute Record Players

3-in-1 Jensen Turntable CD Radio, Cassette and AM/FM Stereo Speakers - The Jensen JTA-475 3-Speed Turntable CD Radio, Cassette and AM/FM Stereo offers versatile music playback with excellent sound quality, portability, and ease of use. However, some users may experience minor build quality concerns.
Modern Vinyl Record Player Stand with Bluetooth - Experience the perfect blend of retro design and modern features with the Victrola Liberty Bluetooth Record Player Stand, a 3-speed turntable that lets you stream your music wirelessly or play vinyl with ease, all in a stylish Espresso finish.
Retro-Modern Bluetooth Record Player with 3-Speed Turntable - The Victrola All-in-1 Bluetooth Record Player combines classic turntable functionality with modern features, providing crystal clear sound, wire-free connectivity, and a user-friendly experience.
Retro 3-Speed Bluetooth Record Player with Removable Legs - Arkrocket Discovery 3-Speed Bluetooth Turntable: Add a touch of retro charm to your home, complete with Bluetooth connectivity, headphone jack, 3-speed settings, and a classic vinyl listening experience.
Crosley Floral Turntable with Bluetooth and Built-in Speakers - The Crosley Voyager Floral Turntable is a stylish and portable 3-speed record player with built-in Bluetooth, full-range stereo speakers, and RCA outputs, perfect for bringing analog music to the masses in any space.

As an Amazon™ Associate, we earn from qualifying purchases.

Reviews

🔗3-in-1 Jensen Turntable CD Radio, Cassette and AM/FM Stereo Speakers

https://preview.redd.it/orxzn1dlhp2d1.jpg?width=720&format=pjpg&auto=webp&s=320d324fa1fbd79ee8528c93f635af6ca2ad80d4
I recently got the Jensen 3-speed turntable CD radio, cassette, and AM/FM set and I can't express how happy I am with my purchase. I remember using my dad's old turntable and the nostalgia it brings back is just priceless. This one is a modern twist to the classic turntable - it plays not only vinyl records but also CDs and cassettes. Plus, it has an AM/FM tuner so I can listen to my favorite radio stations.
What I love about this product is that it is versatile. The turntable allows me to play 3-speed records, which gives me a variety of options. The CD player accepts both regular and rewriteable discs, while the cassette deck, although it looks a bit fragile, still works perfectly fine. This device also comes with features such as repeat of songs and tracks, skip/search forward and backward and random play.
The blue back-lit LCD display and programmable memory adds a nice touch to the whole setup. It's super user-friendly; even my grandma could figure it out! And let's not forget about the stereo headphone jack, perfect for those late-night listening sessions without disturbing anyone.
However, one downside I noticed is that the build quality isn't top-notch. It feels a bit plasticky and might not hold up over time. Another thing is that the speakers lack bass. But hey, considering how affordable this product is, these are minor quibbles.
In conclusion, if you're looking for a nostalgic music player that combines old school charm with modern convenience, the Jensen 3-speed turntable CD radio, cassette, and AM/FM set is definitely worth checking out. Just remember to handle it with care due to its somewhat delicate build.

🔗Modern Vinyl Record Player Stand with Bluetooth

https://preview.redd.it/irjuetxlhp2d1.jpg?width=720&format=pjpg&auto=webp&s=becd568e52dd0e4790628a6f37a1af78bbe6ae9f
First of all, let me tell you about my experience with this Victrola Liberty Bluetooth Record Player. The moment I set my eyes on it, I was thrilled. Its retro design, available in on-trend colors, instantly captured my fascination. The built-in features like the CD player, FM radio, and USB player made it a versatile piece of entertainment. Plus, the ability to record from vinyl directly to USB without using a computer was intriguing.
The unit stands tall with four long legs and four short rubber feet. This unique design not only adds to its charm but also provides two different decorative options. The dimensions are just right - measuring 17.10 x 15.70 x 11-in and weighing 14.68 lbs. It's easy to move around and fits perfectly into any space.
While the sound quality is commendable, filling the room with a rich, full tone, the construction could use some improvement. The turntable feels a bit flimsy, especially the auto-stop button that sometimes fails to work. Also, there's a little wobbling when a record is on, but not enough to cause any skipping.
In terms of usability, setting up this record player is a breeze. Even someone who's new to vinyl could get it up and running in no time. The included instructions are concise and clear.
However, I did encounter a few issues with the build. First, it seems like there hasn't been much care about handling during shipping. The packaging was good, but it's not enough to prevent some minor damages. Second, I wish the legs could be secured better to ensure they don't pop out from under the record player.
Overall, despite its drawbacks, I believe the Victrola Liberty Bluetooth Record Player does offer a blend of vintage charm and modern convenience. It performs well, especially for its price point, and it's a nice addition to any room's décor. If you're looking for a stylish and functional record player that won't break the bank, I'd recommend giving this one a try.

🔗Retro-Modern Bluetooth Record Player with 3-Speed Turntable

https://preview.redd.it/7acuur7mhp2d1.jpg?width=720&format=pjpg&auto=webp&s=36ce0618c5466840746db2c7886bfb868b32911c
I'll be honest, I'm not a tech enthusiast. But when my younger brother asked me to get him a record player for his album collection, I knew I had to dig up something. So I came across the Victrola All-in-1 Bluetooth Record Player with Built-in Speakers and a 3-Speed Turntable.
First off, let's talk about its looks. The design is quite retro, resembling the old-school phonographs that remind one of a bygone era. It's a neat visual addition to anyone's room, especially those who appreciate the artistic aesthetic of vinyl records.
Now, onto the main event - performance. I was pleasantly surprised by how easy it was to set up and operate, particularly for my younger brother who aren't particularly tech-savvy. The Bluetooth technology is a great addition, allowing us to stream music from our smartphones and enjoy our favorite playlists without needing physical copies of the albums. Plus, the built-in speakers provide decent sound quality for such a compact device.
However, one thing to note is the quality of the built-in speakers. They are fine for casual listening, but if you're someone who prefers deeper and more immersive sound, you might want to consider connecting the record player to external speakers.
Another concern is the wobbly turntable. While many users reported this issue, we haven't faced any problems with skipping or distortion yet. And when we did experience minor skipping due to bumps or movements, the auto-stop feature came in handy to prevent further damage.
All in all, I'd say the Victrola All-in-1 Bluetooth Record Player is an excellent choice for anyone looking to revive their vinyl collection. Its multi-functionality, ease of use, and affordable price make it a worthwhile investment, despite some minor concerns. My brother, at least, seems to be thoroughly enjoying it.

🔗Retro 3-Speed Bluetooth Record Player with Removable Legs

https://preview.redd.it/ysv9b6nmhp2d1.jpg?width=720&format=pjpg&auto=webp&s=1534051c8870fc0cad265dc7b6d20d48c8225de6
Oh, what a treat it's been to bring back some vinyl magic with the Arkrocket Retro Turntable! This little gem has been a constant companion in my living room, playing everything from the Beatles to Billie Eilish with impeccable clarity and smoothness. What I particularly love about it is the three-speed feature - allowing me to switch between playing 33 1/3, 45, or 78 RPM records effortlessly.
The vintage design is undoubtedly one of its key selling points - it instantly adds a retro charm to my space despite its modern components. Plus, the built-in Bluetooth capability is a game-changer, enabling me to stream digital music from my smartphone or any other compatible devices seamlessly.
What sets this turntable apart, however, are the removable legs. Not only does it make the system incredibly portable, but it also allows for easy customization according to my needs and space. Kudos for innovation, Arkrocket!
However, similar to any review, there's always room for improvement. While the high-quality sound output is commendable, the integrated speakers could use some enhancement in terms of volume and bass control.
In conclusion, if you're seeking a retro vibe with modern functionalities, the Arkrocket Retro Turntable should definitely be on your list. Its ease of use, stylish design, and versatility justify its price point perfectly, making it an excellent purchase for both vinyl aficionados and digital music lovers alike.

🔗Crosley Floral Turntable with Bluetooth and Built-in Speakers

https://preview.redd.it/ra95bw2nhp2d1.jpg?width=720&format=pjpg&auto=webp&s=c0a550eeaf269d95aac9f4e3d6001a9bc17a4a11
I recently got my hands on the Crosley Voyager Floral Turntable, and let me tell you, it's a charming little device that instantly adds a touch of retro charm to any space. The build quality is impressive, with a sturdy design that can handle a fair amount of travel. One of my favorite features has to be the built-in Bluetooth receiver, which means I can stream my digital tunes wirelessly through the turntable's stereo speakers.
The sound quality is surprisingly good for a small device, and I've had no issues playing 33 1/3, 45, or 78 RPM records. The only downside would be the lack of power in the built-in speakers, but that's easily remedied by connecting it to my existing sound system via the RCA outputs.
As for portability, this little turntable definitely delivers. Its lightweight design and compact size make it easy to take anywhere, whether that's a picnic in the park or a cozy evening at home. And when it comes to ease of use, the adjustable pitch control knob and simple setup make it a breeze for even the most inexperienced vinyl enthusiasts.
However, one potential drawback is the size of the device, which may be too small for some people's taste. Additionally, the on-off button being located at the back can be a little inconvenient, especially if you're trying to switch it on and off frequently.
Overall, the Crosley Voyager Floral Turntable is a fantastic choice for anyone looking to bring a touch of vintage charm to their music setup. It's easy to use, looks great, and offers good sound quality for its size. While it may not be perfect for everyone, it's definitely worth considering if you're in the market for a stylish and functional turntable.

Buyer's Guide

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Important Features

When looking to buy a cute record player, consider the following features:

Portability: Compact size and optional carrying cases make it easy to take your music on the go.
Bluetooth connectivity: Pair your device with wireless headphones or speakers for a convenient listening experience.
Vinyl compatibility: Make sure the player can handle different vinyl sizes (7", 10", or 12").
USB port: Transfer your vinyl records to digital format with ease.
Auto-stop function: Prevents the platter from continuing to spin when the needle reaches the end of a record.

Considerations

Before making your purchase, keep these points in mind:

Budget: Record players range from affordable beginner models to high-end audiophile options.
Maintenance: Regular cleaning of the stylus and vinyl records is necessary for optimal performance and longevity.
Sound quality: Evaluate the built-in speakers or compatibility with external ones to ensure your satisfaction with the audio output.
Warranty: Check if the manufacturer offers a warranty for peace of mind and protection against potential defects or malfunctions.

https://preview.redd.it/hfsby8ynhp2d1.jpg?width=720&format=pjpg&auto=webp&s=f549b2e471e76045fd2b68920c3020c0b34ddd35

General Advice

To get the most out of your cute record player, follow these tips:

Store your vinyl collection properly: Keep your records in sleeves and store them vertically to prevent warping and damage.
Clean your vinyl regularly: Use a vinyl cleaning solution and brush to remove dust and other debris from your records.
Experiment with different genres: Explore various music styles to find your favorite sounds on vinyl.
Join a vinyl collecting community: Connect with fellow enthusiasts online or in person for advice, recommendations, and camaraderie.

FAQ

https://preview.redd.it/x14of7bohp2d1.jpg?width=720&format=pjpg&auto=webp&s=3886a34be1dcb2c10c3e66e9f53c0605690544d2

1. What should I consider when choosing a cute record player?

When selecting a cute record player, consider factors like sound quality, durability, design, and ease of use. Look for a model that combines these aspects to ensure a pleasant listening experience while maintaining a visually appealing appearance.

2. How do I maintain and clean my cute record player?

To maintain your record player, keep it dust-free and store it in a proper location. Clean the stylus regularly with a stylus cleaning brush and occasionally clean the record surface with a microfiber cloth or antistatic record cleaning spray

https://preview.redd.it/muq7w3rohp2d1.jpg?width=720&format=pjpg&auto=webp&s=59ac4823b5fe3a77e7437cb79d1b4a5a3af904eb

3. Are there different types of cute record players?

There are two main types of cute record players: vintage turntables that offer the authentic vinyl experience, and modern turntables with USB connectivity and additional features like Bluetooth and built-in speakers.

4. How do I replace a needle for my cute record player?

Purchase a compatible stylus for your record player model.
Remove the old stylus by gently lifting it from the tonearm or by following the manufacturer's instructions.
Install the new stylus into the tonearm following the manufacturer's instructions, making sure it snaps into place securely.
Test the new stylus by playing a record to ensure it functions properly.

5. Can I connect a cute record player to my home theater system?

Yes, most modern cute record players include RCA output jacks, which allow you to connect the turntable to your home theater system, amplifier, or external speakers.

6. How do I troubleshoot common issues with cute record players?

Skipping or jumping record: Ensure the stylus is clean, the record surface is free of dust, and the tracking force is within the recommended range.
Low volume or no sound: Check the user manual for instructions on adjusting volume, ensure the turntable is connected properly to external speakers or amplifier, or consult a technician if necessary.
Record player won't spin: Ensure the power source is working, the turntable is connected properly, or consult the manufacturer's instructions for more assistance.

7. Can I use a cute record player with a smartphone or tablet?

Some modern cute record players have Bluetooth capabilities, allowing you to connect the turntable to smartphones, tablets, or wireless speakers.

8. How do I convert vinyl records to digital files using a cute record player?

First, connect the record player to a computer via USB or a separate soundcard. Configure your music recording software to capture audio from the connected turntable. Play the vinyl record and start recording the audio into digital format. Once complete, edit and save the files accordingly.
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2024.05.26 06:53 Bergamot29 Are There Any Carbon Steel/Cast Iron Brands That Have Done Purity Tests On Their Pans?

I am familiaf with the Matfer controversy where they found arsenic in their pans and I'm not satisfied at all with their response. Matfer has defaulted to saying don't use acidic ingredients in the pan to avoid being exposed to arsenic, but butter is acidic. So we cannot use butter in Matfer pans?
I am wary of high end brands not employing quality control as well as small brands like Smithy Ironware. Fields touted using recycled materials in their Cast Iron pans as a benefit, but I am wary of that meaning using cheap material as source for their pans.
I have watched tons of reviews on CS/CI pans and they never really distinguish one pan from another except for aesthetics even though the prices can be hundreds of dollars apart. If only a single brand could stand by their brand and show quality control tests on toxic metals, that is the brand I would buy.
Also, I'm dissapointed that influencers in the Carbon Steel space like Uncle Scott's Kitchen covered for Matfer when he should be holding them to a higher standard.

submitted by Bergamot29 to carbonsteel [link] [comments]

2024.05.25 21:58 jennyacosta09 [Hire Me] Online Math Exam Help reddit Online Math Course help Reddit Math quiz help Reddit Online Math Assignment help reddit Online Mathematics exam help reddit pay someone to take my math exam reddit Math Exam taker reddit Online Math Homework help reddit Math Helper Reddit

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2024.05.25 21:46 tbrowndolly [ Hire me ] Online Math Exam Help reddit Math assignment help Reddit Math quiz help Reddit Online Math Courses help expert reddit Online Mathematics exam help reddit pay someone to take your math exam reddit Legit online Math Exam taker on reddit Online Math Homework help reddit

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2024.05.25 21:24 SanderSo47 Directors at the Box Office: Robert Zemeckis

https://preview.redd.it/6t1fknzlim2d1.png?width=1920&format=png&auto=webp&s=298048bdfc7fc1d9c63051d6f37ad70a86315ba6
Here's a new edition of "Directors at the Box Office", which seeks to explore the directors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Robert Zemeckis' turn.
As a child, Zemeckis loved television and was fascinated by his parents' 8 mm film home movie camera. Starting off by filming family events like birthdays and holidays, he gradually began producing narrative films with his friends that incorporated stop-motion work and other special effects. After seeing Bonnie and Clyde with his father, Zemeckis decided that he wanted to go to film school. His parents disapproved of the idea, but he still went to USC, where he meet his colleague Bob Gale. One of his student films caught the attention of Steven Spielberg, who decided to become an executive producer and help him with his career.
From a box office perspective, how reliable was he to deliver a box office hit?
That's the point of this post. To analyze his career.

It should be noted that as he started his career in the 1970s, some of the domestic grosses here will be adjusted by inflation. The table with his highest grossing films, however, will be left in its unadjusted form, as the worldwide grosses are more difficult to adjust.

I Wanna Hold Your Hand (1978)

"It isn't fatal, but it sure is fun."
His directorial debut. It stars Nancy Allen, Bobby Di Cicco, Marc McClure, Susan Kendall Newman, Theresa Saldana, Eddie Deezen, and Wendie Jo Sperber. Its story follows a disparate group of teenagers over the course of one day in New York City as they attempt to gain entry to the Beatles' first live appearance on The Ed Sullivan Show on February 9, 1964.
The reason behind the film's existence was that Steven Spielberg was confident Zemeckis could make a feature length film after watching his student films. So he signed as executive producer, his first credit. But Universal was not thrilled with the concept and handing the production to an unexperienced director. To bankroll it, Spielberg had to promise studio executives that, if Zemeckis was seen to be doing a markedly poor job, he would step in and direct the film himself.
Despite the backing of a major studio, the film flopped with just $1.9 million domestically. But it received very positive reviews, so there was interest in giving Zemeckis another chance.

Budget: $2,800,000.
Domestic gross: $1,944,682. ($9.3 million adjusted)
Worldwide gross: $1,944,682.

Used Cars (1980)

"Like new, great looking, and fully loaded with laughs."
His second film. It stars Kurt Russell, Jack Warden, Frank McRae, David L. Lander, Michael McKean, Joe Flaherty, Al Lewis, Dub Taylor, Harry Northup, Dick Miller, and Betty Thomas. The story follows Rudy Russo, a devious salesman, working for affable, but monumentally unsuccessful used-car dealer Luke Fuchs. Luke's principal rival, located directly across the street, is his more prosperous brother, Roy L. Fuchs, who is scheming to take over Luke's lot.
Like his previous film, it received good reviews but it was a box office flop. Zemeckis really needed a hit now.

Budget: $8,000,000.
Domestic gross: $11,715,321. ($44.5 million adjusted)
Worldwide gross: $11,715,321.

Romancing the Stone (1984)

"She's a girl from the big city. He's a reckless soldier of fortune. For a fabulous treasure, they share an adventure no one could imagine... or survive."
His third film. It stars Michael Douglas, Kathleen Turner and Danny DeVito. The film follows a romance novelist who must venture beyond her New York City comfort zone to Colombia in order to save her sister from criminals who are holding her for ransom.
The film received very positive reviews, with many favorably comparing it to Raiders of the Lost Ark. And after a streak of bad luck, the box office finally rewarded Zemeckis, as the film earned over $100 million worldwide.

Budget: $10,000,000.
Domestic gross: $75,078,260. ($226.5 million adjusted)
Worldwide gross: $115,078,260.

Back to the Future (1985)

"He was never in time for his classes. He wasn't in time for his dinner. Then one day... he wasn't in his time at all."
His fourth film. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, it follows Marty McFly, a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Emmett "Doc" Brown, where he inadvertently prevents his future parents from falling in love – threatening his own existence – and is forced to reconcile them and somehow get back to the future.
In 1980, Bob Gale visited his parents and took a look at his father's high school yearbook. He wondered if he and his father would have been friends had they attended school together. He did not think so, but realized he could test his theory if he could travel back to a time when he and his parents were a similar age. He shared the idea with Zemeckis, who recalled his mother's childhood stories were often contradictory. They believed many time-travel films focused on the past being immutable and wanted to show the past being altered and the effect those changes would have on the future.
In the first drafts, Doc was a video pirate and the time machine was a stationary object moved around on the back of a truck. Originally, Marty's actions in 1955 had a more significant impact on the future, making 1985 more futuristic and advanced, but every person who read the script took issue with the idea. Another huge aspect is that the drained time machine was written to be powered by Marty driving it into a nuclear explosion, combined with an additional ingredient: Coca-Cola.
They gave the second draft to Columbia Pictures president Frank Price, but he considered it way too "tame" compared to the raunchy hits of the 80s. Multiple studios rejected the script, as they felt the concept being unappealing to contemporary rebellious youth as well as the recent box office failure of time travel films. They only had Steven Spielberg's support, but they feared they'd have to rely solely on him to get their scripts greenlit. So Zemeckis temporarily left to make Romancing the Stone, and its box office success allowed him to gain more credibility. Spielberg got involved as executive producer, and set the project at Universal. Price was now working there, but Spielberg ensured that he had zero impact on the production.
Michael J. Fox was the first choice to play Marty, as Zemeckis and Gale were impressed by his work in the sitcom Family Ties. But the show's producer Gary David Goldberg did not give Fox the script. With Fox out, Sid Sheinberg preferred Eric Stoltz, who had impressed with his portrayal of Rocky Dennis in an early screening of the drama film Mask. With the filming date approaching, Zemeckis opted for Stoltz. Sheinberg promised that if Stoltz did not work out, they could reshoot the film. At the same time, Christopher Lloyd signed as Doc and Melora Hardin as Jennifer.
Filming began on November 26, 1984, and the tight schedule meant that editing occurred concurrently with filming. On December 30, Zemeckis reviewed the existing scenes with his editors, and he believed Stoltz's acting was not working and had already listed several scenes he wanted to reshoot. Zemeckis called in Gale and the producers to show them the footage; they agreed Stoltz was not right for the part. Stoltz was performing the role with an intense and serious tone, not the "screwball" energy they desired. Spielberg finally got Goldberg to let Fox sign, and filming continued without informing Stoltz that he would be replaced. One week after Fox agreed, Stoltz was finally fired, and the crew said they deemed this "good news" despite having to reshoot the film. As a result, Hardin was also fired as the crew felt she was too tall for Fox.
On January 15, 1985, Fox started filming his scenes. By that point, the film lost 34 days of filming and the reshoots meant that the budget had to increase by $4 million, which included Soltz getting his full salary despite not finishing the film. This also prompted Universal to mount a PR campaign to mitigate the negative buzz for replacing the lead actor. Fox filmed Family Ties during the day before traveling to the Back to the Future filming location. Often, he would not return home until early the following morning, and on weekends, the schedule was pushed back further as Family Ties was filmed in front of a live audience. Filming wrapped in April, and Zemeckis was pressured to complete editing, especially when Sheinberg decided to move up the date to July 3.
The film opened with $11.3 million on its first weekend, ranking #1. It eased an absurd 5% in its second weekend and added $10.5 million. After losing the top spot on its fourth weekend, it returned to #1 on its fifth weekend and it stayed there for 8 weeks. It didn't have a drop higher than 10.2% until its tenth weekend. It simply had incredible legs, and in October, it passed Rambo: First Blood Part II ($149 million) as the year's highest grossing title. It stayed in theaters for almost an entire year, and it closed with an extraordinary $211 million domestically ($214 million through re-releases). Worldwide, the film was also a huge success, earning $381 million ($384 million through re-releases).
The film received an incredible response from critics and audiences, quickly earning a place among the greatest sci-fi films ever made. It became one of the most influential and beloved films in history, and massively increased the careers of Zemeckis and Fox. Universal wanted a sequel, but Zemeckis and Gale were not interested.

Budget: $15,000,000.
Domestic gross: $214,077,472. ($623.8 million adjusted)
Worldwide gross: $384,577,472.

Who Framed Roger Rabbit (1988)

"It's the story of a man, a woman, and a rabbit in a triangle of trouble."
His fifth film. Loosely based on the novel Who Censored Roger Rabbit? by Gary K. Wolf, it stars Bob Hoskins, Christopher Lloyd, Stubby Kaye, Joanna Cassidy, and the voices of Charles Fleischer and Kathleen Turner. Combining live-action and animation, the film is set in an alternate history Hollywood in 1947, where humans and cartoon characters (referred to as "toons") co-exist. Its plot follows Eddie Valiant, a private investigator with a grudge against toons, who must help exonerate Roger Rabbit, a toon framed for murder.
Disney bought the film rights in 1981, and Jeffrey Price and Peter S. Seaman were hired to write the script. Zemeckis offered himself to direct, but Disney didn't trust him as the only two films he made by that point were box office duds. By 1985, Amblin Entertainment got involved as producers, and Disney greenlit the project when the film was set at $30 million. They offered the film to Terry Gilliam, but he declined because he felt it was too technically challenging (a decision he said regrets to this day). After the success of Romancing the Stone and Back to the Future, Zemeckis was finally granted the director's chair.
With his involvement, Spielberg convinced Warner Bros., Fleischer Studios, Harvey Comics, King Features Syndicate, Felix the Cat Productions, Turner Entertainment, and Universal Pictures/Walter Lantz Productions to "lend" their characters to appear in the film with (in some cases) stipulations on how those characters were portrayed. For this, Donald Duck and Daffy Duck appear as equally talented dueling pianists, while Mickey Mouse and Bugs Bunny also share a scene. Among the characters they were unable to use were Popeye, Tom and Jerry, Little Lulu, Casper, or the Terrytoons characters.
For the effects, mime artists, puppeteers, mannequins, and robotic arms were commonly used during filming to help the actors interact with "open air and imaginative cartoon characters." This caused the budget to escalate, while the shooting schedule ran longer than expected. When the budget reached $40 million, Disney CEO Michael Eisner seriously considered shutting down production, but studio chairman Jeffrey Katzenberg talked him out of it. Despite the budget escalating to over $50 million, Disney moved forward on production because they were enthusiastic to work with Spielberg.
The film opened with $11 million, which was Disney's biggest debut ever. It had fantastic legs, closing with $154 million domestically and $351 million worldwide, making it the year's second highest grossing film. It received extraordinary reviews for its groundbreaking special effects, winning 4 Oscars for Film Editing, Sound Effects, Visual Effects and a Special Achievement Award. It became one of the most influential films, as no film properly combined animation and live-action as efficient as this film. Zemeckis quickly became a big star. He said he's open to a sequel, even after Hoskins' death in 2014, claiming that there's a "wonderful" script he read. However, he said it was unlikely that Disney would greenlight it, as "the current corporate Disney culture has no interest in Roger, and they certainly don't like Jessica at all."

Budget: $50,000,000.
Domestic gross: $154,112,492. ($408.4 million adjusted)
Worldwide gross: $351,500,000.

Back to the Future Part II (1989)

"Getting back was only the beginning."
His sixth film. The sequel to Back to the Future, it stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson, Elisabeth Shue, and Jeffrey Weissman. It follows Marty McFly and his friend Dr. Emmett "Doc" Brown as they travel from 1985 to 2015 to prevent Marty's son from sabotaging the McFly family's future. When their arch-nemesis Biff Tannen steals Doc's DeLorean time machine and uses it to alter history for his benefit, the duo must return to 1955 to restore the timeline.
Zemeckis and Gale did not plan for the original film to get a sequel, the final scene was just a nice send-off that suggested they would have adventures off-screen. But after the huge success, Universal convinced them in a sequel. Zemeckis and Gale would later regret that they ended the first one with Jennifer in the car with Marty and Doc Brown, because it required them to come up with a story that would fit her in, rather than a whole new adventure. With the size of the story, Zemeckis and Gale decided to make two sequels, shot back-to-back to save money. Claudia Wells had to drop out due to a family crisis, so Elisabeth Shue replaced her and re-shot the final scene of the previous film.
It was one of ILM's first forays into digital compositing, as well as the VistaGlide motion control camera system, which enabled them to shoot one of its most complex sequences, in which Fox played three separate characters (Marty Sr., Marty Jr., and Marlene), all of whom interacted with each other. Although such scenes were not new, the VistaGlide allowed, for the first time, a completely dynamic scene in which camera movement could finally be incorporated. The technique was also used in scenes where Fox, Thomas F. Wilson, Christopher Lloyd, and Elisabeth Shue's characters encounter and interact with their counterparts.
Rather than write George out of the film, Zemeckis used previously filmed footage of Glover from the first film as well as new footage of actor Jeffrey Weissman, who wore prosthetics including a false chin, nose, and cheekbones to resemble Glover. Glover filed a lawsuit against the producers of the film on the grounds that they neither owned his likeness nor had permission to use it. As a result of the suit, there are now clauses in the Screen Actors Guild collective bargaining agreements stating that producers and actors are not allowed to use such methods to reproduce the likeness of other actors.
Highly anticipated, the film opened with $27 million on its first weekend, breaking the Thanksgiving record. But while the original film had insane legs, this one wasn't quite strong. It closed with $119 million domestically, a steep 45% drop. It actually increased overseas, which allowed the film to close with $332 million worldwide. The film drew mixed reactions, particularly for its story and darker tone. In subsequent years, its reputation grew, although it was still considered inferior to the original.

Budget: $40,000,000.
Domestic gross: $119,000,002. ($300.9 million adjusted)
Worldwide gross: $332,500,002.

Back to the Future Part III (1990)

"They've saved the best trip for last... but this time they may have gone too far."
His seventh film. The final installment in the Back to the Future trilogy, it stars Michael J. Fox, Christopher Lloyd, Mary Steenburgen, Thomas F. Wilson, and Lea Thompson. The film continues immediately following Part II; while stranded in 1955, Marty discovers that "Doc, trapped in 1885, was killed by Buford "Mad Dog" Tannen, Biff's great-grandfather. Marty travels to 1885 to rescue Doc and return once again to 1985, but matters are complicated when Doc falls in love with Clara Clayton.
While filming the original, Zemeckis talked with Fox over what kind of film he would like to make, and Fox said he wanted to make an Old West film. Zemeckis and Gale were intrigued and decided to have the third film set in the Old West. To save costs, the films were shot back-to-back, and it took nine months to film the two movies. Although the schedule for most of the personnel involved was grueling, the actors found the remote location for Part III relaxing, compared to shooting its predecessor.
It released six months after Part II opened, and just 3 days after that film hit VHS. The film opened with $19 million ($23 million for the four-day Memorial weekend), far below the projections. It closed with $88 million domestically and $245 million, marking another drop from the previous films. It received a favorable response, and was considered a satisfying conclusion to the trilogy. Despite Universal wanting a fourth film or reboot, Zemeckis and Gale have said they will block all attempts to reboot the franchise.

Budget: $40,000,000.
Domestic gross: $88,277,583. ($211.7 million adjusted)
Worldwide gross: $245,077,583.

Death Becomes Her (1992)

"In one small bottle... the fountain of youth. The secret of eternal life. The power of an ancient potion. Sometimes it works... sometimes it doesn't."
His eighth film. The film stars Meryl Streep, Goldie Hawn, Bruce Willis, and Isabella Rossellini. Its plot follows two women who fight for the affections of the same man and drink a magic potion that promises eternal youth.
The film was a technologically complex film to make, and represented a major advancement in the use of computer-generated effects, under the pioneering direction of ILM. It was the first film where computer-generated skin texture was used. Streep admitted that she disliked working on a project that focused so heavily on special effects and vowed never to work on another film with heavy special effects again.
The film received mixed reviews; while the effects were praised, the humor was criticized. But with the trio's star power, the film earned $149 million, becoming a box office success. Its reputation grew with time, and it won the Oscar for Best Visual Effects.

Budget: $55,000,000.
Domestic gross: $58,422,650. ($130.5 million adjusted)
Worldwide gross: $149,022,650.

Forrest Gump (1994)

"The world will never be the same once you've seen it through the eyes of Forrest Gump."
His ninth film. Based on the novel by Winston Groom, it stars Tom Hanks, Robin Wright, Gary Sinise, Mykelti Williamson, and Sally Field. The film follows the life of Forrest Gump, a man with low IQ, who recounts the early years of his life when he found himself in the middle of key historical events. All he wants now is to be reunited with his childhood sweetheart, Jenny.
The novel's success prompted a bidding war, with Warner Bros. winning the film rights. Groom was paid $500,000 and also wrote the first three first drafts of the screenplay, which leaned closer to the events of the novel. After Rain Man told the story of a savant, WB lost interest in the picture, and by 1990 the project was in turnaround. Columbia Pictures rejected the project, but Paramount picked it up just as Eric Roth joined as screenwriter. Ivan Reitman, Penny Marshall and Terry Gilliam passed on the project, while Barry Sonnenfeld was attached to direct, but left to work on Addams Family Values. Afterwards, Zemeckis joined to direct.
Once again, Zemeckis had another film with groundbreaking special effects. Using CGI techniques, it was possible to depict Forrest meeting deceased personages and shaking their hands. Hanks was first shot against a blue screen along with reference markers so that he could line up with the archive footage. To record the voices of the historical figures, voice actors were filmed and special effects were used to alter lip-syncing for the new dialogue. Archival footage was used and with the help of such techniques as chroma key, image warping, morphing, and rotoscoping, Hanks was integrated into it.
On its opening weekend, the film opened with $24 million. Buoyed by extraordinary word of mouth, the film decreased just 1.3% in its second weekend. By its third weekend, the film already broke the $100 million milestone in the United States. For the first twelve weeks of release, the film was in the top 3 at the US box office, topping the list 5 times, including in its tenth week of release. It spent almost one year in theaters. It eventually closed with a colossal $330 million domestically, making it the highest grossing film of the year in the United States. Even with its American focus, it was also a worldwide phenomenon; it earned $678 million worldwide, becoming the fourth highest grossing film ever. It was also Zemeckis' highest grossing film, as well as Paramount's biggest film.
The film received critical acclaim, and has been referred as one of the world's most beloved and iconic films. It received 13 Oscar nominations and won 6: Best Picture, Best Director, Best Actor, Best Visual Effects, Best Adapted Screenplay, and Best Film Editing. Zemeckis was just unstoppable. There were talks to adapt the novel's sequel, Gump & Co., but the film is stuck in development hell. Roth submitted his draft on September 10, 2001. After 9/11, Roth, Zemeckis, and Hanks decided the story was no longer "relevant."

Budget: $55,000,000.
Domestic gross: $330,455,270. ($699.1 million adjusted)
Worldwide gross: $678,226,465.

Contact (1997)

"If it's just us, it seems like an awful waste of space."
His tenth film. Based on the novel by Carl Sagan, it stars Jodie Foster, Matthew McConaughey, James Woods, Tom Skerritt, William Fichtner, John Hurt, Angela Bassett, Rob Lowe, Jake Busey, and David Morse. It follows Dr. Eleanor "Ellie" Arroway, a SETI scientist who finds evidence of extraterrestrial life and is chosen to make first contact.
Sagan and his wife Ann Druyan chose to adapt his own novel. They added the science and religion analogies as a metaphor of philosophical and intellectual interest in searching for the truth of both humanity and alien contact. Zemeckis was offered the director's chair, and while he liked the script, he said the very last page was the reason he decided to turn it down. WB hired George Miller instead, and he cast Jodie Foster to play Ellie. However, Miller spent so much time in pre-production that WB chose to fire him and convinced Zemeckis to finally direct, granting him total artistic control and the right of final cut privilege.
The film received a positive response, although some felt that the film prioritized scientific accuracy over storytelling. It earned $171 million worldwide, although that didn't look quite good against its $90 million budget.

Budget: $90,000,000.
Domestic gross: $100,920,329. ($197.1 million adjusted)
Worldwide gross: $171,120,329.

What Lies Beneath (2000)

"He was the perfect husband until his one mistake followed them home."
His 11th film. It stars Harrison Ford, Michelle Pfeiffer, Diana Scarwid, Joe Morton, James Remar and Miranda Otto. The film follows a marriage who moves to the husband's old house, where the wife experiences disturbing supernatural activity. Soon, she discovers a shocking truth about her husband and Madison, his student who is dead.
Documentary filmmaker Sarah Kernochan had adapted a personal experience with the paranormal as a script treatment featuring a retirement aged couple dealing with restless but compassionate spirits. DreamWorks commissioned a rewrite from actor-writer Clark Gregg (Agent Coulson). Spielberg decided to give the project to Zemeckis, who managed to film the entire movie while another film of his shut down production (we'll get to that later on). At $100 million, it was the most expensive horror film ever.
The film received mixed reviews, particularly for its script. But the star power of Ford and Pfeiffer translated into a great box office run, as the film earned almost $300 million worldwide.

Budget: $100,000,000.
Domestic gross: $155,464,351. ($283 million adjusted)
Worldwide gross: $291,420,351.

Cast Away (2000)

"At the edge of the world, his journey begins."
His 12th film. It stars Tom Hanks, Helen Hunt, and Nick Searcy. It follows a FedEx troubleshooter who is stranded on an uninhabited island after his plane crashes in the South Pacific, and the plot focuses on his desperate attempts to survive and return home.
Hanks wanted to make a film that would "examine the concept of four years of hopelessness, in which you have none of the requirements for living — food, water, shelter, fire and company." William Broyles was brought to write the film, and Zemeckis soon joined as director and Hanks gaining 50 pounds for the role. The film started filming in January 1999 and was paused two months later, so Hanks could lose the weight and grow his hair and beard to look like he had been living on the island for years. Filming didn't continue until April 2000. During that one-year gap, Zemeckis filmed What Lies Beneath. FedEx provided access to their equipment, but paid no money on product placement.
The film was well received, and the reunion of Zemeckis and Hanks provided another box office hit, as the film earned over $400 million worldwide. Hanks was later nominated for Best Actor at the Oscars, losing to Russell Crowe on Gladiator. Zemeckis was on fire.

Budget: $90,000,000.
Domestic gross: $233,632,142. ($425.4 million adjusted)
Worldwide gross: $429,632,142.

The Polar Express (2004)

"Believe."
His 13th film. Based on the children's book by Chris Van Allsburg, it stars Tom Hanks, Daryl Sabara, Nona Gaye, Jimmy Bennett, and Eddie Deezen. Set on Christmas Eve, it tells the story of a young boy who sees a mysterious train bound for the North Pole stop outside his window and is invited aboard by its conductor. He joins other children as they embark on a journey to visit Santa Claus, who is preparing for Christmas.
Hanks optioned the book in 1999 after reading the book to his children with the hopes of playing the conductor and Santa Claus. Van Allsburg was skeptical over selling the rights, but sold them after Hanks asked, under the condition that it wouldn't be animated as he feared this would not accurately represent his characters. Rob Reiner was hired to direct, but he was replaced by Zemeckis when the film was delayed. He brought in William Broyles to rewrite the script; their new draft expanded the roles of minor characters such as Hero Girl, Know-it-all, and Lonely Boy. It also added the new character of Hobo.
Despite Van Allsburg's original terms with Hanks, Zemeckis felt that a live-action version was unfeasible, claiming that it "would look awful, and it would be impossible – it would cost $1 billion instead of $160 million". Zemeckis felt that such a version would rob the audience of the art style of the book which he felt was "so much a part of the emotion of the story". However, Zemeckis also agreed that a conventional animated version would suit the film poorly. In order to keep his vision, a new process was created by which actors would be filmed with motion capture equipment in a black box stage which would then be animated to make the resulting film. This cost $1 million per minute of footage, and Hanks played 5 characters through this. It was recognized as the first all-digital capture film, and with $170 million, it was the most expensive animated film by that point.
The film attracted mixed reactions, as many were conflicted over the character animation. But word of mouth was far stronger; it was a box office success after earning $318 million worldwide through re-releases. But why was it a success if the budget was $170 million? Easy, because it was colossal in DVD and Christmas reruns. To this day, the film is still massively popular during the holiday season.

Budget: $170,000,000.
Domestic gross: $189,528,738. ($314.5 million adjusted)
Worldwide gross: $318,321,815.

Beowulf (2007)

"Evil breeds pain."
His 14th film. Based on the Old English epic poem, it features the voices of Ray Winstone, Anthony Hopkins, Robin Wright Penn, Brendan Gleeson, John Malkovich, Crispin Glover, Alison Lohman, and Angelina Jolie. The film depicts the rise and fall of the warrior Beowulf after he travels to Denmark to kill a monster.
Neil Gaiman and Roger Avary wrote a screen adaptation of Beowulf in May 1997. The project was set up at DreamWorks with Avary slated to direct and Zemeckis producing. Avary stated he wanted to make a small-scale, gritty film with a budget of $15–20 million, similar to Jabberwocky or Excalibur. The project was then stuck in development hell. Producer Steve Bing, at the behest of Zemeckis who was wanting to direct the film himself, revived the production by convincing Avary that Zemeckis' vision, supported by the strength of digitally enhanced live action, was worth relinquishing the directorial reins.
The film received very positive reviews, who noted it as an improvement over The Polar Express. But the massive $150 million budget made it difficult to be profitable, and the film closed with just $196 million worldwide.

Budget: $150,000,000.
Domestic gross: $82,280,579. ($124.4 million adjusted)
Worldwide gross: $196,393,745.

A Christmas Carol (2009)

"Season's greedings."
His 15th film. Based on Charles Dickens's novel, it stars the voices of Jim Carrey, Gary Oldman, Colin Firth, Bob Hoskins, Robin Wright and Cary Elwes. It follows Ebenezer Scrooge, a miserly old moneylender who is visited by three Christmas spirits on Christmas Eve. Scrooge embarks on a journey of self-redemption to mend his miserly ways.
After making The Polar Express, Zemeckis stated that he "fell in love with digital theater" and tried finding an avenue in order to use the format again. He eventually decided that an adaptation of Charles Dickens's A Christmas Carol would be an opportunity to achieve this. He collaborated with Disney on the project, marking their first film since Who Framed Roger Rabbit.
The film received mixed reviews for its tone and animation. It earned $325 million worldwide, but the massive costs meant that it was a flop. That's 3 box office duds in a row.

Budget: $200,000,000.
Domestic gross: $137,855,863. ($201.4 million adjusted)
Worldwide gross: $325,286,646.

Flight (2012)

His 16th film. The film stars Denzel Washington, Don Cheadle, Kelly Reilly, John Goodman, Bruce Greenwood and Melissa Leo. It follows William "Whip" Whitaker Sr., an alcoholic airline pilot who miraculously crash-lands his plane after a mechanical failure, saving nearly everyone on board. Although hailed a hero, an investigation soon begins to cast the captain in a different light.
It marked Zemeckis' first R-rated film since Used Cars. It received very positive reviews, and was a much needed box office success for him.

Budget: $31,000,000.
Domestic gross: $93,772,375. ($128 million adjusted)
Worldwide gross: $161,772,375.

The Walk (2015)

"Dream high."
His 17th film. The film stars Joseph Gordon-Levitt, Ben Kingsley, Charlotte Le Bon, James Badge Dale, Ben Schwartz, and Steve Valentine, and is based on the story of French high-wire artist Philippe Petit's walk between the Twin Towers of the World Trade Center in 1974.
Despite good reviews, it was another box office bomb for Zemeckis, and it marked his first film to earn less than $100 million since Used Cars.

Budget: $45,000,000.
Domestic gross: $10,137,502. ($13.4 million adjusted)
Worldwide gross: $61,181,942.

Allied (2016)

"The enemy is listening."
His 18th film. It stars Brad Pitt, Marion Cotillard, Jared Harris, Simon McBurney and Lizzy Caplan. It follows a Canadian intelligence officer and a French Resistance fighter who fall in love while posing as a married couple during a mission in Casablanca in 1942, but the wife is suspected of being a German spy.
The film received mixed reviews, and marked another box office dud for Zemeckis.

Budget: $113,000,000.
Domestic gross: $40,098,064. ($52.3 million adjusted)
Worldwide gross: $119,520,023.

Welcome to Marwen (2018)

"You can't put this hero in a box."
His 19th film. The film stars Steve Carell, Leslie Mann, Diane Kruger, Merritt Wever, Janelle Monáe, Eiza González, Gwendoline Christie, Leslie Zemeckis, Siobhan Williams and Neil Jackson. It tells the true story of Mark Hogancamp, a man struggling with PTSD who, after being physically assaulted, creates a fictional village to ease his trauma.
The film was poorly received, and it was his worst attended film since his debut in 1978.

Budget: $50,000,000.
Domestic gross: $10,763,520. ($13.4 million adjusted)
Worldwide gross: $13,061,491.

The Witches (2020)

His 20th film. Based on the novel by Roald Dahl, it stars Anne Hathaway, Octavia Spencer, Stanley Tucci, and Kristin Chenoweth. When an orphan encounters a witch, his grandmother takes him away in order to protect him. But, in their hotel, a group of witches plot to get rid of the children of the world.
Due to the pandemic, it was sent to HBO Max and played at select theaters worldwide, so it was a bomb. And a poorly received film again.

Budget: N/A.
Domestic gross: $203,571. ($246,625 adjusted)
Worldwide gross: $29,303,571.

Pinocchio (2022)

His 21st film. A live-action remake of Disney's 1940 animated film, it stars Tom Hanks, Cynthia Erivo, and Luke Evans with Benjamin Evan Ainsworth, Joseph Gordon-Levitt, Keegan-Michael Key, and Lorraine Bracco in voice roles. The story follows a wooden puppet named Pinocchio, who is brought to life by a blue fairy after being crafted by an old Italian woodcarver named Geppetto.
As it's a Disney+ original, there are no box office numbers here. What we have, however, is that it had awful reviews, with some considering it as Zemeckis' worst film.

The Future

His next film is a Forrest Gump reunion. The film is Here, which is written by Eric Roth and stars Tom Hanks and Robin Wright. The story covers the events of a single spot of land and its inhabitants spanning from the past to well into the future. It opens this November.

MOVIES (FROM HIGHEST GROSSING TO LEAST GROSSING)

No.	Movie	Year	Studio	Domestic Total	Overseas Total	Worldwide Total	Budget
1	Forrest Gump	1994	Paramount	$330,455,270	$347,771,195	$678,226,465	$55M
2	Cast Away	2000	Fox / DreamWorks	$233,632,142	$196,000,000	$429,632,142	$90M
3	Back to the Future	1985	Universal	$214,077,472	$170,500,000	$384,577,472	$15M
4	Who Framed Roger Rabbit	1988	Disney	$154,112,492	$197,387,508	$351,500,000	$50M
5	Back to the Future Part II	1989	Universal	$119,000,002	$213,500,000	$332,500,002	$40M
6	A Christmas Carol	2009	Disney	$137,855,863	$187,430,783	$325,286,646	$200M
7	The Polar Express	2004	Warner Bros.	$189,528,738	$128,697,779	$318,321,815	$170M
8	What Lies Beneath	2000	DreamWorks / Fox	$155,464,351	$135,956,000	$291,420,351	$100M
9	Back to the Future Part III	1990	Universal	$88,277,583	$156,800,000	$245,077,583	$40M
10	Beowulf	2007	Paramount / Warner Bros.	$82,280,579	$114,113,166	$196,393,745	$150M
11	Contact	1997	Warner Bros.	$100,920,329	$70,200,000	$171,120,329	$90M
12	Flight	2012	Paramount	$93,772,375	$68,000,000	$161,772,375	$31M
13	Death Becomes Her	1992	Universal	$58,422,650	$90,600,000	$149,022,650	$55M
14	Allied	2016	Paramount	$40,098,064	$79,421,959	$119,520,023	$113M
15	Romancing the Stone	1984	Fox	$75,078,260	$40,000,000	$115,078,260	$10M
16	The Walk	2015	Sony	$10,137,502	$51,044,440	$61,181,942	$45M
17	The Witches	2020	Warner Bros.	$203,571	$29,100,000	$29,303,571	N/A
18	Welcome to Marwen	2018	Universal	$10,763,520	$2,297,971	$13,061,491	$50M
19	Used Cars	1980	Columbia	$11,715,321	$0	$11,715,321	$8M
20	I Wanna Hold Your Hand	1978	Universal	$1,944,682	$0	$1,944,682	$2.8M

He made 21 films, but only 20 went to theaters. Across those 20 films, he has made $4,386,656,865 worldwide. That's $219,332,843 per film.

The Verdict

His run through the 80s and 90s was just insane. Banger after banger, and films that could change the landscape of what movies were possible. To this day, these films have remained popular and he earned a place as one of the most bankable names in film business.
Starting on the 21st Century, however, you notice how the cracks start to appear. Bankable for a few years, but he hasn't made a profitable film in 12 years, which by itself was his first profitable in 12 years. Some broke even at best, but others were colossal box office failures. And through his recent films, you can tell he has not been able to replicate another beloved film. Zemeckis may still use his 80s/90s run to justify getting more films greenlit, but it's a foregone conclusion that his glory days are long past him.
Hope you liked this edition. You can find this and more in the wiki for this section.
The next director will be Richard Donner. An influential figure in superhero films, for Superman changed everything.
I asked you to choose who else should be in the run and the comment with the most upvotes would be chosen. Well, we'll later talk about... Tony Scott. It was inevitable, as we already covered his brother Ridley.
This is the schedule for the following four:

Week	Director	Reasoning
May 27-June 2	Richard Donner	An influential figure of the 70s and 80s.
June 3-9	Ang Lee	What happened to Lee?
June 10-16	Zack Snyder	RIP Inbox.
June 17-23	Tony Scott	Action films have not been the same ever since his death.

Who should be next after Scott? That's up to you.

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2024.05.23 22:21 vintagemiseries [Discussion] A Tale of Two Texts: The New Frontier and The Golden Age

I'm going to do something a bit different and take a close look at two major works from the DC Universe: Darwyn Cooke's The New Frontier, and James Robinson and Paul Smith's The Golden Age. If you're playing along at home, the texts I'm using are The Absolute New Frontier from 2006 and The Golden Age trade paperback from 1995.
First a bit of personal context: I didn't enjoy The New Frontier when it first came out, serialized in six quite expensive installments. I loved Cooke's art, I loved the use of some of the more obscure DC war characters, and I loved the characterization of the Martian Manhunter, but the narrative didn't work for me when read in small monthly doses back in 2004. I had read all of the full-length work Cooke had done up until 2004, and none of it had disappointed me at all. But The New Frontier seemed to read more like a tour through the 1950s and 1960s than an actual story. It wasn't until the final issue that I really understood what Cooke was leading up to, but then it was over, and I didn't have the time or the inclination to dig out the back issues and read the whole thing in one sitting. Even when I got the two-volume trade paperback collection a couple of years ago (in an eBay lot of trade paperbacks I bought off of none other than comic book scholar George Khoury), I still didn't bother to read it. To paraphrase Hemingway's Frederic Henry, we don't do the things we want to do.
So I never actually read the entire text of The New Frontier until this past winter, when I was able to sit down with the luxurious Absolute edition and dive into Cooke's illustrated world. I enjoyed it immensely, enough that I wanted to reread it again this summer, which is what I have just done, and now I want to talk about it. But I don't want to talk about it in isolation, and I'm interested in the connection between texts, so I'll also talk about its logical precursor: The Golden Age.
Like The New Frontier, Robinson and Smith's The Golden Age deals with the era between the 1940s and the 1960s. The era in which the comic book Golden Age grew into the comic book Silver Age. The era in which America was undergoing its own transformation, moving from threats abroad to suspicion at home. And just as I had difficulty enjoying The New Frontier as a serialized comic, I couldn't appreciate The Golden Age in that manner either. I only bought the first two issues, actually, back in the early 1990s, and then I lost interest, vaguely thinking that I might buy it as a collected edition some day (even though collections were not guaranteed the way they are today). I did buy it when the trade paperback was released, and because I had never finished it originally, I read the collection immediately. And I liked it. But I thought it was deeply flawed.
I reread The Golden Age yesterday, after thinking about it in regards to The New Frontier. It's not a surprising connection, after all. Cooke himself claims The Golden Age as an inspiration for his own work. But my memory of The Golden Age was a bit hazy, and I recalled it being a much more cynical view of the territory than what Cooke achieved in The New Frontier. My recall was pretty accurate--Robinson and Smith present a quite cynical view of the late Golden Age America.
Now that I've read both works back-to-back, I'm interested in exploring what each says about super-heroes, what each says about America, and how each achieves its (very different) effects. These are the kinds of things I'll be looking at over the next few days.
James Robinson's use of History in The Golden Age
One of the things that strikes me about both The New Frontier and The Golden Age is the way the creators weave American history into their stories. On the surface, such a technique might not be surprising, especially considering that both tales take place in the past. And while it may be true that a so-called "historical novel" or "period film" would be amiss to neglect the details of history which fit its setting, the same isn't always true for comics.
In comics, stories set in the past tend to take place in some vague memory of the past, without any apparent intent in locking the stories into a particular date or era. Take the typical origin stories, or "Year One" stories which DC Comics' creators have retold again and again. In such a story, whether it be Miller and Mazzuchelli's take on Batman, or Waid, Augustyn, and Kitson's take on the Justice League, the setting lacks a distinct time stamp. The characters are younger, true, but the setting lacks specific period detail. The reason for this isn't at all surprising, because locking the characters' past into a specific date would require some major explanations about their ages in the present. Had Miller time-stamped the date on Batman: Year One, and included captions saying "May 3rd, 1980," or whatever, then that might have worked for a few years, but even if we assume that Batman was only 23 when he took inspiration from that window-smashing flying rodent, according to that temporal continuity, he'd be 50 years old in the current stories. And he's clearly not.
So we expect stories set in the past to avoid any kind of specific references to contemporary history, at least in comics. A recent jarring exception to that can be found in Diggle and Jock's newly released Green Arrow: Year One, in which a young Oliver Queen references the "Kevin Costner" Robin Hood. That means Queen must have become Green Arrow sometime in the mid-1990s, which might explain his age today (if he was 22 in 1992, he'd be 37 today, which might be right), but it also implies that his son Connor must only be a teenager today, and he's clearly older than that. Perhaps the reference will work better 10 years from now when the Kevin Costner reference will become part of the vague historical past, but right now it seems too current to make sense.
Anyway, the other MAJOR exception to the rule of not using historical references in comics is the case of stories set during World War II. Even comic books written at the time of WWII regularly included time-stamp references in a way that later comics tended to avoid. Yes, since then, Superman has met Kennedy, and you might see analogues of Bill Clinton or George W. in a story or two, but in the 1940s heroes came face to face with major historical figures (contemporaries to them) on an almost daily basis. Here's FDR! Here's Superman grabbing Hitler on a cover! Here's Tojo! Here's Hawkman enlisting in the army to fight overseas! Etc. Such close ties between "comic book reality" and real-life events never matched the heights of the WWII comics.
And that's why later writers, Roy Thomas MOST prominently among them (he practically invented the whole idea of historical nostalgia super-hero comics), felt compelled to weave actual historical events into the retelling of stories from the WWII era. Thomas's Invaders for Marvel and his All-Star Squadron for DC playfully fit the timeline of actual US history into the fictional timeline of the past super-heroes. In his letter columns, Thomas would often explain (or justify, for the more contentious fans) how the chronology worked.
But, other than WWII era-stories, most comic book stories that take place in the past (unless they are time travel stories, which have their own rules) DO NOT USE SPECIFIC HISTORICAL REFERENCES. It's weird to imagine novels or films avoiding such references—they would surely be criticized for it—but in comics, it's commonplace.
So, in the case of both The New Frontier and The Golden Age, you have two rather significant violations of that standard "rule." And both of which seem deeply indebted to the type of approach Roy Thomas favored so much.
Let's take The Golden Age first, since it was published a decade before Cooke's work. The Golden Age seems like a logical off-shoot of Thomas's All-Star Squadron. It features many of the same characters, and Johnny Quick, a relatively obscure DC character from the past, would certainly not have been a suitable narrator for the story without the characterization Thomas provided in years of All-Star Squadron stories. James Robinson is clearly building on the foundation Thomas created. So, it's not surprising that he would, like Thomas, blend US history into his story. Yet Robinson's approach differs in two distinct ways: (1) He doesn't seem interested in the exact historical details and how they fit into his timeline—he seems more interested in the general sense of historical forces of the time, and (2) Unlike Thomas, who was writing out of a Golden and Silver Age optimism and a belief in the American Dream, Robinson was writing from a post-Watchmen perspective, as a foreign-born writer, who could play with the cynical expectations of the time.
Thus, Robinson gives us coke-sniffing "super-heroes," corruption, brutality, and sex in a tale which features the "pure" heroes of the DC Golden Age of comics. Robinson's approach is not to use specific elements of McCarthyism or the Red Scare (even though those ideas are referenced at least once), but to use the general sense of paranoia and panic, the cynical manipulation of the public for personal gain, and the looming threat of the bomb.
Ultimately, however, Robinson uses all of this as a backdrop for a traditional super-hero romp. The coke-sniffing "super-hero" turns out to be Hitler in disguise!!! (Well, actually the brain of Hitler in the body of a former kid sidekick—talk about a symbol of corruption!) And the hero-turned-power-hungry-politician in the form of the patriotic Mr. America turns out to be old JSA villain the Ultra-Humanite, who knows a thing or two about brain transplants. So, in the end, it's just a classic Golden Age story about punching Hitler and defeating an evil genius.
But it's Robinson's historical subtext which makes the story resonate. It's his use of those undercurrents of paranoia and despair which make these formerly perfect heroes of the past seem flawed and human. His story starts dark and becomes darker but, by the end, Robinson's veil of cynicism falls away, and he reveals himself to be a humanist, if not an optimist. His reverence for these Golden Age characters would not let them be truly corrupted—it had to be evil masterminds and Hitler all along.
And that, perhaps, is one of the failures of The Golden Age. The shock of the initial chapters is just a ruse, and as low as these characters seem to sink, everything can be explained by pseudo-science and comic book logic.
It's just another Justice Society of America story, ultimately, but it's a good one. And Robinson's use of the undercurrents from that era of history make it work, even if it never transcends its roots.
The New Frontier and Camelot
While The Golden Age used the historical subtext to evoke currents of paranoia and doom in a super-hero story, The New Frontier approaches history with a different agenda. As Ultimate Matt pointed out in response to yesterday's post, The Golden Age is labeled an "Elseworlds" title, which not only grants it an exemption from DC continuity, but it allows more freedom for the creators to take the characters and setting in a fresh direction.
The New Frontier, however, is not labeled as an "Elseworlds." And yet, it strays far more from the currently accepted version of continuity than The Golden Age does. The key word there is "accepted." Darwyn Cooke, in his annotations, states that he approached The New Frontier with a set of rules:

The timeline is real and covers 1945 to 1960. Silver Age characters appear at the time DC started publishing them.
Retcons haven't happened yet.
No New Frontier retcons could contradict original continuity—they had to complement existing continuity or show a fresh point of view.
When the story ended, everything had to be as it was when the JLA debuted in Brave and the Bold #28.
Snapper Carr does not exist.

In other words, you should be able to pull out your original comics from that era (or the Archive editions) and read them concurrently with The New Frontier and nothing Cooke does should contradict what happens in those old comics.
The problem with the continuity is that the comics from that era didn't have any continuity. It was never explained how a character could be on the moon in one issue of his own comic, and under the ocean in the same month in his Justice League adventure. All Golden and Silver Age DC continuity is a retcon. So what Cooke did was create his own continuity—he made his own sense out of the various adventures as they were originally published, although the bulk of the book deals with the time between major events. Just like The Golden Age, The New Frontier is about filling in the gaps.
While James Robinson filled the pre-Silver Age gap with an almost allegorical tale of Cold War paranoia and corruption, Darwyn Cooke fills the gap with a sense of wonder and idealism, and he uses his attitude toward history to solidify that tone.
Cooke's approach takes three strands: (1) The Right Stuff-inspired history of that era, embodied by the test pilots and early astronauts, (2) The early promise of the Kennedy administration, and (3) The strange DC comics history as seen in the stories published during that time. Cooke uses the first two strands to illuminate the latter. He puts the Silver Age ascension into perspective as part of a generation of hope and achievement. He shows that the formation of the Justice League was not a random incident, but part of a larger historical movement which led (in our reality) to things like the Peace Corps and Apollo 11.
Cooke ties together such disparate elements as The War that Time Forgot, The Challengers of the Unknown, Dr. Seuss, and all of the characters who would join the initial incarnation of the JLA into a single narrative. And although it takes quite a while before the villain emerges and the heroes band together, the narrative is structured around the real historical forces that would have shaped the creation of these characters. John Broome doesn't wax poetically about the symbolism of Hal Jordan's career as a test pilot in the original Green Lantern run from the Silver Age, but Cooke takes the fact that he was a test pilot and places him in the actual context of such a man. He even includes a scene where the young Jordan meets Chuck Yeager.
That's quite a different approach to history than we saw in The Golden Age, which covers a very similar time frame.
Although Cooke didn't intend (according to his "rules") to change any of the original stories, his interpretation of "fresh point of view" allows him to add things which would have been more historically true even if they weren't addressed in the comics of the time. For example, he not only changes Wonder Woman into an almost plump, hawkish, zestful character (to signify her Greek origins and Amazon heritage), but he creates an entirely new character to illuminate the civil rights struggle of the time. Since he had no black DC characters to draw upon, he created a Silver Age analogue to Steel, the black Superman ally. The Silver Age Steel, unlike his modern equivalent, isn't a technological marvel. Instead, this earlier incarnation of John Henry suffers at the hands of the KKK before taking vengeance, and ultimately dying when he's betrayed by an uncaring white America (symbolized by a blonde little girl, who points out his location to his pursuers). John Henry never meets the Justice League or teams up with any heroes. His death doesn't affect them at all, really, since they didn't know him. But Cooke includes a scene where Edward R. Murrow mourns the fallen hero and laments the state of the country, bringing an actual historical personage into the DC story.
The civil rights subplot, although powerful, is overwhelmed by the exceeding optimism of the other plot threads. Cooke's America, as full of conflict as it might have been, is one of scientific progress and movement toward a brighter future. His villain, ultimately revealed to be Dinosaur Island itself (a sentient being who has unleashed monster after monster), is even more absurd than the Hitler-brain-transplant nemesis in The Golden Age, but because Cooke accentuates the fun and spectacle of the super-heroes (and, to be clear, his emphasis is on the men and women in the costumes, and the risks they take for their heroism), the absurdity of the villain doesn't detract from the story.
Both The Golden Age and The New Frontier end with similar images (the first appearance of the Justice League banded together) and similar sentiments (hope for the future), but where James Robinson built that hope out of the wreckage of the 1940s, Darwyn Cooke builds it out of the dreams of the men and women who sacrificed for the promise of tomorrow.
Both books end with optimism for comic books and optimism for our country, but they took starkly different approaches to get there.
The Unstoppable Force of Progress: Characterization in The New Frontier
Since both The New Frontier and The Golden Age re imagine comic book chronology through one part actual US history, one part comic book history, and one part imagination, it's not surprising to find both Cooke and Robinson taking liberties with the characterization of these pre-Silver Age heroes. Both creators ask the question asked by any creator attempting to retell stories from the past: Okay, this is how they were portrayed, but what were the characters who did these things REALLY like?
I'll start by looking at The New Frontier. Cooke doesn't focus his story on one dominant point of view the way Robinson does (with Johnny Quick), but he tells his story through a few central characters:
Rick Flagg: Leader of the WWII-era Suicide Squad (and presumably the father, or grandfather, of the Ostrander-penned incarnation). Cooke presents him as a tough guy cliché. He's a Hemingway hero—he does what needs to be done and doesn't whine about it or waver in his determination. In Act III of the narrative, his position in the story is replaced by the similarly-characterized King Faraday, who also does what needs to be done, although he seems to have more internal conflict than Flagg. Faraday is a spy, after all, not a soldier. But both characters represent a government which has the best interests of the country in mind. If they hurt a few individuals along the way, that's a necessary sacrifice for the good of the many.
Hal Jordan: The man who would be Green Lantern is NOT portrayed as a cocky rocket jock, as he usually is in contemporary interpretations. Cooke turns his lack of fear into a self-destructive streak stemming from his face-to-face act of self-defense in Korea. In Cooke's universe, Jordan doesn't immediately become a hero just because an alien handed him a ring. It takes time for Jordan to learn that he deserves to be a hero, and that's a large part of what The New Frontier is about. He doesn't reveal himself in Green Lantern costume until AFTER he risks his life to save the world working as a pilot. The two-page "hero shot" of the characters walking towards camera (a la The Right Stuff) shows some costumed heroes, but Jordan is wearing a flight suit. Cooke seems to be showing that he needed to prove himself TO himself before he could accept his new identity, but his reluctance to use the power of the ring leads to Nathaniel Adam's death. (Adam is later reborn as Captain Atom in the comics, but that doesn't happen in this story, and as far as Jordan should be concerned, Adam is dead.) Cooke doesn't provide Jordan with any time for remorse, though, since he needs to use his ring to kick alien butt. The ring, by the way, is also shown as a symbol of destructive energy. When Jordan first uses it, he cannot control it, and it causes great damage. Cooke, then, seems to indicate that the ring might symbolize nuclear energy, and the subtext would be that Jordan's hesitance to use it led to another hero's death. Ultimately, Jordan is Cooke's symbol of the Kennedy era: conflicted, yet determined to bring forth a positive future—harnessing great powers for the good of the nation (and the world).
John Jones, the Manhunter from Mars: Jones says, "...this is a world where good and evil struggle in all levels of existence. I want to be a force for good." That's a simplistic view of humanity, but it's one seemingly shared by Cooke throughout this work. Good and evil may not be easily discernible on the surface, and Cooke gives us the threatening-looking John Henry (with a hangman's hood) as a hero and a little blonde girl as a villain, but the line between good and evil is absolute (and, in fact, John Jones assumes the role of a film-noirish detective so he can find the evil beneath the surface appearance of the world). Jones defines this ethical stance for the reader, and it represents the code of Golden and Silver Age comic books, which lacked anything but absolutes. Even though Cooke might try to provide some not-so-subtle shades of gray (Jordan as a murderer, Wonder Woman as feminist avenger, an undercurrent of xenophobia), his view of history seems to echo the simplicity of the comic book stories of the era. Individuals may not have always done the right things at all times, but it was an era of progress, and good triumphed over evil. The subtext could also indicate that governmental order triumphed over chaotic nature, with the unified heroes, under the leadership of the US government, destroying a threat that wasn't so much malicious as it was animalistic.
Even though Cooke's characterization of some of these characters, Hal Jordan in particular, might not match traditional representations of these individuals, I think it works in the context of the story. The characters serve the story and add a few layers to the text, but it's primarily a historical action spectacle, a celebration of progress over stagnation, and Cooke's characterization unifies the text. I don't think his characters have many hidden depths, but I think their lack of depth matches a story which is primarily about the grand force of history.
As one final observation: Cooke is actually better at small character moments with the minor characters than he is at developing convincing lead characters. The death of Johnny Cloud, Jimmy Olsen's eagerness, the sassiness of Carol Ferris, and several other character bits show Cooke's facility on the small scale, even if his epic narrative doesn't provide the opportunity for subtle nuances with the major characters.
Characterization in The Golden Age: Dragging Heroes to Earth
While Cooke ignores anyone else's retroactive continuity to graft archetypal personalities onto the early Silver Age heroes in The New Frontier, Robinson takes characters straight out of Roy Thomas's All-Star Squadron (like Johnny Quick on the left here) and Young All-Stars and sends them on a dark journey into the 1950s. Robinson does not re imagine these characters drastically, although he seems to do so with Mr. America (but that's part of his narrative ruse). Instead, he takes their established characterization and expands upon it by adding seeds of self-doubt, paranoia, and despair as the characters face a world in which the villains are not as easily identified as they once were. Robinson misdirects the reader at first by pretending to adopt a simplified Watchmen approach, pretending that he's showing what these characters would have been like without costumed villains to fight or gangsters to punch, when, in truth, he's simply changed the nature of the evil to something more covert and less easy to spot. (Which might seem Watchmen-esque as well, except Alan Moore showed us that the heroes were the villains in that story, and here, Robinson ultimately reveals that secret villains with brain-transplant powers were behind the whole thing from the beginning.)
Here's a quick rundown of the central characters in The Golden Age:
Johnny Chambers, a.k.a Johnny Quick: Johnny not only provides the book-ends to the story but, as a documentary filmmaker, he provides the exposition which sets up the story context. One of the things Robinson does NOT do well here, by the way, is clearly distinguish between narrative voice (provided through white, rectangular caption boxes), and newsreel voice over (also provided by white, rectangular caption boxes), although perhaps the colorist was supposed to use different color cues for each and didn't. The CHARACTERS who narrate, like Johnny Chambers, each have their own style of caption—Johnny's are rounded and blue, as you can see in the image. Actually, it's not that it's so difficult to identify the narrative voice, it's just that there is an omniscient narrator who pops up every once in a while for no good reason, and tells us things about the story sometimes, while other times he sounds like he's trying to give us character thoughts but not really: the highly subjective "fingers...fumbling...focusing...trying to..." immediately follows the objective "a photographer lurks among the rubble." The photographer is the one who's fingers are supposedly fumbling as he tries to snap the photo, so why does the caption sound like a bad Batman internal monologue? This really has nothing to do with Johnny Chambers, but I just wanted to point out this major flaw in the narration throughout. With so many characters (Johnny being one) actually providing narration through captions, why does Robinson add an omniscient narrator also? It's jarring and ineffective. It's like he took the strategies of Watchmen with the multiple points of view, and then spliced the conventional narrator on top of it. It just doesn't work.
But a few more things about Johnny: He smokes, and he wears glasses. He still has his powers, but even though they would help him in his day job, he doesn't use them. And he's incredibly suspicious, which is the characteristic that makes him the character the reader most identifies with. He's also lost the woman he loves because he works too hard, although he gets her back in the end. In short, he's a slightly older (although he actually seems to get younger as the story progresses, perhaps symbolizing his return to heroic stature), slightly more sullen, slightly more flawed version of the character we saw in the comics produced in the 1980s (even though those stories were set in the 1940s). He refers to his costumed self as "That Jerk!" at the beginning of the story, but ends on a hopeful note as he describes a "new age...fresh and clear and bright...as sterling silver!" He's never really a cynic, but his pessimism and self-loathing turns to optimism in the end (even quickly dismissing the threat of McCarthyism to look ahead to the glowing future of super-heroics).
Paul Kirk, a.k.a Manhunter: If we play out the James-Robinson-is-trying-to-do-Watchmen-but-not-as-well game a bit more, we could say that if Johnny Chambers is the Dan Dreiberg analogue (the low-self-esteem voice of reason and calm) then Paul Kirk is clearly the Rorschach character. He's the crazy one who will surely upset the apple cart, yet isn't that what has to happen in order to get to the truth? That's his role, anyway. Unlike Rorschach (in his insane way), Kirk doesn't have a methodical approach to uncovering the truth. In fact, he's tormented by the truth, which lies buried beneath mind implants, exploding into awareness only through a series of horrible dreams. He seems deeply disturbed because of the War, but he's actually deeply disturbed because of the secrets he knows. He's another character, like Johnny, who seems to become more youthful and vibrant in the final Act, when he is able to unleash his demons through old-fashioned fisticuffs. Unlike Johnny, though, he visibly suffers for a long time before he reaches the point of action. Here's a sample of his internal monologue from one of his many tortured dreams: "Save the eagle. Save it. Save—n...no...nooooohhhh!!" Then he wakes up and thinks, "Still afraid." That's about the extent of his characterization. He's tormented, fearful, and knows he should be better than that. And, "save the eagle?" Geez, I wonder what in the world that could possibly mean in a book about corruption within the American government. Clearly, even though this book is directed at an older audience than the original Golden Age tales, Robinson keeps his symbolism quite simplistic.
Tex Thompson, a.k.a. Mr. America, and Daniel Dunbar, a.k.a. Dan the Dyna-Mite: These are the two characters most radically changed from their Golden Age counterparts. Mr. America was a whip-wielding patriotic hero and Dan was a kid sidekick who later, under Roy Thomas's writerly guidance, became one of the lead characters in Young All-Stars. In Robinson's story, Mr. America becomes a corrupt politician who seeks power by any means necessary, and Dan the Dyna-Mite becomes America's beloved Dynaman, the only active costumed crime fighter of the time. And he snorts coke. And he's evil.
Neither of these two characters have internal monologues via captions for the reader, because that would give away the twist. Tex Thompson is not really who he seems, for he has the brain of the evil Ultra-Humanite (who has in previous stories adopted the forms of a gigantic white gorilla and a hot ex-starlet, among others). And Daniel Dunbar, who has fallen so far from grace in our eyes (a former teen sidekick with a drug problem whoring around) actually has the BRAIN OF ADOLF HITLER!
So there's not much to say about the characterization here, since these are two evil characters in the most simplistic way. What is interesting, though, is that (a) Robinson chooses one character, Thompson, who seems vaguely sleazy to modern readers anyway, what with that whip and the mustache, and when he's shown to be corrupt, we can buy into it, falling into Robinson's trap of thinking that it's just a regular dude becoming corrupted by power; and (b) Robinson's use of the pure and innocent Dunbar is also a good choice, because it is not only shocking to see him corrupted so extremely (before the truth of the brain-swap is revealed), but it's a nod to cultural expectations about former child stars, who, by the 1990s, were expected to grow up and become criminals or drug addicts or worse, at least by our tabloid-fascinated society.
Like a director who makes his film better through excellent casting, Robinson uses the right two ex-heroes in the apparent role of the villains. His bait-and-switch works, although I was personally disappointed that the threat turned out to be external (evil villains) and not the corruption of these characters from within.
Robinson uses other characters to show the corruption of innocence and loss of the heroic dream. Robotman, so noble in Roy Thomas's All-Star Squadron, has lost any humanity by the time of this story—he's pure machine, while Alan Scott, Green Lantern is conflicted about his duty as a business leader and law-abiding citizen and his passion for ring-slinging and butt-kicking. Hourman is shown to be addicted to his Miraclo pills, while the man once known as the Tarantula is an egoist with writer's block. Ted Knight, Starman, who Robinson would go on to write with great depth and sensitivity in the ongoing series about Jack Knight, is a mad genius who is trying to put the pieces of this shattered world together through science.
I should add here that Robinson, unlike Cooke, isn't drawing from the original sources as the basis for his story. He's adapting his characterizations from the work done during contemporary comics, as Roy Thomas provided retroactive characterization (and explanations) for the WWII-era heroes. Robinson is building on the layers which Roy Thomas built upon the layers which Gardner Fox (among others) built.
Overall, Robinson does provide a sense of disillusionment in his characterizations in this story, even if his narrative technique is sometimes sloppy or inconsistent. Cooke tried to add a bit of humanity to iconic characters in his work, but he was mostly interested in the icons of the era. Robinson drags his characters down into the muck and then builds them back up again, hoping to show how their inner humanity wins out (with all of its flaws) in the face of systematic adversity. Cooke's characters inhabit the skies, the stars. Robinson's characters live on the ground.
So, the final verdict, after looking at The Golden Age and The New Frontier for a week: Not much different than my initial assessment after reading them both last weekend. The Golden Age is flawed because of its inconsistent narrative point of view and it's cheap, brain-swapping revelations. Robinson and Smith capture the disillusionment and paranoia of the time quite well, but it all amounts to nothing except a superhero slug fest in the end. It's 80% of a great work, and 20% of stuff that doesn't quite fit (including the optimistic ending, which seems unearned). As part of a larger, genre-wide trend to make super-heroes more "realistic," violent, and depressing, I'm not a huge fan of its influence.
The New Frontier is flawed, but it's a flawed masterpiece, and I can imagine revisiting the story many times in the future (and I can't say the same about The Golden Age). Cooke tries to include too much in the narrative, and the main threat of Monster Island isn't presented as well as it needs to be, but the book contains dozens of amazing sequences, and it features sharp, engaging characters who flash in and out of the story. The speed of the narrative demands that the book be read quickly, and it works best when read this way, not because it allows the reader to gloss over the weak parts of the story, but because The New Frontier is an overture, and can be best appreciated when all of its notes are heard in rapid sequence. I didn't love it when it first came out, in the completely inappropriate floppy installments, but I loved it after reading the Absolute version a week ago, and I love it just as much after studying it closely all week.
As one final thought: Both The Golden Age and The New Frontier tap so deeply into comic book lore, and I am so deeply embedded in it myself, that I wonder if either of these works has any merit for a "civilian" reader. And I wonder if, perhaps, the darker, more "realistic" tone would be appealing to a non-comics fan, more so, perhaps, than the wide-eyed optimism (tinged with bits of darkness) seen in Cooke's work. Or would the non-comics fan find both stories completely useless and without merit? Are both works examples of the snake swallowing its own tail? I've already been swallowed by the snake of comic book geekery, so I can't answer that one.
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2024.05.23 08:26 Sweet-Count2557 Residences in the Financial District in New York City, USA

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